WEBVTT 00:07.059 --> 00:07.880 Hello, listeners. 00:08.060 --> 00:09.981 Uh, this is Adam and Joe on XFM. 00:10.341 --> 00:13.003 Welcome to our two hours of radio programme. 00:13.584 --> 00:18.287 That was Jack Johnson, uh, sitting, wishing- no, sitting, waiting and wishing. 00:18.367 --> 00:19.468 Yeah, he wouldn't be sitting, wishing. 00:19.708 --> 00:20.229 No, no. 00:20.429 --> 00:21.330 He's sitting, waiting and wishing. 00:21.350 --> 00:22.230 He's sitting, waiting and wishing. 00:22.290 --> 00:26.774 Before that, uh, press dong and the Ordinary Boys, uh, with Boys Will Be Boys. 00:26.794 --> 00:27.394 He's so handsome. 00:27.654 --> 00:28.495 He's so handsome. 00:28.815 --> 00:29.656 Why didn't he win? 00:30.056 --> 00:32.818 Because he's, yeah, too handsome. 00:33.118 --> 00:33.699 Too handsome? 00:33.839 --> 00:33.919 Yeah. 00:33.939 --> 00:34.960 Did you vote at all, Joe Quash? 00:34.980 --> 00:35.020 No. 00:35.620 --> 00:37.442 No, not throughout the entire thing. 00:37.543 --> 00:41.087 Never voted on Big Brother in my life, never bought a lottery ticket in my life. 00:41.507 --> 00:41.668 Really? 00:41.688 --> 00:43.370 There's various principles I stand by, yeah. 00:43.450 --> 00:44.371 You don't take part? 00:44.591 --> 00:46.253 Yeah, what about self-esteem, self-worth? 00:46.454 --> 00:47.695 No, no, I got rid of all that. 00:47.715 --> 00:48.196 Did you vote? 00:48.496 --> 00:48.937 You bet. 00:49.117 --> 00:49.658 You idiot. 00:49.678 --> 00:51.720 Do you want to have a little peek into my Wednesday night? 00:51.840 --> 00:52.021 Yeah. 00:52.461 --> 01:07.659 because i just got totally i mean i've been obsessed with the the whole series of big brother this time around yeah celebrity one and wednesday night did you watch that one the big argument oh of course yes my heart was just racing on the sofa i was completely out of control shouldn't take speed while you watch it 01:07.819 --> 01:08.840 I didn't take any speed. 01:08.860 --> 01:10.581 That was the thing that confused me. 01:10.902 --> 01:11.702 No speed, but yeah. 01:11.782 --> 01:12.743 Wednesday night, no speed night. 01:12.763 --> 01:13.143 The symptoms. 01:13.324 --> 01:14.404 Yeah, the symptoms. 01:14.845 --> 01:17.647 And were you not freaking out on the sofa watching it? 01:17.667 --> 01:24.793 Which precise bit is this, when everyone was, when Galloway was... Yeah, yeah, the big argument, when Galloway went totally mental on Preston. 01:24.853 --> 01:26.635 Kindly, yeah, it was exciting, it was exciting. 01:26.855 --> 01:28.296 I just couldn't, I could hardly breathe. 01:28.336 --> 01:31.879 I got so anxious, I was about to cry or shout or, it was terrible. 01:32.399 --> 01:35.782 And immediately afterwards, I just ran straight to the phone. 01:38.160 --> 01:42.983 Yes, I'm destroying you with my phone, you freaky cat pretending man. 02:01.704 --> 02:03.406 Thank you for calling Celebrity Big Brother. 02:03.767 --> 02:04.828 You have voted for George. 02:05.328 --> 02:11.316 Feel the power of my dialing finger, you libel case winning pig. 02:12.237 --> 02:13.939 Thank you for calling Celebrity Big Brother. 02:14.299 --> 02:15.361 You have voted for George. 02:15.521 --> 02:20.847 There's another one, you ludicrous, Cuba top wearing cigar pants. 02:21.954 --> 02:22.574 They just went on. 02:22.594 --> 02:23.634 How long does this go on for? 02:23.714 --> 02:24.695 Quite about two hours. 02:24.775 --> 02:25.095 Really? 02:25.175 --> 02:26.015 So you were the one? 02:26.175 --> 02:27.135 I was pretty much the one. 02:27.215 --> 02:28.396 You got Galloway out? 02:28.436 --> 02:28.716 Yeah. 02:29.336 --> 02:29.676 Wow. 02:29.776 --> 02:31.957 I've got a big phone bill now, but it was worth it. 02:32.357 --> 02:33.017 That's amazing. 02:33.037 --> 02:36.578 I couldn't stop myself, but I didn't vote for who should win. 02:36.618 --> 02:37.278 That was the thing. 02:37.298 --> 02:37.398 Right. 02:37.418 --> 02:38.178 I was going to remiss. 02:38.539 --> 02:41.919 By then I didn't really care that much, but I was disappointed that Presdong didn't get it. 02:42.100 --> 02:42.740 Presdong. 02:43.060 --> 02:43.600 Presdong. 02:43.820 --> 02:50.806 Hey listen, we should, before we go on and talk about that sort of stuff, we should tell listeners what we're giving away, just in case, you know, people need more motivation to listen. 02:51.066 --> 02:55.770 We're giving away five copies of Beck's new, you can probably say this properly, Adam, Guero-lito. 02:57.611 --> 03:02.836 His remix album, which is supposed to be fantastic, remixes by Ad-Rock, Dizzy Rascal, Air and more. 03:03.076 --> 03:05.238 We've got five copies of those to give away for Dizzy's in the Dark. 03:05.258 --> 03:05.958 I love and more. 03:05.998 --> 03:08.040 I'm excited about my Dizzy for Dizzy's in the Dark. 03:08.180 --> 03:08.360 Are you? 03:08.380 --> 03:09.180 Do you think you want a winner? 03:09.200 --> 03:09.280 Yeah. 03:09.320 --> 03:10.301 Well, I really want to play it. 03:10.401 --> 03:10.641 Yeah. 03:10.801 --> 03:11.701 I want people to hear it. 03:11.721 --> 03:12.201 Mmm. 03:12.221 --> 03:13.542 No, no, I think they'll probably lose. 03:14.042 --> 03:17.943 But, er, we've also got a pair of tickets to see Gerry Sedowitz at the Soho Theatre. 03:17.963 --> 03:20.784 That's a fantastic show, magic and insulting, sweary comedy. 03:20.804 --> 03:22.365 Er, he's brilliant, of course. 03:22.505 --> 03:28.947 And a pair of tickets to see the Pete and Dud, er, comedy night, sort of tribute night, er, at Ronnie Scott's this Tuesday. 03:29.387 --> 03:31.307 Loads of brilliant comedians on the bill. 03:31.868 --> 03:33.088 Er, so we've got all that to give away. 03:33.308 --> 03:35.509 Have we not got any DVDs or videos, Xanthi? 03:35.689 --> 03:36.530 DVDs or videos? 03:36.570 --> 03:37.410 Everybody likes DVDs. 03:37.430 --> 03:37.931 Everybody loves DVDs! 03:37.951 --> 03:38.851 We've got vanity fairs. 03:40.572 --> 03:41.272 No! 03:41.352 --> 03:45.155 That's not a DVD, that's a... Xanthi wouldn't give us one or two... That's a lady nightmare. 03:45.175 --> 03:45.255 What? 03:45.275 --> 03:45.315 No. 03:45.575 --> 03:47.536 What, vanity fair with Reese Witherspoon in it? 03:47.556 --> 03:48.516 Yeah. 03:48.556 --> 03:50.417 That's not a proper prize. 03:50.858 --> 03:52.899 That's been hanging around here for months, hasn't it? 03:54.790 --> 03:56.671 Anyway, we're making up for it with tickets and CDs. 03:57.011 --> 04:06.055 So, you know, if you want to text us at any point, 83XFM, uh, when it's competition time, the phone number is 08712221049, and we've got, uh, have we got celebrity regression coming up this weekend? 04:06.075 --> 04:07.035 We've got a regression, yeah. 04:07.075 --> 04:07.555 Fantastic. 04:08.056 --> 04:10.617 And... Xanthi, go and steal some stuff off other people's desks. 04:11.077 --> 04:13.418 A goody bag, like one of those rubbish goody bags they give away on other stations. 04:13.438 --> 04:16.099 Saturday, it's Saturday, there's no one here, it's just us in XFM. 04:16.119 --> 04:17.880 Yeah, it's such a beautiful day as well. 04:18.140 --> 04:18.840 Don't you think? 04:18.880 --> 04:19.521 What a lovely day. 04:19.561 --> 04:20.301 I'm very happy today. 04:20.481 --> 04:24.623 It's kind of perfect, really, because people... It's too cold, actually, to go and gamble. 04:24.763 --> 04:25.744 I love that kind of day, though. 04:25.864 --> 04:26.404 Yeah, it's perfect. 04:26.444 --> 04:27.625 Clear, sunny and frosty. 04:27.805 --> 04:28.365 Absolutely. 04:28.645 --> 04:30.887 Well, here's some clear, sunny, frosty music from the Rakes. 04:40.725 --> 04:41.726 Who was that then? 04:41.886 --> 04:43.947 That's a brand new playlist edition, Joe Cornish. 04:44.007 --> 04:44.147 What? 04:44.187 --> 04:44.827 That's the Rakes. 04:44.867 --> 04:47.369 But we always play the same 20 records on this show. 04:47.509 --> 04:47.949 Shh, don't talk. 04:48.109 --> 04:48.970 Over and over again. 04:48.990 --> 04:49.790 I won't say things like that. 04:49.810 --> 04:50.891 How do we have a new one? 04:50.911 --> 04:51.531 No, I like it. 04:51.711 --> 04:52.071 It's new. 04:52.352 --> 04:53.953 It gradually changes. 04:54.053 --> 04:57.875 It's imperceptible to the human ear, but music is changing very gradually. 04:57.935 --> 04:58.835 And what was that one by? 04:58.895 --> 04:59.055 Who? 04:59.316 --> 05:02.838 That was the Rakes with All Too Human, another of the kind of, um... 05:03.678 --> 05:05.519 lad-y, shout-y, boy-band people. 05:05.599 --> 05:11.181 You mean the brand new single from the East London Quartet coming out through V2 follow-up to 22 Grand Job, which was released last October? 05:11.662 --> 05:12.162 Exactly. 05:12.362 --> 05:13.182 How is it changing then? 05:13.202 --> 05:14.443 What was the progress in that record? 05:14.563 --> 05:15.123 What was different? 05:15.183 --> 05:16.784 What was the tiny iota of difference? 05:17.504 --> 05:19.345 The chant at the end. 05:22.447 --> 05:23.027 How was that new? 05:23.627 --> 05:25.529 That's a new- a new type of chant. 05:25.549 --> 05:28.971 There was a couple of notes that were different from other chants that have been used before. 05:29.131 --> 05:29.952 Man, that's exciting. 05:29.972 --> 05:30.493 But it was good. 05:30.553 --> 05:33.775 And did you go out and buy the, uh, Arctic Monkeys record this week? 05:34.416 --> 05:34.616 No. 05:35.096 --> 05:35.276 No? 05:35.537 --> 05:36.297 Why are you smirking? 05:36.557 --> 05:37.838 Because- There's no smirking. 05:37.858 --> 05:38.959 Because a friend bought it. 05:39.099 --> 05:39.520 Oh, right. 05:39.620 --> 05:40.541 And I burnt it off. 05:41.682 --> 05:42.643 That's not very good, is it? 05:42.663 --> 05:48.949 Am I going to be arrested and fined £50 million like those idiots from the BPI? 05:49.009 --> 05:50.510 Did you read about that this week, listeners? 05:50.530 --> 05:51.231 Did you read about that? 05:51.271 --> 05:57.477 That poor man fined tens of thousands of pounds for file sharing by the BPI? 05:57.617 --> 05:58.098 Who was this? 05:58.858 --> 06:00.920 some postman in Manchester or something. 06:01.180 --> 06:03.883 But was he going out and then burning CDs and flogging them or something? 06:03.903 --> 06:05.845 No, no, he just had files up to share. 06:06.225 --> 06:06.545 Really? 06:06.565 --> 06:11.450 You know, I know it's wrong and everything, and this is an old argument, but I can't help thinking it makes the BPI quite evil. 06:11.830 --> 06:13.011 Do they do the Brits? 06:14.032 --> 06:14.753 I don't like them anymore. 06:14.773 --> 06:15.373 I think they do, yeah. 06:15.393 --> 06:17.935 The Arctic Monkeys aren't playing at the Brits, they don't want anything to do with it. 06:18.396 --> 06:18.696 Really? 06:18.876 --> 06:22.720 And the BPI, if they're not too careful, they'll alienate all young music listeners. 06:24.492 --> 06:25.513 It's a thorny issue, isn't it? 06:25.533 --> 06:26.113 It's a thorny issue. 06:26.153 --> 06:33.400 I'm not going to be any more controversial than that, but you know, if I was making a film and I was looking for a villain, I might just choose the BPI. 06:33.460 --> 06:33.880 Yeah. 06:34.101 --> 06:34.381 Yeah? 06:34.421 --> 06:35.682 The BPI. 06:35.942 --> 06:37.864 The British Punts. 06:37.884 --> 06:38.745 Yeah, go on. 06:40.146 --> 06:40.907 Idiots! 06:41.067 --> 06:41.447 Idiots! 06:41.667 --> 06:43.689 The British Ponzi Idiots! 06:43.849 --> 06:45.470 Oh, that's what I call them, the Brits! 06:45.710 --> 06:47.251 What does Brits stand for? 06:47.651 --> 06:51.354 Bloody rubbish industry tits meetings. 06:51.474 --> 06:52.835 No, it doesn't end with an S. Sandwiches. 06:52.895 --> 06:54.036 Sandwiches, yes. 06:54.136 --> 06:56.277 Take that, Britishly industry. 06:56.397 --> 06:58.739 Smoke it in a big dirty pipe. 06:59.239 --> 07:00.060 I'm exhausted. 07:00.760 --> 07:04.721 Now, I had a couple of ideas for text competitions this week, Joe Cornish, but which one are we going to go with? 07:04.861 --> 07:05.801 I think we should go with yours. 07:05.821 --> 07:07.021 I don't think mine's fully developed. 07:07.101 --> 07:07.461 You reckon? 07:07.641 --> 07:07.881 Yeah. 07:08.041 --> 07:09.262 But we don't do text yet, Adam. 07:09.282 --> 07:11.282 We don't do text till the top of the hour. 07:11.482 --> 07:11.982 No, that's true. 07:12.062 --> 07:13.383 I'm going to do regression next. 07:13.523 --> 07:14.023 Just checking. 07:14.323 --> 07:19.364 Yeah, we'll do regression very shortly, but I'd like to play the first of a few free plays this week. 07:19.384 --> 07:25.565 This is a song from The Breeders, and it was on their single, Cannonball. 07:25.705 --> 07:26.745 It's not Cannonball. 07:26.905 --> 07:29.446 It's a song called Crow Aloha. 07:29.626 --> 07:30.346 This is The Breeders. 07:39.789 --> 07:42.330 As the breeders, this is Adam and Joe on XFM. 07:42.811 --> 07:49.354 We're going to take a break very shortly and then come back with competition time this week, which is celebrity regression therapy. 07:49.374 --> 07:52.476 The number for that and for anything else as well is 0-8-7-1-2-2-2. 07:53.157 --> 07:54.217 What do you mean anything else? 07:54.237 --> 07:55.218 1-0-4-9. 07:55.358 --> 07:56.899 Personal, sexual and emotional problems? 07:56.919 --> 07:56.979 Yes. 07:57.159 --> 07:57.299 Yeah. 07:57.359 --> 07:57.719 Plumbing. 07:57.959 --> 07:58.459 Yeah. 07:58.499 --> 07:59.440 Just someone to chat to. 07:59.460 --> 08:01.620 We should do some emotional problem stuff. 08:01.640 --> 08:01.960 Do you remember? 08:01.980 --> 08:02.281 We should. 08:02.501 --> 08:05.461 Did you remember, you used to listen to uh... Well she's back. 08:05.622 --> 08:07.242 Sexual and marital problems on LBC. 08:07.282 --> 08:08.482 Anna Rabin, she's back on LBC. 08:08.562 --> 08:09.783 Anna Rabin, the capital doctor. 08:09.803 --> 08:11.403 Yeah, yeah, she's back at lunch times. 08:11.523 --> 08:13.284 I can't plug other radio stations, but she is. 08:13.384 --> 08:15.144 I bet you it's not as filthy as it used to be. 08:15.484 --> 08:17.465 I think it's filthier, you can be filthier in the daytime. 08:17.625 --> 08:17.905 Really? 08:17.925 --> 08:18.805 Yeah, don't you remember? 08:18.845 --> 08:20.306 Richard and Judy checking testicles and stuff. 08:20.786 --> 08:21.407 Yeah, that's true. 08:21.447 --> 08:22.027 You can be dirty. 08:22.247 --> 08:22.488 Yeah. 08:22.728 --> 08:23.368 Fantastic. 08:23.709 --> 08:24.649 But not on a Saturday, Adam. 08:24.870 --> 08:25.230 No, no, absolutely. 08:25.250 --> 08:26.351 And this is a family show. 08:26.511 --> 08:26.971 Exactly. 08:27.212 --> 08:29.974 So let's have some adverts, because, uh... Family adverts. 08:29.994 --> 08:30.534 Kids love adverts. 08:30.594 --> 08:31.996 Looking forward to any particular one? 08:32.256 --> 08:32.836 Oh, I don't know. 08:32.876 --> 08:33.817 Hopefully there'll be some new ones. 08:34.097 --> 08:38.861 Uh, I want to hear some more about the, uh, the tax and how, um, tax doesn't have to be taxing. 08:38.881 --> 08:39.122 Yeah. 08:39.322 --> 08:44.306 You know, I hope there are some families at home who'll cuddle up together, put their arms around each other and listen to these adverts. 08:44.606 --> 08:45.287 Yeah. 08:45.587 --> 08:45.967 Enjoy. 08:45.987 --> 08:47.629 XS Family. 09:12.942 --> 09:13.623 Love music. 09:13.683 --> 09:14.284 Love XFM. 09:32.369 --> 09:34.530 Yeah, that's the Gorillaz with Feel Good Incorporated. 09:34.550 --> 09:36.611 This is Adam and Joe on XFM. 09:36.731 --> 09:40.212 We are about to perform a celebrity regression. 09:48.416 --> 09:49.837 You just never know. 09:50.497 --> 09:54.700 So sharpen up your brain and get ready to play! 09:55.000 --> 09:55.701 The number to call is 0 8 7 1 2 2 2 1 0 4 9. 09:58.683 --> 09:58.843 That's 0 8 7 1 2 2 2 1 0 4 9. 10:01.325 --> 10:03.446 We've got Vanity Fair DVDs up for grabs. 10:03.706 --> 10:05.748 Sir, what could be more exciting than that? 10:06.908 --> 10:23.876 three three yeah and also tickets for things and stuff so if you do win you will be amply rewarded we promise you so this is the competition adam is going to be regressed into the uh life of a film star and he's going to wake up in their brains and experience some of their films happening around him 10:24.096 --> 10:29.877 Now because this week it's relatively easy, I'm going to make the rules a bit more specific. 10:29.897 --> 10:36.479 People have to not only name the actor and the films, but the names of the characters he's playing. 10:37.679 --> 10:39.080 The names of the three characters. 10:39.120 --> 10:43.261 So we want three film titles, three character names, and the actor's name. 10:44.301 --> 10:46.262 Man, well, you know, it's a big prize. 10:46.762 --> 10:47.962 Vanity Fair on GBD. 10:48.002 --> 10:49.003 All of Vanity Fair. 10:49.023 --> 10:50.803 Yeah, so better set a toughie. 10:50.943 --> 10:51.303 Well done. 10:52.064 --> 10:52.684 So here we go. 10:52.764 --> 10:57.185 Call 0871 222 1049 the moment you know who Adam is being. 10:57.365 --> 10:59.526 Well, we should make the prize a bit better. 10:59.546 --> 11:00.126 You can choose. 11:00.166 --> 11:00.667 How about that? 11:00.787 --> 11:01.687 Yeah, we will make it better. 11:01.727 --> 11:02.087 You can choose. 11:02.127 --> 11:04.668 It's either Vanity Fair or tickets to some of those amazing shows. 11:04.688 --> 11:08.629 I tell you what, we'll throw in a copy of Highlander as given away free in the news of the world. 11:08.949 --> 11:09.510 We'll sign it. 11:09.590 --> 11:10.670 What could get better than that? 11:11.030 --> 11:14.296 but tickets to the Jerry Sadovitz show or, um, or to the Pete & Dud. 11:14.336 --> 11:16.780 Or the Pete & Dud, uh, brilliant, brilliant prizes. 11:17.662 --> 11:21.870 So here we go, let's ring the regression bell and get the correct atmosphere. 11:24.700 --> 11:29.003 Okay, remember you can be regressed along at home as well if you just breathe deeply and relax. 11:29.043 --> 11:31.606 You will find yourself also being regressed into these films. 11:31.626 --> 11:35.849 It'll be like a psychedelic, altered state style Ken Russell experience for you. 11:36.170 --> 11:36.850 So are you ready, Adam? 11:37.271 --> 11:37.491 Yes. 11:37.611 --> 11:38.992 Deep breath, expand the stomach. 11:39.753 --> 11:41.414 In through the nose, out through the bum. 11:42.815 --> 11:43.436 There we go. 11:44.157 --> 11:44.757 And relax. 11:46.058 --> 11:47.560 And Adam is drifting back. 11:48.280 --> 11:48.741 Drifting back. 11:49.545 --> 11:50.026 I'm drifting. 11:50.487 --> 11:51.429 Back and back drifting. 11:51.749 --> 11:52.370 Back drafting. 11:53.132 --> 11:54.594 Into a famous film. 11:55.195 --> 11:57.039 And the head of a famous film star, someone. 11:57.580 --> 12:00.545 We can only imagine what it might be like to be like to be... 12:02.088 --> 12:04.389 Adam, now, wake up and tell us what you can see. 12:05.789 --> 12:07.370 Oh, I'm at a party. 12:07.430 --> 12:08.350 It's the 60s. 12:08.790 --> 12:19.493 It's the 60s, which you can tell because there's swirly projections on the wall and girls in miniskirts dancing by waving their arms in the air as if they were trees in a breeze. 12:19.934 --> 12:20.774 Oh, cotton balls. 12:21.074 --> 12:24.095 And I'm here because I was at every party in the 60s. 12:24.755 --> 12:30.817 And I'm talking to a rock star from a big new group, and he's wearing leather trousers. 12:31.676 --> 12:36.942 And I'm licking my lips in a strange and unusual way, and I'm holding a telephone. 12:36.962 --> 12:38.383 Isn't that odd? 12:38.483 --> 12:45.410 Because that's the kind of person I am, both in real life and in the movies and the characters which I play, cotton balls. 12:45.851 --> 12:49.134 I'm going to have some drugs now, because that's what it was like in the 70s. 12:49.935 --> 12:50.415 Sixties! 12:50.856 --> 12:52.657 In the sixties, everyone was on drugs. 12:52.697 --> 12:54.539 That's... Okay, it's over. 12:54.599 --> 13:01.605 It's only a short scene, but it's something of a highlight in this otherwise fairly dull and pompous film, Cottonballs. 13:02.405 --> 13:05.148 Okay, we're gonna just back Adam out of that film. 13:06.889 --> 13:08.891 O-8-7-1-triple-two-one-o-four-nine. 13:08.911 --> 13:11.333 Sorry, O-8-7-1-triple-two-one-o-four-nine. 13:12.053 --> 13:13.034 Here comes the second film. 13:13.114 --> 13:13.615 Adam, wake up. 13:13.635 --> 13:14.375 Tell us what you can see. 13:15.836 --> 13:16.657 It's the fifties! 13:16.837 --> 13:18.559 I'm a wimp, and I'm being bullied. 13:20.677 --> 13:21.121 Is that it? 13:21.222 --> 13:21.404 Yeah. 13:21.606 --> 13:22.171 That's easy! 13:22.984 --> 13:23.784 I think, I think. 13:24.665 --> 13:25.185 Is that it? 13:25.225 --> 13:25.826 Yes, that's it. 13:25.906 --> 13:27.086 That's such a short regression. 13:27.467 --> 13:28.147 That's an easy one. 13:28.167 --> 13:29.748 This is clinically extraordinary. 13:31.369 --> 13:33.710 The results of this regression may well be published in nature. 13:34.651 --> 13:36.832 Okay, Adam, let's go into the third film. 13:37.232 --> 13:38.553 Wake up and tell us what you can see. 13:39.414 --> 13:44.957 I'm walking down a street, and I'm walking funny because I've got something in my trousers. 13:45.457 --> 13:46.097 Cotton balls. 13:46.418 --> 13:47.398 It's not cotton balls. 13:47.458 --> 13:47.878 It's worse. 13:47.959 --> 13:51.641 I'm not going to say exactly what it is and where they... 13:52.381 --> 14:08.952 you are because that's bad it's bad but i'm an outrageously strange character and that's what i specialize in do you understand me i'm not the main character i'm very seldom the main character unless that's a very bad film which only teenaged outsiders would watch 14:09.372 --> 14:19.536 But I'm often a side character that adds a delicious bit of eccentric spice to a film like a strange chutney, like a guava and chewing gum chutney, for example. 14:19.796 --> 14:28.680 In this movie, for example, I believe that I'm being pursued by aliens wearing rubber gloves who are spoiling the spirit of Christmas and controlling the weather. 14:29.020 --> 14:29.580 Do you get me? 14:29.900 --> 14:31.181 It's unusual, isn't it? 14:31.261 --> 14:32.521 It's strange chutney. 14:32.641 --> 14:36.823 I miss my speciality, Cotton Paul's peculiar... peculiar... 14:37.043 --> 14:37.683 There he goes. 14:38.063 --> 14:53.568 Adam is going to remain in a regressed state until one of you calls 0-8-7-1-2-2-2-1-0-4-9 and guesses correctly the name of the star whose brain he was inhabiting, the name of the films that star was inhabiting and the names of the character in those films that that star was playing. 14:53.628 --> 14:54.768 For God's sake call now! 15:04.184 --> 15:06.245 Yeah, man, I don't even know what that was. 15:06.466 --> 15:13.950 And I can't ask Adam because he's regressed, but I think it was a million ways by OK Go. 15:14.391 --> 15:14.771 Brilliant. 15:14.911 --> 15:19.754 OK, well, Adam has been regressed into the head of a famous film star. 15:20.475 --> 15:27.599 And we've got Simon King on the line who thinks he might know what the films are and what the star is and what the names of the characters are. 15:27.619 --> 15:28.159 Hello, Simon. 15:28.640 --> 15:29.020 Hello. 15:29.360 --> 15:29.881 Hello. 15:30.121 --> 15:32.022 We're asking that's very, very well said. 15:32.042 --> 15:32.322 Hello. 15:32.362 --> 15:33.183 How do you say goodbye? 15:34.023 --> 15:35.124 Ah, see you later! 15:35.364 --> 15:36.785 Oh, Jesus Christ! 15:37.865 --> 15:38.626 Well done, Simon. 15:38.666 --> 15:41.888 Listen, how have you got on working that out then? 15:43.148 --> 15:45.930 Well, I'll be honest with you, I think you did three, didn't you? 15:45.990 --> 15:49.232 And I listened to the first two and rang in, so I didn't catch the last one. 15:49.352 --> 15:51.613 Well, you know, we reward that kind of keenness. 15:52.954 --> 15:54.615 Well, I like to get straight in there. 15:54.835 --> 16:02.940 So listen, basically what I'd like you to do, obviously Adam is still regressed, and if you say that, if you get it wrong, you could damage his brain forever. 16:03.487 --> 16:05.228 OK, I'll be gentle with you. 16:05.269 --> 16:05.489 Yeah, OK. 16:05.509 --> 16:08.271 So let's hear, first of all, who you think the star is. 16:08.731 --> 16:10.453 I think it's Crispin Glover. 16:11.534 --> 16:12.274 That's correct. 16:12.294 --> 16:12.674 Correct. 16:12.694 --> 16:13.055 Absolutely correct. 16:13.095 --> 16:14.196 Adams come out of the regression. 16:14.676 --> 16:15.096 Ooh. 16:15.196 --> 16:15.677 Fantastic. 16:15.717 --> 16:17.718 And what was your deduction there, Simon? 16:17.919 --> 16:24.424 Well, as soon as I heard it's the 60s and there's a sort of colourful projection on the wall, I knew that was the doors. 16:24.704 --> 16:24.964 Yes. 16:25.224 --> 16:31.790 And then as soon as I heard it was a small part and he was speaking in a rather camp voice, I guessed it was Andy Warhol. 16:32.190 --> 16:32.710 There you go. 16:32.890 --> 16:36.251 Now the third one, was the third one when he was being bullied, the very short one? 16:36.271 --> 16:37.812 No, that was the one I heard. 16:37.832 --> 16:40.393 No, that was Back to the Future and George McFly. 16:40.533 --> 16:46.375 I heard that one and then I ran, got my phone and I kind of half heard the third one so I didn't really catch it. 16:46.555 --> 16:55.658 Third one was, uh, he was a guy who believed that he was being pursued by aliens wearing rubber gloves who were spoiling the spirit of Christmas and controlling the weather. 16:57.099 --> 16:58.280 And he was walking strangely. 16:58.300 --> 16:59.841 These are all real bits from the film. 17:00.141 --> 17:04.404 He was walking strangely because he had actually cockroaches in his bottom. 17:05.945 --> 17:06.546 What film is that? 17:06.626 --> 17:08.367 Are you sure that's legal, that film? 17:08.668 --> 17:11.790 Simon, what other Crispin Glover films are there? 17:11.810 --> 17:12.370 There's Ben. 17:12.430 --> 17:13.611 He was in the remake of Ben. 17:13.972 --> 17:15.613 Well, to be honest, I'm struggling. 17:16.164 --> 17:21.327 He's made a weird film in which mentally disabled people burn snails. 17:21.507 --> 17:22.167 Was that Willard? 17:22.467 --> 17:22.688 No. 17:22.808 --> 17:23.368 Oh no, that's right. 17:23.388 --> 17:24.609 Willard is the remake of Ben. 17:24.649 --> 17:26.970 No, this is a weird film that will never be shown at any cinema. 17:27.030 --> 17:27.270 Right. 17:27.310 --> 17:29.251 It's full of dwarves and stuff like that. 17:29.431 --> 17:30.652 He's a genuinely strange guy. 17:30.832 --> 17:33.393 Well listen, let me put you out of your misery. 17:34.654 --> 17:37.555 Uh, seeing as you were our only caller for that competition. 17:37.575 --> 17:38.776 Hey, we didn't have to tell people that. 17:38.816 --> 17:39.396 No, sorry. 17:42.318 --> 17:46.800 The third one was Wild at Heart, and he plays Lula's cousin, Del. 17:47.220 --> 17:48.480 Oh god, I haven't seen that for years. 17:48.921 --> 17:49.601 It's a good film. 17:50.061 --> 17:50.421 Yeah. 17:50.621 --> 17:55.284 Hey Simon, thanks for calling, and you know, sincerely thanks for calling, we really mean that. 17:56.304 --> 17:58.005 And do you want a copy of Vanity Fair? 17:58.923 --> 18:01.946 Um, I've not heard of it, but yeah, why the hell not? 18:02.026 --> 18:03.768 Yeah, look, it's got Bob Hoskins in it. 18:04.208 --> 18:05.069 Oh, they're my favourite. 18:05.149 --> 18:06.671 It's gotta be good, ooga booga. 18:07.572 --> 18:08.393 So you can have that. 18:09.274 --> 18:10.756 And that's it, shall we go on and give them tickets? 18:10.776 --> 18:16.202 Do you want tickets to go and see one of those things Jerry Satterwhite saw the comedy night at Ronnie Scott's? 18:16.958 --> 18:19.180 I reckon Jerry Satterwick, if that's all right. 18:19.280 --> 18:19.800 Absolutely. 18:19.860 --> 18:21.061 Will you actually go, Simon? 18:21.402 --> 18:22.082 Yeah, absolutely. 18:22.102 --> 18:23.223 Yeah, I think he's good. 18:23.263 --> 18:24.284 He's a very funny man. 18:24.324 --> 18:25.124 Man, he's fantastic. 18:25.144 --> 18:25.865 That'll be a great night. 18:25.905 --> 18:26.585 Congratulations. 18:26.625 --> 18:27.386 Thank you for calling. 18:27.726 --> 18:28.527 Well done, Simon. 18:29.147 --> 18:32.630 And you know, that's a little hint to anyone else listening. 18:32.930 --> 18:38.014 It could be very easy to acquire some quite attractive booty on the radio this afternoon. 18:38.354 --> 18:57.470 so don't hesitate to call for the other competitions in the show but you know just because we've only got one caller doesn't mean we haven't got hundreds and thousands of people listening some people sometimes people don't call because they think i'll never get through that's right it'll be impossible there were so many people i'll never get through yeah so that's why some you know people didn't call there 18:57.950 --> 18:58.991 Crispin Glover, he's a strange one. 18:59.011 --> 18:59.712 Have you seen that clip? 18:59.732 --> 19:00.353 I'm not gonna bother. 19:00.633 --> 19:03.316 Have you seen the clip of... Maybe I should just go. 19:03.376 --> 19:04.377 Don't worry about it, man. 19:04.437 --> 19:04.677 OK. 19:04.918 --> 19:05.378 It's fine. 19:05.578 --> 19:05.738 Go on. 19:05.778 --> 19:09.883 People are just zonked out after... There was a calling frenzy last night with Big Brother. 19:09.903 --> 19:10.624 That's true. 19:10.644 --> 19:11.204 People are tired. 19:11.324 --> 19:11.925 People are called out. 19:12.566 --> 19:16.650 I was gonna ask you if you'd seen that clip of Crispin Glover on David Letterwood. 19:16.690 --> 19:17.751 We've still got the Regression music. 19:17.791 --> 19:18.672 It's slightly freaking me out. 19:18.752 --> 19:18.992 OK. 19:19.273 --> 19:19.533 Thank you. 19:19.673 --> 19:37.483 there we go hello what have you seen the clip of Crispin Glover on David Letterman being weird being very weird kicking him trying to kick him in the head just yeah doing like a karate kick just being incredibly strange and Letterman doesn't know how to deal with it at all and just ends up sort of ridiculing him to the band guy 19:38.283 --> 19:38.904 You know Letterman's fan? 19:38.924 --> 19:39.404 The fan guy. 19:39.424 --> 19:40.325 What's that guy called? 19:40.345 --> 19:41.105 I don't know. 19:41.265 --> 19:42.086 George or something. 19:42.106 --> 19:43.347 I can't remember. 19:43.467 --> 19:45.408 It's quite an excruciating TV moment. 19:45.989 --> 19:47.490 Anyway, this is Adam and Joe on XFM. 19:47.830 --> 19:49.552 We'll be back extremely shortly. 20:14.666 --> 20:16.815 This is XFM. 20:29.147 --> 20:30.548 I am a robot. 20:31.048 --> 20:32.569 I run on batteries. 20:32.889 --> 20:34.370 I've released a single. 20:34.770 --> 20:36.291 It is called... What was that? 20:38.072 --> 20:39.673 I was ready for quite a lot more of that. 20:39.833 --> 20:40.533 Oh, Goldfrapp. 20:40.874 --> 20:41.374 Was that? 20:41.514 --> 20:41.734 Yeah. 20:41.914 --> 20:42.194 Yeah. 20:42.615 --> 20:43.655 Ride a white horse. 20:43.855 --> 20:44.896 A dirty robot. 20:45.416 --> 20:46.578 What a dirty robot. 20:47.138 --> 20:49.121 This is Adam and Joe on XFM. 20:49.281 --> 20:51.804 That's slightly the theme of our Ditties in the Dock, is it not? 20:52.024 --> 20:52.285 Dock. 20:52.405 --> 20:52.585 Dock. 20:52.885 --> 20:53.586 Dirty robots. 20:53.827 --> 20:54.768 Ditties in the Dock. 20:54.808 --> 20:55.108 It is. 20:55.329 --> 21:02.337 Listeners, stay tuned because just before three we'll be playing Ditties in the Dock and you can win a copy of Beck's new remixed Geralito album. 21:02.938 --> 21:04.139 which is supposed to be fantastic. 21:04.239 --> 21:06.320 Absolutely, that's good, good prize action there. 21:06.440 --> 21:07.041 That good prize. 21:07.201 --> 21:08.201 That is good prize. 21:08.241 --> 21:09.742 Now listen, I just want to ask you a question. 21:09.782 --> 21:13.064 I'm not sure, this is all unsubstantiated, so forgive me if it's a bit woolly. 21:13.685 --> 21:27.594 But you know the Land Rover ad, uh, with the Eskimo man who is on, uh, a sled which is being pulled by huskies in a snow-bound piece of terrain, and the Land Rover pulls up next to him and, uh, 21:28.374 --> 21:45.754 overtakes him in fact and the Eskimo man in the course of looking into the Land Rover and admiring its luxurious interior gets bounced clean off his sled and is left just in the snow sort of going come back come back as it as he watches his sled disappear into the snow 21:48.397 --> 21:48.878 It's horrific. 21:49.178 --> 21:51.280 And the Land Rover just carries on right past. 21:51.320 --> 22:02.349 You know, the guy driving the Land Rover just looks at his dog and sort of goes- So not only is he contributing to global warming and the, uh, uh, deterioration of the polar ice caps, which are the habitat for that Eskimo- That's true. 22:02.369 --> 22:04.871 But he's actually knocking the Eskimo physically over. 22:05.431 --> 22:08.112 He- he wasn't responsible for knocking the Eskimo over. 22:08.132 --> 22:12.333 But he didn't stop and go back for the Eskimo when he was knocked off his sleigh. 22:12.393 --> 22:13.533 And this is a Land Rover driver. 22:13.633 --> 22:13.833 Yeah. 22:13.873 --> 22:15.553 And this is an advert for Land Rovers. 22:15.573 --> 22:18.314 It's an advert for the way that Land Rover drivers behave. 22:18.354 --> 22:19.014 Land Rover. 22:19.174 --> 22:19.854 Inculturated. 22:19.974 --> 22:26.716 And he- I mean, he's pretty much leaving the Eskimo to perish in those conditions, I would say, because his huskies have taken off. 22:27.036 --> 22:27.736 They're not coming back. 22:27.776 --> 22:32.677 He's just standing there, you know, in just a world of whiteness and freezes and freezes. 22:32.697 --> 22:33.517 Sorry, I just got a text. 22:33.897 --> 22:34.258 You gotta text. 22:34.298 --> 22:34.679 Keep talking. 22:34.919 --> 22:35.781 Come on, find out. 22:35.821 --> 22:36.622 Let's find out what it is. 22:36.642 --> 22:36.983 No, keep talking. 22:37.023 --> 22:37.924 I wanna know more about the Eskimo. 22:38.706 --> 22:59.262 Anyway, I was just curious as to whether anyone else felt the same way as me, and also whether people can confirm whether it's been taken off, because I haven't seen the ad for a few weeks, and I think I got the feeling that maybe it had been taken off because people were sorry for the Eskimo, and then somebody told me yesterday that it's come back, but now they picked the Eskimo up. 22:59.542 --> 22:59.822 No. 23:00.063 --> 23:00.303 Yeah. 23:00.343 --> 23:04.986 Do you think they've actually gone back to Iceland, where Eskimos live, and re-shot it? 23:05.587 --> 23:06.668 Well, I was thinking about this, 23:07.408 --> 23:08.348 Uh, no, surely not. 23:08.368 --> 23:10.649 They would have shot multiple endings, wouldn't they, at the time? 23:10.849 --> 23:11.809 I don't know, you never know. 23:12.069 --> 23:14.810 And then just tested out which way it was going to go with the public. 23:14.850 --> 23:17.091 I'd be very keen to find out what the answer was. 23:17.211 --> 23:25.693 If one of our advertising friends, listeners, wants to give us a call, or anyone else can confirm or deny that, I'd be very, very grateful. 23:26.433 --> 23:28.854 OK, well, I've got an advert that's obsessing me at the moment. 23:28.914 --> 23:29.634 It's for lockets. 23:29.974 --> 23:30.174 Oh, yeah. 23:30.194 --> 23:31.795 You might want to talk about it after a record. 23:32.195 --> 23:33.335 What's your text? 23:33.894 --> 23:36.514 I can't, it's someone saying do I want to go and see Munich or Hidden? 23:36.895 --> 23:37.995 Have you not seen Munich yet? 23:38.555 --> 23:38.755 No. 23:39.435 --> 23:43.456 I keep thinking it's a remake of the Charles Band 80s director video film Munchies. 23:44.616 --> 23:48.116 And then get very disappointed that it's actually about politics and stuff. 23:49.097 --> 23:50.797 But it's an action thriller though isn't it? 23:50.837 --> 23:52.717 It's two letters away from being munchies. 23:54.478 --> 23:55.818 You just want to go and see munchies. 23:55.858 --> 23:57.498 I want to see munchies on the big screen again. 23:57.518 --> 23:58.338 With Eric Bana. 23:59.038 --> 23:59.978 You're a loser! 24:00.218 --> 24:02.599 Which segues brilliantly into this next track. 24:13.291 --> 24:17.294 That's the track that will follow Beck around for the rest of his life, whatever he does. 24:17.874 --> 24:23.338 Whenever he pops up in a magazine underneath a picture of him, it'll just say, Beck, he's a loser, baby. 24:24.439 --> 24:35.167 But if you're a fan of Beck, and let's face it, who isn't, remember we're giving away his remix album, Guralito, for everyone who gets through for Ditties in the Dock towards three o'clock, towards the end of the show. 24:35.567 --> 24:37.428 And that is a fantastic album, that remix album. 24:37.769 --> 24:39.190 I'm saying that even though I haven't heard it. 24:39.710 --> 24:40.591 But you imagine, yeah. 24:40.611 --> 24:41.732 But the cover art's fantastic. 24:41.972 --> 24:42.772 Apparently it's great. 24:43.233 --> 24:48.837 So listen, listeners, and Adam, I'd like to highlight the advert that annoys me the most on television at the moment. 24:49.057 --> 24:52.519 Oh, speaking of which though, can I just clear up the Volvo problem I was having? 24:52.980 --> 24:53.940 A couple of people have phoned in. 24:53.960 --> 24:54.661 Land Rover, you mean? 24:55.041 --> 24:56.722 Sorry, yes, Land Rover problem, yeah. 24:56.843 --> 24:59.524 The Land Rover ad where the Eskimo gets bounced off his sled. 24:59.985 --> 25:06.830 A couple of people have confirmed that there is another ad that shows the Eskimo cosily inside 25:07.310 --> 25:12.151 the Land Rover being driven to safety, having been picked up by the Land Rover driver. 25:12.612 --> 25:14.232 So thank you very much for that. 25:14.732 --> 25:15.512 Thank you Land Rover. 25:16.293 --> 25:20.334 The advert that really annoys me, it's more than annoys me, it actually scares me. 25:20.554 --> 25:20.854 Yes. 25:20.934 --> 25:26.596 It terrifies me because I think it's been made with the involvement of Satan is the locket's ad. 25:26.956 --> 25:30.497 Locket's of course the foul tasting lozenges. 25:30.517 --> 25:31.017 Delicious. 25:31.297 --> 25:32.759 Do you think they're delicious? 25:32.819 --> 25:33.760 They make me feel ill. 25:34.020 --> 25:38.345 You know, illness sweets, they just taste like illness because you only have them when you're ill. 25:38.405 --> 25:40.247 I don't know, locket's to me are revolting. 25:40.307 --> 25:49.458 But anyway, the actual quality of the product is beside the point because this advert, the tagline for it is proud sponsors of the British winter. 25:50.379 --> 25:56.848 So they're trying to take an ironically positive view of the British winter, so they filmed this montage of terrible things happening in winter. 25:57.128 --> 26:04.879 A robin falling off a branch, a jogger slipping on the ice, smashing his back on concrete, an old man jumping into a freezing lake like they do at the Serpentine. 26:04.959 --> 26:05.640 Do they still do that? 26:06.241 --> 26:06.481 What? 26:06.621 --> 26:09.442 Old men jump in the serpentine on Winters Day or something. 26:09.723 --> 26:10.623 Winters Day, is that a day? 26:10.943 --> 26:11.383 Winters Day? 26:11.403 --> 26:12.944 No, I don't know. 26:13.224 --> 26:14.064 Not a national holiday. 26:14.104 --> 26:14.945 Like Christmas Day. 26:14.965 --> 26:15.605 Oh, it's Winters Day. 26:16.786 --> 26:19.947 A man on the escalator sneezes all over the hair of the woman in front. 26:19.967 --> 26:22.068 A little boy gets his tongue frozen to a post. 26:22.888 --> 26:25.209 And then at the end, a policeman pops a locket in his mouth. 26:25.549 --> 26:27.870 And then he gets hit in the ear with a snowball. 26:28.110 --> 26:31.092 And it goes, locket, proud sponsors of the British winter. 26:31.992 --> 26:56.884 but that's not my problem my problem is the music yeah the music is a perfectly kind of nice advert tune but for some unfathomable reason they've got they've tortured someone recorded their scream and put it on this music and i don't for the life of me know why have a listen so it starts off perfectly nice there's the bloke falling on the ice and here comes the scream 27:03.683 --> 27:04.403 Here it comes again. 27:08.124 --> 27:12.065 And one final time, this is the copper getting the snowball in the ear. 27:14.646 --> 27:15.226 Oh man. 27:15.406 --> 27:18.447 Why would you put that scream on that advert? 27:18.547 --> 27:23.788 I assumed that it was a scream that was already in a track that they had used. 27:23.848 --> 27:24.168 Could it be? 27:24.790 --> 27:29.111 Well, yeah, just some weird house track, dance track thing. 27:29.891 --> 27:30.391 I don't know. 27:30.411 --> 27:31.972 But it's, what are they saying? 27:32.012 --> 27:32.532 Yippee? 27:33.192 --> 27:34.232 Or scrimmy? 27:34.392 --> 27:35.873 Yippee! 27:35.893 --> 27:35.973 What? 27:36.253 --> 27:37.293 I don't understand that. 27:37.333 --> 27:50.536 If anyone can solve that riddle and mystery and, you know, tell me why, uh, you know, a product like Locketts would put an advert out that is just frankly terrifying and unsettling, then I'd be very, uh, pleased. 27:50.936 --> 27:51.918 Very grateful indeed. 27:52.198 --> 27:52.799 It is horrible. 27:53.561 --> 27:58.208 As I say, I'm pretty sure that the scream is already in that piece of music. 27:59.238 --> 28:00.059 Well, it scares me. 28:00.359 --> 28:03.462 And I ain't not buying lockets anymore until they change it. 28:03.662 --> 28:04.643 Yeah, quite right, Joe. 28:04.663 --> 28:05.344 Ban the lockets. 28:05.384 --> 28:05.985 Ban the lockets. 28:06.045 --> 28:10.589 I shall have another one called Tunes or- No, no, I meant- Dingley Throaties. 28:10.609 --> 28:11.670 Lockets are lovely men. 28:11.830 --> 28:14.473 Lockets are one of the things as a child- You're mad. 28:14.653 --> 28:16.235 That I would go out and happily buy and eat. 28:16.275 --> 28:16.735 You're mad. 28:16.775 --> 28:17.516 I hate lockets. 28:17.836 --> 28:18.697 Do you like lockets? 28:21.079 --> 28:22.400 What a great thing to chat about. 28:22.420 --> 28:24.622 This is Adam and Jo on XFM. 28:24.662 --> 28:25.522 Have we got more music? 28:25.582 --> 28:26.583 Yeah, I'm gonna play a track now. 28:26.603 --> 28:28.084 This is a free play. 28:28.304 --> 28:31.567 Listen, you're taking the Lord's name in vain an awful lot this afternoon, okay? 28:31.987 --> 28:38.652 There's a lot of religious listeners out there who are gonna be turning off the radio now because of all the Lord's name in vain you're taking. 28:41.471 --> 28:42.792 Is that a grunt of contrition? 28:42.872 --> 28:43.252 Sorry. 28:43.972 --> 28:44.473 Sorry, Jesus. 28:44.653 --> 28:45.913 I'm gonna play a track. 28:46.054 --> 28:48.015 I'd like to apologize personally to Jesus. 28:48.815 --> 28:49.856 Leave Jesus alone. 28:50.156 --> 28:50.576 All right then. 28:51.296 --> 28:53.017 What would Jesus do in this situation? 28:53.037 --> 28:54.178 What would Jesus do? 28:54.398 --> 28:57.039 Jesus would say- If he was accused of blaspheming. 28:57.059 --> 29:00.841 Here's a track from one of the big albums of last year. 29:00.861 --> 29:03.583 Again, I say this, but it wasn't a massive 29:04.143 --> 29:04.883 a massive seller. 29:05.204 --> 29:09.525 It was an album that people said was great and I finally got round to buying it and sure enough it is really good. 29:10.305 --> 29:13.066 And it's the Clap Your Hands Say Yeah album. 29:13.406 --> 29:21.209 They sound an awful lot like Talking Heads but in a good way and people say that about lots of bands but this guy's vocal mannerisms are certainly very reminiscent of early Burn. 29:21.469 --> 29:22.310 We'll be the judge of that. 29:22.330 --> 29:22.770 Stick it on. 29:22.990 --> 29:28.552 This is a track called, oh man I've forgotten what it's called, it's got a ridiculous, it's called something like, I'll just put it on. 29:37.396 --> 29:37.836 There you go. 29:37.876 --> 29:39.136 Let's clap your hands, say yeah. 29:39.196 --> 29:44.018 If I take the CD out, I can tell you that was called Upon This Tidal Wave of Young Blood. 29:44.059 --> 29:46.019 That's what he's chanting in the middle there. 29:46.680 --> 29:47.980 We've had mixed reaction to that, Adam. 29:48.100 --> 29:50.861 Charles stars, Charles stars, Charles stars, Charles stars. 29:50.962 --> 29:53.823 Charles dance, Charles dance, Charles dance, Charles dance. 29:53.843 --> 29:55.003 Child stars, he sang. 29:55.243 --> 29:56.144 Some people are loving that. 29:56.684 --> 29:57.565 Some people are hating it. 29:57.645 --> 29:58.345 Are hating it. 29:58.365 --> 29:58.725 There you go. 29:58.946 --> 30:04.069 They are getting into cars and they are going into bars. 30:04.389 --> 30:04.929 I love that stuff. 30:04.949 --> 30:06.470 That's very Bernie, isn't it, Burnesque? 30:06.490 --> 30:07.311 Yeah. 30:07.331 --> 30:09.012 OK, this is Edmond Joe on XFM. 30:09.332 --> 30:10.093 Into our second hour. 30:10.293 --> 30:11.213 The ad break's a bit late. 30:11.273 --> 30:13.054 Sorry about that, ad fans, but here it is. 30:14.776 --> 30:15.016 XFM. 30:15.036 --> 30:16.917 XFM. 30:44.344 --> 30:49.308 That's the editors with the theme to Charles Band's direct-to-video 80s classic Munchies. 30:50.309 --> 30:51.690 A bit like Critters, but cheaper. 30:52.070 --> 30:52.490 Munich. 30:53.131 --> 30:53.591 Oh, sorry. 30:54.312 --> 30:58.015 By Iditors, as Zane Lowe would have it on the advert. 30:58.215 --> 30:58.635 Iditors. 30:58.715 --> 31:01.978 Sounds a bit like Idi- Idi- Idi- Idi- Idi- 31:02.518 --> 31:07.920 So, thank you listeners who texted in to explain the logic behind the locket's advert. 31:08.000 --> 31:12.902 We were just discussing, trying to figure out why it has a terrifying satanic scream on it. 31:13.822 --> 31:15.483 Well done, Alan, playing the scream again. 31:15.923 --> 31:16.343 This is it. 31:16.363 --> 31:17.564 Here it comes. 31:17.944 --> 31:18.184 Oh no. 31:20.697 --> 31:35.318 so apparently the answer is it's a it's a now where's that uh text gone it's a kid loco remix and that scream is in the music they haven't actually put it in and someone else says it's french oh yeah this is from matt the music is saying 31:36.039 --> 31:36.560 Yuppie. 31:37.240 --> 31:41.144 Y-O-U-P-I, which is a French exclamation of joy. 31:41.505 --> 31:43.427 Like, what, it's the French for Yuppie, is it? 31:44.988 --> 31:46.490 Well, Yuppie, is that right? 31:46.510 --> 31:47.110 Yuppie. 31:47.411 --> 31:49.933 We both studied French to O-level level. 31:49.973 --> 31:54.338 So if you say Yuppie, a French person would say, I'm sorry, I don't understand. 31:54.478 --> 31:55.479 Do you mean Yuppie? 31:56.770 --> 31:57.030 What? 31:57.050 --> 31:58.552 I wasn't listening. 31:58.652 --> 31:59.632 It's French for Yippie. 31:59.873 --> 32:00.373 For Yippie? 32:00.493 --> 32:00.733 Yeah. 32:00.913 --> 32:01.214 Yes. 32:01.594 --> 32:02.134 Is that true? 32:02.174 --> 32:04.236 I think we need another French person to confirm that. 32:05.097 --> 32:06.678 So it's, well in that case, is it clever? 32:06.738 --> 32:10.441 He's saying Yippie and yet it sounds like, I don't know, I hate it anyway. 32:10.881 --> 32:12.242 But thanks for sorting it out. 32:12.262 --> 32:13.563 I don't like it. 32:13.984 --> 32:15.004 Don't want that, thanks for my me. 32:16.265 --> 32:16.786 There you go. 32:17.426 --> 32:20.488 Okay, so text competition time, now that it's the second hour. 32:21.308 --> 32:26.912 And for this text competition, I want to remind you of a scene in Cocktail. 32:26.932 --> 32:27.532 Sound like a teacher. 32:27.752 --> 32:27.872 Yeah. 32:27.912 --> 32:29.653 I'm quite frightened about this text competition. 32:29.673 --> 32:30.374 Good, good, you should be. 32:30.394 --> 32:31.514 It's like some sort of exam. 32:31.814 --> 32:37.658 For this text competition, Joe Cornish, stop sniggering if you've got something to say, say it to the whole class. 32:38.978 --> 33:03.349 let me remind you of a scene in cocktail the Tom Cruise classic film in which Tom is enthused by the notion that someone could become a millionaire by inventing something so tiny and seemingly unimportant that it doesn't even have a well-known name like for example the plastic bits on the end of laces okay they do have a name what are they called I don't know but they do have a name 33:04.189 --> 33:06.491 Ah, but you can't, it doesn't spring readily to mind. 33:06.551 --> 33:12.756 If there's a listener who's got access to the internet, I bet you someone will text us the name for the little things on the end of laces almost instantly. 33:12.776 --> 33:20.922 Well, in the film, the point of the scene is that they don't have a name in cocktail, or at least they don't have a name that springs to mind easily, and that's the point of this text competition. 33:21.202 --> 33:23.504 So Cruz calls them flugelbinders. 33:23.604 --> 33:24.164 That's the name. 33:24.344 --> 33:24.644 Okay. 33:25.125 --> 33:26.646 That's the name, that's what I was thinking of. 33:26.806 --> 33:27.266 Flugelbinders. 33:27.326 --> 33:28.187 Flugelbinders. 33:29.128 --> 33:36.314 Anyway, so that's kind of what I want people to do, uh, in this text competition, is to identify things that are not readily nameable. 33:36.715 --> 33:43.300 Everyday objects and things and expressions, whatever, things that we're all familiar with, that don't have a name that you can easily think of. 33:43.341 --> 33:44.241 Here's another example. 33:44.702 --> 33:49.586 When you're on the phone, uh, the, the clicker that cuts off the call... Right. 33:49.846 --> 33:51.087 What, on an old-style phone? 33:51.167 --> 33:52.469 On, on an old-fangled phone. 33:52.729 --> 33:52.949 Yeah. 33:53.129 --> 33:54.030 What do you call that? 33:54.050 --> 33:57.313 You know in movies where they get cut off and they start clicking and saying, hello, hello? 33:57.393 --> 33:58.093 Click, click, click, click, click. 33:58.453 --> 33:59.574 What do you call that clicker? 33:59.715 --> 34:00.135 The clicker. 34:00.315 --> 34:01.316 No, it's not. 34:01.556 --> 34:02.437 You just call it a clicker. 34:02.457 --> 34:05.419 I know, but that's for want of anything more hilarious to call it. 34:05.439 --> 34:07.221 So there's sort of two layers to the text competition. 34:07.241 --> 34:09.222 You've got to identify something that needs a name. 34:09.362 --> 34:09.523 Yeah. 34:09.643 --> 34:10.403 And then name it. 34:10.503 --> 34:10.964 Exactly. 34:11.224 --> 34:11.484 Right. 34:11.644 --> 34:14.807 Here's another example, which we- And it can't just be your new dog. 34:15.447 --> 34:15.648 No. 34:16.188 --> 34:18.230 Who'd be called- who should be called Woofles. 34:18.590 --> 34:19.270 Woofle, exactly. 34:19.290 --> 34:19.470 Yeah. 34:19.790 --> 34:20.070 Woofle. 34:20.090 --> 34:21.191 So there's no competition there. 34:21.551 --> 34:23.031 But it's an inanimate object. 34:23.071 --> 34:24.191 The name you seek is woofle. 34:24.211 --> 34:24.932 So it needs a name. 34:25.072 --> 34:27.312 But it doesn't necessarily have to be an object. 34:27.352 --> 34:28.552 We spoke about this before. 34:28.872 --> 34:38.195 I wanted people to name, so for example you've got the whistle, okay, and the raspberry, right, but what's the name for this noise? 34:38.375 --> 34:39.775 That's the burble. 34:40.715 --> 34:42.216 No, you see, the burble. 34:42.436 --> 34:44.276 Of course it's the burble, it's onomatopoeic. 34:44.496 --> 34:45.256 The burble? 34:45.416 --> 34:47.377 That is not commonly known as a burble. 34:50.023 --> 34:54.786 Anyway, you're welcome to name the clicker and the... that noise, okay? 34:55.447 --> 34:58.849 But anything else that you want to identify and name would be great. 34:59.369 --> 35:03.612 So you can text in 83XFM is the address to text into. 35:03.652 --> 35:06.414 You can also... Someone's already texted in Aglet. 35:07.075 --> 35:07.655 What does that mean? 35:07.695 --> 35:09.616 Is that the name of the little thing at the bottom of the lace? 35:10.117 --> 35:10.777 What's Aglet? 35:10.997 --> 35:11.578 I don't know. 35:11.618 --> 35:12.999 You have to say what you're talking about. 35:13.019 --> 35:13.699 You can't just text in Aglet. 35:15.160 --> 35:15.920 That's meaningless. 35:15.940 --> 35:17.061 That's probably the only text we'll get. 35:17.101 --> 35:18.481 They've probably won with Aglet. 35:19.142 --> 35:19.762 Well, we'll see. 35:19.802 --> 35:25.304 You know, you can text on 83XFM, or you can also enter by email, adamandjoe at xfm.co.uk. 35:26.104 --> 35:26.965 Now, here's some music. 35:26.985 --> 35:34.908 This is from an exciting young, I think she's Scottish woman, and she's called, she's called Katie Tunstall. 35:34.928 --> 35:35.688 But here's the thing. 35:36.128 --> 35:40.490 You'd think that with a name like Katie, it would be spelled K-A-T-Y wrong. 35:41.050 --> 35:45.374 It's just the letters K T and then Tunstall. 35:45.794 --> 35:46.795 Deal with that Cornish. 36:02.077 --> 36:05.341 Thank you, Katie Tunstall, for singing Under the Weather to us. 36:06.183 --> 36:07.104 That's what it was, wasn't it, Adam? 36:07.124 --> 36:07.685 Yeah, exactly. 36:08.005 --> 36:08.726 Very enjoyable. 36:08.946 --> 36:10.128 This is Adam and Jo on XFM. 36:10.148 --> 36:11.650 We've had a few texts in already. 36:11.830 --> 36:14.774 The text competition is to name things that have not yet got names. 36:15.154 --> 36:16.476 It's kind of a two-level competition. 36:16.516 --> 36:19.300 Think of something that doesn't have a name and then name it, and we've got some good ones already. 36:19.560 --> 36:49.109 couple of people saying that the phone clicker thing to cut off your call is called a cradle wrong the cradle is what holds the handset the actual button that you press it used to be two little things that stuck up on an old fangled phone and now for a lot of phones it's just one sort of button the end of a lace is an aglet the little according to several people who texted in the bit of the bit of plastic yeah so Tom Cruise is wrong flugelbinder cruise isn't it 36:49.429 --> 36:51.370 Ricky and Steve laugh 37:07.589 --> 37:08.609 There should be a name for that as well. 37:08.629 --> 37:09.550 There's something else to name. 37:09.750 --> 37:13.211 Innie, outie, the third one, just a mess, one that's a mess. 37:13.311 --> 37:14.712 Do you know anybody who's got a mess? 37:14.732 --> 37:15.372 No, have you? 37:15.392 --> 37:17.373 Yeah, I've got a friend who's just got a mess. 37:17.633 --> 37:17.953 Really? 37:18.153 --> 37:20.094 It's not a mess, it's just like scar tissue. 37:20.314 --> 37:20.414 Oh. 37:21.234 --> 37:25.176 It's not unattractive, it's just not an innie or an outie, therefore it needs a name. 37:25.939 --> 37:27.760 Just- it's just a total- Throwing that- throwing that out there. 37:27.840 --> 37:30.422 So it's not neat is what you're saying, it's just a kind of- It's not neat. 37:30.923 --> 37:31.783 Like a bullet wound. 37:31.803 --> 37:35.126 Yeah, he's actually not in London at the moment, so he's probably not listening. 37:35.626 --> 37:36.507 I'm quite worried about it. 37:36.527 --> 37:39.009 Um, anyway- So what have you got there? 37:39.449 --> 37:39.889 I don't know. 37:39.909 --> 37:41.070 Uh, what? 37:41.331 --> 37:42.251 I thought you said you had a good one. 37:42.271 --> 37:46.034 Give me more time, man, I've got to sort through this, I can't just read out random texts- Someone texted in Pips? 37:46.074 --> 37:47.555 What were they talking about Pips for? 37:48.015 --> 37:49.156 As the clicker on the phone? 37:49.597 --> 37:51.518 They're coming in too fast, I can't keep up- No, that's totally off-beam. 37:51.938 --> 37:52.439 Oh, but I- 37:54.006 --> 37:56.248 Well, I can't say Jesus anymore because you take me off. 37:56.708 --> 38:05.536 I noticed that Russell Brand, he didn't get, uh, punished, but someone mentioned it on the show, like, why does he keep saying Harry Krishna at the end of, uh, Big Brother's Big Mouth? 38:06.584 --> 38:08.304 presumably, because he's Hare Krishna. 38:08.585 --> 38:09.025 I don't know. 38:09.985 --> 38:12.385 But a couple of people were complaining about it. 38:12.646 --> 38:16.086 Look, put another record on, man, and I'll sort through these texts, cos there's lots coming in. 38:17.007 --> 38:17.587 Oh, here we go. 38:17.807 --> 38:21.548 The collection of blue fluff, sometimes found in men's bellybuttons. 38:21.588 --> 38:23.048 Oh, why is it gone again? 38:23.068 --> 38:24.428 I thought that was called lint. 38:24.869 --> 38:26.369 No, well, someone's naming it Tumps. 38:26.829 --> 38:27.249 Tumps? 38:27.429 --> 38:28.349 T-U-M-P-S. 38:28.369 --> 38:28.770 That's good. 38:28.790 --> 38:29.150 Here we go. 38:29.190 --> 38:33.431 The collection of blue fluff, sometimes found in men's bellybuttons, should be known as Tump. 38:34.651 --> 38:35.732 From Julie and Bromley. 38:35.832 --> 38:36.873 That's the best one so far. 38:36.913 --> 38:37.034 Tum. 38:37.054 --> 38:38.155 Not tumps, just tump. 38:38.395 --> 38:40.277 Why- how does that- how's she made up that word? 38:40.297 --> 38:40.937 That's a good word. 38:40.957 --> 38:41.298 Tummy. 38:41.698 --> 38:42.939 What's- where does the ump come from? 38:43.440 --> 38:44.741 Well, where does the P come from? 38:45.041 --> 38:46.963 You can see the T-U-M is derived from tummy. 38:47.263 --> 38:50.306 I'm just thinking of, uh, when it goes in the dictionary, what'll be written beneath it. 38:50.507 --> 38:50.747 Yeah. 38:50.787 --> 38:54.010 Derived from tummy and purr? 38:54.551 --> 38:55.431 Tummy, purr. 38:55.451 --> 38:55.872 Plump. 38:56.072 --> 38:57.193 Julie, what are you thinking of? 38:57.313 --> 38:57.854 Is your name Julie? 38:58.740 --> 38:59.040 I don't know. 38:59.060 --> 38:59.861 That's a good one, though. 38:59.921 --> 39:00.641 Tump is nice. 39:00.661 --> 39:01.341 That's very poetic. 39:01.382 --> 39:02.302 Listen, put a record on. 39:02.342 --> 39:03.102 I'll sort through these. 39:03.323 --> 39:04.463 It's not always blue, though. 39:04.503 --> 39:06.965 It's only blue if you're wearing a blue shirt or a blue sweater. 39:06.985 --> 39:09.706 No, she's specified that it's men and it's blue. 39:10.667 --> 39:12.948 She thinks that maybe women have pink fluff. 39:13.588 --> 39:17.791 Maybe that's where the whole colour-coding of girls are pink, blues are boys come from. 39:17.811 --> 39:18.851 It's the colour of the fluff. 39:19.171 --> 39:20.032 It's the colour of the tump. 39:20.172 --> 39:21.333 Oh, this is an amazing show. 39:33.683 --> 39:44.728 That is a Swedish outfit called The Concrete and the song is called Chosen One, the first single to be taken from their second album, In Colour, which comes out on March the 6th. 39:44.948 --> 39:46.889 This is Adam and Jo on XFM. 39:47.609 --> 40:00.235 We are going to be resolving our text competition very shortly just to remind people that we want you to identify things that aren't readily nameable or perhaps don't have proper names as yet and then we want you to name them. 40:00.635 --> 40:13.498 So sort of talking about various jeans and thong combinations and giving those sort of things names isn't quite right because that's more of a fashion style, okay, which you're naming. 40:13.758 --> 40:16.179 We want you to name actual things of some kind. 40:16.219 --> 40:16.839 Are you telling them off? 40:17.099 --> 40:17.519 No, I'm not. 40:17.539 --> 40:18.619 Are you telling the listeners off? 40:18.739 --> 40:20.280 I'm giving them extra guidelines. 40:20.920 --> 40:21.200 Okay. 40:22.301 --> 40:25.045 I'm just scribbling down stuff where we go got some great texts. 40:25.205 --> 40:28.270 I mean the next link is gonna be brilliant Wow so stick with it 41:07.338 --> 41:26.934 killers they're going for the fade-out on all these things that I've done this is Adam and Joe on xfm yeah and it's time to put our text competition to bed we've been asking you to name things that need naming and we've had some very very good ones in here we go you ready for these Adam yeah hit me the spike what 41:27.834 --> 41:28.915 I can't read my own handwriting. 41:28.955 --> 41:32.816 The spike at the top of the lid used for popping open glue tubes. 41:33.176 --> 41:33.376 Oh yes. 41:33.437 --> 41:34.997 When you take the thing off a glue tube. 41:35.037 --> 41:35.858 And you flip it round. 41:35.918 --> 41:37.278 And you flip it round and you prong it in. 41:38.879 --> 41:41.080 I haven't got a name for it, but they're just saying it needs a name. 41:41.220 --> 41:41.460 Yeah. 41:41.880 --> 41:42.160 Yeah? 41:42.640 --> 41:43.621 Well they haven't named it though. 41:43.701 --> 41:45.121 No, but that's good, they've got it halfway. 41:45.141 --> 41:47.342 I mean that's a well-observed thing that does need a name. 41:47.783 --> 41:50.584 The spike, well I'd be keener to name the sort of 41:51.504 --> 41:53.525 Well, I've thought of a revolting name for it. 41:54.165 --> 41:54.645 Oh, dear. 41:54.705 --> 41:55.005 Oh, dear. 41:55.045 --> 41:56.065 Listen, I'll carry on talking. 41:56.325 --> 41:59.766 The kind of metal hymen on the, um, on the glue tube. 41:59.806 --> 41:59.987 Hey. 42:00.067 --> 42:00.407 Hey. 42:00.547 --> 42:00.867 OK. 42:01.387 --> 42:01.987 What is it? 42:02.547 --> 42:03.608 That's what I want to name. 42:03.948 --> 42:04.688 I've said it already. 42:04.748 --> 42:05.668 Let's move on quickly. 42:05.708 --> 42:06.628 You said metal hymen. 42:06.668 --> 42:07.709 Don't say it again. 42:07.729 --> 42:11.410 Uh, belly button fluff could be called belly flowers, says anonymous. 42:13.030 --> 42:14.991 Uh, the screwy bit on a jar or bottle. 42:16.191 --> 42:18.392 the actual bit where the screw shape is. 42:18.652 --> 42:20.512 Well, isn't that called a thread or something? 42:20.552 --> 42:21.953 No, Will has called it the nooble. 42:22.353 --> 42:22.973 The nooble? 42:23.013 --> 42:23.973 Yeah. 42:23.993 --> 42:25.013 The holes in crumpets. 42:25.493 --> 42:26.434 Yeah. 42:26.554 --> 42:28.674 Someone has named... Crump. 42:28.694 --> 42:29.774 Sputal partitions. 42:30.134 --> 42:30.615 Is that right? 42:30.635 --> 42:31.255 Did you put the name? 42:31.315 --> 42:32.175 That person's name, Dan. 42:32.415 --> 42:33.435 Sputal partitions. 42:33.455 --> 42:34.776 That's just insanity. 42:34.896 --> 42:35.956 Was it sputal partitions? 42:35.976 --> 42:37.576 Well, I've got to read out what people have sent in. 42:37.596 --> 42:38.717 Are you sure that's not for something else? 42:38.737 --> 42:39.317 You started this. 42:39.357 --> 42:40.157 Gynecological. 42:41.097 --> 42:41.897 Text competition. 42:42.537 --> 42:43.998 The gap between your eyebrows. 42:44.838 --> 42:45.720 Yeah, that's a good one. 42:45.800 --> 42:47.522 Have they got any good names for that? 42:47.883 --> 42:48.944 A splice or a lium. 42:49.585 --> 42:52.730 Well, lium is no good because lium doesn't have a gap between his eyebrows. 42:52.750 --> 42:53.131 Galaga. 42:53.572 --> 42:53.872 Yeah. 42:54.393 --> 42:56.857 So surely it would be a... a nolium. 42:57.998 --> 42:58.619 A nolium? 42:58.639 --> 42:58.820 Yeah. 42:58.840 --> 42:59.421 That's quite good. 43:01.063 --> 43:01.643 Here's another one. 43:01.883 --> 43:02.563 Here's a good one. 43:02.823 --> 43:06.584 The bit of red plastic on a biscuit wrapper that says peel here. 43:06.624 --> 43:07.905 This is a modern phenomenon. 43:08.265 --> 43:09.585 Biscuits that zip open. 43:10.385 --> 43:12.045 They haven't come up with a name. 43:12.065 --> 43:13.826 This is from NAF in Kent. 43:14.926 --> 43:15.766 I'd call it a bisksip. 43:16.606 --> 43:17.126 Biscksip. 43:17.727 --> 43:18.367 That's quite good. 43:18.407 --> 43:19.487 It's just somewhere to start. 43:19.707 --> 43:20.267 Absolutely. 43:21.167 --> 43:22.468 And anyway, this is our favourite one. 43:22.528 --> 43:23.308 Is Tom on the line? 43:23.808 --> 43:24.468 Can we put him on? 43:24.688 --> 43:25.168 Hello, Tom. 43:25.188 --> 43:26.048 Hello there. 43:26.308 --> 43:28.269 Hey, thanks for letting us call you. 43:29.849 --> 43:34.132 But, you know, your thing is head and shoulders above everybody else's. 43:34.173 --> 43:35.654 Just explain to us what you've come up with. 43:36.054 --> 43:38.115 Or what thing have you identified that needs naming? 43:38.916 --> 43:43.739 Well, the little bits in the middle of a CD case that always crack and fall off. 43:44.220 --> 43:47.162 Yeah, those little teeth, those little plastic see-through prongs. 43:47.242 --> 43:47.542 Yeah. 43:48.083 --> 43:49.504 Well, they're probably called teeth, aren't they? 43:49.524 --> 43:50.985 They're on DVDs as well, aren't they? 43:51.005 --> 43:52.105 And they make it rattle around. 43:52.125 --> 43:56.649 Yeah, yeah, but I know what you mean, and that's something that definitely needs identifying, especially when they snap off. 43:57.129 --> 43:58.210 And what name have you come up with? 43:58.896 --> 44:04.975 I think I'd call that the Gambaccini's Pier, because I think a little bit of Paul Gambaccini dies every day in there. 44:05.894 --> 44:07.054 A CD is badly organised. 44:07.074 --> 44:07.535 Yeah, yeah. 44:07.555 --> 44:08.295 That's brilliant, man. 44:08.315 --> 44:14.017 And when you open a sort of cheap CD-ROM case or whatever, and many of Gambaccini's tears just fall out. 44:14.037 --> 44:14.897 Fall out, yeah. 44:14.937 --> 44:17.999 Because they're see-through and they look like tears, and you've thought of every angle, Tom. 44:18.299 --> 44:19.159 That's genius, man. 44:19.459 --> 44:20.439 You're our number one listener. 44:20.459 --> 44:21.640 What are we going to reward Tom with? 44:21.800 --> 44:22.480 Tom, what do you want? 44:22.520 --> 44:27.982 You can have Vanity Fair on DVD, or you can have tickets to see Jerry Sadevitz, which is tonight. 44:28.763 --> 44:33.444 Or you can go and see Pete & Dud, uh, tribute, tribute thing on Tuesday. 44:33.664 --> 44:33.945 Hello. 44:34.525 --> 44:34.965 Tom, are you there? 44:35.485 --> 44:37.887 I think I'll have to go for the DVD, cos I went to Southampton. 44:38.327 --> 44:38.827 Oh, man. 44:39.027 --> 44:40.949 I forgot we were listened to all over the country. 44:41.489 --> 44:41.869 There we go. 44:41.889 --> 44:42.610 We'll send you that. 44:42.790 --> 44:44.691 Yeah, we'll send you a Reese Witherspoon. 44:44.731 --> 44:45.412 I'm sorry about that. 44:45.432 --> 44:47.053 You deserve more. 44:47.653 --> 44:50.955 But I tell you what, you can give it to your girl and maybe she'll snog you. 44:51.015 --> 44:53.257 Yeah, exactly. 44:53.677 --> 44:54.998 All right, thank you so much for your call. 44:55.538 --> 45:02.585 And that was genius, uh, Gambaccini's tears there, the little teeth in a CD case that so often break off and fall out. 45:03.006 --> 45:06.029 That is brilliantly named by Tom there in Southampton. 45:06.269 --> 45:09.272 Thanks very much indeed to everyone who entered our techs competition there. 45:09.292 --> 45:10.033 They're still coming in. 45:10.333 --> 45:11.975 The hole's in crumpets, crumpet craters. 45:12.375 --> 45:16.783 Crumpet Craters is better than sputal partitions or whatever the hell you said. 45:17.023 --> 45:17.584 I didn't say it. 45:17.985 --> 45:18.566 Yes, you did. 45:18.626 --> 45:19.928 I was nearly following orders. 45:20.169 --> 45:21.351 Okay, here's another free play. 45:21.471 --> 45:24.075 And after this, we're going to launch Ditties in the Dock. 45:24.095 --> 45:25.237 This is the Velvet Underground. 45:33.493 --> 45:38.558 That's a track from the Velvet Underground, the sort of later incarnation of Joe Cornish. 45:38.598 --> 45:40.079 There was one other that I didn't read out. 45:40.159 --> 45:40.459 Oh yeah. 45:40.539 --> 45:48.466 I don't know who it was by but you know we were talking about belly buttons and people having innies and outies and then people whose doctors just made a mess of it and they got a scar. 45:48.967 --> 45:49.067 Yes. 45:49.087 --> 45:50.248 Someone suggested a middle mess. 45:50.608 --> 45:51.309 A middle mess is good. 45:51.329 --> 45:52.130 Yeah that's good isn't it? 45:52.210 --> 45:53.371 Innie and outie and a middle mess. 45:53.491 --> 45:54.051 Jane middle mess. 45:54.111 --> 45:56.674 And you know I find middle messes a bit sexy. 45:57.054 --> 45:57.814 like Jane Middlemas. 45:57.874 --> 45:58.755 Yeah, exactly. 45:59.295 --> 46:00.235 So if you've got one, well done. 46:00.335 --> 46:01.616 I fancy your navel. 46:01.776 --> 46:02.256 There you go. 46:02.536 --> 46:05.758 That track incidentally was called She's My Best Friend by The Velvet Underground. 46:05.938 --> 46:11.580 Hey, and if any- sorry, Adam, if anyone's listening on the net, I just fiddled around with the webcam and I think I might have messed it up. 46:11.940 --> 46:13.961 I think I might have zoomed it in too much or something. 46:14.281 --> 46:18.443 So if you're on the net and you can access the webcam, tell me if it's working because I think I've broken it. 46:18.703 --> 46:19.944 What are you doing fiddling with the webcam? 46:19.964 --> 46:20.644 I was bored. 46:24.747 --> 46:26.008 It's time for Dizzy's in the Dock. 46:26.368 --> 46:32.672 This is the way we close the show every week, and this week up for grabs are copies of Beck's new remix album, Geralito. 46:32.712 --> 46:40.598 And this is the part of the show where Adam and me both pitch a song, and you, the listeners, get to decide which one of our two pitches plays the show out. 46:40.638 --> 46:44.480 And everybody who comes on the air to make their vote will win a copy of that Beck album. 46:44.760 --> 46:45.281 Is that clear? 46:45.461 --> 46:46.502 Yeah, that's perfectly clear. 46:46.582 --> 46:47.162 The phone number, 0871 222 1049. 46:47.462 --> 46:48.923 Here's an easy way to remember it. 46:48.943 --> 46:49.143 0871 2T2 2T2. 46:55.608 --> 47:16.544 ten forty nine yeah very good ah thanks man or as my dad would say oh eight seven one two two two one oh four nine the most complicated way possible wrong grouping my dad goes for when he's reading out phone numbers do you know that yeah old people sometimes do it erroneous grouping 47:16.764 --> 47:20.746 So here we go, this is the theme for this week's Titties in the Dock, and what is the theme this week, Adam? 47:21.246 --> 47:28.869 Well, I might have got it slightly wrong, I understood it to be a kind of robot music theme. 47:29.289 --> 47:31.790 Yeah, kind of robot voice, specifically robot voice. 47:31.990 --> 47:33.310 But a vocoder in there. 47:33.330 --> 47:35.251 A vocoder, yeah, music with a robot voice. 47:35.291 --> 47:35.471 Yeah. 47:37.492 --> 47:38.493 I'm going to pitch mine first. 47:38.553 --> 47:43.217 Basically, I've been playing what I think is the best video game ever made or one of the best video games ever made. 47:43.497 --> 47:44.978 It's called We Love Katamari. 47:45.698 --> 47:46.599 It's a Japanese game. 47:46.639 --> 47:51.943 You play a little green man with a cylindrical head with a tiny sticky ball and you're rolling it along. 47:51.983 --> 47:54.725 You start the game rolling it along the floor of a house. 47:55.086 --> 47:57.648 He's got a cylindrical head and he's got a cylindrical head. 47:58.508 --> 48:00.510 No, he's pushing a little sticky ball. 48:00.570 --> 48:01.331 OK, good. 48:01.351 --> 48:04.554 And you start on the floor of a bedroom and you can pick stuff up like a ball of Blu-Tack. 48:04.574 --> 48:05.174 Are you listening, Adam? 48:05.254 --> 48:05.615 Yes, yes. 48:05.895 --> 48:07.937 It's genuinely the most beautiful game I've ever played. 48:08.077 --> 48:08.917 Visually incredible. 48:08.998 --> 48:10.018 What's the object of the thing? 48:10.058 --> 48:17.845 The object is you roll this ball along and you collect up little objects, pins, you know, sticks of gum, and they stick on your ball and roll around. 48:18.126 --> 48:19.447 And basically it gets bigger and bigger. 48:19.767 --> 48:26.073 until you're rolling around in the town of which that house was part and you're picking up the house itself. 48:26.373 --> 48:26.713 Wow. 48:26.793 --> 48:30.477 So you're creating a giant ball and you can pick up people and they wriggle and scream. 48:30.497 --> 48:32.359 Do you remember when I asked you what the object was? 48:32.699 --> 48:38.204 Well the object is to get your ball to a certain size within a time limit. 48:38.544 --> 48:38.884 Right. 48:39.085 --> 48:40.466 It's the cleverest game I've ever played. 48:40.506 --> 48:43.449 It's out on the PS2 next Friday, I think, within a week. 48:43.809 --> 48:46.372 If you own a PS2, you'd be insane not to buy it. 48:46.792 --> 48:47.973 Why am I talking about this for ditties? 48:47.993 --> 48:50.816 Because my bit of music is a bit of music from that video game. 48:50.836 --> 48:51.397 What's it called again? 48:51.757 --> 48:54.279 It's called We Love Katamari, and it's famous for its soundtrack. 48:54.339 --> 49:02.367 It's got a brilliant soundtrack done by proper Japanese musicians, really good weird avant-garde music, and the track I'd like to play is called You Are Smart. 49:03.408 --> 49:05.829 and it simply says you are smart a lot. 49:06.029 --> 49:07.650 So it's good for listeners' self-esteem. 49:07.970 --> 49:18.713 So I'd like you to call 0-8-7-1, tutti tutti tutti, 10-49, that's three twos, 0-8-7-1-triple-two, 10-49, and vote for you are smart from the video game We Love Katamari. 49:19.494 --> 49:19.814 There we go. 49:20.114 --> 49:26.036 So it's telling people that they are smart as opposed to just calling someone an are smart. 49:27.510 --> 49:29.732 I don't know, you'll have to listen to it and figure that out yourself. 49:30.753 --> 49:32.395 Like a big shop that sells arses. 49:32.475 --> 49:34.076 It'd be called an arse mart. 49:34.277 --> 49:34.957 Anyway, sorry. 49:35.718 --> 49:43.865 My track that I want people to vote for is by Kraftwerk, who are, after all, the daddies of robot rock. 49:44.546 --> 49:49.571 And it's a track from their album Computerworld, which everyone probably should own. 49:49.591 --> 49:52.393 You know, it's one of those kind of albums that pops up in 49:53.334 --> 50:22.351 hundred greatest album lists whenever there's one published every couple of weeks but it's a brilliant album and I've rediscovered it recently because my son Frank is he's kind of getting into electronic music because he likes the basicness of it you know the big beats and the the ridiculous robot voices kids that age really like them well I do too but there you go and the track I want you to vote for is called it's more fun to compute and it's an extraordinary track because it starts off with a couple of verses which simply say in a kind of robot voice 50:22.871 --> 50:24.412 It's more fun to compute. 50:25.252 --> 50:26.653 It's more fun to compute. 50:26.893 --> 50:27.933 That's pretty much all it says. 50:28.273 --> 50:32.735 But a couple of verses of that, and then it just sort of goes into... The rest of the song is like a coda. 50:32.815 --> 50:35.957 It's just a massive, weird electronic riff. 50:36.617 --> 50:39.178 And it's quite amazing. 50:39.198 --> 50:40.298 It just sort of builds and builds. 50:40.358 --> 50:44.120 It's very trippy and weird in a minimalistic way. 50:44.600 --> 50:46.061 So I want you to vote for Kraftwerk. 50:47.401 --> 50:48.642 with It's More Fun to Compute. 50:48.722 --> 50:50.443 It's between Kraftwerk and what are you going to call yours? 50:50.463 --> 50:52.684 Well, you know, I don't know the name of the artist. 50:52.724 --> 50:53.505 I didn't write it down. 50:53.565 --> 50:54.926 I'm just going to call it You Are Smart. 50:54.986 --> 50:55.306 OK. 50:55.366 --> 50:58.408 So you can vote for Kraftwerk or you can vote for You Are Smart. 50:58.968 --> 51:00.189 Call 0 8 7 1 triple 2 1 0 4 9. 51:01.389 --> 51:04.491 Everyone who gets on the air gets a copy of the Bet Remix album, Geralito. 51:04.851 --> 51:05.732 Please call now. 51:32.720 --> 51:49.671 xfm that's richard ashcroft break the night with color this is adam and joe on xfm it's titties in the dark time 51:53.109 --> 51:56.510 This week it's a play-off between Kraftwerk with a song called what? 51:56.590 --> 51:57.671 It's More Fun to Compute. 51:58.231 --> 52:05.493 And a mysterious Japanese person with music from the fantastic video game we left Katamari called You Are Smart. 52:05.533 --> 52:06.554 I'm not expecting to win. 52:06.574 --> 52:07.474 Do you know what? 52:07.494 --> 52:08.354 I really hope you do. 52:08.374 --> 52:08.674 Do you? 52:08.694 --> 52:09.875 Yeah, because I really want to hear that. 52:09.895 --> 52:10.695 I haven't heard your thing. 52:10.755 --> 52:11.615 All right, man. 52:11.735 --> 52:12.316 OK, here we go. 52:12.336 --> 52:14.156 We've got five callers on the line. 52:14.176 --> 52:18.117 They've already won a copy of Beck's Guero Lito Remix CD. 52:18.137 --> 52:18.898 Let's start with Matt. 52:18.918 --> 52:19.358 Hello, Matt. 52:19.718 --> 52:20.398 Hi there, how you doing? 52:20.618 --> 52:20.898 Good, man. 52:20.918 --> 52:23.099 Are you excited about getting that Bette remix album? 52:23.479 --> 52:24.480 Very excited, actually. 52:24.660 --> 52:25.440 It looks really nice. 52:25.500 --> 52:28.141 It's all got lovely drawings on it and it's in cardboard and stuff. 52:28.581 --> 52:29.622 It's a classy package. 52:29.642 --> 52:30.902 It's a lovely bit of packaging. 52:30.922 --> 52:32.503 Lovely bit of package you got there, mate. 52:32.563 --> 52:33.023 Mate, mate. 52:33.063 --> 52:34.984 What are you up to this afternoon, mate? 52:35.444 --> 52:38.685 I'm painting a picture for my sister-in-law of a plant. 52:39.306 --> 52:39.646 Wow. 52:39.866 --> 52:41.827 Are you using matte paint? 52:43.407 --> 52:44.068 Ha ha ha! 52:44.088 --> 52:44.368 Come on! 52:46.630 --> 52:47.611 Uh, Matt, what are you voting for? 52:47.671 --> 52:49.932 Is it going to be Kraftwerk or you are smart? 52:50.553 --> 52:51.253 Kraftwerk, please. 52:51.473 --> 52:53.435 Oh, you b-busted! 52:54.616 --> 52:55.516 You silly busted! 52:55.536 --> 52:57.998 Uh, well done though, that's rubbish. 52:58.098 --> 52:58.639 You're a bastage. 52:58.979 --> 53:02.882 I'll tell you what I'm going to do, I'm going to write on your Beck CD as a punishment. 53:03.362 --> 53:03.742 I'm not. 53:03.802 --> 53:04.062 I'm not. 53:04.162 --> 53:05.163 Is that your signature? 53:05.583 --> 53:07.325 No, I'm just going to draw a willy. 53:10.347 --> 53:11.688 Matt, thanks very much indeed for your call. 53:11.728 --> 53:12.709 Good luck with your painting. 53:12.729 --> 53:13.309 Thank you. 53:13.469 --> 53:14.490 And, you know, stick with it. 53:14.951 --> 53:17.513 It could turn out to be one of the most valuable paintings in history. 53:17.813 --> 53:18.554 Roland, are you there? 53:18.814 --> 53:19.114 Hello. 53:19.575 --> 53:20.015 How are you? 53:20.235 --> 53:20.595 Very well. 53:21.436 --> 53:24.599 Roland, are you in any way associated with synthesizers? 53:24.619 --> 53:25.880 Synthesizers. 53:26.100 --> 53:27.781 Yeah, like Roland's synthesizers. 53:29.063 --> 53:30.404 Thanks very much for laughing at that. 53:30.484 --> 53:31.485 It wasn't really worth it. 53:31.585 --> 53:32.465 Roland, what are you up to today? 53:32.906 --> 53:34.747 I'm trying to sort out my laptop. 53:34.787 --> 53:36.569 I'm trying to design some T-shirts. 53:37.079 --> 53:39.480 You're trying to sort out your laptop and design some t-shirts? 53:39.560 --> 53:40.620 Yeah. 53:40.780 --> 53:42.401 What kind of a design are you going for on the t-shirts? 53:42.801 --> 53:43.081 Pardon? 53:43.321 --> 53:44.821 What kind of a design on the t-shirts? 53:44.841 --> 53:45.242 A secret. 53:45.622 --> 53:46.082 A secret? 53:46.182 --> 53:46.362 Oh. 53:46.382 --> 53:48.262 What about this as an idea for a t-shirt design? 53:48.583 --> 53:56.005 A picture of George Bush and then put some word underneath it like Muppet or Oy Bush No. 53:56.785 --> 53:57.565 Something like that. 53:57.765 --> 53:58.766 Roland, what are you voting for? 54:00.366 --> 54:01.126 We are smart. 54:01.186 --> 54:01.827 You are smart. 54:01.927 --> 54:02.307 Good man. 54:02.327 --> 54:03.927 Have you heard of We Love Katamari, the video game? 54:04.107 --> 54:04.667 I haven't, no. 54:04.908 --> 54:05.868 Oh man, have you got a PS2? 54:06.724 --> 54:08.284 I don't own any such items. 54:08.805 --> 54:09.565 Oh, you buffoon. 54:10.125 --> 54:10.945 But well-voted. 54:11.225 --> 54:11.745 That's brilliant. 54:11.765 --> 54:16.567 You're going to get that bet, Guadalito, free of any drawings of genitalia in the post to you. 54:16.587 --> 54:17.047 Thank you very much. 54:17.067 --> 54:19.908 Hey Roland, when you design your t-shirts, will you send us some? 54:19.928 --> 54:20.668 I will indeed. 54:20.708 --> 54:21.648 That would be great. 54:22.209 --> 54:25.229 And we'll wear them around town to all our celebrity parties. 54:25.289 --> 54:26.070 George, are you there? 54:26.090 --> 54:26.850 What celebrity parties? 54:26.990 --> 54:27.250 I know. 54:27.690 --> 54:27.990 George? 54:28.010 --> 54:28.650 Hello. 54:28.690 --> 54:29.871 How are you doing, George? 54:29.891 --> 54:30.691 Yeah, fairly well. 54:31.212 --> 54:32.593 George, where are you calling from? 54:33.133 --> 54:34.014 It's central London. 54:34.794 --> 54:35.315 Oh, that's a shame. 54:35.335 --> 54:37.756 I thought you might be one of our new Scottish listeners. 54:38.397 --> 54:38.837 But you're not. 54:38.857 --> 54:40.578 Well, you're Scottish, but you're not in Scotland. 54:41.158 --> 54:41.939 Bit obvious, innit? 54:42.199 --> 54:50.885 Yeah, sorry, I'm a bit... Well, no, we do have listeners in Scotland, you see, George, so it could have been a call from way up there in Gallowayland. 54:51.345 --> 54:51.965 Yeah. 54:52.226 --> 54:53.727 What are your headlines, George? 54:53.747 --> 54:54.707 What's on your mind today? 54:55.228 --> 54:57.669 I'm thinking it can only be Kraftwerk and... 54:59.904 --> 55:03.366 They're the gods of electric, so you've got to... Do you know that track, George? 55:03.806 --> 55:03.986 Yes. 55:04.407 --> 55:05.387 It's quite a peach, isn't it? 55:05.787 --> 55:05.947 Yes. 55:06.288 --> 55:09.409 And my son responded to it so fast when we were listening to it in the car the other day. 55:09.429 --> 55:20.234 It was one of the tracks on that album, Computer World, that I got my head around fairly late in the day, you know, cos you start off with Computer Love, which was the one that Coldplay nicked, obviously, for their track. 55:20.735 --> 55:22.015 My mum also likes Kraftwerk. 55:23.536 --> 55:24.156 Yeah, yeah, yeah. 55:24.176 --> 55:25.176 All right, blah, blah, blah, crap. 55:25.377 --> 55:26.157 Wind it up, lads. 55:26.177 --> 55:27.397 George, thanks for calling. 55:27.417 --> 55:28.257 Thanks for your call, George. 55:28.417 --> 55:30.378 I'm going to write a rude word on yours. 55:31.818 --> 55:32.759 Claire, is Claire there? 55:32.959 --> 55:33.279 Hello. 55:33.399 --> 55:34.199 Hey, Claire, how you doing? 55:34.579 --> 55:35.419 I'm doing great. 55:35.739 --> 55:36.019 Good. 55:36.179 --> 55:40.301 Excitement's this afternoon, things happening, going down in the hood, up the ends. 55:40.701 --> 55:41.661 I'm packing to go on holiday. 55:41.681 --> 55:42.501 Where are you going? 55:43.141 --> 55:43.401 Yes. 55:43.661 --> 55:44.402 Where, where, where? 55:44.782 --> 55:45.342 Norway. 55:46.064 --> 55:46.745 Norway. 55:47.226 --> 55:49.388 Oh, that's very fashionable. 55:49.408 --> 55:51.651 What do you do when you get to Norway on holiday? 55:51.811 --> 55:53.474 Just leave again. 55:53.794 --> 55:54.615 Oh, nice one. 55:54.635 --> 55:55.256 Fantastic. 55:55.476 --> 55:56.658 Man, I'm so envious. 55:56.698 --> 55:57.859 Have a fantastic time there, Claire. 55:57.879 --> 55:59.081 What are you going to vote for this afternoon? 55:59.466 --> 56:01.687 I want to vote for the crazy Japanese way. 56:01.827 --> 56:02.707 Well done, Claire. 56:02.727 --> 56:04.688 You're so clever and you're sexy and beautiful. 56:04.868 --> 56:05.448 Have you got a PS2? 56:05.488 --> 56:05.688 No. 56:06.249 --> 56:07.589 Oh, what's going on? 56:07.869 --> 56:10.030 Hey, Claire, listen, please be careful out there, OK? 56:10.110 --> 56:15.392 A friend of mine got back from skiing the other day and said that the first day on the slopes there, they saw someone. 56:15.452 --> 56:15.892 No, no. 56:16.292 --> 56:22.355 When they arrived at the resort on the train, one of their fellow skiers got off the train, immediately slipped over, broke their leg. 56:22.495 --> 56:22.695 No, no. 56:24.155 --> 56:25.236 That's a drag, isn't it? 56:25.276 --> 56:26.917 So, be careful out there, OK? 56:26.937 --> 56:27.698 Claire, have a nice time. 56:27.738 --> 56:28.639 Man, this is gut-wrenching. 56:28.699 --> 56:29.159 Thank you, Claire. 56:29.179 --> 56:31.381 You'll get that copy of Beck's Girlie to a remix album as well. 56:31.401 --> 56:37.385 This is too old, so this is the deciding... Some weeks I don't care, but this week I care, I care. 56:37.685 --> 56:43.249 I really hope that people, someone, has the foresight to see through the obvious and, you know, listen to something new. 56:43.609 --> 56:46.011 OK, well, who's the person who's going to let us know? 56:46.111 --> 56:46.491 Darren? 56:46.511 --> 56:47.372 Darren? 56:47.392 --> 56:47.532 Hello? 56:47.772 --> 56:49.754 Darren, are you up to this responsibility? 56:50.334 --> 56:50.714 Oh, yeah. 56:50.934 --> 56:53.395 Listen, Darren, I'm going to fade the music down, OK? 56:54.095 --> 56:58.516 Hey, we should do a Big Brother... You should do a Big Brother-style silence before you tell us what you're voting for, Darren. 56:58.536 --> 57:00.636 We want you to count to at least ten. 57:00.796 --> 57:06.177 So we want you to say, Darren, this week I'm voting for... and then count to ten in your head. 57:06.337 --> 57:08.078 And it'll just be an amazing silence. 57:08.218 --> 57:08.658 Here we go. 57:08.698 --> 57:09.058 Go, Darren. 57:10.858 --> 57:12.939 No, you've got to say the words, this week I'm voting for first. 57:12.959 --> 57:13.899 You've got to leave a pause. 57:13.939 --> 57:16.019 The silence is a pause between... Hello, Darren? 57:16.539 --> 57:16.959 Hello, mate. 57:17.220 --> 57:17.740 OK, you ready? 57:17.760 --> 57:18.260 Are you prepared? 57:18.860 --> 57:19.020 I am. 57:20.566 --> 57:24.948 This week I'm voting for... Kraftwerk. 57:25.269 --> 57:25.909 That wasn't it. 57:26.109 --> 57:27.010 That wasn't 10 seconds. 57:27.090 --> 57:30.091 And Andy voted for Kraftwerk on the track for Cornish. 57:31.052 --> 57:31.772 Ah, man. 57:32.072 --> 57:33.653 Darren, thank you so much for your call. 57:33.833 --> 57:36.075 I really appreciate it and thanks to everyone who called in. 57:36.215 --> 57:38.416 I'm gonna play my thing next week as a free play. 57:38.456 --> 57:41.558 And you'll see how wrong you are, you listeners. 57:42.598 --> 57:43.999 Darren, who else was it? 57:44.720 --> 57:45.220 George? 57:45.660 --> 57:46.000 Matt? 57:46.541 --> 57:46.941 Idiots! 57:48.140 --> 57:51.002 Well, here's Kraftwerk playing us out with It's More Fun to Compute this week. 57:51.022 --> 57:52.343 Thank you very much indeed for listening. 57:52.543 --> 57:55.966 Yeah, thanks for everybody who's texted and emailed and called. 57:56.446 --> 57:59.248 We'll be back next week between the hours of 1 and 3 here on XFM. 57:59.268 --> 58:01.430 Don't forget to watch the IT crowd on Friday on Channel 4. 58:01.550 --> 58:04.312 And don't forget to watch the Mighty Boosh on Monday night. 58:04.973 --> 58:06.134 What, are they on telly? 58:06.154 --> 58:08.295 BBC 2, yeah, the first terrestrial transmission. 58:08.635 --> 58:09.596 Of their second series? 58:09.616 --> 58:10.817 Of the second series, yeah. 58:11.017 --> 58:12.018 Fantastic, check that out. 58:12.038 --> 58:13.359 Big comedy events this week on TV. 58:13.799 --> 58:15.360 Here's Kraftwerk, bye, we love you, bye! 01:01:56.646 --> 01:01:56.849 XFM.