WEBVTT 00:06.989 --> 00:10.230 Mmm, yes, the Kaiser Jeeves with Modern Way. 00:10.270 --> 00:11.611 This is Adam Buxton. 00:11.631 --> 00:12.891 My name's Joe Cornish. 00:13.191 --> 00:14.912 And, uh, we're your... Are you alright there, Joe? 00:14.932 --> 00:16.773 I'm a bit distorted, but that's okay. 00:16.993 --> 00:17.293 Okay. 00:17.613 --> 00:22.655 We're your hosts, uh, for the next hour and 55 minutes here on London's XFM. 00:22.715 --> 00:32.179 I'd go so far as to call XFM not only the greatest radio station in London, but I'd think, you know, as London's like one of the greatest cities in the world, 00:32.819 --> 00:35.202 One of the- it's gotta be one of the greatest radio stations in the world, you know? 00:35.222 --> 00:36.184 In the world, exactly. 00:36.364 --> 00:37.425 That's what I was gonna say. 00:37.445 --> 00:41.971 Yeah, and we've got one of the greatest shows on the greatest radio station in the world coming up for you. 00:42.011 --> 00:44.334 Music From The Strokes, Hot Hot Heat, The Decemberists. 00:44.755 --> 00:45.215 Who are they? 00:45.235 --> 00:47.598 Oh, they've happened since I've been away. 00:47.658 --> 00:49.681 The Decemberists- They're gonna be big this December. 00:49.721 --> 00:51.802 Why, they're going to be passé by January, aren't they? 00:51.822 --> 00:53.722 By January, no one's going to want to know about them. 00:53.742 --> 00:54.302 What's going on? 00:54.642 --> 01:02.485 The Gorillaz, the Like pulp, we've got box sets of The Exorcist to give away, all five films, including both insane prequels. 01:03.385 --> 01:04.105 Five? 01:04.245 --> 01:05.706 How are there five Exorcist films? 01:05.726 --> 01:07.206 Because they made the first one twice. 01:07.886 --> 01:09.047 because they got it wrong. 01:09.347 --> 01:12.308 Um, and what- was that worth seeing? 01:12.328 --> 01:13.168 Can I just ask you quickly? 01:13.188 --> 01:15.709 I haven't seen either of them so I'll try and steal one of these prizes. 01:15.829 --> 01:19.230 Um, and we- I'm also gonna launch a new competition. 01:19.470 --> 01:19.931 Wow! 01:20.071 --> 01:20.651 A bad one. 01:21.331 --> 01:23.992 It's kind of a one week only competition, a lazy competition. 01:24.032 --> 01:24.952 Yeah, yeah, yeah. 01:25.152 --> 01:26.253 Laser competition? 01:26.293 --> 01:26.793 Lazy. 01:27.213 --> 01:27.993 Laser tag? 01:28.013 --> 01:29.274 More about that later. 01:29.694 --> 01:32.555 you I want to quiz you as well about your trip to LA. 01:33.415 --> 01:37.497 Last week I was on my own listeners I was told that I apologized too much. 01:37.837 --> 01:38.397 Who told you that? 01:38.417 --> 01:45.080 A couple of friends that were listening said stop apologizing it's a motif in my life I apologize a great deal. 01:45.640 --> 01:52.083 but I won't do any apologising this week, I will instead just be quizzing Joe Cornish about his exciting whirlwind trip to LA last weekend. 01:52.103 --> 01:53.964 Some things I can tell you about, Adam, some I can't. 01:54.384 --> 01:56.865 Of course, Joe, that's taken as read. 01:56.885 --> 01:58.766 A lot of names that you won't be able to mention. 01:59.086 --> 02:03.248 Sure, deals that are being done, legal problems, that kind of thing. 02:03.589 --> 02:04.749 Shall we play some music? 02:04.909 --> 02:05.169 Yes. 02:05.309 --> 02:06.310 Here's the strokes. 02:16.087 --> 02:17.208 Oh, you're so cold. 02:17.728 --> 02:18.309 I'm cold. 02:19.009 --> 02:20.250 Don't talk to me about cold. 02:20.310 --> 02:21.010 I'm freezing. 02:21.351 --> 02:22.231 What am I talking about? 02:22.251 --> 02:23.972 That's the strokes with Juice Boxx. 02:24.153 --> 02:24.913 I quite like that one. 02:24.953 --> 02:25.794 That grows on one. 02:26.494 --> 02:27.094 Don't you agree? 02:27.275 --> 02:28.475 Yes, I do agree with you. 02:28.495 --> 02:28.776 Yes, I do. 02:28.816 --> 02:30.157 You love rock music, don't you, Joe? 02:30.177 --> 02:30.677 Yes, I do. 02:30.877 --> 02:39.223 In fact, talking of loving rock music, a bit later in the show, I'm going to keep XFM listeners up to date with the latest developments in the world of R&B. 02:39.543 --> 02:41.604 In particular, the new single from R. Kelly. 02:42.025 --> 02:42.225 Good. 02:42.825 --> 02:43.906 which is quite incredible. 02:43.946 --> 02:46.589 I'm going to play you some highlights from it a little bit later. 02:46.629 --> 02:47.790 You will not believe your ears. 02:48.391 --> 02:51.074 In light of allegations or just generally? 02:51.094 --> 02:51.995 No, allegations free. 02:52.075 --> 02:56.560 It's an extraordinary, innovative piece of R&B that everybody who's interested in popular music should be aware of. 02:56.660 --> 02:59.984 Oh, so this is a non-ironic big up for R. Kelly, is it? 03:00.224 --> 03:00.684 Not really. 03:01.525 --> 03:02.486 Just wait until you hear it. 03:03.027 --> 03:03.067 OK. 03:03.087 --> 03:04.568 Maybe in the second hour we'll do that. 03:04.588 --> 03:05.629 Oh, I want to hear that now, man. 03:05.649 --> 03:06.330 That's exciting. 03:06.450 --> 03:07.571 We've got too much else to talk about. 03:07.591 --> 03:08.272 Absolutely, yeah. 03:08.292 --> 03:09.553 No, let's leave it till the second hour. 03:09.573 --> 03:13.477 Hey, by the way, this is Adam and Joe on XFM, and you can text us on 83XFM. 03:13.497 --> 03:19.963 You can telephone us, 0871221 049, when the time comes, and you can e-mail us, adamandjoe at xfm.co.uk. 03:20.223 --> 03:26.049 But the text is the main way to reach us, 83XFM, with any comments, queries or entries. 03:26.249 --> 03:27.691 Yes, Joe's scanning those texts. 03:27.731 --> 03:31.256 He's, er, he's, erm, you know, keeping on top of all of them extremely efficiently. 03:31.276 --> 03:33.499 Yeah, it's not very difficult, because... We've also got Lila here. 03:33.599 --> 03:40.829 She's beautiful, she's, er, talented, she's got, er, hair and glasses, and, er, she's our producer. 03:41.070 --> 03:42.692 Give us a kind of shout-out, Lila. 03:42.712 --> 03:43.313 Hello! 03:43.593 --> 03:44.194 There you go. 03:44.674 --> 03:45.555 She's quite severe. 03:45.816 --> 03:48.999 And if you're naughty, she's going to be sarcastic and spank you. 03:49.039 --> 03:50.441 She's also got a filthy mouth. 03:50.661 --> 03:51.482 Can I say that? 03:51.943 --> 03:56.768 You swear more than any girl I've ever met in the most revolting way as well. 03:57.289 --> 03:58.851 You should really wash your mouth out. 03:59.171 --> 04:02.055 Anyway, she's an excellent producer and we're very pleased to have her here. 04:02.555 --> 04:05.418 Now, um, when do you think we'll do your new competition, Joe Cornish? 04:05.738 --> 04:12.144 Uh, well, coming up quite soon, we'll do the new competition, but before we do that, Adam, I wanna know about your phone, because remember, before I left, Adam had lost his mobile phone. 04:12.164 --> 04:17.349 He put out a plea on the radio, and I'm sorry to go over this again for people who were listening last week, but you found it, right? 04:17.369 --> 04:18.090 Somebody called you out. 04:18.130 --> 04:19.411 I'll give you the short version, yeah. 04:19.451 --> 04:20.893 When I came in, I was in a total state. 04:21.233 --> 04:25.517 Alex Zane, uh, host of, uh, future host of, um- Space Cadets. 04:25.537 --> 04:26.097 Space Cadets. 04:26.117 --> 04:27.339 The big new Channel 4 reality show. 04:27.359 --> 04:27.499 On E4. 04:28.519 --> 04:34.883 Anyway, he advised me to send a text to my phone saying, if you find this phone, call this number. 04:35.403 --> 04:36.504 And you get a reward, right? 04:36.524 --> 04:37.544 For a cash reward, yeah. 04:37.644 --> 04:38.505 So someone bought it back. 04:38.865 --> 04:42.507 What sort of person was it that had found your phone, and were they the person who stole it? 04:43.267 --> 04:47.691 Oh no, they didn't steal it because I was cycling and it fell out of a pocket of mine. 04:47.731 --> 04:48.671 What sort of person was it? 04:49.772 --> 04:50.253 How do you mean? 04:50.873 --> 04:52.835 A young person, an old person, a man, a woman? 04:53.035 --> 05:00.160 It was a white male, aged I would say mid 30s, low income bracket. 05:00.561 --> 05:01.481 How could you tell that? 05:02.282 --> 05:06.105 He looked, he was so pleased when I gave him his reward. 05:06.265 --> 05:07.906 Which was I hear 20 pounds. 05:07.986 --> 05:09.307 Yeah, do you think that's really mean? 05:09.347 --> 05:09.688 Yeah. 05:10.068 --> 05:10.508 Oh no. 05:10.588 --> 05:12.350 I would expect at least 50 actually. 05:12.370 --> 05:12.650 Would you? 05:12.850 --> 05:13.150 Yeah. 05:13.350 --> 05:14.031 I feel bad about it. 05:14.051 --> 05:16.093 Twenty pounds is like a pound these days. 05:16.193 --> 05:16.513 Really? 05:16.653 --> 05:16.933 Yeah. 05:17.093 --> 05:18.254 He was delighted about it. 05:18.274 --> 05:18.574 Was he? 05:18.695 --> 05:19.015 Yeah. 05:19.395 --> 05:21.136 He's probably gonna spend it on crack, then. 05:21.457 --> 05:22.858 No, he wasn't that kind of person. 05:23.198 --> 05:24.079 He was a- Smack? 05:24.419 --> 05:27.862 He was a really nice guy, in fact, and I thought- I did feel bad about it afterwards. 05:28.582 --> 05:29.964 No, no, nothing like that. 05:30.224 --> 05:30.684 Some do be. 05:30.824 --> 05:33.287 He probably would have gone out and bought potatoes with it. 05:33.347 --> 05:33.968 Potatoes? 05:34.048 --> 05:35.629 Or seeds to grow things. 05:35.850 --> 05:36.170 Really? 05:36.230 --> 05:36.610 Yes! 05:37.151 --> 05:38.613 But, um... Was he a farmer? 05:38.793 --> 05:40.274 He was maybe a farmer. 05:40.555 --> 05:41.676 A farmer of men. 05:41.696 --> 05:43.998 Um, I don't know. 05:44.439 --> 05:45.580 But I did feel bad about it. 05:45.680 --> 05:50.425 The thing is, I explained last week, I had been such a git and not 05:50.865 --> 05:52.765 followed up on Alex's brilliant scheme. 05:52.785 --> 05:58.647 You see, what I should have done is phoned home to see if I had any messages from anyone who'd found the phone and responded to the text. 05:58.707 --> 05:59.387 I didn't do that. 05:59.667 --> 06:14.570 I went straight from the XFM studios to an O2 shop, bought myself a new phone, got myself a new contract like a jerk, then got home having spent loads of money signing up with a new contract and everything to find that someone had found the other one. 06:14.610 --> 06:17.071 So I wasn't in a generous mood by that point, you know what I mean? 06:17.091 --> 06:18.151 Now you've got two phones. 06:18.971 --> 06:21.754 No, I got the- I gave the other one back and I got all my money back. 06:21.774 --> 06:22.735 It's good to have two phones. 06:22.755 --> 06:25.398 You put them in each pocket and you get cancer on both testicles. 06:25.959 --> 06:28.181 That's, uh... Shall we play some music? 06:28.322 --> 06:28.622 Yeah. 06:28.902 --> 06:30.904 That would be nice as well, to keep you warm in the winter. 06:30.924 --> 06:32.146 Keep your nuts warm. 06:32.426 --> 06:33.547 Yeah, not roast your nuts. 06:33.808 --> 06:34.809 Roast chestnuts. 06:35.029 --> 06:35.189 What? 06:35.689 --> 06:36.509 It's getting Christmas-y. 06:36.589 --> 06:37.330 It's getting Christmas-y. 06:37.450 --> 06:38.130 Play some music. 06:38.170 --> 06:38.650 Quite right. 06:38.690 --> 06:42.971 Getting away from the unpleasant C-word stuff that's unproven. 06:43.891 --> 06:47.472 Right, now this is a song by Hot Hot Heat. 06:47.832 --> 06:55.294 They were hot for a while, and then ironically, given their name, they stopped being hot for a while, and I don't know if they're hot or not. 06:55.334 --> 06:59.995 They're still called Hot Hot Heat, and this is a song called The Middle of Nowhere, which is quite good, I think. 07:00.756 --> 07:01.776 See what you think, listeners. 07:12.751 --> 07:14.532 I think it's gonna be a hit. 07:14.732 --> 07:15.012 Yeah. 07:15.512 --> 07:17.673 That's Hot Hot Heat with Middle of Nowhere. 07:17.693 --> 07:19.894 This is Adam and Joe on XFM. 07:19.994 --> 07:22.014 You didn't see Jules Holland last night, did you, Joe? 07:22.034 --> 07:23.095 I saw some of it, yes. 07:23.115 --> 07:24.135 Did you see Daugherty? 07:24.415 --> 07:27.256 I did see Daugherty because I thought he'd do something outrageous. 07:27.476 --> 07:28.357 Outrageous! 07:28.417 --> 07:29.877 And I kicked over a mike stand. 07:29.897 --> 07:31.138 Ooh, and it hit the guitarist. 07:31.678 --> 07:37.580 He did it quite early in the song, and then I thought, well, he's gonna follow it up with something even more outrageous, but it didn't happen. 07:37.680 --> 07:40.141 He'd drawn a little squiggle on his face. 07:40.501 --> 07:42.822 he had a sort of Bowie style lightning. 07:43.703 --> 07:47.385 It was like a little green snake coming out of his eye. 07:47.405 --> 07:48.285 Yeah. 07:48.806 --> 07:50.246 I thought it was rubbish. 07:50.547 --> 07:50.987 The song? 07:51.107 --> 07:51.827 The song. 07:51.847 --> 07:52.548 The performance? 07:52.948 --> 07:53.989 Just the whole situation. 07:54.009 --> 07:57.751 I was disappointed he didn't fall over or, you know, hurt somebody or something. 07:57.811 --> 08:00.912 I thought he was gonna push over some amps onto someone. 08:01.032 --> 08:03.034 I was disappointed he was there, basically. 08:04.154 --> 08:04.435 I was. 08:04.595 --> 08:06.476 I liked the beatbox guy they had on. 08:06.496 --> 08:07.677 Oh, I didn't see that bit. 08:07.738 --> 08:08.558 He was amazing. 08:08.578 --> 08:09.499 I didn't like Texas. 08:10.080 --> 08:11.521 Oh, I thought they were pretty tuneful. 08:11.661 --> 08:12.842 I found that like being killed. 08:13.162 --> 08:13.483 Really? 08:13.543 --> 08:14.223 Yeah, slowly. 08:14.464 --> 08:15.544 They had Ed Harcourt. 08:15.585 --> 08:16.025 You know him? 08:16.445 --> 08:17.506 He's a good singer-songwriter. 08:17.526 --> 08:17.666 Yeah. 08:17.706 --> 08:18.767 He was sat in the audience. 08:18.948 --> 08:19.828 He wasn't even performing. 08:19.848 --> 08:19.988 Really? 08:20.689 --> 08:22.410 I wouldn't go on one of those shows again, though. 08:22.430 --> 08:26.652 Do you remember we went- did you- you came to the New Year thing one year, didn't you, with Lee? 08:26.672 --> 08:28.273 Well, we went with Travis once, didn't we? 08:28.293 --> 08:28.413 Yeah. 08:28.433 --> 08:28.733 Didn't we? 08:29.014 --> 08:31.515 And we were made to stand at the back and- Rightly so. 08:31.635 --> 08:40.880 Yeah, and, uh, we couldn't even sit down, it was really uncomfortable, we couldn't move for about two hours while they were taping, and it was such a boring collection of bands they had on there. 08:41.240 --> 08:42.241 Obviously apart from Travis. 08:42.461 --> 08:42.721 Yeah. 08:43.001 --> 08:45.142 But, uh, oh, it was torture. 08:45.302 --> 08:46.243 Wouldn't go on there again. 08:46.763 --> 08:49.785 Anyway, Daugherty, Daugherty, however you pronounce your name, 08:50.225 --> 08:51.946 I think it's time to pull your finger out. 08:52.967 --> 08:53.708 What do you mean by that? 08:53.748 --> 08:54.588 What should he do? 08:55.249 --> 08:56.029 Pull his finger out. 08:56.830 --> 09:00.012 I don't know, I think he's quite tall, isn't he? 09:00.272 --> 09:00.513 Is he? 09:00.753 --> 09:02.614 He seems to be taller than the rest of his band. 09:02.634 --> 09:03.375 Maybe they're just all very small. 09:03.395 --> 09:05.116 Maybe anyone who's seen them live can tell us. 09:05.436 --> 09:07.317 Is he a tall man or are they all midgets? 09:07.517 --> 09:08.717 I think he's a titchy man. 09:08.897 --> 09:09.237 Do you? 09:09.457 --> 09:11.358 Yeah, he's stunted with all that drug abuse. 09:11.718 --> 09:12.138 Really? 09:12.158 --> 09:12.538 Definitely. 09:12.618 --> 09:14.419 I guess that's why he likes the drugs as well. 09:14.439 --> 09:16.179 There's less body to travel around. 09:16.559 --> 09:17.120 That's right. 09:17.180 --> 09:17.620 Powerful. 09:17.740 --> 09:18.900 He's such a little man. 09:19.400 --> 09:22.441 No, I think he- I think he should get back with the Libertines, you know? 09:22.461 --> 09:23.041 Do you think? 09:23.161 --> 09:23.682 They were good. 09:24.142 --> 09:25.142 He is good looking, though. 09:25.622 --> 09:28.523 Do you- were you- are you having some doxy- No, Lila doesn't agree. 09:28.543 --> 09:33.344 You know, I'm not saying that I personally find him attractive, cos that would be faintly homosexual. 09:33.384 --> 09:34.705 You wanna slice a beat! 09:35.385 --> 09:38.708 Um, but you can see why, you know, some women are obsessed with him. 09:39.308 --> 09:41.010 He's very baby-ish looking. 09:41.730 --> 09:43.011 And he's very thin. 09:43.031 --> 09:45.493 He's got a good figure. 09:45.593 --> 09:46.994 He should just be a model, really. 09:47.595 --> 09:48.756 Drape himself over Moss. 09:49.536 --> 09:49.957 Don't you think? 09:49.977 --> 09:50.657 Steve- Absolutely. 09:50.777 --> 09:52.318 I don't even know if they're still going out. 09:52.499 --> 09:54.900 Are they going- I don't- we- I care! 09:54.920 --> 09:55.941 They're famous! 09:56.422 --> 09:57.382 What are you talking about? 09:58.443 --> 10:00.904 So, listen, shall we do my new pathetic quiz? 10:01.305 --> 10:05.807 OK, we should do some adverts first and then play a song and then we'll come back with your pathetic quiz. 10:05.927 --> 10:09.589 Yeah, and the prize up for grabs is the complete anthology of The Exorcist. 10:09.669 --> 10:11.470 That's a box of pure evil. 10:11.790 --> 10:13.991 Pure evil, coming up shortly. 10:15.752 --> 10:16.132 XFL. 10:16.172 --> 10:19.354 Love music. 10:19.374 --> 10:22.496 Love music. 10:22.536 --> 10:23.156 Love XFL. 10:49.557 --> 10:50.658 It's dead 11:03.550 --> 11:05.191 Yeah, that's the gorillas with dare. 11:05.831 --> 11:07.952 The naughty's answer to the banana splits. 11:08.212 --> 11:08.932 Gorillas? 11:09.093 --> 11:10.853 Oh, they're better than the banana splits, come on. 11:11.213 --> 11:13.735 Yeah, I didn't say they were worse than them, but they're the sort of answer to them. 11:14.055 --> 11:14.695 Yeah, I suppose so. 11:14.715 --> 11:14.855 Yeah? 11:15.155 --> 11:15.275 Yeah. 11:15.335 --> 11:22.639 And thanks to everybody who's texted in about Pete Doherty's height, apparently he is over six foot, says someone who's seen him live. 11:22.779 --> 11:23.999 He's a giant junkie! 11:24.119 --> 11:24.659 He's a giant. 11:24.699 --> 11:28.941 Somebody's saying that he looks like Jamie Cullum's evil brother, evil twin. 11:29.482 --> 11:29.722 Wow. 11:30.382 --> 11:32.905 He'd have to be pretty evil to be Jamie Cullum's evil twin. 11:33.486 --> 11:35.428 Jamie Cullum's somebody's evil twin already. 11:35.828 --> 11:36.789 Shall we do a competition? 11:37.090 --> 11:37.550 Yes! 11:45.419 --> 12:12.283 you just never know so sharpen up your brain and get ready to play so this is a new competition listeners the numbers 0 8 7 1 triple 2 1 0 4 9 that's the first thing you need to know 0 8 7 1 2 2 2 1 0 4 9 the second thing you need to know is that the prize is five evil dvds all five exorcist films including the Paul Schrader prequel and who was it Renny Harlan who did the the other prequel that went all wrong 12:12.683 --> 12:13.444 That one as well. 12:13.904 --> 12:14.845 And the original film. 12:15.125 --> 12:16.286 And Exorcist 2, the heretic. 12:16.626 --> 12:18.868 And Exorcist 3, the whatever it is. 12:19.408 --> 12:20.269 Exorcist 3 is good. 12:20.689 --> 12:21.069 It is good. 12:21.109 --> 12:27.494 It's got that brilliant bit where the guy with the giant shears runs down the end of the hospital corridor. 12:27.514 --> 12:27.974 That's right. 12:28.174 --> 12:28.815 Very scary. 12:29.075 --> 12:30.136 So that's a good prize. 12:30.256 --> 12:31.016 That is a good prize. 12:31.076 --> 12:32.858 Not good if you don't like evil. 12:33.698 --> 12:34.759 No, you've got to like evil. 12:34.919 --> 12:36.180 You've got to embrace evil. 12:36.300 --> 12:38.601 If you enjoy evil, then give us a call. 12:39.122 --> 12:40.062 And this is the competition. 12:40.082 --> 12:41.263 I apologize for the competition. 12:41.283 --> 12:45.005 I was trying to find a crap commentary, but I couldn't find anything, so I came up with this instead. 12:45.706 --> 12:48.308 Adam's just brilliantly named it Movie Lingo Bingo. 12:48.608 --> 12:52.670 What we're going to do is play you a clip from the foreign version of a very famous film. 12:53.031 --> 12:57.253 So you're going to hear a very famous scene from a film, but it's going to be in Italian. 12:57.694 --> 12:58.594 How extraordinary. 12:58.654 --> 13:00.195 Movie Lingo Bingo. 13:00.375 --> 13:01.116 I don't believe it. 13:01.956 --> 13:04.277 And you've got to tell us what film it's from. 13:04.537 --> 13:15.059 So this is a chance for bilingual listeners, especially those who speak Italian, or Italian listeners, to jump the gun for the idiotic, what do you call someone with just one lingual? 13:15.639 --> 13:16.479 A monolingual. 13:16.559 --> 13:18.280 For the idiotic monolingual listeners. 13:18.300 --> 13:18.660 Lingual. 13:19.000 --> 13:26.081 And to win, Italians love evil, so I bet we're going to get an Italian person, you know, winning the exorcist. 13:26.161 --> 13:29.422 Pepe, they are talking about evil on the radio. 13:30.222 --> 13:33.524 Your mother eats pasta in... You know, where I was going with that? 13:33.704 --> 13:35.285 I love evil! 13:35.405 --> 13:37.727 Oh, you were going somewhere dirty. 13:37.787 --> 13:38.487 No, I was, no. 13:38.567 --> 13:40.949 I was just going to do an Italian version of that rude line. 13:41.089 --> 13:42.930 Anyway, so shall we play the clip? 13:43.070 --> 13:44.531 Yeah. 13:44.551 --> 13:45.412 0871-222-1049. 13:45.652 --> 13:52.496 If you want to win evil on DVDs, tell us what movie this foreign clip is from, and what scene from what movie? 13:53.877 --> 13:56.279 I have no idea what I'm talking about. 14:00.694 --> 14:03.696 What kind of competition is this? 14:25.457 --> 14:30.618 LA CRIME AN' LA PIOCCIA It's quite good, isn't it? 14:30.698 --> 14:34.219 It would be better if they'd all, you know, dubbed the music as well. 14:34.239 --> 14:35.299 The music kind of gives it away. 14:35.319 --> 14:37.660 That is one of the most famous music schools in history. 14:38.480 --> 14:40.640 Well, I thought I'd, you know, do an easy one to start with. 14:40.700 --> 14:41.000 Yeah. 14:41.380 --> 14:42.721 It's lyrical, though, isn't it? 14:43.281 --> 14:45.741 It's, um... It's like poetry in any language. 14:45.981 --> 14:46.541 Absolutely. 14:46.561 --> 14:48.442 0-8-7-1-triple-two-one-o-four-nine. 14:48.462 --> 14:53.723 If you know what scene from what film that was, you know what would be good if someone called in who actually knew that speech? 14:54.707 --> 14:57.968 and they could talk along to it in English, translate it for us. 14:57.988 --> 15:00.869 Steve Yeah, we spent many an evening reciting that as youngsters. 15:00.989 --> 15:03.370 Ricky Yeah, we spent many an evening trying to work out what he's actually saying. 15:03.390 --> 15:06.671 Steve That's right, there's a couple of difficult lines in there, isn't there? 15:06.891 --> 15:08.192 Ricky Arguing about it. 15:08.312 --> 15:12.913 Oh, it's 712221049, um, if you want to win the Exorcist box set and know what film that was from, call now! 15:12.933 --> 15:16.735 Steve Okay, here's a free play for you right now, this is Jonathan Richmond and the Modern Lovers. 15:22.952 --> 15:23.492 Come on! 15:23.532 --> 15:25.673 That's Jonathan Richman and the Modern Lovers. 15:26.213 --> 15:26.793 She cracked. 15:26.853 --> 15:28.194 This is Ella and Joe on XFM. 15:28.294 --> 15:29.314 It's competition time. 15:29.334 --> 15:32.355 We asked you if you could identify... What's the competition called? 15:32.775 --> 15:34.876 It's called, uh, Movie Lingo Bingo. 15:34.936 --> 15:36.056 Yeah, Movie Lingo Bingo. 15:36.116 --> 15:38.897 Not because it's Bingo, but if someone wins it, we're just gonna say Bingo. 15:38.917 --> 15:39.437 Bingo! 15:39.597 --> 15:41.418 Thereby justifying the name. 15:41.458 --> 15:43.579 So we've got a couple of people on the line who think they know. 15:43.599 --> 15:45.479 Should we play it again or is it too long? 15:45.559 --> 15:47.240 I'll play a little snatch. 15:47.260 --> 15:47.920 Play a little snatch. 15:48.740 --> 15:55.603 So Jeff, hello Jeff. 15:55.643 --> 15:56.184 Hello, chefs. 15:57.004 --> 15:58.325 How are you doing? 15:58.925 --> 15:59.645 Yeah, I'm very well. 15:59.705 --> 16:02.727 You don't sound like you're a fluent Italian speaker, are you? 16:04.107 --> 16:04.347 No. 16:04.527 --> 16:07.809 No, but yet you still think you know what that clip is. 16:07.869 --> 16:09.189 How have you recognised it? 16:10.910 --> 16:12.131 Just by its intimacy. 16:12.856 --> 16:34.180 it's on TV see there yeah yeah yeah so where are you going with this one Jeff what you think it is is it a same from ghost which which scene do you think it would be from ghost the pottery scene okay and so if we played the clip would you be able to approximately translate what's being said simultaneously 16:35.359 --> 16:35.619 No. 16:36.400 --> 16:37.340 Would you even have a go? 16:37.380 --> 16:38.361 Just have a quick go. 16:38.561 --> 16:39.862 Well, listen. 16:39.902 --> 16:40.622 What's he saying there? 16:40.682 --> 16:41.783 What's he saying there? 16:41.903 --> 16:43.064 Oh, I've missed you. 16:44.484 --> 16:44.985 What else? 16:46.306 --> 16:47.546 Where have you been? 16:49.187 --> 16:50.008 That's pretty good, man. 16:50.028 --> 16:51.609 The dialogue's from Ghost. 16:51.629 --> 16:53.530 I've missed you. 16:53.610 --> 16:54.310 Where have you been? 16:54.550 --> 16:55.811 That's the classic moment. 16:55.911 --> 16:56.251 Is it? 16:56.412 --> 16:56.952 Yeah. 16:56.992 --> 16:58.293 What about something like the car? 16:59.653 --> 17:03.256 The moist curves of your clay bulges. 17:04.611 --> 17:11.134 run between my fingers like grass through a lawnmower. 17:11.935 --> 17:13.015 Geoff, are you still there? 17:13.316 --> 17:14.116 Yeah, it's beautiful. 17:14.296 --> 17:14.956 It is beautiful. 17:15.197 --> 17:16.137 Geoff, you're wrong, man. 17:16.157 --> 17:16.197 Oh. 17:16.717 --> 17:18.498 Yeah, it's not Ghost at all. 17:18.678 --> 17:19.559 I'm really sorry, Geoff. 17:19.579 --> 17:21.140 That was an amazingly good guess, though. 17:21.340 --> 17:24.081 I mean, it was a very good bit of translation as well. 17:24.301 --> 17:26.122 Yeah, that's good dialogue you got there, man. 17:26.623 --> 17:27.183 OK, thanks. 17:27.723 --> 17:29.484 Erm, listen, we're gonna send you something anyway. 17:29.544 --> 17:30.785 Send him the exorcist anyway. 17:30.865 --> 17:32.506 Yeah, we're gonna send you the exorcist box anyway. 17:32.546 --> 17:34.627 It's no kind of a prize really, it's sort of like a curse. 17:35.808 --> 17:36.789 Just having it in your house. 17:37.129 --> 17:39.651 It's not, these have had the curses removed from them. 17:40.151 --> 17:42.752 Er, so we're gonna send you an uncursed exorcist box, Geoff. 17:42.792 --> 17:43.933 Thank you so much for calling in. 17:43.953 --> 17:44.634 Thanks for calling Geoff. 17:44.834 --> 17:45.594 Thanks very much. 17:45.794 --> 17:46.655 Alright then, take care. 17:47.135 --> 17:47.615 Now, who else? 17:47.635 --> 17:48.536 We've also got Sinjin. 17:48.556 --> 17:49.136 Hello Sinjin. 17:49.356 --> 17:49.457 Hiya. 17:49.477 --> 17:50.277 How you doing? 17:50.597 --> 17:51.278 I'm good, yeah, yeah. 17:51.598 --> 17:54.720 Yeah, and do you, er, what do you think there of, er, of Geoff's guess? 17:55.120 --> 17:56.521 Erm, well I guess it's wrong. 17:57.281 --> 17:58.062 Do you think you've got it right? 17:58.082 --> 17:58.982 I think so, yeah. 17:59.223 --> 18:01.444 Do you, er, can you speak the Italian? 18:01.464 --> 18:04.526 Er, unfortunately not, sono no italiano. 18:04.686 --> 18:08.989 So how did you, how did you, that was pretty good man, that was getting me a little bit turned on there. 18:09.509 --> 18:12.751 Erm, how did you go about guessing which scene it was then and what movie? 18:13.211 --> 18:16.253 Er, well I do know a little bit of Italian but it was more of a soundtrack. 18:16.493 --> 18:17.874 Yeah, very famous music. 18:18.214 --> 18:20.396 Vangelis, of course it's Blade Runner. 18:20.416 --> 18:21.917 Definitely in at the end, time to die. 18:22.557 --> 18:22.877 Yeah. 18:23.058 --> 18:27.282 So you did it, you did all that just from the... Oh, he's going into it. 18:27.862 --> 18:28.783 Sorry, do that again. 18:28.923 --> 18:32.947 Do give us as much as you want. 18:33.648 --> 18:36.010 Play the clip, get him to translate it, like Geoff couldn't. 18:36.231 --> 18:38.873 OK, here we go. 18:38.913 --> 18:40.395 What's he saying, Syngin? 18:40.495 --> 18:46.381 Er, I've seen battles, I think it goes on to say I've seen starships on fire off the belt of Orion. 18:50.311 --> 18:53.273 I've watched sea beams glitter in the darkness at Tannhauser Gate. 18:54.033 --> 18:55.654 That's what he's saying. 18:55.854 --> 18:57.495 All these moments will be lost in time. 18:57.515 --> 18:57.775 Tears. 18:57.855 --> 18:58.135 Pain. 18:58.155 --> 18:58.335 Pain. 19:07.013 --> 19:13.120 Oh, he just- he doesn't get further than Tears In Rain, actually, does he? 19:13.260 --> 19:13.841 Wow. 19:13.921 --> 19:16.704 There you go, that's a smash, that scene, isn't it? 19:17.004 --> 19:25.614 So, it's, uh, yeah, the thing we always used to argue about was whether he was saying, attacked ships off the shores of Orion, or- No, attacked ships on fire. 19:26.235 --> 19:27.115 attack ships, yeah. 19:27.175 --> 19:29.356 Well, yeah, we- we- we kind of resolved it now. 19:29.396 --> 19:30.656 It is attack ships. 19:30.836 --> 19:32.117 So they're ships which attack. 19:32.237 --> 19:32.437 Right. 19:32.537 --> 19:34.037 On fire, off the shoulder of Orion. 19:34.237 --> 19:37.498 But I always used to think it was attacked ships on fire. 19:37.678 --> 19:38.679 There's a ship on fire! 19:38.799 --> 19:39.619 Quickly attack it! 19:40.079 --> 19:40.739 That sort of thing. 19:41.019 --> 19:43.600 Which wouldn't be a very nice thing to do if it's on fire already. 19:43.720 --> 19:45.621 No, they're on fire because they've been attacked. 19:45.781 --> 19:46.421 Yeah, exactly. 19:46.621 --> 19:47.242 Yeah, yeah, yeah. 19:47.502 --> 19:49.344 It's just the sort of beauty of them. 19:49.964 --> 19:52.107 Let's talk about this for about twenty minutes. 19:52.287 --> 19:52.587 Can we? 19:52.707 --> 19:53.348 We're nearly there. 19:53.528 --> 19:53.948 OK then. 19:54.389 --> 19:56.951 Hey listen, Syngin, congratulations, that's absolutely right. 19:57.232 --> 19:58.533 Thank you very much indeed for calling in. 20:02.717 --> 20:04.019 Steve Laughs Steve Laughs Steve Laughs Steve Laughs 20:24.142 --> 20:24.783 I don't think I have. 20:24.983 --> 20:26.445 It's quite good, yeah, I recommend it. 20:26.966 --> 20:27.567 You'll enjoy it. 20:27.847 --> 20:31.451 Alright, have a good time, have some evil fun with that, and thank you very much indeed for calling in. 20:31.471 --> 20:33.634 This is Adam and Joe on XFM, we'll be back shortly. 21:00.351 --> 21:00.832 Thanks, FM. 21:13.166 --> 21:15.168 I can't argue with the stripes, really. 21:15.248 --> 21:18.051 People who say they're overrated can shut up! 21:18.091 --> 21:22.876 But you know, we can argue about Stone, which turns out we've both been to see. 21:23.136 --> 21:26.079 This is the new biopic about, what's his name, Brian Jones. 21:26.099 --> 21:27.600 Brian Jones and the Rolling Stones. 21:27.620 --> 21:29.522 Yes, and it's been heavily hyped. 21:29.562 --> 21:30.283 Is it out this week? 21:31.704 --> 21:44.710 You can't move without seeing something to do with Stoned, because it's directed by Stephen Woolley, who's a fantastic producer, set up Palace Pictures and produced some of the most important movies of the 80s, like Company of Wolves and Absolute Beginners. 21:44.970 --> 21:52.314 He's a bit of a hero to me, really, cos he almost single-handedly saved the British film industry in the 80s, when it was badly in the doll drums. 21:52.974 --> 21:56.356 And we used to get very excited about every film he made when we were teenagers, didn't we, Adam? 21:56.536 --> 21:59.620 Yeah, and he's done a lot of kind of 60s biopics, in fact, hasn't he? 21:59.660 --> 22:04.706 He's done Backbeat, he produced, and Scandal, Scandal, it's a scandal. 22:05.186 --> 22:06.868 I think he was responsible for producing. 22:07.049 --> 22:12.816 I watched three films on the plane back from my little trip, and they were all, I thought, not very good. 22:12.836 --> 22:14.718 And I'm afraid Stoned was one of them. 22:14.918 --> 22:18.439 You can't review a film just having seen it on one of those little tellies on a plane. 22:18.459 --> 22:26.322 The tellies aren't little on Virgin anymore, they're massive and you can rewind and fast forward and pause the films and you can choose any film from about 40 films. 22:26.342 --> 22:28.382 Were you sitting in steerage or first? 22:28.442 --> 22:31.423 I was sitting in business class, which was very very uncomfortable. 22:31.443 --> 22:32.924 How did you get in business class? 22:33.524 --> 22:33.964 Air miles. 22:34.344 --> 22:35.105 Steve Laughs 22:50.914 --> 22:57.001 Everybody on the plane was shoving the top of their monitors to try and get them to rotate to a position where they could be clearly seen. 22:57.362 --> 22:59.684 And it was pushing the heads of the person sleeping in front. 23:00.205 --> 23:00.645 Very bad. 23:01.026 --> 23:04.830 Basically, the business class on new Virgin planes is terrible. 23:04.850 --> 23:09.155 You want a bulkhead seat where you can flip out the- Better to be an economy on an empty flight. 23:09.195 --> 23:10.477 You can lie across four seats. 23:10.857 --> 23:11.117 Mmm. 23:11.938 --> 23:13.599 Anyway, so I saw three really bad films. 23:13.619 --> 23:15.479 This was the least bad film, Stone. 23:15.539 --> 23:16.619 It's the one I'd recommend the most. 23:16.639 --> 23:19.240 The other two I saw were Sharkboy and Lavagirl. 23:19.700 --> 23:20.341 My God. 23:20.381 --> 23:22.041 Why did you watch that, you lunatic? 23:22.061 --> 23:23.422 It was the only other film I hadn't seen on there. 23:23.442 --> 23:24.662 That's Robert Rodriguez, isn't it? 23:24.682 --> 23:27.363 It's Robert Rodriguez based on an idea by his seven-year-old son. 23:27.823 --> 23:32.504 Man, if you wanted to actually go about traumatising your child, that's what you do. 23:32.924 --> 23:39.806 Make a multi-million dollar film out of one of his silly dreams and then have it floating around in the world for the rest of his life to haunt him. 23:40.447 --> 23:40.987 It's miserable. 23:42.179 --> 23:45.802 The other film I saw was Festival about the Edinburgh Film- Edinburgh Comedy Festival. 23:46.002 --> 23:52.728 That's got some of the- it's a different topic but it's got some of the least attractive sex scenes I've ever seen in any film. 23:52.988 --> 23:56.611 Well I heard that they were sort of bolted on in a rather unpleasant way, yeah. 23:56.651 --> 23:57.372 Just revolting. 23:57.392 --> 24:05.458 Like the rest of the film is totally PG more or less and then suddenly they're these really shockingly explicit weird sex scenes in there. 24:05.538 --> 24:05.959 That's right. 24:06.539 --> 24:07.900 But anyway, that's another subject. 24:07.920 --> 24:08.861 Let's talk about Stone. 24:09.301 --> 24:14.025 I was writing down all the rock biopic cliches in Stone, OK, and here they are. 24:14.065 --> 24:22.491 Cliche number one that Stone does is it starts with this guy- I forget what the actor's name, but he's wearing a funny pudding bowl wig to look like Brian Jones, which doesn't look that realistic. 24:22.551 --> 24:29.616 And he's on the phone and he's having one of those conversations where he repeats what, you know, the other person on the other end is saying even though he can't hear it. 24:29.957 --> 24:30.257 So he goes, 24:31.858 --> 24:32.639 Brian Jones. 24:33.419 --> 24:35.080 That's almost the first line in the movie. 24:35.100 --> 24:37.321 Then he goes, that's right, the Rolling Stones manager. 24:37.341 --> 24:39.423 7.30 sound check, great. 24:39.683 --> 24:40.844 It's like a Yellow Pages ad. 24:41.544 --> 24:43.805 Then later in the film, he goes, hello? 24:43.826 --> 24:46.807 And Mick and Keith, what, they want to come down tomorrow? 24:47.368 --> 24:47.728 Like that. 24:48.288 --> 24:55.213 What would happen in real life if you did make a call and repeated everything the other person said, as if there was someone listening who needed to understand everything? 24:55.713 --> 24:56.994 Would the person on the other end realize? 24:57.674 --> 24:58.135 Ricky Laughs 25:15.572 --> 25:22.436 So when there's a famous concert or something amazing's happening and there's photographers, it freeze frames on a camera flash. 25:22.756 --> 25:25.417 Scorsese first did it brilliantly, now it should be retired. 25:25.997 --> 25:26.838 Horribly overused. 25:27.218 --> 25:29.699 Cliche number four, deathbed flashbacks. 25:29.799 --> 25:37.283 Character who dies at the beginning of the movie and then you get flashbacks of his life, which are the most exciting moments from the movie. 25:37.523 --> 25:40.025 A woman in crazy 60s makeup leering at the camera going, 25:41.245 --> 25:43.466 And it- you know, images like that flash really fast. 25:43.486 --> 25:43.746 Steve Yeah. 25:43.766 --> 25:47.447 Ricky And you're supposed to think, oh wow, I can't wait to see the context of that flash frame. 25:47.467 --> 25:50.028 Steve I think that's how the doors were structured, wasn't it? 25:50.068 --> 25:51.108 Ricky All of them do it. 25:51.128 --> 25:51.848 Steve Yeah. 25:51.868 --> 25:59.910 Ricky How about this, a montage of international news reports interrupting each other, telling us how important this event is, but in different, uh, languages. 26:00.411 --> 26:05.332 So it goes, the Rolling Stones, uh, have played an extraordinary concerto in the- do you know what I mean? 26:05.672 --> 26:06.792 And it switches languages. 26:06.812 --> 26:11.493 They first do it in Bugsy Malone when all the reporters, uh, rush to report the development of splurge guns. 26:12.094 --> 26:13.274 And they cut from language to language. 26:13.314 --> 26:14.114 It does that one as well. 26:14.714 --> 26:15.714 Man, is this going on too long. 26:16.115 --> 26:18.155 What about adults playing schoolboys in flashbacks? 26:18.755 --> 26:20.916 So they have a flashback to Brian Jones' childhood. 26:21.196 --> 26:25.817 And it's just the same actor, wearing really heavy foundation, with his eyes a tiny bit wider. 26:26.778 --> 26:27.979 an even sillier wig. 26:28.660 --> 26:29.041 Rubbish. 26:29.181 --> 26:30.022 How about this one? 26:30.763 --> 26:34.428 Soundtrack songs that explicitly state something that's happening in the scene. 26:34.448 --> 26:41.517 There's a bit in stone when someone's knocking down a brick wall and the soundtrack song goes, please don't break it down. 26:44.878 --> 27:09.091 what's going on there and there was the other one is they have quite a silly cliche drug montage where they play white rabbit by jefferson airplane today one pill makes you bigger and the other pill makes you tiny that's such a cliche how about this one someone shatters a mirror in anger punches it then you get a shot of their face uh like splintered in the shards do you know what i mean because they're 27:09.511 --> 27:10.992 personality has been splintered. 27:11.052 --> 27:11.532 That's right. 27:11.732 --> 27:11.972 Yeah? 27:12.112 --> 27:12.672 They do that one as well. 27:12.692 --> 27:16.974 I don't like those shots because you always think, ooh, that's gonna hurt, you're gonna lacerate your knuckles. 27:17.014 --> 27:18.895 Surely, yeah, it would cut your knuckles up. 27:19.035 --> 27:19.295 Yeah. 27:19.335 --> 27:20.176 Halla apocalypse now. 27:20.196 --> 27:21.937 I've just got one more, one last one. 27:22.417 --> 27:28.940 What about when there's a character playing an instrument, just a single instrument, and then it's joined on the soundtrack by a full band? 27:29.600 --> 27:46.569 right to try and capture that what's going on in that guy's head uh i mean that's quite a good cliche that's one of the better ones but man stoned is basically just wall-to-wall rock biopic cliches sometimes that's what you want i find those quite comforting sometimes can i say that i found it an enjoyable watch patty constantine is great in it 27:47.509 --> 27:54.153 the Constatine, they kind of waste that story, because there's a really good story in there about a plumber that works for Brian Jones. 27:54.514 --> 28:02.539 Ricky Laughs Ricky Laughs It is in there. 28:02.979 --> 28:05.201 Steve Laughs No, you can't. 28:05.401 --> 28:07.382 Now we're going to have to play the Decemberists. 28:07.903 --> 28:10.244 I, you know, I would still recommend Stone personally. 28:10.284 --> 28:11.445 I thought it was pretty enjoyable. 28:12.185 --> 28:13.366 So you're overruled, Cornish. 28:13.546 --> 28:13.846 Steve Damn. 28:13.866 --> 28:14.487 Ricky Laughs 28:14.767 --> 28:17.759 Here's the Decemberists' 16 military wives. 28:27.113 --> 28:27.373 Wow. 28:27.453 --> 28:27.874 There you go. 28:27.914 --> 28:31.816 That's the Decemberists with 17... 16, sorry, Military Wives. 28:31.836 --> 28:37.340 Yeah, that's the first single to be taken from the Portland Oregon Quintet's third album, Picaresque, coming out through Rough Trade. 28:37.600 --> 28:43.184 You can hear them live in session on Exposure with Claire Sturgis between 9 and 11 on Wednesday, November the 23rd. 28:43.584 --> 28:46.687 La da da da da da da da da. 28:47.047 --> 28:50.349 That's like something from the 60s, isn't it? 28:51.190 --> 28:51.470 Anyway. 28:51.870 --> 28:53.172 This is Adam and Joe on XFM. 28:53.292 --> 28:53.873 We'll be back. 28:53.993 --> 28:57.517 We still haven't really quizzed Joe Cornish about his exciting trip to Los Angeles. 28:57.537 --> 28:58.899 I think we should do that in the second hour. 28:58.959 --> 29:03.564 Plus, Joe will be unveiling some extraordinary R. Kelly action. 29:03.844 --> 29:05.066 News. 29:05.086 --> 29:06.407 So stick with us here on XFM. 29:34.305 --> 29:56.433 Love XFM XFM Rock I like to rock I like rock the rocket I like you to rock Good gracious me. 29:56.873 --> 29:57.373 Are you alright? 29:57.393 --> 29:59.714 I like rocking! 29:59.894 --> 30:00.394 Do try. 30:00.654 --> 30:01.454 Calm down. 30:01.635 --> 30:02.155 I'm sorry. 30:03.015 --> 30:05.436 That's the Foo Fighters with Resolve. 30:05.836 --> 30:09.037 This is Adam Buxton and Joe Cornish. 30:09.057 --> 30:18.720 So listen, if I were to ask you listeners, even though I can't hear your reply, who your least favourite R&B singer was, because most listeners to XFM don't like the rhythm and blues, the R&B. 30:19.700 --> 30:20.901 They might like a bit of hip-hop. 30:20.921 --> 30:22.122 Nobody likes R&B. 30:22.182 --> 30:23.743 Nobody likes R&B, apart from me. 30:24.303 --> 30:28.906 And who would you say the least popular, most idiotic R&B singer was? 30:30.147 --> 30:33.469 The answer's R. Kelly, obviously, cos we've been talking about it through the whole show. 30:33.509 --> 30:37.772 So I've got to keep you listeners up to date with R. Kelly News, cos he's released the most extraordinary thing. 30:37.792 --> 30:41.455 R. Kelly's released a kind of soap opera record. 30:41.915 --> 30:49.060 It's actually 12 three-minute singles, that's correct, 12 three-minute singles, and he's made 12 little videos to go with them. 30:49.680 --> 30:53.605 And they've been being slowly released over the last few months. 30:54.686 --> 30:57.990 And this whole soap opera is called Trapped in the Closet. 30:59.072 --> 31:03.918 So in America I picked up the DVD of all 12 episodes of Trapped in the Closet. 31:04.418 --> 31:06.901 And for R Kelly this is an amazingly innovative thing. 31:06.941 --> 31:08.563 He's invented a new genre of music. 31:09.264 --> 31:10.765 Right, the R&B soap opera. 31:11.065 --> 31:13.206 The single which has a cliffhanger ending. 31:13.466 --> 31:18.188 So you've got to buy the next single in order to find out what happens next in the story. 31:18.248 --> 31:20.149 It's quite a good idea, isn't it? 31:20.169 --> 31:22.470 And basically R. Kelly sings all the different parts. 31:22.510 --> 31:23.270 It's like Neighbours. 31:24.091 --> 31:25.151 Bit riskier. 31:25.631 --> 31:27.592 He sings all the parts in different voices. 31:27.972 --> 31:29.413 And he does have a very, very good voice. 31:30.273 --> 31:33.456 But he's also got quite a good, you know, sense of the absurd. 31:34.036 --> 31:36.538 So basically, don't worry, this isn't going to take very long. 31:37.018 --> 31:41.502 I'm just going to play you basically the climactic moments from some of these episodes. 31:41.522 --> 31:45.485 What I'm playing you is like the last ten seconds of each episode. 31:46.065 --> 31:47.887 So let's just get a feel for it. 31:48.687 --> 31:50.929 The story starts with R. Kelly locked in a closet. 31:51.229 --> 31:53.469 So we should say that these are going to be spoilers, right? 31:54.130 --> 32:01.891 If you do intend to listen to R. Kelly's R&B soap opera trapped in the closet in full, then maybe, you know, turn your ears away at this point. 32:01.971 --> 32:02.151 Yeah. 32:02.491 --> 32:05.772 But if you don't, then here's a little sort of synopsis. 32:06.132 --> 32:11.132 So in episode one, we find R. Kelly locked in the cupboard of a woman who he's picked up at a club. 32:11.393 --> 32:19.754 And the reason he's in the cupboard is because this woman's husband, Rufus, has come home and R. Kelly's cell phone has gone off while he's in the closet. 32:20.414 --> 32:25.058 And now Rufus is advancing towards the closet, about to reveal R. Kelly. 32:25.298 --> 32:27.019 So this is the climax of episode one. 32:27.039 --> 32:28.560 So if you play the first clip, here we go. 32:40.566 --> 32:41.006 So there you go. 32:41.046 --> 32:41.987 It's quite a good idea, isn't it? 32:42.007 --> 32:44.309 Like, what's gonna happen next when he opens the closet? 32:44.369 --> 32:45.190 It's pretty literal. 32:45.550 --> 32:46.611 It's very literal, yeah. 32:46.711 --> 32:49.032 So what happens is R. Kelly and Rufus confront each other. 32:49.072 --> 32:50.794 They pull their guns very quickly. 32:50.814 --> 32:53.116 There's a lot of gunplay in this soap opera. 32:54.196 --> 32:59.480 Rufus is furious, obviously, with R. Kelly for cheating with his wife, I think she is. 33:00.661 --> 33:02.563 There's a massive fight, but then suddenly Rufus 33:03.958 --> 33:19.882 reveals that he too has a lover and his lover is actually I do have a lover very similar I do have a lover and his lover is coming up the stairs right now she's coming up the stairs so this is the climax of episode two who is Rufus's lover gonna be so let's hear it okay 33:30.842 --> 33:32.223 Rufus's lover is a man! 33:32.403 --> 33:33.945 He is a homosexual! 33:34.045 --> 33:36.427 So Rufus is quite literally trapped in the closet. 33:36.467 --> 33:37.548 Very clever of R. Kelly there. 33:37.648 --> 33:38.148 That's brilliant. 33:38.168 --> 33:40.130 You know, playing with both levels of that phrase. 33:40.170 --> 33:40.370 Yeah. 33:40.570 --> 33:41.651 So that's episode two. 33:42.132 --> 33:44.374 Rufus has a gay lover and his name is Chuck. 33:44.734 --> 33:44.914 Yeah. 33:45.455 --> 33:47.977 Uh, he sings that, but I won't traumatise you with that. 33:48.637 --> 33:52.200 R. Kelly can't take it, so he heads home to see his girlfriend, Gwendoline. 33:52.900 --> 33:57.904 Gwendoline and R. Kelly make love, and obviously it's amazing, cos R. Kelly is the world's greatest lover. 33:58.104 --> 34:02.607 But just as they reach their climax, R. Kelly sees something beneath the covers. 34:03.047 --> 34:03.407 Play Clip 3. 34:15.802 --> 34:16.543 Can you believe that? 34:16.903 --> 34:18.925 He's found a condom in the sheets. 34:19.066 --> 34:20.287 Oh, I thought he said a robber. 34:20.687 --> 34:21.188 No, a rubber. 34:21.288 --> 34:22.689 Oh my God, a robber! 34:23.490 --> 34:25.733 He's gonna nick my gun and my phone. 34:25.893 --> 34:27.995 So R. Kelly's wife is also having an affair. 34:28.395 --> 34:29.457 Why, I don't understand. 34:29.997 --> 34:30.958 She, oh, I see. 34:30.998 --> 34:33.441 Right, he's seen a used condom in the sheets. 34:33.521 --> 34:34.142 In the sheets. 34:34.182 --> 34:34.502 Yeah. 34:34.702 --> 34:35.063 Nice. 34:35.663 --> 34:36.023 OK? 34:36.303 --> 34:38.144 So then all kinds of stuff goes down. 34:38.864 --> 34:39.864 A cop turns up. 34:40.185 --> 34:41.465 Gwendoline's brother turns up. 34:41.505 --> 34:42.165 There's a fight. 34:42.465 --> 34:43.866 Gwendoline's brother's called Tron. 34:44.206 --> 34:45.126 Tron gets shot. 34:45.546 --> 34:48.447 I'm skipping three or four episodes here because it gets very detailed. 34:49.168 --> 34:51.729 The thing builds to an extraordinary climax. 34:51.889 --> 34:52.869 He's called Tron. 34:52.889 --> 34:53.889 He's got a brother called Tron. 34:53.909 --> 34:55.690 It's a good name for a kid. 34:56.170 --> 34:58.191 It's better than calling him Last Starfighter. 34:59.391 --> 35:00.072 Oh, I don't know. 35:00.512 --> 35:03.394 Anyway, so at the height of the violence, Tron's been shot. 35:04.594 --> 35:07.696 It's a massive, you know, climactic moment. 35:07.916 --> 35:08.917 There's a knock at the door. 35:09.197 --> 35:10.718 Who is gonna be behind the door? 35:11.419 --> 35:12.159 OK, play the next clip. 35:22.094 --> 35:32.652 Spatula in her hair Spatula Like that's gonna do something against them guns Spatula It's Rosie the nosey 35:41.479 --> 35:53.731 It gets better so we thought it was gonna be another part twist it was Rosie the nosy neighbor with a spatula Like that's gonna do something against that girl 35:53.851 --> 36:09.388 you ever heard the word spatula more beautifully son okay so they invite Rosie in various other twists happen and we end up going back to the cops house the cops married to a kind of white trash woman who's acting very suspiciously 36:10.109 --> 36:30.012 and he starts to suspect that she's got someone hiding in her closet as well but actually not in her closet under the sink in the cabinet under the sink so uh the cop approaches the cabinet under the sink because there's a noise coming from in there and he opens it so play the next clip this is what he finds under the sink 36:41.810 --> 36:43.392 She's having an affair with a midget. 36:43.432 --> 36:46.955 I like the way it sort of echoes at the end of all the climaxes. 36:46.975 --> 36:53.741 In the video itself that's amazing it jump cuts between R. Kelly in different poses singing midget midget midget 36:54.452 --> 36:54.953 Extraordinary. 36:55.013 --> 36:56.734 Okay, and bear with me, there's one more clip. 36:57.815 --> 37:08.605 It's hard to explain what happens between that climax and the next one, but basically R. Kelly and Tron show up, everyone pulls their guns, there's a big argument, suddenly the cop's wife reveals that she's pregnant. 37:09.025 --> 37:09.666 But by who? 37:09.706 --> 37:10.486 Who got her pregnant? 37:10.967 --> 37:11.587 It's the final clip. 37:11.908 --> 37:12.208 Okay. 38:21.845 --> 38:23.976 This is XFM. 38:34.775 --> 38:35.436 Very good, well done. 38:35.556 --> 38:43.804 Hey, listen, Adam, and listeners, on the weekend breakfast with Gareth Brooks, it's your chance to win prizes, including an O2 iMode phone. 38:44.424 --> 38:51.110 iMode is the new mobile phone internet service exclusively from O2 that gives you access to the internet at the touch of a button. 38:51.130 --> 38:53.192 That bit's written in bold, so I emphasised it. 38:53.733 --> 38:58.657 O2 are also giving you the chance to test iMode within an interactive area in Covent Garden. 38:59.398 --> 39:01.900 from the 17th to the 20th of November. 39:02.220 --> 39:03.141 So go check it out. 39:03.381 --> 39:03.961 What does that mean? 39:03.981 --> 39:06.783 Erm... They're giving you the chance to test iMode. 39:07.203 --> 39:07.564 Oh, I see. 39:07.584 --> 39:08.905 So you can go and access the internet. 39:10.115 --> 39:11.196 Er, in Covent Garden. 39:11.336 --> 39:11.717 Brilliant. 39:12.077 --> 39:14.719 Can you- I wonder if they'll let you look at ladies with no clothes. 39:15.079 --> 39:15.520 Probably. 39:15.540 --> 39:17.842 Oh, I love the internet. 39:17.922 --> 39:19.183 Internet at the touch of a button. 39:19.203 --> 39:19.903 That's the key thing. 39:20.164 --> 39:20.904 That's the key phrase. 39:21.245 --> 39:22.345 Thanks for telling me all that, man. 39:22.366 --> 39:22.906 That's all right, man. 39:23.126 --> 39:24.767 I really missed you last weekend. 39:24.788 --> 39:25.108 Hey. 39:25.248 --> 39:27.430 And I'm so glad you're back to tell me that kind of thing. 39:27.450 --> 39:28.310 That kind of thing, yeah. 39:28.330 --> 39:29.792 Well, that's exciting, isn't it? 39:29.812 --> 39:29.952 Yeah. 39:30.112 --> 39:30.913 That is exciting. 39:30.953 --> 39:34.115 So, Schleicher, do you want to hear any stories from my trip to Los Angeles? 39:34.155 --> 39:35.216 Come on, then. 39:35.757 --> 39:37.218 What was Steven Spielberg like? 39:37.538 --> 39:40.299 I didn't meet Steven Spielberg, but I did go onto the set of Superman 3. 39:40.859 --> 39:41.839 Not Superman, Spider-Man. 39:42.299 --> 39:42.779 Oh, wow. 39:43.259 --> 39:44.780 With, er, directed by Sam Raimi. 39:44.800 --> 39:45.720 By Sam Raimi, yeah. 39:45.760 --> 39:46.480 Met Sam Raimi. 39:48.260 --> 39:49.521 That's my, that's that name dropping. 39:49.541 --> 39:52.041 That's the first name drop. 39:52.141 --> 39:52.461 Yeah. 39:53.202 --> 39:55.422 And I shook the hand of, er, Thomas Hayden Church. 39:56.642 --> 39:57.903 Dressed as Sandman. 39:59.143 --> 40:02.324 You know what, I can't tell you anything that I saw there, cos it's all secret. 40:02.344 --> 40:02.804 Top secret. 40:02.964 --> 40:03.884 It's all secret, yeah. 40:05.109 --> 40:11.116 I heard from Simon Pegg that Edgar was invited to direct a scene by Sam Raimi. 40:12.240 --> 40:13.560 kind of, yeah, yeah. 40:14.101 --> 40:14.801 Kind of. 40:15.221 --> 40:21.502 Well, I don't know, it's just indiscreet to talk about it, but yeah, no, it was kind of in a joking sort of a way. 40:21.522 --> 40:23.463 Steve Yeah, like as a mark of respect. 40:23.483 --> 40:24.563 Ricky As a mark of respect, yeah. 40:24.583 --> 40:25.763 Steve From one zombie fan to another. 40:25.783 --> 40:26.383 Ricky Yeah, yeah. 40:26.524 --> 40:27.064 Steve That's exciting. 40:27.084 --> 40:31.525 Ricky But I can't tell Edgar's stories for him like some sort of terrible second hand idiot. 40:32.185 --> 40:33.545 So he'll have to come and tell himself. 40:33.565 --> 40:35.506 Steve But you're my favourite terrible second hand idiot. 40:35.526 --> 40:36.226 Ricky Ah, thanks man. 40:37.487 --> 40:45.039 But the one thing I was really excited about was I was hanging out with, I was hanging out with, I can't even speak these things, with Matt Stone. 40:45.861 --> 40:47.443 He's a really, really nice guy. 40:49.120 --> 41:09.842 that's terrible isn't it but they would he he was we were talking about South Park and how amazing South Park is basically for me South Park sort of overtaken the Simpsons really in terms of excitement and you know keeping the quality up and it's an amazing show because they can do they can literally talk about anything they want they can be as insulting or subversive as they want and nobody seems to care mm-hmm 41:11.022 --> 41:15.965 And I said that to him and he said, well wait for this Wednesday's episode, not in the UK but in the States. 41:16.845 --> 41:27.631 It's an episode about Scientology and it went out last Wednesday in the US and it's got Tom Cruise in it and one of the plot lines is Tom Cruise comes over to Cartman's house and he gets stuck in Cartman's closet. 41:28.351 --> 41:30.292 So for the whole episode they're going, Tom! 41:30.812 --> 41:31.653 Come out of the closet! 41:32.295 --> 41:33.556 apparently over and over again. 41:34.256 --> 41:34.736 You understand? 41:34.756 --> 41:36.017 Get it? 41:36.657 --> 41:39.738 And basically they were delivering this episode the night before it went out. 41:39.978 --> 41:45.481 They finished South Park pretty much the night before it goes out, which I didn't realize, to put super topical stuff in. 41:46.181 --> 41:47.682 And Matt thought this might be the end of the road. 41:48.682 --> 41:53.586 He thought they might have finally pushed it too far because they're baiting the crews and they're baiting the Scientologists. 41:53.626 --> 41:58.230 Two of the most litigious and powerful bodies in the world. 41:58.510 --> 41:59.831 Don't abuse the crews. 42:00.191 --> 42:07.597 And so the next night after it had gone out in the States, I'd left by then, but I was looking at the talkback on Ain't It Cool and people were going crazy. 42:08.237 --> 42:18.552 what saying wow that was amazing saying it was the best south park why because they'd implied that tom cruise was gay uh just because it was really funny and daring and ballsy and i can't wait to see it 42:19.548 --> 42:20.689 hearing and ballsy. 42:20.749 --> 42:21.629 You don't sound convinced. 42:21.910 --> 42:24.111 I don't- I don't dig cruise bashing personally. 42:24.612 --> 42:25.432 I'm pro-cruise. 42:25.792 --> 42:27.133 And I think- I love cruise too. 42:27.514 --> 42:32.657 There's more genuinely important and subversive things that can be done than just call someone gay. 42:33.398 --> 42:34.819 Yeah, I haven't seen the episode yet. 42:35.239 --> 42:36.840 So I might not have described it properly. 42:36.860 --> 42:40.563 And you know, that might just be one joke out of many, but I think it sounds brilliant. 42:41.164 --> 43:01.062 what's the worst thing you can say about Cruz is that he's so rich he's a bit insincere I don't know Simon Pegg again I was talking to him the other day I hope he doesn't mind me mentioning the fact that he's just done some work on Mission Impossible 3 thought Cruz was lovely fellow and I you know he just seems like one of the less evil people in the world to me 43:01.863 --> 43:02.243 that you think? 43:02.263 --> 43:06.625 Er, yeah, probably, but, you know, I don't know, I think that sounds like a funny episode. 43:06.645 --> 43:07.305 I shouldn't have told you. 43:07.325 --> 43:09.926 Oh yeah, no, I'm- I'm not knocking the, er, funniness of the episode. 43:10.447 --> 43:12.868 Just, er, questioning the cruise bashing. 43:13.328 --> 43:15.989 I love Tom Cruise and I don't- I think he can take it, you know? 43:16.049 --> 43:17.329 I think he can probably take it. 43:17.550 --> 43:18.590 I don't think he can. 43:18.950 --> 43:20.851 I think he's in terrible trouble. 43:20.891 --> 43:22.992 No, we can't say anything, otherwise he'll sue us. 43:23.772 --> 43:24.833 No, he wouldn't sue me. 43:25.074 --> 43:25.714 He loves me. 43:25.734 --> 43:27.876 Because I love him. 43:27.896 --> 43:30.479 You just want to get a bit part in Mission Impossible, don't you? 43:30.599 --> 43:31.760 Partly, yes, I do. 43:32.141 --> 43:33.102 Mission Impossible 4. 43:33.262 --> 43:35.184 If anyone's listening, I'd love to do a little bit. 43:36.125 --> 43:37.386 OK, here's another free play for you. 43:37.426 --> 43:41.631 This is a band that Joe got me into, in fact, when we were back at school. 43:41.711 --> 43:44.393 Orange Juice, fronted by the mighty Edwin Collins. 43:44.413 --> 43:45.815 This is a track called Craziest Feeling. 43:55.293 --> 43:56.233 Come on, it's a peach. 43:56.534 --> 43:57.994 Orange juice with craziest feelings. 43:58.014 --> 43:59.255 This is Adam and Joe on XFM. 43:59.615 --> 44:04.517 So I wanted to follow up on a little bit of stuff that we talked about the other week. 44:04.537 --> 44:11.760 We were asking people if they thought we should go on and be interviewed for Channel 4's forthcoming 100 Greatest Funny Moments. 44:12.880 --> 44:22.164 One of our clips from the Adam and Joe show called 20% Free, where we went in and nicked all the free bits in a shop, is turning up in this rundown. 44:22.304 --> 44:25.306 Yeah, and they asked us to do an interview, and we asked you, the listeners, whether we should do it. 44:25.487 --> 44:26.768 And you all said we should, so we did. 44:26.788 --> 44:27.388 Yeah, we did. 44:27.768 --> 44:29.770 I really, really regret it. 44:30.230 --> 44:32.052 Well, I could tell you were in a bad mood, Ad. 44:32.172 --> 44:35.094 Not in a bad mood, but I could tell you weren't enjoying yourself. 44:35.335 --> 44:35.575 Really? 44:35.595 --> 44:36.936 I thought you weren't enjoying yourself. 44:36.976 --> 44:42.861 Well, there was a woman who was very nice, but we were sitting doing this interview, and the woman actually interviewing us was being very polite. 44:43.141 --> 44:51.167 But the producer was sitting exactly in our eyeline, just to the right of this woman interviewing us, looking more bored than I've ever seen anybody in the world. 44:51.548 --> 44:51.748 As if 44:52.108 --> 44:57.114 And probably what we were saying was boring, but she looked as if every word was slowly killing her. 44:57.455 --> 45:07.627 And then after about 20 minutes, she started saying to the woman interviewing us, Jill, 10 minutes, come on, no more than 10 minutes, come on, wrap it up, just in front of us. 45:08.499 --> 45:11.462 and then she started going, come on, the next- Nathan's waiting. 45:11.722 --> 45:15.626 Nathan from Brother Beyond, who was the next guy up to the interview, was waiting. 45:15.826 --> 45:18.269 Come on, it's just- it was quite rude. 45:18.889 --> 45:19.190 You know? 45:19.210 --> 45:21.012 Ricky Yeah, I wasn't upset about that at all. 45:21.052 --> 45:23.154 I mean, I think, uh, you know. 45:23.174 --> 45:31.382 Steve I tell you the other thing that happened to me is I started not- I started forgetting what her questions were and just talking as if I was being interviewed by God. 45:32.603 --> 45:32.843 or something. 45:32.863 --> 45:34.264 Yeah, you forgot to talk in soundbites. 45:34.484 --> 45:36.165 I did forget to talk in soundbites. 45:36.225 --> 45:42.828 And I stopped myself, because I was just going into the stories that I wanted to tell about how brilliant it was, the show was. 45:43.528 --> 45:46.209 It was, oh man, I just, it was- Do you think we're gonna look like idiots? 45:46.489 --> 45:46.769 Yeah. 45:47.430 --> 45:49.530 I mean, we just took ourselves seriously. 45:49.550 --> 45:56.193 Like, we didn't do commentaries on our DVD for exactly that reason, to be so vain as to go on about how brilliant we are. 45:56.293 --> 45:58.554 And then we just- But we didn't ever say we were brilliant, did we? 45:58.574 --> 45:58.875 Wow. 45:59.995 --> 46:02.544 It was... I thought it was a shame that we did it. 46:03.286 --> 46:05.914 But there you go, I suppose it's... I don't think anyone cares. 46:07.406 --> 46:08.587 What was the worst thing we said? 46:08.607 --> 46:10.850 What was the worst thing I said? 46:10.890 --> 46:11.791 Was it something I said? 46:11.971 --> 46:12.511 No, no, no. 46:12.591 --> 46:14.673 It was just the fact that we did it, you know? 46:14.714 --> 46:20.900 Just the fact that I really had made a vow never to be associated with another Top Hundred show ever again. 46:21.460 --> 46:29.348 And just because they were talking about our clip, in I go, and start going on, yes, well, it all came from an idea that we had. 46:30.590 --> 46:31.191 it was stressful. 46:31.711 --> 46:33.774 Anyway, um- Steve so that's something to look forward to. 46:33.794 --> 46:34.294 Ricky Yeah, there you go. 46:34.314 --> 46:35.596 Steve When's it going out in the spring? 46:35.616 --> 46:36.937 Ricky April or something next year. 46:36.957 --> 46:39.160 Steve We could just call them up and say don't use it. 46:39.180 --> 46:39.801 Ricky I was thinking about it. 46:39.821 --> 46:40.642 Steve We could pay them the money back. 46:40.662 --> 46:41.583 Ricky I was thinking about it. 46:41.603 --> 46:41.863 Steve Yeah? 46:41.883 --> 46:42.264 Ricky Yep. 46:42.624 --> 46:47.450 I was thinking, listen, have your money, but then we would have wasted an hour of their time and they had a crew and everything. 46:47.470 --> 46:48.851 Steve No, they don't care, that'd be fine. 46:49.873 --> 46:50.494 Well, pull it! 46:50.554 --> 46:50.894 Pull it! 46:51.114 --> 46:52.176 Pull it, for goodness sake! 46:52.376 --> 46:54.158 Well, I might talk to our agent this week. 46:54.258 --> 46:56.701 So listen, Digit and the Doc coming up in the next 20 minutes. 46:56.741 --> 46:58.504 The theme, can I reveal the theme this week? 46:58.664 --> 46:58.944 Go on then. 46:59.224 --> 47:00.206 It's monkey songs. 47:00.246 --> 47:01.888 We should probably do it right now, shouldn't we? 47:01.928 --> 47:06.514 Songs pertaining to, or involving, or associated with, somehow, monkeys. 47:06.594 --> 47:07.995 And this is in advance- Ooh, hello. 47:10.680 --> 47:14.401 This is in advance of the release of King Kong, which is going to be Peter Jackson's King Kong. 47:14.421 --> 47:15.762 It's going to be everywhere in a couple of weeks. 47:16.022 --> 47:20.644 We thought we'd steal a march on the competition and get our monkey business out of the way ahead of time. 47:20.884 --> 47:21.164 Yeah. 47:22.064 --> 47:24.045 So do you want to, we may as well pitch them now. 47:24.065 --> 47:25.045 We've got like 20 minutes left. 47:25.125 --> 47:34.469 OK, I'm going to go for the theme from Monkey, the famous Japanese martial arts adventure series dubbed into English and shown in the UK in the early 80s. 47:34.829 --> 47:38.310 The adventures of Pigsy, Sandy, Tripitaka and Monkey. 47:38.810 --> 47:43.172 who of course had massive sideburns and sort of looked like he was from Penge, didn't he? 47:43.252 --> 47:43.732 Penge? 47:43.913 --> 47:45.633 He did, he looked more British than Japanese. 47:45.893 --> 47:46.274 Yeah. 47:46.414 --> 47:59.480 And Monkey of course involved them chasing each other on souped-up clouds, transforming into animals, randomly changing gender confusingly, and kung fu kicking various demons that they met on some quest for something that I could never quite work out. 48:00.180 --> 48:06.583 The theme tune is amazing, it's a kind of funk-rock workout by a Japanese band called Godiego, who recorded it in 1978. 48:08.924 --> 48:28.535 And that's what I want you to vote for the theme from monkey and as an extra thing the theme I've got it's got an amazing introduction monkey Do you remember it had a voiceover that climaxed with him saying this nature of monkey was irrepressible The version I've got doesn't have that on it But I'm going to ask you Adam Buxton to read the monkey voiceover over it if you win that is if I win I 48:28.815 --> 48:29.155 OK? 48:29.296 --> 48:31.938 So that's, if you want to hear the theme from Monkey, call 0871 2221049. 48:33.300 --> 48:43.591 So you've craftily co-opted me into your song there, you see, to try and increase the likelihood we will get voted for. 48:43.871 --> 48:45.012 Well, I'm in trouble. 48:45.052 --> 48:46.434 I haven't won for about four weeks. 48:47.054 --> 48:51.841 Well, it's a tough one, and this is probably a little bit lazy, and I hope your one wins. 48:51.941 --> 48:53.023 I'll be unashamed about that. 48:53.043 --> 48:54.245 Have you picked another rock classic? 48:54.465 --> 48:54.805 Yeah. 48:55.146 --> 48:56.187 It's not the Beatles, is it? 48:56.648 --> 48:56.908 No. 48:57.309 --> 49:00.333 What's the most famous indie monkey song, Lila? 49:00.353 --> 49:01.876 I was going to say I'm a believer. 49:02.443 --> 49:02.903 No. 49:03.283 --> 49:05.745 I thought... I thought I actually had to have monkey in the title. 49:06.505 --> 49:07.845 Is it George Michael with monkey? 49:08.226 --> 49:08.446 No. 49:08.986 --> 49:09.446 Come on. 49:09.506 --> 49:10.487 Is it the specials? 49:10.507 --> 49:11.687 Is it indie rock classic? 49:13.848 --> 49:15.209 It's the Pixies. 49:15.409 --> 49:17.570 And I know I had the Pixies last week, but listen... 49:17.870 --> 49:20.932 Man, it's a good challenge that Pixies versus the theme from Monkey. 49:21.113 --> 49:22.534 Pixies with Monkey gone to heaven. 49:22.574 --> 49:26.997 I really don't need to say that much about it because most XFM listeners will be familiar with it. 49:28.218 --> 49:29.059 So yeah, let's see. 49:29.079 --> 49:31.401 It's a good song, man, but I'd say overplayed. 49:31.881 --> 49:32.762 Sure, absolutely. 49:32.822 --> 49:34.983 Certainly, yeah, I wouldn't argue with that. 49:35.023 --> 49:36.645 But then so's the theme from Monkey, really. 49:37.505 --> 49:37.766 Is it? 49:37.966 --> 49:39.908 You know, I tried to watch Monkey again the other day. 49:39.928 --> 49:41.870 It's not as enjoyable as I remember it. 49:42.230 --> 49:43.571 That beginning is still amazing. 49:43.711 --> 49:46.174 The beginning's amazing, and it did have some amazing bits. 49:46.294 --> 49:53.201 The translation was done by a British guy who also did the water margin, and he completely reinvented the script and made it interesting and funny. 49:53.221 --> 49:53.721 Uh-huh. 49:54.222 --> 49:55.263 Uh, but you obviously don't agree. 49:55.663 --> 49:57.584 Well, maybe I'll reapply myself. 49:57.805 --> 50:00.626 I certainly absolutely loved that show when I was growing up. 50:00.646 --> 50:02.848 Man, the theme tune is a genuinely brilliant bit of music. 50:02.908 --> 50:03.108 Yeah. 50:03.268 --> 50:04.129 Really funky and strange. 50:04.149 --> 50:05.049 OK, so vote now. 50:05.430 --> 50:07.611 It's Monkey versus Pixies. 50:07.671 --> 50:12.174 Hey, and can I say, everybody who gets on the air wins a copy of the Happy Mondays Greatest Hits. 50:12.194 --> 50:13.135 0-8-7-1-2-2-2-1-0-4-9 will be back shortly. 50:40.441 --> 50:41.161 Love music. 50:41.401 --> 50:48.503 Love XFM. 50:52.345 --> 50:53.425 Oh dear, very sodden. 50:53.685 --> 50:54.265 Stop it. 50:54.305 --> 50:58.486 Hey, listen, so before we resolve ditches in the dock, couple of people have emailed- I should just say who that was. 50:58.506 --> 51:00.487 That was Maximo Park, with a license pressure. 51:00.507 --> 51:00.687 Thanks. 51:00.707 --> 51:00.947 Sorry. 51:01.127 --> 51:01.387 Sorry. 51:01.587 --> 51:05.288 Couple of people have emailed about- have seen that episode of South Park and said it's great. 51:05.849 --> 51:10.210 And apparently it's also got R Kelly telling- sort of reporting on the whole thing. 51:10.970 --> 51:13.151 telling Tom Cruise to come out of the closet. 51:13.872 --> 51:15.552 Fitting with the whole trapped in the closet thing. 51:15.632 --> 51:16.753 Man, I can't wait to see that. 51:17.093 --> 51:18.794 These people have downloaded it off the internet. 51:19.034 --> 51:19.614 It's poetic. 51:19.654 --> 51:20.335 How do you do that? 51:20.895 --> 51:21.915 What, downloaded the episode? 51:21.935 --> 51:23.076 Yeah, it's BitTorrent. 51:23.556 --> 51:24.296 Sounds illegal. 51:24.476 --> 51:25.137 Sounds illegal. 51:25.157 --> 51:26.217 I'll have to come round and see them. 51:26.237 --> 51:26.537 Right! 51:26.918 --> 51:27.678 Ditty's in the dark. 51:31.081 --> 51:33.382 So this week it's a monkey clash. 51:34.123 --> 51:42.067 In anticipation of Peter Jackson's King Kong, two monkey songs, I chose the theme from Monkey, the 80s-dubbed Japanese TV show. 51:42.147 --> 51:44.429 Adam chose the pixies with Monkey Gone to Heaven. 51:45.169 --> 51:45.509 Correct. 51:45.710 --> 51:52.273 So we have some people on the line, and the first person to get the best of five will win. 51:52.513 --> 51:53.474 Yes, and Sarah. 51:53.494 --> 51:53.894 Hello, Sarah. 51:54.014 --> 51:54.254 Hello. 51:54.435 --> 51:55.955 How you doing? 51:56.176 --> 51:56.836 Hello, I'm fine, thanks. 51:57.096 --> 51:57.516 Are you OK? 51:57.556 --> 51:58.817 How old are you, Sarah? 51:58.897 --> 51:59.077 I'm 17. 51:59.257 --> 51:59.938 Studying for exams? 52:00.898 --> 52:01.999 Are you studying for exams? 52:02.059 --> 52:03.961 All teenagers are constantly studying for exams. 52:04.562 --> 52:05.603 Yeah, and it's going okay, is it? 52:05.623 --> 52:06.504 Yeah, yeah, it's going well, thanks. 52:06.724 --> 52:07.444 Good, good, good, good. 52:07.524 --> 52:08.545 Adam, questions for Sarah. 52:09.386 --> 52:10.847 Sarah, what are you up to this weekend? 52:11.128 --> 52:11.768 Good question! 52:12.109 --> 52:13.270 I'm having a party. 52:13.630 --> 52:14.491 You're having a party? 52:14.591 --> 52:15.852 Yeah, at my house, basically, now. 52:15.972 --> 52:19.916 Would it be inappropriate to have two men in their thirties at your party? 52:20.857 --> 52:24.981 Would it be inappropriate if I snobbed one of your friends, who was 17? 52:25.921 --> 52:26.382 They wouldn't mind. 52:26.562 --> 52:26.842 Brilliant. 52:27.002 --> 52:28.584 Okay, well just text the address. 52:30.206 --> 52:33.549 So what are you voting for, Sarah? 52:34.770 --> 52:37.773 Because what? 52:37.973 --> 52:38.754 She's never heard it. 52:39.475 --> 52:40.756 Have you ever seen Monkey, Sarah? 52:42.397 --> 52:45.940 Yeah, it's a mid-80s thing, so you would pretty much roundly miss it. 52:46.020 --> 52:48.482 I think it's repeated on one of the cable stations. 52:48.582 --> 52:53.586 In fact, it's safe to say that the majority of our cultural references will bypass almost all our listeners. 52:54.067 --> 52:56.008 Well, yes, as we are quite old. 52:56.729 --> 53:01.193 Anyway, thank you very much for your call, have a good time tonight, and please don't be silly, all right, Sarah? 53:01.233 --> 53:02.974 Just don't be silly, all right? 53:03.074 --> 53:03.955 Don't do horse drugs. 53:04.275 --> 53:07.117 Just as Kate Moss does them, it doesn't mean they're sexually glamorous. 53:07.157 --> 53:08.438 Please, they're for horses. 53:08.699 --> 53:09.719 Put down the horse drugs. 53:09.739 --> 53:10.560 Put down the horse drugs. 53:10.580 --> 53:11.441 Neil, how you doing? 53:11.906 --> 53:13.447 Good afternoon, I'm well, thank you, yourself? 53:13.727 --> 53:14.707 Yeah, very good, thank you. 53:14.728 --> 53:16.068 Very well, thanks, Neil. 53:16.088 --> 53:17.609 Neil, what are you up to? 53:17.669 --> 53:19.490 Are you having fun this weekend or are you working? 53:19.990 --> 53:20.791 I am currently working. 53:20.931 --> 53:22.552 Have you accidentally glued your teeth together, Neil? 53:23.152 --> 53:23.692 I haven't, no. 53:23.752 --> 53:24.012 Wow. 53:24.032 --> 53:26.714 It just sounds a bit like you're talking with your teeth glued together. 53:26.734 --> 53:28.795 No, I'm not, no. 53:28.835 --> 53:29.455 He's on the loo. 53:29.475 --> 53:31.977 He's on the loo. 53:31.997 --> 53:33.758 Neil, what's the nature of your work? 53:34.858 --> 53:36.259 I'm delivering parcels at the moment. 53:36.590 --> 53:37.070 Oh, well done. 53:37.571 --> 53:38.832 Delivering parcels. 53:39.172 --> 53:40.072 In the Great Croydon. 53:40.393 --> 53:40.613 Yeah. 53:40.633 --> 53:40.973 Good for you. 53:40.993 --> 53:42.114 What, really early in the morning? 53:43.094 --> 53:43.535 No. 53:44.215 --> 53:49.119 It seems to me delivering parcels is a license to just ring people's doorbells before five or six. 53:49.319 --> 53:50.620 It's good fun, yeah. 53:50.640 --> 53:50.860 It is fun. 53:50.880 --> 53:53.842 You must see a lot of quite sexy ladies who've just got out of bed. 53:54.442 --> 53:55.483 Because men don't get up there. 53:55.543 --> 53:58.185 There's been fun, but then you get the complete opposite of that as well. 53:58.325 --> 53:58.505 Yeah. 53:58.965 --> 53:59.285 Wow. 53:59.305 --> 53:59.886 Hairy men. 54:00.346 --> 54:01.087 Ooh, sexy. 54:01.347 --> 54:02.428 Are you an elf? 54:03.684 --> 54:03.904 What? 54:03.924 --> 54:04.385 Not today. 54:05.305 --> 54:06.346 Did you think he works for Santa? 54:06.506 --> 54:06.806 Yes. 54:07.627 --> 54:09.008 Oh, Adam, it's exciting. 54:09.028 --> 54:09.989 It's Christmas. 54:10.009 --> 54:11.370 What's it like working for Santa, Neil? 54:11.410 --> 54:12.150 What's he like? 54:12.270 --> 54:13.551 What's Santa really like? 54:13.731 --> 54:14.692 A luxurious beard. 54:15.913 --> 54:16.273 Wow. 54:16.413 --> 54:17.954 Neil, what are you going to vote for? 54:17.974 --> 54:19.415 Is it inside the knowledge on Santa? 54:19.475 --> 54:22.378 Is it monkey, the theme tune, or pixies? 54:23.979 --> 54:27.803 Okay, come on you gotta get one in the bag for the indie rock classic. 54:27.923 --> 54:29.305 No one all, what am I talking about? 54:29.345 --> 54:30.186 And Spike's on the line. 54:30.226 --> 54:30.766 Hello, Spike. 54:31.387 --> 54:32.148 Hello. 54:32.368 --> 54:33.269 Are you Spike Jones? 54:33.469 --> 54:33.809 Say yes. 54:34.951 --> 54:36.612 No. 54:36.632 --> 54:37.653 Couldn't even manage that. 54:38.354 --> 54:40.116 Spike, what are you up to? 54:40.156 --> 54:40.877 Working at the moment. 54:41.197 --> 54:42.078 Yeah, what are you working at? 54:43.039 --> 54:43.820 Paint and decorate it. 54:44.821 --> 54:45.442 Which do you prefer? 54:47.922 --> 54:49.704 Ricky's a favourite, decades. 54:50.024 --> 54:50.564 Is it really? 54:51.325 --> 54:51.725 Wow. 54:52.245 --> 54:53.827 Man, I need my office done, actually. 54:54.707 --> 54:55.988 I'm already doing one at the moment. 54:56.048 --> 54:56.449 Oh, really? 54:56.909 --> 54:57.189 Yeah. 54:57.389 --> 54:57.790 Are you good? 54:57.830 --> 54:59.431 Honestly, are you good or are you a bit shoddy? 54:59.451 --> 55:00.372 Do you cut corners? 55:00.932 --> 55:02.193 No, no corners cut here. 55:02.313 --> 55:03.274 Really? 55:03.334 --> 55:03.694 Really? 55:03.794 --> 55:05.396 Do you clean up after yourself nicely? 55:05.416 --> 55:06.216 Of course I do. 55:06.416 --> 55:07.137 Hoover up as well. 55:07.517 --> 55:08.758 Oh, Spike, you sound brilliant. 55:09.319 --> 55:10.439 We highly recommend Spike. 55:10.560 --> 55:11.520 So what are you voting for, Spike? 55:12.181 --> 55:15.043 It's got to be the theme tune from Manti, Take Me Back To My Childhood. 55:15.423 --> 55:16.164 Well done, Spike. 55:16.184 --> 55:17.445 You used to watch the show, right? 55:17.987 --> 55:19.289 I used to rush home to watch it. 55:20.009 --> 55:20.590 Never missed it. 55:20.830 --> 55:21.411 It was amazing. 55:21.431 --> 55:23.533 You don't really get shows like that on anymore at all. 55:23.773 --> 55:24.914 Hey, thanks for your vote, Spike. 55:25.054 --> 55:27.257 And good luck with the painting and decorating you today. 55:27.277 --> 55:27.877 Thank you, Spike. 55:27.897 --> 55:29.359 And hope it goes well, continues to go well. 55:29.479 --> 55:30.080 Ian, are you there? 55:30.540 --> 55:31.061 Yeah, hi. 55:31.501 --> 55:31.921 How are you? 55:31.941 --> 55:32.702 Not bad, thanks. 55:32.722 --> 55:33.063 Not too bad. 55:33.883 --> 55:36.266 Now we're running out of time a little bit, so we might have to rush you. 55:36.486 --> 55:37.707 What are you going to go for, Ian? 55:37.767 --> 55:40.010 Are you going to go for the Pixies or Monkey? 55:40.689 --> 55:41.590 It's gotta be monkey. 55:41.930 --> 55:43.071 Oh, and it takes it. 55:43.131 --> 55:43.551 There you go. 55:43.572 --> 55:44.232 That's the deciding vote. 55:44.272 --> 55:44.953 Finally a win for Cornish. 55:45.333 --> 55:46.074 After four weeks. 55:46.234 --> 55:47.215 Thank you very much, Ian. 55:47.375 --> 55:48.015 Thanks, Ian. 55:48.075 --> 55:50.137 And we should apologise to Aidan, who's also hanging on. 55:50.157 --> 55:51.598 Can we get Aidan in very quickly? 55:51.738 --> 55:52.599 Aidan, are you there? 55:52.739 --> 55:53.360 Say words, Aidan. 55:54.901 --> 55:55.241 Oh, Aidan's gone. 55:55.681 --> 55:56.561 Oh, Aidan's gone. 55:56.601 --> 56:01.742 Well, quite right, because... He heard that Monkey had won, he slammed down his phone and he said, yes, justice has been done. 56:01.782 --> 56:03.523 Cornish has taken it with the Monkey. 56:03.983 --> 56:10.004 So, hey, thanks, everybody, for listening and texting and emailing, you know, and we'll see you next week. 56:10.484 --> 56:12.024 Right, so I'm going to do the intro for this, am I? 56:12.044 --> 56:15.865 Yeah, so this is the theme from Monkey by whatever they were called, Gotti Gotti Gogo. 56:16.085 --> 56:16.865 Gotti Gogo. 56:16.925 --> 56:22.706 I sounded like I knew what I was talking about before, but now I've exposed myself as a knowledge... You're just a paper shuffler! 56:23.246 --> 56:25.468 You just read things on paper! 56:26.208 --> 56:28.530 Got Diego, they were called. 56:28.750 --> 56:32.033 And it's free of the voiceover, so Adam's going to perform the voiceover. 56:32.413 --> 56:33.434 Have a great week, everybody. 56:35.095 --> 56:38.097 In the worlds before monkey, primal chaos reigned. 56:38.458 --> 56:39.679 Heaven sought order. 56:40.379 --> 56:43.402 But the phoenix can fly only when its feathers are grown. 56:43.802 --> 56:46.264 The four worlds formed again and yet again. 56:46.284 --> 56:49.446 And endless eons wheeled and passed. 56:49.466 --> 56:55.191 Time and pure essences of heaven, the moisture of earth, the powers of the sun and moon all worked upon a certain rock. 56:55.611 --> 56:58.253 Old as creation, and it became magically fertile. 56:58.874 --> 57:00.555 That first egg was named thought. 57:01.336 --> 57:03.157 From it came a stone monkey. 57:03.678 --> 57:06.700 The nature of monkey was... What? 57:10.695 --> 57:28.026 I love you, bye! 57:32.008 --> 57:34.310 Born from an egg on 57:39.226 --> 57:40.027 Monkey magic! 57:40.767 --> 57:48.053 Monkey magic! 57:48.173 --> 57:52.476 Monkey magic! 58:09.997 --> 58:23.611 One o'clock he saw sympathy, this one is All the gods were angered and they punished him Until he was saved by a manly priest And that was the scarf of their king 59:09.648 --> 59:09.891 XSX