WEBVTT 00:08.506 --> 00:08.766 Hello. 00:09.286 --> 00:09.666 Hello. 00:10.047 --> 00:11.187 No, I'm saying hello to the listeners. 00:11.648 --> 00:12.028 Oh, OK. 00:12.048 --> 00:13.189 So am I. Oh, OK. 00:13.449 --> 00:14.390 This is Adam and Joel on XFM. 00:14.410 --> 00:15.811 They're filling in for Ricky and Steve. 00:15.831 --> 00:17.132 We're here for the next two hours, aren't we, Adam? 00:17.552 --> 00:17.772 Yes. 00:18.252 --> 00:20.214 I've got a strange echo in my headphones. 00:20.334 --> 00:25.417 Yeah, my headphones weren't working at all, and then our producer Lisa came over and turned them on and they were at full volume. 00:25.437 --> 00:26.798 Do you know what I'm gonna do? 00:26.818 --> 00:27.819 I'm just gonna take them off. 00:28.259 --> 00:28.539 Really? 00:28.579 --> 00:28.820 Yeah. 00:28.920 --> 00:29.060 Look. 00:30.316 --> 00:31.197 Did you hear that? 00:32.297 --> 00:33.818 That's not the done thing, Adam. 00:33.838 --> 00:34.619 Has everything stopped? 00:35.139 --> 00:36.280 See, I don't know what's going on anymore. 00:36.380 --> 00:36.660 Wow. 00:37.321 --> 00:37.621 Wow. 00:37.641 --> 00:38.902 Is this going to affect your performance? 00:39.022 --> 00:39.562 Yeah, it might do. 00:40.603 --> 00:42.244 Anyway, so hi, we're Adam and Joe. 00:42.604 --> 00:45.406 Here we are filling in for Ricky and Steve on XFM. 00:45.706 --> 00:47.867 Coming up in the show, we've of course got Dis is in the Dock. 00:47.907 --> 00:49.787 We're also going to have another bad accent competition. 00:49.807 --> 00:56.190 We've got prizes to give away, and prizes to give away, and prizes, CDs and DVDs. 00:56.630 --> 01:03.432 Fantastic music from the likes of The Strokes, 50 Cent, Yeah Yeah Yeah, Super Furry Animals, The Libertines, OutKast, the new one from OutKast. 01:03.472 --> 01:04.993 But frankly, we're a bit worried about... 01:05.493 --> 01:11.395 about the show, basically, and the way it's going, because one of the only publications that reviews this show is Heat magazine. 01:12.015 --> 01:12.215 Yeah. 01:12.435 --> 01:17.337 Which is, in fact, I think it's the only publication that actually writes a paragraph about the show. 01:17.557 --> 01:17.777 Right. 01:18.037 --> 01:18.817 Every week. 01:18.877 --> 01:19.798 It's weekly, isn't it? 01:19.858 --> 01:20.098 Yeah. 01:20.278 --> 01:20.778 Yes, it is. 01:20.818 --> 01:20.978 Yes. 01:21.598 --> 01:25.821 And when we started out, I think before we even did our first show, they gave us five red stars. 01:26.022 --> 01:28.744 Yeah, which is, you know, that's- It's very difficult to get in here. 01:28.764 --> 01:32.867 You've got to be a really top-notch program like, say, The Salon to get five red stars. 01:32.887 --> 01:33.927 Or Footballers' Wives. 01:33.987 --> 01:34.308 Yeah. 01:34.488 --> 01:38.571 The five red stars are reserved for the crème de la crème of British entertainment. 01:39.111 --> 01:43.635 And we had them, I think before our first show had even gone out, just on sheer potential. 01:44.755 --> 01:46.637 And then I think we held on to them for the second week. 01:48.021 --> 01:49.421 And maybe even the third week. 01:49.441 --> 01:50.222 No, no, you're dreaming. 01:50.822 --> 01:53.202 No, I definitely think we held onto them for three weeks. 01:53.222 --> 01:56.323 I think we only had the five red stars from Heat for the first week. 01:56.743 --> 01:58.243 And I think that was because they... I would contest that. 01:58.283 --> 01:59.604 I think that's because they hadn't heard it. 01:59.884 --> 02:04.505 I'm going to go back home to my Heat, my bound collection of Heat back issues. 02:04.825 --> 02:05.365 What's it bounded? 02:05.385 --> 02:05.925 Are you laughing? 02:06.085 --> 02:06.625 Human flesh. 02:06.645 --> 02:07.986 Human flesh, yes. 02:08.026 --> 02:08.846 The books of the dead. 02:09.066 --> 02:09.266 Yeah. 02:09.546 --> 02:13.807 And I'm going to look back and I'm sure we got five stars from more than a couple of weeks. 02:14.107 --> 02:19.689 But anyway, now we've gone down to four, and there's no explanation in the text of why we went down to four. 02:19.929 --> 02:27.192 You'd expect them to just give one little criticism, so that we could know how we could build things back up again, back to that five-star zenith. 02:28.012 --> 02:37.456 But this week, all they seem to do is go on about how they're waiting for Ricky and Steve to get back, and how long are Ricky and Steve taking to do the Office Christmas special, and... 02:38.536 --> 02:59.683 stuff like that everyone's waiting for ricky and steve to get back listen we don't know when they're coming back you're just gonna have to make do with us for the moment i'm really sorry we thought by this point people would have forgotten about ricky and steve uh they'll never forget about ricky and steve because they were nominated for awards and no but in the context of this radio show no no they never will it's a classic show why do we bother them 03:01.063 --> 03:02.764 Uh, free CDs? 03:03.044 --> 03:04.665 No, we don't even get free CDs, do we? 03:05.085 --> 03:05.245 No. 03:05.405 --> 03:07.146 Let's play some music to help us get over it anyway. 03:07.386 --> 03:09.767 Okay, here's Eminem with Lose Yourself. 03:09.947 --> 03:11.967 This is the clean version, you'll be happy to hear. 03:11.987 --> 03:13.568 Oh, thank gosh for that. 03:13.668 --> 03:14.809 That was a clean comment. 03:27.884 --> 03:30.166 Yeah, that's The Strokes and 12.15. 03:30.346 --> 03:30.506 Is it 12.15? 03:30.606 --> 03:33.608 I've forgotten what time it is on The Strokes record. 03:33.628 --> 03:34.849 Oh, probably 12.15, yeah. 03:35.049 --> 03:36.650 No, 12.51, sorry. 03:36.670 --> 03:36.650 12.51. 03:37.051 --> 03:38.191 Probably 12.51, yeah. 03:38.512 --> 03:39.852 I would have been really early if it had been 12.15. 03:39.953 --> 03:40.173 Yeah. 03:40.853 --> 03:42.795 So now we're gonna do our top three, aren't we, Ad? 03:42.855 --> 03:43.415 Top three. 03:43.675 --> 03:45.016 And this week it's gonna be top three. 03:45.056 --> 03:46.597 Last week it was top three annoying adverts. 03:46.617 --> 03:47.818 We're staying on a sort of TV theme. 03:47.858 --> 03:51.901 And this week it's gonna be top three confusing things we've seen on television this week. 03:52.181 --> 03:52.401 Yeah. 03:52.822 --> 03:55.203 Things that have made us question television, question life. 03:56.144 --> 03:57.125 Just question everything, really. 03:57.685 --> 03:58.345 Yeah, exactly. 03:58.446 --> 04:03.949 I mean, I think it's maybe making it sound more exciting than it really is to call it a top three. 04:04.069 --> 04:06.470 I think that's not that exciting, so we can get away with it. 04:06.650 --> 04:07.391 Okay, alright then. 04:07.911 --> 04:15.496 Anyway, I was just, you know, I'm a big fan of cosmetics, skincare products, that kind of thing. 04:15.956 --> 04:20.259 Anything that makes you look young or youthful or maintains your youthful zest. 04:20.999 --> 04:28.503 And I noticed this week that L'Oreal has a new product which actually decreases you. 04:29.484 --> 04:30.284 Decreases what? 04:30.744 --> 04:31.025 You. 04:31.445 --> 04:33.606 Yeah, well obviously that word's got two meanings. 04:33.766 --> 04:34.206 Exactly. 04:34.226 --> 04:34.847 Decreasing. 04:35.147 --> 04:35.227 Ah. 04:36.207 --> 04:37.048 Is it spelt the same? 04:37.068 --> 04:37.408 Yeah. 04:38.108 --> 04:38.208 Ah. 04:39.269 --> 04:39.709 Yeah. 04:39.909 --> 04:40.630 I'm just saying ah. 04:41.050 --> 04:45.933 So they, what, decrease, so have they noticed that, that the word decrease as in to make smaller? 04:46.693 --> 04:49.278 Would be- is the same as- I suppose it would be hyphenated, wouldn't it? 04:49.339 --> 04:50.361 De-hyphenated. 04:50.561 --> 04:51.423 Exactly, decrease. 04:51.603 --> 04:53.848 As in get wrinkles out of your face, is what you're saying, isn't it? 04:53.948 --> 04:54.309 Yeah. 04:54.629 --> 04:55.832 But it's a bad thing, though, isn't it? 04:55.872 --> 04:56.914 To decrease your face. 04:58.072 --> 05:21.123 to remove the creases isn't a bad thing no yeah but to actually to shrink the size of the face is bad yeah so what you're saying you can't be sure which of those two things this product does yeah de-wrinkle or just make your face smaller decrease to decrease your face yeah well anyway i'm not so worried because i guess from their point of view actually if your face did get smaller that would be good because it would it would get rid of the wrinkles because it would tighten up 05:21.243 --> 05:48.343 this is confusing already so this is a this is an advert you saw yeah and it reminded me of the conversation we had last week about about the micra and the special new speak micro yeah the very annoying campaign inventing new words for example uh spacious and safe spafe yeah uh anyway so they they've kind of invented a new word or maybe it's not invented but it's the the one of the ingredients in the decreasing cream is called boswellox 05:48.843 --> 05:49.583 Boswellox. 05:50.864 --> 05:51.704 Like Boswellox. 05:51.724 --> 05:52.924 Bosley from Charlie's Angels. 05:53.364 --> 05:53.724 Yeah. 05:54.084 --> 05:56.725 Uh, combined with an ox. 05:57.065 --> 05:59.046 Or combined with a word for testicles. 05:59.086 --> 05:59.746 Exactly. 05:59.846 --> 06:06.088 I think really that's what it reminds me of most and surely that's- I mean I thought maybe it was- It does sound very very- you can't say that word can you? 06:06.208 --> 06:06.828 The B word. 06:07.548 --> 06:11.029 It seems strange that you can't say it because it's the sort of word farmers would use. 06:11.169 --> 06:11.469 Yeah. 06:11.789 --> 06:13.309 It's a sort of healthy word. 06:13.470 --> 06:15.090 Well can we say- What about bollocks? 06:16.380 --> 06:17.081 That's a different thing. 06:17.101 --> 06:19.683 That's just with one L. What about... That's like Botox. 06:19.903 --> 06:20.623 What about Bullocks? 06:21.044 --> 06:21.644 Yeah, Bullocks. 06:21.884 --> 06:22.605 Let's say Bullocks. 06:22.625 --> 06:23.285 We'll just say Bullocks. 06:23.826 --> 06:26.448 Anyway, so Boswellocks sounds... It sounds very like Bullocks. 06:26.468 --> 06:27.328 Very like Bullocks. 06:27.388 --> 06:30.851 Which in turn sounds very like Booooooollocks. 06:30.911 --> 06:31.671 Booooooollocks. 06:31.992 --> 06:32.412 Botox. 06:33.133 --> 06:37.556 And I looked it up on the website just to see that it was a real thing. 06:37.576 --> 06:38.737 Well done. 06:39.437 --> 06:40.818 You notice I call it just the website. 06:40.838 --> 06:43.400 I don't go anywhere with sort of saying the interwebs. 06:43.440 --> 06:45.142 I like calling it the interesting net. 06:45.882 --> 06:47.002 Don't do that. 06:47.162 --> 06:50.764 I don't like people who just make up crazy names for it like they're afraid of technology. 06:51.044 --> 06:53.405 It's like people who call computers the confuser. 06:54.325 --> 06:55.845 Boot up the confuser. 06:57.566 --> 06:58.966 Anyway, stick on the subject. 06:58.986 --> 06:59.567 Boswellox. 06:59.747 --> 07:12.531 It's a breakthrough fighter complex created by L'Oreal Paris that combines a power dose of Boswellia serata extract and manganese, which help reduce the appearance of lines caused by facial micro-contractions. 07:13.658 --> 07:14.618 OK. 07:14.658 --> 07:15.598 Go through that once more. 07:15.799 --> 07:18.339 Boswell Arx is a breakthrough phytocomplex. 07:18.399 --> 07:19.019 OK, stop there. 07:19.039 --> 07:20.740 A breakthrough phytocomplex. 07:20.780 --> 07:22.420 Haven't you ever heard of phytocomplexes? 07:22.520 --> 07:23.040 Phyto. 07:23.060 --> 07:24.161 F-I-G-H-T-O. 07:24.381 --> 07:25.781 P-H-Y-T-O. 07:26.421 --> 07:27.161 What does that mean? 07:27.281 --> 07:27.421 Phyto. 07:27.821 --> 07:28.602 What's a phytocomplex? 07:28.642 --> 07:31.802 I was imagining a sort of Second World War squadron in miniature. 07:31.982 --> 07:32.242 Yeah. 07:32.523 --> 07:40.384 That you'd rub onto your face like about 40 well-trained young lads made very small and into a cream. 07:40.825 --> 07:41.805 Phytocomplex. 07:41.865 --> 07:42.125 Yeah. 07:42.845 --> 07:45.788 We're mobilizing the phyto complex on the eastern cheek. 07:45.808 --> 07:47.630 But it's not even spelt with an F. No, no. 07:47.830 --> 07:48.370 Phyto? 07:48.531 --> 07:49.872 That's why it's very scientific. 07:49.972 --> 07:52.154 If you spelt it with an F, it wouldn't actually be scientific. 07:52.615 --> 08:04.746 Other ingredients contained within this product, lepanite, or lapanite, it forms a continuous network to support the smoothing fibres and help enhance the optical reduction of skin imperfections. 08:05.447 --> 08:31.462 help enhance the optical reduction so it enhances a reduction no it helps it helps it does so it doesn't actually do it but it helps it helps to enhance the optical reduction which is say contradiction in terms isn't it in a way to enhance to help i'm confused it's very confusing i feel i thought maybe about the whole complex that may be the uh ad rather than that perhaps a new uh step in a kind of honest 08:32.322 --> 08:50.894 direction for L'Oreal you know a bit like in crazy people you remember when the Dudley Moore film yeah when Dudley Moore gets mental patients to come up with advertising slogans that tell the truth about the products they're selling yeah in this case it's a cream that actually makes you look younger sounds like Boswell ox well it is you get it 08:51.894 --> 09:06.641 it's a it's Boswell ox what no I'm so confused oh I'm confused as well anyway that's number one in our confusing things we've seen on TV this week no hang on that's number three is it yeah well I can't start with number one I'm thinking of three dramatic structure 09:14.284 --> 09:21.069 Nobody knows my troubles but God Don't nobody knows my troubles but God 09:30.590 --> 09:32.071 You're listening to Adam and Joe on XFM. 09:32.091 --> 09:34.432 We're talking about the most confusing things we've seen on television this week. 09:34.472 --> 09:35.513 We've built them into a top three. 09:35.533 --> 09:41.136 We've done number three, which was Boswellox, the exciting new chemical that helps to what? 09:41.336 --> 09:43.937 It enhances reduction. 09:44.318 --> 09:45.098 It helps. 09:45.318 --> 09:55.784 It's a phytocomplex and it helps reduce the appearance of lines and it also helps to enhance the optical reduction of skin imperfections. 09:56.204 --> 09:57.645 That was at number three. 09:58.426 --> 10:08.333 Now we're going to do our number two most confusing thing, but before we do that, you can obviously email us here at xfm, adamandjoandxfm.co.uk, and Paul Brownie's emailed in saying that there's a new... 10:09.993 --> 10:24.342 advert for a drink called Oasis on the side of a bus and this is we were talking about this last week about this new trend in advertising to conjoin words to create new words like they do with the Nissan Micra and he says an advert that says Oasis is so new and improved it's new proved. 10:24.862 --> 10:25.602 That's rubbish. 10:25.622 --> 10:36.489 That's terrible but this is really proving that that our theory is right that this really is the new emergent trend in advertising forming annoying new words trying to make people speak a product relate a new product related language 10:36.869 --> 10:38.351 That's something that we used to do. 10:38.371 --> 10:40.454 That's something everyone does when they're young, isn't it? 10:40.474 --> 10:41.796 That's what's so insidious about it. 10:41.816 --> 10:47.124 They take things that are genuinely fun to do in your own time and company and then they plaster them all over buses. 10:47.464 --> 10:48.246 And ruin them. 10:48.266 --> 10:49.027 And ruin them. 10:49.287 --> 10:51.430 How about number two confusing thing you've seen this week? 10:52.519 --> 11:00.202 Number two confusing thing I've seen this week is quite an obvious one, but basically it's the Ben Affleck Hair shampoo advert what not is it for L'Oreal? 11:00.383 --> 11:01.823 I think it's another L'Oreal product. 11:01.843 --> 11:15.309 They're the number one Generators of confusing advertising campaigns and generally depressing rubbish on telly even though of course the products may well be excellent mmm I'm sure they are excellent full of magnesium and fighting 11:16.627 --> 11:18.009 Anyway, what's confusing you about Affleck? 11:18.029 --> 11:19.050 Well, you've seen this ad, haven't you? 11:19.390 --> 11:21.253 Yeah, he's kind of taking the mick, isn't he? 11:21.493 --> 11:23.315 Well, there's a lot of confusing things about this ad. 11:23.996 --> 11:25.097 His face is confusing. 11:25.157 --> 11:27.620 His face is getting thinner on top and fatter on the bottom. 11:27.660 --> 11:28.701 Other people have observed this. 11:28.721 --> 11:30.263 Will you remind me what happens in the ad? 11:31.024 --> 11:33.006 He is in the L'Oreal lab. 11:33.927 --> 11:37.670 and his hair is being tested scientifically by beautiful ladies. 11:37.690 --> 11:38.271 The love lab. 11:38.291 --> 11:39.011 The love lab. 11:39.492 --> 11:42.374 And it may be the, is it Le Jardin du Max Factor? 11:42.774 --> 11:44.556 Or is that outside the window? 11:44.576 --> 11:45.857 That's just outside. 11:46.017 --> 11:46.157 Yeah. 11:46.177 --> 11:51.621 It's Le Boroteur Garnier, prêt du Le Jardin du Max Factor. 11:51.661 --> 11:52.842 Just off the Champs-Élysées. 11:52.982 --> 11:56.805 Imagine if you were a scientist and you actually got a job in the Max Factor laboratory. 11:56.825 --> 11:59.747 Could you go to Paris and ask for where Le Jardin du Max Factor is? 11:59.927 --> 12:00.148 Yeah. 12:00.828 --> 12:01.770 Is it open to the public? 12:02.251 --> 12:04.857 No, only Jane Seymour's allowed in, no one else. 12:05.177 --> 12:06.440 It's probably been vandalised. 12:06.921 --> 12:08.905 Like Le Jardin de Blue Peter. 12:10.805 --> 12:12.206 So what does Affleck do? 12:12.226 --> 12:13.387 Stick to the point. 12:13.447 --> 12:16.730 Affleck gets his hair tugged by beautiful women. 12:16.930 --> 12:17.210 Yes. 12:17.351 --> 12:19.512 And I should have transcribed this advert, but I haven't. 12:19.813 --> 12:23.856 And it's something to do with his hair being strong and he wants to keep it. 12:23.916 --> 12:25.117 He doesn't want it to fall out. 12:25.597 --> 12:27.739 And as a result, he uses this stupid advert. 12:28.480 --> 12:32.984 But instead of saying, here comes the science bit, he just says, here comes the science. 12:33.717 --> 12:34.958 That's kind of hip-hoppy, isn't it? 12:34.978 --> 12:39.300 Yeah, because, exactly, because something about saying bit is for the ladies. 12:39.781 --> 12:40.161 Right. 12:40.621 --> 12:42.082 That's the sort of thing a girl would say. 12:42.122 --> 12:43.203 Here comes the science bit. 12:43.383 --> 12:43.523 Yes. 12:43.543 --> 12:44.604 Who are the ladies who say that? 12:44.644 --> 12:45.344 Is it Aniston? 12:45.844 --> 12:46.525 Uh, Aniston, yeah. 12:46.545 --> 12:49.206 Or Courtney Cox, one of those terrible, lovely ladies. 12:49.466 --> 12:51.007 Uh, Aniston is the chief offender. 12:51.047 --> 12:51.187 Aniston. 12:51.208 --> 12:55.350 So it's more masculine just to say here comes the science, because you're right, it's like dropping science, it's like hip-hop. 12:55.670 --> 12:58.292 But the most confusing thing about this whole advert campaign is why. 12:59.965 --> 13:00.265 Why? 13:00.285 --> 13:01.706 Why would Ben Affleck do that? 13:01.786 --> 13:02.547 Why would he do it? 13:02.567 --> 13:03.707 Are you joking? 13:03.727 --> 13:05.468 What possible reason is there for Affleck? 13:05.668 --> 13:08.469 Well, the money... Yeah, but how much money does a man need? 13:08.750 --> 13:10.670 Oh, what's your aff... He's insane with power. 13:10.710 --> 13:11.511 He's drunk with power. 13:11.531 --> 13:17.674 Surely you have... When you make a decision like that, you have to weigh up your public image, which with Affleck is suffering already. 13:17.734 --> 13:27.779 He can't be blind to the fact that his integrity stock is very low after a series of appalling films, climaxing in Giggly or Jiggly or whatever this terrible flop is. 13:28.639 --> 13:29.860 And now this is very bad. 13:29.900 --> 13:31.981 He's taken very bad advice to do this advert. 13:32.041 --> 13:32.101 No. 13:32.361 --> 13:35.062 And the money cannot be worth the damage it's going to do to his career. 13:35.202 --> 13:35.603 It doesn't matter. 13:35.623 --> 13:36.843 That's what is confusing to me. 13:37.143 --> 13:37.904 What happens? 13:38.304 --> 13:40.125 Do you not understand fame dynamics? 13:40.425 --> 13:42.766 Well you keep saying this every time we get offered an ad. 13:43.146 --> 13:43.426 What? 13:43.887 --> 13:44.407 Just do it. 13:44.767 --> 13:53.514 Yeah, because the thing is, if you accumulate enough money, then you can completely cut yourself off from reality and not have to suspect anything like that. 13:53.674 --> 13:55.576 Yeah, but you're not cutting yourself off from reality. 13:55.596 --> 14:00.180 You're putting yourselves in people's homes, having your hair tied by models and being a prat. 14:00.600 --> 14:02.902 That sounds good, you see, the way you said it. 14:02.982 --> 14:03.863 That's attractive to me. 14:03.923 --> 14:05.064 Anyway, it's an interesting debate. 14:05.404 --> 14:10.788 We're going to tell you our number one most confusing thing we've seen on TV this week after these messages. 14:10.808 --> 14:12.530 You're listening to Adam and Joe on XFM. 14:41.055 --> 14:47.244 Keeping up with Adam and Joe That's Travis and Reoffending listening to Adam and Joe on XFN 14:52.216 --> 14:55.760 And now it's time for our countdown. 14:55.860 --> 14:57.902 I was gonna do the voice but I can't do it. 14:58.423 --> 15:02.787 We're counting down our top three confusing things we've seen on television this week. 15:02.948 --> 15:04.990 At number three it's been Boswellox. 15:05.651 --> 15:10.956 Boswellox the confusing L'Oreal product which supposedly decreases your face. 15:11.076 --> 15:12.858 What does that mean L'Oreal? 15:13.099 --> 15:13.759 At number two... 15:14.880 --> 15:15.720 Uh, what was number two? 15:15.780 --> 15:17.661 Ben Affleck's, uh, L'Oreal. 15:17.921 --> 15:20.062 I had number two Ben Affleck's L'Oreal advert. 15:20.082 --> 15:21.343 Well, that's too late, because it's finished. 15:21.663 --> 15:22.403 That was a disaster. 15:22.463 --> 15:23.203 It was a total disaster. 15:23.223 --> 15:23.984 What's at number one? 15:24.504 --> 15:25.464 At number one... Oh. 15:26.525 --> 15:29.786 I was gonna line the thing up, but I couldn't do it in time. 15:30.546 --> 15:31.586 Uh, what is at number one? 15:31.606 --> 15:34.087 Well, we're not gonna tell people until after the next record, right? 15:34.407 --> 15:35.748 No, no, no, let's tell them now. 15:35.768 --> 15:36.168 Tell them now? 15:36.188 --> 15:37.569 I think they've hung on for long enough. 15:37.629 --> 15:38.289 Come on, tell them. 15:38.949 --> 15:39.609 Are you sure? 15:39.689 --> 15:40.110 Yeah. 15:40.490 --> 15:43.831 Come on, don't build it up anymore, because people are gonna be disappointed. 15:44.491 --> 15:49.414 Well, the number one most confusing thing I've seen on television this week is the advert for the remote control car that you get. 15:50.374 --> 15:54.196 You subscribe to the magazine and you get little bits of the remote control car every month. 15:54.576 --> 16:04.421 And it's a very good advert because it starts with, this is a nice car, were it to be a real car and the size of a real car and not plastic and rubbish, it would be a really nice car. 16:04.721 --> 16:12.645 So it starts with the camera on the ground and this really nice Porsche racing car jumping over the camera and landing in the mud as if it's a highlight from a rally program. 16:13.425 --> 16:18.348 And then a man's feet step into the frame and you realise the car's no bigger than his boot. 16:18.748 --> 16:24.212 So it's basically, it starts very exciting and decreases into just depressing this advert. 16:24.732 --> 16:30.136 And by the end you realise it's a magazine all about the remote control car and you get sort of four cogs per issue. 16:31.036 --> 16:40.244 And the confu- I mean, this may be totally obvious to everybody else, but this is the worst, the most stupid possible way of acquiring a remote control car in the world, isn't it? 16:40.284 --> 16:42.286 You can't think of a- you can think of a worse way. 16:42.846 --> 16:44.027 I want a remote control car. 16:44.227 --> 16:45.308 Well, why don't you get it? 16:45.568 --> 16:49.071 Cog by cog sent you in the post over two years. 16:50.673 --> 16:51.393 For £2.99 a month. 16:53.775 --> 16:58.018 Like, who would say yes to that proposition? 16:58.058 --> 16:58.459 A child. 16:58.499 --> 17:02.662 Yeah, but it's taking advantage of the excitement of getting something free attached to a magazine. 17:02.802 --> 17:03.503 Yeah. 17:03.543 --> 17:05.364 That gives something inherent worth, doesn't it? 17:05.444 --> 17:10.768 If you attach anything to a magazine, suddenly it seems as if it's got extra value. 17:10.948 --> 17:12.610 An inflatable picture frame. 17:13.110 --> 17:13.671 Exactly. 17:14.011 --> 17:15.132 It's free, it's exciting. 17:15.252 --> 17:15.412 Yeah. 17:15.672 --> 17:26.043 And just the idea of like, I was thinking of like starting up another magazine that, say, gave away a house that you could live in, but in small installments over, say, 60 years. 17:26.303 --> 17:26.964 Brick by brick. 17:27.344 --> 17:30.007 Not even that, well it would have to be a fragment of a brick. 17:30.407 --> 17:31.829 Well that, it's gonna take 160 years. 17:31.889 --> 17:33.791 Well still, I think people would go for it. 17:34.151 --> 17:36.494 And you wouldn't be as boring as a brick every month. 17:37.014 --> 17:38.415 You'd have a little bit of a fridge. 17:39.477 --> 17:55.917 and the tiny tiny bit of a garden so it would be very evocative next month it would be oh here's the first bit of my last conversion and it would just be a tiny bit of foam but inside the magazine there'd be a huge description about where this tiny cube of foam fits into your final 17:56.978 --> 17:57.799 loft conversion. 17:58.259 --> 18:04.122 This is a really good idea and I might get the people at Dangostini or whoever it is that do the remote control car. 18:04.182 --> 18:06.443 On the phone, let's get them on the phone. 18:06.703 --> 18:18.069 The problem with your idea and these mags in general of course is that I find you, because I think I did one for the human body, I wanted to build up a scale model. 18:18.189 --> 18:21.611 That sounds like a serial killer magazine, a free bit of the human body every month. 18:21.631 --> 18:23.312 Yeah like an ear, bloody ear. 18:23.672 --> 18:28.674 No, it was one of those, you know, the see-through body thing. 18:28.894 --> 18:29.414 Oh, that's right. 18:29.434 --> 18:30.754 It was a sort of Damien Hirst type thing. 18:30.774 --> 18:31.914 You got a see-through body, didn't you? 18:31.934 --> 18:34.835 And then you collected all the muscles and tendons and guts and things. 18:34.875 --> 18:39.997 But the thing is, I just got like a spleen or whatever, and I was waiting for the liver. 18:40.677 --> 18:44.998 And the magazine went bust, the company went bust. 18:45.018 --> 18:45.298 Did it? 18:45.358 --> 18:46.959 Are you sure it didn't just disappear off the shelves? 18:46.979 --> 18:50.260 Because sometimes they sell them in newsagents for the first month, and then they go subscription only. 18:51.499 --> 19:13.745 what happened you gotta subscribe man you've got a subscribe yeah that's the whole thing that's the whole deal that's why they were only two tiny Shakespeare books in the newsagent and I was waiting to build up the whole set yeah suddenly vanished I was waiting for tiny what about the more you get a Morse inspector Morse magazine as well can't you with a free episode of inspector Morse and a whole magazine dedicated to Morse is it tiny no it's a it's a substantial 19:14.045 --> 19:14.765 What's the point? 19:14.805 --> 19:15.306 What's the point? 19:15.326 --> 19:16.426 What's the point if it's not tiny? 19:16.466 --> 19:21.028 What's the quality of the article's gonna be like in that magazine after about six months of publication? 19:21.188 --> 19:21.609 Of Morse? 19:21.789 --> 19:22.269 Of Morse. 19:23.209 --> 19:24.270 Very high, I would imagine. 19:24.290 --> 19:24.650 You reckon? 19:24.730 --> 19:25.310 Yeah, of course. 19:25.630 --> 19:31.313 Well, that's our number one most confusing thing on television, the Dangostini remote control car, um, advert. 19:31.673 --> 19:37.516 And if you've actually subscribed or sent off for that magazine, then please get in touch with us, and we'll arrange to have you put down by a trained vet. 19:38.016 --> 19:39.177 adamandjoe at xfm.co.uk. 19:42.303 --> 19:56.448 Joe Strummer and the Mescaleros and Coma Girl. 19:57.128 --> 20:01.470 That comes out on October the 6th of this year, which is fantastic. 20:01.530 --> 20:01.810 Really? 20:01.870 --> 20:02.930 Yeah, it's brilliant, isn't it? 20:03.170 --> 20:03.991 Yeah, how convenient. 20:04.271 --> 20:04.691 Exactly. 20:05.626 --> 20:07.088 Ah, it's nice to hear Joe Strummer. 20:07.108 --> 20:12.535 He's one of the people I was genuinely, even though obviously I didn't know him, I was really sad when he died. 20:12.575 --> 20:14.398 Like Freddie Mercury when he died. 20:14.418 --> 20:16.661 I actually felt depressed all day. 20:17.422 --> 20:19.666 Which is quite good for someone that you don't know at all. 20:19.686 --> 20:20.687 The Strummer will be pleased. 20:21.508 --> 20:22.789 The Strummer family will be pleased. 20:23.109 --> 20:27.212 Well, Strummer himself watching us from, uh, Clash Heaven. 20:27.332 --> 20:28.213 Oh, for goodness sake. 20:29.233 --> 20:30.494 This is Adam and Joe on XFM. 20:30.754 --> 20:37.439 Remember, you can email us, adamandjoe at xfm.co.uk, on any, uh, with any of your personal emotional or sexual problems. 20:37.839 --> 20:38.520 That would be great. 20:38.540 --> 20:39.200 We should do that. 20:39.240 --> 20:40.101 We should do a problem show. 20:40.606 --> 20:42.368 Did you ever listen to that show on LBC? 20:42.428 --> 20:43.729 Emotional, sexual and marital problems? 20:43.789 --> 20:44.330 All the time. 20:44.470 --> 20:45.030 That was the best. 20:45.170 --> 20:46.131 And now I've got them all. 20:46.632 --> 20:47.513 We used to, yeah. 20:47.533 --> 20:48.293 The problems. 20:48.374 --> 20:49.715 Well now you know what to do surely. 20:49.735 --> 20:50.315 Yeah. 20:50.656 --> 20:51.937 But that was a brilliant show. 20:51.977 --> 20:53.899 We used to listen to that and it was filthy. 20:54.199 --> 20:54.399 Mmm. 20:54.720 --> 20:56.702 And because they could basically talk about anything. 20:56.902 --> 20:58.664 If it's a problem, you're allowed to talk about anything. 20:58.804 --> 21:00.145 Yeah, why can't we do that? 21:00.225 --> 21:03.788 We'll have a chat with our producer about that and then we can really make this show filthy. 21:03.809 --> 21:05.150 We wouldn't give good advice, would we? 21:05.410 --> 21:05.971 Doesn't matter. 21:06.411 --> 21:09.173 You just want to hear the filth and read the filthy letters. 21:10.594 --> 21:12.456 Anyway, we're going to have a competition very soon. 21:12.476 --> 21:13.737 We've got some good prizes this week. 21:13.757 --> 21:15.879 That's not strictly true, is it, Adam? 21:15.919 --> 21:16.299 Yeah. 21:16.579 --> 21:19.161 What do you call the best of MTV's The Tom Green Show? 21:19.442 --> 21:20.523 I know you want to steal that. 21:21.143 --> 21:21.844 OK, that is quite good. 21:21.904 --> 21:24.746 It's got the bum-bum song on it, and I like the bum-bum song. 21:24.906 --> 21:26.628 Hey, speaking of which, can I just bring something up? 21:26.708 --> 21:27.288 Go on, then. 21:27.348 --> 21:30.291 Today, for Ditties in the Dock, which viewers may... viewers. 21:31.251 --> 21:52.274 listeners may know is our competition where we battle to play a record I bought in the Adam and Joe single football the footy song football ball ball ball footy footy footy and our producer says I can't play it and Adam doesn't want me to play it either because it's here Adam reckons I'm winning ditties in the dark by bringing in novelty records and he's bringing in all these cool indie tracks that everyone really wants to hear 21:53.175 --> 21:56.899 And I'm bringing in novelty songs that are wiping the board. 21:57.199 --> 21:58.521 So I bring in the football song. 21:58.561 --> 22:00.202 Ball, ball, ball, footy, footy, footy. 22:00.603 --> 22:03.686 And not only does Adam say he doesn't want me to play it, but Brian says he doesn't want me to play it. 22:03.706 --> 22:10.052 So basically, listeners, if you want to hear Adam and Joe's football song, then please email up or call in. 22:10.072 --> 22:10.052 08700 800 1234. 22:11.794 --> 22:16.739 Just basically let's get enough momentum behind the listeners who might want to hear the football song. 22:17.559 --> 22:38.006 to just shout down Brian the producer and Adam shut up cuz I know you shut up I want to play it you guys want to hear it you're right over the whole thing you can't just randomly start stating your case for this thing I want you to shut nobody it's not gonna be part of dishes in the dark listen to this is gonna play it just stop talking listen to this oh wait 700 800 1 2 3 4 22:40.933 --> 22:42.234 Listen to this, OK? 22:42.374 --> 22:42.875 Listen, no! 22:43.335 --> 22:43.856 Stop that. 22:43.876 --> 22:44.957 Adam and Joe's football song. 22:44.977 --> 22:47.099 Brian, the producer, can you do something? 22:47.119 --> 22:49.261 You don't want to hear this indie rubbish. 22:49.801 --> 22:50.161 OK. 22:50.222 --> 22:51.883 You want a funny song about football? 22:52.043 --> 22:52.944 Seriously, shut up now. 22:52.964 --> 22:54.165 On a Saturday afternoon. 22:54.706 --> 22:56.908 Can we carry on now with the programme? 22:57.028 --> 22:59.750 You have the power to just bring in a record, why don't you? 23:00.010 --> 23:01.632 I'll tell you what, I'll do that. 23:03.994 --> 23:06.855 Yeah, correct. 23:07.055 --> 23:11.778 OK, now it's time for a competition and it is a bad accent competition. 23:12.338 --> 23:13.279 We have this every week. 23:13.739 --> 23:15.640 Joe, when you behave, you can have your microphone back. 23:16.980 --> 23:18.681 And who is this is the question. 23:18.821 --> 23:22.984 It's an American actor doing an English accent quite badly. 23:23.244 --> 23:26.025 You have to tell us who the actor is and what the film is. 23:26.045 --> 23:27.866 This is the first of several clues. 23:28.346 --> 23:30.648 But if you can get it on this clue alone, 23:31.508 --> 23:46.547 we'll be pretty impressed and you'll win lots of good stuff we've got ross noble tickets to give away it's a fantastic show that's been getting amazing reviews and the tickets could be yours if you can tell us who this is i doubted everything even my mind i was impotent with fear 23:48.103 --> 23:48.783 Who is that? 23:49.043 --> 23:49.663 Shall we have one more? 23:49.703 --> 23:52.204 Are you ready to rejoin Society, Joe Cornish? 23:52.324 --> 23:53.204 No, I'm sulking. 23:53.584 --> 23:56.485 Well, you sh- don't- how- how- why would you be sulking? 23:56.525 --> 23:59.966 You just sort of had a complete mental break just then. 23:59.986 --> 24:03.467 I need to hear some sort of a- of a novelty football song to cheer me up. 24:03.487 --> 24:03.727 Okay. 24:03.747 --> 24:05.907 Now, see, I'm gonna fade you down if you do that again. 24:06.227 --> 24:07.608 Here- here's the voice again. 24:07.868 --> 24:08.148 Listen. 24:08.548 --> 24:11.048 I doubted everything, even my mind. 24:11.729 --> 24:13.189 I was impotent with fear. 24:14.580 --> 24:24.831 OK, so the number is 08700-800-1234 or you can email at adamandjoe at xfm.co.uk. 24:24.851 --> 24:27.794 You're listening to Adam and Joe here on XFM. 24:27.814 --> 24:32.840 We're filling in for Ricky and Stephen and we're having a lovely time doing it. 24:38.578 --> 24:39.839 Someone's angry about something. 24:40.199 --> 24:41.360 He's angry about nothing. 24:41.380 --> 24:42.241 He's got nothing Joe. 24:42.341 --> 24:45.223 Who wouldn't want to hear a novelty song about football after that? 24:45.963 --> 24:47.524 That's A with nothing. 24:47.864 --> 25:01.634 We've got more fantastic music coming up in the next hour of the program including hits from the likes of the Chemical Brothers, the Yeah Yeah Yeahs, Muse, Athlete, Libertines, Rolling Stones, The Darkness, Super Furry Animals, Keys of Leon. 25:01.914 --> 25:06.357 The great music just keeps on coming here on XFM where Adam and Joe filling in for Ricky and Steve. 25:06.837 --> 25:21.652 competition at competition yeah of course very exciting lot of correct answers to our competition this week let's just remind you of that mystery American accent who's doing the accent what is the film here's another different clip for you oh I've pressed the wrong button okay here we go here we go 25:22.152 --> 25:24.554 I've seen many strange things already. 25:24.934 --> 25:27.416 Bloody wolves chasing me through some blue inferno! 25:27.936 --> 25:29.277 For some blue inferno! 25:29.297 --> 25:29.877 Bloody hell! 25:30.077 --> 25:30.678 Blue like wolves! 25:30.758 --> 25:31.799 Most definitely, English! 25:32.859 --> 25:35.481 Bloody wolves chasing me through some blue inferno! 25:35.501 --> 25:36.762 There's no doo-doo-doo-doot! 25:37.362 --> 25:39.484 Okay, here's another little clip, though. 25:40.044 --> 25:41.465 I can't get enough of this one personally. 25:41.545 --> 25:44.527 I brought him down to Carfax Abbey. 25:44.667 --> 25:47.508 Because that's how English people speak in here. 25:47.528 --> 25:47.948 Yes it has. 25:48.108 --> 25:49.049 Carfax Abbey. 25:49.229 --> 25:49.849 Yes it has. 25:50.210 --> 25:52.271 He's most definitely English. 25:52.851 --> 25:54.412 Carfax Abbey. 25:54.432 --> 25:58.394 Okay, so let's take some callers and see if anyone's got the answer right. 25:58.474 --> 25:59.655 Caller number one is Cecilia. 25:59.795 --> 26:00.575 Hello Cecilia. 26:00.595 --> 26:01.316 Hello. 26:01.436 --> 26:02.056 How are you doing? 26:02.516 --> 26:02.977 I'm well. 26:03.917 --> 26:05.138 Well, you sound bored. 26:05.618 --> 26:06.458 I don't know well. 26:06.679 --> 26:09.060 It's just that's... What are you up to Cecilia? 26:09.468 --> 26:10.428 I'm going to Cornwall. 26:10.628 --> 26:11.429 Oh, you're in your car? 26:11.869 --> 26:13.329 No, I'm sitting at home. 26:13.629 --> 26:14.930 Why say you're not going to Cornwall? 26:14.970 --> 26:16.410 You're about to go to Cornwall. 26:16.751 --> 26:17.151 About, yeah. 26:17.331 --> 26:18.211 Are you going on holiday? 26:18.671 --> 26:19.512 No, just for the day. 26:19.892 --> 26:20.512 Just for the day? 26:20.532 --> 26:21.432 That's a very long way. 26:21.452 --> 26:22.293 Yeah. 26:22.413 --> 26:23.193 I know. 26:23.633 --> 26:25.754 I'm hoping to stay the night and then maybe come back tomorrow. 26:25.834 --> 26:27.054 You're hoping to stay the night. 26:27.074 --> 26:27.794 Might they not let you? 26:27.814 --> 26:29.395 They probably will. 26:29.415 --> 26:30.575 The authorities in Cornwall. 26:30.956 --> 26:32.756 Anyway, Cecilia, let's cut to the chase. 26:33.116 --> 26:33.897 What was the film? 26:33.957 --> 26:34.777 Who was the actor? 26:35.617 --> 26:36.838 Richard E. Grant, I think. 26:36.998 --> 26:37.778 And what film was it? 26:40.200 --> 26:41.763 Just name any Richard E Grant film. 26:41.863 --> 26:44.807 You don't have anything. 26:44.827 --> 26:46.750 Jack and Sarah, that's it. 26:46.791 --> 26:47.692 Jack and Sarah. 26:48.293 --> 26:49.475 Richard E Grant, a British actor. 26:49.495 --> 26:51.117 Jack and Sarah, a film set in Britain. 26:51.177 --> 26:51.999 Incorrect. 26:52.560 --> 26:54.182 Cecilia, thank you so much for your call. 26:56.604 --> 27:02.085 You get a weekend in Cornwall and you get permission officially to stay the night. 27:02.425 --> 27:09.007 I'll tell you what, Cecilia, because you sound like a nice person, we're going to give you a big CD of club anthems. 27:09.087 --> 27:09.767 Oh, don't give her that. 27:09.787 --> 27:11.087 That's an insult to Cecilia. 27:11.107 --> 27:13.627 You said she sounded like a nice person and now you're giving her that. 27:13.667 --> 27:15.068 Joe, will you just shut up? 27:15.108 --> 27:16.328 She sounds, she likes it. 27:16.588 --> 27:17.428 Club Island, Summer 2003. 27:17.468 --> 27:17.968 All right. 27:18.028 --> 27:20.129 Thank you for calling, Cecilia. 27:20.169 --> 27:21.449 Have a great weekend in Cornwall. 27:21.469 --> 27:21.929 Bye. 27:22.409 --> 27:23.029 Thanks, Cecilia. 27:23.170 --> 27:24.470 Okay, incorrect though. 27:24.671 --> 27:25.591 Richard, are you there? 27:26.132 --> 27:27.372 Yeah, can I change my answer, please? 27:27.513 --> 27:28.273 Oh, Richard, no, you cannot. 27:28.293 --> 27:28.753 No, you cannot. 27:28.773 --> 27:30.054 No, you're not changing the answer. 27:30.094 --> 27:31.996 What was your answer that you told us? 27:32.076 --> 27:34.857 Er, indeed, you're on. 27:34.898 --> 27:35.398 Ha, ha, ha. 27:35.478 --> 27:36.218 Was it? 27:36.258 --> 27:37.159 Richard, you're all over the place. 27:37.199 --> 27:40.121 Our producer is saying that that's not the original answer you phoned in with. 27:40.181 --> 27:41.362 Okay, fair enough. 27:41.662 --> 27:42.683 It was Matt Damon. 27:42.983 --> 27:43.784 Matt Damon. 27:43.984 --> 27:44.984 Matt Damon in which film? 27:45.805 --> 27:47.006 Er, in Jack and Sarah. 27:47.726 --> 27:49.288 Matt Damon in Jack and Sarah. 27:49.608 --> 27:51.029 Richard, what do you do for a living, Richard? 27:51.309 --> 27:52.570 I'm a central heating surveyor. 27:52.770 --> 27:53.151 Oh, really? 27:53.711 --> 28:00.877 Well, Richard, I hope you're a better central heating surveyor than you are a purveyor of the knowledge of films, because I'm afraid you're completely off base for that. 28:00.897 --> 28:01.978 A knowledge of films purveyor. 28:02.078 --> 28:02.338 Yeah. 28:02.498 --> 28:03.820 Listen, thanks a lot for calling in, though. 28:03.840 --> 28:04.640 We really appreciate it. 28:04.660 --> 28:06.602 I bet you Damon does a bad British accent. 28:06.622 --> 28:07.422 Has he done a British accent? 28:07.443 --> 28:08.804 Did he do one in Talented Mr Ripley? 28:09.304 --> 28:10.065 No, he was American. 28:10.105 --> 28:10.985 No, he was American. 28:11.506 --> 28:14.849 I don't think he's straight on to British soil accent-wise. 28:14.869 --> 28:15.349 I wish he would. 28:15.389 --> 28:16.230 Katie, are you there? 28:17.383 --> 28:17.923 How you doing? 28:18.344 --> 28:19.044 I'm good, thank you. 28:19.084 --> 28:19.504 And yourself? 28:19.684 --> 28:20.265 Yeah, very good. 28:20.465 --> 28:21.625 Nice to hear from you. 28:21.665 --> 28:22.606 Thanks a lot for calling in. 28:22.646 --> 28:23.947 Are you in your kitchen, Katie? 28:23.967 --> 28:24.907 I'm in the lounge. 28:25.167 --> 28:25.988 Are you in the lounge? 28:26.048 --> 28:28.069 I thought I recognised the acoustics of a kitchen. 28:28.089 --> 28:30.690 Is there a lot of plastic surfaces in your lounge? 28:31.211 --> 28:32.031 No, there's nothing. 28:32.311 --> 28:32.591 Really? 28:32.611 --> 28:32.972 I've just moved in. 28:33.352 --> 28:36.514 You've just moved in, that's why it's echoey, you see there in my room mistake. 28:37.014 --> 28:39.675 Katie, what do you think is the answer? 28:39.735 --> 28:40.556 Who was the actor? 28:40.756 --> 28:44.218 Shall we just have one more listen, actually, before... 28:45.083 --> 28:46.765 before we reveal the answer. 28:46.946 --> 28:48.488 And here is that accent once again. 28:48.788 --> 28:51.211 I've seen many strange things already. 28:51.552 --> 28:54.095 Bloody wolves chasing me through some blue inferno. 28:54.216 --> 28:57.260 Bloody wolves chasing me through some blue inferno. 28:57.640 --> 28:58.602 So who was it, Katie? 28:59.122 --> 28:59.683 Keanu Reeves? 29:00.023 --> 29:00.644 Yes. 29:00.724 --> 29:01.626 What was the film though? 29:02.176 --> 29:03.597 Uh, Bram Stoker's Dracula. 29:03.717 --> 29:04.438 Absolutely right. 29:04.478 --> 29:05.398 You're right. 29:05.638 --> 29:06.719 Yeah, correct. 29:06.959 --> 29:07.960 Congratulations, Katie. 29:07.980 --> 29:08.681 That's fantastic. 29:09.001 --> 29:10.622 You have won... What's she won? 29:10.642 --> 29:12.423 You've won tickets to go and see Ross Noble. 29:12.743 --> 29:13.284 Wow. 29:13.624 --> 29:14.545 Are you a Ross Noble fan? 29:14.565 --> 29:14.625 Yes. 29:14.965 --> 29:16.946 Yeah, that's... Of course, everyone is. 29:16.966 --> 29:18.367 This show's supposed to be very, very good. 29:18.387 --> 29:19.548 Everyone likes to laugh. 29:19.608 --> 29:23.691 Everyone likes some madcap buffoonery every now and again, and that's exactly what you're gonna get from Noble. 29:23.971 --> 29:25.832 No, it's a great show and I really hope you enjoy it. 29:25.852 --> 29:30.435 Plus, we'll bung you a few CDs and stuff and that kind of thing. 29:30.695 --> 29:32.957 I hope your new house goes well. 29:33.417 --> 29:34.778 Hope you don't break it. 29:34.958 --> 29:36.039 Thanks for calling, Katie. 29:36.099 --> 29:36.519 Thanks a lot. 29:37.000 --> 29:37.920 We really appreciate it. 29:38.200 --> 29:43.964 And here as a little extra prezi for you, we're going to give you another great moment from that film. 29:44.004 --> 29:45.926 Bram Stoker's Dracula, of course, is what it was. 29:46.406 --> 29:49.068 And this is a bit of Gary Oldman, one of my favorite over actors. 29:50.168 --> 29:53.611 And this is him in the title role just acting his... 29:53.951 --> 29:54.831 hear it, come on. 29:56.012 --> 30:03.074 He's acting so much you can hardly understand what he's saying. 30:03.094 --> 30:05.195 Wow, that's so powerful. 30:21.272 --> 30:22.473 I want to hear it again. 30:22.513 --> 30:22.973 Where is it? 30:23.854 --> 30:24.715 He's fantastic. 30:24.775 --> 30:31.520 And actually, if you get the Dracula DVD, there's an amazing documentary which shows you lots of behind the scenes stuff. 30:31.580 --> 30:33.642 And Oldman reveals many of his acting techniques. 30:34.203 --> 30:42.830 When he wants to get into the zone for an emotional scene, he's got a little book of photographs of him and his son, and he just flicks through them and he gets all sad. 30:43.490 --> 30:45.692 And then he's in the zone and he can do the acting. 30:46.012 --> 30:48.494 And he carries it around with him and he shows you the book and stuff. 30:48.914 --> 30:54.699 And he stands there, he's on set, in his crazy costume, like flicking through pictures of his... him and his son. 30:54.759 --> 30:55.940 It's a very sad sight. 30:57.101 --> 30:58.862 But he's an amazing actor. 30:58.902 --> 31:01.164 Listen to them. 31:01.184 --> 31:03.686 The children of the night. 31:04.847 --> 31:06.849 What sweet music they make. 31:06.869 --> 31:09.151 He's not even saying... Is he trying to say children of the night? 31:09.711 --> 31:11.853 The triliphadin of the night. 32:00.847 --> 32:06.271 Yeah, that's sympathy for the Devil remixed by the Neptunes for Al Williams and Chad Hugo. 32:07.168 --> 32:08.029 Is that out already? 32:08.349 --> 32:09.350 I think that's out, yeah. 32:09.511 --> 32:09.991 I like that. 32:10.171 --> 32:10.832 I enjoy it. 32:10.872 --> 32:19.502 It's an interesting- you could write a little thesis on- on, you know, the Rolling Stones being influenced by black music and then, uh, there you go, black music reclaiming the Rolling Stones. 32:19.542 --> 32:21.063 I'm working on a thesis. 32:21.083 --> 32:22.265 That would be a fascinating thesis. 32:22.285 --> 32:23.165 Can you send me a copy? 32:23.286 --> 32:23.386 No. 32:23.886 --> 32:27.190 OK, and before that you heard The Darkness with I Believe in a Thing Called Love. 32:27.230 --> 32:31.915 You're tuned to XFM 104.9 where Adam and Joe are just filling in for Ricky and Steve. 32:32.255 --> 32:34.217 Yeah, don't worry, we won't be around for that long. 32:34.457 --> 32:36.820 No, we're gonna get fired pretty soon, I would say. 32:36.860 --> 32:39.683 So you've had some strange phone calls this weekend. 32:39.703 --> 32:40.924 Not strange, just annoying. 32:41.525 --> 32:42.226 What sort of phone calls? 32:42.306 --> 32:44.368 You never get these, you're sat at home... 32:45.789 --> 32:48.552 This is assuming that you don't go to work and do a proper job. 32:49.313 --> 32:56.079 You're sat at home, you're watching Des and Mel in the afternoon, and the phone rings and you think, ooh, phone call. 32:56.359 --> 32:57.000 Exciting. 32:57.520 --> 32:58.781 So you pick it up. 32:59.522 --> 32:59.802 Hello? 33:00.883 --> 33:04.244 And this is already quite a disturbing insight into your life. 33:04.865 --> 33:08.106 Come on, I know for a fact that your life is the same. 33:08.206 --> 33:09.066 You watch Des and Mel. 33:09.506 --> 33:10.027 Sometimes. 33:10.067 --> 33:12.027 I try not to watch for more than ten minutes. 33:12.067 --> 33:13.068 She's lovely, Mel. 33:13.448 --> 33:14.288 Go on, keep talking anyway. 33:14.368 --> 33:15.669 Anyway, so the phone and it's... 33:16.389 --> 33:39.983 uh hello i'm just calling from your mobile phone home insurance company it was yesterday sometimes it'll be i'm just calling from your bank or blah blah blah it'll be the same whoever's calling from wherever and i was wondering if you had a few minutes to discuss some of your details with me and it's though it's those two phrases a few minutes and the word to discuss which send off alarm bells for me because you think a few minutes 33:40.603 --> 33:42.424 I don't know if I have a few minutes, you know? 33:42.484 --> 33:44.605 Because technically, yes, I'm not doing anything. 33:45.386 --> 33:47.387 I'm eating crisps and I'm watching Des and Mel. 33:48.007 --> 33:50.668 But when you say a few minutes, how many minutes is that? 33:50.748 --> 33:52.029 And what does discuss? 33:52.169 --> 33:53.750 It's so vague and creepy. 33:54.310 --> 34:04.415 So, you know, I sort of just say, well, you know, in this occasion, on this occasion rather, I had the actual insurance form in front of me that this guy was talking about and I could see that it was all fine. 34:04.615 --> 34:05.856 So this looks fine. 34:06.176 --> 34:07.177 What did you want to discuss? 34:07.837 --> 34:09.598 It will only take a few minutes, sir. 34:09.938 --> 34:12.418 I just want to discuss the details of the policy with you. 34:12.698 --> 34:14.039 Like, they haven't just heard what you said. 34:14.059 --> 34:17.120 And you say, yeah, but what do you need to discuss? 34:17.260 --> 34:18.580 What are we going to be discussing? 34:19.280 --> 34:26.942 Well, we just need to check the details are all correct, because if there's any discrepancy and we have the old address or something, it may affect the terms of the policy should you need to make a claim. 34:26.962 --> 34:28.523 So far, this sounds like a very reasonable call. 34:28.923 --> 34:31.966 It's not reasonable, because he's just saying that he wants to discuss. 34:32.406 --> 34:34.267 He wants to check the details of your policy. 34:34.287 --> 34:36.489 And I'm telling him he doesn't need to because they're all fine. 34:36.509 --> 34:46.717 He's phoned a weird man who's unemployed and watching Desmel and eating crisps in his pants to discuss the details of your policy. 34:46.937 --> 34:48.679 What does he need to discuss? 34:48.879 --> 34:49.960 You tell me, you're the man. 34:50.260 --> 34:51.241 What do you need to discuss? 34:51.261 --> 34:52.402 The details of your policy. 34:52.962 --> 34:54.963 I want to make sure you haven't changed address. 34:55.223 --> 34:55.723 I haven't. 34:56.203 --> 34:58.303 The details are in front of me, they're all correct. 34:58.323 --> 34:59.884 Well, we're having a discussion now. 34:59.964 --> 35:01.444 I don't want to have a discussion. 35:01.524 --> 35:02.585 I tell you what annoys me. 35:02.965 --> 35:03.245 What? 35:03.265 --> 35:05.205 Well, carry on, is that all you're annoyed about? 35:05.285 --> 35:08.146 Well, then I get annoyed because they start sounding annoyed. 35:08.206 --> 35:12.827 They're like, come on, it's the middle of the afternoon, you're at home, you're obviously watching Des and Mel. 35:13.307 --> 35:13.587 What? 35:14.088 --> 35:15.508 Just talk to me, it's my job. 35:15.968 --> 35:19.091 I don't wanna talk to you, I don't wanna discuss these details with you. 35:19.112 --> 35:20.213 I think that is the definition. 35:20.253 --> 35:23.016 If you're watching Des and Mel, you're basically free for any activity. 35:23.616 --> 35:25.758 Any conceivable activity you're free for. 35:25.858 --> 35:26.699 Anything. 35:27.240 --> 35:34.027 Well, there is an emerging trend of, it's like chuggers, charity muggers in the street who come and ask for your credit card details. 35:34.047 --> 35:34.868 Chuggers, they're called. 35:35.548 --> 35:39.632 They've sort of focused in on the fact that the first thing they say to you is make or break for them. 35:39.952 --> 35:43.115 Whatever they hit you with, whatever line they hit you with, it's gotta get you. 35:43.715 --> 35:47.839 So early in the evolution of drug is they'd hit you with, have you got a minute for the blind? 35:48.580 --> 35:48.920 Right. 35:49.300 --> 35:51.062 Now who hasn't got a minute for the blind? 35:51.082 --> 35:52.383 People have talked about this before, I'm sure. 35:52.403 --> 35:54.124 You know, that's just basically emotional blackmail. 35:54.164 --> 35:57.047 Yeah, when they say like, do you care about people with cancer? 35:58.448 --> 36:10.093 So now they've sort of evolved beyond that and now they just ask you a confusing and ear catching question like if you couldn't see would you be able to negotiate upstairs? 36:10.893 --> 36:22.999 The other day people rang on my doorbell and I think they were Jehovah's Witnesses and they were two gentlemen who said excuse me do you feel that the way people are dressed is influenced by fashion and music? 36:23.679 --> 36:24.179 Woah. 36:24.379 --> 36:25.320 What did you say? 36:25.380 --> 36:30.002 I said I really don't want to answer that question on my doorstep in my pyjamas. 36:30.062 --> 36:31.222 Come in, we'll discuss it. 36:43.632 --> 36:49.120 Well, my hilarious anecdote about Jehovah's Witnesses calling was cut brutally short by that record. 36:49.360 --> 36:51.883 That was Hello Sunshine by Super Furry Animals. 36:52.164 --> 36:52.705 So what happened? 36:52.725 --> 36:53.826 How did you dispatch the guy? 36:53.866 --> 36:58.813 Well, you know, I was going to go on to say that it was lucky that it was cut brutally short by that record because it had no ending. 36:59.714 --> 37:02.216 And I just sort of mumbled on whatever came into my head. 37:02.336 --> 37:18.908 It's something that's happening apart from the invasive phone calls which even though you think I'm mad I do find invasive and I just I just get frustrated by the fact these people are phoning and then they get they get kind of ticked off with you and you don't want to indulge their stupid rambles they've just got a huge long list of people to call 37:19.488 --> 37:23.570 And you're like, no, I don't really want to discuss these pointless details with you because they're all fine. 37:23.610 --> 37:24.891 And then they go all gnarkey. 37:25.311 --> 37:30.274 But the other thing is people are increasingly coming to your actual house to discuss these things with you. 37:30.294 --> 37:30.974 Do you know what I say? 37:31.054 --> 37:32.575 I say, is this a sales call? 37:33.535 --> 37:33.775 Nice. 37:34.056 --> 37:35.216 And they usually go, yes. 37:38.368 --> 37:40.070 At which point I say, well, I'm busy. 37:40.110 --> 37:40.530 Thank you. 37:40.851 --> 37:42.953 Thanks for calling and hang the phone up. 37:43.033 --> 37:43.493 There you go. 37:43.533 --> 37:44.534 My girlfriend gets these calls. 37:44.795 --> 37:53.103 I think my girlfriend, who's probably listening, I think she fills in every single little thing in every magazine and her name's on every mailing list in the world. 37:53.143 --> 37:53.964 She gets everything. 37:54.124 --> 38:17.206 do you have arguments about it no we've never mentioned it before we probably will later today for every catalog going seems to and every charity is after her for money she's on every mailing list basically catalogs Joe tell me about it my girlfriend gets them all they pile up the hole so my girlfriend Annabelle gets calls all the time from people saying hello is is is is I'm gonna give away her for I don't know I'm gonna stop talking about this is too personal 38:17.366 --> 38:29.460 Yeah, well the other thing is that people come to your door, they knock on the door, yeah, and usually the technique I employ is one knock, I won't answer it, right? 38:29.480 --> 38:32.003 Why, because it doesn't show enough enthusiasm? 38:32.023 --> 38:32.524 Yeah, yeah. 38:33.044 --> 38:33.244 one-knot. 38:50.020 --> 39:12.755 I'm just filling you in on how I deal with the people who come around and the reason I only answer after two knocks is Because one guy I used to answer on the first knock all the time, you know and there was a guy who's just broken down around the corner and I've you know, I've bust a fan belt and I just haven't got any money at all and I'm really embarrassed about this But do you think you I live just down the road number 88 you think you could give us? 39:13.436 --> 39:19.260 9 pound 58 and that's what it costs to buy a new fan belt and I'll give it to you right back post it to your door So I'm like, yeah. 39:19.280 --> 39:19.400 Yeah 39:20.380 --> 39:25.804 So I give him a tenner, off he goes, and of course I never saw him again, but I mean, I just- He's got a lovely new fan belt. 39:25.824 --> 39:26.685 Yeah. 39:26.745 --> 39:27.386 Whoever he is. 39:27.406 --> 39:28.947 Do you think he really did buy a fan belt? 39:29.107 --> 39:29.567 Who knows? 39:29.967 --> 39:30.268 Who knows? 39:30.288 --> 39:33.370 Anyway, so that's the reason I only answer after two knocks now, yeah? 39:33.410 --> 39:39.134 Because usually they'll go away, because they'll be trying every house, just one knock, and then they'll, you know, eff off. 39:39.575 --> 39:48.962 But then, um, there's a new strain of personal callers that persevere with the two knocks, so I'm fooled into answering it. 39:49.622 --> 39:55.985 And it'll be, um, some guy like the latest one with some guy asking me why I'd switched from British Gas to N Power. 39:56.505 --> 39:57.866 Oh, this is a very common one, though. 39:58.426 --> 39:59.907 This is covered on Watchdog and stuff. 39:59.947 --> 40:00.607 Has that happened to you? 40:01.027 --> 40:01.668 Yeah, yeah. 40:01.728 --> 40:02.908 No, they're very, very dodgy. 40:02.968 --> 40:05.649 Anybody to do with any power company, you just tell them to go away. 40:06.070 --> 40:06.770 But what is that? 40:06.790 --> 40:09.651 They use underhand methods to get you to switch your supplies. 40:09.791 --> 40:10.592 I've seen it on Watchdog. 40:10.632 --> 40:11.832 You want to stay away from that stuff. 40:11.872 --> 40:13.133 Are they really not from British Gas? 40:14.013 --> 40:19.137 They, well, they could be, yeah, but they use underhats, you know, they employ weird companies to do it who aren't. 40:19.197 --> 40:20.878 It's all, you want to stay away from that sort of thing. 40:21.418 --> 40:23.140 It's just a public information announcement. 40:23.160 --> 40:24.741 How can I stay away from it? 40:24.761 --> 40:28.163 Just don't, you know, anybody trying to switch your electricity supply, stay away. 40:28.643 --> 40:30.365 But I'm worried about, what's the point of this conversation? 40:31.545 --> 40:31.946 What do you mean? 40:32.892 --> 40:34.093 What's the point of any conversation? 40:34.293 --> 40:37.475 Well, I just worry that we've got, like, seven different subjects away from the subject we started out on. 40:37.715 --> 40:40.276 So let's go back to our main subject, which is really good music. 40:40.876 --> 40:41.477 OK, then. 40:41.537 --> 40:42.137 Great music. 40:42.177 --> 40:45.759 Also, later on, we're going to be arguing our cases for our Ditties in the Dark, of course. 40:46.780 --> 40:51.502 As we always say, you know, it's the XFM playlist that we stick to here on this show, and a good thing, too, because it's fantastic. 40:51.763 --> 40:54.044 But we do get one free play each week. 40:54.324 --> 40:57.726 So we'll be arguing our cases for who gets that one free play. 40:57.746 --> 40:58.867 We've both bought in a song. 40:59.587 --> 41:00.908 Obviously, I think mine's the best. 41:01.388 --> 41:05.050 Joe's got some sort of insane suggestions and we'll be revealing them after this. 41:06.211 --> 41:08.692 This is the Carribal Brothers and Hey Boy Hey Girl. 41:21.360 --> 41:38.059 Wow, that was Outkast from their new album Speakerboxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxox 41:42.324 --> 41:43.225 Yeah, they fell out, didn't they? 41:43.246 --> 41:43.446 They did. 41:43.726 --> 41:44.728 But I don't think they did fall out. 41:44.768 --> 41:51.518 They just decided that they had so many ideas on their own, they didn't want to have to compromise their idea for the other person's ideas, so they just did a CD each. 41:51.859 --> 41:56.405 But it says here that they appear on each other's tracks, and they cross-produce, so they produce each other's stuff. 41:56.445 --> 41:57.587 Quite a good way of working, I think. 41:58.248 --> 42:14.766 yeah so i'm excited about that album and uh but i've got a bit of a worry that it might be one of those sort of critics albums it's very tricksy and gimmicky and clever clever and the music press love but no one actually likes to listen to it yeah dizzy rascal um i know exactly what you mean dizzy rascal and uh 42:15.126 --> 42:17.029 Basically any album... Similar to the streets, okay? 42:17.049 --> 42:19.752 This might annoy people, but personally I don't like the streets. 42:20.032 --> 42:31.167 Yeah, well... I think he's a great guy, I think it's fantastic for writing newspaper articles about, but when it comes to actually listening to it, he's not a good rapper, and the loops aren't that good, and basically it's not that good. 42:31.687 --> 42:55.431 yeah well that's very controversial it's very controversial but you know that's that's me controversial cornish controversial cornish i know what you mean because it might be to do with the fact that we're quite old well you might be old i'm 22 uh well i'm i'm much older than you in that case and uh i yeah can't hand out there's no room in my life for music like that dizzy rascal makes me feel threatened and frightened plus it's all so 42:55.811 --> 42:57.651 I just thought, you know, I just need tunes. 42:58.091 --> 43:02.632 Basically, any record that wins the Mercury Prize, you're pretty much guaranteed to listen to once and never again. 43:02.912 --> 43:03.112 Yeah. 43:03.493 --> 43:06.553 Like, uh, what's the one that, uh, Ronnie sighs? 43:06.593 --> 43:07.973 Did you ever, do you ever listen to that album? 43:08.033 --> 43:08.414 No. 43:09.134 --> 43:17.055 Neither do I. You know, and I rushed out and bought it and thought, ooh, yeah, I've got to, got to represent, represent, and I don't think I even made it to the end of it. 43:17.575 --> 43:18.776 Yeah, well, this is what they're saying now, isn't it? 43:18.796 --> 43:20.576 That the Mercury Music Prize is the kiss of death. 43:21.004 --> 43:23.107 Hello, my name's Adam and I'm on the radio! 43:23.627 --> 43:25.610 I've got a lot of things to tell you, you sodom! 43:26.031 --> 43:26.451 Who am I? 43:26.631 --> 43:27.392 A dizzy rascal. 43:27.412 --> 43:27.913 Exactly! 43:27.933 --> 43:29.876 I'm not quite as good as a dizzy rascal. 43:30.977 --> 43:31.918 Yeesh, hello! 43:32.559 --> 43:33.300 Hello! 43:34.422 --> 43:35.503 I wanna buy some sweets! 43:35.844 --> 43:38.127 I wanna buy some sweets and I'm putting up my feet! 43:39.014 --> 43:40.655 You are, you're in trouble there. 43:40.895 --> 43:41.636 What, I'm rapping? 43:41.656 --> 43:44.138 Because you're ridiculing a very important musician. 43:44.158 --> 43:45.038 I'm not ridiculing you. 43:45.058 --> 43:49.242 Who has real problems and is expressing the problems of a real section of the community. 43:49.262 --> 43:50.282 What do you think I've got problems? 43:50.302 --> 43:55.826 Sitting in your pants eating your crisps watching Desert Mail all day, counting your proceeds from the latest adverts. 43:55.866 --> 43:57.547 Sometimes people rip me up and deny me. 43:59.109 --> 44:04.995 You don't know anything about the way real people live in Da Ghetto, do you, Adam? 44:05.015 --> 44:07.577 You don't know the way that Dick and Dom live in Da Bungalow. 44:07.738 --> 44:08.879 I come from Da Bungalow. 44:08.899 --> 44:11.381 I grew up in Da Bungalow. 44:11.902 --> 44:14.905 No one knows what we're talking about because Dick and Dom in Da Bungalow hasn't started yet. 44:15.745 --> 44:37.503 listen i'm from the streets anyway before uh before we started talking about that of course we heard outcast fantastic and we're going to hear from athlete in just a second are they phoning in uh no joe it's just just a record um and after that we are going to be arguing our cases for ditties in the doc are you all set with yours and you just don't use your 44:38.243 --> 44:40.506 Subliminal techniques, just argue a straight case. 44:40.566 --> 44:42.468 I may, I will use them if I want. 44:42.648 --> 44:45.531 All right, we got ditties in the dot coming up after this one from Athlete. 44:55.431 --> 44:57.132 I like Athlete, personally. 44:57.592 --> 44:57.832 Yeah. 44:58.073 --> 44:58.833 I bought that record. 44:58.873 --> 44:59.854 I like that a lot, Athlete. 45:00.094 --> 45:02.716 Well, you know, we... I like Dizzy Roskal as well. 45:02.996 --> 45:04.497 Why were you just slagging him off? 45:04.518 --> 45:05.758 I wasn't slagging him off. 45:05.819 --> 45:06.219 You were. 45:06.239 --> 45:08.260 You were doing a mocking impression of Dizzy Roskal. 45:08.300 --> 45:08.741 Do it again. 45:08.761 --> 45:11.503 My name's Dizzy Roskal and I love it like this! 45:11.763 --> 45:13.845 No, it's just... I'm just envious. 45:13.905 --> 45:15.046 I want a Mercury Prize. 45:15.266 --> 45:18.728 It's Dizzy's In The Dock time here on the Adam and Joe show on XFM. 45:19.469 --> 45:23.352 We're here for another 20 minutes and we're reaching the apex of our programme, which is, of course, Dizzy's In The Dock. 45:23.872 --> 45:24.113 Order! 45:24.793 --> 45:25.113 Thank you. 45:25.133 --> 45:26.815 Well, that was unexpected. 45:27.215 --> 45:32.659 So we have a playlist here at XFM, but we have a single record that we can actually choose from anything we want. 45:32.759 --> 45:41.186 And so we've turned this opportunity into a segment called Dizzies in the Dock, where we argue the case for the song we want to play and you call in and vote for which one gets to be heard. 45:41.706 --> 45:43.067 OK, who wants to go first this week? 45:43.287 --> 45:44.629 I think you should go first this week, Adam. 45:44.649 --> 45:45.409 All right. 45:46.846 --> 45:48.428 Well, our producer thinks you should go first. 45:48.448 --> 45:48.508 Why? 45:48.528 --> 45:49.789 Because you're a cheat. 45:49.809 --> 45:51.370 Yeah, because you are a cheat. 45:51.390 --> 45:54.073 Because I'm a cheat, I think. 45:54.113 --> 45:56.255 Well, it just gives me more opportunities to cheat. 45:56.515 --> 45:56.876 Come on. 45:56.896 --> 46:03.522 Okay, my song for Did It in the Dock this week, ladies and gentlemen, that you can vote on 087008001234 is by Marvellous Marvin Gaye. 46:04.083 --> 46:07.186 He's one of the greatest singers of all time, one of the greatest voices of all time. 46:07.506 --> 46:09.828 I'm a big fan of Marvin Gaye, bit of a Marvin Gaye bore, really. 46:10.068 --> 46:13.751 But this is a wonderful song by Marvin Gaye for a sunny Saturday afternoon. 46:13.951 --> 46:17.293 It's a previously unreleased track released on his greatest hits recently. 46:17.853 --> 46:18.894 It's called Where Are We Going? 46:19.154 --> 46:23.558 And it's the most fantastic, uplifting, tuneful, lovely song with a wonderful little piano hook. 46:23.918 --> 46:26.280 If you haven't heard it before, you'll really get it on the first play. 46:26.560 --> 46:28.161 It'll lift your spirits, it'll lift your day. 46:28.181 --> 46:28.381 0-8-700-800-1234. 46:28.421 --> 46:29.522 Just say Marvin and you will get to hear this. 46:34.025 --> 46:35.905 Fantastic Marvin Gaye track. 46:36.226 --> 46:38.146 He is of course a fascinating guy. 46:38.166 --> 46:39.226 Okay, that's enough. 46:39.266 --> 46:42.687 He smokes a lot of marijuana. 46:42.887 --> 46:46.108 Will you stop my chambers now? 46:46.128 --> 46:46.848 Okay, go on then. 46:47.528 --> 46:50.749 Marvin Gaye, 08700, 800, 1234, just say Marvin. 46:51.129 --> 46:54.049 You don't want, it's much better than the track that you're about to hear described. 46:55.290 --> 46:56.110 Go on then, do your best. 46:56.130 --> 46:57.470 Will you shut up? 46:57.530 --> 46:59.451 Are you gonna choose a Marvin Gaye track song too? 46:59.471 --> 47:00.291 Brian! 47:01.913 --> 47:03.955 You see, because I've dealt with this all my life. 47:04.375 --> 47:04.816 Marvin Gaye. 47:04.876 --> 47:07.358 I want you to sort it out, because it looks personal if I hit him. 47:07.378 --> 47:10.100 It's such a good track. 47:10.120 --> 47:11.160 Seriously, the Marvin Gaye track. 47:11.201 --> 47:12.542 Honestly, please shut up. 47:12.562 --> 47:13.482 You're freaking me out. 47:13.502 --> 47:14.763 You're freaking everybody else out. 47:14.823 --> 47:16.565 I've faded you down on the mic now, OK? 47:16.785 --> 47:17.966 That's cheating. 47:18.246 --> 47:18.346 No. 47:18.446 --> 47:21.068 Shut up and go outside or just read the paper. 47:21.128 --> 47:22.249 Marvin Gaye! 47:22.750 --> 47:25.151 So all you can vote for, the trash men. 47:25.352 --> 47:26.533 Oh, no. 47:26.613 --> 47:27.133 Shut up. 47:27.213 --> 47:29.635 I didn't do that while you were arguing your case. 47:29.915 --> 47:30.536 They're rubbish. 47:32.185 --> 47:35.369 Seriously, man, shut up, otherwise I will, I'll come over there and I'll hit you. 47:35.389 --> 47:39.995 Okay, obviously I won't actually hit you, but I'm, can you hear that I'm getting really genuinely annoyed? 47:40.015 --> 47:41.137 No, what, what's your idea? 47:41.157 --> 47:42.018 Shut up! 47:43.069 --> 47:48.212 This is the trash man I want you guys to vote for, and it's a song called Surfin' Bird. 47:48.352 --> 47:51.434 Everybody's heard about the bird, and it's a fantastic song. 47:51.474 --> 47:52.555 It's a garage classic. 47:52.715 --> 47:53.815 Brian, he's coming over here. 47:53.856 --> 47:54.736 Make him sit down. 47:55.136 --> 47:56.037 Make him sit down. 47:56.677 --> 47:57.718 Don't come here. 47:58.338 --> 47:59.539 I'm arguing my case. 47:59.699 --> 48:01.320 Carry on arguing your case. 48:01.580 --> 48:02.321 This is bad. 48:02.641 --> 48:03.021 Carry on. 48:03.101 --> 48:05.082 I've just come over to Adam's mic because he's turned mine off. 48:05.282 --> 48:05.983 Go away. 48:06.563 --> 48:27.732 uh it's uh yeah it's called surfing bird it was featured in the film Marvin Gaye oh please go away it was featured in the film full metal jacket uh everybody's heard about the bird it's surfing bird so uh the choice is between Marvin Gaye Marvin Gaye surfing bird Marvin Gaye that is coming up next titties in the dock get phoning now we're going to take the first five calls 0 8 700 800 1234 oh well everybody's heard about the bird it's uh 48:31.607 --> 48:32.729 absolute smash of a song. 48:32.769 --> 48:35.333 It's hilarious and it's a cheeky remix as well. 48:35.373 --> 48:38.939 It's the Coppa Tea remix, which I have done especially myself. 48:39.320 --> 48:43.247 Unfortunately, we can't fade Joe up anymore. 48:45.379 --> 48:45.919 And we're back. 48:46.079 --> 48:47.540 Adam and Joe here on XFM. 48:47.721 --> 48:48.641 It's Diddy's in the dock. 48:49.061 --> 48:50.282 Joe, have you calmed down? 48:50.582 --> 48:51.803 Yeah, I was calm all the time. 48:51.823 --> 49:02.470 I didn't do something as rash and frankly immature as turning my mic down, which is one of the cardinal, violating one of the basic understandings of the European Convention of Radio Rights. 49:02.950 --> 49:05.452 It's a basic DJ's right to have a live mic. 49:06.692 --> 49:07.353 Not yours, though. 49:07.373 --> 49:08.333 You're not a DJ. 49:08.633 --> 49:09.333 You're filling in. 49:09.654 --> 49:10.214 You're a fill-in. 49:10.254 --> 49:10.914 Or so are you. 49:11.154 --> 49:12.195 No, I'm not. 49:12.235 --> 49:12.995 I'm driving the desk. 49:13.035 --> 49:13.455 I'm the king. 49:13.895 --> 49:14.936 Driving the desk, is it? 49:15.016 --> 49:16.397 Pressing a on and off button. 49:16.557 --> 49:17.257 Anyway, come on. 49:17.277 --> 49:19.998 Let's take the first five callers and we'll see who is going to win. 49:20.058 --> 49:22.399 Is it the Trashmen or is it Marvin Gaye? 49:22.419 --> 49:23.820 It's got to be Marvin Gaye. 49:23.860 --> 49:24.660 Listen, shut up, man. 49:24.680 --> 49:25.921 They won't call the Trashmen for nothing. 49:25.981 --> 49:26.361 Oh, my God. 49:26.521 --> 49:28.622 You have to shut up, otherwise it's just chaos, all right? 49:28.642 --> 49:29.182 So be quiet. 49:29.442 --> 49:33.864 So we're going to take the first five callers and caller one, are you there? 49:33.964 --> 49:35.345 Is it the Trashmen or Marvin Gaye? 49:35.925 --> 49:36.828 Marvin, definitely. 49:36.868 --> 49:37.710 Thank you, thank you. 49:37.730 --> 49:38.471 One vote for Marvin. 49:38.491 --> 49:38.672 Thank you. 49:38.692 --> 49:39.433 Caller two, are you there? 49:39.453 --> 49:40.255 Trash men or Marvin? 49:41.278 --> 49:41.518 Hello? 49:41.739 --> 49:42.460 Hello, caller two. 49:42.520 --> 49:43.362 Trash men or Marvin? 49:44.588 --> 49:44.968 Marvin. 49:45.388 --> 49:46.369 Oh, thank you, caller two. 49:46.389 --> 49:47.549 Okay, this is the decider. 49:47.589 --> 49:49.290 Caller three, is it trash men or Marvin? 49:49.990 --> 49:50.690 It's trash men. 49:50.830 --> 49:53.792 Trash men is keeping it nice and exciting. 49:54.092 --> 49:55.252 Caller four, trash men or Marvin? 49:55.512 --> 49:55.952 Trash men. 49:56.072 --> 49:57.533 Whoa, it's two all. 49:57.553 --> 49:58.433 This is terrible. 49:58.453 --> 50:00.034 Okay, here's the decider, is it? 50:00.054 --> 50:04.135 The trash men and surfing bird are what everybody's heard about the bird. 50:04.256 --> 50:06.196 The sound of Marvin Gaye. 50:06.837 --> 50:07.617 Trash men or Marvin? 50:08.632 --> 50:09.153 Call a five. 50:10.073 --> 50:10.854 Oh, no! 50:10.874 --> 50:11.655 Was that Trashman? 50:12.075 --> 50:12.776 Trashman, yes. 50:13.637 --> 50:14.037 Oh, yes. 50:14.077 --> 50:15.198 This is terrible. 50:15.218 --> 50:16.579 Thank you very much. 50:16.619 --> 50:17.760 We're going to shed listeners. 50:41.098 --> 50:41.599 you now 51:26.746 --> 51:28.650 Did you understand me for cup of tea? 52:31.187 --> 53:00.160 That's the trash man and surfing bird you voted for it that was this week's ditty in the dock and I feel that you know justice has been done in a small way because basically I have been getting a lot of votes against me for the last few weeks with superior songs and Joe's just been bringing in novelty songs and frankly hectoring the jury with and he's been showboating show standing and using some underhand techniques to get his own way and this week it didn't work 53:01.226 --> 53:01.846 The trash men. 53:01.866 --> 53:04.227 Well, apparently the trash men. 53:04.447 --> 53:08.389 Apparently, genuinely, the vast majority of the calls were for the trash men. 53:08.409 --> 53:13.851 And that just reflects badly on our listeners, who are probably mostly dustbin men. 53:14.912 --> 53:17.933 And that was probably voted for mostly by dustbin men. 53:18.373 --> 53:18.973 No, no, no. 53:19.073 --> 53:20.694 As opposed to mostly gays? 53:21.294 --> 53:25.376 I would be happier with a gay audience than a refuse-collecting audience. 53:25.993 --> 53:36.558 yeah well i mean no disrespect to refuse collectors but they smell not not as nice as gay people uh marvin usually smell nice yeah this is what we're talking about we're talking trash men versus gays 53:37.543 --> 53:38.863 What, as in Marvin Gaye? 53:38.963 --> 53:39.443 Yeah, yeah, yeah. 53:39.743 --> 53:44.464 He actually put the E on the end of his name to deflect this sort of petty schoolyard. 53:44.704 --> 53:45.645 I'm not being petty. 53:45.685 --> 53:46.925 I'm just saying, I'm saying gay. 53:46.965 --> 53:47.225 That's true. 53:47.305 --> 53:49.305 I'm not implying that he's homosexual. 53:49.385 --> 53:51.766 Even if he was, he's dead, so it's moot. 53:51.906 --> 53:54.727 But anyway, listen, we're going off the point here rather. 53:55.547 --> 53:56.907 That's pretty much it for us this week. 53:58.407 --> 54:00.188 We'll be back with you next week. 54:00.768 --> 54:06.749 And don't forget that you can always email us anytime you want and have some stuff ready for us so that we can see what 54:11.159 --> 54:14.181 He's just emailed us and he even he's voting for the trash man. 54:14.201 --> 54:14.741 There you go. 54:15.541 --> 54:16.402 It's a good song man. 54:16.442 --> 54:16.802 Come on. 54:16.902 --> 54:18.703 It's He's good. 54:19.223 --> 54:27.888 Yeah, if you it's the sort of song that would be played by trap by trash man by garbage man on the thing to say And you put your own voice in it. 54:28.128 --> 54:31.850 Yeah, I said it was the cup of tea remix You dropped in the little sample of yourself. 54:31.910 --> 54:32.170 Yeah, I 54:32.890 --> 54:59.789 to make it more exciting I just thought it was awful well that's just so ungenerous you know because you play your stuff and I think it's quite good I thought it was awful you are so small you're a small man in every way except for your height I thought it was terrible height wise you tower above everyone but mentally you're a small person all right okay so on that bitter note we're gonna say goodbye this week and leave you with this fantastic track 55:01.561 --> 55:03.364 from VEDA. 55:03.744 --> 55:05.126 Thanks for listening, we'll see you next week. 55:05.306 --> 55:06.207 Yeah, God bless you. 55:06.508 --> 55:08.991 Thanks for calling in, thanks for emailing us, we really appreciated it. 55:09.953 --> 55:10.313 Bye.