WEBVTT 00:00.049 --> 00:01.250 Hi, my name's Adam. 00:01.490 --> 00:02.450 Hello, my name's Joe. 00:02.890 --> 00:08.513 And we're going to be with you for the next couple of hours here on XFN this kind of bleak Saturday afternoon. 00:08.533 --> 00:10.553 But we're going to brighten it up for you, right Joe? 00:10.714 --> 00:15.936 It's a very good afternoon for staying inside and curling up and listening to us. 00:16.826 --> 00:20.768 Yeah, curling up, curling hair, curling, just curling, you know. 00:20.788 --> 00:21.228 The sport. 00:21.368 --> 00:21.869 The sport. 00:22.729 --> 00:25.550 Any kind of curling is good as far as we're concerned. 00:25.851 --> 00:33.234 I've just seen that some of the prizes we're giving away on today's exciting show, we've got the return of Crap Commentary Corner incidentally, that's our competition this week. 00:33.254 --> 00:33.695 That's exciting. 00:33.715 --> 00:34.495 That is exciting. 00:35.055 --> 00:37.557 And some of the prizes we're giving away are Joe Cornish. 00:38.317 --> 00:39.758 You're not giving away Joe Cornish. 00:39.838 --> 00:40.418 Oh no. 00:40.438 --> 00:41.539 That's too good a prize. 00:42.199 --> 00:45.502 We're giving away copies of National Treasure starring Nicolas Cage, a film I haven't seen. 00:45.522 --> 00:46.983 I can't believe I bought that. 00:47.163 --> 00:47.403 Did you? 00:47.423 --> 00:53.288 Alright, I bought it yesterday and I'm so thick that I bought it on import because I didn't realize it was- Wow. 00:53.689 --> 00:54.509 Coming out in Britain. 00:54.529 --> 00:57.732 I paid about £500 for it and I got, er, it's quite good. 00:57.772 --> 00:58.933 I started watching it last night, didn't 00:58.973 --> 00:59.433 Steve Laughs 01:14.540 --> 01:16.581 for reasons too exciting to reveal now. 01:17.081 --> 01:17.561 There we go. 01:17.581 --> 01:27.363 So we got those to give away, we're not sure which competition to give away, and plus we got a copy of, for some bizarre reason, Todd Browning's Freaks, which may just be some sort of subtle message from our production staff. 01:27.383 --> 01:31.164 Maybe we should do that one for Crap Commentary Corner, cos that's a good sort of film prize. 01:31.184 --> 01:32.604 I love a film with freaks in it. 01:32.864 --> 01:33.325 I do too. 01:33.345 --> 01:34.885 Have you seen Michael Winner's The Sentinel? 01:35.285 --> 01:38.967 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 02:01.337 --> 02:03.120 Well, we've got terrific music coming up, Adam, haven't we? 02:03.160 --> 02:03.360 Oh, yeah. 02:03.380 --> 02:07.466 We've got music from Gorillaz, Kings of Leon, Radiohead, Razorlight, Bravery, Baby Shambles, Idlewild. 02:07.486 --> 02:08.568 That's just the first hour. 02:08.588 --> 02:08.648 Wow. 02:09.089 --> 02:15.558 And we're gonna have some, as well as those competitions, some amazing topics of conversation to do with the week's pop, culture, and that sort of thing. 02:16.159 --> 02:17.221 So stay tuned, basically. 02:26.366 --> 02:27.326 Don't touch the Rolos! 02:27.727 --> 02:28.688 Don't touch the Rolos! 02:29.128 --> 02:30.109 Don't touch the Rolos! 02:30.409 --> 02:34.472 That's a very- I'm glad someone's made a song about that, cos people are always nicking my Rolos. 02:34.493 --> 02:35.233 I hate it. 02:35.513 --> 02:35.874 Who was that? 02:36.014 --> 02:36.875 That was the Kings of Leon. 02:36.895 --> 02:37.715 Well done, Kings of Leon. 02:37.755 --> 02:39.056 I really like the Kings of Leon. 02:39.216 --> 02:40.918 And before that, you heard Gorillaz. 02:40.938 --> 02:42.059 I really like Gorillaz. 02:42.399 --> 02:48.945 With Feel Good Incorporated, the Kings of Leon track was taken from their album, A Harshake Heartbreak, and it was called King of the Rodeo. 02:48.965 --> 02:49.645 That's all the info. 02:49.665 --> 02:50.286 Well done, well done. 02:50.486 --> 02:53.248 And I've got a- Saturday's a very popular shopping day. 02:53.588 --> 02:59.273 Many people listening will be- have just come back from the shops, or be going to the shops, or maybe be on their way to the shops. 02:59.293 --> 03:00.233 That's a good factoid. 03:00.253 --> 03:01.274 Don't worry, it's going somewhere. 03:01.514 --> 03:01.815 Is it? 03:02.015 --> 03:02.235 Yeah. 03:02.255 --> 03:03.036 I was happy with that. 03:03.196 --> 03:04.156 So what's new in the shops? 03:04.177 --> 03:05.718 The main thing new in the shops is chip and pin. 03:23.402 --> 03:24.103 Do you know what I mean? 03:24.203 --> 03:27.585 And that whole moment at the checkout is quite a socially awkward thing. 03:27.925 --> 03:30.387 Before Chip and Pin, there was plenty to do. 03:30.407 --> 03:38.592 There was swipe the card, rip the piece of paper off, pass the pen, find the pen, sign it with the pen, put the thing in the bag. 03:38.812 --> 03:44.036 There was plenty to be going on with to occupy you and the stranger that you're doing the transaction with. 03:44.296 --> 03:45.057 With Chip and Pin. 03:45.777 --> 03:47.518 It's just two minutes of silence. 03:47.558 --> 03:50.339 Awkward silence and they stare around and chat to their workmates. 03:50.359 --> 03:52.459 Yeah, you just stick it in the thing and then you wait. 03:53.040 --> 03:54.300 They say, do you know your pin? 03:54.560 --> 03:56.381 All that, well, they don't even usually do that. 03:56.461 --> 04:00.182 All they, now that you've, everyone's learned how to do it, they don't even have to explain it anymore. 04:00.802 --> 04:04.864 Now all they have to do is stick the thing in the bag and then you just sit there staring at each other. 04:05.464 --> 04:06.724 It takes things quick, though, isn't it? 04:07.385 --> 04:10.746 Not quick enough, because of the time spent staring at the person. 04:10.866 --> 04:11.586 Well, you could chat. 04:11.606 --> 04:13.847 You could say, what's it like working here? 04:13.927 --> 04:15.207 Well, you don't always want to do that. 04:15.267 --> 04:15.948 Do not empathise. 04:15.968 --> 04:17.508 Maybe someone out there empathises with it. 04:17.548 --> 04:20.949 It's made shopping slightly more awkward, incrementally more awkward. 04:20.969 --> 04:25.931 Well, it'd be nice to speak to a sales assistant whose job has been made hell by the awkward moments. 04:26.511 --> 04:27.072 of Chippin' Pin. 04:45.713 --> 04:51.335 Can I just ask, just to clear up the chip and pin thing, is the pin always the same as your hole-in-the-wall pin? 04:51.535 --> 04:51.755 Yes. 04:52.176 --> 04:54.036 Yeah, so obviously you know your pin. 04:54.056 --> 04:55.677 What's the big deal with not knowing your pin? 04:55.797 --> 05:02.039 Well, sometimes if you use your Visa card that you've always signed for, you know, I only know the pin of my Switch card. 05:02.520 --> 05:02.800 Right. 05:03.260 --> 05:04.200 Not my Visa card. 05:04.400 --> 05:06.221 I can't believe she's still got a Switch card. 05:06.241 --> 05:08.442 Of course, well, it's not called Switch anymore, is it? 05:08.462 --> 05:13.744 It's called Maestro or Mondeo or Potato or something, I don't know. 05:14.424 --> 05:17.326 They- I think Chip and Pin would be a good name for a double act though, don't you reckon? 05:17.547 --> 05:20.069 Chip and Pin would be a brilliant name for a double act. 05:20.089 --> 05:22.711 You know, I'm gonna see that, I bet, at the Edinburgh Festival this year. 05:22.911 --> 05:23.211 Yeah. 05:23.311 --> 05:23.872 When I'm there. 05:24.472 --> 05:24.692 Right. 05:24.712 --> 05:26.133 That's something to look forward to. 05:26.294 --> 05:26.994 Chip and Pin. 05:27.895 --> 05:27.975 Ah. 05:28.255 --> 05:30.477 Now, should we talk about the BAFTAs a bit later, or are you not bothered? 05:30.837 --> 05:31.838 No, we'll talk about the BAFTAs. 05:31.878 --> 05:36.842 We should go for a record though, maybe, because people who like music and hate us might be getting annoyed. 05:37.202 --> 05:38.803 I don't- I don't want to cater to those people. 05:38.863 --> 05:40.323 This is- this is our two hours. 05:40.724 --> 05:44.045 But, um, no, you know, we'll compromise and, uh, play some Radiohead. 05:44.085 --> 05:44.605 How about that? 05:45.766 --> 05:48.427 Oh, this has got a- I'm gonna talk over this, cause this is a slow fade in. 05:49.348 --> 05:50.628 Are you gonna say anything worth saying? 05:51.328 --> 05:52.049 Um, no. 05:52.069 --> 05:52.809 I wouldn't bother. 05:52.969 --> 05:53.429 That is. 05:53.830 --> 05:54.290 What about that? 05:54.670 --> 05:55.230 That's very good. 05:55.250 --> 05:55.530 Thank you. 06:09.867 --> 06:13.590 It's the mighty heed with Blackstar. 06:14.050 --> 06:16.993 That was taken, of course, from an album called The Bends, which is really good. 06:17.033 --> 06:17.753 You should check it out. 06:17.773 --> 06:19.235 This is Adam and Joe on XFM. 06:26.160 --> 06:30.103 The extraordinary vocal stylings of Razorlight were somewhere else before that. 06:30.123 --> 06:32.705 You heard Green Day with Boulevard of Broken Dreams. 06:32.725 --> 06:36.508 It's Adam and Joe here on XFM and it's competition time. 06:57.132 --> 07:07.718 Yeah, we just start talking over this bit. 07:08.599 --> 07:08.959 Good man. 07:09.039 --> 07:09.599 OK, so there we go. 07:09.619 --> 07:10.660 Crap commentary competition. 07:11.100 --> 07:12.601 If you win this- ooh, that was abrupt, wasn't it? 07:12.621 --> 07:13.421 It was a little short bed. 07:13.501 --> 07:13.682 Yeah. 07:13.782 --> 07:16.203 If you win this, you could just take your pick of our prizes. 07:16.243 --> 07:17.764 National Treasure, Todd Browning's Freaks. 07:17.804 --> 07:19.225 We've been sent the new Spoon album. 07:19.865 --> 07:20.726 That's exciting, isn't it? 07:20.746 --> 07:24.928 We usually just get sent rubbish albums, but we've been sent a good one, so I might give my copy away. 07:25.348 --> 07:26.088 Oh, he could do that. 07:26.128 --> 07:27.509 Maybe we should play a track off it later on. 07:27.529 --> 07:27.909 Maybe we should. 07:28.169 --> 07:28.610 So there we go. 07:28.650 --> 07:29.310 So here it comes. 07:29.350 --> 07:32.111 This is, of course, recorded off a popular DVD commentary. 07:32.531 --> 07:33.472 I'm not going to give you any clues. 07:33.512 --> 07:35.493 This is either going to be really difficult or very hard. 07:35.513 --> 07:36.233 I'm not quite sure. 07:36.613 --> 07:38.494 So what film are these people commentating on? 07:39.114 --> 07:39.734 And who are they? 07:39.754 --> 07:41.275 There's a director and a couple of stars. 07:41.675 --> 07:42.275 Can you name them? 07:42.296 --> 07:44.136 The number, of course, is 0871 222 1049. 07:45.377 --> 07:46.117 There's two clips. 07:46.157 --> 07:47.058 Let's listen to the first one. 07:47.358 --> 07:48.218 You're just in time. 07:48.318 --> 07:49.259 We're just starting here. 07:49.479 --> 07:49.939 Oh, good! 07:51.644 --> 07:52.825 That's F. Murray Abraham. 07:52.865 --> 07:53.105 Yeah. 07:53.285 --> 07:53.966 Good old F, huh? 07:54.006 --> 07:54.306 Yeah. 07:54.766 --> 07:55.607 We were very tight. 07:55.747 --> 07:58.189 I called him F. I met his entire family. 07:58.569 --> 08:04.033 G, K, D, L. You see, many people don't realize it, but that entire scene was shot inside my head. 08:04.373 --> 08:08.576 It was very painful getting all the camera and sound equipment in there, but it was well worth the effort. 08:10.083 --> 08:11.805 Well... Is that really easy? 08:12.105 --> 08:13.286 I would say it's quite easy. 08:13.306 --> 08:15.348 That's a pretty recognisable voice, that one. 08:15.708 --> 08:17.930 08712221049, here's the second clip. 08:18.430 --> 08:18.590 OK. 08:18.610 --> 08:19.231 Are you ready for this? 08:19.251 --> 08:20.452 Let me line it up for you. 08:21.213 --> 08:22.534 It's got to be... Well, I won't say anything. 08:22.554 --> 08:23.054 Don't say anything. 08:23.074 --> 08:25.036 I don't know who it is, I'm just guessing, but I won't guess. 08:25.056 --> 08:25.716 Well, you've got to get it right. 08:25.736 --> 08:32.202 You've got to get... You've got to name... Well, ideally, you'd name the director and which two stars are speaking. 08:32.242 --> 08:33.103 I think I could do it. 08:33.143 --> 08:33.243 Yeah? 08:33.303 --> 08:34.043 OK, let's have a second one. 08:34.063 --> 08:34.344 All right. 08:34.824 --> 08:36.246 You see, watch this scene. 08:36.266 --> 08:37.687 This is one for the Academy voters. 08:37.907 --> 08:39.088 I'm thinking these scenes right here. 08:39.909 --> 08:42.792 I'm thinking these particular scenes, the rat poacher scenes. 08:43.032 --> 08:45.195 These are the scenes that are gonna get me that Oscar nomination. 08:45.215 --> 08:46.776 Academy loves this stuff, you know? 08:46.816 --> 08:50.520 Hey, you guys have a problem if I just slip out and check the plumbing, if you know what I mean? 08:51.280 --> 08:51.860 Oh, no, go ahead. 08:53.080 --> 08:55.881 Well, hmm, I think I could get that one. 08:56.121 --> 09:00.522 Well, maybe we should be tough then and go for not only the film but the correct three names. 09:01.702 --> 09:04.142 And also all the films that they've ever been connected with. 09:04.162 --> 09:04.563 Yeah. 09:05.263 --> 09:05.923 A list of them. 09:06.003 --> 09:07.043 No, only joking. 09:07.383 --> 09:10.144 All you have to do is name who that was, speaking. 09:11.004 --> 09:13.464 They were speaking in character, though, weren't they? 09:13.564 --> 09:14.384 Hey, hey, hey! 09:14.464 --> 09:15.145 I'm just assuming. 09:15.185 --> 09:16.105 Well, you know. 09:17.385 --> 09:21.166 871-222-1049 if you know who that was. 09:21.646 --> 09:23.046 What a fantastic competition. 09:23.066 --> 09:24.126 Brilliant stuff. 09:24.267 --> 09:27.947 Ricky laughs Steve I'm glad you- I'm glad you got back to it, man, because it is a good competition, you know? 09:27.967 --> 09:28.267 Steve Yeah, yeah. 09:28.587 --> 09:32.328 Hey, listen, the, er, the texts are going crazy with chip and pin comments. 09:32.348 --> 09:32.868 Ricky Really? 09:32.888 --> 09:33.448 Steve Yeah. 09:33.969 --> 09:35.329 So we'll get back to that in a second. 09:35.349 --> 09:36.169 Are we gonna have a record? 09:36.189 --> 09:38.009 Ricky Yeah, I thought I'd play a track from the Spoon album. 09:38.029 --> 09:38.409 Steve Good idea. 09:38.429 --> 09:40.090 Ricky This is, er, I Summon You. 09:48.638 --> 09:51.640 A spoon with I Summon You from their new album Gimme Fiction. 09:51.800 --> 09:53.302 This is Adam and Joe on XFL. 09:53.342 --> 09:54.402 Is nobody getting this right, then? 09:54.582 --> 09:56.624 Apparently, people are having a tough time with that one. 09:56.644 --> 09:57.565 I thought that was easy. 09:57.605 --> 09:58.365 Shall we give them a clip? 09:58.385 --> 09:59.326 Well, let's play another clip. 09:59.646 --> 10:02.388 OK, well, shall we play the first one again, or have you got a different clip altogether? 10:02.508 --> 10:03.469 No, I've only got two. 10:03.609 --> 10:04.350 Oh, you got two? 10:04.610 --> 10:06.251 OK, we'll play the first one again. 10:06.511 --> 10:07.212 Here's another chance. 10:07.232 --> 10:12.816 So can I just say, if you know this, 08712221049, you could well just swan straight through and win. 10:13.036 --> 10:14.197 There could well be swanning. 10:14.757 --> 10:15.038 Listen. 10:15.258 --> 10:16.118 You're just in time. 10:16.178 --> 10:17.139 We're just starting here. 10:17.399 --> 10:17.680 Oh, good! 10:17.740 --> 10:17.920 Yeah. 10:19.545 --> 10:20.706 That's a Murray Abraham. 10:20.746 --> 10:23.469 Yeah, good old F. Yeah, we were very tight. 10:23.649 --> 10:26.071 I called him F. I met his entire family. 10:26.452 --> 10:27.993 GKDL. 10:28.253 --> 10:31.917 See, many people don't realize it, but that entire scene was shot inside my head. 10:32.277 --> 10:36.461 It was very painful getting all the camera and sound equipment in there, but it was well worth the effort. 10:36.681 --> 10:52.737 speaking of painful but well worth the effort that must have been a tough commentary to sit through yes indeed if those were the best bits yeah those were the best bits uh it's it's sort of corny humor that could give you a clue and it's non-human uh people on that commentary that's another clue 0 8 7 1 triple 2 1 0 4 9 get calling xfm 11:03.505 --> 11:11.913 It's Adam and Joe here on Saturday afternoon on XFM and it's the exciting part of the crap commentary corner competition in that we're going to establish now. 11:11.993 --> 11:12.894 That is the exciting part. 11:12.974 --> 11:13.475 Who has won? 11:13.715 --> 11:14.436 When someone wins. 11:14.616 --> 11:14.736 Yeah. 11:14.756 --> 11:16.858 So much more exciting than the competition and clip. 11:17.639 --> 11:19.120 Um, so we've got two callers on the line. 11:19.240 --> 11:20.521 The first is Dan. 11:20.541 --> 11:21.042 Hello, Dan. 11:21.062 --> 11:21.843 Now then. 11:22.543 --> 11:23.624 Uh, now, did you say now then? 11:23.644 --> 11:23.684 Eh? 11:25.146 --> 11:27.448 No, sorry, I'm hallucinating orally. 11:27.788 --> 11:28.469 How are you doing, Dan? 11:29.082 --> 11:30.023 I'm alright, thank you. 11:30.043 --> 11:30.783 A new self there. 11:31.003 --> 11:32.884 Well, I'm doing absolutely brilliantly. 11:32.904 --> 11:35.546 And we're very interested to know what you think it is, Dan. 11:35.566 --> 11:36.606 What do you think that clip was from? 11:36.626 --> 11:38.267 It was from Garden State. 11:38.748 --> 11:38.988 Right. 11:39.828 --> 11:40.449 Garden State. 11:40.849 --> 11:41.529 The film, yeah. 11:41.569 --> 11:43.290 And do you know who was talking there? 11:43.310 --> 11:49.374 That was the guy, Andrew Largeman, and he was played by Zach Braff. 11:49.676 --> 11:50.236 Zak Braff. 11:50.737 --> 11:52.138 Zak Braff from Scrubs. 11:52.458 --> 11:54.379 And he kind of talks like this, does he? 11:54.719 --> 11:55.340 Zak Braff? 11:56.420 --> 11:58.041 Does he kind of talk like this? 11:58.241 --> 11:59.582 Like a kind of this? 12:00.042 --> 12:01.063 Like a kind of puppet? 12:02.684 --> 12:04.745 Is Garden State a puppet film? 12:06.146 --> 12:06.446 Is it? 12:07.807 --> 12:08.748 Not that I'm aware. 12:09.048 --> 12:09.448 No. 12:09.768 --> 12:11.189 No, Dan, you've been bad. 12:11.429 --> 12:13.671 You've been hurt yourself now, Dan. 12:13.711 --> 12:15.052 That's a good wrong answer. 12:15.092 --> 12:16.112 We love a good wrong answer. 12:16.132 --> 12:17.133 Thank you very much. 12:17.193 --> 12:18.534 Do you want a copy of National Treasure? 12:19.831 --> 12:22.593 Oh, er, no, actually. 12:22.673 --> 12:22.833 No. 12:23.393 --> 12:24.234 Well done, sir. 12:24.454 --> 12:25.094 Thank you, Dan. 12:25.154 --> 12:25.795 Well done, Dan. 12:25.815 --> 12:26.375 Very good to speak to you. 12:26.415 --> 12:28.896 You're a very clever man in new and original ways. 12:28.916 --> 12:32.478 Can I just ask you finally, Dan, before we leave you, did you enjoy Garden Stake? 12:33.119 --> 12:33.619 It rocked. 12:34.039 --> 12:34.480 OK. 12:34.500 --> 12:35.280 You're insane. 12:35.940 --> 12:37.601 Thanks so much for calling in, though, Dan. 12:37.721 --> 12:39.523 That was really enlightening. 12:39.683 --> 12:41.083 And we've got Gary on the line. 12:41.103 --> 12:42.984 Let's see if Gary's done any better with this one. 12:43.145 --> 12:44.065 Hey, Gary, how you doing? 12:44.405 --> 12:44.806 How you doing? 12:44.866 --> 12:45.386 I'm fine, thanks. 12:45.686 --> 12:46.166 good good. 12:46.547 --> 12:49.089 Now who do you think was speaking in the clip we played earlier? 12:58.419 --> 12:58.779 Yes. 12:58.899 --> 12:59.279 Yeah. 12:59.760 --> 13:00.600 You are correct, Gary. 13:00.620 --> 13:01.800 Have you seen Muppets From Space? 13:01.900 --> 13:02.921 I've got it on DVD. 13:03.061 --> 13:04.902 Yeah, but have you seen Muppets From Space? 13:06.262 --> 13:07.503 We've all got DVDs. 13:07.903 --> 13:08.763 Have you watched it, though? 13:09.824 --> 13:10.644 Yeah. 13:10.704 --> 13:11.044 Yeah. 13:11.064 --> 13:13.845 I should say my wife's got it, really, hasn't she? 13:13.885 --> 13:14.125 Right. 13:14.225 --> 13:15.406 That's the old one, you know. 13:15.446 --> 13:15.966 It's not mine. 13:15.986 --> 13:17.087 What's her excuse? 13:17.967 --> 13:18.727 Erm, she's sad. 13:19.207 --> 13:19.688 Yeah. 13:19.708 --> 13:20.068 She must be. 13:20.088 --> 13:20.568 She married me. 13:20.888 --> 13:23.169 You know what, I was excited about Muppets From Space. 13:23.509 --> 13:25.530 I remember thinking, this is gonna be the one. 13:26.191 --> 13:29.372 And it started off quite well, but then just didn't really go anywhere. 13:29.392 --> 13:29.673 It's for kids. 13:29.753 --> 13:31.433 I mean, Muppets Christmas Carol's a good film. 13:32.114 --> 13:34.875 Muppets Christmas Carol is the classic Muppet movie, don't you reckon? 13:34.915 --> 13:36.516 I wouldn't say it was a good film. 13:36.896 --> 13:38.277 Come on, Joe Cornish. 13:38.537 --> 13:40.778 But it's certainly more entertaining than Muppets From Space. 13:40.798 --> 13:42.959 It's the only decent film Michael Caine's ever done. 13:44.340 --> 13:44.600 Yes. 13:44.980 --> 13:45.661 Good point, Gary. 13:45.801 --> 13:46.341 I agree with that. 13:46.801 --> 13:48.082 Well, congratulations, Gary. 13:48.102 --> 13:49.823 What would you like, Freaks or National Treasure? 13:51.415 --> 14:13.920 there we go congratulations thanks for calling thanks for listening gary that's a crap commentary competition for this week good job thank you very much for your calls dan and gary hey and you know i should tell you that the director get this what are you ready for this oh yeah who was the director tim hill timmy hill yeah tim big the big tim hill the timster i thought it was um um you know frank os's son 14:14.807 --> 14:16.468 Er, he's involved but he's only doing the voices. 14:16.528 --> 14:18.168 I'm sure directing puppets. 14:18.848 --> 14:20.429 He's had enough of it, I can imagine. 14:20.629 --> 14:20.949 Yeah. 14:21.049 --> 14:21.509 Fair enough. 14:22.209 --> 14:22.689 Er, there you go. 14:22.809 --> 14:25.050 Well, this is Adam and Joe and this is The Bravery. 14:38.357 --> 14:42.807 or on your television, you can sit there in front of a blank screen and watch it. 14:42.847 --> 14:44.350 I can't remember what channel it's on. 14:44.370 --> 14:45.172 Do you remember, Lila? 14:45.613 --> 14:46.515 On digital TV. 14:47.116 --> 14:48.118 What channel XFM is. 14:49.716 --> 15:14.204 oh come on brilliant stuff there we go so um this week we went what i was gonna say that was the bravery with fearless thank you this this week we went to the uh adam and i went to the hitchhiker's guide to the galaxy premiere and party didn't we add yeah absolutely yeah and it was it's a fantastic film we highly recommend you see it very visually dense i think i need to see it again because there was so much going on i couldn't take it all in at times 15:14.264 --> 15:18.086 Steve Yeah, there's loads of sort of hidden little, uh, Easter-eggy type things for fans. 15:18.106 --> 15:20.227 Ricky Yeah, it's gonna be a- a monstrously good DVD. 15:20.247 --> 15:20.647 Steve Yeah. 15:20.787 --> 15:26.470 Ricky Um, but at the part- and they had a fantastic party afterwards, they had- is it called the Space Hog- the Hog Pod? 15:27.050 --> 15:28.531 They had a big spaceship outside the venue. 15:28.551 --> 15:28.951 Steve Oh yeah. 15:28.971 --> 15:34.354 Ricky The venue was the Freemasons Hall, which is this amazing Freemasonry church in London that's usually closed to the public. 15:34.854 --> 16:03.489 and they had this huge party and they had bits of the set from Hitchhiker's there, they had Vogons around the place, all the waiters were dressed as Arthur Dent and aliens and stuff like that, and all the cast were there, apart from Mos Def, he didn't make it, but Sam Rockwell was there, Sue Lee, Dash, Dash Nell, Martin Freeman, I had a lovely talk to Martin Freeman's mum, oh yeah, I don't want to go into too much detail because he's a sensibly, he's a private person, but she was a lovely woman, and is a lovely woman, what a lovely woman, and she said whenever her and her husband feel a bit down, 16:04.509 --> 16:06.210 they just watch a whole lot of The Office. 16:07.091 --> 16:09.232 And I think she called it- that's- Marty Time. 16:09.652 --> 16:10.453 We have Marty Time. 16:10.473 --> 16:15.255 And we just watch loads- she just gets a box set of The Office and watches it and just thinks, that's my son. 16:15.615 --> 16:17.036 He's brilliant. 16:17.056 --> 16:17.777 Steve Wow. 16:17.797 --> 16:18.397 That's amazing. 16:18.417 --> 16:19.818 That would be brilliant if you were a parent. 16:19.858 --> 16:20.438 Can you imagine? 16:20.778 --> 16:23.180 Unfortunately that's a joy denied to our parents. 16:23.200 --> 16:23.680 Ricky I don't know. 16:23.700 --> 16:25.381 Steve Because what are they gonna do? 16:25.421 --> 16:26.742 Struggle through the Adam and Joe DVD? 16:26.782 --> 16:27.802 Ricky Yes. 16:27.822 --> 16:28.403 My mother's. 16:28.423 --> 16:29.003 Steve Yes, I suppose. 16:29.323 --> 16:29.964 Bucky time. 16:29.984 --> 16:31.404 Ricky Bucky and Bobo time. 16:31.424 --> 16:32.065 Steve Corny time. 16:32.845 --> 16:35.586 Er, so, but listen anyway, Adam, we, I was talking about Adam, er, what? 16:35.726 --> 16:42.769 I was talking to Adam about the Hitchhiker's, er, premiere and he was complaining that he didn't get any photographer action on the carpet. 16:42.989 --> 16:52.053 Well, I wasn't complaining, I mean, it's a foregone conclusion, but, you know, I haven't been to a premiere in a long time and I've also got quite a big beard at the moment because I'm going to Edinburgh and doing this character. 16:52.253 --> 16:53.174 So there's a point to this. 16:53.954 --> 16:55.295 And I didn't get a photograph. 16:55.315 --> 16:55.775 Yeah, well- 17:13.208 --> 17:15.951 on the blue carpet when you arrived at the Hitchhiker's premiere this week. 17:16.392 --> 17:28.145 Despite the fact that it was more important for me to get a shot of Rebecca Luce with her recently purchased silicon implants, I tried to get you to stop and be photographed by myself and my press photographer colleagues. 17:28.826 --> 17:32.349 Rory McGrath was quite happy to stop and his beard is not as good as yours. 17:32.389 --> 17:34.110 He sent a picture of McGrath. 17:34.150 --> 17:34.651 There you go. 17:34.671 --> 17:35.752 So why are you so shy? 17:36.492 --> 17:36.873 Wow. 17:37.053 --> 17:38.694 I'm sure you'll mention the premiere on today's show. 17:38.734 --> 17:40.195 I'm waiting to hear your views on the film. 17:40.936 --> 17:45.379 Whatever you do though, do not refer to the invited press photographers at the event as paparazzi. 17:45.620 --> 17:51.064 The paps are the underclass of photography who hang around outside western nightclubs and who follow celebrities to the shops every day. 17:51.104 --> 17:52.685 Keep up the good work on Saturdays. 17:53.206 --> 17:53.586 Blah, blah, blah. 17:53.606 --> 17:54.107 That's nice, isn't it? 17:54.127 --> 17:54.527 Thanks, Geoff. 17:54.727 --> 17:55.148 Thanks, Geoff. 17:55.268 --> 17:57.010 That was extremely coherent communique. 18:09.804 --> 18:12.746 some people shouted Joe, but I- I- there were only about two of them. 18:13.326 --> 18:15.688 And so I thought, well that's not enough volume or demand. 18:15.708 --> 18:24.634 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 18:33.780 --> 18:37.901 Yeah, we haven't been on the telly for so long, it's like shouting for huffty on the word or something. 18:38.582 --> 18:40.822 But Geoff in future, why don't you just shout your name? 18:41.043 --> 18:42.163 Shout Geoff Spicer! 18:42.243 --> 18:43.623 And then we'll react! 18:43.903 --> 18:44.464 Yeah, exactly. 18:44.764 --> 18:45.184 There we go. 18:45.284 --> 18:47.465 But, yeah, you have to make it much clearer than that. 18:47.605 --> 18:50.426 Adam Buxton, please come over here to have your photograph taken. 18:50.466 --> 18:51.606 That's the thing I need to get. 18:51.626 --> 18:52.526 Just make an appointment. 18:52.847 --> 18:53.047 Yeah. 18:53.267 --> 18:53.847 Just call us. 18:54.187 --> 18:55.287 We get our home numbers quite easily. 18:55.307 --> 18:56.628 We've got quite a lot of free time. 18:57.188 --> 18:58.449 Here is Pavement. 18:58.549 --> 19:15.701 Go back to those cold sounds And keep my head bent to yourself Because it's nothing I don't like Is it a crisis or a boring change When it's central, so essential It has a nice ring when you laugh Backwoods come up, all these guys are awake 19:24.662 --> 19:25.663 Oh, that's fantastic. 19:25.703 --> 19:28.706 That's, er, Gold Sounds from Pavement's album. 19:28.746 --> 19:29.746 Crooked Rain, Crooked Rain. 19:29.947 --> 19:31.288 This is Adam and Joe on XFM. 19:31.328 --> 19:33.229 Stick with us, we'll be back very shortly. 19:34.190 --> 19:34.691 XFM. 19:42.997 --> 19:43.057 Ooh. 19:43.077 --> 19:43.137 Ooh. 19:43.337 --> 19:44.398 Something to think about, isn't it? 19:44.418 --> 19:44.618 Stop it. 19:45.118 --> 19:46.538 You're blowing my mind. 19:46.758 --> 19:51.760 That's Kasabian with Cut-Off, and before that you heard Banquet by the Block Party. 19:51.920 --> 19:53.800 Hey, can I read a quick email, Adam? 19:53.880 --> 19:54.360 Wish you would. 19:54.540 --> 19:55.321 Hi, Adam and Joe. 19:55.361 --> 19:57.381 Just listening to the show and you mentioned your DVD. 19:57.501 --> 19:58.661 Is there one of the TV show? 19:58.701 --> 20:00.262 Because I've tried to find it and couldn't. 20:00.982 --> 20:05.603 used to love the show, still vividly remember being in hysterics over that Swizzle Stix game show spoof. 20:06.224 --> 20:07.364 Nice to have you on the radio, keep it up. 20:07.604 --> 20:08.304 Quizzle Stix it was. 20:08.324 --> 20:09.305 Steve Laughs 20:20.828 --> 20:31.936 amazing compilation featuring many many jaw-dropping extras and it should be available in your local large retail record shop, your HMV, your Virgin, your whatever they are. 20:32.516 --> 20:37.960 I've seen a few copies around myself and I always check and I've been pleased to see that they stock it. 20:37.980 --> 20:38.420 Really? 20:38.500 --> 20:39.101 I must pick one up. 20:39.301 --> 20:39.802 on the way home. 20:40.102 --> 20:40.362 Yeah. 20:40.443 --> 20:42.685 Have you ever bought one of our videos, our DVDs? 20:42.705 --> 20:43.046 No, no. 20:43.086 --> 20:44.848 Listen, we can't talk about this for this long. 20:45.008 --> 20:45.369 Can we not? 20:45.729 --> 20:46.270 I don't think so. 20:46.290 --> 20:46.991 I think it's improper. 20:47.091 --> 20:49.834 I was planning on going on for another five minutes about our DVD. 20:49.874 --> 20:51.456 Weren't we gonna chat about the BAFTAs? 20:51.697 --> 20:52.378 Yeah, fair enough. 20:52.698 --> 20:55.502 Uh, we got passed over for a BAFTA again this year. 20:56.222 --> 20:58.663 Erm, and... Last chances, no noms for the last chances. 20:58.803 --> 21:02.125 No nods for the last chances for Bucky, unfortunately. 21:02.505 --> 21:11.689 But I was in good being-ignored company, because there was no nominations as well for The Mighty Boosh, and no nominations for Peep Show. 21:11.709 --> 21:13.569 Mmm, that's a bit of a scandal, isn't it? 21:13.589 --> 21:21.853 That is, I mean, it's a, well, The Boosh is a scandal as well, but Peep Show, double scandal, because Peep Show has a, a potentially massively broad appeal, it's pretty much the best... 21:22.433 --> 21:25.394 most consistent gettable sitcom since The Office, I would say. 21:26.294 --> 21:32.096 And, uh, amazing performances, brilliant kind of script, and- I've been working with, uh, David Mitchell recently. 21:32.116 --> 21:32.656 Yeah, yeah. 21:32.696 --> 21:34.176 He's a very funny, very clever man. 21:34.236 --> 21:34.816 Very nice man. 21:34.836 --> 21:35.396 They're both funny. 21:35.556 --> 21:38.577 The other guy, what's he called, um, uh- Tommy- Webb. 21:38.837 --> 21:39.577 Toddy Pipkins. 21:39.597 --> 21:40.038 Jimmy Webb. 21:40.338 --> 21:40.478 Yeah. 21:40.618 --> 21:41.038 What's he called? 21:41.058 --> 21:41.478 James Webb. 21:41.758 --> 21:42.579 Oh, dear, I'm not sure. 21:42.859 --> 21:45.561 But anyway, the Michelin Web are the guys who star in it. 21:45.601 --> 21:47.562 It's written by, er, other people. 21:47.642 --> 21:47.923 Not them. 21:48.303 --> 21:50.284 Not them, although they do contribute to the writing. 21:50.464 --> 21:51.785 Anyway, why wasn't it nominated? 21:51.805 --> 21:53.367 That's, er, that's just demented. 21:53.387 --> 21:54.187 Cos it's all corrupt. 21:54.447 --> 21:55.228 It's all corrupt! 21:55.568 --> 21:56.849 The BAFTAs... What are you saying? 21:56.889 --> 21:57.650 The one that's corrupt! 21:58.692 --> 21:58.972 Steve Laughs 22:14.990 --> 22:20.932 Basically, Best Comedy Performance, which they could easily have won, both those guys, went to Matt Lucas and Dave Walliams. 22:21.072 --> 22:22.253 I mean, that's uncontroversial. 22:22.273 --> 22:24.634 Everyone loves the little Briton guys. 22:25.294 --> 22:28.955 They were up against Rory Bremner, Julia Davis and Tamsin Craig. 22:30.276 --> 22:33.057 All of those... Well, Julia Davis, that's a pretty good turn. 22:34.197 --> 22:35.178 She could have won that one. 22:35.698 --> 22:41.741 but they could also have been nominated for comedy program, series or, yeah, comedy program or series. 22:42.281 --> 22:43.442 Little Britain won that again. 22:43.462 --> 22:46.624 So now you're just complaining about the category titles? 22:47.044 --> 22:48.124 No I'm not, I'm just saying. 22:48.244 --> 22:49.245 Oh, they could have, right. 22:49.565 --> 22:51.646 These are the things that Peter could have been nominated for. 22:51.806 --> 22:52.467 Yeah, yeah. 22:52.807 --> 22:57.809 Cos they were up, they would have been up against Catherine Tate, Harry Hills TV Burp and the Mark Steele Lectures. 22:58.069 --> 23:00.891 Now no disrespect to any of those people, especially... Bubs should take it. 23:01.711 --> 23:02.592 Burt should have taken that one. 23:02.612 --> 23:03.352 Burt should have taken that. 23:03.392 --> 23:04.193 Burt's fantastic. 23:04.213 --> 23:04.893 The Burp is amazing. 23:04.913 --> 23:05.213 The Burp. 23:05.574 --> 23:06.134 The Burp. 23:06.634 --> 23:08.435 But, you know, Mark Steele lectures. 23:08.535 --> 23:11.157 I mean, it's great and all, but come on. 23:11.357 --> 23:14.139 They could have found room for Peepshow or the Mighty Boosh in there. 23:14.439 --> 23:15.500 That's just my opinion. 23:15.840 --> 23:22.424 Sitcom Award went to Black Books and it was up against Green Wing, Nighty Night and the Vicar of Dibley Christmas Special. 23:23.314 --> 23:26.117 Well, that was good, wasn't it, when she dipped her head in chocolate? 23:26.137 --> 23:27.478 Do you remember that? 23:27.558 --> 23:28.159 I watched that. 23:28.199 --> 23:29.560 The Fifth of Dibley Christmas Special. 23:29.820 --> 23:30.281 Was it good? 23:30.541 --> 23:30.821 No. 23:31.061 --> 23:32.222 I mean, it's probably quite good. 23:32.262 --> 23:33.684 It's Richard Curtis and people like that. 23:33.764 --> 23:35.005 Hey, I saw some good telly. 23:35.245 --> 23:35.606 What did you do? 23:35.626 --> 23:37.387 Did you see Shirley Ghostman on Jonathan Ross? 23:37.728 --> 23:38.628 I heard about it. 23:38.648 --> 23:39.049 Wow. 23:39.109 --> 23:39.870 He went too far. 23:40.310 --> 23:41.191 That was incredible. 23:41.251 --> 23:43.273 Maybe we should talk about that after another record. 23:43.293 --> 23:44.214 I'd like to talk about that. 23:44.594 --> 23:46.294 OK, stick with Adam and Joe right now. 23:46.434 --> 23:49.755 Here is a track from I'm Trying to Find Out. 23:49.795 --> 23:50.455 Turing Breaks. 23:50.836 --> 23:52.356 It's a track from the new Turing Breaks album. 23:52.416 --> 23:54.116 This is called Fishing for a Dream. 24:02.958 --> 24:04.799 Mmm, barmy. 24:06.741 --> 24:07.823 That was very nice indeed. 24:07.883 --> 24:11.528 That was, uh, Cheering Breaks and Fishing for- Fishing for a Dream. 24:11.548 --> 24:15.915 So, uh, this is Adam and Joel on XFM. 24:16.295 --> 24:17.597 Shirley Ghostman on Jonathan Ross. 24:17.617 --> 24:20.361 I know it was on, I think it was the week before last, wasn't it? 24:20.442 --> 24:22.204 Or, you know, Friday, the Friday before last. 24:23.205 --> 24:24.546 I don't know if anybody out there saw it. 24:25.707 --> 24:35.095 If you didn't, Shirley Ghostman is a sort of spoof psychic character created by the very talented Mark Wootton and he appeared on Jonathan Ross's chat show. 24:36.016 --> 24:40.059 The two other guests on the chat show were Nicole Kidman and David Schwimmer. 24:40.939 --> 24:49.481 So it was an unusual fit for an unknown BBC Three comedian who, whether he's good or bad, is unknown by the general public. 24:49.841 --> 24:53.222 He's also... By the massive general public. 24:53.842 --> 24:56.303 Certainly unknown by the studio audience. 24:57.003 --> 24:59.164 And it was an incredible bit of car crash telly. 24:59.824 --> 25:05.568 And, you know, if there's any justice, it'll pop up in top ten cringe-worthy TV moments for eternity. 25:06.189 --> 25:08.911 It was better than the David Blaine on This Morning. 25:09.331 --> 25:12.253 It really was toe-curlingly amazing. 25:12.353 --> 25:13.134 Wow, what happened? 25:13.174 --> 25:23.562 Mark Wootton is brilliant, the show's pretty good, but Jonathan, obviously, the problem about this is, I know, and you know, Adam and Joe, we know everybody involved in this, but 25:24.522 --> 25:28.524 I need to tip my hat to them because it was the worst, most incredible thing I've ever seen. 25:28.964 --> 25:33.226 Poor old Mark Wootton just died and he took Kidman and Schwimmer down with him. 25:33.726 --> 25:42.130 And there's an amazing sort of unstated sort of understanding when American stars go on British shows to pretend that they know everybody. 25:42.290 --> 25:47.032 You know, Will Smith was on Ant and Dec that same night and he was doing Gunging and stuff. 25:47.312 --> 25:49.773 And he was acting as if Ant and Dec were his close friends. 25:50.413 --> 25:53.975 and Alan Shearer was someone he really knew and liked and stuff like this. 25:54.015 --> 25:54.596 Yeah, guys. 25:54.796 --> 25:55.536 Yeah, sure, Alan. 25:55.556 --> 25:57.518 That's not a very good Will Smith impression. 25:57.538 --> 25:58.398 But you know, yeah, guys. 25:59.239 --> 26:00.639 But you know what I mean? 26:00.900 --> 26:04.422 There's this sort of unspoken sort of thing that they're all friends. 26:04.542 --> 26:12.447 And Mark Wootton's appearance on the Jonathan Ross show really gave the light of that because he made some very antisemitic comments 26:13.127 --> 26:13.928 Er, in character. 26:14.168 --> 26:16.091 In character to David Schwimmer. 26:16.411 --> 26:19.875 He made some really feeble, you know, lame funny. 26:19.915 --> 26:22.918 There's a certain sort of humour that's funny because it's so lame. 26:23.379 --> 26:26.723 But often that's mistaken by the general public for just... Lameness. 26:28.144 --> 26:34.828 It was, you know, Wootton's Kidman jokes were very, very lame, and there were long silences. 26:35.148 --> 26:49.777 And Jonathan, if you saw it, you would have seen that Jonathan tried to help him at the beginning, cos Jonathan's obviously a fan, and he tried to act as a straight man to Wootton's stick, but then he realised that the audience were not only not getting it, but actually becoming angered and shocked, especially when their cancer jokes started. 26:50.117 --> 26:52.338 They started to be actually shocked and insulted. 26:52.639 --> 26:56.661 And then Jonathan sort of just sat back in his seat and watched Shirley Ghostman die. 26:56.881 --> 26:57.722 Let it unfold. 26:57.942 --> 27:01.444 And basically he did die a very cruel and slow death. 27:01.464 --> 27:03.786 Can you remember any examples of the exchanges at all? 27:03.806 --> 27:05.207 Well a lot of it's unrepeatable. 27:06.148 --> 27:15.494 And it was coming off a sort of back, because Jonathan, it wasn't that good a night for Jonathan, and he's a man who knows that if there's a boring Hollywood star, he needs to make it interesting by being provocative. 27:15.834 --> 27:19.317 So he was being very provocative already with Nicole Kidman. 27:19.757 --> 27:22.459 He called Nicole Kidman's mother a biatch. 27:24.060 --> 27:25.942 She didn't say it that politely. 27:26.022 --> 27:26.443 Twice. 27:27.644 --> 27:29.066 And she was looking very uncomfortable. 27:29.266 --> 27:36.975 And then Wootton came on and did a very protracted psychic thing on Nicole Kidman that just ended up with him telling her she was Australian. 27:38.295 --> 27:41.279 Well, it didn't seem very funny and it took a very long time. 27:42.020 --> 27:47.908 And he said he channeled Hitler and he made some unfortunate references to David Schwimmer after he said that. 27:48.288 --> 27:49.790 A lot of it is actually unrepeatable. 27:51.032 --> 27:52.394 Well, they got apparently something like 150 complaints. 350. 27:55.197 --> 27:59.178 He- his jokes are stuff like, oh, Kurt Cobain came through to me shooting his bloody mouth off. 27:59.738 --> 28:01.358 It's one, uh, Shirley Ghostman joke. 28:01.398 --> 28:03.719 Quite good, but, you know, if you don't listen carefully, you miss it. 28:03.979 --> 28:09.160 We should say at this point that Shirley Ghostman, if you haven't caught it already on BBC Three, is really well worth catching. 28:09.240 --> 28:09.360 Yeah. 28:09.660 --> 28:10.240 It's very funny. 28:10.260 --> 28:13.321 It's a good- these were all good people just having a bad day. 28:13.641 --> 28:16.322 And apparently, I think they shared something like a million viewers. 28:16.602 --> 28:17.062 Really? 28:17.262 --> 28:17.602 Yeah. 28:17.962 --> 28:24.525 Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh Ricky and Steve laugh 28:46.816 --> 28:47.396 Absolutely. 28:47.416 --> 28:47.856 Yeah. 28:48.057 --> 28:49.917 Well, congratulations to all concerned. 28:50.557 --> 28:51.158 We salute you. 28:51.278 --> 28:51.898 Here's the Smiths. 29:06.772 --> 29:08.674 Kind of a retro sound there. 29:08.714 --> 29:11.196 That's the Caesars with Jerk It Out. 29:11.236 --> 29:13.818 Coming up in a sec, we're going to be playing the new Coldplay single. 29:13.858 --> 29:14.718 I haven't heard that yet. 29:15.179 --> 29:16.420 Does that excite you, Adam Buxton? 29:17.380 --> 29:17.921 Yes, it does. 29:18.021 --> 29:20.943 They're the biggest band in the world and I want to hear what they've come up with. 29:21.063 --> 29:21.844 Are you being sincere? 29:22.184 --> 29:28.049 Well, I just heard Christian O'Connell doing a trail for Bounty Hunter, where he referred to them as the biggest band in the world. 29:28.369 --> 29:31.372 I thought the biggest band in the world title was held by U2 at the moment. 29:32.032 --> 29:36.196 There's always about four or five bands who argue about being the biggest band in the world, or R-E-M. 29:37.016 --> 29:38.377 Er, who's the other biggest band in the world? 29:38.397 --> 29:39.839 They don't argue amongst themselves, do they? 29:39.879 --> 29:40.739 They do, they have- Really? 29:40.759 --> 29:41.460 Yeah, fights. 29:41.640 --> 29:42.261 How terribly vain. 29:42.281 --> 29:44.182 Chris Martin always loses, cos he's a weed. 29:44.422 --> 29:51.868 Listen, if you listen to Sean Keaveney on Monday from 10am, he'll be giving away copies of the Virgin Megastore album of the week, which is The Caesar's Paper Tigers. 29:52.229 --> 29:52.529 Hey! 29:52.549 --> 29:53.210 We just- Yeah. 29:53.470 --> 29:54.791 We just put- Which we just played. 29:55.191 --> 29:59.395 And for more chances to win that album, go to www.xfm.co.uk. 29:59.955 --> 30:01.396 Virgin Maker Store's album of the week. 30:01.416 --> 30:02.117 Steve Good one. 30:02.157 --> 30:02.818 Ricky Yeah, good one. 30:03.158 --> 30:11.825 So listen, we were just talking about car crash telly, we were talking about Shirley Ghostman on Jonathan Ross, and I'm looking at next week's telly, trying to see if I can spot anything- Steve Spot the crash! 30:11.845 --> 30:13.186 Ricky That might have equal impact. 30:13.206 --> 30:13.426 Steve Yeah. 30:13.446 --> 30:14.607 Ricky And I think I've found it. 30:14.627 --> 30:14.948 Steve Wow. 30:14.968 --> 30:18.311 Ricky It's a program presented by Peaches Geldof. 30:18.911 --> 30:41.302 Bob Geldof's daughter and she's been in a lot of the papers this week because she's 16, she's going out with a 68 year old or something, a 23 year old I think, but she's sort of putting herself forward as the voice of teenage youth and we were just talking about this while the records were playing, but if you're a sort of precocious teenager it's amazingly easy to convince adults that what you say counts for all teenagers. 30:41.722 --> 30:48.546 How many times do you open up a paper and see a sort of, you know, a sort of, let's take the temperature of Britain's teenagers 30:48.866 --> 30:54.588 And they think they can do that just by randomly gathering any five teenagers and writing down what they've got to say. 30:54.688 --> 30:59.750 And it's usually the sons or daughters of the journalists who work on the paper. 31:00.050 --> 31:00.250 Yeah. 31:00.670 --> 31:01.451 What's the point with that? 31:01.471 --> 31:06.633 And it seems to me that this Peaches Geldof programme is going to be very symptomatic of that trend. 31:07.253 --> 31:17.537 She's going to tell us all about what teenagers think about, how much sex they have, whether they take drugs, what they think of politics and music, and I think Peaches' opinions will count for everybody. 31:18.377 --> 31:22.479 in the country between the ages of 13 and 19. 31:22.879 --> 31:32.604 Well she might be extra precocious because usually if you listen to the opinions of most teenagers all you get are the opinions of their parents generally in a kind of twisted insane form. 31:32.704 --> 31:37.567 Or maybe they're all sorts of different opinions in teenagers maybe you know maybe they're all quite different. 31:37.747 --> 31:38.327 I don't believe that. 31:38.567 --> 31:39.949 They're all the same. 31:39.989 --> 31:40.529 They're all the same. 31:40.549 --> 31:44.653 They're all having sex at 13, taking drugs, disillusioned with baby tings. 31:44.693 --> 31:48.457 They're all like Pete Doherty, your dogatee, and they all think it's a good idea to misbehave. 31:48.477 --> 31:49.678 They're all like Peaches Geldof. 31:49.698 --> 31:51.020 She's a columnist for Elle Girl. 31:51.400 --> 31:51.760 Is she? 31:51.860 --> 31:54.663 Her latest assignment is to investigate the modern teenage state. 31:55.204 --> 31:59.948 She travels to Bolton, Wolverhampton and Brighton to meet fellow teens leading very different lives. 32:00.269 --> 32:02.431 Surely that's going to be a hilarious disaster. 32:02.571 --> 32:03.692 what time's that on, and what time-? 32:03.752 --> 32:04.672 Steve- Sky 1, 9pm. 32:04.832 --> 32:05.213 Do you get Sky? 32:05.233 --> 32:06.233 Ricky- Yeah, yeah, yeah. 32:06.253 --> 32:06.754 What- what day? 32:06.774 --> 32:07.694 Steve- Uh, Monday. 32:07.714 --> 32:08.495 Ricky- Monday, Sky 1, 9pm. 32:08.515 --> 32:10.776 Steve- Maybe you could- maybe you could, uh, you could record that as. 32:10.796 --> 32:12.677 Ricky- Oh, I'll definitely record that and we'll talk about that. 32:12.757 --> 32:15.779 But you know, I'd be interested- I'm- I'm a fan of, uh, Bobo Geldof. 32:16.340 --> 32:17.661 Geldof- I keep calling him Geldof. 32:18.001 --> 32:18.441 Geldof. 32:18.941 --> 32:19.161 You know? 32:19.181 --> 32:19.702 Steve- Gandalf. 32:19.722 --> 32:20.362 Ricky- Gandalf. 32:20.722 --> 32:21.463 He's good, I think. 32:21.563 --> 32:25.906 I'm- I'm- I've got time for Geldof, so I- I'll be interested to see what Peaches has to say. 32:25.926 --> 32:26.646 Steve- Peaches. 32:26.846 --> 32:27.847 Ricky laughs 32:28.067 --> 32:32.572 You know, you can't- let's not, er, mock Peaches, cos she's a teenager and unsteady. 32:32.892 --> 32:37.457 When you wait, man, Trixie Bell's gonna be talking- oh no, Peaches, Trixie Bell is her second name? 32:37.477 --> 32:39.359 The- Peaches is the eldest one, I don't know. 32:39.419 --> 32:41.281 No, she's called Honeysuckle, Fru Fru, La La. 32:41.301 --> 32:42.222 No, it's Pixie. 32:42.343 --> 32:43.183 Pixie. 32:43.564 --> 32:45.346 I don't know, let's not mock their names, that's too easy. 32:45.386 --> 32:46.307 That's too easy, isn't it? 32:46.647 --> 32:48.228 Coming up in a bit, we've got Dizzies in the Dock. 32:48.489 --> 32:49.850 This week, shall we tell them what the theme is? 32:50.010 --> 32:50.290 Yeah. 32:50.410 --> 32:51.271 It's a Prince playoff. 32:51.291 --> 32:51.751 Prince off. 32:52.071 --> 32:52.672 A Prince off. 32:52.692 --> 32:53.713 A Little Purple Ponce off. 32:54.353 --> 32:55.254 Oh, dirty. 32:55.674 --> 32:58.537 And, erm, can I just blow our own trumpets again a little bit more? 32:58.657 --> 32:58.817 Go on. 32:59.137 --> 33:00.298 I was just so excited, man. 33:00.338 --> 33:02.840 I was watching Ant and Dec's Saturday Night Takeaway last weekend. 33:02.980 --> 33:03.200 Yeah. 33:03.561 --> 33:05.742 And, er, they had an item about football on it. 33:05.763 --> 33:06.043 Yeah. 33:06.563 --> 33:11.027 And behind it, as a bed, was playing Adam and Joe's Footy Song. 33:11.047 --> 33:11.087 No! 33:11.327 --> 33:12.328 The Footy Song. 33:12.748 --> 33:14.970 All Ball Ball, Footy Footy Footy. 33:14.990 --> 33:16.571 The highest rated program on television. 33:16.611 --> 33:17.391 Yeah, football. 33:17.631 --> 33:18.892 And here's another thing. 33:18.912 --> 33:20.013 We'll get 60p for that. 33:20.113 --> 33:26.377 Can you confirm to me, I was watching this program about like most excruciating children's TV moments ever or something. 33:27.578 --> 33:30.320 There seem to have been about a hundred of those programs. 33:30.360 --> 33:33.842 Anyway, they managed to find a few, a couple of new ones, new little bits. 33:33.862 --> 33:36.484 I think it was on Channel 5 maybe last weekend or the one before. 33:37.385 --> 33:40.127 And there was one with, who was the band? 33:40.187 --> 33:41.288 It wasn't Matt Bianco. 33:42.068 --> 33:42.969 Or maybe it was, Matt. 33:43.149 --> 33:43.629 No, it wasn't. 33:43.649 --> 33:44.670 It was Peter Andre. 33:44.870 --> 33:45.030 Right. 33:45.050 --> 33:48.172 Someone phoned in Peter Andre, and I'm almost certain it was our friend Zak. 33:48.492 --> 33:49.453 You didn't watch that show? 33:49.913 --> 33:50.173 No. 33:50.694 --> 33:52.075 Ah, does Zak listen to this program? 33:52.375 --> 33:52.815 Possibly. 33:52.995 --> 33:54.997 Well, Zak, if you're listening, can you phone up and confirm? 33:55.017 --> 33:57.798 Cos Zak used to do quite a few- And they used that clip on this clip show. 33:57.899 --> 33:58.639 Yeah, I'm sure. 33:58.659 --> 34:04.203 He should've said- he just phoned in and said, Peter Andre, why are you such a, uh, loser sellout or something? 34:04.223 --> 34:04.903 Man, we're coming back. 34:04.943 --> 34:05.744 Maybe we're coming back. 34:05.884 --> 34:07.165 Maybe it's time for the comeback. 34:07.185 --> 34:07.385 Wow. 34:17.091 --> 34:18.532 Time for Diddy's in the Dock now. 34:18.552 --> 34:22.316 Now, we've got to make this pretty quick, Joe, but basically it's a Prince Off. 34:22.916 --> 34:25.638 Yep, it's a Prince Off, the little purple ponce. 34:25.858 --> 34:28.321 We're gonna pitch two of his tracks against each other. 34:28.401 --> 34:29.902 Shall I just go straight in there with my choice? 34:29.942 --> 34:30.322 Yeah, why not? 34:30.542 --> 34:31.964 My choice is Let's Go Crazy. 34:31.984 --> 34:33.185 It's from the Purple Rain album. 34:33.205 --> 34:35.727 Purple Rain, one of my favourite 80s films. 34:36.487 --> 34:39.930 Fantastic film, full of great music, and this is one of the most brilliant tracks on it. 34:40.971 --> 34:42.212 Er, it's got terrific lyrics. 34:42.252 --> 34:43.773 What an amazing introduction, dearly beloved. 34:43.793 --> 34:45.635 We're gathered here today to get through this thing called life. 34:46.215 --> 34:47.256 It's just a classic song. 34:47.716 --> 34:48.917 And you can't go wrong with it. 34:49.418 --> 34:50.178 And it's brilliant. 34:50.779 --> 34:52.160 And it's Let's Go Crazy by Prince. 34:52.180 --> 34:53.180 And that's it, that's my pitch. 34:53.361 --> 34:56.803 OK, my song is Sexy Mother... What? 34:58.284 --> 34:58.325 Uh... 35:14.582 --> 35:16.543 I think they changed the lyrics, didn't they? 35:17.104 --> 35:19.345 I can't remember, but yeah, I think they just changed it. 35:19.365 --> 35:20.726 Instead of bleeping it, they changed it. 35:20.867 --> 35:21.167 Right. 35:21.367 --> 35:27.531 Well, what I've done is I've got my son Frank, who's like my personal swearing machine, to- Well, this isn't fair now, is it? 35:27.691 --> 35:29.232 Well, you know, it's just a thing. 35:29.252 --> 35:30.453 You've embellished the track? 35:30.573 --> 35:39.299 I've embellished the track because out of necessity, out of legal necessity, I've had to make amends to the swearing police because otherwise we'd get fired. 35:40.620 --> 35:44.064 So it's sexy MF, the Frank version. 35:44.484 --> 35:45.485 Or Let's Go Crazy. 35:45.765 --> 35:48.528 Or Let's Go Crazy, that's what you're voting for. 35:48.568 --> 35:48.828 Call 0871 222 1049. 35:49.628 --> 35:53.892 The person who votes with the deciding vote will win their choice of exciting DVDs. 35:53.912 --> 35:55.294 0871 222 1049 is the number. 35:55.314 --> 35:57.215 Now get ready for the Coldplay! 36:09.529 --> 36:16.335 Oh, can't you just envision the season's best goals being a montage of those with that record over them? 36:17.636 --> 36:18.536 You make me sick. 36:18.917 --> 36:19.157 Why? 36:19.177 --> 36:20.938 Because I'm so insightful. 36:20.958 --> 36:22.059 You're so cynical. 36:22.279 --> 36:30.766 Just, you know, Coldplay wrench their heart out, stick it on a tray for you, and you say, oh, you can just see them on the season's best goals. 36:31.086 --> 36:33.508 Well, I'm going to kill you for what you've said. 36:33.968 --> 36:34.449 OK? 36:34.609 --> 36:36.630 We'll be back with Ditties in the Dark after this. 36:36.650 --> 36:37.531 XFM. 36:41.044 --> 36:45.607 Yes, this is the closing 11 minutes of the Adam and Joe radio show here on XFN. 36:46.068 --> 37:01.819 It's Diddy's in the dock time, and things aren't looking very good for Joe Cornish, because Adam, it's a Prince play-off, I chose Let's Go Crazy, Adam's chosen sexy... and he's replaced the swearing with his child saying cute things. 37:02.340 --> 37:04.361 So it's just a foregone conclusion, isn't it? 37:04.441 --> 37:06.643 Even I want to hear the child saying cute things. 37:06.803 --> 37:11.607 Well, it's not a foregone conclusion because Let's Go Crazy is a kind of colossus of rock. 37:11.627 --> 37:14.069 Yeah, but it doesn't have babies saying sweet things. 37:14.129 --> 37:19.593 Yeah, but people might want to hurt me for making my child say sweet things because it's sort of nauseating. 37:19.613 --> 37:20.814 Okay, well let's see what happens. 37:20.834 --> 37:22.816 Let's go to the phone lines. 37:22.876 --> 37:24.117 Tally, hello, are you there? 37:24.830 --> 37:25.570 It's Sally, sorry. 37:25.750 --> 37:27.791 Well, why'd you write Tally like that? 37:28.151 --> 37:29.772 Tally's not even a human name! 37:30.032 --> 37:32.353 Has anyone ever met anybody called Tally? 37:32.373 --> 37:33.313 I have. 37:33.333 --> 37:34.073 Doctor Who has. 37:34.393 --> 37:34.713 Really? 37:34.833 --> 37:35.334 I think he has. 37:35.354 --> 37:36.114 Okay, hello Sally. 37:36.174 --> 37:37.234 Hello, how you doing? 37:37.254 --> 37:37.694 Very well. 37:37.974 --> 37:39.655 Now, I presume you're voting for the baby. 37:41.276 --> 37:42.756 I'm voting for sexy a mess. 37:43.076 --> 37:43.456 Oh yes. 37:43.596 --> 37:51.219 I would prefer it without the baby, because they just miss... No offense, but they just missed out the words and just left it blank with just the music bed underneath it. 37:51.259 --> 37:51.619 Did they? 37:51.799 --> 37:54.200 And you like a nice forcefully sung swear word. 37:54.608 --> 37:56.470 Oh, absolutely, but I know you can't do it on the radio. 37:56.530 --> 37:58.994 Yeah, no, we're not allowed, because it's evil and corrupts people. 37:59.294 --> 38:00.215 Exactly, it hurts them. 38:00.495 --> 38:11.289 But Sally, thank you very much for your call and for your vote, and yes, of course, if it was up to me, I'd leave it intact with the swearing in, because it's not really, you know, I'd take the music out and just leave the swearing. 38:11.529 --> 38:12.711 Oh, just leave the child. 38:13.892 --> 38:17.053 So thanks very much Sally, Tally, thanks for calling, thanks for listening. 38:17.073 --> 38:23.855 Sorry we can't give you a prize because we're only down to National Treasure and Todd Browning's Freaks, which we're going to have to save for the deciding call. 38:24.095 --> 38:27.577 So that's one nil to Buxton and his son Fergus. 38:27.837 --> 38:28.417 Hello, are you there? 38:28.977 --> 38:29.557 Good afternoon. 38:29.918 --> 38:30.998 How are you, Fergus? 38:31.358 --> 38:32.179 Very well, thank you. 38:32.619 --> 38:33.039 Yeah. 38:33.059 --> 38:34.800 Are you driving a car, Fergus? 38:35.180 --> 38:36.120 I am driving a car, yes. 38:36.220 --> 38:36.981 I'm hands-free, though. 38:37.281 --> 38:37.861 Hands-free? 38:37.881 --> 38:39.102 What, you're not even steering? 38:39.122 --> 38:39.642 No. 38:40.222 --> 38:40.782 Steady. 38:41.503 --> 38:44.724 I hope you're not endangering yourself or anyone else on the road, Fergus. 38:44.824 --> 38:45.425 Not at all. 38:45.505 --> 38:45.845 OK, good. 38:46.065 --> 38:47.506 What are you going to vote for this afternoon? 38:47.986 --> 38:48.966 Let's go crazy. 38:49.006 --> 38:50.587 Fergus, well done. 38:50.687 --> 38:51.768 It's got to be a driving classic. 38:51.788 --> 38:54.669 You should stick it on right now, as soon as you hang up, Fergus. 38:54.929 --> 38:56.270 Yeah, get rid of sexy MF. 38:57.830 --> 38:59.371 Even with Adam's child? 38:59.411 --> 39:01.012 Don't keep going on about the child. 39:01.073 --> 39:02.053 I'm trying to overdo it. 39:02.073 --> 39:04.014 You're turning people against the child. 39:04.034 --> 39:04.475 Exactly. 39:04.515 --> 39:06.916 If I just talk about it too much, by the time we hear it, it'll be old news. 39:07.737 --> 39:08.017 One all. 39:08.057 --> 39:09.058 Thank you very much, Fergus. 39:09.178 --> 39:09.878 Thanks for calling. 39:09.898 --> 39:10.279 Good luck. 39:10.719 --> 39:12.260 Don't crash or die. 39:12.780 --> 39:13.841 Danesh, are you there? 39:14.281 --> 39:15.322 Hi, yeah, how's it going? 39:15.362 --> 39:15.842 Fine, Danesh. 39:15.862 --> 39:16.883 You've called us before, haven't you? 39:17.343 --> 39:18.424 I have, yeah, a few times. 39:18.624 --> 39:19.745 Have you won prizes from us? 39:21.027 --> 39:23.129 Yeah, I won one of your DVDs, actually, which was very good. 39:23.229 --> 39:23.569 Did you? 39:23.589 --> 39:24.830 Yeah, I let go of all the stuff. 39:25.070 --> 39:25.391 Did you? 39:25.991 --> 39:28.713 That was a long time ago, so Dinesh, we haven't- In a galaxy far, far away. 39:28.733 --> 39:30.014 He hasn't won a prize for a while. 39:30.034 --> 39:31.275 No, I haven't. 39:31.295 --> 39:32.756 Okay, Dinesh, what are you voting for? 39:32.937 --> 39:35.318 Is it sexy MF or Let's Go Crazy? 39:35.739 --> 39:37.200 I'm gonna have to vote for sexy MF. 39:37.320 --> 39:39.922 I have, um, good teenage memories of a video. 39:40.703 --> 39:43.004 Yeah, it was a- well, a video was just a clip from the film, I think. 39:43.445 --> 39:44.506 No, uh, sexy MF. 39:45.595 --> 39:47.776 Oh sorry, I was deluded there, I thought you were voting for me. 39:47.796 --> 39:49.918 Oh dear. 39:50.078 --> 39:50.979 It's a good tactic. 39:51.419 --> 39:51.820 Denial. 39:51.840 --> 39:56.443 Do you remember in, can I just say one thing, do you remember in Parkville Range, do you remember Prince's seduction technique? 39:56.964 --> 39:57.204 No. 39:57.284 --> 40:03.049 He gets Apollonia back to his flat and he's got a recording of a woman crying played backwards. 40:03.069 --> 40:03.849 Wow. 40:03.869 --> 40:05.050 And that's how he turns her on. 40:06.191 --> 40:07.271 It's crying backwards. 40:07.712 --> 40:08.392 Sexy, isn't it? 40:08.872 --> 40:09.772 And she says yes. 40:09.812 --> 40:10.752 Benny bangs her from behind. 40:11.092 --> 40:12.293 Oh, you can't say that. 40:12.413 --> 40:12.913 Um, Amanda? 40:13.493 --> 40:15.094 Oh, no, we haven't finished with Dinesh. 40:15.134 --> 40:16.754 Dinesh, thank you very much indeed for your call. 40:16.794 --> 40:17.434 It's 2-1 for Adam. 40:17.454 --> 40:18.174 2-1 to me. 40:18.214 --> 40:18.835 Amanda. 40:18.875 --> 40:19.915 Hi there. 40:20.615 --> 40:21.635 How are you doing? 40:22.115 --> 40:23.356 I'm very well, how are you? 40:23.616 --> 40:24.296 Very good, thank you. 40:24.336 --> 40:24.856 What are you up to? 40:24.876 --> 40:28.337 Um, I'm actually just about to go into Sainsbury's shopping. 40:28.397 --> 40:29.657 How exciting is my life? 40:29.758 --> 40:31.198 Are you going to have a chip and pin moment? 40:32.422 --> 40:34.043 Oh, yeah, possibly, yeah. 40:34.284 --> 40:37.826 You're gonna have to think of something to say while you wait for the chip and pin to go through. 40:38.527 --> 40:41.008 Amanda, do you ever use the self-checkout at Sainsbury's? 40:41.849 --> 40:43.170 Oh, no, they drive me nuts. 40:43.290 --> 40:45.652 Do you not find it takes, like, five times as long? 40:45.772 --> 40:47.973 Which is exactly why I don't use it. 40:48.594 --> 40:50.976 Unrecognised item in the bagging area. 40:51.056 --> 40:52.577 You have removed your bag. 40:53.598 --> 40:56.700 Every time I've used it, I've just had to call the cashier over. 40:56.820 --> 40:57.680 That's another show. 40:57.720 --> 40:58.341 That's for next week. 40:59.121 --> 41:00.883 So, Amanda, what are you gonna vote for? 41:01.388 --> 41:02.769 I'm doing Let's Go Crazy. 41:02.829 --> 41:03.209 Yes! 41:04.150 --> 41:05.411 So this is very tense, isn't it? 41:05.431 --> 41:05.931 It's very tense. 41:06.011 --> 41:07.592 Amanda, thanks very much for your call. 41:07.632 --> 41:08.773 Have a good time in Sainsbury's. 41:09.073 --> 41:10.114 So, we're down to Reg. 41:10.154 --> 41:10.634 Hello, Reg. 41:11.195 --> 41:11.595 Hello, mate. 41:11.975 --> 41:12.616 How you doing, Reg? 41:12.636 --> 41:16.598 You realise the gravity of the situation, you are now going to cast the winning vote? 41:16.618 --> 41:18.500 I can feel the pressure. 41:18.520 --> 41:30.388 There's great pressure and, you know, I don't know, you sound like quite a sort of gruff, manly man who maybe doesn't have time for the fiperies of little children saying silly words. 41:31.266 --> 41:32.335 On the grass, yeah. 41:32.771 --> 41:33.111 Yeah? 41:33.251 --> 41:34.191 Oh dear, it doesn't sound good. 41:34.251 --> 41:35.492 It could be looking good for Cornish. 41:35.752 --> 41:37.352 Reg, tell us what you're going to go for. 41:37.872 --> 41:39.213 It's got to be sexy motherfucker. 41:40.033 --> 41:40.993 Oh yes. 41:41.193 --> 41:41.693 What did he say? 41:42.013 --> 41:43.814 I don't know, we should have shouted over it. 41:44.654 --> 41:47.595 Well that's very disappointing Reg, you're not as manly as I thought you were. 41:47.735 --> 41:49.875 Reg, you have however won some prizes. 41:49.895 --> 41:58.957 Congratulations, you're getting a copy of Todd Browning's Freaks, which is a cinema classic, and National Treasure, which is a film with Nicolas Cage in it. 41:59.498 --> 42:00.738 And are you excited about that? 42:01.218 --> 42:02.099 Fantastic, yeah. 42:02.299 --> 42:02.679 Good one. 42:02.799 --> 42:04.261 Well, thanks so much for calling in, Reg. 42:04.301 --> 42:05.602 Thanks to everyone who called in today. 42:05.622 --> 42:07.283 Oh, well, that's it, man. 42:07.303 --> 42:08.604 You got, uh- That's terrible. 42:08.624 --> 42:10.246 I've lost about four weeks in a row. 42:10.526 --> 42:11.407 I'm sorry about that. 42:11.627 --> 42:12.388 Oh, there's a text. 42:12.748 --> 42:12.968 Good. 42:13.308 --> 42:14.309 Was that the text noise? 42:14.349 --> 42:15.730 I didn't know there was a text noise. 42:15.871 --> 42:16.851 Anyway, that's it. 42:16.871 --> 42:17.472 No, on my phone. 42:17.772 --> 42:19.173 Uh, it's Sexy M.F. 42:19.594 --> 42:21.135 and, uh, it's the winner this week. 42:21.195 --> 42:22.516 Thank you very much for listening. 42:22.656 --> 42:23.717 We'll be with you next week. 42:24.338 --> 42:25.579 And I love you, bye! 42:26.480 --> 42:26.540 Bye! 42:32.383 --> 42:33.604 I want to do it. 42:33.644 --> 42:35.445 No, not your body or mind, you fool. 42:35.465 --> 42:38.107 Come here, baby. 42:38.247 --> 42:38.707 Yeah. 42:39.127 --> 42:39.828 You sexy? 42:45.652 --> 42:45.992 You sexy? 42:46.012 --> 42:46.413 Money doggy! 43:20.190 --> 43:43.383 It's a bit naughty We need to talk about things, tell me what you do Tell me what you eat, I might cook for you See it really don't matter cause it's all about me and you Ain't no one else around I'm even with the blindfold, gagged and bound I don't mind, see this ain't about sex It's all about love, being in charge of this life and the next Why all the cosmic talk? 43:43.443 --> 43:46.125 I just want you smarter than I'll ever be when we take that walk 43:49.189 --> 43:49.910 You sexy? 43:49.950 --> 43:50.870 Shut up! 43:50.910 --> 44:00.158 Come here baby You sexy mother- Nazis! 44:28.577 --> 44:29.057 You sexy? 44:29.077 --> 44:30.017 No, it's a munchkin. 44:30.037 --> 44:30.758 Come here, baby. 44:30.778 --> 44:31.038 You sexy? 44:31.078 --> 44:31.438 Munchkin. 44:31.478 --> 44:33.038 Talk about umbrella in the house. 45:14.801 --> 45:16.103 Dirty trap trap. 45:56.255 --> 45:57.056 Hello! 45:57.136 --> 45:58.297 Show me! 45:58.837 --> 45:59.218 Two! 46:21.436 --> 46:41.882 I bet if you throw that ass in the air it'll turn into sunshine Shucks monkey Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass Shakin' that ass 46:50.874 --> 46:51.715 Little doggy. 46:55.797 --> 46:56.518 Niggas. 47:00.400 --> 47:04.123 Tuck the tongue. 47:04.163 --> 47:05.624 That's a postcard. 47:08.346 --> 47:09.907 Chocolate biscuit.