WEBVTT 00:10.523 --> 00:10.803 There you go. 00:10.823 --> 00:12.724 That's the, uh, the mighty hard fi. 00:12.764 --> 00:13.945 They keep cranking them out. 00:14.405 --> 00:16.687 Uh, that one is called Better Do Better. 00:16.967 --> 00:18.087 This is Adam and Jo on XFM. 00:18.107 --> 00:20.569 Before that, you heard Iditors with Sparks. 00:20.729 --> 00:21.129 Iditors? 00:21.169 --> 00:22.710 I've got to stop saying Iditors like Zane Lowe. 00:22.730 --> 00:23.130 Are they Australian? 00:23.150 --> 00:24.311 It's just bashed into my head. 00:24.331 --> 00:31.876 You know, there's a TV advert where Zane Lowe, uh, does the voiceover, advising you to buy the Iditors album, and he pronounces it like that. 00:31.916 --> 00:34.977 Now I can't pronounce it any other way, except Iditors. 00:35.778 --> 00:36.678 There's no harm in that. 00:36.698 --> 00:37.319 No, exactly. 00:37.762 --> 00:38.483 Hey, this is Adam and Joe. 00:38.503 --> 00:41.585 We're with you for the next hour and 54... No, hang on. 00:41.845 --> 00:42.385 Yeah, what? 00:42.626 --> 00:43.086 Yeah. 00:43.326 --> 00:43.887 54 minutes, yeah. 00:43.907 --> 00:44.447 53 and a half. 00:44.487 --> 00:44.927 Counting. 00:45.508 --> 00:53.214 Here on a lovely Saturday afternoon in London, we've got tickets to give away to the zoutons, but that's not very exciting because Alex Aime was giving them out hand over fist, right? 00:53.494 --> 00:56.196 So that doesn't make us special, but it's still quite exciting. 00:56.396 --> 00:57.417 Pair of tickets to the zoutons. 00:57.437 --> 00:59.138 Yeah, we'll give them away in a special way. 00:59.238 --> 01:06.685 Yeah, and that's part of the XFM's Access All April promotion, where apparently you can get passes to access all areas at gigs. 01:07.146 --> 01:09.928 So imagine the possibilities for trouble. 01:10.349 --> 01:13.132 Yeah, you could go and steal stuff from pop stars. 01:13.472 --> 01:15.174 Man, you could make yourself famous very easily. 01:15.494 --> 01:17.396 Yeah, exactly, like Orin Barshak. 01:18.004 --> 01:19.264 But yeah, who's he? 01:19.304 --> 01:22.965 The guy that turned up at Prince William's wedding or what was it, party? 01:23.045 --> 01:23.405 Exactly. 01:23.746 --> 01:28.027 You could jump on stage and start rapping in the middle of an Arctic Monkeys gig or something like that. 01:28.507 --> 01:36.369 Plus we've got a pair of tickets to see Russell Brand do his stand-up show, Crazy Russell Brand, off Big Brother's Little Sister's Third Cousin or whatever it's called. 01:36.969 --> 01:44.151 Yeah, Big Brother's Big Mouth he was the host of and he's destined for big things for Russell Brand now that he's stopped being a junkie. 01:44.911 --> 01:47.353 And plus we've got Robocop DVDs to give away. 01:47.413 --> 01:48.374 Not the films though. 01:48.614 --> 01:50.416 Xanthe thought they were the films, they're the telly series. 01:50.436 --> 01:52.117 Why would you, why would you want to watch the films? 01:52.578 --> 01:53.759 Yeah, when you've got the telly series. 01:53.779 --> 01:54.780 When you've got the TV series! 01:54.800 --> 01:56.621 I'm sure it's very good though, Robocop. 01:56.641 --> 01:58.483 It hasn't got anyone from the films in it, has it? 01:58.783 --> 02:02.906 It's not a TV series as such, it's kind of made for TV movies, which is even better. 02:03.006 --> 02:03.687 That is better. 02:04.007 --> 02:06.369 Does it have, what was he called, Peter Weller, Paul Weller? 02:06.489 --> 02:07.050 Did Paul Weller... 02:08.511 --> 02:09.913 It's Paul Weller as Robocop. 02:10.153 --> 02:10.493 Brilliant. 02:10.834 --> 02:12.936 So lots of stuff to give away, plus box sets of This Life. 02:12.956 --> 02:14.978 We've got a crap commentary competition, which is quite funny. 02:15.378 --> 02:17.080 I was chortling away at it at three in the morning. 02:17.120 --> 02:17.420 Excellent. 02:17.440 --> 02:18.701 And then I was slightly off my tits. 02:19.502 --> 02:20.243 I think it's funny. 02:20.343 --> 02:21.764 Was that when you got back from the mighty Boosh? 02:21.804 --> 02:22.045 Yes. 02:22.325 --> 02:23.286 You went to see the Boosh last night? 02:23.306 --> 02:23.366 Yes. 02:23.546 --> 02:24.387 You got any Boosh gossip? 02:24.467 --> 02:24.707 Yes. 02:24.988 --> 02:25.548 Oh, excellent. 02:26.669 --> 02:28.011 So hang in for that, listeners. 02:28.471 --> 02:29.893 Right now, here's The Gorillaz with Dare. 02:31.494 --> 02:32.035 It's dead 02:45.845 --> 02:47.065 to continue this conversation. 02:47.506 --> 02:48.706 That was the Gorillaz with Dare. 02:48.726 --> 02:52.908 Last week we had a phoning competition where a small boy called Alex and his dad called in. 02:53.508 --> 02:54.428 What was the competition? 02:55.168 --> 02:58.650 Forgotten now, but he had the wrong, maybe it was- It was a celebrity regression. 02:58.850 --> 03:00.150 Celebrity regression, that's right. 03:00.190 --> 03:01.591 And he guessed Doc Cotton. 03:02.111 --> 03:07.153 Apparently when Xanthe called him up to give him the prize, turned out he'd been devastated all afternoon. 03:07.173 --> 03:10.994 He was upset because he thought he'd ruined the programme by missing a point in the competition. 03:11.014 --> 03:13.694 Well we mean to him, because we don't want to upset kids, that's wrong. 03:14.135 --> 03:15.575 No, I think we- That is essentially wrong. 03:15.655 --> 03:16.555 We chuckled at him. 03:16.815 --> 03:18.076 You know, you gotta chuckle at kids. 03:18.096 --> 03:18.336 Yeah. 03:18.996 --> 03:39.446 got to make them feel a bit insecure otherwise there's no kind of power structure there right uh well that's not necessarily true for kids that aren't yours you want to just laugh at them in the street it's especially true because you need extra leverage okay well that's okay so alex if you're listening if your dad's listening you enhanced the show that was one of our favorite calls ever yeah it was genius yeah well done you can be a regular caller 03:40.006 --> 03:45.888 So this is Adam and Joel on XFM, London's 104.9, great music coming up and competitions and stuff. 03:46.209 --> 03:49.770 Yeah, the competition will be coming up very shortly, I would imagine in the next 10 minutes or so. 03:49.790 --> 03:53.772 It's a good one, it's a crap commentary competition and it's a funny one. 03:53.892 --> 03:55.152 Is it funny and easy or? 03:55.212 --> 03:57.053 Yeah, funny and easy, the perfect combination. 03:57.073 --> 03:57.653 That's my favourite combo. 03:57.673 --> 03:58.193 Double threat. 03:58.754 --> 04:03.095 Now speaking of funny, have people already been talking about the story in the Guardian today, the April Fool? 04:03.556 --> 04:04.276 Which one is that? 04:04.576 --> 04:06.497 It's a brilliant April Fool and the Guardian, page 3. 04:07.177 --> 04:30.641 it's not the one where you have to do chip and pin and sing or something no it's to do with Coldplay and David Cameron it completely fooled me really yeah i think but people have probably been talking about it already maybe on the breakfast show don't worry i haven't heard anything about it pretend it's funny well we'll dig up the garden and and in another link we'll do that okay then but um if you've got tickets to see the boosh uh either at brickston or at the hamio do people still call it that i don't know if they ever did 04:31.241 --> 04:31.541 I did. 04:31.921 --> 04:32.802 Then you're very lucky. 04:32.842 --> 04:33.662 The Hammersmith Apollo. 04:33.682 --> 04:35.703 I went along to see it last night and what a fantastic show. 04:35.963 --> 04:36.163 Yeah. 04:36.544 --> 04:40.225 Started a bit late, don't worry about getting there before 8.30 even though it says 8 on the tickets. 04:40.245 --> 04:40.425 Right. 04:41.166 --> 04:43.747 Didn't finish till about 11 but it was fantastic. 04:44.047 --> 04:44.407 Yeah. 04:44.447 --> 04:45.508 And what a sexy crowd. 04:46.228 --> 04:47.089 Yeah, they're very good looking. 04:47.109 --> 04:49.390 Some attractive people go and see the Boosh, it's amazing. 04:49.430 --> 04:53.972 It's like a Dazed and Confused massive magazine shoot with 2,000 models. 04:54.212 --> 04:55.733 Yeah, crazy fashionable kids. 04:55.893 --> 04:56.233 Yeah. 04:56.773 --> 04:57.554 Zebra coats. 04:58.014 --> 04:58.254 Yeah. 04:58.314 --> 04:58.995 Piercings. 04:59.175 --> 05:00.316 Dyched hair. 05:00.616 --> 05:01.097 Eyeliner! 05:01.397 --> 05:02.058 Can you imagine? 05:02.098 --> 05:02.598 On boys! 05:02.658 --> 05:03.379 On boys! 05:03.459 --> 05:04.139 Disgusting. 05:04.500 --> 05:04.960 Dirty. 05:05.220 --> 05:06.361 And it was very funny. 05:07.062 --> 05:07.642 Yeah. 05:07.702 --> 05:08.703 And there was a party afterwards, right? 05:08.723 --> 05:10.004 There was a party, Artie Woods. 05:10.024 --> 05:11.766 A lot of celebrities at that party, I would imagine. 05:11.786 --> 05:12.186 Not really. 05:12.326 --> 05:12.707 Were there not? 05:12.927 --> 05:13.167 No. 05:13.427 --> 05:14.628 Well, Harry Enfield was there. 05:14.829 --> 05:15.569 Had a chat with him. 05:15.589 --> 05:16.150 Hotest ticket in London. 05:16.170 --> 05:17.291 He's got a very funny face. 05:17.791 --> 05:19.692 Was he nice, Harry Enfield, because he can be a bit taciturn. 05:19.712 --> 05:20.173 Oh, he's lovely. 05:20.453 --> 05:20.773 Was he? 05:20.793 --> 05:21.153 To me. 05:21.493 --> 05:22.254 Oh, he loves you. 05:22.274 --> 05:23.315 I don't think he likes you. 05:23.535 --> 05:24.295 No, I don't think he does. 05:24.495 --> 05:32.060 But he's one of those comedians that's just got a naturally funny face, and even when he's trying to make a quite serious point about politics or something, he does it with a silly, rubbery mouth. 05:33.461 --> 05:34.262 Makes me laugh. 05:34.322 --> 05:35.362 He's got a funny voice. 05:35.503 --> 05:37.664 Do you remember when we went to see Harry Hill record his show live? 05:38.149 --> 06:05.207 yeah and he just between takes he looked a bit angry but started uh tugging his collar right and the audience went tugging his collar and he looked up quite angry i'm just tugging my collar i think he may have been nervous it was one of the first ones that he taped anyway highly recommend the boosh we were giving away tickets last week i think it's totally sold out is it now well they've extended the run haven't they but that may be sold out as well they're doing phenomenally well yeah the extraordinary thing about it is every time you think it's amazingly tightly rehearsed they'll do something that seems completely spontaneous yeah 06:05.467 --> 06:09.470 And every time you think they're just making it up, they'll suddenly do something amazingly tight. 06:09.770 --> 06:12.091 And how was Rich Fulcher, who, uh, plays- He was insane. 06:12.151 --> 06:12.552 He's mad. 06:12.612 --> 06:13.532 Yeah, he's nuts, isn't he? 06:13.552 --> 06:15.394 He's out of- possibly genuinely out of control. 06:15.434 --> 06:15.994 He plays Bob Fossil. 06:16.014 --> 06:16.474 He plays Bob Fossil. 06:16.494 --> 06:16.755 Yeah. 06:17.215 --> 06:18.396 And he's also in Snuffbox. 06:18.436 --> 06:19.156 The moon is in it. 06:19.196 --> 06:19.636 Matt Berry. 06:19.777 --> 06:21.878 And people are- people are shouting, ''Old Greg!'' 06:21.958 --> 06:23.279 all the way through it, in the audience. 06:23.719 --> 06:24.780 But there's no Old Greg. 06:25.100 --> 06:25.400 Really? 06:25.861 --> 06:26.501 Mmm, not really. 06:26.621 --> 06:28.983 Old Greg was the- There's an Old Greg-based surprise. 06:29.223 --> 06:29.483 Yeah. 06:29.723 --> 06:30.604 One of the best episodes. 06:30.624 --> 06:30.884 Yeah. 06:31.405 --> 06:38.597 At one point Rich Fulcher came on playing Bob Fossil and one of the lines in the script was to the character, what have you been doing? 06:39.118 --> 06:42.543 They said as part of the show and someone in the audience shouted snuff box. 06:43.598 --> 06:46.199 Which is true, because that is what he's been doing, a series called Snuffbox. 06:46.219 --> 06:50.980 But why you'd shout that out very loudly in an auditorium of 2,000 people, I don't know. 06:51.100 --> 06:53.100 What kind of comeback have you got to that as well? 06:53.420 --> 06:54.780 They just continued, because it was correct. 06:55.901 --> 06:56.561 That's correct. 06:56.801 --> 06:57.441 Thank you very much. 06:57.501 --> 06:59.981 It's on Monday nights on BBC Three. 07:00.181 --> 07:02.022 Anyway, man, the best show in London. 07:02.062 --> 07:02.782 Gotta be at the moment. 07:03.142 --> 07:06.843 And any more exciting people that you talk to at the party apart from Harry Enfield? 07:06.883 --> 07:07.043 No. 07:07.343 --> 07:07.723 Really? 07:08.163 --> 07:08.963 Just said hello to Noel. 07:09.083 --> 07:10.484 Were you the most exciting person there? 07:10.624 --> 07:10.804 No. 07:11.764 --> 07:11.924 No. 07:12.881 --> 07:13.462 How was Noel? 07:13.762 --> 07:14.403 He was very well. 07:14.423 --> 07:15.344 What was he wearing? 07:15.784 --> 07:16.945 Just sexy lady clothes. 07:16.985 --> 07:18.747 He looked like a gorgeously groomed raven. 07:19.208 --> 07:19.368 Mmm. 07:19.408 --> 07:20.229 With a human face. 07:21.724 --> 07:22.964 I think I do fancy him as well. 07:22.984 --> 07:25.725 Do you think a lot of men are confused about their sexuality for the first time? 07:25.745 --> 07:30.306 I think pretty much everybody in the world would- would probably have a quick- just, you know, briefly interfere. 07:30.566 --> 07:31.586 Would you interfere with him? 07:32.086 --> 07:32.427 Yeah. 07:32.527 --> 07:32.947 Or just smog him? 07:32.967 --> 07:33.907 Yeah, I'd give him a little kiss. 07:34.507 --> 07:35.427 Whereabouts would you kiss him? 07:35.987 --> 07:36.467 On the lips. 07:36.748 --> 07:37.088 Really? 07:37.108 --> 07:37.348 Yeah. 07:37.368 --> 07:38.928 Do you think he's got nice soft lips? 07:39.028 --> 07:39.528 I don't know. 07:39.548 --> 07:42.089 I'd just be worth boasting about, wouldn't I? 07:42.109 --> 07:42.209 Yeah. 07:42.449 --> 07:43.789 I think I- What's wrong with that Xanthies? 07:43.849 --> 07:44.529 That's quite sexy. 07:44.589 --> 07:46.710 I don't think he's particularly bendy though, you know? 07:47.350 --> 07:47.910 Oh, come on. 07:47.970 --> 07:49.111 No, I don't think he's into it. 07:49.571 --> 07:50.151 What do you mean? 07:50.472 --> 07:52.993 I just, I don't know, maybe it's... He's some Aphrodite. 07:53.093 --> 07:56.214 Maybe he just doesn't like me, but I don't get the impression he's bendy. 07:56.234 --> 07:58.035 Oh, he might not be bendy for you. 07:58.055 --> 07:58.255 Yeah. 07:58.275 --> 07:59.276 What a drag. 07:59.336 --> 08:00.016 What a drag. 08:00.957 --> 08:04.158 Anyway, let's play some music and come back with a crap commentary competition. 08:04.338 --> 08:05.399 Here's a free play for you right now. 08:05.439 --> 08:11.082 This is The Pixies, a track called Nimrod's Son from their first EP, Come On Pilgrim. 08:11.542 --> 08:15.564 It has some swearing in it, which I've removed for you listeners, so don't worry about it. 08:28.765 --> 08:29.665 He's the king of shouting. 08:29.945 --> 08:30.186 Yeah. 08:30.486 --> 08:31.826 That's the Pixies with Limrod's son. 08:31.846 --> 08:33.027 This is Adam and Jo on XFM. 08:33.047 --> 08:35.668 We'll be back with competition time after these messages. 08:36.329 --> 08:38.770 Love music. 08:38.790 --> 08:39.250 Love music. 08:40.110 --> 08:40.791 Love XFM. 09:08.154 --> 09:10.277 This is XFM. 09:24.827 --> 09:48.207 see I really enjoy that I think that's good the conventional wisdom is that Franz Ferdinand are no longer a hip commodity yeah and I just think that their second album is is better than their first one well I tell you one thing we were supposed to play the ordinary boys then but we didn't because we can't yeah we can't we can't have the ordinary boys I mean there are limits there are limits aren't there yeah you know much as we like Preston 09:48.467 --> 09:49.288 Yeah, we like Preston. 09:49.468 --> 09:52.891 So if you're an Ordinary Boys fan, we're sorry, but you know, you've got to draw the line somewhere. 09:53.071 --> 09:53.312 Yeah. 09:53.992 --> 09:54.653 Um, okay. 09:54.713 --> 09:55.614 Is it competition time? 09:56.094 --> 09:58.897 It's certainly competition time. 09:59.818 --> 10:03.641 You could win a DVD or tickets to a show. 10:04.781 --> 10:25.296 you just never know so sharpen up your brain and get ready to play yeah it's time for crap commentary competition or corner shall we play the jingle for that as well well yeah waste more time well it's a good jingle because that's a jingle to say we're in the area of competitions now let's focus in the jingle 10:26.137 --> 10:28.020 Uh, you know, uh, what do you call it, a subset? 10:28.080 --> 10:28.962 A dedicated jingle. 10:29.002 --> 10:33.089 A dedicated jingle, a more targeted focused jingle, uh, is, is this one. 10:33.149 --> 10:36.054 But this is useful as well because it also explains the nature of the competition. 10:36.074 --> 10:37.557 It's so practical, it's so useful. 10:37.597 --> 10:38.578 It's utilitarian. 10:38.618 --> 10:38.839 Yeah. 10:38.879 --> 10:39.179 Jingle. 11:01.923 --> 11:05.884 Go ahead, it's easy, you can use 5MTB. 11:06.925 --> 11:10.186 Yes, Shamboozle is the name of that song, I think. 11:11.547 --> 11:12.727 Oh yeah, Bob James. 11:13.447 --> 11:15.008 Why can't we do like a jazz funk show? 11:15.728 --> 11:16.308 Well, we could. 11:16.328 --> 11:17.569 Well, you could call it jazz function. 11:18.169 --> 11:19.129 That's a good idea. 11:19.449 --> 11:21.010 Bet no one's ever thought of that before. 11:21.190 --> 11:26.212 Except, um, what's-his-name, the guy from, I've forgotten his name, Craig Charles. 11:26.992 --> 11:49.802 yeah why would why would he have thought of that because he did the funky bunker because he's got a funk show on on radio plus he's good with names he did the funky bunker yeah and he did weapons of mass distraction there you remember that he'd love that anyway so let's do the competition uh so obviously as explained by the jingle you've got to tell us what uh movie star this is talking about what movie so you've got to get the movie star in the movie and this is an excerpt 11:50.342 --> 11:52.444 from a commentary he did on one of his films. 11:52.504 --> 11:53.906 It's an American male star. 11:54.186 --> 11:58.750 The number is 0 8 7 1 2 2 2 1 0 4 9 0 8 7 1 2 2 2 1 0 4 9 as soon as you know who it is. 12:03.002 --> 12:05.603 And so in this first clip, what's this? 12:06.623 --> 12:11.224 Our movie star is watching the film and obviously this isn't, I've sort of cut bits up. 12:11.364 --> 12:14.124 I've taken little bits from all through the film and compressed them. 12:14.584 --> 12:21.306 But he's keen to tell us which scene his favorite scene is and he kind of can't really decide. 12:21.846 --> 12:22.686 Because they're all so good. 12:22.846 --> 12:23.566 Well have a listen. 12:23.746 --> 12:24.767 Okay, here we go. 12:24.907 --> 12:28.107 This is one of my favorite scenes because it's opening the movie. 12:28.527 --> 12:31.368 Here's another scene which I thought was really vital and actually this is a 12:32.168 --> 12:36.373 This is a scene I really, really like right here, and this is absolutely one of my favorite scenes. 12:36.393 --> 12:38.415 I absolutely love this scene. 12:38.655 --> 12:40.077 This again is one of my favorite scenes. 12:40.357 --> 12:43.501 This particular scene is one of my favorite scenes. 12:43.761 --> 12:50.308 It's one of my favorite scenes, and not that this is one of my favorite scenes, but it's a scene I'll always remember, and this is my favorite scene. 12:50.348 --> 12:52.411 My favorite scene of the movie is right here. 12:53.681 --> 12:55.202 Wow, that's a lot of favorite scenes. 12:55.262 --> 12:56.523 How many was that, seven or eight? 12:56.783 --> 12:58.244 That's maybe 10 or 11. 12:58.584 --> 12:59.504 You Ain't Heard Nothing Yet. 12:59.564 --> 13:01.726 He's very pleased with that. 13:01.846 --> 13:03.087 I sounded like Danny Baker then. 13:03.267 --> 13:04.127 He says stuff like that. 13:04.227 --> 13:04.868 You Ain't Heard Nothing Yet. 13:04.888 --> 13:05.668 You Ain't Heard Nothing Yet. 13:05.848 --> 13:06.428 He's a genius. 13:06.468 --> 13:07.089 He is a genius. 13:07.749 --> 13:09.370 Um, so yeah, there's more to come. 13:09.390 --> 13:11.872 So 0-8-7-1-triple-two-one-o-four-nine. 13:12.412 --> 13:14.353 Uh, if you know who that is, should we hear the second clip? 13:14.653 --> 13:14.913 Yeah. 13:15.194 --> 13:16.694 I mean, I don't know who this is yet. 13:16.714 --> 13:21.137 You haven't told me, but that sounded, uh, it's gotta be easy with that kind of music, surely. 13:21.857 --> 13:22.898 So yeah, let's hear the second clip. 13:23.118 --> 13:48.725 so so in this second clip uh he hello sorry mate he's fading me out you fading out a little bit there um wow i can't think anymore uh he's watching his film and uh he's basically telling us which bits are great yeah yeah i mean suffice to say he thinks a lot of the movie's great so he explains first which are his favorite scenes yeah and then he goes on to explain why yeah well no not why he just he's just pointing out which is great have a listen to this okay and this is great 13:49.525 --> 13:50.665 This is great, too, with the camel. 13:51.065 --> 13:52.066 This is such a great moment. 13:52.126 --> 13:52.946 It's an edgy moment. 13:53.026 --> 13:53.986 Here's another great fight scene. 13:54.186 --> 13:54.706 This is great. 13:55.886 --> 13:56.326 It's great. 13:56.647 --> 13:57.307 So I think it's great. 13:57.587 --> 13:58.387 It's a great little line. 13:58.947 --> 13:59.827 This is great as well. 14:00.027 --> 14:00.727 And it looks great. 14:00.747 --> 14:02.228 And this is a great scene. 14:02.528 --> 14:03.308 This is a great scene, too. 14:03.328 --> 14:04.528 This is actually fantastic. 14:04.768 --> 14:05.288 That's great. 14:05.668 --> 14:06.349 And that's a great line. 14:06.369 --> 14:06.809 It was great. 14:06.849 --> 14:07.949 This is a great scene with the kid. 14:08.169 --> 14:11.810 And what's great about Kelly's character, she plays such an empowering woman, which is great. 14:13.539 --> 14:34.070 so he thinks it's great yeah he pretty much thinks it's great it's almost like the scenes of the film are on a production line and he's in like a white pinion a white like hat and he says this is great this is great he's got a box mark great this that seems great great he's got a box mark fantastic oh that one's fantastic that's great uh he's you know he says it with that that little enthusiasm 14:34.870 --> 14:36.452 like he's on a production line. 14:36.472 --> 14:41.496 0-8-7-1-triple-two-one-o-four-nine if you know what American star that is and what film he's talking about. 14:41.516 --> 14:42.477 Is anyone calling, Xanthi? 14:42.977 --> 14:43.398 Yeah, okay. 14:43.798 --> 14:44.939 I've got an idea who that is. 14:44.999 --> 14:48.402 There is a third clip, but shall we save that until someone calls in? 14:48.503 --> 14:49.203 Yeah, let's save it. 14:49.644 --> 14:52.126 Okay, so if you think you know that, call in now. 14:52.526 --> 14:52.726 Yeah? 14:53.530 --> 14:55.091 That's the sort of thing we're supposed to say, isn't it? 14:55.292 --> 14:55.572 Yeah. 14:55.732 --> 14:56.293 Get calling. 14:56.333 --> 14:59.075 Pick up the phone and- and- and, uh, call in. 14:59.355 --> 15:00.436 Shall I give the number again? 15:01.097 --> 15:02.538 It's turning into Quizmania on ITV. 15:02.558 --> 15:02.538 08712221049. 15:02.618 --> 15:03.579 I love Quizmania. 15:03.599 --> 15:04.020 Stop boning. 15:04.040 --> 15:04.800 Start phoning. 15:04.820 --> 15:04.921 What? 15:20.742 --> 15:24.243 They're just an inexhaustible fountain of creativity. 15:24.283 --> 15:25.103 That's the Flaming Lips. 15:25.123 --> 15:26.604 The Flipping Flaming Lips. 15:26.624 --> 15:27.924 With the Yeah Yeah Yeah song. 15:27.964 --> 15:32.745 That is the first single to be taken from their new album, At War With The Mystics, which is out this week. 15:33.686 --> 15:41.628 Now, we're in the middle of Crap Commentary Corner, our competition this week, and we've got a couple of people on the line who think they know who it was speaking in the clips that we played earlier. 15:41.648 --> 15:42.548 Shall we play another clip? 15:42.608 --> 15:43.609 Let's play one more clip. 15:43.649 --> 15:57.766 You might remember if you were listening a couple of minutes earlier that we've got an American star who thinks every film in his scene is fantastic, every scene is his favorite, and he thinks that every single moment is great, great, great, great, great, great, great, great. 15:58.487 --> 16:01.310 And here's some more bits that are great. 16:02.091 --> 16:05.652 And we added this scene in additional photography, which I think is great. 16:06.092 --> 16:06.492 This is great. 16:06.532 --> 16:07.993 Again, utilizing the cave. 16:08.333 --> 16:09.593 That's a great shot as well. 16:09.813 --> 16:10.333 This is great. 16:10.473 --> 16:11.173 This is great, too. 16:11.353 --> 16:11.874 This is great. 16:11.994 --> 16:13.274 It's a great moment in the movie. 16:13.574 --> 16:15.695 That's a great rack focus shot of that arrow. 16:15.915 --> 16:18.415 And the score, the musical score in the background is just amazing. 16:18.655 --> 16:19.756 This is an awesome shot. 16:19.856 --> 16:20.416 And this is great. 16:21.136 --> 16:21.997 It's a great film. 16:22.117 --> 16:24.479 I mean, it's clearly a great film. 16:24.639 --> 16:28.261 Yeah, and it's got some sword and sorcery action going on in the background. 16:28.281 --> 16:30.683 Yeah, what sort of sword and sorcery action? 16:31.704 --> 16:32.024 Great. 16:32.544 --> 16:32.905 Great. 16:32.945 --> 16:33.825 Yeah, that's great. 16:33.845 --> 16:34.706 It's really great. 16:34.746 --> 16:35.046 Great. 16:35.126 --> 16:35.967 Who have we got on the line then? 16:36.027 --> 16:36.667 We've got Barney. 16:36.687 --> 16:37.228 Hello, Barney. 16:37.688 --> 16:38.308 We just lost him. 16:38.328 --> 16:38.969 Oh, Barney! 16:38.989 --> 16:39.889 You lost Barney? 16:39.929 --> 16:41.830 Barney was guessing Paul Gambaccini. 16:42.091 --> 16:43.171 He couldn't be more wrong. 16:43.311 --> 16:44.272 That was gonna be fun. 16:44.392 --> 16:45.353 Barney, what are you doing? 16:45.393 --> 16:46.453 Have the courage of your wrong victims. 16:46.473 --> 16:48.234 Did you giggle at him when he said Paul Gambaccini? 16:48.254 --> 16:49.515 No, I didn't, I promise. 16:49.535 --> 16:50.996 What, you said Paul Gambaccini? 16:51.416 --> 16:53.057 Why, he's never been in a film, has he? 16:53.097 --> 16:54.058 He's been in a cinema. 16:54.818 --> 16:55.618 But not in a film. 16:55.718 --> 16:58.559 I sat next to him during a press screening of The Frighteners. 16:58.739 --> 16:59.059 Did you? 16:59.279 --> 17:02.080 Yeah, he leaned quite heavily on my edge. 17:02.620 --> 17:03.920 And what was he writing in his pad? 17:04.220 --> 17:05.540 Nothing, but he had quite a bad breath. 17:05.580 --> 17:07.221 This film is extraordinary. 17:07.461 --> 17:07.741 Yeah. 17:07.761 --> 17:09.541 That was boring, the film. 17:09.601 --> 17:12.342 Anyway, so that's disappointing. 17:12.382 --> 17:13.082 Barney, what about Nick? 17:13.102 --> 17:13.622 Hello, Nick. 17:14.182 --> 17:14.482 Hello. 17:14.682 --> 17:15.162 How you doing? 17:15.182 --> 17:16.263 Fine, thank you. 17:16.303 --> 17:16.563 How are you? 17:17.043 --> 17:17.703 All right. 17:17.743 --> 17:18.803 Are you sure you're all right? 17:18.823 --> 17:19.963 You sound quite boredly. 17:20.463 --> 17:21.864 I'm a bit tired, but I'm OK. 17:21.884 --> 17:22.104 Tired? 17:22.124 --> 17:22.644 Why are you tired? 17:24.093 --> 17:24.753 I didn't sleep much. 17:25.033 --> 17:25.334 Why not? 17:26.434 --> 17:27.535 Went to bed late, woke up early. 17:27.615 --> 17:28.275 What time did you go to bed? 17:29.295 --> 17:29.956 Uh, I can't remember. 17:30.656 --> 17:31.937 Come on, what? 17:32.337 --> 17:32.537 What? 17:32.577 --> 17:32.737 What? 17:32.757 --> 17:32.857 Nick? 17:32.897 --> 17:33.698 What's the matter, Nick? 17:33.918 --> 17:34.478 Come on, man. 17:34.498 --> 17:35.298 Are you depressed? 17:35.338 --> 17:36.159 Your friends are worried. 17:36.179 --> 17:36.759 I don't remember. 17:36.959 --> 17:37.199 What? 17:37.920 --> 17:38.680 Are you blaming us? 17:39.280 --> 17:41.801 No, I was starting to get light when I went to bed, but I don't remember. 17:41.821 --> 17:41.901 Yeah. 17:42.082 --> 17:42.982 That's wrong. 17:43.462 --> 17:44.923 Well, you should get to bed earlier, Nick. 17:44.963 --> 17:45.643 You really should. 17:45.683 --> 17:45.963 Yeah? 17:45.983 --> 17:47.364 Pull yourself together. 17:47.384 --> 17:48.505 Your life's falling apart, man. 17:48.525 --> 17:49.045 Come on, man. 17:49.830 --> 17:52.593 You know, because you've got everything to live for. 17:52.713 --> 17:53.994 You're a talented young man. 17:54.034 --> 17:54.935 You're good looking. 17:55.155 --> 17:55.996 Look at your legs. 17:56.216 --> 17:57.177 Look at those legs. 17:57.317 --> 17:58.638 They're very strong, you know? 17:58.939 --> 17:59.659 They're lovely. 17:59.679 --> 18:00.440 So sheer. 18:00.480 --> 18:01.541 They're very hairy. 18:01.601 --> 18:02.562 They're too hairy. 18:02.602 --> 18:03.263 They're too hairy. 18:03.283 --> 18:03.843 Give them a shave. 18:03.863 --> 18:04.964 There's nothing wrong with shaving them. 18:05.825 --> 18:06.306 Hello, Nick. 18:08.157 --> 18:11.799 All right, so, listen, this competition... Oh, it's a bore, isn't it? 18:11.819 --> 18:12.440 Is it a drag? 18:12.460 --> 18:13.340 Are we doing a competition? 18:13.961 --> 18:14.041 Ugh. 18:14.441 --> 18:15.602 I hate competitions. 18:16.262 --> 18:16.542 Hello. 18:16.562 --> 18:17.583 All right, Nick? 18:18.043 --> 18:18.223 Yep. 18:18.543 --> 18:19.644 Nick's just tolerating us. 18:20.104 --> 18:22.826 So listen, man, we'll put you out of your misery. 18:23.326 --> 18:25.468 What do you think was going on there in that clip? 18:25.508 --> 18:26.328 Who do you think was talking? 18:26.788 --> 18:27.689 I think it was The Rock. 18:28.089 --> 18:28.870 The Rock. 18:29.850 --> 18:30.711 Scorpion King. 18:30.731 --> 18:31.651 Scorpion King. 18:32.132 --> 18:32.972 Nick, you're correct. 18:33.092 --> 18:35.994 That is The Rock on The Scorpion King, and it is a great film, isn't it? 18:36.014 --> 18:37.215 I haven't seen it. 18:37.762 --> 18:40.463 How the hell do you know it was The Rock talking about Scorpion King then? 18:40.483 --> 18:45.785 Because I've seen Welcome to the Jungle and I thought it was that, but then it sounded too stupid to be Welcome to the Jungle. 18:45.945 --> 18:46.965 That's good deduction. 18:46.985 --> 18:47.686 Very good deduction. 18:47.706 --> 18:49.926 Too stupid to be Welcome to the Jungle. 18:50.367 --> 18:52.527 There's a sentence no one will ever say before. 18:53.068 --> 18:53.668 What again? 18:53.688 --> 18:54.668 You know what I mean. 18:55.308 --> 18:56.989 Um, that's very clever, Nick, you know? 18:57.649 --> 18:58.950 You should, uh, get a bit more sleep. 18:59.870 --> 19:02.551 and then your brain will be capable of amazing things. 19:02.631 --> 19:03.171 Yeah, exactly. 19:03.211 --> 19:04.771 If you're operating on that level. 19:04.811 --> 19:06.952 On that rock level of analysis. 19:06.972 --> 19:07.572 That's impressive. 19:07.592 --> 19:08.632 You should be a rockologist. 19:08.992 --> 19:09.773 An archaeologist. 19:09.793 --> 19:11.133 Hello? 19:11.633 --> 19:14.374 So, Nick, what would you like as a prize? 19:14.394 --> 19:16.955 We've got Robocop, the straight to TV movie. 19:16.975 --> 19:17.875 The prime director. 19:18.715 --> 19:21.277 Oh, we've got This Life, this, uh, this series. 19:21.577 --> 19:22.858 I really recommend it, man. 19:22.898 --> 19:23.338 It's amazing. 19:23.358 --> 19:25.219 I've been watching it all this week and it's just a smash. 19:25.339 --> 19:25.999 It holds up so well. 19:26.019 --> 19:28.541 Listen, we should stop mocking the Robocop, the prime directives. 19:28.641 --> 19:29.181 Not mocking the cop. 19:29.201 --> 19:31.903 Can I just give you an idea of some of the synopses of the episodes? 19:31.923 --> 19:32.163 Yeah. 19:32.363 --> 19:33.184 Dark Justice. 19:33.544 --> 19:37.626 Ten years after his resurrection, Robocop is up against the havoc-creating Bone Machine. 19:37.786 --> 19:39.247 I hate the Bone Machine! 19:39.788 --> 19:40.588 Imagine that, Nick. 19:40.868 --> 19:43.390 Thank goodness someone's finally standing up to the Bone Machine. 19:43.530 --> 19:44.350 Robocop versus Bone Machine. 19:44.831 --> 19:46.552 Sounds a bit rude, doesn't it, the Bone Machine? 19:48.193 --> 19:49.733 I think I've seen something like that on the internet. 19:51.675 --> 19:53.156 So, Nick, what do you fancy? 19:53.296 --> 19:54.096 Or there's this life. 19:54.116 --> 19:56.077 I think I'm going to go for this last, please. 19:56.097 --> 19:57.718 Yeah, that's got more eBay value. 19:57.898 --> 19:58.959 It's an absolute. 19:59.099 --> 19:59.680 It's a peach. 19:59.940 --> 20:00.520 It's a smash. 20:00.560 --> 20:01.881 It holds up tremendously well. 20:02.141 --> 20:03.302 So congratulations, Nick. 20:04.062 --> 20:04.863 Yeah, thanks a lot, Nick. 20:04.883 --> 20:05.403 Thanks for your call. 20:05.423 --> 20:07.124 Listen, man, go to bed, all right? 20:07.144 --> 20:08.025 Yeah, get some sleep. 20:08.205 --> 20:11.667 Shave those legs and become an archaeologist, OK? 20:12.287 --> 20:12.868 OK, will do. 20:13.028 --> 20:13.448 All right. 20:13.548 --> 20:14.469 Sorry, we apologise. 20:14.489 --> 20:14.569 Yeah. 20:25.273 --> 20:25.813 Extraordinary. 20:25.913 --> 20:31.476 That's the Super Furry Animals with breathtaking concision and precision, a song called Do or Die. 20:31.496 --> 20:33.076 It's a bit of a free play for us here on XFM. 20:33.116 --> 20:34.077 This is Adam and Joe. 20:34.177 --> 20:34.377 Yeah. 20:34.657 --> 20:36.378 Is there a Pixies song called Bone Machine? 20:36.498 --> 20:37.038 There is, yeah. 20:37.078 --> 20:38.399 Yeah. 20:38.499 --> 20:41.680 Which is on their first album, Surferosa. 20:41.880 --> 20:44.422 Yeah, so maybe they use that in that episode of Robocop. 20:44.622 --> 20:45.303 They might do. 20:45.443 --> 20:52.329 If you're excited by Robocop, the TV series, then we will be giving them a way to call us in Ditties in the Dark in the last 20 minutes of the show. 20:52.669 --> 20:53.670 Make that 240. 20:53.870 --> 20:54.470 Fantastic. 20:54.510 --> 20:56.012 Now we're going to play some adverts, Joe. 20:56.032 --> 20:56.012 14, 14, 14, 40. 20:58.934 --> 21:00.374 What are you talking about? 21:00.394 --> 21:04.195 14.40, I'm giving the time in 24 hour course in case there's anybody in the Navy listening. 21:04.215 --> 21:04.696 Yeah, great. 21:04.736 --> 21:05.436 Military person. 21:05.536 --> 21:07.917 I just want to tease a couple of the ads we've got coming up. 21:08.557 --> 21:12.738 We've got a Yellow Pages ad, which I think you're going to enjoy. 21:12.878 --> 21:14.838 There's a Drink Drive ad. 21:14.938 --> 21:15.519 That's wrong. 21:16.319 --> 21:17.859 Not the advert, but, you know. 21:17.899 --> 21:19.260 The practice of drinking and driving. 21:19.280 --> 21:20.260 Yeah, don't do that. 21:20.640 --> 21:23.683 No, well I think that's the emphasis of the ad that's coming up. 21:23.703 --> 21:26.466 They're going to be basically saying, try and steer clear of it. 21:26.486 --> 21:28.488 Is that a pun not intended? 21:28.508 --> 21:30.149 You'll ruin your pizza for a start. 21:30.209 --> 21:30.650 Exactly. 21:30.670 --> 21:31.571 That one on the dashboard. 21:31.591 --> 21:31.911 Don't do it. 21:31.931 --> 21:33.172 It'll go all over the back seat. 21:33.212 --> 21:34.233 It's no laughing matter. 21:34.253 --> 21:35.534 That's shocking, that ad, isn't it? 21:35.795 --> 21:36.956 Well, yeah, that pizza. 21:37.076 --> 21:37.596 Oh, the pizza. 21:37.616 --> 21:38.938 Tasty, such a waste. 21:39.498 --> 21:39.878 Clean it off. 21:40.158 --> 21:41.379 Come on, it's no laughing matter. 21:41.399 --> 21:42.099 Stop it, will you? 21:42.500 --> 21:43.280 Basic Instinct? 21:43.300 --> 21:44.140 I don't know what that is. 21:44.240 --> 21:45.821 And- And- No, that'll be good for the movie. 21:45.841 --> 21:47.742 Basic Instinct 2 with David Morrissey. 21:47.922 --> 21:49.543 Apparently, there's a three-way in the trailer. 21:49.583 --> 21:50.543 It doesn't appear in the film. 21:51.184 --> 21:59.047 Uh, it's got one scene with a left nipple and David Morrissey's bum, one scene with a right nipple and David Morrissey's bum, and then one scene with both nipples and David Morrissey's bum. 21:59.127 --> 21:59.407 In the trail? 21:59.447 --> 22:00.008 And that's your lot. 22:00.048 --> 22:00.608 No, in the film. 22:00.848 --> 22:01.308 Oh, I see. 22:01.468 --> 22:01.709 Yeah. 22:01.769 --> 22:03.229 And that's the- that's the extent of the nudity? 22:03.509 --> 22:03.689 Yeah. 22:04.170 --> 22:05.750 You see Sharon Stone naked, don't you? 22:06.071 --> 22:06.371 Oh, no. 22:07.682 --> 22:10.906 Apparently there's a pan up her leg which is like a liver spot to join the dots. 22:13.670 --> 22:16.934 I want to see it but it's supposed to be so bad it's just like dying. 22:17.194 --> 22:18.896 I wouldn't mind seeing it now, I'm excited. 22:18.916 --> 22:21.139 Let's see what the trail has to say, we'll be back shortly. 22:58.718 --> 23:02.261 argumentative and you've got the face on 23:03.717 --> 23:07.938 That's the Naughty Monkeys, a band that's very, very popular with young people. 23:08.818 --> 23:13.519 And they're aged between 11 and 12, and they're very talented. 23:13.539 --> 23:16.680 They're very spotty, but they don't care because... They're from the North. 23:16.800 --> 23:17.740 Spots are real. 23:17.860 --> 23:18.521 Spots are real. 23:18.541 --> 23:19.381 They're from the North. 23:19.901 --> 23:25.322 They're concerned with the everyday drama of life in kitchens. 23:25.342 --> 23:27.043 Sort of a domestic poetry. 23:27.183 --> 23:27.703 Exactly. 23:27.943 --> 23:32.584 The poetry of the lower classes, the working classes of the country. 23:33.180 --> 23:33.440 Yeah. 23:33.641 --> 23:34.562 And it's marvelous. 23:34.662 --> 23:36.604 I support it a hundred percent. 23:36.724 --> 23:37.505 That's good news. 23:38.285 --> 23:38.506 Yeah. 23:38.546 --> 23:40.127 This is Adam and Joe on XFM. 23:40.988 --> 23:41.268 London's 104.9. 23:41.308 --> 23:41.489 What now? 23:43.174 --> 23:47.937 I thought you were gonna, uh, speaking of the, um, poetry of the working classes, talk about the Guardian thing. 23:48.357 --> 23:51.980 Yeah, we were saying earlier the Guardian got a brilliant April Fool this week, listeners. 23:52.080 --> 23:53.981 On page three, it completely fooled me. 23:54.801 --> 23:55.562 Uh, it goes like this. 23:55.602 --> 24:06.609 In a coup for the Conservatives, the lead singer of Coldplay, Chris Martin, has declared his backing for David Cameron, releasing a song that the party hopes will become the Tory answer to Labour's 1997 anthem, Things Can Only Get Better. 24:07.249 --> 24:09.651 Dave really cares about the things I care about, says Martin. 24:10.523 --> 24:12.624 I'm afraid the same can't be said of Tony Blair anymore. 24:12.824 --> 24:15.305 But the good thing about it is I so wanted it to be true. 24:15.325 --> 24:21.647 I mean, it's so obviously an April Fool, but as soon as my girlfriend showed it to me, I thought typical. 24:21.967 --> 24:22.568 Oh, yes. 24:23.288 --> 24:25.769 You know, I thought that, I thought it was true. 24:25.969 --> 24:26.949 It spoke to your prejudices. 24:27.029 --> 24:29.470 Yeah, because I want, I kind of want to dislike Chris Martin. 24:29.490 --> 24:30.631 Does that make me a bad man? 24:30.691 --> 24:31.411 Yes, it does. 24:31.491 --> 24:31.791 Does it? 24:31.891 --> 24:36.393 I'm prepared to, I mean, not as, you know, as I'm sure he's a lovely person. 24:36.413 --> 24:37.613 What is it about him that you don't like? 24:37.653 --> 24:38.774 Isn't the fact that he's so successful? 24:40.589 --> 24:43.291 So if he wasn't, if he was struggling in the margins. 24:43.311 --> 24:50.154 It's the fact that he's successful, it's the fact that he would, if he actually did that, if he recorded a song in support of the Conservatives, that would be it, wouldn't it? 24:50.454 --> 24:51.114 Well, of course. 24:51.255 --> 24:51.755 That would be it. 24:51.915 --> 24:52.455 He's unlikely to. 24:52.475 --> 24:55.537 Game over for, for, uh, Tony Blair. 24:56.857 --> 24:57.097 Yeah. 24:58.038 --> 24:59.259 Took me a while to remember his name. 24:59.399 --> 25:02.420 Oh, what, you think that if he did support the Conservatives? 25:02.460 --> 25:02.560 Yeah. 25:02.781 --> 25:03.041 Yeah. 25:03.141 --> 25:04.942 I thought you meant it would be game over for the Coldplay? 25:05.482 --> 25:05.682 No. 25:06.042 --> 25:08.544 No, it would be fantastic for the Tories, wouldn't it? 25:08.684 --> 25:09.624 Yeah, I suppose it would. 25:09.664 --> 25:13.666 It would absolutely be an amazing seal of approval, mainstream pop approval, wouldn't it? 25:13.786 --> 25:14.027 Yeah. 25:14.946 --> 25:17.728 That would really polarise the indie masses, though, wouldn't it? 25:17.748 --> 25:20.531 Yeah, what a shame it's not true, and what an idiot I am for falling for it. 25:20.551 --> 25:21.511 Did you really fall for it? 25:21.531 --> 25:21.752 Yes! 25:22.232 --> 25:23.173 Only for about two minutes. 25:23.193 --> 25:27.316 What other- I thought I had found an April Fool today, uh, but check- check this out. 25:27.576 --> 25:28.357 Have you heard about this? 25:37.304 --> 25:42.290 which airs on the Cartoon Network, features an eclectic cast of Marvel comic style heroes. 25:42.370 --> 25:42.890 Sounds good. 25:43.131 --> 25:50.219 Each is characterised with the supposed flaws and attributes of their race, which are exaggerated to a ludicrous degree for satirical effect. 25:50.519 --> 25:51.841 Sorry, is this real or an April Fool? 25:52.261 --> 25:52.581 tell me? 25:52.741 --> 25:53.402 Minoritime. 25:53.682 --> 25:54.303 Minoritime. 25:54.663 --> 26:01.910 The leader of the group is Dr Wang, an Asian maths genius with a freakishly huge brain who works in the laundry business. 26:02.010 --> 26:02.751 Like the goonies. 26:03.111 --> 26:07.916 His Indian sidekick, Dave Raj, works long hours in a newsagent's shop. 26:08.416 --> 26:14.142 After being shot 235 times by burglars, his skin is saturated with lead- Hang on, what mag is this in? 26:14.202 --> 26:15.063 And he's become bulletproof. 26:15.103 --> 26:15.563 What mag is this in? 26:15.603 --> 26:16.464 This was in The Telegraph. 26:16.744 --> 26:17.044 Okay. 26:18.155 --> 26:27.203 Uh, other characters include Landon K. Dutton, a black professor of women's studies, who transforms himself into Fasto, the world's fastest sprinter. 26:27.563 --> 26:32.987 But that's a bit like The Incredibles, where the black character is Mr. Cool, is, is, what's he called, Free Freezone or something? 26:33.007 --> 26:33.488 Freeze, yeah. 26:33.728 --> 26:36.530 Yeah, that which is a slight stereotype, isn't it? 26:36.590 --> 26:38.032 That was a little bit stereotypical. 26:38.272 --> 26:40.093 Anyway, so do you reckon that's a real thing or not? 26:40.173 --> 26:42.435 I reckon that's real, minority, that's probably real. 26:42.515 --> 26:43.116 That is real. 26:43.396 --> 26:46.799 Someone's pointed out that the Guardian advert is written by Olaf Priel, which is 26:47.159 --> 27:13.573 an anagram of april fool oh they always do the anagrams don't they it makes me chuckle yeah spaghetti trees that don't exist why would you forget you can't have spaghetti trees of course it don't exist why would you believe it it's insane april fool uh you're only allowed up until midday though aren't you what you're only allowed to up what who is april yeah april foolery is only allowed until midday is that true apparently that's true that's why 27:14.173 --> 27:16.535 because otherwise it would just be out of control. 27:16.555 --> 27:17.496 Would it? 27:17.656 --> 27:18.056 Yes. 27:18.697 --> 27:24.802 Listen, if you're out there, if you're playing any good April Fools today, give us a text, let us know what you're doing, 83XFM. 27:25.562 --> 27:30.687 You know, something really, uh, do you think people still do amazingly elaborate kind of, um, planned ones? 27:30.707 --> 27:31.247 What are you doing? 27:31.347 --> 27:33.009 I thought it was Karl Pilkington out there. 27:33.049 --> 27:34.150 There's someone in the corridor. 27:34.810 --> 28:02.681 listen let's play some music and then we'll do our text competition and stuff okay yeah we're coming up to the end of the first hour let's play a bit of music to polish us off did you enjoy the um basic instinct ad speaking of yeah the basic instinct ab was good wasn't it i like the lines of dialogue don't play games with me how far can you push it too far little stuff like that that's so sexy sexy and threatening sexy old lady no you can't push it that far sexy old lady okay here's the raconteurs 28:13.533 --> 28:15.538 What a good song for pirates. 28:16.962 --> 28:18.445 Steady as she goes. 28:18.486 --> 28:19.889 That's the raconteurs. 28:20.491 --> 28:21.473 And they are, of course. 28:22.873 --> 28:23.313 Thank you. 28:23.373 --> 28:24.574 Everybody knows what you're gonna say. 28:24.594 --> 28:25.255 What are you gonna say? 28:25.435 --> 28:26.095 Jack White. 28:26.155 --> 28:27.116 Yeah, everyone knows that. 28:27.276 --> 28:27.876 And, uh, Brendan Benson. 28:27.916 --> 28:28.717 Everyone knows that. 28:28.737 --> 28:29.837 All XFM listeners would know that. 28:29.857 --> 28:30.338 They'd know that, yeah. 28:30.358 --> 28:31.999 You're not going to be able to listen unless you know that. 28:32.059 --> 28:35.701 Their debut album, Broken Boy Soldiers, is out on May the 15th. 28:35.721 --> 28:37.122 You've got ages to wait for that one. 28:37.142 --> 28:41.444 The poignancy, broken boy- I mean, boy soldiers are- are po- poignancy enough. 28:41.744 --> 28:41.865 Oh. 28:41.905 --> 28:44.486 Just getting children to fight in war is so sad. 28:44.726 --> 28:44.926 Yeah. 28:45.006 --> 28:46.928 But then they're- they're broken. 28:47.668 --> 29:14.440 are they toys are they real they're shattered are they real shattered bodies are they wooden bodies all of that is done on the on the album so you should go out you know brendan benson and jack white was staying at the zeta hotel which is uh which is where i have my entertaining comedy evenings yeah uh and they were there for a couple of weeks i only mentioned that now did they come and see your comedy evening no because they arrived the day after you should have moved your comedy evening oh i should have done you never know what could have happened man imagine 29:15.240 --> 29:16.101 Man, you're really good. 29:16.121 --> 29:17.102 That was really funny. 29:17.122 --> 29:19.084 Do you mind if I... Do you want a drink? 29:19.164 --> 29:20.045 Do you want a drink? 29:20.105 --> 29:21.206 This is how Jack White talks. 29:21.226 --> 29:21.886 That's how he talks. 29:22.167 --> 29:23.888 Yeah, man, you're really good. 29:24.148 --> 29:25.309 With the Adam and what? 29:25.550 --> 29:25.830 What? 29:26.110 --> 29:27.011 The Adam and Joe show. 29:27.211 --> 29:28.993 Me and Meg used to watch it on the tour bus. 29:29.013 --> 29:29.513 It's awesome. 29:29.553 --> 29:30.754 No, he wouldn't say that. 29:31.055 --> 29:31.675 He wouldn't say that. 29:31.695 --> 29:33.897 You'd go, hang on, would you like to see my TV? 29:36.348 --> 29:39.731 I've made you a compilation of my favourite bits from the show, Mr White. 29:39.791 --> 29:43.054 And you'd make a picture of Jack White on it and make it Jack White's special DVD. 29:43.134 --> 29:44.315 Yeah, it's the White version. 29:44.475 --> 29:45.336 He'd put it in the bin. 29:45.596 --> 29:46.397 He'd pop it in the bin. 29:46.417 --> 29:50.621 And then you'd write to him, Mr White, do you remember you met me? 29:50.641 --> 29:51.682 Come and come to your house, please! 29:52.182 --> 29:56.687 See, this is Joe Cornish ribbing me about all the times I've actually done this. 29:56.747 --> 29:59.890 I've done it to so many other people, though it may as well have been Jack White as well. 29:59.910 --> 30:04.434 Hey listen, listeners, and Adam, why won't they advertise Green Wing a bit more? 30:04.695 --> 30:06.036 I know, I'd love a few more efforts. 30:06.056 --> 30:08.378 Why can't they put some spending power behind Green Wing? 30:08.979 --> 30:10.881 No one's gonna watch it unless they advertise it. 30:11.161 --> 30:15.503 What I'd really like- Like, how can they get away with just doing buses and posters and the television and the cinema? 30:15.904 --> 30:16.964 What about bus shelters? 30:17.344 --> 30:17.525 Yeah. 30:17.585 --> 30:19.065 Why aren't there green wing taxis? 30:19.446 --> 30:19.906 Skywriting. 30:19.926 --> 30:22.607 Why aren't they sky- Why can't they sk- Come on, Channel 4! 30:23.148 --> 30:29.311 Put your mu- Put your money behind- Pick one show, ignore the rest, pick one show, and put some money behind it. 30:29.411 --> 30:32.813 Let's have some really smug, ironic- Give green wing a push, I didn't say that. 30:32.833 --> 30:33.233 Skywriting. 30:33.554 --> 30:33.814 Uh, yeah. 30:34.574 --> 30:34.794 Yeah. 30:35.154 --> 30:42.899 No, the clouds of self-satisfaction coming off those posters are causing London to become polluted. 30:43.059 --> 30:47.221 It had better get big ratings, otherwise that could be the death of the entire advertising industry, right? 30:47.261 --> 30:48.642 The death of the TV industry. 30:48.822 --> 30:49.923 Death of both industries. 30:50.123 --> 30:51.744 Ooh, death of the industry, yes. 30:51.884 --> 30:53.525 We'll be back shortly. 31:17.450 --> 31:18.391 Love music. 31:18.771 --> 31:19.932 Love XFM. 31:40.407 --> 31:43.910 That is the feeling with a track called Sown. 31:43.970 --> 31:44.410 There you go. 31:44.430 --> 31:46.131 I got it the right way around this week. 31:46.652 --> 31:49.514 That's the second single from the London-based quintet. 31:50.595 --> 31:53.937 They are self-described soft rock archaeologists. 31:54.257 --> 31:55.859 Good news from our listener Simon. 31:56.359 --> 31:57.400 He says, hi Adam and Joe. 31:57.460 --> 32:01.122 I don't normally find you very funny, but today you're making me laugh. 32:01.202 --> 32:01.643 Well done. 32:02.023 --> 32:02.983 Thanks very much, Simon. 32:03.003 --> 32:05.484 Simon, we've been trying to make you laugh for how long's it been now? 32:05.685 --> 32:06.585 Three, over three years. 32:06.685 --> 32:08.626 Over three years, so it's a big special day for us. 32:08.646 --> 32:13.688 Today we've practiced, Joe and I are going off for a little celebration later on about the news from Simon. 32:14.588 --> 32:15.729 That's really sarcastic, isn't it? 32:15.749 --> 32:17.649 Simon, we very much value your listening. 32:17.849 --> 32:19.430 Well, that's, now that just sounds insincere. 32:19.450 --> 32:20.230 And we're glad that you're happy. 32:20.530 --> 32:21.751 It does sound insincere, doesn't it? 32:22.171 --> 32:33.780 Um, yeah, so text competition time, and if you want to enter this text competition, what we're having in a second, then you might be motivated by the prizes, which are what? 32:34.220 --> 32:36.241 Tickets to see Russell Brandt or the Zutons. 32:37.082 --> 32:38.524 Notice I pronounce it, the zootons. 32:38.765 --> 32:39.846 The zootons, they say. 32:39.866 --> 32:40.908 This is the correct pronunciation. 32:40.948 --> 32:42.791 Cootons, they sit on foodtons. 32:42.831 --> 32:44.333 Their combined weight is teutons. 32:44.854 --> 32:46.156 OK, so listen. 32:46.556 --> 32:49.701 News that you may have caught or missed this week, Joe Cornish. 32:50.041 --> 32:52.545 The number of youngsters, that's young people. 32:53.533 --> 32:59.640 Caught cheating in GCSE and A-level exams rose by 27% last summer. 32:59.680 --> 33:00.702 Wow. 33:01.082 --> 33:02.063 Stats, statistics. 33:02.083 --> 33:02.464 Stats. 33:02.704 --> 33:02.924 What? 33:03.024 --> 33:04.767 So this is kind of like a topical newsletter. 33:04.787 --> 33:06.829 This is like a kind of...exactly. 33:07.009 --> 33:09.212 This is not like the usual silly shop names thing. 33:09.392 --> 33:18.314 you know, because, uh, I couldn't help noticing we didn't get nominated for a Sony award this week, and I thought, okay, time to pull our socks up and get topical, because that's what people like. 33:18.574 --> 33:19.334 That's what the judges like. 33:19.354 --> 33:20.874 That's what the judges really like. 33:21.234 --> 33:29.235 So I don't know if there's any kind of late voting system, but listen, you know, we're having a topical competition this week, so what about it? 33:29.916 --> 33:37.377 More than a thousand children, one in four of those caught, were disqualified for using mobile phones in exam halls. 33:38.257 --> 33:54.580 that is the way that young children cheat these days with a mobile phone sounds practical to me they do every how how would you cheat on a mobile phone get someone to text you the answers to the questions yeah but how how are you going to secrete the phone they're not that flipping small secret secreted yeah 33:55.460 --> 33:58.541 Like, make it secret, that word means, in some stages. 33:58.861 --> 34:06.404 Um, I don't know, because, I don't know, I don't know, you could have a very flat phone, maybe, and put it between your bum cheeks. 34:06.724 --> 34:08.945 If I, I could put my phone between my bum cheeks. 34:08.965 --> 34:10.305 You can't then, accurately text. 34:10.325 --> 34:12.126 I've got a very flat phone, it's one of those Star Trek ones. 34:12.146 --> 34:16.207 I'm not saying that you can't put it between your bum cheeks, I'm saying that if you had put it between your bum cheeks. 34:16.347 --> 34:17.147 Bum scratching. 34:17.167 --> 34:18.308 You couldn't then ask. 34:18.328 --> 34:19.448 Pretend to itch the bum. 34:19.488 --> 34:21.649 Yeah, but then you have to text to someone in your bum. 34:21.669 --> 34:24.530 Put the beats on very quiet, you know which number makes the sound. 34:24.810 --> 34:25.831 boop, boop, boop, boop, boop. 34:26.111 --> 34:27.592 You know, you spell it by the sound. 34:27.612 --> 34:35.277 So you're texting in your bum, could you please tell me what role the propaganda, er, er, department played in The Rise of the Third Reich, something like that? 34:35.297 --> 34:35.497 Yes. 34:35.738 --> 34:40.401 I'd say, can you tell me what Rol- Serid-reek? 34:41.301 --> 34:44.363 You do it in text, like... And then who, who are they texting? 34:44.383 --> 34:46.205 Are they texting some kind of information service? 34:46.225 --> 34:49.747 They're texting that information service where you pay £1.50 and they can answer any question. 34:49.927 --> 34:50.428 Oh, really? 34:50.448 --> 34:51.228 You know that service? 34:51.268 --> 34:51.869 What's it called? 34:52.909 --> 34:53.229 I don't know. 34:53.249 --> 34:53.569 Wiggles. 34:54.910 --> 34:55.350 Wiggles? 34:55.430 --> 34:55.650 Yeah. 34:56.330 --> 34:58.431 You know, I was disappointed- Wiggles, why would you call Wiggles? 34:58.671 --> 34:59.071 Wiggles. 34:59.371 --> 34:59.891 Oh, Wiggles. 34:59.971 --> 35:00.471 Like Wicked. 35:00.631 --> 35:01.752 Wiggles would be better. 35:02.372 --> 35:03.712 The Wiggles, have you ever seen the Wiggles? 35:04.032 --> 35:05.673 Let's not digress, the Wiggles are evil. 35:06.053 --> 35:07.333 That's all there is to be said about the Wiggles. 35:07.873 --> 35:14.295 Um, but I was disappointed to find on another digression that Wikipedia is not so named because it's wicked. 35:14.915 --> 35:15.996 Man, let's get to the text. 35:16.096 --> 35:16.857 Okay, sorry. 35:16.877 --> 35:17.297 For God's sake. 35:17.357 --> 35:18.819 It's something to do with New Zealand, isn't it? 35:19.359 --> 35:19.980 I don't know, anyway. 35:21.161 --> 35:25.164 So, the competition, basically, I just want people to text in or phone in as well. 35:25.185 --> 35:25.785 Cheating techniques. 35:25.925 --> 35:28.447 Cheating techniques, modern cheating techniques. 35:28.768 --> 35:30.710 Most impressive cheating techniques you have used. 35:30.970 --> 35:31.791 Cheating anecdotes. 35:32.071 --> 35:33.332 Have you been busted for cheating? 35:33.452 --> 35:34.053 Great competition. 35:34.233 --> 35:36.295 I think we should, should we stick to specific techniques? 35:36.855 --> 35:36.995 OK. 35:37.055 --> 35:39.417 Because technology presumably has opened up a lot on new avenues. 35:39.437 --> 35:42.318 When we were at school, I had a foolproof, uh, way of cheating. 35:42.338 --> 35:43.279 What was your cheating technique? 35:43.819 --> 35:44.279 Oh, man. 35:44.419 --> 35:48.882 In- in RE, uh, I had a tiny, tiny little cheat sheet in the ins- inside of my pencil tin. 35:49.302 --> 35:49.502 Yeah. 35:49.703 --> 35:51.864 But the guy, uh, taking the exam was very old. 35:52.404 --> 35:56.165 And then, I'll explain it very quickly, it's quite complicated, but we used to take paper into our exams. 35:56.185 --> 35:56.765 I remember that one. 35:56.785 --> 35:57.946 You could take blank paper in. 35:58.026 --> 35:58.186 Yeah. 35:58.226 --> 36:04.467 So I would basically write all my notes out as if they were my exam entry, with my name and class at the top, and the date. 36:04.747 --> 36:06.848 I'd slip them into the wad of blank paper. 36:07.248 --> 36:15.030 Now my plan was this, if I got caught on the way into the exam hall, I could just say, oh sorry sir, you know, no, I've got, I put my notes in there by accident. 36:15.710 --> 36:19.912 But Cornish Minor, why have you put your name and exam board on the top of the page? 36:19.952 --> 36:21.712 I don't think I'd fill in those bits of time actually. 36:21.732 --> 36:23.573 But then I'd get into the exam hall, I'd sit down. 36:24.253 --> 36:28.195 Using a conjuring technique, I'd place my blank stack on top of the existing blank stack. 36:28.215 --> 36:28.815 Mochiko the cheat? 36:29.055 --> 36:30.736 Mochiko the magic cheat. 36:31.516 --> 36:32.956 And I was laughing. 36:33.216 --> 36:33.957 I was laughing. 36:34.057 --> 36:35.117 A B in history. 36:35.377 --> 36:37.698 Oh, because of your magic cheating. 36:37.718 --> 36:39.359 Sweet macadamia pie. 36:41.232 --> 36:42.072 It works, man. 36:42.532 --> 36:47.654 So that's analog cheating, but we want to know what's going on on the street cheat. 36:48.014 --> 36:49.094 I cheated in Spanish. 36:49.154 --> 36:51.235 I secreted a... Sorry to say secret again. 36:51.635 --> 36:56.816 I secreted a Spanish dictionary behind the cistern of the nearest lobby to the exam hall. 36:56.856 --> 36:57.537 That's classic. 36:57.597 --> 37:00.857 And then excused myself halfway through and looked up a word. 37:00.877 --> 37:01.978 Did you? 37:02.238 --> 37:02.918 One word! 37:03.218 --> 37:03.758 That was it! 37:03.878 --> 37:05.699 That was the extent of my cheating and I got a D. 37:06.776 --> 37:08.058 Well, you want to do better cheating. 37:08.078 --> 37:08.719 What a dick. 37:08.759 --> 37:11.282 Listen, 83XFM, send us your cheating techniques. 37:11.602 --> 37:12.964 You can remain anonymous if you want. 37:13.004 --> 37:14.105 You can use a pseudonym. 37:14.966 --> 37:15.927 Uh, are exams over? 37:15.947 --> 37:16.088 What? 37:16.128 --> 37:18.430 No, exams are coming up this summer, aren't they, for the kids? 37:18.831 --> 37:21.194 Of course, we by no means advocate cheating. 37:21.394 --> 37:22.215 I'm afraid I do. 37:22.415 --> 37:22.736 Do you? 37:22.916 --> 37:23.737 Yeah, it worked for me. 37:24.998 --> 37:30.201 Steve Laughs Steve Well, the official line from XFM, I would imagine, would be not to cheat. 37:30.241 --> 37:31.521 Ricky Laughs Steve No, XFM? 37:31.541 --> 37:32.442 That's an edgy station. 37:32.802 --> 37:35.223 The thing is, it depends on your attitude to exams anyway. 37:35.303 --> 37:35.483 You know? 37:35.503 --> 37:36.824 Steve Well, this is the thing, isn't it? 37:36.844 --> 37:37.124 Yeah. 37:37.384 --> 37:37.724 They are rubbish. 37:37.744 --> 37:42.026 Ricky Laughs Steve Well, are they really a genuine measure of your knowledge or wisdom or intellect? 37:42.046 --> 37:47.409 Steve No, it's a question of learning how to take the things, and if you cheat creatively, what's so wrong with that? 37:47.629 --> 37:48.410 What's wrong with that? 37:48.430 --> 37:50.131 Like, can't you be rewarded for that? 37:50.151 --> 37:54.115 83-XFM for your best cheating... cheat... cheat-teeks... cheating techniques. 37:54.175 --> 37:55.636 Or call on 0-8-7-1-2-2-2-1-0-4-9. 37:55.716 --> 37:57.918 Call, otherwise? 37:58.219 --> 37:59.620 I wouldn't mind talking to some cheats. 37:59.860 --> 38:00.180 OK. 38:00.380 --> 38:00.841 Come on, then. 38:00.881 --> 38:03.083 If we get an interesting cheat, Xanthi, you filter them. 38:03.343 --> 38:03.984 Filter the cheats. 38:04.064 --> 38:05.405 We don't want any mad cheats, all right? 38:05.585 --> 38:06.186 Just fun cheats. 38:06.766 --> 38:07.046 OK. 38:07.307 --> 38:07.827 Free play now. 38:07.867 --> 38:08.548 This is the Woolies. 38:17.883 --> 38:20.224 That's the Woolies track from the late 60s. 38:20.284 --> 38:21.445 So that wasn't The New Ordinary, boys? 38:21.765 --> 38:23.906 No, that was the Woolies of the track called Who Do You Love? 38:24.246 --> 38:25.446 This is Adam and Jo on XFM. 38:26.147 --> 38:30.248 We are asking for people to text us or give us a call with their top cheating tips. 38:30.568 --> 38:38.452 We're interested in modern cheating techniques as well, things that may have come about in the last ten years or so with the advent of exciting new cheating technology. 38:39.532 --> 38:43.914 So anything we'd really like to hear from you on the subject of cheating. 38:44.774 --> 38:46.695 and uh anything coming in yet Joe? 38:46.715 --> 39:10.124 Thanks very much Matthew right on the right stuff yes we have had some texts uh here's there's a text for instance from um in London um just the letter m if you have an identical twin like me you can alternate in exams interviews etc as we have several times no I don't believe that that's a thing you get in films sometimes and you just think please what if it's true Adam 39:10.464 --> 39:11.105 It might be true. 39:11.306 --> 39:11.987 What if it's true? 39:12.047 --> 39:12.908 I hadn't even thought about it. 39:12.928 --> 39:15.313 Wow, your mind is... Your world is exploding. 39:15.353 --> 39:15.573 Yeah. 39:16.575 --> 39:19.881 Writing exam notes on the bottom of your shoe works every time. 39:20.922 --> 39:22.624 you know, you can't go wrong with the simple ones. 39:22.664 --> 39:23.965 That's- that's- The bottom of the shoe? 39:23.985 --> 39:24.065 Yeah. 39:24.325 --> 39:25.126 That's risky. 39:25.166 --> 39:27.928 What if you s- that's like a neighbour's cheating thing. 39:28.208 --> 39:30.871 What if the piece of paper falls off on the way? 39:30.911 --> 39:33.433 What if someone's- You don't write the thing on a piece of paper. 39:33.453 --> 39:34.494 You write on the actual shoe. 39:34.634 --> 39:35.815 You write on the actual shoe? 39:35.855 --> 39:36.175 Yeah. 39:36.516 --> 39:38.257 Because no one's going to look at the bottom of your shoes. 39:38.277 --> 39:39.578 Who would look at the bottom of your shoe? 39:39.598 --> 39:40.379 They'd have to be insane. 39:40.399 --> 39:41.480 They'd have to be getting on a plane. 39:41.940 --> 39:42.701 Yeah, exactly. 39:42.761 --> 39:43.402 Don't cheat on a plane. 39:43.422 --> 39:44.282 Well then how do you look at it? 39:45.103 --> 40:04.330 you just cross your fold your legs in a casual way in a casual way yeah like that you just think but you can't get much on there because because the writing would have to be quite big to be visible from a distance you know this is one of the the things about cheating is that actually the process of preparing for the cheat is harder work than the revision itself it's often a good way of revising i used to have a rotring pen 40:04.790 --> 40:27.604 you know which is like a little uh design pen with a very fine nib and i would write in absolutely tiny lettering uh all my cheat notes for history on on like a tiny little square of paper about about an inch square you know and then i would take this almost illegible little piece of paper into the exam with me but i wouldn't need it by that time because the act of concentrating so hard on writing microscopically 40:28.004 --> 40:31.126 had pretty much drummed all the boring information into my stupid head. 40:31.407 --> 40:34.909 Apparently, it's classed as cheating if you have your phone switched on these days. 40:35.229 --> 40:35.369 Right. 40:35.389 --> 40:39.292 So if someone calls you during an exam, and a phone goes off, you get disqualified. 40:39.332 --> 40:39.652 You're busted. 40:39.672 --> 40:41.554 Says Ruby, aged 16, you are busted. 40:41.754 --> 40:42.575 Instantly busted. 40:43.155 --> 40:45.657 I'm surprised you're allowed to take a phone into an exam at all. 40:46.057 --> 40:53.182 It is easy to cheat as a girl, write notes on your thighs, then when you're sitting down, discreetly hitch up your skirt. 40:53.943 --> 40:55.644 That sounds like an erotic exam. 40:55.704 --> 40:56.705 Sexy cheating. 40:57.245 --> 41:00.407 And then of cou- that's quite good though because- Don't they all run though? 41:00.427 --> 41:00.487 Run? 41:00.507 --> 41:00.587 Yeah. 41:00.827 --> 41:01.588 Oh stop it. 41:01.808 --> 41:03.128 Well you get hot in exams. 41:03.148 --> 41:03.709 You get prickly butt. 41:03.729 --> 41:04.469 You get hot and sexy. 41:04.729 --> 41:05.790 You get nervous wouldn't you? 41:05.810 --> 41:07.411 Well not sexy, what am I talking about? 41:07.691 --> 41:12.914 But no, and then the teacher would come- if the teacher tried to do anything about it you could bust them for harassment. 41:13.683 --> 41:30.961 yeah that's pretty good that's foolproof yeah someone says you and a friend learn semaphore that seems unlikely broken arm a cast with uh that's just out of a film as well now that can people use that one a cast right on writing on the cast you can't write on the they'd inspect a cast 41:31.622 --> 41:40.387 No, because if it's got loads of signatures and stuff on it, and you sneak a few facts in there, you know, get well soon, P.S. 41:40.407 --> 41:42.968 the pluperfect of LA is... Pluperfect. 41:42.988 --> 41:44.189 Do you remember pluperfect? 41:44.229 --> 41:44.429 No. 41:45.490 --> 41:46.670 Pluperfect's a useful tense. 41:46.870 --> 41:51.253 Anyway, keep them coming in, your modern cheating techniques, 8-3 XFM, yeah? 41:51.413 --> 41:52.513 Yeah, we'll be back after this. 41:53.574 --> 41:55.855 XFM XFM XFM XFM This is XFM 42:15.660 --> 42:16.289 Love music. 42:16.309 --> 42:16.998 Love XFM. 42:27.406 --> 42:34.054 You know, if he wasn't singing that song in a voice like that... But if he was singing it in a voice like this... It'd be a bit more suitable, wouldn't it? 42:34.074 --> 42:38.499 It sounds sort of like a Pinky and Perky song. 42:38.880 --> 42:42.825 How can he sing a song like that, like this, as if it's, like, tough and cool? 42:43.065 --> 42:45.628 Because he's serious about being, uh, quirky. 42:45.908 --> 42:46.049 Yeah. 42:46.109 --> 42:46.950 Cool, okay, thanks. 42:47.470 --> 42:48.331 That was The Future Heads. 42:48.551 --> 42:49.651 That's a new track from them. 42:49.671 --> 42:50.332 Skip to the end. 42:50.872 --> 42:52.873 Their new album is released on the 15th of May. 42:53.353 --> 42:54.814 Same as The Raconteurs, I believe. 42:55.534 --> 43:02.158 And that's the first single to be taken from the Sunderland Quartet's forthcoming LP News and Tributes. 43:02.318 --> 43:05.760 Brand new music here on XFM, the number one station for brand new music. 43:06.340 --> 43:08.782 Thanks very much, Jack Hornish. 43:08.822 --> 43:14.224 So, our text competition this week, we're asking you to send in contemporary techniques for cheating in exams. 43:15.685 --> 43:16.726 I'm gonna read some out now. 43:17.126 --> 43:19.967 There's one there someone emailed earlier on didn't they saying? 43:20.627 --> 43:22.508 Study harder you thick idiots. 43:22.928 --> 43:26.130 I'll probably come to that I'm gonna read these without preparation. 43:26.270 --> 43:40.937 Okay, then Yeah, take your answers in you pocket and just pull them out when you get seated Nobody checks because they wouldn't believe someone would be so stupid and blatant hide in plain sight hide and that's an interesting technique Generally in an approach to life. 43:41.097 --> 43:41.557 That's right. 43:41.697 --> 43:42.617 Just walk into shops. 43:43.037 --> 43:44.138 Take something walk out and 43:44.338 --> 43:44.958 Yeah, exactly. 43:45.138 --> 43:45.399 Yeah? 43:45.879 --> 43:47.139 You know, deprogram yourself. 43:47.420 --> 43:47.720 Yeah. 43:48.240 --> 43:49.340 It's taking the big risk. 43:49.480 --> 43:53.542 Strip away all those reactions that society has taught you. 43:53.582 --> 43:55.623 Yeah, if you are caught, though, you're in serious trouble. 43:55.643 --> 43:57.784 Yeah, it's an insane way of carrying on. 43:58.285 --> 43:59.045 OK, here we go. 43:59.085 --> 44:02.987 Get several elastic bands, stretch them, then write the answers on them. 44:03.387 --> 44:05.888 Once they're back to normal size, you can't read the writing. 44:05.988 --> 44:09.910 Stretch and once, wrote down, you then flick them to your mates. 44:10.370 --> 44:13.432 Oh, you flick them, Richie and Essex, with too much time on my hands. 44:13.972 --> 44:39.522 please play there goes the fear by I don't know but that's quite good isn't it stretch that that's clever Adam what do you think of that that is clever I don't believe it would work though I know I'm not talking about you stretch it you let it what's the opposite of stretch contract and then you can flick it to someone else playing is the word playing it to someone else clever man well done Richie yeah that's I flirted outrageously with my teacher and after the exam he changed the name on an a-grade paper 44:40.282 --> 44:42.103 for a previous year to mine. 44:42.904 --> 44:45.485 Big boobs are very handy in most situations. 44:45.565 --> 44:46.145 Who's that from, Lalisa? 44:46.165 --> 44:46.846 That's from Alice. 44:47.886 --> 44:50.508 That's true if you've got big boobs and you're still at school. 44:51.148 --> 44:52.669 You're an A student all the way. 44:52.789 --> 44:53.570 That's outrageous. 44:53.590 --> 44:55.531 That is an outrageous thing to say. 44:56.011 --> 44:57.092 You could get in trouble for that. 44:58.291 --> 44:59.212 for what, for saying that? 44:59.392 --> 45:05.458 No, no, no, for encouraging that kind of, um, prosecutable confusion on a sexual basis in school. 45:05.678 --> 45:10.824 My mum taught at my school, so I sneaked a look at the exam questions which she'd secreted in her bag. 45:11.264 --> 45:12.605 I think I did pretty well, though. 45:12.866 --> 45:17.931 I'll never know, cos the invigilator caught me talking at the end and came over and ripped up my paper. 45:18.351 --> 45:18.792 From Beth. 45:19.532 --> 45:21.375 I got unnecessarily excited while reading that. 45:21.415 --> 45:21.695 Sorry. 45:23.377 --> 45:26.361 So are we looking close to finding some kind of winner? 45:26.381 --> 45:27.042 It's up to you, man. 45:27.062 --> 45:27.743 You choose the winners. 45:28.003 --> 45:31.888 There haven't really been any outrageous bits of brilliance there. 45:31.968 --> 45:32.429 How about this? 45:32.509 --> 45:35.633 My mate sewed Morse code into her skirt. 45:36.634 --> 45:37.475 I just don't believe that. 45:37.495 --> 45:38.555 But it would be quite quick. 45:38.675 --> 45:40.976 A dash, dot, dash, dot, dash is a longer stitch. 45:41.597 --> 45:42.917 A dot is a shorter stitch. 45:43.698 --> 45:46.259 You could, I mean, you could put the whole of a novel on there. 45:46.339 --> 45:48.960 But you- you deserve an A for learning Morse code. 45:49.000 --> 45:52.262 Well, you get an A. You haven't had to do any actual thinking work. 45:52.302 --> 45:52.982 It's all sewing. 45:53.002 --> 45:53.703 And you've learned Morse code. 45:53.723 --> 45:55.844 It's a clever way of- of, you know, diverting 45:56.684 --> 45:58.145 yeah well it's just sewing. 45:58.285 --> 46:10.769 That's like saying a good way of cheating is to learn Italian brilliantly and then have some Italian tourists go by the window and say the answers and you can understand what they're saying. 46:10.889 --> 46:12.790 I know what you're saying that was an anonymous one I think. 46:12.970 --> 46:14.611 Hey isn't that quite a good idea though? 46:15.211 --> 46:18.652 learn Italian, and then get some tourists to shout out the answers. 46:18.753 --> 46:19.513 Outside the window. 46:19.533 --> 46:20.333 Outside the window. 46:20.493 --> 46:21.234 That is quite good. 46:21.254 --> 46:22.674 It wouldn't work in an Italian exam. 46:22.754 --> 46:28.136 No, obviously we wouldn't pick an Italian exam, otherwise the teacher would pretty much know what you were doing. 46:28.356 --> 46:31.358 Yeah, there's a lot of girls putting notes on their thighs and up their skirts. 46:31.398 --> 46:32.318 It's easier for girls. 46:32.338 --> 46:34.039 They've got more places to pop things. 46:34.599 --> 46:36.340 Places where people can't look. 46:37.060 --> 46:37.400 Yeah. 46:37.660 --> 46:39.802 Anyway, well, we'll wrap this up shortly, I think. 46:39.842 --> 46:41.923 So, so Joe- Can't it go on for more hours? 46:42.303 --> 46:42.964 No, it can't. 46:43.004 --> 46:43.624 It simply can't. 46:43.644 --> 46:44.485 There's so much to pack in. 46:44.505 --> 46:45.826 We've got dishes in the docks to pack in. 46:45.846 --> 46:46.026 Okay. 46:46.506 --> 46:47.927 And all sorts of great music still to play. 46:47.947 --> 46:49.468 We'll come back with a winner right after this. 46:50.248 --> 46:53.110 And this is, let me just check. 46:53.290 --> 46:54.831 Let's just check on your piece of paper. 46:54.991 --> 46:56.492 No, no, actually it's off paper, Joe. 46:56.572 --> 46:56.773 What? 46:56.953 --> 46:58.213 We're going off paper for this one. 46:58.314 --> 46:58.854 Another free play? 46:58.894 --> 47:00.915 Another free- I'm cramming them in because- What's it gonna be? 47:00.955 --> 47:01.936 Hey, we haven't told people. 47:01.976 --> 47:03.177 This is our penultimate show. 47:03.237 --> 47:04.157 It is our penultimate show. 47:04.197 --> 47:05.178 Next week is our last show. 47:05.498 --> 47:21.008 last show so we're throwing caution to the wind you know we're going we're certainly going on a long break it might be the long break who knows the big break the big break you might be on radio norfolk yeah if i'm lucky um but anyway we've got this show and uh and next week to go 47:21.468 --> 47:22.769 but I'm cramming in the free plays. 47:23.009 --> 47:23.750 Here's David Bowie. 47:23.770 --> 47:31.174 Now, a lot of people play David Bowie, of course, but when David Bowie gets played on the radio a lot, especially on Radio 2, I've noticed, they tend to favour the 70s stuff. 47:31.294 --> 47:35.357 That's all classic stuff, sure, but they're ignoring an important body of work in the 80s. 47:35.377 --> 47:35.937 The bad stuff. 47:36.117 --> 47:36.617 Yeah, the bad stuff. 47:36.657 --> 47:37.958 They're ignoring the bad stuff. 47:38.038 --> 47:42.061 But the best of the bad stuff is delicious, like this one from Let's Dance. 47:51.633 --> 47:56.356 That's a rare outie for Bowie's kind of smooth falsetto crooning there. 47:58.377 --> 48:02.020 Hey, so listen, we've got Kirstie on the line. 48:02.040 --> 48:03.101 Can we fade up Kirstie? 48:04.261 --> 48:04.862 Hello, Kirstie. 48:04.882 --> 48:06.203 Thanks for letting us call you. 48:07.543 --> 48:09.064 That's what we're reduced to on this show. 48:09.104 --> 48:10.704 We have to harangue our listeners. 48:10.724 --> 48:12.085 No one ever calls us. 48:12.285 --> 48:16.206 So we reckon you've won the competition with this cheating idea that was your friend. 48:16.346 --> 48:17.326 Nothing to do with you, right? 48:17.346 --> 48:18.307 Actually, I don't even know. 48:18.327 --> 48:19.507 Well, he's not my friend. 48:19.747 --> 48:20.887 He's been going through school. 48:20.947 --> 48:21.688 Nobody we know. 48:21.968 --> 48:22.548 Nobody we know. 48:22.668 --> 48:24.448 OK, so this is just hypothetical, really. 48:24.929 --> 48:25.169 Yeah. 48:25.429 --> 48:26.469 Yeah, yeah, yeah. 48:26.749 --> 48:28.310 It's OK, we understand. 48:28.510 --> 48:29.530 Tell us what this person did. 48:30.310 --> 48:51.255 Well, basically, we had a French writing exam and we had to write an essay and she wrote it out on a piece of paper the same size as the dictionary and she printed out in the same font as the dictionary and she t-stained it so it would fit in the dictionary and she glued it in on the page so it looked like she was just looking up a word but really she was writing out her essay. 48:51.515 --> 48:52.095 That's genius. 48:52.115 --> 48:54.616 So you're allowed to take the dictionary into the exam? 48:54.916 --> 48:55.056 Yeah. 48:55.774 --> 48:59.676 So she printed her whole essay out onto, like, a little dictionary page. 48:59.916 --> 49:00.636 That's fantastic. 49:00.936 --> 49:02.437 I've been named to do that with receipts. 49:03.057 --> 49:04.318 No, but I'm sure it would have taken longer. 49:04.338 --> 49:04.778 Fake receipts. 49:05.118 --> 49:05.939 Should I say that? 49:06.219 --> 49:07.580 You faked receipts and then claimed the money. 49:07.600 --> 49:09.961 When I was a kid, yeah, I faked a receipt, I think. 49:10.261 --> 49:12.002 Just because I'd lost it at work or something. 49:12.042 --> 49:12.222 Yeah. 49:12.682 --> 49:16.264 And my Amstrad printer looked very like the things cash registers had. 49:16.564 --> 49:17.424 But that's brilliant. 49:17.504 --> 49:17.804 Make it. 49:17.824 --> 49:18.545 That's very clever. 49:18.585 --> 49:20.025 That's a lot of work, though, for your friend. 49:20.045 --> 49:23.387 Well, it would have taken... It would have been easier to have just done the essay, I thought. 49:23.607 --> 49:25.068 That's the thing about cheating though, isn't it? 49:25.208 --> 49:37.556 If they caught her, they would have gone, you've failed your French writing exam, but you've passed your fonts and staining exam with an A+, which, you know, would have been an up, you know. 49:37.917 --> 49:39.518 Would you like to study fonts and staining? 49:41.504 --> 49:41.685 No. 49:41.745 --> 49:42.505 Is that an offer, Adam? 49:42.525 --> 49:43.226 You're running a course. 49:43.406 --> 49:43.847 I'm going to. 49:43.907 --> 49:45.989 I'm going to start up some fonts and staining classes. 49:46.669 --> 49:47.430 Kirsty, well done. 49:47.470 --> 49:48.051 That's very good. 49:48.071 --> 49:49.412 We reckon that's the cleverest one. 49:49.432 --> 49:54.457 A close first to the rubber bands that I really like. 49:54.477 --> 49:55.297 The rubber band was very good. 49:55.377 --> 49:56.118 Its inventiveness. 49:56.418 --> 49:57.620 Well, do you want a prize, Kirsty? 50:00.182 --> 50:01.883 Well, that's your brilliance, you see. 50:01.943 --> 50:05.185 You're so un-greedy and selfless that you would be rewarded. 50:05.245 --> 50:06.847 How old are you, Kirsty? 50:06.867 --> 50:07.207 How old am I? 50:07.227 --> 50:07.207 16. 50:07.247 --> 50:07.367 16, OK. 50:07.387 --> 50:08.908 So you're OK for any of the prizes? 50:09.168 --> 50:11.790 No, she can't see this life because, frankly, it's 18. 50:12.271 --> 50:13.531 And Kirsty, you couldn't handle it. 50:14.152 --> 50:14.932 You couldn't handle this. 50:15.213 --> 50:16.373 You probably haven't heard swearing. 50:16.414 --> 50:17.915 It would shock you some of the words, they say. 50:18.275 --> 50:20.817 And there are also bits of men that you don't know about. 50:21.758 --> 50:44.521 that are displayed in this and they would shock you you'd think there was some sort of worm like crawling up the front of the man what's wrong with that xanthi some sort of worm come on it's just nature don't you be frightened of or ashamed of kirsty did it kirsty did you think we were going to be a bit nasty to you when we called up yeah i was scared because you were mean to someone else why would we mean what the bloke who was asleep that called in 50:45.041 --> 50:46.322 I don't, yeah, probably, yeah. 50:46.362 --> 50:47.302 Come on. 50:47.522 --> 50:50.103 He just didn't sound like he was in the same universe. 50:50.123 --> 50:54.285 He's really bored and we just didn't understand why he'd phoned in if he was so bored. 50:54.645 --> 50:56.086 So listen, what price do you want, Kirsty? 50:56.106 --> 50:58.547 Do you want the Robocop DVDs? 50:58.607 --> 51:00.368 There's over six hours of viewing. 51:00.828 --> 51:01.809 Go on, let her have this life. 51:01.829 --> 51:03.209 We've got another copy of this life, don't we? 51:03.229 --> 51:03.709 That's illegal. 51:03.749 --> 51:06.511 We can't give an 18 DVD to a 16-year-old listener. 51:06.551 --> 51:07.331 Well, you can, Adam. 51:07.351 --> 51:08.732 But no, genuinely, you'll be busted. 51:08.792 --> 51:09.592 You will be busted. 51:09.732 --> 51:10.072 Really? 51:10.152 --> 51:11.553 Yeah, it's like selling Seagies to a kid. 51:12.654 --> 51:33.753 course it is you're giving it the government it's not it'll freak her out but she's she's not ready for egg and the must-see show about living loving party going 20-somethings she's not ready for it so you can have robo cop or you can have tickets to see russell brand stand-up show which will be far filthier than any this life exactly or a pair of tickets to see the zootons 51:34.364 --> 51:35.464 Oh, can I have the suit on to pick it up? 51:35.504 --> 51:35.905 Of course, yeah. 51:35.925 --> 51:36.625 That's a good prize, there you go. 51:36.725 --> 51:38.285 Kirsty, thanks so much for calling, well done. 51:38.305 --> 51:39.346 Problem solved. 51:39.526 --> 51:41.727 You're lovely and we love you and thanks for calling and goodbye. 51:41.747 --> 51:42.167 Oh, lovely. 51:42.207 --> 51:42.607 Bye. 51:42.667 --> 51:43.847 Hey, thanks a lot, Kirsty. 51:44.167 --> 51:44.588 Take care. 51:45.548 --> 51:46.088 Ah, right. 51:46.708 --> 51:50.650 Music and then, actually no, we should get into Dizzy's in the Dock, we've only got 20 minutes left. 51:50.670 --> 51:52.110 Let's do some music first, you've said it now. 51:52.350 --> 51:53.471 I don't know, we should launch it. 51:53.511 --> 51:57.092 Let's launch and then we'll get into some music and how to... 52:01.269 --> 52:04.594 See, saying launching it kind of dignifies the fact that I'm just playing a jingle. 52:04.614 --> 52:05.275 Pressing a button. 52:05.435 --> 52:05.575 Yeah. 52:05.775 --> 52:06.837 So this is Ditties in the Dock. 52:06.857 --> 52:08.499 You get to vote for what show we play. 52:08.539 --> 52:09.781 Oh, come along. 52:11.082 --> 52:11.803 Please talk, Adam. 52:11.843 --> 52:12.585 I can't do it anymore. 52:13.145 --> 52:16.430 This is the part of the show where Joe and I battle it out. 52:16.690 --> 52:23.153 to see who will be the person that plays the final song of our two hours here on XFM. 52:23.273 --> 52:24.093 What's the theme this week? 52:24.133 --> 52:30.916 The theme this week is covers of classic soul songs by New Wave bands. 52:31.236 --> 52:32.177 I love that theme. 52:32.477 --> 52:33.637 I love that theme too. 52:33.657 --> 52:34.738 Do you want to know what I've chosen? 52:34.758 --> 52:35.158 Go on then. 52:35.718 --> 53:01.913 Take me to the river by Al Green as covered by the talking heads from their album more songs about buildings and food It's an unlikely combination an edgy guitar based art band Covering a soulful, you know Song, but it works really well and please vote for it Oh, it's 7 1 triple 2 1 0 4 9 if you want to hear take me to the river by the talking heads Oh, it's 7 1 triple 2 1 0 4 9 alternatively alternatively you can vote for the slits and 53:02.553 --> 53:04.875 fronted by The Slits. 53:05.155 --> 53:07.977 They were an all-girl group fronted by Ariop. 53:08.938 --> 53:09.638 What? 53:10.279 --> 53:11.279 What are you talking about? 53:11.319 --> 53:11.740 You got mad. 53:11.920 --> 53:15.462 It's like an insane kind of punk lady language I'm talking. 53:16.043 --> 53:21.687 This is from their classic album, Cut, and it's a cover of Marvin Gaye's Heard It Through the Grapevine. 53:22.447 --> 53:38.261 and she sort of applies her mad, I think is she Dutch or German, but she has a really odd way of delivering her tunes and combined with the spiky new wave sound of the slits themselves, it's an irresistible combo. 53:38.301 --> 53:39.262 What's it a cover of again? 53:39.602 --> 53:42.423 Heard it through the grapevine by Martin Gay. 53:42.923 --> 53:44.943 And so I want you to vote for the slits. 53:45.524 --> 53:46.144 OK, so there you go. 53:46.164 --> 53:49.285 It's the talking heads versus the slits. 53:50.005 --> 53:49.285 08712221049. 53:50.365 --> 53:53.706 Everybody who gets on the air gets a chance to win one of our superb prizes. 53:54.386 --> 53:55.186 And that's it. 53:55.246 --> 53:56.126 So please call now. 53:56.286 --> 53:57.407 This is XFM. 54:17.873 --> 54:18.493 Love music. 54:18.533 --> 54:20.955 Love XFM. 54:36.089 --> 54:36.529 There we go. 54:36.649 --> 54:38.470 I conclude that it does make him crazy. 54:38.690 --> 54:39.570 Gnarls Barkley. 54:39.590 --> 54:40.890 Yeah, all those things do make him crazy. 54:40.910 --> 54:41.311 You reckon? 54:41.351 --> 54:41.831 You're crazy. 54:41.871 --> 54:42.351 He's crazy, mate. 54:42.851 --> 54:45.232 That's out this week, so rush out and buy it. 54:45.252 --> 54:46.952 I'm sure it's going to be a massive hit. 54:47.112 --> 54:50.033 A smash of... A smash of hit. 54:50.253 --> 54:51.133 So it's Dit is in the Dock. 54:51.173 --> 54:56.435 It's the slits versus the talking heads with covers of soul classics, Take Me to the River and what's your one? 54:56.455 --> 54:57.035 What's going on? 54:57.075 --> 54:57.795 Heard it through the grapevine. 54:57.815 --> 54:58.575 Heard it through the grapevine. 54:58.596 --> 54:58.996 There we go. 54:59.036 --> 55:00.656 We've got four callers on the line. 55:00.876 --> 55:03.477 We did have five, but Cornelius decided to hang up. 55:03.857 --> 55:05.118 We've had a few hangers this week. 55:05.538 --> 55:06.679 Cornelia, what are you playing at? 55:06.719 --> 55:08.101 They didn't want to sit through Gnarls. 55:08.121 --> 55:09.262 You've put a spanner in the works. 55:09.282 --> 55:10.142 They wanted to dance. 55:10.523 --> 55:11.804 I can't be hanging on the phone. 55:12.044 --> 55:13.225 I got to dance to Gnarls Barkley. 55:13.245 --> 55:14.566 I ain't hanging on no telephone line. 55:14.846 --> 55:15.607 No, exactly. 55:15.727 --> 55:18.329 So let's go to Heather, who now becomes our first caller. 55:18.349 --> 55:18.830 Hello, Heather. 55:20.111 --> 55:20.871 Oh, please, Heather. 55:21.732 --> 55:22.152 Are you there? 55:22.172 --> 55:22.613 There she is. 55:23.113 --> 55:23.534 Hello. 55:23.594 --> 55:24.054 Hello, Heather. 55:24.074 --> 55:24.815 Thanks for hanging on. 55:24.835 --> 55:25.675 Oh, that's OK. 55:25.715 --> 55:27.337 How did that track sound down the phone? 55:27.879 --> 55:28.840 Um, it was okay. 55:28.880 --> 55:29.380 Do you like it? 55:29.861 --> 55:32.683 Um, sort of, but I'm going off it, cos it's played a lot. 55:32.763 --> 55:33.484 It's played a lot, isn't it? 55:33.504 --> 55:34.565 It doesn't even come out till Monday. 55:34.665 --> 55:35.746 They should realise that mistake. 55:35.786 --> 55:36.487 It's insane, isn't it? 55:36.507 --> 55:39.069 Why don't they just release playthings at the same time as they're released? 55:39.129 --> 55:40.810 It feels as if it's been a hit for a bit. 55:40.850 --> 55:42.692 It feels... What is number one this week? 55:43.012 --> 55:46.495 Uh, it's... it's Neo with So Sick, but you don't want to get into that. 55:46.515 --> 55:47.496 That's R&B world. 55:47.516 --> 55:48.897 Hello, are you still with us? 55:49.057 --> 55:49.698 Yes, yes I am. 55:49.738 --> 55:49.918 Yeah. 55:50.218 --> 55:51.019 So, what are you voting for? 55:51.039 --> 55:52.300 Is it going to be the slits or talking heads? 55:52.801 --> 55:53.621 The slits, I think. 55:53.681 --> 55:54.402 The slits? 55:54.502 --> 55:55.423 Why have you made that decision? 55:56.044 --> 55:58.546 I don't know, it's just random really. 55:58.626 --> 55:59.567 Right, just like slits. 56:00.027 --> 56:00.848 And would you like a prize? 56:00.888 --> 56:03.089 Are you a big fan of Robocop, the tin copper? 56:03.369 --> 56:04.110 I'm not really. 56:05.291 --> 56:07.032 Does anyone ever call him the tin copper? 56:07.432 --> 56:08.673 There he's at, tin bobby. 56:08.793 --> 56:09.694 Surely he's a copper copper. 56:09.994 --> 56:10.915 A copper copper, yeah. 56:11.756 --> 56:12.336 So you don't want that. 56:12.416 --> 56:13.137 What about this life? 56:13.940 --> 56:16.502 Um, have you got any tickets for Russell Brand? 56:16.722 --> 56:18.763 Yeah, you can have the tickets for Russell Brand, definitely. 56:19.083 --> 56:20.224 That's Monday night, can you make it? 56:20.564 --> 56:21.344 Yes, yes I can. 56:21.384 --> 56:26.007 Yeah, at the Hen and Chickens, there we go, well done, thank you very much for calling, and goodbye. 56:27.888 --> 56:30.249 Very decisively handled there Joe, thanks a lot Heather. 56:30.830 --> 56:32.591 Paul is on the line, how you doing Paul? 56:33.051 --> 56:33.531 I'm good thanks. 56:33.691 --> 56:34.652 Did you call before Paul? 56:35.572 --> 56:36.193 I had done. 56:36.453 --> 56:37.313 Yeah, did we go Paul? 56:38.454 --> 56:38.634 Yeah. 56:38.956 --> 56:39.956 Yeah, well, we're doing it again. 56:41.037 --> 56:42.858 It's like a running thing between us, Paul. 56:43.298 --> 56:46.779 I always ring when I'm stuck in traffic. 56:46.999 --> 56:47.980 Today I'm not for once. 56:48.260 --> 56:48.540 Are you not? 56:48.560 --> 56:49.020 Well done, mate. 56:49.160 --> 56:49.640 What are you doing? 56:49.720 --> 56:51.201 Are you hanging out? 56:51.381 --> 56:51.981 I'm cleaning. 56:52.721 --> 56:53.002 Cleaning? 56:53.022 --> 56:53.702 What are you cleaning? 56:54.162 --> 56:55.423 I'm cleaning everything. 56:55.723 --> 56:56.203 Your body? 56:56.223 --> 56:58.424 Are you cleaning your body? 56:58.684 --> 57:02.705 The only thing is, as I clean, my body's getting dirty. 57:02.725 --> 57:03.806 You're cleaning the whole house? 57:05.667 --> 57:06.347 A whole room. 57:06.627 --> 57:08.168 A whole room, that's impressive. 57:08.428 --> 57:10.869 Are you cleaning on your own or for any particular reason? 57:12.069 --> 57:13.189 I just sick of the dust. 57:13.409 --> 57:17.931 What are you using? 57:18.351 --> 57:20.251 Cloths and spray. 57:20.291 --> 57:22.092 Anything not used by Karl Hauman. 57:22.879 --> 57:23.400 By who? 57:23.700 --> 57:26.442 Oh, he's the guy from the Mr. Muscle ads, isn't he? 57:26.883 --> 57:27.864 Is it Mr. Muscle, or...? 57:27.964 --> 57:28.905 What are you talking about, Paul? 57:28.925 --> 57:29.945 No, Mr. Muscle's the wimpy guy. 57:29.965 --> 57:30.946 I thought he was a sci-fi author. 57:30.966 --> 57:31.907 Carl from Brushstrokes. 57:32.328 --> 57:32.568 Yeah. 57:32.948 --> 57:34.209 You know, the guy on the adverts. 57:34.389 --> 57:35.410 Oh, I don't know what you're talking about. 57:35.430 --> 57:37.933 So Paul, what are you voting for, the slits or talking heads? 57:38.473 --> 58:02.838 i'm going for talking heads good call there we go very good and what would you like as a prize you like the copper copper i do like the copper copper yeah have a dvd of the copper copper that's over six hours of viewing that's amazing imagine the bone machine the fight that he has with the bone machine you're gonna see that man paul thank you very much indeed for your call take care and have a good weekend sarah is on the line how you doing sarah good thank you 58:03.038 --> 58:03.498 Thank you. 58:03.518 --> 58:04.739 Yeah, what are you up to this weekend? 58:04.759 --> 58:05.399 What's going down? 58:05.419 --> 58:07.060 I'm getting ready for my friend's party. 58:07.320 --> 58:07.980 Your friend's party? 58:08.001 --> 58:09.301 What sort of a party is it going to be? 58:09.321 --> 58:11.082 Is it going to be a naughty party? 58:11.482 --> 58:13.503 Yeah, there'll be boys there. 58:13.783 --> 58:14.124 Boys? 58:14.144 --> 58:16.765 Are you at the age where you might snog a boy? 58:17.609 --> 58:18.490 I'm 29, so I bloody hope so. 58:18.510 --> 58:18.610 Nice. 58:18.630 --> 58:19.371 Sarah's not going to do that. 58:19.391 --> 58:21.953 She sounds too attractive for that kind of thing. 58:21.993 --> 58:23.314 Sarah, what are you going to vote for? 58:23.334 --> 58:24.635 Talking heads. 58:35.845 --> 58:59.103 yeah talking heads it's not your choice though i know but what's happened to the drama it feels like a win-win this week because they're both very good songs but i do want to play the slits because it certainly isn't played very often it's not looking good man it's 2-1 to the heads i know i need i need some more slit action hey thanks for calling and what would you like do you want the copper copper tin copper bobby copper metal bloke probably not no this life what about this life 59:00.563 --> 59:01.543 Hey, there we go. 59:01.643 --> 59:02.304 Happy ladies. 59:02.364 --> 59:02.984 We'll send you to that. 59:03.024 --> 59:04.325 Thank you for calling, thank you for voting. 59:04.485 --> 59:05.025 Thanks, Sarah. 59:05.105 --> 59:05.585 Goodbye. 59:06.225 --> 59:07.366 Libby is on the line. 59:07.386 --> 59:07.426 Hi. 59:07.706 --> 59:08.586 Hi, Libby, how you doing? 59:08.907 --> 59:09.827 Hi, I'm good, thanks. 59:10.627 --> 59:11.528 Are you Libby Purvis? 59:12.395 --> 59:13.075 No, I'm not. 59:13.375 --> 59:13.955 Just checking. 59:14.316 --> 59:14.916 Just checking. 59:15.976 --> 59:17.156 She will call him one day, Ed. 59:17.476 --> 59:18.077 Will she? 59:18.177 --> 59:19.197 One day she'll call him that. 59:19.217 --> 59:20.157 Just don't give up hope. 59:20.277 --> 59:22.638 When is it going to be Libby Purvis day? 59:22.658 --> 59:23.998 What will you say to her? 59:24.218 --> 59:28.379 I'll say, I'll say, what's it like being Libby Purvis? 59:28.399 --> 59:30.120 Oh, imagine what it is like. 59:30.460 --> 59:31.760 Can you make it up, Libby? 59:31.780 --> 59:33.021 Sorry. 59:33.121 --> 59:33.921 Just make it up. 59:35.148 --> 59:36.309 What's it like being Libby? 59:36.329 --> 59:38.050 Libby doesn't understand what's going on. 59:38.270 --> 59:40.431 Neither do I. Libby, what are you voting for? 59:40.451 --> 59:41.532 Uh, the slits. 59:41.932 --> 59:42.432 The slits? 59:42.472 --> 59:43.513 Are you a fan of the slits? 59:44.393 --> 59:44.754 I am. 59:45.194 --> 59:47.755 Yeah, well, that makes perfect sense then that you vote for them. 59:47.975 --> 59:48.736 It's a good album, isn't it? 59:48.756 --> 59:51.217 And it's an amazing version of the track as well. 59:51.618 --> 59:53.259 It sort of reinvents it in a brilliant way. 59:53.279 --> 59:54.599 I think it sounds disgusting. 59:54.959 --> 59:55.460 Oh, I like it. 59:55.920 --> 59:57.101 Libby, thank you very much, Dee. 59:57.261 --> 59:58.021 What would you like, Libby? 59:58.061 --> 01:00:02.124 I'm afraid you're left with a choice between, what, has everything gone apart from RoboCop? 01:00:02.904 --> 01:00:04.265 You, do you want RoboCop? 01:00:04.594 --> 01:00:05.914 Do you have any Zootons tickets? 01:00:06.334 --> 01:00:08.075 Have we got any more Zootons tickets? 01:00:08.195 --> 01:00:09.875 No, Libby, this is terrible. 01:00:10.095 --> 01:00:10.575 Oh no. 01:00:11.176 --> 01:00:12.676 Can we not squeeze Libby into the Zootons? 01:00:12.696 --> 01:00:14.296 Oh, suddenly everything's gone really bad. 01:00:14.616 --> 01:00:17.177 The loop has started playing again and it's slightly tiring. 01:00:17.477 --> 01:00:18.677 Libby can't get the prize she wants. 01:00:18.697 --> 01:00:19.618 We can, we can, we can. 01:00:19.638 --> 01:00:20.998 Oh, we're going to sort her out with Zootons tickets. 01:00:21.458 --> 01:00:21.898 How about that? 01:00:21.958 --> 01:00:22.958 We're going to squeeze you into the Zootons. 01:00:22.978 --> 01:00:24.679 But you will be accompanied by Robocop. 01:00:26.099 --> 01:00:26.739 So have a good time. 01:00:26.779 --> 01:00:27.619 Thanks for laughing at that. 01:00:28.220 --> 01:00:29.020 Take care, Libby. 01:00:29.260 --> 01:00:31.760 Then it's 2-2, so the deciding vote goes to Michael. 01:00:31.800 --> 01:00:32.361 Hello, Michael. 01:00:32.381 --> 01:00:33.741 Hi, Michael. 01:00:34.608 --> 01:00:35.989 Has Michael hung off? 01:00:36.669 --> 01:00:37.250 No, I'm still here. 01:00:37.490 --> 01:00:38.471 How you doing, Michael, mate? 01:00:38.911 --> 01:00:39.611 I'm very well, thanks. 01:00:39.631 --> 01:00:40.432 How are you? 01:00:40.512 --> 01:00:41.753 I'm pretty well as well, actually. 01:00:42.113 --> 01:00:42.853 Yeah, thanks a lot. 01:00:42.913 --> 01:00:43.274 Bye then! 01:00:44.234 --> 01:00:45.875 Only joking, joking, just joking, Michael. 01:00:46.236 --> 01:00:50.338 Now, we've got to wrap it up, in fact, because, you know, they're both fairly long songs. 01:00:50.698 --> 01:00:55.622 So we need to know, Michael, what you're voting for this week, and leave a pause before you say, because it's an exciting climax. 01:00:55.662 --> 01:00:59.244 Yeah, I will do, but I can remember this version coming out, I believe it was about 79. 01:00:59.344 --> 01:00:59.444 Yeah. 01:01:02.816 --> 01:01:05.338 Someone was, uh, I heard it through the grapevine by the slits. 01:01:05.459 --> 01:01:06.259 Hey! 01:01:06.279 --> 01:01:07.000 Fantastic. 01:01:07.240 --> 01:01:10.103 So the slits win it, and come on, you've got to have Robocop. 01:01:11.704 --> 01:01:12.966 Michael, come on, man. 01:01:12.986 --> 01:01:14.187 Well, what about two Robocops? 01:01:14.647 --> 01:01:15.268 Sorry? 01:01:15.648 --> 01:01:16.629 Listen to this synopsis. 01:01:16.669 --> 01:01:22.134 To save the city, the entrapped defenders must shut down the all-powerful computer, and in doing so, the ultimate sacrifice must be made. 01:01:22.315 --> 01:01:24.116 Come on, Michael, how could you refuse that? 01:01:24.216 --> 01:01:25.658 The ultimate sacrifice, Michael. 01:01:26.138 --> 01:01:27.118 OK then, yeah? 01:01:27.278 --> 01:01:28.419 Alright, good man, well done. 01:01:28.479 --> 01:01:29.859 Any Russell Brand tickets to go with it? 01:01:29.939 --> 01:01:31.679 I tell you what, three copies of Robocop. 01:01:32.100 --> 01:01:34.420 Unfortunately, we don't have any more Russell Brand tickets. 01:01:34.460 --> 01:01:36.481 I'm really genuinely sorry about that, Michael. 01:01:36.501 --> 01:01:37.381 That's alright. 01:01:37.401 --> 01:01:40.102 But we'll try and squeeze some more exciting knick-knacks into your package. 01:01:40.122 --> 01:01:42.162 Come on, you're getting three copies of Robocop. 01:01:42.182 --> 01:01:44.303 Imagine the enemies you'll make, handing those out. 01:01:44.843 --> 01:01:45.103 Michael. 01:01:45.683 --> 01:01:46.604 Thanks very much for your call. 01:01:46.664 --> 01:01:46.984 Take care. 01:01:47.004 --> 01:01:47.484 Have a good week. 01:01:47.785 --> 01:01:49.626 Thanks to everyone who called in and texted us this week. 01:01:49.646 --> 01:01:50.547 We really appreciate it. 01:01:50.567 --> 01:01:50.747 Yeah. 01:01:50.767 --> 01:01:54.130 We'll be back next week for our last show before our summer break. 01:01:54.690 --> 01:01:55.711 And it's going to be a crazy show. 01:01:55.731 --> 01:01:57.032 Who knows what could happen? 01:01:57.212 --> 01:01:57.372 Yeah. 01:01:57.552 --> 01:02:00.214 Do you think we should just fill the show with clips from previous shows? 01:02:00.455 --> 01:02:03.197 I think we should go crazy like the movie network. 01:02:03.257 --> 01:02:06.679 I think one of us should go mad and start swearing and smash up the studio. 01:02:07.160 --> 01:02:08.861 We should play nothing but our own music. 01:02:08.881 --> 01:02:09.081 Yeah. 01:02:09.502 --> 01:02:09.942 We should do. 01:02:10.162 --> 01:02:11.964 We should have the craziest show ever. 01:02:11.984 --> 01:02:14.426 But Joe, that's what this week's been like more or less. 01:02:15.365 --> 01:02:16.186 Yeah, that's true. 01:02:16.206 --> 01:02:17.728 So it'll be more of the same. 01:02:17.748 --> 01:02:18.129 Yeah. 01:02:19.010 --> 01:02:19.410 Take care. 01:02:19.430 --> 01:02:20.492 Love you, bye! 01:02:20.552 --> 01:02:21.153 Here's the slits. 01:02:38.814 --> 01:02:53.173 Oh, I knew what your plans to make me be With someone like her you knew before Ain't you ever kind, you know I love you more Took me miles of walls 01:03:11.773 --> 01:03:39.812 To lose my mind, honey, honey I know a man is supposed to cry But these tears I can't hold inside Losing you would mean my life, you see Cause you mean that much to me You could've taught me yourself 01:04:00.461 --> 01:04:06.563 Now listen, we're taking the opportunity of this instrumental break to say happy birthday to Laney and to Tom, whose birthday is tomorrow. 01:04:06.583 --> 01:04:09.483 We were supposed to say that through the whole show for our producers, Anthony, but we forgot. 01:04:09.503 --> 01:04:09.964 But there you go. 01:04:09.984 --> 01:04:11.424 Happy birthday, Laney and Tom. 01:04:11.484 --> 01:04:12.204 Have a special day. 01:05:05.580 --> 01:05:16.087 You be my baby You be my baby 01:05:37.040 --> 01:06:05.071 Do you plan to let me go For this other guy you knew before I'm just about to lose my mind I'm just about to lose my mind I'm just about to lose my mind 01:06:11.479 --> 01:06:11.682 XFM