WEBVTT 00:00.569 --> 00:07.574 Yeah, that's the White Stripes with the denial twist. 00:08.355 --> 00:12.018 That's one of the better tracks, I think, from a slightly lackluster album. 00:12.398 --> 00:13.219 What do you think, Joe? 00:13.459 --> 00:13.899 I don't know. 00:13.919 --> 00:14.680 I don't know. 00:14.700 --> 00:15.440 OK, thanks very much. 00:15.460 --> 00:16.281 I don't have that album. 00:16.461 --> 00:16.801 OK. 00:17.502 --> 00:18.342 Yeah, this is Adam and Joe. 00:18.382 --> 00:18.642 Hello. 00:18.923 --> 00:21.665 Here on a Saturday afternoon on XFM for the next two hours. 00:21.825 --> 00:22.345 Two hours? 00:22.385 --> 00:23.626 Well, slightly less than two hours. 00:23.686 --> 00:36.056 I'm very stressed out because I was cycling to Leicester Square here for XFM from my home in London's sexy Stockwell and my phone dropped out of my jacket on the way. 00:36.076 --> 00:37.457 I can't believe it. 00:37.838 --> 00:38.718 I can't believe it. 00:38.738 --> 00:39.659 I can't believe it. 00:40.700 --> 00:42.382 You lost your phone a couple of weeks ago, didn't you? 00:42.722 --> 00:42.962 Did I? 00:42.982 --> 00:43.643 A while back. 00:44.004 --> 00:45.465 No, I don't think I did. 00:45.485 --> 00:47.748 I remember you complaining about all your celebrity numbers going. 00:47.808 --> 00:49.289 Basically, somewhere- Oh, yeah, maybe I did. 00:49.650 --> 00:50.130 Maybe I did. 00:50.390 --> 00:59.240 Somewhere in London, there is a phone, a cram full of famous people's numbers, lying on the street, like some sort of, you know, wizard's wand. 00:59.600 --> 01:01.361 It's a Sony Ericsson wizard's wand. 01:01.541 --> 01:02.901 It's a celebrity wizard wand. 01:02.981 --> 01:03.722 And it's silver. 01:03.762 --> 01:06.123 If you do find it somewhere between Stockwell. 01:06.223 --> 01:17.667 So the route I took was down sort of Vauxhall Bridge across the Vauxhall Bridge Road embankment through Parliament Square, the Mall to Leicester Square. 01:17.707 --> 01:20.448 So if you if you happen to find it around there, I'm going to. 01:20.468 --> 01:20.969 What make is it? 01:21.229 --> 01:22.709 It's a Sony Ericsson Ericsson. 01:22.789 --> 01:23.750 Yeah, silver one. 01:24.450 --> 01:26.411 And what sort of numbers has it got in there? 01:27.151 --> 01:28.252 Man, you know what? 01:28.312 --> 01:30.593 I brought some... I did some name dropping effects. 01:30.854 --> 01:31.334 Oh, well done. 01:31.434 --> 01:31.754 Okay. 01:32.134 --> 01:38.158 Lila's loading them in right now, but because we dropped so many names last week, I thought we should have some name dropping effects. 01:38.178 --> 01:40.040 Maybe... Shall we come back to that in a second? 01:40.100 --> 01:42.521 Yeah, I'll give you some of the names with the effects later on. 01:42.561 --> 01:44.943 Coming up in the show this week, we've got Crap Commentary Corner. 01:44.963 --> 01:46.744 We're going to have Ditties in the Dock. 01:47.064 --> 01:48.885 We've got some great prizes. 01:48.925 --> 01:51.507 We've got the complete Superman collection to give away on DVD. 01:51.647 --> 01:53.649 All four Superman films on DVD. 01:53.689 --> 01:54.289 That's good, isn't it? 01:54.349 --> 01:55.049 That's really good. 01:55.210 --> 01:55.390 Yeah. 01:56.090 --> 02:00.815 Er, and also CDs to give away for Ditties in the Dock, and great music from the likes of the White Stripes, who we just had. 02:01.236 --> 02:02.617 Yeah, so, you know, we just had them. 02:03.138 --> 02:03.798 Killers, Gorillaz. 02:04.039 --> 02:05.020 Killers and Gorillaz. 02:05.320 --> 02:08.163 Oasis, Future Heads, Weezer, Kaiser Chiefs, all that sort of thing. 02:08.203 --> 02:10.445 Got a few good, er, free plays for you as well. 02:11.006 --> 02:15.571 And of course, erm, we'll be talking rubbish about what's happened to us this week. 02:15.611 --> 02:16.592 Yeah, I need the listeners' help. 02:16.992 --> 02:19.073 with some troubling kids TV I've seen this week. 02:19.193 --> 02:19.613 Oh, really? 02:19.713 --> 02:24.636 Yeah, I've seen some very disturbing things on children's TV that I think the adult world should be informed, uh, about. 02:24.776 --> 02:25.356 OK, good. 02:25.696 --> 02:29.178 I've seen some disturbing things on adult TV that I wanna get off my chest as well. 02:29.658 --> 02:30.919 But anyway, shall we play some music? 02:30.939 --> 02:31.119 Yeah. 02:31.339 --> 02:41.364 And then, uh, I'll probably be appealing tediously like a kind of, uh, low-rent Bob Geldof throughout the programme for, uh, help with my phone and reminding people that there will be a huge cash reward. 02:41.384 --> 02:42.124 That's something to look forward to. 02:42.304 --> 02:43.045 Yeah, it's good, isn't it? 02:43.405 --> 02:45.186 And I'll be telling you about all the names on there. 02:45.706 --> 02:50.550 Can you not sympathise at all with my desire to be reunited with my phone? 02:50.751 --> 02:51.431 Yeah, yeah, I can. 02:51.892 --> 02:52.352 Definitely. 02:52.452 --> 02:52.632 Good. 02:52.893 --> 02:54.254 Who have we got here? 02:54.514 --> 02:55.155 This is The Killers. 02:55.395 --> 02:56.116 Somebody told me. 03:01.802 --> 03:04.043 There you go, that's the killers with somebody told me. 03:04.843 --> 03:12.706 Yep, this is Adam and Joe on XFM, London's 104.9, also available throughout the country on various different devices. 03:12.726 --> 03:14.046 You can call us 08712221049. 03:15.687 --> 03:22.689 At any point you can text us 83XFM, email us, Adam and Joe at XFM.co.uk. 03:23.049 --> 03:25.090 So tell us about some of those names in your phone, Adam. 03:25.130 --> 03:26.170 Are we ready to talk about this? 03:26.870 --> 03:46.900 Yeah, yeah, you just tuned in Adam dropped his phone on the way into the studio today And it's crammed full of celebrity names so somewhere in London lying on the street is basically the key to the door of Fame yeah, well, I'll tell you what I'll start off with I'll try out my sound effect right now with the first name that I can think of in my phone that I really acquired and 03:47.020 --> 03:58.792 So if some sort of criminal or nice person or scaggy picks up your phone and they go through the address book, what's the first one that would really make them think that this was the phone, a phone that belonged to someone special? 03:58.992 --> 03:59.693 Alphabetically. 03:59.973 --> 04:00.273 Yeah. 04:00.554 --> 04:00.894 I don't know. 04:00.994 --> 04:03.797 Maybe Alex James from Blur? 04:03.897 --> 04:04.438 Ooh. 04:06.159 --> 04:08.101 That was my name drop sound effect. 04:08.121 --> 04:12.645 Hang on, I'm gonna put some more in there cos I've got some good names to drop. 04:13.245 --> 04:14.807 So Alex James, you reckon that's quite good? 04:14.987 --> 04:15.948 That's quite good, yeah. 04:16.088 --> 04:16.528 Quite good. 04:16.588 --> 04:20.532 I must say, I saw him on Sky Telly's, like, the TV years. 04:20.652 --> 04:20.912 Yeah. 04:21.112 --> 04:22.193 Commentating the other day. 04:22.213 --> 04:24.015 You wouldn't see Damon doing that, would you? 04:24.375 --> 04:25.816 He did that a long time ago, though. 04:25.976 --> 04:26.737 Don't forget- Yeah, yeah, yeah. 04:26.817 --> 04:29.518 You know, we- we popped up the other day in a really unpleasant one. 04:29.619 --> 04:30.999 I think scariest- 100 scariest moments. 04:31.080 --> 04:31.300 Oh, yeah. 04:31.320 --> 04:33.781 I'm not, for a moment, suggesting we're as famous as any of these people. 04:34.042 --> 04:34.202 Yeah. 04:34.242 --> 04:34.702 But keep going. 04:34.722 --> 04:35.863 So Alex James- Alex James. 04:35.883 --> 04:36.283 That would be good. 04:36.303 --> 04:40.606 That would sort of- that would sort of get your, you know, the- the hairs on the back of your neck standing up, maybe. 04:40.906 --> 04:41.146 Yeah. 04:42.107 --> 04:43.007 Uh, I'm trying to think. 04:43.268 --> 04:44.989 Well, I'll cut to Spike Jones. 04:45.529 --> 04:46.330 Oh, that's pretty good. 04:46.450 --> 04:47.370 That I got the other day. 04:47.390 --> 04:49.252 Uh- That's not to less, though. 04:49.272 --> 04:51.233 You'd have to scroll through quite a lot of names to get to that. 04:51.453 --> 04:53.535 Well, there's Jonathan Ross on there, of course. 04:57.759 --> 04:58.660 That was such a big name. 04:58.740 --> 05:00.302 It actually hurt someone. 05:02.606 --> 05:03.607 I don't want to do the same. 05:03.667 --> 05:04.407 No, it's terrible, isn't it? 05:04.447 --> 05:05.227 It's ludicrous. 05:05.367 --> 05:07.707 But yeah, if anyone does find it, you know, give me a call. 05:08.528 --> 05:10.768 Oh, 871-222-1049. 05:11.088 --> 05:12.768 So it's exciting in Leicester Square today. 05:12.788 --> 05:13.989 Have you seen what's going on outside? 05:14.009 --> 05:14.529 Is it Harry Potter? 05:14.549 --> 05:20.890 If you're coming into the West End and you come through Leicester Square, they're preparing for some sort of big Harry Potter shamboozle. 05:21.150 --> 05:24.651 And they've got an enormous crane and they're lifting up the Triwizard Cup. 05:25.391 --> 05:27.233 A giant triwizard cup. 05:27.673 --> 05:32.856 I think that's what's at stake in the big opening goofball match in Harry Potter. 05:32.896 --> 05:33.757 Is it called goofball? 05:34.498 --> 05:35.158 What's it called? 05:35.198 --> 05:36.379 Witchsticks? 05:36.619 --> 05:37.119 Gogglelump. 05:37.179 --> 05:37.580 Quidditch. 05:37.620 --> 05:38.620 That's it. 05:38.761 --> 05:44.104 There's a big Quidditch match at the beginning of the new Harry Potter film and they've got a giant cup on the balcony. 05:49.828 --> 05:57.074 of the Odeon Leicester Square, and they're gonna do some big sort of presentation in the square, probably blues singing on McFly. 05:57.615 --> 05:59.597 Don't you think, usually, that sort of thing? 05:59.617 --> 06:00.217 Steve sniggers Yeah. 06:00.537 --> 06:01.298 Or Atomic Kitten. 06:01.418 --> 06:02.499 Oh, they don't exist any more. 06:02.999 --> 06:03.400 I'm about 70. 06:03.580 --> 06:07.663 Er... Ricky sniggers Don't you think it's almost premiere overload in London, though? 06:07.683 --> 06:08.204 Too many premieres. 06:08.224 --> 06:10.065 Steve sniggers Yeah, there's... Ricky sniggers Every night there's something. 06:10.086 --> 06:12.227 Steve sniggers There's one on Monday... Ricky sniggers One of diminishing returns. 06:12.468 --> 06:12.668 Is there? 06:12.688 --> 06:15.070 Steve sniggers Er, for, er, what's it called, erm... Ricky sniggers 06:15.490 --> 06:18.552 No, the one with Cameron Diaz and- Oh, In My Shoes. 06:18.632 --> 06:19.813 In Her Shoes, yeah. 06:19.833 --> 06:20.574 That looks terrible. 06:20.674 --> 06:26.218 Anyway, if you're a Harry Potter fan, now's the time to come down to Leicester Square and actually see the giant Quidditch Cup. 06:26.938 --> 06:27.339 Wow. 06:27.979 --> 06:32.262 And they've put, like, a big backdrop of mountains and a castle and stuff up there. 06:32.803 --> 06:35.185 Did you see Daniel Radcliffe on Jonathan Ross last night? 06:35.465 --> 06:35.645 No. 06:35.925 --> 06:37.326 No, was he actually on the show being interviewed? 06:37.446 --> 06:37.986 Yeah, yeah. 06:38.266 --> 06:38.666 How was he? 06:39.186 --> 06:44.709 Well, he seems like a straight-edge person, so I don't think he was on drugs, but he was certainly behaving like it. 06:44.729 --> 06:46.329 I mean, you can't blame the guy. 06:46.609 --> 06:50.511 Must be pretty overwhelming if you're 16 years old and you're on- Doing my Harry Potter impression. 06:50.571 --> 06:51.071 It's pretty good. 06:51.131 --> 06:53.412 All you need to do is really clench your teeth. 06:53.632 --> 06:54.412 Be very nervous. 06:54.432 --> 06:56.293 And sort of stretch your mouth as wide as possible. 06:56.313 --> 06:58.094 But all he does is move his bottom lip, isn't it? 06:58.274 --> 06:58.574 Yeah. 06:59.355 --> 07:01.057 He looks like a big Thunderbird puppet. 07:01.137 --> 07:01.838 Harry Potter! 07:02.558 --> 07:03.740 Harry Potter! 07:04.260 --> 07:07.864 That's your encapsulation of the entire series. 07:08.745 --> 07:09.626 Harry Potter! 07:10.467 --> 07:12.289 Why are you standing next to that dead cat? 07:12.309 --> 07:13.650 I didn't do it. 07:14.110 --> 07:16.133 It was somebody else, Aldor. 07:16.966 --> 07:17.266 I don't know. 07:17.286 --> 07:18.867 It's supposed to be good, though, the new one. 07:19.147 --> 07:20.308 Apparently, it's supposed to be the same. 07:20.668 --> 07:22.589 He was nice, though, er... With all the others. 07:22.809 --> 07:23.930 He was... Exactly the same. 07:24.050 --> 07:24.891 No, it's supposed to be good. 07:24.911 --> 07:25.671 It's supposed to be the same. 07:25.991 --> 07:27.012 I liked the last one. 07:27.232 --> 07:28.473 He seemed like a nice fellow. 07:28.513 --> 07:31.014 Did you... And you missed Woody Harrelson on there as well. 07:31.034 --> 07:32.955 I thought he... I want to be his friend. 07:33.276 --> 07:37.578 I always thought Woody Harrelson was a nutcase, but he seemed really nice last night on the Jonathan Ross thing. 07:37.958 --> 07:38.839 Did you see that, Lila? 07:39.059 --> 07:40.480 No, I was watching Harry Potter. 07:40.680 --> 07:41.020 Were you? 07:41.180 --> 07:42.541 Yeah, I was at screening last night. 07:42.581 --> 07:43.361 It's the same, isn't it? 07:43.521 --> 07:44.222 No, I liked it. 07:44.642 --> 07:45.163 It's the same. 07:45.203 --> 07:46.484 I hated the first one. 07:46.564 --> 07:47.926 This one, much improved. 07:47.986 --> 07:48.206 Yeah. 07:48.386 --> 07:49.227 It gets sexy, doesn't it? 07:49.267 --> 07:51.229 Doesn't Harry Potter, like, have sex? 07:51.389 --> 07:52.530 No, he doesn't. 07:53.111 --> 07:54.392 What are you thinking about? 07:54.412 --> 07:55.874 Well, doesn't he just kiss a lady? 07:55.934 --> 07:57.095 Does he kiss a girl? 07:57.596 --> 07:57.876 No. 07:58.116 --> 07:58.977 There's no kissing. 07:58.997 --> 08:01.600 I thought he falls in love with an Asian babe. 08:02.421 --> 08:04.123 What are you talking about, you weirdo? 08:04.363 --> 08:05.424 I'm gonna play music now. 08:05.444 --> 08:06.865 Come on, listeners, that's true, isn't it? 08:06.886 --> 08:09.348 There's some sort of Asian babe involved in the new Harry Potter. 08:09.368 --> 08:10.549 You're going down a dirty magical alley. 08:10.569 --> 08:11.750 This is true, it's not dirty. 08:11.790 --> 08:12.771 Nothing dirty about love. 08:13.392 --> 08:14.493 Nothing dirty about sex. 08:14.934 --> 08:16.355 Unless you're having it with me. 08:17.776 --> 08:20.519 Okay, here's Gorillaz with dirty Harry. 08:27.216 --> 08:27.797 That's good, isn't it? 08:27.837 --> 08:34.944 That's got to be one of the best songs with a children's choir in it since maybe, er, the Pink Floyd... Grandad. 08:35.545 --> 08:36.887 Yeah, since Grandad. 08:36.967 --> 08:38.368 No, since whatever it's called. 08:38.708 --> 08:39.870 Oh, er, The Wall? 08:39.910 --> 08:41.391 No, The Brick In The Wall, yeah, by Pink Floyd. 08:41.552 --> 08:42.573 Yeah, I agree with that. 08:42.593 --> 08:42.893 Good track. 08:43.033 --> 08:48.779 And they performed at the MTV Music Awards, the MTV Europe Music Awards, using... 08:49.520 --> 08:51.341 a special thing called Pepper's Ghost. 08:51.782 --> 08:57.906 Pepper's Ghost, which is a sort of magic effect where you have a slanted piece of glass and it makes you appear as if you're a real ghost. 08:58.446 --> 08:58.706 Oooh. 08:59.007 --> 09:01.228 It was supposed to be very exciting, I haven't seen it yet. 09:01.648 --> 09:05.631 Oh, I saw a little clip of, er, Chris Martin doing a funny sketch with Borat. 09:06.152 --> 09:06.392 Oh yeah. 09:07.272 --> 09:08.413 Ah, it seemed amusing. 09:08.673 --> 09:09.113 Amusing. 09:09.153 --> 09:10.093 I'm looking forward to seeing that. 09:10.353 --> 09:11.314 It's Adam and Joe on XFM. 09:11.554 --> 09:14.155 So we should play some ads and then come back maybe with a competition? 09:14.415 --> 09:19.056 With a competition, or maybe we, you know, we need the listeners' help, don't we, Adam, with this quandary, quandary we're in. 09:19.757 --> 09:22.138 Uh, oh, yeah, yeah, yeah, well, we should talk about that maybe. 09:22.458 --> 09:25.959 Okay, well, all that after these, uh, after these messages and a bit more music. 09:26.099 --> 09:26.439 This is XFM. 09:26.459 --> 09:26.519 XFM. 09:26.539 --> 09:31.141 Where do you come from, what do you know? 09:32.128 --> 09:33.689 That's the future heads with area. 09:33.709 --> 09:36.851 This is Adam and Joe on XFM on a Saturday afternoon. 09:37.472 --> 09:37.712 Yes. 09:38.232 --> 09:41.234 And Harry Potter does have an Asian girlfriend in the new film. 09:41.254 --> 09:43.736 She's called Cho, but he doesn't kiss her. 09:44.076 --> 09:45.257 That's for the next book. 09:45.637 --> 09:45.897 Right. 09:46.177 --> 09:46.998 They're taking it slow. 09:47.318 --> 09:47.578 Wow. 09:47.658 --> 09:49.920 So imagine what book 15 is going to be like. 09:50.000 --> 09:50.881 Hot, hot, hot. 09:51.601 --> 09:52.681 Hot and dirty. 09:53.461 --> 09:54.262 Dirty potter. 09:54.442 --> 09:55.462 Listeners, we need your help. 09:55.762 --> 10:01.943 Because Channel 4, unsurprisingly, are doing an exciting list show called The Hundred Greatest Funny Moments. 10:02.964 --> 10:05.984 Now this is a list show about non-scripted comedy, I think. 10:06.825 --> 10:10.686 I've been trying to work out kind of what the criteria is, but I think it's unscripted. 10:10.706 --> 10:16.287 I think it's almost, slightly insultingly to Adam and me, it's almost sort of accidentally funny things, isn't it? 10:16.827 --> 10:21.388 Cos like one of them on the list is just a man's head going up an elephant's bottom. 10:21.568 --> 10:22.428 That is funny though. 10:22.468 --> 10:29.570 Which is funny, but you know, does it, is there any talent involved, you know, from the elephant or the man whose head is in the elephant's bottom? 10:29.790 --> 10:30.330 Maybe not. 10:30.890 --> 10:31.110 No. 10:31.990 --> 10:45.753 And basically Channel 4 have got a list of a hundred sort of nominations, funny moments, on their website, channel4.com forward slash entertainment forward slash TV forward slash microsites forward slash G forward slash greatest. 10:45.993 --> 10:47.594 I'm sure everyone's making a note of that. 10:47.934 --> 10:49.916 I know, it's not a very catchy URL. 10:50.596 --> 10:54.499 Um, and you can go there and you can vote, uh, for your greatest funny moment. 10:54.759 --> 11:00.142 But in that list, currently at number one, but only because it's alphabetical, is a clip from the Adam and Jo show. 11:00.542 --> 11:01.583 Which clip is it, do you remember? 11:01.903 --> 11:05.526 It's, uh, 20% free, I think, which is something we did in our very first series. 11:05.966 --> 11:14.091 Almost ten years ago, uh, where we went into, uh, a supermarket and ate and drank the 15% free bits. 11:15.972 --> 11:20.918 And when they complained about us doing it, we told them they didn't have any right to complain because it was free. 11:21.939 --> 11:25.142 And so that's on the list. 11:25.322 --> 11:27.124 And we've never been on one of these shows before. 11:27.685 --> 11:31.268 In fact, we're sort of invisible in the history of British television comedy. 11:32.029 --> 11:55.269 Probably for a good reason, but we're quite excited because this is the first time any of these shows has ever Deemed to notice our hard work So we thought we might mobilize you listeners to go to that website and vote for us But there's another quandary we've got right Adam Yeah, well the thing is that we I think we were approached originally to talk about the you know The show and everything to be a comment on other people's clips as well. 11:55.309 --> 11:58.091 Yeah, but to talk about our thing as well I think right 11:58.792 --> 12:08.636 And we just said no, because we learnt our lesson a while back to just stop going on those hundred greatest shows, because they just make you feel miserable and they're awful. 12:09.376 --> 12:13.437 But, um... But we've never been asked on one to actually talk about stuff that we've done. 12:13.557 --> 12:15.258 Yeah, so obviously that's a bit different. 12:15.298 --> 12:16.898 So should we go, is what we're asking you listeners. 12:16.958 --> 12:25.842 Would you think less of us if we went on Channel 4's 100 Greatest Comedy Moments and talked in a self-indulgent way about our own work, even if, say, it was at number 99? 12:27.202 --> 12:31.583 Even if it came below the head going up the elephant's bum, which will probably be at number one. 12:32.143 --> 12:33.284 Well, that is a classic clip. 12:33.304 --> 12:34.084 It is a classic clip. 12:34.124 --> 12:37.685 If we ever did anything half as funny as that, then I'd be very happy. 12:38.045 --> 12:38.725 Should we go on it? 12:38.805 --> 12:40.926 The other thing is that they've already interviewed my dad. 12:41.306 --> 12:41.546 Right. 12:41.666 --> 12:44.687 Because he said, listen, they've asked me to be interviewed on the show and... 12:45.387 --> 12:50.390 and they're gonna pay my train fare and give me some extra money and I really wanna do it. 12:50.410 --> 12:52.671 So I said, yeah, okay, well, that's fine. 12:53.031 --> 12:54.212 So that's a good option for us. 12:54.252 --> 12:55.413 We could just be enigmatic. 12:55.853 --> 12:57.634 Too cool to go on the show. 12:57.694 --> 13:02.817 Instead, Adam's dad speaks for us in a kind of, you know, hardcore underground comedy way. 13:03.137 --> 13:11.122 Alternatively, we could just be, you know, jolly idiots who just turn up to anything and willingly jabber about their own stuff. 13:11.762 --> 13:13.683 You took your dad along to the recording, didn't you, Adam? 13:13.783 --> 13:14.504 I chaperoned him. 13:14.744 --> 13:16.225 to make sure he had his facts straight. 13:16.305 --> 13:20.047 And Dom Jolly was there at the recording, talking about his hilarious moment. 13:20.147 --> 13:21.768 He was in the hot seat after my dad. 13:21.808 --> 13:23.349 So Dom Jolly isn't too good for it. 13:24.290 --> 13:24.470 No. 13:24.810 --> 13:25.731 But what do you think, listeners? 13:25.751 --> 13:26.931 Do you think we should go on it? 13:27.532 --> 13:27.832 Tell us. 13:27.852 --> 13:28.933 83 XFM. 13:29.093 --> 13:29.853 Give us some advice. 13:30.173 --> 13:31.114 Or email us. 13:31.154 --> 13:32.755 Adamandjaradxfm.co.uk. 13:32.895 --> 13:35.136 Also, if you find my phone, give me a call. 13:35.156 --> 13:36.857 I don't know what I'm going to do this weekend. 13:36.877 --> 13:39.119 I don't understand how things work without mobiles. 13:39.859 --> 13:41.321 How did things work in the old days? 13:41.381 --> 13:47.667 You would make an arrangement by letter and then you'd turn up to the place and if the other person wasn't there that was just tough. 13:47.707 --> 13:50.189 There was no way of finding out. 13:51.831 --> 13:53.132 How did life work? 13:54.553 --> 13:58.497 Anyway, we're going to play some music now and after this I think we should have our first competition. 14:01.259 --> 14:02.641 the complete Superman collection. 14:02.781 --> 14:04.402 All four Superman films on DVD. 14:04.422 --> 14:05.203 What an amazing prize. 14:05.223 --> 14:05.323 Wow. 14:05.403 --> 14:06.744 Now, this is a free play. 14:07.004 --> 14:08.705 This is from the new Fall album. 14:09.806 --> 14:20.515 Marky Smith mumbling engagingly through a sort of uncharacteristically sweet, slightly jazzy little number called Midnight Aspen, which just makes you think of... 14:22.156 --> 14:29.712 You know, snowy mountains and clear, clear nights and the smell of pine trees or some kind of pine fresh deodorizer. 14:30.213 --> 14:30.794 Here's the fall. 14:35.981 --> 14:40.423 Just like a little interlude there, a little deviation from the XFM daytime playlist. 14:40.443 --> 14:42.584 That's a return to form for the Fall, isn't it? 14:42.764 --> 14:46.106 After album number, what, a hundred and... Yeah, something. 14:46.126 --> 14:46.766 Yeah, two hundred? 14:46.786 --> 14:47.926 Are they in two hundreds yet? 14:48.367 --> 14:50.688 No, they're still... They're over a hundred though, aren't they? 14:51.208 --> 14:53.309 Uh, well, not original albums, no. 14:53.369 --> 14:55.950 I imagine there's over a hundred sort of compilations and things. 14:55.990 --> 14:56.510 Right, right. 14:56.811 --> 14:58.011 But, uh, it's a good album. 14:58.071 --> 14:59.612 Fall Heads Roll is the name of the album. 14:59.912 --> 15:03.994 Anyway, it's competition time right now, and it's Crap Commentary Corner. 15:05.826 --> 15:10.391 It's time to call in, you could win something amazing, let us begin! 15:11.772 --> 15:14.735 Can you guess which film we're playing? 15:14.835 --> 15:18.779 I've hit and got the same! 15:19.419 --> 15:22.542 Crap, come and tell me corner! 15:24.130 --> 15:25.031 Don't know about that, Jingle. 15:25.251 --> 15:31.795 But it is crap commentary corner time, and this is the part of the show where we play you an excerpt from a DVD commentary. 15:31.815 --> 15:32.595 You have to call in. 15:33.276 --> 15:32.595 08712221049. 15:34.957 --> 15:36.598 Tell us who's talking about what movie. 15:36.858 --> 15:37.539 It's very simple. 15:37.899 --> 15:43.062 And this week, it's a sort of delayed Halloween theme, because it's a slightly creepy, nasty clip. 15:43.563 --> 15:50.787 And in fact, it's the makers of a mystery film confessing that they actually hurt a woman during the filming. 15:51.107 --> 15:51.348 Good. 15:52.148 --> 15:52.468 OK? 15:52.728 --> 15:52.968 OK. 15:53.128 --> 15:55.649 Now their reaction to this isn't very, er, contrite. 15:55.669 --> 15:56.849 Is that the right word? 15:56.909 --> 15:57.169 Yeah. 15:57.309 --> 15:59.329 They don't seem very apologetic for what they've done. 15:59.749 --> 16:02.650 In fact, they seem like a bunch of murdering lunatics. 16:03.850 --> 16:04.470 Oh, that's not very good. 16:04.490 --> 16:05.290 0-8-7-1-triple-2-1-0-4-9. 16:05.691 --> 16:07.031 It's not quite as bad as it sounds. 16:07.051 --> 16:08.131 I'll explain after the clip. 16:08.331 --> 16:09.311 All right, then. 16:09.391 --> 16:10.551 Er, 0-8-7-1-triple-2-1-0-4-9. 16:10.571 --> 16:13.072 The prize is, of course, the complete Superman collection. 16:13.432 --> 16:18.573 Superman 1, Superman 2, Superman 3... And all you have to do is identify the people... And Superman 4. 16:19.013 --> 16:22.374 Identify the people speaking and the film they're speaking about in this clip. 16:22.614 --> 16:28.015 This scene, there's a bulb in my palm with a knife and there's a tube to feed the blood there, the fake blood. 16:28.975 --> 16:32.576 And there's a piece of tape, scotch tape, over the blade edge to keep it dull. 16:32.956 --> 16:35.917 We couldn't get the blood out of the tube onto the knife edge. 16:36.437 --> 16:44.279 And so after the fourth or fifth take, I turned away from everybody and stripped the tape off the knife and then actually just cut her. 16:44.479 --> 16:47.260 And the reason was, at this point, we were insane. 16:48.400 --> 16:48.621 What? 16:49.261 --> 16:50.843 Isn't that, that's quite disturbing isn't it? 16:50.863 --> 16:52.225 That can't be true can it? 16:52.285 --> 16:52.806 It's true. 16:52.826 --> 16:56.050 Well it's not Edgar Wright, we know that. 16:56.070 --> 16:59.534 08712221049, if you know who that is, talking about what film. 16:59.554 --> 17:00.535 Shall we have the second clip? 17:00.635 --> 17:00.735 OK. 17:01.633 --> 17:01.933 Here we go. 17:02.374 --> 17:03.455 I was so crazy. 17:03.495 --> 17:07.280 I mean, at this point I was so crazy and I didn't care about anything. 17:07.300 --> 17:08.241 I didn't care about hurting her. 17:08.261 --> 17:09.923 I just wanted to not do this again. 17:09.943 --> 17:11.285 This is the first time I hear about this. 17:11.325 --> 17:12.867 This is the first time I'm hearing about it. 17:12.887 --> 17:14.228 I wouldn't have carried on on his movie. 17:14.248 --> 17:16.111 I didn't know it was actual real bloodshed. 17:16.211 --> 17:20.696 Well, I knew that you were very sensitive then, so I didn't want to tell you about it, but there's things a man's just got to do. 17:23.264 --> 17:25.786 I'd say that's not one of the things a man's got to do. 17:25.886 --> 17:27.567 Out of all the things a man has to do, no. 17:27.947 --> 17:28.667 That's not one. 17:29.167 --> 17:29.988 Cutting a woman. 17:30.328 --> 17:31.109 Who was that? 17:31.149 --> 17:34.230 I think for legal reasons we should discover who that is and report them to the police. 17:34.250 --> 17:35.271 0 8 7 1, triple 2 1 0 4 9. 17:35.951 --> 17:41.814 If you know who that was, talking about what film, you could win the complete Superman collection, all four films, on four DVDs. 17:42.155 --> 17:42.855 Call now! 17:51.698 --> 18:03.010 beep beep boop boop boop boop modern music with the noises of computers integrated amongst the guitars for modern listening tastes 18:04.855 --> 18:05.355 Hello? 18:05.415 --> 18:05.755 Anybody? 18:05.776 --> 18:08.157 Er, that's the Kaiser Chiefs with Modern Way. 18:08.197 --> 18:10.058 I was enjoying it, I was hoping you were going to carry on. 18:10.078 --> 18:10.578 No, that was it. 18:10.758 --> 18:12.759 I was thinking, where's he going to go now? 18:12.779 --> 18:13.460 Hey, guess what? 18:13.640 --> 18:13.820 What? 18:14.060 --> 18:14.981 Richard's on the line. 18:15.201 --> 18:15.881 Hey, Richard. 18:16.321 --> 18:16.762 Hello. 18:16.942 --> 18:17.842 Hello, Richard. 18:18.523 --> 18:19.283 Hi, how are you? 18:19.503 --> 18:20.444 Very well, how are you? 18:20.464 --> 18:21.804 I'm teaching, yeah. 18:22.044 --> 18:23.625 Yeah, so you're a professional student? 18:24.386 --> 18:26.787 Yeah, I hate that, because I don't like students. 18:26.947 --> 18:31.069 It's a bit hypocritical, but I don't watch calm down, so... Are you in the bath? 18:31.850 --> 18:32.410 No, no. 18:32.730 --> 18:33.611 Why is it so echoey? 18:34.281 --> 18:35.122 I'm in the bathroom. 18:35.923 --> 18:38.045 You don't know what I'm doing though. 18:38.085 --> 18:42.449 I don't wanna know what you're doing, that was a disturbing little tremble in your voice as you said that. 18:43.049 --> 18:45.612 So you reckon you know what that clip was, Richard? 18:45.632 --> 18:46.332 Should we play it again? 18:46.352 --> 18:47.654 Yeah, let's play it. 18:47.674 --> 18:49.676 Just before we play the clip so we don't have to play it twice. 18:50.296 --> 18:51.057 Er, Richard's wrong. 18:51.578 --> 18:51.998 Oh, really? 18:52.139 --> 19:04.775 Yeah, so have another listen, Richard, and you might- it's not a very new film, this, but it's a very, very famous horror film, and you might, er, you know, get a better idea of what it is by not listening to the commentary, er, but listening to what's happening in the background. 19:04.795 --> 19:04.835 OK. 19:06.437 --> 19:32.478 and listen listen richard this scene there's a bulb in my palm on the with the knife and there's a tube to feed the blood there the fake blood uh and fine and there's a piece of tape scotch tape over the blade edge to keep it dull we couldn't get the blood out of the tube onto the knife edge and so after the fourth or fifth take i turned away from everybody and stripped the tape off the knife and then actually just cut her and uh and the reason was at this point we were insane 19:33.154 --> 19:34.034 Well, I couldn't. 19:34.074 --> 19:35.775 There was just screaming going on in the background. 19:35.795 --> 19:40.256 Yeah, but what movie has that much screaming for that length of time and is quite old? 19:40.756 --> 19:43.657 And sort of noises of electrical equipment and screaming. 19:43.837 --> 19:44.757 Are you still there, Richard? 19:45.357 --> 19:45.697 Yeah. 19:45.857 --> 19:46.837 What was your original guess? 19:47.518 --> 19:49.998 It was Evil Dead, but that's not right. 19:50.038 --> 19:50.618 Quite a good guess. 19:50.658 --> 19:52.879 It is a good guess, because there's a lot of screaming in Evil Dead. 19:53.522 --> 19:54.763 Is there a lot of screaming in Evil Dead? 19:54.803 --> 19:55.343 Yeah, yeah. 19:55.863 --> 19:56.224 Is there? 19:56.404 --> 20:01.307 Well, no, there's a lot of evil screaming, because most of the women get turned into monsters. 20:01.347 --> 20:03.508 I suppose there's screaming in the woods, isn't there? 20:03.808 --> 20:04.169 Yeah. 20:04.309 --> 20:05.529 Quite a lot of screaming in the woods. 20:05.549 --> 20:07.070 Do you want to have another guess, Richard? 20:07.711 --> 20:10.332 Yeah, could it be the thing? 20:11.853 --> 20:12.734 Are there any women in the thing? 20:12.754 --> 20:13.934 No, there's no women. 20:13.954 --> 20:14.455 Have a little think. 20:14.475 --> 20:15.595 No women in the thing. 20:15.616 --> 20:18.317 Okay, yeah, there could be a bloke screaming, a very girly bloke. 20:18.337 --> 20:19.698 I'm sure there's one in the 20:20.180 --> 20:21.182 What would that be, though? 20:22.344 --> 20:24.388 That movie has a very girly bloke screaming. 20:25.629 --> 20:26.929 Oh, I don't know, but I want to see it. 20:27.009 --> 20:29.190 Oh, wait, wait, wait, Halloween or something like that. 20:29.230 --> 20:31.170 No, well, you had too many guesses, Richard. 20:31.210 --> 20:35.191 Basically, listeners, it could be very easy to win that Superman collection. 20:35.571 --> 20:40.572 We'll give you one anyway, Richard, cos, you know, you're calling from the bathroom, which is always a good thing. 20:41.112 --> 20:44.613 Oh, by the way, I've seen your stand-up, but it's well-good, you have that on DVD. 20:44.733 --> 20:46.313 Oh, that was Adam, not me. 20:46.453 --> 20:49.394 No, no, no, I wasn't talking to you, Joe. 20:49.494 --> 20:49.854 Oh. 20:50.854 --> 20:53.155 Um, stand-up, no. 20:53.275 --> 20:53.715 What, sorry? 20:53.775 --> 20:54.435 Where did you see it? 20:55.535 --> 20:56.655 I was- in Edinburgh. 20:56.715 --> 20:59.596 I was next to the guy that you said he looked like he was from The Strokes. 21:00.237 --> 21:01.037 Oh, yeah. 21:01.377 --> 21:02.077 OK, good one. 21:02.097 --> 21:02.758 Thanks for coming along. 21:03.198 --> 21:10.600 No, er, no, it's quite a long way from DVD at the moment, but thanks a lot for, er, enjoying it, coming along and all that stuff. 21:10.800 --> 21:11.721 Shall we talk to Debbie? 21:12.021 --> 21:12.941 Debbie thinks she's got it. 21:12.961 --> 21:14.202 OK, thanks for your call, Richard. 21:14.262 --> 21:14.942 Yeah, thanks, Richard. 21:15.402 --> 21:16.222 Debbie, how you doing? 21:16.462 --> 21:17.723 Hello, I'm fine, thank you. 21:18.260 --> 21:18.801 That's good. 21:18.821 --> 21:20.864 You sound like a fruity, lovely person. 21:21.465 --> 21:25.651 Debbie, surely you're not a fan of traumatic horror films, are you? 21:26.131 --> 21:27.473 Only slightly, yeah. 21:27.814 --> 21:28.495 What's your guess? 21:29.436 --> 21:34.023 Well, I thought it might be the Texas Chainsaw Massacre and it might have been Toe Pooper talking. 21:34.468 --> 21:36.770 Well hey, I think that wins it for Debbie. 21:36.790 --> 21:37.711 That's absolutely right. 21:37.791 --> 21:42.414 It's not, it's actually Gunnar Hansen or whatever he's called, the guy that plays Leatherface, talking. 21:42.554 --> 21:47.638 But that's exactly the right film, and Toe Poop is in there, sort of being a bit shocked by Gunnar Hansen. 21:47.658 --> 21:50.180 Right, that was him being shocked, right, OK. 21:50.220 --> 21:51.441 So that's very good, Debbie. 21:51.682 --> 21:52.642 That's very impressive. 21:52.943 --> 21:56.766 And I'd just like to let everybody know that he's actually talking about cutting her finger. 21:57.466 --> 22:14.813 which is still it's still a bit nasty but not as nasty as it might have been no no it's quite sweet in comparison really yeah does gunnar hansen still act then uh i think gunnar hansen kind of makes a living on the convention circuit yeah signing leather i may be wrong maybe he's had some roles but i haven't seen him above 22:15.633 --> 22:16.474 the title of a film. 22:16.554 --> 22:21.800 No one's really going to be fighting to work with him after admitting that he cuts people for real. 22:22.441 --> 22:24.664 Anyway, thanks very much indeed for your call Debbie. 22:24.684 --> 22:27.767 Congratulations, and we're going to send you that Superman prize. 22:27.807 --> 22:28.468 Hope you enjoy it. 22:28.488 --> 22:29.429 Oh, that's brilliant. 22:29.449 --> 22:30.070 Thank you very much. 22:30.470 --> 22:30.730 Cheers. 22:30.750 --> 22:31.491 Have a good weekend. 22:32.271 --> 22:32.912 Ah, there you go. 22:32.932 --> 22:33.372 Fantastic. 22:33.392 --> 22:33.992 Well done, Debbie. 22:34.313 --> 22:37.075 See, that's the secret lady horror fan, Lady Gore fan. 22:37.095 --> 22:38.616 There's not too many of those around, are there? 22:39.256 --> 22:39.676 I don't know. 22:39.716 --> 22:46.221 Maybe that sort of fruity cheerfulness in her voice was actually masking, uh, a life of evil, and she was standing in a bloody kitchen. 22:46.241 --> 22:47.582 A bloody kitchen? 22:47.622 --> 22:51.104 Hey, I want to talk about bloody kitchens, actually. 22:51.124 --> 22:52.005 Bloody kitchens? 22:52.025 --> 22:53.046 Have you seen the F word? 22:53.986 --> 22:55.527 Is that Gordon Ramsay's new show? 22:55.567 --> 22:56.088 Yeah, yeah. 22:56.628 --> 22:58.689 I want to talk about it. 22:58.909 --> 23:01.231 Anyway, here's an old classic right now. 23:01.291 --> 23:02.612 This is Weezer with Buddy Holly. 23:08.632 --> 23:10.893 That's Weezer with Buddy Holly. 23:11.574 --> 23:12.934 So, uh, yeah. 23:13.855 --> 23:19.978 I wanted to, yeah, talk about the... I'm really confused and sort of thrown off this week now, cos of my phone, you know? 23:20.298 --> 23:24.180 I'm taking... I know I'm being a bit pathetic about it, but I'm really sorry. 23:24.240 --> 23:26.542 It's just... It's just scrambled by my head. 23:26.562 --> 23:27.242 Well, try and move on. 23:27.702 --> 23:28.423 Try and move on. 23:28.443 --> 23:28.663 Yeah. 23:28.923 --> 23:29.403 All right, then. 23:29.863 --> 23:30.704 What have you seen on telly? 23:30.724 --> 23:32.025 You want to talk about Gordon Ramsay? 23:33.184 --> 23:33.564 Er, yes. 23:33.764 --> 23:37.966 You know what, I'm going to talk about Gordon Ramsay in the second hour of the show. 23:37.986 --> 23:38.086 Right. 23:38.106 --> 23:40.067 Did you see Broken News this week? 23:40.107 --> 23:40.367 No. 23:40.987 --> 23:41.768 Do you know about Broken News? 23:41.788 --> 23:44.109 Yeah, Broken News is a kind of sub the day-to-day. 23:44.229 --> 23:45.509 Is it on the BBC or ITV? 23:45.529 --> 23:46.070 I'm not sure. 23:46.210 --> 23:49.231 I believe it's BBC Two Monday evenings. 23:49.251 --> 23:53.593 It tries to replicate the experience of surfing between news channels in a satirical way. 23:53.713 --> 23:57.555 But very difficult thing to do because it's been done so well already in the day-to-day. 23:57.575 --> 23:57.895 Yeah. 23:57.915 --> 23:58.515 Years ago. 23:58.795 --> 24:01.877 just staggeringly pointless, the whole exercise. 24:02.618 --> 24:06.301 Um, and you just think, what- what were they thinking? 24:06.461 --> 24:07.722 Why- why would they do it? 24:08.202 --> 24:11.285 It's kind of like- was it Gus Van Sant that remade Psycho? 24:12.205 --> 24:21.312 It seems to be the same sort of exercise in TV terms, because they don't really cover any new ground at all that wasn't, uh, covered in the day-to-day. 24:21.833 --> 24:24.455 All this stuff about, you know, the ludicrous nature of 24:24.995 --> 24:37.005 handovers on news shows, the artificiality of the kind of banter between the presenters, and they do all them sort of mad words and mad names, you know, for sports teams. 24:37.485 --> 24:51.357 The Wolverhampton Baboons, and they've got like a travel reporter woman who says things like, traffic's not too bad on Minger Lane, not too many buses at Bigots Foot, and all this kind of stuff. 24:51.577 --> 24:56.099 You see, he wouldn't- Morris would not use a- such obvious words, would he? 24:56.579 --> 24:56.879 Minga. 24:57.219 --> 24:58.440 Minga and baboon. 24:58.880 --> 24:59.100 No. 24:59.440 --> 24:59.700 No. 24:59.960 --> 25:01.561 He'd go to the next level. 25:01.961 --> 25:04.562 But you just think why- I mean, the thing is, it's not bad. 25:04.642 --> 25:06.863 In itself, it's not badly done, the show. 25:06.883 --> 25:07.443 It's kind of bad. 25:07.603 --> 25:28.423 pretty well done in fact and most of the most of the presenters that they've got on it are really good and and they really do a pretty excellent job of encapsulating what those people are like on a lot of news programs and the production values are pretty excellent and you know you can't fault any of that at all but it just seems so sort of like everyone's given up 25:28.903 --> 25:30.724 and thought, well, we can't think of anything. 25:30.844 --> 25:32.904 We'll just remake some stuff that was good before. 25:33.565 --> 25:36.525 But it doesn't really have any of the funny characters that the day-to-day had, you know? 25:36.545 --> 25:43.368 There's no Alan Partridge's and Collatorley sisters, and all you think is, oh, my God, it's gonna be exactly the same every week. 25:43.388 --> 25:50.550 They're just gonna rotate between these, like, six or seven set-ups that they've got and established in the first episode, and that's all you're gonna get. 25:52.503 --> 25:53.123 You should watch it. 25:53.203 --> 25:53.863 Have you gone to sleep, Joe? 25:53.883 --> 25:54.743 I don't want to watch it. 25:55.044 --> 25:55.804 It sounds terrible. 25:56.064 --> 25:56.784 You know what I think it is? 25:56.844 --> 26:02.425 Maybe it's commissioning editors, because the day-to-day was- probably not many people watched it. 26:02.825 --> 26:03.265 What do you think? 26:03.345 --> 26:03.685 Million? 26:03.745 --> 26:04.246 Couple of million? 26:04.566 --> 26:10.187 Maybe they think if they make a slightly rubbishier version of something that was genuinely good, it'll get more viewers. 26:10.707 --> 26:12.327 Yeah, that's an interesting theory. 26:13.228 --> 26:16.588 I'm trying to think of other shows that support that theory, but I'll need some time. 26:17.088 --> 26:18.049 Water it down. 26:18.409 --> 26:19.469 Make it more accessible. 26:20.069 --> 26:21.870 Hey, listen, can I talk about something I saw on TV? 26:21.950 --> 26:22.130 Sure. 26:22.871 --> 26:28.874 I've been watching some kids' TV, and I've seen an amazing thing called LazyTown, and I want to know if anyone out there has seen LazyTown. 26:29.234 --> 26:30.294 I couldn't quite believe it. 26:30.895 --> 26:32.795 It's possibly the most surreal thing I've ever seen. 26:33.036 --> 26:48.924 It's on in the mornings and the evenings, and it concerns a little girl in a purple bob... She's got a sort of purple bob hair and a sort of weird pink skirt, and she's in a sort of cartoon world inhabited by giant deformed plastic puppet children, 26:49.824 --> 26:54.589 And there's a villain who's called something like Roger Wrong or Robbie Wrong. 26:55.209 --> 26:56.951 And there's a hero called Sportacus. 26:57.652 --> 27:00.715 And it's all amazingly high speed as if it's been directed by Sam Raimi. 27:01.395 --> 27:03.337 And the villain looks a bit like Bruce Campbell. 27:03.477 --> 27:04.538 Is it live action, did you say? 27:04.558 --> 27:05.579 It's live action, yeah. 27:05.860 --> 27:07.641 But it's very frenetic and over the top. 27:08.442 --> 27:15.544 And I think I might have dreamt it, so I need someone out there to text us 83XFM or email or call and confirm that this show exists. 27:16.144 --> 27:19.605 I think it's the freakiest kids TV show I've ever seen. 27:19.785 --> 27:20.485 LazyTown. 27:20.605 --> 27:21.285 LazyTown. 27:21.425 --> 27:25.526 And they sing an awful Sub Steps gay disco song at the end. 27:25.806 --> 27:26.786 Have you ever seen The Wiggles? 27:27.386 --> 27:28.147 What do The Wiggles do? 27:28.567 --> 27:33.768 They're like a bunch of... It's four Australian blokes with their sweaters tucked into their trousers. 27:34.088 --> 27:34.348 Right. 27:34.448 --> 27:37.191 And they sing bad, bad songs. 27:37.952 --> 27:41.275 And, er, you should check out The Wiggles, cos that's pretty weird as well. 27:41.615 --> 27:50.764 There was a song at the end of the episode of, er, Lazy Town, I saw, that went, bing bang, biggle bong boo, silly words I sing when I am dancing, dancing. 27:51.164 --> 27:52.685 Duh-duh-duh-duh-duh-duh. 27:53.145 --> 27:53.345 Yeah? 27:53.445 --> 27:54.306 That sounds quite good. 27:54.326 --> 27:55.526 Does sound quite good, doesn't it? 27:55.546 --> 27:56.687 That's the new Sugar Babes single. 27:56.727 --> 27:58.408 Has anyone else seen LazyTown? 27:58.728 --> 27:59.348 Where's it from? 27:59.688 --> 28:02.870 They all speak... One of them's sort of French, one of them's American, one of them's English. 28:03.510 --> 28:03.850 Wow. 28:04.090 --> 28:04.811 Cosmopolitan. 28:04.931 --> 28:05.391 It's weird. 28:07.294 --> 28:07.855 Oh, wow. 28:07.875 --> 28:08.676 I really want to see it now. 28:08.736 --> 28:09.356 What time is it on? 28:10.077 --> 28:14.281 It's on in the morning, which is why I'm... So sometime before midday... I can't actually trust. 28:14.682 --> 28:15.503 No, I think about ten. 28:15.903 --> 28:16.023 Ten. 28:16.083 --> 28:18.405 I can't actually trust that I was fully awake when I was watching it. 28:18.486 --> 28:18.766 Yeah. 28:19.507 --> 28:22.009 OK, well, call us if you've seen LazyTown. 28:22.329 --> 28:25.292 We should play some adverts and then we'll be back for our second hour here on XFM. 28:35.111 --> 28:35.571 Yes, sir. 28:36.471 --> 28:37.912 Oh, that's scary, isn't it? 28:38.292 --> 28:40.312 The Dead Sixties with Ghostface Killer. 28:40.532 --> 28:44.533 So I should just say thanks to... We've been inundated with texts and emails about LazyTown. 28:44.573 --> 28:45.274 It does exist. 28:45.694 --> 28:45.914 Good. 28:46.314 --> 28:47.154 And it is mental. 28:47.854 --> 28:49.014 And a lot of people like it. 28:49.034 --> 28:50.495 A lot of people are frightened by it. 28:51.195 --> 28:52.855 Some people encourage their kids to watch it. 28:53.296 --> 28:54.316 Other people are worried about... 28:55.296 --> 28:57.537 the subliminal messages buried in LazyTown. 28:57.917 --> 29:08.983 But basically further research uncovers that it's created by a Finnish man called Magnus Scheving who took 12 years to develop the concept of LazyTown. 29:11.264 --> 29:16.507 Look, he is a world-class athlete, an actor and comedian, and he plays Sportacus, so he's in it. 29:16.947 --> 29:18.748 The guy that plays Sportacus actually created it. 29:19.128 --> 29:27.132 And it's on telly in 43 countries, and it, I quote, delivers pro-health and pro-social messages in an entertaining and non-violent way. 29:27.432 --> 29:28.332 That sounds ideal. 29:28.752 --> 29:29.433 It sounds very good. 29:29.453 --> 29:31.013 I've changed my mind about LazyTown. 29:31.314 --> 29:32.454 I think it should be encouraged. 29:32.674 --> 29:36.036 But while I was watching LazyTown, have you got my little CD there, Adam? 29:37.136 --> 29:37.657 Uh, yes. 29:37.797 --> 29:38.577 What number do you want? 29:38.737 --> 30:02.662 let's have to just try one while I was watching lazy town there was a commercial break and everyone knows that kids commercials are insane right kids commercials exist on a completely different level from adult commercials and the basic formula for a kid's commercial is to do kind of a pop song with lyrics that describe the product it's an amazing fortress 16 chambers of dungeons I'm just making it up 30:03.962 --> 30:05.143 Really fast, you know what I mean? 30:05.163 --> 30:09.166 And then at the end, the new dungeon, blalalalala, then a really fast bit of spiel at the end. 30:09.586 --> 30:12.348 So pretty much every kid's advert follows that formula. 30:13.169 --> 30:16.471 But there's one that takes that formula to new insane levels. 30:17.351 --> 30:20.113 And it's for a doll called Princess Alexa. 30:21.034 --> 30:24.676 And I've recorded this song, and I think it's the strangest song I've ever heard. 30:24.696 --> 30:29.640 And just to let you know what's happening on screen while this song happens, there's a tiny little girl 30:30.280 --> 30:36.264 maybe about three or four, who appears to have been either drugged or given alcohol to make her, you know, controllable. 30:36.745 --> 30:42.549 She's dressed up like a princess and she's pushing this crappy plastic pram, all done up with horrible little jewels. 30:43.209 --> 30:48.333 And in the pram is this horrible baby doll, all done up like an awful tacky princess. 30:49.213 --> 30:53.214 And it's advertising Princess Alexa, who's the doll, and her pram. 30:53.954 --> 31:00.096 So while this strange woozy little girl plays with the doll and the pram, this is the song that plays. 31:00.136 --> 31:04.157 And what I want you to tell me, listeners, is what the hell they're saying. 31:04.537 --> 31:06.358 What are they saying in this song? 31:06.558 --> 31:12.720 You can understand the first bit, but if you can understand what they're saying in the second bit, you're a better human being than me. 31:12.820 --> 31:13.260 Have a listen. 31:14.185 --> 31:29.677 My sweet Alexa You really are a princess Princess Alexa Know a beautiful brand made just for you With magical form that lights Nice for your music too 31:32.046 --> 31:32.866 What are they saying? 31:33.327 --> 31:36.268 I've listened to it so many times. 31:36.408 --> 31:40.349 To try and make it clear what they're saying, I've slowed down the salient bits. 31:40.409 --> 31:43.371 If you go to track two, here's the salient bit slowed down. 31:43.411 --> 31:46.312 See if this makes it any easier to work out what's being sung. 31:46.332 --> 31:55.355 No beautiful brand made just for you With magical warm-up lights No eyes for you, listen to me 31:59.582 --> 32:01.643 You talk about LazyTown scaring you. 32:02.303 --> 32:03.383 No wonder you're frightened. 32:03.403 --> 32:06.303 You just- My sweet Alexa, you really are a princess. 32:06.964 --> 32:08.004 Princess Alexa. 32:08.524 --> 32:09.364 And then what do they say? 32:09.584 --> 32:14.845 They say it's something about your special pran- with a special pran just for you. 32:14.885 --> 32:15.765 Play the first one once more. 32:15.885 --> 32:16.845 I'm gonna play the slow one. 32:16.865 --> 32:20.446 If you- if you at home can- can figure out what they're saying, give us a call. 32:20.466 --> 32:20.446 0 8 7 1 2 2 2 1 0 4 9. 32:22.066 --> 32:24.187 The fast one's impossible. 32:24.227 --> 32:24.947 I'll play the slow one. 32:24.987 --> 32:25.167 Hang on. 32:26.654 --> 32:36.781 You know what? 32:37.021 --> 32:38.962 I think they've done it like back masking. 32:39.363 --> 32:41.284 There's a satanic message in there, isn't there? 32:41.384 --> 32:41.904 Well, that's it. 32:41.984 --> 32:47.388 I think the satanic message is something about a pram just for you with magic and lights on it. 32:47.668 --> 32:51.853 Yeah, I tell you, because I really did listen to this about 400 times last night. 32:52.233 --> 32:53.415 Barry nearly drove me insane. 32:53.855 --> 32:57.479 What he's saying is, Now a beautiful pram made just for you. 32:57.499 --> 33:00.582 Now a beautiful pram made just for you. 33:01.203 --> 33:02.945 With magical crown that lights. 33:04.266 --> 33:06.087 With magical cram that lights. 33:06.748 --> 33:09.729 Okay, but the next bit I cannot figure out. 33:09.749 --> 33:13.411 Weis reusch nyap nyap music too. 33:14.452 --> 33:18.294 It's probably backwards, but it's, they're saying it's fun to smoke marijuana backwards. 33:18.314 --> 33:19.695 Can we hear the first one just once more? 33:19.715 --> 33:20.435 Okay, here we go. 33:20.695 --> 33:21.035 I love it. 33:23.861 --> 33:39.444 My sweet Alexa You really are a princess Princess Alexa Know a beautiful brand made just for you With magical fun that lights Nice for your music too 33:41.593 --> 33:43.475 There's something creepy going on there, listeners. 33:43.575 --> 33:45.156 Keep your children away from that advert. 33:45.677 --> 33:47.959 It says nice royal music too. 33:48.479 --> 33:49.600 Nice royal music. 33:49.861 --> 33:51.462 So the person singing it is Swedish. 33:51.502 --> 33:51.822 Yeah. 33:52.123 --> 33:54.665 And they've edited it to fit all that product information. 33:54.705 --> 33:57.928 They've edited every single breath of air from in between the words. 34:00.951 --> 34:02.052 Slightly counterproductive. 34:02.072 --> 34:03.153 That's genius. 34:03.533 --> 34:07.657 Just as a warning, apparently the Princess Alexa pram is rubbish and the wheels fall off. 34:08.337 --> 34:22.217 so in case you're in a store and that song is implanted a subliminal message to make you buy it don't that's your opinion that's my opinion we have to point out yeah it might be brilliant so here's a here's a uh a free play right now this is wire with a track called outdoor miner 34:28.323 --> 34:42.598 outdoor minor by wire this is adam and joe on xfm um we're here for another 40 minutes or so hey and thanks to everyone who's uh texted in suggestions for the lyrics to the princess alexa song we think it's something like 34:43.419 --> 34:47.723 With magical wand that lights... Lights for you and music, too. 34:48.203 --> 34:49.445 Basically, we still don't know. 34:49.825 --> 34:51.186 Magical walnut lights. 34:51.707 --> 34:52.848 It's not magical walnut. 34:52.868 --> 34:54.709 It sounds very light magical. 34:55.090 --> 34:57.732 They would have to... Walnut lights would be inherently magical. 34:58.193 --> 34:59.254 Yeah. 34:59.334 --> 35:00.895 Anyway, I don't think we're ever gonna know. 35:00.955 --> 35:03.818 And if we did know, we would uncover some hideous satanic conspiracy. 35:04.298 --> 35:14.287 Hey, have you ever noticed that BBC Two, maybe it's just my, um, sort of satellite box or whatever, but BBC Two, a lot of the audio is slightly out of sync. 35:15.563 --> 35:15.743 No. 35:16.023 --> 35:16.644 Haven't noticed that. 35:16.684 --> 35:17.384 Have you never had that? 35:17.505 --> 35:17.705 No. 35:17.725 --> 35:20.747 I'm sure- at first I thought I was losing my mind. 35:20.767 --> 35:23.389 Er, I noticed it with the Bob Dylan documentary. 35:23.409 --> 35:24.830 I'll tell you what it is. 35:24.870 --> 35:33.417 The shows they put out on BBC Two are slightly more intellectual, so it just might take you a second longer to- to work out what they're talking about. 35:33.637 --> 35:34.618 What is it? 35:34.778 --> 35:35.078 Math? 35:35.098 --> 35:36.820 Math is not moving at the same time. 35:36.840 --> 35:38.201 Tell us about Gordon Ramsay though. 35:38.681 --> 35:51.131 Because I've been seeing those appalling, well, you know, their Channel 4 seem to use the same photographer for their giant posters and they're always kind of... Sub... It's kind of sub-Pierre-Egile... Who's that American photographer? 35:51.151 --> 35:51.752 La Chapelle. 35:51.792 --> 35:53.313 Yeah, David La Chapelle. 35:53.513 --> 35:57.316 Sort of sub-La Chapelle, portmanteau things. 35:57.617 --> 36:01.299 This one's got, what's his face, in a bath of caviar. 36:01.320 --> 36:01.920 Gordon Ramsay. 36:03.922 --> 36:06.524 And it's advertising a show called The F Word. 36:06.544 --> 36:07.204 The F Word. 36:07.244 --> 36:10.227 And I didn't even think- cos I'm partly thick anyway. 36:10.287 --> 36:13.950 That's the way to get- basically put The F Word into the title of your product. 36:13.970 --> 36:15.971 That's the way to get attention these days. 36:16.011 --> 36:19.414 The idea- It's the same as most of Channel 4's advertising. 36:19.454 --> 36:24.418 Like their big campaign for more for was basically looked like a porn channel, didn't it? 36:24.918 --> 36:26.180 And then The F Word. 36:26.900 --> 36:30.644 I didn't even, you know, food was the last F word that I actually thought of. 36:31.425 --> 36:32.966 I didn't know what the hell was going on. 36:33.327 --> 36:36.530 But anyway, it's a very strange mishmash of a cookery show. 36:36.570 --> 36:44.439 It's like every single type of cookery thing that's ever been done on TV before mixed in to a great big stupid pot. 36:44.539 --> 36:46.741 You see, I'm using kind of a cooking analogy. 36:48.022 --> 37:10.861 Yeah similarly and it's it's really a Strange mess so what other things that have been used in cookery shows before well of course you've got your straight recipe Section yeah, it shows you how to cook something Yeah, so obviously that's there, but then that it's all set in a kind of mad futuristic space restaurant that they seem to have built somewhere and 37:11.301 --> 37:31.387 that's all white and very brightly lit and weirdly designed with strange balconies of Kind of it looks a bit like 2001 Wow mixed in with some brilliant some really bad nightclub or other and so then they have a celebrity diner and Last week it was Joan Collins Wow so Ramsey sits down and interviews the 37:31.587 --> 37:43.195 Collins, I don't know who thought that he would be a good person to interview anyone But anyway, so he sort of sits there asks her some boring questions She drives the whole thing pretty much single-handedly and he just sits there sort of going. 37:43.375 --> 37:43.655 Yeah. 37:43.755 --> 37:58.945 Yeah, right Okay, and then occasionally he'll go into the kitchen and literally they'll have a little Swearing fix of him just sort of shouting at a couple of his chefs for about 10 seconds for no reason just so you know, that's what the viewers love. 37:58.985 --> 37:59.205 Yeah 38:01.707 --> 38:02.548 Stir it more! 38:02.688 --> 38:04.890 Stir it in the other direction! 38:04.950 --> 38:07.612 Turn the heat up, you effing moron! 38:08.372 --> 38:14.017 And then he'll get back to interviewing someone else, or chatting to someone about some food-related issue. 38:15.137 --> 38:16.378 How do you clean your grill pan? 38:16.579 --> 38:22.143 And then they'll have a thing where he tries to... Do you wash the fat away, or do you scrape it into a paper towel? 38:22.423 --> 38:25.444 That's an interesting idea for a segment, yeah. 38:25.704 --> 38:34.386 But anyway, one of the things that struck me about it was that the straight recipe section, where he shows you how to cook something, seems to have been inspired by Get Stuffed. 38:34.546 --> 38:35.546 You remember Get Stuffed, right? 38:35.566 --> 38:41.828 Get Stuffed was a classic late night, possibly London only late night TV show made by a couple of students who became millionaires. 38:42.904 --> 38:43.904 Or so the rumour went. 38:44.365 --> 38:46.547 Well, it ran for about ten years or something, didn't it? 38:46.567 --> 38:47.568 And it was all shot on camcorders. 38:47.588 --> 38:52.953 They just ran into a sort of mini-market and bought some stuff, took it home, showed you how to cook it. 38:53.053 --> 38:58.038 And they would play sort of bad rock guitar behind it, really thin, reedy little guitar. 38:58.058 --> 38:59.359 It was like a punk cookery show. 38:59.500 --> 39:00.881 And it was like, yeah, we're gonna cook! 39:01.081 --> 39:03.123 And they'd show you how to cook really pretty basic things. 39:03.143 --> 39:04.944 Yeah, I think our listeners remember Get Stuffed. 39:05.965 --> 39:07.987 So basically it's the same. 39:08.047 --> 39:10.249 It's like, I'm gonna cook halibut. 39:10.789 --> 39:13.151 And then there's some rock music playing behind it. 39:13.591 --> 39:17.695 And then he just, well, I've done a little illustration for you to show you what it's like. 39:18.455 --> 39:19.796 So imagine Gordon cooking toast. 39:19.836 --> 39:20.977 We're gonna make some toast. 39:21.858 --> 39:23.379 Bread out of bag. 39:24.300 --> 39:25.241 Into toaster. 39:25.721 --> 39:26.762 Handle down. 39:27.383 --> 39:27.823 Draw. 39:28.684 --> 39:28.984 Knife. 39:29.905 --> 39:30.325 Draw. 39:30.866 --> 39:31.847 Toast pops up. 39:32.487 --> 39:33.268 Butter tub. 39:33.928 --> 39:35.130 Spread butter. 39:36.911 --> 39:37.311 Eat it. 39:38.297 --> 39:38.637 Yum. 39:39.117 --> 39:39.517 Toast. 39:40.938 --> 39:41.978 That's what it's like. 39:42.338 --> 39:43.199 I swear to you, no exaggeration. 39:43.219 --> 39:44.039 That's sexy and exciting. 39:44.119 --> 39:45.019 I want toast now. 39:45.979 --> 39:46.880 Well, maybe it works. 39:47.200 --> 39:49.141 But that's the formula they use on the F-word. 39:49.201 --> 39:49.521 Wow. 39:49.621 --> 39:55.062 It's pretty amazing just to sort of... Do they use sound effects on the knife being picked up? 39:55.082 --> 39:56.563 Because that's an area they could go to. 39:57.083 --> 40:11.411 yeah no it's all i'm illustrating that in an audio way in the on the tv show it's all fast cut shots of the food they're cooking in that kind of thing and but he literally just does that like punctuates it but with these kind of things like halibut slice it pepper 40:12.071 --> 40:13.212 He's angry about the halibut. 40:13.252 --> 40:14.634 He's furious and turned on. 40:14.654 --> 40:15.555 What's the halibut done to him? 40:15.575 --> 40:16.315 By the halibut. 40:16.355 --> 40:17.677 It's angered and aroused him. 40:18.698 --> 40:19.879 He's gonna have that halibut. 40:19.899 --> 40:21.761 Anyway, it's kind of a mystifying show. 40:21.801 --> 40:22.842 I look forward to watching it. 40:22.882 --> 40:23.422 That's brilliant. 40:24.063 --> 40:24.423 Toast. 40:24.824 --> 40:25.344 Toast. 40:25.565 --> 40:26.365 Let's play some music. 40:26.385 --> 40:27.346 Let's play some music. 40:27.386 --> 40:28.067 Who is it, Adam? 40:28.207 --> 40:28.768 Oh, I don't know. 40:28.788 --> 40:29.969 I think I might have put the wrong thing. 40:30.349 --> 40:30.990 Oh, Jesus. 40:31.030 --> 40:31.510 I don't know. 40:31.530 --> 40:32.592 I had the right thing all along. 40:32.852 --> 40:33.312 Quickly. 40:33.372 --> 40:34.433 It's hard fight. 40:34.614 --> 40:34.814 Hard... 40:41.843 --> 40:44.292 Hard fight, hard to beat, back off to this. 40:48.015 --> 40:48.475 There you go. 40:48.515 --> 40:53.816 That is the Magic Numbers with Love Me Like You. 40:53.836 --> 40:57.237 This is Adam and Joe on XFM this Saturday afternoon. 40:57.277 --> 40:59.398 It's almost time for Ditches in the Dark. 40:59.738 --> 41:00.578 Not quite yet. 41:01.758 --> 41:03.579 Should we say what the category is this week? 41:03.739 --> 41:04.159 Why not? 41:04.339 --> 41:05.619 We should have done fireworks. 41:05.659 --> 41:06.499 What were we thinking? 41:06.619 --> 41:07.960 Something firework-based. 41:08.140 --> 41:09.620 Instead, we've done what? 41:09.740 --> 41:10.560 Saxophones. 41:10.580 --> 41:11.840 Saxophones, isn't it? 41:12.040 --> 41:13.021 Saxophone night. 41:13.221 --> 41:13.421 No. 41:14.782 --> 41:19.427 Mind you, I can't think of that many fireworks-based songs, but I guess you could have something that was just vaguely gunpowder. 41:19.447 --> 41:20.348 Yeah, something with bangs. 41:20.669 --> 41:20.909 Yeah. 41:21.169 --> 41:21.650 And pops. 41:22.030 --> 41:22.591 Bangs and pops. 41:22.611 --> 41:26.475 You know, I think we've actually got to the bottom of the Princess Alexa song. 41:26.575 --> 41:26.816 Oh, yeah. 41:27.276 --> 41:29.179 With magical wand that lights. 41:30.322 --> 41:30.842 is what it is. 41:31.302 --> 41:33.403 And music too, so we now know all the lyrics. 41:33.703 --> 41:33.943 Good. 41:34.303 --> 41:34.543 Yeah? 41:34.763 --> 41:35.784 Are you going to say them for us? 41:35.804 --> 41:36.664 No, I'm not going to read them out. 41:36.824 --> 41:37.504 Unless you want me to. 41:37.524 --> 41:38.444 Why not? 41:38.464 --> 41:39.585 Because they're just gibberish. 41:40.365 --> 41:44.066 Now a beautiful pram made just for you with magical wand that lights. 41:44.246 --> 41:45.667 Oh, maybe there's still a bit that we don't know. 41:45.787 --> 41:46.427 We'll never know though. 41:46.907 --> 41:47.147 Well. 41:47.447 --> 41:50.448 And the other thing we should put to bed is whether we're going to go on this clip show. 41:50.828 --> 41:52.089 Yeah, what's the consensus? 41:52.109 --> 41:53.430 Well, just fill for a bit and I'll tell you. 41:53.610 --> 41:56.552 I mean, we had lots and lots of texts, but we've had lots since then. 41:56.992 --> 41:59.094 Mostly about LazyTown, so I've got to go earlier. 41:59.134 --> 42:00.795 OK, here's what I'm filling. 42:00.935 --> 42:04.638 Have you ever noticed that Guy Ritchie and Madonna are turning into Richard and Judy? 42:05.418 --> 42:05.659 No. 42:05.879 --> 42:06.159 Are they? 42:06.659 --> 42:07.640 In terms of appearance? 42:07.660 --> 42:07.980 Yeah. 42:08.561 --> 42:09.501 Have you ever? 42:09.902 --> 42:10.202 Yeah. 42:10.242 --> 42:10.582 Yeah. 42:10.742 --> 42:11.082 Yeah. 42:11.443 --> 42:15.105 Dude, I've turned into the turtle in fine emo. 42:16.746 --> 42:18.867 So what made you notice that? 42:18.967 --> 42:24.970 I just saw a photograph of them the other day and she looks like Judy Finnegan and he's turning into Richard Madeley. 42:25.391 --> 42:25.691 Wow. 42:25.911 --> 42:26.291 It's good. 42:26.851 --> 42:27.932 I think that's good. 42:27.952 --> 42:28.212 Well done. 42:28.232 --> 42:28.652 Nice filling. 42:29.033 --> 42:29.453 Thanks, Ben. 42:29.713 --> 42:31.194 The consensus is that we should do it. 42:31.954 --> 42:32.314 Oh, really? 42:32.534 --> 42:32.854 Yeah. 42:32.914 --> 42:33.495 I'm surprised. 42:34.375 --> 42:38.397 Uh, the main comment was, I think I said that would people think worse of us if we did it. 42:38.557 --> 42:41.738 Most people have texted in saying they couldn't possibly think any worse of us. 42:42.098 --> 42:42.318 Yeah. 42:42.678 --> 42:43.919 In a friendly sort of a way. 42:43.939 --> 42:44.199 Mm-hm. 42:44.579 --> 42:48.220 But, uh, most people think we should do it because, uh, nobody watches those things. 42:49.161 --> 42:51.842 It's really not as if there's much mystique to protect anyway. 42:52.375 --> 42:57.998 And the other good suggestion is, or the one good reason for not doing it is that we'll get to see other minor celebrities. 42:58.339 --> 42:59.919 We'll be forced to talk about our work. 43:00.220 --> 43:01.240 That'd be quite cool, wouldn't it? 43:02.241 --> 43:05.803 Find out what, finally find out what Jane Middlemas thought of that sketch. 43:05.823 --> 43:07.984 I can't believe she ever saw it. 43:08.204 --> 43:09.585 She's not a minor celebrity anymore. 43:09.625 --> 43:11.046 She's a major celebrity and she wouldn't have seen it. 43:11.066 --> 43:11.686 They'll give her a tape. 43:11.706 --> 43:12.467 Yeah, that's true. 43:12.487 --> 43:14.368 She'll watch it just before they film the interview. 43:14.608 --> 43:18.153 Have you, did we ever do one of those things where we actually hadn't seen what we were talking about? 43:18.173 --> 43:19.254 Because that's standard practice. 43:19.274 --> 43:23.359 You just go in there and you don't even watch the tape and you just kind of freestyle. 43:23.379 --> 43:26.824 You watch one clip, but you've never actually watched the whole program. 43:27.044 --> 43:30.228 And so you just talk about that one clip as if you're an expert. 43:30.508 --> 43:30.728 Yeah. 43:31.449 --> 43:32.150 I don't know. 43:32.170 --> 43:35.813 Um, OK, so, yeah, saxophone dishes in the dark. 43:35.833 --> 43:37.155 Shall we just get into it anyway? 43:37.375 --> 43:37.755 Why not? 43:37.875 --> 43:38.296 Why not? 43:38.316 --> 43:38.696 You know what? 43:39.096 --> 43:39.797 Oh, go on. 43:39.817 --> 43:40.738 What were you gonna say? 43:40.918 --> 43:43.080 I had trouble finding a saxophone-based song. 43:43.761 --> 43:44.381 Not sure mine. 43:44.722 --> 43:45.843 It's got a saxophone on it. 43:47.466 --> 43:48.647 Um, saxophone-based songs. 43:48.667 --> 43:49.348 There's so many. 43:49.388 --> 43:49.928 There's loads. 43:49.968 --> 43:52.370 You could have all sorts of Bowie stuff that's got saxophones in it. 43:52.390 --> 43:53.851 Well, Bowie was a saxophonist, wasn't he? 43:53.891 --> 43:54.191 Yeah. 43:54.331 --> 43:56.473 He was taught by a very famous saxophone player. 43:56.513 --> 44:00.096 In fact, he was taught by the guy that did the sax solo on Walk on the Wild Side. 44:01.277 --> 44:05.080 That guy was, apparently, I read on the internet, was Bowie's sax teacher. 44:05.120 --> 44:07.401 Yeah, but Bowie does all sorts of weird sax solos. 44:07.702 --> 44:08.763 Some quite bad ones. 44:09.663 --> 44:18.366 that he sort of excuses by saying they're mystical and Eastern at the end of, like, TVC15 has a particularly rambling sax solo at the end that goes slightly out of tune. 44:18.406 --> 44:19.466 Is there a sax solo on that? 44:19.646 --> 44:20.687 I think so, a little bit of sax. 44:20.927 --> 44:21.347 Maybe wrong. 44:22.727 --> 44:25.268 Yeah, he plays on Iggy Pop's albums as well, some weird sax. 44:25.348 --> 44:30.230 But I was gonna pick Soul Love by Bowie, cos that's got one of the nicest sax solos on it. 44:30.350 --> 44:32.592 Well, you could have had Careless Whisper as well, George Michael. 44:32.612 --> 44:34.313 I just don't think anyone would have voted for it. 44:34.873 --> 44:38.856 I mean, there are lots of bad choices, lots of Kenny G. I was thinking the theme from Benny Hill. 44:39.076 --> 44:42.178 That's got to be the biggest, most famous sax workout in the history of music. 44:42.618 --> 44:42.918 Yeah. 44:42.998 --> 44:44.499 You know that one. 44:44.760 --> 44:46.981 I almost brought in Ark of the Diver. 44:47.041 --> 44:48.502 Is it Ark of the Diver or Baker Street? 44:48.522 --> 44:50.063 Or have they both got sax on them? 44:51.044 --> 44:52.205 Baker Street's the famous one. 44:52.225 --> 44:52.825 I've never heard of it. 44:52.845 --> 44:53.686 What is Ark of the Diver? 44:55.356 --> 44:56.116 That's Baker Street. 44:56.216 --> 44:57.236 That's Baker Street, yeah. 44:57.756 --> 44:59.997 Ark of the Diver, maybe I'm insane about that one. 45:00.017 --> 45:00.797 That's a good song, though. 45:01.177 --> 45:05.018 Anyway, in the end, I brought in some Madness. 45:05.738 --> 45:06.278 Good choice. 45:06.378 --> 45:08.899 Because that is about as good as saxophone ever got, really. 45:08.959 --> 45:09.119 Yeah. 45:09.519 --> 45:12.979 Madness just went all crazy all over saxophone's arse. 45:12.999 --> 45:13.679 Well, it's true, isn't it? 45:13.720 --> 45:17.020 To make a saxophone sound good, you just don't do any sustained notes. 45:17.380 --> 45:17.460 Yeah. 45:17.480 --> 45:18.760 You sort of pump it like a trumpet. 45:18.941 --> 45:19.321 That's right. 45:19.461 --> 45:20.041 Pump it like a trumpet. 45:21.881 --> 45:24.122 Um, so I brought in, uh, One Step Beyond. 45:24.582 --> 45:25.062 Good choice. 45:25.422 --> 45:26.483 By, by Madness. 45:26.543 --> 45:28.443 I was nearly gonna bring in Nightboat Takara. 45:28.724 --> 45:28.984 Yeah. 45:29.024 --> 45:29.544 But I didn't. 45:29.564 --> 45:29.984 You didn't. 45:30.204 --> 45:31.244 What did you bring in instead? 45:31.385 --> 45:33.445 I brought in Pigbag, by Pigbag. 45:34.286 --> 45:44.009 Now, younger listeners might not know Pigbag, but they were, uh, like a very early 80s post-punk band, formed by a guy called Chris Hamlin, who went to the same art school as Adam here, Cheltenham Art College. 45:44.029 --> 45:44.209 Did he? 45:44.969 --> 45:47.830 Um, and Pigbag, you'll recognize it the moment you hear it. 45:47.890 --> 45:48.771 It's a fantastic, uh, 45:49.691 --> 46:06.637 uh sort of sort of scar song isn't it with a really driving beat and a really nasty dirty bass riff and a honky tonky saxophone on it and it's just brilliant um and coincidentally enough it's one of the tracks that features on the cd we're giving away to everybody who gets on air 46:07.557 --> 46:08.378 for Ditties this week. 46:08.398 --> 46:09.399 It's called Going Underground. 46:09.739 --> 46:18.625 It's a two CD compilation of kind of, how would you describe the music of The Jam, The Undertones, The Police, Elvis Costello, Squeeze, The Specials and Madness, Two Tones, Scar. 46:19.045 --> 46:21.427 So the new wavy, yeah, that sort of business. 46:21.447 --> 46:23.248 But Pigbag's on there, track five. 46:23.568 --> 46:26.110 And so that's what I'd like you to vote for, Pigbag by Pigbag. 46:26.330 --> 46:27.691 So what ever happened to Pigbag then? 46:28.051 --> 46:29.072 They just split up, I think. 46:29.112 --> 46:33.615 They could never really match the catchiness of that one single. 46:33.635 --> 46:36.257 You know, some bands almost record a track that's so good. 46:37.497 --> 46:38.298 They're doomed. 46:38.398 --> 46:39.858 They're sort of doomed, you know what I mean? 46:40.098 --> 46:45.740 And Pig Bag is just an incredible track and it still sounds as fresh as it did 25 years ago. 46:45.760 --> 46:51.582 They were contemporaries of the Higgsons, I think, Charlie Higgson's band, who sounded a little bit similar. 46:52.023 --> 46:53.783 It was kind of funky, punky. 46:53.803 --> 46:55.304 Yeah, yeah. 46:55.324 --> 46:55.744 It was good. 46:56.024 --> 47:00.866 But basically, it's two really solid post-punk, scar-ish tracks in Ditties. 47:01.187 --> 47:04.728 Pigbag by Pigbag, and from Adam, One Step Beyond by Madness. 47:04.929 --> 47:06.449 So call 0871 222 1049. 47:07.350 --> 47:10.271 Everybody who gets on air wins a copy of the Going Underground compilation. 47:10.471 --> 47:10.932 Call now! 47:22.375 --> 47:23.055 Sorry about that. 47:23.095 --> 47:24.536 Forgot to actually play the song there. 47:25.097 --> 47:25.617 Nod it off. 47:26.838 --> 47:27.818 This is Block Party. 47:32.141 --> 47:32.741 Oh, look at that. 47:33.342 --> 47:35.243 It's gone all Armageddon outside. 47:35.303 --> 47:37.044 It was a beautiful sunny morning this morning. 47:37.304 --> 47:39.245 Now there is no natural light. 47:39.546 --> 47:40.906 Armageddon time. 47:40.987 --> 47:43.108 Nails are falling from the sky at speed. 47:43.288 --> 47:44.269 Not actually raining, though, is it? 47:44.549 --> 47:44.829 Don't know. 47:44.929 --> 47:47.010 They say it's going to be rainy tonight for fireworks night. 47:47.571 --> 47:48.011 Aw. 47:48.091 --> 47:48.631 Oh, dear. 47:48.711 --> 47:49.112 I take it. 47:49.332 --> 47:51.173 Before we polish off Dizzies in the Dark, 47:51.653 --> 47:56.777 I just want to say a few thank yous to some of the people that have communicated with us over the last couple of weeks. 47:57.337 --> 48:03.302 Thanks, obviously, to everyone who's emailed us, but thanks a lot to Christine for this amazingly interesting email, which I probably shouldn't read out. 48:03.322 --> 48:04.583 You shouldn't say too much about it. 48:04.603 --> 48:08.325 Christine emailed us about one of the people that was in our 20% free 48:09.406 --> 48:17.369 One of the people that happened to be in the shop there, she knows all about him and he's got a fairly extraordinary, rather disturbing story, which we probably shouldn't read out. 48:17.389 --> 48:19.229 But thanks a lot for the email, Christine. 48:19.849 --> 48:23.170 And thanks to Theo and Max, who got in touch with me the other day. 48:23.250 --> 48:24.791 They found my details on my 48:25.271 --> 48:51.409 on my website and sent me a very nice letter saying they enjoy the show and I did an interview with them for their website which is all about animals it was very bizarre and they sent me a copy of Dunstan Checks In to say thank you oh that's a good film yeah so thanks a lot Theo and Max and thanks a lot as well children Theo and Max I don't know they could be any age all right thanks a lot as well to the guy did you see the guy last weekend who was waiting outside for us with a top hat on yes the band and a guitar yeah 48:52.009 --> 48:53.550 And his band was called Something Hammer. 48:53.790 --> 48:56.531 I failed to write it down properly as I left the house. 48:56.551 --> 48:57.531 I'm really sorry about that. 48:57.551 --> 48:58.571 But if you're listening, thanks a lot. 48:58.611 --> 49:00.392 I really liked your album. 49:00.452 --> 49:06.374 Probably can't play any of it because then it'll be encouraging all sorts of people just to give me stuff which I won't be able to play. 49:06.814 --> 49:07.734 But I really liked it. 49:08.035 --> 49:08.735 So thanks for that. 49:08.795 --> 49:11.956 And, you know, if anyone ever wants to send us stuff, they're more than welcome. 49:12.756 --> 49:12.916 Right. 49:12.936 --> 49:14.777 So let's polish off Ditties in the Dark right now. 49:18.379 --> 49:23.541 This week it's Madness versus Pig Bag, and we've got five callers on the line. 49:24.061 --> 49:31.024 Everyone who calls wins a copy of Going Underground, which is a great 2CD sort of music compilation. 49:31.644 --> 49:32.284 Well-sold! 49:32.504 --> 49:32.805 Thanks. 49:32.925 --> 49:33.185 Nice. 49:33.465 --> 49:34.505 So, should we go to Gail first? 49:34.545 --> 49:34.845 Yes. 49:35.125 --> 49:35.606 Hey Gail. 49:35.786 --> 49:36.646 Hello, good afternoon. 49:36.906 --> 49:37.486 How are you doing? 49:37.746 --> 49:39.067 Very well, thank you, and you too. 49:39.267 --> 49:39.687 Well, fine. 49:39.747 --> 49:41.708 What are your plans for fireworks night, Gail? 49:42.265 --> 50:01.622 very boring stealing babysitting the dog really because he's terrified i'll protect the dog i have to protect the dog so i'll be armed with beer for myself and some special oils to go in the dog's drink to knock him out are you one of these women that lets dogs lick you all over your face oh thank goodness i was really worried there for a second i didn't know which way that was gonna go 50:02.322 --> 50:04.184 OK, what, you mean like... What's her answer? 50:04.364 --> 50:07.947 She said no, like Sharon Osbourne and Osbourne, yeah. 50:08.107 --> 50:10.910 Oh no, no baby talk, no face licking, none of that. 50:10.990 --> 50:12.031 Just treat it like a dog? 50:12.271 --> 50:12.531 Yeah. 50:13.111 --> 50:13.772 Quite right, well done Gail. 50:13.792 --> 50:14.773 Treat it like the dog that it is. 50:15.073 --> 50:15.794 So what's your vote? 50:16.374 --> 50:16.835 Madness. 50:17.115 --> 50:19.057 Baby, one step beyond. 50:19.117 --> 50:22.159 Thanks very much indeed for calling Gail, have a good evening with your dog. 50:22.640 --> 50:23.861 And Martin, how are you doing? 50:24.286 --> 50:25.447 All right, thanks, how are you? 50:25.467 --> 50:26.548 Yeah, good, thank you very much. 50:26.949 --> 50:27.769 What are you up to tonight? 50:27.789 --> 50:29.371 Are you going to any exciting parties? 50:29.871 --> 50:31.353 I'll be working in the kitchens tonight. 50:31.673 --> 50:31.973 Are you? 50:32.234 --> 50:33.495 Whereabouts in the kitchens are you? 50:33.955 --> 50:35.457 I have a kitchen pause, I did a washing up. 50:35.757 --> 50:37.218 KP, potwash. 50:37.279 --> 50:38.039 Well done, Martin. 50:38.219 --> 50:38.700 Misery. 50:38.940 --> 50:40.301 Have a good night anyway, Martin. 50:40.782 --> 50:42.504 And what are you going to vote for? 50:42.544 --> 50:43.665 Is it madness or pig bag? 50:43.965 --> 50:44.726 I'm going for madness. 50:45.302 --> 50:46.243 Ooh, two for madness. 50:46.263 --> 50:47.704 Two for hell, not looking good for Cornish. 50:47.724 --> 50:50.987 You know, I thought it was gonna be a walkover for Pigbag, cos it is an amazing song. 50:51.247 --> 50:52.288 Pauline, are you there? 50:52.748 --> 50:53.388 Yeah, hi. 50:53.669 --> 50:54.830 Hello, how you doing? 50:55.210 --> 50:56.151 I'm good, thank you. 50:56.351 --> 50:57.111 Plans tonight? 50:57.131 --> 50:58.212 Anything we can join in with? 50:58.833 --> 51:01.154 I'm going to a party, a firework party. 51:01.495 --> 51:02.616 Private or public? 51:03.256 --> 51:03.696 Private. 51:04.137 --> 51:04.577 Really? 51:05.057 --> 51:05.198 Yes. 51:05.438 --> 51:08.320 Are they gonna have spent a lot of money on fireworks, or is it gonna be a bit measly? 51:08.860 --> 51:11.022 No, no, they normally do really, really good shows. 51:11.042 --> 51:11.242 Do they? 51:11.262 --> 51:12.143 What are their first names? 51:15.154 --> 51:17.937 Anthony and Mandy's fireworks party is always a lavish affair. 51:18.658 --> 51:20.680 They spent so much money on fireworks. 51:20.700 --> 51:22.541 Do you remember what happened last year? 51:22.561 --> 51:26.665 Really? 51:26.705 --> 51:27.987 He goes over to Eastern Europe? 51:28.147 --> 51:31.290 Anthony's fireworks were so large last year that he lost a hand. 51:31.670 --> 51:37.756 He'd lost a hand the previous year, so now he has no hands, but he has the finest firework display in the whole of the London area. 51:37.776 --> 51:40.598 Is there anybody who, like, custom makes fireworks? 51:40.618 --> 51:46.623 Like, Adam and me, when we used to make our little toy films, we used to slice up fireworks and create pyrotechnics. 51:46.643 --> 51:51.686 Well, that's the only way we could reconstruct the sinking of the Titanic or Savory Private Ryan. 51:51.706 --> 51:53.688 We nearly died on a number of occasions. 51:53.748 --> 51:55.309 Of course, we don't encourage anybody to do that. 51:55.609 --> 51:58.151 But someone there in London must sort of splice fireworks. 51:58.731 --> 52:00.132 Don't encourage anyone, man. 52:00.213 --> 52:00.473 OK. 52:00.533 --> 52:01.153 I'm not encouraging. 52:01.193 --> 52:02.134 I'm saying that's a bad idea. 52:02.254 --> 52:05.757 Pauline, are you going to vote for pig bag or for madness? 52:06.537 --> 52:25.155 pig bag back from the dead okay two ones still to madness have a good time tonight pauline please please be careful yes don't mess with fireworks ali how you doing there are you well i am very well thank you good what about you tonight ali what what's going down up your alley 40th birthday party 52:27.256 --> 52:28.317 Not sure about the fireworks. 52:28.478 --> 52:31.541 They're sure to be fireworks, but maybe not of the incendiary kind. 52:31.561 --> 52:32.803 Emotional fireworks. 52:32.823 --> 52:34.085 Emotional fireworks. 52:34.105 --> 52:35.006 Midlife crisis. 52:36.808 --> 52:37.829 Look at Catherine. 52:38.230 --> 52:40.192 She's spinning like a wheel. 52:40.212 --> 52:41.394 Oh dear. 52:41.714 --> 52:42.756 Ali, are you still with us? 52:43.016 --> 52:43.296 I am. 52:43.496 --> 52:44.398 What are you voting for? 52:44.918 --> 52:45.519 Pig bag, please. 52:45.859 --> 52:47.280 Ooh, it's exciting! 52:47.360 --> 52:49.242 It's a knife edge, a cliff edge. 52:49.322 --> 52:50.563 Thanks, Ali, have a good time tonight. 52:50.603 --> 52:53.045 Don't drink too much and cause problems. 52:53.165 --> 52:54.587 It's all down to Dave. 52:54.827 --> 52:55.147 Dave? 52:55.688 --> 52:56.188 Hello? 52:56.288 --> 52:57.289 Hello, Dave. 52:57.309 --> 52:58.330 Hello. 52:58.570 --> 53:00.011 OK, don't tell us what you're voting for yet. 53:00.031 --> 53:02.754 We can spin this out just like a top ITV game show. 53:04.015 --> 53:05.016 What are you up to tonight, Dave? 53:05.860 --> 53:07.942 I'm going to Cheltenham for a firework policy. 53:08.182 --> 53:08.562 Really? 53:08.962 --> 53:11.084 To Cheltenham the place, not the football club. 53:11.104 --> 53:12.045 What am I talking about? 53:12.365 --> 53:13.546 Of course there's only the place. 53:14.026 --> 53:14.887 Where else could you be going? 53:14.907 --> 53:19.070 I don't know, my brain is really in a bad, bad situation. 53:19.090 --> 53:20.030 Cheltenham the idea? 53:20.331 --> 53:22.392 Yeah. 53:23.533 --> 53:23.853 Dave? 53:23.913 --> 53:25.514 What sort of a fireworks display will it be? 53:26.075 --> 53:26.955 I really don't know. 53:27.135 --> 53:29.737 Why are you going all the way to Cheltenham for a fireworks display? 53:29.757 --> 53:31.779 I used to live in London, it moved out. 53:32.148 --> 53:33.229 Well, make them come to you. 53:33.349 --> 53:34.490 Fireworks are better in London. 53:34.650 --> 53:37.411 Kids have got them tied to their hands and ears and feet. 53:38.332 --> 53:42.975 They're running down the street, posting them through letterboxes, hurling them at policemen and blowing up cars. 53:42.995 --> 53:44.776 They are around where we live, aren't they? 53:44.796 --> 53:47.218 The world does basically go mad for this month, doesn't it? 53:47.438 --> 53:48.538 Yeah, it's like Lebanon. 53:48.558 --> 53:49.279 But not in Cheltenham. 53:49.319 --> 53:50.800 Cheltenham's a more civilised area, right? 53:51.540 --> 53:52.041 Absolutely. 53:52.701 --> 53:53.862 So, Dave, come on. 53:54.062 --> 53:54.742 What's it gonna be? 53:54.762 --> 53:55.603 Spin it out a little bit. 53:55.903 --> 53:56.704 Tease us a little bit. 53:57.224 --> 53:58.685 Is it gonna be madness or pig bag? 53:59.662 --> 54:03.885 As much as I would like to hear Pigback, which I've never heard of, I'm going to go. 54:04.105 --> 54:05.346 Oh, he's going for the madness. 54:05.907 --> 54:07.488 Thanks very much for your call, Dave. 54:07.508 --> 54:08.389 Have a good time tonight. 54:09.309 --> 54:09.990 Sorry, man. 54:10.230 --> 54:10.831 That's OK. 54:10.911 --> 54:13.613 I'll just bring in, you know, less interesting records. 54:13.653 --> 54:14.633 You're not doing very well. 54:14.693 --> 54:19.157 Well, listen, I do want to play a snatch because Dave said he'd never even heard the Pigback. 54:19.177 --> 54:19.697 That's the thing. 54:19.717 --> 54:21.539 I've just got to bring in better known records. 54:21.559 --> 54:21.799 Yes. 54:23.600 --> 54:24.341 Listen, Pigback. 54:26.618 --> 54:27.099 Remember this? 54:27.159 --> 54:28.422 Come on, folks, you've got to remember this one. 54:28.442 --> 54:29.284 This is what you passed up. 54:29.965 --> 54:30.767 Hey, but this is wrong. 54:30.827 --> 54:31.228 Take it off. 54:31.488 --> 54:31.749 OK. 54:31.789 --> 54:32.471 If you lose, you lose. 54:32.491 --> 54:33.613 We didn't even get the riff there. 54:35.397 --> 54:36.078 It's very famous. 54:38.673 --> 54:40.295 That's what you're missing. 54:40.315 --> 54:41.296 Take it off instead. 54:41.356 --> 54:42.957 Man, who is also a fantastic track. 54:43.057 --> 54:44.378 Yeah, you can't really go wrong with this. 54:44.478 --> 54:48.802 Hey, listen, thanks very much indeed, everybody, for listening and for getting in touch with us this week. 54:48.822 --> 54:51.845 Yeah, thanks to everyone who's emailed and texted and phoned. 54:51.865 --> 54:53.006 So we're gonna do the interview, right? 54:53.427 --> 54:54.027 Well, I think so. 54:54.047 --> 55:00.173 We'll have another look over the texts and find out what the consensus was, but I think we probably will. 55:00.333 --> 55:00.974 We'll see you next week. 55:00.994 --> 55:05.520 We're gonna leave you in Marsha's capable hands, cos Justin Lee Collins is chasing the A-team in Los Angeles. 55:05.540 --> 55:06.501 I don't know what the hell he's doing. 55:06.922 --> 55:07.883 But we'll see you next week. 55:07.943 --> 55:08.484 Love you, bye! 55:08.564 --> 55:08.884 Hey, you! 55:10.246 --> 55:11.268 Don't watch that! 55:11.628 --> 55:12.149 Watch this!