WEBVTT 00:05.320 --> 00:06.121 Ooh! 00:06.421 --> 00:09.624 Well, why don't you mend it, you loony? 00:09.644 --> 00:11.025 Dear, who was it, dear someone? 00:11.085 --> 00:11.545 Liza. 00:11.946 --> 00:12.486 Liza? 00:12.606 --> 00:12.726 Yeah. 00:12.746 --> 00:13.627 Who was it, Liza? 00:14.107 --> 00:16.089 Liza, she was in charge of all the repairs. 00:16.249 --> 00:16.549 Really? 00:16.690 --> 00:16.910 Yeah. 00:16.990 --> 00:18.911 Nursery room, repair department head. 00:19.352 --> 00:20.653 This is Adam and Joe on XFM. 00:20.733 --> 00:24.796 Welcome to two hours of, uh, you know, fairly low quality radio. 00:25.117 --> 00:29.200 Xanthe's looking after us today, which means it might be an unusually anarchic rule-breaking show. 00:29.440 --> 00:31.142 Hey, cause Lila's away. 00:31.282 --> 00:32.103 Lila's quite strict. 00:32.263 --> 00:33.384 She's a sort of dominatrix. 00:33.885 --> 00:36.328 But Xanthi's kind of a sexy dolly. 00:36.568 --> 00:39.030 She's like, Xanthi's like the sexy replacement teacher. 00:39.271 --> 00:39.491 Yeah. 00:40.212 --> 00:42.194 Who comes in and you can fool around a bit more. 00:42.514 --> 00:45.017 That was hard five way with, uh, what's that song called? 00:45.497 --> 00:47.319 Uh, that song is called Cash Machine. 00:47.420 --> 00:50.803 Yeah, in the video they're stuck inside a cash machine and it's like a sort of money mine. 00:51.824 --> 00:53.025 They're like miners, yeah. 00:53.105 --> 00:58.287 I just saw it on Saturday morning idiots with those two idiots from Fame Factory. 00:58.747 --> 00:59.527 Saturday Blob. 00:59.607 --> 01:01.308 Fern Cotton with her orange hair. 01:01.908 --> 01:03.349 She's made herself look unattractive. 01:03.369 --> 01:04.389 She used to be really sexy. 01:04.870 --> 01:05.370 What's she done? 01:05.570 --> 01:09.131 She's gone all ginger and somehow her face has become more pointy and hawk-like. 01:10.032 --> 01:10.592 Lady Hawk. 01:10.872 --> 01:12.033 I'm attracted to hawks. 01:12.073 --> 01:12.313 Yeah. 01:12.693 --> 01:13.053 Fair enough. 01:13.073 --> 01:13.333 She is. 01:13.373 --> 01:14.334 She's like a sexy parrot. 01:14.514 --> 01:14.714 Good. 01:15.174 --> 01:15.414 Yeah. 01:15.775 --> 01:19.157 So, coming up for you, we've got lost DVD box sets to give away. 01:19.197 --> 01:20.158 That's a good prize, isn't it? 01:20.198 --> 01:21.139 Series 1 of Lost. 01:21.960 --> 01:30.667 We've got three pairs of tickets for XFM's December live session with Carling to see The Bravery, an exclusive gig on Thursday the 1st of December at the Islington Academy. 01:31.327 --> 01:32.148 We've got great music. 01:32.168 --> 01:33.248 We've got Ditties in the Dock. 01:33.608 --> 01:34.649 We've got a competition. 01:34.909 --> 01:36.610 We've got all kinds of things, right? 01:36.850 --> 01:37.671 Yeah, absolutely. 01:38.091 --> 01:41.292 And can I just say that Alex Aime just said that I broke the Xbox 360. 01:41.733 --> 01:45.875 There's an Xbox 360 in the reception here at XFM, which is very exciting. 01:46.275 --> 01:47.596 Well, I'm so excited about it. 01:47.636 --> 01:49.057 I've pre-ordered one for next weekend. 01:49.437 --> 01:50.818 I can't believe there's one just sitting there. 01:51.198 --> 01:51.938 So what did you do? 01:51.958 --> 01:53.599 You tried to... I tried to take it. 01:53.859 --> 01:54.019 Yeah. 01:54.079 --> 01:56.841 And it's in a massive presentation stand. 01:57.001 --> 01:57.161 Yeah. 01:57.481 --> 02:01.065 And I was sort of doing a comedy steel thing, you know, down the corridor. 02:01.085 --> 02:03.847 Cos when you're sitting in the studio, you can see people coming and going down the corridor. 02:03.867 --> 02:04.088 Right. 02:04.328 --> 02:06.110 So I was sort of dragging it out in a funny way. 02:06.490 --> 02:07.391 Then it stopped working. 02:07.811 --> 02:09.213 A comedy steel thing? 02:09.313 --> 02:09.813 Yeah, yeah. 02:09.833 --> 02:11.194 Even though no one was actually watching. 02:11.295 --> 02:12.616 That's what you tell the judge. 02:12.636 --> 02:13.577 He's easy to impress. 02:13.897 --> 02:15.438 It was a comedy steal, Your Honor. 02:15.458 --> 02:15.698 Yeah. 02:16.219 --> 02:17.119 Anyway, it's working again. 02:17.560 --> 02:18.320 They fixed it, did they? 02:18.400 --> 02:19.261 Yeah, it's been fixed. 02:19.281 --> 02:20.502 We just switched it off and on again. 02:20.662 --> 02:21.543 I'm very relieved. 02:21.623 --> 02:23.444 That's always the way with computers. 02:23.764 --> 02:26.606 But I don't know whether any listeners out there have pre-ordered Xbox 360s. 02:26.707 --> 02:30.129 They're supposed to arrive in the shops this time next week. 02:30.469 --> 02:34.692 I've pre-ordered mine, but Microsoft is saying they haven't got enough machines to supply demand. 02:35.273 --> 02:39.316 And if I don't get one this time next week, I'm going to have the biggest tantrum of my life. 02:40.765 --> 02:42.886 When will they learn, though, with Christmas and everything? 02:42.926 --> 02:43.667 I don't understand. 02:43.707 --> 02:44.648 What, to make enough things? 02:44.808 --> 02:48.310 Yeah, do they deliberately keep supplies short just to make it seem more sexy? 02:48.350 --> 02:49.191 Maybe, maybe. 02:49.651 --> 02:52.693 But if I haven't got one in my house by this time next weekend, I am going to take that one. 02:52.713 --> 02:54.394 OK, there you go. 02:54.414 --> 02:55.555 I'm going to bring a little hammer. 02:55.695 --> 02:56.956 You've been warned, XFM. 02:57.156 --> 02:58.116 Right, let's play some music. 02:58.597 --> 03:00.118 This is the Coldplay. 03:09.429 --> 03:11.470 Yeah, yeah, yeah, yeah. 03:11.570 --> 03:11.711 Yeah. 03:11.891 --> 03:13.872 Ah, Coldplay. 03:13.932 --> 03:14.773 Come on, don't be like that. 03:15.093 --> 03:21.457 I tell you what, if I was Coldplay, I would complain about Virgin Atlantic using Coldplay during take-off and landing. 03:22.598 --> 03:22.878 Right. 03:22.978 --> 03:24.019 Every time you fly on them. 03:24.379 --> 03:25.419 What, they're always the same song? 03:26.280 --> 03:27.961 Just the latest Coldplay album. 03:27.981 --> 03:33.565 It lasts for half an hour as well during taxiing, take-off, and until the fasten your seat belts lights go out. 03:34.051 --> 03:36.079 Yeah, but that's only like this month. 03:36.099 --> 03:37.664 They'll probably change it to another album. 03:37.685 --> 03:38.146 Do you think? 03:38.206 --> 03:39.551 It'll be hard fire next month. 03:39.591 --> 03:39.933 Will it? 03:39.993 --> 03:40.194 Yeah. 03:41.360 --> 03:42.261 cos they're huge. 03:42.501 --> 03:42.941 That's true. 03:43.041 --> 03:44.242 You know, I like that song, though. 03:44.582 --> 03:54.029 Halfway through, I was thinking, I'm really enjoying this, but then I looked at the clock and it said it had another two minutes and 30 seconds to go, and then I ran out of steam. 03:54.590 --> 03:54.830 Yeah. 03:54.950 --> 04:00.374 Their new video's quite good for their new single, They Go To The Moon And Meet A Robot. 04:00.894 --> 04:01.775 Wow. 04:01.815 --> 04:02.075 Yes. 04:03.096 --> 04:05.818 They probably could go to the moon and meet robots if they wanted. 04:05.938 --> 04:06.298 Probably. 04:06.318 --> 04:07.439 They could do anything they wanted. 04:07.599 --> 04:08.100 Yeah. 04:08.300 --> 04:08.580 Yeah. 04:08.940 --> 04:11.162 If I- if I could do anything I wanted, that's exactly what I'd do. 04:11.182 --> 04:11.442 Would you? 04:11.562 --> 04:11.842 Yeah. 04:12.243 --> 04:12.323 Aw. 04:12.703 --> 04:14.404 Go to the moon and I'd meet some robots. 04:14.664 --> 04:14.824 Yeah. 04:15.185 --> 04:18.928 So, uh, presumably you've been watching a lot of I'm a Celebrity Get Me Out of Here this week, Jack? 04:18.968 --> 04:21.169 No, I don't know what the listeners think, but I'm boycotting it. 04:21.349 --> 04:22.190 Why are you boycotting it? 04:22.210 --> 04:22.931 Because I don't care. 04:23.211 --> 04:25.432 Oh, come on, you love Big Brother and all that rubbish. 04:25.492 --> 04:27.434 Yeah, but I can only deal with- with one a year. 04:27.654 --> 04:28.315 Right, fair enough. 04:28.475 --> 04:32.037 And, uh, I- I don't think I've even- I haven't done any this year, in fact. 04:32.338 --> 04:32.518 Yeah. 04:33.138 --> 04:37.363 And David what's-his-face, Dickinson, orange man shaving his pubic hair. 04:37.924 --> 04:39.926 It's not any draw for me on any level. 04:40.707 --> 04:41.928 Ironic or non-ironic. 04:42.429 --> 04:43.330 Yeah, but just the thought. 04:43.731 --> 04:46.634 No, I can understand you being turned off by that. 04:46.754 --> 04:48.036 What about Carol Thatcher weeing? 04:49.605 --> 04:50.926 Carol Thatcher-Weeing, no. 04:51.226 --> 04:51.446 No. 04:51.646 --> 04:51.866 No. 04:52.406 --> 04:53.246 You see more of that. 04:53.266 --> 04:54.267 Do you? 04:54.287 --> 04:56.908 No, you only saw it once and it was, it was unappetizing. 04:57.228 --> 05:01.150 It's a bit of a bust, this series, cos I am a, I'm a celebrity, get me out of here, man. 05:01.650 --> 05:01.890 Right. 05:02.010 --> 05:05.031 And, um, whereas you're a big brother man, is that fair to...? 05:05.151 --> 05:06.792 I don't want to be called a big brother man, that's terrible. 05:06.812 --> 05:09.633 No, I know, but in broad terms, you, you've got time for big brother. 05:09.813 --> 05:11.234 Yeah, I'm an occasional tourist. 05:11.314 --> 05:11.554 Yeah. 05:11.754 --> 05:11.954 Yeah. 05:12.254 --> 05:14.155 Well, I quite like I'm a Celebrity, Get Me Out Of Here. 05:14.175 --> 05:16.876 Last couple of series I thought were pretty amazing. 05:17.597 --> 05:19.680 Do you like the bugs? 05:19.720 --> 05:25.649 Because the thing that changes more each year is the little stings they use to promote it with. 05:25.669 --> 05:29.013 And they've got CGI animated insects, haven't they, this year? 05:29.816 --> 05:30.936 Oh, yeah. 05:30.956 --> 05:33.917 I don't like them, but they remind me of Ricky Gervais's flanimals. 05:34.317 --> 05:34.617 Yeah. 05:34.717 --> 05:35.758 It's probably what inspired them. 05:35.798 --> 05:37.638 But those things can be more sickening than the shows. 05:38.098 --> 05:43.400 You know, the thing that they choose, the little- they call them interstitials, the tiny little adverts that go before and after the breaks. 05:43.660 --> 05:43.820 Yeah. 05:43.840 --> 05:50.762 They can be more annoying than- than the series, cos you're gonna see them 50 times a show, every day, every week, for eight months. 05:50.942 --> 05:51.142 Exactly. 05:51.162 --> 05:52.022 Or however the thing runs. 05:52.063 --> 05:53.523 I think it's- Like the phone's for you, man. 05:54.123 --> 05:57.566 on the last big brother, I need to find him and just stamp on his head, face. 05:58.747 --> 06:00.088 I hate that phone's for you, man. 06:00.268 --> 06:01.109 I really hate him. 06:01.409 --> 06:03.150 Not personally, but the persona he creates. 06:03.250 --> 06:06.373 Who, the guy who leans out the window and sort of goes, hey, scary Mary. 06:06.533 --> 06:07.714 I really want to kill him. 06:08.502 --> 06:09.763 Not the actual actor. 06:09.983 --> 06:10.744 He's okay. 06:11.225 --> 06:11.965 But the persona. 06:12.386 --> 06:17.090 If I saw him in the street dressed like that and doing that thing, I would attack him. 06:17.110 --> 06:18.631 You'd run over and kill him in the face. 06:18.812 --> 06:20.233 And I think the crowd would support me. 06:21.274 --> 06:22.675 I don't think the police would prosecute me. 06:22.695 --> 06:25.458 I think I'd be a sort of a minor national hero. 06:25.538 --> 06:29.021 Yeah, there'd be a phones for you legal loophole that would get you out of it. 06:29.221 --> 06:41.303 I know, I think it's Going Places or Thompson Holidays that sponsor I'm a Celebrity this time round, and there's a really annoying little- little bumper with- talking about the fact there's more legroom on one of these- is it Thompson or I don't know, Going Places? 06:41.323 --> 06:41.804 I'm not sure. 06:42.224 --> 06:53.346 Anyway, there's more legroom on- on one of these packages or whatever, so you have a shot of a couple of people sitting in their chairs in a plane and you see their feet dancing in a kind of annoying way. 06:53.646 --> 06:58.327 And that- that's the thing that really is annoying me at the moment about, uh, I'm a Celebrity, get me out of here. 06:58.587 --> 07:06.332 Plus the fact that there's really nothing happening on it, and there's an atmosphere of total desperation, and they're just sort of regurgitating events from the previous show. 07:06.352 --> 07:07.853 Haven't they chucked cannonball in, though? 07:08.173 --> 07:15.537 They've chucked cannonball into the mix, and when you have to chuck Tommy and Bobby into a show to spice it up, things are bad, I would say. 07:15.878 --> 07:23.562 And I think, I might be wrong, but I get the feeling they've coached at least Bobby to sort of stir things up a little bit and be quite bossy. 07:23.582 --> 07:24.623 He was always the wacky one. 07:24.863 --> 07:25.183 Yeah. 07:25.784 --> 07:27.105 But what he'll do without his braces. 07:28.149 --> 07:29.650 Are they letting him bring his braces in? 07:29.850 --> 07:30.850 No, he doesn't have braces. 07:30.890 --> 07:32.431 He talks about his braces. 07:32.931 --> 07:34.452 He talks in anecdotes. 07:34.732 --> 07:41.474 He gives them long, great big anecdotes about his showbiz life and the genesis of Rock on Tommy and all the catchphrases and stuff. 07:41.614 --> 07:42.315 Long anecdotes? 07:42.475 --> 07:43.055 Yeah, really long. 07:43.155 --> 07:44.476 How dare you do long anecdotes? 07:45.456 --> 07:46.156 What are you saying? 07:46.636 --> 07:47.617 We do long anecdotes. 07:48.077 --> 07:50.118 Well, just let me talk. 07:50.778 --> 07:53.999 And then they cut it to make it look really boring. 07:54.500 --> 07:54.820 OK? 07:55.020 --> 07:55.900 See, it wasn't that long. 07:55.920 --> 07:57.681 Right, I'll play some music. 08:03.763 --> 08:04.544 That's great. 08:04.564 --> 08:05.065 I love that. 08:05.305 --> 08:06.747 That's Walk Away by Franz Ferdinand. 08:06.807 --> 08:08.449 This is Adam and Joe on XFM. 08:08.489 --> 08:09.291 We'll be back shortly. 08:10.913 --> 08:11.153 XFM. 08:11.213 --> 08:16.621 Love music. 08:16.661 --> 08:17.181 Love music. 08:36.906 --> 08:37.349 XFM. 08:46.638 --> 08:48.399 That's The Modern Way by the Kaiser Chiefs. 08:48.419 --> 08:49.980 This is Adam and Joe on XFM. 09:16.858 --> 09:19.240 and everyone on the set laughs, and he laughs. 09:19.300 --> 09:20.001 It's a good moment. 09:20.321 --> 09:26.786 It's right at the beginning of one of the fascinating featurettes, or docutinas as I like to call them. 09:27.526 --> 09:41.317 But at one point he says, Steven Spielberg says, you know in making War of the Worlds, I wasn't so interested about making a film about an alien invasion, but I wanted to make a film about a deadbeat father learning to be a good father. 09:42.958 --> 09:45.260 And at first you think, oh, that's fair enough. 09:45.540 --> 09:48.443 But then you think, what kind of a father is that? 09:49.064 --> 09:54.128 What kind of a father needs aliens to invade to actually make him love his kids? 09:54.628 --> 09:55.629 A deadbeat father. 09:55.709 --> 09:59.132 And then you start to realize that in most blockbusters, that's what's going on. 09:59.813 --> 10:09.120 You know, in Day After Tomorrow, it takes a massive global ecological disaster to make Dennis Quaid show some affection for Toby McGoose or whoever it is. 10:09.680 --> 10:10.421 Johnny McGuire. 10:10.461 --> 10:11.021 What's he called? 10:11.401 --> 10:11.782 Toby? 10:11.942 --> 10:13.103 Renford Stockport. 10:13.283 --> 10:15.845 Jimmy... In Hook, do you remember Hook? 10:16.205 --> 10:16.485 Sure. 10:16.705 --> 10:21.549 Robin Williams can't be arsed to show up to his kids' school play, do you remember? 10:21.809 --> 10:24.030 Yeah, keeps missing the baseball matches and all that. 10:24.090 --> 10:30.291 They have to be kidnapped by imaginary pirates before he can actually be bothered to show up to their play. 10:30.311 --> 10:31.032 Yeah. 10:31.492 --> 10:35.073 And it made me think, man, American parents, they're really lazy. 10:35.673 --> 10:45.796 Not only do they like their portions really big, but it takes the death of millions of innocent people in a spectacular fashion just to make them change one tiny thing about their lives. 10:46.676 --> 10:50.119 And it made me think, you know, what would it take me to change things? 10:50.139 --> 10:54.242 Like, I hate avocado, but for no reason, no logical reason at all. 10:55.063 --> 11:05.252 Maybe if I was on a cross-channel ferry and it got hit by a tidal wave and it was capsized and my life was saved by a crate of avocados, maybe that would make me like them. 11:06.768 --> 11:13.294 You know, can you think of something that you really can't be bothered to do, that if you were a character in a film would be your character flaw, Adam Buxton? 11:13.314 --> 11:13.795 What would it be? 11:15.697 --> 11:16.377 What can't you do? 11:16.418 --> 11:18.940 What's your wife always bugging you about? 11:19.781 --> 11:20.281 Washing up? 11:20.341 --> 11:20.842 Tidying up? 11:23.556 --> 11:30.162 I don't think I'll- I don't think I'll wash- you know the bits of cutlery that don't go in the dishwasher like the wooden spoons and the spatulas? 11:30.622 --> 11:35.106 I don't think I'll ever learn to wash those up until maybe South London is hit by a typhoon. 11:35.687 --> 11:37.969 Right, and you have to use a clean spatula to get out. 11:38.169 --> 11:39.370 Somehow, somehow. 11:39.930 --> 11:40.651 With just a thought. 11:41.972 --> 11:42.893 Oh, that's interesting, man. 11:43.273 --> 11:48.537 And, you know, after that, I don't know whether I can sympathise with Tom Cruise's character in War of the Worlds. 11:49.197 --> 11:55.422 Cos, you know, someone should just talk to him and say, hey, Ray, you rust belt crane worker, you. 11:56.122 --> 11:57.343 Yeah. 11:57.363 --> 11:58.484 Show a little love for your kids. 11:58.544 --> 11:59.945 See them more often than six weeks. 12:01.260 --> 12:03.121 You know, don't wait for the aliens to teach you. 12:03.522 --> 12:07.065 I wish that he had made the film about all the aliens attacking. 12:07.205 --> 12:08.145 That would be exciting. 12:08.185 --> 12:08.546 Yeah. 12:08.866 --> 12:11.208 You know, he's very lucky, that character in that film. 12:11.568 --> 12:11.748 Who? 12:11.988 --> 12:12.829 Oh, Tom Cruise's character. 12:12.849 --> 12:17.513 Yeah, because he really very narrowly escapes those disintegrating lasers at the beginning. 12:17.933 --> 12:44.900 is it good though is it worth seeing i hear that it's uh 20 minutes worth is good and then after that you switch off no it's good it gets boring tim robbins is boring but he's obsessed like on the making of stuff he's obsessed by that scene in the yeah it's not a good scene house he's like wow this is the most amazing scene and all the executives are sort of saying steven's done something very brave in the film he stops the action completely and relocates to this basement house for a very tense 20 minute scene with tim robbins tim bobbins 12:45.020 --> 12:50.424 And it's an incredibly brave thing to do, and the subtext is clearly like, go and buy some sweets. 12:50.504 --> 12:56.587 He's lost his mind, and he's put this unbelievably boring scene in the middle of an otherwise interesting film. 12:56.607 --> 12:56.828 Yeah. 12:57.248 --> 12:57.808 No, it's good. 12:57.848 --> 12:59.790 The amazing thing is how long some of the shots are. 12:59.910 --> 13:00.130 Yeah. 13:00.250 --> 13:01.331 There's amazing shots. 13:01.651 --> 13:04.933 Other directors were doing 15 shots, but he does it all in one. 13:05.373 --> 13:05.573 Right. 13:05.593 --> 13:06.234 That's clever, innit? 13:06.334 --> 13:07.154 That's very clever. 13:07.174 --> 13:08.155 That's clever, doing it all in one. 13:08.235 --> 13:09.356 Dave Walliams could do that. 13:09.456 --> 13:10.897 Dave Walliams and Matt Lucas could do that. 13:10.917 --> 13:11.737 They could probably do that. 13:11.757 --> 13:11.897 Yes. 13:11.917 --> 13:13.979 Right, we're going to have a competition very shortly. 13:14.919 --> 13:15.480 They're very clever. 13:15.500 --> 13:16.320 Because they're geniuses. 13:16.561 --> 13:16.701 Yes. 13:16.841 --> 13:17.822 Because they're geniuses. 13:17.842 --> 13:20.644 Um, and- We're gonna do celebrity regression in a second. 13:20.844 --> 13:21.044 Yeah. 13:21.064 --> 13:24.367 But let's have some more music in case people may be, uh, going cold turkey. 13:24.527 --> 13:27.370 It's kind of a weird celebrity regression, uh, that we've got. 13:27.430 --> 13:28.891 Very- I'd say pretty easy. 13:28.951 --> 13:31.893 So if you want to win some stuff- What are we getting- giving away for this? 13:31.913 --> 13:32.574 Lost DVDs. 13:32.734 --> 13:33.555 Oh, lost DVDs. 13:33.575 --> 13:34.496 Come on, that's a good prize. 13:34.996 --> 13:36.117 So stand by your phones 13:36.377 --> 13:41.000 08712221049 is the number to call, just if you want to say hi. 13:41.341 --> 13:45.564 But that's the number for the competition, which is coming up after this extremely short song. 13:45.584 --> 13:48.906 This is by Robert Pollard, who used to be in Guided by Voices. 13:49.407 --> 13:51.508 Joe Cornish, they're kind of indie legends. 13:51.888 --> 13:59.134 They split up, but Robert Pollard has a solo album out very shortly, and this is, I think, the single from it. 14:06.502 --> 14:25.527 see yeah robert pollard with that song what adam chose i'm a strong lion one minute you see all singles should be exactly one minute long and the album is called from a compound eye and i uh recommend you go out and invest in it if you can't if you like that kind of thing right it's competition time uh i should play uh competition time jingle competition time 14:26.567 --> 14:47.591 You could win a DVD or tickets to a show You just never know So sharpen up your brain and get ready to play Yes, it's celebrity regression time when we're going to put Adam into a deep subconscious sleep and he's going to inhabit the mind of a famous Hollywood film star or star at. 14:47.911 --> 14:48.931 All you have to do is call 0871 222 1049 14:52.572 --> 14:59.958 what star he's being and what films he's witnessing happening around him and you could win the lost season one box set on DVD. 14:59.998 --> 15:00.698 Are you ready Adam? 15:00.858 --> 15:07.183 Yeah, I should remind people as well that not to be fooled by the accent because the accent sometimes can be misleading. 15:07.223 --> 15:09.044 It's not necessarily the right one is it? 15:09.104 --> 15:10.666 No, sometimes it's the wrong one. 15:11.406 --> 15:17.629 And it's going to be fairly short and sweet this week as far as the regressions go, and I think it's pretty easy. 15:18.050 --> 15:20.171 So if you want to win those lost box sets, 0-8-7-1-2-2-2-1-0-4-9. 15:20.191 --> 15:20.491 Are you ready? 15:20.511 --> 15:21.611 Yes, ring the UH regression bell. 15:29.602 --> 15:32.805 OK, we have to relax ourselves deeply to get into a state of celebrity regression. 15:33.386 --> 15:34.547 And ask Adam to close his eyes. 15:34.607 --> 15:36.328 If you want to play along out there, you can too. 15:36.368 --> 15:36.989 Close your eyes. 15:37.289 --> 15:37.949 Cross your legs. 15:38.910 --> 15:42.373 Tweak anything that's uncomfortably nestling between your legs. 15:43.114 --> 15:44.194 And relax. 15:45.696 --> 15:49.038 And go all the way back, back, back, back, back, back, back, back, back, back, back, back. 15:49.759 --> 15:52.181 And Adam, you are now in the mind of a celebrity. 15:52.281 --> 15:54.903 And in one of his or her films, wake up and tell us what you can see. 15:57.610 --> 15:58.631 I'm a scientist. 15:59.792 --> 16:00.952 I'm in a big house. 16:01.533 --> 16:04.855 I'm experimenting in the house with fear. 16:06.677 --> 16:07.877 Imagine the fear. 16:08.318 --> 16:10.179 Dark rooms, places. 16:10.199 --> 16:14.782 And in the scary birds, for example, etc. 16:14.822 --> 16:18.665 I'm a scientist experimenting with fear. 16:22.116 --> 16:26.898 Excuse me, the experiment seems to be concerned with the study of rubbish! 16:27.518 --> 16:28.718 It's the rubbish! 16:29.218 --> 16:31.319 The study of rubbish! 16:31.839 --> 16:35.821 In there, in this house, and I'm in a scientist! 16:36.681 --> 16:37.961 Wow, people are calling already! 16:38.021 --> 16:39.062 It's rubbish! 16:39.242 --> 16:41.303 Xanthies had to go and answer the phone, people are calling! 16:42.683 --> 16:44.125 OK, let's take your... Are you finished? 16:44.405 --> 16:44.585 Yes. 16:44.966 --> 16:45.126 Yeah. 16:46.027 --> 16:50.953 OK, so now we're going to take Adam even further back into another film by the same star or starlet, remember? 16:50.973 --> 16:53.536 0-8-7-1-triple-two-one-o-four-nine, if you can guess the films. 16:54.097 --> 16:54.757 And the star. 16:55.538 --> 16:56.379 Wake up, tell us what you can see. 16:58.061 --> 17:00.162 I'm in a forest of some kind. 17:01.482 --> 17:03.363 There's a cabin, a small cabin. 17:03.383 --> 17:05.883 There's a girl inside the cabin. 17:06.984 --> 17:11.065 She's very frightened and gibbering, jabbering. 17:11.525 --> 17:14.166 And she's talking rubbish! 17:14.506 --> 17:15.946 She's talking rubbish! 17:16.347 --> 17:18.347 And I'm going to be very patient with her. 17:18.707 --> 17:19.748 I've got a long tether. 17:20.128 --> 17:23.389 And I'm at the beginning of my tether, and it's all fine. 17:23.409 --> 17:25.589 We're going to get to the bottom of this rubbish. 17:25.909 --> 17:27.250 She's talking rubbish! 17:27.810 --> 17:28.550 It's rubbish! 17:29.131 --> 17:29.611 Oh, geez! 17:29.851 --> 17:31.112 I'm tortured by rubbish! 17:32.052 --> 17:33.213 It's rubbish! 17:34.073 --> 17:35.714 Oh, this is... I don't think this is easy. 17:35.734 --> 17:36.475 This is difficult. 17:36.775 --> 17:39.756 Just... 0-8-7-1-triple-2-1-0-4-9. 17:39.796 --> 17:43.078 We're gonna regress Adam into the final film. 17:43.638 --> 17:44.319 Adam, wake up. 17:44.339 --> 17:45.059 Tell us what you can see. 17:45.419 --> 17:49.802 Oh, it's hot and dusty, um... Hot and dusty here. 17:49.882 --> 17:55.585 I'm sat outside some kind of adobe hut of some core... some... 17:56.705 --> 18:10.096 Sort and I'm talking to a small blonde haired muppet boy Trying to explain to him the more important facts about life But it's coming out rubbish. 18:10.777 --> 18:11.517 It's rubbish. 18:11.618 --> 18:21.326 I'm talking rubbish to the boy Oh God To the blonde muppet and talking rubbish Wow, is that it? 18:22.236 --> 18:23.817 Yes, this is a dangerous regression. 18:23.857 --> 18:28.819 I don't know what's going on inside Adam's head We're gonna keep him regressed for God's sake call. 18:28.959 --> 18:36.543 Oh eight seven one triple two one and four and I name all three films And the star and you could win the lost DVD box set call now 18:51.778 --> 18:53.199 Here, Add, in your regressed state. 18:53.259 --> 18:53.719 Who was that? 18:53.739 --> 18:54.760 The subways. 18:55.220 --> 18:56.381 With no goodbyes. 18:56.461 --> 18:56.761 Thanks. 18:56.861 --> 18:57.101 Wow. 18:57.201 --> 18:57.762 God, you're good. 18:58.102 --> 18:59.623 OK, we're in the middle of celebrity regression. 18:59.663 --> 19:00.543 Could we ring the New Age bell? 19:00.563 --> 19:00.903 Thank you. 19:01.704 --> 19:05.086 We've got two callers on the line who reckon they know what film and what film star Adam's. 19:05.726 --> 19:06.887 Adam was regressed in two. 19:07.047 --> 19:08.948 My bell just fell off. 19:09.748 --> 19:10.309 I'm sorry. 19:11.009 --> 19:11.449 There we go. 19:12.130 --> 19:13.971 So shall we speak to Joe on line one? 19:14.351 --> 19:14.791 Hello, Joe. 19:15.031 --> 19:15.192 Hi. 19:15.212 --> 19:15.912 How are you doing? 19:16.172 --> 19:16.792 Not bad, thanks. 19:16.973 --> 19:19.434 So tell us what, first of all, who you think the star is. 19:19.454 --> 19:20.835 Well, I think it's Jude Law. 19:22.282 --> 19:25.643 And tell us about the first film that you think Adam was in. 19:26.023 --> 19:29.083 I think the first one's Gattaca, just because it was a scientist. 19:29.103 --> 19:30.543 Scientist in a big house. 19:30.763 --> 19:31.364 Talking rubbish? 19:31.584 --> 19:32.684 Experimenting with fear. 19:32.704 --> 19:33.444 Possibly. 19:33.724 --> 19:34.104 Possibly. 19:34.144 --> 19:35.024 What about the second one? 19:35.724 --> 19:38.645 Coal Mountain, where he finds Natalie Portman in a cabin. 19:39.385 --> 19:40.145 Very frightened. 19:40.345 --> 19:41.625 What was that, the blonde moppet one? 19:41.805 --> 19:42.646 No, what was the middle one? 19:42.886 --> 19:44.006 Gibbering, jabbering. 19:44.106 --> 19:45.146 Forest with a cabin. 19:45.426 --> 19:46.806 Oh, in the forest with a cabin. 19:46.866 --> 19:47.666 Frightened girl. 19:47.746 --> 19:48.967 Natalie portable man. 19:49.607 --> 19:50.847 And then what about the third film? 19:51.223 --> 19:53.504 Their last one I thought was A.I. 19:53.904 --> 19:55.945 Talking to a small blonde-haired boy. 19:56.085 --> 19:57.645 Yes, a muppet. 19:58.025 --> 19:59.166 Man, that's quite good, isn't it? 19:59.346 --> 20:00.246 It's good. 20:00.426 --> 20:01.547 Can't argue with the logic. 20:01.847 --> 20:05.248 OK, well, let's see what Adam's response is. 20:05.288 --> 20:07.409 He's been very vocal for a man who's deeply regressed. 20:08.029 --> 20:09.629 What's that mean? 20:09.669 --> 20:10.450 What's your reaction to that? 20:10.530 --> 20:11.170 Adam, is it Jude Law? 20:13.721 --> 20:14.702 No, I'm sorry, Joe. 20:14.762 --> 20:15.683 He's remained asleep. 20:16.163 --> 20:17.164 But do you know what? 20:17.264 --> 20:23.170 Your logic, your wrong logic, your illogic, was so thorough we might give you a lost box set anyway. 20:23.190 --> 20:24.331 Excellent, that'd be lovely. 20:24.551 --> 20:25.272 OK, we'll do that. 20:25.312 --> 20:26.172 Thanks a lot for calling. 20:26.373 --> 20:26.633 Thanks. 20:26.733 --> 20:27.874 And have a great Saturday. 20:27.894 --> 20:28.354 Night. 20:28.414 --> 20:28.935 OK, bye. 20:29.135 --> 20:29.335 Bye. 20:29.836 --> 20:30.516 OK, Matthew. 20:30.536 --> 20:31.077 Hello, Matthew. 20:31.517 --> 20:31.757 Morning. 20:32.118 --> 20:32.718 How are you doing? 20:32.778 --> 20:33.579 Morning, Matthew. 20:33.639 --> 20:34.620 Morning to you, Matthew. 20:34.660 --> 20:35.461 What have you been up to? 20:36.301 --> 20:37.322 Erm, plenty of sleeping. 20:37.603 --> 20:37.923 Have you? 20:37.963 --> 20:38.924 Did you have a late night last night? 20:39.528 --> 20:42.409 Not really, just like an early night, but a very late morning. 20:42.449 --> 20:43.789 How many hours did you have in bed? 20:45.329 --> 20:46.369 More than 12. 20:46.949 --> 20:49.910 Oh, man, your eyes must be all crusty and gooey. 20:50.590 --> 20:52.730 I've got over that face now. 20:52.830 --> 20:56.371 Fused shut with big... ...welds of stuff. 20:56.991 --> 20:57.291 Hello? 20:57.691 --> 20:58.071 Anybody there? 20:59.011 --> 20:59.211 Hello. 20:59.451 --> 20:59.751 Hello. 21:00.132 --> 21:03.952 Okay, Matthew, who... Now, well, first of all, can you name the films? 21:03.992 --> 21:05.593 Before you name the star, can you name the films? 21:07.713 --> 21:08.213 The Haunted. 21:09.121 --> 21:09.961 Do you mean The Haunting? 21:09.981 --> 21:11.522 The Haunting, even. 21:11.702 --> 21:12.462 The Haunting? 21:12.482 --> 21:15.503 The Haunting, um... The Haunting. 21:17.104 --> 21:17.344 No. 21:17.684 --> 21:19.184 Does The Haunted exist? 21:20.765 --> 21:21.825 Might do, I don't know. 21:22.165 --> 21:23.246 The Haunted. 21:23.746 --> 21:28.087 And was that, what about any... Just making that sound. 21:28.207 --> 21:29.588 What about any of the other films? 21:29.928 --> 21:30.448 Um, Nel? 21:31.465 --> 21:32.586 Oh, Nell's a good film. 21:32.626 --> 21:35.227 That's certainly got a lot of people talking rubbish in it, hasn't it? 21:36.048 --> 21:37.489 How many times have you seen Nell, Matthew? 21:37.629 --> 21:43.412 Um, I've got to say, I've probably seen it once, but I think it was, again, on a flight, and I just kind of flipped over it. 21:43.432 --> 21:45.654 Can you do an impression of Jodie Foster in it? 21:48.175 --> 21:50.037 Now you're asking. 21:50.497 --> 21:51.658 No. 21:51.958 --> 21:54.819 Man, that's another competition, like funny little gibberish women. 21:54.900 --> 21:56.901 Anyway, so what, third film? 21:57.996 --> 22:03.320 Um, first film, um, after Passover, I didn't quite get it. 22:03.741 --> 22:04.641 Sat outside. 22:04.661 --> 22:07.604 I was jumping out there going, no, no, no, no, no. 22:07.764 --> 22:07.864 OK. 22:07.924 --> 22:12.728 The doobie hut, talking to a small blonde boy, talking rubbish. 22:13.688 --> 22:17.551 OK, well, listen, I think what you should do, Matthew, is say the name of the actor who you think it is. 22:17.591 --> 22:18.632 If you're right, Adam will wake up. 22:18.672 --> 22:21.054 If you're wrong, he'll stay regressed and you may have damaged him for life. 22:21.094 --> 22:22.215 Say the name now, please, Matthew. 22:22.695 --> 22:23.216 Liam Neeson. 22:24.412 --> 22:25.713 Oh, he got it right. 22:25.733 --> 22:26.334 Fantastic. 22:26.574 --> 22:26.994 Brilliant. 22:27.014 --> 22:27.555 Amazing. 22:27.855 --> 22:29.296 I'm quite relieved to be out of that. 22:29.437 --> 22:30.678 Did he get the films right? 22:31.198 --> 22:32.259 Yeah, he got all the films right. 22:32.299 --> 22:35.282 That first one was the scientist in a big house experimenting with fear. 22:35.302 --> 22:37.344 That's the haunting with... The haunted. 22:37.504 --> 22:38.064 The haunted. 22:38.625 --> 22:39.065 Haunting. 22:39.185 --> 22:39.826 The haunt-haught. 22:40.086 --> 22:41.067 The haunt-haught. 22:41.287 --> 22:41.928 The haunt-ers. 22:43.169 --> 22:44.990 Yeah, very bad, very bad. 22:45.050 --> 22:45.691 The haunt-ees. 22:45.911 --> 22:46.732 The haunt-oo. 22:47.012 --> 22:47.813 The haunt-ools. 22:48.533 --> 22:49.294 The haunt-ools. 22:51.155 --> 22:54.737 He's talking rubbish, rubbish. 22:55.157 --> 22:58.078 And Nell, of course, yeah, so talking rubbish, classic. 22:58.438 --> 22:59.659 And Phantom Menace, right? 22:59.699 --> 23:04.661 Phantom Menace, yeah, when he's explaining the midichlorians to the little muppet outside the hut. 23:05.041 --> 23:09.563 You know what, I like Liam Neeson, but I don't know what you think about this, Matthew, but I think he's one of the most boring people in film. 23:09.583 --> 23:12.304 He's one of the dullest people in modern cinema. 23:12.324 --> 23:20.007 He single-handedly brings down Batman Begins with his endless lectures about being true to your inner something and all that rubbish. 23:20.347 --> 23:22.409 Women love him, though. 23:22.910 --> 23:23.610 Yeah, exactly. 23:24.251 --> 23:25.372 Women just go for him. 23:25.693 --> 23:29.597 They think... Because he kind of exudes, like, a sexy manly vulnerability. 23:29.617 --> 23:31.398 Does exactly loves him. 23:31.999 --> 23:32.780 She loves it. 23:32.820 --> 23:35.302 He'd bore you to sleep, though, before he got... God, he's boring. 23:35.643 --> 23:37.865 Any kind of... you know... Yeah. 23:37.885 --> 23:38.365 Sorry, Matthew? 23:38.426 --> 23:41.489 You have to give us some good films to watch. 23:43.868 --> 23:45.412 We have to give you some good films to watch. 23:45.432 --> 23:46.515 No, give Lila. 23:47.117 --> 23:47.518 Lila? 23:47.758 --> 23:48.741 I'm getting very confused. 23:49.042 --> 23:49.343 That's true. 23:51.804 --> 23:53.225 Weiner off the- Absolutely correct. 23:53.265 --> 23:56.668 Weiner off the- You said Weiner off the- Then he said- Matthew said Weiner. 23:57.068 --> 23:59.210 Listen, this brings me on to- I saw Narnia this week. 23:59.370 --> 23:59.670 Do you? 23:59.870 --> 24:00.190 Yeah. 24:00.370 --> 24:02.412 I saw Narnia the other day, but I'm not allowed to review it. 24:02.732 --> 24:03.573 There's a review embargo. 24:03.593 --> 24:04.073 Oh, for God's sake. 24:04.093 --> 24:05.194 So I brought in my recorder. 24:05.434 --> 24:06.675 I thought I'd review it musically. 24:06.875 --> 24:07.396 Yeah, good one. 24:07.416 --> 24:08.336 A bit later in the show. 24:08.356 --> 24:09.057 But Matthew, well done. 24:09.097 --> 24:10.898 That's- you didn't get- yeah, that's right, isn't it? 24:10.938 --> 24:11.819 Is that all around correct? 24:12.099 --> 24:12.820 Yeah, that's all right. 24:12.840 --> 24:14.761 You know, he didn't get The Phantom Menace, but he did very well. 24:15.081 --> 24:17.363 And that was quite a cryptic one this week as well, but- 24:18.144 --> 24:21.748 So you win the lost box set, let's hope it doesn't get lost in the post. 24:21.808 --> 24:22.268 Brilliant. 24:57.586 --> 25:12.935 There you go. 25:13.076 --> 25:15.357 That's the Foo Fighters with Resolve. 25:15.897 --> 25:17.718 This is Adam Buxton. 25:17.738 --> 25:19.399 I'm Joe Cornish. 25:19.759 --> 25:21.681 Have you found everything you're looking for today? 25:23.757 --> 25:26.378 Er, yeah, no, I'd like an Xbox 360, please. 25:26.658 --> 25:31.660 OK, well, erm, we'll direct you to the Xbox shop. 25:32.680 --> 25:35.541 Do you ever say yes or do you ever ask them questions? 25:35.561 --> 25:38.902 You know what I'm talking about, like, is it HMV or Virgin where they say that? 25:39.262 --> 25:40.062 Do they say that over here? 25:40.102 --> 25:42.243 They say it in America a lot, but do they say that over here? 25:42.263 --> 25:43.423 Yeah, they started saying it over here. 25:43.443 --> 25:43.603 Really? 25:43.863 --> 25:45.664 Have you found everything you're looking for today? 25:45.684 --> 25:49.865 Is it like when you're having a meal and the waiter comes up mid-meal and goes, is everything OK? 25:50.845 --> 25:55.906 Yeah, well it's just, it's another, with a waiter, it's more of a practical thing, isn't it? 25:56.086 --> 25:57.306 Yeah, but they're never there when you need them. 25:57.567 --> 25:57.867 Right. 25:57.987 --> 25:59.867 They only come over and ask how you are when you don't need anything. 25:59.887 --> 26:00.867 That's a bad way to them. 26:01.007 --> 26:03.928 Well, when you actually need some food, they're over the other side, not looking at you. 26:04.188 --> 26:04.448 Right. 26:04.828 --> 26:05.888 You're going to the wrong restaurants. 26:05.988 --> 26:06.528 Maybe I am. 26:06.929 --> 26:11.149 But, um, when you're at the counter paying for your CDs and your DVDs. 26:11.330 --> 26:11.750 DVDs? 26:11.830 --> 26:13.010 Everyone loves DVDs. 26:13.530 --> 26:34.222 DVD crazy then it's you just don't know I just don't want them to ask that question do you find everything you're looking for today yes just just shut up happiness and take my money what I'm looking for happiness oh it's in the DVD section oh is it and that's along so long so that make me happy quick play record quit while we're ahead okay 26:34.542 --> 26:36.465 Well, I tell you what, it's the end of the first hour. 26:36.485 --> 26:43.936 We're gonna play some ads and we'll be back very shortly with some more great music, competitions, chuckles, and general mayhem here on XFN. 27:11.725 --> 27:13.852 This is XFM. 27:26.842 --> 27:28.222 Well, something's happened in here. 27:28.822 --> 27:30.503 That was Block Party two more years. 27:30.543 --> 27:31.783 This is Adam and Jo on XFM. 27:31.923 --> 27:37.665 A local food store has sent us two bags of delicious food. 27:39.065 --> 27:41.846 In the full knowledge that we will mention their company, right? 27:42.266 --> 27:44.367 And they've even stuck a picture of us on the front of the bag. 27:45.267 --> 27:48.328 It's a brilliant devious plan, because we've got to talk about it. 27:48.888 --> 27:49.768 It wasn't expected. 27:49.828 --> 27:52.489 Just two massive bags of delicious food. 27:52.649 --> 27:57.129 Of chicken-based, uh... From a local chicken-based fast food emporium. 27:57.610 --> 28:01.390 Who are probably listening and waiting for us to say their name, the company name. 28:01.410 --> 28:03.611 Uh, well... What do you think, Adam? 28:03.831 --> 28:07.792 It's, um... Shall we finish the food and then work out whether we should say the name? 28:07.812 --> 28:08.092 Yeah. 28:08.112 --> 28:09.012 Depending on the quality. 28:09.032 --> 28:09.672 Are you gonna eat it? 28:09.972 --> 28:10.732 I've eaten a chip. 28:10.992 --> 28:11.292 Have you? 28:11.312 --> 28:12.052 Mmm. 28:12.072 --> 28:12.693 How was the chip? 28:13.433 --> 28:13.693 It was... 28:14.913 --> 28:27.394 uh it was quite good well it was tasty what about the chicken the chicken i haven't had any of the chicken yet people are gonna think it's kfc it's not kfc it's not kfc and it's not it's not jimmy chickens 28:28.427 --> 28:29.408 It's not Jimmy Chicken. 28:29.668 --> 28:33.750 It's not, it's not Chikal, er, it's, what? 28:33.790 --> 28:34.430 Chicky Party. 28:34.630 --> 28:35.371 Chicky Party? 28:36.431 --> 28:36.732 Wow. 28:36.752 --> 28:38.172 It's none of those popular outlets. 28:38.512 --> 28:38.753 No. 28:39.213 --> 28:39.513 Anyway. 28:39.573 --> 28:40.574 That's really thrown me now. 28:40.754 --> 28:41.014 Yeah. 28:41.754 --> 28:42.134 Yeah. 28:42.455 --> 28:43.375 Well, don't worry. 28:43.635 --> 28:46.077 Here, let, what's out, what's inside? 28:47.085 --> 28:50.126 Maybe we should play another record and have a look at the food more closely. 28:50.506 --> 28:53.126 And then we'll do our review of the Chronicles of Narnia, eh? 28:53.146 --> 28:53.906 Oh, yeah, yeah, yeah. 28:53.926 --> 28:56.787 You're going to review the Chronicles of Narnia in a non-verbal fashion. 28:56.807 --> 28:59.587 Yeah, I'm not allowed to review it because it's embargoed till December the 4th. 28:59.807 --> 29:00.027 Yeah. 29:00.087 --> 29:04.088 But I have seen the Chronicles of Narnia and I'm going to review it in an unorthodox manner. 29:04.368 --> 29:04.668 Excellent. 29:04.928 --> 29:07.429 And then are we going to have any more kind of competition action? 29:07.449 --> 29:08.649 We've got more stuff to give away, don't we? 29:08.669 --> 29:09.629 We've got too much stuff to give away. 29:09.649 --> 29:10.729 What about a text competition? 29:10.889 --> 29:11.509 Yeah, that's a good idea. 29:11.529 --> 29:12.330 Did you have an idea for that? 29:14.870 --> 29:17.391 My, it was a bit of a wonky idea. 29:17.651 --> 29:19.292 Basically, I thought of a new word this week. 29:19.452 --> 29:19.872 Oh, well done. 29:20.052 --> 29:20.553 Yeah, thanks. 29:21.353 --> 29:24.494 My new word is, um, pre-union. 29:25.315 --> 29:25.935 What does that mean? 29:26.035 --> 29:36.039 Okay, so basically I was watching, uh, Sopranos the other day and several of the actors on The Sopranos in an early episode of The Sopranos, uh, later are reunited in 24. 29:37.700 --> 29:46.069 So, you know, they pop up a lot of those American actors who do HBO shows and things like that, that often do the rounds out there in the States, having fun with those chips. 29:46.670 --> 29:47.371 Good, good, good. 29:47.891 --> 29:52.977 Anyway, so it struck me that basically The Sopranos was a 24 pre-union. 29:53.017 --> 29:54.799 Do you get what I'm talking about? 29:54.999 --> 29:56.120 I've got a word like that as well. 29:56.160 --> 29:56.861 Yeah, what's your word? 29:56.921 --> 29:59.103 My word I invented is an exaggeratio. 30:02.086 --> 30:06.670 When someone exaggerates something, especially numerically, you work out their exaggeration. 30:07.150 --> 30:10.413 So if I say, oh, I'm just going to the shops, I'm back in five minutes. 30:10.953 --> 30:14.336 If it then takes me 20 minutes, I have an exaggeration of four to one. 30:14.976 --> 30:18.719 And you can then apply that exaggeration to any statement that person then makes. 30:19.120 --> 30:22.162 And I've found it incredibly useful, because people are consistent in their exaggerations. 30:23.163 --> 30:27.005 And now I know, you know, how long my girlfriend takes to do the shopping. 30:27.386 --> 30:27.846 What's your feet? 30:27.866 --> 30:28.626 Or clean my feet. 30:28.907 --> 30:29.947 Or clean your feet. 30:29.987 --> 30:30.127 Hmm. 30:30.968 --> 30:31.848 And what's your personal- Nothing. 30:32.389 --> 30:32.549 No. 30:32.709 --> 30:33.129 One to one. 30:33.269 --> 30:33.930 Never exaggerate? 30:33.970 --> 30:34.170 No. 30:34.430 --> 30:34.790 Wow. 30:34.950 --> 30:36.511 I'm- I'm straight and true and pure. 30:36.751 --> 30:39.593 Anyway, so I was thinking maybe people could text us in with their new words. 30:40.034 --> 30:41.635 If you've invented a word, text us. 30:42.115 --> 30:43.436 Uh, on 83XFM. 30:43.476 --> 30:44.716 And you could win tickets to see- 30:46.017 --> 30:53.603 XM's December live session with Carling to see the bravery supported by boy kill boy. 30:54.223 --> 30:55.204 Boy kill boy. 30:55.284 --> 30:56.785 Why do you want to go see boy kill boy? 30:57.465 --> 30:58.486 Boy kill boy. 30:58.606 --> 30:59.067 There you go. 30:59.587 --> 31:00.368 Well, that's a great prize. 31:00.388 --> 31:03.230 If you want to win tickets to the bravery, text us in your invented words. 31:03.550 --> 31:05.711 Remember, if they're rude, we can't read them out. 31:05.771 --> 31:06.672 We can't read them out. 31:06.692 --> 31:08.614 Because being rude is naughty. 31:08.754 --> 31:10.335 Now, I went to a gig earlier this week. 31:10.375 --> 31:14.678 I saw Geoff Tweedy playing at the Shepherd's Bush 31:14.958 --> 31:15.859 It was very enjoyable. 31:15.899 --> 31:17.640 He's the lead singer of Wilco, of course. 31:18.060 --> 31:20.662 And I met some Adam and Joe listeners there. 31:21.263 --> 31:25.146 And so I'm going to play this track from Wilco's last album, A Ghost Is Born. 31:25.486 --> 31:27.448 For them, this is called Theologians. 31:28.228 --> 31:29.729 Oh, no, that's not called Theologians. 31:29.770 --> 31:30.870 What were their names, the listeners? 31:31.291 --> 31:31.871 I didn't ask. 31:31.911 --> 31:38.056 I didn't want to get too close to them in that way, because I was unchaining my bike and I thought maybe they were going to mug me or something. 31:38.156 --> 31:39.177 But it turned out they were nice. 31:39.217 --> 31:41.358 But by that time, I had no time to ask their names. 31:42.160 --> 31:43.268 Oh, that's a good story, though, isn't it? 31:43.288 --> 31:43.469 Yeah. 31:43.650 --> 31:44.536 OK, this is for them. 31:53.055 --> 31:53.375 There you go. 31:53.395 --> 31:56.956 That's Theologians by Wilco from their last album A Ghost Is Born. 31:57.376 --> 32:00.037 We're getting some good invented words coming in. 32:00.577 --> 32:01.558 Have you got some over there, Joe? 32:01.578 --> 32:02.118 Yeah, we have. 32:02.858 --> 32:03.738 Adam, thank you very much. 32:03.818 --> 32:06.959 I feel like the lady in Matthew Wright's chat show on Channel 5. 32:07.480 --> 32:07.740 Right. 32:07.880 --> 32:11.221 One of the funny presenters in broken news. 32:11.461 --> 32:11.681 Yes. 32:12.541 --> 32:17.945 OK, so, er, we have to re-mantle to put something back together after dismantling it. 32:18.025 --> 32:19.146 That's probably a real word, isn't it? 32:19.186 --> 32:19.666 Re-mantle? 32:19.866 --> 32:22.668 It probably is in America, Joe, but certainly not in the United Kingdom. 32:22.689 --> 32:23.289 Thank you, Chris. 32:24.490 --> 32:25.711 Er... Ooh. 32:26.151 --> 32:27.132 I'm reading these out live. 32:27.172 --> 32:29.874 I haven't prepared these, so you've got to fill some spaces, Adam. 32:30.254 --> 32:30.854 Oh, a frenemy. 32:31.455 --> 32:33.977 A friend who you don't really get on with any more, but you still see. 32:35.103 --> 32:37.104 Right, and you still end up being nice to them. 32:37.244 --> 32:38.105 Yeah, a frenemy. 32:38.225 --> 32:39.685 That's from Sex and the City. 32:39.705 --> 32:39.805 Is it? 32:39.825 --> 32:42.167 You can't have sex and the city words. 32:42.187 --> 32:43.687 You've got to think of them yourself. 32:43.727 --> 32:44.308 Who is that from? 32:44.968 --> 32:45.728 Chris in Teddington. 32:46.029 --> 32:47.289 You've been badly rumbled. 32:47.689 --> 32:49.730 Frenemies from Sex and the City? 32:49.791 --> 32:50.891 That's no good at all. 32:51.251 --> 32:52.212 What was the other one that we got? 32:52.312 --> 32:54.353 Someone saying fiddle-tastic. 32:54.793 --> 33:16.120 to cover anything to do with gadgets you know you can't just add tastic to things yeah how about this this is another not quite so good one um from shushma sharma wrist sexy which is a term i created for people with sexy wrists well you can't just put the two words together that's like saying i've invented a word fast car for a car that is very fast 33:17.140 --> 33:17.921 Come on, Sharma. 33:18.201 --> 33:18.702 Try harder. 33:18.882 --> 33:19.603 Sorry, Shushma. 33:19.923 --> 33:20.383 Good game. 33:21.664 --> 33:25.028 It's describing a game that is enjoyable or in some way good. 33:26.049 --> 33:26.509 Good game. 33:27.670 --> 33:29.892 I'm just skimming through some very rude ones. 33:29.912 --> 33:30.993 What about those early ones? 33:31.033 --> 33:35.337 What about Bloken to describe something that has been 33:36.739 --> 33:39.682 that a man has attempted to mend, but he's made worse. 33:40.143 --> 33:41.144 You say it's bloken. 33:41.425 --> 33:42.506 This is one of my favourites. 33:42.746 --> 33:49.374 It's coming from Isabelle, who says, My boyfriend's favourite method of tidying is putting his dirty clothes in the floor-drobe. 33:49.975 --> 33:51.196 Just chucking them on the floor. 33:51.877 --> 33:52.377 That's good. 33:52.437 --> 33:53.738 I've put my clothes in the floor-drobe. 33:53.778 --> 33:54.458 That's brilliant. 33:55.458 --> 33:56.539 Can we say Ignoranus? 33:57.099 --> 33:58.460 Someone who's stupid and an anus. 33:59.040 --> 33:59.740 And Ignoranus. 34:00.840 --> 34:02.361 Floor-drobe is really useful though. 34:02.601 --> 34:04.582 Ignoranus is just a bit of a term of abuse. 34:04.942 --> 34:05.302 Yes. 34:05.682 --> 34:06.883 I like bloke and very much. 34:07.737 --> 34:08.077 Yes. 34:08.418 --> 34:09.098 And Remantle. 34:09.138 --> 34:10.520 Those are my top three. 34:10.580 --> 34:12.642 I think the floor drop has to go in there as well, doesn't it? 34:12.822 --> 34:13.482 Yeah. 34:13.643 --> 34:18.407 Shall we give it one more after one more song and then give some prizes out? 34:18.767 --> 34:19.508 Yeah. 34:19.528 --> 34:21.029 Keep texting them in though. 34:21.110 --> 34:22.711 83XFM if you can beat any of those. 34:23.272 --> 34:25.874 Here's Maximo Park with Apply Some Pressure. 34:36.923 --> 34:38.384 Wow, we've got some great words coming in. 34:38.404 --> 34:39.445 Go on. 34:39.765 --> 34:40.065 Some more? 34:40.266 --> 34:40.786 Hideying. 34:41.086 --> 34:42.908 It's like tidying when you just hide everything. 34:42.988 --> 34:43.668 That's very good. 34:43.728 --> 34:44.509 Very, very good. 34:44.549 --> 34:45.810 That's from Greg in Cricklewood. 34:47.551 --> 34:49.713 OK, talk now, Adam, because that's the only really good one. 34:49.913 --> 34:51.354 Well, I think we've got enough there, man. 34:51.494 --> 34:52.195 We've got loads. 34:52.995 --> 34:56.718 Yeah, some fairly bad ones came in after the last lot. 34:57.358 --> 34:58.679 But Remantle. 34:59.500 --> 35:02.502 to mean putting something together after you've dismantled it. 35:03.002 --> 35:06.824 Bloken, to mean when a bloke tries to fix something and makes it worse. 35:07.264 --> 35:11.767 Floor-drobe, to mean putting your clothes on the floor instead of the wardrobe. 35:12.247 --> 35:14.909 And hideying, which we just talked about. 35:14.989 --> 35:16.089 I think they're pretty good. 35:16.109 --> 35:17.050 Can we send them prizes? 35:18.371 --> 35:19.331 Well, you've got three pairs of tickets. 35:19.351 --> 35:20.472 Yeah, some of these are funny, though. 35:20.492 --> 35:22.153 Have you got some good ones, then? 35:22.253 --> 35:23.293 Well, they're just funny. 35:23.474 --> 35:27.416 My word is neutralanced to describe a healthy, balanced meal. 35:28.905 --> 35:29.165 What? 35:29.205 --> 35:30.026 Am I reading that right? 35:30.086 --> 35:30.787 It's like balanced. 35:31.247 --> 35:32.448 Neutralanced. 35:33.849 --> 35:35.011 From Siobhan in Epsom. 35:35.511 --> 35:36.872 Siobhan, you're so mad. 35:36.932 --> 35:37.633 You're insane. 35:37.653 --> 35:38.474 Poor old Siobhan. 35:38.514 --> 35:40.936 I probably got some internal logic that we can't grasp. 35:40.996 --> 35:44.459 Well, yeah, it's a fusion of balanced and nutritious, isn't it? 35:45.080 --> 35:47.081 Some people have just sent words that exist. 35:48.537 --> 35:49.778 They think they've made them up. 35:50.579 --> 35:51.139 Bipods? 35:52.260 --> 35:53.061 Bipods. 35:53.822 --> 35:53.982 Yeah. 35:54.002 --> 35:55.043 From James in Deptford. 35:55.623 --> 35:57.545 Humans defined by MP3 players. 35:57.565 --> 35:58.165 What does that mean? 35:58.886 --> 35:59.926 I'm confused, James. 36:00.447 --> 36:01.468 Anyway, yeah, you're quite right. 36:01.488 --> 36:02.549 We've got the winners there. 36:03.009 --> 36:04.590 Well, we have to narrow it down to three, though. 36:04.670 --> 36:05.030 Oh, do we? 36:05.050 --> 36:05.691 How many have we got? 36:05.711 --> 36:07.733 We've got four ones that I really like. 36:07.833 --> 36:10.095 Remantle, bloken, floor, drobe and hideying. 36:10.795 --> 36:12.937 Remantle, bloken, 36:14.420 --> 36:16.742 floor drobe, and hiding. 36:16.842 --> 36:18.943 We've got to think of something else for the fourth person, haven't we? 36:18.963 --> 36:20.504 We've got a pair of tickets for the doves. 36:21.044 --> 36:22.245 To the pair of tickets for the doves! 36:22.485 --> 36:23.686 Doves, doves, there you go. 36:23.706 --> 36:24.807 The doves, there you go. 36:24.947 --> 36:25.567 Everyone's happy. 36:25.948 --> 36:28.229 Thank you to everybody who texted, that was a very successful competition. 36:28.269 --> 36:28.790 Well done, Adam. 36:29.190 --> 36:29.770 Yeah. 36:29.830 --> 36:30.311 Who was out there? 36:30.391 --> 36:34.373 Chris, Craig, and I don't know, do you have a note of who else the other ones there were? 36:35.434 --> 36:35.914 Who were they? 36:35.934 --> 36:35.974 Oh. 36:38.656 --> 36:39.517 Yeah, I'm asking you. 36:41.289 --> 36:42.469 OK. 36:42.629 --> 36:43.410 You were lying, weren't you? 36:43.730 --> 36:44.190 You lied to me. 36:44.710 --> 36:47.491 This is turning into like a Chris Evans type of link. 36:47.651 --> 36:47.891 Right. 36:47.931 --> 36:48.931 Did you see his show? 36:48.991 --> 36:49.731 OFI Sunday. 36:49.891 --> 36:50.071 Yeah. 36:50.451 --> 36:50.631 No. 36:51.031 --> 36:54.032 That presumably stands for Oh Flip It Sunday. 36:54.072 --> 36:54.292 Yes. 36:54.372 --> 36:54.592 Yeah. 36:55.233 --> 36:58.473 And boy, he's really hasn't changed at all. 36:58.953 --> 37:00.714 For how long has he been away? 37:01.254 --> 37:04.415 Like six years, seven years or something since TFI Friday? 37:05.015 --> 37:08.276 It's the same in every conceivable respect. 37:09.136 --> 37:11.037 But, uh, did you- you didn't see it at all? 37:11.117 --> 37:11.817 I didn't see it, no. 37:12.097 --> 37:12.997 Are you gonna watch it this Sunday? 37:13.077 --> 37:13.978 No, probably not. 37:14.218 --> 37:14.498 Right. 37:14.938 --> 37:16.258 Yeah, there's really no reason to. 37:16.278 --> 37:17.499 I don't think. 37:18.179 --> 37:19.359 It was weird seeing Billy there. 37:19.379 --> 37:20.760 Why hasn't he given him self-respect? 37:20.780 --> 37:25.241 Yeah, man, if he books his ex-wife for his first guest, uh, who's he gonna get for guests in a few weeks' time? 37:25.462 --> 37:26.962 I'm gonna tune in about four or five weeks' time. 37:26.982 --> 37:27.922 That'll be when it gets good. 37:28.282 --> 37:28.943 Danny Baker. 37:29.103 --> 37:29.883 Yeah, Danny Baker. 37:29.943 --> 37:30.803 Sean Ryder. 37:31.303 --> 37:32.064 Only matter of time. 37:32.424 --> 37:32.804 Yeah. 37:32.884 --> 37:34.745 Before the old TFI stall wants to come out. 37:34.925 --> 37:35.425 That's right. 37:36.400 --> 37:38.861 Maybe we're just bitter because we were never invited on TFI. 37:42.663 --> 37:47.184 OK, coming up in a second, we're going to review the Chronicles of Narnia, even though it's actually illegal to review it. 37:47.384 --> 37:47.664 Wow. 37:48.705 --> 37:51.746 It's embargoed, no one's allowed to talk about it until December the 4th. 37:52.486 --> 37:57.148 We're going to break that embargo in a way that hopefully will, you know, keep us out of prison. 37:57.548 --> 37:59.509 OK, first some adverts, we'll be back shortly. 38:19.662 --> 38:20.322 Love music. 38:20.563 --> 38:21.763 Love XFM. 38:32.389 --> 38:35.451 Morillas with Dirty Harry. 38:35.691 --> 38:36.031 That's good. 38:36.071 --> 38:38.873 I like it more every time I hear that one. 38:39.133 --> 38:40.594 This is Adam and Joel on XFM, by the way. 38:40.654 --> 38:41.794 London's XFM, one of 4.9. 38:44.406 --> 38:45.327 Oh yeah, so listen. 38:45.767 --> 38:48.549 Joe Cornish is going to review for us the new film Narnia. 38:48.569 --> 38:53.312 The Chronicles of Narnia, The Lion, the Witch and the Wardrobe is its full title, Adam. 38:53.352 --> 38:54.233 Not nearly Narnia. 38:54.473 --> 38:54.913 Forgive me. 38:54.933 --> 38:56.314 I'm remiss. 38:57.055 --> 39:04.360 Of course there's a review embargo in place at the moment until December the- Well yeah, this is what they sent me on the email when they sent me the tickets. 39:04.400 --> 39:09.463 They said the reviews are embargoed until December the 4th, so I'm not allowed to review it until next week. 39:09.663 --> 39:13.166 Yeah, you wouldn't want to upset the film PR company- Walden Media and Disney. 39:13.846 --> 39:15.347 Massive powerful conglomerate. 39:15.467 --> 39:16.268 They'll get rid of you. 39:16.308 --> 39:31.457 They won't invite you to any more parties or screenings if you're not once that but But Joe thinks he's found a loophole So I'm going to ask him some questions about the film and he's going to review Narnia The Chronicles of Narnia with his recorder. 39:31.757 --> 39:33.158 That's right a musical review. 39:33.178 --> 39:40.443 Okay, so Joe Cornish Thanks very much for being here today pleasure And did you enjoy the film? 39:45.154 --> 39:45.434 Right. 39:46.475 --> 39:48.237 So can you tell us a little bit about the story? 40:02.268 --> 40:04.070 Yeah, that bit sounds wicked. 40:05.030 --> 40:08.113 And how does it compare to the Lord of the Rings trilogy? 40:12.188 --> 40:12.488 Really? 40:12.948 --> 40:15.269 It's a similar answer to the earlier answer. 40:15.289 --> 40:16.670 Yeah, that's exciting. 40:20.371 --> 40:21.952 What was your favorite scene in the film? 40:33.896 --> 40:34.737 That sounds wicked. 40:35.957 --> 40:38.398 What was the name of the cinematographer on this one? 40:42.950 --> 41:06.063 he's amazing European yeah yeah Wow I love his stuff he's extraordinary so would you recommend that XFM listeners see the film Wow excellent well that's a good recommendation there straight from Joe recorder Cornish and can I just ask you before you go how big is your winky 41:14.997 --> 41:34.777 big okay now um i've got myself confused so yeah that's pretty positive of you yeah i yeah i couldn't say i can't say one way or another yeah no no it sounds good though i'm gonna go and see it on the basis of that one recorder review um now maybe next week um are you gonna bring in your recorder again 41:43.615 --> 41:46.036 Yeah, it re- yeah. 41:46.757 --> 41:47.957 I'm gonna play some music now. 41:47.977 --> 41:50.619 This is the Sir Douglas Quintet. 42:02.677 --> 42:08.340 That's called Sunday's Sunny Mill Valley Groove Date by Doug Sarm and the Sir Douglas Quintet. 42:08.460 --> 42:11.942 Did any of my freestyle recorder-ing get heard at the beginning of that? 42:11.962 --> 42:13.423 Yeah, yeah, there was a little recorder intro. 42:13.443 --> 42:15.724 Because I was deep into it and I looked up and the mics were off. 42:16.244 --> 42:18.325 Well, no, it was on there. 42:18.505 --> 42:19.626 It was definitely on there. 42:19.646 --> 42:22.087 Man, you're trying to repress my recorder talents. 42:22.147 --> 42:22.828 It was good. 42:22.968 --> 42:23.848 It was really good. 42:24.289 --> 42:25.429 I want you to do that more. 42:25.549 --> 42:28.791 And will you review some more films in a similar non-verbal style? 42:28.911 --> 42:32.213 Yeah, we're gonna do- we're gonna try and make that a bit- maybe you could do the same, Adam. 42:32.253 --> 42:34.895 Next week we might review something via, uh, throat clearing. 42:35.135 --> 42:35.235 Mm. 42:35.315 --> 42:35.855 And grunting. 42:35.975 --> 42:36.496 And grunting. 42:36.776 --> 42:37.136 Yeah. 42:37.156 --> 42:38.417 So that's something to look forward to, listen to. 42:38.437 --> 42:42.960 And I was doing these reviews for this show, Last Word, on Moore 4 on Thursday evenings. 42:43.120 --> 42:47.202 If you're a Moore 4 viewer, you may have seen them, uh, as my character, Ken Korda. 42:47.222 --> 42:50.204 And I'm gonna do a musical review of Flight Plan, curiously enough. 42:50.284 --> 42:50.885 Coincidentally. 42:51.625 --> 42:52.345 Steve Laughs Steve Laughs 43:12.595 --> 43:15.358 thought up the theme for Ditches in the Dock and it's not very good. 43:15.498 --> 43:16.079 It's a good theme. 43:16.099 --> 43:16.660 What's wrong with it? 43:16.760 --> 43:20.684 Well, I just couldn't think of a very good song, so I've chosen a song I don't really know what it is. 43:21.825 --> 43:23.027 I've hardly really heard it. 43:23.247 --> 43:24.548 Who recommended it to you? 43:24.728 --> 43:25.109 No one. 43:25.409 --> 43:27.992 I just put it in a search engine and it came up with it. 43:28.012 --> 43:30.855 And it's by a band I thought that XFM listeners might like. 43:31.796 --> 43:33.278 So- You shouldn't admit that, man. 43:33.438 --> 43:34.379 I know that's wrong, isn't it? 43:34.440 --> 43:38.885 But you know, I'm just saying that I- I almost expect to lose this week and I- I won't be upset. 43:38.905 --> 43:39.666 Okay. 43:39.686 --> 43:41.228 But you never know how it could go, you know? 43:41.248 --> 43:42.570 Have you listened to the songs since you- Yeah! 43:42.730 --> 43:43.391 And did you like it? 43:43.431 --> 43:43.951 It's alright! 43:45.053 --> 43:45.573 It's average! 43:45.834 --> 43:49.638 Well listen, I've got another song that I'll- I'll suggest to you that you might be able to use if you want. 43:50.399 --> 43:51.720 Steve Laughs Steve Laughs Steve 44:15.424 --> 44:17.105 That's meteorological insanity. 44:17.445 --> 44:17.666 Yes. 44:17.866 --> 44:19.467 It's supposed to be barmy down there. 44:19.627 --> 44:20.307 Yeah. 44:20.327 --> 44:21.568 Definite proof of global warming. 44:21.688 --> 44:22.669 Yeah, absolutely. 44:22.689 --> 44:23.069 It's happening. 44:23.129 --> 44:23.629 It's happening. 44:23.650 --> 44:24.090 I believe it. 44:24.530 --> 44:24.930 OK. 44:25.130 --> 44:26.872 Don't believe the truth, Joe Cornish. 44:26.892 --> 44:27.992 That's a little... What? 44:28.112 --> 44:28.433 Yeah. 44:28.653 --> 44:29.994 Yeah, think about that for a second. 44:30.174 --> 44:30.534 Jeepers. 44:30.614 --> 44:32.555 Yeah, that's a little link into this next track. 44:32.595 --> 44:37.899 The new Oasis single, I don't know if you've heard of this band, they're very good and they've got a lot of attitude. 44:38.399 --> 44:40.981 They come from the north of England and they mean business. 44:41.561 --> 44:44.764 And the name of this business is called Let There Be Love. 44:45.724 --> 44:46.325 Oasis. 44:47.086 --> 44:50.289 We've got Ditties in the Dock coming up after this. 44:50.389 --> 44:52.411 I don't like this. 44:52.431 --> 44:54.272 I don't like this song, I heard it earlier in the week. 44:54.292 --> 44:55.193 I haven't heard it yet. 44:55.213 --> 44:56.454 Listen, listen to this singing. 45:05.049 --> 45:05.849 Yeah. 45:06.329 --> 45:07.950 Yeah. 45:08.050 --> 45:15.151 It's as if they found some stuff left over in the Beatles' bin and cobbled it together. 45:15.251 --> 45:16.471 I just don't like his voice. 45:17.092 --> 45:18.812 I'm sorry to be controversial. 45:19.112 --> 45:20.032 To Liam or Noel. 45:20.312 --> 45:20.752 Yeah. 45:20.872 --> 45:21.433 Who's singing that? 45:21.453 --> 45:22.153 Is Liam singing that? 45:22.533 --> 45:24.273 They both do a bit of singing in that one, I think. 45:24.353 --> 45:25.233 It sounds sarky. 45:25.273 --> 45:28.014 It sounds like they don't mean anything they're saying and they're just going to punch me. 45:28.374 --> 45:51.381 yeah well some some of their songs it works very well you know that that effect is quite thrilling very thrilling because when his voice is in full chainsaw mode you know and he's sounding like that it's quite good especially if you see them live it's sort of exciting but no not in that context anyway um that's a personal yeah we're just keeping listeners informed yeah exactly with the latest hits right 45:55.802 --> 45:57.342 OK, it's time for Diddy's in the Dark. 45:57.382 --> 46:02.744 Joe and myself are going to battle it out now for who gets to play the final song of our two hours here this Saturday afternoon on XFM. 46:03.244 --> 46:06.564 And this week the theme is the cold and winter. 46:06.604 --> 46:08.105 Where did you come up with that theme? 46:08.425 --> 46:10.505 I think it's a good theme. 46:10.525 --> 46:12.906 There's lots of good songs about the cold and winter. 46:13.586 --> 46:17.887 And Joe Cornish, you suddenly had a flash of inspiration while we were playing. 46:17.927 --> 46:32.706 Yeah, I was saying earlier that I didn't I didn't have much confidence in my song, but I've changed it I was gonna choose winter by the Rolling Stones from goats head soup But I'd never heard it didn't really know what it was so I've jettisoned that yeah, and now I'm gonna choose Can I say what mine is yeah? 46:33.827 --> 46:37.190 A little bit of a burp coming but I'll try anyway. 46:37.570 --> 46:37.850 Ride it. 46:38.090 --> 46:38.651 I'll ride it. 46:40.752 --> 46:43.594 My song is Aztec Camera with Walk Out to Winter. 46:44.014 --> 46:46.196 Now Aztec Camera are a brilliant, what would you describe them as? 46:46.216 --> 46:48.057 A sort of guitar, indie pop band. 46:48.117 --> 46:51.019 Yeah, they were indie back in the days when indie was really indie. 46:51.059 --> 46:53.341 Yeah, in the heyday was the mid 80s wasn't it? 46:53.581 --> 46:55.362 Would you say mid 80s, early 80s, late 80s? 46:55.382 --> 46:57.444 Their commercial heyday was the mid 80s, yeah. 46:57.464 --> 47:00.926 But they've been going for a while, they're sort of slightly parallel with orange juice, aren't they? 47:01.086 --> 47:01.927 Yeah, similar to the thing. 47:01.987 --> 47:07.271 In terms of a sort of funky soul influenced indie guitar band with a terrific sense of humour. 47:07.511 --> 47:07.751 Yeah. 47:07.971 --> 47:08.112 Yeah. 47:09.052 --> 47:12.855 The lead singer's called Roddy Framie, he's very famous in his own right, still plays around the place. 47:13.255 --> 47:18.279 And Walk Out to Winter was one of their best singles really, and it really is a fantastic song. 47:18.599 --> 47:22.422 If you've never heard it, just vote for it, because you'll be improving your life. 47:22.862 --> 47:31.949 And if you do know it, then stand up and be counted and call 0871 222 1049 and vote for Walk Out to Winter by Aztec Camera, and everybody who gets on the air 47:32.649 --> 47:35.934 wins a copy of the Supremes gold compilation. 47:35.955 --> 47:44.327 That's two CDs featuring every hit by the Supremes, including, come see about me, and the Shahla Bandit. 47:45.769 --> 47:46.931 The Shahla Bandit, yes. 47:48.032 --> 47:48.412 Oh, are they? 47:48.452 --> 47:53.194 Oh, someone gets The Commodores, someone gets The Jackson 5, someone gets Marvin Gaye, someone gets Gladys Knight and the Pips. 47:53.595 --> 47:54.655 So anyway, we can take requests. 47:54.895 --> 47:58.797 That's a lot of good stuff there. 47:58.837 --> 48:01.258 So call 08712221049 if you want to vote for Aztec Camera, walk out to winter. 48:01.658 --> 48:04.859 My song is Winter Long by Neil Young. 48:05.580 --> 48:10.502 And I don't know which album this is from, but you can find it on the Decade compilation. 48:10.862 --> 48:12.022 And it's a lovely song. 48:12.042 --> 48:12.102 Erm. 48:14.423 --> 48:37.178 It was covered by the Pixies to great effect I was gonna bring in the Pixies version But then I realized that I think I brought in the Pixies about five times for Dizzy's in the dark So I've got to try and wean myself off that but Neil Young's version obviously the original version is fantastic So if you're a Neil Young fan, oh eight seven one two two two one zero four nine So it's between Neil Young and Aztec camera get calling now here. 48:37.358 --> 48:39.800 Oh, no, we should play some adverts and we'll be back shortly 48:48.765 --> 48:49.469 Love music. 48:49.549 --> 48:50.051 Love XFM. 49:15.185 --> 49:17.926 That's the way strikes with the denial twist. 49:29.719 --> 49:32.560 It's time for the resolution of Ditties in the Dock. 49:32.620 --> 49:34.380 There's two songs in the dock this week. 49:34.420 --> 49:38.161 Aztec Camera with Walk Out to Winter and Neil Young with Winter Long. 49:38.361 --> 49:40.921 Yeah, we've got some callers on the line. 49:41.602 --> 49:42.822 And let's start with Steven. 49:43.062 --> 49:43.562 Steven, are you there? 49:43.602 --> 49:44.082 Hello, Steven. 49:44.582 --> 49:44.982 Hiya. 49:45.382 --> 49:46.043 Thanks for holding. 49:46.523 --> 49:47.363 That's alright, no worries, mate. 49:47.383 --> 49:48.283 You having a nice day? 49:48.983 --> 49:49.823 Yeah, it's alright. 49:49.843 --> 49:50.804 What are you up to? 49:51.484 --> 49:53.204 I'm stuck at work in the dry cleaners, mate. 49:53.524 --> 49:54.564 Working in the dry cleaners? 49:54.925 --> 49:55.325 Yeah. 49:55.645 --> 49:56.665 What do you do in the dry cleaners? 49:57.577 --> 49:58.637 clean, dirty clothes. 49:59.137 --> 50:00.438 Yeah, what kind of question is that? 50:00.498 --> 50:01.818 What do you do in the dry cleaners? 50:01.858 --> 50:06.679 Well, most, a lot of dry cleaners, oh, I guess I was picturing a coin-operated dry cleaner. 50:06.839 --> 50:07.519 Right. 50:07.579 --> 50:08.599 Coin-operated? 50:08.639 --> 50:11.139 Yeah, that's what they have around my way, and there's no staff there. 50:11.179 --> 50:13.100 You're thinking about, like, a laundrette. 50:13.440 --> 50:13.760 Oh, man. 50:13.780 --> 50:16.980 That's a different, dry cleaners where you go and they apply chemicals to your suit. 50:17.020 --> 50:17.981 Stephen, I'm really sorry. 50:18.001 --> 50:19.641 That's all right, that's all right. 50:20.281 --> 50:22.161 Yeah, that was, Joe didn't mean to disrespect you, man. 50:22.181 --> 50:23.301 I'm so sorry, I'm so sorry. 50:23.521 --> 50:24.522 So what are you voting for, Stephen? 50:26.826 --> 50:27.407 Oh, well done. 50:27.467 --> 50:27.968 Do you remember them? 50:29.090 --> 50:30.712 Yeah, well, unfortunately, yeah. 50:30.853 --> 50:31.974 Yeah, and you remember that single? 50:32.495 --> 50:33.657 Oh, definitely, yeah. 50:33.677 --> 50:34.018 Fantastic. 50:34.058 --> 50:36.762 You know, you need something to warm me up on a cold day like this. 50:36.782 --> 50:37.103 Definitely. 50:37.163 --> 50:38.966 It's a very Christmassy song as well, that one. 50:39.332 --> 50:42.133 and it's better than that other greasy git. 50:42.153 --> 50:44.114 So well said, Stephen. 50:44.154 --> 50:45.555 What would you like as your free CD? 50:45.595 --> 50:48.276 Gladys Knight in the Pips, Jackson 5, Commodores, Supremes or Marvin Gaye? 50:50.377 --> 50:51.598 Some gay Marvin, I believe. 50:51.758 --> 50:52.758 Fantastic, good choice. 50:52.798 --> 50:53.859 Thanks a lot for calling, Stephen. 50:53.879 --> 50:56.260 So that's one nil to Aztec Camera. 50:56.520 --> 50:57.400 Greasy git? 50:57.941 --> 50:59.701 That's not a very nice thing to say about nil young. 50:59.721 --> 51:00.422 Someone vote for the greasy git. 51:00.822 --> 51:01.482 Come on, we need some. 51:01.502 --> 51:02.203 Who have we got next? 51:02.223 --> 51:02.803 We need Sean. 51:04.011 --> 51:04.191 Sean. 51:04.211 --> 51:04.811 It's Jason. 51:05.092 --> 51:05.992 J-J-J-Jiho. 51:06.692 --> 51:07.833 Jason, are you there? 51:07.853 --> 51:08.493 Yeah, how we doing, oi? 51:08.693 --> 51:09.454 Jiho-ny. 51:09.754 --> 51:12.736 Now, listen, Jason, you- are you a, uh, greasy git fan? 51:12.756 --> 51:15.637 Um... That's a bit of greasy git. 51:15.917 --> 51:16.217 You are? 51:16.257 --> 51:16.718 You- yeah. 51:17.138 --> 51:18.198 You like a bit of greasy git. 51:18.399 --> 51:19.759 Well, I prefer a respect camera. 51:19.979 --> 51:20.700 Oh, man. 51:20.720 --> 51:21.800 I can't believe it. 51:21.860 --> 51:24.142 It's gonna be a complete crucifixion of Neil Young. 51:24.162 --> 51:25.562 What are you up to this afternoon, Jason? 51:25.582 --> 51:27.063 Oh, just putting a new front door on. 51:28.064 --> 51:28.664 Front door? 51:29.004 --> 51:30.605 How do you put a new front door on? 51:30.625 --> 51:32.046 What is a front door? 51:32.918 --> 51:34.739 It's something used to get in the house. 51:35.380 --> 51:36.480 Why are you putting a new one on? 51:36.520 --> 51:37.781 Did your old one get busted into? 51:37.801 --> 51:38.942 It's a bit shag. 51:39.522 --> 51:40.262 It's a bit shag. 51:40.282 --> 51:41.363 I need a new front door. 51:41.403 --> 51:41.663 Do you? 51:41.943 --> 51:43.204 Hey, are you putting it on yourself? 51:43.284 --> 51:43.905 Are you handy? 51:44.385 --> 51:45.486 I'll do it with my father. 51:46.266 --> 51:47.547 Oh, that's nice, man. 51:47.567 --> 51:49.488 Man, I wish I could do that sort of thing with my father. 51:49.508 --> 51:52.830 I know, so do I. Jason, thanks very much for your call. 51:52.850 --> 51:54.311 Jason's a real man with a real father. 51:54.391 --> 51:55.332 Well, hey, Jason, what do you want? 51:55.352 --> 51:57.513 The pips, Gladys Knight and the pips, Jackson 5, Commodore Supremes. 51:58.164 --> 51:59.084 Uh, Commodores, please. 51:59.464 --> 52:00.225 Good choice. 52:00.365 --> 52:01.045 On its way to you. 52:01.105 --> 52:02.585 Thanks very much indeed for your call, Jason. 52:02.605 --> 52:03.265 Good luck with the door. 52:03.925 --> 52:05.826 And Vicky is on the line right now. 52:05.866 --> 52:06.626 I need a Neil Young vote. 52:06.646 --> 52:07.926 So that was a second vote for Aztec Camera? 52:07.946 --> 52:09.247 Yeah, that's two for Aztec Camera. 52:09.267 --> 52:11.327 I need some Neil Young action, otherwise I'm out of the picture. 52:12.207 --> 52:12.527 Vicky? 52:12.928 --> 52:13.948 Hello there, hi. 52:14.328 --> 52:14.828 How you doing? 52:14.888 --> 52:16.068 Hi, I'm doing fine. 52:16.088 --> 52:16.748 What's going on? 52:16.788 --> 52:18.389 Are you tickling yourself, Vicky? 52:18.629 --> 52:22.610 I'm tickling, yeah, because I just want to say to a guy in the launderette, we used to call it the bag wash. 52:23.701 --> 52:24.462 The bag wash? 52:24.622 --> 52:25.763 Yeah, the bag wash, yeah. 52:25.783 --> 52:26.603 Why the bag wash? 52:26.803 --> 52:30.767 I don't know, it was a bag of washing down the wash and that's what we had to do with the kids. 52:31.647 --> 52:33.268 Yeah, he was in the dry cleaners though. 52:33.288 --> 52:37.612 Listen, you know, I'm getting pretty upset with all this confusion between the laundrette and the dry cleaners. 52:37.632 --> 52:39.393 They're two very, very different services. 52:39.413 --> 52:40.774 The dry cleaning is a skill, isn't it? 52:40.974 --> 52:41.255 Yeah. 52:41.555 --> 52:42.335 A serious skill. 52:42.435 --> 52:46.639 You know, the dangerous chemicals and knowledge, technical knowledge. 52:52.410 --> 53:05.223 You know what the crowning irony of that is that I bought in my stupid Rolling Stone song that would no doubt have lost and then Adam saved me by Suggesting the Aztec camera song and now he's hoisted on his own petard because I've won. 53:05.243 --> 53:09.968 I don't he's lost I don't Yeah, it's a lovely song though, isn't it? 53:10.248 --> 53:11.329 You wish it, yeah, absolutely. 53:11.409 --> 53:12.709 And, er, Vicky, what would you like? 53:12.749 --> 53:16.551 The Gladys Knight and the Pips, Jackson 5, or the Supremes, we're down to. 53:16.631 --> 53:18.172 Er, oh, you haven't got the Commodores, how's that gone? 53:18.192 --> 53:19.873 No, the Commodores just went, Gay has gone. 53:19.893 --> 53:21.314 Oh, okay, he's gone. 53:21.434 --> 53:22.494 Oh, okay, the Supremes, absolutely. 53:22.514 --> 53:23.215 Pips, Jackson 5, Supremes. 53:23.235 --> 53:24.315 The Supremes, yeah. 53:24.375 --> 53:24.875 Fantastic. 53:25.456 --> 53:25.856 Thank you. 53:26.216 --> 53:27.117 Well, that's it, isn't it? 53:27.197 --> 53:27.697 Is that it? 53:27.737 --> 53:28.377 That's it, yeah. 53:28.457 --> 53:31.099 Thanks a lot, Vicky, have a good weekend, thank you very much for calling. 53:31.119 --> 53:34.000 I'm sorry to Michelle, who was holding on there, could we just say hello to Michelle? 53:34.520 --> 53:35.221 Michelle, are you there? 53:35.581 --> 53:35.681 Yep. 53:36.201 --> 53:39.142 Sorry, listen, sorry, because, you know, three votes are best of five. 53:39.162 --> 53:40.103 What were you going to vote for anyway? 53:40.143 --> 53:40.843 Walkover, isn't it? 53:40.863 --> 53:42.183 Were you going to vote for it as well? 53:42.503 --> 53:42.824 Yeah. 53:43.144 --> 53:43.304 Hey! 53:43.324 --> 53:44.244 Definitely. 53:44.384 --> 53:45.084 Well, we'll give you a CD. 53:45.124 --> 53:46.845 I'm sure that the Supremes are gone as well. 53:46.865 --> 53:50.726 Do you want Jackson 5 or Gladys Knight and the Pips? 53:50.747 --> 53:51.627 Jackson 5, please. 53:51.927 --> 53:52.567 Fantastic. 53:52.867 --> 53:55.668 Making Gladys Knight and the Pips the least popular band out of our selection. 53:55.688 --> 53:56.669 Well, I like them as well, but... 53:57.709 --> 54:00.131 As Jimmy Osmond says, they're awesome. 54:00.351 --> 54:02.753 Yeah, I'll tell you what, we'll give you both. 54:03.133 --> 54:03.934 Oh dear, thanks. 54:04.154 --> 54:05.975 The Gladys Knight, the sleeve's broken. 54:06.516 --> 54:17.504 I like Jimmy Osmond, I think he's... I used to live here when, you can probably hear from my accent, I'm a New Zealander, but I actually lived here in the year that he'd had that song, Long Head Lover from Liverpool. 54:17.604 --> 54:18.705 Oh my goodness. 54:19.325 --> 54:20.126 You're ancient! 54:20.814 --> 54:21.154 I am, yeah. 54:21.174 --> 54:22.595 You're like an ancient monument. 54:23.456 --> 54:25.017 I'm joking, obviously, Michelle. 54:25.037 --> 54:26.138 Thank you so much for your call. 54:26.158 --> 54:27.339 I was younger than him, though. 54:27.639 --> 54:28.139 Yeah, good, good. 54:28.179 --> 54:28.780 I'm allowed to like it. 54:28.940 --> 54:30.001 Yeah, no, that's fair enough. 54:31.322 --> 54:32.122 I agree with you. 54:32.162 --> 54:41.789 I think Jimmy's one of the nicer people out there in the jungle, but I'm not going to talk about it any further because I've got to play some music now, and I'm going to play Aztec Camera, walk out to winter to finish off our show this week. 54:41.829 --> 54:43.350 I can see Justin Lee Collins out there. 54:43.410 --> 54:44.271 Oh, Justin Lee Collins. 54:44.291 --> 54:45.032 Wondering around. 54:45.072 --> 54:46.372 The superstar Harry Conflink. 54:47.333 --> 54:53.697 with his golden handshake deal at Channel 4, pumping money into his big hairy pockets for doing anything they ask him to. 54:53.717 --> 54:55.399 Is he listening to this? 54:55.519 --> 54:56.099 Is he reacting? 54:56.159 --> 54:57.320 He's on the Jimmy Carr deal. 54:58.260 --> 55:00.242 Anyway, there he is. 55:00.502 --> 55:01.282 He's happy about that. 55:01.483 --> 55:03.964 He's gonna be in here shortly, but we'll leave you with Aztec Camera. 55:04.004 --> 55:05.085 Thanks very much for listening. 55:05.105 --> 55:05.665 We'll see you next week. 55:17.398 --> 55:40.414 High and dry, you wonder why We met in the summer and walked to the fall The brothers we talked to did the talk Despite what they'll say, it wasn't you We hit the truth We faced the storm on the ground from the wall But nothing was left where they hung 56:03.370 --> 56:04.598 Welcome to Rooftop! 56:28.672 --> 56:30.993 along this way. 56:31.293 --> 56:36.276 This generation, the walk to the wall. 56:36.356 --> 56:42.359 But I'm not angry, can't you hear? 56:42.439 --> 56:47.022 Get out of me when I come to enter. 56:56.038 --> 57:00.519 I wonder why I've got to lose 57:41.053 --> 58:03.939 Swear I'll be there, chill with red You hide with your eyes, you wonder why Walk out to winter Swear I'll be there, you'll find Snow wine, this is life, this is life 58:27.893 --> 58:29.537 XFM and Carling presents...