WEBVTT 00:05.643 --> 00:06.525 That's Coldplay. 00:07.908 --> 00:09.732 Gotta put a smile upon your face. 00:12.018 --> 00:12.940 Not on your face. 00:13.581 --> 00:14.543 Upon your face. 00:15.660 --> 00:16.040 Upon. 00:17.841 --> 00:18.181 Yeah. 00:18.441 --> 00:20.341 This is Adam and Joe, upon your face. 00:20.461 --> 00:22.482 He knows how to talk proper, that Chris Martin, don't he? 00:22.502 --> 00:23.302 Yes, he does, upon. 00:23.322 --> 00:23.742 Yes, he does. 00:24.643 --> 00:27.443 And we'll be here for the next one hour, fifty minutes. 00:27.483 --> 00:28.744 Thanks very much for joining us. 00:28.824 --> 00:32.965 We'll be playing nothing but dancehall, ragga, and lover's rock for the next two hours. 00:33.325 --> 00:33.925 Absolutely. 00:34.045 --> 00:34.906 What is lover's rock? 00:35.286 --> 00:38.747 Lover's rock is, it's like soft reggae, very soft reggae. 00:38.767 --> 00:38.967 Is it? 00:39.007 --> 00:39.187 Yeah. 00:39.824 --> 00:40.144 Thanks. 00:41.005 --> 00:43.006 Erm, like, what's he called? 00:43.286 --> 00:43.867 No, that's fine. 00:44.267 --> 00:45.488 Night Nurse. 00:46.809 --> 00:47.289 Who was that? 00:47.749 --> 00:48.530 Gregory Isaacs. 00:48.630 --> 00:49.110 There we go. 00:49.130 --> 00:49.730 There you go. 00:49.750 --> 00:52.452 Er, how are you feeling, Joe Cornish? 00:52.652 --> 00:53.813 I'm feeling very well, thank you. 00:53.873 --> 00:54.614 Are you really? 00:54.654 --> 00:59.136 Yeah, well I drove to, we went to a party last night and I drove, you see, so I didn't really drink. 00:59.156 --> 01:00.477 Yeah, I feel a little bit rough. 01:00.998 --> 01:07.162 I've, I've felt rough three weeks in a row and I've, it's not something I would normally do, is go out drinking on a Friday before work. 01:07.902 --> 01:11.625 This is our usual name-dropping celebrity party segment of the show. 01:11.665 --> 01:15.767 We didn't do too much name-dropping last week, but man, we're gonna drop a lot of names today. 01:15.887 --> 01:19.130 We went to Matt Lucas's 30th birthday party last night. 01:19.170 --> 01:20.671 Matt Lucas of Little Britain fame. 01:21.451 --> 01:25.754 He had his 30th birthday party on the Mall in the ICA. 01:26.294 --> 01:27.055 The Nash rooms. 01:27.195 --> 01:28.156 Beautiful location. 01:28.456 --> 01:31.098 It was a fancy dress party and the theme was British icons. 01:31.932 --> 01:33.453 Or just Britain, wasn't it? 01:33.473 --> 01:35.074 Oh, those British icons, Alan Buxton. 01:35.114 --> 01:35.635 Was it really? 01:35.755 --> 01:38.336 Yeah, but that could be broadened to just Britain. 01:38.677 --> 01:40.978 And everyone had made a real effort. 01:41.058 --> 01:45.421 I've never seen such a high standard of costumes at a fancy dress party before. 01:45.621 --> 01:49.704 I think there were only about four or five people that I saw there who hadn't bothered. 01:49.804 --> 01:52.466 Boyd Hilton, Heat magazine, hadn't bothered. 01:52.546 --> 01:56.128 Boyd Hilton was wearing a pin badge with a Union Jack on it. 01:57.009 --> 01:58.010 That is the level of contempt. 01:58.030 --> 01:59.272 He was supposed to be a yob, actually. 01:59.432 --> 02:01.134 But there were some amazing costumes. 02:01.454 --> 02:02.435 The Elephant Man was there. 02:02.455 --> 02:03.997 I didn't see the Elephant Man. 02:04.357 --> 02:05.839 Was he called Stephen Merrick? 02:06.480 --> 02:07.160 Or Alan Merrick? 02:07.180 --> 02:07.661 John Merrick. 02:07.741 --> 02:08.302 Or Ian Merrick. 02:09.123 --> 02:09.763 John Merrick. 02:10.404 --> 02:10.885 John Merrick. 02:11.005 --> 02:11.826 Yeah, he was there. 02:11.846 --> 02:14.388 And, um, what was your favorite? 02:15.049 --> 02:16.249 My favourite costume. 02:16.309 --> 02:24.511 What I really like, Peter Serafinovitz, who some people might know from, you know, that popular ITV sitcom Hardware, Voice of Darth Maul, etc, etc. 02:24.551 --> 02:26.972 He was dressed, at first I thought he was Alan Davies. 02:27.672 --> 02:30.673 Because he just had a sort of brown afro and a holy jumper. 02:31.053 --> 02:32.513 Then I thought maybe he was Fred West. 02:32.973 --> 02:35.094 But he turned out to be from The Good Life. 02:35.574 --> 02:36.614 Richard Briers. 02:36.654 --> 02:40.175 He and his girlfriend Sarah Alexander from coupling. 02:40.595 --> 02:44.496 They, they... Where's our name drop sound effect gone? 02:44.756 --> 02:46.037 Well, it was rubbish. 02:46.177 --> 02:48.299 Come on, we don't need the name drop sound effect. 02:48.920 --> 02:52.142 Maybe I could do, like, something improvised with this can. 02:52.863 --> 02:54.544 Well, the answer is you can't. 02:54.564 --> 02:55.245 OK. 02:55.745 --> 02:56.306 I won't bother. 02:56.726 --> 02:59.749 But yeah, Tom and Barbara, they came as from the good life. 02:59.769 --> 03:00.289 I thought that was good. 03:00.329 --> 03:01.630 My favourite was Paul Putner. 03:02.551 --> 03:04.673 Paul Putner is someone who turns up in Little Britain a lot. 03:04.713 --> 03:07.075 He's kind of the other guy in Little Britain. 03:07.095 --> 03:08.036 He's a very funny guy. 03:08.556 --> 03:12.540 And he came as just a map of the UK. 03:13.140 --> 03:14.181 That's a good idea, wasn't it? 03:14.222 --> 03:20.190 And it was a brilliantly cut out, big sort of green polystyrene kind of thing. 03:20.210 --> 03:27.439 So his body was in sort of tight black stockings, like a mime, and then he just had this cut out of Britain, cut out of green foam. 03:27.620 --> 03:27.940 That's right. 03:27.980 --> 03:28.881 The size of his body... 03:29.699 --> 03:33.241 A two dimensional though and his head was just poking through somewhere in mid Scotland. 03:33.421 --> 03:36.162 Yeah and then on his right hand he had Ireland. 03:36.742 --> 03:37.002 Right. 03:37.363 --> 03:39.844 And his face was all, he'd painted it. 03:40.104 --> 03:40.604 All green. 03:40.644 --> 03:42.485 Green and it couldn't have been comfortable. 03:42.825 --> 03:43.045 Wow. 03:43.085 --> 03:44.406 It was one of those costumes you get there. 03:45.006 --> 03:51.592 And you know that he would have been regretting it within four minutes, because he's stuck there as Britain for the rest of the night. 03:52.192 --> 03:53.173 And you came as...? 03:53.894 --> 03:58.257 Well, me and my girlfriend came as one man and his dog, so my girlfriend was a farmer and I was a dog. 03:58.417 --> 04:01.280 Except the only dogs you could find were Dalmatians. 04:01.320 --> 04:03.602 Well, I was dressed in a giant Dalmatian suit. 04:03.702 --> 04:04.603 Everyone thought you were a cow. 04:05.163 --> 04:05.403 Yeah. 04:06.284 --> 04:06.884 That's alright. 04:07.004 --> 04:09.385 You know, I regard it as a success if I don't get chucked out. 04:09.625 --> 04:09.845 Yeah. 04:10.085 --> 04:13.447 No, man, you look good, and Annabelle looked fantastic with nice moustache. 04:13.487 --> 04:15.428 Yeah, it was nice to kiss a woman with a moustache. 04:15.468 --> 04:16.268 God, and big sidey. 04:16.308 --> 04:17.589 It was strangely sexy. 04:17.829 --> 04:18.609 And big sidey. 04:18.629 --> 04:20.730 Maybe I should just go out with a big biker man. 04:21.130 --> 04:21.390 Yeah. 04:21.951 --> 04:26.533 And, um, I came as a TV detector man. 04:27.373 --> 04:28.195 Yeah, that was good, man. 04:28.235 --> 04:29.036 I thought that was very good. 04:29.056 --> 04:32.162 I don't know if it's British or not, but it's all I could do at short notice. 04:32.242 --> 04:35.528 Hey, we should mention the big celebrity names that were there. 04:35.729 --> 04:36.170 Yeah, yeah. 04:36.190 --> 04:37.071 Well, who was the biggest? 04:37.634 --> 04:39.194 Well, probably Robbie Williams. 04:39.234 --> 04:39.695 Yeah. 04:39.835 --> 04:40.615 Yeah, he was there. 04:41.435 --> 04:42.835 And did you chat with Williams? 04:42.995 --> 04:43.315 No. 04:43.495 --> 04:43.836 No. 04:44.516 --> 04:54.098 What would you have said to Williams if you'd... I don't know, I don't really like your public persona, I don't really enjoy your music, but I wanted to shake your hand so I could tell people I had. 04:54.458 --> 04:54.918 That's very candid. 04:54.938 --> 04:57.819 That would have been my best gambit to Williams. 04:57.899 --> 05:00.720 Poor Williams, living in a world where that's what people are thinking. 05:02.820 --> 05:05.442 And who was top celebrity number two, would you say? 05:05.542 --> 05:07.464 I'd say Pet Shop Boys would come in at number two. 05:07.504 --> 05:08.745 I didn't even know they were there! 05:08.805 --> 05:09.866 Yes, they were there. 05:10.326 --> 05:13.128 Silly sausage, I've been a silly sausage. 05:13.389 --> 05:15.310 It's a new Pet Shop Boys song I'm working on. 05:15.790 --> 05:20.354 Silly sausage, silly sausage, I've been a silly sausage. 05:20.574 --> 05:22.356 I wish we could play that now. 05:22.776 --> 05:24.037 Such a silly sausage. 05:25.138 --> 05:26.879 That could be a Pet Shop Boys album, couldn't it? 05:26.939 --> 05:27.760 Silly sausage! 05:29.063 --> 05:31.605 I wish I'd gone up to Neil Tennant and just said, Silly Sausage! 05:32.066 --> 05:34.748 I wish he'd phoned in, I wish he- he doesn't listen to this shit. 05:34.768 --> 05:41.794 I interviewed him, well I told you this, when we did Glastonbury, and I interviewed him with Thieksten, and he just looked straight through me at Thieksten. 05:42.374 --> 05:44.476 We're not famous enough to even appear on his radar. 05:44.676 --> 05:47.058 Well especially if you went up to him and sang Silly Sausage. 05:47.418 --> 05:48.339 I haven't done that yet. 05:48.699 --> 05:50.180 I know, but he can tell. 05:50.201 --> 05:51.181 Silly Sausage! 05:51.882 --> 05:53.363 I've been a silly sausage. 06:02.657 --> 06:04.739 Franz Ferdinand, they're so hot right now. 06:04.759 --> 06:06.902 Franz Ferdinand, they're so hot. 06:07.222 --> 06:13.309 The Christian O'Connell Breakfast Show wants to make the best football song ever, and he needs your help. 06:17.566 --> 06:24.671 Okay, so as you may well already know, The Breakfast Show is making a song for Europe, the ultimate footy song. 06:24.691 --> 06:26.073 They're down to the final five. 06:26.393 --> 06:35.119 There was an extraordinary judging session from Sound in Leicester Square, I hear, that was superior to the programme Pop Idol, which is an extraordinary achievement. 06:35.740 --> 06:37.001 Now they're down to the final five. 06:37.501 --> 06:44.726 And you guys have to go onto the web and listen to the final five football songs, www.xfm.co.uk. 06:45.146 --> 06:47.208 The winner's going to be announced on Tuesday morning. 06:47.268 --> 06:54.753 It's very exciting, but it's imperative that all listeners to our show listen to those five songs and vote for their favorite. 06:54.793 --> 06:55.653 Isn't that right, Adam? 06:56.014 --> 06:57.795 Yes, there's been an incredible response. 06:58.395 --> 06:59.196 Did you say this already? 07:00.896 --> 07:01.777 16 million. 07:02.037 --> 07:03.317 No, less than 16 million. 07:05.078 --> 07:08.339 More than five less than 16 million people have entered this competition. 07:08.939 --> 07:09.979 150 entries, Adam. 07:10.500 --> 07:13.021 Would you say the general standard is high, Brian? 07:13.601 --> 07:14.241 Our producer? 07:15.101 --> 07:16.182 Yeah, but you know what? 07:16.222 --> 07:17.802 It's probably higher than our rock and rap. 07:18.062 --> 07:21.003 Apparently this whole thing's putting our show to shame. 07:21.583 --> 07:25.785 Yeah, Christina O'Connell, he's got a slightly higher standard of entry from his listeners. 07:26.825 --> 07:30.047 We will be putting our rock and rap section to bed this week. 07:31.348 --> 07:32.689 Let's stay on message. 07:32.989 --> 07:35.110 OK, sorry, is there more to say football-wise? 07:35.130 --> 07:37.892 No, apart from go and listen to them and vote for your favourite. 07:38.392 --> 07:43.515 Yeah, and don't forget you can of course find our rock and raps as well on the website. 07:44.035 --> 07:44.975 Not anymore, you're taking them off! 07:46.417 --> 07:50.079 Just, you know, fade out this music bed, cos frankly it's frightening me. 07:50.199 --> 07:50.499 Yeah. 07:50.639 --> 07:51.659 Reminds me of sport. 07:52.400 --> 07:52.920 Balls. 07:53.560 --> 07:55.501 And sport and kicking and goals. 07:55.621 --> 07:56.462 I don't like them. 07:56.862 --> 08:01.464 OK, listen, man, we've got... Brian's looking depressed. 08:01.484 --> 08:02.904 He's looking all depressed. 08:02.924 --> 08:03.945 We did it alright, didn't we? 08:04.685 --> 08:05.726 We talked about the balls and the sport. 08:05.746 --> 08:08.747 I thought we did a very good job of promoting XFM's... 08:11.328 --> 08:27.577 come on it's song for europe it's brilliant yeah uh hey more excitingly though we we're going to be dropping some more names uh in just a second also joe read out that email from the sports illustrated girls oh yes uh phil adam oh phil it's a bloke no no no phil the dead space wallet 08:28.377 --> 08:30.038 I thought you meant Phil was the girl from Sports Illustrated. 08:30.058 --> 08:30.359 OK, you did it. 08:30.379 --> 08:30.899 Well done, well done. 08:30.919 --> 08:31.199 You did it. 08:31.560 --> 08:33.021 We've got this email, OK? 08:33.081 --> 08:37.544 You can email us, adamandjoe at xfm.co.uk, or you can text us on 83936. 08:37.764 --> 08:38.825 But we've already had an email. 08:39.126 --> 08:40.146 We've already had many emails. 08:40.186 --> 08:42.929 But this is from the Sports Illustrated Swimsuit Girls. 08:42.969 --> 08:44.150 They say, morning, Adam and Joe. 08:44.390 --> 08:48.473 There will be a special delivery for you arriving shortly from the girls at Sports Illustrated. 08:48.933 --> 08:49.554 Hope you like! 08:51.215 --> 08:52.536 Let us know when you receive it. 08:52.976 --> 08:56.799 We're working hard on Saturday, organising the party for the launch of the swimsuit issue next week. 08:57.380 --> 08:59.181 Oh, that's depressing, isn't it? 08:59.341 --> 09:01.643 We thought this was that they were going to turn up. 09:01.683 --> 09:02.023 Yeah. 09:02.143 --> 09:06.506 And it says, love from Becky, Emma and Naomi, aka the Sports Illustrated girls. 09:06.767 --> 09:07.087 P.S. 09:07.107 --> 09:07.687 you rock! 09:07.988 --> 09:09.549 So that sounds like a sort of come on. 09:09.609 --> 09:15.033 We assumed chicks in bikinis were going to turn up, but now Brian, our producers, just dumped a plastic bag. 09:15.273 --> 09:15.994 What's in it, man? 09:16.054 --> 09:16.354 I don't know. 09:16.374 --> 09:18.296 It says Nokia on the front and I've got it. 09:18.656 --> 09:20.117 So if there's a mobile phone, it's mine. 09:20.318 --> 09:21.338 Oh, this is exciting. 09:21.419 --> 09:22.960 Play a record while we open the package. 09:23.000 --> 09:25.562 OK, we'll tell you what's in our Sports Illustrated package after this. 09:25.702 --> 09:26.483 Oh, this is amazing. 09:44.147 --> 09:44.648 That's nice, man. 09:44.668 --> 09:50.213 You're making it sound better. 09:52.235 --> 09:52.915 There you go. 09:53.456 --> 09:55.378 I don't like it when DJs do that kind of thing actually. 09:56.095 --> 09:58.357 seeing overstudded in an annoying way. 09:58.377 --> 09:59.619 Especially if you're a fan of music. 09:59.659 --> 10:02.822 It's the kind of thing that Jono would do with his friends. 10:04.183 --> 10:07.587 Have you seen their advert on telly? 10:08.047 --> 10:15.955 Jono and Harriet on a rival radio station, Heart FM, have got an advert on TV listener that sets out to portray them as wacky 10:16.676 --> 10:17.797 And what is it? 10:17.817 --> 10:18.897 What's the final catch line? 10:18.937 --> 10:24.921 Well, it's all sort of jokey like, oh, he's the funniest guy in the world because of his crazy jokes and their rubbish jokes. 10:24.941 --> 10:29.824 They put themselves in a tricky position because when you say that and then it stays on them and he has to demonstrate it, right? 10:29.884 --> 10:30.144 Yeah. 10:30.484 --> 10:32.746 Oh, I think John is the funniest guy I've ever met. 10:33.426 --> 10:34.927 And then... And it's ironic. 10:35.407 --> 10:37.168 Yeah, but you see, that's a bit of a get-up. 10:37.228 --> 10:41.931 Well, at that stage it's ironic, but the bit that isn't ironic is at the end when they go, we just love music. 10:42.251 --> 10:42.691 And stuff. 10:44.753 --> 10:45.333 And weather. 10:45.834 --> 10:46.434 That's what it says. 10:47.215 --> 10:48.176 Jono and Harriet. 10:48.676 --> 10:49.917 They love weather. 10:51.118 --> 10:53.420 Music, crazy chat, weather and stuff. 10:54.441 --> 10:55.162 Well, yeah. 10:55.322 --> 10:55.942 That's what they've got. 10:55.982 --> 10:56.783 We need weather. 10:56.863 --> 10:57.924 Why can't we have an advert? 10:57.944 --> 10:59.005 We should just make up weather. 10:59.325 --> 11:05.831 So if you're waiting to find out what the contents of the Sports Illustrated promotional bag are, and I bet a lot of you are. 11:06.371 --> 11:09.814 I should say, before you say that, that was Muse, incidentally, feeling good. 11:10.094 --> 11:15.300 I believe we've fallen hook, line and sinker for Sports Illustrated's plug-in scheme. 11:15.320 --> 11:20.366 They sent us the email, we've read it out, thereby promoting them. 11:21.167 --> 11:22.528 We expected topless women. 11:23.109 --> 11:24.090 We've got a magazine. 11:25.131 --> 11:27.032 a DVD... Can I see the mags? 11:27.072 --> 11:28.513 No, you can't see the mag, I'm keeping it. 11:28.813 --> 11:29.033 No! 11:29.233 --> 11:31.314 Please, I just want to see, I've never seen Sports Illustrated. 11:31.334 --> 11:32.195 Amazing women in it. 11:32.515 --> 11:34.716 Do they actually have their conkers out? 11:35.056 --> 11:37.437 Or are they covered? 11:37.457 --> 11:39.638 What's the point of Sports Illustrated? 11:39.678 --> 11:40.359 I don't understand it. 11:41.319 --> 11:43.120 I don't know, it's just an illustration of sport. 11:43.220 --> 11:44.601 You're driving me mental! 11:44.681 --> 11:45.682 Show me ladies! 11:46.322 --> 11:47.303 Are they covered or what? 11:47.483 --> 11:49.264 Yeah, they've got very skimpy bikinis on. 11:49.304 --> 11:51.285 They're terribly nice looking. 11:51.845 --> 11:55.207 It just looks like a magazine full of adverts. 11:55.247 --> 11:59.790 And I, I stressed I have also got the Sports Illustrated Swimsuit DVD. 11:59.810 --> 12:03.392 It's a shame that there's only one copy and I hope I don't get to keep it. 12:03.732 --> 12:08.916 And then in a slightly patronising way, there's a swizzler's variety bag of lollies. 12:09.397 --> 12:13.280 That's because we're Adam and Joe and we're like stupid children. 12:13.360 --> 12:17.703 Isn't there some sort of comparison to be drawn between women that you'll never touch and sweets? 12:18.444 --> 12:18.964 You know what I mean? 12:19.024 --> 12:23.928 Just indulgences that, I don't know, is there something going on there? 12:24.068 --> 12:29.772 Well basically they're saying we're children, infants, and here's pictures of women and some sweets and go away. 12:29.792 --> 12:31.214 Are you going to go to the party? 12:32.274 --> 12:34.557 We've also got tickets to the Sports Illustrated party. 12:34.977 --> 12:37.539 It says, come and party with supermodel Marissa Miller. 12:37.860 --> 12:38.680 Who is she? 12:38.821 --> 12:40.602 Now, in America, the word party... 12:41.613 --> 12:43.654 means, has a different connotation, doesn't it? 12:43.754 --> 12:48.216 You mean like, sort of, when Justin Timberlake says, I want to rock you? 12:48.636 --> 12:49.477 Yeah, exactly. 12:49.557 --> 12:50.237 I want to party with you. 12:50.257 --> 12:53.419 Or if you say, last night I partied with supermodel Marissa Miller. 12:53.819 --> 12:54.039 Right. 12:54.479 --> 12:55.119 Is that what it means? 12:55.199 --> 12:55.980 Yeah, yeah. 12:56.460 --> 12:57.240 More than that, Adam. 12:58.801 --> 12:59.181 Fondled. 12:59.481 --> 13:03.243 You did many things, so many things, that it was just like a party. 13:03.263 --> 13:07.005 There was mess everywhere, people were unconscious by the end, but there was only two of you. 13:07.165 --> 13:07.405 Yeah. 13:07.725 --> 13:09.587 So that's what Take That and Party was all about. 13:09.707 --> 13:10.007 Yeah. 13:10.288 --> 13:10.588 Yeah. 13:10.728 --> 13:12.589 But I'm not sure it's going to be that kind of party. 13:12.609 --> 13:20.956 It's liable to be 600 middle-aged journalists and one woman surrounded by security guards. 13:21.096 --> 13:24.799 And some depressed, confused 18-year-olds wearing Sports Illustrated t-shirts. 13:24.859 --> 13:25.200 And us. 13:25.700 --> 13:26.180 And us. 13:26.240 --> 13:27.642 Looking not out of place. 13:27.962 --> 13:28.162 Yeah. 13:28.823 --> 13:30.023 So I'm not sure we'll be going. 13:30.104 --> 13:36.028 Unless the Sports Illustrated women contact us and tell us that we can have special access to Conquer Viewing. 13:38.190 --> 13:39.370 Let's not pull any punches. 13:40.191 --> 13:44.273 Coming up in the show, we have a celebrity regression for you. 13:44.654 --> 13:55.020 Joe Cornish is going to regress me, Adam Buxton, into a former state as an actor living out some of the roles that I portrayed in the movies. 13:55.080 --> 14:01.003 If you can guess which actor I will be regressed into and the movies, then you will win a big prize. 14:01.303 --> 14:04.605 Man, it's the Roswell DVD box set. 14:05.906 --> 14:11.311 And if you don't like that, then there's something wrong with your head and we'll find you something else. 14:11.631 --> 14:12.952 But that's coming up very shortly. 14:12.992 --> 14:14.814 Also, I think we should do some more name dropping. 14:14.834 --> 14:16.075 I don't feel we've dropped enough names. 14:16.095 --> 14:17.376 There's more to serve out the party. 14:17.476 --> 14:18.838 So stick with us on XFM. 14:30.763 --> 14:36.624 That's a cover of Lay Lady Lay by Magnet featuring Gemma Hayes. 14:37.065 --> 14:37.645 Is that correct? 14:38.025 --> 14:40.065 Yeah, thanks for letting us know that. 14:40.085 --> 14:40.885 Yeah, I'm on top of it. 14:41.265 --> 14:43.746 So we're talking about the party we went to last night. 14:43.906 --> 14:49.007 In an unashamedly name-dropping manner, we went to Matt Lucas' 30th birthday party. 14:49.027 --> 14:49.987 It was a costume party. 14:50.587 --> 14:51.808 The theme was British icons. 14:52.168 --> 14:54.528 And I left about 1am. 14:55.448 --> 14:57.689 And as I left, I passed Adam on the stairs. 14:58.109 --> 15:03.290 dressed as a TV detector man, that was his costume, and he was talking to a lady dressed as a wren. 15:03.851 --> 15:05.851 Yes, like- Right, a female flight officer. 15:06.011 --> 15:07.412 That's right, from- During the war. 15:07.472 --> 15:08.012 During the war. 15:08.372 --> 15:13.553 And I- this lady turned to me and said something like, hello, I'm chatting up your friend. 15:14.113 --> 15:16.634 I said, oh, that's nice, yeah, he could do with a bit of chatting up. 15:17.534 --> 15:18.475 And, uh, bye. 15:18.495 --> 15:20.455 I just thought it was a random woman. 15:20.935 --> 15:22.476 Who did it turn out to be, but- 15:24.369 --> 15:31.073 Sporty it was spice aka Melanie see Melanie see and I didn't recognize her at all You know what? 15:31.153 --> 15:37.237 I didn't recognize her instantly either because She'd done quite a good costume job and it really suited her being around. 15:37.437 --> 15:37.697 Yeah. 15:37.857 --> 15:38.698 Yeah, so quite saucy. 15:38.738 --> 15:41.219 Yeah, and She came up to me. 15:41.260 --> 15:46.223 She's very diminutive Even smaller than I am I think now surely not. 15:46.243 --> 15:47.443 Yeah, she's like a freak. 15:47.623 --> 15:48.444 You're extraordinary 15:48.644 --> 15:49.124 He's short. 15:49.185 --> 15:49.925 I know. 15:50.686 --> 15:53.308 So, uh, you know, she came up and she said, uh, she said, hello. 15:53.328 --> 15:56.050 And she said, I always fancied you. 15:56.070 --> 15:56.831 Ooh. 15:57.752 --> 16:02.936 And, uh, and then proceeded to be nice about, um, the Adam and Joe show and stuff like that. 16:03.396 --> 16:04.537 And I wasn't sure who she was. 16:04.577 --> 16:08.861 So, you know, I was just sort of smiling in a patronizing way and saying, thanks very much. 16:08.881 --> 16:11.142 Uh, and I said, what, what's your name? 16:11.783 --> 16:13.244 And she looked at me like, no. 16:13.384 --> 16:14.645 And she went, what's your name? 16:14.685 --> 16:14.845 Yeah. 16:15.686 --> 16:17.207 One of the most famous women in the world. 16:17.587 --> 16:28.792 And she goes, and she goes, right, it's Melanie C. But then, to her credit, she said afterwards, sorry, I said that in a really horrible way, didn't I? 16:28.812 --> 16:31.834 I mean, you don't automatically have to know who I am. 16:34.035 --> 16:36.956 But of course, I did know who she was once she said that. 16:37.176 --> 16:38.337 All the bits fell into place. 16:38.997 --> 16:42.579 And then I sort of started thinking, wow, you were in the Spice Girls. 16:42.619 --> 16:44.080 They were very famous, weren't they? 16:45.260 --> 16:47.481 And that's what I said. 16:47.641 --> 16:48.321 She just said that. 16:48.341 --> 16:49.221 She was really impressed by that. 16:49.582 --> 16:50.422 No, I didn't say that. 16:50.442 --> 16:51.802 I played it fairly cool. 16:52.863 --> 16:54.903 But I had a very, very nice conversation with her. 16:54.923 --> 17:08.408 She turned out to be really exceptionally nice and well adjusted and not kind of the nut bucket that I expected she might be from seeing pictures of her in heat, like being, I don't know, just, they always get horrible pictures of her. 17:09.568 --> 17:11.269 So how did you end it? 17:11.989 --> 17:12.769 How did I end it? 17:12.809 --> 17:18.731 Well, I tell you what, it was ended by just a load of people coming up and grabbing her, do you know what I mean? 17:19.211 --> 17:26.254 I didn't have very long, just some random guy sort of steamed in and went, oh yeah, how you doing, yeah, I just went to side, this and that. 17:26.294 --> 17:26.834 To you? 17:27.174 --> 17:27.754 No, to her. 17:28.314 --> 17:29.435 And then I was sidelined. 17:30.015 --> 17:30.855 I was out of the picture. 17:31.095 --> 17:34.336 But then she came and she said goodbye briefly at the end, so it was all very nice. 17:35.096 --> 17:36.857 I hope I bump into Melanie C again. 17:36.877 --> 17:36.937 Wow. 17:37.417 --> 17:40.058 Have you got any of her records? 17:41.073 --> 17:43.494 Well, I've got obviously her Spice Girls records. 17:44.275 --> 17:44.895 Actually, do I? 17:44.915 --> 17:46.336 Haven't got any of her solo work. 17:46.836 --> 17:47.376 No, do you know what? 17:47.396 --> 17:49.577 I don't have any of her work, not even Spice Girls. 17:51.598 --> 17:55.880 But for what it's worth, she was my second favorite after Scary. 17:56.240 --> 17:56.500 Wow. 17:57.401 --> 17:58.421 And that's absolutely true. 17:58.461 --> 17:59.061 That's from the heart. 17:59.102 --> 18:00.062 Well, how lovely for her. 18:00.202 --> 18:01.263 Yeah, it's pretty nice. 18:02.624 --> 18:05.867 OK, after this we've got Celebrity Regression Therapy coming up. 18:06.608 --> 18:07.789 This is an easy one this week. 18:07.809 --> 18:09.070 I think it was too hard last week. 18:09.110 --> 18:10.232 John C. Reilly it was. 18:10.512 --> 18:12.213 And you can win a box set of Roswell. 18:13.615 --> 18:15.817 Well, it would be amazing if it was a box set of Roxette. 18:16.658 --> 18:17.579 A Roxette Boxer? 18:17.699 --> 18:18.039 Yeah. 18:18.059 --> 18:19.600 I wonder if there is such a thing. 18:20.141 --> 18:20.982 Anyway, stay tuned. 18:21.162 --> 18:25.106 It's Celebrity Regression coming up after this classic number from the Pixies. 18:38.789 --> 18:40.891 You're listening to Adam and Jo on XFM. 18:41.411 --> 18:42.952 It's time for celebrity regression. 18:44.173 --> 18:48.797 But before we do celebrity regression, I'd like to apologize to these sports illustrated ladies. 18:49.357 --> 18:52.660 We love the DVD and the magazine, and you're not going to get them back. 18:53.420 --> 18:55.602 And your magazine's wonderful, and you're wonderful. 18:56.663 --> 18:58.284 Okay, Adam, are you there? 18:58.524 --> 18:58.945 I'm here. 18:59.165 --> 19:01.987 I'm now going to regress Adam into a previous life. 19:03.408 --> 19:05.809 Where he was a famous film star. 19:06.289 --> 19:17.691 It's your job to guess the name of the film star whose personality he is regressing into, and also identify the films that he is experiencing in his hypnotized regressed state. 19:17.771 --> 19:18.671 The telephone number is 08 700 800 1234. 19:18.831 --> 19:19.092 Okay Adam. 19:19.112 --> 19:19.272 Yeah. 19:19.292 --> 19:19.972 Just take a deep breath. 19:19.992 --> 19:20.912 Do I let it out? 19:20.932 --> 19:21.352 Let it out. 19:32.111 --> 19:32.831 And relax. 19:33.071 --> 19:33.631 Close your eyes. 19:35.312 --> 19:36.912 And drift back. 19:37.872 --> 19:38.632 Just drift back. 19:39.792 --> 19:40.513 Empty your mind. 19:41.653 --> 19:43.373 Imagine a desert island. 19:44.513 --> 19:45.174 Blue skies. 19:46.034 --> 19:49.134 Blue feet. 19:49.994 --> 19:50.895 Now clear your mind. 19:51.495 --> 19:52.195 You're five years old. 19:53.055 --> 19:54.115 You're one year old. 19:55.395 --> 19:56.876 You are in a previous life. 20:00.767 --> 20:01.969 Open your eyes, what can you see? 20:02.570 --> 20:03.351 I'm on a beach. 20:04.493 --> 20:04.853 A beach? 20:04.893 --> 20:05.775 There's no one here. 20:05.795 --> 20:06.857 It's a deserted beach. 20:06.917 --> 20:08.018 I'm all alone on this beach. 20:08.078 --> 20:08.860 No tourists. 20:09.481 --> 20:10.062 No hippies. 20:10.122 --> 20:10.763 No ravers. 20:10.843 --> 20:12.065 No Leonardo DiCaprio. 20:12.125 --> 20:13.106 No Bette Midler. 20:13.834 --> 20:14.674 It's a nice beach. 20:15.334 --> 20:19.495 Sand, palm trees, that kind of thing, but there's something weird about it. 20:20.415 --> 20:21.376 It's a freaky beach. 20:21.876 --> 20:27.257 It has a dream-like quality about it, and I can quite exactly put my finger on it, in fact. 20:27.877 --> 20:38.779 It seems freaky, because above me there's a night sky with a ridiculous amount of stars in it, but the beach itself and the sea appear to be lit by an unseen sun. 20:39.680 --> 20:40.560 Unseen sun. 20:41.460 --> 20:42.401 Wasn't he in The Last Samurai? 20:42.741 --> 20:43.001 Sorry. 20:44.362 --> 20:46.903 Ah, yes, this is a freaky CG beach I'm on. 20:47.464 --> 20:49.585 In fact, it may not be a beach at all. 20:50.045 --> 20:52.787 It may just be a beach in my brain. 20:52.807 --> 20:54.628 A brain beach! 20:55.448 --> 20:57.650 Oh my god, that's blowing my mind! 20:57.670 --> 20:59.731 I'm on a brain beach! 21:00.071 --> 21:00.672 Okay, breathe. 21:01.192 --> 21:01.773 Just breathe. 21:02.894 --> 21:04.055 Remember, the number is 087008001234. 21:04.335 --> 21:13.344 If you know who Adam is regressing into, you can win a copy of the Roswell special edition box set. 21:14.345 --> 21:15.546 And I'm going to take you further back. 21:16.667 --> 21:17.148 Further back. 21:18.149 --> 21:21.171 into a previous incarnation of this Hollywood star's life. 21:22.271 --> 21:25.273 And I want you to open your eyes and tell us what you see. 21:26.634 --> 21:27.294 I'm in a forest. 21:28.034 --> 21:30.976 It's lovely here, beautifully photographed by Dante Spinotti. 21:31.576 --> 21:36.339 It's the backwoods of North Carolina, as opposed to the north woods of back Carolina. 21:36.619 --> 21:43.023 And I'm depressed, depressed and frightened, like a depressed, frightened rabbit or a pigeon, because my mother's dead. 21:43.763 --> 22:07.115 and now i'm all alone in the woods like a frightened depressed gerbil and now people have come to take me away man people i hate men people but i love m people search for the hero inside yourself particularly was inspirational in fact it would have been a good song to have on this film which incidentally i'm pretty sure i'm going to get an oscar for because i'm really acting my tits off in this one 22:09.618 --> 22:16.821 I'm a frightened gerbil, an angry cat, a dirty badger. 22:17.201 --> 22:17.942 And relax. 22:18.302 --> 22:19.342 Breathe, Adam, breathe. 22:19.382 --> 22:21.163 I'm taking you out of that life. 22:22.024 --> 22:24.305 It's dangerous for you to remain in that life for too long. 22:25.285 --> 22:26.826 Stop the pee-pee. 22:27.566 --> 22:29.887 And I'm going to regress you back even further now. 22:30.067 --> 22:31.068 One final stage, remember, 087008001234. 22:33.309 --> 22:38.371 If you know who Adam is being, and the final regression stage, open your eyes, tell us what you can see. 22:39.071 --> 22:39.852 I'm in a field. 22:40.552 --> 22:41.513 A bleak field. 22:41.893 --> 22:44.494 Doing some random, bleak fieldwork. 22:44.754 --> 22:47.716 Not scientific fieldwork, obviously, but, you know, work in a field. 22:48.757 --> 22:49.037 Hang on. 22:49.457 --> 22:50.238 What's the commotion? 22:50.918 --> 22:53.860 It's the menfolk coming back from some random war. 22:54.120 --> 22:55.101 They look quite depressed. 22:55.641 --> 22:56.481 I know how they feel. 22:56.842 --> 23:03.546 It can't be fun coming back from war to this weird, depressing, boring old town and all the dikey women doing their random fieldwork. 23:03.926 --> 23:04.226 Hang on. 23:04.786 --> 23:05.387 Who's that man? 23:06.167 --> 23:07.507 Wait, I know that man. 23:08.288 --> 23:08.948 Or do I? 23:09.648 --> 23:10.909 Yes, yes I do, of course I do. 23:11.509 --> 23:12.389 Or do I? 23:13.149 --> 23:14.370 Yes, yes I definitely do. 23:14.910 --> 23:15.990 Or do I? 23:16.130 --> 23:16.991 Yes, yes. 23:17.571 --> 23:18.331 He's the man I know. 23:18.551 --> 23:19.151 Or is he? 23:19.451 --> 23:19.951 Yes he is. 23:20.212 --> 23:21.532 Or is he? 23:21.912 --> 23:23.393 Oh for goodness sake, this is annoying. 23:23.613 --> 23:26.934 And there's another two hours of this rubbish with a crap ending as well. 23:27.234 --> 23:27.714 Or is there? 23:28.194 --> 23:29.014 Yes there is. 23:29.434 --> 23:30.195 Or is there? 23:30.215 --> 23:30.935 Or is there? 23:31.716 --> 23:32.877 Okay Adam, just relax. 23:33.417 --> 23:34.638 Or am I? 23:34.858 --> 23:36.139 Or am I? 23:36.259 --> 23:36.899 Or is he? 23:37.920 --> 23:48.386 Adam is gonna remain on his trance state now, listeners, until one of you calls 087008001234 and guesses who he is and what films he was experiencing in his regressed state. 087008001234! 23:59.972 --> 24:01.656 Snow Patrol with Run. 24:04.259 --> 24:06.421 Adam is regressed still. 24:06.721 --> 24:08.002 Can you hear me, Adam? 24:08.202 --> 24:08.582 Okay. 24:09.983 --> 24:13.505 Adam has been regressed into the life of a famous Hollywood celebrity. 24:14.426 --> 24:15.847 He is still in his regressed state. 24:17.187 --> 24:23.191 Thousands of you have called in attempting to guess who Adam is in order to win the Roswell box set. 24:23.231 --> 24:24.112 We have Gary on the line. 24:24.132 --> 24:24.632 Hello, Gary. 24:24.972 --> 24:25.713 Hello, how are you? 24:25.993 --> 24:26.413 Very well. 24:26.793 --> 24:28.034 Where are you calling from, Gary? 24:28.674 --> 24:29.015 Ketchum. 24:29.775 --> 24:31.276 What colour pants have you got on? 24:32.902 --> 24:33.202 Nice. 24:33.922 --> 24:34.263 OK. 24:37.004 --> 24:40.245 It's disturbing Adam. 24:40.885 --> 24:41.585 OK, Gary. 24:42.146 --> 24:47.828 What I'd like you to do, first of all, is when I tell you to, just say the name of the person you think Adam was regressed into. 24:48.148 --> 24:50.709 If you're correct, Adam will come out of his regressed state. 24:51.269 --> 24:56.091 If you're wrong, you could do long term damage to his synapses. 24:56.551 --> 24:56.871 OK. 24:57.772 --> 24:58.352 OK, Gary. 24:59.012 --> 25:00.012 Adam, just breathe. 25:00.092 --> 25:00.853 Can you still hear me? 25:01.133 --> 25:01.193 Yes. 25:02.208 --> 25:03.409 And Gary, say the name now. 25:04.109 --> 25:04.890 Jodie Foster. 25:05.751 --> 25:08.232 Jodie Foster, yes, you're correct, Gary. 25:08.252 --> 25:09.273 Gary, you're so right. 25:09.954 --> 25:11.935 Gary, take us through your logic process there. 25:11.975 --> 25:13.696 What films did you think you recognised? 25:13.716 --> 25:18.840 Well, the first one, The Beach in the Mind, was Contact when she was in the Alien universe. 25:18.960 --> 25:19.441 Brain Beach. 25:19.681 --> 25:20.802 Brain Beach with Contact. 25:20.882 --> 25:23.784 Very nice references to The Beaches. 25:24.184 --> 25:24.865 Yes, thank you. 25:25.005 --> 25:28.387 And The Beach as well there during that regression. 25:28.427 --> 25:29.388 What was the second film, Gary? 25:29.668 --> 25:33.291 Right, the second one was Nell when she's the wild woman. 25:33.451 --> 25:35.052 Yes, have you seen Nell, Gary? 25:35.312 --> 25:35.552 Yes. 25:35.833 --> 25:38.434 It's an extraordinarily powerful film, isn't it? 25:38.595 --> 25:39.135 It is, yes. 25:39.215 --> 25:41.997 A new type of power that no other film possesses. 25:42.037 --> 25:45.580 Can you speak a little jubble language like in Nell? 25:46.440 --> 25:47.021 I'll try. 25:47.041 --> 25:48.602 You didn't believe that? 25:49.202 --> 25:50.203 That was good. 25:50.243 --> 25:50.983 Yeah, what does that mean? 25:52.024 --> 25:53.145 It means I'm mad. 25:53.605 --> 25:56.568 Yeah, well I think that's the one thing she never said, isn't it? 25:56.728 --> 25:58.409 What about, what was the third film, Gary? 25:59.294 --> 26:00.595 I think it was Summersbee. 26:01.015 --> 26:01.695 Correct. 26:01.735 --> 26:02.235 Correct. 26:02.436 --> 26:02.776 Yeah. 26:03.256 --> 26:04.977 What a film that is. 26:05.377 --> 26:06.397 Congratulations, Gary. 26:06.417 --> 26:08.278 And for that you get the Roswell Clicktors edition. 26:08.298 --> 26:09.158 Does that mean anything to you? 26:09.178 --> 26:10.539 It does actually. 26:10.579 --> 26:11.399 Six discs. 26:12.160 --> 26:12.540 Wow. 26:13.669 --> 26:14.289 Well, well done. 26:14.309 --> 26:14.850 Thanks for calling. 26:14.970 --> 26:15.530 That was brilliant. 26:15.550 --> 26:16.171 Well done, Gary. 26:16.191 --> 26:16.871 That was amazing. 26:17.011 --> 26:17.812 Amazing deduction. 26:17.852 --> 26:18.732 Got all the films. 26:19.132 --> 26:23.575 I mean, it was quite an easy one, but sort of semi-tough films, I thought. 26:23.615 --> 26:24.876 Got Summersbee, that's right. 26:24.896 --> 26:25.857 It's such a weird film. 26:26.177 --> 26:27.538 Husband Richard Gere comes back. 26:27.658 --> 26:29.239 Is he or isn't he her husband? 26:29.259 --> 26:30.840 Remake, of course, of Martin Gere. 26:31.360 --> 26:31.961 I didn't know that. 26:32.061 --> 26:33.463 Yeah, remake of a proper good film. 26:33.703 --> 26:34.304 There you go. 26:34.684 --> 26:37.128 Contact, which is one of my actual favourite films. 26:37.148 --> 26:40.051 It's a fantastic demo disc for your surround sound system. 26:40.232 --> 26:43.836 Yeah, that's a demented film, which I've got a real soft spot for. 26:43.996 --> 26:47.861 And Nel, of course, which everyone should see at some stage in their lives. 26:48.082 --> 26:49.444 You're listening to Adam and Joe on XFM. 26:54.750 --> 26:56.751 Scissors Scissors with Take Your Mama. 26:56.771 --> 27:01.193 Now Adam, how much do you know about the XFM's exciting Carling Live promotion? 27:01.253 --> 27:02.654 Not as much as I'd like to know. 27:02.894 --> 27:04.575 Well, let me tell you a little bit more. 27:04.895 --> 27:07.276 London is the world capital of rock and roll. 27:07.396 --> 27:07.676 Is it? 27:07.937 --> 27:08.237 Yeah! 27:08.657 --> 27:18.762 And that's why Carling are bringing you Carling Live 24, a complete day and night of adrenaline-fueled music with live sets over 24 hours from the hottest bands around. 27:21.021 --> 27:21.421 Like who? 27:21.881 --> 27:30.206 Er, Franz Ferdinand have just finished their gig at Carling Islington Academy and Star Sailor are gonna be at the Bush Hall in Shepherd's Bush and we're gonna hear from them live later. 27:30.486 --> 27:33.127 In fact, we're gonna be talking to Alex, er, live. 27:33.307 --> 27:34.008 XFM's Alex Zane? 27:34.028 --> 27:34.848 Alex Zane, yeah. 27:35.408 --> 27:35.949 Wow. 27:35.969 --> 27:36.729 He's a good looking man. 27:36.889 --> 27:37.930 He's a good looking fella. 27:38.410 --> 27:43.415 And intelligent to boot and we will be speaking to him live in about half an hour. 27:43.595 --> 27:44.636 It's exciting stuff. 27:45.216 --> 27:55.606 Also, coming up later in the show, we're going to be putting our rock and rap section to bed by playing you Scallywag's first ever proper song. 27:55.806 --> 27:56.086 Wow. 27:56.246 --> 27:57.167 What, he actually sings? 27:57.507 --> 27:59.429 Well, I think that's really stretching it. 27:59.809 --> 28:03.452 But it lasts for, you know, it's got verses and choruses and stuff. 28:04.133 --> 28:06.537 And it's a bit like, it sounds like the streets. 28:07.379 --> 28:07.679 Right. 28:07.840 --> 28:09.783 Oh, are we playing that new streets one this week? 28:09.863 --> 28:12.047 I can't, I don't, I can't get my head around the streets. 28:12.267 --> 28:14.331 She's fit, but my gosh, don't she know it? 28:15.868 --> 28:16.028 Why? 28:16.048 --> 28:16.989 What's your problem with the streets? 28:17.109 --> 28:20.273 Well, it's just not proper- it's not actual music, is it? 28:20.313 --> 28:21.795 Well, you wait till you hear Scallywag. 28:22.235 --> 28:23.497 You're gonna be begging for the streets. 28:24.298 --> 28:26.841 And, uh, we've got Ditties in the Dock coming up as well. 28:26.881 --> 28:27.982 Coming up early this week. 28:28.202 --> 28:31.146 Ditties in the Dock is coming up early because- It's all scrambled because of Zayn. 28:31.166 --> 28:32.988 Because there's a live link-up with Zayn. 28:33.268 --> 28:33.668 Exactly. 28:34.898 --> 28:42.961 Er, now listen, have you, have you seen on telly, right, the advert for, er, the Kellogg's Crunchy Nut and Special K? 28:43.261 --> 28:43.761 How does it go? 28:44.241 --> 28:52.884 Well, it's basically telling you that if you eat nothing but Kellogg's Crunchy Nut or Special K for two weeks, for breakfast and for... Oh, you'll lose weight? 28:52.924 --> 28:53.644 Lunch or dinner. 28:53.804 --> 28:55.045 You're guaranteed to lose weight? 28:55.085 --> 28:56.645 Yeah, like the two-week challenge. 28:56.665 --> 28:58.386 Drop a dress size in two weeks, exactly. 28:58.406 --> 28:59.066 A dress size? 28:59.286 --> 29:02.967 Yeah, I assume it's aimed at ladies and Eddie Izzard. 29:04.267 --> 29:11.290 And it features underneath it a track by Annie Lennox, which is a cover of an old song from the 40s or something called. 29:11.530 --> 29:12.990 Keep young and beautiful. 29:13.470 --> 29:14.731 It's your duty to be beautiful. 29:16.451 --> 29:30.397 So Annie Lennox covered it in a very kind of post-feminist way, or maybe just feminist way, really, because she was lampooning, I think, the sentiment behind the song, which is, it's not your duty to be beautiful, you know what I mean? 29:30.677 --> 29:33.819 Just be who you are, especially if you're a woman. 29:34.199 --> 29:37.200 Don't be cowed by the evil forces of body fascism. 29:37.220 --> 29:38.401 Being a beauty ain't your duty. 29:38.601 --> 29:39.181 Exactly. 29:39.341 --> 29:42.323 Have a big booty, if you want to. 29:43.283 --> 29:44.103 Did you just make that up? 29:44.123 --> 29:44.423 Yeah. 29:44.684 --> 29:46.764 Being a beauty ain't your duty. 29:47.225 --> 29:49.425 Yeah, have a big booty, if you want to. 29:49.645 --> 29:50.706 Yeah, that's brilliant, man. 29:50.786 --> 29:51.066 Thanks. 29:51.126 --> 29:52.026 You could be a feminist. 29:52.126 --> 29:53.427 Well, didn't that from Shaft? 29:53.447 --> 29:54.467 There's a remake of Shaft. 29:54.527 --> 29:56.288 Protecting your booty is my duty. 29:56.728 --> 29:56.948 Oh, yeah. 29:56.968 --> 29:57.528 Something like that. 29:57.628 --> 29:58.749 Anyway, keep going, Lennox. 29:58.769 --> 30:02.230 Well, anyway, so it just, because I'm pretty sure I'm right about that. 30:02.250 --> 30:05.031 I'm pretty sure Lennox, you know, she's a feisty feminist lady. 30:05.051 --> 30:06.332 I'm pretty sure that's why she recorded that. 30:06.632 --> 30:09.733 So why did she allow them to use it? 30:11.644 --> 30:29.186 Of course in that way, but why I'm curious as to why she would have allowed them to use that track in this in this advert Which is basically a pretty dodge on a number of levels basically telling people that they can lose weight with this insane desperate cereal diet 30:29.887 --> 30:36.513 What you're asking is why do people you previously respected on television and the media make really awful adverts? 30:36.553 --> 30:37.153 No, I'm not. 30:37.394 --> 30:37.714 I'm not. 30:37.814 --> 30:38.054 I'm not. 30:38.074 --> 30:39.716 I'm genuinely curious. 30:39.856 --> 30:40.857 Why do they do it? 30:41.517 --> 30:44.380 Could it be a big shovel load of old cash? 30:44.760 --> 30:47.703 Yeah, obviously, but I don't know. 30:47.743 --> 30:52.287 Well, the truth is probably that Annie Lennox isn't the big star that she used to be. 30:53.140 --> 30:54.821 Well, maybe she doesn't have... It's shocking news, I know. 30:54.841 --> 30:57.522 I can't believe that they didn't okay it with her, though. 30:57.562 --> 30:58.502 That's what I mean. 30:58.522 --> 31:16.910 I mean, maybe the publishers just said, yeah, you can use the track, but it's all just a bit dodge, and I think, Annie, if you're listening, you know, I think you should remove the track from the Crunchy Nut ad, because they're encouraging people to basically go on an insane Crunchy Nut-based diet. 31:16.990 --> 31:18.751 Can you imagine your stools? 31:19.776 --> 31:21.318 They would smell great. 31:21.858 --> 31:23.180 They'd be like Weetabix. 31:25.682 --> 31:26.923 No, they'd be like picnic bars. 31:27.464 --> 31:34.391 You know, I love it on the radio when people, they're talking about a star and they go, Annie, if you're listening, people on the radio do that. 31:34.631 --> 31:38.355 So Robbie Williams, if you're listening, as if they're listening. 31:38.395 --> 31:40.056 No one with a life listens to this. 31:40.317 --> 31:41.378 Come on, you never know. 31:42.914 --> 31:43.554 I think I do. 31:43.874 --> 31:45.275 Susie, Susie Applin does. 31:45.655 --> 31:46.835 There you go, that's true. 31:46.895 --> 31:48.475 Lots of very famous people listen to this. 31:48.835 --> 31:49.735 Hi, famous people! 31:50.056 --> 31:51.816 She was there last night looking very saucy. 31:52.096 --> 31:53.716 Oh, okay then. 31:54.156 --> 31:55.397 What's the problem with you, Brian? 31:55.737 --> 31:56.657 He's always cringing. 31:56.677 --> 31:59.117 All he does is stand in the corner of the producer of this and he cringes. 31:59.137 --> 31:59.918 He can't take the edge. 32:00.338 --> 32:01.178 He hates us. 32:01.898 --> 32:03.518 Outcast with Hey Ya. 32:12.793 --> 32:15.274 This is Adam and Joe on XFM London's 104.9. 32:16.374 --> 32:28.738 Now, listeners, if you're going into town this afternoon, or maybe on your way into town, or indeed if you're an Abbey National customer, I was just wondering what people think of Abbey National's rebranding. 32:29.438 --> 32:37.621 Because for years, Abbey National had the words Abbey National and then didn't have a silhouette of a couple with an umbrella, and instead of an umbrella, it was the roof of a house. 32:37.881 --> 32:38.642 That's right, yeah. 32:38.662 --> 32:40.524 A good, traditional, striking image. 32:40.544 --> 32:42.046 When did they stop using the jingle? 32:42.246 --> 32:45.950 Get the Abbey Habit with Abbey National. 32:46.150 --> 32:47.832 Too recently, because that was a great jingle. 32:47.872 --> 32:48.653 That was a smash! 32:48.793 --> 32:54.239 They've paid, obviously paid, millions of pounds to rebrand and reposition Abbey National. 32:55.020 --> 32:57.083 So what they've gone for is they've dropped the word national. 32:58.288 --> 33:00.191 They're now just ABBEY. 33:00.812 --> 33:05.260 And if you're in the high street, you'll see this in your local branch of ABBEY National. 33:05.280 --> 33:06.061 It's just called ABBEY. 33:06.462 --> 33:11.170 They've made the capital letter at the beginning of ABBEY lowercase ABBEY. 33:12.372 --> 33:13.773 and they've made it look like a ghost. 33:14.813 --> 33:18.614 It's out of focus and it's faded at the corners as if it's an apparition. 33:19.095 --> 33:19.395 What? 33:19.475 --> 33:21.916 Well it's the oddest rebranding I've ever seen. 33:21.936 --> 33:33.660 I thought, you know, maybe they've got a focus group and tested it, but it's sort of like an out of focus group and they've decided that an out of focus sign is the best way to go. 33:33.960 --> 33:38.702 And maybe you know all these banks are outsourcing all their call centres to India and places like this. 33:39.423 --> 33:41.684 Maybe Abbey National is manned by the undead. 33:42.665 --> 33:44.786 They've actually linked their phones to the other side. 33:45.326 --> 33:49.928 And when you call for information, you actually might be speaking to a long lost dead relative. 33:50.328 --> 33:50.789 Wow. 33:51.209 --> 33:55.671 Why has Abbey National gone for this weird haunted house branding? 33:56.471 --> 34:01.514 If you're in the high street and see it this afternoon, or if you've got an opinion about it, drop us a line. 34:01.534 --> 34:04.815 And Abbey National, if you're listening, give us a call. 34:06.376 --> 34:07.537 As if they're listening. 34:08.803 --> 34:09.264 Abby! 34:09.805 --> 34:11.227 Call in, tell us what you're thinking about. 34:11.247 --> 34:13.852 You probably don't even say it Abby, you probably say it... Abby. 34:15.515 --> 34:16.276 Yeah, whispered. 34:16.356 --> 34:16.516 Yeah. 34:18.240 --> 34:23.962 Because you can understand them dropping the man and the woman in the umbrella, because basically that sort of household doesn't exist anymore. 34:24.582 --> 34:35.125 There's been a lot of... Men live together, cats live with chickens, children live with old people... Man, it's out of control, the whole thing, definitely, and they've got to reflect that. 34:36.165 --> 34:37.825 The one thing Abby can bank on is ghosts. 34:38.666 --> 34:39.286 And the dead. 34:40.186 --> 34:41.987 We will all die and become ghosts. 34:42.787 --> 34:46.289 And then we'll want to go to somewhere for financial- We want our money to be protected. 34:46.309 --> 34:46.809 Yeah, exactly. 34:46.829 --> 34:49.991 Just because we're dead, we want some financial security. 34:50.011 --> 34:52.092 And Abbey can provide it. 34:52.112 --> 34:56.754 Wow, it's so nice to have a supernatural bank. 34:57.374 --> 34:58.735 Absolutely, yeah, yeah, yeah. 34:59.275 --> 35:00.076 Abbey-solutely. 35:01.276 --> 35:01.636 Nice. 35:01.756 --> 35:04.538 I wish I hadn't said that. 35:13.689 --> 35:14.389 Oh, that's nice. 35:14.449 --> 35:14.929 That's nice. 35:15.190 --> 35:16.530 That's the vines with winning days. 35:16.630 --> 35:17.730 Got a very good video for that. 35:17.850 --> 35:18.891 What happens in videos? 35:19.091 --> 35:20.831 Well, it's just sort of arty. 35:20.971 --> 35:25.333 It's like stop-motion sculpture pieces. 35:25.833 --> 35:26.853 I'm not really selling it, am I? 35:26.873 --> 35:27.554 Don't I sound very good? 35:27.734 --> 35:28.494 It is good, though. 35:29.294 --> 35:33.435 And it's all in a forest, and they're playing, and they're in a forest. 35:33.495 --> 35:34.956 It's on MTV2 the whole time. 35:34.976 --> 35:37.097 Check it out. 35:37.657 --> 35:37.697 OK? 35:37.717 --> 35:37.757 OK. 35:39.079 --> 35:39.379 What now? 35:39.399 --> 35:41.320 Well, I thought you were gonna say something. 35:41.920 --> 35:43.360 OK, I'll say something. 35:43.380 --> 35:46.541 Oh, this is a ramshackle show, isn't it? 35:46.761 --> 35:48.022 It was good up until this point. 35:48.042 --> 35:48.742 OK, sorry. 35:49.022 --> 35:53.103 OK, I think it's a Green King IPA advert, a very peculiar advert I've seen this week. 35:53.863 --> 35:58.665 I saw it in the cinema, I don't know whether it's on telly, but it's a beer advert in which a man, have you seen it? 35:58.705 --> 35:59.705 He's repeatedly hit. 36:00.245 --> 36:00.625 by things. 36:00.645 --> 36:02.126 He's basically repeatedly killed. 36:02.666 --> 36:07.008 So he's walking along a mountain road and he's hit by a huge boulder, it crushes him. 36:07.468 --> 36:08.709 Gets up, he's fine. 36:09.029 --> 36:10.029 He's struck by lightning. 36:10.829 --> 36:11.410 Should kill him. 36:11.890 --> 36:12.970 Gets up, he's fine. 36:14.031 --> 36:15.391 Run over by a big truck. 36:16.012 --> 36:16.932 Gets up, he's fine. 36:16.992 --> 36:17.632 Why is this? 36:18.052 --> 36:21.974 It's because the Grim Reaper is busy in the pub drinking the beer. 36:23.455 --> 36:25.996 Now what sort of, how do they get to that? 36:26.940 --> 36:30.448 Death drinks the product, therefore we should all buy it. 36:31.390 --> 36:32.712 Is that an advert for beer? 36:33.454 --> 36:35.177 The Grim Reaper loves it. 36:36.758 --> 36:37.538 Is that an advert? 36:37.758 --> 36:40.419 Well, people like the Grim Reaper these days. 36:41.040 --> 36:41.420 You think? 36:41.660 --> 36:42.260 He's a role model for kids. 36:42.280 --> 36:44.761 Yeah, we were talking about the Devil the other day as well. 36:44.801 --> 36:46.302 Well, the Devil appears in lots of ads. 36:46.782 --> 36:47.722 And people don't mind. 36:47.762 --> 36:50.023 They don't mind being sold stuff by the Devil. 36:50.063 --> 37:00.087 In a way, it's just... Do you think evil is abroad in the advertising industry to such a degree that the Grim Reaper and Satan actually walk around in the corridors of advertising agencies? 37:00.387 --> 37:00.688 Yeah, yeah. 37:00.848 --> 37:02.828 And want to try and get themselves into adverts? 37:03.249 --> 37:03.809 Definitely. 37:04.967 --> 37:05.567 Definitely. 37:05.668 --> 37:10.270 Yeah, Satan is the... He runs all the advertising. 37:10.450 --> 37:10.770 Does he? 37:10.950 --> 37:13.031 And he wants a slice of the pie. 37:13.091 --> 37:17.253 Wow, well he loves Green King IPA, or the Grim Reaper loves Green King IPA. 37:17.854 --> 37:22.976 What do you think the Grim Reaper... I mean, surely... What happens to the Grim Reaper when he gets drunk? 37:24.177 --> 37:25.077 Takes the wrong lives. 37:25.898 --> 37:26.758 Right, right, right. 37:26.898 --> 37:28.999 Or just, yeah, he just stays there and gets steamed. 37:29.440 --> 37:33.782 But you'd think once you were dead, you wouldn't need to really get drunk and stuff like that. 37:34.750 --> 37:40.112 Well, you probably need to, you know, create some variety in your eternal damnation. 37:40.432 --> 37:43.733 Yeah, and alcohol, that's the best way to do it, after all. 37:45.133 --> 37:54.656 The other worst advert on telly at the moment I think is the airwick advert, where the woman in the modern art gallery smashes the piece of modern art, so she replaces it with an airwick. 37:55.316 --> 37:56.716 I haven't seen any of these. 37:56.796 --> 37:58.157 No, you're watching different stuff to me. 37:58.197 --> 37:59.277 Surely you've seen that one. 37:59.297 --> 38:04.058 And so she put, because the airwick is so beautifully designed, it could pass for a piece of modern art. 38:04.178 --> 38:04.518 Right. 38:04.818 --> 38:13.780 And then, so she puts the airwick on the pedestal and then awful Euro people come in and go and are attracted by the pong and the design and they think it's wicked. 38:13.800 --> 38:18.541 And it's one of those fantastic Euro adverts where people don't actually speak visibly. 38:18.761 --> 38:19.001 Yeah. 38:19.181 --> 38:22.842 They start opening their mouths but then it cuts away so that they can dub it in any country. 38:23.142 --> 38:24.382 Like the Ferrero Rocher ads? 38:24.942 --> 38:29.865 Yeah, possibly or there's one where the woman where every time they speak they lift coffee mugs up in front of their faces, okay? 38:29.905 --> 38:39.211 Yeah, they're moving their mouths So they can say that so they can speak German or Belgian or the airwick advert is a classic of that genre. 38:39.311 --> 38:39.491 Yeah 38:40.225 --> 38:40.826 Man, that's good. 38:41.126 --> 38:53.417 I'll tell you, the only ad that I've been watching a lot and enjoying is the one for Baileys, where there's young people in a kind of club or a bar, and they're all floating around. 38:53.437 --> 38:54.338 There's no gravity. 38:54.859 --> 38:58.622 And there's big blobs of Baileys floating around in the vacuum. 39:00.524 --> 39:02.985 And because there's no gravity, it's all formed into... No, no. 39:03.345 --> 39:10.728 And it's all CG blobs, obviously, but they've done it really well, so it looks like real Baileys floating in a... That wouldn't work, would it? 39:10.768 --> 39:11.148 Why not? 39:11.248 --> 39:13.449 Well, you couldn't guarantee quite what the blob was. 39:13.469 --> 39:16.950 I mean, the bar... I suppose you'd do it close to the bar. 39:16.990 --> 39:21.772 You'd have to be floating near the bar, and then you'd have to... But it could be a blob of anything. 39:21.812 --> 39:23.733 It could be, like, a moist burp. 39:24.153 --> 39:25.475 Or a blob of wee from the toilet. 39:25.575 --> 39:27.357 Could be a blob of wee from the toilet. 39:27.718 --> 39:29.280 Could just be a little blob of puke. 39:29.800 --> 39:37.350 You know, in an anti-gravity nightclub, where everyone's drinking floaty drinks, if someone spews or wheeze, it's gonna confuse the service. 39:38.611 --> 39:38.912 Isn't it? 39:39.392 --> 39:40.133 Oh, that looks nice! 39:41.134 --> 39:42.155 Ooh, it's puke! 39:42.715 --> 39:44.857 And it would come out again and it would be second-hand puke. 39:45.197 --> 39:48.219 You'd have balls of puke floating around that had been in several guts. 39:48.579 --> 39:50.300 And all the Charlie would be floating around. 39:50.320 --> 39:51.021 The Charlie! 39:51.221 --> 39:52.021 Oh, the Charlie. 39:52.041 --> 39:53.723 You wouldn't be able to control the Charlie. 39:53.883 --> 39:54.323 Used condoms. 39:54.343 --> 39:55.944 It would be diffused into the atmosphere. 39:56.765 --> 40:05.150 You'd just be completely off your rocker the second you walked in, imbibing puke and drugs and... Oh, that sounds wicked. 40:05.190 --> 40:05.991 And blobs of babies. 40:06.011 --> 40:06.931 Let's open that club. 40:07.011 --> 40:07.652 Hooray! 40:16.597 --> 40:20.499 That's Travis with Driftwood. 40:20.519 --> 40:22.240 You're listening to Adam and Joe on XFM. 40:25.601 --> 40:26.942 Now, don't get confused, listener. 40:26.962 --> 40:28.322 We're not coming to the end of the show. 40:28.362 --> 40:37.107 We've just had to move Dizzies in the Dock half an hour early because of our fantastic live link-up with Alex Serzane at the Carling something or other later in the show. 40:38.422 --> 40:39.602 So, Dizzy's in the dock it is. 40:39.662 --> 40:43.224 This is the segment where Adam and I battle it out for our one free play on the show. 40:43.644 --> 40:47.125 We both want to very much play a song, but only one of us can. 40:47.405 --> 40:48.466 You, the listeners, get to vote. 40:48.486 --> 40:52.107 087008001234, we're gonna propose our songs to you. 40:52.707 --> 40:54.288 You decide which one you'd rather hear and call 087008001234. 40:54.968 --> 40:57.949 It's the best of... five calls. 40:58.329 --> 41:03.031 Sorry, I had a chew and it's increased my saliva output in my mouth tenfold. 41:03.211 --> 41:04.031 And I'm dribbling like a man. 41:04.051 --> 41:05.732 There's saliva just pouring out of your mouth. 41:07.252 --> 41:09.653 Okay, so I'll start this week now. 41:09.873 --> 41:25.677 I have brought in my men at work best of CD could move and It's packed with smashes of course their most famous number being down under I come from a land down under Etc etc, but who could forget other classics like who can it be now? 41:26.097 --> 41:26.817 It's a mistake. 41:26.857 --> 41:29.278 How's that one go who can it be oh yeah? 41:31.371 --> 41:52.300 it's a mistake i won't sing that one but that's good dr heckle and mr jive i think you can forget that one that is a terrible title isn't it but the best song on the cd for me is overkill um and uh day after day it reappears and it starts i can get to sleep 41:52.560 --> 42:05.475 yeah yeah it's not my choice but I'd like to hear that and that is a peach a peach of a song and if you ever thought men at work were just a kind of a joke band then this will explode 42:08.018 --> 42:11.360 Yeah, well it's an absolutely classic song, it's a peach. 42:11.440 --> 42:12.061 What have you got Joe? 42:12.221 --> 42:17.104 Well this week I've got Queen with Flash, the theme from the film Flash Gordon. 42:17.224 --> 42:21.867 I've been re-watching it recently, I think it's one of the great British movies. 42:22.088 --> 42:22.448 Mike Hodges? 42:22.468 --> 42:29.893 Direct by Mike Hodges, filmed in Italy with all of the Cinecetta staff, amazing production design, camp, 42:30.773 --> 42:32.494 funny, exciting. 42:33.135 --> 42:37.357 When I was a kid, Flash Gordon, man, I loved that film so much, watched it again and again and I still watch it. 42:37.717 --> 42:44.761 And what I'd like to play is Queen's Flash single with all the sound effects from the film in it, not the sound effects free version. 42:44.841 --> 42:46.522 Gordon's alive! 42:47.526 --> 42:49.048 I think you should execute that trainer. 42:49.709 --> 42:50.790 Are you men on the right pills? 42:51.350 --> 42:53.513 Strap yourselves down, etc. 42:53.533 --> 42:58.639 Fantastic clips from the film Flash Gordon, all wrapped up in a package of one of Queen's really good singles, Flash. 42:58.919 --> 43:02.683 So that's it, this is in the doc this week, is men at work with, what, Overkill? 43:02.823 --> 43:03.964 Overkill. 43:04.005 --> 43:06.768 That was Northern Deliberate, and Queen with Flash. 43:07.288 --> 43:08.830 Okay, so it's anybody's game. 43:08.990 --> 43:30.629 Yeah, then it work or Queen get phoning Oh eight seven hundred eight hundred one two three four We'll take the first five calls and the best of those five will be played That is the strokes with reptilia 43:31.772 --> 43:38.568 This is Adam and Jo on XFM, London's 104.9, it's time for, uh, Dizzies in the Dock, the results. 43:39.927 --> 43:41.468 It's like our results program, yeah? 43:41.828 --> 43:42.529 Yeah, yeah, yeah. 43:42.549 --> 43:47.952 Just to remind you, this is the part of the show where Joe and I battled out for our one free play of the week. 43:48.012 --> 43:53.795 This week, we've got Flash by Queen up against Overkill by Men at Work. 43:54.035 --> 43:56.536 Two classic singles. 43:56.876 --> 43:58.497 We've had a lot of response to this one. 43:59.198 --> 44:00.498 We've taken the first five calls. 44:00.679 --> 44:03.740 I genuinely don't know which way it's gonna go, but I've got a bad feeling. 44:04.180 --> 44:04.521 Okay. 44:04.761 --> 44:05.281 Caller one. 44:05.761 --> 44:06.502 Daniel, are you there? 44:07.182 --> 44:07.382 Yep. 44:07.802 --> 44:09.663 Is it gonna be Men at Work or Queen? 44:10.403 --> 44:12.464 Men at Work, pure curiosity. 44:13.305 --> 44:14.285 Okay, nice logic. 44:14.645 --> 44:16.726 That is one for Men at Work, fantastic. 44:17.526 --> 44:17.867 Next one. 44:17.887 --> 44:19.527 Richard, are you there? 44:20.308 --> 44:20.488 Hello? 44:20.788 --> 44:23.809 Hello Richard, is it gonna be a Flash or Overkill? 44:23.829 --> 44:25.730 It has to be Gordon's Alive. 44:25.830 --> 44:27.030 Gordon's Alive. 44:27.050 --> 44:28.791 Who wants to live forever? 44:29.111 --> 44:30.692 One for Queen, one for Men at Work. 44:30.932 --> 44:32.413 Thank you very much Richard, beautiful quote. 44:32.453 --> 44:33.073 Danielle, are you there? 44:33.706 --> 44:34.166 Hi, Joe. 44:34.186 --> 44:34.766 Hi, Adam. 44:34.906 --> 44:35.587 Hey, Danielle. 44:35.627 --> 44:36.427 Which are you voting for? 44:36.447 --> 44:37.227 Men at Work or Queen? 44:37.688 --> 44:41.089 Well, Flash Gordon was my favourite film when I was little, so it's going to have to be Queen. 44:41.109 --> 44:41.749 God bless you. 44:41.769 --> 44:43.010 Fantastic taste. 44:43.050 --> 44:43.570 Impeccable. 44:43.610 --> 44:44.310 Mark, are you there? 44:44.610 --> 44:46.431 One more for Queen, and Queen takes it. 44:46.731 --> 44:49.492 Mark, are you there? 44:50.473 --> 44:51.633 Hello? 44:51.713 --> 44:52.273 Hello, Mark! 44:52.653 --> 44:54.574 Ming the Merciless, not Merciful. 44:54.594 --> 44:56.835 That would have been a very different film. 44:57.695 --> 44:59.096 Mark, thanks very much for your call. 44:59.136 --> 44:59.596 That's it. 45:00.116 --> 45:01.517 Oh, I can't believe it. 45:04.246 --> 45:06.067 Men at work trounced by Queen. 45:06.508 --> 45:07.608 Deservedly so. 45:08.329 --> 45:09.470 You're alive. 45:11.271 --> 45:11.651 Pass! 45:11.931 --> 45:14.113 Ah! 45:14.633 --> 45:18.316 Savior of the Universe! 45:22.419 --> 45:22.759 Pass! 45:23.320 --> 45:25.121 Ah! 45:25.701 --> 45:27.202 You saved everyone of us! 45:38.385 --> 45:48.372 He's for every one of us He stands for every one of us He stands for every one of us 46:08.655 --> 46:13.436 Flash Gordon Approaching! 46:13.776 --> 46:17.157 What do you mean, Flash Gordon Approaching? 46:18.578 --> 46:20.238 Open fire! 46:20.278 --> 46:21.198 Call the weapons! 46:21.258 --> 46:27.260 Please smash war rocket Ajax to bring back his body! 46:27.620 --> 46:28.020 Pass! 46:30.961 --> 46:34.402 Ahh! 46:35.223 --> 46:35.943 Golden Son! 46:47.961 --> 46:57.846 Nothing but a man you can never bear 47:32.520 --> 47:34.942 What do you mean, Flash Gordon Approaching? 47:35.182 --> 47:36.923 Well, I just mean he's approaching. 47:37.143 --> 47:39.744 What do you mean, Flash Gordon Approaching? 47:40.165 --> 47:42.086 Well, I just said, Flash Gordon Approaching. 47:43.267 --> 47:44.087 Why is that so hard? 47:44.647 --> 47:46.949 Dispatch Wardock at Ajax to bring back his body. 47:48.250 --> 47:48.550 Wow. 47:48.850 --> 47:50.911 Oh, that's such a fantastic single, don't you think? 47:51.091 --> 47:51.332 Yeah. 47:51.452 --> 47:52.612 What an amazing single. 47:52.632 --> 47:57.195 Do you think that's how Freddie Mercury would have reacted if Flash Gordon walked into a party? 47:57.676 --> 47:58.076 Flash! 48:00.029 --> 48:00.449 Like that. 48:00.549 --> 48:01.609 King of the Impossible! 48:02.550 --> 48:03.290 Yes, I think it is. 48:04.130 --> 48:10.332 The man who played Flash Gordon, Sam Jones is the actor's name, is now a successful on-set photographer. 48:10.952 --> 48:11.732 Gave up the acting. 48:12.292 --> 48:12.892 Don't know why. 48:12.912 --> 48:13.792 Funny that. 48:13.892 --> 48:15.213 His voice was even dubbed, wasn't it? 48:16.073 --> 48:17.033 I don't know whether that's true. 48:17.093 --> 48:19.054 That's certainly a rumour. 48:19.174 --> 48:19.454 Who knows? 48:19.634 --> 48:21.534 Maybe Alex Zane knows the answer to that. 48:21.614 --> 48:22.655 He's on the line now. 48:23.175 --> 48:23.835 Alex, are you there? 48:24.468 --> 48:25.168 Hello, Adam. 48:25.348 --> 48:26.088 Hello, Joe. 48:26.329 --> 48:26.889 Hello, Alex. 48:26.929 --> 48:27.849 You sound very odd. 48:28.389 --> 48:31.510 Have you been subsumed into a computer like in the film Tron? 48:32.410 --> 48:33.690 No, but I wish I had. 48:33.730 --> 48:35.091 What a fantastic movie. 48:35.191 --> 48:36.371 What a great movie. 48:36.431 --> 48:43.293 Before we chat to you about Carling's 24-hour music-thon, do you know the answer to that question? 48:43.313 --> 48:46.434 Was Sam J. Jones's voice dubbed in the movie Flash? 48:47.358 --> 48:50.621 I don't, but the 40 hours line always used to bother me. 48:50.942 --> 48:53.244 40 hours to save the Earth seems like an awfully long time. 48:53.964 --> 48:59.330 I think if they'd said 60 minutes or 25 minutes... Right, you reckon you can do it in less, do you, Alex? 49:00.655 --> 49:18.227 Yeah, we'll see because the world is in terrible jeopardy with global warming and the current political situation So let's give you ten minutes to save the world Alex saying and see what you come up with nothing I would imagine Well that would involve you causing destruction of the world in ten minutes, which I know you're incapable of doing fair enough Sorry, I came down on you like a ton of bricks. 49:18.288 --> 49:22.430 Yeah, you smacked him right down Alex What are you up to you've been awake for hours and hours? 49:22.490 --> 49:22.731 Why? 49:23.808 --> 49:26.332 Because it's calling live 24. 49:26.452 --> 49:28.616 I'm over at ambush hall in Shepherds Bush. 49:28.636 --> 49:32.162 I'm a star sailor Well, I invite you after that nothing. 49:32.202 --> 49:33.344 I just like your manner 49:34.181 --> 49:37.222 You sound very excited, like a man who's been up a very long time. 49:38.503 --> 49:39.443 It's a lot of coffee. 49:40.103 --> 49:42.404 Yeah, no, Starsayer are about to take the stage. 49:42.804 --> 49:43.604 It's very exciting. 49:43.624 --> 49:45.905 I get to go on stage and introduce them. 49:45.985 --> 49:49.887 I've just come from Carling Academy, Islington, where Franz Ferdinand played. 49:50.247 --> 49:51.347 That was fantastic. 49:51.387 --> 49:53.528 That's not some sort of university or school, is it? 49:54.480 --> 49:59.143 No, it's an academy of music, but not in the sort of teaching sense, or in the performance sense. 49:59.163 --> 50:00.763 An academy of music and beer. 50:00.884 --> 50:02.985 It's an academy of drunken buffoonery. 50:03.605 --> 50:04.265 And students. 50:04.646 --> 50:06.607 So Franz Ferdinand were playing this morning? 50:07.187 --> 50:10.389 They were, they were playing at about one o'clock, so not this morning. 50:10.429 --> 50:11.169 Oh, this afternoon, yeah. 50:11.469 --> 50:11.869 Well, yes. 50:12.029 --> 50:14.011 A matinee, and did they play matinee? 50:15.331 --> 50:19.133 They probably did, I had to leave before they had to go over to Bush Hall. 50:19.153 --> 50:20.374 Sorry, I bored myself there. 50:22.736 --> 50:27.204 I'm gonna put money on the fact they played matinee AND put money on the fact it was probably very good. 50:27.284 --> 50:29.108 But I didn't get a chance to see it. 50:29.168 --> 50:30.891 And when do you get to go home to bed? 50:30.972 --> 50:33.076 After Star Sailor or have you got more musical duties? 50:33.955 --> 50:44.025 No laughter star sailor feeder are playing at the curling Hammersmith Apollo later, and then it's even the scissors sisters at Brixton Academy I'll be at both of those so sleep is a long way off. 50:44.085 --> 50:45.567 You can't stop saying the word Carlin. 50:45.587 --> 50:47.209 Can you yeah? 50:47.249 --> 50:50.732 It's like Tourette's Well, you can have it. 50:50.772 --> 50:53.815 You can have a nap during some of the quiet star sailor numbers. 50:53.855 --> 50:54.476 Can't you Alex? 50:54.496 --> 50:54.536 Oh 50:54.813 --> 50:59.339 I might have a nap, while Star said they're playing at the Carling Live 24. 50:59.439 --> 50:59.960 I'm joking. 51:00.401 --> 51:02.303 So yeah, I might have a nap. 51:02.363 --> 51:04.706 I'm sorry, I'm with Lisa and she's laughing at me. 51:04.766 --> 51:05.728 We miss you, Alex. 51:05.768 --> 51:08.672 We miss you being here when we come in to do the show. 51:08.712 --> 51:10.594 We miss having your cuddly little face. 51:11.455 --> 51:12.216 Behind a desk. 51:12.677 --> 51:15.500 I expect three suites next week, so I'm gonna wait three weeks. 51:15.580 --> 51:15.880 Sister. 51:15.920 --> 51:16.220 Am I? 51:16.621 --> 51:16.901 Am I? 51:17.281 --> 51:17.562 Am I? 51:17.842 --> 51:18.122 Am I? 51:18.803 --> 51:19.744 Stop it, you two. 51:20.365 --> 51:21.846 Okay, listen, have a good time, Alex. 51:21.906 --> 51:22.927 Enjoy Star Sailor. 51:23.368 --> 51:24.068 Thank you very much. 51:24.189 --> 51:27.292 And we look forward to seeing you back again all safe and sound very soon. 51:27.332 --> 51:29.154 Right now, here are Star Sailor. 51:37.790 --> 51:41.791 Pete Dorothy and Four Lovers. 51:42.091 --> 51:45.171 Now, are you convinced you're pronouncing that correctly, Adam? 51:45.531 --> 51:46.031 Dorothy. 51:46.431 --> 51:51.792 Because it says here on our notes, with our playlist, pronounced Doc-erty. 51:52.272 --> 51:54.093 Oh, were you supposed to do a hard C? 51:54.173 --> 51:55.073 Are they right or wrong? 51:55.113 --> 51:56.453 Pronounced Doc-erty. 51:56.533 --> 51:57.653 I used to say Doc-erty. 51:57.793 --> 52:07.115 Well, the other week we had a text message in, I think, praising you for correctly pronouncing the name when other XFM DJs mispronounced it. 52:07.335 --> 52:11.337 Well then last week you see I changed my posse because I'd seen Cat Deeley calling him Dorty. 52:11.898 --> 52:12.358 Dorty. 52:12.778 --> 52:13.319 Dorty. 52:13.579 --> 52:14.639 FELTHY DORTY. 52:15.440 --> 52:17.841 And so I thought I should take a leaf out of Deeley's book. 52:18.662 --> 52:19.903 Well we're reaching the end of the show. 52:19.943 --> 52:21.143 Thanks very much for listening. 52:21.263 --> 52:24.666 It's been a random and sort of abstract show this week. 52:24.706 --> 52:26.527 We're in a transition phase. 52:27.447 --> 52:29.629 We're killing off Scallywag and the rapping. 52:30.349 --> 52:31.930 We haven't thought of any new features yet. 52:32.130 --> 52:34.892 We haven't, well, we have, but we haven't unveiled them. 52:35.232 --> 52:36.693 This is not the week to unveil them. 52:37.153 --> 52:42.077 And we don't even have time to play Scallywag's song, so maybe we'll play Scallywag's song next week. 52:42.217 --> 52:44.618 Watch out for that, it's gonna be incredible. 52:44.638 --> 52:47.820 You know, it's generally, it's what I call a bunker weekend this weekend. 52:47.841 --> 52:49.342 The weather's obviously gonna be miserable. 52:49.762 --> 52:54.805 It's a weekend to just stay at home for three whole days, solidly. 52:55.686 --> 52:57.807 Maybe without even getting out of your pajamas. 52:57.927 --> 53:01.390 I might try and stay in my pajamas for two and a half days. 53:02.490 --> 53:03.311 Is that a good idea? 53:03.671 --> 53:08.074 And I'm gonna go to Blockbusters, and I'm gonna rent about ten films that I won't watch. 53:08.794 --> 53:12.076 And then they're gonna be overdue, and I'll have to pay about fifty quid for them later in the week. 53:12.116 --> 53:13.337 What's top of your rental list? 53:13.637 --> 53:13.897 SWAT. 53:14.578 --> 53:15.098 SWAT? 53:15.178 --> 53:16.159 What are you thinking of? 53:16.179 --> 53:19.021 Well, it's a really slow... Pop-culturally, this is a rubbish week. 53:19.041 --> 53:19.701 There's nothing. 53:20.081 --> 53:21.462 There's nothing this week, is there? 53:21.842 --> 53:23.964 No films at the cinema, nothing to rent. 53:25.444 --> 53:26.505 It's a bunker weekend. 53:27.386 --> 53:32.091 I'm just reeling from the fact that Brian has just told me I can't play my- What?! 53:32.491 --> 53:33.773 I was gonna play another song! 53:34.153 --> 53:37.617 And now he's tapping his watch and he's saying, play the adverts. 53:37.957 --> 53:39.879 It's just been one of those weeks, you know what I'm saying? 53:40.219 --> 53:42.582 Well, we've just been doing it for the man this week. 53:43.383 --> 53:44.384 And not for ourselves. 53:45.431 --> 53:46.672 Well, listeners, thank you for listening. 53:46.732 --> 53:48.094 Have a great bank holiday weekend. 53:48.114 --> 53:54.319 We'll be back the same time next week for a show that's just gonna kick this one out of the... I don't know what phrase I've launched into. 53:54.339 --> 53:55.160 The dirty box. 53:55.280 --> 53:56.001 The dirty box. 53:56.041 --> 53:57.582 Kick this one into the dirty box. 53:57.602 --> 53:58.483 What does that even mean? 53:58.583 --> 53:59.704 I don't know. 53:59.744 --> 54:00.605 Yeah, have a good week. 54:00.785 --> 54:01.746 Enjoy your bank holiday. 54:01.766 --> 54:03.027 Let's hope the sun comes out. 54:03.828 --> 54:08.452 And Annie Lennox, if you're listening, I hope you have a good one as well.