WEBVTT 00:02.025 --> 00:02.565 Fantastic. 00:02.985 --> 00:07.327 That was trains to Brazil from Guillemots and before... Is that how you pronounce it? 00:07.527 --> 00:07.727 Yes. 00:08.067 --> 00:08.387 Guillemel. 00:08.427 --> 00:08.707 Guillemel. 00:09.027 --> 00:09.248 Guillemel. 00:09.268 --> 00:09.628 Guillemel. 00:09.648 --> 00:09.828 Guillemel. 00:09.848 --> 00:10.028 Guillemel. 00:10.048 --> 00:10.288 Guillemel. 00:10.308 --> 00:10.508 Guillemel. 00:10.588 --> 00:10.768 Guillemel. 00:10.788 --> 00:11.068 Guillemel. 00:11.108 --> 00:11.288 Guillemel. 00:11.308 --> 00:11.488 Guillemel. 00:11.788 --> 00:12.029 Guillemel. 00:12.069 --> 00:12.369 Guillemel. 00:12.409 --> 00:12.769 Guillemel. 00:12.789 --> 00:12.989 Guillemel. 00:13.089 --> 00:13.309 Guillemel. 00:13.329 --> 00:13.509 Guillemel. 00:13.529 --> 00:13.869 Guillemel. 00:13.949 --> 00:14.870 Guillemel. 00:14.930 --> 00:15.310 Guillemel. 00:15.330 --> 00:15.970 Guillemel. 00:16.090 --> 00:16.610 Guillemel. 00:16.630 --> 00:17.150 Guillemel. 00:17.170 --> 00:17.470 Guillemel. 00:17.590 --> 00:17.811 Guillemel. 00:17.831 --> 00:18.171 Guillemel. 00:18.211 --> 00:18.471 Guillemel. 00:18.491 --> 00:18.891 Guillemel. 00:18.911 --> 00:19.171 Guillemel. 00:19.271 --> 00:19.491 Guillemel. 00:19.551 --> 00:19.771 Guillemel. 00:19.791 --> 00:20.031 Guillemel. 00:20.071 --> 00:20.431 Guillemel. 00:20.451 --> 00:20.632 Guillemel. 00:20.652 --> 00:20.972 Guillemel. 00:21.072 --> 00:21.812 Guillemel. 00:21.912 --> 00:22.292 Guillemel. 00:22.312 --> 00:22.672 Guillemel. 00:22.692 --> 00:22.952 Guillemel. 00:22.972 --> 00:23.212 Guillemel. 00:23.272 --> 00:23.793 Guillemel. 00:24.113 --> 00:24.533 Guillemel. 00:24.813 --> 00:25.033 Guillemel. 00:25.133 --> 00:25.453 Guillemel. 00:25.513 --> 00:25.813 Guillemel. 00:26.153 --> 00:26.374 Guillemel. 00:26.434 --> 00:27.094 Guillemel. 00:27.154 --> 00:27.414 Guillemel. 00:27.434 --> 00:27.654 Guillemel. 00:30.555 --> 00:31.275 It's horrible. 00:31.335 --> 00:32.516 It's sort of drizzly. 00:33.357 --> 00:35.838 And it's not freezing cold, that's one good thing. 00:35.858 --> 00:35.998 No. 00:36.578 --> 00:37.559 No, it's not. 00:37.759 --> 00:38.379 It's not too cold. 00:38.599 --> 00:40.641 It's an enforced nesting day, listeners. 00:40.841 --> 00:41.061 Yeah. 00:41.201 --> 00:44.683 So if you're lucky enough to still be in bed, just get wrapped up in the duvet. 00:45.383 --> 00:45.683 Yeah. 00:45.904 --> 00:46.744 Turn on the telly. 00:46.924 --> 00:47.604 Get yourself in, lads. 00:47.624 --> 00:48.525 Don't turn on the telly. 00:48.565 --> 00:50.426 I mean, if they turn on the telly, they won't listen to us. 00:50.606 --> 00:51.266 No, but they could tell. 00:51.286 --> 00:52.247 You silly idiot. 00:52.307 --> 00:53.568 Oh, dear, I didn't think so. 00:53.608 --> 00:53.888 Get out. 00:53.908 --> 00:54.088 Get out. 00:54.148 --> 00:55.389 I didn't think I'm going by. 00:55.409 --> 00:55.669 Come back. 00:55.969 --> 00:58.490 I was thinking they could turn on the telly and they could watch us on digital. 00:59.051 --> 00:59.271 You know? 00:59.671 --> 01:01.212 Oh, just watch, like, the blank screen. 01:01.252 --> 01:01.993 The blank blue screen. 01:02.013 --> 01:02.933 And listen to the audio. 01:03.054 --> 01:03.354 Exactly. 01:03.374 --> 01:04.154 That's a good idea. 01:04.274 --> 01:05.655 Cos they could listen to it in Surround. 01:05.855 --> 01:07.357 Yeah, like a kind of Derek Jarman. 01:07.537 --> 01:08.617 You know this show goes out in 5.1. 01:08.657 --> 01:09.658 Does it really? 01:09.698 --> 01:10.078 Yeah, it does. 01:10.119 --> 01:10.599 Is that true? 01:10.819 --> 01:11.780 It's not true, no. 01:11.800 --> 01:23.828 Hey, you know what, in fact, the other day, right, I was buying some, it's a quick story, I was buying some DVDs in HMV, I was gonna get, like, the three for £20 thing, and I quite fancied buying that amazing French film about 9-11. 01:25.009 --> 01:27.510 You know, the two French firemen who were caught in one of the towers? 01:27.570 --> 01:28.111 Oh yes, yeah. 01:28.251 --> 01:30.112 Yeah, because it's the anniversary coming up and everything. 01:30.132 --> 01:31.192 That's right. 01:31.352 --> 01:33.953 And I picked it up and I had a look at it and I thought, shall I buy that? 01:34.033 --> 01:35.594 It was either that or the Bourne Supremacy. 01:37.035 --> 01:37.875 Why is that tasteless? 01:38.015 --> 01:38.816 No, it's not tasteless. 01:38.836 --> 01:39.796 No, I mean it was a situation. 01:39.976 --> 01:40.897 It's a tough choice. 01:40.917 --> 01:43.218 So I thought 9-11 documentary or the Bourne Supremacy. 01:43.518 --> 01:48.520 So I flipped them over and I thought, I looked at it because I've just got this new surround sound system at home. 01:48.640 --> 01:48.880 Yeah. 01:49.101 --> 01:51.582 And I thought, I'm not going to buy 9-11, it's only in stereo. 01:52.302 --> 01:53.063 Oh my goodness. 01:53.083 --> 01:54.344 Is that a bad choice to make? 01:55.285 --> 01:58.367 I would have bought it if it had been in 5.1. 01:58.447 --> 02:01.169 If they'd done a few explosions in 5.1, yeah. 02:01.269 --> 02:02.250 It's tasteless, isn't it? 02:02.430 --> 02:03.511 It is a little bit tasteless. 02:03.531 --> 02:05.153 But that process did go through my brain. 02:05.313 --> 02:08.195 Well, you know, Matt Damon probably pops up in the 9-11 thing. 02:08.635 --> 02:08.996 Do you think? 02:09.296 --> 02:10.897 Maybe, yeah, just to make it more exciting. 02:10.917 --> 02:12.879 I'm sure they might have re-shot some bits with him. 02:12.939 --> 02:13.259 Maybe. 02:14.160 --> 02:16.942 Hey listen, we got an exciting email, didn't we, just now? 02:17.062 --> 02:17.623 We did, yeah. 02:18.623 --> 02:19.384 We've got an email. 02:19.424 --> 02:21.406 I mean, maybe we should talk about it a bit later. 02:21.586 --> 02:22.366 Shall we tease the email? 02:22.426 --> 02:23.567 Yeah, let's tease the email. 02:23.587 --> 02:26.149 We've got an email from a television personality. 02:26.289 --> 02:27.570 From a famous celebrity. 02:28.211 --> 02:29.272 And there's great music coming up. 02:29.312 --> 02:30.573 Franz Ferdinand in a second. 02:31.093 --> 02:31.634 Soft Cell. 02:31.654 --> 02:33.495 We've got Soft Cell coming up in the first hour. 02:33.895 --> 02:34.536 Is that exciting? 02:34.776 --> 02:36.037 I don't know if we're going to play that one. 02:36.077 --> 02:38.279 I might hijack that one for a free play. 02:38.499 --> 02:40.861 Plus we've got a crap commentary corner coming up. 02:41.001 --> 02:44.804 Are we going to be playing Rock and Reel and Rock and Rubs or Rock and Rubs? 02:45.444 --> 02:46.025 Yeah, possibly. 02:46.065 --> 02:47.466 I've got to find a copy of the NME. 02:47.906 --> 02:49.207 Right, we'll have a text competition. 02:49.728 --> 02:50.748 And what prizes have we got? 02:50.788 --> 02:53.951 I think we've got Armando Iannucci's Channel 4 series. 02:54.011 --> 02:54.951 Oh, I want to steal that. 02:54.972 --> 02:55.472 To give away. 02:55.992 --> 02:57.313 That's amazing, that show. 02:57.333 --> 02:58.714 Yeah, went out in 2001. 02:59.275 --> 03:00.276 It's kind of a lost classic. 03:00.996 --> 03:07.923 Well it went out around the time of the 9-11 attacks, and so it was sort of buried beneath the media rubble. 03:08.383 --> 03:16.051 In fact it went out just before my equally buried but much much worse talk show I did stupidly on Channel 4 in the summer of 2001. 03:17.532 --> 03:19.773 But it's brilliant, so you can win a copy of that on DVD. 03:19.953 --> 03:20.434 That's right. 03:21.154 --> 03:22.075 And what was I going to say? 03:22.135 --> 03:33.441 Oh yeah, you mentioned it before, we're going to talk about it later on, but we're going to be canvassing opinion or rather trying to get help to create a new Robbie Williams-style Rude Box rap. 03:34.081 --> 03:34.341 Yeah. 03:34.481 --> 03:38.503 We need lots of suggestions for rhymes of like modern things, right? 03:38.623 --> 03:38.984 Is that right? 03:39.004 --> 03:42.385 Yeah, I can't concentrate because scantily clad women have just popped up on my PC. 03:42.586 --> 03:43.766 Who's been sending you scantily clad women? 03:43.806 --> 03:45.087 I don't know, they've just appeared. 03:45.287 --> 03:48.614 Well, I'm gonna have a look at that, but in the meantime... That's a very nice bum. 03:48.755 --> 03:49.336 I wanna see! 03:49.356 --> 03:49.977 Hang on. 03:50.458 --> 03:52.362 I'm gonna play some music and then I'll check out the bum. 03:52.382 --> 03:53.184 Look at those boobs! 03:53.244 --> 03:53.825 Don't do that. 03:54.146 --> 03:55.088 This is the Young Knives. 03:58.965 --> 04:02.709 There you go, that's the Young Knives with Weekends and Bleak Days. 04:02.729 --> 04:06.073 That's an appropriate song to play on a bleak weekend day. 04:06.293 --> 04:07.875 Even though apparently it's gorgeous in stains. 04:07.895 --> 04:08.376 Is it? 04:08.396 --> 04:09.137 Says the texter, yeah. 04:09.477 --> 04:11.499 Hey, I was talking to someone about stains yesterday. 04:11.519 --> 04:17.006 I was having my hair cut and the guy cutting my hair was saying, I was in stains last weekend. 04:17.366 --> 04:18.487 It's really nice. 04:19.838 --> 04:20.058 You know? 04:20.938 --> 04:21.198 Really? 04:21.358 --> 04:21.899 Good convo. 04:21.959 --> 04:22.619 Amazing story. 04:23.039 --> 04:27.080 But don't you think, I was quite surprised, because you've got this picture in your head, because of Ali-G, right? 04:27.840 --> 04:29.120 Of Staines being kind of horrible. 04:29.280 --> 04:38.943 But of course the whole joke about the Ali-G thing was that Staines is a really nice middle class area, with just a nasty sounding name, and it's a very unlikely place. 04:39.463 --> 04:43.286 for a young rapper or urban person. 04:43.386 --> 04:43.766 Correct. 04:43.946 --> 04:45.167 Well, maybe we should go live in Stains. 04:45.307 --> 04:46.048 Stains is nice. 04:46.568 --> 04:48.389 If you're listening in Stains, you're lucky. 04:48.790 --> 04:50.090 You've got it made. 04:50.591 --> 04:53.673 Now, let's read out our email from the famous person. 04:53.813 --> 04:58.957 Yeah, now last week you might have heard us being a little bit derogatory about Channel 4's new youth show, Whatever. 04:59.656 --> 05:00.237 Yeah, that's true. 05:00.437 --> 05:02.539 It's on what time is it on 11 o'clock or something? 05:02.559 --> 05:03.039 11 o'clock, yeah. 05:03.079 --> 05:03.520 Last night. 05:03.580 --> 05:04.301 It's a kind of show. 05:04.321 --> 05:05.241 Not late enough. 05:05.342 --> 05:06.903 Made by the kids for the kids. 05:07.023 --> 05:07.223 Yeah. 05:07.884 --> 05:13.169 Presented by 10 young, uh, wastrels who were allowed to sort of do whatever they want. 05:13.449 --> 05:13.890 That's right. 05:14.511 --> 05:16.052 Uh, and uh, we were being a bit nasty about it. 05:16.072 --> 05:16.753 Instead of setting itself up. 05:17.093 --> 05:37.022 we were being nasty because I mean we are you know I'm jealous it makes me feel old watching that show we got an email that says hello Adam and Joe Dean Warpole here from whatever aka fat bloke with glasses a friend told me today that you didn't like our show very sorry to hear that but you I can't read this bit and then he's flattering about our old show 05:38.142 --> 05:40.105 Uh, but he says, hey, not all whatever was bad. 05:40.425 --> 05:42.087 At least it's better than Big Brother. 05:42.307 --> 05:43.769 I'll probably get in trouble for sending this. 05:44.069 --> 05:45.390 Hugs and kisses, Dean. 05:46.171 --> 05:46.431 He what? 05:46.472 --> 05:47.593 Who's he going to get in trouble from? 05:48.233 --> 05:49.815 Uh, the production crew of Whatever. 05:50.156 --> 05:50.756 No, come on. 05:51.057 --> 05:54.020 The show's supposed to be about anarchy, letting the kids do whatever. 05:54.500 --> 05:57.163 I think it's entirely in keeping that Dean should be able to express. 05:58.204 --> 06:00.106 He hasn't put his own show down anyway. 06:00.166 --> 06:02.649 He's been absolutely professional. 06:02.889 --> 06:03.710 I tell you what we should do. 06:03.891 --> 06:04.051 What? 06:04.111 --> 06:05.172 We should try and get him on the phone. 06:05.372 --> 06:07.895 Dean, will you call in if you're listening or if anyone knows Dean? 06:08.496 --> 06:09.096 Give him a shout. 06:09.256 --> 06:09.977 Tell him we want to talk to him. 06:09.997 --> 06:11.098 We're not going to be horrible at all. 06:11.359 --> 06:12.960 It's very nice of you to send that email. 06:13.401 --> 06:16.084 But we'd love to chat to you about what it's like doing the show. 06:16.104 --> 06:16.965 The making of whatever. 06:17.325 --> 06:22.506 and perhaps you can explain some of it to a confused man in his mid-30s. 06:23.106 --> 06:24.027 I'd really appreciate that. 06:24.087 --> 06:24.867 Give us a call, Dean. 06:24.927 --> 06:27.187 The number is 0871-222-1049. 06:27.207 --> 06:28.048 0871-222-1049. 06:29.068 --> 06:35.209 Right, it's time for our first free play of the day right now. 06:35.249 --> 06:41.031 This is Billy Childish's band, The Buff Medways, and this is a Kinks cover called Misty Water. 06:41.111 --> 06:42.331 This is Adam and Joe on XFM. 06:48.561 --> 06:50.041 That's the Kaiser Chiefs with Modern Way. 06:50.061 --> 06:51.502 This is Adam and Joe on XFM London's 104.9. 06:52.362 --> 06:53.902 Coming up in a second, competition time. 06:54.182 --> 06:58.183 It's Crap Commentary Corner, the competition where we play you excerpts from a DVD commentary. 06:58.503 --> 07:03.765 You call in and tell us what DVD it is off of and who is talking. 07:04.025 --> 07:05.385 The number is 0871-222-1049. 07:06.865 --> 07:10.006 And this week you can win a Mando Iannucci on DVD. 07:10.266 --> 07:11.066 And have we got tickets? 07:11.346 --> 07:17.688 Yeah, tickets to see Jet at the Brixton Carling Academy and one pair of tickets to see Richard Ashcroft. 07:18.348 --> 07:19.349 That's exciting for someone. 07:19.549 --> 07:20.209 Yeah, absolutely. 07:20.229 --> 07:20.810 Wembley Arena. 07:21.350 --> 07:22.051 Good prizes. 07:22.671 --> 07:26.334 Shall we ask people to start sending in Robbie Williams rhymes now? 07:26.594 --> 07:26.754 No. 07:27.355 --> 07:27.595 No? 07:27.775 --> 07:28.456 No, let's not. 07:28.736 --> 07:29.096 Why not? 07:29.296 --> 07:30.377 Because we could do it later. 07:30.777 --> 07:33.440 But yeah, but I'm thinking that we need to accumulate them throughout the show. 07:33.460 --> 07:34.640 OK, let's then. 07:34.881 --> 07:34.981 OK. 07:35.641 --> 07:41.870 So last week we played Robbie Williams' new single Rude Box, an extraordinary song with some amazing up-to-the-minute rhymes. 07:42.371 --> 07:45.615 Like, he's got some really topical bits of lyrics in there. 07:46.536 --> 07:48.078 For example, just to remind you... 07:50.962 --> 07:51.462 Where is it? 07:51.502 --> 07:53.883 Split your keks, sing a song of Semtex. 07:54.183 --> 07:54.603 There you go. 07:54.623 --> 07:57.604 Pocket full of Durex, body full of Mandrex. 07:58.224 --> 07:58.564 Mandrex. 07:58.604 --> 08:01.605 I find out that Mandrex is a cocktail with Baileys in it. 08:01.845 --> 08:02.325 There you go. 08:02.465 --> 08:03.405 Yeah, so there you go. 08:04.585 --> 08:06.486 And here's some more lyrics. 08:06.506 --> 08:06.966 Where is it? 08:07.246 --> 08:07.526 Oh yeah. 08:07.646 --> 08:11.707 Okay then, check the tan line, make your body shape like you stood on a landmine. 08:12.307 --> 08:17.632 Call me on my mobile, not the landline, and Jack the main line at the same time. 08:17.712 --> 08:23.237 Yeah, it's as if he's like assembled a focus group to come up with the hippest words in a contemporary lexicon. 08:23.938 --> 08:25.799 Political words, edgy words. 08:26.139 --> 08:28.722 Pop cultural words, he gets a crack in at Michael Jackson there. 08:28.742 --> 08:29.422 He does, yeah. 08:29.963 --> 08:38.811 And then he's just assembled these terms into rhyming couplets and constructed a brilliant kind of sub-streets, trendy rap song. 08:39.131 --> 08:39.351 Yeah. 08:39.691 --> 08:41.112 And so we want to do the same thing. 08:41.612 --> 08:50.135 And if we get enough good rhyming couplets, modern style rhyming couplets from you listeners, then we will do our best to wrap over the instrumental version of Rude Box at the end of the show. 08:50.155 --> 08:53.876 Yeah, we're going to create our own single, our own version of Rude Box, because if he can do it, we can. 08:54.356 --> 08:56.077 So get texting 83XFM. 08:56.097 --> 09:00.798 We're looking for kind of rhyming couplets involving fashionable terminology. 09:00.818 --> 09:01.939 We got one last week, didn't we? 09:01.979 --> 09:03.079 Google Maps and something. 09:03.439 --> 09:06.942 Well, I had Nike Frees and Xbox 360s. 09:06.982 --> 09:08.743 That's quite good. 09:08.823 --> 09:10.725 And flat-screen TVs, they all rhyme. 09:10.945 --> 09:11.125 Yeah. 09:11.165 --> 09:11.345 Right? 09:11.786 --> 09:12.486 That's a triplet. 09:13.327 --> 09:18.871 Er... Something about, you know, like, YouTube... Stray Pube, that sort of thing. 09:18.911 --> 09:19.372 That's good. 09:19.512 --> 09:19.752 Yeah. 09:19.932 --> 09:20.152 Yeah. 09:20.172 --> 09:24.055 Er... Well, we're gonna work on some, but we need your contributions as well. 09:24.075 --> 09:26.257 We're gonna keep asking you for those throughout the show. 09:26.297 --> 09:29.099 But coming up in a second is Crap Commentary Corner. 09:29.399 --> 09:30.600 First of all, here's some more music. 09:30.620 --> 09:31.301 This is The Rapture. 09:37.720 --> 09:38.260 Am I insane? 09:38.280 --> 09:40.201 That is just Sesame Street, that song, isn't it? 09:40.261 --> 09:40.682 Do you think? 09:40.822 --> 09:41.102 Yeah. 09:42.062 --> 09:44.144 Sunny day... I'm not gonna do it again. 09:44.164 --> 09:47.205 That was Get Myself Into It by The Rapture. 09:47.505 --> 09:47.986 Very good. 09:48.146 --> 09:48.686 It was too. 09:48.746 --> 09:50.187 This is Adam and Jo here on XFM. 09:50.807 --> 09:53.028 And it's competition time. 09:54.909 --> 09:56.130 It's time to call in. 09:56.190 --> 09:57.851 You could win something amazing. 09:57.891 --> 09:58.571 Let us begin. 10:00.819 --> 10:07.825 Can you guess which film we're playing by hearing what they're saying? 10:08.506 --> 10:11.669 Crap Commentary Corner. 10:12.329 --> 10:13.930 Haven't used that jingle in a while. 10:13.971 --> 10:14.911 Yeah, you can hear why. 10:14.931 --> 10:17.113 It's Crap Commentary Corner. 10:17.133 --> 10:20.016 This is the bit where we play you excerpts from a DVD commentary. 10:20.036 --> 10:22.598 You have to tell us who's talking and what film they're talking over. 10:22.638 --> 10:23.799 This is a pretty easy one. 10:24.460 --> 10:26.602 One of my favourite Irish actors in the world. 10:27.582 --> 10:30.123 So if you know who this is, call 0871 222 1049. 10:31.843 --> 10:30.123 0871 222 1049. 10:36.064 --> 10:41.785 And you can win the prize of your choice out of our amazing range of prizes, tickets and DVDs and stuff. 10:42.685 --> 10:45.365 Here is clip package number one. 10:46.425 --> 10:48.526 It's pretty tough to do this when you've got rubber booties on. 10:48.966 --> 10:49.946 Those are my sunglasses. 10:49.986 --> 10:51.926 I've had those sunglasses for nearly three years. 10:52.486 --> 10:55.027 I decided to wear them in the shot, and I've still got them. 10:57.087 --> 10:58.268 I love this scene. 11:05.070 --> 11:05.790 I love it. 11:12.392 --> 11:13.953 I've never actually heard someone do that. 11:14.473 --> 11:15.793 I haven't heard someone do that for a while. 11:15.833 --> 11:16.253 Do what? 11:16.353 --> 11:17.874 Do that laugh, the Alan Partridge laugh. 11:20.632 --> 11:22.214 He interesting info though, isn't it? 11:22.274 --> 11:23.495 Like about the sunglasses? 11:23.555 --> 11:24.336 Yeah, he still got them. 11:24.536 --> 11:32.984 Yeah, no he used the ones in the film were his and he decided he used them in the film and he did and he still got them. 11:33.364 --> 11:35.926 I mean next time I watch that movie with some friends. 11:36.026 --> 11:37.488 I'm gonna pause it and tell them that. 11:37.768 --> 11:37.968 Yeah. 11:38.088 --> 11:39.569 And they'll think I'm his friend. 11:39.729 --> 11:40.169 That's right. 11:40.409 --> 11:43.751 I mean, amazing inside information there. 11:45.091 --> 11:43.751 08712221049. 11:45.312 --> 11:47.052 You know what I'd like to know? 11:47.433 --> 11:47.673 What? 11:47.973 --> 11:49.033 On the commentary as well. 11:49.734 --> 11:53.055 Do they tell you if the legs he's standing on belong to him? 11:53.495 --> 11:54.196 They don't know. 11:54.356 --> 11:56.197 It would be fascinating to know that though, wouldn't it? 11:56.217 --> 11:56.397 Yeah. 11:56.917 --> 11:58.738 But it is hard to do in little rubber booties. 11:58.818 --> 11:59.438 Maybe it is. 11:59.538 --> 11:59.819 Right. 11:59.919 --> 12:00.119 Yeah. 12:00.499 --> 12:01.840 So that's quite easy, that one. 12:01.860 --> 12:02.500 I know who that is. 12:02.540 --> 12:03.641 I'm not so sure about the film. 12:03.661 --> 12:04.341 Shall we have another clip? 12:04.361 --> 12:05.321 Right, let's have another clip. 12:05.341 --> 12:07.523 This is the clip package number two. 12:08.183 --> 12:08.563 Here we go. 12:08.983 --> 12:10.084 This water was cold. 12:13.886 --> 12:15.827 Every time we got this suit wet, it would shrink. 12:16.947 --> 12:18.648 So I'd end up looking like Pee Wee Herman. 12:19.469 --> 12:20.649 Look, look at the pants. 12:21.990 --> 12:22.951 What can I say about this? 12:24.727 --> 12:25.847 We got it before lunch break. 12:25.967 --> 12:26.487 I remember that. 12:29.248 --> 12:29.508 Yeah. 12:29.928 --> 12:30.228 Whoops. 12:31.488 --> 12:33.429 Oh, he just went out in one ear there for a second. 12:33.589 --> 12:34.109 That was odd. 12:34.189 --> 12:35.209 Sorry, that was my mixing. 12:35.789 --> 12:38.709 Yeah, it's pretty basic who it is. 12:38.869 --> 12:39.109 Yeah. 12:39.350 --> 12:39.950 What's the film? 12:39.990 --> 12:40.730 What's the film? 12:41.630 --> 12:42.850 Some people might not know who it is. 12:43.310 --> 12:43.910 No, no. 12:44.630 --> 12:46.371 But that was another interesting nugget, wasn't it? 12:46.431 --> 12:48.691 That that scene, they finished it before lunch. 12:50.111 --> 12:50.511 Yeah. 12:51.232 --> 12:52.732 That's my favorite kind of commentary. 12:52.792 --> 12:53.092 Oh, wow. 12:53.732 --> 12:55.554 Imagine, finishing it before lunch. 12:55.734 --> 12:56.716 I wonder what they had for lunch. 12:57.376 --> 13:01.101 And I wonder how what they had for lunch affected that afternoon's filming. 13:01.281 --> 13:06.707 I'd like some kind of a statistical track on a DVD that describes what's in every actor's stomach. 13:07.848 --> 13:08.529 Decomposing. 13:08.689 --> 13:11.312 Well, I mean, that could genuinely affect a performance, you know. 13:11.352 --> 13:11.572 Yeah. 13:11.873 --> 13:14.135 And for lunch I had... A big heavy burger. 13:14.195 --> 13:25.829 Yeah, I had a burger, I went for a large bun with sesame seeds, and in the afternoon my performance was rather sluggish when I hit a bit of a tired patch around about 3.30. 13:27.230 --> 13:28.251 It's fascinating stuff. 13:29.532 --> 13:34.136 08712221049 if you know who that was talking and what film they were talking over. 13:34.877 --> 13:38.040 We will find out if anyone's got it right very shortly. 13:38.260 --> 13:39.561 First, here's another free play. 13:39.601 --> 13:41.543 This is The Mighty Radiohead. 13:44.175 --> 13:46.377 That's Radiohead from Kid A. What's it all about? 13:46.717 --> 13:47.738 Everything in its right place. 13:47.838 --> 13:48.198 I don't know. 13:48.238 --> 13:49.219 What's he going on about? 13:49.259 --> 13:49.840 What's it mean? 13:49.880 --> 13:52.082 He's got two people in his head talking to him. 13:52.282 --> 13:52.742 He's mad. 13:52.982 --> 13:53.623 No, two colours. 13:53.823 --> 13:54.704 His colours talk. 13:54.724 --> 13:55.845 Two colours in his head. 13:56.045 --> 13:56.585 He's a genius. 13:56.625 --> 13:58.267 He's got two colours in his head. 13:59.408 --> 14:00.849 So people are getting the right actor. 14:01.331 --> 14:25.894 yeah but the wrong film wrong film should we play a little refresher clip before we go to the ads yeah uh yeah let's hear another clip so see if you know uh know what film he's talking about concentrate on hints about the film here we go took days to do this sequence took months to do the whole thing that pays off in the end magic of it all 14:26.294 --> 14:30.861 It's gonna be interesting sitting beside the Queen at Albert Hall in a couple of weeks time. 14:31.742 --> 14:34.366 But I'm sure she'll like it. 14:37.230 --> 14:38.632 Seeing inside the Queen, did he say? 14:38.752 --> 14:40.915 Yeah, it'll be interesting sitting inside the Queen. 14:42.176 --> 14:43.016 In the Albert Hall. 14:43.777 --> 14:47.497 That was deliberately coming out of just one speaker there, incidentally. 14:47.557 --> 14:48.257 Was it deliberately? 14:48.538 --> 14:49.818 Yeah, no. 14:50.118 --> 14:50.918 What did I do wrong? 14:51.018 --> 14:51.458 I don't know. 14:52.118 --> 15:03.381 So it's a pretty famous film series and if you get that right you can win tickets to see Jet at the Carling Academy or Richard Ashcroft or a copy of the Armando Iannucci shows on DVD 0 8 7 1 triple 2 1 0 4 9 if you know Call Now. 15:10.762 --> 15:11.503 Very enjoyable. 15:11.703 --> 15:13.384 That's the Zutons with Valerie. 15:13.404 --> 15:14.125 Did you mean that? 15:14.465 --> 15:15.506 Yeah, I really like that song. 15:15.626 --> 15:15.927 Did you? 15:16.187 --> 15:17.528 Yeah, I wouldn't be ironic about music. 15:17.608 --> 15:18.229 No, no, no. 15:18.249 --> 15:18.809 God forbid. 15:19.450 --> 15:21.612 So we're playing Crap Commentary Competition. 15:21.632 --> 15:23.554 This is Adam and Joe on XFM London's 104.9. 15:24.094 --> 15:26.937 We've got a caller on the line. 15:27.297 --> 15:28.979 What reckons they've got it right? 15:29.739 --> 15:30.080 David. 15:30.460 --> 15:32.061 David, are we supposed to play? 15:32.081 --> 15:32.582 Can you hear me? 15:32.862 --> 15:33.603 Yeah, I can, yeah. 15:33.623 --> 15:34.704 I just can't hear myself. 15:35.125 --> 15:36.326 Are we supposed to play another jingle? 15:37.027 --> 15:37.207 No. 15:37.387 --> 15:38.188 Another jingle? 15:38.268 --> 15:39.310 Yeah, are we supposed to? 15:39.450 --> 15:39.730 Why? 15:39.750 --> 15:40.411 I don't know. 15:40.471 --> 15:40.932 Do you want to? 15:40.972 --> 15:41.853 We can if you want. 15:41.873 --> 15:42.974 I don't know. 15:43.014 --> 15:43.915 Do you want to play a jingle? 15:44.055 --> 15:46.057 Yeah, play the other crap-crometry corner jingle. 15:46.578 --> 15:47.679 Makes it sound more official. 15:47.699 --> 15:49.521 Alright, hang on. 15:49.842 --> 15:51.103 Hold the line, David. 15:51.123 --> 15:52.365 We're gonna play another jingle. 15:54.085 --> 16:02.179 I don't know it just it's like punctuation it's like proper radio you know like other DJs do it's that we're never gonna be like proper radio man you're right 16:15.819 --> 16:17.540 Why don't you listen and see? 16:17.840 --> 16:22.684 Plus, playing this jingle means we've spun this whole competition out for, what, 25 minutes? 16:23.524 --> 16:24.385 And that's ideal. 16:24.405 --> 16:25.866 Go ahead and see. 16:25.986 --> 16:26.526 Oh, brilliant. 16:26.786 --> 16:27.807 I wish it was longer. 16:27.847 --> 16:28.167 Yeah. 16:31.343 --> 16:32.303 David, hello, are you there? 16:33.344 --> 16:34.304 Did you enjoy that jingle? 16:36.324 --> 16:36.764 It was what? 16:37.625 --> 16:38.545 It was really good. 16:38.985 --> 16:39.685 Thanks a lot mate. 16:39.865 --> 16:41.205 What are you up to David, where are you? 16:41.506 --> 16:44.306 In Cardiff. 16:44.666 --> 16:46.187 It's raining everywhere in the UK. 16:46.267 --> 16:47.747 Now you are Welsh? 16:49.508 --> 16:50.108 Are you Cornish? 16:50.588 --> 16:51.088 Oh well done. 16:51.888 --> 16:53.849 Well then I can't talk to you about the Charlotte Church show. 16:53.969 --> 16:54.909 Did you see that last night? 16:56.733 --> 16:58.715 Ah, what, by accident or design? 16:59.456 --> 17:00.437 Erm, by accident. 17:00.757 --> 17:03.079 But if I'd known it was on, it would have been by design. 17:03.359 --> 17:04.200 Yeah, you would have missed it. 17:04.240 --> 17:05.461 It's not bad, the Charlotte Church Show. 17:05.481 --> 17:05.982 It's not bad. 17:06.002 --> 17:06.402 Really? 17:06.623 --> 17:06.803 No. 17:07.023 --> 17:07.183 No. 17:07.303 --> 17:07.764 It's not good. 17:08.024 --> 17:11.928 It's got a lot of Welsh, mystifying Welsh references and jokes and stuff. 17:12.028 --> 17:16.152 As if, like, just mentioning the fact that she's Welsh is enjoyable. 17:16.172 --> 17:17.273 It's very hip right now, Wales. 17:17.413 --> 17:18.974 Glyn, you know, from Big Brother. 17:19.935 --> 17:20.396 Hello, David? 17:20.576 --> 17:20.836 Hello. 17:21.096 --> 17:21.857 Were you saying something there? 17:22.557 --> 17:23.377 And I was agreeing. 17:23.598 --> 17:23.998 Agreeing? 17:24.038 --> 17:24.258 Yeah. 17:24.418 --> 17:24.778 Good man. 17:25.018 --> 17:26.799 Now David, the crap commentary. 17:26.959 --> 17:27.159 Yes. 17:27.599 --> 17:28.239 What do you reckon? 17:28.259 --> 17:29.559 I think it was Pierce Brosnan. 17:29.839 --> 17:32.100 Pierce Brosnan, of course it was Bronholm. 17:32.320 --> 17:33.561 That bit was easy I think. 17:33.681 --> 17:34.521 In Die Another Day. 17:34.901 --> 17:35.381 Correct. 17:35.461 --> 17:37.162 Now a lot of people were saying The Matador. 17:38.022 --> 17:41.623 And I think you were the only person calling who got the right film. 17:41.943 --> 17:43.464 How did you deduce that David? 17:43.884 --> 17:47.845 Well he was talking about those little booties and the rice. 17:48.105 --> 17:49.806 And I thought well he'd get cold feet wouldn't he? 17:49.826 --> 17:50.566 So he'd need booties. 17:54.239 --> 18:19.556 standing on the ice yeah and you know what he was actually talking about the the dreadful pre-credits surfing sequence do you remember that with the awful CGI yeah yeah but that was exciting info about the sunglasses did you realize that those were actually his sunglasses no well rewatch it with that in mind and and and yeah you know he still got those sunglasses yeah 18:22.997 --> 18:25.498 I don't think he'd sell them, cos he still needs them. 18:25.918 --> 18:27.958 He still wears them from time to time. 18:29.239 --> 18:33.380 I thought about selling the glasses, but then I realised that I still needed them. 18:35.240 --> 18:37.180 That's another little nugget for you there. 18:37.541 --> 18:41.441 Well, thanks a lot for calling, David, and congratulations, it's very exciting. 18:42.582 --> 18:43.142 You're excited? 18:43.162 --> 18:43.462 Yeah. 18:43.922 --> 18:46.703 Yeah, what sort of a prize would you like to go for? 18:46.763 --> 18:48.083 Do you want the tickets to see Jet? 18:49.003 --> 19:03.582 or Richard Ashcroft the mopey big-chinned rock star or the spade-faced man or a copy of the ama amando our man what our man no in new g shows 19:04.502 --> 19:06.703 I'm going to go for the Armando Iannucci show. 19:06.883 --> 19:08.164 What an intelligent man you are. 19:08.224 --> 19:08.584 Well done. 19:08.784 --> 19:09.125 Thank you. 19:09.985 --> 19:10.745 So that's it. 19:10.846 --> 19:12.286 What an excellent caller. 19:12.687 --> 19:13.207 Clever man. 19:13.347 --> 19:14.648 Brilliantly executed quiz. 19:14.708 --> 19:15.508 It's all going very well. 19:15.528 --> 19:16.508 Yeah, it's very professional. 19:17.029 --> 19:17.629 Thanks a lot, mate. 19:18.650 --> 19:19.370 Thank you very much indeed. 19:19.390 --> 19:21.211 What are you up to this rest of this weekend? 19:21.231 --> 19:22.111 I'm off on my own. 19:22.492 --> 19:23.052 Where are you going? 19:23.132 --> 19:23.932 I'm going to St. 19:23.972 --> 19:24.293 David's. 19:26.903 --> 19:27.023 Yeah. 19:27.283 --> 19:27.563 Is it? 19:27.763 --> 19:29.104 Down in the bottom left-hand corner. 19:29.164 --> 19:30.885 Oh, you're very sensible to go on a British holiday. 19:30.925 --> 19:31.685 Everybody's doing it. 19:31.765 --> 19:34.006 Not messing with airports or any of that nonsense. 19:34.246 --> 19:35.266 No, absolutely right. 19:35.566 --> 19:35.847 Quite right. 19:35.867 --> 19:41.009 Well, I hope the sun shines for you and you have a wonderful time watching your Armando Iannucci DVD. 19:41.029 --> 19:41.429 I can't wait. 19:41.609 --> 19:42.689 It's a brilliant series, apparently. 19:42.969 --> 19:44.090 So, thanks a lot for calling, David. 19:44.110 --> 19:44.750 Have a great weekend. 19:44.770 --> 19:45.270 Cheers, Andrew. 19:45.470 --> 19:45.831 Bye-bye. 19:46.071 --> 19:46.551 Tutti-bye. 19:46.751 --> 19:48.092 This is... Tutti-bye? 19:48.152 --> 19:48.372 Yeah. 19:48.412 --> 19:50.072 This is Alan and Joe on XFM. 19:50.092 --> 19:52.693 We'll be back after the news and some music. 19:54.274 --> 19:54.334 XFM. 19:59.909 --> 20:01.211 That's Razorlight within the morning. 20:01.251 --> 20:04.955 This is Adam and Joe here on XFM on a really miserable Saturday afternoon. 20:05.516 --> 20:06.357 I've got a bit of a cold. 20:06.618 --> 20:07.138 Morning, mate. 20:07.919 --> 20:08.961 It's not afternoon, morning. 20:09.281 --> 20:09.521 Is it? 20:09.701 --> 20:09.902 Yeah. 20:09.922 --> 20:10.523 Did I say afternoon? 20:10.543 --> 20:10.803 Yeah. 20:11.163 --> 20:12.625 Feels like the afternoon though, isn't it? 20:13.026 --> 20:13.266 No! 20:13.606 --> 20:14.548 We've been up for ages. 20:14.728 --> 20:15.008 Yeah. 20:15.649 --> 20:16.950 We've been up like two hours. 20:17.470 --> 20:18.251 Yeah, but we're perky. 20:18.291 --> 20:18.971 You know, upbeat. 20:19.051 --> 20:20.912 DJs, radio DJs, perky, upbeat. 20:20.952 --> 20:22.713 Come on, remember. 20:23.554 --> 20:24.294 I've got a cold. 20:24.634 --> 20:26.055 Yeah, so have I. That's alright. 20:26.135 --> 20:27.336 Look, Xanthe's coughing. 20:27.416 --> 20:29.217 What do you take when you've got a cold? 20:29.237 --> 20:32.139 I need something that's just going to stave off the symptoms for a week. 20:32.179 --> 20:33.360 I've got a busy week coming up. 20:33.520 --> 20:33.740 Right. 20:34.020 --> 20:36.182 What's good is just to keep things at bay. 20:36.442 --> 20:37.322 You know, not a cure. 20:37.742 --> 20:38.123 Anybody? 20:39.324 --> 20:39.564 No. 20:39.584 --> 20:40.385 What, medicinally? 20:40.585 --> 20:41.565 Yeah, anything, anything. 20:41.605 --> 20:43.726 Just extra spren- extra strength anadine. 20:44.227 --> 20:44.467 Really? 20:44.487 --> 20:46.508 Yeah, aspirin or something, yeah, yeah. 20:46.908 --> 20:48.389 I tell you what I do when I'm feeling ill. 20:48.509 --> 20:48.649 What? 20:48.849 --> 20:50.430 I look at Alexa from Pop Wild. 20:50.790 --> 20:51.671 Does that perk you up? 20:51.751 --> 20:54.973 Yeah, I've got problems, listeners, with Alexa from Pop Wild. 20:54.993 --> 20:55.633 Because you love her. 20:55.893 --> 21:00.256 I just think that she's just completely, like, the perfect woman. 21:01.156 --> 21:02.137 She's so attractive. 21:02.938 --> 21:05.800 What, is there anything unattractive about Alexa from Pop World? 21:06.441 --> 21:09.583 And plus, listen, as Adam Buxton just told me, she goes out. 21:10.224 --> 21:11.805 Is this indiscreet to say this? 21:12.046 --> 21:12.546 Maybe. 21:12.706 --> 21:15.509 It might be, but apparently she goes out with a considerably older man. 21:15.609 --> 21:15.909 Yeah. 21:16.089 --> 21:17.230 I mean, older than me. 21:17.911 --> 21:18.992 Quite a lot older than me. 21:19.852 --> 21:20.152 You know? 21:20.253 --> 21:21.734 And how old is Alexa from Pop World? 21:21.754 --> 21:21.734 22? 21:21.794 --> 21:22.575 Early 20s, yeah. 21:22.695 --> 21:22.855 Yeah. 21:28.999 --> 21:29.719 I love her. 21:30.739 --> 21:35.421 I love her, the way she angles her feet in, like her toes pointing together. 21:35.641 --> 21:35.841 Yeah. 21:36.101 --> 21:36.741 I love her face. 21:36.761 --> 21:38.481 I love the fact that she looks a bit confused. 21:39.362 --> 21:41.522 That's my perfect woman, slightly confused. 21:41.822 --> 21:47.704 And I, you know, I might develop some kind of psychopathic stalking thing for Alex Zane. 21:48.004 --> 21:48.284 Yeah. 21:48.304 --> 21:49.524 Because he touches her. 21:49.864 --> 21:50.684 On a regular basis. 21:50.704 --> 21:51.465 During the links. 21:51.765 --> 21:52.065 I know. 21:52.125 --> 21:53.005 And looks at her. 21:53.165 --> 21:54.265 I fancy Alex Zane. 21:54.405 --> 21:54.745 Do you? 21:54.885 --> 21:56.986 Yeah, he's wearing makeup in Pot World this week. 21:57.006 --> 21:57.186 Is he? 21:57.606 --> 22:00.910 Maybe we should do a kind of bisexual stalking thing. 22:01.170 --> 22:01.971 Mm-hmm double date. 22:02.111 --> 22:04.234 Yeah, I'll do Alexa you do. 22:04.534 --> 22:12.683 I'll start Alex saying yeah, I Honestly wouldn't mind a snog off Alex saying really he's a very attractive man. 22:12.843 --> 22:16.968 I wouldn't mind a snog off Alexa I you know, I wouldn't either to be on about what about it 22:17.088 --> 22:34.161 a kind of big sexy pop world snogger snoggerama snog party arms legs everywhere nobody knows what's what i imagine all rules are thrown out the window it's just pure love and bodies i imagine people are feeling ill now listening to this disgusting description exactly 22:35.001 --> 22:36.362 I'm feeling sexy. 22:37.423 --> 22:37.724 Yeah. 22:38.324 --> 22:39.826 Well, we're gonna play Lily Allen in a bit. 22:40.026 --> 22:42.208 Oh, that'll pour cold water on that. 22:42.889 --> 22:45.291 But hey, I've got a free play that connects to Lily Allen. 22:45.331 --> 22:46.872 Are we gonna play my free play first? 22:46.912 --> 22:47.132 Yeah. 22:47.553 --> 22:49.355 Okay, let me get my notes. 22:49.975 --> 22:52.476 Right, so my theory listeners, I've got a theory about this. 22:53.936 --> 22:56.317 Damon Auburn has a record label, it's called Honest John's. 22:56.377 --> 23:00.979 It's a sort of collaboration between him and a famous record shop called Honest John's. 23:01.399 --> 23:09.542 And they've released this brilliant compilation of Trinidadian Calypso, basically Calypso recorded by the first wave of Caribbean immigrants who came to London 23:10.622 --> 23:27.138 in the fifties and sixties and there's a great track on this compilation called London is the place for me which we're about to play you but my theory is that Lily Allen, Keith Allen, Damon, Auburn they're all kind of linked I think Lily Allen might have heard this song and based her hit London 23:27.879 --> 23:28.620 around it, right? 23:28.660 --> 23:30.302 It's just spelled L... L-D-N. 23:30.463 --> 23:30.943 L-D-N. 23:31.003 --> 23:31.624 Yeah. 23:32.025 --> 23:34.668 So I think she might have basically based her single on this. 23:34.948 --> 23:35.649 So have a listen to this. 23:35.689 --> 23:36.751 This is Lord Kitchener. 23:37.211 --> 23:42.178 It's called London is the place for me and it starts with the Bells of Big Ben done by a piano. 23:42.258 --> 23:43.199 And this is fantastic. 23:43.219 --> 23:43.600 Listen to this. 23:56.733 --> 23:59.934 Yeah, it's a little bit scratchy because it was recorded in 1951. 24:00.434 --> 24:04.054 But, you know, hold that in your mind and then listen to this Lily Allen track. 24:04.434 --> 24:07.535 And basically, she's just done a new version of it. 24:08.055 --> 24:09.535 So that was Lord Kitchener, right? 24:09.555 --> 24:11.416 And that's, what's the compilation that's from? 24:11.436 --> 24:14.156 The compilation's called London Is The Place For Me, which is also the name of that track. 24:14.196 --> 24:16.356 It's got some, I mean, it's a really great record. 24:16.977 --> 24:19.197 It's got a track about just being frightened of the underground. 24:19.997 --> 24:20.517 You'd like it. 24:21.617 --> 24:22.077 It's really good. 24:22.117 --> 24:25.058 It's got another track about cricket at Lord's. 24:26.038 --> 24:27.619 A track about being at the coronation. 24:28.399 --> 24:29.239 Oh, it's really good. 24:29.599 --> 24:30.479 That's a good idea. 24:30.979 --> 24:32.320 They could do a new compilation. 24:32.620 --> 24:34.840 Lily Allen and the Streets and people like that. 24:35.200 --> 24:37.201 Reflections on the modern London as well. 24:37.221 --> 24:38.341 Yeah, that's a very good idea. 24:38.361 --> 24:41.102 That's a brilliant idea, isn't it, that I just came up with? 24:45.663 --> 24:46.643 Right, here's Lily Allen. 24:48.444 --> 24:48.584 Whee! 24:54.983 --> 24:55.703 Space noises. 24:56.143 --> 24:56.523 Space. 24:56.763 --> 24:57.443 I love space. 24:57.684 --> 24:58.624 Courtesy of Lily Allen. 24:58.644 --> 25:01.784 That was, uh, L-L-L-L- L-D-N. 25:02.024 --> 25:04.145 That's what they put on the baggage tags, right? 25:04.485 --> 25:04.785 Right. 25:05.025 --> 25:06.165 When you're at the airport. 25:06.325 --> 25:08.426 Hey, you flew to Scotland last weekend, right? 25:08.466 --> 25:09.486 That's correct, Adam. 25:09.686 --> 25:14.227 And, uh, what was it like, uh, traveling under the current circumstances? 25:14.267 --> 25:14.927 It was fine. 25:14.987 --> 25:15.947 It was really easy. 25:16.127 --> 25:16.367 Was it? 25:16.487 --> 25:16.727 Yeah. 25:16.827 --> 25:18.208 No, no difference at all. 25:18.448 --> 25:20.128 But that might just be for internal flights. 25:20.188 --> 25:20.348 Yeah. 25:20.808 --> 25:23.251 Yeah, I think it's still a bit bad if you fly internationally. 25:25.153 --> 25:25.934 Travel news. 25:25.954 --> 25:30.179 Were you allowed to take your water on board? 25:30.679 --> 25:33.162 No I took no fluids on board. 25:33.442 --> 25:34.283 And did they give you lots of water? 25:34.303 --> 25:35.164 I'm suspicious of that. 25:35.745 --> 25:39.389 I think it's just a way for BAA to make more money in their stupid shops. 25:39.870 --> 25:40.711 Selling people water? 25:40.731 --> 25:43.314 Yeah, cos you're only allowed to take on board stuff you've bought in the shops. 25:43.634 --> 25:44.875 That's convenient, isn't it? 25:45.096 --> 25:45.776 Oh, really? 25:45.816 --> 25:46.157 Yeah. 25:46.377 --> 25:47.779 So you can take water on board? 25:47.819 --> 25:51.343 So ladies, ladies who want to keep their complexions young, and one lady doesn't. 25:52.617 --> 25:58.141 early signs of wrinkles by your eyes there, Boswell Locks, Boswell Locks. 25:58.542 --> 26:09.009 Ladies who want to keep their skin fresh on a dehydrating flight have to put their cosmetics in their, you know, check-in luggage, and then they have to buy all new stuff at duty-free and smear it on. 26:09.029 --> 26:10.751 So if you buy it from the shops you can take it on board? 26:10.771 --> 26:12.252 You can take it on, it's just a scam. 26:12.572 --> 26:15.014 I reckon there's a conspiracy between the terrorists and the government. 26:16.773 --> 26:18.315 more money on face cream. 26:18.435 --> 26:19.876 That's a very challenging theory. 26:20.637 --> 26:26.262 Now I think I found the most boring book about rock and roll ever, ever written. 26:26.322 --> 26:28.084 Do you ever read rock books, Joe? 26:28.344 --> 26:28.505 No. 26:28.725 --> 26:29.385 Or music books? 26:29.646 --> 26:30.046 Sometimes. 26:31.407 --> 26:33.169 And do you find them enjoyable generally? 26:33.369 --> 26:35.051 If it's about someone I'm interested in, yes. 26:35.271 --> 26:36.993 Yeah, what's the best music book you ever read? 26:37.053 --> 26:38.975 The Marvin Gaye biography I thought was amazing. 26:39.475 --> 26:41.197 Oh that was, what's his name, the guy who wrote that? 26:41.377 --> 26:43.199 I don't know, David something, can't remember. 26:44.120 --> 26:46.203 I remember the guy you mean, yeah that was supposed to be brilliant. 26:46.223 --> 26:46.723 Yeah it's brilliant. 26:47.264 --> 26:53.171 One of the best ones I ever read was about talking heads and it's called fa fa fa fa fa or something like that. 26:53.311 --> 26:54.292 It's kind of pretentious but it's 26:54.352 --> 26:59.877 And another brilliant one I read was in this series that this book is from. 27:00.097 --> 27:04.241 It's called 33 and a Half is the series of books and I've mentioned them before on this show. 27:04.661 --> 27:09.986 They're like little pocket sized books and you can buy them in record shops and book shops and stuff. 27:10.666 --> 27:13.548 And they're about so-called classic albums. 27:13.588 --> 27:17.090 You know, the albums like... Can you like buy them on the counter at HMV sort of thing? 27:17.290 --> 27:18.751 I would think you probably could, yeah. 27:19.792 --> 27:30.639 Albums like Harvest by Neil Young, Grace by Jeff Buckley, Led Zeppelin, Low by David Bowie, London Calling by The Clash, Pet Sounds by the Beach Boys. 27:30.699 --> 27:33.161 All of them have had books written about them, you know? 27:33.801 --> 27:37.183 And I read one about the Pixies Doolittle, which was really, really good. 27:37.223 --> 27:37.984 It was fantastic. 27:38.044 --> 27:38.524 Really enjoyed it. 27:38.524 --> 27:40.886 But the one you've got in your hand is about OK Computer. 27:40.966 --> 27:42.648 Yeah, which is one of my favourite albums. 27:42.688 --> 27:44.710 There's a whole book about one album. 27:44.850 --> 27:45.090 Yeah. 27:45.450 --> 27:54.018 And if you're a muso and a nerd and you're really in love with an album, it's nice just to wallow in lots of anecdotes and discussions about how the album came together. 27:54.479 --> 28:03.367 Anyway, the guy who wrote this book, Di Griffiths, is a professor in music in Oxford, some Oxford College, I believe, or maybe a Cambridge College. 28:04.088 --> 28:09.373 And he has taken a deliberately studious approach to the whole thing. 28:09.433 --> 28:10.974 Very kind of... Read us a bit. 28:11.615 --> 28:12.556 Are you gonna read us a bit? 28:12.616 --> 28:15.218 He's head of the Department of Music at Oxford Brookes University. 28:15.258 --> 28:15.718 There you go. 28:16.339 --> 28:18.921 And I think he immediately says in the beginning of the book... 28:19.522 --> 28:23.585 This isn't going to be just loads of anecdotes about the band and how the album came together. 28:23.605 --> 28:26.247 You just think, oh, no, that's what I wanted. 28:27.127 --> 28:41.237 Instead, he takes the most clinical approach to music that I've ever read in my life and simultaneously removes all the fun and enjoyment that you get from an amazing album, which is what OK Computer is. 28:41.417 --> 28:41.957 Check this out. 28:42.557 --> 28:45.359 I might read you a few bits of this throughout the show. 28:45.940 --> 28:46.400 Here we go. 28:46.800 --> 28:48.782 He's talking about OK. 28:50.182 --> 28:57.244 Let Down, which is a track from the album, is fast, but doesn't necessarily sound fast. 28:57.624 --> 29:01.085 The pulse of the vocal line proceeds at double speed. 29:01.705 --> 29:10.448 Minims in the sheet music, fitter, happier, also sounds looser and freer than the speed indication suggests. 29:11.128 --> 29:17.036 The speed column isn't as technical as it may seem, the numbers indicating beats per minute. 29:17.517 --> 29:26.128 The slow section of Paranoid Android is just over 60 beats per minute, so that looking down at the second hand of the watch will show its pace. 29:26.808 --> 29:31.972 Let down is two to the second, and again the watch will show how lively that is. 29:32.452 --> 29:35.314 Electioneering is five beats per two seconds. 29:35.814 --> 29:40.117 Slower paced songs fill the time easier simply by working through their verses. 29:40.357 --> 29:44.259 Additional material will be found in the medium and quickly paced songs. 29:45.200 --> 29:49.962 And it goes on like that for pages and pages and pages. 29:50.102 --> 29:54.243 I might pick out another bit for you a bit later on, because it's just unbelievable. 29:54.483 --> 30:02.185 And I struggled right the way through the book hoping that it would suddenly get interesting, but then it just takes more amazing turns into stupefying boredom. 30:02.926 --> 30:03.986 But you'll still read it, won't you? 30:04.566 --> 30:05.366 The whole thing? 30:05.386 --> 30:06.647 Yeah, I will read the whole thing. 30:07.567 --> 30:08.508 Because I'm a jerk. 30:09.808 --> 30:13.870 OK, let's play some music and then go to the ads. 30:14.190 --> 30:15.711 What have we got now? 30:16.191 --> 30:17.772 I think we've got some Morrissey, haven't we? 30:17.812 --> 30:19.032 If we're sticking to the playlist. 30:19.132 --> 30:20.593 No, we're jumping around a little bit. 30:20.613 --> 30:21.853 What? 30:21.953 --> 30:22.914 OK, this is The Vines. 30:22.954 --> 30:24.214 This is Don't Listen to the Radio. 30:30.168 --> 30:31.828 Why, he's still talking and he's fading out. 30:31.888 --> 30:33.889 He had important things to say about his doorbell. 30:34.309 --> 30:35.249 No, he made his point. 30:35.849 --> 30:37.330 He's been thinking about the doorbell. 30:37.510 --> 30:38.890 But he got bored of himself. 30:38.930 --> 30:40.510 When they're gonna ring it, when they're gonna ring it. 30:41.490 --> 30:44.491 He's been going on and on about the doorbell and the ringing. 30:44.971 --> 30:53.173 So listen, we want you folks to send in some ideas for lyrics for our cover, well, it's our version of Robbie Williams's Rude Box. 30:54.053 --> 31:13.754 right yeah yeah yeah yeah just to remind you we've already got quite a few uh texts and people are already responding and we've got some quite high quality stuff in we're looking for rhyming couplets that involve fashionable phrases you know nothing too well no you can send in clever stuff but we're not asking for like hugely sophisticated things stuff like uh what did i have xbox 31:14.575 --> 31:15.295 and something. 31:15.335 --> 31:15.876 What do I have now? 31:15.996 --> 31:18.396 Xbox 360, flat screen TV, that sort of thing. 31:18.516 --> 31:18.756 Yeah. 31:18.816 --> 31:19.057 You know? 31:19.377 --> 31:23.458 And the best thing is to combine something trivial with something quite serious. 31:23.878 --> 31:24.778 Like Robbie does. 31:25.519 --> 31:26.899 What does he do Semtex with? 31:27.399 --> 31:27.919 Durex. 31:28.380 --> 31:28.600 Yeah. 31:28.660 --> 31:28.900 Right? 31:29.320 --> 31:29.960 And Mandrex. 31:30.000 --> 31:32.041 Yeah, because it's kind of, um... 31:32.941 --> 31:37.623 you know, the modern world and a young person's attitude to the modern world. 31:37.663 --> 31:43.245 You know, how can you discern between serious issues and trivial issues in this trivialised world? 31:43.685 --> 31:45.426 You know what, I woke up in the middle of the night. 31:45.686 --> 31:47.046 I want you to tell me I'm insane, right? 31:47.527 --> 31:48.087 You're insane. 31:48.107 --> 31:49.107 No, tell me in a second. 31:49.387 --> 31:50.848 I woke up in the middle of the night and I thought... 31:51.880 --> 31:55.964 What if Robbie is doing this deliberately to be funny? 31:56.225 --> 31:58.407 Is this song a parody? 31:58.427 --> 31:59.788 Well, you can't tell, can you? 31:59.869 --> 32:03.012 I mean, you could ask the same question about the streets. 32:03.292 --> 32:03.532 Yeah. 32:04.113 --> 32:08.718 But the streets, I mean, the streets, it's wry, it's kind of street humour, isn't it? 32:08.998 --> 32:12.322 Yeah, but there's no doubt Robbie's trying to be, whether he's trying to be funny or not, he's trying to be cool. 32:12.822 --> 32:13.043 Yeah. 32:13.103 --> 32:13.784 He thinks it's cool. 32:13.824 --> 32:14.324 Do you really think so? 32:14.344 --> 32:15.486 That's not in dispute, yeah. 32:15.506 --> 32:19.711 Are you sure it's not just Robbie's, he's just, you know, anti-cool, the whole thing? 32:20.332 --> 32:21.434 What, and you think the laugh's on us? 32:21.674 --> 32:22.094 Maybe. 32:22.755 --> 32:24.257 Maybe we're taking it too seriously. 32:25.931 --> 32:26.432 You're insane. 32:26.632 --> 32:27.452 I'm insane. 32:27.472 --> 32:28.072 Thank goodness. 32:28.112 --> 32:29.233 Thank goodness for that. 32:29.973 --> 32:31.214 See, that's what I wanted to hear. 32:31.374 --> 32:32.094 You can't say that. 32:32.114 --> 32:33.675 You'll ruin our whole text competition. 32:33.695 --> 32:33.995 Well, I know. 32:34.015 --> 32:34.975 I just had to get it off my mind. 32:34.995 --> 32:36.376 What are we going to do for the next one? 32:36.536 --> 32:38.637 Obviously, that's possible. 32:39.157 --> 32:40.217 It can't be possible. 32:40.237 --> 32:41.598 I want you to tell me I'm insane. 32:41.818 --> 32:43.859 Well, no, he's famously got a sense of humour. 32:43.899 --> 32:44.959 His dad's a red coat. 32:45.499 --> 32:48.381 He's tongue-in-cheeky-chappy Robbie Williams, isn't he? 32:48.401 --> 32:50.641 Yeah, but the key thing is does he think it's cool? 32:50.802 --> 32:51.842 Of course he thinks it's cool. 32:51.882 --> 32:52.442 Right, right. 32:52.522 --> 32:53.723 Yeah, he thinks he's got two'd. 32:54.685 --> 32:56.114 Dude yeah, dude, huh? 32:57.332 --> 32:58.272 Well that's okay then. 32:58.392 --> 33:01.913 Okay, so, so, so, right, we're continuing, we're not going to call off this text competition. 33:02.113 --> 33:02.233 No. 33:02.413 --> 33:12.195 Send in your rhyming couplets, we'll give a prize to the best one, and in fact we're going to construct our own version of a Rudebox-esque song out of your fashionable rhyming couplets, right? 33:12.215 --> 33:20.636 Yeah, and it doesn't have to be like fashionable in the sense of sort of, you know, trends and fashion, it can also be, it can also be just anything zeitgeisty, right? 33:20.876 --> 33:21.496 Yeah. 33:21.576 --> 33:23.657 Anything sort of newsworthy, crapply, 33:24.537 --> 33:53.159 modern yeah so text 83 XFM with your crappie modern zeitgeisty rhyming couplets and after this record we're going to read out some of the best ones what we've got in now I've got a top copy of one of my favorite albums a toppy a toppy I've got a copy of wireless by Thomas Dolby golden age of wireless I'm not gonna play she blinded me with science right cause the version of that on here is one of the one of those ones where he's just remixed it for no reason yeah you're talking to me specifically because nobody listening will know what you're talking about 33:53.419 --> 33:54.860 Some people will remember Thomas Goldmy. 33:55.280 --> 34:05.444 I'm going to ask you which track shall I play off here between Europa and the Pirate Twins, Wind Power or One of Our Submarines? 34:05.484 --> 34:06.664 I'd play Europa and the Pirate Twins. 34:06.984 --> 34:07.745 Europa and the Pirate Twins? 34:07.765 --> 34:08.625 Yeah, radio friendly. 34:08.885 --> 34:13.027 It's a good story this, it's a story song about a guy whose girlfriend becomes famous and he doesn't. 34:13.942 --> 34:14.962 Yeah, that's the end of the story. 34:15.062 --> 34:22.885 And it also used to be the theme music for a, I think it was a Radio 1 show called B-15. 34:22.985 --> 34:25.245 Ah, that's exciting news. 34:25.265 --> 34:29.667 You should write a book about it, so sell on the counter at HMV. 34:29.867 --> 34:30.867 Maybe I will. 34:32.248 --> 34:34.748 Oh no, I've got the wrong thing. 34:35.629 --> 34:36.309 Here we go, hang on. 34:37.629 --> 34:39.710 Everything's fine, everything's fine. 34:40.814 --> 34:41.394 Come on, Phil. 34:41.995 --> 34:42.635 I can't. 34:42.855 --> 34:45.897 I think silence is- Chris Moyles has built a career on silence. 34:46.338 --> 34:48.839 So we're doing it as well. 34:48.879 --> 34:51.241 If it can make Chris Moyles a millionaire, we're doing it as well. 34:51.481 --> 34:51.901 Silence. 34:52.642 --> 34:53.162 Dead air. 34:53.362 --> 34:54.063 Dead air. 34:54.643 --> 34:56.905 Okay, we'll fill some dead air with- Give us a Sony. 34:56.965 --> 34:57.725 Thomas Dolby. 35:03.409 --> 35:04.430 That hasn't dated at all. 35:05.913 --> 35:06.333 There you go. 35:06.653 --> 35:11.915 That's Thomas Dolby with Europa and the Pirate Twins from the Golden Age of Wireless. 35:12.956 --> 35:15.117 And this is Adam and Joe here on XFM. 35:15.337 --> 35:15.797 Yes, hello. 35:16.817 --> 35:23.220 Now, are we going to read some of the texts that have come in for our Robbie Williams song now, or shall we wait until after the ads? 35:23.520 --> 35:24.741 Let's wait until after the ads. 35:25.101 --> 35:25.401 OK. 35:25.761 --> 35:29.222 And when we'll have lots of them to read out to you. 35:29.983 --> 35:30.343 Bye bye. 35:34.861 --> 35:36.782 That's Kasabian with Empire. 35:37.102 --> 35:40.163 This is Adam and Joe here on XFM on Saturday afternoon. 35:40.203 --> 35:45.465 We're going to check out some of those texts now that we've got for our Robbie Williams rhyme song thing. 35:46.045 --> 35:46.705 Yeah, we are. 35:46.745 --> 35:47.325 That's correct. 35:48.126 --> 35:48.906 What have we got there, Joe? 35:49.146 --> 35:51.787 Yeah, should we just explain what we're doing again in case anybody's just tuned in? 35:51.927 --> 35:52.167 OK. 35:53.088 --> 36:02.091 We've been asking you for your sort of fashionable zeitgeisty rhyming couplets because we're trying to create our own kind of version of Robbie Williams's new single Rude Box, which is just a kind of 36:04.072 --> 36:08.337 Er, what's the word like a, like a swathe of trendy rhyming words? 36:08.397 --> 36:09.238 A smorgasbord. 36:09.338 --> 36:11.120 A smorgasbord of trendy rhyming words. 36:11.480 --> 36:12.601 And we've had some good ones in, OK? 36:12.621 --> 36:13.142 You ready for these? 36:13.302 --> 36:13.802 Come on, hit me. 36:15.024 --> 36:17.907 Blackberry watching telly, gimme an Emmy. 36:19.082 --> 36:20.184 Doesn't quite rhyme, does it? 36:20.464 --> 36:20.905 No. 36:21.085 --> 36:21.586 Very Italian-y. 36:21.606 --> 36:23.228 Something like, she just sucked a lemon. 36:23.709 --> 36:24.370 Don't like that. 36:24.550 --> 36:26.072 Remember, I did not write these. 36:26.493 --> 36:27.555 That came in anonymously. 36:27.575 --> 36:29.177 Okay, what about this? 36:29.237 --> 36:33.543 Gareth suggests rhyming Saddam Hussein with the generation game. 36:34.224 --> 37:03.130 yeah that's getting there isn't it yeah opposites rhyming opposites you'd never usually associate those two i mean they're complete opposites it would be good if the if the generation game was still on though and it wasn't it is on challenge is it yeah okay larry grayson years yeah we're on challenge it's very odd well that's a different topic okay katie from london uh uh suggests bush say yo this isn't very good katie bush said yo player gave him an asbo 37:03.590 --> 37:04.291 That's quite good. 37:04.331 --> 37:04.871 Come on, that was good. 37:04.891 --> 37:05.191 It's quite good. 37:05.211 --> 37:06.953 Sorry, Katie, I damned you with faint praise. 37:06.973 --> 37:09.315 No, Katie's operating at Williams' level, you know? 37:09.335 --> 37:09.875 Yeah, she's right. 37:10.176 --> 37:12.638 She could do better than that, but she doesn't need to, because it's Williams. 37:13.759 --> 37:15.200 OK, here's another anonymous one. 37:15.780 --> 37:25.809 We went out on penalties like Brian Harvey on 10E's, my bleep smelt like strings of cheese, and my pants smell of Febreze. 37:27.839 --> 37:28.699 Overambitious, maybe. 37:28.920 --> 37:29.660 That's pretty good, though. 37:29.680 --> 37:30.680 There's something good going on there. 37:30.700 --> 37:31.660 Yeah, we might use some of that. 37:32.020 --> 37:33.601 What was the bleeped word? 37:34.701 --> 37:36.462 Like a doorknob without the door. 37:36.922 --> 37:37.282 Okay. 37:40.183 --> 37:41.383 Yeah. 37:41.443 --> 37:42.023 Here's another one. 37:43.464 --> 37:48.165 Wispy in Soho suggests rhyming slamming tequila with Al-Qaeda. 37:48.405 --> 37:49.125 That's very good. 37:49.145 --> 37:50.126 That's very good, isn't it? 37:50.206 --> 37:51.086 Yeah, you're on the case, Wispy. 37:52.202 --> 37:58.289 Tom suggests rhyming Israel, Lebanon, razor thin, wap, phone. 38:00.249 --> 38:06.493 Let me just say that a bit differently Israel Lebanon razor-thin a weapon Okay. 38:06.513 --> 38:09.575 Yeah Israel Lebanon razor-thin the weapon phone. 38:09.595 --> 38:12.197 Yeah, Israel Lebanon razor-thin back phone. 38:12.337 --> 38:21.323 That sounds like an Adam and the ants thing Yeah, that could work because you can get away with bad rhyming if you in in pop songs It's a lot of bad writing it on the phone, but here's our favorite so far. 38:21.383 --> 38:29.569 It comes from Paul in Cambridge He has this rhyming couplet the Princess Diana memorial fountain is substantially gayer than Brokeback Mountain 38:30.189 --> 38:30.810 That's very good. 38:30.830 --> 38:31.911 See, that's working on all levels. 38:31.931 --> 38:32.772 That even scans. 38:32.952 --> 38:33.252 Yeah. 38:33.793 --> 38:34.273 There's more. 38:34.394 --> 38:36.796 I'm going to go through the others and write down some more, but keep them coming in. 38:37.236 --> 38:37.657 83XFM. 38:37.917 --> 38:46.686 Not only will we give a prize to the best, it looks like the prize might be heading to Paul in Cambridge, unless someone can text in and better that, but we'll be constructing our own version of the song. 38:46.906 --> 38:48.428 We're even going to put music behind it. 38:49.716 --> 38:49.996 Yeah? 38:50.076 --> 38:51.117 Yeah. 38:51.137 --> 38:54.358 We might not, you know, we reserve the right just to not do this and be lazy. 38:54.718 --> 38:55.739 No, we've got to do it, man. 38:55.779 --> 38:56.499 We've got to do it. 38:56.719 --> 39:00.140 And then we might even release it, and we might even have a hit single. 39:00.481 --> 39:08.804 That's the most unlikely part of the whole thing, but I pretty much guarantee that we will rap some of these lyrics that you're sending in towards the end of the show. 39:08.944 --> 39:09.364 Pretty much. 39:09.504 --> 39:12.926 Incidentally, we've got the X List coming up in about a quarter of an hour in the final album. 39:13.126 --> 39:15.689 You know, we're not doing very well with the X-list listeners. 39:15.889 --> 39:18.752 It's an important part of the XFM schedule, right? 39:19.033 --> 39:22.256 Where we play XFM classics, but we haven't been doing it very well. 39:22.276 --> 39:27.062 So as of next week, I believe that the X-list is being taken out of our hands. 39:27.082 --> 39:27.963 We're gonna 39:28.143 --> 39:54.042 do a two-hour show which secretly we're quite happy about because we can pack more in you know make our limited material sound more like you know timely and exciting like a delicious pie instead of spreading it thinly over three hours so next week's show will be or a proactive what so next week's show will be a two-hour show and then you'll get something else happening with the X list right but hardcore music fans people who maybe don't like chitchat will be grateful 39:56.836 --> 40:02.242 Whereas people who love our chitchat will be able to listen to us from ten till noon. 40:02.943 --> 40:13.614 Free play right now is The Fall from their last album Fall Heads Roll and this is a track called Breaking the Rules which is a kind of enjoyably insane mess that sounds a little bit like Walk Like a Man 40:14.275 --> 40:15.836 Do you remember the song that Divine covered? 40:15.976 --> 40:20.939 Walk like a man, talk like a man, walk like a man, my son. 40:21.300 --> 40:24.422 And here's Mark Smith kind of dipping in and out of that on this track. 40:24.542 --> 40:25.422 Breaking the rules. 40:26.543 --> 40:26.843 No. 40:26.863 --> 40:29.105 Here we go. 40:29.145 --> 40:29.485 I've got it. 40:30.306 --> 40:31.226 Everything's fine. 40:31.426 --> 40:31.787 Calm down. 40:42.352 --> 40:43.113 talking about something else. 40:43.413 --> 40:49.197 Xanthi our assistant thinks Barney is the sexiest name that a man can possibly have. 40:49.237 --> 40:51.778 Hello listeners this is Adam and Joel on XFM London's 104.9. 40:51.838 --> 40:52.679 I like the name Barney. 40:52.699 --> 41:03.166 Our producer Xanthi thinks Barney is the sexiest man's name and I was saying I think Barney sounds like a idiot toff farmer or just a like a backwards yokel. 41:04.813 --> 41:05.633 Hello Barney! 41:05.974 --> 41:07.254 It's not a sexy name. 41:08.175 --> 41:10.156 Like a... Do your impression of Barney again. 41:10.176 --> 41:10.596 Barney! 41:10.716 --> 41:11.236 Hello! 41:11.617 --> 41:12.017 That's it. 41:12.317 --> 41:13.418 What have you been doing Barney? 41:13.558 --> 41:18.921 I've been putting jam on my fingers and I've drawn a picture of a doorknob without the door. 41:19.881 --> 41:21.082 What are you doing later? 41:21.583 --> 41:22.884 I'm going out with Xanthe. 41:23.885 --> 41:25.267 She thinks I'm sexy. 41:26.508 --> 41:28.070 She thinks my name is sexy. 41:28.290 --> 41:33.696 I'm going to take her to the haystack and show her my model I made out of twigs of twigs. 41:33.776 --> 41:35.498 I made a model of twigs made out of twigs. 41:36.519 --> 41:37.520 She thinks it's sexy. 41:37.801 --> 41:40.704 That sounds like your impression of that chicken big brother. 41:41.576 --> 41:42.617 Yeah, it probably is. 41:42.637 --> 41:43.178 That's the only voice I do. 41:43.198 --> 41:43.659 What's her name? 41:43.739 --> 41:44.179 I don't know. 41:44.460 --> 41:47.904 The one you were talking about that you said she was the- Santy showed me half of one of her nipples. 41:48.105 --> 41:52.751 She said you were- you said that she was the, um- Tomorrow she's gonna show me three quarters. 41:54.594 --> 41:56.614 You know, the Big Brother woman that you were talking about the other day. 41:56.634 --> 41:57.195 I don't know. 41:57.235 --> 41:58.415 No one remembers Big Brother. 41:58.475 --> 41:59.175 You said that she was... Nicky. 41:59.195 --> 42:00.235 It evaporates in your brain. 42:00.555 --> 42:00.915 Nicky. 42:01.596 --> 42:02.656 No, she's not West Country. 42:02.876 --> 42:04.636 Yeah, I know, but your impression was similar. 42:05.096 --> 42:06.317 Right, well, yeah. 42:06.437 --> 42:07.637 I think it might have gone a bit West. 42:07.657 --> 42:08.797 What was your Nicky impression? 42:09.177 --> 42:09.657 I don't know. 42:09.677 --> 42:10.578 I don't really know. 42:10.678 --> 42:11.058 I don't. 42:11.338 --> 42:12.618 Other people do better Nicky impressions. 42:13.458 --> 42:13.738 I don't. 42:13.778 --> 42:15.999 She's just a screaming lunatic, isn't she? 42:16.539 --> 42:33.059 yeah anyway um we've been asking for your rhyming couplets but i haven't that song was too short i haven't had time to write anymore down what was the stormtrooper one i don't know man i'll have to go back and find it play another record um need more time i haven't got a record lined up because it's almost time for the news 42:34.284 --> 42:36.005 The news is coming up. 42:36.766 --> 42:40.989 But you see, I'm in a bit of a quandary now because I haven't got a song to play. 42:41.149 --> 42:41.369 Right. 42:42.229 --> 42:45.612 But the news isn't due just yet. 42:45.832 --> 42:46.853 Yeah. 42:46.973 --> 42:48.674 So in theory, we should talk. 42:48.854 --> 42:49.474 I've got a song. 42:49.795 --> 42:50.215 What have you got? 42:51.115 --> 42:52.056 Woodcat by Tung. 42:53.517 --> 42:53.917 What is it? 42:54.518 --> 42:57.300 Tung are a very good sort of folk band. 42:57.560 --> 43:01.803 And they were one of the bands that played at the Green Man Festival that I went to the weekend before last. 43:02.819 --> 43:03.480 And they're really good. 43:03.520 --> 43:05.201 And this is a song called Woodcat. 43:05.902 --> 43:09.465 And it's got a lovely chorus that just goes, are we not going to play it? 43:09.545 --> 43:11.307 Well, I haven't got the CD, have I? 43:12.768 --> 43:14.210 Hang on, is this it? 43:14.530 --> 43:16.392 Oh no, this is, that was last weekend. 43:16.432 --> 43:17.273 What's that doing there? 43:17.633 --> 43:18.434 That's Radiohead. 43:19.214 --> 43:19.655 Radiohead? 43:19.675 --> 43:20.676 We just had Radiohead. 43:22.595 --> 43:24.176 Why don't we get the news guy in early? 43:24.857 --> 43:25.177 We could. 43:25.277 --> 43:25.817 Ah, here we go. 43:25.837 --> 43:26.238 I found it. 43:26.598 --> 43:26.938 Okay. 43:27.478 --> 43:28.319 So this is a lovely track. 43:28.379 --> 43:29.179 It's called Wood Cat. 43:30.140 --> 43:34.503 And it's all about having a lovely time and getting up in the morning and lying in bed and watching the telly having coffee. 43:35.003 --> 43:35.784 Quite suitable, really. 43:43.689 --> 43:45.652 Foo Fighters with a new way home. 43:45.932 --> 43:48.416 Hard to beat that for enjoyable shouting action. 43:49.077 --> 43:54.685 That kicks off our X-list hour here on XFM on a Saturday afternoon with myself, Adam Buxton. 43:54.766 --> 43:55.867 Yeah, that we've mishandled again. 43:56.648 --> 43:57.490 We've mishandled it. 43:57.510 --> 43:59.312 We've forgotten to canvas requests. 43:59.873 --> 44:00.373 Completely. 44:00.393 --> 44:01.213 We haven't asked once. 44:01.354 --> 44:03.394 We're supposed to ask you to send an X-list request. 44:03.414 --> 44:03.814 We did it once. 44:03.834 --> 44:04.415 We imagined it once. 44:04.435 --> 44:04.675 You did. 44:04.695 --> 44:04.955 You did. 44:04.995 --> 44:05.575 I'm sorry. 44:05.955 --> 44:09.056 Yeah, but it could be one of the reasons why we won't be doing it next week. 44:09.496 --> 44:10.557 Fired from the X-list. 44:10.777 --> 44:12.217 Yeah, actually we weren't fired, listeners. 44:12.237 --> 44:15.458 We requested that we... that maybe we could not do it. 44:16.379 --> 44:16.939 I was fired. 44:16.959 --> 44:17.539 Yeah. 44:18.470 --> 44:26.833 Anyway, listen, we've been asking for you to send in your suggestions for Robbie Williams-style rhyming couplets, and I've just dropped the piece of paper with them written on the floor. 44:27.353 --> 44:28.033 Excuse me a second. 44:28.333 --> 44:28.633 OK. 44:29.293 --> 44:32.915 Joe's just bending over for the piece of paper with the Robbie Williams rhyming couplets. 44:32.975 --> 44:33.355 I'm back. 44:33.855 --> 44:34.115 He's back. 44:34.435 --> 44:41.319 OK, um, and listen, just a bit of advice, uh, texters, but please put your number on your text, cos a lot of these are very good, but they're anonymous. 44:41.880 --> 44:42.780 Not your number, your name. 44:43.160 --> 44:44.441 Put your name on your text. 44:44.581 --> 44:44.761 Yeah. 44:44.921 --> 44:46.642 Cos it's nice to put a name to the couplet. 44:46.943 --> 44:47.423 Absolutely. 44:47.543 --> 44:47.763 Yeah? 44:47.863 --> 44:48.824 OK, you ready for these, Adam? 44:49.044 --> 44:49.444 Yeah, hit me. 44:49.464 --> 44:50.445 Cos you're gonna judge these. 44:50.745 --> 44:50.985 OK. 44:51.265 --> 44:52.066 All right, here we go. 44:52.126 --> 44:52.926 Here's the first one. 44:53.226 --> 44:55.608 You think I'm gay, but now I'm shouting. 44:56.168 --> 44:59.670 I'm so straight that I broke back mountain. 45:00.211 --> 45:02.172 We can't have two broke back mountain ones in. 45:02.712 --> 45:03.813 Well, we'll only use one. 45:04.194 --> 45:05.635 I like the Diana Memorial Fountain. 45:05.655 --> 45:06.436 You like the other one, don't you? 45:06.496 --> 45:06.716 Yeah. 45:06.736 --> 45:08.238 But that's quite sophisticated. 45:08.278 --> 45:09.199 Does it make sense to you? 45:09.539 --> 45:15.165 You think I'm gay, but now I'm shouting, I'm so straight that I broke back. 45:15.406 --> 45:16.326 It doesn't make any sense, does it? 45:16.747 --> 45:17.408 It's quite good. 45:17.428 --> 45:18.729 There's something very good going on there. 45:18.949 --> 45:20.230 Yeah, can't quite figure out what it is. 45:20.250 --> 45:21.171 That's an anonymous one. 45:21.431 --> 45:22.532 Here's another anonymous one. 45:22.932 --> 45:26.255 Too much binge drinking, not enough joined up thinking. 45:26.375 --> 45:26.695 Hey. 45:27.036 --> 45:27.496 That's good. 45:27.536 --> 45:29.438 That could have been said in the Houses of Parliament. 45:29.478 --> 45:30.418 That exactly right. 45:30.438 --> 45:31.439 I'm equated in the papers. 45:31.559 --> 45:32.340 Tony B Liar. 45:32.460 --> 45:33.080 That's very good. 45:33.321 --> 45:34.982 Here's another one, also anonymous. 45:35.402 --> 45:38.325 Happy slap, you gave me the clap, shut your trap. 45:38.885 --> 45:39.465 That's good, that's good. 45:39.505 --> 45:40.146 That's quite basic. 45:40.406 --> 45:43.948 I would like to rhyme happy slap with something a bit more important though. 45:44.168 --> 45:45.628 You know, like a world event of some kind. 45:45.648 --> 45:46.109 Yeah, yeah, yeah. 45:46.149 --> 45:46.929 Addicted to crack. 45:47.249 --> 45:47.589 Yeah. 45:47.709 --> 45:48.570 Yeah, is that a world event? 45:48.830 --> 45:49.510 Well, no, no. 45:49.530 --> 45:50.511 The world's addicted to crack. 45:50.671 --> 45:52.232 Adam, is the world addicted to crack? 45:52.252 --> 45:53.172 Is the world on crack? 45:53.292 --> 45:54.713 Wait a second, you're making me think. 45:54.733 --> 45:56.594 Oh no. 45:57.154 --> 45:58.134 I'm starting to think. 45:58.155 --> 45:58.935 Yeah, go on. 45:59.315 --> 46:09.980 it hurts here's another one you ready for another one yeah go on this is quite a good one this is anonymous as well arctic monkeys yeah tony's flunkies very good telling lies 46:11.889 --> 46:38.828 Penta peptides that's good in collusion with Gillette fusion whoa that's really good who sent that in text us your name the person who sent that in penta penta telling lies penta penta Tony's flunkies flunkies is a brilliant word that is only ever used in when people are talking about politics right huh but no one ever uses that in any other context we're very rare monkeys flunkies Tony's flunkies any omega-3 stuff there 46:39.048 --> 46:40.829 No Omega 3 yet, that's a good tip. 46:41.209 --> 46:44.011 You'll get in Adam's Good Books if you send in an Omega 3 related one. 46:44.271 --> 46:44.931 Here's another one. 46:45.472 --> 46:46.492 Again, this is anonymous. 46:46.932 --> 46:49.274 Prime Minister Blair, get out of my hair. 46:50.131 --> 46:52.892 Bush has got you dancing like Fred Astaire. 46:53.552 --> 46:57.572 Arnie's in the White House shooting and singing because he'll be back. 46:57.953 --> 47:00.193 They've already started filming. 47:00.213 --> 47:03.074 It should be flimming because that doesn't rhyme with singing. 47:03.094 --> 47:04.374 That's a bit of a confusing one. 47:04.454 --> 47:05.314 It started well though. 47:05.694 --> 47:07.174 Tony Blair got out of my hair. 47:07.514 --> 47:09.195 Bush has got you dancing like Fred Astaire. 47:09.395 --> 47:10.615 We might use the top of that. 47:10.775 --> 47:11.915 Something minging at the end. 47:12.075 --> 47:13.276 Yeah Arnie's not in the White House. 47:13.316 --> 47:14.776 He's governor of California. 47:14.816 --> 47:15.216 That doesn't 47:15.936 --> 47:16.176 mean. 47:16.216 --> 47:18.018 He visits the White House on a regular basis. 47:18.058 --> 47:18.878 That's true. 47:19.198 --> 47:20.039 Okay, here's another one. 47:20.059 --> 47:20.779 You might like this one. 47:20.819 --> 47:21.900 This is another anonymous one. 47:22.260 --> 47:23.481 This is just random rhyming words. 47:23.641 --> 47:28.705 Actimal, belly swell, need to chew a Remi gel. 47:29.602 --> 47:30.943 Does a remedy, is that how you say it? 47:31.063 --> 47:31.603 Remi-gel? 47:31.703 --> 47:32.024 I don't know. 47:32.044 --> 47:32.524 Remi-gel? 47:32.564 --> 47:34.385 Let's just move swiftly. 47:34.425 --> 47:36.086 Yeah, it's like a remedy, isn't it? 47:36.206 --> 47:36.947 Remi-gel. 47:36.987 --> 47:38.208 Remi-gel, that's anonymous. 47:38.248 --> 47:41.510 Here's one that actually comes from someone who's brave enough to declare their name. 47:42.010 --> 47:43.311 They're the Peckham Cartel. 47:43.872 --> 47:45.312 Oh my goodness, a cartel? 47:45.373 --> 47:47.974 Yeah, I think they might have done a shooting around my way last night. 47:48.555 --> 47:49.555 The street was cordoned off. 47:50.556 --> 47:51.036 Here we go. 47:51.236 --> 47:56.000 It's Burberry Caps with a price tag, heavy shelling of Baghdad. 47:56.540 --> 47:58.281 Jodie Marsh is a slag. 47:58.761 --> 47:59.042 Nice. 47:59.822 --> 48:00.962 Smuggled Poles. 48:01.322 --> 48:02.763 I guess he means Polish people. 48:02.843 --> 48:03.023 Yeah. 48:03.543 --> 48:04.143 In a bag. 48:04.303 --> 48:05.043 That is brilliant. 48:05.164 --> 48:05.824 That's good, isn't it? 48:05.864 --> 48:06.744 The Peckham Cartel. 48:06.804 --> 48:08.224 The Peckham Cartel have nailed it. 48:08.264 --> 48:08.805 They've nailed it. 48:08.865 --> 48:09.705 Is that the best so far? 48:09.745 --> 48:10.025 There's more. 48:10.045 --> 48:10.545 Do you want more? 48:11.185 --> 48:11.865 That's really good. 48:12.265 --> 48:13.486 Do you want a record then some more? 48:13.526 --> 48:14.206 Yeah, let's have some more. 48:14.226 --> 48:15.526 Keep texting them in, listeners. 48:15.626 --> 48:20.448 83XFM and we're going to construct a Rude Box style stupid contemporary rap song out of these. 48:20.468 --> 48:21.708 We better start constructing. 48:21.728 --> 48:27.930 You know, maybe we'll play a couple of songs in a row now and we better start constructing the rap because we're going to do this rapping at about 22. 48:29.170 --> 48:38.498 Okay, so this is your last chance to get your suggestions in, uh, 10-8-3-XFM, and do put your name in, because when we give away the prizes, we need to, uh, you know, call you and stuff. 48:38.679 --> 48:39.279 Yeah, exactly. 48:39.820 --> 48:41.161 Uh, here's Radiohead once again. 48:41.181 --> 48:45.545 This was requested by Darren in Wakefield. 48:47.423 --> 48:48.744 No, it's not Radiohead. 48:48.904 --> 48:50.064 What are you doing? 48:50.124 --> 48:50.565 I don't know. 48:50.605 --> 48:51.245 I feel ill. 48:51.365 --> 48:52.145 I've got a cold. 48:52.205 --> 48:54.006 Yeah, but your hands aren't ill. 48:54.246 --> 48:58.088 I've got a cold, and my brain and my hands are failing to connect. 48:58.769 --> 48:59.929 And my brain's connected to my feet. 48:59.949 --> 49:02.730 Well, it's testing our DJ abilities to their limits. 49:03.011 --> 49:03.291 Well... 49:04.071 --> 49:32.789 that's true technically but listen I have to I know I don't say anything of any value but I have to talk and press all the buttons I know I know but that was your choice you know let's play it what's the record is it sorted out now it's granddaddy and you might know this is the theme okay man and Adam I'm very sympathetic to Charlie Brooker's no I know I think everybody loves you and wishes you the best in your DJing career great yeah this is also the theme to Charlie Brooker's screen wipe it's called am 180 and it's by granddaddy 49:37.099 --> 49:39.301 There you go, that's the strokes with Hard to Explain. 49:39.341 --> 49:41.622 This is Adam and Joe here on XFM. 49:41.822 --> 49:45.685 Yes, still canvassing your Robbie Williams-style rhyming couplets. 49:45.705 --> 49:46.706 Do you want to hear some more, Adam? 49:46.946 --> 49:48.147 Yeah, we should wrap this up, shouldn't we? 49:48.167 --> 49:49.128 Because we've got to write the rap. 49:49.388 --> 49:52.030 We've got to pull all these together and do some rapping at the end of the show. 49:52.050 --> 49:53.070 This is our final reading session. 49:53.971 --> 49:55.292 What was going on on the phones there, Xanthe? 49:55.312 --> 49:57.434 Sorry, I've got the Peckham cartel on the line. 49:57.454 --> 49:58.755 Are they actually on the line right now? 49:58.775 --> 49:59.835 They are, yeah. 49:59.875 --> 50:01.597 OK, they're our winners, so let's get them on the line. 50:01.637 --> 50:02.757 They can join in this link. 50:02.797 --> 50:04.198 How many of them are there? 50:04.279 --> 50:05.800 How many people are there in a cartel? 50:06.781 --> 50:07.241 Hundreds. 50:07.502 --> 50:09.323 Well, there's about eight of us in the cartel. 50:09.343 --> 50:09.523 Really? 50:09.563 --> 50:11.284 You sound like a terribly posh cartel. 50:11.805 --> 50:13.506 We're a terribly, terribly posh cartel. 50:13.666 --> 50:15.627 Well, what's your name, Mr. May? 50:16.348 --> 50:16.988 My name's David. 50:17.929 --> 50:20.071 But I don't feel like I can speak for the whole cartel. 50:20.471 --> 50:22.172 Right, you can't speak for the whole cartel. 50:22.192 --> 50:23.153 No, they've got minds of their own. 50:23.173 --> 50:25.214 And can you tell your friends not to be silly in the background? 50:25.654 --> 50:27.636 They're bringing the reputation of your cartel down. 50:28.757 --> 50:29.057 Hello? 50:29.077 --> 50:31.519 No, no, they're celebrating it. 50:32.682 --> 50:49.336 yeah right what do we want to say to the Peckham cartel that they've won you've won well done Peckham cartel you've won our competition I can't fight I know where's your thing that you wrote yeah here we are hold on a second can you remember it yes Peckham cartel to make eBay bids I think murderous intent 50:57.591 --> 50:58.652 We're losing the cartel. 50:58.692 --> 51:01.215 There's snatches of topical stuff coming through there. 51:02.376 --> 51:03.897 Are you in, are you in, Baghdad? 51:04.157 --> 51:04.718 Beckham cartel. 51:07.546 --> 51:09.467 It is, isn't it? 51:09.507 --> 51:12.789 The shells are more, you know... Like seashells? 51:13.369 --> 51:14.289 Yeah. 51:14.609 --> 51:15.910 Listen, congratulations to you guys. 51:15.950 --> 51:17.451 Now, what are we going to give them as a prize? 51:17.471 --> 51:20.712 Well, there's eight of them, so how many more TVDs have we got left? 51:20.993 --> 51:21.593 We haven't got eight. 51:21.813 --> 51:23.934 We've got four, and Adam wants to, you want one. 51:23.974 --> 51:24.754 I'm going to nick one, yeah. 51:24.774 --> 51:25.615 So we've got three. 51:26.335 --> 51:30.857 Are you interested in a band called Jet at the Carling Academy, Tuesday the 7th of November? 51:31.398 --> 51:31.998 Peckham Cartel? 51:32.538 --> 51:33.359 Absolutely. 51:33.439 --> 51:33.740 Yes. 51:34.080 --> 51:35.042 We'd love free things. 51:35.362 --> 51:36.344 Okay. 51:36.384 --> 51:37.405 We could send them all the tickets. 51:37.425 --> 51:38.927 The Richard Ashcroft tickets as well. 51:39.708 --> 51:39.969 Yeah? 51:40.129 --> 51:40.309 Yeah. 51:40.349 --> 51:41.431 We'll send them all the tickets. 51:41.591 --> 51:43.313 And you can share them out amongst the cartel. 51:43.333 --> 51:43.654 Yeah. 51:44.094 --> 51:44.635 Okay. 51:44.695 --> 51:45.937 Well done and thanks for listening. 51:46.057 --> 51:46.278 Yeah. 51:47.233 --> 51:49.394 Thank you very much indeed, you guys, for sending it. 51:49.414 --> 51:51.595 Let's remind people of what they wrote for us again. 51:52.335 --> 51:54.276 Okay, let's... When shall we do that? 51:55.196 --> 51:56.197 When do you fancy doing that? 51:56.237 --> 51:56.417 Now? 51:56.497 --> 51:57.177 Okay, let's do it now. 51:57.437 --> 51:58.898 Burberry caps with a price tag. 51:59.198 --> 52:00.438 Heavy shelling of Baghdad. 52:00.739 --> 52:01.999 Jody Marsh is a slag. 52:02.619 --> 52:04.960 Smuggled Polish people in a bag. 52:05.240 --> 52:05.681 That's good. 52:05.961 --> 52:06.541 That's good stuff. 52:06.621 --> 52:07.061 That's good stuff. 52:07.081 --> 52:10.724 That's going to be one of the rhyming couplets in our Robbie Rat, which is coming up quite shortly. 52:10.744 --> 52:13.987 We're going to have to take some time out to actually formulate it now. 52:14.087 --> 52:14.187 Yeah. 52:14.227 --> 52:15.368 Do you want to hear the others that have come in? 52:15.448 --> 52:15.628 Yeah. 52:15.909 --> 52:17.090 No baggage to Baghdad. 52:17.470 --> 52:19.912 No cheap holes for me dad-da-dad. 52:22.034 --> 52:23.635 But that's from Chris M. That's quite good. 52:23.675 --> 52:24.696 You know, package holidays. 52:24.736 --> 52:25.216 Chris Morris. 52:25.236 --> 52:26.557 It could be Chris Morris. 52:26.577 --> 52:27.078 He is probably. 52:27.358 --> 52:28.299 That's classic. 52:28.319 --> 52:30.461 How about this one from John? 52:30.921 --> 52:32.162 All I see is Starbucks. 52:32.642 --> 52:34.584 John Prescott looks like Uncle Buck. 52:35.024 --> 52:35.265 Nice. 52:37.084 --> 52:38.785 And Cherie needs a nip and tuck. 52:39.285 --> 52:40.666 Hey, that's good. 52:40.706 --> 52:40.966 John. 52:41.006 --> 52:41.587 We're sorry. 52:41.667 --> 52:42.087 Oh, yeah. 52:42.167 --> 52:45.089 It's a miracle Cherie put on a bit of white box. 52:45.149 --> 52:52.054 They're everywhere Here's another one from anonymous There's hoodies on the street, but no Bobby's on the beat. 52:52.674 --> 52:55.976 There's Polish people have got it in for Polish people There's a lot of them 52:57.077 --> 52:59.218 There's Polish... You know what? 52:59.238 --> 53:01.920 It sounds a tiny bit racist just to use the word Polish. 53:02.740 --> 53:05.582 So I'm going to put in the word people after it to give them some dignity. 53:05.902 --> 53:06.182 Yeah. 53:06.422 --> 53:06.622 Right? 53:06.642 --> 53:07.903 They're human beings with equal rights. 53:08.223 --> 53:09.003 They're very good people. 53:09.043 --> 53:10.404 There's a lot of anti-Polish racism. 53:10.504 --> 53:11.064 Lovely people. 53:11.084 --> 53:13.666 Yeah, but not from me, not from you, and not from XFM. 53:13.766 --> 53:14.886 No, we don't want to encourage it. 53:14.906 --> 53:15.447 No, that's rubs. 53:16.147 --> 53:17.909 There's hoodies on the street, but no bobbies on the beat. 53:18.129 --> 53:21.332 There's Polish people eating sausages and pigeons with no feet. 53:22.013 --> 53:23.354 You see, that's quite a good one, isn't it? 53:23.395 --> 53:24.215 Pigeons with no feet. 53:24.235 --> 53:25.096 That's a good observation. 53:25.116 --> 53:25.977 Why haven't they got feet? 53:26.017 --> 53:27.259 Well, because they're all mutilated. 53:27.961 --> 53:29.582 Who's been mutilating pigeons? 53:29.642 --> 53:29.942 You! 53:30.603 --> 53:33.404 I don't know, all the pigeons in London are all scraggy and mutated. 53:33.444 --> 53:34.665 I've never seen a pigeon with no feet. 53:34.685 --> 53:36.086 I've seen lots of one-legged pigeons. 53:36.106 --> 53:38.087 Look, Xanthes, you don't get out enough, man. 53:38.107 --> 53:38.707 You're on your bike. 53:38.868 --> 53:41.889 You don't take the time to stop and look around at pigeons' feet. 53:41.909 --> 53:43.350 They're just hobbling around on stumps! 53:43.430 --> 53:43.771 Yeah! 53:43.971 --> 53:45.452 That's grotesque! 53:45.532 --> 53:49.294 I've seen headless pigeons walking around eating with their bums. 53:50.174 --> 53:51.335 I believed you for a second, man. 53:51.395 --> 53:53.416 I was thinking, a headless pigeon? 53:53.837 --> 53:55.698 I don't understand how that could work. 53:56.298 --> 53:58.821 Oh, there's nothing sadder than a footless pigeon. 53:58.881 --> 54:00.083 Anyway, that's really good, Anonymous. 54:00.103 --> 54:01.104 I wish you'd put your name on it. 54:01.144 --> 54:02.686 Here's another one from Emily in Whitechapel. 54:03.046 --> 54:03.867 We're all at home. 54:03.968 --> 54:04.969 Oh, did I do this one already? 54:05.069 --> 54:06.491 They eat with their bums. 54:06.931 --> 54:10.616 Well, if you haven't got a head, that's all you can do, isn't it? 54:10.676 --> 54:11.697 You just have to reverse the process. 54:11.717 --> 54:12.478 With their bum teeth. 54:13.199 --> 54:13.359 Yeah. 54:14.673 --> 54:15.213 They're mussels. 54:15.233 --> 54:15.733 Dumb beaks. 54:19.115 --> 54:21.456 Emily and Whitechapel, we're all at home watching Big Brother. 54:21.656 --> 54:23.777 There's a boy in Iraq just lost his mother. 54:24.297 --> 54:26.078 We're all at home watching X Factor. 54:26.458 --> 54:28.739 There's questions about Iran's nuclear reactor. 54:28.819 --> 54:30.440 Emily and Whitechapel, that's almost too strong. 54:30.660 --> 54:32.540 That's made Xanthe look depressed. 54:32.560 --> 54:34.121 That's kind of serious Emily and Whitechapel. 54:34.141 --> 54:35.762 She's having to think about a man called Barney. 54:39.363 --> 54:41.764 That's a good rhyming couplet, but that's just serious, you know? 54:41.804 --> 54:42.845 That is quite depressing. 54:42.865 --> 54:43.785 We're depressed now, Emily. 54:43.805 --> 54:44.245 What have you done? 54:44.285 --> 54:45.486 That's just a good point. 54:45.666 --> 54:47.107 Okay, here's another one from Marek. 54:47.647 --> 54:50.028 Can't you see... Oh no, that's not very good. 54:50.048 --> 54:50.968 Why did I write that down? 54:51.148 --> 54:54.770 Can't you see... I'm out of on that Omega 3? 54:56.030 --> 54:56.871 Doesn't make any sense. 54:56.951 --> 54:58.591 Sorry, I've wasted everyone's time with that one. 54:58.772 --> 55:00.572 Can't you see I'm out of it on Omega 3? 55:00.952 --> 55:02.253 Maybe that's it, yeah, from Marek. 55:02.273 --> 55:02.773 That's not bad. 55:03.033 --> 55:04.094 Can you get high on Omega 3? 55:04.654 --> 55:27.989 if you eat enough probably you're just so brainy that it's like if you snort omega-3 this is from do you want more yeah couple more tiny bit more this is from Danny I'm the one in four that's obese all I want is cakes and peace I'm going out tonight dressed in lycra cruising for ladies in my Nissan Micra now he didn't write ladies he wrote a ruder word that also applies to kittens 55:31.203 --> 55:32.585 but I've put the word ladies in. 55:32.745 --> 55:33.867 But that's quite good, isn't it? 55:33.927 --> 55:35.310 I'm the one in Forguts Abyss. 55:35.610 --> 55:37.092 All I want is cakes and peace. 55:37.673 --> 55:43.603 I'm going out tonight, dressed in lycra, cruising for kitties in my Nissan Micra. 55:44.983 --> 55:45.403 Very good. 55:45.423 --> 55:45.624 Thank you. 55:45.664 --> 55:46.144 How about this one? 55:46.164 --> 55:46.705 Wait, wait, wait. 55:46.785 --> 55:47.566 Mark in Chesham. 55:47.826 --> 55:49.087 Kids in Africa ain't got no grub. 55:49.147 --> 55:51.149 I read about it wirelessly on my BT hub. 55:51.950 --> 55:53.331 That's really good. 55:53.611 --> 55:54.833 Anyway, we haven't got any more time. 55:55.173 --> 55:56.634 No, I think we should play some more music. 55:56.815 --> 55:58.736 And, you know, we've got to rehearse. 55:58.756 --> 55:59.717 We've got to work on this rap. 55:59.757 --> 56:02.720 Yeah, so we might just play 10 songs in a row while we work on our rap. 56:03.261 --> 56:03.501 Okay. 56:05.083 --> 56:05.883 So yeah, music. 56:06.023 --> 56:06.444 Here we go. 56:06.524 --> 56:07.805 Enjoy this one from The Bees. 56:15.609 --> 56:17.491 That's Royksop with Epilae. 56:17.891 --> 56:23.857 Before the break, you heard, of course, James Hendrix with Voodoo Chilli, Voodoo Child. 56:24.177 --> 56:25.758 This is Adam and Joe here on XFM. 56:25.778 --> 56:30.022 It's the final quarter of an hour of another extraordinary... It's been extraordinary. 56:30.042 --> 56:30.963 Award-winning show. 56:32.044 --> 56:37.189 And I should say, and I'll do that a bit later, but it's time now. 56:37.829 --> 56:40.032 for our Robbie Williams Rude Box Rap. 56:40.192 --> 56:40.512 Wow. 56:40.753 --> 56:44.837 Constructed entirely from suggestions... Sent in by listeners, yes. 56:44.877 --> 56:48.681 Sent in by listeners for kind of up-to-the-minute topical rap stuff. 56:49.082 --> 56:50.023 Oh, I need to do a wee. 56:50.443 --> 56:51.464 I need to do a wee as well. 56:51.504 --> 56:52.946 Really, maybe it'll give us an extra edge. 56:53.306 --> 56:53.646 No. 56:53.987 --> 56:55.728 Yeah, what, you mean being desperate to win? 56:55.768 --> 56:56.428 Yeah, yeah, yeah. 56:56.528 --> 56:56.928 Possibly. 56:57.189 --> 56:59.590 I've heard that Robbie actually, he never wins before a gig. 56:59.610 --> 56:59.810 Really? 56:59.830 --> 57:00.951 Yeah, he goes on there absolutely busting. 57:00.971 --> 57:01.231 Really? 57:01.331 --> 57:01.811 Busting. 57:02.112 --> 57:02.492 Busting. 57:02.872 --> 57:07.035 So right the way through he gives it his all, you know, and then he just pees for about an hour and a half. 57:07.175 --> 57:07.455 Really? 57:07.535 --> 57:08.055 After a gig. 57:08.216 --> 57:08.696 It's amazing. 57:08.936 --> 57:09.656 It's extraordinary. 57:09.736 --> 57:11.598 So how are you feeling, man? 57:11.978 --> 57:12.698 Have you got your couplets? 57:12.718 --> 57:16.481 Well, obviously I'm nervous, but also I'm street, so I don't care. 57:16.801 --> 57:17.381 You're street? 57:17.441 --> 57:17.701 Yeah. 57:18.442 --> 57:19.282 That's interesting. 57:19.883 --> 57:20.663 How are you feeling? 57:20.904 --> 57:21.244 Not very. 57:21.924 --> 57:22.545 Not very good. 57:22.906 --> 57:25.309 I'm not such a good rapper. 57:25.609 --> 57:25.909 Really? 57:26.150 --> 57:27.832 So are you gonna go first on the rapping? 57:27.872 --> 57:28.833 No, you're gonna go first. 57:29.414 --> 57:32.397 But listen, I tell you what, we're gonna play a little bit of the original track by Robbie. 57:46.340 --> 57:49.821 The voice sounds a bit like... Okay then, back to basics, grab your shot. 57:49.841 --> 57:51.442 Okay then, back to basics. 57:51.882 --> 57:54.122 Okay, I think we're ready. 57:54.162 --> 57:55.323 Did he just say something rude? 57:55.823 --> 57:56.563 No, I misheard it. 57:56.583 --> 57:58.024 No, no, it's the radio, Eddie. 57:58.144 --> 57:59.884 He can't say anything rude in the radio, Eddie. 57:59.904 --> 58:01.345 Okay then, let's do this rap. 58:02.745 --> 58:05.346 Play the record, stop talking, K rap. 58:06.006 --> 58:06.646 Here we go. 58:06.666 --> 58:08.067 We haven't started, that was improvised. 58:08.087 --> 58:09.647 Wow, that's amazing. 58:10.127 --> 58:11.768 Right, kick it off, Eddie B. Here we go. 58:15.390 --> 58:16.551 Come on, come on, come on. 58:17.592 --> 58:21.576 My bum smelt like strings of cheese, but it's okay, cause my pants smell of Febreze. 58:21.876 --> 58:24.038 Check out a band on a MySpace website. 58:24.058 --> 58:26.240 Finish up your drink, cause you can't take it on the flight. 58:26.620 --> 58:27.922 All I see is Starbucks. 58:28.182 --> 58:30.164 John Prescott looks like Uncle Buck. 58:30.724 --> 58:52.042 Oh dear, my lyrics do not fit I think my rapping bit will not be very good You take over Adam Buxton Quickly, cos I've made a complete Chuckston Arctic Monkeys, Tonys, Flunkies, Kids Getting Fat, Jamie Oliver, Junkies, Happy Meal, Happy Slap, Politicians Talking Crap, Princess Diana, Memorial Fountain, Substantially Gave and Brokeback Mountain Thanks, Paul and Cambridge 58:52.302 --> 59:07.341 There's hoodies on the street but no bobbies on the beat There's Polish eating sausages and pigeons with no feet We're all at home watching Big Brother There's a boy in a wrap just lost his mother We're all at home watching X Factor There's questions about Iran's nuclear reactor Wow, thanks. 59:07.401 --> 59:08.142 Have you got more? 59:08.803 --> 59:09.123 Yes. 59:09.624 --> 59:09.944 Go on. 59:10.044 --> 59:10.404 I have. 59:10.765 --> 59:11.485 Are you willing to freestyle? 59:11.505 --> 59:12.706 I'll be doing them in a second. 59:12.886 --> 59:13.187 No. 59:13.487 --> 59:14.287 Okay, you're really right. 59:14.307 --> 59:16.329 Slamming tequila with al-Qaeda. 59:16.569 --> 59:18.371 Israel, Lebanon, raise a thing wap. 59:18.451 --> 59:18.951 For what? 59:18.991 --> 59:20.452 I'm the one in four that's obese. 59:20.932 --> 59:22.734 All I want is cakes and peace. 59:22.894 --> 59:27.197 I'm not going out tonight dressed in lycra, cruising for kitties in my Nissan Micra. 59:27.237 --> 59:27.838 I am going out. 59:27.858 --> 59:28.558 I don't know why I said not. 59:28.578 --> 59:29.279 I am going out. 59:29.439 --> 59:29.919 I am. 59:31.781 --> 59:32.682 Go on, you do some. 59:32.782 --> 59:33.102 Quickly. 59:33.242 --> 59:33.862 I've run out. 59:34.703 --> 59:34.843 What? 59:34.883 --> 59:35.524 I'll give you some more. 59:35.564 --> 59:36.525 Hey, okay, how about this? 59:38.271 --> 59:55.732 Bush and Blair blatantly lied like art is a cow in formaldehyde I'd like to take President Mugabe to Nobu for sushi with wasabi after eights after dark stabbings all up in a local park all aboard the kati shark Hezbollah's bike meets Israel's bark 01:00:00.982 --> 01:00:28.343 more no there can't be more people all go mad that's uh take their own lives yeah there we go you know we're going to work on that and polish it up and then we'll split the royalties we've made a record of everybody's cell phone number who contributed uh texts that it will soon hit number one we're going to get our friend ozomisou to help us do the backing track to it we're all going to be rich every single listener to this show and we should it's going to be rich we should do a video for it and put it up on youtube as well yeah it's all going to it's all going to go off 01:00:28.923 --> 01:00:50.460 so if you contributed lyrics to that then take out a major loan and spend it because you're gonna be in the money you're gonna be rolling around in big piles of cash now my son frank is listening today i think and uh he he asked if i would say hello to him so frank hi how you doing hey frank um hope you're having a good time i'm gonna see you very shortly does he want me to say hello 01:00:50.760 --> 01:00:51.961 Yeah, yeah, yeah, you say hello as well. 01:00:51.981 --> 01:00:52.442 Hello, Frank. 01:00:52.662 --> 01:00:53.062 It's Joe. 01:00:53.362 --> 01:00:56.405 And Uncle Dave is coming over this afternoon, Frank, so that's exciting. 01:00:56.445 --> 01:00:57.606 Haven't seen Uncle Dave for a while. 01:00:57.846 --> 01:00:58.126 No. 01:00:58.527 --> 01:01:00.348 Here's a track that Uncle Dave got out the clink. 01:01:02.110 --> 01:01:02.990 For that job he'd done. 01:01:03.010 --> 01:01:03.551 For that job. 01:01:04.371 --> 01:01:05.753 So, Frank, I hope you liked this one. 01:01:05.773 --> 01:01:07.174 This is also going out to Barney. 01:01:07.434 --> 01:01:09.896 This is a Barney, so it's exciting for Xanthi as well. 01:01:10.537 --> 01:01:11.918 And it's Talking Heads. 01:01:16.530 --> 01:01:18.131 It's The Talking Heads with Psycho Killer. 01:01:18.491 --> 01:01:19.591 You've been listening to Adam and Joe. 01:01:19.611 --> 01:01:23.972 We'll be back here on XFM from 10am to 12 noon at the same time next week. 01:01:24.032 --> 01:01:26.853 Thanks very much for listening, texting, emailing. 01:01:27.794 --> 01:01:30.294 And there may not be a podcast next week. 01:01:30.314 --> 01:01:30.574 What? 01:01:30.814 --> 01:01:32.115 If you're a podcast fan. 01:01:32.735 --> 01:01:35.416 Although I notice the podcast has been slipping a little bit in the charts. 01:01:35.436 --> 01:01:38.357 Yes, been overtaken by our Coca Cola new music podcast. 01:01:38.477 --> 01:01:39.837 Yeah, that's sort of outrageous, isn't it? 01:01:39.877 --> 01:01:42.658 We spend almost no time preparing for that one. 01:01:43.318 --> 01:01:44.719 And the one we put all the effort into 01:01:45.359 --> 01:01:47.680 has plummeted down the charts to number 14. 01:01:48.220 --> 01:01:49.020 Is it 14 now? 01:01:49.260 --> 01:01:51.181 It was 14 the last time I looked. 01:01:51.201 --> 01:01:52.281 And I look every three minutes. 01:01:52.941 --> 01:01:56.122 We're sort of obsessed by the progress of the podcast. 01:01:56.202 --> 01:02:00.263 If you like the show, and you know the podcast has stuff that isn't in the radio show. 01:02:00.543 --> 01:02:03.124 You know, it's more polished than the radio show. 01:02:03.284 --> 01:02:06.385 Having said that, the one that we... It is more polished, yeah. 01:02:06.405 --> 01:02:07.325 It's a bit more deliberate. 01:02:07.745 --> 01:02:08.925 It's a bit less ramshackle. 01:02:09.305 --> 01:02:11.246 Having said that, the one that we put out last night 01:02:12.306 --> 01:02:13.147 It's a bit of a stinker. 01:02:13.307 --> 01:02:14.588 It's a bit of a weird one. 01:02:14.928 --> 01:02:15.789 It's a bit of a weird one. 01:02:15.829 --> 01:02:17.790 It's us going off on one about Colin Farrell. 01:02:18.350 --> 01:02:19.291 Well, that's always good for a lot. 01:02:19.311 --> 01:02:20.232 And his films. 01:02:20.432 --> 01:02:21.532 Yeah, there you go. 01:02:21.672 --> 01:02:23.354 So, you know, it's a little bit negative. 01:02:23.394 --> 01:02:26.716 I woke up in the middle of the night when I was worrying about Robbie being ironic. 01:02:26.836 --> 01:02:28.317 Yeah, you worry too much. 01:02:28.377 --> 01:02:29.658 I know I do a lot of worrying. 01:02:29.858 --> 01:02:30.758 It's because I've got a cold. 01:02:30.798 --> 01:02:32.840 I always worry when I've got a cold, you know. 01:02:33.540 --> 01:02:34.741 Anyway, so download the podcast. 01:02:34.781 --> 01:02:37.722 You can download it at iTunes or xfm.co.uk. 01:02:37.742 --> 01:02:38.503 We'll see you next week. 01:02:38.523 --> 01:02:39.323 Thanks a lot for listening. 01:02:40.063 --> 01:02:42.164 Here's one final free play right now. 01:02:42.204 --> 01:02:48.387 This one wasn't requested by anyone, but I'm going to play it for anyone who likes The Fine Young Cannibals. 01:02:48.507 --> 01:02:49.848 Nobody likes The Fine Young Cannibals. 01:02:49.988 --> 01:02:50.628 Everybody does. 01:02:51.169 --> 01:02:53.070 I dare you not to enjoy this. 01:02:53.090 --> 01:02:55.171 This is one of the tracks that's dated really well for me. 01:02:55.191 --> 01:02:55.651 Which one is it? 01:02:57.632 --> 01:02:58.152 No, no. 01:02:58.212 --> 01:02:59.193 I'm not the man I used to be. 01:02:59.373 --> 01:02:59.873 Yeah, that's the one. 01:03:01.007 --> 01:03:01.889 Oh, is that what you were doing? 01:03:01.929 --> 01:03:02.109 Yeah. 01:03:02.630 --> 01:03:03.031 Oh, sorry. 01:03:03.051 --> 01:03:04.194 You'll hear that noise. 01:03:04.434 --> 01:03:04.955 Oh, I know the way. 01:03:04.975 --> 01:03:05.516 Yeah, yeah, yeah. 01:03:05.897 --> 01:03:06.498 It's very good. 01:03:06.598 --> 01:03:06.939 Come on. 01:03:07.160 --> 01:03:07.921 You've got to like this. 01:03:08.122 --> 01:03:08.903 Thanks for listening anyway. 01:03:08.923 --> 01:03:10.206 We'll see you next week. 01:03:10.266 --> 01:03:10.526 Bye. 01:03:10.567 --> 01:03:10.787 Love you. 01:03:10.807 --> 01:03:11.007 Bye.