WEBVTT 00:00.992 --> 00:04.983 She'll speak when she's spoken to 00:07.970 --> 00:09.991 Yes, that was Munich by the editors. 00:10.391 --> 00:13.312 We're introducing them at the XFM Winter Wonderland tomorrow night. 00:13.492 --> 00:14.052 Yeah, that's right. 00:14.072 --> 00:16.072 About 7.30, is it? 00:16.112 --> 00:16.652 Yeah, yeah. 00:16.772 --> 00:18.613 I'm getting there for five, though, to see what are they called? 00:18.633 --> 00:19.373 The Funky Monkeys. 00:19.953 --> 00:21.254 The Monkey Junkies. 00:21.434 --> 00:22.234 The Monkey Junkies. 00:22.434 --> 00:23.034 What are they called? 00:23.254 --> 00:24.935 The Kiddie Band, what won the competition. 00:24.955 --> 00:25.815 Lila, what are they called? 00:25.835 --> 00:26.435 Flaming Monkeys. 00:26.535 --> 00:27.736 The Flaming Monkeys, yeah. 00:27.776 --> 00:28.316 Flaming Monkeys. 00:28.356 --> 00:29.856 That's always, for me, the high spot of the night. 00:30.076 --> 00:33.217 So are they like a hybrid of The Flaming Lips and the Arctic Monkeys? 00:33.397 --> 00:33.577 Yes. 00:34.077 --> 00:34.637 Yeah, kind of. 00:34.777 --> 00:35.998 And is that what their sound is? 00:37.358 --> 00:37.478 What? 00:37.498 --> 00:40.240 They're doing a cover of something, aren't they? 00:40.260 --> 00:41.141 They've got a cover of something. 00:41.161 --> 00:41.521 What is it? 00:42.622 --> 00:43.202 Oh, come on. 00:43.702 --> 00:45.103 We don't know anything. 00:45.623 --> 00:46.624 Hello, this is Adam and Jo. 00:46.764 --> 00:49.806 We're here with you until three this afternoon. 00:49.966 --> 00:50.546 Thanks a lot for joining us. 00:50.566 --> 00:51.847 What are we going to say about the editors? 00:51.867 --> 00:52.547 Sorry to interrupt. 00:52.848 --> 00:53.368 What, tomorrow? 00:53.388 --> 00:54.549 We'll think of something. 00:54.829 --> 00:56.190 It's best to leave it till the last minute. 00:56.250 --> 00:58.251 Did we ask people already for suggestions? 00:58.551 --> 00:59.812 No, but we could do that today. 00:59.992 --> 01:01.653 Yeah, because we'll do anything you want us to. 01:01.673 --> 01:01.973 Yeah. 01:02.153 --> 01:05.215 I reckon we've got about between two and three minutes. 01:05.535 --> 01:06.837 OK, that could be our text to this week. 01:06.857 --> 01:07.559 On the stage. 01:07.719 --> 01:12.847 We've got lots of prizes, we've got War of the Worlds DVDs, we've got tickets for Embrace, tickets for Ocean Colour Scene. 01:14.278 --> 01:26.401 do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do do 01:39.264 --> 01:40.545 It's hard to- it's gonna be hard to beat that. 01:40.565 --> 01:41.146 Hard to beat that. 01:41.206 --> 01:42.127 What rhymes with editors? 01:42.427 --> 01:46.871 So if you've got an idea of how we can introduce them, text 83XFM and do our job for us. 01:46.912 --> 01:48.753 Doesn't have to be that same rhyming format. 01:48.793 --> 01:49.554 It could be anything. 01:49.694 --> 01:50.675 Just anything entertaining. 01:50.735 --> 01:52.017 A short scripted drama. 01:52.057 --> 01:52.297 Yeah. 01:53.138 --> 01:55.880 And I tell you what, part of the prize could be to get name checks on the stage. 01:56.281 --> 01:56.441 Yeah. 01:56.681 --> 02:00.302 Yeah, that would be exciting, in front of 50 million people, or however many people are gonna be there. 02:00.322 --> 02:00.582 50 million. 02:01.083 --> 02:02.063 50 million, that was the correct number. 02:02.083 --> 02:04.704 Plus, there's the, uh, it's going out live all over the world. 02:05.184 --> 02:07.805 Exactly, it is going out live all over the world, isn't it, via the internet. 02:07.825 --> 02:09.266 So, there's gonna be 8 billion people. 02:09.426 --> 02:09.666 Yeah. 02:09.866 --> 02:11.046 Or whatever it is within the world. 02:11.086 --> 02:15.388 So many exciting things, we've got Diddy's in the Dot coming up as well, uh, plus we're gonna do a celebrity regression. 02:15.828 --> 02:16.308 Yeah. 02:16.808 --> 02:18.189 Uh, and lots of stuff to talk about. 02:18.869 --> 02:36.082 absolutely deal or no deal I want somebody you preferably Joe Cornish to explain what is going on good so I'm gonna get in with a free play nice and early right now here's a bit of Gary Newman I don't know if I've played this one or not but not for a while anyway this is uncharacteristic Newman guitar bass then it's called Joe the waiter 02:45.333 --> 02:46.193 Gary Newman. 02:46.233 --> 02:47.414 That was a very abrupt ending. 02:47.654 --> 02:47.954 Yes. 02:47.974 --> 02:48.594 From the Newmanoid. 02:48.614 --> 02:49.454 No messin'. 02:49.654 --> 02:50.774 Joe the Waiter, that's called. 02:51.315 --> 02:52.995 So, yeah, last, uh, Saturday- Hang on. 02:53.095 --> 02:53.515 Sorry, man. 02:54.175 --> 02:57.216 Can I just, uh, do a little call back to what we were saying before that record? 02:57.276 --> 02:57.736 Oh, yeah, yeah. 02:58.036 --> 02:59.497 Uh, we mustn't call them the editors. 02:59.677 --> 03:00.937 I mustn't call them the editors. 03:01.097 --> 03:01.397 Right. 03:01.417 --> 03:03.698 That's the stupidest thing to do in the world! 03:03.738 --> 03:05.098 Who just wrapped you on the knuckles for that? 03:05.118 --> 03:07.059 Uh, uh, uh, uh, uh, Patrick. 03:07.739 --> 03:09.660 Patrick, is he a listener or is he an ex-FM person? 03:09.700 --> 03:10.820 He's a- no, he's a texter. 03:11.180 --> 03:11.501 He's a texter. 03:11.521 --> 03:12.441 He's a listener and a texter. 03:12.481 --> 03:12.681 Yeah. 03:12.701 --> 03:14.302 But that's the stupidest thing you could possibly do. 03:14.322 --> 03:16.763 Stupidest thing anyone could possibly do, you idiot. 03:16.783 --> 03:17.923 You big square idiot. 03:17.943 --> 03:21.584 I- cos I sh- I saw, uh, Sean Keaveney earlier in the week. 03:21.765 --> 03:22.705 Jammy tits. 03:22.965 --> 03:23.865 At that party. 03:23.965 --> 03:24.866 Don't say jammy tits. 03:24.886 --> 03:25.086 Sorry. 03:25.746 --> 03:27.107 Er, that we both went to. 03:27.347 --> 03:27.587 Right. 03:27.627 --> 03:30.508 He was there and, erm... He's an XFM DJ. 03:30.548 --> 03:33.350 That's right, I was asking him for some advice about, er... DJing. 03:33.390 --> 03:35.151 ..with Wonderland and DJing... Yeah. 03:35.251 --> 03:41.493 ..and being cool, and he gave me as many tips as he could, but, yeah, he did mention the Don't Call Them The Editors thing. 03:41.513 --> 03:43.975 Let's call... Well, that's what we should do, we should call them The Editors. 03:44.015 --> 03:44.795 Do you reckon, to wind them up? 03:44.815 --> 03:45.996 Yeah, just over and over again. 03:46.336 --> 03:47.696 Cos that's rock and roll in a way, isn't it? 03:47.716 --> 03:50.578 Yeah, why would you not have a the on the name of your band? 03:50.638 --> 03:52.939 It's a very common thing in music, isn't it? 03:53.772 --> 03:55.773 Well, yeah, it's just a different way of going, isn't it? 03:55.793 --> 03:57.694 Yeah, but it's a bit pretentious. 03:58.294 --> 03:59.075 What's wrong with a the? 03:59.435 --> 04:00.516 And what much difference does it make? 04:00.536 --> 04:03.037 I mean, Talking Heads, for instance, are they the Talking Heads or Talking Heads? 04:03.417 --> 04:04.358 You know, opinions vary. 04:04.378 --> 04:04.678 Nobody knows. 04:04.718 --> 04:05.078 Really? 04:05.098 --> 04:05.618 On the albums. 04:05.718 --> 04:07.019 What does it say on the albums? 04:07.119 --> 04:08.300 It's just Talking Heads. 04:08.320 --> 04:08.700 Talking Heads? 04:08.720 --> 04:09.140 Well, there you go. 04:09.160 --> 04:10.781 Do they get angry if you don't put a the in front? 04:10.981 --> 04:11.481 Possibly. 04:12.922 --> 04:13.162 Why? 04:13.182 --> 04:14.163 I think it's stupid. 04:14.543 --> 04:16.064 Because it's a statement of some kind. 04:16.704 --> 04:20.566 Originally, they start out thinking, we're not just like all the other the bands, we're different. 04:20.626 --> 04:21.687 It's not like you're putting an an. 04:22.893 --> 04:23.454 or a them? 04:24.034 --> 04:25.015 What, and talking heads? 04:25.476 --> 04:26.036 And editors. 04:27.738 --> 04:28.779 Them, them editors. 04:29.600 --> 04:30.360 Thine editors. 04:30.520 --> 04:32.743 It's not as if it makes a nonsense of the name of the band. 04:33.063 --> 04:35.485 Well, er, what's the difference between the editors and editors? 04:35.926 --> 04:37.387 Oh, here are the editors. 04:37.948 --> 04:39.269 Here are editors. 04:40.770 --> 04:41.932 What's the grammatical difference? 04:42.532 --> 04:45.914 Well, here are some editors, not- not the specific editors. 04:45.974 --> 04:49.076 Oh, so if it's editors, they are all- they are all the editors that matter. 04:49.116 --> 04:51.338 They just- they just happen- no, they just happen to be editors. 04:51.658 --> 04:53.979 Oh, so they're not the- they're not special editors, they're just editors. 04:54.019 --> 04:57.581 Yeah, they're just- Whereas if they were the editors, then they're kind of putting themselves on a pedestal. 04:57.601 --> 04:57.982 Exactly. 04:58.022 --> 04:59.563 We are the only editors. 04:59.583 --> 05:01.004 In a way, they're being self-effacing. 05:01.024 --> 05:02.905 They're saying, hey, listen, we're not- They're being humble. 05:03.065 --> 05:03.205 Yeah. 05:03.225 --> 05:04.065 Okay, I'm down with that. 05:04.085 --> 05:04.426 That's cool. 05:04.446 --> 05:04.526 Okay. 05:04.546 --> 05:05.466 We've got to the bottom of that. 05:05.486 --> 05:05.887 Yeah, good. 05:06.087 --> 05:06.327 Yeah. 05:07.858 --> 05:09.699 We should play some more music now, I'm exhausted. 05:09.719 --> 05:09.779 Why? 05:10.280 --> 05:11.600 Well, because of the conversation. 05:11.901 --> 05:11.981 Oh. 05:12.301 --> 05:15.122 I'm knackered, but listen, I really want you to explain deal or no deal, okay? 05:15.442 --> 05:16.063 Are you in a position? 05:16.083 --> 05:16.183 Deal. 05:16.583 --> 05:16.783 Yeah? 05:16.983 --> 05:17.284 Deal. 05:17.424 --> 05:17.664 Deal. 05:17.724 --> 05:18.024 Good one. 05:18.204 --> 05:23.567 Let's play the magic numbers and, uh, and some adverts and we'll be back very shortly for some deal or no deal explanations. 05:33.689 --> 05:36.430 Yep, that's the magic numbers with Love Me Like You. 05:36.571 --> 05:37.971 This is Adam Buxton. 05:38.952 --> 05:39.852 And I'm Joe Cornish. 05:40.292 --> 05:42.554 And we're on XFM this Saturday afternoon. 05:42.574 --> 05:43.834 We'll be back very, very shortly. 05:58.273 --> 05:59.874 Hello, Adam and Joe here on XFM. 06:00.094 --> 06:01.315 That was cash machine, man. 06:01.355 --> 06:03.016 That was by the hard fire, yeah? 06:03.216 --> 06:07.319 So thanks to everybody who's texted in with suggestions of how to introduce the editors at Winter Wonderland tomorrow. 06:07.399 --> 06:10.161 We'll come back to those in a second, but there are some very good ones. 06:10.301 --> 06:12.742 And we were just talking about the fact that they're called editors. 06:12.762 --> 06:13.903 Did I just call them the editors again? 06:14.523 --> 06:15.664 It's impossible not to do. 06:15.684 --> 06:17.185 Of course you've got to call them editors. 06:17.725 --> 06:26.051 And someone suggested that we drop all the- we swap around, all the records we introduce in this show, we'll just call them- we'll drop any of these and add these if they don't have them. 06:26.071 --> 06:26.571 Do you know what I mean? 06:26.631 --> 06:27.932 Yeah, well I just did it with the hard five. 06:28.192 --> 06:30.134 Okay, and Coldplay becomes the Coldplay. 06:30.394 --> 06:31.395 Oh, but we're not gonna play them again. 06:31.475 --> 06:32.716 Magic numbers are just magic numbers. 06:33.717 --> 06:35.938 the hard fi- now what about Kaiser Chiefs? 06:35.978 --> 06:37.718 Are they the Kaiser Chiefs or Kaiser Chiefs? 06:37.738 --> 06:38.719 They're just Kaiser Chiefs. 06:38.739 --> 06:39.479 Steve Yeah. 06:39.499 --> 06:40.399 Ricky Not the Kaiser Chiefs. 06:40.419 --> 06:40.879 Steve They are for now. 06:40.899 --> 06:41.500 Ricky They are now. 06:41.520 --> 06:41.800 Steve Yeah. 06:41.820 --> 06:42.480 Ricky Anyway. 06:43.100 --> 06:50.643 So, Adam, competition time very shortly, but first I'd like to ask you, Joe Cornish, to explain the whole deal or no deal thing to me a little bit. 06:50.683 --> 06:58.025 I went home last Saturday, uh, after the show and watched it and I was really- I missed the first five minutes. 06:58.365 --> 06:59.186 Is it on on Saturdays? 06:59.246 --> 06:59.626 It must be. 06:59.766 --> 07:01.168 Yeah, Saturday afternoon on Channel 4. 07:01.948 --> 07:05.872 Yeah, well, I mean, most- hopefully most listeners out there will have seen it, cos it's a massive hit. 07:06.112 --> 07:06.813 Is it on every day? 07:06.973 --> 07:10.416 It's on every day, and if it's on Saturdays, then it must be on six days a week. 07:10.577 --> 07:10.817 Wow. 07:11.017 --> 07:12.138 So every day but God's Day. 07:12.498 --> 07:16.162 And it's exciting news for Noel Edmonds, who's been in trouble recently, hasn't he? 07:16.242 --> 07:18.244 He's been sitting in Crinkly Bottom with no work. 07:18.484 --> 07:19.525 he's been in the void. 07:19.685 --> 07:20.365 He's been in the void. 07:20.385 --> 07:25.988 He's a very wealthy man and he owns all sorts of real estate and helicopters and theme pubs, does he? 07:26.028 --> 07:27.348 Some stuff like that, something, I don't know. 07:27.709 --> 07:30.690 But anyway, he's back on telly and Deal or No Deal is a success. 07:30.750 --> 07:31.951 It's been recommissioned for a year. 07:32.711 --> 07:32.891 Really? 07:32.911 --> 07:33.892 So it's not going away. 07:34.272 --> 07:34.472 Wow. 07:34.552 --> 07:35.632 Did he come up with the format? 07:35.773 --> 07:37.613 No, it's, er, international format. 07:37.714 --> 07:37.874 Oh. 07:37.894 --> 07:42.156 It's a big hit in, in, er, Benilux type of countries. 07:42.836 --> 07:43.356 Benelux? 07:43.556 --> 07:43.816 Yeah. 07:44.156 --> 07:47.337 Yeah, I don't quite know what Benelux is, but you know, sort of European countries. 07:47.617 --> 07:48.958 So what's your problem, Adam? 07:48.978 --> 07:50.958 Why don't you- Just don't understand what's happening. 07:51.118 --> 07:52.459 Don't understand anything about it. 07:52.479 --> 07:55.860 20 boxes, 20 different sums of money ranging from 1p to £250,000. 07:55.900 --> 07:56.120 Yeah. 07:56.540 --> 08:00.961 Uh, contestant picks one box at random, no knowledge of what's inside it. 08:01.342 --> 08:01.542 Yeah. 08:02.102 --> 08:09.104 Uh, then has to open boxes, three at a time, while a mysterious banker attempts to buy the contents of her box. 08:10.077 --> 08:11.919 This is- that sounds dirty, doesn't it? 08:11.939 --> 08:13.281 That's a different programme. 08:13.301 --> 08:13.621 Yeah. 08:14.362 --> 08:15.203 But I don't- what? 08:15.283 --> 08:17.085 It's a better pro- I'm thinking about the other programme now. 08:17.105 --> 08:18.967 No, so am I. Please stop thinking about it. 08:19.347 --> 08:20.088 Twenty boxes. 08:20.869 --> 08:21.149 What? 08:21.370 --> 08:22.271 Buy my box. 08:23.031 --> 08:24.573 With mystery things inside them. 08:25.314 --> 08:26.695 Oh, it's for the adult channel. 08:27.376 --> 08:27.716 Hello? 08:27.996 --> 08:30.557 So, I don't understand, though, exactly what the role of the banker is. 08:30.577 --> 08:33.118 So, I'm- okay, say I'm- I'm the contestant, right? 08:33.138 --> 08:33.398 Yes. 08:33.578 --> 08:37.639 I've got those 20 boxes, so I say- So, first of all, I pick the box, right? 08:37.659 --> 08:37.839 20 boxes. 08:37.859 --> 08:39.180 Stop saying boxes in that way. 08:39.220 --> 08:39.960 Well, you've got 20. 08:40.480 --> 08:41.620 Don't be like that. 08:42.300 --> 08:45.021 Um, so if I pick box number three- Yeah. 08:45.161 --> 08:46.842 Maybe I should- should we say packet instead? 08:47.562 --> 08:48.542 Well, that's even worse. 08:48.562 --> 08:49.523 That's not better, is it? 08:50.323 --> 08:51.723 Uh, all right then, parcel. 08:52.203 --> 08:52.443 Yeah. 08:52.503 --> 08:53.384 I pick parcel three. 08:54.404 --> 09:10.534 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 09:22.561 --> 09:23.703 Oh, I can't explain it. 09:24.103 --> 09:26.346 He's tr- he's tr- ahh, someone out there explain it. 09:26.366 --> 09:28.629 Someone call 0-8-7-1-triple-two-one-o-four-nine. 09:28.909 --> 09:29.770 I'm getting all tongue-tied. 09:29.790 --> 09:30.831 It is quite complicated. 09:31.252 --> 09:33.655 But say you think- your box could have 1p in it. 09:33.795 --> 09:33.975 Yeah. 09:34.095 --> 09:35.757 And it could have quarter of a million in it. 09:35.897 --> 09:36.058 Yeah. 09:36.338 --> 09:39.762 So the only way to find out what it's got in it is to eliminate the remaining 19 boxes. 09:40.863 --> 09:44.988 And every time you eliminate one of the 19 boxes, you are reducing the number of options. 09:45.608 --> 09:45.728 OK? 09:45.869 --> 09:52.956 So if you- if- if say, she opens box- SAC number 10, and it's got quarter of a million in it, then there's no way quarter of a million's in her box. 09:53.837 --> 10:02.086 So the- the- the bankers try to ascertain how much is in the box, and offer her a sum less than that, you know, and pay as little as possible for the box. 10:02.691 --> 10:08.734 Right, so it's kind of a bet between the contestant and the banker as to what's in the box. 10:08.814 --> 10:13.116 Well the point is, the weird thing about Deal or No Deal is you could play it in about five seconds. 10:13.656 --> 10:16.137 Because you just go box, box, box, banker, yeah, no thanks. 10:16.418 --> 10:17.658 Basically no one takes the deal. 10:17.718 --> 10:19.339 If they take the deal, the show's over. 10:19.639 --> 10:19.819 Yeah. 10:20.099 --> 10:22.020 So nobody takes the deal at all. 10:22.321 --> 10:23.601 They always gamble till the end. 10:23.962 --> 10:30.845 So you could literally just go, er, box 19, well, I'm pence, box 20, 250, and it could be over in moments. 10:31.006 --> 10:31.146 Right. 10:31.166 --> 10:32.647 And you say no to the banker every time. 10:33.207 --> 10:34.267 The show's over in two minutes. 10:34.287 --> 10:41.512 Yeah, cos last week I saw Noel, er, his opening gambit when I was watching, was saying, listen, you've got to be careful to the new contestant. 10:41.732 --> 10:41.812 Mm. 10:41.932 --> 10:44.333 Because this show, this show really changes lives. 10:44.573 --> 10:46.955 You know, he was saying, this show changes lives. 10:46.975 --> 10:47.295 That's the deal. 10:47.515 --> 10:48.996 And I was thinking, you know, fine. 10:49.076 --> 10:53.159 So he's talking about people getting rich and going on holiday and stuff. 10:53.519 --> 11:00.504 And he went on to say, last week we had a man who gave up an important job, a great position in his company. 11:00.524 --> 11:02.665 I don't know why he gave it up exactly. 11:02.885 --> 11:07.749 But anyway, he basically gave away everything that was valuable to him and lost it all. 11:08.369 --> 11:10.570 And so his life was slightly ruined. 11:10.691 --> 11:14.893 So Noel was basically saying, you know, we trashed this guy's life last week. 11:14.953 --> 11:17.135 So you've got to be careful with the boxes. 11:18.176 --> 11:21.220 Well that's the thing, Noel is brilliant and he injects a sense of mystery and excitement. 11:21.520 --> 11:27.188 He walks around, he's an ambient presenter, and he doesn't care where he goes, sometimes he stands behind pillars where the cameras can't quite see him. 11:27.628 --> 11:29.711 And the cameras have to rush in and adjust their focus. 11:30.252 --> 11:33.736 The floor's very creaky as well, it's a wooden floor on Neil, uh, Neil or No Neil? 11:34.377 --> 11:35.318 On Deal or No Deal. 11:35.859 --> 11:37.541 so he makes a lot of noise as he walks around. 11:37.801 --> 11:41.545 He's unashamed to show his microphone pack on his little old wizened bum. 11:42.306 --> 11:43.467 He's got a tiny arm. 11:43.507 --> 11:44.628 He's got- he's a tiny man. 11:44.748 --> 11:45.088 Yeah. 11:45.409 --> 11:47.671 And his beard has become part of his face. 11:47.751 --> 11:50.694 I mean, it always was part of his face, but you can't tell the difference between the skin and the hair. 11:50.994 --> 11:51.255 Sure. 11:51.475 --> 11:52.616 It might just be painted on. 11:52.756 --> 11:54.258 It might just be painted- he's like George Lucas. 11:54.698 --> 11:57.301 If you took away the goatee, he'd be unrecognisable. 11:58.622 --> 11:59.923 And his neck's getting very odd. 12:00.123 --> 12:04.486 But I love Noel, cos I used to watch him on Saturday Morning, Swap Shop, whatever it was called. 12:04.506 --> 12:05.327 Absolutely. 12:05.347 --> 12:10.431 Er, yeah, well, Swap Shop, and then, erm, the one with the cars and the Lamborghinis racing around at the beginning. 12:10.451 --> 12:10.971 What was that one? 12:11.792 --> 12:13.032 Remember in the evening, Saturday evening? 12:13.052 --> 12:13.793 That wasn't quite set. 12:13.813 --> 12:14.033 No. 12:14.413 --> 12:15.314 Anyway, that's enough, Noel. 12:15.674 --> 12:17.175 Er, competition time coming up very shortly. 12:17.195 --> 12:18.416 Here's another free play for you right now. 12:18.456 --> 12:19.077 This is Eels. 12:34.815 --> 12:35.095 Yeah. 12:35.556 --> 12:37.637 Yeah, who was that, Adam, before you go into regression? 12:37.817 --> 12:38.617 That's the eels. 12:38.878 --> 12:40.499 Obviously, they're called eels, you see? 12:41.179 --> 12:42.300 What are they really called? 12:42.340 --> 12:42.820 Yeah, eels. 12:43.200 --> 12:44.021 So now they're called the eels. 12:44.121 --> 12:45.902 Yeah, cos we're mixing it all round. 12:45.962 --> 12:46.963 The eels. 12:47.043 --> 12:47.463 Yeah. 12:47.483 --> 12:47.903 The eels. 12:48.223 --> 12:48.504 What? 12:48.804 --> 12:50.325 It's, er, what's it called? 12:51.149 --> 12:52.130 Oh, er, Saturday morning. 12:52.430 --> 12:52.930 Yeah, thanks. 12:53.110 --> 12:54.271 Celebrity regression time. 12:54.291 --> 12:54.991 Oh, I'm confused. 12:55.372 --> 12:55.432 OK. 12:55.652 --> 12:56.672 Er, stand by your phones. 12:56.853 --> 12:57.873 0 8 7 1 triple 2 1 0 4 9. 12:58.494 --> 13:06.619 We've got copies of the Tom Cruise and Steven Spielberg film War of the Worlds about aliens, about confused aliens that don't really know what they're doing. 13:11.260 --> 13:15.601 I'm now about to regress Adam into the mind and films of a famous film star. 13:15.641 --> 13:20.042 All you have to do is tell us what three films he's been regressed into and what film star he's being. 13:20.162 --> 13:27.783 Remember, the voice is not necessarily indicative of the person, because when you are regressed, you know, you tend to become a bit confused, don't you? 13:28.063 --> 13:28.223 Yeah. 13:28.244 --> 13:28.384 Yeah. 13:28.564 --> 13:31.204 OK, so if you'd like to ring the ancient Chinese regression bell, please. 13:39.483 --> 13:41.164 So now, Adam is going to drift back. 13:42.084 --> 13:44.725 Drift back, drift back, breathe deeply, close his eyes, drift back. 13:47.026 --> 13:47.807 Back into childhood. 13:48.827 --> 13:50.248 Back into embryonic form. 13:51.028 --> 13:52.909 Into the form of the spermatozoa. 13:53.890 --> 13:55.450 Into a molecular form. 13:56.951 --> 14:00.053 And now he is going to enter the mind and body of a film star. 14:01.393 --> 14:04.395 And in a second he will wake up and describe what is around him. 14:05.415 --> 14:06.696 Adam, wake up, tell us what you can see. 14:08.457 --> 14:09.198 I'm in the boat. 14:09.678 --> 14:10.418 It's fast. 14:10.479 --> 14:11.679 It's a speedboat. 14:12.140 --> 14:13.240 It's going really fast. 14:13.280 --> 14:14.141 It's exciting. 14:14.481 --> 14:15.342 It doesn't belong to me. 14:15.382 --> 14:22.647 It belongs to my boss, who's the fellow from that film where people keep shagging his wife in front of him and he doesn't like it. 14:23.007 --> 14:31.633 Anyway, he said we could borrow the boat but he said to be careful of it because it's new and we have to be careful with the boat because it's a new speedboat. 14:31.713 --> 14:35.715 But foreign men have started shooting at it and he's on the phone now. 14:35.755 --> 14:38.137 He's not very happy because they can hear the shooting. 14:38.537 --> 14:44.200 And it's got to be done, though, cos we're in an exciting situation, so it's got to be done. 14:44.220 --> 14:45.861 That's why I'm doing it with the bolt. 14:46.421 --> 14:47.822 The shooting and the bolt. 14:48.142 --> 14:48.702 OK. 14:49.462 --> 14:52.764 That's film number one. 14:52.784 --> 14:52.764 08712221049. 14:53.244 --> 14:58.006 If you know what film that is, what star Adam is being... Adam, wake up and tell us what you can see. 14:59.369 --> 15:00.510 I'm in an office now. 15:00.570 --> 15:01.211 I'm in an office. 15:01.231 --> 15:02.792 I'm having a meeting with a lady. 15:03.253 --> 15:07.116 And she's going to do my party for me, which is nice of her. 15:07.136 --> 15:07.997 She's a nice lady. 15:08.037 --> 15:09.499 But she's ever so clumsy. 15:10.339 --> 15:11.961 It's funny how clumsy she is. 15:11.981 --> 15:13.062 And now we're on the street. 15:13.542 --> 15:15.804 And she's got her shoe stuck in a hole. 15:16.785 --> 15:18.947 Oh, no, there's a big wheelie bin racing towards her. 15:18.967 --> 15:20.669 It's just going to get flattened by the wheelie bin. 15:20.909 --> 15:23.111 But she can't run away because she loves her shoe. 15:23.611 --> 15:26.254 But I love her, so I'm going to save her from the wheelie bin. 15:26.574 --> 15:27.855 Oh, God, I hope I have time. 15:27.875 --> 15:31.519 I have to save her shoe from the whole... Just breathe. 15:32.660 --> 15:33.320 Breathe deeply. 15:33.881 --> 15:35.462 And now the third and final film. 15:35.642 --> 15:35.943 Remember, 08712221049. 15:37.764 --> 15:38.925 The moment you know the film. 15:39.846 --> 15:40.387 And the star. 15:40.947 --> 15:42.148 Finally, Adam, wake up to us so we can see. 15:43.231 --> 15:58.443 I'm in Washington in America and it's cold and freezing because I'm outside and I'm with my friend and she's got a pointy nose and she wants to go into space but I don't think she should go because it might be dangerous in space. 15:58.923 --> 16:00.845 So I think the other man should go instead. 16:01.366 --> 16:03.508 But she's ever so angry with me for saying so. 16:03.528 --> 16:07.592 But, um... So to make up for it, I'm giving her a special necklace. 16:07.952 --> 16:11.075 So she won't mind, because I'm a nice man, and that's why ladies like me. 16:11.135 --> 16:15.259 For some reason, I'm going to go now and have some cocoa and a big fat doobie. 16:15.359 --> 16:15.639 Bye! 16:16.696 --> 16:27.240 OK, Adam's going to remain in a regressed state now until someone calls in and correctly guesses the name of the film star, what he was inhabiting, and the films what were happening around him. 16:27.260 --> 16:29.321 0 8 7 1, triple 2, 1 0 4 9. 16:30.721 --> 16:32.042 For God's sake, call now! 17:09.229 --> 17:14.111 That was Kaiser Chiefs, not the Kaiser Chiefs, Kaiser Chiefs with Modern Way. 17:15.236 --> 17:17.316 You join us in the middle of celebrity regression. 17:17.356 --> 17:25.738 Adam's been regressed into the mind and films of a famous film star, and Jocelyn is on the line, cos she reckons she knows who he is. 17:26.418 --> 17:27.018 Hello, Jocelyn. 17:27.358 --> 17:27.618 Hi. 17:27.638 --> 17:28.538 How are you doing? 17:28.738 --> 17:29.498 I'm fine, thank you. 17:29.778 --> 17:31.879 I hear you are having a Mickey D's. 17:32.619 --> 17:33.079 Yeah, we are. 17:33.099 --> 17:34.179 We'll try to go and get it in a minute. 17:34.399 --> 17:35.019 You haven't got it yet? 17:35.039 --> 17:35.639 What are you going to get? 17:35.659 --> 17:37.400 I have no idea. 17:37.440 --> 17:38.360 Whatever takes my fancy. 17:38.500 --> 17:39.820 Who's that little squeaking person? 17:40.940 --> 17:41.340 Oh, no-one. 17:41.480 --> 17:42.901 It's me being in the car. 17:42.981 --> 17:43.281 Did you...? 17:43.301 --> 17:44.521 Oh, we've released a squeak. 17:46.562 --> 17:50.423 OK Jocelyn, listen, Adam's looking very tense, he is regressed, he's dribbling a bit. 17:51.444 --> 17:54.465 So, you think you know what the speedboat film was? 17:55.105 --> 17:56.025 Yep. 17:56.065 --> 17:56.605 What was that then? 17:56.905 --> 17:57.365 Sahara. 17:57.926 --> 17:58.206 Right. 17:58.566 --> 18:02.407 Do you know what the clumsy party lady? 18:02.427 --> 18:02.487 Yep. 18:02.727 --> 18:03.627 What do you think that was? 18:03.647 --> 18:04.248 The wedding planner. 18:04.528 --> 18:05.308 The wedding planner. 18:05.668 --> 18:07.509 What about the pointy nose space lady? 18:08.269 --> 18:08.549 Contact. 18:09.184 --> 18:38.366 contact so okay wow that's good man lady woman um so what i'd like you to do is say the name of the actress who uh you think it is or actor oh brilliant he woke up which means you were correct it's the sexiest man in the world matthew mcconaughey he was voted that by some stupid american magazine really yeah i know all the things that happen in the world in the news joselyn do you find him attractive 18:38.997 --> 18:39.838 Erm, no. 18:40.078 --> 18:41.079 Could he play your bongos? 18:42.080 --> 18:42.380 No. 18:42.720 --> 18:44.242 He wouldn't let him touch your bongos. 18:44.302 --> 18:45.382 He loves to play bongos. 18:45.422 --> 18:45.923 Bongos. 18:46.403 --> 18:47.664 He's apparently a very nice man. 18:48.685 --> 18:49.146 Says who? 18:49.386 --> 18:51.007 Well, I thought your girlfriend had worked with him. 18:51.227 --> 18:52.068 Oh, yes, she probably has. 18:52.368 --> 18:53.369 Yeah, he's a very nice man. 18:53.589 --> 18:54.790 Yeah. 18:54.830 --> 18:55.511 Well done, Jocelyn. 18:55.551 --> 18:56.171 That's very good. 18:56.732 --> 18:57.312 So you've won. 18:57.352 --> 18:57.853 What have you won? 18:57.873 --> 18:58.653 What would you like to win? 18:58.673 --> 18:59.874 Do you want War of the Worlds? 19:00.615 --> 19:00.835 Yeah. 19:01.035 --> 19:01.576 Have you seen it? 19:01.596 --> 19:02.737 Yeah, I have. 19:03.137 --> 19:03.798 Oh, did you like it? 19:04.369 --> 19:04.870 Yeah, it was all right. 19:05.090 --> 19:05.831 Do you want to watch it again? 19:05.851 --> 19:05.931 Yeah. 19:07.053 --> 19:08.314 You could give it as a Christmas present. 19:08.334 --> 19:09.396 It's all cereal and everything. 19:09.816 --> 19:11.298 Yeah, it doesn't make much sense, does it? 19:11.479 --> 19:12.059 Boy, the world's... 19:13.439 --> 19:16.460 It's kind of a stupid, illogical film, but fun while you're watching it. 19:16.820 --> 19:18.761 Yeah, it's a good Christmas present for someone. 19:19.081 --> 19:20.642 Anyway, Jocelyn, thank you very much indeed. 19:20.682 --> 19:22.122 Are you doing Christmas shopping this afternoon? 19:22.522 --> 19:22.922 Yeah, we are. 19:23.543 --> 19:26.784 And so if you go somewhere busy, then I assume you'll be Jocelyn. 19:26.804 --> 19:28.304 Oh, dear. 19:30.385 --> 19:31.506 Stop it, will you? 19:31.646 --> 19:32.986 What's the hot present this year? 19:33.266 --> 19:34.687 The hot Chrissy Prezzy. 19:34.727 --> 19:35.087 What is it? 19:36.082 --> 19:37.122 Uh, a pass, I don't know. 19:37.223 --> 19:37.803 A pass? 19:38.183 --> 19:40.404 Is it one of those- it's still a robot guy, isn't it? 19:40.684 --> 19:41.784 A dancing robot guy. 19:41.864 --> 19:42.404 I don't know. 19:42.424 --> 19:43.465 We don't know anything anymore. 19:43.505 --> 19:44.505 Like a watch TV? 19:44.645 --> 19:45.966 I saw that in a paper there, though. 19:46.006 --> 19:46.746 Yeah, that must be it. 19:46.766 --> 19:48.967 A TV with a watch in it, J, can you imagine that? 19:49.207 --> 19:50.427 Go get lots of them then, Justin. 19:50.467 --> 19:55.149 Good luck shopping, enjoy your disgusting Mickey D's, and enjoy your illogical film. 19:55.189 --> 19:56.610 Thanks very much for calling, well done. 19:56.630 --> 19:58.870 That was a very thorough and brilliant answer. 19:58.951 --> 19:59.891 It was quite easy, wasn't it? 20:00.091 --> 20:01.011 I didn't get it at all. 20:01.031 --> 20:01.431 Did you not? 20:01.471 --> 20:02.372 Then I wasn't really listening. 20:03.573 --> 20:06.035 I was trying to disguise it as much as possible. 20:06.075 --> 20:07.136 You did- you did very well. 20:07.156 --> 20:07.896 With stupidity. 20:08.436 --> 20:12.219 But, er, she cut right there to- do you fancy McConaughey, Lila? 20:12.619 --> 20:13.700 I think he's quite attractive. 20:13.880 --> 20:15.061 What is it about McConaughey? 20:15.081 --> 20:16.302 Well, I imagine he's a bit simple. 20:16.642 --> 20:17.963 He- I reckon he's very simple. 20:17.983 --> 20:18.583 He's a bit too good looking. 20:18.643 --> 20:20.565 He smokes too much wacky backy. 20:20.845 --> 20:24.968 Yeah, he's a self-confessed- No, definitely, he's not a- he's unashamed. 20:25.128 --> 20:25.768 He's unashamed, yeah. 20:25.788 --> 20:27.129 Alleged- he's allegedly unashamed. 20:27.249 --> 20:28.090 He's self-confessed. 20:28.230 --> 20:29.791 Yeah, so there's not a lot going on out there. 20:29.811 --> 20:30.852 He loves to smoke the doobie. 20:31.092 --> 20:33.013 I tell you what, he's very good in Dazed and Confused. 20:33.353 --> 20:33.993 That's true, yeah. 20:34.093 --> 20:34.973 He's brilliant in that. 20:35.053 --> 20:36.334 I like him in Contact, in fact. 20:36.374 --> 20:37.414 That's one of my favourite films. 20:37.434 --> 20:38.094 Contact is a great film. 20:38.174 --> 20:38.695 Aw, I love it. 20:38.715 --> 20:40.755 Anyway, listen, listeners, don't forget our text competition. 20:40.795 --> 20:46.857 We're asking you how we should introduce editors at the Winter Wonderland tomorrow night. 20:47.177 --> 20:49.598 We've got about two minutes to do it and we've had some very good entries. 20:50.158 --> 20:53.940 There's a brilliant prize, not sure what it is, for the winning one, but keep them coming in on 83XFM. 20:55.020 --> 20:56.862 So we should read some of those out in the next hour. 20:57.303 --> 20:59.125 But first, here's yet another free play. 20:59.165 --> 21:00.846 I'm cramming as many as I can in this week. 21:01.187 --> 21:03.129 And Joe, this is one that you requested. 21:03.149 --> 21:03.569 Oh, yes. 21:03.589 --> 21:06.473 This is from the album that we're gonna give away for Dizzies in the Dock this afternoon. 21:06.493 --> 21:07.414 Do you wanna introduce this one? 21:07.674 --> 21:08.054 Oh, yeah. 21:08.215 --> 21:09.316 I didn't know you were actually gonna play it. 21:09.456 --> 21:09.636 Yeah. 21:09.736 --> 21:13.460 But the Dizzies in the Dock, we're gonna be giving away now the very best of dance. 21:14.521 --> 21:20.963 Because it's xfm and we know everybody loves dance music It's got how many? 21:21.843 --> 21:25.064 64 top tracks one of which is this by Mars pump up the volume. 21:25.084 --> 21:26.465 I haven't heard this for like 20 years. 21:26.945 --> 21:27.405 Is it any good? 21:27.425 --> 21:28.385 I used to love it. 21:28.685 --> 21:30.086 It was amazing when it came out, wasn't it? 21:30.126 --> 21:30.646 Let's find out. 21:30.666 --> 21:34.687 Do you remember we went to Paramount City and we grooved to do it. 21:34.927 --> 21:35.948 We went to a nightclub. 21:36.208 --> 21:36.888 It was amazing. 21:44.551 --> 21:46.032 It just goes on and on like that. 21:46.052 --> 21:47.292 Yeah, we're taking it off, listeners. 21:48.052 --> 21:51.814 I'm sure you'll support us in this, uh, you know, authoritative move. 21:52.154 --> 21:54.534 It's good sort of, uh, music-bed music. 21:54.915 --> 21:55.335 You know what I mean? 21:55.355 --> 21:55.695 Yeah, yeah. 21:55.755 --> 21:57.836 It was good very, very loud in 1989 or whenever. 21:57.856 --> 21:58.096 Yeah. 21:58.276 --> 22:01.197 It's good for sports highlights and things like that. 22:04.618 --> 22:07.139 That's got pretty much every sample in the world ever. 22:07.159 --> 22:08.219 It's the wrong mix, man. 22:08.419 --> 22:10.340 Originally, it didn't have all those stupid things in it. 22:12.492 --> 22:14.538 Everyone got very excited about samples, didn't they? 22:15.019 --> 22:15.159 Yeah. 22:15.520 --> 22:17.947 At the end of the 80s and early 90s and everything was covered in them. 22:18.167 --> 22:20.734 It's ruined a whole, you know, section of music history. 22:23.075 --> 22:23.676 Please finish it. 22:24.216 --> 22:25.177 Turn it off. 22:25.477 --> 22:26.518 There you go, that's enough. 22:26.818 --> 22:27.339 That's a relief. 22:28.380 --> 22:28.600 Right. 22:29.301 --> 22:33.444 OK, yeah, we're approaching the second hour of our show here on a Saturday afternoon at XFM. 22:33.464 --> 22:34.485 This is Adam and Jo. 22:35.066 --> 22:44.114 We've got our text competition still going, which is to think of an introduction for our editor's slot tomorrow at the Winter Wonderland. 22:44.714 --> 22:48.017 And we're going to give away some tickets to all sorts of exciting things. 22:48.718 --> 22:49.618 There's the antenna 22:50.459 --> 22:57.421 a sort of music video festival that's going on at the NFT on Thursday evening, I think, is it, which I'm going to be hosting. 22:58.141 --> 22:58.881 So that's exciting. 22:58.921 --> 23:00.122 You could win tickets to see that. 23:00.942 --> 23:03.303 And what else have we got to give away? 23:04.123 --> 23:04.843 Lots of good things. 23:04.923 --> 23:07.224 Oh, yeah, we've got all those dance albums as well. 23:07.244 --> 23:10.044 So you could listen to pump up the volume whenever you want. 23:10.204 --> 23:12.265 All that's to come in the second hour here on XFM. 23:12.285 --> 23:12.685 Stick with us. 23:12.705 --> 23:18.727 Love music. 23:18.807 --> 23:19.167 Love XFM. 23:57.196 --> 24:18.868 there you go that's the tuneful sound of the subways with no goodbyes before that you heard gorillas with dirty harry so here's a christmas question uh for you adam and also for our listeners my uh brother's got a very lovely italian girlfriend and it was his birthday the other day she came over and we were talking about christmas in italy because he's he's going over there for christmas that's very um stereotypical yes like racist 24:24.011 --> 24:30.117 Um, anyway, uh, she said, um, she said that they don't have Christmas crackers in Italy. 24:30.537 --> 24:30.737 Why? 24:30.757 --> 24:36.503 Uh, I don't know, but it struck me, do they have Christmas crackers anywhere else in the world? 24:36.783 --> 24:38.024 They only got them in America. 24:38.324 --> 24:42.268 Or are Christmas, anywhere else in Europe, shall we say, or are Christmas crackers a British invention? 24:42.949 --> 24:46.131 Because, and I said to my brother's Italian girlfriend, 24:47.232 --> 24:51.495 I said, she's called Valeria, I said, do they have, you know, do you think Christmas crackers are a British invention? 24:51.816 --> 24:56.019 She said yes, because no one else in the world would put those stupid hats on. 24:56.039 --> 24:59.501 And you know, I think that's a fair observation. 25:00.242 --> 25:06.046 You can't see really, really other European nations have more respect, don't they, for their heads and themselves. 25:06.426 --> 25:12.230 But it's a particularly sort of British, Monty Python-y thing for the whole family to sit round in silly hats. 25:12.651 --> 25:13.371 It's fun! 25:13.391 --> 25:15.653 I love it, it's fun as well, but is that true? 25:16.073 --> 25:19.796 I remember talking to you about this last year, though, and you don't put the hat on, though, right? 25:20.176 --> 25:21.197 I do put the hat on. 25:21.237 --> 25:24.679 Not only do I put the hat on, but I pull it down over my eyes and make little eye holes. 25:25.039 --> 25:26.880 Joe Cornish, get out of the kitchen. 25:27.140 --> 25:28.581 I'm the life and soul of the party. 25:29.422 --> 25:34.245 But does anybody know, does anybody have Christmas abroad and America notwithstanding? 25:34.345 --> 25:37.507 I don't even know if the crackers in America is a true thing. 25:37.527 --> 25:40.870 If the crackers... If the crackers in America, I don't know if they got them. 25:41.250 --> 25:41.710 I don't know. 25:41.970 --> 25:42.451 You don't know. 25:42.551 --> 25:44.292 Are they British inv... Who invented crackers? 25:44.612 --> 25:45.313 Colonel Crackers? 25:45.993 --> 25:46.633 Jimmy Crackers. 25:46.673 --> 25:47.354 Jimmy Crackers. 25:47.794 --> 25:48.874 Erm, what? 25:49.314 --> 25:50.635 I don't- they must be. 25:50.775 --> 25:52.035 Let's throw that out to the listeners. 25:52.135 --> 25:53.116 They must be universal. 25:53.176 --> 25:53.616 Crackers. 25:53.816 --> 25:57.417 Have you ever had Christmas in a foreign country and if so, do they have crackers? 25:57.437 --> 25:58.458 Crackers are Christmas. 25:58.498 --> 26:03.040 What do you talk about if not, you know, the low quality of the gifts and stuff like that? 26:03.060 --> 26:04.380 Yeah, it's true. 26:04.760 --> 26:06.841 Trying to guess the jokes and stuff. 26:07.041 --> 26:07.842 I love crackers. 26:08.262 --> 26:09.102 You are crackers. 26:09.622 --> 26:10.062 Hey! 26:10.082 --> 26:13.444 Erm, does anyone in your family refuse to wear the hat? 26:14.344 --> 26:14.704 Uh, no. 26:15.044 --> 26:16.985 My dad needs to be bullied into wearing the hat. 26:17.026 --> 26:18.206 Yeah, you put that hat on him. 26:18.246 --> 26:19.307 Superglue the hat to his head. 26:19.447 --> 26:19.727 Yeah. 26:20.207 --> 26:20.747 Tape it on. 26:21.328 --> 26:24.269 And, um, my son Frank isn't very happy about the whole hat. 26:24.429 --> 26:25.210 Well, he's young, isn't he? 26:25.270 --> 26:25.730 I do, yeah. 26:25.750 --> 26:27.091 He just tries to eat everything, does he? 26:27.111 --> 26:28.271 Uh, yeah. 26:28.291 --> 26:29.012 Or he's older than that. 26:29.072 --> 26:30.052 He doesn't like dressing up. 26:30.092 --> 26:31.273 He thinks it's a bit silly. 26:32.800 --> 26:33.541 He'll get over that. 26:33.601 --> 26:33.901 Yeah. 26:34.481 --> 26:35.862 But anyway, that's an interesting question. 26:35.882 --> 26:41.066 Let's, um, let's, uh, take some calls or, uh, text us or email us or whatever. 26:41.086 --> 26:52.074 The email address is adamandjoe at xfm.co.uk, or you can call us on 08712221049, and I think we should resolve our text competition such as it is. 26:52.094 --> 26:52.234 Yeah. 26:52.254 --> 26:56.237 Talking of texts, someone's just texting in, surf, surf, surf. 26:56.637 --> 27:00.020 Cos we did a surf ad years ago and now it's coming home to roost. 27:00.800 --> 27:02.781 And, er, you can stop the person texting that. 27:02.801 --> 27:07.002 Your point's been well made and, er, we're richer than you anyway, cos we did the surf ad. 27:07.163 --> 27:08.063 Yeah, what is their point? 27:08.783 --> 27:09.403 I'm very proud. 27:09.423 --> 27:10.364 That's my best work. 27:10.844 --> 27:11.364 Yeah, exactly. 27:11.604 --> 27:13.405 Er, me, Keith, what's his name? 27:13.785 --> 27:14.105 Harris? 27:14.165 --> 27:16.966 But then they say it's a square deal, which is the old surf campaign. 27:16.986 --> 27:18.047 So maybe they're trying to get us back. 27:18.991 --> 27:22.034 Yeah, maybe it's someone from Surf trying to get us to do some new commercials. 27:22.334 --> 27:24.937 Yeah, we got dumped from that one. 27:25.177 --> 27:30.062 Anyway, let's play some music and then come back and resolve our text competition. 27:30.422 --> 27:36.989 And I say resolve advisedly, Joe Cornish, because this next track is by the Foo Fighters and it's called Resolve. 27:47.608 --> 27:52.349 Yeah, of course, we just realised they can't have crackers in America, because crackers are a rude word in America. 27:52.809 --> 27:55.310 It's a derogatory term for a white person. 27:55.370 --> 27:56.650 Anti-white racial epithet. 27:56.690 --> 27:59.251 Yeah, it's what you might shout at Eminem if you wanted him to attack you. 27:59.431 --> 28:00.131 Yeah, cracker! 28:00.451 --> 28:01.151 Yeah. 28:01.171 --> 28:05.392 Plus they're probably frightened of the loud noises, you know, probably make people duck for cover. 28:05.432 --> 28:09.213 Right, what with the common occurrence of firearms offences there. 28:09.413 --> 28:10.073 Yeah, exactly. 28:10.133 --> 28:12.034 Yeah, any kind of bang has got to be a gun. 28:12.774 --> 28:13.814 in America, not in England. 28:13.934 --> 28:17.635 They'd probably sue, you know, Joe Cornish- They're very litigious, yes. 28:17.695 --> 28:24.997 They're litigious in the American states, and if there was a bang and someone got a tiny bit scared by the bang of the cracker, they might sue! 28:25.237 --> 28:27.718 George Bush is- is- is Tony Blair's poodle. 28:28.098 --> 28:29.058 He's his lapdog! 28:29.318 --> 28:31.659 It's the other way around, actually, I think I'm not sure I've forgotten. 28:32.319 --> 28:35.100 Uh, so apparently, yeah, thanks for your texts about- about crackers. 28:35.820 --> 28:38.761 Uh, we wear the dumb hats in Australia, says Gareth, 28:39.850 --> 28:40.490 So there you go. 28:40.770 --> 28:43.331 But that's because there's loads of British people in Australia, right? 28:43.611 --> 28:43.972 Yeah. 28:44.332 --> 28:47.613 Uh, Lorenzo says, I have relatives in America, and they say they don't have crackers. 28:48.133 --> 28:51.154 Hence the whole cracker, you know, as a rude word thing. 28:51.174 --> 28:51.514 Right. 28:51.655 --> 28:54.176 We have crackers in South Africa, along with the silly hats. 28:54.236 --> 28:56.416 Again, South Africa, full of British people. 28:56.596 --> 28:57.237 South Africa crackers. 28:57.337 --> 29:07.261 Uh, so, and you know, in fact, according to, uh, the online, you know, encyclopedia that any old sod could look up, they were invented in Britain by a man called Henry Crackers. 29:08.841 --> 29:11.603 you know, by, um, Tom Smith, in 1847. 29:12.664 --> 29:16.427 And I won't go into the story but apparently, apparently they were called crackers. 29:17.267 --> 29:17.507 Go on. 29:18.148 --> 29:18.968 No, this is terrible. 29:19.008 --> 29:19.349 Stop it. 29:19.389 --> 29:22.531 This is the sort of thing other DJs would talk about. 29:22.551 --> 29:23.452 Steve Well, how did it happen? 29:23.952 --> 29:24.733 What inspired the crackers? 29:24.753 --> 29:26.013 Ricky Laughs Steve No, I won't, I promise. 29:26.053 --> 29:26.934 What inspired the crackers? 29:26.954 --> 29:28.315 Steve Well, he didn't know what to name them. 29:30.717 --> 29:34.820 Ricky Laughs Steve So, so then he- oh, it's so rubbish. 29:34.860 --> 29:36.501 He heard the fire crackers. 29:37.737 --> 29:39.719 And so he named the crackers out. 29:40.260 --> 29:41.881 I wish I could swear on this programme. 29:42.242 --> 29:42.962 I really want to. 29:43.603 --> 29:44.083 That was terrible. 29:44.123 --> 29:45.605 Let's put this editor's thing to bed. 29:46.145 --> 29:56.255 We're introducing editors, not the editors, no, editors at the XFM Winter Wonderland tomorrow evening and we've been asking you for suggestions of how to introduce them. 29:56.956 --> 29:57.717 Here's our top six. 29:59.076 --> 29:59.316 what? 29:59.396 --> 30:00.758 No, let's make that a top five. 30:00.778 --> 30:04.062 Erm, no, let's make it a top four. 30:05.263 --> 30:06.144 OK, top four. 30:06.204 --> 30:09.408 Don't scream like the predator, make way for the editor. 30:10.289 --> 30:11.810 That's Matt, we wouldn't say that. 30:11.830 --> 30:13.753 Erm, at number three, 30:15.447 --> 30:18.349 No, no, no, I'm sorry, but Lila, she's left the room. 30:18.389 --> 30:19.450 Has she got the wrong ones? 30:19.490 --> 30:21.492 Lila, you've made a right mess of this. 30:21.592 --> 30:22.973 There's much better ones than that. 30:23.093 --> 30:24.334 It's just a big list there. 30:24.354 --> 30:24.795 Get out. 30:24.855 --> 30:29.338 Yeah, but your job is to go through the list and choose the good ones, not all the bad ones. 30:29.358 --> 30:30.639 We'll come back to this. 30:30.959 --> 30:32.020 No, no, no, get out. 30:32.341 --> 30:32.901 Get out. 30:32.961 --> 30:33.722 You're fired, Lila. 30:34.142 --> 30:34.782 Clean your desk. 30:35.003 --> 30:35.423 Get out. 30:35.623 --> 30:36.164 You're fired. 30:36.843 --> 30:38.304 Alright, we're gonna- we're gonna- We'll see about that. 30:38.324 --> 30:44.651 We'll play a David Bowie song then, and if you haven't sorted it out by that time, Lila, then you- Do you know how to do it, because Lila's gone. 30:45.231 --> 30:46.172 Um, yes I do, yes. 30:46.192 --> 30:48.855 There's a big button in front that says, press for David Bowie. 30:49.055 --> 30:49.615 Do- go on then. 30:49.655 --> 30:49.996 Here we go. 30:58.854 --> 30:59.695 Oh, that's fantastic. 30:59.955 --> 31:01.837 David Bowie with TVC15. 31:01.877 --> 31:03.218 This is Adam and Joe on XFM. 31:03.238 --> 31:05.841 We'll be back after these messages. 31:32.939 --> 31:33.568 Thanks a fan. 31:43.703 --> 31:43.983 Yeah. 31:44.483 --> 31:45.124 You know what, Adam? 31:45.244 --> 31:45.424 What? 31:45.464 --> 31:47.625 We've had an avalanche of responses about crackers. 31:48.165 --> 31:48.665 Crackers? 31:49.026 --> 31:49.966 Can I just say who that was? 31:49.986 --> 31:52.947 That was Jose Gonzalez with Heartbeats. 31:53.788 --> 31:54.868 Adam and John, XFM here. 31:54.928 --> 31:57.229 Avalanche of response about crackers, Joe Cornish. 31:57.249 --> 31:58.690 Yeah, a couple of interesting things. 31:58.750 --> 32:07.634 Apparently, you know, they're not that common anywhere else in the world, but a lot of people just, when they go and have Christmas abroad, they take them or they export them. 32:08.014 --> 32:11.236 But apparently, if you take- if you try and take crackers on a plane- Mm-hm. 32:11.836 --> 32:13.338 in this post-9-11 world. 32:13.358 --> 32:14.879 A very, very different world. 32:15.140 --> 32:15.961 Absolutely different. 32:16.021 --> 32:17.142 The world changed forever. 32:17.282 --> 32:18.063 Forever. 32:18.123 --> 32:23.368 One of the things that's changed is they make you take the cracky strings out of crackers. 32:23.568 --> 32:25.010 The cracky strings? 32:26.091 --> 32:27.372 You know what I mean by cracky strings. 32:27.512 --> 32:29.114 That's the way, yeah, that's the official title. 32:29.134 --> 32:31.557 They make you open your crackers and take out the bany strips. 32:31.757 --> 32:32.558 The cracky string? 32:33.598 --> 32:34.459 The banging strips. 32:34.899 --> 32:35.219 Wow. 32:35.319 --> 32:36.560 That's a bit pathetic, isn't it? 32:36.580 --> 32:38.161 What are you going to do with a cracker banger? 32:38.361 --> 32:39.041 The snappy rope. 32:39.161 --> 32:40.722 How are you going to take over a plane with that? 32:41.302 --> 32:41.902 I've got it gone. 32:42.303 --> 32:43.363 If you don't believe me, listen. 32:44.984 --> 32:45.224 Snap. 32:45.524 --> 32:48.006 No, you could if you went right up to the pilot's face with it. 32:48.026 --> 32:48.766 Did it in his face? 32:48.786 --> 32:50.467 Yeah, then... Yeah, but you could also hit him. 32:51.047 --> 32:51.867 No, but... Or slap him. 32:51.988 --> 32:53.908 He'd be more scared of the cracker strip. 32:54.049 --> 32:55.109 I think that's stupid. 32:55.970 --> 32:58.531 I suppose you could light something, couldn't you? 32:59.557 --> 33:01.938 I don't know, Matt, this is probably on dangerous ground. 33:02.258 --> 33:05.359 I imagine, yeah, I imagine the cops- Oh, this, yeah, we're gonna be arrested for plotting. 33:05.599 --> 33:06.120 I'll hurt us. 33:06.620 --> 33:10.822 So we've been asking you to suggest ways we can introduce editors at the XFM Winter Wonderland tomorrow. 33:10.882 --> 33:12.122 Here is our top four. 33:12.182 --> 33:14.423 Lila has gone and recompiled it. 33:14.923 --> 33:16.644 She's looking a bit angry. 33:17.804 --> 33:19.805 Number five, this is from Richard and Sheen. 33:20.245 --> 33:26.408 Quote, and now, here to deliver bullets of sound into your brains like musical stormtroopers from Munich. 33:27.386 --> 33:28.967 Here's the editors. 33:29.928 --> 33:31.910 That's just a sort of words. 33:32.331 --> 33:32.931 Thanks Richard. 33:33.392 --> 33:34.152 At number four. 33:34.192 --> 33:36.394 Might be quite useful though if we, yeah. 33:36.875 --> 33:38.316 Fans of Joy Division, pay attention. 33:38.356 --> 33:43.060 Next on stage we'd like to mention, there is no thee like all the greats, just editors please. 33:43.481 --> 33:44.382 Make no mistake. 33:46.323 --> 33:53.110 Make no mistake is a three words people use in rhymes when they don't really, can't think of anything to rhyme, because it certainly doesn't rhyme with great. 33:54.440 --> 33:57.022 like all the greats, make no mistake." 33:57.682 --> 33:58.763 That sort of vaguely does, doesn't it? 33:59.463 --> 34:00.864 Anyway, uh, don't know who that's from. 34:00.884 --> 34:02.945 Uh, number three, are you enjoying this, Adam? 34:04.586 --> 34:07.287 I'm reading them in quite a miserable tone of voice. 34:09.369 --> 34:12.410 All right, seriously, don't be offended if I nod off, but I want you to carry on. 34:13.171 --> 34:13.891 Please carry on. 34:14.532 --> 34:16.633 You read them, go on, there you go, I'm gonna hand them to you. 34:16.813 --> 34:18.114 I wasn't putting you down about them. 34:18.134 --> 34:18.614 Read the top three. 34:23.030 --> 34:24.111 OK, no, here we go. 34:24.151 --> 34:25.192 I'm gonna make this sound fun. 34:25.773 --> 34:28.996 Um, there- I thought this was a music station. 34:29.737 --> 34:34.262 There are four bees, knobbly knees, and we- weird people who don't like cheese. 34:34.902 --> 34:39.807 All great bands do as they plea- Anyway, read the number one- I'm really sorry. 34:39.827 --> 34:41.269 Read the number one one out. 34:41.449 --> 34:41.769 OK. 34:42.770 --> 34:44.552 Um, is that the number one with the circle round it? 34:45.373 --> 34:46.494 This is all Lila's fault. 34:46.674 --> 34:47.736 This is so fine. 34:47.756 --> 34:49.097 We can never have chosen these ones. 34:50.398 --> 34:53.962 Hey, hey, hey, there were some good ones in there, Lila. 34:54.783 --> 34:55.904 Here's a competition for you. 34:56.344 --> 34:59.747 Would you like to produce the Adam and Jo radio show on XFM? 34:59.848 --> 35:01.029 Read the number one one. 35:02.490 --> 35:05.994 Okay, the number one text as chosen by our ex-producer Lila. 35:06.274 --> 35:07.876 They've got no natural predators. 35:07.996 --> 35:08.796 We've had that one. 35:09.614 --> 35:18.097 Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts Ricky snorts 35:37.725 --> 35:38.626 to send your abusive text. 35:38.666 --> 35:43.010 Ricky chuckles It's gonna be nice to have Saturdays free, isn't it, from now on? 35:43.030 --> 35:43.771 Yeah, for you. 35:43.831 --> 35:44.211 Excellent. 35:45.413 --> 35:45.693 Sorry. 35:45.913 --> 35:52.299 OK, I'm not gonna be like Chris Evans anymore and berate our hard-working people who work much harder than myself and Joe on this show, after all. 35:52.620 --> 35:54.061 Now, what are we gonna give Paul as a prize? 35:54.301 --> 35:54.822 War of the Worlds. 35:54.862 --> 35:55.903 War of the Worlds, you just said that. 35:55.983 --> 35:56.483 OK, fine. 35:56.744 --> 35:58.786 Well, it's gonna be time to launch Ditties in the Dock very shortly. 35:59.046 --> 36:00.767 How are we gonna give away our antenna tickets, then? 36:01.388 --> 36:03.549 We're gonna give them to Ditties and the Doc. 36:03.749 --> 36:04.189 Oh, okay. 36:04.209 --> 36:05.870 Yeah, you can get the CDs and antenna tickets. 36:06.070 --> 36:06.751 Fantastic. 36:06.851 --> 36:07.371 Double whammy. 36:07.551 --> 36:07.871 Wow. 36:08.191 --> 36:16.655 So I should just remind you, uh, people that if you would like to win tickets, uh, for this antenna thing, you will be winning, uh, tickets to see. 36:16.735 --> 36:24.299 Antenna is a biannual show that showcases the best and unseen videos, pop videos that is, that aren't getting exposure and should be. 36:24.699 --> 36:44.523 because an awful lot of very talented people of course slave away at the cutting edge of uh filmmaking technology to produce these amazing kind of three minute um pieces of art but they kind of disappear into the ether and they they're very seldom seen except for a few obscure music channels anyway antenna is a fantastic evening at the nft when people get together and watch the very best of the best 36:45.143 --> 36:49.489 and it's happening this Thursday the 15th, and I'm going to be hosting. 36:49.790 --> 36:50.791 It's going to be amazing. 36:51.572 --> 37:00.725 Also, if you're the kind of person that just wants to make pop videos, or you think you've made something that people should see, then you can log on to Antenna's website, www.antenna.com. 37:00.885 --> 37:12.568 antenna promo dot co dot uk and a-n-t-e double n-a promo dot co dot uk and you'll find details there for how to submit your pop video and it might get shown at one of these events. 37:12.668 --> 37:13.408 That would be amazing. 37:13.548 --> 37:16.149 Man listen we're running out of time aren't we because we're going to have to do ditty soon. 37:16.229 --> 37:17.649 I wanted to talk about space cadets. 37:17.829 --> 37:18.869 Well let's talk about space cadets. 37:18.889 --> 37:22.730 Because Alex Zane's away so we can talk with impunity he's probably not listening. 37:22.950 --> 37:24.991 Excellent let's play a song and then bitch about Alex Zane. 37:25.011 --> 37:26.931 Uh what should we play? 37:27.271 --> 37:30.112 Let's play this. 37:36.201 --> 37:39.824 Yeah, that's the Dead Sixties with Ghost-Faced Killer. 37:39.844 --> 37:41.445 They are the Dead Sixties, aren't they? 37:41.545 --> 37:41.765 Yeah. 37:41.905 --> 37:44.827 Yeah, they're proud of having a V in front of their name, unlike editors. 37:46.308 --> 38:03.920 So, I don't know whether anyone out there has been watching Space Cadets Channel 4's brand new reality show where they stick a selection of quite possibly the stupidest people I've ever seen on telly in a place in Ipswich which is masquerading as a Russian space base and they're being trained to go into space. 38:05.021 --> 38:06.322 Er, have you been watching it, Adam Buxton? 38:06.443 --> 38:07.604 I watched one of them, yeah. 38:07.644 --> 38:08.384 Which one did you watch? 38:08.605 --> 38:11.007 I watched it, I think, on Friday. 38:11.027 --> 38:12.108 No, no, on Thursday. 38:12.388 --> 38:15.471 Right, so the second one, where they were... What was happening? 38:15.751 --> 38:16.832 Oh, they were arriving, weren't they? 38:16.852 --> 38:17.573 The first one, they were chosen. 38:17.593 --> 38:17.973 Not very much. 38:18.293 --> 38:21.837 One of the actors, because they got a couple of actors in there to mix it all up a little bit. 38:21.857 --> 38:22.197 That's right. 38:22.257 --> 38:25.080 Charlie Skelton, a guy called Steve, and a girl called, I don't know. 38:25.100 --> 38:25.800 Is that Charlie Skelton? 38:25.840 --> 38:26.461 Yeah, yeah. 38:26.881 --> 38:46.097 what is he the larger one of the two no no no that's steve he he was uh he left yesterday very ill so charlie skelton had been sort of accidentally um asking difficult questions to one of the other actors in front of all the the contestants yeah and making it look uh bad really for for the other actor guy 38:46.477 --> 38:47.558 I think it's a brilliant idea. 38:47.578 --> 38:48.620 It is an amazing idea. 38:48.640 --> 38:50.662 I'm excited about it, but I think something fishy's going on. 38:51.363 --> 38:54.887 I think the- I think it's interesting, it's- it's a production company called Zepitron. 38:55.728 --> 38:57.470 Uh, run by some really, really clever people. 38:57.490 --> 38:59.872 Uh, but they're part of a company called Endemor. 39:00.093 --> 39:00.273 Right. 39:00.313 --> 39:01.014 Who make Big Brother. 39:01.534 --> 39:08.718 and are a massive, obviously brilliant, sort of pan-European, you know, they sell formats for shows. 39:09.379 --> 39:10.219 Didn't they do Millionaire? 39:10.299 --> 39:11.160 Is Endemol Millionaire? 39:11.240 --> 39:12.000 I think so, yeah. 39:12.520 --> 39:16.423 So it's half a brilliant show, Space Cadets, but it's also half like Big Brother. 39:17.243 --> 39:27.994 And I think maybe the people that thought of the show thought of quite a hardcore idea, then I think perhaps somebody has said, OK, well, let's make it like Big Brother, just in case, you know, so it's not so risky. 39:28.615 --> 39:33.460 Cos I thought the first two episodes were really good, but last night's turned into something out of Big Brother. 39:33.820 --> 39:39.105 They've got a dormitory, just people sort of petty bitching that doesn't have anything to do with space. 39:40.226 --> 39:43.329 so I'm worried, Adam, that this format is gonna go down the tubes. 39:43.489 --> 39:44.130 Well, I agree with you. 39:44.150 --> 39:48.794 All the things they were focusing on when I watched it was stuff like one of the guys, his toenail had come off. 39:48.854 --> 39:50.515 Yeah, that's not what you want from a space show. 39:51.056 --> 40:00.264 So I was trying to think how they could make it more interesting, and I'm hoping when they actually go into space, they'll make it more exciting and imaginative, even though, of course, they're not gonna go anti-gravity. 40:00.504 --> 40:02.346 And in fact, they're not even gonna go into space. 40:02.886 --> 40:04.467 They're just gonna go in a very high plane. 40:05.270 --> 40:06.590 Are they even going to go in a high plane? 40:07.211 --> 40:14.373 No, they're not, obviously, but they're not going to leave the ground, but in terms of the prank, they're just going to go slightly into orbit. 40:14.633 --> 40:16.173 Yeah, sort of touch the edge of the atmosphere. 40:16.193 --> 40:18.474 Yeah, so it's just like going in a plane, really. 40:18.734 --> 40:19.034 Yeah. 40:19.494 --> 40:31.578 I don't know, so basically, I don't know what they've got planned for the final, you know, the big payoff in Space Cadets, but if it isn't some sort of UFO and alien encounter, I will be very upset. 40:32.578 --> 40:34.799 Somebody on the ship has to be killed mysteriously. 40:35.340 --> 40:39.702 There has to be some kind of alien on the ship, or some kind of robot that goes insane. 40:39.802 --> 40:40.982 That's not gonna happen, man. 40:41.062 --> 40:45.425 They have to come across some sort of giant floating baby in space, or maybe a monolith. 40:46.065 --> 40:48.887 Maybe one of the doors explodes and Darth Vader is standing there. 40:50.387 --> 40:56.873 walks in, space vampires, maybe a topless woman with large breasts like in Life Force, comes floating into the spaceship. 40:56.973 --> 40:59.254 What was her name, that woman in Life Force? 40:59.275 --> 41:01.156 Matilda May, I think it was. 41:01.256 --> 41:03.398 Yeah, great film, Life Force, if you've never heard of it. 41:04.659 --> 41:05.620 Those are my ideas anyway. 41:06.420 --> 41:07.521 Someone's got to go crazy, haven't they? 41:07.541 --> 41:09.561 Because in space someone always goes crazy, starts losing it. 41:09.801 --> 41:10.022 Right. 41:10.082 --> 41:11.382 Bill Paxton type character. 41:11.562 --> 41:14.483 Man, I think you've got far too many high hopes for this thing. 41:14.503 --> 41:19.465 Well, there's no point in doing it unless they do something really imaginative in the last episode when they've got nothing left to lose. 41:20.426 --> 41:24.887 They've got to push the boat right out, because at the moment it's turning into Big Brother with space stickers. 41:25.168 --> 41:26.228 Yeah, it's not going to happen. 41:26.468 --> 41:28.570 Now listen, we should do Ditties in the Docks, shouldn't we? 41:28.770 --> 41:28.930 Yeah. 41:29.670 --> 41:31.132 I don't know what I'm gonna pick yet. 41:31.512 --> 41:33.333 Well do a record, play a record and we'll sort it out. 41:33.513 --> 41:34.955 All right then, but we're running out of time. 41:35.175 --> 41:35.615 Great, great. 41:35.695 --> 41:36.576 Oh my gosh. 41:37.837 --> 41:38.437 Here's The Fall. 41:38.517 --> 41:40.018 This is a final free play. 41:40.699 --> 41:41.660 It's called Two Lebrons. 41:43.861 --> 41:45.503 There was two Lebrons. 41:49.966 --> 41:54.810 I think it'd be nice if Mark Smith dressed up like Santa Claus and came down my chimney. 41:55.935 --> 42:01.310 Uh, that's a track by The Fall called Two Lebrons, and, uh, it's time for Diddy's In The Dark. 42:05.151 --> 42:22.705 This is the part of the show where you get to vote which record we play out with, and this week it's going to be a kind of crazy Christmas edition, because we're starting to get into the Christmas spirit, and we've got two songs by good bands, Christmas songs by good bands, in an attempt to find a good Christmas song instead of all the rubbish they pump out. 42:22.865 --> 42:27.328 And these are songs that have not been played to death as well, you know, and they're original songs, aren't they? 42:27.348 --> 42:30.571 They're original songs, and they're kind of undiscovered gems, yeah. 42:31.031 --> 42:32.572 So my one's gonna be the White Stripes. 42:32.652 --> 42:36.013 It's a song called Candy Lane- Candy Cane Children, I'm sorry. 42:36.714 --> 42:42.576 It was a B-side of a Christmas promo the White Stripes put out a couple of years ago, and it's- it's Classic Stripes. 42:43.076 --> 42:43.797 Classic Stripes. 42:43.817 --> 42:44.837 Yeah, Classic Stripes. 42:45.197 --> 42:45.517 You'll love it. 42:45.538 --> 42:50.260 If you want to hear the White Stripes with Candy Cane Children, it's 0 8 7 1 triple 2 1 0 4 9, and it is a Christmas song. 42:50.280 --> 42:50.960 It mentions Christmas. 42:51.300 --> 43:15.741 yeah well good otherwise it would be insane of you to bring it up however if you don't want to hear the white stripes then why not go for a bit of weezer a delicious slice of weezer yummy with christmas celebration that's the name of the track and again this is a kind of obscure track i don't think it's on any of their albums as such it's probably floating around on the internet out there i may be wrong uh if a weezer fan would like to correct me i'd be happy for them to do that 43:16.081 --> 43:21.083 But if you'd like to hear Weezer with Christmas Celebration, give us a call. 43:21.103 --> 43:21.383 0-8-7-1-2-2-2-1-0-4-9. 43:21.483 --> 43:23.183 Just say Weezer or White Stripes. 43:23.203 --> 43:25.004 We'll take the best of the first five callers. 43:25.124 --> 43:35.988 And everyone who calls wins tickets to the antenna showcase of brand new pop videos at the NFT on Thursday and also maybe something else if, oh yeah, we can wear these CDs as well. 43:36.268 --> 43:40.730 Oh yeah, and then now the very best of dance featuring the track that we had to take off earlier because it was bad. 43:41.110 --> 43:44.691 OK, let's play some strokes and give you a chance to get on the phones now. 43:53.208 --> 43:55.209 Here you go, that's Juice Boxx by The Strokes. 43:55.229 --> 43:56.329 This is Edmond John X, fam. 43:56.429 --> 43:57.950 It's time to resolve ditties in the dark. 43:59.651 --> 44:06.414 Yes, this week it is obscure Christmas songs by good bands, part of our search for a genuinely good Christmas song. 44:06.454 --> 44:15.178 We've got Weezer with Christmas Celebration versus Candy Cane Children by the White Stripes, both uncommercially released promo records that are really very good. 44:15.198 --> 44:21.741 We've got Five Callers on the Line, Everybody Wins Tickets to Antenna at the NFT on Thursday, plus Now That's What I Call Dance. 44:22.641 --> 44:26.123 I made the mistake of saying that Antenna is a bi-annual show. 44:26.163 --> 44:27.304 It's actually bi-monthly. 44:27.784 --> 44:28.424 Every two months. 44:28.444 --> 44:28.884 Sorry about that. 44:28.924 --> 44:29.665 I'm just clearing it up. 44:29.685 --> 44:29.885 Shocking. 44:29.925 --> 44:30.265 Shocking. 44:30.485 --> 44:30.966 Hello, Dean. 44:31.006 --> 44:31.726 Dean's on Line 1. 44:31.766 --> 44:32.086 Hey, Dean. 44:32.546 --> 44:32.927 Hi, mate. 44:33.247 --> 44:34.447 What are you voting for, Dean? 44:35.688 --> 44:37.589 Show your song. 44:37.629 --> 44:38.089 My song? 44:38.509 --> 44:39.390 Yeah, yeah, yeah, yeah. 44:39.450 --> 44:40.631 Which was The White Stripes, right? 44:40.671 --> 44:41.391 Candy Can Children? 44:41.431 --> 44:42.271 Yes, that's the one. 44:42.392 --> 44:42.772 Good call. 44:42.792 --> 44:46.053 You said earlier about the best of the best film. 44:46.794 --> 44:47.174 The what? 44:47.554 --> 44:49.275 Best of the best film earlier you mentioned. 44:49.295 --> 44:50.656 And then you said it's tickets. 44:51.195 --> 44:52.496 Oh, the best of the best film? 44:52.957 --> 44:55.399 Yeah, you said earlier... What, you can speak, Lila, speak. 44:55.720 --> 44:56.501 He means Antenna. 44:56.761 --> 44:57.241 Yeah, yeah, yeah. 44:57.361 --> 44:57.702 Oh, yeah. 44:57.742 --> 44:59.203 What, you want to go to Antenna on Thursday? 44:59.223 --> 45:02.187 I thought it was the film best of the best, the karate film. 45:02.607 --> 45:03.848 Oh, is that a karate film? 45:03.928 --> 45:04.349 No. 45:04.509 --> 45:05.430 No, I've never heard of that. 45:05.450 --> 45:05.950 Is that a good film? 45:06.471 --> 45:07.092 It's not bad. 45:07.782 --> 45:10.004 Best of the best and it's not bad. 45:10.525 --> 45:11.506 Joe's writing that down. 45:11.666 --> 45:12.427 I'll just avoid it. 45:12.487 --> 45:20.375 No, that was a bit of confusion because we used the phrase best of the best to refer to the pop videos that will be shown at the antenna festival. 45:20.395 --> 45:21.617 We'll give you War of the Worlds if you want. 45:22.412 --> 45:23.452 I've already bought it. 45:23.852 --> 45:24.853 Oh, you silly fool. 45:25.253 --> 45:25.853 Sorry, Dean. 45:25.973 --> 45:27.393 I can give it as a Christmas present. 45:27.653 --> 45:27.853 Yeah. 45:27.913 --> 45:28.793 Well, all right then. 45:28.833 --> 45:30.494 Well, we'll send you some stuff. 45:31.014 --> 45:32.514 Dean, just for God's sake, calm down. 45:33.074 --> 45:34.955 I tell you what, we'll just send you £20,000. 45:35.815 --> 45:37.355 How much have you had to drink today, Dean? 45:37.915 --> 45:38.135 Huh? 45:38.295 --> 45:39.576 How much have you had to drink this morning? 45:39.976 --> 45:40.516 It's not that. 45:40.536 --> 45:41.396 It's medication, mate. 45:41.696 --> 45:42.156 It is. 45:42.936 --> 45:43.937 OK, Dean, thanks very much. 45:43.977 --> 45:45.037 You voted for the white stripes. 45:45.057 --> 45:46.377 That's one nil to me. 45:47.057 --> 45:48.358 Jeff is on line two. 45:48.558 --> 45:49.078 Hello, Jeff. 45:49.258 --> 45:49.638 Hello. 45:50.069 --> 45:50.670 How are you, Geoff? 45:50.810 --> 45:51.371 I'm not too bad. 45:51.431 --> 45:53.173 You sound much more civilised than Dean. 45:54.294 --> 45:55.175 Dean's insane! 45:55.195 --> 45:56.858 Geoff, what are you going to vote for? 45:56.898 --> 45:58.099 Is it going to be White Stripes or Weezer? 45:58.399 --> 46:00.963 It's got to be Weezer because I just can't fit in Meg White's drum. 46:02.461 --> 46:04.802 I saw Meg White drumming in the flesh the other day. 46:04.822 --> 46:06.903 She was doing a pop show and I went along to the studio. 46:06.923 --> 46:07.643 Was she nude? 46:07.683 --> 46:10.465 She was not nude, no, but I was imagining her nude. 46:10.545 --> 46:15.147 She's adorable and I must say that I can't agree with you about her drumming, Geoff. 46:15.167 --> 46:16.107 I think she's amazing. 46:16.307 --> 46:20.349 But anyway, I don't want to argue out of your choice because you voted for my track, Weezer. 46:20.389 --> 46:21.749 So thank you very much indeed for calling. 46:21.769 --> 46:22.190 OK. 46:22.530 --> 46:22.750 See you. 46:23.050 --> 46:23.530 Thanks, Geoff. 46:24.371 --> 46:26.852 Of course, Geoff gets a little bundle of tickets and booty as well. 46:26.892 --> 46:27.892 Now we've got Chris on line three. 46:27.912 --> 46:28.933 We've got to speed this up. 46:28.993 --> 46:29.333 Hello, Chris. 46:29.980 --> 46:30.060 Hiya. 46:30.080 --> 46:30.940 How you doing? 46:31.400 --> 46:31.841 Pretty good, you? 46:32.221 --> 46:32.941 Very good, thank you. 46:32.961 --> 46:34.321 Our producer said you were Chris Evans. 46:34.882 --> 46:36.862 Yeah, no, not the real one, but the other one. 46:37.122 --> 46:38.423 Oh, your name is actually Chris Evans. 46:38.443 --> 46:39.643 You don't sound anything like Chris Evans. 46:39.663 --> 46:40.764 She thought you were the real Chris Evans. 46:40.784 --> 46:42.044 Lyla, what's wrong with you today? 46:42.904 --> 46:45.145 What is wrong with you, Lyla? 46:45.225 --> 46:46.645 What are you still doing here, Lyla? 46:47.346 --> 46:47.826 Get out! 46:47.846 --> 46:49.786 So Chris, what are you voting for? 46:50.227 --> 46:51.347 I'm voting for the White Strokes, mate. 46:51.736 --> 46:52.616 Oh, good one. 46:52.636 --> 46:53.296 2-0 to Cornish. 46:53.376 --> 46:55.457 Are you disappointed that it's not the real Chris Evans? 46:55.517 --> 46:59.097 I was a bit nervous that it was the real Chris Evans, because we're not very nice about it generally. 46:59.957 --> 47:01.238 Chris, are you a White Stripes fan? 47:01.678 --> 47:06.319 Yeah, well, I've no idea they've done a Christmas song, so I just quite like to hear it, really. 47:06.519 --> 47:11.699 And are you, can I ask you very briefly, where do you stand on the Coca-Cola debacle? 47:11.960 --> 47:15.760 Jack White doing a Coca-Cola track and Noel Gallagher getting very upset about it. 47:16.080 --> 47:16.960 Ooh, I don't know about that. 47:16.980 --> 47:20.221 I mean, it fits in with the colour scheme, but I think it's better a Jack White, really. 47:20.561 --> 47:41.416 yeah it's a tough one isn't it but he's still a man and he rocks anyway that's two for uh thanks very much for your call uh that's two for the white stripes one for weezer come on the weezer one's amazing i need a vote who have you got on the on the line malcolm malcolm hello hello hello got to be quick my credits need to go i'm at weezer weezer weezer and minilux means belgium netherlands luxembourg you were saying earlier 47:41.536 --> 47:42.917 Oh, what a superb call, Malcolm. 47:43.237 --> 47:44.057 Thanks very much, Malcolm. 47:44.077 --> 47:44.378 Well done. 47:44.438 --> 47:46.299 So economical, fitted everything in. 47:46.319 --> 47:47.139 There we go. 47:47.179 --> 47:47.880 Thank you for calling. 47:48.600 --> 47:50.141 Oh, if only every caller was like Malcolm. 47:50.161 --> 47:51.261 If only we were like Malcolm. 47:51.301 --> 47:52.482 I bet he's muscly as well. 47:52.862 --> 47:53.883 I bet he's, yeah, really. 47:53.903 --> 47:54.703 I bet he smells brilliant. 47:54.783 --> 47:56.044 I bet he smells amazing. 47:56.964 --> 47:58.085 OK, this is exciting. 47:58.105 --> 47:58.705 What's the score then? 47:58.745 --> 47:59.046 It's 2-1. 47:59.066 --> 47:59.326 2-1. 47:59.346 --> 48:00.626 This is incredible. 48:00.847 --> 48:02.007 I wish Chris Evans was listening. 48:02.067 --> 48:03.248 Hasn't been this close for ages. 48:03.528 --> 48:03.908 Lisa. 48:04.208 --> 48:04.729 Hello, Lisa. 48:05.149 --> 48:05.469 Hello. 48:05.569 --> 48:06.790 Our one lady caller. 48:07.410 --> 48:11.191 Lady speaking today on behalf of all women as a woman Lisa. 48:11.211 --> 48:12.631 What are you voting for? 48:12.651 --> 48:20.233 Oh I tell you what, we'll play that Weezer track next week or on our Christmas show cuz we're on on Christmas Eve. 48:20.613 --> 48:21.493 Yeah, that's right Let's play it. 48:21.513 --> 48:22.333 Forget about that. 48:22.373 --> 48:28.194 That's a good idea Well done Lisa, are you excited about getting them now that now the very best of dance? 48:29.394 --> 48:30.535 More about the antenna. 48:31.135 --> 48:31.695 Okay, cool. 48:31.715 --> 48:32.175 Good for you. 48:32.195 --> 48:33.075 Are you gonna come along then? 48:33.455 --> 48:35.956 Yeah, I've been before It's good show, isn't it? 48:36.356 --> 48:36.736 Very good 48:37.298 --> 48:39.359 There's some pretty extraordinary stuff they show there. 48:39.379 --> 48:44.043 So it's kind of an ideal thing because you just sit there, the pop videos are all about, you know, three minutes long. 48:44.063 --> 48:48.446 If you don't like one, you go off to the lab and you come back and there's something new and amazing waiting there for you. 48:49.647 --> 48:51.828 And of course this time, there'll be me too. 48:52.168 --> 48:54.850 Although I'll keep my contribution fairly minimal, so don't worry. 48:55.651 --> 48:57.092 Anyway, I'll look forward to seeing you then. 48:57.132 --> 48:58.653 Thank you very much indeed for your call, Lisa. 48:59.133 --> 48:59.854 OK, thank you. 49:00.114 --> 49:00.394 Bye. 49:00.454 --> 49:00.914 Bye-bye. 49:00.934 --> 49:02.095 Well, there you go. 49:02.195 --> 49:03.035 Weezer were trounced. 49:03.516 --> 49:04.276 Poor old Weezer. 49:04.316 --> 49:06.137 It's a damn good song, though, that Weezer song. 49:06.157 --> 49:08.518 We'll play it on our Christmas Eve show. 49:08.538 --> 49:10.159 Of course we are here on Christmas Eve. 49:10.199 --> 49:10.780 Do not miss it. 49:10.820 --> 49:11.800 I can see Justin Lee Collins. 49:11.860 --> 49:12.941 Oh, my God, Justin Lee Collins. 49:13.001 --> 49:13.862 Oh, my God, Justin Lee Collins. 49:13.922 --> 49:17.363 I thought all the telly stars were away this weekend doing their Channel 4 shows. 49:17.404 --> 49:18.684 No, Collins is still there. 49:18.844 --> 49:20.065 Collins, he's a hard-working man. 49:20.085 --> 49:23.127 He's drifting around with a huge famous aura around him. 49:23.687 --> 49:27.570 Er, so we will see you at XFM's Winter Wonderland, listeners, if you're gonna be there tomorrow night. 49:27.590 --> 49:27.790 Steve Yeah. 49:27.810 --> 49:28.010 Ricky Yeah. 49:28.030 --> 49:29.351 Steve If you're lucky enough to have tickets. 49:29.371 --> 49:30.391 Ricky Yeah, we'll look forward to it. 49:30.431 --> 49:31.572 That's right, cos they're all sold out. 49:31.912 --> 49:46.822 And then if you're not going to XFM's Winter Wonderland and you want a dose of Adam Buxton, then I'm doing a gig immediately afterwards at the Landor pub in Clapham North for an evening called Sit Down Sundays, which is, erm, an evening of character comedy. 49:47.262 --> 49:50.304 and I'll be appearing there tomorrow night. 49:50.944 --> 49:56.207 I think the show starts at eight, so if you're not going to Winter Wonderland, go along to sit down Sundays at the Landor Pub. 49:56.428 --> 49:57.168 But that's it from us. 49:57.728 --> 50:02.031 The White Stripes are coming up right now, and Justin Lee Collins will be on very, very shortly after. 50:02.051 --> 50:02.911 I hope there's no swearing in it. 50:02.931 --> 50:04.292 Have you not checked? 50:04.312 --> 50:05.873 I haven't listened to all of it. 50:06.113 --> 50:06.634 Do they swear? 50:06.654 --> 50:07.514 Do the White Stripes swear? 50:07.554 --> 50:08.094 Sometimes. 50:08.215 --> 50:09.075 This could be it for us. 50:09.155 --> 50:09.875 Oh, dear. 50:09.936 --> 50:10.896 Stand by on the red button. 50:11.076 --> 50:11.456 Love you, bye! 50:11.476 --> 50:12.657 This is called Candy Cane Children. 50:12.897 --> 50:13.318 See you next week. 50:22.264 --> 50:47.996 Candy cane girl, don't you know your name girl Twelve people gonna ask you just to say hello What a world, Christmas once a year girl That story huh and 64 tears girl So when Christmas finally comes 50:56.870 --> 50:57.978 Think again, girl 51:19.816 --> 51:48.847 Nine people gonna tell you just the same, boy You're alone, son, in the middle of a million And nobody knows how to talk to children Oh, when Christmas finally comes and nobody's got a gun And you think it might be fun to get a new toy Think again, boy 51:57.629 --> 52:04.571 Oh, when Christmas finally comes 52:28.723 --> 52:34.410 it might be fun to make a stand. 52:34.550 --> 52:35.391 Think again, man.