WEBVTT 00:11.036 --> 00:12.557 XFM, you make it what it is. 00:13.537 --> 00:14.937 Hi, I'm Adam. 00:15.017 --> 00:15.578 Hi, I'm Joe. 00:15.638 --> 00:15.918 Joe. 00:15.978 --> 00:16.258 Joe. 00:16.298 --> 00:16.578 Joe. 00:16.598 --> 00:23.480 I would like to thank you for choosing XFM. 00:23.500 --> 00:29.342 Please have your headsets ready for... Adam and Joe. 00:29.422 --> 00:29.942 Joe. 00:29.962 --> 00:30.402 Joe. 00:30.522 --> 00:32.143 Coming through loud and clear. 00:32.243 --> 00:33.323 Hello, this is XFM. 00:33.343 --> 00:35.904 It's our sting, Joe. 00:36.764 --> 00:38.025 It's a very good sting to me. 00:39.911 --> 00:41.272 I was going to make a new one this week. 00:41.973 --> 00:43.895 It's not supposed to be entirely serious, did you get that? 00:45.216 --> 00:46.337 Well, are you talking to me or the listeners? 00:46.417 --> 00:46.617 You. 00:47.297 --> 00:49.259 I know, yeah, I appreciate it, it's sort of a joke. 00:49.639 --> 00:50.840 But yeah, there's no need to make a new one. 00:51.081 --> 00:52.822 Hello listeners, I'm Joe Cornish. 00:53.362 --> 00:54.363 My name's Adam Buxton. 00:54.403 --> 00:57.186 And we're here with you for the next two, well, one hour and fifty minutes. 00:57.226 --> 01:01.189 We've got some music, some great music, the kind of music that XFM listeners love. 01:01.389 --> 01:03.110 Do you know what, I'm not sure that's entirely true. 01:04.251 --> 01:12.717 There's some music on the playlist this week, which I don't like, I must say, and I would have a hard time defending to even an XFM listener. 01:12.897 --> 01:17.080 And what you have to do is guess which ones we don't like, because we're not going to say, obviously. 01:17.120 --> 01:17.921 We don't want to prejudice. 01:19.222 --> 01:22.564 But on the plus side, we've got loads of amazing things to give away this week. 01:22.984 --> 01:30.630 So even if you don't like us or the show, stay tuned to win amazing prizes, such as tickets to see Dylan Moran in Monster 2. 01:30.770 --> 01:31.991 That's a stand-up show, is it? 01:32.631 --> 01:36.073 Yeah, at the Wyndham's Theatre we've got two pairs of tickets to see Dylan Moran. 01:36.393 --> 01:39.675 We've got three pairs of tickets to a special screening of Seinfeld. 01:39.995 --> 01:40.615 Seinfeld? 01:40.855 --> 01:41.656 Yeah, Seinfeld. 01:42.316 --> 01:44.137 I used to pronounce it Seinfield. 01:44.737 --> 01:46.018 Seinfeld, Seinfeld. 01:46.578 --> 01:49.660 They're having a special screening to launch the DVD release of series one. 01:50.380 --> 01:53.422 Can you win the DVDs as well or do they just make you go to a cinema to watch them? 01:54.182 --> 01:56.263 This isn't really a prize, is it? 01:56.284 --> 02:03.668 Well, it's... No, it is a prize, because you get to see things on the... When did it come out? 02:03.728 --> 02:04.129 Monday the 1st. 02:04.209 --> 02:05.029 Is that a prize? 02:05.089 --> 02:07.651 Just to have to go somewhere to watch a DVD? 02:07.671 --> 02:08.932 Why can't they just give them the DVD? 02:10.712 --> 02:12.032 The DVDs are coming. 02:12.092 --> 02:17.614 So you get to see an amazing screening of it and you get the Seinfeld DVDs. 02:17.934 --> 02:28.397 Plus, almost the most exciting thing is we've got this big pile of copies of George A. Romero's Dawn of the Dead which is possibly the greatest zombie film ever made. 02:28.437 --> 02:29.237 Is that the first one? 02:30.298 --> 02:32.000 No, the first one is Night of the Living Dead. 02:32.020 --> 02:32.942 It's a trilogy. 02:32.962 --> 02:34.243 The second one's Dawn of the Dead. 02:34.264 --> 02:35.685 The third one's Day of the Dead. 02:35.786 --> 02:37.468 Night of the Living Dead was on last night, I think. 02:37.868 --> 02:42.455 Has it got a lady with a very short ginger bob at the beginning? 02:42.775 --> 02:44.017 Was it black and white or colour? 02:44.097 --> 02:44.538 It was colour. 02:45.038 --> 02:46.739 Well, was it colorized or color? 02:46.999 --> 02:47.699 I think it was color. 02:47.759 --> 02:49.580 It had the man from Candyman in it. 02:49.880 --> 02:51.101 No, that's the remake. 02:51.281 --> 02:57.063 I think it was remade in the late 80s, early 90s so that they could keep hold of the copyright. 02:57.543 --> 03:00.224 The original is black and white and it is a classic. 03:00.264 --> 03:01.225 And Dawn of the Dead is fantastic. 03:01.245 --> 03:03.346 Dawn of the Dead is the shopping mall one that was recently remade. 03:03.566 --> 03:06.247 This is the original George A. Romero version and we've got 03:06.647 --> 03:11.390 Three copies to give away, two copies to give away, depending on how many Adam and I just simply take home for ourselves. 03:11.751 --> 03:14.473 But it's a fantastic movie and what a great addition as well. 03:14.913 --> 03:17.375 Director's Cut, the splatteriest version of it ever. 03:17.795 --> 03:20.937 All Tom Savini's gore effects in there to the full. 03:21.057 --> 03:21.597 Any extras? 03:22.038 --> 03:22.958 Loads of extras! 03:22.978 --> 03:23.699 For extra fans? 03:23.919 --> 03:27.181 Yeah, commentaries, dead, I think dead people. 03:27.502 --> 03:28.542 Actual dead people? 03:28.562 --> 03:29.563 Actual dead people. 03:29.583 --> 03:30.083 Brilliant. 03:30.844 --> 03:32.025 Well, you can win those later on. 03:32.905 --> 03:34.927 Still, not one or two competitions this week. 03:34.967 --> 03:35.107 What? 03:35.707 --> 03:40.489 We're trying to get in with the people that make these DVDs, so they'll give us more DVDs to give away. 03:40.929 --> 03:44.151 And every time we give away DVDs, we can just take one for ourselves sometimes. 03:44.231 --> 03:45.551 Yeah, you give a little, you take a little. 03:45.571 --> 03:45.972 Yeah, exactly. 03:46.012 --> 03:46.812 One for you, one for me. 03:46.892 --> 03:50.954 And these people, I mean, this is a lovely addition, isn't it? 03:50.974 --> 03:52.855 Look at that dead geezer on the front. 03:52.875 --> 03:56.976 You're more of a fan of zombie people than I am, I must say, but still, that's exciting. 03:57.577 --> 03:59.257 And yeah, that's coming up later on the show. 03:59.277 --> 04:00.638 So that's three whole prizes already. 04:00.658 --> 04:01.939 We've only got two competitions. 04:02.219 --> 04:03.259 Two competitions which are... 04:05.140 --> 04:07.143 We've got more prizes than competitions. 04:07.183 --> 04:11.309 Mummification, which is where you have to guess what my mum's rambling about. 04:11.669 --> 04:16.917 We've got crap commentary competition, where I've got another clip from an appalling DVD commentary. 04:16.937 --> 04:18.078 It's a good one this week. 04:18.339 --> 04:18.779 Can't wait. 04:18.799 --> 04:21.183 I'll have ditties in the dog, but that's not really a competition. 04:21.443 --> 04:24.827 Although we might give away some more stuff to people who phone in for Ditties in the Dark. 04:25.087 --> 04:28.071 You know, that's how laden with Prezzies we are this week. 04:28.511 --> 04:32.956 All that's coming up, plus of course we'll be discussing all the important topics of today. 04:34.018 --> 04:36.400 TV, adverts, movies, that kind of thing. 04:36.440 --> 04:38.322 Stick with Adam and Joe here on XFM. 04:55.075 --> 04:57.157 Oh dear, that's an exhausting record. 04:57.337 --> 04:59.459 It's good, don't get me wrong, but it's exhausting. 04:59.819 --> 05:07.806 It sort of, it peaks right at the beginning, and then it carries on peaking, and then it goes a bit further, and then it climaxes, and then it peaks again, and then it ends. 05:07.966 --> 05:10.789 It's like a night in the sack with me. 05:11.109 --> 05:14.492 That's the polyphonic spree with 2000- I just want to go back to bed now after that. 05:14.572 --> 05:15.113 Places. 05:16.013 --> 05:16.754 You can go to bed. 05:16.974 --> 05:18.676 Well, we can sort something out for you. 05:18.696 --> 05:19.837 We've got a sofa over there. 05:20.017 --> 05:21.978 You can lie down between chats. 05:23.019 --> 05:27.841 Um, always keep forgetting that chats in parts of Scotland means boobs. 05:29.142 --> 05:30.863 Anyway, that's a little fact for you. 05:30.903 --> 05:33.164 Do you watch the UK Music Hall of Fame, Joe Cornish? 05:33.744 --> 05:36.025 Uh, I, uh, yeah, Jamie Thiessen's program, yes. 05:36.105 --> 05:36.325 Yeah. 05:36.345 --> 05:39.967 Because Sunday tends to be a big TV viewing day for me nowadays. 05:40.047 --> 05:40.447 Sunday? 05:40.507 --> 05:41.247 Yeah, do you find that? 05:41.607 --> 05:42.908 No, I, Saturday night. 05:43.228 --> 05:44.469 It's the night for me, yeah. 05:44.809 --> 05:58.398 Hmm, we'll talk about that in a second, but Sunday night for me on Channel 4 has become sort of, I do like watching this show, UK Music Hall of Fame, a completely cynical, trumped up excuse for repackaging the top 10 shows, more or less. 05:58.778 --> 06:06.503 Because all they do is, you know, and Channel 4 sort of announced, well they didn't announce necessarily, but they seem to be making a decision not to do any more top 10 shows. 06:06.523 --> 06:10.046 I remember we had a few meetings there when they said, no, we're not gonna do any more top 10 shows. 06:10.706 --> 06:12.347 But they still do, really. 06:12.508 --> 06:14.129 They're just not called Top 10s. 06:14.529 --> 06:17.532 They're still clip packages, you know, you get a rundown. 06:17.592 --> 06:19.273 It might be better to call them list shows. 06:19.473 --> 06:20.054 Yeah, that's true. 06:20.074 --> 06:28.120 Yeah, shows that list the greatest, you know, a thousand greatest horror moments, a hundred greatest, I don't know, car crashes, that sort of thing. 06:28.200 --> 06:28.841 Yeah, yeah, yeah. 06:29.221 --> 06:37.028 Well, this one, the sort of shaky premise of this is that Channel 4 have randomly created this Hall of Fame into which we will put the greatest 06:37.928 --> 06:40.731 of all time from each era and I don't know what. 06:41.531 --> 06:55.843 And they start off by telling us that the line up was compiled, this is Jamie Fexton telling us, the line up was compiled by a distinguished panel of judges including Sir George Martin, Paul Gambaccini and Dave Stewart, amongst others. 06:56.403 --> 06:58.924 So you're thinking immediately, like, what? 06:59.344 --> 07:01.784 Which kind of others would there be after that lot? 07:02.244 --> 07:05.645 You know, Mallet, Timmy Mallet, Abby Titmuss, possibly. 07:05.965 --> 07:08.446 I would imagine Kate Thornton would be part of that lineup. 07:09.966 --> 07:11.427 But it's enjoyable, nevertheless. 07:11.447 --> 07:12.047 Do you not find? 07:12.687 --> 07:14.667 No, well, I tend to switch it off. 07:15.008 --> 07:15.228 Why? 07:15.248 --> 07:16.368 Because you're not interested in the bands. 07:16.388 --> 07:16.828 Because it's boring. 07:16.848 --> 07:17.308 I tell you why. 07:17.348 --> 07:23.330 Because Jamie, who's a lovely chap, is standing there surrounded by photos of all the bands, right? 07:23.510 --> 07:23.710 Yeah. 07:24.230 --> 07:24.710 Don't like that. 07:25.490 --> 07:25.870 Why not? 07:25.910 --> 07:26.891 Because it's stupid. 07:27.132 --> 07:29.113 But it's just a set, it's just an excuse. 07:29.393 --> 07:33.457 It's trying to give a sense of import to something that basically is utterly insignificant. 07:33.817 --> 07:38.681 The UK Music Hall of Fame will be forgotten when the series ends. 07:38.922 --> 07:41.644 I know it's a controversial thing to say, but it's not going to go down. 07:41.884 --> 07:44.987 People aren't going to be going into the British Museum to consult it in the future. 07:45.287 --> 07:46.748 I don't know, I think they might be. 07:46.768 --> 07:48.930 Because they're copying the American one, right? 07:49.050 --> 07:50.512 And that's a proper institution. 07:50.592 --> 07:51.753 Well, it's kind of proper, isn't it? 07:52.193 --> 07:54.135 Isn't it? 07:54.155 --> 07:54.735 Yeah. 07:54.775 --> 07:56.136 That's not even really a proper one. 07:56.176 --> 07:57.657 It's just an excuse for a big party, isn't it? 07:57.837 --> 08:00.219 It depends what you mean by proper as much as anything is proper. 08:00.239 --> 08:04.182 It's all just random decisions about what is and what isn't brilliant. 08:04.642 --> 08:08.525 But the show, of course, suffers from the usual kind of pundit problems, you know. 08:08.585 --> 08:13.449 Basically, it's driven by interviews with people we're supposed to be amazingly impressed by. 08:13.749 --> 08:19.914 And the heavy hitters on this show are people like Noel Gallagher, Sean Ryder, who can barely speak. 08:20.254 --> 08:28.421 anymore, Tony Wilson from Factory Records, and then you get to like Pete Wiley, Gary Newman, and that's still on the A-list more or less. 08:28.781 --> 08:42.332 But basically we get a certain amount of them and we're supposed to sort of drop to our knees and thank the heavens whenever Noel Gallagher opens his mouth and says something like, you know, joking aside, the Bee Gees, right, were serious, I mean they were great, they were one of my favorite bands of all time. 08:42.672 --> 08:44.614 That's exactly how he sounds as well, incidentally. 08:45.274 --> 08:56.544 And you sort of think, you know, wow, Noel Gallagher thinks the Bee Gees were brilliant, so they must be brilliant, because Noel Gallagher's brilliant, and he's a genius, and he might beat me up if I don't agree with him. 08:57.025 --> 09:00.748 But then you get to people like Beverly Knight, who's on everything. 09:01.148 --> 09:02.530 Have you seen a lot of Knight recently? 09:02.970 --> 09:05.512 Yeah, she's making a comeback, isn't she, in a field of corn. 09:05.913 --> 09:06.613 I've seen her video. 09:06.693 --> 09:07.494 Of the living dead. 09:07.814 --> 09:09.916 And you get Kate Melua, Melua. 09:10.797 --> 09:11.718 How do you pronounce that? 09:11.958 --> 09:12.819 Meh-hoo-ha. 09:13.080 --> 09:13.680 Meh-hoo-ha. 09:14.641 --> 09:15.883 Hama Superstar? 09:15.903 --> 09:16.263 Yeah. 09:16.764 --> 09:18.726 And Preston from The Ordinary Boys. 09:19.106 --> 09:19.426 Yeah. 09:19.707 --> 09:22.009 You know, and these, so you get Kate Malure. 09:22.029 --> 09:22.289 Meh-hoo-ha. 09:22.309 --> 09:23.731 It's your fault for watching it, Adam. 09:23.971 --> 09:25.072 I enjoy the clip packages. 09:25.092 --> 09:26.154 No one's asking you to watch it. 09:26.194 --> 09:28.876 Why don't you switch it off like me and do something more constructive? 09:29.537 --> 09:30.758 Well, you're blowing my mind now. 09:30.778 --> 09:32.258 I haven't thought about that in any way. 09:32.278 --> 09:33.038 Just switch it off. 09:33.279 --> 09:39.381 No, because then I'd miss Kate Mehrucha talking about Freddie Mercury and saying his vocal talents were amazing. 09:39.581 --> 09:42.062 And I think that's something that really inspires me. 09:42.762 --> 09:43.022 Yeah. 09:43.122 --> 09:48.705 So you're thinking, well, I'm glad that you did for that, because Kate Mehrucha is inspired by Mercury's vocal talents. 09:49.805 --> 09:51.027 But you do get the odd gem, you see. 09:51.047 --> 09:58.234 They had some footage of Stevie Wonder last week, like an old piece of footage I hadn't seen before, with this kind of vocoder with a pipe stuck in his mouth. 09:58.254 --> 10:00.616 So while he was singing, it was immediately being vocoded. 10:00.676 --> 10:01.117 It's a bong. 10:01.658 --> 10:01.958 A bong. 10:02.578 --> 10:02.999 It's a bong. 10:03.139 --> 10:04.040 A big musical bong. 10:04.300 --> 10:08.384 But it was an amazing clip and, you know, it's sort of well researched in that respect. 10:09.065 --> 10:11.507 But there's problems with it. 10:11.667 --> 10:15.649 You know, let's come back to this if you've got anything more to say about it. 10:15.689 --> 10:29.739 We should tease Mummification, our big quiz is going to come up in a couple of seconds, and it's your chance to win the brand new Dawn of the Dead Collector's Signature Edition with a brand new documentary all about the making of Dawn of the Dead featuring interviews from people who've never been interviewed about it before. 10:32.881 --> 10:33.421 Interview wrong? 10:33.441 --> 10:34.061 No, that's not true. 10:34.101 --> 10:39.363 It's apparently got Dario Argento giving some... We'll be back with music and our first competition after this. 10:47.186 --> 10:48.407 Stop squeaking Joe Quash. 10:48.447 --> 10:51.248 I've got a really squeaky chair and I think it sounds amateurish. 10:52.955 --> 10:53.976 It doesn't, it sounds cool. 10:54.036 --> 10:57.820 It sounds like you're Christina Aguilera in the Virgin Mobile advert. 10:57.840 --> 11:00.062 Yeah, bouncing up and down, being a bit naughty. 11:00.202 --> 11:00.923 Oh dear. 11:01.103 --> 11:01.704 Who was that then? 11:01.724 --> 11:02.905 That was the Libertines of course. 11:03.406 --> 11:06.709 The shambolic sound of the Libertines with What Became of the Likely Lands. 11:06.749 --> 11:08.751 You're tuned to Adam and Joe on XFM. 11:09.071 --> 11:10.873 Hey, before you go any further, go on then. 11:10.993 --> 11:13.156 You can text us, 83XFM. 11:13.856 --> 11:15.898 Please do text us, all your texts are read. 11:17.420 --> 11:26.992 8-3-XFM, you can email us, adamandjoe at xfm.co.uk, and that's it, you can call us, but don't call us yet, because you call us for competitions and there's one coming up any second. 11:27.012 --> 11:28.013 Do you not prefer emails? 11:28.573 --> 11:29.194 To what? 11:29.214 --> 11:30.436 To the more considered approach. 11:32.615 --> 11:33.236 No, I don't mind. 11:33.276 --> 11:33.837 I like them both. 11:33.857 --> 11:34.838 I like them both. 11:35.218 --> 11:39.222 Hey, thanks so much for responding to my request for school magazines, incidentally, listeners. 11:39.442 --> 11:39.723 Nothing. 11:39.843 --> 11:42.726 Because this week I've received nothing and none. 11:43.367 --> 11:44.508 It's a lot to ask of people. 11:44.588 --> 11:46.890 I know, but you know, I would do the same for them. 11:47.731 --> 11:51.912 All I wanted was people to send in school mags, yeah, any old school mags. 11:52.312 --> 11:58.734 Thought it'd be a funny feature for the show, possibly, and, you know, because there's always loads of goodies in the school mags. 11:59.134 --> 12:00.975 All you have to do is send them to us in Leicester School. 12:01.015 --> 12:04.035 You know what, you didn't even bring in anything to illustrate your own school mags. 12:04.236 --> 12:06.396 No, because I was going to wait until I had a sufficiently large pile. 12:06.416 --> 12:06.876 You're mad. 12:06.996 --> 12:08.497 You've got to capture people's imagination. 12:08.877 --> 12:14.058 So next week, bring in something, show us the kind of thing you want, read it out, then people will understand and they might respond. 12:14.078 --> 12:16.339 They're not just going to send you stuff on no account. 12:18.119 --> 12:19.500 Well, I'm just telling you like it is, man. 12:19.520 --> 12:22.681 You're overestimating, you know, your powers. 12:22.941 --> 12:23.882 Yeah, well, sort of. 12:25.222 --> 12:26.223 Move on, move on now. 12:26.243 --> 12:27.363 Pick it up next week. 12:33.353 --> 12:33.733 Yeah, you see? 12:34.034 --> 12:34.374 Stab. 12:34.854 --> 12:36.896 And that means that it's competition time. 12:37.417 --> 12:39.299 And it's our mummification competition. 12:39.379 --> 12:44.924 My mum, who reads the Daily Mail, is a confused woman a lot of the time. 12:45.224 --> 12:49.729 And some of her views rambled, tend to ramble in and out of reality. 12:50.309 --> 12:51.150 I'm changing this chair. 12:51.470 --> 12:52.891 Keep talking. 12:52.991 --> 13:02.417 She watches a lot of TV, she's got a lot of opinions on famous personalities, and she is talking, she's describing this week two well-known personalities. 13:02.457 --> 13:04.878 Now it's a really easy competition, this, okay? 13:05.298 --> 13:06.539 So stand by your phones. 13:06.839 --> 13:08.300 The number is 0-8-7-1-2-2-2-1-0-4-9. 13:10.262 --> 13:12.463 If you'd like to win a copy, this is for the DVD, am I right? 13:13.063 --> 13:13.323 Sorry? 13:13.524 --> 13:14.644 For a copy of Dawn of the Dead? 13:14.824 --> 13:15.065 Yes. 13:15.285 --> 13:16.846 Yeah, a copy of Dawn of the Dead. 13:17.886 --> 13:20.208 But we've got three copies to give away and we're only going to have one winner. 13:20.648 --> 13:22.089 Could we give three copies to somebody? 13:22.489 --> 13:24.791 Then that would be quite a good prize and they could give them out to their mates. 13:24.951 --> 13:26.792 That's not a good prize, we'll find some other way of distributing them. 13:26.852 --> 13:33.057 It's a good prize, they could make extra friends by keeping one for themselves and saying to two special mates, hey! 13:33.857 --> 13:34.818 have a free DVD? 13:34.998 --> 13:36.179 Oh, well, we can decide. 13:36.219 --> 13:41.462 If you win this competition, you have the option to greedily and pointlessly take all three copies of Dawn of the Dead. 13:41.682 --> 13:48.286 But first, you have to identify the celebrities that my mother is talking about right here. 13:48.326 --> 13:49.667 Listen very carefully. 13:49.707 --> 13:50.908 She talks quite quietly. 13:51.488 --> 13:52.469 Adam, I can't stand them. 13:52.909 --> 13:57.751 I think they are so repulsive, both of them, that I switched off. 13:57.812 --> 14:00.373 Apart from that, I thought the program was puerile. 14:00.653 --> 14:02.794 I think they are horrible to look at. 14:03.274 --> 14:04.875 One of them looks like a Martian. 14:05.135 --> 14:09.838 He's got a really sort of high dome forehead. 14:09.858 --> 14:11.579 The other one's quite nice, actually. 14:12.199 --> 14:15.461 But the two of them together is more than I can bear. 14:15.741 --> 14:17.502 I don't think they're at all funny. 14:17.522 --> 14:20.023 And as I say, I really can't understand why. 14:21.144 --> 14:23.867 They're so popular, what's so great about them? 14:24.327 --> 14:27.210 I'm a mummy. 14:27.690 --> 14:36.458 And before you phone in and suggest that she's talking about us, she's not talking about Adam and Joe, she's talking about two other people on television. 14:36.478 --> 14:38.500 08712221049, 08712221049 if you know who Adam's mum was talking about. 14:43.064 --> 14:47.047 And in the meantime, while you're phoning in, it's time for another shouting classic. 14:47.207 --> 14:49.809 Each week I'm going to be playing a song featuring shouting. 14:49.869 --> 14:50.329 Is this a freeplay? 14:50.729 --> 14:51.390 Well, yeah. 14:51.630 --> 14:52.330 Yeah, okay. 14:52.991 --> 14:54.672 And it's a shouting classic, though. 14:54.692 --> 14:59.896 I'm sort of trying to find a way of making the freeplay relevant and entertaining part of the show. 15:00.896 --> 15:02.417 And, you know, this is a classic song in its own way. 15:02.437 --> 15:04.759 I'll take my headphones off, then, if it's a shouting classic. 15:04.999 --> 15:06.080 Do you not like shouting classics? 15:06.120 --> 15:06.420 Not really. 15:06.900 --> 15:07.501 Well, play it. 15:07.521 --> 15:08.141 We'll see what I think. 15:08.301 --> 15:09.222 Come on, be positive, Joe. 15:09.262 --> 15:09.642 Here we go. 15:09.682 --> 15:10.163 It's The Clash. 15:22.901 --> 15:24.882 Wow, that's the clash with complete control. 15:25.203 --> 15:28.625 Okay, now it's time to find out who's won our mummification competition. 15:30.486 --> 15:32.267 We've got Eater on Line 1. 15:32.407 --> 15:34.249 You've just talked all over the stab! 15:35.590 --> 15:35.930 Play it again. 15:35.950 --> 15:37.551 Oh, I can't now, it's gone. 15:37.791 --> 15:38.872 Eater, are you there on Line 1? 15:39.512 --> 15:40.033 Hello. 15:40.393 --> 15:41.313 Hello, how are you doing? 15:41.734 --> 15:43.035 Not too bad, thank you. 15:43.415 --> 15:44.436 Very well, very well indeed. 15:44.456 --> 15:46.637 Are you enjoying this beautiful, beautiful Saturday? 15:46.657 --> 15:47.778 I am indeed. 15:50.359 --> 15:50.460 Yay! 15:50.480 --> 15:51.963 It is a lovely day, isn't it? 15:52.003 --> 15:54.508 So, Eta, who do you think my ma was talking about there? 15:54.568 --> 16:00.881 She was describing a couple of people, one of whom looked a bit like a Martian, she doesn't like them very much. 16:00.941 --> 16:01.683 Who do you think it was? 16:04.648 --> 16:06.209 It is, of course, Ant and Dec. 16:06.249 --> 16:07.189 Yeah, she doesn't like them. 16:07.209 --> 16:10.850 She likes Dec more than she likes Ant, but she's got a problem with them. 16:10.910 --> 16:14.151 She thinks they're sort of pointlessly smarmy and sarcastic. 16:15.152 --> 16:16.292 I don't know where she's coming from. 16:16.352 --> 16:17.333 I think they're pretty great. 16:17.713 --> 16:18.833 But congratulations, Eta. 16:18.873 --> 16:21.214 Are you excited about winning those Dawn of the Dead DVDs? 16:21.594 --> 16:22.254 I am indeed. 16:22.434 --> 16:23.935 Do you want to take all three, Eta? 16:24.435 --> 16:25.135 No, I'll be kind. 16:25.175 --> 16:26.436 Somebody else can have the other two. 16:26.616 --> 16:27.656 Oh, what a good lady you are. 16:27.776 --> 16:29.617 Yeah, that's very generous spirited of you, Eta. 16:29.637 --> 16:32.178 Do you tend to like Decapitation by Helicopter Blade, Eta? 16:33.584 --> 16:33.824 Yeah? 16:34.525 --> 16:34.685 Good. 16:34.705 --> 16:36.126 Well, you're going to love this film in that case. 16:36.786 --> 16:38.207 I have seen it and it's really good. 16:38.307 --> 16:38.568 It is. 16:38.828 --> 16:40.089 Are you a fan of the genre? 16:40.849 --> 16:41.029 Yes. 16:41.470 --> 16:41.670 Good. 16:42.810 --> 16:43.451 Okay, this is Anita. 16:43.491 --> 16:44.872 Thank you so much for calling in. 16:44.912 --> 16:46.593 We really appreciate your call. 16:46.633 --> 16:47.894 Congratulations for getting that right. 16:48.454 --> 16:49.915 And this is Adam and Jo on XFM. 16:49.935 --> 16:50.536 We'll be right back. 17:03.717 --> 17:04.177 Oh, it finished. 17:04.237 --> 17:04.737 It just finished. 17:04.797 --> 17:05.778 I didn't realise it was finishing. 17:05.818 --> 17:06.618 It was the Snow Patrol. 17:06.638 --> 17:09.940 This is Adam and Joe on London's XFM. 17:09.960 --> 17:10.560 Slightly chaotic. 17:10.580 --> 17:11.741 Sorry, Adam interrupted you with that. 17:12.741 --> 17:13.401 What do you call that? 17:15.082 --> 17:15.422 Words. 17:15.482 --> 17:16.162 Those words. 17:16.443 --> 17:16.723 Talking. 17:17.263 --> 17:19.284 That was Chocolate by Snow Patrol. 17:19.864 --> 17:30.508 Now, McDonald's, everyone's favourite evil fast food joint, have put a special leaflet through, I think, 14 million doors in London. 17:31.088 --> 17:31.809 Something like that. 17:32.249 --> 17:38.091 Their plan is to put a leaflet through, actually it's not a leaflet, it's a booklet, that's very important. 17:38.111 --> 17:40.032 They plan to put it through every single door in London. 17:40.312 --> 17:43.373 And listeners out there, have any of you received the McDonald's booklet? 17:43.813 --> 17:45.214 It's called Change. 17:45.614 --> 17:47.435 We thought we'd come to you for a change. 17:48.155 --> 17:53.400 And it's one of the most extraordinary bits of pamphleteering I've ever come across. 17:53.821 --> 17:56.183 And if you haven't got it, then try and get a hold of one. 17:56.203 --> 18:09.075 I think you can pick it up from your local branch of Mickey D's because it's one of these amazing documents that has been focus grouped and designed almost into, well, through absurdity and out the other side. 18:10.076 --> 18:27.430 Let me just quote you the McDonald's PR lady who I basically went to McDonald's website and I found a link to an article in The Guardian and McDonald's say that McDonald's has changed and we want to use a different way to tell people that. 18:28.210 --> 18:29.631 says spokeswoman Amanda Pierce. 18:29.891 --> 18:35.313 So this booklet is about making an effort to tell people our story and is written in a warm, engaging and conversational way. 18:35.333 --> 18:40.094 The best way of getting the message to check off change across is by changing the way we communicate with people. 18:40.474 --> 18:41.014 I disagree. 18:41.074 --> 18:41.835 I think it's lying. 18:42.575 --> 18:44.476 Well, they've done a bit of that as well, possibly. 18:44.496 --> 18:45.856 Well, I'll tell you about that in a second. 18:46.176 --> 18:48.037 But there's a lot to talk about in this booklet. 18:48.617 --> 18:52.198 And, you know, maybe someone who's got the booklet could give us a call and we could talk through it. 18:52.498 --> 18:55.859 But let me start with... The pages aren't numbered, that's a shame, isn't it? 18:55.939 --> 18:56.960 One, two, three, four... 18:57.560 --> 19:01.562 Well, let's start with the page, basically, that's aimed at women. 19:01.902 --> 19:04.043 And this ties in with the adverts that we've talked about before. 19:04.063 --> 19:06.424 They're trying to attract young ladies back into McDonald's. 19:06.444 --> 19:07.084 The lady page. 19:07.164 --> 19:08.085 Yeah, the lady page. 19:08.125 --> 19:09.065 Get them to eat their salads. 19:09.345 --> 19:10.786 So it's a lovely double-page spread. 19:11.046 --> 19:17.269 You can see there with a photo of a strident young mum walking across some paving stones, and the text is on the paving stones. 19:17.529 --> 19:19.850 In the bottom left-hand corner, it says, Salads Plus. 19:20.090 --> 19:20.791 You go, girls. 19:21.431 --> 19:22.532 Yeah, because girls love salads. 19:22.552 --> 19:25.133 Yeah, because that's like a funky American thing to say, you go girls. 19:25.713 --> 19:30.275 Like they used to say on Jerry Springer or Oprah Winfrey ten to fifteen years ago. 19:30.295 --> 19:31.216 Remember that? 19:31.616 --> 19:40.740 So they pop that down and then they discuss all their salads and the last bit of text says, girls, before you know it, you'll be back home and showing the things you've bought to the boys. 19:41.140 --> 19:43.962 And unless it's got cars or footballers on it, they won't care. 19:44.682 --> 19:47.643 That's true, because boys are obsessed by cars and football. 19:47.663 --> 19:47.923 Exactly. 19:48.043 --> 19:52.505 And then it says, so have a great day, have a great salad, and sisters, do it for yourselves. 19:52.565 --> 19:53.326 It doesn't say that. 19:53.466 --> 19:54.386 Yes it does. 19:54.406 --> 19:54.446 Oh. 19:54.666 --> 20:00.169 Okay, so in case that isn't patronising enough, we turn over six pages, and here's the blokes page. 20:00.609 --> 20:03.090 What's the blokes page got a picture of on it, Adam, guess? 20:03.450 --> 20:04.270 Um, a big football. 20:04.871 --> 20:05.431 Oh yes. 20:05.451 --> 20:06.511 That's the football. 20:06.932 --> 20:09.633 Top left hand corner it says, it's brilliant to be a bloke. 20:10.653 --> 20:14.176 Then they've laid out the blokes menu in the form of a football team. 20:14.356 --> 20:16.859 Because of course that's the only way men understand things. 20:17.339 --> 20:19.321 Sesame seed top bun is the striker. 20:19.341 --> 20:21.362 Or maybe he's in goal. 20:21.502 --> 20:22.723 I don't really know about football. 20:22.964 --> 20:26.647 More special sauce and the bottom bun are leading the pack. 20:27.047 --> 20:30.130 And then underneath it says, naming an unchanged team. 20:30.370 --> 20:31.651 The great Big Mac lineup. 20:31.891 --> 20:32.572 Make it a meal. 20:32.852 --> 20:33.592 Get in the box. 20:33.933 --> 20:35.054 Slide fries in the lid. 20:35.354 --> 20:36.195 Bring on a coke. 20:36.915 --> 20:38.316 Slide fries in the lid? 20:38.356 --> 20:43.579 Yeah, that's the kind of slide in the lid men call, you know, footy football. 20:44.460 --> 20:54.085 Where do you begin with the... I mean, I'm not necessarily complaining about McDonald's, but whoever designed this, what kind of idiots do they think we are? 20:54.286 --> 20:55.466 Well, Joe, do you know what, man? 20:56.087 --> 20:59.749 No one ever got poor underestimating the public. 21:00.208 --> 21:08.225 And just in case this leaflet isn't insidious enough, it's basically got loads of tokens in the back. 21:09.575 --> 21:11.917 and apparently the tokens track you. 21:12.898 --> 21:13.118 What? 21:13.198 --> 21:13.959 Are they electronic? 21:14.399 --> 21:15.780 In some sort of way they are. 21:16.260 --> 21:24.907 Apparently they know which leaflet they delivered to which area of London and if you go into McDonalds and use a token it will record what area of London you live in. 21:25.027 --> 21:25.427 Right. 21:25.447 --> 21:33.894 Sort of where the street that the pamphlet was delivered to and your eating habits so they can then target you with later bun based patronising 21:34.734 --> 21:35.595 pamphlet chore. 21:35.695 --> 21:36.496 That is grim. 21:36.576 --> 21:55.151 Have you got those ads, just to go off message for a second, like those free leaflets and things that actually have your name all printed up really big with an A to Z page of like where you live in your house, circled and blown up really big as if it's like they're watching you right now. 21:55.791 --> 21:56.171 Scary. 21:56.191 --> 21:57.553 Can I read you one more thing from this? 21:57.573 --> 21:58.013 Please do. 21:58.073 --> 21:58.814 Yeah, read a great deal. 21:58.834 --> 21:59.454 From the potato page. 21:59.494 --> 22:05.459 The double potato page has a lovely picturesque tractor mowing a field of potatoes. 22:06.500 --> 22:10.343 And it says, the headline is, some things have changed, some things haven't. 22:10.783 --> 22:11.764 That's how life works. 22:12.445 --> 22:13.906 Hey, that's, I never thought about that. 22:13.926 --> 22:15.607 I don't need McDonald's to tell me that. 22:15.688 --> 22:15.888 I do. 22:16.448 --> 22:19.070 Okay, then there's various blur, but then it goes... No. 22:19.090 --> 22:20.992 Tell us they're the best spuds to use! 22:21.052 --> 22:21.913 And we believe them. 22:32.947 --> 22:34.367 You don't even know their surnames! 22:34.727 --> 22:36.628 Why do you take their advice on potatoes? 22:36.708 --> 22:39.449 I happen to know that David and Gareth are total drunks. 22:39.549 --> 22:43.310 But David and Gareth are kind of... I bet they've made those names up because they're office names, aren't they? 22:43.330 --> 22:44.690 David, Brent and Gareth from the office. 22:45.570 --> 22:47.771 They're sort of subconsciously cool names. 22:48.251 --> 22:50.972 So they've just chosen those, like they're blokes who you can trust. 22:51.992 --> 22:54.074 This pamphlet is just ridiculous. 22:54.134 --> 22:56.156 If you've got it, give us a call. 22:57.077 --> 23:01.641 08712221049 and maybe you can tell us your favourite appalling bit of the new McDonald's change. 23:01.922 --> 23:05.025 Even better, wouldn't it be great if we could get someone responsible for the pamphlet? 23:05.045 --> 23:05.885 The person who wrote it. 23:05.905 --> 23:06.466 To talk to us. 23:06.526 --> 23:08.308 Well, we could try and get Amanda Pearce. 23:08.908 --> 23:10.690 Oh, there's just so much stuff. 23:10.710 --> 23:12.291 They've got a nutrition expert. 23:12.932 --> 23:13.813 Do you know what her name is? 23:14.774 --> 23:15.174 Er, Tina Fries. 23:15.194 --> 23:16.015 Hang on, let me find it. 23:16.375 --> 23:18.317 Tina Fries is close, but fries are too unhealthy. 23:18.357 --> 23:18.958 What's healthier? 23:19.178 --> 23:20.379 Er, Jenny, Jenny Lettuce. 23:20.780 --> 23:22.461 Jenny Lettuce would be good. 23:23.002 --> 23:23.582 Wait for it. 23:23.903 --> 23:25.064 And she's called Anita Bean. 23:27.122 --> 23:27.822 I need a bean! 23:27.842 --> 23:47.252 They found the one nutrition expert whose name is Penelope Lars, didn't get the job Anna Coronary, she was close, she didn't get it She must have been bummed out, Jilly Onions and Grata Garlic Wow, that's amazing I could basically do the whole show on the McDonald's pamphlet Read more! 23:47.732 --> 23:51.014 OK, well we've got some music coming up right now and this, who is this? 23:51.114 --> 23:54.736 Oh, it's the Kings of Leon and you're listening to XFM 24:06.786 --> 24:07.186 Very good. 24:07.207 --> 24:12.453 That's Ed Harcourt, the king of the court of the Haar, and born in the 70s. 24:12.753 --> 24:15.816 You know, we might have a chopper bicycle to give away next week. 24:16.297 --> 24:16.537 Why? 24:17.278 --> 24:19.280 Some sort of tie-in with Ed Harcourt, I believe. 24:19.380 --> 24:20.582 Some kind of promotional thing. 24:20.702 --> 24:21.903 Popular in the 70s. 24:21.983 --> 24:23.165 They were born in the 70s. 24:23.185 --> 24:23.305 Yeah. 24:24.306 --> 24:24.546 Brilliant. 24:24.566 --> 24:26.087 So that's a big prize next week. 24:26.107 --> 24:26.827 That is a good prize. 24:26.847 --> 24:27.388 A big bike. 24:27.688 --> 24:37.012 Thanks for your calls and emails about the McDonald's change leaflet that's been put through letterboxes around London and probably the country. 24:37.132 --> 24:39.634 They're just trying to change and you're ridiculing them. 24:39.934 --> 24:40.974 Hi, we're McDonald's. 24:41.215 --> 24:45.176 A great big company that would love to come round to your house and tell you about how we're changing. 24:45.417 --> 24:47.818 But there's a lot of us and it takes ages to get organised. 24:47.858 --> 24:49.219 Is that what it says on the leaflet? 24:49.339 --> 24:49.839 Oh dear. 24:50.540 --> 24:51.441 Oh, I could go on. 24:51.681 --> 24:52.182 Please do. 24:53.704 --> 24:58.372 We know we're not too far away, and we're always cooking fresh meals, so there's no need to call first. 24:58.592 --> 25:00.094 To be honest, everyone loves a surprise. 25:01.056 --> 25:01.637 What does that mean? 25:01.777 --> 25:04.561 They think we think they're a real restaurant, or their friend. 25:05.382 --> 25:07.084 And we would think, McDonald's? 25:07.404 --> 25:09.407 Surely I've got to call them and reserve a table. 25:11.028 --> 25:11.849 That's what they think. 25:11.909 --> 25:12.690 They're just being funny. 25:12.730 --> 25:15.013 This book is full of funny, friendly things. 25:15.053 --> 25:20.238 And one of the funny, friendly devices at the end of every page of McDonald's stuff. 25:21.099 --> 25:23.381 They give a little idea of an activity. 25:23.702 --> 25:26.184 They don't warn you, they just pop it in at the end of the text. 25:26.544 --> 25:35.672 So like the page describing their great breakfast says at the end, in brackets, it goes, so if you haven't had a sausage and egg McMuffin for a while, come on in. 25:36.693 --> 25:37.934 New paragraph in brackets. 25:38.214 --> 25:42.618 In the meantime, lazy bones, think of your top five radio tunes to wake up to. 25:42.918 --> 25:43.258 We did. 25:44.399 --> 25:45.679 And they don't list them? 25:45.899 --> 25:46.059 No. 25:46.460 --> 25:51.281 They just call you lazy, tell you to list your top five radio tunes. 25:51.581 --> 25:54.741 How empty would your life have to be to do that? 25:54.761 --> 25:57.162 Are you going to do it? 25:57.202 --> 25:58.222 Kings of Leon. 26:00.283 --> 26:05.144 Another couple of pages forward, they say, we're changing to make mealtimes happier for everyone. 26:05.584 --> 26:10.865 So why not do the same and think of three park games you played as a kid, then play one with yours? 26:11.980 --> 26:35.215 with your park with your kid okay frisbee i'm getting into this ball i can't think of a third and then thanks to jay farrell who sent us an email with his favorite quote from the mcdonald's change leaflet uh there's on the page with the cow on it uh there's a quote that says does your car have cup holders that's brilliant we've got drive-throughs brackets please don't drink and drive 26:37.376 --> 26:39.517 Is the cow dead? 26:40.317 --> 26:45.680 No, it's a big sort of photo of a cow sticking its nose right in the lens. 26:45.780 --> 26:47.121 I'm trying to find it. 26:47.521 --> 26:53.083 As if the lens was the gun about to destroy the cow in preparation for being turned into burgers. 26:54.004 --> 26:57.205 And at the bottom of that page it says, oh, you noticed the cow. 26:57.605 --> 27:00.667 She's there because we only use fresh dairy milk in our new fresh ground coffee. 27:01.207 --> 27:03.528 Oh right, so they're sidestepping the whole thing. 27:03.548 --> 27:04.028 There you go. 27:04.629 --> 27:05.189 Well that's great. 27:05.209 --> 27:06.469 Have you seen the Walkers ads? 27:06.509 --> 27:13.653 You see there's a lot of big companies trying to square their unhealthy image with a new healthier public. 27:14.113 --> 27:16.614 And Walkers are the latest on TV to do that. 27:17.414 --> 27:23.599 Of course McDonald's have been doing their adverts for salads aimed at ladies who love losing weight and love salads. 27:24.159 --> 27:26.041 And walkers are doing a similar sort of thing. 27:26.061 --> 27:31.065 There's loads of people walking, you know, walkers in a crazy way, like madness. 27:31.545 --> 27:33.847 And in fact they're using a madness tune on top. 27:34.167 --> 27:34.387 Yeah. 27:34.547 --> 27:35.288 I can't remember which one it is. 27:35.308 --> 27:35.808 Baggy trousers, I think. 27:35.848 --> 27:37.309 Baggy trousers, there you go, it's a smash. 27:38.090 --> 27:49.097 And what they're doing is giving away walk-o-meters, or ped-o-meters, as they're also known, which are what people who, you know, go on long walks use to tell how far they've come. 27:49.117 --> 27:49.517 Athletes. 27:49.637 --> 27:50.017 Athletes. 27:50.297 --> 27:53.179 Or, no, just anyone, my dad uses one when he goes on a walk. 27:53.359 --> 27:54.180 Oh, I was wrong then. 27:54.420 --> 27:54.680 Yeah. 27:54.820 --> 27:55.621 He's not an athlete. 27:55.721 --> 27:57.522 He's not an athlete, he's just a very old man. 27:58.503 --> 28:04.548 But the pedometers, or walkometers, are a sort of incentive to get Britain moving. 28:04.808 --> 28:08.972 This is our bit to get Britain moving, say walkers, which is fantastic, isn't it? 28:10.053 --> 28:17.039 Because what they basically do is sell people crisps on the one hand to get people eating very fatty food, but then on the other hand, 28:17.199 --> 28:18.239 They want to get people moving. 28:18.780 --> 28:25.142 And an exciting way of doing that is having a little machine that tells you how many steps you've taken in a day. 28:25.202 --> 28:26.943 What would be more exciting? 28:27.363 --> 28:32.725 And I was trying to think of other companies that could give away similarly brilliant and appropriate sort of things. 28:33.785 --> 28:34.666 But I didn't get very far. 28:35.246 --> 28:35.986 Maybe you could help. 28:36.706 --> 28:43.529 Email us what your suggestions might be for big companies giving away ludicrous things to get people doing certain things. 28:43.569 --> 28:46.070 I was thinking Marlborough could give away hang gliders. 28:47.140 --> 28:48.121 to get people hang gliding. 28:49.243 --> 28:49.483 You know? 28:49.663 --> 28:50.164 Good idea. 28:50.184 --> 28:50.664 Yeah. 28:50.984 --> 28:51.245 Yeah. 28:51.425 --> 28:51.925 Anything else? 28:52.626 --> 28:58.613 I don't know, with the Ute Marlborough, that's so people inhale very fresh air to counteract the ciggies. 28:58.693 --> 28:59.454 Yeah, yeah. 28:59.474 --> 29:00.615 Yeah, that's quite a good idea. 29:00.955 --> 29:07.683 I tell you, it's not really along your lines, but another brilliant thing they've done with, you know, people were complaining about family bags of Walker's Crips. 29:08.163 --> 29:11.185 Basically, no one ever shares those bags with their families. 29:11.745 --> 29:13.587 Right, they just eat them, you just eat them all yourself. 29:13.847 --> 29:16.969 And giant Mars bars and giant Snickers bars. 29:17.149 --> 29:22.312 Do you know those huge, like big, big, long, crusty dog poos that you get? 29:23.133 --> 29:25.455 They're now renaming those sharing bars. 29:25.935 --> 29:27.516 Sharing bars. 29:28.016 --> 29:28.296 Yeah? 29:28.477 --> 29:31.399 They should just call them lardy greedy bars. 29:31.739 --> 29:32.039 Yeah. 29:32.519 --> 29:33.600 Lardy greedy bars. 29:33.620 --> 29:34.921 Can I have one of those lardy greedy bars? 29:35.321 --> 29:38.003 And then I think people might think twice about buying them. 29:39.143 --> 29:40.484 This is Adam and Joe on XFN. 29:40.544 --> 29:41.244 We'll be right back. 29:42.384 --> 29:43.044 XFN. 29:48.585 --> 29:50.666 What's the delays with New York and Heaven? 29:50.706 --> 29:52.646 Before that you heard Vertigo from U2. 29:52.786 --> 29:56.867 This is Adam and Joe here on XFN, playing exciting new music with guitars. 29:57.627 --> 29:58.128 XFN? 29:58.748 --> 29:59.288 XFN! 29:59.848 --> 30:00.788 What does that stand for? 30:01.368 --> 30:02.189 Exciting... 30:06.772 --> 30:29.438 farts and nipples yeah well done you asked yeah thanks you know speaking of nipples any second now uh we're gonna play crap commentary what do i i don't even know what i call it crap commentary corner yeah yeah crap commentary corner bit of alliteration can you have corners on a radio show yeah yeah yeah definitely can you yeah that's good what lilas making weird hand signals to me 30:31.915 --> 30:32.495 Oh, all right. 30:32.876 --> 30:34.156 So we'll do that, yeah, okay. 30:34.817 --> 30:40.320 That's true, the hands of the clock former right-hander will thereby make a corner at quarter past, well done, Lyla, thank you. 30:40.340 --> 30:41.820 Not sure anyone's gonna write in if you don't. 30:42.120 --> 30:48.324 And in Crap Commentary Corner, we play you a bit of some of the worst commentary I could possibly dig up from my exhaustive film collection. 30:48.684 --> 30:53.046 You have to tell us who's talking and what film they're commentating on. 30:53.326 --> 30:55.608 And we've got- And are you- Sorry, Joe, carry on. 30:55.728 --> 30:56.288 No, you carry on. 30:56.468 --> 31:02.214 I was going to say, are you, like me, someone who now just buys DVDs and watches the commentary first? 31:02.515 --> 31:02.695 No. 31:03.176 --> 31:04.817 Have you never got to that stage yet? 31:04.877 --> 31:04.998 No. 31:05.458 --> 31:06.319 OK. 31:06.499 --> 31:06.900 You know me. 31:06.940 --> 31:07.781 We've had this conversation before. 31:07.801 --> 31:09.082 I basically don't like commentaries. 31:09.182 --> 31:10.864 Well, you watch them all, though. 31:11.265 --> 31:12.446 Only to do this competition. 31:12.806 --> 31:13.667 And only the bad ones. 31:13.707 --> 31:14.628 I like bad ones. 31:14.648 --> 31:15.449 I enjoy bad ones. 31:15.690 --> 31:16.130 OK? 31:16.350 --> 31:16.510 OK. 31:17.471 --> 31:23.297 We've got great tickets to give away to see Dylan Moran in Monster 2 at the Wyndham's Theatre. 31:23.577 --> 31:24.978 They've made Monster 2 already. 31:25.999 --> 31:27.561 Charlize Theron was in the first one. 31:27.801 --> 31:31.444 Dylan Moran now starring in the second one at Wyndham's Theatre. 31:31.484 --> 31:33.025 I think it's actually a stand-up show. 31:33.526 --> 31:39.431 And we've got tickets to see a special screening of Seinfeld because they're bringing out the DVD of Series 1. 31:39.852 --> 31:42.334 That's a box set DVD we'd like copies of, isn't it, Adam? 31:42.574 --> 31:49.257 Yeah, we're going to do our best to nick some off you, so listeners, there might be less prizes next week on that account. 31:49.517 --> 31:50.658 Can I tell you something I've noticed? 31:50.678 --> 31:51.038 Go on then. 31:51.098 --> 31:52.819 This is one of my throwaway comments. 31:53.339 --> 32:01.703 I've noticed that, and if you go to the movies a lot, you might notice this, the names of the actors have got more interesting than the names of the characters they play. 32:01.883 --> 32:02.363 That's true. 32:02.723 --> 32:03.503 In Thunderbirds, 32:05.305 --> 32:09.610 The guy that plays John Tracy, his name is Lex Shrapnel. 32:10.551 --> 32:14.275 You can't have the actor called Lex Shrapnel and the character called John Tracy. 32:15.016 --> 32:19.661 In the film Friday, Ice Cube plays Craig Jones. 32:20.373 --> 32:21.313 Yeah. 32:21.413 --> 32:22.974 Redman plays Jamal King. 32:23.054 --> 32:24.815 You know what, I don't think Ice Cube's his real name. 32:25.615 --> 32:26.815 It's his stage name, isn't it? 32:26.835 --> 32:27.076 Yeah. 32:28.676 --> 32:29.456 Yeah, okay then. 32:29.476 --> 32:29.937 I know what you mean. 32:29.997 --> 32:35.519 It happens a lot with rappers, like DMX plays Leon Rollins in Exit Wounds. 32:35.659 --> 32:35.899 Yeah. 32:35.919 --> 32:38.860 Surely it should be Leon Rollins playing DMX. 32:39.060 --> 32:41.221 No man, because that's the way life is nowadays. 32:41.461 --> 32:44.422 Everyone wants it to be real and dirty and boring. 32:44.542 --> 32:48.604 But it's like they've swapped the credits, they've rotated them around the y-axis. 32:49.244 --> 32:49.525 Yeah. 32:49.725 --> 32:53.369 So you can't ever be like Luke Skywalker as Mark Hamill. 32:53.970 --> 32:54.170 Yeah. 32:54.871 --> 32:57.474 If you release Star Wars today, Indiana Jones plays Harrison Ford. 32:57.815 --> 33:00.358 Vin Diesel as Tony Sponge. 33:02.060 --> 33:03.202 That's what I'm talking about. 33:04.591 --> 33:06.412 Well, you know, they're all invented names. 33:06.432 --> 33:10.715 I don't believe that Lex Shrapnel is really, you know, a member of the Shrapnel family. 33:10.735 --> 33:11.515 Do you know what it is? 33:11.715 --> 33:11.915 What? 33:12.136 --> 33:18.620 It's, uh, we want to see glamorous, uh, fantasy people playing normal people like us, isn't it? 33:18.860 --> 33:19.060 Yeah. 33:19.120 --> 33:22.782 We want to see Lex Shrapnel playing Tommy Smith. 33:22.922 --> 33:23.663 What would your name be? 33:24.103 --> 33:26.164 Mine would be Adam Shabooba. 33:26.444 --> 33:27.465 Plays Adam Buxton. 33:27.545 --> 33:27.745 Yeah. 33:28.205 --> 33:30.167 No, well, you can't be called Adam Shabooba. 33:30.207 --> 33:31.247 You need something better than Adam. 33:31.427 --> 33:32.488 Laser Shabooba. 33:32.868 --> 33:33.809 Laser Shabooba. 33:34.330 --> 33:37.202 Yeah, I'd be whiplash donkey slash. 33:39.127 --> 33:40.388 Whiplash Donkey Slash. 33:40.448 --> 33:42.969 That just sounds like wee, all I can imagine is a big donkey weeing. 33:43.650 --> 33:44.750 Yeah, that's exciting. 33:44.770 --> 33:47.932 That's the kind of thing movie goers want to see. 33:47.992 --> 33:49.173 It's no laser shaboo bar. 33:50.274 --> 33:51.635 It's just a little thing I observed. 33:51.715 --> 33:52.855 OK, I've got a little thing, right. 33:53.396 --> 33:54.676 What is people's problem? 33:55.237 --> 33:56.678 You were thinking about my winky, weren't you? 33:56.738 --> 33:57.198 No, I wasn't. 33:57.278 --> 33:57.938 OK, OK. 33:59.539 --> 34:03.442 What is people's problem, right, with phenomena and phenomenon? 34:04.302 --> 34:06.123 One is plural, the other is singular. 34:06.223 --> 34:07.264 It's really very simple. 34:07.604 --> 34:08.085 Phenomena 34:09.045 --> 34:09.545 It's plural. 34:10.046 --> 34:11.406 Phenomenon, singular. 34:11.486 --> 34:12.647 Where have you seen this misused? 34:13.047 --> 34:14.268 Everywhere! 34:14.548 --> 34:23.373 It's just when people are on TV talking about, you know, there's so many strange phenomenons, or they can't get their heads round it. 34:23.453 --> 34:25.274 It's really very simple phenomena. 34:25.574 --> 34:32.637 If you're talking about many phenomenons, it's several different weird phenomena. 34:33.338 --> 34:35.019 Or one peculiar phenomenon. 34:36.209 --> 34:36.469 Alright? 34:37.250 --> 34:39.331 It's just a little English class there. 34:39.491 --> 34:40.352 So don't do it again! 34:40.412 --> 34:41.072 OK, I'm sorry. 34:41.092 --> 34:42.433 What's that John Travolta film? 34:42.473 --> 34:45.235 Is that called... There's a Dario Argento film called Phenomena as well. 34:45.255 --> 34:46.336 And yeah, yeah, yeah. 34:46.396 --> 34:51.560 Well, Dario Argento's Phenomena and John Travolta's Phenomenon, I believe, I might be wrong about that. 34:51.580 --> 34:51.700 Is it? 34:51.720 --> 34:54.562 So one of them's about lots of things happening, the other's just about one occurrence. 34:54.742 --> 34:55.283 Yeah, exactly. 34:55.443 --> 34:55.643 Yeah? 34:55.663 --> 34:56.423 Do they get it right? 34:56.483 --> 34:59.846 John Travolta is the phenomenon who presides over many phenomena. 34:59.886 --> 35:01.067 He's an acting phenomenon. 35:01.167 --> 35:01.827 Yeah, exactly. 35:02.588 --> 35:03.869 So get it right, Donkey Slash. 35:04.557 --> 35:06.118 Are we going to have films then? 35:06.298 --> 35:07.338 Yeah, should we play one now? 35:08.099 --> 35:08.399 Films? 35:08.499 --> 35:10.080 Oh, oh, a crap commentary trip. 35:10.260 --> 35:10.860 Yeah, why not? 35:11.020 --> 35:11.320 OK. 35:11.600 --> 35:14.682 So, listeners, this is our competition, Crap Commentary Corner. 35:15.322 --> 35:18.783 I've recorded a little bit of audio off one of my favourite movies. 35:19.144 --> 35:22.545 Can you tell me who this is, what movie they're talking about? 35:22.565 --> 35:23.906 The number's 08712221049. 35:25.466 --> 35:33.050 You could win, you can take your choice of prizes, a Dawn of the Dead DVD, the original version, fantastic new DVD of that. 35:33.830 --> 35:36.551 tickets to see Dylan Moran, Seinfeld screening, you can take your pick. 35:36.891 --> 35:40.312 If you know who this is, what film they're talking about, this is quite tricky. 35:40.332 --> 35:41.452 Have a listen. 35:41.592 --> 35:41.913 Here we go. 35:42.113 --> 35:44.553 They say never do a scene with someone wearing orange. 35:45.073 --> 35:46.634 Because look at that, all you see is orange. 35:46.734 --> 35:48.795 And oh my god, you can see my nipples through the shirt. 35:48.835 --> 35:49.955 I think that's really funny. 35:50.055 --> 35:51.856 Like that really cracks me up. 35:51.936 --> 35:54.156 And a lot of times studios don't show that. 35:54.656 --> 35:56.697 Like as if women always wear bras. 35:56.797 --> 35:59.358 Which most of the time they do, but I don't understand why. 35:59.418 --> 36:03.119 Because I think in a film it's much more fun if someone's not wearing a bra. 36:03.419 --> 36:04.019 I mean, look at this. 36:04.059 --> 36:05.700 This is completely obscene. 36:06.721 --> 36:07.141 A foam. 36:07.721 --> 36:08.621 What a weird accent. 36:08.761 --> 36:09.762 It is a lot of fun. 36:10.562 --> 36:12.243 She sounds almost South African. 36:12.503 --> 36:12.983 That's right. 36:13.203 --> 36:15.965 She sounds like Meryl Streep with a big spanking stick. 36:16.345 --> 36:17.045 Look at my nipples. 36:17.065 --> 36:18.626 You can see my nipples through that orange thing. 36:18.746 --> 36:19.726 Shall we hear that one more time? 36:19.786 --> 36:20.007 Yeah. 36:20.327 --> 36:22.728 They say never do a scene with someone wearing orange. 36:23.288 --> 36:23.828 Because look at that. 36:23.929 --> 36:25.090 All you see is orange. 36:25.170 --> 36:27.011 Oh my god, you can see my nipples through the shirt. 36:27.051 --> 36:28.172 I think that's really funny. 36:28.272 --> 36:30.074 Like that really cracks me up. 36:30.154 --> 36:32.376 And a lot of times studios don't show that. 36:32.876 --> 36:34.918 Like as if women always wear bras. 36:35.038 --> 36:37.580 Which most of the time they do, but I don't understand why. 36:37.640 --> 36:41.444 Because I think in a film it's much more fun if someone's not wearing a bra. 36:41.644 --> 36:42.244 I mean look at this. 36:42.284 --> 36:43.906 This is completely obscene. 36:44.591 --> 36:47.994 Oh my gosh, it is much more realistic if someone is not wearing a bra. 36:48.214 --> 36:50.016 And you can see their nip-numps through the bra. 36:50.036 --> 36:50.856 Do you know who it is, Adam? 36:51.437 --> 36:51.937 No, I don't. 36:51.977 --> 36:53.679 I've got no idea who that could be. 36:54.539 --> 36:53.679 08712221049. 36:55.140 --> 36:58.883 We do have a second clip which has a clue in it if nobody gets it the first time. 36:59.143 --> 37:01.425 Maybe if you get it now, you could take two prizes. 37:02.126 --> 37:04.328 If you only get it on the second clip, you just have one prize. 37:04.468 --> 37:05.329 OK, let's have some music. 37:05.349 --> 37:06.910 We'll let you know if anyone's got it after this. 37:22.452 --> 37:23.132 Yeah, yeah, yeah, yeah. 37:23.513 --> 37:24.253 We get the message. 37:24.553 --> 37:27.935 That's granddaddy and nature anthem, this is Adam and Jon XFM. 37:27.955 --> 37:34.178 Now let's find out if anyone has been able to identify the voice on our Crap Commentary Corner this week. 37:34.238 --> 37:35.498 It's a very difficult one. 37:36.019 --> 37:40.221 A lady talking in a quasi-Germanic accent about her nipples. 37:40.321 --> 37:41.221 Jon is on Line 1. 37:41.421 --> 37:41.862 Hello Jon. 37:42.642 --> 37:43.422 Hi there, how are you? 37:43.683 --> 37:44.383 Very good, thank you. 37:44.443 --> 37:44.823 How are you? 37:45.303 --> 37:46.124 Yes, excellent. 37:46.244 --> 37:47.504 Now do you think you know who that was? 37:47.965 --> 37:48.725 I think I do. 37:49.245 --> 37:50.366 Explain your working. 37:51.741 --> 37:56.644 I just remember her wearing this orange outfit in a picture I've seen for the film. 37:56.944 --> 37:57.825 Who do you think it is, John? 37:57.865 --> 37:58.845 Sorry? 37:59.085 --> 37:59.706 Who do you think it is? 38:00.746 --> 38:03.308 Charlize Theron talking about Monster. 38:04.209 --> 38:05.009 John, you're wrong. 38:06.090 --> 38:07.751 Incorrect. 38:07.831 --> 38:11.113 We took your call because it is illustrative of many of the calls we've got. 38:11.213 --> 38:13.434 Everybody seems to think it's Charlize Theron in Monster. 38:13.874 --> 38:15.015 I guess because of that orange thing. 38:15.035 --> 38:17.797 Can you see her nipples through the orange jumpsuit in Monster, John? 38:18.417 --> 38:19.458 I didn't see those, no. 38:19.998 --> 38:21.079 Maybe you weren't looking for them. 38:21.863 --> 38:22.523 No, I guess not. 38:23.063 --> 38:26.864 Jon, you sound like a serious person, not the kind of person who would watch a film like Monster for the nipples. 38:26.884 --> 38:27.864 Or indeed listen to this show. 38:27.885 --> 38:31.045 No, I don't watch Seinfeld though, it's cinema. 38:31.065 --> 38:31.986 That's what I want. 38:32.286 --> 38:35.586 Yeah, go on then, go on then. 38:35.646 --> 38:37.887 I mean, you got it wrong, but we're generous guys. 38:37.927 --> 38:38.367 Yeah, exactly. 38:38.407 --> 38:39.807 We appreciate every call we get here. 38:39.827 --> 38:41.268 Thanks a lot, Jon, we really appreciate that. 38:41.328 --> 38:42.968 And you will, you will go to the screening. 38:43.048 --> 38:44.389 You will go to the screening. 38:44.509 --> 38:48.270 But, listeners, we're going to give you another clue now, because that was really tough, and no one has got it. 38:48.290 --> 38:48.910 Not a single person. 38:48.930 --> 38:50.050 You haven't got it, have you, Adam Buxton? 38:50.390 --> 38:53.393 No, I've got the person, but I think I overheard you talking about her. 38:53.433 --> 38:54.134 Yeah, you heard it. 38:54.374 --> 39:01.882 So this next clip is the same actress, the same film, but there's a little bit of a clue in here, so listen very carefully and call 08712221049. 39:03.724 --> 39:06.467 We'll reset the phone lines, see if you can get it from this. 39:10.612 --> 39:12.954 I used to play, I would do a little bit of prank calls when I was little. 39:13.555 --> 39:21.082 When I was really, really little, I used to call hair salons and say, hi, I just wondered if you could dye my hair pink because I think it's really fun. 39:21.542 --> 39:28.529 That necklace there that I'm wearing is my necklace and throughout the entire film, it choked me to death because it's not separate chains. 39:28.649 --> 39:36.196 It was a chain that was all connected and it would move around and really choke me in the middle of like running from rusty nail and getting scared. 39:38.744 --> 39:59.447 clue but that's interesting stuff isn't it about the necklace and it was her own and it didn't have links or it did i can't remember and it choked her i wish i wish that i'd heard one of her prank calls what what kind of play that play that first a little bit again i used to play a little bit of prank calls when i was little when i was really really little i used to call hair salons and say 39:59.847 --> 40:04.308 Hi, um, I just wondered if you could dye my hair pink because I think it's really fun. 40:04.748 --> 40:06.229 That necklace there that I'm wearing? 40:06.329 --> 40:07.669 Wow, great prank call, huh? 40:07.889 --> 40:09.029 I might do that this afternoon. 40:09.049 --> 40:13.130 Hi, I was just wondering if you could dye my hair pink because I think it's really fun. 40:13.670 --> 40:18.832 But I might do it just to somewhere weird, like not a hair salon or something that would blow their minds. 40:19.072 --> 40:20.132 So do you know who that is? 40:20.772 --> 40:22.393 And do you know which film she was talking about? 40:22.853 --> 40:24.213 I'm pretty sure I do know now. 40:24.433 --> 40:26.334 Do you think it's still pretty hard? 40:26.354 --> 40:27.814 Do you think it needs more narrowing? 40:29.211 --> 40:30.852 I think somebody should be able to get it. 40:30.912 --> 40:31.332 You reckon? 40:31.492 --> 40:31.852 Yeah. 40:32.333 --> 40:35.134 From the little clue that was given there towards the end of that clip. 40:35.314 --> 40:37.035 About the rusty nail, running from the rusty nail? 40:37.055 --> 40:38.596 Yeah, running from rusty nail. 40:38.976 --> 40:39.476 Okay then. 40:39.897 --> 40:44.339 We're going to play some more music and we'll come back after this and see if anyone's identified it correctly. 40:44.359 --> 40:55.805 Scissors, sisters. 40:57.228 --> 40:58.169 Or is it Elton John? 40:58.650 --> 41:00.712 It could be Elton John, but it's not. 41:00.892 --> 41:01.893 It's the Scissor Sisters. 41:02.674 --> 41:03.655 And that's Mary! 41:05.257 --> 41:06.999 And you can see Justin Lee Collins outside! 41:07.900 --> 41:10.142 So you join us listeners in the middle of Crap Commentary Corner. 41:11.063 --> 41:12.144 We've got quite a tough one this week. 41:12.525 --> 41:13.446 It's a really tough one. 41:14.226 --> 41:15.467 I'll tell you who I thought it was. 41:15.807 --> 41:15.987 Who? 41:16.367 --> 41:17.928 I'll tell you the film I thought it was anyway. 41:18.588 --> 41:20.749 I thought it was Ring, the remake. 41:21.510 --> 41:22.250 Is that not correct? 41:22.710 --> 41:23.451 No, not correct. 41:24.071 --> 41:24.891 That's not right. 41:25.452 --> 41:28.433 Play the very beginning, the prank call, just once more, and then we'll go to a couple of callers. 41:28.613 --> 41:29.154 Okay, here we go. 41:29.534 --> 41:31.875 I used to play a little bit of prank calls when I was little. 41:32.475 --> 41:39.939 When I was really, really little, I used to call hair salons and say, Hi, I just wondered if you could dye my hair pink because I think it's really fun. 41:41.211 --> 41:45.293 There we go, so we've got, is it Warren? 41:46.294 --> 41:48.155 Darren, sorry Darren, hello Darren. 41:48.375 --> 41:51.096 What line is he on? 41:51.456 --> 41:53.297 Hello Darren, we're fine, how are you doing? 41:53.597 --> 41:54.458 I'm great, great. 41:54.718 --> 41:56.319 And who do you think it is in Crap Commentary Corner? 41:57.099 --> 41:58.380 I'm going to have a guess and say... 41:59.142 --> 42:07.549 Milla Jovovich and... Milla Jovovich, now I'm guessing you have been distracted by the idea of being able to see nipples. 42:08.310 --> 42:08.490 Yes. 42:08.670 --> 42:09.411 And orangeness. 42:09.931 --> 42:10.171 Oh yes. 42:10.352 --> 42:13.254 Well that's not a bad guess and I can totally see your logic there. 42:13.294 --> 42:13.955 And foreignness. 42:14.235 --> 42:14.755 Yeah, yeah. 42:15.496 --> 42:17.037 But is that correct? 42:17.358 --> 42:18.138 It's incorrect. 42:19.199 --> 42:20.740 I'm sorry Warren, this is a toughie. 42:21.301 --> 42:22.041 It was Darren in the end. 42:22.061 --> 42:23.603 Oh Darren, I'm sorry to Warren as well. 42:28.066 --> 42:29.367 I really apologise to Darren. 42:29.788 --> 42:32.730 But hey, you know what, we're going to give you a prize anyway Darren. 42:32.850 --> 42:33.450 Thanks, thanks. 42:33.831 --> 42:35.752 Do you want a Dawn of the Dead DVD? 42:36.213 --> 42:36.753 Yeah that'd be great. 42:37.093 --> 42:37.974 Have we given out two already? 42:40.484 --> 42:41.625 Yeah, we got one for Darren. 42:41.765 --> 42:42.666 That's a weenie its way to you. 42:42.686 --> 42:43.847 Thanks a lot for your call, Darren. 42:44.007 --> 42:49.271 This is the kind of competition I like because the person who wins this has serious movie knowledge. 42:49.451 --> 42:49.851 Yeah, yeah. 42:49.891 --> 42:51.292 You know, they really deserve a prize. 42:51.592 --> 42:53.534 OK, let's see who we've got on line two. 42:53.654 --> 42:53.974 James. 42:54.134 --> 42:54.595 Is it James? 42:54.615 --> 42:55.095 Hello, James. 42:56.796 --> 42:57.257 James! 42:57.777 --> 42:58.978 James, is he still there? 42:59.719 --> 43:00.619 Don't tell me he's gone. 43:00.659 --> 43:01.040 James. 43:02.240 --> 43:04.002 James, you were the only person to get this right. 43:04.782 --> 43:06.023 And you've run off. 43:07.064 --> 43:08.065 Don't tell me we've lost him. 43:08.578 --> 43:09.239 Let's go to a song. 43:09.259 --> 43:10.380 We're gonna get James back. 43:10.440 --> 43:11.361 Oh, it's a disaster. 43:11.521 --> 43:12.302 Live radio? 43:12.322 --> 43:12.863 What are you gonna do? 43:13.143 --> 43:14.705 Hey, we've got another free play for you right now. 43:14.805 --> 43:15.426 Joe, who's this? 43:15.866 --> 43:16.807 OK, is this my one? 43:16.868 --> 43:17.028 Yeah. 43:17.228 --> 43:19.831 Yeah, this is my failed Ditty in the Dock from last week. 43:20.472 --> 43:22.174 This is Corner Shop with Top Knot. 43:33.861 --> 43:35.282 Oh, isn't that lovely? 43:35.383 --> 43:35.923 That's very good. 43:35.963 --> 43:36.924 Where did that come from? 43:37.685 --> 43:47.835 It was a single that Corner Shop released featuring Bubbly Core and I've got to thank Rupi, I'm probably pronouncing your name wrongly now Rupi, for last week correcting me 43:48.596 --> 43:51.037 on the pronunciation of bubbly coir. 43:51.097 --> 43:52.417 I believe I pronounced it phonetically. 43:52.457 --> 43:53.298 It's actually pronounced coir. 43:53.538 --> 43:59.100 He's texted again this week before I even spoke the name just to make sure I got it right this time. 43:59.140 --> 43:59.480 Well done. 43:59.500 --> 44:00.961 That's the kind of vigilance we enjoy. 44:01.081 --> 44:03.942 Now we were having a few problems with our phones there before. 44:04.242 --> 44:07.243 We had a winner for our crap commentary corner competition. 44:07.503 --> 44:11.285 Someone correctly identified that person, but we lost them. 44:11.725 --> 44:12.565 His name is James. 44:13.065 --> 44:14.306 The winner of the competition is James. 44:14.346 --> 44:16.206 James, we desperately tried to get you back on the phone. 44:16.687 --> 44:17.407 Lila panicked. 44:18.047 --> 44:20.348 She slipped, hit her head, she started to swear. 44:20.448 --> 44:26.010 She's an attractive young woman and she started swearing like a kind of old docker. 44:26.150 --> 44:27.270 It was very weird. 44:27.550 --> 44:31.631 So we can't get you back on, James, because the XFM phones have gone mad. 44:32.492 --> 44:34.392 But we can reveal the answer. 44:34.692 --> 44:36.673 It is, of course, Lili Subieski. 44:37.352 --> 44:37.592 Yeah. 44:38.392 --> 44:40.774 Maybe Rupe will be telling you how to pronounce that one as well. 44:40.834 --> 44:41.794 Lili Sobieski. 44:41.894 --> 44:42.234 I've no idea. 44:42.254 --> 44:42.894 Sobieski. 44:43.255 --> 44:48.997 She's an exciting young actress and that's from the film Roadkill, also known as Joyride. 44:49.077 --> 44:58.841 And it's, you know, it's about the kids who go on some sort of cross-country jaunt in their car and they get stalked by a guy called Rusty Nail who sort of stalks them over a CB radio. 44:59.102 --> 45:00.002 It's quite a good film. 45:00.162 --> 45:01.543 It's not bad, I remember watching that. 45:01.663 --> 45:02.144 It's quite fun. 45:02.424 --> 45:05.466 And Lili Sobieski is the young girl who was in Eyes Wide Shut. 45:05.926 --> 45:09.649 She was the girl that they tried to palm off to the weird Japanese men in Eyes Wide Shut. 45:09.669 --> 45:11.130 She was very young in that, wasn't she? 45:11.170 --> 45:12.331 She's in The Glass House. 45:12.371 --> 45:13.172 That's rubbish! 45:13.592 --> 45:14.673 It is indeed rubbish. 45:15.514 --> 45:19.917 But, you know, she's amazing, and I do recommend any commentary by Lili Sobieski. 45:20.017 --> 45:22.619 She looks a bit like, who am I thinking of, Helen Hunt? 45:22.679 --> 45:23.960 Yeah, or a young Meryl Streep. 45:24.120 --> 45:24.321 Right. 45:24.981 --> 45:27.762 Yeah, but on her commentary, she's extraordinary. 45:27.782 --> 45:31.284 She's got that amazing Germanic tone, and she thinks everything is fun. 45:32.204 --> 45:32.845 So much fun. 45:33.285 --> 45:34.325 Ah, she sounds like a nice girl. 45:34.345 --> 45:36.226 Yeah, I'm sure she's nice, but well done, James. 45:36.466 --> 45:36.947 And you know what? 45:36.987 --> 45:39.768 You're not on the line, so you can't pick your prize, but call us back. 45:39.948 --> 45:40.989 Should he call us or what? 45:41.069 --> 45:41.589 Or text us? 45:41.989 --> 45:45.311 Yeah, Lila's gonna call you and sort out one of our amazing prizes. 45:45.351 --> 45:51.614 The tickets to Monster 2, maybe the Seinfeld screening, maybe a Dawn of the Dead DVD, maybe a new phone. 45:51.954 --> 45:52.174 Yeah. 45:52.754 --> 45:53.775 You tell them, Joe. 45:54.256 --> 45:57.680 With your superior film knowledge, you can have the pick of the prizes. 45:58.501 --> 46:01.985 We have got Ditches in the Dock coming up very shortly as well. 46:02.105 --> 46:03.507 It's all over so soon this week. 46:03.527 --> 46:05.048 Do you think we've got too many competitions? 46:05.069 --> 46:05.689 Too many features. 46:06.250 --> 46:08.693 Because I've got other stuff to talk about and we haven't really got time. 46:09.153 --> 46:09.914 Yeah, we do have time. 46:09.954 --> 46:11.056 What were you going to talk about? 46:12.116 --> 46:13.176 Oh, amazing stuff. 46:13.456 --> 46:15.537 Parallel universes in animated films. 46:16.137 --> 46:26.200 You know in a cartoon film where they have like, it's a film about mice, they go down a sewer and they find an equivalent of the contemporary human world but inhabited by mice. 46:26.980 --> 46:30.901 Or in Shark Tale, they've got a version of New York inhabited by sharks. 46:31.441 --> 46:35.362 Shrek 2, they had the land of Far Far Away that was kind of a parody of Hollywood. 46:36.291 --> 46:37.232 Yeah, yeah, yeah. 46:37.372 --> 46:42.496 I've just written a little list of the worst jokes in that given context. 46:42.536 --> 46:45.958 It's become a cliche of animated films, that whole trope. 46:46.279 --> 46:48.340 Have you got bad quotes from Shark Tale? 46:49.181 --> 46:50.522 Well, Shark Tale I haven't seen. 46:50.582 --> 46:53.324 I never want to see it in my life because I think it looks horrible. 46:53.664 --> 46:54.024 Really? 46:54.144 --> 46:54.465 Yeah. 46:55.145 --> 46:56.406 I don't like sexy fish. 46:57.226 --> 46:57.326 Mmm. 46:57.466 --> 47:00.108 I don't like it when they try and make a fish look sexy. 47:00.368 --> 47:04.390 Basically any animal in one of those films and they try... It's a bit like Jessica Rabbit. 47:04.450 --> 47:09.213 I wasn't part of the whole Who Framed Roger Rabbit, Jessica Rabbit is Foxy debate. 47:09.973 --> 47:11.093 No, she was a rabbit anyway. 47:11.113 --> 47:18.055 She's a rabbit and you can't just, they just remove the nose, slap a pair of lips on and a sort of boob-shaped mound. 47:18.935 --> 47:26.837 And the Angelina Joalee, Joalee fish in Shark Tale, it just looks, just looks deformed. 47:27.137 --> 47:28.978 Oh well, it looks a bit like Angelina Jolie. 47:29.438 --> 47:30.778 Yeah, crossed with a fish. 47:31.138 --> 47:31.899 Is that sexy? 47:32.319 --> 47:32.679 Yeah. 47:32.699 --> 47:35.980 A weird half fish, half human. 47:36.020 --> 47:37.180 That would pretty much do it for me. 47:38.513 --> 47:40.126 Well, let's play some music, we'll think about it. 47:52.011 --> 47:55.633 That's the music Freedom Fighters, Adam and Joe here on Xfem. 47:55.673 --> 47:57.694 Jessica Rabbit wasn't a rabbit, says someone. 47:57.734 --> 48:02.017 We've got, basically the intelligence of our listeners has surpassed our own intelligence this morning. 48:02.217 --> 48:04.278 Maybe we're both a bit hungover and dozy. 48:04.618 --> 48:10.901 But of course Jessica Rabbit was a human, and she was only called Jessica Rabbit because, according to this text anyway, because she was married to Roger Rabbit. 48:10.941 --> 48:11.902 Of course she was, yeah. 48:12.522 --> 48:12.863 Sorry. 48:13.443 --> 48:18.746 But the point we were making was I just personally find it very hard to be aroused by cartoons. 48:19.537 --> 48:21.699 Yeah, of course, you'd have to be a kind of idiot. 48:21.819 --> 48:24.081 Yeah, like, do you know those sexy cartoons like Fritz the Cat? 48:24.461 --> 48:26.483 Everyone used to go on about, oh, you've got to see Fritz the Cat. 48:26.743 --> 48:29.325 It's amazingly dirty and randy. 48:29.906 --> 48:31.687 Well, what about manga, dirty manga? 48:31.928 --> 48:32.488 That's different. 48:34.890 --> 48:35.772 What were your quotes then? 48:36.272 --> 48:36.493 What? 48:36.713 --> 48:37.975 From Silly Worlds. 48:38.195 --> 48:38.836 Oh yeah, Silly Worlds. 48:38.896 --> 48:43.583 Okay, we were discussing the worst jokes in parallel animated universes, you know. 48:43.643 --> 48:50.733 So, in Shark Tale, if you look at the poster, instead of, it's an underwater version of New York, instead of The Gap, they've got what? 48:51.864 --> 48:53.766 Oh, um, the coral. 48:54.266 --> 48:55.187 I'm not thinking hard enough. 48:55.207 --> 48:55.487 The gup. 48:56.227 --> 48:56.928 The gup? 48:56.988 --> 48:59.530 Yeah, it says gup instead of gap, like guppy. 48:59.550 --> 49:00.010 Like a guppy? 49:00.090 --> 49:01.171 Yeah, okay, that's bad. 49:01.211 --> 49:02.092 That's even on the poster. 49:02.352 --> 49:08.136 Instead of Old Navy, which is a popular American sort of clothes store, what do they have instead of Old Navy? 49:08.736 --> 49:15.962 Underwater, underwater, water, waves, Old Navy, Old, Old Wavy. 49:17.464 --> 49:19.746 That's in the poster as well. 49:19.806 --> 49:21.288 It's already maritime. 49:21.348 --> 49:23.229 Ok, so let's do this as a top three. 49:23.249 --> 49:26.893 That's possibly number three in the worst ever gags in that context. 49:26.933 --> 49:33.319 Number two, I'd say Shrek 2, which has the land of Far Far Away, which is basically a cartoon version of Hollywood. 49:33.659 --> 49:36.121 So instead of Tower Records, they've got what? 49:37.602 --> 49:39.484 Ummm, Fairytale World. 49:39.544 --> 49:41.065 Castle Records. 49:41.086 --> 49:43.468 No, Tower of London Records. 49:44.076 --> 49:44.737 What does that mean? 49:44.757 --> 49:46.219 It doesn't make any sense, does it? 49:46.520 --> 49:49.685 It's because London is where all the old stories come from. 49:49.705 --> 49:51.407 Uh, the fairy stories. 49:51.447 --> 49:53.791 Have you heard the fairy story about the Tower of London? 49:54.059 --> 49:55.060 That's just rubbish. 49:55.100 --> 49:57.301 Hans Christian Andersen came up with a lot of fairy stories. 49:57.341 --> 49:57.741 Exactly. 49:57.781 --> 49:58.521 Isn't that awful? 49:58.641 --> 50:01.023 I thought Shrek 2 was abysmal. 50:01.623 --> 50:08.347 I'm sorry kids if you liked it out there, but one day you'll grow and you'll realize that it's not a film, it's just a horrible advert. 50:09.207 --> 50:16.131 But number one in the worst parallel universe gags in rubbish cartoons has to go, this isn't a cartoon but it might as well be The Flintstones. 50:16.731 --> 50:20.654 Flintstones, why do you insist on- Well, I like calling it like Winston, the Flintstones. 50:21.715 --> 50:24.357 Winston Churchill, Flint- Flintstone Churchill. 50:24.958 --> 50:27.720 Okay, instead of McDonald's in the Flintstones, they had what? 50:28.080 --> 50:29.702 Instead of Mcdonald's, what did they have? 50:29.762 --> 50:30.562 Rockdonald's. 50:30.622 --> 50:30.983 Yes! 50:31.783 --> 50:32.384 Oh, no. 50:32.484 --> 50:34.906 And instead of Star Wars, what did they have? 50:35.326 --> 50:36.127 Star Rock- 50:37.087 --> 50:37.687 I don't know. 50:37.727 --> 50:38.568 Tar Wars. 50:38.748 --> 50:39.728 Tar Wars? 50:39.788 --> 50:51.271 Yeah, we hear by Adam and Jo radio show propose that there is a moratorium, a ban on any animated or children's films with humorous versions of the real world in them. 50:51.451 --> 50:52.691 Because it's gone too far. 50:52.931 --> 50:54.252 You don't get that in Finding Nemo. 50:54.992 --> 50:55.612 You don't know. 50:55.692 --> 50:57.873 Finding Nemo is genuinely charming from beginning to end. 50:58.113 --> 51:00.054 I can't find a fault with that film. 51:00.234 --> 51:01.455 I just think it's amazing. 51:01.635 --> 51:04.256 Well, there is an advert that uses a long clip from it now, isn't there? 51:04.396 --> 51:04.696 Oh, really? 51:04.736 --> 51:05.937 So the rot has started. 51:05.957 --> 51:07.457 Oh, the rot. 51:07.777 --> 51:10.298 Hey, let's introduce Dizzy's in the Dock, because there's not much time. 51:10.318 --> 51:15.501 This... Oh, oh, oh, here we are. 51:15.621 --> 51:16.581 It's all going off now. 51:16.861 --> 51:18.462 That was Lily Subieski there for a second. 51:19.528 --> 51:23.430 Okay, Joe Cornish, now you lost last week, so you want to go first this week. 51:23.490 --> 51:23.690 Yeah. 51:23.790 --> 51:24.170 Alright, go on. 51:24.490 --> 51:39.778 So this week I've got Crosby, Stills & Nash with Marrakesh Express, and I'm very surprised you've never heard of this, Adam, because the first thing to say about it is it's a song about a train that has a rhythm that sounds like a train, and I think that's the surefire formula for success when songwriting. 51:40.218 --> 51:40.378 Yeah. 51:40.578 --> 51:40.878 Okay? 51:41.098 --> 51:43.940 Especially when it's a song based around a train with a choo-choo-choo. 51:43.980 --> 51:45.700 Like Trans Europe Express by Kraftwerk. 51:45.720 --> 51:48.542 Yeah, like the theme tune to what that Welsh train 51:49.002 --> 51:49.402 cartoon? 51:49.422 --> 51:50.203 What was that? 51:50.263 --> 51:50.823 Ivo the Engine? 51:51.083 --> 51:53.044 Yeah, I basically can't think of any more. 51:53.344 --> 51:58.606 But Marrakesh Express is the most bouncy, fun, sunny, stupid song by Crosby, Stills and Nash. 51:58.646 --> 52:00.287 It's very famous, you should recognise it. 52:00.627 --> 52:02.948 And it's just guaranteed to make you happy. 52:03.369 --> 52:07.831 And turn it up loud if you're in a car, or if you're at home, and dance along making train movements. 52:08.331 --> 52:12.653 And even if you don't know it, it's so simple and catchy you'll be singing along by halfway through. 52:12.713 --> 52:16.955 I guarantee it, it'll make you funnier, happier, richer, sexier, 52:17.555 --> 52:20.419 It's just going to improve your life enormously for three minutes. 52:20.839 --> 52:25.906 So, call 087-122-1049 and vote for Marrakesh Express by Crosby, Stills & Nash. 52:26.166 --> 52:27.227 I rest my case, Your Honor. 52:27.388 --> 52:28.529 Well, that was impressive, man. 52:28.549 --> 52:29.190 That was impressive. 52:29.210 --> 52:31.413 And I wouldn't be surprised if you walk away with it this week. 52:31.693 --> 52:31.933 But... 52:32.794 --> 52:37.156 I'm going to do something which is just a bit perverse and wanton, because I'm just like that. 52:37.617 --> 52:39.698 And I'm going to go for another shouting classic. 52:40.158 --> 52:44.020 And this time, it's a track that you don't hear played on the radio very much by Nirvana. 52:44.740 --> 52:48.603 And it's from their absolutely huge album, Nevermind. 52:48.903 --> 52:55.166 But it's a track called, I'm not sure if I can even say the name of the track on the radio, Territorial Piddlings, let's call it. 52:55.446 --> 52:57.347 You can't say Piddling on the radio! 52:57.387 --> 52:58.588 Yeah, you can, you can, I just did. 52:59.528 --> 53:05.631 But it's an amazing song, and I remember a time when Jonathan Ross used to do a show called Last Resort. 53:05.971 --> 53:13.355 He had Nirvana on there, and he was all set to have them play Smells Like Teen Spirit, which was, you know, a pretty radical anthem even then. 53:13.855 --> 53:18.097 But they decided not to play Smells Like Teen Spirit, they played this track, Territorial Pee-Pees. 53:18.917 --> 53:25.341 And it was sort of unbelievably subversive sounding, because it is a demented, angry, shouty song. 53:25.962 --> 53:31.525 And certainly not the kind of thing you hear played very often anywhere except very late at night by weirdos. 53:31.965 --> 53:32.586 So there we go. 53:32.726 --> 53:33.866 So I want you to vote for it. 53:33.886 --> 53:34.507 Vote for Nirvana. 53:35.327 --> 53:38.830 Or for Crosby, Stills and Nash, that's our Ditches in the Dock face-off this week. 53:38.870 --> 53:43.893 Marrakesh Express by Crosby, Stills and Nash vs. Nirvana with what? 53:44.013 --> 53:45.834 Territorial PPs. 53:46.175 --> 53:46.435 Call 0871 222 1049. 53:47.235 --> 53:52.539 The song that gets the most votes will play out the show. 53:52.699 --> 53:55.160 And we're going to give prizes to what? 53:55.260 --> 54:00.324 No, we're going to give a prize to the person who decides it. 54:00.564 --> 54:02.085 Right now, here's Franz Ferdinand. 54:02.105 --> 54:03.206 They're so hot right now. 54:18.578 --> 54:20.860 Franz Ferdinand, they're so hot right now! 54:21.941 --> 54:22.922 That's this fire. 54:22.942 --> 54:30.649 Adam and Joe here on XFM. 54:31.510 --> 54:41.899 Just before we resolved This Is In The Dock this week, I read an interesting article in Word Magazine the other day about Zoolander becoming like the new Spinal Tap, basically. 54:42.463 --> 54:48.048 I read that article somewhere else several months ago, like the tour bus movie. 54:48.088 --> 54:49.690 Yeah, no, that was in Word. 54:49.710 --> 54:50.370 I don't read Word. 54:50.610 --> 54:51.091 Yeah, you do. 54:51.832 --> 54:52.752 Maybe it was lying around. 54:52.993 --> 54:54.274 Well, maybe they nicked it out of Word. 54:54.294 --> 54:56.215 A lot of people do nick stuff out of Word. 54:56.235 --> 54:56.936 It's an excellent mag. 54:57.477 --> 54:59.979 But it was, yeah, very interesting. 55:00.159 --> 55:03.562 And, you know, if you haven't seen Zoolander out there, I met a few people. 55:03.922 --> 55:07.245 Pete Serafinowicz, star of Shaun of the Dead, I was speaking to the other day. 55:07.305 --> 55:08.787 He hadn't seen Zoolander. 55:09.107 --> 55:09.968 Can you believe that? 55:10.489 --> 55:11.791 It's a smash that film. 55:11.891 --> 55:13.053 Absolutely great if you haven't seen it. 55:13.093 --> 55:19.802 Do yourself a favour, buy a copy on DVD, watch it this evening and you'll have one of the best Saturday nights of the year so far. 55:20.222 --> 55:23.187 Right now it's time to resolve Ditty's in the Dock. 55:23.347 --> 55:25.790 Oh no, I haven't lined up the music or anything. 55:26.491 --> 55:30.295 So this week it's Crosby, Stills and Nash? 55:30.435 --> 55:33.157 Which I just listened to for the first time and it's very good, I must say. 55:33.177 --> 55:36.340 Basically I don't stand a chance with a Nirvana track on XFM, do I? 55:36.380 --> 55:38.262 Well, you never know, man, you never know. 55:38.282 --> 55:47.451 It is a bit, it is lazy of me to go for the Nirvana because, you know, it's right there for XFM listeners, that's their target kind of music, but it is a brilliant song. 55:49.318 --> 55:50.440 So let's go to the lines. 55:50.880 --> 55:52.182 First of all we've got James. 55:52.222 --> 55:53.303 Hello James, are you there? 55:53.323 --> 55:54.184 Hello. 55:54.365 --> 55:57.949 James, you're not the same James that cruelly hung up on us earlier for our previous competition. 55:57.989 --> 55:58.230 Good. 55:58.890 --> 56:00.152 James, what are you voting for? 56:00.172 --> 56:01.454 Nirvana, please. 56:02.155 --> 56:04.638 James, have you heard of Crosby, Stills and Nash? 56:05.163 --> 56:06.283 I'm afraid I haven't, no. 56:06.303 --> 56:07.963 You haven't even heard of Crosby, Stills & Nash? 56:08.264 --> 56:08.564 No. 56:08.904 --> 56:09.624 Oh, Jesus. 56:09.924 --> 56:11.044 Alright, James, well done. 56:11.064 --> 56:11.864 1-0 to Nirvana. 56:12.324 --> 56:13.444 Let's go to Stacey Online 2. 56:13.644 --> 56:14.305 Hello, Stacey. 56:14.565 --> 56:14.845 Hello. 56:15.645 --> 56:16.685 Are you really called Stacey? 56:17.085 --> 56:17.885 Yep, I really am. 56:18.005 --> 56:18.625 Are you a man? 56:18.645 --> 56:19.305 I am. 56:19.445 --> 56:20.526 More like Stacey Keish. 56:20.986 --> 56:21.126 Yep. 56:21.406 --> 56:25.166 Or are you one of the teen transsexuals that are featuring on Channel 4 later in the week? 56:26.207 --> 56:26.987 Don't insult me. 56:27.007 --> 56:27.667 I'm not insulting him. 56:27.687 --> 56:28.507 I'm asking him a question. 56:28.607 --> 56:29.227 He can say no. 56:29.987 --> 56:30.747 And he has said no. 56:30.767 --> 56:31.407 Well done, Stacey. 56:32.268 --> 56:33.488 So, what are you voting for? 56:33.528 --> 56:34.208 Don't tell me, Nirvana. 56:35.509 --> 56:37.230 Have you heard of Crosby, Stills and Nash? 56:37.631 --> 56:39.172 Have you heard of the song Marrakesh Express? 56:39.472 --> 56:41.114 No. 56:41.154 --> 56:42.475 Do you ever take a risk in life? 56:43.876 --> 56:44.196 Sometimes. 56:44.397 --> 56:45.297 Sometimes, but not today. 56:45.357 --> 56:46.919 Thanks Stacey 2-0 for Nirvana. 56:47.059 --> 56:48.580 Don't slag them off! 56:48.620 --> 56:50.622 I'm not slagging them off, I'm lightly teasing them. 56:50.702 --> 56:52.163 Greg on line 3, are you there Greg? 56:53.344 --> 56:53.965 Yeah, I'm here. 56:54.265 --> 56:55.426 Hey Greg, how are you doing? 56:56.066 --> 56:57.107 I'm doing wonderfully. 56:57.328 --> 57:00.030 Good, you sound like an American who might have heard of Crosby, Stills and Nash. 57:01.206 --> 57:06.248 Neil Young, who used to be part of Crosby, Stills, Nest & Young, was one of my favorites of all time. 57:06.488 --> 57:07.568 And so you're voting for? 57:08.449 --> 57:09.729 I'm voting for American Express. 57:09.769 --> 57:10.949 It's about South Africa. 57:11.089 --> 57:11.910 It's about joy. 57:12.010 --> 57:12.810 It's about freedom. 57:13.170 --> 57:17.531 It's a song that people who don't understand must partake of. 57:17.952 --> 57:18.812 I love you, Greg. 57:19.492 --> 57:21.033 I really, really do love you. 57:21.053 --> 57:22.193 I really don't want to go there with you. 57:23.760 --> 57:24.101 OK. 57:24.221 --> 57:24.882 I won't touch you. 57:24.902 --> 57:26.664 You can sleep in separate rooms. 57:26.864 --> 57:28.627 Thank you very much indeed for your call. 57:28.667 --> 57:30.209 Greg's voting for Marrakesh Express. 57:30.229 --> 57:30.550 Two-one. 57:31.271 --> 57:33.434 See, I don't like the divisive way that it goes. 57:33.454 --> 57:35.557 I mean, I know that's the nature of the feature. 57:35.577 --> 57:36.217 It's playful, Adam. 57:36.257 --> 57:37.039 Don't take it personally. 57:37.219 --> 57:39.021 Well, I just think that we can all live together. 57:39.041 --> 57:40.724 Are you there, Simone, on line four? 57:41.044 --> 57:41.924 Yes, yes I am. 57:42.184 --> 57:43.385 Hello Simone, how are you? 57:43.405 --> 57:44.705 I'm very good, how are you? 57:45.126 --> 57:48.767 I'm not so well, it's a walkover on Diddy's in the Dot. 57:48.787 --> 57:49.367 He's being whopped. 57:49.507 --> 57:57.711 And if you vote for Moovana, which is a brilliant song, but they're not, you know, overexposed, they are overexposed, oh I don't know what I'm saying. 57:57.851 --> 57:58.611 What are you voting for Simone? 57:59.258 --> 58:02.920 Well, I have to say, I grew up with Nirvana, so it's got to be Nirvana all the way. 58:03.060 --> 58:04.840 And you know the track that we're talking about, obviously. 58:04.860 --> 58:05.841 Yes, I do, I do. 58:06.121 --> 58:09.162 And it's just a very, very exciting thing, isn't it? 58:09.282 --> 58:14.505 It sort of just pumps you full of adrenaline and vim and gets you washing things. 58:14.785 --> 58:17.566 Well, it's going to take me straight back to when I was 16. 58:17.786 --> 58:18.506 Yeah, exactly. 58:18.546 --> 58:21.968 So, are we going to give Simone a prize for being the deciding voter? 58:22.856 --> 58:24.837 I don't think I want to give her a prize. 58:24.997 --> 58:27.078 I'm sure you could give Greg something as well if you wanted to. 58:27.098 --> 58:28.138 I can I give Greg something. 58:28.258 --> 58:28.458 Go on. 58:28.478 --> 58:30.139 Because I like Greg and I like Simone. 58:30.219 --> 58:31.659 Simone, thank you so much for calling. 58:32.040 --> 58:33.340 What kind of prize have we got for Simone? 58:33.360 --> 58:37.502 Well we've got, she can go and see Dylan Moran in Monster 2 or she can go to the special screening of Seinfeld. 58:37.542 --> 58:38.102 What do you fancy? 58:38.122 --> 58:39.623 Um, Seinfeld please. 58:40.743 --> 58:42.064 Yeah, we can sort that out for you. 58:42.104 --> 58:43.265 Thanks a lot for your call, Simone. 58:43.325 --> 58:49.111 And hey, Greg, we'll take your number and we'll call you back and give you one of those things as well, because, you know, you're a clever guy. 58:49.411 --> 58:51.473 Joe, man, bring in Marrakesh Express next week. 58:51.793 --> 58:52.114 I will. 58:52.314 --> 58:55.096 Good, because I did hear it for the first time today, and it is brilliant. 58:55.557 --> 58:56.437 Very, very good indeed. 58:56.478 --> 58:58.479 But this is a different thing altogether. 58:58.499 --> 59:01.042 I'm going to listen to this in an open-minded way. 59:01.062 --> 59:01.642 Yeah, right. 59:01.822 --> 59:02.223 Here we go. 01:01:23.813 --> 01:01:25.516 Oh, that's brilliant. 01:01:25.956 --> 01:01:29.481 Nirvana with territorial pissings from Nevermind. 01:01:30.102 --> 01:01:32.806 And that was the winner of this week's Ditties in the Dark. 01:01:33.307 --> 01:01:37.553 Joe's walked out in disgust because his hippie band didn't get voted for. 01:01:37.573 --> 01:01:38.594 Oh no, he's back. 01:01:39.235 --> 01:01:43.876 You see, I just thought the point of Dizzies in the Dot was to play something that wouldn't otherwise be played on XFM. 01:01:43.916 --> 01:01:46.457 That would not otherwise be played at this hour on XFM. 01:01:46.497 --> 01:01:47.938 Lila, settle this argument. 01:01:47.978 --> 01:01:49.018 Who's best, me or Adam? 01:01:49.698 --> 01:01:51.119 It's not a question of who's best, Joe. 01:01:51.159 --> 01:01:51.839 I'm joking, of course. 01:01:52.039 --> 01:01:52.879 Hey, thanks for listening. 01:01:53.259 --> 01:01:55.920 Yeah, thank you very much, and thank you to everyone who called in. 01:01:56.420 --> 01:02:01.102 And listen, you know, I know that probably no one's ever going to send me a school mag, but please. 01:02:01.162 --> 01:02:08.304 Hey, before you speak too soon, we've had a couple of emails saying that people have got school mags for you, but you never gave the address. 01:02:08.624 --> 01:02:09.705 I did, I gave it several times. 01:02:09.765 --> 01:02:10.285 Here it is again. 01:02:10.305 --> 01:02:20.533 Adam and Joe, XFM, number 30, 3-0, Leicester Square, London, WC2H, 7LA. 01:02:20.954 --> 01:02:25.417 That postcode again, WC2H, 7LA. 01:02:26.058 --> 01:02:34.704 Okay, so please, any school mags, don't mind, they can be very old, they can be current ones, and I'll bring in the school mags that I was 01:02:35.885 --> 01:02:42.109 talking about last week, next week, to set up the competition and get everyone involved and excited. 01:02:42.129 --> 01:02:45.311 It's not really a competition, it's a feature. 01:02:45.371 --> 01:02:51.294 But listen, thanks to everyone who's texted, who's emailed, who's called the show, we've had a great two hours, we hope you've enjoyed it. 01:02:51.534 --> 01:02:52.495 We'll be back next week. 01:02:53.075 --> 01:02:57.598 I've been Joe Cornish, and I'm still Adam Buxton, and have a lovely evening. 01:03:03.157 --> 01:03:04.798 Hey, we forgot to talk about something, right? 01:03:04.978 --> 01:03:05.419 Yeah, we did. 01:03:05.719 --> 01:03:06.440 Just a quick plug. 01:03:07.040 --> 01:03:15.386 Yeah, this Tuesday night at the Carling Islington Academy bar upstairs, we will be DJing at Sean Rowley's Guilty Pleasures night. 01:03:16.267 --> 01:03:18.489 We'll be playing some pretty bad music. 01:03:18.929 --> 01:03:20.530 And some pretty good music as well. 01:03:20.871 --> 01:03:23.593 So this Tuesday evening, I think it costs a fiver to get in or something. 01:03:24.013 --> 01:03:24.814 And where is it again? 01:03:24.834 --> 01:03:30.298 The Carling Islington Academy, the upstairs bar, that big sort of shopping centre thing in Islington. 01:03:30.438 --> 01:03:31.799 Here's another little plug as well. 01:03:32.020 --> 01:03:33.101 I'm doing a little bit of stand-up. 01:03:33.421 --> 01:03:33.701 Oh yeah? 01:03:33.801 --> 01:03:40.027 Yeah, Monday night, if you fancy it, at the Hen and Chickens in Highbury Corner, I think is the nearest tube. 01:03:40.348 --> 01:03:44.972 Hen and Chickens, 7.30pm on Monday the 1st of November. 01:03:45.392 --> 01:03:46.674 Come along, it'll be fun. 01:03:47.474 --> 01:03:50.317 And once again, thanks very much indeed for listening. 01:03:50.577 --> 01:03:52.359 Radham and Joe, we love you very much, bye!