WEBVTT 00:06.454 --> 00:08.537 I won't give you my love cause you're stinky. 00:08.778 --> 00:12.824 You all constantly go out and play those gigs at those stinky venues. 00:12.864 --> 00:18.193 You come home stinking of beer and sweat, Lee Singer of the Zootons. 00:18.213 --> 00:19.515 That's why I won't give you my love. 00:19.816 --> 00:20.437 I'm going to bed. 00:21.420 --> 00:22.980 Now, I'm glad you got that off your chest. 00:23.100 --> 00:23.380 Thanks. 00:23.580 --> 00:24.961 It's been building up for a while, hasn't it? 00:25.221 --> 00:25.461 Yeah. 00:26.041 --> 00:27.021 Uh, why don't you give me your love? 00:27.281 --> 00:28.681 Of course, by the Zootons. 00:28.701 --> 00:30.062 Their combined weight is two tons. 00:30.742 --> 00:31.782 Uh, they... They sleep on futons. 00:31.902 --> 00:33.482 Uh, they sell... Favorite food is croutons. 00:33.602 --> 00:35.243 And they, they've never visited Luton. 00:35.483 --> 00:35.943 Luton's. 00:36.383 --> 00:36.843 Luton's. 00:36.863 --> 00:45.825 This is Adam and Joe, uh, on XFM, London's one of 4.9, here with you for the next hour and fifty-eight minutes for our last show before our large summer break. 00:46.405 --> 00:48.186 large summer break. 00:48.466 --> 00:48.666 Yeah. 00:48.966 --> 00:50.927 We're gonna be working, obviously, doing different things. 00:50.947 --> 00:51.067 Yeah. 00:51.087 --> 00:51.707 We got fish to fry. 00:51.727 --> 00:52.988 Oh, fish, big fish to fry. 00:53.008 --> 00:53.688 Big, big fish to fry. 00:53.728 --> 00:54.588 Big fish. 00:55.288 --> 00:59.170 Um, but, stay tuned because we've got tickets to give away to what? 00:59.710 --> 01:02.231 The production of Trainspotting at the Hackney Empire. 01:02.371 --> 01:03.031 Is that a real, a real thing? 01:03.051 --> 01:04.832 Well, there's a live stage show of Trainspotting. 01:04.852 --> 01:06.053 That's exactly what the world needs. 01:06.533 --> 01:07.493 Wow, what'll that be like? 01:08.053 --> 01:09.194 Very funny, I would imagine. 01:09.534 --> 01:10.614 Free bottle of champagne. 01:10.634 --> 01:12.375 You don't want to give away a free bottle of champagne. 01:12.435 --> 01:13.635 Shh, don't you get a little smack? 01:13.715 --> 01:14.216 Exactly. 01:14.416 --> 01:15.036 Tiny bit of smack. 01:15.276 --> 01:15.997 Little bit of smack. 01:16.177 --> 01:18.138 Uh, a pair of tickets to see the Concrete's- what? 01:18.178 --> 01:18.678 No, hang on. 01:18.718 --> 01:20.719 To see the Concrete's University of London. 01:20.940 --> 01:23.021 To see the Concrete's at the University of London. 01:23.321 --> 01:27.103 Not just to stare at the concrete that- Yeah, on Tuesday 11th of April. 01:27.584 --> 01:30.205 Two Everybody Loves Raymond DVDs. 01:31.306 --> 01:32.286 Who does love Raymond? 01:32.306 --> 01:35.668 Apparently, I've got some- I mean, they say everybody loves Raymond, but I've yet to meet one person. 01:35.688 --> 01:36.628 I've got some friends who love Raymond. 01:36.868 --> 01:37.108 No, no. 01:37.148 --> 01:37.368 Have you? 01:37.408 --> 01:38.809 Yeah, I've got- Dougie loves Raymond. 01:38.869 --> 01:39.469 Does he really? 01:39.549 --> 01:40.930 Yeah, he genuinely loves Raymond. 01:40.970 --> 01:41.370 Raymond. 01:41.990 --> 01:42.350 I don't know. 01:42.450 --> 01:43.450 I've never watched it myself. 01:43.470 --> 01:44.191 Look at that face. 01:44.351 --> 01:44.951 Raymond's face. 01:45.051 --> 01:58.576 Just from the face, I don't love him, but- Plus, if you're a horror fan, we've got, uh, for Ditties in the Dock at the end of the show, we've got two Asian Extreme horror movies to give away, Tartan Asia Extreme, one called Tell Me Something, and the other called Abnormal Beauty. 01:59.397 --> 01:59.837 Imagine. 02:00.078 --> 02:00.698 They're scary. 02:00.778 --> 02:02.520 We'll investigate them further later. 02:02.700 --> 02:03.561 So loads of prizes. 02:03.701 --> 02:05.362 Yeah, I've got extra prizes as well. 02:05.422 --> 02:07.064 Adam and Joe DVDs to give away. 02:07.684 --> 02:11.308 An amazing selection of Region 1 DVDs from America. 02:11.328 --> 02:12.369 Just giving away your rubbish. 02:12.389 --> 02:13.650 I'm just giving away my rubbish. 02:14.190 --> 02:16.032 Plus music from... Sorry, are you finished? 02:16.072 --> 02:16.592 No, carry on. 02:16.752 --> 02:22.758 Music from Snow Patrol, The Killers, Primal Scream, Gorillaz, Kaiser Chiefs, Stone Roses, Orson, and that's just the first hour. 02:23.038 --> 02:27.580 Yeah, can't guarantee we'll play all of those, of course, because we might substitute a few of those for free plays. 02:27.600 --> 02:29.000 Yeah, for some Muppet records. 02:29.500 --> 02:31.181 Muppet, Muppet records. 02:31.541 --> 02:33.042 But let's have Snow Patrol right now. 02:33.062 --> 02:34.922 Can't we have a Muppet record? 02:35.603 --> 02:36.863 I haven't got any Muppets. 02:36.923 --> 02:38.124 This sort of is a Muppet record. 02:38.164 --> 02:38.784 Yeah, yeah, yeah. 02:39.544 --> 02:40.985 this is your all I have. 02:41.125 --> 02:45.887 I always feel as if sometimes when I'm introducing records I'm a bit like Bruiser de Cadenet when he was on The Word. 02:46.007 --> 02:47.768 No one remembers who he is apart from you. 02:47.948 --> 02:49.268 Amanda de Cadenet's brother. 02:49.288 --> 02:51.049 No one remembers who she is. 02:51.769 --> 02:57.332 She used to present The Word and she was posh and she went out with John Taylor from Duran Duran at one point or one of the Durans. 02:57.352 --> 02:58.852 Now she's a photographer in LA. 02:59.052 --> 02:59.332 Yeah. 02:59.733 --> 03:04.855 And in fact I think she at one point certainly she was going out with one of the Strokes, Nick Valencia maybe. 03:04.875 --> 03:04.975 Sure. 03:05.535 --> 03:05.935 I don't know. 03:06.316 --> 03:15.601 And then her brother at some point turned up to present, um, one edition of The Word, the popular youth mess that was on Channel 4 way back when. 03:16.461 --> 03:16.521 70s. 03:16.762 --> 03:33.071 And he was the poshest man in the entire world, and he could barely speak, and he was literally, I'm not exaggerating, like this, and he was reading the autocue, and I remember he, um, introduced Kingmaker, and, um, I bet people don't really remember Kingmaker, and he said, 03:33.371 --> 03:41.779 Here we've got a great new song from a bit of Kingmaker and it went on like that. 03:41.859 --> 03:42.439 Very posh. 03:42.699 --> 03:46.523 So, yeah, I always feel as if I'm the Bruiser de Cadenet of XFM. 03:47.043 --> 03:48.785 So here's a bit of the Snow Patrol. 04:03.632 --> 04:04.632 Keeping the snow safe. 04:05.313 --> 04:06.413 That was Snow Patrol, wasn't it? 04:06.433 --> 04:07.274 Did we play another record? 04:07.394 --> 04:08.574 No, that was the Snow Patrol. 04:08.594 --> 04:10.535 Yeah, keeping the snow safe for kids, kiddies. 04:11.216 --> 04:11.856 No weeing on it. 04:12.016 --> 04:12.596 Snow Patrol. 04:12.676 --> 04:13.777 With you're all I have. 04:14.767 --> 04:17.849 Now, um, a bit later on, we're going to have a competition, of course. 04:17.869 --> 04:19.209 We always have to have a competition. 04:19.229 --> 04:20.290 It's what radio's all about. 04:20.730 --> 04:22.691 Giving things away, competitions. 04:23.212 --> 04:26.873 Uh, unfortunately, I was going to do celebrity regression therapy this week. 04:27.014 --> 04:27.774 That's not unfortunate. 04:27.794 --> 04:28.494 That's exciting. 04:29.055 --> 04:29.595 No, it is. 04:29.855 --> 04:31.056 I phrased that incorrectly. 04:31.576 --> 04:34.277 Excitingly, I was going to do celebrity regression therapy this week. 04:34.558 --> 04:36.298 Unfortunately... Oh, there we go. 04:36.399 --> 04:38.280 I didn't get round... I had it just in the wrong order. 04:38.820 --> 04:40.501 I didn't get round to doing it. 04:40.521 --> 04:40.921 Why not? 04:41.141 --> 04:45.545 I, er, because, sir, I... You think you can get away with this just because it's the last show, don't you? 04:45.585 --> 04:46.926 You think there'll be no repercussions. 04:47.027 --> 04:48.268 I've got an excuse. 04:48.588 --> 04:48.968 What is it? 04:49.689 --> 04:51.571 Erm, so listen, I was working yesterday. 04:51.591 --> 04:52.432 I was working very hard. 04:52.452 --> 04:53.893 I worked 13 hours yesterday. 04:53.913 --> 04:55.034 What do you mean by working? 04:55.434 --> 04:55.855 Standing. 04:55.935 --> 04:56.596 I was in a film. 04:57.276 --> 04:57.636 Okay. 04:57.777 --> 04:58.477 Yeah, okay. 04:58.497 --> 04:59.098 Maybe tell you about it. 04:59.118 --> 04:59.658 I know about that. 04:59.698 --> 04:59.978 Yeah, exactly. 05:00.178 --> 05:00.479 Okay. 05:00.619 --> 05:02.340 But, um, 13 hour day. 05:03.080 --> 05:03.501 14 actually. 05:04.001 --> 05:07.123 And, uh, mainly standing around doing nothing. 05:07.344 --> 05:08.765 But, still very tiring. 05:09.125 --> 05:10.246 And got home very late. 05:10.846 --> 05:14.849 Um, not that much time to do my usual preparations for the show. 05:14.869 --> 05:15.690 What time did you get home? 05:15.970 --> 05:16.490 Got home 10.30. 05:17.171 --> 05:17.471 Late? 05:17.691 --> 05:19.693 Well, I was, I got up at five in the morning. 05:19.733 --> 05:20.373 I was knackered. 05:20.593 --> 05:21.474 Okay, 10.30, yeah. 05:21.534 --> 05:22.655 I was like, on my eyelids! 05:22.695 --> 05:23.696 I was on my eyelids! 05:24.416 --> 05:35.524 Um, and then I went to bed, because I thought, right, I'll get up early, do some preparation and whatnot, do some regression therapy this afternoon morning, and, uh, went to the lavy, uh, in the middle of the night. 05:35.584 --> 05:36.345 We don't need tonight. 05:36.385 --> 05:37.446 You do, this is, this is Jermaine. 05:37.466 --> 05:37.786 Sorry, yeah, okay. 05:38.086 --> 05:39.367 Did something bad happen in the lavy? 05:39.387 --> 05:40.268 Yeah, this is Jermaine Greer. 05:40.568 --> 05:44.011 And I went to do a wizzle-wuzzle in the lav, 05:44.671 --> 05:46.213 And the... Is it like that film? 05:46.593 --> 05:46.914 What? 05:47.054 --> 05:48.756 Where he poos out the monster? 05:48.996 --> 05:49.257 No! 05:49.277 --> 05:49.957 What are you talking about? 05:49.977 --> 05:51.039 It's that Stephen King film. 05:51.559 --> 05:52.781 The Unwatchables or something. 05:52.841 --> 05:53.321 I can't remember. 05:53.362 --> 05:53.982 It's all snowy. 05:54.303 --> 05:55.844 And he gets his fingers shot off. 05:55.905 --> 05:56.485 Anyway, keep going. 05:56.645 --> 05:57.687 And he poos out a monster? 05:57.707 --> 05:58.087 Yeah! 05:58.488 --> 05:58.608 Oh! 05:58.648 --> 05:59.629 We saw it in Tokyo. 05:59.749 --> 06:00.710 I know what you're talking about. 06:00.730 --> 06:01.351 The Unwatchable. 06:01.371 --> 06:02.052 The Unrentable. 06:02.492 --> 06:03.313 The... What's it called? 06:04.167 --> 06:04.868 Anyway, keep talking. 06:04.888 --> 06:05.168 Keep talking. 06:05.188 --> 06:05.408 Keep going. 06:05.428 --> 06:06.109 And it's in the snow, isn't it? 06:06.129 --> 06:06.709 Yes, all in the snow. 06:06.729 --> 06:07.610 It's got the guy from Band of Brothers. 06:07.630 --> 06:08.431 Yeah, yeah, yeah, keep talking. 06:08.531 --> 06:08.611 OK. 06:08.651 --> 06:12.374 Anyway, no, er, so, the, the, the toilet floor was flooded. 06:12.674 --> 06:13.295 There was a flood. 06:13.395 --> 06:13.835 With what? 06:13.975 --> 06:14.316 Water. 06:14.336 --> 06:14.816 With water. 06:14.876 --> 06:15.477 System water. 06:15.517 --> 06:16.357 Not blood or anything. 06:16.377 --> 06:16.617 All right. 06:16.958 --> 06:17.638 It was system water. 06:17.658 --> 06:18.019 All right. 06:18.579 --> 06:20.661 Er, well, this is not what anyone was thinking. 06:20.921 --> 06:21.662 OK, no, that's good. 06:21.822 --> 06:22.242 A theme. 06:22.462 --> 06:23.083 Dreamcatcher. 06:23.363 --> 06:23.904 There you go. 06:24.204 --> 06:24.444 OK. 06:24.804 --> 06:25.325 Was the film. 06:25.785 --> 06:26.306 And, erm, 06:26.946 --> 06:38.712 There was water all over the area, and it was a cistern problem that I was having, so I lifted off the top of the cistern, you know, and thought, okay, I'll stem the flow. 06:38.852 --> 06:40.293 You attempted to reboot your cistern? 06:40.653 --> 06:41.294 It's nice. 06:42.114 --> 06:43.615 I tried to fool the stopcock. 06:44.195 --> 06:44.735 Do you know what I'm saying? 06:44.755 --> 06:45.936 Don't try and fool a stopcock. 06:46.016 --> 06:52.500 I tried to fool the stopcock by suspending the big floaty ball that tells the cistern when to stop filling up. 06:53.001 --> 06:55.362 Because it was overfilling and it was spilling everywhere. 06:55.382 --> 07:02.647 So I tried to keep the stopcock happy, keep the synthetic, and it broke off in my hand. 07:03.227 --> 07:07.610 And then the water just started going everywhere, like spurting out at an alarming rate. 07:07.630 --> 07:09.011 Sounds like some sort of Farrelly Brothers. 07:09.921 --> 07:11.942 It was like some others do. 07:12.562 --> 07:18.783 And it was one of those horrible moments where you're sort of thinking, hmm, okay, what am I going to do? 07:19.724 --> 07:22.184 And then you realize that there's nothing actually that you can do. 07:22.624 --> 07:24.005 And I tried to switch the water off. 07:24.045 --> 07:26.265 I couldn't find where to switch the water off in the house. 07:26.585 --> 07:27.806 Would you know where to switch it off? 07:28.286 --> 07:28.586 You do? 07:29.386 --> 07:30.888 I'm so thick, I don't know! 07:30.908 --> 07:32.449 I don't know anything! 07:32.790 --> 07:35.212 And I certainly don't know where to switch the water off in the house. 07:35.593 --> 07:38.315 So it was flooding, and it was like the bit in the abyss, you know? 07:38.536 --> 07:41.959 Where Ed Harris and Mary Elizabeth, Master Antonio are in their little sub. 07:41.979 --> 07:43.261 Well, it didn't fill the whole room, did it? 07:43.541 --> 07:50.709 No, but it was the same moment of thinking, oh no, something very bad's gonna have to happen in the abyss. 07:51.529 --> 07:57.051 they had to decide that she would drown and he would swim her to safety in the icy cold waters. 07:57.891 --> 08:06.113 Obviously I didn't drown and have to do that, but it was a similarly dreadful moment at one in the morning when you think, oh no, I'm going to have to phone a plumber. 08:06.713 --> 08:08.714 So I had to phone an emergency plumber. 08:08.734 --> 08:11.015 I was up for hours and that's my excuse. 08:11.615 --> 08:13.475 Well, it's rubbish and I think you've made it up. 08:13.795 --> 08:14.356 It's true. 08:14.636 --> 08:15.616 I think you've made it up. 08:16.843 --> 08:22.190 I just didn't- I didn't- Luckily, I, Joe Cornish, did an emergency, uh, uh, crap commentary corner. 08:22.210 --> 08:22.390 Oh, nice. 08:22.590 --> 08:23.631 So we'll have that in a bit. 08:23.732 --> 08:24.232 Fantastic. 08:24.252 --> 08:25.334 I'm gonna pun- play some music. 08:25.374 --> 08:27.236 I'm gonna come over there and slap you up a bit. 08:27.556 --> 08:28.898 Oh, I might like it. 08:29.338 --> 08:29.959 Here's the Killers. 08:41.050 --> 08:44.613 All these things that I've done, that's the killers. 08:44.734 --> 08:45.374 It's Saturday! 08:46.135 --> 08:46.796 Spending day! 08:47.056 --> 08:47.556 Spending day! 08:47.576 --> 08:50.179 Shopping day, Saturday, spending day, shopping day, Saturday, spending day! 08:50.359 --> 08:51.540 What can I spend my money on? 08:51.600 --> 08:52.601 Are you going to buy some things? 08:52.721 --> 08:53.842 I want to hear adverts! 08:54.303 --> 08:54.983 Oh, okay, yeah. 08:55.003 --> 08:57.305 I want to know what to spend my money on Saturday, shopping day, spending day. 08:57.346 --> 08:58.186 Come on, come on, come on. 08:58.447 --> 09:01.630 Either that or I want to know what not to do tonight at a party. 09:02.190 --> 09:21.228 we've got a couple of cultural tips for you okay uh stereophonics what coming up what do you mean an advert for them yeah uh something to do with channel four what do you think the channel four one will be probably greenwing oh no no it's music something music based i think play them man play them ah it's exciting isn't it are you ready listeners here we go 09:45.131 --> 09:47.493 Yeah, that was the Gorillaz with Dare. 10:09.164 --> 10:36.928 competition time you could win a DVD or tickets to a show you just never know so sharpen up your brain and get ready to play that's right it's competition time and because Adam's toilet blew up plumbing nightmare yeah it's gonna be another crap commentary corner but we got some good stuff to give away would you say it's a difficult crap commentary corner this we say it's fairly easy Adam would you yeah 10:37.248 --> 10:42.456 Well, I'm just wondering if we can assume that the person that wins it will have a multi-region DVD player. 10:43.057 --> 10:43.698 Well, I don't know. 10:43.838 --> 10:45.080 I think a lot of people do. 10:45.581 --> 10:47.043 They're pretty common these days, aren't they? 10:47.243 --> 10:48.245 Yeah, they're common. 10:48.825 --> 10:49.246 Common. 10:49.286 --> 10:49.927 They're so common. 10:49.947 --> 10:51.109 They're so common. 10:52.030 --> 10:52.210 Urgh! 10:53.412 --> 10:57.214 Because I've got a few of my DVDs that I want to give away. 10:57.274 --> 10:58.615 They're brilliant. 10:58.715 --> 10:59.035 Are they? 10:59.195 --> 10:59.376 Yeah. 10:59.456 --> 10:59.736 Oh, yeah. 11:00.036 --> 11:05.820 So basically, listeners, what we're trying to say to you is that there is an incredible array of prizes and we're not one of those. 11:06.060 --> 11:08.502 We don't insist you take a particular prize on this show. 11:08.922 --> 11:09.983 We're very egalitarian. 11:10.003 --> 11:14.546 You can choose anything from our smorgasbord, our pick and mix table. 11:14.726 --> 11:14.906 Yeah. 11:15.006 --> 11:17.688 You know, like Pizza Hut, where you can have all the pizza you want. 11:18.388 --> 11:19.249 It's like a free for all. 11:19.269 --> 11:20.149 It's like a free for all. 11:20.490 --> 11:22.351 And on top of all the proper prizes, we've got 11:23.131 --> 11:25.172 Lots of Adam's old DVDs. 11:25.772 --> 11:27.032 But what DVDs? 11:27.052 --> 11:27.552 What DVDs? 11:28.092 --> 11:27.552 13. 11:28.633 --> 11:31.153 The worst, funniest teen movie ever made. 11:31.433 --> 11:31.713 Easy. 11:32.533 --> 11:33.154 It's amazing. 11:33.254 --> 11:34.534 Dangerous Lives of the Alter Boys. 11:34.674 --> 11:35.074 Brilliant. 11:35.234 --> 11:35.994 Jodie Foster. 11:36.254 --> 11:37.415 Antoine Fisher. 11:37.855 --> 11:38.855 Oh, staggering. 11:38.875 --> 11:39.615 Paparazzi. 11:39.815 --> 11:41.076 It's Time to Settle the Score. 11:41.576 --> 11:42.896 From producer Mel Gibson. 11:43.016 --> 11:45.017 Yeah, what a film. 11:45.177 --> 11:46.017 Birth is a good film. 11:46.037 --> 11:46.757 Birth is a good film. 11:46.777 --> 11:47.197 Birth is good. 11:47.217 --> 11:48.177 Jonathan Glaser. 11:48.217 --> 11:49.658 That's actually a good film. 11:49.698 --> 11:50.238 Mystic River. 11:50.638 --> 11:51.658 Mystic River, that is good as well. 11:51.678 --> 11:52.938 It's all right if you like red herrings. 11:53.018 --> 11:53.819 It's gruelling. 11:54.239 --> 11:56.579 If you want to get really depressed. 11:56.779 --> 11:57.299 Mystic, what's that? 11:57.339 --> 12:01.140 Mystic River, they just convince you that it's a different person for 90 minutes of the running time. 12:01.160 --> 12:02.460 That's the point in that. 12:03.121 --> 12:05.021 And this is a great DVD, the Adam and Joe DVD. 12:05.361 --> 12:06.621 So lots of DVDs to give away. 12:07.441 --> 12:08.222 Here's the competition. 12:08.442 --> 12:11.762 The idea of this competition is we're going to play you an audio clip from a DVD commentary. 12:12.042 --> 12:15.583 You have to name the director who's talking and the movie that he's talking about. 12:15.623 --> 12:16.043 The number is 0 8 7 1 2 2 2 1 0 4 9. 12:16.283 --> 12:16.443 That's 0 8 7 1 2 2 2 12:21.205 --> 12:22.846 1049. 12:21.825 --> 12:22.846 Calls are free, aren't they? 12:23.967 --> 12:26.288 Do we raise money from them like everybody else in the world? 12:26.549 --> 12:27.629 They can't be free, can they? 12:27.970 --> 12:30.772 Well, they're not, but we don't charge a pound like every other competition. 12:31.032 --> 12:31.532 Oh, I see. 12:31.853 --> 12:32.993 Like mint on ITV. 12:33.013 --> 12:34.194 We don't charge you extra. 12:34.735 --> 12:35.135 There you go. 12:35.275 --> 12:37.937 But it still costs like the rate of a normal call. 12:37.957 --> 12:38.858 Don't we call people back? 12:39.958 --> 12:40.778 Well, sometimes. 12:40.818 --> 12:41.258 Sometimes. 12:41.779 --> 12:42.079 Okay. 12:42.239 --> 12:44.279 But we're not profiteering from the competition, is what I'm trying to say. 12:44.299 --> 12:44.419 Right. 12:44.879 --> 12:45.160 Okay? 12:45.260 --> 12:45.880 Yeah, yeah, good. 12:45.900 --> 12:46.520 So here's the clip. 12:46.560 --> 12:48.821 If you know what director this is, what movie he's talking about, call 08712221049. 12:49.641 --> 13:00.024 This is a very talented director who's obviously made a brilliant film because here are some moments of him saying how he's been influenced by very, very good, famous films. 13:00.224 --> 13:02.844 So his film must be good, right, if it's had all these influences. 13:03.305 --> 13:03.925 Have a listen to this. 13:04.565 --> 13:07.866 As we tease in one long steady cam shot, which is designed to be sort of a 13:08.646 --> 13:10.067 Ode to my hero Martin Scorsese. 13:10.107 --> 13:13.969 When the girls go up and over the couch I want that to feel like the good morning number from Singing in the Rain. 13:14.389 --> 13:16.970 That Corvette that you saw back there is the Corvette from Boogie Nights. 13:17.290 --> 13:19.231 We want to tap into sort of a manhunter energy here. 13:19.671 --> 13:20.472 Such an interesting house. 13:20.492 --> 13:21.913 They shot the big Lebowski at this house. 13:22.373 --> 13:26.195 Lucy was Iris because that's Jodie Foster's character in Taxi Driver. 13:26.535 --> 13:30.537 And this seems naturally very much influenced by Cape Fear and you know, Musso and Frank were 13:31.357 --> 13:32.557 Orson Welles wrote Citizen Kane. 13:32.598 --> 13:34.858 We wanted to tap into some of that energy. 13:34.878 --> 13:37.159 I think I know that voice. 13:37.239 --> 13:40.060 So there's a very talented director who's obviously made a masterpiece. 13:40.520 --> 13:43.622 How could it not be a masterpiece when all those references are piled on? 13:43.842 --> 13:44.762 Yeah. 13:44.782 --> 13:45.462 0 8 7 1 triple 2 1 0 4 9. 13:46.563 --> 13:49.044 The work of Scorsese, The Big Lebowski. 13:49.324 --> 13:50.884 Yeah. 13:51.324 --> 13:53.005 Singing in the Rain, Citizen Kane. 13:53.025 --> 13:53.865 All those great movies. 13:54.226 --> 13:54.706 Boogie Nights. 13:55.799 --> 13:56.740 Put them all in a blender. 13:56.960 --> 13:57.540 What do you get? 13:57.560 --> 13:59.382 I think I know what you get. 13:59.822 --> 14:00.663 0 8 7 1 triple 2 1 0 4 9. 14:01.703 --> 14:06.367 If you think you know what director that was and want to win some fantastic prizes, call now. 14:06.627 --> 14:06.927 Call now. 14:06.967 --> 14:07.848 Here's a free play for you. 14:08.188 --> 14:12.972 This is this is a kind of pop punk nugget from plastic Bertrand. 14:13.772 --> 14:14.933 I don't think they were French. 14:14.993 --> 14:17.635 I think maybe they were Belgian or maybe even Dutch. 14:17.735 --> 14:18.676 I don't know exactly. 14:19.056 --> 14:24.422 But this was a song that was kind of a novelty punk song, and it was very much derided for being, uh, such. 14:24.742 --> 14:25.823 But I think it's a smash! 14:26.143 --> 14:27.985 This is called S'a plain pour moi. 14:28.025 --> 14:29.387 We probably know it already. 14:29.427 --> 14:30.628 I think it was used in an advert at one stage. 14:30.648 --> 14:31.229 What does that mean? 14:31.549 --> 14:32.510 S'a plain pour moi. 14:32.810 --> 14:35.253 I think that means, uh... That's something like too much for me. 14:35.273 --> 14:35.873 Isn't it plenty for me? 14:35.893 --> 14:36.294 That's obvious. 14:36.594 --> 14:37.295 No, isn't it? 14:37.335 --> 14:38.216 Like, that's obvious? 14:38.236 --> 14:38.736 Let's find out. 14:38.776 --> 14:39.517 Let's join the record. 14:39.537 --> 14:39.877 I don't know. 14:39.897 --> 14:40.398 See what you think. 14:51.784 --> 14:52.545 I like that song. 14:52.765 --> 14:56.808 And if you don't like it, then- then you've got a problem and I'm gonna fistfight you about it. 14:56.868 --> 14:58.309 You can stuff it up your trousers. 14:59.469 --> 15:02.872 Um, Colin the Tyler says, uh, Plastique Bertrand was Belgian. 15:03.152 --> 15:03.632 There you go. 15:03.732 --> 15:06.334 Colin the Tyler is a well-known source of accurate pop facts. 15:06.514 --> 15:07.215 Accurate facts. 15:07.255 --> 15:08.115 Thanks very much, Colin. 15:08.836 --> 15:15.400 Um, okey-doke, we've got a couple of people on the line now who think they know the identity of our, uh, genius director. 15:15.440 --> 15:18.202 Shall we just remind people of his, uh, genius quickly? 15:18.222 --> 15:18.542 Yeah. 15:18.722 --> 15:19.463 Ooh, that's wrong. 15:19.503 --> 15:20.023 That's not him. 15:20.143 --> 15:20.584 Sorry, man. 15:21.084 --> 15:28.610 The thing about this director is have a listen to all the famous movies that he's referencing to make his own movie the masterpiece that it is. 15:29.351 --> 15:34.855 As we tease in one long steady cam shot which is designed to be sort of a ode to my hero Martin Scorsese. 15:34.875 --> 15:38.758 When the girls go up and over the couch I want that to feel like the good morning number from Singin' in the Rain. 15:39.159 --> 15:41.741 That Corvette that you saw back there is the Corvette from Boogie Nights. 15:42.081 --> 15:43.963 We want to tap into sort of a manhunter energy here. 15:44.423 --> 15:45.223 Such an interesting house. 15:45.243 --> 15:46.664 They shot the big Lebowski at this house. 15:47.104 --> 15:50.946 Lucy was Iris because that's Jodie Foster's character in Taxi Driver. 15:51.126 --> 15:57.328 And this seems naturally very much influenced by Cape Fear and, you know, Musso and Frank where Orson Welles wrote Citizen Kane. 15:57.348 --> 15:59.629 We wanted to tap into some of that energy. 15:59.649 --> 16:00.309 There you go. 16:00.369 --> 16:07.032 One of the many young film nerds who's gone on to carve an amazing, successful career. 16:07.072 --> 16:07.292 Yeah. 16:07.332 --> 16:09.573 So before we say any more, let's go to Dennis. 16:10.173 --> 16:10.993 Are you there, Dennis? 16:11.033 --> 16:11.433 Hello, mate. 16:12.194 --> 16:12.814 Hello. 16:14.164 --> 16:14.524 Yeah, I'm good. 16:14.884 --> 16:16.285 Yeah, what are you up to? 16:16.305 --> 16:17.005 Er, having her in a bath. 16:17.545 --> 16:18.226 Are you in the bath? 16:18.746 --> 16:18.946 Yep. 16:19.266 --> 16:20.067 You're actually in it. 16:20.107 --> 16:21.967 Splash around for a bit so we know you're not lying. 16:22.948 --> 16:24.368 Oh, that's slightly revolting. 16:24.408 --> 16:25.489 That's, I think that's sexy. 16:25.509 --> 16:28.450 If you think it's sexy, what do you, what do you, what does your body look like, Dennis? 16:28.490 --> 16:28.690 Ha! 16:28.810 --> 16:30.031 Don't ask him that! 16:30.051 --> 16:30.331 Why not? 16:30.431 --> 16:33.612 Everyone across London is now picturing Dennis in the bath. 16:33.692 --> 16:34.112 All right then. 16:34.333 --> 16:37.094 Now, all men know what their own bodies look like in the bath. 16:37.814 --> 16:59.433 mine looks quite sexy mine looks pretty bad mine look dennis look down your foreshortened torso and tell us what you can see my body yeah but is it what hairy are we looking at ridges valleys hair yeah how much of it is protruding above the surface of the water how many islands are there in the sea of dennis's bath a hairy hillock 17:00.675 --> 17:01.675 Yeah, it's enough, I think. 17:02.216 --> 17:02.536 Enough? 17:03.736 --> 17:04.236 Oh dear. 17:04.616 --> 17:08.278 Well, what are you doing in the bath at 1.35 on a Saturday afternoon? 17:08.318 --> 17:09.298 You should be out shopping. 17:09.318 --> 17:10.618 That's called a hangover. 17:10.979 --> 17:11.319 Have you? 17:11.399 --> 17:12.899 That's what everyone says on this show. 17:13.399 --> 17:15.020 That's the only reason to listen to it. 17:15.880 --> 17:17.921 But it's a nice day out there, man. 17:17.941 --> 17:19.501 I know, I'll be out there soon. 17:19.541 --> 17:21.102 Dennis, how long are you going to be in it for? 17:21.122 --> 17:24.243 I should be getting out in the next hour or so. 17:25.009 --> 17:26.770 What's your average bath length? 17:27.370 --> 17:27.850 Two hours. 17:28.350 --> 17:28.911 Two hours? 17:28.951 --> 17:30.411 What's your skin like after that? 17:30.531 --> 17:31.291 That's pruning. 17:31.311 --> 17:34.173 Oh, I've got really soft skin. 17:34.313 --> 17:34.613 Yeah. 17:34.733 --> 17:38.154 Do you let it go cool or do you constantly replenish from the hot dirt? 17:38.174 --> 17:40.035 Constantly turning the tap on again. 17:40.275 --> 17:40.515 Right. 17:40.595 --> 17:43.576 Constantly hot water, topping it up with the hottest water, yeah. 17:43.636 --> 17:44.157 And then what? 17:44.177 --> 17:46.417 Does the bath just get very full or do you let it out? 17:47.978 --> 17:48.418 Let it out. 17:48.458 --> 17:49.999 Dennis, the health of your scrotum. 17:51.940 --> 17:55.602 is possibly, you know, it's hot water's bad for it and two hours in the bath. 17:55.722 --> 17:56.462 Imagine the wrinkles. 17:56.502 --> 17:58.323 This is when it's hot water bad for the scrotum. 17:58.723 --> 17:59.904 It kills the spermies. 17:59.944 --> 18:01.005 What are you talking about? 18:01.085 --> 18:01.545 It does. 18:01.565 --> 18:02.845 They hate the hot water. 18:02.865 --> 18:03.466 They love a warm bath. 18:03.486 --> 18:04.726 They love the cold water. 18:05.647 --> 18:06.347 It's true, man. 18:06.547 --> 18:08.148 I'll have a cold bath tomorrow. 18:08.468 --> 18:09.329 Yeah, that's good, fella. 18:09.389 --> 18:10.689 Anyway, let's get to the point. 18:10.869 --> 18:12.210 Dennis, who do you think this director is? 18:12.850 --> 18:14.311 Well, I thought, well, change of mind, really. 18:14.331 --> 18:15.612 I think maybe Rodriguez. 18:16.525 --> 18:16.905 It's who? 18:17.445 --> 18:18.126 Robert Rodriguez. 18:18.246 --> 18:20.106 Robert Rodriguez, the human guinea pig. 18:20.566 --> 18:23.387 Robert Rodriguez is, um, Mexican, isn't he? 18:23.447 --> 18:25.648 Oh no, he's not, he's, he's... He's from Texas. 18:26.288 --> 18:28.629 He's from Texas, but I don't think he sounds like this. 18:28.669 --> 18:32.450 This guy sounds like more of a kind of, uh, college boy. 18:32.510 --> 18:35.891 Yeah, what, what, um, what movie would that be if it was Robert Rodriguez, Dennis? 18:36.171 --> 18:37.372 Uh, yeah, I don't know. 18:37.392 --> 18:41.493 Oh, I think you're doing some kind of alternate states, William Hurt style, 18:42.333 --> 18:44.035 evolutionary regression in that bath. 18:44.075 --> 18:45.256 Yeah, you're in a flotation tank. 18:45.276 --> 18:48.719 It's not a bath, it's a flotation tank, and you're turning into some kind of primeval monkey. 18:48.739 --> 18:50.381 You've become disconnected from reality. 18:51.602 --> 18:54.364 Dennis, I'm afraid that's wrong, but can we give you a prize anyway? 18:54.384 --> 18:56.086 I'll have your DVD for sure. 18:56.306 --> 18:57.948 Have you, er, er... What, the Adam and Joe one? 18:58.268 --> 18:58.508 Yeah. 18:58.568 --> 18:59.990 You mean you haven't already bought a copy? 19:00.928 --> 19:01.408 I've lost it. 19:01.548 --> 19:02.869 He's been too busy bathing. 19:03.069 --> 19:03.770 OK, that's good enough. 19:03.790 --> 19:04.691 We're going to send that to you. 19:04.711 --> 19:05.791 Brilliant. 19:06.131 --> 19:07.673 And yeah, it's not waterproof. 19:07.693 --> 19:09.033 We'll even sign it for you, Dennis. 19:09.254 --> 19:10.154 Don't watch it in the bath. 19:10.194 --> 19:10.975 It's very dangerous. 19:11.035 --> 19:12.396 I brought in my silver pen. 19:12.416 --> 19:13.236 OK? 19:13.256 --> 19:15.618 We'll sign it on the outer packaging so you can throw it away. 19:16.195 --> 19:17.296 So thanks for calling in, Dennis. 19:17.776 --> 19:18.436 Have a good bath. 19:18.456 --> 19:19.096 Have a great bath. 19:19.977 --> 19:22.718 You know, don't put any electrical equipment in there. 19:22.778 --> 19:24.559 Now, has the hosepipe ban come into effect? 19:24.859 --> 19:25.880 Because aren't baths illegal? 19:25.900 --> 19:27.240 Aren't you supposed to take showers? 19:27.800 --> 19:28.041 Really? 19:28.101 --> 19:28.561 I don't know. 19:28.581 --> 19:30.822 I'm going to call the police, and then Dennis is arrested. 19:31.042 --> 19:33.703 No, hosepipe ban just applies to hosepipes in the garden. 19:34.083 --> 19:35.444 You can still do what you want in the house. 19:35.544 --> 19:35.644 OK. 19:35.964 --> 19:39.906 Obviously, you should be responsible about it, and a shower would be a good idea. 19:39.946 --> 19:41.107 Are we going to go to another caller now? 19:41.787 --> 19:42.168 We got one. 19:42.188 --> 19:43.129 Someone who's maybe got it right. 19:43.169 --> 19:43.930 Who is this, Anthony? 19:44.070 --> 19:45.331 James Woods. 19:45.371 --> 19:45.872 James Woods? 19:46.152 --> 19:46.653 Jimmy Woods! 19:46.773 --> 19:47.414 Jimmy Woods! 19:47.714 --> 19:49.156 Hi, I'm a big fan, Mr. Woods. 19:49.877 --> 19:50.397 Oh, thanks. 19:50.838 --> 19:54.902 And, uh, I think you're devastating in, uh, once upon a time in America. 19:54.922 --> 19:55.143 Cop. 19:55.163 --> 19:55.803 I like you in cop. 19:55.823 --> 19:56.805 You, Joe, likes you in cop. 19:56.825 --> 19:58.306 Yeah, not many people have seen that one. 19:58.607 --> 19:59.368 Makes me special. 20:00.048 --> 20:01.210 What are you doing now? 20:02.544 --> 20:04.065 I'm actually just chilling. 20:05.186 --> 20:05.866 He's in a role. 20:06.067 --> 20:06.667 He's in a role. 20:06.687 --> 20:07.848 He's in a method. 20:07.888 --> 20:08.869 He's in character. 20:09.189 --> 20:10.931 What sort of a character is he playing? 20:11.652 --> 20:13.473 What kind of character are you playing, Mr. Woods? 20:13.974 --> 20:16.736 Oh, it's... I've got to keep it under wraps, to be honest. 20:17.076 --> 20:17.577 It's brilliant. 20:17.617 --> 20:18.718 Whatever it is, it's amazing. 20:18.738 --> 20:20.639 You've transformed yourself a rapper. 20:20.940 --> 20:21.320 A rapper? 20:21.540 --> 20:21.981 Yeah, yeah. 20:22.561 --> 20:24.263 Like Mike Skinner from the streets. 20:25.564 --> 20:26.344 Yeah, very similar. 20:26.905 --> 20:26.965 Wow. 20:26.985 --> 20:27.545 Do something. 20:29.299 --> 20:31.001 Oh, OK then. 20:31.962 --> 20:33.624 So Mr. Woods, what's your guess? 20:33.944 --> 20:35.165 What director do you think this is? 20:35.726 --> 20:37.167 I believe this is McG. 20:37.748 --> 20:39.610 I believe it to be the voice of McG. 20:40.110 --> 20:40.951 And what film? 20:42.412 --> 20:44.174 Oh, one of his many masterpieces. 20:44.595 --> 20:45.335 There's only two. 20:45.355 --> 20:50.601 Well, actually there's none masterpieces, but there are two films. 20:51.738 --> 20:54.320 Yeah, I think it's one of the Charlie's Angels. 20:54.380 --> 20:54.920 There you go. 20:55.140 --> 20:56.221 Which one is it, Joe Cornish? 20:56.501 --> 20:58.303 It's Charlie's Angels, Full Throttle. 20:58.763 --> 20:59.483 The second one? 20:59.603 --> 21:00.584 Yes, Full Throttle. 21:00.664 --> 21:02.906 The even less good one than the first bad one. 21:02.926 --> 21:03.266 Yeah. 21:03.786 --> 21:04.287 Wow. 21:04.347 --> 21:04.827 There you go. 21:04.907 --> 21:10.511 Are you surprised, James, that McG uses so many sort of highfalutin references in his directing? 21:10.931 --> 21:12.493 Erm, I am, to be honest, yes. 21:12.693 --> 21:24.943 The thing about these references are, for instance, when he goes, er, this is influenced by Cape Fear, what's actually on screen is Justin Theroux massively tattooed the Cape Fear music going brrr, brrr, brrr, brrr. 21:25.283 --> 21:28.066 And basically just a direct parody of Cape Fear. 21:28.226 --> 21:28.566 Right. 21:28.606 --> 21:30.027 It's not really an influence, is it? 21:30.488 --> 21:31.309 It's just a theft. 21:32.423 --> 21:33.684 That's, uh, a disgrace. 21:33.764 --> 21:36.407 McG is, of course, a- he's a McGenius though, isn't he? 21:36.427 --> 21:37.168 Can I play- James? 21:37.448 --> 21:37.909 Mr. Woods? 21:38.249 --> 21:38.709 Do you wanna listen? 21:38.729 --> 21:40.291 Can I play you one more clip of McG? 21:40.611 --> 21:41.452 Um, please do. 21:41.532 --> 21:44.095 Because do you- do you think the Charlie's Angels films aren't very good? 21:45.021 --> 21:47.783 I haven't managed to fit through one in its entirety. 21:47.943 --> 21:48.604 So that's a yes. 21:48.624 --> 21:49.925 You don't think they're very good, do you? 21:50.245 --> 21:51.266 I don't think they're very good. 21:51.286 --> 21:52.267 Do you think they're good? 21:52.527 --> 21:55.250 No, I think they're actually... Okay, well listen to this. 21:55.350 --> 21:55.870 Play this clip. 21:55.890 --> 21:57.552 This is what McG has got to say to you. 21:57.752 --> 21:59.353 Track number three on that CD. 21:59.393 --> 22:00.074 Listen to McG. 22:00.434 --> 22:03.016 This car wash scene was shot in the first day of principal photography. 22:03.036 --> 22:11.544 It was just fun for everybody to get together and splash around in the suds and I wanted to set the tone properly and say, hey, this is a movie about having a good time and let's have a good time on the set and hopefully that'll permeate the celluloid. 22:11.704 --> 22:19.093 You know, it's interesting that some people found that infuriating that, you know, hey, they're having such a good time making this picture, which I thought was strange and just goes into the fundamental take. 22:19.133 --> 22:21.015 If you hate yourself, you will hate Charlie's Angels. 22:21.986 --> 22:22.787 Oh no. 22:22.887 --> 22:23.607 You hate yourself. 22:23.867 --> 22:24.228 You know what? 22:24.288 --> 22:25.508 I actually do hate myself. 22:25.528 --> 22:26.529 James, do you hate yourself? 22:26.929 --> 22:27.490 Uh, oh yeah. 22:27.610 --> 22:28.190 Yes you do. 22:28.270 --> 22:29.731 So do I. I loathe myself. 22:30.192 --> 22:30.452 Yeah. 22:30.972 --> 22:33.554 And it's our fault that Charlie's Angels... what? 22:33.914 --> 22:34.555 He might be right. 22:34.575 --> 22:35.095 McG might be right. 22:35.115 --> 22:35.535 Do you think? 22:35.735 --> 22:35.956 Yeah. 22:36.256 --> 22:37.777 But that's like Chico's excuse. 22:38.337 --> 22:38.858 What's Chico's excuse? 22:38.878 --> 22:40.278 Chico's like, hey, why don't you like me? 22:40.319 --> 22:41.339 Where's your inner child? 22:41.419 --> 22:44.121 Why can't you be like a child, you fascist Nazi? 22:44.742 --> 22:46.643 It's not that I can't be like a child, Chico. 22:46.683 --> 22:47.784 I just think you're rubbish. 22:48.504 --> 22:50.346 That's the same thing you want to say to Mook Gee, isn't it? 22:50.547 --> 22:51.247 Yeah, that's true. 22:51.428 --> 22:54.131 He's a sweet fellow with a little goatee and a big tummy. 22:54.671 --> 22:55.472 He's rich, man. 22:55.572 --> 22:57.054 He can deal with a bit of criticism. 22:58.376 --> 22:59.257 And James, you still with us? 22:59.277 --> 23:00.318 Such a pathetic thing to say. 23:00.578 --> 23:01.139 Okay, well done. 23:01.179 --> 23:02.701 What DVDs would you like? 23:03.189 --> 23:05.170 Oh, uh, whatever you'd like to give me. 23:05.591 --> 23:08.593 Oh, come on, man, you've got a- you've got- Have you got a region one player? 23:08.793 --> 23:09.233 Uh, I have. 23:09.433 --> 23:09.793 You do? 23:09.893 --> 23:12.275 Well, man- Why don't you have Adam's stack of secondhand DVDs? 23:12.295 --> 23:13.456 There's- there's six there. 23:13.476 --> 23:15.377 You could even have some that don't have any packages. 23:15.417 --> 23:15.557 Yeah. 23:16.017 --> 23:18.839 He's bought just loose DVDs, all slightly scratched up. 23:18.959 --> 23:22.382 No, Flight of the Phoenix, come on, that's- He's bought a pirate one as well. 23:22.602 --> 23:24.723 There's a Korean knockoff of Swordfish. 23:25.183 --> 23:26.244 It's very scratched up. 23:26.264 --> 23:27.445 Do you want that one? 23:27.825 --> 23:29.886 Is there any chance of, um, your DVD? 23:30.006 --> 23:32.087 Yeah, we'll include that as well, you can have the other ones. 23:32.467 --> 23:33.068 That's great, thanks. 23:33.108 --> 23:33.828 No, we've got two, we've got two. 23:33.848 --> 23:34.688 Oh, we've got two, there you go. 23:34.909 --> 23:37.450 There's a bumper pack of DVDs coming your way, Mr Woods. 23:37.510 --> 23:37.810 Great. 23:37.830 --> 23:43.953 And hey, thanks for all your movies and for calling and we're excited about whatever film you're going to use that voice in. 23:45.054 --> 23:47.175 Take care, best of luck, thanks for calling in, Mr Woods. 23:47.515 --> 23:47.675 Bye. 23:47.695 --> 23:48.715 See you later on XFM. 24:01.308 --> 24:02.449 There you go. 24:02.469 --> 24:03.731 I've got to stop saying there you go. 24:03.771 --> 24:06.174 That's Primal Scream with Country Girl. 24:06.354 --> 24:07.576 This is Adam and Jo on XFM. 24:07.816 --> 24:09.238 We'll be back very, very shortly. 24:10.219 --> 24:10.860 XFM. 24:10.900 --> 24:11.120 XFM. 24:11.140 --> 24:11.461 XFM. 24:11.561 --> 24:11.981 XFM. 24:13.884 --> 24:14.364 This is XFM. 24:32.645 --> 24:33.289 Love music. 24:33.309 --> 24:34.054 Love XFM. 24:47.961 --> 24:48.541 Thank you very much. 24:48.601 --> 24:49.462 That's awesome. 24:50.022 --> 24:51.662 And, um... No, tomorrow. 24:51.702 --> 24:52.102 No, tomorrow. 24:52.142 --> 24:52.923 Thanks very much, Joe Cornish. 24:52.943 --> 24:53.403 That's all right. 24:53.423 --> 24:54.783 They sound exactly like jellyfish. 24:54.823 --> 24:56.184 Does anyone remember jellyfish? 24:56.284 --> 24:59.305 Just to your jaded ears, to my young fresh ears, they sound new, new, new. 24:59.345 --> 25:00.085 New, new, new. 25:00.145 --> 25:00.606 Yeah. 25:01.146 --> 25:07.368 Hey, uh, yeah, this is Adam and Joe on XFM, London's 104.9, our last show before our extended summer break. 25:07.988 --> 25:10.630 We're gonna be away till the autumn the earliest. 25:10.791 --> 25:12.652 I call it a sabbatical a sabbatical. 25:12.692 --> 25:15.634 Yeah sure Now we've got a question for you listeners. 25:15.654 --> 25:23.260 I've been flicking through broadcast the television industry magazine and It's got an article here saying that channel 4 are trying to develop a new breakfast show 25:24.401 --> 25:27.222 Right, ever since The Big Breakfast, do you remember The Big Breakfast with Johnny and Denise? 25:27.242 --> 25:27.622 Of course. 25:27.662 --> 25:28.382 That was a big hit. 25:28.402 --> 25:28.802 TV landmark. 25:28.822 --> 25:32.884 They've struggled at Channel 4 to put on the right sort of programme in the morning. 25:32.904 --> 25:33.284 What do you mean? 25:33.304 --> 25:33.384 Rise? 25:33.764 --> 25:34.604 Well, they have Rise. 25:34.844 --> 25:36.545 That was the best breakfast show ever. 25:36.705 --> 25:42.127 It was obviously a very good show made by Princess Productions who also make the Friday Night Project, another very good show. 25:42.147 --> 25:47.808 And they've been asked to have a go again to make another brilliant show like they do. 25:48.448 --> 25:52.650 And they've also, it says here, got an idea for a puppet fronted show 25:53.490 --> 25:55.913 OK, so these are all Channel 4's ideas that it's trying out. 25:56.213 --> 26:00.197 A puppet-fronted show with Danny Baker and Emma Kennedy voicing the show's hosts. 26:00.597 --> 26:00.918 Right. 26:01.098 --> 26:02.980 Now, Danny Baker's obviously a brilliant broadcaster. 26:03.040 --> 26:04.441 Emma Kennedy's very good as well. 26:04.621 --> 26:05.602 Would that work, do you think, Adam? 26:05.802 --> 26:07.444 Depends who they get for the puppets, doesn't it? 26:07.564 --> 26:09.066 I think the puppets are very important. 26:09.266 --> 26:09.566 I don't know. 26:09.606 --> 26:11.288 Puppets in small doses, I would have thought. 26:11.608 --> 26:13.090 Why don't they get us to be the puppets? 26:13.550 --> 26:14.270 cos we're people. 26:14.511 --> 26:16.512 No, but we could, we could just, cos that would be a good gig. 26:16.532 --> 26:17.953 Cos we'd never get up, we'd never get up. 26:18.253 --> 26:18.673 That's true. 26:18.693 --> 26:21.735 We could, we could do one of those pilots, but we'd never get up in the morning to do that. 26:21.775 --> 26:23.396 No, no, I'm thinking... That's the main problem with breakfast TV. 26:23.416 --> 26:24.317 We wouldn't have to do anything, though. 26:24.337 --> 26:25.457 We'd be the actual puppets. 26:25.517 --> 26:26.278 And we'd be asleep. 26:26.598 --> 26:26.818 Yeah. 26:26.938 --> 26:29.320 And we'd somehow, like, be manipulated with wires. 26:29.400 --> 26:30.540 By Danny Baker, yeah. 26:30.560 --> 26:31.081 By Danny Baker. 26:31.961 --> 26:32.661 That's good, man. 26:32.761 --> 26:34.662 I don't mind being manipulated by Danny Baker. 26:34.762 --> 26:35.282 How about this? 26:35.742 --> 26:40.364 Patrick Kielty is going to try an edgy comedy format. 26:40.764 --> 26:41.764 I love edgy. 26:41.804 --> 26:42.625 Anything edgy, yeah. 26:42.685 --> 26:43.325 Anything edgy. 26:43.625 --> 26:47.166 So, listeners, what we're asking you by text, 83XFM. 26:47.406 --> 26:51.148 Can you come up with a better idea for Channel 4's early morning breakfast show? 26:52.148 --> 27:15.180 I'm trying to think of one now what about something because you never really get massively high concept shows on tv anymore the way you used to on channel four was uh roland rivron's river based chat show yeah was that base was that channel four i don't remember i think it was yeah it was it was for people who don't remember there was a show uh hosted by roland rivron and it was set in the tems 27:15.840 --> 27:21.804 and he was floating in the Thames at night with bits of furniture floating around him. 27:21.944 --> 27:24.305 You see to me that's a segment rather than a full show. 27:24.525 --> 27:30.949 Well yeah I mean that was proved to be the case but still you had to admire you had to admire the uh hutzpah. 27:31.169 --> 27:33.772 It's all about the location, isn't it? 27:33.812 --> 27:34.853 It's about big choices. 27:34.873 --> 27:43.562 You've either got to have an idea for a funny presenter, so the puppets is quite a good one, or you've got to have a place, like Rise was set in our shopping centre. 27:44.082 --> 27:44.903 No, it was never. 27:44.923 --> 27:45.464 Yeah, it was. 27:45.624 --> 27:46.045 Was it? 27:46.085 --> 27:49.248 Yeah, it came from some shopping centre somewhere. 27:49.468 --> 27:51.069 It did, and it came from an office, didn't it? 27:51.089 --> 27:52.390 It came from a shopping centre, mate. 27:52.651 --> 27:53.111 Oh, really? 27:53.171 --> 27:53.671 Yeah, it did. 27:54.052 --> 27:55.953 So that's a brilliant idea, isn't it, from Princess? 27:56.574 --> 27:57.835 Are you sure about that? 27:58.535 --> 27:58.735 Yeah. 27:59.316 --> 27:59.376 OK. 27:59.416 --> 27:59.576 Yeah. 27:59.596 --> 28:00.837 So text us 83XFM. 28:00.877 --> 28:05.681 If you can crack Channel 4's breakfast show quandary problem, we're going to have a go during the next record. 28:06.081 --> 28:06.982 Come up with some pictures. 28:07.302 --> 28:07.483 Yeah. 28:07.583 --> 28:09.104 Yeah, and we'll give a prize to the best idea. 28:09.324 --> 28:11.806 Yes, we're coming up to the end of the first hour here on XFM. 28:12.026 --> 28:13.187 Time for another free play now. 28:13.507 --> 28:17.691 This is from the new Very Best of Japan compilation. 28:17.871 --> 28:19.092 Were you ever a Japan fan, Joe? 28:19.312 --> 28:19.812 I like Japan. 28:19.952 --> 28:21.072 I like Japan very much. 28:21.352 --> 28:25.313 And this was a great single that they did. 28:25.973 --> 28:29.554 A cover of the Velvet Underground's... No, it's not the Velvet Underground. 28:29.574 --> 28:29.954 What am I thinking? 28:29.974 --> 28:32.314 They did a cover of All Tomorrow's Parties by the Velvet Underground. 28:32.654 --> 28:35.555 This is a cover of Smokey Robinson's I Second That Emotion. 28:36.455 --> 28:37.175 Japan. 28:47.219 --> 28:48.240 And I second that emotion. 28:48.260 --> 28:51.302 This is Adam and Joe here on a Saturday afternoon on XFM. 28:51.322 --> 28:55.044 I only got one more hour to go before our extended break. 28:56.245 --> 29:01.228 Listen, we've been asking you to send in ideas to solve Channel 4's problem with breakfast shows. 29:01.568 --> 29:06.791 They've commissioned about four different pilots to try and crack their problem of making a good breakfast show. 29:06.811 --> 29:07.872 They haven't managed to do it since. 29:07.892 --> 29:08.732 Lots of ideas coming in. 29:08.952 --> 29:10.093 Yeah, we got some ideas coming in. 29:10.333 --> 29:15.802 OK, well, we should play some ads and then we'll hear them at the beginning of the next exciting hour. 29:15.922 --> 29:16.503 OK, sorry. 29:16.643 --> 29:17.304 Here we go. 29:18.446 --> 29:18.866 XFM. 29:18.927 --> 29:19.527 This is XFM. 29:19.588 --> 29:19.668 XFM. 29:43.629 --> 29:44.310 Love music. 29:47.514 --> 29:47.814 Love XFM. 30:06.360 --> 30:15.067 That's the first single from the Red Hot Chili Peppers ninth album, Stadium Arcadium, and it's called Danny California, spelt D-A-N-I. 30:15.607 --> 30:16.768 That's Danny, I would say. 30:16.968 --> 30:17.989 Would you pronounce it Danny? 30:18.089 --> 30:21.092 I think we're meant to pronounce it Danny, but that's just bad spelling. 30:21.352 --> 30:21.652 Yeah. 30:21.732 --> 30:24.394 Need a double N in there to stop it going all... A bad influence. 30:24.614 --> 30:25.175 They're a bad influence. 30:25.195 --> 30:25.915 They should be stopped. 30:26.055 --> 30:26.556 I think so. 30:26.696 --> 30:31.420 Sam and Joe on XFM, London's music station, trying to stop various bands. 30:32.020 --> 30:33.321 From spelling badly. 30:33.341 --> 30:34.302 From spelling badly, yeah. 30:34.522 --> 30:39.946 Hey, you know what, just as a little aside, you know, we were talking about editors and the fact that they're not called The Editors. 30:40.547 --> 30:48.853 There's another band called Infidels, and not The Infidels, and their album is called We Are Not The Infidels. 30:48.893 --> 30:49.193 No. 30:49.514 --> 30:52.015 Yeah, because they're obviously just so angry about it. 30:52.796 --> 30:54.117 That's all bands care about. 30:54.137 --> 30:54.677 Yeah. 30:55.098 --> 30:56.179 Is the word the. 30:56.579 --> 30:57.800 That's all it's about. 30:58.180 --> 30:59.781 Are you a the or a non-the? 30:59.861 --> 31:02.804 There should be some kind of, uh, massive indie gang war. 31:03.084 --> 31:03.384 Yeah. 31:03.464 --> 31:05.366 Between bands with a the and bands without a the. 31:05.386 --> 31:08.788 Between, and it would be, uh, it would be arbitrated by Matt Johnson from the the. 31:08.828 --> 31:14.733 It would, like when I was at school, I've told you this story before my whole school was divided over, are you glue or adhesive? 31:14.893 --> 31:16.174 Do you remember that? 31:16.214 --> 31:16.454 Yeah. 31:17.255 --> 31:18.236 Factions, violent. 31:18.396 --> 31:18.776 What were you? 31:20.521 --> 31:21.502 man, I don't remember. 31:21.782 --> 31:23.483 And where did Blu Tack come into the whole thing? 31:23.503 --> 31:25.084 Blu Tack wasn't even- Wasn't part of it, no. 31:25.104 --> 31:26.626 Were they just like a little- It was glue or adhesive. 31:26.646 --> 31:27.546 Break-off faction? 31:27.566 --> 31:28.307 How do you- yeah. 31:28.847 --> 31:29.107 Anyway. 31:29.548 --> 31:29.828 Okay. 31:30.028 --> 31:34.952 Um, so we've been asking you to text us in your ideas to break the deadlock for Channel 4's breakfast show. 31:34.972 --> 31:38.835 Uh, they've been struggling to come up with a successful new format since The Big Breakfast. 31:38.915 --> 31:42.797 Rise was successful in some ways, you know, but they had to pull it off. 31:43.658 --> 32:06.309 because why did they pull it off because no one watched it yeah yeah it was it was that was the one way that it wasn't successful yeah okay so I'm gonna go through that I haven't vetted these texts at all I'm just gonna dive right in Oh see what comes up dangerous radio a show called violent morning hosted by Jimmy Carr JLC and other great British multitaskers where members of the public oh I shouldn't have started reading this one 32:07.129 --> 32:08.350 Now that's just a bad idea. 32:08.630 --> 32:12.833 To make this work, Adam, you're all going to have to talk in the silences while I look for a new one. 32:12.853 --> 32:13.874 Well, listen, I had a couple of ideas. 32:14.134 --> 32:16.076 Was that one just stuffed with unpleasant vitriol? 32:16.096 --> 32:16.736 Yeah, yeah, yeah. 32:16.776 --> 32:17.937 Well, no, it just was a bit boring. 32:18.077 --> 32:19.939 Come on, ladies and gentlemen. 32:19.959 --> 32:20.940 There are some good ones. 32:21.080 --> 32:22.301 So what's your idea, Adam? 32:22.821 --> 32:26.504 Well, this was one we were talking about in the break, which I think is a good idea. 32:26.524 --> 32:27.284 I think the... 32:28.465 --> 32:38.092 not to encourage pornography, but some softcore porn in the mornings would really pull the viewers in, and I think it would be a nice way for some people to start the day. 32:38.652 --> 32:43.876 You know, just maybe just titillation, carry-on style titillation rather than pornography. 32:43.916 --> 32:47.178 Obviously I don't think that's a nice idea, having porn first thing in the morning. 32:47.218 --> 32:47.759 Yes you do. 32:48.219 --> 32:49.260 Yeah, obviously it's nice. 32:49.420 --> 32:52.862 But you could call it morning glory, and it would be a fun way to start the day. 32:53.983 --> 32:55.564 Very much the same idea as The Sun. 32:55.584 --> 32:56.825 Isn't there already a show called that? 32:57.285 --> 32:57.585 Is there? 32:57.845 --> 32:58.286 There must be. 32:58.306 --> 32:59.947 There must be a radio show called that somewhere. 32:59.967 --> 33:00.887 Well, someone's had the same idea. 33:00.927 --> 33:04.049 Someone's text- just texted in one word, colon, boobs. 33:04.249 --> 33:04.549 Boobs. 33:04.589 --> 33:04.929 There you go. 33:04.949 --> 33:07.110 They think boobs are the key to the morning. 33:07.190 --> 33:08.131 It's worked for the sun. 33:08.431 --> 33:08.731 It has. 33:08.891 --> 33:13.534 And, uh, is the sun the- it's the mirror as well, and of course the- no, the mirror doesn't have boobs, does it? 33:13.554 --> 33:20.758 You see, this ties in with my idea, which is to- the main problem with breakfast TV is you can't get anyone to get up in the morning, and then it slowly drives them insane. 33:20.858 --> 33:21.058 Yeah. 33:21.138 --> 33:22.879 Getting up regularly that early in the morning. 33:23.579 --> 33:28.383 So do it in a foreign country where it's the evening or daytime when it's our morning. 33:28.624 --> 33:29.004 Good idea. 33:29.024 --> 33:30.986 Perfect excuse to have people in swimsuits. 33:31.406 --> 33:33.308 Exactly and you could have celebrity gossip. 33:34.048 --> 33:34.709 What's gossip? 33:35.029 --> 33:37.711 It's like gossip except more exciting from it's from foreign. 33:37.751 --> 33:37.911 Is it? 33:38.072 --> 33:38.352 Yeah. 33:38.712 --> 33:39.793 It's foreign gossip. 33:39.833 --> 33:40.974 It's from foreign gossip. 33:41.334 --> 33:41.735 Wow. 33:42.315 --> 33:42.756 So America. 33:42.776 --> 33:43.556 If you shot it in Spain. 33:43.576 --> 33:44.297 You could have it in America. 33:44.710 --> 33:46.631 Well, no, it's too far to go for the Brit stars. 33:46.651 --> 33:47.331 8 hours back to L.A. 33:47.371 --> 33:48.571 Just do it in Lanzarote. 33:48.611 --> 33:49.212 Lanzarote. 33:49.232 --> 33:49.732 Lanzarote. 33:49.772 --> 33:52.213 Because then people can just fly across on the cheap flights. 33:52.393 --> 33:54.453 Lanzarote's only 2 hours back or something. 33:54.573 --> 33:55.274 That's no good. 33:55.454 --> 33:56.474 Yeah, but still. 33:56.494 --> 33:57.675 You're right, you're right, you're right. 33:57.695 --> 33:58.855 You're right, you're right. 33:59.095 --> 33:59.895 I haven't put it through. 34:00.756 --> 34:02.076 We need more time to think this through. 34:02.176 --> 34:05.797 I had one that someone else had, which is to do it from a different greasy spoon every morning. 34:05.877 --> 34:06.298 That is a good idea. 34:06.338 --> 34:08.438 Too expensive to move the location and relight. 34:08.538 --> 34:09.579 It would become exhausting. 34:10.279 --> 34:10.600 That's true. 34:10.620 --> 34:11.521 It's a good idea though. 34:11.962 --> 34:12.342 That's true. 34:12.362 --> 34:13.043 Happy greasy spoon. 34:13.063 --> 34:13.424 How about this? 34:14.065 --> 34:14.906 The Breakfast Club. 34:15.887 --> 34:17.370 And you said it in a- Oh. 34:17.390 --> 34:17.430 Oh. 34:17.590 --> 34:17.810 Yeah. 34:18.131 --> 34:18.251 Oh. 34:19.793 --> 34:20.734 You said it in a- Oooh. 34:23.092 --> 34:23.352 What? 34:23.532 --> 34:25.253 In a high school? 34:25.633 --> 34:28.234 In a high school, in the detention, you know. 34:28.254 --> 34:29.254 And you have different types? 34:29.495 --> 34:32.656 You have the different types, the jock, the nerd, the dweeb. 34:32.696 --> 34:38.058 I tell you what, Alex Zane could be the girl that makes all the dandruff come out of her hair and makes it snow, Ally Sheedy. 34:38.138 --> 34:39.058 Ally Sheedy, I fancy that. 34:39.078 --> 34:41.599 Alex Zane could be the Ally Sheedy role, don't you think? 34:41.719 --> 34:42.600 I like the dandruff girl. 34:42.820 --> 34:44.480 Justin Lee Collins, who could he be? 34:44.721 --> 34:45.481 He could be Bender. 34:46.101 --> 34:46.961 Wasn't he called Bender? 34:47.121 --> 34:47.421 Bender? 34:47.441 --> 34:48.342 You mean Judd Nelson? 34:48.362 --> 34:49.162 Judd Nelson, yeah. 34:49.202 --> 34:49.302 Yeah. 34:49.602 --> 34:51.243 The sort of a bullion- Bender. 34:51.983 --> 34:52.583 Dope fiend. 34:52.683 --> 34:53.063 Yeah. 34:53.883 --> 34:54.303 This is good. 34:54.323 --> 34:54.924 That's good, man. 34:55.324 --> 34:55.744 But you know what? 34:55.764 --> 34:57.464 I need some more time to look through the listeners' ones. 34:57.484 --> 34:57.664 Yeah. 34:57.845 --> 34:58.025 Okay. 34:58.045 --> 34:59.725 Well, let's play- Yeah, and then we'll try and get a winner and stuff. 34:59.745 --> 35:00.505 Let's play more music. 35:00.545 --> 35:02.586 That is, after all, why people- What the station's all about. 35:02.606 --> 35:04.346 Why don't you stop droning on, Adam? 35:04.386 --> 35:04.587 Yeah. 35:04.927 --> 35:06.307 Stop just droning. 35:06.807 --> 35:07.427 Play some music. 35:07.727 --> 35:08.108 Okay. 35:08.648 --> 35:09.068 Editors. 35:09.208 --> 35:11.749 That's all I've got to say on the subject, the meta. 35:12.169 --> 35:12.269 The- 35:13.411 --> 35:14.136 No, editors. 35:14.156 --> 35:14.820 No, the editors. 35:14.840 --> 35:15.504 No, editors. 35:15.545 --> 35:15.967 The editors. 35:15.987 --> 35:16.470 The editors. 35:26.874 --> 35:29.196 That's, uh, editors with all sparks. 35:29.556 --> 35:31.678 Adam and Joe here on XFM on a Saturday afternoon. 35:32.138 --> 35:34.420 We'll come back to our text competition a little later. 35:34.620 --> 35:39.344 We've got all sorts of amazing suggestions coming in for exciting new channel for breakfast shows. 35:39.364 --> 35:40.384 All sorts of amazing shows. 35:41.125 --> 35:42.806 Say, I'm Bruiser De Cadenet, I told you. 35:42.986 --> 35:44.568 I was, no, it's just a nice way to put it. 35:44.848 --> 35:45.508 All sorts. 35:46.189 --> 35:53.014 Um, so listen, Joe, I thought I'd give you some exciting, uh, information about my, my week as a jobbing actor. 35:53.214 --> 35:53.474 Good one. 35:54.715 --> 35:58.677 I wasn't going to talk about my appearance in a major British feature film. 35:59.138 --> 35:59.358 Right. 35:59.378 --> 36:00.578 Maybe I might. 36:00.598 --> 36:01.099 But you are. 36:01.319 --> 36:02.559 No, I'm going to talk about that later on. 36:02.599 --> 36:06.862 I wanted to talk about an audition that I had this last couple of weeks. 36:07.442 --> 36:08.623 I got a call from my agent. 36:08.663 --> 36:13.885 She said, are you up for going to do an audition at the BBC where you'll have to do a little bit of improvising? 36:13.965 --> 36:14.246 Hey. 36:14.666 --> 36:17.167 So I thought, yeah, I love a bit of improv. 36:17.227 --> 36:18.628 You know, I'm the improv king. 36:19.248 --> 36:37.581 and I imagined what the deal would be was going in there two or three people maybe in a little room you're given a scene and you you kind of go crazy all over its arse and I was led into the BBC and into a big room and there were in this very large room I would say about 30 or 40 36:39.742 --> 36:44.124 fairly well known comedians from the current live stand-up circuit. 36:44.144 --> 36:44.865 Any names we'd know? 36:45.905 --> 36:46.986 Well, let me see. 36:47.226 --> 36:49.307 Maybe I probably shouldn't say exact names. 36:49.347 --> 36:49.647 Okay. 36:49.687 --> 36:50.288 No, it's a secret. 36:50.348 --> 36:51.148 Okay. 36:51.328 --> 36:58.972 But I can tell you that there were people in there who've been on shows like Little Britain, Titty Bang Bang, a lot of BBC Three shows. 36:58.992 --> 37:00.833 Those are some of the greatest shows on television. 37:01.413 --> 37:30.733 The office that oh, you know a lot of pretty well-known faces there and certainly very well-known stand-ups from the current stand-up scene So I was and they were all half of them were sat around the side The other half of them was stood in a semicircle in the middle of the room improvising Like whose lines anyway style games, you know Yeah And it turned out that this was a show being put together by the producer of whose lines anyway Dan Patterson a new kind of improv show 37:31.813 --> 37:33.754 And I didn't realize that was the deal at all. 37:34.294 --> 37:38.395 So I just went in there and I thought, oh my God, this is my worst nightmare. 37:38.435 --> 37:44.477 Because I, like many other people, used to watch Have I Got News For You and think, I mean, whose lines anyway? 37:45.057 --> 37:49.438 And just sort of imagine what I would say if I was in that situation. 37:49.478 --> 37:52.079 Would I be able to come out with anything funnier than Tony Slattery? 37:52.459 --> 37:59.521 And usually the answer was no, you know, maybe, you know, Tony Slattery may not be saying anything that funny, but it's probably better than I could manage. 37:59.981 --> 38:14.698 if I was on the spot so let's see Joe Cornish how you do oh wow with some of the things that were thrown at me okay basically I wanted to just turn around and get out of this room immediately so were you standing in front of all these other comedians when you're asked to do this yeah yeah you were being watched by 38:14.778 --> 38:16.339 like 38 other top standouts. 38:16.479 --> 38:20.262 So the first thing was, for example, they had an object. 38:20.282 --> 38:25.525 Do you remember that they would give them an object and they'd have to sort of say crazy things about the object and recontextualise it amusingly. 38:25.965 --> 38:28.607 And they had a toy truncheon was one of them. 38:28.647 --> 38:28.947 Brilliant. 38:29.368 --> 38:38.494 And so what you'd have to do is when you had an idea for something funny to say about the toy truncheon, you went into the middle of the semicircle and you tapped the person with the truncheon on the shoulder and said freeze. 38:39.154 --> 38:40.195 And then you would say something funny. 38:40.215 --> 38:43.797 So you didn't have to go up, but if you didn't go up, you're not going to be in the show. 38:43.817 --> 38:44.378 No, exactly. 38:44.398 --> 38:44.538 Exactly. 38:44.558 --> 38:45.458 You've got to make an effort. 38:45.618 --> 38:47.760 And some people were going mental with this thing. 38:47.780 --> 38:51.782 They were really trying hard and they had loads of things to say, some funny, some not. 38:52.303 --> 39:00.168 For example, there was, with the plastic truncheon, people were coming out with stuff like, uh, sir, this is salami, you are really spoiling us. 39:00.788 --> 39:19.153 that's good right someone said stop over here sir empty your pockets please you know like a handheld security detector yeah someone said I've been over feeding my slug so anyway then it was my turn gonna be a good show isn't it yeah 39:19.833 --> 39:20.013 Yeah. 39:20.854 --> 39:22.135 Well, they will get some good people. 39:22.155 --> 39:25.458 There were some really talented people there, and I'm sure they will get some excellent people. 39:25.718 --> 39:36.667 When it was my turn to do something, I was sat down in a row, because I was a latecomer, I was sat down in a row with the other four latecomers, and people were just told to fire questions at us. 39:37.587 --> 39:41.828 Er, and we had to just come up with answers on the spot, amusing answers to these questions. 39:42.128 --> 39:43.308 So here you go, Joe Cornish. 39:43.428 --> 39:43.708 Yeah. 39:43.788 --> 39:44.788 See how you do with these. 39:45.008 --> 39:45.308 OK. 39:45.949 --> 39:49.509 State a fact about yourself that would surprise the audience. 39:50.649 --> 39:52.530 I've got three bums. 39:53.330 --> 39:53.890 Not bad. 39:54.450 --> 39:54.810 You see? 39:54.830 --> 39:58.171 I think probably about as good... Anthony's laughing. 39:58.311 --> 39:59.031 Anthony loves that. 39:59.091 --> 39:59.451 Look at that. 39:59.471 --> 40:00.431 She just loves bums. 40:00.931 --> 40:03.912 Er, I came out with... Check this out for rubbishness. 40:03.932 --> 40:04.052 Yeah. 40:04.512 --> 40:04.732 Right? 40:05.292 --> 40:05.792 I came out with... 40:06.212 --> 40:08.333 I'm sleeping with David Cameron. 40:08.793 --> 40:09.833 Oh, come on, that's political. 40:09.853 --> 40:11.153 That's rubbish! 40:12.013 --> 40:13.174 What, did anyone laugh at that? 40:13.194 --> 40:14.494 No, no, not really. 40:14.654 --> 40:15.934 Was there a polite laughter? 40:16.315 --> 40:17.635 Yeah, people were supportive. 40:17.695 --> 40:19.955 Everyone was laughing at everyone else's gags because no one wanted to be. 40:19.975 --> 40:21.516 Give me another one, give me another one. 40:21.916 --> 40:23.476 What book are you reading at the moment? 40:25.757 --> 40:26.677 Oh, this is tricky. 40:26.697 --> 40:27.377 You can't just be honest. 40:27.397 --> 40:28.718 This is something funny. 40:28.918 --> 40:29.858 So I was going to say, 40:30.987 --> 40:54.195 yeah so so what are you gonna say the Argos catalog quite quite good I was gonna say okay I'm gonna say the da Vinci Code and then I'm gonna be like pretend to be a ponce about it you know like as a joke but then the next person the person sat next to me said it you could have made a dick and domino Vinci Code joke 40:55.202 --> 40:57.964 You could have said, oh, I'm reading the kid's version of Da Vinci Code. 40:58.264 --> 40:59.485 Dick and Dom in Da Vinci Code. 40:59.685 --> 41:01.646 That would have gone down well, wouldn't it? 41:01.667 --> 41:02.747 Trust me, that would have gone down amazing. 41:02.767 --> 41:05.649 I'm sure, but obviously I didn't think of that because I'm a jerk. 41:06.110 --> 41:06.830 OK, how about this? 41:07.110 --> 41:08.791 Who's responsible for bird flu? 41:10.252 --> 41:12.454 Um, who's responsible for bird flu? 41:12.514 --> 41:13.615 I need some thinking time. 41:13.655 --> 41:14.575 No, you can't have any. 41:14.796 --> 41:15.476 You're on the spot. 41:15.896 --> 41:16.537 Mrs. Thatcher. 41:17.706 --> 41:18.847 What does that mean? 41:18.967 --> 41:21.028 It's like your David Cameron one, but more dated. 41:23.270 --> 41:25.312 I'm glad to see that you would do as well as I did. 41:25.792 --> 41:26.893 OK, here's another one. 41:27.974 --> 41:30.056 World's worst person to share a flat with. 41:30.376 --> 41:37.102 This was one of the ones where you have to stand forward and say, you know, impersonate the world's worst person to share a flat with. 41:37.442 --> 41:38.583 Here's what I did. 41:39.164 --> 41:42.246 I stepped forward and I said, I won't need to use the toilet. 41:42.606 --> 41:44.148 I generally pee in bottles. 41:45.683 --> 41:46.603 What's that all about? 41:46.623 --> 41:47.944 What is that all about? 41:47.964 --> 41:51.705 I mean, Christ, why did I think that was even worth stepping forward for? 41:51.965 --> 41:56.066 The only reason I did it was because I hadn't said anything for the last 17 minutes or something. 41:56.086 --> 41:57.627 I thought, this is embarrassing. 41:57.687 --> 41:58.767 That sounds embarrassing. 41:59.127 --> 41:59.948 Oh, it was hideous. 42:00.368 --> 42:01.268 And here's one more. 42:01.468 --> 42:02.328 One last one. 42:02.649 --> 42:05.810 First scenes of first drafts for famous movies. 42:06.190 --> 42:06.970 Go, Joe Cornish. 42:07.466 --> 42:26.089 okay uh titanic uh oh i don't know you see i don't know et um i don't know i don't know i don't know i can't think it's horrible isn't it i stepped forward and i said oh hey guys you had a bit of thinking time though right uh yeah like as they were going around the circle 42:26.610 --> 42:27.130 What did you say? 42:27.151 --> 42:32.014 I said, oh, hey, guys, I just woke up from hypersleep and I found this really cuddly alien. 42:32.235 --> 42:32.955 Can we keep it? 42:33.476 --> 42:34.697 Oh, that's the first scene from aliens? 42:34.757 --> 42:35.037 Yeah. 42:35.097 --> 42:35.858 Yeah, that's good, man. 42:35.898 --> 42:36.758 First draft of aliens. 42:36.798 --> 42:38.219 I just said the name to films. 42:38.940 --> 42:39.300 Yeah, you did. 42:39.340 --> 42:40.461 That's not good enough, is it? 42:40.501 --> 42:43.704 No, you wouldn't get through to... To prove I know some films, we'd better play some music. 42:43.764 --> 42:43.964 Yeah. 42:44.324 --> 42:46.446 Anyway, it was exhausting and I'll never do it again. 42:48.968 --> 42:49.709 Here's a free play. 42:50.069 --> 42:51.890 This is by the Minutemen. 42:51.910 --> 42:52.531 This is Corona. 42:55.697 --> 42:55.797 you 43:07.361 --> 43:09.522 Now, what's that music from, Adam, on the telly? 43:09.682 --> 43:12.083 Well, that's obviously used as the theme from Jackass. 43:12.163 --> 43:12.663 There we go. 43:12.683 --> 43:15.784 Um, but I thought I'd play it there in its entirety. 43:15.944 --> 43:18.805 We should play some adverts and come back and wrap up our text competition. 43:18.825 --> 43:21.406 Yeah, we're gonna solve Channel 4's breakfast show problems. 43:22.366 --> 43:22.587 Not. 43:24.867 --> 43:25.267 XFM. 43:25.288 --> 43:27.428 Love music. 43:29.509 --> 43:30.149 Love music. 43:31.030 --> 43:31.630 Love XFM. 43:59.082 --> 44:01.272 This is XFM. 44:18.188 --> 44:19.749 That's the green day with holiday. 44:20.170 --> 44:24.293 That's the kind of music I think that space soldiers would sing when they were going into battle. 44:24.434 --> 44:31.360 Do you think, I think it'll end up as the theme tune to the program holiday in a couple of years when today's kids grow up a little. 44:31.780 --> 44:37.985 It'll stop becoming the sound of edgy anti-Americanism and become the sound of, I don't know, Reggie from Big Truck of Stuff. 44:38.246 --> 44:40.047 And luxury holidays. 44:40.247 --> 44:40.868 Yeah. 44:40.888 --> 44:42.950 Did you see Reggie on Big Truck of Stuff this morning? 44:43.310 --> 44:44.171 What's Big Truck of Stuff? 44:44.631 --> 44:45.632 Oh, Adam, we haven't got time. 44:45.652 --> 44:48.414 We've only got 26 minutes left on the air, ever. 44:48.434 --> 44:49.054 I know, it's a shame. 44:49.094 --> 44:51.296 We can't start talking about a big truck of stuff. 44:51.816 --> 44:53.437 So listen, then... Someone else will have to do that. 44:53.597 --> 44:56.639 Speaking of our future on the airwaves... Yeah. 44:57.019 --> 45:06.325 Um, there are already a few snippets from these XFM shows on my blog, adam-buxton... It's a great little site, your site. 45:06.425 --> 45:06.786 .co.uk. 45:06.806 --> 45:07.626 It's got good stuff on it. 45:07.646 --> 45:08.647 It's got lots of nuggets there. 45:08.687 --> 45:10.028 You know, I've made something for it. 45:10.228 --> 45:10.528 Have you? 45:10.548 --> 45:13.210 I've made a little... Well, no, I just cut a little film thing. 45:13.450 --> 45:13.830 Really? 45:13.930 --> 45:14.110 Yeah! 45:14.331 --> 45:15.291 That's fantastic! 45:15.431 --> 45:17.572 You remember our Gaysian Invasion song we did in Tokyo? 45:17.592 --> 45:18.013 Yeah! 45:18.073 --> 45:19.914 I've done a little sort of pop video for it. 45:20.014 --> 45:20.594 Brilliant! 45:20.834 --> 45:22.875 So I was going to send it to- Wasn't that sweet? 45:22.895 --> 45:23.976 Sorry, this is personal chat. 45:24.136 --> 45:24.356 Sorry. 45:24.396 --> 45:25.857 Anyway, yeah, get back to the vlog. 45:25.877 --> 45:32.741 So Adam-Buckston.co.uk is the blog where you can find some XFM nuggets as well as other sort of 45:33.261 --> 45:55.228 Adam and joe knickknacks and stuff about my life clips from the show basically yeah from this show and you're going to be putting up more over the summer going to be going to be putting up lots more and i believe that xfm are going to also organize those a lot of those same clips into podcasts so you'll have all sorts of downloading opportunities if uh if you miss us at all 45:56.048 --> 46:02.310 And I was thinking that if we got any time, Joe, we should- we should just try and get together like and do a few podcasts. 46:02.330 --> 46:03.390 I can't possibly do that. 46:03.430 --> 46:04.490 That's never gonna happen, is it? 46:04.510 --> 46:04.990 It might do. 46:05.550 --> 46:07.191 But we might try. 46:07.951 --> 46:09.971 But listen, we should wrap this text competition up. 46:09.991 --> 46:10.211 Yes, exactly. 46:10.231 --> 46:12.372 Trying to save Channel 4's breakfast show. 46:12.412 --> 46:14.432 They're trying to come up with a new idea for a breakfast show. 46:14.452 --> 46:17.753 They're commissioning pilots left, right and centre with puppets and edginess. 46:18.213 --> 46:20.294 These are the XFM listeners' ideas. 46:20.994 --> 46:23.695 You know, if you ever wonder why they leave television up to professionals. 46:25.075 --> 46:25.455 Hit me. 46:25.856 --> 46:26.816 This is probably the answer. 46:26.936 --> 46:27.236 OK. 46:27.957 --> 46:29.177 Here's a dark one. 46:30.478 --> 46:34.640 You could have celebrity hangings and Patrick Kilty could be first up. 46:34.981 --> 46:35.521 Oh, that's not nice. 46:35.541 --> 46:36.682 That's not very nice, is it? 46:36.702 --> 46:37.782 To the cheeky Irishman. 46:37.842 --> 46:39.623 That sort of thing makes some people happy though. 46:39.883 --> 46:40.484 That really? 46:40.544 --> 46:40.724 Yeah. 46:41.772 --> 46:43.614 How about setting the show in a shared flat? 46:43.654 --> 46:46.858 Presenters getting up, making breakfast, guest stars sleeping over, fights for the bathroom. 46:47.058 --> 46:54.126 That's quite good, because already they put Big Brother on, and that's just people sleeping, and that gets, you know, good ratings in the morning, just people brushing their teeth saying nothing. 46:54.146 --> 46:54.767 That is a good idea. 46:54.787 --> 46:57.610 So why not have them present the breakfast show? 46:57.971 --> 46:58.631 Just have them present. 46:59.420 --> 47:00.180 That is a good idea. 47:00.200 --> 47:03.683 You know, I think television generally is working towards one show that's just the same. 47:04.023 --> 47:07.745 Like Italian television's become a big celebrity show, but it's a show that's reality television. 47:08.085 --> 47:11.927 Occasionally it has little VT packages about maybe the design of the chair they're sitting on. 47:12.588 --> 47:16.330 Uh, it might have, uh, if they read a book, it becomes a little dramatisation of that book. 47:16.350 --> 47:17.110 Do you know what I mean? 47:17.130 --> 47:24.315 I think all television programme formats could fit in to a kind of Big Brother ambient sort of Uber show, but that's, that's for another conversation. 47:24.555 --> 47:27.617 How about Vanessa Felt's Being Egged from Robin Blackheath? 47:28.416 --> 47:32.639 Vanessa Feltz is just one of those people that, uh... People would tune into that, though. 47:32.880 --> 47:38.944 If it was relentless, literally, if you commissioned six months of just Vanessa Feltz in a locked-off shop being egged. 47:39.485 --> 47:43.828 I don't really have strong opinions about Feltz because... It doesn't matter who it is, really, it's just the... Someone being egged. 47:43.848 --> 47:43.928 Yeah. 47:43.948 --> 47:45.370 Yeah, OK, I'm up for that. 47:45.450 --> 47:52.956 As someone else has suggested... I'm getting all the nasty ones out of the way first, but someone else has suggested putting Ian Lee on a mountain and watching him freeze to death. 47:53.476 --> 47:54.216 I like Ian Lee. 47:54.236 --> 47:55.317 I like Ian Lee as well. 47:55.417 --> 47:56.337 I didn't suggest that. 47:56.397 --> 47:58.018 His LBC show's very funny. 47:58.098 --> 47:58.738 It is very good. 47:58.758 --> 48:00.299 He's very good when he's not allowed to swear. 48:00.479 --> 48:00.979 That's true. 48:00.999 --> 48:01.939 When he's got limits. 48:01.959 --> 48:02.359 How about this? 48:02.699 --> 48:05.721 Chantelle presents News, Chat and Celebs on an oil rig. 48:06.101 --> 48:09.042 Okay, Chantelle, News, Chat and Celebs, an oil rig. 48:09.722 --> 48:16.885 Then she takes part, I can't say what she takes part in, but let's say she has a party with all the oil rig workers at the end of each show. 48:17.845 --> 48:21.867 She parties, in the American sense of the word, with the oil rig workers. 48:21.887 --> 48:23.107 That's from Jamie in Manchester. 48:23.147 --> 48:23.868 Well done, Jamie. 48:24.408 --> 48:25.628 I think that's a goer. 48:25.989 --> 48:27.489 That is a good idea. 48:27.869 --> 48:29.970 As long as Chantelle is a goer, that is a goer. 48:30.991 --> 48:33.031 Now, a couple of people have come up with breakfast at Tiffany's. 48:33.532 --> 48:36.233 One of them with Martine McCutcheon hosting from her house. 48:36.353 --> 48:36.593 Yeah. 48:36.913 --> 48:38.034 Tiffany in EastEnders, yeah. 48:38.094 --> 48:38.314 Nice. 48:38.774 --> 48:43.296 And another one presented by the 80s pop star, Tiffany, from a jewellery shop. 48:44.292 --> 48:44.652 e.g. 48:44.752 --> 48:45.873 Elizabeth Duke at Argos. 48:46.173 --> 48:47.814 That's from Rich in New Cross. 48:48.034 --> 48:48.594 That's very good, Rich. 48:48.614 --> 48:49.554 Remember you've got to pick the winner. 48:49.634 --> 48:50.535 I think Rich is looking good. 48:50.555 --> 48:51.515 Rich is looking good. 48:51.615 --> 48:54.917 How about a show like Rise, except you can vote off the host in Big Brother style? 48:55.897 --> 48:56.417 Says Joff. 48:56.597 --> 48:57.298 Someone called Joff. 48:57.398 --> 48:58.178 J-O-F-F. 48:58.458 --> 48:58.738 Joff. 48:58.818 --> 49:00.799 I imagine that's in the works, surely. 49:00.819 --> 49:00.939 I know. 49:00.959 --> 49:01.900 Didn't they do that on Channel 4? 49:02.120 --> 49:04.801 They had a show where you voted off all the- ages ago, like in the 80s. 49:04.821 --> 49:05.141 Right. 49:05.721 --> 49:07.242 But it just meant the presenters were very insecure and desperate. 49:07.262 --> 49:07.582 Watch this space. 49:07.602 --> 49:08.503 Wasn't it called Watch This Space? 49:08.523 --> 49:09.123 Yeah, something like that. 49:10.026 --> 49:10.547 OK. 49:10.887 --> 49:11.928 That's a good, that's a good one. 49:12.028 --> 49:13.689 I mean, Joff, that's just a good idea. 49:13.709 --> 49:14.930 I'm sure someone is making it. 49:14.990 --> 49:16.852 If you were in a position of power, that would get commissioned. 49:17.012 --> 49:17.172 Yeah. 49:17.352 --> 49:17.953 How about this one? 49:17.973 --> 49:21.336 Hosted by Shane McGowan, it's called What Effing Time Is It Anyway? 49:21.396 --> 49:22.337 That's a very good idea. 49:22.857 --> 49:25.099 He's just surly and hung over and just swears. 49:25.159 --> 49:26.080 I think that would be very good. 49:26.380 --> 49:51.790 who's that that's from James James and the other good one was where's that where's the giant clock someone sent him one suggesting it's just a close-up of an enormous clock and you text it then what the night before to tell it what type no you text it to tell it what time you got to leave the house and it's all it's almost like that thing on see on you know kiddies tell you where they read out the cards from little toddlers you know but at every every point on the clock it it shouts at you to leave for work 49:52.315 --> 49:53.976 Jeff in Tottenham, get out! 49:54.676 --> 49:55.296 That sort of thing. 49:55.316 --> 49:56.177 So it's very functional. 49:56.857 --> 49:58.858 That would get more ratings than rise, surely. 49:58.938 --> 49:59.538 That's a good idea. 49:59.558 --> 49:59.919 Well, listen. 50:00.019 --> 50:00.459 Who's the winner? 50:00.519 --> 50:01.179 I'm gonna pick a winner. 50:01.880 --> 50:02.540 I like James. 50:02.760 --> 50:03.640 Can we give James something? 50:04.081 --> 50:05.301 Who was what with James's one? 50:05.341 --> 50:06.182 The Shane McGowan one? 50:06.422 --> 50:06.682 James, yeah. 50:06.702 --> 50:07.682 Yeah, we can give James something. 50:08.023 --> 50:10.624 And the oil rig, I like. 50:10.684 --> 50:11.364 And the oil rig. 50:11.444 --> 50:12.525 The party on the oil rig. 50:12.545 --> 50:13.085 Who was that? 50:13.165 --> 50:13.545 That's good. 50:13.605 --> 50:15.806 I'm not Rich in New Cross. 50:16.086 --> 50:16.407 Come on. 50:16.507 --> 50:17.607 James and Rich, thank you very much. 50:17.627 --> 50:19.288 Thank you to everyone for their suggestions. 50:19.508 --> 50:23.770 And hey, if you've emailed us over the last few weeks, uh, the email's been down, so we haven't read any of them. 50:23.910 --> 50:23.990 Yeah. 50:24.010 --> 50:24.950 And we can only apologise. 50:25.110 --> 50:26.331 Well, we're really rambling. 50:26.351 --> 50:27.631 These are very long links, this show. 50:27.671 --> 50:28.032 I do apologise. 50:28.072 --> 50:28.772 Sorry, it's the last show. 50:28.952 --> 50:29.892 No one likes a long link. 50:30.192 --> 50:36.195 But, you know, now we've got to, uh, we've got to do... We've got to pitch, um... Dizzy's in the Dot, it's called, yeah. 50:36.215 --> 50:36.575 Dizzy's in the Dot. 50:36.595 --> 50:38.036 So it's going to make this link even longer. 50:38.516 --> 50:38.816 Here we go. 50:43.263 --> 50:46.364 It's the last ever Ditties in the Dock before our summer break. 50:46.384 --> 50:49.765 This is the part of the show where you get to decide which song plays the show out. 50:50.225 --> 50:51.826 And this week the theme is goodbyes. 50:52.226 --> 50:52.406 Yeah. 50:52.446 --> 50:53.046 Farewells. 50:53.827 --> 50:55.467 So let's make this a quick goodbye. 50:55.487 --> 50:58.528 I want people to vote for... I haven't figured it out. 50:58.548 --> 50:59.069 I had two. 50:59.109 --> 50:59.949 I had a choice of two. 51:00.609 --> 51:01.869 Do you want me to go first? 51:01.889 --> 51:02.489 Yeah, you go first. 51:02.529 --> 51:05.550 I want you to vote for Harry Belafonte with Jamaica Farewell. 51:05.810 --> 51:08.351 This is a song from the very late 50s, early 60s. 51:08.631 --> 51:10.531 It's almost like one of those Disney cartoon songs. 51:11.231 --> 51:18.653 He's got such a soothing, relaxing voice, Harry Belafonte, and it really will make you feel so very relaxed to hear it. 51:18.873 --> 51:19.573 You know the song. 51:19.673 --> 51:22.814 It goes, I'm sad to see I'm on my way. 51:23.014 --> 51:24.194 And my voice is very good today. 51:24.474 --> 51:25.114 But you know the one. 51:25.295 --> 51:25.935 Yeah. 51:25.975 --> 51:26.475 It's beautiful. 51:26.515 --> 51:27.916 It's a beautiful, beautiful song. 51:28.476 --> 51:30.898 And it would just be such a great way to go out. 51:31.358 --> 51:32.999 So call 0 8 7 1 triple 2 1 0 4 9. 51:34.000 --> 51:36.281 Vote for Harry Belafonte or. 51:36.501 --> 51:41.925 Well, I was going to go for Every Time We Say Goodbye by Ella Fitzgerald, which I really genuinely love that song. 51:42.525 --> 51:44.546 But then I thought, well, maybe it's overplayed. 51:44.646 --> 51:47.168 And now that you're going for Belafonte, I think it's a bit too similar. 51:47.768 --> 51:51.971 So I'm going for a track from Scott Walker's album, Scott Four. 51:52.611 --> 51:58.654 which is kind of an all-time classic album and this is the last track on that album it's called Rhymes of Goodbye. 51:59.814 --> 52:13.501 Now I'm not even going to attempt to sing it because I can't get anywhere close to the uh mellifluous loveliness of Scott's voice but suffice to say if you like things kind of uh grand and 52:14.401 --> 52:16.361 emotional and wonderful. 52:16.682 --> 52:25.123 I suppose it's people like The Divine Comedy are influenced by Scott Walker and everyone's... Jarvis Cocker, obviously, influenced by Scott Walker. 52:25.303 --> 52:27.244 It's just a lovely song for an amazing album. 52:27.324 --> 52:27.804 You're rambling. 52:28.004 --> 52:28.664 I'm rambling. 52:28.804 --> 52:30.464 Scott Walker, go for Walker. 52:30.504 --> 52:34.605 So call 0-8-7-1-222-1049 and vote for either Belafonte or Walker. 52:34.665 --> 52:39.306 Everybody who gets on the air wins a disgusting Asian horror DVD and maybe some Everybody Loves Raymond. 52:39.326 --> 52:39.726 0-8-7-1-222-1049. 52:39.746 --> 52:39.906 Call now. 53:03.147 --> 53:04.851 This is XFM XFM 53:24.087 --> 53:24.507 There we are. 53:24.547 --> 53:28.711 That's Jack Johnson with chopsticks or going to the zoo or whatever it is. 53:28.811 --> 53:31.193 Whatever it is, he plays it with the knuckles of his right hand. 53:31.453 --> 53:31.853 I like that. 53:32.013 --> 53:32.654 It's nice. 53:32.794 --> 53:33.515 It's easy going. 53:33.595 --> 53:37.938 Hey, and thanks for everybody who's texting in text to say they'll miss us. 53:38.479 --> 53:39.780 It's very sweet and quite moving. 53:39.940 --> 53:40.700 That is moving. 53:40.800 --> 53:42.202 Yeah, should we do this in the doc then? 53:42.262 --> 53:42.542 Why not? 53:46.056 --> 53:51.299 So for our final Ditties in the Dock before our summer break, it's Scott Walker versus Harry Belafonte. 53:51.619 --> 53:56.422 Two classic voices singing sad farewell songs to see our show off. 53:56.482 --> 54:05.086 We've got five callers on the line, all of whom can pick from an amazing array of prizes that we've neglected to give out on account of talking about ourselves at some length. 54:05.207 --> 54:05.607 That's true. 54:05.627 --> 54:06.507 Most of the program. 54:06.907 --> 54:08.068 So should we go to Brian first? 54:08.088 --> 54:08.628 Hello Brian. 54:09.149 --> 54:09.629 Hello. 54:09.649 --> 54:11.130 You sound very chirpy. 54:11.832 --> 54:12.733 I know, I don't know why. 54:12.753 --> 54:16.074 I don't know what I'm going to do when I've got a hangover now and a Saturday when you're not here. 54:16.495 --> 54:17.795 Oh, that's very kind of you, Brian. 54:17.815 --> 54:19.216 Are you a regular listener, are you? 54:19.697 --> 54:21.297 I am a Saturday hangover. 54:21.618 --> 54:23.599 I play Tetris and listen to Adam and Joe. 54:23.719 --> 54:25.160 Wow, what a perfect afternoon. 54:25.180 --> 54:26.660 What more could you want? 54:26.700 --> 54:28.622 Tetris would make your hangover worse, though, wouldn't it? 54:28.662 --> 54:29.262 Try Hexic. 54:29.282 --> 54:31.403 I have tried Hexic. 54:31.463 --> 54:31.703 Have you? 54:32.204 --> 54:32.704 Do it for me. 54:33.109 --> 54:33.970 No, I don't understand it. 54:33.990 --> 54:34.691 My girlfriend plays it. 54:34.711 --> 54:35.612 I don't know what she's doing. 54:35.912 --> 54:36.573 Triathlon. 54:36.834 --> 54:37.054 What? 54:38.075 --> 54:39.597 Uh, Brian, listen, let's ignore that. 54:40.178 --> 54:40.838 Who are you voting for? 54:40.858 --> 54:42.641 Is it gonna be Walker or Belafonte? 54:43.212 --> 54:47.113 I love Walker, but Harry Belafonte reminds me of when I was a kid. 54:47.494 --> 54:48.734 Yeah, doesn't it just? 54:49.254 --> 54:52.715 Listening to him sing is like being sung to by your dad. 54:52.735 --> 54:58.978 Even though my dad wasn't a Jamaican political activist, actor, and the most famous African American in history. 54:59.478 --> 55:03.179 But nevertheless, it just makes you feel like a comforted little baby. 55:03.359 --> 55:04.780 He's not more famous than Ludacris. 55:05.860 --> 55:07.780 That's true, no one's more famous than Luda. 55:08.441 --> 55:09.421 So Brian, thank you very much. 55:09.441 --> 55:11.721 Would you like a couple of Asian horror films? 55:11.761 --> 55:13.682 Tell me something in abnormal beauty, they're very good. 55:13.702 --> 55:15.142 Indeed, yeah, I'll have them. 55:15.302 --> 55:16.442 Yeah, you're over 18, aren't you? 55:16.462 --> 55:17.042 Of course. 55:17.062 --> 55:19.023 Because if you're not, they'll ruin your brain. 55:19.963 --> 55:21.603 What about Everybody Loves Raymond? 55:22.003 --> 55:22.884 Why would I want that? 55:24.704 --> 55:25.824 What else have we got? 55:26.304 --> 55:29.165 Samurai 7, we're just giving away all the old stuff we've accumulated. 55:29.668 --> 55:31.529 Just bung loads of stuff in a bag, I'll be happy with it. 55:31.549 --> 55:33.090 Well, now come on, that's just been a bit greedy. 55:33.890 --> 55:37.591 What about the production of Trainspotting, a box at the Hackney Empire on Saturday the 15th of April? 55:37.611 --> 55:38.692 That's an amazing prize. 55:38.712 --> 55:39.532 That is a really good prize. 55:39.552 --> 55:40.032 Do you want that? 55:40.573 --> 55:41.393 I don't live in London. 55:41.773 --> 55:43.054 OK, we'll give that to someone else. 55:43.374 --> 55:44.114 Brian, thanks so much. 55:44.134 --> 55:47.736 You're going to get some disturbing Asian horror courtesy of Tartan Asia Extreme label. 55:47.776 --> 55:48.356 Thanks for calling. 55:48.536 --> 55:49.296 Take care, Brian. 55:49.657 --> 55:50.037 Lots of love. 55:50.057 --> 55:50.357 Bye. 55:50.697 --> 56:17.612 Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, Paul, 56:20.073 --> 56:21.114 It's endearing as well. 56:21.414 --> 56:21.854 Oh, good. 56:21.894 --> 56:23.555 Well, that's an interesting combination. 56:23.575 --> 56:26.536 It's a bit like the seagulls in Finding Nemo. 56:26.576 --> 56:26.876 Yes. 56:27.156 --> 56:27.656 Exactly. 56:27.756 --> 56:28.136 Yeah. 56:28.537 --> 56:30.377 And so, what are you voting for? 56:30.417 --> 56:32.058 Is it going to be Belafonte or Walker? 56:32.678 --> 56:35.920 Well, see, I love Scott Walker and he reminds me of my childhood. 56:36.080 --> 56:36.380 Really? 56:36.400 --> 56:37.820 My childhood as the last caller. 56:39.101 --> 56:41.782 So you are not old, but you're going for Walker. 56:43.183 --> 56:45.905 OK, Paul, thanks very much for your call. 56:46.205 --> 56:46.785 Asian horror? 56:46.965 --> 56:47.205 Yes. 56:47.626 --> 56:52.048 What am I going to do for every Saturday driving up to Harrow without Adam and Joe? 56:52.088 --> 56:55.611 What are we going to do without you to listen to our silly rubbish? 56:55.671 --> 56:56.671 I'll tell you what you can do, man. 56:56.911 --> 57:04.136 Just get on the website, make a CD out of some of our ludicrous crap and play that in the car. 57:04.416 --> 57:04.636 Yeah. 57:04.716 --> 57:05.056 Excellent. 57:05.256 --> 57:05.757 Excellent idea. 57:05.777 --> 57:06.077 There you go. 57:06.537 --> 57:08.138 So we're going to send you some Asian horror. 57:08.178 --> 57:09.419 Thanks very much for calling, Paul. 57:09.439 --> 57:11.120 Can I have some Raymond for my girlfriend? 57:11.400 --> 57:12.801 Of course you can. 57:12.821 --> 57:13.182 Of course. 57:13.602 --> 57:14.463 Somebody loves Raymond. 57:14.503 --> 57:15.524 Don't ask, you don't get. 57:15.544 --> 57:16.765 Take care, Paul. 57:16.866 --> 57:17.486 One last thing. 57:18.107 --> 57:24.473 As you've got no more Adam and Joe, Joe, can you sign one of the CDs so I can put my Adam and Joe disc and cover in it? 57:24.653 --> 57:25.474 Yes, of course. 57:25.634 --> 57:26.035 Absolutely. 57:26.055 --> 57:26.715 It would be a pleasure. 57:26.735 --> 57:29.158 I thought he was going to swear there for a second. 57:29.298 --> 57:30.780 As you're not on the air anymore, 57:31.753 --> 57:32.995 Why don't you f off or something like that? 57:33.035 --> 57:33.916 But no, Paul's not that kind of guy. 57:33.936 --> 57:35.457 Paul would not say that, not Paul, not Paul. 57:35.778 --> 57:36.098 Cheers Paul! 57:36.118 --> 57:36.518 Thanks Paul! 57:36.538 --> 57:39.281 There we go, so it's one all Belafonte and Walker, this is exciting! 57:39.321 --> 57:39.882 Very exciting. 57:40.142 --> 57:41.944 We should rattle through otherwise we're going to have a chance to think. 57:41.964 --> 57:43.486 Yeah, Gavin, have a Gavin, Gavin, Gavin, Gavin. 57:43.506 --> 57:43.927 Hello. 57:44.007 --> 57:46.309 Gavin, we're going to have to be fast, what is it, Belafonte or Walker? 57:46.329 --> 57:47.270 Scott Walker! 57:47.991 --> 57:48.932 Oh that's too much Belafonte. 57:48.972 --> 57:50.634 Where are you in the car Gavin? 57:53.390 --> 57:55.452 All right, mate. 57:55.872 --> 58:00.235 Asian horror, do you want some? 58:00.256 --> 58:00.676 You've got it. 58:00.756 --> 58:01.276 He's got them. 58:01.416 --> 58:01.877 Well done. 58:02.037 --> 58:05.880 In a box, you've got a private box and you've got a bottle of champagne. 58:05.920 --> 58:08.022 How about that? 58:08.222 --> 58:09.283 That's going to be amazing. 58:09.423 --> 58:10.043 Well done calling. 58:10.083 --> 58:10.604 Thanks, Gavin. 58:10.624 --> 58:11.424 So that's two one. 58:12.325 --> 58:13.726 Uh, K, does that say K? 58:14.186 --> 58:14.286 Yeah. 58:14.326 --> 58:15.686 Hello, K. Hi, how you doing, K? 58:15.706 --> 58:16.987 I'm a K-you. 58:17.027 --> 58:17.587 Good, thank you. 58:17.607 --> 58:18.347 In a bit of a rush. 58:18.407 --> 58:21.268 It's a shame that it's a rush as it's now the last six minutes of our show. 58:21.908 --> 58:23.429 What are you voting for, Belafonte or Walker? 58:23.449 --> 58:24.549 Belafonte, please. 58:24.950 --> 58:26.350 Wow, this is edge of the sea stuff. 58:26.630 --> 58:31.852 I just noticed that the tracks, the Belafonte and the Walker tracks, are exactly the same length. 58:31.872 --> 58:32.572 This is uncanny. 58:32.612 --> 58:33.413 This is extraordinary. 58:33.433 --> 58:35.033 Three minutes and five seconds. 58:35.193 --> 58:36.093 Ah, time's ticking away. 58:36.153 --> 58:36.914 K, thanks so much. 58:36.934 --> 58:39.635 Thank you very much, K. We're going to send you Asian horror, whether you like it or not. 58:39.715 --> 58:40.395 Do you want everybody... 58:41.156 --> 58:43.198 Well, you're gonna get that as well, cos we've got another copy. 58:43.538 --> 58:45.019 You got it. 58:45.380 --> 58:47.762 You don't, yeah, that was kind of a bit of a churlish, OK. 58:47.782 --> 58:49.544 No, she was all right about it. 58:49.824 --> 58:51.806 Have we got any more tickets for Tradespotting? 58:51.966 --> 58:54.248 I'm afraid not, K, I'm really sorry about that. 58:54.268 --> 58:56.711 We've got a pair of tickets to see the concretes at the University of London. 58:57.406 --> 58:58.227 other than anything, yeah. 58:58.447 --> 58:59.929 Ricky Laughs Ricky Laughs Ricky Laughs 59:12.865 --> 59:15.187 The tension is palpable it is palpable. 59:15.227 --> 59:32.556 Thank you for saying palpable I want you to I'm gonna say I'm gonna say go and then I want you to say Adam and Joe I want you to play and then leave a 10-second pause that long Make it really long pause and then say either Scott Walker or Harry Belafonte. 59:32.856 --> 59:33.576 Are you ready Sam? 59:33.976 --> 59:38.779 I am ready go Adam and Joe on your last ever show I will vote for a 59:49.229 --> 59:49.609 He's died. 59:49.629 --> 59:50.209 Scott Walker. 59:50.269 --> 59:52.430 Scott Walker takes it. 59:52.910 --> 59:53.890 Thank you very much indeed, Sam. 59:53.910 --> 59:54.390 Thanks for your call. 59:54.410 --> 59:55.650 But that's going to leave me bitter. 59:55.870 --> 59:57.030 I know, that is harsh. 59:57.191 --> 01:00:01.931 Can I just say that I'll miss your chattings and musings every Saturday. 01:00:02.171 --> 01:00:03.172 Thank you very much, Sam. 01:00:03.192 --> 01:00:04.172 We really appreciate that. 01:00:04.752 --> 01:00:06.392 It's nice to be appreciated. 01:00:06.412 --> 01:00:06.992 By you. 01:00:07.432 --> 01:00:08.153 By you, no. 01:00:08.213 --> 01:00:10.893 Especially as we often don't really deserve it that much. 01:00:11.233 --> 01:00:12.433 But thanks a lot, Sam. 01:00:12.473 --> 01:00:15.634 Thank you very much indeed to everyone who called in and texted us as well. 01:00:15.834 --> 01:00:21.278 You know, I don't want to go out angry, but you made the wrong choice, and you're a bunch of idiots, and Adam, you're an idiot! 01:00:21.678 --> 01:00:22.779 I hate Scott Walker! 01:00:22.819 --> 01:00:24.240 Why can't you play Belafonte? 01:00:24.260 --> 01:00:25.861 You don't hate Scott Walker. 01:00:25.881 --> 01:00:26.581 You're a sod. 01:00:26.901 --> 01:00:29.883 Okay, we've got Claire Sturges coming up for you, ladies and gentlemen, very shortly. 01:00:29.904 --> 01:00:30.584 This is Anthony. 01:00:30.604 --> 01:00:31.785 What's the matter with Anthony? 01:00:32.325 --> 01:00:33.885 She's laughing at your outburst. 01:00:34.245 --> 01:00:35.146 OK, I don't mean it. 01:00:35.226 --> 01:00:36.946 I'm going to love this Scott Walker song. 01:00:36.966 --> 01:00:38.086 It's not as good as Bella Fanta. 01:00:38.126 --> 01:00:40.506 Ladies and gentlemen, we'll miss you over the summer. 01:00:40.767 --> 01:00:41.487 Have a great one. 01:00:42.047 --> 01:00:44.527 Do stay in touch via the blog. 01:00:44.767 --> 01:00:46.167 Stay indoors, for God's sake stay indoors. 01:00:46.187 --> 01:00:47.488 For God's sake stay indoors. 01:00:47.728 --> 01:00:48.188 This summer. 01:00:48.288 --> 01:00:49.068 Take care of yourselves. 01:00:49.088 --> 01:00:49.988 Don't take any risks. 01:00:50.688 --> 01:00:53.529 You know, come and say hi if you see us wandering around. 01:00:53.989 --> 01:00:54.949 Only if you're nice though. 01:00:55.049 --> 01:00:57.229 Yeah, and thanks for listening for the last six months or whatever. 01:00:57.870 --> 01:00:59.070 We'll see you when we see you. 01:00:59.330 --> 01:01:00.050 Bye. 01:01:00.070 --> 01:01:00.210 Bye. 01:01:08.496 --> 01:01:23.030 I've come far from chains, from metal and stone From makeshift designs and seeking the stars 01:01:24.423 --> 01:01:47.271 To grab for the truth To keep myself warm I turn and it's gone You smile and it's born The rhymes of a woman's A river that never ends 01:01:50.367 --> 01:02:07.558 The tension surrounds us with firing friends And roaring through darkness the night children fly I still hear them singing the rhymes of goodbye There's nothing within 01:02:20.427 --> 01:02:48.007 But within this there's a voice That's still my empire And I've got a choice It's heedless of death It's still got a fire And I'll keep it burning With hands of desire 01:02:49.346 --> 01:03:11.935 The bells of our senses can cost us our pride Can toll out the boundaries that level our lives Can slash like the sunlight through shadows and cracks 01:03:13.708 --> 01:03:19.747 Our nakedness calling Our nakedness back 01:03:23.285 --> 01:03:51.453 Our passions find beauty in loving love The rhyme of all madness burns cities in cushioned shoves And roaring through darkness the night children fly I still hear them singing the rhymes of goodbye