WEBVTT 00:04.259 --> 00:04.419 Mmm. 00:04.699 --> 00:04.819 Mmm. 00:05.140 --> 00:05.940 How'd you like that then, Joe? 00:06.220 --> 00:09.882 Well, whenever I see it on the playlist, I always think it's going to be orange juice with rip it up. 00:10.103 --> 00:10.583 Oh, yeah. 00:10.663 --> 00:12.264 And then I'm a tiny bit disappointed, to be honest. 00:12.584 --> 00:13.284 It's good, though, isn't it? 00:13.304 --> 00:13.785 It's very good. 00:13.805 --> 00:14.405 Razor light, yeah. 00:14.425 --> 00:15.186 Razor light. 00:15.526 --> 00:17.887 And before that, you heard, uh, ashes by Embrace. 00:18.207 --> 00:18.387 Uh. 00:18.788 --> 00:18.888 Uh. 00:19.008 --> 00:19.368 Uh. 00:19.508 --> 00:19.688 Uh. 00:19.768 --> 00:19.848 Uh. 00:20.028 --> 00:20.148 Uh. 00:20.349 --> 00:20.409 Uh. 00:21.560 --> 00:21.760 Go on. 00:21.780 --> 00:23.540 Monkey. 00:23.701 --> 00:24.881 Just thought we'd do some monkey noises. 00:25.101 --> 00:26.141 This is Adam and Joel on XFM. 00:26.181 --> 00:27.821 We're here with you for the next hour and 50 minutes. 00:28.702 --> 00:30.362 We've got all sorts of amazing things coming up. 00:30.622 --> 00:33.763 To be perfectly honest, like the rest of the world, we're not really ready. 00:34.663 --> 00:35.663 Well, I'm semi-ready. 00:35.923 --> 00:36.663 We need another week. 00:36.983 --> 00:40.384 Yeah, because, you know, that's the thing about holidays is you tend to take a holiday. 00:40.764 --> 00:42.064 Well, Christmas holidays are too short. 00:42.585 --> 00:42.865 Yeah, they are. 00:42.885 --> 00:44.225 That's a nationally known fact, isn't it? 00:44.545 --> 00:46.427 Well, I mean, everyone went back to work this week. 00:46.467 --> 00:48.928 Did you do lots of work this week, Joe, or did you just hang out? 00:48.948 --> 00:49.249 Not really. 00:49.329 --> 00:50.570 I sort of pushed it for an extra week. 00:50.630 --> 00:51.530 So did I, yeah. 00:51.731 --> 00:52.691 Another week of excess. 00:53.192 --> 00:56.154 Oh, you know, I think this would shave a little off summer and pop it onto Christmas. 00:56.674 --> 01:01.018 That's not a bad idea, especially this year when it all fell on the weekends and everything. 01:01.198 --> 01:02.359 It was a bit of a jiff all round. 01:02.439 --> 01:05.962 Or there needs to be some sort of intermediary stage between complete leisure and work. 01:06.914 --> 01:07.174 Yeah. 01:07.215 --> 01:09.898 Just a faffing week or just a two day week? 01:10.319 --> 01:11.480 Yeah or half days. 01:11.641 --> 01:13.323 Because there's a build up to Christmas isn't there? 01:13.403 --> 01:19.351 Where everyone sort of starts gradually getting lazier and lazier and lazier as Christmas approaches but there's no sort of wind up to working again. 01:20.034 --> 01:43.701 yeah exactly you just have to go in literally cold turkey yeah i don't know what i'm talking about and did you watch a lot of tv i did watch a lot of tv thumbs down generally wouldn't you say over the christmas period yeah there wasn't a lot on was there pretty bad yeah i mean channel four especially scraping the barrel yeah well your thing i mean i don't know my thing that was a disgrace grace and chewy car 01:44.321 --> 01:45.281 Does he need more work? 01:45.301 --> 01:46.581 Did you see the big fat quiz of the year? 01:46.802 --> 01:47.202 I did. 01:47.422 --> 01:47.702 Whoa. 01:47.862 --> 01:48.502 What was going on there? 01:48.522 --> 01:56.223 Well listen, before we go into any depth about this, we should say to the listeners that you can call, no you don't want to call us really until we have a competition, but you can text on 83XFM. 01:56.463 --> 01:59.144 You can email adamandjoe at xfm.co.uk. 01:59.384 --> 02:10.306 And just to keep you listening, in case rock fans are tuning out on account of all the talking, you might be able to win tickets to the premiere of A Very Long Engagement on Monday, the new je n'ai film. 02:10.366 --> 02:13.587 I didn't know how to say his name, but he's the Frenchman who did Amélie. 02:14.187 --> 02:17.349 And we've also got a super sort of board game to give away. 02:17.629 --> 02:18.309 What else have we got? 02:18.749 --> 02:19.610 Some CDs and stuff. 02:19.630 --> 02:20.810 We'll have Digits in the Dock later. 02:21.070 --> 02:23.071 We're going to have a retro competition. 02:23.091 --> 02:27.153 We're going to have celebrity... celebrity regression therapy. 02:27.253 --> 02:30.995 Yeah, that was retired a few months ago, but we're bringing back. 02:31.255 --> 02:34.237 You know, it's the new year ringing the old and everything. 02:34.597 --> 02:35.318 Yeah, exactly. 02:35.678 --> 02:39.821 Stick with what you know works, celebrity Big Brother style, that kind of thing, you know. 02:40.201 --> 02:41.683 Don't take any chances in the first one. 02:41.703 --> 02:42.443 Tom Jolly style. 02:42.863 --> 02:44.665 Oh yeah, well we can talk about that later. 02:44.965 --> 02:45.846 Right now, here's Blur. 02:56.929 --> 03:00.751 Oh dear, I think my little belch might have punched through that track. 03:01.091 --> 03:01.391 Did it? 03:01.511 --> 03:02.152 And been audible. 03:02.192 --> 03:02.732 Did you hear that? 03:02.892 --> 03:03.853 No, I didn't hear any belching. 03:03.873 --> 03:05.594 Probably sounded like just a rock rumble. 03:05.834 --> 03:07.335 Heard you rustling your newspaper. 03:07.455 --> 03:07.715 Yeah. 03:07.735 --> 03:11.117 But it was nice, it was the kind of thing that you might have added in if you were a crafty producer. 03:11.137 --> 03:11.457 Exactly. 03:12.037 --> 03:12.537 Yeah, yeah, yeah. 03:12.577 --> 03:14.319 Give it that sort of pipe and slippers atmosphere. 03:14.519 --> 03:15.199 Absolutely. 03:15.839 --> 03:17.380 We're Adam and Joe on XFM. 03:17.661 --> 03:18.121 I'm Joe. 03:18.481 --> 03:20.683 You can tell my voice because it sounds like this. 03:20.703 --> 03:22.083 I'm Adam. 03:22.324 --> 03:24.765 You can tell my voice because it sounds like this. 03:25.285 --> 03:26.746 Very, very familiar. 03:27.487 --> 03:33.471 So did you see all, I mean, this Christmas was really the top 50 Christmas on television, or top 100. 03:33.511 --> 03:33.931 But basically for 03:38.490 --> 03:39.071 Are you happy? 03:39.111 --> 03:39.611 Yeah, I'm fine. 03:39.631 --> 03:48.480 I was just reacting physically to the idea of it being yet another top... I mean, I thought they abandoned that idea years ago of doing Top 10s and Top 50s and things. 03:48.540 --> 03:50.902 We certainly got that memo at one stage, didn't we? 03:51.022 --> 03:51.943 No more Top 10s for Channel 4. 03:52.003 --> 03:53.385 Or was that No More I Love Those? 03:53.945 --> 03:58.267 I don't know, well they, what they said was that one stage Channel 4 did a lot of top 10 shows, just 10. 03:58.527 --> 03:58.747 Yeah. 03:58.928 --> 03:59.708 And they were quite good. 03:59.908 --> 04:01.329 Bill Bailey, I remember hosting one. 04:01.349 --> 04:04.350 Yeah, but it went on for years until it, until they got incredibly tedious. 04:04.791 --> 04:17.357 So I think the theory was, well get rid of the top 10s, and everyone assumed that meant getting rid of list shows wrong, they were just getting rid of the number 10 and making the lists much longer and the clips much shorter and more insubstantial. 04:17.537 --> 04:38.131 yeah it's yeah it's true isn't it and host and getting Jimmy Carr of course they wouldn't as soon as they found Jimmy now we should say first up that we're both very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man, very talented man 04:39.051 --> 04:44.933 So, speaking of that, the Big Fat Quiz of the Year, listeners, I wonder if anyone else saw the Big Fat Quiz of the Year, hosted by Jimmy Carr. 04:44.953 --> 04:45.853 That was a car crash. 04:46.073 --> 04:49.614 It was quite heavily trailed, and it was a really, really odd program, wasn't it? 04:49.634 --> 04:54.296 It was produced by Jonathan Ross's production company, Hot Sauce, who did our Tokyo show. 04:54.876 --> 04:57.157 And Jonathan, he wasn't hosting it, he was on the panel. 04:57.497 --> 05:00.598 And the other people on the panel, basically, were people who hang out at Jonathan's house. 05:01.078 --> 05:03.539 So I envisaged, come on, guys, I've got this great idea for a show. 05:03.759 --> 05:04.879 Come on, Simon, come on, do it. 05:05.099 --> 05:06.540 Jimmy, come on, you've got to do it, you can host it. 05:06.580 --> 05:07.620 I'll be on the panel, it'll be fine. 05:08.320 --> 05:08.940 Who else was on it? 05:08.961 --> 05:09.621 A couple of ladies. 05:09.641 --> 05:10.301 Simon Pegg. 05:10.521 --> 05:10.982 Simon Pegg. 05:11.102 --> 05:12.463 Oh, David Walliams, obviously. 05:12.983 --> 05:15.564 Walliams and... Everybody who plays tennis with Jonathan. 05:16.565 --> 05:17.325 All Jonathan's mates. 05:17.786 --> 05:20.207 But there was one big problem with the format. 05:20.567 --> 05:21.888 Well, it was like a pub quiz, wasn't it? 05:21.968 --> 05:23.229 They weren't allowed to answer the questions. 05:23.529 --> 05:24.349 Who thought of that? 05:24.389 --> 05:30.253 What's the point in having a television quiz where when you ask the question, everyone just bows down and scribbles on a piece of paper. 05:30.313 --> 05:35.156 And then they're all so competitive, they didn't do any banter about what the answers was for fear of giving... 05:35.916 --> 05:39.042 of what the answers were, sorry, for fear of giving anything away. 05:40.064 --> 05:43.450 So it was a very, very odd program with just long silences. 05:43.550 --> 05:45.013 It was supposed to be a pub quiz, wasn't it? 05:45.555 --> 05:49.176 Yeah, but without the things that make a pub quiz good. 05:49.256 --> 05:50.516 Without the booze and the fags in the pub. 05:50.857 --> 05:51.137 Yeah. 05:51.777 --> 05:52.917 Not that fags are good, obviously. 05:52.957 --> 05:53.977 Yeah, fags are bad. 05:54.277 --> 05:55.738 But it was really odd. 05:55.778 --> 05:56.978 It was very airless, wasn't it? 05:57.118 --> 05:59.239 Well, actually, it was stuffed full of air. 05:59.259 --> 06:04.500 There was just huge, great long courses, as you say, where the audience seemed to have completely nodded off. 06:04.540 --> 06:08.441 Yeah, and you know, we're both guilty of our fair share of going on programs that we really shouldn't be on. 06:08.702 --> 06:09.822 I really shouldn't have done head jam. 06:10.422 --> 06:11.383 That quiz show I did. 06:11.403 --> 06:12.564 Are you coming out of that head jam now? 06:12.584 --> 06:13.725 Yeah, I shouldn't have. 06:13.785 --> 06:20.309 I mean, it paid for my roof and I did enjoy doing it, but in the long term I don't think it did much for my, you know, image, what there is of an image. 06:20.510 --> 06:21.490 It didn't do you any harm. 06:21.550 --> 06:22.851 I thought you were very good on the head jam. 06:22.871 --> 06:28.776 I thought I basically looked really salty on head jam quite a lot, but basically everybody on the Big Fat Quiz of the year looked really angry. 06:29.076 --> 06:29.276 Right. 06:29.296 --> 06:33.319 And David Walliams looked almost as if he was going to have some sort of a temper fit. 06:33.479 --> 06:35.041 Because he can get very moody. 06:35.441 --> 06:36.743 He snapped at me on occasion. 06:37.083 --> 06:40.207 I can say this with impunity, because he's in Thailand at the moment, I think. 06:40.447 --> 06:41.648 You've finished your documentary now. 06:41.689 --> 06:43.911 Yeah, I've finished my documentary. 06:43.931 --> 06:47.095 So he can have a very black mood today with Williams, and it looked as if he was going to have one. 06:47.950 --> 06:49.691 live on that show, or whatever, pre-recorded on that show. 06:49.711 --> 06:54.334 It looked like he was going to say the C-word point blank at his fellow competitors with no humor. 06:54.374 --> 06:55.735 Jonathan's merciless with him, though. 06:55.755 --> 06:57.416 He ribs him mercilessly. 06:57.436 --> 07:01.319 Well, Jonathan was desperately trying to poke life into his big teleconcept, wasn't he? 07:01.739 --> 07:05.741 Wow, this is kind of like an amazing celebrity bitch-fest right now, isn't it? 07:05.761 --> 07:06.802 That's all we're good at these days. 07:07.743 --> 07:09.744 Slagging off people who are more successful than ourselves. 07:09.764 --> 07:10.825 Yeah, hooray! 07:10.845 --> 07:12.606 Here's Edmond the Antz. 07:24.892 --> 07:25.332 It's finished. 07:25.673 --> 07:26.414 Wind it up, lads. 07:26.634 --> 07:27.134 Wind it up. 07:27.274 --> 07:27.715 Get out! 07:28.215 --> 07:30.478 Does that not remind you a little bit of the Wumbles theme? 07:36.083 --> 07:37.144 They should cover that. 07:37.304 --> 07:37.565 Yeah. 07:38.466 --> 07:39.386 Ah, that'd be nice, wouldn't it? 07:39.727 --> 07:45.192 Underground, overground, out of my mind, I'm wandering around. 07:46.273 --> 07:50.135 Yeah, the second thoughts don't, they shouldn't cover it, don't cover it, don't cover it, don't cover it. 07:50.415 --> 07:52.256 This is Adam and Joel on XFM, it's half past one. 07:52.416 --> 07:52.957 What about composition? 07:52.977 --> 07:53.397 Here's the news. 07:53.517 --> 07:54.217 Shall we do a composition? 07:54.237 --> 07:54.658 Oh, we don't have to. 07:54.678 --> 07:56.018 Are you going to do a, are you going to do news? 07:56.499 --> 07:56.719 No. 07:56.999 --> 07:58.980 Are you, I'm just holding a piece of paper. 07:59.300 --> 08:01.741 No, it's just half past one, that's what they usually say, and now news and travel. 08:02.142 --> 08:06.184 But we don't have that sort of thing on this radio station, because we're too rock, and people who are into rock don't care about news or travel. 08:06.364 --> 08:08.785 They just care about taking drugs and partying. 08:08.905 --> 08:10.046 Make up some news and travel. 08:10.466 --> 08:11.707 I can't right now, Adam. 08:11.727 --> 08:13.087 I don't have a brain. 08:14.528 --> 08:15.669 Did you get rid of it over Christmas? 08:15.689 --> 08:15.949 Yeah. 08:16.690 --> 08:17.211 OK. 08:17.251 --> 08:18.031 Here's the news. 08:18.372 --> 08:19.513 It's competition time. 08:19.573 --> 08:20.274 That's good news. 08:20.374 --> 08:21.515 And here's the travel news. 08:21.975 --> 08:22.676 Sit down. 08:23.016 --> 08:24.057 So it's competition time. 08:24.398 --> 08:25.919 And it's going to be celebrity regression. 08:25.939 --> 08:26.760 Are we going to do that right now? 08:26.820 --> 08:27.501 Are we going to tease that? 08:27.521 --> 08:28.382 Are we going to do it a bit later? 08:28.402 --> 08:29.763 I think we should just do it right now. 08:29.783 --> 08:30.303 Do it right now. 08:30.363 --> 08:30.624 OK. 08:30.644 --> 08:32.225 So the number is 0 8 7 1 triple 2 1 0 4 9. 08:33.827 --> 08:34.908 0 8 7 1 triple 2 1 0 4 9. 08:35.689 --> 08:37.210 The competition is celebrity regression. 08:37.851 --> 08:39.572 I'm a trained therapist. 08:40.353 --> 08:46.055 and I'm going to regress Adam hypnotically into a previous life in which he was a film star. 08:46.675 --> 08:47.375 He's going to wake up. 08:47.535 --> 08:54.157 When he wakes up, he'll be in that hypnotic state, living the life of the film star and vicariously experiencing some of his films. 08:54.178 --> 08:56.598 You just have to listen to him in his trance state. 08:56.958 --> 08:58.919 Tell us what the films are, who the star is. 08:59.319 --> 08:59.559 Call 0871 222 1049. 09:02.220 --> 09:04.242 Do your guess, and what do they win? 09:04.622 --> 09:20.093 Oh, and you can win tickets to the premiere of the new film by Jean-Pierre Jeunet, who made Alien Resurrection, and Amélie, and City of Lost Children, and it's a fantastic, you know, romantic war film, it's supposed to be terrific. 09:20.313 --> 09:26.378 The premiere is tomorrow night, Monday the 10th of January, at 6.30 for 7, at the Odeon West End. 09:27.038 --> 09:32.244 Er, so if you can make that, if you'd like to go and see that, then, er, call and try and get celebrity regression 08712221049. 09:32.484 --> 09:34.746 Shall we begin? 09:34.786 --> 09:35.587 Are you ready, Adam? 09:36.248 --> 09:36.588 I'm ready. 09:36.929 --> 09:38.170 If you're listening, just take a deep breath. 09:39.031 --> 09:42.614 In through the nose, out through the mouth, I think is correct. 09:44.697 --> 09:45.558 Everybody just relax. 09:47.526 --> 09:48.927 And Adam, breathe deeply. 09:50.088 --> 09:50.989 And I'm going to take you back. 09:51.049 --> 09:53.051 I'm going to take you back to your tenth birthday. 09:53.691 --> 09:54.612 Tenth birthday. 09:54.632 --> 09:55.673 Now to your fifth birthday. 09:55.693 --> 09:57.355 And now you're back in the womb. 09:57.855 --> 09:58.736 And now you're a fetus. 09:59.316 --> 10:02.779 And now you're swimming around in your father's testicles. 10:03.600 --> 10:05.582 And now you are in a previous life. 10:06.723 --> 10:08.885 I would like you to wake up and tell us what you see. 10:11.207 --> 10:12.027 Grass. 10:12.127 --> 10:13.328 It's some grass. 10:13.568 --> 10:14.448 Dry grass. 10:14.508 --> 10:15.108 It's hot. 10:15.828 --> 10:16.789 Oh, it's so hot. 10:16.869 --> 10:18.369 I'm standing on a patch of grass. 10:18.409 --> 10:20.890 There's lots of men standing around with me. 10:20.990 --> 10:24.130 Englishmen, Dutchmen, Australian, Japanese men. 10:24.150 --> 10:25.211 Is this a gay porno film? 10:25.791 --> 10:27.031 No, I don't think so. 10:27.091 --> 10:28.512 They're all wearing clothes. 10:29.272 --> 10:32.373 They're wearing kind of Gap-style khaki shorts. 10:32.993 --> 10:34.593 I think maybe wear tourists. 10:35.093 --> 10:36.334 Having fun on holiday. 10:36.354 --> 10:37.194 Hang on. 10:37.714 --> 10:41.597 Some of the Japanese men have grabbed one of the Englishmen and they're forcing him to his knees. 10:42.138 --> 10:43.759 One of them's taken out a big sword! 10:44.780 --> 10:49.724 Perhaps it's Dom Jolly doing one of his crazy pranks on some unsuspecting tourists. 10:50.365 --> 10:51.306 No, it can't be. 10:51.646 --> 10:53.468 The costumes and the acting are much too good. 10:54.375 --> 10:55.875 Oh my god, they're gonna cut his head off! 10:55.915 --> 10:56.836 I've gotta do something! 10:57.176 --> 10:57.436 I know! 10:57.676 --> 11:04.578 I'll use my special bendy powers and kiss one of the Japanese men on his mouth to fry his mind and cause a diversion! 11:04.598 --> 11:06.898 Ooh, I'll go for that sexy one with the eyeliner. 11:07.038 --> 11:07.839 Mmm! 11:08.479 --> 11:08.939 Bendy! 11:08.959 --> 11:10.579 Ooh, he tastes of synthesizer. 11:10.939 --> 11:12.120 Okay. 11:12.560 --> 11:18.281 Okay, I'm gonna regress you out of that film into a different film. 11:18.541 --> 11:20.182 Wake up again and tell us what you see. 11:20.202 --> 11:20.902 Oh, it's dark! 11:21.721 --> 11:22.821 I can't see anything. 11:22.881 --> 11:24.021 I can't see a thing, not a thing. 11:24.441 --> 11:25.502 Why can't I see anything? 11:25.522 --> 11:29.362 Ooh, perhaps it's because... Shall I say that again? 11:29.542 --> 11:31.723 Perhaps it's because no one went to see this film. 11:31.923 --> 11:32.243 No one. 11:32.443 --> 11:33.983 Not a single person. 11:34.023 --> 11:34.623 No one at all. 11:34.663 --> 11:35.323 Not even me. 11:35.643 --> 11:36.204 And I was in it. 11:36.804 --> 11:37.924 I don't know anything about it. 11:38.144 --> 11:38.844 Except the title. 11:39.704 --> 11:42.025 Um, it's probably got Rosanna Arquette in it. 11:42.325 --> 11:43.085 She'll do anything. 11:44.045 --> 11:46.785 Um, and it's got something to do with pasta. 11:47.426 --> 11:48.066 But that's it. 11:48.086 --> 11:48.966 Sorry, I don't know. 11:50.406 --> 11:51.747 That's not a very good regression. 11:51.787 --> 11:52.607 Let's do one more. 11:52.627 --> 11:55.609 Okay, I'm gonna take you further back or forward, I'm not sure. 11:56.109 --> 11:57.190 And wake up, tell us what you see. 11:59.952 --> 12:01.472 I'm in a wig. 12:02.093 --> 12:03.734 What do you think of my wig? 12:03.794 --> 12:06.195 Ooh, cotton balls, I like your face. 12:06.255 --> 12:07.616 What do you think of my wig? 12:07.716 --> 12:08.316 It's a wig. 12:08.416 --> 12:10.918 I'm pretending to be somebody and I'm gay. 12:10.958 --> 12:12.439 Did you realize that? 12:12.499 --> 12:13.319 I'm in a street. 12:13.679 --> 12:14.340 It's crazy. 12:14.380 --> 12:17.942 It's a crazy street in a crazy, crazy town, dirty pants. 12:18.562 --> 12:20.504 It's the town is full of crazy people. 12:20.684 --> 12:21.765 Oh, that's why I love it. 12:21.805 --> 12:22.606 Look at that lamp. 12:22.726 --> 12:23.226 I hate it. 12:23.606 --> 12:24.287 I hate the lamp. 12:24.307 --> 12:25.368 Will you buy it for me? 12:26.129 --> 12:28.110 Oh, I don't have any cash in my ass. 12:28.130 --> 12:29.151 That dog took a poop. 12:29.211 --> 12:30.032 It's so boring. 12:30.092 --> 12:32.074 I'm gonna keep it in a box in my loft. 12:32.574 --> 12:33.635 Oh, look at your boobs. 12:33.655 --> 12:34.396 They're unusual. 12:34.436 --> 12:35.496 Can I buy one of them? 12:35.537 --> 12:37.058 Do you want to come to my opening? 12:37.078 --> 12:38.539 Do you like my hands? 12:39.240 --> 12:40.240 Oh, cotton balls. 12:40.281 --> 12:41.061 Look at my wig. 12:41.101 --> 12:41.662 It's white. 12:41.722 --> 12:43.163 I'm pretending to be somebody. 12:43.864 --> 12:45.105 Oh, look at that poop. 12:45.365 --> 12:46.366 Put the poop in a box. 12:46.926 --> 12:48.447 Okay, listeners. 12:48.467 --> 12:50.487 0-8-7-1-triple-2-1-0-4-9. 12:50.507 --> 12:51.508 0-8-7-1-triple-2-1-0-4-9. 12:51.668 --> 12:53.868 Have you got more talking? 12:54.589 --> 12:54.769 Nope. 12:55.449 --> 13:00.931 Call that number if you can guess who Adam was being and what films the guy he was being was in. 13:01.251 --> 13:02.091 Cotton balls. 13:02.111 --> 13:02.832 0-8-7-1-triple-2-1-0-4-9. 13:16.035 --> 13:17.035 They're so hot right now. 13:17.795 --> 13:18.715 Oh, this fire. 13:18.755 --> 13:19.516 They're on fire. 13:19.556 --> 13:20.756 They're so hot right now. 13:21.036 --> 13:21.836 Hang on, I'm regressed. 13:22.036 --> 13:22.796 What am I talking about? 13:23.076 --> 13:23.256 Oh, sorry. 13:23.276 --> 13:24.576 This is Adam and John XFM. 13:24.636 --> 13:26.717 You join us in the middle of celebrity regression. 13:26.777 --> 13:31.978 Adam has been regressed into the mind and filmic history of a film stroke rock star. 13:32.738 --> 13:37.319 Earlier in the program, he witnessed various moments from this star's films. 13:37.799 --> 13:43.300 And we have a couple of callers on the line who believe they know who the star was and what the films were. 13:43.340 --> 13:44.040 Danielle, are you there? 13:44.080 --> 13:44.680 Hello, Danielle. 13:45.020 --> 13:45.380 Hello. 13:45.440 --> 13:45.780 Hello, Danielle. 13:45.800 --> 13:54.704 If you could just keep your voice just relaxed and mellow, because if you disturb Adam during this regressed state, you could cause him long-term damage. 13:54.744 --> 13:56.245 Yes. 13:56.265 --> 13:57.426 See, he's very, very unstable. 13:57.446 --> 13:58.366 Are you still with me, Danielle? 13:58.946 --> 13:59.747 I am still here, yes. 13:59.807 --> 14:00.107 Thank you. 14:00.187 --> 14:00.487 Okay. 14:00.927 --> 14:06.350 Now, Danielle, what I'd like you to do in a moment is say the name of the star who you think Adam was regressed into. 14:06.390 --> 14:07.330 Say it loudly and clearly. 14:07.690 --> 14:09.131 If you're correct, Adam will wake up. 14:09.611 --> 14:12.252 If you're incorrect, he will stay in his regressed state. 14:12.493 --> 14:13.233 Say the name now, please. 14:17.832 --> 14:19.193 He's still regressed, Danielle. 14:19.233 --> 14:20.093 It's not good news. 14:20.493 --> 14:22.354 That wasn't the person he was being regressed into. 14:22.374 --> 14:23.295 Why did you think it was Hoffman? 14:24.135 --> 14:26.156 Um, we thought the pig was Tootsie. 14:26.876 --> 14:30.678 The Tootsie wig, but he said it was a white wig, a spiky white wig. 14:31.018 --> 14:32.519 Tootsie didn't have spiky white hair. 14:33.920 --> 14:35.000 Danielle, that was a very good try. 14:35.020 --> 14:36.041 Thank you so much for calling. 14:36.081 --> 14:36.761 Thank you for listening. 14:37.321 --> 14:39.822 Sorry we can't reward you with anything but our love. 14:40.703 --> 14:41.003 Bye-bye. 14:42.364 --> 14:44.285 Also on the line, hopefully getting it right is James. 14:44.305 --> 14:44.725 Hello, James. 14:45.265 --> 14:45.765 Hi guys, how you doing? 14:45.785 --> 14:46.105 No, not at all. 14:46.125 --> 14:46.605 David Bowie. 15:03.789 --> 15:06.412 Now which films did you think it was, Dr. James? 15:22.278 --> 15:27.624 First of all, it was Merry Christmas Mr. Lawrence. 15:27.644 --> 15:28.645 Can I do a line from that? 15:28.685 --> 15:29.045 Go on then. 15:29.786 --> 15:30.507 What a funny face. 15:30.947 --> 15:31.788 Beautiful eyes, no? 15:32.909 --> 15:34.030 That's from that film, isn't it? 15:34.110 --> 15:35.231 Yeah, it's a fantastic film. 15:35.312 --> 15:36.353 Do it again over Christmas. 15:36.453 --> 15:36.853 Wonderful. 15:36.933 --> 15:37.854 What was the second film, James? 15:37.874 --> 15:39.176 What was the film that I couldn't see? 15:39.216 --> 15:40.557 There was darkness, Noah Troy. 15:43.847 --> 15:47.249 James James hold your horse is not rubbish. 15:47.289 --> 15:50.211 It's a genius film by the genius Julian temple plus. 15:50.491 --> 16:04.178 That's not correct I was in fact thinking of a film that I haven't seen and I don't know anyone who has seen it It's called the Linguini and yeah, it was one of the first straight Digitally digital video films ever made was it really that's the only interesting thing about it. 16:04.358 --> 16:05.659 I haven't seen Irish and 16:06.039 --> 16:07.320 Not the Linguini incident. 16:07.360 --> 16:09.681 If anyone's seen the Linguini incident, do feel free to get in touch. 16:09.701 --> 16:10.981 Do you think it involves pasta? 16:11.342 --> 16:12.222 I'm sure it must do. 16:12.322 --> 16:13.483 Just a spillage of pasta? 16:13.603 --> 16:16.584 Yeah, just eating Bowie shoveling Linguini into his anorak. 16:16.624 --> 16:18.745 Well, I think pasta can get very slippery in a bowl, can't it? 16:18.785 --> 16:20.166 Maybe he's serving it to his anorak. 16:20.186 --> 16:21.846 It all gloops out of the bowl onto her lap. 16:22.007 --> 16:23.727 Now that sounds foxy. 16:23.847 --> 16:24.848 What about the third film, James? 16:27.855 --> 16:28.656 Of course. 16:29.037 --> 16:29.417 Exactly. 16:29.457 --> 16:30.658 Well, that's pretty good, man. 16:30.678 --> 16:35.584 You got two out of three and you got Bowie correct, so I think we can probably give that to you as Basquiat. 16:35.684 --> 16:37.966 Bowie pretending to be Andy Warhol there, you see. 16:38.607 --> 16:42.411 So James, are you interested in going to the premiere of A Very Long Engagement tomorrow night? 16:42.731 --> 16:43.492 No, it's Monday night. 16:44.333 --> 16:49.118 I'd like to give the tickets to a very friend who needs a bit of cheering up if possible. 16:49.366 --> 16:49.786 Good move. 16:49.987 --> 16:50.607 That's very nice. 16:50.908 --> 16:51.228 Excellent. 16:51.248 --> 16:54.091 Well, that's very charitable of you and I hope they have a fantastic time. 16:54.351 --> 16:54.791 Oh, my God. 16:54.811 --> 16:56.193 I've just seen Val Kilmer on the telly. 16:56.213 --> 16:56.853 He's enormous. 16:57.234 --> 16:57.794 What's he done? 16:57.814 --> 16:59.956 He looks like someone's taking a bicycle pump to his face. 16:59.976 --> 17:00.937 It's not Val Kilmer. 17:01.057 --> 17:01.658 No, there he is. 17:01.698 --> 17:01.938 Look. 17:02.218 --> 17:03.480 Oh, yeah. 17:03.500 --> 17:04.741 Don't tell people you're watching the telly. 17:04.781 --> 17:06.683 It's very, very bad for our listening figures. 17:07.984 --> 17:10.966 Listen, James, thanks very much for calling, and congratulations, Will. 17:11.367 --> 17:14.670 I think we've got your number, so someone will call you back and arrange to collect those tickets. 17:15.530 --> 17:16.671 That is celebrity regression. 17:17.132 --> 17:20.014 And listen, are we going to try and make this appeal to our listeners? 17:20.054 --> 17:21.075 Yeah, why not? 17:21.095 --> 17:21.976 We're in a jam, listeners. 17:21.996 --> 17:22.656 We need your help. 17:22.756 --> 17:27.840 Every week on the show we do something called Dizzies in the Dock at the end of the show, where me and Adam fight for the song that we'll play the show out with. 17:28.461 --> 17:32.284 This week, because Adam was away in the country, he texted me, I didn't get his text. 17:32.624 --> 17:34.226 I emailed him, he didn't pick up my email. 17:34.606 --> 17:36.828 We have not arranged Dizzies in the Dock. 17:37.128 --> 17:39.910 So my suggestion was to make it bad 80s Bowie. 17:39.930 --> 17:42.331 We would have a bad 80s Bowie playoff off. 17:42.751 --> 17:46.433 So I bought in Underground, the theme from Labyrinth. 17:46.513 --> 17:46.773 Nice. 17:47.434 --> 17:48.794 Which I thought would beat any comers. 17:48.974 --> 17:51.536 I'll tell you what I've got just in case we don't have any joy with this appeal. 17:52.036 --> 17:56.638 I've got Susanna Hoffs from the Bangles singing Boys Keep Swinging, which is quite good. 17:57.759 --> 18:10.610 What we wanted to ask you listeners is if any of you are in the West End or on your way into the West End near Leicester Square and you feel that you would help us by going into H&B or Virgin or a record shop and buying, what do you want Adam? 18:10.630 --> 18:11.891 What would you put up against Underground? 18:11.971 --> 18:15.333 Well I probably would put up Absolute Beginners having spoken about it to Dr. James there. 18:15.393 --> 18:22.019 We need a copy of the song Absolute Beginners by David Bowie on CD and we need a listener to bring it to us here at XFM. 18:22.159 --> 18:24.880 Just buy the soundtrack to the movie, find it in the movie soundtrack section. 18:24.920 --> 18:26.340 Yeah, we'll pay you back, we've got the cash. 18:26.980 --> 18:33.522 The XFM doors are in the corner of Leicester Square, and we'll bring you up to the studio, we'll pay you back, we'll give you some sort of a prize. 18:33.782 --> 18:40.483 If you're listening maybe on your mobile phone or in your car, you're on the way to the West End or on the bus, you could do that for us, buy that record and bring it in. 18:40.723 --> 18:41.243 Give us a call, 08712221049. 18:41.343 --> 18:42.904 Call 08712221049 if you could help us out with that. 18:42.944 --> 18:44.024 We will reward you amply. 18:48.345 --> 18:52.289 Yeah, give us a call if you get lost and stuff and you need us to tell you exactly where to go. 18:52.690 --> 18:56.634 But, uh, wow, wouldn't that be an amazing kind of interactive event if that really happened? 18:56.654 --> 18:57.995 You know, somehow I don't think it's gonna happen. 18:58.256 --> 18:58.656 Wow. 18:58.936 --> 19:01.199 But just imagine if it did, you could get... It has to happen. 19:01.239 --> 19:01.899 Come on, listeners! 19:02.200 --> 19:03.381 It would be amazing, listeners. 19:03.421 --> 19:06.204 We could win some kind of award for this, okay? 19:06.464 --> 19:07.485 We'll sign your bum cheeks. 19:14.983 --> 19:17.004 That's the case of Leon with the bucket. 19:17.024 --> 19:19.106 This is Adam and Joe on XFM. 19:19.506 --> 19:23.609 Back refreshed, happy, circle, jaded and bored after Christmas. 19:23.629 --> 19:30.213 Me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me 19:30.353 --> 19:35.599 Try again. 19:35.680 --> 19:36.080 Isn't that it? 19:36.841 --> 19:39.044 Now explain what the hell you're up to. 19:39.104 --> 19:43.569 Well, Adam, that was my kind of bad impression of the Crazy Frog ringtone. 19:43.589 --> 19:45.972 Do you know what I'm talking about if I talk about the Crazy Frog ringtone? 19:46.252 --> 19:59.643 Yeah, it comes on, it used to come on like in daytime, a few months ago I caught it, it's a cartoon frog, he's pretending to be on a motorbike, and, uh, you can see his... I mean, the listeners will know what I'm talking about. 20:00.344 --> 20:03.987 The Crazy Frog ringtone, and you're absolutely right, it used to be just on cable channels, didn't it? 20:04.407 --> 20:05.768 One of those really long, boring adverts. 20:06.189 --> 20:10.892 But now it's come on to terrestrial, and now I see full-page adverts in the papers for Crazy Frog. 20:11.773 --> 20:14.394 And I just wondered, you know, why? 20:14.994 --> 20:15.935 Where this has come from? 20:15.955 --> 20:20.757 Because it's almost like the contemporary equivalent of sort of a gimmick record, isn't it? 20:21.397 --> 20:24.138 But it's just something that's completely and utterly worthless. 20:24.198 --> 20:25.279 It's a ringtone for your phone. 20:26.780 --> 20:31.802 But it's obviously supported by this cartoon character, Frog, who looks a bit like something out of The Wind in the Willows. 20:33.022 --> 20:36.885 He's got sort of aviator goggles on and a helmet other than that. 20:36.945 --> 20:37.665 He's a naked frog. 20:37.685 --> 20:47.392 He's got a missing tooth Yeah, but the genius of it is you can see his little william balls his frog nuts his little dangly frog nuts And you sort of first of all you think what is this and the second time you think? 20:47.532 --> 20:49.133 Oh, it's a ringtone third time. 20:49.213 --> 20:50.574 He is annoying fourth time. 20:50.594 --> 20:55.377 I think I can see his little william balls And then you think did I really see his little william balls? 20:55.797 --> 20:56.698 I'd better watch out for that!" 20:56.718 --> 20:58.519 Then you start actually paying attention. 20:58.539 --> 21:00.600 You think, no, I can clearly see his willy and balls. 21:00.880 --> 21:01.881 Then you start talking to your friends. 21:01.901 --> 21:02.921 Have you seen that frog? 21:02.941 --> 21:04.382 And you can clearly see his willy and balls. 21:04.782 --> 21:06.223 By that point, it's under your skin. 21:06.703 --> 21:10.926 And so I'd just like to take this opportunity to doff my hat to the creators of The Crazy Frog. 21:11.946 --> 21:14.987 And look at that, it says in the paper, get the most annoying sound. 21:15.007 --> 21:16.648 So they're trumpeting the fact that it's annoying. 21:16.928 --> 21:27.812 But they're almost like irritant scientists, irritists, who have actually explored and experimented to find the most irritating but yet compulsive combination of sounds and figures. 21:27.852 --> 21:35.695 A frog, aviator goggles, a missing tooth, a bah bah bah bah bah bah bah bah bah bah bah bah bah bah sound, and a little william balls. 21:35.735 --> 21:36.876 But that's the genius, don't you think? 21:37.381 --> 21:37.861 Absolutely. 21:37.921 --> 21:44.245 I mean, I wonder if they came up with that first, if they thought, let's... I bet you... Sorry to interrupt you, but I bet you there's a story. 21:44.445 --> 21:44.565 Yeah. 21:44.625 --> 21:48.607 I bet you they'd drawn the frog, and some guy came in and went, that's pretty good, but watch this. 21:49.367 --> 21:50.488 Little William Borse drew them in. 21:50.668 --> 21:52.809 We'll never get away with that, what are you thinking? 21:53.365 --> 21:54.985 And it turned out to be the absolute key feature. 21:55.185 --> 21:57.306 Let's run it past the ITC. 21:57.546 --> 22:00.387 The ITC have got back, they say the little froggy balls are fine. 22:00.927 --> 22:02.107 Frog balls are fine. 22:02.127 --> 22:03.388 Frog balls are okay. 22:03.448 --> 22:05.988 It's like a Japanese children's animation. 22:06.068 --> 22:10.849 I've got this fantastic Japanese, it's called pom poco or something, it's a Japanese cartoon with bears. 22:11.250 --> 22:12.570 Their nuts are visible all the way through. 22:13.479 --> 22:15.100 Well, it's just a fact of life, isn't it? 22:15.120 --> 22:19.081 I mean, does Action Man have more defined scrotal zones now? 22:19.101 --> 22:19.141 No. 22:19.502 --> 22:20.162 He still doesn't? 22:20.222 --> 22:23.803 No, Britain isn't keen on acknowledging the existence of genitals until you're over the age of 18. 22:24.384 --> 22:24.704 Right. 22:24.764 --> 22:25.144 Generally. 22:25.164 --> 22:31.807 The thing that makes the froggy thing slightly upsetting for me is the sort of lascivious motion that he's engaged in as well. 22:31.827 --> 22:32.947 He's revving up his bike! 22:33.007 --> 22:36.449 He's not revving up a bike, he's getting ready to roger someone on his little path. 22:36.489 --> 22:37.129 Hey, hey, hey! 22:38.089 --> 22:39.050 Do you reckon? 22:39.250 --> 22:39.810 I think so. 22:39.990 --> 22:41.691 He looks like a dirty frog actually. 22:42.031 --> 22:45.872 He's feeling fights with that tooth missing. 22:45.912 --> 22:47.193 Do you download that sort of thing? 22:47.373 --> 22:47.593 No. 22:47.713 --> 22:51.334 You've got to have a phone with new real tones or something. 22:51.394 --> 22:52.095 I'm nearly 40. 22:52.735 --> 22:53.875 What the hell would I be doing? 22:53.895 --> 22:54.396 You're not nearly 40. 22:54.536 --> 22:55.356 I am practically 40. 22:55.596 --> 22:57.017 I don't even know who Kenzie is. 22:57.557 --> 22:58.497 I know who Kenzie is. 23:04.935 --> 23:05.596 Is that his ringtone? 23:05.616 --> 23:06.177 Is that his ringtone? 23:06.197 --> 23:06.917 Is that his ringtone? 23:06.977 --> 23:07.738 Is that his ringtone? 23:07.758 --> 23:08.579 Is that his ringtone? 23:08.619 --> 23:09.460 Is that his ringtone? 23:09.480 --> 23:10.281 Is that his ringtone? 23:10.301 --> 23:10.881 Is that his ringtone? 23:10.901 --> 23:11.542 Is that his ringtone? 23:11.642 --> 23:12.303 Is that his ringtone? 23:40.180 --> 23:42.661 Hello, that was Neil Young, with Needle In The Damage Done. 23:42.701 --> 23:48.241 Now, earlier in the show, we asked our listeners, our faithful listeners, to help us out, because we're in a bit of a pickle with Dizzies In The Dock. 23:48.882 --> 23:51.542 We didn't talk to each other in time, and I've got my record. 23:51.582 --> 23:52.342 Adam didn't have his record. 23:52.382 --> 23:54.643 He wanted to get a hold of Absolute Beginners by David Bowie. 23:54.663 --> 24:00.023 So we requested our listeners out on the town to see if anyone could help us out by buying it and bringing it to the studio. 24:00.043 --> 24:01.584 And we have a listener on the line, don't we, Adam? 24:01.844 --> 24:02.404 I think we do. 24:02.484 --> 24:06.485 I think he's in a major West End records shop, and I think his name is Cormac. 24:07.025 --> 24:07.605 Yeah, that's me. 24:07.925 --> 24:08.385 Hey, Cormac. 24:09.465 --> 24:12.706 Am I pronouncing that correctly, or is it just Cormac or Cormac? 24:13.066 --> 24:13.766 Cormac will do. 24:14.366 --> 24:16.607 Cormac, so thanks very, very much for helping us out with this. 24:16.627 --> 24:17.527 Can you tell us where you are? 24:18.147 --> 24:24.028 I've just left the Virgin Megasaur, and I'm walking towards you now. 24:24.248 --> 24:25.348 And have you acquired the record? 24:25.708 --> 24:26.108 I have, yes. 24:26.128 --> 24:28.309 I've got the full Bowie Singles collection on fire. 24:28.369 --> 24:29.769 No, how much did that set you back? 24:29.909 --> 24:30.829 It was 20 quid. 24:31.149 --> 24:32.410 Ooh, have we got 20 quid? 24:32.430 --> 24:33.670 Yeah, we can give you 20 quid. 24:33.810 --> 24:35.650 And Cormac, are you heading to the studio? 24:35.670 --> 24:37.731 I am, I'm literally walking there now. 24:37.771 --> 24:38.611 Do you know where to come? 24:39.921 --> 24:43.623 What made you buy the Bowie singles collection and not the soundtrack to Absolute Beginners? 24:43.923 --> 24:45.744 Didn't have the soundtrack to Absolute Beginners. 24:45.764 --> 24:49.005 They had like 15 different Bowie CDs but not the soundtrack to Absolute Beginners. 24:49.205 --> 24:50.786 What kind of record store is that? 24:51.066 --> 24:53.247 That's one of the essential soundtracks of all time. 24:53.267 --> 24:54.688 I was impressed by their range. 24:54.928 --> 24:57.149 I mean, well, you know, even Homer Nodd. 24:58.210 --> 25:00.130 Have you seen Absolute Beginners, Cormac? 25:01.111 --> 25:03.512 Unfortunately not, but I remember the video very well. 25:04.417 --> 25:05.918 But listen Cormac, you're heading into the studio. 25:05.958 --> 25:08.359 We can ask you all of this in high fidelity sound when you get in. 25:08.759 --> 25:11.600 But we're both very very grateful for you helping us out and did it in the dock. 25:11.660 --> 25:12.901 It's going to work this week. 25:13.221 --> 25:14.201 What if that one doesn't win though? 25:14.761 --> 25:15.682 You've wasted your time. 25:16.122 --> 25:20.043 No because Cormac will be walking away with the singles collection and 20 quid. 25:20.144 --> 25:21.224 And he will be on the radio. 25:21.524 --> 25:23.325 Oh it's so exciting for Cormac. 25:23.525 --> 25:25.606 OK Cormac, don't get mugged. 25:26.646 --> 25:26.786 What? 25:26.806 --> 25:27.407 He's been mugged. 25:27.627 --> 25:28.207 He's been mugged. 25:28.247 --> 25:28.928 He's been stabbed. 25:29.108 --> 25:29.528 Oh, dear. 25:29.548 --> 25:30.789 He's been stabbed in Leicester Square. 25:31.049 --> 25:33.030 So, we'll see him later, hopefully. 25:33.050 --> 25:34.491 This is Adam and Joe on XFM. 25:44.506 --> 25:45.387 I gotta live my own. 25:45.927 --> 25:48.830 And before that you heard Wires by Athlete. 25:48.890 --> 25:51.913 And now we've got our gopher this week, our friendly gopher. 26:02.822 --> 26:07.106 Macaroon Cormac Cormac as in Cormac McCarthy Cormac all the pretty horses. 26:07.166 --> 26:12.992 He sounds very much when we were speaking to him on the phone earlier He sounded exactly like Jim will fix it from ash. 26:13.172 --> 26:15.635 What's his name the lead singer Tim Wheeler Tim Wheeler. 26:15.675 --> 26:26.866 Yeah, maybe he is Tim Wow, well, we're very very grateful to Cormac He's on his way up bringing us the CD that's gonna saved it is in the doc this week but before that I'd just like to talk about my New Year's Eve and 26:27.106 --> 26:27.967 Oh, yeah, what did you do? 26:28.127 --> 26:34.091 Well, I went to a friend's house, you know, just to have some drinks, not many of us there, like six or seven of us there. 26:35.072 --> 26:37.393 And, you know, New Year's Eve is always tricky, isn't it? 26:37.433 --> 26:42.317 Because you're kind of exhausted, and you've run out of, you know, fun stuff like that. 26:42.357 --> 26:42.557 Yeah. 26:42.577 --> 26:42.617 So 26:42.637 --> 26:46.259 So I thought I'd lift things up by buying a game that I saw advertised on telly. 26:46.279 --> 26:49.481 It was called Screen Test and it looked really good advertised on telly. 26:49.501 --> 26:57.946 It had all these good looking people crowded around the television asking, answering questions about movies that were being presented to them on a DVD. 26:57.966 --> 26:59.507 So it's a DVD TV game. 27:00.348 --> 27:03.130 So it's a movie quiz, perfect for me, I'm a big movie fan and for you. 27:03.630 --> 27:13.077 You know, and all the families sit around New Year's Eve, pop in the DVD, it shows you clips from films, asks you questions, and you have a great time replying to them. 27:13.817 --> 27:20.823 And so I went to Hamleys and I thought to myself, well there's probably three or four different games like this, and it's important that I get one at the correct difficulty level. 27:21.263 --> 27:26.387 You know, not a super easy one with questions like who's the villain in Star Wars, that'd be too easy. 27:26.847 --> 27:30.629 But at the same time, not a really, really difficult one with lots of questions about black and white films. 27:31.089 --> 27:36.973 Because me and my friends were sort of movie buffs, but we're sort of not that big in terms of knowledge. 27:37.213 --> 27:39.754 So anyway, I buy this game, £21.99, Adam. 27:39.934 --> 27:40.795 That's not given away. 27:40.995 --> 27:41.655 Not given away. 27:41.675 --> 27:46.798 I gather everybody around on New Year's Eve, we sit around the telly, we construct the board, 27:47.398 --> 27:48.599 And was everyone up for this? 27:48.979 --> 27:51.420 We were all really excited about this game. 27:51.600 --> 27:52.661 Oh, what a great idea, Joe. 27:52.681 --> 27:54.221 You're always first with the modern games. 27:54.441 --> 27:55.742 Oh, modern games Cornish. 27:55.782 --> 27:56.162 Yeah. 27:56.462 --> 28:02.845 And so, plus we all fancy ourselves as movie buffs, so we start rolling the dice and answering the questions. 28:03.266 --> 28:14.451 So what I've done, just to communicate the quality of this game, and as a warning to anybody else who might buy it, is I've recorded some of the questions, and I'd like to play some small segments of this game now with Adam. 28:14.471 --> 28:16.392 So if you consider yourself a movie buff, 28:17.132 --> 28:21.996 And you like family fun, this is a trap that you might be in danger of falling into if you buy this game. 28:22.256 --> 28:23.838 So let's check out this first question. 28:24.098 --> 28:24.818 Okay, here we go. 28:25.739 --> 28:27.200 Marines call it Joe. 28:29.322 --> 28:32.445 Yazzie is trying to get to know Joe, unsuccessfully. 28:33.065 --> 28:33.946 What happens next? 28:36.638 --> 28:47.141 Right, so I should tell you that that's the question, and there's a little clip of a war film with Nicolas Cage in it, so you've got a clip of a film with Nicolas Cage wearing a military helmet, and it's quite a close up, you can't really see anything else. 28:47.281 --> 28:49.802 Marines call a chow, I think he said at the beginning. 28:49.822 --> 28:50.102 Yeah. 28:50.702 --> 28:54.763 So we established, someone has said wind talkers, it's wind talkers, so we established it was wind talkers. 28:55.203 --> 28:55.463 Right. 28:55.903 --> 28:58.344 Yahtzee is trying to get to know Joe. 28:58.364 --> 28:59.664 Haven't seen wind talkers. 29:00.004 --> 29:01.845 No, but no, no, neither have I. 29:02.765 --> 29:04.086 And I don't think many people have. 29:04.126 --> 29:05.766 So this was a shaky start to the quiz. 29:06.026 --> 29:09.427 We thought, ooh, we've accidentally pressed, you know, we've just got a tricky one. 29:10.287 --> 29:11.228 Let's stay confident. 29:11.628 --> 29:16.129 So we thought, well, at least it's probably something quite memorable would happen. 29:16.309 --> 29:17.029 So just have a guess. 29:17.049 --> 29:17.710 What happened next? 29:18.650 --> 29:21.571 Yahtzee gets shot in the head. 29:21.691 --> 29:22.171 Shot in the head. 29:22.211 --> 29:23.051 That would be good, wouldn't it? 29:23.091 --> 29:23.631 Play the answer. 29:23.811 --> 29:24.072 OK. 29:26.772 --> 29:28.633 Yahtzee knocks over Joe's coffee. 29:32.907 --> 29:34.509 We thought, what? 29:34.529 --> 29:35.550 We were starting to get a bit worried. 29:35.570 --> 29:36.851 We thought, that's absolutely fine. 29:36.912 --> 29:37.753 Move on to the next question. 29:37.773 --> 29:38.293 Throw the dice. 29:39.214 --> 29:39.975 Fine, stay confident. 29:40.015 --> 29:40.716 Let's have the next question. 29:45.051 --> 29:48.652 What happens next in this scene from The Amityville Horror? 29:48.852 --> 29:49.933 Oh, now that's better, isn't it? 29:50.213 --> 29:51.893 That's a famous film, The Amityville Horror. 29:51.973 --> 29:52.814 Right, so what was the clip? 29:52.834 --> 30:01.436 So the clip was just an old woman, not one of the main cast from The Amityville Horror, not someone I recognise, not Margo Kidder or Beardyman or whoever else is in it, but a sort of old woman. 30:01.797 --> 30:06.418 It's a close-up shot, you can't really see where she is, she's clearly in a room, and she's bent forward. 30:07.218 --> 30:07.539 That's it. 30:08.299 --> 30:09.099 That's all you've got to go on. 30:09.319 --> 30:10.099 What happens next? 30:10.600 --> 30:11.540 She straightens up, 30:12.552 --> 30:13.693 I'm trying to get into the swing of things. 30:13.713 --> 30:15.715 You are slightly, yeah, that's closer. 30:16.715 --> 30:20.919 But you'd have thought like, oh, evil flies gush out of the chimney. 30:20.999 --> 30:21.279 Yeah. 30:21.379 --> 30:23.180 Or the wall starts to cry blood. 30:23.341 --> 30:23.641 That's right. 30:23.661 --> 30:24.461 Something guessable. 30:24.742 --> 30:26.263 Your guess is she leans forward. 30:26.323 --> 30:27.744 She straightens up. 30:28.044 --> 30:28.885 Let's hear the answer to that one. 30:32.368 --> 30:33.709 Neighbours blow on the desk. 30:36.934 --> 30:37.775 I love the music. 30:37.815 --> 30:40.137 The papers blow on the desk music. 30:40.177 --> 30:41.958 The paper's off in a wing. 30:42.018 --> 30:43.400 The paper's off in a wing. 30:43.440 --> 30:45.001 The desk is on fire. 30:45.261 --> 30:45.682 No, it's not. 30:45.722 --> 30:47.003 You've seen the Amityville Horror, haven't you? 30:47.183 --> 30:47.403 Yeah. 30:47.623 --> 30:47.803 Yeah. 30:47.823 --> 30:48.624 Do you remember that moment? 30:49.044 --> 30:50.185 The paper's blowing scene? 30:50.205 --> 30:51.186 Yeah. 30:51.507 --> 30:54.269 That was in Channel 4's Top 100 Great Movie Moments. 30:54.629 --> 30:55.290 Shall we do one more? 30:55.470 --> 30:55.730 OK. 30:55.850 --> 30:57.211 So we thought, what is this game? 30:57.852 --> 31:00.594 Maybe we've just randomly accidentally chosen two very difficult questions. 31:00.935 --> 31:01.635 Let's have another go. 31:01.655 --> 31:03.477 So we threw the dice again, and this is what we got. 31:09.133 --> 31:13.396 finish this line from trials play and Maggie Chucky wants to 31:15.515 --> 31:17.336 OK, so now we were feeling good at that point. 31:17.356 --> 31:18.657 We thought, that's an easy one. 31:18.717 --> 31:19.417 Child to play. 31:19.998 --> 31:21.078 That's a famous line. 31:21.098 --> 31:22.199 Chucky wants to play. 31:22.319 --> 31:23.000 To play, yeah. 31:23.020 --> 31:25.001 And he's just going to end up stabbing him or something. 31:25.441 --> 31:26.362 So we were confident. 31:26.402 --> 31:26.602 Right. 31:26.642 --> 31:28.863 The game board, because we're still on the start square at this point. 31:29.224 --> 31:31.925 And I must tell you, there's 27 squares to get round. 31:32.305 --> 31:34.947 And the maximum you can move if you get one right is three spaces. 31:35.387 --> 31:36.328 And it's 10. 31:36.728 --> 31:38.970 And we want to be on Primrose Hill at the stroke of midnight. 31:39.270 --> 31:40.010 It's not looking good. 31:40.490 --> 31:42.131 OK, so we're hoping things are going to go faster now. 31:42.171 --> 31:42.792 So let's hear the answer. 31:43.132 --> 31:48.359 Chucky wants to watch the 9 o'clock news. 31:49.040 --> 31:51.063 Watch the 9 o'clock news. 31:56.130 --> 31:59.152 That's the MGM lion roaring at the end. 31:59.192 --> 32:05.316 Wow, I've really got to make a point of A buying that game and B watching all the Child's Play films. 32:05.357 --> 32:08.159 Well you know what, I want to give this game away now. 32:08.279 --> 32:09.780 Maybe Cormac can walk away with it. 32:09.900 --> 32:17.826 Well no I think we should do a phoner for it because I've got three, I've recorded three more questions and I just don't think anybody in the country can answer any of them. 32:18.186 --> 32:18.507 Okay. 32:18.947 --> 32:24.111 I genuinely think that this game is an insult to film lovers. 32:24.631 --> 32:29.454 And I'm shocked that they let it leave the production line without actually trying to play it. 32:29.714 --> 32:33.155 Well, let's do a test. 32:33.175 --> 32:33.496 0-8-7-1-2-2-2-1-0-4-9. 32:34.316 --> 32:35.877 If you want to play screen test right here. 32:35.897 --> 32:36.457 If you want to win it. 32:36.977 --> 32:38.598 And win the actual game as well. 32:38.638 --> 32:39.278 We'll sign it. 32:39.478 --> 32:39.659 Wow. 32:39.679 --> 32:40.259 We'll sign it. 32:40.279 --> 32:41.179 Make it worth less. 32:41.199 --> 32:42.260 We'll walk away with it. 32:42.800 --> 32:43.761 We'll walk back with you. 32:44.101 --> 32:45.161 So get calling right now. 32:45.181 --> 32:46.562 This is Edelman Joe on XFM. 32:46.842 --> 32:50.124 Now here's Holger Chukai Kazuki. 32:50.144 --> 32:50.304 What? 32:50.564 --> 32:50.984 I don't know. 32:51.044 --> 32:51.825 He was in Cannes. 32:52.805 --> 32:54.066 and this is cool in the pool 33:07.014 --> 33:08.114 Who was that scene in that song, Adam? 33:08.134 --> 33:10.035 That song was sung by Block Party. 33:10.075 --> 33:12.395 B-O-L-B-L-O-C Party. 33:12.475 --> 33:13.636 That did a bloody good job. 33:13.656 --> 33:15.996 Yeah, that was called So Here We Are. 33:16.397 --> 33:16.817 So you know what? 33:16.877 --> 33:20.718 I'm not the only person whose Christmas was ruined by ScreenTest, the interactive DVD game. 33:20.738 --> 33:21.778 We've had a couple of texts. 33:22.278 --> 33:24.359 I bought ScreenTest and it ruined my Christmas. 33:24.879 --> 33:26.339 It's got nine hours left on eBay. 33:26.679 --> 33:29.040 I've never heard of Porkchop Hill or the Mod Squad. 33:30.686 --> 33:32.787 My sister forced me to play that game. 33:33.047 --> 33:33.587 It was rubbish. 33:34.547 --> 33:35.047 There we go. 33:35.087 --> 33:40.029 So, but I'm trying to basically share my pain with you about this terrible game screen test. 33:40.609 --> 33:45.811 And we're going to play it now live on the radio so that you can experience just how completely impossible it is. 33:46.251 --> 33:47.772 So are we ready with the questions there, Adam? 33:47.992 --> 33:51.033 Yeah, I feel like I should have some music like Michael Rodd style music. 33:53.453 --> 34:00.635 Um, so, basically, I can guarantee that none of you callers, Adam, Jessica, Jason and Neil, who are holding on hopefully to play, no, you're just not gonna win. 34:01.276 --> 34:04.416 I mean, this is the most impossibly stupid quiz game ever released. 34:04.716 --> 34:07.577 But we'll give it a shot anyway, and if you do win, you will win the actual game. 34:07.837 --> 34:09.858 Oh, well done. 34:09.938 --> 34:10.718 They're late than never. 34:10.778 --> 34:13.079 You're gonna have to take it off now, because you've got the callers. 34:13.879 --> 34:15.539 Adam the caller, are you there, Adam the caller? 34:15.559 --> 34:16.320 I'm there, I'm ready. 34:16.480 --> 34:17.760 Hello, Adam, well done, are you poised? 34:18.800 --> 34:20.261 I'm poised on the edge of my seat, I'm ready. 34:20.381 --> 34:20.961 Are you a film buff? 34:22.383 --> 34:25.306 Well, well, it doesn't sound like it matters for this game, really. 34:25.326 --> 34:25.847 It doesn't, no. 34:25.867 --> 34:32.895 You'd have to be the most... You'd basically have had to not left the house for hundreds of years and just watch the world's worst MGM films. 34:33.156 --> 34:33.576 So here we go. 34:33.616 --> 34:34.357 Here's your question, Adam. 34:34.577 --> 34:35.398 Listen very carefully. 34:38.802 --> 34:41.826 What happens next in this scene from American Ninja II? 34:44.062 --> 34:46.703 OK, obviously that's quite an unfair question, but I'll describe what you see. 34:47.123 --> 34:54.985 You see a motorboat, and you see the hero of American Ninja II, and he's fiddling with wires under the dashboard of the motorboat. 34:55.045 --> 34:56.225 It's a very brief glimpse. 34:56.585 --> 34:59.426 He's fiddling with the wires under the steering wheel of the motorboat. 34:59.446 --> 35:00.946 So what happens next, do you think, Adam? 35:01.547 --> 35:02.227 Anybody's guess. 35:02.547 --> 35:06.668 A low-flying helicopter zooms very, very low. 35:08.297 --> 35:11.780 And that's it, doesn't decapitate him catch 22 star or no? 35:11.840 --> 35:14.182 No, I think him being a hero, it just might be a bit disappointing. 35:14.262 --> 35:17.924 I think it's just going to go straight over, maybe some kind of heroic look up, I don't know. 35:17.944 --> 35:21.447 So you think the answer is, a helicopter passes close by. 35:22.328 --> 35:23.368 You think that's the kind of thing. 35:23.428 --> 35:26.571 OK, well, let's hear what happens in American Ninja 2. 35:26.811 --> 35:31.034 Well, no one could have seen that coming. 35:32.415 --> 35:34.417 You see, Adam? 35:40.618 --> 35:41.679 What a movie. 35:41.719 --> 35:44.601 Do you remember the moment when Armstrong fixed the boat from American Ninja 2? 35:44.641 --> 35:50.106 It's funny, because now that you've said it, of course, I do in fact remember the moment when Armstrong doesn't eat our... It's a classic moment. 35:50.146 --> 35:51.407 Adam, thanks very much for your call. 35:51.447 --> 35:52.788 Sorry you weren't victorious there. 35:52.808 --> 35:54.569 Have we got someone else who wants to play? 35:54.589 --> 35:55.350 We've got Jessica. 35:55.370 --> 35:56.230 Jessica, are you there? 35:56.511 --> 35:56.911 Hello. 35:57.211 --> 35:58.132 Hello, Jessica. 35:58.272 --> 35:59.073 Nice to speak to you. 35:59.113 --> 35:59.933 Thanks for calling in. 36:00.734 --> 36:01.755 Are you feeling confident? 36:02.575 --> 36:05.458 I'm okay. 36:05.558 --> 36:07.299 Let's give her a question then, Adam. 36:07.319 --> 36:08.440 So listen carefully to this, Jessica. 36:12.862 --> 36:17.689 In Making Mr. Right, Frankie puts on lipstick in her parked car. 36:17.809 --> 36:20.113 What happens next? 36:20.714 --> 36:21.254 Now, you know what? 36:21.274 --> 36:23.998 I have seen Making Mr. Right with John Malkovich, isn't it? 36:24.099 --> 36:25.741 Jessica, have you seen Making Mr. Right? 36:26.202 --> 36:26.462 No. 36:26.722 --> 36:27.584 Have you ever heard of it? 36:28.758 --> 36:32.041 No, OK, well then, you're the perfect audience for Screenplace. 36:32.161 --> 36:34.483 It's about... Malkovich is a robot, isn't he? 36:34.503 --> 36:35.684 Yeah, he's the perfect man. 36:35.704 --> 36:37.685 He's the robotic perfect man. 36:37.846 --> 36:39.447 And he sort of snogs a lady. 36:39.787 --> 36:41.869 So the lady's putting lipstick on in her car. 36:41.909 --> 36:45.292 What happens next in this memorable moment from Making Mr Right? 36:45.332 --> 36:46.072 Jessica, guess. 36:46.092 --> 36:48.955 She slips and it goes all over the place. 36:49.235 --> 36:50.256 The make-up slips? 36:50.416 --> 36:52.197 Like she draws lipstick across her cheek? 36:52.658 --> 36:54.139 Something like that, I don't know. 36:54.159 --> 36:55.360 Oh dear, let's hear the answer. 36:57.737 --> 36:59.798 Ulysses pops up from the backseat. 37:00.499 --> 37:01.139 Of course. 37:01.399 --> 37:01.900 Of course. 37:03.160 --> 37:03.841 Of course. 37:04.781 --> 37:06.182 I don't know why he didn't get that. 37:06.662 --> 37:08.584 The Ulysses pops up from the backseat. 37:10.065 --> 37:12.206 Everyone was talking about that back in 1980. 37:12.646 --> 37:15.168 Have you ever been to the cinema, Jessica? 37:16.068 --> 37:18.530 Ulysses pops up from the backseat. 37:18.570 --> 37:21.632 Jessica's done nothing about film. 37:21.652 --> 37:24.473 Maybe you'd better buy an easier game next Christmas then, Joe Cornish. 37:24.633 --> 37:25.274 What, Jessica? 37:25.654 --> 37:26.855 Jessica, thanks so much for calling. 37:27.648 --> 37:29.669 That's a good thing, because we were... It is, we were silly. 37:30.130 --> 37:31.451 Jessica, thanks so much for calling. 37:31.791 --> 37:36.054 And one more reminder, Ulysses, pop that hood back there. 37:36.354 --> 37:37.695 Everyone knows that. 37:37.855 --> 37:39.937 Let's see if we can get someone who knows something about films. 37:39.977 --> 37:40.677 Jason, are you there? 37:41.218 --> 37:41.558 I'm here. 37:41.858 --> 37:42.759 Okay, Jason, come on. 37:42.919 --> 37:43.419 Are you going to do this? 37:43.439 --> 37:44.580 Are you going to answer this question correctly? 37:45.140 --> 37:47.362 Well, I was confident before, but I don't know about it now. 37:47.742 --> 37:48.563 Jason, are you drunk? 37:48.583 --> 37:51.905 I'll take that as a yes. 37:51.925 --> 37:53.046 He's drunk, he's drunk on happiness. 37:53.066 --> 37:53.987 Let's hear Jason's question. 37:54.047 --> 37:55.548 Listen carefully, here comes your question. 37:55.748 --> 37:56.388 You've got 72 hours. 37:59.654 --> 38:03.855 In Making the Grade, Dice Gives Eddie 72 Hours to Repay Him. 38:04.616 --> 38:06.936 What Happens Next? 38:07.537 --> 38:08.077 Come on. 38:08.157 --> 38:09.417 Making the Grade? 38:09.457 --> 38:10.258 That's a classic! 38:10.778 --> 38:12.718 Dice Gives Eddie 72 Hours to Repay Him. 38:12.758 --> 38:13.459 What Happens Next? 38:13.919 --> 38:14.219 Jason. 38:14.879 --> 38:15.739 I have no idea. 38:16.520 --> 38:17.580 Can I have a guess? 38:17.800 --> 38:23.122 Dice, Eddie, 72 Hours, Making the Grade, screen test, commercially available, £21.99. 38:23.182 --> 38:24.102 Have a guess, Jason. 38:24.502 --> 38:25.543 What are my mates? 38:25.623 --> 38:25.963 Anything. 38:26.183 --> 38:26.703 New Year's Eve? 38:28.539 --> 38:29.360 He's taken his own life. 38:29.420 --> 38:30.080 Jason's died. 38:30.360 --> 38:32.721 He's died on air. 38:32.761 --> 38:33.361 That's incredible. 38:33.381 --> 38:34.982 Let's give him his answer. 38:35.562 --> 38:37.804 Are we the first radio show to take a life during a quiz? 38:38.364 --> 38:40.305 Yeah, certainly, to have a life suicide. 38:40.565 --> 38:41.345 Here's the answer. 38:44.147 --> 38:46.648 Eddie starts a craps game with his dorm mates. 38:48.720 --> 38:50.762 Well, why bother, eh? 38:50.962 --> 38:52.183 We do have one more caller. 38:52.303 --> 38:53.564 Jason, did you hear that answer? 38:55.065 --> 38:57.647 Eddie starts a crack game, you lunatic. 38:57.687 --> 38:59.028 I can't believe you didn't know that one. 38:59.248 --> 39:00.389 Thanks so much for your call. 39:00.669 --> 39:02.010 Now, have we got one more caller? 39:02.150 --> 39:02.971 Yeah, one last question. 39:03.011 --> 39:03.531 Neil, are you there? 39:04.852 --> 39:05.172 Neil? 39:06.353 --> 39:06.793 Hello, Neil. 39:07.054 --> 39:07.214 Hello. 39:07.414 --> 39:07.734 You alright? 39:07.754 --> 39:08.675 I'm fine, thanks. 39:08.875 --> 39:10.056 And do you think you're going to get this question right? 39:11.994 --> 39:12.254 Good one. 39:12.294 --> 39:13.135 OK, you're a fan of the film. 39:13.415 --> 39:14.156 What's the next film? 39:14.196 --> 39:14.677 Is it Youngblood? 39:15.798 --> 39:16.338 I think it is. 39:16.518 --> 39:18.961 Do you know the film Youngblood with Rob Lowe very, very well? 39:19.461 --> 39:20.022 No, I don't. 39:20.162 --> 39:20.842 Good, good man. 39:20.902 --> 39:21.783 Here's a question about it. 39:21.983 --> 39:23.385 You've got to learn to survive on the ice. 39:25.447 --> 39:31.913 Dean's brother teaches him how to hit a punching bag, but who teaches him how to fight hockey style in Youngblood? 39:35.031 --> 39:35.131 Mmm. 39:35.551 --> 39:36.692 Very, very good film. 39:36.712 --> 39:37.392 Very memorable. 39:37.492 --> 39:39.013 I remember every detail of Youngblood. 39:39.513 --> 39:41.354 That sounded like Tom Cruise at the beginning there. 39:41.374 --> 39:43.595 Uh, I think it was... I don't know. 39:43.815 --> 39:45.516 I don't know who's in Youngblood apart from Rob Lowe. 39:45.776 --> 39:46.876 Neil, what's the answer to that one? 39:46.916 --> 39:48.897 Who teaches him how to do the do or whatever? 39:48.917 --> 39:50.838 Uh, Tom Cruise? 39:54.077 --> 39:58.363 Just repeated the last words he heard spoken by a human. 40:03.210 --> 40:04.212 Well, let's see if you're right. 40:04.232 --> 40:05.694 Of course! 40:09.298 --> 40:10.119 Fuck Mr. Blood. 40:10.419 --> 40:11.700 Mr. Youngblood Sr. 40:11.820 --> 40:12.381 Dr. Blood. 40:12.801 --> 40:15.764 So, I should... People who've just tuned in, I should... Right, we haven't made these questions up. 40:15.784 --> 40:18.106 These are questions from a commercially available game, ScreenTest. 40:18.146 --> 40:19.767 It's a movie quiz, DVD quiz game. 40:19.807 --> 40:21.269 It ruined my New Year's Eve. 40:22.029 --> 40:23.531 And, you know, just don't buy it. 40:23.551 --> 40:24.211 It's stupid. 40:24.271 --> 40:25.893 How would they let it leave the factory? 40:26.413 --> 40:27.554 How cynical do you have to be? 40:28.815 --> 40:31.096 Well, listen, Neil, thanks very much for taking part. 40:31.116 --> 40:34.257 Thanks very much indeed to Jason, Jessica and Adam. 40:34.877 --> 40:36.558 Who should we give one of them the game? 40:37.178 --> 40:39.359 Well, who did you like best out of them all? 40:39.439 --> 40:41.020 I really liked them all very much. 40:41.180 --> 40:41.820 I think Adam. 40:41.880 --> 40:42.840 Because he's got your name? 40:42.860 --> 40:45.561 Yeah, because I love, everyone called Adam because I love myself. 40:45.681 --> 40:45.961 Okay. 40:46.041 --> 40:50.183 Adam the first caller, you're going to get the screen test game and I advise you just to pop it straight in the bin. 40:50.623 --> 40:53.649 Now Cormac is here, say hi Cormac, give us a kind of zoo style yo. 40:53.990 --> 40:54.250 Yo! 40:54.491 --> 40:55.593 Hey! 40:55.653 --> 40:59.040 Cormac has saved our skins and we're gonna chat to him in just a second. 40:59.060 --> 41:00.142 This is Adam and Jo on XFM. 41:10.405 --> 41:12.466 That took me by surprise. 41:12.526 --> 41:15.228 That's a challenge for DJs, that record. 41:15.268 --> 41:17.830 That's Howl with What a Lovely Dance. 41:18.130 --> 41:25.914 It's kind of a jazzy sound, a kind of a jazzy smooth sound that the Dublin quartet Howl are using there and I like it. 41:26.195 --> 41:28.756 It's led by the brothers Dave and Paul Allen. 41:29.076 --> 41:31.058 What's Dave Allen doing in a band? 41:31.118 --> 41:33.659 Dunno, trying to restart his career I suppose. 41:33.699 --> 41:34.340 Hello Cormac. 41:35.240 --> 41:35.780 How are you doing? 41:36.020 --> 41:36.421 Very well. 41:36.601 --> 41:38.662 Which button is Cormac's mic on? 41:38.822 --> 41:39.982 He needs to be beefed up a bit. 41:40.362 --> 41:41.083 Speak now Cormac. 41:41.123 --> 41:42.263 I speak now. 41:42.323 --> 41:50.507 Hey Cormac, thank you on behalf of Adam and I and all the listeners to the Adam and Joe XFM show here on Saturday afternoon for saving Dizzy's in the dock this week. 41:50.647 --> 41:51.267 It's a pleasure. 41:51.287 --> 41:52.387 May I honour? 41:52.948 --> 41:54.688 Tell us how you were listening to the show. 41:54.708 --> 41:56.869 Were you listening to it on a mobile or on your car? 41:56.889 --> 41:58.210 I was listening to it on my mobile phone. 41:58.230 --> 42:00.171 I actually tried the other competition but I didn't get through. 42:00.191 --> 42:00.331 Really? 42:00.351 --> 42:01.992 So I happened to remember my phone and I thought, I'll call. 42:02.212 --> 42:02.832 So modern. 42:03.072 --> 42:05.233 Have you phoned in before to this program? 42:05.253 --> 42:05.333 No. 42:05.693 --> 42:06.153 Oh, that's good. 42:06.173 --> 42:08.894 I thought you were what we call in the industry a prize pig. 42:09.574 --> 42:10.894 Oh, no, Cormac's not one of those. 42:11.434 --> 42:13.395 And you're out shopping, were you, today, Cormac? 42:13.435 --> 42:13.755 Yeah, I am. 42:13.895 --> 42:16.256 And what's your shopping circuit in London's racy West End? 42:16.456 --> 42:20.077 I was gonna, that's quite boring, I was gonna go to Germans, Germans fleet and buy a suit. 42:20.497 --> 42:21.998 Why are you buying a suit, man? 42:22.018 --> 42:22.838 Are you going to court? 42:22.958 --> 42:24.938 No, just cheaper at this time of year, you know? 42:24.978 --> 42:25.979 Cormac's very fashionable. 42:25.999 --> 42:26.919 Let me describe Cormac. 42:27.619 --> 42:30.041 He's got a lovely beard and a sort of moustache. 42:30.061 --> 42:33.243 He looks like one of the three musketeers if they'd had a sort of with a hangover. 42:33.823 --> 42:35.444 Short hair, glasses. 42:35.804 --> 42:38.346 He's got a corduroy jacket. 42:38.786 --> 42:42.188 Beneath that he's wearing a black hooded top and a red t-shirt, which is very good. 42:42.228 --> 42:45.130 It's a sort of hip-hop Will Young kind of look. 42:45.150 --> 42:49.393 Joe Man, you could save a bit of time by saying he looks like a very young, good-looking Rolf Harris. 42:49.793 --> 42:50.794 That's absolutely true. 42:50.814 --> 42:51.734 That's a beautiful sentiment. 42:52.014 --> 42:52.595 Absolutely true. 42:52.975 --> 42:56.416 And I think, I can see Cormac, something that happens to my jeans has happened to your jeans. 42:56.856 --> 42:58.256 This is not a contemporary problem. 42:58.276 --> 43:05.017 You buy these baggy jeans, they're a bit too low, you step on the hem at the bottom, and it becomes a sort of denim stirrup because it rips off. 43:05.097 --> 43:06.918 That's very clap on them, I see that all the time. 43:06.958 --> 43:07.238 Is it? 43:07.258 --> 43:11.359 Because I've got these weird sort of denim stirrups because I've pulled the bottom hem off my jeans. 43:11.559 --> 43:17.280 And then you cut that bit off, because it starts getting dangly, and then basically your jeans go to poo-poo. 43:17.580 --> 43:18.020 Absolutely. 43:18.560 --> 43:20.001 I'm turning up my jeans now. 43:20.241 --> 43:22.001 I have to turn them up as well, so that doesn't happen. 43:22.041 --> 43:25.182 But Cormac's gone for the whole frayed, bell-bottom sort of a look. 43:25.363 --> 43:27.123 I thought it was adventurous, but I gave it a try. 43:27.143 --> 43:29.724 Did you just cut those off, or was it the whole denim stirrup thing? 43:29.984 --> 43:32.005 I cut them off, and then you cut them a bit, and then you pull. 43:32.285 --> 43:33.405 So nice to have a young person in. 43:33.725 --> 43:34.565 I love young people. 43:34.605 --> 43:35.766 Do you know who Kenzie is? 43:36.468 --> 43:51.719 look i didn't until did you not no thank i had no idea i think joe was the only person over 30 that knew who kensy was joe man who is he stop doing that now whoa that's the blazing squad he's a member of the blazing squad i didn't know 43:52.139 --> 43:55.342 Kenzie and Crazy, they're the two most popular in the Blazing Squad. 43:55.402 --> 43:57.584 Some say Crazy's bigger than Kenzie. 43:58.025 --> 43:59.486 But Crazy's obviously decided not to do it. 43:59.506 --> 44:00.447 Kenzie's decided to do it. 44:00.527 --> 44:05.252 There's like 20 of them in the Blazing Squad, though, aren't there? 44:05.272 --> 44:06.973 There's a lot, but you know, there's a lot of talent. 44:07.074 --> 44:08.235 The more talent, the bigger the band. 44:08.755 --> 44:11.076 That's a very good, very good maxim, Joe. 44:11.756 --> 44:12.897 Are you into the Blade and Squad Cormac? 44:12.917 --> 44:14.237 No, because he doesn't know who Kenzie is. 44:15.178 --> 44:16.338 So listen, what now, Adam? 44:16.558 --> 44:17.939 Did you watch Big Brother last night? 44:18.299 --> 44:18.959 Yes, I did. 44:18.979 --> 44:20.020 I'm fascinated with Cormac, though. 44:20.040 --> 44:21.020 Did you watch Big Brother last night? 44:21.040 --> 44:22.721 I thought it was a bit short on detail, actually. 44:22.741 --> 44:23.961 I mean, I'm a bit bored. 44:24.001 --> 44:24.561 I'm a bit bored. 44:24.581 --> 44:25.522 I mean, there wasn't a lot happening. 44:25.542 --> 44:27.062 It was only until sort of, it was the first night. 44:27.082 --> 44:27.903 What do you mean, detail? 44:27.923 --> 44:30.464 And it was dominated by John McCrory, and he's very dumb. 44:31.964 --> 44:34.125 Well, that's wearing thin pretty fast, isn't it? 44:34.146 --> 44:37.787 The whole Germaine Greer, John McCreery axis. 44:38.047 --> 44:39.788 Well, Dermot O'Leary wasn't bored of it. 44:39.808 --> 44:41.109 Did you see Big Brother's little brother? 44:41.569 --> 44:43.330 He was already, like, I mean, he's a professional. 44:43.550 --> 44:48.472 So his excitement levels were already absolutely at 15 out of 10. 44:48.512 --> 44:52.714 Because he was sort of going, John McCreery, he's a legend in the making. 44:52.794 --> 44:53.655 Who do you fancy in there? 44:54.335 --> 44:55.236 In the Big Brother house? 44:55.256 --> 44:55.436 Yeah. 44:55.797 --> 44:56.878 I don't like any of them, man. 44:56.918 --> 44:57.819 I quite fancy Kenzie. 44:58.300 --> 44:58.600 Do you? 44:58.940 --> 44:59.941 Well, he's the best looking. 44:59.961 --> 45:00.862 Out of all of them. 45:01.874 --> 45:02.174 Wow. 45:02.334 --> 45:04.136 He's got tiny, tiny little nipples. 45:04.556 --> 45:08.319 And he's like one of those child bodybuilders from Russia. 45:08.879 --> 45:09.800 What are you talking about? 45:09.820 --> 45:15.524 Well, because he's obviously worked out, but he's too young to work out, so he's got these weird little pecs, mini pecs. 45:15.664 --> 45:17.406 I think maybe they're sold in toy shops. 45:17.446 --> 45:19.607 You're looking at Kenzie much too closely. 45:19.827 --> 45:22.029 I was bored and, you know, horny. 45:22.189 --> 45:24.231 Hey, listen, we've got a bit of housekeeping to do. 45:24.551 --> 45:25.892 Thanks very much to Cormac. 45:29.474 --> 45:34.197 Now because of Cormac's generosity and the giving of his time, we are able to do Ditties in the Dock this week. 45:34.618 --> 45:37.880 And this week it's a battle between 80s Bowie. 45:38.080 --> 45:38.981 Bad 80s Bowie. 45:39.457 --> 45:39.977 Well, bad. 45:40.017 --> 45:41.358 That's, you know, subjective, isn't it? 45:41.378 --> 45:41.938 Yeah, that's true. 45:41.978 --> 45:42.699 So 80s Bowie. 45:42.719 --> 45:44.119 It's an 80s Bowie off. 45:44.559 --> 45:50.522 Obviously, Diddy's in the Dock, if you've not listened to the show before, is the item where Adam and I battle it out to play the final song of the show. 45:50.622 --> 45:56.805 So let's do a quick battle and get on with this right now, and then we can chat a bit more to Kenzie. 45:56.825 --> 45:58.726 Let's chat a bit more with his little nipples. 45:59.647 --> 46:01.187 OK, so I'm going to start. 46:01.327 --> 46:02.128 Are you happy with that, Adam? 46:02.168 --> 46:02.548 Yeah, you go. 46:02.748 --> 46:06.453 My choice for 80s Bowie is the theme tune to the film Labyrinth. 46:06.853 --> 46:08.115 It is a track called Underground. 46:08.135 --> 46:19.349 It's the only time where Parisian street accordion music has been fused with gospel music to create a whole new kind of pop that never took off for reasons that you understand when you hear the track. 46:19.489 --> 46:20.130 Sing a little bit. 46:20.951 --> 46:50.113 got to get me out of here underground that's not really singing that was just sort of underground speaking like a farmer it was the soundtrack to a great many very raunchy parties i remember one summer you me and ben walden that's correct we were very excited about labyrinth labyrinth obviously a terrific film in which david bowie plays the pixie king an anti-gravity pixie king with very thin legs and huge hair he sings various songs this is the best one uh that's all i have to say i mean i know everyone loves labyrinth i know everyone wants to hear underground um so you know 46:50.313 --> 46:50.713 Thanks, man. 47:20.213 --> 47:20.553 Vote for it. 47:20.593 --> 47:21.174 It's rubbish. 47:21.254 --> 47:21.874 It's brilliant. 47:22.135 --> 47:22.975 Come on, get voting. 47:22.995 --> 47:23.315 0-8-7-1-2-2-2-1-0-4-9. 47:23.335 --> 47:26.978 We'll take five calls, and the rest are five for three. 47:27.018 --> 47:31.762 And we should say that everybody who calls in and gets on the air wins an amazing CD, and we've got some good CDs to give away. 47:32.022 --> 47:33.864 So call 0-8-7-1-triple-two-one-o-four-nine. 47:34.044 --> 47:34.665 We'll be right back. 47:40.148 --> 47:41.949 That's Travis and Walking in the Sun. 47:41.969 --> 47:43.951 This is Adam and Joe on XFM. 47:43.991 --> 47:48.655 Very shortly we'll be revealing the winner of Ditties in the Dock this week. 47:48.695 --> 47:52.478 We've got Cormac here, who's our new friend, our new radio buddy. 47:52.538 --> 47:56.341 He was running around in the West End when he heard the call from Adam and Joe. 47:56.401 --> 47:57.902 We needed a copy of Absolute Beginners. 47:57.942 --> 47:59.403 He went out and he bought us one. 47:59.563 --> 48:00.224 God bless Cormac. 48:00.504 --> 48:05.827 So the question is, are you going to vote for that track or are you going to vote for Underground by David Bowie? 48:05.867 --> 48:07.047 What an incredible question. 48:07.067 --> 48:07.828 Are we going to do that now, Adam? 48:07.848 --> 48:08.848 We're not going to do it right now. 48:08.868 --> 48:13.370 We're going to play another song because we've still got a little bit of time left, but I want to make an admission right now. 48:14.031 --> 48:26.637 When we came into the studio this morning, our producer, Lila, very attractive, very intelligent, said, did either of you steal a copy of the Mighty Boosh CD from Brian's desk? 48:27.578 --> 48:29.139 Now Brian, he used to be our producer. 48:29.179 --> 48:30.520 He's actually in the building now. 48:30.580 --> 48:31.781 I just saw him walk past. 48:32.001 --> 48:33.462 I don't know if he's listening to the output. 48:34.083 --> 48:36.045 But anyway, Brian, you might want to come to the studio. 48:36.065 --> 48:38.847 I just want to say, Brian, that that might have been me. 48:39.707 --> 48:42.650 I swear to God, I didn't know it was yours. 48:42.730 --> 48:45.072 I didn't know it was earmarked for a competition winner. 48:45.512 --> 48:48.595 I thought it was just in a big pre-Christmas prize bin. 48:49.375 --> 48:50.997 This doesn't sound very convincing, does it? 48:51.097 --> 48:52.898 No, it's actually your evil. 48:53.078 --> 48:54.279 I'm an evil stealing thief. 48:55.340 --> 48:57.461 And I saw it, I just thought, ooh, I want that. 48:57.701 --> 48:58.581 I badly want that. 48:58.961 --> 49:02.062 Can I tell you that it's the best thing I've ever listened to? 49:02.082 --> 49:03.302 What is it, a Mighty Boosh CD? 49:03.362 --> 49:06.163 They did a radio series before they did the TV series. 49:06.203 --> 49:06.283 Ah. 49:06.483 --> 49:08.884 And it is unbelievably funny. 49:09.044 --> 49:11.925 But did you feel ashamed when you listened to it, because you'd stolen it? 49:12.125 --> 49:16.386 I did, I did a little bit, but then I stopped feeling ashamed because I was so overjoyed. 49:16.446 --> 49:17.307 It was so funny. 49:17.487 --> 49:21.448 I'm just obsessed by it, and I recommend you go out and steal yourself a copy as well. 49:22.458 --> 49:24.599 I'm really sorry Brian, and I'll bring it right back. 49:24.979 --> 49:25.719 Is that going to work? 49:26.819 --> 49:27.239 I doubt it. 49:27.279 --> 49:27.759 We'll find out. 49:27.779 --> 49:28.759 We'll come back to that one. 49:28.779 --> 49:30.100 Oh, it's Diddy's in the Dark. 49:30.160 --> 49:31.300 It's the big final this week. 49:31.340 --> 49:33.341 It's an 80s Bowie playoff. 49:33.581 --> 49:40.942 It's Underground, the theme from Labyrinth, versus Absolute Beginners, a CD that was brought to us hotfoot by devoted listener Cormac. 49:41.582 --> 49:47.724 So if you don't actually vote for Absolute Beginners, it'll mean Cormac's completely wasted his time, which might not be a bad thing. 49:48.904 --> 49:49.585 So here we go. 49:49.605 --> 50:00.391 We've got five callers on the line, and callers, hopefully you're listening as you prepare to come on the show, you each get a CD, but you get a choice of CD. 50:00.451 --> 50:01.611 It's all movie soundtracks. 50:01.631 --> 50:12.097 You can have Grand Theft Parsons, Dead Man's Shoes, Hellboy, Saw, or one that isn't a film soundtrack, Love Legends, which frankly looks like a bit of a stinker unless you're a lady without much taste. 50:12.618 --> 50:13.858 Anyway, so you get to choose from them. 50:14.339 --> 50:15.039 Shall we do this then, Ad? 50:15.279 --> 50:15.980 Yeah, absolutely. 50:16.000 --> 50:16.541 We're ready to go. 50:16.601 --> 50:17.402 Who's on line one? 50:17.442 --> 50:18.002 We've got Jay. 50:18.042 --> 50:18.563 Hello, Jay. 50:18.723 --> 50:19.003 Hello. 50:19.344 --> 50:19.664 How are you? 50:19.684 --> 50:20.465 I'm Andy. 50:20.725 --> 50:23.308 First of all, would you like to pick your CD out of those ones I just read out? 50:24.550 --> 50:25.170 Saw one. 50:25.190 --> 50:25.350 Saw. 50:25.370 --> 50:26.772 That's an interesting choice. 50:26.972 --> 50:30.376 Sort of metal on that one. 50:30.396 --> 50:33.460 And what's your choice between underground and absolute beginners? 50:33.820 --> 50:34.461 To be underground. 50:35.301 --> 50:38.143 Good one, well done Jay, that's one nil to Cornish. 50:38.663 --> 50:40.624 Cormac looking like he may have wasted his time. 50:41.004 --> 50:43.566 Not yet, come on, who's on the second caller? 50:43.926 --> 50:44.406 It's Adam. 50:44.486 --> 50:45.887 Is it the same Adam we spoke to before? 50:46.808 --> 50:47.048 No. 50:47.348 --> 50:47.948 No, hello Adam. 50:48.168 --> 50:48.689 Yes, hello. 50:48.849 --> 50:53.852 I'm going to pay tribute to Cormac's effort and go with absolute beginnings. 50:55.012 --> 50:55.412 Well done. 50:55.833 --> 50:57.934 I absolutely love you, thanks very much Adam. 50:58.034 --> 50:59.134 Hang on Adam, which CD do you want? 50:59.174 --> 51:01.376 Hellboy, Dead Man's Shoes, Grand Theft Parsons or Love Legends? 51:02.196 --> 51:03.597 I'd like Grand Parsons please. 51:04.335 --> 51:05.295 Grand Parsons, you got it. 51:05.435 --> 51:06.576 He thinks it's Grand Parsons. 51:07.056 --> 51:08.656 It's the soundtrack to Grand Theft Pass. 51:08.716 --> 51:10.356 Is there any Grand Parsons on the soundtrack? 51:11.057 --> 51:11.677 I don't know. 51:11.977 --> 51:12.797 Ah, I don't know. 51:13.157 --> 51:14.197 Yes, there is his line. 51:14.217 --> 51:15.057 Thank you very much. 51:15.217 --> 51:17.038 So, that's one all now. 51:17.938 --> 51:18.458 Oh, one all. 51:18.518 --> 51:19.038 Okay, Jim. 51:19.078 --> 51:19.739 Is it Jim or Tim? 51:19.959 --> 51:20.339 Lila. 51:20.379 --> 51:20.659 Jim. 51:20.879 --> 51:21.399 Jim, hello Jim. 51:21.959 --> 51:22.459 Jim, hello mate. 51:22.619 --> 51:22.879 How you doing? 51:23.519 --> 51:25.200 I'll keep it out for you, I think. 51:25.220 --> 51:25.980 Does he pronounce it Gim? 51:27.463 --> 51:27.903 Oh, Jim. 51:27.943 --> 51:30.305 Sorry, I don't know why you pronounce it Gimly. 51:30.366 --> 51:31.406 It's insane. 51:31.747 --> 51:32.367 I'm sorry, Jim. 51:32.387 --> 51:33.228 Jim, what are you voting for? 51:33.248 --> 51:34.849 Is it going to be Absolute Beginners or Underground? 51:34.869 --> 51:36.110 I'm going to have to go to Underground. 51:36.751 --> 51:38.092 Oh, it's 2-1 to Cornish. 51:38.272 --> 51:39.773 Do you know what you're talking about, Jim? 51:39.833 --> 51:41.275 It's the ludicrous song. 51:41.635 --> 51:43.116 They love the Parisian accordion. 51:44.157 --> 51:44.918 Nostalgia excited. 51:44.938 --> 51:47.480 Cormac's in here and he's looking quite angry. 51:47.540 --> 51:49.642 I swear, the beginning of Underground is lovely. 51:49.722 --> 51:51.884 OK, we need another vote for Absolute Beginners. 51:51.904 --> 51:54.025 Hang on, Jim, which CD do you want? 51:54.045 --> 51:55.827 Dead Man's Shoes, Hellboy, or Love Legends? 51:56.243 --> 51:57.604 Good man's shoes, I'm thinking. 51:57.644 --> 51:59.506 Good call, fantastic film, dead man's shoes. 51:59.727 --> 52:00.487 Well done. 52:00.547 --> 52:00.988 There we go. 52:01.529 --> 52:02.550 We've got Verne now on line 4. 52:02.590 --> 52:03.170 Hello Verne. 52:03.571 --> 52:03.971 Hello there. 52:03.991 --> 52:04.772 How are you doing? 52:05.212 --> 52:05.813 Not bad, thanks. 52:06.053 --> 52:08.836 This is unprecedented technical success with the lines we're having. 52:09.497 --> 52:11.018 My fingers are on fire. 52:11.779 --> 52:12.740 So what is your vote, Verne? 52:12.760 --> 52:14.322 Is it going to be underground or actually beginners? 52:14.994 --> 52:15.935 We're the absolute beginners. 52:16.115 --> 52:18.077 Oh, it's too old! 52:18.117 --> 52:18.677 What a ned! 52:19.017 --> 52:20.279 It's exciting, isn't it, Cormac? 52:20.299 --> 52:22.620 You've got to admit, it's genuinely exciting. 52:22.761 --> 52:24.442 He's grinning from ear to ear. 52:24.502 --> 52:25.823 I've never seen so many teeth. 52:25.843 --> 52:27.645 It's like a packed graveyard. 52:27.665 --> 52:29.226 What? 52:30.047 --> 52:32.249 Finally, the deciding vote goes to Carl. 52:32.689 --> 52:33.510 Hello, Carl. 52:33.550 --> 52:34.511 What soundtrack is he going to get? 52:34.651 --> 52:35.131 Oh, sorry. 52:35.391 --> 52:36.132 Vern, you still there? 52:36.552 --> 52:37.113 Yeah, I'm still here. 52:37.333 --> 52:37.753 What do you want? 52:37.793 --> 52:40.616 You've got Hellboy if you're a man, or Love Legends if you're a poof. 52:41.670 --> 52:43.231 Well done. 52:43.491 --> 52:45.771 No poofs in this show. 52:46.452 --> 52:48.272 Although a couple present it. 52:48.392 --> 52:49.452 Karl on line five. 52:49.913 --> 52:50.273 Morning. 52:50.513 --> 52:50.993 How you doing? 52:51.333 --> 52:52.273 I'm fine, thank you. 52:52.633 --> 52:52.914 Yourself? 52:52.934 --> 52:53.594 Very well. 52:53.614 --> 52:54.334 You're very chirpy. 52:54.674 --> 52:55.454 Are you a chimney sweep? 52:56.315 --> 52:56.735 Say that again? 52:56.975 --> 52:57.675 Are you a chimney sweep? 52:58.475 --> 52:59.095 No, I'm not. 52:59.276 --> 53:00.516 Oh, well you should be, because you got the chirp. 53:01.275 --> 53:02.976 I should be a window cleaner then, shouldn't I? 53:02.996 --> 53:03.596 You should, yeah. 53:03.636 --> 53:04.857 Imagine the dirty things you'd see. 53:04.877 --> 53:07.558 So what are you going to vote for? 53:07.638 --> 53:08.599 Absolute beginners or underground? 53:08.619 --> 53:10.079 Oh, it has to be underground. 53:10.560 --> 53:12.381 Oh, that's a win for Cornish! 53:12.541 --> 53:13.501 Cornish didn't expect that. 53:13.521 --> 53:16.142 Cornish, and that's a complete waste of time for Cormac. 53:16.303 --> 53:18.884 Cormac, you absolutely wasted your time there. 53:18.904 --> 53:20.605 You went out, you found us a copy of the Bowie. 53:20.625 --> 53:26.788 Listen, you can go home with Bowie's Greatest Hits, the singles collection, and we'll refund you for it. 53:26.808 --> 53:28.389 A crisp £20 note in your pocket. 53:28.429 --> 53:29.229 How are you going to spend it? 53:30.177 --> 53:30.918 A holiday, great. 53:32.239 --> 53:33.159 Karl, are you still there? 53:33.860 --> 53:34.160 Hello! 53:34.380 --> 53:39.724 So, you win Love Legends, it's got tracks by... You're looking forward to it? 53:39.744 --> 53:41.566 Yeah, it'll probably shrivel your maleness. 53:42.584 --> 53:44.585 Well, I'll send it to my missus then. 53:44.945 --> 53:45.445 Exactly. 53:45.825 --> 53:46.125 Exactly. 53:46.145 --> 53:47.926 Give it to her with some chocolates and a slap. 53:48.146 --> 53:49.766 Thanks very much all of you for your calls. 53:50.106 --> 53:51.206 Thanks so much for listening. 53:51.427 --> 53:52.647 Most of all though, thanks. 53:52.667 --> 53:54.387 Thank you to Cormac for wandering around. 53:54.407 --> 53:55.628 What are you going to do with the rest of your day? 53:56.128 --> 53:58.709 I think I've got a good drink in there, actually. 53:58.889 --> 53:59.569 You know what I've got? 53:59.629 --> 54:02.370 I've got Cormac tickets to a very long engagement premiere as well on Monday. 54:02.390 --> 54:03.090 That's exciting, isn't it? 54:03.110 --> 54:04.290 I'd very, very appreciate it. 54:04.310 --> 54:04.430 Thanks. 54:04.450 --> 54:06.511 You can meet Audrey Tattoo and maybe try and touch her. 54:06.611 --> 54:07.371 Hey, I tell you what, mate. 54:07.651 --> 54:09.235 Give us a call next week, tell us how it went. 54:09.355 --> 54:09.736 We'll do. 54:09.976 --> 54:11.960 So let's, you know, let's stay friends now that we've met. 54:12.281 --> 54:12.722 Cool with me. 54:12.902 --> 54:13.544 OK, good one. 54:13.564 --> 54:14.285 Thanks a lot, Cormac. 54:14.345 --> 54:15.348 Thanks everyone for listening. 54:15.648 --> 54:16.129 We love you, bye!