WEBVTT 00:02.254 --> 00:04.760 You and I tonight 00:08.991 --> 00:10.212 Yeah, that's hard fi. 00:10.532 --> 00:17.658 We're living for the weekend, kicking off the Adam and Joe radio spots show here on XFM this Saturday afternoon. 00:18.038 --> 00:18.839 How you doing, Joe? 00:19.219 --> 00:20.600 I'm fine, thanks, Adam, and hello, listeners. 00:20.620 --> 00:21.300 Thanks for joining us. 00:21.320 --> 00:30.007 We're here with you for the next two hours until three o'clock, and we've got some great music from bands such as Oasis, The Foo Fighters, Green Day, Supergrass, Block Party coming up in just this hour. 00:30.327 --> 00:32.329 We're going to have a competition crap commentary corner. 00:32.349 --> 00:34.951 We've got Pretty Woman special editions to give away. 00:35.191 --> 00:36.292 Wow, what's special about it? 00:36.453 --> 00:38.375 I don't know, they come with a free prostitute. 00:38.435 --> 00:39.576 A free lady! 00:39.596 --> 00:40.277 Fantastic. 00:40.297 --> 00:40.777 No, they don't. 00:41.018 --> 00:47.385 Of course, you can call 08712221049 if you want to enter any of our competitions and text us at any point on 83XFM. 00:47.785 --> 00:49.928 We've got competitions galore this week, don't we? 00:49.988 --> 00:52.090 Yeah, we're gonna have, are we gonna have four competitions? 00:52.130 --> 00:53.332 No, we can't have four, that's insanity. 00:53.352 --> 00:54.313 We're gonna have ditties in the dock. 00:55.083 --> 00:55.343 Yeah? 00:55.584 --> 00:56.825 Yeah, well, yeah, if we think of something. 00:56.905 --> 00:57.486 If we think of something. 00:57.706 --> 01:00.129 We're going to have crap commentary competition coming up pretty soon. 01:00.149 --> 01:01.570 We're going to have bad accent. 01:01.791 --> 01:03.112 Has that got a title, that competition? 01:03.352 --> 01:04.454 Bad accent competition? 01:04.474 --> 01:05.094 Bad accent box? 01:05.255 --> 01:05.675 Don't know. 01:05.715 --> 01:06.416 Bad accent box? 01:06.556 --> 01:07.858 We're going to open the bad accent box. 01:07.878 --> 01:08.158 Brilliant. 01:08.638 --> 01:10.060 See if you can guess who's doing the bad accent. 01:10.080 --> 01:22.606 Yeah because a few weeks ago I asked if anyone knew the Frasier episode where Daphne's old boyfriend Clive turns up and someone very kindly texted in and told me exactly which one so I went out and bought it. 01:22.846 --> 01:27.569 Obviously that's not the accent that I'm going to be using this week but I do want you to, I do want to play 01:28.189 --> 01:30.071 But that's reignited your passion for bad accent. 01:30.111 --> 01:30.711 Yeah, yeah. 01:30.791 --> 01:34.434 I want to play Clive because I've forgotten how bad it was, the accent in Frasier. 01:34.974 --> 01:36.035 It's unbelievable. 01:36.095 --> 01:39.157 So I'll play that a bit later on before we play the bad accent competition. 01:39.798 --> 01:42.380 And I want to talk to you about your XFM party. 01:42.860 --> 01:45.002 Yep, I went to the XFM big night out last Sunday night. 01:45.022 --> 01:45.882 The big night out? 01:45.902 --> 01:46.563 Yeah, extraordinary. 01:46.643 --> 01:47.424 Brixton Academy? 01:47.524 --> 01:47.704 Yeah. 01:48.144 --> 01:51.967 Is that the first time you've been out to a young person's shindig for about six years? 01:52.027 --> 01:52.187 No. 01:52.527 --> 01:52.908 Wow. 01:53.573 --> 02:01.311 really yeah i'm just jealous because i don't go out to those things anymore so i want to hear all about it anyway let's play some more music this is the dead 60s 02:13.823 --> 02:14.383 Yeah, come on. 02:14.523 --> 02:16.504 That's the Dead Sixties with Riot on the radio. 02:16.524 --> 02:18.145 This is Adam and Joe on XFM. 02:19.026 --> 02:20.486 So, man, tell me about your party. 02:20.766 --> 02:21.507 It wasn't my party. 02:21.527 --> 02:24.148 I just happened to go to the XFM Big Night Out last Saturday night. 02:24.168 --> 02:26.209 And Adam and me don't usually do that sort of thing, do we, Adam? 02:26.229 --> 02:27.490 Because we're only here one day a week. 02:27.830 --> 02:30.051 We don't usually hear about these things, but it was at the academy. 02:30.251 --> 02:30.431 Yeah. 02:30.511 --> 02:31.712 Right round the corner from my house. 02:32.272 --> 02:34.113 So I went, and it was amazing. 02:34.573 --> 02:35.533 Have you seen The Matrix? 02:36.054 --> 02:36.714 The Matrix? 02:36.734 --> 02:37.054 Yeah. 02:37.114 --> 02:37.715 With Keanu Reeves. 02:37.735 --> 02:38.315 The Matrix. 02:38.515 --> 02:40.756 Yeah, he gets sucked into a kind of a computer world. 02:40.796 --> 02:41.717 But you know Zion? 02:41.897 --> 02:42.217 Yes. 02:42.257 --> 02:44.358 Do you know they were always having a big party in Zion? 02:44.418 --> 02:44.718 Yeah. 02:44.919 --> 02:45.839 That's what it was like. 02:45.919 --> 02:47.680 Really, with people with dreadlocks and stuff? 02:48.061 --> 02:48.961 No one with dreadlocks. 02:49.481 --> 02:52.223 But everybody, basically it was rammed. 02:52.263 --> 02:54.825 There were thousands of people there, there was no room to move. 02:55.125 --> 02:56.366 And to me, that's exciting. 02:56.934 --> 02:58.195 Wow, that's terrifying to me. 02:58.215 --> 03:01.258 Yeah, it was slightly terrifying in terms of health and safety. 03:01.518 --> 03:05.081 But were you enjoying being pushed up against the young ladies? 03:05.141 --> 03:05.961 Yes, yes. 03:06.402 --> 03:10.065 There was a very, very narrow corridor to get to the bar. 03:10.205 --> 03:13.427 It basically involved rubbing up against about 20 people in a row. 03:13.487 --> 03:15.449 So you just kept on getting everyone drinks the whole night? 03:15.689 --> 03:16.650 It's not true. 03:16.670 --> 03:17.951 That wasn't even going through my head. 03:17.971 --> 03:19.113 That'd be going through your head, Adam. 03:19.153 --> 03:20.094 It wasn't going through mine. 03:20.814 --> 03:21.535 But it was amazing. 03:21.635 --> 03:23.657 Every single area had been turned into a dance floor. 03:24.198 --> 03:24.959 Were you there, Xanthi? 03:25.259 --> 03:26.180 Xanthi, our assistant, was there. 03:26.380 --> 03:27.541 People were dancing everywhere. 03:28.102 --> 03:29.503 All sorts of different styles of music. 03:29.884 --> 03:31.365 Young people are into hip-hop. 03:32.586 --> 03:52.431 all the different musics dog dog bash dog bash uh and it was amazing and the band were amazingly good and uh alexane dj'd and his silly assistant ashley did stupid dancing in his monkey suit he wasn't wearing a monkey suit but he was obviously off his trolley really and dancing in in front of what four five thousand people maybe and loving it i envied him 03:53.251 --> 03:57.516 And it proves that you know how you can be at a rock concert and you can think, man, I wish I was up there. 03:58.016 --> 03:59.618 It's not to do with the talent of the performer. 03:59.898 --> 04:01.019 It's just the fact that he's up there. 04:01.680 --> 04:05.104 Because to me, Ashley was an amazing rock star dancing like that, sweating. 04:05.646 --> 04:05.906 Yeah. 04:06.026 --> 04:06.847 You could have been up there. 04:06.867 --> 04:08.007 They would have had you up there, man. 04:08.247 --> 04:09.328 Well, I wasn't asked, was I? 04:09.668 --> 04:13.330 I tell you, the only thing that was bad about that night was the bar staff. 04:13.890 --> 04:14.170 Rude. 04:14.370 --> 04:18.792 There were about five bars dotted around the academy, and there was one person per bar. 04:18.952 --> 04:19.292 Oh, yeah. 04:19.592 --> 04:23.054 Yeah, the crowds... It literally took about 45 minutes to get a thing of beer. 04:23.714 --> 04:24.515 To me, that's silly. 04:24.575 --> 04:26.796 I mean, are they doing that to stop people from getting really drunk? 04:26.816 --> 04:31.378 Or are they doing it because they just want to make a 15th of the profit they could make? 04:32.412 --> 04:34.414 I guess it's a bit of both, really, isn't it? 04:34.714 --> 04:35.855 People couldn't have been any drunker. 04:36.336 --> 04:39.819 Surely they can't take into account the fact that they don't want to get people wasted. 04:39.839 --> 04:43.623 Well, in that case, management of the academy, you are losing a lot of money. 04:44.183 --> 04:45.284 There's got to be an easy way of doing it. 04:45.304 --> 04:48.767 The thing that takes so long is that they decant all the lager, don't they? 04:48.787 --> 04:50.269 They should just hand it out in cans, you're saying. 04:50.618 --> 04:55.081 Well, they've got to figure out some way... People bite cans, whip slash each other and stuff like that. 04:55.101 --> 04:55.502 What about this? 04:55.602 --> 04:56.843 Plastic... It's like feeding monkeys. 04:57.023 --> 04:58.324 Plastic cans for lager. 04:58.344 --> 04:59.024 Insane toddlers. 04:59.165 --> 05:00.586 Is there a reason you can't have that? 05:00.846 --> 05:02.047 A plastic can for lager? 05:02.127 --> 05:03.948 Yeah, like a plastic bottle, basically. 05:03.968 --> 05:04.769 Man, keep that to yourself. 05:04.909 --> 05:06.991 Yeah, they give beer in plastic bottles, don't they? 05:07.671 --> 05:10.893 Yeah, but obviously otherwise Ashley would have been bottled to death within seconds. 05:10.993 --> 05:11.253 Yeah. 05:11.774 --> 05:12.614 For safety reasons. 05:12.995 --> 05:13.995 But yeah, plastic cans. 05:14.035 --> 05:14.636 What's wrong with that? 05:14.676 --> 05:18.098 You know, because that's a part of that's an intrinsic part of the rock and roll experience. 05:18.118 --> 05:18.999 That could be your fortune, man. 05:19.239 --> 05:20.339 The plastic bottle battle. 05:20.680 --> 05:21.760 The plastic bottle battle. 05:21.780 --> 05:22.261 Well, there you go. 05:22.341 --> 05:24.122 I think the next, I think you should come to the next one, Adam. 05:24.322 --> 05:24.782 I'd love to. 05:24.822 --> 05:25.883 Do we know where there is one? 05:25.903 --> 05:26.684 Do we know who's playing? 05:27.403 --> 05:28.404 Who was playing at the last one? 05:28.424 --> 05:29.744 Black Rebel Motorcycle Club. 05:29.764 --> 05:30.805 Oh, yeah, and they were good, were they? 05:30.825 --> 05:31.385 They were really good. 05:31.405 --> 05:32.806 I don't really understand that sort of music. 05:32.826 --> 05:33.066 I know. 05:33.266 --> 05:34.787 But they sounded very, very good indeed. 05:34.907 --> 05:35.748 They got guitars, I think. 05:35.768 --> 05:37.568 Yeah, they sound a bit like the Jesus and Mary chain to me. 05:37.929 --> 05:38.969 That's correct, they do. 05:39.009 --> 05:44.812 Yeah, with a little bit of what's the guy that does... Oh, that Texan guy. 05:45.052 --> 05:45.873 Oh, man, I'll think about it. 05:45.893 --> 05:48.734 I don't know, but, you know, a little bit of Ry Cooda in there or something. 05:48.935 --> 05:49.595 Yeah, yeah. 05:49.615 --> 05:52.436 Well, they've gone a bit more folky recently, haven't they, the BRMC? 05:52.496 --> 05:56.539 He's the guy that's in all the David Lynch films, you know, with the big quiff. 05:57.379 --> 05:58.399 He does the songs for them. 05:58.420 --> 05:59.460 Yeah, I know the guy you mean. 06:00.480 --> 06:01.521 Chris Isaacs. 06:01.561 --> 06:02.361 Touch of Chris Isaacs. 06:02.421 --> 06:02.941 There you go. 06:02.961 --> 06:03.181 Yeah. 06:03.742 --> 06:04.082 Yeah, yeah. 06:04.102 --> 06:06.143 Do you remember the Black Rebel Motorcycle Club? 06:06.163 --> 06:07.923 The guy at the NME Awards a few years ago. 06:07.943 --> 06:09.344 That's one of my favourite bits of TV. 06:09.744 --> 06:16.607 After they'd got some award or other, I think it was the drummer just stood there, wouldn't leave the stage, and he just stared everyone out. 06:17.796 --> 06:20.957 And then Bill Bailey, who was hosting, tried to sort of say, all right, mate, off you go. 06:21.337 --> 06:22.277 And the guy wouldn't leave. 06:22.317 --> 06:23.057 He wouldn't leave. 06:23.277 --> 06:25.578 He just kept on staring, trying to freak everyone's minds. 06:26.018 --> 06:29.359 But everyone was just going, get off, you ludicrous loser. 06:29.879 --> 06:31.300 And he wouldn't he just wouldn't go. 06:31.440 --> 06:32.780 It turned into a sort of art statement. 06:33.020 --> 06:41.362 But he was so afraid and he was shaking with fear that the art statement got slightly blended in with a kind of just frozen terror loser statement. 06:41.582 --> 06:42.383 Yeah, but it was good. 06:42.403 --> 06:43.503 I sort of respected him for it. 06:43.763 --> 06:45.724 Hey, let's do a crap commentary corner next. 06:45.865 --> 06:46.205 Okay. 06:46.285 --> 06:48.887 But before that, rock me Adam Dayles. 06:48.947 --> 06:53.990 Okay, here's an oldie but goodie off the XFM playlist from The Damned. 06:55.211 --> 06:56.952 Ladies and gentlemen, how do... 07:06.124 --> 07:07.746 That's the damned with love song. 07:07.866 --> 07:12.833 That brings back memories of being pushed around by people in winkle pickers with bird's nest hair. 07:13.233 --> 07:13.454 Yeah. 07:13.594 --> 07:14.395 In the good old days. 07:14.936 --> 07:15.216 Okay. 07:15.937 --> 07:18.100 So, uh, oh, it's, I've got to get the jingle. 07:18.260 --> 07:18.821 Phil, man, Phil. 07:19.774 --> 07:21.215 Hi, this is Joe. 07:21.715 --> 07:22.395 I'm fillin. 07:22.836 --> 07:25.117 I like fillin, fill, fill, fill. 07:25.217 --> 07:26.497 I'm not very good at filling am I? 07:26.898 --> 07:27.318 Come on! 07:27.498 --> 07:28.558 Okay, I'm there. 07:28.918 --> 07:29.779 Fill a tiny bit more. 07:29.939 --> 07:33.060 Fill, fill, my name is Joe. 07:33.080 --> 07:34.061 My name is Joe. 07:34.381 --> 07:35.101 I'm fillin. 07:35.482 --> 07:38.463 Fill, fill, fill, fill, fill. 07:38.483 --> 07:39.844 I'm gonna call you Phil from now on. 07:40.284 --> 07:41.864 Competition time. 07:42.785 --> 07:46.587 You could win a DVD or tickets to a show. 07:47.751 --> 07:49.192 You just never know. 07:49.852 --> 07:54.055 So sharpen up your brain and get ready to play. 07:54.355 --> 07:55.276 Wow, that's exciting. 07:55.316 --> 07:58.438 It's time for crap commentary corner or competition. 07:58.478 --> 08:00.119 It changes from week to week. 08:00.159 --> 08:00.539 Corner. 08:00.860 --> 08:01.180 Corner. 08:01.340 --> 08:05.883 And we're going to play you an excerpt from a commentary from a recently released DVD. 08:06.263 --> 08:10.886 You've got to tell us who is speaking and what film they're commentary-tating on. 08:11.347 --> 08:12.647 It's very, very easy this week. 08:12.988 --> 08:16.030 And in fact, I'd say this week it's a lady competition. 08:16.870 --> 08:17.090 Really? 08:17.290 --> 08:17.850 For ladies. 08:17.870 --> 08:21.932 Because the man who's talking on the DVD is very sexy. 08:22.292 --> 08:22.612 Oh, okay. 08:22.792 --> 08:24.133 So you're saying it'll appeal to ladies? 08:24.153 --> 08:29.294 If it'll appeal to ladies, and the prize will appeal to ladies, because it's the collector's edition, the 15th anniversary. 08:29.494 --> 08:34.476 Can you believe it's 15 years since we were mildly amused by Pretty Woman? 08:34.496 --> 08:43.479 It's the special anniversary edition, which includes special features as the wrap party live event. 08:44.738 --> 08:45.018 What? 08:45.679 --> 08:47.701 The Pretty Woman tour in Los Angeles. 08:47.741 --> 08:48.302 What's that? 08:48.362 --> 08:49.003 What is that? 08:49.023 --> 08:51.285 That's just walking around the streets of LA with a prozzie. 08:52.366 --> 08:53.547 Seeing what business she gets. 08:53.708 --> 08:54.348 That sounds good. 08:54.669 --> 08:56.611 A 1990 production featurette. 08:57.659 --> 08:58.279 That sounds good. 08:58.439 --> 09:01.280 And the song Wild Women Do performed by Natalie Cole. 09:01.640 --> 09:02.160 So there you go. 09:02.180 --> 09:02.460 That's good. 09:02.480 --> 09:03.341 But ladies love that film. 09:03.361 --> 09:07.102 You know we can't talk about this really objectively because it's a film programmed for ladies. 09:07.502 --> 09:07.902 I love it. 09:08.162 --> 09:08.862 I love it too. 09:08.982 --> 09:09.282 Do you? 09:09.402 --> 09:10.502 I kind of love it. 09:10.863 --> 09:13.483 I like the bit where she laughs, where she does her Julia Roberts laugh. 09:13.503 --> 09:19.205 You know when he gets out the necklace and he says look I've got you this and then he snaps it shut just before she's about to take it out and she goes 09:20.485 --> 09:22.466 A big horsey laugh like Keira Knightley. 09:23.086 --> 09:25.487 Women with big horsey laughs do very well in Hollywood. 09:26.147 --> 09:27.148 Anyway, that's the prize. 09:28.628 --> 09:29.209 The phone number is 0 8 7 1 2 2 2 1 0 4 9. 09:31.830 --> 09:29.209 0 8 7 1 2 2 2 1 0 4 9. 09:34.391 --> 09:37.852 If you can tell us who this is, commentating on what film. 09:37.872 --> 09:39.473 Oh, it's amazing. 09:39.493 --> 09:40.953 It was miraculous. 09:41.233 --> 09:42.694 It was a dream come true. 09:42.794 --> 09:43.954 Just great stuff. 09:44.314 --> 09:45.115 Great directing. 09:45.635 --> 09:46.555 Look at that beginning. 09:47.256 --> 09:47.856 Wonderful. 09:48.596 --> 09:51.657 What marvellous titles, what marvellous beginning, what purity. 09:52.138 --> 09:53.478 This is a great sequence. 09:54.719 --> 09:55.319 I love this. 09:55.979 --> 09:56.400 Look at that. 09:56.520 --> 09:57.120 Look at that shot. 09:58.761 --> 09:59.021 Wow. 09:59.061 --> 09:59.581 He likes it. 09:59.741 --> 10:00.401 He really likes it. 10:00.441 --> 10:01.002 He enjoys it. 10:01.022 --> 10:03.683 Shall we have one more? 10:03.863 --> 10:04.203 OK. 10:04.223 --> 10:08.925 08712221049 if you want to win the Pretty Woman anniversary special edition and you can tell us who's talking about what movie. 10:09.445 --> 10:11.807 Yeah, you've got to get it absolutely right because it is easy. 10:11.827 --> 10:12.567 Yeah, it is easy. 10:12.707 --> 10:13.407 OK, here's another one. 10:14.168 --> 10:14.888 That is pure... 10:15.385 --> 10:18.308 simplicity and purity at its best. 10:18.828 --> 10:19.289 Marvelous. 10:21.431 --> 10:22.652 Marvel tremendous. 10:23.533 --> 10:24.054 Wonderful. 10:24.354 --> 10:27.417 And look at that marvelous, simple, impressive rocket. 10:27.837 --> 10:28.678 It's terrific stuff. 10:28.698 --> 10:29.239 Look at this. 10:31.095 --> 10:33.875 Wonderful, wonderful stuff. 10:35.856 --> 10:38.336 Marvellous, simple, impressive rocket. 10:38.916 --> 10:39.957 That's what the ladies say. 10:40.337 --> 10:41.377 God, it is its best. 10:42.237 --> 10:42.697 Who is that? 10:42.737 --> 10:43.397 That's so easy. 10:43.877 --> 10:45.618 That is so easy. 10:45.638 --> 10:45.618 0871221 049. 10:45.818 --> 10:52.199 We'll see what guesses we get in during the next record, if in the unlikely event that no one's getting it, we'll play another clip. 10:52.559 --> 10:52.739 Yeah. 10:52.999 --> 10:54.079 Otherwise, we'll go to the phones. 10:54.099 --> 10:54.079 0871221 049. 10:54.159 --> 10:54.399 Call now! 10:54.439 --> 10:54.519 XFL. 11:05.720 --> 11:09.643 Twisting my stomach into knots Good stuff. 11:09.903 --> 11:11.044 Oh, I'm glad you played that one. 11:11.224 --> 11:13.686 I don't know what that was, because I pressed the wrong button. 11:13.706 --> 11:14.987 It was the sound of settling. 11:15.087 --> 11:17.129 I think it's the sound of settling. 11:17.389 --> 11:18.450 The sound of settling. 11:18.490 --> 11:21.392 Maybe we could give someone a prize if they could tell us who that was. 11:21.632 --> 11:23.294 Text us in if you know what that track was. 11:23.394 --> 11:24.575 It was alright then. 11:24.635 --> 11:25.315 It was brilliant. 11:25.375 --> 11:28.217 I've always wanted to hear a song about the sound of settling. 11:28.458 --> 11:29.719 His stomach is in knots. 11:30.419 --> 11:35.740 All right, so listen, we've got a couple of people on the line now who think they might know who that extremely easy crap commentary was. 11:35.760 --> 11:37.540 Shall we just remind people with a brand new clip? 11:37.580 --> 11:38.500 Absolutely, here goes. 11:38.600 --> 11:39.841 Then I suddenly appear. 11:40.161 --> 11:41.621 The ladies always loved my legs. 11:44.721 --> 11:47.502 I don't know why, they always thought I had sexy legs. 11:50.182 --> 11:50.682 What a shot. 11:51.183 --> 11:51.863 Isn't this great? 11:51.883 --> 11:53.803 Look at this, isn't this marvelous? 11:54.483 --> 11:55.123 Wonderful. 11:55.523 --> 11:57.004 This is a brilliant fight. 11:57.204 --> 11:59.184 The whole film is a masterpiece. 12:01.235 --> 12:05.640 an unambiguous thumbs up from that actor, referring to the movie he's in. 12:05.680 --> 12:10.805 Of course, the movie that he's talking about and his name is a mystery that's going to be solved by our callers. 12:11.045 --> 12:11.466 Absolutely. 12:11.846 --> 12:14.269 There were some really obvious music clues in there as well. 12:14.369 --> 12:15.330 Yeah, there were some big clues. 12:15.390 --> 12:16.511 So who's on the line? 12:17.111 --> 12:17.712 Who have we got, Cynthia? 12:17.732 --> 12:18.493 We've got Fred. 12:18.793 --> 12:19.013 Fred. 12:19.033 --> 12:19.514 Hello, Fred. 12:20.795 --> 12:24.638 Now, Fred, you can't change your mind just because you might have heard extra clues. 12:25.038 --> 12:25.339 Really? 12:25.539 --> 12:25.899 Yeah. 12:25.919 --> 12:27.100 Shoot, OK. 12:27.160 --> 12:29.001 Shoot, were you about to change your mind, Fred? 12:29.161 --> 12:30.242 I wasn't, yeah. 12:30.302 --> 12:32.184 What was your guess that you originally called in with? 12:32.204 --> 12:34.125 I was thinking Patrick Stewart. 12:34.365 --> 12:35.166 Patrick Stewart, right. 12:35.186 --> 12:35.986 Good guess, good guess. 12:36.066 --> 12:37.127 English and fruity. 12:37.427 --> 12:37.848 Which film? 12:38.866 --> 12:42.528 One of the Star Trek films, possibly Star Trek Nemesis, something like that. 12:42.768 --> 12:45.850 Now, what made you think it was Nemesis, specifically? 12:46.010 --> 12:47.231 He mentioned the spaceship. 12:47.891 --> 12:51.573 And there's a space... Yeah, but there are spaceships in Nemesis. 12:52.074 --> 12:54.595 To be honest, I just pulled a Star Trek film from thin air, really. 12:54.635 --> 13:00.719 I just thought generic... I don't think even Patrick Stewart would have anything good to say about Star Trek Nemesis. 13:01.679 --> 13:02.780 I'm afraid that's wrong. 13:03.340 --> 13:04.681 But you've changed your mind, haven't you, since? 13:05.301 --> 13:05.521 Yes. 13:05.782 --> 13:06.742 You can't say it, but do you know who it is? 13:08.680 --> 13:15.284 I-I-I think it may be Brian- Brian L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L-L- 13:21.243 --> 13:21.623 Are you sure? 13:21.643 --> 13:23.445 What about, there's also a copy of Chicago. 13:23.705 --> 13:24.425 Chicago? 13:24.866 --> 13:25.426 Chicago. 13:25.446 --> 13:26.467 Chicago. 13:26.507 --> 13:28.308 It won six Oscars. 13:28.508 --> 13:29.909 Give him, give him Chicago. 13:30.009 --> 13:31.711 As a consolation prize, as a punishment. 13:31.751 --> 13:32.491 As a punishment. 13:32.891 --> 13:34.232 You get Chicago as a punishment. 13:34.252 --> 13:35.133 It's two discs. 13:35.313 --> 13:37.215 Thanks for phoning in though, we really appreciate it. 13:37.255 --> 13:37.875 That was Fred, right? 13:38.175 --> 13:38.656 Thanks Fred. 13:39.276 --> 13:40.257 Who else have we got on the line? 13:40.697 --> 13:41.057 Dominic. 13:41.318 --> 13:42.398 Dominic, how you doing Dom? 13:42.598 --> 13:43.399 Can I call you Dom? 13:43.899 --> 13:45.220 Yeah, no calling me Dom, it's fine. 13:45.240 --> 13:45.921 Can I call you Domski? 13:47.254 --> 13:48.175 You can call me whatever you want. 13:48.195 --> 13:49.175 Can I call you Dominatrix? 13:51.357 --> 13:53.438 I prefer my personal friend to call me that. 13:54.118 --> 13:54.639 The Domster. 13:55.099 --> 13:58.941 So, Dombo, what do you think it was? 13:58.961 --> 14:02.043 I think it was Brian Blessed in Flash Gordon. 14:02.063 --> 14:03.704 Of course it was. 14:03.724 --> 14:04.764 How did you pick that up? 14:05.625 --> 14:11.889 Last time I listened to your show, Joe was going on about how he'd organised a screening of Flash Gordon at the house and he loved Flash Gordon. 14:13.383 --> 14:17.346 It's the sort of thing that I think you'd have watched the documentary on it as well. 14:17.546 --> 14:17.806 I did. 14:17.846 --> 14:22.129 We were giving them away last week, and I nicked one, took it straight home, listened to it. 14:22.149 --> 14:23.450 It's a fantastic commentary. 14:23.750 --> 14:25.251 He's so enthusiastic, Brian Blessed. 14:25.712 --> 14:28.213 You know, I think someone should put him on screen opposite Tom Baker. 14:28.894 --> 14:29.674 Can you imagine? 14:29.694 --> 14:31.996 He sounds kind of subdued, though, in that commentary. 14:32.016 --> 14:33.817 Like he was told to keep his voice down. 14:33.837 --> 14:34.197 Really? 14:34.217 --> 14:34.337 Yeah. 14:34.417 --> 14:34.738 Really? 14:34.758 --> 14:37.820 Well, in that, you know, he wasn't big and brooding. 14:38.357 --> 14:39.638 It was friggin' booming enough. 14:40.419 --> 14:40.959 Anyway, listen. 14:41.600 --> 14:41.980 Domster. 14:42.100 --> 14:42.481 Domski. 14:43.061 --> 14:44.763 Congratulations, that was absolutely correct. 14:44.843 --> 14:50.107 Thanks for phoning in, and Pretty Woman is on its way to your house for a good time. 14:50.187 --> 14:51.628 Pretty Woman's a fantastic movie. 14:51.909 --> 14:53.530 Could you send it to my mum's house instead? 14:54.010 --> 14:55.251 We could do if you want, yeah. 14:55.331 --> 14:58.014 If you give Xanthi your address, then we'll sort that out for you. 14:58.034 --> 14:58.975 Thanks a lot for calling in. 14:59.935 --> 15:01.036 Cheers, Dominic, thanks for listening. 15:01.076 --> 15:03.098 Hey, can we play one more Brian Blessed clip? 15:03.118 --> 15:03.678 Sure, why not. 15:03.919 --> 15:05.180 I love it when people talk about dwarves. 15:05.200 --> 15:06.501 Here's Brian Blessed talking about dwarves. 15:06.854 --> 15:09.676 and all those gorgeous dwarves, wonderful dwarves. 15:10.057 --> 15:15.281 I mean, whatever their names, Tiny and Mike and Sean and Rusty and Richard. 15:16.502 --> 15:19.925 And they were, you know- They can't be called- You know, we knew what? 15:20.426 --> 15:21.387 Tiny and Mike. 15:21.467 --> 15:24.910 Tiny and Mike and Rusty and Richard, marvelous dwarves. 15:24.990 --> 15:26.291 Bingo and Bom Bom. 15:27.131 --> 15:27.472 Wow. 15:27.932 --> 15:28.633 He's great. 15:28.773 --> 15:29.213 He is great. 15:29.233 --> 15:29.934 He's fantastic. 15:30.274 --> 15:32.276 Well, that was very enjoyable. 15:32.316 --> 15:33.577 Let's listen to some more music right now. 15:33.617 --> 15:34.418 Here's the Foo Fighters. 15:49.295 --> 15:54.696 That was the Foo Fighters with Resolve and do you like the way I said that? 15:54.976 --> 15:55.496 Yeah, yeah, yeah. 15:55.556 --> 15:56.557 Resolve. 15:57.137 --> 16:01.258 Hey, thanks to everybody who's texted in with the name of the song we played accidentally before that. 16:01.718 --> 16:04.979 It was, of course, The Sound of Settling by Death Cab for Cutie. 16:05.599 --> 16:07.119 Obviously Death Cab for Cutie. 16:07.459 --> 16:10.380 And there's going to be a prize going to what was the nice person's name that called in? 16:11.883 --> 16:12.684 Mark Spool. 16:12.804 --> 16:13.704 Mark Spool. 16:14.045 --> 16:14.925 Thanks, Mark Spool. 16:15.165 --> 16:15.846 Yo with cool. 16:16.626 --> 16:18.848 He's going to get a copy of Pretty Woman as well, is he? 16:19.008 --> 16:20.389 No, no, he can't, because I want to nick that one. 16:20.469 --> 16:21.530 Yeah, you're going to get something. 16:21.550 --> 16:23.331 We're not quite sure what it is. 16:23.351 --> 16:24.872 Paul Weller, how about that? 16:25.252 --> 16:26.553 Yeah, those are for digits in the dog. 16:26.633 --> 16:27.894 Oh, it's all too confusing. 16:27.914 --> 16:28.754 There's so many prices. 16:28.775 --> 16:29.715 One, two, three, four, five. 16:29.835 --> 16:30.356 Yeah, yeah. 16:30.716 --> 16:33.097 So listen, is that CD with Brian Blessed still in the player? 16:33.378 --> 16:34.258 It's on top here. 16:34.298 --> 16:36.340 Pop it in there, because I've had a difficult week, listeners. 16:36.440 --> 16:40.783 I don't want to turn this program into watchdog, but my Sky Plus box broke. 16:41.443 --> 16:41.683 Right. 16:42.064 --> 16:45.427 Oh no, I was trying to, I don't know if people have got Sky Plus, it's this, I do recommend it. 16:45.447 --> 16:48.930 Fantastic box that records any program you want just with the touch of a button. 16:49.331 --> 16:51.553 I recorded Risky Business because I haven't seen that for years. 16:51.993 --> 16:54.095 I thought I want, you know, check out Risky Business again. 16:54.455 --> 16:57.638 So I tried to play it back on Sunday, but it asked me for a parental code. 16:58.459 --> 17:00.320 I thought, come on, I'm a grown man. 17:00.580 --> 17:02.041 I can watch Risky Business if I want. 17:02.461 --> 17:05.522 I tried all sorts of different codes, 1111, stuff like that. 17:05.542 --> 17:06.582 Didn't know what to do, basically. 17:07.103 --> 17:09.324 So I thought, well, I'll call the Sky support line. 17:09.344 --> 17:11.585 This was about noon on a Sunday. 17:11.605 --> 17:14.806 I thought, I'll call the Sky support line. 17:15.246 --> 17:19.708 So I called them up, and I've recorded what you hear when you call the Sky support line on a Sunday. 17:19.948 --> 17:21.108 I think it's track five. 17:21.289 --> 17:21.569 OK. 17:21.749 --> 17:22.089 Can you play? 17:22.129 --> 17:22.829 It's a bit buzzy. 17:23.249 --> 17:24.270 Can you play track five? 17:24.290 --> 17:24.530 Here we go. 17:29.856 --> 17:33.441 Your call should be answered in under 101 minutes. 17:33.461 --> 17:34.902 Thank you. 17:38.001 --> 17:39.882 That's an unusually long wait, wouldn't you say? 17:39.903 --> 17:41.043 101 minutes. 17:41.224 --> 17:41.584 101 minutes? 17:41.604 --> 17:42.865 Yeah. 17:42.885 --> 17:46.428 So I think, well, that's probably just an aberration. 17:46.868 --> 17:48.529 101 minutes to wait for the skybox? 17:48.549 --> 17:51.131 I mean, that's longer than the duration of risky business. 17:51.431 --> 17:52.552 One hour, 41 minutes. 17:52.652 --> 17:53.013 Yeah. 17:53.113 --> 17:54.114 Yeah. 17:54.334 --> 17:57.937 So I call back, and this is what I hear the next time I call back. 17:58.037 --> 17:59.398 If you play track six. 18:04.261 --> 18:06.123 Your call should be answered in undo. 18:07.017 --> 18:09.378 One hundred five minutes. 18:10.118 --> 18:10.598 It's gone up. 18:10.658 --> 18:11.058 Thank you. 18:11.098 --> 18:12.319 It's gone up by four minutes. 18:13.199 --> 18:15.180 You should have got in there while you had the chance. 18:16.080 --> 18:17.581 Something funny's going on there, isn't it? 18:18.441 --> 18:18.921 That's bad. 18:18.941 --> 18:22.182 Has anybody ever had a longer wait on the phone there? 18:22.202 --> 18:26.204 What am I supposed to do for 101 minutes, listening to that music they were playing as well? 18:26.784 --> 18:28.865 That's very low quality service. 18:28.945 --> 18:29.565 Terrible, isn't it? 18:30.425 --> 18:33.527 Well, maybe there was a... Maybe everyone was having the same problem. 18:33.907 --> 18:34.248 Maybe. 18:34.288 --> 18:35.889 Maybe everybody wanted to watch Risky Business. 18:35.929 --> 18:37.830 Everyone was getting locked out of the risk calls. 18:38.350 --> 18:41.192 Well, it's good that there's a parental lockout, because it is saucy. 18:41.632 --> 18:42.933 Yeah, but you know what I'm hoping now? 18:43.293 --> 18:43.473 What? 18:43.593 --> 18:44.674 Someone from Sky's listening. 18:45.635 --> 18:47.136 And I'll get something free. 18:47.316 --> 18:48.396 Send you some free cards. 18:48.637 --> 18:48.877 Yeah. 18:50.278 --> 18:51.098 What are you supposed to do? 18:51.138 --> 18:52.099 Didn't you read your manual? 18:52.139 --> 18:53.179 Surely it's very simple. 18:53.199 --> 18:53.460 No, no. 18:53.500 --> 18:54.000 Well, you know what? 18:54.080 --> 18:55.321 Actually, the problem was very simple. 18:55.341 --> 18:58.063 You just put in the last four digits on the back of your smart card. 18:58.423 --> 18:58.503 Oh. 18:59.724 --> 19:02.907 When did you figure that out, Mr. Smartcard? 19:03.047 --> 19:03.607 You know what I did? 19:03.647 --> 19:14.055 I called the sales line, because they tell you in situations like that, call the line that's designed to sell you things, not the line that's designed to help you after you've bought them, because they're much more keen than people at the selling line. 19:14.436 --> 19:17.178 So I called the sales number and they talked me through it. 19:17.298 --> 19:19.499 I must say, it was pretty ambitious to call a helpline. 19:19.859 --> 19:23.261 When has a helpline ever helped anyone with anything? 19:23.761 --> 19:24.021 You know? 19:25.762 --> 19:26.282 England. 19:26.642 --> 19:27.263 Quite right. 19:27.503 --> 19:28.323 Rip-off Britain. 19:28.423 --> 19:29.404 Rip-off Britain. 19:29.704 --> 19:32.405 I don't know what I'm talking about. 19:33.105 --> 19:33.586 OK? 19:33.966 --> 19:35.467 Let's have some more music. 19:35.727 --> 19:36.567 Now, who's this? 19:36.607 --> 19:37.908 I've got to press the right button this time. 19:38.248 --> 19:39.168 Ah, it's Supergrass. 19:39.729 --> 19:41.269 Supergrass. 19:41.309 --> 19:42.310 I'm turning it to my dad. 19:42.610 --> 19:44.431 It's a... With low C. What were you going to say? 19:44.691 --> 19:44.951 Nothing. 19:45.111 --> 19:45.531 Nothing. 19:45.551 --> 19:46.332 Sounds like a pirate. 19:47.092 --> 19:47.853 I am a pirate. 19:49.073 --> 19:52.276 A sexy radio pirate. 19:53.597 --> 20:10.788 That's Supergrass with Low C. This is Adam and Joe on XFM. 20:10.828 --> 20:11.629 We'll be back shortly. 20:11.649 --> 20:11.949 XFM. 20:25.831 --> 20:26.351 Hurrah! 20:26.531 --> 20:27.012 What was that? 20:27.032 --> 20:27.832 That's Block Party. 20:28.132 --> 20:30.234 Hooray, this is Adam and Joe on XFM. 20:30.674 --> 20:32.655 London's 104.9, do we still say that? 20:32.915 --> 20:33.836 It's not really London, is it? 20:33.856 --> 20:36.358 Because it's available all over the country and all over the world. 20:36.458 --> 20:37.278 Is it on digital? 20:37.298 --> 20:37.638 Yeah. 20:38.179 --> 20:41.401 Can you, er, you can't download our shows after the event, can you? 20:41.461 --> 20:44.823 No, you can't, and several people have emailed and texted to complain about that. 20:45.263 --> 20:49.266 Some have emailed and, er, texted to thank us that it's not available. 20:50.386 --> 21:04.332 You know what, I feel as if I should apologise to this girl last week who emailed in to complain about my comments on Brush With Fame, which is this bad elimination show. 21:04.352 --> 21:05.932 You were being very rude about it last week. 21:05.952 --> 21:11.674 I don't know if anyone was listening, Adam was being very rude about Brush With Fame hosted by Carol Simile on ITV. 21:12.014 --> 21:14.115 You got the station wrong, didn't you? 21:14.135 --> 21:15.136 You said it was on the BBC. 21:15.996 --> 21:21.418 And as we left the studio, we got an email that said, I think it called you... What did it say? 21:21.438 --> 21:23.119 It compared your manhood to a pencil. 21:23.379 --> 21:23.859 To a needle. 21:23.879 --> 21:25.160 To start with, a needle, yes. 21:25.240 --> 21:25.660 Needled it. 21:25.720 --> 21:33.603 And then it said that she was on Brush With Fame, and that struggling portrait artists have to take any break they can, and it's wrong of you to condescend to her. 21:33.803 --> 21:58.760 I don't think that was her point exactly it was her point was because I had said I don't know you know I don't think that's why most people pick up a brush is to end up on brush with fame and paint a picture of Paul Baril yeah but anyway she disagreed and she said that you know not all portrait painters are so snobby that they would turn their nose up at it and she was trying to improve her life by appearing on the show 21:59.781 --> 22:00.181 No, I'm not. 22:00.201 --> 22:01.363 I'm explaining her case. 22:01.423 --> 22:01.743 OK. 22:02.444 --> 22:03.625 I'm not taking the mix out of her. 22:03.645 --> 22:05.086 It just feels like you're making it worse. 22:05.286 --> 22:09.010 No, no, I felt genuinely bad that she was upset about it. 22:09.510 --> 22:13.794 I don't think she needed to call me Needle Dick and the other things. 22:14.775 --> 22:15.535 What did you call me? 22:15.575 --> 22:15.975 I don't know. 22:16.156 --> 22:17.476 And it's not true either. 22:17.496 --> 22:17.936 What? 22:18.136 --> 22:18.857 About your dick? 22:18.917 --> 22:19.897 No, it's not true. 22:19.957 --> 22:21.217 It's bigger than a needle. 22:21.738 --> 22:22.998 And it's much bigger. 22:23.518 --> 22:28.380 And I don't think she was right to swear at me in that way in email. 22:28.660 --> 22:31.561 But I am sorry that she was upset. 22:31.641 --> 22:35.423 And if she's listening still, which she probably isn't, but... I'm not sorry. 22:35.483 --> 22:35.923 I saw it. 22:36.522 --> 22:37.683 It's rubbish. 22:37.723 --> 22:40.565 Well the thing is, I was not getting at the people taking part. 22:40.986 --> 22:42.247 They've got every right to. 22:43.287 --> 22:44.608 And I hope it's fun. 22:44.769 --> 22:46.390 But it's not a good show. 22:46.410 --> 22:49.712 I tell you what I thought from watching the show, I thought those painters are better than this show. 22:50.593 --> 22:56.077 I thought it was, you know, they were lowering themselves to paint a picture of Paul Burrell and be judged by Carol Smiley. 22:56.177 --> 22:58.559 And the two art critic guys are rubbish. 22:58.759 --> 22:59.220 Who are they? 22:59.620 --> 23:20.150 they just you know but we're doing it again now she's gonna she's gonna email in again and complain all over again well don't i'm sorry comment about my dick girl in bristol no uh all right what would she say about yours anyway listen uh in the second hour we have log dick you didn't need to anyway um massive knob 23:22.376 --> 23:23.717 Play record you're just being rude. 23:23.817 --> 23:25.018 I know I am I'm sorry. 23:25.138 --> 23:25.818 I'm sorry again. 23:25.838 --> 23:43.249 I apologize again I was going to play some bad accents to To ease us into the world of bad accents because in the second hour we'll have a bad accent competition Okay, but this is this is the one from Frasier Clive Daphne's old boyfriend turns up and it's played. 23:43.749 --> 23:44.810 It's played by a 23:45.310 --> 23:51.475 an act called Scott Atkinson, who is clearly American, doing what he thinks is a British accent. 23:51.495 --> 23:59.281 But I think he's used Mary Poppins as his source material for finding out about the British accent from Dick Van Dyke. 23:59.761 --> 24:02.183 So I'll just play you a few moments to remind you. 24:02.323 --> 24:02.623 Hello. 24:03.003 --> 24:03.384 Hello. 24:03.844 --> 24:04.985 Look at you, you look wonderful. 24:05.005 --> 24:06.966 Oh, go on. 24:06.986 --> 24:08.227 No, no, I'll meet you. 24:08.447 --> 24:09.788 Very pretty and warm. 24:10.663 --> 24:11.303 Very pretty. 24:11.384 --> 24:13.485 Very pretty. 24:13.605 --> 24:14.165 And warm. 24:14.185 --> 24:15.226 Do you want more? 24:15.266 --> 24:17.468 It sounds like mighty boosh, the moon. 24:17.808 --> 24:18.628 Yeah, there you go. 24:18.648 --> 24:20.410 What brings you to Seattle? 24:20.670 --> 24:21.670 My undying love for you. 24:21.690 --> 24:23.392 Oh damn, I meant to lead up to that. 24:23.652 --> 24:23.932 Sorry. 24:23.952 --> 24:27.915 No, it's all right, just a bit. 24:27.975 --> 24:28.315 Abrupt. 24:28.775 --> 24:29.576 No, how are you? 24:29.636 --> 24:31.057 No nice place you have here. 24:31.297 --> 24:32.518 By the way, it is lovely. 24:33.018 --> 24:34.219 Is that the space needle? 24:35.151 --> 24:36.011 It's lovely. 24:36.772 --> 24:38.072 That's how I talk in England. 24:38.492 --> 24:40.113 By the way, it's a lovely day. 24:40.133 --> 24:42.613 It's all going all Stavros now, isn't it? 24:43.114 --> 24:44.434 But that's amazing, isn't it? 24:45.014 --> 24:52.957 So listen, we could turn this into a little competition for Frasier nerds by way of saying thank you to the person that told me exactly where to find that episode. 24:53.497 --> 24:58.639 They will probably be able to complete the punchline for this little bit of dialogue here. 24:59.719 --> 25:02.000 So Clive is saying something and then at the end, 25:02.640 --> 25:08.082 Niles turns up from the kitchen and adds a one-word little punchline to the whole thing. 25:08.602 --> 25:12.044 And if you can tell us what that is, then we'll send you a prize. 25:12.084 --> 25:15.405 But it's just an excuse to play more of Clive and his extraordinary accent. 25:15.525 --> 25:15.865 Here we go. 25:16.105 --> 25:19.746 I remember what you told me five years ago, and I thought my feelings might change. 25:20.207 --> 25:23.908 Five years is a long time, but my feelings for you haven't changed. 25:24.468 --> 25:31.531 I think about you every day, every night, and there comes a time in every man's life when he's got to summon up the courage to look a woman straight in the eye and say, 25:32.776 --> 25:34.997 Well, don't bother guessing if you don't know it, because you won't get it. 25:35.897 --> 25:40.900 But if you are a Frasier nerd, then give us a call. 25:41.660 --> 25:47.103 Or you can text, or you can email, of course. 25:47.163 --> 25:55.447 And tell us what Niles says, the one word that Niles says when he comes out of the kitchen after that. 25:55.467 --> 25:57.388 Shall we play some music and we'll see if anyone gets that? 25:57.548 --> 25:57.728 Yes. 25:58.048 --> 25:59.549 Here are the mighty spoon. 26:11.348 --> 26:17.011 Yep, that's Spoon with a track called Monkey Feelings, which is on their new single, Sister Jack. 26:17.671 --> 26:18.912 And this is Adam and Jo on XFM. 26:18.952 --> 26:23.054 So we've had an underwhelming response to that kind of- To the Big Frasier quiz. 26:23.074 --> 26:29.177 The Big Frasier quiz, which was, what does Niall say at the end of that little bit of dialogue? 26:29.197 --> 26:30.878 We've had a couple of text entries. 26:30.958 --> 26:34.159 Nobody's calling, but we've had some text entries. 26:34.820 --> 26:36.341 Does he say, Harold? 26:38.154 --> 26:43.118 I've no idea what he says, but the guy's clearly been using Steptoe and Son as his sole reference point. 26:43.278 --> 26:43.819 Yeah, that's true. 26:44.839 --> 26:48.142 Hey, speaking of... Is Harold... Oh, Harold as a Steptoe and Son thing. 26:48.162 --> 26:48.522 Yeah, yeah, yeah. 26:48.542 --> 26:49.563 You better give us the answer, Adam. 26:49.824 --> 26:52.005 OK, I'll put you out of your misery. 26:52.065 --> 26:57.430 And it comes a time in every man's life when he's got to summon up the courage to look a woman straight in the eye and say, cheese nips? 27:00.624 --> 27:25.492 oh but that's what's his face coming in and interrupting niles niles i said it was niles coming in yeah i wasn't listening yeah yeah cheese nips cheese nips brilliant that's see that's a good little payoff staff for anyway uh so that was by way of getting you into the idea of bad accents we'll have a bad accent a proper bad accent competition for you in the uh second part of the show uh speaking of harold that reminded me that have you seen joe mangle's back in neighbors well it's been a big week for neighbors all the old cast members have been back 27:26.352 --> 27:27.613 Er, yes, since Tuesday, I think. 27:27.633 --> 27:28.334 Who else has been back? 27:28.894 --> 27:36.220 I don't really remember it or watch it, but I've read a lot about it, and listeners probably can tell us who's back, but as many cast members as they can get their hands on. 27:36.480 --> 27:38.322 I think everybody apart from Kylie and Jason. 27:38.682 --> 27:39.122 Right. 27:39.202 --> 27:40.423 Everybody of any significance. 27:40.804 --> 27:42.245 That would be... See, I'd respect Kylie if she did it. 27:42.265 --> 27:45.667 Yeah, I wonder if Craig from Check One Two... What was he called? 27:45.687 --> 27:46.408 Craig McLachlan. 27:46.448 --> 27:47.128 Craig McLachlan. 27:47.148 --> 27:48.009 I wonder if he was back. 27:48.409 --> 27:48.750 Yeah. 27:49.552 --> 27:54.654 That would be amazing if he played a special gig, if he came back as a big rock star and played a gig. 27:55.434 --> 27:57.535 That would be really great. 27:58.035 --> 28:01.976 Anyway, let's play some ads and then get into the second hour of our show here on XFM. 28:03.136 --> 28:04.657 Crikey O'Reilly. 28:18.556 --> 28:21.998 Hasn't finished yet. 28:22.038 --> 28:22.699 Hasn't finished yet, shush. 28:23.659 --> 28:24.740 Oh dear. 28:25.040 --> 28:27.302 That sounded like a tummy. 28:27.802 --> 28:30.124 Listen, I've got to say hello to Adam, who's listening in Lithuania. 28:30.584 --> 28:31.765 You've made me very happy. 28:32.085 --> 28:37.388 If you could say hello to all my friends in London for me, I now live in Vilnius, which is the capital of Lithuania, listening to you on the net. 28:37.608 --> 28:39.670 My friends are big XFM fans and they'll all be listening. 28:40.430 --> 28:45.714 If you would like to know what it is like here, the weather is sunny, a little chilly but beautiful, the town is beautiful, lots of old baroque buildings and churches. 28:46.482 --> 28:47.463 That sounds nice, doesn't it? 28:47.683 --> 28:48.124 That's nice. 28:48.184 --> 28:48.865 I wish I was there. 28:48.965 --> 28:49.565 Little message. 28:49.766 --> 28:51.568 Sounds like living in Chichi Chichi Bang Bang Land. 28:51.788 --> 28:52.929 Hello Vilnius. 28:53.149 --> 28:53.490 Yep. 28:54.251 --> 28:56.233 So listen, it's the London Film Festival at the moment. 28:57.114 --> 28:57.835 Very exciting. 28:58.155 --> 28:59.036 I've got a press pass. 28:59.336 --> 28:59.657 Have you? 28:59.857 --> 29:00.157 Yeah. 29:00.217 --> 29:01.679 The ladies out there will be excited by that. 29:01.699 --> 29:02.300 Wow. 29:02.380 --> 29:03.661 Me, Joe Cornish, got a press pass. 29:03.721 --> 29:04.322 I can see anything I want. 29:05.174 --> 29:05.394 Yeah. 29:05.895 --> 29:12.500 So last night I went to see A Cock and Bull Story, starring Steve Coogan, Rob Brydon, David Walliams, everybody basically. 29:12.520 --> 29:13.281 Kevin Donald, she's in it. 29:13.301 --> 29:14.182 Kelly is in it, yes. 29:14.262 --> 29:14.662 Kelly's in it. 29:14.682 --> 29:17.805 Had quite a sexy sex scene with Steve Coogan. 29:18.065 --> 29:18.365 Really? 29:18.586 --> 29:20.607 Yes, she does not show any of her bits. 29:21.348 --> 29:22.109 Did I put that nicely? 29:22.329 --> 29:22.569 Yes. 29:22.849 --> 29:24.751 But she does have quite a sexy scene. 29:24.951 --> 29:25.651 And it's a good film. 29:25.971 --> 29:26.172 Is it? 29:26.412 --> 29:28.013 It's based on a novel called Tristan Shandy. 29:28.073 --> 29:31.476 I didn't know anything about Tristan Shandy, despite my expensive public school education. 29:31.876 --> 29:32.436 Never heard of it. 29:32.737 --> 29:35.959 But apparently it's an amazing novel from the early 1700s. 29:36.579 --> 29:37.260 I think it was written. 29:37.600 --> 29:39.341 And it's a sort of failed biography. 29:39.381 --> 29:41.523 A man that sits down, tries to write his own life story. 29:41.863 --> 29:45.346 But so much has happened in his life that he can't impose any structure on it at all. 29:45.686 --> 29:49.809 It's just a chaotic mess bits of it are like an encyclopedia bits of it. 29:49.889 --> 30:12.022 It's just a random It's a postmodern novel before there was any modernity to be post about brilliant Yeah, that's what they say in the film actually and the best thing about it I do recommend people go and see it Is that in the middle of it Stephen Fry pops up and just explains what it's about to the camera He explains what Tristan Shandy was about he explains what the films about yeah, and then the film just carries on and 30:12.222 --> 30:12.762 That's what you want. 30:12.782 --> 30:18.685 And basically the film's about the chaos of trying to impose any kind of structure on the narrative that is our lives. 30:19.185 --> 30:23.347 So it's just an excuse for this sort of chaotic film about people making a film. 30:23.647 --> 30:25.108 A bit like Truffaut's Day for Night. 30:25.848 --> 30:25.908 Ah. 30:25.989 --> 30:28.150 Which you might know as Les Nuit Américaines. 30:28.410 --> 30:28.830 Yes, it is. 30:28.910 --> 30:30.751 There is a title in French. 30:31.371 --> 30:34.893 I was wondering why you didn't use the original title immediately. 30:35.253 --> 30:39.215 Anyway, the best thing about the LFF after that rant is there's no adverts. 30:39.835 --> 30:41.095 Just a Nice Lady comes up. 30:41.115 --> 30:44.537 I mean, the best thing about film festivals is you buy tickets to stuff you don't know what it is. 30:45.217 --> 30:47.418 And sometimes you've discovered an amazing gem. 30:47.918 --> 30:50.899 Other times you've wasted money and two hours and are very bored. 30:51.419 --> 30:53.600 But the best thing about it is no adverts. 30:54.200 --> 30:54.780 No trailers. 30:54.820 --> 30:57.381 Just a Nice Lady comes up, introduces the film. 30:57.461 --> 30:58.942 Often the director and the stars are there. 30:59.322 --> 31:01.403 Brydon and Coogan and Ian Hart were there last night. 31:01.903 --> 31:02.963 Did a Q&A afterwards. 31:03.544 --> 31:07.385 But any time I can go to the cinema and not see one of those Orange Wednesdays adverts, 31:07.645 --> 31:09.585 Why have you got a problem with the Orange Wednesdays ads? 31:09.865 --> 31:12.826 Well... That's the one with Lenny Bay, Steve Furst. 31:12.886 --> 31:14.246 Yeah, yeah, lovely Steve Furst. 31:14.286 --> 31:16.507 He's very good in them, obviously, because we know him. 31:16.927 --> 31:18.247 But they're terrible, aren't they? 31:18.607 --> 31:19.607 They make me want to die. 31:19.967 --> 31:26.469 And you know the thing about it, people who laugh at them, you can always tell someone who hasn't been to the cinema for six months, because they laugh at the Orange Wednesday adverts. 31:26.809 --> 31:30.830 And basically, the list of people who've been in them, what's the connecting factor between them? 31:30.870 --> 31:31.490 Carrie Fisher. 31:31.730 --> 31:32.030 Yeah. 31:32.170 --> 31:32.770 Sean Astin. 31:33.470 --> 31:38.057 John Cleese, Daryl Hannah, Patrick Swayze, Verne Troyer, Darth Vader. 31:39.038 --> 31:40.040 Is there a linking factor? 31:41.061 --> 31:41.682 They've had it. 31:41.702 --> 31:43.845 Yeah. 31:44.386 --> 31:47.611 They're sort of washed up on the shores of Orange Wednesday Island. 31:47.891 --> 31:48.312 Yeah. 31:48.692 --> 31:52.813 and then obviously they have to tailor the script around whoever's available. 31:53.333 --> 32:03.777 And sometimes, you know, it's hard to explain, to make the commercial work, the Orange Wednesdays team have to be responding to this washed up person as if they're a hot, hot celebrity. 32:04.297 --> 32:05.657 A hot American celebrity. 32:05.917 --> 32:10.619 But actually they're just another kind of failed American celebrity who's washed up on the shores of Britain. 32:10.799 --> 32:12.741 Well they're not that fair, I mean Spike Lee's on Mary's. 32:12.761 --> 32:14.142 That's true, that's too harsh isn't it? 32:14.262 --> 32:14.763 It's too harsh. 32:14.983 --> 32:18.586 But maybe, you know, like us when we did our surf commercial, there's a bit of a dip. 32:18.606 --> 32:19.427 You had to bring that up didn't you? 32:19.647 --> 32:21.569 A bit of a dip in their careers. 32:21.969 --> 32:23.831 And I feel so, you know, I love John Cleese. 32:24.351 --> 32:34.461 I think he's a genius and I can't help but feel a bit sorry for him when he does his silly walk out of the Orange Wednesday office where they shoot it and the guy goes at 32:34.901 --> 32:35.181 Yeah. 32:35.322 --> 32:38.405 No, they are, they are... Could we mobilise some kind of thing? 32:38.425 --> 32:39.046 Maybe we could write them. 32:39.066 --> 32:39.827 Someone else write them. 32:54.113 --> 32:55.635 Well, they wouldn't be better if we wrote them. 32:55.935 --> 32:56.416 I think they would. 32:56.656 --> 32:57.136 You reckon? 32:57.217 --> 32:57.397 Yes. 32:57.957 --> 32:58.458 I don't know. 32:58.478 --> 32:59.539 It is tough, isn't it? 32:59.559 --> 33:07.468 Because the whole premise of them is supposed to be that they are deliberately squirmy and that the celebrities are getting, you know... Why does the woman never say anything? 33:08.029 --> 33:08.870 Because she's a woman. 33:08.890 --> 33:10.852 The woman never says anything. 33:11.124 --> 33:12.384 That's what it's like in film land. 33:12.444 --> 33:13.665 Because she's a woman, did you say? 33:13.845 --> 33:16.205 Yeah, but I'm saying it's... Is that what it's like for women? 33:16.325 --> 33:16.785 Apparently. 33:17.025 --> 33:19.286 They don't get to say anything in the film world. 33:19.346 --> 33:22.046 It's a disgrace, but it's a brilliant parody of that, you see. 33:22.606 --> 33:24.527 Anyway, I'm very excited to see Cock and Bull Story. 33:24.547 --> 33:25.667 Yeah, it's good. 33:25.727 --> 33:26.787 Michael Winterbottom, isn't it? 33:27.067 --> 33:28.148 Yes, Michael Windybottom. 33:28.248 --> 33:28.768 There you go. 33:29.268 --> 33:29.608 Excellent. 33:29.728 --> 33:31.468 Well, thanks very much for telling us all about that. 33:31.508 --> 33:32.029 That's okay. 33:32.069 --> 33:32.309 Bye. 33:34.949 --> 33:37.791 So shall we do the crap accent competition fairly soon? 33:37.931 --> 33:38.171 Yes. 33:38.531 --> 33:41.313 Yeah, let's do that after this in fact. 33:41.353 --> 33:43.334 This is a track now from Maximo Park. 33:43.554 --> 33:44.575 Apply some pressure. 33:44.615 --> 33:48.037 Incidentally before that you heard The Killers with Jenny was a friend of mine. 33:48.077 --> 33:48.857 Here's Maximo Park. 33:59.520 --> 34:00.020 That was good. 34:00.040 --> 34:01.601 I would love to see you undress. 34:02.241 --> 34:03.001 Apply some pressure. 34:03.021 --> 34:04.222 This is Adam and Joe on XFM. 34:04.502 --> 34:09.344 Okay, it's competition time once again here on the show, and it's a crap accent for you. 34:09.384 --> 34:11.585 All you have to do... I'll play the jingle first, how about that? 34:11.725 --> 34:14.546 They've only nosed up the mainframe couplet, nosed it right up! 34:14.626 --> 34:16.607 Can you tell me what's on earth, Batman 10? 34:16.667 --> 34:18.988 Who the hell is doing this crap accent? 34:19.748 --> 34:20.068 Wow! 34:20.548 --> 34:23.049 That's a powerful, short and strong jingle. 34:23.169 --> 34:24.089 That's a little stab thing. 34:24.109 --> 34:24.189 Bang! 34:24.410 --> 34:24.670 Yeah. 34:24.910 --> 34:26.330 A musical punch in the face. 34:26.790 --> 34:28.191 Uh, and it sort of explains... Play it again! 34:28.211 --> 34:28.751 Can you play it again? 34:28.871 --> 34:29.691 You wanna play that one again? 34:29.711 --> 34:31.432 Yeah, I couldn't quite hear what it said. 34:31.452 --> 34:33.492 Well it starts off with a bit of classic Don Cheadle. 34:33.532 --> 34:33.792 Shoot. 34:34.073 --> 34:36.893 They've only gnarled up the mainframe couplet, gnarled it right up! 34:36.953 --> 34:38.954 Can you tell me what on earth that meant? 34:39.094 --> 34:41.355 And who the hell is doing this for our accent? 34:42.262 --> 34:43.202 That man tent? 34:45.363 --> 34:47.624 Can you tell who's doing that man tent? 34:47.684 --> 34:50.045 No, can you tell me what on earth that meant? 34:50.065 --> 34:52.546 And who the hell is doing this? 34:52.566 --> 34:53.887 No, but you don't say meant, do you? 34:53.927 --> 34:54.387 What do you say? 34:55.390 --> 34:56.390 I do, I say meant. 34:56.591 --> 34:57.591 What on earth that meant? 34:57.611 --> 34:59.032 Oh, I can't make you play it again. 34:59.212 --> 34:59.792 No, you can't. 34:59.852 --> 35:02.733 Let's get on with the competition, I'll keep my problems to myself. 35:02.773 --> 35:06.775 So yeah, that was Don Cheadle at the beginning there, my favourite crap accent of all time from Oceans 11. 35:08.035 --> 35:09.756 But can you tell me who this is? 35:09.856 --> 35:12.517 I think this is a quite difficult one, you don't know who this is at all, do you? 35:12.557 --> 35:14.858 No, no, this is going to be fresh on me, and this is a phoning competition, is it? 35:15.118 --> 35:16.459 Yeah, I reckon so. 35:16.479 --> 35:20.461 0-8-7-1-triple-two-one-o-four-nine, we're not sure what the prize is going to be, but whatever it is, it'll be amazing. 35:20.981 --> 35:23.082 Maybe we'll just give you Xanthi. 35:23.182 --> 35:23.803 No, come on. 35:23.823 --> 35:24.963 Not in that sense. 35:25.144 --> 35:26.184 Well, just for a day. 35:26.624 --> 35:28.365 To say nice things and look lovely. 35:28.526 --> 35:30.467 I wouldn't mind winning that prize myself. 35:30.567 --> 35:30.847 Hey! 35:31.167 --> 35:34.649 Okay, now let's see, who the hell do you think this is now? 35:34.909 --> 35:35.790 And what film are they in? 35:35.990 --> 35:37.431 Want to know how long it takes a body to write? 35:37.711 --> 35:38.432 Boy, do we. 35:38.532 --> 35:44.996 Well, if they're not already rotten before they die, eight or nine years, some of them Beverly Hills women are there to last you 12 years, they will. 35:45.396 --> 35:45.797 How come? 35:46.277 --> 35:47.558 Well, the skin is so tan. 35:47.818 --> 35:50.540 It's all stretched and polished up like a bloody shoe. 35:50.820 --> 35:54.683 That'll keep the water out, and water's the thing that'll ruin a perfectly good dead body, it will. 35:55.243 --> 35:59.126 Also, they got them extra parts, you know, some of that stuff, it's not biodegradable. 36:00.612 --> 36:00.912 Wow. 36:00.932 --> 36:01.872 It's not biodegradable. 36:03.013 --> 36:06.474 So that's another American actor doing an English accent. 36:06.634 --> 36:07.634 That's very difficult. 36:07.894 --> 36:08.535 That's hard, isn't it? 36:08.555 --> 36:09.575 Have you got any idea at all? 36:09.755 --> 36:10.015 Nope. 36:10.195 --> 36:11.116 It doesn't sound new. 36:11.656 --> 36:12.536 It sounds quite old. 36:13.136 --> 36:15.657 It's, I suppose, yeah, it is old. 36:15.737 --> 36:18.238 It's a good 15 years or something. 36:18.258 --> 36:18.478 15 years? 36:18.798 --> 36:19.839 What does that make it? 36:20.039 --> 36:21.099 Sort of early 90s. 36:21.419 --> 36:21.779 Really? 36:21.899 --> 36:22.219 Yeah. 36:23.240 --> 36:25.260 Do you want another little snatch? 36:25.340 --> 36:25.821 Yeah, yeah. 36:25.881 --> 36:26.201 Here we go. 36:26.621 --> 36:26.841 Oh, now. 36:27.952 --> 36:30.375 Here's a bloke that's been around for 35 years, I bet. 36:30.836 --> 36:31.376 Who is he? 36:31.917 --> 36:33.619 There's the magician, the great Blunderman. 36:34.039 --> 36:34.960 Not so great now, is he? 36:36.778 --> 36:37.018 Hmm. 36:37.178 --> 36:38.238 And this is a film. 36:38.338 --> 36:38.878 Feature film. 36:38.998 --> 36:39.299 Yeah. 36:39.779 --> 36:40.939 It's in a graveyard, isn't it? 36:41.559 --> 36:42.099 It's a little scene. 36:42.119 --> 36:43.159 The scene's in a graveyard. 36:43.219 --> 36:43.920 In a graveyard. 36:44.140 --> 36:45.280 And that's the gravedigger. 36:45.320 --> 36:45.780 What could it be? 36:45.800 --> 36:46.740 They're not The Frighteners. 36:47.280 --> 36:47.660 No. 36:47.820 --> 36:48.060 No. 36:48.080 --> 36:51.841 0-8-7-1-triple-two-one-o-four-nine, if you know what film that's from. 36:52.201 --> 36:54.042 Well, I bet no one's going to get it, are they? 36:54.202 --> 36:54.562 Do you think? 36:54.802 --> 36:56.262 Well, we've got to give a good price for this. 36:56.282 --> 36:57.302 Let's open it to text us as well. 36:57.322 --> 36:58.343 8-3-X-F-M. 36:58.423 --> 36:59.543 You could give a clue. 37:00.163 --> 37:00.503 A clue? 37:00.523 --> 37:01.064 Play a record. 37:01.084 --> 37:02.905 If no one's called, we'll come back with a clue. 37:03.085 --> 37:04.786 Okay, I'll do that. 37:04.846 --> 37:06.247 Let's play... what should we play now? 37:08.468 --> 37:09.649 Oh yeah, let's play Razorlight. 37:09.669 --> 37:10.489 This is Golden Touch. 37:10.509 --> 37:14.612 We'll be back after this and see if anyone's got any idea who that crap accent was. 37:35.154 --> 37:36.255 Ooga booga. 37:36.435 --> 37:39.218 They all have to put a little special something at the end, don't they? 37:39.418 --> 37:41.219 Yes, that's razor-like with golden touch. 37:41.560 --> 37:42.821 OK, we've got Bill on the line. 37:43.061 --> 37:43.902 Hi, Bill, how you doing? 37:44.022 --> 37:44.702 Hey, guys, all right? 37:45.003 --> 37:45.783 Yeah, good, thank you. 37:45.823 --> 37:48.245 And you think you know what the crap accent is? 37:48.265 --> 37:48.886 Don't tell us yet. 37:48.906 --> 37:49.606 Sure. 37:49.787 --> 37:50.847 But you think you know it? 37:51.028 --> 37:52.069 I think I know it, definitely. 37:52.109 --> 37:52.849 Are you pretty confident? 37:52.869 --> 37:52.849 100%. 37:53.830 --> 37:59.054 And was it something that you immediately thought, oh, yes, I know where that is, or did you... What was your process of deduction? 37:59.575 --> 38:00.616 It was just so bad. 38:01.226 --> 38:03.588 When I first heard it, it just stuck in my memory. 38:03.708 --> 38:07.631 Oh, that's good, because Joe didn't have a clue on that one, but it's... And I'm a film expert! 38:07.672 --> 38:08.372 He's an expert! 38:09.173 --> 38:10.434 I'm movie buff of the year. 38:10.494 --> 38:11.275 He's got a pass. 38:12.015 --> 38:13.877 I've got a pass to London Film Festival. 38:13.937 --> 38:16.979 Anyway, I'll just play it once again to remind people what it was. 38:16.999 --> 38:18.401 Wanna know how long it takes a party to write? 38:18.741 --> 38:19.402 Boy, do we! 38:19.522 --> 38:26.007 Well, if they're not already writing before they die, eight or nine years, some of them Beverly Hills women are there to last you 12 years, they will. 38:26.387 --> 38:26.748 How come? 38:27.248 --> 38:28.530 Well, the skin is so tan. 38:28.790 --> 38:31.513 It's all stretched and polished up like a bloody shoe. 38:31.813 --> 38:32.794 That'll keep the water out. 38:33.115 --> 38:35.657 And water's the thing that'll ruin a perfectly good dead body, it will. 38:36.218 --> 38:39.121 Also, they got them extra pots, you know, some of that stuff. 38:39.161 --> 38:40.082 It's not biodegradable. 38:40.563 --> 38:43.125 So, what do you reckon? 38:43.645 --> 38:44.486 It's Rick Moranis. 38:44.746 --> 38:45.286 There you go. 38:45.706 --> 38:46.467 And the film is L.A. 38:46.487 --> 38:46.867 Story. 38:46.887 --> 38:47.688 Of course. 38:47.908 --> 38:48.168 Love it. 38:48.368 --> 38:48.768 Great film. 38:48.888 --> 38:51.450 Where these streetlights send messages to Steve Martin. 38:51.490 --> 38:52.190 Yeah. 38:52.451 --> 38:53.551 We wait to talk to him. 38:53.751 --> 38:55.432 Do you remember when we went to see that film, Joe? 38:55.573 --> 38:56.013 Yes, I do. 38:56.493 --> 38:58.034 And you said, that's magic realism. 38:58.114 --> 39:00.055 I said, wow, you know so much about films. 39:01.116 --> 39:03.017 I didn't know what magic realism was before that. 39:03.037 --> 39:03.958 What is magic realism? 39:06.378 --> 39:07.660 Well, it's heightened realism, isn't it? 39:07.700 --> 39:09.802 It's magic in a normal environment. 39:10.283 --> 39:11.965 It's actually something novelists use, don't they? 39:11.985 --> 39:23.238 And it was kind of fashionable in the early 90s to have quite a gritty novel but then bits of little magic in it, usually set in some sort of slum or third world country where magic is in short supply. 39:25.540 --> 39:26.580 That's good, man. 39:26.620 --> 39:28.761 You see, someone's learned something today. 39:29.682 --> 39:31.222 And I taught you about Tristan Shandy. 39:31.302 --> 39:32.283 Yeah, amazing. 39:32.323 --> 39:33.303 Except isn't it Tristram? 39:33.743 --> 39:34.164 Probably. 39:34.184 --> 39:36.405 It would be nice if we knew who wrote it. 39:36.425 --> 39:37.985 For Laughter and Learning. 39:38.726 --> 39:42.607 It's not a famous name, it's like Leonard... Toddybridge or something. 39:42.667 --> 39:43.228 Are you sure? 39:43.268 --> 39:44.648 It's my wife's maiden name. 39:44.688 --> 39:44.908 Is it? 39:44.928 --> 39:45.829 No, no, Todd wants that. 39:46.269 --> 39:47.950 All right, Toddy Bridge. 39:48.531 --> 39:49.431 Bill, thanks for calling. 39:49.451 --> 39:50.012 You know what, though? 39:50.052 --> 39:53.614 We haven't got... Are we allowed to give away promotional CDs as prizes? 39:53.694 --> 39:55.295 You can't give Bill those CDs. 39:55.335 --> 39:55.995 They're rubbish. 39:56.056 --> 39:57.236 Yeah, some of them are quite good. 39:57.677 --> 39:59.057 Well, all the good ones that I put in my bag. 39:59.078 --> 40:00.278 Yeah, you've nicked all the good ones. 40:00.759 --> 40:01.319 What can we give him? 40:01.599 --> 40:02.019 We can. 40:02.039 --> 40:03.500 As Anthony says, we can. 40:03.520 --> 40:06.482 Yeah, but I'm saying that we shouldn't, because there are no good ones there. 40:06.803 --> 40:11.386 Listen, Bill just nailed a really obscure... There are good ones that you don't know about, because I stole them. 40:11.446 --> 40:11.786 Oh, OK. 40:11.806 --> 40:12.826 Beastie Boys' Greatest Hits. 40:12.867 --> 40:13.927 Bill, shout if you want something. 40:13.947 --> 40:14.888 New order, the singles. 40:16.164 --> 40:16.644 There you go. 40:16.684 --> 40:16.985 There we go. 40:17.105 --> 40:17.385 Happy. 40:17.545 --> 40:17.965 Is that enough? 40:18.105 --> 40:18.586 Yeah, it's great. 40:18.626 --> 40:20.247 Well, check something else in. 40:20.767 --> 40:22.829 I tell you what, look, there's... Can I have your scrubs? 40:23.249 --> 40:23.549 Yes! 40:24.490 --> 40:25.311 No one's ever asked that before. 40:25.331 --> 40:26.131 That's brilliant, yes. 40:26.191 --> 40:27.312 We spend hours on them as well. 40:27.332 --> 40:31.155 We just got an email from someone saying, I worked on your surf ad. 40:31.375 --> 40:34.958 I was at the advertising agency and we got fired afterwards. 40:34.998 --> 40:37.820 They lost the account because of our surf ad. 40:38.320 --> 40:39.241 Well done calling in, Bill. 40:39.261 --> 40:39.902 Thanks for listening. 40:39.962 --> 40:43.986 And I'm going to send you New Order of the Singles plus a packet of promotional New Order postcards. 40:44.006 --> 40:44.566 And we'll sign it. 40:44.586 --> 40:45.487 We'll sign it as well for you. 40:45.507 --> 40:46.749 We'll sign them and make it valueless. 40:46.889 --> 40:48.450 Good times, as JLC might say. 40:48.671 --> 40:50.092 Thanks very much for calling in. 40:50.432 --> 40:51.674 This is Adam and Joe on XFM. 40:51.694 --> 40:52.514 We'll be back after this. 41:04.161 --> 41:05.382 Hmm. 41:06.062 --> 41:06.742 That's athlete. 41:07.123 --> 41:08.363 I wasn't worried about it or anything. 41:08.423 --> 41:09.664 It's just, I was thinking about it. 41:09.724 --> 41:16.307 Was that Half Light, the second single from the depth of cortex platinum, second album tourist and follow up to their single wires, which went top five in January. 41:16.608 --> 41:16.848 Yes. 41:16.968 --> 41:17.488 Yes, it was. 41:17.548 --> 41:17.848 Yes. 41:17.968 --> 41:18.389 There you go. 41:18.869 --> 41:18.989 Yeah. 41:19.649 --> 41:21.890 This is Adam and Joe on XFM. 41:22.290 --> 41:25.332 Now, Adam, are you excited about the sequel to Zorro? 41:25.792 --> 41:26.132 Yeah. 41:26.452 --> 41:26.712 Yeah? 41:26.772 --> 41:27.392 What's it called? 41:27.652 --> 41:28.213 Zorro 2? 41:28.853 --> 41:29.193 Moro? 41:29.333 --> 41:30.974 Zorro... What is it called? 41:30.994 --> 41:31.874 I don't know. 41:31.894 --> 41:46.460 Because it's interesting to see that Zorro, they've done a promotional tie-in, which they often do in these films, but it'd be nice if they sort of thought about the film and chose something apt to do a promotional tie-in with. 41:46.520 --> 41:47.661 Well, what's the tie-in for this one? 41:48.381 --> 41:49.341 I think it's a Peugeot. 41:49.701 --> 41:51.242 A silver Peugeot hatchback. 41:51.662 --> 41:55.443 I just can't see Zorro arriving on the scene in a silver Peugeot hatchback. 41:56.063 --> 41:56.843 I think I can. 41:56.903 --> 41:57.263 Can you? 41:57.783 --> 42:04.365 If a small Mexican town is under attack from... Who would attack a small Mexican town? 42:04.685 --> 42:05.205 Bandits? 42:05.906 --> 42:07.566 Erm... English businessman. 42:07.826 --> 42:08.126 Hello! 42:12.007 --> 42:12.327 Zorro. 42:12.487 --> 42:13.187 In his Peugeot? 42:13.387 --> 42:13.648 Yeah. 42:13.828 --> 42:14.628 It's not going to happen. 42:14.928 --> 42:17.349 Well... It would have been better if he'd sponsored a razor. 42:18.169 --> 42:18.249 Yes. 42:18.289 --> 42:20.749 He could have gone... and done a Z in someone's stubble. 42:20.849 --> 42:25.411 Yeah, Wilkinson... Or if he'd just scratched up the Peugeot with his sword. 42:25.751 --> 42:27.151 That's what kids do these days, isn't it? 42:27.471 --> 42:27.851 Key them. 42:28.231 --> 42:29.352 You don't want to encourage that. 42:29.412 --> 42:30.232 I'm not encouraging it. 42:30.292 --> 42:32.533 I'm just saying it would have been a better thing for Zorro to do. 42:33.353 --> 42:36.854 Similarly, War of the Worlds had a time with Hitachi flat screen plasma televisions. 42:37.688 --> 42:42.969 I don't know if you'd be doing a lot of television watching in your basement while you were hiding from alien tendrils. 42:43.169 --> 42:47.390 You might be checking to see if the coast was clear or what the news was about the alien attack. 42:47.410 --> 42:48.550 And you'd want it clear, wouldn't you? 42:48.750 --> 42:48.990 Yeah. 42:49.050 --> 42:49.931 You'd want a good picture. 42:50.171 --> 42:51.571 You'd want a good, widescreen picture of the aliens. 42:51.591 --> 42:52.371 You'd want detail, that's true. 42:52.591 --> 42:53.051 That's true. 42:54.151 --> 42:54.572 That's the end. 42:54.592 --> 42:57.772 Have you seen the Zorro sequel? 42:57.932 --> 42:58.892 No, I hate Zorro. 42:59.012 --> 42:59.793 Did you see the first one? 42:59.813 --> 43:01.073 I think he should be put to death. 43:02.993 --> 43:03.634 Yes, I did. 43:05.036 --> 43:11.723 The first Zorro came out when DVD had just started so I think a lot of people bought it simply because it was on DVD or watched it just because it was on DVD. 43:11.763 --> 43:13.626 Seems like an exciting new release. 43:13.866 --> 43:21.855 You know what, the best thing in my life that's happened recently is that the shop where I usually buy my grotesquely overpriced import DVD. 43:21.875 --> 43:22.656 It's closed, hasn't it? 43:22.896 --> 43:25.117 Yeah, so some of our listeners might buy them there. 43:25.157 --> 43:27.338 It's in the basement of a shop in Shaftesbury Avenue. 43:27.378 --> 43:29.440 Is it Shaftesbury Avenue or is it The Strand? 43:29.480 --> 43:30.720 No, no, Shaftesbury Avenue it was. 43:31.080 --> 43:34.942 It was opposite the cinema there and it was called SRL Laser World or whatever. 43:34.982 --> 43:37.064 But anyway, it's closed down and I'm so pleased. 43:37.104 --> 43:43.187 It's like I'm a junkie and my pusher's suddenly been put behind bars, you know what I mean? 43:43.867 --> 43:48.352 So I don't have to waste all my money on these films that I never watch, because Zorro is one of those. 43:48.572 --> 43:53.637 And I automatically just went out and bought anything new that they had, if it looked big and stupid. 43:54.257 --> 43:56.199 And it was always dreadful. 43:56.219 --> 43:59.282 This is another topic for discussion, but DVDs are sort of dying, aren't they? 43:59.582 --> 44:04.106 I mean, I don't bother seeing films at the cinema anymore, I just wait for them to be given away with the times. 44:05.327 --> 44:06.928 It's only a couple of years, you know. 44:06.948 --> 44:09.950 All that time I wasted on The Last Emperor. 44:10.610 --> 44:11.510 Fell out of the paper. 44:11.830 --> 44:12.471 My mum. 44:12.551 --> 44:14.012 It used to be rubbish films, didn't it? 44:14.172 --> 44:14.372 Yeah. 44:14.472 --> 44:16.613 Do you remember they did a Jack Nicholson double bill? 44:17.053 --> 44:18.014 Did we talk about this before? 44:18.034 --> 44:18.534 I don't remember. 44:18.614 --> 44:20.035 And one of the films was Pritsey's Honour. 44:20.555 --> 44:21.175 That's a good film. 44:21.235 --> 44:22.816 And the other film was Little Shop of Horrors. 44:23.216 --> 44:24.577 That's alright, that's a good double bill. 44:24.617 --> 44:28.059 No, it was made in the 60s and Jack Nicholson's in it for two seconds. 44:28.159 --> 44:28.379 Wow. 44:29.178 --> 44:30.200 I think you're being a bit picky. 44:30.240 --> 44:32.183 My mum turns up with those giveaways. 44:32.443 --> 44:33.625 She gets them from the Daily Mail. 44:33.645 --> 44:39.935 And they do loads of films and sort of compilations of easily clearable rock music. 44:40.576 --> 44:43.440 And she's constantly wrapping them up and giving them to me like a present. 44:44.902 --> 44:46.383 Wrapping them, actually wrapping them. 44:46.483 --> 44:52.226 Well last weekend was my sister's birthday and she wrapped a couple of them for my sister. 44:52.466 --> 45:00.510 Well it must be, if you're of the older generation it must seem quite amazing that they just give away free films on a silver disc. 45:00.550 --> 45:03.231 What are they going to be giving away when we're like in our 60s? 45:04.565 --> 45:04.985 iPods. 45:05.586 --> 45:06.767 A free iPod. 45:06.887 --> 45:07.247 Imagine. 45:07.447 --> 45:09.189 My dad was dazzled by the nanopod. 45:09.209 --> 45:17.576 We gave my sister a nanopod for her birthday and my dad couldn't, he sort of more or less, his brain exploded when we explained to him what it was. 45:18.216 --> 45:22.320 So you could get the entire works of Wagner on this one thing. 45:22.640 --> 45:24.121 I said, yeah, you could get more than that. 45:24.181 --> 45:28.325 You could fit Wagner and all the other fascist composers that you enjoy. 45:28.345 --> 45:32.148 I don't think Wagner was a fascist himself, but he was championed by the Nazis, of course. 45:32.648 --> 45:34.589 And my dad just couldn't believe it. 45:35.250 --> 45:36.891 And he just said, well, there you go. 45:36.911 --> 45:38.533 I mean, how can you not believe in God? 45:39.468 --> 45:40.289 And I said, what do you mean? 45:40.589 --> 45:42.311 He said, well, what's easier to believe? 45:42.792 --> 45:47.917 That, uh, that God exists or that they can get all that music on this tiny little player? 45:48.658 --> 45:49.879 And, uh... I believe in jobs. 45:50.480 --> 45:50.880 In what? 45:50.900 --> 45:51.681 In God's jobs. 45:51.761 --> 45:52.182 Jobs. 45:52.282 --> 45:52.963 Steve Jobs. 45:53.083 --> 45:53.904 Steve Jobs. 45:54.684 --> 45:55.305 But there you go. 45:55.365 --> 45:57.608 It was an interesting philosophical discussion. 45:57.648 --> 45:57.708 Wow. 45:57.728 --> 45:58.629 It's a frightening thought, isn't it? 45:58.669 --> 46:01.372 That's going to be the thing I'm saddest about when I'm on my deathbed. 46:02.182 --> 46:03.202 What, they haven't got a nanopod? 46:03.242 --> 46:04.463 Just the latest technology. 46:05.303 --> 46:06.423 Doctor, keep me alive! 46:06.463 --> 46:08.703 The Xbox 980 comes out next week. 46:08.943 --> 46:09.584 Please! 46:09.904 --> 46:11.324 I'll have to see the graphics! 46:12.364 --> 46:12.964 There you go. 46:13.324 --> 46:14.865 Well, it's almost time for Ditches in the Dock. 46:15.185 --> 46:16.485 Have we sorted out what we're going to do yet? 46:16.725 --> 46:17.805 Yes, we have sorted it out. 46:17.865 --> 46:24.807 And just to keep people listening, we're going to be giving away Paul Weller's Stanley Road in a deluxe edition for everybody who gets on the air with Ditches in the Dock. 46:25.527 --> 46:30.590 And it's one of those big double CD things with all the, you know, offcuts and demos and stuff. 46:30.950 --> 46:32.131 So that's a pretty great prize. 46:32.651 --> 46:34.172 The number's going to be 08712221049. 46:34.812 --> 46:37.633 We'll tell you what the theme it is in the doc is quite soon. 46:37.794 --> 46:37.994 Yeah. 46:38.194 --> 46:40.075 First, we're going to swerve off the playlist again. 46:40.115 --> 46:40.635 This is The Cars. 46:56.901 --> 46:58.663 You know we were just talking about iPods and stuff? 46:58.763 --> 46:58.923 Yeah. 46:59.023 --> 47:00.625 And people being dazzled by technology. 47:00.885 --> 47:06.730 Did you read all the stuff, and I don't know whether any listeners saw this, that they have actually now invented paper televisions. 47:07.291 --> 47:07.511 What? 47:07.731 --> 47:12.636 They were talking about this while we were in Tokyo a few years ago, but there was a lot of stuff in the press about it last week. 47:12.776 --> 47:14.117 You're blowing my mind! 47:14.157 --> 47:19.402 Yeah, it's to do with LCD, now that they've got LCD tellies, they can stitch it into paper. 47:20.253 --> 47:21.414 Well, I don't understand. 47:21.515 --> 47:28.543 So basically, apparently within the next couple of years, newspapers are just going to have what looks like a short, quick-time movie on the front. 47:28.603 --> 47:32.809 It'll start off quite bad quality, but it'll actually be a little clip that'll rotate. 47:33.369 --> 47:33.750 No. 47:33.830 --> 47:34.090 Yes. 47:34.511 --> 47:35.212 Yes, believe it. 47:35.546 --> 47:37.467 I don't understand, what, the actual paper? 47:37.487 --> 47:39.527 Yeah, and they can stitch it into fabric. 47:39.547 --> 47:44.229 Yeah, I think Phillips have invented this or someone like that. 47:44.249 --> 47:48.731 Boy, I was just getting used to all the little glowing lights on the Nanny McPhee adverts on the side of the buses. 47:48.751 --> 47:49.631 Yeah, there you go. 47:49.651 --> 47:50.972 Now I've got to deal with that. 47:52.172 --> 48:19.951 Oh, yeah, Phillips have invented it and they've invented what they call the SMS pillow that you can send a text message to a pillow a backpack that has a telly on it and They can also now put televisions into into glass So, you know in sci-fi movies when people live in a horrible dystopic nightmare world Yeah But yet they switch a they flick a switch on their window and they get a view of the Grand Canal in Venice like in Total Recall Yeah, that's gonna happen good. 48:20.011 --> 48:21.392 It's basically on the cards 48:22.254 --> 48:22.514 Wow. 48:22.635 --> 48:23.397 That's unbelievable. 48:23.437 --> 48:25.444 What would the implications be for paper televisions? 48:26.026 --> 48:27.490 Ideal for pathetic rock bands? 48:28.496 --> 48:29.917 Who want to destroy a hotel room? 48:30.998 --> 48:31.579 Yeah. 48:31.639 --> 48:33.400 Do you like Belle and Sebastian or someone? 48:33.701 --> 48:33.921 Uh huh. 48:34.081 --> 48:34.722 Just rip it up. 48:35.162 --> 48:36.583 Throw it out the window, get a new one. 48:37.564 --> 48:40.006 Can't think of any other application for you, can you? 48:40.407 --> 48:41.668 Advertising on chef's hats. 48:41.908 --> 48:46.872 I wish I'd had some warning, but that would be, yeah, well, the applications, I mean, it boggles the mind. 48:46.892 --> 48:48.394 Sales of the Sunday Sport Rocket? 48:48.734 --> 48:49.054 Yeah. 48:50.255 --> 48:51.717 Good for tramps to sleep under? 48:52.197 --> 48:53.137 Gives them something to watch. 48:53.438 --> 48:54.818 Bit of light, bit of luminescence. 48:54.938 --> 48:57.039 The pornographic applications are staggering. 48:57.059 --> 48:58.599 The porno mag industry. 48:58.719 --> 48:59.100 Wow. 48:59.160 --> 48:59.780 Through the roof. 48:59.800 --> 49:02.921 They're gonna be rubbing their hands and all the rest of their base. 49:02.941 --> 49:05.542 Well it's an all-in-one solution for the porno fan. 49:05.582 --> 49:06.182 Absolutely. 49:06.382 --> 49:08.083 Well let's let people think about that for a moment. 49:09.063 --> 49:13.085 Play some ads and we'll come back with digits in the doc. 49:20.515 --> 49:23.636 Okay, it's Diddy's in the Dock time here on XFM. 49:24.777 --> 49:27.778 That was quite a funny advert, the anti-marana advert, wasn't it? 49:28.158 --> 49:29.679 The one where the ganja's speaking to him. 49:29.699 --> 49:30.439 Yeah, the ganja's speaking. 49:30.499 --> 49:34.361 Isn't there a simple solution to that if you're spending more times with weed than you are with your mates? 49:34.901 --> 49:36.082 Just hang out with some better weed. 49:36.462 --> 49:38.043 Hang out with some mates who smoke weed. 49:39.243 --> 49:40.284 Isn't that the solution? 49:41.904 --> 49:42.524 I don't know. 49:42.544 --> 49:43.705 You're not supposed to say that. 49:43.745 --> 49:43.965 Sorry. 49:44.065 --> 49:45.265 Anyway, this is in the dark time. 49:45.345 --> 49:48.286 This is the part of the show where you decide which song we play the show out with. 49:48.326 --> 49:50.167 Today it's going to be an Elvis Costello playoff. 49:51.267 --> 49:59.590 Yes, and, incidentally, I think we should point out that Joe was just joking there, obviously, about that, and he's not advocating drug use in that way. 49:59.610 --> 50:02.171 No, I was commentating on, I don't know, nothing. 50:02.491 --> 50:03.311 I didn't say anything. 50:03.472 --> 50:03.612 No. 50:04.432 --> 50:05.332 Elvis Costello. 50:05.352 --> 50:06.212 Okay, I'm sorry. 50:06.232 --> 50:06.973 I don't know what I was thinking. 50:07.013 --> 50:07.673 I must have been stoned. 50:08.241 --> 50:12.203 Um, Elvis Costello, and we're going for early Elvis, right? 50:12.243 --> 50:13.483 And it's an early Elvis playoff. 50:13.703 --> 50:14.884 I don't know, is my Elvis early? 50:15.024 --> 50:16.564 It's 80s Elvis, my Elvis. 50:16.624 --> 50:18.265 Well, Elvis is still making stuff. 50:18.285 --> 50:19.585 Of course, I guess that is early, yeah. 50:19.605 --> 50:22.887 So yeah, we're talking about early to mid-period Costello. 50:23.027 --> 50:24.547 So the number's 08712221049. 50:25.748 --> 50:30.910 Everybody who calls and gets on air wins a copy of Stanley Road, the deluxe edition, the Paul Weller album. 50:31.910 --> 50:33.672 You know if you like that you'll be very excited. 50:33.712 --> 50:35.774 If you don't you can give it to someone who does like it. 50:35.794 --> 50:36.895 It's a classic album forever. 50:36.955 --> 50:37.836 It's almost Christmas anyway. 50:37.856 --> 50:39.217 You can give it away to your mum. 50:39.297 --> 50:40.018 So I'll start. 50:40.538 --> 50:46.764 I'm gonna go for Every Day I Write the Book, which is Elvis Costello's... I think it was off Punch the Clock, wasn't it? 50:47.384 --> 50:47.705 I think. 50:47.945 --> 50:49.667 You're a bigger Costello fan than I am probably. 50:49.707 --> 50:52.129 I like all his singles and stuff, but I haven't got many of his albums. 50:52.409 --> 51:01.840 Yeah, that was- I got into him in the mid-80s, I'm afraid to say, so it's kind of, probably for a Costello hardcore fan, it's maybe not one of his most brilliant songs, but for an 80s idiot like me, I like it. 51:02.120 --> 51:09.148 It's overproduced, it's got a silly story, and it's a sort of unlikely thing to write a song about, you know, a novelist, an author. 51:09.368 --> 51:09.949 Uh-huh. 51:10.069 --> 51:10.810 If it is about that. 51:10.830 --> 51:12.071 I haven't really listened to it properly. 51:13.092 --> 51:34.900 so there we go thanks every day every day i do what write the book then uh call 0 8 7 1 triple 2 1 0 4 9 what's yours at i'm gonna go for accidents will happen uh just because that's my favorite elvis castello song i suppose what film does one of the characters sing an excerpt from that in et correct i believe trivia question yeah eliot's older brother 51:35.140 --> 51:37.902 That's right, and he's going to the fridge and he's sort of singing to himself. 51:37.922 --> 51:38.182 Yeah. 51:38.202 --> 51:45.128 So many people you can check upon and add to your collection, which is the best line in the song. 51:45.548 --> 51:48.770 And then that's just before he closes the fridge door and sees E.T. 51:48.790 --> 51:49.451 for the first time. 51:49.511 --> 51:49.871 Is that right? 51:50.131 --> 51:50.492 I think so. 51:50.512 --> 51:52.893 I think it's during that sequence when no one's seeing E.T. 51:53.154 --> 51:53.414 Yeah. 51:53.574 --> 51:54.234 Everyone's avoiding him. 51:54.535 --> 51:54.815 Anyway. 51:54.975 --> 51:56.316 Haven't seen that song for a long time. 51:56.596 --> 51:59.258 Anyway, yes, so I'm going to go for Accidents Will Happen. 51:59.319 --> 52:01.641 Elvis Costello, if you want to vote for that one. 52:01.661 --> 52:02.441 0-8-7-1-2-2-2-1-0-4-9. 52:02.802 --> 52:05.964 Or Joe is going for Every Day I Write the Book. 52:05.984 --> 52:08.106 0-8-7-1-2-2-1-0-4-9. 52:08.146 --> 52:12.350 As we say, everyone who gets on wins a copy of Paul Weller's remastered deluxe edition of Stanley Road. 52:12.490 --> 52:13.271 So get calling now. 52:13.331 --> 52:14.092 Here's the editors. 52:25.885 --> 52:27.186 Oh, there you go, that was the editors. 52:28.067 --> 52:29.368 And, uh, what was it called? 52:29.388 --> 52:31.550 I threw away my thing. 52:31.570 --> 52:33.071 Phil, Phil! 52:33.732 --> 52:34.332 It's called Bullets. 52:35.153 --> 52:41.879 And of course it's a re-recording of the Birmingham bass quartet's debut single originally released in January, taken from their debut album, The Black Room Follow-Up to Blood, which went top 20 in July. 52:43.040 --> 52:44.241 Lucky I know all about that! 52:45.603 --> 52:49.905 It did it in the dark time, the time when you, the listeners, get to choose which record we play the show out with. 52:50.065 --> 52:54.387 It's an Elvis Costello play-off, accidents will happen, versus every day I write the book. 52:54.787 --> 52:56.388 Couple of classic Costello tracks. 52:56.648 --> 53:02.771 We've got five callers on the line, everybody who gets through wins a copy of, oh, digitally remastered, what, digitally remastered, is it? 53:03.191 --> 53:06.453 Dunno, anyway, it's the deluxe edition of Paul Weller's Stanley Road. 53:06.713 --> 53:08.634 So who've we got on line one, Xanthi? 53:09.394 --> 53:09.974 We've got Paul. 53:09.994 --> 53:10.574 Hello, Paul. 53:10.614 --> 53:12.075 How you doing? 53:12.375 --> 53:12.735 Very well. 53:12.755 --> 53:13.676 Does anyone ever call you, Paul? 53:15.594 --> 53:16.575 Only very close friends. 53:17.095 --> 53:17.596 Accidents, please. 53:17.676 --> 53:18.096 Only marginally. 53:18.156 --> 53:19.417 I'm pretty much the same. 53:19.738 --> 53:24.362 Singles and stuff like that, but I think accidents is a more sort of moody. 53:31.278 --> 53:34.279 Right, the book was very much like Paul Weller when he died on the style camp. 53:34.319 --> 53:35.779 Hey, hey, what are you trying to say? 53:35.799 --> 53:36.919 What are you trying to say? 53:36.939 --> 53:39.360 I know, it's a bit coppy, a bit cop-out. 53:39.620 --> 53:40.860 A bit cop-out? 53:40.920 --> 53:41.720 I agree with you, Paul. 53:41.760 --> 53:42.660 What are you talking about? 53:42.680 --> 53:43.581 Thanks very much for your vote. 53:43.601 --> 53:45.021 That's one for accidents will happen. 53:45.401 --> 53:46.861 I can tell this is going to go badly for me. 53:46.881 --> 53:47.801 It's the soul boy thing. 53:47.821 --> 53:49.002 You're a soul boy at heart. 53:49.042 --> 53:50.022 My crappy 80s taste. 53:50.282 --> 53:53.203 And I like the more pot thing going on. 53:53.243 --> 53:55.203 Who have we got on line two, Xanthi? 53:55.963 --> 53:56.503 Catherine. 53:56.743 --> 53:57.003 Hello. 53:57.043 --> 53:57.504 Hello there. 53:57.524 --> 53:58.224 How are you doing? 53:58.804 --> 53:59.564 Not too bad, thank you. 54:00.034 --> 54:00.634 Good, good, good. 54:00.654 --> 54:01.634 What are you up to this afternoon? 54:02.355 --> 54:06.195 I'm going up to Brighton to watch a friend who's got a short film showing. 54:06.215 --> 54:06.956 Oh, really? 54:06.976 --> 54:07.616 Yes. 54:09.036 --> 54:10.576 How short is it, a short film? 54:10.596 --> 54:11.457 I don't know, actually. 54:11.497 --> 54:12.897 I think it's probably about 15 minutes. 54:13.117 --> 54:13.837 Oh, that's okay. 54:14.557 --> 54:15.978 That sounds good. 54:16.058 --> 54:17.458 Is it a festival or something down there? 54:17.938 --> 54:18.518 I think so. 54:18.578 --> 54:19.878 I don't really know very much about it. 54:19.898 --> 54:22.519 I don't know that his film's being shown and there's some other... 54:23.106 --> 54:26.449 Other films being shown in BBC3, I've got something to do with it. 54:26.590 --> 54:27.070 Oh, right. 54:27.210 --> 54:29.472 Yes, I might well be presenting that, I think, next week. 54:29.493 --> 54:30.213 Oh, really? 54:30.233 --> 54:31.394 New Filmmakers Awards, yeah. 54:31.515 --> 54:32.656 I present that every year in Bristol. 54:32.676 --> 54:33.396 That's exciting, isn't it? 54:33.416 --> 54:33.937 Fantastic. 54:34.017 --> 54:35.358 Anyway, so, who are you voting for? 54:35.939 --> 54:37.821 I would like, every day I write the books, please. 54:37.841 --> 54:38.582 Hey, well done! 54:40.083 --> 54:40.223 Yes. 54:40.463 --> 54:41.364 It's a good song, isn't it? 54:41.425 --> 54:41.685 Isn't it? 54:41.745 --> 54:42.606 It's a very good song. 54:42.646 --> 54:44.708 It's on the soundtrack for The Wedding Singer as well. 54:44.908 --> 54:46.130 Oh, don't tell anybody that. 54:46.150 --> 54:46.931 No one will vote for it. 54:46.991 --> 54:47.271 I see. 54:47.291 --> 54:48.252 That's a good soundtrack. 54:48.532 --> 54:49.533 Thanks for your call, Catherine. 54:49.754 --> 54:52.697 Thanks for calling you and you win that Paul Weller CD, of course. 54:52.857 --> 54:53.898 Who else have we got, Xanthe? 54:53.918 --> 54:54.178 Hello, Kate. 54:54.539 --> 54:55.360 It's one all now. 54:55.460 --> 54:55.940 Hello, Kate. 54:56.241 --> 54:56.661 Hiya. 54:56.841 --> 54:57.322 How you doing? 54:57.642 --> 54:58.503 Not bad, thank you. 54:58.723 --> 54:59.064 Good, good. 54:59.104 --> 54:59.885 Who are you voting for? 55:00.285 --> 55:01.266 Accidents will happen. 55:01.326 --> 55:02.326 Yeah, come on. 55:02.426 --> 55:03.327 It's a great one, isn't it? 55:03.587 --> 55:03.907 It is. 55:04.247 --> 55:05.808 It's just that beginning is so amazing. 55:06.149 --> 55:13.333 Oh, I just don't... I'm not really helping things, but thanks very much indeed for your vote, and let's go on to... Oh, I'm excited now. 55:13.353 --> 55:13.973 It's 2-1, it's 2-1. 55:14.013 --> 55:14.794 I've got to get this one. 55:14.814 --> 55:15.174 Who is it? 55:15.354 --> 55:15.534 Phil. 55:16.155 --> 55:16.415 Phil. 55:16.455 --> 55:16.935 Hello, Phil. 55:17.255 --> 55:17.435 Hello. 55:17.736 --> 55:18.776 Phil, what are you voting for? 55:19.156 --> 55:19.817 Put me out of my misery. 55:20.478 --> 55:22.260 I'm going to go for accident sort matter. 55:22.280 --> 55:22.380 What? 55:22.420 --> 55:23.000 Oh, he takes it. 55:23.020 --> 55:23.421 Thanks very much. 55:23.441 --> 55:24.301 So it's over for Cornish. 55:24.722 --> 55:25.743 It's over for Cornish. 55:25.783 --> 55:26.363 Thanks for your Cornville. 55:26.383 --> 55:28.625 That means we only give away three Paul Weller singles. 55:28.725 --> 55:31.328 Well, we could take the next one anyway and just, uh, see what they were going to go for. 55:31.348 --> 55:35.111 We could give the other one to the nice man that called in earlier in the show and we didn't have a prize for it. 55:35.712 --> 55:36.132 That's true. 55:36.252 --> 55:37.613 I've just got an order as well. 55:38.394 --> 55:38.754 I don't know. 55:38.935 --> 55:40.096 We could take the next caller anyway. 55:40.116 --> 55:41.337 We've got Kate. 55:41.357 --> 55:41.497 Go on. 55:41.517 --> 55:41.997 Another Kate. 55:42.738 --> 55:43.038 Hey, Kate. 55:43.058 --> 55:43.919 Hello, how are you doing? 55:44.059 --> 55:44.460 Fine. 55:44.560 --> 55:45.621 Kate, what were you going to vote for? 55:46.289 --> 55:46.869 Accidents will happen. 55:46.909 --> 55:48.050 There you go. 55:48.110 --> 55:49.511 Is it a complete walkover? 55:49.531 --> 55:50.632 Did we have another call, Xanthi? 55:50.672 --> 55:54.034 We had loads and they were all... They were all for accidents will happen? 55:54.454 --> 55:56.075 No one likes every day. 55:56.115 --> 55:56.895 No one likes me. 55:56.956 --> 55:57.596 You're insane. 55:57.796 --> 55:58.657 Lots of people like you. 55:58.717 --> 55:59.257 I like you. 55:59.737 --> 56:02.459 I don't have to answer that seriously as if it's a real problem. 56:02.539 --> 56:05.181 I know it is a real problem though, isn't it? 56:05.601 --> 56:07.222 But thanks very much for your call, Kate. 56:07.542 --> 56:08.683 And thanks to everyone who called in. 56:09.143 --> 56:10.524 And thanks for listening to the show. 56:10.704 --> 56:12.465 Justin Lee Collins is coming up, is he, Xanthi? 56:12.665 --> 56:16.927 He's not like off hosting some new frightening program for Channel 4 somewhere. 56:17.467 --> 56:19.648 No, he's here, and he's gonna be with you very shortly. 56:20.069 --> 56:21.049 So we'll see you next week. 56:21.089 --> 56:21.769 Thanks for listening. 56:21.789 --> 56:22.130 Yeah. 56:22.310 --> 56:24.291 And calling, and emailing, and texting. 56:24.851 --> 56:25.271 And all that. 56:25.611 --> 56:26.612 We love you, bye! 56:26.652 --> 56:26.832 Bye! 56:26.992 --> 56:27.492 Here's Elvis. 56:39.454 --> 57:00.606 The silver chamber on She says she can't go home without a chaperone Accidents will happen, we're all we're hit and run Just to be here thinking now you're not the only one Accidents will happen, we're all we're hit and run I don't wanna hear it cause I 57:12.090 --> 57:19.636 You can only rise up and expect the smoke to work you in, but they keep you headed on. 57:19.736 --> 57:26.221 They'll see you so just, your mind is made up, but your mouth is undone. 57:26.881 --> 57:30.204 Accidents will happen, we're over your run. 57:30.244 --> 57:34.267 You used to be your thinker, now you're not the older one. 57:34.867 --> 57:38.350 Accidents will happen, we're over your run. 57:54.502 --> 57:55.883 You'll never know. 57:56.023 --> 57:59.344 It's the words that we all say that scare me. 57:59.464 --> 58:02.986 So it's something people do see. 58:03.686 --> 58:08.568 So many people object upon and add to your collection. 58:08.608 --> 58:13.810 But they keep you hanging on until you're well hung. 58:14.090 --> 58:17.972 Your mouth is made up, but your mind is under. 58:18.492 --> 58:22.454 As soon as you're happy, we're all in love. 58:35.040 --> 58:37.004 I'm a 59:22.685 --> 59:22.866 XFM.