WEBVTT 00:07.952 --> 00:08.712 Oh, it just finished. 00:09.493 --> 00:11.454 That's Kilimanjaro by Baby Shambles. 00:11.474 --> 00:13.135 This is Adam and Joe here on XFM. 00:13.155 --> 00:14.695 How you doing, Joe? 00:14.875 --> 00:15.956 I'm all right, thank you very much. 00:16.236 --> 00:16.756 Hello, listeners. 00:17.337 --> 00:18.077 Thanks for joining us. 00:18.117 --> 00:19.858 We're here for two hours on XFM. 00:19.958 --> 00:20.258 London's 104.9. 00:21.399 --> 00:23.940 In fact, not only London, but a bit... Where's that? 00:24.000 --> 00:24.660 I don't know. 00:28.462 --> 00:29.803 God, it's amazing, apparently. 00:29.823 --> 00:30.963 It's very hot. 00:31.283 --> 00:35.386 What I was trying to say was you can listen to it on the internet, or can you listen to it on digital telly? 00:35.846 --> 00:36.986 Yeah, yeah, yeah. 00:37.267 --> 00:38.807 So that means people all over the world are listening. 00:39.027 --> 00:39.828 Specifically to us. 00:41.589 --> 00:44.130 We've also got some really good music coming up this week. 00:44.790 --> 00:51.254 Katie Melua, Beverly Knight, Jamie Callum, Tom Jones, Jules Holland, New Busted, New McFly, and also the new track from JoJo. 00:51.434 --> 00:52.034 And Tunde. 00:52.434 --> 00:53.735 And Babata Hunde. 00:54.095 --> 00:54.475 Tunde. 00:54.575 --> 00:55.236 Who's Tunde? 00:55.276 --> 00:55.776 Have you not seen the 00:55.776 --> 00:56.657 I've seen the adverts for Tunde. 00:56.677 --> 00:57.897 Your breakfast just came out of your mouth. 00:57.917 --> 00:58.118 Did it? 00:58.138 --> 01:00.039 Well that's because of Tunde, because I'm excited. 01:00.539 --> 01:01.900 He used to be in the lighthouse family. 01:02.060 --> 01:03.821 Oh I have seen the adverts for Tunde. 01:03.901 --> 01:04.502 Tunde? 01:04.802 --> 01:06.943 It's the voice over is, what's he called? 01:06.964 --> 01:10.306 You know, the guy from classical, FM. 01:10.326 --> 01:11.046 I don't know. 01:11.146 --> 01:11.647 Gambaccini. 01:11.927 --> 01:12.267 Oh okay. 01:12.467 --> 01:12.948 Tunde. 01:13.088 --> 01:14.128 I can't do a good gambo. 01:14.148 --> 01:15.249 Tunde, he's probably very good. 01:15.269 --> 01:16.050 Have you heard any Tunde? 01:17.091 --> 01:18.552 Well, we're going to be playing some... Actually, no, we're not. 01:18.572 --> 01:20.014 Of course, that's a joke. 01:20.234 --> 01:24.039 I saw Jojo on CD UK Hotshots today. 01:24.059 --> 01:24.780 Is that what it's called? 01:25.180 --> 01:26.201 Saturday morning. 01:26.442 --> 01:27.583 Do not judge Jojo. 01:27.623 --> 01:29.085 Listeners out there will know who Jojo is. 01:29.125 --> 01:30.346 She sang Leave, Get Out. 01:30.747 --> 01:31.568 She's 14. 01:32.088 --> 01:34.251 She's got a huge head and a tiny body. 01:34.431 --> 01:35.412 Do you know Bratz? 01:36.033 --> 01:36.293 Yes. 01:36.654 --> 01:40.576 Barats are the dolls that like have the party van and stuff like that. 01:40.636 --> 01:41.997 Horrible attitude dolls. 01:42.017 --> 01:43.218 They now outsell Barbie. 01:43.458 --> 01:45.139 Jojo looks like a brat. 01:45.580 --> 01:45.900 Right. 01:46.120 --> 01:51.684 She's fit, her body is tiny and her head is huge and she's got enough tude for an angry 98 year old wino. 01:51.704 --> 01:51.784 Wow. 01:51.804 --> 01:52.445 Only she's 14, anyway. 01:55.987 --> 01:56.728 I'm going to look out for it. 01:56.808 --> 01:58.129 I was just going to tease a bit of the music. 01:58.289 --> 01:59.089 I'm very excited. 01:59.109 --> 02:02.012 We've got a couple of new sort of feature type things. 02:02.812 --> 02:07.176 We've got sort of an 80s classic in the first hour and a 90s classic in the second. 02:07.776 --> 02:08.837 Are those, what, do we? 02:09.037 --> 02:09.498 Yeah, we do. 02:09.518 --> 02:10.518 Are those chosen by us? 02:10.678 --> 02:11.059 Yeah, yeah. 02:11.079 --> 02:12.260 Or is that my free play gone then? 02:12.520 --> 02:13.741 No, no, we still got your free play. 02:14.061 --> 02:14.702 Have you brought it in? 02:14.822 --> 02:14.982 Yes. 02:15.602 --> 02:16.783 Is it what you had last week? 02:16.823 --> 02:17.043 Yes. 02:17.163 --> 02:18.763 OK, we won't say what it is because it's a surprise. 02:18.803 --> 02:19.384 Very good, though. 02:20.844 --> 02:25.806 And, you know, as well as Music for Talking Heads, Graham Coxon, Franz Ferdinand, The Strokes, Blur. 02:25.826 --> 02:27.507 How did that happen then, the 80s classic? 02:27.827 --> 02:28.867 It's all coming up. 02:29.127 --> 02:30.948 I sat down with Andy Ashton this week. 02:31.188 --> 02:31.368 Really? 02:31.408 --> 02:32.168 Head of XFM. 02:32.669 --> 02:34.409 And... Why wasn't I invited to that meeting? 02:34.509 --> 02:35.430 Well, you can come next week. 02:36.150 --> 02:37.050 Is it a weekly meeting? 02:37.130 --> 02:38.591 Yeah, I didn't think you'd want to come, actually. 02:38.891 --> 02:39.571 No one invited me. 02:39.951 --> 02:41.492 Well, OK, I'm sorry, that was my fault. 02:41.512 --> 02:41.932 That's very rude. 02:42.172 --> 02:42.472 All right. 02:42.492 --> 02:43.333 Do you want to come next week? 02:44.113 --> 02:45.074 No, I want to come last week. 02:45.374 --> 02:45.854 OK. 02:46.254 --> 02:48.315 Do you, would you really have come in the afternoon? 02:48.335 --> 02:49.436 I didn't have to have known about it. 02:49.516 --> 02:50.396 OK, all right then. 02:50.836 --> 02:52.537 It's our first TIFF and we're only five minutes in. 02:52.557 --> 02:54.138 It's not a TIFF, it's just a business talk. 02:54.398 --> 02:57.740 Well, you've got that, you've got that face where you look serious, you look a bit angry. 02:57.760 --> 02:59.120 I've said the business of running the show. 02:59.301 --> 02:59.621 OK. 02:59.821 --> 03:01.241 Is as important to me as it is to you. 03:01.261 --> 03:02.382 Oh, I didn't realize that. 03:02.422 --> 03:04.083 I thought you weren't that bothered about the playlist. 03:04.663 --> 03:05.964 No, I'm not. 03:06.705 --> 03:09.507 He wants it both ways. 03:09.747 --> 03:13.590 On the one hand he's not bothered, but he wants to give me some bad vibes for not inviting him to the meeting. 03:13.971 --> 03:14.972 That's basically what it is. 03:15.212 --> 03:17.854 As well as that, we're going to be talking about all kinds of things. 03:18.134 --> 03:21.377 Joe, you were DJing this week at the Islington Academy. 03:21.797 --> 03:22.818 What sort of stuff did you play? 03:23.879 --> 03:35.431 Well I did this thing called Guilty Pleasures at the Islington Bar Academy on Tuesday night and I tried to play, basically the brief was guilty pleasures, tunes that you love but are kind of ashamed of. 03:35.832 --> 03:37.894 But you know I forgot the cardinal rule of DJing. 03:38.434 --> 03:39.195 Play good music. 03:39.375 --> 03:40.677 Play music people recognise. 03:40.697 --> 03:42.459 Wouldn't you say that's the cardinal rule? 03:42.879 --> 03:45.940 Well, every now and again, it's good to slip in a few educational choices. 03:45.960 --> 03:47.541 Not at this, I've gone much too deep. 03:47.841 --> 03:48.541 What did you play? 03:48.661 --> 03:51.342 I've gone album tracks from 80s bands that I like. 03:51.643 --> 03:52.283 Holy moly. 03:52.303 --> 03:54.284 You know, King Size by Hecate 100. 03:54.484 --> 03:55.384 That's a good song though. 03:55.624 --> 03:58.905 It is a good song, but people don't know it, so they just drift away to the bar. 03:59.085 --> 03:59.286 Yeah. 03:59.566 --> 04:05.208 So basically I had to share my DJ set with Sean, who played sort of good tracks. 04:05.728 --> 04:05.948 Yeah. 04:05.968 --> 04:07.109 And I slipped a couple in between. 04:08.189 --> 04:08.689 But it was alright. 04:08.709 --> 04:09.690 I'll tell you who was there though. 04:09.710 --> 04:10.591 Terry Hall was there. 04:10.831 --> 04:11.191 Oh yeah. 04:11.391 --> 04:12.072 What a lovely guy. 04:12.232 --> 04:12.872 Very nice guy. 04:12.932 --> 04:13.213 Yeah. 04:13.513 --> 04:16.655 Have you heard that song he does with the Dub Pistols? 04:17.075 --> 04:17.275 No. 04:17.355 --> 04:17.936 That's very good. 04:18.016 --> 04:19.897 I think we certainly used to play that on XFM. 04:19.977 --> 04:21.819 I think it came out a while ago but it's very good. 04:22.199 --> 04:24.540 That Dub Pistols album is well worth seeking out. 04:24.801 --> 04:25.621 Here's some music right now. 04:25.681 --> 04:27.122 We'll be back in just a second. 04:27.142 --> 04:28.303 This is the Zootons. 04:38.101 --> 04:38.622 Oh, that's brilliant. 04:38.662 --> 04:39.823 Always good to hear that one again. 04:39.843 --> 04:45.307 Although it wasn't exactly the one I was gonna put on, we were gonna have a bit of The Kings of Leon. 04:45.368 --> 04:48.851 This is a fantastic album, which I haven't got yet, but I'm very excited about getting. 04:49.291 --> 04:50.772 And this, of course, is The Bucket. 05:00.481 --> 05:02.783 Yeah, that's The Kings of Leon with The Bucket. 05:02.803 --> 05:04.384 This is Adam and Joe here on XFI. 05:06.189 --> 05:07.550 I'm just saying hi to the listeners, Adam. 05:07.610 --> 05:07.910 Hi. 05:07.930 --> 05:09.992 Yeah, but you crashed the end of my sentence. 05:10.232 --> 05:11.013 Yeah, but it's cool. 05:11.033 --> 05:11.793 We're a duo, you know. 05:12.174 --> 05:17.157 We sort of sometimes talk at the same time, sometimes at different times. 05:17.197 --> 05:18.759 We finish each other's sentences. 05:18.959 --> 05:24.043 You know when you read that phrase in magazines, you just think, what a banal observation to make about two people. 05:24.223 --> 05:25.904 They finish each other's sentences. 05:25.944 --> 05:26.485 On a field. 05:27.125 --> 05:27.365 Yeah. 05:27.465 --> 05:28.166 Oh, you did it again. 05:28.246 --> 05:29.167 But I got it all wrong. 05:29.187 --> 05:29.987 It didn't make any sense. 05:30.167 --> 05:30.768 On a field. 05:31.068 --> 05:31.488 Yeah. 05:32.429 --> 05:32.689 I see. 05:32.729 --> 05:33.230 It's not true. 05:33.630 --> 05:38.254 So listen, I thought I could tease a few things not only coming up in the show, but coming up next week. 05:38.794 --> 05:39.235 Right. 05:39.275 --> 05:40.476 First of all, there's our bike. 05:40.496 --> 05:41.216 Do you want to talk about that? 05:41.997 --> 05:42.658 That's this week. 05:42.938 --> 05:44.920 We're going to give away a bike, listeners. 05:45.874 --> 05:47.435 A chopper, I believe it's called. 05:47.756 --> 05:50.578 You could win Adam and Joe's chopper. 05:50.858 --> 05:52.280 Nice. 05:52.420 --> 05:54.902 Is it a proper adult-sized chopper? 05:55.162 --> 05:58.145 It's not one of these tiny bikes that big guys in hoodies go around on. 05:59.066 --> 06:00.527 Because I'd like to give one of those away. 06:00.767 --> 06:06.372 You know we should give away a bike designed for a three-year-old, but give it to somebody over 30. 06:07.918 --> 06:09.719 So they can cycle around South London with it? 06:09.780 --> 06:10.440 Yeah, same. 06:10.620 --> 06:10.760 Ash. 06:11.261 --> 06:11.941 And look frightening? 06:12.041 --> 06:12.201 Ash. 06:12.322 --> 06:12.862 Same what? 06:13.142 --> 06:13.302 Ash. 06:13.583 --> 06:14.223 Ash, what's that? 06:14.243 --> 06:15.284 It's a drug. 06:16.665 --> 06:17.306 Oh, Ash! 06:17.406 --> 06:17.966 Yeah, Ash. 06:18.046 --> 06:20.308 I thought you meant they're going around talking about the band. 06:20.388 --> 06:20.928 You want smoke. 06:21.149 --> 06:22.670 Have you heard that new single by Ash? 06:22.950 --> 06:23.591 It is wicked. 06:23.711 --> 06:24.331 Ash single. 06:25.252 --> 06:25.492 Yeah. 06:25.572 --> 06:29.055 Do you think that actually, this is a full-sized bike, a full-sized chopper. 06:29.215 --> 06:32.578 And this is kind of tied into Ed Harcourt's single, Born in the Seventies. 06:33.079 --> 06:39.505 We're going to be playing a live session that he did for XFM, so it won't be live, it will be recorded, but it was recorded for XFM. 06:39.565 --> 06:39.765 Right. 06:40.206 --> 06:48.754 So, and a chopper, the distinguishing visual things about a chopper are, it's got a sort of seat like the letter L, a padded seat, right? 06:48.934 --> 06:50.476 Oh yeah, that's right, with a little backrest. 06:50.856 --> 06:51.817 that you can lean your back on. 06:52.097 --> 06:59.764 And then it's got very extended handlebars, has it, that are a bit like a drag racer, like, a drag racer doesn't have handlebars, but you know, it's sort of wide at the front. 07:00.004 --> 07:00.324 Yeah. 07:00.504 --> 07:01.465 Well, don't they dip? 07:01.825 --> 07:02.366 Do they dip? 07:02.846 --> 07:09.051 I just can't help feeling a grown listener of XFM is going to look like a bit of an idiot on the chopper. 07:09.191 --> 07:12.074 Man, we probably have a lot of young listeners as well who would dig it. 07:12.174 --> 07:14.336 Well, maybe we should have an age cap. 07:14.980 --> 07:15.901 And what's an age cap? 07:15.921 --> 07:16.462 I don't know. 07:16.702 --> 07:19.086 It's the thing that limits the age of... Oh, I see, I see, I see. 07:19.166 --> 07:23.031 I'm just frightened it's going to go to some awful Hoxton idiot. 07:23.852 --> 07:24.933 I see what you mean. 07:25.053 --> 07:29.079 Who's going to write... I want it to go on someone... I want it to go to someone who can really appreciate a chopper. 07:30.020 --> 07:31.341 That's a bit Hox dissed. 07:31.961 --> 07:33.682 It is a bit Hox dissed, isn't it? 07:33.742 --> 07:35.643 It's an original Chopper, their kitsch. 07:36.043 --> 07:42.506 But we're going to be giving it away for the person who wins the Crap Commentary Corner competition this week. 07:42.846 --> 07:44.346 And Joe, it's another quite hard one, isn't it? 07:44.446 --> 07:46.547 It's a tricky one, yeah, in Crap Commentary Corner this week. 07:46.688 --> 07:48.768 So that's your filter right there, you know. 07:48.888 --> 07:53.411 Anyone who gets your Crap Commentary is good enough to win the Chopper, don't you reckon? 07:53.591 --> 07:56.592 Yeah, if you're a film buff, stay tuned because we've got a really tricky one coming up. 07:56.792 --> 08:02.394 We've also got Mummification, where listeners have to figure out what my mum's talking about. 08:02.955 --> 08:04.135 That's coming up quite shortly. 08:04.555 --> 08:10.458 And this week, here's my sort of rundown of exciting things you can buy this week or watch. 08:11.118 --> 08:15.280 Elf, very excited about that, coming out on Monday. 08:15.300 --> 08:16.580 Have you got that? 08:16.820 --> 08:18.301 Where'd you get it, at the cinema store? 08:18.381 --> 08:21.122 At a special shop that sells things a little bit early. 08:21.222 --> 08:22.183 You couldn't wait till Monday! 08:23.603 --> 08:25.305 Because of we because we've talked about it. 08:26.045 --> 08:27.026 No couldn't wait till Monday. 08:27.106 --> 08:28.567 I could talk more about the elf DVD. 08:28.648 --> 08:30.049 Yeah, go on then It's a good DVD. 08:30.089 --> 08:34.853 It's a double disc set Therefore they can retake they could they can charge you $19.99 for it. 08:34.893 --> 08:42.539 Yeah, but on the second disc I expected it to be packed full of comedy extras Mm-hmm little you know will what's he called feral of barrel camping around? 08:42.979 --> 08:45.161 Commentaries funny docks like that. 08:45.562 --> 08:47.163 There's four docks about Christmas and 08:47.766 --> 08:48.147 OK. 08:48.227 --> 08:49.448 And they're just about Christmas. 08:49.648 --> 08:51.469 There's one sort of called The Magic of Christmas. 08:51.630 --> 08:52.871 Well, it is for children, though, isn't it? 08:53.231 --> 09:01.598 Yeah, but you don't buy a DVD to see a completely sort of unrelated, sentimental, sugary, saccharine documentary about Christmas. 09:01.818 --> 09:04.420 Well, speaking as a parent, that's not a bad thing to have lying around. 09:04.821 --> 09:05.101 Really? 09:05.161 --> 09:06.903 Yeah, just to stick on every now and again. 09:08.083 --> 09:08.724 It's quite handy. 09:08.744 --> 09:16.847 I know it's frustrating for a grown-up Will Ferrell fan, and I speak as both the Ferrell fan and the parent, so I'm going to be doubly happy, I feel. 09:16.887 --> 09:21.308 You know what, maybe next week I'll bring in some audio samples from those documentaries, because they're amazing. 09:21.329 --> 09:23.689 They're the kind of things that could only ever exist for a DVD. 09:24.050 --> 09:27.051 Not good enough for telly, certainly nothing to do with the film. 09:27.771 --> 09:29.692 They're kind of thin, and I'll bring some clips in. 09:29.933 --> 09:31.273 OK, so check out Elf. 09:31.313 --> 09:33.495 If you haven't seen it, it's well worth the watch. 09:33.795 --> 09:37.417 It's good right the way through, but the first half hour is painfully funny, wouldn't you say? 09:37.638 --> 09:37.878 Yeah. 09:38.218 --> 09:38.838 It's really good. 09:39.159 --> 09:40.239 Seinfeld DVD. 09:40.399 --> 09:40.860 That's out. 09:41.180 --> 09:42.461 That's the first three series. 09:42.941 --> 09:44.042 And I went out and bought some. 09:44.062 --> 09:48.185 We were supposed to have some to give away this week, but unfortunately we haven't been able to wangle that, which is a drag. 09:48.625 --> 09:51.267 But unable to wait even till today. 09:51.307 --> 09:56.430 I went out yesterday and bought volumes one to three and sat through quite a lot of the extras. 09:56.530 --> 09:57.151 Good extras. 09:58.352 --> 10:08.882 Slightly over-long documentary about how it all started, though, with very good interviews with Larry David, and Larry David, of course, star of Curb Your Enthusiasm and co-creator of Seinfeld with Jerry Seinfeld. 10:09.142 --> 10:12.645 But they were very funny, as you can imagine, and it's slightly too detailed. 10:13.045 --> 10:16.529 But still, manna from heaven for the Seinfeld fan, if you're not familiar with Seinfeld. 10:16.909 --> 10:17.449 What are you doing? 10:17.589 --> 10:18.470 What are you doing with your life? 10:18.530 --> 10:20.831 Watching two pints of lager and a packet of crisps? 10:21.272 --> 10:22.672 It's time to switch to Seinfeld. 10:23.073 --> 10:23.673 Go out and buy that. 10:23.893 --> 10:28.476 And of course on telly this week, The Mighty Boosh is getting its BBC2 airing. 10:28.796 --> 10:31.578 That started life on BBC3 like many other successful comedies. 10:31.598 --> 10:32.078 What day is that song? 10:32.438 --> 10:35.960 That is Wednesday the 10th and it's 7pm on BBC2. 10:36.660 --> 10:38.722 And you recommend that, don't you, Ed? 10:38.802 --> 10:39.102 Yeah, yeah. 10:39.122 --> 10:39.742 Have you not seen it? 10:39.922 --> 10:43.224 I haven't seen it, no, because my digital box broke for that period of the year. 10:43.304 --> 10:44.245 It's come back to life now. 10:44.525 --> 10:45.585 Yeah, it's a peach. 10:45.625 --> 10:46.405 It's really funny. 10:46.465 --> 10:49.186 It's a couple of guys called Noel Fielding and Julian Barrett. 10:49.526 --> 10:55.548 And it's sort of, I don't know, if you're going to be rubbish about it, I suppose you'd call it a slightly surreal comedy. 10:56.088 --> 10:59.189 Not totally similar in spirit from stuff that Vic and Bob do, I suppose. 10:59.269 --> 11:00.289 Is it like Green Wing? 11:00.909 --> 11:03.790 No, I'm happy to say that it's nothing like Green Wing. 11:04.130 --> 11:08.451 Although I am warming to Green Wing, since they've toned down the crazy visuals. 11:08.911 --> 11:12.012 It's good that you're warming to it, because they've just commissioned about 40 new series. 11:12.032 --> 11:12.893 Yeah, I know. 11:13.273 --> 11:15.353 And they're now going to be five hours long each. 11:15.794 --> 11:17.494 But no, you should check out The Mighty Boosh. 11:17.614 --> 11:20.896 You've got to be a hard-hearted person indeed not to get something out of that. 11:21.016 --> 11:21.516 It's a peach. 11:21.636 --> 11:22.956 Shall I tell you what else is out on Monday? 11:23.156 --> 11:23.437 Go on then. 11:23.697 --> 11:24.757 The Live Aid box set. 11:25.177 --> 11:25.617 Oh, nice! 11:25.657 --> 11:26.698 Is anyone excited about that? 11:26.778 --> 11:26.958 I am! 11:27.578 --> 11:31.741 I'm excited about it, but I've also got reservations, because what I don't really care about the bands. 11:32.182 --> 11:34.163 What I'd like to see is all the linking material. 11:34.664 --> 11:38.967 All the studio links, all the chaotic vision mixing, all the stuff around the bands. 11:39.167 --> 11:40.308 I bet they'll include some of it. 11:40.649 --> 11:41.069 Do you think? 11:41.169 --> 11:41.669 I hope so. 11:41.730 --> 11:42.490 I very much hope so. 11:42.530 --> 11:48.275 We should talk more about that in a second, but first, harking back to those happy times, here's our 80s classic for this week, it's Talking Heads. 12:00.435 --> 12:00.656 Yeah. 12:00.776 --> 12:02.477 Talking heads, and she was. 12:02.737 --> 12:05.078 That's our 80s classic. 12:05.639 --> 12:08.261 One a week, thanks to Adam's special meeting. 12:09.441 --> 12:10.342 Which is very good. 12:10.402 --> 12:11.162 Man, I'm being positive. 12:11.223 --> 12:11.883 It's very good news. 12:12.103 --> 12:12.904 I think that's terrific news. 12:12.924 --> 12:15.725 Joe, I'm sincerely sorry I didn't tell you about the meeting. 12:15.746 --> 12:16.226 That's okay, you know. 12:16.326 --> 12:17.867 I'm passionate about this show. 12:18.828 --> 12:20.409 I'm passionate about music. 12:20.589 --> 12:22.030 Is that sound convincing? 12:22.110 --> 12:23.190 It was a big passion argument. 12:23.230 --> 12:24.351 Oh, I don't know. 12:24.531 --> 12:25.432 Passionate about sleeping. 12:25.592 --> 12:26.312 What have you got there? 12:26.773 --> 12:28.534 Well, this week we've got copies of The Grudge. 12:28.554 --> 12:29.454 Have you heard of The Grudge? 12:29.954 --> 12:30.254 No. 12:30.294 --> 12:31.735 Is that like The Grinch? 12:31.935 --> 12:37.098 Well, it is a bit like The Grinch in that it's terrifying to watch, but it's intentionally terrifying. 12:37.838 --> 12:40.079 The Grudge is a Japanese horror movie, very famous. 12:40.420 --> 12:44.702 It's been remade with Sarah Michelle Gellar, and the American remake is coming out, I think... 12:45.362 --> 12:46.823 at the end of this week or maybe next week. 12:47.324 --> 12:52.168 And the American remake, which I've seen, is pretty good, but it's not as terrifying as the Japanese original. 12:52.428 --> 12:53.509 And that's what you've got in your hands? 12:53.529 --> 12:54.609 That's what we've got to give away. 12:54.629 --> 12:55.650 We've got four copies. 12:55.870 --> 13:02.356 Ooh, well you could be winning one of those if you are the winner of this week's Mummification competition. 13:07.936 --> 13:08.677 I'm a mummy. 13:22.756 --> 13:25.657 And you have to basically guess what she's talking about. 13:25.697 --> 13:27.458 This week, she's talking about a TV show. 13:27.478 --> 13:29.419 I'm not going to say any more than that because it's pretty easy. 13:29.720 --> 13:34.222 So stand by your phones. 13:34.242 --> 13:34.662 0-8-7-1-2-2-2-1-0-4-9. 13:35.502 --> 13:40.745 And be prepared to negotiate a certain amount of switchboard fun there. 13:40.785 --> 13:44.007 But stick with it because I think this competition is quite easy. 13:44.027 --> 13:46.428 0-8-7-1-2-2-2-1-0-4-9 if you can figure out what my ma is going on about here. 13:53.428 --> 14:12.781 Well, there's this girl who is really ugly looking and gross in many ways and she shares a flat with this man and she's convinced that she's absolutely lovely and everybody's madly in love with her. 14:13.081 --> 14:15.403 And then the man is very funny. 14:15.584 --> 14:19.908 He prefers men to girls. 14:20.689 --> 14:24.272 So she's not going to get anywhere with him at all. 14:24.793 --> 14:28.676 And it just goes from one hilarious episode to another. 14:29.197 --> 14:32.060 It's great fun and I'm so sad it isn't on any longer. 14:34.435 --> 14:35.216 I'm a mummy. 14:35.296 --> 14:36.096 Do you know what that is, Joe? 14:36.416 --> 14:38.878 A man who likes men, not girls. 14:38.898 --> 14:39.618 Prefers them. 14:39.919 --> 14:40.799 Prefers them to girls. 14:40.819 --> 14:41.420 On television. 14:41.560 --> 14:41.820 I know. 14:41.840 --> 14:43.161 It blew my mum's mind. 14:43.201 --> 14:44.802 In our living rooms. 14:44.822 --> 14:46.142 That's disgusting. 14:46.162 --> 14:46.843 So that's pretty easy. 14:46.903 --> 14:47.763 How are we doing there, Lila? 14:47.784 --> 14:49.044 Have we got lots of people phoning in? 14:49.084 --> 14:49.565 Is that easy? 14:50.345 --> 14:53.126 OK, so all you have to do is call 0-8-7-1-2-2-2. 14:53.487 --> 14:55.427 You don't think that's easy, Joe? 14:55.447 --> 14:56.188 Did you not get that one? 14:56.928 --> 15:03.091 You know I got it because I overheard you saying... Oh, OK, right. 15:03.111 --> 15:03.451 0-8-7-1-2-2-2-1-0-4-9. 15:03.791 --> 15:09.694 If you knew what my mum was going on about just then, we'll have a winner for you after Graham Coxon. 15:27.998 --> 15:29.219 And we've got a winner for you. 15:29.879 --> 15:30.840 Dave, are you there? 15:31.841 --> 15:32.261 Dave. 15:58.697 --> 15:59.478 same sort of haircut? 16:05.509 --> 16:07.250 Very camp, very over-the-top, I think. 16:07.490 --> 16:08.430 You're such a tease, David. 16:08.450 --> 16:08.951 Come on, say it. 16:08.991 --> 16:09.471 Say the name. 16:09.851 --> 16:11.171 It's Gimme Gimme Gimme, of course. 16:11.332 --> 16:11.952 Course it is. 16:12.012 --> 16:13.072 Congratulations, Dave. 16:13.092 --> 16:14.253 That was pretty easy, wasn't it? 16:14.433 --> 16:14.733 It was. 16:14.833 --> 16:15.994 Do you like that show, David? 16:16.014 --> 16:17.034 Um, it's all right. 16:17.094 --> 16:17.554 It's all right. 16:17.934 --> 16:18.555 It's all right. 16:18.575 --> 16:19.575 I didn't watch a whole series. 16:19.995 --> 16:22.416 And are you as sad as Adam's mum that it's co- Has it come off? 16:22.817 --> 16:23.997 Yeah, it's not on anymore, no. 16:24.577 --> 16:26.698 I'm sure it'll be repeated, but they're not making any new ones. 16:26.978 --> 16:27.479 Oh, I can't wait. 16:27.759 --> 16:30.360 Kathy Burke's a, er, well-respected theatre director now. 16:30.953 --> 16:31.693 Really? 16:32.134 --> 16:33.634 I saw her on Frank Skinner the other day. 16:33.654 --> 16:36.696 She was quite sarky. 16:37.456 --> 16:39.157 She gave Frank Skinner quite a run for his money. 16:39.177 --> 16:40.278 I can imagine that. 16:40.318 --> 16:42.099 It was enjoyable to see. 16:42.119 --> 16:44.680 Dave, are you excited about seeing The Grudge? 16:44.860 --> 16:45.520 Very, very. 16:45.860 --> 16:50.383 Does it matter to you that Sam Raimi, the director of Spider-Man, says it's one of the most frightening films I've ever seen? 16:51.743 --> 16:52.904 That scares me, actually. 16:52.944 --> 16:54.785 Yeah, he's the man that directed the Evil Dead. 16:55.385 --> 16:56.206 I'm actually quite worried now. 16:56.346 --> 16:58.508 Yeah, it's genuinely, genuinely frightening, this film. 16:58.568 --> 16:59.428 Well, that's on its way to you. 16:59.468 --> 17:00.769 Dave, thanks so much for calling in. 17:00.809 --> 17:01.510 Have a good weekend. 17:01.710 --> 17:02.030 You too. 17:02.571 --> 17:03.171 All right, take care. 17:03.792 --> 17:06.434 And, uh, Sam, Darkman was on last night. 17:06.494 --> 17:07.455 Sam Raimi as well, wasn't it? 17:07.875 --> 17:08.075 Yeah. 17:08.235 --> 17:09.356 That was a low point of his career. 17:09.616 --> 17:11.358 Right, it's a very odd film. 17:11.418 --> 17:14.140 It's an odd film, but it's still got moments of inspired necessity. 17:14.480 --> 17:15.580 It does, yeah. 17:15.640 --> 17:17.701 But there's about nine sequels as well, aren't there? 17:18.121 --> 17:19.761 Yeah, but none of them to do with Remi, I don't think. 17:19.901 --> 17:20.401 No, no. 17:20.502 --> 17:25.443 It's one of those films that started not so good and then just got worse and worse and worse throughout its sequels. 17:25.803 --> 17:26.363 They're very odd. 17:26.383 --> 17:29.144 Some of them look as if they were made in an afternoon in a shed. 17:29.904 --> 17:31.184 Anyway, this is Evan and Joe on XFM. 17:31.224 --> 17:32.645 We'll be back after these. 17:32.665 --> 17:33.625 XFM. 17:41.377 --> 17:43.299 Franz Ferdinand with this fire. 17:43.339 --> 17:47.383 This is Adam and Joe here on XFM on a drizzly Saturday afternoon. 17:47.483 --> 17:58.294 And remember you can text us on 83XFM or you can email us, adamandjoe at xfm.co.uk at any point about anything that you hear in this fascinating show. 17:58.394 --> 18:01.617 And all emails and texts are read by me. 18:02.398 --> 18:07.884 Thanks very much indeed to James Mill, who was the first person to have sent in a school mag. 18:08.204 --> 18:11.087 I've been appealing sort of randomly for school mags. 18:11.127 --> 18:15.151 He sent in the record, and what is the school that he goes to? 18:16.312 --> 18:17.734 What is the school that he goes to? 18:18.746 --> 18:20.407 And I'm just basically encouraged. 18:20.447 --> 18:24.329 I've been reading school mags recently and getting quite a lot of laughs out of them. 18:24.910 --> 18:27.111 And I just wanted to see other people's mags. 18:27.371 --> 18:30.633 So you can send them in to Adam and Joe, XFM. 18:30.693 --> 18:31.293 Here's the address. 18:31.453 --> 18:32.394 Have a pen and paper handy. 18:32.774 --> 18:35.176 Number 30, Leicester Square. 18:36.196 --> 18:44.785 And the postcode is WC2H7LA. 18:45.245 --> 18:48.409 So one of the great things about this school mag, what's his name, James? 18:48.769 --> 18:49.890 James, yeah. 18:49.930 --> 18:55.576 Thank you James, is that he's graffitied all over it and this was obviously around the time of the first Harry Potter film because he's put wizard hat 18:56.496 --> 19:07.405 hats on a lot of people, he's put lightning bolts on a lot of teachers' foreheads, and he's obsessed with any kind of pictorial anomaly that suggests genitals. 19:08.126 --> 19:14.871 So for instance, there's a rugby player, a photo of a rugby player, and the two strings from his rugby shorts are sort of flapping while he runs. 19:15.211 --> 19:16.152 These have been circled. 19:17.153 --> 19:21.596 And a question mark next to them, as if he's got a willy that looks like a bit of string. 19:22.577 --> 19:23.558 Which is funny stuff! 19:24.558 --> 19:31.120 He's also made broadcaster Nick Ross, who is the subject of a school magazine interview, into Hitler. 19:32.420 --> 19:36.401 And he's extended the arms on everyone in the school photo. 19:36.981 --> 19:37.641 Quite amusingly. 19:37.701 --> 19:42.002 You know, I hope, James, you did this years ago and not specially for us. 19:42.382 --> 19:47.843 There's a picture of Mr. T in Y-Fronts over the under-14 rugby results. 19:48.483 --> 19:49.464 And so it goes on. 19:51.374 --> 19:56.717 The whole rugby team have been given dark glasses, every single one of them, and won a large Mexican hat. 19:57.138 --> 19:59.039 This is the kind of thing we're after, isn't it, Adam? 19:59.079 --> 20:00.580 Is this the kind of thing you were looking for? 20:00.700 --> 20:01.080 Not really. 20:01.120 --> 20:03.662 I was more after the actual content of the mag. 20:04.142 --> 20:10.526 Well, I haven't even got to the content of the mag and already I'm hypnotised by the amazing graffiti ideas. 20:10.686 --> 20:15.929 See, I was thinking once we had enough mags, then I was going to go through some of the best creative writing in there. 20:15.969 --> 20:17.530 OK, I can help you with that in a second. 20:17.671 --> 20:17.831 Yeah. 20:17.851 --> 20:31.339 But I should mention that the cricket, first and second eleven, there's a guy who's, the corner of his jacket is sitting in his lap in a weird way, making it look like a sort of mysterious black blob in his crotch. 20:31.659 --> 20:33.621 This too has been circled and question marked. 20:33.761 --> 20:34.221 Of course. 20:34.341 --> 20:35.562 As if he's got a weird black blob. 20:35.582 --> 20:38.564 And in a way, you have also circled and question marked it. 20:38.624 --> 20:39.264 By mentioning it. 20:39.284 --> 20:39.885 By mentioning it. 20:40.365 --> 20:41.626 So what's your creative writing? 20:42.106 --> 20:55.572 Well, because Adam had mentioned school mags, I dug up some of my school mags and I found a poem that I wrote in 1980 or maybe 1981 and it's called Fish. 20:55.913 --> 20:56.233 OK. 20:56.773 --> 20:59.915 Have we got any good sort of poetry reading music to play under it? 20:59.935 --> 21:02.356 Can we go to a record and come back to Fish? 21:02.896 --> 21:03.776 Let's see what we've got. 21:03.796 --> 21:05.917 Because it's a good poem, it's all about fish. 21:05.977 --> 21:09.157 You know what, we'll just use our old regression therapy music, how's that? 21:09.717 --> 21:13.998 Okay, this is Fish by Joseph Cornish, class R1. 21:14.878 --> 21:21.780 Fish darts, swerves and cuts through its liquid home, blowing its pearls of life, its pearls of wisdom. 21:22.360 --> 21:26.641 Wide-eyed, it peers wearily through a noiseless barrier and darts on again. 21:27.521 --> 21:28.402 A road blocks. 21:28.662 --> 21:29.523 No, sorry, not a road. 21:29.863 --> 21:30.724 A rock blocks. 21:31.205 --> 21:34.147 It casually quivers past it, senseless of the obtrusion. 21:34.748 --> 21:37.350 Its glowing form reflects the water around it. 21:37.831 --> 21:38.471 Obtrusion? 21:39.132 --> 21:41.594 I don't even know what that means now, let alone when I was ten. 21:42.662 --> 21:43.202 Blah, blah, blah. 21:43.403 --> 21:44.604 A school swims with it. 21:45.044 --> 21:45.945 A silent gathering. 21:46.325 --> 21:47.666 With no purpose but to swim. 21:48.247 --> 21:48.747 To swim. 21:49.408 --> 21:50.188 Senselessly. 21:50.709 --> 21:51.289 Silently. 21:51.750 --> 21:53.331 Silhouetted through the simmering sea. 21:53.811 --> 21:55.553 To go forward to whatever lies ahead. 21:55.933 --> 21:57.294 I'm gonna skip a couple of verses. 21:57.514 --> 21:58.235 How long is it? 21:58.275 --> 21:58.975 Wait, it's very long. 21:59.056 --> 21:59.736 But here's the end. 22:00.076 --> 22:00.997 Basking in the sun. 22:01.498 --> 22:03.439 Magnified by the flat lens of the water. 22:04.020 --> 22:04.700 Then hooked. 22:05.341 --> 22:05.861 By mouth. 22:06.442 --> 22:06.942 By hook. 22:07.623 --> 22:08.163 And killed. 22:08.764 --> 22:09.324 And eaten. 22:09.945 --> 22:10.445 And gone. 22:11.326 --> 22:11.406 Ahhh. 22:12.046 --> 22:12.346 Fish. 22:13.427 --> 22:14.628 That's the end. 22:14.688 --> 22:16.630 That's devastating. 22:17.010 --> 22:17.431 Thank you. 22:17.471 --> 22:35.105 It's a brilliantly alliterative poem about a fish and then it ends with a very powerful act of violence that makes one question our relationship with fish and our relationship with fish and chips and the idea of eating fish and is it cruel and how can you eat something so beautiful? 22:35.365 --> 22:37.647 I could similarly have written a song called... song? 22:38.027 --> 22:38.968 Oh, it should be a song, shouldn't it? 22:39.008 --> 22:39.849 A poem called Piggy. 22:40.549 --> 23:00.645 piggy pink piggy snorting snuffling searching for truffles if only they could fly actually they will fry yeah that's good that's good then at the end bang let's slice pork sizzle bacon yeah dead oh then a pause then piggy wow at the end 23:01.579 --> 23:05.980 So, you know, I think people could send in their... That's what I'm after. 23:06.420 --> 23:08.200 I like the creative writing. 23:08.240 --> 23:12.421 Yeah, I mean, that's what I'm really after, I must say, although there's lots of other interesting articles. 23:13.662 --> 23:18.963 But next week, I would really like to be in a position where I can read out some poetry from these mags. 23:19.383 --> 23:21.323 So please do send some more in. 23:22.063 --> 23:30.165 Once again, a reminder of the address to send stuff like that to is Adam and Joe, XFM number 30, Leicester Square, 23:31.145 --> 23:34.287 WC2H7LA. 23:34.768 --> 23:38.010 Now, here's the first of our super free plays this week. 23:38.050 --> 23:40.672 Joe, this is one of yours and you had it for Ditties in the Dock last week. 23:40.692 --> 23:43.614 Yeah, this is my kind of failed Ditty in the Dock slot. 23:43.994 --> 23:49.357 And this is Crosby, Stills and Nash with Marrakesh Express. 23:49.397 --> 23:54.041 And before you play it, have you queued it up when the music starts or for the funny little bit of talking? 23:54.101 --> 23:55.041 Oh, I couldn't hear the talking. 23:55.081 --> 23:55.782 It's too quiet. 23:56.042 --> 23:59.764 Can you turn it right up and have a listen to it so we can try and figure out what they're saying? 24:00.125 --> 24:00.425 Okay. 24:00.965 --> 24:06.969 Because there's some very weird... Is it Indian or maybe Moroccan being spoken at the beginning of this song? 24:07.509 --> 24:10.651 And I'd love to know what it means if anyone out there knows this song. 24:11.971 --> 24:12.512 Can you hear it? 24:12.952 --> 24:13.572 Can we play it? 24:13.732 --> 24:15.253 It's dequeued itself now, hang on. 24:15.493 --> 24:16.894 Oh dear, we're having technical problems. 24:16.934 --> 24:18.375 Well it was all lined up, it was ready to go. 24:18.435 --> 24:18.875 I'm sorry. 24:19.015 --> 24:21.897 Okay, here we go. 24:22.417 --> 24:22.837 Oh hang on. 24:22.918 --> 24:24.358 That was it, we could hear that nice and clearly. 24:29.568 --> 24:30.409 What's he saying there? 24:31.510 --> 24:34.372 Do you know what he's saying, listeners? 24:34.773 --> 24:35.273 Let us know. 24:36.414 --> 24:37.055 He's the full song. 24:37.335 --> 24:37.815 Hang on. 24:39.137 --> 24:40.458 Can't just bring these things on me. 24:40.538 --> 24:41.038 OK, here we go. 25:00.677 --> 25:02.439 Bye bye, Crosby, Stills and Nash. 25:02.919 --> 25:04.461 That's the Marrakesh Express. 25:05.301 --> 25:05.522 Yeah. 25:06.042 --> 25:06.743 Off they go. 25:06.923 --> 25:07.744 CSN. 25:08.164 --> 25:09.225 Oh, it's the CSN, isn't it? 25:09.325 --> 25:10.726 No Neil Young at that stage. 25:10.746 --> 25:11.587 No Neil Young, no. 25:12.308 --> 25:12.768 No Young. 25:13.049 --> 25:14.890 So this is Adam and Joe here on XFM. 25:15.711 --> 25:18.594 And what was I gonna say? 25:18.614 --> 25:19.555 It's gone out of my head. 25:20.605 --> 25:25.349 I was going to say, have you seen, did you watch The Power of Nightmares? 25:26.290 --> 25:27.450 No, but I know what you're talking about. 25:27.470 --> 25:33.575 The Power of Nightmares is a powerful BBC documentary about how politicians have used fear to subjugate us. 25:34.336 --> 25:34.916 Yeah, more or less. 25:34.936 --> 25:36.077 Yeah, basically just saying... 25:37.778 --> 25:53.862 Just saying that the terrorist threat and particularly the idea of al-qaeda being this big organized evil men work is More or less a piece of fiction You know more or less obviously you can't ignore the fact they have actually done some atrocities. 25:53.922 --> 25:55.202 They've done some atrocities. 25:55.242 --> 25:58.223 That was them building Yeah, that right. 25:58.243 --> 25:58.443 Yeah 25:59.484 --> 26:02.688 I shouldn't really be talking about it like that, but there you go. 26:03.489 --> 26:07.495 But it was an amazing watch, and I'm not going to talk too much about the documentary itself. 26:07.675 --> 26:09.878 He's called Adam Curtis, the man who made it. 26:09.978 --> 26:11.580 He's a very famous documentarian. 26:12.021 --> 26:16.266 But it was a weird experience watching it because, whether you agreed with it or not, 26:16.867 --> 26:41.709 it was one of those sort of very well researched polemics that made you actually quite comforted at the end because you know the central conceit was that maybe we shouldn't be quite so terrified and get on with our lives a little more because some of these threats have been created to prop up not only the neo-conservatives in America you know the bushes of this world 26:42.069 --> 26:44.691 but also the extreme Islamists as well. 26:44.991 --> 26:55.539 They have their agendas and this idea of the threat of terror props up their various agendas and actually isn't quite as real as they would like us to believe it is. 26:55.559 --> 26:59.302 That's kind of what Michael Moore's film Fahrenheit 9-11 says as well. 26:59.342 --> 27:00.122 Have you seen that one, Adam? 27:00.462 --> 27:01.023 Haven't seen it, no. 27:01.263 --> 27:02.863 Yeah, it's basically the same thing. 27:02.883 --> 27:04.024 That's one of its messages. 27:04.384 --> 27:04.944 Yeah. 27:05.044 --> 27:07.885 I didn't see the Adam Curtis film, but it's a similar sort of message. 27:08.345 --> 27:12.586 But it's true to say that, I mean, when I was a kid, there was an IRA threat all the time. 27:12.606 --> 27:18.347 And all the time I've lived in London, there's always been the threat of some sort of explosion or bomb or something. 27:19.067 --> 27:20.968 And one or two little things have happened. 27:21.008 --> 27:29.070 But basically, I've been able to go about my life playing video games, shopping, going to bars, pretty much uninterrupted. 27:29.090 --> 27:35.854 Yeah, we should say obviously for the victims of those atrocities there weren't little things and occasionally terrible things do happen. 27:37.055 --> 27:40.397 But yeah, you can't make concessions to them to that degree. 27:40.417 --> 27:41.737 And you're not a very fearful man. 27:41.998 --> 27:47.081 In fact, I remember while we were making the Adam and Joe show in Brixton and there were riots going on around the office. 27:47.361 --> 27:55.386 I was a bit too frightened to come in to complete a toy movie, but you cycled in and what kind of poo-pooed me for being nervous about the riots. 27:55.746 --> 27:56.826 I remember videoing them. 27:57.147 --> 27:57.387 Yeah. 27:58.027 --> 28:02.288 and thinking that I might be able to flock them to some TV channel, but I didn't get any good stuff. 28:02.308 --> 28:07.809 But I was gonna say that the experience of watching it was comforting in that respect, you know what I mean? 28:08.189 --> 28:19.792 It was nice to be told finally to not worry about things a little more, to calm down about things rather than to be terrified, which is what most news and current affairs programs have been telling you over the last few years. 28:20.092 --> 28:26.493 So I was trying to think of other documentaries that it would be great to see in a similar vein, and I came up with Death, The Phantom Menace. 28:27.373 --> 28:44.926 and that basically would be a documentary about the idea that death is this kind of conspiracy that's been created by corporations just to keep the workforce turning over and make people consume a bit faster because they think there's obviously a finite amount of time for them to divide things. 28:44.946 --> 28:46.487 So what's the truth, that everyone is immortal? 28:47.147 --> 28:56.094 No, obviously people do die from time to time, but the truth of death has been hugely exaggerated, and there's no real evidence... The truth has been exaggerated? 28:56.454 --> 29:02.358 to prove that, no, the truth has been covered up, the idea of death has been exaggerated. 29:02.378 --> 29:04.940 There's no real evidence to prove that anyone dies. 29:05.040 --> 29:06.461 So what would be the truth? 29:06.481 --> 29:07.621 What would be the actual truth? 29:07.861 --> 29:09.322 Well, you see, you don't say that in the doc. 29:09.442 --> 29:11.784 That's what it's like, you see. 29:11.804 --> 29:13.525 So ask me a question, cross-examine me. 29:13.705 --> 29:15.066 Adam, I'm terrified of dying. 29:15.226 --> 29:21.570 I think it's going to be really frightening, and I'm just going to, just before I die, I'm going to know that I'm going to die, and I'm going to be panicking. 29:21.590 --> 29:22.371 I don't want to die! 29:23.297 --> 29:24.417 Well, don't panic about it. 29:24.477 --> 29:24.838 Why not? 29:24.898 --> 29:28.179 Because it's a phantom menace, it's not a real thing to worry about. 29:28.199 --> 29:31.340 Yes, but what if the extreme Christians are right and there really is heaven and hell? 29:31.360 --> 29:35.861 I might touch myself on a couple of occasions and I might go to hell for it. 29:36.041 --> 29:38.202 That's a different question, actually. 29:38.222 --> 29:38.942 That's a different fear? 29:38.962 --> 29:40.403 Yeah, that's a different... So what are you frightened of? 29:41.103 --> 29:42.624 Me, I'm frightened of absolutely nothing. 29:43.345 --> 29:44.245 Nothing whatsoever. 29:45.126 --> 29:49.168 Another documentary I'd like to see is Fast Food, Fast Fun, Fast Fitness. 29:49.748 --> 29:52.610 And this is kind of the flip side. 29:52.910 --> 30:03.816 This is about the fact that fruit and veg retailers mainly have been spreading lies about the benefits of hamburgers, fries and soft drinks and things like that. 30:04.256 --> 30:06.436 simply because they're afraid of the competition. 30:06.957 --> 30:17.859 And actually, fast food is not only tasty, it's good for you, it makes you happy, which means that your average lifespan will be extended by up to 700% if you eat a great deal of fast food. 30:19.139 --> 30:22.719 Also, another doc I'd like to see is Smoke and Mirrors, Truth About Siggy's. 30:23.720 --> 30:26.500 And, you know, things in that vein, basically. 30:26.520 --> 30:30.221 I just want to see, even if they're not necessarily true, I just want to see them. 30:30.541 --> 30:31.181 See what I mean? 30:32.161 --> 30:40.584 Anyway, if you've got any ideas for docs you'd like to see, you can email us, adamandjoe at xfm.co.uk. 30:40.704 --> 30:41.545 That's correct. 30:41.605 --> 30:44.026 Or you can text us, 83XFM. 30:44.346 --> 30:46.627 And of course you can always just give us a call about anything. 30:46.647 --> 30:47.647 0-8-7-1-222-1049. 30:48.487 --> 30:56.670 We're going to be giving away that chopper bike, the Ed Harcourt Chopper, in the next hour when we've got crap commentary corner. 30:56.730 --> 30:56.950 Yeah. 30:56.990 --> 31:00.592 Do you think Wycliffe has got any relatives on the south coast, the singer Wycliffe? 31:01.172 --> 31:02.194 What? 31:02.234 --> 31:03.457 The Wycliffe of Dover? 31:03.877 --> 31:04.939 Yeah, he probably does. 31:04.960 --> 31:06.523 It's an interesting thought, yeah. 31:20.120 --> 31:41.203 that fairground attraction yeah that's weird man i was thinking exactly the same thing sounds like her vocal who was that that was the delays with wanderlust uh very nice and before that you heard kasabian with processed beats this is adam and joe on xfm we're gonna play a track shortly and then after that it's gonna be competition time again here on the show and a big prize to give away this 31:41.263 --> 31:44.764 Yeah, in fact the track we're going to play is linked to the prize we're going to play. 31:44.804 --> 31:53.727 It's a chopper bicycle which we've been given to promote Ed Harcourt, who's sort of doing 70s style music, right? 31:54.348 --> 31:55.048 Is that correct? 31:55.188 --> 31:58.889 He's got a track called Born in the Seventies, which is what we're going to play. 31:58.909 --> 32:00.170 So he's given us a chopper. 32:00.210 --> 32:03.451 We haven't actually seen this chopper, but we believe it's a state of the art 32:04.291 --> 32:04.692 Chopper. 32:04.952 --> 32:05.553 Super chopper. 32:05.633 --> 32:06.393 Super chopper. 32:06.894 --> 32:07.855 Do they still make choppers? 32:08.215 --> 32:09.236 They must still make choppers. 32:09.296 --> 32:10.097 Unless this one's been saved. 32:10.117 --> 32:11.518 It's not like a retro second hand chopper. 32:11.538 --> 32:12.079 It's not like Ed's. 32:12.099 --> 32:13.280 It's a brand new shiny chopper. 32:13.320 --> 32:13.700 Chopper. 32:14.261 --> 32:20.226 And you can win it if you get the answer to our crap commentary competition right this week. 32:20.286 --> 32:24.470 It's an excerpt of the commentary from a very poor movie and it's very poor commentary. 32:24.851 --> 32:28.795 If you know what movie it is you can win that bike and it's a tricky one so you're gonna have to listen hard. 32:29.395 --> 32:36.308 and you're going to have to have your IMDB maybe standing by on your desktop for all you internet radio quiz cheaters out there. 32:36.989 --> 32:39.935 But first, here's the track that it's all about. 32:40.135 --> 32:40.897 It's Ed Harcourt. 32:51.496 --> 32:53.778 Good stuff, that's Ed Harcourt. 32:53.858 --> 32:55.739 Can't speak today, sorry about that. 32:55.779 --> 32:56.660 That's born in the 70s. 32:56.800 --> 33:00.402 This is Ed and Joe on London's 104.9 XFM. 33:00.802 --> 33:11.550 It's competition time, and thanks to Ed Harcourt, we're giving away a chopper bike to the person that can tell us, Joe, where this country is from. 33:12.190 --> 33:24.513 Yes, once again, I've looked through my huge collection of bad DVDs, and I've recorded some snippets of the most dreadful commentary I could find, and this is from one of my personal favourite dreadful films. 33:25.673 --> 33:29.114 There's not a lot of clues in this, not a lot of obvious clues, anyway. 33:29.214 --> 33:33.995 There are more clues in the second clip, I think, but see if you know who this is. 33:34.135 --> 33:34.896 If you do, call 0871 222 1049. 33:35.176 --> 33:36.856 0871 222 1049, remember this is to win. 33:41.057 --> 33:42.258 A chopper bicycle. 33:42.318 --> 33:43.659 A state of the art chopper bicycle. 33:43.679 --> 33:45.540 Ed Harcourt's chopper. 33:45.860 --> 33:50.823 What film are these lunatic actresses and filmmakers talking about? 33:50.863 --> 33:54.545 Thanks for listening to us today. 33:54.966 --> 33:55.906 What are we doing here? 33:56.126 --> 33:57.967 We're just going to talk through this movie. 33:57.987 --> 33:58.848 They love this stuff. 33:59.088 --> 34:01.109 Actually, the movie came out... When did the movie come out? 34:01.129 --> 34:01.910 Three weeks ago. 34:02.030 --> 34:04.192 Three weeks ago, and it lasted about two days. 34:04.252 --> 34:06.193 Yay, Roger! 34:06.493 --> 34:08.435 Listen, everybody. 34:08.455 --> 34:13.778 I directed this, so everyone... Yeah, so give us the reason. 34:14.239 --> 34:15.099 What are we doing? 34:15.119 --> 34:17.481 We're gonna talk about the movie. 34:18.177 --> 34:18.477 Wow. 34:18.917 --> 34:21.038 Sounds instructive. 34:21.478 --> 34:21.739 Yeah. 34:21.919 --> 34:23.479 So that is quite tough. 34:23.539 --> 34:26.260 Could be any film, really, couldn't it? 34:26.280 --> 34:27.161 Do you know what it is, Adam? 34:27.541 --> 34:30.602 Yes, I do, because I saw the writing on the label, unfortunately. 34:30.842 --> 34:32.243 I think I would have guessed it anyway. 34:32.263 --> 34:34.324 I do recognize one of those women in there. 34:35.344 --> 34:40.787 Her helium voice, even though she wasn't on helium, I think the director was snorting helium from a balloon there, wasn't he? 34:40.807 --> 34:43.688 They have helium balloons and they have fart cushions. 34:44.168 --> 34:49.076 So, if you know what that film was and who those people were, 08712221049. 34:52.881 --> 34:57.769 And we'll see if anyone can guess that, but we've got another clip which we'll play after this track from Spoon. 35:06.497 --> 35:07.318 Ah, it's fantastic. 35:07.378 --> 35:09.019 Spoon with Car Radio. 35:09.039 --> 35:12.421 If you haven't heard Spoon yet, I would advise you to go out and buy any of their stuff. 35:12.441 --> 35:14.523 It's all very, very good indeed. 35:14.703 --> 35:15.563 Adam and Jo on XFM. 35:15.623 --> 35:19.866 And we've got... We don't have any winners so far for Crap Commentary Corner. 35:19.966 --> 35:24.069 No one knew who those girls were on that clip or what the film was. 35:24.089 --> 35:25.010 It's tough, isn't it, Jo? 35:25.210 --> 35:26.991 Yeah, but we were gonna talk to somebody. 35:28.012 --> 35:28.652 Is Vince there? 35:29.393 --> 35:30.153 Ooh, hello. 35:30.534 --> 35:30.694 Vince? 35:30.714 --> 35:30.974 Hello there. 35:31.294 --> 35:31.694 Hello, Vince. 35:31.714 --> 35:32.095 How are you? 35:32.115 --> 35:33.196 Yeah, I'm fine, thank you. 35:33.236 --> 35:33.676 Any yourselves? 35:34.306 --> 35:35.208 We're very well today. 35:35.709 --> 35:36.911 Who do you think that was, Vince? 35:37.472 --> 35:40.879 I don't know why, but the film Boat Trip came into my head. 35:41.140 --> 35:41.941 Not a bad guess. 35:42.322 --> 35:45.008 Does the film Boat Trip come into your head frequently? 35:45.740 --> 35:48.842 I've not seen it, I just remember the camel with that pretty blonde girl on it. 35:48.942 --> 35:50.143 On that riding a banana. 35:50.383 --> 35:51.544 That's the year you've got to hear. 35:51.724 --> 35:58.708 Vince, anybody who calls this show and mentions Boat Trip has to come on the air, just because it means we can say Boat Trip. 35:59.268 --> 36:01.309 You should see Boat Trip, it is incredible. 36:02.030 --> 36:06.332 It's so deeply wrong, it's a guaranteed entertaining Saturday Night Rental. 36:06.613 --> 36:09.735 Can we not give Vince some kind of prize for talking about Boat Trip? 36:09.775 --> 36:11.876 Vince, do you want a copy of The Grudge on DVD? 36:12.836 --> 36:18.807 And then you can take it down the record and tape exchange and exchange it for a copy of Boat Trip. 36:19.268 --> 36:20.531 Do you promise you'll do that? 36:20.551 --> 36:23.396 And do you promise you'll have a Boat Trip party? 36:24.682 --> 36:26.483 I will have a bow shoe pie, yeah, definitely. 36:26.704 --> 36:27.384 Such a liar. 36:28.545 --> 36:29.486 Thanks for calling, Vince. 36:29.566 --> 36:30.546 Yeah, thanks very much, Vince. 36:30.927 --> 36:34.909 But it's tough, it's really, people are stumped out there. 36:34.929 --> 36:36.090 Shall we give them another clue, Joe? 36:36.150 --> 36:45.437 Yeah, but play them the second clip, but you've got to listen very carefully because they mention two of the Christian names of the actresses, and you should be able to deduce the movie. 36:45.457 --> 36:48.139 And if people still don't get it, we'll just have to give them a verbal clue. 36:48.439 --> 36:51.461 But here is clip number two in crap commentary competition. 36:51.781 --> 36:55.182 Hi, Ikora. 36:55.762 --> 36:56.482 Oh, God. 36:56.502 --> 36:57.862 Oh, remember this day, Selma was with me? 36:58.022 --> 37:01.663 Look at... No! 37:04.223 --> 37:04.423 Oh! 37:04.503 --> 37:08.004 That made me... Why do I... Oh, my God! 37:08.044 --> 37:09.644 I hate myself! 37:10.284 --> 37:11.284 Oh, never again! 37:11.304 --> 37:14.045 I'm only doing Merchant Ivory films after this, if I can. 37:14.665 --> 37:15.405 Uh-oh. 37:15.425 --> 37:16.465 Gross! 37:19.026 --> 37:20.006 I hate myself! 37:20.899 --> 37:21.221 Ahaha! 37:24.875 --> 37:26.576 Not nearly as much as I hate you. 37:26.997 --> 37:27.497 There we go. 37:27.537 --> 37:29.298 So did you pick up those two names in there? 37:29.458 --> 37:31.620 Man, that was tougher than the first clip. 37:31.780 --> 37:34.301 There were two of the actresses' Christian names were in there. 37:34.361 --> 37:35.622 Well, she mentioned Christina. 37:35.842 --> 37:37.383 Mmm, don't say them out loud. 37:37.504 --> 37:39.445 Well, we gotta get- that was impossible! 37:39.525 --> 37:40.506 Play it again, play it again. 37:40.686 --> 37:41.446 Play it again? 37:41.466 --> 37:41.906 Play it again. 37:42.047 --> 37:43.628 There's two names of the actresses in there. 37:43.948 --> 37:45.509 Okay, we'll tell them what the other name is. 37:45.609 --> 37:46.389 It was Selma. 37:46.870 --> 37:47.910 Selma and Christina. 37:48.271 --> 37:50.412 With the power of the internet, that's an easy one to get. 37:50.472 --> 37:50.952 And it's not- O7712221049. 37:50.972 --> 37:52.213 It's not Frida Kahlo, in case you're wondering. 37:55.135 --> 37:56.036 Shall we play it again? 37:56.056 --> 37:57.737 That was torture though, that clip. 37:58.318 --> 37:58.698 I like it. 37:58.738 --> 38:00.820 Though the first one is more instructive maybe, isn't it? 38:00.860 --> 38:01.200 Do you think? 38:01.561 --> 38:01.921 I don't know. 38:01.941 --> 38:02.722 Okay, let's play that again. 38:15.367 --> 38:21.470 Never again, I'm only doing merchant ivory films after this 38:35.655 --> 38:36.376 It's exhausting. 38:36.456 --> 38:38.377 I can't believe you sat through the whole thing. 38:38.917 --> 38:43.640 You just wonder why they would release that, why they would put that on a DVD. 38:43.941 --> 38:45.502 Because it's automatic now, isn't it? 38:45.582 --> 38:48.504 Everyone just gets asked to do a commentary and you just turn up and do it. 38:49.364 --> 38:51.366 Of course it's wrong, but the world's wrong. 38:51.586 --> 38:55.809 And the film that that's from is so wrong, ladies and gentlemen. 38:55.829 --> 38:59.151 You could win a chopper bike if you can identify the film that that commentary was taken from. 38:59.331 --> 39:04.774 We'll come back after a 90s classic now for the second hour and we'll see if we've got a winner for you. 39:04.815 --> 39:05.415 Here's Blur. 39:16.812 --> 39:17.533 That's amazing! 39:17.974 --> 39:19.296 Blur with Beatle Bum! 39:21.053 --> 39:26.857 Now we want to pack a lot more into the show, so I'm sorry to slice into the last few fabulous moments of that one. 39:27.077 --> 39:28.418 That was our 90s classic this week. 39:28.438 --> 39:29.918 This is Adam and Joe on XFM. 39:30.479 --> 39:36.162 And we've got some people who think they know the film that that commentary came from. 39:36.562 --> 39:37.743 Who have we got on line one, Joe? 39:38.243 --> 39:39.464 I think Dennis is on line one. 39:39.484 --> 39:40.124 Dennis, are you there? 39:41.425 --> 39:42.305 Dennis, speak to us. 39:43.466 --> 39:43.946 Dennis. 39:44.046 --> 39:48.228 Dennis, bring air from your lungs and make word noises at us. 39:48.549 --> 39:48.829 Dennis. 39:49.867 --> 39:51.228 Hello Is that Dennis now? 39:51.248 --> 39:52.889 That's right Hey Dennis, how are you doing? 39:53.350 --> 39:56.432 I'm good man Do you know what that crap commentary was from? 39:56.452 --> 39:59.875 I don't know but I'm hoping to know Right, what's your guess? 39:59.895 --> 40:01.756 Scary Movie 3 Say again? 40:02.336 --> 40:04.818 Scary Movie 3 Scary Movie 3, what makes you think that? 40:04.838 --> 40:13.104 I don't know, maybe it's that or if I can have another guess No, you've got to give some logic, you just can't go just randomly naming films 40:14.562 --> 40:14.842 Screen 3. 40:14.882 --> 40:16.623 No, Scary Movie 3. 40:16.663 --> 40:17.423 Scary Movie 3. 40:17.663 --> 40:19.603 I'm sorry, Dennis, but you're wrong. 40:19.623 --> 40:20.844 We're going to have to fade you out. 40:20.864 --> 40:22.704 We're going to go to Joe on Line 2. 40:23.004 --> 40:23.524 Hello, Joe. 40:23.544 --> 40:24.164 Hello. 40:24.544 --> 40:25.105 How are you doing? 40:25.625 --> 40:26.645 Very good, thank you, Orwell. 40:27.405 --> 40:29.606 Yeah, well, well, thank you very much, if that's what you said. 40:29.666 --> 40:30.606 Or did you say Orwell? 40:31.706 --> 40:32.486 Yeah, the first. 40:32.786 --> 40:33.967 Reference to George Orwell. 40:35.527 --> 40:36.187 What's your guess, Joe? 40:36.727 --> 40:37.788 I'm going with Scooby-Doo. 40:38.288 --> 40:40.868 Scooby-Doo, the movie with Sarah Michelle Gellar? 40:41.229 --> 40:41.409 Yeah. 40:41.629 --> 40:42.769 Is that a film you've seen, Joe? 40:43.675 --> 40:44.396 Yeah, frequently. 40:44.876 --> 40:47.799 I've got six more children, I've got six children and four year olds. 40:47.819 --> 40:47.979 Yeah. 40:47.999 --> 40:48.079 Yeah. 40:48.119 --> 40:48.240 Yeah. 41:06.513 --> 41:06.813 Gaz? 41:07.514 --> 41:07.854 Gazza? 41:07.914 --> 41:08.614 Gazza on one. 41:09.214 --> 41:09.855 The big G-man. 41:10.055 --> 41:10.975 The big G-man! 41:11.315 --> 41:12.536 He got it right as well! 41:12.576 --> 41:13.236 The G-monster? 41:13.917 --> 41:14.977 This always happens. 41:15.097 --> 41:15.378 Hello? 41:15.718 --> 41:17.639 Hey, Gary, how you doing? 41:17.959 --> 41:21.020 Gary, so we've kind of given the game away there because you disappeared. 41:21.040 --> 41:21.781 What do you think it is? 41:21.801 --> 41:24.462 The Swedish Thing. 41:24.502 --> 41:25.002 How did you know? 41:25.022 --> 41:25.563 How could you tell? 41:25.583 --> 41:27.003 I used to work at a cinema. 41:27.384 --> 41:27.684 Did you? 41:27.744 --> 41:29.805 And so did you watch The Swedish Thing more than once? 41:31.226 --> 41:32.947 Yeah, but not by choice. 41:33.427 --> 41:33.807 Really? 41:33.967 --> 41:35.628 It is an extraordinary film, don't you think? 41:36.506 --> 41:37.587 Extraordinarily already bad. 41:37.607 --> 41:42.649 Yeah, I think it's possibly the most enjoyably bad film that's been released, I think, in the last six or seven years. 41:42.669 --> 41:43.210 Starring who? 41:43.530 --> 41:46.091 Starring Cameron Diaz, Selma Blair and Christina Applegate. 41:46.111 --> 41:48.993 There you go, that was the Selma and the Christina mentioned in the clip there. 41:49.153 --> 41:51.694 It's kind of a laddette comedy, isn't it, Gary? 41:52.695 --> 41:53.795 Yeah, I guess so. 41:53.975 --> 41:57.117 I would more like to say it's crap, to be honest. 41:57.257 --> 41:58.878 Yeah, but this is crap commentary corner. 41:59.414 --> 41:59.994 Well, yeah. 42:00.295 --> 42:02.156 Gary, congratulations though, you've won! 42:02.296 --> 42:03.596 And you've won the chopper bike! 42:04.097 --> 42:04.437 Yay! 42:04.617 --> 42:05.377 Yay! 42:05.718 --> 42:07.258 Do you need a chopper bike, Gary? 42:07.979 --> 42:09.640 Um, yeah, sure why not, yeah. 42:09.740 --> 42:09.960 Yeah? 42:09.980 --> 42:17.324 Well you know what, if you don't necessarily need it, search your soul, and maybe, Christmas coming up, give it to someone who does need it, a little kitty. 42:17.644 --> 42:18.525 Give it to a little kitty? 42:18.565 --> 42:20.126 Yeah, or start dealing drugs. 42:20.879 --> 42:27.085 Don't encourage Gary to deal drugs because then when he gets arrested or deals them to my children. 42:27.405 --> 42:33.030 I'm going to find Gary around my neck of the woods pushing drugs on my little throat. 42:33.270 --> 42:34.231 Gary, congratulations. 42:34.251 --> 42:35.472 That's extremely well guessed. 42:35.532 --> 42:41.458 And thanks, you know, for trumpeting the qualities of the sweetest thing to a larger audience. 42:41.618 --> 42:42.918 Thanks very much for your call, Gary. 42:43.559 --> 42:44.639 Adam and Joe on XFM. 42:44.739 --> 42:49.381 It's time for The Streets, ladies and gentlemen. 42:49.961 --> 42:52.522 And this one is called Could Be Well In. 43:06.254 --> 43:06.614 Very nice. 43:06.654 --> 43:07.335 That's Gene. 43:07.595 --> 43:08.456 Let me move on. 43:08.476 --> 43:11.177 You're listening to Adam and Joe on XFM. 43:11.218 --> 43:13.979 It's going to be time for Ditties in the Dock very shortly. 43:14.660 --> 43:16.061 But Joe, I just wanted to ask you a question. 43:16.101 --> 43:18.303 I know this is like quite retarded of me. 43:18.843 --> 43:21.425 Everyone else knows this, but I'm still a bit confused. 43:22.305 --> 43:25.388 And what chav means and where it came from. 43:25.408 --> 43:27.689 Do you know about where the word might have come from? 43:27.709 --> 43:29.510 I don't know the root of the word. 43:29.550 --> 43:34.294 I know it's something to do with that pattern that you get on scarves, isn't it? 43:34.614 --> 43:36.857 Well, they wear... Burberry, they wear Burberry, right? 43:36.957 --> 43:40.061 Yeah, but the word itself I don't think is related to that. 43:40.101 --> 43:45.388 I did some searching on the internet, but I've got some conflicting information here. 43:45.808 --> 43:46.149 Yeah. 43:46.369 --> 43:49.232 But basically, obviously, you know what a chav is? 43:49.273 --> 43:49.473 Yeah. 43:49.913 --> 43:51.555 What do you describe when someone says chav? 43:51.575 --> 43:57.339 Well it's a sort of a housing estate, so I guess the guy, Mike Skinner from the streets would be a bit of a chav wouldn't he? 43:57.660 --> 44:04.345 It's kind of Adidas trainers, tracksuit bottoms and then topped off with a little bit of designer Burberry stuff. 44:04.405 --> 44:10.590 It's just the contemporary equivalent of a casual, what we would call a casual, back when we were teens. 44:11.371 --> 44:12.493 Yeah. 44:12.653 --> 44:22.205 But you know what, I also think it's just one of these things that Sunday papers and out of touch people get really excited about because it suddenly gives them a bridge to the Ute, doesn't it? 44:23.947 --> 44:30.395 Well, I suppose because it's a thing that crosses over and it's a word that's used by them as well as us as it were. 44:31.115 --> 44:34.058 Yeah, but it's probably not used by us, so to speak, anymore, is it? 44:34.598 --> 44:38.761 That's usually the sort of thing that the newspapers catch on to when it's dead, basically. 44:39.022 --> 44:42.124 I don't think it is dead, I think it's sort of getting going, isn't it? 44:42.504 --> 44:42.725 Really? 44:43.065 --> 44:43.425 Yeah. 44:45.607 --> 44:49.910 Because it's just one of those words, apparently down here it's got a list, as you say, for... 44:50.971 --> 45:04.219 names have always been around for little groups of youths who were quite fashion conscious and mouthy and sort of say to you, what are you looking at when you look in their direction, mistakenly. 45:04.339 --> 45:09.823 I've got to say that the texts have become alight with people explaining what chav means. 45:10.183 --> 45:11.024 A chav is a kev 45:11.924 --> 45:13.125 I'm not sure that really helps. 45:13.245 --> 45:16.427 No, you see, I've got a big long list of what Chatham and Kent. 45:16.948 --> 45:28.756 Ah, you see, that's what some people say, but then the person I found on the internet said, er, no, it's actually, erm, it originates from the Romani world for child. 45:29.016 --> 45:29.377 Chavvy. 45:30.562 --> 45:32.584 Which is a gypsy a gypsy kid. 45:32.764 --> 45:33.084 It's cut. 45:33.104 --> 45:50.858 Well, it's kind of come from Yeah, gypsy a bit like pikey which is a very offensive term very offensive Adam Yeah, it's offensive to me and my caravan dwelling family Well, there you go and chav apparently was similarly offensive term and then it's become you know It's crossed over a bit to mean I've never used it until today. 45:50.878 --> 45:50.898 I 45:51.118 --> 45:53.600 No, I never have as well, but I, you know, obviously I want to keep abreast. 45:53.680 --> 45:54.280 I'm just checking. 45:54.381 --> 45:57.723 I'm quite, you know, I'm getting old now, so I want to find out what the kids are saying. 45:58.223 --> 46:02.407 Um, Scots, Scottish people, of course, uh, call them Ned's, apparently. 46:02.427 --> 46:03.147 Mmm. 46:03.708 --> 46:04.908 They're called Chav's Ned's? 46:04.989 --> 46:05.349 Yeah. 46:05.549 --> 46:06.530 I don't know about that. 46:06.730 --> 46:06.970 Really? 46:06.990 --> 46:07.150 Why not? 46:07.170 --> 46:09.072 I don't think it's the same group of people. 46:09.112 --> 46:10.473 How are Ned's different to Chav's? 46:10.613 --> 46:12.874 A Ned is just like a happy-go-lucky lad. 46:13.915 --> 46:34.361 Scotland and Ned yeah kind of sort of yeah kind of first I might hang around the young yobs yeah yeah yeah some people say that Ned is an acronym of non-educated delinquents yeah but apparently it's just a bridge form of the name Edward this is what happens when you do research on the internet 46:34.781 --> 46:34.961 What? 46:35.361 --> 46:37.182 You could just get all kinds of information. 46:37.202 --> 46:41.344 This is the mistake people make about the internet, that it's not like some sort of a dictionary. 46:41.364 --> 46:43.085 What do you mean the mistake? 46:43.105 --> 46:44.225 This is interesting. 46:44.506 --> 46:45.506 It is interesting, definitely. 46:46.146 --> 46:47.427 What, are you saying this is all wrong? 46:47.967 --> 46:50.408 It's very hard to go to the internet for the truth about something. 46:50.448 --> 46:57.572 All you get is a sort of misty cloud of random theories from a million people across the world, and that sometimes people approach it like a sort of 46:58.932 --> 47:00.753 font of truth, you know, like a book. 47:01.053 --> 47:02.234 Well, this is a consensus. 47:02.334 --> 47:04.835 It's like a book that any old sod could write in the internet. 47:05.015 --> 47:05.696 Look at it that way. 47:06.236 --> 47:06.456 Yeah. 47:06.836 --> 47:09.797 A reference book that any old idiot can put an entry in. 47:10.138 --> 47:10.758 Yeah, okay. 47:11.438 --> 47:14.980 But I've done a certain amount of research and this is the consensus of opinions. 47:15.080 --> 47:15.980 It's good, I'm enjoying it. 47:16.020 --> 47:16.541 Keep going. 47:17.981 --> 47:20.522 No, I'm going to stop now because it's just a book of rubbish. 47:23.684 --> 47:25.965 We'll be back with Ditties in the Dark after Nick Lowe. 47:37.224 --> 47:37.644 Fantastic. 47:37.664 --> 47:39.844 That's Nick Lowe with So It Goes. 47:39.884 --> 47:42.185 Lots of people texting us about Chavs. 47:42.245 --> 47:43.205 Thank you for your texts. 47:43.565 --> 47:49.387 We seem to have reached the conclusion that it is indeed a Romany word used by travelling folk. 47:50.227 --> 47:51.847 From the word chavy for child. 47:52.167 --> 47:57.649 But apparently it can also mean council... Council housed and violent. 47:57.769 --> 47:58.849 Yeah, that sounds good to me. 47:59.409 --> 48:11.439 And just before we leave the Chavs alone for this week, can I just quote the Daily Mail, who describes Chav women as pulling their shoddily dyed hair back in an ultra-tight bun known as a council house facelift. 48:11.499 --> 48:11.919 Yeah. 48:13.140 --> 48:13.881 Croydon facelift. 48:13.901 --> 48:14.702 Croydon facelift. 48:14.802 --> 48:15.562 I hadn't heard that one. 48:15.802 --> 48:22.548 They wear skirts too short for their mottled blue thighs and expose too much of their distressingly flabby midriffs. 48:23.449 --> 48:24.770 Ah, well, Daily Mail, there you go. 48:28.615 --> 48:29.796 OK, let's speed through this now. 48:30.057 --> 48:33.480 Coming up to the last quarter of an hour of the show here on XFM with Adam and Joe. 48:33.900 --> 48:34.721 It's Ditties in the Dock. 48:34.921 --> 48:38.425 Joe and I are going to battle it out for who gets to play the last song of our two hours. 48:38.485 --> 48:39.046 Joe, what have you got? 48:39.679 --> 48:51.426 I've got a track by the Fomboy through the way that you do it, on account of the fact that I had a very nice chat to Terry Hall on Tuesday night at the Guilty Pleasures night at the Islington Academy bar or whatever it was. 48:51.726 --> 48:53.047 And what a lovely fellow he was. 48:53.487 --> 48:55.568 Yeah, because you know, he suffers from depression. 48:55.608 --> 48:56.609 Was he okay that night? 48:56.989 --> 48:58.230 Yes, he was. 48:58.290 --> 48:59.050 He was well-medicated. 48:59.070 --> 48:59.331 Yeah. 48:59.471 --> 49:00.171 Good, good, good. 49:00.211 --> 49:01.412 Yeah, thanks for mentioning that. 49:02.152 --> 49:03.173 It's fairly well known. 49:03.373 --> 49:09.138 He was in a great mood and he was a great guy and we had a long talk about Nick Hayward because he still hangs out with Nick Hayward. 49:09.158 --> 49:09.719 Does he really? 49:09.779 --> 49:10.059 Yeah. 49:10.619 --> 49:19.387 And so here's something, not that he needs it, but in case he needs an extra 20p royalties, it ain't what you do, it's the way you do it by Fumboy 3. 49:19.607 --> 49:20.628 A great track anyway. 49:20.928 --> 49:45.896 yeah man he's still got it definitely no question yeah well that's a smash and hard to compete with but i'm going to try because i've got einstein a go-go by landscape uh so we've both unwittingly come in with sort of early 80s classics and einstein a go-go if you've never heard it before landscape were a very weird band i had a album called from the tea rooms of can you not whistle during my presentation please i'm helping it by whistling the tune whistling the tune whistling 49:46.856 --> 50:06.609 And yeah, the the tea rooms of Mars to the hellholes of Uranus was their album you get it crazy And it was a really really weird sort of very early abrasive electronic album But they they kind of managed to cross over with some really poppy tunes occasionally Einstein a go-go was their biggest hit the follow-up was Norman Bates Remember that one Joe? 50:06.709 --> 50:08.210 Yeah, which was really weird? 50:10.211 --> 50:12.333 I'm just a normal guy. 50:12.613 --> 50:13.513 Won't be playing that one. 50:13.533 --> 50:14.694 Ordinary guy, isn't it? 50:14.714 --> 50:15.215 Uh, normal guy. 50:16.015 --> 50:18.697 And um, it's a brilliant song. 50:18.757 --> 50:20.218 If you've never heard it, Einstein and Go-Go. 50:20.298 --> 50:26.963 It's demented and it sounds very current as well today because of the electro-clash or whatever you want to call it, which I know happened two years ago. 50:27.023 --> 50:27.743 So there we go. 50:27.763 --> 50:28.864 This is in the doc. 50:29.084 --> 50:34.888 It is, uh, uh, Fumbod 3, within what you do, it's the way that you do it, versus Einstein and Go-Go. 50:34.928 --> 50:35.629 By what are they called? 50:36.309 --> 50:36.729 Landscape. 50:36.910 --> 50:38.831 So let's say Landscape or Fun Boy. 50:39.211 --> 50:41.112 Those are your key words. 50:41.132 --> 50:44.755 871-222-1049, the winning song gets to play out the show. 50:44.835 --> 50:49.638 Plus the winning phone vote is going to win a very special DVD that I've actually lost. 50:50.459 --> 50:50.919 What is it? 50:50.999 --> 50:51.460 Oh no, here it is. 50:52.389 --> 50:55.611 It's some sort of interactive DVD music quiz. 50:55.671 --> 50:57.593 It's a DVD you put into your DVD player. 50:57.613 --> 50:58.553 It's called Beat the Intro. 50:58.573 --> 50:59.814 You hear the beginning of a bit of music. 50:59.834 --> 51:01.815 A DVD you put into your DVD player? 51:01.856 --> 51:02.676 Yeah, one of those ones. 51:02.776 --> 51:03.116 Wow. 51:03.717 --> 51:05.358 And so it's a great sort of quiz DVD. 51:05.678 --> 51:09.501 So the winning vote, you know, you can't actually decide to be the winning vote, but if you are the winning vote, you win. 51:09.621 --> 51:12.543 Oh, it's 7-1-triple-2-1, a 4-9 fun boy, or Einstein. 51:12.643 --> 51:13.784 But first, here's Green Day. 51:25.666 --> 51:27.687 Yeah, that serves you right for listening. 51:30.469 --> 51:34.292 Oh, this is Adam and Joe, XFM online, and this is Ditty's in the Dock. 51:34.312 --> 51:35.432 That was Green Day, incidentally. 51:35.452 --> 51:36.713 The Boulevard of Broken Dreams. 51:37.154 --> 51:38.795 Now, let's see, Ditty's in the Dock. 51:38.955 --> 51:47.080 We're going to take the best of five callers, and the choice, as you remember, is between landscape, Einstein and GoGo, and fun boy three, ain't what you do, it's the way that you do it. 51:47.360 --> 51:48.621 We've got online one, Vern. 51:48.661 --> 51:49.482 Hello, Vern, are you there? 51:50.022 --> 51:50.763 Yes, hello. 51:50.883 --> 51:51.483 How are you doing? 51:51.503 --> 51:52.644 Not too bad. 51:52.944 --> 51:54.325 Goody, and what are you voting for, Vern? 51:54.944 --> 51:57.047 Nice, a good choice. 51:57.207 --> 51:58.448 That's one for Einstein. 51:59.169 --> 52:00.430 Let's go to line two with Emily. 52:00.470 --> 52:00.971 Hello Emily. 52:01.311 --> 52:01.612 Hiya. 52:01.932 --> 52:02.312 How are you? 52:02.332 --> 52:03.314 Alright, thanks. 52:03.634 --> 52:04.595 Having a nice Saturday? 52:04.615 --> 52:05.997 Wonderful Hector. 52:06.297 --> 52:06.537 Good. 52:06.557 --> 52:07.258 What are you voting for? 52:07.278 --> 52:09.020 For fun boy please. 52:09.360 --> 52:10.101 For fun boy? 52:10.121 --> 52:11.362 That makes it one all. 52:12.043 --> 52:12.384 Wow. 52:12.684 --> 52:13.545 Track three, Richard. 52:13.925 --> 52:14.386 Are you there? 52:14.746 --> 52:15.247 Yep, hi there. 52:15.467 --> 52:16.048 Hello Richard. 52:16.885 --> 52:17.806 Landscape, actually. 52:18.106 --> 52:19.167 Landscape, Richard. 52:19.207 --> 52:20.988 Do you remember Landscape first time around, Richard? 52:21.128 --> 52:21.628 Yes, I do. 52:21.688 --> 52:28.332 Unfortunately, I'm old enough to remember both of these tracks, but my preference is Landscape on this occasion. 52:28.732 --> 52:30.673 Can you sing us a line from Einstein A Go-Go? 52:30.693 --> 52:34.155 Shall I whistle it for the little intro? 52:34.195 --> 52:36.096 Yeah, Joe was whistling it before, but I rudely cut him off. 52:36.116 --> 52:36.296 Go on. 52:39.861 --> 52:40.542 That's the fella. 52:40.622 --> 52:41.202 Fantastic. 52:41.242 --> 52:43.043 So that's 2-1 to Landslide. 52:43.564 --> 52:46.506 Jazz, if Jazz votes for Landslide, then Landslide it is. 52:46.526 --> 52:46.886 And Scape. 52:47.167 --> 52:47.867 Scape, sorry. 52:48.227 --> 52:51.049 Landslide is an Olivia and John song, isn't it? 52:51.130 --> 52:51.930 I don't know. 52:51.950 --> 52:52.571 I know. 52:52.691 --> 52:53.792 Jazz, what are you voting for? 52:54.872 --> 52:55.853 Hello Jazz, are you there? 52:56.694 --> 52:57.614 Hello Jazz. 52:57.735 --> 52:59.076 Jazz is listening to some jazz. 52:59.636 --> 53:00.537 He's gone into space, man. 53:00.817 --> 53:02.018 It's Jazz, man. 53:02.418 --> 53:04.480 Taking a break from recording Jazz's new album. 53:05.313 --> 53:05.693 Jason, perhaps? 53:05.733 --> 53:06.054 Yeah, hang on. 53:06.414 --> 53:07.634 Well, it's all for Jazz then. 53:07.654 --> 53:08.495 Alright then. 53:08.515 --> 53:08.635 Fumboy 3. 53:08.695 --> 53:08.995 Oh, Lord! 53:25.425 --> 53:29.769 Well, this caller has automatically won Beat The Intro, the exciting quiz DVD thing. 53:30.610 --> 53:31.090 He's called Ben. 53:31.110 --> 53:31.631 Are you there, Ben? 53:32.231 --> 53:32.491 I am. 53:32.812 --> 53:33.352 How are you, Ben? 53:33.732 --> 53:35.014 I'm fantastic, thanks guys, how are you? 53:35.254 --> 53:37.135 I'm well, we're both very well as well, thank you very much. 53:37.155 --> 53:38.617 Are you excited that you've won Beat The Intro? 53:39.177 --> 53:40.118 I am, very excited. 53:40.198 --> 53:41.219 Have you got a DVD player? 53:41.899 --> 53:42.300 Yes, I do. 53:42.480 --> 53:42.800 Wow. 53:43.681 --> 53:44.161 Very modern. 53:44.682 --> 53:46.123 Because they're expensive, aren't they? 53:47.164 --> 53:47.965 So what are you voting for? 53:50.434 --> 53:51.516 Oh Ben! 53:51.857 --> 53:52.918 Well done you sir. 53:53.239 --> 53:54.380 You fruit of nature. 53:54.561 --> 53:56.363 I'm gonna bring in landscape next week. 53:56.383 --> 54:02.833 Yeah that's the great thing about our new free plays, we can have the sort of renders ditties in the dock, sort of slightly irrelevant. 54:03.253 --> 54:05.977 But that's not a thing to say just as we announce the winner and play it. 54:06.898 --> 54:11.963 So there we go, it's a 3-2 victory to Terry Hall and the Fun Boy 3. 54:12.563 --> 54:14.745 We've been Adam and Joe, thanks for listening for the past two hours. 54:14.785 --> 54:21.071 We'll be back with you next week, 1-3, with all sorts of maybe slightly better prepared funny things next week. 54:21.291 --> 54:21.951 Who knows? 54:22.171 --> 54:22.992 Who was unprepared? 54:23.152 --> 54:23.413 Me. 54:23.793 --> 54:24.253 Okay. 54:24.513 --> 54:26.155 Well don't tarnish me with your brush. 54:26.195 --> 54:26.635 I'm sorry. 54:26.735 --> 54:27.116 You say? 54:27.436 --> 54:27.676 Anyway. 54:27.997 --> 54:29.758 Thanks very much for listening, lots of love, bye! 54:29.798 --> 54:30.359 Here's the Fun Boy 3. 54:51.385 --> 54:51.745 That's 55:20.880 --> 55:22.342 And your child will swing 56:07.522 --> 56:26.151 I didn't know what life was all about But then I learned I must confess Life is like a game of chess It ain't what you do, it's the way that you do it It ain't what you do, it's the time that you do it It ain't what you do, it's the way that you do it That's what makes you so sweet 56:34.935 --> 56:45.071 It ain't what you do, it's the way that you do It ain't what you do, it's the way that you do It ain't what you do, it's the way that you do It ain't what you do, it's the way that you do 57:07.373 --> 57:08.614 That's what gets results.