WEBVTT 00:04.611 --> 00:06.314 Oh, there is gonna be a riot on the radio. 00:06.575 --> 00:08.197 A riot of fun and laughter. 00:08.398 --> 00:13.126 Yes, that's right, because it is time for Adam and Joe on the radio for two hours. 00:13.386 --> 00:13.667 Yes. 00:13.887 --> 00:14.127 Yes. 00:14.308 --> 00:16.411 We can't really get away with West Country impressions. 00:16.451 --> 00:18.394 What with the... Is Justin E. Collins coming in after us? 00:18.843 --> 00:20.044 Yeah, that's why I was doing it, though. 00:20.064 --> 00:20.384 Oh, was it? 00:20.444 --> 00:21.505 He's done very well with it. 00:21.525 --> 00:24.868 I just thought maybe it's time we got a bit more wedding to the top, you know? 00:24.888 --> 00:26.769 We've got facial hair, Joe. 00:26.789 --> 00:27.390 Facial hair. 00:27.470 --> 00:27.710 Yes. 00:27.990 --> 00:29.211 And a strange accent. 00:29.551 --> 00:30.632 You make a lot of money. 00:30.993 --> 00:32.634 Can I tell the listeners what we've got to give them today? 00:32.654 --> 00:34.936 Because we like to bribe people at the top of the show to keep them listening. 00:34.956 --> 00:35.296 Yeah, go on. 00:35.316 --> 00:37.738 Today we've got On Back gift packs to give away. 00:37.858 --> 00:38.678 On Back backpacks. 00:38.938 --> 00:39.639 On Back backpacks! 00:39.679 --> 00:40.900 It's actually not an On Back backpack. 00:41.860 --> 00:43.902 That's probably actually Ty and slightly racist. 00:45.363 --> 00:52.908 It's actually a shoulder bag with On Back written on it so everyone who passes you in the street will think you're a kickboxer and inside there's an On Back DVD and an On Back t-shirt. 00:53.568 --> 00:55.310 So the logo, is it written On Back? 00:56.366 --> 00:56.867 What do you mean? 00:56.907 --> 00:58.270 Is it written racistly? 00:58.571 --> 00:58.691 No. 00:58.811 --> 00:59.934 In a stereotypical manner? 01:00.094 --> 01:00.895 Is that what you're asking? 01:01.036 --> 01:01.777 I was just saying it. 01:01.837 --> 01:02.579 Is it on the back? 01:02.639 --> 01:03.380 And I was just trying to make a joke. 01:03.400 --> 01:04.242 Oh, is it on the back? 01:04.262 --> 01:04.743 Yeah. 01:04.823 --> 01:06.126 In fact, we did, we did, uh... 01:07.361 --> 01:09.202 We did lots of jokes after I first saw Wrong Back. 01:09.262 --> 01:11.764 I texted my friend, uh, I'll be sleeping on my back tonight. 01:12.665 --> 01:14.646 Um, that was towards the end of the jokes. 01:14.786 --> 01:15.486 You know? 01:15.547 --> 01:16.507 That was the last text. 01:16.527 --> 01:19.189 Presumably you didn't get a reply from that one. 01:19.549 --> 01:24.553 Um, okay, well if that isn't enough, we've also got two copies of Sin City, starring Bruce Willis and Jessica Alba. 01:24.993 --> 01:26.074 I haven't seen that film yet. 01:26.594 --> 01:28.315 Apparently it's kind of brutal. 01:28.575 --> 01:29.256 It's very brutal. 01:29.276 --> 01:30.216 It's utterly inhuman. 01:30.436 --> 01:32.718 Nobody does anything in it that any human being would ever do. 01:32.738 --> 01:35.240 Nobody feels the way that any human being would ever feel. 01:35.480 --> 01:37.221 It's utterly on Mars, but it's quite fun. 01:37.341 --> 01:38.622 It's a cartoon, grandad. 01:38.682 --> 01:39.183 Get with it. 01:39.203 --> 01:41.204 Ah, it's actually, yeah, based on a cartoon. 01:41.265 --> 01:41.485 Yeah. 01:41.765 --> 01:42.385 But live action. 01:42.626 --> 01:43.787 Right, I know, but it's cartoonish. 01:43.947 --> 01:45.728 Yeah, yeah, you know, but get to my age. 01:46.089 --> 01:48.771 You want something in a film to actually speak to you on some level. 01:48.811 --> 01:49.532 Man, I agree with you. 01:49.552 --> 01:50.833 I was playing devil's advocate there. 01:51.333 --> 01:51.594 Really? 01:51.694 --> 01:51.934 Yeah. 01:51.994 --> 01:54.416 Well, can you not play- I've got a goatee, look. 01:54.636 --> 01:56.097 I look like the devil's advocate, don't I? 01:56.117 --> 01:56.318 You do. 01:56.958 --> 02:00.561 We've also got one pair of tickets to the 10th anniversary PS2 UK B-Boy. 02:00.781 --> 02:01.902 Oh, that's a good prize. 02:01.922 --> 02:02.842 Are you gonna steal that? 02:03.002 --> 02:03.903 I might steal that. 02:03.923 --> 02:05.144 I might have to retract that prize. 02:05.244 --> 02:12.149 One pair of tickets to the 10th anniversary PS2, PlayStation 2, UK B-Boy championships at the Carling Brixton Academy, just round the corner. 02:12.369 --> 02:12.709 Yeah, nice one. 02:12.729 --> 02:13.330 From where we live. 02:13.770 --> 02:14.950 On Sunday the 9th of October. 02:15.210 --> 02:16.151 That'll be fantastic. 02:16.191 --> 02:17.211 The B-Boy Championships. 02:17.812 --> 02:21.894 And one pair of tickets to see the coral at the Academy Brixton on the 20th of October. 02:21.914 --> 02:23.355 That's an amazing line-up of prizes. 02:23.375 --> 02:24.435 That's very good prizes. 02:24.755 --> 02:26.696 Hey, what's a B-Boy Championship, incidentally? 02:26.736 --> 02:31.959 Well, that'll be like rapping or scratching or breakdancing or just, you know, generally being a B-Boy. 02:32.099 --> 02:33.180 What does B stand for? 02:33.660 --> 02:34.440 Uh, a boogie. 02:34.881 --> 02:35.901 Boogie Boys? 02:35.921 --> 02:36.441 Yes, a boogie. 02:36.521 --> 02:38.302 I want to go to the Boogie Boys party. 02:38.322 --> 02:38.943 You probably can't go. 02:38.963 --> 02:39.583 You're not cool enough. 02:39.623 --> 02:39.783 Oh, no. 02:39.823 --> 02:40.804 And you've got a goatee now. 02:40.944 --> 02:41.524 That's true. 02:41.784 --> 02:45.428 So in order to win those, we'll be playing the crap commentary competition, we'll be playing Ditties in the Dock. 02:45.969 --> 02:46.689 What else have we got? 02:46.709 --> 02:48.091 We've got a lot of good music, man. 02:48.291 --> 02:51.775 We'll have a text competition and a lot of great music, so stay tuned. 02:51.795 --> 02:52.676 Shall we start the great music? 02:52.896 --> 02:56.880 Yeah, well, that was the Dead Sixties, incidentally, that we opened up with, which sounded good to me. 02:56.900 --> 02:59.202 That was my first listen for the Sixties there. 02:59.643 --> 03:01.125 Riot Radio, and I loved it. 03:01.305 --> 03:03.847 Now we've got The Killers with Jenny Was a Friend of Mine. 03:13.390 --> 03:16.891 That's the Mooney Suzuki with Alive and Amplified. 03:17.311 --> 03:18.451 And before that, you heard the Killers. 03:18.791 --> 03:19.792 And before that, with? 03:20.072 --> 03:20.952 Jenny was a friend of mine. 03:20.992 --> 03:22.112 Before that, we told you a lie. 03:22.132 --> 03:24.573 It's not just Cindy Collins coming on after us, it's Marsha. 03:24.853 --> 03:26.534 So we can do all the West Country accents we like. 03:26.554 --> 03:28.434 Yeah, cos Martha's normal. 03:28.574 --> 03:28.974 She's normal. 03:29.214 --> 03:29.894 She's a normal person. 03:29.914 --> 03:31.575 This is Adam and Joe on XFM. 03:32.095 --> 03:34.316 You can text us on 83XFM. 03:34.336 --> 03:38.557 You can e-mail us at Adam and Joe, what is it, at XFM.co.uk. 03:38.597 --> 03:39.237 Yeah, yeah, yeah. 03:39.677 --> 03:42.079 And when the time comes, you can phone us on 0 8 7 1 2 2 2 1 0 4 9. 03:45.362 --> 03:50.866 If you want to win those on-back backpacks or Sin City or any of that stuff, then that's the number you need. 03:51.047 --> 03:50.866 0 8 7 1 2 2 2 1 0 4 9. 03:52.268 --> 03:55.550 Do you want to hear my celebrity news this week, Adam? 03:55.751 --> 03:56.231 I'd love to. 03:56.271 --> 03:58.833 Man, you've got more names to drop than anyone I've ever met. 03:59.073 --> 04:00.975 I went to the Revolver premiere this week. 04:01.135 --> 04:02.597 Wow, you're so lucky! 04:02.617 --> 04:05.260 Guy Ritchie's new film revolver. 04:05.280 --> 04:07.143 I, Joe Cornish, went to the premiere. 04:07.183 --> 04:07.703 That's right. 04:07.723 --> 04:09.626 I was two rows behind my dog. 04:10.747 --> 04:15.974 I was in the row in front of Sting and Trudy Stylin. 04:17.175 --> 04:18.517 And all sorts of gangsters were there. 04:19.518 --> 04:22.600 It was kind of like the, you know, the cast of Sexy Beast in the audience. 04:22.780 --> 04:23.000 Yeah. 04:23.020 --> 04:25.201 Was Johnny the Hat there? 04:25.661 --> 04:26.661 Oh, almost definitely. 04:26.741 --> 04:27.262 Wow! 04:27.402 --> 04:28.962 Was Frankie Fingers there? 04:28.982 --> 04:30.363 Frankie Fingers wasn't there, no. 04:30.403 --> 04:33.044 He was out for a drink with Clive Cufflinks. 04:33.324 --> 04:34.045 Percy Pickles. 04:34.305 --> 04:35.365 Percy Piggy? 04:36.146 --> 04:36.406 What? 04:36.426 --> 04:37.826 The cast of Trumpton. 04:38.127 --> 04:38.587 Now, what? 04:39.067 --> 04:40.108 Dirty Percy Pickles. 04:40.148 --> 04:41.588 Dirty Percy Pickles wasn't there. 04:41.668 --> 04:43.609 He's still in Chokey, sorry. 04:43.669 --> 04:44.309 He's in Chokey. 04:44.329 --> 04:45.010 Is that what they call it? 04:45.150 --> 04:45.390 Yeah. 04:45.550 --> 04:46.891 God, you're so good on gangster talk. 04:46.991 --> 04:47.651 I like a gangster. 04:47.731 --> 04:53.092 Anyway, the whole place smelt like a, what's a gangster expression, a cheap dime store whore shop. 04:53.273 --> 05:00.835 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 05:10.077 --> 05:10.417 Not true. 05:10.437 --> 05:11.458 The crowd didn't boo Madonna. 05:11.658 --> 05:12.798 The press booed Madonna. 05:12.818 --> 05:13.759 The photographers did. 05:13.779 --> 05:14.919 The public didn't care. 05:15.199 --> 05:15.939 Why were they booing her? 05:15.959 --> 05:16.960 Cos she wouldn't post the whole thing. 05:16.980 --> 05:17.380 The story was. 05:17.420 --> 05:17.640 Yeah. 05:17.660 --> 05:21.002 Cos when you go to a premiere in the West End, you've got to do a Tom Cruise and shake everybody's hands. 05:21.102 --> 05:25.023 And basically your star status is gauged on the amount of attention you pay to the crowd. 05:25.523 --> 05:26.824 And so Madonna just shunned the crowd. 05:26.864 --> 05:27.604 She walked straight in. 05:27.844 --> 05:28.885 They call it doing a Britney. 05:29.711 --> 05:30.532 is that what they call it? 05:30.572 --> 05:31.612 No they don't, I just made that up. 05:31.632 --> 05:31.832 Do they? 05:31.852 --> 05:32.233 I wish they were. 05:32.253 --> 05:33.894 But do you remember, Britney did the same thing, do you remember? 05:34.054 --> 05:36.776 Britney did, yeah, and she got roundly booed, and look at her career now. 05:36.876 --> 05:37.696 I know, it's amazing. 05:37.716 --> 05:38.817 Down the plug hole. 05:38.837 --> 05:39.517 Down the plug hole. 05:39.597 --> 05:40.278 It's amazing. 05:40.478 --> 05:40.798 Yeah. 05:40.938 --> 05:42.800 She's got that awful show, Britney Spears Chaotic. 05:43.140 --> 05:44.080 But that's another subject. 05:44.681 --> 05:46.502 Anyway, so I went in, and do you know what? 05:46.762 --> 05:46.942 No. 05:47.042 --> 05:47.663 Listening public. 05:48.283 --> 05:53.145 The film is bad, but it's not that bad, and in fact, I think it's the most interesting Guy Ritchie film. 05:53.165 --> 05:53.745 Really? 05:53.765 --> 05:55.526 Because it's about the inside of his brain. 05:55.546 --> 05:56.626 Wow! 05:56.766 --> 06:02.028 It's about a man who's conned himself to a fortune, and he can't quite work out how he's done it. 06:02.588 --> 06:04.029 Now who could that be based on? 06:04.369 --> 06:04.709 Yeah. 06:04.949 --> 06:07.650 Hmm that's amazing and it's quite good. 06:07.870 --> 06:20.435 I wouldn't bother paying for the cinema But maybe rent it on DVD if like if you ever was stupid enough to rise a thesis on Guy Ritchie That's the film you'd go to it's like an x-ray of his insane life It's like how am I so lucky? 06:20.956 --> 06:25.698 How am I living in a mansion with Madonna when I've made these British films? 06:25.998 --> 06:26.298 Yeah 06:26.898 --> 06:33.523 And so he's the sort of con man character and the film's about him trying to work out on a philosophical level how he's got there. 06:33.943 --> 06:34.343 And you know what? 06:34.403 --> 06:36.464 I think it gives away some of Guy Ritchie's tricks as well. 06:37.805 --> 06:41.248 Revolver is actually a handbook to being very successful if you're talentless. 06:41.788 --> 06:42.068 Right. 06:42.368 --> 06:42.609 Yeah? 06:42.909 --> 06:44.390 So that's my movie going tip this week. 06:44.510 --> 06:47.692 Well I'm going to go and see it because I'm talentless and I want to be successful. 06:47.712 --> 06:48.232 There you go. 06:48.572 --> 06:53.516 And the only problem was it's quite long and I really wanted to have a wee and I couldn't go out because I didn't want to push past Sting. 06:54.076 --> 07:12.772 so what did you do did you wee on sting no i just held it in but i couldn't push past sting because of how fragile he is yeah yeah and he'd probably say don't stand don't stand don't stand so close to me i hadn't thought of that one and you know where the after show party was for revolvers no only london's classiest venue 07:13.573 --> 07:14.513 Waxy O'Connor's. 07:14.854 --> 07:15.494 Waxy's? 07:16.975 --> 07:21.697 How can you have the after party for a major West End premiere at Wack- No insult to Waxy O'Connor's. 07:22.337 --> 07:22.697 Waxy's? 07:22.757 --> 07:25.499 You might as well have it at Garfunkel's or the Aberdeen Steakhouse. 07:25.859 --> 07:26.379 Or Big Un's. 07:26.719 --> 07:27.320 Or Big Un's. 07:27.760 --> 07:28.440 Big Un's Ribs. 07:28.460 --> 07:29.661 They could have called it Big Gun's. 07:30.881 --> 07:32.903 And, you know, I should be working for a PR. 07:33.124 --> 07:33.864 That's great, man. 07:33.904 --> 07:34.665 That's a good story. 07:34.705 --> 07:35.846 I'm gonna go see Revolver. 07:36.207 --> 07:38.849 I hope he's listening because he could put some of the things you said on the poster. 07:38.869 --> 07:39.410 He really could. 07:39.430 --> 07:41.492 There's only one quote on that poster from The Sun. 07:41.712 --> 07:43.574 Guy Ritchie, back to his brilliant best. 07:43.614 --> 07:48.078 And I was thinking, like, surely that's got a few quid of, you know, probably change hands for that. 07:48.118 --> 07:48.819 I think it's his best film. 07:49.259 --> 07:51.902 It's not saying much, but I think it's Ritchie's best film. 07:51.922 --> 07:53.183 So you agree with The Sun? 07:53.463 --> 07:55.885 I- Well, no, because I don't think there's a brilliant best to go back to. 07:55.905 --> 07:56.485 Right. 07:56.505 --> 07:58.806 But it arrives at his best. 07:58.866 --> 07:59.307 His zenith. 07:59.327 --> 08:00.147 Maybe not his brilliant best. 08:00.587 --> 08:01.928 Arrives at his best what? 08:01.988 --> 08:02.469 His best. 08:02.909 --> 08:03.369 His best. 08:03.389 --> 08:03.990 That's what you can have. 08:04.150 --> 08:04.350 Yeah. 08:04.430 --> 08:05.190 Joe Cornish, XFM. 08:05.450 --> 08:06.091 Fantastic. 08:06.211 --> 08:06.391 Bye. 08:06.491 --> 08:07.091 What a result. 08:07.452 --> 08:08.352 Here's a free play for you. 08:08.392 --> 08:08.993 It's the Stooges. 08:18.257 --> 08:19.618 Come on, it's hard to argue with that. 08:19.638 --> 08:21.820 That's down on the street from the Stooges. 08:21.860 --> 08:23.322 This is Adam and Joe on XFM. 08:23.622 --> 08:26.204 Time for some adverts now, but we're gonna be back with our competition. 08:26.865 --> 08:28.987 Er, the crap commentary corner, so stick with it. 09:04.367 --> 09:05.948 with Feel Good Inc. 09:07.288 --> 09:14.832 Someone said to me the other day that they thought gorillas were kind of doing now what Beck used to do, but doing it kind of better than Beck. 09:15.512 --> 09:16.432 With a touch of the Wombles. 09:16.752 --> 09:18.353 With a bit of the Wombles. 09:18.493 --> 09:19.634 It's a formula for success. 09:19.954 --> 09:22.735 So this is Adam and Jo on XFM. 09:23.155 --> 09:24.796 It's time for Crap Commentary Corner. 09:24.816 --> 09:25.857 Have we got a jingle? 09:27.217 --> 09:28.920 OK, I'll waffle while you get the jingle. 09:28.940 --> 09:29.942 This is Crap Commentary Corner. 09:29.962 --> 09:33.246 We're gonna play you an excerpt from a DVD commentary. 09:33.287 --> 09:37.954 You have to tell us what the film is that you're hearing commentary to and who is doing the commentary. 09:58.840 --> 10:11.623 And in a movie they're critiquing Go ahead, it's easy You can use IMDb There you go, there's a little clue, you can use IMDb Uh, so, what would we do without the word crap? 10:12.063 --> 10:25.467 We'd have no career, no career Remember the numbers 0-8-7-1-2-2-2-1-0-4-9 0-8-7-1-2-2-2-1-0-4-9 Pass over here to get through the XFM phone system And you'll be speaking to the lovely Xanthi, who's on the phones today Hello Xanthi 10:26.207 --> 10:26.928 And you could win. 10:27.328 --> 10:28.128 What are we gonna give away? 10:28.208 --> 10:29.109 Copies of Sin City? 10:29.469 --> 10:30.890 Possibly tickets to see The Coral. 10:31.611 --> 10:36.134 Possibly tickets to the Carling Academy 10th anniversary PS2 UK B-Boy Championships. 10:36.194 --> 10:40.356 I tell you what, let's give a copy of Sin City to anyone who gets it wrong. 10:40.857 --> 10:41.137 OK. 10:41.277 --> 10:42.818 And the person who gets it right can choose. 10:42.938 --> 10:45.800 So even if you call in with the wrong answer and get on the air, you'll get a copy of Sin City. 10:45.840 --> 10:46.460 Yeah, exactly. 10:47.201 --> 10:47.401 Wow. 10:47.421 --> 10:47.661 Yeah. 10:48.001 --> 10:48.802 That's the kind of people we are. 10:48.842 --> 10:54.586 I was gonna say something that rhymes with city and has something to do with Jessica Alba, but I stopped myself. 10:55.703 --> 11:19.882 knockers yeah was that a sort of thing but i stopped myself um because she's lovely isn't she jessica she's lovely oh dear but she gets treated badly in the film doesn't she oh dear um yeah what does she everyone gets treated badly everyone gets in sin city so that's what you can win oh eight seven one two two two one oh four nine shall we hear the first clip listen very closely tell us who are these actors talking and what's the movie they're talking about 11:20.413 --> 11:25.897 None of us knew that that Cruz was going to become Tom Cruise, but he sure did. 11:25.917 --> 11:29.580 Cruz was the was the most committed actor on the set. 11:29.680 --> 11:32.662 I mean, he really is for the amount that he ought to head. 11:32.782 --> 11:36.505 Yeah, he was was extremely into it. 11:36.565 --> 11:39.107 He was the first one in rehearsal, the last one to leave. 11:39.387 --> 11:42.690 We all used to kid Tom about his seriousness. 11:42.850 --> 11:45.312 He always treated every scene like it was an aria. 11:45.492 --> 11:47.794 Yeah, it was just incredible. 11:47.814 --> 11:49.415 We were all trying to eat the furniture. 11:49.635 --> 11:54.659 Tom Cruise just ate more of the furniture than the rest of us. 11:54.679 --> 11:55.279 Good times. 11:55.299 --> 11:58.902 That's a load of failed access. 11:59.022 --> 12:00.623 Hey, hey, hey, hey, hey. 12:00.643 --> 12:01.484 Trying to figure out why. 12:01.604 --> 12:03.345 They're not as successful as The Cruiser. 12:03.586 --> 12:04.626 I don't know what this film is. 12:04.967 --> 12:06.227 What an amazing room full of people. 12:06.908 --> 12:08.809 Uh, on that commentary, not in this studio. 12:08.829 --> 12:10.751 Um, 08712221 of 49. 12:10.991 --> 12:14.474 We've got a couple more clips if you don't get it yet, but you could win a prize just for being wrong. 12:14.794 --> 12:15.354 Who was that? 12:15.694 --> 12:17.056 And what movie were they talking about? 12:17.196 --> 12:17.816 Shall we have another one? 12:18.236 --> 12:19.477 OK, let's have, uh, clip number two. 12:19.617 --> 12:20.278 Let's have another. 12:20.558 --> 12:22.820 Tom Cruise is the most competitive guy I know. 12:23.581 --> 12:25.143 And it comes off in his work. 12:25.203 --> 12:32.410 And I think it's one of the reasons why he's one of the greatest actors of our time and has gotten to the places that he's gotten to. 12:32.430 --> 12:33.811 And I adore him. 12:33.831 --> 12:35.693 I know where my money is. 12:35.733 --> 12:38.176 Yeah, but he simply would not. 12:38.196 --> 12:41.259 I was supposed to win this, I think, in the script, and he just was not going to have it. 12:43.912 --> 12:44.873 Not that I could have beaten him. 12:44.953 --> 12:46.494 He's a strong, he's a strong man. 12:46.534 --> 12:48.635 He's a strong man. 12:48.675 --> 12:49.875 He's a strong, sexy man. 12:50.095 --> 12:53.677 I wish I could have gone to all the places he's gone to, like Penelope Clues. 12:53.697 --> 12:57.319 Could you hear them stopping themselves from going, uh, from basically slagging him off? 12:57.880 --> 12:58.300 Yeah, yeah. 12:58.320 --> 13:03.383 One of them starts going, basically there's a little space for them to start slagging him off, one of them starts going, uh... Don't go there. 13:03.503 --> 13:05.464 That's where my money is. 13:06.544 --> 13:10.206 He's about to say, ah, ah, you know, my money's on Tom, I'm not slagging him off. 13:10.386 --> 13:11.307 But then he stops himself. 13:11.647 --> 13:14.829 Anyway, who are those people and what film are they talking about? 13:14.849 --> 13:14.829 08712221049. 13:16.230 --> 13:17.991 We'll have a bit of music now and then we'll come back. 13:18.031 --> 13:20.333 Maybe we play one more clip before we take some calls. 13:20.533 --> 13:20.753 Good idea. 13:20.773 --> 13:21.974 But, er, get phoning now. 13:21.994 --> 13:25.416 Er, yeah, you've given the number, haven't you? 13:25.797 --> 13:26.257 Yeah. 13:26.277 --> 13:27.618 087122210... You could win prizes! 13:27.738 --> 13:28.358 Prizes! 13:28.418 --> 13:30.680 Here's the Black Rebel Motorcycle Club. 13:39.062 --> 13:42.625 There you go, that's the Black Rebel Motorcycle Club with Weight of the World. 13:42.745 --> 13:45.828 This is Adam and Joe on XFM and it's competition time. 13:46.609 --> 13:48.391 Crap commentary corner, hey! 13:48.471 --> 13:56.058 Listen, listen, we've got a bit of a thing here in the studio because we've got loads of wrong answers, loads of calls, all wrong answers. 13:56.378 --> 13:58.260 And I think people have got the wrong end of the stick. 13:58.732 --> 14:00.413 They've got the Tom Cruise shaped end. 14:00.553 --> 14:00.913 Yeah. 14:01.333 --> 14:03.555 And I think we should play you one more clip. 14:03.735 --> 14:07.437 The thing about this movie is that it is not a Tom Cruise film. 14:07.957 --> 14:11.699 It's actually from before there was such a thing as a Tom Cruise film. 14:12.119 --> 14:12.479 Right. 14:12.559 --> 14:13.520 So there's a big clue. 14:13.840 --> 14:18.042 And here's another clip that doesn't focus on Cruise so much. 14:18.703 --> 14:20.824 He's in the film, but he's not the main player. 14:21.104 --> 14:21.664 OK, here we go. 14:21.684 --> 14:30.969 So I think you guys should try calling again 08712221049, cos frankly the only person who's got it right is someone I know, Rhys Thomas, at home. 14:31.270 --> 14:36.913 And I'm not giving away valuable promotional goodies to a man who's wealthier than the Queen of the Moon. 14:37.553 --> 14:40.135 Erm, and she's a very, very wealthy woman. 14:40.195 --> 14:41.395 So here's another clip for you. 14:42.116 --> 14:43.196 Ralph, you killed that. 14:43.777 --> 14:45.117 Oh, killed that. 14:45.257 --> 14:47.278 That was just unbelievable, man. 14:48.982 --> 14:50.003 That just killed me. 14:50.043 --> 14:51.425 I'm just ripped apart. 14:51.445 --> 14:52.906 You're gonna have to jump you after this. 14:53.187 --> 14:54.168 That was just beautiful, man. 14:54.188 --> 14:55.889 That was just beautiful. 14:57.751 --> 15:00.715 So unforced and just, oh, this is wonderful. 15:01.536 --> 15:02.056 That's Annie. 15:02.737 --> 15:04.317 Pretty gay in the studio there. 15:04.697 --> 15:06.838 If you know the movie, you might recognise that music. 15:06.998 --> 15:09.439 So there's someone called Ralph they're talking about there. 15:10.300 --> 15:13.701 And it's so unforced, and I'm gonna have to jump you. 15:13.821 --> 15:14.781 That was amazing. 15:15.582 --> 15:20.384 You pulled it out of your trousers there in a sexy way, and I'm impressed by you. 15:20.944 --> 15:21.504 So there you go. 15:21.544 --> 15:23.405 That's a lot of clues you've got there. 15:23.425 --> 15:24.565 0-8-7-1-triple-two-one-o-four-nine. 15:24.605 --> 15:26.346 It's got somebody called Ralph in it as well. 15:27.026 --> 15:28.507 You should be able to get that. 15:28.587 --> 15:29.608 Get on the phones! 15:29.628 --> 15:30.708 0-8-7-1-triple-two-one-o-four-nine. 15:30.888 --> 15:34.072 Now, I'm gonna see my favourite band are in town next week, Spoon. 15:34.372 --> 15:36.415 They're playing Coco in Camden. 15:36.455 --> 15:37.176 Never been there before. 15:37.196 --> 15:37.917 Apparently it's a good venue. 15:37.937 --> 15:38.418 Ever been there? 15:38.638 --> 15:38.858 No. 15:39.179 --> 15:40.040 No, no, no, no, no. 15:40.140 --> 15:40.941 Hot new venue! 15:41.281 --> 15:43.043 Anyway, come along. 15:43.224 --> 15:43.744 It'll be fun. 15:44.145 --> 15:44.726 We can hang out. 15:44.846 --> 15:46.568 I'll buy you a drink, maybe some Tizer. 15:47.088 --> 15:48.290 This is their new single. 15:48.310 --> 15:49.792 It's called Sister Jack. 15:57.617 --> 16:02.620 Come on that spoon with sister Jack playing this Friday at Coco in Camden do come along. 16:02.660 --> 16:09.785 It'll be a fantastic evening I'm sure now we've got a couple of people on the line who think they know the answer to this week's crap commentary corner Derek Are you there? 16:10.726 --> 16:11.486 Are you doing Derek? 16:11.506 --> 16:12.987 Yeah, good. 16:13.027 --> 16:27.197 Are you I'm assuming that you're either part of the protest march going through central London Or you're probably making your way to Trafalgar Square for Rolf Harris's unveiling of the Mona Lisa constructed entirely from bits of crap 16:27.757 --> 16:29.858 Yeah, I'm good with them today, yeah, and more. 16:30.139 --> 16:30.739 OK, good. 16:31.439 --> 16:36.222 So, er, Derek, who do you think was the, erm, peop- who, who, what? 16:37.082 --> 16:37.703 I can't think it through. 16:37.983 --> 16:40.444 Who was, who was, er, I can't say it either. 16:40.645 --> 16:41.485 Who, what was that film? 16:41.765 --> 16:42.345 What was the film? 16:42.366 --> 16:43.546 Erm, I think it was Legend. 16:43.566 --> 16:45.968 Mmm, what do you think it's Legend? 16:45.988 --> 16:47.629 Erm, I'm not too sure. 16:47.649 --> 16:50.550 You kinda threw me off when you were saying pre-Tom Cruise. 16:50.670 --> 16:51.671 Mmm, mmm. 16:51.711 --> 16:53.712 I'm not for the big corny devil aspect of it. 16:54.139 --> 16:54.460 Right. 16:55.020 --> 16:55.361 Right. 16:55.421 --> 16:56.602 That's bizarre logic. 16:57.343 --> 16:57.603 Um. 16:57.804 --> 16:59.105 That's all I remember from the film, sir. 16:59.666 --> 17:00.627 Oh, Derek, yeah. 17:00.707 --> 17:01.788 Is Legend one of your favourite films? 17:01.968 --> 17:02.890 Do you like that film? 17:03.250 --> 17:03.650 Yeah. 17:03.831 --> 17:04.792 I have loads of copies of it. 17:04.812 --> 17:07.235 With that funny little, little, little midget boy. 17:07.255 --> 17:07.775 Yeah. 17:07.795 --> 17:08.817 The guy that was in Tindra. 17:08.837 --> 17:09.417 That's right. 17:09.457 --> 17:12.281 The little, weird little, he's sort of like Verne Troyer for the 70s. 17:14.125 --> 17:16.586 Um, yeah, he's a good actor though, I forget his name. 17:16.866 --> 17:18.367 Kevin Thompson or something, I don't know. 17:18.987 --> 17:20.528 Uh, well, I'm sorry Derek, you're wrong. 17:20.768 --> 17:21.208 No problem. 17:21.688 --> 17:23.429 Uh, do you want a copy of Sin City anyway? 17:23.449 --> 17:23.989 I wouldn't mind. 17:24.110 --> 17:24.750 On DVD? 17:25.150 --> 17:25.390 Yeah. 17:25.590 --> 17:25.810 Yeah? 17:25.910 --> 17:26.671 Well, it's yours. 17:26.691 --> 17:27.231 Excellent. 17:27.251 --> 17:29.052 Just for getting it wrong, that's how generous we are. 17:29.072 --> 17:29.832 That's fantastic. 17:29.932 --> 17:31.893 And, uh, you know, thanks for calling. 17:31.953 --> 17:33.374 Yeah, thanks very much Derek, cheers. 17:33.734 --> 17:34.834 Derek sounds like a nice guy. 17:34.854 --> 17:35.795 Sounds like a good man. 17:35.815 --> 17:36.795 I wanna hang out with Derek. 17:37.476 --> 17:38.256 Who else have we got? 17:38.276 --> 17:38.716 Brett. 17:38.916 --> 17:39.456 Hello Brett. 17:39.536 --> 17:40.017 Hey Brett. 17:40.417 --> 17:41.137 How you doing mate? 17:41.417 --> 17:42.698 Very good Brett, how are you doing? 17:44.192 --> 17:44.772 What are you doing? 17:45.533 --> 17:46.574 I'm driving home from work. 17:46.854 --> 17:47.154 Right. 17:47.554 --> 17:48.015 What's work? 17:49.196 --> 17:52.598 I've just installed a ceiling in King's Drive. 17:53.499 --> 17:54.519 Installed a ceiling. 17:54.640 --> 17:55.800 One screw in each corner. 17:56.441 --> 17:57.241 Back in the van. 17:58.322 --> 18:01.585 Home for a couple of Siggy's and Ant and Dec. 18:02.205 --> 18:02.725 Bloody right. 18:02.805 --> 18:03.126 Yeah. 18:03.526 --> 18:05.988 So, Brett, what do you think that movie was? 18:06.008 --> 18:08.209 Is it perhaps The Outsiders? 18:08.750 --> 18:10.191 Now, why do you think it's The Outsiders? 18:10.911 --> 18:13.093 Because of the dodgy lingo they were using. 18:13.666 --> 18:14.407 The dodgy lingo? 18:14.447 --> 18:15.409 What sort of dodgy lingo? 18:15.990 --> 18:19.816 Oh, was he saying I'm going to have to jump here or something? 18:19.856 --> 18:26.486 Yeah, that was Diane Lane saying that she wanted to jump Ralph Macchio because his performance at the end of the film is so beautiful. 18:30.267 --> 18:32.788 Well, that's true, but that whole movie, you're right, Brett. 18:32.808 --> 18:37.428 It is, of course, The Outsiders, Francis Ford Coppola's fantastic adaptation of S.E. 18:37.468 --> 18:41.869 Hinton's classic novel of 50s teenage rebellion, or is it 60s? 18:41.889 --> 18:42.289 I don't know. 18:42.689 --> 18:43.869 But what a great film. 18:44.269 --> 18:46.030 But the cast is incredible, isn't it, Brett? 18:46.230 --> 18:46.590 It is, mate. 18:46.610 --> 18:47.670 There's a few in there, isn't there? 18:47.830 --> 18:48.150 Name them. 18:48.210 --> 18:48.770 Who can you name? 18:49.550 --> 18:50.751 Er, well, Tom Cruise. 18:50.851 --> 18:51.931 The Cruise. 18:52.091 --> 18:52.631 The Swayze. 18:53.431 --> 18:55.731 Erm... What about the Estevez? 18:57.052 --> 18:57.632 The who, sorry? 18:57.812 --> 18:58.872 Is it Emilio Estevez? 18:59.548 --> 19:00.869 Oh, yes, sorry, Milos, yesterday. 19:00.889 --> 19:01.930 Dylan, isn't he in there? 19:02.271 --> 19:04.853 Dylan, Dylan, Matt Dylan, Rob Lowe. 19:04.873 --> 19:06.455 Oh, the list is endless. 19:06.515 --> 19:08.217 Ralph Macchio, Diane Lane. 19:08.917 --> 19:11.400 Incredible cast, and what a fantastic film. 19:11.580 --> 19:15.924 It's just been re-released on American DVD with 22 extra minutes and an amazing documentary. 19:16.145 --> 19:19.308 And all the uncut scenes with Jimmy Cranky you finally get to see. 19:19.328 --> 19:20.369 All the Cranky moments. 19:20.949 --> 19:23.332 So, Brett, you're gonna get a copy of Sin City. 19:24.904 --> 19:25.224 Yeah. 19:25.244 --> 19:28.948 Er, it doesn't really seem right that the loser gets one and you just get the same thing. 19:28.968 --> 19:31.410 Ah, it's not a problem mate, I can deal with that. 19:31.450 --> 19:32.631 Oh, look at that, you're so affable. 19:32.671 --> 19:34.772 Thanks for calling Brett, congratulations, thanks for listening. 19:35.033 --> 19:37.715 Have a good day and, er, keep installing those ceilings. 19:38.756 --> 19:39.036 Wow. 19:39.456 --> 19:40.057 Nice people calling in. 19:40.077 --> 19:41.758 I should have said stay gold, stay gold Brett. 19:41.939 --> 19:43.160 Stay gold, nice job. 19:43.400 --> 19:45.021 Anyway, thanks a lot for calling in you guys. 19:45.362 --> 19:47.583 Sedum and Joe on XFM will be back very soon. 20:07.911 --> 20:09.282 And you jerk it out 20:25.029 --> 20:26.450 Can I say hello to Bruce in Essex? 20:26.791 --> 20:27.071 Go on then. 20:27.231 --> 20:28.853 He said, I bleep and love you guys. 20:28.993 --> 20:33.778 I've got all your DVDs and all your posters around my room and I listen to your radio show and I'm driving around naked. 20:34.238 --> 20:34.418 What? 20:34.559 --> 20:35.660 We don't have posters. 20:35.780 --> 20:38.002 Well, I don't care, but even if it's lies, I like that. 20:38.022 --> 20:39.423 It's the kind of text I like. 20:39.524 --> 20:40.725 Maybe he's made a poster. 20:40.965 --> 20:41.566 That would be great. 20:41.586 --> 20:42.166 He probably has. 20:42.206 --> 20:42.727 He probably has. 20:42.747 --> 20:43.648 Hello, Bruce. 20:43.968 --> 20:44.689 Thanks a lot, man. 20:45.089 --> 20:48.493 And you know, we've only got one DVD, but still, maybe he's bought more than one copy. 20:49.033 --> 20:49.353 Maybe. 20:49.373 --> 20:52.195 And I recommend, uh, everyone does that. 20:52.696 --> 20:53.817 That's a- that's a good way to go. 20:54.017 --> 20:56.138 So that was Jack Johnson that you just heard. 20:56.619 --> 20:59.941 The, uh, slightly wet, sexy sound of Jack Johnson. 20:59.961 --> 21:01.822 Do you know what I said about that record? 21:01.842 --> 21:01.962 Go on. 21:01.982 --> 21:02.663 What did you say, John? 21:02.703 --> 21:03.964 I said it was advert music. 21:04.024 --> 21:04.444 Brilliant. 21:04.484 --> 21:05.465 While it was on the island. 21:05.485 --> 21:05.565 Yeah. 21:05.685 --> 21:06.486 Advert music. 21:06.746 --> 21:07.486 Everyone agreed. 21:07.506 --> 21:07.747 Yeah. 21:07.807 --> 21:09.408 And then halfway through it, do you know what I said? 21:09.828 --> 21:10.008 What? 21:10.248 --> 21:15.652 I said, if your bank is being- you know, I did a little voiceover, and it- it just fitted, didn't it? 21:15.792 --> 21:16.613 I wish you'd been here. 21:16.693 --> 21:17.053 I'm so cynical. 21:17.113 --> 21:17.994 Listeners, because it was a- 21:18.174 --> 21:20.956 It was a very funny, cynical moment from Cornish. 21:20.976 --> 21:21.977 It was classic Cornish. 21:21.997 --> 21:22.897 What's that artist's name? 21:23.238 --> 21:23.698 Jack Johnson. 21:23.718 --> 21:24.839 Well, forget him, he's history. 21:25.459 --> 21:29.442 Doesn't stand a chance after Cornish has got his talons into him. 21:29.782 --> 21:32.704 You should be on some kind of late night Channel 4 talk show. 21:32.744 --> 21:33.405 FAQU. 21:33.645 --> 21:34.486 Yeah, exactly. 21:34.526 --> 21:35.186 You could host it. 21:36.007 --> 21:40.830 For a week, you could host it, and they're gonna have more types of shows like that on Moore 4. 21:41.290 --> 21:42.971 Hey, have you seen those adverts for Moore 4? 21:43.928 --> 21:44.629 Yes, they're big. 21:44.809 --> 21:45.249 They're big. 21:45.449 --> 21:47.851 I didn't even realise it was more for it, it had to be explained to me. 21:47.931 --> 21:57.418 Cos it- to me it looked as if- I'm talking about these huge great billboards they've got around London, with neon letters saying, uh, get ready for the new- It's Channel 4's new, uh, what is it? 21:57.498 --> 22:00.860 Yeah, it's- it's supposedly, uh, the equivalent of BBC 4. 22:01.721 --> 22:02.642 That's true for Channel 4. 22:02.682 --> 22:08.665 So it's supposed to be, you know, if you've been wondering where all the intelligent programs have gone, then here they are. 22:08.685 --> 22:12.428 They've been saving them up for the last few years, and they're going to be on more for. 22:12.668 --> 22:13.028 That's right. 22:13.048 --> 22:14.109 It's the highbrow zone. 22:14.329 --> 22:14.669 Yeah. 22:15.069 --> 22:15.950 That's the theory anyway. 22:15.990 --> 22:16.430 Imagine. 22:16.770 --> 22:18.832 I can't believe that's actually going to happen. 22:19.432 --> 22:25.558 But I thought the ads were kind of confusing, because it looks as if Channel 4 is just shamelessly saying, we've got a new porn channel. 22:25.598 --> 22:26.318 It does, doesn't it? 22:26.418 --> 22:27.940 It looks like a filthy- maybe that's it. 22:28.200 --> 22:31.123 That is Channel 4's equivalent of BBC 4, isn't it? 22:31.263 --> 22:31.503 Right. 22:31.643 --> 22:32.504 It'll just be porn. 22:32.784 --> 22:35.627 That's what they mean by adult programming. 22:36.067 --> 23:01.113 yeah yeah well there's there's um adverts for film four at the moment that uh make a big deal out of the fact that they're showing loads of foreign films that are just filthy really what films are they showing i can't even remember um romance by catherine boy i think one of them was e to mama tambien which is that's good that's good nice and dirty that's a very filthy anyway let's make it more family because it's saturday afternoon that's true and apologize for that parents of young children 23:01.993 --> 23:05.456 But they'll all be outdoors, painting with Rolf and things like that. 23:05.476 --> 23:05.816 That's true. 23:06.177 --> 23:09.659 So listen, we've got a text competition coming up soon, talking of telly. 23:09.839 --> 23:10.520 Were we talking of telly? 23:10.540 --> 23:11.020 Yeah, we were. 23:11.461 --> 23:17.125 And the prize is going to be these tickets to the 10th anniversary PS2 UK B-Boy championships. 23:17.725 --> 23:23.690 Scratching, mixing, breaking, boogalooing, probably some tagging on the walls on the way in. 23:23.910 --> 23:24.431 Yeah. 23:25.031 --> 23:28.534 That's happening on Sunday 9th October at the Carling Academy in Brixton. 23:28.814 --> 23:31.036 So if you want to win those, stand by on the texts. 23:31.476 --> 23:33.718 8-3 XFM for a brilliant competition. 23:33.758 --> 23:34.839 I'll explain it in a second. 23:34.859 --> 23:38.202 Steve- And you're not gonna- you're not gonna tell us what that is before the- before the- Ricky- I thought we could tease it. 23:38.242 --> 23:38.822 It's exciting. 23:38.842 --> 23:39.243 Steve- Easing? 23:39.403 --> 23:39.803 Ricky- Yeah. 23:39.823 --> 23:40.123 Steve- Ooh. 23:40.143 --> 23:40.424 Ricky- Yeah. 23:40.444 --> 23:41.364 Steve- Ooh, stuff it. 23:41.384 --> 23:46.769 Steve- Um, and another thing, incidentally, about that Jack Johnson single, just to go back to it. 23:47.109 --> 23:48.550 I think it was featured in Lost. 23:49.471 --> 23:50.932 Uh, do you watch Lost, Joe? 23:52.073 --> 23:53.074 No, I can't watch last. 23:53.114 --> 23:54.034 Well, I've watched two episodes. 23:54.074 --> 23:54.694 I've stopped watching. 23:55.014 --> 23:55.715 Why did you stop? 23:55.975 --> 23:58.776 Because it's- because they'll never- it'll be rubbish. 23:58.876 --> 24:01.597 I mean, the secret of the island will be bad. 24:01.897 --> 24:05.318 Basically, they'll hold- they won't tell you until the figures go all the way down. 24:05.338 --> 24:05.658 Right. 24:05.698 --> 24:09.920 They'll wait till everyone stops watching, then they'll reveal the secret of the island, and it'll be rubbish. 24:10.140 --> 24:11.360 Man, I've been through the X-Files. 24:11.620 --> 24:12.721 I don't want to go through that again. 24:13.081 --> 24:14.241 I know exactly what you mean. 24:14.541 --> 24:16.762 I mean, there's only three things that it can be, really, isn't it? 24:16.782 --> 24:16.882 Yeah. 24:16.902 --> 24:20.802 Do you remember that bit in Stand By Me when they're sitting around the campfire, the film about the three kids, Stand By Me? 24:20.822 --> 24:20.902 Sure. 24:20.922 --> 24:25.403 They're sitting around the campfire, they're talking about, uh, Wagon Train, and how they never get anywhere. 24:25.423 --> 24:25.903 That's right. 24:25.923 --> 24:27.644 How come the guys in Wagon Train never get anywhere? 24:27.864 --> 24:28.844 It's the same deal. 24:29.444 --> 24:31.584 Battlestar Galactica, they never got to the earth. 24:31.604 --> 24:32.204 That's the point! 24:32.525 --> 24:35.525 They're keeping you watching by dangling a carrot that you will never be fed. 24:35.685 --> 24:36.585 But that's like life. 24:36.825 --> 24:37.565 It's the journey. 24:37.585 --> 24:38.426 Not really. 24:38.646 --> 24:39.126 Not really. 24:39.766 --> 24:40.286 Not really. 24:41.427 --> 24:43.068 Well, you know, I like films, they end. 24:43.648 --> 24:45.130 I don't like telegram, it goes on forever. 24:45.310 --> 24:45.670 That's just me. 24:45.690 --> 24:53.316 But, man, you should watch because maybe they've thought of a new thing, that it's gonna blow your mind and the island's in Joe Cornish's brain. 24:53.516 --> 24:54.076 Have you thought about that? 24:54.097 --> 24:57.059 Well, if that was true, if it was actually in my- yeah, well, that would be different. 24:57.139 --> 24:58.980 We're in Joe Cornish's brain! 24:59.000 --> 25:01.923 The plane crashed- There's no polar bears in my brain. 25:01.943 --> 25:04.605 And the people in my brain are less annoying. 25:04.825 --> 25:07.227 And they certainly don't- you know what put me off most about Lost? 25:07.347 --> 25:07.527 What? 25:07.647 --> 25:08.368 It's that poster. 25:09.158 --> 25:10.039 They didn't look lost. 25:10.099 --> 25:12.901 They looked like they'd found a sort of fashion shoot. 25:13.762 --> 25:14.122 Yeah. 25:14.642 --> 25:16.764 Maybe that's just a sexy part of your brain that you don't know about. 25:16.784 --> 25:19.626 And when they were running from those bees, do you remember when they were running from the bees? 25:19.666 --> 25:19.827 Yeah. 25:20.067 --> 25:22.989 They took their shirts off to show their bits. 25:23.610 --> 25:29.334 You wouldn't take your clothes off if you were running from killer bees and reveal your torso or your oily abs. 25:29.755 --> 25:30.856 It doesn't make any sense. 25:30.896 --> 25:31.436 It's absurd. 25:31.696 --> 25:34.478 Because also the bees would be able to sting you faster. 25:34.759 --> 25:35.920 They were CG bees as well. 25:35.940 --> 25:37.281 They were CG bees. 25:37.501 --> 25:37.801 CG bees. 25:37.841 --> 25:38.442 What are they? 25:39.222 --> 25:44.963 So you mean CGI bees yeah, yeah CG bees CG bees CG CG bees. 25:45.043 --> 25:56.086 I don't know music Okay, I tell you what we're gonna play some music in the second hour of course But first here's some adverts to take us into our second exciting our hero and might learn to speak by then 26:21.420 --> 26:22.981 This is XFM. 26:35.166 --> 26:36.027 Ladies love him. 26:36.507 --> 26:37.468 Men want to be him. 26:37.808 --> 26:42.891 It's Dave Grohl with the Foo Fighters, of course, and DOA. 26:43.132 --> 26:45.533 They're opening up our second hour here on XFM. 26:45.553 --> 26:46.574 This is Adam and Joe. 26:47.334 --> 26:48.795 So, Joe, you've got a text competition. 26:48.935 --> 26:50.497 Yes, it's time for our text competition. 26:50.517 --> 26:51.938 Do we have any more jingles? 26:52.618 --> 26:52.978 Oh, right. 26:53.198 --> 26:54.779 Have we got a text competition jingle? 26:54.940 --> 26:56.561 We're still a bit rusty, listeners. 26:56.581 --> 26:57.221 I'm sorry about this. 26:57.281 --> 26:59.283 It's only our second week back after our summer break. 27:00.443 --> 27:07.166 Er, here we go. 27:08.147 --> 27:11.128 Yeah. 27:11.348 --> 27:14.510 All right. 27:14.630 --> 27:15.510 Wow, great jingle. 27:15.530 --> 27:16.551 I'm glad we played that. 27:17.211 --> 27:18.351 This is a text competition. 27:18.391 --> 27:19.792 You can only enter by text. 27:19.852 --> 27:22.513 Our competition rules are very strict here on the Adam and Joe show. 27:22.794 --> 27:23.394 The text is 83XFM. 27:26.455 --> 27:30.860 I've been checking out the schedules for the American fall TV season. 27:30.880 --> 27:36.545 I thought you were gonna say my ass No, the is it the fall in America yet the fall? 27:36.966 --> 27:42.311 I think it is Yeah, when it's autumn the new season all the big new shows come out in America. 27:42.371 --> 27:42.551 Sure 27:42.771 --> 27:46.434 And there are some very, very stupid ones with some really stupid names, right? 27:46.875 --> 27:53.861 So I'm going to tell you the names of the shows, not, this is just for Adam, but you can play along at home or in your cars or on your iPods. 27:53.881 --> 27:59.045 So I'm going to tell you the name of the show and you've got to tell me what the show's about. 27:59.125 --> 27:59.586 OK. 28:00.587 --> 28:01.447 OK, here's a good one. 28:02.588 --> 28:04.049 Er, Inconceivable. 28:05.250 --> 28:07.671 Erm, it's a show called Inconceivable. 28:08.051 --> 28:11.292 It's about- it's a sitcom set in a lady's uterus. 28:11.933 --> 28:12.953 Very close! 28:13.594 --> 28:20.537 It's set in a fertility clinic, er, and it stars ER's Ming Na and Jonathan Cake. 28:21.137 --> 28:24.099 And it's about the endless drama of birth, Inconceivable, OK? 28:24.439 --> 28:26.100 Here's another one, Hot Property. 28:27.037 --> 28:29.498 I know there's a show in the UK called Hot Property, but forget that. 28:29.538 --> 28:34.120 This is a big, sexy, new primetime American TV show called Hot Property. 28:34.160 --> 28:35.021 What's that gonna be about? 28:35.441 --> 28:40.443 Er, people... say agents who try to sell, er, properties that are fire damaged. 28:41.004 --> 28:44.145 Well, that's good, but you've missed the obvious sexy angle on it. 28:44.425 --> 28:49.728 It's about sexy, man-obsessed women running a Manhattan real estate office. 28:50.288 --> 28:51.008 Hot Property. 28:51.168 --> 28:52.169 Can you imagine? 28:52.789 --> 28:53.930 This is what you're gonna get on Moore 4. 28:54.950 --> 28:55.430 That's right. 28:55.490 --> 28:56.431 OK, here's another one. 28:56.831 --> 28:57.411 Bones. 28:58.131 --> 28:58.991 Bones. 28:59.632 --> 29:00.012 Bones? 29:00.092 --> 29:00.712 APM Central. 29:00.972 --> 29:05.294 Well, that's clearly a medical drama of some kind. 29:05.434 --> 29:05.654 Wrong. 29:06.134 --> 29:06.414 Really? 29:06.614 --> 29:06.834 Yeah. 29:07.094 --> 29:07.474 What is it? 29:07.774 --> 29:15.257 Forensic anthropologist Temperaments Brennan builds cases from skeletal remains while sparring with her FBI partner. 29:15.797 --> 29:15.997 Oh, no. 29:16.077 --> 29:16.517 Partner. 29:16.557 --> 29:17.618 Went a bit English at the end there. 29:17.638 --> 29:17.818 Partner. 29:18.518 --> 29:20.959 What a name for a character is that Temperance Brennan. 29:21.840 --> 29:22.561 That's not very good. 29:22.661 --> 29:23.983 Terence Brennan, honestly. 29:24.303 --> 29:26.286 Bones, so that's- Bones is actually a forensic one. 29:26.526 --> 29:32.133 I- I was hoping maybe it would be, uh, like a spin-off show about, uh, the guy from Star Trek, but he's dead, I think, isn't he? 29:32.193 --> 29:32.694 Here's a good one. 29:33.014 --> 29:33.755 Out of Practice. 29:34.696 --> 29:35.557 Out of Practice? 29:35.617 --> 29:35.938 Yeah. 29:36.218 --> 29:39.082 Well, it's about, like, a doctor who's retired. 29:40.347 --> 29:41.008 Almost correct. 29:41.048 --> 29:45.870 Henry Winkler, Stockard Channing, just divorced parents in a dysfunctional family of doctors. 29:46.190 --> 29:53.794 So you get the idea, basically we want you to come up with your own ridiculous show title for the new US season. 29:54.014 --> 29:54.874 Does that make any sense? 29:54.894 --> 29:55.755 Yeah, yeah. 29:55.935 --> 29:58.136 Just for a stupid American import show. 29:58.376 --> 30:00.238 For example, I've got a few medical ones here. 30:00.398 --> 30:00.918 OK. 30:00.958 --> 30:02.540 They're usually the easiest to come up with. 30:03.020 --> 30:03.720 The Bleedy Men? 30:04.201 --> 30:05.222 The Bleedy Men. 30:05.502 --> 30:06.323 That's not so good. 30:06.363 --> 30:06.923 The Bleedy Men. 30:06.963 --> 30:07.424 How about this one? 30:07.444 --> 30:08.444 This has got more of a story. 30:08.464 --> 30:08.665 Hang on. 30:08.685 --> 30:09.425 What's the Bleedy one? 30:09.465 --> 30:11.567 It's just about bad doctors, is it? 30:11.827 --> 30:12.408 It's rubbish. 30:12.648 --> 30:13.128 I'm sorry. 30:13.248 --> 30:13.849 Don't listen. 30:14.329 --> 30:14.890 Ignore that one. 30:15.630 --> 30:16.191 How about this one? 30:16.911 --> 30:18.132 Thousands of Casts. 30:18.593 --> 30:19.654 Like, cast of thousands. 30:19.694 --> 30:20.955 Let's put it the other way. 30:21.355 --> 30:25.781 And that's about people who put the casts on broken bones in... It doesn't matter. 30:26.262 --> 30:26.802 It needs more. 30:26.822 --> 30:28.404 You need sex here. 30:28.604 --> 30:29.005 I've got one. 30:29.285 --> 30:29.626 Here we go. 30:31.208 --> 30:32.049 High Healers. 30:32.830 --> 30:33.971 I like it. 30:33.991 --> 30:37.436 This is about sexy lady doctors on a plane. 30:39.895 --> 30:40.155 Yeah? 30:40.435 --> 30:43.178 They're high, they're healing people, they wear high heels. 30:43.238 --> 30:44.819 High healers with an EA! 30:45.079 --> 30:45.379 Yeah. 30:45.520 --> 30:46.580 You see, that's brilliant. 30:46.600 --> 30:46.901 High healers. 30:46.921 --> 30:48.082 Can you do better than that, listeners? 30:48.602 --> 30:49.743 Who would be in high healers? 30:49.963 --> 30:51.004 Sarah Jessica Parker? 30:51.424 --> 30:51.665 Yes. 30:52.485 --> 30:54.527 Uh, uh, uh, Matt LeBlanc? 30:55.247 --> 30:55.688 Possibly. 30:55.728 --> 30:56.268 He's around. 30:56.308 --> 30:56.929 He'd be the captain. 30:56.949 --> 30:58.630 Joey can't go on for much longer, surely. 30:58.650 --> 31:00.131 Ooh, gee, oh, cool. 31:00.191 --> 31:00.752 Oh, stop it. 31:00.772 --> 31:01.533 Spiky wiky. 31:01.553 --> 31:01.873 Spiky. 31:02.473 --> 31:25.660 So 83 XFM if you can come up with a better title for an idiotic sexy new American TV show and you could win Tickets to the Carling Academy Brixton what I'm reading this wrong 10th anniversary ps2 UK b-boy championships And you have to tell us kind of what the show's about yeah, so I think high healers forget the bleedy men and We'll play some music and this is gonna be easy to win because I think no one will enter get texting 83 XFM Oh 31:37.892 --> 31:39.896 That's the future heads with hounds of love. 31:40.697 --> 31:41.378 These are good, man. 31:41.398 --> 31:42.581 We're getting good texts in. 31:42.701 --> 31:44.524 I can't read out faulty twin towers though, can I? 31:44.725 --> 31:46.207 No, you can't. 31:46.227 --> 31:46.748 That's bad. 31:47.169 --> 31:48.111 Um, but here's a good one. 31:48.131 --> 31:49.974 Um, stalking pork. 31:51.298 --> 32:11.936 still okay that's not such a good one a serial killer hunts fat americans it'll never end that's an anonymous text do send your name that's got to that's got a kind of racist political angle stalking pork it has a bit hasn't it uh four i no that's not good sorry no i'll read it anyway because the person who said the four eyes the odd couple with glasses uh we'll uh go to a different one what about this 32:12.975 --> 32:16.036 Adam's Apple, spin-off from the Adam and Joe show where Adam lives in New York. 32:16.276 --> 32:16.916 That's good, man. 32:16.936 --> 32:17.356 That's quite good. 32:17.376 --> 32:17.776 What about this? 32:18.036 --> 32:18.876 Golden Showers. 32:19.336 --> 32:20.477 What's Golden Showers? 32:20.777 --> 32:24.718 A sitcom where it starts raining gold in a small US town. 32:24.898 --> 32:25.498 It's from Alex. 32:26.158 --> 32:26.718 That's quite good. 32:26.758 --> 32:28.038 It just rains gold all the time. 32:28.098 --> 32:28.819 Imagine the drama. 32:29.239 --> 32:31.939 I didn't think it was gonna go in that direction, I must say, when I heard the title. 32:31.959 --> 32:32.359 No, no, no. 32:32.619 --> 32:36.980 Smash, a show about sexy paramedics who have to take their shirts off at car accidents. 32:37.701 --> 32:38.381 That's from Yuri. 32:39.341 --> 32:40.842 The reigning gold is from Alex. 32:41.583 --> 32:42.683 Adam's apple's from Geoff. 32:42.924 --> 32:47.126 Can you beat that to win these tickets to the UK B-Boy championships? 32:47.186 --> 32:47.427 What? 32:47.567 --> 32:48.367 I like Smash. 32:48.427 --> 32:49.828 I'd call it Sexy Smash, though. 32:50.128 --> 32:50.869 Sexy Smash. 32:51.209 --> 32:52.010 Sexy Smash. 32:52.090 --> 32:52.910 Yeah. 32:52.930 --> 32:53.671 A bit like Crash. 32:53.691 --> 32:54.632 No, I'd tell you what I'd call it. 32:54.672 --> 32:55.272 Car Crush. 32:55.672 --> 32:56.453 Car Crush? 32:56.493 --> 32:57.153 Car Crush. 32:57.273 --> 32:57.714 That's good. 32:57.734 --> 32:59.155 Because you're like caught in the wreckage. 32:59.175 --> 32:59.475 Yeah. 32:59.615 --> 33:02.517 And you're badly hurt, but the doctor who's rescuing you's got his shot. 33:02.737 --> 33:05.538 You know, that's what David Cronenberg should have called Crash. 33:05.638 --> 33:06.159 Car Crash. 33:06.199 --> 33:07.319 You're right, yeah. 33:07.619 --> 33:09.920 So if you can beat these, text 83XFM. 33:09.940 --> 33:11.221 This is a very high standard. 33:11.381 --> 33:11.681 Yeah. 33:11.981 --> 33:12.901 Keep texting. 33:12.981 --> 33:14.002 You've got a lot to live up to. 33:14.302 --> 33:15.162 Free play time now. 33:15.742 --> 33:25.366 This is a band that actually sounded a bit like the Future Heads in many ways, but of course they did it all long before the Franz Ferdinand's and the Future Heads and all those bands. 33:25.386 --> 33:26.287 I'm talking about XTC. 33:31.693 --> 33:33.642 I feel like I'm walking right up to the 33:35.237 --> 33:42.519 That's XTC with 10 feet tall from their album Drums and Wires, which if you don't already own, you should purchase within the hour. 33:42.980 --> 33:45.380 You join us at the gut-wrenching climax of our text competition. 33:45.420 --> 33:48.581 We've been asking you to think up names for new stupid American import shows. 33:48.621 --> 33:50.382 We've got some really, really good ideas. 33:50.642 --> 33:51.942 How about The Breast Wing? 33:52.503 --> 33:54.823 Sexy goings-on in a fried chicken eatery. 33:56.464 --> 33:57.124 That's quite good, isn't it? 33:57.244 --> 33:57.924 That's quite good. 33:58.284 --> 34:01.906 But you'd need a political angle, surely, if it's gonna be called The Breast Wing. 34:02.086 --> 34:02.686 Here's a rude one. 34:03.342 --> 34:03.922 Knob Jockeys. 34:05.123 --> 34:05.623 Wait for it. 34:05.783 --> 34:06.424 Is this about us? 34:06.744 --> 34:08.825 A tale of two very part-time DJs. 34:09.165 --> 34:09.305 Yeah. 34:09.425 --> 34:10.566 OK, I saw that one coming. 34:10.606 --> 34:10.986 Here's one. 34:11.546 --> 34:12.647 Extreme Burn. 34:13.027 --> 34:15.988 An action-packed show set in a busy tanning salon. 34:16.649 --> 34:17.309 That's from Drew. 34:17.409 --> 34:17.749 Tanning? 34:17.929 --> 34:18.269 Tanning. 34:18.289 --> 34:19.190 Did I say that strangely? 34:19.250 --> 34:20.230 It's a telling. 34:20.490 --> 34:21.531 Tanning salon. 34:21.551 --> 34:22.131 That's from Drew. 34:22.151 --> 34:23.292 Knob Jockeys was from Jimbo. 34:24.213 --> 34:25.474 The breast wing was from Paul. 34:25.675 --> 34:26.075 What have we got? 34:26.095 --> 34:26.496 What have we got? 34:26.536 --> 34:26.856 What else? 34:26.896 --> 34:27.177 What else? 34:27.417 --> 34:31.223 Here's another potentially rude one, but if you think it's rude, parents, it's not rude. 34:31.263 --> 34:31.763 Wait for it. 34:31.803 --> 34:32.564 It's called Stiffies. 34:33.346 --> 34:35.428 And it's about a maverick morgue worker. 34:35.929 --> 34:37.131 That's from Simon in Dartford. 34:37.191 --> 34:38.773 You could make it rude fairly easily. 34:38.933 --> 34:39.114 Yeah. 34:40.394 --> 34:42.235 Erm... OK, but sharpshooters. 34:42.615 --> 34:45.496 An American sperm bank that only uses hunky intellectuals. 34:45.916 --> 34:46.796 That's a good one, isn't it? 34:46.816 --> 34:47.397 Sharpshooters. 34:47.837 --> 34:48.177 Right. 34:48.517 --> 34:49.017 In suits. 34:49.457 --> 34:50.238 Yeah, I guess so. 34:50.258 --> 34:50.298 Mm. 34:51.218 --> 34:53.099 Er, but we've got a winner on the line. 34:53.199 --> 34:54.239 By quite some way, I think. 34:54.259 --> 34:54.919 By quite some way. 34:54.999 --> 34:55.699 Nick, are you there? 34:55.719 --> 34:57.020 Hello, hello, how are you doing? 34:57.160 --> 34:57.560 Very well. 34:57.620 --> 34:58.380 Nick, you're a clever man. 34:58.400 --> 35:00.021 Oh, well, you know, we try. 35:00.281 --> 35:01.001 Do you work in television? 35:01.021 --> 35:01.821 Yeah, I was going to ask that. 35:01.862 --> 35:03.302 No, no, no, I don't. 35:03.422 --> 35:04.122 You should, shouldn't you? 35:04.162 --> 35:05.003 Cos this is a good idea. 35:05.043 --> 35:06.143 Tell us your idea. 35:06.804 --> 35:13.830 The idea is to put a show called In Bread, and it's about a bunch of toothless rednecks that move to Manhattan and open a sandwich shop. 35:14.691 --> 35:15.571 Open a sandwich shop? 35:15.691 --> 35:16.172 In Bread? 35:16.472 --> 35:20.195 You see, I thought it would be set in the Deep South, and it would be a set of Deep South bakers. 35:20.755 --> 35:21.916 I see, that's a clever spin on it. 35:22.056 --> 35:25.819 Yeah, a sort of deliverance with a smell of fresh bread. 35:26.360 --> 35:28.341 Yeah, and some nice pancetta maybe. 35:28.482 --> 35:32.525 Yeah, and the promotional giveaway could be a sort of scratch and sniff bread card, couldn't it? 35:33.252 --> 35:34.692 You have to be in the shape of a banjo, though. 35:34.912 --> 35:36.033 Yeah, that's fantastic. 35:36.073 --> 35:36.673 Well done, Nick. 35:36.893 --> 35:37.733 What do you do for a living? 35:37.753 --> 35:38.993 I'm a designer. 35:39.294 --> 35:41.014 You are wasted in design. 35:41.854 --> 35:42.814 Yeah, get pitching, man. 35:42.854 --> 35:44.155 TV needs you, I'm telling you. 35:44.175 --> 35:46.295 Well, you know, maybe you guys can help me. 35:46.675 --> 35:51.716 So are you up for going to the 10th anniversary PS2 UK B-Boy Championships, Nick? 35:51.797 --> 35:52.437 I am, yeah, yeah. 35:52.457 --> 35:53.777 I'll get my lino out and get practicing. 35:53.997 --> 35:54.577 Yeah, brilliant. 35:54.617 --> 35:56.698 Carling Academy, Brixton, Sunday the 9th of October. 35:56.758 --> 35:59.520 Those tickets are winging their way to you. 35:59.580 --> 36:00.300 I love saying that. 36:00.320 --> 36:00.980 That's a good phrase. 36:01.000 --> 36:02.221 Thanks for listening and calling, Nick. 36:02.401 --> 36:03.161 Yeah, thanks a lot, Nick. 36:03.221 --> 36:04.422 And thanks for everybody else who texted. 36:04.442 --> 36:06.003 That was an extremely high standard. 36:06.763 --> 36:07.303 Aw, man. 36:07.623 --> 36:08.144 Hey, you know what? 36:08.204 --> 36:10.805 It's almost gonna be time for Ditties in the Dock. 36:11.645 --> 36:12.425 Oh, that's exciting. 36:12.485 --> 36:14.066 Yeah, it's an exciting new feature. 36:14.186 --> 36:14.666 And you know what? 36:14.706 --> 36:16.366 This is when you can win the on-back backpacks. 36:16.646 --> 36:17.486 On-back backpacks! 36:17.506 --> 36:19.307 So stand by to win the on-back backpacks. 36:19.467 --> 36:33.810 Everybody who calls, everybody who gets on the air and ditches in the dock will win an on-back backpack featuring the fantastic film starring Tony Yah, a young Thai man who trained in kickboxing by jumping off the elephants he was cleaning as a boy in Thailand. 36:34.170 --> 36:35.211 making this up as you go along? 36:51.223 --> 36:51.503 Wow. 36:51.643 --> 36:52.924 And your skull will be popped. 36:53.205 --> 36:55.707 Is this what he would do to you in real life, or is it in just the film? 36:55.727 --> 36:56.747 No, he's a very sweet man. 36:56.807 --> 36:58.749 He's a lovely, lovely, sweet man, but he's lethal. 36:59.029 --> 36:59.389 He's lethal. 36:59.409 --> 37:00.430 He's called Tony Yarr. 37:00.450 --> 37:01.951 A lovely, lethal man. 37:02.292 --> 37:05.174 Well, all that's to look forward to in the second, er, in the final half hour. 37:05.194 --> 37:06.515 Yeah, in about 20 minutes of the show. 37:53.134 --> 37:53.514 There you go. 37:53.554 --> 37:55.735 That's sort of epic and stirring, isn't it? 37:55.775 --> 37:58.136 That's Ben Folds with Landed. 37:58.156 --> 37:59.056 Hey, and you know what? 37:59.116 --> 38:03.298 Marsha, the lovely Marsha, who's coming on after us at three, has got Ben Folds tickets to give away. 38:03.318 --> 38:07.820 Her voices are particularly hoarse and sexy today, so I do recommend you stay tuned. 38:07.900 --> 38:09.281 Yeah, plus I wish you could see her. 38:09.301 --> 38:13.943 She's got an amazing dress on that just stops just above her nipples. 38:14.203 --> 38:15.783 And so the rest of her is nude. 38:15.823 --> 38:18.365 Well, that's not literally... That's true, actually. 38:18.385 --> 38:19.325 It's mainly true. 38:19.685 --> 38:28.031 So if you look at her- if you sort of covered the dress up, you can easily imagine she's being- Yeah, Adam was crouching behind his console so that he could imagine he was n- she- she was nude. 38:28.411 --> 38:29.132 It was great. 38:29.632 --> 38:29.852 Yeah. 38:30.112 --> 38:31.994 Anyway, uh, that's all kind of sexist. 38:32.054 --> 38:32.975 Sorry about that, Marsha. 38:33.015 --> 38:34.836 There's- she's a fantastic DJ as well. 38:35.656 --> 38:38.498 Um, and- You're listening to Adam and Jo on XFM. 38:38.518 --> 38:43.562 We should remind people, uh, coming up in about five minutes, we've got Ditties in the Dock, and that's your chance to win the On Back Back Packs. 38:43.822 --> 38:44.543 On Back Back Pack! 38:45.243 --> 38:49.585 Uh, Joe, did you see a show- JOE No, I should tell people, they're not actually backpacks, they're shoulder bags, but, you know- RYAN Right. 38:49.705 --> 38:50.605 You can't not see a young backpack. 38:50.625 --> 38:51.166 They're called backpacks. 38:51.186 --> 38:51.606 JOE Yeah. 38:51.626 --> 38:52.586 RYAN They're called, I think, aren't they? 38:52.606 --> 38:53.927 JOE Yeah, that's not as funny, though, is it? 38:53.947 --> 38:54.567 RYAN No. 38:55.327 --> 38:58.548 Um, did you see a show on Channel 5 this week? 38:58.609 --> 39:02.550 I don't even know the name of it, but it was about how difficult it can be to be a celebrity. 39:02.590 --> 39:03.550 JOE I didn't see that show, no. 39:03.571 --> 39:10.913 RYAN Uh, and so it had all sorts of, uh, stories about moments when things have gone bad for so-called celebrities. 39:10.933 --> 39:13.334 One of them was about, I can't even remember the girl's name. 39:13.354 --> 39:14.335 Do you remember the, uh, 39:14.935 --> 39:30.559 Xanthe, the girl whose breast exploded on a airplane, cos she'd had silicon implants, and she was a kind of weird-looking, page-three girl, who'd had so much... She said, I've had so much surgery, I've actually literally lost count of how many operations I've had. 39:30.939 --> 39:33.500 It was all sort of... It was pretty sad, really, a lot of this stuff. 39:33.780 --> 39:39.845 So it was about what happens when a minor celebrity's career implodes, or breasts explode. 39:40.105 --> 39:41.206 It wasn't just about breasts. 39:41.646 --> 39:46.770 The thing that moved me most on this programme, which I didn't watch the whole of, was Richard Blackwood. 39:47.331 --> 39:56.898 The story of Richard Blackwood's fall, basically, after his meteoric rise, which I guess he reached the zenith of his career in about 1999. 39:58.159 --> 40:00.381 Well, he had his own show, the Richard Blackwood Show on Channel 4. 40:00.421 --> 40:01.682 He also released an album. 40:02.102 --> 40:26.026 that's right people used to say to him are you trying to be the new will smith the british will smith and he's what would he say he said no no he said yes oh did he say yes yeah yeah that's the thing he basically said that that would be what he would uh hope that his career would i thought he used to say no and then say no i want to be like someone who is even more famous and successful right maybe i'm wrong anyway poor i i like him 40:26.266 --> 40:26.887 I like him too. 40:27.307 --> 40:28.268 He's a very nice guy. 40:28.349 --> 40:35.838 I remember not liking him so much when the Richard Blackwood show was on because it was pretty bad and it was mainly just him telling some Duff jokes. 40:35.858 --> 40:38.040 I think he's on Choice actually right now. 40:38.060 --> 40:40.723 He used to have a show on Choice exactly at the same time. 40:41.124 --> 40:43.086 Yeah, we often bump into him in the building. 40:43.146 --> 40:44.548 Which is good because he won't be listening. 40:44.628 --> 40:50.350 he still looks intense and sexy and he actually quite often has a gaggle of girls downstairs waiting for his autograph. 40:50.370 --> 41:01.274 But he made the mistake of doing that show where they went to a tropical island and got their bowels washed out and his lowest point of Mr. Blackwood's career was holding a bowl of his own feces to the camera. 41:02.014 --> 41:03.735 in Celebrity Detox, whatever it was called. 41:03.795 --> 41:05.736 I think that was after he'd hit bottom. 41:05.796 --> 41:21.404 But on this programme, he found out exactly why it all went wrong for Blackwood, because basically his agent said, at the height of Blackwood Mania, OK, stop working in the UK now, because I'm going to sign you up with ICM or whoever it was in Los Angeles, and we're going to make you into Will Smith. 41:21.745 --> 41:23.185 Not in Britain, but in America. 41:23.546 --> 41:25.847 Ignoring the fact that there already was a Will Smith in America. 41:26.287 --> 41:37.118 Anyway, Richard was obviously very excited, understandably, and cancelled all his engagements in the UK, didn't take on any more work for a year, and waited for the work to roll in in the States. 41:37.899 --> 41:38.419 Richard didn't. 41:39.440 --> 41:48.189 And then afterwards, and he explained all this very candidly, he had like a massive great tax bill at the end of a year when he'd been earning no money whatsoever. 41:48.209 --> 41:49.991 And he'd spent it all the previous year. 41:49.991 --> 41:52.855 Yeah, he spent it all on bling or whatever. 41:53.997 --> 41:57.381 Not drugs because he's totally teetotal, he's really straight edge. 41:58.182 --> 41:59.284 Anyway, so it all went wrong for him. 41:59.424 --> 42:00.886 He had to declare himself bankrupt. 42:01.667 --> 42:02.629 I didn't even realize that. 42:02.649 --> 42:03.289 I didn't know that. 42:03.430 --> 42:07.035 And people were like jeering at him down the street, you're bankrupt! 42:08.015 --> 42:09.997 Oh, that's the world's nastiest jeer. 42:10.097 --> 42:10.357 Yeah. 42:10.557 --> 42:11.698 What's it like to be bankrupt? 42:11.978 --> 42:13.659 And he was sort of going, you know, I'm just a human being. 42:13.679 --> 42:17.141 It's not very nice to be pointed at and called bankrupt, even if you are. 42:17.562 --> 42:20.304 And they had reconstructions in this program. 42:20.384 --> 42:20.984 Of the jeering? 42:21.865 --> 42:25.827 No, not of the jeering, but of a moment when very depressed at home and bankrupt. 42:26.267 --> 42:28.589 Was Richard Backward playing himself in the reconstructions? 42:28.649 --> 42:39.395 No, I was- well, it was difficult to tell because they were very blurry, but it's highly possible that, yes, that- that, you know, he might have said yes to that, uh, bit of work, really, to play himself in the reconstruction. 42:39.635 --> 42:41.436 But anyway, he didn't, I don't think. 42:41.736 --> 42:48.700 But he produced a gun in these reconstructions, and, uh, the implication was that he was at such a low ebb that he wanted to shoot himself. 42:48.760 --> 42:48.980 No! 42:49.440 --> 42:59.905 But I don't- it was- it was unclear, really, because he just said- in the reconstruction you see a guy with a gun and his girlfriend sitting next to him and he was saying, you know, I got this gun out and the girl was saying- my girlfriend was saying, what- what are you doing? 42:59.925 --> 43:01.125 What are you doing with that gun? 43:01.646 --> 43:08.369 And then he just said, you know, it could easily have gone off and killed me or her, but, uh- This is no laughing matter, that's terrible. 43:08.509 --> 43:11.250 Yeah, but I don't think he actually wanted to kill himself, I think he just had a gun. 43:11.530 --> 43:32.536 do you think it yeah maybe it was just some gum yeah they just heard it and they wanted to make it more dramatic but it made me really it sucks i had my gum out what are you doing with that gum oh it's gone off what gum doesn't go off does it leave it long enough you know if you're not working but anyway i i don't know why i mentioned all this really i i suppose i mentioned it because you want to gloat 43:32.876 --> 43:35.518 No, there was a time when I would have wanted to gloat, that's the thing. 43:35.538 --> 43:38.339 Yeah, but now maybe you'll be at home with a gun. 43:38.459 --> 43:38.860 Probably. 43:38.880 --> 43:39.200 For me. 43:39.360 --> 43:40.601 Yeah, some spearmint gun. 43:41.061 --> 43:50.406 And I feel really bad for him and now I wish that things would go even better for him and he could be the British Will Smith, but then if that happened I'd probably want him to... anyway. 43:51.267 --> 43:52.707 I don't know what the point of all that was. 43:52.727 --> 43:54.649 Shall we have some music and then we'll come back with Ditty's in the Dock? 43:54.669 --> 43:56.550 Ditty's in the Dock, stand by to win those on-back backpacks. 43:56.670 --> 43:56.890 Okay. 44:06.628 --> 44:07.469 Er, who was that? 44:08.049 --> 44:09.469 That was Bedouin Sound Clash. 44:09.489 --> 44:12.051 They're not called Bedouin Sound Clash, are they? 44:12.091 --> 44:12.751 I think they are. 44:12.791 --> 44:15.692 Can you get away with being called Bedouin Sound Clash in this day and age? 44:15.712 --> 44:17.053 They've got away with it so far. 44:17.073 --> 44:18.293 It's going well for them. 44:18.433 --> 44:19.894 When the night feels my song. 44:19.914 --> 44:21.855 That's not a good title. 44:21.875 --> 44:26.497 Canadian trio who hail from Kingston, Ontario, while sounding like they're from Kingston, Jamaica. 44:27.830 --> 44:28.450 Well, there we go. 44:28.490 --> 44:33.472 This unusual track received rave reactions from listeners when first played on Music Response and Lauren Strive Time Show. 44:34.152 --> 44:34.712 Well, there we go. 44:34.872 --> 44:36.033 The Bedouin Sound Clash. 44:36.253 --> 44:38.234 Our bat phone just went, but we don't know who was on it. 44:38.294 --> 44:39.374 I was worried it was maybe Richard Blackwood. 44:39.394 --> 44:41.355 Someone complaining about your Blackwood talk. 44:41.775 --> 44:43.355 I wasn't- I wasn't wishing ill on him. 44:43.395 --> 44:45.416 I was mentioning it because I hope things go better for him. 44:45.436 --> 44:49.377 Yeah, and if he was saying all that in the Channel 5 show, then why not say it, uh, on XFM, you know? 44:49.858 --> 44:52.018 Uh, it was this sort of thing about Schieden Frohde. 44:52.098 --> 44:52.739 How do you pronounce that? 44:53.019 --> 44:53.839 Schauden Frohde. 44:53.939 --> 44:54.759 I actually don't know. 44:54.779 --> 44:55.540 Schauden Frohde. 44:55.600 --> 44:56.660 Is it Ditties in the Dock Time? 44:56.921 --> 44:57.624 It certainly is. 44:57.644 --> 44:57.965 Kind of. 45:02.785 --> 45:10.209 That's the music that means it's time for myself and Joe to battle it out for who gets to play the final song of our two hours here at XFM. 45:10.329 --> 45:11.130 This is how it works. 45:11.230 --> 45:12.250 We both pitch you. 45:12.791 --> 45:15.092 You know, we verbally describe the tune that we want to play. 45:15.112 --> 45:16.333 You guys get on the phone. 45:16.353 --> 45:16.613 Dial 0 8 7 1 2 2 2 1 0 4 9. 45:19.515 --> 45:24.037 Vote for either me, Joe or Adam, whichever song you want to hear. 45:24.437 --> 45:25.378 It's the best of five. 45:25.398 --> 45:26.538 We take five calls. 45:26.979 --> 45:30.721 Everybody who gets through to speak to us wins and on back. 45:31.061 --> 45:48.824 backpack it's actually a record bag with an on back t-shirt and a copy of on back on dvd a very good time martial arts extravaganza and the category that we are battling for this week is it's sort of lo-fi comedy jams isn't it lo-fi comedy songs but um all will become clear so i start yeah why not 45:49.244 --> 45:54.008 So I don't know whether anybody out there has been watching The Mighty Boosh, the new series of The Mighty Boosh. 45:54.088 --> 45:54.969 I'm sure they all have. 45:55.469 --> 45:58.452 I think it's the funniest thing for years. 45:59.012 --> 46:03.396 It's absolutely fantastic, beautifully made, really imaginative and amazingly funny. 46:03.436 --> 46:05.698 It's been on BBC3, hasn't it? 46:05.818 --> 46:05.998 Yeah. 46:06.458 --> 46:13.104 It finished a couple of weeks ago and it's coming on 2 soon and it is just a brilliant show and they've got little comedy songs in it. 46:13.664 --> 46:28.036 Little songs they sing that they're all quite short and the one I want you to vote to hear is called love games and it's from an episode of the mighty Boosh featuring a sexy evil merman called Oh Greg 46:29.017 --> 46:31.060 Now, if you've seen it, you'll know exactly what I'm talking about. 46:31.080 --> 46:34.044 If you haven't seen it, this'll be nonsense, but take my word for it. 46:34.364 --> 46:41.012 It's a fantastic, funky song, all about a sexy merman called Old Greg, and it's from The Mighty Boosh. 46:41.393 --> 46:45.217 So, if you want to hear that, call 0871 222 1049 and vote for The Mighty Boosh. 46:47.600 --> 46:50.802 OK, the song I've got is by a friend of mine. 46:50.822 --> 46:55.746 This is a slightly namedroppy friend because he's Garth Jennings, who directed The Hitchhiker's Guide to the Galaxy. 46:56.446 --> 47:02.891 And this is a song that he emailed me ages ago that he made on his computer or something. 47:02.951 --> 47:08.595 And it's his version of Radiohead's National Anthem, which is a track that appears on Kid A, I think. 47:08.955 --> 47:09.415 It's the one that goes... 47:13.058 --> 47:13.899 Maybe it's amnesia? 47:13.919 --> 47:14.260 I don't know. 47:14.480 --> 47:25.312 Anyway, it's a Radiohead track, but Garth does an amazingly funny sort of acid house version of it, sort of ethnic acid house, with him sort of singing in a speeded up voice over the top. 47:25.813 --> 47:27.735 So how are you going to describe this for the listeners? 47:28.456 --> 47:29.537 Well, what are they going to vote for? 47:29.797 --> 47:30.297 Oh, OK. 47:30.577 --> 47:32.778 Um, um, national anthem. 47:33.378 --> 47:34.119 National anthem? 47:34.139 --> 47:34.359 Yeah. 47:34.939 --> 47:35.319 OK. 47:35.940 --> 47:36.680 What did you call it? 47:37.260 --> 47:37.721 What did you call it? 47:37.801 --> 47:38.641 Acid Radiohead. 47:39.361 --> 47:40.702 Well, yeah, I guess you could call it that. 47:40.742 --> 47:40.902 Yeah. 47:40.922 --> 47:42.163 I think more people would vote for it. 47:42.383 --> 47:42.643 OK, then. 47:42.663 --> 47:43.884 Because it's got Radiohead in the title. 47:43.904 --> 47:45.104 But I kind of want to hear the boosh. 47:46.085 --> 47:46.425 OK. 47:46.685 --> 47:47.665 Well, listen, don't say that. 47:47.926 --> 47:48.166 OK. 47:48.186 --> 47:49.566 0-8-7-1-triple-two-one-o-four-nine. 47:49.606 --> 47:51.447 Vote for either, what are we calling it? 47:51.907 --> 47:52.568 Acid Radiohead. 47:52.688 --> 47:54.529 Acid Radiohead or the Mighty Boosh. 47:55.369 --> 47:56.830 Everyone who gets on wins a prize. 47:57.210 --> 47:58.411 Here are Ween. 47:58.431 --> 48:09.100 That's Ween with Ocean Man. 48:09.120 --> 48:12.383 We're gonna play some ads right now and then we're coming back with Dittys in the Dark. 48:40.244 --> 48:44.686 Oh, it's so exciting! 48:44.746 --> 48:53.251 It's Digits in the Dock, this is Adam and Joe, the last eight minutes of our show, we've got five callers on the line, it is the Mighty Boosh with, I've even forgotten its name, Love Games. 48:53.271 --> 48:59.134 There you go, Love Games versus Garth Jennings with Radiohead's National Anthem. 48:59.454 --> 49:00.935 OK, let's go straight to the lines. 49:01.415 --> 49:01.856 Hello Paul. 49:02.476 --> 49:02.596 Hiya. 49:02.616 --> 49:03.316 How you doing? 49:03.737 --> 49:04.377 Yeah, good mate, you? 49:04.397 --> 49:05.638 Is that a child in the background? 49:06.445 --> 49:07.385 No, yeah, next door. 49:07.606 --> 49:08.486 Next door, OK. 49:08.526 --> 49:10.747 Got a tiny little house with cardboard walls you live in. 49:10.767 --> 49:14.188 No, no, no, it's a big house, but they've got lots of very noisy kids. 49:14.549 --> 49:14.629 OK. 49:14.669 --> 49:16.990 What are you voting for, Paul? 49:17.990 --> 49:22.912 Both things are very appealing, but I think the acid radio head has got some information. 49:23.352 --> 49:25.453 Buxton, it's 1-0 for Buxton, acid radio head. 49:25.493 --> 49:26.194 One vote for Jennings. 49:26.394 --> 49:27.474 Thank you very much indeed, Paul. 49:27.694 --> 49:32.016 You'll be winning the on-back backpack, and an on-back backpack is also going to Ian. 49:32.056 --> 49:32.456 Hello, Ian. 49:32.977 --> 49:33.177 Hello. 49:33.457 --> 49:34.597 Can you say on-back backpack? 49:35.218 --> 49:35.898 On-back backpack. 49:36.232 --> 49:37.093 No, you can't, can you? 49:37.133 --> 49:38.974 That's probably the correct pronunciation. 49:38.995 --> 49:40.456 What are you voting for, Ian? 49:40.996 --> 49:42.117 I'm voting for the Mighty Boosh. 49:42.698 --> 49:43.559 Mighty Boosh, do you watch it? 49:44.039 --> 49:44.619 Yeah, yeah. 49:44.660 --> 49:45.200 Do you like it? 49:46.141 --> 49:46.942 Yeah, really a lot, yeah. 49:47.002 --> 49:47.822 Isn't it amazing? 49:48.123 --> 49:48.623 Just amazing. 49:48.643 --> 49:51.526 I recommend people to buy their Series 1 DVD that's out at the moment. 49:51.546 --> 49:52.446 Yeah, that's good, man. 49:52.506 --> 49:54.048 Packed with exciting extras. 49:54.408 --> 49:54.969 Well done, Ian. 49:55.289 --> 49:57.070 Thanks for calling and on backpack to you. 49:57.991 --> 49:58.372 Who's next? 49:58.472 --> 49:58.752 Ollie. 49:59.673 --> 50:00.133 Hey, Ollie. 50:00.393 --> 50:00.814 Are you there? 50:01.154 --> 50:02.055 I'm here, hello. 50:02.115 --> 50:03.096 How are you doing? 50:04.417 --> 50:05.357 Yeah, very good, thanks. 50:05.477 --> 50:06.378 Very nice to be here. 50:07.298 --> 50:11.039 Now, Ollie, are you going to vote for the Boosh or are you going for Acid Radiohead? 50:11.259 --> 50:13.480 I'm going to go for the Boosh. 50:13.500 --> 50:13.800 The Boosh? 50:14.040 --> 50:14.660 Double Boosh. 50:14.820 --> 50:17.001 That's 2-1 to Cornish, 2-1 to the Boosh. 50:17.441 --> 50:23.823 You know, it's like everybody wins this week because even though it's kind of competitive here and tense, I wouldn't mind hearing the Boosh myself. 50:23.843 --> 50:27.524 And I wouldn't mind hearing the Garth's version of the Radiohead song. 50:27.584 --> 50:29.725 Well, let's see what the fourth caller wants. 50:29.765 --> 50:30.205 Hello, Carl. 50:31.089 --> 50:33.129 Karl, how you doing? 50:33.209 --> 50:34.670 All you want is the on-back backpack. 50:34.690 --> 50:36.630 You don't give a toss about the records. 50:36.650 --> 50:39.130 He's just wandering around in his room going, on-back backpack! 50:39.450 --> 50:40.511 On-back backpack! 50:41.131 --> 50:43.871 Karl, what are you voting for, though, mate? 50:44.831 --> 50:45.852 I want to level it up. 50:45.872 --> 50:48.152 I want to hear the murder of the radio, OK? 50:48.272 --> 50:49.352 That's right. 50:49.412 --> 50:50.592 Radio, it's 2-all. 50:50.612 --> 50:51.653 2-all, thanks, Karl. 50:51.673 --> 50:52.773 This is so tense. 50:53.893 --> 50:55.953 The deciding vote goes to William. 50:56.013 --> 50:56.533 Hello, William. 50:56.553 --> 50:57.194 Hi. 50:57.554 --> 50:57.874 How are you? 50:57.914 --> 50:59.714 You sound like a sensible, intelligent man. 51:00.256 --> 51:02.117 Yeah, I'm only calling up because I want the DVD. 51:02.697 --> 51:03.737 Oh, you don't even want the backpack? 51:03.777 --> 51:04.637 You just want the DVD? 51:05.098 --> 51:05.938 Well, I have that as well. 51:06.198 --> 51:07.438 Do you hate us, William? 51:08.079 --> 51:09.079 Do you hate this show? 51:09.099 --> 51:10.939 No, you used to be funny on Channel 4. 51:11.099 --> 51:16.661 Oh, William, I'm going to do a little fart in your own backpack. 51:17.922 --> 51:18.662 What are you voting for? 51:19.442 --> 51:20.262 Er, the mighty Boosh. 51:20.542 --> 51:21.382 Whey! 51:21.422 --> 51:22.543 So that means Cornish wins. 51:22.583 --> 51:23.283 The Boosh it is. 51:23.403 --> 51:24.183 Cornish wins. 51:24.223 --> 51:25.483 Thanks a lot for your call, William. 51:25.583 --> 51:27.103 I don't think Buxton is that unhappy. 51:27.704 --> 51:34.685 I'm sort of gutted, in a way, because it's a very funny version of that Radiohead song, but I'm sure I'll find a way to squeeze it in one day. 51:34.705 --> 51:35.825 We should play it next week as a free play. 51:36.005 --> 51:36.665 Yeah, maybe. 51:36.865 --> 51:37.145 Yeah. 51:37.345 --> 51:42.346 But listen, let's play the Boosh right now, and I guess we'll come back and say a quick goodbye after this. 51:42.606 --> 51:42.966 Good idea. 51:42.986 --> 51:43.986 Can I set the scene for this? 51:44.066 --> 51:44.527 Yeah, why not? 51:44.867 --> 51:46.567 So, Julian Barrett... 51:47.807 --> 51:50.849 is being seduced by a sexy merman. 51:50.889 --> 51:52.129 Julian's the taller of the two, right? 51:52.149 --> 51:52.409 Yeah. 51:52.870 --> 52:01.033 And the sexy merman, played by Noel Fielding, and he's got seaweed for hair, a pink tutu, and he sort of talks like George Clinton. 52:01.474 --> 52:02.474 He's very strange. 52:02.974 --> 52:10.378 And he shows, basically invites Julian into his cave and tries to seduce him in quite a threatening way. 52:10.658 --> 52:15.060 Julian's trying to back out and make excuses, and that's when we join them. 52:15.868 --> 52:17.129 Maybe I could love you. 52:34.938 --> 52:35.679 most people. 52:35.719 --> 52:36.981 Most people are on the Bush tip. 52:37.301 --> 52:37.882 The Bush tip. 52:38.362 --> 52:41.005 Anyway, listen, thanks a lot for, uh, being with us this week. 52:41.045 --> 52:41.907 We really appreciate it. 52:41.927 --> 52:42.447 That's alright, man. 52:42.868 --> 52:43.549 Uh, not you, you freak. 52:43.569 --> 52:44.930 I'll tell you what, I'll come in again next week. 52:45.130 --> 52:45.451 Will you? 52:45.671 --> 52:45.931 Yeah. 52:46.132 --> 52:46.472 OK. 52:46.492 --> 52:47.053 Do you a favour. 52:47.173 --> 52:47.393 Good. 52:48.034 --> 52:52.760 Uh, but thanks a lot to everyone who, uh, texted in and phoned in and, and, uh, listened to the show this week. 52:52.780 --> 52:52.860 Yes. 52:53.420 --> 52:56.843 We love you very much and miss you and we hope you're well. 52:56.863 --> 52:59.125 Apart from William, who we feel a little indifferent. 52:59.305 --> 53:00.987 Not indifferent, but mixed feelings towards him. 53:01.007 --> 53:04.730 He didn't actually diss us, he just said we used to be funny on the Adam and Joe show, which is true. 53:04.750 --> 53:09.754 I know it sounds as if we've lost it now, the way he, you know, phrased that. 53:10.194 --> 53:11.696 But maybe he didn't mean that. 53:12.776 --> 53:17.260 William, you're fine, but I might pop a little present in your own backpack as well. 53:18.481 --> 53:19.542 See you next week everyone, bye! 53:22.179 --> 53:22.946 Access found.