WEBVTT 00:07.173 --> 00:07.673 Yeah. 00:09.574 --> 00:09.794 Ooh. 00:10.115 --> 00:12.256 Oh, it's got space, the sound, the effects at the end. 00:12.276 --> 00:16.058 Space night is at the end, it turns out to be in a bin in space. 00:16.198 --> 00:17.558 Are they singing it in a bin? 00:17.819 --> 00:19.079 No, in space, yes. 00:19.239 --> 00:20.120 A bin in space. 00:20.360 --> 00:21.360 A bin in space bin. 00:21.380 --> 00:22.941 Hi, this is Adam and Joe on XFM. 00:22.961 --> 00:24.122 We're here with you till three. 00:24.322 --> 00:25.402 Don't forget, you can call us, 08712221049. 00:25.443 --> 00:26.563 You can text us at any point, 8... What? 00:36.333 --> 00:37.495 And this is our last show. 00:37.515 --> 00:40.339 We're about to take a break for the summer. 00:40.419 --> 00:44.024 We're not going to be back till September, so this is our last show for about three and a half months. 00:44.044 --> 00:44.384 Four months? 00:44.425 --> 00:44.945 Is that four months? 00:44.965 --> 00:45.386 How long is that? 00:45.726 --> 00:46.427 It's a long time. 00:46.447 --> 00:47.408 It's three and a half months. 00:47.768 --> 00:48.469 Long time. 00:48.789 --> 00:50.891 It's a long time without any Adam and Joe loving. 00:51.432 --> 00:52.073 Oh, man. 00:52.193 --> 00:52.853 What are you going to do? 00:53.014 --> 00:57.618 Well, you're going to get some tender loving radio care from Stephen Merchant and Ricky Gervais. 00:58.019 --> 00:58.199 Yeah. 00:58.439 --> 01:01.782 I presume that means they've finished their show, Extras. 01:02.583 --> 01:04.145 Possibly, or they're filming it during the week. 01:04.225 --> 01:06.807 I think actually they're scheduling it around celebrity appearances. 01:07.468 --> 01:08.008 A great deal. 01:08.108 --> 01:09.770 They're waiting for celebrities to be available. 01:09.990 --> 01:10.370 Stars. 01:10.631 --> 01:13.513 And then scheduling their shoots around them, to an extent. 01:14.054 --> 01:14.794 That's what I've heard. 01:14.814 --> 01:20.380 But they'll probably tell everybody, that's Ricky and Steve coming back, one till three, sitting in for us. 01:20.620 --> 01:24.403 They're not quite as forthcoming with their gossip as we are though, Ricky and Steve. 01:24.463 --> 01:25.925 No, they're anecdotalists. 01:26.505 --> 01:30.470 I know, they tend to talk about things in real life rather than- They're non- showbiz anecdotalists. 01:30.490 --> 01:33.313 Yeah, whereas we desire the ephemera. 01:34.194 --> 01:36.037 Mmm, delicious ephemera. 01:37.358 --> 01:41.143 But yeah, I'll be listening to Ricky and Steve and that'll be very, very exciting. 01:41.383 --> 01:46.025 But forget about them for the moment, because it's us for another two hours, and we've got fantastic prizes to give away. 01:46.065 --> 01:49.467 We've got three pairs of tickets to the premiere of Sin City. 01:49.687 --> 01:50.487 Hey, is that good? 01:50.507 --> 01:51.508 I know almost nothing about it. 01:51.568 --> 01:53.128 It's supposed to be genuinely fantastic. 01:53.168 --> 01:53.749 You haven't seen it? 01:53.889 --> 02:00.752 I haven't seen it yet, but a lot of people I know have, and it's apparently superb, and it's got Jessica Albert in it, and I think she's very, very sexy indeed. 02:00.792 --> 02:01.832 I don't know who she is. 02:01.872 --> 02:02.332 I love her. 02:02.432 --> 02:03.113 What's she been in? 02:03.193 --> 02:03.493 Neighbours? 02:03.513 --> 02:04.053 I don't care. 02:04.153 --> 02:05.314 She's so sexy. 02:06.134 --> 02:08.357 Well, I've never even seen Jessica Albert. 02:08.417 --> 02:09.298 Yeah, Alba. 02:09.538 --> 02:09.799 Alba. 02:09.819 --> 02:10.319 Wasn't she? 02:10.359 --> 02:11.641 Was she Dark Angel? 02:12.161 --> 02:14.404 James Cameron's action series in the US. 02:14.904 --> 02:15.425 Get hip. 02:15.725 --> 02:18.368 And she was Honey in a Missy Elliott film. 02:18.508 --> 02:20.811 She was Honey in what Missy Elliott film? 02:21.252 --> 02:22.193 Missy Elliott hasn't made a film. 02:22.213 --> 02:22.813 What are you talking about? 02:22.853 --> 02:23.915 See, now you need to get hip. 02:24.406 --> 02:26.708 Well, admit- no, I'm only saying Missy Elliott film. 02:26.768 --> 02:28.590 There is no- Missy Elliott video. 02:29.070 --> 02:29.671 A video. 02:29.811 --> 02:30.732 She's in some video. 02:31.192 --> 02:33.675 But, uh, anyway, she looks so sexy in Sin City. 02:33.855 --> 02:34.936 I need a hip operation. 02:34.976 --> 02:36.057 I don't know anything about this. 02:36.317 --> 02:37.278 Oh, I'm so excited about that. 02:37.298 --> 02:45.526 We've also got, uh, for Ditzy's in the Dark at the end of the show, we're giving away, uh, three Revolutions albums featuring the work of the Bravery, Kasabian, Super Furries, The Clash and many more. 02:46.147 --> 02:48.689 And, what, we've got one pair of tickets to the Isle of Wight Festival. 02:48.989 --> 02:49.450 That's a good- 02:50.010 --> 02:50.991 That's a very good prize. 02:51.151 --> 02:54.533 And it sold out, that festival, so that'll be for some sort of text competition. 02:54.893 --> 02:57.415 So, so much to win, so many laughs. 02:58.115 --> 02:59.036 So many good times. 02:59.076 --> 02:59.837 So many good times. 02:59.857 --> 03:01.858 A lot of TV to talk about, man. 03:01.918 --> 03:04.840 It was a bumper week for telly, one way or another. 03:04.860 --> 03:05.120 A bumper week. 03:05.540 --> 03:06.161 Did you watch a lot? 03:06.981 --> 03:07.621 I did watch a lot. 03:07.641 --> 03:08.542 Shall we have a record, though? 03:08.662 --> 03:09.182 Yeah, let's. 03:09.462 --> 03:13.883 Incidentally, we started the show with the Kaiser Chiefs with Every Day I Love You Less and Less. 03:14.283 --> 03:16.444 Right now we have a track from Weezer's new album. 03:16.664 --> 03:18.604 This is Beverly Hills. 03:19.185 --> 03:20.225 Ooh, I pressed the wrong button. 03:20.245 --> 03:21.165 That's a good start, isn't it? 03:30.408 --> 03:33.809 Yes, that was Coldplay with the Speed of Sound. 03:35.137 --> 03:36.478 A very thoughtful and profound track. 03:37.039 --> 03:37.980 Has that got you thinking, Adam? 03:38.821 --> 03:39.021 Yeah. 03:39.281 --> 03:42.024 I think it's about 50 miles an hour. 03:42.044 --> 03:42.084 Mm. 03:42.445 --> 03:42.925 Mm. 03:43.766 --> 03:44.787 Sodom and Joel on XFM. 03:44.827 --> 03:48.451 Of course, Star Wars Revenge of the Sith has come out. 03:48.791 --> 03:51.814 How do you say Sith if you've got a lisp or a speech impediment? 03:51.994 --> 03:52.215 Sith. 03:52.695 --> 03:53.876 Revenge of the Sith. 03:55.258 --> 04:07.125 So we're opening our special Star Wars clinic for anyone who's seen the film and has mental problems with it, which I'm sure there are a lot of people because it is a fairly mental film, can give us a call. 04:09.347 --> 04:12.169 We will provide you with some therapy, some Star Wars therapy. 04:12.429 --> 04:13.950 So on the line, we've got Jonathan. 04:15.851 --> 04:16.291 Brilliant. 04:16.552 --> 04:17.112 Hello, Jonathan. 04:17.132 --> 04:18.313 Hi, how are you doing? 04:18.413 --> 04:18.753 Very well. 04:18.793 --> 04:20.274 Now, you've been to see within this weekend. 04:21.946 --> 04:23.067 I did, I went to see it yesterday. 04:23.307 --> 04:25.749 Yeah, and you've got some medical problems with it, haven't you? 04:26.310 --> 04:28.992 Well, no, it was just... Pretty well, no. 04:29.412 --> 04:32.035 Well, I enjoyed it, I thought it was a good film. 04:32.215 --> 04:34.617 It tied in some things nicely. 04:34.997 --> 04:38.660 The script, obviously, also was filmed, the script isn't the strongest point. 04:38.720 --> 04:38.920 No. 04:39.401 --> 04:42.223 And a lot of it was, you know, the CGI was spectacular. 04:42.403 --> 04:42.643 Yes. 04:42.904 --> 04:45.166 But it was a good film, I did enjoy it. 04:45.366 --> 04:46.607 Okay, well there's the review. 04:46.987 --> 04:48.949 What's the criticism, what was your problem? 04:49.520 --> 04:50.701 Well, nothing. 04:50.781 --> 04:51.442 It wasn't a problem. 04:51.522 --> 04:55.024 It's something you brought up last week. 04:55.164 --> 04:56.746 He's picking us up on something. 04:57.066 --> 04:58.487 He's got a problem with us. 04:58.967 --> 05:01.630 When he christened Lord Vader. 05:02.831 --> 05:09.516 Just to remind listeners that Joe said last week that it seemed to be a completely random decision just to christen Lord Vader. 05:09.536 --> 05:11.077 Well, they do the moment, don't they? 05:11.097 --> 05:15.781 Of course it's an exciting moment where he goes, you know, I think I shall call you Darth... 05:18.113 --> 05:22.936 But they don't tell you the thought process or the logic at all, so it's sort of a slightly pointless hollow moment. 05:23.156 --> 05:24.137 Do you not agree, Jonathan? 05:24.517 --> 05:24.917 Well, no. 05:25.177 --> 05:33.883 I think the logic behind it is that he, Hayden Christensen, gives his big spiel about, you know, I want to protect my wife and my family. 05:33.903 --> 05:34.524 Yeah, yeah. 05:34.544 --> 05:37.486 You know, his fatherly juices. 05:37.666 --> 05:37.946 Yes. 05:38.306 --> 05:44.871 And Vader in Danish, now I don't think they speak Danish on Tassooine or any of the galactic planets, means father. 05:45.191 --> 05:46.552 Well, how are we supposed to know that? 05:47.000 --> 06:01.920 yeah well you know and okay put it this way something something to relate to hold on jonathan yeah so according to your theory what if he what if he went i think i'll call you darth hmm father father is vader in danish vader yeah 06:02.000 --> 06:05.723 Yes, Darth Vader, because it means father in Danish, yet would that be better? 06:05.903 --> 06:09.446 You remind me of a delicious pastry, a Danish pastry. 06:09.606 --> 06:10.847 Wait, what is it? 06:10.887 --> 06:13.690 Father in layers buns. 06:13.710 --> 06:17.953 This is all linking up in my brain into a kind of logical piece of space butum. 06:18.213 --> 06:19.474 What's your comeback at that, Jonathan? 06:22.438 --> 06:22.958 Nothing. 06:22.998 --> 06:23.359 Nothing. 06:23.459 --> 06:24.639 Silenced. 06:24.699 --> 06:25.160 We win! 06:25.400 --> 06:25.840 We win! 06:25.980 --> 06:26.801 Yay! 06:27.101 --> 06:28.802 Bye bye Jonathan, thanks for calling. 06:28.822 --> 06:29.582 Thanks very much Jonathan. 06:29.602 --> 06:30.603 It's still a rubbish moment. 06:30.643 --> 06:33.044 Paul on line two for the Star Wars problem clinic. 06:33.064 --> 06:33.564 Hello Paul. 06:34.485 --> 06:34.625 Hello. 06:34.645 --> 06:36.466 What's your medical problem with Star Wars Paul? 06:36.566 --> 06:39.088 Well I thought it was pretty dark to be honest with you. 06:39.108 --> 06:40.048 Pretty disturbing. 06:40.068 --> 06:41.469 You're disturbed now. 06:41.709 --> 06:42.530 I'm still shaking. 06:42.610 --> 06:42.910 Really? 06:43.810 --> 06:44.751 Paul you're lying aren't you? 06:45.518 --> 06:47.540 No, I'm really not. 06:47.581 --> 06:49.202 It was the attack on the younglings. 06:49.623 --> 06:50.464 Oh, the younglings. 06:50.664 --> 06:51.605 The younglings? 06:51.645 --> 06:52.266 What are the younglings? 06:52.286 --> 06:53.047 I couldn't get on with it. 06:53.067 --> 06:54.148 Well, do you mean children? 06:54.849 --> 06:56.671 Yeah, but they refer to the younglings. 06:56.751 --> 07:00.636 Especially the fact that the kid that actually spoke had a cock in the accent. 07:02.122 --> 07:03.142 Was that really true? 07:03.162 --> 07:04.123 I didn't like it. 07:04.143 --> 07:04.743 Didn't you hear it? 07:04.983 --> 07:09.505 I didn't know, but I liked that, because in the original trilogy there's a lot of British actions, because they were all shot in Britain. 07:09.905 --> 07:13.667 So there's loads of, all the Stormtroopers have English voices, don't they, in the original movies? 07:13.907 --> 07:14.767 Might be wrong about that. 07:14.807 --> 07:16.388 Yeah, it just made it more real for me. 07:16.408 --> 07:18.769 But there were things I liked about it, to be honest with you. 07:18.889 --> 07:25.271 I liked the fact that it was particularly accurate, where they actually, when- It was historically accurate. 07:25.491 --> 07:29.553 When Bail Organa gives the droid to Captain Antides, 07:30.760 --> 07:32.321 I thought that was a pretty good touch. 07:32.662 --> 07:34.303 My nerd alarm is going off a little bit. 07:34.343 --> 07:35.164 That's very good. 07:35.244 --> 07:35.964 Using all the right names. 07:35.984 --> 07:37.666 You mean when they erase the memories? 07:38.026 --> 07:38.766 Yeah, that's right. 07:38.786 --> 07:42.189 When he's having an oral bath in a new hope. 07:42.689 --> 07:44.911 Yes, my nerd alarm's actually hurting me now. 07:45.492 --> 07:46.572 Paul, you're absolutely right. 07:46.592 --> 07:47.513 So you really liked it. 07:47.553 --> 07:47.954 Well done. 07:47.974 --> 07:49.575 How old are you, Paul? 07:50.174 --> 07:50.234 I'm 24. 07:50.274 --> 07:51.816 Yeah, there you go. 07:51.956 --> 07:53.917 So you're actually quite young for the originals. 07:54.398 --> 07:55.158 I am, I am. 07:55.259 --> 07:56.179 Big fan though. 07:56.199 --> 07:57.641 Well, well done going to see it. 07:57.741 --> 07:59.482 He didn't really have a medical problem, did he? 08:00.143 --> 08:01.744 Well, he's spooked, he's just spooked. 08:01.884 --> 08:03.326 He just didn't like the murder of the younglings. 08:03.346 --> 08:04.226 Yeah, which is fair enough. 08:04.407 --> 08:06.769 They can't refer, they can't use the word, they don't use the word children. 08:07.049 --> 08:08.230 No, younglings. 08:08.590 --> 08:08.991 Very odd. 08:09.091 --> 08:09.551 Child rocks. 08:10.412 --> 08:11.233 Yeah, child rocks. 08:12.113 --> 08:15.694 Paul, thank you very much for your call. 08:15.734 --> 08:16.415 Have a good weekend. 08:16.455 --> 08:18.835 And Jonathan, thanks very much indeed as well for giving us a call. 08:18.895 --> 08:19.976 Are we closing the Star Wars clinic? 08:19.996 --> 08:20.696 Just for the moment. 08:20.736 --> 08:22.817 We might open it again later if you've seen Star Wars and have problems. 08:22.857 --> 08:24.597 We're closing the Star Wars clinic's doors. 08:25.398 --> 08:27.178 I've got a little free play for you right now. 08:27.198 --> 08:27.938 This is The Damned. 08:28.499 --> 08:31.400 Then we're going to hear some commercials and we'll be right back with you on XFM. 08:45.052 --> 08:57.175 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 09:34.440 --> 09:40.004 Yes, it's crap commentary competition time. 09:40.424 --> 09:45.407 There's just one clip this week, and, you know, crap commentary competition corner? 09:45.467 --> 09:45.927 What's it called? 09:45.947 --> 09:46.828 I don't even know what it's called. 09:46.868 --> 09:47.128 Corner. 09:47.228 --> 09:52.851 It's sort of been withering away and dying because I've been running out of DVDs in my collection with rubbish commentaries. 09:53.311 --> 09:55.333 So this isn't the most brilliantly funny one. 09:55.993 --> 09:57.493 But, it's quite challenging. 09:58.034 --> 09:58.314 OK? 09:58.774 --> 10:01.615 And it's got some slightly amusing American-type talking. 10:02.475 --> 10:02.755 OK? 10:03.015 --> 10:14.458 So, if you know who this is and what film they're talking about, call 0 871 222 1049 and you could win a pair of tickets to the Sin City premiere on Monday, this coming Monday. 10:14.838 --> 10:16.139 Which that is a good price. 10:16.319 --> 10:18.820 That is a good price because it is a wicked film. 10:18.960 --> 10:21.441 It's supposed to be a wicked film. 10:21.742 --> 10:24.603 And also I've got Jessica Albert and I like her stomach. 10:24.623 --> 10:25.744 I don't know who she is. 10:25.804 --> 10:27.064 Yeah, she's got a nice tummy. 10:27.284 --> 10:29.385 No idea who she is. 10:29.425 --> 10:33.567 So 08712221049, stand by your phones to win tickets to the Sin City premiere. 10:33.607 --> 10:36.489 Tell us who is this actor and what film is he talking about? 10:36.889 --> 10:38.430 this call in my answering machine. 10:38.450 --> 10:40.632 He was like, hey dude, what's up man? 10:41.133 --> 10:48.900 Hey listen buddy, um, you know, so we're gonna be working together, right on bro, let's become bros, let's become friends man, call me dude, let's go hang out. 10:49.120 --> 10:51.061 So I called him up and I said, yeah, what do you want? 10:51.081 --> 10:52.943 He said, hey man, let's go hang out dude. 10:54.244 --> 10:57.366 I was like, oh, this guy's a loser, aren't he? 10:57.486 --> 10:58.226 Let's be bros. 10:58.926 --> 11:00.047 I don't want to work with him. 11:00.127 --> 11:00.667 Let's be bros. 11:00.707 --> 11:02.428 I think maybe that was me that called him up. 11:02.628 --> 11:02.908 Really? 11:02.988 --> 11:03.329 Yeah. 11:03.669 --> 11:05.109 I just, oh, I didn't say it like that. 11:05.129 --> 11:05.650 You are a bit of a loser. 11:05.690 --> 11:06.770 I just said, let's be bros. 11:06.810 --> 11:09.031 I just said, listen, we're going to be working, can we be bros? 11:09.051 --> 11:10.552 Did you say we're going to be working, bro? 11:10.912 --> 11:11.713 Can we be bros? 11:11.773 --> 11:12.773 I may, I may have done it. 11:12.793 --> 11:12.933 Did you? 11:12.993 --> 11:13.233 Well, yeah. 11:13.253 --> 11:13.994 But what's wrong with that? 11:14.074 --> 11:15.354 Well, that's the sort of thing a loser says. 11:15.394 --> 11:16.215 He was very often. 11:16.235 --> 11:16.635 You're a loser. 11:17.195 --> 11:20.017 Hearing his voice there, I can just see his chipmunk face. 11:20.797 --> 11:21.738 I don't give away any clues. 11:21.978 --> 11:23.579 Well, that's not too much of a clue. 11:23.799 --> 11:31.503 It's obviously a bloke, but I'm not 100% sure who it is, but I can see a chipmunk face. 11:31.563 --> 11:32.884 Once more? 11:32.904 --> 11:32.884 08712221049. 11:32.924 --> 11:34.725 Who is this actor and what movie is he talking about? 11:35.045 --> 11:36.305 I don't know what movie it could be. 11:37.546 --> 11:39.086 this call on my answering machine. 11:39.106 --> 11:41.247 He was like, hey dude, what's up, man? 11:41.767 --> 11:45.308 Hey, listen, buddy, um, you know, so we're gonna be working together. 11:45.368 --> 11:46.088 Right on, bro. 11:46.108 --> 11:47.049 Let's become bros. 11:47.069 --> 11:48.109 Let's become friends, man. 11:48.149 --> 11:48.809 Call me, dude. 11:48.829 --> 11:49.549 Let's go hang out. 11:49.769 --> 11:51.710 So I called him up and I said, yeah, what do you want? 11:51.730 --> 11:53.590 He said, hey, man, let's go hang out, dude. 11:53.610 --> 11:56.231 I was like, oh, this guy's a loser. 11:56.491 --> 11:57.471 All right. 11:57.711 --> 11:58.071 Boy. 11:58.091 --> 11:58.151 Boy. 11:58.332 --> 12:02.313 When you know who it is, I'm- Uh, the clip is thrown into a completely different light. 12:02.553 --> 12:02.993 Oh, really? 12:03.073 --> 12:03.213 Yeah. 12:04.495 --> 12:09.167 Er, but I- I think I do know who- I tell you what, for extra points, you could tell us who that was calling him as well. 12:10.236 --> 12:13.819 But if you work out who that actor was, you can pretty easily work out who it was calling him. 12:14.099 --> 12:14.439 Really? 12:14.560 --> 12:16.441 Cos it was the beginning of a beautiful relationship. 12:16.881 --> 12:18.142 Wow. 12:18.162 --> 12:20.244 0-8-7-1, 0-8-7-1, triple 2, 1-0-4-9. 12:20.564 --> 12:23.947 Call now if you want to win tickets to the Sin City premiere this coming Monday. 12:23.987 --> 12:38.019 Cos I brought along some extra prizes, cos you told me, you emailed me this week, Joe Cornish, and you said, let's be really up ourselves, cos it's the last show before the summer, and we can just do all Adam and Joe stuff for, like, any Adam and Joe fans. 12:38.519 --> 12:42.421 And so we'll do an Adam and Joe Ditties in the dark and we can do... We might still do that. 12:42.721 --> 12:44.842 But then you kind of recanted. 12:45.082 --> 12:46.383 Maybe wisely, I would say. 12:46.703 --> 12:48.104 Possibly wisely for crap commentary. 12:48.144 --> 12:50.024 We were going to play some Adam and Joe crap commentary. 12:50.064 --> 12:52.205 Yeah, but then we thought... It just would have sounded like Adam's voice. 12:52.285 --> 12:52.746 Exactly. 12:52.846 --> 12:54.667 Anyway, 0 8 7 1, triple 2, 1 0 4 9, if you knew who that was. 12:54.687 --> 12:59.689 But I was going to say that as a prize, I brought in some copies of Ken's commentary for the Priory. 13:00.049 --> 13:01.170 Hey, that's a good prize! 13:01.190 --> 13:02.290 This is a very rare item. 13:02.450 --> 13:06.032 This is a commentary I did just to amuse myself and my friends. 13:06.592 --> 13:11.177 Shall we go to the phones and put this to bed and then we could talk about those prizes for maybe the next thing? 13:11.337 --> 13:11.597 OK. 13:12.438 --> 13:16.182 Er, so, and before that, I'm gonna play another exciting free play. 13:16.202 --> 13:17.963 I don't know if this has ever been played on the radio. 13:18.024 --> 13:19.085 Maybe I'm not allowed to play it. 13:19.425 --> 13:21.527 But it's by Kevin Eldon, the comedian. 13:21.647 --> 13:21.787 Ooh. 13:22.128 --> 13:25.351 And, er, calling himself Kevin, er, calling himself Popsocks. 13:25.971 --> 13:28.734 Tell people what Kevin Eldon's been in, in case they don't recognise his name. 13:28.834 --> 13:30.716 Kevin Eldon has been in Big Train. 13:30.736 --> 13:34.959 Uh, he was- He's a sort of Chris Morris regular as well, isn't he? 13:34.979 --> 13:35.479 Yeah, exactly. 13:35.499 --> 13:36.781 Did a lot of jam, isn't he? 13:36.801 --> 13:37.721 Yeah, he was in Jam. 13:38.082 --> 13:41.264 He did a lot of stuff with, uh, Stuart Lee and Richard Herring. 13:41.885 --> 13:43.646 And, uh, he's an all-round funny guy. 13:43.726 --> 13:45.107 Oh, he's in Nighty Night as well. 13:45.167 --> 13:46.589 And this- he's got a little band, has he? 13:46.629 --> 13:47.409 Is it a one-man band? 13:47.429 --> 13:51.873 He's a really good musician, Kevin Eldon, but he's done a lot of musical spoofs for various projects. 13:52.073 --> 14:00.395 he's been involved with and I don't know what this one was for but there's supposed to be a Swiss band called Pop Socks and this song is called Mobile Phone. 14:00.415 --> 14:21.160 I was thinking about you I was feeling alone So I decided to call you 16:07.285 --> 16:11.146 Well, it's lovely to hear someone who's still so excited about mobile phones. 16:12.407 --> 16:13.607 Me excited about mobile phones. 16:13.647 --> 16:20.229 I think maybe there was supposed to be an Austrian band, but I think maybe it was supposed to be them releasing a single in the early 80s or something. 16:20.269 --> 16:21.849 Yeah, I think they could release that now. 16:21.869 --> 16:26.470 I think it's good to reinvigorate people's... You know, we've become complacent about phone technology. 16:26.490 --> 16:28.831 And that's just made me excited about the whole thing. 16:29.051 --> 16:31.972 You see, that would be a better ringtone than Crazy Frog, surely. 16:33.107 --> 16:35.088 We'll talk about that a bit later, shall we? 16:35.128 --> 16:36.229 That's a whole other kettle of fish. 16:36.249 --> 16:38.050 We should do this crap commentary, Corner. 16:38.070 --> 16:38.850 Let's wrap it up. 16:39.051 --> 16:40.311 Take these callers. 16:40.411 --> 16:41.772 Hang on, Lydus has asked me a question. 16:42.393 --> 16:43.693 Oh, questions. 16:43.873 --> 16:44.414 It's that one. 16:44.814 --> 16:45.835 That's who it is. 16:46.175 --> 16:47.576 OK, so we're gonna go to the phones. 16:48.216 --> 16:48.656 You alright, Adam? 16:48.676 --> 16:49.036 Are you ready? 16:49.056 --> 16:49.617 Yeah, yeah, yeah. 16:49.637 --> 16:50.677 You're having some plastic problems. 16:50.717 --> 16:52.378 Just, you know, exciting sounds of production. 16:52.418 --> 16:53.339 Plastic box problems. 16:53.859 --> 16:54.560 Can we go to Dick? 16:55.370 --> 16:55.790 Hello, Dick. 16:55.810 --> 16:56.211 Are you there? 16:56.791 --> 16:57.152 I'm here. 16:57.692 --> 16:58.273 How you doing, Dick? 16:58.733 --> 16:59.494 I'm not too bad. 16:59.534 --> 17:00.094 I'm not too bad. 17:00.134 --> 17:00.435 Thank you. 17:00.475 --> 17:01.055 How you doing? 17:01.115 --> 17:01.456 Oh, very well. 17:01.476 --> 17:02.537 Are you confident you've got this right? 17:03.137 --> 17:03.417 Pardon? 17:03.618 --> 17:05.259 Are you confident that you've got this correct? 17:05.840 --> 17:06.801 I'm quite confident. 17:07.341 --> 17:07.601 Yeah? 17:07.621 --> 17:08.122 I hope so. 17:08.322 --> 17:08.562 Yeah? 17:08.582 --> 17:09.643 Definitely. 17:09.943 --> 17:10.524 What have you got then? 17:10.564 --> 17:11.805 What are your thoughts? 17:12.326 --> 17:14.007 I think it's Gary Busey. 17:14.267 --> 17:19.112 He's coming out of the film Point Break and it's Dopey, Dopey co-star Keanu Reeves. 17:19.420 --> 17:37.429 the boozy in the break a great film a great actor that's the boozer it's a good bit of logic there man but you're completely wrong completely wrong oh my god it's a very good guess though and i like any opportunity to talk about either point break or uh gary boozy i love boozy i love his son jake boozy do you know his son jake boozy yeah i haven't seen 17:38.090 --> 17:39.533 He looks exactly like his dad. 17:39.793 --> 17:42.117 He's the guy that blows up the time machine in contact. 17:42.297 --> 17:43.219 The space machine. 17:43.419 --> 17:43.740 Isn't he? 17:43.820 --> 17:44.541 He's the terrorist. 17:44.862 --> 17:48.648 He's a fantastic sort of albino type, scary looking, weird. 17:48.668 --> 17:49.750 I love the boozies. 17:53.314 --> 17:53.514 Is he? 17:53.534 --> 17:54.815 I think you're right. 17:55.015 --> 17:56.536 I think you're right, yeah. 17:56.556 --> 17:58.837 I think he's one of the GIs at the beginning. 17:58.857 --> 18:05.380 There's also an American series called I'm With Boozy, which I heard about, which is about an obsessive Jake- not Jake, no, who's the dad called? 18:05.420 --> 18:05.620 Gary. 18:05.820 --> 18:10.023 Gary Boozy fan who just spends a whole week with Gary Boozy and apparently was brilliant. 18:10.063 --> 18:10.583 I never saw it. 18:10.943 --> 18:12.084 It's like a regular series. 18:12.104 --> 18:15.685 They always just hang out and drive around and go shooting and stuff. 18:15.926 --> 18:16.666 Well done. 18:16.886 --> 18:20.488 Can we give you a- do you want a pair of tickets to the premiere anyway? 18:22.021 --> 18:23.762 Can you make it? 18:23.902 --> 18:26.883 It's Monday, Monday evening, this coming Monday, Leicester Square. 18:28.884 --> 18:30.685 You know the whole cast are going to be there, Dick. 18:31.205 --> 18:31.565 Really? 18:31.745 --> 18:32.445 Yeah, everybody. 18:32.485 --> 18:38.388 Rodriguez, Mickey Rourke, what's his face from the underground, what's he called in Crouppier and stuff? 18:38.748 --> 18:39.948 The underground? 18:41.129 --> 18:44.170 I'm just saying it's from the underground because you see him around London all the time on the underground. 18:44.190 --> 18:45.430 Yeah, it's not that exciting. 18:45.751 --> 18:47.351 Yeah, the English one. 18:47.411 --> 18:49.212 I'll look forward to seeing Mickey Rourke Squarehead. 18:49.594 --> 18:50.175 Yeah, yeah, yeah. 18:50.355 --> 18:52.437 And don't, er, don't frighten any of them, you know. 18:52.457 --> 18:54.378 Don't, like, say weird things to them. 18:54.458 --> 18:56.460 Stay away from them unless you're invited to speak to them. 18:56.821 --> 18:58.202 I'll see you there, I'm gonna go down. 18:58.242 --> 18:59.063 Thanks for calling, Dick. 18:59.503 --> 19:00.084 Cheers, Dick. 19:00.164 --> 19:01.685 Glad I got you wrong, Ray. 19:01.725 --> 19:03.627 Let's see whether Ray's got it right. 19:03.667 --> 19:04.167 Is that Ray? 19:04.227 --> 19:04.728 Hello, Ray? 19:04.948 --> 19:05.088 Hello. 19:05.108 --> 19:05.809 How you doing? 19:06.149 --> 19:06.650 All right, thanks. 19:06.670 --> 19:06.990 How are you? 19:07.130 --> 19:08.331 Yeah, I'm very well, thank you very much. 19:08.351 --> 19:09.172 Good, good, good. 19:10.759 --> 19:12.020 Do you want to know who- who wants to do it? 19:12.060 --> 19:12.620 What's it about, Joe? 19:12.660 --> 19:13.941 Did you suddenly lose the will to live there? 19:13.981 --> 19:15.041 Yeah, I don't know, I don't know. 19:16.422 --> 19:17.143 Cheer up, man. 19:17.363 --> 19:17.563 Alright. 19:17.583 --> 19:19.584 It's holidays. 19:19.604 --> 19:19.984 Go on, then. 19:20.324 --> 19:21.105 Ray, who do you think it is? 19:21.125 --> 19:28.509 Yeah, I think it is Dennis Hopper talking about Peter Fonda around the making of Easy Rider. 19:29.091 --> 19:51.753 wow you pronounced his name like see he's a pedophile peter peter fonda peter fonda yeah he's a notorious peter fonda a peter fonda he's a peter fonda he's fondling peter this is bad now it's terrible okay um ray so what made you think that what do you think what the giveaway clues because uh well it's it's a hardcore californian accent all right and his draw and also the fact that i don't think they really got on and that kind of uh 19:53.161 --> 20:10.366 really there's some very good informed guessing going on that's good guessing i think that guessing deserves a pair of tickets to the sin city premiere yeah definitely would you like that ray that'd be lovely can you go i think i should be able to go yeah i can hear the sound of young children you've got young children i have yeah what you can't take them what you gonna do about that uh it'd have to be my missus won't it 20:12.140 --> 20:13.480 to leave the misses at home with the kids. 20:14.121 --> 20:17.503 And go to the sexy Hollywood premiere and make a pass at Jessica Alba and possibly sleep with her. 20:17.523 --> 20:21.885 It's a pair of tickets though, you're supposed to take- this is going to reinvigorate your, uh, domestic life. 20:21.905 --> 20:22.646 Get a babysitter in. 20:22.846 --> 20:23.126 Yeah. 20:23.426 --> 20:26.168 Take the wife, she'll love it, it's full of killing and special effects. 20:26.288 --> 20:32.211 But listen, man, you got it wrong, unfortunately, but you're still going to the premiere and have a good time, thanks for your call. 20:32.231 --> 20:33.051 Thanks a lot. 20:33.191 --> 20:34.912 Yeah, thanks, uh, for everything. 20:35.373 --> 20:37.174 Uh, let's see if we can- That's a bit over the top. 20:37.794 --> 20:39.695 Let's see if we can, uh, nail this one. 20:39.815 --> 20:40.235 Who have we got? 20:40.295 --> 20:41.876 Is it- is that Christ- what does that say? 20:41.916 --> 20:42.416 Kristina? 20:42.656 --> 20:43.477 Krista- Kristala? 20:43.997 --> 20:44.457 Krista. 20:44.677 --> 20:45.117 Krista. 20:45.158 --> 20:45.718 Hello, Krista. 20:46.038 --> 20:46.538 Hello. 20:46.738 --> 20:47.058 Wow. 20:47.138 --> 20:47.819 That's a nice name. 20:48.259 --> 20:49.279 Sounds very- Oh, yeah, it's Greek. 20:49.800 --> 20:50.420 Is it really Greek? 20:50.760 --> 20:50.980 It is. 20:51.000 --> 20:55.102 Yeah, I'm not gonna say stupid things about your name because that's always very predictable and old, isn't it? 20:55.462 --> 20:56.083 It- it is. 20:56.243 --> 20:56.803 Yeah, yeah, yeah. 20:56.823 --> 20:57.303 So let's move on. 20:57.463 --> 20:57.943 Adam is, though. 20:58.164 --> 20:58.844 What are you gonna say? 20:58.884 --> 20:59.164 No, no, no. 20:59.184 --> 21:00.485 I was gonna say I always enjoy it. 21:00.885 --> 21:01.145 Yeah. 21:01.385 --> 21:02.606 I just thought it sounded a bit like Krista. 21:03.246 --> 21:05.727 We've gotta- we've gotta wrap this up, because we're rambling now. 21:05.867 --> 21:07.328 Krista- uh, uh, Krista, who do you think it is? 21:07.904 --> 21:09.468 It's Corey Feldman. 21:09.508 --> 21:10.210 She's so confident. 21:10.230 --> 21:11.433 How did you deduce that? 21:12.128 --> 21:15.150 I know it because I've got the Lost Boys DVD and I've got it in my head. 21:15.450 --> 21:15.890 Well done. 21:15.970 --> 21:20.212 It is, of course, Corey Feldman talking about the first time that Corey Haim telephoned him. 21:20.452 --> 21:21.112 Exactly. 21:21.393 --> 21:22.953 And it doesn't sound like- I've hit Haim. 21:23.354 --> 21:24.034 Yeah, exactly. 21:24.134 --> 21:27.996 And it turned into a relationship that spawned such superb films as Licence to Drive. 21:28.016 --> 21:30.317 Which I've seen, sadly. 21:30.477 --> 21:30.857 Well done. 21:30.877 --> 21:32.038 Snowboard Academy? 21:32.358 --> 21:32.918 Were they in there? 21:32.958 --> 21:33.578 No, no. 21:33.659 --> 21:37.360 I gave up on the Haim Feldman partnership after Licence to Drive. 21:37.500 --> 21:40.482 There are other Haim partnership films, aren't there? 21:41.465 --> 21:43.747 What are they? 21:43.787 --> 21:44.348 Oh, man. 21:44.388 --> 21:44.748 This is- Hey! 21:44.768 --> 21:47.630 Okay, sorry, Chrissie, you're not having any tickets. 21:48.271 --> 21:49.232 No, give them to me. 21:49.252 --> 21:50.072 You're not having any tickets. 21:50.092 --> 21:50.713 Do you want the tickets? 21:50.733 --> 21:54.936 I waited outside the Empire the other day for free tickets, and they had 50 pairs, and I was number 58. 21:55.877 --> 21:56.157 No. 21:56.258 --> 21:56.898 Heartbreak was charged. 21:56.958 --> 21:57.278 Really? 21:57.479 --> 21:58.099 For Sin City? 21:58.499 --> 22:00.301 Well, what a fantastic happy ending, then. 22:00.381 --> 22:02.683 I think they're just giving them all hate to anybody now. 22:02.903 --> 22:03.564 Oh, don't be stupid. 22:03.604 --> 22:05.145 It's the most heartfelt ticket in London. 22:05.285 --> 22:06.346 Yeah, exactly. 22:06.386 --> 22:07.767 You had to go through the ringer for that. 22:08.208 --> 22:09.008 I did, I did. 22:09.048 --> 22:09.689 I've earned it. 22:10.009 --> 22:10.430 Absolutely. 22:10.470 --> 22:11.791 Well, listen, I hope you enjoy yourself. 22:11.831 --> 22:12.992 Thank you so much for your call. 22:13.032 --> 22:15.214 Thank you very much for- for getting the competition right. 22:15.234 --> 22:15.935 Cheers, guys. 22:16.135 --> 22:16.275 Cheers. 22:16.295 --> 22:16.415 See ya. 22:16.595 --> 22:17.216 Have a good weekend. 22:17.696 --> 22:18.737 And, uh, wow. 22:18.817 --> 22:19.038 Wow. 22:19.278 --> 22:19.898 That was amazing. 22:19.918 --> 22:20.399 That was amazing. 22:20.419 --> 22:24.423 I'm gonna resist the temptation to carry on talking about the two Corey's because we have to go to the adverts. 22:24.443 --> 22:25.003 We'll be right back. 22:34.867 --> 22:37.809 Well, that's an almost exhausting level of excitement. 22:38.550 --> 22:39.471 It's easily arranged. 22:40.171 --> 22:40.872 Um, yeah. 22:41.032 --> 22:42.113 For him to be somewhere else. 22:42.153 --> 22:42.673 Just go. 22:42.773 --> 22:43.514 Just leave. 22:43.994 --> 22:44.855 Um, that's Razorlight. 22:44.895 --> 22:47.457 Fantastic stuff from Razorlight somewhere else. 22:47.537 --> 22:51.400 Before that, you heard some adverts. 22:51.600 --> 22:56.544 And before that, you were listening to me and Joe crapping on. 22:56.764 --> 23:05.770 about the two quarries and we've had a couple of texts to remind us that the quarries, someone's texted and I quote verbatim, the quarries done scuba school. 23:07.391 --> 23:07.931 Full stop. 23:08.391 --> 23:09.632 That's a very good sentence. 23:09.952 --> 23:11.253 It's the worst film I've ever seen. 23:11.293 --> 23:15.416 They had so little budget that they used cardboard cut ups of people and trees in the background. 23:15.956 --> 23:18.718 I think they spent all the cash on drugs and they both looked mangled. 23:19.438 --> 23:20.439 And I never saw the end. 23:20.659 --> 23:21.680 One of them- Robin Morden. 23:22.040 --> 23:26.524 I know we've talked about this before, but which Corey looks okay these days and which- The Corey's done scuba school. 23:27.225 --> 23:28.225 Uh, one of them's very fat. 23:28.266 --> 23:30.327 Corey Haim, who's the pretty one in The Lost Boys. 23:30.607 --> 23:30.728 Yeah. 23:30.748 --> 23:33.630 With the sort of quiff and the stupid sort of Elvis smile. 23:34.110 --> 23:35.852 He is now a great big blob. 23:36.532 --> 23:37.673 The one that- A lovely blob. 23:37.713 --> 23:40.315 The one that looked a bit sort of more like Rough Trade than the other one. 23:40.335 --> 23:41.897 There was one who was very- What do you mean by that? 23:41.997 --> 23:42.437 I don't know. 23:42.798 --> 23:44.299 There was one who was very- Fuck a red boy. 23:44.819 --> 23:47.260 Basically, one's really good-looking, one's not so good-looking. 23:47.600 --> 23:55.362 And Corey Feldman is the one- that's Corey Haim, and Corey Feldman is the one who was in The Goonies, which Corey was not in. 23:55.982 --> 23:58.683 Corey's was the- was- Which was the one who was in Stand By Me? 23:59.323 --> 24:00.544 Uh, that is Corey Feldman. 24:00.724 --> 24:01.524 Feldman, yeah. 24:01.604 --> 24:03.244 And he's the- now Balloon Boy. 24:03.344 --> 24:05.105 No, he's nor- fairly normal. 24:05.185 --> 24:07.987 He was always a little bit podge and he's remained decently podge. 24:08.567 --> 24:14.611 But Hame has gone from being a young Adonis to a huge blobby balloon boy. 24:15.112 --> 24:16.112 You never know though, man. 24:16.172 --> 24:17.213 It's just a phase probably. 24:17.233 --> 24:18.374 No, it's the drugs, it's the drugs. 24:18.414 --> 24:18.834 Huge drugs. 24:18.874 --> 24:20.696 He got into drugs very, very early, Corey Hame. 24:21.016 --> 24:21.656 Dear me. 24:22.096 --> 24:26.660 I wonder, that was presumably what the Trills were singing about. 24:26.700 --> 24:27.160 The Trills? 24:27.220 --> 24:27.720 The Trills. 24:27.800 --> 24:28.701 What is that then? 24:28.761 --> 24:30.122 Whatever happened to Corey Hame? 24:30.162 --> 24:31.643 Yes, yes, exactly, yeah. 24:31.823 --> 24:37.587 I don't know if they were just sort of saying, "'cause you never hear from him anymore," or whether they were saying, no, you hear from- I mean, they're majorly famous. 24:37.647 --> 24:38.588 Everyone knows about them. 24:38.808 --> 24:41.350 All you have to do is turn on the biography channel or e- Exactly. 24:41.390 --> 24:42.551 They're everywhere all the time. 24:43.351 --> 24:44.312 Uh, I think they should come back. 24:44.332 --> 24:45.953 I think they should've done Scuba School again. 24:45.973 --> 24:47.474 They should've done Scuba School too. 24:47.594 --> 24:47.794 Yes. 24:48.335 --> 24:53.338 Uh, did you watch- man, there was a lot of good TV on this week, or at least TV worth watching. 24:53.358 --> 24:53.719 Hmm. 24:54.039 --> 24:57.982 Uh, Stalking Pete Doherty, which we sort of said that people should watch last week. 24:58.022 --> 24:58.802 Did you catch it in the end? 24:58.822 --> 24:59.142 You know what? 24:59.202 --> 24:59.503 I missed it. 25:00.343 --> 25:01.344 you lunatic. 25:01.404 --> 25:02.565 Was it terribly, terribly good? 25:02.585 --> 25:03.666 It was amazing. 25:04.026 --> 25:05.427 It was amazing. 25:05.467 --> 25:20.199 What I couldn't work out is everybody was saying to me, and listeners you might be able to help with this, is that, uh, Max Carlish, who was the documentary maker who made it, kept going, who was apparently a Froot Loop, well he's actually clinically, he's bipolar, so he's actually mentally ill, Lila, before you make gestures like that. 25:20.219 --> 25:24.623 Um, uh, oh I've lost my train of thought because Lila's all outraged. 25:24.943 --> 25:28.486 Because there's, there's different- Did he, did he, was he actually gay for Pete Doherty? 25:28.966 --> 25:34.588 Did he actually really crave sex with Docherty, or was he just using these statements as a sort of metaphor for the interview process? 25:34.868 --> 25:38.470 Cos some of my friends were saying, wow, he was actually sexually obsessed with Docherty. 25:39.210 --> 25:42.311 Or others were saying, no, they've just got the wrong end of the stick he was using. 25:42.571 --> 25:46.032 He'd come off the phone and say, oh, I just had sex with Docherty, it was amazing. 25:47.133 --> 25:49.534 And actually he was just talking metaphorically about the interview process. 25:49.554 --> 25:53.935 Yeah, no, he makes it clear throughout that he thinks the interview is like having sex. 25:53.955 --> 25:55.596 It's a really revolting, erm... 25:55.816 --> 25:58.217 But he is sort of obsessed physically with Doherty as well. 25:58.237 --> 25:58.657 Analogy. 25:59.037 --> 25:59.497 Isn't he? 25:59.577 --> 26:00.618 Yeah, he is, definitely. 26:00.698 --> 26:04.579 No, he's completely besotted by him, but as a fan would be, do you know what I mean? 26:04.619 --> 26:07.240 And it sort of verges on the sexual at times. 26:07.741 --> 26:18.385 But the weird thing about it, it was a very compelling documentary with some stuff that was so hard to watch because it was just this guy completely laying himself bare in front of Doherty and making a total 26:19.065 --> 26:20.166 get of himself. 26:20.587 --> 26:24.931 And Docherty actually coming off quite well as someone who was just letting this guy in. 26:24.951 --> 26:25.952 Steve He's got a lovely voice, hasn't he? 26:26.072 --> 26:26.773 Speaking voice, Docherty. 26:26.793 --> 26:26.993 Ricky Yeah. 26:27.013 --> 26:31.378 Steve I've never really heard his speaking voice and he's really boyish and sort of childish, isn't it? 26:31.398 --> 26:31.858 And nice. 26:31.878 --> 26:33.580 Ricky Oh yeah. 26:33.880 --> 26:38.926 But he basically just let this guy into his inner sanctum because his whole philosophy is like, 26:39.306 --> 26:55.798 yeah you know anything goes and let's let's all just hang out together and be nice yeah and so this loony guy comes along and he lets him in and after a while though it gets too much and they stop inviting him backstage which is fair enough but you get the you know he's been pushed as far as he can go the next thing that max carlish does is go off and 26:56.258 --> 27:01.060 sell little bits of footage of Docherty chasing the dragon to the tabloid. 27:01.120 --> 27:03.340 So no wonder he got a bit upset about it all. 27:03.700 --> 27:09.642 But the whole thing left a weird taste in the mouth because Max Carlish is ill or was ill, certainly at the time. 27:10.242 --> 27:14.124 And bipolar, is that the same as manic depressive or schizophrenic? 27:14.164 --> 27:14.644 I'm not sure. 27:14.684 --> 27:18.005 Maybe someone could tell me, because those are similar conditions. 27:18.485 --> 27:21.326 But I'm not sure exactly what the difference between them is. 27:21.406 --> 27:24.167 But anyway, he's certainly clinically ill or depressed. 27:24.747 --> 27:29.531 And you just felt like- well, Channel 4 was slightly promoting it as like, what do you think? 27:29.551 --> 27:32.633 Do you think this is a documentarian who's gone too far and stepped over the line? 27:32.653 --> 27:34.194 And it's like, no, he's just ill. 27:34.354 --> 27:35.175 He's clearly ill. 27:35.315 --> 27:36.236 And Docity's an addict. 27:36.556 --> 27:38.177 It's just a sort of big car crash, was it? 27:38.217 --> 27:39.438 A big car crash documentary. 27:39.458 --> 27:40.579 Yeah, a massive car crash. 27:40.599 --> 27:43.061 When's television ever not put that stuff out? 27:43.521 --> 27:44.542 Or exploited that sort of stuff? 27:44.902 --> 27:45.643 I know that's true. 27:45.703 --> 27:46.323 That's their job. 27:46.644 --> 27:49.306 But I- you felt sorry for everyone involved, really. 27:49.506 --> 27:49.786 Yeah. 27:50.066 --> 27:50.466 In a way. 27:50.667 --> 27:52.428 I feel sorry for myself because I missed it. 27:52.648 --> 27:52.948 I know. 27:52.968 --> 27:53.728 Well, I've got it on tape, man. 27:53.748 --> 27:54.168 I'll give you a copy. 27:54.188 --> 27:55.029 I'm the greatest victim. 27:55.229 --> 27:56.449 It's- I've got it on tape. 27:56.589 --> 27:57.209 I'm giving them out. 27:57.409 --> 27:59.030 It was- it was sick, but amazing! 27:59.190 --> 27:59.850 And I'm giving it out. 28:00.210 --> 28:01.791 So, uh- It was so consistent. 28:01.891 --> 28:02.591 Yeah, thanks very much. 28:02.651 --> 28:02.791 Yeah. 28:03.191 --> 28:05.072 OK, we'll be back very shortly. 28:13.114 --> 28:13.474 Very good. 28:13.494 --> 28:15.235 They made a bit of a mess at the ending of that, didn't they? 28:15.748 --> 28:17.850 Well, it sort of fell apart amiably. 28:18.250 --> 28:19.831 But that was very enjoyable. 28:19.931 --> 28:24.195 Hard to beat by Hardfy, and before that you heard Lila by Oasis. 28:24.555 --> 28:29.039 Now, Joe, you know... Listen, I wanted to ask you something, Adam. 28:29.079 --> 28:31.681 What's this week's Virgin Megastore's album of the week? 28:31.901 --> 28:35.804 And how can I do things concerned with it? 28:35.824 --> 28:36.965 Oh, that's a good question. 28:37.005 --> 28:37.245 Thanks. 28:37.326 --> 28:42.630 Yeah, I've been thinking about this, and I think it's audio slaves out of exile. 28:42.890 --> 28:43.330 Oh, really? 28:43.430 --> 28:43.711 Yeah. 28:43.771 --> 28:46.172 Now, if you want to win... I do. 28:46.573 --> 28:47.533 And I win copies. 28:47.773 --> 28:50.936 I don't even know if it's copies, but if you just want to win... 28:54.440 --> 28:54.540 OK. 28:55.101 --> 29:02.888 Yeah, Joe, if you want to win copies of Out of Exile by Audioslave, can you please go to www.xfm.co.uk? 29:02.908 --> 29:03.148 Yes. 29:03.668 --> 29:05.930 Because it's the Virgin Megastores album of the week. 29:05.950 --> 29:06.311 Oh, brilliant. 29:06.431 --> 29:10.574 If you listen to Marsha on Monday from 10am, she'll be giving away copies as well. 29:11.115 --> 29:14.698 Well, that's exciting stuff, and Marsha's coming up after us, sitting in for Justin D. Collins, is she? 29:14.998 --> 29:16.720 Yeah, because Justin's just had a baby. 29:17.020 --> 29:19.423 And congratulations, Justin, and your partner. 29:19.443 --> 29:20.825 We're very, very happy for you. 29:20.845 --> 29:20.905 Wow. 29:20.925 --> 29:22.827 Just give a birth to an extraordinary television career. 29:22.968 --> 29:24.930 Yeah, a little hairy baby. 29:25.331 --> 29:26.792 So, uh, congratulations, guys. 29:26.812 --> 29:28.595 I hope you're both very well and happy. 29:28.815 --> 29:29.336 All three of you. 29:29.376 --> 29:29.896 Darren Bristol. 29:29.936 --> 29:30.878 They can't probably come here. 29:31.118 --> 29:32.800 I know, but I'm just sending it out into the ether. 29:33.020 --> 29:33.301 OK, then. 29:33.621 --> 29:37.283 Now, talking of television, uh, I think television has reached a new low this week. 29:37.523 --> 29:39.585 I think something's gone wrong, specifically with ITV. 29:39.825 --> 29:41.326 I think ITV has- has broken. 29:41.706 --> 29:42.426 I think it's dead. 29:42.967 --> 29:43.707 Are you joking? 29:43.747 --> 29:44.708 I was gonna- I'm- I'm not joking. 29:44.728 --> 29:48.090 I think ITV- I was thinking- because I watched Monkey Trousers last night and I didn't mind it. 29:48.110 --> 29:49.190 Monkey Trousers was quite good. 29:49.210 --> 29:49.731 It was quite good. 29:49.751 --> 29:51.792 But, generally, I turned on the telly at, like, 11.20. 29:51.872 --> 29:52.452 Yeah. 29:52.632 --> 29:54.013 ITV. 29:54.494 --> 29:57.095 And it's that celebrity love nonsense. 29:57.175 --> 29:58.216 Oh, it's the live stream, yeah. 29:58.536 --> 30:10.604 And it's the live stream, and it's just a blank picture of an island, and the text on the screen saying, for legal reasons, er, we cannot, sorry, we apologise for the loss of sound or vision, this is for legal reasons. 30:10.904 --> 30:20.490 Now, to me, that might be alright on Channel 4, er, at two in the morning, but on ITV at quarter past eleven on a Saturday night, that's just fundamentally wrong. 30:21.471 --> 30:26.992 I agree with you, although I think Channel 4 do do live streaming from the Big Brother house at a similar time. 30:27.012 --> 30:27.853 Do they? 30:28.033 --> 30:29.913 Yeah, I'm not sure, because I remember thinking- I don't think they do. 30:30.133 --> 30:32.374 I don't think live Big Brother comes on until after midnight. 30:32.954 --> 30:35.894 I don't think Channel 4 would put a sorry for loss of picture. 30:36.155 --> 30:40.336 And it's such a specious apology anyway, because they can put whatever they want on their channel. 30:40.356 --> 30:45.977 They're not, like, bound by the fact that what Fran Cosgrove is saying naughty, nutty words. 30:46.477 --> 30:48.539 They could just put a cartoon on or something. 30:48.559 --> 30:49.541 Or a pop video. 30:50.482 --> 30:51.903 I think that's just beyond the pale. 30:52.324 --> 30:58.030 It's lazy and it's wrong and it shows a terrible lack of imagination and etc, etc. 30:58.070 --> 30:59.492 Yeah, it's deeply cynical. 30:59.732 --> 31:00.974 Are you not watching Love Island then? 31:01.794 --> 31:03.534 Well, we could talk about how good Love Island is. 31:03.654 --> 31:03.914 Yeah. 31:03.975 --> 31:04.655 In a second. 31:04.815 --> 31:09.416 So that's reason one why television's sort of another nail in the coffin this week for ITV. 31:09.676 --> 31:12.216 The other thing is the flipping crazy frog. 31:12.456 --> 31:13.036 That's out of hand. 31:13.056 --> 31:15.857 Now, that used to be just on non-terrestrial stations. 31:15.997 --> 31:16.137 Yeah. 31:16.177 --> 31:21.478 But in the last couple of weeks, it's penetrated like an evil weed through to terrestrial. 31:21.798 --> 31:24.138 And now it's on non-stop on 5, 4 and 3. 31:24.378 --> 31:24.619 Yeah. 31:25.379 --> 31:26.879 In the middle of proper programs. 31:27.319 --> 31:29.520 And sometimes twice in a break. 31:29.540 --> 31:30.521 In a single break. 31:30.741 --> 31:33.883 Now, now, dum dum dum dum dum dum dum dum. 31:34.683 --> 31:37.805 Sometimes to Axl F. Me, me, beep beep beep. 31:38.165 --> 31:39.326 And I like that advert. 31:39.366 --> 31:42.728 It's cute when it's on non-terrestrial where there are different rules. 31:43.128 --> 31:45.530 But for it to go to terrestrial is deeply wrong. 31:45.570 --> 31:49.932 And the interesting thing is they've had more complaints about it than I think any other advert in history. 31:50.212 --> 31:54.415 I think they had 400 complaints within about two days of it going on terrestrial. 31:54.955 --> 32:01.141 and the complaints people have had to open up a whole separate website purely for Jamster-related complaints. 32:01.161 --> 32:01.922 A frog division? 32:02.122 --> 32:04.104 Frog division complaints website. 32:04.184 --> 32:04.505 Wow. 32:04.605 --> 32:08.148 And it's not just about his froggy willy bits that we've talked about at great lengths. 32:08.168 --> 32:08.969 Those are all censored, yeah. 32:09.009 --> 32:09.790 Those are all censored. 32:09.830 --> 32:12.092 Now, it's just the fact that it is the most 32:13.013 --> 32:32.932 amazingly annoying advert ever which was charming at first but I feel we're partly to blame because we talked about it when it first emerged in an exciting optimistic way well everyone's everyone's to blame if you look at it like that people were you know and I would buy it and thought it was funny and amusing so they just leapt on it and squeezed every little miserable bit of juice out of the horrible frog that they could and 32:33.212 --> 32:34.593 But that's the nature of advertising, though. 32:34.813 --> 32:41.637 The weird thing about how cynical advertising has become is that now they sort of think this sort of thing is acceptable, you know what I mean? 32:41.677 --> 32:48.061 People are so jaded that they just expect to be bashed in the face repeatedly by these kind of adverts in a sort of Blade Runner way. 32:48.081 --> 32:49.122 It's going to encourage people. 32:49.242 --> 32:52.043 I mean, I haven't got Sky or Cable. 32:52.143 --> 33:00.268 I've only got Freeview, but now I think I'm going to get Sky, because if adverts like that are on normal telly, then there's no longer any distinction between terrestrial and non-terrestrial. 33:00.468 --> 33:01.569 Oh, they're on Sky, mate. 33:01.989 --> 33:05.974 I know, I know, but what I'm saying is I just give up this thing of sticking to the four terrestrial channels. 33:06.214 --> 33:07.976 You need the box, you need the TiVo box. 33:08.017 --> 33:08.837 I'm gonna go TiVo. 33:08.958 --> 33:09.799 I'm gonna go Sky Plus. 33:09.859 --> 33:10.980 Yeah, that's the way to do it. 33:11.000 --> 33:12.522 And it's the frog what done it. 33:12.762 --> 33:14.544 Get the advertisers, kids, come on. 33:14.745 --> 33:15.626 Let's do it together. 33:16.547 --> 33:17.268 Oh, that frog. 33:23.001 --> 33:26.382 the ever dependable Foo Fighters with Best of You. 33:26.502 --> 33:31.484 Yeah, their video was premiered on Channel 4, an exciting video exclusive, last night. 33:32.605 --> 33:41.548 It was fairly average, it was just them singing in lots of close-ups of the microphone in Dave Grohl's mouth, and then them singing in a place, I don't know where. 33:41.988 --> 33:48.771 I think they should only do video exclusives if there's something sexy or violent in a video. 33:48.791 --> 33:51.572 That's what they used to do, it used to be like the Two Tribes premiere. 33:51.992 --> 33:56.497 Ricky goes to Hollywood, or a Madonna video, or something dirty and late night, something banned. 33:56.517 --> 33:57.678 Steve China Girl, do you remember that? 33:57.698 --> 33:58.619 With Bowie rolling about in the surf? 33:58.639 --> 34:00.000 Ricky Yeah, the China Girl with Bowie's Butox. 34:00.040 --> 34:04.804 You don't want to just put a, you know, a standard Foo Fighters video as an exclusive on Channel 4. 34:05.025 --> 34:06.846 Not the reason why television's going down the tubes. 34:06.866 --> 34:08.388 Steve Yeah, absolutely right, Joe. 34:08.408 --> 34:09.489 Brilliantly well said. 34:09.909 --> 34:14.974 Uh, before we slag off more, uh, business TV, um, can I just say a couple of things that I really enjoyed? 34:14.994 --> 34:15.975 Ricky You were on it. 34:16.215 --> 34:16.576 Steve What? 34:17.156 --> 34:18.116 Things would be different. 34:18.136 --> 34:18.917 That's true, isn't it? 34:18.957 --> 34:21.277 If the Adam and Joe show was still on, things would be very different. 34:21.317 --> 34:22.718 Yeah, because then it would be brilliant. 34:22.798 --> 34:25.178 Yeah, but Kevin Ligo from Channel 4 killed us. 34:25.559 --> 34:27.379 He hates us, so he killed us. 34:27.399 --> 34:28.700 Um, The Thick of It. 34:29.460 --> 34:29.960 Did you watch that? 34:29.980 --> 34:32.661 You haven't got, uh, you haven't got digital, have you? 34:32.881 --> 34:33.921 No, but that's on BBC 4. 34:33.961 --> 34:38.282 The Thick of It is the new, uh, Armando Iannucci political, uh, Brainiac satire. 34:38.523 --> 34:43.164 But listen, I'm worried that we're not gonna have time before we start talking about that to give away these tickets for the Isle of Wight Festival. 34:43.524 --> 34:44.525 OK, well tell people now what they should do. 34:44.545 --> 34:47.607 I think possibly our listeners might care more about that than Armando Iannucci's new show. 34:47.767 --> 34:48.547 Even though maybe they shouldn't. 34:49.328 --> 34:51.690 But they might be desperately wanting these tickets. 34:52.130 --> 34:55.152 Well tell them what to do and then I'm going to continue to talk to you about it. 34:55.172 --> 34:55.292 OK. 34:55.332 --> 35:08.781 If you want these Isle of Wight tickets, one pair of tickets to the Isle of Wight Festival, 10th to the 12th of June, on the bill, Roxy Music, Idlewild, Morrissey, Magic Numbers, R.A.M, Snow Patrol, Feeder, Ray Davies, then simply call us, 0871 222 1049 and plead with us. 35:09.021 --> 35:11.463 Just give us a really good reason why we should give them to you. 35:11.483 --> 35:13.244 We're going to get two or three people on the lines. 35:13.564 --> 35:15.486 then we're gonna basically have a pathetic off. 35:15.506 --> 35:17.208 Steve Yeah, it's gonna be ruthless. 35:17.228 --> 35:18.729 I think we should be ruthless, you know what I mean? 35:18.749 --> 35:19.149 Ricky Yeah. 35:19.169 --> 35:23.133 Steve If you sound like- if we don't like you, you're not gonna get them, simple as that. 35:23.173 --> 35:23.493 Ricky Yeah. 35:23.534 --> 35:26.797 It's gonna be completely partisan, non-partisan, whatever that phrase is. 35:26.817 --> 35:27.818 Steve Yeah, non-partisan. 35:27.838 --> 35:28.258 Ricky Yeah. 35:28.398 --> 35:29.679 Steve Yeah, exactly. 35:30.240 --> 35:34.284 So, uh, no, I recommend you watch the thick of it to return to my original- Ricky Can I get the number quickly? 35:35.004 --> 35:35.845 Oh, it's 7 1 triple 2 1 0 4 9. 35:36.305 --> 35:44.750 Oh, it's 7 1 triple 2 1 0 4 9 for those Isle of Wight Festival tickets call now carry on yeah So Thursdays on BBC 4 you can catch the thick of it. 35:44.850 --> 35:53.916 It's very funny also Yeah, I thought monkey tasks was really better than it should be Just very good as you said to see Vic and Bob doing amusing stuff 35:54.056 --> 35:56.379 Mikey Traz is the big all-star sketch show on ITV's. 35:56.419 --> 35:57.820 It was at 10 o'clock last night. 35:57.900 --> 36:01.364 Vic and Bob, uh, Mackenzie Crook and Ian Lee, uh, who else was in it? 36:01.784 --> 36:02.725 Er, John Thompson. 36:02.745 --> 36:03.766 John Thompson, Steve Coogan. 36:03.786 --> 36:04.667 Steve Coogan. 36:04.707 --> 36:04.888 Yeah. 36:05.108 --> 36:05.849 All sorts of people. 36:05.869 --> 36:07.090 But it was, it was really pretty good. 36:07.110 --> 36:11.314 Er, Ronnie Ancona and, erm, you know, your fellow, your impressionist man. 36:11.335 --> 36:12.976 Oh yeah, Dave Sp-Spat-Spratt. 36:14.117 --> 36:15.118 Ricky and Steve laugh. 36:30.965 --> 36:33.526 Anyway, um, not him, but just that moment. 36:33.866 --> 36:38.668 But anyway, they were all in it, and it was pretty good, but Vic and Bob sort of ruled it, really. 36:38.948 --> 36:55.735 And there was a sketch in there that, um, Bob Mortimer does where he's kind of a clueless estate agent, and he's going around showing a house to someone, and just pointing at things and saying, uh, that's the ceiling, and that's the toaster, and that's the floor, and there's a fridge, and these are the corners, uh, there are many corners in the house, and that's just one of them there. 36:56.175 --> 36:57.696 And then she asks a question like, 36:57.796 --> 37:12.895 yeah well how long is the leasehold for I don't know and over there is the toaster and basically just says I don't know to every single important question but it was really funny and it's gonna be kind of a classic character I think that's my opinion maybe I'll be wrong but 37:13.516 --> 37:15.036 We'll be back in September to find out. 37:16.097 --> 37:19.637 The first show back, we'll actually discover whether you're right. 37:19.757 --> 37:23.418 Hey, speaking of Vic and Bob, though, people should really not miss Katterick. 37:23.598 --> 37:26.059 If you haven't watched it yet, it's on BBC Two at the moment. 37:26.119 --> 37:27.879 It was originally shown on BBC Three. 37:28.379 --> 37:29.219 But it's amazing. 37:29.259 --> 37:33.180 It's really funny and some of the best stuff they've ever done, in my opinion. 37:33.640 --> 37:37.161 So you'd be an insane kind of moron to miss it. 37:37.581 --> 37:40.023 I've spent all week watching the Dave Chappelle Show on DVD. 37:40.483 --> 37:41.183 Oh yeah, is that good? 37:41.264 --> 37:41.984 It's very, very funny. 37:42.364 --> 37:44.005 I don't know much about Dave Chappelle. 37:44.306 --> 37:48.288 Well, he's recently gone mad and booked himself into a mental hospital in South Africa. 37:48.308 --> 37:48.728 Who is he though? 37:48.949 --> 37:49.909 He's America's biggest comedian. 37:50.269 --> 37:50.650 Biggest? 37:50.730 --> 37:53.632 The Dave Chappelle Show is the highest selling comedy DVD in America. 37:53.652 --> 37:55.573 It sells more than The Simpsons and Futurama. 37:55.633 --> 37:56.013 No. 37:56.093 --> 37:56.233 Yeah. 37:56.754 --> 37:59.115 But he's recently gone mad because of the pressure of his third series. 37:59.295 --> 37:59.596 Right. 37:59.836 --> 38:01.537 Checked himself into a clinic in South Africa. 38:01.997 --> 38:02.738 Oh my goodness. 38:02.758 --> 38:05.499 If you can play American DVDs, I do recommend the Dave Chappelle shot. 38:05.519 --> 38:06.840 I might go out and invest in that. 38:06.900 --> 38:08.702 That's our comedy recommendations for this week. 38:08.862 --> 38:09.662 Thank you very much. 38:09.822 --> 38:10.883 Now, here's a free play. 38:10.923 --> 38:11.844 This is The Shins. 38:20.390 --> 38:21.150 That's nice, isn't it? 38:21.190 --> 38:22.711 That's Gone For Good by The Shins. 38:22.751 --> 38:27.114 That's, um, maybe a bit too much of a pathetic track to play from that album, but it is an amazing album. 38:27.174 --> 38:31.396 Shoot's Too Narrow, it's called, and I would invest in it if you haven't done already. 38:31.516 --> 38:32.577 This is Adam and Joel on XFM. 38:32.617 --> 38:35.819 Now, uh, what we're gonna do, we're gonna, uh, talk to some people and give away some stuff. 38:35.939 --> 38:39.101 Now it's time for us to give away tickets to the Isle of Wight Festival, 10th to the 12th of June. 38:39.121 --> 38:40.462 We've got five callers on the line. 38:41.082 --> 38:42.803 There's no sort of thing to do in this competition. 38:42.863 --> 38:48.006 All you have to do is you're going to have 10 seconds to convince us that you are the person who we should give these tickets to. 38:48.346 --> 38:49.527 So you can go whichever way you want. 38:49.547 --> 38:50.647 You can be aggressive and violent. 38:51.168 --> 38:52.108 You can be really pathetic. 38:52.328 --> 38:52.769 You can lie. 38:52.949 --> 38:53.669 You can tell the truth. 38:54.390 --> 38:56.811 Any technique you want, please don't swear or say anything naughty. 38:57.151 --> 39:00.013 But you've got 10 seconds, these five callers, to win those tickets. 39:00.273 --> 39:01.474 So should we go straight to the lines, Adam? 39:01.494 --> 39:01.914 Are you ready? 39:02.054 --> 39:02.835 OK, who've we got first? 39:02.855 --> 39:05.036 This is gonna be a real test for your fingers, your mixing fingers. 39:05.056 --> 39:05.456 Finger test. 39:05.596 --> 39:06.257 Adam on the decks. 39:06.477 --> 39:07.398 We've got Natalie first. 39:07.418 --> 39:07.958 Hello, Natalie. 39:08.378 --> 39:08.758 Hi. 39:08.979 --> 39:09.659 Hi, OK. 39:09.839 --> 39:10.760 Her voice sounds nice. 39:12.000 --> 39:13.261 OK, shall we give her 10 seconds? 39:13.421 --> 39:14.122 Let's give you 10 seconds. 39:14.802 --> 39:15.583 What's she pitching for? 39:15.623 --> 39:16.143 What's she going to win? 39:16.223 --> 39:17.304 To win the tickets to the festival. 39:17.344 --> 39:18.125 OK, right, festival. 39:18.505 --> 39:19.986 Are you happy with what we're doing here, Natalie? 39:20.327 --> 39:21.187 Yes, very happy. 39:21.207 --> 39:22.909 You understand you've got 10 seconds to convince us? 39:23.249 --> 39:23.949 Yeah, that's fine. 39:23.969 --> 39:24.590 Your time starts now. 39:24.630 --> 39:24.850 Go! 39:24.870 --> 39:26.351 Hi, it's Natalie. 39:26.411 --> 39:31.015 I've never been to a festival before and I finished uni this year, so what better way to celebrate? 39:31.035 --> 39:31.716 You did what this year? 39:31.736 --> 39:33.877 I finished uni, my final. 39:33.937 --> 39:34.418 Time up! 39:35.219 --> 39:37.761 Congratulations Natalie, that was a good effort. 39:37.861 --> 39:39.282 Do we, do we say who's won yet? 39:39.342 --> 39:40.123 No, we wait till the end. 39:40.243 --> 39:41.163 Was that good enough? 39:41.384 --> 39:44.766 So quiet Natalie, no, it's a ten second or over, sorry, we're being really ruthless, that's it. 39:45.046 --> 39:45.967 I'm gonna make a note. 39:46.407 --> 39:50.310 Finished uni, not been to festival before. 39:50.330 --> 39:50.910 This is making me anxious. 39:50.930 --> 39:51.571 We've got Chris. 39:51.971 --> 39:52.412 Hey Chris. 39:52.852 --> 39:52.972 Hi. 39:53.432 --> 39:54.993 Okay, Chris, your ten second starts now, go. 39:55.073 --> 40:01.818 Okay, this year my whole life's gone wrong, I crashed my car, my wife left me, my football team got relegated, I'm gonna lose my job and I really need something to cheer me up. 40:02.059 --> 40:02.679 Is that quick enough? 40:02.859 --> 40:03.860 That was very good. 40:03.880 --> 40:06.983 There's a nice little sort of tummy noise as well in the middle of that. 40:07.003 --> 40:07.683 That was extremely good. 40:07.723 --> 40:08.484 Is any of that true, Chris? 40:08.744 --> 40:09.665 It's all true, sadly. 40:09.845 --> 40:10.626 Wow, that's amazing. 40:10.686 --> 40:11.146 OK, Chris. 40:11.507 --> 40:13.188 Chris, awful life. 40:13.869 --> 40:14.749 Terrible. 40:14.849 --> 40:15.150 OK. 40:15.170 --> 40:15.830 Brackets, no wife. 40:16.411 --> 40:17.352 No wife. 40:17.472 --> 40:18.312 That's not true, is it, Chris? 40:18.493 --> 40:18.953 I hope not. 40:18.973 --> 40:19.994 That would be terrible. 40:20.014 --> 40:21.095 We're not talking to Chris for the moment. 40:21.515 --> 40:22.216 Who else have we got now? 40:22.276 --> 40:22.516 Andrew. 40:22.636 --> 40:23.077 Hello, Andrew. 40:23.577 --> 40:24.298 Hi, how you doing? 40:24.358 --> 40:24.798 Very well. 40:24.818 --> 40:25.639 Your time starts now. 40:26.192 --> 40:33.847 Good, okay, well last year I was at Glastonbury, I always wanted to see Morrissey, always wanted to see him, but my wife was ill, I had to leave early to go and look after my children. 40:34.733 --> 40:35.674 OK, that's very good. 40:35.714 --> 40:36.454 He's got children. 40:36.494 --> 40:37.795 He's bringing children into the game. 40:37.835 --> 40:41.658 His wife is ill and he's obsessed with Morrissey. 40:41.998 --> 40:43.239 Ill wife. 40:43.279 --> 40:44.580 That's a good one. 40:44.940 --> 40:45.580 Well done, Andrew. 40:45.921 --> 40:49.723 OK, Juliette, can she come up better with children, ill wife or awful life? 40:50.123 --> 40:51.104 How are you there, Juliette? 40:51.124 --> 40:51.324 Hi. 40:51.344 --> 40:51.825 Yes, I am. 40:51.885 --> 40:52.125 Hi. 40:52.205 --> 40:53.506 OK, you've got 10 seconds starting now. 40:53.546 --> 40:53.686 Go. 40:53.766 --> 41:01.311 Yes, I'm even more obsessed with Morrissey and I live in Dulwich so obviously I've got to feel really sorry for me because my life is really dull, dull arts, unites. 41:01.671 --> 41:09.859 and I'm really scared and I've got two kids as well and I won't be able to get there and it's essential to my well-being to be Morris's absolutely absolutely essential. 41:09.899 --> 41:10.980 What are the name of your children? 41:12.526 --> 41:13.147 Sophie and Charlie. 41:13.247 --> 41:14.808 What are the name of your children's? 41:14.948 --> 41:15.148 Yeah. 41:15.488 --> 41:16.449 It's quite good, isn't it? 41:16.509 --> 41:17.069 That is quite good. 41:17.089 --> 41:17.910 Well, that's pretty good. 41:18.170 --> 41:19.271 You know what, Julia? 41:19.351 --> 41:20.672 I live in Camberwell, very near Dulwich. 41:20.912 --> 41:21.073 Oh, yeah. 41:21.153 --> 41:23.214 And I don't like your tone about Dulwich. 41:23.534 --> 41:24.675 I went to school in Dulwich. 41:25.056 --> 41:27.798 I went to Dulwich College Preparatory School in a little cap and shorts. 41:28.258 --> 41:29.059 And I love Dulwich. 41:29.439 --> 41:32.041 So, you know, you may have made a boo-boo. 41:32.841 --> 41:35.243 Our final contestant there is, what does that say? 41:35.443 --> 41:35.784 Richard. 41:36.344 --> 41:36.704 It's Richard. 41:36.764 --> 41:37.225 Hello, Richard. 41:37.245 --> 41:38.025 Hi. 41:38.626 --> 41:39.987 OK, so you've got quite a challenge there. 41:40.458 --> 41:41.239 Yes, I have. 41:41.379 --> 41:41.939 I'll be okay. 41:41.959 --> 41:44.702 A lot of really pathetic people out there. 41:45.022 --> 41:46.264 Can you be more pathetic than them? 41:46.284 --> 41:47.865 Your time starts now. 41:47.925 --> 41:51.128 Yeah, I'm even more of an obsessive about rockin' music. 41:51.188 --> 41:56.813 I like to drink sherry with Brian Furry and tell Morrissey to cheer up and tell him to forgive his parents. 41:57.214 --> 41:58.495 Drink what with Brian Furry? 41:59.156 --> 42:00.117 Sherry with Brian Furry. 42:00.137 --> 42:00.697 Oh, sherry. 42:00.817 --> 42:01.698 Sherry with Furry. 42:01.758 --> 42:03.480 I can, you know, bat my eyelids at him. 42:03.500 --> 42:04.561 I have very pretty eyes. 42:04.989 --> 42:06.530 You've got very pretty eyes. 42:06.550 --> 42:06.910 That's good. 42:06.930 --> 42:08.471 You see, no one else has gone for the pretty eyes. 42:08.631 --> 42:10.852 It's surprising that no one's gone for that. 42:11.392 --> 42:12.453 But you came in there at the last minute. 42:12.493 --> 42:12.833 Well done. 42:12.853 --> 42:15.695 Shall we go to the record and make our decision during the record? 42:15.775 --> 42:16.175 Oh, yeah. 42:16.195 --> 42:16.955 That was exhausting. 42:16.995 --> 42:19.057 Thanks very much, you guys, for calling in there. 42:19.097 --> 42:20.217 And sorry we had to be so ruthless. 42:20.237 --> 42:22.418 Are we gonna keep them on the line so that we can speak to the winner? 42:22.859 --> 42:23.179 OK. 42:23.299 --> 42:23.899 Well, we'll- OK. 42:23.919 --> 42:24.740 This is so amazing. 42:24.760 --> 42:25.360 This is so tense. 42:25.600 --> 42:25.940 Isn't it? 42:25.960 --> 42:26.921 Yeah. 42:26.941 --> 42:27.961 It's block party. 42:28.021 --> 42:28.902 No, it's not. 42:28.982 --> 42:29.802 It's the magic numbers. 42:29.842 --> 42:30.282 Fantastic. 42:30.302 --> 42:30.923 We're forever lost. 42:34.813 --> 42:39.961 Now, shall we resolve this little thing we've asked people to phone in and pitch to us for 10 seconds? 42:40.122 --> 42:41.384 Why is there exciting music in the background? 42:41.404 --> 42:42.145 Because it's exciting. 42:42.205 --> 42:43.207 It is exciting, isn't it? 42:44.472 --> 42:46.614 Oh yeah, that's right, we had five callers, they all plead with us. 42:47.094 --> 42:50.977 They gave us very good reasons why they should be going to the Olive White Festival, 10th to the 12th of June. 42:51.017 --> 42:52.938 It's a sold out festival with an amazing lineup. 42:52.958 --> 42:54.960 We've had to choose one person. 42:55.020 --> 42:58.242 It's been an extraordinary debate here in the studio while that record was playing. 42:58.462 --> 42:59.583 We knocked out Natalie. 42:59.803 --> 43:02.885 We knocked out, what we did was we thought, well get rid of all the women. 43:03.586 --> 43:04.907 Well, that's not true, is it Adam? 43:05.427 --> 43:09.569 Well, the correct logic was we knocked out Natalie because she sounded a bit too posh. 43:09.589 --> 43:10.229 Get rid of the women. 43:10.449 --> 43:12.890 And she'd just graduated from university. 43:12.910 --> 43:14.051 She'd never been to a festival before. 43:14.311 --> 43:16.812 Sounded like she could afford to go to a lot of festivals. 43:16.872 --> 43:17.472 Is that right, Adam? 43:17.572 --> 43:18.372 It wasn't the poshness. 43:18.412 --> 43:19.393 It was just she's a woman. 43:19.813 --> 43:21.654 We thought, let's get rid of all the women. 43:22.014 --> 43:25.435 Well, because Juliette went next because she said Dulwich was boring. 43:25.535 --> 43:25.775 Yeah. 43:25.835 --> 43:26.976 And I pretty much live in Dulwich. 43:27.036 --> 43:27.776 Yeah. 43:27.816 --> 43:29.637 So we left with Chris, Andrew and Richard. 43:30.477 --> 43:32.698 Andrew, we didn't choose you because your wife is ill. 43:32.718 --> 43:34.439 You don't want to go to a festival while your wife is ill. 43:34.639 --> 43:36.221 And you've got children? 43:36.261 --> 43:37.582 That's terribly irresponsible. 43:37.922 --> 43:41.386 So we were just down to Richard and Chris, and our runner up is Richard. 43:41.486 --> 43:42.026 Is he on the line? 43:42.066 --> 43:42.547 Hello, Richard. 43:43.664 --> 43:44.725 Er, thanks anyway. 43:44.865 --> 43:50.167 That's not very good, is it, to get you on, you being a runner-up and not very good on our part, to now sort of rub it in. 43:50.948 --> 43:52.888 I'll try with six music later. 43:53.449 --> 43:54.109 There you go. 43:54.429 --> 43:56.630 But listen, Richard, we're going to give you a prize. 43:57.451 --> 43:57.691 Really? 43:57.911 --> 44:04.194 Can I ask you, do you actually like myself and Joe and our work on television? 44:04.214 --> 44:04.594 Yes, I do. 44:05.254 --> 44:05.715 I love you. 44:05.755 --> 44:07.295 I've never seen you in Edinburgh, actually. 44:07.736 --> 44:08.596 Oh, yeah, fantastic. 44:08.836 --> 44:11.818 Well, listen, we're going to give you a copy of the Adam and Joe DVD. 44:11.838 --> 44:12.558 Do you have it already? 44:13.314 --> 44:13.554 Yeah. 44:13.834 --> 44:14.314 Do you really? 44:14.915 --> 44:16.135 I can give it one copy away. 44:16.195 --> 44:16.595 Exactly. 44:16.836 --> 44:17.336 Spread the love. 44:17.396 --> 44:18.016 Exactly. 44:18.076 --> 44:19.537 I'll spread the joy. 44:19.557 --> 44:22.178 To go with that is an incredibly rare collector's item. 44:22.358 --> 44:27.460 It is my character, Ken Korda, doing a commentary over a edition of the Priory. 44:27.820 --> 44:29.721 It's something that I did to amuse myself. 44:29.981 --> 44:36.804 And of course, it's never going to see the light of day on telly because, you know, it's not clearable, but it's yours now. 44:36.864 --> 44:38.585 You can have a copy and see what you think. 44:38.665 --> 44:42.687 And I have like an autograph as well for like eBay and things. 44:42.907 --> 44:44.748 Yeah, absolutely, yeah, sure, no problem. 44:44.828 --> 44:47.891 I've signed the video and we'll sign the DVD for you. 44:47.931 --> 44:49.392 That video's going straight on eBay. 44:49.412 --> 44:49.872 Straight in the bin. 44:50.773 --> 44:53.054 Well, thanks very much there, Richard, well done. 44:53.635 --> 44:54.555 But our winner is Chris. 44:54.595 --> 44:55.076 Hello, Chris. 44:55.276 --> 44:55.856 Hi, how's it going? 44:56.156 --> 44:57.698 Yeah, are you excited then, having won? 44:57.718 --> 44:59.199 I had all the pain and misery worthwhile. 44:59.599 --> 45:02.101 We gave you the prize because we thought you probably prepared what you had to say. 45:02.121 --> 45:02.761 Did you write it down? 45:02.781 --> 45:04.723 No, no, it just came to me. 45:04.763 --> 45:05.123 Really? 45:05.323 --> 45:06.804 I mean, it just came to me. 45:07.024 --> 45:07.665 Well, you're a clever man. 45:07.705 --> 45:08.745 Who are you going to take to the festival? 45:09.286 --> 45:09.906 One of my mates. 45:09.926 --> 45:10.867 I haven't studied yet. 45:11.187 --> 45:11.507 OK. 45:11.968 --> 45:12.748 Well, choose one. 45:12.768 --> 45:13.349 Have a great time. 45:13.549 --> 45:18.252 If we ever find out that any of those sad things are incorrect, we're gonna make your life hell. 45:18.612 --> 45:18.852 Yeah. 45:18.992 --> 45:20.613 If we find out that your wife hasn't left you. 45:20.653 --> 45:24.116 If we find out you're married and your life is brilliant. 45:24.176 --> 45:26.017 Is that true about your wife, Chris? 45:26.137 --> 45:26.758 It's all true. 45:27.098 --> 45:27.898 Did she really leave you? 45:28.098 --> 45:29.179 Yeah, she did leave me. 45:29.299 --> 45:29.880 We only married a year. 45:29.980 --> 45:30.780 It's quite sad. 45:31.000 --> 45:31.221 No. 45:31.321 --> 45:31.881 When did she leave you? 45:31.901 --> 45:32.281 How long ago? 45:32.301 --> 45:33.302 A couple of months ago. 45:33.962 --> 45:35.603 You're gonna have fun at that festival. 45:35.903 --> 45:38.365 You'll find yourself a new wife, if you know what I'm saying. 45:39.066 --> 45:40.266 Well, that's really sensitive, man. 45:40.627 --> 45:40.867 Sorry. 45:40.887 --> 45:43.889 I think Chris knows I'm not being very serious. 45:43.909 --> 45:44.209 I know. 45:44.549 --> 45:45.730 Listen, have a great time there. 45:45.770 --> 45:48.732 Thank you so much for calling in all of you chaps that did phone in. 45:49.093 --> 45:52.915 Sorry we couldn't give prices to all of you, but I hope you have a wonderful time there. 45:52.935 --> 45:53.676 This is Adam and Joe. 45:53.716 --> 45:56.098 We've still got to figure out what Ditty's in the dock is this week. 45:56.118 --> 45:56.858 We'll have a think about that. 45:57.118 --> 45:58.179 OK, we'll be back shortly. 46:05.444 --> 46:06.465 This is Adam and Joel on XFM. 46:06.485 --> 46:11.547 This is the last 15 minutes of our show until the winter, because we're taking the summer off. 46:12.228 --> 46:15.330 Well, September, mid-September, we'll be back, so it's not strictly winter. 46:15.370 --> 46:17.391 In fact, summer of September can often be very pleasant. 46:17.451 --> 46:17.831 It's true. 46:17.871 --> 46:19.412 The summer gets later and later in Britain. 46:19.592 --> 46:20.833 It's true, isn't it? 46:20.853 --> 46:21.813 Is it raining at the moment? 46:21.873 --> 46:22.834 Oh, what's it ever like? 46:23.274 --> 46:26.556 I'm gonna cycle back now, so I don't want it to be raining, that's the only thing. 46:53.394 --> 46:55.596 I'm going to go for a song for Bob Hoskins. 46:56.157 --> 47:00.281 Bob Hoskins is one of our favourite, hairy, short, famous actors. 47:01.001 --> 47:04.124 This song is more of a little play than a song. 47:04.745 --> 47:13.753 It casts Bob Hoskins as a sort of Dickensian street hero and he sings a wonderful sort of cockney knees up all about all the films he's worked on. 47:14.274 --> 47:17.257 It's a beautiful, moving piece of music. 47:17.677 --> 47:21.838 And it's a terrific tribute to Bob Hoskins, and it's the one you should definitely vote for. 47:21.878 --> 47:23.318 It's called Song for Bob Hoskins. 47:23.638 --> 47:29.780 It's from, I think, series three of the Adam and Jo show, and if you want to hear it, call 08712221049. 47:31.040 --> 47:34.541 That's 08712221049, and vote for Song for Bob Hoskins. 47:34.881 --> 47:43.763 Everyone who gets through and gets on the air will win a CD called Revolutions, which is an exciting anarchic compilation of lots of highly dangerous bands. 47:43.823 --> 47:48.265 like Embrace, Phantom Planet, and stuff like that, all sort of XFM-type music. 47:48.746 --> 47:49.166 So there we go. 47:49.206 --> 47:52.507 If you want to hear the song for Bob Hoskins, call 0871 222 1049. 47:54.088 --> 47:58.130 Alternatively, you could vote for our Robert De Niro Calypso. 47:58.330 --> 48:03.033 This is a tribute to the gigantically talented actor. 48:03.613 --> 48:22.254 which was written by uh well it was mainly written by joe and zach our friend zach and i contributed some lyrics to the melange uh and it's certainly one of the songs that i'm proudest of that we did on the adam and joe show and i'm not sure it's a real calypso but we called it the robert de niro calypso 48:22.975 --> 48:28.378 And it sort of takes you through his work in a ludicrous way. 48:28.418 --> 48:36.783 And it was partly an excuse for me to do my Robert De Niro impression, which is a very visual thing, and just involves kind of turning the edges of your mouth down. 48:36.803 --> 48:39.885 I tell you what, you can do it here in the studio while the record plays. 48:40.205 --> 48:40.625 OK, yeah. 48:40.645 --> 48:43.347 So maybe they'll just get a sort of psychic impression of it. 48:43.567 --> 48:43.747 Yeah. 48:43.987 --> 48:45.408 So that's Ditters in the Dock this week. 48:45.629 --> 48:49.392 It's a song for Bob Hoskins or the Robert De Niro calypso. 48:49.452 --> 48:50.332 Call 08712221049. 48:52.034 --> 48:54.736 Which of those stars would you rather hear a stupid song about? 48:54.956 --> 48:56.297 Hoskins or De Niro? 48:56.317 --> 48:56.297 08712221049. 48:56.377 --> 48:56.577 Call now! 49:04.435 --> 49:04.855 I like that. 49:04.915 --> 49:06.016 It sounds like Pac-Man, doesn't it? 49:06.036 --> 49:08.297 It's a good, uh... It's an Atari guitar noise. 49:08.377 --> 49:08.997 Good little ending there. 49:09.017 --> 49:09.577 A guitar noise. 49:09.877 --> 49:12.399 Guitar noise from the block party with banquets. 49:12.479 --> 49:15.220 Time to resolve ditties in the dock now. 49:18.408 --> 49:21.290 And this week it's a shamelessly self-indulgent Diddy's in the Dock. 49:21.310 --> 49:27.313 We're playing off two songs from the Adam and Joe show, which is currently available on DVD from all good DVD retailers. 49:27.974 --> 49:33.057 It's our two tribute songs to famous actors Bob Hoskins and Robert De Niro. 49:33.097 --> 49:34.418 We've got five callers on the line. 49:34.738 --> 49:36.979 Let's go straight to see who has won. 49:37.159 --> 49:38.000 Ursula, are you there? 49:38.380 --> 49:38.700 I am indeed. 49:38.720 --> 49:39.921 What are you voting for, Ursula? 49:40.201 --> 49:41.061 Bob Hoskins, please. 49:41.362 --> 49:42.142 Song for Bob Hoskins. 49:42.322 --> 49:42.903 Very good choice. 49:42.943 --> 49:46.044 You win a copy of Revolutions, an exciting compilation album. 49:46.084 --> 49:46.865 Are you excited about that? 49:48.211 --> 49:49.031 who sound very thrilled. 49:49.051 --> 49:49.751 Thanks for calling us. 49:49.771 --> 49:52.092 We're going to have to be quite quick on this because we're running out of time. 49:52.572 --> 49:53.232 James, are you there? 49:53.712 --> 49:54.092 Hello. 49:54.472 --> 49:54.972 Hello, James. 49:54.992 --> 49:55.532 What's it going to be? 49:55.572 --> 49:56.813 Is it going to be De Niro or Hoskins? 49:57.213 --> 49:57.893 Hoskins, please. 49:58.153 --> 49:58.613 Hoskins? 49:59.013 --> 49:59.153 Yeah. 49:59.173 --> 50:00.333 That's two nil for the Hosks. 50:00.693 --> 50:01.794 Two nil for Hoskins? 50:02.134 --> 50:04.194 De Niro is, you know, come on. 50:04.394 --> 50:05.314 De Niro is. 50:05.354 --> 50:05.935 De Niro is. 50:05.955 --> 50:06.855 Yeah. 50:06.895 --> 50:07.555 We've got Daniel. 50:07.575 --> 50:08.115 Hello, Daniel. 50:08.475 --> 50:08.835 Hello. 50:09.035 --> 50:09.755 How are you doing? 50:10.115 --> 50:10.835 I'm okay, thanks. 50:10.875 --> 50:11.876 What are you voting for? 50:11.916 --> 50:13.196 Is it going to be Hoskins or De Niro? 50:13.632 --> 50:14.813 It's got to be Bobby De Niro, eh? 50:14.833 --> 50:14.913 Yeah. 50:15.193 --> 50:15.893 Bobby De Niro? 50:15.933 --> 50:16.674 Well done, there we go. 50:16.694 --> 50:17.915 Have you heard these songs before? 50:17.935 --> 50:18.315 I have. 50:18.455 --> 50:19.316 I've got the DVD. 50:19.556 --> 50:20.456 Oh, nice one. 50:20.476 --> 50:21.957 So there we go. 50:21.977 --> 50:24.219 Thanks for calling, Daniel, and thanks for buying our DVD. 50:24.579 --> 50:25.119 So what's that? 50:25.139 --> 50:26.280 2-1 to Hoskins. 50:26.620 --> 50:28.942 I need another couple of votes for De Niro. 50:28.962 --> 50:31.243 Let's see if Gail can do that. 50:31.263 --> 50:31.663 Hello, Gail. 50:31.944 --> 50:32.144 Hello. 50:32.164 --> 50:33.224 How are you? 50:33.244 --> 50:34.565 I'm very well, thank you. 50:34.585 --> 50:35.025 You're very well. 50:35.066 --> 50:35.906 You sound bloody posh. 50:36.526 --> 50:38.147 No, I live in Wales at this thing. 50:38.388 --> 50:40.229 OK, well done for not being posh. 50:41.029 --> 50:41.930 Who are you voting for, Gail? 50:42.390 --> 50:43.471 It's gotta be De Niro. 50:43.711 --> 50:44.492 Poppy De Niro? 50:44.512 --> 50:44.812 Wow. 50:44.892 --> 50:45.493 It has to be. 50:45.573 --> 50:46.533 This is gut-wrenching. 50:46.553 --> 50:47.374 So it's two-all. 50:47.394 --> 50:48.695 Uh, Gail, well done. 50:48.715 --> 50:50.256 Thanks for calling you in that album as well. 50:50.537 --> 50:50.977 So, Ben. 50:51.017 --> 50:51.457 Hello, Ben. 50:51.778 --> 50:52.038 Hi there. 50:52.318 --> 50:53.479 So you've got the deciding vote. 50:53.519 --> 50:55.160 This is monumental. 50:55.460 --> 50:55.701 It is. 50:55.781 --> 50:57.482 I feel the power running through me. 50:57.502 --> 50:58.343 The deciding vote. 50:58.803 --> 51:00.364 The decider. 51:00.424 --> 51:02.006 I think they call him the decidor. 51:02.166 --> 51:03.427 The decidor. 51:03.747 --> 51:04.347 Er, it's amazing. 51:04.387 --> 51:06.549 It's the last It Is In The Dark before our summer break. 51:06.989 --> 51:08.030 I feel so privileged. 51:08.070 --> 51:08.991 It's so significant. 51:09.131 --> 51:09.872 It's so significant. 51:10.592 --> 51:11.373 So, Ben, what's it going to be? 51:11.393 --> 51:13.414 Is it going to be Bob Hoskins or Robert De Niro? 51:13.454 --> 51:17.257 And again, leave a pause before you tell us the answer like they do on telly. 51:17.618 --> 51:20.380 A strangely long pause. 51:20.660 --> 51:23.983 Right, my vote for This Is In The Dark is... Bob... 51:25.052 --> 51:27.114 That wasn't a very long pause. 51:42.085 --> 51:44.846 Well, it's a VHS, but it's a spoof of a DVD. 51:44.866 --> 51:45.826 That's fine, yeah, that's great. 51:45.926 --> 51:47.567 It's like a DVD commentary on VHS. 51:47.607 --> 51:48.447 It's part of the joke! 51:48.467 --> 51:49.867 So, thanks for calling. 51:49.887 --> 51:51.168 Can you see the pictures as well, please? 51:51.428 --> 51:51.788 Of course. 51:52.128 --> 51:52.988 Oh, fantastic. 51:53.088 --> 51:56.969 Thanks for calling, Ben, and hey, thanks to everybody who listens to our show regularly. 51:56.989 --> 51:58.510 Ben sounded genuinely enthusiastic. 51:58.550 --> 51:59.230 He did, he's lovely. 51:59.270 --> 52:04.972 All our callers are lovely, all our listeners are lovely, and we've had a great time over the last, whatever it's been, eight months, and we'll be back in September 52:05.872 --> 52:11.498 And we'll leave you in the capable hands of Ricky and Steve, who are coming back for six weeks, and then after them, who knows who it'll be. 52:11.598 --> 52:11.798 Who knows. 52:11.818 --> 52:13.319 And it's to represent us until mid-September. 52:13.439 --> 52:19.285 And, you know, if you're in Edinburgh at all this year for the festival, do come along and see my show. 52:19.665 --> 52:21.267 It'll be called I, Pavel. 52:22.247 --> 52:24.768 about my sort of East European animated character. 52:25.188 --> 52:30.889 Before then, you can catch me and my comedy evening, The Out of Focus Group at the Zetter Hotel. 52:31.509 --> 52:35.030 Z-E-T-T-E-R, look it up on the web and you can get details. 52:35.330 --> 52:38.730 The next one of my evenings is going to be on Wednesday the 15th of June. 52:39.050 --> 52:42.971 A few XFM listeners came along to last week's one and it was really nice to meet them. 52:42.991 --> 52:44.091 Yeah, I'm definitely going to come down. 52:44.711 --> 52:47.692 I lied and didn't come down last weekend because I went to see Darren Brown do magic. 52:47.932 --> 52:49.693 You got to get your priorities straight, man. 52:49.833 --> 52:52.294 I'm definitely going to come down a week on Wednesday. 52:52.454 --> 52:52.914 Fantastic. 52:52.934 --> 52:54.895 Well, listen, have a great summer, chaps. 52:55.495 --> 52:58.116 Don't die in the heat wave and take care of yourselves. 52:58.156 --> 53:01.517 And we really look forward to being with you again in September. 53:01.697 --> 53:03.798 And this does have music in it, what you're about to hear. 53:03.838 --> 53:07.599 It starts off with a bit of cinematic drama. 53:08.059 --> 53:17.103 So try and paint a picture of Dickensian London, cobbled streets, tilty buildings, and along the street comes Bobo Hoskins. 53:17.563 --> 53:18.804 God bless you. 53:18.924 --> 53:19.865 One and all, bye. 53:20.065 --> 53:23.347 Ooga booga, another beautiful morning in old London town. 53:23.767 --> 53:26.770 Here comes the baker's boy with his delicious fresh-warm buns. 53:26.790 --> 53:27.490 Morning, Mr. Skins. 53:27.570 --> 53:28.231 Morning, son. 53:28.651 --> 53:30.772 And here's lovely Lily the flower seller. 53:30.812 --> 53:31.313 Morning, Mr. Skins. 53:31.353 --> 53:32.874 You're as pretty as the morning sun, Lily. 53:33.214 --> 53:34.114 Hi you, Mr. Hoskins! 53:34.134 --> 53:35.275 There's the hurdy-gurdy man. 53:35.295 --> 53:36.395 Morning, Mr. Hoskins! 53:36.435 --> 53:38.176 Here comes the pearly king queen. 53:38.296 --> 53:39.676 Morning, Mr. Hoskins, how are you? 53:39.696 --> 53:40.577 Morning, Your Highnesses. 53:40.817 --> 53:45.458 Here, Mr. Hoskins, tell us one of your stories about the making of Super Mario Brothers, please. 53:45.478 --> 53:47.039 Nah, you've heard them all a thousand times. 53:47.099 --> 53:48.940 Then sing us a song, Mr. Hoskins, please. 53:49.060 --> 53:50.860 Alright, but on one condition. 53:50.900 --> 53:52.541 What, Mr. Hoskins, anything? 53:52.581 --> 53:55.422 That from now on, you all call me Bobo. 53:55.442 --> 53:57.603 Sing us a song, Bobo! 53:57.623 --> 53:58.123 Alright then. 53:59.023 --> 54:15.931 Woah, tickle me fancy, have a banana What a palaver, oval and bush Apples and pears, scraffle me nuts I'm off to stick me to wag on me brush Long me good Friday, rag on me, Rawney, Roger me, Rabbit, Mona me, Leeza, Mo me, mates, blue me, ice Spank me behind for just two and six 54:16.491 --> 54:17.913 Come on, everybody! 54:36.035 --> 54:39.118 Furlies, apples and pears, buckets of fun and a barrel of lass. 54:39.358 --> 54:41.059 Naughty old Nancy, slapping her knees. 54:41.220 --> 54:42.941 Shawzy on Sally, jelly me hills. 54:43.201 --> 54:45.083 Long me good Friday, ragged me, rawning. 54:45.103 --> 54:46.744 Roger me, rabbit, moaning me leaves. 54:46.825 --> 54:48.466 A cock on me, coppers, twizzling me stick. 54:48.746 --> 54:50.408 Spanking me behind for just two and six. 54:51.369 --> 54:51.689 Hurray! 54:51.709 --> 54:53.731 Come Mr. Hoskins, sing us another please. 54:53.751 --> 54:54.932 Yes, what about one more Mr. Hoskins? 54:54.972 --> 54:57.094 Sorry everybody, that's all I've got time for. 54:57.814 --> 54:59.214 Oh, please, Mr. Bobo! 54:59.254 --> 55:00.135 Nah, nah, children. 55:00.295 --> 55:01.515 Mr. Hoskins is a busy man. 55:01.535 --> 55:06.116 We heard you've agreed to appear in a low-budget film for only tuppence an hour. 55:06.136 --> 55:08.736 That's right, and I'm gonna be late if I don't hurry up. 55:08.756 --> 55:09.717 Bless you, Mr. Hoskins. 55:09.737 --> 55:10.537 You're one in a million. 55:10.577 --> 55:11.697 Good day to you, Mr. Hoskins. 55:11.737 --> 55:12.957 Good day to you too, son. 55:13.137 --> 55:14.158 You stay out of mischief. 55:14.218 --> 55:15.578 I'll try my best, Mr. Hoskins. 55:15.598 --> 55:17.158 Good day, Mr. Hoskins, sir. 55:17.278 --> 55:18.178 Toodle-pip, Lily. 55:18.439 --> 55:18.979 Be lucky. 55:19.039 --> 55:20.779 Good day to you, Mr. Hoskins. 55:21.239 --> 55:22.780 Ah, what a perfect morning. 55:23.340 --> 55:24.620 Ooga booga. 55:26.502 --> 55:27.267 Access found.