WEBVTT 00:00.049 --> 00:02.570 And before that you heard Muse with Hysteria. 00:02.890 --> 00:04.450 This is Adam Buxton. 00:05.090 --> 00:05.831 This is Joe Cornish. 00:05.871 --> 00:11.332 Coming up in the next two hours, music from Atomic Kitten, Will Young, Blue, Busted, McFly, Jimmy the Hoover, Hazy Fantazy. 00:11.772 --> 00:12.513 Slight playlist. 00:13.873 --> 00:14.833 Wouldn't that be brilliant? 00:15.433 --> 00:15.794 Yes. 00:17.314 --> 00:17.954 Some of those are good. 00:17.994 --> 00:19.115 I wouldn't mind hearing them. 00:19.155 --> 00:20.295 You quite like McFly. 00:20.355 --> 00:21.235 I quite like McFly. 00:21.255 --> 00:22.836 Do you like McFly? 00:22.916 --> 00:23.736 They're a bit ugly. 00:23.916 --> 00:24.896 Yeah, we're not looking at them. 00:24.916 --> 00:25.516 We're listening to them. 00:25.696 --> 00:27.297 Well, they're supposed to be looked at, you know. 00:28.786 --> 00:30.787 They, do you think they're more or less attractive than Busted? 00:31.548 --> 00:34.049 Uh, well, less attractive. 00:34.089 --> 00:39.332 In fact, I was watching The Saturday Show this morning, or whichever one of those kids shows Busted were on. 00:39.392 --> 00:40.733 The Saturday Madhouse? 00:40.793 --> 00:43.655 Yeah, there's Ministry of Mayhem and there's The Saturday Show. 00:44.235 --> 00:57.744 And Busted were on one of them, and these two little girls, competition winners, they were both at about 11 or 10, they were tiny looking, had won the chance to have a date with Busted, and it was all slightly inappropriate because they were using the language of dating, and Busted are like, what, late 19, 20, 21 or something? 00:57.764 --> 00:58.004 About 30. 35. 01:00.826 --> 01:17.740 and the girls were 11 and so eventually they got through the patter and and the hostess went okay now uh but their boyfriend's gonna be very jealous because now busted are gonna give the girls a kiss and uh the little ginger girl charlie charlie from busted lent over to kiss the little ginger girl and she went for his mouth 01:18.340 --> 01:18.500 Really? 01:18.520 --> 01:22.745 And he went to the right, she went to the right, he went to the left, she went to the left. 01:23.045 --> 01:27.450 And basically he had to take her head and move it to the one side and kiss her on the cheek. 01:28.131 --> 01:31.675 But the little ginger 11 year old was gonna pop her tongue in his gob. 01:31.935 --> 01:32.415 Really? 01:32.576 --> 01:32.976 I don't know. 01:32.996 --> 01:35.118 Are you sure it wasn't just a little awkward moment? 01:35.319 --> 01:35.379 No. 01:35.979 --> 01:37.801 She was lunging for the... She's going for the lips. 01:38.041 --> 01:39.222 The busted gob. 01:39.482 --> 01:40.022 Charlie gob. 01:40.223 --> 01:41.103 The Charlie gob. 01:41.183 --> 01:41.303 Anyway. 01:41.584 --> 01:44.966 Coming up later in the show, we've got an excellent selection of music. 01:45.006 --> 01:57.116 Unfortunately, no Jimmy the Hoover, but we do have music from Air, Franz Ferdinand, Travis Coldplay, The Bees, The Stills, a new one from Morrissey, all sorts of things. 01:57.556 --> 02:00.659 As well, of course, as the chance to win exciting prizes. 02:03.842 --> 02:09.107 Look, see, that's what it's done to Joe, and what has done that is Kill Bill tickets. 02:09.147 --> 02:16.675 We've got tickets so you can go and see Kill Bill volume one and volume two at a special preview screening next week, next Thursday. 02:17.296 --> 02:20.179 It's one of those previews that's the night before it actually comes out. 02:20.399 --> 02:21.320 Still, that's pretty good. 02:21.380 --> 02:23.182 Yeah, it's one of those brilliant previews. 02:23.502 --> 02:23.762 Yeah. 02:23.903 --> 02:24.924 Have you seen Kill Bill 2? 02:25.204 --> 02:25.785 Yes, I have. 02:25.965 --> 02:26.445 Is it good? 02:26.906 --> 02:27.366 Uh, yes it is. 02:27.447 --> 02:28.528 I haven't even seen one yet. 02:29.088 --> 02:30.550 Uh, I'll talk more about it later. 02:30.570 --> 02:30.991 Ooh. 02:31.111 --> 02:31.651 My screening. 02:31.671 --> 02:32.773 That's something to look forward to, eh? 02:32.793 --> 02:33.253 Teasing. 02:33.894 --> 02:34.875 Tease more, tease more. 02:35.516 --> 02:37.358 Uh, you naughty... puns. 02:39.100 --> 02:39.561 That's it. 02:40.001 --> 02:40.642 That's nice. 02:41.583 --> 02:45.388 We've also got some regression therapy, celebrity regression therapy. 02:45.428 --> 02:46.730 Quite an easy one this week, I think. 02:46.750 --> 02:50.375 So if you want to get those Kill Bill tickets, then stay tuned for that. 02:50.395 --> 02:53.359 As well, of course, as some lazy reviews. 02:53.760 --> 02:54.681 Ditty's in the Docks. 02:54.721 --> 02:58.165 Yeah, you can email us Adam and Joe at xfm.co.uk. 02:58.265 --> 03:00.408 That's the word and, not an ampersand. 03:00.989 --> 03:08.939 Or you can text us on 83936 if you've got any comments or complaints or contributions to the show. 03:09.019 --> 03:11.242 Actually not complaints, because we just don't read them, we just delete them. 03:12.520 --> 03:13.500 Yeah, what, you tailed off? 03:14.220 --> 03:15.201 I tailed off. 03:15.301 --> 03:16.021 You tailed off? 03:16.441 --> 03:17.181 I tailed off. 03:17.241 --> 03:17.541 Yeah. 03:17.561 --> 03:18.142 I did, yeah. 03:18.282 --> 03:20.242 I thought you was going somewhere and then you stopped. 03:20.482 --> 03:20.862 No, no. 03:20.882 --> 03:21.843 You was, it was, yes. 03:21.963 --> 03:22.883 Let's play some music. 03:23.083 --> 03:23.643 All right then. 03:23.663 --> 03:25.484 Oh, I feel quite ill. 03:25.764 --> 03:26.784 You're hungover, eh? 03:26.984 --> 03:28.665 Yeah, we went to... Aparté. 03:28.685 --> 03:29.305 Aparté. 03:29.465 --> 03:30.965 We'll talk more about that after this one. 03:33.086 --> 03:34.006 What's happened there, Brian? 03:34.526 --> 03:36.407 Oh, you didn't tell me they all had things on them now. 03:36.427 --> 03:39.748 It's all gone technical. 03:50.399 --> 03:53.381 As, uh, Snow Patrol with a song called Chocolate. 03:53.701 --> 03:57.843 Do you know, I'm so pathetic that just the word chocolate makes me slightly giggle. 03:58.783 --> 03:59.124 Does it? 03:59.204 --> 03:59.644 Yeah. 04:00.364 --> 04:01.345 Well, that's good. 04:01.385 --> 04:01.705 Well done. 04:01.745 --> 04:02.405 I think that's good. 04:02.425 --> 04:04.947 You should, uh, you know, take any opportunity to be happy. 04:05.047 --> 04:06.127 Well, that's true, isn't it? 04:06.567 --> 04:09.489 I noticed that we've got a song from Aqualung coming up very shortly. 04:09.949 --> 04:12.671 I think the guy from Aqualung was at the party last night. 04:12.691 --> 04:12.931 Partay? 04:13.051 --> 04:13.411 Wasn't he? 04:13.791 --> 04:14.271 I don't know. 04:14.311 --> 04:15.092 I didn't notice that. 04:15.492 --> 04:16.513 I think it was, yeah. 04:16.613 --> 04:21.235 The guy from 80s Matchbox B-Line Disaster was there. 04:21.435 --> 04:22.115 Yeah, a couple of them. 04:22.335 --> 04:23.356 Hey, they were very nice. 04:23.536 --> 04:25.057 They were really wasted. 04:25.717 --> 04:29.299 I tell you what, they're the perfect rock and roll unit, as far as I'm concerned. 04:29.319 --> 04:31.380 We should explain this party, though, to our good listeners. 04:31.740 --> 04:35.802 There's gonna be a lot of name dropping, inevitably. 04:35.842 --> 04:38.343 We should have a sound effect, really, shouldn't we, for name dropping? 04:38.423 --> 04:38.603 Yeah. 04:38.863 --> 04:39.984 Maybe Brian's got one. 04:40.024 --> 04:40.765 He's moving around. 04:40.785 --> 04:42.127 What's he doing? 04:42.187 --> 04:43.208 What's he doing? 04:43.288 --> 04:49.175 But we went to a party last night, and it was the birthday party of Edgar Wright, who's the director of Shaun of the Dead. 04:49.195 --> 04:49.736 Hooray! 04:49.756 --> 04:52.219 The number one British zombie comedy movie. 04:52.279 --> 04:53.420 Saved the British film industry. 04:53.460 --> 04:53.861 Yeah. 04:54.822 --> 04:56.184 And, aptly enough, 04:56.644 --> 05:01.448 The party started at 7.30, it was a fashionable central London location, and it finished what? 05:01.468 --> 05:02.889 Well, I don't know, I left about half past 12. 05:03.569 --> 05:04.170 Finished about 2. 05:04.950 --> 05:12.096 By 11pm, the host of the party, Edgar Wright, was more drunk than I've ever seen anybody in my entire life. 05:12.296 --> 05:19.722 Aptly enough, he was shuffling around like a zombie, with these amazing dilated pupils, as if he'd just drunk a whole bucket load of acid. 05:20.522 --> 05:22.343 stumbling around, unable to speak. 05:22.683 --> 05:27.746 In fact, he'd have fallen over if the party wasn't so packed that it was physically impossible to fall over. 05:27.766 --> 05:28.126 Yeah. 05:28.146 --> 05:28.927 Yeah. 05:30.468 --> 05:32.228 And I feel like falling over now, actually. 05:32.369 --> 05:33.229 You know what, I didn't drink. 05:33.509 --> 05:33.969 Did you not? 05:34.069 --> 05:34.210 Nope. 05:34.430 --> 05:35.350 No, because you were driving. 05:35.550 --> 05:38.252 I stayed stone cold sober and I feel excellent. 05:38.292 --> 05:41.333 I feel worse than I've felt for about ten years, I think. 05:41.353 --> 05:42.954 Oh well, let's drop some more names. 05:44.816 --> 05:46.338 Well, I still don't know how to say this. 05:46.438 --> 05:46.878 Walliams. 05:46.958 --> 05:47.479 Walliams. 05:48.219 --> 05:48.780 That's Brian. 05:48.800 --> 05:49.741 That's a doorbell. 05:49.981 --> 05:51.342 Doesn't sound like a name dropping. 05:52.743 --> 05:54.285 Don't do that sound anymore, Brian. 05:54.345 --> 05:54.585 No. 05:55.726 --> 05:56.567 Thanks for doing it, man. 05:56.627 --> 05:57.588 Thanks for making the effort. 05:57.608 --> 05:58.789 Cheers, it's a good effort. 05:58.909 --> 06:00.290 Well, I will do it one more time. 06:00.370 --> 06:01.291 Okay, who else was there? 06:02.032 --> 06:02.913 Uh, who else was there? 06:02.933 --> 06:03.993 Oh, no, no, come on. 06:04.034 --> 06:05.515 Martin Freeman from the office. 06:05.535 --> 06:07.096 Martin Freeman. 06:07.156 --> 06:07.737 Simon Pegg. 06:08.137 --> 06:09.739 It just sounds like they're at the door. 06:09.899 --> 06:10.740 Martin Freeman's here. 06:11.567 --> 06:12.027 Who else? 06:12.107 --> 06:14.388 Simon Pegg, various people from the League of Gentlemen. 06:14.428 --> 06:20.090 In fact, one stage I went down to the toilet on the next floor down. 06:20.130 --> 06:21.771 Yeah, because the one upstairs was so round. 06:21.891 --> 06:23.531 They were unisex toilets, aren't they, there? 06:23.771 --> 06:24.591 I think, I don't know. 06:24.652 --> 06:25.252 Or was it just chaos? 06:25.272 --> 06:26.292 It was just a free-for-all, yeah. 06:27.032 --> 06:37.256 And there was a guy in the lobby on his mobile phone, and he was talking to his mate while he was having a whiz, and I come in and he goes, oh no, I've got to stop talking now, celebrity alert! 06:38.425 --> 06:39.426 You must have been so happy. 06:39.466 --> 06:40.467 I was so happy. 06:42.708 --> 06:45.010 And then I said, you don't know who I am. 06:45.450 --> 06:50.534 And he kept on going on about it, as if he was trying to flatter me, which he was. 06:50.554 --> 06:53.916 And he's saying, oh, you'll never guess who's in here with me. 06:53.936 --> 06:54.837 I can't talk. 06:54.877 --> 06:55.457 I've got to go out. 06:55.517 --> 06:56.398 I'll tell you all about it. 06:56.418 --> 06:57.098 I was like, what? 06:57.418 --> 06:58.579 Come on, you don't know who I am. 06:59.059 --> 07:03.503 Sure enough, I finish my whiz and I go out and he's on the phone and he's going, oh, here he is again. 07:03.623 --> 07:03.943 Here he is. 07:04.063 --> 07:04.723 Hang on, hang on. 07:05.504 --> 07:06.284 Sorry, who are you? 07:07.266 --> 07:09.090 and uh he said which which one are you 07:10.990 --> 07:13.011 It was just an anti-climax. 07:13.471 --> 07:24.236 On a similar note, because before this partay, listeners, we had dinner with our friend from off of the telly, Louis Theroux. 07:24.256 --> 07:25.276 The geek, the sexy geek. 07:26.097 --> 07:27.697 Britain's sexiest geek, Louis Theroux. 07:28.198 --> 07:32.840 And we both get quite upset because he gets recognized all the time by adults. 07:33.280 --> 07:36.121 Adam and I occasionally get recognized by children or teenagers. 07:37.322 --> 07:40.023 Louis gets recognized by grown-ups who actually think he's intelligent. 07:40.603 --> 07:41.424 for some reason. 07:42.064 --> 07:48.709 And so I was just walking down the street and I was thinking, this is going to be awful, any minute now someone's going to come up and hassle Louis. 07:48.749 --> 07:49.269 But no! 07:49.810 --> 07:50.990 Someone shouted, Adam! 07:51.671 --> 07:52.231 Of me! 07:52.351 --> 07:52.632 Joe! 07:52.792 --> 07:53.492 That was all right! 07:53.512 --> 07:54.333 That's half a result! 07:54.373 --> 07:54.893 Exactly! 07:55.033 --> 07:56.274 And Louis got completely ignored. 07:56.494 --> 07:56.915 Yeah. 07:57.195 --> 08:02.879 This is how pathetic you become when you've been on television for like a couple of weeks late at night. 08:02.999 --> 08:05.020 This guy in the lobby said, 08:06.361 --> 08:12.766 on the phone he was saying to his mate, oh, you should go, I've been upstairs at this place, you should see it, it's a celebrity turkey shoot. 08:13.607 --> 08:14.187 Oh, good film. 08:14.307 --> 08:17.730 Yeah, I thought, brilliant, I'm at a celebrity turkey shoot, it was excellent. 08:17.830 --> 08:24.875 80s matchbox beeline disaster, I was saying, I just thought were brilliantly behaved, cos they were clearly out of their minds. 08:25.395 --> 08:28.758 But really nice, it's like the more wasted they got, the nicer they got. 08:28.838 --> 08:28.998 Yeah. 08:29.438 --> 08:31.300 But being nice in quite a frightening way. 08:31.340 --> 08:31.500 Yeah. 08:31.840 --> 08:37.785 You know, like, just sort of really shaking hands quite firmly with you and really staring at you, like, going, All right, man, yeah. 08:38.006 --> 08:38.666 You're brilliant. 08:38.866 --> 08:40.548 Yeah, it's good to see you, man, yeah. 08:40.948 --> 08:50.677 And he kept on, like, hanging off the side of this stairwell, in quite a frightening, like, he's gonna die any second, because he's on acid or something way, even though I'm sure he wasn't on acid. 08:51.118 --> 08:56.583 But it looked as if there was gonna be a genuine AT Smashbox stairwell disaster any second. 08:56.863 --> 08:57.524 Oh, what a night. 09:00.845 --> 09:02.326 Right in the beginning. 09:02.386 --> 09:02.967 What's this? 09:02.987 --> 09:03.787 It's a song, isn't it? 09:05.028 --> 09:15.075 There we go. 09:15.615 --> 09:16.196 Aqua Lung. 09:16.976 --> 09:18.117 Strange and beautiful. 09:19.318 --> 09:20.319 You're listening to Adam and Joe. 09:20.379 --> 09:22.460 Is that the name of the song, or is that your critique? 09:23.301 --> 09:23.981 Both. 09:24.562 --> 09:27.244 Oh, we're supposed to play ads now, isn't it, Brian? 09:28.049 --> 09:28.569 You're not worried? 09:29.590 --> 09:32.512 Tell you what, coming up in a second, folks, we've got some adverts. 09:32.713 --> 09:33.753 Wicked! 09:34.114 --> 09:36.596 Speaking of which... Oh, man, it's going pretty well. 09:37.096 --> 09:38.077 My Segway joke. 09:38.297 --> 09:39.238 Stop whispering, it's creepy. 09:39.398 --> 09:39.918 OK, sorry. 09:40.919 --> 09:49.465 Speaking of adverts, quite a lot of important ads at the moment on television that are playing with my brain in a very clever way. 09:50.006 --> 09:50.526 Like what? 09:50.726 --> 09:51.447 McDonald's. 09:51.767 --> 09:54.269 Have you seen the McDonald's adverts? 09:54.789 --> 09:55.030 What? 09:55.070 --> 09:55.510 What's that? 09:55.770 --> 09:56.571 I'm loving you. 09:57.557 --> 09:58.258 Oh, okay. 09:58.278 --> 10:00.481 Are they still doing the I'm loving it thing? 10:00.721 --> 10:06.930 Yes, they paid Justin Timberlake a million pounds to just sing those I'm loving it. 10:06.950 --> 10:07.811 Is that him singing it? 10:07.891 --> 10:08.131 Yeah. 10:08.352 --> 10:08.892 Are you sure? 10:08.932 --> 10:09.213 Yeah. 10:09.894 --> 10:12.638 Seriously, you could get fired or food or something if you're wrong. 10:13.218 --> 10:14.138 Yeah, it's Timbal Cake. 10:14.799 --> 10:15.359 Definitely. 10:15.819 --> 10:20.840 Anyway, you know there's a new campaign for McDonald's because they've introduced salads. 10:21.381 --> 10:22.481 McDonald's is changing at them. 10:23.121 --> 10:28.323 It's away with the old, you know, 80s, 90s image of McDonald's as a place that only does burgers and unhealthy food. 10:28.363 --> 10:31.544 No, McDonald's is a contemporary restaurant serving salad. 10:31.844 --> 10:32.304 That's right. 10:32.324 --> 10:36.445 Well, presumably, I mean, they're not going to strike burgers from the menu, are they? 10:36.465 --> 10:37.606 They're still going to be burgers. 10:37.666 --> 10:37.806 No. 10:38.406 --> 10:49.890 But what they're trying to do, I guess, is lure a new kind of customer that previously would never have set foot in McDonald's because, let's face it, a lot of the food there has no discernible nutritional value. 10:51.330 --> 11:06.615 But, so you've got these new ads, and to make absolutely certain that the people they're targeting are paying attention, we are introduced in the adverts, not only to the new salads, but to three women who embody the new health-conscious McDonald's customer. 11:07.535 --> 11:13.563 And so they say these are the salads, and then they say, and these girls are new to McDonald's as well. 11:14.124 --> 11:19.351 Impatient Sophie, sensible Charlotte, and Joanna, who's always late. 11:20.553 --> 11:24.718 So you think, you know, at this point, women all over the UK are sort of sitting up and saying, 11:25.518 --> 11:27.740 Oh my gosh, Susannah's going there. 11:27.840 --> 11:30.422 Yeah, I'm impatient, just like Sophie. 11:30.902 --> 11:35.306 And I know someone a little bit like Joanna, who's always late. 11:35.766 --> 11:40.490 And my best friend Sarah's quite, you know, sensible, like Charlotte. 11:40.910 --> 11:44.293 And so immediately they think, well, I've got to go to McDonald's for a salad. 11:44.893 --> 12:05.009 yes and when they get there it stinks and there's tramps and there's wee on the floor and they go oh why is suzannah coming here it stinks and there's wee and there's tramps and the food's like old dog turds in a bun what no yeah that's your opinion it's not a fact obviously 12:05.929 --> 12:29.999 um well but then the whole notion is bizarre trying to tempt these people in it's a bit like um it's a bit like basically kind of a sex shop introducing a range of the women are available at mcdonald's well no i wasn't thinking of that aspect i was thinking that mcdonald's trying to lure people in with salads is like a sex shop stocking a range of disney films to try and get families in do you know what i mean it's like it's what's the point 12:31.010 --> 12:33.652 Well, McDonald's are about to be stymied by this film. 12:33.732 --> 12:40.256 I forget what its name is, but there's a documentary where a guy lived off McDonald's food for three months or something. 12:40.296 --> 12:41.517 He ate nothing but McDonald's. 12:41.917 --> 12:47.360 And the other thing was, every time they offered to supersize his meal, or offered him something extra, he had to take it. 12:47.601 --> 12:48.781 Why are you saying supersize? 12:48.801 --> 12:49.222 What's that? 12:49.442 --> 12:51.603 Supersize is you say, I'd like some fries. 12:51.643 --> 12:53.024 They go, well, supersize it, sir. 12:53.304 --> 12:55.606 Or they go, well, you know what? 12:56.736 --> 13:02.301 And you go, because you know, there's only like a 6p difference between an enormous bucket of fries and a thimble of fries. 13:02.522 --> 13:02.722 Yeah. 13:02.822 --> 13:04.203 Thereby tempting you to buy the bucket. 13:04.243 --> 13:04.524 Got you. 13:04.544 --> 13:06.085 So this guy lives off McDonald's for three months. 13:06.125 --> 13:06.886 I wish I knew it was cool. 13:06.926 --> 13:08.007 I'll find out during the next song. 13:08.467 --> 13:10.009 And he basically almost dies. 13:10.930 --> 13:13.252 And apparently this is a brilliant documentary and it's doing really well. 13:13.272 --> 13:18.377 It's going to be distributed all over the world, therefore causing serious basically for any intelligent person. 13:18.397 --> 13:19.538 Didn't we talk about this before? 13:19.558 --> 13:20.439 I mean, that guy's... 13:21.019 --> 13:22.160 Well, that's just silly, though. 13:22.200 --> 13:28.405 I mean, that's like living off... If you live off only one thing, one type of food for three months, obviously you're gonna feel ill. 13:29.085 --> 13:30.566 Whether it's McDonald's or anything, you know. 13:30.586 --> 13:30.926 Shush. 13:30.946 --> 13:32.728 My argument to that. 13:33.228 --> 13:35.930 I hadn't thought of that. 13:35.970 --> 13:39.973 Blink 182, I miss you. 13:45.120 --> 13:46.201 Is Adam and Joe on XFM? 13:46.221 --> 13:47.282 We're here till three. 13:47.302 --> 13:49.705 You can text us. 13:49.725 --> 13:52.808 83936 or email us, Adam and Joe on XFM. 13:54.249 --> 13:56.651 So, can I just say, we'd prefer you emailed. 13:57.092 --> 13:58.913 You know, we'd prefer you put in the thought. 13:59.194 --> 14:01.216 I'm worried that texting is just too easy. 14:01.256 --> 14:04.399 It's too easy, you know, and it tends to encourage people to abuse us. 14:04.659 --> 14:11.142 Well, we've had some very nice texts, people pointing out that the film we were just talking about, about the guy that eats lots of McDonald's is called Super Size Me. 14:11.403 --> 14:11.563 Right. 14:11.703 --> 14:14.364 And the man that does it is called Morgan Spurlock or something. 14:14.404 --> 14:16.745 But yeah, I think we have talked about that before, so let's not repeat ourselves. 14:16.785 --> 14:17.266 Okay then. 14:17.486 --> 14:18.666 We're talking about adverts though. 14:19.447 --> 14:25.430 Another advert I've been enjoying is the Robinsons advert for their juice, you know. 14:26.070 --> 14:27.651 Right. 14:29.371 --> 14:31.372 What are you saying? 14:31.952 --> 14:35.053 The ones where you put the juice in and it starts dancing. 14:35.513 --> 14:35.853 Yes. 14:36.333 --> 14:40.494 Now I can't be the only person who believes that these look like viscous wee. 14:41.875 --> 14:44.936 It just looks like an advert for really orangey wee. 14:45.516 --> 14:49.357 And it just looks like they've got a fish tank against a white wall and someone's had a wee in it. 14:50.097 --> 14:57.000 and they've had an unhealthy meal the previous night and the wee is so full of active ingredients that it begins to dance. 14:57.400 --> 15:02.362 So I'm sitting there with various friends and just going, ah, just dancing wee. 15:03.402 --> 15:08.584 And it's also, someone else said it looks a bit like smoke, but the last thing it looks like is a tasty drink. 15:09.524 --> 15:10.845 And so I think, well, that's clearly wee. 15:11.105 --> 15:12.385 What happens in the next break? 15:12.806 --> 15:14.366 But they do the blackcurrant one. 15:15.807 --> 15:18.788 And that just looks like he's got some sort of urinary tract infection. 15:19.588 --> 15:22.409 or a kidney, some sort of kidney failure in his weeing blood. 15:23.329 --> 15:24.069 And it's dancing. 15:24.609 --> 15:28.310 The hemoglobin is so active that the bloody wee is dancing. 15:29.191 --> 15:33.272 So Robinson's, I just think that's a really highly misconceived advert. 15:33.932 --> 15:39.573 Because it just makes it look like, I wish I could use the P word, but it makes it look like wee wee. 15:39.953 --> 15:40.774 What's wrong with pee pee? 15:42.734 --> 15:45.195 It just sounds like a sort of, it's a bit babyish. 15:46.024 --> 15:48.946 Well... Wee-wee is a bit slightly more adult. 15:49.267 --> 15:50.948 Anyway, let's not get... go off on this tangent. 15:50.968 --> 15:52.449 Which B-word were you thinking of using, then? 15:52.650 --> 15:53.510 You know, it sounds like hiss. 15:54.571 --> 15:54.711 Oh! 15:55.112 --> 15:56.192 It has got more edge to it. 15:56.633 --> 16:01.597 But anyway, yeah, it's just an... I don't think it's a very well-thought-through advert to have dark dancing bloody urine. 16:01.677 --> 16:08.303 Can I take the other side for a second and tell you that I... it hadn't crossed my mind that it was wee-wee. 16:08.463 --> 16:08.783 Really? 16:08.883 --> 16:09.163 Yeah. 16:09.564 --> 16:10.364 I thought it was... Really? 16:10.464 --> 16:12.046 I thought it was just dancing cordial. 16:12.646 --> 16:13.047 Really? 16:13.407 --> 16:17.151 And it was cheering me up, and Lisa Tarbuck, I think, does the voiceover. 16:17.452 --> 16:17.752 Does she? 16:17.792 --> 16:18.793 And she does a little giggle. 16:19.514 --> 16:19.614 Ah. 16:20.555 --> 16:23.539 Pour in some barley, bow orange barley, I can't speak. 16:24.300 --> 16:25.221 But she does a giggle. 16:25.822 --> 16:27.103 Well, I think it looks like we. 16:27.243 --> 16:29.706 Listeners, who saw you on in this debate? 16:30.747 --> 16:31.748 It's important debate. 16:32.188 --> 16:42.937 Someone else thinks it looks like really thick smoke, you know, off of a really nasty rolly that maybe you picked up off the floor and you breathe it up in the air and it's all thick and nicotine-y and it seems to come to life. 16:42.957 --> 16:45.039 Of course, the irony is that it's nothing real at all. 16:45.139 --> 16:49.002 It's computer-generated, because if you did pour in the barley water for real... 16:50.263 --> 16:51.124 It wouldn't do that. 16:51.504 --> 16:54.967 It would sink to the bottom of the glass and- Wouldn't form the shape of a lady on a swing? 16:56.368 --> 16:58.250 Or a couple in light summer dresses dancing? 16:58.470 --> 16:59.311 Or a little doggy. 16:59.591 --> 17:00.372 A little doggy? 17:00.392 --> 17:01.733 I'm pretty sure it wouldn't. 17:02.774 --> 17:03.594 Might momentarily. 17:04.915 --> 17:05.595 Yeah, yeah. 17:06.255 --> 17:06.695 Possibly. 17:07.756 --> 17:11.517 Listen, coming up later in the show, we have a new rap for you. 17:11.537 --> 17:20.639 We've been encouraging people to fill the gap with rap in their favourite rock songs, in the instrumental break we want them to rap over, and we've got quite a brilliant one. 17:20.659 --> 17:22.439 We've had a sneaky preview of this week's. 17:22.899 --> 17:23.699 It's extraordinary. 17:23.739 --> 17:30.341 And I can tell you that it is both educational and entertaining, and I think we can play that maybe next, Brian. 17:30.361 --> 17:30.781 What do you think? 17:32.799 --> 17:33.719 Well, let's talk about it. 17:33.919 --> 17:34.400 He's so cool. 17:34.420 --> 17:35.220 It's an important decision. 17:35.240 --> 17:37.501 He's not into the whole zoo radio thing. 17:37.541 --> 17:41.522 He just keeps totally quiet, Brian, and just makes hand gestures. 17:41.902 --> 17:42.483 It's brilliant. 17:43.063 --> 17:45.484 Right now, his treat for you, it's the Ramones. 17:55.667 --> 17:57.168 Ramones and beat on the brats. 17:58.348 --> 18:01.250 Now it's time for this week's celebrity regression. 18:01.270 --> 18:06.234 I'm going to regress Adam back into a previous life where he was a famous celebrity. 18:07.014 --> 18:17.341 And you listeners can win a pair of tickets to a Kill Double Bill of volumes one and two of Kill Bill, happening I think this Thursday night at the Prince Charles. 18:17.982 --> 18:21.324 If you can identify which celebrity Adam's life is being regressed into. 18:21.364 --> 18:22.005 Adam, are you ready? 18:22.165 --> 18:22.725 And what films? 18:23.085 --> 18:23.766 And what films? 18:23.926 --> 18:24.627 He's recalling. 18:25.387 --> 18:26.048 Yes, I'm ready. 18:26.228 --> 18:26.688 Deep breath. 18:26.849 --> 18:27.209 Okay. 18:27.629 --> 18:30.212 Everybody listening as well, just take a deep breath, relax. 18:32.034 --> 18:33.835 And I want you to drift back, drift back. 18:34.116 --> 18:34.956 You're ten years old. 18:36.138 --> 18:37.979 You're five years old, you're two years old, you're one year old. 18:38.580 --> 18:40.302 You are a fetus. 18:41.022 --> 18:43.925 And now I'm going to take you back, back, back, back, back into a previous life. 18:46.628 --> 18:49.390 And you are in a... previous life. 18:51.434 --> 18:52.195 Adam, open your eyes. 18:53.376 --> 18:54.037 Adam, what can you see? 18:56.380 --> 18:57.642 I can see pipes. 18:59.224 --> 19:01.567 I'm in some kind of shit. 19:02.557 --> 19:10.399 I'm angry my wife's turned up to take care of some business here at work, and she's already strutting around like she owns the place. 19:11.200 --> 19:13.460 Now I can remember why we decided to separate. 19:13.880 --> 19:19.442 She's so headstrong and opinionated and abrasive it makes me sick, but it also turns me on. 19:20.022 --> 19:31.566 When she starts barking orders and making me look stupid in front of my crew and sticking her sexy pointy nose into everything, I just want to grab her frizzy hair and get down to some serious angry roughty. 19:32.546 --> 19:35.430 But I can't, because I'm too angry and she's so annoying. 19:36.091 --> 19:37.933 We should never have got married, what were we thinking? 19:37.953 --> 19:39.935 Sorry, is this a film? 19:40.416 --> 19:40.676 Yes. 19:41.097 --> 19:42.038 Oh, okay. 19:42.078 --> 19:42.719 Not personal. 19:42.999 --> 19:43.459 No, no. 19:43.660 --> 19:44.120 Okay, go on. 19:44.501 --> 19:45.121 I'm aggressed. 19:47.224 --> 19:48.746 Okay. 19:49.006 --> 19:51.609 Oh, I'm gonna throw my ring down the toilet. 19:52.330 --> 19:53.131 My wedding ring, that is. 19:53.151 --> 19:55.352 Oh, what have I done? 19:55.372 --> 19:56.193 Why did I do that? 19:56.213 --> 19:57.254 That wasn't very sensible. 19:57.294 --> 19:58.295 It was an expensive ring. 19:58.335 --> 19:59.316 I'm going to try and get it out. 19:59.336 --> 20:03.038 Oh, I hope whoever used this thing last flushed it properly. 20:03.159 --> 20:04.099 Oh, they didn't. 20:05.781 --> 20:06.601 Okay, just breathe. 20:07.402 --> 20:07.842 Breathe, Adam. 20:09.083 --> 20:11.425 Relax. 20:12.446 --> 20:16.789 I'm going to take you further back, even further back, into a previous incarnation. 20:18.490 --> 20:19.291 And open your eyes. 20:19.311 --> 20:19.731 What can you see? 20:21.721 --> 20:22.844 I'm in a big dark room. 20:22.864 --> 20:30.121 I've got loads of computers and expensive bits of pointless equipment and ludicrously large TV screens all around. 20:30.622 --> 20:31.524 But what am I doing here? 20:32.509 --> 20:38.854 Well, I'm wearing a pathetic, floppy beret, so I assume I'm a director of some kind. 20:39.175 --> 20:41.076 Because all directors wear berets, don't they? 20:41.156 --> 20:43.278 I mean, should I have a megaphone as well? 20:43.358 --> 20:44.579 No, no, okay, then. 20:44.619 --> 20:47.521 I'll just have to make do with this microphone and these butons. 20:47.541 --> 20:49.203 I wonder what these butons do. 20:50.103 --> 20:53.846 Hey, look, they make it rain on the telly, and ooh, now they're making it all windy. 20:54.127 --> 20:55.168 I feel powerful. 20:55.608 --> 20:57.329 Maybe this is what God feels like. 20:57.369 --> 20:59.931 Hang on, maybe that's the point of this film. 21:00.932 --> 21:03.053 Oh wow, that's blowing my mind a little bit. 21:03.653 --> 21:05.134 Okay, stop blowing my mind now. 21:05.674 --> 21:06.834 Yeah, now I'm just quite bored. 21:07.515 --> 21:08.635 Maybe I'll do some shouting. 21:08.975 --> 21:10.316 I feel happier when I'm angry. 21:10.876 --> 21:12.616 Haha, angry. 21:13.917 --> 21:14.937 Okay, just relax. 21:14.957 --> 21:17.018 I'm gonna take you out of that life. 21:17.038 --> 21:19.479 That's a bit... maybe a bit too easy, that life. 21:19.819 --> 21:25.121 I'm gonna take you back, back even further, into your final stage of deep, deep regression. 21:26.981 --> 21:27.942 Open your eyes, what can you see? 21:29.382 --> 21:31.142 Excuse me, I'm drunk. 21:31.782 --> 21:33.003 I'm drunk and I'm angry. 21:33.023 --> 21:35.363 I love being angry. 21:35.383 --> 21:37.644 I think I do it really, really well. 21:38.024 --> 21:39.304 I think I feel like painting. 21:39.624 --> 21:41.485 Painting and shouting, shouting and painting. 21:41.925 --> 21:43.925 Yes, they're my two favourite things. 21:44.425 --> 21:45.065 And drinking. 21:45.165 --> 21:46.866 Drinking, shouting, pointing and painting. 21:48.817 --> 21:52.618 I'm gonna do a big mad painting, and I'm gonna get really drunk while I'm doing it. 21:52.698 --> 21:53.138 Wow! 21:53.638 --> 21:55.759 This painting looks like the color- color color? 21:56.079 --> 21:56.879 I'm drunk, sorry. 21:57.099 --> 21:58.860 The cover of a Stone Roses album. 21:59.240 --> 22:00.080 I'm a genius! 22:00.940 --> 22:02.220 Oh, right, I think it's finished now. 22:02.821 --> 22:11.643 I'm gonna go and get- I'm gonna get really drunk, extra drunk, and I'm gonna do some more shouting, and perhaps some shoving and punching, and then I'm gonna fall over, and then I'm gonna have a drink. 22:13.223 --> 22:15.284 I can't believe they're not going to give me an Oscar for all this. 22:15.724 --> 22:16.105 Look at me! 22:16.445 --> 22:18.606 I'm shouting and drinking and painting and pointing. 22:18.646 --> 22:19.426 What more do you want? 22:19.906 --> 22:20.867 What more do you want? 22:20.887 --> 22:21.947 OK, stay calm. 22:21.967 --> 22:22.688 Stay calm, Adam. 22:22.868 --> 22:23.408 Shouting? 22:23.808 --> 22:30.471 Listeners, if you can identify the actor whose life Adam was being regressed into in the films he was being regressed into, call 08700-800-1234. 22:30.491 --> 22:30.571 08700-800-1234. 22:30.591 --> 22:33.032 A pair of tickets to a preview, a kill double bill, this Thursday for the winner. 22:33.052 --> 22:33.092 08700-800-1234. 22:42.856 --> 22:50.339 Adam and Joe on XFM. 22:50.379 --> 22:50.799 London's 104.9. 22:51.780 --> 22:54.360 We just regressed Adam back into a celebrity persona. 22:54.641 --> 22:56.861 He is still deeply regressed. 22:57.442 --> 22:58.642 And we have a caller on the line. 22:58.682 --> 23:00.803 I think this regression might have been a bit too easy. 23:01.863 --> 23:02.843 We've got a caller on the line. 23:02.924 --> 23:03.204 Mike. 23:03.304 --> 23:03.884 Mike, you there? 23:04.144 --> 23:05.044 I am certainly here. 23:05.124 --> 23:06.745 I'm floating Lisa with Joe. 23:07.125 --> 23:07.585 Well done. 23:08.305 --> 23:09.145 It's actually Adam. 23:09.165 --> 23:10.266 Sorry, I knew it was the other one. 23:10.506 --> 23:11.286 That's okay. 23:11.426 --> 23:12.026 Often happens. 23:13.226 --> 23:17.927 So, Mike, who do you think Adam was being regressed into? 23:18.027 --> 23:19.228 I think it was Ed Harris. 23:19.768 --> 23:21.668 Yes, it was! 23:21.788 --> 23:23.228 He's woken out of his reverie. 23:23.248 --> 23:24.089 That means you're right. 23:24.569 --> 23:26.229 On what were the films, Mike? 23:26.309 --> 23:26.989 Was it The Abyss? 23:27.289 --> 23:27.389 Yes. 23:27.429 --> 23:27.949 Correct. 23:28.149 --> 23:36.151 When Ed Harris throws his ring in the lave because Mary Elizabeth Mastrantonio is being annoying and he comes out with a blue hand because he wants to go back after the ring. 23:36.271 --> 23:36.812 That's the one. 23:36.912 --> 23:39.034 The second one's The Truman Show. 23:39.194 --> 23:42.016 That's right, where he plays a ludicrous director with a beret. 23:42.637 --> 23:44.058 That was the one that gave it away for me, I mean. 23:44.078 --> 23:46.761 The final one's Pollock. 23:47.101 --> 23:50.584 Pollock, which I haven't even seen, but I just assume there's a lot of shouting and drinking in it. 23:50.725 --> 23:51.465 It's a corker, though. 23:51.666 --> 23:52.446 It's a corker, is it? 23:52.506 --> 23:53.387 It is, certainly, yeah. 23:53.767 --> 23:54.228 Wow. 23:54.328 --> 23:55.049 Have you seen it, Mike? 23:55.189 --> 23:57.671 Yeah, I have actually, yeah, and it is really good. 23:58.112 --> 23:58.392 Yeah. 23:58.432 --> 24:00.554 Well, Mike, and it does have shouting and drinking. 24:01.014 --> 24:03.236 A little bit, but yeah, it's fun anyway. 24:03.437 --> 24:03.937 Okay, good. 24:04.297 --> 24:08.802 And Mike, you're available to see the Kill Double Bill on Thursday evening at the Prince Charles? 24:08.882 --> 24:10.243 I should move all plans, so yes. 24:10.403 --> 24:11.564 Yeah, so have you seen Volume 1? 24:11.684 --> 24:13.766 Yeah, I did actually, I did enjoy it, yes. 24:13.927 --> 24:15.608 Good, because lots of people hate it. 24:15.628 --> 24:18.371 I know, I know, I kinda liked it though, I kinda liked it. 24:18.391 --> 24:23.476 I liked it too, and it's really good seeing them both together, I did it last week, you'll have a terrific, terrific time. 24:23.496 --> 24:23.716 Thank you. 24:24.016 --> 24:24.857 Thanks for calling, Mike. 24:24.877 --> 24:25.398 That's alright. 24:25.718 --> 24:26.019 Bye-bye. 24:26.039 --> 24:26.479 See ya, bye. 24:26.660 --> 24:27.841 Ah, I like the sound of Mike. 24:27.881 --> 24:28.482 I'm glad he won. 24:28.542 --> 24:29.924 Yeah, he's seen all three films. 24:30.184 --> 24:30.465 Yeah. 24:30.485 --> 24:31.446 He's our kind of guy. 24:31.506 --> 24:32.287 He's our kind of guy. 24:32.307 --> 24:32.387 Yeah. 24:32.527 --> 24:33.749 That was too easy, though, wasn't it? 24:33.889 --> 24:35.131 It was too easy, Adam Buxton. 24:35.251 --> 24:37.033 I tell you, it was The Truman Show. 24:37.233 --> 24:37.854 It was The Truman Show. 24:37.874 --> 24:38.535 That gave it away. 24:38.575 --> 24:39.556 I mean, that's a big movie. 24:40.057 --> 24:41.679 queered the patch with The Truman Show. 24:41.699 --> 24:42.660 Did you queer the patch? 24:42.680 --> 24:43.741 You're always queering patches. 24:43.801 --> 24:45.042 I know, I can't help it. 24:45.122 --> 24:46.944 I'm a patch queerer, what can I tell you? 24:47.225 --> 24:48.566 Have you seen The Truman Show recently? 24:49.046 --> 24:52.110 No, I struggled to watch it the first time and I stay away from it. 24:52.150 --> 24:52.430 It's torture. 24:52.450 --> 24:52.910 It's rubbish. 24:53.591 --> 24:54.672 Well, is it rubbish? 24:55.413 --> 24:58.015 I tell you what, it's the sort of film that should have been made with no money in Europe. 24:58.135 --> 24:59.076 That's Weir, isn't it? 24:59.557 --> 25:00.257 It is Peter Weir. 25:00.297 --> 25:01.298 He's a brilliant director. 25:01.358 --> 25:02.639 Master and Commander, very good. 25:03.140 --> 25:04.761 Gallipoli, very good. 25:04.801 --> 25:06.102 Hanging Rock is Peter Weir, isn't it? 25:06.142 --> 25:13.428 That's amazingly good, but The Truman Show is an example of a good idea made really boring and bland and unsubtle by Hollywood. 25:13.468 --> 25:14.589 Brilliant screenplay, apparently. 25:14.749 --> 25:17.152 For years it was one of Hollywood's best unmade screenplays. 25:17.632 --> 25:19.253 Then they made it and screwed it up. 25:20.254 --> 25:20.994 And yeah, I saw it. 25:21.074 --> 25:23.896 I remember seeing it and coming out and thinking, that was brilliant. 25:24.376 --> 25:27.297 But then, about ten minutes later, I thought, that was rubbish. 25:27.337 --> 25:29.018 You know what it's disturbingly similar to? 25:29.038 --> 25:29.958 What? 25:30.098 --> 25:31.739 The Robin Williams film, Toys. 25:32.539 --> 25:32.919 Right. 25:32.979 --> 25:34.360 In its set design and stuff. 25:35.151 --> 25:38.273 Hey, have you seen- you know that- OK, I'm gonna be really- and Big Fish. 25:38.493 --> 25:40.434 That's not- they're all of a much of a muchness. 25:40.554 --> 25:40.775 Right. 25:41.155 --> 25:43.676 Uh, like, you know, uh- It's a magic realism. 25:43.696 --> 25:45.318 Like, art films made with too much money. 25:45.338 --> 25:47.799 You wanna make an art film, don't spend any money. 25:47.819 --> 25:48.079 Right. 25:48.099 --> 25:49.240 And then you'll make something good. 25:49.460 --> 25:53.783 What's the Robin Williams film where he- is it Kill, uh, Cokie or something? 25:53.843 --> 25:54.764 Uh, Death to Smoochie? 25:54.824 --> 25:55.724 Death to Smoochie. 25:56.164 --> 25:57.565 I was, um- Or Kill Cokie. 25:58.846 --> 26:05.431 I was talking to someone the other day, having a good chat about films, and then he suddenly said, um, have you seen Death to Smoochie? 26:05.791 --> 26:08.993 Now that is a brilliant film, which nobody saw. 26:09.053 --> 26:11.355 Well I haven't seen it and some people do say it's really good. 26:11.475 --> 26:11.855 Yeah. 26:11.875 --> 26:14.177 Maybe the listeners can help us, is it any good? 26:14.317 --> 26:19.581 All his opinions were pretty much on the money, I thought, and he said, because that went straight to DVD, didn't it? 26:19.661 --> 26:22.983 It might have got a little theatrical, but yeah, pretty much straight to it. 26:23.043 --> 26:23.864 Death to Smoochie. 26:23.904 --> 26:24.805 Death to Play DeVito? 26:24.825 --> 26:24.965 Yeah. 26:25.325 --> 26:27.046 He hasn't got a very good track record. 26:27.086 --> 26:28.106 Throw Momma From The Train. 26:28.126 --> 26:28.566 Misery. 26:28.586 --> 26:31.307 I mean, the film was Misery. 26:31.447 --> 26:32.567 What else did he do, DeVito? 26:32.607 --> 26:33.187 I can't remember. 26:33.768 --> 26:36.288 He did something about being a nasty landlord, didn't he? 26:36.989 --> 26:38.269 Oh, I don't know. 26:38.289 --> 26:41.110 He's got a fairly missable calendar, DeVito. 26:41.490 --> 26:41.690 What? 26:42.470 --> 26:44.331 What's Brian written to you on that piece of paper? 26:44.431 --> 26:47.452 He said, first person to email a review wins Kill Bill. 26:48.562 --> 26:50.063 to email a review of Death to Smoochie. 26:50.243 --> 26:51.664 There you go, because we've got to give these tickets away. 26:51.964 --> 26:57.446 Tell us if Death to Smoochie's any good, and we'll give you a pair of tickets for the... That's rather reflects badly on poor old Mike's achievement. 26:57.926 --> 26:58.187 Why? 26:58.407 --> 27:02.488 Well, Mike used logic and cunning to work out a quiz, and now all you have to do is type in... 27:03.769 --> 27:05.470 Well, no, we're not gonna read out its rubbish, are we? 27:05.490 --> 27:06.270 We want a good review. 27:06.490 --> 27:07.571 I mean, an interesting review. 27:08.291 --> 27:17.496 Coming up in the next hour, apart from the usual fantastic music from the likes of Morrissey, Kings of Leon and the Bees, we have Ditties and the Dog. 27:17.536 --> 27:20.817 Joe and I will be battling it out for our one free play of the week. 27:21.297 --> 27:24.299 We'll be discussing adverts in more ludicrous depth. 27:24.919 --> 27:30.543 We'll be unveiling an extraordinary piece of educational wrapping which one of our listeners has sent in. 27:30.663 --> 27:33.846 I might be talking about the butterfly effect in some depth. 27:34.066 --> 27:34.646 Oh, I'd like that. 27:34.706 --> 27:35.527 I went to see that. 27:36.007 --> 27:40.070 I also went to see Kill Bill, so I'm going to chat about Kill Bill, Gabby Roslin's new film. 27:40.451 --> 27:40.891 Brilliant. 27:41.451 --> 27:42.132 Why are you saying? 27:42.312 --> 27:43.333 Because she looks like Thurman. 27:43.353 --> 27:44.834 She just looks like Gabby Roslin, yeah. 27:45.034 --> 27:52.299 There was a time when Gabby Roslin was quite a frumpy person, but she's transformed now into a kind of lithe, boring butterfly. 27:53.481 --> 27:56.435 Anyway, that's all to look forward to here on XFM. 28:06.940 --> 28:07.881 Yeah, that's Elton John. 28:08.961 --> 28:10.883 No, this is Sisters, isn't it? 28:10.903 --> 28:11.963 With Take Your Mama. 28:12.123 --> 28:14.005 You're listening to Adam and Joe on XFM. 28:14.525 --> 28:21.910 Now, we were just talking about the great, unseen film Death to Smoochie, directed by Danny DeVito, starring Robin Williams. 28:22.250 --> 28:22.530 Robbing. 28:22.871 --> 28:23.251 Robbing. 28:24.151 --> 28:26.933 And I was wondering what it was like, really. 28:27.053 --> 28:28.775 And then the phone rang, and who was it? 28:29.795 --> 28:30.756 But Lauren Laverne. 28:31.016 --> 28:34.578 From XFM's drive-time week-night show. 28:34.658 --> 28:35.219 Four to seven. 28:36.920 --> 28:37.200 is. 28:37.220 --> 28:37.561 Lauren? 28:38.622 --> 28:39.082 Hello. 28:39.102 --> 28:39.462 Where is she? 28:39.482 --> 28:39.923 Can you hear her? 28:40.003 --> 28:40.683 Yeah, I can hear her. 28:40.723 --> 28:42.325 Lauren, you were at the party last night, weren't you? 28:42.345 --> 28:44.227 I was, yes, I was DJing actually. 28:44.287 --> 28:48.210 Can I say, well I said to your face, but you looked amazing last night. 28:48.230 --> 28:50.973 You're so beautiful and you're clever. 28:50.993 --> 28:51.793 What's going on? 28:52.094 --> 28:53.074 I just, I don't know. 28:53.955 --> 28:56.457 Anyway, um, stop it. 28:56.978 --> 28:59.060 Um, so you've seen Death to Smoochie. 28:59.500 --> 29:01.121 I have, yeah, it's really good. 29:01.501 --> 29:03.482 You should- you should watch it, you'd really like it actually. 29:03.502 --> 29:03.902 Are you sure? 29:03.942 --> 29:05.342 I don't like Edward Naughty Norton. 29:06.003 --> 29:06.723 So Edward Norton. 29:06.743 --> 29:08.223 Why do you like Edward Norton? 29:08.344 --> 29:11.865 Is it because you're jealous of him? 29:11.945 --> 29:13.465 I don't like his Channel 4 show. 29:13.486 --> 29:14.346 What? 29:14.646 --> 29:19.028 No, I ju- I ju- No, I ju- I ju- Can we talk about Edward Norton? 29:19.068 --> 29:20.368 Yeah, go on then. 29:20.788 --> 29:22.049 So explain what it is. 29:22.654 --> 29:23.975 It's basically really, really good. 29:24.095 --> 29:32.958 He's a children's entertainer and Robin Williams plays a corrupt children's entertainer who's got the top sort of kids type, Barney type show. 29:33.438 --> 29:38.720 He gets caught out for being corrupt and getting kids' parents to pay them to come on air and do birthdays and things. 29:39.467 --> 29:52.718 So they they're all like really in trouble so Edward Norton takes over and smoochie is his character and Robin Williams goes mental and tries to kill him, but it's basically kind of quite a quite an intelligent commentary on sort of anti corporates. 29:52.798 --> 29:54.560 I hate corporates. 29:54.860 --> 29:55.421 I hate McDonald's. 29:55.481 --> 29:56.682 I think that's why you'd like it. 29:56.742 --> 30:00.145 So it's kind of I mean it I think it probably didn't go out onto DVD. 30:00.165 --> 30:01.526 It's a bit like Joseph and the Pussycats. 30:02.017 --> 30:02.618 Is that good? 30:03.238 --> 30:12.086 You know I've had an idea, you know like Oprah Winfrey has her book club and Richard and Judy have their book club, we can have a bad old film club. 30:12.466 --> 30:13.007 So each week... 30:15.595 --> 30:20.156 Well, exactly, but each week we could nominate a neglected old film like Josie and the Pussycats. 30:20.316 --> 30:25.717 Josie and the Pussycats is the closest thing to a documentary about what it's like to be in a girl band I've ever seen in my life. 30:25.737 --> 30:26.597 Hey, and you'd know, eh? 30:26.977 --> 30:31.338 Yeah, it's, you know, it's ace, but that's just really, really good, very funny, and quite clever. 30:31.358 --> 30:33.298 Well, that's a good recommendation, thanks for that, Lauren. 30:33.398 --> 30:33.718 Thanks, Lauren. 30:33.738 --> 30:36.399 So, what have you got coming up on your show next week? 30:36.419 --> 30:40.459 Well, actually, guys, I've got a Supergrass on my show. 30:40.499 --> 30:40.919 Have you? 30:40.939 --> 30:41.860 In my record week, yes. 30:42.140 --> 30:43.600 In person, or just playing their record? 30:44.313 --> 30:46.495 Erm, I think in for chat for me. 30:46.635 --> 30:48.957 Are they good at chatting or are they a bit morose? 30:49.657 --> 30:50.178 I don't know. 30:50.238 --> 30:51.659 I've only spoken to them in life. 30:51.739 --> 30:53.461 It's always difficult to tell, isn't it? 30:53.501 --> 30:54.341 I've never interviewed them. 30:54.381 --> 30:56.743 Sometimes people go a bit weird, don't they? 30:57.003 --> 30:58.024 But they're nice in real life. 30:58.364 --> 30:59.726 Yeah, no, they're great, yeah. 30:59.806 --> 31:05.310 So, erm, yes, I've got them and, you know, Kill Bill tickets and lots of other fun things, basically. 31:05.868 --> 31:06.309 Fantastic. 31:06.329 --> 31:06.809 We'll be listening. 31:06.869 --> 31:08.191 Thanks very much indeed for voting in, Lauren. 31:08.211 --> 31:08.531 Thanks, Lauren. 31:08.551 --> 31:09.212 Alright, lads. 31:09.372 --> 31:09.673 See you. 31:09.693 --> 31:09.873 Bye. 31:09.993 --> 31:10.534 Love you, bye. 31:10.574 --> 31:10.934 Love you. 31:11.114 --> 31:22.388 And our free, our Kill Double Bill ticket is going to go to Ben Rogers, who emailed us, who's reviewing Death to Smoochie, even though he hasn't seen it, which brilliantly, you know, kowtows to our special segment. 31:22.669 --> 31:23.910 So, Ben Rogers, you get the tickets. 31:24.291 --> 31:25.272 What does Ben say about it? 31:25.852 --> 31:38.295 He says he hasn't seen it, but he says it's one of those great unseen films that should be seen Suspenseful yet predictable Robin Williams is extraordinary, etc Quite simply must be I love people use etc. 31:38.655 --> 31:40.336 Yeah in important, you know things. 31:40.716 --> 31:41.276 Yeah, exactly. 31:41.376 --> 31:46.537 Well, enjoy kill bill Thanks very much for getting in touch and thanks a lot Lauren coming up after this. 31:46.637 --> 31:50.138 We'll be chatting about adverts This is Adam and Joe on xfm 31:59.160 --> 32:04.212 As the delays with the nearer than heaven 32:05.638 --> 32:06.919 So it's time for rock and rap. 32:07.519 --> 32:11.802 We've been asking you to submit your raps over the instrumental breaks in rock songs. 32:12.902 --> 32:16.524 We've had some quite difficult and challenging entries in the past. 32:17.345 --> 32:20.907 Some kind of funny ones, some moving ones, some disturbing ones. 32:20.967 --> 32:23.528 I'll give you a quick example of the kind of thing I'm talking about. 32:23.548 --> 32:29.452 This is our in-house artiste Scallywag rapping over Fountains of Wayne. 32:34.005 --> 32:35.727 What is your malfunction, man? 32:35.787 --> 32:37.770 I see Spacey's mom for that woman, isn't it? 32:37.870 --> 32:42.156 Oh, she looks like a cross between Lyle Eterna and one of the Mentals on Trisha or Joe's. 32:42.276 --> 32:44.820 It's fact, and I don't mean D-H-A-T. 32:44.980 --> 32:48.745 If you've got the intention of banging a picture, then that's disgusting, man. 32:48.765 --> 32:49.747 Stay away from it. 32:51.035 --> 32:51.675 Fantastic. 32:52.376 --> 32:52.676 There you go. 32:52.696 --> 32:54.857 That's Skelly Wag rapping over Stacey's mum. 32:55.117 --> 33:01.979 This week, our rap from a listener is supplied by Jack Dingleberry, possibly not his real name. 33:03.080 --> 33:11.203 He comes from Northern Ireland, and he sent in a rap over Thin Lizzy's Whiskey in a Jar, which is a good song. 33:11.323 --> 33:15.425 We should warn listeners that this is slightly technically challenged, isn't it? 33:15.505 --> 33:17.326 Or is it intentionally weird sounding? 33:17.346 --> 33:25.850 I can't figure it out, like a few weeks ago we had a rap sent in that was, the mic was really popping, you know, so it was totally distorted. 33:25.910 --> 33:27.491 I don't know what the guy had recorded it on. 33:28.771 --> 33:33.575 But it sounded a bit weird and this Jack Dingleberry's gone for the same production effect. 33:34.436 --> 33:36.437 Either intentionally or by accident. 33:36.477 --> 33:39.219 So you have to kind of bear with it a little bit. 33:40.140 --> 33:40.880 Anyway, check it out. 33:40.940 --> 33:45.003 It's about quite a serious rap dressed up in a humorous way. 33:45.103 --> 33:45.664 What's it about? 33:45.884 --> 33:48.025 It's about testicular cancer. 33:48.245 --> 33:48.786 Oh good. 33:49.206 --> 33:52.829 And the importance of giving yourself a regular checkup. 33:52.849 --> 33:53.089 Terrific. 33:53.309 --> 33:54.330 Anyway, here it goes. 34:02.867 --> 34:06.489 I'm talking about testing your cancer because today I owe the announcer. 34:06.609 --> 34:08.130 You don't want to be in any deal. 34:08.370 --> 34:10.131 So you better take time to check them out. 34:10.151 --> 34:11.672 It's a regular threat, undivisible. 34:11.912 --> 34:13.553 You have an undescended testicle. 34:13.773 --> 34:15.534 So give yourself an examination. 34:15.634 --> 34:17.435 Don't give me procrastination. 34:17.475 --> 34:19.196 Your balls are the next generation. 34:19.296 --> 34:21.217 They're the future of our population. 34:21.257 --> 34:23.018 You're looking for a loan for information. 34:23.118 --> 34:24.979 No, there's no need for hesitation. 34:24.999 --> 34:26.680 So take a quick investigation. 34:26.700 --> 34:28.481 You better check yourself before you wreck yourself. 34:28.521 --> 34:30.402 You better check yourself before you wreck yourself. 34:32.403 --> 34:32.803 Wowza. 34:33.364 --> 34:37.786 Some of those lyrics were a bit hard to make out. 34:37.847 --> 34:45.351 I'm talking about testicular cancer because today I'm... You don't want to be in any doubt, so you'd better take time to check them out. 34:45.592 --> 34:50.195 It's a bigger threat to your vestibule if you have an undescended testicule. 34:50.495 --> 34:54.077 So give yourself an examination, don't give me procrastination. 34:54.137 --> 34:56.959 Your balls are the next generation, they're the future of the population. 34:57.219 --> 34:59.080 You're looking for a lump or an inflammation. 34:59.260 --> 35:00.801 There's no need for hesitation. 35:01.202 --> 35:03.083 So take a quick investigation. 35:03.103 --> 35:05.104 You better check yourself before you wreck yourself. 35:05.184 --> 35:06.986 Better check yourself before you wreck yourself. 35:07.146 --> 35:11.649 But, you know, that was a very interesting sound he'd managed to get there. 35:11.689 --> 35:12.489 Lots of popping. 35:13.370 --> 35:22.256 I think quite a cheap condenser mic, because whenever he went up above a certain volume, he sort of sucked all the background music into his own voice, and wow, is all I can say. 35:22.576 --> 35:25.758 What would be fun, I think, is to get some of these people into a studio. 35:25.858 --> 35:26.479 Would that be fun? 35:26.679 --> 35:26.939 Yeah. 35:27.242 --> 35:27.451 hahaha 35:28.101 --> 35:29.802 Would you be in the studio at the same time? 35:29.862 --> 35:31.942 You bet, because these people have got talent. 35:33.163 --> 35:37.204 Send your raps, ladies and gentlemen, we want more, you know, you get the picture now, right? 35:37.845 --> 35:42.626 We want sort of quite high quality raps, as you heard from Jack Dingleberry there. 35:42.867 --> 35:47.168 If you can get it a bit more technically suss than that, we'd appreciate it, but don't worry too much. 35:47.648 --> 35:57.052 Send them to adamandjoe at xfm.co.uk if you want to send like a WAV or an MPEG or whatever the hell. 35:57.612 --> 35:57.993 What is it? 35:58.113 --> 35:58.853 MP3, there you go. 36:00.135 --> 36:05.159 Or you can go to xfm.co.uk, the XFM website, where you'll find all the details. 36:05.199 --> 36:06.080 Are you sure they're there? 36:06.100 --> 36:09.523 Because I went to the website, and I couldn't find any examples of RAPs. 36:10.104 --> 36:11.385 I could find them, but you know what? 36:11.425 --> 36:12.566 They wouldn't download. 36:12.927 --> 36:13.407 Would they not? 36:13.667 --> 36:13.868 No. 36:14.228 --> 36:17.431 But maybe it's just because of our computers at home. 36:17.451 --> 36:19.973 They're probably, if you've got a good computer, they're probably there. 36:20.093 --> 36:20.674 Don't worry, man. 36:20.874 --> 36:21.515 We'll sort them out. 36:21.535 --> 36:22.796 They'll all be fine. 36:22.916 --> 36:23.777 Everything's gonna be fine. 36:23.998 --> 36:28.363 We've got another 45 minutes left this Saturday afternoon here on XFM. 36:28.923 --> 36:31.847 And here's some music right now, courtesy of Travis. 36:40.253 --> 36:43.196 Mmm, that's Morrissey with Irish blood, English heart. 36:43.216 --> 36:45.058 Before that you heard Travis with Turn. 36:45.859 --> 36:48.942 If Fran Healy is listening, then I hope you feel better. 36:49.002 --> 36:54.146 He's had to cancel loads of Japanese tour dates because he's had a mystery virus. 36:54.907 --> 36:57.429 Now, was it Mark Dingleberry? 36:57.630 --> 36:58.671 Jack Dingleberry. 36:59.231 --> 37:02.034 Well, I think his real name's Mark, if this is the same person. 37:02.074 --> 37:03.395 He says, thanks for playing my rap. 37:04.316 --> 37:09.741 And the reason it was so technically poor was because apparently he used his headphones as a microphone. 37:09.961 --> 37:10.762 I used to do that. 37:10.802 --> 37:11.863 We all used to do that. 37:11.923 --> 37:14.785 Well, Adam and I used to do that when we thought I was quite endearing. 37:14.806 --> 37:19.069 Basically, if you stick pretty much any pair of headphones into a microphone jack, 37:20.250 --> 37:22.091 You can actually use them as a mic. 37:22.491 --> 37:23.751 It goes both ways. 37:24.151 --> 37:24.511 Wow. 37:24.871 --> 37:25.912 It doesn't sound very good. 37:25.932 --> 37:28.612 You get the popping effect you heard on Jack's rap. 37:28.792 --> 37:30.893 Now, Ad, you're a big fan of Anna Friel, aren't you? 37:31.273 --> 37:31.913 Oh, obviously. 37:31.933 --> 37:33.554 I love Anna Friel. 37:33.654 --> 37:35.574 She's the poor man's Kelly MacDonald. 37:36.434 --> 37:37.975 She was at U.L.Lutter in Brookie. 37:38.115 --> 37:38.895 Wasn't she in Brookie? 37:38.935 --> 37:42.176 She was a lesbian, lavatory, lust lady in Brookie. 37:42.836 --> 37:45.677 And all them other things she's done since then. 37:47.018 --> 37:49.981 None of which I can remember, except now, of course. 37:50.522 --> 37:55.789 She is the star of a brilliant series of adverts for three mobile, I think it is. 37:56.369 --> 37:58.312 The one with the big glowing three. 37:59.213 --> 38:02.817 And so the first one, I think, was Anna in... 38:03.838 --> 38:08.481 a pond or a lake or something, sploshing around, talking about being an actress. 38:09.001 --> 38:11.623 Don't know what it had to do with mobiles. 38:12.263 --> 38:17.166 And the latest one features Anna in a restaurant, in a kind of posh restaurant. 38:17.186 --> 38:19.127 She's wearing a posh red frock. 38:19.927 --> 38:30.353 and she is going from table to table in this restaurant like a kind of a person, discussing the advantages of 3 Mobile with the baffled customers in the restaurant. 38:30.393 --> 38:36.997 She says things like, say for example, this is a bread stick, and this glass of wine wants to talk to the bread stick. 38:37.417 --> 38:43.360 Bread stick, bread stick, bread stick glass of wine, and then she gets quite angry, and starts going, what, you know, what don't you understand? 38:43.520 --> 38:47.463 Bread stick, bread stick, no that, you know, and she starts confusing herself. 38:48.283 --> 38:55.886 So inevitably we empathise with the customers in this advert because Friel's point is impossible to decipher. 38:56.507 --> 39:02.669 And, you know, she herself seems to be in the process of giving up trying to actually explain what she's on about. 39:03.230 --> 39:06.051 And the whole thing is so perplexing. 39:07.259 --> 39:11.761 It just kind of brings my whole life to a stop every time it's on TV. 39:12.061 --> 39:15.022 Do you think the people that made it knew what they were getting at? 39:15.783 --> 39:18.003 They must have done, man, because they spend a lot of money. 39:18.244 --> 39:23.346 I wonder how much she gets paid for a thing like that, because, you know, she's a pretty successful actress. 39:23.926 --> 39:30.589 That's a difficult move for any actresses to appear in a high-profile series of ads. 39:30.769 --> 39:34.670 Well, we as actresses, we found it difficult to appear in those surf ads, didn't we? 39:34.690 --> 39:35.491 Well, we were lucky because... 39:36.751 --> 39:41.995 Every ad that we appear in seems to vanish after about three days, so it's kind of the best of both worlds for us. 39:42.636 --> 39:50.181 But we don't make the big bucks that some of the other people who appear in these high profile ads presumably do make. 39:50.261 --> 39:54.925 I mean, I hope that Anna Friel got paid about half a million quid for those ads. 39:55.225 --> 39:58.926 That's what it would take, wouldn't it, for that scale of a loss of integrity. 39:59.006 --> 39:59.627 And do you know what? 39:59.807 --> 40:07.889 The other people I hope are really well paid are the blokes that dress up as women for those, you know, the Bounty kitchen roll. 40:07.989 --> 40:10.150 Yeah, the Bounty kitchen roll, yeah. 40:10.170 --> 40:10.230 Why? 40:10.830 --> 40:12.871 Because, well, I think they do a good job, eh? 40:12.951 --> 40:13.391 You know what? 40:13.411 --> 40:20.053 If I was a kid and I went to the theatre and I, whenever I went to the theatre when I was a kid, I'd look through the programme and I'd check out what all the actors had been in on telly. 40:20.073 --> 40:22.034 I didn't care about anything else, about what they'd been on telly. 40:22.374 --> 40:24.655 If one of the blokes from the Bounty has, I would be excited. 40:24.915 --> 40:26.176 Yeah, I think they're fantastic. 40:26.256 --> 40:30.898 And if I was in a position to offer them some serious acting work, then I would. 40:30.918 --> 40:41.743 I think they do a good job, but it must be tough because I don't think they're well known in other roles, but they certainly are pretty well known now as the men that dress as ladies. 40:42.523 --> 40:44.544 And boy, there's a lot of those ads. 40:44.624 --> 40:47.686 I really hope they're getting a shed load of money for those. 40:48.447 --> 40:53.516 And I'd be very interested to know what Freel is making for her baffling three mobile ads. 40:53.536 --> 40:55.540 So if anyone knows, do give us a shout. 40:55.560 --> 40:56.282 Or what they mean. 40:56.302 --> 40:57.444 Yeah, exactly. 40:57.484 --> 40:58.065 More to the point. 41:04.544 --> 41:08.485 That's Molly's Chambers by the Kings of Leon. 41:08.985 --> 41:13.686 So would it be very obvious to point out that you know this film 51st Dates? 41:13.706 --> 41:15.747 This is very obvious? 41:16.167 --> 41:17.867 Sounds very like 51st State. 41:18.628 --> 41:20.048 How many people has that confused? 41:20.808 --> 41:25.069 Like Edgar, the director of Shaun of the Dead, said to me, oh, Shaun of the Dead's doing really well at the box office. 41:25.289 --> 41:26.670 It's beating 51st Dates. 41:28.170 --> 41:29.451 Well, that's not very impressive. 41:29.511 --> 41:29.991 Beating 51st State? 41:31.991 --> 41:34.433 Well, I didn't say it enough like dates, did I? 41:34.653 --> 41:35.234 Like state. 41:35.934 --> 41:37.015 Has that confused you at all? 41:37.476 --> 41:39.297 It's called 51 dates, though, isn't it? 41:39.577 --> 41:48.685 No, the film's called... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... The... 41:49.369 --> 41:49.649 Yes. 41:50.230 --> 41:56.835 Well, to be honest, no, Joe, that didn't confuse me, but then, you know, the orange barley water didn't confuse me either. 41:58.076 --> 42:01.238 It's just, for people like you, I think those things are confusing. 42:01.558 --> 42:01.898 Certainly. 42:01.938 --> 42:11.866 Something else confusing that happened to me was I went to see the Kill Bill at the ICA Cinema in the mall, a fantastic little repertory cinema, and they did a double bill preview of Kill Bill. 42:12.486 --> 42:15.429 And we saw the first volume of Kill Bill, which was pretty good, 42:16.589 --> 42:35.075 and then went to the bar and there was half an hour in the bar and then came back into the cinema to watch the second half and I was sitting right at the back and my mind tends to wander a bit during films and of course everyone, about 20 minutes in, everyone started to need to go to the toilet because everyone had been in the bar and the ICA, it's only got one aisle 42:36.255 --> 42:42.941 So you're basically, if you're in the seats away from the aisle, you've got to push past about 15 people to get out. 42:43.541 --> 42:45.463 And it's often torture, that kind of situation. 42:45.483 --> 42:46.864 That is my idea of hell. 42:47.324 --> 42:52.509 So if you're stuck right against the wall on the left, you're screwed, basically, if you want to go to the lave. 42:52.909 --> 43:00.395 But lots of men, basically about every four minutes, a guy would stand up and push past 15 people and go to the loo. 43:00.655 --> 43:01.736 But it was only men. 43:02.777 --> 43:05.540 No woman stood up and went to the loo at all. 43:05.921 --> 43:08.784 And it was quite... So I'm thinking tenner lady. 43:09.865 --> 43:10.986 Shut up. 43:12.187 --> 43:12.568 Why is it? 43:12.588 --> 43:12.968 What is it? 43:13.269 --> 43:14.410 Superior bladder control? 43:15.071 --> 43:15.531 For women? 43:15.631 --> 43:17.433 What would tenner lady... You think they just went? 43:19.394 --> 43:22.596 That was just a little tangential aside, I'm not serious about that. 43:22.616 --> 43:24.857 Like a maxi-tenne lady. 43:24.897 --> 43:26.718 Maybe, or incontinence nappies. 43:26.938 --> 43:28.618 That's a good idea. 43:29.018 --> 43:31.259 Or are they just slightly more cowardly? 43:31.780 --> 43:34.421 Would a woman have more problems pushing past fifteen people? 43:34.661 --> 43:37.422 Making them stand up, making their heads block the image on the screen. 43:37.622 --> 43:44.289 I think women's bladders are more robust because they have to be very powerful to deal with pregnancy. 43:44.349 --> 43:50.395 You know, because when you're carrying a baby, that baby's pushing down on your bladder a great deal during the nine month period. 43:50.996 --> 43:52.958 And that can be very painful. 43:53.018 --> 43:55.941 It can make you feel like you want to go to the lave almost all the time. 43:56.141 --> 43:56.882 So you get used to it. 43:57.002 --> 44:01.065 So you get used to it and I think their bladders are just made of sterner stuff. 44:01.085 --> 44:02.265 So that's your biological answer. 44:02.305 --> 44:05.047 Brian's written the words, Men drink beer, it's volume. 44:06.488 --> 44:07.769 Which is the opposite approach. 44:08.410 --> 44:09.771 Alright, what a fascinating debate. 44:09.791 --> 44:10.391 Do you know what though? 44:10.411 --> 44:14.014 I thought you were going to say that the men started whizzing in their Kill Bill cups. 44:15.515 --> 44:15.715 What? 44:16.516 --> 44:18.397 I'm just talking rubbish now. 44:18.917 --> 44:20.719 But I've thought about doing that before in the cinema. 44:20.759 --> 44:21.980 Well that's a different conversation. 44:22.240 --> 44:24.461 Alright then, maybe we shouldn't, uh, dwell on it. 44:24.561 --> 44:25.022 Go there. 44:34.500 --> 44:35.780 What was that one then, Adam? 44:35.940 --> 44:45.623 Well, Joe, that was by a group called The Bees, and the name of the song was Wash The Rain, and that comes from their new album, which is called Free The Bees, and that's it. 44:45.703 --> 44:46.504 Free The Bees! 44:46.704 --> 44:53.786 June the 29th is the date of the release of Free The Bees, which I will be buying, because I think that sounds quite good. 44:55.886 --> 44:57.727 So, we just got a butt call. 44:58.207 --> 44:59.347 You know what a butt call is, right? 44:59.627 --> 45:01.108 A call from inside someone's bag. 45:01.528 --> 45:06.511 Yeah, or like someone, you know, you've got your mobile in your pocket and you accidentally press dial. 45:06.952 --> 45:07.992 Was it a good one? 45:09.153 --> 45:10.134 Could you hear anything, Brian? 45:10.874 --> 45:11.174 No. 45:11.655 --> 45:19.000 I get them all the time because my name begins with an A, so I am top of the list for a lot of people's speed dial. 45:19.580 --> 45:27.465 So I have a great time just listening to people walking and chatting and driving and things like that. 45:34.442 --> 45:36.063 I've never had an interesting butt call. 45:36.363 --> 45:40.026 And I always listen to them for like about ten minutes before I hang up. 45:40.046 --> 45:43.168 Well what would constitute, you could basically never hear anyone talk, can you? 45:43.508 --> 45:44.389 No, sometimes you can. 45:44.409 --> 45:45.049 Really? 45:45.329 --> 45:50.833 I get butt calls from, I haven't got the name drop noise, but I get butt calls from Jonathan Ross quite a lot. 45:51.013 --> 45:53.295 And I always think, brilliant, butt call from a celebrity. 45:54.256 --> 45:57.258 Wow, he's gonna be like talking, bitching about other celebs. 45:57.298 --> 45:58.499 Talking to Julian Clary. 45:58.899 --> 46:06.002 with Julian Clary, ringing up Jack Dee, making big deals, maybe interviewing Quentin Tarantino. 46:06.542 --> 46:14.965 But no, he's invariably in the car with the kids, and just sort of saying, Harvey, put that down, and things like that. 46:14.985 --> 46:15.966 Probably Harvey Weinstein. 46:16.066 --> 46:18.687 Yeah, but it sounds nice, it sounds like he's being a nice guy. 46:18.767 --> 46:21.988 I guess I hope that I'm gonna get some Skrull is what I want, you know. 46:22.008 --> 46:22.568 What's that? 46:22.748 --> 46:23.448 Oh, what? 46:23.629 --> 46:24.269 I want Skrull. 46:25.289 --> 46:26.430 Scurrilous talk. 46:26.530 --> 46:27.331 Yeah, exactly. 46:28.431 --> 46:34.395 I hope that I'm going to eavesdrop on someone either dissing me or, you know, maybe saying they love me or something like that. 46:34.836 --> 46:42.200 Something interesting about me or just something that, you know, is a real insight into the other person. 46:42.221 --> 46:43.081 What are you doing, Brian? 46:44.102 --> 46:45.743 Okay, have we got a live but call? 46:47.224 --> 46:48.705 This is cool. 46:50.253 --> 46:52.336 This is a live but call, ladies and gentlemen. 46:52.616 --> 46:54.359 Someone has accidentally called our number. 46:55.000 --> 46:56.322 And this is what's happening live. 47:00.017 --> 47:00.717 It's boring, isn't it? 47:01.017 --> 47:03.318 Well, you cut it off, it could have been Bin Laden. 47:03.778 --> 47:05.138 Bin Laden butt call. 47:05.158 --> 47:05.699 Who knows? 47:06.139 --> 47:07.179 That would have been amazing. 47:07.299 --> 47:07.679 Wow. 47:08.759 --> 47:09.039 Okay. 47:09.060 --> 47:12.000 Well, we're almost... Actually, you know, we've got 20 minutes left in the show. 47:12.020 --> 47:14.581 We've got digital doc coming up very promising, is it? 47:14.621 --> 47:15.281 Oh, we've almost finished. 47:15.381 --> 47:16.402 Oh, no, we've got 20 minutes. 47:16.482 --> 47:18.742 Well, it goes so fast, that's all I mean. 47:19.042 --> 47:20.263 Anyway, stick with us. 47:20.323 --> 47:21.203 It's Adam and Joe on XFM. 47:28.200 --> 47:31.321 The stills with changes are no good. 47:34.761 --> 47:36.042 It's time for Ditties in the Dock. 47:36.662 --> 47:43.043 As you know, the music on our radio show is carefully processed at XFM, but we have one opportunity to play a record of our choice. 47:43.443 --> 47:47.404 But there's two of us, thereby we created Ditties in the Dock. 47:47.604 --> 47:48.064 Thereby? 47:48.084 --> 47:49.225 I don't know. 47:49.345 --> 47:49.845 That's fine. 47:51.005 --> 47:58.791 So we're now going to pitch our songs, and you get to call 08700-800-1234 and vote for the one you would like to hear. 47:58.811 --> 47:59.031 08700-800-1234. 47:59.371 --> 48:02.293 Stand by your phones. 48:02.714 --> 48:04.155 Adam, what's your Dizzy this week? 48:04.775 --> 48:09.539 OK, so this week I'm pretty confident I'm going to win, and I've had quite a good run of wins. 48:09.619 --> 48:10.299 You have, yeah. 48:10.319 --> 48:11.020 Dizzy's in the dock. 48:11.060 --> 48:13.322 I think I've run like three weeks in a row or something. 48:13.762 --> 48:15.083 And I think this week I'm going to win again. 48:15.403 --> 48:19.106 I've got Madness, and I've got Nightboat to Cairo. 48:19.406 --> 48:27.191 It's not one of Madness's more often played songs, but it is an absolute guaranteed floor-filling smash from the Nutty Boys. 48:28.091 --> 48:31.193 And it's one of the first songs I ever learned the entire lyrics to. 48:31.253 --> 48:35.436 It's a kind of rap about, you know, being on a boat in Cairo. 48:36.216 --> 48:38.117 And it's a smash, what more can I say? 48:38.157 --> 48:45.782 If you've never heard it then, you've been living in a sort of pathetic, dopey dream world, and it's time you got with- Only to insult people. 48:46.062 --> 48:46.522 Sorry, man. 48:46.542 --> 48:48.463 I was trying to put my case and I went too far. 48:49.163 --> 48:50.143 Oh, you're excited. 48:50.243 --> 48:53.544 It's a good... It's a sort of a fail-safe, isn't it? 48:53.564 --> 48:53.744 Yeah. 48:53.844 --> 48:58.204 Well, I'm sorry about all the pathetic... You reckon you're guaranteed to win. 48:58.264 --> 48:59.585 I'm guaranteed to win with Nightboat Hikaru. 48:59.605 --> 49:00.545 You're supremely confident. 49:00.685 --> 49:01.365 Yeah. 49:01.725 --> 49:03.446 And you don't know what I'm about to pitch. 49:03.586 --> 49:05.446 I have no idea what you've got this week, genuinely. 49:05.826 --> 49:11.907 Well, you know, I mean... I've checked that confidence because this week I was looking through my old vinyl again. 49:12.007 --> 49:14.968 I got out the 12 inch of the theme from Ghostbusters. 49:16.308 --> 49:18.510 I played it, and it's fantastic! 49:18.550 --> 49:20.471 The theme from Ghostbusters, Ray Parker Jr. 49:20.571 --> 49:22.192 Are you sure you haven't brought that in before? 49:22.413 --> 49:22.573 Nope. 49:22.793 --> 49:26.095 It's fantastic, but I thought, can I get any better than that? 49:27.036 --> 49:37.383 And I could, because I found a mix of Michael Jackson's bad mixed with the theme from Ghostbusters, an 80s double whammy. 49:38.243 --> 49:38.704 Madness. 49:38.724 --> 49:39.825 Did you make it yourself? 49:39.905 --> 49:40.065 Nope. 49:40.605 --> 49:41.266 Where did you get that? 49:41.286 --> 49:42.887 It's professionally made, I can't tell you. 49:43.487 --> 49:44.308 Yeah, go on. 49:44.468 --> 49:45.348 I can't tell you. 49:46.009 --> 49:46.489 Why not? 49:46.709 --> 49:48.210 Because it's secret. 49:48.250 --> 49:49.030 It's a mystery. 49:49.871 --> 49:52.052 So, ring 087008001234. 49:53.253 --> 49:56.555 Say either madness or Ghostbusters. 49:56.595 --> 49:57.736 But it's not just Ghostbusters. 49:57.776 --> 50:00.618 It's Ghostbusters mixed with Michael Jackson's bad. 50:00.718 --> 50:01.678 Why can't you tell? 50:01.718 --> 50:03.479 Look, I've faded out in music now because I'm confused. 50:03.499 --> 50:04.320 You're serious about this one? 50:04.340 --> 50:06.201 Why can't you tell where it came from? 50:06.281 --> 50:07.082 If it wins, I'll say. 50:10.315 --> 50:14.247 So it's 087008001234 either Madness or Ghostbusters vs. Michael Jackson. 50:15.229 --> 50:15.851 Get calling! 50:24.856 --> 50:26.357 Is that a little modulation there at the end? 50:26.397 --> 50:27.218 Yeah, that's keen. 50:27.278 --> 50:30.361 My mum's in the studio today and she likes that song, don't you? 50:30.541 --> 50:31.662 So do I, Joe's mum. 50:31.682 --> 50:32.863 Hello, Spee, Joe's mum. 50:33.264 --> 50:33.864 Yeah, I do. 50:33.884 --> 50:34.545 Yeah, she loves it. 50:34.585 --> 50:34.945 There you go. 50:35.245 --> 50:36.046 Yeah, I think it's good. 50:36.066 --> 50:37.007 I like it the more I hear it. 50:38.028 --> 50:39.529 OK, let's get this over and done with. 50:39.609 --> 50:40.370 It's Ditty's in the Dock. 50:40.390 --> 50:43.013 This is going to be our last hurrah this Saturday. 50:46.704 --> 50:53.689 Now just to remind you, uh, we are facing off this week, Joe and I, with two pretty fantastic, uh, disses. 50:54.310 --> 51:03.417 I've got Madness, Nightboat to Cairo, and I've got a mix of the theme from Ghostbusters with Michael Jackson's Ba- He's double whammy. 51:03.717 --> 51:08.481 We were just queuing them up in the studio, we genuinely don't know which one is gonna win, and- So exciting. 51:08.621 --> 51:10.123 They both sound pretty fantastic. 51:10.143 --> 51:11.485 You can't really go wrong this week. 51:12.326 --> 51:17.113 So let's take the first five callers and the best of five will be played. 51:17.513 --> 51:19.556 So Tony, I think we've got Tony on the line. 51:19.776 --> 51:20.658 How are you doing, Tony? 51:21.018 --> 51:21.559 Yeah, not bad. 51:22.079 --> 51:24.102 Is it going to be madness or Ghostbusters? 51:24.483 --> 51:25.224 It's got to be madness. 51:25.744 --> 51:27.765 Oh, it's one for Madness, straight off the block. 51:27.785 --> 51:28.366 Thanks, Tony. 51:28.626 --> 51:29.487 Lee, are you there? 51:29.507 --> 51:30.307 Hello, mate. 51:30.567 --> 51:31.068 How you doing? 51:31.108 --> 51:32.789 Is it going to be Madness or Ghostbusters? 51:32.829 --> 51:33.349 Madness, please. 51:33.749 --> 51:34.109 What? 51:34.169 --> 51:34.810 Thank you. 51:34.850 --> 51:35.410 What's happening? 51:35.490 --> 51:36.211 Come on, listeners. 51:36.751 --> 51:38.772 OK, I've got a feeling it's going to go the other way now. 51:38.852 --> 51:39.733 Robin, are you there? 51:39.993 --> 51:40.333 Hello, mate. 51:40.633 --> 51:41.134 How you doing? 51:41.274 --> 51:42.555 Madness or Ghostbusters? 51:43.435 --> 51:44.896 I was tempted to go with Madness. 51:45.256 --> 51:47.878 It sounds strong, but I can't miss the opportunity to be here. 51:48.547 --> 51:49.868 Ghostbusters and Michael Jackson. 51:49.928 --> 51:50.469 Good man. 51:50.489 --> 51:50.929 Good man. 51:51.009 --> 51:51.650 Oh, Robin. 51:51.770 --> 51:51.990 Okay. 51:52.010 --> 51:52.650 That's 2-1. 51:52.891 --> 51:54.012 Madness still in the lead. 51:54.112 --> 51:54.952 Come on, let's have it. 51:55.012 --> 51:58.075 If it's Madness now, it's Nightboat Sekiro. 51:58.395 --> 51:59.216 Kevin, are you there? 51:59.696 --> 52:00.517 Yeah, I'm here. 52:00.757 --> 52:01.838 Kevin, is it going to be Ghostbusters? 52:02.338 --> 52:04.160 Ghostbusters and Michael Jackson, please. 52:04.220 --> 52:05.741 Well done, yeah. 52:05.761 --> 52:09.504 Kevin, correctly pointing out that it's not just Ghostbusters, it's Ghostbusters and Michael Jackson's bad. 52:09.524 --> 52:10.365 Let's not undersell it. 52:10.645 --> 52:11.946 It's 2-4, Kevin. 52:12.287 --> 52:13.447 This is the decider. 52:13.648 --> 52:15.189 Mike, it's all down to you. 52:15.289 --> 52:16.010 Mike, are you there? 52:16.030 --> 52:16.230 Please. 52:16.994 --> 52:18.275 Oh, please, Mike, please. 52:18.375 --> 52:18.755 Mike. 52:19.096 --> 52:19.316 What? 52:19.456 --> 52:19.796 Mike? 52:20.216 --> 52:20.997 Can you hear me, Mike? 52:21.617 --> 52:23.659 Yeah, man, blatantly ghostbusters all the way. 52:23.699 --> 52:23.979 Yes! 52:24.279 --> 52:25.340 Oh, no. 52:25.400 --> 52:26.461 Mike, I love you. 52:26.481 --> 52:27.302 I love you, Mike. 52:27.322 --> 52:28.383 I love you. 52:28.403 --> 52:29.844 Thanks a lot, Mike. 52:30.004 --> 52:32.826 Thanks for listening, everybody, and have a fantastic week. 52:33.166 --> 52:34.767 We'll be with you again next Saturday. 52:35.027 --> 52:35.408 See ya! 52:56.579 --> 52:58.342 Don't you think you're right? 52:58.422 --> 53:00.325 Let's show your ease 53:30.154 --> 53:38.157 I'm telling you to watch your mouth and pour your cream on your body. 54:07.705 --> 54:08.110 Who's bad? 54:36.453 --> 54:37.696 Won't you?