WEBVTT 00:07.828 --> 00:08.208 There you go. 00:08.248 --> 00:10.049 That's hard five with Living For The Weekend. 00:10.069 --> 00:11.570 That's like our theme tune almost. 00:11.610 --> 00:11.970 Yeah, yeah. 00:12.070 --> 00:12.270 Is it? 00:12.290 --> 00:13.671 Do we always play it at the beginning of the show? 00:13.871 --> 00:14.311 I don't know. 00:14.632 --> 00:15.092 Hello, listeners. 00:15.112 --> 00:15.812 This is Adam and Joe. 00:16.112 --> 00:17.993 We're here with you on XFM London's 104.9. 00:19.234 --> 00:24.217 Until three o'clock, two hours of fun, laughter and good, great music. 00:24.577 --> 00:25.258 Good, great music. 00:25.378 --> 00:25.598 Yeah. 00:25.738 --> 00:25.998 Yeah. 00:26.078 --> 00:27.279 Terms and conditions apply. 00:27.699 --> 00:32.625 Plus, stay tuned this week because we've got four copies of Nathan Barley to give away on DVD. 00:32.665 --> 00:34.207 And what a beautiful DVD it is. 00:34.267 --> 00:35.368 Have you inspected the DVD yet? 00:35.388 --> 00:35.729 I have. 00:35.829 --> 00:36.349 I bought it. 00:36.730 --> 00:38.051 It's so lovelily designed. 00:38.292 --> 00:41.996 Yeah, the booklet inside, which is a kind of parody of Banksy. 00:42.016 --> 00:43.378 Banksy, yeah. 00:43.498 --> 00:45.020 The subversive graffiti artist. 00:46.161 --> 00:47.302 know, that's worth 15 quid on its own. 00:47.322 --> 00:52.767 Steve In fact, I bought it, I was reading it on the tube and- and there was a guy sitting next to me, I was reading the little fake Banksy booklet. 00:52.787 --> 00:53.088 Ricky Yeah. 00:53.108 --> 00:57.412 Steve And he couldn't help but look at it over my shoulder and he actually tutted at some of it. 00:57.892 --> 00:59.414 Cause some of it's quite parodic. 00:59.434 --> 00:59.834 Ricky Yeah. 00:59.854 --> 01:04.379 Steve And satirical of sensitive events, like for instance the terrible tragedy of 9-11. 01:04.639 --> 01:06.821 It's sat- sat- satirized? 01:07.021 --> 01:07.602 How do you say that? 01:07.622 --> 01:08.303 Ricky Saturized? 01:08.323 --> 01:09.404 Steve Saturized, thank you. 01:09.724 --> 01:09.944 In it. 01:10.064 --> 01:10.665 He was tutting. 01:10.845 --> 01:11.745 He didn't understand. 01:11.765 --> 01:12.886 It was a joke. 01:12.946 --> 01:13.766 It was blowing his mind. 01:13.786 --> 01:14.306 What an idiot. 01:14.466 --> 01:17.027 It was a double mind-blowing situation. 01:17.047 --> 01:17.847 He's an idiot. 01:18.608 --> 01:19.308 It's well weapon. 01:19.428 --> 01:21.088 You know, I went into- That's one of the things they're saying. 01:21.108 --> 01:27.150 I went to Hoxton the other day for the first time in quite a while, and Nathan Barley doesn't get close to how stupid it is. 01:27.270 --> 01:27.591 Really? 01:27.671 --> 01:28.171 Yeah. 01:28.211 --> 01:31.192 People are literally wearing, like, carnival costumes. 01:31.672 --> 01:34.753 Well, that, you know, that leads me into a- I've got quite a good idea for a texta this week. 01:34.813 --> 01:34.993 Uh-huh. 01:35.413 --> 01:37.934 I'm not going to give it away yet, but it's sort of connected to that sort of thing. 01:38.134 --> 01:39.894 Keep talking, I just took a bite of apple. 01:40.014 --> 01:40.375 Well done. 01:40.575 --> 01:43.435 We've got great music coming up in the first hour, Gorillaz, Baby Shambles. 01:44.235 --> 01:45.336 What are we playing by the Gorillaz? 01:45.376 --> 01:47.776 Cos I've heard Clint Eastwood, right? 01:48.116 --> 01:49.357 I said that very poshly, didn't I? 01:49.657 --> 01:53.038 I've heard it twice already this morning. 01:53.718 --> 01:54.438 Everybody's playing it. 01:54.578 --> 01:54.838 Really? 01:54.938 --> 01:55.878 With the chorus of kids. 01:56.258 --> 01:56.498 You know? 01:56.518 --> 02:04.200 Clint Eastwood was the first single off the first album, wasn't it? 02:04.340 --> 02:07.061 Maybe they misannounced it on Ministry of Madness then this morning. 02:07.421 --> 02:08.302 I don't know what's going on. 02:08.362 --> 02:09.262 I don't know what's going on. 02:09.563 --> 02:12.385 We're playing Feel Good Incorporated, which was the other one. 02:12.405 --> 02:13.145 Anyway, that's still to come. 02:13.165 --> 02:13.966 We've got some Radiohead. 02:14.226 --> 02:18.889 We've got some interesting non playlist nuggets for you as well. 02:18.909 --> 02:19.790 A couple of free plays. 02:20.010 --> 02:21.331 But anyway, let's play some more music now. 02:21.351 --> 02:23.712 This is Maximo Park with Apply Some Pressure. 02:37.506 --> 02:37.766 Yeah. 02:38.046 --> 02:39.027 That's Maximo Park. 02:39.768 --> 02:40.828 And Apply Some Pressure. 02:41.068 --> 02:41.609 Yeah, okay. 02:41.669 --> 02:43.470 Your favourite band are number one, Joe Cornish. 02:43.550 --> 02:44.571 Arctic Monkeys, that's right. 02:44.591 --> 02:45.952 The Monkeys, they went straight in there. 02:45.972 --> 02:46.052 Yeah. 02:46.092 --> 02:53.517 Hang on a second, before we get onto that, I'm gonna read some- because that was Apply Some Pressure by Maximo Park, and just to prove that we know about the music we're playing, I'm just gonna read some stuff about Maximo Park. 02:53.577 --> 02:54.657 Adam, you're gonna fill in the blanks. 02:54.717 --> 02:54.918 Okay. 02:55.338 --> 03:01.882 It's a reissued single, that was, taken from the Newcastle Quintet's Mercury-nominated debut album called- Um, Bunny Fondles. 03:02.102 --> 03:02.923 Bunny Fondles. 03:03.323 --> 03:06.664 nearly produced by Nikki Sticks. 03:06.785 --> 03:07.845 Nikki Sticks, correct. 03:08.385 --> 03:11.026 Who also produced Block Party and the Future Heads. 03:11.186 --> 03:11.667 Oh, wicked. 03:11.707 --> 03:15.988 Originally released in 1852. 03:16.188 --> 03:16.609 Correct. 03:16.949 --> 03:17.389 Brilliant. 03:17.509 --> 03:20.130 Never let it be said that we don't know the music we're playing. 03:20.790 --> 03:22.171 This is Adam and Joe on XFM. 03:22.531 --> 03:25.412 Of course, at the very end of the show, just coming up to three, we've got Dizzies in the Dock. 03:25.432 --> 03:27.053 This week, it's going to be a John Hughes special. 03:27.593 --> 03:29.155 The famous 80s teen movie maker. 03:29.376 --> 03:32.719 We're going to be playing off a couple of songs associated with John Hughes movies. 03:32.739 --> 03:33.881 We're not going for the obvious ones. 03:34.481 --> 03:35.362 What are the obvious ones? 03:35.382 --> 03:35.503 St. 03:35.523 --> 03:36.083 Elmo's Fire. 03:36.564 --> 03:37.465 Don't You Forget About Me. 03:37.645 --> 03:37.905 It's St. 03:37.945 --> 03:39.007 Elmo's Fire, John Hughes. 03:39.607 --> 03:41.530 No, it's Joel Shoemaker, but he's got the brat back. 03:41.650 --> 03:41.930 OK. 03:42.210 --> 03:44.693 Yeah, so that's sort of loosely connected, isn't it? 03:44.974 --> 03:46.435 Is that your criteria, sound a bit woolly? 03:47.216 --> 03:50.538 Yeah, but apparently you've got quite a woolly connected film, right? 03:50.578 --> 03:54.840 No, no, it is featured in a John Hughes film, but it's a version of it. 03:54.860 --> 03:56.740 Elmo's Fire might as well have been a John Hughes film. 03:56.921 --> 03:57.401 I know what you mean. 03:57.481 --> 03:58.421 It's Brat Pack though, isn't it? 03:58.821 --> 04:00.562 He was the man who spawned Brat Pack. 04:00.742 --> 04:01.062 Yeah, yeah. 04:01.503 --> 04:07.165 And of course everyone who gets on the show will win a copy of the You, Me and Everyone We Know original soundtrack. 04:07.385 --> 04:08.986 That's supposed to be a terribly good film. 04:09.366 --> 04:09.626 Is it? 04:10.047 --> 04:10.247 Yes. 04:11.087 --> 04:11.687 What is it? 04:11.767 --> 04:12.308 What's it about? 04:12.328 --> 04:15.850 It's about families, life, love, et cetera, et cetera. 04:16.170 --> 04:16.450 Kids. 04:16.650 --> 04:17.631 Is it on DVD? 04:17.991 --> 04:18.891 It may be on DVD. 04:18.931 --> 04:21.072 Not on British DVD, but it is on American DVD. 04:21.092 --> 04:21.372 Right. 04:21.613 --> 04:24.894 Anyway, we've got- we're up to our arse in prizes today. 04:24.914 --> 04:26.095 I don't know if you can say that. 04:26.115 --> 04:26.675 I just did. 04:26.995 --> 04:28.436 You have to say ass if you're gonna say it. 04:28.476 --> 04:28.656 Ass. 04:28.756 --> 04:29.657 We're up to our ass. 04:29.717 --> 04:29.997 Yeah. 04:30.017 --> 04:31.638 Well, it's not very many prizes. 04:31.658 --> 04:32.738 It's only halfway up the body. 04:33.039 --> 04:35.120 That's a pretty good lot of prizes, though, I think. 04:35.240 --> 04:35.460 Yeah. 04:35.720 --> 04:40.785 So, um, and- and we're gonna- we're gonna give some of those away very shortly when we play Celebrity Regression Therapy. 04:40.885 --> 04:41.126 Yeah. 04:41.226 --> 04:44.189 I think it's a middling too easy one this week. 04:44.429 --> 04:48.673 Not as- not as easy as last time, but- And I suppose the prize will be a copy of Nathan Barley. 04:48.773 --> 04:49.013 Yeah. 04:49.274 --> 04:49.554 Yeah. 04:50.055 --> 04:50.695 Bit of barley. 04:51.276 --> 04:52.217 Some delicious barley. 04:52.617 --> 04:53.758 But, uh, let's play some more music. 04:53.778 --> 04:58.140 Have you- I want to tell you about my exciting, um, I've got some shame dropping to do. 04:58.880 --> 05:00.521 It's like name dropping mixed in with shame. 05:00.922 --> 05:02.723 Right, well, you've embarrassed yourself in front of someone famous. 05:02.763 --> 05:03.403 Yeah, yeah. 05:03.743 --> 05:05.804 I tell you what, I've got an amazing story to tell you. 05:05.924 --> 05:06.224 Have you? 05:06.364 --> 05:07.865 About someone I met during the week, yeah. 05:08.025 --> 05:08.185 Wow. 05:08.205 --> 05:09.026 You'll genuinely be amazed. 05:09.086 --> 05:10.947 It's someone we've wanted to meet since we were kids. 05:11.067 --> 05:13.269 I wonder if it was the same- I met someone cool this week as well. 05:13.310 --> 05:13.910 But you know what? 05:14.090 --> 05:15.172 I don't want to tell you on the radio. 05:15.552 --> 05:15.993 Oh, really? 05:16.073 --> 05:18.435 Yeah, because this person is very publicity shy and private. 05:19.396 --> 05:22.700 So I might tell you during a song, and then after the song we can come back for your reaction. 05:22.820 --> 05:24.022 I'm gonna play- Ready for the story? 05:24.102 --> 05:25.904 Yeah, yeah, yeah, I'm gonna play- I'm gonna play Gorillaz. 05:26.044 --> 05:28.987 OK, so, I went into the cinema store, OK? 05:29.168 --> 05:30.409 I went downstairs- 05:41.750 --> 05:42.390 back to his house? 05:42.630 --> 05:43.770 No, I didn't go back to his house. 05:43.790 --> 05:45.371 I would have loved to have gone back to his house. 05:45.611 --> 05:46.971 I couldn't believe it. 05:47.131 --> 05:53.032 If I'd known who he was when I was actually looking at him, I probably would have wrestled him to the ground and taken him for my own. 05:53.132 --> 05:54.212 That's unbelievable. 05:54.512 --> 05:55.452 Did he look like his dad? 05:55.753 --> 05:56.073 Yeah. 05:56.393 --> 05:57.193 That's amazing. 05:57.233 --> 05:57.473 Yeah. 05:57.873 --> 06:00.773 That's probably why he doesn't want people to, like, know who he is and everything. 06:00.793 --> 06:01.234 Well, exactly. 06:01.274 --> 06:06.034 I've got great respect for him, and out of respect for him, I'm not gonna say who he is on the radio. 06:06.194 --> 06:06.394 No. 06:06.595 --> 06:09.095 Well, that'll be sort of frustrating for people listening. 06:09.395 --> 06:09.976 I imagine. 06:09.996 --> 06:11.156 But that was a good story, wasn't it? 06:11.176 --> 06:12.157 That was a good story, man. 06:12.197 --> 06:12.457 Yeah. 06:12.918 --> 06:13.178 Yeah. 06:13.478 --> 06:13.718 Wow. 06:13.738 --> 06:15.800 I was wondering if we could tell- The listeners. 06:16.020 --> 06:16.200 Yeah. 06:16.721 --> 06:17.141 Who I met. 06:17.481 --> 06:21.224 Listen, um, I'll tell a- I'll tell a story to make up for it. 06:21.364 --> 06:21.445 Yeah. 06:21.465 --> 06:22.665 With some name dropping in it, okay? 06:22.685 --> 06:22.806 Yeah. 06:23.266 --> 06:30.532 As I say, this is more of a shame dropping story because I'm still having little shivers of, uh, embarrassment about how I behaved. 06:31.412 --> 06:34.534 Basically, I went to the NFT on Thursday. 06:34.554 --> 06:35.715 To the London Film Festival. 06:36.135 --> 06:38.317 It was a thing called Antenna, where they show pop videos. 06:39.318 --> 06:44.121 And, in fact, there was a lot of XFM people there, because it's sponsored by XFM, isn't it? 06:44.141 --> 06:45.162 There you go, Lila's nodding. 06:45.662 --> 06:48.704 And who's the DJ who sometimes comes on after us? 06:49.284 --> 06:49.805 Lady DJ. 06:50.345 --> 06:50.725 Marsha. 06:50.785 --> 06:51.466 Marsha, there you go. 06:51.486 --> 06:52.146 Marsha was there. 06:52.786 --> 06:56.608 And there were lots of nice ex-offend people there, whose names I couldn't remember. 06:56.628 --> 06:57.969 Lady DJ Marsha. 06:58.489 --> 06:59.750 I was trying not to say anything filthy. 06:59.810 --> 07:00.410 She's a DJ. 07:00.450 --> 07:01.091 Well, she's a woman. 07:01.311 --> 07:02.351 She's a lady DJ. 07:02.371 --> 07:03.712 Are there any woman DJs? 07:03.732 --> 07:05.773 She sort of scratches in the nude. 07:05.793 --> 07:06.614 Yeah. 07:06.794 --> 07:07.074 She doesn't. 07:07.174 --> 07:07.714 She does what? 07:07.734 --> 07:08.755 She scratches in the nude. 07:08.835 --> 07:08.915 OK. 07:09.956 --> 07:18.245 Anyway, so I went to this thing and it was really good and our friend Garth Jennings was the special guest that week and they show all these groovy pop videos. 07:18.285 --> 07:19.186 Garth showed a few of his. 07:19.206 --> 07:21.388 Where's our name- do we not have a name dropping sound effect? 07:21.949 --> 07:23.811 We used to have a name dropping sound effect, didn't we? 07:23.831 --> 07:25.152 Because we don't half do it enough. 07:25.272 --> 07:26.033 Yeah, we really do. 07:26.314 --> 07:28.136 Might as well make some sort of ironic distance. 07:30.675 --> 07:31.996 All I've got is a machine gun. 07:32.716 --> 07:33.137 That'll do. 07:33.157 --> 07:35.698 That's what people probably want to do to you. 07:36.038 --> 07:36.318 Okay. 07:36.398 --> 07:37.799 Or me, when they hear us name dropping. 07:37.979 --> 07:39.680 So yeah, our friend Garth Jennings was there. 07:41.240 --> 07:43.601 And uh, I can't do that the whole way. 07:44.702 --> 07:48.624 He was giving a talk about his videos and his special surprise guest was... 07:49.531 --> 08:15.874 no spike jones no so spike jones was there spike jones of course uh a very uh well known uh pop video director and uh also film director also direct films also direct some of them with women adaptation in them and uh the other one being john malkovich all those films yeah uh so anyway we all went to a party afterwards after the show and uh to this club night at ronnie's uh raymond review bar 08:16.534 --> 08:18.475 It's called something like Give Me More or More. 08:18.915 --> 08:19.535 Too Too Much. 08:19.595 --> 08:19.875 Yeah. 08:20.315 --> 08:21.155 It was Too Too Much. 08:21.215 --> 08:21.855 It was mental. 08:21.895 --> 08:23.216 It was like something out of the 60s. 08:23.256 --> 08:24.596 And Julian Barrett was there. 08:26.077 --> 08:27.957 He plays Nathan Barley in Nathan Barley. 08:28.057 --> 08:28.717 Yeah, that's right. 08:28.737 --> 08:30.678 Oh, I see. 08:30.758 --> 08:31.238 So hang on. 08:31.278 --> 08:35.039 So it's you, Garth Jennings, Julian Barrett, Spike Jones, Benny Wong. 08:35.119 --> 08:39.160 Did you accuse Spike Jones of, uh, of, uh, what was he supposed to have done? 08:39.280 --> 08:40.160 Stolen something off us. 08:40.641 --> 08:41.041 No. 08:41.121 --> 08:41.361 Wasn't he? 08:43.082 --> 08:44.283 Oh, what was it? 08:44.643 --> 08:46.545 He nicked something off us, someone once said. 08:46.765 --> 08:48.486 Anyway, keep talking, keep going with the anecdote. 08:48.907 --> 08:52.450 Anyway, we got on very well and Spike said, come on, let's do some dancing. 08:52.810 --> 08:54.812 So we started dancing on the dance floor. 08:54.832 --> 08:57.794 Was he doing his special dancing from that Fat Boy Slim video? 08:57.874 --> 09:01.077 It was pretty much like that, cos you see, I was- Oh my god. 09:01.117 --> 09:03.999 I was in a video for- that Garth directed. 09:04.019 --> 09:04.900 You sure you didn't dream this? 09:05.200 --> 09:09.184 No, I'm positive I didn't dream- it's possible, but I don't think- You might have passed out halfway. 09:10.004 --> 09:13.166 Er, cos I- I- I did a stupid dancing video for the Wannadines one time. 09:13.926 --> 09:18.569 And, erm, so we were having, like, a stupid dance off on the Raymond Review Bar dance floor. 09:19.009 --> 09:29.034 It was amazing and I was really going for it because- Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 09:39.159 --> 09:43.681 He was a very smart, smartly dressed young man and totally, uh, unassuming. 09:44.061 --> 09:48.623 But, um, no, I was going totally insane on the dance floor and I'm still- Steve Well, you don't get out much, do you? 09:48.643 --> 09:48.823 Ricky No. 09:48.863 --> 09:49.884 Steve What with little kiddies? 09:49.904 --> 09:50.104 Ricky Yeah. 09:50.124 --> 09:51.125 Steve And it's been exciting for you. 09:51.145 --> 09:53.366 Ricky I've had some tequilas and I was really showing off. 09:53.386 --> 09:53.946 Steve Really? 09:53.966 --> 09:54.326 Ricky Yeah. 09:54.406 --> 09:55.246 Steve Showing off what? 09:55.266 --> 09:56.107 Ricky I don't know! 09:56.727 --> 09:58.569 I don't know because I didn't have anything to show. 09:58.589 --> 10:01.011 I was just over doing everything. 10:01.031 --> 10:01.671 Do you know what I mean? 10:01.691 --> 10:02.872 Because I was overexcited. 10:02.912 --> 10:05.314 You don't get out much as I said before. 10:05.535 --> 10:10.939 And then I thought I'd had my coat stolen with my wallet in it and my keys and everything. 10:10.959 --> 10:13.161 I turned around and it was gone. 10:13.481 --> 10:19.887 And so I started to freak out because I just couldn't face all the reorganization hassle that was going to entail. 10:20.407 --> 10:24.309 And I started running around the place and sort of shouting at people and saying, who do I talk to? 10:24.329 --> 10:27.051 My coat's gone, it's been stolen, I can't believe this is outrageous. 10:27.531 --> 10:29.312 And I started kicking walls. 10:29.812 --> 10:30.092 What? 10:30.292 --> 10:32.273 And thumping the walls with my hand. 10:32.293 --> 10:33.014 But you've taken something. 10:33.094 --> 10:35.575 My fist- You've taken a lot of tequila, had you? 10:35.675 --> 10:37.196 Yeah, it's not good for you, that stuff. 10:37.216 --> 10:38.657 And was Spike Jones witnessing this? 10:38.717 --> 10:41.018 Yeah, he was- You've blotted your copy book. 10:41.198 --> 10:42.018 He didn't mind. 10:42.319 --> 10:43.099 He was laughing. 10:43.119 --> 10:43.839 He's not gonna work with you. 10:43.859 --> 10:46.701 Cos he's one of the jackass people, so he was doing things like- Of course he loves it. 10:46.801 --> 10:47.321 He loves it. 10:47.381 --> 10:48.142 He is gonna work with you. 10:48.162 --> 10:50.023 He got into it and he started slapping me. 10:50.043 --> 10:51.563 Oh, affectionately. 10:51.583 --> 10:52.964 Yeah, but hard. 10:53.024 --> 10:53.584 Very hard. 10:53.665 --> 10:53.965 Really? 10:54.005 --> 10:54.305 Yeah. 10:54.365 --> 10:54.845 You loved it. 10:54.865 --> 10:56.306 You loved being beaten up by famous people. 10:56.326 --> 10:56.906 I really did. 10:56.926 --> 10:59.147 Definitely like more than being hurt by a celebrity. 10:59.167 --> 10:59.448 I know. 11:00.128 --> 11:01.228 So is that enough shame dropping now? 11:01.248 --> 11:02.009 Is there a permanent scar? 11:02.864 --> 11:04.926 I've got a bruise on my hand. 11:05.026 --> 11:06.668 Yeah, I'm gonna keep it. 11:06.688 --> 11:07.388 I'm gonna renew it. 11:07.408 --> 11:08.169 Yeah, exactly. 11:08.189 --> 11:09.030 Every time it runs out. 11:09.090 --> 11:09.390 Wow. 11:10.131 --> 11:13.855 OK, well listen, let's- Man, we better play some music just to decompress from all that name dropping. 11:13.895 --> 11:15.216 It's made me feel slightly sick. 11:15.296 --> 11:16.037 Yeah, same here. 11:27.358 --> 11:29.619 That was the Baby Shambles with Albion. 11:30.019 --> 11:34.662 The third single taken from the band's forthcoming debut album, Down in Albion, which is out on November the 14th. 11:34.682 --> 11:36.543 The album was produced by the Clash's Mick Jones. 11:36.763 --> 11:37.463 Music Info! 11:37.743 --> 11:39.084 Thanks very much, Music Info Man. 11:39.104 --> 11:39.384 We'll be back. 11:39.404 --> 11:39.864 That's a pleasure. 11:40.044 --> 11:40.785 Very short link. 11:40.825 --> 11:41.145 Bye. 11:42.426 --> 11:42.626 XFM. 11:42.646 --> 11:45.327 Love music. 11:45.347 --> 11:49.009 Love music. 11:49.569 --> 11:50.210 Love XFM. 12:18.220 --> 12:18.361 you 12:24.369 --> 12:26.550 Yeah, that's brand new music here on XFM. 12:26.590 --> 12:28.651 Walk away from Franz Ferdinand. 12:29.392 --> 12:31.412 Mum says it's magical. 12:32.293 --> 12:32.793 What's that? 12:32.873 --> 12:34.454 It's the Disneyland advert, isn't it? 12:34.474 --> 12:34.754 Oh, yeah. 12:35.174 --> 12:36.695 Mum says it's magical. 12:36.815 --> 12:37.796 I love that song, though. 12:37.816 --> 12:38.576 That's amazing. 12:38.876 --> 12:42.138 You know, their new album is much better in my book than their first one, I think. 12:42.838 --> 12:43.778 Mum says it's magical. 12:43.838 --> 12:44.679 Yeah, well, she's right. 12:44.859 --> 12:45.819 It's really, really good. 12:46.440 --> 12:48.841 I like the first Franz Ferdinand album, but this one's a smash. 12:49.241 --> 12:50.582 Is it celebrity regression time? 12:50.762 --> 12:51.582 Yeah, I think it is. 12:52.043 --> 12:52.823 Right now. 12:52.883 --> 12:53.844 It's competition time. 13:09.460 --> 13:11.202 Yes, it's celebrity regression time. 13:11.243 --> 13:11.803 The number is 0871 2221049. 13:14.407 --> 13:23.439 I should remind you that you can also text us on 83XFM or email us, adamandjoe at xfm.co.uk. 13:24.020 --> 13:24.160 Yeah. 13:24.400 --> 13:26.500 Yeah, and it's A-N-D, not, not an ampersand. 13:27.221 --> 13:27.421 No. 13:27.501 --> 13:28.561 Why would you get an ampersand? 13:28.601 --> 13:29.061 Jeepers. 13:29.461 --> 13:29.761 Jeepers. 13:29.861 --> 13:33.022 So, but, uh, you enter this competition by using the telephone. 13:33.042 --> 13:35.642 0-8-7-1- triple-two-one-o-four-nine. 13:36.002 --> 13:48.745 You can win a copy of the fantastic Nathan Barley DVD, Chris Morris's exciting, uh, show, if you can guess what celebrity's brain I am gonna regress Adam into and what films he is witnessing. 13:49.065 --> 13:53.810 Don't be put off by the accents, because there's no telling what kind of accent the regression will create. 13:53.850 --> 13:56.673 That's a side effect of hypnotic regression. 13:56.693 --> 13:59.476 Yeah, it's not an accurate accent of the person I'm being regressed into. 13:59.496 --> 13:59.696 No, no. 13:59.716 --> 14:00.918 That is scientifically true. 14:01.058 --> 14:01.278 Yeah. 14:01.779 --> 14:03.861 So, okay, if you'd like to ring the regression bell. 14:05.723 --> 14:12.665 And an atmosphere of calm and relaxation descends over the studio and over the homes, cars, and ears of our listeners. 14:13.665 --> 14:19.007 Deep breaths expanding the stomach, exhaling through the mouth, in through the nose. 14:20.227 --> 14:20.387 What? 14:21.167 --> 14:22.868 After the mouth, in through the nose at the same time? 14:23.008 --> 14:24.388 Yep. 14:25.388 --> 14:26.129 And relax. 14:26.209 --> 14:28.029 Close your eyes and drift back. 14:29.030 --> 14:31.770 Empty your mind of the two thoughts. 14:32.530 --> 14:33.351 Yes, and that one. 14:34.875 --> 14:50.529 and now drift back drift back into the light of a star the glimmering shimmering beam of celebrity of a famous person occupy their head enter one of their films and now adam wake up tell us what you see 14:52.330 --> 14:56.131 Oh, I'm in a big room with cars in it. 14:56.391 --> 14:57.391 It's a big room with cars. 14:57.451 --> 14:58.272 It's a car shop. 14:58.552 --> 15:03.053 I run the car shop, and I got a big jacket and a hat, because it's cold outside. 15:03.093 --> 15:03.753 It's real cold. 15:04.033 --> 15:04.793 And I'm a loser. 15:05.133 --> 15:08.834 I'm an uptight loser, and you better get used to it, because that's mainly what I do. 15:08.894 --> 15:10.175 It's my specialism. 15:11.875 --> 15:14.798 And at first it seems like I might be a fun loser. 15:15.238 --> 15:20.363 Then it turns out I'm more of a creepy loser and your sympathies get all flipped around and that's what's clever about it. 15:20.623 --> 15:25.828 And I got a hat with flaps that come down over my ears because it's cold outside and it's a car. 15:25.928 --> 15:26.949 I got a car shop. 15:27.910 --> 15:28.911 And it's a car shop. 15:29.131 --> 15:30.011 Okay, just breathe. 15:30.912 --> 15:32.152 So that's the first film. 15:32.172 --> 15:35.373 Remember, 08712221049, DVD of Nathan Barley. 15:35.813 --> 15:36.433 Up for grabs. 15:36.873 --> 15:38.714 Let's regress Adam into the second film. 15:38.754 --> 15:39.914 Wake up, tell us where you're sitting. 15:40.734 --> 15:42.115 Oh, I'm at a party. 15:42.615 --> 15:43.895 It's by a pool. 15:44.155 --> 15:46.496 It's the 70s and I'm uptight again. 15:46.676 --> 15:55.758 It's a pool party and it's in LA but it's not the TV show LA Pool Party but it's similar because there's a lot of nearly naked people at the party and some of them are... 15:56.318 --> 16:20.575 are naked and they're naked and they're playing with each other and my wife's over there and she what's she doing oh that isn't good that's not good that's making me uptight i'm getting uptight you might think i'm a funny loser man whose wife is over there and she shouldn't be doing that but i'm like a coiled up clock or something or a and sooner or later i'm gonna go off like a clock and then you're gonna wake up like a clock and i'm calling relax 16:22.176 --> 16:26.097 Oh, I'm in an office now, and it's a school in a school office, and it's the 60s, and I'm uptight! 16:37.501 --> 17:03.250 and I got a crew cut and glasses cause I'm uptight and things have to be done by the book or I'm gonna blow my stack right off and I'm upset with the new teacher cause he's not doing things by the book the other day for example I went into the classroom there he was playing new fangled music to the kids for example Fats Domino and Louie Louie that song and that's not acceptable I believe that music should be mainly old fangled cause I'm uptight and I got a crew cut 17:03.590 --> 17:05.932 And I want to keep all the fangling old, you understand me? 17:05.952 --> 17:07.172 Because I'm uptight that way. 17:07.573 --> 17:12.075 And if that new teacher thinks he's going to get promoted, he's got another thing coming because of the fangling. 17:12.235 --> 17:15.457 And I don't appreciate that the new fangled... Just breathe, just breathe. 17:15.537 --> 17:18.639 Okay, listeners, please help save Adam from his celebrity regression. 17:18.679 --> 17:25.063 He's going to remain in the head and the films of this star until someone calls 0-8-7-1-triple-two-one-o-four-nine. 17:25.143 --> 17:29.406 Correctly identifies the star and the films, and we'll give them a Nathan Barley DVD. 17:29.726 --> 17:30.507 Please call now! 17:49.690 --> 17:54.393 That was Amazonah by Roxy Music, a free play here on the Adam and Jo radio show on XFM London's 104.9. 17:54.474 --> 17:56.655 You join us in the middle of celebrity regression. 17:56.675 --> 18:01.459 Adam has been hypnotically regressed into the mind and movies of a film star. 18:01.579 --> 18:04.441 And we've got Sam on the line who thinks she knows who he is. 18:04.501 --> 18:06.422 Sam, if you could keep your what? 18:07.523 --> 18:08.184 Oh, he's a man. 18:08.284 --> 18:08.904 Sorry, Sam. 18:09.705 --> 18:13.868 Oh, we've got Sam on the line who thinks he knows who Adam has been regressed into. 18:13.888 --> 18:14.329 Hello, Sam. 18:14.349 --> 18:15.109 Hello. 18:15.330 --> 18:16.891 Sorry to question your masculinity. 18:17.131 --> 18:19.573 Well, yeah, I'm pretty disappointed, really. 18:19.593 --> 18:21.154 Yeah, are you a very hairy man? 18:21.174 --> 18:24.497 Not particularly, sort of average. 18:24.537 --> 18:26.979 Do you like football, sport, violence, beer, that sort of thing? 18:27.460 --> 18:29.261 Well, half of those things, really. 18:29.301 --> 18:30.242 Don't think you are a man, then. 18:31.233 --> 18:32.253 You're a woman and I was right. 18:32.854 --> 18:38.996 So if you'd like to keep the voice down, Sam, because Adam is obviously regressed, it's a very dangerous, clinically dangerous situation to be in. 18:39.616 --> 18:44.658 What I'd like you to do, we're gonna be quite ruthless, we want you to name the star and all three films. 18:45.018 --> 18:48.339 If you get all four things right, he will wake up, you will have won the barley. 18:49.019 --> 18:49.399 OK. 18:49.459 --> 18:51.520 If you get it wrong, you may damage him forever. 18:51.540 --> 18:53.301 Are you prepared to take that responsibility, Sam? 18:54.681 --> 18:57.022 Um, I'll give it a go, I'll give it a go. 18:57.042 --> 18:59.303 OK, so let's hear your answers, Sam. 18:59.323 --> 18:59.643 Tell us now. 19:00.798 --> 19:10.110 The actor is William H. Macy, and these three films are Boogie Nights, Fargo, and Pleasantville. 19:13.802 --> 19:15.483 I'm doing what they do in old game shows now. 19:15.623 --> 19:18.845 I'm leaving a very, very long pause, because it's exciting, isn't it? 19:19.546 --> 19:22.008 They even do it on hot tub ranking on Channel 5. 19:22.928 --> 19:23.809 Very late. 19:23.829 --> 19:25.110 This is a very long pause, though. 19:25.991 --> 19:28.513 Longer than they do on telly, making this quiz more successful. 19:29.333 --> 19:30.034 Sam, are you all right? 19:30.054 --> 19:30.474 Have you died? 19:30.494 --> 19:31.595 Yeah. 19:31.635 --> 19:32.275 What are you doing? 19:32.496 --> 19:33.917 Moving Lego blocks around? 19:35.074 --> 19:35.935 Yes. 19:36.455 --> 19:36.935 Are you really? 19:37.355 --> 19:37.836 Not really. 19:37.996 --> 19:38.816 It's a shame. 19:39.136 --> 19:41.117 I'm afraid you're wrong on one of those. 19:41.697 --> 19:42.218 One of those? 19:42.258 --> 19:48.481 Yeah, you're correct on Fargo, you're correct on Boogie Nights, you're correct on Macy, but you're wrong on... What did you think it was? 19:48.501 --> 19:49.681 I thought it was Pleasantville. 19:49.881 --> 19:50.121 Wrong. 19:50.542 --> 19:50.802 Wrong. 19:51.482 --> 19:52.002 Wrong, wrong, wrong. 19:52.262 --> 19:52.723 Bad luck. 19:53.023 --> 19:55.284 Shall we give him a Nathan Barley DVD anyway? 19:55.344 --> 19:56.244 Adam in your regressed state. 19:56.264 --> 19:57.245 Do you think we should give him one? 19:57.305 --> 19:57.505 Yeah. 19:57.845 --> 19:59.306 Yes, because of the knife, man. 19:59.886 --> 20:00.906 Would you like that, Sam? 20:00.966 --> 20:01.767 Are you a Nathan Barley fan? 20:02.467 --> 20:21.342 it was okay it was okay well you can't have it well i like it anyway you know you can have it thank you wow we're really running hot and cold today well done sam thank you very much for calling bad luck getting one component wrong abby is it abby yes it's abby are you there do you live here do you live in westminster abby hello 20:24.187 --> 20:24.687 Are you there? 20:24.947 --> 20:26.668 Abby, so just tell us your guess. 20:26.708 --> 20:28.589 If you'd like to say the name of the actor in the three films. 20:28.909 --> 20:32.291 Once again, if you get it right, you'll win an amazing prize out in the wake up. 20:32.331 --> 20:34.312 If you get it wrong, he'll be regressed forever. 20:34.552 --> 20:35.753 Where's Mr. Ambie? 20:37.834 --> 20:38.154 Come on, Abby. 20:38.174 --> 20:39.135 I've never heard that one before. 20:39.155 --> 20:39.535 Tell us. 20:39.575 --> 20:41.256 No, well, that's why I cracked it. 20:42.096 --> 20:43.257 Cracked it. 20:43.317 --> 20:47.219 It's William H. Macy, Fargo, Boogie Nights, and Mr. Holland's Opus. 20:47.819 --> 20:48.579 Yes! 20:48.639 --> 20:49.640 I'm fully awake now. 20:49.660 --> 20:51.981 I've come out of my stupor because that's absolutely correct. 20:52.101 --> 20:53.742 Abby, have you seen Mr. Holland's Opus? 20:54.289 --> 20:56.930 I have seen bits of it. 20:56.950 --> 20:57.551 Have you seen it? 20:57.791 --> 20:59.031 Yeah, man, I saw it the other day. 20:59.051 --> 21:02.373 I think we're the only three people in the world who've seen Mr. Holland's Opus. 21:02.733 --> 21:05.134 It's sort of an extraordinary epic. 21:05.874 --> 21:06.915 It's a strange film. 21:06.935 --> 21:10.196 There's good things about it, but it's a weird one. 21:10.836 --> 21:13.177 He's got a... Can we take the regression music off? 21:13.378 --> 21:14.338 It's making me feel dizzy. 21:14.498 --> 21:14.718 OK. 21:15.178 --> 21:15.579 There we go. 21:17.259 --> 21:17.720 Well done, Abby. 21:18.900 --> 21:19.220 Thank you. 21:19.480 --> 21:20.261 Thank you, Abby. 21:21.102 --> 21:24.404 Congratulations, and we are going to send you a copy of Nathan Barley. 21:24.424 --> 21:25.325 Are you excited about that? 21:25.685 --> 21:26.585 I'm very excited. 21:26.605 --> 21:27.186 There you go. 21:27.246 --> 21:28.267 That's the correct response. 21:28.307 --> 21:29.387 Thank you very much for phoning in. 21:29.427 --> 21:31.369 And thanks a lot to Sam as well. 21:31.529 --> 21:33.150 Yeah, and I'm sorry about that joke, Abby. 21:33.510 --> 21:35.031 I think it was a pretty good joke, I think. 21:35.231 --> 21:35.772 I don't know. 21:35.852 --> 21:36.652 I'm just ashamed. 21:36.672 --> 21:37.413 I feel dirty. 21:37.573 --> 21:39.855 Do you get any others on a regular basis, Abby? 21:40.535 --> 21:41.696 Abby National, yeah. 21:41.716 --> 21:41.856 Hey! 21:42.937 --> 21:45.038 I think Westminster Abbey's better than Abbey National. 21:46.019 --> 21:47.320 Oh, get them basis regulations. 21:47.853 --> 21:49.114 Any Abby Titmuss comments? 21:49.954 --> 21:51.115 No, I've been quite lucky there. 21:51.995 --> 21:52.956 Well, you got one today. 21:53.096 --> 21:53.336 Yeah. 21:54.017 --> 21:54.817 Lucky lady. 21:54.957 --> 21:56.818 Thanks for calling and thanks for listening, Abby. 21:57.539 --> 21:58.659 This is Ed and Joe on XFM. 21:58.679 --> 22:00.260 We'll be back after these messages. 22:25.517 --> 22:27.650 This is XFM. 22:39.258 --> 22:44.000 So, so much good music this week on the Adam and Jo radio show here on XFM. 22:44.020 --> 22:46.401 That was Block Party with Two More Years. 22:46.681 --> 22:48.201 Very enjoyable it was, too. 22:48.501 --> 22:53.923 You know, we frequently get texts and emails, I'm pleased to say, asking why, uh, you know, this show isn't- Why we're here. 22:54.083 --> 22:54.684 Why we're here. 22:54.724 --> 22:57.165 But no, asking why the show isn't done as a podcast. 22:57.425 --> 22:57.625 Right. 22:57.725 --> 22:58.845 And isn't stored on the website. 22:59.045 --> 22:59.465 We don't know. 22:59.485 --> 23:06.048 That is, uh, I can confirm that's being investigated and- It's being investigated by the police and the head of XFM's gonna be arrested. 23:06.980 --> 23:24.237 very soon there we go so that's exciting news isn't it as soon as we become immortalized though yeah well just have nothing to say i'm just saying as soon as it's as soon as it's podcast and the show will be dreadful yeah because these are our glory years right now we're right on top of our game are we yeah i am really no we both are man 23:24.657 --> 23:28.100 OK, so, listen, it's the last few minutes of the first hour of the show. 23:28.240 --> 23:31.243 I'd just like people to know exactly where they are within the programme. 23:31.323 --> 23:43.754 Just to orientate themselves, we're going to have a text competition where you can win more Nathan Barleys just after the top of the hour, and then of course it's Ditty's in the Dock at the end of the show, and it's a John Hughes-connected playoff special. 23:43.874 --> 23:45.655 We're not going to reveal the tracks, obviously, till the end. 23:47.237 --> 23:49.319 I'm just talking rubbish because you're going to say something good now. 23:49.600 --> 23:49.920 Oh, right. 23:50.181 --> 23:57.109 You know what, I'm not going to do any more name dropping because obviously I'm still feeling slightly queasy after that explosion of name dropping at the beginning of the show. 23:57.530 --> 24:02.335 But I do want to say something related, or I want to relate to you another little anecdote from that same evening. 24:02.816 --> 24:03.156 Okay. 24:03.677 --> 24:09.621 Which was just something that made me despair about, um, ladies, women in general, modern women, Lila. 24:09.821 --> 24:11.122 So, uh, you're a modern woman. 24:11.402 --> 24:12.183 Would you do this? 24:12.223 --> 24:12.944 Would you say this? 24:13.024 --> 24:32.038 When I was going to take my seat at this, uh, evening at the NFT, and there was a lot of- it was an evening called Antenna where they show lots of pop videos and stuff, and so there was a lot of people who looked a bit like me of the same sort of age, white, males, wandering around, a lot of them with beards and backpacks and, uh, baseball caps, that kind of thing. 24:32.858 --> 24:37.664 And, you know, that's the kind of person that's interested in pop videos, I guess. 24:38.204 --> 24:49.436 But anyway, I was taking my seat and I had to go get past this woman, fairly nondescript looking woman sat in her seat and she just looked at me with disdain and said, oh, look, a man with a beard. 24:49.476 --> 24:51.098 What a surprise at one of these things. 24:53.524 --> 24:57.046 I- I just thought- and I sort of took it in for a second and- Ricky and Steve- Did she say that to you? 24:57.066 --> 24:58.887 Ricky and Steve- Yeah, she said it as I- like, to me as her friend. 24:58.907 --> 24:59.607 Steve- Not to her friend. 24:59.627 --> 25:04.870 Ricky and Steve- No, so it was sort of to her friend, but looking at me and it was, you know- Steve- Maybe she, uh, whatever, sort of fancied you. 25:04.890 --> 25:08.272 Ricky and Steve- Well- Steve- What's the usual twisted logic in a situation like that? 25:08.292 --> 25:10.093 Ricky and Steve- Well, I sa- you know, I thought about this for a second. 25:10.113 --> 25:11.854 I was like, that was just rude, wasn't it? 25:11.874 --> 25:13.395 There's no positive way of looking at her. 25:13.755 --> 25:15.877 So I just said to her, what an extraordinary thing to say. 25:16.477 --> 25:19.719 And she said, uh, well it's okay, I'd still snog you. 25:19.739 --> 25:21.640 Ricky and Steve- She did fancy you, there you go. 25:21.980 --> 25:22.521 What's that? 25:22.641 --> 25:24.382 When did women become like that? 25:25.143 --> 25:30.908 Like a man, not even in the 70s, a stupid man would never even say that without shame. 25:31.268 --> 25:34.231 You don't say things like that to other people, human beings. 25:34.691 --> 25:36.693 And women are supposed to be better than men, I thought. 25:37.350 --> 25:39.892 Is that meant to be some weird, like, reverse psychology? 25:39.992 --> 25:41.052 I don't know what it was. 25:41.312 --> 25:42.813 I think it sounds sexy. 25:43.013 --> 25:44.694 I think the whole thing sounds very sexy. 25:44.754 --> 25:45.635 Sexily charged. 25:45.715 --> 25:48.377 The thing is, I wouldn't be telling you this story if she was really attractive. 25:49.857 --> 25:51.418 Because it would have been quite flattering. 25:51.819 --> 25:53.700 But, um, she wasn't that attractive. 25:53.740 --> 25:54.700 I just thought, what? 25:54.920 --> 25:55.781 I hate you. 25:56.181 --> 25:59.983 And I sat down and I just felt totally belittled and marginalised by this woman. 26:00.104 --> 26:01.925 Like being treated like a piece of dirt. 26:02.265 --> 26:03.465 I wouldn't talk to someone like that, would you? 26:04.386 --> 26:04.866 I don't know. 26:04.886 --> 26:06.547 I hadn't thought about it. 26:06.607 --> 26:06.947 I might. 26:07.767 --> 26:09.567 What would be the equivalent thing to say to a woman? 26:10.267 --> 26:12.128 Oh, look. 26:12.268 --> 26:12.908 Look at you. 26:13.068 --> 26:14.148 Look at your knockers. 26:14.188 --> 26:17.029 What do women all have these days? 26:17.529 --> 26:17.989 I don't know. 26:18.509 --> 26:18.770 What? 26:19.290 --> 26:19.730 Breasts? 26:19.830 --> 26:20.190 Breasts? 26:20.610 --> 26:21.050 Oh, look. 26:21.130 --> 26:22.070 A woman with breasts. 26:22.210 --> 26:22.831 Oh, look at you. 26:23.231 --> 26:24.231 A short skirt. 26:24.651 --> 26:26.511 I bet you think that's cool or something. 26:26.792 --> 26:27.072 I don't know. 26:27.092 --> 26:28.012 I'm not doing a good job at 26:29.231 --> 26:30.532 encompassing the outrage. 26:30.552 --> 26:31.773 Well, that's disgusting and sickening. 26:32.153 --> 26:33.314 Yeah, I just thought I'd mention it. 26:33.334 --> 26:36.176 I just- you know, maybe I'm- am I- am I overreacting here? 26:36.516 --> 26:36.896 I don't know. 26:36.916 --> 26:37.597 Okay. 26:38.237 --> 26:39.378 I really don't know what to say. 26:39.718 --> 26:42.220 Well, I'm gonna play some music to, uh, lift my spirits. 26:42.780 --> 26:44.962 And this, uh, this is the White Stripes. 26:53.052 --> 26:55.274 That's the White Stripes with Girl You Have No Faith In Medicine. 26:55.294 --> 26:56.395 This is Adam and John, XFM. 26:56.415 --> 26:57.256 We'll be right back. 27:25.321 --> 27:38.850 Hmm, that's the Kaiser Chiefs with the modern way. 27:39.230 --> 27:43.193 Exciting music for young people here on XFM, the pop station. 27:43.213 --> 27:45.534 It's not a pop station. 27:45.554 --> 27:46.455 We never play any pop. 27:46.555 --> 27:47.515 It's all pop, Joe. 27:47.595 --> 27:48.056 It's all pop. 27:48.096 --> 27:49.457 It's all young people's pop music. 27:49.497 --> 27:51.078 Hammerball tune for fun pop. 27:51.838 --> 27:52.239 Er, yeah. 27:52.379 --> 27:53.860 So it's time for our text competition. 27:54.381 --> 27:59.205 And, er, this week, you can win, er, how many- no, we've got two Nathan Barleys left. 27:59.626 --> 28:01.468 So we'll give away a couple of Nathan Barleys. 28:01.848 --> 28:09.836 I'd like to people- I'd like people to text in, er, 83XFM, and suggest stuff that, er, when we look back on it, will be terribly dated. 28:11.058 --> 28:12.639 kind of little freaks of fashion. 28:12.759 --> 28:19.465 Yeah, for instance, things that- I mean, it's almost that, and it's also things that, you know, you think are stupid and should- should go, basically. 28:19.745 --> 28:22.667 For a start, uh, trousers down beneath the bum. 28:23.068 --> 28:36.759 Yeah, well that is- Now, that's quite an obvious one, but obviously when you- when you look at a video of your- if- if you wear your trousers below your bum and shoot some home video, in the future, like 10, 20 years' time, you'll look at that video and you'll think, what an idiot. 28:37.099 --> 28:37.299 Yeah. 28:37.459 --> 28:38.520 How could I have done that? 28:38.920 --> 28:42.421 It seemed so cool at the time, but now I just look like a proc. 28:43.181 --> 28:43.701 What's a proc? 28:43.721 --> 28:44.041 A prac? 28:44.142 --> 28:44.602 I don't know. 28:44.622 --> 28:47.243 It's a less rude way of saying the ruder word. 28:47.403 --> 28:47.743 A crunk. 28:48.103 --> 28:48.423 Yeah. 28:48.903 --> 28:49.223 Okay. 28:49.583 --> 28:50.484 Casual homophobia. 28:51.297 --> 28:51.897 Yeah, yeah. 28:51.977 --> 28:53.438 I think it's time for that to go. 28:53.458 --> 28:57.960 It's time for people to stop using the word gay as a generally negative epithet. 28:58.540 --> 29:01.722 Well, I think it's- I think it'll be like- it'll sound like racism in about ten years. 29:01.782 --> 29:03.763 Hopefully, you'll be like Jim Davidson. 29:03.943 --> 29:12.047 Yeah, there's a whole kind of school of playground bullying and homophobia that's championed by people like Ian Lee, which is- Yeah, it's acceptable. 29:12.347 --> 29:13.488 let's face it, we've done it. 29:13.588 --> 29:15.770 I do it quite a lot, but I'm gonna try and stop myself. 29:16.010 --> 29:28.600 You know, when people are getting, you know, beaten up and horrible things are happening and it's time for that to stop and I think in the future you'll see like mainstream movies and stuff with gay jokes in them and hopefully in the future you'll shake your head and think, man. 29:28.885 --> 29:38.129 You know what, I saw Moscow on the Hudson the other day with Robin Williams, and there's a scene in that where he's kissing, you know, because Russian people like to kiss. 29:38.169 --> 29:39.109 Like Borat, yes. 29:39.449 --> 29:44.231 And so he sort of kisses a security guard or something and says, thank you, my friend, thank you very much. 29:44.671 --> 29:47.793 And the security guard walks away and just shakes his head and says something like, 29:48.533 --> 29:48.994 Faggots. 29:49.475 --> 29:49.715 You know? 29:49.795 --> 29:51.858 And this isn't like a PG film. 29:51.878 --> 29:53.781 That's 20 years ago though, isn't it? 29:54.062 --> 29:56.225 Yeah, but even 20 years ago. 29:56.285 --> 29:57.587 It's still acceptable. 29:57.647 --> 29:58.248 I think it should go. 29:58.329 --> 29:59.170 I think that'll date us. 29:59.430 --> 30:01.453 And the last example is plastic bags. 30:02.154 --> 30:02.815 Plastic bags? 30:02.836 --> 30:03.376 They've got to go. 30:03.797 --> 30:04.657 Steve Well, I agree with you. 30:04.677 --> 30:06.978 I don't- I- I ask for no plastic bags when I'm shopping, yeah. 30:06.998 --> 30:08.159 Ricky So do I. They're ruining the world. 30:08.179 --> 30:08.619 Steve Yeah. 30:08.639 --> 30:12.881 Ricky I don't know why anyone- any shop that gives out plastic bags should be boycotted. 30:12.901 --> 30:13.721 Steve That's true. 30:13.741 --> 30:14.281 I agree with that. 30:14.301 --> 30:20.784 Ricky So there's three things that I think in the future, like just little casual things that if you saw them in a film, you'd think, man, that is so naughties. 30:21.244 --> 30:21.605 Yeah. 30:22.125 --> 30:26.149 So text in your suggestions for things that you think should basically become obsolete. 30:26.169 --> 30:27.871 Things that will date us. 30:28.071 --> 30:33.517 83XFM is the number and we'll give a Nathan Parley DVD to our two favourite ones. 30:33.877 --> 30:35.298 So get texting now. 30:35.339 --> 30:35.459 Yes. 30:35.779 --> 30:36.400 Here's back. 30:50.011 --> 30:51.892 There you go, that's Beck with Girl. 30:51.912 --> 30:53.633 This is Adam and Joe on XFM. 30:53.954 --> 30:55.955 Got any suggestions coming in there, Joe? 30:55.975 --> 30:57.456 Well, we're gonna keep them trickling in. 30:57.576 --> 30:58.617 I'm not gonna read out any yet. 30:58.637 --> 31:03.760 We're asking for you to text him with things that you think are gonna look amazingly dated in ten years. 31:04.240 --> 31:05.181 And you know what we're looking for? 31:05.221 --> 31:06.902 For the prize-winning criteria. 31:07.522 --> 31:09.923 is, is, er, stuff that's not too obvious, basically. 31:10.203 --> 31:13.004 Stuff that people are doing but they don't even realise they're doing it. 31:13.024 --> 31:14.065 Do you know what I mean? 31:14.325 --> 31:20.788 Something that you don't know, I mean, cos something like an iPod is quite obvious, cos it's obviously today's technology, so it'll date. 31:21.228 --> 31:29.411 Someone else has said the Adam and Joe show will date, but, er, in fact someone in Stockwell has texted in saying the Adam and Joe show will date, which is a dangerous thing to do, cos me and Adam live in Stockwell. 31:29.431 --> 31:31.312 Steve Yeah, that's probably Chewie texting you. 31:31.352 --> 31:31.952 Ricky sniggers 31:33.673 --> 31:38.315 Um, but yeah, we're looking for- we're looking for more, um, you know, things that we're currently oblivious to. 31:38.335 --> 31:40.697 Uh, but we'll come back to that in a sec. 31:41.117 --> 31:43.418 I don't think the Ellen and Joe show will date anyway. 31:43.478 --> 31:44.478 I was- The telly show? 31:44.498 --> 31:46.279 Yeah, cause I was- The point of it was it was gonna date. 31:46.319 --> 31:47.600 We always said it was supposed to date. 31:47.760 --> 31:48.540 It's a time capsule. 31:48.560 --> 31:49.321 It's a time capsule. 31:49.361 --> 31:49.461 Yeah. 31:49.721 --> 31:50.181 But it hasn't. 31:50.241 --> 31:51.862 The weird thing is that it hasn't dated at all. 31:51.882 --> 31:52.943 Do you ever read that thing then? 31:53.963 --> 31:54.624 Steve Laughs Slightly Steve 32:14.905 --> 32:15.685 That's pretty good, isn't it? 32:15.885 --> 32:17.427 Yeah, they're usually from the weakest link, aren't they? 32:17.447 --> 32:18.428 Would you just say that? 32:18.828 --> 32:19.388 Yeah. 32:19.508 --> 32:21.910 Hey man, can I just ask you, have you seen that advert? 32:21.990 --> 32:30.377 I think it's a BT ad, I'm not sure, but it's making a big deal out of the fact that it's going to help to screen out sales calls. 32:31.178 --> 32:32.339 Yeah, with Clarkson, isn't it? 32:32.379 --> 32:38.743 Yeah, it is Clarkson, because obviously no one enjoys the sales call thing, and it is getting totally out of hand as well. 32:38.804 --> 32:39.044 Yeah. 32:39.424 --> 32:41.265 Uh, how have they- I think I used that service, actually. 32:41.285 --> 32:44.227 I used to get loads of sales calls, but I called up BT and got that thing activated. 32:44.247 --> 32:44.868 I think it does work. 32:45.468 --> 32:46.229 Well- Takes a couple of months. 32:46.409 --> 32:48.711 I couldn't, uh, figure out how it worked. 32:48.751 --> 32:49.451 Can you explain it to me? 32:49.471 --> 32:55.876 Because as far as I could glean from the advert, it was just a display, uh, that shows you what number is calling you. 32:56.656 --> 33:00.140 Um, so if you don't want to answer it, if it's an unfamiliar number, you don't pick up. 33:00.620 --> 33:01.721 Is this a technical inquiry? 33:01.902 --> 33:02.743 Yeah, kind of. 33:02.823 --> 33:03.063 Yeah. 33:03.283 --> 33:03.744 I don't know. 33:03.784 --> 33:04.785 I don't work for BT. 33:04.945 --> 33:05.465 Do you not? 33:05.666 --> 33:05.826 No. 33:05.986 --> 33:07.247 Why are you wearing those headphones? 33:07.367 --> 33:09.229 Call them up during the next song. 33:09.630 --> 33:11.251 Maybe someone could tell me how it works. 33:11.311 --> 33:11.792 Maybe I'm being ignorant. 33:11.812 --> 33:13.694 Can't I just ask listeners to give you technical tips? 33:13.894 --> 33:19.198 I'm just curious, because if it's just the display, because I got one of those a while ago, like a little box that you could put on your phone. 33:19.218 --> 33:20.039 Steve tells you who's calling. 33:20.059 --> 33:21.960 Ricky Yeah, that tells you the number, like a mobile does, obviously. 33:21.980 --> 33:22.200 Steve Yeah. 33:22.220 --> 33:25.163 Ricky And it's weird that most phones don't come with that same facility. 33:25.183 --> 33:32.868 Steve I almost miss those sales calls, though, because a lot of them are recorded, right, and they're attempting to make them sound as if they're real people calling. 33:32.888 --> 33:33.189 Ricky Yeah. 33:33.209 --> 33:34.389 Steve Hello! 33:34.410 --> 33:35.731 How you doin'? 33:37.271 --> 33:37.932 That's just Bill. 33:38.312 --> 33:38.652 Like that. 33:38.832 --> 33:42.634 And the better they're done, the more they actually convince you that they're a real person. 33:42.654 --> 33:48.036 So once or twice, I've gone, hello, and then just realized it's a recorded message. 33:48.056 --> 33:48.716 You're OK, Bill. 33:48.736 --> 33:49.436 You sound weird. 33:49.476 --> 33:52.317 And at one stage, I was going to start recording them and bringing them in. 33:52.398 --> 33:53.258 But I wasn't allowed. 33:54.286 --> 33:55.727 It's got advertising implications. 33:55.747 --> 33:56.688 Yeah, advertising implications. 33:56.708 --> 33:58.809 Cos that would have been a good sort of thing to do on the show, wouldn't it? 33:58.829 --> 34:01.271 The most convincing fake sales call. 34:01.511 --> 34:02.212 Yeah, yeah. 34:02.692 --> 34:04.093 Hi, this is Sandra. 34:04.453 --> 34:05.174 Well done. 34:05.474 --> 34:06.315 You've won a groon. 34:06.335 --> 34:08.536 What a brilliant idea for a crazy phone wind-up. 34:08.817 --> 34:10.118 That could be on Crank Yankers. 34:10.338 --> 34:10.778 Crank Yankers. 34:10.798 --> 34:12.880 Maybe we should start doing phone wind-ups on this show. 34:13.020 --> 34:14.061 Have you seen Crank Yankers? 34:14.241 --> 34:18.023 Yeah, that's an American show where puppets sort of re-voice... Well, they act out. 34:18.043 --> 34:19.184 Crank phone calls. 34:19.244 --> 34:20.065 Yeah, they act out. 34:20.085 --> 34:22.767 They do prank phone calls and then they sort of dramatise them with puppets, don't they? 34:22.967 --> 34:23.647 Ricky and Steve laugh 34:42.418 --> 34:52.409 Definitely, you know, this is the person sort of saying yeah, hi This is this is Barry from the big company and could you possibly come and work with me in Hawaii for five years? 34:52.429 --> 34:53.570 I got money for you. 34:53.590 --> 34:54.551 Is that what you think it's gonna be? 34:54.591 --> 34:55.892 Yeah big job offer. 34:55.992 --> 34:56.173 Yeah 34:57.130 --> 34:58.552 from Barry and the big company. 34:58.572 --> 34:59.853 Hi, this is Suki. 35:00.354 --> 35:02.396 I got your number from your agent. 35:02.436 --> 35:04.699 I work for DreamWorks, SKG. 35:04.739 --> 35:09.164 We're doing a sequel to Madagascar and we need a voice for a cheeky bear. 35:09.644 --> 35:10.105 That's right. 35:10.185 --> 35:12.467 And we saw your voice over on the Gillette advert. 35:12.728 --> 35:13.268 We heard it. 35:13.368 --> 35:14.630 We thought it'd be perfect for a cheeky bear. 35:15.030 --> 35:16.271 That's the sort of thing. 35:16.451 --> 35:17.051 I'd dream of it. 35:17.071 --> 35:18.112 You'd be a great cheeky bear. 35:18.132 --> 35:19.353 I would, I'd be so cheeky. 35:19.413 --> 35:25.716 If Sacha Baron Cohen can be a haughty giraffe, or whatever he is... No, he's like a king of the ocelots or something. 35:25.736 --> 35:26.556 In Madagascar. 35:26.576 --> 35:27.797 He's very funny in it, actually. 35:27.817 --> 35:28.938 He's the best bit about Madagascar. 35:28.958 --> 35:29.818 He's generally very funny. 35:29.838 --> 35:31.719 Which is otherwise a bit of a disappointment. 35:32.160 --> 35:37.843 Anyway, let's play more music and then come back and see if we've got any more exciting texts about things that will date. 35:38.023 --> 35:38.123 Yes. 35:38.143 --> 35:41.845 The return of the god of space! 35:47.333 --> 35:53.300 Well, you know, how long has he been away for, the Ghostface Killer? 35:53.901 --> 35:54.581 About six months. 35:54.601 --> 35:58.526 Well, he comes back and all he can say is, the return of the Ghostface Killer! 35:58.746 --> 36:01.990 You would have thought you would have thought of something more interesting to say in his absence, wouldn't you? 36:02.390 --> 36:03.311 No, man, he's busy. 36:03.351 --> 36:05.093 Just try harder, Ghostface Killer. 36:05.634 --> 36:06.455 Hasn't he killed anybody? 36:07.856 --> 36:08.717 Wow, you're really roasting them. 36:08.737 --> 36:09.937 I'm just saying it like it is today, Alan. 36:09.957 --> 36:10.798 Let's face killer. 36:10.878 --> 36:11.138 Yeah. 36:11.479 --> 36:12.559 That was the dead sixties. 36:12.980 --> 36:13.960 And, uh, this is Adam and Joe. 36:13.980 --> 36:15.081 We should play some adverts now. 36:15.121 --> 36:17.082 Which advert are you hoping to hear in this break, Joe? 36:17.102 --> 36:19.124 Oh, I'm hoping to hear one that'll put me off drugs. 36:19.424 --> 36:20.985 Okay, well, let's see what we've got. 36:21.325 --> 36:21.625 Thanks. 36:22.786 --> 36:23.887 XFM. 36:25.088 --> 36:26.609 One two, one two two. 36:26.669 --> 36:27.810 This is XFM. 36:27.890 --> 36:33.834 I saw it, never saw it with the black tongue tied, wearing roses. 36:50.046 --> 36:50.288 SFM. 37:03.315 --> 37:04.876 What was that band called? 37:04.936 --> 37:06.858 What was that amazing new sound Adam? 37:06.918 --> 37:08.639 I don't understand that sound. 37:08.699 --> 37:10.321 It was amazing. 37:10.661 --> 37:12.302 Imagine your heart is soaring right now. 37:12.322 --> 37:17.127 My heart is soaring and I'm sweating, I'm confused, I'm very contemporary. 37:18.127 --> 37:19.328 Well, that's a new band. 37:19.368 --> 37:20.850 They're called Coldplay. 37:20.910 --> 37:22.091 Coldploo, what? 37:22.311 --> 37:23.112 Coldplay. 37:23.132 --> 37:24.273 Coldplaj? 37:24.733 --> 37:25.854 Coldplay. 37:25.874 --> 37:27.895 I cannot even say it, for it is so new. 37:28.395 --> 37:29.436 It's a new alba. 37:29.496 --> 37:30.776 It's a new type of music. 37:30.836 --> 37:33.338 It's called exciting new music. 37:33.398 --> 37:35.719 It's called boring. 37:36.294 --> 37:36.594 Hey. 37:36.614 --> 37:36.674 Hey. 37:36.754 --> 37:37.014 Hey. 37:37.034 --> 37:37.094 Hey. 37:37.314 --> 37:37.554 Hey. 37:37.594 --> 37:37.794 Hey. 37:37.814 --> 37:37.875 Hey. 37:37.935 --> 37:38.175 Hey. 37:38.195 --> 37:38.255 Hey. 37:38.695 --> 37:38.895 Hey. 37:38.915 --> 37:38.975 Hey. 37:39.135 --> 37:39.275 Hey. 37:39.315 --> 37:39.435 Hey. 37:39.515 --> 37:39.735 Hey. 37:55.820 --> 37:58.522 OK, so we've had a text competition. 37:58.642 --> 38:05.285 The premise was things that will look incredibly dated in about ten years that we don't realise will look incredibly dated. 38:06.226 --> 38:08.487 And we've had some good entries, Adam Butch, so I'm going to let you judge these. 38:08.507 --> 38:09.868 I'm going to read them for you. 38:09.888 --> 38:11.008 Some of them are good, some of them are bad. 38:11.068 --> 38:11.909 I'll read out a selection. 38:12.209 --> 38:16.672 First one, someone always texts this in whatever the text competition, is George Bush. 38:16.732 --> 38:17.712 George Bush. 38:17.772 --> 38:18.833 George Bush. 38:19.393 --> 38:19.973 Oh dear. 38:20.013 --> 38:20.894 George Bush. 38:21.614 --> 38:22.755 He's on his way out anyway. 38:22.975 --> 38:23.275 Yeah. 38:23.495 --> 38:26.076 He's gonna be, uh, had up in court and thrown out. 38:26.736 --> 38:28.397 I mean, I guess he is. 38:28.497 --> 38:28.917 Hopefully. 38:28.977 --> 38:29.337 Hopefully. 38:29.557 --> 38:30.318 Anyway, that's a safe one. 38:30.838 --> 38:31.858 Uh, here we go. 38:31.898 --> 38:32.799 Standby buttons. 38:33.779 --> 38:33.979 Standby. 38:33.999 --> 38:35.860 Now this is a very good point on televisions. 38:36.160 --> 38:36.940 Standby buttons. 38:36.960 --> 38:37.300 Oh, yeah, yeah. 38:37.320 --> 38:38.001 What are they for? 38:38.421 --> 38:39.301 This is from Becker. 38:39.581 --> 38:41.442 Just switch it off, says Becker. 38:42.122 --> 38:44.124 What's the point of a standby button? 38:44.464 --> 38:49.048 What possible function do they have apart from to drain the planet's resources? 38:49.588 --> 38:50.689 That's true, I don't understand. 38:51.130 --> 38:53.051 Yeah, we've become complacent, we've got used to them. 38:53.091 --> 38:53.652 What are they for? 38:53.872 --> 38:56.274 When it's on standby, is it using power? 38:56.714 --> 38:56.895 Yes. 38:57.555 --> 38:58.916 No, famously it's using power. 38:58.936 --> 39:06.543 There've been advertising campaigns to tell you to take stuff off standby so that you don't kill the dolphins. 39:06.583 --> 39:08.044 It's not using as much power? 39:08.124 --> 39:09.385 And ruin the planet for the babies. 39:09.445 --> 39:11.106 Yeah, but it's still using quite a lot of power. 39:11.287 --> 39:11.527 Really? 39:11.567 --> 39:13.308 Just to make the little red light go on? 39:13.508 --> 39:15.050 Have you got telly in your bedroom? 39:15.931 --> 39:16.151 Yeah. 39:16.171 --> 39:16.431 No, it's not. 39:16.451 --> 39:17.953 Why, if it was, would it be hurting my brains? 39:18.013 --> 39:19.194 Oh, no, I don't want to do that. 39:19.214 --> 39:19.875 That's not nice. 39:34.750 --> 39:37.891 Well, we'll be ashamed for doing lots of things, but that's a different sort of thing, isn't it? 39:37.971 --> 39:38.811 He might not be in Manchester. 39:38.831 --> 39:40.012 His second name might be Manchester. 39:40.132 --> 39:40.552 Not sure. 39:41.512 --> 39:43.773 Like Abby's first name was Westminster. 39:43.793 --> 39:45.954 What else? 39:46.274 --> 39:48.654 Blonde wood kitchens with long steel handles. 39:48.914 --> 39:49.635 That's quite a good one. 39:49.675 --> 39:50.435 That is a good one. 39:50.635 --> 39:50.935 Yeah. 39:51.475 --> 39:52.075 Wallpaper. 39:52.736 --> 39:53.256 Wallpaper? 39:53.276 --> 39:54.196 Apparently it's coming back. 39:54.276 --> 39:55.136 It went away coming back. 39:55.156 --> 39:55.937 It's not such a good one, is it? 39:56.197 --> 40:00.398 Kids on the bus playing songs on their mobile phones out loud through the little speakers. 40:00.798 --> 40:02.859 That's happened a lot to me in just the last couple of weeks. 40:03.749 --> 40:09.135 I was on a train today, er, er, last week going up to Bath, and at least two people when I walk- you know, you walk along to the buffet. 40:09.155 --> 40:09.395 Steve Yeah. 40:09.415 --> 40:10.797 Ricky And have a little look at everybody. 40:11.117 --> 40:16.623 There were at least two sets of people with a little mobile phone on the table and a song playing through the crappy little dimmy speakers. 40:17.091 --> 40:18.312 Why would they want to do that? 40:18.412 --> 40:21.153 Just to prove that they- their phone has the capacity to play songs? 40:21.173 --> 40:21.713 Yeah, I don't know. 40:21.753 --> 40:23.373 It must be the novelty of that sort of a phone. 40:23.393 --> 40:24.154 So that's quite a good one. 40:24.454 --> 40:27.015 Richard from Sheen says 2005 calendars. 40:27.875 --> 40:28.495 Yeah. 40:28.515 --> 40:29.916 Thanks very much, Richard. 40:30.576 --> 40:35.058 Uh, children with mobiles in the future will seem like smoking babies. 40:36.443 --> 40:37.744 Ricky says Christian in London. 40:37.764 --> 40:43.086 Steve Well, in the future, they're gonna have implants in their foreheads, aren't they, to do all their mobile phone calling? 40:43.326 --> 40:50.990 Ricky Well, there is a school of thought that, you know, mobile phones will be seen as like smoking in the future, because we'll discover that they really do give us massive brain cancers. 40:51.010 --> 40:51.550 Steve Right. 40:52.110 --> 40:52.591 Brain cancers? 40:52.611 --> 40:53.751 Ricky Yes, brain cancers. 40:53.771 --> 40:54.752 Steve No, I hate brain cancers! 40:54.772 --> 40:55.432 Ricky Might be trendy. 40:55.452 --> 40:59.314 You know, there might be so much been around in 20 years that it might be fashionable to have, uh, 41:00.114 --> 41:02.779 Ah, that's not very nice of you, really. 41:02.819 --> 41:03.381 Take that back. 41:03.461 --> 41:05.865 So, any winners out of that, Adam Buxton? 41:06.006 --> 41:08.470 Well, I guess I'd go for the standby button. 41:08.490 --> 41:09.372 The standby button. 41:09.412 --> 41:11.656 It won't really date, will it, but it's a very good observation. 41:12.162 --> 41:13.744 Well, this is what we're talking about. 41:13.844 --> 41:19.932 It's something that we put up with in the modern world that you'll look back on in a few years and just think, what? 41:20.133 --> 41:20.673 What was that? 41:20.974 --> 41:29.906 I think that, I think, you know, sometimes I wish this was a sort of campaigning show, because we could campaign about casual homophobia, we could campaign about plastic bags, we could complain about standby buttons. 41:30.026 --> 41:34.510 Well, listen, the casual homophobia thing, you should, uh, was it inspired by that thing in the sun or just generally? 41:34.570 --> 41:45.920 No, Adam and I were just looking at The Sun, listeners, and as some of you might know, the actor who played Mr Sulu in Star Trek has come out in an interview in an American paper, and the British tabloids have seized this, and The Sun's headline is, Beam Me Up, Botti. 41:46.280 --> 41:47.721 Beam Me Up, Botti. 41:48.382 --> 41:49.543 For God's sake. 41:49.863 --> 41:56.108 And then, underneath, as a sidebar, they've got Captain's Log, Yes Please, 41:57.996 --> 42:00.878 If you're laughing at that out there, you're sick and dated. 42:01.699 --> 42:03.240 I mean, I don't know. 42:03.340 --> 42:04.061 Lila's laughing. 42:04.361 --> 42:06.363 Sulu of the Enterprise admits he's gay. 42:06.583 --> 42:09.206 Captain's log, yes, please. 42:09.566 --> 42:22.358 It's tough, isn't it, because there is something funny about that, but you sort of want it to be something between your friends or, I don't know, a private thing that really you shouldn't say out loud, because it's wrong. 42:22.938 --> 42:25.779 You don't want it to be just a mainstream thing in a newspaper. 42:25.819 --> 42:26.659 Here's another quite good one. 42:26.719 --> 42:28.720 Bluetooth spoons on the side of your head. 42:28.760 --> 42:30.380 Those things that people wear on their ears. 42:30.420 --> 42:31.641 They are a disgrace. 42:31.661 --> 42:32.241 They're a disgrace. 42:32.261 --> 42:33.061 They'll go, won't they? 42:33.081 --> 42:33.921 They'll be really dangerous. 42:33.941 --> 42:36.322 Because they make it look like... They'll get much smaller, won't they? 42:36.382 --> 42:36.622 Yeah. 42:36.822 --> 42:39.803 They make it look like a retro version of the future that we're living in, you know what I mean? 42:40.043 --> 42:41.964 That's what people thought the future was gonna be like. 42:41.984 --> 42:44.764 People going around with big stupid things clamped in their heads. 42:45.325 --> 42:49.426 I'm talking to Carol, she's in space, and I've got an... 42:51.026 --> 42:52.267 Thongs is a good one as well. 42:52.407 --> 42:53.567 Thongs, thongs will go. 42:53.587 --> 42:54.248 Yeah. 42:54.828 --> 42:56.949 A thong sticking up the back of a woman's butt crack. 42:57.169 --> 42:57.669 That'll go. 42:57.689 --> 42:59.390 Are you sure that's not a fashion perennial? 43:00.050 --> 43:00.631 I want it to be. 43:00.931 --> 43:02.632 Do you really find that sort of thing sexy? 43:02.672 --> 43:03.012 Maybe. 43:04.112 --> 43:07.654 Well, listen, let's wrap it up because we should give some prizes away and move on. 43:07.694 --> 43:08.234 Absolutely. 43:08.294 --> 43:15.858 Well, let's give Bekker the copy of Nathan Barley, and I tell you what, we'll hold off on one other copy of Nathan Barley for the deciding vote in Dizzies in the Dock, which is coming up very soon. 43:16.118 --> 43:16.338 Right. 43:16.518 --> 43:19.460 First, another track off the playlist. 43:19.500 --> 43:20.601 This is Brendan Benson. 43:20.901 --> 43:22.442 I've played this before, but not for a while. 43:22.603 --> 43:23.203 I love this one. 43:23.263 --> 43:24.404 It's called Tiny Spark. 43:36.492 --> 43:37.813 That's Brendan Benson. 43:38.374 --> 43:39.394 Track from his first album. 43:39.474 --> 43:40.875 Was it his first album, La Palco? 43:41.075 --> 43:41.656 I don't know. 43:42.236 --> 43:43.197 I'm just looking at Lila there. 43:43.217 --> 43:44.378 I know she's a Benson fan. 43:45.712 --> 43:46.112 I don't know. 43:46.273 --> 43:47.393 Anyway, it's a good song. 43:47.513 --> 43:48.034 Tiny Spark. 43:48.614 --> 43:52.077 We're gonna play some ads and then we'll be back with... Diddy's in the Dock! 43:52.117 --> 43:53.018 Diddy's in the Dock! 43:53.218 --> 43:53.438 Hooray! 44:34.434 --> 44:41.858 It's cold days in the dark, you see, which is kind of like a court theme, a legal theme, but then the music for it is like a Western thing. 44:41.878 --> 44:42.539 It's very clever. 44:42.699 --> 44:45.160 It doesn't... It's very clever. 44:45.660 --> 44:46.261 Very clever. 44:46.681 --> 45:06.888 it's digit in the dock this is the why is my thing going on crackly scratchy maybe no one else can hear it digit in the dock this is the chance for you our loyal listeners to vote for the song we play the show out with me and adam are going to pitch you a track you get to call 0 8 7 1 triple 2 1 0 4 1 0 4 9 what's she done you had your scratch button down um yeah 0 8 7 1 triple 2 1 0 4 9 45:10.169 --> 45:17.055 All five callers who get on the air will win a copy of the Me You and Everyone We Know soundtrack CD. 45:17.095 --> 45:18.135 What sort of stuff have we got on there? 45:18.155 --> 45:19.396 It's supposed to be a terrific film. 45:19.416 --> 45:30.125 This soundtrack's got stuff by Cody Chestnut and Spiritualized and basically, you know, it's one of those brilliant soundtracks you can put on at a dinner party and all your friends will think you're a very, very nice person. 45:31.065 --> 45:35.490 So yeah, everyone who gets through gets one of those and the deciding vote will win a copy of the Nathan Barley DVD. 45:36.251 --> 45:38.573 It's a theme ditches in the dock. 45:38.593 --> 45:43.899 Our theme this week is John Hughes films, the 80s Brat Pack filmmaker. 45:44.359 --> 45:45.421 And I'm going to start, Adam. 45:45.781 --> 45:46.081 Go on then. 45:46.221 --> 45:50.025 Listeners, I'd like you to vote to hear the theme to Weird Science. 45:50.726 --> 45:51.587 Weird Science. 45:51.787 --> 45:59.474 Weird Science is the classic John Hughes film where the two teenage nerds create the perfect woman by throwing stuff at their computer and then it all goes wrong. 45:59.534 --> 46:00.554 She's alive! 46:00.675 --> 46:03.677 The title track Weird Science was recorded by the band Oingo Boingo. 46:03.737 --> 46:05.379 Very interesting band Oingo Boingo. 46:05.739 --> 46:08.922 Basically the lead singer is Danny Elfman who became Tim Burton's composer. 46:08.942 --> 46:09.462 I didn't know that. 46:09.682 --> 46:16.208 Yeah, and the guitarist actually became Tim Burton's- the guy who orchestrates Tim Burton's music, because Tim Burton can't- no, not Tim Burton. 46:16.488 --> 46:18.030 Danny Elfman can't write music. 46:18.070 --> 46:18.951 He just hums the song. 46:19.271 --> 46:19.451 Right. 46:19.491 --> 46:21.013 And then his guitarist orchestrates it. 46:21.033 --> 46:22.274 Interesting. 46:22.294 --> 46:23.715 Oingo Boingo formed in the 70s. 46:24.456 --> 46:25.597 They split in 95. 46:25.637 --> 46:27.198 They're originally a 15-piece band. 46:28.159 --> 46:31.842 They also sung the title track to the Rodney Dangerfield movie Back to School. 46:33.344 --> 46:35.045 And Bachelor Party, the Tom Hanks movie. 46:35.185 --> 46:37.306 Wow, I'm going to rush out and invest in their back catalogue. 46:37.326 --> 46:40.268 Yeah, they kind of specialised in party pop for frat boys. 46:41.289 --> 46:45.952 And of course Danny Elfman also wrote the theme to The Simpsons, Desperate Housewives. 46:46.893 --> 46:48.434 The movie's Batman and Men in Black. 46:49.074 --> 46:50.295 And it's a fantastic song. 46:50.755 --> 46:52.356 Adam just sung a bit of it there. 46:52.376 --> 46:52.817 It goes... 46:54.958 --> 46:56.519 Weird Science! 46:56.760 --> 46:59.422 It's got just fantastic little boingy noises all through it. 46:59.582 --> 47:00.643 It's genuinely really good. 47:00.863 --> 47:04.326 If you've seen Weird Science, then you will love Weird Science. 47:04.406 --> 47:05.827 Nobody dislikes Weird Science today. 47:05.987 --> 47:07.829 I read a bad review for Weird Science the other day. 47:07.849 --> 47:13.613 I mean, obviously it's not like an amazing film, but it is an amazing film. 47:13.653 --> 47:15.195 It stands up a bit better than The Breakfast Club. 47:15.255 --> 47:19.078 It's got Bill Paxton in it getting turned into a massive mound of faeces playing Chet. 47:19.538 --> 47:20.179 Do you remember Chet? 47:20.359 --> 47:21.379 Sure, it's very good. 47:21.439 --> 47:24.541 And it's got the classic line, she got fun, bare big titties on her. 47:24.581 --> 47:24.841 Yeah. 47:25.281 --> 47:27.042 The girl cannot hold your smoke. 47:27.142 --> 47:27.923 It's a brilliant film. 47:27.963 --> 47:28.503 That's what it is. 47:28.703 --> 47:31.265 Anyway, if you want to hear the theme tune to Weird Science, call 08712221049. 47:32.505 --> 47:35.987 08712221049, you won't regret it. 47:36.047 --> 47:36.748 Adam, what's your choice? 47:37.088 --> 47:41.230 Well, you're going to be a bit annoyed with this maybe, but I've got the Beatles. 47:41.951 --> 47:42.491 The Beatles. 47:42.891 --> 47:43.752 And Twisted Shout. 47:44.432 --> 47:45.652 Which is from Ferris Bueller. 47:45.792 --> 47:46.093 Yeah. 47:46.253 --> 47:49.133 I mean, they don't, obviously they don't play the Beatles version in Ferris Bueller. 47:49.153 --> 47:54.355 I'm thinking of the bit in Ferris Bueller where he suddenly starts leading a parade that's going through the middle of the town. 47:54.375 --> 47:55.215 It's a fantastic sequence, yeah. 47:55.235 --> 47:55.795 Yes, great. 47:56.175 --> 47:58.936 And suddenly it's sort of a weird bit of fantasy, isn't it? 47:58.956 --> 48:00.437 It's like a deep, deep fantasy. 48:00.457 --> 48:01.017 I don't think so. 48:01.057 --> 48:02.557 I think Ferris is that charismatic. 48:02.857 --> 48:03.218 Yeah, I know. 48:03.238 --> 48:07.499 It's real in the film, but it's... The geeks, the nerds, the weirdos, the freaks, they all love Ferris Bueller. 48:07.519 --> 48:07.859 Yeah, yeah. 48:08.559 --> 48:17.989 And so he starts just leading this whole parade with this amazing people joining in with a dance routine and majorettes and brass bands, and they're all playing Twist and Shout. 48:18.750 --> 48:20.732 Now, there's a few versions of Twist and Shout, obviously. 48:20.752 --> 48:23.334 There's the Isley Brothers did a great version. 48:24.175 --> 48:29.661 But the Beatles, I think, nailed it better than anyone with this really high octane, mad, 48:29.881 --> 48:33.604 You know, I'm a bit disappointed you haven't got the marching band version from Ferris Bueller. 48:33.804 --> 48:35.005 Well, it's just not as good. 48:35.065 --> 48:37.607 The Beatles one really knocks everything else into a cocked hat. 48:38.168 --> 48:39.749 So that's all I'm going to say on the subject. 48:39.949 --> 48:43.592 If you want the Beatles with Twist and Shout, sort of amazingly dynamic. 48:43.633 --> 48:48.417 Sun's Out, come on, it's a bit of a party record now for your Saturday afternoon. 48:48.457 --> 48:49.878 Boingo, Boingo. 48:49.898 --> 48:50.158 0-8-7-1-2-2-2-1-0-4-9. 48:50.418 --> 48:52.840 It's between the Beatles and Oingo. 48:53.261 --> 48:55.843 Boingo with the theme from Weird Science, for God's sake. 48:56.443 --> 48:57.684 You're gonna lose, buddy. 48:58.105 --> 49:03.190 Now, I'm gonna play some elbow right now while people call in, but I just have to figure out which CD it is. 49:03.330 --> 49:05.712 Oingo Boingo, with the theme tune from Weird Science. 49:05.772 --> 49:07.294 Weird Science, what a fantastic film. 49:08.135 --> 49:12.559 O-8-7-1-triple-two-one-o-four-nine to vote for Oingo Boingo, with the theme to Weird Science. 49:12.799 --> 49:14.761 All the Beatles, all the Beatles, all the Beatles. 49:14.781 --> 49:18.525 I knew some dirty words on a dirty wall. 49:19.822 --> 49:20.183 Hang on. 49:20.203 --> 49:20.363 Sorry. 49:20.383 --> 49:20.884 What are you doing? 49:21.004 --> 49:23.127 I got all excited and I pressed the wrong button again. 49:23.147 --> 49:24.589 This is what'll happen if people vote for the Beatles. 49:24.609 --> 49:25.690 You just put on something different. 49:25.890 --> 49:28.214 I don't want- I wanna do- Vote for what you can trust. 49:28.274 --> 49:29.335 Vote for someone you can trust. 49:29.475 --> 49:30.437 Here's the- here's Elbow. 49:30.677 --> 49:31.097 One go, one go. 49:40.990 --> 49:41.931 Yeah, yep, yep, yep, yep. 49:41.991 --> 49:42.351 There you go. 49:42.391 --> 49:45.374 That's, uh, Leaders of the War- Leaders of the Free World by Elbows. 49:45.394 --> 49:50.097 This is Adam and Joe on XFM just about to resolve, uh, Dizzy's in the dock here this afternoon. 49:50.117 --> 49:52.339 Oh, you want to try the music? 49:52.399 --> 49:52.499 Yeah. 49:52.519 --> 49:52.920 Oh, that's better. 49:54.241 --> 49:58.023 So this week it's a John Hughes related music playoff. 49:58.703 --> 50:06.207 It's the Beatles with Twist and Shout, as performed by the marching band in Ferris Bueller's Day Off, versus Oingo Boingo with a theme from Weird Science. 50:06.287 --> 50:08.508 Two marvelous records, I'm sure you'll agree. 50:08.768 --> 50:10.349 We've got four callers on the line. 50:10.989 --> 50:12.130 Five callers on the line. 50:12.530 --> 50:13.771 Okay, let's start with Matthew. 50:13.811 --> 50:14.291 Hello Matthew. 50:14.311 --> 50:14.771 Hi there. 50:14.791 --> 50:15.591 How you doing? 50:15.952 --> 50:16.352 Good, good. 50:17.190 --> 50:17.670 Good. 50:17.790 --> 50:20.492 Okay, Matthew, we don't have much time, so let's make it quick. 50:20.512 --> 50:21.233 What are you going to go for? 50:21.273 --> 50:22.173 Boingo or Beatles? 50:22.453 --> 50:22.854 Beatles. 50:23.154 --> 50:24.235 Beatles, of course. 50:24.575 --> 50:26.196 Matthew, thank you very much indeed for your call. 50:26.596 --> 50:28.017 Hope you have an enjoyable weekend. 50:28.037 --> 50:28.938 This is what we've got next. 50:29.158 --> 50:29.418 James? 50:30.993 --> 50:31.734 How you doing, James? 50:31.754 --> 50:32.755 Sound, you? 50:33.135 --> 50:34.136 Yeah, I'm sound as well. 50:34.216 --> 50:34.816 Joe, are you sound? 50:35.157 --> 50:35.677 I think so. 50:36.298 --> 50:36.698 Excellent. 50:37.459 --> 50:38.740 James, what are you going to go for? 50:38.760 --> 50:39.621 Beatles. 50:40.081 --> 50:43.744 Come on, of course, it's got to be... Are you a Liverpudlian yourself? 50:44.085 --> 50:44.565 I am, yeah. 50:44.805 --> 50:45.326 There you go. 50:45.546 --> 50:46.106 He's biased. 50:46.467 --> 50:47.407 We need some Boingos. 50:47.748 --> 50:48.789 Some people from Boingoland. 50:49.289 --> 50:50.150 Where is Elfman from? 50:50.190 --> 50:50.831 Is he Canadian? 50:50.851 --> 50:52.712 Southern California. 50:52.892 --> 50:53.673 Oh, from California. 50:53.713 --> 50:55.214 Anyway, James, thanks a lot for your call. 50:55.254 --> 50:55.955 Have a good weekend. 50:56.455 --> 50:57.576 Oh, it's not looking good for Boingo. 50:58.755 --> 51:01.259 Come on, I know- Please, are you depressed now? 51:01.279 --> 51:01.900 Hello, Will. 51:01.940 --> 51:03.322 I'm starting to get slightly depressed. 51:03.362 --> 51:04.944 I mean, how many times have we heard Twist and Shout? 51:05.144 --> 51:06.446 It's good, though. 51:06.506 --> 51:07.127 Will, are you there? 51:07.307 --> 51:07.467 Yep. 51:07.748 --> 51:08.589 What are you voting for, mate? 51:08.769 --> 51:09.210 Boingo. 51:09.470 --> 51:10.071 Boingo! 51:10.411 --> 51:11.213 Do you know the track, Will? 51:11.633 --> 51:11.894 Oh, yes. 51:12.214 --> 51:13.356 And I know Kelly LaBrock. 51:13.496 --> 51:14.377 Boingo, what's going on? 51:14.397 --> 51:15.419 What's all this Beatles rubbish? 51:16.405 --> 51:16.845 I don't know. 51:17.086 --> 51:17.866 What is going on? 51:17.966 --> 51:18.446 Thanks, Will. 51:18.546 --> 51:20.128 You're a very clever man and you'll win that CD. 51:20.188 --> 51:21.749 We've got Faye next. 51:21.769 --> 51:22.349 Hello, Faye. 51:22.569 --> 51:23.490 Hello, Adam or Joe. 51:23.830 --> 51:24.550 This is Joe. 51:24.971 --> 51:26.111 Yeah, we're interchangeable. 51:26.252 --> 51:26.532 Hi, Faye. 51:26.552 --> 51:27.092 How are you doing? 51:27.312 --> 51:27.672 I'm okay, yeah. 51:27.692 --> 51:27.853 I'm okay. 51:27.973 --> 51:29.354 What are you voting for? 51:29.374 --> 51:31.795 I'm voting let down by both of you for the choices, but I'm all right. 51:31.835 --> 51:32.195 To do what? 51:32.215 --> 51:32.636 Say that again. 51:32.776 --> 51:33.796 She feels let down. 51:34.477 --> 51:34.737 Why? 51:34.877 --> 51:35.378 What were you wanting? 51:36.198 --> 51:38.200 Well, just a little bit more. 51:38.500 --> 51:40.541 What, from a John Hughes-related track? 51:40.622 --> 51:41.282 Hmm, kind of. 51:41.302 --> 51:42.503 What would you suggest something? 51:43.103 --> 51:44.224 Well, anything, really. 51:44.705 --> 51:45.425 Anything would be better. 51:45.445 --> 51:46.906 You're just trying to make us feel bad, aren't you? 51:46.947 --> 51:48.408 I'll get over it and I've got to vote. 51:48.548 --> 51:49.969 Well, what are you voting for, Faye? 51:50.489 --> 51:51.870 I'm going to go for the B2. 51:53.103 --> 51:54.243 Well, that's it then, isn't it? 51:54.583 --> 51:55.564 Thanks a lot for your call, Faye. 51:55.584 --> 52:01.305 That's so... that's... I'm... I'm not... usually I just ham it up on this thing, but this week I'm... Genuinely gutted. 52:01.345 --> 52:02.385 Genuinely disappointed. 52:02.445 --> 52:04.925 You know, I feel bad because it's not... Everyone's got twists and turns. 52:04.965 --> 52:06.846 It's not even the version from the John Hughes film. 52:06.886 --> 52:07.386 I'm going home. 52:07.946 --> 52:08.186 I'm going. 52:08.486 --> 52:09.626 I'm not even going to listen to this show. 52:09.646 --> 52:10.687 I'm just... huge rubbish. 52:10.907 --> 52:11.107 No! 52:12.407 --> 52:13.987 Oh, yes! 52:14.107 --> 52:15.868 See, this is what you're missing, you fools! 52:18.456 --> 52:18.816 Oh, yes. 52:19.757 --> 52:21.179 This is music. 52:21.539 --> 52:22.400 Bong, bong, bong, bong. 52:22.720 --> 52:24.802 That's all you want, Matt? 52:25.083 --> 52:25.963 Twist and shout. 52:26.284 --> 52:27.245 We're Beatles. 52:28.266 --> 52:29.207 This is music. 52:30.067 --> 52:32.910 It says that this is five and a half minutes long on the CD. 52:32.930 --> 52:33.471 What's wrong with that? 52:33.491 --> 52:35.312 We've got five and a half minutes of the show left. 52:35.353 --> 52:36.253 Wait till it changes. 52:37.094 --> 52:37.374 Yeah. 52:47.234 --> 53:06.701 That's the kind of thing that people think about when they say the 80s weren't that good wait till it changes up give it a second Yeah So that is that Elfman singing that just yes it is he's a lead singer Wow 53:08.228 --> 53:09.109 Joe, listen, I feel bad about it. 53:09.129 --> 53:15.373 A good track, culturally interesting, you know, it would have expanded the minds of the XFM listeners. 53:15.473 --> 53:16.554 Well, we're kind of listening to it. 53:16.594 --> 53:18.235 Instead, you're just going for comfort food. 53:18.415 --> 53:18.675 Yeah. 53:18.895 --> 53:20.216 Another little hamburger. 53:20.816 --> 53:24.359 It's not really a hamburger, it's a delicious steak. 53:24.699 --> 53:25.920 It's an old stale sandwich. 53:26.000 --> 53:27.701 It's a beautifully done steak. 53:27.741 --> 53:28.061 Boring. 53:28.382 --> 53:29.983 Hey, can I just give myself a plug, Joe? 53:30.223 --> 53:30.383 Yeah. 53:31.483 --> 53:40.605 I am contributing to a show called the last word which is on more for don't know if anyone's been watching more for But I'm doing like little film reviews as my character Ken Korder. 53:40.725 --> 53:42.085 They're very very funny. 53:42.165 --> 53:43.205 Are you doing that regularly? 53:43.345 --> 53:53.727 Yeah, I'm doing them every Thursday night You can see at the end of the last word So around about 1130 in the evening if you're still up and watching more for tune in check it out Anyway, thanks a lot for listening this week. 53:53.747 --> 53:57.168 Sorry about all the name-dropping We'll try and be a bit more low-key next time 53:57.748 --> 53:58.669 And thanks for all your calls. 53:58.729 --> 54:00.991 And Joe, listen, I'm really sorry about all the weird science things. 54:01.011 --> 54:02.192 Well, I'm not angry with you, Adam. 54:02.232 --> 54:03.173 I'm angry with the listeners. 54:03.434 --> 54:03.774 OK. 54:04.274 --> 54:06.276 Er, you know, I just think it's disappointing. 54:06.597 --> 54:08.258 Well, here he goes with the disappointment. 54:08.478 --> 54:08.899 Here he goes. 54:09.379 --> 54:10.981 And, er, we've got Justin Lee Collins coming up. 54:11.541 --> 54:12.202 We'll see you next week. 54:12.242 --> 54:12.743 Thanks for listening. 54:12.763 --> 54:13.123 Goodbye. 54:25.129 --> 54:45.349 Twist that child, twist that child Come on, come on, come on, baby Come on, baby Come on and work it on out Work it on out, baby Work it on out, work it on out You know you look so good You know you got me going now 54:54.170 --> 55:18.577 Twist and shout Twist and shout Come on, come on, come on, come on baby now Come on baby Come on and work it on out Work it on out You know you twist a little girl Twist a little girl You know you twist so fine Twist so fine Come on and twist a little closer now Twist a little closer I'll let you know that you're mine 55:51.563 --> 56:16.999 Twist that child, twist that child Come on, come on, come on baby now Come on baby, come on and work it all out Work it all out You know you're a twisty little girl Twisty little girl You know you twist so fine Twist so fine Come on and twist a little closer now Twist a little closer Now let me know that you're mine 56:20.111 --> 56:21.414 Take it, baby, now. 56:21.534 --> 56:22.957 Take it, baby. 56:22.998 --> 56:24.802 Take it, take it, take it, baby.