WEBVTT 00:01.847 --> 00:02.388 Hi, I'm Adam. 00:02.408 --> 00:03.028 Hi, I'm Joe. 00:03.088 --> 00:03.388 Joe. 00:03.428 --> 00:03.708 Joe. 00:03.748 --> 00:04.089 Joe. 00:04.109 --> 00:04.329 Joe. 00:04.349 --> 00:04.589 Joe. 00:04.629 --> 00:04.689 Joe. 00:04.729 --> 00:04.949 Joe. 00:04.989 --> 00:05.069 Joe. 00:05.089 --> 00:05.430 Joe. 00:05.450 --> 00:05.690 Joe. 00:05.730 --> 00:05.970 Joe. 00:06.030 --> 00:06.410 Joe. 00:06.450 --> 00:06.570 Joe. 00:06.590 --> 00:07.011 Joe. 00:07.091 --> 00:07.331 Joe. 00:22.452 --> 00:22.672 Yeah. 00:23.192 --> 00:23.592 Yeah. 00:23.753 --> 00:24.233 Wow. 00:24.713 --> 00:26.814 Have they done some special eye dents for us? 00:26.914 --> 00:27.974 No, I did it. 00:28.594 --> 00:28.994 Wow. 00:29.155 --> 00:33.216 I thought we needed a special eye dent in the style of the XFM eye dents. 00:33.256 --> 00:34.096 Yeah, it's exciting. 00:34.336 --> 00:36.637 Well, I'm going to try and make it more complicated. 00:37.278 --> 00:38.458 What, as the weeks go on? 00:38.518 --> 00:39.859 Yeah, longer and more complicated. 00:39.879 --> 00:41.719 So in the end... Allow, allow. 00:41.759 --> 00:42.319 That sort of thing. 00:42.359 --> 00:42.820 Yeah, exactly. 00:42.920 --> 00:43.820 Confused, rocky. 00:43.960 --> 00:44.700 Check, check. 00:45.020 --> 00:45.581 Ready to go? 00:45.601 --> 00:45.661 Yes. 00:46.681 --> 00:47.902 OK, go, that kind of thing. 00:47.922 --> 00:51.144 What about the XFM one that goes, erm, er, what is it? 00:51.164 --> 00:52.465 He's sort of stumbling, isn't he? 00:53.185 --> 00:54.626 What am I going to say next? 00:55.146 --> 00:55.947 We're in London. 00:56.107 --> 00:57.128 Yeah, there's a few. 00:57.148 --> 00:58.068 We should get some of that in. 00:58.508 --> 00:59.929 OK, we'll work on that for next week. 00:59.949 --> 01:02.511 Something like, I don't know what I'm doing. 01:03.371 --> 01:03.652 Like that. 01:03.892 --> 01:04.512 That's good, man. 01:04.652 --> 01:06.213 Oh, we should have recorded that. 01:06.493 --> 01:08.354 Hey, Joe, are you ready for the show? 01:08.895 --> 01:09.155 No. 01:09.175 --> 01:10.416 Nah, but who cares? 01:10.656 --> 01:11.096 XFM. 01:11.396 --> 01:12.037 Yeah, brilliant. 01:12.357 --> 01:15.099 And then they'll end up around seven minutes. 01:15.859 --> 01:18.500 and then we won't have to speak, we'll just have stings. 01:19.200 --> 01:20.941 So you know I did the show on my own last week? 01:21.101 --> 01:29.144 I did, I listened and I got about halfway from the end and then I went through a tunnel and when I came out the other side I could no longer hear you. 01:29.504 --> 01:34.126 I gave tickets away to the premiere of Finding Neverland to a very sweet little girl. 01:34.266 --> 01:35.467 She was going to dress as a fairy. 01:35.487 --> 01:43.149 Yeah she did and she went along and she was called Lucy and she went along dressed as a fairy and she's emailed us to say thank you. 01:43.189 --> 01:43.990 What a lovely email. 01:44.873 --> 01:46.854 and er... What a lovely email. 01:47.635 --> 01:48.035 I can't. 01:48.695 --> 01:48.835 Why? 01:48.896 --> 01:51.897 It's kind of quite, you know, it's just not that exciting. 01:51.977 --> 01:54.559 It's a lovely email, but we don't really do lovely, do we? 01:54.799 --> 01:55.720 Come on, we should start. 01:56.499 --> 02:00.982 Dear Joe, just wanted to let you know what a fantastic time me and my mummy had on Sunday night at the Finding Neverland premiere. 02:01.023 --> 02:02.303 Thanks so much for giving me the tickets. 02:02.323 --> 02:05.826 We met lots of nice people and I met Johnny Vegas and had my picture taken with him. 02:06.206 --> 02:08.849 I also met the man from The Office, the one that loves the receptionist. 02:08.869 --> 02:10.370 That would be Martin Freeman, right? 02:10.510 --> 02:10.690 Yeah. 02:10.790 --> 02:11.010 Yeah. 02:11.310 --> 02:13.192 He was really nice and has a lovely smile. 02:13.472 --> 02:15.133 The film was nice and my mummy cried. 02:15.454 --> 02:17.495 I wore my fairy outfit and my suede pink boots. 02:17.775 --> 02:19.497 My mummy said I was a fairy with attitude. 02:19.937 --> 02:23.200 I took lots of pictures and will send you one of me and my dress. 02:23.640 --> 02:26.442 Thank you once again, love from Lucy Agedate, big XFM fan. 02:26.942 --> 02:32.265 PS, I was born in 1996, but you didn't have it on your list, so I had to put 1991. 02:32.745 --> 02:34.746 I guess that's the thing you do when you e-mail us. 02:35.046 --> 02:36.006 But that's nice, isn't it? 02:36.086 --> 02:36.927 That's really nice. 02:36.967 --> 02:37.327 Yeah. 02:37.567 --> 02:38.407 We should print that out. 02:38.447 --> 02:40.528 We're not going to get many e-mails like that. 02:40.548 --> 02:41.049 That's true, isn't it? 02:41.209 --> 02:43.810 Usually it's like, why don't you shut up and play some music? 02:44.030 --> 02:44.310 Yeah. 02:44.450 --> 02:46.211 You student twa- oh, no, I can't 02:46.311 --> 02:54.934 If you want to tell us to shut up and play some music, you can text us all through the show on 83XFM or email us at adamandjoe at xfm.co.uk. 02:55.074 --> 03:01.496 All emails and texts are read and the rude ones do have a small debilitating effect on our confidence in psychology. 03:01.636 --> 03:02.096 That's true. 03:02.376 --> 03:04.217 Well, we've got a new competition this week. 03:04.237 --> 03:05.397 We've got two new competitions. 03:05.477 --> 03:06.518 I did a competition as well. 03:06.558 --> 03:06.918 Did you? 03:07.058 --> 03:07.238 Yes. 03:07.258 --> 03:07.778 What's your one? 03:07.878 --> 03:11.239 So after weeks with no competitions, we've got a competition pile up. 03:11.679 --> 03:13.220 The only thing we haven't really got is prizes. 03:13.780 --> 03:14.701 We can figure out some. 03:14.721 --> 03:16.041 There's always the Adam and Joe DVD. 03:16.242 --> 03:18.143 Well, my one is Crap Commentary Corner. 03:18.223 --> 03:18.863 Can I say crap? 03:19.023 --> 03:19.263 Yeah. 03:19.343 --> 03:20.324 Crap Commentary Corner. 03:20.404 --> 03:23.346 I've basically spent hours going through film commentaries. 03:23.706 --> 03:25.507 I've picked out some of the stupidest moments. 03:25.787 --> 03:26.528 We played a clip. 03:26.608 --> 03:28.089 People have to work out what film they're from. 03:28.209 --> 03:28.889 Simple as that. 03:28.969 --> 03:29.510 Brilliant. 03:29.670 --> 03:30.430 That is brilliant. 03:30.470 --> 03:30.730 Yeah. 03:30.910 --> 03:31.571 Good job, man. 03:32.391 --> 03:34.653 And my one is called Mummification. 03:35.153 --> 03:35.413 Right. 03:35.673 --> 03:39.996 And it's basically my ma, who you know, of course, but maybe the listeners don't. 03:40.616 --> 03:42.617 And I thought, in a way, everyone knows your mum. 03:42.697 --> 03:43.137 Exactly. 03:43.418 --> 03:44.118 She's an uber mum. 03:44.218 --> 03:44.898 She's an uber mum. 03:45.239 --> 03:55.104 And she's got a tendency to ramble incoherently about all sorts of things that have come through the sort of Daily Mail filter of her mind. 03:55.484 --> 03:59.886 Things from the world of pop culture that have penetrated the brains of the more senior citizen. 03:59.946 --> 04:01.547 Yeah, because she's pushing 70 now. 04:01.827 --> 04:02.728 In fact, she may be over 70. 04:02.768 --> 04:03.148 Really? 04:03.828 --> 04:05.409 And so, I guess she's listening. 04:05.949 --> 04:06.830 No, she can't hear. 04:07.331 --> 04:12.275 She lives in Reading and you can't get XFM in Reading unless you're on digital, which she doesn't have. 04:13.916 --> 04:21.143 So she basically has been rambling about stuff and I will play people her rambles and you'll have to guess what she's rambling on about. 04:21.163 --> 04:21.743 So what are we going to do? 04:21.763 --> 04:23.404 Are we going to do a competition an hour or something? 04:23.685 --> 04:24.325 Yeah, why not? 04:24.365 --> 04:26.507 We could have... I don't know. 04:26.527 --> 04:27.728 Who wants to go first? 04:27.968 --> 04:29.470 Maybe there's too many competitions. 04:29.830 --> 04:31.271 Well, let's do yours first. 04:31.411 --> 04:31.711 All right. 04:31.831 --> 04:35.112 See how we go, because we've got ditties in the dock as well, and we might want to talk about some stuff. 04:35.332 --> 04:36.512 Shall we just not play any music? 04:36.712 --> 04:37.333 Yeah, why not? 04:37.553 --> 04:38.693 Let's just play one record. 04:38.933 --> 04:40.194 What are you going to talk about this week? 04:40.314 --> 04:41.054 All kinds of stuff. 04:41.194 --> 04:54.458 I want to ask about the best sex scenes in films that you actually watch the whole of, so not dirty, smutty films, but supposedly proper films that have filthy, fantastic smut in them. 04:54.958 --> 04:58.960 So if you've got one of your favourite films like that, perhaps you could email us. 04:59.540 --> 05:00.221 Steve Laughs 05:19.315 --> 05:21.316 The whole of the film rather than the whole of the sex scene. 05:21.616 --> 05:22.136 Yeah, yeah, yeah. 05:22.196 --> 05:22.837 The whole of the film. 05:23.077 --> 05:23.257 Yeah. 05:23.277 --> 05:24.437 Well, that might be a bit dirty. 05:24.457 --> 05:25.458 This is a family show. 05:25.478 --> 05:26.918 Well, don't make it dirty. 05:26.959 --> 05:27.879 We'll keep it clean. 05:27.899 --> 05:28.779 Well, we're just warning people. 05:28.819 --> 05:29.540 Don't make it dirty. 05:29.820 --> 05:30.700 Speak in metaphors. 05:30.940 --> 05:31.521 Yeah, exactly. 05:31.761 --> 05:31.981 Yeah. 05:32.261 --> 05:34.102 I want to talk about all sorts of stuff. 05:35.323 --> 05:37.204 I've got a clothes problem I need to talk about. 05:37.744 --> 05:38.845 And an ad, of course. 05:38.925 --> 05:41.267 Favourite ads this week rather than hateful ads. 05:41.427 --> 05:41.687 Really? 05:41.767 --> 05:42.428 We want to talk about. 05:42.468 --> 05:43.829 Well, there's one that everyone's talking about. 05:43.849 --> 05:44.669 We won't mention it yet. 05:45.170 --> 05:47.291 But I want to talk about that a bit later on. 05:47.331 --> 05:47.772 Stick with us. 05:47.872 --> 05:49.113 Adam and Joe on XFM. 05:51.627 --> 05:54.710 That is Helicopter by Block Party. 05:55.231 --> 06:00.076 Incidentally, the show began with The Strokes, The End Has No End, and Big Sur by The Thrills. 06:00.396 --> 06:10.587 Later on, we'll be playing the Manic Street Preachers, Snow Patrol, Razorlight, Red Hot Chili Peppers, all sorts of good stuff, and a bit of Blur, Graham Cox and Zootons. 06:11.007 --> 06:13.050 Also, a little sort of featurette. 06:13.650 --> 06:15.331 which is called Shouting Classics. 06:15.351 --> 06:23.294 I think each week we're going to be playing a shouting classic, a song, a classic song that features some screaming or shouting in it. 06:23.894 --> 06:28.816 And that's, again, something that you could email us with, your favourite shouting classic. 06:28.836 --> 06:30.936 We'll be playing that a bit later on. 06:31.116 --> 06:40.960 We're also unveiling the first of our new competitions, Mummification, in, well, after the next song, I think, very shortly, within about ten minutes, so stay tuned for that. 06:41.560 --> 06:45.682 Now, Joe, Little Britain, did you watch that this week, the first of the new series? 06:45.702 --> 06:45.922 Yes. 06:46.583 --> 06:47.323 Very enjoyable. 06:48.063 --> 06:53.846 It was the, you know, very rare... I enjoy lots of things on TV, but not that much actually makes you laugh out loud. 06:54.646 --> 06:59.329 And it did, although, you know, some people have been saying, what are they doing? 06:59.349 --> 07:00.289 They've pushed it too far. 07:00.329 --> 07:07.092 They're going to alienate their massive amount of fans by being too freakishly gross with the whole thing. 07:07.433 --> 07:08.013 What do you think? 07:09.617 --> 07:13.661 What I think a lot, and I know a lot, but I don't know what I can say. 07:14.602 --> 07:17.805 What can you, well, what the hell kind of answer is that? 07:18.086 --> 07:27.876 Well, I've been doing the behind-the-scenes documentary for series two, so I've read all the scripts, and I was there for a lot of the shooting, and I've read all the stuff that was cut out for being too extreme. 07:27.896 --> 07:30.218 A lot has been cut out. 07:30.398 --> 07:30.559 Yeah. 07:31.219 --> 07:33.440 And even more, I think, is going to be cut out when it goes into one. 07:33.500 --> 07:35.380 I think they're going to snip and change some lines. 07:35.860 --> 07:36.120 Oh, yeah. 07:36.280 --> 07:41.842 Which is a weird thing, because apparently... You see, this is where I'm not sure what I should say and what I shouldn't say. 07:41.902 --> 07:42.782 Well, just talk about it. 07:42.802 --> 07:43.522 I know too much. 07:43.542 --> 07:44.742 Talk about what we all know. 07:45.963 --> 07:46.943 Well, it was very funny. 07:46.963 --> 07:48.703 I think it's a great new series. 07:48.823 --> 07:49.924 What made you laugh the most? 07:51.997 --> 07:54.798 I really like the puking, the racist pukers. 07:55.098 --> 07:57.959 Even though that's, er, that's Mr Creosote, isn't it? 07:58.219 --> 07:58.700 Not really. 07:58.900 --> 07:59.920 From Monty Python? 07:59.940 --> 08:03.681 No, because Creosote doesn't, his puking doesn't hinge on another gag. 08:04.362 --> 08:06.322 He just eats so much that he pukes a lot. 08:06.382 --> 08:06.943 Yeah, that's true. 08:06.963 --> 08:12.805 This is more of an, you know, outward expression of sort of disgust at people and social things. 08:13.025 --> 08:13.205 Yeah. 08:13.885 --> 08:15.266 Er, so it's got extra layers. 08:15.646 --> 08:16.446 Yeah, that made me laugh. 08:16.466 --> 08:17.767 The thing that made me laugh, er, 08:18.507 --> 08:22.348 Actually, pretty much all the really revolting stuff did actually make me laugh. 08:22.648 --> 08:25.729 Which is unusual, because I'm not a big fan of the revolting. 08:26.029 --> 08:32.912 A lot of stuff in the last series of Bow Select, for example, just turned me off. 08:33.632 --> 08:37.593 But, the big fat lady suit, that was funny, that made me laugh. 08:37.613 --> 08:39.854 Because it was so brilliant, the suit was brilliant. 08:40.794 --> 08:41.614 So well made. 08:41.634 --> 08:43.875 I couldn't believe it. 08:44.115 --> 08:51.136 And there was a moment when I didn't know if they were going to show the full nakedness, because I hadn't read anything about it. 08:51.756 --> 08:54.317 And I was shocked when you did actually see it. 08:54.437 --> 08:59.918 But I tell you, I think the funniest and cleverest ones are the ones with a character called Mr. Man, who walks into the shop, into the dating agency. 08:59.938 --> 09:00.778 Has that one gone out yet? 09:01.018 --> 09:01.558 Oh yeah, yeah. 09:01.718 --> 09:02.418 Asked for a date? 09:02.658 --> 09:05.719 Well that's a fantastic one in a video shop that I think is in episode two. 09:06.019 --> 09:08.540 And it was in series one with the pirate memory game. 09:08.660 --> 09:09.560 Yeah, that was very good. 09:10.120 --> 09:10.720 They're my favourites. 09:11.201 --> 09:11.841 That was excellent. 09:11.901 --> 09:17.725 And the one where Dave Walliams climbs on top of his mum and starts suckling her breast. 09:18.365 --> 09:18.666 Bitty. 09:19.006 --> 09:19.546 Bitty. 09:20.627 --> 09:21.448 That was excellent. 09:21.888 --> 09:23.309 That sort of took me by surprise. 09:23.389 --> 09:25.330 Even though, again, I think I had read about that one. 09:25.710 --> 09:27.652 But when it actually happened, I was sort of knocked out. 09:27.912 --> 09:28.772 But what happens to that? 09:29.053 --> 09:30.494 Does that just happen every week then? 09:31.194 --> 09:31.394 No. 09:31.454 --> 09:32.375 Well, in different ways. 09:32.515 --> 09:32.835 OK. 09:33.455 --> 09:34.356 Well, we'll have to find out. 09:34.616 --> 09:37.058 And when are we going to be able to see your behind the scenes thing? 09:37.498 --> 09:40.119 Uh, you know, when there's a slot in the cinemas, really. 09:40.280 --> 09:40.540 Yeah. 09:40.900 --> 09:42.100 Is it gonna come out on the DVD? 09:42.120 --> 09:44.102 When the Odeon Leicester Square is free. 09:44.582 --> 09:45.862 It'll certainly be on the DVD, yeah. 09:46.103 --> 09:46.283 Yeah. 09:46.463 --> 09:48.824 If they approve it, it's a very intimate documentary. 09:48.964 --> 09:49.164 Is it? 09:49.384 --> 09:50.665 And it might be a bit too intimate. 09:50.845 --> 09:51.465 How long is it? 09:51.825 --> 09:52.486 I don't know yet. 09:52.666 --> 09:54.507 Depends how much David and Matt cut out. 09:54.907 --> 09:55.908 And why is it too intimate? 09:55.928 --> 10:01.035 Because they're candid with each other and they have embarrassing arguments with each other and stuff like that. 10:01.075 --> 10:02.997 No, because they're candid with me. 10:03.017 --> 10:03.698 Yeah. 10:03.919 --> 10:12.229 And, you know, if you have a professional documentary crew come and do a documentary, you sort of have a bit of distance and you edit yourself. 10:12.990 --> 10:16.733 But if it's sort of a friend, you tend to forget the camera's there. 10:16.813 --> 10:20.096 Well, you and I have both done docs for big comedy sensations. 10:20.116 --> 10:21.878 I did one on the League of Gentlemen as well. 10:22.478 --> 10:28.303 And I know what you're talking about, because I think they said quite a few things that they probably regret in afterwards. 10:28.363 --> 10:30.385 Although they were happy when they turned up in the doc. 10:30.425 --> 10:35.109 There were one or two things that did have to come out, because they don't censor themselves either very much, the League. 10:35.889 --> 10:40.670 Anyway, we're going to be right back after this next track with a new competition, Mummification. 10:41.030 --> 10:44.892 Stand by your phones and you will be able to win... What can you win? 10:45.732 --> 10:46.272 I don't know. 10:46.572 --> 10:47.512 What is it, Lila? 10:48.032 --> 10:48.553 Uh... Tickets? 10:49.313 --> 10:51.253 A pair of tickets to the bees at the Electric Ballroom. 10:51.273 --> 10:51.693 That would be good. 10:51.713 --> 10:52.394 I wouldn't mind going. 10:52.614 --> 10:54.294 And, uh, as... What's that? 10:55.454 --> 10:56.735 Uh... A monster DVD. 10:57.515 --> 10:58.536 What, the film monster? 10:58.676 --> 11:01.497 I don't- she wants me to give away these books, but do you want me to- no. 11:01.777 --> 11:02.877 Oh, good, because I want those books. 11:03.458 --> 11:07.139 Okay, and of course there's always the, uh, you know, the Adam and Joe DVD. 11:07.339 --> 11:08.540 I gave them all away last week. 11:08.560 --> 11:08.860 Did you? 11:08.960 --> 11:09.560 I panicked. 11:09.661 --> 11:12.262 I've got a couple left, so I might be able to go give those away. 11:12.382 --> 11:13.502 Right now, here's some music. 11:14.423 --> 11:16.524 That's Snow Patrol with How to Be Dead. 11:16.544 --> 11:17.984 This is Adam and Joe on XFM. 11:24.202 --> 11:26.864 Yeah, it's the beginning of a new competition. 11:27.604 --> 11:28.965 And it's called Mummification. 11:29.065 --> 11:30.186 So that's Radio 1 in the 70s. 11:30.286 --> 11:31.267 That's the jingle. 11:31.467 --> 11:32.888 Come on, man, that's a good jingle. 11:32.908 --> 11:35.510 Radio 1 in the 70s was the peak of Radio 1. 11:35.750 --> 11:36.551 That's a compliment. 11:36.951 --> 11:39.112 Well, in the 70s, I think 80s was pretty good. 11:39.132 --> 11:39.713 Steve, right? 11:40.373 --> 11:45.816 Well, yeah, but you know, overall Steve Wright was the best DJ ever on Radio One when he was into this. 11:45.856 --> 11:46.577 Let's do the quiz. 11:46.677 --> 11:48.878 Okay, so this is called mummification. 11:48.938 --> 12:06.208 Basically, my mum is, you know, she's not listening, so I can tell you that she's fairly old, about 70, and she tends to ramble about things that she's read in the Daily Mail or I don't know what, and she's got some fairly forthright opinions about things in the pop culture sphere. 12:07.088 --> 12:09.970 Now she's talking about a singer today, OK? 12:10.530 --> 12:11.891 And I'm not going to tell you any more than that. 12:12.031 --> 12:16.594 All you have to do, it's very simple, is guess which well-known singer she's talking about. 12:16.634 --> 12:17.315 And it's easy. 12:17.335 --> 12:18.836 We're starting with an easy one this week. 12:18.956 --> 12:22.698 If you think you know who my mum is going on about, just phone 0871 222 1049. 12:22.958 --> 12:22.698 0871 222 1049. 12:23.038 --> 12:25.660 If you can tell me what my ma is prattling on about. 12:35.615 --> 12:38.898 Now, you're going to have to listen quite closely because she doesn't speak very loudly. 12:38.958 --> 12:39.498 Here she comes. 12:39.839 --> 12:41.020 He looks like a mummy. 12:41.040 --> 12:46.785 I mean, it's a great test that he should still be wandering around the world giving concerts. 12:47.225 --> 12:48.906 So-called entertaining people. 12:48.946 --> 12:56.473 He should be asleep in his coffin by now and only emerging at night when no one can see him. 12:57.734 --> 13:00.957 He's got this girlfriend who is about ten feet tall. 13:03.413 --> 13:30.527 and he comes up to her waist and she's so tall but he's had to have the floor in the basement lowered so she doesn't hit her head so honestly you couldn't invent it oh god 13:33.650 --> 13:34.471 I'm a mummy. 13:34.771 --> 13:35.612 It's just that simple. 13:35.872 --> 13:36.233 Wow. 13:36.473 --> 13:37.754 Who's my ma going on about? 13:37.794 --> 13:39.075 Who is she so tickled by? 13:39.095 --> 13:42.639 Is she genuinely, is that true about having the floor lowered? 13:42.779 --> 13:45.501 Yeah, this is all, I don't know where she's got her info from. 13:45.521 --> 13:48.764 And she genuinely finds, yeah, that was very sweet. 13:48.784 --> 13:49.565 Do you know who she's talking about? 13:49.585 --> 13:50.386 Yeah, because you told me. 13:50.886 --> 13:51.767 Oh, okay, yeah, I forgot. 13:52.687 --> 13:55.609 Well, if you know who that was, then just call 0871 222 1049. 13:58.691 --> 14:02.814 You could win tickets to go and see the bees at the Electric Ballroom on the 28th of October. 14:02.834 --> 14:05.876 That would be a fantastic gig and well worth phoning in for. 14:06.517 --> 14:09.839 Just phone us anyway if you know who my ma was talking about. 14:09.899 --> 14:10.960 We'll be right back after this. 14:14.844 --> 14:21.357 that's the love of richard nixon from the man extreme preachers fantastic i like that more and more each time i hear it's gentleman joe on xfm 14:28.135 --> 14:28.956 I'm a mummy. 14:28.976 --> 14:32.559 Right, it's time to announce the winner of our mummification competition. 14:32.779 --> 14:40.605 Before Manic Street Preachers, we played a little bit of my mum rambling about a well-known aged singer. 14:40.665 --> 14:48.251 She was talking about him being too old to perform and he should be in a coffin and he's got a very tall girlfriend for whom he has lowered the floor of his basement flat. 14:48.572 --> 14:50.173 But who is that singer? 14:50.213 --> 14:51.694 Now, we've got a couple of people on the line. 14:51.734 --> 14:52.415 Who's first, Joe? 14:52.615 --> 14:53.135 We've got Mike. 14:53.175 --> 14:53.676 Hello, Mike. 14:53.996 --> 14:54.396 Hey, Mike. 14:54.456 --> 14:55.397 Hello, Adam and Joe. 14:55.417 --> 14:55.938 How you doing? 14:55.978 --> 14:56.338 Hello, Mike. 14:56.818 --> 14:57.539 Hey, how you doing? 14:57.679 --> 14:58.940 You sound like a perky person. 14:59.040 --> 15:00.581 Who do you think my mum was going on about? 15:01.281 --> 15:03.002 I think it was Marilyn Manson. 15:03.882 --> 15:05.623 How'd you get Marilyn Manson from that? 15:05.683 --> 15:08.545 Actually, no, I can see that because of... What was that? 15:08.605 --> 15:10.646 Let's take the Manspeek. 15:10.726 --> 15:11.827 It was the mummy. 15:11.867 --> 15:12.827 You looked like a mummy. 15:13.128 --> 15:13.368 Yeah. 15:14.048 --> 15:15.969 Yeah, that's true. 15:17.410 --> 15:21.012 But his girlfriend, she was talking about him having a girlfriend who's ten feet tall. 15:21.292 --> 15:22.553 That's not the case with Manson, is it? 15:23.297 --> 15:23.758 I don't know. 15:23.778 --> 15:24.800 I don't know him at all. 15:24.860 --> 15:26.864 I've seen a picture and I thought, that's the guy. 15:26.884 --> 15:28.347 Must be the right answer. 15:28.447 --> 15:30.071 Mike, I'm afraid you're wrong. 15:30.572 --> 15:31.514 Sorry about that, Mike. 15:31.554 --> 15:32.255 Mike, is that real? 15:32.275 --> 15:32.716 Are you gutted? 15:33.824 --> 15:35.145 I am gutted, I am hurt. 15:35.245 --> 15:35.946 It's terrible, isn't it? 15:35.966 --> 15:37.587 I don't know if I'm going to recover this weekend. 15:37.647 --> 15:39.508 No, I mean, we've really ruined your weekend. 15:39.588 --> 15:40.769 Listen, we're really sorry. 15:40.989 --> 15:41.830 You will recover. 15:41.950 --> 15:42.950 Don't do anything stupid. 15:43.230 --> 15:45.732 And thanks so much for calling, we appreciate your call. 15:45.772 --> 15:46.353 Who's next, Jo? 15:46.473 --> 15:47.153 Jo is next. 15:47.193 --> 15:47.713 Hello, Jo. 15:47.733 --> 15:48.334 Hello. 15:48.654 --> 15:49.455 Hi, how are you? 15:49.475 --> 15:50.535 I'm alright, thank you. 15:50.555 --> 15:51.276 Are you OK? 15:51.736 --> 15:52.156 I'm good. 15:52.497 --> 15:53.497 Yeah. 15:53.757 --> 15:56.159 So who do you think it was that Adam's mum was going on about? 15:56.179 --> 15:57.620 I think it was Mick Jagger. 15:57.980 --> 15:58.240 Why? 15:58.260 --> 16:03.344 Because he is old and looks like a mummy and has a very tall girlfriend, I think. 16:03.903 --> 16:05.788 Do you know the name of his girlfriend? 16:06.329 --> 16:07.833 Well I think it was Jerry Hall. 16:08.405 --> 16:09.725 No, that's his old wife. 16:09.906 --> 16:14.267 Listen, I can tell you, Jo, that you are in this case correct. 16:14.347 --> 16:16.648 That was who my mum was going on about. 16:16.668 --> 16:21.710 And I think the name of Jagger's girlfriend at the moment is Lerenne. 16:23.030 --> 16:27.612 And it's spelt L apostrophe W R E N. Lerenne. 16:28.332 --> 16:29.832 She's a big tall model. 16:29.852 --> 16:31.773 I don't know if she is ten foot. 16:31.793 --> 16:33.894 Do you think she's just done that herself? 16:33.934 --> 16:36.014 Just knocked a couple of letters out and put an apostrophe? 16:36.354 --> 16:37.175 So could you be called 16:38.195 --> 16:39.756 Er, well, it wouldn't really work with your name, would it? 16:40.096 --> 16:40.276 Am. 16:40.296 --> 16:42.958 Er, just knock the D out and put an apostrophe. 16:43.118 --> 16:43.478 A-am. 16:43.698 --> 16:44.398 Yeah, yeah, yeah. 16:44.538 --> 16:45.439 A-apostrophe-M. 16:45.699 --> 16:47.880 I could be J-apostrophe-E, yeah. 16:47.940 --> 16:49.381 Joe, you've only got two letters in your name. 16:49.401 --> 16:50.241 What's your full name, Joe? 16:50.681 --> 16:51.402 Erm, it's Joanne. 16:51.602 --> 16:53.343 Joanne, you could be... Joanne. 16:53.823 --> 16:55.044 Yeah, that would be good. 16:55.084 --> 16:56.104 It works well with yours. 16:56.204 --> 16:58.105 Yeah, J apostrophe... Let's all do it. 16:58.145 --> 16:59.285 Then she'll be common as muck. 16:59.665 --> 17:00.186 Jan. 17:00.886 --> 17:02.607 Jan, thank you so much for your call. 17:02.647 --> 17:03.827 You're going to go and see the bees. 17:03.887 --> 17:04.767 Are you excited about that? 17:04.807 --> 17:05.348 Yes, I am. 17:05.428 --> 17:06.408 Thank you. 17:06.608 --> 17:07.809 Oh, thanks so much for calling. 17:07.829 --> 17:08.909 We really appreciate it. 17:09.309 --> 17:10.070 Congratulations. 17:10.330 --> 17:11.930 That was mummification. 17:17.125 --> 17:18.386 It's so old school. 17:18.506 --> 17:18.927 I love it. 17:18.987 --> 17:19.947 I'm working the stab. 17:20.168 --> 17:23.150 There's another competition coming up within the next 20 minutes. 17:23.530 --> 17:24.531 Yeah, it's Competition City. 17:24.551 --> 17:26.032 We're trying out a few new competitions. 17:26.292 --> 17:28.754 I think what we might do is roll our competitions. 17:28.835 --> 17:29.515 What does that mean? 17:29.555 --> 17:29.855 I don't know. 17:30.136 --> 17:30.516 I don't know. 17:31.036 --> 17:32.437 How do you roll a competition? 17:32.477 --> 17:35.840 Well, because you try different ones out and they keep rolling around like a new one. 17:35.880 --> 17:36.601 Oh, I see. 17:36.721 --> 17:39.703 Like maybe we'll have a mummification down a hill. 17:39.783 --> 17:44.687 No, mummification one week, maybe commentaries next week, maybe even celebrity regression. 17:44.948 --> 17:46.429 Depends what's popular with the listeners. 17:46.829 --> 17:48.510 This is very much a listener-driven show. 17:48.590 --> 17:49.110 Absolutely. 17:49.431 --> 17:50.912 It's very interactive in that respect. 17:51.352 --> 17:54.674 Now, we're going to be talking about adverts very shortly. 17:54.874 --> 17:57.516 I really want to talk about an ad that a lot of people are talking about. 17:58.256 --> 18:01.678 And right now, I'm going to unveil another small feature, a featurette. 18:02.038 --> 18:02.779 Shouting Classics. 18:02.819 --> 18:03.059 Right. 18:03.379 --> 18:08.803 Every week, I'm going to play a shouting classic, a song that contains some fantastic screaming and shouting. 18:09.063 --> 18:13.766 And we're starting with a very strong contender for the all-time shouting classic, Crown. 18:14.026 --> 18:15.487 And it's, of course, the Foo Fighters. 18:17.529 --> 18:19.890 Mm-hmm, that's Vice by Razorlight. 18:20.130 --> 18:22.272 He gives out his mobile phone number at the end there. 18:22.412 --> 18:22.772 Does he? 18:22.832 --> 18:26.954 I bet it's just got some sort of a sales line on the other end, selling Razorlight singles. 18:27.014 --> 18:34.578 If you listen carefully at the end, he does give out, he says, phone me on my mobile, the number's, oh, want something, and then, I can't remember what the number was. 18:34.719 --> 18:36.359 Well, we should work it out and call it. 18:36.600 --> 18:38.701 Yeah, that's not a bad idea, is it? 18:38.721 --> 18:39.541 That's quite a bad idea. 18:40.402 --> 18:44.404 So, Joe, what's the ad that everyone, the nation has taken to their hearts? 18:44.424 --> 18:45.645 I don't know what you're going on about. 18:46.625 --> 18:48.467 It's not the stupid Guinness one. 18:49.208 --> 18:50.269 I like the stupid Guinness one. 18:50.289 --> 18:51.190 Which is the stupid Guinness one. 18:51.210 --> 18:56.995 Well, where they get the prisoner, the sexy prisoner, and take him to a prison with no walls, no bars. 18:57.696 --> 18:59.938 And he has to tame a wild stallion. 18:59.958 --> 19:00.919 I haven't seen that one. 19:00.959 --> 19:02.661 And he just lets the wild stallion go. 19:02.681 --> 19:06.024 And then they say, well, you let it free. 19:06.505 --> 19:07.245 You set it free. 19:07.285 --> 19:07.906 You catch it. 19:08.539 --> 19:12.581 so he finds it in a lake and bonds with it and then rides it away. 19:12.861 --> 19:18.183 Then no doubt gets very pissed up on Guinness and sells the horse to buy some smack. 19:18.583 --> 19:18.903 Nice. 19:20.584 --> 19:22.004 Obviously that's not what happens. 19:22.144 --> 19:23.805 That's just what I'm imagining. 19:23.905 --> 19:24.465 Conjecture. 19:25.086 --> 19:28.167 Now the ad I'm thinking about, all I have to do is this. 19:31.772 --> 19:32.333 You know the one? 19:32.693 --> 19:32.954 No. 19:33.134 --> 19:34.616 Come on, you know that one. 19:34.676 --> 19:35.998 It's the Honda advert. 19:36.339 --> 19:38.181 The animated one with all the bunnies. 19:38.502 --> 19:40.365 Oh, that one makes me angry. 19:40.425 --> 19:40.765 Why? 19:41.606 --> 19:42.267 Why? 19:42.708 --> 19:46.954 Because it's a large, you know, fuel company. 19:48.022 --> 19:49.263 who are polluting the world. 19:49.503 --> 19:50.944 They're trying to go greener though, the diesel. 19:50.964 --> 19:53.525 Yeah, but that's such a lame tactic, isn't it? 19:53.685 --> 19:55.346 Stuff your advert full of bunnies. 19:55.786 --> 20:03.009 It might as well be something out of the Parallax View, one of those brainwashing films, with little bunnies and rainbows. 20:03.289 --> 20:05.290 Plus, it's treating people like infants. 20:05.310 --> 20:06.031 In what way? 20:06.051 --> 20:14.575 They might as well just get the Teletubbies to go, oh, oh, driving car good, driving car good, pollution is good, dee dee dee dee doo. 20:14.935 --> 20:15.355 Like that. 20:15.576 --> 20:16.936 They're saying pollution's bad. 20:17.217 --> 20:19.758 They want to change the thing to a lower fuel emission. 20:21.219 --> 20:21.840 I know what you mean. 20:21.880 --> 20:23.041 You're right, of course. 20:23.521 --> 20:27.764 At the end of the day, it's like... It's like when BP turned all of their garages green. 20:29.245 --> 20:32.567 People say we pollute things, so let's paint everything green. 20:32.608 --> 20:33.468 That's right. 20:33.648 --> 20:35.970 It's a logo like a flower. 20:35.990 --> 20:36.750 It actually works. 20:36.871 --> 20:39.072 Our logo is like a flower. 20:39.092 --> 20:40.633 We changed the logo, I think. 20:40.653 --> 20:41.634 I can't remember. 20:42.535 --> 20:43.656 So you like the ad, do you? 20:43.676 --> 20:43.896 Yeah. 20:43.916 --> 20:45.917 Change something, make it, hate something. 20:46.197 --> 20:50.380 Hate something, change something, uh... Make it better. 20:50.400 --> 20:51.640 I've got all the lyrics here. 20:51.761 --> 20:52.921 How has this been taken? 20:53.241 --> 20:55.022 Listeners, has this been taken to your heart? 20:55.083 --> 20:55.923 People love it, man. 20:55.943 --> 20:56.924 I went on to the... Who are people? 20:57.004 --> 20:58.224 I went, uh, lots of people. 20:58.244 --> 20:59.085 I went to the internet. 20:59.445 --> 21:00.646 And there's a load of sites. 21:00.766 --> 21:03.067 The internet, they're not real people on the internet. 21:03.387 --> 21:04.708 Well, you'd be... They'd be loonies. 21:04.728 --> 21:05.509 You'd be surprised. 21:06.369 --> 21:09.270 But there's a lot of people and they are raving about it. 21:09.670 --> 21:10.410 And it is catchy. 21:10.451 --> 21:12.331 You can't deny the power of the ad. 21:12.371 --> 21:15.212 I mean, they're onto something pretty good there. 21:15.372 --> 21:23.275 The combination of the tune with the little whistly bit, it's Garrison Keillor, who's an American humorist, a writer. 21:23.315 --> 21:24.615 I think he wrote for the New Yorker. 21:24.675 --> 21:26.736 And what's he got to do with that ad? 21:26.776 --> 21:27.396 He sings it. 21:27.416 --> 21:29.837 That's his voice. 21:30.357 --> 21:31.938 I don't know if he came up with a tune or not. 21:32.678 --> 21:38.042 And inevitably they'll release the tune, I would imagine, at some stage and then the whole thing will take another depressing turn. 21:38.122 --> 21:46.868 But for the sheer power and artistry of the ad, the actual graphics, the way it's all put together, it's quite amazing, don't you think? 21:46.928 --> 21:47.108 No. 21:47.128 --> 21:47.628 Not impressed? 21:47.688 --> 21:47.868 No. 21:48.128 --> 21:49.049 Not impressed at all? 21:49.249 --> 21:49.389 No. 21:49.409 --> 21:49.810 I think so. 21:49.830 --> 21:49.870 No. 21:50.150 --> 21:51.631 It's a beautiful job. 21:52.171 --> 21:58.133 you're not impressed on principle because it's- No, no, no, I didn't think it was that- that- it's nice animation, yeah, it's well done. 21:58.433 --> 22:01.294 It's very influenced by Japanese folk, isn't it? 22:01.494 --> 22:02.294 Japanese artists. 22:02.374 --> 22:04.135 I think it is a Japanese artist who did it. 22:04.155 --> 22:06.696 Yeah, and so therefore- yeah, it's just derivative. 22:06.736 --> 22:09.036 I- I don't know, I just don't- Even if it's a Japanese guy. 22:09.116 --> 22:16.939 It's not principle, I just- I just feel- you know, when an advert's good but it's for something that's kind of wrong, it makes me even more upset. 22:17.279 --> 22:18.240 Yeah, I know what you're saying. 22:18.580 --> 22:19.341 Well, it's hard. 22:19.561 --> 22:21.182 It's hard to enjoy the thing. 22:21.302 --> 22:24.585 I wish it was for a pop video or something, you know what I mean? 22:25.005 --> 22:28.868 And then you can kind of indulge in the artistry and not feel too bad about it. 22:29.169 --> 22:32.872 Even though it's just, you know, this is a capitalist society. 22:32.912 --> 22:33.893 That's a different matter. 22:34.213 --> 22:34.853 Yeah, exactly. 22:34.893 --> 22:35.634 That's great. 22:35.694 --> 22:36.615 That's a great product. 22:36.635 --> 22:37.075 Yeah. 22:37.515 --> 22:37.916 Oh boy. 22:37.936 --> 22:39.297 Well, I only got Cena. 22:39.517 --> 22:40.158 Couple of times. 22:40.198 --> 22:42.660 It was no hate something change something, I tell you that. 22:42.981 --> 22:43.281 No. 22:43.581 --> 22:45.504 Have you got any favourite ads at the moment? 22:45.524 --> 22:50.589 The one I like best, it's not very appropriate, but I think it's very powerful, is the new NSPCC advert. 22:50.969 --> 22:53.472 With the man with the ventriloquist dummy of a little girl. 22:53.492 --> 22:54.093 Have you seen that? 22:54.173 --> 22:55.214 Yeah, that's creepy. 22:55.314 --> 22:56.976 It is genuinely really creepy. 22:57.036 --> 22:59.018 It's a bit like that Anthony Hopkins film, Magic. 22:59.238 --> 23:00.219 Oh, that was on the other night. 23:00.279 --> 23:03.241 But they try really hard to upset you with adverts like that. 23:03.301 --> 23:06.764 It's like the quest for, um, road safety adverts. 23:06.964 --> 23:07.865 And ciggie adverts. 23:07.945 --> 23:08.946 And ciggie adverts. 23:09.066 --> 23:11.648 And I think that one with the ventriloquist dummy really works. 23:11.928 --> 23:14.090 There's another very funny road safety advert. 23:14.110 --> 23:15.831 I don't know whether you've seen it. 23:15.911 --> 23:20.635 It's a kind of fake hip-hop ad with a racket called Little Big. 23:20.956 --> 23:24.118 And it's like, when you look at it first, it's just a poster for Little Big's new album. 23:24.138 --> 23:25.359 I don't know. 23:25.399 --> 23:26.680 I can't remember what it's called. 23:26.700 --> 23:28.862 But then it says cancelled across it. 23:29.471 --> 23:30.652 because he was hit by a car. 23:30.712 --> 23:31.132 Oh dear. 23:31.192 --> 23:31.872 He was 14. 23:32.292 --> 23:32.853 Oh no. 23:32.953 --> 23:33.373 Yeah. 23:34.013 --> 23:36.254 But, er, I really like it when they try and reach the kids. 23:36.714 --> 23:36.994 I know. 23:37.015 --> 23:37.655 With adverts like that. 23:37.715 --> 23:38.015 Yeah. 23:38.355 --> 23:50.841 It's weird though, I don't know, um, I don't know how effective they are because, you know, especially with the NSPCC ones, you sort of think, is that really going to change someone's mind if they're sort of, er, you know, confused and, and, 23:51.736 --> 23:54.218 sick enough to actually be hurting children. 23:54.338 --> 23:56.759 Are they going to watch those ads and think... Who knows? 23:56.839 --> 23:57.280 Who knows? 23:57.300 --> 23:57.800 Maybe I shouldn't. 23:58.140 --> 23:58.881 Who knows? 23:59.041 --> 24:00.042 Hope so, obviously. 24:00.562 --> 24:01.543 Hope they are effective. 24:02.043 --> 24:03.084 But anyway, there you go. 24:03.364 --> 24:06.866 You can't really get better than the little hedgehogs, though, crossing the road for road safety. 24:07.186 --> 24:11.269 Oh, yeah, well, they kind of cleaned up the little guy's voice because he sang it so badly. 24:11.309 --> 24:12.310 What was the song he sang? 24:12.430 --> 24:13.110 I can't remember. 24:13.671 --> 24:15.472 But I'll never forget the little hedgehogs. 24:16.192 --> 24:17.393 Bring back the little hedgehogs. 24:17.753 --> 24:20.255 I think go for a charm in safety adverts. 24:20.295 --> 24:20.575 Yeah. 24:20.675 --> 24:21.156 Not shock. 24:22.136 --> 24:23.776 Oh, I'm trying to remember the song. 24:23.836 --> 24:27.397 If you can remember the song, the little hedgehogs sound really badly out of tune. 24:27.677 --> 24:29.678 Listen, we've got another competition coming up any second. 24:29.718 --> 24:31.518 It's crap commentary. 24:32.018 --> 24:33.458 Oh, I didn't say that right, really, did I? 24:33.518 --> 24:35.179 It's the crap commentary competition. 24:35.439 --> 24:41.020 We're going to play you an excerpt from a commentary track of a major movie in about five minutes time. 24:41.340 --> 24:42.620 You've got to tell me what the movie is. 24:42.700 --> 24:43.661 It's a good extract. 24:44.181 --> 24:45.101 So stay tuned. 24:45.181 --> 24:47.421 Yeah, stay tuned here on XFM right now. 24:47.501 --> 24:48.202 Here's some music. 24:49.262 --> 24:49.642 From... 24:50.796 --> 24:52.078 Do me bad things. 24:55.304 --> 24:57.669 That's the bucket Kings of Leon sounding. 24:57.889 --> 25:00.875 I don't like the strokes there, especially at the beginning, but very good. 25:01.567 --> 25:02.968 That's Adam and Joe on XFM. 25:03.268 --> 25:07.610 It's time for our second count them, not one, but two competitions this week. 25:08.491 --> 25:09.992 And this competition is called? 25:10.632 --> 25:13.554 This is called the Crap Commentary Competition. 25:13.594 --> 25:14.254 The number is 08712221049. 25:14.574 --> 25:22.519 You could win, wait for it, a special collector's edition of the film Munster. 25:22.839 --> 25:23.680 And it's signed. 25:24.540 --> 25:25.201 Why, by us? 25:25.241 --> 25:26.081 By Joe Corden. 25:26.121 --> 25:26.661 By me. 25:26.721 --> 25:28.002 I'm going to sign it. 25:28.342 --> 25:29.063 You should sign it. 25:29.283 --> 25:30.744 Instantly halving its value. 25:30.764 --> 25:36.027 And I'm going to do like a fake Charlize Theron signature on it. 25:36.087 --> 25:40.630 I tell you what, we'll sign it on the plastic outer packaging so you can peel it off and throw it away. 25:41.030 --> 25:43.612 It's powerful and staggering and compelling and incredible. 25:43.952 --> 25:46.574 I haven't seen it because it looks a bit depressing and boring. 25:47.074 --> 25:48.735 But anyway, you could win it. 25:49.395 --> 25:54.637 It's one of those Oscar-winning monster-based films, like Monster's Ball, that you don't really want to see. 25:54.677 --> 25:56.678 There's never a right time for Monster. 25:56.718 --> 26:00.119 Anyway, we don't want to do down the prize, because this is a good competition. 26:00.139 --> 26:00.739 No, it's a great prize. 26:00.759 --> 26:01.360 It's a good competition. 26:01.580 --> 26:07.022 So we're going to play you a clip from a commentary track from a major film. 26:08.103 --> 26:11.509 Er, so you, all you have to do is call 08712221049. 26:12.691 --> 26:17.659 Tell us what film, er, is being commented on by this man. 26:17.779 --> 26:20.043 I'll give you a clue, he's the producer of the film. 26:22.005 --> 26:42.086 and he is kind of it's one of those commentary moments where they've sort of run out of things to say and he's generally just trying to be a good guy and and fill in you know just just just fill in dead air now is this a film that came out this year i'm not going to tell you about him oh really it's quite horrible isn't it fair enough this year it came out this year yeah okay 26:42.666 --> 26:43.966 So it's a recent film. 26:44.747 --> 26:53.449 Here's an excerpt from the commentary by the producer, 08712221049, if you know what film this guy's commentating over. 26:53.509 --> 26:53.949 Listen to this. 26:55.269 --> 26:56.110 Here comes that music. 26:56.130 --> 26:57.430 It's getting exciting now. 26:57.450 --> 26:58.430 Oh, here we go. 26:58.730 --> 26:59.951 It's getting exciting. 27:10.863 --> 27:14.575 here comes the big music again I'm singing again 27:19.059 --> 27:20.540 What a lunatic! 27:21.361 --> 27:23.783 How is he allowed to produce a turd? 27:23.823 --> 27:25.825 This guy is a big film producer. 27:25.845 --> 27:29.748 When I read you the list of what that man has produced, you won't believe it. 27:29.949 --> 27:30.489 Wow! 27:30.909 --> 27:36.915 So if you know who that guy is talking about, 0-8-7-1- Hey, hey, hey, what film are you guys commentating over? 27:36.935 --> 27:37.375 0-8-7-1-2-2-2-1-0-4-9. 27:37.776 --> 27:40.538 Now we've got another clip. 27:40.558 --> 27:41.499 Do you want to play that now? 27:42.380 --> 27:42.900 What do you think? 27:42.980 --> 27:44.942 Are the phone lines lighting up? 27:45.911 --> 27:47.532 Is the other clip going to make it more clear? 27:47.552 --> 27:50.273 The other clip might make it a bit... Let's play the other clip. 27:50.593 --> 28:07.641 The other clip is a moment where this producer and the director are getting a bit annoyed with each other, because the producer, who you just heard, thinks he's quite funny, and he's taking the Mickey out of some of the characters in the film, and listen to how the director gets annoyed with him and sort of politely tells him to shut up. 28:08.282 --> 28:10.222 Well, what are we going to do? 28:10.503 --> 28:12.503 There's that genius president again. 28:13.024 --> 28:13.864 What should we do? 28:14.324 --> 28:15.665 What about the people in the north? 28:16.409 --> 28:19.852 There's the genius vice president, and there's the Secretary of State. 28:20.533 --> 28:21.193 Where should they go? 28:21.333 --> 28:25.296 Oh, what are we going to do now? 28:26.097 --> 28:28.899 What do you think we should do, Mr. Vice President? 28:29.480 --> 28:30.160 What should we do? 28:30.180 --> 28:32.182 Oh, what do you think we should do? 28:32.202 --> 28:35.684 What do you think we should do? 28:41.238 --> 28:42.219 Yeah, funny guy. 28:42.259 --> 28:43.520 Mr. Funny Guy Producer. 28:44.060 --> 28:44.761 Let it alone. 28:44.781 --> 28:45.962 Let it alone. 28:46.262 --> 28:48.444 Will you shut up, you freak! 28:48.724 --> 28:51.626 What film are they talking about? 28:51.646 --> 28:55.409 08712221049 to win a copy of Monster, one of the films of the year. 28:55.449 --> 28:56.070 Signed copy. 28:56.290 --> 28:57.411 Signed copy, yeah. 28:58.532 --> 28:59.933 With our fake signatures on it. 29:00.633 --> 29:02.435 We'll be right back with the winner after this. 29:05.239 --> 29:06.479 It's Adam and Joe on XFM Bumman's 104.9. 29:06.519 --> 29:08.460 What was that at? 29:08.500 --> 29:10.021 That was Mercury Rev. 29:10.221 --> 29:11.401 That's a new one from them. 29:11.541 --> 29:18.764 First single to be taken from their sixth album, The Secret Migration, out in January 2005. 29:19.404 --> 29:20.384 Terrific stuff. 29:21.004 --> 29:21.304 Yeah. 29:21.664 --> 29:23.805 Can we hear this crap commentary clip again? 29:23.845 --> 29:25.886 The first one that I like to call Bum Bum Bum Bum? 29:27.428 --> 29:29.110 This is the competition we're running at the moment. 29:29.130 --> 29:33.957 If you just tuned in, this is an excerpt from a producer's commentary on a DVD of a recent film. 29:34.958 --> 29:38.664 We've got people on the line who are trying to guess what film this guy is talking about. 29:38.744 --> 29:39.325 Let's hear it again. 29:39.385 --> 29:40.306 A lot of wrong answers. 29:40.326 --> 29:41.027 It is difficult. 29:41.408 --> 29:41.868 Have a listen. 29:43.458 --> 29:44.319 Here comes that music. 29:46.920 --> 29:48.721 It's getting exciting now. 29:51.662 --> 29:52.583 Oh, here we go. 29:52.663 --> 29:53.824 It's getting exciting. 29:54.004 --> 29:56.125 Here comes the big music again. 29:56.385 --> 29:58.306 I'm singing again. 30:07.350 --> 30:08.011 What a loony. 30:08.192 --> 30:10.796 He is the most annoying person in the world. 30:10.816 --> 30:11.918 La la la la la. 30:12.498 --> 30:14.181 He's a famous person. 30:14.221 --> 30:15.503 He's excited about the music. 30:16.693 --> 30:21.075 A tiny child, as if he's never seen a film before, even though he's one of Hollywood's most successful producers. 30:21.275 --> 30:22.376 Have you got Brian on the line? 30:22.416 --> 30:22.996 Hello, Brian. 30:23.416 --> 30:24.096 Oh, hello there. 30:24.136 --> 30:24.597 How are you doing? 30:24.697 --> 30:25.117 Very well. 30:25.157 --> 30:25.837 How are you doing? 30:25.857 --> 30:27.038 Uh, not too bad, thanks. 30:27.058 --> 30:29.119 What an appalling day it is today, isn't it? 30:29.519 --> 30:30.539 Yeah, pretty nasty, yeah. 30:30.759 --> 30:32.100 Absolute rubbish. 30:32.440 --> 30:32.740 Yeah. 30:33.321 --> 30:36.502 Um, so, anyway, you know, it's good to talk about the weather and stuff. 30:36.862 --> 30:37.102 Yeah. 30:37.262 --> 30:40.024 But, uh, what do you think, uh, that is from? 30:40.044 --> 30:43.565 Uh, I thought it was from Fahrenheit 9-11, actually. 30:43.865 --> 30:44.826 And what makes you think that? 30:45.610 --> 30:47.631 Er, well, the second part that you played. 30:48.531 --> 30:51.172 OK, the bit where he is... I was talking about the President. 30:51.472 --> 30:52.393 Yeah, yeah, yeah. 30:53.073 --> 30:56.134 And so, who do you think that could be, the producer of Fahrenheit 9-11? 30:56.194 --> 30:58.215 I think it could be Michael Moore, yeah, yeah. 30:58.595 --> 31:05.758 Michael Moore, just, er, he's made a very political film and then on the commentary he goes, boom, ba-boom, here comes the music! 31:06.298 --> 31:07.899 Do you think that's likely, Brian? 31:08.219 --> 31:08.539 Come on! 31:10.582 --> 31:11.762 It's not likely, is it? 31:11.822 --> 31:12.422 I'm Michael Moore. 31:12.463 --> 31:17.464 He'd be ranting on his commentaries, not just going, but could the provident... I know, that's fairly true. 31:17.504 --> 31:18.544 The second one is feasible. 31:18.924 --> 31:19.864 Yeah, that's right. 31:19.924 --> 31:24.785 He'd be saying, on December 25th, the president of the... It's stuff like that. 31:24.985 --> 31:25.365 Yeah. 31:25.925 --> 31:28.566 Brian, thanks so much for calling now, but you're wrong. 31:28.766 --> 31:29.526 Sorry, Brian. 31:29.566 --> 31:30.526 Thanks a lot for your call. 31:30.927 --> 31:32.547 Now we've got John on the line. 31:33.325 --> 31:33.945 Hello, John. 31:34.365 --> 31:34.645 Hi. 31:35.146 --> 31:36.246 Hello, how are you? 31:36.266 --> 31:37.566 Very well, thank you. 31:37.846 --> 31:40.507 Are you a robot or are you calling on a mobile phone? 31:40.807 --> 31:42.348 No, I'm sorry, I am calling on a mobile. 31:42.648 --> 31:44.048 Okay, you sound like a robot. 31:44.148 --> 31:46.049 I'm going to imagine that you are a robot. 31:46.289 --> 31:48.470 Robots aren't allowed on the competition. 31:48.610 --> 31:48.970 Yeah. 31:49.050 --> 31:51.070 Because they know everything and they've got powers. 31:51.250 --> 31:53.131 And you're going to rebel against humanity soon. 31:53.171 --> 31:54.271 Like an iRobot. 31:54.491 --> 31:55.412 I haven't seen iRobot. 31:55.452 --> 31:56.912 Yeah, good thing too, it's rubbish. 31:57.672 --> 31:59.393 John, John, hello, are you still there? 32:00.274 --> 32:02.957 Yeah, still here, yeah. 32:02.997 --> 32:05.461 What film do you think that commentary is from, John? 32:05.641 --> 32:06.983 I think it's A Day After Tomorrow. 32:07.323 --> 32:08.284 What makes you think that? 32:09.145 --> 32:11.909 Because I saw the film on a recent trip to Los Angeles. 32:12.570 --> 32:13.531 Right, ooh. 32:14.052 --> 32:17.016 And did you, have you listened to the commentary? 32:18.055 --> 32:21.838 The second part of the commentary talks about the people in the North and I remember that scene from the film. 32:21.938 --> 32:24.400 So you've actually, oh yeah, yeah, yeah, yeah. 32:24.740 --> 32:25.981 Well John, you're correct. 32:26.322 --> 32:27.563 Absolutely right, John. 32:27.623 --> 32:28.083 Well done. 32:28.223 --> 32:39.432 It is a producer called Mark Gordon who produced The Day After Tomorrow and he also made The League of Extraordinary Gentlemen, The Patriot, Saving Private Ryan, Speed 2 and Speed. 32:39.492 --> 32:41.654 I'm looking forward to his commentary for Saving Private Ryan. 32:42.074 --> 32:44.836 Look at all the guys, running up the beach. 32:45.137 --> 32:45.877 Bang, bang, bang. 32:45.897 --> 32:46.918 Ooh, they've been shot. 32:47.198 --> 32:49.040 Ooh, my arm's fallen off. 32:49.460 --> 32:50.140 That kind of thing. 32:50.341 --> 32:51.461 Do you think, John? 32:51.561 --> 32:51.862 Hello? 32:51.882 --> 32:52.742 Hello. 32:54.143 --> 32:55.845 You're just tolerating this programme, aren't you? 32:56.745 --> 32:58.427 John, listen, thanks a lot for calling in. 32:58.567 --> 33:03.971 You were absolutely correct, and your prize, a copy of Monster, is winging its way to you. 33:03.991 --> 33:05.032 Have you seen Monster, John? 33:05.832 --> 33:06.253 I haven't, no. 33:06.806 --> 33:07.567 Well, there you go. 33:07.607 --> 33:08.207 Now you can. 33:08.227 --> 33:09.549 Fantastic, thank you. 33:09.569 --> 33:10.209 Thank you. 33:10.289 --> 33:12.151 And now imagine what the commentary on that is like. 33:12.231 --> 33:16.295 I would like to hear his... Can you imagine? 33:16.756 --> 33:18.978 Now she's gonna kill somebody. 33:19.298 --> 33:21.620 Her face has been dramatically transformed. 33:23.162 --> 33:25.124 So was that a successful competition? 33:25.144 --> 33:27.086 Yeah, two successful competitions. 33:27.526 --> 33:30.407 I've got some very good ones for the next couple of weeks as well. 33:30.967 --> 33:31.327 Oh, man. 33:31.367 --> 33:35.608 I'm controlling my DVD collection and I've found some idiotic behaviour on commentaries. 33:35.888 --> 33:36.708 That is a great one. 33:37.568 --> 33:38.968 Listeners could suggest stuff, couldn't they? 33:39.028 --> 33:52.231 If you've listened to a DVD commentary and you've heard a particularly annoying or strange bit of behaviour by somebody, then do email us, adamandjoe at xfm.co.uk or text us 83xfm and maybe we could use it in future weeks. 33:52.271 --> 33:54.431 Then you can ring in, get it right, get the competition. 33:54.731 --> 33:55.452 Bish bash bosh. 33:55.852 --> 33:57.012 Yeah, sweet as. 34:00.703 --> 34:08.628 Due to phenomenal public demand, news are now playing two nights at Earl's Court on Sunday 19th and Monday 20th of December. 34:09.288 --> 34:16.052 This follows the success of their platinum-selling album Absolution and stunning Glastonbury headline performance. 34:16.913 --> 34:24.997 Tickets are available from the XFM Exchange on 08712221049 or online at xfm.co.uk, XFM's London. 34:25.598 --> 34:27.259 Thanks Lenny, it says at the bottom. 34:28.871 --> 34:29.691 Is that okay? 34:30.111 --> 34:30.631 There you go. 34:30.732 --> 34:31.712 We have to read that out. 34:31.812 --> 34:35.793 Two nights at Earl's Court, 19th and 20th of December for Muse. 34:36.013 --> 34:36.853 That's my birthday. 34:36.873 --> 34:38.374 20th of December, that's my birthday. 34:38.574 --> 34:39.614 Why don't you go along, man? 34:39.774 --> 34:41.054 Because I want to have a good day. 34:42.215 --> 34:45.256 I must say that song was a bit depressing for such a rainy day. 34:45.276 --> 34:49.377 Yeah, but if you're 12, you know, and the world seems a bad place. 34:50.017 --> 34:50.197 Yeah. 34:51.227 --> 34:53.252 That was a little bit of music there for the muse announcement. 34:53.272 --> 34:54.274 I'm going to fade that out now. 34:54.995 --> 34:58.864 Thanks for everybody who texted in to say that the hedgehogs sing King of the Road in that. 34:58.884 --> 34:59.345 That's right. 35:00.239 --> 35:06.622 We've got an amazingly responsive audience out there, Adam and Joe listeners. 35:06.842 --> 35:11.784 And the razor light, the number at the end of the razor light song, he gives out a mobile phone number. 35:11.804 --> 35:18.127 Apparently if you call it, you just hear the song, or it says, the mailbox you have called is full. 35:18.448 --> 35:21.489 But apparently they've done that on Christian O'Connell's breakfast show. 35:22.690 --> 35:25.691 So we've got to go deeper, we've got to think of, you know, cleverer things 35:25.731 --> 35:26.372 Do you know what? 35:26.752 --> 35:30.095 I wanted to make a request from our responsive listeners. 35:30.935 --> 35:32.937 And this is a sincere request. 35:33.197 --> 35:36.780 I want you to send me school magazines. 35:37.901 --> 35:40.784 Any school mags that you've got lying around. 35:41.264 --> 35:43.326 If you're still at school, that would be great. 35:43.386 --> 35:45.608 If you've got some old ones, fantastic. 35:46.329 --> 35:47.950 And any particular reason? 35:48.330 --> 35:52.334 Well, I've got an idea that I will sort of tell you if I ever get any. 35:52.854 --> 35:53.134 Right. 35:53.274 --> 35:57.376 But I was looking through some old school mags basically the other day and they were really funny. 35:57.396 --> 35:59.177 They were making me laugh out loud. 35:59.417 --> 35:59.777 Yeah. 36:00.077 --> 36:02.739 And I looked at someone else's as well and they were pretty funny. 36:02.759 --> 36:04.279 There's always just good stuff in there. 36:04.359 --> 36:06.580 I was looking at one, coincidentally enough. 36:06.700 --> 36:06.941 Yeah. 36:07.001 --> 36:08.001 Greycoats school. 36:08.261 --> 36:09.622 Everyone out there goes to Greycoats. 36:09.682 --> 36:11.643 I was looking at the new edition of the coat rack. 36:12.123 --> 36:12.683 Is that what it's called? 36:12.703 --> 36:13.884 Which is the Greycoats's. 36:14.164 --> 36:18.406 Because there's official school magazines and then there's sort of indie ones that are done by the pupils, right? 36:18.746 --> 36:19.887 Oh, I didn't even know that. 36:20.167 --> 36:22.789 Yeah, well, we used to have them at our school, yeah. 36:23.049 --> 36:25.251 Oh, well, there were some horrible ones at our school, yeah. 36:25.271 --> 36:25.611 Yeah. 36:26.011 --> 36:34.097 Well, Graycoats school has one called the coat rack, I was listening to it, and it's just got pages and pages of newspaper articles about politics. 36:34.497 --> 36:41.861 Wow, yeah the ones that we had at our school were all stuff like Adam Buxton and Joe Cornish are weeds and we should beat them up. 36:42.201 --> 36:43.722 Weeds, they were the nice ones. 36:44.463 --> 36:50.306 I tell you the other thing that's really good in school mags are the sort of letters and poems and essays pages. 36:51.046 --> 36:52.927 Yeah exactly, the creative writing section. 36:52.947 --> 36:54.929 The creative writing, they are amazing. 36:55.049 --> 36:57.390 There's one in, no I can't really talk about that. 36:57.410 --> 37:00.272 Well I'm going to bring in a mag next week that 37:01.572 --> 37:22.264 just fantastic from my school and my sister's school and it's got some really good poems like properly good really but funny but written by about ten-year-olds and nine-year-olds right and some of them are just genius did you ever get anything in school in a school magazine yeah I've got a few pictures in well maybe next week we'll bring in our poem because I got a couple of things I got I wrote an ask about Venice 37:23.164 --> 37:24.385 I remember that. 37:24.425 --> 37:32.811 And the first line, the first time I'd been to Venice, I wrote a little essay about my impressions on Venice, and I was quite a haughty little boy. 37:32.911 --> 37:33.232 No. 37:33.432 --> 37:40.997 And yeah, believe it or not, and the first line of my essay was, even I was amazed at the beauty of Venice. 37:41.177 --> 37:42.038 Even Joe Cornyn. 37:42.138 --> 37:42.839 Even I. 37:46.595 --> 38:02.479 So listen, if you've got school mags that you can afford to send in, uh, then please send them to Adam Buxton and Joe Cornish, Adam and Joe, uh, at XFM and the address is... I'm just getting it now. 38:03.200 --> 38:08.481 The address is XFM number 30 Leicester Square WC2H 7CA. 38:12.768 --> 38:21.840 No, 7LA looked like a C. So the postcode is WC2H7LA and it's number 30 Leicester Square, XFM. 38:22.401 --> 38:25.105 That's where you can come as well if you want to mob us. 38:25.485 --> 38:27.668 Yeah, if you want to get autographs or... 38:27.808 --> 38:35.053 Yeah, come on, no one ever... If you're a successful DJ, you're supposed to have little fans outside the door and you never have anybody. 38:35.073 --> 38:36.273 Successful being the operative word. 38:36.293 --> 38:42.758 Well, I'm just trying to engineer the accoutrements of success by encouraging people to come and meet us outside the studio. 38:43.038 --> 38:46.500 You be warned, we will just go, yeah, sign things and then walk off. 38:47.000 --> 38:48.241 But it'll make us feel good. 38:48.541 --> 38:51.743 Hey, I got recognised the other day, it made my day. 38:51.763 --> 38:55.646 I was in HMV Hotel, some big redwood shop, 38:56.566 --> 39:02.752 and the guy behind the counter sort of blushed and recognized me and shook my hand. 39:03.073 --> 39:04.954 It just made me so happy, I can't tell you. 39:05.255 --> 39:10.160 So I was kind of floating on a high and as I was leaving the shop someone said, Hey Adam! 39:11.369 --> 39:14.291 and so I sort of thought, recognise again. 39:15.191 --> 39:23.877 So I kind of, you know, didn't even look and just sort of waved and then went off and then I got a text about five minutes later from a friend of mine saying, why did you ignore me? 39:24.217 --> 39:26.418 Easily done when you're actually not very famous. 39:26.438 --> 39:26.618 Yeah. 39:26.638 --> 39:27.459 Where you think you are. 39:27.679 --> 39:28.139 Exactly. 39:28.239 --> 39:32.022 So, it's exciting news for Westlife fans. 39:32.342 --> 39:32.542 Why? 39:32.662 --> 39:35.544 They've released an album of Sinatra covers, do you know what it's called? 39:36.304 --> 39:37.825 You mentioned this last week, didn't you? 39:37.845 --> 39:38.025 Did I? 39:38.165 --> 39:38.906 I think so, yeah. 39:38.926 --> 39:39.586 Go on, what's it called? 39:39.606 --> 39:40.587 Did you mention this already? 39:40.887 --> 39:43.229 I don't think you spoke about it very much, but you mentioned it. 39:43.469 --> 39:47.292 Westlife's new album of Sinatra covers is called Allow Us To Be Frank. 39:47.452 --> 39:48.072 Yeah, brilliant. 39:49.113 --> 39:53.776 Which begs the idea for Blue to do a cover album called Permit Us To Be Gay. 39:55.714 --> 39:57.175 You can't- Marvin Gaye covers? 39:57.396 --> 39:58.316 Oh, okay, yeah, that's good. 39:58.336 --> 39:59.217 Permit us to be gay. 39:59.237 --> 40:01.399 I didn't, uh, yeah. 40:01.820 --> 40:02.921 I couldn't think of any others. 40:04.082 --> 40:08.866 I was working on Blazin' Squad, what would their, um, permit us to be crap? 40:09.707 --> 40:11.249 Well, there's no artists called crap, Adam. 40:11.289 --> 40:13.371 I swear you've let the joke down. 40:13.391 --> 40:13.611 Sorry. 40:14.275 --> 40:15.675 I haven't, er, I didn't think it through. 40:15.695 --> 40:17.716 Come on, but this has to be gay, he's good. 40:17.736 --> 40:17.996 Isn't it? 40:18.016 --> 40:18.656 That is very good. 40:18.696 --> 40:21.017 Let's think of some more while, er, when we play another song. 40:21.177 --> 40:22.577 We've got Ditty's in the Dark coming up. 40:22.997 --> 40:26.598 In the next ten minutes, Joe and I will be battling it out for Who Gets to Play. 40:26.618 --> 40:26.918 Will we? 40:27.118 --> 40:27.538 So soon? 40:27.558 --> 40:28.438 The last song. 40:28.758 --> 40:31.799 Yeah, man, it's already twenty-two, well, twenty-five to, er, three. 40:32.499 --> 40:34.980 Who Gets to Play, the last song of the show. 40:35.160 --> 40:37.340 We're gonna be, er, arguing about that shortly. 40:37.500 --> 40:39.941 And then, of course, you've got Justin Lee Collins coming up! 40:39.961 --> 40:40.321 Hello, mate! 40:40.361 --> 40:40.741 How you doing? 40:40.761 --> 40:41.181 He's mad! 40:41.341 --> 40:41.741 How you doing? 40:41.762 --> 40:42.142 He's mad! 40:42.382 --> 40:43.602 Ooh, I can't believe it! 40:45.768 --> 40:48.029 That's Ed Harcourt, born in the 70s. 40:48.130 --> 40:50.111 That's a new single from him. 40:50.131 --> 40:51.652 That's fantastic. 40:51.692 --> 40:52.372 Very enjoyable. 40:52.432 --> 40:56.415 I saw Ed Harcourt the other day at an Ante Bush benefit gig. 40:56.595 --> 40:57.576 Right, right. 40:58.256 --> 40:58.957 It was a good gig. 40:58.997 --> 41:02.579 Stuart Lee was doing a bit of stand up there and Robin Hitchcock was singing. 41:02.939 --> 41:07.843 And Ed Harcourt was fantastic, came on, did a version of a song called Political Science by Randy Newman. 41:08.823 --> 41:12.586 Anyway, that's a little... If you're watching, uh, what is this called? 41:12.626 --> 41:14.888 Young Sherlock Holmes and the Pyramids of Fear? 41:15.848 --> 41:16.649 Something like that. 41:16.669 --> 41:21.533 Lots of people are texting in to say that they think I look like, uh, Sherlock Holmes. 41:22.013 --> 41:22.633 Young Sherlock. 41:22.753 --> 41:23.474 Young Sherlock. 41:23.494 --> 41:23.914 A little bit. 41:24.094 --> 41:25.976 Yeah, handsome, handsome, handsome man. 41:26.176 --> 41:28.838 And Young Sherlock's sidekick looks exactly like Harry Potter. 41:28.918 --> 41:29.158 Really? 41:29.178 --> 41:30.259 He looks a bit like you, Adam. 41:30.399 --> 41:31.059 Thanks very much. 41:31.480 --> 41:31.660 Yeah. 41:32.821 --> 41:34.303 You auditioned for that film, didn't you? 41:34.363 --> 41:34.643 I did. 41:34.663 --> 41:41.332 I auditioned for Young Sherlock Holmes and the Pyramid of Fear like every posh boy did back in 1980, whenever it was. 41:41.412 --> 41:43.034 Yeah, they were scouting amongst the posh. 41:43.154 --> 41:45.677 Yeah, and I didn't get it, but you know what? 41:45.697 --> 41:50.403 I then went to my hairdressers and lied that I'd got it, so the person cutting my hair... 41:50.803 --> 41:51.644 Why did you do that? 41:51.684 --> 41:53.745 Because I just so badly wanted it. 41:53.825 --> 42:03.191 I at least wanted to talk as if I... Because when you think you're going to get something like that, when you're a kid, you just imagine boasting about it. 42:03.231 --> 42:05.333 That's the main thing, is going to be boasting about it. 42:05.353 --> 42:09.555 So I thought, well, if they're not going to give it to me, at least I'll just boast about it by lying. 42:09.796 --> 42:12.517 You retired into a kind of fantasy world. 42:12.557 --> 42:12.637 Yeah. 42:12.697 --> 42:19.342 I told them I'd got the role as the villain, who I guessed would be Moriarty, even, from the classic Sherlock Holmes books, even though it isn't. 42:19.682 --> 42:21.223 How did you feel after you'd lied? 42:21.584 --> 42:24.846 Well, I still, it's a black part of my past. 42:25.127 --> 42:25.407 Yeah. 42:25.787 --> 42:30.952 It's one of those moments from my youth that, you know, I'd like to go back and change, even though I doubt it. 42:31.852 --> 42:35.095 The hairdresser didn't give a flying monkey the box. 42:35.115 --> 42:35.275 Yeah. 42:36.076 --> 42:36.496 Wow. 42:36.757 --> 42:37.117 Yeah. 42:37.758 --> 42:39.719 Anyway, so is it time for Diddies in the Dock? 42:39.739 --> 42:40.320 Certainly is. 42:45.126 --> 42:47.768 OK, now your theory is that whoever goes first wins. 42:47.868 --> 42:48.149 Yeah. 42:48.829 --> 42:50.050 Well, hmm. 42:50.531 --> 42:52.152 Can I go first this week, please? 42:52.332 --> 42:53.213 Well, then you win! 42:53.433 --> 43:01.120 No, because your theory's wrong, because I went first a couple of times and I lost... All right, we're not going to take any calls until both songs have been announced. 43:01.801 --> 43:04.223 Don't dial until both songs have been announced. 43:04.543 --> 43:06.765 Then that will get the glitch, deal with the glitch. 43:07.365 --> 43:10.968 OK, now, we're doing a couple of proper songs this week, i.e. 43:11.129 --> 43:12.610 not novelty songs, is that right? 43:12.850 --> 43:19.275 Yeah, and the idea of Digits in the Dock, if you're a new listener, is Adam and I have one free play per show, you get to choose what it is. 43:19.356 --> 43:24.039 Adam pitches a song, I pitch a song, you call in, vote for which one you want, best of five wins. 43:24.480 --> 43:33.948 So I'm going for some Beach Boys today, because it's horrible and disgusting out there, and depressing, and I thought this might bring a bit of sunshine into people's rainy worlds. 43:34.568 --> 43:37.471 It's a classic track from the Beach Boys that doesn't get played 43:38.031 --> 43:46.135 Uh, that often, people usually play, like, I Get Around, or, uh, California Dreaming, or, um, you know, the other famous one. 43:47.075 --> 43:47.715 Which I can't remember. 43:47.735 --> 43:48.656 Good vibrations, there you go. 43:48.956 --> 43:51.577 This is Help Me Ronda, that I want you to vote for, though. 43:52.077 --> 43:54.798 Help me, Rhonda, help, help me, Rhonda. 43:54.998 --> 43:56.539 And you've got to sing your one as well, Joe. 43:57.119 --> 43:58.640 Bow, bow, bow, bow. 43:59.220 --> 44:01.401 Help me, Rhonda, help me. 44:01.581 --> 44:03.582 I wish you could see the look on Joe's face. 44:04.292 --> 44:07.493 It's the look that says, you're not cool. 44:08.093 --> 44:09.173 Nothing about you is cool. 44:09.333 --> 44:10.214 You look like a jerk. 44:10.474 --> 44:12.634 But I don't care, because it's a good song. 44:12.854 --> 44:16.375 It's one of the best by the Beach Boys, in my opinion. 44:16.856 --> 44:18.796 So vote for Help Me Ronda by the Beach Boys. 44:18.816 --> 44:19.556 What have you got, Joe? 44:19.996 --> 44:23.678 I've got a single by Corner Shop featuring Bubbly Quar. 44:24.178 --> 44:26.938 And I thought this was going to be a massive hit when I first heard it. 44:27.279 --> 44:29.179 It's a lovely bouncy bangra track. 44:30.679 --> 44:32.080 And it sort of vanished. 44:32.740 --> 44:33.400 When did it come out? 44:34.501 --> 44:35.721 About four months ago. 44:35.981 --> 44:36.701 Which one is this? 44:38.562 --> 44:39.342 What's the name of the song? 44:39.462 --> 44:40.602 It's called Top Knot. 44:40.962 --> 44:42.643 That's off their first album, isn't it? 44:42.883 --> 44:43.463 Are you sure? 44:43.883 --> 44:44.303 No. 44:44.323 --> 44:47.424 I bought it as a single quite recently. 44:47.444 --> 44:48.244 We're not sure about that. 44:48.264 --> 44:49.165 Can you sing a little bit? 44:49.325 --> 44:52.966 Yeah, but I'm talking about... Yeah, but sod that, you won't... 45:00.908 --> 45:02.909 Bow bow bow bow. 45:02.949 --> 45:05.351 They need to play both at once, they might mix well. 45:05.371 --> 45:05.571 0-8-7-1-2-2-2-1-0-4-9. 45:05.591 --> 45:06.592 0-8-7-1-2-2-2-1-0-4-9 will take the best of five. 45:06.612 --> 45:08.013 Between the Beach Boys and Corner Shop! 45:16.989 --> 45:39.024 the Zutons and it's called don't ever think too much this is Adam and Joe on XFM and we've got we're gonna be resolving ditties in the dock very shortly should we do it now in fact yeah I'm supposed to play out with our ditty in the dock though we still got 10 minutes to go well now I think we should play it and then and then just talk a little bit until Justin turns up okay 45:39.684 --> 45:40.625 round with his massive wet beard and his hair. 45:40.645 --> 45:41.726 Steve- That's alright, he's probably here already. 45:41.746 --> 45:42.627 He usually turns up early. 45:42.647 --> 45:43.248 He's so keen. 45:43.668 --> 45:47.572 I saw him on, um, what's it called, Nation 217 last night on Flipside. 45:47.592 --> 45:47.872 Steve- Yeah. 45:48.093 --> 45:51.296 Ricky- He was hosting Flipside, and it was- I just- there was just shouting. 45:51.496 --> 45:53.058 People just shouting for about half an hour. 45:53.078 --> 45:53.879 Steve- Yeah, that's a good sign for ya. 45:53.899 --> 45:57.783 Ricky- With Justin bouncing around, I thought he was gonna have a massive heart attack and fall over, but he didn't. 45:58.463 --> 45:59.825 Let's have the digits and adopt music. 46:01.967 --> 46:07.651 It is Dig it in the Dark, the segment of the show where you choose which song we get to play in our free play. 46:08.051 --> 46:11.813 This week it is the Beach Boys versus Corner Shop. 46:12.133 --> 46:13.434 Which song from the Beach Boys, Adam? 46:13.634 --> 46:14.335 Help Me Ronda. 46:14.495 --> 46:16.096 Help, help me Ronda. 46:16.556 --> 46:19.158 Help me Ronda, help, help me Ronda. 46:19.358 --> 46:25.642 And from Corner Shop it's Top Knot, featuring Bubbly Quar, which is a fantastic song. 46:25.862 --> 46:26.422 Give us a blast. 46:27.102 --> 46:29.224 Anyway, you know, you get the sort of thing. 46:31.985 --> 46:34.127 So, we've got Spike on Line 1. 46:34.187 --> 46:34.887 Is that Spike? 46:35.288 --> 46:36.288 Does that say Spike? 46:36.628 --> 46:37.149 Hello, Spike. 46:37.169 --> 46:37.649 How you doing? 46:38.189 --> 46:38.670 I'm not too bad. 46:38.690 --> 46:39.130 How are you? 46:39.170 --> 46:40.551 Do you work in Chiselhurst Caves? 46:41.672 --> 46:42.012 Sorry? 46:42.112 --> 46:44.053 Do you work in Chiselhurst Caves? 46:44.734 --> 46:45.674 No, no, no. 46:45.714 --> 46:47.535 I'm just working in a closed room at the moment. 46:48.116 --> 46:49.357 In a closed room? 46:50.157 --> 46:51.238 Are you a serial killer? 46:52.651 --> 46:53.731 I'd like to, mate. 46:53.771 --> 46:54.892 Would you? 46:54.932 --> 46:55.712 Well done, Spike. 46:56.032 --> 46:56.592 No, no, no, no. 46:56.692 --> 46:57.992 Listen, Spike, what are you voting for? 46:58.012 --> 47:00.033 Is it going to be the Beach Boys or is it Corner Shop? 47:00.713 --> 47:01.853 It's got to be Corner Shop. 47:02.533 --> 47:03.453 Good one, Spike. 47:03.553 --> 47:04.094 Thank you, Spike. 47:04.114 --> 47:04.374 Thank you. 47:04.394 --> 47:04.674 Well done. 47:04.714 --> 47:05.114 Well done. 47:05.154 --> 47:05.974 What does it call, Spike? 47:06.674 --> 47:08.454 You know, the Beach Boys, they're successful. 47:08.635 --> 47:09.775 They're hugely successful. 47:09.795 --> 47:11.115 Corner Shop, they need your support. 47:11.215 --> 47:13.075 Is that your mobile phone going off, Adam Buxton? 47:13.176 --> 47:13.656 Yeah, it is. 47:13.716 --> 47:14.816 That's terrible. 47:15.876 --> 47:17.176 Okay, Marcus. 47:17.837 --> 47:18.997 Marcus, are you on the line? 47:19.037 --> 47:19.637 Hello, Marcus. 47:21.175 --> 47:22.235 Marcus, speak to us, Marcus. 47:22.255 --> 47:23.796 Are you there? 47:23.896 --> 47:24.616 Oh, he's hung up. 47:24.776 --> 47:25.477 Has he hung up? 47:25.977 --> 47:27.397 No, hello, Marcus. 47:27.678 --> 47:29.478 Hello, is he there? 47:29.518 --> 47:31.239 Hey, good to speak to you, Marcus. 47:31.259 --> 47:35.200 How are you doing today? 47:35.861 --> 47:36.321 South End. 47:36.381 --> 47:38.302 Is South End as miserable as London is today? 47:38.322 --> 47:42.043 Man, London is horrible. 47:42.143 --> 47:43.264 It's grey and dark. 47:47.356 --> 47:48.117 Oh good. 47:48.437 --> 47:49.978 Have you thought of any other albums? 47:49.998 --> 47:51.919 We came up with a few of our own. 47:52.419 --> 47:55.181 Rolling Stones do Neil Young called Can We Be Young. 47:55.681 --> 47:56.121 Excellent. 47:56.161 --> 47:57.242 Very good. 47:57.522 --> 48:00.263 Boy George does Joe Stremer called Can I Clash. 48:01.044 --> 48:02.405 Hey, I like it. 48:02.665 --> 48:03.925 Are there more? 48:04.046 --> 48:06.387 Beastie Boys do Barry White, Can We Be White. 48:06.917 --> 48:08.058 Nice. 48:08.098 --> 48:09.259 Man, he's got the gist of it. 48:09.319 --> 48:11.601 Well, they could do Frank Black, they could do Cameron B. Black. 48:12.062 --> 48:13.083 White took all the credit. 48:13.103 --> 48:13.683 She thought of him. 48:14.064 --> 48:14.444 Very good. 48:14.464 --> 48:14.964 Well done, wife. 48:14.984 --> 48:17.026 You've married a very intelligent and clever woman. 48:17.066 --> 48:17.867 Adam Buxton! 48:20.009 --> 48:21.450 So Marcus, what are you voting for? 48:21.510 --> 48:22.852 Corner Shop or Beach Boys? 48:22.872 --> 48:23.292 No question. 48:23.332 --> 48:23.793 No question. 48:23.833 --> 48:24.813 It's got to be the Beach Boys. 48:24.874 --> 48:27.616 And I know you got to go first with that, but I'm sorry, you know. 48:27.796 --> 48:30.138 Beach Boys over Corner Shop on a miserable day like today. 48:30.258 --> 48:30.659 Alright, man. 48:30.959 --> 48:31.539 Fair enough. 48:31.619 --> 48:32.280 Thank you, Marcus. 48:32.300 --> 48:32.860 Thanks for listening. 48:32.880 --> 48:33.480 Thanks for calling. 48:33.560 --> 48:35.741 Thanks for those excellent ideas. 48:35.961 --> 48:36.902 Let's go to Jesse. 48:37.062 --> 48:37.362 Jesse. 48:37.382 --> 48:38.383 So it's one all, isn't it? 48:38.403 --> 48:39.343 Corn Shoppers got one. 48:39.703 --> 48:40.684 Beach Boys have got one. 48:40.744 --> 48:41.384 Yeah. 48:41.424 --> 48:41.944 This is nice. 48:41.984 --> 48:45.946 We've got a little more time to... I think Jesse... It sounds like Jesse's just fallen over. 48:47.047 --> 48:47.407 Jesse? 48:47.427 --> 48:48.207 Yeah? 48:48.407 --> 48:49.048 Are you all right? 48:49.468 --> 48:49.808 Yeah. 48:49.868 --> 48:50.548 Yeah, I'm okay. 48:50.608 --> 48:51.769 What are you doing, Jesse? 48:51.789 --> 48:56.751 I was just unlocking the garage so I could switch the radio on. 48:56.831 --> 48:57.072 Yeah. 48:58.280 --> 48:59.360 what I'm going to vote for. 48:59.841 --> 49:01.701 Right, wow, that's a big garage. 49:02.041 --> 49:04.822 OK, Jesse, it's between Corner Shop and the Beach Boys. 49:04.862 --> 49:05.643 Which are you going to go for? 49:05.663 --> 49:07.063 It's got to be the Beach Boys. 49:07.783 --> 49:08.363 Oh, yes. 49:08.403 --> 49:08.984 What's happening? 49:09.064 --> 49:10.724 It's too much for the Beach Boys. 49:11.184 --> 49:15.646 So basically, Lila, you're writing, what letter is that? 49:15.726 --> 49:16.686 Is that Dan? 49:16.726 --> 49:17.346 Is that Dan? 49:17.787 --> 49:19.447 That's not a D. Hello, Dan. 49:19.947 --> 49:20.347 Hello. 49:20.628 --> 49:21.048 How are you? 49:21.068 --> 49:24.809 So, Dan, you realise you've got, don't tell us what it is, but you realise you've got the deciding vote here. 49:25.213 --> 49:27.299 The pressure's on, I feel like that serial killer. 49:27.519 --> 49:29.204 You've got enormous power. 49:29.304 --> 49:31.951 If it's the Beach Boys you're voting for, it's all over for Corner Shop. 49:31.991 --> 49:32.893 Which is it gonna be, Dan? 49:35.843 --> 49:36.803 The Cornish Shop! 49:36.824 --> 49:37.884 Joe Cornish Shop has been crushed! 49:37.904 --> 49:42.886 Joe Cornish Shop busted, and I did actually hear that track when I was loading it up and it sounded brilliant. 49:42.926 --> 49:44.987 I tell you what, I'll use it as my free play next week. 49:45.107 --> 49:45.887 Okay, good one. 49:46.027 --> 49:47.267 Top knot by Cornish Shop. 49:47.828 --> 49:51.949 Not voted for by sufficiently large numbers of people on Ditches in the Dock this week. 49:52.289 --> 49:58.432 Thank you very much everyone who called in, but we're going to play out this week with the Beach Boys and Help Me Rhonda. 49:58.452 --> 50:04.194 We'll be back in just one second to say goodbye, but first here's a bit of sunshine from the wonderful beaches. 50:06.719 --> 50:07.402 Come on! 50:08.729 --> 50:10.156 You can't beat the beach, boys! 50:11.317 --> 50:15.698 Hey, uh, I've mispronounced the, um, corner shop song. 50:16.399 --> 50:18.999 Uh, it's not qua or whatever I said, it's pronounced core. 50:19.420 --> 50:19.900 Core? 50:20.540 --> 50:20.780 Yeah. 50:20.820 --> 50:21.520 Who, the rapper? 50:21.680 --> 50:22.681 I don't know, Adam. 50:23.521 --> 50:28.282 I don't know what is pronounced core, but I'm just correcting something and I don't really know what I'm talking about. 50:28.722 --> 50:29.022 Okay. 50:29.082 --> 50:29.523 Okay? 50:29.703 --> 50:29.943 Good. 50:30.283 --> 50:32.964 Now don't forget, please send me your school mags. 50:33.684 --> 50:37.345 Uh, that address once again is 30 Leicester Square. 50:37.365 --> 50:40.026 And, uh, what was the end? 50:40.086 --> 50:40.286 Oh yeah. 50:40.646 --> 50:46.790 30, uh, XFM, 30 Leicester Square, WC2H7LA. 50:46.810 --> 50:48.391 Uh, to Adam and Joe. 50:48.411 --> 50:49.372 WC? 50:49.392 --> 50:51.633 He said WC. 50:51.693 --> 50:52.614 It's like a toilet. 50:52.694 --> 50:54.195 Oh my God, I can't believe it. 50:54.575 --> 50:55.656 Justin Lee Collins is coming up. 50:55.716 --> 50:56.816 He is very big in the room. 50:56.877 --> 50:58.357 Hello, how are you doing? 50:58.418 --> 50:59.598 Hello, how are you doing? 50:59.938 --> 51:00.859 He hasn't turned up yet. 51:00.879 --> 51:01.880 He can't be late. 51:01.920 --> 51:03.341 He's got his hair caught in the lift or something. 51:03.361 --> 51:04.581 He's probably exhausted. 51:04.621 --> 51:05.522 He's died of exhaustion. 51:05.542 --> 51:08.244 He's the hardest working man in show business. 51:08.764 --> 51:13.947 He, Alex Zane and Jimmy Carr are the hardest working men in show business. 51:14.188 --> 51:14.588 Really? 51:14.608 --> 51:14.808 Yeah. 51:15.028 --> 51:16.549 XFM DJs, they get around. 51:16.789 --> 51:17.129 Really? 51:17.370 --> 51:19.191 In fact, we're the only people that aren't on TV at the moment. 51:19.211 --> 51:20.191 Speak for yourself, mate. 51:20.331 --> 51:20.872 What are you on? 51:21.132 --> 51:21.692 Oh, everything. 51:22.473 --> 51:23.693 You're usually hiding behind things. 51:23.713 --> 51:24.714 Head jam you're on. 51:24.934 --> 51:25.895 Is that still going out? 51:26.195 --> 51:27.116 We'll see you next week. 51:27.316 --> 51:28.096 Thanks for listening. 51:28.116 --> 51:28.276 Bye. 51:28.296 --> 51:28.897 Thanks for listening. 51:28.937 --> 51:29.477 Lots of love. 51:29.517 --> 51:30.137 Bye.