WEBVTT 00:11.144 --> 00:12.345 Oh my god, I can't believe it. 00:12.785 --> 00:14.506 I do not believe it either, but do you know what? 00:15.746 --> 00:15.946 What? 00:16.387 --> 00:17.867 I do not know what I do not know-believe. 00:17.887 --> 00:20.308 I do-no, I'll say that again, I do not know what I do not believe. 00:20.468 --> 00:23.970 That's the Kaiser Chiefs, and uh, oh my god. 00:24.130 --> 00:27.012 This is Adam and Joe here on XFM for the next two hours. 00:27.232 --> 00:28.252 Hi, I'm Joe Cornish. 00:29.353 --> 00:30.653 Hi, I'm Adam Buxton. 00:31.113 --> 00:34.195 This is Adam and Joe on XFM London's 104.9. 00:34.655 --> 00:36.736 I've had voice training with Radio 4. 00:37.216 --> 00:37.857 Have you really? 00:37.957 --> 00:38.557 Yeah, can you tell? 00:39.341 --> 00:47.795 yes i can now that you mention it i didn't know it recently i had it a while ago yeah but i'm really relaxed on radio oh you don't sound relaxed now 00:50.188 --> 00:50.508 Yeah. 00:51.689 --> 00:55.232 You sound like you're taking something too far. 00:55.492 --> 00:57.594 Yeah, this is more like it, isn't it, for XFM? 00:57.854 --> 01:01.097 Yes, welcome to the most acclaimed radio show of the year. 01:01.117 --> 01:01.857 What are you talking about? 01:01.877 --> 01:04.960 The most acclaimed radio show of the year. 01:04.980 --> 01:05.980 Oh, that's right. 01:06.321 --> 01:09.203 We've been acclaimed everywhere this year. 01:09.643 --> 01:10.103 Everywhere. 01:10.144 --> 01:12.966 That's what they're saying about Ray with Jamie Foxx. 01:12.986 --> 01:14.087 I've seen Ray with Jamie Foxx. 01:14.107 --> 01:15.628 The most acclaimed film of the year. 01:15.968 --> 01:17.149 But it's January. 01:17.329 --> 01:18.490 It's not even the end of January. 01:18.530 --> 01:20.130 Well, it's coming up to awards season, isn't it? 01:20.291 --> 01:20.971 We can talk about that. 01:21.031 --> 01:21.911 Awards, they're stupid. 01:23.271 --> 01:23.532 Nice. 01:24.012 --> 01:24.292 Thanks. 01:24.392 --> 01:24.752 That's it. 01:24.952 --> 01:25.872 We've finished talking about it. 01:26.192 --> 01:27.273 I've got some new jingles. 01:27.673 --> 01:28.293 That's very exciting. 01:28.313 --> 01:30.614 I've made some new jingles, and they're all-purpose jingles. 01:30.654 --> 01:36.015 I've got the phone number, so I've done a little tune for the phone number so we can remind people what the phone number is. 01:36.535 --> 01:39.836 I've done some jingles for when we want to talk about interesting things. 01:39.876 --> 01:41.437 I don't think people want to know about your jingles. 01:41.957 --> 01:42.517 My jingles? 01:42.577 --> 01:43.357 You've done a jingle. 01:43.497 --> 01:44.238 I've done the jingles! 01:44.298 --> 01:45.138 Where did you do a jingle? 01:45.158 --> 01:46.098 Where did you do the jingle? 01:46.218 --> 01:46.778 I've done the jingle. 01:46.798 --> 01:47.919 Did you clean it up? 01:47.999 --> 01:49.339 I've done the jingles in my house. 01:49.399 --> 01:50.839 You've done a jingle in your house. 01:50.920 --> 01:52.300 I've been doing jingles all week. 01:52.700 --> 01:53.700 Was it a stinky jingle? 01:53.800 --> 01:55.121 It was quite a stinky jingles. 01:55.481 --> 01:59.042 But I want to play them, but they're being vetted by Karl. 01:59.082 --> 01:59.802 By the authorities. 01:59.822 --> 02:01.202 You don't like authority, do you, Adam? 02:01.242 --> 02:01.943 I hate authority. 02:01.963 --> 02:03.943 You're like Dirty Harry or a maverick cop. 02:04.203 --> 02:05.383 Yeah, that's true. 02:05.404 --> 02:05.944 You hate authority. 02:05.964 --> 02:10.585 You just got really angry with Lila, our producer, just because of the very fact 02:10.925 --> 02:21.991 that your jingle, your stinky jingle, what you've done on the floor, was being vetted by Carl Pilkington, one of radio's top people, you know, an amazing brain. 02:22.251 --> 02:24.733 It's like having your maths checked by Einstein. 02:24.793 --> 02:26.174 One of Ricky Gervais's comedy heroes. 02:26.214 --> 02:27.494 Well, exactly, exactly. 02:27.594 --> 02:31.377 And you're poo-pooing him touching your jingles, what you did on the floor. 02:31.637 --> 02:33.858 Man, I think we should stop talking about poo and jingles. 02:34.318 --> 02:35.879 I never said poo-poo, I just said poo-poo. 02:35.999 --> 02:37.260 Poo-poo, it means to dismiss. 02:37.560 --> 02:43.605 Well, listen, I hope I'm going to be able to play you some of my jingles, because I'm pleased with them, and I think they're really going to make the show zip along and help us. 02:43.625 --> 02:45.587 I hope your jingles are heavily censored. 02:46.227 --> 02:54.394 If they are censored, I'm telling you, if I carried a Magnum like Dirty Harry, there'd be a lot of corpses lying around here today, right now. 02:54.414 --> 02:56.136 I'm just warning you. 02:56.356 --> 03:00.039 We've got prizes to give away this week for our competition. 03:00.059 --> 03:04.463 This week, our competition, I think, is going to be Crap Commentary Corner again, because we're on relatively easy. 03:05.884 --> 03:06.784 And you've done it this week. 03:07.044 --> 03:08.745 I've picked out one this week. 03:08.765 --> 03:09.666 How did you find it? 03:10.466 --> 03:11.287 It was just in my shelf. 03:11.747 --> 03:13.428 It can take you ages. 03:13.448 --> 03:19.472 It took me, well, I mean I didn't find one as insane as some of the ones that you've dug now. 03:20.112 --> 03:20.353 Dug in? 03:20.953 --> 03:49.031 Dougan, but it's quite amusing and it's always been one of my favourites so I had it on the back burner for quite some time and if you win our crap commentary corner this week you could be winning pairs of tickets to go and see Athlete at the Islington Academy in the XFM live session and we've got pairs of tickets to give away for a kind of comedy bonanza at the Hackney Empire featuring such comedy greats as Boothby Gruffaut, Ed Byrne, Simon Munnery and Nina the Cleaner I might try out my new competition for that 03:49.691 --> 03:51.933 Oh yeah, I've got an idea for a competition, listeners. 03:51.953 --> 03:53.154 Do you want to describe your competition? 03:53.174 --> 04:01.281 Well, my competition was called The Rubbish Record Race, and basically what I'll do is play a really bad record, and listeners have to stop it by calling in and naming it. 04:01.301 --> 04:04.504 It's like defusing a bomb, a bad music bomb. 04:04.684 --> 04:11.990 You can call in or text, but anyway, we'll do that later in the show and we'll explain it, but really good tickets to a comedy gig at the Hackney Empire, the home of comedy. 04:12.350 --> 04:17.295 And Ditty's in the Dock this week is a battle off between covers. 04:17.535 --> 04:18.256 Now I'm in trouble. 04:18.456 --> 04:18.916 What have you done? 04:18.936 --> 04:19.817 Have you not brought in a cover? 04:19.837 --> 04:22.039 Well I've got one but I don't think it stands a chance. 04:22.139 --> 04:22.540 Oh really? 04:22.600 --> 04:23.881 So I might ask listeners for help. 04:23.961 --> 04:25.623 I thought I could ask listeners to suggest. 04:26.043 --> 04:29.727 If you tell us what your record is, then listeners could suggest something that might beat it. 04:30.367 --> 04:33.689 And either someone can bring it in like last time or I might just pop out to HMB. 04:33.929 --> 04:34.390 You could do. 04:34.410 --> 04:37.792 You could take the live box, the Roman box. 04:37.812 --> 04:38.772 Have we got a Roman box? 04:39.053 --> 04:39.433 I don't know. 04:40.273 --> 04:40.754 Let's try that. 04:40.774 --> 04:42.214 Someone once told us we had a Roman box. 04:42.475 --> 04:43.195 It's too exciting. 04:43.455 --> 04:43.876 Oh, it's so exciting. 04:43.896 --> 04:44.416 Let's calm everybody down. 04:57.977 --> 04:59.579 Oh, they're so hot right now. 04:59.799 --> 05:00.900 What a terrible noise. 05:01.320 --> 05:03.382 Franz Ferdinand, this fire's out of control! 05:03.442 --> 05:04.643 I'm going to burn this city! 05:04.684 --> 05:05.885 I'm going to burn this city! 05:06.005 --> 05:06.765 Please don't. 05:06.886 --> 05:08.107 I just want to get an early night. 05:08.307 --> 05:09.168 Okay, sorry, I won't. 05:09.901 --> 05:12.884 So this is Adam and Joe on XFM London's 104.9. 05:13.004 --> 05:15.226 If you like music and don't like talking, we apologise. 05:16.167 --> 05:17.909 You know, in this show there's a balance of both. 05:18.910 --> 05:21.192 If you like us, then, you know, welcome. 05:22.213 --> 05:24.695 I just thought I'd say something a bit inviting and friendly. 05:24.875 --> 05:25.576 Oh, that's nice of you. 05:25.616 --> 05:28.258 Yeah, it's nice to have you on board. 05:28.539 --> 05:29.520 That's my contribution. 05:29.840 --> 05:31.241 My jingles are still being vetted. 05:31.882 --> 05:32.863 Jingles, Adam's jingles. 05:33.303 --> 05:34.744 I've spent all week doing the jingles. 05:35.144 --> 05:37.725 They were really, they were exactly for this kind of purpose. 05:38.105 --> 05:41.986 If we talk about something, like for example, I've got something interesting to tell you about, right? 05:42.406 --> 05:44.947 So I have a little jingle for that very... Really? 05:45.027 --> 05:45.568 Occasionally, yeah. 05:45.768 --> 05:46.048 Wow. 05:46.248 --> 05:50.009 An interesting... And now it's being vetted by big brother, by the fascists. 05:50.069 --> 05:50.609 The man. 05:50.629 --> 05:51.430 I can't believe it. 05:51.450 --> 05:52.770 The man who runs XFM. 05:52.990 --> 05:57.552 Speaking of XFM, did you listen to any of Radio Day, the international charity day on Monday? 05:58.272 --> 05:59.813 No, I think I was asleep all day. 05:59.853 --> 06:00.673 You know about it though? 06:00.833 --> 06:01.053 Yeah. 06:01.533 --> 06:05.195 All of independent radio did a sort of live aid thing and they all broadcast all day. 06:05.435 --> 06:07.035 Well, they had coverage on ITV2. 06:07.395 --> 06:07.716 Oh yeah. 06:08.036 --> 06:10.096 Yeah, so they made a show out of it on ITV2. 06:10.116 --> 06:11.857 They had cameras mounted in the studios. 06:12.237 --> 06:15.438 But whoever mounted... I don't think they had cameramen in the studios, did they, Lila? 06:15.478 --> 06:16.899 Lila worked on this, our producer. 06:17.259 --> 06:20.540 Did they have... The ITV2 cameras were in the studio here at... It was for Monday. 06:20.740 --> 06:21.480 Yeah, yeah, yeah, yeah. 06:21.500 --> 06:22.921 So there were cameras, there were ITV3 cameras. 06:23.121 --> 06:24.482 They didn't mount them very well, did they? 06:24.502 --> 06:28.905 Because the microphones were blocking the faces of everybody who appeared. 06:29.385 --> 06:33.988 So they had this two-hour show with all these celebrity guests, but you couldn't see their faces. 06:34.688 --> 06:40.952 They were just locked off shots of a studio with some people and big black foam things in front of their faces. 06:41.713 --> 06:43.474 You couldn't even see the DJ? 06:43.674 --> 06:43.854 No. 06:44.634 --> 06:45.595 Could you see Tony Blair? 06:45.935 --> 06:46.095 No. 06:46.496 --> 06:47.376 Mr. Tony Blair? 06:47.476 --> 06:47.656 No. 06:47.816 --> 06:48.277 Jay Goody? 06:48.877 --> 06:49.998 No, couldn't see Jay Goody. 06:50.438 --> 06:56.643 Well, I guess slightly more of her face was visible around the foamy mic cover, because she's got a bigger face. 06:57.764 --> 07:00.886 Well, that's a disgrace, and I'm glad I missed it now. 07:01.106 --> 07:02.587 Yeah, I was just a bit disappointed. 07:02.627 --> 07:03.928 I thought I'd make a complaint. 07:04.109 --> 07:08.412 I'll tell you what I didn't miss was the news report about happy slapping. 07:08.792 --> 07:09.353 What's that? 07:09.713 --> 07:10.834 You don't know about happy slapping? 07:10.914 --> 07:11.114 No. 07:11.274 --> 07:12.775 Come on, man, you live on the street. 07:13.476 --> 07:15.637 I thought you were absolutely related to the kids. 07:17.318 --> 07:33.689 Well, no, it's not mugging, it's just a kind of pastime, and it's kids going up with their phones, and they use a certain type of phone, but I'm not going to say which one, but it's a popular phone with kids, apparently, and it's, you know, camera phone, but it's got little movies on it, and they go up, 07:34.529 --> 07:39.751 and they film each other going up to a total stranger and smacking them really hard. 07:39.791 --> 07:40.211 Good one. 07:40.692 --> 07:41.712 It's not good, man. 07:41.772 --> 07:42.692 Good one. 07:42.892 --> 07:43.753 It's quite horrific. 07:43.773 --> 07:45.874 When you see it on telly, it was pretty appalling. 07:45.914 --> 07:46.654 Where did you see this? 07:47.074 --> 07:48.575 They had it on London Tonight or something. 07:48.615 --> 07:50.095 And they had a clip that a kid had done? 07:50.435 --> 07:51.556 Yeah, they had several clips. 07:53.658 --> 07:54.979 They were pretty excited about the report. 07:54.999 --> 07:55.740 Isn't that quite provocative? 07:55.780 --> 08:00.205 I mean, for a start, these are old kids, because a little kid couldn't necessarily reach up to an adult's face. 08:00.485 --> 08:02.047 Maybe you, but not me. 08:02.287 --> 08:03.409 No, these are not old kids. 08:03.769 --> 08:04.510 These are young kids. 08:04.530 --> 08:05.271 Young kids. 08:05.751 --> 08:06.873 Do they have little step-ladders? 08:07.213 --> 08:08.454 No, they don't. 08:08.494 --> 08:10.615 This is something that targets shorter members of the public. 08:10.655 --> 08:22.943 Well, one of them, for example, went up to someone who was sleeping on a tube train and his head was lolling to one side and he just smacked him across the face and walked out through the doors really fast, obviously, as soon as the guy got out. 08:22.963 --> 08:23.304 Brilliant. 08:23.604 --> 08:24.665 But it was grim. 08:25.005 --> 08:32.750 I mean, obviously that is assault and you can go to prison for that kind of thing, but also it was just, you just thought, what the hell? 08:32.850 --> 08:35.692 What the hell is going on in the world now? 08:36.133 --> 08:41.037 Because even crazy Johnny Knoxville and his drug-fuelled buddies wouldn't get up to that kind of shenanigans. 08:41.057 --> 08:42.518 Can you make a little film of it with your phone? 08:42.738 --> 08:49.424 Yeah, because the point is with Johnny Knoxville and those lunatics is that they do it to each other. 08:49.544 --> 08:52.367 Even the crazy fellows from Dirty Sanchez. 08:52.947 --> 08:53.187 Yeah. 08:53.647 --> 08:54.468 Do it to each other. 08:54.688 --> 08:55.088 Yeah. 08:55.228 --> 08:59.850 So we can all laugh along because it's just them suffering and generally they're fairly loathsome people anyway. 08:59.870 --> 09:00.691 It's a brilliant idea. 09:00.971 --> 09:01.951 What are you talking about? 09:02.392 --> 09:03.512 How is it a brilliant idea? 09:03.612 --> 09:04.993 It must be very frightening if you're slapped. 09:05.473 --> 09:09.055 Obviously it's very frightening if you're slapped and gutless and pathetic. 09:09.115 --> 09:09.475 Yeah. 09:10.515 --> 09:10.936 It's awful. 09:10.956 --> 09:11.136 Wow. 09:12.273 --> 09:13.254 You just love it, don't you? 09:13.414 --> 09:14.495 I kind of do love it. 09:14.535 --> 09:15.336 I appreciate it. 09:15.356 --> 09:16.858 I mean, it depends on the circumstance. 09:16.878 --> 09:17.378 Do you know what? 09:17.418 --> 09:20.662 If you got happy slapped, you would be weeping and complaining. 09:20.682 --> 09:29.951 Well, if a kid came up to me, now that I know what it is, if a little happy kid came up to me with a big grin on his face and a mobile phone and was clearly going to give me a happy slap, 09:30.692 --> 09:31.833 I wouldn't, I might not mind it. 09:32.094 --> 09:32.814 You would mind it? 09:32.834 --> 09:34.736 If I was asleep on a train I'd be very frightened. 09:35.057 --> 09:36.839 Well listen- If I was a frightening looking kid I'd be very frightened. 09:36.859 --> 09:39.361 And it's not just one little kid, it's a gang of kids. 09:39.442 --> 09:40.343 What about happy stabbing? 09:40.923 --> 09:43.726 Oh yeah, that's great, yeah, that's the next- That's the next step. 09:43.866 --> 09:45.888 Next item on the agenda, obviously. 09:45.949 --> 09:47.811 Well that's shocking, and it must be stopped. 09:48.411 --> 09:52.234 Lila points out, in fact, that it is very much like the You've Been Tangoed thing. 09:52.594 --> 09:53.955 That's why that ad was stopped. 09:53.975 --> 10:01.500 Do you remember in the early 90s, they had a campaign for Tango where a big orange man went up to people and smacked them. 10:01.560 --> 10:02.781 And people's ear drums popped. 10:03.141 --> 10:05.843 Yeah, well, kids did it to each other in the playground. 10:06.863 --> 10:08.565 But they didn't do it to total strangers. 10:08.705 --> 10:11.386 Even then, that was enough for the ITC to pull the ad. 10:11.427 --> 10:12.107 Pesky kids. 10:12.627 --> 10:15.990 Pesky kids is one thing, but going up to total strangers and smacking them. 10:16.770 --> 10:18.232 It's the other thing, all right? 10:18.553 --> 10:18.813 Yeah. 10:19.254 --> 10:20.035 You love it, don't you? 10:20.075 --> 10:21.557 Let's put a stop to it right now. 10:22.098 --> 10:24.802 I'm gonna make sure you're happy slap this week and find out about it. 10:24.822 --> 10:28.067 Here's a song about more innocent youthful times from madness. 10:38.174 --> 10:38.774 Yeah, very nice. 10:38.814 --> 10:39.234 Very nice. 10:39.254 --> 10:41.175 That's doves and black and white town. 10:41.495 --> 10:43.336 This is Adam and Joe on xfm. 10:43.656 --> 10:45.896 So my jingles part of my jingles have come through. 10:46.257 --> 10:47.637 They've been cleared by Carl. 10:48.637 --> 10:52.679 You know, only a very small lecture about not messing with the he was right. 10:52.719 --> 10:53.759 I thought he had a very good point. 10:53.959 --> 10:57.204 Well, of course I didn't intend to mess with the XFM brand. 10:57.384 --> 10:58.405 I wouldn't want to do that. 10:58.766 --> 11:01.630 It was just to create something within our little show here. 11:01.750 --> 11:02.691 It's quite an interesting point. 11:02.711 --> 11:09.240 Listeners might like to hear that we're allowed to mess around within our show, but he drew an analogy with our work on Channel 4 that... 11:10.201 --> 11:21.549 you know, we can do what we want within our show, but before and after the commercial breaks, for instance, is the station's branding, Channel 4's branding, and we can't mess around with the spine, with the bottom line, which is quite right, really. 11:21.729 --> 11:23.370 It's not for you, it's not Joe Brand. 11:23.670 --> 11:24.691 No. 11:24.951 --> 11:25.971 I don't know. 11:26.051 --> 11:27.893 Speaking of which, do you like those Channel 4 items? 11:28.493 --> 11:29.974 The ones with all the floaty four bits? 11:30.014 --> 11:31.055 Yeah, they're quite wicked. 11:31.115 --> 11:32.175 They are quite wicked, aren't they? 11:32.255 --> 11:38.740 I can't help feeling, though, that they're, you know, six inches away from being completely mind-blowing if those things were actually part 11:39.700 --> 11:43.522 genuinely part of the environment, rather than, say, hovering hay bales. 11:43.542 --> 11:44.463 Do you know what I mean? 11:44.563 --> 11:46.244 The hay bales aren't the most successful ones. 11:46.364 --> 11:46.464 No. 11:46.484 --> 11:47.945 The housing state ones are brilliant. 11:47.985 --> 11:48.285 Yeah. 11:48.685 --> 11:57.390 But you still, you know, it would be brilliant if they were truly like an Isha drawing, and they were parts of what looked like a realistic structure, that when seen from a particular angle looked like a fork. 11:57.550 --> 12:00.272 Well the motel sign one does that. 12:00.392 --> 12:01.913 Absolutely, but a lot of them don't. 12:01.933 --> 12:04.154 A lot of them are just random things like hovering in mid-air. 12:04.494 --> 12:06.637 You've always got to find something, don't you? 12:07.378 --> 12:10.743 I'm just trying to push it to be, you know, just amazing. 12:10.783 --> 12:11.524 No, that's cool. 12:11.625 --> 12:12.065 That's fine. 12:12.927 --> 12:13.668 I do, I think that's great. 12:13.728 --> 12:17.133 Hey, do you like the car, the Audi one that turns into a groovy monster? 12:17.153 --> 12:17.694 Yes, I do. 12:17.854 --> 12:18.955 That's good as well, isn't it? 12:19.076 --> 12:19.917 Let's hear your jingles then. 12:20.137 --> 12:20.737 Let's hear a jingle. 12:20.817 --> 12:21.797 Right, so here's a jingle. 12:21.837 --> 12:29.979 So, for example, like, we're talking about, uh, we've mentioned IDs, we've mentioned, uh, car commercials, things about, things like that. 12:30.379 --> 12:30.939 Okay, what? 12:31.159 --> 12:34.480 I don't know, I just got overexcited and lost the ability to speak for a second. 12:34.940 --> 12:38.621 Um, now that was a good car commercial, but what if we were talking about a bad car commercial, for example? 12:38.861 --> 12:40.341 Here's the jingle that we would bring. 12:40.461 --> 12:41.442 This is the longer version. 12:41.622 --> 12:44.542 That sounds interesting, let's talk about it. 12:45.242 --> 12:47.683 I always enjoy our little chats. 12:48.764 --> 12:56.471 I never know what you'll say Did you see that stupid car commercial? 12:56.791 --> 13:06.199 Yes, I saw it and it was stupid I'm not sure about that new TV show What do you think about the big new film? 13:07.100 --> 13:27.533 I just love that Jamie Foxx is great I'm not sure about that new TV show That sounds interesting, let's talk about it Let's start talking now See, that's the long version, and then there's another version which is just that bit cut down Is there a longer version for that? 13:27.713 --> 13:30.115 There's a seven minute version I want to hear that 13:31.198 --> 13:33.780 And then I've got one for competition time. 13:33.940 --> 13:34.340 Oh, brilliant. 13:34.360 --> 13:36.762 I don't think I can handle another one so soon. 13:36.802 --> 13:37.943 I'm reeling from that one. 13:37.963 --> 13:38.823 You're not going to hear it yet. 13:39.083 --> 13:40.344 I want to talk about something. 13:40.584 --> 13:42.165 Well, we can talk about something later. 13:42.185 --> 13:45.107 Who wants to talk about an advert? 13:45.127 --> 13:45.448 I feel sick. 13:45.688 --> 13:46.748 We can talk about it later. 13:46.788 --> 13:47.629 Come on, that was good. 13:47.689 --> 13:48.470 That was really good. 13:48.510 --> 13:49.070 I feel sick. 13:49.130 --> 13:49.951 I'm so excited. 13:50.051 --> 13:50.251 Right. 13:50.311 --> 13:50.791 I'm happy. 13:50.811 --> 13:51.231 You better be. 13:51.251 --> 13:52.132 You wait till you hear the competition. 13:52.152 --> 13:54.093 I don't think our talks are going to live up to the jingle. 13:54.213 --> 13:54.774 You never know. 13:54.794 --> 13:56.215 Right, now we've got a free play now. 13:56.235 --> 13:58.756 This is Jonathan Richman and Corner Store. 13:58.796 --> 14:00.678 After this, it's competition time. 14:10.587 --> 14:17.614 Oh, that's a peach. 14:17.814 --> 14:18.555 Jonathan Richman. 14:18.855 --> 14:20.357 OK, are you ready, Joe, for this? 14:20.577 --> 14:20.917 I'm ready. 14:20.937 --> 14:23.039 This is Crap Commentary Corner Listeners. 14:23.880 --> 14:24.321 The jingle? 14:25.021 --> 14:25.622 Oh, the jingle? 14:25.742 --> 14:26.423 Exciting. 14:26.483 --> 14:27.504 Here we go. 14:34.474 --> 14:35.935 You just never know. 14:36.556 --> 14:40.800 So sharpen up your brain and get ready to play! 14:43.863 --> 14:44.103 What? 14:44.163 --> 14:45.024 What's the sign? 14:45.144 --> 14:45.524 What's the sign? 14:45.544 --> 14:46.565 It's just a bit trashy. 14:46.745 --> 14:47.846 What are you talking about? 14:47.866 --> 14:48.927 It's just a bit trashy. 14:49.828 --> 14:50.128 What? 14:50.789 --> 14:53.271 Well, I mean it's really good. 14:54.232 --> 14:55.193 Did you hear it properly? 14:55.293 --> 14:56.134 Maybe I didn't. 14:56.194 --> 14:57.075 Competition time! 14:58.673 --> 14:59.013 Oh. 14:59.193 --> 15:01.054 I don't know. 15:01.314 --> 15:01.974 Oh. 15:02.575 --> 15:03.255 Yeah. 15:04.295 --> 15:05.336 Oh, no, no. 15:05.436 --> 15:09.998 See, by that time... I was wrong. 15:10.038 --> 15:10.438 I was wrong. 15:10.458 --> 15:11.198 I'm really sorry. 15:11.218 --> 15:11.978 I don't know what I was thinking. 15:11.998 --> 15:12.679 I'm sorry, it's a misunderstanding. 15:12.699 --> 15:12.999 It's not trashy. 15:13.039 --> 15:13.779 It's a misunderstanding. 15:13.879 --> 15:15.880 I must have... I was just listening to it wrong. 15:15.960 --> 15:16.120 Yeah. 15:16.360 --> 15:16.780 That's fine. 15:16.940 --> 15:17.300 Don't worry. 15:18.080 --> 15:22.241 But you see now, people are very, very excited and they understand about the competition. 15:22.521 --> 15:25.762 And they understand that they might win a DVD or tickets to a show. 15:25.902 --> 15:27.322 This week, it's tickets to a show. 15:27.342 --> 15:28.002 It is, isn't it? 15:28.082 --> 15:38.944 Well, it's four pairs of athlete tickets for the next XFM live session, which athletes are playing at the Islington Carling Academy next Tuesday, the 25th of January. 15:39.004 --> 15:40.544 Courtesy of Jameson Irish Whiskey. 15:40.564 --> 15:41.064 There you go. 15:41.104 --> 15:46.225 So if you want to see athlete next Tuesday, the 25th, then all you have to do is guess is sharp 15:46.305 --> 15:49.407 Put up your brain and get ready to play. 15:49.427 --> 15:50.928 It's not easy hitting those high notes. 15:50.948 --> 15:52.429 No, that was very beautifully sung. 15:52.469 --> 15:52.829 Thank you. 15:53.630 --> 15:56.712 All you have to do is listen to this commentary from a popular motion picture. 15:57.112 --> 15:59.854 Tell us who is speaking and what film they're speaking about, right? 16:00.014 --> 16:02.056 Yes, now let me fill you in a little bit. 16:02.076 --> 16:02.836 Let me say the number 0 8 7 1 2 2 2 1 0 4 9. 16:03.456 --> 16:05.598 Did you do a jingle for the number? 16:09.335 --> 16:10.135 Yeah, I did, I did, I did. 16:10.175 --> 16:11.316 And you got it wrong, didn't you? 16:11.336 --> 16:12.936 I got the number wrong, yeah. 16:12.956 --> 16:13.876 You summed the number wrong. 16:13.996 --> 16:16.557 A seven instead of a nine. 16:17.257 --> 16:21.179 Listen, man, don't try and project your guilt about not doing jingles on me. 16:21.259 --> 16:22.539 I'm going to do some jingles for next week. 16:22.579 --> 16:23.559 You do some jingles for next week. 16:23.579 --> 16:24.800 They're going to jingle all over your jingles. 16:24.820 --> 16:27.280 You better keep your hands off my... We'll have a jingle off. 16:27.300 --> 16:29.941 We'll have a jingles in the... Oh, don't get carried away. 16:29.981 --> 16:30.841 Hands off my jingles. 16:31.101 --> 16:35.583 Okay, so, the director of this film is doing this commentary with his wife. 16:36.343 --> 16:47.328 who provided the score for the film, and his wife has brought her guitar along to the commentary recording session, and she's providing live guitar stylings for the commentary. 16:47.608 --> 16:48.548 But who is it? 16:48.789 --> 16:53.871 And I think because this is fairly easy, we should have the name of both the director and his wife, and the film. 16:54.231 --> 16:54.871 Listen up. 16:55.331 --> 17:01.054 And of course, there's the wonderful score to assist us in this sequence, just as she can assist us now. 17:02.575 --> 17:03.315 Cue Nancy! 17:07.188 --> 17:10.211 I like that moment that happened earlier where Kurt Russell goes, no can do. 17:11.593 --> 17:15.397 I saw him do that in a conversation and I just said that has to be in the movie. 17:16.478 --> 17:17.079 No can do. 17:18.901 --> 17:28.432 And that's one of the great things when you can take something that an actor does or is part of who he is and just kind of pull it into the character. 17:31.892 --> 17:32.313 Wow. 17:32.513 --> 17:33.394 What an amazing insight. 17:33.434 --> 17:36.077 You know, I was thinking that I saw somebody sneeze. 17:36.378 --> 17:36.598 Yeah. 17:36.978 --> 17:38.701 I thought that would be a great thing to put in a movie. 17:38.981 --> 17:39.301 Hey. 17:39.381 --> 17:40.242 Somebody sneezing. 17:40.303 --> 17:41.083 I see what you're talking about. 17:41.164 --> 17:43.607 You can just see something and put it in a movie. 17:43.627 --> 17:46.350 You know what, I had an idea like that once, but it was nicked. 17:46.871 --> 17:49.114 I had this idea and I saw some people walking. 17:50.379 --> 17:51.719 And I thought, that's good. 17:52.020 --> 17:52.820 Put that in a film. 17:52.840 --> 17:53.440 Put that in a film. 17:53.480 --> 17:55.681 And then the next film I saw... Walking people. 17:55.701 --> 17:56.821 There was walking people. 17:57.161 --> 17:58.442 I just was disgusted. 17:58.462 --> 18:00.362 But listen, we should focus on the issue in hand. 18:00.382 --> 18:12.187 If you know who that was, talking about the film, and what film it was, 0-8-7-1-2-2-1-0-4-9 to win tickets for athletes, can I just say that we're getting a lot of very angry, aggressive texts for some reason today? 18:12.507 --> 18:14.007 Oh, I couldn't care less. 18:14.107 --> 18:15.468 I don't care either, but, um... 18:16.488 --> 18:16.968 What's happened? 18:17.008 --> 18:18.269 Is everyone in a bad mood today? 18:18.289 --> 18:19.329 Go on, give us a sample. 18:19.529 --> 18:22.771 I can't, because it'll damage your ego. 18:22.991 --> 18:24.792 I honestly don't care about those worms. 18:24.932 --> 18:30.074 If you wormy text people are just going to encourage more negative texts. 18:30.134 --> 18:32.956 It's surprising, usually we get a very decent balance. 18:33.276 --> 18:33.756 Here's the deal. 18:33.776 --> 18:36.097 Today, maybe everyone's in a bad mood today. 18:36.317 --> 18:43.804 If the wormy texters want to come and address their complaints to me in person, then they're welcome. 18:43.864 --> 18:52.612 Come to Leicester Square, buzz up, I won't invite you into the studio because you're an unknown dangerous quantity, but I will go out and speak to you about whatever the hell you're worried about. 18:52.672 --> 18:54.874 It's not that bad in the office. 18:54.914 --> 18:56.055 I don't think you need to face off. 18:56.335 --> 18:57.356 Have you got another comment? 18:57.376 --> 18:58.777 I want to face off now. 18:59.078 --> 18:59.978 You're angry as well. 19:00.018 --> 19:00.639 I'm furious. 19:00.679 --> 19:01.720 Everyone's angry today. 19:01.860 --> 19:03.020 I just would never do that. 19:03.040 --> 19:05.201 It's so gutless just to text in anonymously. 19:05.221 --> 19:05.681 It's pathetic. 19:05.741 --> 19:07.682 Do you know what I'm going to say that'll calm everyone down? 19:07.782 --> 19:09.603 One of my favorite phrases is, take a chill pill. 19:09.823 --> 19:10.723 Hey, that's a good phrase. 19:10.743 --> 19:11.684 Yeah, it works, doesn't it? 19:12.064 --> 19:12.884 Yeah, I did. 19:12.924 --> 19:14.385 I just took one and it's amazing. 19:14.405 --> 19:15.265 It's amazing, isn't it? 19:15.285 --> 19:16.045 I'm totally chilled. 19:16.125 --> 19:17.566 So listen, have you got another clip from the commentary? 19:17.586 --> 19:18.186 Yeah, here we go. 19:18.206 --> 19:21.567 Here John Tull makes Dumbo look like Liverpool. 19:22.427 --> 19:26.569 I love this down underneath the Manhattan Bridge overpass. 19:28.010 --> 19:30.311 You don't see that in New York very much. 19:30.571 --> 19:32.132 You haven't seen Dumbo shot a lot. 19:32.772 --> 19:34.053 You've heard of that acronym, haven't you? 19:34.073 --> 19:35.974 I didn't really understand that. 19:36.034 --> 19:36.474 Dumbo? 19:36.494 --> 19:46.099 He was just slipping in an acronym that he has clearly invented, or members of the crew have invented, which spells out Down Underneath the Manhattan Bridge Overpass. 19:46.399 --> 19:46.939 Dumbo! 19:47.340 --> 19:51.582 I thought you were saying that you don't see Dumbo, the elephant, a lot in Manhattan. 19:52.122 --> 19:53.863 which should be an unremarkable thing. 19:54.003 --> 19:56.285 No, he's talking about he's just invented that acronym. 19:56.645 --> 19:57.765 I've just invented some as well. 19:58.046 --> 19:59.907 I live in Kwan Parka. 20:00.567 --> 20:02.268 Quite a nice part of a really crappy area. 20:03.269 --> 20:04.309 You know, Kwan Parka. 20:04.609 --> 20:05.470 Oh, for goodness sake. 20:05.910 --> 20:11.093 Phone 0871-222-1049 and don't text. 20:11.373 --> 20:14.515 Come here and address your text to me personally, you worms. 20:14.535 --> 20:15.216 0871-222-1049. 20:15.236 --> 20:16.076 We'll be back after this. 20:44.024 --> 20:46.404 Now shall we have a reminder of what people were trying to guess? 20:46.424 --> 20:53.586 This is crap commentary corner and people were trying to identify a little bit of commentary from this mystery film. 20:53.726 --> 20:54.986 Shall we have a reminder? 20:55.646 --> 20:58.207 Identifying the film and the people, the person talking. 20:59.272 --> 21:00.332 Okay, here we go. 21:00.712 --> 21:06.434 And of course, there's the wonderfulness score to assist us in this sequence, just as she can assist us now. 21:07.955 --> 21:08.755 Cue Nancy. 21:12.596 --> 21:15.637 I like that moment that happened earlier where Kurt Russell goes, no can do. 21:17.017 --> 21:20.778 I saw him do that in a conversation and I just said that has to be in the movie. 21:21.879 --> 21:22.419 No can do. 21:24.295 --> 21:33.839 And that's one of the great things when you can take something that an actor does or is part of who he is and just kind of pull it into the character. 21:36.044 --> 21:37.105 Yeah, yeah, yeah, there you go. 21:37.125 --> 21:41.207 Yeah, it's not that difficult to pull in the phrase, no can do, into a character, is it? 21:41.227 --> 21:41.787 It is, it is. 21:41.987 --> 21:43.388 It just involves talking, isn't it? 21:43.428 --> 21:44.468 No, it's very difficult. 21:44.528 --> 21:45.169 I'm naive. 21:45.489 --> 21:47.010 It's something that no one should try. 21:47.090 --> 21:50.691 If anyone's listening to this now and they think, I might try and pull that phrase into a character, don't. 21:50.911 --> 21:55.014 Not unless you're a trained Oscar-nominated actor, because you might hurt yourself quite badly. 21:55.034 --> 21:56.154 We've got Jillian on Line 1. 21:56.194 --> 21:56.995 Jillian, are you there? 21:57.455 --> 21:58.295 Hi, yes, I am. 21:58.475 --> 21:59.656 Jillian, are you enjoying the show today? 21:59.676 --> 22:01.657 I am, really good, as usual. 22:01.697 --> 22:01.797 Good. 22:01.817 --> 22:02.797 Do you like Adam's jingles? 22:03.438 --> 22:04.598 Yes, fantastic. 22:04.758 --> 22:05.659 And you're feeling happy? 22:07.887 --> 22:08.147 It is. 22:08.187 --> 22:09.548 Wow, thank God for you, Gillian. 22:09.888 --> 22:10.628 I love you, Gillian. 22:10.648 --> 22:11.889 We love you so much. 22:11.989 --> 22:14.951 Even if you've got this wrong, I'm going to give you a prize, how's that? 22:15.331 --> 22:15.971 Oh, thank you. 22:17.032 --> 22:17.632 But have a guess. 22:17.652 --> 22:21.134 Who do you think was speaking there and what film do you think it was? 22:21.768 --> 22:24.030 I think it's John Carpenter, Escape from New York. 22:24.390 --> 22:24.790 Right. 22:24.850 --> 22:27.032 Why do you think that, Jillian? 22:27.212 --> 22:29.914 Because I think it might be Nancy Carpenter on the guitar. 22:30.454 --> 22:32.255 Oh, that's good logic, sophisticated. 22:32.515 --> 22:33.116 Well, let's see. 22:33.316 --> 22:35.297 We've got a jingle to let you know how you've done. 22:35.317 --> 22:36.478 Brilliant. 22:36.898 --> 22:37.699 Here, John Toole. 22:37.979 --> 22:39.500 Oh, that's not the jingle. 22:39.540 --> 22:40.741 That's not the right jingle. 22:40.761 --> 22:43.402 Is John Carpenter's wife called Nancy then, Jillian? 22:43.522 --> 22:44.123 I think so. 22:44.343 --> 22:45.904 Nancy Chapin Carpenter. 22:45.964 --> 22:48.666 I don't know if that's correct or not, but here's your jingle. 22:49.720 --> 22:52.863 I'm sorry that's wrong. 22:53.563 --> 22:54.985 That's a very loud jingle. 22:55.145 --> 22:56.746 That's the I'm sorry that's wrong jingle. 22:56.866 --> 22:58.668 Bad luck, Jillian. 22:58.728 --> 22:59.769 Thanks a lot for calling anyway. 22:59.789 --> 23:00.349 And you know what? 23:00.429 --> 23:03.412 We're going to give you a pair of tickets to see Athlete anyway. 23:03.472 --> 23:04.533 Can you make it to that gig? 23:04.833 --> 23:05.594 Tuesday the 25th? 23:06.194 --> 23:06.434 Yeah. 23:06.795 --> 23:08.276 Yeah, well, they're on their way to you. 23:08.296 --> 23:09.357 Thanks very much for calling. 23:10.638 --> 23:11.979 Now we've got another caller, Nick. 23:12.039 --> 23:12.480 Hello, Nick. 23:12.500 --> 23:12.840 Are you there? 23:12.860 --> 23:13.561 Hi, yeah. 23:13.661 --> 23:13.961 I'm here. 23:13.981 --> 23:14.782 How are you doing, Nick? 23:16.384 --> 23:17.424 Well, we're okay, you know. 23:17.524 --> 23:18.325 Are you enjoying the show? 23:18.345 --> 23:19.685 I am enjoying the show. 23:19.725 --> 23:21.005 Have you got any major problems with it? 23:21.025 --> 23:24.607 Not so far. 23:24.887 --> 23:26.447 Don't encourage the critic people. 23:26.467 --> 23:27.487 I've all been very positive. 23:27.888 --> 23:30.528 Well, that's because they're actually speaking to us on the phone. 23:30.948 --> 23:35.450 Once they're hiding behind their little knockers, then they're turning to critical genius. 23:35.470 --> 23:36.110 OK, we'll move on. 23:36.150 --> 23:39.351 Nick, who do you think was commentating and on what film there? 23:39.884 --> 23:42.745 I would say that was Cameron Crowe and Nancy Wilson on Vanilla Sky. 23:42.905 --> 23:45.866 Ooh, let's find out with a new jingle. 23:46.006 --> 23:48.247 You have got it right! 23:48.887 --> 23:49.887 Oh, that's a punchy one. 23:49.907 --> 23:50.507 I like that one. 23:51.448 --> 23:52.688 Nick, well done. 23:52.828 --> 23:53.648 Are you all right, Nick? 23:53.688 --> 23:54.749 Have you just shot somebody? 23:54.769 --> 23:57.069 No, no, that was my housemate. 23:57.229 --> 23:58.650 You haven't just happy slapped somebody? 23:58.670 --> 23:59.730 Absolutely. 24:00.390 --> 24:01.270 Well, congratulations. 24:01.371 --> 24:09.113 And, you know, as we gave a loser one pair, would you be able to rustle up enough people to use two pairs of tickets for that concert? 24:10.533 --> 24:11.434 You have three friends? 24:12.054 --> 24:12.775 Yeah, just. 24:13.375 --> 24:13.655 Brilliant. 24:13.715 --> 24:15.456 Okay, well those tickets are going to be on their way to you. 24:15.536 --> 24:18.699 And you know, it's weird that outtake from Vanilla Sky. 24:19.059 --> 24:21.641 It seems as if Cameron Crowe might be a bit of an idiot. 24:22.081 --> 24:22.801 I know, it's bizarre. 24:22.921 --> 24:23.662 Is he an idiot or genius? 24:23.682 --> 24:24.843 Thank you very much for your call. 24:25.343 --> 24:28.325 Well, do you want to find out a bit more about that commentary? 24:28.365 --> 24:29.906 Now, I think I know what you're going to play. 24:29.926 --> 24:31.367 This is something you've talked to me about before. 24:31.587 --> 24:35.129 Adam Buxton, and this is another bit of that commentary, right? 24:35.389 --> 24:41.453 Well, at one point, because he's got a lot of tricks in his arsenal... Actually, Cameron Crowe is not an idiot, I don't think. 24:41.653 --> 24:46.996 Some of his films are pretty good, and some of his commentary ideas are quite ingenious as well. 24:47.056 --> 24:50.719 Like, for example, he wasn't able to clear some piece of music. 24:50.779 --> 24:52.019 This is for another film he did. 24:53.040 --> 24:55.782 So what he did is, on the commentary, he just said, 24:56.582 --> 25:00.126 This was the piece of music that we wanted to use now, this Led Zeppelin track or whatever it was. 25:00.526 --> 25:04.870 So cue it up, play it, and you can see how the scene was originally supposed to shape up, you know. 25:05.090 --> 25:06.031 Quite a good idea, I thought. 25:06.071 --> 25:07.713 Yeah, but didn't you have to clear it for the commentary as well? 25:07.773 --> 25:08.734 No, because he didn't play it. 25:08.794 --> 25:11.136 He just said, I want you to go and get the piece of music. 25:11.196 --> 25:12.598 Yeah, it's a good idea. 25:13.098 --> 25:21.123 But this is a thing he did on the Vanilla Sky commentary where he phoned up Tom Cruise during a scene that Cruise featured in. 25:21.163 --> 25:21.824 He said, you know what? 25:21.904 --> 25:23.164 I'm just going to call him right now. 25:23.324 --> 25:24.585 So this is that bit. 25:24.645 --> 25:25.826 I'm going to call Tom right now. 25:25.846 --> 25:26.967 Let's reminisce. 25:27.167 --> 25:32.150 There's Choo Choo Boy, the extra we called Choo Choo Boy because of his fabulous Choo Choo mannerism there. 25:32.750 --> 25:33.050 Hello? 25:33.070 --> 25:33.851 Hey, brother. 25:34.071 --> 25:35.132 Hey, Tomas. 25:35.592 --> 25:37.193 We are in the club scene right now. 25:37.213 --> 25:38.093 Oh, baby. 25:38.314 --> 25:39.674 And we've just seen Choo Choo Boy. 25:39.694 --> 25:41.095 Did you see Choo Choo Boy? 25:41.235 --> 25:41.796 Yes, we did. 25:44.321 --> 25:45.322 So this club scene. 25:45.562 --> 25:45.943 Yeah man. 25:46.043 --> 25:46.824 Let's talk about it. 25:46.844 --> 25:47.344 Let's do it. 25:47.444 --> 25:48.946 What are your memories of the club scene? 25:49.486 --> 25:50.847 I couldn't wait to play that scene. 25:51.508 --> 25:53.150 I could not wait to play that scene. 25:53.410 --> 25:54.211 You are the man. 25:54.731 --> 25:55.392 You are the man. 25:55.412 --> 25:58.875 I thought it was cool how you shot it. 25:58.895 --> 26:03.440 And when I saw it, rarely do I feel that kind of 26:05.603 --> 26:05.943 Me too. 26:06.043 --> 26:09.806 I love it when Penelope says, I'll tell you in another life when we were both cats. 26:09.826 --> 26:10.406 Oh my god. 26:10.727 --> 26:15.830 Which she said to me when I tried to chat with her, she just didn't want to talk. 26:15.990 --> 26:20.113 And she said that to me, and I felt like, I'm so going to put that in the script right now. 26:22.675 --> 26:24.196 You came and you told me that line. 26:24.236 --> 26:24.777 You remember that? 26:24.977 --> 26:25.677 Yes, I do. 26:26.097 --> 26:26.878 Oh my god. 26:27.298 --> 26:27.899 Very cool. 26:28.139 --> 26:31.141 Well, I thank you for picking up the phone tonight and reminiscing. 26:31.161 --> 26:33.483 I will talk to you soon, my brother. 26:33.503 --> 26:34.063 OK, brother. 26:34.103 --> 26:34.583 Take care. 26:34.964 --> 26:35.164 Bye. 26:36.414 --> 26:37.675 That's what it's like to be famous. 26:37.695 --> 26:38.916 My brother, you know what, Adam? 26:39.336 --> 26:40.657 We should be a little more like that. 26:40.877 --> 26:42.097 Yeah, Joseph, my brother. 26:42.258 --> 26:42.858 We should. 26:43.178 --> 26:44.759 Awesome, we absolutely should. 26:44.799 --> 26:45.760 It's positivity. 26:45.980 --> 26:47.941 That's a brilliant, awesome idea, Joseph. 26:47.961 --> 26:51.603 That's why Tom Cruise is where he is, and why we're where we are. 26:52.264 --> 26:53.544 That's an interesting point. 26:53.805 --> 26:55.886 I wish I had my interesting point, Jingle, but I don't. 26:55.966 --> 26:57.627 Instead, I have you in Brown. 27:10.046 --> 27:10.767 That's fantastic. 27:10.847 --> 27:18.874 Ian Brown with a song that he sang with a title, and the title is Time Is My Everything. 27:18.974 --> 27:20.716 That's a great title. 27:20.756 --> 27:22.238 This is Adam and Joe on XFM, London's 104.9. 27:22.338 --> 27:24.019 Do you know what, Adam? 27:24.179 --> 27:24.400 What? 27:24.460 --> 27:28.483 If you listen to The Breakfast Show here on XFM all next week to banish those winter blues, 27:29.444 --> 27:32.088 Uh, Fosters are celebrating Australia Day. 27:32.108 --> 27:35.011 Uh, we've done this wrong. 27:35.391 --> 27:37.554 You could win a fridge that's full of Fosters. 27:37.574 --> 27:37.974 Start again. 27:38.575 --> 27:42.580 Listen to The Breakfast Show all next week to banish those winter blues with Fosters to celebrate Australia Day. 27:42.640 --> 27:44.342 And go out and party like a true Aussie. 27:50.188 --> 27:58.612 Go online to www.xfm.co.uk now to find your nearest Fosters party using our online Fosters party finder. 27:58.912 --> 28:01.233 You could also win a fridge full of Fosters. 28:02.894 --> 28:03.194 Fished? 28:04.274 --> 28:04.915 Yeah, I think so. 28:04.935 --> 28:07.956 I'm not sure what I was saying, but I still have to read it out. 28:08.316 --> 28:08.396 OK. 28:08.416 --> 28:12.958 But that's a promotion, I think, an exciting promotion that XFM are doing on The Breakfast Show. 28:13.338 --> 28:13.939 So listen to that. 28:13.979 --> 28:16.760 And you could win a big fridge full of beer and get really drunk. 28:17.020 --> 28:17.340 Good one. 28:17.640 --> 28:18.521 We'll be back after this. 28:28.993 --> 28:32.214 Crikey, that's the stereo phonics with a new single, Dakota. 28:32.534 --> 28:33.974 This is Adam and Joe on XFM. 28:34.294 --> 28:37.254 Now, Joe, you've got a new kind of competition for us now, don't you? 28:37.595 --> 28:37.875 We do. 28:37.915 --> 28:39.915 This is going to be called Rubbish Record Race. 28:40.955 --> 28:44.636 Now, you better jot down the number for this, listeners. 28:45.196 --> 28:44.636 08712221049. 28:45.336 --> 28:51.337 If you win this competition, you can win a pair of tickets to see an amazing comedy gig at the Hackney Empire. 28:52.197 --> 28:52.997 Is it this Saturday? 28:53.917 --> 28:54.838 This time next week. 28:54.878 --> 28:55.378 It's tonight. 28:55.418 --> 28:56.018 No, it's tonight. 28:57.118 --> 29:01.382 It's featuring Boothby Graffo, Ed Byrne, Simon Munnery and Nina the Cleaner. 29:02.303 --> 29:03.143 It's going to be hilarious. 29:03.644 --> 29:05.245 Simon Munnery is a kind of a genius. 29:05.285 --> 29:05.926 Yes, he's brilliant. 29:05.946 --> 29:07.827 That's a really good line up at the Hackney Empire tonight. 29:08.147 --> 29:10.249 So that will be your evening's entertainment tonight sorted out. 29:10.890 --> 29:13.011 If you win the rubbish record race, here's the idea. 29:13.031 --> 29:24.160 We're going to play you a really awful record that's going to torture your ears and is the sort of thing that will basically cause XFM to shut down to hemorrhage listeners and basically to close. 29:25.101 --> 29:33.866 We need you to identify the record, phone us, and by saying the name of the record and the artist, in fact we'll probably just go for the artist, then you can stop the record and win the tickets. 29:34.166 --> 29:35.127 It's a race against time. 29:35.167 --> 29:36.908 The record is three minutes long, is it? 29:37.408 --> 29:38.309 Around that, yes. 29:38.349 --> 29:39.049 You've got to be quick. 29:39.069 --> 29:39.850 You've got to be quick. 29:40.697 --> 29:46.923 You've got to phone that number, you've got to navigate through the XFM system, you've got to name the record, and stop the record. 29:46.943 --> 29:52.708 We're going to give you a clue, because it's not an immediately recognisable record, it's sung by a film star. 29:53.549 --> 29:54.810 Is that enough of a clue, do you think, Adam? 29:55.030 --> 29:56.071 Oh yeah, yeah. 29:56.091 --> 29:57.753 They should get it when they start hearing it. 29:57.873 --> 29:58.213 OK. 29:58.233 --> 29:59.394 0-8-7-1-2-2-2-1-0-4-9. 30:00.555 --> 30:03.618 You can also enter this by text 83XFM. 30:03.918 --> 30:08.802 If you text the name of the artist and the song, obviously give us your name. 30:08.862 --> 30:10.183 We'll have your number automatically. 30:10.303 --> 30:11.024 You'll win the tickets. 30:11.544 --> 30:12.325 Shall we play this now? 30:12.605 --> 30:13.346 Shall we do this now? 30:13.426 --> 30:14.767 We may as well do this now. 30:14.787 --> 30:17.590 Are we ready to do this now? 30:17.610 --> 30:17.830 0-8-7-1-2-2-2-1-0-4-9. 30:18.010 --> 30:20.392 We're going to keep the mics live while we play the record. 30:21.072 --> 30:22.854 This is the Rubbish Record Race. 30:22.914 --> 30:23.174 Let's go. 30:24.395 --> 30:25.295 Oh, it's a stinky beat. 30:25.655 --> 30:26.696 I've never heard this before. 30:27.576 --> 30:28.756 That's like Kids in America. 30:28.776 --> 30:29.436 It's the 80s. 30:29.456 --> 30:31.977 It sounds 80s. 30:34.677 --> 30:38.658 There was a time when that was considered to be the height of modern music. 30:38.778 --> 30:39.738 Wow. 30:39.778 --> 30:41.719 That kind of sound. 30:42.399 --> 30:43.399 This is John. 30:43.539 --> 30:45.099 It sounds like John Carpenter music. 30:47.580 --> 30:48.340 Do we have anybody? 30:48.400 --> 30:50.620 Is anyone coming through on the lines to stop this noise? 30:50.760 --> 30:52.221 There's someone on the line right now, Lila. 30:52.281 --> 30:53.801 Someone's going to start singing soon. 30:56.201 --> 30:56.761 Not yet, though. 30:58.882 --> 30:59.862 Look, it is that drum beat. 30:59.902 --> 31:01.282 The drum's in Tiddlehurst Cave. 31:02.563 --> 31:05.043 That's what it was all about in the 80s, the biggest drum sound. 31:05.063 --> 31:06.264 It's like someone's been shot. 31:07.544 --> 31:13.545 Let's check the texts. 31:16.526 --> 31:22.207 We appear to have a winner on the text. 31:22.387 --> 31:22.688 Really? 31:22.748 --> 31:24.248 He's just named the artist, not the song. 31:27.867 --> 31:29.848 Well, you said that you were going to do just the artist. 31:30.248 --> 31:31.689 Do you have to listen to more of this? 31:31.749 --> 31:33.910 Have we got anyone on the phone? 31:34.690 --> 31:35.930 We've got to get to the chorus. 31:38.612 --> 31:39.252 I quite like it. 31:43.374 --> 31:44.134 Let's get a caller. 31:48.856 --> 31:51.817 What was the point in telling people to text if you're going to ignore the correct answer? 31:51.837 --> 31:53.838 Because he's only got the artist, not the name of the song. 31:53.858 --> 31:54.799 You said that would be enough. 31:54.839 --> 31:55.359 I was lying. 31:56.488 --> 32:01.453 Now we've got to party more all the time. 32:01.553 --> 32:03.055 Come on, Lida, put something through on the phone. 32:04.616 --> 32:05.057 Quickly! 32:06.358 --> 32:07.099 Dave, hello Dave. 32:07.920 --> 32:09.041 Hello Dave! 32:09.802 --> 32:10.462 Dave, are you alright? 32:10.482 --> 32:14.226 Yeah, I'm good, but I can't go tonight, so you should do the process with someone else. 32:14.366 --> 32:15.488 Can you stop this record though? 32:16.201 --> 32:16.921 Yeah. 32:16.941 --> 32:17.962 Go on, say, who's it by? 32:17.982 --> 32:18.822 It's Eddie Murphy. 32:19.302 --> 32:20.303 Oh, stop it. 32:21.343 --> 32:22.424 Thank Christmas. 32:22.644 --> 32:24.044 Did you know that song already, Dave? 32:24.465 --> 32:25.765 Yeah, yeah. 32:25.865 --> 32:26.886 What do you mean, yeah, yeah? 32:26.926 --> 32:28.106 How the hell did you know that? 32:28.606 --> 32:32.708 It's on an 80s mix album by, I can't remember. 32:33.288 --> 32:35.289 By Eddie Murphy, probably. 32:35.329 --> 32:39.171 What does he mean when he says his girlfriend likes to party all the time? 32:40.171 --> 32:41.832 What does he mean by the word party? 32:41.872 --> 32:44.453 It's the same as when Michael Jackson says he wants to rock with you. 32:45.066 --> 32:46.287 Yeah. 32:46.547 --> 32:47.587 It's filth. 32:47.627 --> 32:48.088 It's filth. 32:48.408 --> 32:53.891 Now, Dave, have you got a friend who could maybe go along to this gig, or is it absolutely off the cards for you? 32:54.231 --> 32:55.832 I really think it's off the cards, yeah. 32:55.872 --> 32:56.372 Sorry, dude. 32:56.512 --> 32:57.052 Are you busy? 32:57.072 --> 32:58.153 Play another bad record. 32:58.213 --> 32:59.013 Are you busy, Dave? 32:59.093 --> 33:00.074 I've got to work tonight. 33:00.634 --> 33:01.675 Ah, that's a shame. 33:01.695 --> 33:03.035 Listen, maybe we should give it to the texter. 33:03.355 --> 33:04.456 Let's try and call the texter. 33:04.476 --> 33:06.697 That is the texter. 33:06.777 --> 33:08.138 Oh, wow, it's our listener. 33:09.218 --> 33:10.419 It's our one listener who doesn't hate us. 33:10.439 --> 33:13.501 Why don't you just come into the studio, all around our houses, 33:14.502 --> 33:15.423 And we need to leave the house. 33:15.443 --> 33:16.564 What are you doing tonight, Dave? 33:16.865 --> 33:17.365 Can we come? 33:17.806 --> 33:22.051 What are you doing? 33:22.092 --> 33:22.732 Why can't you go? 33:22.772 --> 33:23.553 Do you just hate comedy? 33:23.573 --> 33:24.074 I have to work tonight. 33:24.174 --> 33:24.835 You have to work? 33:24.875 --> 33:25.396 What are you doing? 33:26.397 --> 33:28.260 I'm working on some skateboard graphics. 33:28.600 --> 33:29.621 That's not working. 33:29.662 --> 33:30.623 Dave, you're so modern. 33:32.204 --> 33:32.725 Wow. 33:32.865 --> 33:34.526 Working on some skateboard graphics. 33:34.946 --> 33:36.427 Wow, that makes me feel very old. 33:36.507 --> 33:38.127 Dave, thanks very much for calling in. 33:38.348 --> 33:39.788 I don't get the point of skateboard graphics. 33:39.808 --> 33:41.569 They're always on the bottom of the skateboard. 33:41.849 --> 33:43.670 I suppose people see them when you ollie. 33:44.471 --> 33:45.091 When you what? 33:45.111 --> 33:47.652 That's my one skateboard word. 33:47.893 --> 33:51.234 Thanks for calling, Dave, and thank you for delivering us from the rubbish record. 33:51.274 --> 33:52.375 Eddie Murphy with Party All The Time. 33:52.415 --> 33:53.275 Was that a successful quiz? 33:53.515 --> 33:54.536 I think that was all right, wasn't it? 33:54.556 --> 33:55.677 Yeah, do you want to bring one in next week? 33:56.157 --> 33:57.177 What, a rubbish record? 33:57.217 --> 33:57.658 Rubbish record. 33:57.778 --> 33:58.738 Oh, yeah, yeah, yeah, OK. 33:58.938 --> 33:59.419 I'll do that. 33:59.439 --> 34:00.139 We'll take it in turns. 34:00.339 --> 34:01.961 Well, here's a record that isn't rubbish. 34:02.001 --> 34:07.285 This is from the XFM 90s classic list, and it's the Super Furrier. 34:07.325 --> 34:07.766 Fantastic. 34:18.725 --> 34:25.971 Yeah, that's Baby Shambles with Kilimanjaro, and this is Adam and Joe on XFM London's 104.9. 34:26.471 --> 34:27.071 I've got a joke. 34:27.592 --> 34:28.252 Oh yeah, what is it? 34:28.453 --> 34:33.557 Yeah, you have to promise me that if you use this joke at all, you will, you know, copyright me. 34:33.577 --> 34:34.978 Are you talking to me or the listeners? 34:35.158 --> 34:35.518 Everybody. 34:35.638 --> 34:36.479 OK. 34:36.579 --> 34:38.280 Copyright Joe Cornish, that's Joe Cornish's joke. 34:38.440 --> 34:38.921 Joe Brand. 34:39.882 --> 34:41.203 Yeah, the new Joe Brand. 34:41.423 --> 34:42.204 Yeah, you ready for it? 34:42.264 --> 34:42.564 Go on then. 34:43.171 --> 34:48.155 Did you hear that Dick and Dom have been cast in a big Hollywood movie based on a blockbuster novel? 34:49.236 --> 34:50.657 No, I hadn't heard that. 34:51.078 --> 34:53.620 Yeah, it's called Dick and Dom in Da Vinci Code. 34:54.961 --> 34:55.241 What? 34:55.582 --> 35:01.186 Come on, it can also work with Ali G. Did you know Ali G has been cast in blah blah blah blah? 35:01.226 --> 35:05.690 Yeah, Ali G in Da Vinci Code, or even Ali G in Da House. 35:06.811 --> 35:08.933 No, Da Vinci Code is the book, The Da Vinci Code. 35:09.198 --> 35:11.921 Yeah, but what, what's it, DA, duh? 35:12.282 --> 35:14.104 Da, in Da Vinci Code. 35:14.164 --> 35:15.125 Did you make that joke up? 35:15.165 --> 35:15.445 Yeah. 35:15.585 --> 35:21.092 Look, you're obviously not gonna use it, so listen, don't worry about it, but you know, if anyone else wants to use that, just credit me, you know, I thought that was a good one. 35:22.353 --> 35:23.755 Dick and Dom in Da Vinci Code. 35:24.853 --> 35:26.074 How do you expect me to react? 35:26.094 --> 35:28.096 You know, I was supportive with your jingles. 35:28.156 --> 35:28.676 Not really. 35:29.197 --> 35:29.817 Not really. 35:29.997 --> 35:31.619 And then I worked very hard on that. 35:31.659 --> 35:33.620 I spent more time on that joke than you did on those jingles. 35:33.740 --> 35:34.521 I don't think you did. 35:34.541 --> 35:36.482 I just don't think you did. 35:36.723 --> 35:41.967 Very shortly we've got ditties in the dot coming up in DaVinci code. 35:43.168 --> 35:44.389 You're a disgrace. 35:45.029 --> 35:48.453 Dickies in the Dot coming up, it's going to be a battle between two covers. 35:48.533 --> 35:52.698 Joe's a bit diffident about his choice this week, but I think it's a good choice. 35:52.838 --> 35:53.539 I think it's a good choice. 35:53.559 --> 35:54.560 Well, it's a reasonable choice. 35:54.580 --> 35:55.261 You might be okay. 35:55.421 --> 35:58.945 I was going to pop to the shop and buy something different, but we've sort of run out of time. 35:59.025 --> 36:00.486 Yeah, it's too late for that, man. 36:01.087 --> 36:03.730 Hey, listen, I just want to talk to you about something. 36:04.151 --> 36:04.751 Is this personal? 36:06.054 --> 36:07.534 I haven't got my interesting jingle. 36:07.974 --> 36:08.655 I'm just going to play it. 36:08.955 --> 36:09.435 Maybe I'll leave it. 36:09.715 --> 36:10.395 No, it's not personal. 36:10.535 --> 36:13.376 I went to the gym this week, Joe. 36:14.376 --> 36:20.157 And when I'd finished my workout, I went for a shower in the gym. 36:20.557 --> 36:26.598 And I left my stinky clothes and my stinky trainers in a pile by my locker. 36:27.078 --> 36:29.779 When I got back, someone had stolen my stinky trainers. 36:30.419 --> 36:31.320 What is that? 36:31.601 --> 36:32.562 What sort of trainers were they? 36:32.842 --> 36:36.326 They were rubbish, tatty, disgusting old trainers. 36:36.586 --> 36:38.649 Maybe they'd been tidied up, cleaned up, thrown away. 36:38.789 --> 36:41.572 I checked with the guy who was doing some cleaning there. 36:41.612 --> 36:43.074 He said no, that was not the case. 36:43.114 --> 36:45.978 They had clearly been stolen within the space of about one minute. 36:46.358 --> 36:50.383 Someone had to fish them out from under my fetid skin. 36:51.384 --> 36:54.889 sweat-soaked t-shirt and jogging pants. 36:55.550 --> 36:58.354 And they'd have to pull these smelly trainers out from underneath. 36:58.655 --> 36:58.955 What? 36:59.256 --> 37:02.701 I don't understand what motivates that kind of act of crime. 37:03.502 --> 37:04.003 Except... 37:05.458 --> 37:06.619 They love me and it's a fan. 37:06.759 --> 37:07.660 It's a fan that did it. 37:08.100 --> 37:09.041 That's the only thing I can think. 37:09.441 --> 37:10.382 It must have been a fan. 37:10.602 --> 37:11.383 Must have been a fan. 37:12.204 --> 37:13.605 Maybe someone wants to clone you. 37:13.985 --> 37:14.706 Yeah, that's right. 37:14.726 --> 37:16.407 From your DNA, that's what it must be. 37:16.487 --> 37:17.488 From my stinky sweat. 37:17.508 --> 37:18.589 From your stinky sweat. 37:18.629 --> 37:19.409 Have you ever had any? 37:19.489 --> 37:20.891 What's the worst thing you've had stolen? 37:22.207 --> 37:24.928 I just hadn't had anything stolen for a while. 37:24.948 --> 37:27.129 I've done more stealing than being stolen from. 37:27.149 --> 37:30.310 Mr. Happy Slapping Stealing Man on the Edge. 37:30.330 --> 37:31.711 No, he's a teenager. 37:31.951 --> 37:33.031 I stole a Batcopter. 37:33.411 --> 37:33.792 Did you? 37:34.012 --> 37:35.872 Yeah, and then I was so ashamed I was stamped on it. 37:37.013 --> 37:39.294 I stole some gum once. 37:39.854 --> 37:40.674 And my dad made me burn it. 37:43.115 --> 37:45.336 quite right for your dad, off of your dad. 37:45.596 --> 37:49.878 But it doesn't burn very well, it just sort of dribbled on the fire and the foils. 37:49.898 --> 37:53.239 It probably tastes a bit nicer, like a toasted marshmallow. 37:53.259 --> 37:57.460 I did try and scrape some residue off and chew it, just so I could get some value out of the crime. 37:58.081 --> 37:59.361 But my lesson was learned. 37:59.381 --> 38:00.342 Do you want to hear my joke again? 38:01.042 --> 38:01.142 OK. 38:01.940 --> 38:02.520 Don't tell her! 38:02.620 --> 38:04.281 I can't believe you said yes! 38:04.441 --> 38:05.361 Well, I was trying to be nice! 38:05.841 --> 38:07.341 Go on, another record then, or what? 38:07.741 --> 38:08.702 Okay, yeah, another record. 38:08.722 --> 38:10.002 This is one of yours, Joe, what's this? 38:10.222 --> 38:11.542 Oh yeah, this is a terrific song. 38:11.642 --> 38:15.403 Okay, now there's a major problem with crack amongst all XFM listeners. 38:15.523 --> 38:16.383 Adam, do you smoke crack? 38:16.623 --> 38:17.624 A tiny bit, I'm trying to think. 38:17.644 --> 38:19.184 Yeah, you know, everyone's smoking crack. 38:19.344 --> 38:23.025 I'm at dinner parties, after the conversation ends, crack pipes come out. 38:23.845 --> 38:27.766 And this is just a record to say to everyone, don't smoke crack. 38:27.846 --> 38:28.726 This is by Shinehead. 38:28.866 --> 38:29.787 It's called Gimme No Crack. 38:29.827 --> 38:31.087 Interesting point of view. 38:31.107 --> 38:31.347 Thank you. 38:35.592 --> 38:59.345 don't give me that don't give me that don't give me that don't give me that crack crack don't give me that crack adam i don't want your crack i'm so glad i heard that yeah because now i've changed my mind about it i think i might just have some pasta tonight instead 38:59.485 --> 39:11.376 You know what, that goes out to everybody who lives in Adam and my neck of the woods, cause every now and then I see someone clearly on crack lolloping past my front window and I think, don't tell you about crack, it's making you look pale and desperate. 39:11.416 --> 39:13.038 Life's better without crack, you know? 39:13.218 --> 39:16.141 Well, they may have heard that song, in which case you will have saved someone today. 39:16.181 --> 39:18.263 I very much hope so, I think that's a fantastic song, Shinehead. 39:21.917 --> 39:23.138 It's time for Diddy's in the Dock. 39:23.538 --> 39:27.661 This is of course the part of the show where Adam and I battle it out to play the final record of the show. 39:28.001 --> 39:32.324 It's a non-playlisted record, a free play, and you the viewers, uh, viewers? 39:32.364 --> 39:32.545 What? 39:32.865 --> 39:34.466 Listeners vote for what it's going to be. 39:34.806 --> 39:36.628 And this week's category is covers. 39:37.228 --> 39:37.988 Great covers. 39:38.869 --> 39:43.133 And I must say, I don't think I've got a very good one, so I'm expecting to lose. 39:43.213 --> 39:44.274 That is not the right attitude. 39:44.374 --> 39:45.014 It isn't, is it? 39:45.174 --> 39:45.855 Come on, what have you got? 39:46.375 --> 39:49.798 I've got, um, well, it's, uh, who is it? 39:50.159 --> 39:53.962 Texas Midnight Runners, with Jackie Wilson said, a cover of a Van Morrison classic was originally by Van Morrison. 39:53.982 --> 39:54.422 Yeah, that's right. 39:54.562 --> 39:59.086 And you know, I liked it when I was a kid, but to be perfectly honest, when I was, I spent about three hours trying to think of something last night. 39:59.687 --> 40:05.532 All sorts of web searches I did for the best cover song, and I just don't think this one really hits the spot, I'd love to hear it. 40:06.232 --> 40:07.172 It is a very good version. 40:07.232 --> 40:08.213 It's a great version. 40:09.213 --> 40:16.296 And of course, the famous boring story about that is when they played it on Top of the Pops, they put a big picture of Jocky Wilson, the darts player up behind. 40:16.316 --> 40:17.436 I'd love to see that clip again. 40:17.736 --> 40:35.103 So would I. Okay, my choice is from a compilation album that was compiled by Jacques Lecomte from L'Eirithme Digitale, and it's a version of David Bowie's Ashes to Ashes, but it's a sort of deep electronic-y version. 40:35.683 --> 40:38.747 And it's credited to someone called just LB. 40:38.767 --> 40:42.871 I don't know if anyone out there can maybe tell me more about who LB might be. 40:43.231 --> 40:46.035 Maybe it's a pseudonym for Jack himself, I don't know. 40:46.335 --> 40:53.523 But it's an amazing demented version of Ashes to Ashes in an electronic style, which I urge you to vote for. 40:53.863 --> 40:56.524 Simple as that. 40:56.544 --> 40:57.485 0-8-7-1-2-2-2-1-0-4-9. 40:58.325 --> 41:05.168 We've got more to say because everybody who calls and gets on the air in Dizzies in the Dock today wins a copy of Soft Rock Anthems. 41:05.208 --> 41:10.971 It's an extraordinary two CD set including music by ELO, Steve Winwood, Elton John and Toto. 41:11.191 --> 41:12.252 It's good actually, that album. 41:12.312 --> 41:12.592 Yeah. 41:12.972 --> 41:15.993 It's two CDs, you know, you could sell it on eBay for at least a tenner. 41:16.573 --> 41:26.897 So one of those goes to everybody who gets on the air, and the person who casts the deciding vote will win the one pair of tickets we've got left to the comedy gig tonight. 41:27.197 --> 41:33.760 So call 0871221 049 and vote either for Dexys, or should we do it by song title? 41:33.780 --> 41:36.821 Do it by song title, Ashes to Ashes, or Jackie Wilson Says. 41:37.381 --> 41:41.384 Right now here's the Black Velvets with 3, 3, 4, 5. 41:41.564 --> 41:41.845 This is XFM. 41:58.295 --> 41:58.816 Exciting! 41:58.876 --> 41:59.316 Exciting! 41:59.376 --> 42:00.217 Exciting! 42:00.297 --> 42:00.838 Exciting! 42:00.878 --> 42:01.358 Exciting! 42:01.378 --> 42:02.859 Exciting! 42:02.980 --> 42:03.260 Exciting! 42:03.380 --> 42:03.780 Exciting! 42:03.860 --> 42:04.181 Exciting! 42:04.201 --> 42:04.541 Exciting! 42:04.561 --> 42:04.741 Exciting! 42:04.761 --> 42:05.161 Exciting! 42:05.622 --> 42:05.942 Exciting! 42:06.002 --> 42:06.282 Exciting! 42:13.629 --> 42:14.509 I don't think I need to make it. 42:14.809 --> 42:15.530 You go shoot. 42:15.770 --> 42:19.971 I was going to say that it's a battle between two classic covers tonight. 42:20.551 --> 42:23.612 One is... I just used the word classic by the way of nothing. 42:23.632 --> 42:25.313 There's no reason to say that they're classic. 42:25.353 --> 42:27.093 I think the Dexys cover is a classic. 42:27.513 --> 42:29.914 It's a cover of Van Morrison's Jackie Wilson said. 42:29.934 --> 42:30.894 That's Joe's choice. 42:30.914 --> 42:38.777 I don't want it to end because I think the cover of Ashes to Ashes by David Bowie is an electronical marvel by someone called... You know what? 42:38.897 --> 42:39.717 I want to hear your one. 42:40.177 --> 43:03.428 want to hear my one that's the terrible truth that sounds like the smug admission of a man who knows he's won let's find out let's get on the phones because we genuinely don't know who's going to win this how exciting is it gill on the line is it gill it's gill oh gill hello gill how how are you i'm fine how are you very very well indeed yeah so what what's your vote for well we were actually going for jackie wilson but then when you read out your 43:04.765 --> 43:09.188 of the weird David Bowie thing, we went, yeah, let's hear that, because it sounds a bit disturbing and weird. 43:09.309 --> 43:11.330 And when you say we, who's that then, Jill? 43:11.350 --> 43:14.272 Oh, I'm sitting next to Phil, he's driving down the Marylebone Road. 43:14.292 --> 43:14.812 Phil and Jill? 43:15.013 --> 43:17.595 Phil and Jill, driving down the hill, in their car. 43:17.615 --> 43:18.215 Pop to kill. 43:18.255 --> 43:19.116 Now they're feeling ill. 43:19.136 --> 43:21.377 There you go, there's a little instant rap. 43:21.437 --> 43:23.219 That's your jingle, an emergency rap. 43:23.239 --> 43:27.402 Phil and Jill, driving down the hill, pop to the car, and then now they're feeling ill. 43:27.542 --> 43:28.582 I just played it again, sorry. 43:28.622 --> 43:29.763 Well, thanks for your call. 43:29.883 --> 43:31.585 You're going to win a soft rock anthem. 43:32.265 --> 43:33.987 Ah, it's just such a good question. 43:34.027 --> 43:49.166 La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la 43:50.927 --> 43:52.608 Listen, that's fantastic. 43:52.748 --> 43:54.168 It hasn't got it, but we're still going to send it to you. 43:54.188 --> 43:54.689 Just smash it. 43:54.749 --> 43:55.789 It's fun to smash CDs. 43:56.349 --> 43:57.170 Get a hammer and smash it. 43:57.210 --> 43:57.690 It'll be fun. 43:57.850 --> 44:01.792 Jill and Phil, drive carefully and thank you very much for calling and stop taking pills. 44:01.932 --> 44:02.992 And now we've got Paul. 44:03.453 --> 44:03.993 How you doing, Paul? 44:04.473 --> 44:05.013 Yeah, good mate. 44:05.053 --> 44:05.433 How about you? 44:05.674 --> 44:06.574 Yeah, very good, thank you. 44:06.594 --> 44:07.334 I'm here too, Paul. 44:08.095 --> 44:09.755 He said, how are you? 44:09.795 --> 44:10.576 It was a good mate. 44:10.736 --> 44:11.316 He's a singular. 44:11.356 --> 44:12.597 I get very touchy about that sort of thing. 44:13.177 --> 44:14.538 Oh, Paul, you've upset go. 44:17.327 --> 44:19.868 Yeah, it's a touch and go with me today, Paul. 44:20.268 --> 44:21.428 So Paul, what are you going to vote for? 44:21.888 --> 44:28.250 I'll have to go for Dex's, because I caught the video for it a couple of weeks ago, watching Top of the Box 2. 44:28.931 --> 44:30.631 And it just laughed my head off. 44:30.731 --> 44:37.053 I just wonder what Kevin Rowland was thinking when his big sort of breakout video came on with the wrong backdrop. 44:37.073 --> 44:37.393 I don't know. 44:37.413 --> 44:38.313 It was just good fun. 44:38.553 --> 44:39.874 Paul, thanks so much for voting for that. 44:39.914 --> 44:40.894 That makes it 1-all. 44:41.514 --> 44:42.895 Maybe Dex's is in with a chance. 44:43.055 --> 44:43.475 Maybe. 44:43.515 --> 44:44.675 Paul, thanks very much for your call. 44:45.075 --> 44:46.356 And we've got Jane on the line. 44:46.416 --> 44:46.816 Hi, Jane. 44:47.392 --> 44:47.853 Hiya. 44:48.113 --> 44:48.734 How are you doing? 44:49.094 --> 44:50.396 I'm very well, thank you. 44:51.117 --> 44:54.081 You all sound sexy. 44:54.441 --> 44:55.583 Where are you calling from, Jane? 44:55.823 --> 44:57.265 I'm calling from Walthamstow. 44:57.325 --> 44:58.186 Sexyland. 44:58.927 --> 45:00.409 World of sexy. 45:01.190 --> 45:02.632 Jane, what are you doing now? 45:03.032 --> 45:04.094 Describe yourself. 45:04.853 --> 45:07.994 Um, I'm sat in our... Oh, don't say anything else. 45:09.074 --> 45:09.534 That'll do. 45:09.654 --> 45:11.475 She's sat in something. 45:11.515 --> 45:12.715 She's sitting in something. 45:13.035 --> 45:15.096 A puddle of some sort of fluid. 45:15.116 --> 45:15.836 You've gone too far. 45:15.976 --> 45:16.856 Now you've gone too far. 45:16.896 --> 45:17.877 Jane, what are you going to vote for? 45:18.337 --> 45:19.837 Lezrhythm Digital, please. 45:19.957 --> 45:20.617 Oh, yeah. 45:20.677 --> 45:21.418 Oh, is that who it is? 45:21.438 --> 45:21.778 Your one? 45:22.078 --> 45:24.598 Well, it's on the Lezrhythm Digital compilation. 45:24.659 --> 45:25.139 Right, right. 45:25.259 --> 45:26.239 It's Ashes to Ashes. 45:28.598 --> 45:29.159 Yeah, go on then. 45:29.259 --> 45:33.303 Come on, Jay! 45:33.664 --> 45:35.186 Read out some more titles on there, Joe! 45:35.266 --> 45:39.190 Jay, come on, what is awful about Don't Fear the Reaper by Blue Oyster Cult? 45:39.751 --> 45:42.194 What is awful about Hey Little Girl by Ice House? 45:44.986 --> 45:46.147 You read out the worst ones, Joe. 45:46.167 --> 45:48.748 Why's it got ABBA with Eagle on it? 45:49.008 --> 45:49.769 Here, give me that thing. 45:49.789 --> 45:51.910 It's just a random collection of songs. 45:52.150 --> 45:53.971 The boys are back in town by Thin Lizzy. 45:54.112 --> 45:55.913 Long train running by the Doobie Brothers. 45:56.113 --> 45:57.814 Mr. Blue Sky Electric Light Orchestra. 45:58.374 --> 45:58.594 Hit! 45:58.774 --> 45:58.994 Hit! 45:59.135 --> 45:59.315 Hit! 45:59.335 --> 46:00.736 Oh, we're going to send it to you anyway. 46:00.776 --> 46:01.056 Sorry. 46:01.496 --> 46:04.178 You know, you can call the police and try and have it stopped, but it's coming to you anyway. 46:04.218 --> 46:05.598 Sorry, Jane. 46:06.659 --> 46:08.640 So we drowned you out by talking all over you there. 46:08.680 --> 46:09.301 Sorry about that, Jane. 46:09.841 --> 46:10.461 What did you say? 46:10.481 --> 46:11.262 Thank you for playing I Cocky Day. 46:11.792 --> 46:12.493 Oh yeah, no problem. 46:12.513 --> 46:13.633 That's an amazing song, isn't it? 46:13.673 --> 46:14.334 Super furry animal. 46:14.354 --> 46:15.675 Thanks very much for your call, Jane. 46:16.015 --> 46:17.196 Finally, Alex. 46:17.276 --> 46:18.337 That makes it 2-1. 46:18.537 --> 46:20.678 Adam and Lee there with the Ashes to Ashes cover. 46:20.719 --> 46:22.240 Alex, are you there? 46:22.640 --> 46:26.363 So you realise, Alex, if you vote for Ashes to Ashes, then that's it. 46:26.403 --> 46:28.284 It's game over for Cornish Bucks and has taken it. 46:28.904 --> 46:31.967 Well, I'm afraid I'm going to have to go with Ashes to Ashes. 46:31.987 --> 46:32.947 Oh, you're a dirty oinks! 46:33.168 --> 46:33.668 Moo! 46:34.228 --> 46:34.709 Oh, joke! 46:34.789 --> 46:35.709 You're a dirty old boob. 46:35.729 --> 46:36.990 What are you going to do about it? 46:37.951 --> 46:38.411 Come on, Alex. 46:38.471 --> 46:39.072 What's your repost? 46:39.856 --> 46:43.237 I'm intrigued to hear this bizarre electronic version you've got, so. 46:43.978 --> 46:45.358 Yeah, nice comeback. 46:45.398 --> 46:48.359 So am I. I think that's a good vote. 46:48.579 --> 46:55.602 And you know what, Alex, not only are you going to win... Well, that's the deciding vote, so we only have four calls, so I'm going to send you two copies of Soft Rock Anthem. 46:55.622 --> 46:55.962 I want one. 46:56.642 --> 46:56.923 To you? 46:56.983 --> 46:57.823 Okay, you've lost it. 46:57.903 --> 46:58.603 Adam can have the other one. 46:58.623 --> 47:00.164 You don't need two copies, do you, Alex? 47:00.604 --> 47:01.524 No, I don't think so. 47:01.664 --> 47:04.345 Only one. 47:04.385 --> 47:07.867 I tell you what, because you're our deciding vote, can you go to the comedy gig tonight, Alex? 47:07.887 --> 47:08.327 Would you like that? 47:10.253 --> 47:11.342 Yeah, it's at the Hackney Empire. 47:11.874 --> 47:12.374 Oh lovely, yeah. 47:12.654 --> 47:14.856 Okay, well a pair of tickets, you're gonna get those as well. 47:14.916 --> 47:18.958 If you hold on the line, I think you might, someone will explain how to get those tickets. 47:18.998 --> 47:19.899 Whereabouts do you live, Alex? 47:20.219 --> 47:20.759 I'm in Guildford. 47:21.279 --> 47:21.960 Guildford? 47:22.240 --> 47:24.801 That's a long way to come, but not too far for a comedy line-up like that. 47:25.002 --> 47:25.502 Exactly. 47:25.602 --> 47:26.082 Not too far. 47:26.342 --> 47:28.544 Well, I hope you have a good time, and thanks so much for your call, Alex. 47:28.764 --> 47:30.485 Right now, here is the winner of Ditties in the Dock. 47:30.865 --> 47:34.087 We've got Justin Lee Collins coming up, but we might be able to say a quick goodbye after this one. 47:34.107 --> 47:35.007 Yeah, we're gonna say something after this. 47:35.027 --> 47:35.928 We've got ten minutes to go. 47:36.048 --> 47:37.389 Yeah, from LB. 47:37.469 --> 47:40.971 I don't know if LB is a person or a group or what, but check this out. 47:49.940 --> 47:52.942 So there you go, that's ashes to ashes, credited to LB. 47:53.122 --> 47:58.985 We just had a message, thank you for your email message, Adam, someone called Adam. 47:59.285 --> 48:08.851 He says LB is short for Les Sieg Benthals, which is the name for a German electronica person, also known as Uwe Schmidt. 48:09.631 --> 48:11.813 former member of the legendary Adam Hart. 48:11.833 --> 48:13.094 Are you interested out there? 48:13.494 --> 48:28.845 But this is interesting, he also calls himself SeƱor Coconut and he did an amazing series of craftwork covers on an album called El Baille Aleman and they're all done in the sort of, you know, Brazilian style. 48:28.905 --> 48:29.246 Really? 48:29.646 --> 48:33.909 Apparently this track also clears the wax out of your ears using ultrasonic pulses. 48:34.430 --> 48:35.590 And little farting noises. 48:35.711 --> 48:36.131 That's right. 48:36.331 --> 48:41.214 Well, Jill, who just was on the line voting for that song, just emailed us and said, I hate it. 48:41.775 --> 48:44.396 So sorry, sorry, Jill, but I really like it. 48:44.696 --> 48:48.339 And you know, it hasn't been popular with the Texas, but you don't want to know that, do you? 48:48.479 --> 48:49.379 No, I see. 48:49.399 --> 48:50.860 But you've already told me, haven't you? 48:51.000 --> 48:52.762 So now it's in my head. 48:52.782 --> 48:55.383 I find it a fun roller coaster of reactions and emotions. 48:55.403 --> 48:59.746 This is the way I always tell Joe, I don't really want to know any of that negative criticism. 49:00.046 --> 49:01.988 So he goes, OK, I won't tell you, but we've got some. 49:03.208 --> 49:09.331 He just doesn't describe what the actual content of it is, so my brain is left to go wild with paranoid hell. 49:09.791 --> 49:11.252 Listen, thanks everybody for listening. 49:11.532 --> 49:13.073 How much time have we got left? 49:13.113 --> 49:13.833 Are we under run? 49:13.853 --> 49:14.294 About an hour. 49:14.714 --> 49:15.714 We've got an hour left. 49:16.415 --> 49:18.175 Justin Lee Collins is in the building, the big hairy monster. 49:18.195 --> 49:19.176 Oh my God, Justin Lee Collins! 49:19.196 --> 49:20.296 Good times, did you see him? 49:20.316 --> 49:22.998 Did you see him on Big Brother's Little Brother? 49:23.378 --> 49:25.219 No, he was on CBBLB. 49:25.279 --> 49:25.679 Oh, sorry. 49:26.267 --> 49:27.888 Celebrity Big Brother's Little Brother. 49:28.648 --> 49:30.469 Are you enjoying Celebrity Big Brother's Little Brother? 49:30.829 --> 49:36.972 Dermot O'Leary has put his personality in some kind of comedy greenhouse and it's just growing wild. 49:37.572 --> 49:38.533 It needs a bit of pruning. 49:38.993 --> 49:41.894 Let's say he does a great job making something out of nothing. 49:42.314 --> 49:43.135 He really does though. 49:43.195 --> 49:46.977 I've never seen anyone trying quite so hard on a TV show in my life. 49:47.577 --> 49:49.858 And he's having a good time. 49:49.958 --> 49:51.339 He's having a good time and that's what matters. 49:52.339 --> 49:53.200 Everyone's really brilliant. 49:53.320 --> 49:54.321 Except you. 49:54.381 --> 49:55.502 Except you and me. 49:55.522 --> 49:56.062 No, you know what? 49:56.302 --> 49:56.783 I'm brilliant. 49:56.823 --> 49:57.563 So are you, Adam. 49:57.583 --> 49:58.024 You're brilliant. 49:58.064 --> 49:59.225 And the show's been brilliant. 49:59.525 --> 50:01.486 And everyone who listened is brilliant. 50:01.687 --> 50:03.368 And everyone who emailed and texted is brilliant. 50:03.628 --> 50:04.269 Even the haters. 50:04.709 --> 50:06.190 You know, we're like, Jesus, we love the haters. 50:06.470 --> 50:06.751 Jizzle. 50:07.131 --> 50:08.832 Jizzle. 50:08.852 --> 50:11.294 That's how you say Jesus these days on the street. 50:11.334 --> 50:12.895 Thanks very much for listening. 50:13.116 --> 50:14.877 And Lila, thanks a lot for producing. 50:14.897 --> 50:15.357 Thanks, Lila. 50:15.377 --> 50:17.139 Thanks for just being a beautiful lady. 50:17.159 --> 50:18.320 A beautiful lady. 50:18.800 --> 50:19.883 And we'll see you next week. 50:19.923 --> 50:20.925 Well, we'll hear you next week. 50:20.945 --> 50:22.008 You'll hear us next week. 50:22.248 --> 50:22.930 Thanks for listening. 50:22.970 --> 50:24.333 Don't give me no crack. 50:24.353 --> 50:24.413 Bye.