WEBVTT 00:02.950 --> 00:04.511 Yeah, I would have gone out with something punchier. 00:04.891 --> 00:08.734 Just, you know, like a big shebang at the end there or a noise or something. 00:10.275 --> 00:10.775 That record? 00:11.015 --> 00:11.796 Yeah, yeah. 00:12.056 --> 00:14.677 Are you busy just texting someone there? 00:14.957 --> 00:17.059 No, no, just playing my Nintendo DS. 00:19.100 --> 00:19.780 What's that? 00:20.281 --> 00:23.143 It's the latest handheld portable console from Nintendo. 00:23.283 --> 00:24.263 Follow up to the Game Boy. 00:24.583 --> 00:27.285 It's got two screens and it's got a touch screen. 00:27.305 --> 00:27.906 You can touch stuff. 00:27.926 --> 00:29.186 Have you not seen the adverts on the telly? 00:29.467 --> 00:29.647 No. 00:32.122 --> 00:33.985 Sorry, forgive me if I'm a bit distracted. 00:34.005 --> 00:36.249 It's just so much fun. 00:36.269 --> 00:37.531 But you're 36. 00:38.292 --> 00:39.214 Yeah, and so what? 00:40.452 --> 00:41.272 Video games, man. 00:41.292 --> 00:42.053 That's where it's at. 00:42.373 --> 00:44.554 And the reason I'm playing it is because we got one to give away this week. 00:44.654 --> 00:45.155 Have we really? 00:45.235 --> 00:45.555 Yeah. 00:46.115 --> 00:48.257 The brand new Nintendo handheld console. 00:48.277 --> 01:02.305 It's not out until March the 11th, so actually quite soon, but it does cost £100 and you can win it for free, together with an amazing goody bag of PS2 games, all courtesy of BAFTA and the Video Game Awards, which were held this week. 01:02.705 --> 01:03.185 Last week. 01:03.686 --> 01:03.966 Yeah. 01:04.266 --> 01:04.806 And I went there. 01:05.147 --> 01:06.047 But, Ab, welcome back. 01:06.567 --> 01:07.108 Thanks very much. 01:07.728 --> 01:09.970 It was a difficult show last week, without you, for a bit. 01:10.710 --> 01:12.432 And then suddenly you found it was much nicer. 01:12.532 --> 01:12.732 Yeah. 01:12.932 --> 01:13.152 Yeah. 01:13.192 --> 01:13.693 Well, there you go. 01:13.793 --> 01:15.234 How was the, er, how was the gig? 01:15.394 --> 01:19.517 Cos, er, listeners might remember Adam last week was at, er, all tomorrow's parties at Camber Sands. 01:20.057 --> 01:20.498 How did it go? 01:20.698 --> 01:21.739 It was really good fun. 01:21.899 --> 01:29.765 It was exactly like going back to university, erm, but just for three days, which is really the best way to go to university, as far as I can tell. 01:30.105 --> 01:32.467 Cos you go there and you, it's like a holiday camp. 01:32.507 --> 01:33.087 It's a Bucklins. 01:33.127 --> 01:33.848 I think it's Bucklins. 01:34.088 --> 01:35.089 So it is a holiday camp. 01:35.529 --> 01:36.330 Yeah, that's what I'm saying. 01:36.350 --> 01:36.510 Yeah. 01:36.890 --> 01:37.671 Oh, you said it was like one. 01:38.091 --> 01:39.952 Er, it's- it's the way young people speak, Joe. 01:39.972 --> 01:40.013 OK. 01:40.033 --> 01:40.613 Try and keep up. 01:40.653 --> 01:40.853 OK. 01:41.213 --> 01:46.618 And, erm, you go and you get a chalet and there's loads of, sort of, chalets all next to each other. 01:46.698 --> 01:49.940 Well, it's like- it's exactly like student digs, basically. 01:49.980 --> 01:50.180 Yeah. 01:50.220 --> 01:55.364 Sort of big blocks of flats and you- you get your little four-room berth or six or eight. 01:55.525 --> 01:55.605 Mm. 01:55.625 --> 01:57.106 Depending on how many mates you've got. 01:57.126 --> 01:57.326 Mm. 01:57.686 --> 02:01.689 I only had two, but I had to get, erm, a four-room berth. 02:01.729 --> 02:03.331 That was the smallest one I could get. 02:03.351 --> 02:03.391 Mm. 02:03.931 --> 02:09.438 And it's great, and then you sort of, you know, mosey on down to the, uh... You're playing your video game again, aren't you? 02:09.458 --> 02:10.219 Yeah, but keep chatting! 02:10.599 --> 02:13.002 No, that's okay, I'll just, uh, play a record. 02:13.262 --> 02:14.484 Here's Thirteen Senses. 02:18.860 --> 02:22.363 As LCD sound system Daft Punk is playing at my house. 02:23.063 --> 02:24.965 There's Adam and Joe on XFM on a Saturday afternoon. 02:25.025 --> 02:27.427 Don't forget you can text us 83XFM. 02:27.827 --> 02:36.214 You can call us when the time comes on 0 8 7 1 triple 2 1 0 4 9 or email us at adamandjoe at xfm.co.uk. 02:36.854 --> 02:41.978 As I've already mentioned we've got an amazing BAFTA video game award goodie bag to give away with a Nintendo DS and 02:42.759 --> 02:45.920 About eight PS2 games, all the latest games. 02:46.961 --> 02:49.322 That will be winnable in the competition a bit later. 02:50.162 --> 02:50.923 What else have we got, Adam? 02:52.783 --> 02:53.284 That's it. 02:54.044 --> 02:57.906 We've got Rolling Stones box sets for the winners of People Who Get Through on Ditties in the Dock. 02:58.726 --> 03:00.507 That's right, and we've got- did you mention the tickets to Keen? 03:00.667 --> 03:01.068 I did not. 03:01.568 --> 03:11.475 Well, we've got two tickets to see the mighty Keen at the Islington Academy at the next exclusive XFM live session with James and Iris Whiskey on Tuesday the 8th of March. 03:11.615 --> 03:16.238 So, listen, man, carry on telling us about all tomorrow's parties, and I'll keep my Nintendo DS switched off. 03:17.058 --> 03:19.681 Um, are you- are you interested in All Tomorrow's Parties? 03:19.921 --> 03:20.241 I am. 03:20.261 --> 03:21.162 Yeah, I am. 03:21.282 --> 03:21.663 No, you're not. 03:21.823 --> 03:24.845 Well, I'm interested in any anecdotes, exciting things that happened. 03:24.865 --> 03:26.547 Funny or amusing events. 03:27.288 --> 03:30.931 I don't know if I can provide funny or amusing events from All Tomorrow's Parties. 03:30.971 --> 03:32.112 It was just really good fun. 03:32.152 --> 03:33.634 It was- I really recommend it. 03:34.314 --> 03:37.297 It's, um... Did you sleep in one of those- in a chalet? 03:37.537 --> 03:38.338 Yeah, yeah, yeah. 03:38.378 --> 03:39.379 Did you share a chalet? 03:39.699 --> 03:42.442 you went with? 03:42.562 --> 03:42.782 Yeah. 03:43.043 --> 03:43.263 Yeah. 03:43.283 --> 03:43.883 Who did you go with? 03:44.684 --> 03:47.347 I went with, er, with- well, it won't mean anything to anyone. 03:47.367 --> 03:47.447 OK. 03:47.467 --> 03:47.707 OK. 03:48.128 --> 03:53.093 And, erm- Did they have- because I've heard they- they sort of piped the bands into the tellies and the chalets. 03:53.113 --> 03:55.656 Did they do that so you can sit in your chalet and you can watch- No. 03:55.716 --> 03:56.056 What's that- No. 03:56.096 --> 03:57.237 No, that's not true. 03:57.277 --> 04:00.601 I think what happens is that the- the band who are 04:01.081 --> 04:10.070 curating the event, which this year was Slint, at least it was for this, and they got two festivals this year, I think Vincent Gallo is curating the next one. 04:10.190 --> 04:22.303 Anyway, Slint curated this year's one, or this month's one, and they put special programs on one of the channels on the TV, there was a show about cane toads, and just lots of 04:22.403 --> 04:22.983 weird rubbish. 04:23.023 --> 04:32.708 I tried watching it, but to be honest, it wasn't a patch on ITV of a Saturday evening with You've Been Framed, which is now brilliantly no longer presenter-led. 04:32.928 --> 04:34.189 Just got the voiceover from Harry. 04:34.209 --> 04:35.530 Yeah, yeah, it is fantastic, isn't it? 04:35.610 --> 04:37.651 How- why is it taking them so long to make that leap? 04:38.699 --> 04:41.262 It is now the perfect program. 04:41.362 --> 04:41.642 Wow. 04:42.243 --> 04:43.604 That's a good Camber Sands anecdote. 04:45.266 --> 04:46.767 Is that too much for your brain to handle? 04:46.807 --> 04:47.728 No, not at all. 04:47.828 --> 04:51.592 It just may be a reflection of all tomorrow's parties. 04:52.133 --> 04:56.437 I thought you might have got really drunk and leapt off a chalet roof, cos often there's big riots. 04:56.457 --> 04:59.160 Wasn't there famously a year when there were huge riots at Camber Sands? 04:59.680 --> 05:00.881 when there were crazy things going on. 05:01.121 --> 05:08.325 I hear stories of, you know, orgies in chalets, people jumping from roof to roof, chaos on the Ferris wheel, that sort of thing. 05:08.525 --> 05:13.348 I think in the past, I think maybe when Mogwai looked after it, it was famously riotous. 05:13.668 --> 05:20.972 So I thought something like that might have happened and I maybe wasn't expecting the viewing of You've Been Framed to be the top, you know, the top thing. 05:21.272 --> 05:24.614 The viewing of You've Been Framed is always the top thing in any given situation. 05:24.634 --> 05:25.374 That's very true. 05:25.934 --> 05:30.937 And it's really very hard to compete with it when it's on form, which it was last weekend. 05:30.957 --> 05:31.237 Yeah. 05:31.637 --> 05:32.318 But no, it was. 05:32.378 --> 05:33.839 All those things you mentioned were happening. 05:33.859 --> 05:41.282 I don't believe there's ever been any rioting because it's a very well organised and enjoyable festival and rioting wouldn't be enjoyable. 05:41.322 --> 05:42.263 Well, you know, rock rioting. 05:42.423 --> 05:44.804 Not necessarily a riot of joy. 05:44.844 --> 05:45.405 Pushing, you mean. 05:45.425 --> 05:45.985 And happiness. 05:46.005 --> 05:46.465 Some shoving. 05:46.485 --> 05:46.725 Yeah. 05:46.925 --> 05:47.966 And anarchic behaviour. 05:48.226 --> 05:52.790 Well, there was a bit, but it was respectful, because it's a, you know, it's a respectful, liberal crowd there. 05:53.370 --> 05:54.131 And it's just fun. 05:54.171 --> 05:58.854 Yes, there was a great deal of sex and drug-taking and minor violence. 05:59.295 --> 06:01.516 And yes, I did get involved with a great deal of that. 06:01.897 --> 06:03.478 But mainly it's about the music, Joe. 06:03.498 --> 06:05.760 The music, the music, the music, the music, the music. 06:06.340 --> 06:10.544 And for me, it was all about seeing Spoon, my favourite band, who were amazing. 06:10.664 --> 06:12.585 They were fantastic, on fire, on form. 06:13.386 --> 06:15.588 To be honest, I didn't know any of the rest of the bands. 06:15.688 --> 06:16.708 I knew about Slint. 06:17.669 --> 06:26.188 but their music is like soundtrack music for horror films basically, very slow horror films where nothing really happens. 06:27.202 --> 06:29.263 And, um, they were pretty good, though, I have to say. 06:29.644 --> 06:38.009 The rest of it was all, like, Deer Hoof and, um, Polar Goldie Cats, Need New Body, Fawn Fables. 06:38.029 --> 06:39.470 They were quite good Fawn Fables. 06:39.830 --> 06:40.770 I'm not making any of these up. 06:40.790 --> 06:41.511 These are real bands. 06:41.571 --> 06:41.831 Wow. 06:42.091 --> 06:44.252 Mighty Flashlight, The Red Nails. 06:44.553 --> 06:47.174 You see, someone out there is probably thinking, yeah, yeah, why? 06:47.214 --> 06:47.955 Don't you know about them? 06:47.975 --> 06:49.155 They're wicked, you idiot. 06:49.275 --> 06:50.916 You shouldn't be hosting a radio programme. 06:51.097 --> 06:52.878 You should be digging ditches, you dick. 06:53.658 --> 06:57.080 But, um, you know, what can I tell you, I've never heard of any of these people. 06:57.200 --> 06:57.940 The naysayer. 06:58.481 --> 07:00.282 Anyway, they were very good, and I had a great time. 07:00.762 --> 07:00.942 Good. 07:00.962 --> 07:02.603 Shall we play something by someone we have heard of? 07:03.323 --> 07:06.285 OK, this is, um, the Psychedelic Furs. 07:06.665 --> 07:10.667 And, uh, I was at another gig the other day, I was like, I've got a lot of gigs, yeah, yeah, yeah. 07:11.448 --> 07:18.712 And Robin Hitchcock was playing, and he did a cover of this song, which is from an album that was really big when we were at school. 07:18.732 --> 07:20.773 Do you remember the Psychedelic Furs, Mirror Loops? 07:21.553 --> 07:22.353 Did you ever get that album? 07:22.373 --> 07:22.573 Nope. 07:23.093 --> 07:23.654 Are you sure? 07:23.674 --> 07:26.555 I only really heard of the Psychedelic Furs when they were on The Breakfast Club. 07:26.775 --> 07:28.515 Man, you had that album, you lunatic. 07:28.555 --> 07:29.615 It was in your collection. 07:29.635 --> 07:29.836 Really? 07:29.956 --> 07:30.036 Yeah. 07:30.056 --> 07:30.276 I remember. 07:30.296 --> 07:30.876 I was just posing. 07:31.156 --> 07:31.836 I know you were posing. 07:31.856 --> 07:32.216 Let's hear it. 07:32.556 --> 07:33.937 Well, I don't know why you would pose with this. 07:33.977 --> 07:35.357 Check out the cheesy production on this bit. 07:35.397 --> 07:36.177 It's a lovely song. 07:36.298 --> 07:37.598 Psychedelic Furs, ghosting you. 07:39.482 --> 07:41.985 That's The Killers, with all these things that I've done. 07:42.005 --> 07:47.512 And that's taken from their album Hot Fuss, which is one of those albums that you should just have. 07:48.073 --> 07:55.822 Although, if you don't buy it, they'll release every single thing on it as a single at some stage, so you could buy it that way and assemble it from the singles. 07:56.723 --> 08:04.329 Don't forget we've got a Nintendo DS and one, two, three, four, five, six, seven, eight PlayStation games to give away today. 08:05.050 --> 08:09.994 We'll be doing that for our text competition, but first of all we're going to play Crap Commentary Corner. 08:12.175 --> 08:15.618 It's time to call in, you could win something amazing, let us begin. 08:18.103 --> 08:25.107 Can you guess which film we're playing By hearing what they're saying? 08:25.747 --> 08:35.793 Crap commentary corner So, of course, this is the competition where you have to guess what movie this commentary is taken from and who's commentating. 08:36.754 --> 08:40.276 So this time it's two voices, an actor and the director. 08:40.676 --> 08:42.197 Should be quite easy if you've seen the film. 08:43.698 --> 08:49.122 This was a very difficult crap commentary to put together because I had to lift a great deal of swearing out of it. 08:49.562 --> 08:51.684 An incredible amount of swearing. 08:52.124 --> 08:57.389 I think the most swearing I've ever come across in any film and any commentary ever combined. 08:57.409 --> 08:58.249 But I'm saying too much. 08:58.830 --> 08:59.810 So remember the numbers 0-8-7-1, 2-2-2, 1-0-4-9. 08:59.830 --> 09:00.991 What's the prize for this? 09:05.235 --> 09:05.896 The Keene tickets. 09:06.536 --> 09:15.125 Two pairs of tickets to see Keene at the Islington Academy at the next exclusive XFM live session with Jameson Irish Whiskey on Tuesday the 8th of March. 09:15.445 --> 09:18.348 So if you can guess who this is commentating on what film, call 0871 222 1049. 09:18.509 --> 09:19.550 Here's the first clip. 09:21.972 --> 09:22.813 Get hold of that, look. 09:23.273 --> 09:23.693 Bang on. 09:24.013 --> 09:24.374 Banging. 09:24.774 --> 09:25.154 Slag. 09:25.554 --> 09:26.415 Just love it though, look. 09:26.435 --> 09:27.115 What a film, look. 09:27.135 --> 09:27.636 Look at it, look. 09:27.896 --> 09:28.056 Look. 09:28.396 --> 09:28.556 Look. 09:28.736 --> 09:29.357 Wallop. 09:29.397 --> 09:30.177 Crash. 09:30.197 --> 09:30.998 What a line of nut. 09:31.078 --> 09:31.878 I love this, look. 09:32.058 --> 09:32.659 Look at this, look. 09:32.679 --> 09:33.339 It's me, look. 09:33.759 --> 09:34.139 Love it. 09:34.280 --> 09:34.660 Love it. 09:34.860 --> 09:35.320 Love it, look. 09:35.400 --> 09:36.961 Bowling a bad white, giving it a biggin'. 09:36.981 --> 09:38.002 Look at the swagger on it, look. 09:38.022 --> 09:38.702 Look at the swagger. 09:38.822 --> 09:39.703 It's just bang on this. 09:39.723 --> 09:40.563 Tingles and everything. 09:40.623 --> 09:41.904 I'm the man with the fingernail, look. 09:42.004 --> 09:42.785 Love all this, look. 09:43.165 --> 09:44.246 Get hold of that bosh. 09:44.686 --> 09:45.867 Get hold of that crash. 09:46.647 --> 09:47.147 He loves it. 09:47.207 --> 09:48.328 Whatever it is, he loves it. 09:48.448 --> 09:48.849 I love it. 09:48.909 --> 09:50.170 Bish, bash, bosh, wallop. 09:50.590 --> 09:52.551 Is that Vinnie Jones on the Friday Night Project? 09:52.932 --> 09:53.772 It could be, couldn't it? 09:53.852 --> 09:56.174 But thank the Lord, that hasn't been released on DVD yet. 09:56.914 --> 09:58.355 Shall we have one more clip? 09:58.676 --> 10:02.478 Don't forget 08712221049 if you want to win this ticket to see Keen. 10:02.818 --> 10:05.220 Who is this commentating over what film? 10:05.280 --> 10:05.961 Here's clip number two. 10:05.981 --> 10:07.382 Look at that boat, look at it. 10:07.422 --> 10:08.503 Oh, it's an old road, look. 10:08.523 --> 10:08.903 I love it. 10:08.983 --> 10:10.424 Look at her neck, look. 10:10.504 --> 10:11.605 I know, an old goose. 10:11.645 --> 10:12.886 It's an old goose neck. 10:12.926 --> 10:14.547 He wants to get in her 80-year-old drawers. 10:14.807 --> 10:15.748 What are you doing? 10:16.428 --> 10:22.091 Do something, do something, do something funny, do something dirty, like swearing and that. 10:22.111 --> 10:26.933 He's got a good bug that guy, hasn't he? 10:26.993 --> 10:27.914 It's not a film noir. 10:31.955 --> 10:32.956 Phil Morange. 10:33.096 --> 10:33.396 Nice. 10:33.677 --> 10:35.318 Nice to get a reference to Phil Morange. 10:35.378 --> 10:38.099 He's got a good boat, that one. 10:38.219 --> 10:40.581 Yeah, that boat's got a good boat. 10:40.721 --> 10:43.482 What movie is that and who is commentating on it? 10:43.543 --> 10:47.705 We really need the name of the movie and the two people commentating to win those tickets to Keene. 10:47.765 --> 10:49.586 It's a yachting, some kind of yachting-based film. 10:52.708 --> 11:08.403 because of the goat on the boat yeah they're talking about boats and and goats yeah some film with some sort of goat that sells a boat is it white squall no goats in that there's boats but no goats oh it's seven one two two two one of four nine to win tickets for keen 11:16.413 --> 11:19.815 That's the Future Heads with Kate Bush's Hounds of Love. 11:19.835 --> 11:21.296 This is Adam and Joe on XFM. 11:21.756 --> 11:23.076 We're playing Crap Commentary Corner. 11:23.096 --> 11:27.679 This is the clip that you've had to identify who was speaking in it and what film they were speaking about. 11:27.939 --> 11:29.440 Can we hear clip number two again, please, Adam? 11:29.960 --> 11:30.700 Number two, you want? 11:30.881 --> 11:31.381 Yes, please. 11:32.301 --> 11:35.203 We've got two callers on the line, but if you just tuned in, this is what they're trying to guess. 11:35.708 --> 11:36.288 Look at that boat. 11:36.308 --> 11:36.908 Look at him there. 11:36.949 --> 11:37.729 Look at that boat. 11:37.749 --> 11:38.269 Look at that boat. 11:38.329 --> 11:39.530 Look at that boat. 11:39.630 --> 11:40.470 Look at that boat. 11:40.510 --> 11:41.130 Look at that boat. 11:41.210 --> 11:42.051 Look at that boat. 11:42.131 --> 11:42.651 Look at that boat. 11:42.671 --> 11:43.131 Look at that boat. 11:43.171 --> 11:44.412 Look at that boat. 11:44.452 --> 11:45.212 Look at that boat. 11:45.812 --> 11:46.753 Look at that boat. 11:46.833 --> 11:48.013 Look at that boat. 11:48.073 --> 11:49.093 Look at that boat. 11:49.154 --> 11:50.614 Look at that boat. 11:50.694 --> 11:51.915 Look at that boat. 11:52.175 --> 11:55.036 Look at that boat. 11:55.076 --> 11:55.956 Look at that boat. 11:55.976 --> 11:56.416 Look at that boat. 11:56.437 --> 11:57.277 Look at that boat. 12:02.643 --> 12:06.287 So Mel is on the line. 12:06.307 --> 12:06.787 Hello Mel. 12:07.849 --> 12:08.549 Hello Mel. 12:08.569 --> 12:09.110 Speak to us please Mel. 12:09.130 --> 12:09.911 Sorry Melissa. 12:10.231 --> 12:12.093 Oh sorry Melissa, that's very rude of us. 12:13.375 --> 12:15.677 Is it the football factory in Danny Dyer? 12:16.578 --> 12:18.981 Yes but you need to have the third person. 12:19.001 --> 12:20.062 There were two people speaking there. 12:20.082 --> 12:20.983 Who was the other person speaking? 12:21.584 --> 12:22.305 Oh, I don't know. 12:22.845 --> 12:23.445 Oh, Mel. 12:23.946 --> 12:25.367 You just leapt in there as well. 12:25.387 --> 12:28.369 There was no kind of foreplay or anything like that, Melissa. 12:28.549 --> 12:29.350 Didn't say hello. 12:30.570 --> 12:32.672 You shouted at us for getting your voice wrong. 12:32.692 --> 12:33.933 You screamed the answer. 12:34.013 --> 12:35.094 It was very brutal. 12:35.134 --> 12:36.154 Do you mind me saying that? 12:36.735 --> 12:37.455 No, not really. 12:38.396 --> 12:43.560 Cos I love you and, you know, it's just I haven't spoken to you for a while and suddenly you're just being very distant. 12:43.580 --> 12:44.720 Sorry. 12:44.860 --> 12:45.781 Are you angry, Melissa? 12:45.881 --> 12:46.362 Are you in a hurry? 12:46.382 --> 12:46.782 Are you busy? 12:47.645 --> 12:49.346 I just pulled over on the motor, actually. 12:49.566 --> 12:50.146 Well, there you go. 12:50.186 --> 12:52.747 You're in that sort of 70 miles an hour frame of mind, aren't you? 12:53.248 --> 12:53.568 Yeah. 12:53.748 --> 12:56.049 Yeah, sorry, and we're expecting you to slow down, so that's wrong. 12:56.069 --> 12:58.370 Well, do you want a pair of tickets to see Keen anyway? 12:58.390 --> 12:59.951 That'd be lovely. 12:59.971 --> 13:01.631 Shall we just tear a bit of one of the tickets off? 13:01.691 --> 13:02.792 Cos she didn't get one of the names. 13:03.372 --> 13:06.934 So you'll take a mate, but they won't get in and they'll be angry with you, and that'll be a small punishment. 13:07.054 --> 13:15.818 You'll have to stand behind the very back of the venue and there'll be a really tall person in front of you, so it'll be slightly ruined, but you will get to see the gig. 13:15.878 --> 13:16.558 Is that OK, Melissa? 13:16.758 --> 13:17.918 Yeah, that's great, thank you. 13:17.938 --> 13:18.919 Alright, thank you for calling. 13:18.939 --> 13:20.339 You haven't got it totally right. 13:20.379 --> 13:21.779 That's the right film, Football Factory. 13:21.799 --> 13:23.720 The right actor, Danny Dyer. 13:24.040 --> 13:29.081 So what we need now is Mike, who's on the other line, to complete the holy trinity of football violence. 13:29.101 --> 13:31.001 Can I just say, it's an appropriate name. 13:31.702 --> 13:32.622 Danny Dyer. 13:32.642 --> 13:34.562 Because he is Dyer. 13:35.082 --> 13:35.843 Well, I didn't say that. 13:35.863 --> 13:36.763 I didn't say that. 13:37.703 --> 13:38.563 Er, Mike, you on the line? 13:38.583 --> 13:40.024 What kind of support is that? 13:40.044 --> 13:40.604 I didn't see that. 13:40.644 --> 13:41.104 Hang on, hang on. 13:41.144 --> 13:45.526 Because I've seen Football Factory and I know what the consequences are of crossing anyone involved in it. 13:45.946 --> 13:46.387 That's why. 13:46.407 --> 13:47.587 Mike, you on the line? 13:47.607 --> 13:48.988 Hi, I'm here, yep. 13:49.168 --> 13:49.608 How you doing? 13:50.068 --> 13:50.968 I'm fine, thank you, yep. 13:51.228 --> 13:54.050 Do you agree with Melissa that, er, that that was Football Factory? 13:54.510 --> 13:56.491 Yeah, I think Football Factory, yeah. 13:56.751 --> 14:00.452 I've tried to watch it a couple of times and not got very far with it, I must admit. 14:00.472 --> 14:04.654 Do you know what I'm saying by, by, you know, distancing myself from Adam's comments about Danny Dyer? 14:05.834 --> 14:09.875 Well, um, I'm not too sure who Donnie Dyer is, really. 14:09.955 --> 14:10.816 He's the lead actor! 14:10.976 --> 14:12.936 Oh, you're- you're gonna get bashed up as well. 14:13.497 --> 14:16.578 There's gonna be some lamping tonight, and I'm not gonna be involved. 14:17.218 --> 14:18.518 Yeah, I'm sorry about that, yeah. 14:18.979 --> 14:20.779 I need to know who the other actor is, though. 14:20.899 --> 14:21.660 OK, who is it? 14:22.220 --> 14:22.800 Er, Nick Love. 14:23.564 --> 14:24.104 That's correct. 14:24.124 --> 14:26.385 I think he's the director though, Nick Love, isn't he? 14:26.525 --> 14:31.167 I think Nick Love's the director, Danny Dyer's the lead actor, Football Factory is the film. 14:31.467 --> 14:33.928 Congratulations, Mike, you get those tickets to see Keen as well. 14:34.328 --> 14:34.868 Excellent. 14:34.888 --> 14:40.750 That'll be a good gig, courtesy of Jameson Arish Whiskey, the exclusive XFM live session Tuesday the 8th of March. 14:41.431 --> 14:42.231 And yeah, Football Factory. 14:42.411 --> 14:45.272 I've never seen a film with more swearing in it in my entire life. 14:45.512 --> 14:50.274 And then when you watch the commentary and with the audio of the film under it, there's three or four layers 14:50.894 --> 14:52.014 of swearing going on. 14:52.354 --> 14:58.095 Sometimes the world's rudest four-letter words, four of them happening at the same time simultaneously. 14:58.896 --> 14:59.456 It was amazing. 14:59.496 --> 14:59.936 And you know what? 14:59.976 --> 15:02.976 I think one of them slipped through in one of those clips in the background. 15:03.857 --> 15:05.777 I heard the beginning of one of the efforts. 15:05.797 --> 15:13.399 I had to work really hard to try and fish them out, but literally everyone is swearing all the time, quietly in the background, in the surround sound channels. 15:13.439 --> 15:15.779 It's impossible to get the swearing out of it. 15:15.979 --> 15:17.280 Some people love that kind of thing. 15:17.460 --> 15:17.820 They do. 15:18.100 --> 15:19.401 Is it a swearing classic, though? 15:19.701 --> 15:21.221 I think it- well, I don't know. 15:21.442 --> 15:24.923 Because to be a swearing classic, it's got to be watchable as well as sweary, surely. 15:25.003 --> 15:26.124 What- what are other swearing classics? 15:26.144 --> 15:26.904 Midnight Run, maybe? 15:26.924 --> 15:29.725 Uh, well, uh, 8 Million Ways to Die, is it? 15:29.825 --> 15:31.966 Or is it- Oh, yeah, no, I think it is a swearing classic. 15:32.427 --> 15:33.787 And, uh- It is a swearing classic. 15:33.827 --> 15:35.268 It's got some amazing swearing in it. 15:36.078 --> 15:38.280 And the King of New York is kind of a swearing classic as well. 15:38.300 --> 15:39.500 Yeah, with Christopher Walken, that's very true. 15:40.801 --> 15:43.363 So there we go, that's crap commentary competition for this week. 15:44.163 --> 15:50.768 Coming up later in the show, you've got a chance to win eight PS2 games and a brand new Nintendo DS handheld console, which is fantastic, I can tell you. 15:51.588 --> 15:52.449 But right now, what's happening? 15:52.629 --> 15:54.070 Oh, it's new music time, Joe. 15:54.090 --> 15:56.952 And this is a band called Do Me Bad Things. 15:57.052 --> 15:58.513 Oh, I hope they do do bad things to me. 15:58.533 --> 16:01.915 Do Me Bad Things, that's not grammatical, but we will, you know. 16:02.215 --> 16:04.157 And the song is called What's Hideous. 16:04.417 --> 16:05.658 This is Adam and Joe on XFN. 16:05.998 --> 16:06.075 you 16:12.307 --> 16:12.847 Wowza. 16:13.508 --> 16:17.110 Um, we shouldn't let the, uh, record before that slip by uncommented on. 16:17.130 --> 16:18.691 Uh, what was it called? 16:18.992 --> 16:20.472 Do Me Bad Things with What's Hideous. 16:21.173 --> 16:21.593 Yeah, there you go. 16:21.613 --> 16:22.334 That was bizarre, wasn't it? 16:22.474 --> 16:31.220 It was a very strange record, but it's from, uh, it's from the label that gave the world the Darkness Must Destroy records, who are a fantastic label, they've got lots of good acts on there. 16:31.880 --> 16:35.222 And, uh, certainly Do Me Bad Things, that was the weirdest thing I've heard in a while. 16:35.242 --> 16:38.705 It was a sort of combination of Radio 2, Easy Listening Music and rock, wasn't it? 16:39.005 --> 16:42.087 As if they'd discovered the two bits of music that hadn't yet been fused together. 16:42.287 --> 16:53.432 Well, it was kind of- It was the same sort of thing that Outkast are doing, except whereas Outkast are approaching the whole thing from the hip-hop point of view, they're approaching it from the rock avenue. 16:53.793 --> 16:56.574 That's my little 50 piece worth of subject. 16:57.034 --> 16:57.394 It's good. 16:57.695 --> 16:58.315 Thank you very much. 16:58.895 --> 17:04.438 So, this week's text competition, we've got a bag of amazing goodies from the BAFTA Video Games Awards here. 17:05.118 --> 17:14.106 I think eight different PS2 games, Halo 2, and a Nintendo DS, the new Nintendo Game Boy, with a touch screen and everything, worth a great deal of money. 17:15.347 --> 17:16.467 All those video games and things. 17:18.789 --> 17:20.170 OK, so what are we going to do for the competition? 17:20.511 --> 17:25.415 Well, I wondered, Adam and listeners, if you've seen the new trailer for War of the Worlds, the new Spielberg Tom Hanks film. 17:25.515 --> 17:27.076 Haven't seen it yet, no, very excited. 17:27.336 --> 17:28.216 It's quite exciting. 17:28.637 --> 17:37.600 I was watching it this week online, and it has Tom Cruise and little Dakota Fanning in a car driving away from a flyover that's being flipped up by a big alien. 17:38.000 --> 17:43.102 And the chunks of the flyover are spinning through the air, crushing houses, and lorries are coming off the flyover. 17:43.322 --> 17:44.203 It's very spectacular. 17:44.423 --> 17:49.385 But it struck me that in blockbuster movies these days, there's only one incremental difference in each one. 17:49.405 --> 17:52.526 Because I thought, well, I've seen trucks flying through the air in Twister. 17:53.106 --> 17:56.408 I've seen flyovers being destroyed in Deep Impact. 17:57.308 --> 18:00.512 I've seen people driving away from Oblivion in every single film. 18:01.132 --> 18:01.993 So what's new? 18:02.393 --> 18:04.355 It's basically just a permutation of stuff we've seen before. 18:04.395 --> 18:10.021 And in fact, if you think about it, you can just name whole special effects films by their key special effects shots. 18:10.462 --> 18:13.004 Like Paris and New York destroyed by meteors would be... 18:14.385 --> 18:14.946 Erm, Armageddon. 18:15.146 --> 18:16.306 Armageddon out of here, yep. 18:16.387 --> 18:17.847 New York destroyed by a tidal wave. 18:19.028 --> 18:19.969 Oh, I don't know. 18:20.009 --> 18:20.589 Deep Impact. 18:20.669 --> 18:20.929 Right. 18:21.249 --> 18:23.311 Houses destroyed by flying cars and cows. 18:23.371 --> 18:23.731 Twister. 18:24.231 --> 18:30.035 So my question for you listeners is, can you think of a new effects shot that would blow everybody's mind? 18:30.315 --> 18:33.377 Something that has never even been approached before, OK? 18:33.637 --> 18:37.119 I had an idea, just to inspire people, and my idea is this. 18:37.139 --> 18:43.243 I don't know what the film's called, er, but what happens in this film is another completely civilised planet, just like the Earth, 18:43.863 --> 18:46.765 Earth comes flying towards the Earth and the two planets collide. 18:46.805 --> 18:48.186 Maybe you could call it when worlds collide. 18:49.067 --> 18:52.509 But it would be this amazing shot where you'd be looking at this other planet. 18:52.849 --> 18:54.010 This shot would take about 15 minutes. 18:54.030 --> 18:56.291 It would get closer and closer and closer and closer and closer and closer. 18:56.512 --> 19:01.155 So it would go from just being a planet floating in space until you could actually see the buildings and the people on the surface. 19:01.415 --> 19:08.560 And it would get so close that you were actually, the tops of the heads of people on Earth would be impacting with the tops of the heads of the people on the other planet. 19:09.020 --> 19:09.941 Cars would be falling. 19:09.981 --> 19:10.641 It would be incredible. 19:10.881 --> 19:13.443 And the two planets would actually squash and crush together. 19:13.763 --> 19:15.124 So yeah, they would be going slow. 19:15.144 --> 19:16.165 They wouldn't be hurtling, though. 19:16.305 --> 19:16.526 No. 19:16.626 --> 19:21.890 It would just be the unstoppable force of... The inexorable approach of another whole civilized planet. 19:21.910 --> 19:22.871 Wouldn't that be incredible? 19:23.131 --> 19:26.434 And as they got very close, gravity would all screw up and things would be flying around. 19:26.734 --> 19:27.475 It would be incredible. 19:27.495 --> 19:31.158 It'd be like one of those amazing religious Armageddon pictures in the National Gallery. 19:31.378 --> 19:32.339 That's a good idea, man. 19:32.359 --> 19:32.960 You should do that. 19:33.240 --> 19:38.565 But can you beat that for a special effects shot that if it appeared in a trailer, would have everybody shutting out their six quid? 19:39.265 --> 19:46.928 text us 83XFM, email us adamandjoe at xfm.co.uk or if you've got a really killer idea, call us 08712221049. 19:48.688 --> 19:56.791 What's at stake is a Nintendo DS, the brand new Game Boy from Nintendo, loads of PS2 games, Halo 2, it's a great prize. 19:56.951 --> 19:57.431 What about this? 19:58.031 --> 20:05.854 A boy is on a skateboard and he's listening to Green Day on his headphones, maybe on his iPod, and his headphones blow up. 20:06.897 --> 20:08.998 And what happens is his head- his ears get burned. 20:09.318 --> 20:10.539 I haven't thought that far. 20:10.919 --> 20:12.279 That's a good opening shot, keep thinking. 20:12.479 --> 20:14.780 OK, and he hits a pothole and the pothole blows up. 20:15.721 --> 20:18.482 If you can beat that, it's gonna be tricky to beat that. 20:18.502 --> 20:19.262 And his wheels blow up. 20:19.282 --> 20:21.303 That's really good, text 83XFM. 20:21.343 --> 20:23.164 And he's wearing shorts, his shorts blow up. 20:23.224 --> 20:24.685 It's not good, Adam, it's not good. 20:24.705 --> 20:26.685 Keep thinking, play around, keep thinking. 20:26.705 --> 20:27.866 And his hair blows up. 20:28.706 --> 20:29.467 Well that's quite good. 20:29.887 --> 20:32.228 And his ears blow up. 20:32.308 --> 20:34.569 This is, um, this is the Kingsbury Manx. 20:44.492 --> 20:46.901 Did you understand anything of what Lila just said to us, Jo? 20:47.681 --> 20:52.644 Yeah, Lila's just been explaining some of the amazing special effects shots that you've all been calling in with. 20:52.664 --> 20:53.684 And yes, I did understand it. 20:53.744 --> 20:54.525 That was a very good one. 20:54.565 --> 20:55.505 Just came in on the phone. 20:55.966 --> 20:57.346 Lots coming in by text as well. 20:57.386 --> 21:00.748 We've been asking you to describe a special... It's a bit of a hit. 21:01.148 --> 21:04.510 A special effects shot that we've never seen before. 21:05.210 --> 21:11.294 Adam and I are making the point that in blockbusters these days, the special effects sequences are the same with one tiny permutation changed. 21:12.054 --> 21:15.261 and we'd like to see a special effects sequence that's completely original. 21:16.263 --> 21:23.117 And the person who comes up with the most original one is going to win a Nintendo DS, loads of PS2 games, Halo 2, all sorts of great things. 21:23.772 --> 21:27.014 And the best way to communicate your idea, I suppose, is to email us. 21:27.154 --> 21:30.116 Adam and Joe at xfm.co.uk. 21:30.156 --> 21:31.017 Yeah, or text. 21:31.137 --> 21:33.499 And if you do text, don't forget to put your name on. 21:33.519 --> 21:37.741 We'll read out some of the best ones in a second, because there are some really, really good ones coming through. 21:37.781 --> 21:40.583 I sound a bit like a patronising Peter presenter talking to children. 21:40.943 --> 21:41.424 Really good. 21:41.524 --> 21:43.986 Well done, Sally, in East Cheam, aged six. 21:44.366 --> 21:45.226 Terrific idea. 21:45.406 --> 21:50.710 Well, here's some more of your terrific ideas after a few ads and some more music. 21:50.750 --> 21:52.911 Here on XFM, keep it boring. 21:55.993 --> 21:58.194 That's a band called Franz Ferdinand. 21:58.294 --> 21:59.834 Don't know if you might have heard of them. 22:00.154 --> 22:02.075 Oh, it's a very good name for a band, isn't it? 22:02.115 --> 22:11.638 And I've seen pictures of them and they're quite good looking and one of them's got a shirt and a tie and he's got cheekbones and I think they're gonna be quite big. 22:12.518 --> 22:13.239 Them's the ones. 22:13.559 --> 22:18.501 Yeah, I think every band that comes out from now on should be exactly like them. 22:18.521 --> 22:19.701 I think it probably will be. 22:19.981 --> 22:20.662 OK, good. 22:21.002 --> 22:30.948 So, we've been asking you to text in your ideas for a special effects CGI sequence that has never been pulled off before, one that would be exciting and novel, unlike what they're currently sticking into our cinemas. 22:31.088 --> 22:42.355 At stake is a Nintendo DS, the brand new touchable double screen Game Boy thing, and lots of PS2 and Xbox games and stuff, courtesy of the BAFTA Games Awards. 22:42.855 --> 22:45.677 So, Adam Buxton, I'm going to read you some of these, and I want you to know your opinion. 22:45.737 --> 22:47.458 As a moviegoer, a man who likes blockbusters, 22:48.819 --> 22:50.059 I like a good special effect. 22:50.199 --> 22:51.740 I abhor a bad one. 22:51.820 --> 22:53.181 OK, well, let's see what you think of these. 22:53.522 --> 22:59.345 Aliens suck up all of the Earth's oceans into a huge vessel of some kind, then use it to extinguish the sun. 22:59.786 --> 23:01.847 Andrew from Durham. 23:01.907 --> 23:02.327 That's good. 23:02.527 --> 23:02.907 That's good. 23:02.988 --> 23:05.429 A massive, sharp alien ship cuts the Earth in half. 23:05.969 --> 23:10.692 A second's pause, then the earth slides apart. 23:11.193 --> 23:14.435 You know, almost like a decapitation that you don't realise it's happened until a second after. 23:14.935 --> 23:40.271 yeah that's been done too much man that's okay i'm sorry marcus buxton doesn't approve of that it's like the bit in uh death ship or whatever it was called when they all ship they all get you know is that ghost ship oh yeah yeah yeah yeah no what's that called there's a whole dance floor and they all get sliced yeah that's not a space ah what's the random cable but that that whole vibe of people being sliced and then moments later you see them kind of sliding apart okay okay get this one a brewery is hit by a huge space chunk 23:40.911 --> 23:45.292 and a tidal wave of intoxicating booze washes over the city, causing mass vomiting riots and drunkenness. 23:45.532 --> 23:47.472 You could have Johnny Vegas as the space junk. 23:47.672 --> 23:47.873 Yeah? 23:47.893 --> 23:48.873 Do you like that one? 23:48.893 --> 23:49.773 Yeah, that's possible. 23:49.793 --> 23:50.393 You quite like that one? 23:50.473 --> 23:50.813 Possible. 23:51.073 --> 23:52.914 OK, the moon crashes into the earth, stopping it spinning. 23:52.954 --> 23:54.634 This causes everyone to fall over for a moment. 23:55.034 --> 23:56.234 Then God shows up to fix it all. 23:56.714 --> 23:58.595 That's anything... I like God showing up to fix it all. 23:58.615 --> 24:02.516 I don't like anything with God, because the casting... Can you imagine who they'll get? 24:02.576 --> 24:03.656 It'll be Alan Rickman. 24:03.876 --> 24:04.416 Brian Blessed. 24:04.796 --> 24:05.896 Or Ricky Gervais. 24:06.116 --> 24:07.957 Giant space fish alien swallows the earth. 24:08.757 --> 24:09.678 That's a short, it's a punchy one. 24:09.718 --> 24:11.399 Giant space fish alien swallows Earth. 24:12.500 --> 24:15.062 I'm interested to see what's inside the fish alien. 24:15.082 --> 24:16.523 Well, I haven't got into details. 24:16.703 --> 24:20.485 OK, the moon crashes into the Earth, stops it from spinning, everything falls over from the momentum. 24:20.966 --> 24:21.947 Oh, that's the same one as before. 24:21.967 --> 24:22.607 Yeah, absolutely right. 24:23.027 --> 24:27.571 OK, how about a rocket hitting the Earth, shooting all the way through, goes through the core and out the other side? 24:28.407 --> 24:29.348 That's quite good, isn't it? 24:29.648 --> 24:31.289 Like a kind of bullet through an apple. 24:31.409 --> 24:32.270 Yeah, exactly. 24:32.330 --> 24:32.730 Massive. 24:33.450 --> 24:34.511 Well, yeah. 24:34.571 --> 24:35.232 A living apple. 24:35.292 --> 24:35.912 I think that's good. 24:35.932 --> 24:37.193 I think that's good. 24:37.213 --> 24:39.875 I think that gets into, you know, what do you call it, the semi-final. 24:40.748 --> 24:41.809 But why is that good? 24:41.829 --> 24:43.289 Because it would just leave a massive hole. 24:43.309 --> 24:44.230 Because I've never seen it before. 24:44.250 --> 24:44.910 It would be amazing. 24:45.090 --> 24:46.371 But what's wrong with the core? 24:46.391 --> 24:47.471 The core, that's true. 24:47.511 --> 24:48.732 It's very similar to the film The Core. 24:48.872 --> 24:51.874 But, you know, except this guy's talking about a massive hole. 24:52.354 --> 24:52.854 Yeah, yeah. 24:52.934 --> 24:55.356 Fine, but the core is the same thing. 24:55.376 --> 25:05.381 I like the idea of it punching up through the other side of the earth like a normal happy day in Australia and suddenly, bang, women, children, chairs, thrown into the air, Australians thrown into the air. 25:06.221 --> 25:07.162 Yeah, I like that. 25:07.182 --> 25:08.222 OK, here's another simple one. 25:08.262 --> 25:10.844 Sandals, hair pieces and belt buckles being blown to oblivion. 25:11.264 --> 25:11.844 Phil in Sutton. 25:11.864 --> 25:14.766 I just thought he was very specific about what he'd like to see blown up. 25:14.846 --> 25:17.708 Sandals, hair pieces and belt buckles. 25:17.968 --> 25:19.208 He just wants to blow up Troy. 25:19.228 --> 25:21.009 The film Troy, yes. 25:21.330 --> 25:24.711 Well, that's fair enough, I understand, but I don't think that's going through to any kind of final. 25:24.792 --> 25:26.152 Here's one for the Bridget Jones generation. 25:26.172 --> 25:29.574 What about the world's famous landmarks being turned into chocolate and eaten by a giant woman? 25:30.215 --> 25:32.556 Well, that will be made at some stage, I imagine, yeah. 25:32.796 --> 25:34.757 There's so many of these, we have been inundated. 25:34.797 --> 25:36.498 Those are some of the better ones. 25:36.518 --> 25:38.378 Are we gonna pick a winner? 25:38.398 --> 25:39.539 Let's pick a winner right now, come on. 25:39.559 --> 25:40.039 Do you think? 25:40.099 --> 25:40.619 Yeah. 25:40.980 --> 25:41.740 I don't know, man. 25:41.880 --> 25:43.421 You think we should pick a winner? 25:43.481 --> 25:47.002 Give me one more track to pick a winner, because I have to look at some that have come through recently. 25:47.262 --> 25:50.244 All right, here's the presidents of the United States of America. 25:50.644 --> 25:55.966 Not the actual presidents, you understand, but a band called the presidents. 25:56.166 --> 25:59.948 You know, I can see why you might be confused, but this song is called Love Everybody. 26:02.776 --> 26:09.080 Wow, that's the Presidents of the USA with Love Everybody, and our producer Lila informs me that Blink 182, Joe, are splitting up. 26:09.360 --> 26:10.361 I heard that, yeah. 26:10.381 --> 26:10.941 Isn't that sad? 26:10.982 --> 26:12.803 Yeah, and V. And V. Yeah. 26:12.943 --> 26:14.304 Don't know who I'm more upset about. 26:14.444 --> 26:14.884 Yeah. 26:15.324 --> 26:24.831 Well, Presidents of the USA can step into the breach, the yawning chasm left by V and Blink 182, sadly, splitting up. 26:26.784 --> 26:27.785 that's Lila whispering. 26:28.085 --> 26:28.706 What's the point? 26:28.726 --> 26:29.827 We can all hear you, Lila. 26:30.087 --> 26:30.908 Just talk. 26:32.210 --> 26:36.856 So you were talking about football earlier on, the football factory, the frightening world of the football factory. 26:37.596 --> 26:41.902 And I always think as a kind of weed that football is just going to go away. 26:42.002 --> 26:46.046 Slowly the weeds will take over and smother the footballs. 26:46.727 --> 26:49.091 and the football will eventually go. 26:49.491 --> 26:56.922 Because men and women really are becoming just one amorphous blob, you know, and I've always thought of football as being about maleness in some way. 26:57.242 --> 27:02.470 Now I know I'm saying a lot of contentious rubbish here, but you know what I mean, Joe, as a fellow football phobe. 27:03.280 --> 27:04.861 Yeah, neither Adam and I are keen on football. 27:04.901 --> 27:12.324 We've got no disrespect for people who like it, but to me it seems as if they've been playing the same game, exactly the same game, over and over again for my entire life. 27:12.484 --> 27:22.828 Half my problem with football, right, is just that my face is constantly shoved in the ball and the foot by everyone, and it's sort of accepted that, if you're a man especially, 27:23.208 --> 27:24.169 You love football. 27:24.229 --> 27:26.491 People ask you what your favorite team is, that kind of thing. 27:26.531 --> 27:32.376 And it's always a bit embarrassing when you say, Well, to be honest with you, I don't have a favorite team because I don't like football. 27:32.437 --> 27:35.439 I like sewing and flowers and leaves. 27:35.840 --> 27:37.541 And so I can't speak to you. 27:37.561 --> 27:38.482 Please don't hurt me. 27:38.802 --> 27:40.224 That kind of thing, which happens to me a lot. 27:40.564 --> 27:43.787 And an example of this sort of attitude is the Emirates. 27:43.907 --> 27:44.928 Am I pronouncing that right? 27:45.108 --> 27:46.770 Add, you know, Emirates Airways. 27:47.691 --> 27:53.637 It says- and it's pictures of people playing football on a beach, all different nations, different types of people. 27:54.638 --> 27:55.199 Lovely beach. 27:55.699 --> 27:59.743 And the voice over says, we all speak the same language, football. 28:00.792 --> 28:08.575 And that's their excuse for saying you should travel on Emirates to different countries, because you'll be able to go and play football with foreign people. 28:09.075 --> 28:10.635 And I just feel annoyed by that. 28:10.715 --> 28:13.436 I don't feel I speak the language of football at all. 28:13.856 --> 28:19.538 The only language I feel that we all have in common, especially men, is the language of Onan. 28:20.238 --> 28:22.919 And if there was something, you know, about that. 28:23.099 --> 28:24.540 The language of Onanism. 28:24.800 --> 28:25.520 Yeah, yeah. 28:25.820 --> 28:26.720 I think there are other languages. 28:26.740 --> 28:29.061 The language of video games, the language of telly, the language of films. 28:29.381 --> 28:31.382 I don't speak the language of video games, really. 28:31.562 --> 28:34.725 These are all conversations that you can just turn to a stranger and go, have you seen so and so? 28:34.765 --> 28:35.785 That's the joy of football, isn't it? 28:35.805 --> 28:37.987 You can just turn to a complete stranger and go, shoot a game last night. 28:38.427 --> 28:39.207 And there you go, you're off. 28:39.488 --> 28:40.088 That's the charm. 28:40.408 --> 28:41.249 Same with video games. 28:41.649 --> 28:42.469 Same with telly. 28:42.750 --> 28:43.490 Same with movies. 28:43.710 --> 28:46.132 Same with books, if you're in intellectual circles. 28:46.512 --> 28:49.414 Same with onanism, if you're a member of a dirty club. 28:49.654 --> 28:54.021 See, I believe that onanism is the only thing that you could spark up a conversation with. 28:54.201 --> 28:54.902 So what would you turn to? 28:54.922 --> 29:01.191 You'd turn to your neighbour and you'd say, in the language of onanism, have you played an enjoyable game of five knuckle shuffle recently? 29:02.373 --> 29:04.316 And then they would be able to describe to you... 29:05.237 --> 29:09.018 No, obviously if you said it in the wrong way, it could seem creepy. 29:09.558 --> 29:18.620 But if you were just chatting about it, you could swap techniques, that kind of thing, and how long the onanism lasts, that sort of thing. 29:18.900 --> 29:29.302 But even June Sarpong on T4 this morning was talking about the fact that people should log on to their website saying, if you love football and celebrities, and let's face it, who doesn't? 29:29.682 --> 29:30.223 You know what I mean? 29:30.323 --> 29:31.423 It's just that attitude. 29:31.884 --> 29:33.145 Everyone loves football. 29:33.205 --> 29:34.266 Everyone loves celebrities. 29:34.366 --> 29:35.807 I don't love football. 29:35.847 --> 29:41.652 I hate football and I don't love celebrities except some of the more attractive ones. 29:41.812 --> 29:42.112 Wow. 29:42.632 --> 29:42.993 OK? 29:43.493 --> 29:44.014 Well, thanks. 29:44.674 --> 29:44.914 Good. 29:44.954 --> 29:46.255 I just wanted to get that off my chest. 29:46.275 --> 29:46.876 Good, good, good. 29:47.096 --> 29:52.761 Now, here's some celebrities that have been talked about a great deal and probably are partial to a little bit of onanism, I would imagine. 29:53.301 --> 29:54.082 It's Supergrass. 29:56.934 --> 29:57.694 Razor light. 29:57.895 --> 29:59.756 They've got hair with attitude. 29:59.936 --> 30:01.136 And that's called somewhere else. 30:01.156 --> 30:03.118 This is Adam and Joe on XFM. 30:03.438 --> 30:08.380 Now it's time to bring our BAFTA video game award competition to a close. 30:09.281 --> 30:11.282 Did I mention I went to the awards on Tuesday night? 30:11.562 --> 30:11.962 Yes you did. 30:12.002 --> 30:12.683 Was that enjoyable? 30:12.763 --> 30:13.703 It was very enjoyable. 30:13.743 --> 30:14.424 Who was hosting? 30:14.864 --> 30:15.645 Er, Jonathan Ross. 30:15.905 --> 30:16.085 Oh, yeah. 30:16.145 --> 30:16.865 Off of the telly. 30:17.406 --> 30:23.450 And, er, well, you know, I'm a big video game fan, and it was- it was great to set eyes on some of the people who are currently corrupting the youth of the nation. 30:24.010 --> 30:26.332 Er, I have to say that Halo 2 didn't win much. 30:26.652 --> 30:27.753 Half-Life 2 swept the board. 30:27.773 --> 30:28.973 Does that mean anything to you, Adam Buxton? 30:29.434 --> 30:32.075 I know the names of those games, but I don't know what they're like. 30:32.215 --> 30:34.197 Well, Halo 2 completely swept the bo- no, sorry. 30:34.677 --> 30:35.878 Half-Life 2 swept the board. 30:35.898 --> 30:37.819 Halo 2 won only the best Xbox game. 30:38.119 --> 30:39.580 Disappointing for Halo 2 fans. 30:40.341 --> 30:43.203 Er, anyway, on exit, I was given this fantastic goodie bag. 30:44.043 --> 30:48.667 full of video games and a Nintendo DS, and that's exactly what we've got to give away to you today, courtesy of BAFTA. 30:49.048 --> 30:54.893 And we've been asking you for the most incredible special effects shot you can think of that would bring people back to the cinemas, and we've had an amazing response. 30:55.153 --> 30:58.976 I think it's been the biggest response we've ever had to any competition here on the Adam and Jo radio show. 30:59.397 --> 31:00.357 What do you think about that? 31:00.698 --> 31:01.719 I'm knocked out. 31:01.999 --> 31:04.041 It is extraordinary. 31:04.961 --> 31:07.424 However, I don't think anyone's beat my one. 31:08.064 --> 31:09.925 You're- just to remind people what yours was. 31:10.845 --> 31:14.087 Yours was two- two, uh, Earth-style planets. 31:14.507 --> 31:16.928 Earth and another, uh, inhabited planet. 31:17.429 --> 31:20.370 Um, going towards each other fairly slowly. 31:21.371 --> 31:26.233 Say, you know, only about six miles an hour, something like that, isn't it? 31:26.633 --> 31:30.955 And they collide very, very slowly and gradually they squash each other so that at a certain point, 31:32.236 --> 31:38.458 presumably the climax of the movie, you know, the tops of the buildings on the other planet are touching the tops of the buildings on our planet. 31:38.858 --> 31:39.778 It's a good idea, man. 31:39.818 --> 31:40.578 It's a good idea. 31:40.598 --> 31:42.138 You should- you should- someone's gonna nick it. 31:42.218 --> 31:53.421 Well, you know what, as Tom Drellwell in Ealing has emailed in saying, of course, there is a story called When Worlds Collide, which I knew is why I mentioned it, a novel from 1932 where a similar sort of thing happened, but I think that was a meteor-style thing. 31:53.441 --> 31:56.242 I don't think that was an actual inhabited planet colliding with another planet. 31:56.582 --> 31:57.722 But okay, we've whittled it down. 31:58.243 --> 32:11.767 My two favourite are an evil villain rigs a bomb onto the London Eye and explodes it, dislodging it so it rolls through the surrounding buildings in London, taking them all out, crushing them until it comes to a stop and then spins round similar to a coin that has run out of energy. 32:13.467 --> 32:14.727 You know, you think they'll never stop spinning. 32:14.867 --> 32:16.048 That would be amazing, wouldn't it? 32:16.368 --> 32:19.949 So many opportunities for dogs to almost be crushed and people to snatch them at the last minute. 32:20.049 --> 32:21.671 That's right, you just leap between the spokes. 32:21.751 --> 32:23.733 I went on the London Eye for the first time this week. 32:23.773 --> 32:24.073 Wow. 32:24.434 --> 32:28.878 And it was really good and actually, you know, that couldn't happen because they've got very good security on there. 32:29.259 --> 32:29.539 I know. 32:29.619 --> 32:33.904 It's like, you know, it's sponsored by British Airways and it's very much like taking a flight. 32:34.665 --> 32:37.327 You have to be careful, no sharp objects in your bag. 32:37.648 --> 32:40.090 I do wish they'd make it go really, really fast though, like at a fun fair. 32:40.371 --> 32:41.472 You know, just as you're about to get off. 32:42.012 --> 32:42.773 Hold Tech Raiders. 32:42.933 --> 32:44.454 But that's a good idea, that is a good idea. 32:44.514 --> 32:46.014 And I bet you someone's going to do that, surely. 32:46.034 --> 32:49.256 That's the kind of thing that would turn up in a kind of sicko James Bond film. 32:49.516 --> 32:51.477 And the other one I like is this one from John. 32:51.497 --> 32:55.800 Er, sorry, the giant, the er, the London Eye one is from Colin in Gravesend. 32:56.340 --> 33:00.222 And John has come up with a black hole appears near the earth and everything gets slower and darker. 33:00.482 --> 33:04.084 Gravity starts to fail and buildings shake apart upwards into the sky. 33:04.104 --> 33:06.386 I like that because I've just never seen things being sucked upwards. 33:06.986 --> 33:08.507 in a film, like hoovered up. 33:08.847 --> 33:11.828 Someone else had a giant straw, aliens with a giant straw sucking everything up. 33:11.848 --> 33:14.528 There's a bit of hoovering upwards in, in sort of Twister films, you know. 33:14.548 --> 33:15.289 Do you know what my problem is? 33:15.309 --> 33:17.509 We've got so many entries I can't control them all. 33:18.170 --> 33:19.650 My paperwork's gone haywire. 33:20.110 --> 33:23.051 You weren't, you weren't equipped to deal with the incredible response. 33:23.071 --> 33:23.431 I wasn't equipped. 33:23.451 --> 33:23.931 Response, I know. 33:24.131 --> 33:24.452 Wow. 33:24.992 --> 33:28.693 I, I feel like giving it to the one with the straw, but I can't find it. 33:29.533 --> 33:30.994 Oh, cockleshells. 33:31.354 --> 33:32.474 Can I have one more chance? 33:32.874 --> 33:35.135 I tell you what, next link I'll just quick, very quickly say the name of the winner. 33:35.555 --> 33:36.416 And that'll be the whole thing over with. 33:36.436 --> 33:37.676 And then we'll go into Ditty's in the Dock. 33:37.897 --> 33:42.920 And Ditty's in the Dock this week is a play-off between, explain what this is, Joe. 33:42.960 --> 33:45.281 Oh dear, well I tried to make this up last night but it's not very good. 33:45.882 --> 33:47.443 Proto-white rap. 33:48.103 --> 33:55.128 Okay, so in the early 80s when rap was just emerging in America, it was imitated by various, you know, rock bands. 33:55.748 --> 33:57.629 who tried to integrate a bit of rap into their songs. 33:57.829 --> 33:59.550 I'm thinking Ant Music, Adam and the Ants. 33:59.910 --> 34:01.311 I'm thinking the Tom Tom Club. 34:01.731 --> 34:02.752 I'm thinking, who else? 34:02.772 --> 34:04.032 Have you got any other examples? 34:04.252 --> 34:05.193 Well, I misunderstood. 34:05.233 --> 34:07.014 I thought it was proto-rap full stop. 34:07.214 --> 34:07.494 OK. 34:07.674 --> 34:09.815 Let's have a talk about it and explain it properly when we come back. 34:10.135 --> 34:10.535 Okie doke. 34:10.856 --> 34:12.336 Until then, here's another free play. 34:12.356 --> 34:13.237 This is Delacota. 34:18.553 --> 34:20.674 as The Rock by Delacota. 34:20.694 --> 34:22.755 It's very nice. 34:22.775 --> 34:24.256 That's all I wanted to say. 34:24.456 --> 34:25.136 OK, good one. 34:25.776 --> 34:27.317 All right, so have you found a winner yet, Joe? 34:27.357 --> 34:27.577 Yes. 34:27.797 --> 34:43.425 Jenny Statham, you have won Tom Clancy's Ghost Recon 2, Burnout 2, Take Down Halo 2, Pro Evolution Soccer 4, Tony Hawk's Underground 2, Grand Theft Auto San Andreas, the Grand Theft Auto soundtrack, Prince of Persia Warrior Within, Splinter Cell Pandora Tomorrow, a Nintendo DS with a free Metroid Prime Hunters demo. 34:44.525 --> 34:45.306 What a goody bag. 34:45.466 --> 34:48.449 That has got to be the best prize you've ever given away for anything in the world. 34:48.649 --> 34:54.675 Or for coming up with a fairly straightforward idea of the London Eye being unhinged and then crushing London and spinning as if it's a coin. 34:55.676 --> 34:58.659 You know, I just think that would be something people would want to see. 34:59.099 --> 34:59.780 Yeah, definitely. 35:00.200 --> 35:03.143 If it was done well, that would be a great bit in a film, I think. 35:03.223 --> 35:08.288 And you know, I would have actually given it to the guy who had the aliens suck up everything with a straw, but I couldn't find it. 35:09.690 --> 35:12.717 Well, I'm just being honest, but thank you for that was an overwhelming response. 35:13.298 --> 35:18.028 And, you know, er, sorry, cos there are probably some, might possibly have been some better ones in there. 35:18.669 --> 35:19.050 But never mind. 35:24.025 --> 35:24.705 There you go. 35:25.326 --> 35:26.567 It's Diddy's in the dock time. 35:26.587 --> 35:27.127 Already? 35:27.287 --> 35:27.948 Yeah, of course. 35:28.068 --> 35:29.549 It's only 20 minutes left to the show. 35:29.589 --> 35:30.449 Even less, in fact. 35:31.089 --> 35:39.675 And just to remind you that this is the part of the show where we fight it out to see who will get to play the final song of our two hours here on XFM on a Saturday afternoon. 35:39.975 --> 35:48.000 This week, the battle is between two songs that feature kind of rapping, but not intentional rapping as such. 35:48.060 --> 35:48.681 Is that fair? 35:48.701 --> 35:48.961 I don't know. 35:49.001 --> 35:49.621 It's something like that. 35:49.661 --> 35:50.662 It's proto-rap. 35:51.082 --> 36:02.729 early rap, not by rappers but maybe by rock artists who tried to have a little go at rapping either when rapping was in its infancy or before rap had even emerged as an art form, a music form. 36:03.129 --> 36:04.871 So you start off Adam, who've you got? 36:04.971 --> 36:07.012 Hey can I just ask who won last week in the end? 36:07.412 --> 36:08.613 That's a good question, I did. 36:08.973 --> 36:10.234 Oh really, that's a big surprise. 36:10.274 --> 36:12.156 Yeah, what, are you accusing us of cheating? 36:12.256 --> 36:12.816 Yeah, yeah. 36:12.856 --> 36:13.757 Do you think we fixed it? 36:13.837 --> 36:15.839 I think because I wasn't there, you definitely fixed it. 36:15.859 --> 36:19.482 Do you think maybe we forgot actually to get a hold of your record? 36:19.602 --> 36:25.266 Do you think that could have happened and that you actually won but we didn't have the record so we had to sort of bend it because we didn't have your record? 36:25.366 --> 36:29.610 I can't believe that would happen because... Wow, no, it's unfeasible isn't it? 36:29.850 --> 36:31.071 So this week, shall I start this week? 36:31.431 --> 36:32.512 Yeah. 36:32.652 --> 36:33.933 This week I've got some Bob Dylan. 36:34.054 --> 36:38.598 Now, it's often said about Bob Dylan that he was the godfather of rap in some ways. 36:39.739 --> 36:46.105 I've even heard some rappers saying that, so it's not just the kind of thing that kind of middle-aged jerks like me say. 36:46.845 --> 36:50.808 I am suggesting that you vote for a track called It's All Right, Ma. 36:51.088 --> 36:52.829 I'm Only Bleeding, all right? 36:52.950 --> 36:54.651 I'm Only Bleeding, right? 36:55.271 --> 36:59.734 And it's an amazing sort of spoken poetry type thing. 36:59.754 --> 37:00.235 Well, it's not. 37:00.275 --> 37:04.357 It's just sort of incanted in this mesmerizing way by Bob Dylan. 37:04.377 --> 37:07.520 It's one of the most extraordinary pieces of music that he did. 37:07.540 --> 37:11.923 And I think you couldn't really fail to be impressed by it, even if you're not really a Bob Dylan fan. 37:13.003 --> 37:25.194 It's fantastic stuff very long, so I probably wouldn't be able to play the whole thing, but it's all right ma I'm only bleeding is what I want you to vote for vote for Bob Dylan Okay, so it's gonna be Bob Dylan versus and once again. 37:25.234 --> 37:36.884 I went through quite a lot of rejected records to get here I was gonna choose to really annoy you Adam Buxton said the SIDS not rap by Kenny Everett I've even burnt it onto that CD, but I listened to it and it stinks. 37:36.944 --> 37:39.166 It's absolutely worthless and unlistenable and 37:39.446 --> 37:41.047 Even though Kenny Everett was a genius. 37:41.827 --> 37:44.869 But so instead, I've chosen Blondie with Rapture. 37:44.969 --> 37:45.690 Very obvious choice. 37:45.990 --> 37:48.451 Debbie Harry, of course, doing some very early rapping. 37:48.491 --> 37:53.234 One of the first white rock stars to hear rapping in New York and try and copy it. 37:53.534 --> 37:57.596 She has a pretty good go and she does well in some parts and badly in other parts. 37:57.956 --> 37:59.637 But the groove she's rapping over is fantastic. 37:59.677 --> 38:00.678 It's a very famous record. 38:01.678 --> 38:02.199 So there you go. 38:02.219 --> 38:14.825 So this week's Ditties in the Dock is Bob Dylan with Bob Dylan with It's Alright, Ma, I'm Only Bleeding versus Blondie with Rapture 0 8 7 1 2 2 2 1 0 4 9 and 5 it's gonna be the best of 5. 38:15.145 --> 38:25.069 We've got two sets of the Rolling Stones singles to give away It's it's a lovely chunky box full of every Rolling Stones single between 68 and 71 very valuable prize I think it's actually worth 40,000 pounds. 38:25.129 --> 38:25.590 That's amazing 38:26.690 --> 38:27.331 It is amazing. 38:27.351 --> 38:30.253 So there we go, actually it's probably worth about £10, £20. 38:30.593 --> 38:33.195 But there we go, 08712221049 Blondie or Dylan, give us a call. 38:41.380 --> 38:42.281 Don't look at me that way. 38:42.741 --> 38:44.282 It was an honest mistake. 38:44.502 --> 38:45.763 All right, The Bravery, calm down. 38:46.584 --> 38:47.504 Don't take it personally. 38:48.025 --> 38:49.886 So that's The Bravery, yeah? 38:49.906 --> 38:50.567 So listen out for them. 38:50.587 --> 38:51.587 They're gonna be big this year. 38:51.607 --> 38:52.548 They're gonna be huge. 38:52.588 --> 38:53.889 You heard it here on XFM. 38:54.009 --> 38:55.350 They were on the Friday Night Project, weren't they? 38:55.871 --> 38:56.231 Were they? 38:56.831 --> 39:00.674 All the big bands are going on the Friday Night Project, which gets double the ratings of Nathan Barley. 39:00.814 --> 39:01.354 Did you know that? 39:01.775 --> 39:03.396 Double the ratings, even though it's on afterwards. 39:04.237 --> 39:06.078 And it's possibly not as good. 39:06.318 --> 39:07.319 I don't know if anyone else thinks. 39:08.199 --> 39:08.460 There we go. 39:08.480 --> 39:11.162 This is Adam and Joe coming up to the last nine minutes of our show. 39:11.202 --> 39:12.082 It's Ditties in the Dock. 39:12.102 --> 39:13.383 Are we gonna have the jingles? 39:14.024 --> 39:14.825 Oh, yeah, a bit of jingles. 39:14.845 --> 39:18.848 Well, we had a little bit of time, so I thought I'd just... I just wanted to say one thing. 39:18.868 --> 39:20.449 This is just a little thing that's been bugging me. 39:21.089 --> 39:22.190 You know The Boogie Man? 39:23.091 --> 39:24.052 The new film Boogie Man? 39:24.092 --> 39:24.752 Yeah, The Boogie Man. 39:24.792 --> 39:28.475 For 15 years, everyone told me there was no such thing as The Boogie Man. 39:28.775 --> 39:29.816 Well, that's cos there isn't. 39:29.916 --> 39:31.197 It's a bogey man. 39:31.617 --> 39:33.199 It's a bogey man. 39:33.319 --> 39:34.399 Like bogeys. 39:34.480 --> 39:34.880 Boogie. 39:35.240 --> 39:37.542 Suddenly he's transformed into like a bogeyman. 39:37.562 --> 39:39.003 Well, it's an American thing anyway, isn't it? 39:39.484 --> 39:41.005 Nobody has the bogeyman in Britain, do they? 39:41.025 --> 39:43.146 No one's parents say anything about the bogeyman. 39:43.367 --> 39:46.629 I might be wrong, but I think even the Americans called him the bogeyman. 39:46.930 --> 39:49.532 I think it's because there was already a film called the bogeyman. 39:49.652 --> 39:54.656 Oh, there's a fantastic film called the bogeyman involving a smashed mirror and shards of it that end up in people's faces. 39:54.896 --> 39:56.037 No, you know, as I say... 39:57.158 --> 40:19.891 an American out there might like to correct me but I believe the bogeyman has just been created not to conflict with bogeys and instead we've got this you know big bogeyman going around with a big afro so you think it might have been called the bogeyman the bogeyman in America and they might have put an extra o for the British market so it's not confused by some sort of snot peddling horror monster yeah they're not gonna call him the booger man the booger man 40:20.071 --> 40:33.628 but no because you know Raymond Briggs has got the fungus the bogeyman as well as the other thing but it's the bogeyman the guy under the bed that you're frightened of is the bogeyman not the bogeyman the bogeyman is I don't know Robbie Williams or someone like that 40:34.864 --> 40:38.146 It's just that, you know, I was just a little worried about the boogie. 40:38.166 --> 40:39.427 Well, well done clearing that up. 40:39.487 --> 40:40.267 Thanks very much. 40:40.428 --> 40:41.848 This is Diddy's in the Dock this week. 40:41.888 --> 40:48.753 It's proto-rappers, white rockers who got caught by the rat bug either before it existed or after. 40:49.453 --> 40:51.935 We've got Bob Dylan versus Blondie. 40:52.175 --> 40:53.756 Blondie with Rapture and Bob Dylan with... 40:54.176 --> 40:54.916 It's all right, Ma. 40:54.976 --> 40:56.117 I'm only bleeding. 40:56.937 --> 41:00.798 The last two callers who come through are going to win the Rolling Stone Singles collection. 41:00.818 --> 41:06.340 We're doing that because you've only been given two copies, but it's a fantastic collection there, available in the shops probably sometime now. 41:06.720 --> 41:08.160 Sharon is on the line. 41:08.180 --> 41:08.741 Hello, Sharon. 41:09.481 --> 41:09.661 Hi. 41:10.001 --> 41:10.341 How are you? 41:10.361 --> 41:11.581 I'm good, thanks. 41:11.902 --> 41:12.162 Good. 41:14.002 --> 41:15.043 I love you, Sharon. 41:15.903 --> 41:16.563 Aw, you're so sweet. 41:16.943 --> 41:17.623 Thanks very much. 41:17.943 --> 41:19.364 So, Sharon, who are you voting for? 41:21.546 --> 41:36.424 oh yeah do you know you know the track i'm talking about presumably don't you yeah and it's quite a lot to bob i have a good day to bob why do you owe a lot to bob because he was the original gangster rapper and if it wasn't for him i wouldn't have seen 50 pence last year at redding getting bottled off the stage 41:36.866 --> 41:37.226 Really? 41:37.546 --> 41:39.007 Were you throwing bottles at 50 Cent? 41:39.267 --> 41:40.188 I wasn't, I wasn't. 41:40.508 --> 41:41.388 Oh, well that's amazing. 41:42.048 --> 41:44.610 You're a human tribute to the evolution of rap. 41:45.090 --> 41:45.730 Yeah. 41:46.130 --> 41:47.491 That's one nil to Adam. 41:47.651 --> 41:48.952 Thanks very much, Sharon. 41:49.212 --> 41:50.112 James, hello James. 41:50.132 --> 41:50.933 Hello. 41:51.193 --> 41:51.953 How are you doing? 41:52.473 --> 41:53.254 I'm all good, thank you. 41:53.274 --> 41:54.034 How are you? 41:54.054 --> 41:55.715 Well, we're okay, thank you very much. 41:55.735 --> 41:57.296 James, you sound a little bit louche. 41:58.897 --> 42:07.229 You sound as if you're sitting in your easy chair smoking a cigarette with a large cravat whilst reading some rather witty poetry. 42:07.973 --> 42:13.857 That's uncanny, I can't believe she's... I'm going to be doing the same thing myself later this afternoon. 42:13.877 --> 42:15.358 James, who are you going to vote for? 42:15.378 --> 42:16.839 Uh, Dylan, please. 42:17.179 --> 42:17.600 Dylan! 42:18.140 --> 42:19.601 It's 2-0 to Buxton! 42:19.621 --> 42:21.702 Thanks very much for your call, James. 42:21.742 --> 42:24.384 Dylan's wiping the floor with Harry and Blondie and Rapture. 42:24.404 --> 42:26.465 I've got a feeling you might claw a little... Do you think? 42:26.485 --> 42:28.947 Do you think this is a false... a false start? 42:29.387 --> 42:30.088 A red herring? 42:30.168 --> 42:33.470 I just know the way our producer Lila takes the call this time around. 42:33.590 --> 42:35.612 She's looking flabbergasted at the such cheek. 42:35.872 --> 42:36.192 Come on, then. 42:36.212 --> 42:36.952 Looking vilified. 42:37.012 --> 42:37.673 Mark, are you there? 42:38.213 --> 42:38.754 Yeah mate. 42:38.994 --> 42:39.975 Hey Mark, how are you doing? 42:40.235 --> 42:41.036 Not bad, not bad. 42:41.116 --> 42:41.776 Are you Cochin? 42:42.437 --> 42:43.237 Yeah man, just chilling. 42:43.538 --> 42:43.798 Are you? 42:43.858 --> 42:44.238 Good man. 42:44.278 --> 42:44.919 What's Cochin? 42:44.999 --> 42:46.340 Cochin just means chilling. 42:46.640 --> 42:47.341 Wow. 42:47.921 --> 42:50.183 So Mark, what are you voting for? 42:50.203 --> 42:51.664 Let's have a bit of rapture please mate. 42:51.804 --> 42:52.565 A bit of rapture? 42:52.605 --> 42:54.907 Well done, the tide may be starting to turn. 42:55.928 --> 42:57.709 That's 2-1 still to Buxton. 42:57.749 --> 43:01.532 From James in his easy chair to Mark with his barrow down the market. 43:01.752 --> 43:02.072 Yeah. 43:02.113 --> 43:03.994 Selling cockles and being cheeky. 43:04.014 --> 43:04.835 He voted for rapture. 43:04.855 --> 43:06.216 I don't think Mark's selling cockles. 43:06.676 --> 43:09.537 But he's probably selling something, and I'll have a bit. 43:10.337 --> 43:12.278 Thanks very much for calling Mark, we do appreciate that. 43:12.578 --> 43:13.758 Steve, are you on the line? 43:14.299 --> 43:15.259 Yes I am, how you going? 43:15.439 --> 43:23.001 Very well Steve, you realise being up an ultimate caller you've won the Rolling Stones single, 68-71, is that something that makes you happy or will it go straight on eBay? 43:23.041 --> 43:25.782 That's perfectly happy, very happy, yes, thank you very much. 43:25.862 --> 43:27.723 Good man, well that will be coming to you. 43:27.963 --> 43:30.784 And what's your vote, is it going to be Dylan or Blondie? 43:31.304 --> 43:35.266 Only because you get Bundy every day on the radio, it's got to be Dylan Ooh! 43:35.606 --> 43:37.326 Well that's it, isn't it? 43:37.346 --> 43:38.647 Well what about Marnie? 43:38.667 --> 43:40.027 Who was on the fifth line? 43:40.047 --> 43:41.708 Who's going to win the other Rolling Stones thing? 43:42.488 --> 43:43.149 Marnie, are you there? 43:43.329 --> 43:46.010 It's Moot I'm here Marnie, what's going on? 43:46.050 --> 43:46.830 Who are you going to vote for? 43:47.170 --> 43:52.512 Well, it had to be Dylan, because Adam sold it really well, plus the blondie wrapping is really, really bad. 43:52.612 --> 43:54.313 Can I win the Rolling Stones thing? 43:54.373 --> 43:55.113 Yeah, you can. 43:55.133 --> 43:59.855 Because I've been on once before, and you gave me a really rubbish book of hair. 43:59.875 --> 44:00.515 Book of hair? 44:00.535 --> 44:01.756 I remember that, yeah! 44:02.436 --> 44:04.878 so bad and you were so- you were really embarrassed to give it away. 44:04.938 --> 44:06.018 Well, at least you got it. 44:06.218 --> 44:07.839 Most people don't get their prizes. 44:07.859 --> 44:08.720 That's not true. 44:08.900 --> 44:09.440 That's not true. 44:09.460 --> 44:10.341 That's not true, Lila. 44:10.401 --> 44:10.821 I'm sorry. 44:10.981 --> 44:14.063 Since then, Lila has really pushed out of the boat on the prize run. 44:14.083 --> 44:18.265 We get amazing prizes now on the show and that's all thanks to Lila's diligent work. 44:18.746 --> 44:20.627 And, uh, well that's- that's great money. 44:20.647 --> 44:21.547 That's a wash over. 44:21.867 --> 44:22.248 A wash over? 44:22.268 --> 44:23.048 For, uh, for Bob. 44:23.068 --> 44:26.190 A wash out, a wash out, a white wash, a walk over. 44:26.250 --> 44:26.830 All those things. 44:26.890 --> 44:27.491 A wash white over. 44:28.411 --> 44:29.832 A slap in the face to Cornish. 44:29.992 --> 44:37.854 A slap in the face to Blondie because I mean basically it is a good track and I know what you mean about it being groovy and all that stuff but it may as well be John Barnes doing the rapping on there. 44:37.874 --> 44:40.095 It's just atrocious stuff. 44:40.615 --> 44:44.336 So anyway, I guess I won't be able to play the whole of this but I'll get as much in as I can. 44:44.876 --> 44:49.898 It's Bob Dylan with It's Alright and Why I'm Only Bleeding and thank you very much for voting for that and thanks for listening to the show. 44:50.278 --> 44:51.038 We'll see you next week. 44:51.259 --> 44:51.479 Bye. 44:51.499 --> 44:52.319 At the same time, bye. 44:56.735 --> 45:08.797 Darkness at the break of noon Shadows even the silver spoon The handmade blade, the child's balloon Eclipses both the sun and moon To understand you know too soon There's no sense in trying 45:17.768 --> 45:30.121 Pointed threats they bluff with scorn Suicide remarks are torn from the fool's gold mouthpiece The hollow horn plays wasted words Proves to warn that he not busy being born is busy dying 45:39.827 --> 46:05.917 Temptations page flies out the door You follow, find yourself at war Watch waterfalls of pity roar You feel the moan, but unlike before You discover that you'd just be one more person crying So don't fear if you hear A falling sound to your ear 46:08.068 --> 46:12.117 It's alright, Ma, I'm only sighing 46:28.602 --> 46:40.202 As some warn victory, some downfall, private reasons, great or small, can be seen in the eyes of those that call to make all that should be killed to crawl, while others say don't hate nothing at all except hatred. 46:48.803 --> 47:01.750 Disillusion words like bullets bark As human gods aim for their mark Make everything from toy guns that spark To flesh-colored Christs that glow in the dark It's easy to see without looking too far That not much is really sacred 47:11.244 --> 47:35.750 Our preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred-dollar plates Goodness hides behind its gates But even the President of the United States Sometimes must have to stand naked And though the rules of the road have been lodged 47:36.718 --> 47:45.783 It's only people's games that you got to dodge And it's alright, ma, I can make it 47:55.479 --> 48:12.382 Advertising signs that con you into thinking you're the one That can do what's never been done, that can win what's never been won Meantime life outside goes on all around you XFM