WEBVTT 00:01.704 --> 00:02.245 Hi, I'm Adam. 00:02.265 --> 00:02.885 Hi, I'm Joe. 00:02.945 --> 00:03.245 Joe. 00:03.285 --> 00:03.566 Joe. 00:03.606 --> 00:03.946 Joe. 00:04.066 --> 00:04.326 Joe. 00:04.346 --> 00:04.446 Joe. 00:04.486 --> 00:04.546 Joe. 00:04.586 --> 00:04.827 Joe. 00:04.847 --> 00:04.927 Joe. 00:04.967 --> 00:05.187 Joe. 00:05.207 --> 00:05.287 Joe. 00:05.327 --> 00:05.467 Joe. 00:05.487 --> 00:05.827 Joe. 00:05.887 --> 00:06.268 Joe. 00:06.308 --> 00:06.668 Joe. 00:06.708 --> 00:06.928 Joe. 00:06.968 --> 00:07.189 Joe. 00:07.209 --> 00:07.389 Joe. 00:22.691 --> 00:24.212 Hello, this is Adam and Joe on XFM. 00:24.232 --> 00:25.733 That was Feeder with Feeling A Moment. 00:25.753 --> 00:28.114 We're here with you for the next two hours. 00:28.174 --> 00:28.754 Say hello, Adam. 00:29.135 --> 00:29.755 Hi, how you doing? 00:29.775 --> 00:33.757 And before Feeder, you heard Block Party, of course, with Banquet. 00:34.718 --> 00:36.859 Now, what have we got coming up on the show today, Joe? 00:36.879 --> 00:37.679 What can we tease? 00:37.839 --> 00:38.600 All sorts of stuff. 00:38.780 --> 00:39.480 Oh, stuff. 00:39.520 --> 00:40.081 Yeah, stuff. 00:40.101 --> 00:42.342 We've got a competition in which you can win Bubba Hotep. 00:42.802 --> 00:45.244 That might be Dizzy's in the dock, actually, towards the end of the two hours. 00:45.864 --> 00:54.249 And we're going to have a celebrity regression, where you could win a special edition of Apollo 13, the film about the men that go into space in the spaceship. 00:54.549 --> 00:57.010 The Ray gets by the man from Happy Days. 00:57.210 --> 00:57.451 Yeah. 00:57.951 --> 00:58.531 So there we go. 00:58.651 --> 01:01.113 What more motivation could you possibly need for listening? 01:01.393 --> 01:08.357 As well as terrific music from the likes of Queens of the Stone Age, the Libertines, the Ordinary Boys, the Future Heads, Weezer, and that's just the first hour. 01:09.890 --> 01:11.531 That's unbelievable. 01:11.792 --> 01:14.814 Plus we're going to be talking about provocative pop culture related subjects. 01:15.314 --> 01:20.718 Er, and if you want to join in, you can text us on 83XFM or email us, adamandjoe at xfm.co.uk. 01:21.638 --> 01:23.700 Have you got some provocative stuff up your sleeves? 01:23.800 --> 01:24.140 I have. 01:24.320 --> 01:27.102 Today, er, well yesterday I went to see the Amityville Horror remake. 01:27.503 --> 01:29.224 Oh yeah, we talked about that a couple of weeks ago. 01:29.244 --> 01:29.744 Yeah, yeah. 01:29.904 --> 01:33.807 And I was, er, speculating that it was going to be a pointless waste of time. 01:34.147 --> 01:37.670 Well, how sort of on spot on you were. 01:37.790 --> 01:39.411 OK, well we'll find out more. 01:39.791 --> 01:40.552 I tell you what I've done. 01:40.712 --> 01:41.153 What have you done? 01:41.673 --> 01:44.376 I've drawn up a list of ten... Oh, thank God, I thought you'd killed someone. 01:44.456 --> 01:45.317 Yeah, no. 01:45.337 --> 01:46.758 Well, I might have done that as well. 01:46.878 --> 01:47.018 Oh, no. 01:47.038 --> 01:49.921 But I've also drawn up a list of ten things that are no longer scary. 01:50.562 --> 01:50.982 Good one. 01:51.122 --> 01:54.646 Okay, ten things that should just be... they should stop doing in horror films. 01:55.066 --> 01:55.987 Right, little things. 01:56.007 --> 01:56.728 They're not scary anymore. 01:56.768 --> 01:57.208 Little techniques. 01:57.228 --> 01:59.110 And I'd like to issue this to all filmmakers. 01:59.410 --> 01:59.691 Very good. 01:59.711 --> 02:00.672 A round robin email. 02:01.172 --> 02:01.773 Round Robin. 02:01.793 --> 02:02.613 I love Round Robin. 02:02.673 --> 02:03.994 I'm full of all the phrases today. 02:04.014 --> 02:04.415 Yeah. 02:04.935 --> 02:06.076 But that's coming up in a bit. 02:06.216 --> 02:06.876 Very exciting. 02:07.517 --> 02:10.139 Right now, let's just play some music, yeah, just to keep the energy up. 02:10.499 --> 02:11.660 Here's Queens of the Stone Age. 02:13.601 --> 02:18.685 Knockers. 02:24.430 --> 02:25.390 Is it enough just to go... 02:27.226 --> 02:28.888 Yeah, I think that sort of proves that it is. 02:28.988 --> 02:29.529 It is enough. 02:29.649 --> 02:29.929 Well done. 02:29.949 --> 02:30.589 It's more than enough. 02:30.670 --> 02:31.650 Well done, Queens of the Stone Age. 02:31.670 --> 02:32.972 Well, they are from the Stone Age, I suppose. 02:32.992 --> 02:34.153 They're sort of Stone Age noises. 02:34.513 --> 02:37.676 It's more kind of, uh, medieval. 02:38.056 --> 02:40.499 They're Queens of the Medieval Age, I would say. 02:40.519 --> 02:40.839 Right. 02:40.919 --> 02:40.999 OK. 02:41.539 --> 02:42.160 Uh, but very good. 02:42.200 --> 02:43.381 That's called Little Sister. 02:44.042 --> 02:47.045 Um, I haven't watched that much TV and stuff this week. 02:48.726 --> 02:49.786 You've let us all down. 02:49.806 --> 02:52.888 Well, I feel as if I haven't done my work, my homework, you know? 02:52.908 --> 02:58.492 I've just been sort of having a kind of different life and doing other things. 02:58.532 --> 02:59.832 I went on the London Eye again. 03:00.293 --> 03:01.974 I'm pretty much a regular on the London Eye. 03:03.234 --> 03:03.995 That was good fun. 03:04.495 --> 03:10.938 But the last thing I watched that made an impression on me, apart from Dead Man's Shoes, which I got on DVD, which was brilliant. 03:11.378 --> 03:13.760 I strongly recommend you look at that if you haven't seen it. 03:13.780 --> 03:15.080 I second that. 03:15.901 --> 03:16.681 Paddy Considine. 03:16.701 --> 03:19.742 Oh, I'm quite attracted to Paddy Considine, I think, now. 03:20.383 --> 03:24.645 Anyway, the last thing I saw on TV that made an impression was the 50 Greatest Sketches on Channel 4. 03:25.085 --> 03:26.446 Yeah, we'd been away for a week. 03:26.466 --> 03:27.546 We weren't here last weekend. 03:27.566 --> 03:30.768 I think the 50 Greatest Sketches was possibly just after we were on Last. 03:31.068 --> 03:33.711 a couple of weeks ago on Channel 4, yeah, on a Sunday maybe. 03:35.073 --> 03:36.314 They've got this new presenter 03:38.143 --> 03:39.483 Oh, was Jimmy Carr presenting that one? 03:39.823 --> 03:40.804 I don't know, I didn't see it. 03:40.824 --> 03:42.664 I was going to make a lame joke about Jimmy Carr. 03:42.784 --> 03:44.785 I'm not sure that he was presenting it, actually. 03:45.385 --> 03:52.366 But, you know, it was just the usual kind of round-up of random... random list-type business from Channel 4. 03:53.087 --> 03:56.487 Basically three or four... I'd love to know exactly how it worked. 03:56.527 --> 04:02.389 Maybe if someone from Channel 4 could phone up and let us know what the process was, cos it's all hung around a pole. 04:02.429 --> 04:03.749 I'll tell you what the process is. 04:03.809 --> 04:04.169 Yeah, what is it? 04:04.209 --> 04:07.110 There's a list... There's a pre-ordained list of sketches on the website. 04:07.930 --> 04:12.911 And so you choose, I think, out of an already sort of selected gathering of sketches. 04:13.191 --> 04:14.331 So you can't just chuck anything in. 04:14.892 --> 04:18.552 I think you're choosing from... You're putting a 50 that Channel 4 have suggested in order. 04:18.872 --> 04:19.753 I think that's correct. 04:19.853 --> 04:29.695 Yeah, that's more or less how it would work, because they've got to figure out what they can show, clearability-wise, and what they want to show to prop up their notion of what constitutes great comedy. 04:29.715 --> 04:30.635 Are you talking about Bo Selector? 04:31.615 --> 04:33.016 Erm, I don't mind Bo Selekter. 04:33.116 --> 04:34.076 There was a couple of people putting it down. 04:34.096 --> 04:34.796 What are you talking about then? 04:34.816 --> 04:35.716 What's made you angry? 04:35.737 --> 04:47.360 I just- it makes me a little- as much as I like Little Britain, to have, er, Lou and Andy in the swimming pool, the number one greatest sketch of all time- Well, that's the same as Robbie Williams being voted the number one songwriter of all time, isn't it? 04:47.380 --> 04:49.441 It's just whoever's big at the time always goes to number one. 04:49.621 --> 04:49.981 It's Ludacris. 04:50.001 --> 04:50.781 Cos that's all the kids know. 04:50.921 --> 04:51.602 I know and I know. 04:51.642 --> 04:51.982 Ludacris? 04:52.302 --> 04:53.062 It's Ludacris. 04:53.442 --> 04:54.142 Is he at number one? 04:54.242 --> 04:55.063 He's at number one. 04:55.103 --> 04:55.783 He's amazing. 04:55.823 --> 04:56.983 He's a new rapper. 04:57.383 --> 04:59.004 Erm, but no, you know, it's something I've- 04:59.284 --> 05:08.132 banged on about so many times and it's a bit, I'm sounding like an old man about it, but it just, it's like a fresh slap in the face every time you see one of those shows, you know what I mean? 05:08.212 --> 05:09.594 No Alexi Sale in there. 05:09.614 --> 05:10.575 No Adam and Joe. 05:10.715 --> 05:11.596 No Adam and Joe. 05:11.996 --> 05:12.977 Did we ever do a sketch? 05:13.577 --> 05:14.198 We never did a sketch. 05:14.498 --> 05:15.879 We transcended the sketch format. 05:15.899 --> 05:16.980 We were beyond sketches. 05:17.120 --> 05:19.921 We didn't have catch phrases or sketches or anything funny. 05:20.261 --> 05:21.622 We got rid of all that kind of stuff. 05:22.083 --> 05:23.884 But, you know, it just made me angry. 05:24.044 --> 05:28.486 And it reminded me again of my brilliant idea for a new kind of sketch show. 05:29.007 --> 05:32.889 So you've got Goodness Gracious Me, which you could say was for the Asian community. 05:33.289 --> 05:34.530 Smack the Pony for ladies. 05:35.190 --> 05:37.171 The Sketch Show for special needs viewers. 05:37.191 --> 05:41.254 And for the gay community, you could have Ooh Ducky. 05:41.894 --> 05:44.855 which would be a new kind of sketch show with all sketches about being gay. 05:44.875 --> 05:45.716 In it. 05:46.276 --> 05:46.756 What do you reckon? 05:46.776 --> 05:47.436 Are you excited? 05:47.516 --> 05:48.297 That's exciting. 05:48.457 --> 05:49.577 Now here's a sample sketch. 05:50.057 --> 05:56.160 Middle aged gay couple, they're watching TV, their son comes in and says, hi dad, I've got something to tell you. 05:56.240 --> 06:02.202 No, hi dad, hi dad, you get a laugh there, because he says, hi to two, anyway. 06:02.222 --> 06:04.443 Right, I've got something to tell you. 06:04.643 --> 06:06.124 What is it son, says one of the dads. 06:07.866 --> 06:16.416 I'm I'm I'm I'm straight says the Sun you're what and they're furious because They're gay. 06:16.496 --> 06:23.224 He's quick play record coming out because he's But do you understand the brilliance of ooducky? 06:23.644 --> 06:26.207 Yeah Turn the record up turn us down 06:34.952 --> 06:36.293 Is he saying, makes me potty? 06:36.513 --> 06:36.713 There. 06:37.154 --> 06:38.074 Makes him party. 06:38.635 --> 06:40.316 Oh, that terrifies me. 06:40.356 --> 06:41.077 Makes me potty. 06:41.377 --> 06:42.678 That's his own bibbo with modern love. 06:42.718 --> 06:44.139 When was that, from 1918? 06:44.800 --> 06:47.081 Four, five, or something like that. 06:47.141 --> 06:47.401 Really? 06:47.642 --> 06:47.982 Yeah. 06:48.382 --> 06:50.584 So coming up in a second, celebrity regression. 06:50.624 --> 06:53.246 I'm going to regress Adam into the mind and films of a film star. 06:53.266 --> 06:55.768 You have to guess what film and who the star is. 06:55.788 --> 06:58.610 You could win a copy of the Apollo 13 special edition. 06:58.830 --> 06:59.411 Two discs. 06:59.711 --> 06:59.931 Wow. 07:00.111 --> 07:00.191 Wow. 07:00.211 --> 07:00.471 Yeah. 07:00.752 --> 07:01.953 Imagine. 07:01.973 --> 07:04.475 And Baba Hotep, or Baba Hotep, depending on what you want. 07:04.495 --> 07:06.097 Depending on what you want. 07:06.197 --> 07:09.159 It's a really easy one this week, so stand by your phones. 07:10.220 --> 07:11.141 I'll give out the number now. 07:11.381 --> 07:11.942 What the hell? 07:11.962 --> 07:13.323 0-8-7-1-2-2-2-1-0-4-9. 07:13.664 --> 07:16.506 That's the number to call. 07:16.546 --> 07:18.568 Not only for competition time, but for anything. 07:18.608 --> 07:19.369 Just for a chat. 07:19.769 --> 07:21.271 What are you saying? 07:21.351 --> 07:21.791 I don't know. 07:21.851 --> 07:22.672 I don't know what I'm saying. 07:22.812 --> 07:24.133 Adam and Joe here on XFM. 07:24.894 --> 07:24.994 XFM. 07:31.626 --> 07:33.346 Gosh, it almost caught me out there. 07:33.887 --> 07:39.069 I was almost a bit like, nothing's gonna stop us now. 07:39.189 --> 07:40.810 Who invented that style of singing? 07:40.910 --> 07:41.210 He did. 07:41.570 --> 07:41.871 Did he? 07:41.891 --> 07:43.952 Not Chris Martin, it's slightly Chris Martin, isn't it? 07:46.727 --> 07:49.928 It's as if someone's pinching his little bum while he's singing. 07:50.208 --> 07:53.048 Or just he's really anxious about the world and the environment. 07:53.288 --> 07:54.909 And he can't quite sing. 07:55.369 --> 07:57.809 It's sort of I'm almost about to burst into tears, isn't it? 07:57.829 --> 08:01.830 That's the whole style of early noughties singing. 08:02.250 --> 08:03.511 Don't pinch my bum! 08:03.791 --> 08:07.491 I think pinching the bum is just a bit- Don't pinch my bum! 08:08.312 --> 08:10.672 That would be less interesting if that was all it was. 08:10.772 --> 08:11.992 Sometimes it's as simple as that. 08:12.012 --> 08:12.252 Is it? 08:12.492 --> 08:12.832 Yeah. 08:13.033 --> 08:15.073 It's all it comes down to, a little technique like that. 08:15.532 --> 08:20.114 OK, 0-8-7-1-2-2-2-1-0-4-9, I'm about to put Adam under. 08:20.214 --> 08:26.517 If you can guess what film star he's being regressed into and what the films are, you could win either a copy of Bubba Ho-Tep or Apollo 13. 08:26.557 --> 08:27.478 Are you ready, Adam? 08:27.718 --> 08:28.438 I am ready. 08:28.458 --> 08:28.999 Ring the bell. 08:29.199 --> 08:29.319 OK. 08:31.144 --> 08:56.078 this is celebrity regression if you'd like to be regressed along at home as long as you're not operating a heavy vehicle or in charge of young children then do feel free take deep breaths in through the nose out through the mouth expand the stomach and drift clear your mind etc you know the sort of thing uh drift back your five your four your three your two your one your tiny little fetus you're a little spermatozoa 08:56.898 --> 09:04.080 Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty Glinty 09:15.342 --> 09:16.242 I'm in an office. 09:16.942 --> 09:18.063 Oh, it's so boring. 09:18.403 --> 09:20.943 It looks like a hospital room or something boring. 09:21.363 --> 09:24.104 This place is full of stiffs, and I mean literally. 09:24.644 --> 09:26.004 Take the guy I've got to work with. 09:26.164 --> 09:28.425 He's boring my entire ass off. 09:28.765 --> 09:31.265 But that always happens to me, because my ass is crazy! 09:31.605 --> 09:37.347 Why else would I listen to a live version of Jumping Jack Flash by the Rolling Stones over and over again on my Walkman? 09:37.627 --> 09:39.347 That's right, because I'm a crazy ass! 09:39.827 --> 09:44.029 And to prove it, I'm gonna, I'm gonna do something crazy to this boring place, man. 09:44.049 --> 09:48.311 I'm gonna make a crazy sex party, and it's gonna be full of nice prostitutes. 09:48.791 --> 09:53.393 Not the nasty, drug-addicted ones, but nice ones who just wanna make some money and have some fun. 09:53.673 --> 09:57.194 And thanks to me and my crazy ass and my Walkman, they can! 09:57.235 --> 09:59.696 Jumping jack flashes and gas, gas, gas! 09:59.956 --> 10:00.916 Look out, my crazy ass! 10:01.016 --> 10:02.477 Just breathe, just breathe. 10:02.897 --> 10:04.578 I'm not gonna... Hey, finish. 10:05.538 --> 10:08.245 I'm now going to take Adam into the mind of the movie. 10:08.947 --> 10:10.911 Well, you know, the same movies, Doug, different movie. 10:11.633 --> 10:12.515 Wake up, tell us what you see. 10:13.880 --> 10:14.460 I'm in bed. 10:14.821 --> 10:15.801 I've got a headache. 10:16.261 --> 10:17.642 Ooh, there's someone in bed with me. 10:17.662 --> 10:18.923 Ooh, my crazy ass! 10:19.103 --> 10:19.983 Oh, no, wait, she's dead. 10:20.423 --> 10:21.564 From a drug overdose. 10:21.824 --> 10:22.965 Oh, no. 10:23.445 --> 10:27.087 Also, my bad real estate dealings have left me in terrible debt. 10:27.487 --> 10:29.308 My sleazy life is catching up with me! 10:29.528 --> 10:32.149 I'd better hide, but where can I be guaranteed anonymity? 10:32.369 --> 10:32.829 I've got it! 10:33.089 --> 10:34.090 A rehab center! 10:34.370 --> 10:39.633 But now, I'm being forced by my tough-but-kindly counselor to look at my problems. 10:39.653 --> 10:40.113 Ooh! 10:40.313 --> 10:41.594 Look at my problems. 10:41.994 --> 10:43.635 My ass isn't crazy anymore. 10:43.935 --> 10:47.018 In fact, my ass is delivering the performance of a lifetime. 10:47.038 --> 10:48.058 Drugs are bad. 10:48.098 --> 10:48.839 Do you understand me? 10:48.919 --> 10:49.679 I'm crying. 10:50.460 --> 10:51.821 I want an Oscar, please. 10:52.261 --> 10:52.481 No. 10:52.942 --> 10:54.322 Dustin Hoffman's taken the Oscar. 10:54.362 --> 10:55.323 I can't believe it. 10:55.363 --> 10:57.525 That's difficult just for pretending to be simple. 10:58.105 --> 11:00.347 They want my ass to be crazy again. 11:00.367 --> 11:02.168 But I want a serious ass. 11:02.668 --> 11:21.834 got serious I've got a serious ass look at my serious ass seven one two two two one oh four nine let's reverse Adam into the third and final film Adam open your eyes tell us what you can see excuse me I'm cold oh I'm very cold I'm cold on two levels level one I'm cold as a father for example I'm 11:21.834 --> 11:31.018 I'm always traveling around with my bad music band, featuring Mark Addy from The Full Monty, who was kidnapped from England and forced to make bad films in America for the rest of his life. 11:31.438 --> 11:37.781 The problem is, I spend too much time playing bad blues, and I neglect the most important thing in my life. 11:38.381 --> 11:39.162 My crazy ass. 11:39.202 --> 11:40.262 No, no, my son. 11:40.662 --> 11:41.103 My son. 11:41.423 --> 11:44.544 And because of that reason, I'm now literally cold. 11:44.864 --> 11:50.707 And also, I have a carrot in my face, and a disturbingly evil expression, which is not intentional. 11:51.187 --> 11:53.790 Some people say this is the worst film ever made, but I'll kill them! 11:54.251 --> 11:55.872 There's something for everyone in this movie. 11:56.213 --> 12:01.659 Fun snow action for kids, lessons on being a good father for the grown-ups, and my crazy ass for the brain dead! 12:01.899 --> 12:03.481 Catch my ass before it melts! 12:03.521 --> 12:04.142 That's a clue! 12:04.522 --> 12:04.963 That's a clue! 12:04.983 --> 12:05.363 Yeah, yeah, yeah. 12:05.403 --> 12:08.827 Wow, this is, uh... Previously, you sort of witnessed the movies. 12:09.708 --> 12:11.230 Now you're aware that you're in movies. 12:11.390 --> 12:11.590 What? 12:11.870 --> 12:13.712 The regression may be finally working. 12:13.732 --> 12:15.414 0-8-7-1-2-2-2-1-0-4-9. 12:15.954 --> 12:20.719 If you know what film star and what films Adam was being regressed into, you could win a wicked DVD. 12:21.400 --> 12:22.221 Baba, hold that. 12:26.825 --> 12:32.651 Can't Stand Me Now by The Libertines, the first single to be taken from London, the London Quartet's eponymous second album out on August the 30th. 12:32.711 --> 12:33.171 I'm reading that. 12:34.219 --> 12:36.581 You join us midway through celebrity regression. 12:36.622 --> 12:40.265 Adam has been regressed into the mind and movies of a famous film star. 12:40.826 --> 12:41.847 Roland is on the line. 12:41.907 --> 12:44.069 He thinks he knows the film star and the movies. 12:44.089 --> 12:44.709 Hello, Roland. 12:44.729 --> 12:45.490 Hi. 12:45.971 --> 12:46.771 How are things going? 12:47.552 --> 12:48.413 Not bad. 12:48.573 --> 12:49.995 Are you talking on a homemade phone? 12:50.575 --> 12:51.836 No, I'm on the mobile. 12:51.856 --> 12:52.876 I'm actually in a very big room. 12:53.176 --> 12:53.536 Really? 12:53.556 --> 12:54.717 Yeah. 12:54.797 --> 12:56.657 OK, what's your guess at the movie? 12:56.697 --> 12:57.918 Well, hang on a second, Roland. 12:57.938 --> 12:59.438 OK. 12:59.499 --> 13:01.399 I'm going to get you to say, well, how are we going to do this? 13:01.439 --> 13:02.520 I've forgotten how we do this. 13:02.800 --> 13:04.681 I can't ask Adam, because he's being regressed. 13:05.261 --> 13:06.621 No, I'm on three films, right? 13:06.841 --> 13:07.802 Yeah, yeah, yeah. 13:07.922 --> 13:09.802 Tell me the three films, first of all, Roland. 13:09.822 --> 13:10.603 What do you think now? 13:10.623 --> 13:12.644 I think just direct. 13:13.524 --> 13:13.824 Yeah? 13:14.304 --> 13:15.325 Jump Through Deck Fresh. 13:15.605 --> 13:15.905 Yeah. 13:18.170 --> 13:22.794 OK, and I want you to say the name of the star, and if you're correct, Adam will come out of his regressed state. 13:23.154 --> 13:25.156 Say the name of the star. 13:25.536 --> 13:27.358 Whoopi! 13:27.999 --> 13:28.639 Roland, you're wrong. 13:28.679 --> 13:30.561 He's still in his regressed state. 13:30.901 --> 13:31.882 How did you get Whoopi? 13:33.505 --> 13:34.326 How do you mean? 13:34.386 --> 13:36.528 Well, he went and jumped and jacked a flare. 13:36.568 --> 13:38.049 She went like a prostitute. 13:38.069 --> 13:39.831 She was a prostitute in Sister Act, no? 13:39.851 --> 13:40.352 Wasn't she? 13:40.732 --> 13:46.158 Was she hanging out with other prostitutes in Sister Act and she was like undercover nun or something? 13:48.260 --> 13:51.342 I've tried never to see Sister Act and Undercover Nun. 13:53.163 --> 13:54.484 Yeah, well, it's wrong, Roland. 13:54.564 --> 13:55.605 I know where you got that from. 13:55.645 --> 13:57.226 Jumping Jack Flash makes sense, doesn't it? 13:57.786 --> 14:00.928 But maybe she was a prozzie at the beginning of Sister Act, I don't know. 14:01.188 --> 14:02.529 But I'm sorry, Roland, you're wrong. 14:02.569 --> 14:05.411 We cannot reward you with Baba Hotep, but thank you very much for calling. 14:05.731 --> 14:06.591 Let's go to James. 14:06.832 --> 14:07.432 Hello, James. 14:07.632 --> 14:07.972 Hi there. 14:08.433 --> 14:09.934 Hey, James, do you think you might have got it right? 14:09.954 --> 14:11.755 I think I have, yeah. 14:12.015 --> 14:13.476 OK, tell us the films first. 14:14.150 --> 14:16.674 Right, I know the first film is Night Shift. 14:18.798 --> 14:19.920 Yeah, second film? 14:20.260 --> 14:21.442 The second film I don't know. 14:21.462 --> 14:22.223 What?! 14:23.365 --> 14:24.547 Okay, move on to the third film. 14:24.607 --> 14:26.470 The third is Jack Frost. 14:26.891 --> 14:27.292 Wow. 14:27.958 --> 14:29.100 And what's the name of the star? 14:29.180 --> 14:30.662 Again, if you get it right, Adam will wake up. 14:30.882 --> 14:32.184 If you get it wrong, he'll remain under. 14:32.504 --> 14:33.025 Michael Keaton. 14:34.747 --> 14:35.688 That's extraordinary. 14:35.708 --> 14:36.630 I'm awake. 14:36.650 --> 14:37.210 I'm awake. 14:37.991 --> 14:40.935 Now, I could talk for half an hour about Jack Frost alone. 14:41.336 --> 14:41.876 Yeah, of course. 14:41.916 --> 14:43.458 How come you've seen Jack Frost, James? 14:44.159 --> 14:45.161 I haven't actually seen it. 14:45.760 --> 14:47.400 Yeah, well, you obviously know about it. 14:47.580 --> 14:49.221 I'm very aware of it, yeah. 14:49.321 --> 14:50.681 Everyone knows about the film. 14:50.761 --> 14:54.002 Everyone's picked it up and looked at it, but we've not had the balls to actually rent it. 14:54.042 --> 14:55.483 Well, who would, though, if I did? 14:55.503 --> 14:55.683 I did. 14:55.863 --> 14:56.383 Did you really? 14:56.403 --> 14:57.423 Yeah, I've seen Jack Frost. 14:57.443 --> 14:58.823 With the evil snowman on the front. 14:58.843 --> 14:59.343 Yeah. 14:59.363 --> 15:00.024 That's amazing. 15:00.144 --> 15:01.624 It's an extraordinary film. 15:02.044 --> 15:02.904 Oh, well, the middle one. 15:03.585 --> 15:04.705 Is this James we're talking to? 15:04.885 --> 15:05.045 Yeah. 15:05.705 --> 15:15.607 James, the middle, of course you've got Night Shift directed by Ron Howard, it's a little tie in there because we're giving away Ron Howard's extraordinary Apollo 13 later on. 15:16.207 --> 15:19.988 But that starred Michael Keaton as well as he, the Fonz, Henry Winkler. 15:20.108 --> 15:23.289 There's a couple of guys who set up a kind of brothel in a morgue. 15:23.369 --> 15:25.410 The film Night Shift, it's not bad. 15:25.530 --> 15:27.410 The second one was Clean and Sober. 15:27.590 --> 15:28.010 Boring film. 15:28.050 --> 15:29.050 That was a boring film. 15:29.070 --> 15:31.511 That was Michael Keaton's bid for Oscar glory but he was 15:32.071 --> 15:37.554 He's not even nominated that year and Hoffman walks off with all the statues for Rain Man. 15:37.574 --> 15:38.694 Do you care about any of this, James? 15:39.215 --> 15:40.595 Um, oh yeah, it's fascinating. 15:40.675 --> 15:41.636 Yeah, there you go. 15:41.756 --> 15:42.516 I was just checking. 15:42.736 --> 15:46.198 Well, it's just a little bit of background info on some of the films in the competition. 15:47.118 --> 15:50.080 Jack Frost was the last one. 15:51.281 --> 15:52.882 That's all there is to say about that. 15:52.902 --> 15:53.622 That's all there is to say. 15:53.642 --> 16:07.453 For people who don't know, Keaton plays a father who's been neglecting his fatherly duties, who dies in a car crash, and is reincarnated as a snowman who then is a much better father to his son until he begins to melt. 16:08.374 --> 16:11.957 And it's much weirder than it sounds, if that's possible. 16:12.497 --> 16:14.039 So James, Baba Hota, Apollo 13. 16:14.739 --> 16:16.280 Oh, I'd really like Bubba Hotep, please. 16:16.300 --> 16:16.600 You got it. 16:16.940 --> 16:17.741 It's coming your way. 16:17.761 --> 16:18.241 Cheers. 16:18.541 --> 16:22.463 We're glad, actually, because we were worried about what we were going to do with that copy of Bubba Hotep. 16:22.503 --> 16:27.606 But, James, it's winging its way to you and very much hope you enjoy it. 16:27.686 --> 16:29.006 Thanks very much for calling in. 16:29.767 --> 16:30.887 Here's a free play right now. 16:30.927 --> 16:32.788 This is by Silver Jews. 16:32.808 --> 16:32.888 What? 16:33.489 --> 16:35.370 And it's called People. 16:35.410 --> 16:35.930 Silver what? 16:36.070 --> 16:36.910 Silver Jews. 16:37.871 --> 16:39.752 They're Jews and they're silver. 16:39.972 --> 16:41.653 You know, they're members of the Jewish community. 16:41.753 --> 16:41.853 OK. 16:42.013 --> 16:42.573 Silver Jews. 16:42.613 --> 16:43.334 Silver Jews. 16:51.086 --> 16:51.387 There you go. 16:51.407 --> 16:53.910 That's called People by Silver Jews. 16:54.230 --> 16:55.772 This is Adam and Joe on XFM. 16:56.212 --> 17:00.257 We're going to have a kind of text competition very soon, aren't we, Joe? 17:00.797 --> 17:01.358 Yes, we are. 17:01.598 --> 17:02.439 Yes, we are, yes. 17:02.479 --> 17:03.941 We're going to be introducing that shortly. 17:04.041 --> 17:05.663 Also, you just dropped a bomb on me. 17:05.683 --> 17:09.327 I completely forgot that you went to the Make Me a Supermodel. 17:09.867 --> 17:10.988 Sort of finale party. 17:11.008 --> 17:11.588 That's correct. 17:11.688 --> 17:18.811 Regular listeners to the show will remember that we made a big- I made a big fuss about it, so inevitably I got invited and of course I went and had a fabulous time. 17:18.831 --> 17:19.831 Wow, can't wait to hear about all that. 17:19.851 --> 17:21.031 That's the end of the anecdote, that's it. 17:21.332 --> 17:21.752 No, no. 17:22.312 --> 17:24.013 I'm gonna squeeze more than that out of that anecdote. 17:24.393 --> 17:25.453 So join us again shortly. 17:25.473 --> 17:26.394 XFM 17:31.894 --> 17:32.974 My Sharona. 17:34.775 --> 17:35.375 That's good though. 17:36.376 --> 17:36.816 Who was it? 17:36.836 --> 17:38.676 I've completely forgotten. 17:38.716 --> 17:41.337 The Future Heads, of course. 17:41.697 --> 17:42.458 The Future Heads. 17:42.738 --> 17:51.321 There's a lot of bands that sound quite similar in their approach to the audio sound, including the Kaiser Chiefs, and of course before that were the Ordinary Boys, quite similar. 17:51.561 --> 17:52.581 Not saying there's anything wrong with that. 17:53.261 --> 17:56.822 It's my favourite kind of music, so in a way it makes me ecstatic. 17:57.122 --> 17:58.463 Joe, help me out here, I'm just babbling. 17:58.763 --> 17:59.204 Yeah, yeah, yeah. 17:59.224 --> 17:59.865 No, it's good babbling. 17:59.885 --> 18:00.526 I was enjoying it. 18:00.706 --> 18:00.946 OK. 18:00.966 --> 18:01.988 This is Adam and Joel on XFM. 18:02.008 --> 18:03.770 We're here with you for another hour and five minutes. 18:03.830 --> 18:05.853 Ditty's in the dock coming up at the end of the show. 18:06.213 --> 18:10.859 And we're going to do a text competition to win some rock and roll tickets to a rock and roll gig. 18:10.880 --> 18:11.440 Oh, I love that. 18:11.460 --> 18:12.422 Is it the Red Hot Chili Peppers? 18:13.911 --> 18:15.451 Oh, the Manic Street Preachers. 18:15.932 --> 18:16.592 Behemoths. 18:16.872 --> 18:17.172 Yeah. 18:17.232 --> 18:17.832 So here we go. 18:17.912 --> 18:19.332 I saw Amityville Horror yesterday. 18:19.352 --> 18:20.093 Wow. 18:20.133 --> 18:26.354 The remake of the classic, well it's not really classic, the remake of the average 70s movie that's now an average noughties movie. 18:26.954 --> 18:27.674 And it's pretty average. 18:27.694 --> 18:35.636 But one of the things that was most annoying about it was the fact that, you know, I see a lot of horror films, Ring Two, Grudge, Ring One, all that shenanigans. 18:35.736 --> 18:36.197 That's three. 18:36.217 --> 18:36.997 I've seen three horror films. 18:37.017 --> 18:37.677 Well I've seen a lot. 18:37.717 --> 18:39.077 God Send I saw as well. 18:39.137 --> 18:39.457 I haven't. 18:39.477 --> 18:40.678 I haven't seen High Music. 18:40.738 --> 18:41.238 I see them all. 18:41.298 --> 18:41.718 I see them all. 18:42.478 --> 18:51.802 Er, and they're doing the same things in all of them, so I thought I'd just write a list of ten things that, if there are any horror filmmakers listening, I'm not sure there probably aren't. 18:52.322 --> 18:55.944 Douglas might be listening, our storyboard artist friend, he's got contacts in Hollywood. 18:56.604 --> 18:57.705 Maybe Edgar Wright's listening. 18:57.905 --> 19:00.266 Maybe Edgar's in Los Angeles, maybe Garth's listening. 19:00.406 --> 19:02.287 Garth Jennings, director of Hitchhiker's, he might be listening. 19:03.727 --> 19:05.648 Ah, basically I'm wasting my breath, but here we go. 19:05.668 --> 19:09.930 The ten things that I think are no longer scary and should be banned in horror films. 19:09.970 --> 19:12.271 If we were prepared, we'd have a sort of scary backing track for this. 19:12.652 --> 19:13.072 I'll do one. 19:13.112 --> 19:14.232 But we don't really. 19:14.252 --> 19:15.973 Okay, and number one, I don't think you should. 19:16.433 --> 19:16.654 Okay. 19:16.854 --> 19:20.976 Number one, ghoulish women with long black hair emerging from unlikely places. 19:21.016 --> 19:22.016 That's an obvious one, isn't it? 19:22.076 --> 19:23.337 That's J-horror, isn't it? 19:23.377 --> 19:23.497 Yeah. 19:23.757 --> 19:44.857 but any any woman with a pale face and very long black hair it's just not scary anymore it's uh is it called kabuki uh the tradition of movies that that came with the the sort of uh no yeah but that's where it came from i read an article with the guy who directed the ring right he said that all that is not a film tradition is it it's theater yeah and he said that's where the images come from though that possibly possibly yeah 19:45.017 --> 19:46.478 Well, it- I just think it should be stopped. 19:46.938 --> 19:47.278 OK. 19:47.298 --> 19:47.819 Could you agree? 19:47.839 --> 19:49.700 I know, I'm just giving it some historical context. 19:49.720 --> 19:52.141 That's very good, I'm confused and frightened by your knowledge. 19:52.742 --> 19:55.884 And number two, any ghost on the ceiling, anti-gravity ghosts. 19:56.524 --> 19:57.124 Yeah, right. 19:57.144 --> 19:59.726 Any- you look up and you see hands and knees on the ceiling going- 20:00.839 --> 20:00.939 Yeah. 20:00.959 --> 20:01.680 It's not scary. 20:01.820 --> 20:03.381 First time you saw that, can you remember? 20:03.401 --> 20:05.843 Er, probably, er, The Fury. 20:05.863 --> 20:06.523 Yeah, The Fury. 20:06.704 --> 20:06.944 Brilliant. 20:06.964 --> 20:08.585 The guys are floating in the air in The Fury. 20:08.685 --> 20:09.446 OK, but it's over now. 20:09.486 --> 20:10.887 The Fury was in the 70s, wasn't it? 20:11.407 --> 20:11.727 Early 80s, maybe. 20:11.747 --> 20:12.528 Yeah, it was a long time ago. 20:12.828 --> 20:13.028 Yeah. 20:13.088 --> 20:13.569 Number three. 20:13.909 --> 20:15.050 Anything coming out of the bath. 20:15.070 --> 20:16.331 Yeah. 20:16.351 --> 20:18.393 While you're in the bath, hands coming out of the bath. 20:19.076 --> 20:19.496 Don't you think? 20:20.316 --> 20:20.917 Not scary. 20:20.957 --> 20:22.457 Anything pulling you under the bath. 20:22.657 --> 20:27.079 It was good in Nightmare on Elm Street when the hand with the knives came out. 20:27.099 --> 20:27.839 I think it was number two. 20:27.859 --> 20:28.439 Was it number one? 20:28.459 --> 20:28.919 I can't remember. 20:29.360 --> 20:30.520 Nearly slashed up her bits. 20:30.560 --> 20:31.020 That was good. 20:31.600 --> 20:35.842 But, uh... Well, it's not mine, it's from the film. 20:35.882 --> 20:36.422 Number four. 20:36.662 --> 20:38.583 Wide-eyed, pale children with invisible friends. 20:39.683 --> 20:40.223 Yeah. 20:40.703 --> 20:44.045 Any child with an invisible friend, you know, is done. 20:44.065 --> 20:46.906 It's been done about six times in the last year. 20:47.026 --> 20:47.426 Countless. 20:48.303 --> 20:49.224 No more of those, please. 20:49.444 --> 20:52.305 By the way, all these things, pretty much, are in the Amityville remake. 20:52.845 --> 20:58.268 At number six... No, sorry, at number five, wide-eyed pale children who draw inappropriately horrifying pictures. 20:59.268 --> 21:01.570 You know little Sammy, sitting on his bed? 21:02.050 --> 21:03.110 What are you drawing, Sammy? 21:03.531 --> 21:04.191 A picture? 21:04.651 --> 21:08.333 And it's a disgusting picture of a man being decapitated and a demon. 21:08.853 --> 21:09.253 You know? 21:09.694 --> 21:10.334 There you go. 21:13.201 --> 21:14.242 Oh, that's good, that's good. 21:14.342 --> 21:19.325 Lila is so exhausted, she's just run out there, she can barely breathe now, she's about to have a coronary. 21:19.445 --> 21:20.746 Wouldn't you agree with that one, Adam, though? 21:20.786 --> 21:21.206 Yeah, I would. 21:21.346 --> 21:21.566 Yeah. 21:21.846 --> 21:24.408 Number six, and then start to speed up through these. 21:24.428 --> 21:24.788 Okay. 21:25.168 --> 21:27.870 Any and all shocking words scrawled on a wall in blood. 21:28.939 --> 21:39.346 You know, you come into a room, in Amityville Horror, the remake, it's catch them and kill them, spelt with a catch with a K, as if being bad at spelling's gonna make him an even more horrifying killer. 21:39.406 --> 21:42.588 Do you think that kind of thing predated the Manson murders? 21:42.669 --> 21:48.172 No, I think it started with the Manson murders, that's what pretty much inspired it, but it shouldn't be carrying on, you know, 30 years later. 21:48.192 --> 21:51.855 No, they even had it in, what was that film, was it Jagged Edge they had it in? 21:51.875 --> 21:54.697 Yeah, it's in Hide and Seek, it's in Amityville Horror, everyone. 21:54.957 --> 22:01.004 Fridge magnet letters, the Adam and Joe way in Amityville horror, so you know, that's a bit of a progression. 22:01.605 --> 22:07.472 OK, at number seven, any monster appearing in the bathroom mirror who then disappears when they turn around. 22:08.513 --> 22:10.155 That's over, surely that's over. 22:10.876 --> 22:15.499 I mean, as soon as anyone looks in a bathroom mirror in a horror film, you know there's gonna be some demon popping up behind them. 22:16.139 --> 22:17.560 Yeah, no, that's- Moratorium on that one. 22:17.780 --> 22:18.221 Definitely. 22:18.381 --> 22:24.004 At number eight, ghosts or monsters or possessed people with their heads wibbly wobbling at high speed. 22:24.845 --> 22:25.585 Oh, yeah. 22:25.805 --> 22:28.147 They didn't really have that in the Amityville horror. 22:28.167 --> 22:29.468 Yeah, especially with bondage. 22:29.488 --> 22:36.372 They'll have someone, like, strapped into a weird torture device with a strap across their forehead, and then they'll film- they'll film it at normal speed, right? 22:36.412 --> 22:38.713 The person wiggling their head, then they speed it up and put an effect- 22:40.114 --> 22:41.074 That's not, that's just funny. 22:41.094 --> 22:42.555 Did they really put the wobbly effect on? 22:42.575 --> 22:43.615 Yeah, they always put the wobbly effect. 22:43.655 --> 22:45.035 It's just funny, it's not scary. 22:45.055 --> 22:47.736 Well, yeah, again, first time I saw that was Jacob's Ladder. 22:47.956 --> 22:49.156 Yeah, it was good in Jacob's Ladder. 22:49.176 --> 22:50.997 It was brilliant, very impressive, never seen it there. 22:51.197 --> 22:51.637 But it's over there. 22:51.657 --> 22:54.497 But yeah, you know, that's the kind of thing that's going to pop up in a Pot Noodle advert next week. 22:54.517 --> 22:55.378 Yeah, stop it, stop it. 22:55.438 --> 23:02.399 I tell you what it'll pop up in is a road safety advert, because that's where these devices end up, in road safety adverts, then they finish. 23:02.919 --> 23:08.461 At number nine, a spectral figure darting through the picture very quickly, accompanied by a sudden loud noise. 23:10.041 --> 23:10.821 What was that? 23:11.501 --> 23:14.202 In the background, in the foreground, could be glimpsed while you're going up in a lift. 23:14.282 --> 23:15.522 That's how they do it in the grudge. 23:15.942 --> 23:16.422 That's over. 23:16.622 --> 23:17.543 Again, first time you saw that. 23:18.763 --> 23:20.203 Exorcist 3 was a good one. 23:20.323 --> 23:23.324 That was brilliant, the guy darting through the corridor with the big scissors. 23:23.364 --> 23:23.744 Yeah. 23:23.944 --> 23:24.144 Yeah. 23:24.164 --> 23:25.324 That was the only good bit in the film. 23:25.344 --> 23:25.664 Yeah, done. 23:25.744 --> 23:27.325 That's done, that's over, moratorium on that one. 23:27.345 --> 23:30.305 And finally at number 10, sudden loud noises generally. 23:30.525 --> 23:32.586 They're not frightening, I mean shocks, band shocks. 23:33.789 --> 23:34.449 No, it's not one. 23:34.610 --> 23:34.910 Sorry. 23:35.150 --> 23:38.352 They're not frightening, they're just annoying and unpleasant and dangerous for people with heart conditions. 23:38.672 --> 23:39.233 Yeah. 23:39.693 --> 23:40.193 That sort of thing. 23:41.194 --> 23:43.255 It is cinema's laziest device, isn't it? 23:43.796 --> 23:48.959 So if you can contribute to that list, what do you think is the most overused thing in modern horror films? 23:48.999 --> 23:50.040 What should just be stopped? 23:50.180 --> 23:57.765 Text us, 83XFM, and we'll reward the best suggestion with tickets for the Manic Street preachers at the Hammersmith Apollo on Tuesday the 19th of April. 23:58.025 --> 24:00.707 The most tired, cliched thing in horror films you've seen. 24:00.747 --> 24:01.988 Text us, 83XFM. 24:02.208 --> 24:03.669 We'll be back very shortly. 24:04.841 --> 24:05.043 XFM 24:07.270 --> 24:37.039 yeah smile like you mean it by the killers and before that you heard feel good incorporated by the gorillas if you're a fan of new music then xfm obviously is the best place for you joe i'm mainly talking to you yeah oh thanks um and i know that you're very excited about the new single from the white stripes white stripes well you can hear that on xfm next week when sean keaveny plays it uh he's on uh 10 a.m monday morning playing the latest offering from detroit's finest on tuesday joe cornish you can hear chris 24:37.039 --> 24:40.700 Just in O'Connell debuting the new single from the Coldplay. 24:40.981 --> 24:43.742 I don't know if you know this, but they're going to be really big. 24:44.202 --> 24:46.923 One of them's going out with a famous Hollywood star. 24:47.263 --> 24:48.664 Cooled Pla? 24:49.044 --> 24:50.444 Cooled Plea. 24:50.744 --> 24:51.825 Cooled Play. 24:52.225 --> 24:53.646 Coldplay. 24:54.446 --> 24:58.488 And yeah, he's going out with Kirstie Alley, I think. 24:58.988 --> 25:03.050 And you can hear that on Christina O'Connell's show on Tuesday after 8 a.m. 25:03.090 --> 25:03.690 at some point. 25:04.290 --> 25:13.535 And finally, if you're a Foo Fighters fan, which I certainly am, on Wednesday lunchtime, Ian Baker's gonna be ready to play the new single from them, the Foo Fighters. 25:14.195 --> 25:14.795 So there you go. 25:15.015 --> 25:15.876 That's exciting, isn't it? 25:15.956 --> 25:16.476 Brilliant stuff. 25:16.636 --> 25:20.880 We've been counting down our top ten of things that are no longer frightening in horror. 25:21.100 --> 25:22.081 We finished counting it down. 25:22.101 --> 25:23.502 We were asking you for your suggestions. 25:23.762 --> 25:25.083 We've had some very good ones come in. 25:25.103 --> 25:26.645 Oh, well done. 25:27.565 --> 25:28.766 OK, here's some good ones. 25:28.826 --> 25:30.428 I mean, they're all fairly obvious so far. 25:30.508 --> 25:32.830 Pets growling at something and backing away. 25:32.850 --> 25:33.570 That's good. 25:33.590 --> 25:34.932 Yeah, because the pets know. 25:34.952 --> 25:35.512 What is it, sniffy? 25:35.792 --> 25:37.153 The animals can sense the evil. 25:37.274 --> 25:38.535 Animals can sense the evil. 25:38.615 --> 25:40.116 I don't think my cat can sense evil, though. 25:40.396 --> 25:41.537 Does your cat go towards evil? 25:41.597 --> 25:44.579 Well, when I'm ever feeling spooked in the house, I always look to the cat first. 25:44.940 --> 25:48.843 And if the cat's curled up and happy, I think, fine, no poltergoosts. 25:50.124 --> 25:53.466 And what I'm saying is the cat's never been skittish, so maybe my house isn't haunted. 25:53.646 --> 25:53.927 Right. 25:55.468 --> 26:01.212 Horrific flashbacks accompanied by whispering farty noises and smudgy images, says James. 26:01.532 --> 26:04.154 Now, that's a good one, I think. 26:04.254 --> 26:07.337 Flashbacks, you know, with sound effects on them and a bang on every single cut. 26:07.637 --> 26:10.781 Oh yeah, because they're kind of feeling some terrible event that happened in that space. 26:10.801 --> 26:11.502 In the past, yeah. 26:11.562 --> 26:13.124 Some ancient historical killing. 26:13.224 --> 26:15.446 I don't want to give anything away. 26:15.466 --> 26:16.728 Oh, that's scary. 26:16.748 --> 26:18.410 Well that's just a lawnmower. 26:19.131 --> 26:19.391 Isn't it? 26:19.411 --> 26:20.552 I think it is just a lawnmower. 26:20.572 --> 26:21.454 It's just garden work. 26:22.034 --> 26:26.299 Okay, also suggested by John from Bognor and by Fred. 26:27.620 --> 26:33.423 baddies who come back to life and then who are shot suddenly by the hero's accomplice who's standing behind them. 26:33.843 --> 26:37.565 That's a convention of action movies and thrillers really and horror films. 26:38.065 --> 26:40.006 Another good one is cats jumping out of cupboards. 26:40.386 --> 26:41.547 Very prominent in the grudge. 26:42.327 --> 26:43.307 a cat in a cupboard. 26:43.327 --> 26:44.648 And that says Will. 26:44.968 --> 26:48.589 And Will also asked the question, what's- what are the cats doing in the cupboards in the first place? 26:48.609 --> 26:49.269 Steve Good point, Will. 26:49.289 --> 26:51.650 Ricky I don't pop my cat in the cupboard, maybe I should. 26:51.670 --> 26:54.431 Steve No, don't, because you'll freak yourself out, man, when it pops out. 26:54.451 --> 27:01.334 Ricky That's true, I'll pop the- the cat's annoying me, meow, I want food, that sort of stuff, pop it in the cupboard, forget about it. 27:01.374 --> 27:02.714 Steve Forget about it. 27:02.774 --> 27:03.655 Ricky Forget about it. 27:03.755 --> 27:06.536 Later, open the cupboard- Steve Whoa! 27:06.876 --> 27:07.376 Ricky The cat! 27:08.181 --> 27:10.544 Oh, it's not a very scary scenario, is it? 27:10.564 --> 27:12.285 That must have come from aliens. 27:12.305 --> 27:13.506 Was there cats jumping out before aliens? 27:13.526 --> 27:14.507 No, it's mainly the grudge. 27:14.527 --> 27:19.132 There's a very naughty cat in the grudge who makes scary noises and then turns out just to be a cat. 27:20.593 --> 27:26.079 And the other one we had was just generally exploring scary things, which is, again, a bit of a cliche, isn't it? 27:26.099 --> 27:27.180 But everyone always does that. 27:28.376 --> 27:28.716 Sorry. 27:28.896 --> 27:29.957 Exploring scary things. 27:30.097 --> 27:34.479 Well, you're in a clearly scary situation and you hear a noise, you go and investigate it. 27:34.619 --> 27:34.939 Come on. 27:34.979 --> 27:37.280 If you stop people doing that, there's not going to be any horror films left. 27:37.300 --> 27:37.440 I know. 27:37.460 --> 27:37.640 I know. 27:37.660 --> 27:37.980 That's true. 27:38.200 --> 27:41.041 And someone was also asking, what are the things that are scary? 27:41.081 --> 27:42.242 What's the upside to this? 27:42.282 --> 27:43.202 And that's a good question. 27:43.302 --> 27:44.062 It's a good question. 27:44.102 --> 27:45.503 I've got a couple of suggestions. 27:45.923 --> 27:47.063 Ooh. 27:47.164 --> 27:47.864 Things in bed. 27:48.884 --> 27:51.966 That's not a territory that's been covered a lot by horror films. 27:52.027 --> 27:53.267 It's done very well in the grudge. 27:54.108 --> 27:54.768 She's in the bed. 27:55.169 --> 27:57.330 Suddenly there's an old crone between her legs. 27:57.350 --> 27:59.031 Scrabbling around under the sheets. 27:59.051 --> 28:02.374 You lift up the duvet to maybe to have a bit of a waft. 28:02.594 --> 28:02.854 Yeah. 28:03.014 --> 28:05.356 And then what is there but an old crone under there? 28:05.936 --> 28:07.637 fiddling around where she doesn't belong. 28:07.677 --> 28:08.777 Double whammy, isn't it? 28:09.258 --> 28:11.258 Stinky fart smell and crone. 28:11.399 --> 28:17.181 The other thing that you thought is still genuinely frightening, Adam, was violent, threatening, psychopathic people. 28:17.641 --> 28:20.142 Yeah, well, an atmosphere of impending violence. 28:20.162 --> 28:21.383 Especially in dead man's shoes. 28:21.803 --> 28:25.125 Yeah, there's a great constant- Someone who's actually nice, but also a nutter. 28:25.485 --> 28:27.386 Exactly, you never are quite sure what's gonna happen. 28:27.826 --> 28:29.527 I find knives very frightening. 28:29.807 --> 28:30.027 Yeah. 28:30.447 --> 28:33.288 any sort of street crime or knife-related stuff, I find frightening. 28:33.308 --> 28:38.651 That's a good bit in Psycho 2, isn't there, where he's just bashing around with a knife and someone's getting stabbed in the hands? 28:38.671 --> 28:39.271 Do you remember that? 28:39.431 --> 28:39.951 I don't remember that. 28:39.971 --> 28:41.532 I remember the spade action in Psycho 2. 28:41.612 --> 28:42.432 Oh, dear. 28:42.512 --> 28:52.497 Anyway, we've yet to decide who to award the tickets to the Manic Street Preachers, so if you can think of a better scary thing that's no longer scary, text us, 83XFM, and you could win those tickets. 28:52.517 --> 28:55.378 Yeah, we'll wrap that one up in the next link, I think. 28:55.418 --> 28:59.400 And I still want to hear about the Make Me a Supermodel party, but first, music. 29:05.230 --> 29:06.851 Plus, tune packed. 29:07.491 --> 29:09.272 The magic numbers there with Forever Lost. 29:09.292 --> 29:11.213 This is Adam and Joe on XFM. 29:12.434 --> 29:16.477 Now, we're going to put to bed our Things That Aren't Scary Anymore competition. 29:16.517 --> 29:18.398 Thank you very much to everybody who's texted in. 29:18.418 --> 29:23.761 We've had some fantastic suggestions, including a very good one, I think it's brass door handle movement. 29:25.097 --> 29:25.477 Right. 29:25.918 --> 29:29.060 Just a close-up of a door handle turning. 29:29.540 --> 29:30.881 That's from Wellesley in Maidstone. 29:30.901 --> 29:32.822 He's right, they are always brass as well. 29:33.142 --> 29:38.065 In the Amityville Horror they try and amp it up a bit by putting a crucifix on the door handle. 29:38.485 --> 29:47.171 Don't know a lot of people who are so religious they have crucifixes embossed onto their door handle but of course when it turns spookily the crucifix is inverted. 29:47.831 --> 29:51.392 Which is something that only very, very evil people do, invert crucifixes. 29:51.412 --> 29:52.013 That's right. 29:52.093 --> 29:54.533 That's why you would not have a crucifix on your door handle. 29:54.614 --> 29:57.595 No, cos every time anyone came in you'd be, er... You'd be naughty. 29:57.635 --> 29:58.515 Tipping your head to Satan. 29:58.555 --> 30:00.836 That's the kind of thing that Marilyn Manson probably does. 30:00.876 --> 30:07.258 That hasn't been thought through properly by Andrew Douglas, the director of, er, the Amityville Horror, who is in fact a British man. 30:07.418 --> 30:07.638 Yeah. 30:08.118 --> 30:12.180 Er, and who one of our listeners' dad has worked with, according to another text. 30:12.782 --> 30:14.242 We want Douglas on the phone now. 30:14.482 --> 30:19.544 Andrew Douglas, to explain why would a Christian family have crucifixes on their door handles? 30:19.964 --> 30:20.224 Yeah. 30:20.444 --> 30:20.724 Yeah. 30:20.924 --> 30:25.365 You know, they'd have them on there because they like Jesus and all, but what are they going to do about the inversion problem? 30:25.405 --> 30:25.646 Yeah. 30:25.926 --> 30:26.746 That's a good point. 30:27.106 --> 30:28.646 Does that almost deserve the tickets? 30:28.846 --> 30:29.487 Maybe it does. 30:29.647 --> 30:35.308 Because I think it's between Wellesley and Maidstone for the brass door handle inversion and cats jumping out of cupboards from Will. 30:35.868 --> 30:37.109 I'd go for the brass door handle. 30:37.129 --> 30:38.749 That's a more interesting observation. 30:39.209 --> 30:41.510 Yeah, but I added the Amityville thing. 30:42.210 --> 30:43.211 Maybe I'll go with Wellesley. 30:43.431 --> 30:44.212 Go with Wellesley. 30:44.672 --> 30:44.952 I won't. 30:44.972 --> 30:45.993 Wellesley, you can win your tickets. 30:46.013 --> 30:47.415 Wellesley and Maidstone, congratulations. 30:47.435 --> 30:49.697 You've won those tickets to the Manning Street Preachers. 30:50.377 --> 30:56.162 Someone else suggesting that Frank in Blue Velvet is in fact one of the scariest characters in the film ever. 30:56.402 --> 30:57.063 And I think that's true. 30:57.083 --> 31:00.566 I think David Lynch is one of the, he's not really officially a horror director, is he? 31:00.706 --> 31:00.966 No. 31:01.146 --> 31:04.129 He's more of a, but his films are scarier than any horror films. 31:04.369 --> 31:08.290 Yeah, well, definitely Blue Velvet's got that sort of impending violence from a nutty person. 31:08.311 --> 31:14.893 What's the one where the man, uh, turned- that really scary man turns up at the party with the phone and he gets the guy to speak to himself? 31:14.913 --> 31:15.653 Lost Highway. 31:15.753 --> 31:16.414 That's Lost Highway. 31:16.454 --> 31:17.294 That's terrifying. 31:17.314 --> 31:18.054 That is frightening. 31:18.174 --> 31:23.356 And the first time I saw Dune as well, the big fat floaty guy who rips out people's- That's scary, isn't it? 31:23.416 --> 31:24.036 That's scary! 31:24.056 --> 31:28.738 Come on, he goes over to a guy, he's got a plug in his heart and he tears it out and then sucks all the blood out. 31:28.778 --> 31:29.599 That is frightening. 31:29.639 --> 31:30.499 OK, that's a bit frightening. 31:31.621 --> 31:32.422 Well done, there we go. 31:32.442 --> 31:33.262 Well done, Wellsy. 31:33.583 --> 31:34.884 Nice one, Wellsy. 31:35.204 --> 31:35.744 Wellsy! 31:36.445 --> 31:37.846 Uh, so congratulations on that. 31:38.366 --> 31:39.267 Now, what was I gonna say? 31:39.307 --> 31:42.369 Oh yeah, very shortly, we're gonna be finding out about Joe's time. 31:43.310 --> 31:44.831 I'm really excited about this. 31:44.851 --> 31:46.732 You're gonna be so disappointed. 31:46.753 --> 31:49.715 You're playing it down, but I can't possibly be disappointed. 31:49.755 --> 31:51.696 I just wanna hear all about it. 31:52.097 --> 31:55.059 And if you, like me, want to hear all about it, stick with us. 31:55.139 --> 31:56.040 Adam and Joe on XFM. 31:56.920 --> 31:57.461 XFM. 32:00.171 --> 32:01.833 Oh, it's just gone very cold in the studio. 32:01.873 --> 32:03.234 Maybe evil is here. 32:03.814 --> 32:08.379 Well, that was Bernard Butler recombined with Brett Anderson, so maybe... Is that evil? 32:08.479 --> 32:09.580 They may have formed evil. 32:10.120 --> 32:11.762 Oh, suddenly there's a very spooky touch. 32:11.802 --> 32:12.383 I don't think so. 32:12.523 --> 32:13.964 It felt like magic to me, Joe. 32:14.024 --> 32:14.264 Really? 32:14.324 --> 32:16.526 Musical magic from the refugees. 32:16.607 --> 32:19.109 No, the tears, I'm sorry, and a song called Refugees. 32:19.129 --> 32:20.430 It's very cold outside, though. 32:20.831 --> 32:22.452 It seemed to be as if the summer was on. 32:22.512 --> 32:25.315 I know you get very upset and frustrated when I talk about the weather, but... 32:26.055 --> 32:33.281 It's so upsetting to me that it's now cold again, and it's practically midsummer Anyway, come on. 32:33.482 --> 32:50.776 Tell us what the party for make me a supermodel was like just to remind this is this was the channel 5 show that both myself and Joe are addicted to about the Attractive young ladies in a house behaving ludicrously and getting thrown out one by one by Rachel Hunter and a couple of other Nobody's Peru and Tandy. 32:50.796 --> 32:51.636 They are not nobody. 32:51.656 --> 32:53.418 Did you meet Peru and Tandy? 32:53.438 --> 32:53.478 Oh 32:53.698 --> 32:54.779 I did not meet them, no. 32:54.799 --> 32:57.461 But I was sitting very near to them. 32:57.621 --> 33:03.886 Anyway, it turned out this show on Channel 5, which is now finished, was produced by someone that used to produce our program, the Adam and Joe show. 33:04.306 --> 33:10.331 So we kind of canvassed on air for a ticket to go along to the final live kind of competition. 33:10.371 --> 33:11.371 And Joe went along. 33:11.392 --> 33:12.512 I went along, yeah. 33:12.773 --> 33:13.193 Where was it? 33:13.573 --> 33:34.266 Er, it was at a brewery near the Barbican, very, very chic venue, and I was sat- sorry, I don't know what happened there, weird bit of mucus- I was sat in the front row, basically, right next to the catwalk, where, at a proper fashion show, you know, big stars would sit, like- Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs Steve Laughs 33:39.369 --> 33:40.810 entirely sure who she is. 33:41.571 --> 33:42.432 Is she from Steps? 33:42.552 --> 33:43.153 Steve Laughs Slightly 34:02.350 --> 34:04.131 To my left was Lisa Scott Lee. 34:04.571 --> 34:05.712 Doesn't wake you up, nothing will. 34:05.932 --> 34:12.655 To my right was a very orange man, I don't know who he was, but he looked like Harry Hill, if Harry Hill didn't dress as a joke, you know? 34:12.675 --> 34:15.436 That's really it. 34:15.916 --> 34:19.978 And the girls came out and they walked up and down, almost naked, right in front of me. 34:20.238 --> 34:24.960 And it was brilliant, but I was with my girlfriend who wasn't very comfortable about 34:25.220 --> 34:50.133 whole occasion she could be a supermodel herself she could indeed but i think she was questioning my motives was she i think she thought why does joe want to come to this thing where where 18 year old girls parade up and down totally naked with snakes and what would be your explanation for that because i fancy them but you're already going out with a very attractive girl i know but you can't get enough attractive girls isn't that a fact that's true 34:50.573 --> 34:52.254 And plus I was very emotionally involved. 34:52.594 --> 34:57.576 And you know, I spent a lot of time watching the families of the models, because they were all sat the other side of the catwalk from me. 34:58.056 --> 34:58.717 All their relatives. 34:58.737 --> 35:12.183 And every time a VT package came on, every time they played some video in, everybody in that group of audience, everybody in the family would turn around and watch it apart from Alice's dad, the girl who won her dad. 35:12.763 --> 35:14.044 He looked a bit like 35:15.004 --> 35:17.925 cross between Timothy Biggins and Timmy Mallet. 35:17.965 --> 35:18.905 Who's Timothy Biggins? 35:18.945 --> 35:19.525 Christopher Biggins. 35:19.545 --> 35:21.706 Christopher Biggins, I'm sorry, and Timmy Mallet. 35:22.066 --> 35:25.607 And he just sat there looking quite depressed through the whole thing. 35:25.627 --> 35:29.268 And then when his daughter won- He got really depressed. 35:29.308 --> 35:30.849 Really depressed. 35:30.909 --> 35:33.510 And was applauding in a slightly lacklustre way. 35:33.830 --> 35:35.490 His hands were going, well done. 35:35.810 --> 35:37.551 And his face was going, this is the 35:37.711 --> 35:39.712 beginning of the end for my daughter. 35:41.152 --> 35:42.692 Oh dear, I really felt for him. 35:42.752 --> 35:53.355 So I spent half of the time looking at his daughter naked, and the other half of the time looking at him, empathising with how he felt about people like me looking at his daughter naked. 35:53.996 --> 35:59.157 So it was an extraordinary journey into the quandary that is very young models. 35:59.837 --> 36:00.798 Anyway, so, uh- 36:02.398 --> 36:02.598 you go. 36:02.618 --> 36:07.021 But the best thing was, the next day, I got home and, uh- Ricky and Steve talk over each other 36:32.758 --> 36:43.463 I love that song as well I am the sexiest man you definitely are in the world we've got ditches in the dot coming up very shortly here's a free play right now this is the fall 36:51.770 --> 36:57.053 OK, it's time for Dizzies in the Dock here on the Adam and Jo programme on XFM. 36:57.093 --> 37:03.477 This is the part of the show where Jo and myself battle it out, who gets to play the final song of our two-hour stint here on a Saturday afternoon. 37:04.038 --> 37:05.498 So, Jo, do you want to go first or shall I? 37:05.919 --> 37:07.340 Well, I haven't really decided. 37:07.400 --> 37:11.822 I chose the subject this week to be space, songs about space. 37:11.942 --> 37:13.043 Why did I choose that? 37:13.123 --> 37:16.905 Maybe because it was a kind of a Hitchhiker's Guide to the Galaxy sort of week for me. 37:16.945 --> 37:19.227 I saw that midweek, enjoyed it very much. 37:19.947 --> 37:24.411 Uh, and so I thought maybe a space theme would be good, but I can't decide what to choose. 37:25.112 --> 37:26.553 Well, there's a lot of classic space songs. 37:26.573 --> 37:31.257 Well, I've got Elton John with Rocketman, but somehow I don't think XFM listeners are gonna vote for that, are they? 37:31.377 --> 37:32.999 Listen, you shouldn't play to the crowd. 37:33.039 --> 37:34.400 Just vote for what you love, man. 37:34.420 --> 37:37.582 The disco theme from Star Wars by Mecco Meeco. 37:38.303 --> 37:39.483 No-one's gonna vote for that, are they? 37:39.543 --> 37:41.004 It's funny though, that's funny. 37:41.624 --> 37:44.965 Carpenters with calling, occupants of interplanetary craft. 37:44.985 --> 37:46.765 Can I just say- No-one will vote for that, will they? 37:46.805 --> 37:48.966 You should have done this before you came into the studio. 37:48.986 --> 37:49.946 Well I'm trying to get some help. 37:49.966 --> 37:52.026 There's no- Bowie with Starman. 37:52.046 --> 37:53.327 It's supposed to be- That's overplayed. 37:53.387 --> 37:54.687 A vicious competition. 37:55.167 --> 37:56.527 I don't know, I don't know. 37:56.607 --> 37:58.088 OK then, Elton John with Rocketman. 37:59.228 --> 38:02.971 Er, my choice is Elton John with Rocketman, because I like it a lot. 38:03.091 --> 38:10.195 I really do, and I love singing along to it, and if you've got, er, you know, if you enjoy singing along to things, you'll enjoy singing along to it too. 38:11.156 --> 38:15.058 Er, Elton John is a big man with big man boobs. 38:15.638 --> 38:17.199 I saw him playing tennis the other day. 38:17.219 --> 38:19.041 He's an absurd, great roly-poly. 38:19.981 --> 38:34.649 monster isn't it but I don't know what to say it's a great song and it's about space so vote for it wow work is it well you undersold it because it is a classic classic song so what else do I need to say I wouldn't mind being beaten by it but or by him in fact 38:35.570 --> 38:38.654 But I've gone for something at the other end of the space spectrum. 38:39.155 --> 38:45.063 It's The Only Ones with Another Girl, Another Planet, which is a classic kind of punk tune. 38:46.285 --> 38:51.032 And if you don't know it, this is an opportunity for you to introduce yourself to a wonderful world. 38:51.052 --> 38:51.793 Is it very well known? 38:52.513 --> 38:59.139 I would say it's pretty well known within the world of... It's on the best punk album in the world ever that I see you're holding in your hand. 38:59.319 --> 39:00.039 Well, exactly. 39:00.099 --> 39:02.662 It's also a track from a classic album called SF Forrow. 39:02.722 --> 39:03.802 Oh, I'm shafted. 39:03.883 --> 39:05.364 No, it's not super well known. 39:05.704 --> 39:07.746 Elton John is gonna shaft me. 39:08.406 --> 39:14.131 Listen, either one of these songs is an absolute peach, so it's up to you listeners which one you go for. 39:14.591 --> 39:18.194 either the only ones with Another Girl Another Planet or Elton John with Rocketman. 39:18.315 --> 39:25.041 And just to motivate you, three callers will win a copy of Apollo 13, the space film. 39:25.201 --> 39:26.622 You know, there you go, space film. 39:26.842 --> 39:27.363 Space film. 39:27.423 --> 39:28.364 Space, all about space. 39:28.584 --> 39:30.826 We did a hilarious toy version of that once, didn't we? 39:30.846 --> 39:31.526 We did, yeah, yeah. 39:31.546 --> 39:34.449 Or Apollo 13, but we didn't quite spell it right. 39:35.570 --> 39:38.232 No, we spelled it weirdly with like maybe one... 39:39.273 --> 39:40.054 L or two Ls? 39:40.174 --> 39:41.995 A-P-A double L-O of Paul O'Thirteen. 39:42.835 --> 39:45.877 It was weird, but... That's all right, it was fine. 39:45.937 --> 39:46.518 Anyway. 39:46.658 --> 39:47.078 It's early. 39:47.198 --> 39:48.099 O-H-7-1-2-2-2-1-0-4-9 is the number to call. 39:48.159 --> 39:52.061 Just say Elton or The Only Ones, OK? 39:52.241 --> 39:54.142 Elton or The Only Ones. 39:54.703 --> 39:58.825 And we will find out which is the winner after we have some more music. 39:58.865 --> 40:00.306 Right now, who are we going to have? 40:00.506 --> 40:03.788 Oh, LCD Sound System with Daft Punk is playing at my house. 40:04.028 --> 40:04.869 Check it out. 40:11.454 --> 40:21.221 That is a razor light with somewhere else and before that you heard LCD sound system that Daft Punk is playing at my house. 40:29.398 --> 40:34.703 Yes, it's Diddy's in the Dock, the part of the show where Adam and I fight it out to be the one who plays the last record. 40:34.723 --> 40:37.145 This week it is a space theme. 40:37.165 --> 40:39.787 Who are we playing against, Adam? 40:39.827 --> 40:40.307 What are the records? 40:40.588 --> 40:43.790 Well, Joe, you've gone for Elton John with Rocketman. 40:44.231 --> 40:50.076 My choice was The Only Ones with a punk classic entitled Another Girl, Another Planet. 40:50.476 --> 40:51.537 We have callers on the line. 40:51.557 --> 40:53.659 I've lost their names, the callers on the line. 40:53.679 --> 40:54.500 I think it's Hayley. 40:54.980 --> 40:55.801 Hayley, are you there? 40:56.281 --> 40:56.721 Hi, I'm here. 40:56.781 --> 40:57.002 Hi. 40:57.222 --> 40:58.042 How you doing, Hayley? 40:58.363 --> 40:59.143 I'm fine, thank you. 40:59.283 --> 41:00.024 What are you up to today? 41:00.044 --> 41:01.225 You sound a little bit angry. 41:01.405 --> 41:02.245 Why are you angry? 41:02.386 --> 41:02.586 Angry? 41:02.606 --> 41:03.566 No, no, no. 41:03.847 --> 41:05.388 We're filming today. 41:05.448 --> 41:07.869 I'm a student filmmaker, so they're filming downstairs in my house. 41:08.070 --> 41:08.630 Really? 41:10.171 --> 41:11.152 Why do you let them do that? 41:12.213 --> 41:12.633 I don't know. 41:12.713 --> 41:13.554 I'm not quite sure. 41:13.674 --> 41:18.397 That's famously a thing never to do if you're even vaguely proud of your house is let a film crew in. 41:18.977 --> 41:19.798 Students as well. 41:19.838 --> 41:20.539 Don't tell the landlord. 41:20.679 --> 41:22.180 What sort of a film are they making? 41:25.098 --> 41:25.878 Have you read the script? 41:26.979 --> 41:29.580 And what film school are the students from? 41:35.063 --> 41:35.463 Really? 41:35.603 --> 41:37.884 They're telling you to keep it down because they're going for an important shot. 41:37.904 --> 41:39.925 They're going for the Munty. 41:41.624 --> 41:42.724 OK, what's the film jargon? 41:42.924 --> 41:44.085 Who are you voting for, Hayley? 41:44.145 --> 41:46.165 Is it going to be the punk or the bons? 41:46.785 --> 41:47.365 Only ones, please. 41:47.585 --> 41:48.746 The only ones. 41:49.326 --> 41:50.846 It's one for the only ones. 41:50.886 --> 41:52.447 OK, can you keep it down, please, Hayley? 41:52.807 --> 41:54.887 And Hayley, you win a copy of Apollo 13 as well. 41:54.947 --> 41:55.547 Congratulations. 41:55.587 --> 41:58.788 We're going for an MCU and we're using the jilly legs, so can you keep it down? 41:59.648 --> 42:05.490 Thanks very much for your call, Hayley, and hope you enjoy Apollo 13 by Ron Howard, the guy from Happy Days. 42:06.230 --> 42:08.431 Now we've got Neil on the line. 42:09.051 --> 42:09.691 How you doing, Neil? 42:11.377 --> 42:11.957 Yeah, very good. 42:11.977 --> 42:12.658 Thanks for asking. 42:14.119 --> 42:15.199 Erm, bye. 42:16.060 --> 42:16.560 No, I'm joking. 42:16.760 --> 42:19.302 Sorry Neil, just talking rubbish. 42:19.362 --> 42:20.902 What are you going to vote for this afternoon? 42:20.942 --> 42:22.123 The Only Ones or Elton John? 42:22.203 --> 42:23.224 The Only Ones. 42:23.824 --> 42:24.645 No! 42:24.965 --> 42:27.306 Come on, I mean it's a classic tune. 42:27.346 --> 42:29.567 Do you not even like Rocketman? 42:29.587 --> 42:30.788 I can't stand it. 42:31.669 --> 42:33.189 What's your problem with Rocketman? 42:33.210 --> 42:35.351 I mean that was Joe's choice but it is a good song. 42:36.556 --> 42:38.617 The only one eclipses it by miles. 42:38.857 --> 42:39.377 Yeah. 42:39.477 --> 42:43.518 OK, will you win a copy of Apollo 13 there, Neil? 42:43.558 --> 42:44.898 Thanks for calling, thanks for listening. 42:45.138 --> 42:46.919 Joe, man, you need some votes otherwise you're out of the picture. 42:46.939 --> 42:48.919 So if I don't get a vote, this is it, it's over for me. 42:49.179 --> 42:49.760 It's funny, isn't it? 42:49.780 --> 42:52.760 Because we've only got three copies of Apollo 13. 42:53.741 --> 42:54.881 Maybe this next one. 42:55.021 --> 42:55.521 Oh, I don't know. 42:55.881 --> 42:57.322 OK, Karlie, hello? 42:58.242 --> 42:58.682 Karlie? 42:58.702 --> 42:59.762 Oh, oh. 42:59.882 --> 43:01.323 What's happened? 43:01.383 --> 43:02.143 Are you there, Karlie? 43:04.022 --> 43:04.582 Hello Carly. 43:04.623 --> 43:05.103 I can hear her. 43:05.243 --> 43:06.184 I'm here. 43:06.224 --> 43:07.605 How you doing Carly? 43:08.085 --> 43:08.885 I'm good, thank you. 43:08.905 --> 43:09.486 What are you up to? 43:10.226 --> 43:12.048 I'm doing drama courses at the moment. 43:12.308 --> 43:12.668 Really? 43:13.248 --> 43:13.489 Yeah. 43:13.829 --> 43:15.890 A lot of talented people listening to this show. 43:15.970 --> 43:18.272 Are you teaching the course or taking it? 43:18.932 --> 43:19.573 I'm taking it. 43:19.633 --> 43:22.555 We're doing the performance on Tuesday so I want to wish everyone loads of luck. 43:22.875 --> 43:24.056 You're the drama queen. 43:24.076 --> 43:25.857 What's your performance of? 43:25.877 --> 43:28.699 It's called The Good Woman of Szechuan. 43:29.180 --> 43:30.520 The Good One of Szechuan? 43:31.601 --> 43:32.382 The Good Woman, yeah. 43:33.323 --> 43:54.145 the good is it about a chinese restaurant no although that would have been fun okay so uh carly what are you voting for then the only one oh well fair enough fair enough i didn't even realize the only ones was such a popular choice i thought maybe i'd get i mean they are fantastic do you know what have you got that album sf sorrow 43:54.955 --> 43:55.596 I'm afraid not. 43:55.776 --> 43:57.999 It's a classic album, so I'm told I don't even have it. 43:58.159 --> 44:02.164 And I've read about it all my life, and always loved Another Girl, Another Planet. 44:02.424 --> 44:04.487 I'm going out to buy it this afternoon, so I'm very excited. 44:04.527 --> 44:07.050 Do you know what lesson I've learned from this today, Karlie? 44:07.070 --> 44:07.951 Uh-huh? 44:08.071 --> 44:10.914 It's just to choose rock, because it's a rock station, isn't it? 44:11.035 --> 44:12.636 So people who listen tend to like rock. 44:13.177 --> 44:13.397 That's it. 44:13.417 --> 44:14.699 That's where I've been going wrong. 44:14.779 --> 44:16.460 Karlie, thanks very much indeed for your call. 44:16.941 --> 44:19.263 And, well, that's a walkover for the only ones. 44:19.784 --> 44:26.651 But listen, um, that's a shame, I think, because- No, no, no, you know people can just listen to Heart FM if they want to hear Rocket Man, basically. 44:26.671 --> 44:27.892 That's the lesson I've learned as well. 44:27.952 --> 44:31.676 Rocket Man transcends absolutely everything in music, boundary-wise. 44:31.736 --> 44:33.377 It's one of the most amazing songs ever written. 44:34.298 --> 44:35.459 Anyway, that's just my opinion. 44:35.639 --> 44:42.002 This, however, is also very good, and I guess it is a bit more to do with what XFM's really all about. 44:42.142 --> 44:43.422 Anyway, hope you enjoy it. 44:43.462 --> 44:46.084 This is Adam and Joe saying farewell, have a good week. 44:46.204 --> 44:47.084 Yeah, we'll see you next week. 44:47.104 --> 44:47.704 Thanks for listening. 44:47.845 --> 44:48.385 Bye, love you! 45:32.501 --> 45:58.693 Can't face your threats and stand up straight and tall and shout about it I think I'm on another world with you With you I'm on another planet with you With you You get under my skin I don't find it irritating You always play to win 46:15.782 --> 46:17.550 Another planet Another girl 46:56.551 --> 47:22.300 Space travels in my blood There ain't nothing I can do about it Long journeys wear me out but I know I can't live without it I know I think I'm on another world with you With you I'm on another planet with you With you Another girl whose love 47:30.021 --> 47:31.352 Is holding you down 47:34.895 --> 47:35.375 Very good. 47:35.675 --> 47:38.257 That's the only ones with another girl, another planet. 47:38.297 --> 47:40.638 And just came back, we've got a little bit of housekeeping to do. 47:40.698 --> 47:46.722 First, I should apologise for being ignorant enough to get the pretty things and the only ones confused. 47:47.002 --> 47:52.605 It was, of course, the Pretty Things, whose album, SF Sorrow, is a classic, and that's the one I'm going to go by this afternoon. 47:52.625 --> 47:53.646 How very ignorant. 47:53.766 --> 47:54.086 Sorry. 47:54.166 --> 48:01.890 And don't forget to listen to Sean Keaveney on Monday from 10am, as he'll be giving away copies of the Virgin Megastore's album of the week, which is Do Me Bad Thingses. 48:02.271 --> 48:02.511 Yes! 48:03.231 --> 48:07.756 And for more chances to win, you can go to www.xfm.co.uk. 48:08.237 --> 48:09.138 This is Adam and Joe. 48:09.959 --> 48:10.619 We'll see you next week. 48:10.860 --> 48:11.520 Bye!