WEBVTT 00:01.755 --> 00:03.977 Hello, welcome to you and your feelings. 00:04.478 --> 00:14.289 Two hours of discussion about people, their feelings, why people get hurt, how to avoid being hurt, and other tips on feelings. 00:14.909 --> 00:16.191 That was a very sensitive tune. 00:16.571 --> 00:16.731 Yes. 00:17.432 --> 00:18.312 our emotional hour. 00:18.472 --> 00:21.994 We're going to play only sensitive music for the next two hours this week. 00:22.414 --> 00:30.056 That was Jose Gonzalez, and that's the most rocking tune that you'll be hearing, so don't worry if that was slightly freaking you out. 00:30.116 --> 00:31.837 We start with that every week, don't we? 00:32.117 --> 00:33.098 Well, it's always in there. 00:33.538 --> 00:41.260 It's always in there, but you know, it's a two hour show, two hour prime time show on XFM, and that's a big hit, Joe, so you gotta... Right, important to start with something slightly depressing. 00:41.380 --> 00:42.641 Yeah, yeah, exactly. 00:43.041 --> 00:43.321 Hello. 00:43.401 --> 00:44.082 Welcome to the show. 00:44.102 --> 00:45.343 We're with you for the next two hours. 00:45.963 --> 00:58.112 We've got all sorts of competitions and prizes this week, including we're giving away video games, which is exciting because they're three times the commercial value of things that are usually given away on shows like this. 00:58.332 --> 00:59.673 So, yeah, you'd be paying about £40. 01:00.293 --> 01:00.934 Well, exactly. 01:01.034 --> 01:02.775 A standard DVD prize worth £19.99. 01:03.035 --> 01:03.796 Even less sometimes. 01:03.816 --> 01:04.577 CD tenor. 01:06.698 --> 01:07.359 Video games? 01:07.739 --> 01:08.280 Up to £40. 01:08.900 --> 01:11.122 And you can't download those from iTunes? 01:11.603 --> 01:11.803 No. 01:12.303 --> 01:12.483 No. 01:12.604 --> 01:12.884 Can you? 01:13.124 --> 01:14.025 No, not from iTunes. 01:14.325 --> 01:14.505 No. 01:14.685 --> 01:17.368 Can you download... How much does it cost to download a video game from the internet? 01:17.388 --> 01:18.189 Oh, you'd have to do it. 01:18.229 --> 01:19.350 You'd probably do it illegally. 01:19.590 --> 01:19.790 Right. 01:19.810 --> 01:21.932 I don't think you can do it legally, unless it's a little one. 01:22.232 --> 01:23.834 Well, that's... A silly one, like Battleships. 01:24.074 --> 01:24.855 Out of the question, then. 01:24.875 --> 01:27.197 We don't want to encourage that kind of illegal behaviour. 01:27.437 --> 01:28.758 We've also got tickets to give away. 01:28.878 --> 01:30.940 Oh, we've got a box at the Hackney Empire. 01:31.101 --> 01:31.781 Is that tonight? 01:31.801 --> 01:32.542 Yeah. 01:32.882 --> 01:35.303 Yeah, if you want to go to the Hackney Empire and sit in a box. 01:35.343 --> 01:36.183 We've got a box? 01:36.343 --> 01:36.943 A box. 01:37.924 --> 01:40.624 And see Joe Brand, Felix Dexter, Andy Smart and more. 01:41.745 --> 01:42.545 What you don't want to do. 01:42.585 --> 01:45.246 I was going to make a joke about Joe Brand's box, but I'm not going to. 01:45.426 --> 01:45.626 Good. 01:46.426 --> 01:47.406 So we'll be giving that away. 01:47.446 --> 01:52.188 Plus we've got three pairs of tickets for the XFM live session at the Carling Academy, Islington, featuring the magic numbers. 01:52.648 --> 01:53.529 Hey, that'll be fantastic. 01:53.549 --> 01:54.110 That'll be brilliant. 01:54.130 --> 01:55.332 So that's really good priorities. 01:55.552 --> 01:55.973 When's that? 01:56.073 --> 01:57.074 Oh, 18th of February. 01:57.094 --> 01:57.876 So that's not for a while. 01:58.176 --> 02:01.981 So stand by to win all those things and enjoy some funny competitions. 02:02.482 --> 02:04.205 OK, here's, here's, er, Goldfrapp. 02:09.520 --> 02:12.040 Goldfrapp with Ride on a White Horse. 02:12.701 --> 02:14.541 This is Adam and Joe here on XFM. 02:15.481 --> 02:18.162 Should we do a little competition at the beginning of the show? 02:18.262 --> 02:18.962 What's Anthony doing? 02:19.142 --> 02:20.262 She's fiddling with my cabs. 02:20.282 --> 02:21.882 She's fiddling with your cabs. 02:22.662 --> 02:24.543 What about a small competition just to kick things off? 02:24.663 --> 02:25.903 OK, what kind of thing were you thinking? 02:25.963 --> 02:28.284 Well, last night I was watching the film Saw 2. 02:28.364 --> 02:30.404 Don't know if anyone out there has seen Saw 2. 02:30.604 --> 02:34.585 It's a horror film, you know, sort of tricks and torture sort of thing. 02:34.605 --> 02:35.745 Have you seen Saw 1, Adam? 02:35.845 --> 02:37.246 I haven't seen any of the saws, no. 02:37.266 --> 02:38.748 Here, pop that in the CD player. 02:38.788 --> 02:39.668 I've been avoiding saws. 02:39.748 --> 02:41.450 And it's not a very good film, Saw II. 02:41.570 --> 02:42.651 I advise you to avoid it. 02:43.051 --> 02:46.094 If you've seen the poster, it's got two severed... Ooh, hello. 02:46.154 --> 02:46.775 He's dropped it. 02:47.796 --> 02:49.677 The poster's got two severed fingers on it. 02:50.138 --> 02:53.501 And having seen the film, I think that's a sort of a two fingers up to the audience. 02:53.801 --> 02:54.101 Right. 02:54.842 --> 02:55.843 Cos it's not very good. 02:55.943 --> 02:57.364 Why did you get it out, you mad man? 02:57.384 --> 02:58.966 Cos I was bored and I've seen everything else. 03:00.031 --> 03:01.112 What track are we looking at here? 03:01.372 --> 03:03.073 We're looking at track number one, I think. 03:03.213 --> 03:04.493 I think... just give me the box a second. 03:05.034 --> 03:05.714 Okay, there you go. 03:05.754 --> 03:12.758 Yeah, so one of the things that struck me about Saw 2, and I think is true of most horror films these days, is the sound effects are much too loud. 03:13.358 --> 03:15.879 Everything, even the tiniest thing, makes the most incredible noise. 03:16.200 --> 03:17.821 And it's true in films, generally. 03:18.101 --> 03:20.662 Someone walks past the camera with a big coat, it'll go... 03:22.763 --> 03:23.063 Like that. 03:23.263 --> 03:24.864 Everything's really noisy just to keep you awake. 03:25.244 --> 03:26.664 So this is a new idea for competition. 03:26.944 --> 03:28.624 It's called OTTFX. 03:29.224 --> 03:31.065 It's an acronymical name. 03:31.525 --> 03:35.346 And basically, I'm going to play you a very over-the-top sound effect from a Hollywood film. 03:35.606 --> 03:36.886 You have to tell me what it is. 03:37.386 --> 03:37.706 Nice. 03:37.906 --> 03:38.166 Yeah? 03:38.486 --> 03:41.747 It's probably something a bit less dramatic than what it sounds like. 03:42.167 --> 03:43.287 So here's something from Saw II. 03:43.307 --> 03:43.747 Are you ready? 03:43.928 --> 03:44.088 Yeah. 03:44.868 --> 03:45.228 Here we go. 03:45.328 --> 03:45.648 Here we go. 03:51.772 --> 03:52.753 What's she doing there? 03:53.413 --> 03:54.173 What's happening there? 03:54.193 --> 03:55.114 What's that the sound of? 03:55.134 --> 03:56.855 Do you want to hear it again? 03:56.875 --> 03:58.436 Is she doing up her jacket? 04:00.237 --> 04:01.158 It's just buttons. 04:01.698 --> 04:03.039 It's just the sound of buttons. 04:03.419 --> 04:04.039 What's going on? 04:04.320 --> 04:05.580 I'm having real can problems. 04:05.600 --> 04:06.321 Play the clip again. 04:06.341 --> 04:07.061 Okay, here we go. 04:13.817 --> 04:14.257 There we go. 04:14.297 --> 04:17.580 So if you know what that sound is, or if you can guess what that sound is, call 0871 222 1049. 04:18.882 --> 04:25.528 That's 0871 222 1049 if you know what that over-the-top special effect is. 04:25.908 --> 04:28.090 And we'll get you on the show and give you a prize. 04:28.370 --> 04:29.071 Are you all right there? 04:29.611 --> 04:32.073 I'm just having some technical difficulties, some issues. 04:32.193 --> 04:33.354 That's made your hair look marvellous. 04:33.394 --> 04:34.074 That's not better. 04:34.354 --> 04:35.035 That is rubbish. 04:35.815 --> 04:36.556 Just play a record. 04:36.596 --> 04:37.156 Just play a record. 04:37.356 --> 04:46.002 I was just going to say though, as a prize for the sound effects thing here, when someone phones in and gets the correct thing, I can give away some of my DVDs that I've brought in. 04:46.322 --> 04:46.742 Oh, good. 04:46.902 --> 04:48.524 Because I'm having a bit of a DVD clear out. 04:48.544 --> 04:57.910 You know, you get to a stage when things are just getting ridiculous and I, for years, made the mistake of buying DVDs rather than just renting them, which any normal person would do. 04:58.590 --> 05:00.311 And so now I'm clearing them all out. 05:01.332 --> 05:06.715 But even stupider than just buying them, I used to buy American import ones, which are really expensive. 05:06.855 --> 05:09.197 So can we give the person one of those DVDs as a prize? 05:09.217 --> 05:12.819 Because the thing is, I'm worried the competition's losing impetus now we've changed subject. 05:12.999 --> 05:13.420 Well, I'm not. 05:13.480 --> 05:14.721 That's exactly what I was saying. 05:14.741 --> 05:16.001 I was saying these could be the prize. 05:16.021 --> 05:17.763 You've got to listen to what I'm saying. 05:18.123 --> 05:22.826 So look, amongst the films here, I've got Big Fish, Alien versus Predator. 05:22.846 --> 05:24.267 I sound excited about it. 05:24.327 --> 05:24.807 That's brilliant. 05:24.927 --> 05:25.307 Big Fish. 05:26.892 --> 05:37.901 Garden State, I Heart Huckabees, Dawn of the Dead, that's the new one, Man on Fire, Girl with a Pearl Earring. 05:38.181 --> 05:39.762 So you saying people could win all of those? 05:39.802 --> 05:40.002 Yeah. 05:40.263 --> 05:42.785 As long as they've got a multi-region DVD player. 05:42.865 --> 05:45.707 As long as you can play American DVDs, you could win all those DVDs. 05:45.807 --> 05:46.928 If you can guess that sound effect. 05:46.948 --> 05:47.969 Shall we play it one more time? 05:48.149 --> 05:48.689 Yeah, here we go. 05:48.929 --> 05:49.790 Oh, hang on a second. 05:49.810 --> 05:51.692 Okay. 05:51.892 --> 05:52.692 Play it one more time. 05:52.732 --> 05:53.253 Here it comes. 06:00.555 --> 06:02.397 Oh, it's 712221049. 06:02.477 --> 06:04.458 Call us if you think you know what that effect is. 06:04.719 --> 06:07.261 Let's have a free play while I try and sort out my can issues. 06:07.581 --> 06:08.362 Uh, this is Devo. 06:13.766 --> 06:15.387 That's Devo with Uncontrollable Urge. 06:15.407 --> 06:16.728 This is Adam and Joe on XFM. 06:17.089 --> 06:19.391 Have we had anyone phoning in yet for our competition? 06:19.951 --> 06:20.291 Do we know? 06:20.331 --> 06:21.993 I don't even know what the real sound is, though. 06:22.593 --> 06:22.913 How do you mean? 06:22.934 --> 06:23.954 What the answer to the competition is? 06:23.974 --> 06:24.275 Yeah, yeah. 06:24.535 --> 06:25.656 Well, that's my secret. 06:26.156 --> 06:28.038 Have we got a caller on the line we can speak to, Xanthi? 06:28.058 --> 06:28.898 Somebody who sounds nice? 06:29.864 --> 06:30.305 You haven't? 06:30.385 --> 06:30.565 No. 06:30.925 --> 06:31.526 What's going on? 06:31.706 --> 06:34.629 The show's having a mental breakdown today. 06:34.850 --> 06:36.231 Well, we'll come back to that in a second. 06:36.572 --> 06:36.832 Yeah? 06:37.052 --> 06:37.873 We'll get a caller in a second. 06:37.913 --> 06:39.655 We've had lots of suggestions via the texts. 06:40.116 --> 06:43.299 Somebody says she's probably opening the fridge to get some low-fat milk. 06:43.740 --> 06:46.002 Can we hear it and imagine she's opening the fridge? 06:48.145 --> 06:48.926 Is the fridge opening? 06:49.753 --> 06:50.273 There's the milk. 06:51.174 --> 06:52.074 And there it is, low fat. 06:52.695 --> 07:00.118 Or maybe taking out some ice from the ice tray and just pouring some water on the ice to loosen the ice up. 07:00.218 --> 07:00.338 Maybe. 07:00.459 --> 07:02.400 It was little Jason who suggested she's opening the fridge. 07:02.900 --> 07:06.101 Colin in Peckham says, is she plugging in her Phillips lady shave? 07:06.422 --> 07:07.122 That's quite close. 07:07.142 --> 07:08.623 It does have an electrical component. 07:09.663 --> 07:11.684 Right, we'll have the correct answer after this. 07:11.704 --> 07:12.785 Let's play some more music. 07:13.445 --> 07:14.466 This is The Killers. 07:22.202 --> 07:23.723 That's the killers, somebody told me. 07:23.803 --> 07:28.986 Now we've got Stuart on the line, who thinks that he's able to identify this sound. 07:34.550 --> 07:37.432 An over-the-top Hollywood sound effect from the movie Saw II. 07:37.492 --> 07:38.393 Hello Stuart, are you there? 07:38.873 --> 07:39.814 I am there, yeah, hello. 07:40.074 --> 07:40.534 How you doing? 07:40.694 --> 07:42.195 Stuart, commiserations. 07:42.475 --> 07:42.876 What's that? 07:42.996 --> 07:43.736 Commiserations. 07:44.376 --> 07:45.117 Commiserations? 07:45.137 --> 07:46.118 Yeah, you've seen Saw II? 07:47.068 --> 07:48.690 I have seen Saw II, yeah. 07:48.710 --> 07:49.250 I liked it. 07:49.430 --> 07:50.011 You liked it? 07:50.031 --> 07:51.212 I did like it, yeah. 07:51.272 --> 07:52.834 What did you like about it, you lunatic? 07:53.494 --> 07:54.595 I just think it's a bit crazy. 07:54.796 --> 07:56.377 You know, I'm very violent, very gory. 07:56.417 --> 07:59.780 Stuart, can I ask you, do you also enjoy the Friday Night Project on Channel 4? 08:01.222 --> 08:03.584 I didn't enjoy it last night, but I did the week before. 08:03.604 --> 08:04.665 I think it's week on, week off. 08:05.686 --> 08:07.067 That's quite generous, I would say. 08:07.107 --> 08:10.731 So did you like the bit... Well, hang on, before I ask you that, what do you think it is? 08:10.751 --> 08:11.592 What do you think the sound is? 08:12.068 --> 08:19.913 I think the sound is the sound of a woman being dropped by some American pit bull man into a bed full of needles and stuff like that. 08:20.033 --> 08:21.594 Well, this is a scene in the film, isn't it? 08:21.654 --> 08:24.456 It's one of the most horrible scenes I've ever seen. 08:24.696 --> 08:28.059 Yeah, it really is disgusting and she's got all the needles hanging in between her legs. 08:28.099 --> 08:29.620 She's like an ex-junkie, isn't she? 08:30.100 --> 08:35.123 She's an ex-junkie and she hasn't been on the stuff for ages and she gets dropped into a pitfall of like, you don't know what it is. 08:35.143 --> 08:36.203 A pit of needles! 08:36.823 --> 08:41.306 And then there's this ridiculous plot twist where she's got to find a key at the bottom of these needles. 08:41.666 --> 08:42.806 And so she hates it at first. 08:42.987 --> 08:44.147 Oh, the needles are sticking into me. 08:44.447 --> 08:47.229 But then because she's an ex-junkie, she starts to love it. 08:48.970 --> 08:50.590 It's so stupid and horrible. 08:50.710 --> 08:53.372 Just made me feel like I'd killed someone after I'd watched it. 08:54.477 --> 08:58.099 Anyway, so you think that's the sound of her dropping into a pit of needles? 08:59.520 --> 09:00.241 What do you think, Adam? 09:00.261 --> 09:02.242 Do you think that's feasible? 09:02.302 --> 09:05.364 It sounds as if there's less going on than that. 09:05.384 --> 09:06.665 Let's have another listen. 09:13.246 --> 09:15.307 Yeah, that's... I'm afraid you're wrong. 09:15.327 --> 09:16.628 Oh no! 09:16.728 --> 09:21.151 Yeah, you're wrong, but maybe... Well, we can't let this competition go on for much longer. 09:21.312 --> 09:27.276 We can't have it be one of those capital competitions where you've got to identify the sound of toast and it lasts for three weeks. 09:27.316 --> 09:28.136 Put us out of our misery. 09:28.156 --> 09:28.737 What was it, Joe? 09:29.097 --> 09:30.538 It's the sound of her turning on the lights. 09:31.238 --> 09:32.379 There you go. 09:32.399 --> 09:33.380 Switching on the lights. 09:34.410 --> 09:37.131 Granted, they're old lights and they're in an old loo. 09:37.871 --> 09:42.793 They stumble across the rotten corpses from the first film in possibly the only good moment in the film. 09:43.233 --> 09:45.714 But yeah, that's the sound of lights going on in Hollywood. 09:45.734 --> 09:46.634 Can we hear it once more? 09:46.654 --> 09:48.754 Neon lights. 09:57.551 --> 09:58.072 There we go. 09:58.092 --> 10:01.375 Wow, my bathroom light makes almost exactly the same noise. 10:01.455 --> 10:02.576 Hey, but good try. 10:03.437 --> 10:06.800 Stuart, do you by any chance have a multi-region DVD player? 10:07.301 --> 10:07.781 I do, yeah. 10:08.022 --> 10:08.763 You do? 10:08.843 --> 10:09.523 You are in luck. 10:09.583 --> 10:11.826 Which of these... Adam's going to read you off a list of films. 10:11.866 --> 10:14.128 You just say yes if you want them, okay? 10:14.388 --> 10:15.309 They're all secondhand. 10:15.650 --> 10:17.231 Lemony Snick, but they're all in good condition. 10:17.271 --> 10:19.073 Lemony Snick, it's a series of unfortunate events. 10:19.574 --> 10:19.714 Yes. 10:20.094 --> 10:22.295 Flight of the Phoenix with men. 10:22.375 --> 10:23.115 It just wants them all. 10:23.135 --> 10:23.915 You want them all, don't you? 10:23.955 --> 10:24.375 You want them all? 10:24.415 --> 10:24.976 Yeah, why not? 10:25.196 --> 10:25.676 Spun. 10:25.896 --> 10:26.516 The Forgotten. 10:26.776 --> 10:27.456 House of Sand and Fog. 10:27.476 --> 10:27.896 You'll enjoy that. 10:27.916 --> 10:29.157 You don't even have to pay for the postage. 10:29.217 --> 10:29.937 It's better than eBay. 10:30.157 --> 10:30.597 Fantastic. 10:30.617 --> 10:31.698 Well, we'll send all of these to you. 10:31.738 --> 10:32.458 Congratulations. 10:32.678 --> 10:33.338 Well done, Stuart. 10:33.398 --> 10:35.559 That's what you get for getting something wrong on our show. 10:36.239 --> 10:36.979 Thanks for calling, mate. 10:36.999 --> 10:37.580 Thanks for calling in. 10:37.600 --> 10:38.900 We'll be back very shortly. 10:45.162 --> 10:47.002 The most famous and talented man in Britain. 10:47.102 --> 10:48.303 Preston, what's his second name? 10:49.022 --> 10:49.663 Uh, Candover. 10:49.743 --> 10:51.064 Preston Candover. 10:51.084 --> 10:51.884 What is his second name? 10:52.185 --> 10:52.885 I've no idea. 10:52.905 --> 10:53.686 What's his second name? 10:54.206 --> 10:55.427 Nobody knows his second name. 10:55.467 --> 10:57.369 Preston... Brother. 10:57.389 --> 10:58.610 Preston... He's an ordinary boy. 10:58.690 --> 11:00.251 He doesn't have a name. 11:00.752 --> 11:03.173 Oh, some tiny children have come to look into the studio. 11:03.854 --> 11:05.215 Wondering at the magic of radio. 11:05.315 --> 11:08.538 I'm waving and they're looking at me like I'm some sort of... Idiot. 11:08.658 --> 11:09.378 ...sex offender. 11:09.418 --> 11:10.940 Which is what you... Don't say that! 11:10.960 --> 11:11.200 Bye. 11:12.481 --> 11:12.761 No. 11:12.781 --> 11:14.683 Um, now, let's see. 11:14.923 --> 11:16.645 Uh, yes, Preston and the Ordinary Boys. 11:17.185 --> 11:18.706 I've no idea what his surname is. 11:18.767 --> 11:19.587 What is his surname? 11:19.727 --> 11:20.348 McGenius. 11:21.329 --> 11:22.190 Preston McGenius. 11:22.430 --> 11:24.111 He's a very nice chap. 11:24.311 --> 11:27.754 We're gonna have a competition shortly, and it's gonna be Celebrity Regression Therapy. 11:28.055 --> 11:28.715 You could win. 11:28.955 --> 11:31.137 What should we, uh, give away for Celebrity Regression Therapy? 11:31.157 --> 11:34.340 What about those tickets, or what about the box to, uh, to the Hackney Empire? 11:34.560 --> 11:35.181 Joe Brand's box. 11:35.441 --> 11:36.442 Yeah, Joe Brand's box. 11:36.542 --> 11:38.063 And remind us once again what that prize is. 11:38.123 --> 11:43.808 It's a box at the Hackney Empire tonight to see Joe Brand, Felix Dexter and Andy Smart and more. 11:44.108 --> 11:45.109 Wow, that's a good prize. 11:45.129 --> 11:53.856 And if you can't make that tonight, then you can take away a pair of tickets to the XFM live session at the Carling Academy, Islington, featuring the magic numbers. 11:53.876 --> 11:55.057 That's on Saturday the 18th. 11:55.197 --> 11:55.877 Fantastic. 11:56.738 --> 12:04.948 Now it occurred to me, this is a very small observation, Joe, but this week while I was watching Channel 4 and I saw some trails for Body Shock. 12:05.128 --> 12:05.429 Yes. 12:05.609 --> 12:06.870 Have you watched any of Body Shock? 12:07.091 --> 12:08.032 No, what is Body Shock? 12:08.172 --> 12:10.915 Body Shock is a series of programs about... 12:11.596 --> 12:18.662 freaks, basically, and they kind, they sort of dress it up as if it's a medical documentary of some kind. 12:19.202 --> 12:25.027 But week in, week out, it's the kind of things that you would see in an old fashioned sideshow. 12:25.047 --> 12:25.908 Do you know what I mean? 12:25.928 --> 12:26.988 Like a huge- A freak show? 12:27.169 --> 12:27.929 A freak show, yeah. 12:28.270 --> 12:33.013 A hugely fat man they had on last week's one, he was like 60 stone or something. 12:33.814 --> 12:38.578 And they had one that was like about a girl, they call her sort of the mermaid girl. 12:38.878 --> 12:39.118 Right. 12:39.158 --> 12:40.880 Even though she wasn't a mermaid, her legs were 12:41.400 --> 12:43.061 I think I saw pictures of that, yeah. 12:43.081 --> 12:43.742 Stuck together. 12:43.762 --> 12:48.364 That's not the show that had the kind of people who looked a bit like E.T. 12:48.905 --> 12:51.266 Yeah, yeah, I think that's a forthcoming attraction. 12:51.406 --> 12:51.706 Right. 12:51.727 --> 12:53.548 The sort of pinhead looking people. 12:53.588 --> 12:53.848 Yeah. 12:54.348 --> 12:57.910 And... They've got a disease that makes them very old very fast. 12:58.170 --> 12:58.831 Yes, exactly. 12:58.891 --> 13:00.292 Even though they don't actually look very old. 13:00.552 --> 13:01.633 No, of course they're not old. 13:01.653 --> 13:08.077 They're the same age as other people are, but they are, yeah, their bodies are aging faster. 13:09.233 --> 13:13.718 Anyway, they're all fairly horrible programs, and I defy anyone to watch an entire one. 13:13.738 --> 13:19.304 But it occurred to me that Channel 4 is just basically becoming like an old-fashioned travelling sideshow. 13:19.404 --> 13:19.885 You know what I mean? 13:20.325 --> 13:24.330 They've got all their freaks in body shock, and they pretend very hard, obviously. 13:24.770 --> 13:28.935 You know, obviously they never refer to them as freaks, because that would be really insensitive and horrible. 13:29.295 --> 13:53.704 yeah i wouldn't advocate that kind of thing but you've got real corpses on autopsy and that's me of death yes uh with the evil german doctor that's right austrian or whatever he is and uh you've got death wish challenge of course hosted by our friend alex a4 yes yeah where people kind of attempt to kill themselves that's right television and then the rest of the rest of channel four's output is mainly concerned with sort of 13:54.284 --> 13:58.047 ridiculing various areas of white trash, you know. 13:58.547 --> 14:02.590 It's mainly sort of white, lower middle class or working class people. 14:03.291 --> 14:07.674 Brat Camp, You Are What You Eat, Super Nanny, Wife Swap, Ten Years Younger. 14:08.214 --> 14:12.317 All of them pointing the finger at people and just sitting there going, you're a disgrace, look at you. 14:12.357 --> 14:18.661 And they, you know, the presenters invariably just reduce them to tears at some point and say, come on, shape up, you fat lunatic. 14:19.662 --> 14:21.404 And, uh, I just think it's a shame. 14:21.784 --> 14:22.484 Or do you enjoy that? 14:22.504 --> 14:23.685 Do you watch any of those shows? 14:24.326 --> 14:25.167 Um, name them again? 14:25.587 --> 14:26.928 Ten years younger, have you seen that one? 14:27.568 --> 14:28.529 Uh, yeah, I've seen that one. 14:28.629 --> 14:29.610 That is ridiculous. 14:29.630 --> 14:30.371 What did you think of that one? 14:30.391 --> 14:31.291 Well, I like them, you see. 14:31.352 --> 14:35.054 I think Channel 4 acts as kind of a village, a medieval village square. 14:35.415 --> 14:35.575 Yeah. 14:35.835 --> 14:37.897 Where you can throw tomatoes at other people. 14:38.457 --> 14:40.259 Gossip, point and laugh with impunity. 14:40.779 --> 14:41.600 I think that's good telly. 14:42.918 --> 14:43.038 Is it? 14:43.058 --> 14:43.138 Yeah. 14:43.158 --> 14:44.378 Oh, that makes me feel ill. 14:44.418 --> 14:46.399 Yeah, I'm working for them as well at the moment. 14:46.619 --> 14:46.919 Oh, right. 14:46.939 --> 14:48.020 OK, that's fair enough then. 14:48.540 --> 14:49.020 I like it. 14:49.340 --> 14:49.480 Yeah. 14:49.940 --> 14:50.940 And how about Brat Camp? 14:51.361 --> 14:52.681 Is it a good move just to have girls? 14:53.081 --> 14:53.921 I haven't been watching that. 14:54.201 --> 14:55.662 I thought Brat Camp was one of your faves. 14:55.942 --> 14:57.342 No, I haven't watched this series. 14:57.882 --> 14:59.883 It's just started, and it was looking quite good. 14:59.903 --> 15:03.464 They had some pretty mad young women on there. 15:03.764 --> 15:05.945 Hey, people are saying Preston is, of course, his surname. 15:06.345 --> 15:06.825 Oh, is it? 15:06.945 --> 15:09.526 Yeah, he just doesn't tell anybody his first name. 15:10.386 --> 15:11.826 Somebody's saying it's Sam. 15:12.267 --> 15:13.027 Sam Preston? 15:13.067 --> 15:13.427 Yeah. 15:14.167 --> 15:15.107 I bet it's Tarquin. 15:15.247 --> 15:17.208 I think his first name's probably just Sexy. 15:17.808 --> 15:18.608 Sexy Preston. 15:18.728 --> 15:19.488 Sexy Preston. 15:19.568 --> 15:20.308 Yeah, there you go. 15:20.348 --> 15:25.610 OK, we've got competition time coming up after this number, and let me just try and remember what this is. 15:25.670 --> 15:26.490 Oh, this is Morrissey. 15:26.850 --> 15:27.690 It's Morrissey, Joe. 15:27.730 --> 15:28.310 It's Morrissey. 15:28.651 --> 15:29.171 That's exciting. 15:29.211 --> 15:30.051 He's some kind of a god. 15:30.091 --> 15:30.971 He's a kind of god. 15:30.991 --> 15:31.991 He's sort of a genius. 15:32.251 --> 15:38.033 This is a brand new addition to the XFM playlist, and it's called You Have Killed Me. 15:38.353 --> 15:38.433 Oh! 15:46.107 --> 15:48.558 That was Morrissey with You Have Killed Me. 15:48.819 --> 15:50.145 Brand new music on XFM. 15:52.358 --> 15:52.718 Yeah. 15:52.958 --> 15:56.141 As I live and breathe, you have killed me. 15:56.361 --> 15:57.702 You have killed me. 15:58.142 --> 15:58.382 Thanks. 15:58.442 --> 15:59.243 Quiet now, Morrissey. 15:59.583 --> 16:05.167 That's the first single to be taken from the Manchester Pope of Mope's eighth solo album. 16:05.367 --> 16:06.188 I didn't write that. 16:06.268 --> 16:07.168 I'm merely reading it. 16:07.509 --> 16:08.770 The Pope of Mope. 16:09.170 --> 16:10.631 Is that something he's commonly called? 16:11.031 --> 16:14.053 No, I think that's someone trying to think of something new to say about him. 16:14.313 --> 16:16.855 His solo album's called The Ringleader of the Tormentors. 16:17.075 --> 16:18.677 Then it's out April the third. 16:18.957 --> 16:21.438 I call him the miserable prince. 16:22.219 --> 16:23.839 This is Adam and Joe on XFM. 16:24.140 --> 16:25.820 It's time to play celebrity regression. 16:25.860 --> 16:30.361 I'm going to regress Adam into the mind and films of a famous film star. 16:30.701 --> 16:41.065 You have to guess who that film star is and what films he's been regressed into to win the extraordinary prize, which is a box to see Joe Brown, Felix Dexter and Andy Smart at the Hackney Empire tonight. 16:41.345 --> 16:41.905 That's a box. 16:42.865 --> 16:44.546 Only the poshest people go in boxes. 16:45.026 --> 16:46.367 They cost a million pounds. 16:46.687 --> 16:48.888 Listen, I'm not saying it's a bad bill, right? 16:48.908 --> 16:50.008 Because that is a brilliant bill. 16:50.028 --> 16:51.229 Brilliant comedians. 16:51.769 --> 16:54.750 But you could pretty much see anything in a box and have a good time. 16:55.191 --> 16:55.491 Really? 16:55.591 --> 16:55.851 Yeah. 16:56.251 --> 16:56.931 You just think so? 16:57.092 --> 16:57.552 Definitely. 16:57.592 --> 17:01.434 When you're in a theatre and you look up the people in the boxes, they're generally not concentrated. 17:01.454 --> 17:04.035 Do you know, exactly, that's the reason why a box is such fun. 17:04.775 --> 17:06.956 Pay attention to the play or performance. 17:06.976 --> 17:09.337 You just get some booze in there, you roll around the floor. 17:09.357 --> 17:11.418 You sit on the floor, fiddle with each other. 17:11.598 --> 17:12.278 You have a great time. 17:12.298 --> 17:12.978 Take some board games. 17:12.998 --> 17:13.498 Exactly. 17:13.518 --> 17:14.699 Oh, that'll be brilliant. 17:15.459 --> 17:23.982 And if you can't see that, because that's tonight and we realise it's short notice, then you can win one of three pairs of tickets for the XFM live session at the Carling Academy in Islington featuring the Magic Numbers. 17:24.523 --> 17:25.203 The Numbers. 17:25.403 --> 17:27.304 On Saturday the 18th of February. 17:28.064 --> 17:50.163 come on yeah there we go someone's comment common commenting on the text that there's a sort of uh large theme to the prizes but i don't want to get in trouble like what's his name on top of the pops did richard bacon no i'm not gonna pick up on that so it's not me it's somebody commenting i know i know we're in we're in deep water so here we go let's uh do celebrity aggression are you ready with the bell 17:51.972 --> 18:13.166 Okay, remember the number is 0 8 7 1 triple 2 1 0 4 9 if you know the name of the star in the films I'm about to regress Adam into so everything's a bit tense here in the studio this morning because Adam had a Headphone failure and can probably got a bit stressed out about the calls and then I made an inappropriate comment to some small children Everything's slightly edgy 18:14.307 --> 18:15.828 So this music's gonna relax us all. 18:15.868 --> 18:17.429 I think, Xanthi, you should breathe deeply. 18:17.449 --> 18:21.431 I think, listeners, if you're having a slightly edgy... Saturday should be a relaxed day. 18:21.451 --> 18:22.272 It shouldn't be tense. 18:23.112 --> 18:24.133 So let's just all relax. 18:25.394 --> 18:27.715 I'm talking to myself, basically. 18:28.676 --> 18:30.036 And regress, Adam, all the way back. 18:31.077 --> 18:33.118 Back to babyhood. 18:33.659 --> 18:35.760 Back to spermhood. 18:36.961 --> 18:38.702 Back to nuttyhood. 18:39.382 --> 18:40.623 Nuts in the hood. 18:41.563 --> 18:41.763 What? 18:43.124 --> 18:53.519 And all the way into the mind of a film star, a sexy film star who lives in Hollywood, whose standard of living you could never achieve, whose beauty you will never attain. 18:54.100 --> 18:57.785 Now Adam, wake up in the mind of that film star and tell us what you can see. 18:59.386 --> 19:01.548 I am in a nightclub on a double date. 19:02.269 --> 19:04.411 The DJ spins the psychedelic furs. 19:04.691 --> 19:05.712 Great for dancing. 19:06.172 --> 19:09.295 My date is a perfectly charming though slightly slutty young girl. 19:09.495 --> 19:10.156 But here's the thing. 19:10.676 --> 19:13.339 I really like the young lady on the arm of the other fellow. 19:13.799 --> 19:15.200 But they're engaged to be married. 19:15.481 --> 19:15.761 Gah! 19:16.181 --> 19:16.962 Roughly denied. 19:17.262 --> 19:29.914 What's more, when the ladies leave us to powder their bottoms, I'm left chatting to the young fellow, and I find him to be a rotter, a dirty picaroon who has dishonored his sweet fiancée on more than one occasion, and intends to do so again. 19:30.094 --> 19:30.534 Damn him! 19:30.975 --> 19:35.439 The filthy panty monger, the skirted specter, the faithless, tossy, touchy... 19:37.594 --> 19:37.954 Crikey. 19:38.174 --> 19:38.494 Okay. 19:39.695 --> 19:46.178 Just like to back out of that film, Adam, and then enter another of the stars' films, and wake up and tell us what you can see. 19:46.198 --> 19:48.740 I'm in a rather ugly modern house. 19:49.480 --> 19:52.742 Cold, angular, glass panels hither and yon. 19:53.422 --> 19:54.482 It's a family occasion. 19:55.022 --> 19:57.323 My sisters, their husbands, their children. 19:57.643 --> 19:59.843 My sisters nag and belittle me. 20:00.343 --> 20:03.264 Nag, nag, belittle, belittle. 20:03.804 --> 20:08.705 Normally, I diffuse this kind of situation by passing wind or making a politically incorrect quip. 20:09.185 --> 20:12.746 But I've been given the opportunity to be taken seriously here and I intend to be true to it. 20:13.206 --> 20:19.147 In that spirit, I smash my hand into a sliding glass door and stun the gathering into shocked silence. 20:19.867 --> 20:22.250 Oh, I'll pass wind or kiss a very old person again. 20:22.470 --> 20:25.173 But for now, people are looking at me with new eyes. 20:25.193 --> 20:30.018 So that's the second film. 20:30.058 --> 20:35.323 Remember, 08712221049, the second you guess the name of the star in all three films. 20:35.343 --> 20:36.204 Here comes the third film. 20:37.799 --> 20:39.581 I'm at the zoo on a school trip. 20:40.162 --> 20:41.424 One of my chums is upset. 20:41.924 --> 20:45.028 I ask him why, and he reveals that he has weed in his pants. 20:45.048 --> 20:46.810 I'm faced with a dilemma. 20:47.331 --> 20:53.879 Do I say nothing and help him hide his shame, or do I address the situation and risk exposing him to the ridicule of his classmates? 20:54.500 --> 20:56.282 I come up with an ingenious solution. 20:56.903 --> 21:10.331 I deliberately splash water on myself to make it look as if I have weed in my own pants, and then I announce to his class that doing so is cool, thereby making my young peepee friend look cool by proxy. 21:10.931 --> 21:15.653 My daring ploy does not escape the attention of the attractive female teacher who gives me a lusty look. 21:16.134 --> 21:19.576 No, she's not a sick pervert, for I am a grown man! 21:22.877 --> 21:23.298 There we go. 21:23.398 --> 21:25.679 Adam has gone back into a regressed state. 21:25.719 --> 21:32.342 He'll remain unconscious until somebody calls up and correctly guesses the name of the three films and the film star who he was. 21:32.442 --> 21:33.543 Call 0871 222 1049 if you know the answer. 21:38.637 --> 21:52.246 I'm filling and you could win those amazing prizes for those amazing events Tonight and next week What now what Fillmore I can't Weezer 22:00.356 --> 22:02.117 That was Weezer with Buddy Holly. 22:02.157 --> 22:04.217 You join us in the middle of celebrity regression. 22:04.277 --> 22:07.318 Adam has been regressed into the mind and films of a film star. 22:07.598 --> 22:08.799 We've got who's on the lines, Anthony? 22:08.819 --> 22:08.899 Sean. 22:09.539 --> 22:10.099 We got Sean. 22:10.119 --> 22:10.639 Hello, Sean. 22:11.099 --> 22:11.680 Hi, how are you doing? 22:11.980 --> 22:12.360 Good, man. 22:13.040 --> 22:14.040 Keep your voice nice and low. 22:14.080 --> 22:15.641 Adam's in a clinically regressed state. 22:15.681 --> 22:18.342 If you shock him or surprise him, you might kill him. 22:18.822 --> 22:19.282 I'll try then. 22:19.862 --> 22:20.322 To kill him? 22:21.203 --> 22:21.403 No. 22:21.963 --> 22:22.543 Well, good man. 22:22.563 --> 22:23.203 Keep my voice low. 22:23.443 --> 22:27.284 OK, so tell us, first of all, what film star you think it is. 22:27.304 --> 22:28.685 And if you're right, he will wake up. 22:29.189 --> 22:30.930 I believe it's Adam Sandler. 22:31.050 --> 22:33.112 That's fantastic. 22:33.172 --> 22:34.192 Congratulations, Sean. 22:34.212 --> 22:35.293 Absolutely right on the money. 22:35.353 --> 22:37.274 What was your process of deduction there? 22:37.915 --> 22:41.317 Well, I pretty much knew by the first film, because I'm super intelligent. 22:41.877 --> 22:50.143 That was a scene in a nightclub where he fancies the other bloke's girlfriend, even though the other bloke turns out to be a philanderer and a rotter. 22:50.243 --> 22:50.944 What film is that? 22:51.384 --> 22:52.404 It's The Wedding Singer. 22:52.685 --> 22:53.425 That's right. 22:53.445 --> 22:57.528 That's the bit with Drew Barrymore's boyfriend, who turns out to be a nasty piece of work. 22:57.788 --> 22:58.949 What was the other film that you got? 22:59.289 --> 23:03.251 Well, the second film I was quite hazy on, because he's not done many serious things. 23:03.811 --> 23:09.294 So I chose Spanglish, which is a script film I've never seen it myself. 23:09.394 --> 23:11.555 I know he's on the front cover of the DVD, and that's about it, really. 23:11.615 --> 23:12.575 Brilliant deduction. 23:12.655 --> 23:13.816 Colombo-like deduction. 23:13.916 --> 23:15.897 Yeah, it's incorrect, unfortunately. 23:15.917 --> 23:16.877 Oh, no. 23:17.197 --> 23:19.178 But I liked where you were going with it. 23:19.278 --> 23:23.280 But of course, his most serious piece was Punch Drunk Love. 23:23.780 --> 23:25.061 Ah, where he calls the call girl. 23:27.242 --> 23:44.435 yes exactly right yeah starts off when a small harmonium is dumped in the street outside his office and he goes on an amazing journey of violence and repressed something and that's directed by paul thomas anderson uh so punch drunk love you didn't get that one but still i think you got the other one what was the other one 23:45.064 --> 23:45.785 Billy Madison. 23:45.945 --> 23:46.965 Billy Madison, come on. 23:47.045 --> 23:48.366 I saw that for the first time the other day. 23:48.806 --> 23:49.286 Not bad. 23:49.987 --> 23:50.527 I enjoyed it. 23:50.967 --> 23:54.209 Yeah, I saw it a couple of years ago and you've got to be in the mood. 23:54.269 --> 23:56.130 It's kind of like a Saturday afternoon film. 23:56.330 --> 23:57.971 Is that the golfing one? 23:58.391 --> 23:59.552 No, that's Happy Gilmore. 23:59.592 --> 24:00.292 Oh, that's a good one. 24:00.312 --> 24:01.073 That's genuinely good. 24:01.113 --> 24:01.573 Happy Gilmore. 24:01.593 --> 24:03.634 You've always got to approach Sandler carefully. 24:03.654 --> 24:06.176 Do you want to hear the latest Sandler news? 24:06.516 --> 24:07.736 Yeah, what's that? 24:07.876 --> 24:09.037 He's made a film called Click. 24:09.297 --> 24:10.018 I heard about that. 24:10.038 --> 24:13.960 About a bloke that gets a remote control that works on people. 24:14.680 --> 24:15.080 Oh, fantastic. 24:15.160 --> 24:17.822 It's amazing it's taken them that long to make that film, isn't it? 24:18.102 --> 24:21.063 It's a universal remote that changes his universe. 24:21.123 --> 24:26.166 I think there must have been a version of that made in the 80s called Remote Control or something with some 80s star. 24:26.206 --> 24:29.248 They were people that got sucked into their TV or something like that. 24:29.568 --> 24:33.210 And then his very latest film, he is playing a gay man. 24:34.030 --> 24:35.591 It's very fashionable at the moment. 24:36.211 --> 24:38.833 A gay man that becomes married thanks to the new lovers. 24:39.113 --> 24:40.954 But then he's doing yet another film. 24:41.014 --> 24:41.174 Is he? 24:41.474 --> 24:45.399 where his whole family are killed in the 9-11 attacks. 24:45.799 --> 24:46.020 What? 24:46.040 --> 24:47.481 It doesn't sound very funny. 24:47.521 --> 24:51.827 It's not very, it doesn't sound funny but it might be it might be another serious Sandler project. 24:52.267 --> 24:53.348 Oh right, they're no good anyway. 24:53.529 --> 24:56.712 It might, it might be, it might, well it might be another serious 24:57.253 --> 25:14.208 project yeah we don't know the small chance it could become it might be chucklesome chucklesome look at the 9-11 disaster anyway thank you so much for calling in Sean and which prize would you like would you like to go to the the comedy performance tonight by Joe Brand or would you like to see this magic number session 25:14.850 --> 25:16.673 The Magic Numbers session, please. 25:16.693 --> 25:21.121 Purely for the fact that I'm busy tonight, I would usually go for a bit of brandy, but you know... Nice. 25:21.601 --> 25:22.483 Got a hold on for next week. 25:22.583 --> 25:25.488 Okay, well I hope you enjoy the Magic Numbers, and thank you so much for calling in. 25:25.528 --> 25:26.750 This is Adam and Joe here on XFM. 25:32.228 --> 25:33.869 It's a little bit... It hasn't finished yet! 25:33.889 --> 25:35.670 ...a little bit of a cheeky free play. 25:35.751 --> 25:36.691 I shouldn't have played that. 25:36.711 --> 25:38.693 You should never come out of the break with a free play. 25:38.753 --> 25:39.353 That's illegal. 25:39.373 --> 25:40.154 You could get fired. 25:40.254 --> 25:41.194 I'm gonna straighten my mic. 25:41.655 --> 25:43.396 Keep talking, but excuse me if there's noises. 25:43.456 --> 25:46.438 So that was Pixies with Holiday Song. 25:46.518 --> 25:50.281 This is Adam and Joe here on Saturday afternoon at XFM. 25:50.901 --> 25:57.365 And we have got some more exciting things, competition-wise, coming up for you in part two of the show. 25:57.385 --> 25:57.786 Oh, part two. 25:57.846 --> 25:58.586 I love part two. 25:58.646 --> 25:59.367 The second hour. 25:59.747 --> 26:01.247 Can I, are you about to say something? 26:01.267 --> 26:01.708 No, you carry on. 26:01.948 --> 26:02.448 I'm worried. 26:02.788 --> 26:03.268 Why are you worried? 26:03.448 --> 26:05.929 About those gerbils in that gerbil advert. 26:06.589 --> 26:08.750 In, uh, they're, um, guinea pigs, aren't they? 26:08.810 --> 26:09.670 Guinea pigs, yeah. 26:09.710 --> 26:10.970 Sorry, not gerbils, guinea pigs. 26:10.990 --> 26:11.231 In the egg. 26:11.291 --> 26:12.191 In the egg adverts. 26:12.211 --> 26:12.851 Why are you worried? 26:13.531 --> 26:16.172 Well, I'm trying to work out how they, how they do it. 26:16.432 --> 26:17.853 And listeners, you might be able to help. 26:17.873 --> 26:23.634 You probably know those egg adverts, those egg adverts with the, uh, guinea pigs. 26:24.254 --> 26:24.655 Yeah, yeah. 26:24.795 --> 26:25.955 I actually know how they do it. 26:26.115 --> 26:46.574 do you okay here's my theory and they're guinea pigs they're going well like guinea pigs they're in a little experimental house aren't they uh and they're doing computers and sitting watching the telly acting like a normal family but they've got sort of humanoid bodies yeah they're uh walking on two legs and using their hands in a way that guinea pigs naturally can't so this is how i think they've done it they've made a giant set 26:47.355 --> 26:49.537 They've put people in big guinea pig costumes. 26:50.158 --> 26:56.184 They've then miniaturized that down and put real guinea pig heads on using digitals. 26:56.644 --> 26:56.864 Yeah. 26:57.004 --> 26:57.385 Correct? 26:57.505 --> 26:57.825 Correct. 26:57.985 --> 26:58.386 Correct. 26:58.766 --> 27:00.928 How have they got those expressions off of them guinea pigs then? 27:01.949 --> 27:04.392 What, are you getting expressions off those guinea pig faces? 27:04.412 --> 27:05.212 Yeah, absolutely. 27:05.252 --> 27:06.434 They look at things. 27:06.834 --> 27:07.575 They seem to think. 27:08.717 --> 27:09.537 They've been tortured. 27:10.398 --> 27:10.658 No. 27:10.718 --> 27:14.100 I think there's been some... How could they possibly get performances, even out of their heads? 27:14.700 --> 27:16.742 They're not getting any performances out of their heads. 27:16.762 --> 27:18.823 But they look in the right direction and stuff. 27:19.423 --> 27:23.365 No, they just cut... They film enough of it so that they've got the footage of when they suddenly look left. 27:23.385 --> 27:23.966 I don't know, man. 27:24.146 --> 27:24.646 I don't know. 27:24.666 --> 27:25.927 You reckon they're being electrocuted and stuff? 27:25.947 --> 27:26.467 I think so. 27:26.567 --> 27:30.690 I think there's some kind of PG Tips chimps for the noughties going on there. 27:31.150 --> 27:34.592 No, that's... That's simply Joe Cornish speculating, incidentally. 27:34.612 --> 27:35.292 Through their cheeks. 27:35.613 --> 27:36.653 That's not the assertion of XFM. 27:36.693 --> 27:37.954 I can't say anything right today. 27:39.253 --> 27:40.614 He's a legal minefield. 27:40.955 --> 27:47.120 Well if you put it like that, I'm humorously suggesting that they may have tortured the guinea pigs. 27:47.260 --> 27:50.983 And now you're making it sound like Siriana starring George Clooney. 27:52.345 --> 27:53.306 Which I don't think it is. 27:53.326 --> 27:56.168 I don't know, but you think that's how they do it? 27:58.985 --> 28:02.326 Yeah, they just shoot loads of stuff and cut together the bits they need. 28:02.346 --> 28:03.947 They shoot them? 28:03.967 --> 28:04.928 They kill the guinea pigs? 28:04.948 --> 28:09.069 They kill them, they shoot them in the kneecaps until they do what they're told. 28:09.750 --> 28:14.312 I'm pretty sure maybe someone from the advertising company would like to phone us and fill us in. 28:14.332 --> 28:16.412 It would be an interesting and informative feature. 28:16.653 --> 28:21.495 I'm worried about those guinea pigs and I think the National Society for the Prevention of Cruelty to Guinea Pigs should investigate. 28:22.535 --> 28:22.815 Yeah? 28:23.196 --> 28:24.056 That's all I want to say. 28:24.777 --> 28:25.037 Sure. 28:25.457 --> 28:27.498 So my opinions are too controversial for you, Adam. 28:27.959 --> 28:29.520 You want to make an anodyne show? 28:29.560 --> 28:29.900 A safe show? 28:29.940 --> 28:31.241 I'm just trying to reassure you. 28:31.781 --> 28:32.682 I'm trying to reassure you. 28:32.782 --> 28:33.302 Don't worry. 28:33.442 --> 28:34.603 Listen, Joe Cornish, don't worry. 28:34.643 --> 28:35.644 I know you love guinea pigs. 28:35.684 --> 28:36.464 You care about guinea pigs? 28:36.524 --> 28:37.145 I know you do. 28:37.485 --> 28:41.948 But don't worry, because I don't think they would torture them for the advert. 28:42.088 --> 28:45.670 It would just be an insane... I hope those guinea pigs have got free credit cards. 28:45.690 --> 28:46.671 ...insane thing to do. 28:47.111 --> 28:51.443 Now let's play some music to take us to the end of the first hour here on a Saturday afternoon. 28:51.724 --> 28:52.626 This is the Future Heads. 28:59.696 --> 29:00.216 Isn't that nice? 29:00.236 --> 29:02.357 The Arctic Monkeys with When the Sun Goes Down. 29:02.417 --> 29:07.019 And of course, they're playing London's Brixton Academy on Friday, February the 17th. 29:07.179 --> 29:09.040 Even though I'm sure you probably can't get tickets. 29:09.060 --> 29:10.680 I'm sure it's sold out, man. 29:11.080 --> 29:12.361 They're so hot right now. 29:12.521 --> 29:18.243 So listen, I was expressing some concern about the welfare of the egg guinea pigs and wanting to know how it was done. 29:18.403 --> 29:21.424 And lo and behold, we've been called by Tony, right? 29:21.624 --> 29:24.405 Whose sister owns the guinea pigs, is that right? 29:24.425 --> 29:25.566 Sister-in-law. 29:25.786 --> 29:26.286 Hey, Tony. 29:26.306 --> 29:27.247 How you doing? 29:27.427 --> 29:28.127 Thanks for calling in. 29:28.783 --> 29:29.643 That's alright, no problem. 29:29.824 --> 29:34.666 So your sister-in-law, does she breed guinea pigs or something or own a guinea pig farm? 29:35.746 --> 29:40.589 No, she doesn't breed them, she's just got quite a few guinea pigs. 29:41.089 --> 29:44.971 She does dog training and stuff like that and it all got involved from there. 29:45.171 --> 29:49.272 And she hires the guinea pigs out for TV, jobs, film work, that kind of thing? 29:49.692 --> 29:50.312 Yeah. 29:50.412 --> 29:54.813 They must be the most- I mean, they are the most beautiful guinea pigs available in the country. 29:54.853 --> 29:57.614 The most photogenic and expressive guinea pigs. 29:57.674 --> 29:58.714 She must treat them very well. 29:59.255 --> 30:01.575 She's trying to not let it go to their heads, you know? 30:02.175 --> 30:03.556 So how do they do it then? 30:03.616 --> 30:06.736 How do they make those guinea pigs walk around like people? 30:06.756 --> 30:11.378 Well, they don't actually- the guinea pigs don't walk around like people, they just- What? 30:11.398 --> 30:12.838 They try and get their heads. 30:13.345 --> 30:15.206 They try and get them to look up. 30:16.006 --> 30:16.986 Now how do they do that? 30:17.527 --> 30:20.188 Well, basically they don't feed them for three hours. 30:20.368 --> 30:20.668 What? 30:21.108 --> 30:23.469 Yes, they starve the poor little... They starve them? 30:25.069 --> 30:32.012 And then they hold a little bit of carrot and let it up and dangle it above their heads and then they look up for the food. 30:32.192 --> 30:34.653 No, it's like the little toddler in Close Encounters. 30:35.819 --> 30:37.800 or the little boy in Kramer vs. Kramer? 30:37.960 --> 30:42.662 It's exactly what we do with you, Joe, except with, like, chocolate snacks. 30:42.702 --> 30:43.282 Rollos. 30:44.363 --> 30:46.723 Wow, so that's not really torture, is it? 30:46.784 --> 30:51.826 That's just, um, no, we need a word that is less strong than torture. 30:51.846 --> 30:55.787 Uh, cajoling, um, starving. 30:55.907 --> 30:56.527 Inducement. 30:56.728 --> 30:57.528 Inducement, yeah. 30:57.548 --> 30:58.308 Inducement by hunger. 30:58.508 --> 31:03.170 So there's no kind of fishing wire through the cheeks, no lip matches. 31:03.190 --> 31:04.011 No electric shocks. 31:04.031 --> 31:04.831 No electric shocks. 31:05.271 --> 31:06.352 No, no, nothing like that. 31:06.432 --> 31:08.014 No, they wouldn't be allowed to do anything like that. 31:08.114 --> 31:11.438 And have you seen the guinea pigs since the commercials have been out? 31:12.574 --> 31:14.094 Yeah, but... Have they changed? 31:14.655 --> 31:16.975 Yeah, they won't talk to me anymore. 31:17.215 --> 31:17.435 Arrogant. 31:17.475 --> 31:18.975 No one likes an arrogant anypig. 31:19.575 --> 31:19.896 Wow. 31:20.256 --> 31:22.636 And what sort of money do you think changed hands? 31:22.676 --> 31:25.877 I want to know if they got more than me and Adam got for our surf adverts. 31:26.297 --> 31:27.497 They probably did. 31:28.117 --> 31:29.117 I never found out. 31:29.197 --> 31:30.718 I never found out how much they got from that. 31:31.478 --> 31:32.838 I hope they're living in luxury. 31:33.218 --> 31:37.499 Yeah, some of the dogs appeared in the telecom adverts as well. 31:37.739 --> 31:38.099 Wow. 31:39.245 --> 31:40.606 She's got quite a stable there. 31:40.946 --> 31:41.646 That's amazing. 31:41.706 --> 31:43.607 Well, listen, thank you so much for calling us, Tony. 31:43.627 --> 31:44.168 We really appreciate it. 31:44.208 --> 31:44.628 Thanks, Tony. 31:44.668 --> 31:46.048 That's put my mind at rest. 31:46.609 --> 31:48.089 So they're just a little bit hungry. 31:48.109 --> 31:48.810 Yeah. 31:49.010 --> 31:50.170 But not tortured, yeah. 31:50.190 --> 31:50.851 There's no torture. 31:52.552 --> 31:59.198 That's why the look in their eyes is so realistic, cos their hunger for grain is the same as the human hunger to spend money on criticals. 31:59.519 --> 32:00.680 Brilliant, Joe. 32:00.740 --> 32:01.340 Brilliant. 32:01.641 --> 32:02.882 Tony, thanks a lot for your call. 32:02.902 --> 32:04.423 This is Adam and Joe on XFM. 32:04.463 --> 32:07.566 We'll be back with a text competition after this. 32:07.586 --> 32:09.208 This is Jack Johnson. 32:12.142 --> 32:17.305 That's the one tune everyone can play on the piano, isn't it? 32:17.325 --> 32:21.828 Or if someone else does the... I can do the... What's that tune called? 32:21.868 --> 32:24.210 That was that song we just played, though, wasn't it? 32:24.230 --> 32:25.711 That was Soppy Jack Johnson. 32:25.751 --> 32:27.972 That's like releasing chopsticks. 32:40.740 --> 32:42.421 Jack Johnson, the soppy surfer. 32:42.441 --> 32:51.186 I'm going to release the one you do with your fist. 32:51.667 --> 32:51.947 Yeah. 32:52.247 --> 32:56.470 One day we should have a competition, a piano playing competition for people that can't play the piano. 32:57.150 --> 32:57.730 That would be great. 32:57.971 --> 33:00.812 Hey, we've got a couple of... Oh, no, we didn't get podcasts in the end, did we? 33:00.832 --> 33:01.913 No, we got one podcast, yeah. 33:01.933 --> 33:02.073 Do we? 33:02.133 --> 33:03.494 Well, we'll come to that later, though, shall we? 33:03.514 --> 33:04.054 A little bit later. 33:04.074 --> 33:08.137 Well, I'll play it this week and listen to it and bring it in. 33:08.177 --> 33:09.498 This is Adam and Joel on XFM, by the way. 33:09.538 --> 33:11.599 Last week, we were talking about podcasts. 33:11.639 --> 33:17.503 We're very much hoping that this show might be available for podcasts, even though we don't really know what's happening, because they're only here on Saturdays. 33:17.543 --> 33:18.664 Waiting for information about that. 33:19.384 --> 33:23.527 I'll tell you what I might do though incidentally is put some bits up on my website. 33:23.547 --> 33:24.707 That's a good idea. 33:24.787 --> 33:25.688 Adam Dash Buxton. 33:26.008 --> 33:26.829 That's a very good idea. 33:27.169 --> 33:42.698 But we were requesting for listeners to send in their podcasts because Adam was listening to some podcasts and generally sort of not bemoaning the standards but thinking that it was maybe quite easy to make a splash in the podcast world at the moment because it's in its infancy. 33:42.898 --> 33:43.378 That's right. 33:43.398 --> 33:45.940 There's not that much stuff out there. 33:46.000 --> 33:47.061 Most of it's pretty poor. 33:47.481 --> 33:52.205 Ricky Gervais and Stephen Merchant and Cole Pilkington's show is head and shoulders above the others. 33:52.245 --> 33:53.225 It's brilliantly funny. 33:53.265 --> 33:53.726 It's very good. 33:53.746 --> 33:55.107 I recommend it if you haven't heard it yet. 33:56.267 --> 34:00.170 But anyway, I was keen to hear some more short podcasts. 34:00.430 --> 34:03.853 I was thinking if people could just send in like a couple of minutes of chat. 34:03.873 --> 34:07.996 We don't want music and stuff because generally the podcasts are just people talking. 34:08.576 --> 34:11.698 But I'd be interested to hear what kind of stuff our listeners would send in. 34:11.718 --> 34:12.398 Yeah, we've got one. 34:12.859 --> 34:13.679 It's sort of anonymous. 34:13.719 --> 34:14.980 I don't know, it's come in a little sleeve. 34:15.440 --> 34:18.562 It says 4th Street Sausages, spelt S-O-S. 34:18.582 --> 34:19.763 That's promising already. 34:19.783 --> 34:20.083 A-G-E-S. 34:20.343 --> 34:21.544 So we'll have a listen to that this week. 34:21.604 --> 34:22.365 Thank you whoever sent that in. 34:22.385 --> 34:22.745 Very promising. 34:23.365 --> 34:24.486 Anyway, there you go. 34:24.746 --> 34:26.527 As podcasts, you'll hear some next week. 34:26.907 --> 34:30.530 I wanted to talk about Coco Pop's straws, Joe Cornish. 34:31.030 --> 34:31.250 Yes. 34:31.550 --> 34:33.690 Now I assume, have you seen the adverts? 34:33.710 --> 34:38.991 Yeah, this is an advert where there's a little boy and his mum brings him a cow. 34:39.391 --> 34:40.892 Because she wants him to drink more milk. 34:40.932 --> 34:42.012 Yeah, yeah. 34:42.192 --> 34:45.593 And she's basically, the ad is saying, have you ever tried to get milk into your kids? 34:46.073 --> 34:47.953 Well, now here's a way of making it easier. 34:48.713 --> 34:53.754 You know, no, you don't have to buy them a cow instead of a dog. 34:54.014 --> 34:55.314 That would be mad. 34:55.714 --> 34:59.155 But all you can do is buy Coco Pop straws 34:59.955 --> 35:04.141 which are basically sort of tube wafers covered in chocolate. 35:04.421 --> 35:06.925 And Joe, you know all about this because this is one of your favourite snacks, isn't it? 35:06.945 --> 35:08.747 When we went to Japan, Pocky Sticks. 35:08.767 --> 35:09.048 What? 35:09.528 --> 35:11.071 Yes, but Pocky Sticks aren't hollow. 35:11.591 --> 35:12.713 Pocky Sticks are hollow, aren't they? 35:12.753 --> 35:15.016 Some of them maybe, but the majority of them aren't hollow, no. 35:15.156 --> 35:15.517 Oh, okay. 35:15.777 --> 35:19.199 But it's a similar thing on the continent and in Japan, places like that. 35:20.200 --> 35:25.083 The tubular wafer with chocolate is a fairly standard bit of confectionary. 35:25.243 --> 35:29.026 And so far... Definitely in wherever Balsen comes from. 35:29.406 --> 35:30.627 Do you know that make of biscuits? 35:30.867 --> 35:31.907 Balsen. 35:32.228 --> 35:34.769 You get them in those offies that don't have any fresh food in them. 35:35.410 --> 35:35.990 Balsen. 35:36.330 --> 35:38.372 They're like Danish biscuits. 35:38.812 --> 35:39.752 They're well tasty. 35:39.933 --> 35:42.074 They like that sort of thing, don't they? 35:42.154 --> 35:42.875 Europeans. 35:43.015 --> 35:43.595 Europeans. 35:43.635 --> 35:44.856 They love their biscuits. 35:45.496 --> 36:02.954 um anyway so these these kinds of tubular chocolate-based snacks haven't been available in the uk for uh hitherto as far as i'm aware and cocoa pops have made them their own and called them the cocoa pop straws and they're advertising them as a way of getting children to drink milk 36:03.214 --> 36:04.095 Yeah. 36:04.155 --> 36:07.977 Which seems to me slightly disingenuous to say the least. 36:09.097 --> 36:12.959 Because I don't believe that any child in their right mind would fall for that. 36:13.119 --> 36:17.601 It's like saying get your kids to eat more fruit by covering the fruit in chocolate. 36:17.802 --> 36:18.702 Well exactly, yeah. 36:18.982 --> 36:20.383 And sticking sugar lumps in the middle. 36:20.503 --> 36:24.565 But it's not even that devious, it's not even that direct to link, you know what I mean? 36:24.625 --> 36:28.686 I was thinking of some other things that you could imply this same strategy to. 36:29.386 --> 36:31.787 For example, are your kids getting enough exercise? 36:32.148 --> 36:34.809 Why not try new running machine Maltesers? 36:34.969 --> 36:41.051 Because they sit conveniently on top of the main panel of your running machine, making running more fun. 36:41.311 --> 36:42.071 That's a good idea. 36:42.111 --> 36:42.612 Same sort of thing. 36:42.812 --> 36:43.272 What about this? 36:43.772 --> 36:46.133 Do your kids simply refuse to eat vegetables? 36:46.713 --> 36:50.634 Try new Snickers forks and watch them tuck into that broccoli. 36:51.014 --> 36:52.815 Solid chocolate and peanut forks? 36:52.855 --> 36:53.115 Yeah. 36:53.535 --> 36:54.115 That's brilliant. 36:54.155 --> 36:55.756 With help held together by toffee. 36:55.916 --> 36:56.956 That's a great idea. 36:57.036 --> 36:57.816 Then watch them. 36:57.836 --> 36:59.617 They'll love, can I have more broccoli, mum? 37:00.097 --> 37:00.617 They'll say. 37:00.937 --> 37:02.298 They won't eat the fork, obviously. 37:02.318 --> 37:03.158 They'll just go for the broccoli. 37:03.358 --> 37:05.939 That seems to be the theory that the Cocoa Pops people are going for. 37:06.119 --> 37:08.960 They're not bothered about eating the chocolate wafer straw. 37:09.360 --> 37:10.702 They'll just have loads of milk. 37:10.862 --> 37:12.143 This milk's delicious, ma'am. 37:12.183 --> 37:13.264 Can I have more milk, please? 37:13.465 --> 37:17.109 Can I suck up Coca-Cola using the straw instead of milk, mommy, please? 37:17.129 --> 37:17.910 Do you want a new straw? 37:18.070 --> 37:18.831 No, that's OK. 37:18.951 --> 37:20.953 I'm still using the same one from a couple of weeks back. 37:21.013 --> 37:21.894 I don't want to eat the straw. 37:21.914 --> 37:23.056 I just want to have more milk. 37:23.076 --> 37:23.416 I love milk. 37:23.436 --> 37:24.277 Thank you. 37:24.417 --> 37:26.178 Thanks very much, Mum, I love milk! 37:26.378 --> 37:28.180 Do I feel a text competition coming on? 37:28.280 --> 37:29.180 So, yeah, exactly. 37:29.260 --> 37:44.932 So I was hoping that people out there might text us or phone us or do whatever, email us, and let us know some of their ideas for similar products that could encourage young children to do beneficial things. 37:45.732 --> 37:50.493 Yeah, sort of unhealthy, snack-based ways of snacking on healthy things. 37:50.613 --> 37:50.853 Yeah. 37:51.193 --> 38:01.475 So the text number is 83XFM, 83XFM, and there'll be, you know, whatever good idea we get, the best idea is what I'm trying to say, we'll call you. 38:01.495 --> 38:01.995 The goodest. 38:02.235 --> 38:03.035 On the blower. 38:03.095 --> 38:03.675 The most goodest. 38:03.695 --> 38:05.136 Get you on the knicker knockers. 38:05.476 --> 38:05.656 What? 38:05.676 --> 38:08.236 Is that a cockney rhyming slang for radio? 38:08.316 --> 38:08.796 I think so. 38:09.496 --> 38:12.017 And yeah, give you a bushtee. 38:13.237 --> 38:14.378 I don't know what that is. 38:14.398 --> 38:14.678 Okay. 38:15.238 --> 38:15.919 Free play time. 38:16.159 --> 38:19.762 Here is a sort of uncharacteristic song from the Buzzcocks. 38:20.082 --> 38:23.844 Doesn't sound typical of them, but it's a lovely track and it's called Love Is Lies. 38:30.349 --> 38:31.990 Buzzcocks with Love Is Lies. 38:32.010 --> 38:33.331 This is Adam and Joe on XFM. 38:33.391 --> 38:36.073 Keep those competition entries coming in. 38:37.013 --> 38:38.835 You can text us, Adam. 38:39.295 --> 38:39.675 What is it? 38:39.715 --> 38:40.716 What's the text, Anthony? 38:42.861 --> 38:45.763 83936. 38:42.981 --> 38:45.763 Or 83XFM. 38:45.863 --> 38:46.964 83XFM is the text. 38:47.124 --> 38:47.925 Or email us. 38:47.965 --> 38:48.965 That's a good way of doing it. 38:48.985 --> 38:52.267 And then you can expound your theory at your leisure. 38:52.688 --> 38:55.670 adamandjoe. 38:56.130 --> 39:09.859 And just a reminder that the competition was to propose suites that could be advertised in a way that would make them seem... I'm really messing up the description of this competition. 39:10.479 --> 39:19.324 Well, we were basically trying to get people to do other things similar to the cocoa pop straws that seem to be encouraging children to do something beneficial, i.e. 39:19.445 --> 39:19.925 drink milk. 39:20.205 --> 39:22.707 So we want similar ideas from you along those lines. 39:22.767 --> 39:23.667 We'll be back shortly. 39:26.589 --> 39:28.750 There we go, that's U2 with Vertigo. 39:28.790 --> 39:33.253 You know, rock music's about picking up a guitar, having a good time and rocking out, but every now and then, 39:33.976 --> 39:36.078 Maybe it just might be able to change the world. 39:36.739 --> 39:37.840 That's a good thought, Joe. 39:37.880 --> 39:38.520 I hadn't thought about it. 39:38.540 --> 39:42.184 That's sort of paraphrasing what Bono said at the Grammys the other day when he won everything. 39:43.365 --> 39:43.665 Really? 39:43.786 --> 39:45.267 Yeah, swept the board at the Grammys. 39:45.968 --> 39:46.748 He won Grammys. 39:47.229 --> 39:48.070 He won some Grammys? 39:48.090 --> 39:49.071 Yeah, at the Grammys. 39:49.271 --> 39:49.992 At the Grammys? 39:50.032 --> 39:50.312 Yeah. 39:50.332 --> 39:51.473 He walked out with an armful of Grammys? 39:51.493 --> 39:52.514 With an armful of Grammys. 39:52.954 --> 39:53.255 Wow. 39:54.011 --> 39:56.013 Um, so we've got a text competition on the go. 39:56.473 --> 40:01.498 It's to come up with a, uh, a kind of something similar to, um, what are they called? 40:02.599 --> 40:03.620 Biscuit straws. 40:03.640 --> 40:04.421 Cocoa pop straws. 40:04.461 --> 40:11.407 My suggestion for something similar was, uh, get, you know, as a way of getting your children to eat more broccoli, snickers forks. 40:11.787 --> 40:15.030 a sort of counter-productively unhealthy way to eat something healthy. 40:15.070 --> 40:20.496 We've got lots of text coming through and we're going to get to judging that and awarding the prize in a second. 40:20.516 --> 40:27.562 And don't forget, coming up in about 15-20 minutes time is your chance to win a Katamari Damacy for the PlayStation 2. 40:28.103 --> 40:29.304 Brilliant new PS2 game. 40:29.324 --> 40:32.707 We'll be giving those away to everybody who gets on the air for Ditties in the Dock. 40:33.869 --> 40:42.098 But for now, something I heard on the telly, well saw as well on the telly, I heard it and saw it, it was coming in the front and the sides. 40:42.118 --> 40:42.779 Double senses. 40:43.140 --> 40:48.366 And yeah, was a repeat of Jarvis Cocker's Pop Years. 40:49.026 --> 41:12.262 Right a Channel 4 documentary with Jarvis Cocker talking through some fantastic clips of sort of odd pop performances from telly of old 70s and 80s mainly but it had this brilliant bit of Peter glaze who's an old children's TV presenter on a show called crackerjack which only our more mature listeners will remember it used to be appointment viewing on Fridays at five o'clock and 41:12.742 --> 41:22.775 And so here's Jarvis Cocker introducing this old 70s children's programme with the presenters singing their rendition of David Bowie's Golden Years. 41:22.955 --> 41:23.676 Have a listen to this. 41:23.857 --> 41:28.302 My favourite unlikely pop moment has to be from the uncoolest kids TV show ever. 41:28.983 --> 41:32.567 It's Peter Glaser's version of David Bowie's Golden Years. 41:32.607 --> 41:33.047 Golden years, go! 41:58.549 --> 42:01.450 See, that's the kind of thing that is now done ironically. 42:01.490 --> 42:04.971 Well, Vic Reeves used to do it ironically when he used to come out on the big night app. 42:05.211 --> 42:07.012 And then Harry Hill used to do it as well. 42:07.432 --> 42:10.193 But that was all pre-irony. 42:10.473 --> 42:13.034 Why don't pop songs these days end like that? 42:16.135 --> 42:16.755 whole thing. 42:16.795 --> 42:17.755 They should still do that. 42:17.895 --> 42:18.436 Absolutely. 42:18.736 --> 42:19.216 I love that. 42:19.236 --> 42:20.376 That was a very good show, wasn't it? 42:20.416 --> 42:21.236 It was a brilliant programme. 42:21.276 --> 42:22.017 Was it E4? 42:22.537 --> 42:23.477 E4, we're repeating it. 42:23.497 --> 42:28.798 Yeah, I missed it the first time round, but maybe we should have some real golden years just to clear our ears. 42:29.078 --> 42:30.739 Yeah, a nice bit of David Bowie for you. 42:31.819 --> 42:35.260 We'll be back with the results of our text competition after this. 42:44.090 --> 42:44.510 What's happening? 42:44.530 --> 42:45.571 There's been the technicals. 42:46.212 --> 42:47.072 Technical problems. 42:47.092 --> 42:48.854 No, they're just switched completely off. 42:49.314 --> 42:49.854 The middle player. 42:49.874 --> 42:50.675 What's going on there? 42:50.995 --> 42:53.457 It's like a localised power cut to the central player, Joe. 42:53.477 --> 42:57.140 There's some sort of poltergeist activity in the XFM studio today, ladies and gents. 42:57.960 --> 42:59.321 Oh my God, she passed right through me. 43:00.282 --> 43:01.883 That was a little poltergeist moment for you there. 43:02.143 --> 43:04.105 Oh, it's passed right through me too. 43:04.225 --> 43:06.107 That's just a toilet moment from Adam. 43:06.447 --> 43:09.409 Hey, you know, thanks for bearing with us, trusty, faithful listeners. 43:10.050 --> 43:11.391 God knows what's happening in the studio today. 43:11.431 --> 43:12.772 Everything's breaking and exploding. 43:12.912 --> 43:13.573 Oh, I don't know. 43:13.773 --> 43:26.823 But we've been asking you to send in texts for our super text competition to come up with a sort of motivational product to make children eat good things, similar to the Coco Pops straws, what you might have seen advertised on telly. 43:26.843 --> 43:27.744 So here are some suggestions. 43:27.764 --> 43:28.645 Are you ready, Adam Buxton? 43:29.325 --> 43:29.665 Hit me. 43:29.705 --> 43:31.286 You're gonna judge these. 43:31.587 --> 43:32.367 A chocolate toothbrush. 43:33.287 --> 43:33.788 I like it. 43:33.808 --> 43:34.628 We're starting basic. 43:34.788 --> 43:35.589 Jack in Chelmsford. 43:35.769 --> 43:36.469 That's nice, Jack. 43:36.489 --> 43:36.749 Yeah? 43:37.410 --> 43:38.550 How would you make a chocolate toothbrush? 43:38.590 --> 43:39.111 It wouldn't happen. 43:39.151 --> 43:40.532 The chocolate wouldn't be solid enough. 43:41.712 --> 43:43.793 There's no chocolate with that amount of strength. 43:44.634 --> 43:48.676 Even though chocolate is molecularly a very unique substance, and that's actually true. 43:48.696 --> 43:50.777 It's got extraordinary molecular properties. 43:50.817 --> 43:54.900 Any scientists out there who are listening will agree with me and notice how clever I am. 43:55.820 --> 43:56.941 How did you get that fact? 43:56.961 --> 43:57.481 I don't know! 43:57.501 --> 43:58.261 I don't know! 43:58.841 --> 44:00.042 But yeah, so that's good. 44:00.082 --> 44:00.582 Well done, Jack. 44:00.622 --> 44:01.343 You ready for another one? 44:01.363 --> 44:01.723 Yeah, go on. 44:03.383 --> 44:03.804 Yeah. 44:04.224 --> 44:09.746 How about, get your teenage kids to eat more fruit by getting them to drink White Lightning. 44:09.766 --> 44:11.067 Mmm, they'll soon love apples. 44:11.947 --> 44:13.528 From rich and home. 44:14.128 --> 44:14.788 White Lightning! 44:14.808 --> 44:16.289 It is slim pickings today. 44:16.349 --> 44:17.089 It's cider, isn't it? 44:17.430 --> 44:17.650 Yes. 44:18.690 --> 44:22.515 Vegetables set in jelly, like carrot and celery sticks in raspberry jelly. 44:22.796 --> 44:24.078 That just exists though, doesn't it? 44:24.098 --> 44:28.664 That's like at school when you used to have the... I never liked fruit jelly when I found real bits of fruit. 44:28.684 --> 44:29.345 Now nobody likes jelly. 44:30.126 --> 44:32.048 I like jelly, but I didn't like it when there was fruit in there. 44:32.068 --> 44:32.329 No you don't. 44:32.349 --> 44:32.930 You don't like jelly. 44:32.950 --> 44:33.350 I like jelly. 44:33.390 --> 44:34.492 I don't think anyone likes jelly. 44:34.512 --> 44:35.213 I love jelly! 44:35.233 --> 44:35.954 Do you like jelly? 44:37.501 --> 44:39.563 Well, maybe what I'm trying to say is I don't like jelly. 44:39.623 --> 44:40.804 What have you got against jelly? 44:40.904 --> 44:41.545 It's just silly. 44:43.067 --> 44:44.869 Joe Cornish is calling jelly silly. 44:44.909 --> 44:45.609 Come on, it wobbles. 44:45.649 --> 44:46.690 It's got no self-respect. 44:47.191 --> 44:47.551 It's brilliant. 44:47.571 --> 44:49.053 It's neither a liquid nor a solid. 44:49.674 --> 44:51.295 It tastes of nothing. 44:51.355 --> 44:53.418 Jelly's an absurd thing for toddlers. 44:53.538 --> 44:54.619 Do you know what I used to like jelly? 44:54.639 --> 44:55.720 No adult should ever eat jelly. 44:55.760 --> 44:57.582 I'm talking to Xanthi now because obviously Joe can't. 44:57.782 --> 44:59.303 Can I get, I know what you're going to say. 44:59.443 --> 44:59.643 What? 44:59.844 --> 45:03.706 You used to get the brick of jelly out of the cupboard and eat the solid concentrated brick. 45:03.726 --> 45:03.887 No, wrong. 45:03.907 --> 45:05.408 I tried that once but it was horrible. 45:05.468 --> 45:06.128 I think everyone did that. 45:06.148 --> 45:06.829 It was disgusting. 45:07.149 --> 45:13.534 Now I used to get the jelly and I used to kind of smush it around in my mouth until it had returned to its kind of watery form. 45:13.794 --> 45:14.254 I know what you mean. 45:14.274 --> 45:15.275 And squirt it through my teeth. 45:15.495 --> 45:16.976 Can I describe an even greater detail? 45:17.077 --> 45:24.444 You store some in the right cheek, you compress the right cheek, shooting it through the gaps in the teeth, into the centre of the mouth, then push it through into the left cheek. 45:24.784 --> 45:25.805 There should be a net swilling. 45:26.366 --> 45:28.468 You swill with the jelly until it becomes a liquid. 45:28.648 --> 45:29.549 Yeah, yeah. 45:29.629 --> 45:30.390 Well done, Adam. 45:31.070 --> 45:33.012 And you did that and you still don't enjoy jelly? 45:33.412 --> 45:33.613 Yeah. 45:34.625 --> 45:36.026 Carry on then. 45:36.166 --> 45:36.506 OK. 45:37.106 --> 45:42.689 Books that are sent to your mobile phone in 15,000 text instalments. 45:43.809 --> 45:46.151 So it would be an improving book, I guess is what he's getting at. 45:46.291 --> 45:46.791 Yeah, yeah. 45:46.831 --> 45:50.292 But the theory being that kids just love getting texts. 45:50.713 --> 45:50.913 Yeah. 45:51.033 --> 45:53.254 So you may as well send them something good. 45:53.434 --> 45:54.655 That was from Lee in Camden. 45:55.295 --> 46:01.798 James is suggesting that they remove the vowels from alphabetti spaghetti so that kids can communicate in text language. 46:02.618 --> 46:03.659 Something in there somewhere, isn't there? 46:04.159 --> 46:04.419 Yep. 46:05.820 --> 46:09.402 I think the chocolate toothbrush is looking like the best one. 46:09.422 --> 46:10.283 Maybe we'll come back to this. 46:10.343 --> 46:11.463 We should wrap it up, man. 46:11.663 --> 46:13.585 What if someone's texted in a better one? 46:13.625 --> 46:14.945 We gotta be brutal with this one. 46:15.986 --> 46:17.267 It's the chocolate toothbrush. 46:18.567 --> 46:18.888 I think. 46:20.189 --> 46:21.751 Was there any other ones that you preferred? 46:22.151 --> 46:22.531 I can't. 46:22.651 --> 46:23.232 I can't work it out. 46:23.252 --> 46:23.793 I haven't got time. 46:23.993 --> 46:25.474 Well, it's going to be the chocolate toothbrush. 46:25.614 --> 46:26.095 Who was that? 46:26.275 --> 46:27.136 That was Jim, wasn't it? 46:27.176 --> 46:28.156 In Chelmsford or something. 46:28.277 --> 46:28.517 Jack. 46:28.737 --> 46:29.017 Jack. 46:29.117 --> 46:29.378 Jack. 46:29.678 --> 46:30.579 Congratulations, Jack. 46:30.879 --> 46:32.380 We're giving you the prize this week, I think. 46:32.500 --> 46:33.441 Inside out toffee apple. 46:34.082 --> 46:35.223 Inside out toffee apple. 46:35.243 --> 46:36.824 Yeah, toffee on the inside apple on the outside. 46:37.705 --> 46:38.406 Donut pillows. 46:39.347 --> 46:42.249 Colin and Fanny say giant donut pillows. 46:43.170 --> 46:43.991 Donut pillows? 46:44.371 --> 46:44.652 Yeah. 46:44.832 --> 46:46.533 What's that encouraging you to just to sleep? 46:46.794 --> 46:48.155 Get the kids to bed on time. 46:48.655 --> 46:49.136 Oh, okay. 46:49.176 --> 46:50.457 No, inhale sugar dust. 46:50.737 --> 46:51.138 I don't know. 46:51.298 --> 46:52.159 That's just madness. 46:52.739 --> 46:53.880 Well, it was your quiz. 46:53.980 --> 46:58.584 I know, it was a bit of a weird, it was a bit of a weird quiz, but I just wanted to talk about Coco Pop Straws. 46:59.144 --> 47:05.609 I should have just asked if there were any mothers out there who'd successfully used the Coco Pop Straws as an inducement to drink milk. 47:05.749 --> 47:08.351 I can't believe that there really are, but I might be wrong. 47:08.571 --> 47:11.954 Anyway, let's play some music and we'll come back with Ditties in the Dock very shortly. 47:12.194 --> 47:15.036 This is Jim Noir right now. 47:15.297 --> 47:16.277 Jim Noir. 47:16.718 --> 47:18.939 Jim, I am the black man. 47:18.959 --> 47:20.481 I am Jim Noir. 47:21.141 --> 47:42.212 he's the lord of darkness no I mean black the color black he may well be black for all I know I don't know anything about his racial persuasion but I know persuaded to be a race yeah you do to you yeah well you did the your mum has to persuade your dad or the other way around just and then they're okay 47:51.954 --> 47:52.334 There you go. 47:52.374 --> 47:57.198 That's the first single from the Mancunian singer-songwriter Jim Noir. 47:57.758 --> 48:00.981 And that track was called Key of C. Very enjoyable it was too. 48:01.001 --> 48:02.062 This is Edmond Joe on XFM. 48:02.222 --> 48:04.664 Yeah, thanks Dazzle who has texted in... Dazzle. 48:04.964 --> 48:08.907 Who has texted in that Toblerone chocolate would probably be strong enough for a toothbrush. 48:08.927 --> 48:09.387 He is right. 48:09.427 --> 48:10.708 That is the strongest chocolate. 48:10.768 --> 48:11.869 It's marbled chocolate. 48:12.370 --> 48:17.233 Therefore, marbleised using honeycomb fragments. 48:19.555 --> 48:43.423 um anyway yeah there was a couple of other texts that you quite liked there were some others there were some entries that may have been superior to the chocolate toothbrush um for instance crisps with maths problems on them that's quite good that is quite good but i don't know how you'd get the kids to i mean you know they'd just ignore the maths problems wouldn't they and eat the crisps well yeah but that's the whole point isn't it that that's the it's the same wrong-headed logic as getting uh kids to believe they're going to drink milk with 48:43.923 --> 48:46.005 It's a question of getting the parents to buy it, isn't it? 48:46.025 --> 48:46.526 Exactly, yeah. 48:46.586 --> 48:47.927 And leaving the kids to eat them. 48:48.048 --> 48:49.890 That's the way we should have pitched the competition, really. 48:50.170 --> 48:50.650 Oh, gosh. 48:51.351 --> 48:52.312 It's been a disaster. 48:52.572 --> 48:57.177 Hey, listen, but we're going to recover the show in the last 17 minutes, because it's Ditty's in the Dock time. 48:57.197 --> 48:58.799 That's the music. 48:59.360 --> 49:03.144 And remember, we are giving away copies of a PS2 game. 49:03.544 --> 49:07.025 worth at least a million pounds. 49:07.045 --> 49:10.185 If you bought it from somewhere really overpriced it would be worth a million pounds. 49:10.525 --> 49:13.566 It's the game Katamari Damacy where you roll a giant ball and pick stuff up. 49:13.626 --> 49:17.426 It's brilliant and I highly recommend you call in an attempt to win it. 49:17.807 --> 49:18.967 So shall we start? 49:19.407 --> 49:19.747 Yeah, who? 49:19.767 --> 49:20.887 Do you want to go first or shall I? 49:20.967 --> 49:23.248 Yeah, the theme this week is whistling songs. 49:23.468 --> 49:24.388 Songs with whistling in. 49:24.748 --> 49:28.048 Of course whistling is a belittled skill. 49:28.428 --> 49:31.609 People often do it in the back of cars and it's very annoying. 49:31.809 --> 49:36.852 I once heard someone say that it's impossible to whistle unless you are feeling carefree. 49:38.593 --> 49:39.434 I doubt that's true. 49:39.554 --> 49:41.135 I'm sure it's technically not true. 49:41.155 --> 49:45.717 I'm sure if you were care-worn... Because there's a lot of famous whistling goes on when people are very anxious. 49:46.178 --> 49:48.519 You know, the dam busters, that sort of thing. 49:48.559 --> 49:51.121 Whistling to raise spirits in times of pressure. 49:51.341 --> 49:51.901 I suppose so. 49:52.001 --> 49:52.301 You know? 49:52.722 --> 50:00.386 But, you know, whistling's a great art and there is a global whistling competition where... Oh, stop talking. 50:00.606 --> 50:01.367 I'm going to stop talking. 50:01.707 --> 50:07.951 My choice is Jealous Guy, which is a very famous cover of the John Lennon classic sung by who? 50:07.991 --> 50:08.591 Roxy Music. 50:08.692 --> 50:09.532 Brian Ferry. 50:09.572 --> 50:10.573 Yeah, Roxy Music. 50:10.833 --> 50:22.400 It was released immediately after John Lennon was shot and I'm told it's considered to be kind of an inferior cover even though it got to number one, but it does have some incredibly beautiful whistling. 50:23.121 --> 50:25.082 Some of the loveliest whistling in rock, I'd say. 50:25.342 --> 50:25.562 Yeah. 50:25.662 --> 50:27.243 And look, there's whistling right there. 50:27.324 --> 50:27.724 There you go. 50:27.764 --> 50:28.204 It's amazing. 50:28.244 --> 50:29.005 It's all whistling. 50:29.065 --> 50:31.367 Whistling was big in the 20s, wasn't it, and 30s. 50:31.767 --> 50:32.087 Was it? 50:32.187 --> 50:32.768 Yeah, it was. 50:33.028 --> 50:35.550 At the same sort of time that theremin were very popular. 50:35.830 --> 50:36.130 Oh, yeah. 50:36.290 --> 50:38.432 They just liked the sort of wavy high-pitched sounds. 50:38.492 --> 50:41.734 Yeah, and that really high-pitched whistling that sounds a bit like a theremin. 50:41.975 --> 50:43.756 You often get it on black-and-white films in the afternoon. 50:43.996 --> 50:47.079 So you're going for Jealous Guy, Brian Ferry or Roxy Music. 50:47.880 --> 50:51.845 My choice is Wunderbar by Tempol Tudor. 50:52.665 --> 50:59.273 Now Tempol Tudor were a kind of joke punk band fronted by Ed Tudor Pole. 50:59.773 --> 51:24.410 who latterly was a presenter on the Crystal Maze and uh he was also in the great rock and roll swindle and I don't know maybe they were genuine punks but they were sort of a jokey punk outfit their big hit was Swords of a Thousand Men way back in the early 80s and that was a smash the follow-up was called Wunderbar and it's a great sort of insane drinking song yeah just the chorus is Wunderbar Wunderbar and it's got whistling yeah it's got a brilliant whistling refrain 51:27.679 --> 51:28.439 That sounds brilliant. 51:28.459 --> 51:29.199 It's quite complicated. 51:29.219 --> 51:32.240 It's more complicated than that sounds, but it's very, very enjoyable. 51:32.280 --> 51:33.240 And it's an amazing song. 51:33.280 --> 51:36.541 And I urge you to vote for Wunderbar by Tempol Tudor. 51:36.561 --> 51:38.581 So it's between Jealous Guy and Wunderbar. 51:38.761 --> 51:39.021 Yeah. 51:39.141 --> 51:40.962 Roxy Music or Tempol Tudor. 51:40.982 --> 51:42.222 0-8-7-1-triple-two-one-o-four-nine. 51:42.242 --> 51:43.882 0-8-7-1-triple-two-one-o-four-nine. 51:43.922 --> 51:47.043 You could win Katamari, Damacy, the best PS2 game of the year. 51:47.103 --> 51:47.563 Call now! 51:56.184 --> 52:00.167 Yes, it's Diddy's in the Dock Time here on the Adam and Joe radio show on XFM. 52:00.948 --> 52:07.433 It's Brian Ferry with Jealous Guy vs Wunderbar by Tempoletudor. 52:07.473 --> 52:09.355 We've got five callers on the line. 52:09.775 --> 52:10.516 Let's start with Ollie. 52:10.556 --> 52:11.036 Hello Ollie. 52:11.677 --> 52:12.818 How you doing? 52:14.332 --> 52:14.832 Hello, Ollie. 52:15.133 --> 52:16.194 Hello, can you hear me? 52:16.314 --> 52:17.054 Yeah, we can hear you. 52:17.114 --> 52:18.035 Are you OK, Ollie? 52:18.455 --> 52:19.456 I'm very well, thank you. 52:19.596 --> 52:20.497 Ollie, are you OK? 52:20.697 --> 52:21.358 Are you OK? 52:21.478 --> 52:22.559 Are you OK, Ollie? 52:23.259 --> 52:25.241 It's a new one, seriously. 52:25.281 --> 52:26.062 Yes, I'm very well. 52:26.242 --> 52:26.342 Good. 52:26.362 --> 52:27.923 Are you excited about winning this video game? 52:28.283 --> 52:29.104 Absolutely. 52:29.144 --> 52:31.246 I've been looking for it, in fact, in the shops all week. 52:31.386 --> 52:32.026 Have you heard of it? 52:32.167 --> 52:33.328 Yeah, I've heard it. 52:33.348 --> 52:34.929 You were talking about it last week. 52:35.089 --> 52:35.709 I've heard of it. 52:35.850 --> 52:36.971 It's available in Japan. 52:37.970 --> 52:38.690 coming to England. 52:38.790 --> 52:39.630 I'm very excited. 52:39.650 --> 52:40.491 It is very exciting. 52:40.511 --> 52:43.411 You know, they've actually, it's actually the sequel to the Japanese game. 52:43.691 --> 52:45.571 So it's a bit, I played it during the week. 52:45.611 --> 52:48.732 It's not as brilliant as the first game. 52:48.972 --> 52:49.872 I've got to be true. 52:49.992 --> 52:52.833 It's not as good as the, as the first one, but it's still amazing. 52:52.873 --> 52:54.793 It's like Ghostbusters 2 compared to Ghostbusters. 52:54.953 --> 52:56.434 Cornish is married to the truth. 52:56.734 --> 52:57.574 He can't help it. 52:57.814 --> 52:59.714 But, uh, but yeah, it's, it's a great game. 52:59.734 --> 53:00.674 So Oli, what are you voting for? 53:00.714 --> 53:03.455 Is it going to be a temple tutor or Roxy music? 53:04.390 --> 53:06.471 Good choice. 53:06.611 --> 53:07.752 One in the bag for the Tudors. 53:08.052 --> 53:10.014 Thank you very much indeed for your call, Ollie. 53:10.034 --> 53:12.235 Hope you enjoy that Katamari game. 53:12.495 --> 53:13.576 And we've got Kenny on the line. 53:14.076 --> 53:14.596 Hello, Kenny. 53:15.837 --> 53:16.818 How are you doing? 53:17.638 --> 53:18.699 I'm hungover. 53:19.319 --> 53:21.000 Oh, you sound really angry. 53:23.221 --> 53:24.902 Are you just furious, Kenny? 53:25.863 --> 53:29.805 Well, I do have a certain level of anger about me anyway. 53:31.466 --> 53:32.667 What time did you get home last night? 53:34.201 --> 53:36.666 Not late, I was just pissed. 53:36.866 --> 53:37.948 You can't say that. 53:38.109 --> 53:42.317 It's taking you several seconds to respond to our questions. 53:43.820 --> 53:45.182 Have you given yourself brain damage? 53:46.448 --> 53:47.148 Don't answer that. 53:47.348 --> 53:50.529 Listen, I think it's best we keep your answers monosyllabic. 53:50.629 --> 53:53.389 Rub your temples and tell us what you have chosen this week. 53:53.409 --> 53:54.150 Rub your temple tutors. 53:54.930 --> 53:55.750 No, it's Brian Ferry. 53:56.070 --> 53:56.670 Brian Ferry. 53:57.150 --> 53:57.590 There you go. 53:57.610 --> 53:58.210 There's your music. 53:58.230 --> 53:58.851 It's one all. 53:59.071 --> 53:59.971 Thank you very much, Kenny. 53:59.991 --> 54:03.531 Now go and lie down and watch some relaxing TV. 54:03.692 --> 54:05.052 Have a little bit of plink plink fizz. 54:05.212 --> 54:06.692 Have a bit of plink plink fizz. 54:06.832 --> 54:07.772 Heather, are you on the line? 54:08.012 --> 54:08.613 Hello. 54:08.773 --> 54:09.333 Hello, Heather. 54:09.373 --> 54:10.473 Hey, everyone's trashed. 54:10.833 --> 54:11.933 What's the matter with you, Heather? 54:11.953 --> 54:12.273 She's trashed. 54:12.373 --> 54:13.354 I've got the flu. 54:13.414 --> 54:14.914 I'm not being heard today. 54:15.954 --> 54:16.915 It makes you sound sexy. 54:17.515 --> 54:18.076 Oh, thank you. 54:18.236 --> 54:20.297 You do sound saucy when you're ill, Heather. 54:20.478 --> 54:21.298 I've always said it. 54:21.318 --> 54:22.599 Now, what are you going to vote for? 54:22.659 --> 54:24.541 Is it going to be Roxy Music or Temple Tudor? 54:24.721 --> 54:25.702 Temple Tudor. 54:25.782 --> 54:26.342 Come on. 54:26.362 --> 54:27.263 Do you remember the track? 54:27.823 --> 54:28.524 No, I don't. 54:28.924 --> 54:30.285 Are you just being a bit adventurous with it? 54:30.305 --> 54:32.587 Do you even remember Swords of a Thousand Men, their first hit? 54:32.907 --> 54:34.308 Nope, I don't know either of them. 54:34.328 --> 54:35.129 You should investigate. 54:35.169 --> 54:37.391 Have you got something against Roxy Music? 54:37.851 --> 54:38.652 No, not at all. 54:38.712 --> 54:40.734 It's just the other tracks sounded more interesting. 54:40.814 --> 54:41.515 Spirit of Adventure. 54:41.535 --> 54:42.155 You're probably right. 54:42.496 --> 54:45.078 And are you excited about winning Katamari Damacy for the PS2? 54:45.118 --> 54:46.840 Yes, that sounds very exciting. 54:46.880 --> 54:48.281 Have you got one of them PS2s? 54:48.301 --> 54:49.102 I haven't, no. 54:50.583 --> 54:52.825 So what are you going to do with it, you stupid woman? 54:52.865 --> 54:53.526 Why are you excited? 54:53.626 --> 54:55.107 Don't call Heather as a stupid woman. 54:55.127 --> 54:55.968 She knows I'm joking. 54:56.369 --> 54:56.749 I don't know. 54:56.769 --> 54:58.330 It might influence me to buy one, so... 54:59.232 --> 55:00.553 Well, by reading the back of the box? 55:00.653 --> 55:00.853 Yes. 55:01.153 --> 55:02.094 Yes, okay, well. 55:02.114 --> 55:02.954 I get that excited. 55:02.994 --> 55:05.876 You can always use it as an inducement to go out with a man or something. 55:05.916 --> 55:08.697 Are you sure you don't want the box at the Hackney Empire instead tonight? 55:08.717 --> 55:09.517 No, you've got the flu. 55:09.618 --> 55:10.218 She's got the flu. 55:10.278 --> 55:11.218 I can't, no. 55:11.459 --> 55:12.239 Oh, jeepers. 55:12.319 --> 55:13.440 Bed and things, yeah. 55:13.540 --> 55:14.320 Okay, so there we go. 55:14.340 --> 55:15.200 Thanks for calling, Heather. 55:15.241 --> 55:18.262 It's 2-1 to Buxton with Tempel Tudor. 55:18.342 --> 55:20.523 Cornish needs another vote, otherwise he's out of the picture. 55:20.543 --> 55:21.424 He's out of the picture. 55:21.504 --> 55:22.284 So we've got a Joe. 55:22.664 --> 55:23.185 Hello, Joe. 55:23.425 --> 55:23.705 Hello. 55:23.925 --> 55:24.585 How are you, Joe? 55:24.605 --> 55:25.586 I'm very well, thank you. 55:25.706 --> 55:28.388 Yeah, good, and you sound bright and alert and you're not ill. 55:28.768 --> 55:29.388 Are you hungover? 55:29.408 --> 55:30.549 No, I'm not. 55:30.769 --> 55:32.510 You might be our only healthy listener today. 55:32.751 --> 55:33.411 Very possibly. 55:33.871 --> 55:35.152 And what are you voting for, Joe? 55:35.292 --> 55:36.693 It's gotta be ten-pole Tuesday. 55:36.713 --> 55:37.053 Yeah. 55:37.294 --> 55:37.814 Takes it. 55:38.274 --> 55:38.795 Is that it? 55:38.895 --> 55:39.235 That's it. 55:39.335 --> 55:42.437 It's three-one, so... And do you remember the track, Joe? 55:42.937 --> 55:44.338 Yeah, I went to see them years ago. 55:44.378 --> 55:45.178 No, what were they like? 55:45.198 --> 55:45.999 They were brilliant. 55:46.259 --> 55:47.079 I bet they were. 55:47.479 --> 55:49.040 Did he host the Crystal Maze for a bit? 55:49.080 --> 55:49.801 Yes, he did, yeah. 55:50.621 --> 55:51.582 After Richard O'Brien. 55:51.622 --> 55:53.322 Yeah, a true sign of greatness. 55:53.362 --> 55:54.823 He was a pretty good presenter as well. 55:54.883 --> 55:55.523 He was, yeah. 55:55.984 --> 55:56.684 He was very good. 55:56.924 --> 55:59.566 And did you ever see Doctor and the Medics, Joe? 55:59.946 --> 56:00.186 Nah. 56:00.526 --> 56:08.272 Because I was thinking about them, loads of bands in those days, like when indie bands were indie, and weird little bands used to have one-hit wonders every now and again. 56:08.292 --> 56:13.156 Doctor and the Medics had a hit with Spirit in the Sky, and I remember they were the cool band to go and see when I was a young lad. 56:13.536 --> 56:15.878 But anyway, thanks very much indeed for calling in, Joe. 56:15.998 --> 56:17.019 So what happens to Laura? 56:17.539 --> 56:17.719 Laura? 56:17.739 --> 56:19.400 Santy, you've got your maths wrong again, love. 56:19.601 --> 56:20.601 No, she couldn't have won it. 56:20.661 --> 56:21.662 So it's 3-1. 56:21.722 --> 56:22.683 Is Laura on the line? 56:22.703 --> 56:23.464 Laura, are you there? 56:24.224 --> 56:24.785 Hello, Laura. 56:25.425 --> 56:29.029 Xanthe should have calculated that after 3-1, we would have had no need for a fifth caller. 56:29.049 --> 56:30.610 What were you going to vote for, Laura? 56:30.690 --> 56:32.092 I think it would have been pointless. 56:32.252 --> 56:34.614 I was actually going to do the tempo 2 to 3. 56:34.694 --> 56:36.996 So you see, yeah, it would have been... There you go, a landslide. 56:37.016 --> 56:37.437 She had no options. 56:37.457 --> 56:40.520 Are you interested in the comedy show tonight, Laura? 56:40.540 --> 56:42.541 No, I might just be. 56:42.682 --> 56:46.065 Really, could you make it down to the Hackney Empire to see Joe Brown, Felix Dexter and Andy Smart? 56:46.584 --> 56:51.828 I think I might be able to- Oh, well, I think we're gonna give you that prize, cos there's that box going and- Really? 56:51.848 --> 56:55.170 You know, you can always, um, take a little portable telly or something. 56:55.330 --> 56:55.891 Yeah, exactly. 56:55.991 --> 56:56.591 It'll be warm. 56:56.831 --> 57:01.355 Take some- get some champagne, go down there and enjoy yourselves at XFM's, er, behest. 57:01.715 --> 57:02.395 Have a great night. 57:02.415 --> 57:04.077 That would be lovely, thank you so much. 57:04.097 --> 57:05.097 Hey, thanks for calling. 57:05.177 --> 57:06.258 Not at all, thank you, Laura. 57:07.079 --> 57:10.041 So Cornish roundly quashed- Very polite caller, that's lovely. 57:10.461 --> 57:11.642 And Temple Tudor have won. 57:11.662 --> 57:12.423 Temple Tudor have won. 57:12.443 --> 57:13.443 So that's it from us this week. 57:13.483 --> 57:15.205 And it was- it was a chaotic show. 57:15.805 --> 57:16.746 Yeah, it was a bit ramshackle. 57:16.766 --> 57:17.706 Thanks for bearing with us. 57:17.806 --> 57:19.027 It'll be much slicker next week. 57:19.307 --> 57:21.529 Oh yeah, it'll be very, very slick. 57:21.569 --> 57:27.733 I'd just like to remind people as well that my semi-regular evening of comedy takes place this week at the Zetter Hotel in Clerkenwell. 57:27.993 --> 57:31.515 For further details, you can check out my website Adam-Buckston. 57:31.855 --> 57:35.117 It's called The Out of Focus Group and it would be marvellous to see you there. 57:35.317 --> 57:37.098 But thanks for listening and we'll see you next week. 57:37.559 --> 57:38.119 Thanks for listening. 57:38.339 --> 57:38.639 Thank you. 57:38.679 --> 57:39.040 Bye! 57:39.060 --> 57:43.943 We'll leave you with... Temple Tudor and Wunderbar! 58:04.248 --> 58:30.806 This misery is bare I really wanna lose my job I'm going to the man Life is getting rough, oh yes I know Excuse me but I've got to go The reason why I'm in trouble is against my control Run the bar, run the bar 58:48.680 --> 59:15.715 And the risk of being able to tell me all about the nuclear war But when I sing to them, they're all going down There's a word in German that says it all Wunderbar, wunderbar, wunderbar Wunderbar, wunderbar, wunderbar 59:52.521 --> 59:57.689 Wunderbar Wunderbar Wunderbar 01:00:31.631 --> 01:00:31.773 XFL.