WEBVTT 00:03.550 --> 00:09.113 Yeah, my Sharona, that's the future heads with decent days and nights. 00:09.153 --> 00:12.575 And before that, you heard the fantastic new single from The Coral. 00:12.955 --> 00:19.818 In the morning, this is Adam and Joe here on XFM for your Saturday afternoon listening pleasure for the next hour and 55 minutes. 00:19.858 --> 00:22.500 Thanks very much to Alex Zane and the afternoon team. 00:23.761 --> 00:24.642 That's what I call them. 00:25.183 --> 00:30.269 And of course, after us, you'll be hearing the mellifluous sounds of Justin Lee Collins. 00:30.850 --> 00:34.375 Joe and I are wearing black polo-necked shirts today. 00:35.036 --> 00:36.958 Both, just by accident, threw them on. 00:37.279 --> 00:38.020 So is Alex Zane. 00:38.300 --> 00:41.183 And so was Alex Ayn, except his had the little polo logo. 00:41.283 --> 00:42.884 Are you wearing a black polo neck t-shirt? 00:42.984 --> 00:45.026 Uh, they're not polo neck, they're polo shirts. 00:45.066 --> 00:45.947 Oh, did I say polo neck? 00:46.047 --> 00:46.307 Sorry. 00:46.407 --> 00:46.787 Yeah, yeah. 00:46.907 --> 00:48.329 Are you wearing a black polo neck shirt? 00:48.409 --> 00:49.309 Anyone else out there in London? 00:49.510 --> 00:52.152 If there's something weird going on, then you're part of our gang. 00:52.572 --> 00:57.236 And you can come to Leicester Square and we'll have some kind of party, uh, black polo party. 00:58.137 --> 01:02.461 And, uh, so I guess it means that you and I are kind of perfectly in sync today, Joe. 01:03.161 --> 01:07.242 I think so, I think definitely, I think this is going to be one of the best shows we've ever done. 01:07.662 --> 01:09.002 Start a sentence and I'll finish it. 01:09.683 --> 01:11.523 Er, I like big, big, fat, fat, happy, happy. 01:12.203 --> 01:12.763 Er, Nazis. 01:13.103 --> 01:14.544 Wow, that's amazing. 01:14.564 --> 01:31.828 So don't forget, if we say anything that provokes you into wanting to call us, 08712221049, you can text us on 83XFM, you can email us, adamandjoe at xfm.co.uk, we've got ditties in the dot, we've got crap commentary corner, we've got three pairs of tickets to the next XFM live session with Jameson Irish whiskey featuring the coral, 01:32.408 --> 01:32.928 to give away. 01:33.288 --> 01:42.071 We've got five copies of California Dreaming, the best of the Mamas and the Papas to give away for Ditties in the Dark, and we've got two pairs of tickets to see The Fall at The Forum on Friday the 20th of May. 01:42.091 --> 01:43.112 That's quite an exciting prize. 01:43.192 --> 01:43.772 That's exciting. 01:43.792 --> 01:46.052 That gives me an excuse to play something by The Fall. 01:46.092 --> 01:48.993 And we'll have to come up with some sort of Fall-based text competition, maybe. 01:49.253 --> 01:50.334 Yeah, good, yeah. 01:50.354 --> 01:51.454 Marky Smith impressions. 01:51.854 --> 01:53.335 We've got lots of stuff to talk about as well. 01:53.915 --> 01:55.656 You went to see the new Star Wars film. 01:55.716 --> 01:56.636 I've had such a busy week. 01:56.756 --> 01:57.176 Busy week? 01:57.316 --> 02:00.859 So culturally busy, I feel like, uh, Echo Eshun from the late show. 02:01.039 --> 02:02.280 I feel like Codwoe Eshun. 02:02.680 --> 02:03.041 Who's he? 02:03.141 --> 02:03.581 His brother. 02:03.821 --> 02:04.121 Really? 02:04.141 --> 02:04.822 Codwoe? 02:04.942 --> 02:05.402 Codwoe. 02:05.603 --> 02:05.963 Wow. 02:06.123 --> 02:06.883 Where did they name them? 02:07.144 --> 02:07.604 I don't know. 02:07.624 --> 02:08.144 In a cave? 02:08.405 --> 02:09.325 Echo, Echo. 02:09.506 --> 02:10.126 Woah, God. 02:10.146 --> 02:10.867 That's terrible. 02:10.967 --> 02:11.327 Shut up. 02:11.667 --> 02:12.548 What are you talking about? 02:12.568 --> 02:13.088 I'm gonna kill myself. 02:13.108 --> 02:14.189 Don't kill yourself yet, man. 02:14.209 --> 02:15.250 I forgive you for all of that. 02:15.670 --> 02:18.192 Um, but yeah, you saw the new Star Wars film, uh, your- I did. 02:18.332 --> 02:20.414 Your show was out, Modern Toss was, uh- It was. 02:20.434 --> 02:21.895 One of the comedy labs very much enjoyed that. 02:21.915 --> 02:23.176 I did stand up at the comedy store. 02:23.236 --> 02:23.897 Did you really? 02:23.917 --> 02:23.997 Yeah. 02:24.517 --> 02:25.879 Wow, I want to hear all about that. 02:25.899 --> 02:26.479 Oh, amazing. 02:26.800 --> 02:30.704 And, um, also we've been watching a great deal of television this week. 02:30.744 --> 02:33.427 Of course, shows like The Farm, uh, which I watched. 02:33.447 --> 02:34.628 But, Joe, you haven't watched it yet. 02:34.769 --> 02:35.550 Haven't watched The Farm yet. 02:35.610 --> 02:38.333 No, I can't- I find it really hard to watch Justin and Colin. 02:39.053 --> 02:40.495 Uh, and what about Justin Lee Collins? 02:40.875 --> 02:41.877 Uh, he- he's alright. 02:42.097 --> 02:42.718 Yeah, he's good. 02:42.898 --> 02:44.019 He's- he's been on telly a lot. 02:44.019 --> 02:46.721 Justin and Colin don't really figure that heavily on the farm. 02:46.982 --> 02:47.202 Good. 02:47.622 --> 02:50.164 Er, they are in deep trouble over themselves. 02:50.224 --> 02:51.425 I just think Justin should shut up. 02:51.525 --> 02:52.406 I much prefer Colin. 02:52.827 --> 02:53.167 Really? 02:53.187 --> 02:54.028 You've got a preference. 02:54.068 --> 02:54.948 Yeah, yeah, yeah, yeah. 02:55.089 --> 02:55.909 What's your problem? 02:56.250 --> 02:58.031 I want to kill the one that talks all the time. 02:58.071 --> 02:59.312 Is there a difference between them? 02:59.332 --> 03:04.036 Yeah, the sort of older grey-haired one and the young- I want the older grey-haired one to shut up! 03:04.537 --> 03:05.618 You fancy the younger one? 03:05.678 --> 03:07.599 I don't necessarily fancy him. 03:07.759 --> 03:10.001 You love the younger one and you hate the old one? 03:10.041 --> 03:10.202 Yes. 03:11.437 --> 03:12.798 I don't feel the same way at all. 03:13.198 --> 03:14.178 I don't like both of them. 03:15.399 --> 03:17.279 But I, uh, fancy Justin Lee Collins. 03:17.919 --> 03:20.641 Oh, or anyone else with the name Justin, Colin or Lee. 03:21.501 --> 03:22.981 Um, and what else was I gonna say? 03:23.141 --> 03:26.383 Oh, yeah, yeah, I wanted to talk about the Kentucky Fried Chicken ad. 03:26.403 --> 03:27.323 You know where they're eating? 03:27.583 --> 03:30.384 There have been lots of complaints, over a thousand complaints about that KFC ad though. 03:30.404 --> 03:30.824 Fantastic. 03:30.884 --> 03:32.825 Yeah, because of people singing and eating with their mouths full. 03:32.865 --> 03:35.846 Well, good, I wanna talk about all these amazing things we have to talk about. 03:35.866 --> 03:37.087 Play some music so we can't. 03:37.207 --> 03:37.407 Yeah. 03:52.265 --> 03:54.287 Oh, sort of faded out there, I didn't realise that. 03:54.307 --> 03:54.788 Well, that's good. 03:54.808 --> 03:56.910 You respected the tune, let it play completely in full. 03:57.070 --> 03:58.652 Yeah, that's true, that's exactly what I was doing. 03:58.692 --> 03:59.953 That was Weezer with Beverly Hills. 03:59.993 --> 04:02.316 I think that might even be number one, that song, do you know? 04:02.476 --> 04:02.716 Really? 04:02.736 --> 04:04.618 I thought Acorn was number one. 04:06.590 --> 04:07.291 I think he's number one. 04:07.471 --> 04:08.652 I don't- I mean, I'm not sure. 04:08.672 --> 04:10.394 I'm just saying- So many different charts anyway now. 04:10.414 --> 04:10.894 Who can tell? 04:11.014 --> 04:11.295 Yeah. 04:11.395 --> 04:20.003 There's the Airplay chart, there's the Buxty chart, and there's almost nothing on the Buxty chart at the moment, except 50 Cent. 04:20.664 --> 04:22.065 So you're listening to Adam and Joe on XFM. 04:22.085 --> 04:24.168 We're here with you until three o'clock. 04:24.588 --> 04:25.669 Can I raise a small point? 04:28.792 --> 04:30.394 You know the post office ads with the little ants? 04:30.814 --> 04:31.554 Steve Laughs 04:50.819 --> 04:52.121 The post office ants, yeah. 04:52.161 --> 04:53.102 Listeners, you know what I'm talking about. 04:53.122 --> 04:55.025 The little CGI ants that advertise at the post office. 04:55.326 --> 04:57.088 They've got shoes that are the right size for an ant. 04:57.409 --> 04:58.230 They've got a little camera. 04:58.490 --> 05:02.656 The one when they're at the beach with the ice cream, they were taking a camera with a little camera the size of the ants, weren't they? 05:03.157 --> 05:05.360 When in the latest one, they're in a house. 05:06.241 --> 05:08.161 and they're on a sideboard. 05:09.202 --> 05:11.102 But the house is the size of a human house. 05:11.522 --> 05:14.403 And they're on the phone, but the phone's the size of a human phone. 05:14.983 --> 05:21.845 And there's photos that look as if they were taken in the previous beach advert, but they're giant human-sized photos in giant frames. 05:22.025 --> 05:23.225 What, photos of the ants? 05:23.285 --> 05:23.585 Yes. 05:24.285 --> 05:25.045 But they're huge. 05:25.765 --> 05:27.706 Well, are they huge or are they big or small? 05:28.683 --> 05:29.504 Wait, the photos are huge. 05:29.524 --> 05:31.125 Do you understand my-my-my logic? 05:31.245 --> 05:32.406 Yeah, yeah, there's a scale problem. 05:32.426 --> 05:36.969 The latest ant advert has completely thrown the world of the post office ants into confusion. 05:37.049 --> 05:38.130 There's a scale discrepancy. 05:38.150 --> 05:42.453 Cos they seem to be little ants who've invaded a human home in this one, but in the other ones... 05:43.851 --> 05:45.893 their tiny ants in- in a giant world. 05:45.913 --> 05:47.334 Steve Well, do they not coexist? 05:47.374 --> 05:51.618 I mean, they've got their ant material and their- Ricky Well, I- I want to know the- I- the- I want to know the logic. 05:51.638 --> 05:52.318 Steve Yeah. 05:52.338 --> 05:52.979 Ricky Behind it. 05:53.619 --> 05:58.543 Because why would they take- why would they take- why would they have a camera that's tiny, the size of an ant hand, 05:59.344 --> 06:01.405 and then develop the photo enormous. 06:01.545 --> 06:02.786 They might have just got a blow up. 06:02.866 --> 06:07.229 And frame it in an enormous, in an enormous frame. 06:07.929 --> 06:09.170 In an enormous frame? 06:09.250 --> 06:09.350 Yeah. 06:09.650 --> 06:13.373 That might, it just might have been a deal, like a pronto print type blow up deal. 06:13.413 --> 06:17.895 Why would they, why would they use a giant phone that's so big if they dropped it, it would kill them? 06:18.396 --> 06:20.837 Because maybe they're just trying to get, integrate. 06:20.857 --> 06:22.058 They don't understand. 06:22.078 --> 06:23.419 They might just be integrating. 06:24.880 --> 06:33.846 Well listen if anyone involved with the ant ad could give us a call and explain the whole situation to Joe that would be much appreciated So what were you saying about the Kentucky Fried complaint? 06:34.286 --> 06:45.875 Situation you know so this is the Kentucky Fried chicken salad ad that we're talking about now, which there's some lady Office types, and you know like ladies do they're eating salad. 06:45.895 --> 06:49.337 They love salad Can I just say something before you to go in depth with the KFC ads on? 06:49.537 --> 06:52.518 We've got a text here saying, hello, I did that KFC ad you're talking about. 06:52.538 --> 06:54.719 It's the most complained about ad ever. 06:54.979 --> 06:55.800 I love your show, by the way. 06:56.020 --> 06:56.520 Oh, nice one. 06:56.880 --> 06:57.700 I wonder what he did on it. 06:57.760 --> 06:58.541 Is it a he or a she? 06:58.661 --> 07:00.201 Well, maybe we can get he or she to call in. 07:00.621 --> 07:01.102 Carry on talking. 07:01.322 --> 07:02.422 Yeah, give us a call right now. 07:02.442 --> 07:03.843 The number is 08712221049. 07:06.484 --> 07:14.367 You can talk to our producer, Lila, and explain that you're involved with the KFC ad, which I'm about to rail against in a small and slightly pathetic way. 07:14.887 --> 07:21.052 So yeah, obviously, the thing about the ad is that these people are singing with their mouths full, and that's the conceit of the ad, ha ha ha. 07:21.453 --> 07:29.539 The, you know, it's so delicious they've just got to sing about it, and all the normal codes of decency have gone out of the window because they're so in love with the salad. 07:29.960 --> 07:31.341 But it is revolting. 07:31.461 --> 07:32.962 All I can imagine is how 07:34.123 --> 07:37.085 how many bits of spittle and salad and stuff? 07:37.105 --> 07:37.865 They open their mouths. 07:37.885 --> 07:39.406 You can't see the food in the mouth, can you? 07:39.426 --> 07:40.427 No, you can't see the food. 07:40.467 --> 07:41.988 It's very cleverly done. 07:42.188 --> 07:47.090 Well presumably there have been some guidelines and someone, the client or whoever- Well that wouldn't be appetizing, would it? 07:47.110 --> 07:47.651 Mashed up food. 07:47.911 --> 07:49.252 It's not appetizing anyway. 07:49.272 --> 07:49.952 It's revolting. 07:49.992 --> 07:56.976 I mean the logic of the thing is supposed to be the salad's so amazing that they don't care about the fact that it's revolting to sing with your mouth full. 07:57.356 --> 07:58.397 But all I can think is that 07:58.877 --> 08:06.380 You know, if they've lost control of the rules of social interaction to that extent, they're probably farting as well. 08:06.440 --> 08:07.860 The room stinks. 08:08.060 --> 08:11.202 They're probably going to the toilet, right, where they're sat. 08:11.582 --> 08:14.963 They're not paying attention to any of the normal codes of... They're horrible piggies. 08:15.023 --> 08:16.403 They're horrible pig people. 08:16.423 --> 08:19.044 So what it's saying is horrible piggy people eat at KFC. 08:19.304 --> 08:20.285 It's saying that the... Which isn't... 08:21.165 --> 08:22.286 an outlandish idea. 08:22.426 --> 08:29.690 It's saying that the salad is kind of like a drug that will make all your inhibitions go away and turn you into a kind of a pig person. 08:29.710 --> 08:30.571 It's quite sexy. 08:30.651 --> 08:31.931 Imagine the piggy sex. 08:32.512 --> 08:35.894 You're putting a positive spin on it in a really odd way. 08:36.554 --> 08:39.735 But anyway, I do call the person involved with the KFC ad. 08:39.795 --> 08:42.797 I'd love to talk to you about... Yeah, call the person involved in the KFC ad. 08:42.917 --> 08:44.817 Don't, you know... What you were thinking. 08:45.318 --> 08:46.558 What are you talking about? 08:47.018 --> 08:50.560 The way you said it, it sounded like we were asking our listeners to call the guy in the KFC ad. 08:50.640 --> 08:51.020 Oh, I see. 08:51.080 --> 08:51.460 I'm sorry. 08:51.480 --> 08:53.581 Not for him to come on air just to do it separately in their own time. 08:53.621 --> 08:56.222 No, I was speaking to the person involved with the ad. 08:56.522 --> 08:57.703 Shall we have some more music now? 08:57.723 --> 08:58.423 We'd better. 08:58.483 --> 09:01.724 This is the Kasabian with club foot. 09:01.764 --> 09:02.504 That was a long link. 09:02.584 --> 09:02.885 Sorry. 09:03.145 --> 09:03.385 Sorry. 09:04.574 --> 09:06.597 This is a long intro to the song as well, God. 09:07.078 --> 09:08.801 We'll make everything shorter and tighter and punchier. 09:21.812 --> 09:23.933 Audio slave, there you go. 09:23.953 --> 09:26.334 Someone whispering, stay there for me, stay there. 09:26.374 --> 09:29.396 There's Adam and Joel on XFM, it's nearly half past one, that's a time check. 09:29.416 --> 09:31.797 We don't usually do time checks, I did a time check nearly half past one. 09:31.937 --> 09:34.438 Hey, that means it's almost competition time. 09:34.579 --> 09:36.780 It's almost competition time, it's almost time for Crap Commentary Corner. 09:36.840 --> 09:39.481 We'll play another song and then we'll do Crap Commentary Corner. 09:39.881 --> 09:41.442 And the person who was staying on the line there. 09:42.131 --> 09:50.214 is a mystery person involved, who was part of the creative team for the KFC singing with their mouth full. 09:50.934 --> 09:52.914 I'm not going to identify him because I don't want to get him into trouble. 09:53.134 --> 09:54.615 Him or her, okay? 09:55.475 --> 09:55.695 Nice. 09:58.756 --> 10:10.379 or her, but I'm going to talk to him, find out the inside gossip or her about what the hell they were thinking when they did that advert, and get into the mind of a creative on the cutting edge. 10:10.739 --> 10:19.182 And after this song, which is a free play, incidentally, by Landscape, we will play a crap commentary corner on our competition today. 10:20.823 --> 10:23.605 Well, which other one would I play by landscape? 10:23.625 --> 10:27.229 I dunno, I thought there might be some new trendy band called Landscape. 10:27.670 --> 10:33.956 No, this is going to be the untrendy band from the 1980s called Landscape, and this is called Einstein Go-Go. 10:54.679 --> 10:56.301 Just played that one right to the end as well. 10:56.641 --> 11:03.408 That is Landscape, who had an amazing album called From the Hell Holes of Mars to the Tea Rooms of Uranus. 11:03.468 --> 11:10.775 Or maybe the Tea Rooms of Mars to the Hell Holes of Uranus, I think you're supposed to pronounce that, to avoid any kind of embarrassment. 11:11.095 --> 11:14.118 Joe Cornish just went to the, had a bit of a lavish break there, but he's back! 11:14.259 --> 11:15.180 Hey, Joe, how was it? 11:15.760 --> 11:41.228 what in the lobby yeah why isn't landscape still going because we only had two minutes on it's only a short they were short in the 80s those songs sorry everybody so i just concluded my conversation with the mystery person kfc person kfc person what did he or she say well he or she basically was the actual uh part of the actual duo that came up with the idea that people should be singing with their mouths for good identity concealment and uh 11:42.288 --> 11:44.310 Ricky and Steve laugh Ricky and Steve laugh 11:58.422 --> 12:02.387 Well, basically, that they didn't really want- they didn't set out to offend anyone at all. 12:02.407 --> 12:02.807 Of course not. 12:03.148 --> 12:07.693 And, uh, it wasn't supposed to be like a controversial ad the way that the Tango ads were conceived, for example. 12:07.733 --> 12:07.973 Yeah. 12:08.293 --> 12:15.061 You know, and, uh, I said, well, surely there must have been like a filtering process and people saying, you can't do that, it's disgusting. 12:15.422 --> 12:19.226 But he said apparently no one batted an eyelid, they didn't realize that it was going to upset people. 12:19.406 --> 12:20.667 It's a victim of its own success, isn't it? 12:20.687 --> 12:22.148 Because the first one was much milder. 12:22.808 --> 12:23.949 And it really caught on. 12:23.969 --> 12:28.893 Everybody loved the first one, where it was just the basic premise of somebody singing when they were ordering the burger, wasn't it? 12:28.933 --> 12:29.773 They weren't even eating it. 12:30.294 --> 12:31.415 And then it sort of snowballed. 12:31.655 --> 12:36.678 But it's funny how people get upset about manners, table manners, more than they do about sort of more extreme things in adverts. 12:36.799 --> 12:41.902 Yeah, because of course it doesn't infringe any advertising guidelines as such, because it's just a politeness thing. 12:42.022 --> 12:45.525 Why can't the man who- or woman who wrote the post office ants advert call up? 12:46.025 --> 12:48.167 and explain to me about the scale of their props. 12:48.207 --> 12:49.088 Then we'd all be happy. 12:49.108 --> 12:51.470 Seriously, there's about 20 texts here about the ants. 12:51.510 --> 12:52.070 I'm not alone. 12:52.090 --> 12:55.273 People are texting and going, thank God someone's pointed out the ant scale issue. 12:55.433 --> 12:56.514 People have pulled their hair out. 12:56.534 --> 12:58.175 It's a massive concern to the citizens of London. 12:58.516 --> 13:03.440 Well, listen, shall we do a competition and then we can give people a chance involved with the ants to call in? 13:03.600 --> 13:03.860 OK. 13:04.341 --> 13:08.184 Incidentally, the number is 0-8-7-1 for the competition and the ants. 13:08.204 --> 13:08.444 0-8-7-1-2-2-2-1-0-4-9. 13:08.524 --> 13:10.326 Shall we play the competition check? 13:45.931 --> 13:47.472 Just remember this jingle stops suddenly. 13:48.172 --> 13:49.313 There we are, very abruptly. 13:49.413 --> 13:51.373 OK, so it's crap commentary corner time. 13:51.413 --> 13:55.475 This is a recording taken from the commentary of a famous movie. 13:55.755 --> 14:00.497 Now this is pretty... Well, when I say famous, infamous perhaps, this is pretty obscure stuff. 14:00.938 --> 14:05.219 And there's not many clues in the commentary, so you're gonna have to be a real movie buff. 14:05.620 --> 14:07.200 But I can... Adam, you don't know what this is, do you? 14:07.300 --> 14:07.880 No, no idea. 14:08.121 --> 14:11.242 We saw this, we went to see this on its opening night in the West End. 14:11.982 --> 14:13.804 OK, so this is the director of a movie. 14:14.325 --> 14:16.086 Listen carefully, cos there are one or two clues. 14:16.707 --> 14:21.171 And, according to the director, as you're about to hear, there's really no problems with this movie. 14:21.611 --> 14:25.775 In fact, it could well be the greatest movie ever made. 14:25.815 --> 14:26.175 Yeah. 14:26.475 --> 14:27.496 I mean, nothing went wrong. 14:27.576 --> 14:29.758 It was brilliant, and the film's brilliant. 14:29.798 --> 14:30.178 Listen to this. 14:30.979 --> 14:31.660 This is a movie. 14:32.120 --> 14:33.501 It's a textbook in everything. 14:33.801 --> 14:36.584 You know, a lot of kids who saw this when they're young that are now young adults. 14:36.964 --> 14:38.205 This is one of their favorite movies. 14:38.465 --> 14:41.428 Most people thought the idea of making a live action picture of it was impossible. 14:41.948 --> 14:47.212 And while one may quibble with this element or that element, overall, the picture worked. 14:47.552 --> 14:50.415 You start out every project and you want to make it the greatest film ever. 14:50.495 --> 14:51.596 We had a team of great people. 14:52.056 --> 14:52.657 I think we did it. 14:54.978 --> 14:56.720 That's amazing positivity. 14:56.860 --> 14:57.200 They did it. 14:57.220 --> 14:59.462 They made they set out to make the greatest film ever. 14:59.782 --> 15:00.203 They did it. 15:00.768 --> 15:02.428 I've got an idea what that might be. 15:02.528 --> 15:05.149 I think there's some clues in the background there. 15:05.169 --> 15:07.170 You can hear a little bit of growling and stuff. 15:07.370 --> 15:11.171 You may quibble about one or two things that might not be exactly right. 15:11.211 --> 15:13.751 But overall, the movie's a massive success, says the director. 15:13.991 --> 15:14.832 Now, here's another clip. 15:14.852 --> 15:17.412 He's particularly pleased with the performance of his lead actor. 15:17.652 --> 15:19.873 And these are little moments taken from all the way through the commentary. 15:20.153 --> 15:22.134 He's very, very pleased with one performance. 15:22.174 --> 15:23.514 Let's hear just how pleased he is. 15:24.091 --> 15:25.653 I love Frank in this particular performance. 15:25.693 --> 15:26.433 I think this is great. 15:27.014 --> 15:28.435 Just a brilliant performance there. 15:28.815 --> 15:30.337 Frank, fantastic here. 15:30.777 --> 15:32.939 Love that shot coming off him and coming into Frank. 15:33.339 --> 15:35.101 Frank delivers just a great performance. 15:35.662 --> 15:36.402 Frank's great here. 15:36.422 --> 15:38.024 I actually didn't want to cut away from him at all. 15:38.044 --> 15:41.467 I want to stay on him and I think he does a brilliant performance. 15:41.727 --> 15:44.289 The first preview where that scene played, people actually cried. 15:44.550 --> 15:46.051 I like Frank's performance. 15:46.111 --> 15:48.994 I think Frank's performance elevated the picture. 15:49.674 --> 15:50.775 So Frank does well. 15:51.075 --> 15:53.257 I liked Frank, I wanted to stay on him. 15:54.678 --> 15:59.621 I love Frank and he's handsome, he's very handsome and I love him and I wanted to kiss him at this point. 16:00.722 --> 16:01.663 That's difficult though. 16:01.683 --> 16:03.064 It's tricky isn't it? 16:03.144 --> 16:05.706 It's clearly a massively brilliantly successful movie. 16:05.866 --> 16:10.189 Would I be correct in saying, because I think we need to throw people a steady clue. 16:10.209 --> 16:10.610 Do you think? 16:10.950 --> 16:11.871 Yeah that is tough. 16:11.891 --> 16:13.011 Do you think, but you know what it is. 16:13.372 --> 16:13.892 I'm not sure. 16:13.912 --> 16:14.332 I'm not sure. 16:14.372 --> 16:14.853 Write it down. 16:15.793 --> 16:16.374 Er... Write it down. 16:16.414 --> 16:17.235 Tell me what you think it is. 16:17.275 --> 16:17.495 There. 16:18.255 --> 16:24.480 OK... Remember, the number is 08712221049, or, er, yeah, to enter crap commentary competition. 16:24.921 --> 16:26.382 Do call right now if you think you know. 16:27.182 --> 16:27.383 No. 16:27.503 --> 16:27.743 Wrong. 16:28.043 --> 16:28.443 Oh, no. 16:28.463 --> 16:29.084 The box is wrong. 16:29.724 --> 16:30.885 It's not Bowie-based. 16:31.006 --> 16:32.106 It's not Bowie-based. 16:32.927 --> 16:34.008 That's really difficult. 16:34.328 --> 16:34.668 Is it? 16:34.949 --> 16:35.789 Is anyone calling in? 16:35.809 --> 16:37.651 No one's calling in. 16:37.671 --> 16:38.531 That's too difficult. 16:38.551 --> 16:38.531 08712221049. 16:38.692 --> 16:40.133 Shall I tell you it was made in the late 80s? 16:43.823 --> 16:45.025 No, we're on. 16:45.105 --> 16:47.730 It's got a guy called Frank playing the lead villain. 16:48.651 --> 16:49.352 I'll give you a clue. 16:49.953 --> 16:52.678 What, Frank is the character's name or the actor's name? 16:52.718 --> 16:53.920 It's a kid's film. 16:54.741 --> 16:56.644 People said it was impossible to adapt. 16:57.887 --> 16:58.807 I don't know. 16:58.847 --> 17:00.448 Maybe we should play a record and I'll think of a clue. 17:00.468 --> 17:00.848 Do you know what? 17:00.868 --> 17:02.909 I thought it was, listeners, I thought it was Labyrinth. 17:03.989 --> 17:05.029 It's not Labyrinth. 17:05.569 --> 17:07.410 Then I thought maybe Company of Wolves. 17:07.490 --> 17:11.991 I'm just trying to think of the things we went and saw on Saturday nights at the Odeon Esther Square. 17:12.291 --> 17:15.992 Well, let's play a track and see if anyone gets an idea and gives us a call. 17:16.012 --> 17:19.153 0 8 7 1 2 2 2 1 0 4 9 is the number to call. 17:19.193 --> 17:20.834 Here's the ordinary boys. 17:29.130 --> 17:30.750 Is it worth playing one of those clips again, do you think? 17:31.351 --> 17:32.471 OK, let's have a quick listen. 17:32.491 --> 17:33.731 This is Crap Commentary Corner. 17:33.751 --> 17:34.571 The first one, maybe. 17:35.412 --> 17:38.232 And you've got to guess, do they have to guess who's speaking? 17:38.812 --> 17:39.253 Not necessarily. 17:39.273 --> 17:41.393 You've got to guess the film that this director is speaking about. 17:41.473 --> 17:41.773 OK. 17:41.813 --> 17:44.334 This is a movie, it's a textbook in everything. 17:44.474 --> 17:49.035 A lot of kids who saw this when they were young that are now young adults, this is one of their favorite movies. 17:49.295 --> 17:52.256 Most people thought the idea of making a live action picture of it was impossible. 17:52.796 --> 17:56.337 And while one may quibble with this element or that element, overall, 17:57.237 --> 17:58.038 The picture worked. 17:58.378 --> 18:01.240 You start out every project and you want to make it the greatest film ever. 18:01.320 --> 18:02.441 We had a team of great people. 18:02.882 --> 18:03.482 I think we did it. 18:04.923 --> 18:09.107 Now, when you find out what film it is, which I now know, that will seem extraordinary. 18:09.487 --> 18:10.287 Let's go to Clive. 18:10.307 --> 18:10.948 Hello, Clive. 18:10.968 --> 18:12.489 Hello there, mate. 18:12.609 --> 18:13.070 How you doing? 18:13.630 --> 18:13.970 Not bad. 18:13.990 --> 18:15.692 Have you got an idea what this is then, Clive? 18:16.132 --> 18:19.835 Yeah, I thought I'd have a guess and I assume I'm going alright by the sounds of it. 18:19.875 --> 18:20.676 Magic roundabout. 18:21.076 --> 18:22.037 Magic roundabout. 18:22.677 --> 18:23.838 What was your logic there? 18:23.858 --> 18:26.100 Can you explain how you arrived at that answer? 18:26.553 --> 18:28.614 Well, it's just the greatest film ever made, I suppose. 18:28.854 --> 18:30.095 It's got to be, hasn't it? 18:30.435 --> 18:32.016 Have you seen The Magic Roundabout, Clive? 18:32.036 --> 18:33.237 No, I'm afraid I haven't. 18:33.297 --> 18:35.518 I watched it as a kid, but... Right. 18:35.658 --> 18:39.981 But you're just getting the general impression that, just from the posters, that it could be the greatest film ever made. 18:40.001 --> 18:47.785 Hey, Clive, I don't wish to rain on your logic parade, but you know that The Magic Roundabout's not out on DVD at the moment. 18:48.766 --> 18:50.067 I don't think it's been released yet. 18:50.307 --> 18:50.667 Not yet. 18:50.847 --> 18:53.849 So how would we have got the commentary off it? 18:55.586 --> 18:56.106 I don't know. 18:56.246 --> 18:58.307 Poor Clive, he's not a release schedules expert. 18:58.728 --> 18:59.488 OK, I'm sorry. 18:59.548 --> 19:00.649 I think it's a good guess, Clive. 19:00.669 --> 19:01.749 That was a very good guess, Clive. 19:01.789 --> 19:04.010 I was just flexing my sarcasm muscles. 19:04.050 --> 19:06.391 He's obviously a very, very, very good film. 19:06.571 --> 19:07.732 It was really impossible. 19:07.772 --> 19:09.133 Can we give Clive some kind of prize? 19:09.253 --> 19:10.153 Can we give Clive a prize? 19:11.214 --> 19:12.735 We'll give you some tickets to something, Clive. 19:12.895 --> 19:14.195 We'll give you tickets to see The Coral. 19:14.215 --> 19:15.536 Do you want tickets to see The Coral? 19:15.896 --> 19:17.276 I'd love tickets to see the call, yeah. 19:17.376 --> 19:19.277 Well done, but you are 100% wrong. 19:19.337 --> 19:19.557 Wrong. 19:19.597 --> 19:24.379 But thanks a lot for your call, Clive, and sorry about my sarcasm there. 19:24.579 --> 19:25.079 Hello, Pete. 19:25.379 --> 19:25.979 It's Pete there. 19:26.379 --> 19:26.759 Hiya. 19:26.879 --> 19:27.620 Hey, Pete, how you doing? 19:28.180 --> 19:28.920 Oh, fine, thanks. 19:29.300 --> 19:30.160 Do you think you've got it right? 19:30.180 --> 19:33.181 Er... What's your guess? 19:34.342 --> 19:35.562 Er, kindergarten cop. 19:36.158 --> 19:37.199 Kindergarten cop. 19:38.139 --> 19:39.460 Kindergarten cop. 19:39.780 --> 19:43.463 Now, that is an interesting guess. 19:43.523 --> 19:44.303 It is a great film. 19:44.684 --> 19:44.904 It is. 19:44.984 --> 19:47.426 But that is genuinely one of the greatest films ever made. 19:47.806 --> 19:50.087 Well, listen, man, you've got it wrong, unfortunately. 19:50.127 --> 19:50.988 That's not correct. 19:51.388 --> 19:52.189 But good guess. 19:52.429 --> 19:56.332 And sort of in the right area in a funny way with the kind of star of the film. 19:56.692 --> 19:57.292 Yeah. 19:57.412 --> 20:02.876 Not I'm not saying that Schwarzenegger is the star of the film in question, but same sort of ballpark. 20:02.916 --> 20:04.237 But thank you very much for your call. 20:04.897 --> 20:06.579 Er, Pete can have tickets to the coral as well. 20:06.639 --> 20:08.241 Would you like tickets to go see the coral? 20:08.481 --> 20:09.242 Yeah, good one. 20:09.462 --> 20:10.183 That'll be a great gift. 20:10.243 --> 20:10.904 Thanks for calling. 20:11.124 --> 20:12.466 Now, we think Aidan might have got it right. 20:12.486 --> 20:14.368 Hello, Aidan. 20:15.429 --> 20:15.809 Aidan? 20:16.190 --> 20:16.710 Aidan? 20:17.351 --> 20:17.952 Oh, Andrew? 20:18.012 --> 20:18.632 Is it Andrew? 20:18.652 --> 20:19.333 Yeah, hi there. 20:19.373 --> 20:19.733 How you doing? 20:20.334 --> 20:21.115 How are you, er, fine. 20:21.155 --> 20:21.656 How are you doing? 20:23.058 --> 20:24.398 Is this a different voice on the phone? 20:24.418 --> 20:25.159 It is a different voice. 20:25.199 --> 20:26.979 It seems like Aidan has gone and Andrew for some reason. 20:27.139 --> 20:29.560 Andrew, what's happened to Aidan, Andrew? 20:29.580 --> 20:30.200 Poor Aidan. 20:31.901 --> 20:33.641 The problem is that Aidan's the one that got it right. 20:34.162 --> 20:35.182 What do you think it is, Andrew? 20:35.862 --> 20:41.224 I think it is the wonderful, wonderful version of He-Man and Master of the Universe. 20:41.564 --> 20:41.984 Yes! 20:42.304 --> 20:44.205 Congratulations, that's absolutely right. 20:44.305 --> 20:45.125 How did you guess that? 20:46.366 --> 20:48.126 Sadly, I have seen a bit of you in question. 20:49.046 --> 20:50.647 And talking about Frank Langella. 20:51.018 --> 20:52.619 That's correct, who plays Skeletor. 20:53.780 --> 20:57.622 He's so happy with Skeletor's performance. 20:58.103 --> 21:04.547 Seriously, there's long passages where he talks about how Frank Langella gives Skeletor inner life and makes him an intelligent villain. 21:05.608 --> 21:11.272 It's quite a moving commentary because this poor guy had basically Canon, the company that produced it, collapsed before the end. 21:11.692 --> 21:14.914 So he sort of couldn't finish the movie and they were going to release it with no ending. 21:15.294 --> 21:20.738 So he got the actors back and he basically put his own salary into finishing Masters of the Universe. 21:21.038 --> 21:23.040 That's hot and silent to a wonderful movie like that. 21:23.200 --> 21:24.220 Yeah, didn't make any money. 21:24.421 --> 21:25.842 He's never directed anything again. 21:26.302 --> 21:29.645 He directed the 3D Terminator ride at Universal Studios. 21:29.925 --> 21:30.365 That's it. 21:30.885 --> 21:31.766 Well, he doesn't have to. 21:31.826 --> 21:35.309 Once you've directed the greatest film ever made, there's nowhere... His name's Gary Goddard. 21:35.649 --> 21:36.310 To go, really. 21:36.770 --> 21:38.691 Anyway, listen, Andrew, thank you very much for your call. 21:38.711 --> 21:39.492 That was amazing. 21:39.752 --> 21:40.313 Extraordinary. 21:40.333 --> 21:41.974 You've got too much time on your hands. 21:42.314 --> 21:44.376 Absolutely. 21:44.416 --> 21:45.416 What does Andrew win, then? 21:47.478 --> 21:48.779 What's available at the moment? 21:48.991 --> 21:50.132 Well, coral tickets. 21:50.172 --> 21:51.292 Are you happy with coral tickets? 21:51.853 --> 21:52.153 I can't. 21:52.193 --> 21:54.654 My wife's actually just about to give birth, so it's a bit tricky at the moment. 21:55.035 --> 21:57.116 Yeah, that's not good. 21:57.216 --> 21:59.557 Have we got any kind of DVD action we can chuck his way? 22:00.157 --> 22:01.138 We'll take something up for you. 22:01.158 --> 22:02.059 We'll take something up for you. 22:02.159 --> 22:03.439 Congratulations, Andrew. 22:03.459 --> 22:04.040 That's amazing. 22:04.080 --> 22:05.961 And I don't know what happened to Aidan. 22:06.141 --> 22:10.123 We're going to send you a congratulations DVD care package from XFM. 22:10.423 --> 22:11.404 Thanks very much for your call. 22:11.684 --> 22:14.786 That could be the obscure death squeal of crap commentary corner. 22:14.806 --> 22:14.926 Wow. 22:14.966 --> 22:16.267 That was really tricky, man. 22:16.747 --> 22:18.629 He-Man and Masters of the Universe. 22:18.669 --> 22:19.470 I can't believe you- What? 22:19.510 --> 22:20.831 I couldn't believe there was a commentary on it. 22:21.011 --> 22:22.292 I can't believe you bought it, Tri. 22:22.312 --> 22:23.153 I only found it at 1am. 22:23.313 --> 22:24.274 It's got Courtney Cox in it. 22:24.694 --> 22:26.015 Courtney Cox, is that why you bought it? 22:26.056 --> 22:26.856 It was her first film. 22:27.096 --> 22:27.457 Okay. 22:27.557 --> 22:28.758 This is Ed and Joe on XFM. 22:29.799 --> 22:30.399 XFM. 22:31.520 --> 22:36.165 Uh, now Joe, I- I'm quite happy this week for a number of reasons, just the joy of being alive. 22:36.645 --> 22:41.950 Uh, plus as well, I won my very first confrontation with a member of the general public, 22:42.250 --> 22:42.731 Oh, well done. 22:42.751 --> 22:43.791 What, during one of your gigs? 22:44.412 --> 22:46.594 Uh, no, no, it was just in-in the street. 22:46.714 --> 22:48.695 Well, in fact, it was in Sainsbury's car park. 22:48.795 --> 22:49.016 Right. 22:49.436 --> 22:54.000 And I was, uh, going shopping on Sunday morning with my son, Frank, in the back. 22:54.020 --> 22:54.060 Mm. 22:54.880 --> 22:56.382 And, uh, it was really busy. 22:56.922 --> 22:59.144 Sainsbury's, Nine Elms, it was absolutely jammed. 22:59.764 --> 23:04.428 And the car right in front of me, I was heading towards the parents and children bay, parking bay, yeah. 23:04.448 --> 23:04.608 Mm, mm, mm. 23:05.149 --> 23:11.033 And the car in front of me just slipped in to the-the-the space that was vacated by a mother and her child. 23:11.073 --> 23:11.534 What a sod. 23:12.074 --> 23:14.876 And of course, sure enough, the guy that gets out of his car- No child. 23:14.916 --> 23:15.556 No child. 23:16.817 --> 23:18.138 So, you know- Naughty man. 23:18.178 --> 23:18.778 Naughty man. 23:19.239 --> 23:28.504 So I just thought, that's- I'm gonna- I'm sorry, but I really need this space, you know, cos I had some time pressure, pressure of stress, legitimate reason for needing the space, you know what I mean? 23:29.145 --> 23:36.910 So I just wound down my window, said politely, sorry, excuse me, mate, those, er, that's the parents and child bay, parking bay. 23:37.090 --> 23:38.391 And he said, so, so what? 23:39.262 --> 23:39.942 But it's all full. 23:40.202 --> 23:41.383 Good point, good point, good point. 23:41.603 --> 23:43.203 And I said, what, how is that a good point? 23:43.403 --> 23:45.204 Dunno, I'm just being devil's advocate. 23:45.264 --> 23:46.244 I'm being sarcastic. 23:46.324 --> 23:46.384 OK. 23:46.944 --> 23:54.746 Um, and I said, yeah, but, um, you know, I'm sorry if it's full, I'm sure another space will come up elsewhere in the car park, but I need to park there. 23:54.826 --> 23:57.047 So you're being a gentleman, you're taking the higher ground, you're being very polite. 23:57.087 --> 24:01.848 Yeah, taking the higher ground, being dead polite, and maintain the whole confrontation at top levels of politeness. 24:01.868 --> 24:06.209 So he says, no swearing, he says, uh, he says, I don't care. 24:07.349 --> 24:10.051 Basically, he just says, well, people are parking everywhere. 24:10.472 --> 24:14.735 I said, well, they're not parking in the parents and children bays, because, you know, unless they've got children. 24:15.095 --> 24:17.597 He goes, so go in and tell them in the shop there. 24:18.798 --> 24:20.379 So I said, what's your problem, man? 24:20.439 --> 24:21.139 What is his problem? 24:21.159 --> 24:22.220 Trying to be really calm. 24:22.600 --> 24:25.002 And he said, no, I've got no problem, you know, I've got no problem. 24:25.723 --> 24:26.543 I said, what, you just don't? 24:26.563 --> 24:27.744 So you said to him, what's your problem? 24:27.944 --> 24:28.865 I said, what is your problem? 24:28.885 --> 24:30.086 That's code for I'm gonna hit you. 24:30.768 --> 24:32.329 Well, no, I tried to say- You realised that? 24:32.389 --> 24:34.030 No, I said it- I said- Do you reckon it is? 24:34.050 --> 24:34.270 Yeah. 24:34.450 --> 24:35.070 What's your problem? 24:35.270 --> 24:35.771 I haven't got a problem. 24:35.791 --> 24:37.171 No, I didn't say- I didn't say it like that. 24:37.191 --> 24:38.312 What do you say I've got a problem? 24:38.532 --> 24:38.952 My problem? 24:38.972 --> 24:40.073 That's fist language. 24:40.253 --> 24:42.954 No, it isn't, because, you see, I said it like a genuine inquiry. 24:43.315 --> 24:43.515 Right. 24:43.695 --> 24:45.636 Excuse me, sir, I'd like to know what your problem is. 24:46.196 --> 24:46.877 I don't understand. 24:46.917 --> 24:47.537 Like a doctor. 24:47.657 --> 24:48.798 Like a doctor, exactly. 24:49.218 --> 24:52.580 I don't understand where you're coming from on this whole you've parked in my space issue. 24:53.981 --> 24:55.361 So he said, I've got no problem. 24:55.622 --> 24:58.643 I said, right, I think you just don't care about anyone else. 24:58.703 --> 24:59.284 Is that right? 24:59.884 --> 25:00.604 You said that to him? 25:00.624 --> 25:00.845 Yeah. 25:01.085 --> 25:02.986 I said, you just don't care about anyone else, right? 25:03.006 --> 25:03.706 Ooh. 25:04.066 --> 25:04.667 And it got to him. 25:04.887 --> 25:07.808 That's a good line because you can't, I mean, that's quite an accusation. 25:07.848 --> 25:08.449 Yeah, yeah. 25:09.029 --> 25:10.910 And he- that sent him reeling. 25:11.910 --> 25:12.571 What did he say? 25:13.431 --> 25:14.091 Could he speak? 25:14.531 --> 25:15.972 He couldn't speak for a little while. 25:16.532 --> 25:23.835 And when he did speak he just said, it's not that I don't care about anyone else, I just- And then he went to his car and he moved it. 25:23.855 --> 25:23.895 No. 25:23.915 --> 25:24.816 I'm the king! 25:24.856 --> 25:25.736 That's amazing. 25:25.776 --> 25:27.657 That's like a Steven Spielberg film. 25:27.697 --> 25:27.957 Yeah. 25:28.657 --> 25:29.418 I am the king. 25:29.498 --> 25:30.418 That's extraordinary. 25:30.438 --> 25:32.579 And there was no swearing, there was no punching. 25:32.599 --> 25:33.339 And now he cares. 25:33.379 --> 25:34.240 Maybe it's your beard. 25:34.520 --> 25:35.540 Maybe it's your beard. 25:35.560 --> 25:37.601 Maybe when you grow a big beard you get Jesus powers. 25:38.914 --> 25:39.995 Maybe you're Jesus. 25:41.195 --> 25:45.517 I don't think I am Jesus, but still it was pretty amazing. 25:45.817 --> 25:54.461 And I was just wondering if anyone out there had won any confrontations of their own recently, and what kind of incidents as well would make you intervene? 25:54.521 --> 25:56.142 Like what would you take a stand on? 25:56.162 --> 25:59.243 Because usually that's the kind of thing you might just forget about. 25:59.263 --> 26:00.804 Was this man physically threatening looking? 26:00.844 --> 26:02.465 Was he a little old man? 26:02.765 --> 26:11.583 no he wasn't he was he was definitely could have punched me quite hard in the face yeah could he he was quite frightening um so i'm wondering like would you intervene if you saw some happy slapping 26:12.703 --> 26:13.423 Oh, wow. 26:13.864 --> 26:15.464 Well, that's a whole different conversation, isn't it? 26:15.504 --> 26:15.684 Yeah, yeah. 26:15.704 --> 26:16.785 This is a whole different conversation, yeah. 26:16.805 --> 26:18.785 Would you intervene if you saw some- It depends, it depends. 26:18.985 --> 26:20.546 Some littering, for example? 26:20.606 --> 26:24.528 I tend to- well, oh, this is a long conversation, Alan Foxton. 26:24.728 --> 26:24.808 Yeah. 26:24.828 --> 26:26.628 OK, I'm throwing open the floodgates for the second hour. 26:26.648 --> 26:28.529 Yeah, just keep asking the questions, we'll answer them after a record. 26:28.569 --> 26:34.211 Would you intervene if you saw a really crap presenter doing a wind-up vox pop for a Channel 4 show? 26:34.231 --> 26:35.812 That's a good one. 26:36.092 --> 26:39.374 You know, I'd just like to hear from anyone who would intervene in these situations. 26:39.434 --> 26:41.596 So many questions, I'd be curious to know how it went. 26:41.896 --> 26:43.957 Now, we've got some fall tickets to give away later on. 26:43.977 --> 26:46.059 I'm not exactly sure how we're going to give them away. 26:46.119 --> 26:50.582 Maybe we can, you know, wind this together in some clever, ludicrous way. 26:50.922 --> 26:53.264 But it's an opportunity to play a song by the fall. 26:53.744 --> 26:57.286 This is a cover of a track by someone called S. Bent. 26:57.487 --> 27:01.509 I don't know anything about S. Bent, but it's called I'm Going to Spain, and it's kind of the lighter side of the fall. 27:13.105 --> 27:14.386 Oh, that's exciting music. 27:14.426 --> 27:15.667 Who's that man called then? 27:15.807 --> 27:17.489 That's my block party. 27:17.549 --> 27:18.450 Oh, they're the latest thing. 27:18.470 --> 27:19.370 That's very exciting. 27:19.891 --> 27:20.851 This is Adam and John on XFM. 27:21.632 --> 27:22.353 Before that, man. 27:22.573 --> 27:23.554 Well, I heard the Coldplay. 27:24.034 --> 27:24.875 The Coldplay, wow. 27:24.995 --> 27:25.475 I'm privileged. 27:25.635 --> 27:26.456 And Speed of Sound. 27:26.756 --> 27:28.017 Uh, 50 minutes left of our show. 27:28.037 --> 27:29.919 We've got Dizzies in the Dock coming up, obviously. 27:30.179 --> 27:31.280 Can I just make another point? 27:31.480 --> 27:31.900 Go on, then. 27:32.581 --> 27:34.963 Um, like, prank shows on telly, right? 27:35.063 --> 27:39.146 Sort of celebrity stitch- Did you see- Did anyone see celebrity stitch-up, is what I'm trying to say? 27:39.426 --> 27:40.047 What was that? 27:40.227 --> 27:42.849 Celebrity Stitch Up is a weird ITV show. 27:42.909 --> 27:45.431 Basically the whole Stitch Up genre is dying. 27:46.792 --> 27:51.776 Just when you think it's dying, they find some new way of revivoring it. 27:52.036 --> 27:58.161 Obviously it was big in the 80s with Beadle and stuff and it's going through its sort of death throws and as a result there are lots of different little Stitch Up shows. 27:58.621 --> 28:01.103 But the problem with these little Stitch Up shows is no one knows what 28:01.563 --> 28:02.664 what these shows are. 28:03.084 --> 28:12.032 So that key stitch-up moment when the prank's been played and if it was Beadle, Beadle suddenly appears and you see him and you instantly realise what's happened. 28:12.492 --> 28:16.015 That moment is sort of becoming very weird on some of these shows. 28:16.335 --> 28:22.280 For instance, Celebrity Stitch-Up is an ITV show where celebrities like Greg Rudetsky, is that how you say it? 28:22.721 --> 28:23.561 The tennis player, is he? 28:23.581 --> 28:24.542 The tennis player, yeah. 28:24.942 --> 28:26.043 He got stitched up. 28:26.484 --> 28:28.365 But the problem with the show is there's no presenter. 28:28.766 --> 28:29.006 Right. 28:29.566 --> 28:32.508 So the moment of the reveal is really odd. 28:32.808 --> 28:34.309 Plus it's not a very famous show. 28:34.549 --> 28:37.571 So poor old Greg Rudetsky's had his cats kidnapped or something. 28:38.431 --> 28:40.913 And it's gone on for ages and it's really not that good. 28:41.013 --> 28:41.733 He's been punked. 28:42.014 --> 28:47.337 And suddenly the guy, the vet, the fake vet turns around and goes, uh, do you want your cats back? 28:47.697 --> 28:48.317 I bet you do. 28:48.918 --> 28:53.060 And I bet you don't know that there's a camera there and a camera there and a camera there and a camera there. 28:53.140 --> 28:53.861 And Greg goes, oh. 28:54.501 --> 28:54.741 What? 28:55.362 --> 28:55.622 What? 28:56.183 --> 29:00.507 And he sort of expects the guy to go, the guy goes, you've been stitched up for ITV! 29:01.067 --> 29:02.869 And Radecki goes, oh, what? 29:03.209 --> 29:03.810 Ant and Dec? 29:04.530 --> 29:08.794 The guy goes, no, no, no, no, no, because they've got very weirdly edited. 29:08.814 --> 29:10.356 They've obviously cut this exchange out. 29:10.396 --> 29:11.277 They've obviously had it. 29:11.317 --> 29:12.358 He's gone, Ant and Dec? 29:12.978 --> 29:14.219 No, no, no, not Ant and Dec. 29:15.040 --> 29:17.221 it's just a celebrity stitch-up show on ITV. 29:17.261 --> 29:18.762 It's just called Celebrity Stitch-Up. 29:18.782 --> 29:20.003 Doesn't it really have a presenter? 29:20.103 --> 29:20.983 Oh, when's it going out? 29:21.003 --> 29:21.083 Pfft. 29:21.104 --> 29:21.264 Eleven. 29:21.364 --> 29:21.784 On Wednesday. 29:22.184 --> 29:22.264 Oh. 29:22.344 --> 29:22.404 Oh. 29:22.444 --> 29:22.544 Yeah. 29:39.178 --> 29:51.425 Anyway, that's the end of my rant, basically, but it's now become one of the most enjoyable bits of stitch-up shows, is how awkward the revelation is when there's sort of no presenter or name and no one knows what the show is, really. 29:51.445 --> 29:56.587 It's tough, isn't it, cos you don't want to be a spoilsport and just say where you're not using it. 29:56.968 --> 29:58.168 Well, bring back Beadle, I say. 29:58.208 --> 29:59.609 Poor old Beadle's very ill, apparently. 29:59.889 --> 30:00.129 Is he? 30:00.169 --> 30:00.690 What's wrong with him? 30:00.710 --> 30:02.971 He's been diagnosed with leukaemia or something really bad. 30:03.231 --> 30:03.791 Oh, man. 30:03.911 --> 30:05.632 He was such a hero of ours in the 80s. 30:05.993 --> 30:07.293 Still is a bit of a hero of ours. 30:07.934 --> 30:11.916 Bring back Beadle, you know, cos that was a brilliant idea the second you saw his happy, furry face. 30:12.196 --> 30:12.436 Yeah. 30:12.736 --> 30:14.277 You knew exactly what was going on. 30:14.457 --> 30:14.918 Absolutely. 30:15.178 --> 30:17.459 And he was the master of getting those things exactly right. 30:17.479 --> 30:17.759 He was. 30:18.059 --> 30:19.800 And doing really amazingly elaborate ones. 30:19.860 --> 30:22.082 Everyone's got their favourite Beadle stunt. 30:22.202 --> 30:23.022 What was yours, Joe? 30:23.122 --> 30:27.645 My favourite Beadle stunt was where he arranged an entire wedding and everybody at the wedding 30:28.305 --> 30:31.527 Apart from this photographer was fake. 30:31.648 --> 30:33.949 And the photographer had to marry the woman. 30:34.490 --> 30:35.891 It was a sort of gang wedding, wasn't it? 30:35.911 --> 30:37.192 And he was pressured into marrying the woman. 30:37.472 --> 30:38.833 Can you imagine how surreal that would be? 30:39.153 --> 30:42.576 To be in that event and every single person in it is conspiring against you. 30:42.636 --> 30:45.778 A lot of Beatles things like stumbled into the realm of art. 30:45.879 --> 30:46.939 They really do. 30:46.979 --> 30:49.001 It's like the Truman Show before the Truman Show even happened. 30:49.361 --> 30:50.602 Man, I'm sorry to hear he's ill. 30:50.642 --> 30:51.922 I hope he gets better. 30:52.803 --> 30:54.763 OK, well, here's a bit of music for you right now. 30:55.484 --> 30:56.944 And who is this spy? 30:57.004 --> 30:58.345 I'm not very good at this still, am I? 30:58.365 --> 30:59.805 This whole DJing business. 30:59.825 --> 31:00.886 Isn't it British Sea Power? 31:00.946 --> 31:01.546 Please stand up. 31:01.626 --> 31:02.707 Yeah, British Sea Power. 31:02.747 --> 31:03.127 Here we go. 31:15.246 --> 31:15.886 Now, they're very good. 31:15.906 --> 31:17.266 I've seen them live, British Sea Power. 31:17.406 --> 31:17.786 Have you? 31:17.846 --> 31:18.767 Yeah, they're fantastic live. 31:18.807 --> 31:21.828 I saw them supporting... Oh, I've even forgotten their names. 31:22.868 --> 31:26.549 Er, the band that have the big party and the balloons and people dressed as animals. 31:27.609 --> 31:28.489 Erm... The Superferries? 31:29.390 --> 31:30.790 Yeah, Flaming Lips, that's right. 31:30.810 --> 31:31.990 They were supporting The Flaming Lips. 31:32.090 --> 31:34.151 I thought they sort of played The Flaming Lips off the stage. 31:34.871 --> 31:36.093 I've heard that from a lot of people. 31:36.113 --> 31:40.680 The Flaming Lips are an unknown quantity, as far as- Well, the Flaming Lips, when he was- Well, what is it he sings to? 31:40.880 --> 31:42.142 Don't you realize? 31:42.242 --> 31:42.683 Every day will die. 31:42.723 --> 31:43.624 Yes, I do. 31:43.664 --> 31:43.965 Shut up. 31:44.005 --> 31:45.026 I don't need you to tell me. 31:45.347 --> 31:46.789 Anyway, I like British Sea Power a lot. 31:47.290 --> 31:48.191 Well, that's good, man. 31:48.231 --> 31:49.793 I didn't know you went to rock and roll gigs. 31:49.813 --> 31:50.094 Yeah. 31:50.274 --> 31:50.855 Well, just the one. 31:51.075 --> 31:52.056 Are you gonna go to the fall? 31:53.337 --> 31:57.960 Now, if you want tickets for the fall, we haven't really thought of a good way, a good kind of competition. 31:58.421 --> 32:05.907 Maybe if you're just a fall Maddie, you should, uh, phone up and impress us with, you know, give us a reason why you should have the fall tickets. 32:06.167 --> 32:06.868 Simple as that, really. 32:06.888 --> 32:08.589 I wouldn't think of a fall text competition. 32:09.069 --> 32:14.694 Not really, because, I mean, people- We were gonna have people send in fall-style poetry, but we've only got 11 minutes now. 32:15.296 --> 32:16.420 It's difficult, isn't it? 32:16.500 --> 32:18.366 Or maybe do a Mark E. Smith impression? 32:18.386 --> 32:20.432 Well, 11 minutes till half past and at half past it's Ditty's. 32:20.533 --> 32:21.536 It's time to think about Ditty's. 32:22.540 --> 32:25.962 That's how the, er, the show is segmented up, Lila, producer. 32:26.562 --> 32:30.545 It's not that strict. 32:30.625 --> 32:32.406 Oh, yes it is. 32:32.646 --> 32:32.786 OK. 32:32.966 --> 32:33.066 Uh, 08712221049. 32:33.367 --> 32:38.750 Lila, um, do people have, has it just been a whole week of people going, hey, Lila? 32:38.770 --> 32:39.991 Slightly, yes. 32:40.211 --> 32:40.431 Yeah. 32:40.451 --> 32:42.432 It gets funnier every time. 32:42.632 --> 32:42.892 Yeah. 32:43.713 --> 32:47.115 And you know that, the beginning of that song, it's just like Street Fighting Man, isn't it? 32:48.327 --> 32:50.609 Everywhere you hear the sound. 32:50.629 --> 32:52.110 That's the new Oasis single. 32:52.150 --> 32:54.052 And you know the Kelly Osbourne single? 32:54.212 --> 32:56.254 It's exactly the same as Visage. 32:57.395 --> 32:58.195 You know that track? 32:59.626 --> 33:01.427 Um, which is the one- Faye De Grey. 33:01.487 --> 33:04.269 She's got- basically nicked the melody from Faye De Grey. 33:04.950 --> 33:07.491 You know, anyway, she's doing her best and that's the main thing. 33:07.872 --> 33:12.075 But, um, I wanted to ask you, Joe, have you- have you seen The Farm at all on Channel 5 this week? 33:12.235 --> 33:13.836 Are you avoiding it or you just haven't caught it yet? 33:14.236 --> 33:15.037 Just haven't caught it yet. 33:15.877 --> 33:19.339 Well, The Farm is Channel 5's reality show for those of you who don't know. 33:19.359 --> 33:20.120 I know who's on it. 33:20.380 --> 33:23.742 Emma B, La- La Chichiliona, the Italian porn politician. 33:23.762 --> 33:24.323 Chichilina. 33:24.623 --> 33:25.584 Uh, Keith Harrison Orville. 33:26.024 --> 33:26.224 Yeah. 33:26.464 --> 33:27.245 Uh, Lionel Blair. 33:27.912 --> 33:28.112 Yeah. 33:28.192 --> 33:29.033 Is this right so far? 33:29.053 --> 33:29.333 Correct. 33:29.994 --> 33:31.175 Uh, that's all I know, actually. 33:31.736 --> 33:33.137 Emma B, I said to her already, didn't I? 33:33.157 --> 33:33.337 Yeah. 33:33.758 --> 33:34.518 Who is Emma B? 33:34.719 --> 33:37.381 I think Emma B is a DJ or something? 33:37.401 --> 33:39.203 No, she's a, um, a topless model. 33:39.223 --> 33:39.823 She's a topless model. 33:39.843 --> 33:41.625 There you go, there you go, there you go, there you go. 33:41.765 --> 33:42.306 Topless model. 33:42.326 --> 33:42.946 Anyway, what happened on it? 33:43.147 --> 33:45.249 And Ron Jeremy, the porn star, is in there. 33:46.149 --> 33:49.692 I don't really like seeing Ron Jeremy on a reality show. 33:49.712 --> 33:50.913 He's not getting his bits out, though, is he? 33:51.074 --> 33:51.514 No, he's not. 33:51.534 --> 33:52.895 Well, you prefer to see him with his bits out? 33:53.255 --> 33:54.577 No, I don't want to see anything of him. 33:54.637 --> 33:57.719 He's like Jabba the Hutt, and he's frightening. 33:58.180 --> 33:59.621 Jabba the Hutt, who hasn't shaved. 34:00.261 --> 34:02.964 And he seems like a nice enough guy, and he's pretty funny and all, but... 34:03.624 --> 34:05.104 I've seen some of his films. 34:05.844 --> 34:08.505 So all I can imagine is him like working. 34:08.905 --> 34:09.485 Do you know what I mean? 34:09.785 --> 34:16.026 Anyway, I was curious to see Keith Harris and Orville on there because we worked with Keith Harris and Orville. 34:16.406 --> 34:20.647 We haven't worked with Ron Jeremy recently, but we have worked with Keith Harris and Orville. 34:20.667 --> 34:29.488 We went to New Zealand with them over a year ago now to shoot an advert when our careers were really going crazy for a while there. 34:29.989 --> 34:31.409 And I remember Keith saying that 34:32.589 --> 34:36.111 he had just passed up the chance to be on I'm a Celebrity Get Me Out Of Here. 34:36.231 --> 34:38.973 Well, he said he wouldn't do it because he wouldn't sort of lure himself to that, didn't he? 34:38.993 --> 34:49.318 Yeah, and it turned out that it was- So they offered him a huge amount of money and he refused to do it because that would be sort of- He passed up basically the best series of I'm a Celebrity, the one with John Lydon and Peter Andre and George- And now he's on the farm. 34:49.479 --> 34:51.380 Now he's on the farm with Ron Jeremy. 34:51.400 --> 34:51.520 Wow. 34:52.060 --> 34:54.101 That's not a step up, Keith. 34:54.401 --> 34:57.123 No, but there are lovely- Orville's got his own bed, hasn't he? 34:57.631 --> 34:57.891 Yeah. 34:57.931 --> 34:58.672 His own little bed. 34:58.692 --> 34:59.432 I like that. 34:59.452 --> 35:08.697 He's got his own little bed and yesterday Keith was taking nude shots with Orville apparently balanced on his will-oy. 35:09.117 --> 35:09.497 No. 35:09.677 --> 35:11.498 So I... He'll stop at nothing really, Keith. 35:11.518 --> 35:13.379 I don't see that that's a step up, Keith. 35:13.439 --> 35:14.279 He hates the bird. 35:14.299 --> 35:16.380 He hates that bird. 35:16.421 --> 35:16.781 He does. 35:17.701 --> 35:18.341 He hates that. 35:18.381 --> 35:20.022 He genuinely hates the bird. 35:20.482 --> 35:26.184 It's like that Anthony Hopkins film, Magic, without the supernatural thing, just quite banal hatred and resentment. 35:26.544 --> 35:26.904 Wow. 35:27.384 --> 35:29.505 Well, you should watch the farm and see if that comes through. 35:29.705 --> 35:29.945 OK. 35:30.105 --> 35:30.845 This is Adam and John, XFM. 35:30.905 --> 35:31.005 XFM. 35:35.680 --> 35:37.761 That's the Kaiser Chiefs every day. 35:37.821 --> 35:38.921 I love you less and less. 35:38.961 --> 35:41.722 This is Adam and Joe here on XFM on a Saturday afternoon. 35:41.742 --> 35:43.782 A little bit of housekeeping now. 35:44.243 --> 35:45.823 The fall tickets have gone. 35:45.883 --> 35:47.504 Thank you very much to our callers. 35:47.544 --> 35:48.564 Hope you enjoy the gig. 35:48.584 --> 35:49.764 I'm sure it'll be fantastic. 35:49.784 --> 35:56.766 Actually, I'm not sure the fall are one of those bands who you never quite know what you're gonna get, but it's never less than interesting. 35:57.627 --> 35:59.967 This week, couple of dates for your diary. 36:00.888 --> 36:02.108 I've got a new jingle for this. 36:02.148 --> 36:04.809 This is like things that you should watch on TV, Joe. 36:05.889 --> 36:06.370 Here we go. 36:07.331 --> 36:08.993 Quite gay, isn't it? 36:09.013 --> 36:10.275 That's extraordinary. 36:17.526 --> 36:20.187 I thought- I thought we needed a- a- Why did you do that? 36:20.287 --> 36:20.887 I don't know! 36:20.908 --> 36:22.628 I don't know why I did that. 36:22.648 --> 36:23.589 I just- yeah. 36:23.609 --> 36:25.049 Do you- do you wish I hadn't? 36:25.169 --> 36:25.910 No, no, it's good. 36:25.950 --> 36:26.710 It's just very odd. 36:26.970 --> 36:28.011 It is a bit odd, isn't it? 36:28.031 --> 36:28.611 I'm sorry about that. 36:28.651 --> 36:31.032 It's odd, but it's- let's face it, it's a slightly odd Saturday today, isn't it? 36:31.052 --> 36:31.152 Yeah. 36:31.172 --> 36:32.673 Everything's a- everything's a bit odd today. 36:32.993 --> 36:33.753 Why are you feeling odd? 36:34.153 --> 36:34.654 I don't know. 36:34.694 --> 36:35.254 You feel ill. 36:36.075 --> 36:36.555 a little bit. 36:36.635 --> 36:38.315 The weather's non-committal. 36:39.036 --> 36:41.016 We've all turned up wearing black polo tops. 36:41.216 --> 36:41.956 It's fun though. 36:41.976 --> 36:43.717 Let's, hey, let's celebrate. 36:44.437 --> 36:45.697 Oh, the weirdest, I don't know. 36:45.977 --> 36:53.278 I was gonna say though that, um, people should put a date in their diary for a couple of TV shows that look good this week. 36:53.338 --> 36:53.438 OK. 36:53.458 --> 36:53.999 What are they? 36:54.259 --> 36:56.139 Uh, Armando Iannucci's show The Thick of It. 36:56.319 --> 36:56.539 Right. 36:56.839 --> 37:01.080 Which is, uh, supposedly a kind of yes minister meets Larry Sanders 37:01.420 --> 37:04.782 It's a heavy, super-intelligent, political actor-rama, isn't it? 37:05.022 --> 37:09.465 Yeah, but it's got trailers with Chris Langham delivering very dry, funny lines. 37:09.505 --> 37:10.446 And Peter Capaldi. 37:10.546 --> 37:11.546 But it's, you know, it's funny. 37:11.726 --> 37:12.267 It's a comedy. 37:13.047 --> 37:14.788 Probably for grown-ups. 37:14.888 --> 37:18.791 Partly improvised, apparently, but no, it looks good. 37:18.831 --> 37:20.332 I've heard very good reports about it. 37:20.392 --> 37:20.772 People have seen it. 37:20.792 --> 37:21.412 It looks prestige. 37:21.853 --> 37:24.875 It's on BBC 4 on Thursday, this coming Thursday. 37:24.955 --> 37:26.416 Everybody needs a place to think. 37:26.656 --> 37:26.856 Yeah. 37:27.176 --> 37:28.197 I love BBC Four. 37:28.257 --> 37:28.597 It's good. 37:29.077 --> 37:32.959 And, uh, also, Pete Do- uh, the Pete Doherty thing. 37:33.059 --> 37:36.340 Stalking Pete Doherty on, uh, Tuesday on Channel 4 at 10pm. 37:36.380 --> 37:37.461 I don't know about that, you know. 37:37.481 --> 37:37.621 Why not? 37:37.641 --> 37:38.221 That's gotta be worth a look. 37:38.241 --> 37:39.321 Well, at first I was very excited. 37:39.362 --> 37:40.662 I thought, oh, that'll be brilliant telly. 37:41.022 --> 37:45.264 But then it's all, uh, did he get beaten up simply just to promote the documentary? 37:45.504 --> 37:49.186 No, that was- that was- Because as soon as I saw the trailer, I thought, oh, man, that's the guy that was beaten up. 37:49.226 --> 37:49.886 It was in the papers. 37:49.926 --> 37:50.326 Yeah, exactly. 37:50.346 --> 37:52.027 But then I thought, I'm- I'm being manipulated. 37:52.467 --> 37:53.708 That's exactly what they want me to think. 37:53.908 --> 37:58.689 No, basically the whole thing's a- couldn't the whole thing just be a sort of drummed up ballet of violence? 37:58.950 --> 37:59.430 It could be. 37:59.530 --> 38:07.352 I think the deal is that Max Carlish, who is the documentary maker, started out trying to make this thing about Pete Doherty, who he was semi-obsessed by. 38:07.372 --> 38:08.732 In love with, it appears, from the clips. 38:08.752 --> 38:13.214 Yeah, it looks as if he more or less crossed the line between being a documentarian and being- And sexual obsession. 38:13.234 --> 38:13.914 A bit of a fan. 38:14.054 --> 38:16.555 I don't know about se- you mentioned sexual obsession, man. 38:16.575 --> 38:20.736 Well, he's very, very, uh, passionate about his love of Pete Doherty, but anyway, we'll see. 38:21.016 --> 38:23.379 So yeah, it just- it looks like an interesting watch. 38:24.240 --> 38:30.446 I think it was the fact that he had shot a few scenes with Pete Doherty maybe taking drugs that Doherty wasn't happy about. 38:30.486 --> 38:37.594 They got in a fight about it and that's why Doherty got arrested because he basically punched Max Carlish. 38:38.175 --> 38:40.958 Anyway, it's worth a look, surely, stalking Pete Doherty. 38:41.058 --> 38:42.920 Channel 4, 10pm on Tuesday. 38:43.440 --> 38:49.643 Now also, on a purely selfish note, I've got one of my comedy evenings coming up this Wednesday the 18th. 38:49.963 --> 38:57.266 This is a semi-regular thing where I'm trying out little bits and pieces of things for my Edinburgh show, which I'm doing this year. 38:57.746 --> 39:03.589 But I've also got amazing performers also joining me, like Kevin Eldon, is going to be there. 39:03.709 --> 39:09.992 Dave Armand, who is part of a group called The Hollow Men, but he's also very funny in his own right, does an amazing kind of 39:10.692 --> 39:11.893 You know what, I might come down next week. 39:11.913 --> 39:13.513 I've never been, but I might come down this Wednesday. 39:13.593 --> 39:13.993 Yeah, good one. 39:14.013 --> 39:15.134 So you could see us both. 39:15.154 --> 39:16.054 I won't be performing. 39:16.334 --> 39:17.255 You could perform if you wanted to. 39:17.275 --> 39:17.915 I don't want to, thanks. 39:17.975 --> 39:18.395 Are you sure? 39:18.495 --> 39:19.376 Nah, I'm fine, thanks. 39:19.396 --> 39:19.436 OK. 39:19.556 --> 39:21.517 Basically, we- It's at the Zetter Hotel, isn't it? 39:21.537 --> 39:27.019 It's at the Zetter Hotel, which is in Clerkenwell Road, and, er, the nearest tube is Farringdon. 39:27.359 --> 39:30.941 Basically, you can book a table or just turn up and take a chance that you can get in. 39:31.061 --> 39:37.583 Sometimes it's really packed, so you've got to turn up around seven to ensure that you get a space, cos it's only a small little room. 39:40.064 --> 39:44.366 324-44-55 is the number for the Zetter Hotel. 39:44.806 --> 39:46.187 Z-E-T-T-E-R. 39:46.787 --> 39:48.447 And it's on this Wednesday. 39:48.547 --> 39:51.389 Wednesday the 18th starts about 7 o'clock. 39:51.569 --> 39:55.510 Should be finished by about 9.30 and it's relatively painless. 39:55.630 --> 39:57.711 It's only five quid and you can eat there as well. 39:57.751 --> 39:59.772 It's like an amazing kind of comedy supper club. 40:00.452 --> 40:03.053 Imagine all the exciting things you'll be seeing. 40:03.573 --> 40:04.873 Did I- did I sell it well or-? 40:04.893 --> 40:05.714 You sold it very well. 40:05.774 --> 40:06.334 I- I'm excited. 40:06.394 --> 40:06.934 I'm gonna come down. 40:07.034 --> 40:07.614 It's gonna be great. 40:07.714 --> 40:08.254 Yeah, good one. 40:08.614 --> 40:09.695 You sure you don't wanna do anything? 40:09.815 --> 40:11.155 Yeah, I'm absolutely positive. 40:11.715 --> 40:13.215 Are you all exhausted after doing your-? 40:13.235 --> 40:14.756 Yeah, I'm- I'm doing far much already. 40:14.856 --> 40:16.416 You did your Star Wars thing this week. 40:17.036 --> 40:17.977 At the comedy store. 40:18.097 --> 40:18.817 That was fun, right? 40:18.877 --> 40:19.337 That was fun. 40:19.357 --> 40:20.117 Should I have a record? 40:20.137 --> 40:20.817 Talk about it after. 40:20.977 --> 40:21.457 No heckling? 40:21.818 --> 40:22.758 No heckling, no, no, no. 40:22.778 --> 40:23.238 They were nerds. 40:23.498 --> 40:25.038 I still wanna find out what you thought of the film. 40:25.078 --> 40:25.859 Yeah, let's play a record. 40:25.879 --> 40:26.939 This is the magic numbers. 40:34.261 --> 40:35.402 They're so hot right now. 40:35.422 --> 40:39.725 There's a lot of hype around the magic numbers, Joe Cornish. 40:40.126 --> 40:42.888 They're supposed to be the next big thing. 40:42.908 --> 40:45.530 And that track is called Forever Lost. 40:45.790 --> 40:47.251 Very nice indeed it was too. 40:47.291 --> 40:51.915 So you saw the Star Wars film, the Return Revenge. 40:52.255 --> 40:53.276 Yeah, yeah. 40:53.536 --> 40:56.459 I did this bit of, I call it stand up, but it wasn't really stand up. 40:56.499 --> 40:58.420 I just went to the comedy store and discussed 40:59.541 --> 41:03.406 discussed it with some of the nice, nerdy Star Wars fans there. 41:03.946 --> 41:05.989 But discussed it on stage with a microphone, really. 41:06.009 --> 41:10.674 But I did that purely to get tickets to the sneaky-peaky screening the previous Sunday morning. 41:11.194 --> 41:14.498 And I feel a bit bad talking about it, because basically I thought it was rubbish. 41:15.659 --> 41:16.119 I know. 41:16.139 --> 41:19.581 And I don't like to be the bringer of rubbish tidings. 41:19.681 --> 41:22.402 Surely he spent so long and there's so much money. 41:22.422 --> 41:25.223 It's very enjoyable and it's wonderful eye candy, but it is rubbish. 41:25.563 --> 41:32.206 And the fact that it sort of ties up strands with the films, the good ones, the good old ones, just makes it worse. 41:32.626 --> 41:35.968 What, he's trying to kind of, er... He's sort of messing with things you actually care about. 41:35.988 --> 41:41.470 You don't really care about the rest of it, Queen John-Jinn and midi-chlorians and all that, cos it doesn't really matter, does it? 41:42.170 --> 41:47.672 And you can sort of let slip that all the stormtroopers look like that New Zealand actor under their mask. 41:48.072 --> 41:50.033 You can sort of push that under the carpet. 41:50.653 --> 42:03.678 But you can't ignore the fact that when they're naming Darth Vader, whoever it is, who is it, General Palpatine or whoever it is, just goes, I shall call you Darth Vader. 42:04.946 --> 42:31.090 that's it that's it that's it no clue as to why just random just that's it yeah you know and that's reflective of the of the whole thing really I thought it was a stinker not even enjoyable it definitely enjoyable oh really yeah of course because the design is amazing and the CGI is amazing but there's no it's there's no set piece comparable to anything in the original three films well I when I was leafing through the book in borders 42:31.630 --> 42:33.791 Of course the book looks good, because the stills look good. 42:33.871 --> 42:37.453 Yeah, I liked the look of Hayden Christensen getting badly burned and stuff. 42:37.773 --> 42:38.633 That's quite good. 42:38.993 --> 42:39.233 Yeah? 42:39.353 --> 42:42.955 Well, I can't really talk too much without giving stuff away as well. 42:43.115 --> 42:43.335 Right. 42:43.515 --> 42:46.316 But I was telling you during the record what happens in that bit. 42:46.516 --> 42:46.776 Yeah. 42:46.977 --> 42:48.097 Just before his legs are cut open. 42:48.097 --> 42:55.040 Well it sounds like the video game, and in fact they're promoting the video game on TV by saying, play the game before you, oh, live the film before you see the movie. 42:55.100 --> 42:59.561 Yeah, and the video game, which I rented from Blockbusters, has got long clips from the film. 42:59.841 --> 43:01.722 Basically starts with the opening shot of the film. 43:02.082 --> 43:04.283 So more or less all you need is the video game, really. 43:04.523 --> 43:06.505 Yeah, the video game's possibly more enjoyable. 43:06.825 --> 43:08.707 Well, there you go. 43:08.767 --> 43:08.887 Yeah. 43:08.907 --> 43:09.848 Sorry about that, Star Wars fans. 43:09.868 --> 43:12.410 I thought it was a stinker, but still go and see it, because it's good fun. 43:12.630 --> 43:16.854 And if you lower your expectations to the floor, then maybe you might find it rewarding. 43:17.074 --> 43:18.956 Because, you know, friends of mine like it. 43:19.096 --> 43:19.937 Edgar Wright likes it. 43:20.297 --> 43:21.098 He thought it was really good. 43:21.458 --> 43:21.679 Yeah. 43:21.699 --> 43:22.599 I think he's the only one. 43:23.680 --> 43:24.501 So far. 43:24.521 --> 43:27.944 Well, he just sort of bounces through life in a very positive way. 43:27.984 --> 43:28.164 Yeah. 43:28.405 --> 43:28.805 Unlike you. 43:28.885 --> 43:29.846 Rightly so. 43:29.926 --> 43:30.406 Rightly so. 43:31.027 --> 43:32.268 No, I'm still excited, I guess. 43:32.668 --> 43:34.790 Are you going to get it on DVD when it comes out? 43:34.810 --> 43:35.891 Oh, of course I'll get it on DVD. 43:35.931 --> 43:36.912 I'll go and see it again even. 43:37.132 --> 43:37.353 Yeah. 43:37.513 --> 43:38.153 But it's a stinker. 43:43.797 --> 43:45.279 OK, well, we should battle it out now. 43:45.319 --> 43:47.561 We've only got a few minutes left until the end of our show. 43:47.581 --> 43:49.844 So who gets to play the final track of this? 43:49.864 --> 43:52.006 This is our penultimate show, incidentally, listeners. 43:52.026 --> 43:55.330 We're going to take quite a long break after next week's show. 43:55.350 --> 43:57.332 Are we allowed to announce what's happening after next week's show? 43:57.372 --> 43:57.973 Is it public knowledge? 43:59.016 --> 43:59.196 It is. 43:59.216 --> 44:02.737 Well, Ricky and Steve are back for a special... Well, they're sitting in for us. 44:02.757 --> 44:03.197 Yeah. 44:03.217 --> 44:05.378 Because we're busy and they've got nothing to do. 44:05.438 --> 44:05.758 Yeah. 44:05.778 --> 44:06.958 Because they're sitting in for us. 44:07.058 --> 44:10.799 They've stopped winning awards for a while, so they're going to come back and keep our seats warm. 44:11.059 --> 44:11.499 Yeah. 44:11.579 --> 44:14.880 Until such time as we decide to let them go and come back. 44:14.980 --> 44:15.340 Exactly. 44:15.380 --> 44:16.781 But we'll be back in September, I think. 44:17.701 --> 44:20.243 That is, if we're asked back. 44:20.803 --> 44:25.266 Anyway, so this is Dizzy's In The Dock now, and Joe and myself are going to battle it out for who gets to play their final track. 44:25.326 --> 44:35.633 And the theme this week is, Joe, the theme this week is the productions of Trevor Horn, Britain's greatest producer, a man capable of turning any band into an extraordinary sound effects-laden orchestral... 44:36.534 --> 44:54.078 phenomenon some some of his credits include the art of noise tattoo tattoo Frankie goes to Hollywood yeah none of those have been selected I don't know certainly not by me no no not by me I'd like to play the first Trevor Horn record I ever really got into massively and that's poison arrow by ABC I'm a major ABC fan 44:54.338 --> 44:55.879 Well, Lexicon of Love's a classic album. 44:55.899 --> 45:00.463 Lexicon of Love is a classic album, it turned up at like number... in the top ten all-time British albums, right? 45:00.683 --> 45:00.924 Really? 45:01.064 --> 45:03.926 Yeah, yeah, when they did that in all the music nags a few months ago. 45:03.946 --> 45:07.049 It's a fantastic album, I know the whole thing word for word. 45:07.409 --> 45:11.192 I used to perform it in front of the mirror to myself, and boy was I sexy. 45:11.453 --> 45:12.213 Wow, that's so scary. 45:12.273 --> 45:14.776 It was amazing when I was a kid, back in 82, when I was about 12. 45:15.336 --> 45:16.957 Were you an absolute queen in those days? 45:17.098 --> 45:20.580 I was, and no, I just didn't have, you know, any filtering methods. 45:20.781 --> 45:21.701 I didn't know what was what. 45:22.302 --> 45:24.664 And ABC excited me, amazingly. 45:24.964 --> 45:25.264 Wow. 45:25.645 --> 45:26.786 So I'd like to play Poison Arrow. 45:26.866 --> 45:35.553 It's an extraordinarily ridiculous single with a bombastic orchestral backing, ridiculous falsetto lyrics, extraordinarily funky. 45:35.573 --> 45:36.994 It's the sort of thing you just don't get anymore. 45:37.515 --> 45:40.958 An amazing melange of styles and operatic melodrama. 45:41.058 --> 45:43.400 Well, come on, Martin Fry Cornish, give us a quick blast. 45:44.021 --> 45:47.188 Uh, shoot the poison arrow through your heart! 45:47.729 --> 45:48.010 Yeah? 45:48.210 --> 45:48.491 Yeah. 45:49.032 --> 45:51.779 No rhythm in cymbals, no tempo in drums. 45:51.819 --> 45:52.520 Is that the right song? 45:53.263 --> 45:54.464 Love is, that's a different song. 45:54.484 --> 45:55.105 That's the look of love. 45:55.125 --> 45:56.546 Oh, I've got all confused. 45:56.886 --> 45:58.407 But anyway, I want to play Poison Arrow. 45:58.428 --> 46:02.411 So if you want to hear Poison Arrow, call 0871-222-1049. 46:02.671 --> 46:06.114 That's 0871-222-1049 and vote for Poison Arrow. 46:06.174 --> 46:11.659 Everybody who gets through is going to win a copy of California Dreamin', a fantastic Songs of the Mamas and Puppas DVD. 46:12.580 --> 46:13.220 That's good, isn't it? 46:13.240 --> 46:13.841 That's exciting. 46:14.001 --> 46:15.202 Yeah, that's nice for pop fans. 46:15.222 --> 46:16.123 Yeah, everyone who gets through. 46:16.143 --> 46:20.627 So call 0871-222 and vote for ABC or vote for Adam's song, which is... Buggles. 46:21.467 --> 46:21.948 Good choice. 46:22.008 --> 46:42.060 Of course, you know video killed the radio star was one of the it was one of the first kind of synth pop Classics that I ever heard and I just thought well This is futuristic and I'm buying into this because this is blowing my mind Also is accompanied by what looked to me like the most amazing video I'd ever seen it was one of the first videos in those days at the beginning of the 80s and 46:42.700 --> 46:59.185 and i seem to remember it had a tube like a plastic tube with a lady painted silver kind of going up and down the tube maybe she was the radio star and trevor horn was stood there because he was actually one of the buggles he was in the band and so he had to front the the band what's the first line of that song 47:00.245 --> 47:02.807 Uh, I, I heard you on the wireless back in 52. 47:02.867 --> 47:04.288 That's a great record. 47:04.328 --> 47:08.051 Lying awake intently tuning in on you. 47:08.971 --> 47:09.672 What a playoff! 47:09.872 --> 47:13.895 ABC with Poison Arrow versus Video Killed the Radio Star by Buggles. 47:14.135 --> 47:14.315 Yeah. 47:14.475 --> 47:15.236 Who's gonna win that? 47:15.296 --> 47:17.297 I won't go on about it anymore, but that's, that's your choice. 47:17.317 --> 47:17.517 0-8-7-1-2-2-2-1-0-4-9. 47:17.537 --> 47:17.978 Get calling now! 47:25.604 --> 47:26.045 Very nice. 47:26.065 --> 47:27.566 That's Ben Folds with Landed. 47:27.606 --> 47:29.468 We're getting out of that slightly early. 47:29.508 --> 47:35.074 Sorry to Ben Folds fans there because we've got to resolve our Diggies in the Dock competition this week. 47:35.714 --> 47:36.155 That is correct. 47:36.195 --> 47:39.638 It's Poison Arrow by ABC versus Video Kill the Radio Star by Buggles. 47:39.879 --> 47:42.441 Both tracks produced by Trevor Horn, Britain's most talented. 47:43.402 --> 47:43.862 producer. 47:44.122 --> 47:44.863 Oh, we've got, what? 47:45.063 --> 47:50.024 Yeah, sorry, I was going to say that someone reminded us via email that he also produced Bell and Sebastian. 47:50.044 --> 47:50.544 That's correct. 47:50.865 --> 47:51.805 Among the list of his series. 47:51.825 --> 47:52.545 So you've still got it. 47:52.805 --> 47:53.686 And varied credits. 47:53.866 --> 47:55.066 We've got five callers on the line. 47:55.126 --> 47:59.868 Everybody is going to win a copy of California Dream in the New Mommas and the Puppas DVD that's in the shops now. 48:00.688 --> 48:03.449 Uh, courtesy of Universal. 48:03.869 --> 48:04.789 DVD's limited. 48:05.090 --> 48:05.710 Nicely done, Jay. 48:05.730 --> 48:06.470 Thank you very much. 48:06.910 --> 48:07.530 OK, Ken. 48:07.570 --> 48:08.071 Hello, Ken. 48:08.091 --> 48:08.471 Hello. 48:08.491 --> 48:09.131 How are you? 48:09.551 --> 48:10.512 I'm very well, thanks, have you? 48:10.532 --> 48:11.272 Hmm, very well. 48:11.292 --> 48:11.892 What do you do for a living? 48:11.912 --> 48:12.993 I'm going to try and guess what you're voting. 48:13.013 --> 48:13.593 What do you do for a living? 48:14.013 --> 48:15.374 Um, at the moment, not very much. 48:15.734 --> 48:16.074 Oh, dear. 48:16.214 --> 48:16.655 Unemployed. 48:16.795 --> 48:18.055 Well, then- Well, no, I get paid. 48:18.235 --> 48:19.556 I just don't do very much at work. 48:19.776 --> 48:19.916 Really? 48:19.936 --> 48:20.517 How do you manage that? 48:21.297 --> 48:22.017 I got no idea. 48:22.137 --> 48:22.818 He runs Channel 4. 48:22.878 --> 48:23.118 Wow. 48:23.138 --> 48:24.198 Find me out soon. 48:24.458 --> 48:25.039 There you go. 48:25.479 --> 48:27.160 Okay, well, I'm guessing you're a Buggles man. 48:27.844 --> 48:28.024 Yes. 48:28.444 --> 48:29.365 Is that what you're voting for? 48:29.385 --> 48:30.145 It is, yeah. 48:30.526 --> 48:32.107 Buggles, you see, there you go. 48:32.387 --> 48:33.627 So there we go, 1-0 to Buggles. 48:33.667 --> 48:36.449 Congratulations, you win the Mummers and the Puppers DVD. 48:36.529 --> 48:37.530 Anything to say to Ken, Adam? 48:38.230 --> 48:39.411 Thanks very much for calling, Ken. 48:39.451 --> 48:40.311 You voted correctly. 48:40.331 --> 48:41.712 Thank you. 48:41.732 --> 48:42.833 And 1-0 to Buxton. 48:43.033 --> 48:43.833 All power to you. 48:43.853 --> 48:44.374 Damn him. 48:44.514 --> 48:45.314 Thanks very much for your call. 48:45.334 --> 48:46.075 Who have we got next, Joe? 48:46.135 --> 48:46.455 Jason. 48:46.775 --> 48:47.576 Jay Horny. 48:48.216 --> 48:48.636 Hello, mate. 48:49.437 --> 48:50.217 How you doing, Jason? 48:50.617 --> 48:51.258 Yeah, not so bad. 48:51.418 --> 48:52.519 What are you up to this afternoon? 48:52.539 --> 48:54.760 I just got out of the bar. 48:54.780 --> 48:55.520 You got out of the bar? 48:55.540 --> 48:56.121 Are you naked? 48:57.000 --> 48:57.840 I've got a towel around me. 48:57.980 --> 48:58.501 Have you? 48:58.541 --> 49:00.121 Well you're turning me on now! 49:00.461 --> 49:00.921 Wow. 49:00.941 --> 49:02.722 Oh my god, are you so wet? 49:03.402 --> 49:04.042 What's going on? 49:04.062 --> 49:07.243 What order of drying are you going to do, Jason? 49:08.064 --> 49:11.805 I'll just give it the one round the back of the vigorous one. 49:12.525 --> 49:24.695 Don't you ever get- I'll make this quick, I get out of the bath, I think I've dried myself off, I put clothes on, I find wet bits that I haven't got, but usually on the arse area, and on the middle of the back, usually still wet. 49:25.456 --> 49:26.437 Spend a bit more time, you reckon? 49:26.617 --> 49:28.538 What kind of regimen have you got, man? 49:28.558 --> 49:29.099 Not a very good one. 49:29.599 --> 49:31.361 Anyway, so what are you going to vote for, Jason? 49:32.014 --> 49:33.094 I'd like a bit of ABC. 49:33.194 --> 49:34.355 Hey, good man! 49:34.555 --> 49:35.575 OK, it's one all. 49:35.675 --> 49:37.496 One for the Buggles and one for ABC. 49:37.536 --> 49:38.456 This is very exciting. 49:38.516 --> 49:39.356 James, hello, James. 49:39.916 --> 49:40.196 Hello. 49:40.517 --> 49:41.217 How you doing, James? 49:41.677 --> 49:42.277 Not bad, you? 49:42.577 --> 49:43.617 Very well, thank you very much. 49:43.818 --> 49:45.478 You're a man who sounds business-like. 49:45.658 --> 49:46.218 Cut to the chase. 49:46.958 --> 49:47.219 Yeah. 49:47.519 --> 49:48.499 Have you got time for chitchat? 49:49.279 --> 49:50.179 Er, if you want. 49:50.560 --> 49:52.740 Yeah, what are you doing this afternoon, James? 49:52.820 --> 49:53.660 Er, not much. 49:54.001 --> 49:55.141 Just sits out some days. 49:55.681 --> 49:56.021 Really? 49:56.381 --> 49:57.241 On a bench, shooting up? 49:57.902 --> 49:58.742 Yeah, hopefully. 49:59.187 --> 50:00.168 Yeah, well done. 50:00.188 --> 50:01.990 Yeah, well, you know, be ambitious. 50:02.771 --> 50:04.293 What are you voting for, James? 50:04.854 --> 50:05.374 ABC. 50:05.575 --> 50:07.857 Hey, that's 2-0 to Cornish. 50:08.698 --> 50:10.480 You know the track, presumably, do you, James? 50:10.901 --> 50:11.441 Yeah, yeah. 50:11.722 --> 50:11.962 Yeah. 50:12.222 --> 50:13.944 It's a classic album, but do you know the Buggles track? 50:14.585 --> 50:15.965 Ricky and Steve laugh Ricky and Steve laugh 50:38.093 --> 50:39.954 Er, well, well done for not being in the same house. 50:39.974 --> 50:41.636 Are you also going for ABC? 50:42.056 --> 50:42.576 No, I'm not. 50:42.917 --> 50:43.697 OK. 50:43.798 --> 50:44.698 What are you playing at, June? 50:44.979 --> 50:47.541 Well, she's levelling the playing field a little bit. 50:47.721 --> 50:48.021 She's insane. 50:48.041 --> 50:49.322 Thanks very much, June. 50:49.562 --> 50:50.944 And you love the track, presumably. 50:50.964 --> 50:51.644 You're familiar with it? 50:51.985 --> 50:52.865 Yeah, one of my favourites. 50:53.085 --> 50:54.026 Yeah, yeah, good one. 50:54.046 --> 50:55.347 Well, thank you very much for your call. 50:55.407 --> 50:56.008 Thanks to all. 50:56.048 --> 50:57.649 You're going to get the mamas and the puppies DVD. 50:57.669 --> 50:58.450 This is amazing. 50:58.570 --> 50:58.850 Wow. 50:59.031 --> 50:59.951 This has never happened before. 51:00.071 --> 51:01.633 So this is the deciding call. 51:01.873 --> 51:02.393 Is it Hayley? 51:03.234 --> 51:03.614 Hailey. 51:03.815 --> 51:04.375 Hello, Hailey. 51:04.876 --> 51:05.276 Hello. 51:05.456 --> 51:06.157 Hello, how you doing? 51:06.637 --> 51:07.558 I'm fine, thank you. 51:07.578 --> 51:09.460 You've got a momentous responsibility on your shoulder. 51:09.500 --> 51:10.661 You're the deciding vote. 51:10.701 --> 51:11.762 Don't tell us what you're voting yet. 51:12.303 --> 51:13.664 OK, well, it was a very close call with me. 51:13.684 --> 51:14.965 I love the vote, the vote songs. 51:15.005 --> 51:15.345 Do you? 51:15.526 --> 51:16.506 You've got good taste in music. 51:16.807 --> 51:16.987 Thank you. 51:17.007 --> 51:18.488 Hailey, have you been listening to the whole show today? 51:19.129 --> 51:20.210 Yeah, well, I missed the point. 51:21.409 --> 51:21.709 OK. 51:21.769 --> 51:22.870 Oh, that was the best half an hour. 51:22.910 --> 51:24.651 Yeah, we were flagging. 51:24.691 --> 51:28.634 Well, apparently, I just heard that we just won an award for that first half hour. 51:28.734 --> 51:30.315 The Rage Off figures went through the roof. 51:30.535 --> 51:30.835 Yeah. 51:31.395 --> 51:32.376 And it's very exciting. 51:32.396 --> 51:33.577 There's going to be a ceremony. 51:33.637 --> 51:35.057 That's a very charitable laugh, though, from me. 51:36.357 --> 51:40.979 She's like, yeah, you're never going to win anything because you're too lame-o. 51:41.259 --> 51:42.880 So Hayley, what are you voting for then? 51:42.920 --> 51:43.680 What's the answer? 51:43.720 --> 51:47.101 Why don't you, before you tell us, just leave a pause of about, say, six seconds, then tell us. 51:47.201 --> 51:48.762 Yeah, like on Big Brother on a farm. 51:48.782 --> 51:49.602 Right, exactly. 51:49.722 --> 51:50.703 OK, or playing it straight. 51:50.963 --> 51:52.163 Make it unnaturally long. 51:52.263 --> 51:54.244 So what are you voting for, Hayley? 51:54.924 --> 52:00.627 So sorry, Hayley, say, this week I'm voting for, and then leave an unnaturally long pause. 52:01.007 --> 52:01.387 OK, go. 52:01.927 --> 52:03.508 This week I am voting for. 52:07.788 --> 52:10.611 Oh, sweet. 52:10.691 --> 52:13.233 Thanks very much, Hayley. 52:13.693 --> 52:13.994 Nice. 52:14.654 --> 52:15.735 Thank you very much for your call. 52:15.755 --> 52:17.777 Thank you very much to everyone who called this week. 52:18.598 --> 52:22.081 You've all got the Mommas and the Papas DVD coming towards you. 52:22.241 --> 52:22.861 Coming towards you? 52:23.502 --> 52:23.762 Yeah. 52:23.782 --> 52:25.243 What kind of word is that to use? 52:25.524 --> 52:29.147 Anyway, we'll be back next week for our last show before we take our summer break. 52:29.167 --> 52:29.727 That's right. 52:29.787 --> 52:30.588 It might be special. 52:30.948 --> 52:31.869 It might just be normal. 52:32.109 --> 52:32.550 Who knows? 52:32.590 --> 52:33.831 It'll probably be underwhelming. 52:33.991 --> 52:36.772 Before we go, Adam, can I- before you go, can I ask you one question? 52:37.312 --> 52:38.773 Are you or are you not gay? 52:39.934 --> 52:41.014 I am not gay. 52:41.054 --> 52:41.774 No, I don't think I'm. 52:41.794 --> 52:43.635 I had to- I had to- I had to, uh- OK. 52:43.715 --> 52:44.756 It's- it's- it's a joke. 52:44.856 --> 52:45.716 It's a playing it straight joke. 52:45.856 --> 52:46.696 It's not a genuine question. 52:46.996 --> 52:47.297 Oh, I see. 52:47.317 --> 52:48.457 I thought they'd say I'm playing it straight. 52:48.537 --> 52:50.318 I thought maybe someone had asked you via email or something. 52:50.378 --> 52:52.719 It's the new- it's the new trendy thing to say before you leave someone. 52:52.779 --> 52:55.560 Oh, by the way, before you go, are you or are you not gay? 52:56.601 --> 52:57.501 And, uh, right. 52:57.701 --> 52:58.561 I didn't realize that. 52:58.601 --> 52:59.082 Yeah, yeah. 52:59.222 --> 53:00.082 Is playing it straight good? 53:00.142 --> 53:01.563 Well, this is a conversation for next week. 53:01.583 --> 53:02.123 No need to care. 53:03.230 --> 53:05.171 Ah, it's Buggles time. 53:05.191 --> 53:06.492 Thanks very much for listening everyone. 53:06.552 --> 53:06.912 Bye. 53:06.932 --> 53:08.713 Justin Lee Collins coming up in one second. 53:08.773 --> 53:11.515 Hardest matter working man in show business but first here's the horny horn. 53:11.875 --> 53:14.737 I heard you on the wireless back in 52. 53:15.457 --> 53:18.859 Lying awake and simply tuning in on you. 53:18.979 --> 53:21.941 If I was young it didn't stop you coming through.