WEBVTT 00:02.833 --> 00:04.535 That's Razorlight within the morning. 00:04.716 --> 00:05.937 Hi, it's Adam Buxton. 00:06.118 --> 00:06.959 This is Joe Cornish. 00:07.159 --> 00:08.100 We are in the morning. 00:08.421 --> 00:09.262 It is the morning. 00:09.482 --> 00:12.687 It's legitimately, you could call it the morning, Joe Cornish. 00:12.707 --> 00:15.030 Could you name the lead singer of Razorlight? 00:15.210 --> 00:15.471 Sure. 00:16.678 --> 00:17.058 I could. 00:17.359 --> 00:17.979 Yeah, I could. 00:18.259 --> 00:18.860 If you knew it. 00:18.900 --> 00:19.560 Why are you asking? 00:19.640 --> 00:20.321 I'm just wondering. 00:20.361 --> 00:21.262 Do you want me to name him? 00:21.282 --> 00:21.682 Yeah, go on. 00:21.742 --> 00:22.383 Johnny Slash. 00:22.703 --> 00:23.443 Johnny Slash. 00:23.463 --> 00:24.464 Yeah, Johnny Slash. 00:24.684 --> 00:26.426 Johnny is right though, I think, isn't it? 00:26.706 --> 00:31.750 Runtle Thrum is the bass player, I thought. 00:32.150 --> 00:33.451 No, that's Monty Thrum. 00:33.852 --> 00:34.192 Yeah. 00:34.272 --> 00:34.753 They're brothers. 00:34.993 --> 00:35.353 Okay. 00:35.933 --> 00:37.054 And Steve, get off. 00:38.544 --> 00:54.724 is uh i don't know he's just a friend of theirs double-barreled name next question is he posh yeah steve get off yeah he's very aggressive he's very spiky spiky guy why are you asking me this on a saturday morning just checking your pop knowledge i know everything about indie rock i'm an xfm dj 00:55.265 --> 00:58.086 Who's the most happening MySpace band at the moment? 00:58.486 --> 01:00.567 Oh, Krusty P. Krusty P? 01:00.607 --> 01:02.428 Yeah, Krusty P. Is he a rapper? 01:02.708 --> 01:03.588 Yeah, yesterday. 01:03.788 --> 01:04.049 What? 01:05.089 --> 01:05.809 Is he a rapper? 01:05.849 --> 01:06.089 Yeah. 01:06.369 --> 01:07.330 Well, a rapper? 01:07.710 --> 01:08.110 What is that? 01:08.210 --> 01:10.511 Stop using 90s terminology. 01:10.891 --> 01:11.972 What's the current term? 01:12.052 --> 01:15.613 He's a word... Yeah, those noises are part of it. 01:15.713 --> 01:16.273 Right. 01:16.393 --> 01:17.014 He's a word... 01:17.904 --> 01:39.759 yeah god you might you live on the street like me i don't know what's going on at all no you're you're in the past granddad um you know yeah it's 1989 get with the program what's the big festival this weekend oh uh uh yeah um it's like smack in the park smack in the yeah it's just for it's not that sort of smack it's just for mums and toddlers exactly just shut up shut 01:40.499 --> 01:58.585 smack smack it's just legal to smack your kids and uh most moms are underage these days i don't think it is legal to smack you no on this in this festival it's got special jurisdiction in this festival and most most moms these days are under 14 so they're into pop music and they just bring their toddlers and it's fine to smack them sharp sharp 01:59.205 --> 02:00.887 Like that goes on for 17 hours. 02:00.927 --> 02:01.928 People camp and everything. 02:01.948 --> 02:02.769 Smack in the park. 02:02.809 --> 02:03.550 It's brilliant. 02:03.730 --> 02:05.291 It's sponsored by Pampers. 02:05.972 --> 02:07.734 That's not true, legal fans. 02:07.974 --> 02:08.214 Yeah. 02:08.695 --> 02:15.021 Well, wow, that's a good round-up of the latest up-to-the-minute pop news there from our pop guru, Joe Cornish. 02:15.041 --> 02:15.762 Man, we're in the deep end. 02:16.022 --> 02:43.956 this week absolutely hey incidentally we're Adam and Joe and you're listening to our show we're gonna be here for the next just less than three hours can you believe it but you know if you're fans of music we've got lots of great music coming up awesome Jack Johnson arctic monkeys magic numbers strokes pulp muse that's just the first hour yeah there's loads of it and of course don't forget that our final hour is given over to the x-list so you can text us or you can email us with your requests for the x-list get your text quests in now 83 XF 02:45.496 --> 02:48.138 And in numbers, that's 83936. 02:48.498 --> 02:52.120 Or you can email us, adamandjoe at xfm.co.uk. 02:52.420 --> 02:54.761 And when it comes time for a competition, what? 02:55.801 --> 02:56.482 Just calm down. 02:56.522 --> 02:57.602 We're both quite tired. 02:57.622 --> 02:58.863 Calm down. 02:59.323 --> 03:02.504 When it comes time for a competition, you can call us on 0871 222 1049. 03:02.825 --> 03:03.265 This is Radio 2. 03:03.365 --> 03:04.485 And now, on Radio 2, 03:10.268 --> 03:11.031 It's XFM, actually. 03:11.051 --> 03:11.532 It's XFM. 03:11.573 --> 03:12.315 It's not really a deal. 03:12.335 --> 03:12.756 It's XFM. 03:12.836 --> 03:13.157 What now? 03:13.418 --> 03:13.719 Music? 03:14.120 --> 03:14.562 Awesome. 03:17.383 --> 03:18.964 This is Adam and Joe on XFM London's 104.9. 03:19.805 --> 03:21.727 We're with you until one o'clock. 03:21.767 --> 03:23.608 That was Jack Johnson with Breakdown. 03:23.648 --> 03:27.291 Jack Johnson, of course, star of the animated monkey movie Curious George. 03:27.531 --> 03:28.232 Is he actually in it? 03:28.352 --> 03:29.693 No, but he sings all the songs. 03:29.733 --> 03:30.574 He does the songs. 03:31.014 --> 03:33.516 Oh, the monkey's gone to the swimming pool. 03:33.536 --> 03:38.440 Everybody's looking at it, just swimming up and monkey ears, monkey ears. 03:38.680 --> 03:40.301 Look at the big round monkey ears. 03:41.042 --> 03:43.284 Oh, dear, you've trodden on a banana. 03:43.644 --> 03:45.625 I'm guessing, but I imagine it's that sort of thing. 03:46.725 --> 03:47.826 Good time monkey music. 03:47.866 --> 03:49.026 Good time monkey music. 03:49.166 --> 03:50.267 What's the film like, do you know? 03:50.547 --> 03:50.967 I don't know. 03:51.007 --> 03:51.867 It's for very young kids. 03:51.907 --> 03:54.768 It's got Will Ferrell playing, like, some kind of a Mountie. 03:55.208 --> 03:55.829 A Mountie? 03:55.949 --> 03:58.830 Yeah, and it's, I don't know, apart from that, that's all I know. 03:58.870 --> 04:01.931 But apparently, it's not one of these films that's good for kids and adults. 04:01.951 --> 04:03.212 It's just for the kids. 04:03.292 --> 04:03.832 Just for the kids. 04:03.892 --> 04:05.512 And the adults may try and kill themselves. 04:05.693 --> 04:06.773 Did you see Over the Hedge? 04:07.273 --> 04:08.734 Haven't seen Over the Hedge yet, no. 04:08.854 --> 04:09.234 Quite good. 04:09.654 --> 04:10.274 Is it quite good? 04:10.335 --> 04:10.455 Yeah. 04:10.595 --> 04:14.597 It shares a title with my favourite film of all time, which is a film called Over the Edge. 04:14.817 --> 04:15.057 Right. 04:15.238 --> 04:18.279 Which is a fantastic 70s film about teenage delinquents. 04:18.580 --> 04:20.061 I would imagine that it's a reference. 04:20.641 --> 04:21.241 Uh, do you think? 04:21.361 --> 04:21.642 Yeah. 04:22.162 --> 04:22.682 Do you think? 04:22.762 --> 04:24.063 It's kind of a smart film. 04:24.563 --> 04:24.824 Is it? 04:25.024 --> 04:25.224 Yeah. 04:25.244 --> 04:29.907 Well, that's a reason for me to go and see it, cos every time I think about going to see it, I think, man, I'd rather watch Over the Edge. 04:30.487 --> 04:31.247 It's a good cast. 04:31.408 --> 04:31.768 Very good. 04:31.848 --> 04:39.211 Although it suffers from that problem that we were talking about this the other day, a lot of animated movies, the black character in it, she's all sassy. 04:39.512 --> 04:40.392 She's a sassy mama. 04:40.472 --> 04:43.994 And all she does is sort of say things like, girl, get out of my hair. 04:44.294 --> 04:44.594 Yeah. 04:45.074 --> 04:47.956 Okay, so we've got competition time coming up very shortly. 04:48.156 --> 04:50.017 And it's a celebrity regression this week. 04:50.037 --> 04:50.297 Is it? 04:50.437 --> 04:50.577 Yeah. 04:50.757 --> 04:56.719 Oh it's a great competition if you're not a regular listener to our Saturday morning show which is very likely because we've only been on for what, four weeks? 04:57.019 --> 05:02.321 Adam gets regressed into the mind of a Hollywood celebrity and witnesses their films happening around him. 05:02.441 --> 05:06.043 It's like a kind of phenomenon and... Like with John Travolta. 05:06.323 --> 05:06.783 Exactly. 05:06.883 --> 05:11.306 Yeah, and people have to phone in and figure out what movie scenes Adam is witnessing. 05:11.426 --> 05:12.947 And it's a fairly easy one this week, right? 05:12.987 --> 05:14.008 I would say so, yeah. 05:14.148 --> 05:17.790 So the number for that is 08712221049, when it happens. 05:17.830 --> 05:19.151 It'll happen pretty soon. 05:19.211 --> 05:20.492 Good prizes to give away, man. 05:20.552 --> 05:21.553 What prizes have we got? 05:21.713 --> 05:25.495 Well, we've got two pairs of tickets to see... This is one of your favourite bands, Joe. 05:25.515 --> 05:26.376 Jurassic Five. 05:26.416 --> 05:27.177 Jurassic Five? 05:27.297 --> 05:28.597 At Carling Academy, Brixton. 05:28.758 --> 05:30.399 Can I just add an addendum to that? 05:30.519 --> 05:30.739 Go on then. 05:30.979 --> 05:34.742 I do like them, but I really have a problem with the voice of Charlie Tuner. 05:35.023 --> 05:38.906 He's one of their rappers, and he's a bit like that guy that used to be in the digital underground. 05:39.146 --> 05:42.089 He's like a sort of maths professor rapping. 05:42.369 --> 05:44.411 He goes like this all of the time. 05:44.451 --> 05:45.692 That's a terrible impression, isn't it? 05:46.613 --> 05:50.534 No, but they're a brilliant band, Jurassic 5, and I'm sure they're terrific live, and that's a great prize. 05:50.714 --> 05:55.616 We also have DVDs to give away, four copies, count them, of The Hills Have Eyes. 05:55.716 --> 05:56.816 Ah, that's a nasty film. 05:56.856 --> 05:58.337 I'm assuming that's a remake, isn't it? 05:58.457 --> 06:05.839 Yeah, yeah, it's directed by Alexander Aja, who made HortensiĆ³n, the American title was, I don't know. 06:05.859 --> 06:06.559 High Tension. 06:06.579 --> 06:07.260 Yeah, no, something like that. 06:07.320 --> 06:09.120 No, oh, Switchblade Romance, it was called. 06:09.140 --> 06:09.220 Oh. 06:09.500 --> 06:13.682 Very good if you like, you know, people being attacked with massive circular swords, which I do. 06:14.582 --> 06:15.463 They're bigger, they're better. 06:15.543 --> 06:18.385 And the Hills Have Eyes, that's one of those superior remakes then, isn't it? 06:18.766 --> 06:22.329 Yeah, no, it's an inferior remake to Wes Craven's superior original. 06:22.749 --> 06:26.132 Yes, I know that, but of the remakes, you know, like the whole wave of remakes. 06:26.152 --> 06:28.294 Yeah, it's one of the better ones, that's true, that's true, well said. 06:28.314 --> 06:32.757 So those are great prizes, Hills Have Eyes DVDs, Jurassic 5, tickets at the Academy. 06:32.877 --> 06:35.239 Let's have more music and we'll come back with celebrity regression. 06:35.620 --> 06:37.661 Right now, it's the Arctic Monkeys. 06:37.681 --> 06:38.002 The who? 06:38.242 --> 06:39.403 The Arctic Monkeys. 06:39.423 --> 06:39.883 Who are they? 06:40.224 --> 06:41.344 The Arctic Monkeys. 06:41.485 --> 06:41.605 Oh. 06:44.892 --> 06:46.814 There we go, that was the arctic monkeys. 06:46.954 --> 06:48.255 I like to say both seas. 06:49.256 --> 06:52.940 You know, cause some people say arctic, as if there's no first sea in it. 06:53.060 --> 06:53.481 Yeah, I know. 06:53.561 --> 06:55.623 I like to say the arctic monkeys. 06:55.683 --> 06:56.904 It makes me different and cool. 06:56.984 --> 07:02.289 You know one thing that people say as well, is instead of saying anaesthetic, they say anaesthetic. 07:02.450 --> 07:03.150 Anaesthetic? 07:03.230 --> 07:04.672 Yeah, have you ever noticed that? 07:04.812 --> 07:05.453 Who says that? 07:05.753 --> 07:06.273 Some people. 07:07.174 --> 07:08.034 I saw them on the news. 07:08.054 --> 07:08.975 I don't like them people. 07:09.135 --> 07:12.136 There was a woman on the news the other day talking about anaesthetic. 07:12.776 --> 07:13.697 Oh, she's a silly one. 07:13.997 --> 07:14.697 I can't, you know? 07:15.017 --> 07:15.657 She needs to be. 07:15.718 --> 07:16.458 She's a big silly. 07:16.478 --> 07:17.258 She's a big silly. 07:17.278 --> 07:17.638 Stop it. 07:17.778 --> 07:18.279 Stop that. 07:18.479 --> 07:19.539 Put the H back in there. 07:19.559 --> 07:19.779 Yeah. 07:20.019 --> 07:20.439 There we go. 07:20.519 --> 07:24.761 Adam and Joe with three hours of grammatical correction here on a Saturday morning. 07:25.021 --> 07:25.601 Stay tuned. 07:27.162 --> 07:29.923 That was the magic numbers with Love Me Like You. 07:30.023 --> 07:31.284 This is Adam and Jo on XFM. 07:31.444 --> 07:33.544 I tried to make friends with the magic numbers, you know. 07:33.604 --> 07:33.925 Did you? 07:34.005 --> 07:36.425 Yeah, I met them in Edinburgh when I was doing my show last year. 07:36.466 --> 07:37.966 What was your make friends tactic? 07:38.546 --> 07:40.367 I'd put my arm around one of them. 07:40.407 --> 07:41.948 Without introducing yourself first? 07:42.068 --> 07:43.368 No, they came to see my show. 07:43.388 --> 07:44.408 Well, at least two of them did. 07:44.589 --> 07:44.849 Right. 07:45.009 --> 07:46.389 The hairier of the two men. 07:46.509 --> 07:46.769 Yeah. 07:47.009 --> 07:49.931 And the girl with a lot of small sharp teeth. 07:50.071 --> 07:52.311 And you talked to them before you tried to hug them? 07:52.672 --> 07:53.732 Yeah, they were really nice. 07:53.792 --> 07:54.592 We got on very well. 07:54.612 --> 07:55.232 So what went wrong? 07:55.413 --> 07:56.573 They never called me back. 07:56.873 --> 07:58.555 They gave me their magic numbers. 07:58.715 --> 07:59.055 Did they? 07:59.095 --> 07:59.415 Yeah. 07:59.776 --> 08:01.817 And they were wrong, I guess. 08:02.038 --> 08:03.519 Or they were just trying to help you out. 08:03.539 --> 08:05.100 They probably weren't the magic numbers then. 08:05.180 --> 08:06.061 I don't think they were. 08:06.081 --> 08:07.342 They gave you the wrong numbers. 08:07.362 --> 08:08.103 They were the wrong numbers. 08:08.123 --> 08:09.203 Maybe they were the wrong numbers. 08:09.264 --> 08:09.924 There you go. 08:09.944 --> 08:11.545 Love me like you. 08:11.986 --> 08:13.487 Love me as much as you love yourself. 08:13.767 --> 08:14.548 That's impossible. 08:15.028 --> 08:16.690 You know, that's just too much to ask. 08:17.410 --> 08:17.650 Isn't it? 08:17.690 --> 08:20.172 I'm never going to love anybody as much as I love myself. 08:20.192 --> 08:22.573 You can't conceive of that level of selflessness. 08:22.633 --> 08:23.214 Come on! 08:24.014 --> 08:25.495 I mean please, get realistic. 08:26.276 --> 08:27.617 Anyway listen, competition time. 08:35.205 --> 08:36.686 You just never know. 08:37.307 --> 08:41.511 So sharpen up your brain and get ready to play! 08:41.691 --> 08:43.433 And it's celebrity regression this week, Joe. 08:43.453 --> 08:44.394 I love this competition. 08:45.015 --> 08:45.515 Do you really? 08:45.595 --> 08:45.875 Yeah. 08:46.136 --> 08:46.336 Why? 08:46.536 --> 08:47.417 Because it's exciting. 08:47.817 --> 08:49.038 A. I don't have to do any work. 08:49.199 --> 08:52.041 I'm in charge of crap commentary corner, so it means a week off for me. 08:52.582 --> 08:55.825 B. I like the silly voices and the fart noises. 08:56.185 --> 08:58.047 And D. I don't know, I'm just a bit thick. 08:58.307 --> 08:58.748 Okay, good. 08:58.968 --> 09:00.328 So let me explain the competition. 09:00.829 --> 09:04.389 Adam is now going to be regressed into the mind and movies of a Hollywood film star. 09:04.410 --> 09:14.132 You have to listen to his hypnotised descriptions of what's happening around him and figure out the name of the star and the name of all three films. 09:14.532 --> 09:19.834 To get the full prize you must name all three films and the name of the star. 09:20.474 --> 09:21.374 Say that again backwards. 09:24.855 --> 09:31.245 all right so there we go so the number is 0 8 7 1 2 2 2 1 0 4 9 0 8 7 1 triple 2 1 0 4 9 let's ring the regression bell 09:32.728 --> 09:44.471 Create an atmosphere of clinical calm in the studio, a new age atmosphere, an environmentally friendly atmosphere of moonstones and tarot cards and pyramids. 09:45.051 --> 09:52.633 And we'll regress Adam now, taking a deep breath, going all the way back, all the way back into the mind of this Hollywood star. 09:52.973 --> 09:54.493 Now, Adam, wake up in the first film. 09:54.893 --> 09:55.633 Tell us what you can see. 09:59.036 --> 10:02.317 I'm in a large outdoor environment. 10:03.838 --> 10:09.560 It's olden times, big ships, lot of people. 10:11.160 --> 10:11.801 Swords. 10:12.621 --> 10:13.821 I love swords. 10:14.782 --> 10:17.463 Swishing, swashing, buckling. 10:17.743 --> 10:19.824 It's pure cinema, isn't it? 10:20.124 --> 10:23.585 So I wonder why it's not at all exciting. 10:24.305 --> 10:24.866 I don't know. 10:25.246 --> 10:34.052 Maybe it's just me sucking all the excitement out of it with my face and my total lack of charisma. 10:34.772 --> 10:39.536 Something to think about, I suppose. 10:39.976 --> 10:40.416 There we go. 10:40.456 --> 10:42.298 That's the first film. 10:42.418 --> 10:43.758 Adam's now fallen unconscious. 10:44.179 --> 10:46.040 Remember the number 0-8-7-1-2-2-2-1-0-4-9. 10:47.421 --> 10:50.643 Call it the second you know the name of the star in the movies. 10:50.663 --> 10:51.684 Let's go to movie number two. 10:51.744 --> 10:52.184 Adam, wake up. 10:52.224 --> 10:52.905 Tell us what you can see. 10:55.511 --> 10:59.515 I'm in another large outdoor environment. 10:59.955 --> 11:01.416 Lots of people again. 11:02.938 --> 11:03.558 Swords. 11:04.859 --> 11:08.062 I've got a bow and arrow this time. 11:08.082 --> 11:11.826 It's a bit more exciting than before. 11:12.566 --> 11:19.052 Although I'm doing my best to suck out all the excitement again with my face. 11:21.949 --> 11:48.062 goblins goblins that's film number two oh eight seven one triple two one oh four nine here's the final film adam wake up tell us what you can see oh i'm in a large outdoor environment a lot of people swords i've got a sword again which is nice not exciting again though i'm afraid 11:49.500 --> 11:58.849 My character has the same name as an American lady who's made an entire career out of being stupid and performing fellatio. 12:00.150 --> 12:01.711 No, it's not Courtney. 12:03.473 --> 12:04.013 It's different. 12:05.936 --> 12:06.436 There he goes. 12:06.476 --> 12:08.457 That's extraordinary stuff for Ladio. 12:09.038 --> 12:10.238 I don't even know what that is. 12:11.719 --> 12:22.525 Adam's going to remain in a hypnotized state until someone calls 0-8-7-1-2-2-2-1-0-4-9, announces the names of the three films and the star and puts him out of his regressed state. 12:22.865 --> 12:24.486 So for God's sake, call now! 12:32.031 --> 12:32.691 That was The Strokes. 12:32.712 --> 12:33.892 This is Edelman Joe on XFM. 12:34.253 --> 12:36.674 You join us in the middle of celebrity regression. 12:36.734 --> 12:40.036 Adam's been regressed into the mind and movies of a famous Hollywood celebrity. 12:40.357 --> 12:44.399 We've got a caller on the line who thinks they know the name of the celebrity and the name of the movies. 12:44.740 --> 12:45.360 Hello, Damien. 12:46.001 --> 12:46.281 Hello. 12:46.661 --> 12:47.261 How are you doing? 12:48.022 --> 12:48.682 Fine, thanks. 12:48.782 --> 12:49.883 Are you Damien O'Mann too? 12:50.944 --> 12:51.184 No. 12:51.664 --> 12:51.985 Oh, good. 12:52.005 --> 12:53.165 I was pleased to hear it. 12:53.546 --> 12:54.686 You sound a bit angry, Damien. 12:54.766 --> 12:55.687 Is everything OK today? 12:55.927 --> 12:56.748 It's mostly good. 12:57.148 --> 12:57.789 Mostly good. 12:57.849 --> 12:59.690 That's a very good answer, a realistic answer. 12:59.710 --> 13:00.771 You're a realistic man. 13:01.676 --> 13:03.637 Now, Adam is obviously regressed. 13:03.937 --> 13:05.398 Have you heard this feature before, Damien? 13:06.259 --> 13:06.819 Yes, I have. 13:07.100 --> 13:11.502 Yeah, and you know that it's a clinical condition and that if you get the answer wrong, you might damage his brain. 13:13.203 --> 13:13.844 Do you hear that? 13:15.110 --> 13:15.971 Did you hear that noise? 13:16.532 --> 13:18.794 What is that making you feel? 13:18.814 --> 13:20.556 Did you hear that one? 13:20.696 --> 13:22.137 It is frightening, isn't it, Damien? 13:22.738 --> 13:23.419 Chilling stuff. 13:23.739 --> 13:28.364 So listen, when I say go, tell me the name of the actor and we'll see whether you're right. 13:28.424 --> 13:28.644 Go. 13:29.525 --> 13:30.426 Orlando Bloom. 13:30.446 --> 13:32.888 That's amazing. 13:33.008 --> 13:33.509 You were correct. 13:33.869 --> 13:35.010 Did you know the movies, Damien? 13:35.991 --> 13:36.232 Yeah. 13:37.062 --> 13:39.043 Pirates of the Caribbean was the first one. 13:39.223 --> 13:45.187 That's right, it was Curse of the Black Pearl, and of course I imagine you identified that because of the ships. 13:45.808 --> 13:49.350 That was really the only clue that I put in there, the ships and the swords. 13:49.570 --> 13:50.231 What was the next one? 13:50.771 --> 13:51.972 I think that was Lord of the Rings. 13:52.486 --> 13:52.826 Correct. 13:52.866 --> 13:53.346 That's correct. 13:53.647 --> 13:56.608 Also subtitled Curse of the Black Pearl. 13:56.628 --> 13:59.970 It could have been any of the Rings trilogy there. 14:00.250 --> 14:05.953 Of course, the bloomer played Legoland, the huge Lego man. 14:06.533 --> 14:07.854 And what was the final film? 14:08.634 --> 14:09.294 Troy. 14:09.694 --> 14:10.855 Troy. 14:10.875 --> 14:11.876 You said that well, man. 14:11.916 --> 14:13.036 You should do trailers. 14:13.256 --> 14:15.097 Yeah, you sound appropriately bored. 14:15.497 --> 14:17.638 Did you like any of those films, Damien? 14:17.658 --> 14:18.739 Did you see any of those films? 14:19.652 --> 14:20.933 Uh, Troy was very boring. 14:22.333 --> 14:25.074 Did you see, uh, did you see Lord of the Fellowship of the Rings? 14:25.474 --> 14:28.816 I think so, at least they're all one big long film, it's kind of confusing. 14:28.976 --> 14:31.037 A big CGI mulch. 14:31.197 --> 14:35.599 And do you remember the name of the, going back to Troy for a second, do you remember the name of the character he played in there? 14:35.739 --> 14:36.879 I imagine you got my clue. 14:37.239 --> 14:40.320 He played Paris, you see, hence my Paris Hilton clue. 14:40.601 --> 14:43.322 That was a brilliant clue, that was a very funny celebrity regression. 14:43.342 --> 14:46.023 Do you think, um, Orlando Bloom is a good actor then, Damian? 14:46.383 --> 14:48.904 I just think the girls like him, but otherwise he's pretty dull. 14:49.244 --> 14:50.766 A lot of people think he's very wooden. 14:51.207 --> 14:52.809 That seems to be the popular opinion. 14:52.889 --> 14:54.912 You know what I think a better name for him would be? 14:55.532 --> 14:56.994 Marlon Blando. 14:57.094 --> 14:57.835 Oh, that's brilliant. 14:57.875 --> 14:58.096 Yeah. 14:58.336 --> 15:00.319 What about Orlando Blooming Rubbish? 15:00.459 --> 15:01.220 They're nice! 15:01.260 --> 15:01.660 Yeah. 15:01.781 --> 15:02.281 Kapow! 15:02.361 --> 15:03.503 What do you think of that, Damien? 15:03.883 --> 15:04.925 I think that's exciting. 15:06.630 --> 15:08.553 That's for Orlando Bloom in his place. 15:08.673 --> 15:09.074 Yeah. 15:09.234 --> 15:09.515 Yeah? 15:09.755 --> 15:11.097 Hey, listen, thanks a lot for calling. 15:11.117 --> 15:12.299 Would you like a prize? 15:12.580 --> 15:13.020 Yes, please. 15:13.381 --> 15:13.882 Very much. 15:14.202 --> 15:15.324 OK, we'll send that in the post. 15:15.344 --> 15:16.707 Thanks very much for calling and listening. 15:16.727 --> 15:17.668 You're a very clever man. 15:17.688 --> 15:19.952 This is Adam and Joe on XFM, London's 104.9. 15:23.325 --> 15:26.266 That was Muse with Supermassive Black Hole. 15:26.286 --> 15:28.746 Yeah, we stress that supermassive is all one word. 15:29.307 --> 15:36.528 Supermassive Black Hole, the first single from the Tainmouth Trio's fourth album, Black Holes and Revelations, out July the 3rd, so it's already out. 15:37.449 --> 15:44.570 You know, I know it's a problem with me and my brain, but I can't help thinking that Supermassive Black Hole is just a dirty title. 15:44.610 --> 15:48.592 It's a bit filthy, yeah, like, uh, brown starfish, whatever that one was. 15:48.672 --> 15:50.172 That was deliberate, I think, that one. 15:50.592 --> 15:52.513 Yeah, I'm sure this is deliberate as well. 15:52.593 --> 15:54.995 Super Massive Black Hole, you think it's a great big bum song? 15:55.015 --> 15:55.435 Probably. 15:55.755 --> 15:56.035 Really? 15:56.155 --> 15:56.896 Probably, yeah. 15:57.876 --> 15:58.597 Knowing Muse. 15:58.737 --> 15:59.718 Knowing the Muse. 16:00.578 --> 16:02.239 Anyway, this is Adam and Joe here on XFM. 16:02.699 --> 16:05.681 We're just about to head into our second hour here on the show. 16:05.721 --> 16:11.505 And don't forget, in our third hour, it's the X list for which we need your requests and dedications. 16:11.545 --> 16:15.187 It's the kind of part of the show where we turn into real DJs, really, isn't it? 16:15.467 --> 16:17.408 Yeah, who serve some sort of a purpose. 16:17.448 --> 16:19.069 Yeah, we're playing decent music. 16:19.349 --> 16:31.355 We're sending songs out to people Yeah, and chatting to bit shitty chatting to people on the phone doing chatting We're trying to find an interesting way to do it, but we haven't found it four weeks in we still haven't found No, well, we will find it eventually though. 16:31.435 --> 16:36.497 And when we do it'll be amazing I'm coming up in a second is of course and harrod with the news. 16:36.857 --> 16:40.299 She can make anything sound sexy even the most terrible event 16:41.039 --> 16:44.281 can be slightly arousing when it's read by Ang Harrod. 16:44.321 --> 16:46.623 I notice you haven't been disturbing her the last few weeks. 16:46.843 --> 16:48.464 No, because I'm scared of her now. 16:48.644 --> 16:48.844 Are you? 16:48.984 --> 16:50.545 Yeah, she's too professional for me. 16:50.666 --> 16:54.888 I tell you what, she doesn't look amused sometimes when you do disturb her. 16:54.908 --> 16:55.849 I don't think she liked it. 16:55.889 --> 16:58.911 Because it's a collision of frivolity and news. 16:59.351 --> 17:00.132 Yeah. 17:00.152 --> 17:03.114 And that collision is very uncomfortable for people. 17:03.314 --> 17:03.574 It is. 17:03.594 --> 17:07.519 Anne Harrods, she's just very professional and let's face it, we're just feeble amateurs. 17:07.619 --> 17:08.420 We are feeble amateurs. 17:08.500 --> 17:09.982 And it makes us look like idiots. 17:10.322 --> 17:17.531 Because you know, in the olden days, when we first started this radio game, you know, sometimes I had lofty ambitions about like... 17:19.252 --> 17:21.794 about, like, dealing with serious subjects, you know? 17:22.374 --> 17:23.095 Oh, don't be silly. 17:23.255 --> 17:25.336 I've realised that there's really no point. 17:25.376 --> 17:26.817 We should leave that up to the professionals. 17:26.917 --> 17:27.578 Yeah, exactly. 17:27.638 --> 17:29.359 We should only be allowed to handle trivia. 17:29.979 --> 17:30.780 Yeah, exactly. 17:31.601 --> 17:33.242 Even then... Even then, with gloves. 17:33.262 --> 17:34.562 Even then, quite trivial trivia. 17:34.783 --> 17:35.523 Exactly, yeah. 17:35.563 --> 17:37.624 Not much trivial trivia at all. 17:38.145 --> 17:40.446 Adam and Joel on XFM, is it news time now, in fact? 17:40.506 --> 17:43.588 I think it... No, it'll be news time after this next track. 17:43.849 --> 17:47.271 So, to prepare ourselves for the news, here is some music. 17:48.514 --> 17:49.267 Lost out. 17:50.526 --> 17:52.948 That was The Rentals with Please Let That Be You. 17:52.968 --> 17:54.009 Bit of a free play there. 17:54.089 --> 17:57.992 Of course, you might know that The Rentals were a sort of offshoot of Weezer. 17:58.012 --> 18:04.217 That used to be me and Adam's shorthand name for our parents, The Rentals, The Parentals, The Rentals. 18:04.277 --> 18:04.577 Yeah. 18:04.818 --> 18:06.199 You're my rentals are out tonight. 18:06.239 --> 18:07.740 Let's go around yours, that sort of thing. 18:07.860 --> 18:08.280 Exactly. 18:08.821 --> 18:10.983 I used to think we were the only people who used that word. 18:11.243 --> 18:11.783 Do you think we were? 18:11.823 --> 18:12.444 Did we make it up? 18:12.804 --> 18:14.506 Do you think somebody else calls their parents rentals? 18:14.546 --> 18:15.707 Well, that sort of thing, yeah. 18:15.767 --> 18:16.747 You think it's yours, don't you? 18:16.787 --> 18:18.589 And then everyone says it and then, you know. 18:18.809 --> 18:30.468 kids have a lot of fun like me then you get quite angry yeah get in an argument with someone I thought that I thought that I thought no I thought that before you I thought it before you got a joke I don't know check as much I copied my exactly 18:31.786 --> 18:33.287 You know what I thought that about the other day? 18:33.728 --> 18:33.968 What? 18:34.068 --> 18:37.832 Was when I was reading Word Magazine and they had... I thought of Word Magazine? 18:37.852 --> 18:38.672 No, I thought of that. 18:39.013 --> 18:40.894 Of having articles about things and people. 18:41.335 --> 18:43.857 No, they had a rundown of made up band names. 18:44.117 --> 18:44.438 Oh yeah. 18:44.878 --> 18:47.381 And I just thought, I thought I'd done that joke. 18:47.481 --> 18:48.742 You make up band names. 18:48.762 --> 18:49.863 I make up band names, I... 18:50.183 --> 18:52.765 But then I remembered that everyone makes up their names. 18:53.005 --> 18:54.866 Right, so that was the free play, that was very good, well done. 18:54.886 --> 19:00.970 This is Adam and Joe, XFM, London's one of 4.9, number one for rock, adverts, and chit chat. 19:01.090 --> 19:02.711 Let's check out some adverts right now. 19:05.464 --> 19:07.865 That's the mighty Zutons with Valerie. 19:07.985 --> 19:08.626 That's good, man. 19:08.666 --> 19:09.106 I like that. 19:09.126 --> 19:10.366 I like the Zutons more and more. 19:10.567 --> 19:11.347 I like it as well. 19:11.747 --> 19:12.748 They're a nice bunch. 19:13.068 --> 19:13.788 They are a nice bunch. 19:13.808 --> 19:16.570 And you know, that helps if a band are nice people, you know? 19:16.690 --> 19:17.290 I think you're right. 19:17.330 --> 19:20.331 Sometimes people don't take a nice band seriously, you know? 19:20.351 --> 19:25.494 They prefer the miserable behaviour of someone like Black Rebel Motorcycle Club. 19:25.514 --> 19:26.254 Are they miserable? 19:26.354 --> 19:28.215 They are absolutely miserable. 19:28.235 --> 19:28.716 Hey, you know what? 19:28.776 --> 19:29.276 I like them. 19:30.016 --> 19:31.717 I'd never met them, but I'm just being objective. 19:31.757 --> 19:33.518 I'm providing some BBC-style balance. 19:33.638 --> 19:34.579 A bit of balance is good. 19:34.599 --> 19:35.579 A bit of balance is good. 19:35.739 --> 19:36.200 Exactly. 19:36.520 --> 19:37.381 Yeah, this is Adam and Joe. 19:37.401 --> 19:39.502 Welcome to the second hour of our Saturday morning show. 19:39.542 --> 19:41.363 We hope you're having a lovely Saturday morning. 19:41.863 --> 19:45.566 If you're watching Mighty Truck of Stuff... What's Mighty Truck of Stuff? 19:45.686 --> 19:48.088 Well, that's the BBC's kids show, you know. 19:48.488 --> 19:50.309 Is there really a show called Mighty Truck of Stuff? 19:50.329 --> 19:51.130 Called Mighty Truck of Stuff. 19:51.190 --> 19:52.511 It's invented by Joe Mace. 19:52.731 --> 19:53.131 Wow. 19:53.351 --> 19:54.352 It's presented by Reggie. 19:54.832 --> 19:55.353 Who's Reg? 19:55.533 --> 19:56.794 Reggie's the latest guy. 19:56.814 --> 19:58.015 I don't know what's going on at all. 19:58.035 --> 19:59.036 He's the new BBC guy. 19:59.256 --> 20:00.357 Oh, it's brilliant. 20:00.537 --> 20:03.679 But if you're watching it, then turn the sound down on it at least. 20:03.839 --> 20:06.081 Is it kind of insane anarchy going on there? 20:06.121 --> 20:09.464 No, the thing about Mighty Truck of Stuff is it's just a bit greedy. 20:09.884 --> 20:24.860 right it's kind of a kids saturday morning show for the new millennium because it's all about one kid winning everything really swap shop in the 70s was about kids swapping things and everybody won yeah this is about one kid 20:25.561 --> 20:52.881 win like every prize crammed into the back of a truck then they drive it to the kid's house and he gets the lot it's a good fantasy fulfillment though isn't it maces canny well i wonder whether uh whether it brings misery you know like how adult millionaires who win millions of pounds on the lottery sometimes go off the rails absolutely surely that could happen on a kiddie scale with the mighty truck of stuff but you need i mean imagine what they're giving them though man it's probably the mighty truck of crap 20:53.682 --> 20:54.823 Well crap, it depends. 20:54.883 --> 20:58.446 One man's crap is another man's gold. 20:59.447 --> 21:01.028 Isn't it? 21:01.048 --> 21:03.951 When I was a child, leaflets were valuable to me. 21:04.151 --> 21:05.993 A leaflet was amazing. 21:06.053 --> 21:08.695 A plastic bag with an exciting design on it. 21:08.836 --> 21:09.516 Yippee! 21:10.157 --> 21:11.818 So there's no such thing as crap when you're a child. 21:11.858 --> 21:14.941 If it exists in three dimensional space, it's amazing. 21:15.041 --> 21:17.864 What were the most enjoyable free things you ever got as a child? 21:18.124 --> 21:20.325 Stickers, badges, stickers, basically stickers. 21:20.666 --> 21:22.907 Ideal home exhibition, 500 stickers. 21:23.327 --> 21:28.950 Wow, and then all over the bedroom door, then your dad complains, because they won't come off, they leave their backing on. 21:30.091 --> 21:35.554 When I was at school, there were a few children who knew the secret of how to write to companies. 21:35.734 --> 21:36.475 Well, there was a book. 21:36.715 --> 21:37.575 And get stickers. 21:37.655 --> 21:38.616 Yeah, there was a Penguin book. 21:38.676 --> 21:42.858 I forgot what it was called, but it had all the addresses of all the companies that would send kids free things. 21:43.119 --> 21:45.620 You could spend your whole summer writing off for stuff. 21:45.720 --> 21:47.141 And some of these guys, they had like, 21:47.321 --> 21:49.643 Pens and patches and stickers. 21:49.683 --> 21:50.384 Pens are brilliant. 21:51.625 --> 21:51.905 GONKS. 21:52.345 --> 21:52.826 GONKS. 21:52.966 --> 21:53.286 GONKS. 21:53.306 --> 21:54.587 A lot of free GONKS going around. 21:54.607 --> 21:55.248 Yeah, yeah, yeah. 21:55.528 --> 21:56.449 And I just thought, what? 21:56.489 --> 21:58.470 I can't believe they're getting all this free stuff. 21:58.530 --> 21:59.771 I'm not getting any free stuff. 22:00.232 --> 22:02.233 But the Mighty Truck of Stuff, do you not think I've got a point? 22:02.474 --> 22:07.698 That when the kid wins the Mighty Truck of Stuff, maybe he might turn into some kind of, you know, junkie. 22:07.898 --> 22:09.038 Well, I feel sorry for his parents. 22:09.058 --> 22:10.319 I don't mean that in a drugs way. 22:10.359 --> 22:12.239 I mean just a lot of junk, have a lot of junk. 22:12.619 --> 22:13.699 Yeah, well, you get spoiled. 22:13.800 --> 22:14.360 Simple as that. 22:14.460 --> 22:15.420 Bedroom full of junk. 22:15.540 --> 22:16.020 Exactly. 22:16.140 --> 22:21.081 I feel bad for the parents though, seriously, because... Where do you go if you're 11 and you've won a mighty truck of stuff? 22:21.161 --> 22:21.501 Yeah. 22:21.942 --> 22:23.302 What will satisfy you in life? 22:23.362 --> 22:25.082 Plus... It's like being one of Jonathan Ross's kids. 22:25.923 --> 22:26.443 But you know what? 22:26.483 --> 22:34.745 I think I'm going to make like a documentary, a follow-up documentary about one of the kids whose lives, whose life has gone off the rails due to the mighty truck of stuff. 22:34.805 --> 22:35.025 Yeah. 22:35.265 --> 22:35.566 Yeah? 22:35.786 --> 22:37.568 Stuffed by the mighty truck, you could call it. 22:37.608 --> 22:38.349 That's what I'll call it. 22:38.389 --> 22:40.032 It'll be on Channel 4 at about one in the morning. 22:40.052 --> 22:40.312 Excellent. 22:40.332 --> 22:40.953 I'll look out for that. 22:40.973 --> 22:41.914 That's something to look forward to. 22:42.034 --> 22:42.755 Let's play some music. 22:46.516 --> 22:47.656 That was Franz Ferdinand. 22:47.996 --> 22:49.557 They're not quite so hot right now. 22:49.937 --> 22:50.697 Well, what do you mean? 22:50.717 --> 22:52.818 I don't know, they're just... Have they gone off the boil? 22:52.858 --> 22:54.639 They, they, they used to be so hot. 22:55.239 --> 22:56.399 They're not quite so hot. 22:56.479 --> 22:57.380 How long did they have? 22:57.900 --> 22:58.860 I would say they... Six months? 22:58.880 --> 22:59.540 They had a good year. 22:59.560 --> 23:00.261 They had a year? 23:00.341 --> 23:00.521 Yeah. 23:00.541 --> 23:02.841 Well, that's quite a long time considering these days. 23:02.941 --> 23:03.542 Absolutely. 23:04.122 --> 23:13.145 But do you think, do you think it must be upsetting if you're in a band and you've got heat all over you for about 12 months, you know, and you get used to it, and then suddenly you wake up one morning and you think, 23:14.285 --> 23:15.306 Oooh, it's a bit chilly. 23:16.347 --> 23:18.048 That's when it's time to change your name. 23:18.348 --> 23:18.748 You reckon? 23:18.828 --> 23:19.469 And your image. 23:19.569 --> 23:21.370 Split, you know, reinvent yourself. 23:21.530 --> 23:22.811 Yeah, that's the way to go. 23:23.171 --> 23:25.613 But even if you're on your third album only? 23:26.073 --> 23:26.233 Yeah. 23:26.733 --> 23:27.073 Right. 23:27.134 --> 23:27.354 Yeah. 23:27.474 --> 23:28.454 What about The Darkness? 23:28.474 --> 23:29.615 Can you imagine how they felt? 23:29.895 --> 23:34.979 They had a flipping documentary made about them by the South Bank show and they were just... After the first album? 23:35.019 --> 23:36.400 After the first album, they're phenomenal. 23:36.940 --> 23:39.001 Heavy rotation on every single radio station. 23:39.021 --> 23:39.862 Well they're coming back, aren't they? 23:42.984 --> 23:56.852 So by saying by using the word coming I've revealed the truth yeah that they never arrived back and they left the house They got on a train, but it got stuck in a tunnel and then decommissioned 23:58.032 --> 23:58.293 Right? 23:58.313 --> 23:59.753 Sent to a scrapyard. 23:59.873 --> 24:01.194 With them inside it. 24:01.214 --> 24:01.935 That's a bit harsh. 24:02.175 --> 24:05.857 I'm sure there's a single on their album that'll bring them all the way back. 24:06.037 --> 24:09.219 But you know, Justin Hawkins, he's a man who's reinvented himself many times. 24:09.259 --> 24:10.020 Yeah. 24:10.080 --> 24:11.340 He can always go back to journalism. 24:11.561 --> 24:12.161 Absolutely. 24:12.541 --> 24:12.901 I'm sure. 24:12.961 --> 24:14.622 No, he used to do jingles and stuff. 24:14.662 --> 24:15.943 He can always go back to jinglism. 24:17.604 --> 24:38.788 uh Franz Ferdinand there we go they're off the boil you you heard it here first on Adam and Joe on xfm but listen if Franz Ferdinand are listening we're just being silly we're just being also also if the darkness are listening you know what i'm just being silly i'm sure i'm sure no one does care about us and i'm sure they couldn't care but i always have a uh a horror of being responsible for one of those spinal tap moments you know like when they're banned or listening to the radio 24:39.248 --> 24:54.297 and the DJ says well they're currently residing in the where are they now file and that they look so gutted and I know it would be gutting but you know they that the victory is theirs because because they've all been more famous and successful than we ever ever will be if they put no perfectly well it's just that 24:55.217 --> 24:57.419 grumblings of a couple of bitter old men. 24:57.499 --> 24:59.620 It's the ebb and flow of the pop world. 24:59.680 --> 25:00.001 Yeah. 25:00.281 --> 25:01.562 OK, music time now. 25:01.842 --> 25:03.543 Once again, it's a free play, Joe. 25:03.864 --> 25:04.524 That's exciting. 25:04.664 --> 25:10.168 And this time I've got for you a song that you would normally not hear on XFM, I would say. 25:10.408 --> 25:10.529 Why? 25:10.549 --> 25:11.249 Because it's no good? 25:11.569 --> 25:15.852 No, because it's not in the style of the jangly pop bands. 25:16.513 --> 25:17.594 It's by Donna Summer. 25:18.034 --> 25:18.715 Oh, my gosh. 25:18.735 --> 25:19.015 You know? 25:19.515 --> 25:24.099 And it's, for me, her peak moment, which is State of Independence. 25:24.699 --> 25:27.204 Anyway, hope you feel the same way about it as I do. 25:27.485 --> 25:28.788 Donna Summer with State of Independence. 25:32.543 --> 25:33.804 Hello, is that XFM? 25:34.264 --> 25:34.504 Yes. 25:34.745 --> 25:37.106 Why are you playing rubbish old disco music? 25:37.126 --> 25:41.949 You're an indie station supposed to play the Arctic Monkeys over and over and over again. 25:41.969 --> 25:44.831 Why can't you play Hot Foot? 25:45.272 --> 25:48.914 I am your friend by the music call that you play all the time. 25:48.934 --> 25:50.855 We are your friends, that one. 25:51.116 --> 25:51.536 Simeon. 25:52.016 --> 25:52.737 Yeah, by Simeon. 25:52.837 --> 25:53.917 Why aren't you playing that? 25:53.957 --> 25:56.299 Why are you playing Donna Summer in a disco rubbish? 25:56.419 --> 25:57.940 It was just a little deviation. 25:58.300 --> 25:58.841 What's your name? 25:58.861 --> 26:00.042 I hate you, civil. 26:00.882 --> 26:01.202 Cyril. 26:02.763 --> 26:03.924 Thank you Cyril for your call. 26:04.024 --> 26:04.964 I hate you. 26:05.384 --> 26:06.685 Okay thanks a lot for calling in. 26:06.725 --> 26:07.906 Bring back Justin Lee Collins. 26:08.266 --> 26:08.666 Oh we can't. 26:08.706 --> 26:09.306 And the A-Team. 26:09.346 --> 26:09.867 He's too famous. 26:09.887 --> 26:10.867 Bring back the A-Team. 26:10.987 --> 26:12.628 Alright then, thanks a lot for your call. 26:12.668 --> 26:14.469 Number one, one has been has been. 26:14.489 --> 26:15.630 Oh alright cheerio. 26:15.830 --> 26:16.210 Bye bye. 26:16.450 --> 26:17.631 Do you like adverts Cyril? 26:18.151 --> 26:18.871 Cyril's gone now. 26:18.891 --> 26:19.551 Cyril's gone. 26:20.412 --> 26:21.673 Why have we got adverts coming up? 26:21.693 --> 26:22.533 Yeah we got some ads. 26:22.633 --> 26:23.253 Ah party. 26:23.493 --> 26:24.094 Let's party. 26:25.919 --> 26:49.228 fix you I'd like to fix you Oh listeners I've just spilled a little bit of PJ strawberry and banana smoothie on the work surface it looks like the blood of some sort of little alien oh it's disgusting looks like hemoglobin it's like the blood of Anton deck that's gonna be that's why it's called PJ oh I'm gonna lick it off this piece of paper can you get Duncan as well hmm 26:50.697 --> 26:51.357 dunk something in it. 26:51.838 --> 26:55.000 This is Adam and Joe XFM London's 104.9. 26:55.760 --> 26:58.002 That was Coldplay incidentally of course with Fix You. 26:58.062 --> 27:14.753 Don't forget of course in the final hour of our show it's the X-list a chance for you to request any XFM classic song by simply texting us or emailing us the text is 83 XFM email Adam and Joe at XFM.co.uk. 27:15.114 --> 27:17.215 That's correct you can even call with an X-list request 27:17.715 --> 27:24.660 0871 222 1049 because we do like to have a little sort of doctor and patient style chat with some of our callers in that last hour. 27:24.980 --> 27:25.581 Yeah, exactly. 27:26.141 --> 27:28.583 We like to sort of say things like, so what are you up to? 27:29.543 --> 27:31.104 And what do you do for a living? 27:31.184 --> 27:31.965 What do you do for a living? 27:31.985 --> 27:32.125 Yeah. 27:32.405 --> 27:33.806 And what are you doing this weekend? 27:33.946 --> 27:34.226 Yeah. 27:34.627 --> 27:40.731 And generally people will say, I don't know, painting decorator, going out to the pub. 27:42.099 --> 27:42.680 I'm in the bath. 27:42.880 --> 27:43.781 I've got a hangover. 27:43.961 --> 27:44.962 Yeah. 27:45.002 --> 27:45.942 It's along those lines. 27:46.243 --> 27:58.914 Hey Joe, I was in the supermarket the other day and the woman behind me in the checkout area, she was talking to her friend on her mobile and she was planning an afternoon's drinking fun. 27:58.954 --> 27:59.955 It was the weekend. 27:59.975 --> 28:00.996 It was a nice hot weekend. 28:01.976 --> 28:11.160 And at one point she was talking about what kind of booze to bring over, and she said, completely irony-free as far as I could tell, I think it's Pim's O'Clock, don't you? 28:13.301 --> 28:26.067 I just thought like, hmm, is she, I mean it wasn't, she didn't say it in like a jokey way, but then it made me think like, whether I've ever used a catchphrase like that myself, because as soon as you start using the tagline from an advert, 28:26.567 --> 28:29.268 Well, even if you think you're doing it in a funny way, they've got you. 28:29.348 --> 28:29.928 They've got you. 28:30.028 --> 28:30.608 They've got you. 28:30.648 --> 28:31.208 They've won. 28:31.428 --> 28:31.948 Exactly. 28:31.968 --> 28:33.049 The evils have won. 28:33.229 --> 28:33.689 Job done. 28:33.729 --> 28:35.009 You're the final... Job done? 28:35.349 --> 28:35.529 Yeah. 28:35.589 --> 28:39.771 That's probably a catchphrase from, say, Doosan's or some sort of equipment hire shop. 28:39.791 --> 28:40.231 You reckon? 28:40.811 --> 28:41.851 Pop down to Doosan's. 28:42.211 --> 28:42.771 Job done. 28:46.032 --> 28:46.953 You've been got. 28:47.313 --> 28:47.573 Yeah. 28:47.733 --> 28:48.633 Go on, say something else. 28:49.473 --> 28:51.054 Um... That's a catchphrase. 28:51.514 --> 28:51.974 No, it's not. 28:52.014 --> 28:53.294 That's nearly Madison's backwards. 28:53.334 --> 28:55.835 Have you ever used an advertising catchphrase like that? 28:56.175 --> 28:56.616 I don't know. 28:56.676 --> 28:58.257 I use them brilliantly, ironically. 28:58.277 --> 28:58.778 Yeah. 28:59.078 --> 29:01.500 But probably never knowingly, because I'm much too clever. 29:01.740 --> 29:02.241 What's up? 29:02.321 --> 29:04.002 I suppose that was a... Well, it was fun. 29:04.062 --> 29:07.405 It's fun to use that sort of thing the moment they become really sickening, isn't it? 29:07.445 --> 29:07.746 Yeah. 29:08.386 --> 29:12.930 Don't use them while they're still fashionable, but the moment they become really sickening, then go in there with them. 29:13.151 --> 29:13.551 Yeah. 29:17.395 --> 29:18.696 But no one ever used that one, seriously. 29:18.737 --> 29:21.360 Obviously that one was the deliberately funny one. 29:21.380 --> 29:22.562 I mean, most of them are. 29:23.363 --> 29:30.553 But it's depressing, isn't it, to think that advertising is actually more effective than you give it credit for in those moments. 29:31.114 --> 29:32.496 Sometimes you sort of think, what's the point? 29:33.337 --> 29:41.229 You know, they're not getting through to anyone, but then if you're in a queue and someone's saying it's Pim's o'clock, that's pretty categorical proof that they are getting through. 29:41.369 --> 29:44.534 Well, you know, I would have tried to go to her party and have some Pim's. 29:44.754 --> 29:48.500 You know, stalking people or being a spy would be very easy in this day and age, wouldn't it? 29:48.620 --> 29:48.861 Why? 29:49.141 --> 29:52.183 Well, because everyone just walks around announcing their plans on their mobile phone. 29:52.403 --> 29:59.408 A number of times I've heard exactly who is going to the cinema, when, what they're seeing, when they're getting there, and thought, well, I'll just pop along. 29:59.908 --> 30:03.491 I've got the information just to insinuate myself into that woman's social circle. 30:03.711 --> 30:04.131 Judy? 30:04.151 --> 30:05.052 Hello? 30:05.392 --> 30:06.453 Yeah, it is me. 30:07.073 --> 30:08.714 We had plans to go to the cinema. 30:08.934 --> 30:11.136 They'd be so polite, they'd have to let you come along. 30:11.316 --> 30:11.556 Right. 30:11.776 --> 30:12.737 That's possible, isn't it? 30:12.757 --> 30:13.858 That's a good idea for a film. 30:14.158 --> 30:16.119 Yeah, I could have James Belushi in it. 30:16.440 --> 30:18.241 You could call it The Overhearer. 30:18.741 --> 30:19.061 Yeah. 30:19.482 --> 30:20.082 Over here. 30:20.562 --> 30:21.042 That's good. 30:21.142 --> 30:21.883 Or over here. 30:22.223 --> 30:22.563 Yeah. 30:22.803 --> 30:23.484 That's good, okay. 30:23.764 --> 30:24.784 I'm gonna write that film. 30:26.045 --> 30:27.126 I've finished writing it. 30:27.146 --> 30:27.806 There we go. 30:29.267 --> 30:30.107 Let's play some more music. 30:30.368 --> 30:33.069 Are you ready for Boy Kill Boy, Joe Cornish? 30:33.109 --> 30:34.750 I'll never be ready for Boy Kill Boy. 30:38.252 --> 30:40.153 Boy Kill Boy there with Civil Sin. 30:40.193 --> 30:41.674 This is Adam and Joe on XFM. 30:45.270 --> 30:47.071 That was the raconteurs with Steady as she goes. 30:47.091 --> 30:49.272 This is Adam and Jo, XFM, London's 104.9. 30:49.532 --> 30:51.994 Hope you're having a nice Saturday morning. 30:52.774 --> 30:54.075 I'm joined by Adam Buxton. 30:54.095 --> 30:54.495 Hello, Adam. 30:54.655 --> 30:55.256 Hi, how do you do? 30:55.456 --> 30:57.797 And you're going to talk to us about some problems you have with mini cabs. 30:57.877 --> 31:00.599 I just wanted to get a couple of mini cab beefs off my plate. 31:00.639 --> 31:01.880 Sure, everyone uses mini cabs. 31:03.214 --> 31:07.917 Yeah, generally I guess you'll use a mini cab when you're coming back from the pub or whatever. 31:08.377 --> 31:09.817 You're stuck in the middle of nowhere exactly. 31:09.837 --> 31:11.578 Most people are a bit drunk, small hours of the morning. 31:11.618 --> 31:15.620 You go in there, it's all lemony scented, smells like a pine forest. 31:15.660 --> 31:17.741 Better than they used to be because now of course they're licensed. 31:18.362 --> 31:23.764 Before they weren't licensed, you used to get death cab for cutie, right? 31:23.784 --> 31:24.745 That's the name of a band isn't it? 31:24.765 --> 31:25.265 That's well done. 31:25.425 --> 31:27.266 A door hanging off like a 31:27.526 --> 31:28.647 criminal driving it. 31:29.007 --> 31:29.787 Yeah. 31:29.807 --> 31:30.828 It used to be terrifying. 31:30.848 --> 31:32.389 They would go a funny route. 31:32.649 --> 31:33.910 They still charge you outrageous. 31:33.930 --> 31:36.111 You've got to fix your price before you get in the minicab. 31:36.131 --> 31:36.691 Very important. 31:36.891 --> 31:40.853 But anyway, so you take a lot of cabs and you've built up this kind of list of complaints. 31:41.114 --> 31:52.420 The thing is that when you're a hugely successful television personality like me, you often have to work across town and... They send cabs for you, don't they? 31:52.440 --> 31:52.860 They'll send a cab. 31:52.900 --> 31:54.221 The production company will send a cab. 31:54.941 --> 31:56.883 sometimes a limousine, sometimes it's gold. 31:57.443 --> 32:01.146 And when you get in, you're always confronted with the same sort of problems. 32:01.226 --> 32:03.068 And it's getting even worse, I'm noticing. 32:03.368 --> 32:05.550 All the annoying things about minicabs are just building up. 32:05.970 --> 32:06.671 So what are they? 32:06.711 --> 32:07.291 What's one of them? 32:07.311 --> 32:10.995 The first one, like a recent nightmare, sat-nav boxes. 32:11.295 --> 32:14.437 Well, sat-navs aren't nightmares, they're brilliant. 32:14.457 --> 32:21.003 They mean that people who have no knowledge of London whatsoever can guide you around London without having to stop and look at the map all the time. 32:21.647 --> 32:23.909 But it's the annoying sound of the things. 32:23.950 --> 32:34.721 Do you not get bothered by the little... At the next turning, go left into Hardwick Road and proceed for 300 metres before turning right. 32:35.022 --> 32:36.183 You know, just... I like it. 32:36.243 --> 32:37.324 I immediately want to obey you. 32:37.564 --> 32:37.885 Really? 32:38.065 --> 32:40.187 Yeah, I want to go to Hardwick Road and turn right. 32:41.969 --> 32:42.830 It's so annoying. 32:43.050 --> 32:49.577 The worst thing though is when you get back to your general area and you know the sat-nav box is not taking you the most efficient way. 32:50.337 --> 32:51.398 Yeah, yeah, yeah, I know that. 32:51.999 --> 32:52.279 Yeah. 32:52.579 --> 32:53.260 That winds you up. 32:53.801 --> 32:58.105 Ignore the sat-nav box and just take the next ride. 32:58.385 --> 32:59.967 It'll be quicker, I promise you. 33:00.942 --> 33:03.445 is how I feel sometimes in that thing. 33:03.786 --> 33:07.851 Here's another thing that I hadn't seen before in a cab until the other day. 33:09.433 --> 33:10.715 Speed camera detectors. 33:11.135 --> 33:11.436 Right. 33:11.576 --> 33:13.158 Well, they can't be legal, can they? 33:13.839 --> 33:14.279 I don't know. 33:14.620 --> 33:15.521 They've got them in America. 33:15.561 --> 33:17.383 People have them a lot in America on freeways. 33:17.404 --> 33:18.925 They tell you when the police are around. 33:19.066 --> 33:19.186 Yeah. 33:19.406 --> 33:21.268 so you can slow down and drive at a legal limit. 33:21.388 --> 33:38.842 Well this thing was like a big plastic dome on the guy's dashboard and when you would come within a few hundred meters of a speed camera it would start flashing red and a big siren would start beep beep beep beep beep beep getting louder and louder and more frequent the closer you got to the speed camera and then it would kind of die off. 33:38.862 --> 33:39.763 Man I want one of those. 33:40.148 --> 33:41.869 But we were coming into London. 33:41.969 --> 33:43.109 I'm going to draw up a shopping list. 33:43.129 --> 33:46.831 There's a lot of speed cameras and it was going off every couple of minutes. 33:46.851 --> 33:47.631 Speed camera detector. 33:47.651 --> 33:48.972 It was driving me nuts. 33:49.232 --> 33:49.612 What else? 33:50.673 --> 33:51.353 What else have you got? 33:51.433 --> 33:52.274 All the things you want to get. 33:52.294 --> 33:53.194 A contemporary traveler. 33:53.454 --> 33:54.795 Well those are just sort of gadgets. 33:54.855 --> 34:01.158 The other phenomenon that makes my life miserable when I'm in a minicab of a morning is talk radio. 34:01.538 --> 34:02.138 Something like this. 34:02.158 --> 34:04.239 Right, well that's a different kettle of fish. 34:04.279 --> 34:06.140 You mean like Nick Ferrari and Vanessa Felt? 34:06.780 --> 34:07.460 Exactly that. 34:07.501 --> 34:10.522 And all that kind of thing and John Gaunt and people like that. 34:10.802 --> 34:11.882 You like that stuff don't you? 34:11.942 --> 34:15.284 Well it gets you up in the morning you know it boils your blood and get it gets me awake. 34:15.524 --> 34:15.764 Right. 34:15.784 --> 34:23.667 And they just find the most they get the tabloid papers and they look for the most stupid story like old woman arrested for sneezing something like that. 34:23.687 --> 34:26.529 So they go what the hell is Britain coming to? 34:26.709 --> 34:33.632 Or man stubs toe in prison for saying poo you know or something like that. 34:34.592 --> 34:35.413 It freaks them out. 34:35.753 --> 34:39.115 They've got this agenda that the world is going to hell in a handcart. 34:39.195 --> 34:42.757 And they're just on the lookout for anything that supports that theory. 34:43.357 --> 34:44.437 I love it, it's exciting. 34:44.898 --> 34:47.219 So far you're having the best time in the minicam. 34:47.259 --> 34:48.500 Yeah, I'm having a brilliant time. 34:48.520 --> 34:52.262 The sat-nav, the speed camera detector, Nick Ferrari on the radio. 34:52.322 --> 34:53.182 This is brilliant. 34:53.382 --> 34:55.483 What about personal music choice of driver? 34:55.804 --> 35:00.166 If it's not Nick Ferrari, then they will stick on some music. 35:00.446 --> 35:01.727 Excuse me, choice. 35:02.367 --> 35:04.788 No, no, no, no, not a radio, like if they put in a CD. 35:04.888 --> 35:05.268 Oh, right. 35:05.468 --> 35:05.648 Yeah. 35:05.828 --> 35:06.089 Yeah. 35:06.489 --> 35:13.071 And generally, it's bad enough when your friends want to play music in the car, you know, and you very seldom get down with their taste. 35:13.532 --> 35:18.594 You and I have had many drives when we've got on each other's nerves about our music choice. 35:18.634 --> 35:20.014 Yeah, but that's because mine's better than yours. 35:20.334 --> 35:20.494 Yeah. 35:20.554 --> 35:24.616 But I don't mind, I usually try and tap along and impress the driver with my rhythmic sense. 35:24.636 --> 35:25.857 Hey, listen, I was tapping along. 35:25.937 --> 35:26.417 I do as well. 35:27.077 --> 35:29.740 I was tapping along very happily to Jimmy Cliff the other day. 35:29.901 --> 35:31.463 I thought, this is good, I've lucked out. 35:31.643 --> 35:33.585 Nice bit of Jimmy Cliff. 35:33.745 --> 35:38.471 Three hours later in a traffic jam, he's still playing the same Jimmy Cliff CD. 35:38.832 --> 35:43.618 Round and round and round we go with Jimmy and I was at the end of my Jimmy tether. 35:44.198 --> 35:44.979 It was a nightmare. 35:45.800 --> 36:08.627 it sounds like a nightmare a terrible terrible nightmare i tell you what happened to me the other day i'll make this very quick i've gotten to a mini cab there was a stain on the back seat didn't know what it was looked quite old it was a hot day sat down rested my hand next to me sort of didn't realize it was on the stain my hand got sweaty during the journey the sweat went into the stain whatever the stain was got into my hand got out of the cab 10 minutes later sniffed my hand a stronger smell of puke 36:09.327 --> 36:11.769 I'd ever smelt and I had to sort of puke. 36:11.809 --> 36:12.930 Where did that puke come from? 36:12.970 --> 36:20.696 Then I realised that the 20 minute journey to the place of sweat in my hand had soaked into the old stain and the puke had gone on my hand. 36:20.776 --> 36:21.257 That's disgusting. 36:21.537 --> 36:23.358 That's the worst thing so I licked it all off. 36:24.259 --> 36:27.061 This is Adam and Jo XFM, London's 104.9. 36:29.663 --> 36:32.005 Okay music now, something a tiny bit less disgusting. 36:32.345 --> 36:37.309 This is the Manic Street Preachers with If You Tolerate This, Your Children Will Be Next. 36:37.669 --> 36:38.130 Oh God. 36:44.338 --> 36:51.083 Massive Attack with Protection there, and before that you heard The Jam with Start, two classic tracks. 36:51.143 --> 36:58.287 Yeah, you know, when Massive Attack first came on the scene, the name of the band was a kind of comment on military intervention in the Middle East. 37:00.449 --> 37:00.929 One would have had... 37:02.970 --> 37:03.771 Wait, let me finish. 37:03.791 --> 37:04.932 Yeah, where's it going? 37:05.452 --> 37:09.094 One would have hoped that in the 10 years to 20 years, how long have they been going for? 37:09.314 --> 37:10.455 At least 15 or something. 37:10.655 --> 37:13.696 In the 15 years since they made that name, the world might have changed, but it hasn't. 37:13.856 --> 37:15.798 You're listening to Adam and Joe here on XFM. 37:15.938 --> 37:20.100 London's 104.9 and we hope all the listeners enjoyed the adverts before that record. 37:20.120 --> 37:21.441 Did you like those adverts, Ad? 37:21.641 --> 37:23.122 I think adverts are getting better. 37:23.382 --> 37:24.102 You know what, Joe? 37:24.963 --> 37:28.104 Sometimes the adverts are better than this stuff either side of them. 37:28.124 --> 37:29.325 What an imposturous thing to say. 37:29.885 --> 37:33.587 We were wondering whether any like trendy young person DJ's with adverts. 37:34.288 --> 37:34.728 It's gotta happen. 37:34.748 --> 37:36.349 Do you think that'll happen soon won't it? 37:36.389 --> 37:37.130 Somewhere in Hoxton. 37:37.290 --> 37:40.371 Somewhere in Hoxton someone is doing like an advert party. 37:40.512 --> 37:40.752 Yeah. 37:40.892 --> 37:44.294 Where everyone stands around and they chat and listen to adverts. 37:44.674 --> 37:47.315 Do you think they would listen to the talking as well or just the jingles? 37:47.476 --> 37:48.816 Yeah, they were just like a jazz club. 37:48.856 --> 37:50.257 You can't chit chat in a jazz club. 37:50.277 --> 37:51.378 You've got to listen to the jazz. 37:51.418 --> 37:51.618 Yeah. 37:52.078 --> 37:54.320 So there's some chit chat maybe on the terrace. 37:54.620 --> 37:55.520 I'm sure that's happened. 37:55.540 --> 37:56.041 But on the dance 37:56.981 --> 37:59.903 You can buy big CDs of advert jingles. 37:59.983 --> 38:02.124 Yeah, the TVs have great, great adverts on them. 38:02.304 --> 38:02.524 Yeah. 38:02.644 --> 38:05.466 And then a guy's DJing with scratching some adverts. 38:05.486 --> 38:06.006 Uh huh. 38:06.406 --> 38:09.928 Yeah, it's gotta happen pretty soon, but I wouldn't be at that party because it would be rubbish. 38:09.988 --> 38:11.049 No, come on, it might be quite good. 38:11.069 --> 38:11.969 It would be really annoying. 38:12.049 --> 38:12.930 No, it would be terrible. 38:13.030 --> 38:18.453 No, they'd be playing, uh, they'd be playing, oh I'm a secret lemonade drinker. 38:18.753 --> 38:20.314 Well now that would be like a cheesy classic. 38:20.894 --> 38:24.396 That would be like playing disco hits at a disco, right? 38:24.616 --> 38:26.738 You know, that was written by Elvis Costello's father. 38:26.898 --> 38:29.039 That would be like playing Boogie Wonderland at a wedding. 38:30.020 --> 38:31.060 Boogie Wonderland's good! 38:31.280 --> 38:34.622 Yeah, but it's not, you know, this would be a trinlier party. 38:35.123 --> 38:38.124 Anyway, enough of that nonsense, and time for some different nonsense. 38:38.545 --> 38:40.586 OK, the next track is from the Charlatans. 38:40.626 --> 38:44.508 This is A Man Needs To Be Told, and we're dedicating it today to David O'Reilly. 38:44.708 --> 38:45.549 Enjoy this one, David. 38:47.677 --> 38:48.537 That was the Charlatans. 38:48.557 --> 38:49.438 This is Adam and Joe. 38:49.518 --> 38:51.919 It's the X list here on XFM, London's 104.9. 38:52.139 --> 38:53.860 We've got a caller with a request on the line. 38:53.920 --> 38:54.361 It's Gav. 38:54.381 --> 38:54.801 Am I right? 38:54.821 --> 38:55.581 Is his name Gav? 38:55.681 --> 38:56.021 Gavin. 38:56.282 --> 38:57.102 Gavin. 38:57.322 --> 38:58.523 Hey Gavin, how are you doing? 38:58.823 --> 38:59.043 Gav. 38:59.123 --> 38:59.523 I'm great. 38:59.563 --> 38:59.903 How are you? 39:00.384 --> 39:03.725 Man, we're all right, but you sound like you're in a cockpit of the Apollo 13. 39:03.966 --> 39:04.666 Are you in space? 39:05.846 --> 39:06.587 I am actually, yes. 39:07.007 --> 39:08.088 We still get XFM. 39:08.148 --> 39:08.788 It's great up here. 39:09.308 --> 39:09.588 Do you? 39:09.889 --> 39:10.829 Yeah, well it's essential. 39:11.009 --> 39:13.711 It's my only link to the outside world, so I have a very strange view of what's going on. 39:14.091 --> 39:14.271 Yeah. 39:15.552 --> 39:16.212 How are you anyway? 39:17.793 --> 39:27.139 I'm just fascinated by the idea of what Gav's doing up there in space because you know he's got this TV on it sounds like there's a lot of very powerful nuclear equipment working in there. 39:27.459 --> 39:29.841 There's just a lot of lounging in space isn't there Gav? 39:30.161 --> 39:33.123 There's a lot of lounging yeah you wouldn't believe how much lounging I do up here. 39:33.283 --> 39:34.824 Are you smoking ciggies in space? 39:35.804 --> 39:36.765 You smoke ciggies. 39:36.785 --> 39:37.745 Can you smoke ciggies? 39:37.886 --> 39:40.107 It's dangerous man, it's very dangerous. 39:40.507 --> 39:41.607 It's not dangerous in space. 39:41.667 --> 39:42.348 It's fine in space. 39:42.408 --> 39:43.728 It's fine in space. 39:43.748 --> 39:47.209 You don't get any of your associated heart disease or anything in space at all. 39:47.429 --> 39:49.490 I was thinking about the fuel tanks blowing up. 39:49.530 --> 39:50.991 That's mainly the thing. 39:51.191 --> 39:52.091 Oh, no, no, no, no. 39:52.131 --> 39:53.312 We don't worry about that anymore. 39:53.492 --> 39:56.153 Now, listen, you're going to request a song right now, Gav, aren't you? 39:56.273 --> 40:00.314 And tell us which band you're choosing. 40:01.254 --> 40:02.855 I would love to hear a Blur song. 40:03.275 --> 40:05.816 Now, you sound a little bit like Damon Albarn, don't you? 40:05.856 --> 40:06.216 Yeah. 40:07.457 --> 40:08.317 You found me out. 40:09.304 --> 40:11.784 It's Orban, we've got Orban on the phone from space. 40:11.804 --> 40:13.245 I don't turn anyone, alright? 40:13.745 --> 40:16.125 Orban, which song would you like to hear then? 40:16.845 --> 40:17.606 Can I hear song two? 40:17.626 --> 40:19.566 I've always liked it for its shortness. 40:20.046 --> 40:25.867 You can hear song two only if you do the sound at the beginning, the woohoo sound. 40:26.067 --> 40:26.647 Woohoo! 40:27.027 --> 40:28.068 He did it, there we go. 40:28.088 --> 40:29.948 Do you like being called Gav? 40:31.608 --> 40:33.369 Yeah, well my name's not Gavin actually. 40:33.429 --> 40:33.789 What is it? 40:33.809 --> 40:35.329 It's very confusing, my name's Gabriel. 40:35.950 --> 40:37.091 Gabriel, that's a better name. 40:37.111 --> 40:38.133 You could be called Gabe. 40:38.553 --> 40:39.634 Gavriel, he's called. 40:39.674 --> 40:40.335 Oh, Gavriel. 40:40.355 --> 40:40.635 Yeah. 40:41.096 --> 40:41.416 Yeah. 40:41.677 --> 40:44.420 Wow, keep it Gavriel. 40:44.460 --> 40:45.681 Yeah, that's like, keep it real. 40:45.701 --> 40:47.623 That's like how Westwood would address you. 40:47.723 --> 40:48.444 Keep it Gavriel. 40:48.845 --> 40:49.886 OK, Gavriel. 40:50.266 --> 40:51.247 Here's a song going out to you. 40:51.288 --> 40:52.209 Hope you enjoy this one. 40:52.229 --> 40:53.110 Yeah, thanks for calling. 40:53.150 --> 40:53.570 Thank you. 40:53.610 --> 40:54.031 Cheers, man. 40:54.051 --> 40:55.552 Have a good weekend. 40:55.793 --> 40:56.634 It's the Mighty Blur. 40:59.366 --> 41:01.147 That was The Verve with Bittersweet Symphony. 41:01.187 --> 41:05.110 This is Adam and Joe with the X List on XFM, London's 104.9. 41:05.410 --> 41:07.611 Keep texting in your requests, 83936. 41:08.152 --> 41:10.733 That's the numerical texting code, yeah? 41:10.913 --> 41:15.196 Yeah, Bittersweet Symphony, you know, that track by The Verve that we just done heard on the radio. 41:15.676 --> 41:22.281 That's one of those songs that takes me back completely to a very strange period in my life and a lot of other people's lives as well. 41:22.301 --> 41:22.981 When you served time. 41:23.401 --> 41:24.402 When I done time. 41:25.347 --> 41:26.528 Stormbreaker's out at the cinema. 41:26.548 --> 41:27.790 Do you know what Stormbreaker is, Adam? 41:28.210 --> 41:28.711 I do. 41:28.811 --> 41:38.583 All I know about Stormbreaker is that the posters use that unpleasant colour combination of kind of pathetic orange and stupid blue, which I don't enjoy. 41:38.623 --> 41:39.665 Are they proper colours? 41:39.725 --> 41:40.986 Pathetic orange and stupid blue? 41:41.026 --> 41:41.587 Yeah, they are. 41:41.767 --> 41:43.768 I've never known anyone to be angry about colors. 41:43.808 --> 41:57.517 The other thing I know about Storm bring a breaker breaker is that Jimmy Carr is in it It's been out for a week now, I think but a lot of British movie stars are in it Ewan McGregor Stephen Fry all the trimmings, you know all the fellas I haven't seen it yet, but I wonder if it's any good. 41:57.537 --> 41:58.278 Do you think it's any good? 41:58.578 --> 42:01.620 You sound as if you're limbering up to voice some prejudices 42:01.860 --> 42:13.483 No I'm not but I saw the trailer and the trailer had this funny thing in it where they've obviously got Ewan McGregor in it and they've got him in it in a scene where he's driving a car but I don't think they've had him for more than a day. 42:13.763 --> 42:13.963 No. 42:14.183 --> 42:16.244 So they've got him in the car driving up and down the road. 42:16.484 --> 42:20.045 In the trailer they cut to that car on that road about three different times. 42:20.465 --> 42:20.785 Yes. 42:21.026 --> 42:24.248 As if he's a major star in it, and I just wonder whether he's in it that much. 42:24.408 --> 42:32.013 Well they did the same sort of thing with Jimmy Carr in another film that Jimmy Carr popped up very briefly in, but he was heavily edited into the trails. 42:32.073 --> 42:33.854 He's in Ant and Dec's Alien Autopsy. 42:34.195 --> 42:34.455 Jimmy? 42:34.675 --> 42:35.676 Yeah, Jimmy's in that. 42:35.736 --> 42:37.457 But he was in... I don't think he reads the scripts. 42:37.637 --> 42:38.978 He was in the Peter Sellers one. 42:39.498 --> 42:40.799 Right, yeah, I forget what that one was called. 42:40.819 --> 42:43.621 And he was featured fairly heavily in the trail for that, I think. 42:43.641 --> 42:45.763 The Life and Times of... Are you gonna be seeing Stormbreaker? 42:46.543 --> 42:46.744 No. 42:47.064 --> 42:47.504 Why not? 42:47.524 --> 42:48.585 It's a new British Bond. 42:48.846 --> 42:52.109 Well, but it's not so much Bond as, like, Cody Banks, is it? 42:52.129 --> 42:52.329 Team Bond. 42:52.349 --> 42:53.150 Yeah, Cody Banks. 42:53.430 --> 42:54.652 That doesn't sound good at all. 42:54.692 --> 42:55.613 Why would I want to see that? 42:55.633 --> 42:56.594 Because, I don't know. 42:58.066 --> 43:00.266 I don't know why anyone would want to see it, but I'm going to go see it. 43:01.027 --> 43:01.827 I think it's exciting. 43:01.887 --> 43:04.087 I want to see how much Ewan McGregor is actually in it. 43:04.627 --> 43:08.448 You know, it's tricky because the lead actor in it is like 14, right? 43:08.888 --> 43:13.289 Which is always a tricky one because when you're at that age, your looks change instantly, don't they? 43:13.329 --> 43:14.609 It's a very mercurial age. 43:14.669 --> 43:17.650 You know, one minute your voice is high, next minute it's broken. 43:18.270 --> 43:21.491 Your skin's perfect one day, you wake up, you're like a pizza the next day. 43:21.991 --> 43:26.092 Your hair's all fluffy and lovely one day, next day it's all greasy and disgusting. 43:26.112 --> 43:27.312 It's what happened to me anyway. 43:27.532 --> 43:27.752 Yeah. 43:27.872 --> 43:29.273 Your arms grow at different lengths. 43:29.853 --> 43:31.634 One nostril's huge, the other one's tiny. 43:31.654 --> 43:34.696 Ears are flopping all over the place, teeth are coming out at all angles. 43:34.856 --> 43:36.357 Your feet get huge claws. 43:36.577 --> 43:37.117 Exactly! 43:37.537 --> 43:39.198 It's like sort of turning into a monster. 43:39.218 --> 43:39.859 You can float. 43:40.319 --> 43:45.281 So it's always interesting when people make movies with kids at that age because they turn up doing interviews and stuff. 43:45.362 --> 43:45.682 Right. 43:45.862 --> 43:47.623 And suddenly they look completely different. 43:48.423 --> 43:49.764 for what they do in a film. 43:50.184 --> 43:52.504 Like Haley Joel Osment. 43:52.745 --> 43:53.105 Osment. 43:53.165 --> 43:54.005 Is that what his name is? 43:54.025 --> 43:57.106 He made a film called Regarding Lions. 43:57.686 --> 43:58.186 Oh yeah. 43:58.246 --> 44:00.487 It wasn't called Regarding Lions but it should have been. 44:00.547 --> 44:03.968 And they made it while his voice was breaking and he's really odd in that. 44:04.569 --> 44:05.749 He's kind of like a mutant. 44:06.729 --> 44:08.190 Half child, half man, very odd. 44:08.510 --> 44:10.511 I can't wait for Stormbringer now you've really sold it to me. 44:10.531 --> 44:10.851 Breaker. 44:11.271 --> 44:11.771 Breaker. 44:11.871 --> 44:13.252 Stormbringer, Breaker, I don't know. 44:13.272 --> 44:13.932 Storm. 44:14.312 --> 44:14.973 What are we going to hear now? 44:14.993 --> 44:15.814 Have we got another request? 44:15.834 --> 44:19.818 Yeah, well, this one is going out to Dave in Stockwell. 44:19.878 --> 44:20.599 That's where we live. 44:20.759 --> 44:22.241 Hey, well done, Dave, for living in Stockwell. 44:22.281 --> 44:22.501 Yeah. 44:22.561 --> 44:23.182 And surviving. 44:23.402 --> 44:23.823 Exactly. 44:23.843 --> 44:25.625 Yeah, because it's tough around there. 44:25.825 --> 44:27.086 124 gun muggings a month. 44:27.487 --> 44:28.328 Gun muggings? 44:28.768 --> 44:30.170 That's what it said in the Standard the other day. 44:30.190 --> 44:30.650 No. 44:30.910 --> 44:31.791 I've lived there all my life. 44:31.811 --> 44:33.093 I haven't seen a single gun mugging. 44:33.113 --> 44:34.755 I've never had a gun mugging in Stockwell. 44:34.775 --> 44:35.676 Because they're too scared. 44:36.096 --> 44:36.617 Yeah. 44:36.637 --> 44:40.359 Doing a gun mugging on me because they know the reprisals would be catastrophic. 44:40.379 --> 44:40.800 Exactly. 44:40.840 --> 44:41.600 You'd just tickle them. 44:41.780 --> 44:42.201 I'd tickle them. 44:42.221 --> 44:43.122 No one wants to be tickled. 44:43.162 --> 44:43.802 No, exactly. 44:43.842 --> 44:47.145 I'd go round, I'd dribble on their bikes, I'd do all kinds of things. 44:47.205 --> 44:48.786 I'd put chewing gum on their trainers. 44:48.846 --> 44:49.827 Hey, easy, easy. 44:50.027 --> 44:51.788 Well, I'm just saying... What's Dave requesting? 44:52.188 --> 44:55.671 Oh, Dave is requesting a song that I'm very pleased to be able to play. 44:55.811 --> 44:57.452 This is The Breeders with Cannonball. 45:01.575 --> 45:03.075 That was Cannonball by the Breeders. 45:03.115 --> 45:04.095 Always a pleasure to hear that. 45:04.115 --> 45:05.136 What an absolute peach. 45:05.356 --> 45:09.277 Now we have a caller on the line who wants to request a classic number. 45:09.377 --> 45:10.077 It's Ellie. 45:10.097 --> 45:10.777 Are you there Ellie? 45:11.457 --> 45:12.318 I am, hello. 45:12.558 --> 45:14.758 Ellie, you sound as if you're surrounded by many tiny children. 45:14.778 --> 45:16.559 I am, I am. 45:17.119 --> 45:19.780 I'm in a playground so there are lots of little kids around. 45:20.080 --> 45:23.901 And are you going to request a song that's appropriate for that scenario? 45:25.134 --> 45:52.159 indeed i'd like um family affair by flying the family that's very uh good because it sounds like it's a bit of a family affair where you are i must say joe uh when we first started on the radio i didn't think you were that good no to be honest but now i said that you've grown into a truly uh amusing entertaining presenter thanks a lot well uh from one family 45:54.600 --> 46:08.912 to another family affair the one by Sly and the family oh dear listen uh we're a bit tired here really thanks a lot for calling thanks for calling have a great afternoon here is Sly and the Family Stone 46:14.022 --> 46:15.984 was Dodgy with Good Enough. 46:16.304 --> 46:17.185 And that was for Nick. 46:17.365 --> 46:19.907 Don't know where he is, what his second name is, who he is. 46:20.127 --> 46:22.029 He's just Nick, but that's enough for me. 46:22.429 --> 46:26.473 Yeah, he communicated with us via the text world. 46:26.493 --> 46:29.395 And it's all very informal in the text universe. 46:29.635 --> 46:30.396 That's true, you know. 46:31.136 --> 46:31.737 No Ps and Qs. 46:31.977 --> 46:32.638 No, exactly. 46:33.158 --> 46:40.524 You know what, I was listening on my headphones to that track while it was on, and my phone went off and it did that mobile phone... 46:42.566 --> 46:43.607 Yeah, can you do that impression? 46:44.527 --> 46:45.227 Didn't I just do it? 46:45.247 --> 46:51.891 Yeah, you did do it. 46:51.911 --> 46:55.193 Can you do any impressions of any other pieces of machinery? 46:55.573 --> 46:56.934 No, but you know that advert? 46:57.634 --> 47:06.399 There's an advert, I think it's for Lenore, where a woman is washing, or she's doing something that requires her to pretend she is somewhere where she isn't. 47:07.139 --> 47:14.627 And she gets her phone and she mimics the sound of a road drill by running the receiver across the top of a metal radiator. 47:16.489 --> 47:17.470 But I just don't believe it. 47:17.770 --> 47:19.512 Well no, they've dubbed the sound of a pneumatic drill. 47:19.532 --> 47:23.396 They've dubbed the actual sound of a pneumatic drill because the sound plastic against metal would not make. 47:23.636 --> 47:24.897 Metal on metal would make that sound. 47:24.917 --> 47:26.158 Plastic on metal wouldn't. 47:26.358 --> 47:30.601 No, because all you'd hear on the phone is just like something bashing against the microphone. 47:30.641 --> 47:32.362 It's typical of the advertising industry. 47:32.562 --> 47:32.942 Lazy. 47:33.062 --> 47:33.963 A parade of lies. 47:34.003 --> 47:34.983 A parade of lies. 47:35.023 --> 47:38.145 Manipulative lies, apart from all the adverts on XFM. 47:38.486 --> 47:38.946 That's true. 47:38.966 --> 47:39.826 Which are the best ones? 47:40.327 --> 47:45.990 Right, this next track is going out to Carole in Sheen and it's the Nirvana with Lithium. 47:50.455 --> 47:50.875 There we go. 47:50.895 --> 47:53.237 What an extraordinary hour of music here on the X-list. 47:53.437 --> 47:54.118 We're Adam and Joe. 47:54.138 --> 47:58.341 We'll be back with you between 10am and 1pm next Saturday morning. 47:58.401 --> 48:02.064 Be sure to stay tuned and we'll bring you a really, really strong radio show. 48:02.224 --> 48:03.105 Mick Rock's coming up. 48:03.165 --> 48:04.386 Don't forget to stay tuned for that. 48:04.406 --> 48:05.007 That's right. 48:05.047 --> 48:07.789 Mick Rock live from New York. 48:07.869 --> 48:08.209 Yeah. 48:08.790 --> 48:10.991 I once saw David Bowie. 48:12.152 --> 48:17.155 on a train, and he was riding from one place to another. 48:17.175 --> 48:18.756 He is the Jean Genie. 48:20.197 --> 48:22.979 That's the kind of thing you might... Yeah, that's what you've got to look forward to. 48:23.339 --> 48:29.243 And don't forget, listeners, to subscribe, if you haven't done already, to the Adam and Jo podcast, all right? 48:29.703 --> 48:30.463 Go to iTunes 48:31.784 --> 48:33.204 Click on the little podcast button. 48:33.404 --> 48:39.066 We're in the top 10 and just click on the Adam and Joe podcast and you'll enjoy all kinds of great highlights. 48:39.146 --> 48:40.066 It's a concentrated show. 48:40.086 --> 48:45.407 We take out all of the waffle and just leave bits that have been focus grouped and you know, determined to be amusing. 48:46.107 --> 48:46.367 Yeah. 48:46.667 --> 48:48.608 And we take out the adverts and the songs and stuff like that. 48:48.648 --> 48:50.108 And we put some extra stuff in as well. 48:50.188 --> 48:54.289 Yeah, there's loads of extra stuff that you never before heard exclusive podcast content. 48:54.449 --> 48:59.591 Yeah, and if you ain't got iTunes, you can always go to www.xfm.co.uk and just get it through the website. 48:59.611 --> 49:01.891 You don't have to be, like, technically proficient or anything. 49:01.911 --> 49:02.752 No, it's not. 49:02.872 --> 49:03.472 It's easy. 49:03.492 --> 49:04.472 It's easy. 49:04.512 --> 49:05.232 So just relax. 49:05.252 --> 49:05.873 Stop hassling me. 49:05.893 --> 49:06.293 Stop hassling me. 49:06.313 --> 49:06.993 Get off my back. 49:07.013 --> 49:07.873 Get off my face. 49:07.893 --> 49:08.974 Leave me alone. 49:08.994 --> 49:09.594 I don't know you. 49:09.654 --> 49:10.214 I don't know you. 49:10.254 --> 49:10.814 I don't know you. 49:11.034 --> 49:11.594 You don't know me. 49:11.715 --> 49:11.975 Get off. 49:11.995 --> 49:12.535 What are you looking at? 49:12.555 --> 49:13.895 What are you looking at? 49:14.075 --> 49:14.816 Don't look at me like that. 49:14.836 --> 49:15.896 It went all aggressive suddenly. 49:15.916 --> 49:16.456 Thanks for listening. 49:16.476 --> 49:17.456 We'll see you again next week. 49:17.596 --> 49:17.896 Bye. 49:18.017 --> 49:18.537 Love you. 49:18.597 --> 49:18.777 Bye. 49:18.837 --> 49:19.257 Love you. 49:19.277 --> 49:19.337 Bye.