WEBVTT 00:01.496 --> 00:03.598 That was Morning Runner with Burning Benches. 00:03.658 --> 00:04.599 It's Saturday afternoon. 00:04.619 --> 00:11.384 This is Adam and Joe on XFM London's 104.9 with you for the next two hours for our regular Saturday afternoon show. 00:11.885 --> 00:13.746 And what a show we have for you this week. 00:14.047 --> 00:14.327 Yes. 00:14.427 --> 00:16.028 And that's by no means a cliche. 00:16.108 --> 00:16.328 No. 00:16.429 --> 00:17.730 That's understating things. 00:17.830 --> 00:18.130 Yes. 00:18.570 --> 00:19.871 We've got DVDs to give away. 00:20.492 --> 00:28.619 One of the best films ever made, The Cooler, starring William H Macy as a man who goes into gambling casinos and cools people's luck. 00:29.622 --> 00:29.882 Yeah? 00:30.122 --> 00:30.923 Yeah, I've never seen it. 00:30.943 --> 00:31.403 Have you seen it? 00:31.443 --> 00:34.365 No, but I'm sure it's brilliant, and we've got five copies of it to give away. 00:34.385 --> 00:35.085 I hear it's brilliant. 00:35.285 --> 00:45.431 Plus, we've got a pair of tickets to see The Delays at the Shepherd's Bush Empire on Tuesday, the 7th of March, and a pair of tickets to see The Dead, 60s, at the Astoria on Sunday, the 19th of March. 00:45.451 --> 00:52.876 I thought that was to see the Angelica Houston film, The Dead, which is very depressing, and about a funeral, and was made about 15 years ago. 00:53.176 --> 00:55.057 But no, it's a better prize than that. 00:55.377 --> 00:58.659 A ticket to see The Dead 60s at the Astoria on Sunday, the 19th of March, 00:58.979 --> 01:01.260 What more motivation could you want to listen? 01:01.580 --> 01:06.161 Well, I'll tell you what more motivation. 01:06.821 --> 01:13.644 I'm going to be taking a ride into the wonderful, wacky world of Werner Herzog's accent. 01:14.204 --> 01:15.344 Yes, that's coming up later in the show. 01:15.364 --> 01:18.145 Last week we were listening to some, was it Michael Treadwell? 01:18.425 --> 01:19.246 No, Timothy Treville. 01:19.266 --> 01:22.388 We were listening to clips from Grizzly Man, the fantastic documentary. 01:22.848 --> 01:24.389 This week, a whole other aspect of that. 01:24.849 --> 01:28.112 The extraordinary voice of Werner Herzog. 01:28.432 --> 01:32.254 He's been in the news lately because he was shot during an interview. 01:32.735 --> 01:34.056 But we'll get into that later. 01:34.576 --> 01:38.258 That's if you don't know who Werner Herzog is, you might be excited by the idea of someone being shot. 01:38.699 --> 01:39.939 That'll motivate you to listen. 01:40.520 --> 01:42.461 Buy a BB gun, not a real gun. 01:43.042 --> 01:45.423 We wouldn't celebrate proper shooting on this show. 01:45.483 --> 01:46.204 No, we're anti-shooting. 01:46.224 --> 01:47.004 We think it's disgusting. 01:47.044 --> 01:47.745 On the whole, yeah. 01:48.705 --> 01:51.466 But before all that of what yeah anything you want to tease Adam. 01:52.086 --> 01:52.546 Oh, well. 01:52.566 --> 01:55.907 We've got a very good crap commentary coming up Don't we oh we've got a brilliant one. 01:55.947 --> 02:07.550 That's very true It's a acting and directing partnership who you would have heard before on this show last time we played them They really delivered in terms of stupidity this week. 02:07.610 --> 02:10.051 They're out doing themselves with one of the most 02:11.111 --> 02:24.319 Brain blastingly idiotic commentary clips ever so stay tuned for that, but let's have a free free play right now this is one of my favorite bands of all time and Not the birdie song again. 02:24.599 --> 02:25.720 What don't you like the tweets? 02:26.960 --> 02:45.873 people love the tweets okay play the tweets then well no I'm not gonna now that you've said that I'm not gonna play them because why are you gonna play I can't you just diss the tweets like well I think I manufactured pop all right man you really bring me down sorry but you know had enough of the tweets I'm not gonna play the tweets I'm gonna play Kraftwerk instead 02:50.814 --> 02:52.696 There you go, that was Tour de France by Kraftwerk. 02:52.996 --> 02:59.421 But here's an amazing fact for you, I re-edited that myself to take all my favourite sections and put them all together, so I hope I haven't ruined that for anyone. 02:59.781 --> 03:01.082 It's all about you this week, Adam. 03:01.343 --> 03:02.243 It's mainly about me. 03:02.283 --> 03:07.067 Because of course last night, Adam appeared in Channel 4's hit sitcom, The IT Crowd. 03:07.248 --> 03:08.869 The IT Crowd, you can say it either way. 03:09.730 --> 03:11.611 Which was fantastic, congratulations. 03:11.791 --> 03:12.652 Thanks very much indeed. 03:14.013 --> 03:15.034 It's great to have you in the studio. 03:15.434 --> 03:16.395 Well, it's a pleasure to be here. 03:16.415 --> 03:18.477 Thanks for fitting us into your busy schedule. 03:18.958 --> 03:21.020 First of all, is it true about the movie role? 03:22.241 --> 03:23.222 Mission Impossible 4? 03:23.622 --> 03:24.603 Yes, it is true. 03:24.643 --> 03:26.384 Based just on that appearance last night? 03:26.545 --> 03:27.045 Absolutely. 03:27.105 --> 03:30.048 They've told me that I'm no longer in the running. 03:31.109 --> 03:32.570 So yes, it's true. 03:32.770 --> 03:36.934 And tell us a bit about what it's like, what it's like on the set of the IT crowd. 03:36.994 --> 03:38.215 Is that an exciting experience? 03:38.255 --> 03:39.757 I thought you were going to say just to be famous. 03:40.257 --> 03:41.538 Well no, tell us anything. 03:41.818 --> 03:44.459 Well, Joe, to be famous is amazing. 03:44.560 --> 03:45.220 It's amazing. 03:45.420 --> 03:50.423 There's a song by The Streets which discusses the phenomenon and I agree with Mike Skinner. 03:50.523 --> 03:52.084 It is very difficult when you're famous. 03:52.104 --> 03:52.804 You probably know him. 03:52.844 --> 03:53.344 Do you know him? 03:53.965 --> 03:54.765 I do know Mike Skinner. 03:54.785 --> 03:55.626 I choose to ignore him. 03:55.726 --> 03:56.886 Is he in the IT crowd? 03:57.127 --> 03:57.507 He's not. 03:57.527 --> 03:59.068 He probably came to watch it filmed. 03:59.288 --> 03:59.968 He wasn't allowed in. 03:59.988 --> 04:01.149 He wanted to be in the IT crowd. 04:01.169 --> 04:02.730 But he's famous and you're famous. 04:02.890 --> 04:03.350 I'm more famous. 04:03.610 --> 04:04.951 Famous people hang out together. 04:05.071 --> 04:06.111 Has he tried to sleep with you? 04:06.131 --> 04:06.731 He did try and sleep with me. 04:06.751 --> 04:09.412 Have you got scratches on your back off of Mike Skinner's fingers? 04:09.512 --> 04:10.253 Yes I do. 04:10.413 --> 04:10.953 Oh dirty. 04:11.053 --> 04:12.073 And I like them. 04:12.113 --> 04:13.114 No, come on, seriously though. 04:13.134 --> 04:14.314 What kind of interview is this? 04:14.694 --> 04:17.175 It's a sexy one. 04:17.235 --> 04:19.356 Listen, so the IT crowd, what was it like? 04:20.236 --> 04:21.957 Well, do you want a serious answer? 04:21.977 --> 04:22.777 Yeah, I don't know. 04:23.698 --> 04:25.838 Well, serious answer, it was really good fun. 04:25.858 --> 04:26.639 It was the first. 04:26.679 --> 04:28.499 I've only ever been in one of those sort of things. 04:28.539 --> 04:30.080 I was in Swiss Tony once. 04:30.100 --> 04:31.200 I had one line. 04:32.081 --> 04:32.761 I saw you in that. 04:32.981 --> 04:33.321 Did you? 04:33.441 --> 04:34.182 Yeah, you were good. 04:34.302 --> 04:35.562 Thanks very much for my one line. 04:35.682 --> 04:37.103 Yeah, that was a really good line. 04:37.483 --> 04:37.823 Thank you. 04:37.863 --> 04:39.884 But you had more lines in the IT crowd, didn't you? 04:40.024 --> 04:40.925 Yeah, I had a few scenes. 04:40.985 --> 04:43.106 Basically the episode pivoted around you. 04:43.566 --> 04:44.066 More or less. 04:44.606 --> 04:46.027 And I had to do a lot of screaming. 04:46.387 --> 04:46.707 Yes. 04:47.007 --> 04:47.808 And in fear. 04:47.988 --> 04:48.568 I liked that. 04:48.608 --> 04:54.931 And when I went and auditioned for the role, the director, Graham Linehan, who is a friend of ours, we should add. 04:56.011 --> 04:57.272 Well, otherwise you wouldn't have got the role. 04:57.623 --> 04:58.463 No, well I don't know. 04:59.263 --> 05:00.784 I went in, I was up against other people for it. 05:00.804 --> 05:02.564 I was being sarcastic, I don't mean that. 05:02.584 --> 05:05.245 Yeah, but it's quite possible that there was some favouritism involved. 05:05.305 --> 05:15.547 Anyway, I was very pleased that I got it and I had to do a great deal of screaming when I went in and I was very nervous because I'm not a good screamer, generally, because I'm a quite reserved person. 05:16.027 --> 05:20.168 But no, it was really good fun and lots of nerve-wracking. 05:20.208 --> 05:24.789 Hey, sorry to cut you off, that was always interesting, but do one of the lines from it. 05:27.011 --> 05:28.332 Say one of the things you said in it. 05:28.352 --> 05:29.333 OK. 05:32.275 --> 05:34.897 I was the last person to sleep with her. 05:35.498 --> 05:36.218 Wow. 05:36.479 --> 05:36.959 I remember that. 05:36.979 --> 05:37.560 That was a good bit. 05:37.780 --> 05:42.544 Listen, I'd just like to make it clear as well that I am doing very well as a director and a writer. 05:42.824 --> 05:43.685 Yeah. 05:43.745 --> 05:48.068 So just because you're not seeing me on telly doesn't mean that in any way, Adam's better than me. 05:48.429 --> 05:48.849 Yeah. 05:48.949 --> 05:50.050 I'd just like to make that clear. 05:52.020 --> 05:52.621 So that's brilliant. 05:52.661 --> 05:59.248 I'm going to ask Adam some more questions about the IT crowd later, and if you want to text or email questions, then go ahead. 05:59.809 --> 06:02.191 You know the number and the text. 06:02.251 --> 06:04.234 It's divided opinion, the IT crowd. 06:04.274 --> 06:05.195 Man, I think it's brilliant. 06:05.235 --> 06:06.676 I think it's one of the funniest things on telly. 06:06.756 --> 06:10.520 Maybe apart from, or maybe it's precisely equal with the boosh. 06:11.241 --> 06:14.084 Which BBC Two have buried on Monday nights at 11.15. 06:14.124 --> 06:19.068 Well let's hope... It would be nice if Channel 4... But at least Channel 4 give these things a big push, you know? 06:19.088 --> 06:26.876 You've got, on the one hand, you've got the Mighty Boosh that has been completely unadvertised and untrailed but is genius and is suffering because it isn't hyped enough. 06:27.336 --> 06:34.703 On the other hand, you've got the IT crowd that's massively hyped with a big campaign and as a result people are disappointed because their expectations are astronomical. 06:35.023 --> 06:36.424 But the Boosh aren't suffering, though. 06:36.444 --> 06:37.484 They're doing pretty amazingly well. 06:37.504 --> 06:41.025 They're doing pretty well, but that show should be in a proper slot at a proper time. 06:41.106 --> 06:42.486 Their DVD is amazing. 06:42.526 --> 06:43.326 They are amazing. 06:43.426 --> 06:44.187 They're amazing! 06:44.587 --> 06:47.748 You know, a lot of people complain about what they think is canned laughter. 06:47.948 --> 06:50.749 We should talk about that in more detail. 06:51.270 --> 06:52.670 Shall we do a record and come back to that? 06:52.930 --> 06:53.711 Absolutely. 06:53.731 --> 06:54.651 Just keep things peppy. 06:54.671 --> 06:55.691 Ooh, peppy! 06:55.711 --> 06:56.632 Pepe Le Pew. 06:56.752 --> 06:57.772 I love you, Pepe. 06:57.812 --> 06:59.833 You know you were talking about the Dead 60s earlier. 06:59.853 --> 07:00.954 Why don't we play some? 07:02.314 --> 07:03.995 This is magical. 07:07.348 --> 07:09.669 That was the Dead 60s with Riot Radio. 07:09.689 --> 07:11.231 You're listening to Adam and Joe on XFM. 07:11.251 --> 07:12.071 We'll be back shortly. 07:15.614 --> 07:21.238 That was the Choral Within the Morning, the first single to be taken from the Liverpool Six Pieces' fourth album, The Invisible Invasion. 07:21.258 --> 07:25.641 That was one of my, sorry to interrupt Joe, that was one of my favourite singles of last year. 07:25.802 --> 07:27.463 Oh terrific, the in touch you are. 07:28.764 --> 07:30.165 Tell us something else about the Choral, quickly now. 07:31.306 --> 07:33.547 They hurt when you step on them. 07:34.924 --> 07:36.769 OK, yeah, this is Adam and Joe XFM. 07:36.789 --> 07:37.491 Did I say that already? 07:37.511 --> 07:39.095 London's won a 4.9. 07:39.516 --> 07:44.047 It's time for crap commentary competition, and that means it's time for the jingle. 08:09.529 --> 08:09.629 I.M.T.B. 08:09.689 --> 08:12.391 Oh, that was lovely. 08:12.531 --> 08:14.833 You know, is there any way we could have that released as a single? 08:15.693 --> 08:16.994 Uh, as a jingle single. 08:17.114 --> 08:17.735 A jingle singly? 08:17.755 --> 08:18.415 A jingly singly. 08:18.475 --> 08:18.715 Yeah. 08:18.916 --> 08:20.217 Yeah, us singles are dead though, man. 08:20.297 --> 08:20.657 Ringtone. 08:21.377 --> 08:21.778 Ringtone. 08:21.918 --> 08:23.319 The kids love the ringtones. 08:23.519 --> 08:25.800 Everything, it's all about the mobile phones now, isn't it? 08:25.880 --> 08:26.821 It is, yeah, but you know? 08:27.441 --> 08:28.022 You know what, Joe? 08:28.042 --> 08:28.922 Have we just realized that? 08:29.083 --> 08:29.903 Yeah, you know what? 08:30.704 --> 08:35.247 I can't imagine a family sitting around on a Friday night watching a mobile phone. 08:37.288 --> 08:37.468 What? 08:37.708 --> 08:38.688 That's, I don't know. 08:39.289 --> 08:40.429 Let's do this competition anyway. 08:40.449 --> 08:46.030 This is the part of the show where you have to call in and tell us who is speaking and what film they're talking about. 08:46.050 --> 08:49.731 This is an excerpt from a famous, well is it a famous film? 08:50.011 --> 09:00.273 It's a recently released film and this director and actor combination have appeared on the show before making idiots of themselves and they're about to do it again with even more strength and force. 09:00.373 --> 09:01.974 Adam do you want to pick up this? 09:02.634 --> 09:02.754 Right. 09:02.774 --> 09:10.121 So this first clip features the director talking about a specific scene in the film, which features some gunplay. 09:10.342 --> 09:16.267 In fact, many of the clips in the film, well, the whole film is more or less just a big, long gunplay festival. 09:16.748 --> 09:24.055 But he's talking here about the fact that he was very excited on the day of the big gun scene because he absolutely loves guns. 09:24.235 --> 09:25.036 Who took that bullet? 09:25.156 --> 09:25.316 You. 09:25.456 --> 09:26.097 I took that bullet. 09:26.117 --> 09:26.877 You took that bullet. 09:26.917 --> 09:27.638 You did take it. 09:27.658 --> 09:27.998 You love it. 09:28.018 --> 09:29.700 You get excited round guns. 09:29.780 --> 09:32.822 I'm so excited about this day. 09:32.962 --> 09:34.003 I've got a fucking illness, mate. 09:34.043 --> 09:34.944 I tell you, I think I'm ill. 09:35.384 --> 09:36.645 It's not an animal nut. 09:36.665 --> 09:37.366 You're not an animal nut. 09:37.546 --> 09:42.770 No, but the next film that I'm writing, there's just more and more guns in it and stuff, and I think I've got an illness round weapons. 09:42.870 --> 09:43.911 I think I'll have it looked at. 09:44.351 --> 09:46.573 As I told you, I shot 30 rabbits the other night. 09:46.613 --> 09:47.254 I'm sick in the head. 09:47.274 --> 09:48.475 I'm sick in the head, mate. 09:48.535 --> 09:50.096 But the worst thing is I feel nothing about it. 09:50.116 --> 09:50.877 I've got no morals. 09:51.037 --> 09:52.298 And I've done some squirrels the next morning. 09:52.558 --> 09:55.599 and he's done a couple of squirrels and here the **** they're getting, all apparently the squirrels. 09:56.240 --> 09:57.020 That's funny. 09:57.140 --> 09:59.101 Where did he find 30 rabbits anyway? 09:59.121 --> 10:03.263 Well they're posh, they're like Guy Ritchie, they live on massive estates in the countryside. 10:03.283 --> 10:07.185 As soon as they stop recording the commentary it's, oh you love it, love it, yeah be spash posh. 10:07.565 --> 10:08.986 Was that suitable Duncan? 10:09.466 --> 10:10.847 Now listen I'm going for a little shoot. 10:11.087 --> 10:13.028 Daddy's got a problem with squirrels, they're a frightful test. 10:13.928 --> 10:14.848 And then he reads the Guardian. 10:14.868 --> 10:20.751 I mean, you've got to just go into a rabbit warren to shoot 30 rabbits. 10:20.991 --> 10:25.553 Probably he just buys them from the butcher, probably, and puts them on a wall and shoots them. 10:26.154 --> 10:25.553 08712221049. 10:26.174 --> 10:35.918 08712221049. 10:27.474 --> 10:35.918 If you know who that was talking and what movie they were talking about, it's a newish movie on the new release shelves of your local blokebusters. 10:36.458 --> 10:37.559 To give you a clue, have we got another clip? 10:37.819 --> 10:38.640 Yeah. 10:38.820 --> 10:46.404 Here's a clip right now which actually reveals that the director has got some kind of a brain that he's using. 10:46.524 --> 10:49.326 He makes a kind of interesting point about sex scenes. 10:49.626 --> 10:49.846 Yeah. 10:50.047 --> 10:51.127 Oh yeah this is good this one. 10:51.588 --> 10:56.451 And he does raise a really very valid point about sex scenes in films. 10:56.751 --> 11:00.773 Yeah sorry I was going to make an inuendonic comment but I won't. 11:01.534 --> 11:02.554 About raising valid points. 11:02.594 --> 11:02.854 Yeah. 11:04.075 --> 11:04.716 Well here he goes. 11:05.696 --> 11:07.819 This is always mad to do a sex scene, you know what I mean? 11:07.859 --> 11:09.741 It's always just a mad, odd thing, innit? 11:09.781 --> 11:10.262 You know what I mean? 11:10.402 --> 11:11.363 I'll tell you something as well. 11:12.365 --> 11:13.846 I said, don't take your bra off. 11:14.087 --> 11:15.068 I don't want anything explicit. 11:15.088 --> 11:15.809 And I'll tell you why. 11:15.849 --> 11:20.354 Because if you've watched as much porn as I have, none of this means anything to you. 11:20.374 --> 11:22.277 You shoot a sex scene, it doesn't mean anything. 11:22.337 --> 11:22.417 No. 11:22.717 --> 11:24.338 You can't make sex scenes work. 11:24.378 --> 11:26.579 So the best thing to do for me was to go completely the other way. 11:26.659 --> 11:27.940 I don't get your carpets out. 11:28.140 --> 11:29.621 I don't want to see all your bum and all that. 11:29.641 --> 11:30.622 Just do it really quick. 11:30.662 --> 11:31.883 Yeah, yeah, absolutely. 11:31.903 --> 11:33.184 Do you know what I mean? 11:33.284 --> 11:34.364 Don't get your carpets out. 11:34.384 --> 11:35.225 What's a carpet? 11:36.406 --> 11:38.447 I mean, and surely you've only got one of them. 11:38.467 --> 11:43.870 No, I think he's saying like, you know... Oh, ladies in general do not get your carpets out. 11:43.890 --> 11:45.371 Yeah, don't get any carpets out. 11:45.391 --> 11:45.631 Yeah. 11:45.851 --> 11:48.413 Because if you're planning on... Or all of your bum. 11:48.433 --> 11:49.894 He's just got an interesting use of plural. 11:50.634 --> 11:51.075 I like it. 11:52.275 --> 11:53.516 Don't get all your bum out. 11:53.876 --> 11:54.877 But he's right, isn't he? 11:55.037 --> 11:55.538 That's the thing. 11:55.578 --> 11:56.558 He's absolutely right. 11:56.999 --> 12:00.781 If you want to see really naughty things in this day and age, you can see them very easily. 12:01.301 --> 12:11.108 They don't need to be slipped into proper films like they used to have to be in the 50s and 60s when you couldn't get access and 70s to dirtiness in the high street or on your computer. 12:11.228 --> 12:15.751 As witnessed by, there was the 100 Sexiest Moments a few weeks ago on TV. 12:15.811 --> 12:16.191 Missed it. 12:16.351 --> 12:16.732 Missed that. 12:17.072 --> 12:19.494 Hosted by a really exciting young presenter. 12:19.794 --> 12:20.374 Cool. 12:20.554 --> 12:21.215 Jimmy Carr. 12:22.596 --> 12:24.257 Yeah, he was very good. 12:24.417 --> 12:26.198 And he linked all these sexy clips together. 12:26.519 --> 12:33.444 But it was an odd experience watching it because you kind of carried on just sort of thinking surely something sexy is going to happen sooner or later. 12:33.464 --> 12:36.486 And they showed slightly edited versions of all these sex scenes. 12:36.506 --> 12:39.328 So it was even more anemic than the sex scene normally is in a film. 12:39.569 --> 12:40.069 Not sexy. 12:40.169 --> 12:42.051 It was a very frustrating experience. 12:44.692 --> 12:51.576 08712221049 if you know what director that was, making a very good point about carpets and bums, and you could win them tickets. 12:51.736 --> 12:52.917 Have we got another clip or is that it? 12:53.277 --> 12:55.739 We'll play another clip when we get a caller, why don't we? 12:55.959 --> 13:02.723 Okay, so there we go, call 08712221049 if you know the answer to that competition, and the phone lines are open now! 13:08.717 --> 13:11.158 Let's Morrissey with You Have Killed Me. 13:11.258 --> 13:13.179 Why have you killed me? 13:13.640 --> 13:18.882 The Manchester Pope of Mirth's 8th solo album, Ringleader of the Tormentors is where that single is from. 13:19.462 --> 13:21.123 It's out on April the 3rd, very exciting. 13:21.383 --> 13:24.425 For Morrissey fans, we've got Lee on the line. 13:24.905 --> 13:25.385 Hello Lee. 13:25.886 --> 13:26.166 Hello. 13:26.306 --> 13:27.166 Are you a Morrissey fan? 13:27.186 --> 13:28.687 No, not at all. 13:28.727 --> 13:30.188 No, you're a cheerful, upbeat bloke. 13:32.189 --> 13:36.191 So you reckon you know who it is behind our crap commentary competition? 13:37.542 --> 13:40.964 Shall we just play another clip to remind listeners who we're talking about? 13:40.984 --> 13:42.365 Have a listen to this clip, Lee. 13:42.385 --> 13:44.567 It might give you new ideas or make you rethink your guess. 13:45.147 --> 13:52.092 Now, this is a point in the commentary where we have seen a couple of ladies kissing each other in the film. 13:52.152 --> 13:52.372 What? 13:52.752 --> 13:54.854 I know, it's very... Why would ladies kiss each other? 13:54.894 --> 13:56.155 It's disturbing and confusing. 13:56.175 --> 13:56.895 Probably related. 13:57.256 --> 14:00.558 And the star of the film is admitting... Does it go like this? 14:01.058 --> 14:01.819 Hello, Cynthia. 14:02.259 --> 14:02.579 Hello. 14:03.240 --> 14:05.482 No, it's more involved than that. 14:06.043 --> 14:11.228 And the star of the film is admitting that he got quite excited when he saw that scene. 14:11.568 --> 14:14.971 If you're heterosexual, you've got to do it. 14:15.072 --> 14:15.772 Look, look at her. 14:16.153 --> 14:16.613 Look. 14:17.194 --> 14:17.454 Yeah. 14:17.474 --> 14:19.576 I had a lazy one near that day, I remember that story. 14:20.637 --> 14:21.438 Yeah, no, that's all right. 14:21.498 --> 14:22.018 You can say that. 14:22.299 --> 14:24.601 This is a forum for you to be able to speak your mind, son. 14:25.836 --> 14:27.860 But I love you Charles, only joking about that. 14:27.880 --> 14:28.701 But I did have a lazy one. 14:28.721 --> 14:31.706 She's a good soul, you've got to hold your hands up sometimes. 14:31.726 --> 14:33.489 Yeah, I had lips up with her in the scene later, didn't I? 14:33.509 --> 14:35.152 Yeah, you've got to chuck one in there. 14:35.172 --> 14:36.174 You've got to be done, innit? 14:41.833 --> 14:43.193 Everything goes better with lesbians. 14:43.253 --> 14:43.514 Lee? 14:44.014 --> 14:44.174 Yes. 14:44.274 --> 14:44.934 You still with us? 14:45.234 --> 14:45.874 Yes, I'm here. 14:46.234 --> 14:47.034 Well, what's your guess? 14:47.935 --> 14:52.076 Erm, it sounds like Daniel Craig, so it's Layer Cake. 14:52.776 --> 14:54.356 It sounds like Daniel Craig?! 14:54.636 --> 14:55.997 Daniel Craig is a posh man! 14:56.037 --> 14:56.797 He's a poshie! 14:57.257 --> 15:02.078 But Layer Cake because it's full of gangsters and shooting and I don't think there are any lesbians in Layer Cake. 15:02.218 --> 15:03.319 There probably were, you know. 15:03.399 --> 15:04.819 They probably didn't get involved. 15:05.519 --> 15:07.440 They're probably too sophisticated. 15:07.620 --> 15:09.061 No, I'm sure there probably were. 15:09.421 --> 15:12.903 It's a good guess, Lee, but it's incorrect, I'm afraid. 15:12.943 --> 15:14.544 Do you want to win some tickets anyway, Lee? 15:14.864 --> 15:15.444 Yeah, I'd love to. 15:15.504 --> 15:19.646 Would you like to go and see the delays at Shepherd's Bush Empire on Tuesday the 7th of March? 15:19.966 --> 15:20.266 Yeah. 15:20.486 --> 15:21.547 They might be a bit late on stage. 15:21.567 --> 15:22.087 Look at them, delayed! 15:26.238 --> 15:39.836 help us what about the dead 60s at the Astoria they might not get on stage at all cuz they're dead Lee there you go well what which one did you want 15:41.098 --> 15:41.918 There you go, good choice. 15:41.938 --> 15:43.399 Thanks for calling, and that's a good guess. 15:43.419 --> 15:44.320 This competition goes on. 15:44.400 --> 15:49.042 In a way I'm pleased, because we have another couple of clips to play of these extraordinary young men. 15:50.022 --> 15:51.003 So keep calling. 15:51.023 --> 15:55.125 008712221049 is the number. 15:55.205 --> 15:57.586 Are we gonna have some music first, then another crazy clip? 15:57.806 --> 15:58.667 Let's play some music. 15:58.707 --> 16:00.047 Now this is one of your favourite bands, Joe. 16:00.227 --> 16:01.468 I love, is this Oasis? 16:01.508 --> 16:02.669 This is the Oasis. 16:02.709 --> 16:05.430 Man, they embody my attitude to life. 16:06.590 --> 16:07.711 Your cocky swagger. 16:07.731 --> 16:08.711 My cocky swagger. 16:09.112 --> 16:09.612 Let's rock. 16:15.114 --> 16:22.622 That was the feeling with Sown, Sown, spelt S-E-W-N, as in you have sown something, you have been sowing. 16:23.343 --> 16:24.204 Yeah, hello Adam? 16:24.324 --> 16:28.529 Yeah, I'm just thinking about it but it might be the beginning of Sownot. 16:29.790 --> 16:34.635 They're self-described soft rock archaeologists and the band are out to make easy listening hip. 16:35.296 --> 16:35.816 There you go. 16:36.177 --> 16:37.638 And that's a top tip from XFM for 2006. 16:37.838 --> 16:39.299 They're going to be huge. 16:39.559 --> 16:40.060 The feeling. 16:40.540 --> 16:41.181 That's quite good. 16:41.221 --> 16:46.605 Maybe easy listening is coming back in, which is quite good for our dishes today because it's got an easy listening theme. 16:47.546 --> 16:48.727 XFM London's 104.9. 16:48.907 --> 16:51.189 You're listening to Adam and Joe here on a Saturday afternoon. 16:51.229 --> 16:55.812 It's time to try and solve this crap commentary quandary. 16:56.433 --> 16:58.474 So far, we've had a wrong guess of layer cake. 17:00.136 --> 17:01.457 So let's we play another clip, Adam? 17:01.497 --> 17:01.877 Yeah. 17:02.077 --> 17:04.899 Yeah, and have another listen to our Cockney friends. 17:05.780 --> 17:06.540 Cockney Sparrows. 17:06.820 --> 17:18.228 Okay, so in this clip, the director is talking about the fact that his star, who is in the studio doing a commentary with him, looks lovely in the shot that they're looking at. 17:18.408 --> 17:19.509 Looks young and handsome. 17:20.069 --> 17:23.311 And so this takes him off on a kind of inappropriate reverie. 17:23.331 --> 17:26.213 He looked like a film star in that, I've got to say. 17:26.253 --> 17:27.834 So young and untouched, that's the thing. 17:28.154 --> 17:30.036 He looked like a little virgin out there. 17:30.296 --> 17:31.777 I felt like a pedophile shooting that thing. 17:32.157 --> 17:36.320 So that's some sort of like a noncey school teacher going, come on boy, get your strides down, you know what I mean? 17:36.360 --> 17:37.181 So he'll be all right. 17:37.221 --> 17:38.622 I've just got a nice little Helix ruler. 17:38.702 --> 17:40.143 I'm going to beat you across the crust with it. 17:41.024 --> 17:42.105 Beat him across the what? 17:42.185 --> 17:42.825 The crust? 17:43.106 --> 17:43.626 The crust. 17:43.846 --> 17:45.247 We've got Brett on the line. 17:45.467 --> 17:45.828 Hello. 17:45.928 --> 17:46.388 Is it Brett? 17:46.408 --> 17:46.548 Yeah. 17:46.568 --> 17:47.089 Hello, Brett. 17:47.369 --> 17:47.509 Hello. 17:47.529 --> 17:48.089 How you doing? 17:48.850 --> 17:49.270 Good, thanks. 17:49.290 --> 17:49.991 You enjoying the show? 17:50.451 --> 17:50.832 Loving it. 17:51.152 --> 17:51.672 Loving it. 17:51.732 --> 17:52.353 Good, good. 17:52.873 --> 17:53.574 Loving it, loving it. 17:54.354 --> 17:56.656 I was just doing an impression of the people that were in that clip. 17:57.116 --> 17:57.797 Wasn't very good with that. 17:57.857 --> 17:59.218 Whereabouts are you from, Brett? 17:59.278 --> 18:01.300 Are you a East London boy? 18:02.580 --> 18:02.901 No. 18:03.501 --> 18:06.303 Do you understand the sort of language that these men are speaking? 18:06.803 --> 18:07.944 I've no idea what they're talking about. 18:07.964 --> 18:12.286 Do you say things like, oh I want to get an Elex ruler and beat him across the crust with it? 18:12.306 --> 18:16.289 You've got to hold your hands up though don't you? 18:16.529 --> 18:17.870 What's your guess Brett, who do you think it is? 18:18.070 --> 18:24.274 Well it's Danny Dyer and Nick Dove from The Business. 18:24.574 --> 18:24.994 Correct. 18:25.054 --> 18:25.975 Absolutely right. 18:26.115 --> 18:27.415 And have you seen The Business, Brett? 18:27.435 --> 18:28.336 I have seen The Business. 18:28.436 --> 18:29.637 Have you seen Football Factory? 18:31.312 --> 18:33.073 Oh, there's a treat in store for you. 18:33.113 --> 18:34.174 And what did you think of the business? 18:34.234 --> 18:38.036 It's very, very sort of immediate. 18:38.296 --> 18:39.597 I'd use the term in your face. 18:39.617 --> 18:41.458 It's not a term I use at all. 18:44.628 --> 18:51.851 Did you like the bit the sort of you know the ten minutes at the beginning or five minutes when they set everything up All they did was what did they do? 18:51.891 --> 19:02.855 They just beat some people up and then looked into the sky and a plane flew across the sky and it wrote the words get out of it or something and I wrote something like Be the best or be the best. 19:02.895 --> 19:07.557 Yeah, I mean that was it and that motivates the entire film Yeah, it's sort of magic realism 19:08.157 --> 19:10.180 Yeah, but you've got to admire their chutzpah, haven't you? 19:10.680 --> 19:11.541 Love it, you've got to love it. 19:12.222 --> 19:13.243 You ain't made a film, have you? 19:13.484 --> 19:14.445 Got to hold your hands up. 19:14.765 --> 19:15.426 Well done, Brett. 19:15.787 --> 19:16.868 Got to put you across your hands. 19:17.749 --> 19:18.350 So there you go. 19:18.630 --> 19:19.211 You can win. 19:19.231 --> 19:21.734 Have we already given away the tickets to see the delays? 19:21.754 --> 19:22.235 Nope. 19:22.755 --> 19:22.876 No. 19:22.896 --> 19:24.057 Do you want to go and see the delays? 19:24.097 --> 19:24.678 Say yes, Brett. 19:26.108 --> 19:26.548 There you go. 19:26.568 --> 19:28.189 They might be a little bit late on stage. 19:29.670 --> 19:31.451 Thanks for calling. 19:31.471 --> 19:32.912 Thank you very much. 19:33.232 --> 19:34.113 And yeah, that's that. 19:34.133 --> 19:35.814 So that's Crap Commentary Corner for this week. 19:36.194 --> 19:44.298 And that's all we're going to hear from Nick Love and Danny Dyer until a couple of months time when they've done another one. 19:44.338 --> 19:45.519 Probably called The Bish Bosh. 19:45.819 --> 19:46.960 I do recommend it. 19:46.980 --> 19:48.561 That would be a good text competition. 19:48.621 --> 19:50.662 Come up with the new Danny Dyer and Nick Love film. 19:50.922 --> 19:51.783 Yeah, that'll be excellent. 19:51.883 --> 19:52.723 We should do that next week. 19:52.803 --> 19:54.505 Yeah, the slam sandwich. 19:54.525 --> 19:56.606 That's what it would be called. 19:56.946 --> 19:58.347 The slam sandwich, that's quite good isn't it? 19:58.367 --> 19:58.848 That is quite good. 19:58.908 --> 19:59.588 I'll write that down. 19:59.748 --> 20:01.610 You know what, I do recommend the business though. 20:02.110 --> 20:04.111 I have to admit, I didn't actually watch the film. 20:04.452 --> 20:05.793 I just went straight for the commentary. 20:05.813 --> 20:06.353 To the commentary. 20:06.433 --> 20:08.474 And it was very enjoyable right the way through. 20:08.494 --> 20:11.296 Man, I watched it on a plane and it was very enjoyable. 20:11.336 --> 20:12.978 It made the flight fly by. 20:12.998 --> 20:13.778 There you go. 20:13.958 --> 20:14.238 Yeah. 20:14.399 --> 20:16.400 You'd be depressed if the flight didn't fly by though. 20:17.000 --> 20:18.181 Yeah. 20:18.602 --> 20:18.802 What? 20:19.302 --> 20:19.602 Music. 20:21.297 --> 20:21.938 Yes, music. 20:22.399 --> 20:26.627 This is Kanye West and Rhyme Fest with brand new Rhyme Fest. 20:28.285 --> 20:30.846 Kanye West and Rhymefest with Brand New. 20:31.426 --> 20:32.867 That's the first hour of our show done. 20:33.107 --> 20:39.969 After these adverts, we're going to be back with another hour of excitement, including a journey into the extraordinary accent of Werner Herzog. 20:40.929 --> 20:45.111 Ditties in the Dock coming up at the end of the show, plus this week's controversial hot potato. 20:45.131 --> 20:49.312 Our CHP, which is canned laughter in sitcoms. 20:49.412 --> 20:50.513 Where do you stand? 20:50.613 --> 20:54.274 Joe and I are going to be discussing the whole issue and brilliantly deconstructing it. 20:54.534 --> 20:59.621 Yeah, so stay tuned if you're listening. 21:01.384 --> 21:08.494 That was Jack Johnson with Better Together, the fourth single taken from the Hawaiian surfer-stroke-singer-stroke-a-songwriter's third album, In Between Dreams. 21:08.734 --> 21:11.097 Follow up to Sitting, Waiting and Wishing, which came out in November. 21:12.196 --> 21:13.137 That's very interesting. 21:13.377 --> 21:16.079 And before that, you heard the Arctic Monkeys, of course. 21:16.099 --> 21:16.640 Of course. 21:16.960 --> 21:17.921 When the sun goes down. 21:17.941 --> 21:20.843 The spotty superstars from Sheffield. 21:21.264 --> 21:23.065 The spotty, sarcastic geniuses. 21:23.225 --> 21:33.874 So listen, last week, listeners, you might remember that I gave you a little glimpse into the world of Timothy Treadwell, the star of Werner Herzog's new documentary, Grizzly Man, which I hope everyone went out and saw. 21:34.515 --> 21:36.156 If you haven't, I do highly recommend it. 21:36.716 --> 21:37.177 This week, 21:37.817 --> 21:43.742 I'd like to talk a bit about Werner Herzog himself, who's obviously a very famous German film director. 21:44.382 --> 21:49.766 One of the great things about watching a Herzog documentary is his voice and his extraordinary pronunciation. 21:50.086 --> 21:52.908 Adam and I are connoisseurs of funny voices in the media. 21:53.189 --> 21:54.950 Adam, you do a very good Tom Pauling, don't you? 21:55.130 --> 21:56.231 Give us a bit of Tom Pauling. 21:56.798 --> 22:00.942 Well, Joe, I think it's absolutely extraordinary. 22:00.962 --> 22:01.382 There you go. 22:01.603 --> 22:02.323 So there's Pauline. 22:03.044 --> 22:07.408 Someone else with a very interesting funny voice from the media is Mark Cousins, the film critic. 22:07.428 --> 22:08.349 Do a little bit of Cousins. 22:09.610 --> 22:11.311 I get confused with Cousins and Pauline. 22:11.331 --> 22:12.332 Mark Cousins, he's the freak. 22:12.613 --> 22:13.233 Oh, that's terrible. 22:13.293 --> 22:13.734 I can't do it. 22:14.074 --> 22:17.297 Well, Joe, let's talk about this film here. 22:17.477 --> 22:18.158 Okay, there you go. 22:18.218 --> 22:18.558 Brilliant. 22:18.578 --> 22:19.779 So there's Pauline, there's Cousins. 22:19.819 --> 22:21.181 Now what about, do you do a Schwarzenegger? 22:21.781 --> 22:24.942 This is building up, so you know, stick with it, it's building up something, it's going somewhere. 22:25.002 --> 22:25.802 Do you do a sfartsy? 22:25.822 --> 22:29.443 Do you remember when I told you I'd kill you? 22:29.463 --> 22:30.523 I lied. 22:30.623 --> 22:31.784 Yeah, what about something from Junior? 22:31.944 --> 22:32.624 My skin. 22:32.824 --> 22:33.344 Junior! 22:33.864 --> 22:37.445 Yes, Larry, Larry, feel my skin, it's so soft. 22:37.465 --> 22:38.285 So there you go. 22:38.345 --> 22:45.707 So my theory is that if you combine Tom Paulin, Mark Cousins and Arnold Schwarzenegger, you get Werner Herzog. 22:45.747 --> 22:48.568 Let's see if that's true by hearing a little clip of his voiceover from Grizzly Man. 22:49.045 --> 22:55.186 Her family declined to appear on camera and Amy herself remains hidden in Treadwell's footage. 22:56.075 --> 23:01.379 In nearly 100 hours of his video, she appears exactly two times. 23:02.200 --> 23:03.421 We never see her face. 23:04.161 --> 23:07.364 Here it is obscured by her hands and her hair. 23:08.304 --> 23:09.125 And her hair. 23:10.186 --> 23:15.790 He really says every word in a way that you cannot possibly predict. 23:16.330 --> 23:20.153 Every time, that's obviously not very good, but every time you think he's German, he goes American. 23:20.494 --> 23:24.797 Every time you think he's American, he goes sort of posh English and then he just goes into space 23:25.177 --> 23:25.757 Her hair. 23:26.238 --> 23:26.918 And her hands. 23:26.958 --> 23:27.719 Her hair. 23:28.159 --> 23:28.820 And her hands. 23:29.120 --> 23:32.982 So I want you to do an impression of this accent, Adam, because you're pretty good with accents. 23:33.002 --> 23:43.089 So let's listen to one more clip, and then I want to hear your... Because if you can do Pauline and cousins and Svarzi to that quality, you should be able to mix and blend all three and create a Herzog. 23:43.289 --> 23:44.810 Let's hear some more genuine Herzog. 23:45.251 --> 23:49.374 To me, there is no such thing as a secret world of the bears. 23:50.214 --> 23:54.497 And this blank stare speaks only of a half-bored interest in food. 23:56.598 --> 23:57.018 Bears. 23:57.119 --> 24:01.601 To me, there is no such thing as an interest in bears. 24:02.062 --> 24:03.082 No, that's not very good, is it? 24:03.102 --> 24:04.463 I know that is quite good. 24:05.084 --> 24:10.607 But he sounds as if he is fed up and slightly disgusted with everything. 24:10.888 --> 24:15.270 But as soon as you think he is disgusted, he sounds very sympathetic. 24:17.032 --> 24:28.021 There's another film, another documentary about the making of Fitzcarraldo called Burden of Dreams on which it was beset by all kinds of problems. 24:28.061 --> 24:39.771 The film was about this guy who wants to set up an opera house in the jungle or something and he gets all these tribes people to shift an enormous 24:40.512 --> 24:41.512 Paddle steamer? 24:41.532 --> 24:43.333 That's right, over a mountain. 24:43.753 --> 24:48.295 And more or less, that's what the, you know, the cast and crew had to do sort of thing. 24:48.476 --> 24:51.657 They had to deal with the same problems that the guy in the film had to deal with. 24:52.117 --> 24:53.358 So it was a bit of a nightmare. 24:53.418 --> 24:54.978 Anyway, I recommend it if you can get hold of it. 24:54.998 --> 24:55.859 It's called Burden of Dreams. 24:55.879 --> 25:07.024 But the connection there is that's where that brilliant Herzog quote comes from when he talks about basically Herzog thinks that the world is a disgusting place, that nature is brutal and murderous and that man's natural state is just to kill 25:07.924 --> 25:26.481 destroy and other rude words everywhere i look in the jungle i see murder is what he says yeah and that's that he has the same attitude to the bears but there you go uh that's us doing the hard salon who's so talented that just the sound of his voice is amazing 25:26.561 --> 25:28.803 So what were you saying before about him getting shot by a BB gun? 25:28.823 --> 25:29.983 This was last week's news. 25:30.324 --> 25:33.626 I'll do that quickly because music fans might be getting music withdrawal symptoms. 25:33.666 --> 25:40.431 But he was being interviewed by, I think, Mark Camode, the famous cowboy stroke film critic, who carries a copy of The Exorcist around and wears a piece of string for a tie. 25:40.911 --> 25:44.434 And he was interviewing him on a mountain and some bloke just shot him. 25:45.414 --> 26:12.379 with a pellet gun I think and there was blood and Herzog fell over and I think he goes oh don't worry that thing happens to me all of the time it is my one of my fans did he say it's okay I'm not badly Herzog he should have said that let's have some music all right then now here's one of my favorite bands haven't played this band for a while and it's one of my favorite tracks by them this is Spoon with 30 gallon tank 26:16.874 --> 26:18.316 That was the Gorillaz with Dare. 26:18.516 --> 26:21.400 The Gorillaz, the big hairy bunch of sillies. 26:22.863 --> 26:23.924 That's right, it's out of a joke. 26:24.224 --> 26:28.531 On London's XFM, it might stand for xylophone funny music. 26:30.512 --> 26:31.893 must be attempting to tell jokes. 26:32.153 --> 26:34.815 Why are we playing that sound effect Adam? 26:35.296 --> 26:38.678 Well that is what's known of course as canned laughter. 26:38.738 --> 26:39.199 Brilliant. 26:39.479 --> 27:00.155 Now that's laughter that is played in off a CD or you know pre-recorded laughter basically that just has nothing to do with what's actually happening in the studio at the time and we're talking about the It crowd earlier on Channel 4's new sitcom and I've been noticing that a lot of people have been criticizing it for having canned laughter what they call canned laughter. 27:00.635 --> 27:08.225 And of course it doesn't actually have canned laughter, it has the laughter of a live studio audience that was watching the show being taped. 27:08.325 --> 27:09.146 What were watching? 27:09.587 --> 27:11.830 What were being watched? 27:11.890 --> 27:13.512 What was watching? 27:13.812 --> 27:15.855 What was watching the show being done? 27:16.235 --> 27:20.980 So, just generally, a lot of people think any laughter they hear on the telly is canned. 27:21.000 --> 27:23.663 Unless they see the audience themselves, they think it's fake. 27:23.984 --> 27:26.346 Sometimes, even when they see the audience, they think it's fake. 27:26.426 --> 27:26.867 That's right. 27:26.907 --> 27:32.533 And then they get confused by the fact that some bits could not conceivably have been recorded live. 27:32.853 --> 27:37.098 Bits that require special effects or special camera editing, etc. 27:37.518 --> 27:45.782 So what they don't realize, I think, is that in those situations, the audience is seeing the pre-recorded section being played into them. 27:46.123 --> 27:51.045 So, for example, on The It Crowd, you've got the whole thing taking place. 27:51.886 --> 27:53.927 A lot of it takes place in their little nerdy nutty room. 27:53.947 --> 27:58.389 Yeah, now you speak with authority for anyone who's just tuned in, because you had a little part in The It Crowd. 27:58.469 --> 28:03.872 I saw it all being done, and so they build, they shoot it in Teddington Studios. 28:04.412 --> 28:05.952 It's like going to the theatre, isn't it? 28:05.992 --> 28:06.453 Yeah, exactly. 28:06.513 --> 28:10.474 And the bits that aren't in front of you are played on tellies in front of you, so every response is real. 28:10.654 --> 28:11.134 Yeah, that's right. 28:11.154 --> 28:17.696 But sometimes they do things twice and the warm-up guy goes, laugh at this as if it's the first time you've laughed at it. 28:18.156 --> 28:21.877 So it is true to say that some of the... if you were being really pernickety... 28:22.637 --> 28:23.838 Yeah, but I think that's fair enough. 28:24.258 --> 28:33.162 Graham Linehan, who directs the IT Graham wrote it, said to me that someone criticized him once for using a laugh from a previous take. 28:33.462 --> 28:33.763 Yeah. 28:33.863 --> 28:34.343 You know what I mean? 28:34.523 --> 28:37.925 Like they had a technical problem with a joke that otherwise went down very well. 28:38.165 --> 28:39.305 So they had to retake it. 28:39.505 --> 28:42.987 And then the audience laughed less strongly the second time because they'd already seen the joke. 28:43.187 --> 28:43.387 Yeah. 28:43.627 --> 28:46.429 So they used the original laugh over the second take. 28:47.009 --> 28:49.090 Yeah, it's a minefield, it's a minefield. 28:49.130 --> 28:51.592 If you're a pedantic comedy fan, nothing pleases you. 28:51.632 --> 28:52.652 People get very upset. 28:52.672 --> 28:57.275 People get upset, but people are funny in terms of their relationship to fiction and reality, aren't they? 28:57.315 --> 29:10.302 It's like, do you remember when somebody did an expose on the fact that on BBC wildlife documentaries they don't film it all outside, sometimes they take the little animals inside, simulate the greenery and then film them. 29:10.682 --> 29:11.063 Oh yeah. 29:11.123 --> 29:13.124 And so people said, well that's not a documentary. 29:13.524 --> 29:13.844 Right. 29:14.004 --> 29:16.205 It's not wildlife, because you've taken them indoors. 29:16.245 --> 29:17.686 There was a big scandal, wasn't there? 29:18.026 --> 29:20.407 And wasn't Mr. Attenborough Lord Attenborough? 29:20.447 --> 29:21.668 Yeah, he had to, like, defend himself. 29:21.968 --> 29:26.971 Similarly, in America, there's a man who's written a book called A Million Little Pieces about his experience as a drug addict. 29:27.811 --> 29:29.652 It was chosen for Oprah Winfrey's book club. 29:30.292 --> 29:36.755 Now she's discovered that some of it's fictional, and she hauled him on her show and humiliated him in front of the whole of America. 29:36.775 --> 29:37.115 No way! 29:37.156 --> 29:40.557 Because his story is slightly exaggerated. 29:40.577 --> 29:41.918 But that's fiction, Oprah! 29:42.677 --> 29:42.917 Really? 29:42.937 --> 29:43.618 You know, yeah. 29:44.078 --> 29:45.699 That's another that's another amazing story. 29:45.719 --> 29:48.261 But people have a very funny relationship with truth. 29:48.321 --> 29:54.265 They don't understand that the point of made up things is to be extra truthful by being made up. 29:54.805 --> 29:57.187 You can sometimes be even more truthful by lying. 29:57.587 --> 30:05.232 Plus, it's to go back to the whole canned laughter thing or the live studio audience laughter in this case, it's totally appropriate for the kind of show it is. 30:05.252 --> 30:07.133 It's a big, mad cartoonish show. 30:07.193 --> 30:08.054 It's designed to be 30:08.494 --> 30:09.734 seen by a live audience. 30:09.794 --> 30:17.056 If you didn't have a laugh track on there, you couldn't hear the audience laughing, it would feel really sparse, like did you ever see Ben Elton's sitcom, Blessed? 30:17.436 --> 30:17.636 No. 30:18.197 --> 30:21.758 That didn't have a laugh track, that was what they call a single camera show, i.e. 30:21.778 --> 30:26.279 it was not shot in front of a live audience, but it was paced and written as if it should be, you know what I mean? 30:26.299 --> 30:34.361 So you'd have all these big clunky gags, and then no one would laugh, including the people watching it at home, and it felt really, really weird and sparse. 30:34.921 --> 30:38.222 Let's see what We Are Scientists have to say about this argument. 30:38.262 --> 30:40.623 Yes, that's a good way of wrapping it up for you there. 30:40.643 --> 30:43.704 That's concluding this week's HCP. 30:44.064 --> 30:45.244 Controversial hot potato. 30:45.364 --> 30:45.805 CHP. 30:45.925 --> 30:47.665 This is We Are Scientists with It's A Hit. 30:51.947 --> 30:54.627 That was We Are Scientists with It's A Hit. 30:54.767 --> 30:56.168 This is Adam and Joe on XFM. 30:56.658 --> 31:02.760 Now a couple of weeks ago, I don't know whether you saw this Adam, Channel 4 did an extraordinary expose on low-cost airlines. 31:03.440 --> 31:08.742 Oh yes, about... How they all fall asleep and it's all dirty and they don't repair the planes proper and all that sort of stuff. 31:08.762 --> 31:10.983 Well it was about one airline specifically, wasn't it? 31:11.083 --> 31:14.344 I don't know and I don't think we should mention them just in case there's any kind of legal action. 31:14.884 --> 31:19.446 But, you know, with absolutely no connection, do you ever watch the series Airline? 31:20.506 --> 31:22.608 where people have arguments in airports. 31:22.628 --> 31:27.091 So here's my question for you Adam Buxton and everybody listening on this lovely Saturday afternoon. 31:27.351 --> 31:28.812 How does that airline stay in business? 31:29.973 --> 31:32.275 Because everybody has an awful time. 31:32.555 --> 31:33.596 Isn't it Stelios' airline? 31:33.616 --> 31:34.637 Yeah, it's EasyJet. 31:35.157 --> 31:40.164 But that program is just a parade of misery, of arguments and misery. 31:40.845 --> 31:51.680 Every single person that seems to fly EasyJet seems to go not be able to get on board and then have a huge argument with the staff who don't give an inch because they're on telly and they assume we side with them because they're the underdogs. 31:52.625 --> 31:55.646 I think they're just being open about what it's really like in an airport. 31:55.666 --> 31:56.766 Yeah, but they're being too open. 31:56.806 --> 32:00.127 Because it looks like a nightmare flying on there, doesn't it? 32:00.147 --> 32:03.288 You're guaranteed an argument with a stupid woman in an orange apron. 32:03.508 --> 32:06.689 No, all the people that get into arguments are mental anyway. 32:06.930 --> 32:08.290 Well, I don't know. 32:08.650 --> 32:13.592 It's just to me, it's just people complaining the whole time and saying things like, I demand to see your superior. 32:15.172 --> 32:33.927 saying look I'm a journalist and this made me think about you know times when you're complaining to someone on the phone and you maybe tell a little lie try and get a little more back yes and you know you feel that this is futile if they just think I'm a normal spot they're not gonna I'm not gonna get anything out of them so I'll pretend 32:34.227 --> 32:35.589 I'm someone more powerful. 32:35.869 --> 32:38.612 It's like that thing when you go into a restaurant and you get bad service. 32:38.712 --> 32:40.253 I say you as if other people have done this. 32:41.034 --> 32:47.761 And I'm not saying I've done it, but when the waitress goes past you might mumble something under your breath like, yeah and the review's being published on Tuesday. 32:49.023 --> 32:49.163 Yeah. 32:49.563 --> 32:52.146 And that's why I stopped being the food critic for the Times. 32:52.867 --> 32:54.068 Just as the waiter goes past. 32:54.088 --> 32:54.629 You ever do that? 32:54.649 --> 32:59.354 Yeah and Jamie Oliver said to me... Yeah, in airline people try all sorts of stuff. 32:59.374 --> 33:00.415 I'm a journalist of the good one. 33:00.435 --> 33:04.979 The other day there was a woman who said, look I have a friend who works closely with Tony Blair. 33:06.102 --> 33:07.463 Now, what's that supposed to do? 33:08.403 --> 33:10.024 How would you actually carry that threat through? 33:10.044 --> 33:16.586 Well, he didn't let me on the plane, so I'm going to call my friend who works closely with Tony Blair and get that person, what, put in prison? 33:17.186 --> 33:20.047 Put in prison or get some bill to shut the airline down. 33:20.087 --> 33:21.468 Get Tony Blair to tick them off? 33:21.668 --> 33:24.709 Increase the price of petrol for EasyJet. 33:24.969 --> 33:28.150 Anyway, those are the sorts of questions that go through my head when I'm watching airline. 33:28.650 --> 33:32.632 What's the most outrageous thing you've ever complained about and sort of pulled rank on? 33:33.996 --> 33:44.424 I pretended I was doing a radio documentary about council services in order to get my council to clean up a little park around the corner from me. 33:44.664 --> 33:45.404 Did you get any joy? 33:45.424 --> 33:45.945 Yep. 33:46.345 --> 33:46.645 Really? 33:46.785 --> 33:46.986 Yep. 33:47.206 --> 33:47.986 That's fantastic. 33:48.006 --> 33:48.347 Yeah. 33:48.387 --> 33:48.927 Result. 33:49.047 --> 33:49.427 Result. 33:49.688 --> 33:50.688 That's never worked for you. 33:50.808 --> 33:52.390 Have you told some sort of a lie, Adam? 33:54.871 --> 33:55.732 Yeah, I think I did. 33:55.772 --> 33:58.273 I got very frustrated with this years ago. 33:58.714 --> 34:06.038 In the old days when I was still trying to be thin, I bought a running machine and the running machine broke fairly quickly. 34:06.519 --> 34:14.384 And then I tried to get the company to take it back and it took years and years of misery and phone calls and it just, it was awful. 34:14.704 --> 34:19.507 And then I pretended that I was making a documentary for the BBC about bad service. 34:19.527 --> 34:20.968 That's all I could think of. 34:21.533 --> 34:22.254 That's terrible. 34:22.274 --> 34:25.175 I thought you said a documentary about broken running machines. 34:25.516 --> 34:26.216 No, it wouldn't. 34:26.236 --> 34:27.497 We should try this next week. 34:27.537 --> 34:34.722 Let's call someone up and do it live on the radio and do the most rubbish lie about what your authority is and see whether they go for it. 34:34.902 --> 34:36.143 OK, we should play some more music. 34:36.363 --> 34:41.847 Here's the Zootons with Why Won't You Give Me Your... What? 34:42.187 --> 34:42.767 I don't know. 34:42.787 --> 34:44.548 It just says, why won't you give me you? 34:44.929 --> 34:46.009 That's a good enough title. 34:46.029 --> 34:46.510 Your love. 34:46.650 --> 34:47.250 Yeah. 34:47.290 --> 34:49.151 But why won't you give me you? 34:49.211 --> 34:50.032 I can't give me you. 34:50.192 --> 34:50.773 I want you me. 34:57.482 --> 34:59.865 This is Adam and Joe on XFM London's 104.9. 35:00.687 --> 35:02.630 It's time for Ditties in the Dock. 35:07.347 --> 35:13.112 Yes, this is the part of the show where we pitch two records to you and you choose what one we finish the show off with. 35:13.132 --> 35:14.152 It's very, very simple. 35:14.172 --> 35:14.973 The number to call is 0 8 7 1 2 2 2 1 0 4 9 0 8 7 1 22 2 1 0 4 4 4 4 9 35:24.440 --> 35:25.700 That's a bit confusing. 35:25.740 --> 35:26.421 Yeah, sorry, 087122149. 35:26.461 --> 35:27.081 So here we go. 35:27.381 --> 35:38.025 This week's theme is middle-of-the-road music, Radio 2 style music that makes you feel all soft and warm and comfy, unlike the sort of spiky rock youth nonsense they play. 35:38.045 --> 35:39.766 Not nonsense, brilliant stuff, they play here on XFM. 35:40.166 --> 35:45.689 Yeah, I was thinking about calling this category guilty pleasures, but I think that's misleading, that whole guilty pleasures thing. 35:45.729 --> 35:46.709 It's overused as well. 35:46.909 --> 35:47.670 It's overused. 35:47.730 --> 35:49.171 It's Sean Rowley's domain. 35:49.251 --> 35:52.994 Sean Rowley's domain, but the whole notion of guilty pleasures in music I think is ridiculous. 35:53.034 --> 35:56.717 I don't feel guilty about any piece of music that I enjoy. 35:56.737 --> 35:58.679 A sudden spike of opinion and anger. 35:59.660 --> 36:00.480 It's a CHP. 36:01.581 --> 36:05.545 But anyway, I love the music that we are voting for this week. 36:05.565 --> 36:06.465 Can I pitch mine first? 36:06.505 --> 36:07.186 Yeah, you go ahead. 36:07.466 --> 36:08.887 OK, I'm going to start with my pitch then. 36:09.107 --> 36:14.430 I want you to call 0871 2221049 and vote for the Carpenters with On Top of the World. 36:14.450 --> 36:15.211 Oh, it's a smash. 36:15.231 --> 36:15.891 Oh, it's a smash. 36:15.951 --> 36:19.113 It's such a jolly friendly, you know, upbeat song. 36:19.133 --> 36:20.434 It'll make everyone feel happy. 36:20.874 --> 36:22.956 And a topical carpenters fact. 36:23.036 --> 36:24.457 Did you know that Gene Simmons 36:25.177 --> 36:32.139 Rock Genius and host of Channel 4's show, Rock School, that finished the other day, once made a pass at Karen Karpen, so tried to sleep with her. 36:32.179 --> 36:33.479 Did he really, and did she go for it? 36:33.519 --> 36:39.780 Well, she just told her, no, he told her that he just slept with everybody, and no, she refused. 36:39.800 --> 36:40.221 Right. 36:40.461 --> 36:42.281 The one person that didn't sleep with Gene Simmons. 36:42.401 --> 36:48.703 He reckons that he's, um, I heard him admit that his standards aren't very high, so he just pretty much used to sleep with any old boiler. 36:48.723 --> 36:54.184 You know, I think that's, I think that is the hidden fact between any, you know, underneath anyone who has a reputation for 36:55.485 --> 36:56.265 many conquests. 36:56.566 --> 36:59.608 I think basically the truth is I got no standards. 36:59.688 --> 37:01.670 He said something about like one of the other guys in Kiss. 37:02.110 --> 37:06.714 Oh you know he didn't sleep with quite so many people because he liked the lookers. 37:09.076 --> 37:16.702 So there you go call 08712221049 and vote for The Carpenters with On Top of the World or... Okay I want you to vote for Neil Diamond. 37:16.922 --> 37:22.246 Now Neil Diamond is someone I always enjoyed but he's never been a particularly fashionable character. 37:22.266 --> 37:24.288 I suppose maybe he was around the time of The Jazz Singer. 37:24.648 --> 37:27.891 Perhaps a film about his life starring himself, I believe. 37:28.272 --> 37:30.614 Anyway, he had an album- Wasn't it a remake of The Jazz Singer? 37:30.634 --> 37:31.214 The Jazz Singer. 37:32.135 --> 37:33.937 The famous, the first tour keeper. 37:34.598 --> 37:34.818 Was it? 37:34.838 --> 37:36.259 Yeah, there you go. 37:36.399 --> 37:38.361 I'm sorry about that kind of thing, I don't know. 37:38.822 --> 37:43.046 But apart from that, he has had an album out recently produced by Rick Rubin. 37:43.286 --> 37:46.429 I'm not going to actually choose one of the tracks from the Rick Rubin album. 37:46.750 --> 37:47.831 I haven't heard it myself. 37:47.851 --> 37:49.072 I don't know, it's supposed to be good. 37:49.552 --> 37:55.073 But the word is that it's not quite as spectacular as what Rick Rubin did for Johnny Cash. 37:55.573 --> 37:58.914 Yeah, so I want you to vote for a song of his called Cracklin' Rosie. 37:59.734 --> 38:00.314 And he goes like this. 38:00.434 --> 38:02.534 Cracklin' Rosie, get on board. 38:02.674 --> 38:08.315 It's amazing, and it has the refrain, play it now, play it now, play it now, my babe. 38:08.475 --> 38:09.115 Goes on like that. 38:09.135 --> 38:10.216 Do you remember that one, Joe? 38:10.456 --> 38:12.876 Yeah, that rings a bell, but it might sound like a different song. 38:12.896 --> 38:13.736 That's a smash. 38:13.816 --> 38:14.776 You sung it very well. 38:14.796 --> 38:15.417 Thanks very much. 38:15.437 --> 38:16.917 You've got a strong, authoritative voice. 38:18.377 --> 38:22.000 Okay, so, is it gonna be The Carpenters or Neil Diamond? 38:22.400 --> 38:25.763 On top of the world of Crackling Rosie, call 0871-222-1049. 38:25.883 --> 38:32.188 Everybody who gets on the air wins a copy of William H. Mace's film about a man what makes gamblers unlucky called The Cooler. 38:32.468 --> 38:32.828 Call now! 38:43.680 --> 38:44.721 There's Adam and Joe on XFM. 38:44.741 --> 38:46.922 You join us at the gut-wrenching conclusion of the show. 38:46.942 --> 38:48.523 It's time to resolve Ditties in the Dock. 38:48.583 --> 38:54.346 This week, it's a middle-of-the-road, Radio 2-style, easy-listening play-off between Neil Diamond with what? 38:54.506 --> 38:55.286 Cracklin' Rosie. 38:55.627 --> 38:57.448 And the Carpenters with On Top of the World. 38:57.568 --> 39:02.010 Both tracks guaranteed to cockle your warmth. 39:03.071 --> 39:03.331 What? 39:03.411 --> 39:03.891 Of your heart. 39:03.911 --> 39:04.471 You know what I mean. 39:04.491 --> 39:06.032 We've got John on the line. 39:06.112 --> 39:06.573 Is it John? 39:06.793 --> 39:07.013 Yeah. 39:07.093 --> 39:07.613 Hello, John. 39:07.733 --> 39:08.093 Hey, John. 39:08.113 --> 39:08.474 How you doing? 39:08.494 --> 39:09.514 All right, all right. 39:09.654 --> 39:10.675 How's your Saturday going? 39:11.155 --> 39:12.456 Yeah, what are you up to? 39:12.476 --> 39:15.197 I've been doing some filming today actually. 39:15.298 --> 39:16.338 What have you been filming? 39:17.079 --> 39:19.340 Kind of like action sports stuff. 39:19.660 --> 39:20.561 Action sports stuff? 39:20.581 --> 39:22.882 Do you work for the Extreme Sports Channel or something? 39:23.062 --> 39:23.662 Yeah, I do. 39:23.923 --> 39:24.563 Oh, do you really? 39:24.823 --> 39:26.164 Well, I make a show for them, yeah. 39:26.344 --> 39:27.425 I want to get you guys on it. 39:27.765 --> 39:30.146 Do you ever watch The Groms on Channel 5? 39:30.406 --> 39:31.187 I love that show. 39:31.427 --> 39:32.928 Yeah, they're good though. 39:33.508 --> 39:34.789 Not many of them are Groms anymore. 39:35.049 --> 39:57.161 no obviously not as good as your stuff or whatever but man i love that show i'd so christian is he called christian stevenson that funny canadian dude yeah yeah on that bus it just looks like such a laugh like they go across america he takes he takes five six teenagers across america and they skate in every single skate park in the states coast to coast and it's just oh it's really good anyway but we're getting off the subject what are you voting for john 39:57.985 --> 39:58.546 Carpenters. 39:59.287 --> 39:59.847 Oh yeah. 40:00.007 --> 40:02.130 Are you a big fan of the Carpenters? 40:02.730 --> 40:05.253 On a road trip you can't go wrong with the Carpenters. 40:05.473 --> 40:06.073 Good choice. 40:06.134 --> 40:07.094 Carpenters greatest hits. 40:07.835 --> 40:08.416 Well done John. 40:09.477 --> 40:10.158 Thanks for calling. 40:10.218 --> 40:10.838 Thanks for voting. 40:10.858 --> 40:11.879 That's one nil to Cornish. 40:11.899 --> 40:14.422 You win a copy of the William H Macy movie The Cooler. 40:14.582 --> 40:15.403 You excited about that? 40:15.623 --> 40:17.124 I can't wait to see it again. 40:17.384 --> 40:18.165 Probably in the fridge. 40:19.426 --> 40:20.146 Nice Joe, yeah. 40:20.466 --> 40:21.947 Cheers John, good luck with the action sports. 40:21.967 --> 40:25.550 I always say action sports makes me think of people playing football with machine guns! 40:26.030 --> 40:28.051 If only they'd do that. 40:28.411 --> 40:29.392 Jess, are you on the line there? 40:29.732 --> 40:30.073 Yes, hello. 40:30.093 --> 40:31.333 How are you doing Jess? 40:31.393 --> 40:32.334 I'm very good, thank you. 40:32.354 --> 40:38.098 Jess, we hear your phone is running out of batteries which gives it a sort of, you know, what they call a ticking clock in drama. 40:38.118 --> 40:39.179 It makes it more exciting. 40:39.199 --> 40:41.100 At any moment your phone could cut out 40:42.148 --> 40:42.988 I wouldn't get to vote. 40:43.229 --> 40:43.789 I know, exactly. 40:43.829 --> 40:44.609 Imagine, imagine. 40:45.250 --> 40:46.450 So let's get that out of the way first. 40:46.470 --> 40:47.851 Who are you voting for? 40:47.991 --> 40:49.392 I'm going to go for Neil Diamond, please. 40:49.452 --> 40:50.693 Diamond, thank you very much. 40:50.713 --> 40:51.273 Diamond of Diamond. 40:51.293 --> 40:52.074 Are you a fan of Diamond? 40:52.114 --> 40:52.354 Yes. 40:52.454 --> 40:53.254 Oh, absolutely. 40:53.314 --> 40:55.215 Can't go wrong with life of Sweet Caroline. 40:55.416 --> 40:55.876 Sexy man? 40:55.896 --> 40:56.836 You think he's a sexy man? 40:57.016 --> 40:57.657 Oh, absolutely. 40:57.677 --> 40:58.397 Still sexy? 40:59.038 --> 40:59.838 Right up my street. 41:00.078 --> 41:01.379 Right up your street. 41:01.419 --> 41:01.939 Steady. 41:02.419 --> 41:02.760 Okay. 41:02.940 --> 41:04.301 What are you up to this afternoon, Jess? 41:04.841 --> 41:08.623 I've just been out running, so I'm just going to get ready today for the defence for dinner. 41:09.264 --> 41:10.705 You sound as if you have been out running. 41:10.725 --> 41:11.445 You're very perky. 41:11.565 --> 41:12.386 I bet you're fit. 41:12.586 --> 41:13.366 I bet you are fit. 41:13.486 --> 41:15.688 I bet you're physically fit. 41:15.788 --> 41:16.548 All that running. 41:16.568 --> 41:17.309 I bet you're fit. 41:17.469 --> 41:18.609 Yeah, I bet you're fit. 41:19.050 --> 41:20.090 Where do you run? 41:20.150 --> 41:21.351 I'll come and run with you. 41:21.531 --> 41:23.012 I bet you haven't got any fat. 41:23.872 --> 41:25.013 I bet you're not fat. 41:25.513 --> 41:28.075 I like a bloke who runs. 41:28.235 --> 41:30.036 Do you have a ciggy after you've had a run? 41:30.456 --> 41:31.456 No, that's a look. 41:31.536 --> 41:31.756 Really? 41:31.776 --> 41:32.336 It's a good idea. 41:32.356 --> 41:33.056 How long did you run for? 41:33.076 --> 41:34.837 I'll tell you what, have a Mickey D's instead. 41:34.897 --> 41:36.637 Have a Mickey D's after a run. 41:36.717 --> 41:37.937 How long's your run last Jess? 41:37.957 --> 41:38.937 It was just an hour. 41:39.178 --> 41:39.598 An hour? 41:39.618 --> 41:39.758 Really? 41:39.798 --> 41:41.138 That's almost as long as this link. 41:41.318 --> 41:42.178 That's unbelievable. 41:42.198 --> 41:43.278 Hey Jess, thanks for voting. 41:43.318 --> 41:43.818 So it's 1-0. 41:44.658 --> 41:45.799 You win a copy of The Cooler as well. 41:45.819 --> 41:47.259 We're going to have to accelerate through this a bit. 41:47.339 --> 41:48.239 Is that Larry? 41:49.519 --> 41:50.259 Larry, are you there? 41:50.900 --> 41:52.060 No, it's Luisa. 41:52.500 --> 41:53.140 Luisa? 41:53.160 --> 41:53.880 Luisa. 41:54.100 --> 41:55.120 Is your name Luisa? 41:55.680 --> 41:56.961 Or is it pronounced Luisa? 41:58.321 --> 41:58.701 Luisa. 41:58.721 --> 41:59.241 Where's that from? 42:00.433 --> 42:02.595 Um, well, my dad was in Mount Salvador. 42:02.615 --> 42:02.795 Right. 42:02.875 --> 42:04.736 And I'm from London. 42:04.776 --> 42:06.717 I bet you that makes life complicated, doesn't it? 42:06.777 --> 42:09.379 Because people must just call you Luisa the whole time. 42:09.979 --> 42:10.180 Yeah. 42:10.620 --> 42:12.321 And then you have to say, no, it's Luisa. 42:12.801 --> 42:17.044 And then they look at you like, it's the same thing, but you're just pronouncing it wrong. 42:17.104 --> 42:20.967 And then you get into a big fight and then you lose all your friends and then you're begging. 42:21.047 --> 42:21.387 Yeah. 42:21.867 --> 42:24.389 You're going to have to be like this. 42:24.449 --> 42:26.951 So listen, Luisa, I'm going to do it with a say with a T-H. 42:27.491 --> 42:27.811 Yeah? 42:28.092 --> 42:28.412 Hello? 42:28.512 --> 42:28.932 I'm fine. 42:29.012 --> 42:30.093 Who are you voting for? 42:31.294 --> 42:32.495 The carpenters. 42:32.875 --> 42:33.636 The carpenters. 42:34.036 --> 42:34.417 Well done. 42:34.457 --> 42:36.359 That's 2-1 to Cornish. 42:36.659 --> 42:38.000 Oh, thanks very much for your call Louisa. 42:38.340 --> 42:39.061 Thanks Louisa. 42:39.321 --> 42:40.322 And finally we go to Harry. 42:40.342 --> 42:40.843 Hello Harry. 42:41.223 --> 42:41.623 Hello. 42:41.663 --> 42:43.705 You're spelt with an H-A-R-R-I. 42:43.845 --> 42:44.706 Is that correct? 42:45.107 --> 42:45.847 That's right. 42:46.208 --> 42:46.488 Harry? 42:47.108 --> 42:48.690 Yes, that's for Harriet. 42:48.730 --> 42:49.531 Harriet Krishna. 42:49.691 --> 42:50.732 And Harry, what do you do for a living? 42:51.460 --> 42:52.661 I'm a magazine designer. 42:52.781 --> 42:53.121 Really? 42:53.141 --> 42:55.003 What magazine do you design? 42:55.023 --> 42:55.543 Do you want to say? 42:55.583 --> 42:57.084 You don't have to say anything. 42:57.104 --> 42:58.485 I can say I design for Bliss magazine. 42:58.725 --> 43:00.627 Oh, Bliss is a beautifully designed magazine. 43:00.947 --> 43:01.688 Thank you very much. 43:01.748 --> 43:04.029 Yeah, no, it's all pink and it's got pretty girls on it. 43:04.990 --> 43:06.391 And then it's got problem pages, hasn't it? 43:06.431 --> 43:07.572 How many problem pages has it got? 43:08.412 --> 43:09.373 It's got quite a few. 43:09.453 --> 43:10.534 One for boys, one for girls. 43:10.674 --> 43:13.917 Very useful information for those girls out there. 43:14.097 --> 43:16.118 I still find that information useful. 43:16.178 --> 43:17.519 You know a lot about Bliss Jo. 43:17.840 --> 43:25.285 I do, I read Bliss and Sneak because they're always in the XFM office and they've got their latest pictures of Preston and the lads from Busted. 43:25.345 --> 43:25.966 There you go. 43:26.186 --> 43:28.248 Gotta keep up to date with their tattoos and stuff. 43:28.268 --> 43:32.611 Surely it's quite easy to design a magazine, you just get a load of pages and stick them together. 43:32.631 --> 43:34.853 What a stupid thing to say, wasn't that a stupid thing to say? 43:35.453 --> 43:38.096 Easy to design a magazine. 43:38.177 --> 43:38.757 Couldn't be harder. 43:38.777 --> 43:41.040 So Harry, what are you voting for? 43:41.060 --> 43:41.100 Oh! 43:45.612 --> 43:46.032 Well done. 43:46.092 --> 43:46.532 Well done. 43:46.892 --> 43:48.293 Buxton's out of the picture, I didn't even realise. 43:48.313 --> 43:49.714 Buxton's totally painted out of the picture. 43:49.734 --> 43:53.295 Well done, that's 3-1 to Cornish making the fifth caller obsolete. 43:53.615 --> 43:55.336 Harry there wins a copy of The Cooler. 43:55.636 --> 43:59.117 That'll be exciting, you can lend it to everybody else who works on Bliss. 43:59.577 --> 44:00.477 Excellent, thank you very much. 44:00.497 --> 44:02.298 They'll be excited about that free DVD. 44:02.398 --> 44:03.138 Absolutely. 44:03.158 --> 44:05.439 Thanks for your call Harry, we really appreciate it. 44:05.519 --> 44:06.940 So that's the end of the show this week. 44:07.260 --> 44:08.821 We're playing you out with The Carpenters. 44:09.281 --> 44:11.442 You know what, I'm not that gutted because this is a lovely song. 44:11.582 --> 44:12.242 Oh it is lovely. 44:12.282 --> 44:15.183 Thanks for listening everybody and we'll be back with you next week. 44:15.563 --> 44:16.204 I love you, bye! 44:39.005 --> 45:03.655 There is wonder in most everything I see Not a cloud in the sky Got the sun in my eyes And I won't be surprised if it's a dream Everything I want the world to be Is now coming true, especially for me 45:05.470 --> 45:34.300 The reason is clear It's because you are here You're the nearest thing to heaven that I've seen I'm on top of the world again Down on creation And the only explanation I can find Is the love that I've found Ever since you've been around Your love's put me at the top of the world