WEBVTT 00:00.149 --> 00:02.812 ...towels as we go for a big naked man-shower. 00:03.113 --> 00:03.854 Man-shower what? 00:03.894 --> 00:04.394 No, sorry! 00:04.414 --> 00:06.076 I don't know what you mean. 00:06.096 --> 00:07.778 This is so complex. 00:07.818 --> 00:10.541 Could it possibly mean that I'm repressed in some way? 00:10.561 --> 00:11.703 No, no, no. 00:11.763 --> 00:13.084 Surely not men's bums. 00:13.144 --> 00:14.266 I'm sorry, buttocks. 00:14.466 --> 00:16.028 No, I'm sorry, I'm sorry. 00:16.048 --> 00:16.689 Men's muscles. 00:16.789 --> 00:17.870 Dirty men's muscles. 00:18.110 --> 00:34.717 and relax and relax the number is 0 8 7 1 triple 2 1 0 4 9 2 win tickets for darryl ran if you can tell what actor adam was being regressed into and what the films were he will stay in this regressed state until someone works out who he is help us cool help us help him please 00:47.688 --> 00:49.029 That's the choral we'd pass it on. 00:49.069 --> 00:50.130 This is Adam and Joe on XFM. 00:50.170 --> 00:52.972 Adam is in a state of celebrity regression. 00:53.032 --> 00:55.894 He's been regressed into the mind and films of a famous film star. 00:56.234 --> 00:57.355 We have Steph on the line. 00:57.655 --> 00:59.557 Steph, is it Steph or Stefan, we should be saying? 01:00.017 --> 01:00.678 Ah, Stefan, yeah. 01:00.858 --> 01:02.079 Stefan. 01:02.119 --> 01:02.539 Good afternoon. 01:02.559 --> 01:03.500 Thank you for calling, Stefan. 01:04.701 --> 01:08.083 Do you know what star Adam has been regressed into? 01:08.183 --> 01:12.286 If you'd like to... Well, when I say go, if you say the name, if you're right, Adam will come out of his regression. 01:12.326 --> 01:14.908 If you're wrong, he may stay in the mind of that actor forever. 01:16.769 --> 01:17.370 God forbid. 01:17.990 --> 01:19.271 Okay, ready Steph, say the name now. 01:20.092 --> 01:20.572 And it's great. 01:21.733 --> 01:23.355 Stephen, absolutely correct. 01:23.595 --> 01:24.515 That's extraordinary. 01:24.676 --> 01:25.796 How did you figure that one out? 01:27.117 --> 01:30.300 It was the Alien Thing and the Great Balls of Fire movie. 01:31.101 --> 01:31.761 That's correct. 01:31.801 --> 01:33.603 And it really popped there a long time ago, wasn't it? 01:34.123 --> 01:36.165 Well, he's making a comeback in The Day After Tomorrow. 01:36.185 --> 01:38.546 Alright, I'm not gonna say that. 01:38.566 --> 01:39.467 Oh, come on, Stephen. 01:40.388 --> 01:42.229 What kind of, what's the last film you saw, Stephen? 01:42.990 --> 01:43.891 The last film I saw. 01:44.091 --> 01:44.251 Yeah. 01:47.537 --> 01:49.018 I've got to be Return of the King on DVD. 01:49.318 --> 01:49.999 And how was that? 01:50.519 --> 01:53.902 Did you enjoy that or did you find that a disappointing wind up to the whole trilogy? 01:55.363 --> 01:57.285 Well, you know, the raising of the Shire was like that. 01:57.305 --> 02:06.612 I'm not sure if it's in the bits with all the extras, the DVD with all the extra scenes cut out, but it's a bit disappointing without the raising of the Shire. 02:07.133 --> 02:08.494 I'm really sorry about that, Stefan. 02:09.114 --> 02:12.157 We're going to try and sort that out for you and get the Shire raised in future. 02:12.177 --> 02:13.398 But listen, thanks a lot for phoning in. 02:13.418 --> 02:15.439 Hey Stefan, you've won tickets to Magic Man Darren Brown. 02:15.459 --> 02:17.121 Does that sound like the kind of thing you'll enjoy? 02:18.922 --> 02:19.642 Yeah, cool. 02:19.662 --> 02:20.503 What a great response. 02:20.523 --> 02:20.983 Thanks, man. 02:21.003 --> 02:21.864 Thank you so much. 02:22.264 --> 02:23.765 That's absolutely correctly guessed. 02:24.265 --> 02:26.066 Well, the three films, I got those. 02:26.687 --> 02:27.948 That was Enemy Mine, wasn't it? 02:28.148 --> 02:29.629 Enemy Mine, exactly right. 02:29.689 --> 02:30.849 Wolfgang Peterson film. 02:31.110 --> 02:32.631 Alien tolerance preaching movie. 02:32.751 --> 02:33.731 It's not bad, actually. 02:34.192 --> 02:35.312 It's a bit of a classic. 02:35.372 --> 02:36.153 Great Balls of Fire. 02:36.633 --> 02:37.733 We bought all the facts! 02:37.753 --> 02:38.114 Let me pap! 02:38.134 --> 02:38.834 I've never seen that one. 02:39.114 --> 02:41.575 Neither have I. No, I've seen bits of it. 02:41.595 --> 02:43.575 Why are you getting all this slappy-pappy nonsense from me? 02:43.595 --> 02:44.115 I just made it up. 02:44.376 --> 02:50.798 But he gives one of the most ridiculous performances in cinema history in that film, so it's worth checking out. 02:50.818 --> 02:50.978 Says who? 02:50.998 --> 02:51.878 How do you know if you haven't seen it? 02:51.898 --> 02:52.638 I've seen bits of it. 02:52.718 --> 02:53.258 I've seen bits of it. 02:53.278 --> 02:54.579 Who plays his teenage bride? 02:54.599 --> 02:55.799 Winona Ryder. 02:57.420 --> 02:58.740 And the last one was Far From Heaven. 02:58.820 --> 03:00.101 Directed by Todd Haynes. 03:00.261 --> 03:02.762 About a repressed homosexual man in the 50s. 03:02.802 --> 03:02.922 Yes. 03:04.222 --> 03:05.743 You're listening to Adam and Joe. 03:05.983 --> 03:10.986 We are here for the next one hour on XFM and we'll be back right after this. 03:29.740 --> 03:30.320 Yeah. 03:30.340 --> 03:31.141 What is that, Adam? 03:31.321 --> 03:32.001 That's the Coldplay. 03:32.041 --> 03:32.261 Is it? 03:32.421 --> 03:32.721 Yeah. 03:33.141 --> 03:34.262 They're so hot right now. 03:34.282 --> 03:35.782 Oh my God. 03:35.802 --> 03:36.803 They're gonna be huge. 03:37.143 --> 03:37.843 I think they're- You think? 03:37.923 --> 03:38.203 Yes. 03:38.343 --> 03:39.504 I think they're gonna be enormous. 03:39.564 --> 03:41.024 And before that you heard the Strokes. 03:41.064 --> 03:42.285 They're so hot right now. 03:42.405 --> 03:43.765 Oh my God! 03:43.785 --> 03:44.085 The Strokes. 03:44.105 --> 03:44.825 Have you seen them? 03:45.206 --> 03:45.466 Yes. 03:45.606 --> 03:48.467 They come from New York City and they have funny hair. 03:48.827 --> 03:50.107 New York City is cool. 03:50.367 --> 03:50.708 Funny hair. 03:50.728 --> 03:52.508 Everywhere New York City is cool. 03:52.868 --> 03:55.129 They wear bad naughty clothes. 03:55.869 --> 03:56.670 What's that voice? 03:56.690 --> 03:57.510 I don't know. 03:58.150 --> 04:07.041 So, I don't know what you feel about this, listener, but I feel that cinemas are becoming ungrateful towards our custom. 04:08.062 --> 04:12.708 And the reason I'm saying that is, last weekend, I think I spoke about it before, but I went to see Harry Potter. 04:14.009 --> 04:22.351 And only in Leicester Square, they had speakers outside the cinema to marshal the, you know, large crowds. 04:22.731 --> 04:38.214 Fair enough, they were large crowds, but the speakers were going, if you've bought your ticket, please move towards the auditorium, move towards your seats, if you've seen the film, please exit the cinema, move out of the vicinity of the cinema, no please, no thank you, just like cattle. 04:38.354 --> 04:38.934 Cinny cattle. 04:39.174 --> 04:39.774 Cinny cattle. 04:39.854 --> 04:40.094 Then, 04:40.734 --> 04:45.956 When you go into a cinema now, and I think this is just view cinemas, they used to be called Warner, they're now views. 04:46.416 --> 04:48.536 There are all these warnings before the film. 04:48.576 --> 04:50.117 You didn't used to get them before film, did you? 04:50.137 --> 04:51.197 You just got them on videos. 04:51.717 --> 04:52.457 Copyright warnings. 04:52.477 --> 04:54.318 Now copyright warnings are before the feature. 04:54.838 --> 05:03.461 All about if you bring any sort of camera, mobile phone or video camera into this film and film it, you will be prosecuted and... 05:04.861 --> 05:14.386 prosecuted and put in prison and really, you know, yeah, they're not that awful, I suppose, but kind of tedious, pedantic, pedagogic, even, warnings. 05:14.926 --> 05:32.815 And then, when I saw Harry Potter, there was one that came up that said, warning, staff of the cinema have been supplied with infrared goggles, and they will be coming into the screening and checking you all during the screening that you're not filming this amazingly wicked film that's like visual gold. 05:33.015 --> 05:46.466 Maybe they were just trying to... And then they did, this geezer came in in the middle of quite an exciting moment with his stupid glasses on, arms folded, stood right in the middle of the audience and started looking us all up and down to check we weren't doing anything naughty. 05:46.526 --> 05:49.208 Magic goggles, it's Dumbledore's magic goggles. 05:49.528 --> 05:54.813 Well, he could have if he'd worn a wizard's hat and had some glitter on the glasses, then that would have made it different. 05:55.053 --> 05:55.653 But you know what? 05:55.733 --> 05:57.415 I thought sod you, cinema. 05:57.775 --> 06:02.078 I'm paying you money to come and see your film and you're treating me like some kind of irresponsible criminal. 06:02.819 --> 06:04.780 They're trying to battle against the wave of piracy. 06:04.800 --> 06:07.161 I know what they're doing, but I'm issuing a warning, Adam. 06:07.321 --> 06:07.621 Are you? 06:07.641 --> 06:10.182 Yeah, I'm saying- watch out, cinema. 06:10.463 --> 06:14.604 Because we, the audience, will boycott you if you don't treat us with a little bit of Reth-peck. 06:14.725 --> 06:15.465 Reth-peck. 06:15.925 --> 06:18.106 Where's the best kind of cinema to go with these teas? 06:18.126 --> 06:18.466 You know what? 06:18.486 --> 06:20.787 I haven't been to the cinema for years. 06:21.328 --> 06:21.968 Little kiddies, innit? 06:21.988 --> 06:22.648 Or years. 06:22.668 --> 06:24.849 Uh, what are you saying about little kiddies? 06:24.869 --> 06:26.230 I'm saying it's because you've got a little kiddie. 06:26.826 --> 06:27.526 Yeah, that's true. 06:27.586 --> 06:32.528 But it's also because I must say it's just a bit of a pain in the bottom. 06:32.648 --> 06:33.648 Well, I go regularly. 06:33.668 --> 06:34.509 Yeah. 06:34.729 --> 06:39.970 And I think the best cinemas in London... Ooh, it's a good question, isn't it? 06:40.691 --> 06:41.791 The best cinema in London. 06:41.831 --> 06:42.771 I'll come back to you on that. 06:42.871 --> 06:43.371 Yeah, yeah. 06:43.391 --> 06:44.572 Because I want to answer that correctly. 06:44.592 --> 06:48.233 Well, what about the electric in Notting Hill with the amazing seats? 06:48.253 --> 06:48.793 I haven't been there. 06:48.813 --> 06:49.453 Have you not? 06:49.513 --> 06:51.154 That's the place where you get to serve food and stuff. 06:51.354 --> 06:58.441 Yeah, it's one of those things that you hear about and people say, oh, you've got to go to the electric, it's wicked, it's got massive great seats you can eat and drink while you watch the film. 06:59.202 --> 07:01.584 And then you think, well, I think I might avoid it. 07:02.085 --> 07:05.588 But I ended up there one day and it was really good. 07:05.609 --> 07:06.630 It wasn't that full. 07:07.270 --> 07:13.594 It was, we went to see Minority Report there a while back and it was a nice place to see that quite boring film. 07:14.195 --> 07:21.500 And I was so comfortable, I got myself a big bottle of wine and some chips or something and just sat there. 07:21.620 --> 07:26.303 Did they come in with infrared glasses and check that you weren't sculpting the film out of chips? 07:26.763 --> 07:27.324 No, they didn't. 07:28.188 --> 07:28.568 Didn't they? 07:28.608 --> 07:34.272 They weren't checking, they weren't arranging like a frame and making it out of peas then selling it on the black market. 07:34.572 --> 07:36.373 I've got Minority Report out of peas. 07:36.853 --> 07:37.333 What about $5.99? 07:37.373 --> 07:43.637 Do you think they would be upset if you remembered the film and then did an amateur stage production of it? 07:43.657 --> 07:43.997 Probably. 07:44.017 --> 07:51.662 What if you came in with... I'm gonna go in with a big easel and a sketch pad and just be sketching frames from the scene and see if they bust me. 07:52.022 --> 07:52.863 That's a good idea. 07:52.883 --> 07:55.424 And then you could auction your work on the net. 07:55.524 --> 07:56.765 I could create a flick book. 07:57.105 --> 07:57.385 Yeah. 07:57.405 --> 07:57.946 Of the film. 07:58.586 --> 08:01.348 Well, you could take your mobile phone and just take little- we were talking about this, weren't we? 08:01.388 --> 08:04.630 Just take little frame grabs of the film, then sell pirate flick books. 08:05.131 --> 08:06.071 It's so much effort, though. 08:06.091 --> 08:15.738 I mean, in theory, you could go there with two digital cameras, and you could run little movies of them, like, alternately, as soon as the one thirty second chunk ran out, the other one would start up. 08:16.018 --> 08:19.000 Then you could edit them together on your computer. 08:20.621 --> 08:22.002 Hey, you'd be a freak though, wouldn't you? 08:22.062 --> 08:26.666 Yeah, but it would almost be worth it to get back at those idiots with their stupid infrared glasses. 08:26.726 --> 08:27.466 Yeah! 08:27.486 --> 08:30.849 We'll be right back after this from modest mouse. 08:30.869 --> 08:32.470 This is Adam and Joe on XFM. 08:46.701 --> 08:47.822 What do you know about them Adam? 08:47.862 --> 08:48.502 Modest Mouse? 08:48.822 --> 09:14.438 Yeah well I heard about Modest Mouse a long time ago when I was in LA and I went to some party and there were loads of college kids there and we'd just been to see Radiohead so everyone was buzzing about Radiohead and these kids were saying, hey man if you like Radiohead you better check out Modest Mouse, it's incredible, it's the most amazing indie album that I've heard all year and it's gonna rock your entire world. 09:14.798 --> 09:18.079 So I bought the Modest Mouse album and it failed to rock my entire world. 09:18.139 --> 09:19.079 It bored me to sleep. 09:19.520 --> 09:21.200 But this is their fifth album now. 09:21.220 --> 09:24.401 They're from Washington in the American states. 09:24.821 --> 09:26.742 And this album is called Issaquah. 09:27.702 --> 09:28.103 No, no, no. 09:28.123 --> 09:29.083 The place is called Issaquah. 09:29.103 --> 09:31.064 The album's called Good News for People Who Love Bad News. 09:31.084 --> 09:33.865 The single is taken from Issaquah. 09:33.885 --> 09:34.205 Yeah. 09:34.725 --> 09:34.925 What? 09:35.265 --> 09:36.826 Yeah, trust me man, I've read it. 09:37.146 --> 09:39.888 I quite liked it. 09:39.928 --> 09:40.909 Might investigate them further. 09:41.249 --> 09:59.182 So, sorry, before you start, further to my anger about people in cinemas, I had a very good email from somebody here, his name is Cory Doctorow, and I'm not sure this is him that's actually done this, but obviously I'm not the only person to be angered by these copyright warnings before films, and someone has a technique of taking a, when the warning comes up, 09:59.622 --> 10:02.684 that says you are not permitted to use any camera or recording equipment in this cinema. 10:02.704 --> 10:04.445 This will be treated as an attempt to breach copyright. 10:04.685 --> 10:07.527 Any person doing so can be ejected and such articles, blah, blah, blah, blah. 10:07.947 --> 10:12.189 This guy takes a flash photo of it and apparently he gets applause every time. 10:12.209 --> 10:16.752 The other thing to do would just be to lob popcorn at the guy in the infrared glasses. 10:16.772 --> 10:19.914 That's not, you see, that's the wrong kind of reaction. 10:19.974 --> 10:20.314 Why, why? 10:20.514 --> 10:22.456 It's not an intellectual reaction. 10:22.536 --> 10:24.377 Well, what's the intellectual reaction? 10:25.457 --> 10:29.698 You're watching a film, the way to get rid of this guy without disturbing anybody is to lob popcorn. 10:29.958 --> 10:44.342 Lobbing popcorn has for centuries been a cinema audiences method of communicating with other people in the audience, with the film if it's bad, and so why not at the ushers if they're staring us down with silly infrared glasses as if we're irresponsible children. 10:44.422 --> 10:46.682 It's the resort of the yob though, isn't it? 10:47.122 --> 10:48.863 Not popcorn because it doesn't really hurt. 10:49.483 --> 10:52.285 It makes them less, but you know, small price to pay. 10:52.365 --> 11:01.431 It starts with popcorn, then it'll be toffee popcorn which is heavier and maybe very hard, and then maybe wine gums, and then curly whirlies. 11:01.451 --> 11:03.233 Then whole tubs of coke. 11:03.353 --> 11:05.814 You know, then cornetto's which are very sharp ended. 11:05.834 --> 11:07.095 Well it may come to cornetto's. 11:07.155 --> 11:08.436 Any means necessary, Adam? 11:09.317 --> 11:10.638 Any means necessary. 11:10.658 --> 11:14.520 Now that's fighting talk, but I don't want to advocate popcorn throwing. 11:14.540 --> 11:15.101 What about skittles? 11:16.605 --> 11:18.846 No, not even Skittle, because they're small little bullets. 11:18.886 --> 11:20.387 They're like little rubber bullets. 11:20.447 --> 11:22.408 I wonder what most dangerous sweep to throw is. 11:23.108 --> 11:24.569 You reckon, Brian reckons Skittles. 11:25.909 --> 11:29.791 Yeah, a Skittle on the back of the head apparently is lethal. 11:29.811 --> 11:34.773 That would hurt, but I tell you what would not hurt is a flying saucer. 11:35.133 --> 11:36.454 That's true, it would fly very well. 11:36.474 --> 11:37.975 Unless it burst in your face and went in your eye. 11:37.995 --> 11:43.437 But if you got a Skittle lodged in your head, in your brain, it would unleash the rainbow inside your head. 11:44.318 --> 11:50.922 We can't tell people that now because people will try and push skittles into their brains and then we'll get fired. 11:51.762 --> 11:58.286 Hey, I'll tell you one thing cinema related is what is happening to taglines, yeah? 11:58.866 --> 12:01.167 Yes, now this is something Adam and I have been talking about. 12:01.207 --> 12:03.828 We reckon the art of cinema taglines is dying. 12:04.309 --> 12:06.410 Most famous tagline in history, what would you say it is, Joe? 12:06.843 --> 12:10.304 Well, probably just when you thought it was safe to go back in the water. 12:10.804 --> 12:14.306 Okay, number two would be in space no one can hear you scream. 12:14.326 --> 12:14.606 Yeah. 12:14.786 --> 12:15.106 Alien. 12:15.306 --> 12:15.906 Yeah. 12:16.026 --> 12:17.287 You'll believe a man can fly. 12:17.487 --> 12:18.047 Superman. 12:18.367 --> 12:24.089 I tell you, this, another good one from recent years, the Royal Tenenbaums, the film the Royal Tenenbaums had a very good one. 12:24.409 --> 12:26.150 Family isn't a word, it's a sentence. 12:26.710 --> 12:29.071 That's a good one, but it's not necessarily that memorable. 12:29.131 --> 12:31.212 One of my favorites, Cobra with Sylvester Stallone. 12:31.252 --> 12:31.452 Yeah. 12:31.692 --> 12:33.533 Crime is the disease, meet the cure. 12:34.790 --> 12:35.490 That's a good one. 12:35.530 --> 12:37.591 But you'd never remember that was for Cobra. 12:37.711 --> 12:39.371 Bill and Ted, Excellent Adventure. 12:39.771 --> 12:42.052 History's about to be rewritten by two guys who can't spell. 12:42.492 --> 12:42.752 Yeah. 12:42.772 --> 12:43.492 That's a good one. 12:44.712 --> 12:46.532 What was Wayne's World? 12:46.552 --> 12:49.453 Something about they came, they partied, they hurled or something. 12:49.633 --> 12:51.393 You'll laugh, you'll cry, you'll hurl. 12:51.494 --> 12:52.034 That's a good one. 12:52.214 --> 13:01.176 So we were looking through Time Out and we were checking all the film posters for taglines and only three of them out of every film that's released in London this week has a tagline. 13:01.976 --> 13:03.276 I don't have it on me stupidly 13:05.799 --> 13:09.200 But the Ladykillers has got kind of a boring tagline. 13:09.240 --> 13:10.060 They kill ladies. 13:10.140 --> 13:12.241 They were the perfect criminals. 13:12.321 --> 13:14.401 Now they've met their match or something. 13:16.302 --> 13:22.544 The only other two taglines on films in London are on a film called Since Otar Left. 13:23.684 --> 13:24.684 And this is an art film. 13:24.724 --> 13:30.126 And the tagline is, for a mother, a sister and a niece, nothing is the same. 13:31.958 --> 13:32.179 What? 13:32.199 --> 13:33.580 Someone rearranged their furniture? 13:33.600 --> 13:35.663 Have they fallen asleep on a bus? 13:36.684 --> 13:38.366 Almost anything could happen to it. 13:38.386 --> 13:40.989 And the only other one that's got a tagline is the new Harry Potter film. 13:41.069 --> 13:43.411 And that is very similar to the tagline for Since Otar Left. 13:43.672 --> 13:46.575 The tagline is, everything will change. 13:47.716 --> 13:48.918 Are they going on changing rooms? 13:49.977 --> 13:52.018 Well, no, it's a guarantee they can't get sued that way. 13:52.058 --> 13:52.578 They're covered. 13:52.738 --> 13:53.998 But the fact is nothing changes. 13:54.058 --> 13:56.279 It's still in flipping Hogwarts. 13:57.259 --> 13:59.380 All the silly staircases are still there. 13:59.420 --> 14:00.641 Dawn French is in the picture. 14:00.661 --> 14:01.381 It's all the same. 14:01.401 --> 14:04.682 There's some new screaming hut and a werewolf, but that's about it. 14:05.762 --> 14:11.205 Well, maybe we could ask people to propose better taglines for some of these films, more memorable ones. 14:11.265 --> 14:21.051 Some future taglines from the dreadful looking Alien vs. Predator, which promises to destroy the integrity of the Alien franchise and the Predator franchise in one fell swoop. 14:21.411 --> 14:28.595 The new trailers on the internet covered in thrash metal, which is obviously the thing that was missing from the Alien series and the Predator series. 14:28.935 --> 14:31.917 The catch line is, whoever wins, we lose. 14:32.975 --> 14:33.875 The two right we lose. 14:34.275 --> 14:36.896 We lose the Alien franchise and the Predator franchise. 14:36.936 --> 14:38.397 That's a very cynical tagline. 14:38.657 --> 14:43.838 There's got to be some exec rubbing his hands in Hollywood thinking, ha, that applies to the viewers. 14:46.139 --> 14:46.739 In that voice? 14:46.839 --> 14:47.039 Yeah. 14:47.179 --> 14:50.280 The other really bad one is for the new Ocean's Eleven sequel, Ocean's Twelve. 14:50.300 --> 14:51.161 Are you listening? 14:51.301 --> 14:51.601 Yes I am. 14:51.621 --> 14:55.082 The tagline to this one is, Twelve is the new eleven. 14:56.870 --> 14:58.151 That's terrible, isn't it? 14:58.231 --> 14:58.972 What does that mean? 14:59.493 --> 15:02.235 It just means this is the new film. 15:02.275 --> 15:03.036 This is the sequel. 15:17.853 --> 15:18.173 Yeah. 15:18.253 --> 15:19.534 What was that? 15:19.775 --> 15:24.578 That's the new single from the hives, the Swedish people with the crazy suits. 15:24.678 --> 15:26.520 And it's called Walk Idiot Walk. 15:26.580 --> 15:28.281 This is Adam and Jo on XFN. 15:28.441 --> 15:35.887 Now we've had a couple of texts asking when the radio play, when the Adventures of Lynch, Pufar and Jenny, our afternoon play which is called Each Passing Minute. 15:35.927 --> 15:36.528 When's that gonna be on? 15:36.548 --> 15:37.729 Unfortunately it's not this week. 15:38.269 --> 15:41.731 It's been delayed this week because of our DVD activities. 15:41.891 --> 15:43.392 It will be back next week, however. 15:43.512 --> 15:46.234 It's not good radio, is it, to do something alternate weeks. 15:46.254 --> 15:59.062 You've got to do it every week to hammer it home, but you know, listeners, we prize you highly and we think that some of you listen regularly and that those people will remember the previous weeks. 16:00.463 --> 16:00.963 What's it called? 16:01.003 --> 16:02.003 I've even forgotten what it's called. 16:02.244 --> 16:03.004 It's Passing Minute. 16:03.044 --> 16:05.125 You know what I'm trying to say anyway. 16:05.145 --> 16:07.627 It's Passing Minute is for hardcore Adam and Joe XFM show listeners. 16:08.328 --> 16:08.788 Yes, exactly. 16:08.848 --> 16:13.591 And fair weather listeners, you'll never know the amazing quality of the play. 16:14.412 --> 16:15.072 Yeah. 16:15.712 --> 16:18.994 Brian, why don't you put the play on the XFM website? 16:19.034 --> 16:19.555 Yeah, Brian. 16:20.755 --> 16:23.357 Why isn't the play available for download on the website? 16:24.031 --> 16:25.112 Technical reasons. 16:25.132 --> 16:25.992 Like what? 16:26.432 --> 16:28.133 Like he doesn't think it's any good. 16:28.973 --> 16:30.094 He just doesn't understand. 16:30.154 --> 16:31.894 He's got a limited sense of humour. 16:32.115 --> 16:34.516 We've got Ditties in the Dock coming up very shortly. 16:34.576 --> 16:38.737 Joe and I will be battling it out for our free play this week. 16:39.518 --> 16:44.260 And I can tell you now that it's going to be a face-off between a couple of dead legends. 16:45.120 --> 16:48.542 One very recently dead and one dead last year. 16:49.222 --> 16:50.582 Both very sorely missed. 16:51.103 --> 16:53.604 And you'll be able to vote for your favourite one fairly soon. 16:55.004 --> 16:57.986 So this week I've been watching Band of Brothers. 16:59.033 --> 17:00.135 Again on DVD. 17:00.395 --> 17:01.937 Did you ever see that the first time around, Joe? 17:01.957 --> 17:02.658 I saw a couple of them. 17:02.798 --> 17:05.021 I saw the one when they got to Hitler's house. 17:05.582 --> 17:07.645 Hitler's house, Hitler's house. 17:08.426 --> 17:09.207 What's Hitler's house? 17:09.227 --> 17:10.088 What's it called? 17:10.248 --> 17:11.510 Eagle's nest or something. 17:11.951 --> 17:12.572 Do you know that one? 17:13.233 --> 17:14.334 It was on top of a mountain. 17:14.354 --> 17:15.456 It was where Hitler lived. 17:16.755 --> 17:19.296 I'm still thinking of Hitler's house with little cardboard- Hitler's house? 17:19.677 --> 17:21.557 It's like Hector's house, only with a Nazi dog. 17:21.778 --> 17:22.458 Yeah, I got that. 17:22.518 --> 17:22.738 Yeah. 17:23.198 --> 17:24.439 German kids used to love it. 17:25.880 --> 17:32.463 And because I bought the DVD of Band of Brothers, the big box set, which comes in a big metal tin, like you're in a war. 17:32.483 --> 17:33.404 As if you're in the war. 17:33.524 --> 17:37.085 Do you think if we went to war, people would carry the Band of Brothers box set? 17:37.285 --> 17:37.526 Yes. 17:37.746 --> 17:40.187 And in between battles, watch it on their portable DVD players? 17:40.347 --> 17:45.549 And if they carried it, if they strapped it to their fronts, it might save them from being shot. 17:45.569 --> 17:48.150 That should be, it should come with a little bullet sunk into it. 17:48.590 --> 17:49.190 Well, you know what? 17:49.250 --> 17:51.091 I wouldn't be entirely surprised if it did. 17:51.111 --> 17:52.872 It's a bit tasteless though, isn't it? 17:53.232 --> 17:56.093 But there are some fairly tasteless things about the DVD. 17:56.633 --> 18:00.515 Most of all, the series itself, I should say, is an absolute peach. 18:00.675 --> 18:00.875 Yeah. 18:01.095 --> 18:03.656 And really brilliantly, brilliantly done. 18:04.156 --> 18:05.157 And wonderfully well acted. 18:05.177 --> 18:06.257 What are the tasteless things? 18:06.557 --> 18:16.504 The tasteless things are the behind-the-scenes bits, where you've got Tom Hanks rubbing his hands with glee about how fun it is to be doing this whole project. 18:17.064 --> 18:28.371 And there isn't the atmosphere of sort of reverential sobriety that you might hope for with such a project, you know, which was supposed to commemorate the D-Day landings and all that sort of stuff. 18:30.313 --> 18:32.834 And the efforts of all those people that died in the Second World War. 18:34.535 --> 18:45.721 And yet you've got a very sort of silly, zippy, jazzy kind of EPK thing with people talking about how they've done all the explosions and how it was really fun getting blown around. 18:46.001 --> 18:49.843 And then every now and again you get these sort of 25 year old American actors sort of saying, 18:51.144 --> 18:53.626 We had to do a lot of preparation for the film. 18:54.387 --> 19:00.852 We spent 10 days in a very intense boot camp to make us look like real soldiers. 19:01.432 --> 19:04.455 And I didn't even know if I was going to make it through the first night. 19:04.675 --> 19:05.356 I was crying. 19:05.456 --> 19:09.439 I mean, I was lying in my bed and I was thinking, I'm not going to be able to make it through this. 19:09.959 --> 19:20.368 But after 10 days, we came out and then there was a bond that existed between us, the actors, that really created for us the feeling of what it would have been like for those men. 19:20.868 --> 19:22.688 You're fighting in the same- you didn't say no! 19:22.868 --> 19:23.889 No it didn't, it didn't. 19:24.049 --> 19:24.929 There's no way it did. 19:25.289 --> 19:26.129 You're insane. 19:26.429 --> 19:29.430 And what are you even doing talking about it, you freak? 19:29.790 --> 19:30.470 Just act. 19:31.030 --> 19:33.370 And shut up about your- Pretending it's real. 19:33.410 --> 19:34.830 Ten day boot camp. 19:35.531 --> 19:36.671 It's just awful. 19:37.051 --> 19:41.532 And it really slightly put me off, but it's so well- They do that for a lot of films though, don't they? 19:41.592 --> 19:44.272 It's a very common trope in war films. 19:44.312 --> 19:44.572 Yeah. 19:44.992 --> 19:48.233 I think that Colin Farrell thing, directed by Joel Shoemaker, what was that called? 19:48.273 --> 19:48.853 Tigerland. 19:49.193 --> 19:50.334 Oh yeah, boot camp for that. 19:50.394 --> 19:52.556 Platoon, there was a famous boot camp, wasn't there? 19:52.956 --> 19:54.918 Someone is laughing and making a lot of money. 19:55.976 --> 20:23.987 doing these things for pompous actors we should run boot camps for actors that would be great man that would be like well it was it was like uh what was it called brat camp yeah uh celebrity boot camp i mean obviously there is a day one we just throw some mud on them all right everybody this is what it's like being splashed by mud all right mr hanks close your eyes because you might get some in your eyes all right wendy throw the mud oh stop it no come on you're supposed to be in the army it's got my shirt my shirt's 20:24.147 --> 20:52.558 dirty we're gonna do explosions now come on people yeah go on it's a big gust of wind from a cone a big wooden cone i don't like wind no come on it won't hurt that much oh that was it blew me across it made my bun right wednesday bangs there are a lot of bangs there are a lot of bangs in the war right everyone ready bang i don't love that i've got blood i've got blood the blood on my forehead's got all sticky i want to wipe it off i don't like the way it smells 20:53.206 --> 20:55.648 Well, there is a real show called Celebrity Boot Camp, of course. 20:55.668 --> 20:56.548 Maybe that's what it's like. 20:58.049 --> 20:59.130 Something to think about anyway. 20:59.190 --> 21:03.753 I just think they shouldn't talk about it, the actors. 21:05.854 --> 21:09.016 Now, we shouldn't talk about what? 21:09.237 --> 21:10.157 I can't say a word. 21:10.177 --> 21:10.637 Sorry, mate. 21:10.717 --> 21:10.958 Yeah. 21:12.118 --> 21:13.399 Because everything's just gone. 21:13.779 --> 21:13.960 What? 21:14.180 --> 21:14.620 Who's it? 21:14.680 --> 21:15.441 I've got nothing. 21:15.461 --> 21:16.942 Is this a caller? 21:16.962 --> 21:17.502 Absolutely nothing. 21:20.037 --> 21:29.386 In one single moment your whole life can turn round I stand there for a minute staring straight into the ground But you've got to walk away now 21:37.864 --> 21:38.945 You know what I like about that? 21:39.025 --> 21:39.726 What Joe, what? 21:39.826 --> 21:45.150 It's like me or someone I know talking to me about stuff that I know. 21:45.350 --> 21:46.771 When you got stuck with Nancy. 21:46.811 --> 21:48.192 Shut up Adam, it's like my life. 21:48.332 --> 21:48.653 What? 21:49.073 --> 21:49.974 I was just saying. 21:50.154 --> 21:56.199 Adam I'm crying, I never cry and I'm crying because that what record that what you played is like. 21:56.399 --> 21:57.800 Because of when Nancy slapped you? 21:57.840 --> 22:00.002 Yeah because of when Nancy slapped me up. 22:00.422 --> 22:01.683 And you had to bust up with her? 22:01.703 --> 22:07.368 And I had to bust up with her and it is, you know, I'm mean, you know, I'm from the streets and I'm hard, but sometimes... Shut up, man! 22:07.388 --> 22:08.108 You sound like a girl! 22:08.128 --> 22:08.368 You shut up! 22:08.388 --> 22:08.669 You shut up! 22:08.689 --> 22:22.079 Black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black, black 22:27.073 --> 22:28.314 There's Adam and Joe on XFM. 22:28.374 --> 22:32.015 It's the last 14 minutes of our show, so it's time for Ditties in the Dock. 22:32.096 --> 22:33.616 Adam, what is Ditties in the Dock? 22:33.996 --> 22:41.760 Well, Joe, it's a kind of a crazy way of describing a segment in the show where we battle it out for our only one and only free play. 22:42.261 --> 22:47.023 We're in the process of negotiating with XFM for a bit more flexibility as far as the music we play. 22:47.863 --> 22:52.866 Although we love it, at the moment we're only allowed to play one of our own choosing, so we have to battle it out. 22:54.167 --> 23:01.892 And this week I was going to bring in some Ray Charles because Ray unfortunately died this week and he's a great loss to the world. 23:02.413 --> 23:07.737 And Brian, I'm not going to tell you what Brian's doing, our producer, but it is pathetic, Brian. 23:07.757 --> 23:10.359 I can't believe that you produce our show. 23:11.019 --> 23:19.306 Anyway, to tell the listeners why there's no Ray Charles, because he died recently, all his records have been played on the other stations and they've all been taken out of the library, right? 23:20.687 --> 23:33.698 Just in case, for this exact situation, I've brought some XTC with me, I never leave the house without my compact XTC, and I want you to vote for a song that you may not know by XTC, called Statue of Liberty. 23:34.458 --> 23:40.742 It's a kind of new wave, punky, smash, and it'll just make you smile. 23:41.303 --> 23:42.484 And that's all I'm going to say about it. 23:42.544 --> 23:43.044 Simple as that. 23:43.084 --> 23:44.605 Vote for XTC, Statue of Liberty. 23:44.665 --> 23:45.165 It goes like this. 23:45.386 --> 23:47.127 Woooooo! 23:47.367 --> 23:49.128 We're Statue of Liberty! 23:49.228 --> 23:49.789 Wooo! 23:51.170 --> 23:59.957 If you don't want to hear that then this week I'd like to play some Elliott Smith and this is the reason why we were having a great late musician standoff. 24:00.457 --> 24:04.180 It was going to be Ray Charles but it is, we have got Elliott Smith, we can play it. 24:04.220 --> 24:08.264 Needle in the Hay I want to play, it was included on the soundtrack to the Royal Ten and Bounds. 24:08.984 --> 24:11.987 Elliott Smith of course apparently stabbed himself in the heart. 24:12.307 --> 24:13.468 That's true, a year ago. 24:13.688 --> 24:15.869 Because he was not a very happy fellow. 24:16.569 --> 24:17.169 He was about 34. 24:17.349 --> 24:20.411 It's a beautiful song, Needle in the Hay. 24:21.171 --> 24:22.792 And that's all I have to say, really. 24:22.912 --> 24:26.713 I would encourage you, vote Elliott Smith, Needle in the Hay. 24:26.753 --> 24:27.454 So you need to call 08712221049. 24:29.635 --> 24:33.556 Vote either XDC or Elliott Smith for this week's Ditties in the Dock. 24:33.656 --> 24:36.958 We'll take the best of the first five calls after this one. 24:49.468 --> 24:51.649 That was the Scissor Sisters with Take Your Mama. 24:52.069 --> 24:55.170 This is the gut-wrenching climax to the show Ditties in the Dock. 24:55.190 --> 24:57.150 You know, I've got a theory about Ditties in the Dock, Adam. 24:57.250 --> 24:57.631 What's that? 24:57.811 --> 25:00.912 I think whoever announces their song first usually wins. 25:01.412 --> 25:01.772 No. 25:02.072 --> 25:03.372 I think it's a bit of a pattern. 25:03.953 --> 25:04.353 No. 25:04.753 --> 25:05.313 Well, let's see. 25:05.833 --> 25:07.354 Well, I announced it first this week. 25:08.414 --> 25:11.235 Let's keep an eye on this in case we need to change the structure. 25:11.335 --> 25:17.397 Just to remind you, I was voting for XTC, a classic little-known song of theirs called Statue of Liberty. 25:17.777 --> 25:20.978 And I was proposing Elliot Smith with Needle in the Hay. 25:21.178 --> 25:22.399 Very different kind of songs. 25:22.439 --> 25:27.441 Mine's a silly up-tempo foot-tapper and yours is more of an introspective number, isn't it? 25:27.521 --> 25:28.241 Yeah, very true. 25:28.321 --> 25:32.042 So, we'll take five calls and the best of those five calls will be played. 25:32.062 --> 25:33.763 We genuinely don't know who's gonna win this. 25:33.943 --> 25:34.803 Isn't it exciting? 25:34.923 --> 25:36.744 So, who's the first caller? 25:36.764 --> 25:37.805 On the Line versus Andrea. 25:37.825 --> 25:38.505 Are you there, Andrea? 25:39.145 --> 25:39.706 I'm here. 25:39.846 --> 25:40.626 Thank you for calling. 25:40.806 --> 25:41.827 Thank you for listening. 25:41.907 --> 25:45.930 First of all, a tagline for your show is that it's the quickest two hours in the week. 25:47.091 --> 25:48.993 Oh, thank you, Andrea. 25:49.633 --> 25:50.974 I was going to say Elliot Smith. 25:51.455 --> 25:52.896 Oh, lovely, lovely, lovely. 25:53.156 --> 25:55.718 I said lovely three times like a sort of insane Welshman. 25:55.878 --> 25:58.881 Thanks very much, Andrea, for the tagline and for your vote. 25:58.901 --> 26:00.162 We very much appreciate both. 26:00.182 --> 26:01.403 Tim, are you there? 26:01.963 --> 26:03.385 Hi Tim, how you doing? 26:03.405 --> 26:04.507 How you doing Tim? 26:04.547 --> 26:06.269 Yeah, we're good, yeah, yeah. 26:06.369 --> 26:06.990 Who you voting for? 26:07.110 --> 26:08.292 XTC or Elliott Smith? 26:08.672 --> 26:09.954 XTC, sorry. 26:10.134 --> 26:10.955 Okay, so it's 1-0. 26:11.216 --> 26:13.319 So it's 1-0, it's like the football. 26:13.339 --> 26:14.040 1-0. 26:14.180 --> 26:14.761 Not 1-0. 26:14.781 --> 26:15.902 1-0. 26:16.283 --> 26:18.005 Okay, next on the line is Adam. 26:18.025 --> 26:18.426 Hello Adam. 26:18.906 --> 26:19.346 Hello, boys. 26:19.746 --> 26:20.407 How you doing, Adam? 26:20.427 --> 26:23.348 You sound like a no-nonsense kind of person to me. 26:23.608 --> 26:25.528 Are you voting for Elliott Smith or XTC? 26:25.989 --> 26:27.169 XTC, without a doubt. 26:27.569 --> 26:28.229 OK. 26:28.289 --> 26:29.230 Without a doubt. 26:29.290 --> 26:32.251 Two for XTC and one for Elliott Smith. 26:32.271 --> 26:33.491 Who have you got next, Joe? 26:33.551 --> 26:33.991 Matthew. 26:34.392 --> 26:35.212 Hey, Matthew, how you doing? 26:35.232 --> 26:38.953 Now, if Matthew votes for XTC, we're not going to take the fifth call because it's XTC's game. 26:39.113 --> 26:39.633 That's right. 26:39.934 --> 26:41.054 So what have you got for us, Matthew? 26:41.365 --> 26:43.105 I'm afraid it's gonna have to be XTC. 26:44.166 --> 26:46.006 It's XTC, thanks a lot for your call. 26:46.046 --> 26:48.067 Thank you very much indeed for listening ladies and gentlemen. 26:48.467 --> 26:53.628 I must say, I sympathise Joe, that's a tough break man, because it's a great song, Elliot Smith, Needle in the Hay. 26:53.668 --> 26:55.308 Them's the breaks, you know, them's the breaks. 26:55.388 --> 26:56.728 I really don't mind, to be honest. 26:57.489 --> 26:58.769 Yeah, well it's all music isn't it? 26:58.909 --> 27:01.349 Yeah, I'll listen to it in the car on the way home and SUDDLE! 27:01.690 --> 27:03.450 Okay, thanks a lot for listening. 27:03.490 --> 27:04.130 We'll see you next week. 27:04.150 --> 27:07.211 We'll see you next week, here's XTC with Statue of Liberty. 27:07.311 --> 27:07.571 Bye! 27:08.379 --> 27:09.620 No, no, that's the wrong song. 27:10.020 --> 27:11.481 Hey, I got a little bit of smithy. 27:11.501 --> 27:12.481 A little bit of smithy. 27:12.561 --> 27:13.602 Here, there's a bit more smithy. 27:14.202 --> 27:16.423 That's what you're missing. 27:16.443 --> 27:17.264 You're missing the smithy. 27:17.324 --> 27:18.304 You're missing the smithy. 27:18.364 --> 27:19.165 Here's the XTC. 27:33.672 --> 27:36.934 The first time I saw you standing in the water 27:40.536 --> 28:06.721 You must have been all at a thousand feet tall Nearly naked, unashamed, that hair I've stood Your love was so fake, it made in New York the smoke You've been the subject so many days Since I climbed your torso 28:10.645 --> 28:38.793 I live right over the kiss of stone and book A little jealous of the ship's step with whom you've heard I'll be your lover's with the camera set to look 28:43.422 --> 29:02.171 Your sail beneath your scary hair You've been a subject of so many things Since I climbed your torso Oh, my Statue of Liberty And now you're on your hair And why do you do do do to me? 29:11.510 --> 29:13.514 My side, you won't ever do, whoa-oh! 29:13.574 --> 29:21.371 Give me a pail on your hair, what do you do-do-do to me, whoa-oh! 29:37.762 --> 29:38.202 Well, that's it. 29:38.222 --> 29:40.523 That was FCC and Statue of Liberty. 29:40.583 --> 29:44.185 Thanks very much indeed for listening to Adam and Joe here on XFM this week. 29:44.225 --> 29:46.966 We're leading you in the more than capable hands of Claire Sturgis. 29:46.986 --> 29:48.006 Say hello, Claire. 29:48.046 --> 29:48.506 Zoom star. 29:48.526 --> 29:49.127 There she is. 29:49.227 --> 29:49.607 Yes, yes. 29:49.867 --> 29:50.067 It's me. 29:50.087 --> 29:53.068 I'm going to be playing some Lenny Kravitz and some Evanescence later on for you. 29:53.228 --> 29:53.808 Oh, terrific. 29:53.828 --> 29:54.849 I thought you were going to drop them. 29:55.049 --> 29:55.689 Yeah, now I am. 29:55.969 --> 29:56.730 God, did I mention them? 29:57.430 --> 29:58.110 You're not supposed to. 29:58.130 --> 30:00.711 When you drop stuff like Lenny, you're not supposed to even mention it. 30:00.891 --> 30:02.092 Lenny, Lenny, Lenny. 30:02.412 --> 30:03.692 Lenny, Lenny, Lenny. 30:03.812 --> 30:05.753 Lenny Kravitz is being dropped. 30:06.233 --> 30:06.454 Anyway. 30:07.918 --> 30:08.821 Thanks a lot for listening. 30:08.862 --> 30:09.544 We'll see you next week.