WEBVTT 00:07.461 --> 00:16.189 See, we started off kind of rock and roll, shouting, Preston jumping around, boys will be boys, and then- and then it went very mel- very mellow. 00:16.630 --> 00:17.631 Prematurely, I think. 00:18.211 --> 00:20.433 With, uh, Jose Gonzalez and his heartbeat. 00:21.054 --> 00:28.982 Hello, this is Adam and Joe, you're listening to, uh, London's XFM, Britain's XFM, London 104.9, uh, welcome to Two Hours of Music. 00:29.702 --> 00:30.863 Steve and stuff. 00:30.883 --> 00:34.666 Ricky and stuff, and important, uh, discussion of the big issues of today. 00:34.686 --> 00:35.287 Steve Yes. 00:35.307 --> 00:43.233 Ricky Um, Joe, if- if you had to use an invented car advert word to describe the program, what- what would it be? 00:43.253 --> 00:43.413 Steve Mm. 00:44.654 --> 00:45.434 Uh, what would it be? 00:45.454 --> 00:47.356 Well, it would be a combination of different words. 00:47.376 --> 00:48.096 Ricky Yeah. 00:48.116 --> 00:48.757 Steve Uh, fun. 00:48.777 --> 00:49.217 Ricky Yeah. 00:49.237 --> 00:52.600 Steve Uh, and also boring. 00:53.481 --> 00:55.382 Ricky Uh, bun. 00:55.402 --> 00:56.963 Steve Bun. 00:58.846 --> 00:59.567 not Big Small. 01:00.267 --> 01:00.467 Heh. 01:00.487 --> 01:00.527 No. 01:01.468 --> 01:02.608 Surely the- I like that advert though. 01:02.749 --> 01:03.069 Do you? 01:03.429 --> 01:03.689 Yeah. 01:03.849 --> 01:10.994 Well surely the people- the Nissan Micra people must be annoyed, because they've nicked the- because they had Smig, which was small and big. 01:11.234 --> 01:11.854 That's true. 01:12.235 --> 01:20.060 And now the Toyota Yaris people have just nicked the whole idea and- and just, uh, dumbed it down a little bit by just saying Big Small. 01:20.700 --> 01:22.801 They haven't even bothered to blend the words properly. 01:22.961 --> 01:23.182 Yeah. 01:23.722 --> 01:25.603 I think it's a kind of disgrace, personally. 01:26.043 --> 01:31.487 It's not as disgraceful as the car advert that has the gnarled men in a sort of shed. 01:32.067 --> 01:33.488 And they're going, I saw it last night. 01:33.668 --> 01:34.269 Oh, yeah. 01:34.289 --> 01:35.389 It came out of the fog. 01:35.790 --> 01:37.091 Like it was a wraith or something. 01:37.151 --> 01:38.652 And it's just a boring black car. 01:38.692 --> 01:40.633 What kind of lives do they lead, those men? 01:41.053 --> 01:41.353 I know. 01:41.454 --> 01:46.098 Imagine if they'd seen the spider car emerging from the big... What's the spider car? 01:46.198 --> 01:47.219 You know, have you not seen that? 01:47.239 --> 01:58.671 I think it's a Toyota ad as well, where there's a massive great spider scratching around in a huge giant web, and then suddenly from the shadows this spider scuttles out and it turns into a car! 02:00.049 --> 02:00.950 I haven't seen that one. 02:01.170 --> 02:02.911 Oh, wait till you see it. 02:03.992 --> 02:06.734 I think it's better than a lot of movies out, Joe. 02:07.074 --> 02:11.317 Some adverts are getting so good that they're almost better than the TV shows around them. 02:11.357 --> 02:12.678 What an interesting thought. 02:12.878 --> 02:13.559 Thanks very much. 02:13.599 --> 02:16.881 That's the kind of thing you can expect in the next hour and 50 minutes. 02:17.321 --> 02:18.642 Now, we have a competition this week. 02:18.922 --> 02:20.323 Yeah, we've got crap commentary corner. 02:20.403 --> 02:20.964 It's a good one. 02:21.624 --> 02:25.727 We've got great prizes to give away, but we don't know what they are because our producer Lila hasn't turned up yet. 02:25.887 --> 02:26.668 Well, she's running late. 02:26.688 --> 02:27.989 There's problems on the tubes. 02:28.249 --> 02:29.530 They will be great prizes, though. 02:29.730 --> 02:33.331 I do actually know what they are, but I'll find out while we play this next song. 02:33.971 --> 02:37.972 And we have Ditties in the Dock, of course, coming up at the end of the show. 02:38.532 --> 02:44.253 I'd also like to play you my highlights of this year's Golden Globes red carpet program. 02:44.313 --> 02:44.894 Nice one. 02:44.934 --> 02:48.334 Hosted by a fashion designer called Isaac, what's his name? 02:48.634 --> 02:51.055 Mee-zah-kee, Mee-zah-kee. 02:51.095 --> 02:53.436 I've written it down, hang on. 02:53.596 --> 02:53.896 Isaac. 02:54.176 --> 02:54.936 He was in Unzipped. 02:55.934 --> 02:57.054 Isaac Mizrahi. 02:57.315 --> 02:57.835 Mizrahi? 02:57.875 --> 02:58.115 Yeah. 02:58.355 --> 03:03.817 He's basically- gay people and straight people all love a very camp LA showbiz reporter. 03:03.957 --> 03:04.117 Yeah. 03:04.437 --> 03:07.698 You haven't heard an LA showbiz reporter camper than this ever in history. 03:07.738 --> 03:08.619 What channel was he on? 03:09.019 --> 03:10.039 E, the Entertainment Channel. 03:10.059 --> 03:12.800 I was watching E, but I didn't see anything vaguely amusing. 03:12.860 --> 03:16.241 I sat through hours of stuff, because our friend Kelly MacDonald was out there. 03:16.642 --> 03:17.442 She was nominated. 03:17.782 --> 03:20.303 And I was keen to- I was trying to see- Watch her progress. 03:20.583 --> 03:22.185 Yeah, but they didn't have any shots of it. 03:22.205 --> 03:27.291 They pretty much marginalised all the Brits in favour of the exciting Americans, which is understandable. 03:27.572 --> 03:28.573 Anyway, should we play some music? 03:28.673 --> 03:29.314 Yes. 03:29.454 --> 03:31.957 Here is a track from the Franz Ferdinand. 03:41.966 --> 03:42.407 Oh, dear. 03:42.667 --> 03:45.029 I keep hitting the microphone with my headphones. 03:45.510 --> 03:45.830 Do you? 03:46.010 --> 03:47.932 Yeah, sorry if that's disturbing any listeners out there. 03:47.952 --> 03:49.534 This is Adam and Joe on XFM. 03:50.355 --> 03:51.416 Uh, listen, we do a time check. 03:51.436 --> 03:52.357 We never do time checks. 03:52.998 --> 03:53.398 Go on, then. 03:53.518 --> 03:53.638 It's 1.14. 03:53.899 --> 03:54.880 Oh, it's brilliant! 03:54.900 --> 03:56.982 Do you wear a watch? 03:57.022 --> 03:57.783 Oh, I love time checks. 03:58.183 --> 03:58.724 No, I don't. 03:58.824 --> 03:59.905 Watches are out, apparently. 04:00.105 --> 04:04.048 Well, there's so many watch adverts at the cinema that I was thinking maybe they're coming back in again. 04:04.249 --> 04:08.012 No, I thought fossil are going bust, because kids don't wear watches anymore. 04:08.192 --> 04:08.452 Right. 04:08.472 --> 04:09.573 They just use their mobiles. 04:09.633 --> 04:10.835 Watch companies are over. 04:11.075 --> 04:11.595 Well, exactly. 04:11.615 --> 04:12.236 That's what you'd think. 04:12.256 --> 04:13.597 A watch is an 80s thing. 04:13.657 --> 04:14.358 A swatch, even. 04:14.578 --> 04:14.858 Yeah. 04:15.098 --> 04:16.720 Remember when they were all the rage swatches? 04:17.060 --> 04:21.182 Absolutely, because they were affordable and accurate and jazzy and funky. 04:21.322 --> 04:22.243 They had different designs. 04:22.603 --> 04:23.823 But can I mention something quickly? 04:24.003 --> 04:27.125 Because Lila, our producer, is late today, and it's her last show. 04:27.185 --> 04:27.705 She's leaving. 04:27.945 --> 04:28.666 Yeah, yeah, yeah. 04:28.706 --> 04:30.867 So, uh, we've both bought her some presents. 04:31.107 --> 04:31.867 Do you think she's listening? 04:32.047 --> 04:32.948 She might be listening. 04:33.288 --> 04:34.248 She's on the tube, isn't she? 04:34.709 --> 04:37.550 Yeah, but she might have got off and started taking buses and walking. 04:37.770 --> 04:39.291 I think, should we assume she's not listening? 04:39.511 --> 04:39.891 Okay, then. 04:40.211 --> 04:41.412 What have you got her, Adam? 04:42.012 --> 04:44.453 Well, I've got a- I've got a- a bottle of champagne. 04:44.473 --> 04:44.933 That's good. 04:45.133 --> 04:46.354 And I've got a card. 04:46.814 --> 04:46.894 Yeah. 04:46.934 --> 04:50.756 And what I was gonna do is I was gonna, um... Why am I speaking softly? 04:50.796 --> 04:51.696 Because she might be listening. 04:51.716 --> 04:52.156 She might be listening. 04:52.176 --> 04:52.836 She might be listening. 04:52.856 --> 04:52.916 Shh. 04:53.197 --> 04:53.937 Not so she can't hear. 04:53.997 --> 04:54.437 Right, right. 04:55.157 --> 05:04.141 Um, and, uh, so I- I've brought in my digital camera and a small printer with a digital camera so I thought we could take a picture of us all together and then I could print it out. 05:04.481 --> 05:05.682 No, that's what you got her. 05:05.802 --> 05:08.082 I've bought her a shuffle, an iPod shuffle. 05:08.103 --> 05:09.083 That's amazing. 05:09.263 --> 05:10.103 Is that too much? 05:10.583 --> 05:11.684 I don't know what you think, listeners. 05:11.744 --> 05:14.325 Is an iPod shuffle too much or is it too little? 05:14.845 --> 05:16.006 No, that's-that's-that's good. 05:16.026 --> 05:16.966 Sixty-nine pounds. 05:17.026 --> 05:19.107 But now I feel- For three years of work? 05:19.687 --> 05:20.347 Sixty-nine pounds. 05:20.527 --> 05:22.088 But I've-I've gone through a lot of effort. 05:22.108 --> 05:23.629 I've written a poem and everything for the card. 05:23.709 --> 05:25.249 I've just gone for hard, cold cash. 05:25.369 --> 05:28.190 Well, that's a very nice way of spending your hard, cold cash, though. 05:28.450 --> 05:29.671 I could have got her the bigger one. 05:30.131 --> 05:30.371 Yeah. 05:30.571 --> 05:31.792 But I didn't think she was worth it. 05:33.053 --> 05:47.546 You know, I heard that Jonathan Ross got all the crew for his TV show, um, Nanopods, um, for Christmas, as a Christmas present, and I was wondering, like, would he have got the big one, the 4 gig one, or the not-so-big one? 05:48.106 --> 05:48.406 You know? 05:48.667 --> 06:02.700 Because if, um, it's a very generous gesture, but once you've made the generous gesture, once you've committed yourself to buying nanopods for the entire crew, like camera people, runners, producers, everything, then do you economise a little bit and just get the smaller of the two? 06:02.760 --> 06:03.280 What do you think? 06:03.681 --> 06:04.001 I don't know. 06:04.041 --> 06:07.064 It's very difficult buying presents when you're not a teenager anymore, when you make money. 06:07.304 --> 06:07.524 Yeah. 06:07.544 --> 06:09.585 Cos you're expected to actually shell out a bit of cash. 06:09.645 --> 06:13.567 I mean, he'd have to be insane to go the extra yard and get the big one for the whole crew. 06:13.608 --> 06:17.890 I'd be very interested to find out if there's... But listen, sir, that's an exciting moment that's gonna come up later in the show. 06:18.050 --> 06:18.250 Yeah. 06:18.310 --> 06:20.531 The presentation to Lila of her gifts. 06:20.992 --> 06:21.492 But you know what? 06:21.612 --> 06:25.434 If she doesn't turn up, then I could give this shuffle away as a prize on the show. 06:25.554 --> 06:26.755 Have you got one yourself? 06:26.875 --> 06:27.015 No. 06:27.155 --> 06:27.975 They're brilliant, man. 06:28.015 --> 06:28.856 I've got a proper iPod. 06:29.096 --> 06:51.919 yeah but the shuffle is great it's something nice about the limitation of just having that few songs and and having them all shuffling around in your brain and not being able to control where it's going to go next speaking of which uh let's shuffle the xfm playlist yeah a little bit and sneak in a free play this is a track from uh one of the big albums of like well it was sort of critically big uh by my morning jacket right i think the album was called nobody bought it said 06:52.479 --> 06:57.023 I don't know if it flew off the shelves, but it's really worth buying if you haven't got it. 06:57.703 --> 07:07.210 Lots of amazingly interesting stuff on there, and this is a track called Off The Record, which starts off as a kind of skanky, slightly scarred type song, which doesn't sound promising, but it's good. 07:07.530 --> 07:14.815 And then about a couple of minutes in, it sort of takes a mad left turn into a sort of jazz funk odyssey, a bit like Grover Washington Jr. 07:14.835 --> 07:15.716 I'll be the judge of that. 07:15.776 --> 07:16.437 Yeah, see what you think. 07:26.909 --> 07:27.649 Quite good, don't you think? 07:27.850 --> 07:31.492 Yeah, it's got satanic, uh, backwards incanting on it, hasn't it? 07:31.772 --> 07:32.993 Oh, I'm not sure it was satanic. 07:33.333 --> 07:35.114 I think it was just, uh... Just nice. 07:35.174 --> 07:35.695 Nice things. 07:35.855 --> 07:37.396 Some goofy Americans mumbling. 07:37.876 --> 07:38.516 Yeah, that was good. 07:38.877 --> 07:41.959 Off the record, that's called, and that's by, uh, My Morning Jacket. 07:41.999 --> 07:43.660 This is Adam and Joe on XFM. 07:45.301 --> 07:46.061 XFM. 07:46.141 --> 07:48.263 Love music. 07:48.803 --> 07:49.604 Love XFM. 08:11.482 --> 08:12.063 Love music. 08:12.563 --> 08:13.384 Love XFM. 08:15.246 --> 08:15.567 XFM. 08:30.302 --> 08:58.421 there we go that's the arctic monkeys their album comes out monday doesn't it does it monday yeah they've been giving it away all weekend here on xfm i think to competition winners but that's going to fly off the shelves hit number one a week later there'll be nobodies that's how fast it works you reckon no i don't reckon i reckon they're here to stay of the pop world i love them yeah they're very good i mean that's an amazing song they are uh i've said this before i'm sure but they seem to have picked up where the libertines left off and and fused it with uh 08:59.181 --> 08:59.562 What else? 08:59.622 --> 09:00.182 Something good. 09:00.623 --> 09:00.823 Yeah. 09:01.264 --> 09:01.965 Yeah, that's great. 09:02.466 --> 09:04.108 Anyway, this is Adam and Joe on XFM. 09:04.268 --> 09:06.471 Uh, previously we didn't know what prizes we had to give away. 09:06.531 --> 09:08.995 Now we do, and ladies and gentlemen, they're extraordinary. 09:09.015 --> 09:15.644 We've got two copies of the Sonny Cheeba DVD box set, including Return of the Street Fighter, The Street Fighter, and The Street Fighter's Last Revenge. 09:16.405 --> 09:19.246 to give away for something, I don't know, DVDs, three DVDs. 09:19.326 --> 09:20.266 Have you ever seen those films? 09:20.446 --> 09:20.586 No. 09:21.766 --> 09:27.007 And we've got this brilliant Korean war film called Brotherhood, or the Korean title, Taga Gugi. 09:27.447 --> 09:28.387 Is it? 09:28.487 --> 09:29.528 Taga Gugi. 09:30.228 --> 09:30.888 Which is amazing. 09:30.908 --> 09:34.669 It features four blokes being blown up by a landmine all at the same time. 09:34.969 --> 09:35.369 Wow. 09:35.649 --> 09:37.009 And all their limbs go everywhere. 09:37.089 --> 09:42.010 It's the most sort of gory, stupid war film I've ever seen, but very enjoyable, you know. 09:42.270 --> 10:00.220 yeah but presumably has its heart in the right place and has some kind of anti-war message yeah oh yeah or is it mainly pro-war no anti-war i think i wasn't sure i felt pro-fictional war so what are we going to give away for our competition well for ditties in the dark can i just say first yeah we're giving away uh sets of u2 albums pop boy 10:01.301 --> 10:06.303 All That You Can't Leave Behind, The Unforgettable Fire, The Best of an Ahtung Baby. 10:06.703 --> 10:11.845 So everybody who gets on air in Ditties in the Dark in the last 15 minutes of the show wins a set of those albums. 10:11.925 --> 10:12.145 Wow. 10:12.185 --> 10:12.805 Six albums. 10:12.825 --> 10:13.445 That's amazing. 10:13.465 --> 10:14.406 So it's a prize-o-rama. 10:14.846 --> 10:20.908 But right now, for Crap Commentary Corner, you can have your choice of the Korean War film or the Sonny Chiba box set. 10:21.588 --> 10:25.570 So this is the part of the show where we play you an excerpt from a DVD audio commentary. 10:25.710 --> 10:27.531 Well, we can kind of explain it with the jingle. 10:27.831 --> 10:28.071 Can we? 10:28.211 --> 10:28.311 Yeah. 10:28.391 --> 10:28.611 Oh, cool. 10:37.992 --> 10:44.097 It's a crap commentary Recorded off of a DVD Why don't you listen and see? 10:44.518 --> 10:49.182 You could win some crap for free Can you tell us speaking? 10:49.282 --> 10:50.723 And move you to the T key? 10:51.123 --> 10:54.666 Go ahead it's easy You can use IMTV 10:56.693 --> 10:57.073 There we go. 10:57.093 --> 10:58.415 So no other explanation needed. 10:58.455 --> 11:02.718 All you need is the number 0-8-7-1-2-2-2-1-0-4-9. 11:02.738 --> 11:03.219 0-8-7-1-2-2-2-1-0-4-9. 11:03.919 --> 11:12.246 Uh, if you know what, uh, which director, uh, is being heard speaking in the clip we're about to play. 11:12.526 --> 11:13.487 So here's clip number one. 11:13.547 --> 11:15.289 And people have to know what film they're talking about as well. 11:15.349 --> 11:16.630 And what film he's talking about, yeah. 11:16.890 --> 11:18.031 OK, here we go. 11:18.051 --> 11:18.631 0-8-7-1-2-2-1-0-4-9. 11:19.092 --> 11:23.536 Here he is talking about, uh, you know, how ill-tempered he gets and what he does when he gets upset. 11:24.116 --> 11:25.377 There's something about a megaphone. 11:25.957 --> 11:27.558 It's got the extra added value. 11:27.598 --> 11:30.340 If you snap it on the ground, it's got batteries that fly out. 11:30.780 --> 11:32.982 Literally, I think this was the first megaphone I broke. 11:33.042 --> 11:35.463 Normally on a movie, I'll break about two or three megaphones. 11:35.903 --> 11:41.387 We had one megaphone that survived quite a bit and kept being taped together. 11:41.747 --> 11:44.249 When the megaphone cracks, they know that, uh-oh, they better hurry. 11:45.071 --> 11:46.551 Ooh, he's an ill-tempered man. 11:46.571 --> 11:49.052 He sounds like a scary man, but I bet you he gets results. 11:49.092 --> 11:50.773 He's very assertive when he gets things done. 11:50.793 --> 11:51.273 Mm, good. 11:51.313 --> 11:52.473 Yes, he certainly does. 11:53.433 --> 11:54.154 Oof. 11:54.174 --> 12:06.477 So, uh, 08712221049, if you think you know what director that is talking and what film he's talking about, our second clip, uh, this is from kind of the middle of the DVD commentary, the bit that people don't usually get, you know, you don't usually get that far. 12:06.497 --> 12:06.757 No. 12:07.197 --> 12:12.859 And he tells us a special exclusive scandalous story, uh, that he swears is true, 12:13.900 --> 12:17.223 Uh, about a mysterious prince, uh, of great wealth. 12:18.464 --> 12:24.690 Let's, let's listen to the story, and, uh, again, 0 8 7 1, triple 2, 1 0 4 9, if you know what director is telling this story. 12:25.010 --> 12:26.051 I'll tell you another story. 12:26.331 --> 12:28.934 I can credibly tell you that this is dead true. 12:29.194 --> 12:33.338 This is a prince, and I'm not gonna say from what country, but he has a personal 747. 12:34.759 --> 12:36.561 On the top, he has a surgery room. 12:36.781 --> 12:39.484 And in that surgery room, he has two tables. 12:39.544 --> 12:47.351 He travels with a 24-year-old kid from his country, where his parents have been paid off, where he has the matching, I guess, blood type. 12:47.531 --> 12:50.474 And this kid would be donating his heart to this prince. 12:50.794 --> 12:54.498 When the prince's bad ticker goes, they're going to be swapping hearts. 12:54.998 --> 12:59.061 I know people have actually been on the plane and I know people have actually met the kid. 12:59.501 --> 13:02.263 Now, I guess that kind of emulates what's going on in this movie. 13:02.523 --> 13:05.445 I hope the Prince doesn't ever hear this DVD commentary. 13:06.686 --> 13:07.406 He's insane. 13:07.426 --> 13:08.207 He's insane. 13:08.227 --> 13:16.453 A prince that flies around with a surgeon and a surgery and a kid who will just be killed as soon as this guy has a heart attack. 13:16.813 --> 13:18.094 Are we supposed to believe that? 13:18.334 --> 13:19.114 Maybe it's Prince. 13:19.495 --> 13:21.556 Why would this... Maybe it is Prince. 13:21.636 --> 13:23.196 Ricky and Steve laugh Ricky and Steve laugh Steve and Steve laugh 13:47.623 --> 13:48.143 It's a thick cigar. 13:48.163 --> 13:49.484 Don't go on that roller coaster. 13:49.524 --> 13:49.985 No, stop it. 13:50.005 --> 13:51.125 Don't eat that extra button. 13:51.146 --> 13:51.886 Oh, fuck. 13:52.486 --> 13:55.929 Anyway, if you know what director that was telling us that incredible story, 0871221049. 13:56.489 --> 13:55.929 0871221049. 13:56.549 --> 14:02.813 There's another clip if no one gets it, but have a guess. 14:03.054 --> 14:06.356 Also, if you're the prince that he's talking about, we'd love to hear from you. 14:06.436 --> 14:06.936 Give us a call. 14:07.397 --> 14:08.838 And find out if that's all true. 14:09.178 --> 14:09.958 Now, here's some more music. 14:09.978 --> 14:10.579 This is Cub. 14:22.498 --> 14:24.019 Yeah, that's Cub with Grow. 14:24.039 --> 14:25.000 You know what that song needs? 14:25.520 --> 14:25.800 What? 14:25.820 --> 14:26.781 A little more production. 14:27.181 --> 14:29.423 Yeah, a tiny bit more to stir the heartstrings. 14:29.563 --> 14:29.843 Yeah. 14:29.903 --> 14:32.505 That's the kind of music they listen to on Brokeback Mountain. 14:32.946 --> 14:34.046 Have you seen Brokeback Mountain? 14:34.066 --> 14:35.287 I went to see it earlier this week. 14:35.608 --> 14:36.869 I want to talk about it a bit later on. 14:36.909 --> 14:37.089 Wow. 14:37.609 --> 15:01.303 anyway we are playing crap commentary corner our competition this week and uh we played you a couple of clips from a commentary for from a movie uh we're not saying if it's a recent movie or uh an old movie or whatever but you had to guess who was speaking the name of the director and uh the name of the film they were talking about we've got a couple of people on the line now let's see if they've got it right hello paul are you there hi yeah my hair paul 15:05.404 --> 15:06.344 Not very often, no. 15:06.404 --> 15:06.724 Really? 15:07.124 --> 15:09.445 We had a friend called Paul, we used to call him poo-poo. 15:10.245 --> 15:13.066 And then when we went swimming, we'd go to the swimming, poo-poo. 15:13.906 --> 15:16.906 I'd have to get my friends to call me that. 15:16.926 --> 15:17.907 Yeah, poo! 15:17.967 --> 15:19.667 It's very rewarding, we recommend it. 15:20.327 --> 15:23.208 So listen, there you go, what's your guess? 15:23.968 --> 15:25.228 It's Quentin Tarantino. 15:25.248 --> 15:27.329 Now how have you come to that conclusion? 15:27.569 --> 15:29.109 You say that with great authority, Paul. 15:29.648 --> 15:35.555 I don't recognise this voice, but I think because it's Sonic Cheever... But hang on, hang on, boo boo boo! 15:36.826 --> 15:37.246 Hang on, mate. 15:37.667 --> 15:42.951 Quentin Tarantino is instantly recognisable because he says, all right, after every fourth word. 15:43.511 --> 15:43.951 All right? 15:44.412 --> 15:45.813 And this guy didn't say, all right? 15:46.854 --> 15:48.835 Listen, do you want to hear another clip, Paul? 15:49.215 --> 15:50.176 Yes, please. 15:50.216 --> 15:50.817 OK, listen to this. 15:50.837 --> 15:52.618 See if this gives you any more clues, OK? 15:52.858 --> 15:53.899 I'll tell you another story. 15:54.159 --> 15:55.360 I can credibly tell. 15:55.440 --> 15:56.901 Oh, no, hang on, we just had, that's the Prince story. 15:56.921 --> 15:58.622 Oh, that's the wrong one. 15:58.642 --> 15:59.523 OK, sorry, man. 15:59.543 --> 16:00.464 So listen to this. 16:02.245 --> 16:02.986 Okay, here we go. 16:03.326 --> 16:05.808 All my movies have been smash hits. 16:06.209 --> 16:09.612 They've all made a fortune at the box office for what they cost. 16:09.972 --> 16:14.216 And I will oftentimes operate in very dangerous camera positions because I operate a lot. 16:15.237 --> 16:18.460 A pole came by my head about 45 miles an hour. 16:18.821 --> 16:20.762 That's where I almost lost my life. 16:21.749 --> 16:22.549 Paul came by his head. 16:23.170 --> 16:26.331 Er, now listen, Paul, that clearly was not Tarantino. 16:26.351 --> 16:27.452 Do you want to take another guess? 16:27.472 --> 16:28.972 Well, that's not fair. 16:28.992 --> 16:31.153 Adam, that's not fair, cos what if the next guy's got it? 16:31.694 --> 16:32.974 And then Paul goes and gets it. 16:33.114 --> 16:34.555 I'm pretty sure Paul's not gonna get it. 16:35.015 --> 16:35.875 OK, have another guess, Paul. 16:35.895 --> 16:36.656 You're right, you're right. 16:36.676 --> 16:37.696 I haven't got a clue who it is. 16:37.716 --> 16:39.297 I thought it was Clinton in the first one. 16:39.477 --> 16:40.277 Oh, man, bad luck. 16:40.337 --> 16:44.119 But I tell you what, um, do you want a... Do you want a prize anyway? 16:44.739 --> 16:46.520 I want a Sonny Cheever box set in my life. 16:46.760 --> 16:47.701 Well, you can have it, mate. 16:48.261 --> 16:48.961 Oh, that's marvellous. 16:49.202 --> 16:49.822 Only cos your name is... 16:51.505 --> 16:53.486 OK, cheers Paul, thanks very much indeed for your call. 16:53.787 --> 16:56.348 Now, er, let's see, we've got another caller on the line, this is Nick. 16:56.468 --> 16:57.309 Hi Nick, how you doing? 16:57.689 --> 16:58.370 I'm alright, thanks. 16:58.670 --> 16:59.991 We haven't got a funny way of saying Nick. 17:00.451 --> 17:01.271 Jim Davidson has. 17:01.371 --> 17:02.152 Nick, Nick, Nick, Nick, Nick. 17:03.373 --> 17:04.654 We won't, we won't labour that point. 17:05.114 --> 17:10.477 Er, Nick, how you doing there, and, and do you have a, a better idea of who that was speaking on the crap commentary there? 17:10.497 --> 17:11.098 Well said. 17:11.118 --> 17:12.339 I think I've got an idea, yeah. 17:12.359 --> 17:13.960 Do you wanna know what it is? 17:13.980 --> 17:14.380 Yeah, go on then. 17:14.860 --> 17:15.441 Michael Bay? 17:15.961 --> 17:17.382 Michael Bay, and what was he talking about? 17:17.978 --> 17:22.341 Well, the first time he was talking about the megaphone, he's famous for having a really bad temper. 17:22.741 --> 17:23.022 Yes. 17:23.062 --> 17:26.844 And the second time, he was talking about having the kid and the prince and the heart transplant. 17:27.224 --> 17:31.167 And the island's all about having a clone to do transplants and stuff, so I thought maybe it was that. 17:31.187 --> 17:32.868 Nick, we couldn't have asked for more than that. 17:32.908 --> 17:34.349 That was spot on. 17:34.389 --> 17:34.710 Well done. 17:34.750 --> 17:35.730 What do you do for a living, Nick? 17:35.971 --> 17:37.051 Are you an expert? 17:37.652 --> 17:38.913 No, I'm not an expert, no. 17:39.093 --> 17:39.593 What do you do? 17:40.654 --> 17:43.236 I kind of do the travel news. 17:43.756 --> 17:44.216 Do you? 17:44.476 --> 17:45.597 For the radio, yeah. 17:45.657 --> 17:46.258 What station? 17:46.997 --> 17:50.020 Other stations other than yours, although I used to do XFM years ago. 17:50.180 --> 17:52.022 Really, man, we need a travel bulletin. 17:52.462 --> 17:57.707 Yeah, we could- cos it's nice to throw to- we don't throw to anyone, we don't throw to the news or the travel guy or anything. 17:57.747 --> 17:58.067 Yeah. 17:58.447 --> 18:00.209 Well, you see, you should get me in, I'll do it for you. 18:00.369 --> 18:06.855 Well, we've got your number, Nick, we might be in touch, but for the moment we're gonna re- do you want the Sonny Chiba box set or do you want Tagagoogie, the Korean war film? 18:07.295 --> 18:09.357 Didn't you just give the Sonny Chiba box set away? 18:09.457 --> 18:09.998 Yeah, we got two. 18:10.983 --> 18:13.525 I think we should give him both. 18:13.765 --> 18:15.426 Give him both because he got it right. 18:15.507 --> 18:18.709 And what sort of standard is that to set if losers win? 18:18.729 --> 18:21.271 What sort of world would it be if losers won? 18:21.371 --> 18:22.251 A world gone mad. 18:22.512 --> 18:22.972 So there you go. 18:22.992 --> 18:24.793 You're going to get Sonny Tuber and Taggagugi. 18:25.234 --> 18:26.494 That's very kind of you, thank you. 18:26.615 --> 18:27.655 Thanks a lot for your call, Nick. 18:27.835 --> 18:28.396 Well done, Nick. 18:28.656 --> 18:29.557 That was exemplary. 18:29.577 --> 18:31.178 That was really textbook stuff. 18:31.198 --> 18:33.539 That might be handed out with the teaching pack. 18:33.580 --> 18:34.000 The teachers. 18:37.728 --> 18:37.969 Wow. 18:38.129 --> 18:39.631 Thanks very much indeed for your call, Paul. 18:39.971 --> 18:40.612 Your poo-coo! 18:40.973 --> 18:42.555 And to Nick, congratulations. 18:42.955 --> 18:44.217 I hope you enjoy those DVDs. 18:44.237 --> 18:46.280 This is the Adam and Joe on XFM. 18:52.648 --> 18:53.368 Joe's looking at me funny. 18:53.388 --> 18:54.889 What is this? 18:54.909 --> 18:57.290 Have you mistakenly put on a show tune? 18:57.471 --> 18:57.691 No. 18:58.091 --> 19:00.752 I should have explained that this is a free play and it's Sparks. 19:00.812 --> 19:01.713 You should have explained. 19:01.753 --> 19:02.953 Is this the new Sparks single? 19:03.054 --> 19:03.634 No, no, no. 19:03.674 --> 19:05.355 This is a classic Sparks. 19:05.375 --> 19:07.316 What does that sound like? 19:07.336 --> 19:09.777 But I'm feeling sort of gay because of Brokeback Mountain. 19:10.758 --> 19:11.638 That sounds like madness. 19:11.758 --> 19:12.438 I've had a very… 19:13.559 --> 19:14.419 sun in the rain. 19:14.459 --> 19:14.719 Anyway. 19:14.819 --> 19:15.640 Steve Laughs Steve Laughs 19:37.310 --> 19:37.990 No, stick with it. 19:38.010 --> 19:39.191 It's not like that anymore in the world. 19:39.591 --> 19:46.913 This is a marvelous synthesis of the gay and the very straight as well, this song, because it starts off pretty camp, but then the guitars come in and it begins to rock. 19:46.993 --> 19:48.833 It's called Reinforcements and it's by Sparks. 19:50.314 --> 19:50.894 And here it is. 19:51.254 --> 19:57.536 I'm on guard again, but unprepared to fend for myself in a battle. 19:57.596 --> 20:01.797 You won't tell me why the... Love music. 20:02.157 --> 20:02.797 Love XFM. 20:02.817 --> 20:02.977 XFM. 20:41.203 --> 20:42.464 What an extraordinary rendition. 20:43.404 --> 20:45.365 That was Hardfire with Cash Machine. 20:45.385 --> 20:49.426 This is Adam and Joe on XFM, coming up to the end of our first hour here. 20:49.566 --> 20:56.308 Hey, listen, if you've been listening for the whole hour, you'll know that it's our producer Lila's last show and we've bought her secret presies. 20:56.408 --> 20:57.048 Is she listening now? 20:57.068 --> 20:58.549 She just popped out to get me a drink. 20:58.809 --> 21:00.369 She probably will be able to hear. 21:00.749 --> 21:02.810 And we've already established what presents we've got her. 21:03.670 --> 21:05.491 But we can't say them again, obviously, because she might be listening. 21:05.711 --> 21:06.691 But I've got her a card. 21:06.931 --> 21:07.112 Yeah. 21:07.132 --> 21:08.132 The picture of Prince William. 21:08.732 --> 21:09.632 Is he- wow. 21:10.253 --> 21:10.913 Have a look at it, Adam. 21:11.413 --> 21:14.054 In a picture- in- in wearing a, uh, wearing a tuxedo. 21:14.314 --> 21:15.475 That's very attractive. 21:15.595 --> 21:17.275 All women fancy Prince William, right? 21:17.295 --> 21:19.376 Because he's- he's so sexy, look. 21:19.516 --> 21:20.637 He's quite sexy. 21:20.677 --> 21:21.317 He looks like a shoe- 21:24.386 --> 21:26.888 Yeah, he looks really lovely there, I agree with you. 21:27.268 --> 21:32.031 So, you know, stay tuned for the big, er, presentational, presentational ceremony at the end of the show, the big prize giving. 21:32.251 --> 21:32.912 Yeah, here she comes. 21:33.052 --> 21:33.672 Here she comes. 21:33.692 --> 21:34.793 Stop talking quickly. 21:34.833 --> 21:37.155 She doesn't know anything about what we've done for her. 21:37.195 --> 21:38.335 She thinks we haven't done anything. 21:39.676 --> 21:43.999 When she came in, when she came in, we asked her if she'd been listening to the show and she said no. 21:44.600 --> 21:45.760 But I'm not quite sure. 21:45.820 --> 21:47.662 No, she had a little, a little satisfied smirk. 21:47.682 --> 21:48.542 There was a twinkle in her eye. 21:48.562 --> 21:50.163 Now she's looking worried. 21:50.263 --> 21:52.044 She's looking very glamorous today, Lila. 21:52.085 --> 21:53.385 She's looking genuinely concerned. 21:54.646 --> 21:55.687 It's your- Dad's birthday? 21:55.707 --> 21:56.487 Yeah. 21:56.507 --> 22:01.950 Oh, I thought it was because of us and saying goodbye and wanting to leave us with a memory of you looking saucy. 22:02.130 --> 22:06.832 But listen, we've got our lesbian and gay section of the show coming up after the top of the hour, right? 22:07.132 --> 22:07.832 Yes, absolutely. 22:07.852 --> 22:08.713 I'm gonna get very gay. 22:08.753 --> 22:10.074 I wanna talk about a lot of gay things. 22:10.534 --> 22:12.595 Yeah, and I'm gonna talk about some gay things as well. 22:13.015 --> 22:13.995 So stay tuned for that. 22:14.316 --> 22:17.957 And we've got a kind of gay text competition as well that I thought of as well. 22:17.997 --> 22:18.438 Oh, well done. 22:18.718 --> 22:19.618 What are we gonna give away for that? 22:19.638 --> 22:20.819 We've just given away all the prizes. 22:21.719 --> 22:23.419 Man, we'll have to rustle something up. 22:24.160 --> 22:25.580 We can steal some stuff, can't we? 22:25.660 --> 22:27.100 Yeah, we'd better find some tickets or something. 22:27.340 --> 22:31.261 Well, we've got another copy of Brotherhood, that DVD with the people being blown up. 22:32.381 --> 22:33.501 So that'll be a nice treat. 22:33.541 --> 22:34.601 It's not very gay though, is it? 22:35.082 --> 22:39.122 Anyway, let's play a bit more music and then go to the adverts. 22:39.162 --> 22:42.463 I'm really hoping they play that advert for The Dune. 22:43.183 --> 22:46.964 Yeah, the advert for The Dune DVD that's been given away in The Observer, yes. 22:46.984 --> 22:47.324 Tomorrow. 22:48.104 --> 22:48.985 And they, what was it? 22:49.285 --> 22:54.627 It's something about all the aliens are really excited because Dune's been given away in the Observer. 22:55.208 --> 22:56.288 I am very excited. 22:56.588 --> 22:58.970 I have landed my spaceship by the news agents. 22:59.130 --> 23:01.811 My tentacles are going to be used to watch the DVD. 23:01.891 --> 23:03.332 Someone's clearly not seeing Dune. 23:03.432 --> 23:05.073 There's only one alien in Dune, right? 23:05.093 --> 23:08.715 The massive slug in the big sort of glass thing. 23:08.815 --> 23:10.376 Well, technically they're all aliens. 23:10.776 --> 23:11.756 Yeah, but they're humanoid. 23:12.016 --> 23:12.657 Yeah, that's true. 23:12.797 --> 23:12.997 Yeah. 23:13.297 --> 23:16.559 Now, there's the big weird slug, that's true, and then to the worms, of course. 23:16.679 --> 23:19.000 The worms, but they're not really, they don't walk, they don't talk. 23:19.760 --> 23:19.960 No. 23:20.060 --> 23:21.981 Well, do you think that's not the definition of an alien? 23:22.001 --> 23:24.382 The alien on board the Nostromo doesn't do any talking. 23:24.402 --> 23:27.764 Yeah, but it's got legs and hands and it could sit and have a meal with you if it wanted to. 23:27.784 --> 23:28.784 Those giant worms couldn't. 23:29.124 --> 23:29.865 Yeah, that's true. 23:30.285 --> 23:32.006 OK, here's a bit more music for you right now. 23:32.026 --> 23:36.408 This is The Killers with Jenny Was a Friend of Mine and this is Anna Mongeau on XFM. 24:06.335 --> 24:08.459 This is XFM. 24:19.059 --> 24:23.162 That's the Kaiser Chiefs, uh, with the modern way, or just modern way. 24:23.483 --> 24:24.884 This is Adam Buxton. 24:25.704 --> 24:26.625 And my name's Joe Cornish. 24:27.065 --> 24:28.867 And, uh, we're on XFM. 24:29.327 --> 24:29.567 Yeah. 24:29.627 --> 24:34.151 For another 55 minutes here on this, uh, enjoyable Saturday afternoon. 24:34.171 --> 24:38.494 It's a beautiful Saturday afternoon, very, very lovely weather, lovely blue sky, lovely. 24:38.815 --> 24:39.115 Lovely. 24:39.135 --> 24:42.718 The only bad thing you could say about it is the whale, uh, is in trouble. 24:43.038 --> 24:43.579 The whale. 24:43.739 --> 24:48.285 Why don't they get Darren Brown or someone to use mind techniques to get the whale? 24:48.646 --> 24:50.769 Surely he could convince the whale to do the right thing. 24:50.849 --> 24:53.452 He'd just convince the whale to rob a bank and then we'd be in trouble. 24:54.394 --> 24:55.075 Or shoot itself. 24:55.135 --> 24:55.655 Or shoot him. 24:56.376 --> 24:58.039 So listen, I went to see Brokeback Mountain. 24:58.359 --> 24:58.659 Yes. 24:58.800 --> 24:59.440 Earlier this week. 25:00.041 --> 25:05.324 Uh, Brokeback Mountain is the movie about two macho farmers, cowboys? 25:05.744 --> 25:06.104 Farmers. 25:06.124 --> 25:06.725 Cowboys, cowboys. 25:06.745 --> 25:07.245 Cowboys. 25:07.265 --> 25:08.105 Yeah. 25:08.125 --> 25:09.406 Uh, who fall very much in love. 25:09.726 --> 25:12.368 That's right, when they're out, uh, they're supposed to be taking care of sheep. 25:12.628 --> 25:14.569 Yeah, but they take care of... Each other. 25:14.929 --> 25:20.472 And, uh, they have a little, you know, touchy-feely moment, don't they, out in a field or something? 25:20.492 --> 25:20.852 They have several. 25:20.872 --> 25:21.833 But they don't understand it. 25:22.053 --> 25:22.533 In a tent. 25:22.813 --> 25:24.354 Because they're so sort of macho. 25:24.534 --> 25:29.361 That's right, and afterwards they sit on a rock and it's a bit awkward and they just sort of go, I ain't queer. 25:29.901 --> 25:31.543 No, neither am I. And that's it. 25:31.604 --> 25:33.766 It's a bit like Dennis Rodman being out there. 25:34.427 --> 25:34.988 Have you seen it yet? 25:35.268 --> 25:35.389 No. 25:36.070 --> 25:36.750 It is worth seeing. 25:37.451 --> 25:41.797 But it's, um, it's sort of slightly unsatisfying because 25:42.558 --> 25:45.561 It certainly is challenging for the heterosexual man. 25:45.701 --> 25:47.102 Now, who did you see it with, Adam Buxton? 25:47.222 --> 25:48.203 I saw it with my wife. 25:48.243 --> 25:49.044 It was a date movie. 25:49.124 --> 25:53.147 OK, I'd like to hear from any groups of lads who've been to see Brokeback Mountain. 25:53.447 --> 25:56.090 You can text us on 83XFM or call us 08712221049. 25:57.511 --> 25:59.552 If you went to see Brokeback Mountain with your mates... 26:00.590 --> 26:03.551 I'd like to know with your straight mates how that went. 26:03.911 --> 26:05.031 Yeah, that would be interesting, wouldn't it? 26:05.191 --> 26:07.972 Because it's pulling in, you know, massive amounts of punters. 26:08.012 --> 26:08.972 Lots of people are going to see it. 26:09.012 --> 26:10.252 It's going to get Oscars and everything. 26:10.552 --> 26:16.293 It's one of those films that you sort of have to see if you're going to survive, you know, dinner party chit chat. 26:16.933 --> 26:23.595 But it probably has resulted in some quite awkward, you know, quite an awkward atmosphere in some cinemas. 26:24.711 --> 26:26.032 Not for the right reasons, I think. 26:26.552 --> 26:29.153 You know, everybody should happily be able to go and see it. 26:29.393 --> 26:35.016 But obviously people are hung up on it because all the articles start with, this is not a gay film. 26:35.456 --> 26:38.898 And every interview Anne Lee's given says how it's not a gay film. 26:39.915 --> 26:40.155 What? 26:40.415 --> 26:41.416 It's all about being gay. 26:41.476 --> 26:42.076 Well, exactly. 26:42.376 --> 26:49.839 It's all about, um, the fact that they have to repress their desires because it's totally socially unacceptable in the sixties in the Midwest where they are. 26:49.859 --> 26:56.302 All I'm saying is that they are, the people who are marketing it are aware that there might be an obstacle in terms of getting everybody to go and see it. 26:56.402 --> 26:56.682 Yeah. 26:56.882 --> 26:58.243 So they've tried to downplay the gay. 26:58.783 --> 26:59.563 Right, right, right. 26:59.843 --> 27:00.363 That's a shame. 27:00.423 --> 27:01.164 I mean, it's a lovely film. 27:01.204 --> 27:02.264 It's wonderful to look at. 27:02.644 --> 27:04.804 Beautiful scenery in Wyoming there. 27:05.004 --> 27:05.804 I've been to Wyoming. 27:05.824 --> 27:07.985 It's certainly one of the most beautiful places in the world. 27:08.505 --> 27:12.506 And the acting from Jake Gyllenhaal and Heath Ledger is fantastic throughout. 27:13.006 --> 27:19.267 But it does have fairly early on a sort of graphic, uh, roughly moment. 27:19.287 --> 27:23.228 Well, we have to be careful because obviously this is a family show, but what base do they go to? 27:23.948 --> 27:24.849 Oh, they go all the way. 27:25.610 --> 27:26.351 Which bases? 27:26.471 --> 27:28.333 How many bases are there? 27:29.334 --> 27:29.794 Four. 27:29.814 --> 27:31.716 Do they go to fourth base? 27:32.137 --> 27:34.339 Lila's got, she's telling us she's got four bases. 27:35.100 --> 27:37.262 You may have less or more bases than other women. 27:37.842 --> 27:39.384 I would say... You might have some extra bases. 27:39.864 --> 27:40.405 That's true. 27:40.445 --> 27:41.626 God's given you an extra base. 27:41.887 --> 27:43.128 Well, I would say... What does that mean? 27:43.448 --> 28:03.336 out of out of four bases they would go well through the fourth one really do you see the fourth base you don't played you yeah you scored you see the scoring of the fourth base uh you don't actually see the equipment involved in the scoring of the base that's a good class in acting class isn't it how to do that one pull that face 28:04.082 --> 28:04.763 Yeah, yeah. 28:05.103 --> 28:10.268 I mean, it is, it's all very- have you seen Unfaithful by- is it Mike Figgis who directed that? 28:10.628 --> 28:11.249 Uh, possibly. 28:11.269 --> 28:14.371 Um- It's the woman, that's the lady who has an affair with a French bloke. 28:14.511 --> 28:15.372 Yes, exactly. 28:15.392 --> 28:15.733 Yeah. 28:16.153 --> 28:20.217 And, um, her husband Richard Gere finds out and he ends up killing the bloke. 28:20.237 --> 28:20.357 Yeah. 28:21.434 --> 28:29.601 quite a good film, with some- with some fairly fantastic, passionate, roughty, unfaithful, um, nookie inside the- What's that got to do with Broken Mountain? 28:29.621 --> 28:40.851 Well, it reminded me, it's the same sort of level of, um, you know, uh, flurry of intensity, of passionate intensity that takes- takes place in this, you know, there's a lot of kind of scrabbling that's almost a fight- Oh, really? 28:41.071 --> 28:41.992 Uh, that turns out to be passion. 28:42.012 --> 28:44.754 While struggling to get through the- the tradesman's entrance. 28:45.315 --> 28:46.215 Yeah, exactly. 28:46.556 --> 28:47.777 To shove the back door open. 28:48.097 --> 28:48.357 Easy. 28:48.537 --> 28:49.198 And get inside. 28:49.438 --> 29:11.150 listen I was thinking that maybe a good text competition would be for people to think of other scenarios where this kind of thing could happen because there's been a lot of forbidden love films obviously this is just one in in a tradition of films like my beautiful laundrette yeah uh beautiful thing other films with the word beautiful in them about generally it's uh homosexuality that seems to be a taboo that 29:11.550 --> 29:24.799 for some reason won't go away, even though it's completely acceptable in the, uh, noughties, uh, no one's got a problem with anyone being gay if they're, uh, right-headed, but still, for the cinemas, it seems to be a thing that people still have to deal with. 29:25.440 --> 29:34.747 Uh, so anyway, I was thinking of other, other gay type of films, other taboo, uh, films, and, um, I- this isn't very good. 29:35.707 --> 29:38.068 But to give you an example, okay, here's a bad example, right? 29:38.709 --> 29:54.797 So instead of Brokeback Mountain as a place for forbidden love, Big Brother Diary Room, the story of Preston and Chantel and their forbidden love, which takes place in the diary room and obviously is broadcast- Give us another example. 29:54.817 --> 29:55.558 Have you got another example? 29:55.578 --> 29:56.478 That was rubbish, wasn't it? 29:56.538 --> 29:57.979 Yeah, I'm just confused by that. 29:58.019 --> 29:58.719 Give us another example. 29:58.799 --> 29:59.460 Okay, here we go. 30:00.320 --> 30:03.622 This is a film called Shuttlecocks. 30:04.142 --> 30:20.290 yes and it's about uh forbidden love on a nasa space mission that's a lot better uh so a couple of manly pilots yeah fall in love whilst uh practicing their docking procedure and the tagline for the film would be either space is their special place 30:23.611 --> 30:25.692 or they can't stop being astronaut-y. 30:26.512 --> 30:27.372 That's very good. 30:27.672 --> 30:27.952 OK. 30:28.052 --> 30:29.573 I think people will understand that completely. 30:29.593 --> 30:32.153 So there's the text competition, listeners, 83XFM. 30:32.473 --> 30:37.274 Come up with a name of a film that's about forbidden same-sex love. 30:37.534 --> 30:43.036 It doesn't have to be necessarily same-sex, just any kind of forbidden love, any taboo love, and a place where that love happens. 30:43.076 --> 30:43.356 Yeah. 30:43.716 --> 30:45.496 I'm going to start thinking during the next record. 30:45.616 --> 30:46.676 Here's another little example. 30:47.116 --> 30:48.057 This one isn't very good either. 30:48.357 --> 30:49.337 Da Beautiful Bungalow. 30:50.217 --> 30:51.958 Is that like Dick and Dom in Dabungalow? 30:52.098 --> 30:52.378 Yeah. 30:52.518 --> 30:57.641 If Dick and Dom had a- had a gay affair- They have a gunk fight and suddenly it turns lusty. 30:58.281 --> 31:01.563 Suddenly they're wiping the gunk off each other and they start to get it on. 31:01.863 --> 31:08.826 And then they have, uh, then they have to fight their bosses, their TV bosses because, you know, they've got this- That doesn't turn sexy as well. 31:08.966 --> 31:10.347 No, no, that doesn't turn sexy. 31:10.427 --> 31:11.187 That's for the sequel. 31:11.287 --> 31:18.451 But, you know, they- they have to fight because, um, their TV bosses don't want them to be the only openly gay couple to present a kid's TV show. 31:19.051 --> 31:23.635 you see, so it's a very moving story about a lot of- Steve Laughs- Well, their bosses don't want them to be the only openly gay couple. 31:23.655 --> 31:24.596 Steve Laughs- No, because it's- it's taboo. 31:24.616 --> 31:25.977 Steve Laughs- Oh, because it's taboo. 31:25.997 --> 31:28.599 Steve Laughs- Yeah, so they're not- it's all about- they're dealing with the prejudice of the TV world. 31:28.619 --> 31:29.240 Steve Laughs- Yeah, yeah, yeah. 31:29.260 --> 31:29.840 This is very good. 31:29.860 --> 31:34.484 Steve Laughs- Uh, obviously Dick and Dom, as far as I know, aren't having a gay affair together. 31:34.504 --> 31:37.287 This is a pure conjecture for the purpose of fantasy. 31:37.807 --> 31:40.049 Um, but we'd like to hear your- your ideas as well. 31:40.069 --> 31:41.951 Steve Laughs- Text 83 XFM, if you've got any. 31:41.971 --> 31:44.313 I'm gonna work on my own during this record, which is what? 31:44.333 --> 31:46.475 Steve Laughs- Which is the block party. 31:57.475 --> 31:58.957 block party with two more years. 31:59.217 --> 32:08.730 You know, uh, hello, this is Adam and Joe on XFM, uh, where we've just announced our text competition which is basically, uh, an invitation to our listeners to send in quite crude jokes. 32:09.472 --> 32:12.115 Yeah, we don't want people to get all homophobic on our arses. 32:13.036 --> 32:13.976 I've got a couple, though. 32:14.076 --> 32:23.019 The quiz is to come up with a similar name for a film to Brokeback Mountain, a place where you might have a secret, a forbidden affair with somebody. 32:23.039 --> 32:24.799 How about Touching Your Void? 32:25.479 --> 32:27.420 Touching My Void or Touching Your Void. 32:27.440 --> 32:27.980 Yeah, that's quite good. 32:28.000 --> 32:31.861 Touching Your Void, about two, you know, macho mountain climbers. 32:31.961 --> 32:33.141 They fall down a crevasse. 32:33.161 --> 32:35.402 They fall down a crevasse and they get trapped there. 32:35.662 --> 32:35.902 Yeah. 32:36.202 --> 32:36.502 You know. 32:36.862 --> 32:37.962 Look at your crevasse. 32:38.002 --> 32:38.903 The days pass. 32:39.103 --> 32:39.363 That's right. 32:39.383 --> 32:40.003 The nights pass. 32:41.043 --> 32:41.884 They have verges. 32:42.484 --> 32:42.804 Yeah. 32:42.864 --> 32:43.665 No one else around. 32:44.005 --> 32:44.465 Exactly. 32:44.505 --> 32:45.245 That's a good idea. 32:45.265 --> 32:46.046 Touching the void. 32:46.106 --> 32:51.709 And then the other, we were trying to think of one for football as well, for like league football, When Saturday Comes. 32:52.489 --> 32:52.949 That's nice. 32:52.969 --> 32:55.751 Would be, I mean there's already a film called When Saturday Comes, isn't there? 32:55.771 --> 32:57.772 But it could have different connotations. 32:57.992 --> 32:58.492 Absolutely. 32:58.992 --> 33:01.794 So Keaton, coming in on 8.3 XFM. 33:02.214 --> 33:05.776 While you think about that, I'd like to bring you some showbiz news. 33:06.576 --> 33:18.225 Because to continue on our gay and lesbian theme, it was the Golden Globes, which isn't strictly a gay and lesbian event, but everything in Hollywood has the atmosphere of a big gay parade. 33:18.806 --> 33:25.431 And E!, the Entertainment Channel, which is possibly the gayest channel on television, were doing in-depth coverage from the red carpet. 33:26.091 --> 33:30.455 And to host their coverage, they had the fashion designer, what's his name again? 33:31.155 --> 33:34.418 Isaac Mizrahi, how do you say his name? 33:34.478 --> 33:35.218 You'll know, Lila. 33:35.979 --> 33:36.299 Yeah. 33:36.659 --> 33:37.480 Isaac Mizrahi. 33:37.520 --> 33:38.500 Is it Isaac or E-Zach? 33:39.140 --> 33:39.921 Why would it be E-Zach? 33:40.021 --> 33:41.141 No one pronounces it the E-Zach. 33:41.721 --> 33:42.742 Isaac Mirazi. 33:42.862 --> 33:43.222 Iswag. 33:43.302 --> 33:45.763 Anyway, he's a big gay cake of a man. 33:46.603 --> 33:49.084 And he was interviewing all the stars, everybody. 33:49.785 --> 33:53.266 Gwyneth Paltrow, Jessica Alba, Evan O'Hare-Carry. 33:53.286 --> 33:54.126 Scarlett Johansson. 33:54.427 --> 33:58.848 Scarlett, he grabbed Scarlett Johansson's boobs, which was reported in all the press. 33:59.029 --> 33:59.829 That's right, I saw that. 33:59.909 --> 34:00.989 He really did grab them as well. 34:01.029 --> 34:01.409 He did. 34:01.429 --> 34:02.510 He gave them a good squeeze. 34:02.530 --> 34:03.870 He was weighing them as if they were fruit. 34:03.911 --> 34:04.951 He knew no boundaries. 34:05.511 --> 34:10.894 So basically I recorded it and I've basically made you a montage of some of the gay things he said. 34:11.154 --> 34:14.936 I've taken out any of his questions, any of the replies from the celebrities. 34:15.296 --> 34:22.439 So what you've now got is the most solid lump of gay talking that anyone has ever heard. 34:22.459 --> 34:23.519 So listen quite carefully. 34:23.780 --> 34:28.882 At one stage he said, I'm glad you said beautiful, faster than I've ever heard anybody say ever in my life. 34:29.262 --> 34:33.144 So here we go, hold tight, turn the radio up and listen to this. 34:33.644 --> 34:34.284 Isaac, Isaac. 34:34.324 --> 34:35.905 Yes, here I am, darling. 34:35.925 --> 34:38.746 Look at how beautiful your gorgeous eyes are. 34:38.826 --> 34:39.226 Thank you. 34:39.246 --> 34:40.646 That is so amazing. 34:40.786 --> 34:42.607 Wow, wow, wow. 34:42.707 --> 34:44.128 It's gorgeous. 34:44.308 --> 34:46.868 Wow, man, that is really, really funny. 34:47.229 --> 34:48.049 You look amazing. 34:48.409 --> 34:49.369 That's really, really funny. 34:49.689 --> 34:51.470 Wow, she is gorgeous. 34:51.950 --> 35:09.180 tonight darling I am so special because I'm here with you Wow but how lucky am I so nice are you wearing underwear exactly yeah Wow you need so beautiful I have to say you always look really really stylish oh that sounds delicious 35:10.781 --> 35:12.022 Oh, that is really funny. 35:12.042 --> 35:12.783 No, I'm just kidding. 35:13.463 --> 35:14.104 I love that. 35:14.504 --> 35:17.366 Speaking of a chocolate vanilla swirl, talk about your underwear. 35:17.546 --> 35:18.186 Yes. 35:18.727 --> 35:19.727 Oh, wow. 35:20.008 --> 35:20.688 Eye touch scar. 35:20.768 --> 35:21.248 Let's boob. 35:21.569 --> 35:22.449 Eye touch scar. 35:22.489 --> 35:22.930 Let's boob. 35:23.250 --> 35:24.010 I'm just kidding. 35:24.070 --> 35:24.391 Oh, God. 35:24.451 --> 35:26.032 Am I the most lucky man in the world? 35:26.072 --> 35:26.692 My God. 35:26.812 --> 35:27.833 That is so beautiful. 35:27.873 --> 35:30.575 That is an amazing, amazing piece. 35:30.655 --> 35:31.135 Thank you. 35:31.155 --> 35:32.876 I love your makeup, which I can't stop noticing. 35:32.896 --> 35:33.277 Thank you. 35:33.297 --> 35:33.957 It's really, really good. 35:33.997 --> 35:35.058 Happy, happy, happy tonight, right? 35:35.078 --> 35:35.478 Thank you. 35:35.578 --> 35:36.279 Bye. 35:36.459 --> 35:36.759 Bye. 35:36.839 --> 35:37.139 See ya. 35:38.385 --> 35:38.845 Wow. 35:39.246 --> 35:40.066 That's extraordinary. 35:40.086 --> 35:42.148 I'm overwhelmed with gayness. 35:43.529 --> 35:44.010 Are you all right, man? 35:44.030 --> 35:45.331 You've got into a little gay trance there. 35:45.411 --> 35:46.532 Yeah, that was amazing. 35:46.732 --> 35:48.874 I might use that for a, uh, self-esteem tape. 35:49.374 --> 35:49.814 Yeah. 35:49.855 --> 35:50.415 In the morning. 35:50.715 --> 35:53.257 Just play that, just to lift my spirits, cos he's very positive. 35:53.497 --> 35:54.038 Absolutely. 35:54.438 --> 35:55.980 He's got nothing but nice things to say. 35:56.360 --> 35:57.981 No, he wasn't really bitchy at all, was he? 35:58.101 --> 35:58.482 Or was he? 35:58.742 --> 36:01.364 Well, he asked some quite, uh, some quite probing questions. 36:01.444 --> 36:03.746 He talked about people's underwear a lot and whether they were wearing any. 36:03.766 --> 36:04.046 A lot. 36:04.146 --> 36:05.768 Terry Hatcher wasn't wearing underwear. 36:06.028 --> 36:06.068 Mm. 36:06.428 --> 36:12.053 And then, uh, he spoke to, what's her name, um, you know, your favourite posh English actress. 36:12.293 --> 36:12.873 Kia Knightley. 36:12.913 --> 36:13.334 Kia Knightley. 36:13.354 --> 36:13.634 Yes. 36:14.094 --> 36:16.436 And, uh, he asked her if she was wearing underwear shoes. 36:16.456 --> 36:22.321 He asked everyone about that underwear, but the weirdest thing he said, and there was a little clip from it in that, was he was talking to Queen Latifah and asking her who she fancies in Hollywood. 36:22.721 --> 36:29.487 And she said, oh, I fancy George Clooney because, uh, everyone in Hollywood loves a scandal, everyone in Hollywood loves a chocolate and vanilla swirl. 36:30.087 --> 36:34.711 And then he goes, talking of a chocolate and vanilla swirl, uh, let me talk about your underwear. 36:36.087 --> 36:37.067 It's not very nice, is it? 36:37.488 --> 36:38.488 Hey Mitch, that kind of stuff. 36:38.568 --> 36:39.648 Green Latifah's panties. 36:40.089 --> 36:41.829 You're thinking too hard about it, I think. 36:42.570 --> 36:50.693 Now let's play a bit more music while we're waiting for some text suggestions for our taboo films to come in, which we'll wrap up very shortly, I think. 36:50.713 --> 36:52.734 What's it looking like, Lila? 36:52.794 --> 36:53.534 Is it getting a bit... 36:54.034 --> 36:57.938 ones that we can't actually say on air or we might get sued. 36:57.958 --> 36:58.918 Steve Well, exactly. 36:58.959 --> 37:00.039 Try- try not to be too filthy about it. 37:00.080 --> 37:01.301 Ricky Hey, here's- here's a good one. 37:01.341 --> 37:02.161 Triple X FM. 37:02.261 --> 37:04.543 Two DJs struggle to hide their secret love. 37:04.563 --> 37:05.905 From Kevin in Watford. 37:05.925 --> 37:06.865 Steve That's a very good idea. 37:06.885 --> 37:07.606 Ricky He's talking about us, isn't he? 37:07.626 --> 37:08.467 Steve Absolutely. 37:08.487 --> 37:09.948 Ricky Nothing secret about our love, Kevin. 37:09.968 --> 37:10.589 Steve Well, no. 37:10.729 --> 37:12.510 No, it's- it's very much out in the open. 37:12.671 --> 37:18.696 And now we've got three minutes and forty-five seconds to exercise our love because this is, um, 37:21.598 --> 37:22.079 What is this? 37:22.259 --> 37:22.979 This is The Feeling. 37:23.019 --> 37:23.880 I've never heard this before. 37:23.920 --> 37:25.021 This is a track called Sown. 37:52.466 --> 37:53.214 Love music. 37:53.780 --> 37:54.508 Love XFM. 38:03.413 --> 38:03.954 Goldfrapp. 38:04.674 --> 38:05.655 Ride a white horse. 38:05.836 --> 38:10.401 This is Adam Buxton and Joe Cornish here on a Saturday afternoon on XFM. 38:10.421 --> 38:13.824 I think it's time we put our slightly dubious text competition to bed. 38:13.844 --> 38:25.377 So yeah, we've been asking you to come up with your own sort of versions of Brokeback Mountain titles and ideas for films about forbidden love in places where you wouldn't usually find it. 38:25.757 --> 38:26.977 that's brilliantly explained. 38:27.037 --> 38:29.418 If only we'd put it that succinctly 20 minutes ago. 38:29.438 --> 38:32.579 We could've avoided a torrent of homophobic, uh, swill. 38:32.659 --> 38:35.960 Yeah, and we've got to say that, uh, should we say anything? 38:36.000 --> 38:46.723 We're dealing here in- we're dealing here knowingly in stereotypes and don't draw any conclusions about our attitude to any walk of life just because of our stupid sense of humour, right? 38:46.963 --> 38:47.824 Yeah, yeah, that's true. 38:47.864 --> 38:48.044 Yeah. 38:48.384 --> 38:49.024 So here we go. 38:49.424 --> 38:52.625 Mind you, I've rooted out all the ones that are truly, uh- Revolting. 38:52.645 --> 38:53.765 Revolting, stroke, funny. 38:54.566 --> 38:54.606 Um. 38:55.666 --> 38:56.528 So here we go, Adam. 38:56.548 --> 38:57.149 What do you think of this? 38:57.429 --> 38:58.271 Tube driver love. 38:59.192 --> 39:04.942 Two bored lonely tube drivers watching the tunnels, the dark tunnels clatter by. 39:04.982 --> 39:05.704 I'm making all this up. 39:05.744 --> 39:07.006 The person who sent it didn't write this. 39:07.146 --> 39:07.347 Yeah. 39:07.727 --> 39:08.368 It's called Mind the Gap. 39:09.025 --> 39:10.126 That's quite good, I like it. 39:10.146 --> 39:10.546 Quite good. 39:10.606 --> 39:13.868 Because there's a lot of imagery you could have in there that would be apposite. 39:13.948 --> 39:14.168 Yeah. 39:14.528 --> 39:16.710 Okay, uh, that's from an anonymous texter. 39:16.730 --> 39:22.073 Uh, Kevin in Brixton has texted twice this one, so I feel I should read it out. 39:22.173 --> 39:26.836 It's like a German submarine, uh, drama with two German submarine men. 39:26.856 --> 39:27.637 Yeah. 39:27.657 --> 39:29.238 Getting very close to each other, called Das Bot. 39:30.058 --> 39:33.000 that's not bad, you know, cos again, you've got the- the chutes, the torpedoes. 39:33.020 --> 39:35.962 Ricky Laughs But yeah, it's nothing but gay love in German submarines. 39:35.982 --> 39:40.886 Steve No, exactly, I wouldn't- Ricky Laughs In the ar- everyone in the army, it's not- they don't call it gayness, they just call it getting through the day. 39:40.906 --> 39:43.487 Steve Well, exactly, yeah, that's part and parcel of, er, life in the military. 39:43.507 --> 39:44.488 Ricky Laughs Being in the army. 39:44.508 --> 39:44.888 Steve Yeah. 39:44.948 --> 39:58.738 Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laughs Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky Laps Ricky L 39:59.938 --> 40:00.258 Anybody? 40:00.278 --> 40:00.319 No. 40:00.339 --> 40:00.519 Okay. 40:00.599 --> 40:02.120 It's not exactly forbidden though, is it? 40:02.180 --> 40:04.002 Lesbian women's football movie. 40:04.022 --> 40:05.204 This is from Adam in Watford. 40:05.404 --> 40:06.885 Uh, lesbian women playing football. 40:06.926 --> 40:07.666 It's called Fever Bitch. 40:08.868 --> 40:09.829 That's quite good, isn't it? 40:09.849 --> 40:10.449 That's not bad, yeah. 40:10.609 --> 40:11.731 Who's Eating Gilbert's Grapes? 40:12.992 --> 40:15.695 That's just one of those, uh, porn titles, isn't it? 40:15.775 --> 40:19.078 Of, uh, I'm a Celebrity, Get Me Out of the Closet. 40:20.155 --> 40:28.284 says Jane in Stockwell, imagining I suppose a gay love affair maybe between Ant and Dec on the set of I'm a Celebrity, Get Me Out Of Here. 40:28.304 --> 40:31.026 That could be quite moving, couldn't it? 40:31.046 --> 40:31.667 Ricky Laughs Ricky 40:42.236 --> 40:54.899 in some sort of hostage situation, feel a bit saucy, touch each other, feel ashamed, and then it comes into play in the big shootout at the end, you know, he has flashbacks of Willy's while he's trying to shoot the villain or something. 40:54.919 --> 40:58.981 Steve- Maybe he's trying to talk someone down off a rooftop, you know, and he ends up just snogging him. 40:59.001 --> 41:00.181 Ricky- That would be a good film. 41:00.201 --> 41:02.501 Steve- And then they both jump together, holding hands. 41:02.521 --> 41:03.582 Ricky- Yep, so that was good. 41:03.822 --> 41:05.022 Brian in Hertfordshire, well done. 41:05.042 --> 41:07.323 Er, Richton Sheen says, The Empire Strokes Sack 41:08.263 --> 41:09.604 I'm pretty sure you can't say that. 41:09.624 --> 41:14.107 Uh- Steve laughs Steve laughs Steve laughs Steve laughs Steve laughs Steve laughs Steve laughs 41:32.941 --> 41:37.985 they are injecting the creamy centres into chocolate bars. 41:38.926 --> 41:39.566 It's called hot chocolate. 41:40.127 --> 41:41.908 I thought it was going to be something like chocolate factory. 41:42.449 --> 41:43.529 No, it could be though. 41:43.790 --> 41:44.570 Hot chocolate's not bad. 41:44.590 --> 41:45.371 So what are you going for? 41:45.391 --> 41:46.972 There's a lot of- you've got to choose a winner box. 41:48.033 --> 41:52.336 Well, the one that really made the most sense to me I thought was, um, 41:53.197 --> 41:54.098 You've forgotten it now, haven't you? 41:54.118 --> 41:54.999 Maybe the submarine's one. 41:55.019 --> 41:55.880 What is it around there? 41:56.020 --> 41:56.460 Das Bot. 41:56.681 --> 41:57.141 Mind the Gap. 41:57.201 --> 41:58.823 I think Mind the Gap's- I like Mind the Gap. 41:58.923 --> 41:59.503 We like Mind the Gap. 41:59.543 --> 42:00.965 Or Fever Bitch from Adam and Watford. 42:01.245 --> 42:04.949 I like Mind the Gap because it's- you've got so much imagery there that would be brilliant. 42:04.969 --> 42:14.919 Well that's from an anonymous texter so we'll have to find out who they are and we will and we'll find out who you are and send you that prize but thanks to everybody who entered that you should all be ashamed of yourselves. 42:15.319 --> 42:15.599 Yes. 42:16.039 --> 42:26.125 I hope at least some of you were gay and it's not just a bunch of straight people making really bad, slightly homophobic jokes here on a Saturday afternoon, uh, which we don't want to encourage at all. 42:26.745 --> 42:29.526 Um, now let's- Well, we've gone the wrong way about not encouraging that. 42:29.566 --> 42:30.807 Yeah, we- we pretty much have. 42:30.827 --> 42:37.090 Especially a few weeks ago, we were, uh, deriding The Sun for having that, um, headline about- do you remember when- Yeah. 42:37.130 --> 42:39.031 The guy from Star Trek came out and they- What was it again? 42:39.051 --> 42:40.172 Beamed me up body or something? 42:40.192 --> 42:40.712 Oh, that's right. 42:40.912 --> 42:42.153 And we were saying it was a disgrace. 42:42.213 --> 42:42.913 How hypocritical. 42:42.933 --> 42:43.614 And now here we are. 42:44.574 --> 42:47.027 OK, to set things back on the right track, here's David Bowie. 43:02.105 --> 43:05.547 Yes, it is in the dock time here on the Adam and Jo radio show on XFM. 43:06.187 --> 43:13.191 This is the part of the show where you get to vote what song we play the show out with, even though we're 20 minutes away from the end of the show. 43:13.211 --> 43:19.215 We're going to take five calls and everyone who comes on air is going to win a set of six U2 albums. 43:19.955 --> 43:38.486 that's six cds each each all by the greatest band in the world right yeah i mean that's not my opinion maybe the biggest band in the world yeah okay the biggest band in the world u2 so that's uh how's that noise sorry i was moving my michael um there we go so brilliant prizes the number is 0 8 7 1 2 2 2 1 0 4 9 0 8 7 1 2 2 2 1 0 4 9 and this week's 43:42.748 --> 43:45.390 theme is, sorry little burp, is what? 43:45.410 --> 43:48.351 Little bit of wind, is anti-drug songs. 43:48.432 --> 43:51.694 No no no no no to drugs, just you know, stop it. 43:51.894 --> 44:00.419 Inspired by the government hoo-ha about whether they should downgrade or upgrade cannabis as a Class C or Class C drug. 44:00.879 --> 44:04.960 Yeah, as a kind of smokescreen for the Ruth Kelly affair, some people are saying. 44:05.200 --> 44:06.301 Okay. 44:07.001 --> 44:13.503 And anyway, I was thinking there's, you know, there's a lot of songs about drugs, but there's also a lot of songs that are anti drugs. 44:14.443 --> 44:19.044 And I was listening to one earlier this week, and you could argue that the song that I've brought in, shall I start? 44:19.065 --> 44:19.485 Shall I pick my first? 44:19.505 --> 44:20.305 Why don't you start? 44:20.345 --> 44:20.505 Yes. 44:20.825 --> 44:25.388 OK, it's a track called The Good Times Are Killing Me by Modest Mouse. 44:25.908 --> 44:29.091 And I believe this was on their last album. 44:29.311 --> 44:32.793 It was the album that had that hit that we played a lot on XFM, Float On. 44:33.734 --> 44:36.275 Anyway, The Good Times Are Killing Me is a great song. 44:36.295 --> 44:40.538 And it seems to be about, well, it's fairly self-explanatory. 44:40.578 --> 44:46.662 It's just about some guy sort of lamenting the fact that his idea of a good time is to go out and get loaded. 44:46.702 --> 44:50.445 And basically he just lives to distract himself from reality. 44:51.125 --> 44:55.007 And the very thing that he is living for is the thing that is killing him. 44:55.668 --> 44:55.968 OK? 44:56.568 --> 44:57.248 How ironic is that? 44:57.268 --> 44:58.249 But it's a good song anyway. 44:58.829 --> 45:00.950 And I might be reading too much into it. 45:02.591 --> 45:05.133 But I want you to vote for Modest Mouse and the good times are killing me. 45:05.513 --> 45:05.833 So there you go. 45:05.853 --> 45:08.314 If you want to hear Modest Mouse, call 0 8 7 1 triple 2 1 0 4 9. 45:09.435 --> 45:11.516 Or your alternative choice is Shinehead. 45:12.196 --> 45:13.977 Now Shinehead is a sort of a toaster. 45:14.398 --> 45:14.618 Yeah. 45:14.798 --> 45:15.038 Yeah. 45:15.278 --> 45:15.858 An emcee. 45:16.139 --> 45:16.879 Very, very famous. 45:17.039 --> 45:17.479 You would imagine. 45:18.880 --> 45:20.861 would probably be partial to some drugs. 45:21.122 --> 45:23.103 Well, a major problem is crack. 45:23.683 --> 45:27.105 A major problem with XFM listeners, a lot of XFM listeners are on crack. 45:28.146 --> 45:29.267 You know who you are out there. 45:30.247 --> 45:35.131 And it's time to stop because it's a very dangerous drug and Shinehead's recorded this song called Gimme No Crack. 45:35.891 --> 45:36.792 Don't give me any crack. 45:36.852 --> 45:37.612 I don't want the crack. 45:38.113 --> 45:39.233 And it's a fantastic song. 45:39.994 --> 45:41.375 The chorus goes, I'm real cool. 45:41.675 --> 45:42.475 I'm chill to the max. 45:42.716 --> 45:44.677 I might act crazy, but I don't smoke crack. 45:44.837 --> 45:45.758 I remember that track. 45:45.778 --> 45:47.359 We have played it before, several months ago. 45:47.379 --> 45:48.059 It's a good crack track. 45:48.079 --> 45:48.659 And it's fantastic. 45:48.699 --> 45:49.780 I'm not expecting it to win. 45:51.281 --> 45:51.641 But there you go. 45:51.661 --> 45:55.924 If you want to hear Shinehead, 0 8 7 1 triple 2 1 0 4 9, and you will never smoke crack again. 45:55.944 --> 45:56.204 Absolutely. 45:56.224 --> 45:57.245 That's something I can guarantee. 45:57.505 --> 45:59.467 It's between Modest Mouse and Shinehead. 45:59.507 --> 46:00.787 Get calling right now. 46:09.159 --> 46:10.120 Love music. 46:10.240 --> 46:10.880 Love XFM. 46:45.864 --> 46:47.944 That's mighty Coldplay. 46:48.004 --> 46:49.945 That's Kraftwerk featuring Coldplay. 46:50.285 --> 46:50.885 Yeah, that's true. 46:51.286 --> 46:54.007 That's a collaboration between Coldplay and Kraftwerk. 46:54.067 --> 46:54.947 Let's put it that way. 46:55.107 --> 46:56.007 And it's called Talk. 46:56.367 --> 46:57.828 This is Adam and Joe on XFM. 47:01.741 --> 47:05.222 So this week's Ditty's in the Dock is anti-drug songs. 47:06.082 --> 47:12.284 It's Modest Mouse with The Good Times Are Killing Me versus Shinehead with Gimme No Crack. 47:12.864 --> 47:14.165 Don't Gimme No Crack, Crack. 47:14.745 --> 47:18.826 And we've got five callers on the line, all of whom have won six U2 albums. 47:19.166 --> 47:20.366 So that's good news for Tim. 47:20.386 --> 47:20.886 Hello, Tim. 47:21.287 --> 47:21.647 Hello. 47:21.867 --> 47:22.827 Is that good news, Tim? 47:23.547 --> 47:25.948 About as good news as the Coldplay track. 47:26.522 --> 47:29.563 Hey, so, yeah, so that is good news, isn't it? 47:29.843 --> 47:30.363 Obviously. 47:31.484 --> 47:32.864 So what are you going for, Tim? 47:33.204 --> 47:34.384 I'm going to go for the crack song. 47:35.245 --> 47:37.265 Have you got a problem with crack, and if so, how bad is it? 47:37.325 --> 47:41.667 I've just run out, so I don't want anyone else to enjoy themselves on Saturday afternoon. 47:41.727 --> 47:46.488 Easy to get a hold of, just walk down the street muttering crack, and eventually someone will give you some. 47:46.968 --> 47:47.629 Oh, it doesn't work. 47:48.369 --> 47:48.949 It doesn't work? 47:48.969 --> 47:49.529 No, no. 47:50.570 --> 47:51.670 No, I try it quite a lot, but no. 47:52.250 --> 47:54.012 OK, well, thank you very much, Tim. 47:54.052 --> 47:55.533 I think you do need to take some more crack. 47:56.013 --> 47:56.414 OK, thank you. 47:56.434 --> 47:57.775 But thank you for voting for Shinehead. 47:57.795 --> 48:00.057 That's one nil to me, Joe. 48:00.677 --> 48:03.640 And, er, of course, Joe's just being humorous there, kids. 48:04.200 --> 48:09.044 Not encouraging anyone to actually go out and talk about crack or take it or anything like that. 48:09.064 --> 48:10.065 Of course, yeah, it's absurd. 48:10.205 --> 48:10.946 It's absurd. 48:11.206 --> 48:12.447 If you touch it, you're insane. 48:12.607 --> 48:13.248 Yeah, exactly. 48:13.308 --> 48:15.510 Well, I would go for that, certainly. 48:15.650 --> 48:16.330 Alice, are you there? 48:16.911 --> 48:17.251 Hello. 48:17.491 --> 48:18.272 How are you doing, Alice? 48:18.692 --> 48:18.932 I'm OK. 48:19.813 --> 48:22.014 Oh, you don't sound okay, you sound pretty depressed. 48:22.295 --> 48:23.615 Oh, I've been doing homework. 48:24.836 --> 48:26.297 What kind of homework have you got sort of thing? 48:27.017 --> 48:27.458 Er, art. 48:28.118 --> 48:28.218 Art? 48:28.238 --> 48:29.419 There's nothing depressing about art. 48:29.459 --> 48:30.219 Come on, art homework! 48:30.279 --> 48:31.840 Life is serious, art is fun. 48:31.980 --> 48:33.321 What's the project you've got? 48:34.082 --> 48:35.923 Oh, it's at the moment, it's fashion and waste. 48:36.503 --> 48:37.384 Fashion and waste? 48:38.124 --> 48:39.445 Well, they're inextricably linked. 48:39.705 --> 48:44.608 So you're making dresses out of bottle tops and bin bags and stuff like that? 48:44.928 --> 48:47.510 Well, I'm doing illustration on stuff like that, so yeah. 48:47.984 --> 48:50.005 Not even making that does sound a bit depressing. 48:50.165 --> 48:50.785 I sympathise. 48:50.805 --> 48:52.686 So what are you going to go for, Alice? 48:53.047 --> 48:54.607 I'm sorry, I'm going to go for Modest Mouse. 48:54.768 --> 48:55.968 Don't apologise, that's fine. 48:56.649 --> 48:57.569 That's one all there. 48:58.269 --> 48:59.910 Yeah, one to Shinehead, one to Modest Mouse. 48:59.930 --> 49:01.191 You win those U2 albums. 49:01.871 --> 49:03.992 If you don't like them, you can smash them up and make them into a dress. 49:05.173 --> 49:06.033 Brilliant. 49:06.093 --> 49:07.154 Thanks a lot for calling, Alice. 49:07.294 --> 49:08.195 Now, Freddie's on the line. 49:08.215 --> 49:08.935 How are you doing, Freddie? 49:09.615 --> 49:10.516 How's that, Troy? 49:10.716 --> 49:11.676 Yeah, very good, thank you. 49:12.457 --> 49:13.757 How are you, Freddie? 49:13.857 --> 49:14.558 What's up with you today? 49:15.861 --> 49:16.742 No, nothing's up with me. 49:16.802 --> 49:17.402 I'm pretty cool. 49:17.722 --> 49:18.082 Yeah, come on. 49:18.102 --> 49:18.903 You've got to give us something. 49:19.223 --> 49:23.305 Any kind of activity, any piece of information at the moment you're just a man to us. 49:23.826 --> 49:24.386 Give us something. 49:25.226 --> 49:26.847 The skip in front of me is very full. 49:27.428 --> 49:28.028 Full skip? 49:29.069 --> 49:30.269 Of other people's Christmas trees? 49:31.190 --> 49:31.710 And pallets. 49:31.990 --> 49:32.570 And pallets. 49:32.931 --> 49:33.791 Oh, I love a good pallet. 49:34.652 --> 49:35.712 That's a great story, man. 49:35.752 --> 49:36.513 Thanks a lot, Freddie. 49:36.533 --> 49:37.513 What are you going to vote for? 49:37.593 --> 49:40.835 Is it going to be Modest Mouse or Shinehead with his crack song? 49:41.555 --> 49:42.136 Modest Mouse. 49:42.976 --> 49:44.137 Are you a Modest Mouse fan, Freddie? 49:45.211 --> 49:48.173 I'm only aware of the floats on. 49:48.354 --> 49:48.914 Yeah, yeah. 49:48.974 --> 49:54.640 I hadn't really heard much of them before and this tune popped up on the iPod and I thought, hey, that's good. 49:54.920 --> 49:55.461 I like it. 49:55.621 --> 49:56.862 I'm going to revisit this album. 49:57.082 --> 49:58.484 So anyway, Freddie, thanks a lot for your call. 49:59.084 --> 50:00.125 Have fun with the skip. 50:00.386 --> 50:01.206 Geoff, are you there? 50:01.226 --> 50:02.067 Hi there. 50:02.107 --> 50:04.850 Hey, Freddie can put the U2 albums in the skip if he doesn't like them. 50:05.931 --> 50:06.571 Jeff, how are you doing? 50:06.591 --> 50:07.872 Thanks for laughing, Jeff. 50:08.152 --> 50:09.073 Are you a U2 fan? 50:10.414 --> 50:12.775 Pretend you are, pretend you are, pretend you are. 50:12.996 --> 50:14.256 Good, good, good. 50:14.456 --> 50:14.817 Excellent. 50:15.217 --> 50:17.338 And we better keep this brief because we're running out of time. 50:17.618 --> 50:18.659 Jeff, which are you going to go for? 50:18.699 --> 50:19.940 Is it Modest Mouse or Shinehead? 50:21.741 --> 50:22.801 Hey, good man. 50:22.901 --> 50:23.462 Well done, Jeff. 50:23.482 --> 50:24.042 Very good taste. 50:24.102 --> 50:28.343 It's amazing on top, you see, and it's very shiny on top of my head, so... Is it? 50:28.363 --> 50:29.023 Well, there you go. 50:29.463 --> 50:31.524 You are, in a way, brothers with Shinehead. 50:31.544 --> 50:32.084 The smooth to all. 50:32.124 --> 50:33.345 So that's big to Jeff. 50:33.425 --> 50:35.365 OK, so it's... This is extraordinary. 50:35.385 --> 50:36.606 This is the deciding vote now. 50:36.686 --> 50:37.506 Danny, hello, Danny. 50:37.526 --> 50:38.306 Hey, hey. 50:38.406 --> 50:39.767 There's a great burden on your shoulders. 50:39.787 --> 50:41.627 You have an enormous responsibility. 50:41.787 --> 50:43.088 Reponsibility, I nearly said. 50:44.048 --> 50:44.428 Are you ready? 50:44.448 --> 50:45.068 Are you up to it? 50:45.829 --> 50:46.409 I think so. 50:46.509 --> 50:47.169 I'm just about ready. 50:48.110 --> 50:50.152 Can we learn something about you first, Danny? 50:50.632 --> 50:51.493 What are you up to today? 50:51.994 --> 50:54.516 What I'm up to, I'm revising for an exam. 50:54.556 --> 50:55.237 What exam is it? 50:55.618 --> 50:56.599 It's a physics exam. 50:56.899 --> 50:58.120 Physics nightmare! 50:58.140 --> 51:00.102 Our sympathies are very firmly with you. 51:00.423 --> 51:02.084 That's got to be the most... Are you any good? 51:03.005 --> 51:03.606 Not particularly. 51:03.666 --> 51:05.448 I've lagged my way through plenty of exams, still good. 51:05.956 --> 51:07.857 Physics is mystifying stuff. 51:07.917 --> 51:09.017 It was mystifying in our day. 51:09.057 --> 51:09.978 Imagine what it's like now. 51:09.998 --> 51:11.799 They've probably got new physics to deal with. 51:11.839 --> 51:13.539 Oh, man. 51:13.840 --> 51:15.200 Anyway, Danny, what are you going to go for? 51:15.260 --> 51:17.461 Is it Shinehead or Modest Mouse to play us out? 51:17.661 --> 51:19.722 Oh, that's a surprise. 51:19.762 --> 51:21.543 I really thought it was just have some crack. 51:23.524 --> 51:26.265 No, you can't even joke about that kind of thing. 51:26.285 --> 51:26.465 What? 51:26.546 --> 51:28.446 They don't tolerate jokes about drugs at all. 51:28.967 --> 51:29.387 Who doesn't? 51:29.607 --> 51:30.067 The world. 51:30.287 --> 51:30.688 The world? 51:30.728 --> 51:31.408 Everyone knows how to joke. 51:31.448 --> 51:32.188 The business world. 51:32.308 --> 51:36.290 Yeah, but it's like when you make jokes about bombs at airports, you know, they just arrest you. 51:36.350 --> 51:36.971 They're not up for it. 51:36.991 --> 51:37.171 Really? 51:37.231 --> 51:39.852 Yeah, they have the big signs that say, don't joke about bombs. 51:39.932 --> 51:41.733 It's the same in radio stations with drugs. 51:41.773 --> 51:42.233 Crikey. 51:43.734 --> 51:45.435 Anyway, thank you very much, Danny, for your call. 51:45.595 --> 51:50.417 Weirdly, this ties in with our, you know, name of Brokeback Mountain style gay films competition. 51:50.677 --> 51:50.957 Oh, yeah? 51:51.097 --> 51:51.678 Give me no crack. 51:52.738 --> 51:59.403 Thank you very much nice nicely tied up there and before we play our final track Thanks very much to everyone who called and texted today. 51:59.463 --> 51:59.943 Incidentally. 52:00.223 --> 52:22.018 We have to say goodbye to Lila She's been our producer now for about three years or something She's turned us from gibbering idiots into the kind of media geniuses that you're listening to now and we really appreciate it Lila you're attractive and you know what your job is and you're attractive and you've got a really filthy mouth and You're a brilliant producer and you're attractive 52:22.558 --> 52:23.819 so we're gonna miss you very much. 52:24.319 --> 52:25.279 Thanks, thanks a lot, Lila. 52:25.440 --> 52:26.180 Thank you for everything. 52:26.360 --> 52:27.400 We've got a card for you, look. 52:27.621 --> 52:28.601 Here, we've got a card. 52:29.161 --> 52:29.662 Thank you. 52:29.902 --> 52:31.582 And Joe's got a special present for you. 52:31.602 --> 52:33.984 This is from, this is from both of us. 52:34.664 --> 52:36.345 Yeah, here we go, Lila, look at that. 52:36.705 --> 52:37.425 Isn't that good? 52:37.925 --> 52:39.846 It's the cheapest iPod on the market. 52:40.066 --> 52:41.607 That is it, it's the iPod Shuffle. 52:41.827 --> 52:43.208 Not even an iPod, it's just a Shuffle. 52:43.308 --> 52:44.629 And here's some champagne for you. 52:45.649 --> 52:45.769 Oh. 52:45.889 --> 52:46.309 This is nice. 52:46.590 --> 52:49.231 I'm gonna have to do my job, though, because we're gonna have to go to the track quite quickly. 52:49.351 --> 52:50.852 Yeah, okay, fair enough, fair enough. 52:50.912 --> 52:51.712 I love you, thank you. 52:52.264 --> 52:52.884 Bye, Lila. 52:53.184 --> 52:53.945 Have a good time. 52:54.005 --> 52:54.545 Be lucky. 52:55.085 --> 52:56.406 And, er, thanks very much for listening. 52:56.426 --> 52:57.386 We'll be with you next week. 52:57.506 --> 52:59.447 Here's Modest Mouse with The Good Times Are Killing Me. 53:21.141 --> 53:31.567 Dirt got air, got water, now I know you can carry on Shoved off, short sighted, false assignment, and what can I say? 53:31.647 --> 53:37.890 Have one, have twenty more, one more, and it does not really matter 53:53.700 --> 54:16.487 Good times are killin' me Kick, butt, bust, cut, dickhead spin like what I said Good times are killin' me Just clenched tight, we talked all night about what the hell did we say Good times are killin' me 54:24.342 --> 54:30.238 Good times are killing me Good times are killing me 54:52.891 --> 55:18.122 Need more sleep than cocoa milk and feta milk late nights with milk and whiskey I guess the good times, they were all just killing me 55:27.110 --> 55:31.371 The good times are killing me. 55:31.531 --> 55:37.333 I'm not there on the dock to make myself a good hero. 55:37.413 --> 55:39.014 The good times are killing me. 55:39.374 --> 55:46.676 Half one, half twenty more, one more, send the windows through the village. 55:46.996 --> 55:50.437 The good times are killing me. 55:50.857 --> 55:56.819 You should get this in as late as you want. 55:57.834 --> 56:01.915 The good times are killing me The good times are killing me 56:38.260 --> 56:38.381 12XFM