WEBVTT 00:06.009 --> 00:12.254 That's The Strokes and 1251 kicking off another fantastic show for Adam and Joe here on XFM. 00:12.494 --> 00:14.095 London's 104.9. 00:14.135 --> 00:15.516 I'm gonna be big this week, Joe. 00:15.556 --> 00:15.856 Big. 00:16.036 --> 00:16.317 Really? 00:16.397 --> 00:17.077 Yeah, huge. 00:17.257 --> 00:17.838 In what sense? 00:17.938 --> 00:19.619 Just personality-wise. 00:19.659 --> 00:21.720 I'm gonna sit all over this, Joe. 00:21.780 --> 00:25.443 You'll be poached by Capitol during the show if you carry on talking like that. 00:25.543 --> 00:26.524 That's what I'm hoping. 00:26.584 --> 00:27.885 You're out foxing foxy. 00:27.985 --> 00:29.966 I'm gonna do a capital link for you right now. 00:30.106 --> 00:31.367 Turn down your foxiness, eh? 00:31.487 --> 00:31.867 I can't. 00:32.228 --> 00:34.949 I will turn it down just after this capital link, okay? 00:35.270 --> 00:36.350 Here's a capital link for you. 00:36.791 --> 00:40.173 Well, it's Saturday afternoon, and what an afternoon it is. 00:40.313 --> 00:41.214 People are outside. 00:41.774 --> 00:42.415 Here's Enya. 00:43.260 --> 00:44.581 Is that a real Capitol link? 00:44.761 --> 00:46.602 No, it's wrong in a couple of respects. 00:47.022 --> 00:50.624 The content was correct, but I don't think they'd be playing Enya. 00:50.664 --> 00:52.365 They're a bit more groovy than that these days. 00:53.345 --> 01:00.509 But on our show, coming up, we've got lazy reviews, we've got a celebrity regression, we've got Dizzies in the Dock. 01:01.149 --> 01:02.089 Yeah. 01:02.129 --> 01:03.910 Quite an easy celebrity regression this week. 01:04.010 --> 01:04.250 Is it? 01:04.590 --> 01:07.131 People have been complaining that it's too hard. 01:07.471 --> 01:07.711 Right. 01:09.091 --> 01:10.552 And yeah, Ditty's in the Dark. 01:10.832 --> 01:11.912 You know what I feel like, Adam? 01:11.992 --> 01:12.673 What do you feel like? 01:12.693 --> 01:15.994 I feel like being reminded of my favourite BBC One trails. 01:16.634 --> 01:16.974 Really? 01:17.014 --> 01:18.114 For forthcoming shows. 01:18.234 --> 01:22.696 I feel like being reminded of Pop Idol, the last series. 01:23.036 --> 01:23.676 You know what I need? 01:24.236 --> 01:24.496 What? 01:24.636 --> 01:28.258 I need to hear a warning sign by Coldplay to remind me of all those things. 01:28.698 --> 01:29.099 Brilliant. 01:29.119 --> 01:29.899 Can you help me with that? 01:30.179 --> 01:31.200 Yeah, yeah, here we go. 01:32.060 --> 01:33.101 Oh, that's better. 01:41.328 --> 01:44.569 Coldplay and Warning Sign, you're listening to Adam and Joe on XFM. 01:44.789 --> 01:52.393 Joe, there's a good chance we might actually see and touch and molest Chris Martin from Coldplay tomorrow evening. 01:52.513 --> 01:52.793 Really? 01:52.853 --> 01:53.973 Have you not met Chris? 01:54.193 --> 01:56.314 Chrissy Chris Chris, Chrissy Poo Poo Martin? 01:56.914 --> 02:03.697 I have, but I met him before he was kind of astronomically famous, which I would say he is now. 02:03.737 --> 02:05.418 Would you quibble with astronomically famous? 02:05.438 --> 02:06.539 Yeah, he's astronomically famous. 02:06.559 --> 02:07.359 Yeah, he is, isn't he? 02:07.999 --> 02:13.761 And I met him at a party, and I think it was Edgar Wright's party. 02:13.861 --> 02:19.522 Edgar Wright, of course, the director of Shaun of the Dead, which we are going to the premiere of tomorrow evening. 02:20.442 --> 02:23.003 And yeah, I met Chris Martin at his party there. 02:23.023 --> 02:30.805 And I think I said, despite not being a massive Coldplay fan, I did that thing of just basically licking his bottom, because he's famous. 02:31.525 --> 02:33.566 And I said something like, 02:34.887 --> 02:38.530 Oh, you know, I've been obsessed by the first track on Parachutes. 02:39.310 --> 02:40.972 Which is kind of true, because it is a brilliant track. 02:41.012 --> 02:41.933 What is the first track on Parachutes? 02:41.953 --> 02:44.395 It's called Don't Panic, and it is an amazing song. 02:45.015 --> 02:50.320 Is that... Yeah, that's the one. 02:50.340 --> 02:51.181 That's a good version. 02:51.421 --> 02:52.022 Well, thank you. 02:52.122 --> 02:54.744 I mean, it's brilliant to even come through when I sing it like that. 03:00.709 --> 03:01.610 He should do it like that. 03:01.790 --> 03:02.751 Well, that's really good. 03:02.771 --> 03:06.053 You know, records like that would sell more copies because they'd sell to babies. 03:06.333 --> 03:11.177 Yeah, and they'd sell to adults and they'd sell to slightly retarded adults like me. 03:11.357 --> 03:14.119 And it would be quicker because you wouldn't have to make up any lyrics. 03:14.139 --> 03:19.443 It would just be... That's the Sean Penn, I am Sam version of Don't Panic. 03:19.663 --> 03:20.264 Anyway, sorry. 03:20.604 --> 03:23.606 So yeah, well you could suggest that to Chris if you see him tomorrow night. 03:23.686 --> 03:26.429 However, would you now go up to someone like Chris Martin? 03:26.529 --> 03:27.349 Yeah, you know what? 03:27.389 --> 03:28.470 Chris Martin comes up to me. 03:28.690 --> 03:29.391 No he doesn't. 03:29.431 --> 03:30.111 Yeah he does. 03:30.291 --> 03:30.752 Does he really? 03:30.772 --> 03:33.634 He's a very nice fella and he's not all famous famous. 03:33.854 --> 03:34.475 He's very nice. 03:35.495 --> 03:38.638 But what they're really trying to get is Gwyneth to the premiere tomorrow. 03:39.058 --> 03:39.859 Right. 03:40.379 --> 03:42.721 You see, Chris exists in the real world, sort of. 03:43.241 --> 03:44.942 You know, the top of his head might be in... 03:45.743 --> 03:47.607 Cloud Cuckoo Land, I call it. 03:47.627 --> 03:48.549 Is she a space car, then? 03:56.934 --> 03:58.855 She's really very, very famous, isn't she? 03:58.875 --> 03:59.615 Well, she's A-list, man. 03:59.655 --> 04:00.555 She's an Oscar winner. 04:01.015 --> 04:01.895 She's above A-list. 04:02.135 --> 04:02.536 Yeah. 04:02.716 --> 04:03.696 What's above A-list? 04:03.756 --> 04:05.056 I don't know A-list. 04:05.236 --> 04:06.637 Or A-list. 04:06.657 --> 04:06.957 A-list. 04:06.997 --> 04:07.757 Yeah, exactly. 04:08.617 --> 04:09.958 Anyway, where are we going with all of this? 04:10.098 --> 04:10.498 I don't know. 04:10.518 --> 04:11.758 I'm just excited about the premiere. 04:11.778 --> 04:12.458 The Shaun of the Dead premiere. 04:12.478 --> 04:13.519 And Shaun of the Dead is very good. 04:13.539 --> 04:14.139 It's been getting rid of it. 04:14.159 --> 04:16.339 It's got a very positive review in Variety. 04:16.359 --> 04:16.599 Has it? 04:16.619 --> 04:21.141 The American Film Bible, which suggests it might be a US hit as well. 04:21.581 --> 04:25.182 And once again, it's been described as the saviour of the British film industry. 04:25.862 --> 04:31.603 The British film industry's been dying pretty much since I became aware there was a British film industry, when I was aged about six. 04:32.003 --> 04:32.324 Yeah. 04:32.544 --> 04:33.664 It's just dead. 04:34.104 --> 04:42.286 And then every now and then, the corpse sort of twitches with a film like, you know, Room with a View, or Chariots of Fire, or Shaun of the Dead. 04:42.446 --> 04:44.806 Yeah, it's a very appropriate analogy, of course, as well. 04:44.826 --> 04:47.127 The zombie corpse of the British film industry. 04:47.187 --> 04:49.528 So, at the premiere tonight, are you gonna try and schmooze people, Adam? 04:49.648 --> 04:50.148 Tomorrow night. 04:50.408 --> 04:50.888 Tomorrow night. 04:51.568 --> 04:52.108 Schmooze. 04:52.328 --> 04:52.809 Hmm. 04:53.109 --> 04:54.329 I don't know what you mean to get ahead. 04:54.349 --> 05:01.053 Because you've got a record of stumbling up to celebrities, wanting to make friends with them, and then making an arse of yourself. 05:01.073 --> 05:01.953 Who have I done that with? 05:02.093 --> 05:09.156 I don't know, I can't remember the specifics, but many is a time when you've told me long stories about how you've embarrassed yourself in front of a celebrity. 05:09.257 --> 05:10.377 Once or twice I've done that. 05:10.397 --> 05:12.138 You just did one just now, about Chris Martin. 05:12.538 --> 05:12.778 Yep. 05:13.298 --> 05:14.679 I didn't embarrass myself, though. 05:14.699 --> 05:16.139 He was nice, you know, and it was fine. 05:16.499 --> 05:21.641 I tell you, the last person I did that with was Frank Black, AKA Black Francis, lead singer of the Pixies. 05:22.101 --> 05:24.682 And I went up to him at a gig after a gig of his. 05:25.623 --> 05:30.004 And, you know, I've met him a couple of times before, so I know him to say hello to. 05:30.844 --> 05:33.865 But I was really nervous for some reason, and I was a bit wasted. 05:34.326 --> 05:38.167 And I had a hat in my bag, like a baseball cap, and I'd sewn the word. 05:38.187 --> 05:39.687 I'd got it at a shop. 05:39.727 --> 05:41.128 This is already sounding mental. 05:41.328 --> 05:44.951 Yeah, and it had the word boring on it, right? 05:45.471 --> 05:48.933 And it's too long a story to tell why it had the word boring on the front. 05:49.074 --> 05:51.435 Well, probably because you want it to be interesting. 05:51.815 --> 05:56.459 Yeah, it was for a thing we were going to do in Japan, and I got it in Japan. 05:56.499 --> 06:00.582 Anyway, I had it in my bag, and I was just so wasted. 06:00.622 --> 06:04.444 I just wanted to give him something, and I gave him the boring hat, and I said, look, this is for you. 06:04.985 --> 06:06.486 You can wear it when you're doing interviews. 06:07.677 --> 06:10.979 Well, he probably took that the wrong way, didn't he, and thought that you thought that he was boring? 06:10.999 --> 06:15.682 Well, exactly, but I kind of meant it to be like, you know, interviews. 06:15.722 --> 06:16.842 Aren't they rubbish there? 06:16.882 --> 06:17.783 You hate doing them. 06:17.923 --> 06:21.865 Here's a hat to make you kind of... Oh, dear, I didn't think it through at all. 06:21.885 --> 06:23.186 I think you shouldn't go to the premiere. 06:23.546 --> 06:24.147 Maybe I shouldn't. 06:24.167 --> 06:25.207 Stay away from Shaun of the Dead. 06:25.227 --> 06:26.168 Just watch it on video. 06:26.688 --> 06:27.369 Fair enough, then. 06:27.409 --> 06:27.629 Yeah? 06:27.949 --> 06:28.289 Okay. 06:28.309 --> 06:29.510 Let's have some Foo Fighters. 06:41.670 --> 06:43.771 That was the Foo Fighters with Learn to Fly. 06:43.811 --> 06:47.352 This is Adam and Joe on XFM all the way through till three. 06:47.732 --> 06:49.993 I say all the way, it's only about an hour and a half now. 06:50.834 --> 06:53.715 So, you know, there's all sorts of good stuff coming up in the show. 06:53.755 --> 06:55.715 We've got Celebrity Regression coming up soon, haven't we, Ad? 06:55.956 --> 06:56.436 Yeah, that's right. 06:56.456 --> 07:02.798 Later this hour, I will be regressed live on air by Joe, who is unqualified to perform regressions. 07:03.419 --> 07:09.581 And it will be up to you, the listening public, to phone in and guess who the celebrity was. 07:09.981 --> 07:32.987 have been regressed into a hypnotic regression and we want we want you to guess what the films are as well because i will be regressed and i will actually be living out the characters that i have portrayed in these films so not only do you have to guess which actor i am yeah you have to guess what those films are and what is it a tough one adam this week i would say that it's quite an easy one but quite tough 07:33.680 --> 07:34.882 Quite tough. 07:34.902 --> 07:37.044 I'm getting contradictory signals from you, Adam. 07:37.084 --> 07:38.346 It's tough, but yeah, it's easy. 07:38.707 --> 07:41.150 I would say, in that case, yes, it's easy. 07:41.370 --> 07:41.991 It's teasy. 07:42.331 --> 07:42.531 Yeah. 07:42.792 --> 07:44.454 Oh, I'm starting to speak micro now. 07:44.714 --> 07:46.797 Speaking of adverts... Yes? 07:46.897 --> 07:48.039 This post office one. 07:48.539 --> 07:49.420 For the post office. 07:49.460 --> 07:52.024 They're delivering cardboard words to each other, right? 07:52.344 --> 07:53.885 Is that with the Travis track on it? 07:53.925 --> 07:54.326 Possibly. 07:54.366 --> 07:54.866 Is it Travis? 07:54.886 --> 07:55.487 I didn't know that. 07:55.727 --> 07:56.488 Love Will Come Through. 07:56.688 --> 07:59.230 Have you spoken to Travis about that? 07:59.710 --> 07:59.991 Haven't. 08:00.211 --> 08:00.411 No. 08:00.551 --> 08:01.712 Do you think they've approved that? 08:01.752 --> 08:02.012 Yes. 08:02.153 --> 08:02.693 Yeah. 08:03.614 --> 08:04.935 They support the post office. 08:05.075 --> 08:08.098 It's a sort of old British institution, isn't it, that should be supported. 08:08.118 --> 08:13.502 It's under threat by the technology of email and Blueberry and all that sort of thing. 08:13.823 --> 08:15.604 Blueberry's a handheld email device, Adam. 08:16.685 --> 08:19.006 revealing yourself to be living in the past there. 08:19.386 --> 08:21.207 But Blueberry, yeah, it's a handheld email device. 08:21.467 --> 08:23.808 It's threatening the monopoly of the post office. 08:24.088 --> 08:33.731 So anyway, they've got this new campaign which shows very cuddly-looking postmen, right, in difficult weather situations delivering actual words to people. 08:33.811 --> 08:35.472 And do you remember what sort of words they're delivering? 08:35.992 --> 08:39.853 It's stuff like happiness and, you know, gift. 08:40.153 --> 08:40.313 Right. 08:40.673 --> 08:42.154 And... It's not froth. 08:42.294 --> 08:43.534 It's not words like froth. 08:43.914 --> 08:45.255 It's not words like letter bomb. 08:46.565 --> 08:46.765 Yeah. 08:46.865 --> 08:47.946 They've avoided letter bombs. 08:47.966 --> 08:48.527 Or anthrax. 08:48.587 --> 08:49.547 They've avoided anthrax. 08:49.747 --> 08:51.288 They've avoided just the word hate. 08:52.429 --> 08:52.629 Yeah. 08:53.170 --> 08:53.710 Hate mail. 08:53.970 --> 08:54.571 Hate mail. 08:55.091 --> 08:55.912 Oh, that's not very nice. 08:56.172 --> 08:56.652 Or junk. 08:57.132 --> 08:57.373 Uh huh. 08:57.793 --> 08:58.093 You know. 08:58.113 --> 08:59.574 Or yeah, bills. 08:59.714 --> 09:10.382 I just thought it would be a more, this is my point, I think it would be a better, a more realistic advert for the post office if they had some words that represented the rubbish that you do actually get through your door. 09:10.402 --> 09:13.324 Which isn't necessarily letter bombs, anthrax and hate mail. 09:13.724 --> 09:15.245 Unless, you know, you're a neo-nazi. 09:15.325 --> 09:17.948 However, it is pizza pizza. 09:18.248 --> 09:19.630 Well, they don't tend to post though. 09:19.670 --> 09:22.132 Well, they post them, but the Royal Mail don't post them today. 09:22.333 --> 09:28.339 Not I'm not saying actual pizzas, but you know, like leaflets for pizza delivery companies like sample of Tilda Rizzazz. 09:28.539 --> 09:29.961 Hey, did you get some of that? 09:30.001 --> 09:30.301 Yeah. 09:30.722 --> 09:34.385 Why didn't they have why did they carry a big the word sample of Tilda Rizzazz? 09:35.166 --> 09:36.106 How come you got some of that? 09:36.126 --> 09:39.987 I thought it was just me because I'm part of the... Because we shop at Sainsbury's and we've got Nectar cards. 09:40.067 --> 09:43.828 Right, so listen, if you don't have a Nectar card and you don't shop at Sainsbury's, let us explain. 09:44.148 --> 09:45.388 We got, like, a package. 09:45.408 --> 09:48.009 It was so exciting, it was in a jiffy bag and everything. 09:48.029 --> 09:48.609 Yeah, yeah. 09:48.729 --> 09:51.269 And, you know, I don't often get... A free sample of Tilda Rizzazz. 09:51.329 --> 09:52.910 And it was really heavy and I thought, what's this? 09:52.950 --> 09:55.010 Someone sent me an exciting thing, I can't believe it. 09:55.490 --> 10:01.191 And it was, yeah, it was like a bag of rice, basically, from Sainsbury's, Tilda Rizzazz. 10:01.912 --> 10:04.072 Sounds like someone's name, doesn't it? 10:04.392 --> 10:05.233 And it was quite a lot. 10:05.313 --> 10:07.595 It was about four portions worth. 10:07.895 --> 10:10.277 I think she is on reception at my dentist. 10:10.717 --> 10:11.338 Tilda Rizaz? 10:11.378 --> 10:11.678 Yeah. 10:12.138 --> 10:12.599 Is she nice? 10:12.699 --> 10:13.299 She's spicy. 10:14.060 --> 10:14.200 Oh. 10:14.801 --> 10:15.681 Anyway, I ate it. 10:16.002 --> 10:16.562 Did you eat yours? 10:16.622 --> 10:17.623 I didn't eat mine, no. 10:17.723 --> 10:18.564 Did you chuck it away? 10:18.724 --> 10:19.805 No, it's been thrown around. 10:19.845 --> 10:21.426 I try and give it to everybody who comes around. 10:22.167 --> 10:22.947 And it went in the bin. 10:23.148 --> 10:23.888 You should eat it, man. 10:23.928 --> 10:24.509 It's delicious. 10:24.529 --> 10:25.529 You can't waste rice. 10:26.190 --> 10:28.752 I wonder if there's an advert for Tilda Rizaz in this ad break. 10:29.353 --> 10:30.754 Hey, yeah, let's find out. 10:46.101 --> 10:47.262 Snow Patrol there with Run. 10:47.282 --> 10:48.662 Are you a fan of Snow Patrol, Adam? 10:49.943 --> 10:52.344 Yeah, they're pretty inoffensive, aren't they? 10:52.364 --> 10:53.104 They're nice, I think. 10:53.344 --> 10:55.025 It's got a terrible album cover. 10:55.445 --> 10:56.065 What's the cover? 10:56.405 --> 11:00.087 It's like two people, sort of a man and a woman. 11:00.107 --> 11:01.807 Sounds good so far. 11:01.888 --> 11:04.769 Dressed up in kind of snow gear. 11:05.569 --> 11:09.632 But it's just very lazy Photoshop job, anyway. 11:09.692 --> 11:13.295 It's very nondescript and you think, wow, this is a big band with a big album, you know. 11:13.696 --> 11:17.018 Could they not have pulled out the stops a bit more on the album cover? 11:17.399 --> 11:21.582 Disappointing album cover design, but hey, let's not judge an album by the cover, Adam. 11:21.742 --> 11:24.805 Well, exactly, because it's great stuff as you just heard. 11:25.245 --> 11:25.525 Yeah. 11:25.865 --> 11:26.185 Okay. 11:26.426 --> 11:29.007 Now, we've both been watching the same film recently, haven't we? 11:29.047 --> 11:31.848 Adam and I both have problems. 11:31.888 --> 11:35.970 We've both got multi-region DVD players and a small amount of disposable income. 11:36.010 --> 11:41.072 So like many of you out there, you know, we get American films on DVD and watch them. 11:41.393 --> 11:46.115 And sometimes we find ourselves wasting money on movies that we really shouldn't be buying. 11:46.535 --> 11:47.415 Really bad movies. 11:47.515 --> 11:49.336 And to add insult to injury. 11:49.376 --> 11:51.077 You didn't buy that, did you? 11:51.097 --> 11:52.238 Let's talk about that later. 11:53.378 --> 12:00.944 To add insult to injury, we often find ourselves both paying about 30 quid for the same rubbish film, even though we live two streets away from each other. 12:01.264 --> 12:04.367 Could perfectly easily just swap one copy. 12:04.767 --> 12:09.150 So the latest manifestation of this is Ron Howard's film The Missing. 12:10.211 --> 12:13.133 Now this has got some very positive reviews. 12:13.593 --> 12:16.914 In the Sunday Times supplement they say it's a classic modern western. 12:17.515 --> 12:19.276 So I got quite excited about them missing. 12:19.316 --> 12:20.336 It cost me just under £30. 12:21.697 --> 12:25.619 I projected it in its correct aspect ratio on my wall. 12:25.999 --> 12:29.701 I sat down, you know, snacks, everything, curtains all closed. 12:30.201 --> 12:30.561 Perfect. 12:30.601 --> 12:33.063 I thought this is going to be a classic modern western. 12:33.423 --> 12:34.063 Fantastic. 12:34.283 --> 12:39.786 And once I've finished watching the film, which is a good 137 minutes long, I'll be able to put in Disc 2 and find out 12:40.026 --> 12:45.049 all about the making of it and see the short films of Ron Howard, which was also on the disc. 12:45.570 --> 12:48.291 I've never been so bored in my entire life. 12:48.431 --> 12:52.474 I thought it was, it's one of those films that is so bad it almost doesn't exist. 12:53.034 --> 13:04.662 From the first frame you just think about something else and an hour later you realise you've just thought about everything in your life, your relationships, how you might rearrange your room, what you're doing for the next couple of weeks, what you're going to have for dinner. 13:06.523 --> 13:09.686 They might as well have not bothered actually exposing any film. 13:10.386 --> 13:12.688 I thought it was a complete and utter waste of time. 13:12.808 --> 13:14.089 Did you watch to the end? 13:14.469 --> 13:14.730 Yes. 13:14.970 --> 13:15.550 Did you really? 13:15.610 --> 13:15.810 Yes. 13:15.870 --> 13:17.252 Hey, come on, that's not a waste of time. 13:17.292 --> 13:18.212 Then you made it to the end. 13:18.252 --> 13:19.794 So you watched it as well, did you? 13:19.994 --> 13:21.835 Yeah, well listen, I made it to the end too. 13:22.376 --> 13:27.320 So that means that it's better than almost 80% of some of the other DVDs I've read. 13:27.360 --> 13:28.741 It's like a meditation aid. 13:29.081 --> 13:29.341 Yeah. 13:29.441 --> 13:32.724 It's like one of those DVDs of a roaring fire or a fish tank. 13:32.864 --> 13:34.605 Well, it's like a TV movie. 13:34.845 --> 13:39.827 Basically, the plot of this thing is a net... No, it's Cate Blanket, isn't it? 13:39.847 --> 13:41.488 Cate Blanket and Tom Jones. 13:41.908 --> 13:42.989 Blanket and Tom Jones. 13:43.389 --> 13:45.210 They're living out there... Not unusual. 13:45.250 --> 13:46.551 In the blasted waste. 13:46.571 --> 13:48.592 To have his daughter kidnapped by engines. 13:48.692 --> 13:49.392 Yeah, there you go. 13:49.492 --> 13:52.114 So, Cate Blanket's daughter gets kidnapped by engines. 13:52.494 --> 13:54.055 Her long-lost dad, Tommy Lee Jones. 13:54.075 --> 13:56.216 Well, the first thing they do wrong is there's two daughters. 13:56.396 --> 13:59.077 One is the cutest little blonde moppet you've ever seen. 13:59.097 --> 14:00.498 And I immediately thought, kidnap her? 14:00.658 --> 14:00.798 Yeah. 14:01.398 --> 14:02.858 The other's a stroppy teenager. 14:02.918 --> 14:04.259 They kidnapped the stroppy teenager. 14:04.459 --> 14:05.239 Who cares? 14:05.259 --> 14:07.099 Well, it's like boot camp thing. 14:07.139 --> 14:07.619 Brat camp. 14:07.879 --> 14:08.800 Oh, that's another conversation. 14:09.060 --> 14:11.240 Yeah, but you know, you want to kidnap the teenager because she's stroppy. 14:11.260 --> 14:12.540 Do you know what this is leading to? 14:12.700 --> 14:12.880 What? 14:13.441 --> 14:15.721 They should put... Brat camp's better than the missing. 14:16.221 --> 14:19.982 Brat camp is Channel 4's teenage... Posh teenage kids go to a boot camp in America. 14:20.522 --> 14:22.823 I want... After an hour, I want more brat camp. 14:23.303 --> 14:25.243 I could do with a feature-length brat camp. 14:25.543 --> 14:29.144 Because the problem with contemporary television is they keep reminding you about last week and next week, 14:29.804 --> 14:33.048 and there's only a tiny percentage of actual new material in each episode. 14:34.009 --> 14:40.156 So if they just turned Brat Camp into a feature and turned Missing into a TV film, everything would be right in the world. 14:40.839 --> 14:41.380 Yeah. 14:41.560 --> 14:43.441 Did you not enjoy anything about Missing whatsoever? 14:43.521 --> 14:43.762 Nope. 14:44.122 --> 14:44.522 Nothing? 14:44.683 --> 14:44.943 Nope. 14:45.483 --> 14:47.525 It was quite sedate, I'll give you that much. 14:47.545 --> 14:48.446 It was so boring. 14:48.486 --> 14:49.847 And it was very over-long. 14:50.167 --> 14:52.690 But as a TV movie, I didn't think it was so bad. 14:53.150 --> 14:55.632 It was like the world's most boring episode of Little House on the Prairie. 14:55.652 --> 14:57.914 Hey, well, do you know what the Missing is very much like? 14:58.155 --> 14:58.255 What? 14:58.355 --> 15:00.957 And was received in a similar way too, if that makes sense. 15:01.397 --> 15:02.278 Open range. 15:02.619 --> 15:03.399 Have you seen that? 15:03.479 --> 15:04.300 I've got that boy. 15:04.500 --> 15:04.840 Went out and... 15:05.541 --> 15:06.541 That's had very good reviews. 15:06.601 --> 15:07.622 Classic Modern Western. 15:07.662 --> 15:08.602 Classic Modern Western. 15:08.842 --> 15:09.862 A masterpiece. 15:09.942 --> 15:10.682 A masterpiece. 15:10.702 --> 15:12.143 Four stars across the board. 15:12.203 --> 15:12.943 So, is it not? 15:13.063 --> 15:14.043 No, it's not. 15:14.083 --> 15:15.223 Is it worse than The Missing? 15:15.444 --> 15:16.604 I would say it's the same. 15:16.744 --> 15:18.004 The same as The Missing? 15:18.204 --> 15:23.466 It passes, you know, two hours, two and a half hours, much too long, basically. 15:23.766 --> 15:24.506 And it's pretty good. 15:24.566 --> 15:25.546 I love Robert Duval. 15:25.606 --> 15:27.927 Anything that Robert Duval does, he's a bit like... Well, I'm confused now. 15:27.947 --> 15:28.727 You're saying it's good. 15:29.714 --> 15:31.054 It's the same as The Missing. 15:31.134 --> 15:31.975 I didn't mind The Missing. 15:32.575 --> 15:33.035 Oh dear. 15:33.135 --> 15:33.795 I didn't mind it. 15:34.055 --> 15:35.936 You've got to ask more from life, Adam. 15:36.136 --> 15:38.396 Well, there's times when you just want to be happily bored. 15:39.016 --> 15:39.276 Yeah. 15:39.536 --> 15:43.717 And I was happily bored in The Missing and pretty happily bored in... You know what I think we should do? 15:44.178 --> 15:44.358 What? 15:44.438 --> 15:47.058 I think next week we should both bring in our copies of The Missing. 15:47.258 --> 15:47.458 Yeah. 15:47.818 --> 15:52.139 And we should give them away to somebody who can think of the best thing to do with two copies of The Missing. 15:53.000 --> 15:53.980 Not just one, but two. 15:55.416 --> 16:03.321 Right, and if you can take a picture of yourself doing what you've done, obviously we want something dirty to be done with them, really. 16:03.341 --> 16:06.863 Not necessarily dirty, but email us, adamandjoe at xfm.co.uk. 16:06.883 --> 16:11.586 We'll check up on these next week if you can think of something brilliant to do with two copies of The Missing. 16:12.867 --> 16:14.108 I prefer something dirty. 16:14.948 --> 16:17.250 You know, that would really make me freak out! 16:27.116 --> 16:32.662 This is Adam and Joe on XFM here until three o'clock and now it's time for celebrity regression. 16:33.242 --> 16:43.132 This is our competition segment of the show where I, as a trained hypnotherapist, am going to regress Adam back to a previous life in which he was a major film star. 16:43.192 --> 16:43.933 Is that correct, Adam? 16:44.133 --> 16:46.276 Yeah, can I just say you're not trained, are you? 16:46.416 --> 16:49.079 I'm not trained, no, but it's just creating an illusion. 16:49.199 --> 16:50.400 Yeah, but that's just a lie. 16:50.620 --> 16:56.868 Man, hypnotherapy isn't a proper, you can't, you know, it's not, people don't get lied to, any old idiot can do it. 16:57.108 --> 16:58.750 Have you seen This Morning with Phil and Fern? 16:59.070 --> 16:59.450 Fair enough. 17:00.491 --> 17:04.114 So I am a fully trained hypnotherapist. 17:04.734 --> 17:06.876 And I'm going to regress, Adam, back to previous life. 17:07.436 --> 17:14.541 All you have to do is guess what film star Adam is and what life stroke film he's experiencing all around him. 17:15.922 --> 17:18.304 When you hear it happen, it's amazingly vivid and real. 17:18.544 --> 17:19.564 So stand by your phones. 17:19.685 --> 17:20.045 The numbers 08700, 800, 1234. 17:21.726 --> 17:24.408 You could win an XFM goody bag, a mystery goody bag. 17:24.428 --> 17:26.349 Who knows what'll be in it, but it'll be amazing. 17:26.850 --> 17:28.471 OK, let's have the time to treat music. 17:29.901 --> 17:33.623 And just take a deep breath all the way in and let it out slowly. 17:33.764 --> 17:35.285 Listen as you can do this too. 17:36.485 --> 17:37.946 Breathe in through your mouth. 17:38.247 --> 17:38.827 No, no. 17:39.247 --> 17:40.448 Breathe in through your nose. 17:41.489 --> 17:42.149 I'm confused. 17:43.270 --> 17:44.571 And breathe out through your mouth. 17:46.112 --> 17:46.512 Mouth. 17:46.752 --> 17:48.333 It's not your mouth, is it Adam? 17:48.653 --> 17:50.214 A long slow breath. 17:51.240 --> 17:51.440 I'm moving. 18:14.194 --> 18:14.955 Even further back. 18:15.055 --> 18:17.457 Did you say don't back? 18:17.797 --> 18:18.398 Let's move on. 18:18.498 --> 18:19.799 No, even further back. 18:20.540 --> 18:22.281 Back to a previous life. 18:23.162 --> 18:24.463 A previous life. 18:24.904 --> 18:25.644 And wake up, Adam. 18:26.906 --> 18:28.607 You are now in a previous life, tell me. 18:29.768 --> 18:30.529 What can you see? 18:30.549 --> 18:34.312 I can see a grey room. 18:34.332 --> 18:36.795 It's my quarters. 18:37.714 --> 18:38.695 here where I work. 18:40.196 --> 18:41.236 Oh, I'm stressed out. 18:42.177 --> 18:47.961 Tired and stressed out, but that's what it's like when you're the chief of security and you've got a dead body on your hands. 18:48.501 --> 18:53.245 Not literally on your hands, obviously that would be repulsive, just a dead body to deal with. 18:54.085 --> 19:02.454 The weird thing is that the closer I get to finding out who's responsible for the murder, the more hassle I get from the guy that runs this place. 19:02.534 --> 19:07.760 It's almost as if he doesn't want me to solve this case at all for some reason. 19:08.321 --> 19:08.901 But why? 19:09.662 --> 19:11.144 Why, for God's sake, tell me why! 19:12.657 --> 19:13.798 Okay, just relax, Helen. 19:13.838 --> 19:14.399 Just relax. 19:14.459 --> 19:19.483 It's important here that the subject doesn't feel too emotionally involved in the previous life. 19:20.884 --> 19:21.644 Just breathe, Adam. 19:21.885 --> 19:23.406 I want you to go back even further. 19:24.146 --> 19:24.807 Drift back. 19:25.147 --> 19:27.569 Back, back, back, back, back, back, back, back, back. 19:28.270 --> 19:29.451 Into a previous life. 19:31.913 --> 19:33.314 And what can you see? 19:34.535 --> 19:35.095 A court. 19:35.115 --> 19:38.178 A courtroom or a lecture theatre? 19:38.758 --> 19:39.759 Oh, it's a lecture theatre. 19:40.259 --> 19:42.041 Yes, I'm a Harvard Law Professor. 19:43.089 --> 19:54.617 I was giving a lecture here yesterday about capital punishment, and then an old black lady approached me and begged me to take up the case of her son, who was on death row for murdering a white woman. 19:55.418 --> 20:04.444 Because it happened down south, I suspected racism, and despite not having practiced law for 25 years, I agreed to take up the case. 20:05.625 --> 20:08.607 Discovering the truth has been proving very difficult. 20:09.619 --> 20:20.086 because a Bible-spouting inmate and a brutal police officer who convicted the condemned man have been leading me down blind alleys and treacherous waters. 20:20.546 --> 20:22.147 Okay, just stay calm, Adam. 20:22.567 --> 20:25.209 These previous lives are extraordinarily dramatic. 20:26.309 --> 20:27.990 Just stay calm, breathe deeply. 20:29.091 --> 20:32.373 Breathe in, through your nose out, through your mouth in, see the lungs. 20:32.393 --> 20:33.474 Sorry. 20:35.155 --> 20:37.937 Okay, and I'm going to take you back one final stage. 20:37.977 --> 20:41.700 Listen very closely, listeners. 20:41.920 --> 20:47.744 087008001234 is the number if you can guess whose life which star Adam is being regressed into. 20:48.504 --> 20:52.347 And back, back, back, Adam, back, far back into the dim and distant past. 20:53.027 --> 20:53.988 Wake up, what do you see? 20:54.008 --> 20:56.750 Excuse me, I'm a shadowy figure. 20:57.410 --> 21:02.734 a legendary cop from a special liaison unit here in Los Angeles. 21:03.615 --> 21:11.160 I've been called in on this case because I'm an expert in Japanese culture, although I clearly know bugger all about Japanese culture. 21:11.200 --> 21:20.107 Still, that doesn't stop me banging on about it in a slightly racist way about the mysterious thought processes of the Japanese mind. 21:21.237 --> 21:26.009 And I'm going to be doing a lot of that because there's been a murder involving Japanese people. 21:26.049 --> 21:29.437 That's why they've called me in, because I'm a Japanese people expert. 21:30.435 --> 21:41.681 For example, we got a lead today, and my partner was all excited about it, but as I told him, with the Japanese, when something looks too good to be true, it's not true. 21:41.721 --> 21:42.582 Oh, that's very true. 21:42.782 --> 21:50.046 Everything we've been told might be true, but the question is, why are we being told it? 21:50.246 --> 21:56.230 It's rubbish, of course, but if you say it seriously enough, even with my ludicrous accent, people seem to believe it. 21:59.424 --> 22:00.526 Just relax, Adam, okay? 22:00.566 --> 22:03.449 I think to take Adam back any further would be dangerous. 22:04.350 --> 22:06.393 It's time for you guys to pick up the phone, 08700-800-1234. 22:06.633 --> 22:13.842 If you can guess whose life Adam was being repressed into, you could win the most extraordinary goodie pack. 22:14.643 --> 22:16.465 We'll be coming to the lines right after this. 22:29.878 --> 22:29.938 No! 22:50.998 --> 22:51.618 Hello, Jason. 22:52.839 --> 22:54.540 Now just keep your voice nice and soft. 22:54.760 --> 22:57.801 We are in a hypnotic trance state in the studio. 22:57.961 --> 22:58.481 OK. 22:58.702 --> 23:00.622 Yeah, just stay calm, Jason. 23:01.003 --> 23:01.423 OK? 23:01.763 --> 23:07.325 Just chill your voice, because it could damage Adam's fragile psychology if you frighten him in any way. 23:08.066 --> 23:11.127 I'd just like you now to say the name of the actor who you think Adam is. 23:12.028 --> 23:14.709 If you're correct, Adam will wake up out of his trance. 23:15.069 --> 23:16.770 If you're not correct, he will stay on there. 23:16.790 --> 23:18.871 Jason, say the name now. 23:19.731 --> 23:21.032 Sean Connery. 23:21.972 --> 23:25.374 How did you get that you jammer? 23:26.094 --> 23:28.175 You got that first time, that's unprecedented. 23:28.215 --> 23:32.817 That's never happened before in the history of celebrity- So what were the films then Jason if you're so clever? 23:33.263 --> 23:37.666 Well, um, I think one of them was that one about the cop that goes to Japan, Rising Sun? 23:37.706 --> 23:37.907 Correct. 23:38.587 --> 23:39.648 Yes, that's right. 23:39.668 --> 23:40.789 And did you get any of the other ones? 23:40.989 --> 23:42.010 I didn't know the other one was, no. 23:42.030 --> 23:47.354 You mentioned he had a funny voice and stuff, and there aren't any actors that, uh, he's got a very funny voice of Sean, hasn't he? 23:47.694 --> 23:48.755 Yes, that's correct. 23:49.015 --> 23:50.896 I can tell you're a film buff, Jason. 23:51.096 --> 23:51.797 Well, I've seen him. 23:52.077 --> 23:53.479 Yeah, you've seen a film. 23:53.499 --> 23:54.460 You've seen those films. 23:54.520 --> 23:55.061 I've seen those films. 23:55.101 --> 23:56.082 Jason, thank you very much for calling. 23:56.102 --> 23:57.804 You're going to win a fantastic XFM goodie bag. 23:58.325 --> 23:59.266 That was a terrific regression. 23:59.306 --> 23:59.947 Adam, well done. 24:00.107 --> 24:00.648 Thanks very much. 24:00.688 --> 24:05.514 Well, can I just say that even though Jason didn't get them, the other films, of course, were Outland. 24:05.534 --> 24:06.095 Of course. 24:06.115 --> 24:07.897 That's a brilliant film, incidentally, if you haven't seen it. 24:07.917 --> 24:08.818 That's one of Sean's best. 24:08.838 --> 24:10.520 The space station people are being murdered. 24:10.540 --> 24:10.941 You know what? 24:11.261 --> 24:13.484 makes Outland really good, or what made it really good at the time? 24:13.604 --> 24:17.768 Well, it was a double A, so you could get in if you were 15 and it had people's heads exploding. 24:18.068 --> 24:19.510 It was sort of like a junior scanner. 24:19.630 --> 24:22.353 Stephen Berkoff's in it, what more could you ask for? 24:22.994 --> 24:25.756 And the other film was of course Just Cause. 24:26.397 --> 24:33.047 Sean Connery plays a Harvard Law professor, hasn't worked for 25 years, and he goes in to try the case of Blair Underwood from L.A. 24:33.107 --> 24:37.113 Law, who plays this guy, and I think there's a boring twist, and it's a dreadful film. 24:37.133 --> 24:39.216 Well, why did you... Well, you've seen Just Cause, haven't you? 24:39.256 --> 24:39.797 I certainly have. 24:39.837 --> 24:42.701 You see, that, to me, is beyond the line I draw in the sand. 24:42.941 --> 24:43.261 Really? 24:43.461 --> 24:43.762 Yeah. 24:43.842 --> 24:44.903 I like stuff like that, you see. 24:44.923 --> 24:45.683 I like drama. 24:46.164 --> 24:48.345 Yeah, two of my least favourite words in movies. 24:48.445 --> 24:49.366 Draw and mar. 24:49.426 --> 24:50.347 No, just or cause. 24:50.447 --> 24:50.547 Oh. 24:51.227 --> 24:51.748 Gotta be bad. 24:51.808 --> 24:52.388 Just married. 24:52.869 --> 24:53.769 The Santa Claus. 24:55.110 --> 24:55.771 The Santa Claus. 24:55.791 --> 24:56.171 Yeah, I love it. 24:56.932 --> 24:57.752 Anyway, let's get on. 24:58.052 --> 25:00.875 We've got a whole other hour of excitement here on XFM. 25:00.895 --> 25:02.316 You're listening to Adam and Joe. 25:22.506 --> 25:25.469 That was Franz Ferdinand and Take Me Out. 25:25.529 --> 25:27.070 Very good album, very nice boys. 25:27.190 --> 25:30.673 Adam, I hear you've got some local crime news for the listeners. 25:30.693 --> 25:38.701 This is crime news from the west coast of America sent to me on my email hotline by my auntie who lives out in Santa Barbara. 25:39.521 --> 25:44.485 and she sent me this news about the latest techniques in carjacking. 25:44.745 --> 25:46.707 Now is this a mad lady? 25:46.867 --> 25:48.308 Does she correspond with you regularly? 25:48.768 --> 25:53.212 She sends me a lot of like funny signs, road signs. 25:53.352 --> 25:55.734 OK, so you're on her joke email list? 25:55.774 --> 25:55.994 Yeah. 25:56.314 --> 25:56.935 Do you know what, though? 25:56.955 --> 26:01.058 Every time I get one, my heart slightly sinks, because I think, oh, well, I'll have tea. 26:01.438 --> 26:03.499 But then every time I look at them, they are pretty funny. 26:03.980 --> 26:04.300 OK. 26:04.480 --> 26:04.740 Anyway. 26:04.860 --> 26:06.362 Well, let's hit us with the car. 26:06.382 --> 26:08.743 These are tips on how not to get carjacked. 26:08.763 --> 26:10.044 Well, this is not funny, though. 26:10.064 --> 26:12.166 This is the first one I've got from her that is just serious. 26:12.286 --> 26:12.947 OK, let's hear. 26:12.967 --> 26:16.349 Because apparently, this is what they're doing out in California right now. 26:16.369 --> 26:18.050 It's a new technique the carjackers are using. 26:18.411 --> 26:19.011 So here you are. 26:19.051 --> 26:20.392 Put yourself in this situation. 26:20.832 --> 26:22.594 You walk across the parking lot. 26:22.794 --> 26:24.155 That's what we call a car park in America. 26:24.175 --> 26:24.936 Yeah, yeah. 26:54.295 --> 26:54.535 Yeah. 26:54.555 --> 26:54.935 Of course. 26:54.955 --> 26:55.175 Of course. 26:55.195 --> 26:55.615 Of course. 26:55.635 --> 26:56.876 Oh, the crafty bugger. 26:56.936 --> 26:57.016 Ooh! 27:13.660 --> 27:14.701 I didn't even switch the agent off. 27:14.721 --> 27:18.085 Having written something on the piece of paper, so you're left holding the piece of paper. 27:18.185 --> 27:21.069 Probably something like... Says, you've been carjacked, sucker. 27:21.189 --> 27:22.030 Yeah, sucka. 27:22.050 --> 27:23.992 Spell it. 27:24.093 --> 27:24.413 A-H. 27:24.853 --> 27:25.895 S-U-K-K-K-A-H. 27:26.355 --> 27:27.597 S-U-K-K-K-A-H? 27:27.737 --> 27:29.399 Yeah, it's the deep south. 27:29.419 --> 27:30.680 There's no messing with these guys. 27:31.141 --> 27:39.586 So that's what's happening, and basically she was circulating the email just to... You know what, the other thing is that everyone has a technique. 27:39.646 --> 27:45.170 If someone sticks a pamphlet under your windscreen wiper, you obviously, if it's the front window, you don't bother with it. 27:45.210 --> 27:51.354 You drive forward, you undo your passenger window, you turn on the windscreen wipers, then every time they go to the right, 27:52.054 --> 27:54.396 You reach out and try and grab it while driving. 27:54.756 --> 27:55.537 Isn't that what you do? 27:55.557 --> 27:58.479 It's dangerous, but it gets the job done and it means you don't get carjacked. 27:58.739 --> 28:02.603 Similarly, if you've got a pamphlet under your rear windscreen wiper, you just do the same. 28:02.783 --> 28:03.964 What do you mean do the same? 28:03.984 --> 28:13.531 You squirt some water, you press the button, squirt the water to clean the back windscreen, turn the windscreen wiper on, pretty soon it dissolves into mush, and you clean it off the back window. 28:13.691 --> 28:16.674 Bish, bash, bosh, you've avoided being carjacked. 28:16.714 --> 28:17.895 You haven't avoided being carjacked. 28:17.915 --> 28:19.796 Your auntie is a thickie. 28:19.936 --> 28:20.537 She's a thickie. 28:20.697 --> 28:24.159 This is like, it's more like a piece of plywood than paper. 28:24.299 --> 28:24.639 Really? 28:24.679 --> 28:27.821 And you're not gonna dissolve it with a couple of squirts in the rear. 28:27.841 --> 28:28.781 I'm so wrong. 28:29.102 --> 28:29.962 You are so wrong. 28:30.002 --> 28:30.642 I'm so wrong. 28:30.742 --> 28:32.804 Try and get into the mind of a carjacker for two seconds. 28:32.824 --> 28:37.446 I'm trying to get into the mind of your paranoid auntie living in her gated community in Fresno or wherever it is. 28:37.966 --> 28:38.927 Anyway, she got anything else? 28:39.187 --> 28:41.069 She doesn't live in a gated community. 28:41.149 --> 28:41.629 Yeah she does. 28:41.930 --> 28:42.450 Come on, next. 28:42.470 --> 28:42.991 She doesn't! 28:43.571 --> 28:44.492 Sorry, I'm late! 28:44.692 --> 28:50.558 She lives in Santa Barbara, she's really nice and she just tried to warn you about carjacking and now you're being all snooty about it. 28:50.598 --> 28:51.739 Let's have the next bit of advice. 28:52.349 --> 28:53.370 There's no more advice. 28:53.390 --> 28:53.750 Is that it? 28:53.810 --> 28:54.531 That's the latest thing. 28:54.551 --> 28:57.173 She's telling you about the scenario so you can avoid it. 28:57.574 --> 29:00.756 I'd tell you a better way to carjack someone. 29:00.816 --> 29:01.037 What? 29:01.337 --> 29:01.597 Right. 29:03.339 --> 29:04.820 Well, don't bother with the pamphlet. 29:04.860 --> 29:08.163 Basically just get a gun and threaten them. 29:08.463 --> 29:09.584 Yeah, that's really funny, Joe. 29:09.604 --> 29:10.405 Yeah, that's really funny. 29:10.905 --> 29:11.325 You know what? 29:11.385 --> 29:12.706 I hope you get carjacked. 29:12.766 --> 29:13.206 You know what? 29:13.287 --> 29:13.687 I was. 29:14.687 --> 29:14.927 Good. 29:15.188 --> 29:15.448 When? 29:16.348 --> 29:17.329 About two years ago. 29:17.469 --> 29:17.989 When was that? 29:18.009 --> 29:19.330 You know perfectly well, I told you. 29:19.690 --> 29:21.651 Oh yeah! 29:21.731 --> 29:24.573 And they didn't even have to put paper under your window. 29:24.593 --> 29:26.834 No, they just said, excuse me, can I have your car? 29:26.854 --> 29:28.215 I said yes, you certainly can. 29:28.435 --> 29:29.436 I'm off, bye! 29:29.896 --> 29:31.137 Insurance will take care of it. 29:31.197 --> 29:32.238 Please don't hurt me! 29:34.352 --> 29:35.173 Well, there you go. 29:35.193 --> 29:38.796 I was gonna say I'm never gonna give you advice on carjacking again, but I don't have to. 29:38.957 --> 29:39.617 No, you know what? 29:39.677 --> 29:41.299 I bet this saves somebody's life. 29:41.719 --> 29:51.709 I bet next week someone will say, I went to my car, there's a bit of plywood under the rear windscreen wiper, I immediately knew it was Adam's granny's carjack thing, and thank God I'm alive! 29:51.729 --> 29:53.351 If I've saved one life, then I'm happy. 29:53.371 --> 29:54.011 It'll be worth it. 29:54.051 --> 29:54.672 It's true, isn't it? 29:54.692 --> 29:56.754 I'm just sorry I couldn't get to your car in time, man. 30:01.158 --> 30:01.318 you 30:14.121 --> 30:18.085 You're listening to Adam and Joe on XFM London's 104.9. 30:19.386 --> 30:25.412 We're with you until three and I'd just like to talk about a commercial I saw on TV this week. 30:25.652 --> 30:31.598 You know the sound was down because I tend to turn the sound off during the commercials so I can think about the program I've just watched. 30:32.739 --> 30:33.560 I believe that actually. 30:33.640 --> 30:34.741 But it is true. 30:34.761 --> 30:35.382 I know. 30:37.043 --> 30:47.948 So basically, the sound's off, and I'm watching telly, and there's a shower, a normal household shower, and dancing around the shower is Satan. 30:48.869 --> 30:50.189 A little animated Satan. 30:50.449 --> 30:55.532 Satan, the devil, Beelzebub, jumping around the shower, from the shower head to the shower fitting on the floor. 30:55.652 --> 30:57.032 Satan pops up in a lot of ads. 30:57.493 --> 31:00.034 Well, it rather took me by surprise, I thought. 31:00.154 --> 31:01.274 Walkers, crisps, heartburn. 31:01.294 --> 31:02.675 Satan is true, Satan. 31:03.195 --> 31:09.216 Anyway, so Satan's hopping around the shower, and this woman leans in, and, oh look, Satan's in my shower. 31:10.436 --> 31:11.997 My shower is possessed by Satan. 31:12.017 --> 31:16.057 So she gets out this bottle of stuff that is called, I think it's called Limelight. 31:16.917 --> 31:23.659 Cleverly referencing lime, the fruit, and Limelight, the thing that famous people stand in. 31:23.919 --> 31:24.719 Yes, that's right. 31:24.759 --> 31:30.200 Clamorous, yet fruity, and cleansing for your housewife, who aspires to be a star. 31:30.660 --> 31:31.160 Never will be. 31:31.900 --> 31:34.442 Yeah, that's the only limelight you're going to stand in, that kind of thing. 31:34.602 --> 31:36.163 Yeah, you dried up old prune. 31:36.243 --> 31:39.405 Drying up prune wife woman. 31:39.745 --> 31:40.265 Drying up. 31:41.026 --> 31:44.648 So she squirts a couple of squirts of limelight and lo and behold it gets rid of Satan. 31:45.069 --> 31:48.411 So I thought this is a really good product, it basically gets rid of Satan. 31:49.051 --> 31:50.712 and it's some sort of exorcism. 31:50.932 --> 31:53.534 I don't think it gets rid of all evil, though, does it? 31:53.635 --> 32:03.862 Well, the sound was down, so I don't know the full deal, but it appeared to me that if Satan is in your house, dancing around your shower, then you can get rid of him with a couple of squirts of limelight. 32:03.902 --> 32:05.684 Are you sure it was Satan and not a demon? 32:06.004 --> 32:07.285 Because that's a very different thing. 32:07.305 --> 32:09.827 If it's a demon, then... How do you tell the difference between Satan and a demon? 32:10.487 --> 32:14.869 Well, I would say Satan generally would be much bigger, someone like Tim Curry in legend. 32:15.109 --> 32:16.149 Yeah, this was a cartoon. 32:16.529 --> 32:17.170 That's a demon. 32:17.270 --> 32:18.450 It was an animated Satan. 32:18.470 --> 32:19.210 Well, that's a demon. 32:19.270 --> 32:19.831 How do you know? 32:20.071 --> 32:23.012 Because it's tiny, it's animated, that wouldn't be Satan. 32:23.192 --> 32:27.013 But it had horns and a tail and legs and a calf. 32:27.073 --> 32:28.394 They all do, the demons do too. 32:29.014 --> 32:32.816 OK, but it's just as bad to have your shower possessed by Satan as a demon, isn't it? 32:32.996 --> 32:36.257 No, it's not, because if it was Satan, it would take more than limelight to get rid of it. 32:36.277 --> 32:36.958 You know what I'd like to see? 32:36.978 --> 32:44.541 I'd like to see, like, a remake of The Exorcist, and what's-her-face, the girl, Linda Barker, or whatever she's called, gets possessed. 32:45.281 --> 32:51.164 And this woman just leans in with the limelight, couple of squirts in the face, bish, bash, bosh, film's over. 32:52.628 --> 32:56.373 Yeah, well I'm just thinking about Linda Barker being possessed now, her head's spinning round. 32:56.393 --> 32:57.615 I think Linda Barker is possessed. 32:58.055 --> 32:58.957 And she's got those scissors. 32:59.437 --> 33:00.639 She's dangerous. 33:01.720 --> 33:03.723 So you were saying that Satan appears in a lot of ads? 33:04.204 --> 33:06.767 Yeah, he pops up in the Heartburn ad. 33:07.808 --> 33:09.769 Because obviously he's the Lord of Heat. 33:10.129 --> 33:14.370 That's the thing is that Satan does so many bad things that... He's responsible for all evil. 33:14.390 --> 33:23.233 And do you think it's right that, you know, Satan, the Lord of Darkness, the most evil incarnate, should be, you know, such a popular figure in advertising? 33:24.571 --> 33:26.472 Especially as we approach the Easter weekend. 33:27.213 --> 33:29.774 Well, yeah, but he's the personification of evil. 33:30.134 --> 33:37.739 And there are many products that seek to banish evil in one way or another, so advertisers... Yeah, but a scummy build-up in the shower isn't evil. 33:37.959 --> 33:39.300 Hi, I'm glad you think so. 33:40.100 --> 33:40.360 You know? 33:40.380 --> 33:40.741 Fair enough. 33:40.861 --> 33:42.141 I'm glad you think so. 33:42.221 --> 33:42.702 Fair enough. 33:43.082 --> 33:44.042 That's all I have to say. 33:44.363 --> 33:45.663 That is the personification of evil. 33:45.683 --> 33:46.144 Hey, you know what? 33:46.184 --> 33:47.605 They say God is in the details. 33:48.467 --> 33:52.588 The devil is in the... details. 33:52.668 --> 33:56.209 I think you'll find devil... People don't say God is in the details. 33:56.229 --> 33:56.629 Yeah, they do. 33:56.789 --> 33:58.589 They say the devil is in the details. 33:58.629 --> 33:58.950 Do they? 33:58.970 --> 33:59.710 Not lunatic. 33:59.990 --> 34:02.290 No, the phrase is God is in the details. 34:02.490 --> 34:04.631 Joe Cornish, you are so mad. 34:05.431 --> 34:07.432 Listeners, would you like to phone in and set him straight? 34:07.872 --> 34:09.232 The devil is in the details. 34:09.292 --> 34:10.152 Don't bother phoning in. 34:10.172 --> 34:10.872 I'll tell him right now. 34:10.992 --> 34:13.153 Joe, the devil is in the details. 34:24.266 --> 34:25.307 Yeah, yeah, fantastic. 34:25.347 --> 34:26.909 Classic music here on XFN. 34:26.929 --> 34:27.950 This is Adam and Joe. 34:27.970 --> 34:32.115 We're not actually gonna say anything of any real value right now. 34:32.195 --> 34:34.137 It's more of a generic link, isn't it, Joe? 34:34.317 --> 34:37.480 It is a generic link, so no content at all, just these adverts. 34:46.033 --> 34:46.834 That's the White Stripes. 34:46.854 --> 34:47.794 There's no home for you here. 34:47.814 --> 34:49.335 You're listening to Adam and Joe on XFM. 34:50.296 --> 34:52.297 It's time now for our lazy reviews. 34:52.598 --> 34:55.260 Yeah, this week I didn't bother going to see Mona Lisa's smile. 34:55.300 --> 34:58.722 It's been out for a few weeks and I've been thinking, man, you really shouldn't go and see that. 34:59.122 --> 35:03.826 It's about time you didn't go and see that, because it won't be showing in a while. 35:04.466 --> 35:06.648 So, true to my word, I didn't go and see it. 35:07.148 --> 35:10.390 And I found it really very derivative and disappointing. 35:11.091 --> 35:12.472 It was beautifully photographed. 35:13.132 --> 35:16.254 But it was just a female version of dead poet society. 35:17.154 --> 35:22.696 You know, Julia Roberts wearing tweed, smiling a lot, cycling through beautiful campuses. 35:24.077 --> 35:28.719 And I thought that, you know, it was really very, very predictable indeed. 35:29.379 --> 35:34.802 A gaggle of young girls, shy one, promiscuous one, brainiac, all learning to be themselves. 35:35.642 --> 35:37.043 You know, typical sort of stuff. 35:37.103 --> 35:39.784 Corrupt Headmaster probably, not sure, didn't see it. 35:40.144 --> 35:44.565 But there's probably a Corrupt Headmaster who got exposed by the girls. 35:44.905 --> 35:51.247 And then, I guess, they all jumped up and down on their beds while 50's music was playing at the end or something. 35:51.568 --> 35:53.008 I didn't see it, I thought it was rubbish. 35:53.288 --> 35:55.189 And I'd recommend you didn't see it as well. 35:55.629 --> 35:56.409 Very disappointing. 35:56.529 --> 35:58.730 Mike Newell, you know, director of four weddings and a funeral. 35:59.450 --> 36:00.270 Really gone downhill. 36:01.411 --> 36:03.432 Mona Lisa smiled, didn't see it, didn't like it. 36:03.452 --> 36:04.572 Don't go see it. 36:05.012 --> 36:05.472 Hmm. 36:06.233 --> 36:09.455 I thought it was Mike Nickels. 36:10.476 --> 36:10.836 I don't know. 36:10.896 --> 36:12.298 Could be Mike Newell, could be Mike Nickels. 36:12.378 --> 36:12.918 Who knows? 36:13.178 --> 36:13.619 Who knows? 36:13.639 --> 36:15.480 I don't because I didn't see it either. 36:16.220 --> 36:20.323 But that sounds great and I won't be going along to see that one. 36:20.744 --> 36:24.507 This week I finally got round to not seeing football as wives. 36:25.127 --> 36:26.868 Now people have been talking about this show for ages. 36:26.908 --> 36:28.069 Everybody's talking about it. 36:28.109 --> 36:29.070 Yeah, I can't believe it's 36:29.110 --> 36:34.053 taken me so long to actually watch it but this week at long last I didn't. 36:34.773 --> 36:55.926 Now if like me you've never seen a single episode then let me just tell you quickly that it's a totally kind of over-the-top gloriously trashy kind of soap in the in the style of Dynasty or Falcon Crest except that it revolves around the lives of the women married to or simply performing oral favors on Premier League footballers. 36:55.986 --> 36:57.527 Now don't be put off 36:58.127 --> 37:06.412 if you know nothing about football or wives or balls or feet or feet balls because this is just priceless stuff. 37:06.452 --> 37:08.113 I mean, absolutely great. 37:08.253 --> 37:11.514 Brimming with bitching, bad taste and botox. 37:11.975 --> 37:12.275 Wow. 37:12.555 --> 37:12.875 Gosh. 37:12.975 --> 37:15.617 I mean, you've inspired me not to watch it as well. 37:16.157 --> 37:17.078 I can't wait to not see it. 37:18.318 --> 37:25.581 Cos as you say everyone's been talking about it and I've frankly been in a pickle cos I've got no opinion on it but now I won't see it and I'll be able to join in. 37:26.122 --> 37:30.624 You've really sold Footballers Wives, at last I can feel part of the crowd by having an opinion. 37:32.144 --> 37:37.247 This week I also didn't go and see The Station Agent so I thought I'd let you know what it was like. 37:38.428 --> 37:39.769 Oh, I haven't seen that either. 37:40.009 --> 37:40.309 Really? 37:41.050 --> 37:41.870 When did you not see it? 37:42.331 --> 37:43.372 I didn't see it last week. 37:43.612 --> 37:43.852 Really? 37:43.892 --> 37:45.053 Which screening? 37:45.133 --> 37:45.874 Which screening? 37:46.474 --> 37:48.496 I didn't see the 545 at the ODMS square. 37:48.516 --> 37:48.976 Didn't you? 37:49.016 --> 37:50.457 I didn't see exactly the same screening. 37:50.577 --> 37:51.098 Oh, really? 37:51.158 --> 37:52.279 We might have not seen each other there. 37:52.339 --> 37:53.200 No, I didn't see you there. 37:53.220 --> 37:53.340 Wow. 37:53.740 --> 37:57.123 Anyway, so I didn't see it and I thought it was fantastic. 37:57.463 --> 37:58.624 So did I. I thought it was amazing. 37:58.644 --> 38:00.145 I mean, I really didn't expect it to be any good. 38:00.165 --> 38:03.228 I thought, how can a film about trains and a dwarf be any good? 38:04.189 --> 38:06.330 But then I didn't see it and I thought it was fantastic. 38:06.751 --> 38:07.631 What a surprise. 38:07.651 --> 38:08.272 What a charmer. 38:08.412 --> 38:10.654 Yeah, I didn't even know there was a dwarf in it because I hadn't seen it. 38:10.674 --> 38:11.434 What a surprise hit. 38:11.695 --> 38:11.935 Yeah. 38:11.975 --> 38:17.780 Oh, I knew there was a dwarf in it because, well, he's sitting down on the poster, but, you know, you can tell by the length of his legs that his feet are on a box. 38:21.242 --> 38:21.862 It's triumphant. 38:21.882 --> 38:22.842 It's a triumphant new comedy. 38:22.862 --> 38:23.783 Everyone's talking about it. 38:23.803 --> 38:24.503 Hilarious touching. 38:24.543 --> 38:25.363 Genuinely affecting. 38:25.483 --> 38:25.843 I didn't see it. 38:25.863 --> 38:26.943 I've just read this off the poster. 38:26.963 --> 38:27.903 It was beautifully made. 38:28.143 --> 38:28.763 Comic drama. 38:29.503 --> 38:30.084 Charming humorous. 38:30.124 --> 38:30.484 Uplifting. 38:30.524 --> 38:31.444 Refreshingly unsentimental. 38:31.484 --> 38:33.584 Funny and poignant. 38:33.844 --> 38:36.765 And having, you know, it's just terrific. 38:36.785 --> 38:37.305 I haven't seen it. 38:37.325 --> 38:37.605 Brilliant. 38:37.645 --> 38:37.865 Love it. 38:38.625 --> 38:40.705 Oh, I agree wholeheartedly. 38:40.765 --> 38:42.106 The performances were terrific. 38:42.426 --> 38:43.666 It's a real heart warmer. 38:44.086 --> 38:46.326 I'd give it 9 out of 10 if I'd seen it. 38:46.766 --> 38:49.307 You know what I like the most about The Station Agent, having not seen it? 38:49.447 --> 38:49.607 What? 38:49.887 --> 38:52.668 is that it's got those green plastic garden chairs on the poster. 38:53.249 --> 38:54.109 Like lawn dogs. 38:54.189 --> 39:00.172 There's nowhere in the world you can go without finding a green plastic garden chair of exactly the design that's on the station agent. 39:00.572 --> 39:01.632 Oh, the dark green ones? 39:01.672 --> 39:01.972 Yeah. 39:02.473 --> 39:03.833 Yeah, that you get at weddings and stuff. 39:03.853 --> 39:04.113 Yeah. 39:04.453 --> 39:05.334 They're all over the world. 39:05.354 --> 39:08.075 They're the most successful garden chair design in the world. 39:08.095 --> 39:11.797 They're nice to sit on because they bend and flex as you lean back on them. 39:12.437 --> 39:14.538 I just think it's great that finally they've made it into the movies. 39:25.099 --> 39:26.620 This is Adam and Joe on XFM London's 104.9. 39:27.681 --> 39:31.823 Now for the last few weeks we've been asking you to send in your rock raps. 39:32.423 --> 39:40.188 It was Adam and my observation that the majority of rock music should basically have a rap in it in the instrumental break. 39:41.429 --> 39:44.752 and Adam's been supplying some rock raps, haven't you, to inspire the listeners? 39:45.173 --> 39:54.323 That's right, in the style of Dizzy Rascal, my alter-ego Scallywag has been doing some rapping and I have another short rap for you this week as well. 39:54.483 --> 39:55.544 Scallywag has a rap? 39:55.744 --> 39:56.886 Scallywag does, yes. 39:57.606 --> 40:02.969 and Scallywag this week has been rapping over Fountains of Wain's Stacey's Wrong. 40:03.009 --> 40:04.390 He's very prolific, Scallywag. 40:04.730 --> 40:07.011 He loves his rock music and his rapping. 40:07.191 --> 40:08.031 Yeah. 40:08.452 --> 40:09.212 And yes, he is. 40:09.232 --> 40:10.252 Where does he live, Scallywag? 40:10.433 --> 40:10.993 On the streets. 40:11.253 --> 40:11.813 On the streets? 40:11.873 --> 40:12.674 Actually, on the streets. 40:12.894 --> 40:13.874 In a kind of estate. 40:14.575 --> 40:15.255 On an estate? 40:15.275 --> 40:15.355 Yeah. 40:15.575 --> 40:17.036 On near an estate. 40:17.096 --> 40:17.456 Yeah. 40:18.276 --> 40:18.517 Yeah. 40:18.617 --> 40:23.139 Okay, well let's hear Scallywag's offering this week over Stacey's Mom by Fountains of Wain. 40:27.788 --> 40:29.389 What is your malfunction, man? 40:29.489 --> 40:31.490 I see Stacey Mark and that woman is a man. 40:31.530 --> 40:36.252 She looks like a cross between Larry Turner and one of the mentors on Trisha or Jerry Springer. 40:36.272 --> 40:37.233 That woman is fat! 40:37.653 --> 40:39.294 And I don't mean P-H-A-T. 40:39.474 --> 40:43.216 If you've got the intention of banging a pensioner, that's disgusting, man! 40:43.236 --> 40:44.356 Stay away from her! 40:44.676 --> 40:44.957 I'm sorry. 40:50.219 --> 40:50.559 Wow! 40:51.080 --> 40:54.522 Scallywag's going from strength to strength, I feel, every week. 40:54.742 --> 40:57.543 I wasn't sure about that when Scallywag presented it to me, actually. 40:57.583 --> 40:59.464 I thought maybe it was a little sexist. 40:59.604 --> 41:01.806 So every week you have a sort of liaison with Scallywag? 41:01.846 --> 41:09.050 Maybe what, in sort of like a drug dealer, like in a flat, burnt out flat on this estate, and you get the latest hot white label off Scallywag? 41:09.110 --> 41:09.791 Exactly, yeah. 41:09.811 --> 41:13.514 Scallywag gives me Dagood's and I run away before Scallywag hits me. 41:13.834 --> 41:20.201 So, you know, send us your rap-raps and you will be amply rewarded, cos frankly there's not a lot of entries. 41:20.481 --> 41:27.247 So if you're halfway decent you will get on the radio, you'll probably get into the studio for the live 8 Mile style rap-off. 41:27.347 --> 41:27.607 Wow! 41:28.416 --> 41:45.182 If you actually want to send us a finished CD or tape or whatever as well, the address to send your raps to is xfm30lestersquarewc2h7la and that's the address for all correspondence that can't be put through electronic. 41:45.322 --> 41:49.483 Or you can type your lyrics into an email, send it to us adamandjoe at xfm.co.uk. 41:50.244 --> 41:50.984 Yeah, so there we go. 41:51.264 --> 41:51.984 It's all there for you. 41:52.024 --> 41:54.305 All you have to do is reach out and take it, listener. 41:55.866 --> 41:56.346 xfm 42:06.010 --> 42:08.831 It's the A, the J. Everything's OK. 42:08.871 --> 42:11.032 We're broadcasting live here on a Saturday. 42:11.072 --> 42:12.113 It's the XFM. 42:12.693 --> 42:13.733 I'm talking about them. 42:13.934 --> 42:14.474 Wow, Adam. 42:14.694 --> 42:15.494 That's amazing. 42:15.514 --> 42:16.335 Did you write that? 42:16.375 --> 42:17.255 Prepare that for the show? 42:17.355 --> 42:19.196 No, I started freestyling when the song finished. 42:19.236 --> 42:19.456 Really? 42:19.476 --> 42:20.416 That just came out naturally? 42:20.477 --> 42:20.857 Yeah, yeah. 42:20.877 --> 42:21.437 That's amazing. 42:21.657 --> 42:22.758 Could you not mention me in it? 42:23.478 --> 42:24.118 I was going to. 42:24.138 --> 42:24.979 Just take the J out. 42:25.199 --> 42:25.899 That's amazing. 42:25.999 --> 42:26.799 Just don't mention me. 42:26.979 --> 42:28.520 You actually don't want to be mentioned. 42:28.540 --> 42:29.561 Just don't do it on this show. 42:29.741 --> 42:30.461 It's really good. 42:31.241 --> 42:32.722 Don't do it on this show ever again. 42:32.902 --> 42:33.242 Sorry. 42:33.262 --> 42:33.502 OK? 42:33.823 --> 42:34.043 Sorry. 42:39.349 --> 42:41.650 That's right, it's Ditty's in the Dock time. 42:42.690 --> 42:55.295 Ditty's in the Dock is the segment in the show where me and Adam battle to get one of our own chosen songs played on XFM, which is tightly, brilliantly and beautifully playlisted to ensure you get the music you want all the time. 42:55.976 --> 42:57.996 But we're only allowed to play one song of our choice. 42:58.416 --> 43:00.537 Adam, what are you voting for this week? 43:00.897 --> 43:02.058 Okay, so this week... 43:02.698 --> 43:05.802 I am going with some Randy Newman. 43:06.002 --> 43:06.263 Who? 43:06.503 --> 43:16.674 Randy Newman is known to viewers of animated films for his saccharine hits like You Got A Friend In Me and Toy Story and things like that. 43:17.495 --> 43:23.022 And he basically supplies all those We're Friends songs for his animated Disney films. 43:23.871 --> 43:38.507 But of course he had a brilliant career in his own right, still does, as a composer of very bittersweet songs that seem to be coming on all sweetness and light, but actually have a very dark underbelly. 43:39.508 --> 43:40.970 And this is a good case in point. 43:41.050 --> 43:42.571 It's called I Love L.A. 43:43.112 --> 43:44.133 and it was on a lot of 43:45.194 --> 44:00.607 films and in the 80s i remember pouring scorn on it when it used to turn up in films because it did turn up in a lot and it was used quite stupidly for just a kind of dopey celebratory la montage but it's really sarky but it's very sarky all about how la of course is in many ways quite a rotten place 44:01.567 --> 44:07.871 But it's a great tune nevertheless, and you can kind of, even though it's sort of grumpy, it's very uplifting. 44:08.071 --> 44:10.793 Anyway, I'm going for I Love LA by Randy Newman. 44:10.993 --> 44:22.981 Okay, good choice Adam, good choice, but I think you can resign yourself to a defeat when I announce that this week I've chosen David Bowie with the song from the soundtrack of the film. 44:24.021 --> 44:24.461 What was it? 44:25.762 --> 44:26.943 Don't tell me it's Labyrinth. 44:27.183 --> 44:28.604 Labyrinth, that's correct. 44:29.204 --> 44:31.125 And the song is called Underground. 44:31.165 --> 44:34.967 It's a terrific song all about little puppet creatures that live underground. 44:35.647 --> 44:37.988 Similar to Fraggle Rock, but more adult and dark. 44:38.588 --> 44:40.029 Bowie plays the Goblin King. 44:40.049 --> 44:43.511 Is this your special remix of it that you did? 44:43.671 --> 44:46.872 No, I did do a remix of this when I was at school using my tape recorder. 44:46.932 --> 44:47.593 It wasn't very good. 44:47.633 --> 44:49.374 Just repeated the first bit over and over again. 44:49.394 --> 44:50.474 That sort of thing. 44:53.296 --> 44:57.118 But no, this is the actual Bowie's actual recording of Underground. 44:57.158 --> 44:58.058 It's a terrific track. 44:58.479 --> 45:00.820 It's sort of, what is it? 45:00.880 --> 45:02.381 Is it gospel-y or salsary? 45:02.401 --> 45:04.002 Come on, you know this as well as I do. 45:04.482 --> 45:07.664 It's got a gospel feel, hasn't it, to the chorus? 45:07.964 --> 45:18.931 And then the verse is classic Bowie, you know, meaningful lyrics, sung like an important businessman on the way to an important meeting, produced by, I don't know, some guy. 45:19.371 --> 45:19.852 Trust me. 45:22.694 --> 45:43.295 Come on underground by David Bowie from the soundtrack to labyrinth great film great track got a win cool Oh, oh eight seven hundred eight hundred one two three four is the number to call oh eight seven hundred eight hundred one two three four We're gonna have to five right yes best of five all we want to hear from you is Bowie or Randy Newman Bowie or Randy 45:44.036 --> 45:45.578 Bowie or Randy, just one word. 45:45.618 --> 45:47.741 Those are the words that you have to remember. 45:48.402 --> 45:51.186 And we will find out who's gonna win after this. 46:08.154 --> 46:09.595 You're listening to Adam and Joe on XFM. 46:09.615 --> 46:13.677 We're reaching the closing moments of our show, and that means the final of Ditty's in the Dock. 46:13.737 --> 46:15.478 Adam and I get one free play each week. 46:16.039 --> 46:19.861 There's two of us, so we have to decide which of our choices to play. 46:19.901 --> 46:20.662 In fact, you decide. 46:20.702 --> 46:21.982 We've got five callers on the line. 46:22.002 --> 46:26.125 They're going to vote for either David Bowie with Underground from the soundtrack of Labyrinth, 46:26.485 --> 46:40.926 basically it's gonna win or Adams track that's probably gonna lose Randy Newman with I love LA so five callers on the line lined up we're not gonna chat to you we're just gonna ask you to say either Bowie or Newman best of five let's start with Scott hello Scott what are you voting for 46:42.383 --> 46:42.983 Thank you, Scott. 46:43.024 --> 46:43.804 That's one for Bowie. 46:43.824 --> 46:45.025 Well-voted, intelligent man. 46:45.065 --> 46:45.946 Now let's go to Lisa. 46:46.286 --> 46:47.167 Lisa, who's your vote? 46:47.207 --> 46:47.887 Bowie or Newman? 46:48.348 --> 46:48.868 Newman. 46:49.368 --> 46:50.849 Yes, thank you very much, Lisa. 46:50.869 --> 46:51.710 1-0. 46:51.950 --> 46:52.411 Tense stuff. 46:52.431 --> 46:53.211 Let's go to Andrew. 46:53.371 --> 46:54.672 Andrew, is it going to be Bowie or Newman? 46:54.872 --> 46:55.993 It's got to be Bowie. 46:56.234 --> 46:57.034 Andrew, well done. 46:57.114 --> 46:59.096 So that is Bowie with Underground in the lead. 46:59.156 --> 47:01.197 Newman being crushed into the dirt. 47:01.337 --> 47:03.379 One more for Bowie and Newman gets it in the next. 47:03.459 --> 47:05.541 Come on, you people, what are you thinking about? 47:05.601 --> 47:09.724 Randy Newman, classic songwriter versus Bowie, also classic songwriter with terrible song. 47:10.105 --> 47:13.227 OK, caller number four, Ella, is it Bowie or Newman? 47:13.588 --> 47:13.988 Newman. 47:14.528 --> 47:16.070 Oh, it's neck and neck. 47:16.210 --> 47:17.111 Extraordinary stuff. 47:17.151 --> 47:18.512 Two for Newman, two for Bowie. 47:18.912 --> 47:21.794 So the deciding vote, ladies and gentlemen, it's very tense. 47:22.195 --> 47:25.337 Catherine, do you vote for Bowie or Newman? 47:25.357 --> 47:25.818 Bowie or Newman? 47:26.121 --> 47:26.661 No! 47:26.861 --> 47:30.644 Catherine! 47:31.184 --> 47:33.125 Catherine, what are you doing? 47:33.385 --> 47:36.287 You've robbed London of the sounds of the underground. 47:36.307 --> 47:40.549 Oh, the Muppets have been taken away from the Muppets. 47:41.650 --> 47:59.467 the kiddies next week I will I will get underground by burying somewhere we have to leave you now thanks very much for listening we hope you've enjoyed the show this week we're gonna play you out with your choice right yeah this is Randy Newman I love LA and you better not fade it out before the end you freak Brian we'll see you next week 48:16.101 --> 48:31.073 Roll down the weather, put down the top, crank up the beach for a minute Don't let the music stop you, we're gonna ride it till we just can't ride it no more 48:46.963 --> 48:48.523 I love L.A. 48:48.543 --> 48:50.084 I love L.A. 48:50.764 --> 48:52.484 I love L.A. 48:53.184 --> 48:55.185 I love L.A. 48:55.565 --> 48:57.345 I love L.A. 49:37.316 --> 49:38.156 Look at that mountain. 49:38.717 --> 49:40.157 Look at those trees. 49:40.558 --> 49:42.379 Look at that bum over there, man. 49:42.399 --> 49:43.759 He's down on his knees. 49:44.019 --> 49:45.520 Look at these women. 49:46.561 --> 49:48.281 Ain't nothin' like them nowhere. 49:48.602 --> 49:52.343 Century Boulevard. 49:52.423 --> 49:53.624 We love it! 49:54.344 --> 49:57.126 Century Boulevard. 49:58.046 --> 49:58.847 We love it! 49:59.307 --> 50:01.168 Santa Monica Boulevard. 50:01.748 --> 50:02.468 We love it! 50:02.909 --> 50:03.729 This street! 50:04.529 --> 50:05.370 We love it! 50:05.430 --> 50:05.890 We love it! 50:09.482 --> 50:10.005 Keep going! 50:49.770 --> 50:50.380 Thanks FM.