WEBVTT 00:00.229 --> 00:04.710 Today from 2 I'm in a cave with Nick Caine. 00:05.050 --> 00:05.510 G'day mate. 00:06.390 --> 00:10.391 From midday I'm on like a terrible phone line. 00:10.851 --> 00:15.172 But now it's Adam and Jo. 00:15.252 --> 00:18.813 This is the voice of the big British castle. 00:18.833 --> 00:22.354 Adam and Jo are back on your digigram. 00:22.634 --> 00:25.975 They've been bouncing round and round outside the castle walls. 00:32.025 --> 00:35.868 That's Morrissey there with the Smiths and this charming man. 00:36.409 --> 00:39.952 And this charming man is Adam Buxton. 00:40.392 --> 00:42.074 I can't speak for Joe. 00:42.094 --> 00:43.575 I don't think he's in any way charming. 00:43.615 --> 00:44.736 I'm not charming, no. 00:45.497 --> 00:46.277 But my name's Joe. 00:46.337 --> 00:46.978 Hello, listeners. 00:47.118 --> 00:50.541 Welcome to Saturday morning here on BBC Six Music. 00:50.881 --> 00:52.803 We're Adam and Joe, and we're back. 00:53.123 --> 00:54.743 We've been away for a very long time. 00:55.104 --> 00:56.504 I've found a new way of speaking. 00:57.024 --> 00:59.525 Yeah, you've got a weird chesticle infection. 00:59.985 --> 01:01.465 Yeah, I've got problems with my chesticles. 01:01.545 --> 01:03.026 Are both your chesticles infected? 01:03.186 --> 01:05.306 I think they might. 01:05.326 --> 01:06.787 They're looking particularly withered. 01:06.827 --> 01:07.947 Yeah, they are, aren't they? 01:08.267 --> 01:11.188 They're feeling very gluey and hanging quite low. 01:11.548 --> 01:15.629 But the good thing about it is that I now sound like Chuck Bass. 01:15.649 --> 01:19.490 Do you think there are doctors that could diagnose you purely on the basis of your voice? 01:20.427 --> 01:21.448 Oh, I wonder if they could. 01:21.488 --> 01:30.692 Well, if there's anyone out there listening... If there's a chess doctor listening, I mean really good chess doctors probably can, because they usually listen through a stethoscope, but over the years you don't need the stethoscope, your hearing develops. 01:31.112 --> 01:32.652 What about a chess doctor? 01:33.393 --> 01:34.253 Would they be any good? 01:34.393 --> 01:35.574 Right, like the game of chess. 01:35.634 --> 01:35.894 Yeah! 01:37.235 --> 01:38.836 It depends if you've swallowed a pawn. 01:39.316 --> 01:39.736 Right. 01:40.457 --> 01:42.158 I have done over the years. 01:42.178 --> 01:42.999 A couple of pawns. 01:43.019 --> 01:46.021 So yeah, it's lovely to be back with you listeners. 01:46.121 --> 01:46.961 We've really missed you. 01:47.202 --> 01:50.824 We should thank the fantastic DJs who filled in for us as well, shouldn't we? 01:50.844 --> 01:54.667 Well, no, that's even kind of a tiny bit patronising filled in for us. 01:54.807 --> 01:57.969 Yeah, because they've been sort of on Six Music longer than we have, more or less. 01:58.189 --> 01:58.749 Andrew Collins. 01:58.769 --> 02:00.830 They've crushed us with their superior DJing skills. 02:01.030 --> 02:03.611 And the mighty rich, yeah. 02:03.932 --> 02:07.513 And thank you so much to both of you for being here. 02:07.533 --> 02:10.455 Yeah, and sorry to anybody who resents us returning. 02:10.475 --> 02:11.035 Yeah, that's true. 02:11.795 --> 02:17.858 Because, you know, we understand that they've got a loyal following now that we are coming in and whittling all over with. 02:17.958 --> 02:18.699 But do you know what? 02:19.319 --> 02:24.862 We've got, not only do we have quite a lot of following, we've actually got a sort of military sleeper cell. 02:25.162 --> 02:25.822 Do you remember? 02:25.982 --> 02:26.542 Yeah, of course. 02:26.822 --> 02:31.144 And we might awaken that military sleeper cell in the next link. 02:31.184 --> 02:34.666 You know, I mean, you can't help noticing that the world has gone slightly awry. 02:35.286 --> 02:39.830 since we've been away, and that's because the squadron, I think, have been dormant. 02:39.850 --> 02:42.732 But we're going to wake them up, and we're not going to pussyfoot. 02:43.452 --> 02:44.633 We're not going to soft pedal. 02:45.374 --> 02:54.641 We are going to introduce and unveil a quite hardcore squadron command that's going to be a bit like getting up at 3.30 in the morning and jumping into a freezing cold lake. 02:54.881 --> 02:55.762 Do you know what I mean? 02:56.002 --> 02:57.103 Short, sharp shock. 02:57.143 --> 02:57.803 Shock to the system. 02:57.823 --> 02:58.544 In at the deep end. 02:58.644 --> 02:59.004 Like it. 02:59.184 --> 03:01.806 So stand by if you're a squadron member. 03:02.287 --> 03:03.668 You're about to be reawakened. 03:04.028 --> 03:05.890 But first, we're going to play some more music. 03:06.390 --> 03:08.692 We're going to ease ourselves slowly into this show, right? 03:08.712 --> 03:12.055 I mean, it's the first time back I've hardly seen Joe in the last year or something. 03:12.616 --> 03:13.837 He's been away. 03:14.197 --> 03:15.679 Hiding behind a pillar. 03:15.859 --> 03:17.260 He's been hiding behind a pillar. 03:17.440 --> 03:21.404 I've been working with Jennifer Aniston a great deal on a lot of her new movies. 03:21.424 --> 03:22.425 Hiding behind a pillar. 03:22.845 --> 03:26.569 And what, a pillow or an actual pillar? 03:27.109 --> 03:30.533 Um, so yeah, you know, we're just going to take it easy and relax. 03:30.573 --> 03:33.116 So I hope you're ready for a nice, relaxed show. 03:33.136 --> 03:34.238 Here's Vampire Weekend. 03:34.258 --> 03:35.058 They're giving up the gun. 03:35.119 --> 03:35.279 Good. 03:50.054 --> 03:52.315 Went to bed at a reasonable hour. 03:52.675 --> 03:55.116 Gotta be sharp on Saturday morning. 03:55.436 --> 03:59.478 That's the secret of the squadron's power. 04:01.499 --> 04:03.660 Boy, that jingle's beginning to sound a little dated. 04:03.860 --> 04:07.702 Do you think I think it's the latest up-to-date grime sounds of the streets? 04:07.722 --> 04:08.242 Do you reckon? 04:09.202 --> 04:13.584 And also, I feel as if I don't really fit into that Black Squadron category. 04:13.604 --> 04:16.446 I didn't go to bed at a reasonable hour last night, you know. 04:16.466 --> 04:18.486 I mean, I was all keyed up and ready for the show. 04:18.506 --> 04:19.287 Which time did you go to bed? 04:19.787 --> 04:20.667 Well, about 12.30. 04:21.648 --> 04:21.968 Really? 04:22.048 --> 04:23.089 Yeah, that's dangerous. 04:23.109 --> 04:24.069 It's pretty late, isn't it? 04:24.229 --> 04:24.649 Sexy. 04:25.029 --> 04:25.830 It is a little bit sexy. 04:25.850 --> 04:26.630 I mean, it's naughty. 04:26.910 --> 04:27.390 Sure it is. 04:27.691 --> 04:28.851 I was going to go to bed at around 10. 04:29.111 --> 04:30.592 I thought, I won't go to bed any later than 10. 04:31.412 --> 04:39.856 And I'll have one glass of wine, and I'll write my notes for the show tomorrow, and I'll do a couple of jingles for the podcast, and then I'll go to bed after this glass of wine. 04:40.985 --> 04:41.826 One bottle later. 04:43.407 --> 04:45.268 I'm looking forward to hearing the boozy jingles. 04:45.488 --> 04:46.489 Yeah, I did a really boozy. 04:46.509 --> 04:47.849 The boozy chest infection jingles. 04:48.210 --> 04:52.592 I did a really boozy jingle, which I'll play you later on because it's just boozy jingles. 04:52.832 --> 04:55.774 That's the name of the Daily Telegraph's theatre correspondent, isn't it? 04:56.095 --> 04:57.035 That's the gossip correspondent. 04:57.055 --> 04:58.576 The gossip correspondent, of course. 04:58.596 --> 04:59.477 Boozy jingles. 04:59.557 --> 05:00.597 How do you like my new laugh? 05:00.637 --> 05:01.238 I'm like Muttley. 05:02.538 --> 05:03.118 That's good. 05:03.678 --> 05:04.399 That's exciting. 05:04.699 --> 05:06.159 It's exciting having a chest infection. 05:06.179 --> 05:07.139 It's like a new you. 05:07.980 --> 05:12.901 You know, Women's magazine should do big spreads about chest infections, you know, and how you can reinvent yourself. 05:12.921 --> 05:13.582 Big chest spreads. 05:13.842 --> 05:14.062 Yeah. 05:14.322 --> 05:15.162 I think that's a great idea. 05:15.202 --> 05:17.203 Actually, those are different women's magazines. 05:17.283 --> 05:18.743 We were in a women's magazine, man. 05:19.023 --> 05:20.364 My wife's happiest moment. 05:20.424 --> 05:21.724 Not a women's magazine. 05:21.964 --> 05:23.485 The women's magazine. 05:24.205 --> 05:29.887 She came over to me with a big grin on her face and she was looking all proud as if I'd just won a knighthood. 05:31.347 --> 05:38.490 And she presented her latest copy of Grazia to me and opened it up to the relevant page and there our stupid faces were. 05:38.710 --> 05:41.752 Number two in their list of things to get excited about. 05:41.892 --> 05:44.913 I thought we'd insulted Grazia quite roundly in our song wars. 05:45.854 --> 05:48.275 We never miss an opportunity to insult Grazia. 05:48.335 --> 05:48.795 They love it. 05:48.955 --> 05:50.315 And their lady brain rotting ill. 05:51.936 --> 05:54.037 Well, we're very flattered and God bless them. 05:54.337 --> 05:56.258 Listen, it's time for a Black Squadron command. 05:56.278 --> 05:58.899 Do you think we need to explain what Black Squadron is? 05:59.299 --> 06:00.160 I don't think we do. 06:00.794 --> 06:02.794 No, I mean, they're an elite listening force. 06:03.275 --> 06:07.936 In the jingle it explained, these are the people that joined the show early, you know? 06:07.956 --> 06:09.756 Especially in the first half hour. 06:09.816 --> 06:17.798 Because people, especially on a Saturday, the stragglers might get up later after a night of boozing and then join the show maybe around 11 or even midday. 06:18.098 --> 06:22.079 But Black Squadron are there from 10am until 10.30 when they can stand down and have a toffee. 06:26.500 --> 06:26.780 Right. 06:26.941 --> 06:28.261 That's an exciting incentive. 06:28.622 --> 06:33.005 But we're going to give Black Squadron a command, and the command is going to be three or four words. 06:33.045 --> 06:34.066 It's a simple instruction. 06:34.406 --> 06:39.029 What you have to do is then take a photograph of yourself executing the command. 06:39.590 --> 06:39.810 Right? 06:40.190 --> 06:41.771 And then you have to send us that photo. 06:42.171 --> 06:45.874 You can email it to adamandjo.6musicatbbc.co.uk. 06:46.535 --> 06:47.735 That's Adam A.N.D. 06:47.816 --> 06:48.096 Jo. 06:48.616 --> 06:48.836 Yeah? 06:49.036 --> 06:49.837 Not an ampersand. 06:49.877 --> 06:50.558 Not an ampersand. 06:52.959 --> 06:57.501 Or you can text us on 64046, and it's a sort of a photo race. 06:57.741 --> 06:58.161 Sure it is. 06:58.341 --> 07:04.464 Like, we judge the photos on the basis of speed and quality, and the best ones will go up on our website. 07:04.504 --> 07:07.786 And remember, by sending us the photo, you abandon all rights. 07:08.046 --> 07:08.706 All legal rights. 07:08.786 --> 07:12.147 All legal rights to that photo that can be used by the BBC for anything. 07:12.288 --> 07:16.569 We might publish a... We might publish. 07:16.609 --> 07:17.690 We're my publish. 07:18.130 --> 07:22.693 A really bad book of all the photos with them inside. 07:23.094 --> 07:24.815 So that's what might happen. 07:24.955 --> 07:32.981 Or we might just spend lots of our own personal money plastering it over buses with a giant word idiot hole on it. 07:33.821 --> 07:35.743 We're well within our rights. 07:35.843 --> 07:36.984 Legal rights, exactly. 07:38.205 --> 07:47.832 Also, the other thing I should tell you, listeners, while Joe isn't listening, is that he gets very competitive and upset if the number of photos that come in isn't up to scratch, right? 07:48.272 --> 07:52.515 So the record, I think, is around 150 photos for a Black Squadron command. 07:52.836 --> 07:56.819 And if the numbers are straggling, if it's like in the 50s or something, Joe gets very moved. 07:56.979 --> 07:58.200 But this is a tough command. 07:58.220 --> 08:00.001 I mean, this isn't an easy command. 08:00.041 --> 08:01.002 This is in at the deep end. 08:01.542 --> 08:02.563 So that's asking a lot. 08:02.823 --> 08:03.043 Sure. 08:03.743 --> 08:04.784 But that's what you're like, huh? 08:04.804 --> 08:05.584 Go on then, Chris Searle. 08:05.784 --> 08:06.564 OK, here we go. 08:06.604 --> 08:10.626 So we're going to give you the command and immediately a record is going to kick in that's your free player. 08:10.706 --> 08:20.511 Yeah, I'm going to play you a bit of an instrumental smash from the Ninja Tunes remix album that came out on their 20th anniversary double CD, which I highly recommend last year. 08:20.851 --> 08:22.151 And it's by Two Fingers. 08:22.212 --> 08:23.532 It's called Fool's Rhythm. 08:23.552 --> 08:27.454 And I hope you'll enjoy it and groove around in a sexy, modernistic way when you hear it. 08:27.794 --> 08:29.975 Okay, Standby Black Squadron, here comes your command. 08:30.035 --> 08:31.535 The text number is 64046. 08:31.795 --> 08:34.636 The email adamandjo.6musicapbbc.co.uk. 08:34.956 --> 08:37.717 The command is... Leaning Tower of Stuff! 08:38.057 --> 08:40.158 That's George Clinton with his atomic dog. 08:40.418 --> 08:41.979 It's a very dangerous kind of a dog. 08:42.319 --> 08:44.980 There used to be a dog around this studio, didn't there? 08:45.000 --> 08:45.760 Do you remember at all? 08:46.380 --> 08:46.720 Yes. 08:46.980 --> 08:49.301 His part of him was atomic. 08:49.881 --> 08:50.822 The back part of him. 08:52.142 --> 08:54.284 was atomic and he was very dangerous. 08:54.304 --> 08:55.725 I haven't seen that dog for a long time. 08:55.765 --> 08:58.208 No, I forget its name, but yeah. 08:59.108 --> 08:59.749 Listen, thank you. 08:59.769 --> 09:00.710 Well done, Black Squadron. 09:00.890 --> 09:05.054 What an extraordinary response to the command, showing that they weren't dormant at all. 09:05.354 --> 09:06.034 They were poised. 09:06.075 --> 09:07.476 They were just waiting for the right orders. 09:07.936 --> 09:12.399 Yeah, we've been inundated with photos of leaning towers of stuff. 09:12.819 --> 09:13.320 And you know what? 09:13.420 --> 09:19.584 I don't think I want to talk about any of them yet because I have to do a little bit more sifting and processing. 09:19.724 --> 09:20.004 Sure. 09:20.725 --> 09:29.511 Let's just say while we're on the subject of Black Squadron that you can check out an amazing new Black Squadron logo that's been designed for us by James Hood. 09:30.031 --> 09:36.215 He's an illustrator who got in touch with me a few weeks back and I looked on his website, thought his stuff was brilliant. 09:36.255 --> 09:39.057 So he, I hope, is going to do a few more drawings for the show. 09:39.978 --> 09:42.840 In fact, how many of them are up on the, just one? 09:42.900 --> 09:43.200 Okay. 09:43.481 --> 09:46.283 We should post that one, one of the ones of me and Joe that he drew. 09:47.063 --> 09:52.831 Okay, yeah, because Joe got a little upset when he saw the cartoon. 09:52.851 --> 09:53.412 What do you mean? 09:54.293 --> 09:55.194 What are you talking about? 09:55.214 --> 09:55.795 A little bit sensitive. 09:56.316 --> 09:57.397 I got a bit upset as well. 09:57.437 --> 10:00.521 But we should post it and then people can see what we're talking about. 10:00.561 --> 10:04.407 I mean, the idea of caricatures is that they're not supposed to be flattering, are they? 10:05.067 --> 10:07.268 No, no, well, they're not really caricatures. 10:07.288 --> 10:13.131 That's the thing is that they are sort of cartoonish photo realistic Yeah, no, they're not photo realistic. 10:13.291 --> 10:28.537 No, and he's got James has got a very particular style brilliant Yeah, I think I mean I really love his drawings, but he goes for that slightly Sort of naive sort of childish style of yeah, yeah that slightly grotesque as well 10:30.218 --> 10:31.638 That's a good choice of words. 10:32.138 --> 10:35.599 So it suits us rather well, but unfortunately we're both quite vain. 10:36.039 --> 10:36.819 Is that safe to say? 10:36.839 --> 10:38.080 Yeah, yeah. 10:40.020 --> 10:44.341 When we saw the naive grotesque versions of ourselves, I think we were both a little stunned. 10:44.361 --> 10:51.082 We need one of those illustrators like you get in films whose work looks as if it's been done via a correspondence course. 10:51.522 --> 10:53.403 Like Leonardo DiCaprio in Titanic. 10:53.423 --> 10:53.903 Leonardo. 10:54.123 --> 10:54.783 Leonardo. 10:55.223 --> 10:55.904 Do you know what I mean? 10:55.924 --> 10:59.909 We're like really beautifully photorealistic pencil drawings that might as well not be drawings. 11:00.189 --> 11:02.312 Yes, just very, very flattering, can't you? 11:02.452 --> 11:03.093 Yeah, yeah. 11:03.293 --> 11:06.977 But in the meantime, James, we're very, very happy to have you on the team. 11:07.077 --> 11:09.500 So you can check that out at bbc.co.uk 11:13.164 --> 11:15.486 I want to say at this point, hello to Danielle Young. 11:15.987 --> 11:16.667 Hi, Danielle. 11:16.687 --> 11:19.690 She's hosting a listening party for Black Squadron members. 11:19.710 --> 11:19.970 Wow. 11:20.590 --> 11:21.992 What kind of a party is that? 11:22.192 --> 11:23.933 Maybe you could send us some photos, Danielle. 11:24.013 --> 11:24.974 An amazing party. 11:25.374 --> 11:26.936 An amazing party. 11:26.956 --> 11:29.998 Do you think Black Squadron are allowed champagne at the centre? 11:30.018 --> 11:30.118 Yes. 11:30.458 --> 11:30.759 Are they? 11:30.879 --> 11:31.139 Yes. 11:31.599 --> 11:36.904 Even if it's not... No, Black Squadron are well known to be the only military division that can operate absolutely steamed. 11:38.905 --> 11:39.306 Absolutely. 11:39.566 --> 11:40.206 They have to be. 11:40.387 --> 11:40.867 Slizzard. 11:40.967 --> 11:41.548 Slizzard did. 11:41.748 --> 11:42.148 Slizzard. 11:42.368 --> 11:42.849 Slizzard. 11:42.909 --> 11:43.129 Yeah. 11:43.369 --> 11:43.509 Yeah. 11:43.549 --> 11:46.051 Listen, I am having said, I'm not going to pick out any of these photos. 11:46.071 --> 11:51.416 There is one that came in so fast from Douglas Guthrie, Dr. Douglas Guthrie. 11:51.916 --> 11:53.638 And he's done an amazing leaning tower. 11:53.698 --> 11:55.099 It looks like it was assembled quickly. 11:55.579 --> 12:04.727 But it's three chairs on top of a sort of armchair with some sort of huge rug and a pink handbag. 12:05.047 --> 12:08.610 And the thing I like about it is it nearly stretches from the floor to the ceiling. 12:08.770 --> 12:09.091 Yes. 12:09.611 --> 12:10.572 Which is very impressive. 12:10.592 --> 12:14.255 On the very top of the thing, it's got like a giant poof. 12:14.715 --> 12:15.356 A giant poof? 12:15.416 --> 12:16.297 Or a couple of poof, maybe. 12:16.357 --> 12:17.678 Or you think it could be a beanbag? 12:17.858 --> 12:18.158 Is it? 12:18.218 --> 12:18.719 What is it then? 12:18.939 --> 12:23.340 I don't know, it looks like the thing that Poltergeist makes when Mum turns her back and gets something out of the kitchen. 12:23.360 --> 12:23.720 That's right. 12:23.740 --> 12:25.380 I saw that film the other day on Telly. 12:25.400 --> 12:25.841 It's good. 12:26.021 --> 12:28.481 It bears up really nice. 12:28.521 --> 12:32.002 Listen, let's play some music because it's almost 10.30 and we've got news to come. 12:32.902 --> 12:35.883 So here is Everything Everything with Final Form. 12:36.043 --> 12:38.563 That's Everything Everything with Final Form. 12:38.624 --> 12:40.564 Adam and Joe here on BBC 6 Music. 12:40.744 --> 12:41.704 It's just gone 10.30. 12:42.484 --> 12:44.785 We're standing down the squadron, hit the jingle. 12:48.607 --> 12:49.428 Stand down. 12:49.548 --> 12:50.648 Your work is done. 12:50.668 --> 12:56.811 You've earned yourself a nice warm bath and maybe a nice little bun. 12:57.552 --> 12:59.413 Incredible response from Black Squadron. 12:59.593 --> 13:08.297 Statisticians are calculating and collating the quantity of submissions standby for the results in the next half hour. 13:08.337 --> 13:10.839 But right now it's time for the news with Claire Runacres. 13:27.877 --> 13:54.782 It's Saturday morning on 6th Music Adam and Jo are in the studio They're gonna do their radio program It lasts for three hours In the show they play music and songs In between they talk a lot about things And people text in, that's about it Adam's in the left seat Jo is in the right seat There was an argument about which seat to take 13:55.722 --> 14:21.873 It's Saturday, Saturday, Adam and Jo on Saturday Everybody's looking forward to the two men talking Saturday, Saturday, six music on Saturday Everybody's looking forward to the rambling, rambling, rambling Rambling, rambling Fun, fun, fun, fun Now it's time to start the show 14:23.434 --> 14:26.916 So that's been like a phenomenal success for you, Adam, hasn't it? 14:26.936 --> 14:27.857 Because what's the story? 14:27.917 --> 14:31.519 Your mum... My mum paid for me... For your birthday, right? 14:31.559 --> 14:32.460 Yeah, for my birthday. 14:32.500 --> 14:38.443 She paid for me to go into a studio and have a track produced by a couple of songwriting geniuses. 14:39.144 --> 14:40.965 And I never thought anything would happen with it. 14:41.145 --> 14:41.725 I went in there. 14:41.745 --> 14:43.066 It was a nice, fun present. 14:43.366 --> 14:45.708 My mum's always wanted me to be a pop star, is the thing. 14:47.089 --> 14:52.113 And you popped it up on YouTube, just expecting some of your friends to check it out, and then what happened? 14:52.793 --> 14:54.615 Well, it started to snowball. 14:54.635 --> 15:03.462 The first evening, you know, I was on 50 views, and by next day lunchtime, I had 55 views. 15:03.522 --> 15:04.543 Next day lunchtime. 15:04.603 --> 15:04.883 Yeah. 15:04.903 --> 15:05.984 That's the new day of the week. 15:06.204 --> 15:07.145 Next day lunchtime. 15:08.105 --> 15:12.029 But then after that, I think someone posted it or someone tweeted about it. 15:12.369 --> 15:14.731 I think maybe Stephen Fry tweeted it or something. 15:15.371 --> 15:19.774 And I got a hundred million views in 24 hours. 15:20.415 --> 15:22.996 Some people have been quite cruel about it. 15:23.597 --> 15:27.840 Some people are saying that it's the worst thing they've ever heard in their lives. 15:27.880 --> 15:28.900 How does that make you feel? 15:29.281 --> 15:34.144 It makes me feel a little bit depressed and sad and beleaguered. 15:34.764 --> 15:37.066 But you're not going to listen to the haters. 15:37.086 --> 15:38.307 You're not going to let them affect you. 15:39.045 --> 15:40.887 No, I'm going to carry on making bad jingles. 15:41.867 --> 15:44.510 That's because that's what I feel I've been put on the earth to do. 15:45.090 --> 15:48.433 And also I've, you know, I've made a huge amount of money. 15:48.593 --> 15:48.933 Have you? 15:48.973 --> 15:50.995 Because there are different rumours going around. 15:51.015 --> 15:52.996 So I'm saying you've only made a few thousand dollars. 15:53.056 --> 15:53.837 No, I've made millions. 15:54.718 --> 15:55.498 But you've made millions. 15:55.518 --> 15:56.079 Yeah, millions. 15:56.379 --> 15:57.700 And what are you going to do with millions? 15:57.900 --> 16:00.402 I thought I'd squander most of them. 16:00.903 --> 16:03.445 I'd give a little bit to charity, like a jingle charity. 16:04.105 --> 16:05.306 Is there a jingle charity? 16:06.427 --> 16:16.410 There is now Yeah, I'm setting one up for yourself for jingle writers who for the guy that wrote the hey crusader Have you any nuts? 16:16.550 --> 16:19.370 We've got mixed up and raised and salted cashews. 16:19.390 --> 16:23.612 Yeah, he's cuz he's getting on He's getting on and he hasn't had any good jingle ideas recently. 16:23.872 --> 16:24.852 I don't know if that's true that 16:25.532 --> 16:26.472 That might not be true. 16:26.492 --> 16:27.292 Really insulted. 16:27.433 --> 16:27.853 So, yeah. 16:28.233 --> 16:32.194 But no, obviously people are comparing it to Rebecca Black. 16:33.234 --> 16:33.614 Oh, yeah. 16:33.794 --> 16:37.055 And the whole Friday thing, which I think is a little reductive. 16:37.675 --> 16:40.176 But how did you feel about Rebecca Black? 16:46.258 --> 16:47.338 That's a good segue. 16:48.258 --> 16:50.120 Um, how does that make sense? 16:51.981 --> 16:53.202 This is how radio works. 16:53.602 --> 16:55.164 How do you feel about Rebecca Black? 16:55.184 --> 16:56.745 Well, I felt like everyone else did. 16:56.785 --> 16:59.767 I felt, um, amused, then saddened. 17:00.008 --> 17:00.888 Did you wait happy again? 17:00.908 --> 17:02.329 Because I saw her on Ellen, I think. 17:02.630 --> 17:03.090 On Alien? 17:03.370 --> 17:03.691 Ellen. 17:03.951 --> 17:04.051 Oh. 17:04.411 --> 17:04.751 You know? 17:06.353 --> 17:08.154 And she looked very happy, did she? 17:08.434 --> 17:09.315 Yeah, she looked upbeat. 17:09.335 --> 17:10.596 She weren't going to listen to no haters. 17:10.616 --> 17:11.396 She's a nice person. 17:11.877 --> 17:13.898 Her mum's not quite such an appeaser. 17:13.958 --> 17:14.979 Oh, I haven't seen the mum. 17:15.159 --> 17:17.181 Yeah, she's justifiably furious. 17:17.261 --> 17:17.541 Is she? 17:18.042 --> 17:19.563 Yeah, because it's cyberbullying, isn't it? 17:19.603 --> 17:19.803 It is. 17:19.843 --> 17:20.483 She's only little. 17:20.624 --> 17:21.324 On a massive scale. 17:21.364 --> 17:21.504 She's 13. 17:22.485 --> 17:28.490 And the thing is, when I first saw the thing, right, I didn't realise it was in the low millions when I first saw the Friday video. 17:29.370 --> 17:37.035 And I thought, well, this is amusing and a little bit bland and... But I didn't think it was the worst song ever made, you know what I mean? 17:37.055 --> 17:39.096 Have you listened to Radio 1 recently? 17:39.116 --> 17:43.139 There's a lot of stuff out there that's quite a lot worse than Rebecca Black. 17:43.199 --> 17:45.761 It doesn't sound too far off Justin Bieber track, does it? 17:45.981 --> 17:46.961 No, I don't think so. 17:47.241 --> 17:50.163 It doesn't, I mean, you know, fly like a G6. 17:50.464 --> 17:53.365 I'm sorry, but I would take Rebecca Black over that one. 17:53.545 --> 17:54.206 I haven't heard that one. 17:54.226 --> 17:55.587 That stinky pile of old poo. 17:56.307 --> 18:01.091 Hey It's ridiculous kind of what's just like a g6. 18:01.131 --> 18:05.814 I haven't heard that I like a G. Have you got it in your computer popping bottles in the eyes? 18:05.954 --> 18:13.700 Because maybe that's maybe that's a basis for a future song wars when we drink we do it right getting slizzard That's where getting slizzard comes really. 18:13.880 --> 18:16.642 Yeah, it does feel like a kind of new type of music has been innovative. 18:16.662 --> 18:17.423 Doesn't it fly? 18:17.503 --> 18:20.064 Like it you think Rebecca Black is the start of something? 18:21.126 --> 18:24.091 Um, well, a lot of people feel that she's the end of something. 18:25.133 --> 18:26.636 The end of all music and civilisation. 18:26.656 --> 18:27.537 The end of times. 18:28.138 --> 18:32.606 No, I'm happy with Rebecca Black, and that's a fantastic fun anthem, I think, for the weekend. 18:33.393 --> 18:34.653 Yeah, and your jingle was good, too. 18:34.753 --> 18:35.653 Thanks a lot, man. 18:35.673 --> 18:36.714 Sorry. 18:36.894 --> 18:42.755 Hey, later on, I'm going to play you one of the new jingles that I did when I was drinking wine last night for the podcast. 18:42.775 --> 18:45.495 Because don't forget, listeners, we have a podcast of this show, right? 18:45.895 --> 18:46.735 And here's the thing. 18:47.575 --> 18:53.476 We would both really appreciate it if you could help propel the podcast to the number one position. 18:53.697 --> 18:56.417 Because I don't think we've ever been number one in the podcast charts. 18:56.457 --> 18:57.677 We've made it to number two. 18:58.017 --> 18:58.897 This is very mercenary. 18:58.937 --> 18:59.518 Is this allowed? 18:59.578 --> 19:00.238 It's not mercenary. 19:00.258 --> 19:01.558 We're not making money out of it, are we? 19:02.498 --> 19:03.499 Aren't we? 19:03.859 --> 19:06.561 No, you don't make money out of podcasts or we don't anyway. 19:07.021 --> 19:14.086 But we'd certainly like to see it at the number one spot, if only for one week, you know, it would make a couple of... Or for a day, like iTunes moves so fast, doesn't it? 19:14.186 --> 19:14.626 Yeah. 19:14.806 --> 19:16.027 Just if it was up there for an hour. 19:16.047 --> 19:16.647 It would be nice. 19:17.047 --> 19:18.909 It would make my mum proud. 19:18.969 --> 19:19.709 How can people do that? 19:20.390 --> 19:21.110 They can. 19:21.370 --> 19:22.491 Download it from iTunes, I think. 19:23.432 --> 19:24.973 And is there any other conveyor? 19:25.073 --> 19:26.454 What about if you're in a friend's house? 19:26.474 --> 19:27.774 If you see a website you can go to. 19:27.794 --> 19:28.415 Listen, listen to me. 19:28.535 --> 19:29.996 If you're in a friend's house, you say, 19:30.516 --> 19:31.516 Just popping to the loo. 19:32.317 --> 19:33.857 And you don't go to the loo. 19:33.897 --> 19:34.917 You go into their office. 19:34.937 --> 19:35.838 I have a subterfuge. 19:35.978 --> 19:36.318 Oh, I see. 19:36.358 --> 19:38.599 And you go into the office and you boot up their computer. 19:39.399 --> 19:42.160 And you log on and you download it on their computer. 19:42.480 --> 19:45.521 And while you're there, you also sneak around and have a read of their emails. 19:45.621 --> 19:46.581 That's a good idea. 19:46.761 --> 19:47.721 And some of their photos. 19:49.142 --> 19:50.122 They're precious photos. 19:50.722 --> 19:54.063 So yeah, so you're boosting our listening figures by just downloading. 19:54.103 --> 19:58.805 If you're in a shop, if you're in like a department store, go to the computer department, download it. 19:59.185 --> 19:59.405 Right. 19:59.725 --> 20:02.286 Sneak over to the till and distract the lady at the till. 20:02.306 --> 20:02.546 Yes. 20:02.706 --> 20:04.187 And then see if the till can download it. 20:04.487 --> 20:06.668 Pick someone's smartphone out of their bag. 20:07.928 --> 20:09.409 Wait, wait, wait, wait for it. 20:09.449 --> 20:11.130 Download it, pop it back. 20:11.310 --> 20:12.410 Oh, you pop it back. 20:12.450 --> 20:12.650 Right. 20:13.110 --> 20:14.451 Or keep it if it's a nice one. 20:15.936 --> 20:16.457 No, don't do that. 20:16.997 --> 20:19.100 All right, let's play some more music right now. 20:19.480 --> 20:20.741 Joe, is this your choice? 20:20.841 --> 20:21.302 It could be. 20:21.342 --> 20:22.443 No, it's after this one. 20:23.384 --> 20:26.688 Now, this is a song I don't know anything about because I haven't looked at my notes. 20:26.708 --> 20:27.629 What's it called? 20:27.649 --> 20:28.070 A copy. 20:28.170 --> 20:28.630 Cut copy. 20:28.650 --> 20:29.731 This is called Need You Now. 20:29.852 --> 20:37.160 It's available digitally and out physically on the 25th of April and it's from their third album, Zonoscope, and we can't tell you much 20:38.020 --> 20:45.886 Either than one of them's got a check shirt one of them's got a v-neck t-shirt and the others got a cardi and a t-shirt with a duck What kind of sound are you anticipating here? 20:46.906 --> 20:56.813 Wow, I don't know but maybe something very dark and minimalist guitars Possibly organs kazoos right exposed organs. 20:57.013 --> 20:58.054 Yeah exposed organs. 20:58.354 --> 20:58.555 Okay. 20:58.595 --> 20:59.195 Let's have a listen. 20:59.215 --> 21:02.717 See if you're right made You're right, man. 21:02.777 --> 21:03.538 They were rosy, man 21:03.798 --> 21:07.381 from Australia and they synthesise their Australian organist. 21:07.421 --> 21:08.642 That's absolutely terrific. 21:08.982 --> 21:10.364 Oh mate, I'm so proud of them. 21:10.404 --> 21:11.164 Absolutely great. 21:11.184 --> 21:12.285 They've done really well. 21:12.505 --> 21:13.466 Well done fellas. 21:13.686 --> 21:15.048 Well done you guys. 21:15.228 --> 21:15.948 It's so good. 21:16.249 --> 21:20.192 You should play a concert at Daphne's. 21:21.052 --> 21:22.573 That's a good idea! 21:23.153 --> 21:27.595 Daphne's, she's just revamped it hasn't she? 21:28.015 --> 21:29.856 She's painted stripes down the walls. 21:30.056 --> 21:32.737 Do you know the note that Jeff left for Sandra? 21:32.937 --> 21:33.277 Yes. 21:33.557 --> 21:35.858 It fell out of his pocket and got stuck to Tommy's shoe. 21:36.358 --> 21:37.739 So I'm not sure what's going to happen now. 21:37.759 --> 21:42.901 Jeff was going to tell Sandra everything, but just before he told her she got a phone call and got distracted. 21:43.481 --> 21:47.843 It's a terrible twist of fate, but that's a great exciting news band. 21:49.383 --> 21:51.104 Isn't it it is made cut copy. 21:51.144 --> 21:51.524 I like it. 21:51.744 --> 21:52.984 So listen, uh, hello listeners. 21:53.004 --> 21:56.425 This is Adam and Joe You're listening to BBC six music on a beautiful Saturday morning. 21:56.485 --> 21:57.566 Thanks for listening everybody. 21:57.906 --> 22:14.991 We had an extraordinary response to the black squadron wreck breaking 364 photos we've got which is fantastic But it's also problematic because it's very hard to judge which one's best in a kind of you know equal way We're gonna put pretty much all of them up on the the blog, right? 22:15.071 --> 22:15.571 I think so. 22:15.591 --> 22:20.633 A special shout out for Dave in Maidstone, who did a very precarious tower of jars. 22:21.294 --> 22:23.295 It looked like he was risking his life to do it. 22:23.855 --> 22:24.975 One of those jars had toppled. 22:25.496 --> 22:28.977 Yes, he balanced bottles end to end, neck to neck. 22:29.077 --> 22:30.278 And they almost touched the ceiling. 22:30.698 --> 22:35.280 Bell and Ems, they did an amazing tower in their hall with a Stephen King novel. 22:35.660 --> 22:38.442 One of the pleasures of this command is to see what stuff people have. 22:38.502 --> 22:39.783 Yeah, to look into people's houses. 22:39.803 --> 22:41.605 In their houses, books and stuff. 22:41.645 --> 22:45.067 And Bell and Em, that's a pretty culturally sophisticated tower you had there. 22:45.087 --> 22:45.568 Very nice. 22:45.648 --> 22:47.449 Lots of good stuff that we're into as well. 22:47.489 --> 22:53.334 But yeah, I mean, it's basically an excuse A to see people's houses and B to sometimes see people's pants. 22:53.954 --> 22:57.737 Well, if we wanted to do that, we would have engineered a different Black Squadron command. 22:57.757 --> 22:58.538 We'll do that next week. 22:58.698 --> 23:01.080 Well, most weeks I have to stop your commands. 23:02.725 --> 23:04.947 Mine are mainly pants-based, aren't they? 23:05.147 --> 23:10.993 Guy and Jenny made an amazing pile of shoes, a kind of Jenga stack of shoes that stretched very high. 23:11.613 --> 23:12.154 That was great. 23:12.234 --> 23:13.215 And then this one. 23:13.255 --> 23:17.499 The one you're looking at is they've connected bits of fruit with cocktail sticks or something. 23:17.519 --> 23:21.863 Yeah, it's more like the sort of pompidous centre if it was made out of sticks and fruit and mushrooms. 23:21.883 --> 23:23.625 It's a beautiful picture apart from anything else. 23:23.665 --> 23:25.326 I would hang that poster on my wall. 23:25.947 --> 23:26.688 Who was that by? 23:27.208 --> 23:27.628 Let me have a look. 23:27.668 --> 23:28.829 It's by Maisie Evans. 23:28.909 --> 23:29.510 A genius. 23:29.730 --> 23:30.330 That was amazing. 23:30.350 --> 23:32.492 But thank you to everybody who sent a photo in. 23:32.832 --> 23:37.456 And keep an eye on our website, bbc.co.uk forward slash six music. 23:38.016 --> 23:39.437 Oh no, that's the wrong website. 23:39.897 --> 23:43.240 bbc.co.uk forward slash blogs forward slash Adam and Jo. 23:43.840 --> 23:46.222 And pretty soon all those pictures will turn up. 23:46.842 --> 24:03.814 So around this time we would normally start talking about text the nation but obviously it's a bit difficult difficult this week because We weren't on air last week and the text the nation usually takes a week to roll over get rolling as an auto exactly For retro text the nation, which we'll be able to do next week. 24:03.934 --> 24:06.156 We're gonna launch a text the nation aren't we are we just gonna launch? 24:06.176 --> 24:09.518 Yeah, yeah, yeah, right into it Yeah, yeah, we got to what the absolute heck 24:09.918 --> 24:11.920 Um, let's do that after the next piece of music. 24:12.040 --> 24:12.300 All right. 24:12.320 --> 24:12.981 She's a free play. 24:13.001 --> 24:13.741 Oh, this is a free play. 24:13.761 --> 24:13.882 Yeah. 24:13.922 --> 24:15.683 This is my favorite guy, Rafael Sadiq. 24:15.703 --> 24:16.864 He's got a new album coming out. 24:16.904 --> 24:18.205 It's called Stone Rolling. 24:18.466 --> 24:25.391 I think he's doing a session, uh, for radio two or something this afternoon for Charles Peterson. 24:26.132 --> 24:31.757 Radio one, maybe, uh, I was going to go, but I can't cause I got to work, but this is his new single. 24:31.797 --> 24:32.458 It's called good man. 24:33.638 --> 24:34.899 Stevie Wonder made. 24:36.340 --> 24:37.141 He's not Australian. 24:37.241 --> 24:38.522 He is Australian. 24:38.882 --> 24:39.662 He's fantastic. 24:39.863 --> 24:40.903 That was Higher Ground. 24:41.083 --> 24:43.985 You're listening to Adam and Jo here on BBC 6 Music. 24:44.286 --> 24:45.767 Very nice to be back with you listeners. 24:46.287 --> 24:51.170 Yeah, and thanks for all the texts and emails we've had, all the lovely texts and emails. 24:51.210 --> 24:52.891 The text number is 64046. 24:53.232 --> 24:55.753 The email is adamandjo.6musicatbbc.co.uk. 24:57.154 --> 25:04.563 You know, sometimes we get texts that are kind of asking for shoutouts, but we don't really do shoutouts. 25:04.643 --> 25:10.330 No, we eschew a lot of the conventions of radio and blaze our own trail. 25:11.051 --> 25:12.032 We don't do guests. 25:12.953 --> 25:14.274 We don't do shoutouts. 25:15.115 --> 25:17.516 But you, do you want me to do this one right now? 25:17.536 --> 25:18.457 I don't think we should do this one. 25:18.517 --> 25:19.958 Why should we do this one? 25:19.978 --> 25:22.299 I think it's nice to have the occasional shout out. 25:22.319 --> 25:23.380 OK, I'm going to read it. 25:23.460 --> 25:26.882 It says, shout out to the Torquay boys on route to Prague. 25:27.442 --> 25:37.927 Mon the groom, Shears, Ty, Lon, Dom, Locker, Mike, Shabba, Fadge, Spike, Kane, Nathan, Woody, Ross. 25:38.208 --> 25:40.289 Withals, donk, bouncy face. 25:40.729 --> 25:44.131 So these are, are they in a car, do you think, or on a coach? 25:44.511 --> 25:45.211 Gumbly Merwin. 25:45.492 --> 25:49.594 Monches, Tylon, Dom Locker, Mike Shabber, Fadge, Spike, Caine, Nathan, and Woody from Ross. 25:52.135 --> 25:55.417 They'll be in a coach or something. 25:55.757 --> 25:56.757 On their way to Prague. 25:56.837 --> 25:57.438 Who's your favourite? 25:57.498 --> 25:57.718 Fadge. 25:57.738 --> 25:58.458 Fadge is your favourite. 25:58.478 --> 25:59.679 I don't know. 25:59.699 --> 26:01.020 I'm split between Spike 26:10.285 --> 26:11.686 And Mon. 26:14.069 --> 26:16.752 Why aren't Zodnon and Ursa there as well? 26:16.772 --> 26:17.333 Were they busy? 26:18.314 --> 26:19.195 What about Raljax? 26:19.355 --> 26:20.116 He missed the bus. 26:20.356 --> 26:21.157 What about Adobe? 26:21.177 --> 26:23.960 Yeah, he's too busy with his Photoshop. 26:24.941 --> 26:27.122 That's the only shout out we're ever going to do. 26:27.182 --> 26:29.503 I'm going to do a couple of shout outs right now. 26:29.983 --> 26:32.584 To my godson, okay, Leo Jennings. 26:33.165 --> 26:33.785 He's listening. 26:33.845 --> 26:34.945 Happy birthday, Leo. 26:35.446 --> 26:36.446 Hope you have a wonderful day. 26:36.466 --> 26:37.587 Hope you enjoy your presence. 26:37.727 --> 26:39.928 I know I'm taking advantage of my position here in a way. 26:39.948 --> 26:40.808 It's disgusting. 26:40.868 --> 26:43.089 It's a little bit unprofessional, but I won't do it again. 26:44.069 --> 26:44.910 Happy birthday, Leo. 26:45.610 --> 26:49.192 And to Jerome O'Donohoe. 26:49.733 --> 26:50.393 Hey, Jerome. 26:51.494 --> 26:53.695 This is a song going out to you from All Your Buddies. 26:54.015 --> 26:54.275 Who's? 26:54.396 --> 26:54.616 Why? 26:54.676 --> 26:54.896 What? 26:55.256 --> 26:56.917 Oh, this is just a special mystery. 26:56.977 --> 26:58.418 Yeah, but it can't be a mystery. 26:58.798 --> 27:00.259 Yeah, it's just like a mystery. 27:00.319 --> 27:01.280 It's a mystery shout out. 27:02.340 --> 27:07.243 for Geromo Donoho and we're going to play a bit of Blondie for you, Ex Offender. 27:07.363 --> 27:07.864 Here we go. 27:08.144 --> 27:10.345 That's Blondie with Ex Offender. 27:10.365 --> 27:19.070 It was pointed out to us by an email correspondent earlier that maybe it was a little reductive to do an Australian accent after the track by, what were they called again? 27:20.772 --> 27:22.554 Cut copy that we played earlier. 27:22.574 --> 27:24.335 I don't think he was a regular listener. 27:26.758 --> 27:32.103 If he was, he would have become inured to the Australian thing. 27:32.824 --> 27:36.087 It wasn't meant to be like a racist attack on the Australian nation. 27:36.107 --> 27:39.571 It was just meant to be a bit of fun with some neighbors references. 27:40.852 --> 27:41.572 What's wrong with that? 27:42.133 --> 27:46.575 Listen, it's time for another regular section of the show that we like to call Text the Nation. 27:47.195 --> 27:49.176 And this has got a complicated segment, isn't it, Adam? 27:49.296 --> 27:51.517 I mean, that guy, for instance, it might confuse him. 27:51.837 --> 27:53.458 Yeah, it's tough to explain. 27:53.478 --> 27:54.218 Let's see. 27:55.699 --> 27:59.180 So, what we do is we... You've lost me. 27:59.220 --> 27:59.680 You've lost me. 27:59.700 --> 28:00.160 Start again. 28:00.661 --> 28:02.702 Okay, so to put it another way... What? 28:03.342 --> 28:03.622 All right. 28:04.082 --> 28:07.844 Well, it's like talking... We talk about a thing... Listen, just play the jingle. 28:07.884 --> 28:08.224 All right, then. 28:11.489 --> 28:11.769 Text! 28:11.870 --> 28:12.130 Text! 28:12.210 --> 28:12.530 Text! 28:12.670 --> 28:13.410 Text the nation! 28:13.471 --> 28:14.431 What if I don't want to? 28:14.691 --> 28:15.412 Text the nation! 28:15.512 --> 28:16.492 But I'm using email. 28:16.673 --> 28:17.413 Is that a problem? 28:17.433 --> 28:20.355 It doesn't matter, text! 28:20.555 --> 28:21.796 So it's mainly just texting. 28:22.276 --> 28:23.657 For any reason? 28:23.797 --> 28:28.420 What we do is we give you a subject listener and you text us in on that subject and we read out the best ones. 28:28.560 --> 28:29.360 Or you can email. 28:29.380 --> 28:30.401 You can email, that's true. 28:30.421 --> 28:31.342 What's the email address? 28:31.862 --> 28:38.906 Adam and Joe, all lowercase, Adam, A-N-D, Joe, dot six music, the number six, then the word music, at bbc.co.uk. 28:39.867 --> 28:44.832 And the text number is 64046, if you'd like to text us your thoughts. 28:45.012 --> 28:47.334 Text will be charged at your standard message rate. 28:47.995 --> 28:48.615 Thanks, Dermot. 28:48.635 --> 28:49.796 It's all right. 28:50.137 --> 28:58.525 So yeah, this week, because we've just started back after a very long absence, we thought we'd keep it incredibly vague and broad, right? 28:58.765 --> 29:02.509 So we thought that we would just ask you for anecdotes 29:03.289 --> 29:06.531 I mean, we did this once before, kind of, but we did it on ourselves. 29:06.571 --> 29:11.253 So we were giving our own anecdotes and then asking... We invented an amazing game called anecdotees. 29:11.313 --> 29:11.974 Anecdotes. 29:12.034 --> 29:13.014 I mean, that's a fun name. 29:13.034 --> 29:14.435 But that was about our anecdotes. 29:14.555 --> 29:14.835 Right. 29:15.336 --> 29:22.099 So we're going to mix our... Well, we'll sort of launch this textination with some of our anecdotes, some things that have happened to us in the last 15 months. 29:22.780 --> 29:23.900 So that's quite broad, isn't it? 29:24.120 --> 29:27.922 But we'd like to hear anything notable that you've got as well. 29:28.563 --> 29:31.184 Just the most amazing thing that's happened to you in the last 15 months. 29:31.224 --> 29:32.185 Yeah, it doesn't have to be like... 29:32.925 --> 29:37.287 You don't have to have met a celebrity or you don't have to have gone to the moon or anything. 29:37.447 --> 29:39.428 It could be quite small and something as well. 29:39.448 --> 29:40.069 We're looking for fun stuff. 29:40.229 --> 29:40.949 Yeah, fun stuff. 29:40.989 --> 29:41.209 Yeah. 29:41.369 --> 29:42.570 We don't want anything too depressing. 29:43.070 --> 29:43.871 We don't want to hear about your divorce. 29:43.891 --> 29:45.792 Well, you can send it, but we may not read it out. 29:45.852 --> 29:46.032 Yeah. 29:46.492 --> 29:52.375 We don't want to hear about the collapse of your business and subsequent... And in future weeks, we'll focus text the nation more accurately. 29:52.835 --> 29:53.516 Yes, exactly. 29:53.556 --> 29:55.116 But broad and vague are the watchwords. 29:55.557 --> 29:56.477 Broad and vague! 29:56.777 --> 29:58.258 That's what we're going to rename this show. 29:58.318 --> 29:59.399 That's what I look for in a woman. 30:01.239 --> 30:02.400 My favourite qualities. 30:03.860 --> 30:06.221 There was someone there who'd got his house burgled, wasn't there? 30:06.342 --> 30:07.602 Yeah, that's right. 30:07.642 --> 30:08.342 Who emailed us. 30:08.362 --> 30:09.803 This is from Ed in Leeds. 30:10.103 --> 30:10.823 Hello, Adam and Joe. 30:10.923 --> 30:13.865 Five months ago, while I was at work, my flat was broken into. 30:14.425 --> 30:21.368 The burglars took almost everything I own, including my ancient VCR, my computer games, my TV, my power drill, my shirts, DVD player, Xbox, laptop. 30:22.288 --> 30:23.950 and almost all of my DVDs. 30:24.470 --> 30:28.074 Arriving home and discovering my flat had been stripped of everything I hold dear, I phoned the police. 30:28.594 --> 30:32.498 While waiting for them to arrive, I noticed the burglars had not stolen one of my DVDs. 30:33.119 --> 30:35.041 It was the Adam and Jo Show DVD. 30:35.661 --> 30:40.866 However, they had taken the Steven Seagal collection and a fishing DVD from the pound shop. 30:42.828 --> 30:43.269 Wow. 30:43.589 --> 30:44.510 Have a lovely day. 30:44.750 --> 30:47.513 Shout out to my peeps in Black Squadron, Ed in Leeds. 30:47.594 --> 30:54.621 I can understand them putting Seagal over us, but the fishing DVD, that's a bit hurtful. 30:55.783 --> 30:57.825 But thank you very much to Ed in Leeds for that. 30:57.845 --> 30:59.006 Sorry that you got burgled. 30:59.106 --> 31:02.630 What's the thing that happened in the 15 months for you, Adam? 31:02.650 --> 31:03.631 Well, I've just been trying to think. 31:04.252 --> 31:05.513 No, you haven't got anything. 31:05.533 --> 31:06.074 Almost nothing. 31:06.334 --> 31:18.844 I'll tell you one thing that happened to me, right, and this was something, I mean this could almost be a text the nation in itself perhaps, was I had some avoidance on a train, like from someone I know. 31:18.864 --> 31:19.485 Do you ever get this? 31:19.905 --> 31:30.014 You see someone in a public space and then too late, like you see them for a split second, too late, they duck out of the way and try and hide from them. 31:30.034 --> 31:31.655 That happens to you a lot though, doesn't it? 31:31.855 --> 31:35.798 Well, you've got another big anecdote about that guy, do you remember? 31:35.818 --> 31:37.819 Yeah, Jeremy Sheffield from... I suppose that was years ago. 31:37.859 --> 31:39.200 Doctors and nurses or whatever. 31:39.600 --> 31:42.783 Yeah, he's an actor and he's a nice chap and we're pals. 31:42.823 --> 31:43.803 I haven't seen him for a long time. 31:43.823 --> 31:45.925 When he sees you in the street, he turns and runs. 31:46.165 --> 31:50.168 One time he turned and he ran down an alley to avoid me. 31:52.369 --> 31:53.950 But it happened again the other day. 31:54.310 --> 31:58.153 But I wasn't that hurt because I can I so understand the impulse. 31:58.173 --> 31:58.574 You know what I mean? 31:58.814 --> 32:00.575 Sometimes I have the same impulse myself. 32:00.855 --> 32:01.456 Everyone does. 32:01.496 --> 32:09.362 You see someone and it's just not the right time to have a conversation because you're too busy or well, particularly getting on a train when this happened. 32:09.382 --> 32:11.203 This happened at Norwich station, right? 32:11.563 --> 32:12.184 Yeah. 32:12.424 --> 32:17.768 And I was just about to go down to London and I saw this chap and he was also about to get on the same train. 32:18.388 --> 32:20.390 And and he and this is an old friend. 32:21.110 --> 32:23.172 This is someone I've known for a few years, yeah. 32:23.192 --> 32:25.253 It's actually a TV comedian. 32:25.834 --> 32:38.663 I won't tell you exactly who might embarrass him, but he got on the train and he got in the carriage and he realized that he saw me sitting there, like putting my stuff on the racks and stuff. 32:39.043 --> 32:46.089 And then he just immediately, he went through a little bit of theater, sort of looking around, checking his ticket, like, oh, I'm in the wrong carriage. 32:47.049 --> 32:47.850 And then he got 32:49.331 --> 32:50.451 Dan and God on another one. 32:51.151 --> 32:58.155 And I'm pretty sure that, yeah, he'd seen me and he was thinking, I'm not really going to sit there. 32:58.435 --> 33:00.236 And as I say, I wasn't hurt. 33:00.316 --> 33:03.177 I definitely wasn't hurt because I thought that's completely fair enough. 33:03.237 --> 33:04.237 I understand that as well. 33:05.058 --> 33:11.160 You want to just keep yourself to yourself on a train journey and it's a nice... He would have felt he was obliged to sit next to you and talk to you. 33:11.240 --> 33:11.681 Exactly. 33:11.801 --> 33:12.181 Of course. 33:12.461 --> 33:19.608 But that's the thing is that the only thing I would say to him if he's listening or if someone identifies him and tells him this anecdote is, don't worry, man. 33:19.648 --> 33:20.228 That's cool. 33:20.569 --> 33:21.990 I don't want to talk to you either. 33:22.691 --> 33:23.371 I just want to. 33:23.572 --> 33:24.112 I mean, I do. 33:24.172 --> 33:27.275 You're a lovely guy and I wish we should go out for coffee, but. 33:28.496 --> 33:30.537 It's all right, you know, it's fine. 33:30.677 --> 33:35.519 One of the great things about attaining maturity is just to be able to see someone in the street. 33:35.679 --> 33:37.940 As I did the other day with James Backman, do you know him? 33:37.980 --> 33:42.543 He's a funny comedian that pops up in Michelin Webb's shows and things like that. 33:43.123 --> 33:47.245 And I was cycling along, saw James on the side of the road there. 33:47.825 --> 33:52.249 No, we just gave each other a little cheery wave, and that was enough, you know? 33:52.810 --> 33:56.613 I didn't have to get off my bike and have an awkward like, hey, what are you doing? 33:56.673 --> 33:57.654 And how's things? 33:57.774 --> 33:58.655 All right, yeah, see ya. 33:59.016 --> 34:01.598 Make silly promises about hooking up that we were never going to keep. 34:01.858 --> 34:03.380 Just waved and went our way. 34:03.400 --> 34:04.260 It was cool. 34:04.981 --> 34:11.626 So, to recap, Text-o-Nation is just about anything that happened in the last 15 months. 34:13.067 --> 34:14.188 A guy was burgled. 34:15.089 --> 34:17.691 Adam avoided a comedian on the train. 34:17.711 --> 34:18.471 No, he avoided me. 34:18.651 --> 34:23.775 The text number is 64046, the email adamandjo.6musicatbbc.co.uk. 34:23.855 --> 34:24.876 It's very broad. 34:25.136 --> 34:26.117 I mean, it's really broad. 34:26.137 --> 34:27.078 Well, let's see how it goes. 34:27.098 --> 34:29.680 But also, can we say, keep it brief? 34:33.562 --> 34:36.844 We don't want, like, big long essays, otherwise we'll never be able to read them all. 34:36.904 --> 34:38.786 We're taking it very easy because this is the first choice. 34:38.806 --> 34:40.066 Treat it like a tweet, right? 34:40.186 --> 34:44.069 Try and keep it... It doesn't have to be 142 characters or whatever it is, but keep it short. 34:45.029 --> 34:45.890 Okie dokie. 34:46.050 --> 34:47.030 Now, let's play some elbow. 34:47.070 --> 34:47.931 This is Open Arms. 34:48.191 --> 34:49.893 Good stuff, that's Elbow with open arms. 34:49.913 --> 34:56.560 Don't forget you can hear Guy Garvey, lead singer of Elbow, of course, on 6 Music, tomorrow night at 10, so tune in to that. 34:57.301 --> 35:02.186 I've got a free play coming up right now and it's a bit of Walker Brothers from 1978. 35:02.266 --> 35:04.909 Do you like Scott Walker, Joe? 35:04.969 --> 35:05.429 Yes, yes. 35:05.449 --> 35:07.692 That's the right answer. 35:08.592 --> 35:14.016 This is from, this was the first material that Scott Walker had written, original material since 1970. 35:14.937 --> 35:18.059 So a long period of absence for Scott. 35:18.179 --> 35:18.560 Lazy. 35:19.080 --> 35:19.740 A little bit lazy. 35:19.760 --> 35:20.301 How lazy? 35:20.441 --> 35:26.565 You know, and I think also he was playing a lot of Jenga and eating a lot of donuts, that kind of thing. 35:26.825 --> 35:32.470 But he came back and with the rest of the Walker Brothers with, can you name the other two Walker Brothers? 35:32.530 --> 35:33.070 Yes, I can. 35:33.430 --> 35:34.451 Okay, go on then. 35:35.131 --> 35:35.571 Not now. 35:37.032 --> 35:37.412 Gary. 35:37.612 --> 35:38.232 Gary Leeds. 35:38.572 --> 35:38.892 Right. 35:38.932 --> 35:39.512 John Mouse. 35:39.672 --> 35:41.733 Faj and Mon. 35:41.913 --> 35:42.193 Mon. 35:42.353 --> 35:44.654 They were the other Walker brothers that no one talked about. 35:45.234 --> 35:52.756 But they came back with this album Night Flights and it was quite weird, you know, and sort of pointed the way that Scott Walker was going to go thereafter. 35:53.016 --> 35:56.357 Scott only wrote the first four tracks and the other guys, like, wrote the other tracks. 35:56.697 --> 35:59.918 So the album was more or less, you know, three mini solo albums. 35:59.978 --> 36:00.698 It's interesting, isn't it? 36:03.519 --> 36:05.240 And Scott's tracks were quite different. 36:21.965 --> 36:23.968 That guy's going to be upset again, don't he? 36:24.248 --> 36:26.932 Yeah, doing racist Bowie accents. 36:26.992 --> 36:27.673 Racist Bowie. 36:28.153 --> 36:32.960 But Bowie even covered the song that I'm about to play, Night Flights, on his album Black Tie White Noise. 36:33.300 --> 36:36.565 And there's quite an amusing music video for it that I'd never seen before. 36:36.605 --> 36:38.527 I was doing a little Bowie surfing last night. 36:39.068 --> 36:39.488 It's great 36:58.076 --> 37:02.577 He's like doing his dance moves like he's a conductor, crossed with a very busy man. 37:02.597 --> 37:03.217 Do you know what I mean? 37:03.257 --> 37:05.337 So he's doing all these kind of moves. 37:05.618 --> 37:06.098 A coffee? 37:06.398 --> 37:06.958 Yes, please. 37:07.478 --> 37:08.298 I'd like one. 37:08.318 --> 37:11.419 Hang on, there's a spider's web in front of my face. 37:12.099 --> 37:12.459 A coffee? 37:12.499 --> 37:14.939 Yeah, actually I'll have two coffees, please. 37:15.279 --> 37:17.540 I'm pushing through a veil of gauze. 37:17.920 --> 37:20.620 There's another spider's web in front of my face. 37:20.700 --> 37:21.981 Who keeps waving them here? 37:23.681 --> 37:24.322 That kind of thing. 37:24.382 --> 37:25.582 That's what he's doing in the video. 37:25.723 --> 37:27.504 And so we can picture that while we listen to this track. 37:27.524 --> 37:29.885 You could call it up on YouTube and look at it. 37:29.905 --> 37:30.446 Wow, sync them up. 37:30.586 --> 37:31.767 Yeah, sync them up if you want. 37:31.887 --> 37:36.130 And here's a little introduction by Bowie to this track, Night Flights by the Walker Brothers. 37:36.990 --> 37:41.854 Scott Walker brought out the most extraordinary album of his own songwriting. 37:42.414 --> 37:44.896 Quite the most lovely songs that I'd heard in years. 37:47.651 --> 37:51.933 Night flights is one of them. 37:52.133 --> 37:52.754 That's great. 37:52.894 --> 37:55.235 Have you ever listened to that on a night flight? 37:55.795 --> 37:56.655 No, I would love to though. 37:56.675 --> 37:57.396 It's so evocative. 37:57.416 --> 37:59.437 That would be a fun text the nation, wouldn't it? 37:59.497 --> 38:03.679 Songs you've listened to sort of in the, you know, while doing the thing that they're about. 38:04.019 --> 38:30.391 uh-huh yeah yeah that's quite specific isn't it yeah um i mean i've listened to bicycle race by queen on a bike having a race though no i bet you someone has what would that not count then no it's got to be that i mean it's got to be pretty exactly what they're singing about on the song really that would be a good challenge even yeah can we pick some songs for people like people have to act out exactly what's happening in the song we could get an ITV2 series out of that he could couldn't we ITV1 series out of that you think 38:31.591 --> 38:32.552 That's a good song though, isn't it? 38:32.572 --> 38:33.653 That's great. 38:33.673 --> 38:34.513 1978, wow. 38:34.533 --> 38:34.994 Amazing. 38:35.054 --> 38:40.718 I mean that was before recording methods were invented, so how did he record that? 38:41.519 --> 38:45.762 He carved it out of tree bark and then got woodpeckers. 38:45.782 --> 38:48.604 He connected some woodpeckers up to hi-fi. 38:49.064 --> 38:49.305 1970 when? 38:49.325 --> 38:49.305 1978. 38:50.045 --> 38:50.886 Amazing. 38:50.906 --> 38:52.007 Imagine being alive then. 38:52.147 --> 38:53.228 I know, there wasn't any texting. 38:53.248 --> 38:53.708 Amazing. 38:53.888 --> 38:54.388 Amazing. 38:54.748 --> 38:55.188 So old. 38:55.208 --> 38:56.449 There's no Twitter. 38:57.449 --> 38:57.669 What? 38:59.810 --> 39:02.650 Did you make up any jokes over the 15 month period? 39:03.551 --> 39:04.691 Boy, now you're asking. 39:04.851 --> 39:11.253 I mean because you would have known that we were coming back on air so you might have made up a joke and jotted it down like I did. 39:11.393 --> 39:11.813 Did you? 39:12.153 --> 39:12.673 Just one. 39:12.953 --> 39:14.234 Just one joke in 15 months. 39:14.274 --> 39:14.954 It's no good. 39:15.254 --> 39:15.534 Is it not? 39:15.814 --> 39:17.215 But at least I squeezed one out. 39:17.235 --> 39:18.375 Come on, let's have it then. 39:18.775 --> 39:41.634 now right now yeah it's no good come on i mean it's based on a very old thing as well well is it i mean let's have it did you hear about the new danny devito film where he plays a man and this is made up don't keep the important thing is it's made up yeah right so i i believe this is entirely original okay so yeah that mitigates against any quality issues mitigates mitigates against any quality issues 39:43.856 --> 39:51.862 Did you hear about the new Danny DeVito film where he plays a man whose mum is addicted to a small blanket and he has to gradually teach her to live without it? 39:53.103 --> 39:54.624 It's called Train Mama from the Throw. 40:00.106 --> 40:00.947 Now, I made that up. 40:01.227 --> 40:01.948 I made that up. 40:02.408 --> 40:03.910 Have you made up any jokes? 40:04.911 --> 40:08.735 No, but I mean, are you saying that so bad? 40:08.755 --> 40:12.539 I considered some that were better than that, and I thought they weren't reading out. 40:12.559 --> 40:12.779 Did you? 40:12.819 --> 40:13.320 Where are they then? 40:13.340 --> 40:13.800 Where are they then? 40:14.041 --> 40:15.762 Well, I threw them in the bin. 40:15.782 --> 40:16.803 Are you saying that? 40:16.824 --> 40:16.964 Really? 40:19.346 --> 40:20.487 No one's gonna be stealing that one. 40:20.527 --> 40:26.272 Did you see the whole Ed Byrne... Ed Byrne, Keith Cheggwin, Twitter, Dave Barker... I didn't know. 40:26.292 --> 40:28.874 Because Cheggers was... I mean, this is old news, right? 40:28.894 --> 40:31.476 I can't believe you're just riding roughshot over my joke. 40:31.716 --> 40:32.617 It's... yeah. 40:33.217 --> 40:34.118 I mean it from a throw. 40:34.378 --> 40:39.322 It's supposed to encourage listeners to make up their own jokes and send them in, because we have a regular segment. 40:39.483 --> 40:40.023 Made up jokes. 40:40.123 --> 40:40.924 Called Made Up Jokes. 40:40.984 --> 40:49.771 But it has to be, and the whole, well, let me tell you about the Ed Byrne and Cheggers Dunbar, because it underlined the fact that it's so important that they are made up and not stolen. 40:50.332 --> 40:58.679 Because Ed Byrne got into a contraband with Cheggers, who was tweeting loads of jokes, like that was his thing on Twitter. 40:58.739 --> 40:59.840 Maybe it still is. 41:00.260 --> 41:01.662 It's just to tweet loads of jokes. 41:02.242 --> 41:06.266 But often they were sort of jokes that were doing the rounds. 41:07.007 --> 41:11.751 Sometimes they were just sort of traditional jokes that everyone tells kind of knock, knock jokes or whatever. 41:12.152 --> 41:17.677 But then some of them were actual jokes that, you know, comedians were still using in their standup sets or whatever. 41:17.937 --> 41:21.020 And he wasn't necessarily crediting the people that had written the jokes. 41:21.360 --> 41:25.945 So Ed Byrne mentioned that, you know, he was a little surprised and perhaps it would be a good idea if he did credit them. 41:26.485 --> 41:29.648 But anyway, that opened up a whole spat which went on for ages. 41:29.688 --> 41:32.310 It sort of got quite nasty for a while. 41:32.350 --> 41:34.452 I think they've settled their differences now. 41:35.152 --> 41:44.200 But one of the names that kept coming up in the whole situation was... I went for the word situation after thinking about that for a while. 41:45.261 --> 41:48.464 was Timmy Vine, you know, because he's a joke craft machine. 41:48.965 --> 41:52.589 But the thing is, his jokes are so classic, they feel as if they've been around forever. 41:52.889 --> 41:56.654 People just often use them and don't even bother to credit Timmy Vine, you know? 41:57.134 --> 41:59.557 And that has happened in made-up jokes before, hasn't it? 41:59.617 --> 42:02.360 People have sent in jokes which listeners have then said, 42:02.560 --> 42:03.821 That's a Timmy Vine smash. 42:03.841 --> 42:04.941 That's a classic Timmy Vine. 42:04.961 --> 42:07.303 So you've got to be so careful, is what I'm saying. 42:07.323 --> 42:07.943 You've got to be very careful. 42:07.963 --> 42:11.065 You've got to be ever so careful with... It's got to be absolutely awful. 42:11.345 --> 42:12.445 Joe's joke, for example. 42:12.525 --> 42:14.186 Train Mama from the throne. 42:14.206 --> 42:16.107 There's no way that Timmy Vine would touch that. 42:16.127 --> 42:17.208 Well, that's what's amazing. 42:17.228 --> 42:20.650 I mean, it might not be a good joke, but I bet you no one's ever... I mean... 42:21.730 --> 42:24.854 Oh, I don't think anyone ever would have considered that. 42:24.874 --> 42:25.554 But that's the thing. 42:25.574 --> 42:26.015 That's the key. 42:26.055 --> 42:26.736 That's the magic. 42:26.916 --> 42:27.116 Yeah. 42:27.476 --> 42:28.558 So listen, send us your made up. 42:28.578 --> 42:29.599 You could send them right now. 42:29.779 --> 42:32.602 You know, if we get some good ones before the end of the show, we'll read them out. 42:32.622 --> 42:33.703 We'll even play a jingle with it. 42:34.064 --> 42:36.206 It's 11.30 and it's time for the news. 42:36.807 --> 42:39.129 Val and Sebastian, I want the world to stop. 42:39.710 --> 42:40.731 It's not gonna stop, mate. 42:41.231 --> 42:42.012 Gotta get used to it. 42:42.032 --> 42:45.235 This is Adam and Joe here on BBC Six Music. 42:45.275 --> 42:47.116 Very nice to be back with you listeners. 42:47.576 --> 42:50.619 Little shout-out going out to our team here. 42:51.059 --> 42:53.361 Thanks so much, James Stirling, our producer. 42:53.561 --> 42:55.122 Make some noises like a posse, Joe. 42:55.403 --> 42:56.363 Whoa! 42:56.644 --> 42:57.765 That's not very good. 42:58.405 --> 43:00.327 Come on, and let's have a shout-out for Lucy. 43:00.427 --> 43:02.028 Hooray! 43:02.268 --> 43:02.869 For Tom. 43:02.889 --> 43:03.830 Ooh! 43:04.530 --> 43:07.052 And that's the Adam and Joe team here at BBC Six Music. 43:07.212 --> 43:09.154 Who's the controller of BBC Six Music? 43:10.955 --> 43:11.937 Shout out for Bob Shannon! 43:12.898 --> 43:13.619 Hooray! 43:13.639 --> 43:14.760 Yay! 43:15.061 --> 43:16.683 Who else should we do a shout out to? 43:16.743 --> 43:17.304 No one! 43:17.544 --> 43:17.865 Okay. 43:18.065 --> 43:19.387 Hey, I should do one for my brother. 43:19.427 --> 43:20.228 It's his birthday. 43:20.608 --> 43:21.229 Uncle Dave! 43:21.469 --> 43:22.270 Uncle Dave. 43:22.391 --> 43:23.132 Come on! 43:23.152 --> 43:23.212 Woo! 43:23.412 --> 43:24.513 There you go. 43:25.014 --> 43:25.454 Nice one. 43:25.834 --> 43:31.376 So listen, Joe, when was the last time you heard the Rumpelstiltskin story? 43:31.816 --> 43:34.537 The Rumpelstiltskin story, not for a long time. 43:34.557 --> 43:36.057 Are you familiar with the detail stilf? 43:36.617 --> 43:40.398 Well, man, I'm not even sure I can remember what Rumpelstiltskin is. 43:41.498 --> 43:42.159 Now, remind me. 43:42.379 --> 43:47.520 Well, you probably think it's like a grunge band who... I get it confused with Strulpeater. 43:47.540 --> 43:49.080 Which is that sort of terrifying... 43:51.741 --> 43:54.866 Drawing of the stick with Stroll Peter Brothers Grimm as well. 43:55.146 --> 44:06.944 I don't know But yes, Stroll Peter was the guy that went around he had unruly fingernails right something like that And in the end he got not only his fingernails chopped off, but his fingers too 44:07.905 --> 44:09.947 And that's a fun story to tell children. 44:10.147 --> 44:11.128 Kids love that kind of thing. 44:11.709 --> 44:15.373 But you are a story craftsman, right? 44:16.173 --> 44:19.036 You understand how stories work and why they are told. 44:19.817 --> 44:21.278 So what is the logic then? 44:21.338 --> 44:25.863 What was the Brothers Grimm logic of telling these terrifying stories to children? 44:27.144 --> 44:28.525 Well, they're allegorical, aren't they? 44:28.665 --> 44:28.866 Right. 44:29.386 --> 44:32.130 So what's the good thing about scaring the bejesus out of her? 44:32.150 --> 44:33.351 Because the world is scary. 44:33.431 --> 44:33.892 Right, right. 44:33.992 --> 44:36.916 And it's better to... these real questions? 44:36.976 --> 44:37.657 Yeah, kind of. 44:38.097 --> 44:47.309 Yeah, why do you find yourself telling stories to your kids that you wonder about their, you know, whether they'll just freak them out and whether they're getting any allegorical... I just feel... 44:47.789 --> 44:51.271 The thing is, I have to go off on tangents because I feel I have to explain everything. 44:51.311 --> 44:57.694 I'm like, well, this is a grotesque... Like, when I was reading Rumpelstiltskin, right, the other night, here, I'll fill you in on some of the stiltskin facts. 44:58.214 --> 45:02.176 This is the boiled-down version of the Brothers Grimm story from 1812. 45:03.877 --> 45:09.840 In order to make himself appear more important, Miller lied and said that his daughter would spin straw into gold. 45:09.880 --> 45:10.300 You remember that? 45:10.880 --> 45:12.361 The king heard of this, right? 45:12.661 --> 45:23.265 And he called for the girl and he shut her in a tower room with straw and a spinning wheel and demanded that she spin the straw into gold by morning for three nights or be executed. 45:23.705 --> 45:25.646 So already it's quite horrific you've got like a... 45:26.326 --> 45:28.327 A father who's not, you know, he's an idiot. 45:28.627 --> 45:31.528 He's been boasting about his daughter's non-existent magical powers. 45:31.848 --> 45:35.409 You've got a brutal despot ruler who locks her in a tower. 45:35.429 --> 45:36.829 He's so greedy, he wants the gold. 45:36.989 --> 45:41.451 And he's a moron as well, because he doesn't realize you can't really spin straw into gold. 45:41.791 --> 45:44.211 And you've got this girl, poor girl, locked up in the tower. 45:44.432 --> 45:46.612 She's only got three nights to spin the straw into gold. 45:47.352 --> 45:52.314 And she's visited by a little Nomi man, Rumpelstiltskin, and he jumps in into the rim. 45:52.854 --> 45:57.777 Ah, hello, I can't help you, I can't spin this door into gold for you! 45:58.077 --> 45:58.878 That's how he sounds. 45:59.858 --> 46:01.779 And so that's nice, gets her off the hook. 46:02.120 --> 46:06.462 What will you give me in return for that spinning in the... Shall I count on doing that? 46:06.522 --> 46:06.902 Yes. 46:07.423 --> 46:09.184 Spinning this door into gold. 46:09.664 --> 46:11.845 So what did you say he was a gnome? 46:12.105 --> 46:13.046 He's a little gnomey man. 46:13.106 --> 46:15.547 We're gonna get a lot of emails from little gnomey man. 46:16.548 --> 46:18.770 saying that it's a reductive accident I'm doing. 46:19.371 --> 46:21.633 You know, little lonely men speak in a normal way. 46:21.713 --> 46:24.715 They don't talk like this, necessarily. 46:25.136 --> 46:26.537 Well, Rumpa Stiltskin did, though. 46:26.597 --> 46:27.758 I have it on good authority. 46:27.778 --> 46:29.039 That's exactly how he sounded. 46:29.840 --> 46:34.204 So anyway, she gives him like a ring the first night, the second night he comes 46:34.224 --> 46:39.468 comes back and she rewards him with, I don't know, some air miles or something. 46:39.508 --> 46:48.474 And then the third night, the only thing that she has left to say thank you to Rumpelstiltskin with is the promise that she will give him her first born child. 46:48.614 --> 46:49.074 Sure thing. 46:49.474 --> 46:49.734 You know? 46:49.754 --> 46:51.476 What else are you going to fall back on? 46:51.496 --> 46:52.076 That's all she's got. 46:52.256 --> 46:55.378 And the reason she makes the promise is because she thinks, I'm probably never going to have kids. 46:55.398 --> 46:56.379 You know, I don't really want kids. 46:57.420 --> 46:58.080 I'm too busy. 46:58.220 --> 47:01.423 I'm going to set up a spinning straw into gold business and stuff like that. 47:01.443 --> 47:02.663 And I'm going to be too busy to have kids. 47:02.703 --> 47:04.805 So there's no problem making this promise. 47:05.245 --> 47:14.131 Anyway, sure enough, the king, after she's spun all this straw into gold, is so pleased with her performance that he decides to marry her. 47:14.592 --> 47:17.074 You would think she would run a mile from the homicidal king, right? 47:17.534 --> 47:19.275 But no, she says, yeah, that would be great. 47:19.295 --> 47:19.856 And they get married. 47:19.876 --> 47:20.216 He is the king. 47:20.376 --> 47:21.156 He's the king, right. 47:22.157 --> 47:26.000 She thinks, Brill's, let's get married, and then they have a child? 47:26.220 --> 47:29.662 Yeah, I definitely want to have children with you, the guy that threatened to murder me. 47:31.063 --> 47:35.406 So they have a child, and sure enough, Rumpelstiltskin comes back to collect on the kid, right? 47:35.806 --> 47:38.808 So this is an absolutely horrific, grotesque story going on here. 47:39.148 --> 47:44.232 And the only way she can get out of it is if she is able to say his name. 47:44.252 --> 47:46.714 At this point, she doesn't know what the little Nomi man's name is. 47:47.254 --> 47:51.016 And he says, if you can guess my name, then you can keep the kid. 47:51.076 --> 47:51.597 It's brilliant. 47:53.258 --> 48:00.085 So she tries to guess his name, you know, she sends messengers out over far and wide, and they come back with lots of different names. 48:00.586 --> 48:02.768 Is your name Mon? 48:03.289 --> 48:05.751 Is it Fudge? 48:06.112 --> 48:07.593 No, my name is not Mon. 48:07.853 --> 48:09.455 No, it is not Fudge. 48:09.876 --> 48:11.818 No, it is not Rogex. 48:12.738 --> 48:17.243 And she thinks, I know I'm going to lose my child to this Nomi man. 48:17.604 --> 48:20.367 What's the Nomi man even going to do with the baby? 48:20.667 --> 48:21.868 Why does he want a baby? 48:21.888 --> 48:25.032 I'm not saying that Nomi men aren't going to make good parents. 48:26.133 --> 48:29.276 And these are all the caveats I have to make while I'm reading the story out, right? 48:29.376 --> 48:33.481 It's impossible to tell any story on the BBC without getting into trouble. 48:33.681 --> 48:41.085 And then, so basically, one of the messengers that she sends out happens across the little hut where the Nomi man lives. 48:41.506 --> 48:59.996 And the Nomi man is dancing round the fire, thinking he's alone celebrating, and he is singing, today I brew, tomorrow I bake, and then the prince's child I'll take, the prince child I will take, for no one knows my little game that Rumpelstiltskin is my name. 49:00.096 --> 49:02.638 Oh, he came it away, he came it away, he came it away. 49:02.958 --> 49:05.801 So the messenger goes back, tells the... Sure thing. 49:05.881 --> 49:06.522 And she busts him. 49:06.802 --> 49:10.406 And here is the original ending of the story, right? 49:10.486 --> 49:17.793 When she correctly guesses Rumpelstiltskin's name, he flies into such a rage that he bashes his foot through the floor. 49:18.634 --> 49:25.200 And on one of the versions of the story, he tears his foot out and his whole body splits in two. 49:26.301 --> 49:41.870 uh you know is that a good story that is a good ending and then another version of the ending because there are many versions over the years another version it says on wikipedia another version has rumpled stiltskin exploding and killing everyone within a mile yes what's that 49:42.550 --> 49:45.392 So I'm telling this to my little daughter, you know. 49:45.412 --> 49:47.172 Nearly three. 49:48.513 --> 49:51.895 And it's just a minefield of explaining. 49:51.955 --> 49:53.675 She might be too young for the story. 49:53.776 --> 49:55.396 You reckon? 49:55.516 --> 49:59.518 You want to give her stories like about ducks going back to their pond. 49:59.718 --> 50:00.359 She demanded it. 50:00.379 --> 50:01.039 She picked it out. 50:01.059 --> 50:01.599 Simpler stories. 50:03.200 --> 50:04.020 She wanted that one. 50:04.421 --> 50:08.803 I mean, it sounds like quite a complicated, like economic allegory, doesn't it? 50:09.583 --> 50:14.645 For somebody who gets themselves in hock to some sort of rich person by making a promise they can't deliver on. 50:14.905 --> 50:15.766 Evils of capitalism. 50:15.826 --> 50:20.508 And then, yeah, and then ends up secretly making a pact with some awful money lender or something. 50:20.928 --> 50:22.549 And then is in hock to the money lender. 50:23.269 --> 50:28.031 You know, the first born child is maybe some sort of metaphor for their future or something. 50:28.051 --> 50:28.871 That's why I asked you. 50:28.931 --> 50:29.271 Isn't it? 50:29.532 --> 50:30.352 Story guru. 50:30.952 --> 50:31.813 But that's what it is, isn't it? 50:31.853 --> 50:32.253 Yeah, yeah. 50:32.873 --> 50:34.274 But I don't know about the exploding thing. 50:34.294 --> 50:35.375 See, my mind is too literal. 50:35.635 --> 50:40.579 All I can see is just a frightening dwarfy man who explodes and kills everyone within a mile. 50:40.599 --> 50:42.540 Why hasn't Hollywood rebooted that one, though? 50:42.840 --> 50:45.742 You would think they'd go to that before Red Riding Hood, wouldn't you? 50:45.903 --> 50:46.363 Wouldn't you? 50:46.543 --> 50:46.903 I don't know. 50:46.923 --> 50:47.624 That's an idea. 50:47.864 --> 50:48.805 Get on it, Joe Cornish! 50:49.025 --> 50:49.205 Okay. 50:49.445 --> 50:50.086 Here's the strokes. 50:50.446 --> 50:51.687 Two kinds of happiness there. 50:51.747 --> 50:52.468 That's the strokes. 50:52.568 --> 50:58.153 You're listening to Adam and Joe here on BBC Six Music on a delightful, balmy Saturday afternoon. 50:58.253 --> 51:02.476 Now, Adam, just to shut you up about Italian neorealist cinema, right? 51:02.616 --> 51:06.460 You go on and on about Pier Paolo Pasolini. 51:06.660 --> 51:08.922 We're having a little festival tonight at my house. 51:09.022 --> 51:09.843 Are you? 51:10.063 --> 51:11.524 You love all his films. 51:11.584 --> 51:14.106 Madea, you love Gospel According to St Matthew. 51:14.587 --> 51:15.928 Shut up about it! 51:16.928 --> 51:20.570 You particularly love Theorem, his 1968 film, right? 51:21.131 --> 51:22.812 I wish you would stop going on about it. 51:22.852 --> 51:24.673 That's what I named my sons after, yeah. 51:24.733 --> 51:25.033 Yes. 51:26.053 --> 51:32.837 And so just to shut you up, I'm going to play Ennio Morricone's theme from Theorem from 1968, beat number three, all right? 51:32.857 --> 51:33.278 Oh, good. 51:33.298 --> 51:33.778 I love this one. 51:33.798 --> 51:34.558 Just to make you happy. 51:34.578 --> 51:34.898 Here we go. 51:34.918 --> 51:35.679 It's a finger-popper. 51:36.059 --> 51:38.322 Public image limited there with public image. 51:38.342 --> 51:47.411 This is Adam and Joe here on BBC 6 Music and I think we're going to dip ourselves gently back into the fetid waters of textination this week. 51:47.451 --> 51:48.112 Let's have the jingle. 51:50.474 --> 51:51.315 Textination! 51:51.335 --> 51:51.656 Text! 51:51.716 --> 51:51.996 Text! 51:52.056 --> 51:52.416 Text! 51:52.517 --> 51:53.277 Textination! 51:53.317 --> 51:54.278 What if I don't want to? 51:54.519 --> 51:55.259 Textination! 51:55.360 --> 51:56.361 But I'm using email. 51:56.541 --> 51:57.282 Is that a problem? 51:57.302 --> 51:58.122 It doesn't matter, text! 52:00.646 --> 52:06.850 Yes, Text the Nation is the segment of the show listeners when we give you a subject to text in on and you text in on it and we read them out. 52:07.291 --> 52:08.191 Simple as that, right? 52:08.611 --> 52:10.413 I mean, today's subject is awful. 52:10.933 --> 52:11.814 I mean, it's really awful. 52:11.834 --> 52:12.814 It's not so much a subject. 52:12.834 --> 52:17.718 This is one or two people have emailed in claiming this is the worst Text the Nation ever. 52:17.878 --> 52:18.798 How do you feel about that? 52:18.898 --> 52:19.819 Well, that's fine. 52:19.859 --> 52:20.700 It's the first show battle. 52:20.720 --> 52:21.981 I mean, they're happy to hear us back. 52:22.341 --> 52:22.561 15 months. 52:22.581 --> 52:23.782 But they think this is the worst. 52:23.862 --> 52:25.203 We've come back with the worst one ever. 52:25.663 --> 52:26.864 Well, it's a catch-up one. 52:26.904 --> 52:28.605 It's a, hi, how are you doing one? 52:28.625 --> 52:32.046 No, it's not nice to point out that it's the worst one ever. 52:32.326 --> 52:34.428 I mean, basically, there are no criteria. 52:34.668 --> 52:35.928 No, it's like, get in touch. 52:35.948 --> 52:36.469 Just anything. 52:36.609 --> 52:36.969 Anything. 52:37.109 --> 52:37.569 Any story. 52:37.589 --> 52:37.969 Words. 52:38.089 --> 52:38.470 Anything. 52:38.630 --> 52:39.750 With a collection of words. 52:40.270 --> 52:42.372 So here's, I mean, it's going to be really random. 52:42.712 --> 52:47.434 And maybe you can help the listeners by responding to these in an either more or less enthusiastic way, you know? 52:47.454 --> 52:49.755 But this list, you haven't seen someone for a long time. 52:50.015 --> 52:51.916 You don't go into specifics immediately. 52:51.936 --> 52:53.097 You just say, hey, what have you been up to? 52:53.157 --> 52:53.577 to, right? 52:53.597 --> 52:54.278 That's a good point. 52:54.298 --> 52:55.039 That's what we're doing. 52:55.279 --> 52:56.280 How are you doing? 52:56.480 --> 52:57.501 That's what it should have been. 52:57.721 --> 52:58.542 What's been happening? 52:58.662 --> 52:59.903 What's been going down? 53:00.023 --> 53:00.744 Yeah, exactly. 53:00.764 --> 53:02.365 What do you think of Charlie Sheen? 53:02.606 --> 53:04.107 Whoa, that guy's crazy. 53:04.427 --> 53:06.529 Here's one from Daniel Maroney. 53:07.230 --> 53:12.094 He says, it's very simple, this one, he says, this is the best thing that's happened to him in the last 15 months. 53:12.635 --> 53:19.581 I thought I saw, I thought I saw the man who presents the weight loss show families on a train to Birmingham. 53:21.454 --> 53:21.874 That's it. 53:22.435 --> 53:22.935 Whoa. 53:23.015 --> 53:24.957 He only thought his arm. 53:25.337 --> 53:26.317 That was it for 15 months. 53:26.377 --> 53:26.778 Yeah, yeah, yeah. 53:26.838 --> 53:28.219 OK, so you don't like that one, listeners? 53:28.239 --> 53:28.539 You know that? 53:28.579 --> 53:29.219 But he didn't like it. 53:29.240 --> 53:30.280 But he didn't like it. 53:30.320 --> 53:31.361 I'm not saying I didn't like it. 53:31.381 --> 53:32.041 Who was that from? 53:32.202 --> 53:34.783 That was from Daniel Moroni. 53:34.903 --> 53:35.804 Good stuff, Daniel. 53:35.864 --> 53:36.605 That's good, man. 53:36.625 --> 53:41.208 I can't believe you thought you saw that guy from the weight loss show. 53:41.448 --> 53:42.289 What are the chances? 53:42.309 --> 53:44.590 Here's one from Vicky Nash. 53:44.850 --> 53:45.111 Yeah. 53:45.411 --> 53:48.213 Hey, buckle balls and count corn on the cob. 53:48.233 --> 53:49.334 What do you think about that? 53:50.194 --> 53:51.795 That's a little familiar, isn't it? 53:52.195 --> 53:55.916 Quite recently, I was at my trampolining club at college, practicing front somersaults. 53:56.737 --> 53:58.357 As a cause of my... what? 53:58.517 --> 54:03.880 As a cause of my over-rotation... I think she means as a result of my over-rotation. 54:04.020 --> 54:04.820 Or even because of. 54:04.940 --> 54:05.160 Yeah. 54:06.701 --> 54:09.202 I landed on my toes and catapulted forwards. 54:09.842 --> 54:16.225 I skidded on my faith and underneath the mat, which covers the outside of the trampoline where the springs are, and I got a face full of springs. 54:16.425 --> 54:17.725 Wait, she skidded on her faith? 54:17.885 --> 54:18.146 This is... 54:19.986 --> 54:23.548 She did, she had a religious crisis in mid-air and it made her fall over. 54:24.929 --> 54:26.209 And she got a spring in her face. 54:26.450 --> 54:27.230 So how about that one? 54:27.250 --> 54:28.971 I mean, that's just kind of confusing. 54:28.991 --> 54:31.852 I think it means she hurt herself quite badly. 54:31.872 --> 54:34.434 To summarize, she was doing gymnastics and she fell. 54:35.694 --> 54:37.735 No, I would say this she was on a trampoline. 54:37.775 --> 54:41.497 She fell she skidded on her face on her face on her face. 54:41.517 --> 54:44.038 Yeah Underneath the trap underneath. 54:44.098 --> 54:44.578 That's good. 54:44.618 --> 54:45.719 That's a good story. 54:45.919 --> 54:46.639 I thought that was brilliant. 54:46.659 --> 54:50.601 I can't believe he saw my eye from the weight loss show Do you want another one? 54:51.021 --> 54:52.061 I mean, this is your fault. 54:52.081 --> 54:52.361 Yes. 54:52.441 --> 54:52.762 I like it. 54:52.782 --> 54:53.382 It's going well. 54:53.462 --> 54:54.122 I've made your bed. 54:54.162 --> 54:57.864 I think it's good text the nation Steve temper. 54:58.124 --> 55:00.725 Yeah, good name for any really good anecdote 55:00.965 --> 55:09.552 I came from college a few months ago to hear my mum's plaintive voice crying for help. 55:10.373 --> 55:12.135 She's always had ill health so I panicked. 55:12.555 --> 55:14.156 I rushed around the house looking for her. 55:14.617 --> 55:15.678 I found her in the kitchen. 55:15.978 --> 55:19.020 Turned out she wasn't having a heart attack or a stroke but she was 55:20.492 --> 55:24.674 bottom up in the air with her head stuck down the side of the fridge. 55:24.794 --> 55:26.115 What kind of story is this? 55:26.335 --> 55:28.096 It's one of the ones you asked for. 55:28.156 --> 55:28.856 It's an anecdote. 55:28.876 --> 55:29.597 You picked it out. 55:30.197 --> 55:31.678 I laughed so hard I fell over. 55:32.138 --> 55:34.579 Come on, mum, head stuck down the front of the fridge. 55:35.540 --> 55:35.840 Surely. 55:35.860 --> 55:37.661 He's stuck down the front of the fridge. 55:37.821 --> 55:38.401 Side of the fridge. 55:38.721 --> 55:38.981 Why? 55:39.061 --> 55:39.362 Why? 55:40.002 --> 55:40.742 What's he doing there? 55:40.902 --> 55:41.343 I don't know. 55:41.363 --> 55:42.103 He never explains. 55:42.143 --> 55:43.464 I'm going to move on to another one quickly. 55:43.484 --> 55:44.364 Do you want another one? 55:44.704 --> 55:45.064 Yeah, go on. 55:45.224 --> 55:45.665 It's hard. 55:45.705 --> 55:46.405 There's so many. 55:46.985 --> 55:47.185 Yeah. 55:47.306 --> 55:48.606 It's hard to pick out the good ones. 55:48.626 --> 55:49.347 Yeah, it is, isn't it? 55:50.567 --> 55:54.652 Jamie Taylor says, hey guys, I have to skip through some stuff. 55:54.712 --> 55:54.992 Hang on. 55:55.213 --> 55:56.014 Here's my anecdote. 55:56.054 --> 55:56.955 Last week I was in it. 55:57.055 --> 55:58.216 I'm not even going to read that one out. 55:58.456 --> 55:58.677 What? 55:59.177 --> 56:01.920 Last week I was in my English class, which was the last day. 56:04.082 --> 56:12.111 Okay, last week I was in my English class, which was last day of the day, eagerly awaiting the belter ring, so I could rush to jazz band practice after school. 56:12.311 --> 56:13.452 Listen, give me some time with that one. 56:13.572 --> 56:14.293 That's a good one. 56:14.313 --> 56:14.914 Let me read it through. 56:14.934 --> 56:16.195 Already I was getting through. 56:16.215 --> 56:16.936 That was a fun one. 56:16.956 --> 56:17.697 I need to rewrite it. 56:17.717 --> 56:20.100 Jazz band practice, last day of the day. 56:22.501 --> 56:25.581 So that's the end of this Text the Nation segment. 56:25.601 --> 56:27.802 We may or may not revisit it later in the show. 56:27.822 --> 56:29.202 We're going to roll it over to next week. 56:29.222 --> 56:30.083 What are you talking about? 56:30.123 --> 56:31.303 We're going to roll it over to next week. 56:31.323 --> 56:32.643 Imagine Retro Text the Nation next week. 56:32.663 --> 56:34.884 We'll try and be a bit more specific next week, you know. 56:34.904 --> 56:35.564 It's going to be amazing. 56:35.824 --> 56:43.026 I've got a few made up jokes, but I'll share those with you in a bit, because we are just about to push through the noon barrier, ladies and gentlemen. 56:43.526 --> 56:46.787 Five, four, three, two, one. 56:49.946 --> 56:51.311 We're through the new barrier! 56:51.994 --> 56:54.174 Here's the sound go team, Apollo's wrote down. 56:54.615 --> 56:57.575 I don't like it when people look in my eyes and see my soul. 56:58.295 --> 56:59.216 No, it's intrusive. 56:59.496 --> 57:00.556 I find it very intrusive. 57:00.596 --> 57:03.937 I like to cover my soul, if at all possible. 57:04.917 --> 57:05.597 How profound. 57:05.617 --> 57:06.157 It's private. 57:06.337 --> 57:07.257 It's very private. 57:08.117 --> 57:16.639 Hey, do you know, do you ever watch the repeats of that outer space show, you know, Wonders of the, is it called Wonders of the Universe? 57:17.199 --> 57:20.100 Is that the modern one with Professor... Professor Brian Cox. 57:21.401 --> 57:24.103 I don't think I've ever seen the whole thing. 57:24.143 --> 57:26.184 No, I know that it's supposed to be very good. 57:26.324 --> 57:32.028 You know that pleasurable thing when you're lying in bed and the sky at night comes on? 57:32.548 --> 57:33.529 Do you ever watch that? 57:33.929 --> 57:35.310 With Mr. Moore. 57:35.350 --> 57:36.211 With Patrick Moore. 57:36.271 --> 57:37.772 And they show these incredible 57:39.233 --> 57:45.278 You know, computer simulations and photos of distant galaxies. 57:46.159 --> 57:46.479 You know what? 57:46.559 --> 57:48.361 I never even used to watch that. 57:48.481 --> 57:48.801 Really? 57:48.821 --> 57:50.302 I never get past Mr. Moore himself. 57:50.322 --> 57:51.123 But you like space. 57:51.163 --> 57:52.864 You like star trekking space stuff. 57:52.984 --> 57:54.045 So you love space. 57:54.546 --> 57:58.129 And there's a point at which that stuff becomes so sort of abstract and meaningless. 57:58.789 --> 58:02.412 that it's weirdly soothing and awe-inspiring. 58:02.892 --> 58:10.778 And Professor Dr. David Cox on his amazing smash hit BBC One series, Wonders of the Universe, has taken this to new levels. 58:11.659 --> 58:16.503 They've got some incredible computer simulations of distant nebulae. 58:17.603 --> 58:18.684 They're really stunning. 58:19.145 --> 58:27.391 And it's a big smash hit this programme, and I think lots of people are watching it, but it really is really entrancing, even if you don't understand what the 58:27.551 --> 58:29.393 hell he's talking about. 58:29.834 --> 58:35.501 It becomes like a sort of amazing abstract poetry or some kind of art installation. 58:35.982 --> 58:44.734 These incredibly beautiful simulations of galaxies done on computers with this awe-inspiring music playing behind it. 58:45.134 --> 58:55.160 And then the dull, soft tones of Professor Cox telling you all these amazing names and mind-boggling statistics about these things. 58:55.620 --> 58:57.281 It's quite a trippy experience. 58:57.661 --> 59:00.563 Here's a clip from the latest episode, episode four. 59:00.903 --> 59:01.683 Have a listen to this. 59:04.305 --> 59:05.746 This is the Lagoon Nebula. 59:10.458 --> 59:26.614 The Lagoon Nebula sits about 5,000 light years from Earth but it can still be seen with the naked eye because it's a hundred light years across and brightly lit by the hot young new star that sits at its centre. 59:26.934 --> 59:28.916 A giant called Herschel 36. 59:31.835 --> 59:34.678 So it's 5,000 light years from the Earth. 59:35.139 --> 59:37.321 It's 100 light years across. 59:37.881 --> 59:42.206 It's a hot new star called Herschel 36. 59:43.147 --> 59:44.328 I've been reading about Herschel 36. 59:44.408 --> 59:44.668 Yes. 59:44.748 --> 59:47.211 It's the hottest new star in the galaxy. 59:47.471 --> 59:48.412 He's huge. 59:48.532 --> 59:49.834 He's absolutely huge. 59:49.974 --> 59:53.898 Isn't he going out with the lady with the haircut? 59:54.378 --> 59:56.840 Yeah, and it's a difficult, we're a lady with the haircut. 59:57.761 --> 59:58.442 Tina Pimples. 59:58.582 --> 59:58.922 Yes. 59:58.942 --> 01:00:01.244 The one who was in an education. 01:00:01.264 --> 01:00:04.748 But it's a difficult relationship because they live a long way apart. 01:00:05.068 --> 01:00:05.989 Right. 01:00:06.029 --> 01:00:07.910 Well, he's 5,000 light years away. 01:00:08.031 --> 01:00:08.211 Sure. 01:00:08.231 --> 01:00:09.632 And she's in Chingford. 01:00:09.732 --> 01:00:10.553 What's the girl's name? 01:00:11.093 --> 01:00:12.374 The one I'm thinking of, the actress. 01:00:12.394 --> 01:00:13.495 You know, she's very famous. 01:00:13.535 --> 01:00:14.356 With the haircut? 01:00:14.376 --> 01:00:15.177 She's got a haircut. 01:00:15.697 --> 01:00:16.618 Carrie Mulligan. 01:00:16.638 --> 01:00:17.499 That's right, Carrie Mulligan. 01:00:17.599 --> 01:00:19.341 And she's going out with... With Herschel 36. 01:00:21.122 --> 01:00:24.303 But it's a difficult relationship to sustain because of the distance. 01:00:24.363 --> 01:00:30.025 Yeah, and because he's a hundred light years across that's age I mean imagine the phone bill, but he's very fat. 01:00:30.266 --> 01:00:30.726 Oh, I see. 01:00:30.746 --> 01:00:33.987 He's a hundred light years across It's a little embarrassing. 01:00:34.067 --> 01:00:35.428 It's a bit embarrassing socially. 01:00:35.568 --> 01:00:39.429 He can't get out of that house Yeah, why I mean he's what has he been eating? 01:00:39.449 --> 01:00:47.252 I don't know possibly Now listen to this clip so as if that isn't awesome enough and listen to this clip. 01:00:47.272 --> 01:00:47.392 Oh 01:00:49.622 --> 01:00:59.156 This newly born star is over 20 times more massive than our Sun and burns much hotter which makes the light that pours from its surface blue. 01:01:02.535 --> 01:01:05.477 So, it's 20 times more massive than the sun. 01:01:05.917 --> 01:01:07.058 We're still talking about Herschel 36. 01:01:07.158 --> 01:01:08.739 I thought he was talking about his sun. 01:01:09.099 --> 01:01:13.121 No, he's 20 times more massive than the sun and blue light pours from his surface. 01:01:13.461 --> 01:01:13.841 Whoa. 01:01:14.642 --> 01:01:15.882 Isn't that amazing? 01:01:16.383 --> 01:01:18.944 Yeah, I mean that's... Can you visualise Herschel 36? 01:01:19.244 --> 01:01:21.686 Yeah, I think he's in the blue man group, isn't he? 01:01:22.566 --> 01:01:23.667 He's like a big blue guy. 01:01:23.747 --> 01:01:25.168 He's like one of the guys from Avatar. 01:01:26.008 --> 01:01:31.051 But if that isn't enough, then there is actually a star out there that dwarfs Herschel 36. 01:01:32.392 --> 01:01:33.633 Um, Justin Bieber? 01:01:34.594 --> 01:01:36.155 No, that's not her name. 01:01:36.455 --> 01:01:36.555 Oh. 01:01:38.216 --> 01:01:40.037 Let Professor Cox tell you. 01:01:41.538 --> 01:01:47.102 Seven and a half thousand light years from Earth is a star that dwarfs even Herschel 36. 01:01:47.643 --> 01:01:55.488 Its name is Eta Carinae. 01:01:56.940 --> 01:01:57.200 Right? 01:01:58.001 --> 01:02:00.362 So, it's even bigger than Herschel 36. 01:02:00.862 --> 01:02:01.983 I love Eta Carinae. 01:02:02.043 --> 01:02:02.984 Eta Carinae. 01:02:03.264 --> 01:02:04.565 Did you see her last film? 01:02:04.805 --> 01:02:06.766 Well, she was in Avatar, I'm sure, wasn't she? 01:02:06.806 --> 01:02:06.986 Yeah. 01:02:07.026 --> 01:02:07.106 Yes. 01:02:12.489 --> 01:02:14.570 Does that mean anything to you, what you just heard? 01:02:15.630 --> 01:02:18.371 It means that I love the sound of Brian Cox's voice. 01:02:18.391 --> 01:02:20.791 Have you ever heard, you know Jeremy Dyson from the League of Gentlemen? 01:02:20.811 --> 01:02:21.092 Yes. 01:02:21.532 --> 01:02:22.472 He's got the same voice. 01:02:22.572 --> 01:02:23.292 You're absolutely right. 01:02:23.632 --> 01:02:24.332 It's lovely, isn't it? 01:02:24.352 --> 01:02:28.414 It's that lovely, you know, very nicely pronounced northern voice. 01:02:28.994 --> 01:02:32.175 But the words he's saying, I mean, they're sort of meaningless, aren't they? 01:02:32.275 --> 01:02:32.515 Yeah. 01:02:32.935 --> 01:02:35.936 I mean, the measures he's talking about. 01:02:38.057 --> 01:02:43.258 But the measures he's talking about are so, these things are so massive they're beyond any comprehension. 01:02:43.318 --> 01:02:44.039 It boggles the mind. 01:02:44.159 --> 01:02:47.840 They don't relate to anything on earth or any experience at all. 01:02:48.200 --> 01:02:49.441 It's just bunkers. 01:02:49.721 --> 01:02:51.081 I mean, yeah, he could just be making it up. 01:02:51.261 --> 01:02:51.721 He could. 01:02:52.122 --> 01:03:00.765 I mean, for instance, if I made some awe-inspired music, would you think you'd be able to talk like him over it and just make the words up? 01:03:01.105 --> 01:03:01.625 Sure. 01:03:01.885 --> 01:03:02.325 Do you think? 01:03:02.765 --> 01:03:03.066 Easy. 01:03:03.086 --> 01:03:03.926 Do you want to try that now? 01:03:04.366 --> 01:03:04.767 Why not? 01:03:04.847 --> 01:03:06.008 How long do you think you could go for? 01:03:06.409 --> 01:03:06.769 Ages. 01:03:07.049 --> 01:03:07.370 Really? 01:03:07.670 --> 01:03:08.071 Sure. 01:03:08.171 --> 01:03:13.197 And you just talk about how wide things are, how narrow they are, what colour light they... Well, let's kick in some music. 01:03:13.217 --> 01:03:14.819 I mean, this is music I made for this. 01:03:14.879 --> 01:03:16.961 Let's see how long you last. 01:03:16.981 --> 01:03:17.342 Here it goes. 01:03:19.642 --> 01:03:36.723 look really far far away it's a giant big thing plate like a plate called julia-19 it's ever so large and it's huge look at that you could pile so much pudding on the top of it it's massive and great big 01:03:38.144 --> 01:03:44.432 Further away from that, even, is Michael Nantesface69000. 01:03:44.532 --> 01:03:45.854 How big? 01:03:46.334 --> 01:03:52.221 It's really much bigger than even Julia 15 or whatever the number was I said of the plate. 01:03:52.622 --> 01:03:56.266 It's so big, it's like a big massive balloon or a house. 01:03:56.647 --> 01:03:57.208 How wide? 01:03:57.788 --> 01:04:00.029 really, really wide. 01:04:00.469 --> 01:04:04.912 Like a road, a massive as wide as a big road. 01:04:05.572 --> 01:04:13.656 It's incredibly green and glowing green and bits of green toffee are coming off the top of it and people are catching them in their mouths. 01:04:13.716 --> 01:04:14.517 It's massive though. 01:04:14.977 --> 01:04:18.499 Imagine the most big toffee you ever saw is bigger than... 01:04:21.838 --> 01:04:22.859 It's bigger than that. 01:04:23.079 --> 01:04:24.421 Do something bigger, something bigger. 01:04:25.021 --> 01:04:29.105 But, dwarfing all those things ever so... Oh. 01:04:29.606 --> 01:04:31.628 I've exploded. 01:04:31.668 --> 01:04:33.590 The universe exploded. 01:04:33.950 --> 01:04:34.831 It was too big. 01:04:34.911 --> 01:04:35.592 You overdone it. 01:04:36.693 --> 01:04:37.634 That's inspiring. 01:04:38.134 --> 01:04:40.717 I mean, that's a good show that we could do right there. 01:04:41.217 --> 01:04:41.818 We just done it. 01:04:41.878 --> 01:04:43.099 The universe show. 01:04:44.280 --> 01:04:46.921 Okay, I think it's probably time for some Foo Fighters, isn't it? 01:04:47.221 --> 01:04:48.582 Always time for some Foo Fighters. 01:04:48.622 --> 01:04:49.062 Here's Rope! 01:04:49.202 --> 01:04:53.443 They're unlikely to completely radically reinvent themselves any time soon, are they, the Foo Fighters? 01:04:53.583 --> 01:04:54.103 You never know. 01:04:54.384 --> 01:04:55.204 You never know. 01:04:55.224 --> 01:04:55.744 You never know. 01:04:55.764 --> 01:04:57.185 I wouldn't put anything past Grohl. 01:04:57.545 --> 01:04:59.605 That was Rope by the Foo Fighters. 01:04:59.645 --> 01:05:01.826 This is Adam and Jo here on BBC 6 Music. 01:05:02.206 --> 01:05:04.687 20 parts 12, little time check there for you. 01:05:05.127 --> 01:05:08.988 In around about 40 minutes you're going to be joined by the mighty Liz Kershaw. 01:05:09.008 --> 01:05:10.229 She's going to be in the house with Moby. 01:05:10.949 --> 01:05:14.813 He's gonna be here talking to Liz about... I really like your new style. 01:05:14.853 --> 01:05:15.473 This is my new style. 01:05:15.493 --> 01:05:17.115 I mean you sound like a professional DJ. 01:05:17.135 --> 01:05:18.876 Yeah sure I am yeah crunch and roll. 01:05:19.016 --> 01:05:24.261 That's my middle name names and Moby's gonna be chatting to Liz about all kinds of things. 01:05:24.561 --> 01:05:25.462 You're so energized. 01:05:25.502 --> 01:05:26.263 I'm excited. 01:05:26.283 --> 01:05:28.485 Yeah sure he's gonna be here. 01:05:28.525 --> 01:05:32.688 You're slightly ruining and trampling over the link, but that's not a problem. 01:05:33.089 --> 01:05:33.529 That's fine. 01:05:34.670 --> 01:05:36.692 Moby's gonna be here and... This is amazing! 01:05:36.992 --> 01:05:37.772 You're sorry. 01:05:37.792 --> 01:05:38.292 I'm sorry. 01:05:38.332 --> 01:06:00.099 He's gonna be in the studio with Liz from one o'clock here on big music Moby's gonna be talking about music and all kinds of things could be anything from Moby's arms to the lighting Moby's fish collection taking you so long to get here and I've been doing a bit of practicing and I only you know I thought I shouldn't unveil the new voice until around about 20 past two 01:06:00.639 --> 01:06:01.680 So dynamic. 01:06:01.841 --> 01:06:03.602 22 minutes past 12 it is now. 01:06:03.622 --> 01:06:04.803 It's sexy too. 01:06:04.823 --> 01:06:06.905 21 minutes past 12 here on BBC 6. 01:06:07.486 --> 01:06:08.207 Oh, music. 01:06:08.327 --> 01:06:09.048 The House of Six. 01:06:09.188 --> 01:06:10.909 House of Steady On. 01:06:11.470 --> 01:06:13.592 I don't want to say it, it's only 20 past 12. 01:06:14.673 --> 01:06:15.694 Did someone say 6? 01:06:16.595 --> 01:06:18.517 Not for me, Mrs. Steady On. 01:06:18.857 --> 01:06:20.459 Liz Gershul's going to be here from 1 o'clock. 01:06:21.030 --> 01:06:26.976 With Moby, the bald-headed genius, he's gonna be chatting to Liz about music and much, much, much more besides. 01:06:27.016 --> 01:06:27.737 I've had enough now. 01:06:27.757 --> 01:06:28.318 I hate it. 01:06:28.338 --> 01:06:29.559 Don't miss that. 01:06:29.619 --> 01:06:30.200 We're awful. 01:06:30.240 --> 01:06:30.880 All right, here's a free play. 01:06:30.900 --> 01:06:31.401 Get out. 01:06:31.501 --> 01:06:31.801 Sorry. 01:06:32.001 --> 01:06:32.902 Here's my free play. 01:06:33.183 --> 01:06:34.284 This is a Spanish band. 01:06:34.644 --> 01:06:35.645 They're called Mujeres. 01:06:35.785 --> 01:06:37.727 I mean, now I'm self-conscious about doing... When will Liz end? 01:06:37.947 --> 01:06:38.969 When will you stop talking? 01:06:39.029 --> 01:06:40.810 I'm doing a normal voice now! 01:06:41.718 --> 01:06:42.098 All right. 01:06:42.599 --> 01:06:48.824 That guy earlier about the Australian has made me self-conscious about doing offensive stereotypical racial accents. 01:06:49.444 --> 01:06:50.565 Come on, man. 01:06:51.106 --> 01:06:52.607 We've had about 300 emails. 01:06:52.647 --> 01:06:53.948 I read you out the one bad one. 01:06:54.088 --> 01:06:54.408 Oh, really? 01:06:54.488 --> 01:06:55.489 Is that the right thing to do? 01:06:56.030 --> 01:06:58.312 No, because those ones fixate in your head mind. 01:06:59.432 --> 01:07:00.353 This is Mujeres. 01:07:00.513 --> 01:07:02.095 This is a track called the Right On. 01:07:02.315 --> 01:07:04.837 So it's all about like a, it's about the 60s. 01:07:04.897 --> 01:07:06.238 Here it is. 01:07:10.664 --> 01:07:14.307 Well, I'm eating a delicious orangey flavoured mini cake. 01:07:14.707 --> 01:07:22.794 Mmm, that was sent to us along with an amazing welcome home Adam and Jo banner made by Ru and Jane. 01:07:23.254 --> 01:07:24.635 Thank you so much ladies. 01:07:24.655 --> 01:07:25.156 It's amazing. 01:07:25.416 --> 01:07:26.377 We can't thank you enough. 01:07:26.437 --> 01:07:27.298 It's really nice of you. 01:07:27.498 --> 01:07:29.640 You might be able to see it on the webcam, I'm not sure. 01:07:29.660 --> 01:07:31.041 Yeah, it's beautifully made. 01:07:31.261 --> 01:07:32.042 I mean, it really is. 01:07:32.082 --> 01:07:35.164 A lot of love and care has gone into it and thanks us well for it. 01:07:35.184 --> 01:07:36.285 Yeah, thanks Ru, thanks Jane. 01:07:36.405 --> 01:07:37.866 for the yummy cake stroked biscuits. 01:07:52.156 --> 01:07:54.198 I really don't remember any of the biscuits in between. 01:08:15.172 --> 01:08:18.973 That's one of those famous words that pop artists have a license to mangle. 01:08:19.133 --> 01:08:19.713 Yeah, of course. 01:08:19.853 --> 01:08:21.174 He does it very good Lee. 01:08:21.274 --> 01:08:22.174 He does it very good Lee. 01:08:22.194 --> 01:08:24.115 He does it really good Lee, really good Lee. 01:08:24.315 --> 01:08:25.055 That's Julian Cope. 01:08:25.215 --> 01:08:26.495 I come from another planet, baby. 01:08:26.976 --> 01:08:32.918 Earlier we were talking about made up jokes and I, you know, told Adam an amazing made up joke that you completely poo poo'd. 01:08:33.138 --> 01:08:36.759 I mean, I did a little poo poo on it, but I did that big old poo poo right on its face. 01:08:37.139 --> 01:08:38.600 a small bucket of scorn over it. 01:08:38.680 --> 01:08:39.401 It has to be said. 01:08:39.561 --> 01:08:45.066 So let's hear some that have come in from our listeners over our period of absence and maybe one that Bucky Lees has made up. 01:08:45.587 --> 01:08:49.690 Yeah, you know, I think I may have even said this one on our Christmas podcast, but let's have the jingle first. 01:08:49.730 --> 01:08:49.991 Why not? 01:08:50.831 --> 01:08:52.453 I'm a funny person. 01:08:52.933 --> 01:08:54.555 I often make up jokes. 01:08:54.935 --> 01:08:59.079 My jokes are more amusing than those of other folks. 01:08:59.719 --> 01:09:03.263 When you hear my joke I think you'll find that you agree. 01:09:03.863 --> 01:09:07.825 Come on, you're all invited to a made-up joke party. 01:09:09.065 --> 01:09:16.469 Now, the first joke that I made up, I just said to James, our producer, and James gave it the thumb down for live transmission. 01:09:17.149 --> 01:09:17.709 The thumb down. 01:09:18.309 --> 01:09:20.871 So what we might do is maybe put it at the end of the podcast. 01:09:20.891 --> 01:09:22.771 I'm not sure it's suitable for the podcast either. 01:09:22.871 --> 01:09:27.293 It's a little fruity for the podcast, but maybe we can bury it like a long silence or something. 01:09:27.493 --> 01:09:29.194 We'll try and figure something out. 01:09:29.434 --> 01:09:30.715 How do you mean bury it? 01:09:31.235 --> 01:09:32.416 Well, it'll be right in the end. 01:09:32.616 --> 01:09:33.236 Oh, I see. 01:09:33.256 --> 01:09:34.096 You think it's finished? 01:09:34.116 --> 01:09:36.457 Oh, I thought you meant like you'd play underneath some other talking. 01:09:36.637 --> 01:09:37.318 Oh, I see. 01:09:37.478 --> 01:09:38.198 Like quietly. 01:09:38.658 --> 01:09:38.999 That's an idea. 01:09:39.019 --> 01:09:40.719 So you'd have to listen really high for it. 01:09:40.999 --> 01:09:41.340 That's an idea. 01:09:41.360 --> 01:09:44.101 You could be talking at the end of the podcast about something, right? 01:09:44.221 --> 01:09:44.341 Yeah. 01:09:44.361 --> 01:09:46.742 On the logging, and then I could just be saying it quietly. 01:09:46.762 --> 01:09:49.703 You could put it on one of the stereo channels or something. 01:09:49.743 --> 01:09:50.724 Yeah, yeah, I like it. 01:09:51.164 --> 01:09:54.086 So you'll have to listen to the podcast to find out if we get that one through. 01:09:54.626 --> 01:10:00.469 But this one is not so much a joke as just a funny thing I said. 01:10:00.489 --> 01:10:01.689 Does that count? 01:10:03.250 --> 01:10:06.132 Yeah, no, that's a good way to lower people's expectations. 01:10:06.172 --> 01:10:06.412 Yeah. 01:10:06.492 --> 01:10:16.797 During a game of Scrabble, which I was playing with my beautiful wife, she was complaining that she had too many vowels, right? 01:10:16.837 --> 01:10:18.438 I've thought that about her in the past. 01:10:18.738 --> 01:10:19.879 Right, a little too vowel-y. 01:10:20.039 --> 01:10:20.299 Yeah. 01:10:20.800 --> 01:10:23.842 So Dr. Buckle says, check this out. 01:10:25.583 --> 01:10:28.205 A bad word man blames his tiles. 01:10:28.905 --> 01:10:29.206 Nice. 01:10:29.506 --> 01:10:32.788 A bad word man blames, because it's like a bad word man blames his tools. 01:10:32.808 --> 01:10:33.328 Yes, thanks. 01:10:33.389 --> 01:10:34.289 But I'm playing Scrabble. 01:10:34.669 --> 01:10:37.632 So I said, a bad word man, because that's the game of Scrabble. 01:10:37.652 --> 01:10:38.812 I think you have said this before. 01:10:38.832 --> 01:10:39.533 Blames his tiles. 01:10:39.753 --> 01:10:40.854 I think you have said this before. 01:10:40.874 --> 01:10:41.254 Haven't I? 01:10:41.394 --> 01:10:41.654 Yeah. 01:10:42.375 --> 01:10:43.075 And how sad. 01:10:44.256 --> 01:10:46.077 What a sad reflection on you. 01:10:46.198 --> 01:10:47.338 That I'm wheeling it out again. 01:10:47.378 --> 01:10:50.200 That you would wheel it out again after 15 months. 01:10:50.580 --> 01:10:51.681 It wasn't that long. 01:10:51.881 --> 01:10:52.882 It was Christmas I said it. 01:10:52.902 --> 01:10:54.443 15 months in which, what, last Christmas? 01:10:55.604 --> 01:10:56.484 You said it on the Christmas show. 01:10:56.544 --> 01:10:57.565 That's when I gave him my heart. 01:10:57.585 --> 01:11:00.547 Yeah, no, the one that's just gone. 01:11:00.567 --> 01:11:01.187 That's sad. 01:11:01.348 --> 01:11:03.429 Alright, well let's have some ones from actual humans then. 01:11:03.789 --> 01:11:05.450 Okay, here's one that's coming from Chog. 01:11:06.010 --> 01:11:06.391 Chog. 01:11:06.491 --> 01:11:07.591 Good name, Chog. 01:11:07.671 --> 01:11:09.072 Chog lives in cave man times. 01:11:09.332 --> 01:11:09.753 Does he? 01:11:09.893 --> 01:11:10.213 Yeah. 01:11:10.513 --> 01:11:11.634 Excellent Chog, Chog. 01:11:11.854 --> 01:11:15.676 He's communicated by smashing together rocks very loudly. 01:11:15.736 --> 01:11:23.441 What did Adam say to Joe after arriving at their French holiday villa late one night when Joe wanted to rush straight down to the beach for a paddle even though it was very late and very dark? 01:11:24.099 --> 01:11:24.399 I don't know. 01:11:24.780 --> 01:11:25.180 I don't know. 01:11:25.220 --> 01:11:25.440 Joe. 01:11:25.721 --> 01:11:26.081 I don't know. 01:11:26.802 --> 01:11:27.002 Joe. 01:11:27.923 --> 01:11:28.163 Oh! 01:11:28.243 --> 01:11:28.824 That's not bad. 01:11:28.964 --> 01:11:30.225 Hi for Luton Chog. 01:11:30.265 --> 01:11:30.546 Yeah. 01:11:30.606 --> 01:11:31.687 He's a clever caveman. 01:11:31.827 --> 01:11:32.287 He is. 01:11:32.347 --> 01:11:33.388 He's fresh. 01:11:33.428 --> 01:11:34.590 Very nice, Chogli. 01:11:35.571 --> 01:11:36.712 Do you think Chogli's short for Chogli? 01:11:36.832 --> 01:11:37.012 Yes. 01:11:37.533 --> 01:11:45.240 Here's one from Andy in Little Hampton and he says, What do you call a little purple guitarist holding hands with Skippy? 01:11:46.161 --> 01:11:47.102 Prince Andrew. 01:11:47.903 --> 01:11:49.524 Prince and rue. 01:11:50.065 --> 01:11:51.666 Prince Andrew. 01:11:52.787 --> 01:11:54.469 Prince Andrew. 01:11:54.509 --> 01:11:55.870 I mean that's probably made up. 01:11:56.451 --> 01:11:58.092 Obviously it's the made up seal of approval. 01:11:58.112 --> 01:11:59.474 Timmy Vine's not going to have made that one. 01:11:59.494 --> 01:12:01.035 Does he get the funny stamp? 01:12:01.455 --> 01:12:03.077 Or does he get the long pause with a little fart? 01:12:05.126 --> 01:12:05.226 Oh. 01:12:05.786 --> 01:12:06.447 Oh, bad one. 01:12:06.467 --> 01:12:08.368 You got another one there? 01:12:08.689 --> 01:12:10.290 Yeah, this is a cheese-based one. 01:12:10.310 --> 01:12:12.372 I'm always suspicious of cheese-based jokes. 01:12:12.472 --> 01:12:12.832 Really? 01:12:13.052 --> 01:12:15.174 Because I imagine they would have been thoroughly mined. 01:12:15.234 --> 01:12:16.615 The puns are too easy, aren't they? 01:12:16.675 --> 01:12:18.257 But this is quite a good one, I think. 01:12:19.498 --> 01:12:21.359 What cheese... Maybe not. 01:12:21.480 --> 01:12:22.040 I don't know. 01:12:22.160 --> 01:12:23.842 I mean, it's good, but is it original? 01:12:24.062 --> 01:12:24.702 Is it made up? 01:12:24.742 --> 01:12:24.942 Yes. 01:12:25.843 --> 01:12:28.726 What cheese can be smelt by rodents from a great distance? 01:12:29.907 --> 01:12:31.288 Farm-mouthed cheddar. 01:12:32.310 --> 01:12:34.290 Now that's probably been made up before, hasn't it? 01:12:34.671 --> 01:12:35.411 Do you think so? 01:12:35.431 --> 01:12:36.971 I mean... Farm mouth. 01:12:37.211 --> 01:12:40.352 I just don't see Jimmy Carr launching into his new joke. 01:12:40.372 --> 01:12:40.712 Joe Boswell. 01:12:40.972 --> 01:12:45.533 Do you know, in the past, we've asked people to contextualise their jokes with the story of how they came up with it. 01:12:45.573 --> 01:12:45.833 Right. 01:12:45.873 --> 01:12:47.353 To provide us some background evidence. 01:12:47.373 --> 01:12:48.114 Provenance, yeah. 01:12:48.134 --> 01:12:49.154 Some provenance, exactly. 01:12:49.834 --> 01:12:52.335 So we can get BBC researchers to double check. 01:12:52.415 --> 01:12:57.716 Here's one that I really think is made up, and it's kind of brilliant, I think, from Sam in Elephant and Castle. 01:12:58.636 --> 01:13:02.564 My auntie got me a castle-shaped calculator for Christmas last year. 01:13:03.145 --> 01:13:06.392 Wasn't sure what to make of it, but it's the fort that counts. 01:13:08.058 --> 01:13:09.419 castle-shaped calculator. 01:13:09.439 --> 01:13:10.479 Yes, that's good. 01:13:10.539 --> 01:13:12.320 I mean, that's definitely homemade, isn't it? 01:13:12.340 --> 01:13:13.000 That's homemade. 01:13:13.060 --> 01:13:13.561 You'd think so. 01:13:13.601 --> 01:13:14.581 I mean, maybe it's too good. 01:13:14.621 --> 01:13:16.402 No, no, no, no, no, no. 01:13:16.442 --> 01:13:17.082 It's not too good. 01:13:17.243 --> 01:13:17.743 You don't reckon? 01:13:17.923 --> 01:13:18.983 No, it's homemade. 01:13:19.484 --> 01:13:20.604 The fort that counts. 01:13:20.684 --> 01:13:25.947 It's like a little cake you'd get from a, you know, a local village fate that tastes a bit off. 01:13:27.167 --> 01:13:27.908 But you eat it anyway. 01:13:27.928 --> 01:13:28.388 It's too lemony. 01:13:28.548 --> 01:13:28.828 Yeah. 01:13:29.068 --> 01:13:29.809 Tiny bit too much. 01:13:29.849 --> 01:13:31.029 The icing's a little bit tart. 01:13:31.109 --> 01:13:31.409 It's good. 01:13:31.429 --> 01:13:31.890 That's good. 01:13:32.070 --> 01:13:32.770 I love that one. 01:13:32.830 --> 01:13:33.270 Here's one. 01:13:33.551 --> 01:13:33.991 Thanks, Sam. 01:13:34.771 --> 01:13:36.653 Oh, now you gave me this one and circled it. 01:13:36.973 --> 01:13:38.154 You're trying to sabotage me. 01:13:38.174 --> 01:13:41.077 I was palming you off with the stinky ones. 01:13:41.457 --> 01:13:45.381 This is from Danny in Belfast, who's given a lot of kisses at the end of this. 01:13:45.401 --> 01:13:47.303 One, two, three, I think there's 10 kisses. 01:13:47.323 --> 01:13:47.643 Any hugs? 01:13:48.124 --> 01:13:50.066 Well, there's a big kiss and then nine small ones. 01:13:51.026 --> 01:13:51.547 What does that mean? 01:13:52.668 --> 01:13:55.630 Um, he's going in for the big smooch and then he's just fondling your buttocks. 01:13:56.130 --> 01:13:56.430 Okay. 01:13:56.470 --> 01:13:56.850 For a while. 01:13:57.711 --> 01:13:58.251 Ah, it's a she. 01:13:58.991 --> 01:13:59.691 Ah, even better. 01:13:59.932 --> 01:14:01.112 D-A-N-I. 01:14:01.392 --> 01:14:05.694 When I was 10, I made up a joke that I still tell and I laugh every time I tell it. 01:14:07.535 --> 01:14:10.959 What do you call Knoll's house party after it's been run over by a steamroller? 01:14:11.520 --> 01:14:12.521 Knoll's flat party. 01:14:13.122 --> 01:14:18.468 You see Adam and Jo BBC 6's music is 17 minutes to one. 01:14:18.488 --> 01:14:21.051 Stay tuned for Liz Kershaw. 01:14:21.071 --> 01:14:22.492 She's coming up at one o'clock. 01:14:22.552 --> 01:14:24.355 She'll be interviewing the music star Moby. 01:14:25.095 --> 01:14:25.976 That's not strictly true. 01:14:26.036 --> 01:14:29.558 Is it he's gonna be sitting in but there'll be some interviewing going on, right? 01:14:29.978 --> 01:14:30.379 He's here. 01:14:30.679 --> 01:14:31.640 He's in the house talking to her. 01:14:31.800 --> 01:14:52.113 So yeah, it's it's a legitimate explanation of what's gonna be happening I mean, I slightly ruined my little throat I was really good for a short period but now it's it's deserted me I'm gonna be unfailing a new podcast jingle in just a second for Joe's You know analysis, but first here's the Zu Toms with Valerie. 01:14:52.133 --> 01:14:52.153 I 01:14:52.233 --> 01:14:54.996 That's the uh, Zutons there with Valerie. 01:14:55.036 --> 01:14:58.659 You're listening to Adam and Joe here on BBC Six Music. 01:14:59.040 --> 01:15:01.422 The home of sixes and musics. 01:15:02.203 --> 01:15:05.526 I'm feeling... I just found another... I found another made-up joke I made. 01:15:05.566 --> 01:15:09.430 I'm too scared to say it to you now because you were so cruel about my other made-up joke. 01:15:09.670 --> 01:15:10.411 Oh, come on. 01:15:10.831 --> 01:15:11.592 I thought it was great. 01:15:11.772 --> 01:15:14.575 Now you're being cruel to me for not wanting to say it. 01:15:14.655 --> 01:15:15.616 Mama from the throw. 01:15:15.856 --> 01:15:17.457 It's a hip-hop one, though. 01:15:17.477 --> 01:15:18.958 It's based on KRS-1. 01:15:19.198 --> 01:15:20.839 Does anyone even know who that is anymore? 01:15:20.859 --> 01:15:21.099 Sure, Chris. 01:15:21.119 --> 01:15:22.400 Do you know James, our producer? 01:15:22.440 --> 01:15:23.621 You know who KRS-1 is. 01:15:23.761 --> 01:15:23.941 Yeah. 01:15:24.201 --> 01:15:25.382 What's his alternative name? 01:15:25.402 --> 01:15:26.123 What are they called? 01:15:26.303 --> 01:15:27.944 Boogie Down Productions, BDP. 01:15:28.304 --> 01:15:32.647 What did KRS-1 say when he saw a beautiful religious statue for sale at a knockdown price? 01:15:33.367 --> 01:15:34.188 Buda bye bye bye. 01:15:34.508 --> 01:15:35.349 Buda bye bye bye. 01:15:35.869 --> 01:15:37.530 That's the end of that one. 01:15:37.850 --> 01:15:38.371 That's great. 01:15:38.691 --> 01:15:38.911 Thanks. 01:15:40.592 --> 01:15:41.112 That's great. 01:15:42.473 --> 01:15:43.614 You know, I say that in your DJ voice. 01:15:43.934 --> 01:15:44.714 That's great. 01:15:44.774 --> 01:15:45.395 That's more like it. 01:15:45.435 --> 01:15:47.996 That's the voice I want you to be in when you respond to my made up jokes. 01:15:48.016 --> 01:15:49.537 I mean, DJs don't really talk like that anymore. 01:15:49.577 --> 01:15:51.258 That's a kind of an observation about DJs from 15 years ago. 01:15:51.278 --> 01:15:53.799 Well, you're a DJ and you do. 01:15:53.999 --> 01:15:57.521 Listen, I changed my mind about unveiling the podcast jingle here live. 01:15:57.601 --> 01:15:59.582 We should unveil the podcast jingle on the podcast. 01:15:59.782 --> 01:16:02.784 And we should remind listeners that a podcast of this program is available. 01:16:03.045 --> 01:16:06.827 You can listen again via the BBC iPlayer, of course, immediately after the show. 01:16:06.987 --> 01:16:10.930 But I think on Monday, a podcast will be available via all the usual sources. 01:16:11.291 --> 01:16:12.471 It's going to be tomorrow even. 01:16:12.511 --> 01:16:13.272 Tomorrow. 01:16:13.452 --> 01:16:17.255 It has exclusive special extra content like we do in an intro and an extra. 01:16:17.695 --> 01:16:19.878 We cram as much extra content as we are legally allowed to. 01:16:19.938 --> 01:16:22.801 I should say, I believe Extra is probably early 80s, not 70s. 01:16:22.841 --> 01:16:24.343 All the sci-fi nerds on your ass. 01:16:39.600 --> 01:16:42.661 Listen, I wanted to get something off my chest a little bit, right? 01:16:43.241 --> 01:16:46.043 Or at least ask you if you ever have this problem. 01:16:46.483 --> 01:16:47.603 I've been worried about something. 01:16:47.944 --> 01:16:52.966 Every time I go to the petrol station to fill up, I get very worried. 01:16:52.986 --> 01:16:56.207 I put the pump in the slot, right? 01:16:56.367 --> 01:16:57.368 And I do the filling up. 01:16:57.648 --> 01:17:04.016 But then at the end, when you've finished, I give the pump a little waggle before completely withdrawing it. 01:17:04.557 --> 01:17:08.702 Men love to waggle a spout just to check that it's all come out. 01:17:08.722 --> 01:17:10.004 This is exactly the thing. 01:17:10.204 --> 01:17:15.090 It's exactly the same gesture as when you might be at a urine. 01:17:16.231 --> 01:17:23.054 And whenever I do it at the petrol station, I feel a little bit embarrassed and exposed doing it. 01:17:23.334 --> 01:17:26.015 Do you ever attempt to pop the petrol nozzle into your pants? 01:17:26.975 --> 01:17:28.496 Like, get the two actions confused? 01:17:29.396 --> 01:17:31.097 Pop it in there and zip it up and then go, whoa! 01:17:32.417 --> 01:17:32.818 Oh, dear. 01:17:33.038 --> 01:17:34.619 What, and then we into the petrol tank? 01:17:34.659 --> 01:17:34.879 Yes. 01:17:35.860 --> 01:17:37.881 It's happened a couple of times, but not more than that. 01:17:38.061 --> 01:17:38.681 It's only human. 01:17:38.881 --> 01:17:39.962 But do you ever get that? 01:17:40.022 --> 01:17:43.544 Has it ever crossed your mind when you're performing that action that it's a little bit of an intimate action? 01:17:43.564 --> 01:17:51.069 Well, what I tend to do is I tend to tap the nozzle on the side of the orifice in order to get the drops out. 01:17:51.830 --> 01:17:54.251 And that's not something I do in the urinal. 01:17:54.291 --> 01:17:56.393 This is a dangerous area for a ten-to-one. 01:17:56.573 --> 01:17:57.373 It is a little bit, isn't it? 01:17:57.433 --> 01:17:58.534 On BBC Six Music. 01:17:58.594 --> 01:17:59.395 Nozzles and slots. 01:18:00.836 --> 01:18:03.177 What's the deal? 01:18:03.437 --> 01:18:05.238 You're getting embarrassed about doing it? 01:18:05.519 --> 01:18:07.940 Yeah, I'm just... Are you afraid someone will see you? 01:18:08.420 --> 01:18:11.162 No, it just seems like a weirdly... It's just a bit sort of toilet-y. 01:18:11.242 --> 01:18:12.423 A bit intimate, yeah. 01:18:12.863 --> 01:18:15.545 And maybe the way I'm doing it is too similar. 01:18:15.565 --> 01:18:19.407 Because, I mean, I'm performing exactly the same basic function, aren't I? 01:18:19.487 --> 01:18:21.148 Well, is your... Yeah, that's interesting. 01:18:21.168 --> 01:18:26.392 I mean, height-wise, where do your nether regions... Do they sit at the same level as the... The Netherlands. 01:18:27.292 --> 01:18:29.574 as the hole for the petrol. 01:18:29.594 --> 01:18:31.436 Yeah, my Netherlands are more or less exactly. 01:18:31.516 --> 01:18:34.658 And when you hold the spout, are you holding it sort of at midriff level? 01:18:35.799 --> 01:18:37.981 A little bit. 01:18:38.322 --> 01:18:39.442 So how can we fix this? 01:18:39.462 --> 01:18:40.904 I mean, I'm not really worried about it. 01:18:40.924 --> 01:18:41.784 I'm not losing sleep. 01:18:41.985 --> 01:18:44.206 Oh, you've wasted our time. 01:18:44.226 --> 01:18:45.247 It crosses my mind. 01:18:45.287 --> 01:18:47.089 I was just wondering if it had ever crossed your mind. 01:18:47.109 --> 01:18:48.730 It definitely crosses my mind, yeah. 01:18:48.810 --> 01:18:49.631 Yeah, yeah. 01:18:49.771 --> 01:18:51.813 That's fun, isn't it? 01:18:51.833 --> 01:18:52.053 Okay. 01:18:52.693 --> 01:18:53.894 Now, Joe, you've got a free play. 01:18:53.934 --> 01:18:55.175 This is your last free play. 01:18:55.215 --> 01:18:56.116 Sure, I do. 01:18:56.196 --> 01:18:57.477 This is a bit of hippity-hoppity. 01:18:57.517 --> 01:19:01.059 This is Q-Tip, and Rezel is his name, I think. 01:19:01.099 --> 01:19:01.920 That's how you say it. 01:19:02.380 --> 01:19:05.822 It's from their 1999 album, so it's up-to-date stuff. 01:19:06.443 --> 01:19:06.583 Wow. 01:19:06.603 --> 01:19:07.924 Latest hip-hop sounds. 01:19:08.044 --> 01:19:08.264 Yeah. 01:19:08.384 --> 01:19:09.585 Produced by Marley Marle. 01:19:09.765 --> 01:19:10.726 The album's called Make the Music 2000. 01:19:12.166 --> 01:19:13.087 The track's called Get the Beat. 01:19:13.567 --> 01:19:13.728 Why 2K? 01:19:16.769 --> 01:19:21.752 Thank you so much for listening, everyone who's listened. 01:19:22.493 --> 01:19:25.234 We're really happy to be back, and we're going to have a great summer. 01:19:25.254 --> 01:19:29.657 We're going to be here all summer, all the way up to Glastonbury, so please stick with us. 01:19:30.057 --> 01:19:30.918 Yeah, we missed you. 01:19:30.938 --> 01:19:31.878 You know, we really did. 01:19:32.138 --> 01:19:38.503 It was a yawning chasm without your texts and your emails and your amusing comments. 01:19:38.943 --> 01:19:40.884 So please keep coming in throughout the week. 01:19:40.945 --> 01:19:48.330 Don't forget to get in touch with us for Retro Text-a-Nation next week on that brilliant text-a-nation subject, which was... What have you been doing? 01:19:51.852 --> 01:19:52.252 What's up? 01:19:52.372 --> 01:19:53.013 Question mark. 01:19:53.313 --> 01:19:54.294 Yeah, that's it. 01:19:54.514 --> 01:19:56.636 Anything fun from the last 15 months. 01:19:56.816 --> 01:19:59.819 The email is adamandjoy.sixmusicatbbc.co.uk. 01:19:59.859 --> 01:20:01.841 So please send in stuff during the week. 01:20:02.001 --> 01:20:04.163 Yeah, don't forget to stay tuned for Liz Kershaw. 01:20:04.203 --> 01:20:07.366 She's going to be here in just a few minutes with her special guest Moby. 01:20:07.426 --> 01:20:08.147 It's very exciting. 01:20:08.467 --> 01:20:09.588 Here on Six Music. 01:20:09.908 --> 01:20:12.090 So until next week, take care, listeners. 01:20:12.110 --> 01:20:12.550 We love you. 01:20:12.590 --> 01:20:12.731 Bye! 01:20:13.071 --> 01:20:13.491 Bye!