WEBVTT 00:03.891 --> 00:27.184 yeah come on that's block party with two more years the bloke party two more years thanks very much to alex zane and lumpy his sidekick ash i know he's called he's not lumpy he's terribly handsome lumpy uh got fired i think but uh ash thanks very much and alex thanks very much it's quite exciting always seeing alex zane in the studio don't you think joe why because he's famous and he's attractive 00:27.984 --> 00:28.324 Yeah. 00:28.705 --> 00:30.846 Yeah, he's the male equivalent of a sexy woman. 00:31.427 --> 00:33.008 Yeah, that's right. 00:33.048 --> 00:34.229 That's why I like him so much. 00:34.789 --> 00:35.870 Hello, we're Adam and Joe. 00:35.990 --> 00:36.931 Welcome to our radio show. 00:36.951 --> 00:37.952 We're here for the next two hours. 00:38.292 --> 00:39.853 We've got fantastic stuff coming up. 00:39.913 --> 00:40.814 We've got great prizes. 00:41.114 --> 00:44.417 We're giving away DVDs of the amazing Martin Scorsese Bob Dylan documentary. 00:44.457 --> 00:46.779 I'm a bit upset about that, cos I went and bought that yesterday. 00:46.799 --> 00:47.359 You fool! 00:47.519 --> 00:48.040 You idiot. 00:48.180 --> 00:49.721 Well, we'll have one extra to give to the listeners. 00:50.081 --> 00:51.102 Cos you won't have stolen one. 00:51.222 --> 00:51.682 That's true. 00:52.263 --> 00:52.923 What else have we got? 00:52.943 --> 00:54.525 We've got the soundtrack to The Business. 00:55.225 --> 00:57.006 The British gangster film set in the 80s. 00:57.487 --> 01:00.268 Oh, that's the one with the guy lounging around in a pool. 01:00.329 --> 01:03.471 Yeah, the guy who only ever appears in films directed by that man. 01:03.991 --> 01:04.691 Yes. 01:04.812 --> 01:05.432 Danny Dyer. 01:05.892 --> 01:07.113 Danny... I think that's what his name is. 01:07.533 --> 01:08.154 Jimmy Rubbish. 01:08.194 --> 01:09.515 We've got a crap commentary competition. 01:09.835 --> 01:10.615 A good one as well. 01:10.916 --> 01:12.136 Is it... Yeah. 01:12.177 --> 01:14.778 Good in that it's interesting or impossible to get? 01:15.199 --> 01:15.359 Both. 01:16.039 --> 01:27.069 Excellent, okay, and I thought of I thought of a text competition which we may or may not use also I wanted to Rehash a couple of things from years ago that we did on the show because they've become relevant again. 01:27.409 --> 01:33.655 Oh good idea Yeah, we're gonna have teachers in the dock as well in the in closing the show And I think it's gonna be a McCartney dishes in the dock, isn't it? 01:33.735 --> 01:48.349 yeah a McCartney off a solo McCartney off to celebrate the release of his new album his return to form his Nigel Godrich produced album yeah what's it called again chaos and creation in the backyard there you go yeah have you listened to it no now I have listened to it it's quite good 01:49.671 --> 01:58.661 So there we go, loads of stuff coming up and if you want to win any of those things we've been talking about, remember the numbers 08712221049 and you can text us on 83XFM. 01:59.162 --> 02:00.463 All messages are read. 02:00.643 --> 02:01.104 That's correct. 02:01.124 --> 02:02.025 Even if they're not read out. 02:02.285 --> 02:03.326 Yeah. 02:03.386 --> 02:05.669 And of course we've got a lot of great music coming your way. 02:05.689 --> 02:06.009 Really? 02:06.630 --> 02:07.191 Yeah, yeah. 02:08.012 --> 02:12.057 You know, XFM Classics and a couple of free plays will sneak in as well. 02:12.518 --> 02:17.364 And I'm going to play some Oasis for you right now, but right now I just want to get a bit of something cheesy out of the way. 02:17.804 --> 02:21.409 Not something I would normally do, but I promised my son Frank I'd say hello to him today. 02:21.869 --> 02:22.991 So hi Frank, how you doing? 02:23.011 --> 02:23.772 This one's for you. 02:33.283 --> 02:34.744 Kings of Leon with the bucket. 02:34.924 --> 02:38.566 This is Adam and Joe on Saturday afternoon here at XFN. 02:39.047 --> 02:41.488 So listen, you know last week we played Franz Ferdinand? 02:41.508 --> 02:43.229 I'm sorry to say we haven't got it on the playlist. 02:43.269 --> 02:43.950 Their new single? 02:44.310 --> 02:47.272 Yeah, yeah, they- And do you know we were saying we thought it sounded like Go West? 02:47.332 --> 02:47.572 Yes. 02:47.912 --> 02:48.753 We close our eyes. 02:49.473 --> 02:54.156 Well, this week I've got conclusive proof that it is exactly like Go West. 02:54.277 --> 02:54.897 Have you got it with you? 02:54.937 --> 02:55.978 I've spliced them together. 02:55.998 --> 02:56.298 No! 02:56.798 --> 02:58.338 And it is incredible. 02:58.378 --> 03:00.539 We're going to bring Franz Ferdinand down today. 03:00.559 --> 03:01.279 Wow. 03:01.299 --> 03:04.159 This is basically Franz Ferdinand's last day in the business. 03:04.480 --> 03:05.060 You're joking. 03:05.100 --> 03:09.280 Because I've discovered that they've completely ripped off Go West. 03:09.541 --> 03:10.661 You've rumbled the furds? 03:10.701 --> 03:11.841 I've rumbled the furds. 03:12.281 --> 03:12.401 Oh my. 03:12.501 --> 03:13.581 So that'll be coming up later. 03:13.601 --> 03:16.262 Stay tuned if you want to hear the end of Franz Ferdinand's career. 03:16.282 --> 03:17.242 Holy mojo. 03:17.262 --> 03:18.102 What are we going to call it? 03:19.062 --> 03:21.783 Franzi-gate, Ferdi-gate, Westi- 03:22.663 --> 03:23.264 Oh, I don't know. 03:35.379 --> 03:36.380 Er, crap commentary corner. 03:36.420 --> 03:37.860 I think that should be coming up pretty soon. 03:38.040 --> 03:38.501 OK then. 03:38.681 --> 03:41.062 Shall we start a text competition or shall we leave that till the second part? 03:41.082 --> 03:42.443 Text for me is the middle of the show. 03:42.643 --> 03:42.963 Really? 03:43.043 --> 03:43.303 Yeah. 03:43.483 --> 03:43.583 OK. 03:43.603 --> 03:44.984 That's the usual structure, isn't it, listeners? 03:45.184 --> 03:45.785 Regular listeners? 03:46.465 --> 03:47.726 Regular listeners, yes. 03:47.966 --> 03:49.747 Hey, we've had a lovely, er, email as well. 03:49.767 --> 03:50.467 Can I read this out? 03:50.507 --> 03:51.368 Yeah, go on then. 03:51.408 --> 03:52.228 Er, hello Adam and Joe. 03:52.248 --> 03:55.130 I'm writing to let you know that me and my friend Andy are kidnapping you. 03:55.890 --> 03:58.532 The flight to Switzerland is booked for next week where you will both marry me 03:59.452 --> 04:10.402 followed by I and my friend holding you at gunpoint until you agree to remake the Adam and Joe show where you will put the wedding in the form of teddy bears and possibly Darth Vader and generally create havoc. 04:11.343 --> 04:12.044 So start packing. 04:12.664 --> 04:13.145 So nice. 04:13.245 --> 04:15.126 I'd quite like to be kidnapped in that way. 04:15.147 --> 04:16.468 One of our bad speller fans. 04:16.548 --> 04:19.811 Yeah, it's like one of those, er, there's people that you can pay to kidnap you, can't you? 04:19.951 --> 04:20.612 Have you read about that? 04:20.632 --> 04:20.672 No. 04:21.232 --> 04:21.953 Yeah, in America. 04:22.434 --> 04:24.156 There's a guy that provides a service. 04:24.496 --> 04:28.021 You pay him, and then at a completely unexpected point he'll kidnap you. 04:28.301 --> 04:28.641 Wow. 04:28.942 --> 04:30.023 It's, you know, sexy. 04:30.223 --> 04:31.225 How long does it go on for? 04:31.245 --> 04:32.126 Can you not get out of it? 04:32.526 --> 04:33.027 I don't know. 04:33.648 --> 04:34.148 I don't know. 04:34.168 --> 04:38.153 I'd imagine you'd agree some terms, but leave some of them, you know, open to 04:39.194 --> 04:42.519 what, the kidnappers discretion, so it would still be a bit surprising. 04:42.539 --> 04:49.528 That's rubbish though, surely, cos the kidnapper would just take your money and then say, well, I might kidnap you any time in the next 20 years. 04:49.608 --> 04:50.990 No, there'd be a limit, I think. 04:51.010 --> 04:51.190 Oh, right. 04:51.210 --> 04:51.831 There'd be a limit. 04:51.871 --> 04:52.492 When's your birthday? 04:52.852 --> 04:53.173 June 7th. 04:53.213 --> 04:53.934 Oh, OK. 04:54.775 --> 04:55.997 Oh, nice one. 04:56.564 --> 04:57.525 Steve- Yeah, I can't wait for that. 04:57.545 --> 04:58.365 Ricky- Yeah. 04:58.385 --> 04:59.886 Steve- So, uh, do you watch Wife Swap? 04:59.906 --> 05:00.546 Any- any time? 05:00.626 --> 05:01.807 Ricky- No, I've given up on Wife Swap. 05:01.827 --> 05:02.187 Steve- Have you? 05:02.207 --> 05:02.587 Ricky- Yeah. 05:02.607 --> 05:07.090 Steve- I couldn't believe, watching Wife Swap this week, they still had the same voiceover guy. 05:07.110 --> 05:07.430 Ricky- Mmm. 05:07.470 --> 05:08.611 Steve- With the same intonation. 05:08.631 --> 05:09.952 Ricky- Unbelievable. 05:10.192 --> 05:22.279 Like, do you remember, this is something I played a while ago on this show, from a previous series of Wife Swap, and I thought maybe after I played it, you know, obviously the producers would be listening and they'd rethink maybe the style, give them a bit of different direction. 05:22.799 --> 05:25.860 because we're very powerful in that way, but it hasn't happened. 05:26.060 --> 05:28.160 Anyway, this is a reminder of what the guy sounds like. 05:28.180 --> 05:30.941 Gary seems to be in a class of his own. 05:31.161 --> 05:32.941 Jojo's got to the root of the problem. 05:32.981 --> 05:34.862 Dawn's taken charge of the kids. 05:35.022 --> 05:36.842 Alan's struggling with the DIY. 05:37.042 --> 05:39.483 Gary's keen to have a say in how it should be run. 05:39.663 --> 05:42.223 Dawn starts to look around the house she's so proud of. 05:42.243 --> 05:44.224 Gary will have a proper role in the house. 05:44.244 --> 05:46.404 Dawn's cleaning and driving Alan back. 05:46.444 --> 05:47.785 Have you figured out his formula yet? 05:47.825 --> 05:48.005 Yes. 05:49.145 --> 05:52.868 He delivers every single line on the show in that exact same way. 05:52.948 --> 05:55.850 He delivers every single line in that exact same way. 05:56.070 --> 05:57.110 No, I can't even do it. 05:57.130 --> 05:58.371 In that exact same way. 05:58.872 --> 06:02.194 It's the sort of way that Lisa Ransin used to deliver. 06:02.234 --> 06:03.014 And he hasn't changed. 06:03.254 --> 06:04.515 No, it's still exactly the same. 06:04.996 --> 06:10.499 So which makes me feel justified in playing my wife swap house mix one more time. 06:10.519 --> 06:11.740 Do you want to hear it? 06:11.800 --> 06:12.080 Do it. 06:12.381 --> 06:14.382 Gary will have a proper role in the house. 06:15.992 --> 06:18.133 Gary seems to be in a class of his own. 06:18.493 --> 06:21.535 Later that evening, Jojo's got to the root of the problem. 06:21.575 --> 06:23.216 Dawn's taking charge of the kids. 06:23.296 --> 06:25.277 Jojo's got to the root of the kids. 06:25.557 --> 06:28.698 Later that evening, Alan's struggling with the DIY. 06:28.818 --> 06:30.439 Alan's struggling with the housework. 06:30.579 --> 06:32.520 Alan's struggling with driving Alan mad. 06:32.700 --> 06:35.761 Later that evening, Jojo's got to the root of the problem. 06:35.822 --> 06:37.682 Dawn's cleaning is the root of the problem. 06:37.702 --> 06:39.403 It's the final evening of the housework. 06:39.423 --> 06:40.904 It's the final evening of the swap. 06:41.144 --> 06:42.885 Jojo's got to the root of the swap. 06:42.965 --> 06:46.446 Gary's keen to have a say in how it should be run. 06:46.466 --> 06:49.027 There you go. 06:49.247 --> 06:49.647 Wow. 06:50.247 --> 06:53.508 That's actually cleaned up some of my domestic problems as well, listening to that. 06:53.588 --> 06:53.908 Has it? 06:54.128 --> 06:55.849 Yeah, full I've got to the root of the problem. 06:56.929 --> 07:00.930 Well, okay, we're gonna- we're gonna play- I've got my first free play coming up right now, a bit of Depeche Mode. 07:01.750 --> 07:03.071 You're a Depeche Mode fan, right, Joe? 07:03.091 --> 07:03.971 I used to like Depeche Mode. 07:03.991 --> 07:05.592 Depeche Mode or Depeche Mode? 07:05.872 --> 07:06.912 I would always say Depeche. 07:06.932 --> 07:07.712 Depeche. 07:07.932 --> 07:08.492 Would you say Depeche? 07:08.532 --> 07:09.733 I'd always say Depeche, yeah. 07:09.993 --> 07:10.373 Ooh. 07:10.973 --> 07:12.394 And- and you'd presumably- Depeche. 07:12.694 --> 07:14.554 Uh, Vince era, not late mode. 07:14.574 --> 07:17.015 Uh, the only one I was really into was Blasphemous Rumour. 07:17.395 --> 07:18.737 Oh, that's post Vince. 07:19.377 --> 07:20.298 Really dark. 07:20.499 --> 07:22.661 It was meaningful, it was deep intellectual. 07:22.681 --> 07:25.725 I like the Vince stuff and this was the first single I was ever aware of. 07:26.586 --> 07:27.186 New Life. 07:27.206 --> 07:29.889 This is Ed and Joe, we'll be back after this and some ads. 08:11.152 --> 08:11.732 I don't know, man. 08:11.752 --> 08:13.373 He's trying to get out of something there, isn't he? 08:13.533 --> 08:14.013 I don't believe him. 08:14.173 --> 08:14.713 Don't look at me now. 08:14.733 --> 08:15.833 I think he meant it. 08:15.913 --> 08:16.714 I think he did as well. 08:16.734 --> 08:18.694 That was the bravery and honest mistake. 08:18.714 --> 08:20.155 This is Adam and Joe on XFM. 08:20.175 --> 08:21.815 It's crap commentary corner time. 08:21.835 --> 08:23.836 Hooray! 08:23.916 --> 08:27.377 It's time to call in You could win something amazing Let us begin 08:29.844 --> 08:33.108 Can you guess which film we're playing? 08:33.528 --> 08:36.852 I didn't want the same! 08:37.493 --> 08:40.116 Crap, commentary corner! 08:40.176 --> 08:40.637 Oh yes. 08:41.538 --> 08:45.623 Okay, this is the part of the show where we play you an excerpt from a DVD commentary. 08:45.943 --> 08:47.565 You have to listen very carefully and tell us... 08:48.346 --> 08:51.749 who's speaking and what film they're commentating about. 08:52.270 --> 08:55.353 Next time you say excerpt, can you s- can you say excerpt? 08:56.033 --> 08:57.174 Ex- is that how it's spelt? 08:57.394 --> 08:57.875 Excerpt. 08:57.995 --> 08:58.255 Yeah. 08:58.616 --> 09:00.297 I wanna- I wanna hear the P. OK. 09:00.677 --> 09:01.939 So we're gonna play you an excerpt. 09:02.279 --> 09:02.539 Thanks. 09:02.719 --> 09:03.940 From a DVD commentary. 09:03.980 --> 09:06.563 You dial 0 8 7 1 2 2 2 1 0 4 9 and if you correctly tell us 09:09.065 --> 09:18.107 who's speaking, and what movie the commentary's taken from, then you will win a copy of the extraordinary Bob Dylan documentary directed by Martin Scorsese. 09:22.086 --> 09:23.307 And that's a two-disc set. 09:23.888 --> 09:25.289 Not one disc, but two discs. 09:25.649 --> 09:26.409 Two discs! 09:26.730 --> 09:31.053 Extra performances, Dylan doing his stuff, and, you know, I bought it yesterday. 09:31.073 --> 09:31.954 I can't believe I bought it. 09:32.234 --> 09:32.754 So there you go. 09:32.874 --> 09:33.375 The number again. 09:33.395 --> 09:34.275 0 8 7 1 triple 2 1 0 4 9. 09:34.996 --> 09:37.618 Stand by your radios, turn it up nice and loud and listen carefully. 09:37.838 --> 09:43.482 This is possibly the most idiotic woman I've ever heard ever commentate on anything in the history of the world. 09:43.783 --> 09:44.103 Have a listen. 09:44.560 --> 09:46.861 So are we just gonna, like, do commentary on the whole movie? 09:46.881 --> 09:47.241 Yeah, yeah. 09:47.261 --> 09:48.222 This is fun, are you serious? 09:48.242 --> 09:48.582 So what's this? 09:48.602 --> 09:49.562 This is, um, Halon. 09:49.582 --> 09:50.803 Oh my god, is that what we're doing? 09:51.323 --> 09:52.964 So we're watching the whole movie right now? 09:53.144 --> 09:53.744 Yes, yeah. 09:54.024 --> 09:54.664 Oh, awesome! 09:55.245 --> 09:56.025 Oh, this is great. 09:57.449 --> 10:01.912 She's turned up at the commentary session and she doesn't understand what a commentary session is. 10:02.472 --> 10:07.616 And she says that about 20 minutes, it takes her about 20 minutes to actually ask what they're doing. 10:08.356 --> 10:09.177 And she's in the film? 10:09.417 --> 10:09.597 Yeah. 10:10.257 --> 10:10.778 Okay. 10:11.038 --> 10:12.299 Okay, so that's clip number one. 10:12.319 --> 10:15.961 08712221049 if you know who that is and what movie they're talking about. 10:15.981 --> 10:16.781 Let's have clip number two. 10:16.981 --> 10:17.902 Okay, here we go. 10:17.962 --> 10:23.686 If you guys make this movie a huge hit and this DVD a huge sale, I'll get breast enhancement surgery. 10:25.720 --> 10:26.000 Right. 10:27.441 --> 10:28.781 That's a very brief excerpt. 10:29.661 --> 10:30.662 It's a brief excerpt. 10:30.682 --> 10:32.382 Do you want to hear clip number three? 10:32.442 --> 10:34.123 I think we should, because that's really tough. 10:34.903 --> 10:35.363 Okay. 10:35.403 --> 10:37.104 Here's clip number three. 10:37.124 --> 10:37.104 0871221 049. 10:37.184 --> 10:38.104 Somebody out there will know. 10:38.404 --> 10:38.805 Here we go. 10:39.285 --> 10:41.726 Okay, can I just say, like, who cares about that? 10:41.766 --> 10:42.726 You just saw my nipple. 10:42.806 --> 10:46.407 I mean, no one cares about the grading. 10:46.867 --> 10:51.429 All I have to say is, like, how committed am I to this picture? 10:51.969 --> 10:54.230 You know, that's like full nipple shot. 10:54.390 --> 10:56.751 If you were really committed, we'd have seen both nipples. 10:57.512 --> 10:58.292 That's a good point. 10:58.532 --> 10:59.212 Very good point. 10:59.693 --> 11:00.473 So who is that? 11:01.013 --> 11:02.014 What movie are they talking about? 11:02.034 --> 11:02.914 It's quite hard, isn't it? 11:03.054 --> 11:04.295 That's really difficult, man. 11:04.335 --> 11:04.895 Really tough. 11:04.995 --> 11:06.216 I bet you someone will get it. 11:06.796 --> 11:08.117 We don't underestimate our listeners. 11:08.277 --> 11:08.497 Really? 11:08.797 --> 11:09.097 Yeah. 11:09.137 --> 11:10.219 Well, let's see if anything happens. 11:10.239 --> 11:11.500 We'll give them more clues if nothing happens. 11:11.640 --> 11:11.840 Sure. 11:11.860 --> 11:14.964 We'll play a song, and, er, and then we'll take some calls. 11:15.524 --> 11:16.766 Oh, it's 7-1-222-1049. 11:16.826 --> 11:18.448 We took turns. 11:18.608 --> 11:22.212 We took turns to reset the phone number between us. 11:22.752 --> 11:24.054 OK, here's the Kaiser Chiefs. 11:34.059 --> 11:35.280 That is indeed the modern way. 11:35.520 --> 11:36.720 By the geyser chiefs. 11:37.120 --> 11:38.961 OK, so you've got to do everything that way from now on. 11:39.141 --> 11:39.341 Good. 11:39.582 --> 11:40.502 Like that. 11:41.582 --> 11:45.764 Now, it's time to find out if anyone's got the right answer for our crap commentary corner. 11:46.184 --> 11:52.167 We'll just play you a little refresher excerpt, just to remind you what we're trying to guess this week. 11:52.347 --> 11:55.969 Can you guess who this actress is and what film she is supposed to be talking about? 11:56.229 --> 11:58.630 Okay, can I just say, like, who cares about that? 11:58.670 --> 12:00.590 You just saw my nipple, for God's sakes. 12:00.771 --> 12:03.331 I mean, no one cares about the grading. 12:03.511 --> 12:08.373 All I have to say is, like, how committed am I to this picture? 12:08.893 --> 12:10.134 You know, that is, like, full nipple shot. 12:11.434 --> 12:13.656 If you were really committed, we'd have seen both nipples. 12:14.036 --> 12:16.858 So there's British director or producer in there. 12:17.118 --> 12:17.979 A British director. 12:18.179 --> 12:18.919 British director. 12:18.939 --> 12:20.020 An American lady. 12:20.320 --> 12:22.602 You see, I'm not very good with the young American ladies. 12:22.622 --> 12:23.142 Really? 12:23.242 --> 12:24.363 I don't really know any of them. 12:24.443 --> 12:28.105 All I can think of is Reese Witherspoon, but she's too classy for that kind of thing, isn't she? 12:28.366 --> 12:29.206 Well, shall we take some calls? 12:29.346 --> 12:29.566 Yeah. 12:29.646 --> 12:30.507 See what our listeners think. 12:30.527 --> 12:31.828 Have we got someone on the line there, Xanthi? 12:31.928 --> 12:32.969 Yeah, line one, Tony. 12:33.169 --> 12:33.489 Tony. 12:33.509 --> 12:34.070 Hello, Tony. 12:34.530 --> 12:35.170 Hello, mate, you alright? 12:35.290 --> 12:35.871 Yeah, how are you? 12:36.604 --> 12:57.338 not too bad mate at work but never mind oh dear do you think you've got this though um i think so who do you think it is tony well i reckon it's paris hilton talking about house of wax have you seen that film i haven't no it's uh just looks a bit too poor for my taste so so what i tell you what house the last 20 minutes of house of wax is amazing is it yeah because the house before 12:58.539 --> 13:07.203 Well, just split through that, because the house is made of wax, and at the end it goes on fire and everything melts and everything in it is made of wax, so the beds start melting. 13:07.223 --> 13:11.025 Yeah, and apparently the hot wax drips on everyone, but it doesn't burn them, they just carry on running. 13:11.225 --> 13:12.826 That is correct, I didn't notice. 13:12.886 --> 13:19.629 There's an amazing bit where the villain gets to the goodies by just slicing through the walls with a knife, and it's amazingly satisfying to watch. 13:22.638 --> 13:23.278 You're right, Tony. 13:23.318 --> 13:25.079 Just watch the trailer and don't go anywhere. 13:25.119 --> 13:26.260 So has Tony got it right? 13:26.300 --> 13:27.381 I'm on- I'm on tenterhooks. 13:27.401 --> 13:28.301 No, he's wrong, Tony. 13:28.341 --> 13:28.801 You're wrong. 13:28.861 --> 13:29.702 It's not the whole thing. 13:29.922 --> 13:32.863 I mean, you're just going on the idea that it's one of the stupidest people in the world, right? 13:32.883 --> 13:34.424 Well, probably, yeah. 13:34.624 --> 13:36.165 Yeah, stupid person who shows her nipples. 13:37.705 --> 13:42.669 Yeah, well, you're right, but I think Hilton's a bit la- Paris Hilton's so lazy, isn't she? 13:43.029 --> 13:46.732 If you watch House of Wax, she can hardly be bothered to walk across the set. 13:47.713 --> 13:49.515 And that voice is a bit too energised. 13:49.795 --> 13:50.435 It's not Hilton. 13:50.636 --> 13:53.298 But we're gonna give you a copy of the Bob Dylan DVD anyway, Tony. 13:53.538 --> 13:53.978 Oh, brilliant. 13:54.038 --> 13:54.719 Thank you very much, Jint. 13:54.939 --> 13:56.020 Hey, thanks a lot for calling in. 13:56.180 --> 13:56.680 Cheers, Tony. 13:56.781 --> 13:57.501 Have a good day at work. 13:57.801 --> 13:59.623 So let's see whether our next caller's got it. 13:59.643 --> 14:00.504 Who's the next caller, Xanthi? 14:00.604 --> 14:00.884 Rory. 14:01.184 --> 14:01.504 Rory. 14:01.524 --> 14:01.965 Hello, Rory. 14:01.985 --> 14:02.665 Hi. 14:02.685 --> 14:03.286 Hi, guys. 14:03.366 --> 14:03.846 How are you? 14:04.267 --> 14:05.468 I'm very fine, thank you. 14:05.608 --> 14:06.408 You sound nervous. 14:06.489 --> 14:08.070 I'm sort of unsure. 14:09.271 --> 14:11.333 No, I think I'm quietly confident. 14:11.493 --> 14:11.793 Yes. 14:12.073 --> 14:13.114 Who do you think it is, Rory? 14:13.695 --> 14:20.340 I think it's Mila Jovovich talking with Paul W. Anderson on the Resident Evil DVD. 14:20.600 --> 14:23.022 Are you Paul W. Anderson calling in under a pseudonym? 14:23.763 --> 14:24.344 No, no. 14:24.444 --> 14:26.065 If I was, I'd hang my head in shame. 14:26.245 --> 14:27.866 You pronounce her name really well. 14:27.906 --> 14:28.267 Say it again. 14:28.672 --> 14:29.694 Mila Jovovich. 14:29.794 --> 14:30.395 Jovovich? 14:30.716 --> 14:33.000 You don't even say the L. I thought it was Mila. 14:33.424 --> 14:36.705 Well, I think it's Mila, Mila... I bet you're right. 14:37.105 --> 14:38.646 Listen, I'm not bringing you down, Mila Jovovich. 14:38.666 --> 14:39.366 I think you're probably right. 14:39.766 --> 14:40.426 Jovovich. 14:40.446 --> 14:41.707 Do you know what, Rory? 14:41.927 --> 14:42.567 You're correct. 14:43.267 --> 14:43.727 You've won it. 14:43.747 --> 14:44.268 That's amazing. 14:44.308 --> 14:45.568 Adam didn't think anyone was going to get it. 14:45.788 --> 14:47.309 No, I had no clue who that was. 14:47.429 --> 14:52.230 I thought Mila, Mila, whatever her name is, Jovovich, was a bit more savvy than that. 14:52.250 --> 14:53.271 She sounds like a total thickey. 14:53.291 --> 14:54.571 No, you know in The Fifth Element? 14:54.751 --> 14:55.671 Yeah. 14:55.831 --> 14:59.613 She was typecast as a kind of space chicken. 14:59.673 --> 15:00.013 I don't know. 15:01.314 --> 15:04.796 She does weighting up, kind of dazed and confused very well. 15:05.056 --> 15:11.201 She does wearing very little extremely well, but she doesn't do thinking very well. 15:11.561 --> 15:11.881 Wow. 15:12.342 --> 15:13.823 How did you get that Rory? 15:13.863 --> 15:14.463 That's amazing. 15:15.064 --> 15:19.387 Well I'm quite a big fan of the games, the Resident Evil games. 15:19.627 --> 15:20.908 Have you played the GameCube one? 15:21.108 --> 15:22.469 Yeah on Resident Evil 4. 15:22.629 --> 15:23.390 God that's good. 15:23.470 --> 15:24.771 Amazing, amazing game. 15:25.131 --> 15:29.955 It's the kind of game where I want my brain erased to, you know, so I've never played it before, so I can play it again. 15:29.975 --> 15:31.115 Again and again. 15:31.135 --> 15:32.756 I still do it every time you play it. 15:32.917 --> 15:41.002 But yeah, unfortunately I'm kind of the completeness in that respect, so I got the film and I also unfortunately bought the sequel as well. 15:41.142 --> 15:41.963 I like the sequel. 15:42.563 --> 15:45.185 Listen Rory, we should just meet up for drink because we could talk and talk. 15:45.345 --> 15:46.426 We should do, we should do. 15:46.947 --> 15:52.931 Outside the Warner West, I tell you what, in the hip-hop section of Virgin Megastore at 10 tonight, 15:53.391 --> 15:55.632 at ten tonight, the box section of both of those films. 15:55.812 --> 15:56.772 Wow, can I come along? 15:56.892 --> 15:57.072 No. 15:57.313 --> 15:57.793 Oh, man. 15:58.073 --> 15:59.293 Hey, Rory, congratulations. 15:59.353 --> 15:59.973 Thanks very much. 16:00.274 --> 16:08.437 I stand in awe of your knowledge and also slightly, I'm a bit depressed for you for having watched all those films, but congratulations. 16:08.457 --> 16:11.598 We're going to send you the Bob Dylan doc, the Martin Scorsese doc. 16:11.618 --> 16:12.298 Thank you very much. 16:12.338 --> 16:12.818 Hope you enjoy it. 16:12.838 --> 16:16.620 It doesn't have quite as many blips and killings in it, but there you go. 16:17.782 --> 16:18.183 Nice one. 16:18.463 --> 16:19.024 Congratulations, Roy. 16:19.044 --> 16:19.605 Thanks for listening. 16:19.866 --> 16:20.988 Thanks very much for calling in. 16:21.008 --> 16:21.929 Who was the other guy? 16:21.949 --> 16:22.570 I've forgotten already. 16:22.610 --> 16:22.811 Tony. 16:22.991 --> 16:24.133 Tony, thanks a lot, Tony. 16:24.173 --> 16:25.115 This is Adam and John XFM. 16:25.135 --> 16:25.896 We'll be back shortly. 16:36.869 --> 16:37.510 Yeah, yep, yep. 16:37.650 --> 16:38.891 That's- So they're going out tonight. 16:38.931 --> 16:40.012 They're living for the weekend. 16:40.152 --> 16:40.772 Hard five. 16:41.333 --> 16:43.414 Salomon Joe on XFM. 16:43.714 --> 16:46.236 Now, we're gonna play a little mash-up for you, aren't we? 16:46.296 --> 16:46.737 That's right. 16:46.777 --> 16:48.878 Last week we were playing Franz Ferdinand's new single. 16:48.898 --> 16:49.779 I've forgotten what it's called. 16:49.799 --> 16:50.280 What's it called? 16:50.300 --> 16:53.162 It's called Don't Do That or Stop Doing This or How Dare You Do That To Me or something. 16:53.182 --> 16:53.922 Stop touching me there. 16:54.143 --> 16:54.743 What's it called? 16:54.843 --> 16:55.424 I don't like it. 16:55.444 --> 16:55.664 Come on. 16:56.104 --> 16:57.044 Somebody, what's it called? 16:57.064 --> 16:57.505 Wow. 16:57.625 --> 17:02.267 Oh no, we're going to be fired for not knowing the hottest single by the hottest band. 17:02.667 --> 17:05.008 It's called Stop Touching My Tits. 17:05.208 --> 17:06.509 I don't like it when you touch me there. 17:06.629 --> 17:07.589 There you go, that's what it's called. 17:07.789 --> 17:13.031 And we couldn't believe, I couldn't believe its similarity to the Go West classic, We Close Our Eyes. 17:13.532 --> 17:20.335 So last night, at about one in the morning, slightly the worse for wear, I loaded both songs into my Final Cut Express, 17:21.175 --> 17:24.079 and decided to find out whether they really were exactly the same. 17:24.419 --> 17:26.602 And the results are startling. 17:26.863 --> 17:30.828 If you're a fan of Franz Ferdinand, hold on to your integrity. 17:30.848 --> 17:32.790 Here we go. 17:42.774 --> 18:06.466 so this is the song this is the song as it was yeah yeah turn it up a bit here listen to this it's the same listen to that listen to that okay wait for it the same do you hear that adam you don't believe me do you you think it sounds like two completely different songs it's like soul wax listen listen 18:12.395 --> 18:13.376 The same song. 18:20.401 --> 18:21.181 Wait, bear with it. 18:22.302 --> 18:26.565 So those bits aren't that similar, but in the chorus it gets a lot more similar. 18:29.667 --> 18:30.388 Yeah, yeah. 18:33.467 --> 18:34.648 That's doing my head in. 18:36.609 --> 18:38.210 Okay, so I was overselling it. 18:38.530 --> 18:40.631 They haven't ripped off Go West and I was wrong. 18:41.411 --> 18:43.893 What happened last night was this. 18:44.573 --> 18:48.595 I spliced them together and realised that I was completely wrong. 18:48.655 --> 18:51.657 I think spliced is really being too generous to what you did to it. 18:52.277 --> 18:53.938 You sort of beat them both up. 18:53.958 --> 18:54.919 Chammed them together. 18:54.939 --> 18:55.859 And shoved them in a box. 18:58.390 --> 18:59.651 But that's what it's all about, isn't it? 18:59.831 --> 19:01.773 You oversell something, then it's disappointing. 19:01.833 --> 19:03.094 No, I wasn't disappointed by that. 19:03.114 --> 19:03.515 You know what? 19:03.555 --> 19:06.518 Just because I just loved hearing that Go West riff again. 19:06.538 --> 19:06.798 Yeah. 19:07.318 --> 19:08.099 Whatever happened to them? 19:08.139 --> 19:10.861 They're probably superstar producers or songwriters now. 19:10.882 --> 19:12.023 Probably. 19:12.123 --> 19:16.447 If anyone knows about what happened to Go West, could they please give us a call? 19:16.467 --> 19:16.847 But you know what? 19:16.887 --> 19:18.248 I've learnt a lesson by doing that. 19:18.469 --> 19:18.669 What? 19:18.969 --> 19:22.893 Well, when I think a song sounds like another song, it probably doesn't. 19:23.493 --> 19:24.133 Now, I think you're right. 19:24.173 --> 19:25.474 I was probably only just a tiny bit of it. 19:25.754 --> 19:27.595 Basically three notes of that sound the same. 19:27.935 --> 19:28.235 Yeah. 19:28.455 --> 19:29.756 And then I just got overexcited. 19:29.776 --> 19:31.596 It's bound to happen with modern music. 19:31.616 --> 19:32.737 What do you think of that, Santhi? 19:32.837 --> 19:34.137 I thought it was exactly the same. 19:34.197 --> 19:34.538 Yes! 19:34.778 --> 19:35.298 There you go. 19:35.658 --> 19:35.998 Yeah. 19:36.478 --> 19:37.079 Thanks, Santhi. 19:37.099 --> 19:37.519 I agree. 19:37.559 --> 19:38.119 Chicks like me. 19:38.419 --> 19:39.660 Chicks dig you. 19:39.800 --> 19:41.040 Chicks dig my theories. 19:41.480 --> 19:42.321 LL Cool Joe. 19:42.501 --> 19:42.941 Wow. 19:43.381 --> 19:44.722 Me and, who was it, Rory? 19:45.322 --> 19:46.242 tonight on the town. 19:46.262 --> 19:53.365 What are you going to do when you meet- We're going to chat about video games and pull chicks by telling them that- Will you be hanging out with Chewie? 19:54.485 --> 19:54.945 Possibly. 19:55.105 --> 19:55.545 The actor. 19:55.725 --> 19:56.326 Chewie, yeah. 19:56.566 --> 19:58.866 So last week we were talking about the fact that he- What's his name again? 19:59.286 --> 19:59.587 Chewie. 19:59.807 --> 20:02.187 We can't pronounce the rest of his name. 20:02.507 --> 20:05.168 When he was in Dirty Pretty Things and he's a very talented actor. 20:05.188 --> 20:08.649 And he lives near to Joe in South London. 20:09.070 --> 20:12.070 And Joe reckoned that he was going to go and knock on his door and make friends with him this week. 20:12.130 --> 20:13.271 But you didn't, did you? 20:13.911 --> 20:14.772 No, he's busy. 20:15.112 --> 20:16.734 He's so busy he's making lots of films. 20:16.874 --> 20:17.795 I'm very busy as well. 20:17.895 --> 20:18.115 Yeah. 20:18.175 --> 20:19.256 I'm watching lots of films. 20:19.316 --> 20:20.558 Never too busy to make friends. 20:20.618 --> 20:20.918 Come on. 20:20.938 --> 20:22.920 Hey, Chewie, if you're listening, give us a call. 20:23.020 --> 20:23.861 We want to be your friend. 20:24.522 --> 20:25.543 Uh, here's a free play for you. 20:25.583 --> 20:26.143 This is Smog. 20:33.803 --> 20:35.804 That's Smaug with cold-blooded old times. 20:35.844 --> 20:37.265 This is Adam and Joe on XFM. 20:37.305 --> 20:40.927 We've got some adverts coming up right now, and then we're into the second hour. 20:41.107 --> 20:43.448 I'm getting into my Justin Lee Collins mode. 20:43.948 --> 20:47.110 My name is Domino Harvey, and I am a bindy hunter. 20:47.130 --> 20:48.891 I just have to say that. 20:49.151 --> 20:50.032 Have you seen that film? 20:50.232 --> 20:50.992 A bindy hunter. 20:51.533 --> 20:52.493 No, I want to see it. 20:52.513 --> 20:56.395 It just says here in the Guardian Guide that it's a candidate for the golden raspberry of the year. 20:56.475 --> 20:57.556 I thought it looked quite good. 20:58.176 --> 20:58.877 Can't be good. 20:58.937 --> 21:01.398 Apparently Keira Knightley's too tiny to hold. 21:01.718 --> 21:03.899 Actually, in reality, to hold a gun that big. 21:04.099 --> 21:04.599 I'm not surprised. 21:04.639 --> 21:09.582 And if she fired a gun that big, it would send her flying miles backwards through and across windows. 21:09.602 --> 21:11.323 She would shatter into tiny, sexy pieces. 21:11.363 --> 21:11.623 Yes. 21:11.743 --> 21:14.304 She'd go, oh, dear, that was very violent. 21:14.404 --> 21:15.845 I can't shoot that again. 21:15.865 --> 21:18.246 Wouldn't she or something? 21:18.266 --> 21:19.346 Because she's a bindy hunter. 21:20.967 --> 21:23.348 The bindy hunters are here. 21:23.868 --> 21:26.330 They're searching for paradise. 21:27.030 --> 21:28.511 OK, then we'll be back shortly. 21:28.731 --> 21:28.931 Bye. 21:30.185 --> 21:30.766 Love music. 22:12.788 --> 22:15.691 Yeah, that's the Dead Sixties with Riot Radio. 22:15.711 --> 22:17.272 This is Adam and Joe on XFM. 22:17.853 --> 22:20.675 Now, I think it's time for a text competition, don't you reckon, Joe Cornish? 22:20.956 --> 22:21.476 Ooh, yes. 22:21.896 --> 22:22.077 Ooh, yeah. 22:22.097 --> 22:23.398 I love text competitions. 22:23.578 --> 22:28.983 Now, I'm sure this is something that we've probably talked about before, but maybe not for a while, and I thought it was time to update it. 22:29.884 --> 22:31.005 Tribute band names. 22:31.785 --> 22:35.890 Always an enjoyable way of spending a few hours with friends. 22:36.210 --> 22:43.097 Thinking of tribute bands that maybe don't exist and invariably you end up thinking of some that probably do exist but you just don't know about them. 22:43.518 --> 22:48.904 For example, a tribute band for the specials would be Today's Specials. 22:50.359 --> 22:50.619 Nice. 22:50.859 --> 22:51.139 Yeah. 22:52.040 --> 22:52.700 Er, how about this? 22:52.920 --> 22:56.221 For the Foo Fighters, the Faux Fighters... They exist, don't they? 22:56.261 --> 22:56.521 Do they? 22:56.541 --> 22:57.701 I bet they exist. 22:57.741 --> 22:58.121 I don't know. 22:58.181 --> 22:59.082 It's so good they must. 22:59.222 --> 23:01.462 If anyone knows, er, they can text us in. 23:01.722 --> 23:06.184 Incidentally, er, four fact fans apparently Go West are on tour with Tony Hadley. 23:06.224 --> 23:06.464 Thanks. 23:06.944 --> 23:08.827 Erm, here's one for a Strokes tribute band. 23:08.867 --> 23:09.748 Different Strokes. 23:22.486 --> 23:22.807 Nice. 23:22.867 --> 23:23.527 Come on. 23:24.268 --> 23:25.710 You know the one that always sticks in my head? 23:25.750 --> 23:26.531 This is a real one. 23:26.571 --> 23:26.751 Yeah. 23:26.791 --> 23:29.034 And they always play at The Swan opposite Stockwell Tube. 23:29.454 --> 23:30.836 It's the Oasis tribute band. 23:31.156 --> 23:33.019 And they're called No Way Sis. 23:33.559 --> 23:34.981 Yeah, they've been around for years. 23:35.021 --> 23:36.463 That really sticks in my head though. 23:36.483 --> 23:40.948 I find myself just walking along going, Oasis, No Way Sis. 23:41.048 --> 23:41.749 It's so clever. 23:41.929 --> 23:44.031 I feel like they've been around longer than Oasis have. 23:44.451 --> 23:45.232 Here, do you want some more? 23:45.392 --> 23:45.572 Yeah. 23:46.233 --> 23:49.696 Cos we want- we want you to come up with, um, some more of these- Yeah, this is the competition. 23:49.736 --> 23:51.037 We're not just wasting your time, listeners. 23:51.497 --> 23:53.439 83XFM if you've got, uh, better ideas. 23:53.479 --> 23:56.842 Yeah, some modern bands as well who maybe haven't had, uh, tribute bands yet. 23:57.222 --> 23:58.443 But how about this for Joy Division? 23:58.984 --> 23:59.925 Ode to Joy Division? 24:01.465 --> 24:01.946 Nice. 24:02.166 --> 24:03.627 Is that good, or is that just- Yeah, no, that's good. 24:03.667 --> 24:05.909 That's good for your more sophisticated fans. 24:05.989 --> 24:06.350 Yeah. 24:06.690 --> 24:07.090 How about this? 24:07.811 --> 24:09.032 I don't really need to explain who it's for. 24:09.313 --> 24:10.273 The Birds and the Bee Gees? 24:11.555 --> 24:13.857 Well, that's like a sort of dirty Bee Gees show, isn't it? 24:14.197 --> 24:14.758 Yeah, that's a good idea. 24:14.778 --> 24:15.919 That's like a Raymond Revue bar. 24:16.119 --> 24:16.459 Right. 24:16.539 --> 24:19.422 Dirty Bee Gees, sexy, hee-bee-gee-bee-bee-gee show. 24:19.582 --> 24:20.683 Ladies, Bearded Ladies. 24:20.783 --> 24:21.124 Yeah. 24:21.924 --> 24:22.865 Um, how about this? 24:22.905 --> 24:23.826 This is rubbish, this one. 24:23.846 --> 24:24.947 This is for the Kaiser Chiefs. 24:25.248 --> 24:26.229 The Kaiser Thieves? 24:27.663 --> 24:32.249 That's more like a sort of rubbish headline from an NME article or something. 24:32.369 --> 24:32.710 Sorry. 24:32.930 --> 24:33.290 Sorry. 24:33.471 --> 24:35.193 OK, here's one that I came up with this morning. 24:35.213 --> 24:36.114 I'm quite happy with it. 24:36.615 --> 24:37.235 Not so keen. 24:38.692 --> 24:42.654 They... Well, you can't have a tribute band who don't like the band they're doing a tribute to. 24:43.074 --> 24:45.755 That's a band for people who don't really like you. 24:46.115 --> 24:47.336 Or who quite like them. 24:47.536 --> 24:48.816 Or they play their songs really badly. 24:48.836 --> 24:49.697 Yeah, yeah. 24:50.137 --> 24:52.958 So if you can do better than that, listeners, text 83XFM. 24:52.978 --> 24:55.039 This competition is text only. 24:55.059 --> 24:59.221 Or we may accept entries via email, adamandjoe at xfm.co.uk. 24:59.521 --> 25:00.461 But 83XFM. 25:00.721 --> 25:03.343 And the prize is... What is the prize? 25:03.423 --> 25:05.744 Is it another Bob... Are we running out of prizes? 25:05.804 --> 25:06.444 Surely not. 25:06.704 --> 25:07.664 Well, what about this we've got? 25:07.905 --> 25:08.125 Oh, yeah. 25:08.145 --> 25:12.667 We've only got three, cos we were gonna give one to the- to the dissident, to the- Well, we'll think of an amazing prize. 25:12.747 --> 25:13.887 Can we not steal something from him? 25:13.907 --> 25:15.908 Yeah, we can steal- I'll go and steal something from outside. 25:15.948 --> 25:17.069 Don't steal Brian's beer. 25:17.229 --> 25:18.249 I will steal Brian's beer. 25:18.269 --> 25:19.550 He sent an email round to all the stars. 25:19.570 --> 25:21.071 I'm specifically gonna steal something from Brian. 25:21.091 --> 25:23.172 Who's been stealing my beer from under my desk? 25:24.139 --> 25:28.501 In the meantime, while you're texting listeners, 83XFM, uh, let's have a record. 25:28.601 --> 25:34.503 Yeah, this is, uh, Kasabian, and it says helpfully here on the playlist, pronounced Kur-say-be-an. 25:35.103 --> 25:36.044 Kur-say-be-an. 25:36.744 --> 25:44.147 And, uh, it's the fourth single from the Leicester Quartet, who have taken their name from Linda Kasabian, I didn't know this, the getaway driver for the Manson family. 25:46.408 --> 25:47.508 What a depressing fact. 25:47.868 --> 25:49.529 Here you go, this is Kasabian with LSF. 26:00.988 --> 26:02.769 Sorry, can you turn the record down a bit? 26:02.830 --> 26:03.490 I can't hear your noises. 26:03.530 --> 26:03.770 Yeah. 26:03.990 --> 26:04.331 Alright. 26:04.351 --> 26:04.731 With you. 26:05.051 --> 26:05.351 Don't stop. 26:05.411 --> 26:05.972 Let's just, yeah. 26:21.164 --> 26:22.005 Erm, erm, erm, erm, erm. 26:38.840 --> 26:39.321 like a flood of 26:53.780 --> 26:54.120 Oh, man. 26:54.381 --> 26:54.821 Oh, hang on. 26:54.841 --> 26:55.321 Who's done that? 26:55.421 --> 26:55.642 Wait. 26:55.822 --> 26:56.442 Talk for a bit, Adam. 26:56.883 --> 26:58.044 OK. 26:58.204 --> 27:02.067 Hey, incidentally, later on, do you remember we used to do crap accents on the show? 27:02.127 --> 27:02.387 Yes. 27:02.768 --> 27:05.050 Well, I brought some... This isn't a competition. 27:05.070 --> 27:08.993 I just saw an amazingly crap accent on an episode of Lost. 27:09.293 --> 27:11.816 Now, I've got Lost on DVD, so I'm quite absorbed by it. 27:11.916 --> 27:12.176 Yes. 27:12.296 --> 27:13.637 I finished watching it this week. 27:14.098 --> 27:17.440 But I think the series is still running on terrestrial television. 27:17.961 --> 27:20.763 But if you haven't got the DVD, you will... 27:21.764 --> 27:25.887 not have seen this episode with this amazingly bad Australian accent, which I'm going to play you later on. 27:26.167 --> 27:27.308 Oh, we can look forward to that. 27:27.488 --> 27:27.708 Yeah. 27:27.748 --> 27:28.388 Here, I'm ready now. 27:28.528 --> 27:28.749 OK. 27:29.069 --> 27:31.370 How about a Jamaican cover band for the White Stripes? 27:31.851 --> 27:32.771 The Red Stripes. 27:33.171 --> 27:33.892 That's not bad. 27:33.912 --> 27:34.892 Dom in Waltham Cross. 27:35.153 --> 27:35.693 Well done, Dom. 27:36.413 --> 27:37.134 Gwen Stefo. 27:37.154 --> 27:38.074 That's a good idea, man. 27:38.114 --> 27:38.635 Here's one. 27:39.015 --> 27:40.176 Dom, I'm going to get together with you. 27:40.196 --> 27:41.116 We should go into business. 27:41.136 --> 27:41.757 They get better, man. 27:41.777 --> 27:42.257 They get better. 27:42.317 --> 27:42.557 Really? 27:42.817 --> 27:43.078 Yeah. 27:43.238 --> 27:44.639 Gwen Stefoni. 27:45.579 --> 27:46.820 From Shawn in Brighton. 27:46.860 --> 27:47.280 That's good. 27:47.500 --> 27:48.460 The Kaiser Cheats. 27:48.821 --> 27:49.781 The Kaiser Cheats. 27:49.901 --> 27:50.721 From Jason. 27:50.942 --> 27:51.642 That's much better. 27:51.662 --> 27:52.382 He says, cheers guys. 27:52.582 --> 27:52.982 Good show. 27:53.002 --> 27:53.683 Thanks, Jason. 27:53.703 --> 27:54.463 Hey, Jason. 27:54.503 --> 27:56.084 There's a Bon Jovi... Stop doing that. 27:56.104 --> 27:56.564 Who's doing that? 27:56.584 --> 27:57.184 Is that you, Xanthi? 27:57.204 --> 27:57.965 Oh no, it's just reload. 27:57.985 --> 28:00.526 My techs are reloading and it's all... I'm losing my place. 28:00.546 --> 28:01.406 Don't shout at Xanthi. 28:01.806 --> 28:02.807 Oh, mumbles. 28:03.347 --> 28:03.807 Mumbles? 28:03.847 --> 28:05.968 Yeah, it's my new soft swear word. 28:06.148 --> 28:09.430 It's, er, that's, er, Catherine Zeta-Jones's hometown. 28:09.750 --> 28:10.010 Is it? 28:10.030 --> 28:13.231 It's also what I used to call my mum when I was little. 28:14.091 --> 28:15.071 But let's not get into that. 28:15.572 --> 28:18.933 Definitely not leopard, as that's supposed to be Def Leppard. 28:20.733 --> 28:22.394 Dipress Mill? 28:22.634 --> 28:23.434 What's that? 28:23.814 --> 28:25.214 How about Cooler Faker? 28:25.254 --> 28:29.856 That's just a rude thing to say about Cooler Shaker, who no one remembers anyway. 28:29.876 --> 28:31.776 Hey, come on, I met him the other day. 28:31.796 --> 28:32.796 He was really nice. 28:33.517 --> 28:34.277 Crispian Mills. 28:35.317 --> 28:37.660 He's not a Nazi at all. 28:37.720 --> 28:38.641 He's just a nice guy. 28:38.921 --> 28:39.221 Really? 28:39.502 --> 28:41.484 I don't even remember the scandal about him. 28:41.504 --> 28:43.346 Did he have any scandal? 28:43.526 --> 28:47.430 He was into all sort of Indian symbolism and mysticism and stuff. 28:47.450 --> 28:52.296 Someone's texted in, I've been calling them not so keen since seeing them live at the wireless fest in the summer. 28:52.536 --> 28:53.657 They are rubbish. 28:53.877 --> 28:54.678 Oh steady on. 28:55.539 --> 28:55.940 I like them. 28:56.600 --> 28:57.661 Oh, stop reloading. 28:57.701 --> 28:58.482 This is a disaster. 28:58.502 --> 28:59.443 I can't read these texts. 28:59.463 --> 29:00.945 Well, that's a good start, isn't it? 29:00.985 --> 29:01.665 That's a good start. 29:01.685 --> 29:02.486 Why don't we play a record? 29:02.506 --> 29:05.449 You can collate a bit and we'll come back and we'll award a prize. 29:05.469 --> 29:07.151 Slip knot instead of slip knot. 29:07.191 --> 29:08.733 Separated the words slip and knot. 29:08.753 --> 29:09.313 That is brilliant. 29:09.333 --> 29:10.434 That's good, Mike in Hammersmith. 29:10.454 --> 29:10.975 Good thinking. 29:11.235 --> 29:11.816 Very good. 29:12.136 --> 29:32.579 keep texting xfm uh 83 xfm is the text number we're going to come up with a prize we'll tell you what it is and we'll award it after this after this this is a track from uh the super furry animals this is from their all welsh album and it's called just be gibberish yeah yeah mainly gibberish but that's what rock and pop's all about okay 29:33.773 --> 29:38.420 I tell you what, we can listen to it and imagine what they're- because sometimes when you hear people singing in a foreign language, it sounds English. 29:38.820 --> 29:39.061 Yeah. 29:39.161 --> 29:41.043 It just sounds like someone speaking English in a strange accent. 29:41.083 --> 29:42.285 Welsh is a great language, though. 29:42.305 --> 29:44.288 I always liked the Gorky's Welsh stuff. 29:44.308 --> 29:44.448 Yeah. 29:44.608 --> 29:46.451 Anyway, here's Super Furry Animals. 29:46.471 --> 29:48.514 We'll be back with a winner for our text competition after this. 29:56.477 --> 29:57.438 Well, hello. 29:57.458 --> 29:58.098 Can you hear me? 29:58.178 --> 29:58.378 Yeah. 29:58.658 --> 29:58.878 Yeah. 29:59.278 --> 30:02.480 I've, uh, thought I heard some things being sung in English there. 30:02.540 --> 30:04.761 I'm sure at the beginning he said, I'm licking the sunshine. 30:04.781 --> 30:07.723 And then he said, then he sung, Dan's got a python. 30:07.783 --> 30:10.824 And then I'm sure he said, across the blue tea river. 30:11.424 --> 30:13.265 And then, I am a ninny who carries a melon. 30:13.605 --> 30:15.807 He definitely said, I am a ninny who carries a melon. 30:15.827 --> 30:16.987 That's the chorus, I think, yeah. 30:17.027 --> 30:17.247 Is it? 30:17.267 --> 30:17.587 Yeah. 30:17.647 --> 30:19.849 I am a ninny who carries a melon. 30:20.329 --> 30:21.689 I am a ninny. 30:21.709 --> 30:22.070 Yeah. 30:22.330 --> 30:22.530 Yeah. 30:22.890 --> 30:23.771 That's Welsh for you. 30:23.871 --> 30:24.332 There you go. 30:24.352 --> 30:27.315 I've got to tell you, I'm like half-Welsh, so I'm allowed to be rude about the Welsh. 30:27.335 --> 30:28.957 You're allowed to be a little bit, er, racist. 30:29.918 --> 30:30.399 Welshist. 30:30.499 --> 30:31.861 That's Super Furry Animals there. 30:31.881 --> 30:33.522 And, erm- You're listening to Adam and John on XFM. 30:33.542 --> 30:33.723 Yeah. 30:34.203 --> 30:36.166 In the midst of an exciting text competition. 30:36.186 --> 30:36.406 Yeah. 30:36.446 --> 30:38.889 We've been asking to come up with your own names for tribute bands. 30:39.509 --> 30:41.011 And, er, we've got a lot of good stuff in. 30:42.072 --> 30:42.872 But we should pick a winner. 30:43.252 --> 30:45.733 OK, I'm going to read some more out for you, Adam. 30:45.753 --> 30:50.174 I'll just read new ones, so if there's any from the ones I just read you that you think should get the award. 30:50.274 --> 30:51.014 Are you making notes? 30:51.434 --> 30:51.854 Yeah. 30:51.874 --> 30:52.715 You've got a pen? 30:52.755 --> 30:52.975 Yes. 30:53.335 --> 30:53.855 There's a pen. 30:54.255 --> 30:55.335 OK, let's read some out. 30:55.375 --> 30:56.516 I like the red stripes one. 30:56.796 --> 30:57.676 Yeah, that was good, wasn't it? 30:57.696 --> 30:58.396 That was good, wasn't it? 30:58.536 --> 30:59.976 Cos I just think that would be a good band. 30:59.996 --> 31:02.197 I'd like to see a reggae band doing white stripes songs. 31:02.317 --> 31:04.458 I think they actually exist, says Max in Camden. 31:04.638 --> 31:05.438 Bye, Jovi. 31:06.570 --> 31:07.511 That's- that's pretty good. 31:07.531 --> 31:11.296 No, that's good for Bon Jovi by Jovi, the Southwest's premier bisexual Bon Jovi tribute band. 31:11.316 --> 31:12.838 But that, uh, doesn't count because they exist. 31:13.218 --> 31:14.319 The Smiley Mondays, what? 31:14.840 --> 31:15.240 Who them? 31:15.260 --> 31:16.462 The Smiley Mondays. 31:17.063 --> 31:17.663 Uh, come on. 31:17.743 --> 31:18.524 Could do better. 31:18.604 --> 31:19.646 Okay, I'm just scanning up. 31:20.882 --> 31:21.662 I'm just scanning up. 31:21.882 --> 31:23.143 Quite warm, Julie Peppers. 31:24.244 --> 31:25.924 No, no one's even sent a name for that one. 31:26.144 --> 31:26.945 No, I'm not surprised. 31:27.005 --> 31:28.425 Massive fat tack. 31:28.806 --> 31:29.086 What? 31:29.326 --> 31:29.666 What's that? 31:29.686 --> 31:31.947 You can just be a fat and people doing a massive attack tribute. 31:32.667 --> 31:33.528 You started this. 31:33.708 --> 31:36.029 Don't blame me for the responses you're getting. 31:36.049 --> 31:36.989 The quality's slipping. 31:37.169 --> 31:38.350 It was better before. 31:38.470 --> 31:40.231 I know, well, the clever ones always text first. 31:41.051 --> 31:42.652 You know, their brains are faster. 31:42.932 --> 31:43.912 Oh, and now it's reset. 31:44.152 --> 31:44.713 Status, no. 31:45.555 --> 31:46.115 Status? 31:46.356 --> 31:46.736 No. 31:47.396 --> 31:48.177 Come on, I'm doing the best. 31:48.357 --> 31:49.178 The Fibbeteens. 31:50.459 --> 31:51.299 The Fibbeteens. 31:51.319 --> 31:52.020 I don't know. 31:52.040 --> 31:52.780 Duddy Holly. 31:53.621 --> 31:54.642 Wrong Said Fred. 31:55.022 --> 31:56.423 Love the show, from Luke in Chelmsford. 31:56.963 --> 31:58.324 Double Maximo Parked. 31:58.665 --> 31:59.485 Just a bad pun. 31:59.846 --> 32:00.546 Ant in Essex. 32:02.948 --> 32:04.269 Kylie Manogue. 32:04.649 --> 32:06.871 A drag tribute act to Kylie Manogue. 32:07.031 --> 32:08.092 That's from Faye in Hackney. 32:08.372 --> 32:10.814 She says it's genius, so we can't argue with her. 32:12.816 --> 32:13.176 I don't know. 32:13.316 --> 32:14.817 Can you go back to- Do you want more? 32:15.137 --> 32:15.357 No. 32:15.777 --> 32:17.298 Can you go back to some of the earlier ones? 32:17.318 --> 32:17.658 How about this? 32:17.858 --> 32:18.738 Not the AAS. 32:19.899 --> 32:20.879 That's not bad. 32:20.899 --> 32:21.339 Who's that? 32:21.659 --> 32:23.620 That is from Kate in Palace. 32:24.300 --> 32:25.361 In Buckingham Palace. 32:25.901 --> 32:26.641 Crystal Palace. 32:27.422 --> 32:28.342 An ice palace. 32:28.982 --> 32:30.143 Shover Man's ice palace. 32:30.403 --> 32:31.323 Who- Is that where she lives? 32:31.603 --> 32:32.504 What are you talking about? 32:32.524 --> 32:33.044 I don't know. 32:33.124 --> 32:34.044 She just said in Palace. 32:34.084 --> 32:35.165 Go back to the early ones. 32:36.165 --> 32:38.146 Oh, that's terrible. 32:39.318 --> 32:40.099 These are terrible. 32:40.139 --> 32:41.080 I can't even read them out. 32:41.100 --> 32:42.821 This is really good radio. 32:44.423 --> 32:46.604 Someone's texted the hippo Mondays. 32:46.625 --> 32:48.346 The hippo Mondays? 32:48.466 --> 32:49.347 What's that? 32:49.807 --> 32:50.908 OK, this has got to stop now. 32:50.928 --> 32:54.131 Well, award an award, then it will stop. 32:54.151 --> 32:55.272 We haven't got a prize. 32:55.392 --> 32:56.233 The red stripes. 32:56.453 --> 32:59.276 We could just say that the quality's not good enough and not give a prize. 32:59.696 --> 33:01.217 Well, there were some good ones at the beginning! 33:01.237 --> 33:03.338 Well, you can't even- they can't have been good if you don't remember them. 33:03.358 --> 33:04.779 But you scrolled off in the different directions. 33:04.799 --> 33:05.760 I remember the red stripes. 33:06.040 --> 33:07.481 And I quite like Gwen Stefone. 33:07.681 --> 33:08.041 Okay. 33:08.301 --> 33:09.202 I'm gonna find them again. 33:09.222 --> 33:13.884 Let's find Gwen Stefone and do, uh, I don't mean, you know, what I mean. 33:13.904 --> 33:14.925 Yeah, yeah, yeah, yeah. 33:15.485 --> 33:16.465 Oh, dear. 33:16.525 --> 33:17.966 I'm trying to find them, there's so many. 33:18.446 --> 33:22.527 Just say that you've awarded it to them and we'll come back with, uh- Do you think maybe this is the worst link we've ever done? 33:22.607 --> 33:24.188 No, it's one of my- it's one of the favourites. 33:24.348 --> 33:25.769 We'll think this is gonna win us the Sony. 33:25.929 --> 33:29.490 We'll be back with more and we'll find the name of the person who won the competition after this. 33:29.570 --> 33:29.730 Bye. 33:55.321 --> 33:55.882 This is XFM. 34:06.341 --> 34:07.562 Oh, that's epic, isn't it? 34:07.903 --> 34:08.723 That told you. 34:08.863 --> 34:10.004 That certainly did tell me. 34:10.044 --> 34:11.265 That was the editors with bullets. 34:11.305 --> 34:13.087 That's the follow-up to Blood, Joe. 34:13.207 --> 34:13.707 Course it is. 34:13.727 --> 34:15.148 You don't need to tell me that sort of thing. 34:15.188 --> 34:16.349 Adam, I knew that already. 34:16.569 --> 34:18.151 And the next one's called Snot. 34:18.651 --> 34:19.191 Ah, brilliant. 34:19.291 --> 34:21.413 And it's going to tell it to you the way it is more. 34:21.633 --> 34:21.954 Thanks. 34:22.654 --> 34:23.675 Adam and Joe on XFM? 34:23.695 --> 34:23.795 Yeah. 34:23.995 --> 34:27.698 Now, we're going to pick a winner from our slightly abortive text competition. 34:27.718 --> 34:28.619 You know, it's not abortive. 34:28.679 --> 34:29.820 It's gone amazingly well. 34:29.880 --> 34:32.602 It's clear that they're, you know, raining down. 34:32.762 --> 34:33.862 There's millions of entries. 34:34.162 --> 34:38.443 We had in the break, er, someone phoned in with Irony- no, Ironic Maiden. 34:38.703 --> 34:39.443 That's pretty good. 34:39.583 --> 34:40.104 Quite good. 34:40.904 --> 34:42.524 Er, apparently the Red Stripes exist. 34:42.544 --> 34:43.144 Oh, here's a good one. 34:43.164 --> 34:43.984 Tony from Kilburn. 34:44.364 --> 34:45.905 Block Partly. 34:46.445 --> 34:47.065 That's good! 34:47.165 --> 34:48.525 Block Partly is good. 34:48.585 --> 34:49.946 Block Partly's good, Tony. 34:50.026 --> 34:53.786 The person who- the winner's gonna get a copy of that Bob Dylan, er, double disc DVD. 34:53.806 --> 34:54.547 Very good prize. 34:55.147 --> 34:56.887 We've had some very good ones during that song. 34:56.907 --> 34:58.127 What was the other one that I read out to you? 34:58.167 --> 34:59.048 Maybe Shambles. 34:59.248 --> 35:00.988 Maybe Shambles is good, isn't it? 35:01.028 --> 35:01.348 From Nick. 35:01.468 --> 35:23.178 yeah so apparently red stripes do exist and so do the different strokes there you go um interesting fact for you there so wow it's tough i mean there's not much you're gonna give it to i maybe shambles is pretty good isn't it isn't it maybe shambles is good but but we like the sound of the lady who phoned in with ironic maiden didn't we so let's give it to her she sounded she did she sound she sounded like a grown-up right yeah okay 35:23.698 --> 35:24.278 She's a mum. 35:24.718 --> 35:25.579 She's a mum. 35:25.599 --> 35:26.199 She's a mum. 35:26.239 --> 35:27.059 We've got to support the mums. 35:27.079 --> 35:27.540 She's a busy mum. 35:27.560 --> 35:28.760 We've got to support the mums. 35:28.780 --> 35:29.701 Trying to do her best. 35:29.861 --> 35:31.301 Let's set- we've got her address, right? 35:31.701 --> 35:32.902 Let's send her the Bob Dylan thing. 35:32.922 --> 35:33.762 She'll like that. 35:33.802 --> 35:34.623 Mums like Bob Dylan. 35:34.643 --> 35:44.447 Hey, talking of busy mums, have you seen the advert with Kerry from Wooja Cooja going to Iceland or Asda, and she picks up a packet of breasts. 35:45.047 --> 35:45.287 What? 35:45.567 --> 35:47.328 And she's got these big, fake breasts. 35:47.428 --> 35:49.148 You just- And she goes- no, bear with me. 35:49.188 --> 35:51.289 She goes to this spotty, ginger-haired boy, um, 35:53.531 --> 35:59.299 Oh, no, it's something about the prices being cut and she goes something like, uh, is this breast reduction real? 36:00.320 --> 36:01.381 No, or something like that. 36:01.441 --> 36:02.563 Someone will tell me what it's like. 36:02.943 --> 36:06.068 And the boy looks all nervous and goes, oh, I couldn't tell you, madam. 36:06.949 --> 36:07.189 What? 36:07.669 --> 36:09.790 She's holding a pair of frozen chicken breasts. 36:09.830 --> 36:10.371 Oh, right. 36:10.411 --> 36:13.052 Next to her massive artificial breasts. 36:13.072 --> 36:14.493 You see, you didn't say chicken breasts. 36:14.753 --> 36:16.714 Oh, what, she's got fake- Yeah, right. 36:16.754 --> 36:16.914 Yeah. 36:17.234 --> 36:18.355 Have you seen that one? 36:18.555 --> 36:19.155 No, I haven't. 36:19.175 --> 36:19.615 I want to. 36:19.635 --> 36:20.556 Well, then we can move on. 36:20.856 --> 36:22.017 I can't- It's a very odd advert. 36:22.077 --> 36:24.258 You just laid a lot of very confusing stuff on me. 36:24.418 --> 36:27.940 You reminded me of- Yeah, some people out there will know what I was talking about, because they'll know the advert. 36:27.960 --> 36:29.600 But other people, I'm sorry, if I confused you. 36:29.761 --> 36:31.161 You reminded me of Wudja Cudja. 36:31.521 --> 36:32.222 Wudja Cudja. 36:32.662 --> 36:35.023 She reminded me of- You couldn't focus on anything else. 36:35.083 --> 36:36.364 As soon as you mentioned Wudja Cudja, 36:36.984 --> 36:43.127 the beaches, the ice creams, the challenges, the swags, the credit cards and the bum cheeks, it all comes back to you. 36:43.367 --> 36:45.508 Wajakaja was more or less like balls of steel, wasn't it? 36:45.528 --> 36:46.869 It's actually pronounced wood-ja-kudja. 36:47.089 --> 36:48.250 I pronounce it wajakaja. 36:48.470 --> 36:49.270 Wajakaja. 36:49.831 --> 36:52.452 Waj did ya kudja, your honour? 36:53.733 --> 36:55.654 And so, waj did you kudja? 36:56.394 --> 36:57.975 What does that even mean? 36:59.055 --> 37:00.616 What are you talking about? 37:00.676 --> 37:02.257 It's like why I don't know. 37:04.788 --> 37:06.029 This show's collapsing. 37:06.989 --> 37:07.910 It's breaking down. 37:07.930 --> 37:09.510 I think we need another break. 37:09.550 --> 37:11.831 Why were you suddenly in a court? 37:14.472 --> 37:16.573 Why were you saying your honour? 37:19.655 --> 37:20.775 That's ridiculous. 37:21.055 --> 37:21.295 No. 37:21.555 --> 37:23.336 Alright then, we should play some music. 37:23.456 --> 37:24.797 Hey, thanks everyone who texted in. 37:25.277 --> 37:28.579 Coming up in a second, well, in about ten minutes it's going to be D-D-D-D-D-D-Dock. 37:28.599 --> 37:30.039 Yeah, we'll get that together. 37:30.059 --> 37:30.459 Oh, Jesus. 37:40.360 --> 37:41.861 That's sort of good. 37:41.881 --> 37:44.384 It's kind of depressing, but good. 37:44.724 --> 37:46.446 That's I'm In Love by Audio Bullies. 37:47.027 --> 37:48.508 This is Adam and Joe on XFM. 37:49.009 --> 37:51.992 And very shortly we're going to be doing Ditties in the Dock. 37:52.612 --> 37:53.413 That'll be exciting. 37:53.473 --> 37:54.715 And it's a McCartney off today. 37:54.735 --> 37:56.196 A solo McCartney off. 37:56.216 --> 37:56.957 A solo McCartney off. 37:56.997 --> 37:57.698 Wings permitted. 37:58.158 --> 38:03.799 I've got a track from one of his solo albums. 38:03.819 --> 38:05.260 But anyway, all will be revealed shortly. 38:05.600 --> 38:08.660 I just want to play you this clip from Lost that I was talking about. 38:09.321 --> 38:12.921 If you watch Lost, then you'll know that a lot of the action takes place in Australia. 38:14.342 --> 38:19.563 But because most of the actors are Americans, you get a lot of- Does it take place what the island is in Australia? 38:19.763 --> 38:19.943 No. 38:20.423 --> 38:22.644 The plane has just been flying from Australia. 38:22.704 --> 38:22.924 Right. 38:23.024 --> 38:24.684 So all the people are supposed to be Australians? 38:24.924 --> 38:32.013 No, but they've been dealing- they've been, uh, doing stuff in Australia for one reason or another, and we see them in Australia in flashbacks. 38:32.073 --> 38:32.434 Okay. 38:32.934 --> 38:39.402 And, uh, one of the characters, Hurley, uh, who's this big fat guy who basically- his whole character is just saying, dude. 38:40.003 --> 38:40.864 That's all he does. 38:41.084 --> 38:42.346 That defines his personality. 38:42.366 --> 38:43.067 He just says, dude. 38:43.888 --> 38:46.751 And then says something stupid and he's fat and that's the character. 38:46.791 --> 38:49.214 Now, I tell you what, an Aussie accent isn't that difficult to do. 38:49.234 --> 38:49.855 No, mate. 38:49.895 --> 38:51.516 Come on, everybody can do an Aussie accent. 38:51.617 --> 38:52.117 It's quite easy. 38:52.137 --> 38:53.679 You just sort of pull the tongue back. 38:53.799 --> 38:54.099 Yeah. 38:54.480 --> 38:54.800 Don't you? 38:54.840 --> 38:55.281 In the mouth. 38:55.461 --> 38:59.522 Anyway, for the American actors in Lost, it's a bit of a struggle. 38:59.862 --> 39:03.463 And there's a scene towards the end of the series with Hurley and this woman. 39:03.503 --> 39:05.624 He's gone out into the outback and tracked this woman down. 39:05.644 --> 39:13.126 I won't spoil it if you haven't watched the whole series yet, but basically Hurley freaked out because he thinks that evil numbers are ruining his life. 39:13.186 --> 39:14.586 And he goes and tracks this woman down. 39:15.006 --> 39:17.167 And this woman is supposed to be an old Australian lady. 39:17.487 --> 39:22.128 But check out the actress that they found and the mangling that she does with the accent. 39:22.868 --> 39:26.050 Anyway, he told me about Sam hearing something. 39:28.331 --> 39:29.792 You're talking back the numbers. 39:30.032 --> 39:31.693 Yes, the numbers, exactly. 39:31.974 --> 39:32.874 Do you know anything about him? 39:33.294 --> 39:38.898 Sam and Leonard were stationed at a listening post monitoring long-wave transmissions out of the Pacific. 39:39.338 --> 39:40.098 Boring job. 39:40.499 --> 39:42.980 Nothing to do but listen to static, night after night. 39:43.701 --> 39:48.444 Till one night, about 16 years ago, there's something in the static. 39:49.524 --> 39:53.847 Yeah, a bit 16 years ago of somewhere over South Africa, isn't she? 39:54.067 --> 39:56.508 She's skidding around all over the South African accent. 39:56.849 --> 39:57.749 Can you handle some more? 39:57.869 --> 40:13.619 Yeah, she's amazing couple of days later We're at the fair in Calgary and some Wally there's got this jar Must have been big as a pony and it's filled to the rim with beans Phil is offering 50 grand to anyone able to guess how many beads are in that jar. 40:13.879 --> 40:16.661 It's a good story as well Sam use the numbers 40:17.441 --> 40:21.103 If the answer was exact to the bean. 40:21.403 --> 40:21.783 Wow. 40:22.143 --> 40:25.325 That's the first thing I've heard that actually makes me want to watch Lost. 40:25.665 --> 40:26.826 It's quite a good episode actually. 40:26.866 --> 40:28.066 This is weird numerology. 40:28.086 --> 40:28.607 It sounds good. 40:28.627 --> 40:29.827 What with Kenting the beans. 40:30.107 --> 40:31.108 Kenting everything. 40:31.208 --> 40:32.529 She got the number of the beans. 40:32.629 --> 40:34.430 I've never seen bean kenting on Tilly. 40:34.510 --> 40:38.932 Some wally was offering 50 grand for the person who could kent the number of the beans. 40:39.412 --> 40:40.853 It is a sort of South African. 40:41.013 --> 40:42.314 What is the number of the beans? 40:42.454 --> 40:43.834 The number of the beans! 40:44.135 --> 40:45.135 What is it? 40:45.175 --> 40:45.395 Six? 40:45.655 --> 40:46.376 It can't be. 40:46.396 --> 40:46.856 No, I don't know. 40:47.156 --> 40:48.156 Yeah, it was an easy one. 40:48.176 --> 40:49.137 Well that was very good well done. 40:49.397 --> 41:07.443 Thanks, man You know if anyone's seen any amazingly bad accents in anything perhaps They could let us know and we'll do our best to play them You know there's the holy grail of bad accents, which I used to have and I can't find it anymore is Daphne's boyfriend in Frasier hmm do you remember he's supposed to be she's bad enough 41:07.903 --> 41:09.244 Well, she's really Mancunian. 41:09.644 --> 41:11.104 I mean, she's just got a weird accent. 41:11.545 --> 41:22.969 But her boyfriend, who turns up, is an American actor and he does the worst sub-Dick Van Dyke kind of mess of Cockney and Manchester and I don't know what. 41:23.669 --> 41:25.630 And I wish I could track it down. 41:25.650 --> 41:28.791 I wish someone could tell me what episode it was, because I really want to find it. 41:29.471 --> 41:30.352 Anyway, there you go. 41:30.392 --> 41:36.517 We'll be back with Ditty's In The Dock extremely shortly, but first here's a track from Kevin Ayres. 41:36.537 --> 41:38.278 You don't hear too much Kevin Ayres on XFM. 41:49.307 --> 41:50.708 Come on, that's the guitar solo. 41:50.728 --> 41:52.950 That's Kevin Ayres with Shouting In A Bucket Blues. 41:56.809 --> 42:02.214 OK, it's Ditty's in the Dock time here in the last 20 minutes of the Adam and Joe radio show on XFM. 42:02.454 --> 42:16.668 Yes, and everybody who gets through this week will win a copy of the soundtrack to the exciting Brit gangster film The Business, which is about a group of gangsters what go to Spain and listen to 80s music and probably swear and punch each other. 42:16.948 --> 42:17.308 I don't know. 42:17.348 --> 42:19.230 I haven't seen it, but it's a great soundtrack. 42:19.430 --> 42:20.832 It's got all your favorite 80s tracks. 42:21.452 --> 42:22.554 You know, them ones. 42:23.055 --> 42:24.517 Bowie, Adam and the Ants. 42:24.897 --> 42:25.638 Which Bowie track? 42:26.139 --> 42:26.780 It's Modern Love. 42:26.920 --> 42:27.421 Oh, that's a smash. 42:27.441 --> 42:28.502 Yeah, it's a good soundtrack. 42:28.702 --> 42:30.164 So everybody who gets through wins one of those. 42:30.184 --> 42:33.509 And this week it is a McCartney play-off. 42:33.629 --> 42:36.032 A solo McCartney play-off, Wings Permitted. 42:37.011 --> 42:37.231 Yeah. 42:37.631 --> 42:38.972 So I'm going to start. 42:39.032 --> 42:39.493 OK, you go. 42:39.513 --> 42:42.475 Just for the heck of it, I love my McCartney. 42:42.895 --> 42:47.799 I was going to choose Maybe I'm Amazed, which is probably my favorite McCartney album track. 42:47.819 --> 42:48.319 It's a classic. 42:48.419 --> 42:50.341 Then I thought, well, maybe I should go for something a bit stupider. 42:50.361 --> 42:51.181 I thought Pipes of Peace. 42:51.481 --> 42:58.286 But then I thought, no, because in my opinion, the best Paul McCartney and Wings song is Live and Let Die, the theme to the Bond film. 42:58.466 --> 43:00.128 Oh, man, you're going to win. 43:00.188 --> 43:01.589 It's such an exciting track. 43:01.889 --> 43:04.371 I think it's the best Bond theme ever. 43:05.812 --> 43:12.919 It's a combination of reggae, power rock, classical orchestration. 43:14.341 --> 43:19.807 It's basically like watching the most amazing pre-credits sequence from the most amazing Bond film. 43:20.287 --> 43:23.711 It's a rollercoaster ride of a song and it's fantastic to sing along to. 43:24.031 --> 43:26.555 And it's better than the Guns N' Roses version. 43:26.836 --> 43:27.256 Oh yes. 43:27.557 --> 43:28.158 So there we go. 43:28.839 --> 43:35.229 Call 0871 222 1049 if you want to vote for Paul McCartney and Wings with Live and Let Die. 43:35.269 --> 43:37.392 Well, Live and Let Die certainly is a smash. 43:37.432 --> 43:39.055 No one's going to argue with you on that. 43:39.355 --> 43:42.056 But I propose some more adventurous McCartney. 43:42.276 --> 43:48.858 This is from McCartney 2, the album that he tried out some very strange early electronic stylings upon. 43:49.418 --> 43:52.739 And there's a track on there called temporary secretary or secretary. 43:52.759 --> 43:53.539 That is a good one. 43:53.559 --> 43:56.880 The way he sings it temporary secretary. 43:56.900 --> 43:57.900 Have you played on here before? 43:57.920 --> 43:58.721 I don't know if I have. 43:58.741 --> 43:59.561 It's a good track. 43:59.761 --> 44:01.542 It's really good and it's really insane. 44:01.582 --> 44:08.367 And the idea, you know, it really reminds you that Macca was the most forward-looking and the most adventurous of the Beatles. 44:08.547 --> 44:11.729 And, you know, he unfairly gets dismissed as being Mr. Saccarin. 44:12.150 --> 44:15.732 But no, he had a pretty nutty brain in his mop-top head. 44:16.213 --> 44:18.794 And this song really reminds you how bizarre things can get. 44:18.834 --> 44:20.215 And a beautiful voice. 44:20.516 --> 44:22.377 I don't know if anyone's ever noticed that before. 44:22.817 --> 44:24.498 But he's got a very good voice. 44:25.579 --> 44:31.503 And we should mention that this is in honour of his new album, Chaos and Creation in the Backyard, produced by Nigel Godrich, which is apparently a return to form. 44:31.764 --> 44:33.765 He got so angry with Godrich he nearly punched him. 44:34.125 --> 44:34.966 Did you read that? 44:35.006 --> 44:37.267 Because Godrich said that some of his songs were rubbish. 44:37.608 --> 44:41.010 But then McCartney said that it was like working with Lennon again, it made him feel young again. 44:42.311 --> 44:44.112 So, call 0871 2221049 and vote for either. 44:46.618 --> 44:50.341 Live and Let Die or, sorry, my one is Temporary Secretary. 44:50.581 --> 44:51.402 Or Live and Let Die. 44:52.122 --> 44:54.084 It's the Big McCartney playoff on Dizzy's in the Dock. 44:54.304 --> 44:55.004 Hey, this is good, isn't it? 44:55.024 --> 44:56.065 The Big McCartney playoff. 44:56.085 --> 44:57.166 It's like a Capital Radio link. 44:57.206 --> 44:57.466 Yeah. 44:57.606 --> 44:58.367 Can't believe I said that. 44:58.407 --> 45:01.309 I just feel like I should say mine again because it's the more obscure of the two. 45:01.529 --> 45:06.473 Well, basically this is a battle between familiarity and adventurousness. 45:06.513 --> 45:06.753 Right. 45:06.933 --> 45:08.515 Temporary Secretary versus 45:09.434 --> 45:09.976 Live and Let Die. 45:09.996 --> 45:13.646 Live and Let Die will be back with some calls after we play some ads in another tune. 45:20.976 --> 45:21.656 It is time. 45:22.257 --> 45:23.817 Rock-a-like to rock! 45:24.177 --> 45:26.579 That's the Foo Fighters with D-O-A. 45:26.799 --> 45:32.321 Hey, thanks, incidentally, to the person that emailed us to say that it was Frasier, season four, episode five. 45:32.341 --> 45:32.781 You know what? 45:32.881 --> 45:33.822 About four people did. 45:34.042 --> 45:35.403 Thank you very much to all those people. 45:35.423 --> 45:39.044 That's exactly, that's my dream of what it's like to be on the radio, to get questions like that answered. 45:39.244 --> 45:39.805 Anyway, let's get on. 45:40.985 --> 45:41.846 We don't have much time. 45:42.266 --> 45:43.666 Let's take some callers immediately. 45:43.686 --> 45:49.469 Just to remind you it's between Live and Let Die by Paul McCartney or Temporary Secretary by Paul McCartney. 45:49.549 --> 45:50.490 Patrick is on Line 1. 45:50.550 --> 45:51.430 Hi Patrick, how are you doing? 45:51.750 --> 45:52.811 I'm very well and yourself? 45:53.011 --> 45:53.671 Yeah, good thanks. 45:53.731 --> 45:54.732 Thanks very much for calling in. 45:54.752 --> 45:56.333 What are you going to go for? 45:56.373 --> 45:57.673 I do like Live and Let Die. 45:57.693 --> 45:59.894 I'm going to take a gamble with Temporary Secretary because I don't know it. 45:59.914 --> 46:00.735 Oh, nice one. 46:01.124 --> 46:03.465 That's the kind of pioneering spirit we like here on the show. 46:03.525 --> 46:04.705 Thanks very much for calling, Patrick. 46:04.965 --> 46:05.966 That's 1-0 to Buxton. 46:06.266 --> 46:07.106 Jeannie, are you there? 46:07.466 --> 46:07.986 Hey, yeah. 46:08.387 --> 46:09.367 Hey, Jeannie. 46:09.407 --> 46:11.028 Have you just woken up, darling? 46:11.348 --> 46:12.088 No, I haven't. 46:12.108 --> 46:13.168 I've been up for a while. 46:13.388 --> 46:13.949 OK. 46:14.109 --> 46:16.970 Are you... Well, you insulted her then, Adam, didn't you? 46:16.990 --> 46:18.670 No, she just sounds sort of perky and sexy. 46:19.471 --> 46:20.491 Jeannie, what are you going to go for? 46:21.224 --> 46:22.806 Um, it's the old favourite. 46:23.066 --> 46:24.928 I used to get played it when I was younger. 46:24.988 --> 46:26.290 It's live and let die. 46:27.031 --> 46:27.331 Yay! 46:27.471 --> 46:28.753 You do sound ashamed. 46:29.053 --> 46:29.874 No, yeah, it's great. 46:30.595 --> 46:30.895 I love it. 46:30.915 --> 46:31.556 It's really cool. 46:31.816 --> 46:32.196 Okay. 46:32.236 --> 46:32.977 Thanks, Jeannie. 46:33.017 --> 46:33.418 Thanks, Jeannie. 46:33.458 --> 46:35.180 You win a copy of the soundtrack to The Business. 46:35.560 --> 46:36.341 The Business. 46:36.822 --> 46:36.942 Yeah? 46:36.962 --> 46:37.522 AC's classics. 46:37.562 --> 46:38.263 Jason, are you there? 46:38.283 --> 46:39.324 Hello, mate. 46:39.545 --> 46:40.386 How you doing, Jason? 46:40.806 --> 46:41.146 I'm good. 46:41.427 --> 46:41.907 What are you up to? 46:42.868 --> 47:05.308 uh not a lot okay fair enough now what are you gonna go for jason we don't have much time is it live and let die or is it temporary secretary temporary secretary oh nice what's going on come on it's 2-1 adventurous now uh i just need i just need one more and it's mine sean are you there i'm indeed how you doing thanks a lot for calling you sound very mellow what are you gonna go for 47:06.014 --> 47:08.317 Erm, I'm gonna go for a temporary second. 47:08.377 --> 47:08.797 What? 47:08.857 --> 47:09.738 He takes it. 47:09.978 --> 47:10.779 What's going on? 47:10.799 --> 47:11.740 Thanks very much. 47:12.361 --> 47:13.862 Don't even have to take the fifth caller. 47:14.023 --> 47:14.763 Thanks a lot, Sean. 47:14.783 --> 47:15.704 Hey, and thanks. 47:15.724 --> 47:16.505 Who is that fifth caller? 47:16.525 --> 47:16.746 Heath? 47:17.226 --> 47:17.506 Heather? 47:17.747 --> 47:18.067 Heather. 47:18.187 --> 47:19.588 Well, we'll say hello to Heather anyway. 47:19.609 --> 47:19.869 Hey, Heather. 47:19.889 --> 47:20.830 We'll send you a CD anyway, Heather. 47:20.850 --> 47:21.010 Hello. 47:21.110 --> 47:21.591 Are you there? 47:22.185 --> 47:23.446 What were you going to vote for, Heather? 47:23.746 --> 47:25.207 I was going to vote for a temporary secretary. 47:25.447 --> 47:28.109 Oh, it's an absolute walkover. 47:28.129 --> 47:29.650 Thanks a lot for calling, Heather. 47:29.850 --> 47:30.870 Thank you to everyone who called. 47:30.970 --> 47:35.093 Man, I really thought you were going to just take it easily. 47:35.113 --> 47:37.014 Hey, everyone's heard live and let die a million times. 47:37.034 --> 47:40.116 Can we just remind people what they're missing in a tantalising way? 47:40.136 --> 47:40.837 Yeah, but they know. 47:40.857 --> 47:43.038 Go on, don't burst. 47:48.906 --> 47:57.670 I wish we could play both of them, but I have trouble with that bit. 48:02.172 --> 48:07.595 But anyway, check this out, for sheer electronic- stop it now. 48:07.855 --> 48:12.577 Well, you've kind of heard it now, if you wanted to hear Live and Let Die, you've heard Cornish doing it, and that's- That's Cornish's crap cover band. 48:12.597 --> 48:13.338 That's quite good. 48:13.358 --> 48:15.659 Paul- Paul- Paul McCorn- McCorny? 48:16.689 --> 48:18.093 Just, just play the record. 48:18.173 --> 48:19.317 We'll see you next week, thanks for listening. 48:19.337 --> 48:20.079 Thanks for listening, bye! 48:20.119 --> 48:21.203 His temporary secretary. 48:43.912 --> 48:49.477 Mr. Mox, can you find for me someone strong and sweet fitting on my knee? 48:49.517 --> 48:53.560 She can keep her job if she gets it wrong. 48:53.680 --> 48:56.723 Ah, but Mr. Mox, I won't need her long. 48:57.343 --> 49:00.666 All I need is help for a little while. 49:00.706 --> 49:04.409 We can take dictation and learn to smile. 49:04.589 --> 49:11.494 And a temporary secretary is what I need for to do the job. 49:11.554 --> 49:12.095 I need a 49:17.936 --> 49:29.642 Sanitary, temporary, sanitary, temporary, sanitary Mr. Mox, could you send her quick? 49:29.782 --> 49:41.729 Cause my regular has been getting sick I need a temporary, sanitary, temporary, sanitary Mr. Mox 49:47.181 --> 50:13.515 She can be a belly dancer I don't need a true romancer She can be a diplomat But I don't need a girl like that She can be a neurosurgeon If she's doin' nothin' Or she's what I need's a temporary temporary secretary 50:36.624 --> 50:58.651 Well, I know how hard it is for young girls these days In the face of everything to stay on the right track She can be a belly dancer I don't need a true romancer She can be a diplomat 51:03.607 --> 51:25.838 Nothing urgent, what I need's a temporary, temporary secretary temporary, secretary temporary, secretary temporary, secretary temporary, secretary temporary, secretary 51:31.889 --> 51:31.990 XSX!