WEBVTT 00:01.977 --> 00:02.658 Yeah. 00:03.458 --> 00:05.920 That's The Vines with Don't Listen to the Radio. 00:06.341 --> 00:10.444 Well, what sort of a record is that to play at the beginning of three hours of top-notch radio? 00:10.544 --> 00:16.369 It sets out the stall for a show that turns everything upside down. 00:16.509 --> 00:17.750 It's counter-intuitive. 00:17.890 --> 00:18.210 Yeah. 00:18.430 --> 00:19.231 Is that the phrase? 00:19.471 --> 00:20.272 But yes, it is. 00:20.512 --> 00:21.293 Good Saturday morning. 00:21.393 --> 00:22.394 This is Adam and Joe. 00:22.434 --> 00:23.314 My name's Joe Cornish. 00:24.035 --> 00:25.276 Uh, my name's Adam Buxton. 00:25.296 --> 00:27.558 Before that, you heard Razorlight, incidentally, with America. 00:27.938 --> 00:45.897 that was the album version right for you actually a friend of mine asked us to play that today and because he said it's turned him on to razor light oh yeah yeah he hated razor light why what was his problem just didn't like them didn't like thought they were rubbish Johnny's bats Johnny's bats and then he heard that 00:46.724 --> 00:47.664 And that's turned him around. 00:47.705 --> 00:48.325 Now he loves them. 00:48.745 --> 00:50.626 Well, he's going to be into the Scissor Sisters next, isn't he? 00:51.106 --> 00:53.187 What, do you think anything he is, he just loves? 00:53.487 --> 00:58.410 Well, no, I'm just saying that I bracket Razorlight and Scissor Sisters in somewhere similar. 00:58.970 --> 00:59.891 What, the bin? 01:00.411 --> 01:00.651 Yeah. 01:02.245 --> 01:02.925 No, you know what I mean? 01:02.945 --> 01:03.605 In the dusty bin. 01:03.765 --> 01:04.746 Ah, gee, let's get off this. 01:04.866 --> 01:06.646 Raise a light, I've got nothing to do with the scissors, sisters. 01:07.186 --> 01:10.067 What, that was a big storm last night, wasn't it? 01:10.627 --> 01:13.668 It's been very stormy, but now, now the sun's come out. 01:13.748 --> 01:15.068 I tell you what London looks like. 01:15.088 --> 01:15.328 What? 01:15.588 --> 01:22.170 It looks like a, a fresh bowl of ma-bowl of Marks and Spencer's fruit after it's been spritzed. 01:22.870 --> 01:45.217 with a with a moisture spritzer glistening and then someone's turned a beautiful light onto it and now everything's all sexy even the smackies looked all spritzed and sexy in the street they've had a nice wash they've had a lovely wash now they're all sunny it's all flooded everywhere it's totally flooded all the trains are blocked up yeah watch out for big puddles if you're on the pavement watch out for vengeful bus drivers and big puddles exactly and jerky drivers yeah 01:45.777 --> 01:46.078 You know? 01:46.318 --> 01:48.440 Like watery landmines across London. 01:48.500 --> 01:53.046 I've got like a big line of dirt all the way up my back and my front because I cycled. 01:53.366 --> 01:54.287 And I haven't got mudguards. 01:54.327 --> 01:55.469 Is it because you cycled? 01:57.623 --> 01:58.643 No, I done them poo. 02:00.344 --> 02:01.804 Come on, we only just started. 02:01.884 --> 02:02.844 I'm talking about poos. 02:02.944 --> 02:03.824 What have you got there? 02:04.224 --> 02:06.265 So we've got a lot of prizes to give away today, listeners. 02:06.285 --> 02:09.045 We've got loads of DVDs, the original Texas Chainsaw Massacre. 02:09.265 --> 02:12.546 We've got Depeche Mode, some sort of tour, live in Milan. 02:12.826 --> 02:15.027 We've got Zoo TV, live from Sydney. 02:15.047 --> 02:17.547 That's U2, a popular Irish band. 02:17.927 --> 02:20.928 We've got special DVDs, what come in little tins. 02:21.208 --> 02:22.068 Hey, look at that. 02:22.108 --> 02:23.848 Like, as if they're actually celluloid. 02:24.068 --> 02:24.868 Black Hawk Down. 02:24.928 --> 02:27.329 Black Hawk Down, Hellboy, Desperado, Close Encounters. 02:27.669 --> 02:30.951 We've got tickets to see Little Britain Live on Wednesday the 4th of October. 02:31.031 --> 02:31.691 Good prizes! 02:31.711 --> 02:33.032 That's even the press night, isn't it? 02:33.252 --> 02:33.712 I don't know. 02:34.072 --> 02:35.132 Wednesday, is that Wednesday? 02:35.172 --> 02:36.073 Yeah, I think that's the big one. 02:36.093 --> 02:40.115 That's the big press premiere of Little Britain Live finally getting to London. 02:40.415 --> 02:42.716 So we've an extraordinary number of prizes. 02:42.736 --> 02:44.997 We've got a crap commentary competition coming up in a second. 02:45.217 --> 02:47.158 We'll have a text competition in the second hour. 02:47.478 --> 02:51.000 I'm gonna play some brand new material from Charlotte Hathaway's new album. 02:51.480 --> 02:53.241 Not coming out till February. 02:53.281 --> 02:55.061 Has she even called Charlotte heavily? 02:55.462 --> 02:55.822 Heavily? 02:56.562 --> 02:59.664 I always call her, I get confused with that Hollywood actress, because I know her. 02:59.684 --> 03:04.026 So yeah, that thing when you know someone very well, you actually sort of forget their surname. 03:04.166 --> 03:04.766 Yeah, yeah. 03:05.147 --> 03:05.807 Now I know what you mean. 03:06.808 --> 03:08.649 Joe Cranberry Cranberry. 03:09.549 --> 03:11.670 We've also got I'm gonna play a bit of hip hop as well. 03:11.870 --> 03:12.050 Yeah. 03:12.371 --> 03:13.511 Now we're gonna play lots of good music. 03:13.871 --> 03:15.252 Because we're here until one today. 03:15.312 --> 03:16.173 We've got the X list. 03:16.653 --> 03:16.933 All right. 03:17.253 --> 03:20.235 So we're gonna play a lot of enjoyable music right the way through the show. 03:20.395 --> 03:20.955 Stay tuned. 03:21.395 --> 03:22.716 This is Adam and Joe here on XFM. 03:22.776 --> 03:24.317 And right now this is the Zutons. 03:32.944 --> 03:34.686 That's the Zootons with Valerie. 03:34.706 --> 03:36.568 This is Adam and Joe here on XFM. 03:37.128 --> 03:38.570 I was doing a gig last night, Joe. 03:38.890 --> 03:39.171 Oh, yeah? 03:39.211 --> 03:39.671 How'd it go? 03:39.811 --> 03:40.572 Had a bit of a gig. 03:40.592 --> 03:41.153 How'd it go? 03:41.173 --> 03:41.533 It was good. 03:42.474 --> 03:42.915 It was good. 03:43.015 --> 03:43.395 Good gig. 03:43.535 --> 03:43.956 Yeah, yeah, yeah. 03:43.976 --> 03:44.376 Where was it? 03:44.717 --> 03:45.538 Madame Jojo's. 03:46.038 --> 03:47.640 Oh, yeah, you were talking about that last week. 03:47.740 --> 03:48.441 Yeah, yeah. 03:48.701 --> 03:49.141 Teased it. 03:49.322 --> 03:49.962 Did people laugh? 03:50.871 --> 03:52.433 They eventually laughed, yeah. 03:52.493 --> 03:54.615 Did anybody who listens to this show come? 03:54.916 --> 03:55.356 I don't know. 03:55.416 --> 03:57.639 I didn't hang around afterwards, really. 03:58.199 --> 04:02.765 Went to the Phoenix bar with some of the other comics. 04:03.265 --> 04:03.546 Oh, yeah. 04:03.806 --> 04:04.907 Stood around there. 04:05.067 --> 04:06.990 It must be when comics just chat. 04:07.330 --> 04:08.251 It must be hilarious. 04:08.311 --> 04:10.272 I'll tell you what, Joe, it's very funny. 04:10.332 --> 04:13.473 I mean, some of the jokes, because they're like Unleashed, aren't they? 04:13.594 --> 04:13.874 Exactly. 04:14.074 --> 04:17.796 And they can be blue, and scandalous. 04:18.156 --> 04:20.937 God knows what kind of thing you were saying to each other. 04:21.077 --> 04:21.958 Funny stuff. 04:22.278 --> 04:28.401 We were backstage, and at one point someone actually said, this should be the show. 04:29.361 --> 04:46.808 did they yeah because we were freestyling careering all over the area and it was very funny yeah and then we went out and we went out on stage and uh not wasn't that funny really wasn't that funny but um i was i promised myself 04:47.853 --> 05:04.648 that I would do this gig and I wouldn't have anything to drink and I would go straight home and do lots of preparation for this show yeah because it's our last show for a while wanted to go out with a bang yeah for this xfm show and I thought you know I've got to get my head together and be right on the money 05:05.749 --> 05:08.231 So obviously I went out for a drink afterwards. 05:08.811 --> 05:09.452 How many drinks? 05:09.952 --> 05:12.333 I had five drinks. 05:12.774 --> 05:13.334 What drinks? 05:13.774 --> 05:14.415 Big beers. 05:14.775 --> 05:15.355 Big beers? 05:15.476 --> 05:15.856 Yeah. 05:16.176 --> 05:16.676 Big gulps? 05:16.916 --> 05:17.577 Big gulps. 05:17.837 --> 05:18.598 Well you're very stupid. 05:18.638 --> 05:33.968 I know I'm a stupid git and I just couldn't I couldn't help myself it's the thing is that doing a gig you know you get all keyed up and then you have to I don't do them often enough to be disciplined about them you know and the power of booze compelled me to go out and just drink too much. 05:34.708 --> 05:36.169 Well, now you're ruining the whole show. 05:36.530 --> 05:36.930 Sorry, man. 05:37.030 --> 05:39.132 With your hungover ramblings. 05:39.312 --> 05:40.233 With my ramblings. 05:40.473 --> 05:42.014 We've got competition time coming up, though. 05:42.034 --> 05:42.895 That'll fix it, yeah? 05:43.115 --> 05:43.555 That's true. 05:43.615 --> 05:47.818 Stand by on the phones, listeners, if you want to win one of our amazing DVDs. 05:47.858 --> 05:52.382 We've got too many prizes today, so we're gonna be amazingly generous with the prizes. 05:52.402 --> 05:56.125 We might give you two or three prizes of your choice from the Prezi Prize. 05:56.345 --> 05:58.566 Hey, you know what I want to do as well, which we did once before? 05:59.066 --> 06:03.307 I want someone out there shopping to find me an album and bring it in. 06:03.828 --> 06:04.368 Good idea. 06:04.708 --> 06:06.228 We'll tell you more about that in a bit. 06:06.268 --> 06:06.649 The number 0 8 7 1 2 2 2 1 0 4 9. 06:09.710 --> 06:12.931 If you want to win something, stand by for Crap Commentary Corner. 06:13.651 --> 06:18.232 That is coming up after this track and some adverts, but this is a new one from Beck. 06:18.793 --> 06:20.093 It's called Cell Phones Dead. 06:20.893 --> 06:22.374 And what's the name of his new album? 06:23.653 --> 06:25.755 No, no. 06:25.815 --> 06:26.375 What's it called? 06:26.615 --> 06:28.517 It's the wrong show for interesting facts. 06:28.637 --> 06:29.938 Isn't it called The Information? 06:30.418 --> 06:30.698 Is it? 06:30.758 --> 06:37.023 Yeah, it's called The Information because it's named after the independent on Sunday television listings pull-out. 06:37.443 --> 06:38.584 OK, so enjoy this one. 06:38.604 --> 06:39.805 He was going to call it The Culture. 06:40.706 --> 06:41.727 He went the other way instead. 06:42.747 --> 06:44.188 I thought he was going to call it Hot Stars. 06:44.489 --> 06:45.830 He should have called it Hot Stars. 06:46.110 --> 06:49.412 After the OK pull-out, the heat-style OK pull-out. 06:49.552 --> 06:50.973 Anyway, this is Cell Phones Dead by Beck. 06:54.357 --> 06:55.739 Yeah, okay, so this isn't Beck. 06:55.759 --> 06:57.360 Beck's taken a radical new direction. 06:57.440 --> 07:00.223 I was thinking like, boy, he's really gone in a different direction. 07:00.263 --> 07:03.285 Yeah, has he had his bits chopped off even? 07:03.626 --> 07:05.307 I think this is Be Your Own Pet, isn't it? 07:05.367 --> 07:06.688 Has he become a castrati? 07:07.169 --> 07:08.009 Or someone like that. 07:08.270 --> 07:10.051 Your information is wrong. 07:10.372 --> 07:11.052 I'm really sorry. 07:11.072 --> 07:12.273 This is not from the information. 07:12.293 --> 07:13.374 What happened there? 07:13.414 --> 07:14.015 Wrong CD? 07:14.115 --> 07:14.715 Wrong CD. 07:14.896 --> 07:16.497 Didn't read the number on the CD correctly. 07:16.517 --> 07:17.898 You didn't read it, so it wasn't mislabeled? 07:17.918 --> 07:18.379 No, my problem. 07:18.399 --> 07:19.500 Did you take full responsibility? 07:19.680 --> 07:20.541 Full responsibility. 07:21.261 --> 07:22.061 I hold my hands up. 07:22.201 --> 07:23.682 Here, here is Beck. 07:30.643 --> 07:36.045 This is Adam and Joe on XFM London's 104.9, number one for indie rock. 07:36.305 --> 07:44.266 That was the Glaswegian quartet Franz Ferdinand with a track called The Fallen from earlier this year from their second album. 07:44.527 --> 07:45.947 You could have it so much better. 07:46.607 --> 07:47.087 What do you mean? 07:47.448 --> 07:48.428 That's what the album's called. 07:48.508 --> 07:49.229 Oh, I was shocked. 07:49.269 --> 07:50.349 I thought you were talking to me. 07:50.389 --> 07:52.071 Yeah, you were worried that you weren't getting the best deal. 07:52.291 --> 07:52.851 Out of life. 07:53.131 --> 07:53.391 Yeah. 07:53.712 --> 07:53.992 Yeah? 07:54.152 --> 07:54.552 Don't worry. 07:55.072 --> 07:57.594 I was thinking of just throwing everything away. 07:57.714 --> 07:58.294 Nope. 07:58.335 --> 08:00.736 You're getting everything that you could possibly get. 08:00.956 --> 08:01.196 Good. 08:01.977 --> 08:08.181 Now, if you want to win something for pretty much nothing, then stand by your phones because it's... 08:30.512 --> 08:34.714 Go ahead it's easy, you can use 5M TV. 08:38.296 --> 08:40.117 Yes it's crap commentary corner time. 08:40.537 --> 08:48.602 This is the part of the show where we play you an excerpt from a DVD commentary and you have to name who's speaking on what movie they're talking about. 08:48.922 --> 08:54.925 The numbers 0 8 7 1, 2 2 2 1 0 4 9 and the prizes on offer are almost limitless. 08:55.345 --> 09:17.941 it's jaw-dropping the stuff we've got to give away this is the this is kind of the uh flagship competition of the show right right so it should be a big prize what do you think the little britain tickets maybe the little britain tickets uh maybe one of the special dvds what come in tins black everybody loves a tin i love tins tins add extra value think of beans yeah 09:18.641 --> 09:21.783 What would you- what- you know if- Think of beans without a tin. 09:21.803 --> 09:23.805 If it was just a cardboard box or a bag they came in. 09:23.825 --> 09:25.166 You wouldn't be able to pick them up. 09:25.606 --> 09:26.467 No, it'd be pointless. 09:26.487 --> 09:26.647 Tins. 09:26.847 --> 09:28.248 Tins are the cherry on the cake. 09:28.288 --> 09:28.548 Yeah. 09:28.568 --> 09:30.650 It's a bit of a mixed metaphor, really. 09:30.910 --> 09:35.173 But yeah, we've got DVDs in tins, we've got Texas Chainsaw Massacre, we've got kind of really old. 09:35.693 --> 09:36.454 They're not- are these old? 09:36.474 --> 09:37.715 This has been out for ages, hasn't it? 09:38.596 --> 09:39.216 But it's good. 09:39.376 --> 09:39.857 It's brilliant. 09:39.877 --> 09:40.617 Depeche Mode. 09:40.957 --> 09:41.638 Live in Milan. 09:41.698 --> 09:42.359 But it's good. 09:42.759 --> 09:44.060 U2's Zoo TV. 09:44.100 --> 09:44.740 That was in 1982. 09:44.780 --> 09:45.501 But it's good. 09:45.821 --> 09:46.542 But that's good. 09:46.822 --> 09:47.623 It's a good thing. 09:47.783 --> 09:48.884 It's really good. 09:48.964 --> 09:49.804 Just because it's old. 09:50.205 --> 09:51.206 I mean it's not good. 09:51.246 --> 09:52.366 They're really good DVDs. 09:52.507 --> 09:54.108 Get with the old legislation, alright? 09:54.208 --> 09:54.628 Yeah, right. 09:54.648 --> 09:55.249 So here we go. 09:55.289 --> 09:56.089 Listen very carefully. 09:56.129 --> 09:57.591 We want you to tell us what 09:58.231 --> 10:00.012 director is talking. 10:00.493 --> 10:00.973 Quite easy this one. 10:00.993 --> 10:01.954 What film he's talking about? 10:01.974 --> 10:03.855 Well it is, it's quite easy for you Adam Buxton. 10:04.275 --> 10:07.958 He's got to be the most, one of the most recognisable sounding directors in the business. 10:07.978 --> 10:09.819 Do you think, well let's see, let's see how people get on. 10:09.839 --> 10:18.806 You've got to name the director but you've also got to work out which film he's talking about and it's more Teutonic fun here on the Adam and Juliet radio show. 10:18.826 --> 10:26.331 There's nothing we like more than a good old Teutonic accent and somebody who doesn't quite get their words right. 10:26.891 --> 10:27.792 So here's clip number one. 10:28.272 --> 10:32.275 We shot all these scenes, of course, without any of these insects around. 10:32.335 --> 10:33.917 They were all added digitally. 10:34.177 --> 10:43.604 So all the actors had continuously to act as if there was something right in front of them that was threatening and dangerous and that would run towards them. 10:43.644 --> 10:46.006 But of course, there was nothing there. 10:46.846 --> 10:57.775 And the only thing that we could do, Phil and I, is to be the bugs, to yell and scream and run towards them in the rehearsal so they could have getting some feeling 10:58.215 --> 11:21.388 of what was going on, me of course screaming like aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa 11:22.338 --> 11:23.279 He's a brilliant guy. 11:23.519 --> 11:24.901 He's a complete genius. 11:25.001 --> 11:26.283 And this is a great film as well. 11:26.323 --> 11:27.164 Anyway, here's another clip. 11:27.525 --> 11:31.069 But I can tell you that the movie is, in fact, in our opinion, 11:32.282 --> 11:53.139 stating that war makes fascists of us all so whenever you see something that you think is fascist you should know that the makers coincide with your opinion thinking that it is not good that is not a good statement and this is not good politics and if you see a black uniform you should also know bad bad bad 11:55.061 --> 12:22.544 there we go poor man he's frustrated that the film that he's talking about was misinterpreted and kind of misunderstood by the critics and the public people thought it was a dumb kind of irresponsible action spectacular when actually it's deeply satirical it's a critique of fascism at large absolutely what director is that what movie is that 0 8 7 1 triple 2 1 0 4 9 amazing prizes to give away if you think you know the answer call now call now right here's a free play this is Iggy Pop 12:26.482 --> 12:27.603 Oh, that was very exciting. 12:27.663 --> 12:30.266 That was Iggy Pop with some weird... That was more refreshing than a shower. 12:30.446 --> 12:30.966 Yeah, exactly. 12:31.266 --> 12:32.347 This is Elmer John XFM. 12:32.468 --> 12:37.292 We are going to come back after the ads and some more music with the resolution of Crap Commentary Corner. 12:37.332 --> 12:40.035 We have a number of people on the line who think they know what it is. 12:40.235 --> 12:41.516 I thought that was a new band. 12:42.056 --> 12:42.717 With the resolution? 12:42.757 --> 12:43.798 The resolution, yeah. 12:43.938 --> 12:45.920 There's got to be a band called The Resolution, don't you reckon? 12:45.940 --> 12:46.340 I'm sure there is. 12:46.481 --> 12:46.761 Yeah. 12:47.261 --> 12:48.122 What would they sound like? 12:48.743 --> 12:49.583 Not very good, probably. 12:49.764 --> 12:51.105 Come on, sing their hit. 12:52.136 --> 12:54.879 So you say you want a resolution? 12:55.479 --> 12:56.840 That's what the hit would be, eh? 13:01.264 --> 13:01.844 Yes, thank you. 13:01.864 --> 13:03.826 The Gillamots with Trains to Brazil. 13:03.846 --> 13:07.109 We're in the middle of playing crap commentary corner. 13:07.529 --> 13:09.070 I think we've got a caller on the line. 13:09.130 --> 13:10.311 Is it Anthony? 13:10.872 --> 13:11.912 I like to say Anthony. 13:11.973 --> 13:13.073 Anthony, but it's Anthony. 13:13.234 --> 13:13.674 It's Anthony. 13:13.991 --> 13:15.032 What's the deal with it? 13:15.092 --> 13:17.393 Is it Americans that pronounce Anthony Anthony? 13:17.853 --> 13:27.638 No, it's just because I remember in the Joe Dante section of the Twilight Zone the movie that brilliant little thing about the boy who has magic powers. 13:27.658 --> 13:28.578 Do you know that Anthony? 13:28.898 --> 13:31.480 I do I do remember that he's called Anthony. 13:32.520 --> 13:34.681 I don't have a powers myself, but I do know the film. 13:34.941 --> 13:36.602 It's a personal choice though, isn't it? 13:36.782 --> 13:37.062 Is it? 13:37.162 --> 13:41.364 Yeah, I think you either say that you're called Anthony or Anthony. 13:41.384 --> 13:41.925 It's a bit like 13:42.932 --> 13:44.734 Well, actually, it's nothing like Thom Yorke, is it? 13:44.774 --> 13:45.895 No one calls him Thom. 13:46.536 --> 13:47.117 They should do. 13:48.038 --> 13:49.459 How are you doing today, Anthony? 13:49.479 --> 13:50.360 I'm good. 13:50.400 --> 13:52.763 A little bit, you know, having a good time. 13:52.783 --> 13:53.884 A little bit roped from last night. 13:53.904 --> 13:55.086 A little bit having a good time? 13:56.687 --> 13:57.347 That's not bad. 13:57.367 --> 13:58.368 That's a good thing. 13:58.388 --> 14:00.148 I'm doing a little bit of dancing around it. 14:00.268 --> 14:02.269 I can't control my next dancing. 14:02.289 --> 14:03.509 Apart from that, I'm fine. 14:03.529 --> 14:04.710 I can't stop dancing. 14:05.490 --> 14:06.150 Is that right? 14:06.170 --> 14:09.231 I'm not dancing at the moment, but you're back on. 14:09.452 --> 14:11.632 Right, what were you up to last night that got you dancing? 14:11.832 --> 14:14.833 Just friends and a lot of wine. 14:15.594 --> 14:15.934 Yeah. 14:16.174 --> 14:17.154 Hey, there is no friend. 14:17.234 --> 14:19.155 It was just the wine, wasn't it? 14:19.175 --> 14:20.535 You were on your own with wine. 14:20.575 --> 14:21.636 The wine is the friend. 14:22.316 --> 14:23.957 So listen, you reckon you know who that was? 14:24.357 --> 14:24.718 Don't say it. 14:24.738 --> 14:25.778 I hope so, yeah. 14:25.818 --> 14:27.639 We just play a little reminder. 14:27.659 --> 14:29.260 Which clip would you like to hear, Anthony? 14:29.280 --> 14:31.141 The one where he goes bad, bad, bad? 14:31.542 --> 14:32.602 Or the one where he screams? 14:33.443 --> 14:35.664 I think the first one was the bad, bad, bad skit. 14:36.405 --> 14:37.906 That was the second one. 14:38.086 --> 14:39.547 Yeah, but it was the first one you mentioned. 14:39.747 --> 14:44.770 But I can tell you that the movie is, in fact, in our opinion, 14:45.991 --> 14:48.974 stating that war makes fascists of us all. 14:49.554 --> 14:58.382 So whenever you see something that you think is fascist you should know that the makers coincide with your opinion thinking that it is not good. 14:58.782 --> 15:06.929 That is not a good statement and this is not good politics and if you see a black uniform you should also know bad bad bad. 15:08.250 --> 15:09.071 So who is it Anthony? 15:09.691 --> 15:13.014 I'm thinking it's Paul Verhoege with Starship Troopers. 15:13.094 --> 15:13.815 Paul what? 15:14.755 --> 15:16.172 but that their home. 15:16.718 --> 15:21.021 Verhoeven, you have not pronounced the Verhoeven. 15:21.041 --> 15:23.403 Sorry, Verhoeven. 15:23.703 --> 15:25.204 But maybe you know better than us. 15:25.364 --> 15:27.846 Maybe it is Ver-er-ern. 15:29.146 --> 15:29.747 What did you say? 15:29.767 --> 15:32.369 Anthony, you said like Paul Verheuen. 15:32.749 --> 15:33.629 Verhoeven. 15:33.950 --> 15:36.691 Originally though, you said like Paul Verheuen. 15:36.711 --> 15:38.713 It was a silent V. I liked it. 15:38.773 --> 15:39.593 It was brilliant. 15:39.673 --> 15:40.294 It was really good. 15:40.334 --> 15:41.555 It made you sound very clever. 15:41.715 --> 15:43.436 Yeah. 15:43.516 --> 15:45.177 Isn't that a brilliant film, Anthony? 15:47.359 --> 15:47.980 Isn't it just? 15:48.040 --> 15:52.406 And if there's anybody out there that hasn't seen Starship Troopers... I don't know if Anthony was being serious. 15:52.426 --> 15:53.387 Are you being ironic, Anthony? 15:53.407 --> 15:54.268 Do you not think it's good? 15:54.689 --> 15:55.149 No, no. 15:55.249 --> 15:56.591 Actually, I do like it. 15:56.691 --> 15:57.712 It's very funny. 15:57.793 --> 16:01.337 I mean, any film with Doogie Howser in it, you know, it's got to be good. 16:01.437 --> 16:03.280 It's actually a very good action film. 16:03.360 --> 16:04.141 I do quite like it. 16:04.341 --> 16:09.322 Yeah, I think it's one of the best movies of the 20th century. 16:09.642 --> 16:10.182 I agree. 16:10.502 --> 16:11.162 I actually agree. 16:11.182 --> 16:12.362 Genuinely, I kind of do. 16:12.462 --> 16:13.123 It's a peach. 16:13.183 --> 16:14.723 It was completely misunderstood. 16:15.583 --> 16:16.363 It's very ironic. 16:16.443 --> 16:16.983 It's very good. 16:17.123 --> 16:17.563 I liked it. 16:17.803 --> 16:22.344 And Verhoeven, you know Verhoeven, the town where he grew up in Holland was bombed, actually by the Allies. 16:22.384 --> 16:26.745 He goes into it on the commentary and all the surrounding streets, everyone was killed. 16:27.145 --> 16:32.946 And so as a little boy, he walked out into the streets and saw all of his neighbours and everyone in his little town dead. 16:33.306 --> 16:34.166 All the bodies on the street. 16:34.186 --> 16:37.648 So he's got amazing first-hand experience of fascism and war. 16:37.788 --> 16:42.690 And it's supposed to be, because there's whole scenes that he models specifically on Triumph of the Will. 16:42.710 --> 16:46.352 Yeah, it's all based on propaganda films in the 40s and 50s. 16:46.412 --> 16:47.853 It's a satire of propaganda. 16:48.173 --> 16:52.655 And it's extraordinarily relevant in this current political climate, George Bush, Tony Blair. 16:52.675 --> 16:54.316 It's a good translation of it, I'd say. 16:54.756 --> 17:20.386 yeah a good translation yeah no it is it is a very relevant movie but well done there uh antony you get your chance to pick from our amazing bumper pile of prizes what would you like do you want to go and see little britain live um i i'm actually no i can't on that one for what reasons i'm actually working that so okay okay um any of the film dvd sound good okay well um 17:21.169 --> 17:21.950 What do you reckon? 17:21.990 --> 17:24.993 We've got the original version of Texas Chainsaw Massacre. 17:25.013 --> 17:28.938 Texas Chainsaw Massacre, Close Encounters, I Kinda Want Desperado and El Mariachi. 17:29.398 --> 17:32.402 Or there's Hellboy, Black Hawk Down, Depeche Mode, or U2. 17:32.742 --> 17:33.823 Quick as you can now, Anthony. 17:33.843 --> 17:35.846 You can have two of any of those, how about that? 17:35.986 --> 17:39.650 Can I get, I'm sorry, can I go for the Desperado and the El Mariachi? 17:39.890 --> 17:53.735 yeah go on then but you can have another one because they're both in they're both in one box this is okay yeah you got it well done anthony thanks very much for calling uh and thanks for listening thanks a lot anthony have a good weekend right now here's a bit more music this is cassabian 17:57.711 --> 17:59.372 Yeah, it's crunchy. 18:00.173 --> 18:00.813 What, that record? 18:00.833 --> 18:01.413 The record. 18:01.894 --> 18:04.736 Yeah, it's like being shot with rock bullets. 18:05.256 --> 18:06.317 With rock bullets. 18:06.357 --> 18:09.059 Chopped to bits with an axe. 18:09.619 --> 18:11.360 With a rock axe. 18:11.400 --> 18:13.562 That was Kasabian with Shoot the Runner. 18:14.502 --> 18:17.424 This is Adam and Joe here on XFM coming up to the end of our first hour. 18:18.125 --> 18:22.367 And we're gonna be here until one o'clock today, folks, because it's our last show. 18:23.128 --> 18:27.011 And we thought it would be fun just to just to hang out, shoot the breeze with you guys. 18:27.351 --> 18:27.531 Yeah. 18:27.771 --> 18:31.293 Plus it's the X-list in The Last Hour listeners, isn't it? 18:31.453 --> 18:31.713 Is it? 18:32.174 --> 18:39.918 So if you want to request a song to play, do text us on 83XFM or email adamandjoe at xfm.co.uk. 18:40.258 --> 18:48.943 And you know, when people give us things to give away as prizes on this show, sometimes we're a bit lazy about plugging the product, because that's why people give you prizes, right? 18:49.063 --> 18:49.484 It's true. 18:49.604 --> 18:50.324 That's the way the world works. 18:50.344 --> 18:52.145 Yeah, because they want people to know that it's available. 18:52.165 --> 18:53.386 I don't get nothing for free, do you? 18:54.026 --> 18:58.410 So, you know, those films that we just gave away are part of a new range of films. 18:59.251 --> 19:00.432 What come in tins? 19:01.573 --> 19:01.873 Great. 19:01.993 --> 19:03.494 They're going to be very pleased with that. 19:03.534 --> 19:06.197 Yeah, and they're called... Tin films. 19:06.237 --> 19:07.558 Tin flicks. 19:07.578 --> 19:09.039 They should be called tin flicks. 19:09.640 --> 19:10.440 What are they called? 19:10.881 --> 19:16.125 They're called contains exclusive film tin, is what they're called. 19:16.145 --> 19:17.626 And you can get all sorts of films. 19:17.666 --> 19:19.328 Why did you even bother bringing it up? 19:19.861 --> 19:21.562 Because they expect it. 19:21.602 --> 19:23.443 The reason they've given us them to give away. 19:23.463 --> 19:25.024 Do you think they're going to be happy with that? 19:25.284 --> 19:27.725 Well they should have thought of a better name. 19:28.005 --> 19:33.988 Hang on, they're called the Reel Collection, only Reel is spelt R-E-E-L. 19:34.008 --> 19:36.449 And they got sent to us in a big film tin. 19:37.970 --> 19:40.492 And there was a letter, it says, hi Adam and Joe, I hope you're well. 19:40.893 --> 19:46.037 Enclosed to four of the titles from Sony Pictures Home Entertainment's DVD Reel Collection. 19:46.337 --> 19:52.322 So not only are they real, but they're real. 19:52.662 --> 19:53.303 So there we go. 19:53.743 --> 19:54.084 Good one. 19:54.984 --> 19:57.046 OK, we're going to be back shortly. 19:57.086 --> 19:59.408 We've got ads and news and music coming up. 19:59.568 --> 20:00.769 I love ads and news and music. 20:00.809 --> 20:03.251 Can we just drop the music and just hear the ads and the news? 20:03.351 --> 20:04.232 It's paradise. 20:04.352 --> 20:05.013 Yeah, let's do that. 20:10.407 --> 20:14.513 That was the Arctic Monkeys with Leave Before the Lights Come On. 20:14.573 --> 20:21.422 They are of course David Cameron's favourite band and Tony Blair's favourite band, but not Ming Campbell's favourite band. 20:21.842 --> 20:24.205 Ming Campbell favours the Guillemots. 20:26.127 --> 20:29.188 That's a bit of a fact there for you. 20:29.408 --> 20:29.828 A bit of fact. 20:29.848 --> 20:31.309 This is Adam and Joe on XFM London's 104.9. 20:31.369 --> 20:34.210 We're into the second hour of the show. 20:34.790 --> 20:37.491 And now it's time for Adam to make a request to our listeners. 20:37.931 --> 20:38.491 And who is? 20:38.531 --> 20:41.452 This is a kind of just a lazy functional request. 20:41.472 --> 20:43.073 You just can't be bothered to do it yourself. 20:43.373 --> 20:44.653 No, it's not that I can't be bothered. 20:44.793 --> 20:47.194 It was as I was leaving, I've got this CD, right? 20:47.814 --> 20:48.074 at home. 20:48.094 --> 20:48.615 What CD? 20:48.835 --> 20:50.756 It's a CD by Phil Linnet. 20:51.216 --> 20:51.396 Right. 20:51.436 --> 20:53.137 Or rather, I thought I had it. 20:53.417 --> 20:58.560 The point being, listeners, I think Adam wants one of you to go to a shop and do some shopping for him. 20:58.600 --> 20:59.101 Is that right? 20:59.121 --> 21:00.541 Let's do a little bit of shopping, yeah. 21:00.581 --> 21:02.002 Yeah, so there's an album you want. 21:02.322 --> 21:02.462 Mm. 21:02.923 --> 21:04.343 And what, you want to play it on the show? 21:04.804 --> 21:07.865 Well, I had this song going round in my head for ages and ages, you know what I mean? 21:07.886 --> 21:08.906 And you get obsessed by it. 21:09.246 --> 21:10.927 And I tried to find it on iTunes. 21:10.967 --> 21:11.688 I couldn't find it. 21:12.188 --> 21:13.209 Maybe I wasn't searching right. 21:13.689 --> 21:16.851 Anyway, it's a Phil Linnet song, and I'm pretty sure it's called Old Town. 21:17.711 --> 21:19.912 And I think it's Phil Linnet rather than Thin Lizzy. 21:21.013 --> 21:23.034 So it's off one of his solo records. 21:23.074 --> 21:28.757 I think maybe it's off like one where he's looking quite sexy and cheesy on the cover and he's got like his collar up or something. 21:28.797 --> 21:30.958 I think maybe it's called the Phil Linnet album even. 21:31.978 --> 21:34.960 But so it's a bit of a challenge for you listeners, you know? 21:35.040 --> 21:36.540 What, it's going to be difficult to find? 21:36.680 --> 21:37.881 It might be difficult to find. 21:38.061 --> 21:38.461 I don't know. 21:38.661 --> 21:40.903 And what are you offering listeners as an incentive to do this? 21:41.163 --> 21:44.604 Well, they could certainly have their pick of any prizes we've got here, couldn't they? 21:44.664 --> 21:45.645 Is that all a prize? 21:45.905 --> 21:46.425 What else? 21:46.625 --> 21:49.747 Usually they just have to pick up the phone for a prize, but you're asking for a lot more. 21:49.767 --> 21:52.228 You're asking to physically buy the album. 21:52.288 --> 21:53.029 What can we give them? 21:53.349 --> 21:54.850 Well, do you want them to bring it here? 21:55.110 --> 21:55.370 Yeah. 21:55.610 --> 21:57.391 Well, then maybe they should come into the studio. 21:57.451 --> 21:59.172 That's a prize of a kind, isn't it? 21:59.552 --> 22:00.933 It's a sort of a prize, isn't it? 22:01.153 --> 22:01.453 Yeah. 22:01.633 --> 22:04.795 And then, uh, you, I think you should give them some money. 22:04.815 --> 22:05.975 Are you going to pay them back for it? 22:06.055 --> 22:07.096 Obviously I'll pay them back for it. 22:07.116 --> 22:08.376 And will you give them a little bit more? 22:09.017 --> 22:10.077 What kind of thing? 22:10.237 --> 22:11.358 Just a couple more quid. 22:11.835 --> 22:12.556 Oh, I see. 22:12.896 --> 22:16.179 Not like a snog or a... You could give them a snog. 22:16.279 --> 22:16.479 Yeah? 22:16.859 --> 22:17.159 Yeah. 22:17.179 --> 22:18.761 I don't know if they'd be happy with that. 22:19.081 --> 22:32.592 Well, I tell you what, if you're in town and you're near a record shop and you're anywhere near Leicester Square and you're prepared to do this bit of drudgery for Adam, then you can call us on your mobile, tell us you're prepared to do it, and then we can agree some kind of fee. 22:33.032 --> 22:35.654 It can be snog-based, or we can barter. 22:35.674 --> 22:41.199 I'm not saying that they can just demand whatever they want, but maybe they might want to, like, pull out one of your belly button hairs. 22:42.260 --> 22:46.445 Like just lift up your shirt, grab one of the little hairs by the belly button and pull it really hard. 22:47.747 --> 22:49.249 That might satisfy them. 22:49.269 --> 22:52.593 They might want to smack me right in the face. 22:52.673 --> 22:53.595 That's more likely. 22:53.655 --> 22:58.801 If you want to smack Adam in his stupid face, then just buy this Phil Linner album. 22:58.821 --> 22:59.422 What's it called? 23:00.183 --> 23:01.923 I think it's called the Phil Linnet album. 23:02.123 --> 23:04.584 But the song I'm after is called Old Town. 23:04.644 --> 23:05.964 That's the key thing you need to know. 23:06.124 --> 23:06.304 Yes. 23:06.324 --> 23:11.765 So if you're prepared to go and buy that and bring it into us here at number one, Leicester Square, we're right next to the Odeon Leicester Square. 23:12.665 --> 23:14.766 Just what are they playing at the Odeon Leicester Square? 23:14.866 --> 23:15.766 Children of Men, I think. 23:15.826 --> 23:16.366 Children of Men. 23:16.406 --> 23:19.326 Just look out for the giant Children of Men poster and we're just on the right. 23:19.586 --> 23:20.367 But give us a call. 23:20.667 --> 23:21.707 0 8 7 1 triple 2 1 0 4 9 0 8 7 1 2 2 2 1 0 4 9. 23:25.147 --> 23:28.868 If you're prepared to buy that Phil Linnet album in exchange for abusing Adam in some way. 23:29.048 --> 23:29.529 No, what? 23:29.569 --> 23:30.289 Where did that go? 23:30.330 --> 23:30.830 That was just a joke. 23:30.850 --> 23:32.132 That's the only way it's going to happen. 23:32.392 --> 23:35.636 No, because then we're going to have the nutcases coming in and they will want to hit me. 23:35.676 --> 23:38.799 Well fine, we need a nutcase to fill the third hour of the show. 23:38.819 --> 23:39.480 Wrong, wrong, wrong. 23:39.500 --> 23:41.182 That's just what we need is a nutcase. 23:41.222 --> 23:43.204 No, we don't want a nutcase. 23:43.224 --> 23:44.365 Get on the blow at nutcases 08712221049. 23:44.406 --> 23:45.887 What are you doing, man? 23:45.907 --> 23:47.869 If you've got a criminal record, even better. 23:48.510 --> 23:49.972 if you got some kind of weapon. 23:49.992 --> 23:56.120 Joe, you remember you were saying to me the other day sometimes your brain kind of short circuits and you forget to filter out things that you shouldn't say. 23:56.220 --> 23:56.481 Yes. 23:56.721 --> 23:57.442 That's one of them. 23:57.622 --> 23:57.902 Is it? 23:58.103 --> 24:00.346 Inciting nutcases to come in. 24:00.366 --> 24:00.766 It'll be fine. 24:00.806 --> 24:02.548 I've got a brilliant nutcase detector. 24:02.568 --> 24:03.590 Great. 24:03.610 --> 24:05.032 We won't let any genuine nutcases in. 24:05.152 --> 24:06.694 I'm hiding behind you when they come. 24:06.874 --> 24:07.995 All right, listen, here's a free play. 24:08.035 --> 24:09.296 This is from Charlotte Hathaway. 24:09.497 --> 24:10.978 This is from her new album. 24:11.058 --> 24:14.021 It's so exclusive, the album is untitled. 24:14.762 --> 24:19.186 She hasn't even thought of a title, or maybe she hasn't decided on which brilliant title to use. 24:19.627 --> 24:21.268 The album's going to be out at the end of February. 24:21.829 --> 24:23.270 There's going to be a single in December. 24:23.531 --> 24:28.656 We're not even sure whether this is a single, but this is a fantastic slice of new material from Charlotte Hathaway. 24:28.676 --> 24:29.717 This is called I Want You To Know. 24:33.916 --> 24:39.220 There we go, an exclusive first play of material from Charlotte Hathaway's forthcoming album that was called I Want You To Know. 24:39.240 --> 24:40.160 Yeah. 24:40.180 --> 24:43.543 This is Adam and Jo here on XFM on a Saturday afternoon. 24:44.103 --> 24:46.244 Still nice outside, still drying up the puddles. 24:46.465 --> 24:48.146 What a terrible storm it was last night. 24:48.386 --> 24:50.687 What a terrible storm it was last night. 24:51.568 --> 24:52.209 Yeah, well said. 24:52.229 --> 24:53.109 Thanks. 24:53.349 --> 24:55.951 No one's called yet to do Adam's shopping for him. 24:55.971 --> 24:56.291 Do my bidding. 24:56.331 --> 25:01.095 There's a surprise, even when we're offering a chance to give him a little slap. 25:02.774 --> 25:22.231 stop talking about that please I thought I mean who could turn that opportunity down genuinely it genuinely stopped talking about it we are trying to mobilize the listeners today I'm trying to get someone to track down a copy of a Phil Lin at album with a song called old town on it if you're in the West End and you're near a record shop 25:23.232 --> 25:29.715 get it, give us a call, 08712221049 and- Slappy slappy slappy. 25:29.755 --> 25:32.756 Don't say that. 25:32.776 --> 25:33.677 Slappy pappy. 25:33.857 --> 25:34.877 Come on then, what have we got? 25:34.917 --> 25:35.958 We've got a competition coming up. 25:35.998 --> 25:38.199 Yeah, it's text competition time, are we going to do it right now? 25:38.399 --> 25:38.779 Yeah, why not? 25:39.039 --> 25:40.660 OK, this is the text competition, listeners. 25:40.680 --> 25:44.641 And don't forget we've got an extraordinary bumper pile of booty to give away. 25:44.681 --> 25:46.082 We've got amazing DVDs. 25:46.102 --> 25:47.643 You've got an extraordinary bum. 25:47.903 --> 25:49.103 I've got a big bootay. 25:49.783 --> 25:52.745 And we've got tickets to see Little Britain as well. 25:53.145 --> 25:56.706 Samthi's putting her head in her hands because I said I've got a big bootay. 25:56.806 --> 25:57.687 What's wrong with that? 25:59.447 --> 26:03.989 She finds it so overpoweringly... It's turning into what? 26:04.189 --> 26:05.550 It's turning into kids again. 26:06.110 --> 26:06.711 In children. 26:07.091 --> 26:07.992 There's nothing wrong with that. 26:08.332 --> 26:14.917 So text competition, listeners, the text number is 83XFM, and this is what we want you to do to win some of those prizes. 26:15.297 --> 26:18.659 Everybody knows that Thursday night is comedy night, right? 26:18.919 --> 26:19.740 On BBC Two. 26:19.900 --> 26:20.541 Killer line-up. 26:21.041 --> 26:22.482 You've got Extra. 26:22.902 --> 26:26.305 I don't call it extras, because it's not about extras, it's about one extra. 26:26.965 --> 26:28.767 And then it's kind of the Ricky Gervais show. 26:29.267 --> 26:32.790 And then you've got Mitchell and Webb, which is good. 26:33.530 --> 26:36.912 But before that you've got the comedy show that beats them both, Dragon's Den. 26:37.752 --> 26:43.375 With a parade of misguided lunatics who've invented demented things trying to raise money. 26:43.876 --> 26:52.620 So basically we'd like you to come up with a kind of pathetic, a brilliantly intentionally pathetic Dragon's Den style invention. 26:53.721 --> 26:54.841 So here are some real ones. 26:55.922 --> 26:58.864 Last night there was, or not last night, on Thursday night there was Smarty Pants. 26:59.744 --> 27:00.725 Do you know what Smarty Pants was? 27:00.745 --> 27:01.466 Do you remember that, Adam? 27:02.067 --> 27:06.331 Smarty Pants... Smarty Pants was personalized children's underwear. 27:06.672 --> 27:08.233 That wasn't a real one, was it? 27:08.253 --> 27:12.738 Yeah, she'd ordered a hundred and fifty thousand pairs of personalized pants. 27:13.319 --> 27:16.262 She'd failed to get any money from the Dragons. 27:16.863 --> 27:18.284 She's still there a year later. 27:18.985 --> 27:35.400 in a big warehouse full of smarty pants she's got no orders but she's still and i don't know if anybody saw that she was she was let letra setting or kind of printing the name rosa on the smarty pants now if she's doing rosa that's not a very common name is it 27:36.121 --> 27:37.622 Imagine all the other names she's done. 27:37.802 --> 27:39.303 She's got to be doing them to order then. 27:39.624 --> 27:40.404 No, no, no, she's not. 27:40.604 --> 27:41.045 Is she not? 27:41.245 --> 27:44.988 No, she's just hit all the names and ordered like 50 of each. 27:45.348 --> 27:45.888 Rosa? 27:46.168 --> 27:47.589 Yeah, she's in trouble, smarty pants. 27:48.030 --> 27:53.314 But that was a quite sensible one comparatively speaking because there was also my favourite one, Super Knees. 27:53.954 --> 27:54.774 What, super knees? 27:54.794 --> 27:55.894 Did you see super knees? 27:56.134 --> 28:00.035 That's not like pads for... Is that the one where it's pads for cleaning or something? 28:00.075 --> 28:01.055 If only it was. 28:01.475 --> 28:03.576 No, it's roller skates for the knees. 28:04.136 --> 28:04.456 Nice. 28:04.736 --> 28:04.976 Yeah. 28:05.216 --> 28:08.336 So you get on your hands and knees and you've got roller skates on your knees. 28:09.377 --> 28:10.197 It was embarrassing. 28:10.677 --> 28:12.677 The man that invented them was slightly insane. 28:13.477 --> 28:17.598 He's a kind of children's party entertainer or a maths magician or something. 28:17.698 --> 28:18.338 I don't know, anyway. 28:18.458 --> 28:20.178 And they were aimed at children, presumably, were they? 28:20.438 --> 28:20.959 Who knows? 28:21.279 --> 28:23.219 But that would be, apart from anything else, 28:23.519 --> 28:24.880 It would be exhausting. 28:24.920 --> 28:28.742 Can you imagine how tiring that would be to be on your knees on roller skates? 28:28.862 --> 28:29.562 Super knees. 28:29.722 --> 28:31.003 The name's brilliant. 28:31.063 --> 28:34.285 I mean it's brilliant because you would get fit incredibly fast. 28:34.325 --> 28:34.665 Would you? 28:34.705 --> 28:34.825 Yeah. 28:35.045 --> 28:36.566 You'd just get a terribly bad back. 28:36.826 --> 28:37.406 No, no. 28:37.467 --> 28:42.169 Being down there, I'm pretty sure you would be using all kinds of muscles that you... I think it's a brilliant idea. 28:42.189 --> 28:45.251 It's a brilliant idea for cleaners, I think, for people who have to polish floors. 28:46.071 --> 28:46.591 saves time. 28:46.631 --> 28:49.792 And the other terrible one, I can't remember what it was called, but it was an armchair gym. 28:49.852 --> 28:50.412 Do you remember that? 28:50.772 --> 28:54.473 It was like an executive chair and it had a running machine that pulled out the back. 28:55.013 --> 29:00.815 And anyway, so we want you to think of an intentionally rubbish idea for Dragon's Den. 29:00.915 --> 29:11.757 And we also want you to tell us what kind of equity you're giving away for, I don't, I can't remember the language, but what, how much money you want and what percentage equity you're giving away. 29:11.857 --> 29:13.778 If we invest in your, if we're to invest it. 29:13.818 --> 29:15.238 So I've come up with some examples. 29:16.360 --> 29:17.203 My name's Joe Cornish. 29:18.165 --> 29:19.429 These are my business ideas. 29:19.449 --> 29:19.910 Are you ready? 29:19.971 --> 29:20.693 Hit me. 29:20.713 --> 29:21.676 Business idea number one. 29:22.097 --> 29:22.759 Rasta pasta. 29:23.655 --> 29:24.215 That's good. 29:24.656 --> 29:25.656 I like the name of it. 29:25.676 --> 29:26.857 Rasta pasta. 29:27.177 --> 29:29.239 It's pasta in the shape of dreadlocks. 29:29.539 --> 29:30.379 That's just good. 29:30.539 --> 29:32.721 And it's horribly flavoured. 29:32.741 --> 29:33.681 You know what I mean? 29:33.821 --> 29:38.144 It's got a sachet of herb to sprinkle on top of it. 29:38.524 --> 29:39.325 Rasta pasta. 29:39.605 --> 29:40.426 That's brilliant. 29:40.446 --> 29:41.466 That is brilliant, isn't it? 29:41.646 --> 29:43.808 I'm looking for £250,000 for 1% of the business. 29:49.191 --> 29:50.994 That's a pretty hard bargain you're talking about. 29:51.014 --> 29:55.219 Well, that's where the negotiations have got to start. 29:55.619 --> 29:56.340 Here's the second one. 29:56.901 --> 29:58.423 Now this is a bit more sophisticated. 29:59.564 --> 30:00.505 Basically it's for kids. 30:01.446 --> 30:02.608 It's a food accessory. 30:03.529 --> 30:07.193 They're novelty evil plastic heads. 30:08.380 --> 30:14.284 So little evil faces of evil children done in plastic, they've got a spike on the bottom. 30:14.784 --> 30:19.187 You stick them in the corn on the cob to hold the corn on the cob while you eat them, right? 30:19.667 --> 30:20.048 You with me? 30:20.468 --> 30:22.209 They're called children of the corn on the cob. 30:24.426 --> 30:25.808 They're evil children. 30:25.828 --> 30:26.228 Do you get it? 30:26.248 --> 30:26.949 I do get it. 30:26.969 --> 30:28.811 And it makes eating corn on the cob more fun. 30:29.431 --> 30:29.992 Yeah. 30:30.052 --> 30:30.312 Yeah. 30:30.392 --> 30:34.597 Children of the corn on the cob, I'm looking for £100,000 for a 10% equity investment. 30:34.677 --> 30:39.943 I'll tell you what, I'll give you the children of corn on the cob. 30:39.963 --> 30:41.724 Children of the corn on the cob. 30:41.745 --> 30:43.046 Children of the corn on the cob. 30:43.166 --> 30:43.667 I'll give you 30:44.687 --> 30:49.149 15 pence to pop it in the bin. 30:49.169 --> 30:50.669 Well, you're stupid. 30:51.710 --> 30:54.751 I'm going to stick with Children of the Corn on the Cob and I'm going to become a millionaire. 30:55.091 --> 31:00.253 So if you can beat Rasta Pasta or Children of the Corn on the Cob, text 83XFM. 31:01.093 --> 31:04.194 We'll select the best one and give you a whole lot of prizes. 31:04.395 --> 31:05.255 Here's the magic numbers. 31:12.168 --> 31:13.730 I was imagining numbers with Take a Chance. 31:13.870 --> 31:14.932 That's a new single from them. 31:15.012 --> 31:16.815 It's coming out on the 23rd of October. 31:17.315 --> 31:21.101 It sounds like a soft rip-off of Everlong by the Foo Fighters, says Nathan in Brixton. 31:21.782 --> 31:23.484 Alright, Nathan. 31:23.704 --> 31:24.646 That's what I'm saying to you. 31:24.926 --> 31:26.148 Adam's making a horse race. 31:28.061 --> 31:28.981 I think you're right, Nathan. 31:29.762 --> 31:30.722 I don't even know what that means. 31:30.742 --> 31:32.263 Yeah, it's just doing horse noises. 31:32.563 --> 31:34.383 I'm not like consulting you, Nathan, or anything. 31:34.444 --> 31:35.204 I think Nathan's correct. 31:35.644 --> 31:37.805 Extra cops on the streets this weekend in Brixton. 31:38.105 --> 31:40.046 Kids, put the guns down, yeah? 31:40.706 --> 31:41.766 Think about it for a second. 31:42.487 --> 31:43.347 Put the guns down. 31:44.465 --> 31:45.926 That's a little message for the kids there. 31:46.867 --> 31:54.212 Um, Tanya in Watford has texted in an idea, I mean basically I think my idea for Rasta pasta is so good. 31:54.572 --> 31:55.153 It's hard to beat. 31:55.173 --> 32:03.438 That it might just eclipse the whole competition, I mean, because Tanya's suggesting that Rasta pasta could be red, gold and green like tri-colour pasta. 32:03.939 --> 32:04.239 Mmm. 32:04.259 --> 32:05.380 That's a good idea, isn't it? 32:05.440 --> 32:10.283 Because the Rasta market is a huge untapped, um, market. 32:10.683 --> 32:11.464 Mm-hmm. 32:11.604 --> 32:12.485 Like Brixton market. 32:12.525 --> 32:12.765 Yeah. 32:13.125 --> 32:13.686 I'm gonna tap it. 32:14.764 --> 32:16.886 And I think Tanya, I might go into business together with you. 32:16.946 --> 32:18.427 So I'll give you a call and we'll set up a meeting. 32:19.387 --> 32:21.149 We'll go to Barclays, get some kind of a loan. 32:21.809 --> 32:22.730 What would you do, Matt? 32:22.790 --> 32:26.553 You know, I bet you in like six months time, Rasta pasta will be on the market. 32:26.573 --> 32:26.833 Yeah. 32:27.033 --> 32:28.674 And no one will have... Have you patented that? 32:29.094 --> 32:29.515 Have you paid? 32:29.535 --> 32:30.736 Well, you know, you're a fool. 32:31.276 --> 32:35.399 In two months time, I can go out and copy that product and you're stuffed. 32:36.660 --> 32:40.342 So your Rasta pasta can ram jam out the door. 32:41.840 --> 32:43.461 That's what the Scottish one would say. 32:43.901 --> 32:47.182 And the Australian one would go, Joe, you're a nice bloke. 32:47.342 --> 32:48.163 It's a great idea. 32:48.923 --> 32:49.944 I'd like to work with you. 32:50.284 --> 32:54.185 You seem like a really good guy, but I'm out. 32:54.245 --> 32:54.706 I'm sorry. 32:55.126 --> 32:56.566 It's just not my kind of idea. 32:56.646 --> 32:57.507 I don't like resters. 32:58.267 --> 32:59.408 I'm out. 32:59.448 --> 33:03.089 And the American guy would say, he left after series one. 33:03.109 --> 33:03.850 What are the numbers? 33:04.070 --> 33:05.490 Oh, he was all over the last show. 33:08.272 --> 33:11.053 Then there's the woman that looks like one of the fish out of Finding Nemo. 33:12.978 --> 33:15.720 She looks like one of the big blue fish, doesn't she though? 33:15.880 --> 33:16.540 Yeah, a little bit. 33:16.980 --> 33:18.021 I don't know what she'd say. 33:18.921 --> 33:19.282 Something. 33:19.302 --> 33:21.503 Here, I'll give you some products, right? 33:21.703 --> 33:25.685 And some ideas and you have to think of funny ways of telling me to get lost, alright? 33:26.265 --> 33:26.626 Okie. 33:26.686 --> 33:27.486 The way they do on them. 33:27.606 --> 33:28.807 Okie. 33:29.627 --> 33:35.411 So my idea is for a self buffing boot. 33:36.311 --> 33:38.993 You can boot yourself out that buffing door. 33:39.853 --> 33:58.491 nice yeah you see straight in yeah yeah okay what about this hello I've got this is a device it's a cake making device and it makes cake making easier is it easy for you to make a cake 34:01.055 --> 34:01.575 I don't know. 34:01.656 --> 34:03.057 I don't really know about that one. 34:03.097 --> 34:06.820 You could have had your cake and eat it or something like that. 34:06.900 --> 34:07.100 Yeah. 34:07.160 --> 34:07.501 Tea. 34:07.541 --> 34:08.842 You're... You get the idea. 34:09.222 --> 34:10.343 Play a record for God's sake. 34:10.363 --> 34:10.844 Alright then. 34:11.144 --> 34:12.125 Here's a free play right now. 34:12.145 --> 34:13.946 This is The Kinks with Big Sky. 34:18.010 --> 34:19.991 That's the theme to the movie Curious George. 34:20.874 --> 34:21.114 Is it? 34:21.134 --> 34:22.056 No. 34:22.316 --> 34:23.377 It's not supposed to be that great. 34:23.437 --> 34:24.499 Is it Curious George? 34:24.539 --> 34:26.381 No, but that's nothing to do with Curious George. 34:26.661 --> 34:27.102 Oh, is it not? 34:27.442 --> 34:27.622 No. 34:27.883 --> 34:28.624 Nothing to do with it. 34:28.704 --> 34:29.925 Jack Johnson, breakdown. 34:29.945 --> 34:30.406 Oh, there we go. 34:30.446 --> 34:31.567 He did do the... I was right. 34:31.587 --> 34:33.229 He did do the music for Curious George. 34:33.269 --> 34:35.692 I know, but that wasn't anything to do with the actual movie. 34:35.732 --> 34:38.856 No, but I think it was a mistake for him to do the music to Curious George. 34:39.036 --> 34:40.218 Cos it was such a stinky film. 34:40.546 --> 34:46.647 Well, his music is quite, you know, childish, but for adults, right? 34:46.667 --> 34:47.027 Yeah, yeah. 34:47.268 --> 34:49.048 But he's lost the for adults bit. 34:49.428 --> 34:51.508 And now it just sounds like it should be on Play School. 34:52.249 --> 34:52.509 Right. 34:52.529 --> 34:54.909 You know, in a nice way, but it just sounds infantile now. 34:54.949 --> 34:55.589 I see what you mean. 34:55.629 --> 34:58.870 He's aligned himself too closely with... Yeah, I haven't thought about that. 34:58.890 --> 35:01.291 I don't really mean it, but I just thought it might be clever to say. 35:01.311 --> 35:02.491 It's a bit rich coming from us though, isn't it? 35:03.051 --> 35:03.711 It is, isn't it? 35:03.751 --> 35:04.952 We're quite infantile. 35:05.312 --> 35:08.413 So, uh, listeners, this is Adam and Joe, this is XFM, London's 104.9. 35:09.134 --> 35:10.514 Rasta pasta. 35:10.654 --> 35:14.276 We've got two very exciting projects going on on the show at the moment. 35:14.296 --> 35:15.997 Yeah, rasta pasta exists, apparently. 35:16.037 --> 35:23.740 Someone said that it's the name of a restaurant in Belize, someone else said that it actually exists, and they're in the shape of cannabis leaves, little bits of pasta. 35:24.120 --> 35:25.301 And they're in the three colours. 35:25.841 --> 35:27.162 And they're in the three colours, so there you go. 35:27.182 --> 35:27.682 Of the rasta flag. 35:28.442 --> 35:36.005 And somebody else sort of told you rather curtly that it was simply a product you were coming up with, not a business strategy though. 35:36.105 --> 35:37.505 Well, is that true though? 35:37.645 --> 35:39.806 I mean, on Dragon's Den they always have products. 35:40.006 --> 35:42.707 Yeah, but they're backed up with some... You build the business around the product. 35:43.207 --> 35:45.988 That's why I'm going to be rich and you are nothing. 35:46.688 --> 35:50.910 Plus, we've also asked a listener to do some shopping for Adam and that's going quite well, isn't it? 35:50.950 --> 35:51.710 Someone's called in. 35:52.577 --> 35:53.158 Someone's called in. 35:53.258 --> 36:01.124 I always imagined that if people happen to be wandering around the West End, maybe listening to the show on their phones or whatever, then they would pop into the shop. 36:01.164 --> 36:06.829 But someone listening at home in Clapham has gone into the West End. 36:07.049 --> 36:07.910 That's really nice. 36:08.030 --> 36:08.490 That is nice. 36:08.790 --> 36:10.551 And I think it's, I think her name is Andrea. 36:10.992 --> 36:14.274 So I guess maybe she can't listen to the show right now. 36:14.314 --> 36:16.556 She's got 82 minutes to perform the task. 36:16.656 --> 36:17.136 She'll be all right. 36:17.496 --> 36:18.137 She'll be fine. 36:18.437 --> 36:20.559 If she can find the record, it's quite an obscure record. 36:20.599 --> 36:20.719 Yeah. 36:21.039 --> 36:21.719 I'll tell you what, though. 36:22.060 --> 36:26.263 If by any chance there's somebody else out there who is in the West End, we could make it a race. 36:26.463 --> 36:29.545 If you think you can beat Andrea to find the Phil Liddell album. 36:29.565 --> 36:30.266 That's poor old Andrea. 36:30.606 --> 36:31.586 Yeah, but it'll maybe not. 36:31.647 --> 36:32.987 She's coming in all the way from Clapham. 36:33.008 --> 36:35.089 Of course they'll beat her if they're already in the West End. 36:35.109 --> 36:36.050 Yeah, but that would be funny. 36:36.590 --> 36:38.692 You just want to be sadistic. 36:38.732 --> 36:40.614 I'm not going to say slapped again because you'll get angry. 36:41.635 --> 36:44.217 And don't forget, listeners, we've got our text competition running as well. 36:44.237 --> 36:48.101 We're looking for your pathetic Dragon's Den style business ideas. 36:48.701 --> 36:51.904 If they can be pathetic but kind of feasible, that's what's going to win. 36:52.284 --> 36:54.927 And we've already got one really good one that we're not going to read out yet. 36:54.947 --> 36:58.891 We're going to save it and get the guy who wrote it or lady who wrote it on the line. 36:58.911 --> 37:00.912 Do you want to hear some of the other ones we got so far? 37:00.932 --> 37:01.393 Yeah, come on. 37:02.848 --> 37:08.378 Oh dear, a glow-in-the-dark fart kazoo plays an exciting tune when inserted carefully. 37:09.184 --> 37:15.529 If you use my idea first, I can only afford to put forward my gran, but she's got lots of boiled sweets. 37:15.950 --> 37:18.572 She's looking for in the region of a thousand pounds. 37:19.393 --> 37:19.833 Oh dear. 37:20.013 --> 37:20.874 Tristan in London Bridge. 37:20.894 --> 37:21.875 I'm not reading the rest of that. 37:21.895 --> 37:22.535 You know what? 37:22.776 --> 37:26.819 I think I better sort through these texts before I read them out. 37:26.859 --> 37:28.060 Otherwise we're going to get into trouble. 37:28.160 --> 37:29.381 Let's play some more music then. 37:29.421 --> 37:32.404 This is Jamie T with If You Got The Money. 37:34.878 --> 37:37.019 What did I just say? 37:37.120 --> 37:37.920 Money, money. 37:38.580 --> 37:39.781 Joe Cornish talking about money. 37:39.961 --> 37:41.843 Yeah, it was in one of the texts I was reading. 37:43.564 --> 37:46.025 So hello, this is Adam and Joe here on XFM. 37:46.226 --> 37:49.188 That was the fartellis with Chelsea Dagger. 37:49.228 --> 37:50.308 That's not how you say them. 37:51.289 --> 37:52.109 Fartellis? 37:52.390 --> 37:53.210 You're very immature. 37:53.430 --> 37:54.971 Fartellis? 37:55.051 --> 37:59.414 Talking of immature, we've been running a text competition asking people to come up with 38:00.495 --> 38:03.319 Pathetic Dragon's Den style business ideas. 38:03.399 --> 38:07.484 The more kind of rubbish, but yet feasible, the better. 38:08.144 --> 38:12.590 I should say at this point that fans of the programme Time Trumpet 38:13.263 --> 38:17.207 Might remember that they did some very, very funny sketches in there along the same lines. 38:17.727 --> 38:19.589 I'm not claiming this competition to be original. 38:19.769 --> 38:20.009 No, no. 38:20.109 --> 38:20.730 Everybody's covered. 38:20.750 --> 38:21.591 Wasn't putting you down. 38:21.811 --> 38:22.952 Wasn't putting you down, Joe. 38:22.972 --> 38:25.795 Just wanted to... Yeah, flag it up. 38:26.095 --> 38:27.916 Do you want to judge some of these, then? 38:28.977 --> 38:29.138 What? 38:29.238 --> 38:30.519 Adam, do you want to judge some of these? 38:30.739 --> 38:30.839 Yeah. 38:30.859 --> 38:31.360 OK, you're ready. 38:31.460 --> 38:31.720 OK. 38:32.180 --> 38:33.381 Here's a kind of starter one. 38:33.602 --> 38:33.822 OK. 38:33.922 --> 38:34.603 The Gibbon ribbon. 38:35.367 --> 38:36.188 Well, what's that? 38:36.248 --> 38:39.351 This is a ribbon with pictures of Gibbons in different poses. 38:39.451 --> 38:42.633 It's suitable for monkey enthusiasts' present wrapping needs. 38:42.854 --> 38:43.194 Rubbish. 38:43.394 --> 38:47.458 He wants £200,000 for a 10% stake in the equity. 38:47.758 --> 38:49.019 And that comes from Dunstan. 38:49.359 --> 38:49.920 Dunstan? 38:50.040 --> 38:51.081 Out of Dunstan Checks Inn. 38:51.101 --> 38:52.142 That's the best bit about the whole thing. 38:52.162 --> 38:53.043 So he knows about Gibbons. 38:53.183 --> 38:54.143 He knows about Gibbons. 38:54.184 --> 38:55.805 So Adam Buck's saying that's rubbish. 38:56.025 --> 38:57.687 Out the door, monkey boy. 38:57.947 --> 39:01.070 You can take your monkey business and 39:02.384 --> 39:04.746 Climb up a monkey puzzle, a monkey tree. 39:05.106 --> 39:06.328 Because you're a monkey. 39:07.308 --> 39:09.110 And... yeah. 39:09.150 --> 39:09.791 The end of that one. 39:09.811 --> 39:11.452 They wouldn't have used that in the finished program. 39:11.472 --> 39:11.952 No, they wouldn't. 39:12.012 --> 39:13.754 They would have chopped around that one. 39:14.134 --> 39:20.240 Mate, you're a great guy, everybody loves monkeys, but it's just not going to float as a business idea, so I'm out. 39:21.954 --> 39:22.395 What about this? 39:22.535 --> 39:23.076 Pimplimps. 39:23.777 --> 39:28.427 Shoes or boots with one sole deeper than the other enabling anybody to pimp walk like Huggy Bear. 39:28.587 --> 39:29.409 That comes from Mark. 39:29.650 --> 39:30.391 The pimp limp. 39:31.153 --> 39:31.994 The pimp limp. 39:33.226 --> 39:36.388 What's to stop somebody from just, uh, wearing odd shoes? 39:36.828 --> 39:40.010 Or buying, uh, wearing one of their girlfriend's shoes, like a high-heeled shoe? 39:40.350 --> 39:41.711 Why are people gonna buy Pim Lim? 39:42.032 --> 39:42.812 It's stupid! 39:43.052 --> 39:43.913 You're- you're ugly! 39:44.513 --> 39:45.874 You're ugly and you stink! 39:46.294 --> 39:46.815 Get out! 39:48.696 --> 39:49.996 That's the response to that one. 39:50.677 --> 39:50.937 Mate! 39:51.958 --> 39:53.279 It's- Yeah, you get the idea. 39:54.199 --> 39:54.759 What about this? 39:54.819 --> 39:56.220 I just like that Scottish accent. 39:56.280 --> 39:57.220 It's not very good, is it? 39:57.280 --> 40:00.281 It's like Robin Williams' one in Mrs. Doubtfire. 40:00.341 --> 40:01.381 That's right, yeah. 40:02.062 --> 40:03.782 Oh, it's only worse. 40:06.083 --> 40:06.743 Okay, how about this? 40:06.823 --> 40:08.624 Tea, this is quite a good one actually, all right? 40:08.644 --> 40:09.464 You concentrate here. 40:09.824 --> 40:10.544 Tea cubes. 40:11.125 --> 40:11.945 Tea cubes. 40:11.985 --> 40:13.205 They're like sugar cubes. 40:13.585 --> 40:14.906 I assume he means lumps. 40:15.266 --> 40:15.546 Yeah. 40:16.266 --> 40:20.848 But instant tea, so you've combined the tea with the sugar, right, and you just put 40:22.237 --> 40:22.757 Did you get me? 40:22.918 --> 40:24.498 Do you get me, bruv? 40:24.798 --> 40:25.539 In it, allow it. 40:25.959 --> 40:29.601 You just drop it in the tea and it's got the tea leaves in with the sugar. 40:29.981 --> 40:31.322 What? 40:31.422 --> 40:34.263 You don't want tea leaves all over the area. 40:34.623 --> 40:35.203 That's the whole point. 40:35.223 --> 40:38.585 People are happy with bags, you know, to strain out the leaves. 40:38.605 --> 40:39.586 Say it in a Scottish accent. 40:40.706 --> 40:40.966 What? 40:42.568 --> 40:44.369 Oh, you can be Duncan Ballantyne. 40:44.429 --> 40:45.530 He just talks like this. 40:45.790 --> 40:46.390 Right, yeah. 40:46.470 --> 40:46.971 Exactly. 40:47.171 --> 40:51.094 Or you could be Peter... whatever his name is. 40:51.134 --> 40:52.395 Peter Paphides? 40:52.435 --> 40:53.556 He's a television critic. 40:53.576 --> 40:53.776 Yeah. 40:54.116 --> 40:58.980 He's not called that, but the guy who always has coffee round the corners of his mouth looks a bit disgusting. 40:59.653 --> 41:09.203 Yeah, well, I mean, the last 50 years of evolution have more or less come to the point where people want tea bags. 41:09.404 --> 41:17.072 You know, they want to strain the leaves out of the tea, not suddenly have them floating around just because you want a bit of sugar in there as well. 41:17.372 --> 41:18.753 And that's why I'm out. 41:19.013 --> 41:19.894 That's what you say at the end. 41:19.914 --> 41:20.354 Yeah, yeah. 41:20.374 --> 41:20.695 Alright. 41:21.255 --> 41:23.337 Okay, this is a good one from K. Alright. 41:23.457 --> 41:28.000 Flavoured fingernails with added vitamins and minerals for chronic warriors. 41:28.401 --> 41:32.084 Because you know you can get that stuff you paint on your fingernails to stop you biting them that tastes disgusting. 41:32.444 --> 41:34.325 Something to just make it nicer to bite them. 41:34.345 --> 41:34.906 Go the other way. 41:35.106 --> 41:35.787 Go the other way. 41:36.327 --> 41:38.669 A bit of flavour and vitamins and minerals. 41:38.709 --> 41:39.469 And healthy too. 41:39.589 --> 41:40.310 For the noughties. 41:40.390 --> 41:42.412 Everything's got to be healthy in the noughties. 41:42.592 --> 41:43.332 That's good from K. 41:44.153 --> 42:07.061 so listen okay you haven't told us what kind of investment you're looking for um so your business plan is all over the place uh you've come in this what accent is that it went to the it went to like yorkshire or somewhere uh i'm flattering myself should we get someone on the line though and let's get someone on the line let's stop this before we lose all our listeners due to uh them being annoyed okay who have we got on the lines at the 42:08.141 --> 42:10.102 We'll have to play a record and come back to Steve. 42:10.302 --> 42:10.783 We can't. 42:10.843 --> 42:11.523 It's news time. 42:11.603 --> 42:12.644 We'll do it after the news. 42:12.664 --> 42:13.024 Can't do it. 42:13.424 --> 42:14.164 Of course we can. 42:14.184 --> 42:14.565 Just no. 42:14.705 --> 42:15.665 We can do what we want. 42:15.785 --> 42:16.025 No. 42:16.225 --> 42:17.766 Let's just cancel the access. 42:19.795 --> 42:20.336 Steve, are you there? 42:20.996 --> 42:21.317 Hello. 42:21.337 --> 42:22.298 Okay, that was good. 42:22.318 --> 42:22.818 Well done, Sandy. 42:22.858 --> 42:23.359 Hello, Steve. 42:23.679 --> 42:24.360 Hello, how are you? 42:24.560 --> 42:24.940 Very well. 42:24.960 --> 42:26.582 We reckon you're the winner of our competition. 42:26.842 --> 42:27.283 Oh, brilliant. 42:27.303 --> 42:27.583 Thank you. 42:28.084 --> 42:30.106 So we want you to now imagine you're in the Dragon's Den. 42:31.527 --> 42:35.912 You're walking up the stairs, you're smelling the stink of fear, the sweat. 42:35.952 --> 42:38.074 What are you wearing, Steve, for this presentation? 42:39.255 --> 42:40.297 Obviously my best suit. 42:40.317 --> 42:41.498 I wouldn't want to let anybody down. 42:41.789 --> 42:43.590 He's well turned out, serious. 42:44.170 --> 42:45.810 Absolutely. 42:45.870 --> 42:46.911 That's the heartbeat music. 42:46.931 --> 42:48.431 You're standing in front of the dragons. 42:48.791 --> 42:49.932 They're sneering at you. 42:51.492 --> 42:52.212 I'm sneering at you. 42:52.292 --> 42:52.953 And here we go. 42:52.973 --> 42:53.513 What's your pitch? 42:53.533 --> 42:53.713 Go. 42:54.873 --> 42:58.414 I'm looking for £75,000 in return for 1.372% of my awesome horror movie make-up company. 43:04.284 --> 43:05.764 Texas Chainsaw mascara. 43:06.285 --> 43:06.665 Nice. 43:07.265 --> 43:07.925 Texas Chainsaw. 43:07.945 --> 43:10.066 The dragons would not say that, Adam. 43:10.146 --> 43:10.686 Oh, right, sorry. 43:10.706 --> 43:11.866 They wouldn't say nice. 43:12.847 --> 43:15.047 You have not got the idea of the probiotic. 43:15.067 --> 43:15.528 Keep talking. 43:15.668 --> 43:16.188 OK, sorry. 43:16.488 --> 43:17.008 Not you, Adam. 43:17.628 --> 43:17.908 Me? 43:18.188 --> 43:18.369 Yeah. 43:18.469 --> 43:20.189 Oh, you want more? 43:20.389 --> 43:22.710 Well, I got the idea after seeing Duncan's face. 43:24.811 --> 43:27.792 Yeah, now you've insulted Duncan. 43:28.072 --> 43:28.972 Yeah, I'm out. 43:29.609 --> 43:31.871 He never invests anyway, so... He doesn't, does he? 43:31.951 --> 43:36.734 Sorry Steve, I liked you when you came in, but you insulted me and insults do not make money. 43:36.814 --> 43:37.054 I'm out. 43:39.235 --> 43:40.076 Steve, I'm interested. 43:40.456 --> 43:41.717 Duncan Ballantyne, I'm interested. 43:41.757 --> 43:42.537 I like hotter movies. 43:42.577 --> 43:43.358 My kids like hotter. 43:43.938 --> 43:45.079 Hotter's very marketable. 43:47.040 --> 43:47.741 I like it. 43:47.761 --> 43:49.462 I saw you won a 1.372% for how much? 43:49.482 --> 43:49.462 75,000. 75,000? 43:55.831 --> 43:57.852 Well, there's a bit of research to do to get the black side just right. 43:57.872 --> 43:58.452 Stop talking! 43:58.472 --> 44:00.393 You've got a verbal diarrhea, stop talking. 44:00.413 --> 44:01.833 It's my turn to talk. 44:01.853 --> 44:07.315 You've made me angry, so now I'm going to offer you half the money for twice the percentage buy-in. 44:07.815 --> 44:08.716 That's good, that's good. 44:09.296 --> 44:12.497 Alright, now by saying, oh no, you've proved yourself weak. 44:13.077 --> 44:16.858 So now I'm going to offer you nothing for a full stake in the company. 44:17.319 --> 44:19.039 Oh, rather true about that, Steve. 44:19.519 --> 44:23.961 That's quite an attractive proposition because, you know, getting Duncan's expertise 44:24.522 --> 44:29.629 behind my company in return for me getting absolutely nothing would be just perfect. 44:29.849 --> 44:32.052 Good, well in that case I'm in. 44:32.653 --> 44:33.114 You've won. 44:33.294 --> 44:34.696 You've won, well done Steve, you've won. 44:35.717 --> 44:36.638 What prize would you like? 44:36.658 --> 44:40.003 Have you got the little Britain ticket still? 44:40.222 --> 44:40.602 Yeah. 44:40.622 --> 44:41.843 We do, yeah. 44:41.863 --> 44:42.583 That's a brilliant prize. 44:42.603 --> 44:43.504 Do you want a couple of DVDs as well? 44:43.524 --> 44:45.385 Yeah, I would love a couple of DVDs. 44:45.405 --> 44:45.885 Of course you do. 44:45.905 --> 44:47.126 We'll give you some DVDs. 44:47.366 --> 44:48.706 Well, you can have the Texas Chainsaw Massacre. 44:49.087 --> 44:50.067 How very apple-sized. 44:50.107 --> 44:50.527 Perfect. 44:50.908 --> 44:51.548 How perfect. 44:51.768 --> 44:55.410 It's almost as if we've planned this chaotic, stupid mess of a show. 44:55.650 --> 44:56.971 Thank you so much for calling in, Steve. 44:56.991 --> 44:57.631 That was really good. 44:58.031 --> 44:58.672 Thank you, Steve. 44:58.912 --> 44:59.392 Well done. 44:59.752 --> 45:00.533 Have a good weekend. 45:00.573 --> 45:02.133 This is Adam and Joe here on XFM. 45:02.153 --> 45:02.894 We'll be back shortly. 45:05.743 --> 45:11.728 That was the Pixies there, with Number 13 Baby kicking off our X-list hour here on XFM. 45:11.748 --> 45:12.628 This is Adam and Joe. 45:13.048 --> 45:15.050 That was going out to Matt Sizer. 45:15.550 --> 45:17.612 Matt, thanks very much indeed for getting in touch. 45:18.913 --> 45:19.633 Thanks for your text. 45:19.953 --> 45:20.974 I hope you enjoyed that one. 45:21.014 --> 45:22.035 Thanks for listening to the show. 45:22.495 --> 45:26.858 And folks, if you've got any requests or dedications you'd like to make, now's the time to make them. 45:27.219 --> 45:29.180 You can text us at 83XFM. 45:30.001 --> 45:32.783 And we'll play some stuff from the XFM vaults. 45:33.183 --> 45:38.409 Yeah, and thanks to everybody who texted in for our Dragon's Den style competition, which is now closed. 45:38.990 --> 45:44.156 And if I didn't read yours out, I'm sorry, but a lot of them were very silly and rude. 45:45.378 --> 45:46.199 They really were. 45:46.299 --> 45:47.560 That's what we're like, though, isn't it? 45:47.581 --> 45:48.782 That's what people expect from us. 45:48.802 --> 45:50.644 Well, no, because we can't be rude on the radio. 45:50.804 --> 45:51.025 Yeah. 45:51.525 --> 45:53.967 We think of alternative ways to say rude things. 45:54.288 --> 45:55.609 Sometimes people. 45:55.649 --> 45:56.930 Sometimes you're quite rude. 45:57.110 --> 45:59.612 But anyway, thanks for everybody who entered that. 46:00.373 --> 46:07.759 We're into the last 55 minutes of our show and indeed the last 55 minutes of our time this year on XFM. 46:07.839 --> 46:08.780 We're taking a little break. 46:09.141 --> 46:10.802 Hopefully we'll be back next year though. 46:11.022 --> 46:11.323 We hope. 46:11.463 --> 46:12.023 Early next year. 46:12.123 --> 46:12.383 Maybe. 46:12.564 --> 46:12.864 We hope. 46:13.164 --> 46:13.805 Yeah, exactly. 46:14.005 --> 46:16.767 Unless, you know, something goes really right in our lives. 46:16.807 --> 46:17.008 Yeah. 46:19.129 --> 46:21.151 Now, update on Shopping Mission. 46:21.952 --> 46:24.534 I've mobilised the XFM listeners to help me out. 46:24.914 --> 46:26.576 I want to play a song called Old Town. 46:26.636 --> 46:28.137 At least I've had it going round in my head. 46:28.697 --> 46:30.239 I can't even remember if it's any good or not. 46:30.659 --> 46:33.662 But it's a brilliant, I think it's a brilliant song by Phil Linnet. 46:34.362 --> 46:36.985 And I want someone out there to go and find it for me. 46:37.205 --> 46:44.331 And so far Andrea has called in and she is on her way from Clapham to the West End to try and track the album down. 46:44.671 --> 46:47.994 so that we could play Old Town at the end of the show. 46:48.314 --> 46:50.216 But she's only got 50 minutes left now. 46:50.256 --> 46:51.177 Yeah, time's running out. 46:52.278 --> 46:59.044 So Andrea, give us a call if you can hear this, let us know what your progress is, and we'd love to hear from you. 46:59.765 --> 47:07.753 A lot of people have been texting in as well and emailing to ask what the name of the band who we played a couple of records by last week and the week before. 47:08.033 --> 47:13.378 The song about Reeboks last week and the previous week it was a song with a cab driver. 47:13.979 --> 47:23.668 They're called North of Ping Pong and you can find out about them on their website northofpingpong.com but we've got to stop talking about them because it's sounding like we're some kind of North of Ping Pong 47:24.128 --> 47:31.736 advertising Tom unit so yeah okay now here's what I've done right listeners I've done a mix for you 47:32.671 --> 47:39.352 And this is the kind of thing that when we first started doing this show, I always thought, I'll do mixes and stuff and I'll be like a real DJ. 47:39.752 --> 47:45.394 And I think I mentioned it to either Carl Pilkington or Brian who was producing our show then. 47:45.974 --> 47:49.655 And I wish I had a photograph of the face they made. 47:50.255 --> 47:53.215 It was basically just sort of saying, don't ever, ever do that. 47:53.675 --> 47:54.796 But I sneaked one in. 47:54.836 --> 47:55.716 What do you mean a mix? 47:56.616 --> 47:58.358 I've mixed like two tracks together. 47:58.779 --> 48:06.469 So to create one track, I mean is this now going to just be a very very long uh like like two tunes but they'll fade into each other? 48:06.489 --> 48:07.831 Yeah that's all I'm talking about. 48:07.851 --> 48:08.091 Oh right. 48:08.111 --> 48:10.054 So it's not like a mash-up? 48:10.434 --> 48:13.659 No it's not exactly a mash-up but I've creatively mixed them together. 48:14.059 --> 48:19.841 OK, so we've got to sit through one track and then wait until the next one comes in and there'll be... They're classic XFM tracks that have been requested by our listeners. 48:20.241 --> 48:21.161 OK, OK, cool. 48:21.461 --> 48:22.521 So I hope you enjoy this. 48:23.022 --> 48:24.822 This is, what have we got here? 48:24.882 --> 48:26.603 We've got, yeah, Blur. 48:27.383 --> 48:27.783 Classic. 48:27.883 --> 48:29.864 Nice bit of Blur coming up, followed by The Strokes. 48:30.184 --> 48:30.784 Ooh. 48:31.084 --> 48:33.605 And you've done some interesting mixing between the two. 48:33.665 --> 48:35.125 I'm going to do a little bit of mixing for you. 48:35.325 --> 48:36.005 So check this out. 48:36.025 --> 48:40.947 This is going out, this was requested by Martin in Sheen, East Sheen. 48:41.767 --> 48:42.328 Is that a place? 48:42.868 --> 48:43.969 Is it Sheem or Cheem? 48:44.349 --> 48:44.769 Sheem. 48:44.789 --> 48:46.190 S-H-E-E-N. 48:46.651 --> 48:50.133 And The Strokes is going out to Gareth. 48:50.874 --> 48:52.915 Gareth Tunley, who I did a gig with last night. 48:52.935 --> 48:54.156 And you're going to mix these live? 48:54.336 --> 48:54.857 Yeah, yeah. 48:55.017 --> 48:55.557 Check this out. 48:55.938 --> 48:56.258 Here we go. 49:09.485 --> 49:12.429 Mashing it, mixing it all up, mixing, mixing, mashing, mixing. 49:12.729 --> 49:13.771 Well done Sumixalot. 49:13.831 --> 49:14.692 Thank you very much. 49:14.712 --> 49:15.533 That was very good. 49:16.214 --> 49:18.637 You made the beat fit with the tune. 49:18.677 --> 49:19.538 Like a real DJ. 49:21.207 --> 49:21.567 Yeah. 49:21.787 --> 49:27.070 And he does it with 45 minutes left in our careers at the 11th hour. 49:27.450 --> 49:29.151 God, such a good song though, isn't it? 49:29.231 --> 49:29.731 Come on. 49:29.771 --> 49:32.713 That was the strokes with Hard to Explain and before that you heard Chemical World by Blur. 49:32.893 --> 49:35.174 Yeah, this is Adam and Joel on XFM London's 104.9. 49:35.214 --> 49:40.116 We were doing a Dragon's Den competition earlier, we've kind of closed it, but there's a couple of really good ones I missed. 49:40.276 --> 49:40.556 Oh yeah. 49:40.876 --> 49:41.237 Doggles. 49:41.677 --> 49:42.137 Doggles? 49:42.457 --> 49:43.798 Goggles that you put on your dog. 49:44.038 --> 49:44.918 That exists, doesn't it? 49:44.938 --> 49:45.679 That play at Wade. 49:45.979 --> 49:46.179 What? 49:46.539 --> 49:47.940 That play a video of the park. 49:48.360 --> 49:49.961 So you don't have to take him out for a walk. 49:50.301 --> 49:51.081 That's cruel. 49:51.202 --> 49:51.742 Two pounds for 27%. 49:51.942 --> 49:52.202 Yeah. 49:53.243 --> 49:54.903 From James in Twickenham, that's exciting. 49:55.083 --> 49:56.104 Poor old Pogs. 49:56.124 --> 49:57.465 And barbie dolls. 49:58.465 --> 49:58.725 Yeah. 49:59.386 --> 49:59.946 What? 49:59.986 --> 50:03.708 They're sausage meat shaped women that you pop on the barbie. 50:04.208 --> 50:05.069 Oh, I see. 50:05.189 --> 50:08.250 Yeah, sausage meat in the shape of a sexy lady like a Barbie doll. 50:08.330 --> 50:10.211 So you're just saying that women are like meat? 50:10.792 --> 50:11.972 I'm not saying it, Duncan. 50:12.132 --> 50:13.073 To go on a Barbie. 50:13.733 --> 50:14.714 Duncan, who emailed. 50:14.834 --> 50:15.974 That's a revolting idea, Duncan. 50:15.994 --> 50:17.095 What a revolting idea, Duncan. 50:17.115 --> 50:18.095 You've got a sick mind. 50:18.115 --> 50:20.076 Check yourself into a hospital as soon as possible. 50:20.737 --> 50:22.958 OK, here's a bit of hippity hoppity. 50:23.578 --> 50:26.180 This is a guy who's the latest thing, right? 50:26.560 --> 50:27.960 Xanthi, you know about hippity hoppity. 50:27.981 --> 50:29.521 He's called Luke... How do you say his name? 50:29.541 --> 50:30.282 Lupe Fiasco? 50:30.982 --> 50:32.023 Yeah, he's a rapper. 50:32.483 --> 50:36.226 And he's done this really pretty excellent song, which is about the joys of skateboarding. 50:36.886 --> 50:38.307 And I can't skateboard. 50:38.587 --> 50:40.669 And let's face it, listener, neither can you. 50:41.029 --> 50:42.250 But we all wish we could. 50:42.630 --> 50:44.271 And we all dress like we can. 50:44.811 --> 50:49.334 And many of us just carry a skateboard round, but never step on it. 50:50.375 --> 50:51.556 I'm never without my skateboard. 50:51.616 --> 50:53.677 Just so that people see you with it. 50:54.158 --> 50:57.079 I know at least two people who carry skateboards around. 50:57.240 --> 50:58.140 And they can't skateboard? 50:58.240 --> 50:58.901 Not very well. 50:58.981 --> 50:59.361 Shut up. 50:59.421 --> 50:59.761 Yeah. 51:00.041 --> 51:00.362 Really? 51:01.483 --> 51:01.883 Does he? 51:02.143 --> 51:02.423 Joel. 51:03.184 --> 51:03.524 Really? 51:03.724 --> 51:05.646 They're not going to be happy about you saying that. 51:05.846 --> 51:07.848 Well, it's time they faced up to the reality. 51:08.848 --> 51:09.449 But here we go. 51:09.529 --> 51:15.394 If you're a pretend skater or a real skater or just like a bit of hippity hoppity, this is Lupe Fiasco with Kick Push. 51:22.179 --> 51:22.619 What's he saying? 51:22.639 --> 51:23.100 Swanky? 51:23.420 --> 51:24.080 Swanky, yeah. 51:24.100 --> 51:24.741 Swanky. 51:24.881 --> 51:26.882 It just means kind of like cool and posh. 51:26.902 --> 51:27.422 Swanky. 51:27.803 --> 51:28.643 And sophisticated. 51:28.683 --> 51:30.985 That's Lupe Fiasco with Kick Push. 51:31.105 --> 51:31.605 That's good, man. 51:31.825 --> 51:34.207 Apparently he came in and rapped that on the All City show. 51:34.587 --> 51:37.989 XFM's defunct hip hop show has been taken off. 51:38.450 --> 51:39.571 XFM's not about hip hop, man. 51:39.591 --> 51:40.611 XFM's not about hip hop anymore. 51:40.631 --> 51:41.552 It's not about the hip hop. 51:41.592 --> 51:41.772 No. 51:42.913 --> 51:44.354 So there we go, but that's pretty good stuff. 51:44.474 --> 51:49.097 You can take your hip hop and hop out of the room. 51:54.065 --> 51:56.607 Ah, Travis. 51:56.907 --> 51:58.368 What's that one called, Flowers in the Window? 51:58.388 --> 51:59.569 Flowers in the Window. 51:59.849 --> 52:00.369 Yeah. 52:00.389 --> 52:01.870 This is Adam and Joe here on XFM. 52:02.030 --> 52:04.532 We're very excited to be joined in the studio by a listener. 52:04.732 --> 52:22.285 We don't usually have guests of any kind in the studio, but Andrea responded to my requests earlier on to go out and find me a copy, find me a copy, of the Phil Linnet album that contains the song Old Town, which has been going around like a little snatcher, this song's been going around in my head. 52:23.125 --> 52:24.646 Look at Andrea, she's here, look! 52:25.146 --> 52:34.291 She's over there and she's got headphones on and a mic and you're so, you've obviously, you actually heard the show then you got, you were in Clapham and then you got out of bed. 52:34.311 --> 52:35.671 I did, quite literally. 52:35.691 --> 52:40.974 And you actually came into town, went to the shop, all for the sake of this idiot man here. 52:41.534 --> 52:46.677 And the best thing about Andrea though, if I can listen, if I can describe her to you, she's got lovely, what colour is your hair brown? 52:47.037 --> 53:08.240 it is today yeah brown hair she's got a very beautiful face for beautiful smile but she's kind of dressed like a like a postal lady yeah like a postal worker dressed like her at first i thought it was a kind of a sexy scout outfit but it's actually kind of a us male outfit so this gives you the aura of some and you've delivered well i tell you what joe i did have my challenge anika tracks 53:09.181 --> 53:11.103 But then I realised it needed to go in the wash. 53:11.483 --> 53:17.529 That would have been even more suitable, because you just have an air of efficiency and, you know, as if... What can I say? 53:17.889 --> 53:21.033 Did you actually put that on specially for us because you were delivering something to us? 53:21.373 --> 53:22.174 I did, actually. 53:22.194 --> 53:22.454 Did you? 53:22.494 --> 53:22.894 Seriously? 53:22.994 --> 53:26.398 No, actually, to be honest, it was the only thing that wasn't in the washing pile. 53:26.478 --> 53:26.598 OK. 53:26.718 --> 53:28.099 It was just a happy coincidence. 53:28.340 --> 53:29.621 And so, Andrea, why? 53:30.642 --> 53:30.762 What? 53:31.522 --> 53:32.642 Why have you done this? 53:33.143 --> 53:36.384 Were you lured by the idea of hitting Adam? 53:37.064 --> 53:40.005 Or the idea of pulling out one of his belly button hairs? 53:40.506 --> 53:41.826 Or the idea of kissing him? 53:43.767 --> 53:46.828 Would I find like a prison pussy if I said it was the snog? 53:47.248 --> 53:47.888 No, you wouldn't. 53:47.988 --> 53:48.769 Are you going to say that? 53:49.009 --> 53:49.169 Yeah. 53:49.844 --> 53:52.907 Well to be honest, it was the snog one has to say. 53:52.927 --> 53:54.488 This is you brazen husking Adam. 53:54.508 --> 53:56.870 I'm actually here after running the hallway. 53:56.930 --> 53:57.730 Literally. 53:57.750 --> 53:58.531 Now that you've seen me. 53:58.651 --> 54:00.693 Some oxygen would do instead. 54:00.993 --> 54:01.954 What do you want, say that again? 54:01.974 --> 54:04.296 Or actually he could mop the sweat from my rivals. 54:04.316 --> 54:06.478 Go on, do that Adam, steady on. 54:06.498 --> 54:08.359 Well I don't know, should we check if it's the right CD? 54:08.399 --> 54:10.801 Not going to mop the sweat, eh that sweat's rubbish. 54:11.121 --> 54:14.604 No I'm not going to mop the sweat, mop the sweat is what I might do. 54:14.904 --> 54:16.666 But Andrea are you a fan of Phil Linnet? 54:17.699 --> 54:19.161 Well, can I tell you the truth? 54:19.221 --> 54:21.624 I've never actually heard of Phil before this morning. 54:21.644 --> 54:22.665 You've never heard of Thin Lizzy? 54:23.106 --> 54:23.806 You've heard of Thin Lizzy? 54:23.826 --> 54:24.788 I have heard of Thin Lizzy. 54:24.808 --> 54:27.110 The boys are back in town, the boys are back in town. 54:27.130 --> 54:27.571 That's Thin Lizzy. 54:27.611 --> 54:28.752 Here, let's have a look at Andrea. 54:28.772 --> 54:30.174 We'd better get it all queued up and stuff. 54:30.495 --> 54:32.937 They are one of the greatest rock and roll outfits of all time. 54:32.957 --> 54:34.740 Well, why does the CD so cheap then? 54:35.712 --> 54:38.635 Uh, well, it was not a big success, I don't think, that album. 54:38.655 --> 54:39.515 Have you seen his face? 54:39.535 --> 54:41.477 I don't know if that was his first solo album. 54:42.018 --> 54:42.838 Can I have a look at it, Joe? 54:43.138 --> 54:43.479 Sure. 54:43.499 --> 54:45.060 How much did it cost? 54:45.160 --> 54:46.501 It was £6.99. 54:46.982 --> 54:47.322 £6.99, isn't it? 54:47.722 --> 54:48.743 But he's just great. 54:48.763 --> 54:54.388 He's got, like, one of the all-time great rock and roll voices and one of my favourite bands, Spoon, who I'm just gonna play very shortly. 54:54.728 --> 54:57.671 The lead singer of Spoon often sounds like Phil Lynott to me anyway. 54:58.171 --> 55:02.395 And this song, Old Town, I don't suppose it's been played on the radio probably since about 55:03.355 --> 55:18.261 1982 when it came out there you go 82 and I just remember it being a lovely song and I've never heard it since then and it popped into my head the other day so I'm gonna play at the end of the show fingers crossed and it's not a total turkey let's have the mopping I'll do some mopping and in the meantime here's spoon 55:23.365 --> 55:46.903 nice that's spoon with oh hello sorry mate that wasn't such a good mix no that wasn't some mix a lot i had the continuous button still on didn't i that was spoon with 30 gallon tank this is adam and joe here on xfm we've got andrea yeah are we gonna have some guests we're gonna have some adverts i'm just sort of putting things in context you know setting the scene we've got andrea here we're gonna be talking to her a little bit more about her life about her projects about her hair 55:47.783 --> 55:53.865 And we're going to be playing the Phil Lynott song, obviously, in the last 20 minutes or so. 55:54.325 --> 55:55.905 Check out some of the people on this album. 55:56.365 --> 56:04.468 Featured musicians, Midge Ure, Mark Knopfler, Huey Lewis, Rusty Egan. 56:04.808 --> 56:05.348 Amazing. 56:05.388 --> 56:06.488 All these people on this album. 56:06.908 --> 56:08.749 I'm really looking forward to hearing this song again. 56:10.149 --> 56:10.850 Don't be like that. 56:11.010 --> 56:11.470 Come on. 56:11.490 --> 56:13.232 I said I'm excited. 56:13.692 --> 56:14.272 I'm excited. 56:14.312 --> 56:14.913 Huey Lewis. 56:15.613 --> 56:16.654 Mitch Yore. 56:16.734 --> 56:17.355 Geniuses. 56:17.555 --> 56:17.855 Yes. 56:17.875 --> 56:18.976 You're talking about geniuses. 56:19.036 --> 56:19.316 Yes. 56:19.576 --> 56:19.857 Right. 56:20.197 --> 56:21.158 Let's have some adverts. 56:25.121 --> 56:27.483 Talking Heads with Once in a Lifetime. 56:27.543 --> 56:31.105 That was going out to Jack in Tooting. 56:31.846 --> 56:33.327 Thanks for listening to the show, Jack. 56:33.968 --> 56:36.130 Yeah, this is Adam and Jo on XFM London's 104.9. 56:36.170 --> 56:38.152 We're into the last 15 minutes of our show. 56:38.172 --> 56:40.334 15 minutes of the show. 56:40.574 --> 56:41.315 Andrea has joined us. 56:41.355 --> 56:41.935 She's a listener. 56:41.955 --> 56:43.697 She's bought a fill line at Record Inn. 56:43.857 --> 56:49.342 And now, as a reward, she's going to get to just... And Xanthi's saying we should say that we do not condone violence. 56:49.762 --> 56:51.204 This is kind of a comedy slap. 56:51.344 --> 56:53.846 It's kind of a, you know, Malcolm and Wise type slap. 56:54.887 --> 56:56.408 Because everyone will enjoy it. 56:56.568 --> 56:58.529 Andrew, will you come round here and give me a little slap? 56:58.549 --> 56:58.850 I'm coming. 56:58.870 --> 56:59.910 Take those headphones off, Andrew. 56:59.990 --> 57:02.152 Joe's obsessed with the idea of seeing me slapped. 57:02.372 --> 57:03.433 Yeah, I just think he deserves it. 57:03.453 --> 57:05.714 I think this is because Joe wants to slap me himself. 57:05.774 --> 57:06.114 I do. 57:06.775 --> 57:08.536 Give him a little... You'd better take those cans off. 57:08.556 --> 57:09.617 I'd better take my headphones off. 57:09.637 --> 57:09.957 All right, then. 57:10.117 --> 57:12.899 And so this is... This could be satisfying for some listeners. 57:13.799 --> 57:18.322 Now, you can judge... You can, you know, go free rein in terms of the strength of the slap. 57:18.722 --> 57:18.963 Yeah. 57:19.603 --> 57:21.404 Just do whatever feels right. 57:21.564 --> 57:22.525 What feels right, go for it. 57:24.893 --> 57:25.895 Oh, that was pathetic. 57:26.095 --> 57:26.956 That wasn't too bad. 57:27.196 --> 57:29.739 But you know, listen, she really like raised her arm there. 57:29.759 --> 57:31.682 I thought it was going to be quite a bad smack. 57:31.842 --> 57:32.783 Do a slightly harder one. 57:33.664 --> 57:34.045 What are you? 57:34.866 --> 57:35.827 Oh, that was good. 57:35.867 --> 57:36.928 That's correct. 57:37.509 --> 57:38.731 Justice has been done. 57:38.751 --> 57:41.334 It's been a long time coming. 57:41.374 --> 57:42.055 Thank you Andrea. 57:42.075 --> 57:43.637 Could you return to your chair now, please? 57:43.777 --> 57:43.997 Thanks. 57:44.078 --> 57:44.859 Are you happy now? 57:45.039 --> 57:46.020 I'm very happy. 57:46.060 --> 57:46.961 I'm slap happy. 57:47.402 --> 57:49.364 You are slap happy, you lunatic. 57:49.525 --> 57:53.510 But hey Andrea, thanks so much for coming in and bringing the fill liner and doing the slapping. 57:53.530 --> 57:54.832 That's very rewarding. 57:54.852 --> 57:55.112 My pleasure. 57:55.252 --> 57:55.993 Absolutely my pleasure. 57:56.033 --> 57:56.374 Well done. 57:56.754 --> 57:57.014 Yeah. 57:57.034 --> 57:57.936 Shall we listen to Phil now? 57:58.456 --> 57:59.417 Yeah, let's listen to the filter. 57:59.438 --> 58:00.739 See if it's as good as I remember. 58:01.520 --> 58:08.642 The bit I remember is, there's a bit where he goes, I've been spending my life in the old town. 58:08.722 --> 58:09.762 And he sort of goes, old? 58:10.142 --> 58:11.542 He says old in a very odd way. 58:11.882 --> 58:12.743 Old town? 58:12.763 --> 58:14.523 I think maybe that's the middle eight. 58:14.583 --> 58:15.423 Anyway, let's listen to it. 58:15.443 --> 58:15.883 See what you think. 58:16.023 --> 58:17.524 The old Covent Garden. 58:18.344 --> 58:19.904 I remember only two well. 58:21.805 --> 58:26.546 I've been spending my body in the old town. 58:30.946 --> 58:31.607 80s-tastic. 58:32.490 --> 58:33.151 That's amazing. 58:33.853 --> 58:36.500 Yeah, that's got a lovely sort of jubilant, synthy feel to it. 58:36.540 --> 58:38.225 It's got the thing when the horns come in. 58:39.665 --> 58:39.965 Yeah. 58:40.585 --> 58:41.246 After the mid-late. 58:41.446 --> 58:42.026 Oh, it's brilliant. 58:42.046 --> 58:43.267 I thought that was fantastic. 58:43.647 --> 58:44.227 Well done. 58:44.307 --> 58:45.528 Well done, Andrea, bringing that in. 58:45.748 --> 58:46.028 Yeah. 58:46.128 --> 58:46.588 Thank you. 58:46.608 --> 58:47.448 You've made my day. 58:48.189 --> 58:49.069 Lovely to hear that again. 58:49.089 --> 58:50.670 Phil Lynott, that was, with Old Town. 58:51.590 --> 58:53.011 Joe, what have you done? 58:53.051 --> 59:01.334 I was just going to say to the listeners, if you're out shopping and you're anywhere near a bookshop this afternoon, Kylie Minogue has written a book for children. 59:02.035 --> 59:04.676 It's called The Snowgirl Princess. 59:05.456 --> 59:10.464 And it's the biggest load of old rubbish that has ever been launched on humanity. 59:10.504 --> 59:11.766 Come on, it's for children! 59:12.046 --> 59:17.374 Well, if you give this to your child, you might as well be arrested. 59:18.374 --> 59:20.636 It's or it's basically about it. 59:20.736 --> 59:21.617 It's just hideous. 59:22.037 --> 59:23.859 And if you're in a bookshop, I suggest you read it. 59:23.899 --> 59:25.641 Let me just flick through it. 59:25.681 --> 59:26.681 Princess Kylie. 59:26.721 --> 59:27.342 Princess Kylie. 59:27.422 --> 59:34.368 Obviously, Kylie's wonderful and we've got enormous sympathy for her recent struggles, but there's no excuse for producing a book like this. 59:35.569 --> 59:37.991 Here's the first page of the worst story in the world. 59:38.092 --> 59:38.352 OK. 59:39.693 --> 59:45.318 One bright morning, Kylie woke up with bubbles of excitement fizzing inside her just like lemonade. 59:46.761 --> 59:47.922 Now what does that sound like? 59:48.782 --> 59:49.943 She just needs a wee. 59:50.364 --> 59:51.364 She needs a good fart. 59:51.985 --> 59:52.845 Hey Andrea! 59:53.826 --> 59:54.907 Come on, we're finished with you now. 59:55.167 --> 59:57.248 You can't pitch in rude things like that. 59:58.109 --> 01:00:02.332 Today at last she would stand on a glittering stage and sing to thousands of people. 01:00:03.112 --> 01:00:03.573 Slurp. 01:00:04.033 --> 01:00:05.154 Something licked her cheek. 01:00:06.074 --> 01:00:06.715 Sheba! 01:00:07.115 --> 01:00:09.616 Kylie cried, hugging her dog tightly. 01:00:10.297 --> 01:00:11.657 So she sleeps with her dog. 01:00:12.278 --> 01:00:12.478 Yeah. 01:00:13.058 --> 01:00:14.379 It's getting worse and worse, isn't it? 01:00:15.179 --> 01:00:18.241 I can't read the whole thing cos it's so, er, long and depressing. 01:00:18.421 --> 01:00:19.822 What's the basic gist of the story? 01:00:19.842 --> 01:00:22.643 The story is, Kylie is the most shallow woman in the world. 01:00:22.743 --> 01:00:25.265 All she cares about is shopping and shoes and being a star. 01:00:25.965 --> 01:00:28.806 She's surrounded by people who help make this happen. 01:00:28.926 --> 01:00:30.946 But that's the point of the story, as I understand it. 01:00:30.966 --> 01:00:33.387 Yeah, but what kind of value is that for little girls? 01:00:33.407 --> 01:00:41.249 Well, no, it's saying that Kylie wouldn't be anywhere if it weren't for the fact that she has a showbiz family that do everything... That just pander to her. 01:00:41.269 --> 01:00:42.369 The soundcheck man. 01:00:42.490 --> 01:00:44.910 No, her stage family. 01:00:45.070 --> 01:00:46.911 OK, I don't want to give away the story. 01:00:46.951 --> 01:00:48.331 This might be a bit of a spoiler. 01:00:48.611 --> 01:00:51.752 But basically, page five, she loses her shoes. 01:00:52.412 --> 01:00:53.252 She looks for them. 01:00:53.633 --> 01:00:54.653 She gets a bit worried. 01:00:55.413 --> 01:01:14.743 page 10 uh the dog had them right she pops them on everything's fine and she does a good concert she does a concert it's heavily illustrated with pictures of kylie that appear to have just been i don't know taken in some cupboard somewhere with an angle poise lamp 01:01:15.683 --> 01:01:38.833 and then they've kind of got some very uh they've photoshopped it into a very kind of trippy heavily designed yeah by some very expensive japanese designer right it's it's a stinker folks uh and if you're in a shop and fancy a giggle then have a look for kylie's book this afternoon um all due respect to kylie she's obviously wonderful and brilliant and there may well be young children who would be delighted by the book 01:01:39.575 --> 01:01:40.336 I don't know, man. 01:01:40.436 --> 01:01:46.019 I think it would turn your daughter into a shallow, awful woman. 01:01:48.121 --> 01:01:49.262 Lovely Kylie. 01:01:49.302 --> 01:01:50.102 She's tiny. 01:01:50.162 --> 01:01:50.963 She's too small. 01:01:51.283 --> 01:01:54.125 Someone that small, you're not allowed to be nasty to them. 01:01:54.165 --> 01:01:54.445 It's true. 01:01:54.465 --> 01:01:56.306 They should have given her away free in the park. 01:01:56.346 --> 01:02:00.909 You see, my problem is that I'm very small, but I'm just a little bit too big. 01:02:00.969 --> 01:02:02.670 Compared to Kylie, you're like King Kong. 01:02:02.771 --> 01:02:03.431 I am, yeah. 01:02:03.631 --> 01:02:06.253 She'd be sitting in your lap doing little cartwheels. 01:02:07.193 --> 01:02:08.414 In your lap, in your hair. 01:02:09.875 --> 01:02:12.496 Well, folks, we're coming towards the end of the show. 01:02:12.516 --> 01:02:13.656 This is pretty much it for us. 01:02:13.957 --> 01:02:15.377 Andrea, what have you got planned for the weekend? 01:02:18.199 --> 01:02:21.580 If nothing better comes along, then it's a trip to Ikea to buy a lampshade. 01:02:22.021 --> 01:02:23.061 To buy a lampshade? 01:02:23.081 --> 01:02:23.701 That's hot stuff. 01:02:23.881 --> 01:02:25.802 That's a long way to go for a lampshade. 01:02:25.962 --> 01:02:26.803 Amongst other things. 01:02:26.823 --> 01:02:28.384 That's an exciting weekend. 01:02:28.924 --> 01:02:30.004 Are you telling me? 01:02:30.024 --> 01:02:30.305 Yeah. 01:02:30.625 --> 01:02:31.105 I know. 01:02:33.066 --> 01:02:33.906 And what's your job? 01:02:34.347 --> 01:02:35.067 What do you do, Andrea? 01:02:36.064 --> 01:02:38.025 I work for a silk company. 01:02:38.225 --> 01:02:38.926 A silk company? 01:02:38.946 --> 01:02:44.792 Basically my job is to cut up pretty little bits of material and post it to rich people that don't know what to spend their money on. 01:02:44.992 --> 01:02:45.652 Yeah good one. 01:02:45.792 --> 01:02:46.133 It's rewarding. 01:02:46.173 --> 01:02:46.633 What like swatches? 01:02:46.813 --> 01:02:48.075 Yeah that's the very one. 01:02:48.375 --> 01:02:49.196 You're the swatch queen. 01:02:49.976 --> 01:02:50.757 I am indeed. 01:02:50.797 --> 01:02:52.238 And what were you saying about robots? 01:02:53.099 --> 01:02:55.401 In my spare time I like to sew robots. 01:02:55.782 --> 01:02:56.502 Do you want to see? 01:02:56.943 --> 01:02:57.303 Yeah. 01:02:57.663 --> 01:02:58.264 I've got one on. 01:02:58.897 --> 01:03:15.355 you so robot listen this feels like a personal moment between adam and andrea should this really be going out on the show hey that's good i got given one of those for my birthday seriously i've got one of those in my house i absolutely promise you i've got one of those in my house just like that exactly like that yeah your friends have good 01:03:15.435 --> 01:03:17.416 A friend of mine called David bought me that for my birthday. 01:03:17.436 --> 01:03:18.196 Where do you sell them? 01:03:18.296 --> 01:03:23.998 This is like a little fabric robot made out of kind of shiny silvery fabric that Andrea's made. 01:03:24.438 --> 01:03:26.179 And it's a badge, you know? 01:03:26.319 --> 01:03:27.319 She's made it into a badge. 01:03:27.379 --> 01:03:28.259 It's a robot badge. 01:03:28.399 --> 01:03:29.480 A stuffed robot badge. 01:03:29.560 --> 01:03:30.360 It's really nice. 01:03:30.500 --> 01:03:31.040 Well done Andrea. 01:03:31.100 --> 01:03:32.881 Are you responsible for every single one of those? 01:03:33.021 --> 01:03:33.461 I am. 01:03:33.561 --> 01:03:33.881 Really? 01:03:33.961 --> 01:03:34.402 Yeah. 01:03:34.522 --> 01:03:34.782 Wow. 01:03:34.882 --> 01:03:35.522 Where do you sell them? 01:03:35.822 --> 01:03:41.324 Well, I used to sell them in a little shop called Beyond the Valley, which is on Newburgh Street, and one called Appletree. 01:03:41.364 --> 01:03:43.104 Come on, this is getting a bit pluggy now. 01:03:43.124 --> 01:03:44.645 She did us a favour! 01:03:44.825 --> 01:03:45.925 She did us a favour! 01:03:45.945 --> 01:03:46.585 She did us a favour! 01:03:46.605 --> 01:03:48.346 We did her a favour, she got to slap you! 01:03:48.566 --> 01:03:49.806 What more could you possibly want? 01:03:49.826 --> 01:03:52.487 I got three DVDs as well. 01:03:52.667 --> 01:03:53.047 There you go. 01:03:53.067 --> 01:03:53.568 What have you got? 01:03:53.768 --> 01:03:56.208 So, possibly want more, I got a deep edge for a DVD. 01:03:56.228 --> 01:03:56.949 We gave them to her. 01:03:58.209 --> 01:03:58.910 Oh yeah, we get it. 01:03:58.950 --> 01:03:59.911 I thought she'd bought them. 01:04:00.471 --> 01:04:02.813 So listen, it is now the end of the show. 01:04:03.153 --> 01:04:07.977 We should thank very much Xanthi, our producer, for producing us for the last million months. 01:04:08.058 --> 01:04:09.158 Done a fantastic job. 01:04:09.259 --> 01:04:10.019 Thank you Xanthi. 01:04:10.560 --> 01:04:12.822 And we hope we'll be back with Xanthi in the new year. 01:04:13.082 --> 01:04:21.989 Don't forget, if you're a fan of our sort of random talking, then you can download the Adam and Jo podcast at xfm.co.uk or via iTunes. 01:04:22.270 --> 01:04:23.871 I think there's still one new one coming up. 01:04:23.991 --> 01:04:51.444 there's one coming out sometime this week apologies again for the tardiness of the recent ones but we've had a lot going on which is why we're taking a break but yeah one more podcast to complete the set after that we may do some more elsewhere who knows we'll see how it goes but thank you very much indeed for listening and for downloading the podcast if you have been we're gonna we're really gonna miss you have we got a record to play yeah we do do you uh do you like john lennon andrea 01:04:51.775 --> 01:05:08.127 do you like John Lennon are you gonna play some I'm gonna play some yeah not not imagine although that would have been a wonderful emotional way to leave our listeners instead this is a track called Oh Yoko we'll see you next year hopefully listeners thanks for listening thanks I love you bye