WEBVTT 00:05.723 --> 00:06.604 Oh, that's nice. 00:07.325 --> 00:08.085 It's mellow. 00:08.286 --> 00:10.287 It's a mellow way to start the show. 00:11.028 --> 00:11.969 Er, this is Adam and Jo. 00:11.989 --> 00:16.313 That was Jack Johnson with Breakdown kicking us off this Saturday afternoon. 00:16.533 --> 00:17.414 Shall I play our opening jingle? 00:17.454 --> 00:20.297 It was the one we accused of being advert music last week, wasn't it? 00:20.937 --> 00:22.719 Er, yeah, yeah, but it's nice advert music. 00:22.759 --> 00:23.359 We've changed our tune. 00:23.640 --> 00:24.560 Yeah, I like it. 00:25.001 --> 00:26.462 You accused it of being advert music. 00:26.482 --> 00:28.164 Yeah, well, I just lump everything on both of us. 00:28.444 --> 00:29.926 to me, I find it uplifting. 00:30.366 --> 00:32.709 Now, we're gonna sort your mic out, Joe, cause you're sounding a bit binny. 00:43.842 --> 00:48.427 I never know what you'll say. 00:48.507 --> 00:51.791 Did you see the Labour Party conference? 00:51.871 --> 00:55.194 No, but I taped it and I'm watching it tonight. 00:55.374 --> 00:58.357 I'm not sure about that new TV show. 00:59.218 --> 01:14.042 see the show about what did the Joan Baez kept interrupting his songs I'm not sure about that new TV show That sounds interesting, let's talk about it Let's start talking now 01:21.132 --> 01:22.413 I sounded great last week. 01:22.433 --> 01:23.594 Why do I sound all binny? 01:23.854 --> 01:25.555 It's something to do with Alex Sane. 01:25.615 --> 01:27.076 He's been messing around with everything. 01:27.096 --> 01:28.797 He's been messing around with everything. 01:29.038 --> 01:30.879 But thanks very much, Alex, for a great show. 01:30.899 --> 01:33.961 A good lead-in, a fun atmosphere when we came into the studio. 01:33.981 --> 01:35.022 Oh, I'm going on strike. 01:35.042 --> 01:35.722 This is terrible. 01:36.383 --> 01:37.363 Uh, we'll sort you out. 01:37.383 --> 01:37.924 Come around here. 01:37.984 --> 01:38.904 Come and talk in my mic. 01:38.924 --> 01:39.405 I can't. 01:39.565 --> 01:39.825 Come on. 01:39.845 --> 01:40.445 That's a bit better. 01:40.465 --> 01:41.086 That's a bit better. 01:41.246 --> 01:41.646 There you go. 01:41.686 --> 01:42.246 That's a bit better. 01:42.326 --> 01:46.408 So, listeners, we've got amazing competition-za this week, and amazing stuff to give away. 01:46.808 --> 01:49.049 We've got Curb Your Enthusiasm box sets. 01:49.249 --> 01:50.070 Which series is that, Al? 01:50.090 --> 01:50.950 This is series four. 01:51.050 --> 01:51.770 Series four? 01:52.171 --> 01:54.111 We've got three Curb Your Enthusiasm box sets. 01:54.131 --> 01:58.113 Supposedly, the word on the street is series four is a return to form after a slightly shaky series three. 01:58.133 --> 01:58.293 Really? 01:58.333 --> 01:59.514 The word on the street? 01:59.674 --> 02:00.214 Yeah. 02:00.354 --> 02:01.694 How do you hear the word on the street? 02:01.835 --> 02:02.215 Dizzy Rascal. 02:02.235 --> 02:03.295 Do you ask your drug dealer? 02:03.755 --> 02:05.116 No, no, Dizzy Rascal tells me. 02:05.436 --> 02:24.603 really yeah okay and we've also got uh tickets to kinky boots to give away this is an ongoing xfm promotion i think they've been being handed out all day on the station yeah so we can't claim to have anything you know amazingly special but the film itself is awesomely special and it's an amazing event the premiere right tickets to the premiere yeah and it's 02:25.143 --> 02:26.304 the only people who have those. 02:26.364 --> 02:26.644 Yeah. 02:27.085 --> 02:30.247 Oh, the Adam and Jo radio show, the only people who've got Premier tickets. 02:30.387 --> 02:33.089 Everyone else just has screening tickets. 02:33.109 --> 02:33.709 Ah, there we go. 02:33.729 --> 02:35.430 So we've got the best Kinky Boots tickets. 02:35.751 --> 02:40.714 Plus we've got tickets for a couple of events at Resfest, the digital film festival that's happening at the NFT. 02:41.374 --> 02:45.077 We'll tell you more about those a bit later, but fantastic tickets there. 02:45.517 --> 02:46.278 What else have we got? 02:46.738 --> 02:48.019 Oh man, we've got good music. 02:48.319 --> 02:48.840 I'm excited. 02:48.860 --> 02:49.340 I haven't 02:49.360 --> 02:50.240 I hadn't heard some of this stuff. 02:50.701 --> 02:58.224 The New Strokes single, which I'm very- I'm being told it's good, Juice Boxx, and, uh- Have we got the Arctic Monkeys? 02:59.165 --> 03:02.126 Cos everybody's writing about the Arctic Monkeys at the moment, Adam. 03:02.146 --> 03:04.067 They're the latest, uh, major bands. 03:04.247 --> 03:04.787 Are they real? 03:05.147 --> 03:06.868 Yeah, the Ar- Have you not heard of the Arctic Monkeys? 03:07.208 --> 03:09.469 I hadn't heard of the Arctic Monkeys until the day before yesterday. 03:09.609 --> 03:12.611 Every single publication I opened had something about the Arctic Monkeys. 03:12.771 --> 03:13.511 The Monkeys? 03:13.531 --> 03:14.091 A new band. 03:14.151 --> 03:14.992 Is that what they're called? 03:15.572 --> 03:20.174 A new band can just be launched into the public consciousness within the space of 24 hours these days. 03:20.214 --> 03:21.094 Like the Paddington's. 03:21.635 --> 03:22.715 I've never heard of them. 03:22.735 --> 03:23.375 Who are they? 03:23.776 --> 03:27.177 I wish you could see the press pack that the Paddington's have sent through. 03:27.657 --> 03:28.418 It's very funny. 03:29.018 --> 03:29.598 Have we got it? 03:29.618 --> 03:31.059 Yeah. 03:31.339 --> 03:32.659 I've never heard of the Paddington's. 03:32.679 --> 03:33.580 Maybe they're brilliant. 03:33.700 --> 03:35.761 They may well be brilliant, but they don't look brilliant. 03:35.781 --> 03:37.001 Are we playing the Arctic Monkeys? 03:37.021 --> 03:38.102 You look absolutely ludicrous. 03:38.202 --> 03:38.802 If not, why not? 03:39.022 --> 03:41.464 There's a picture of the singer, Tommy Shoeshine. 03:42.665 --> 03:43.566 And he's probably listening. 03:43.586 --> 03:51.354 He's got a dirty- he's got like a dirty vest on and he's wearing blue braces and he's standing and he hasn't shaved and his hair's messy and he's holding a beer. 03:51.854 --> 03:53.616 Tommy Shoeshine from the Paddington's. 03:53.736 --> 03:55.097 Oh, we haven't got the Arctic Monkeys. 03:55.117 --> 03:56.619 Can we play the Arctic Monkeys anyway? 03:56.759 --> 04:00.202 I'd like to hear it after wasting all my brain time reading about them. 04:00.382 --> 04:03.344 All right, here's a band that we do know about, uh, the Magic Numbers. 04:03.624 --> 04:10.589 Incidentally, did you read that, um, in August sometime, the Magic Numbers pulled out of Top of the Pops because Richard Bacon made some unkind comments about them? 04:10.709 --> 04:10.969 Yes. 04:11.149 --> 04:17.193 He said, now here's a big fat melting pot of talent, and they- they said, no, we're not going on after that intro. 04:17.213 --> 04:17.854 Where were you in August? 04:17.874 --> 04:18.414 You were in Edinburgh. 04:18.434 --> 04:19.655 I was in Edinburgh, I didn't hear about that. 04:19.675 --> 04:20.395 Yeah, big story. 04:20.455 --> 04:21.076 Was that a big story? 04:21.096 --> 04:22.156 It was a big story, yeah. 04:22.316 --> 04:22.557 Wow. 04:23.237 --> 04:24.879 I'm glad that they pulled out of it. 04:24.999 --> 04:29.763 Everyone was saying, oh, I'll get a sense of humor, but I don't think that you require a sense of humor to understand that joke. 04:29.803 --> 04:30.404 It's not funny. 04:30.524 --> 04:30.944 Not funny. 04:31.125 --> 04:31.785 It's pathetic. 04:31.945 --> 04:37.370 If you invite someone on your pop show, you don't insult them in a really lame way before they go on the stage. 04:38.011 --> 04:38.451 It's true. 04:38.471 --> 04:40.053 Do you agree or do you think I need to get a sense of humor? 04:40.073 --> 04:40.954 Are we gonna hear some magic numbers? 04:40.974 --> 04:42.916 Yeah, I'll shut up and play some music instead. 04:42.996 --> 04:43.936 Love me like you. 04:48.024 --> 04:49.485 I am a robot. 04:49.865 --> 04:51.406 I'm from the 80s. 04:51.947 --> 04:54.208 I am a robot from space. 04:55.469 --> 04:55.849 That's cool. 04:55.869 --> 04:57.450 Can you leave now, robot from space? 04:57.470 --> 04:59.051 Yes, I will leave now. 04:59.451 --> 05:00.832 I am dancing. 05:01.293 --> 05:07.537 Listeners are texting us and saying that the beginning of the Magic Numbers track sounds like the Only Fools and Horses theme tune. 05:07.577 --> 05:08.117 Is that true? 05:08.197 --> 05:09.098 Can we listen to it again? 05:09.118 --> 05:09.378 Alright. 05:15.003 --> 05:15.283 No. 05:15.523 --> 05:16.504 It does a bit, doesn't it? 05:16.524 --> 05:16.864 Does it? 05:17.124 --> 05:19.364 Well, how does the Only Fools and Horses theme tune go? 05:19.384 --> 05:26.287 All I can think of is Chaz and Dave. 05:26.347 --> 05:28.287 It sounds a bit like a Chaz and Dave song, doesn't it? 05:28.307 --> 05:28.648 No, it doesn't. 05:28.668 --> 05:30.088 It sounds a bit like they're beginning to rap it. 05:30.968 --> 05:35.830 If you texted us and if you can sing the theme tune to Only Fools and Horses, give us a call. 05:36.210 --> 05:38.571 Or play it down the phone. 05:38.831 --> 05:41.512 And we'll get you to sing it along to the beginning of the magic numbers. 05:41.912 --> 05:44.953 How do you think of these ideas, man? 05:45.033 --> 05:46.554 Well, I'm just a radio genius. 05:46.734 --> 05:47.735 You're a radio genius. 05:47.755 --> 05:48.195 Yeah, thanks, man. 05:48.655 --> 05:51.236 And that's also the number you need to enter our competition. 05:51.276 --> 05:52.557 We've got amazing prizes this week. 05:52.597 --> 05:59.100 Curb Your Enthusiasm DVD box sets, tickets to see an exclusive XFM screening of Kinky Boots, tickets to the premiere of Kinky Boots. 05:59.580 --> 06:00.401 Who's in Kinky Boots? 06:00.481 --> 06:01.222 Oh, Kinky Boots. 06:01.743 --> 06:02.244 Uh, Chewie. 06:02.764 --> 06:03.405 Chewie. 06:03.646 --> 06:06.009 Chewie, who lives across the street from us, Adam. 06:06.049 --> 06:06.389 Does he? 06:06.429 --> 06:07.170 Yeah, in South London. 06:07.210 --> 06:10.335 He lives just across the street from me, therefore, just two streets across from me. 06:10.355 --> 06:14.140 Chewie's got an unpronounceable name, and... Egewinderfor, or something. 06:14.500 --> 06:15.161 I'm just guessing. 06:15.181 --> 06:15.702 Egewinderfor. 06:15.922 --> 06:17.443 It was written down here earlier on. 06:17.583 --> 06:18.224 He's very good. 06:18.244 --> 06:18.764 He's very good. 06:18.784 --> 06:19.725 He's in Dirty Pretty Things. 06:19.745 --> 06:26.450 I've never met him, but you know, I've always thought, well, why don't I just go over the street and knock on his door and say, hey, Chewy, I'm in the media. 06:27.570 --> 06:28.551 I do a radio show. 06:29.412 --> 06:30.232 You're in movies. 06:30.813 --> 06:32.074 Let's chat about what it's like. 06:32.294 --> 06:32.554 Yeah. 06:32.874 --> 06:34.696 I can tell you about radio. 06:35.376 --> 06:36.957 You can tell me a little bit about movies. 06:37.197 --> 06:37.838 He'd love that. 06:38.118 --> 06:39.079 We'd be good friends. 06:39.359 --> 06:39.939 Absolutely. 06:40.059 --> 06:40.559 You should do it. 06:40.679 --> 06:42.320 Will you do it this week and then tell us how it goes? 06:42.400 --> 06:44.121 I'll give him the Adam and Joe DVD. 06:44.221 --> 06:44.761 Yeah, that's a good idea. 06:44.781 --> 06:45.762 This is some of my work. 06:46.282 --> 06:46.722 Do you know what? 06:46.803 --> 06:50.244 I gave the Adam and Joe DVD to, um, Brian Eno. 06:50.584 --> 06:51.625 Oh, yeah. 06:51.685 --> 06:52.325 In person? 06:52.586 --> 06:52.826 Yeah. 06:53.406 --> 06:57.328 And then I read an article where he was saying, uh, I never watch television. 06:57.988 --> 07:02.351 And, um, I certainly never watch anything that's ever given to me to watch. 07:02.371 --> 07:04.251 Oh, what did he say when he gave it to you? 07:04.912 --> 07:06.733 Uh... Did he make it sound as if he was gonna watch it? 07:07.513 --> 07:08.453 No, he didn't really. 07:08.514 --> 07:09.394 Where was this anyway? 07:09.814 --> 07:12.235 Uh, he was doing some recording with Travis. 07:12.475 --> 07:12.715 Right. 07:13.115 --> 07:15.076 And, uh, I went along to spy on them. 07:15.336 --> 07:15.676 Right. 07:15.756 --> 07:18.157 And, uh, watch, cause I was- I'm a big Brian Eno fan. 07:18.177 --> 07:22.099 Yeah, and so you gave him the DVD and he said- He just said, oh, thanks very much. 07:23.257 --> 07:23.898 That was it, really. 07:23.918 --> 07:24.818 He's lying to you. 07:24.918 --> 07:25.859 And he just sort of put it down. 07:25.879 --> 07:27.681 And he sort of looked at the back in that way you do. 07:27.701 --> 07:29.062 You know, you've got to show a bit of interest. 07:29.222 --> 07:31.224 It's like when I gave the Adam and Joe book to Beck. 07:31.784 --> 07:32.905 Oh yeah, what did he say about that? 07:32.925 --> 07:34.086 He did- he flicked through it. 07:34.647 --> 07:39.591 And he- he stopped at a page, one of your pages, I think, about what to do when you're at home alone. 07:39.611 --> 07:39.771 Oh dear. 07:39.791 --> 07:42.834 And he sort of- and he went, heh, scare your tits off. 07:44.790 --> 07:46.031 And, er, he chuckled. 07:46.651 --> 07:47.271 He chuckled. 07:47.291 --> 07:50.213 There's a lot of Adam and Joe merchandise in celebrity bins, we feel. 07:50.253 --> 07:50.473 Yeah. 07:51.613 --> 07:53.734 Nick Frost is in Kinky Boots, of course. 07:53.754 --> 07:54.675 Yeah, that's true, Nick Frost. 07:54.695 --> 07:54.975 There you go. 07:55.275 --> 07:55.495 Yes. 07:55.795 --> 07:56.516 For Frosty fans. 07:56.896 --> 07:57.956 So when are we gonna do a competition? 07:57.976 --> 08:00.258 Let's do it after this, er, next track and some adverts. 08:00.278 --> 08:00.318 OK. 08:00.358 --> 08:01.798 What are we gonna do, celebrity regression? 08:02.519 --> 08:03.979 Shall we do some- yeah, for old time's sake. 08:03.999 --> 08:05.260 We'll do some celebrity regression. 08:05.280 --> 08:05.620 The number's 08712221049. 08:07.561 --> 08:08.522 Stand by your phones. 08:08.602 --> 08:10.803 Right, let's have some music and then some adverts. 08:10.883 --> 08:11.063 Wow. 08:20.836 --> 08:48.535 come on that's the pixies with allison one minute and 17 seconds you can't beat that can you if only all songs one minute 17 seconds um and we've got someone on the phones who's going to sing the only fools and horses is it jeff and jeff well we're not going to do it right now we're going to play some ads first but stay with us listeners if you want to hear jeff we're going to find out the truth about whether the opening to the magic number sounds like the only fools and horses theme courtesy of jeff so what do you want yeah exactly nothing 08:49.716 --> 08:55.420 I do love music and I do love XFM. 08:55.500 --> 09:09.431 Are you ready? 09:09.491 --> 09:12.954 Yeah alright, come on. 09:18.700 --> 09:19.622 We've got Geoff on the line. 09:19.642 --> 09:20.143 Hello, Geoff. 09:20.183 --> 09:20.784 Are you there, Geoff? 09:21.165 --> 09:21.526 Hello. 09:21.806 --> 09:22.869 Hey, thanks for holding, Geoff. 09:23.129 --> 09:23.630 Yeah, no problem. 09:24.271 --> 09:25.634 Geoff is calling today from Rumford. 09:25.674 --> 09:29.542 Can I just say, this is the clearest line we've ever had here on XFM, Geoff. 09:30.106 --> 09:30.326 Is it? 09:30.486 --> 09:31.006 Yeah. 09:31.086 --> 09:33.807 I've just been walking about trying to get signals, so... Is it? 09:34.167 --> 09:37.729 I think you've just got amazingly fresh breath, is what's doing it. 09:37.749 --> 09:38.989 I can almost smell the mintiness. 09:39.629 --> 09:48.852 Listen, Geoff, so we had these texts in from our listeners that apparently the beginning of the Magic Numbers single, Love Me Like You, sounds like the opening to the theme to Only Fools and Horses. 09:48.872 --> 09:50.113 Well, I know what it's saying. 09:50.513 --> 09:54.655 Well, so to test this, you claim that you can sing the theme tune to Only Fools and Horses. 09:54.695 --> 09:55.215 Is that right? 09:55.495 --> 09:56.235 I'll give it a go. 09:56.295 --> 10:02.338 So we're gonna play the opening to the magic numbers and you, Geoff, are gonna attempt to sing the beginning to Only Fools and Horses over it to test this theory, right? 10:02.798 --> 10:03.098 OK. 10:03.338 --> 10:08.900 It's not easy, cos you've only got, like, four bars and then they're straight in singing, so you're gonna have to start, like... You're gonna have to start. 10:09.000 --> 10:11.001 If you get it wrong the first time, we can try it again, Geoff. 10:11.061 --> 10:11.541 Are you ready? 10:12.001 --> 10:12.422 I'm ready. 10:12.442 --> 10:13.162 Shall we count him in? 10:13.182 --> 10:13.822 Count him in now. 10:14.202 --> 10:14.282 Yeah. 10:14.302 --> 10:14.863 Good luck, Geoff. 10:15.003 --> 10:17.924 One, a two, a one, two, three, four... 10:20.514 --> 10:36.889 OK, OK, now I think listeners should just hold that in their heads and now let's hear a snatch of the real theme to Only Fools and Horses to compare. 10:41.770 --> 10:45.993 That was so weird and slow. 10:46.133 --> 10:47.794 That was pretty good, Geoff. 10:47.814 --> 10:48.434 That was amazing. 10:48.634 --> 10:49.294 That was similar. 10:49.815 --> 10:52.777 It was a bit of a shaky start, but it really came together at the end there. 10:52.797 --> 10:54.538 You've got a lovely voice. 10:54.558 --> 10:55.538 Thank you. 10:55.938 --> 10:56.619 So what's going on? 10:56.659 --> 10:57.839 What do we conclude from this? 10:57.920 --> 11:00.461 The magic numbers are fans of Only Fools and Horses. 11:00.501 --> 11:01.502 They're stealing things. 11:02.322 --> 11:28.191 indie bands are basically lazy people they get drunk a lot and they watch a lot of TV and all and it sort of just seeps in there they're into their spongy heads like for example Jeff check out this song this is the new single by the strokes which has a remarkable it sounds like the monsters or Batman I thought as well yeah hey Jeff thanks a lot for calling in shall we give Jeff something yeah Jeff are you into curb your enthusiasm yeah are you really it's good 11:28.911 --> 11:32.033 Yeah, do you want a box set of DVDs of Series 3? 11:32.073 --> 11:32.814 Can we give them that? 11:32.854 --> 11:33.014 Yeah. 11:33.034 --> 11:33.114 Yeah. 11:33.314 --> 11:33.835 Have to now. 11:34.035 --> 11:34.475 Come on then. 11:34.535 --> 11:34.735 Yeah? 11:34.955 --> 11:35.156 Geoff? 11:35.576 --> 11:35.856 How about it? 11:35.876 --> 11:37.117 Thank you very much, that'd be lovely. 11:37.137 --> 11:37.657 Hey, there we go. 11:37.697 --> 11:38.518 Thanks for calling Geoff. 11:38.638 --> 11:39.559 Yeah, we appreciate it. 11:39.959 --> 11:45.643 OK, so we'll play this stroke single, the Batman single, and then afterwards, shall we do some celebrity regression? 11:45.723 --> 11:46.024 Yes sir. 11:46.344 --> 11:46.464 OK. 11:58.083 --> 12:00.666 The Strokes are banned at a difficult stage in their career. 12:00.906 --> 12:01.146 Yeah. 12:01.226 --> 12:03.368 They're not white hot and fresh and new anymore. 12:03.488 --> 12:04.730 They're not like Franz Ferdinand. 12:04.750 --> 12:05.370 Exactly. 12:05.811 --> 12:07.693 So they're just, are they still selling records? 12:07.733 --> 12:08.854 Are people still buying The Strokes? 12:08.894 --> 12:09.775 Are they still charting? 12:10.375 --> 12:11.396 Well, I don't know. 12:11.516 --> 12:12.718 This is their new single for a while. 12:12.778 --> 12:14.900 I think their second album sold pretty well, didn't it? 12:14.920 --> 12:15.000 Yeah. 12:15.240 --> 12:15.901 Well, good luck to them. 12:16.121 --> 12:17.082 They've got great hair. 12:17.142 --> 12:35.615 there's a lot of ideas in that song are there i don't know yeah it seems like about four different tracks all bashed together okay that's their hallmark isn't it so the phone number is 0 8 7 1 triple 2 1 0 4 9 uh dial that if you want to enter celebrity regression what are we gonna give away adam as prizes more curb your enthusiasm box sets 12:36.314 --> 12:39.517 Well, yeah, I think people should be allowed to take their pick. 12:39.537 --> 12:41.499 You know, that's the most exciting thing, isn't it? 12:41.559 --> 12:42.400 To choose your prize. 12:42.420 --> 12:42.760 Yeah. 12:43.101 --> 12:44.342 OK, well, call 08712221049. 12:46.324 --> 12:53.351 If you can guess, basically, who, what star Adam is being regressed into the mind of, and what films. 12:54.051 --> 12:57.753 Erm, if you're not a regular listener to the show, this competition might make no sense at all. 12:58.093 --> 13:01.275 But basically, I'm going to psychically regress, Adam. 13:01.315 --> 13:01.795 Psychically? 13:02.055 --> 13:02.635 What's the word? 13:02.915 --> 13:03.656 Telepathically? 13:04.056 --> 13:04.896 No, what's the word? 13:05.216 --> 13:05.957 Er... Hypnotically? 13:06.157 --> 13:06.337 Yeah. 13:06.397 --> 13:07.397 Regress, Adam. 13:07.477 --> 13:10.639 Psychically would have... It's like what they do on Richard and Judy or Phil and Fern, isn't it? 13:10.799 --> 13:12.781 There's even a show called Celebrity Regression Therapy. 13:12.801 --> 13:13.983 It's got its own show now, hasn't it? 13:14.443 --> 13:16.786 OK, we're going to regress Adam into the mind of a famous film star. 13:16.986 --> 13:22.272 He's going to wake up in this hypnotic state and sort of experience these- some of the films of this star around him. 13:22.552 --> 13:26.276 You just have to listen to his, uh, what he says and call in. 13:26.356 --> 13:28.479 Oh, it's 7-1-2-1-0-4-9 to win those box sets. 13:29.760 --> 13:30.821 All right, here we go. 13:31.182 --> 13:31.582 You ready? 13:31.602 --> 13:32.323 This is always tough. 13:35.897 --> 13:56.027 and just relax whether you're at home or in your car or walking along the street wearing your headphones take a deep breath inflate the stomach exhale through the nose and relax close your eyes not if you're driving don't close your eyes just half close them 13:58.855 --> 14:02.617 And we're drifting back, drifting back, all the way back. 14:03.478 --> 14:06.419 You're ten years old, you're five years old, you're four years old, you're one years old. 14:06.820 --> 14:07.540 You're a little fetus. 14:08.221 --> 14:13.424 You're a tiny little sperm that deserves wriggling around in your daddy's 90s. 14:14.364 --> 14:18.767 And now I'm requesting you into the life and body of a Hollywood superstar. 14:19.687 --> 14:23.689 Adam, when you wake up, you will be inhabiting the films and the body of this star. 14:24.670 --> 14:26.131 Wake up and tell us what you see now. 14:27.981 --> 14:29.101 I'm in an office. 14:29.381 --> 14:30.402 I'm in an office room. 14:30.562 --> 14:31.062 I'm angry. 14:31.262 --> 14:33.242 I'm in an office and I'm angry because I'm tough. 14:33.583 --> 14:34.363 You've got to be tough. 14:34.763 --> 14:38.384 If you want to succeed in this game, I'm telling you because you can't get ahead. 14:38.784 --> 14:43.205 You understand me being soft or nice or nice to people because that's for losers, you knocker. 14:43.565 --> 14:43.905 Okay? 14:44.145 --> 14:46.366 You can't get ahead if you're going to be like that. 14:46.426 --> 14:47.766 I'm the best in the selling game. 14:47.806 --> 14:50.207 I could sell you all kinds of things, for example forks. 14:50.607 --> 14:52.067 I could sell you a trapeze. 14:52.488 --> 14:53.388 You want to buy a kite? 14:54.108 --> 14:55.149 No, I don't need a kite. 14:55.309 --> 14:56.329 Yes, you do need a kite. 14:56.529 --> 14:57.410 Okay, I'll buy one. 14:57.430 --> 14:57.770 You see? 14:57.830 --> 15:01.972 That's how it's done, because I'm the best at selling in the selling game, you knocker. 15:02.172 --> 15:02.712 Have you got me? 15:02.952 --> 15:03.953 Okay, buy this lamp. 15:04.173 --> 15:04.813 Do you understand me? 15:04.853 --> 15:05.153 Buy it. 15:05.253 --> 15:05.994 Buy these puppets. 15:06.214 --> 15:07.355 Do you want to buy a folder? 15:07.615 --> 15:08.335 I got a shelf. 15:08.355 --> 15:09.295 Okay, just breathe. 15:09.315 --> 15:10.056 You want a shelf? 15:11.256 --> 15:12.617 That's the first film. 15:12.637 --> 15:20.041 0871221 049, if you've got who that is and what film it is, let's regress Adam into another of this Starz film. 15:20.081 --> 15:22.182 So, Adam, wake up and tell us what you see. 15:23.075 --> 15:24.896 I'm in a... I'm in a train station. 15:25.256 --> 15:29.438 It's... I've got a whistle and a flag because I work here and it's a train station. 15:29.678 --> 15:30.279 I'm depressed. 15:30.559 --> 15:35.081 I'm considered to be one of the finest actors, the screen actors of my generation, maybe. 15:35.381 --> 15:36.582 Just by myself, I don't know. 15:36.622 --> 15:39.023 But I'm... I'm running out of magic gold dust. 15:39.343 --> 15:40.123 Do you understand me? 15:40.163 --> 15:41.104 I'm depressed about it. 15:41.704 --> 15:50.990 And I gotta deal with some troublesome diesels, and they've been causing problems, and there's a guy from Easy Rider over there, I gotta deal with him, it's tough, I'm telling you! 15:51.371 --> 15:57.675 I'm not gonna lie to you, and if you come up against me as an actor, then you better know your marbles, because I'm considered to be the best! 15:57.915 --> 15:58.655 Do you understand me? 15:59.076 --> 16:00.777 I'm the best, and it's magic gold! 16:00.797 --> 16:01.778 Okay, just breathe, just breathe. 16:02.778 --> 16:17.883 this can be dangerous we'll just take them into one final incarnation of this star oh eight seven one triple two one over four nine if you can guess what star this is and what the films are okay adam wake up tell us what you see oh i'm i'm in a hotel room it's an 16:18.283 --> 16:47.086 in London and I'm angry and I'm angry again because the room service is bad and I'm being rude to the room service man because I'm pretending to be famous and that's what famous people do we get angry about room service in fact here's the thing in fact in real life I'm famous and I'm not credited in this film so it's exciting for people to see me pretending to be famous and I've got a famous girlfriend in the film and she's in fact really famous as well and in fact the room service guy is also famous but he's pretending that he isn't famous 16:47.426 --> 16:53.569 It's exciting and confusing at the same time, and I'm uncredited in the film, and it's for people watching, it's exciting. 16:53.589 --> 16:54.929 OK, just relax, just relax. 16:56.190 --> 17:02.593 OK, Adam's going to remain in his hypnotic state until you call in and tell us who that star was and what the films were. 17:02.673 --> 17:06.035 If you get them right, he will wake up safe and normal. 17:06.055 --> 17:09.736 If you get them wrong, he may be trapped in the body and the mind of that star forever. 17:10.096 --> 17:10.557 Call 0871-222-1049 now! 17:21.351 --> 17:23.733 There we go, that was Black Great with Kelly's Heroes. 17:23.853 --> 17:28.356 Adam is of course in a regressed state because you join us in the middle of celebrity regression. 17:30.037 --> 17:34.121 Oh, do you think that was the longest any DJ's ever waited to actually come in with the link as the record fades? 17:34.321 --> 17:34.501 No. 17:34.981 --> 17:44.288 Okay, so we've got two callers on the line who think they know which celebrity body Adam has been regressed into and what films he witnessed and told us about happening around him. 17:44.588 --> 17:45.349 Michelle, are you there? 17:45.862 --> 17:46.342 I am, yeah. 17:46.943 --> 17:47.543 How are you doing? 17:48.043 --> 17:48.604 OK, thanks. 17:49.284 --> 17:51.625 Do you think you've got the answer to this question? 17:52.346 --> 17:55.528 I don't know if I'm right, I really don't, but yeah, I've got an answer. 17:55.588 --> 17:56.748 OK, well don't say anything yet. 17:57.149 --> 17:59.770 When I tell you, I'd like you to say the name of the star who you think it is. 18:00.070 --> 18:02.152 If you're correct, Adam will wake up his normal self. 18:02.492 --> 18:05.494 If you're wrong, you may have permanently damaged him psychologically. 18:05.534 --> 18:06.594 How do you feel about that, Michelle? 18:07.395 --> 18:08.175 I feel bad. 18:08.716 --> 18:09.996 You do feel bad, OK. 18:10.737 --> 18:12.478 So, Michelle, say who you think it is now. 18:12.498 --> 18:13.478 Tom Hanks. 18:16.921 --> 18:18.342 No, he's stayed under, Michelle. 18:18.382 --> 18:19.082 That's not good. 18:19.763 --> 18:21.004 Why did you think it was Hankey's? 18:22.164 --> 18:22.485 The anchor? 18:22.505 --> 18:25.507 No, I thought it was that head in advertising, that's all. 18:25.807 --> 18:27.108 But he's not in that. 18:27.488 --> 18:28.849 How to get a head in advertising? 18:29.229 --> 18:30.790 That's Richard E. Grant, Michelle. 18:31.210 --> 18:34.813 I know, but I mean, there was some, oh, I don't know, it just seemed aggressive salesman. 18:34.933 --> 18:40.016 I just, that came into my mind and I thought it was the, that cartoony thing when he was a train driver the other film. 18:40.036 --> 18:44.699 The Polar Express, that cartoony thing, only the greatest 3D IMAX film ever made. 18:46.283 --> 18:48.005 Is that what you were... It's something about fairy dust. 18:48.145 --> 18:49.366 I thought maybe that was around. 18:49.386 --> 18:55.011 Yeah, well, no, I'm afraid... You're right that Tom Hankey's plays all the parts in Polo Express, but it's not the hanker. 18:55.451 --> 18:56.132 Sorry, Michelle. 18:56.512 --> 18:58.154 We're going to have to let you go with nothing. 18:58.754 --> 18:59.135 OK. 18:59.215 --> 19:00.376 Nothing but a cold word. 19:00.856 --> 19:01.176 OK. 19:01.637 --> 19:02.758 And thanks for calling and listening. 19:03.679 --> 19:05.881 We've got Charmilla on the line. 19:05.921 --> 19:06.621 Is it Charmilla? 19:07.022 --> 19:07.982 Yes, well, Charmilla. 19:08.283 --> 19:08.963 Charmilla, there you go. 19:08.983 --> 19:09.484 How are you doing? 19:10.054 --> 19:10.734 I'm fine, thank you. 19:10.754 --> 19:11.174 How are you? 19:11.394 --> 19:11.954 Very well, thanks. 19:11.994 --> 19:12.555 Thanks for calling. 19:12.595 --> 19:17.315 Here is the moment when you either scar Adam for life or you win the competition. 19:17.616 --> 19:18.756 Tell us who you think it is. 19:19.636 --> 19:20.736 I think it's Alec Baldwin. 19:23.277 --> 19:24.157 Oh, I'm awake. 19:24.477 --> 19:26.357 That was exciting, wasn't it? 19:26.397 --> 19:26.937 Well done. 19:27.438 --> 19:28.298 Oh, that's amazing. 19:28.578 --> 19:29.538 Congratulations, Sharmila. 19:29.558 --> 19:30.678 How did you figure that one out? 19:31.338 --> 19:33.959 Well, I got the Thomas the Tank Engine. 19:34.719 --> 19:38.120 Ah, Thomas and the Magic Railroad, to give it its proper title. 19:38.160 --> 19:39.200 Are you a mother? 19:39.901 --> 19:40.422 No, I'm not. 19:40.523 --> 19:41.284 I'm just sad. 19:41.505 --> 19:44.852 How the hell do you know about Thomas and the Magic Railroad if you haven't got children? 19:45.669 --> 19:49.711 Um, I don't know, I just remember seeing places where he was, he was on the poster. 19:49.731 --> 19:51.151 He was a fat controller, wasn't he? 19:51.592 --> 19:55.854 He was, I don't know if he was the, he just played the controller, because he's not a fat man. 19:56.414 --> 19:57.694 He's just a bit lardy. 19:57.874 --> 19:58.595 He's a bit lardy. 19:58.615 --> 20:02.436 The lardy controller, they could have called him, but no, he was just the, the magic controller or whatever he was. 20:02.737 --> 20:07.539 I don't know anyone who's actually seen Thomas the Magic Railroad, but I hear it's to be avoided, especially if you do have children. 20:08.099 --> 20:09.119 Uh, how about the other films? 20:09.339 --> 20:10.220 How about The Salesman? 20:11.245 --> 20:13.146 Yeah, there you go. 20:13.186 --> 20:13.806 Fantastic. 20:14.006 --> 20:16.067 It was an amazing recreation of it, wasn't it? 20:16.488 --> 20:19.249 And what about the last one where he's in a hotel room? 20:21.270 --> 20:21.730 Fantastic. 20:21.770 --> 20:27.733 His uncredited cameo in Notting Hill as, not himself, but someone called Geoff King, I think it was. 20:29.153 --> 20:31.395 A famous man, Julia Roberts' boyfriend even. 20:32.555 --> 20:48.402 So, Sharmila, you get to, you got them all right there, so you get to pick whether you want a copy of Curb Your Enthusiasm on DVD or whether you want tickets, and this is a good prize, to a talk, wait for it, by the legendary photographer Anton Corbin at the NFT tonight. 20:49.563 --> 20:50.303 Wow, hello. 20:50.343 --> 20:51.244 What are you going to go for, Sharmila? 20:51.264 --> 20:54.325 Hang on, wait, he's worked with you two, The Killers, Nirvana, Johnny Cash, and Tepeshe Mode. 20:55.131 --> 20:57.575 Um, oh, oh, I think Kerb, you're in D&D. 20:58.516 --> 20:59.738 Who's that shouting in the background? 21:00.259 --> 21:01.120 It's my boyfriend. 21:01.281 --> 21:06.810 But hang on, boyfriend, what about two pairs of tickets to the Beck retrospective as part of ResFest at the NFT tomorrow? 21:09.314 --> 21:10.795 He's confused. 21:10.975 --> 21:13.276 I don't know which one. 21:13.336 --> 21:17.698 How about, I think Curb Your Enthusiasm is what it's gonna be. 21:17.918 --> 21:18.598 Exactly with that. 21:19.118 --> 21:22.240 Hey, thanks so much for your call, Sharmila, and congratulations for getting all those right. 21:22.280 --> 21:23.520 That was very impressive. 21:24.240 --> 21:26.061 Right now, it's time for some adverts here on XFM. 21:26.081 --> 21:26.902 We'll be back shortly. 21:27.082 --> 21:27.762 This is Adam and Joe. 21:53.128 --> 21:55.276 This is XFM. 22:04.261 --> 22:05.262 They're so hot right now. 22:05.322 --> 22:06.362 That's Franz Ferdinand. 22:06.402 --> 22:07.463 They're so hot right now. 22:07.723 --> 22:10.665 Now, I'm having a day when everything sounds like something else. 22:10.705 --> 22:17.629 We've already had the magic numbers sounding a bit like the theme to Only Fools and Horses, and I'm convinced that sounds like Go West's We Close Our Eyes. 22:17.689 --> 22:17.950 Yeah. 22:19.771 --> 22:22.533 Do you remember that bit? 22:22.753 --> 22:23.313 Yeah, I do. 22:23.353 --> 22:23.813 Absolutely. 22:23.853 --> 22:32.059 So we've sent Lila off to the record library to get the Go West single, because we might prove here this afternoon that Franz Ferdinand are basically just covering Go West songs. 22:32.979 --> 22:34.361 You know, that could be a legal matter. 22:35.142 --> 22:35.924 What do you mean? 22:36.524 --> 22:38.147 For Go West, they could do some suing. 22:38.707 --> 22:39.569 Me for saying that? 22:39.689 --> 22:40.029 No, no. 22:40.831 --> 22:43.454 The Franz Ferdinand for nicking their riffage. 22:43.614 --> 22:47.119 Yeah, Go West could just sweep up all of Franz Ferdinand's profits. 22:48.348 --> 22:50.630 It worked for The Stranglers and Elastica. 22:50.890 --> 22:51.150 Yeah. 22:51.530 --> 22:51.750 You know? 22:52.151 --> 22:53.351 There's a bit of money to be made there. 22:53.932 --> 23:00.056 Hey, so, Joe, have you seen big posters for this new drama on Sky One, an American thing called Weeds? 23:00.636 --> 23:02.217 Yes, it's got a funny catchphrase. 23:02.257 --> 23:04.299 I saw it on the way, and it's funny. 23:04.379 --> 23:07.721 It's about a housewife who sells marijuana to make a living. 23:07.741 --> 23:12.624 Yeah, it's basically a... I think it's the same story as Saving Grace, which was a film with Brenda Blephard a few years ago. 23:12.644 --> 23:17.768 Yeah, it's something like, the kids go off to school, her customers go off to la-la land. 23:18.809 --> 23:34.306 And they got several different ones because the one I saw said most mums cut the grass this one sells it Oh, I like the idea that if you inhale the fumes of marijuana you you're going off to La La Land That's the way only a mum would describe it. 23:34.427 --> 23:34.527 Oh 23:34.867 --> 23:38.529 Darling, you're off in La La Land again with your magic bananas. 23:39.389 --> 23:39.969 That sort of thing. 23:40.069 --> 23:40.410 Yeah. 23:41.410 --> 23:47.113 But I was just thinking like, you know, it just struck me as odd that it was so upbeat. 23:47.693 --> 23:49.434 And I was thinking they were missing a trick as well. 23:49.454 --> 23:52.876 They could have had loads of other ones that they must have gone through several variations. 23:53.096 --> 23:53.676 Yeah. 23:53.756 --> 23:58.458 For taglines about, you know, a mum that deals drugs, basically. 23:58.638 --> 23:59.219 I was thinking, 24:00.299 --> 24:07.703 I came up with, most mums deal with kids who've weed themselves, this one deals weed to kids themselves. 24:08.883 --> 24:09.383 Say that again? 24:10.404 --> 24:17.807 Most mums deal with kids who've weed themselves, this one deals weed to kids themselves. 24:19.649 --> 24:21.290 It sort of works, doesn't it? 24:21.870 --> 24:25.674 I'm not saying that it was the best one, but I bet you they thought about it. 24:26.214 --> 24:28.056 Most mums carve the joint. 24:28.416 --> 24:29.937 This one passes it round. 24:29.957 --> 24:32.699 You've got to use the word carve twice. 24:33.800 --> 24:33.920 Oh. 24:34.661 --> 24:36.042 Okay, well, I don't know. 24:36.062 --> 24:37.483 How about this? 24:37.864 --> 24:40.846 Most mums give their kid a little smack when they've been naughty. 24:41.607 --> 24:43.829 This one gives them a little smack when they've been good. 24:44.628 --> 24:45.529 That's not so good, is it? 24:45.569 --> 24:46.851 Oh, that's just a different show. 24:46.991 --> 24:47.873 I know it's a different show. 24:47.893 --> 24:49.956 I'm thinking these are variations on different drug shows. 24:50.056 --> 24:50.316 Okay. 24:50.476 --> 24:52.459 Most mums serve coke at parties. 24:52.499 --> 24:52.840 Yeah. 24:53.060 --> 24:54.542 She forces kids to snort it. 24:55.023 --> 24:57.105 What about, there's got to be a Charlie one that would be easy. 24:57.666 --> 24:58.127 Charlie? 24:58.427 --> 24:59.589 She's married to Charlie. 25:00.490 --> 25:03.272 And she likes to snort it. 25:03.713 --> 25:07.395 Most mums serve special K for breakfast. 25:07.876 --> 25:09.257 She gets kids hooked on it. 25:09.277 --> 25:10.278 That's not so good, is it? 25:11.879 --> 25:15.181 If you can think of any, obviously, yeah, so we're not condoning. 25:15.982 --> 25:25.888 the drug taking in any shape or form and I sincerely hope that Sky 1 doesn't start showing dramas about mums who do deal coke because I for one would not be laughing. 25:25.908 --> 25:31.632 Well Sky 1 is showing the Weeds series and they're showing Kate Moss's horse drug shame on Monday. 25:32.472 --> 25:32.932 Oh, really? 25:33.493 --> 25:35.434 But anyway, we're not allowed to talk about that, so let's move swiftly on. 25:35.614 --> 25:35.714 OK. 25:35.794 --> 25:36.294 Apparently. 25:36.774 --> 25:37.555 No horse drug shame. 25:37.855 --> 25:38.035 No. 25:38.415 --> 25:38.696 OK. 25:40.056 --> 25:41.597 It is a shame that there's no horse drug shame. 25:41.777 --> 25:42.198 There you go. 25:42.218 --> 25:46.960 Shall we have some music and then come back and do this Amazing Friends Ferdinand Go West comparison? 25:47.260 --> 25:48.741 Oh, yeah, have we got Go West? 25:49.001 --> 25:49.962 Oh, no, we haven't got it. 25:50.482 --> 25:53.103 We'll come back with a text competition then, and more prize giveaways. 25:53.203 --> 25:56.684 It's not entirely surprising that we don't have Go West in the ex-femme library. 25:56.744 --> 25:59.985 Floor above Capitol, their walls are papered with Go West CDs. 26:00.106 --> 26:02.266 Can't we call Richard Blackwood and get him to send it up? 26:03.047 --> 26:03.967 He works at Choice. 26:04.207 --> 26:05.467 They wouldn't play Go West. 26:05.708 --> 26:06.208 They might do. 26:06.228 --> 26:06.688 Or would they? 26:07.128 --> 26:08.749 They might play an amazing remix of it. 26:09.730 --> 26:16.054 OK, yeah, we'll have a bit of music and then some ads to get us into the second hour here on a Saturday afternoon with Adam and Joe. 26:16.174 --> 26:17.755 Here's a bit of a free play for you. 26:17.795 --> 26:22.158 This comes from Orbital's compilation Back to Mine. 26:22.218 --> 26:22.819 Or Back to Mine. 26:22.979 --> 26:24.040 No, it's just Back to Mine, isn't it? 26:24.420 --> 26:30.144 And it's a track they've put on there by Susan Cadogan called Don't Burn Your Bridges, which I certainly like very much. 26:30.164 --> 26:31.244 And I hope you do too, listeners. 26:31.284 --> 26:31.825 And you, Joe. 26:32.125 --> 26:32.485 Thank you. 26:43.131 --> 26:45.772 Well, it's a lovely song, but I've slightly sent myself to sleep there. 26:46.192 --> 26:49.794 Is it an old song, Adam, or is it someone pretending to be an old singer? 26:49.814 --> 26:49.854 No. 26:49.954 --> 26:50.875 No, it is an old song. 26:51.495 --> 26:52.175 Susan Cadogan. 26:52.195 --> 26:55.977 And you can find that on Orbital's Back to Mind CD compilation. 26:56.257 --> 26:57.238 This is Adam and Joe on XFM. 26:57.278 --> 26:58.398 We'll be back shortly. 26:58.418 --> 27:00.219 XFM. 27:00.279 --> 27:03.320 Love music. 27:06.202 --> 27:07.182 Love music. 27:07.262 --> 27:07.903 Love XFM. 27:37.749 --> 27:38.171 you 27:43.072 --> 27:44.553 Yeah, you better believe it, buddy! 27:44.813 --> 27:46.955 That's the Foo Fighters with DOA. 27:47.175 --> 27:49.677 This is Adam and Joe on XFM this Saturday afternoon. 27:50.538 --> 27:54.220 So, Joe Cornish, did you watch the Bob Dylan documentary last night? 27:54.240 --> 27:55.121 No, I videoed it. 27:55.141 --> 27:56.022 I haven't watched it yet. 27:56.082 --> 28:01.626 To be perfectly honest, I respect Bob Dylan greatly, but I don't have an enormous passion for his music. 28:01.686 --> 28:02.206 Is that wrong? 28:02.546 --> 28:03.307 No, that's not wrong. 28:03.367 --> 28:04.768 It's not to everyone's taste at all. 28:04.908 --> 28:08.391 I taped it because I hoped it might, you know, make me realise what all the fuss was about. 28:09.011 --> 28:09.311 Steve Laughs 28:26.601 --> 28:28.703 that's true and also interviews with the man himself. 28:28.843 --> 28:29.143 Right. 28:29.163 --> 28:37.069 So it takes a sort of set piece interview and then uses that as the voiceover and then apparently has some amazing archive footage of his life. 28:37.189 --> 28:37.649 Is that right? 28:37.669 --> 28:43.293 Yeah, well it's got lots of really good little snippets of what life was like in those days, in the 60s. 28:43.514 --> 28:44.014 The 60s. 28:44.114 --> 28:45.595 I remember the 60s. 28:45.995 --> 28:50.659 And amazing bits of footage of singers and performers that I'd never really heard of before. 28:50.979 --> 28:56.123 This one woman called Odetta, a sort of black folk singer and she does an amazing- 28:56.323 --> 28:57.023 had a surname. 28:57.744 --> 28:59.184 No, she just calls herself Odetta. 28:59.304 --> 28:59.625 Really? 28:59.725 --> 28:59.925 Yeah. 29:00.065 --> 29:01.926 I didn't think they did that in those days. 29:02.226 --> 29:02.766 I think so. 29:03.046 --> 29:03.406 I don't know. 29:03.546 --> 29:09.169 But anyway, the whole thing was worth it for just this one bit of footage that seemed so modern and what she was doing. 29:09.189 --> 29:10.510 I can't believe I'd never seen it before. 29:11.010 --> 29:12.791 Anyway, I found it pretty entertaining. 29:13.131 --> 29:26.217 But Bob himself, you gotta feel sorry for the guy, really, because what comes across mainly is that he's sat in the middle of this insane whirlwind of people talking about him and scrutinizing his life and his songs and all the meanings in his songs and everything. 29:26.777 --> 29:33.682 And he's just going, well, I'm not bothered at all and I'm not going to tell you what it means because I don't know if it means anything. 29:34.123 --> 29:35.624 Everyone's going, come on, it must mean something. 29:35.644 --> 29:36.304 What does it mean? 29:36.364 --> 29:37.045 Please tell us. 29:37.085 --> 29:37.785 What does it mean? 29:38.045 --> 29:38.926 It being his songs. 29:39.066 --> 29:42.348 It's, yeah, or the messages in his songs, his lyrics and all these sort of things. 29:42.388 --> 29:47.332 And he's going, well, there's not much to it really and I don't really want to talk about it and it means whatever you want it to mean. 29:47.372 --> 29:52.235 And basically comes out with the same drivel that every other pop star in the world comes out with a lot of the time. 29:52.656 --> 29:53.636 But you just think, well, 29:54.637 --> 29:59.784 When are you going to get the message that you should just stop talking to him and trying to find out all these things? 29:59.804 --> 30:03.689 Because he's fairly consistent about not being forthcoming. 30:03.709 --> 30:04.550 You know what I mean? 30:04.570 --> 30:06.533 I mean, that's the way you've got to be if you're an artist. 30:06.573 --> 30:07.794 He's like the producers have lost. 30:08.575 --> 30:08.896 Yeah, that's true. 30:08.916 --> 30:10.218 He's not going to give anybody the answer. 30:10.638 --> 30:10.978 Yeah. 30:11.179 --> 30:14.062 Hey, speaking of which, why don't we get people to, uh, text it? 30:14.082 --> 30:14.983 Well, we'll talk about that later. 30:15.483 --> 30:19.748 But Bob, um, one of the things I felt sorry for Bob about was, uh, Joan Byers. 30:20.068 --> 30:21.289 Now, do you know who Joan Byers is? 30:21.349 --> 30:22.170 Yes, I do. 30:22.310 --> 30:22.510 Yeah. 30:22.791 --> 30:23.612 She's a singer. 30:23.772 --> 30:25.113 She was a folkie as well. 30:25.153 --> 30:29.258 She was more famous than Bob to begin with, and she kind of gave Bob a platform in the early days. 30:29.858 --> 30:33.419 and then was crushed when he didn't really reciprocate when he was touring the UK. 30:33.759 --> 30:35.919 Didn't pull her on stage the way that she'd done for him. 30:35.939 --> 30:46.602 But there's so many funny shots of Bob starting to sing a song on stage somewhere, a darkly lit stage with a spotlight on him, and he'll start singing, How many roads must a man walk down? 30:46.782 --> 30:56.324 And then suddenly she'll appear like a ghost from the darkness next to him and start harmonizing in her harpy voice and sort of, Before you could go, I'm a man! 30:56.904 --> 30:57.684 Oh, it's shocking. 30:57.804 --> 30:58.505 Is that bad, Dan? 30:58.665 --> 31:16.973 It just cuts through you every time she opens her mouth, and there's a great bit of footage with him, uh, in a hotel room somewhere, and he's typing, apparently typing lyrics, you know, like he's just, stuff's coming out of his amazing frizzy head, and then she's behind him playing her guitar and sort of going, how many people must die before, you know, sort of... 31:17.953 --> 31:22.959 Some kind of protest song in her amazingly shrill voice, and you're thinking, how could he get anything written whatsoever? 31:23.900 --> 31:27.144 Presumably he's just typing, make her shut up. 31:27.324 --> 31:31.428 If I hit her in the middle of the head with the typewriter, it might shut her up. 31:32.209 --> 31:32.670 Oh, I don't know. 31:32.910 --> 31:33.790 Maybe something like that. 31:33.870 --> 31:34.411 It sounds good. 31:34.431 --> 31:35.331 I'm looking forward to watching it. 31:35.351 --> 31:36.431 It's got lots of good stuff in it, man. 31:36.451 --> 31:37.211 Yeah, you should check it out. 31:37.231 --> 31:41.933 Yeah, you know, cos I had to delete ITV's Avenue of the Stars to make room on my skybox for that. 31:41.953 --> 31:42.033 Wow. 31:42.673 --> 31:43.533 So it'd better be good. 31:44.414 --> 31:49.315 So what about getting people to suggest some possible meanings to lost? 31:49.775 --> 31:51.796 Like, basically, lost, if you don't know, 31:52.436 --> 32:03.881 is this show about these people who get, I think most people probably know, they've crashed on a desert island and there's something weird about the desert island, they're not being rescued and gradually week by week we find out more weird things about the island. 32:04.261 --> 32:09.063 So it seems fairly clear that there's only a few possible reasons for the weirdness of this island. 32:09.583 --> 32:13.025 But we'd, uh, we'd like people to speculate what those reasons could be. 32:13.125 --> 32:14.827 What is the secret to Lost? 32:15.307 --> 32:17.648 So, um, you know, why not text him? 32:17.668 --> 32:18.589 Do you think this is a good idea, Joe? 32:18.609 --> 32:18.989 What do you think? 32:19.009 --> 32:20.650 Yes, I think it's a very good idea. 32:20.710 --> 32:23.052 I mean, it's a question a lot of people have been asking. 32:23.132 --> 32:23.672 Well, exactly. 32:23.712 --> 32:24.673 I just want to field some answers. 32:24.713 --> 32:25.574 I'm genuinely interested. 32:25.594 --> 32:26.534 But we're looking for stupid. 32:26.634 --> 32:28.195 Well, I think we're looking for stupid answers. 32:28.716 --> 32:30.437 Yeah, well, they can be stupid or serious. 32:30.477 --> 32:31.237 I'm keen to hear both. 32:31.257 --> 32:32.038 And what can people win? 32:32.758 --> 32:37.261 Well, we've got these tickets to the Beck retrospective, the Resfest. 32:37.281 --> 32:38.081 These are good prizes. 32:38.161 --> 32:41.483 Resfest is a fantastic festival of digital film happening at NFT. 32:41.564 --> 32:42.484 Used to happen at the ICA. 32:42.504 --> 32:43.885 I think it's mostly at the NFT this year. 32:44.225 --> 32:45.786 And it's got pop promos. 32:46.206 --> 32:49.929 Last night they showed a brilliant documentary about insane trainer collectors. 32:50.889 --> 32:51.630 I happen to know. 32:52.271 --> 32:56.915 But they've got a brilliant programme of stuff all weekend and you can win tickets to their Beck retrospective. 32:57.315 --> 32:59.517 All of his rare short films tomorrow afternoon. 32:59.898 --> 33:02.720 Or you can win tickets to a Q&A with Anton Corbin. 33:03.341 --> 33:04.362 The famous photographer. 33:04.882 --> 33:05.943 And that's tonight I think. 33:06.003 --> 33:06.884 Is it Lila at the NFT? 33:07.845 --> 33:08.466 It's tonight. 33:08.526 --> 33:12.348 He's like the most famous rock photographer of the 20th century. 33:12.368 --> 33:17.872 So if you want to win those tickets, then give us your most ridiculous secret behind Lost. 33:18.252 --> 33:20.434 You know, we'll just text in a begging text. 33:20.534 --> 33:21.615 It's 83XFM. 33:21.875 --> 33:26.018 Even if you don't want to win, I'd be curious to hear your theories about what the secret to Lost is. 33:26.358 --> 33:27.559 OK, more music now. 33:27.739 --> 33:28.660 This is Block Party. 33:28.680 --> 33:37.086 That's good, isn't it? 33:38.018 --> 33:38.678 block party. 33:38.718 --> 33:39.539 Two more years. 33:40.900 --> 33:41.120 Yeah. 33:41.180 --> 33:42.341 Hey, we should say hello to Ian. 33:42.381 --> 33:46.703 I think Ian Morris is doing a terrible drive to somewhere appalling and listening to the show. 33:46.723 --> 33:47.183 Hello, Ian. 33:47.223 --> 33:47.884 Thanks for listening. 33:48.244 --> 33:49.184 Glad you're enjoying it. 33:49.204 --> 33:52.046 Um, are we gonna play Arctic- the Arctic Monkeys? 33:52.286 --> 33:53.987 Yeah, we'll play the Arctic Monkeys in just a second. 33:54.007 --> 33:54.428 I'm so excited. 33:54.448 --> 33:55.048 Are you really excited? 33:55.068 --> 33:56.229 I'm so excited, yeah. 33:56.349 --> 34:02.172 I just wanna say as well, thanks very much to Newala from, uh, Coco, which used to be the Camden Palais, or Palais? 34:02.392 --> 34:02.712 Watch it. 34:02.872 --> 34:03.513 Pala- Palace. 34:04.073 --> 34:04.393 Palais. 34:05.774 --> 34:07.076 I got confused for a second there. 34:07.497 --> 34:10.120 Er, yeah, I went to see Spoon last night at Coco. 34:10.200 --> 34:10.841 Good venue! 34:11.102 --> 34:14.186 I'm not just saying that because, er, she put me on the door, but it's really lovely there. 34:14.206 --> 34:15.088 Steve You're obsessed with Spoon. 34:15.108 --> 34:16.269 Ricky I am a total Spoon obsessive. 34:16.329 --> 34:19.574 Steve Are you equally obsessed with the new channel 4 sketch show Spoons? 34:20.215 --> 34:21.877 Ricky Erm... Steve Did you see that? 34:21.897 --> 34:22.378 Ricky No. 34:22.538 --> 34:23.278 No, no, was it good? 34:23.558 --> 34:24.399 I- I didn't see it. 34:24.459 --> 34:29.481 I wonder if any- I wonder if anybody out there, listeners, did you see the Channel 4 sketch show, Spoons, last night? 34:29.501 --> 34:30.541 I- I auditioned for that show. 34:30.701 --> 34:31.001 Did you? 34:31.161 --> 34:31.402 Yeah. 34:31.462 --> 34:32.442 What did you- what did they make you do? 34:32.462 --> 34:44.787 Uh, it was a sketch about a guy, uh, coming to- he's coming- comes out of the lab from- at a dinner party, and he sits down at the dinner table, posh dinner party, and he starts talking about his- What he's done in the- I- I've seen that sketch, yeah. 34:45.327 --> 35:09.134 that's on spoons isn't it that's on spoons yeah that was on the pilot if anyone saw spoons last night on channel 4 text us 83 xfm let us know uh how good it was let's have a litmus test a sort of uh what do they call it the nelson ratings you know just see how our listeners rated it yeah yeah i've been curious to see apparently i don't know i haven't heard anything about it really and there's the nick frost one the um what's it called the one about men and women 35:09.494 --> 35:10.215 Swinging on Channel 5? 35:10.255 --> 35:10.695 No, no. 35:10.775 --> 35:11.716 He's known that, no. 35:12.496 --> 35:13.137 Oh. 35:13.317 --> 35:15.539 X and Y or he said, she said? 35:15.899 --> 35:16.660 Something like that. 35:16.800 --> 35:17.120 I don't know. 35:17.140 --> 35:18.281 Is it time for the Arctic Monkeys yet? 35:18.581 --> 35:20.082 Are you really excited about the Monkeys, are you? 35:20.102 --> 35:21.423 I'm so excited about the Arctic Monkeys. 35:21.443 --> 35:22.484 Sheffield's most exciting quartet. 35:22.524 --> 35:24.045 I'm not sure this is going to be up your alley. 35:24.065 --> 35:24.646 OK, let's have a listen. 35:34.204 --> 35:34.644 Wow! 35:35.464 --> 35:42.166 The Arctic Monkeys, the hottest band in the world as of about 48 hours ago, according to every newspaper in the country. 35:42.407 --> 35:42.787 Do you know what? 35:42.827 --> 35:43.587 I've got a theory. 35:43.867 --> 35:44.407 What's your theory? 35:44.427 --> 35:47.468 It's taken me the length of that record to come up with a theory. 35:48.088 --> 35:49.949 That's just the streets for rock fans, isn't it? 35:50.529 --> 35:56.554 He's got the same lyrical approach, the same basic honesty and like descriptions of people in clubs and picking up girls. 35:56.935 --> 36:05.562 It's sort of the lyrical angle of the streets or the Mitchell Brothers or basically what's happening in what they call grime, but bleeding through to indie music. 36:06.463 --> 36:08.225 It's not a joke, it's bloody serious. 36:08.345 --> 36:10.286 I just like the idea of you thinking about it. 36:11.147 --> 36:12.749 Did you like it though? 36:12.809 --> 36:15.971 I thought the most interesting thing about it was his lyrics and the delivery of the lyrics. 36:15.991 --> 36:16.692 I thought it was pretty good. 36:16.852 --> 36:17.513 What's the name of the track? 36:18.291 --> 36:20.413 I bet you look good on the dance floor. 36:20.433 --> 36:21.594 I bet you look good on the dance floor. 36:21.634 --> 36:22.515 I bet you look good on the dance floor. 36:22.675 --> 36:23.696 I bet you look good on the dance floor. 36:35.106 --> 36:36.447 Did I call her Newala? 36:37.287 --> 36:37.607 Newla? 36:37.667 --> 36:38.387 Is that how you pronounce it? 36:38.407 --> 36:39.588 I would pronounce it Newala. 36:39.708 --> 36:40.148 Newala? 36:40.508 --> 36:40.848 Newla? 36:41.509 --> 36:43.049 Listen, I had a good time, that's the main thing. 36:43.289 --> 36:45.290 Although I never learn my lesson about gigs. 36:45.610 --> 36:46.651 I'm too short for gigs. 36:46.691 --> 36:48.271 I couldn't really see a lot of the time. 36:48.392 --> 36:50.132 And everyone was just much taller than me. 36:50.532 --> 36:56.255 And then I tried to stand on things and stuff, but the security guards kept on coming over and pushing me off and going, Get down! 36:56.835 --> 36:57.875 Well, you're lucky to be short. 36:57.915 --> 36:58.976 I'm too tall for gigs. 36:59.016 --> 37:01.476 I look like the lanky alien coming out of the spaceship in Close Encounters. 37:01.496 --> 37:02.157 What do you mean, too tall? 37:02.197 --> 37:03.057 You can see everything. 37:03.077 --> 37:04.017 I can't dance. 37:04.077 --> 37:05.457 Everyone can see me when I dance. 37:05.717 --> 37:06.538 What kind of gigs do you go to? 37:06.558 --> 37:07.418 And I hit people in the face. 37:07.718 --> 37:08.918 You don't dance for gigs. 37:09.779 --> 37:10.459 Sorry, that's true. 37:11.279 --> 37:14.500 When I pogo, my head ends up through the ceiling. 37:14.700 --> 37:14.980 Wow. 37:15.280 --> 37:16.621 Hey, have we got any lost techs in? 37:16.781 --> 37:17.181 We have. 37:17.501 --> 37:17.821 Oh, brilliant. 37:17.841 --> 37:18.901 Shall we do a record, then read them? 37:19.041 --> 37:19.321 Yeah, yeah. 37:19.341 --> 37:20.101 I should filter them, really. 37:20.121 --> 37:21.202 We should play some ads first. 37:21.242 --> 37:21.962 We'll be back shortly. 37:26.408 --> 37:27.250 I love music. 37:59.582 --> 38:00.483 What was he saying there? 38:00.523 --> 38:02.807 My sonner, my summer girl. 38:02.947 --> 38:04.009 My summer girl, isn't it? 38:04.049 --> 38:04.910 He's not saying that. 38:05.110 --> 38:05.751 Why, how do you know? 38:05.992 --> 38:08.956 I've listened really carefully to it, and he's not saying summer. 38:09.337 --> 38:12.441 Yeah, well that's the secret to singing in pop music, isn't it? 38:12.521 --> 38:14.685 Just singing comprehensibly. 38:15.606 --> 38:16.467 walking comprehensively. 38:16.707 --> 38:17.388 That's the key. 38:17.649 --> 38:27.981 Listen, we should put some of our text competitions to bed, because we had sort of two on the go, one wasn't a competition, but Adam was asking people what they thought the stupidest possible explanation for lost could be. 38:28.002 --> 38:30.425 Do you want to hear some of our listeners' responses, Adam? 38:35.050 --> 38:35.911 there was a good one somewhere. 38:35.931 --> 38:39.673 There's so many texts here, it's hard to figure out which one is the good one. 38:40.213 --> 38:42.074 Oh, the plane has been seriously delayed. 38:42.214 --> 38:43.055 This might not be the good one. 38:43.455 --> 38:48.418 And the island is an airport virtual reality distraction designed to stop them complaining. 38:48.879 --> 38:50.900 So actually still in Heathrow or JFK. 38:51.060 --> 38:51.280 Yeah. 38:51.580 --> 38:51.840 Yeah? 38:52.140 --> 38:52.961 That's quite good, isn't it? 38:52.981 --> 38:53.561 That is quite good. 38:53.581 --> 38:55.643 You better react to that because that's one of the better ones. 38:56.563 --> 38:58.824 OK, it's only going to go downhill from here. 38:59.424 --> 39:06.767 Each of the survivors will be kept on the island and be closely monitored until they can collectively come up with a reason for the existence of Sadie Frost. 39:08.828 --> 39:09.808 Sadie Frost. 39:10.128 --> 39:11.689 A bit of satire. 39:11.949 --> 39:13.890 Yeah, that's anonymous. 39:14.170 --> 39:16.751 Sadie Frost. 39:16.791 --> 39:20.172 They're actually on the Isle of Man, surely enough to turn anyone crazy. 39:22.366 --> 39:23.347 That's quite- that's alright. 39:23.867 --> 39:24.408 That's quite good. 39:24.488 --> 39:26.009 I'm still chuckling about Sadie Frost. 39:27.530 --> 39:32.974 I think lost secret is that the island was in fact a testing ground for genetically engineered creatures. 39:33.675 --> 39:35.136 That's just a serious answer though, isn't it? 39:35.156 --> 39:40.440 Yeah, either that or the island secretes an ether that taps into everyone's subconscious. 39:40.921 --> 39:41.401 I do that! 39:41.661 --> 39:45.024 And gives them the best trips or nightmares of their lives. 39:45.064 --> 39:45.905 I secrete an ether. 39:46.983 --> 39:48.004 I secrete an ether. 39:48.584 --> 39:49.685 I secrete an ether. 39:49.805 --> 39:51.586 You see, a lot of people just think they're in limbo. 39:52.306 --> 39:56.488 Because let's face it, this is a question that's being asked by many mags at the moment. 39:56.589 --> 39:57.869 They haven't decided yet though, have they? 39:57.889 --> 39:59.050 Because they're still writing the show. 39:59.070 --> 40:00.131 But here's my favourite one. 40:00.791 --> 40:02.512 It's a holiday resort for polar bears. 40:03.032 --> 40:07.675 The polar bears shoot down planes so word doesn't get out in case it all gets too commercial like Goa. 40:09.482 --> 40:10.222 good, who wrote that? 40:10.242 --> 40:22.687 Ricky uh, that is from Paul in Isleworth, so maybe we should offer Paul, uh, those tickets to the Corbyn Q&A at ResFest tomorrow, or the Beck retrospective- no, tonight is the Corbyn- Steve What was the- there was an amateur dramatics one as well. 40:22.707 --> 40:30.350 Ricky Yeah, yeah, uh, they're an amateur dramatics group who are over-egging it in the Eden Project, that's from Vix in North London. 40:30.370 --> 40:32.231 Steve That was- that's sort of realistic. 40:33.211 --> 40:35.692 But I like Paul's- I like- let's give Paul a prize. 40:35.952 --> 40:43.655 And you know, also Tanya texted in and she just basically just texted in that she's desperate for the Anton Corbin Q&A tickets so we'll get you a pair too as well, Tanya. 40:43.815 --> 40:44.896 We want you to be happy. 40:44.916 --> 40:47.357 We just- we want everyone to be as happy as possible. 40:47.737 --> 40:54.140 Now, uh, we've got Dizzy's in the Dock coming up, where Joe and myself battle it out for who gets to play the last song of the two hours here on XFM. 40:54.220 --> 41:02.864 That's true, and everybody who gets, uh, on air the best of five wins tickets to the XFM screening of Kinky Boots, and the deciding vote will win tickets to the premiere. 41:03.044 --> 41:03.724 Wow. 41:04.164 --> 41:04.965 Hey, that's pretty good. 41:05.305 --> 41:06.245 Shall we have some more music now? 41:06.265 --> 41:06.325 Yes. 41:06.866 --> 41:10.827 Now, this is this track that does really sound a lot like something from a commercial. 41:11.068 --> 41:15.089 It's Sébastien Télier and La Ritornelle. 41:15.410 --> 41:16.110 Ooh la la. 41:16.690 --> 41:21.393 It's like some music from an advert for a lady product. 41:33.101 --> 41:33.742 Fresh! 41:34.502 --> 41:35.983 Lovely spritzer! 41:36.283 --> 41:39.646 That's La Retornelle by Sébastien Tellier. 41:40.342 --> 41:45.526 Now we were asking you what you thought of the Hot New Channel 4 sketch show, Spoons, and it's a mixed response from our listeners, Adam. 41:46.166 --> 41:49.269 Many saying it was brilliant, some saying it was rubbish. 41:49.309 --> 41:52.811 Well, there's always going to be people saying it's rubbish, but I think it's good if it's not unanimous. 41:53.312 --> 41:53.472 Yeah. 41:53.972 --> 41:58.075 You know, what are the people saying, are they just saying brilliant and they're not going any further than that? 41:58.115 --> 41:59.937 They're saying one or two chuckles, brilliant. 42:00.277 --> 42:06.682 They're saying better than that thing with, what's his face, I've forgotten his name now, the man that drinks a lot of beer. 42:07.142 --> 42:07.682 Johnny Vegas. 42:07.702 --> 42:07.922 Yeah. 42:09.344 --> 42:09.684 What was it? 42:09.704 --> 42:11.646 19 Stone of Video. 42:11.686 --> 42:13.488 Better than that. 42:13.868 --> 42:15.229 So I think that's a thumbs up for Spoons. 42:15.249 --> 42:16.410 We'll have to check it out next week. 42:16.570 --> 42:17.311 I'm excited about that. 42:17.351 --> 42:18.312 Is that a Friday night thing? 42:18.372 --> 42:18.572 Yes. 42:19.733 --> 42:21.035 But I'll have to miss Balls of Steel. 42:21.335 --> 42:21.855 Oh, no. 42:22.376 --> 42:22.856 Oh, no. 42:23.076 --> 42:23.777 Is that finished now? 42:24.077 --> 42:24.518 No, no, no. 42:24.818 --> 42:25.999 I think it's going on forever, can't it? 42:26.039 --> 42:27.040 It's going on forever, excellent. 42:27.280 --> 42:27.821 Re-commissioned. 42:27.841 --> 42:29.382 Until the end of the world. 42:29.442 --> 42:36.489 Someone, um, texted in and said- I was asking what Beck was saying in Girl, when he goes, nuts on a girl. 42:36.849 --> 42:40.453 Someone said, it's my sun-eyed girl, you retard. 42:40.473 --> 42:41.854 Well that's the correct answer, isn't it? 42:41.954 --> 42:43.235 My sun-eyed girl. 42:43.295 --> 42:44.016 My sun-eyed girl. 42:44.036 --> 42:47.820 But it sounds just like, nuts on a girl. 42:48.841 --> 42:49.521 Which is better. 42:49.541 --> 42:50.062 Naughty. 42:50.402 --> 42:52.324 Nuts on a go. 42:53.084 --> 42:58.909 So listen, it's nearly ditties in the dock time, the time when you get to choose between two records to play out the show with. 42:59.209 --> 43:00.970 We haven't got a theme this week, Adam, have we? 43:01.531 --> 43:03.613 No, we didn't sort a theme out. 43:03.733 --> 43:06.335 So it's just going to be a random ditties in the dock. 43:06.375 --> 43:07.416 This is the way we used to do it. 43:07.516 --> 43:07.716 Yeah. 43:07.876 --> 43:08.376 In the old days. 43:08.396 --> 43:10.318 Just two records that we want to play. 43:10.638 --> 43:30.262 yeah exactly no connection between them at all other than that so the numbers 0 8 7 1 triple 2 1 and 4 9 will pitch both the records everyone who gets through wins tickets to the xfm screening of kinky boots and the deciding call wins tickets to the premiere i will do that after these adverts shall we yeah yeah yeah okay let's do that we'll be right back 43:39.676 --> 43:41.217 Tongue-tied, wearing roses I'm thinking about myself, where will you go? 43:41.237 --> 44:08.888 I'm thinking, I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking I'm thinking 44:13.466 --> 44:14.606 Hey, look, sorry I messed up there. 44:14.746 --> 44:16.567 That was a brilliant preview of the next song. 44:16.687 --> 44:17.607 Yeah, that was like a tease. 44:18.048 --> 44:18.488 A tease? 44:18.528 --> 44:20.188 Yeah, this is what we do on the show now, we tease songs. 44:20.228 --> 44:21.309 Yeah, it's a new way of doing things. 44:21.369 --> 44:23.490 It's a new look, just like Time Out magazine. 44:23.990 --> 44:30.352 OK, so it's time for Ditties in the Dock, and here is the theme that everybody loves, that introduces Ditties in the Dock. 44:30.372 --> 44:30.812 Keep filling. 44:31.393 --> 44:32.713 Here it comes, the big theme. 44:32.913 --> 44:34.554 Yeah, nice to meet you. 44:35.214 --> 44:35.834 Nice. 44:35.974 --> 44:36.975 Oh, how slick, man. 44:37.595 --> 44:41.499 So it's time for Did It In The Dark, two songs, one chosen by me, the other chosen by Adam. 44:41.519 --> 44:45.803 It'll be the song that plays out the show, but you the listeners get to decide which one it'll be. 44:45.883 --> 44:53.470 Call 08712221049 to vote for either the song that Adam is about to pitch to you, or the song that I'm going to pitch to you. 44:53.530 --> 44:54.271 Ad, why don't you start? 44:54.591 --> 45:05.936 OK, now, there's a kind of a twisty reason for this, but I was watching Lost the other day and they mentioned Finding Nemo, but they can't seem to mention a lot of shows by name. 45:05.976 --> 45:09.498 So they have these lame pop cultural references in Lost, but they don't actually mention the show. 45:09.838 --> 45:12.159 So she's saying, you know that kid's film, the one with the fish? 45:12.779 --> 45:15.220 And they were all going, yes, why don't you just say Finding Nemo? 45:15.660 --> 45:17.661 Anyway, she says, you know the song at the end? 45:18.001 --> 45:25.324 Basically, it turns out that the map that they find on the island has lots of French words on it, and they're trying to figure out what the words mean. 45:25.364 --> 45:34.508 And it turns out that they are, in fact, the lyrics to the original version of Beyond the Sea, which is the song that Robbie Williams murders at the end of Finding Nemo. 45:34.908 --> 45:38.030 I'm proposing to play the original version, which is by Bobby Darin. 45:38.850 --> 46:00.936 uh of beyond the sea it's a lovely song and it'll just redress the balance there's a there's too much williams and not enough darren in the world uh and that's it beyond the sea so if you want to hear beyond the sea by bobby darren you have to call oh 871-222-1049 but if that's the last thing you want to hear on this saturday mid-afternoon then maybe you want to hear the following i've got news for our listeners and for you adam it's news from the streets 46:01.616 --> 46:06.777 And it's a shocking wake-up call to... Well, no, I can't construct this sentence properly. 46:07.117 --> 46:12.399 It's a shocking wake-up call to everybody to show you what young people are basically rapping and singing about on the streets. 46:12.599 --> 46:13.039 What is it? 46:13.139 --> 46:15.520 One of our sacred cultural institutions. 46:15.560 --> 46:16.040 Countdown. 46:16.120 --> 46:17.120 The program Countdown. 46:17.160 --> 46:17.340 Yeah. 46:17.840 --> 46:24.802 The theme music to it, as people do their conundrums, has been cruelly stolen by a gang of ruffians called... What are they called? 46:26.207 --> 46:27.528 I've written down their name. 46:27.548 --> 46:29.190 They're called the Young Guns. 46:29.390 --> 46:34.054 And they do an extremely aggressive urban grime rap over the theme to Countdown. 46:34.094 --> 46:35.155 That's disrespectful. 46:35.455 --> 46:41.641 You won't like it, but it's important you hear it so you can understand what the new generation are going to do with our sacred national icons. 46:41.901 --> 46:43.863 So I want you to call 08712221049 and vote for Countdown. 46:46.505 --> 46:49.987 In fact, it's called Countdown Riddim, and it's spelled R-I-double-D-I-N. 46:50.047 --> 46:51.327 Countdown Riddim by the Young Guns. 46:51.627 --> 46:52.628 That's not how you spell rhythm! 46:52.648 --> 46:54.569 That's not how you spell rhythm! 46:54.849 --> 46:55.989 O-8-7-1-triple-two-one-o-four-nine. 46:56.009 --> 46:57.150 So that's it for Dizzies in the Dock. 46:57.510 --> 47:00.091 It's Countdown Riddim versus Bobby Darin. 47:00.271 --> 47:01.172 Versus Beyond the Sea. 47:01.212 --> 47:02.272 What an amazing payoff. 47:02.332 --> 47:02.813 Get calling. 47:02.833 --> 47:03.653 Guess what we're gonna play now? 47:03.673 --> 47:05.554 Uh, the same track, Oasis. 47:05.594 --> 47:05.854 Yeah! 47:15.606 --> 47:18.289 Oasis. 47:18.829 --> 47:21.932 And that Frankful Noise, that track is called Live Forever. 47:22.152 --> 47:22.993 They're very exciting. 47:23.573 --> 47:24.654 Did you see the bit in Lost? 47:24.734 --> 47:33.061 I'm sorry I'm lost obsessed this week, but the guy from Lord of the Rings who plays this bloke who's in an Oasis style band and they're called Driveshaft. 47:35.383 --> 47:37.904 They couldn't have thought of something better than drive shaft. 47:38.084 --> 47:40.444 That's good when I'm in them I play bass in a band. 47:40.724 --> 47:46.666 They're called drive shaft Have you heard of them and what's their song called you or you everybody something or sir? 47:46.926 --> 47:49.907 Ah you we everybody it's called sounds good. 47:49.927 --> 47:58.449 We should get hold of it It's not that bad the song is not that bad, and it's quite a good oasis parody, but there you go That was the real thing now ditties in the dark. 47:58.469 --> 47:58.509 Oh 48:02.338 --> 48:05.461 It's the part of the show where you vote for which song we'll play out with. 48:05.501 --> 48:06.862 We've got five callers on the line. 48:06.962 --> 48:11.046 Everyone who gets through wins a pair of tickets to the XFM Kinky Boots screening. 48:11.467 --> 48:13.609 The deciding vote wins tickets to the premiere. 48:14.349 --> 48:15.090 So let us begin. 48:15.210 --> 48:17.172 It's Bobby Darin with which song? 48:17.352 --> 48:17.852 Beyond the Sea. 48:17.912 --> 48:19.013 It's Beyond the Sea. 48:19.093 --> 48:20.014 Beyond the Sea. 48:20.094 --> 48:22.536 Versus The Young Guns with Countdown Rhythm. 48:22.576 --> 48:24.537 It couldn't be more different. 48:24.597 --> 48:24.857 Yeah. 48:24.997 --> 48:32.863 These songs are poles apart, a classic old, soothing, crooning number, and the latest rough, raw, urban thing. 48:32.883 --> 48:36.225 I think we've got a diverse listenership, Joe. 48:36.445 --> 48:37.446 Who knows which way this could go. 48:37.486 --> 48:37.846 Exactly. 48:37.866 --> 48:38.667 This is going to be interesting. 48:38.687 --> 48:40.008 Shall we go to the first caller, Pat? 48:40.468 --> 48:40.868 Hello, Pat. 48:40.888 --> 48:41.329 Are you there? 48:41.969 --> 48:42.249 Hello there. 48:42.269 --> 48:43.150 How you doing, Pat? 48:45.036 --> 48:46.999 I'm guessing you're going to be voting for Bobby Darin. 48:47.019 --> 48:49.421 I just think there's a mellowness in your voice. 48:49.441 --> 48:52.385 You sound a bit like you could look like the man from the Flash adverts. 48:53.368 --> 48:54.969 No, I'm going down with the kids. 48:55.069 --> 48:56.569 I'm going for the countdown tune. 48:56.649 --> 48:58.910 He's going for countdown rhythm by the young guns. 48:58.930 --> 49:00.571 Yeah, you've got to go with the kids, man. 49:00.751 --> 49:01.571 Well done, Pat. 49:01.651 --> 49:03.472 Never judge people by the sound of their voice. 49:04.012 --> 49:05.632 You do sound like the guy from Brushstrokes. 49:05.692 --> 49:06.853 Is that the guy from me? 49:06.893 --> 49:12.135 Is it the guy from Brushstrokes who's always doing the cleaning when his wife's out reading chat magazine in the deck chair? 49:12.355 --> 49:13.155 I don't know about that. 49:13.195 --> 49:14.175 That guy's in hell. 49:14.475 --> 49:17.957 And he's got, like, he just, all he does is fantasize about driving in cars with beautiful rhythm. 49:17.977 --> 49:19.777 Yeah, he's in hell, isn't he? 49:19.817 --> 49:21.618 I can't help but my, yeah, anyway. 49:22.438 --> 49:23.378 There you go. 49:23.398 --> 49:24.859 You don't do- What product does he advertise? 49:25.479 --> 49:26.619 It's some cleaning thing. 49:26.659 --> 49:27.299 It's Mr. Muscle, isn't it? 49:27.319 --> 49:28.280 Do you use Flash, Pat? 49:29.080 --> 49:30.180 No, I don't use Flash. 49:30.200 --> 49:30.560 Well done. 49:30.600 --> 49:31.761 All right, so there's no comparison. 49:31.781 --> 49:32.901 Well, thanks for voting. 49:32.981 --> 49:36.642 It's 1-0 to Cornish, and you've got tickets for the Kinky Boots XFM's cleaning, Pat. 49:36.702 --> 49:39.023 I've got a feeling this is gonna be a walkover for Cornish. 49:39.043 --> 49:39.963 I don't know, man. 49:39.983 --> 49:40.943 You know Lila's Trixie. 49:41.283 --> 49:41.984 Justin, are you there? 49:42.284 --> 49:42.964 Yes, hello there. 49:43.700 --> 49:44.361 How are you, Justin? 49:44.621 --> 49:46.102 I'm not too bad, thank you very much. 49:46.202 --> 49:47.763 He's going to vote for Bobby Darin. 49:47.963 --> 49:51.086 You sound quite, sort of, well-educated, well-bought-up. 49:51.646 --> 49:52.067 Justin? 49:52.107 --> 49:53.988 I'm going to sound posh. 49:54.329 --> 49:55.149 You sound posh? 49:55.390 --> 49:56.691 I have to, because I'm on a train. 49:57.391 --> 49:58.832 Why do you have to sound posh on a train? 49:59.032 --> 50:00.294 Because I got it from my mum, I think. 50:00.994 --> 50:03.376 You can get thrown off, I think, if you're not posh. 50:03.436 --> 50:06.599 No, his mum bought him the train tickets and said, don't forget to talk posh! 50:07.927 --> 50:09.227 Exactly, yeah. 50:09.267 --> 50:10.668 I'm going for countdown, by the way. 50:10.688 --> 50:13.989 Hey, the countdown rhythm by the Young Guns. 50:14.589 --> 50:15.450 Oh, you won't regret it. 50:16.070 --> 50:17.010 It's a filthy song. 50:17.050 --> 50:19.511 I've had to cut out and reverse most of the swearing. 50:19.731 --> 50:22.092 So not much of it is actually left, but who knows? 50:22.332 --> 50:22.732 I might not win. 50:22.972 --> 50:30.419 Thanks for your call, Justin, and don't forget that if you drink alcohol on the train, what's that advert, you know, with the kids with, like, tins of booze in it? 50:30.439 --> 50:30.980 I haven't seen it. 50:31.000 --> 50:31.561 OK, doesn't matter. 50:32.141 --> 50:34.724 Erm, be good and stop talking on your phone, please, Justin. 50:34.804 --> 50:36.285 It's very, very annoying. 50:36.546 --> 50:37.607 Thanks for calling and listening. 50:37.667 --> 50:38.247 Simon's next. 50:38.267 --> 50:38.848 Hello, Simon. 50:39.368 --> 50:39.589 Hi, guys. 50:39.609 --> 50:40.389 How you doing? 50:41.170 --> 50:41.330 Good. 50:41.350 --> 50:42.011 How are you? 50:42.491 --> 50:43.192 Yeah, I'm good, good. 50:43.352 --> 50:44.814 Are you, er, what are you up to, Simon? 50:45.769 --> 50:48.272 Oh, just a bit of boring paperwork on a Saturday evening. 50:48.412 --> 50:50.774 You do sound a little bit bored, I have to be honest with you. 50:50.794 --> 50:51.154 I am so bored. 50:51.174 --> 50:52.175 What are you going to vote for? 50:52.235 --> 50:54.117 Is this going to be the end of the competition for me? 50:54.137 --> 50:56.740 Are you going to go for the grime or for the Bobby Darin? 50:57.160 --> 50:58.722 No, we've got to go with a bit of Bobby Darin. 50:58.762 --> 50:59.262 Come on. 50:59.302 --> 50:59.943 Oh, no. 51:00.263 --> 51:02.025 Thank goodness, I was out of the picture there. 51:02.325 --> 51:03.106 Now, let's speed things up. 51:03.146 --> 51:04.708 I'm just a crazy countdown to you. 51:05.649 --> 51:06.169 No, exactly. 51:06.229 --> 51:06.650 I agree. 51:06.670 --> 51:07.470 Yeah, you've got to have some respect. 51:07.490 --> 51:08.391 They haven't desecrated it. 51:08.431 --> 51:09.612 They've made it more exciting. 51:09.852 --> 51:14.715 It's like an episode of Countdown where you might be mugged if you don't get the anagram right. 51:15.235 --> 51:16.516 Simon, thanks very much for your call. 51:16.536 --> 51:17.437 Good luck with the paperwork. 51:17.517 --> 51:18.157 Alex, are you there? 51:18.478 --> 51:19.098 Yes, hello. 51:19.118 --> 51:20.219 How you doing, Alex? 51:20.419 --> 51:21.299 I'm good, thank you. 51:21.700 --> 51:22.240 I'm good, man. 51:22.260 --> 51:23.481 You sound anxious. 51:23.501 --> 51:24.381 You sound anxious, Alex. 51:24.401 --> 51:25.022 There's something wrong. 51:25.482 --> 51:26.863 Um, no, no, I'm good. 51:26.883 --> 51:28.684 I'm just doing my homework. 51:28.724 --> 51:30.845 Your words sound a bit like Jon Ronson. 51:30.905 --> 51:32.405 He sounds like Naboo. 51:32.425 --> 51:33.666 You sound like Naboo from The Boosh. 51:33.706 --> 51:34.246 What's going on? 51:34.266 --> 51:34.827 Are you a shaman? 51:35.167 --> 51:35.567 The Boosh? 51:36.147 --> 51:36.988 Yeah, do you not watch that? 51:37.128 --> 51:37.688 The Mikey Boosh? 51:37.808 --> 51:38.128 Yeah. 51:38.488 --> 51:39.049 Oh, classic. 51:39.409 --> 51:41.230 Yeah, well, you sound a bit like Naboo. 51:41.790 --> 51:42.390 Oh, do I? 51:42.730 --> 51:42.990 Yeah. 51:43.831 --> 51:50.014 Have you been, uh, can we refer back to our Sky One drama about selling weed? 51:50.314 --> 51:50.494 Yeah. 51:51.575 --> 51:52.475 With you on the line, Alex? 51:52.975 --> 51:54.076 Um, if you want. 51:54.936 --> 51:55.897 Um, I don't think we should. 51:55.917 --> 51:56.717 We're not gonna go there. 51:56.737 --> 51:57.938 What are you voting for, Alex? 51:58.498 --> 51:59.459 Um, Countdown. 52:00.119 --> 52:01.000 Oh, Countdown Riddim! 52:01.380 --> 52:02.821 Does that mean Cornish has taken it? 52:03.221 --> 52:04.061 Yeah, Cornish has taken it. 52:04.081 --> 52:04.942 Cornish has taken it. 52:05.082 --> 52:06.583 Alex, thanks so much for your call. 52:07.123 --> 52:10.125 Hey, thanks for calling Alex. 52:10.145 --> 52:11.305 We've got one more caller on the line though. 52:11.345 --> 52:12.206 Rachel, hello Rachel. 52:12.226 --> 52:12.746 Hello. 52:12.966 --> 52:15.387 So this is kind of a moot point because haven't I already won it? 52:15.407 --> 52:15.988 Yeah, you've won. 52:16.928 --> 52:18.309 So Rachel isn't the deciding call. 52:18.349 --> 52:19.270 Alex is the deciding call. 52:19.290 --> 52:20.070 Alex is the decider. 52:20.110 --> 52:21.471 Rachel, thanks for phoning in. 52:21.491 --> 52:22.832 Who are you going to go for out of interest? 52:23.152 --> 52:23.572 Countdown, actually. 52:24.192 --> 52:24.973 Oh, yay! 52:25.033 --> 52:25.873 The Countdown Riddim. 52:25.913 --> 52:26.874 It's a total landslide. 52:26.894 --> 52:28.775 I don't know what you think you actually hear it. 52:29.095 --> 52:31.416 So, you know what, Alex wins the tickets to the premiere of Peaky Boots. 52:31.436 --> 52:32.477 Thanks for calling, Rachel. 52:32.757 --> 52:35.959 Rachel, you win tickets to the XFM screening. 52:36.259 --> 52:37.700 Thanks everybody for calling and listening. 52:37.960 --> 52:43.483 Like I said, this track, Countdown Riddim, by The Young Guns, was very, very rude. 52:43.983 --> 52:47.205 So I had to reverse the bits with swearing in them. 52:47.505 --> 52:50.547 About two-thirds through the record, almost the whole thing's backwards. 52:51.207 --> 52:52.227 So just bear with it. 52:52.988 --> 52:54.408 OK, well, we should say goodbye. 52:54.448 --> 52:55.448 Thanks very much for listening. 52:55.529 --> 52:56.069 Thanks for listening. 52:56.089 --> 52:57.289 We'll see you at the same time next week. 53:15.655 --> 53:44.549 That's what, baby shams too hot That's what, I come from look up your block That's what, don't pay to rock high That's what, ladies you light high That's what, you fools who die That's what, truth facts don't lie That's what, yeah, to the beat I'm gonna beat straight up Fuck you man I'm gonna fuck your beat straight up It's no joke I'm gonna beat straight up You get the beat straight up, yeah To the beat I'm gonna beat straight up Unless you beat straight up It's no joke I'm gonna beat straight up You might go and get the beat straight up I won't let them pull them up 53:48.817 --> 53:49.438 I'm a gun 54:15.327 --> 54:45.111 I'm flowin', white gold eyes, showin', blowin' Man can't say there's no favours goin' Yung guns, young guns, they will know it The mix is gonna give to beat a loom blowin' You know I got eight bars to rip up the score I'm tired, I'm tired, soldiers start pullin' I'm a get by, get by, so we make it go Get by, so we fly, come on, let's go Big paper makes us go, let it go We're sittin' in the face of boys, let's go Get by, get by, so we make it go Get by, so we fly, come on, let's go Big paper makes us go, let it go We're sittin' in the face of boys, let's go We're sittin' in the face of boys, let's go We're sittin' in the face of boys, let's go We're sittin' in the face of boys, let's go We're sittin 54:53.803 --> 54:58.147 Take your chances and get them if you give them what you deserve In E10, I'm known as D.I.L.I.M.S. 54:58.187 --> 55:18.166 That fat balloon head, that whoop to my lip You're about to see me on the street Keepin' it gunny, gunny on the street I know who did that trans even though her bum cheeks smoke it kinda like he sneezed I'm reppin' YGC, YGC everywhere in the street If you don't wanna face the facts, well you can face the cats, bruh It's like I know they deserve it, it's your race, bruh I'ma leave you with a sumo like you want to rap, bruh Be careful when you say that 55:26.578 --> 55:26.838 I'm 56:02.245 --> 56:02.406 XSX