WEBVTT 00:00.349 --> 00:03.352 Hello and welcome to the Big British Castle. 00:03.513 --> 00:07.076 It's time for Adam and Jo to broadcast on the radio. 00:07.336 --> 00:10.600 There'll be some music and some random talking in between. 00:11.000 --> 00:13.703 And then, eventually, the whole thing will just end. 00:17.563 --> 00:22.346 with his cover of the Red Hot Chili Peppers Classic Higher Ground. 00:23.126 --> 00:24.747 That was by the Red Hot Chili Peppers, wasn't it? 00:24.767 --> 00:25.568 That was a little joke. 00:26.709 --> 00:27.809 That was good. 00:28.069 --> 00:28.890 It's the other way around. 00:29.570 --> 00:30.271 Hi, this is Adam. 00:30.451 --> 00:31.592 Hey, this is Jogue. 00:31.632 --> 00:33.032 Happy Saturday morning, listeners. 00:33.153 --> 00:33.493 Welcome. 00:34.073 --> 00:36.634 Welcome along to our show here on BBC Six Music. 00:36.654 --> 00:40.256 We're with you until noon and we've got an action-packed show today. 00:40.577 --> 00:41.877 Oh yes, a grand claim. 00:42.878 --> 00:43.898 I think it's true. 00:44.239 --> 00:45.759 I'm backing it up with pure content. 00:46.420 --> 00:48.021 We've got a special announcement later. 00:48.181 --> 00:48.541 Have we? 00:48.821 --> 00:49.541 About an event. 00:49.742 --> 00:50.722 That's true, isn't it? 00:50.782 --> 00:51.282 Exactly. 00:51.322 --> 00:52.923 We've got the results of Song Wars. 00:52.983 --> 00:58.426 An event that you, the listeners, are very much a key part of or will be when it happens. 00:58.446 --> 00:59.447 We've got Text the Nation. 00:59.767 --> 00:59.987 Yeah. 01:00.407 --> 01:02.049 We've got retro-tex the nation. 01:02.089 --> 01:02.809 Oh my lord. 01:02.909 --> 01:05.991 We've got the, we've got a stand black squadron to attention. 01:06.031 --> 01:07.032 It's nothing but business. 01:07.052 --> 01:07.972 We've got great music. 01:08.233 --> 01:09.573 We've got a little bit of bad music. 01:09.954 --> 01:13.836 We've got some bad, see if you can spot the bad ones this week, listeners. 01:14.156 --> 01:15.457 But don't switch off, right? 01:15.477 --> 01:15.517 No. 01:15.537 --> 01:19.080 Because the thing about music is it always ends, even if it's a little bit ropey. 01:19.300 --> 01:22.282 It's only about two and a half minutes and you know, and then something else will be along. 01:22.362 --> 01:22.722 Exactly. 01:22.742 --> 01:25.084 You've got to have some rough with the smooth. 01:25.104 --> 01:28.066 You've got to have some bad songs to make the good songs really shine. 01:28.086 --> 01:28.706 Yes, that's true. 01:28.846 --> 01:29.226 Isn't it? 01:29.266 --> 01:30.127 That's deep, isn't it? 01:30.167 --> 01:32.048 I'm a little bit rough with the smooth, mate. 01:32.068 --> 01:32.968 That's very deep, isn't it? 01:32.988 --> 01:39.351 You know, you think, the way your brain works, mate, sometimes I just think, yeah, you think a lot of deeps. 01:39.491 --> 01:42.793 Do you know what my mum used to say to me when I was growing up? 01:42.873 --> 01:43.133 No. 01:43.393 --> 01:45.834 She said, one day, you should read a book. 01:46.354 --> 01:47.315 Oh, mate. 01:47.335 --> 01:48.075 What was it? 01:48.155 --> 01:48.755 Write a book. 01:48.835 --> 01:49.716 What did she mean? 01:50.356 --> 01:51.417 What was she talking about? 01:51.437 --> 01:52.817 Maybe she meant write a book. 01:53.198 --> 01:53.838 Write a book. 01:54.258 --> 01:56.819 But I, like, ride it like a horse. 01:57.219 --> 01:58.479 You should ride a book. 01:59.219 --> 02:04.580 You should strap a saddle onto a book and ride it along the sea. 02:04.960 --> 02:06.100 Along the sea? 02:06.180 --> 02:06.520 Yeah. 02:07.221 --> 02:09.621 Are we going to make Black Squadron stand too? 02:09.641 --> 02:11.742 Let's have the Black Squadron jingle right now. 02:12.902 --> 02:16.022 Black Squadron! 02:16.102 --> 02:18.523 Always catch the beginning of the show. 02:19.023 --> 02:21.123 Black Squadron don't want to miss a thing. 02:21.383 --> 02:23.944 That's not the way Black Squadron rolls. 02:28.086 --> 02:29.309 A reasonable hour. 02:29.710 --> 02:32.295 I'll be sharp on Saturday morning. 02:32.576 --> 02:34.601 That's the secret of the squad. 02:38.147 --> 02:43.494 For a jingle that's supposed to be kind of arousing four-to-arms, it's a little bit stodgy, isn't it? 02:43.674 --> 02:44.435 It's good, man. 02:44.835 --> 02:49.741 Well, that's nice of you to say, but I think I'm going to have to try and rebrand the Black Squadron. 02:49.781 --> 02:57.210 Listen, last week you made some suggestions that maybe the whole Black Squadron thing was quite sort of childish. 02:58.111 --> 03:00.793 No, sort of for some of your commands commander Cornish. 03:00.873 --> 03:09.957 Do you think I mean it's like tickle each other cool That was live tickle, but I might try to make it clear to you last week that when I jelly I Haven't had jelly. 03:09.997 --> 03:11.178 Yeah, that is a good idea. 03:11.818 --> 03:17.060 He's writing it down Shelly have some jelly, but you know, I explained to you that tickling is a dangerous thing. 03:17.121 --> 03:19.242 It can result in yes suffocation. 03:19.262 --> 03:19.382 Yeah 03:20.762 --> 03:25.104 And, you know, here you are still saying that that's childish, so I think you don't really understand. 03:25.124 --> 03:32.426 I mean, for instance, this week's Black Squadron command could be interpreted as... I ignored it. 03:32.466 --> 03:34.087 It could be interpreted as childish. 03:34.307 --> 03:34.987 Right, could it? 03:35.288 --> 03:35.488 Yeah. 03:35.508 --> 03:36.148 That's a surprise. 03:36.428 --> 03:39.609 As like from a program for the Undertent. 03:39.629 --> 03:41.950 Yeah, well that's more or less what this is though, isn't it? 03:42.533 --> 04:03.469 uh i don't know it has it's turned into it was it tony blackburn that used to have the dog you know oh yes we've got uh boggins you might be a long way through that's what this show is isn't it well in that case we should be um we should listen to some of those old shows and make sure we're reproducing every segment accurately i think we already are 04:03.749 --> 04:16.657 Because I was thinking, like, for Black Squadron, would it not be practical to have some commands that, you know, have some practical use, like, you know, pick up the phone and talk to your mum, you know, give your mum a call, something like that. 04:17.018 --> 04:17.998 Write a thank you letter. 04:18.779 --> 04:19.779 You know, these kind of things. 04:19.859 --> 04:20.940 Do some recycling. 04:21.100 --> 04:21.881 That would be no good. 04:22.181 --> 04:22.601 Would it not? 04:22.781 --> 04:25.003 This is the kind of command Black Squadron want. 04:25.803 --> 04:26.524 Panhat! 04:26.864 --> 04:27.945 That's the very best. 04:28.745 --> 04:37.232 With Warm Heart of Africa, it features Ezra Koenig, of course, from Vampire Weekend, and an album of the same name was released on September the 14th. 04:37.612 --> 04:38.613 That was very recently, Joe. 04:39.274 --> 04:39.894 Very recently. 04:40.995 --> 04:49.321 You know, that sort of puts me in mind of what's his name, Malcolm McLaren-type experiments, Duck Rock-type things, you know? 04:49.922 --> 04:51.023 Is that a good thing or a bad thing? 04:51.143 --> 04:52.304 I think it's a good thing, I think. 04:52.344 --> 04:52.904 What's that album? 04:52.924 --> 04:53.985 It's the album called Duck Rock. 04:54.345 --> 04:55.026 McLaren's album. 04:55.586 --> 04:56.187 Yeah, I think so. 04:56.207 --> 04:57.888 I think it's probably quite a good album. 04:58.169 --> 04:58.429 Uh-huh. 04:58.749 --> 05:00.130 Haven't listened to it for about 20 years. 05:00.471 --> 05:02.753 He did some real stinky ones as well though, didn't he? 05:03.073 --> 05:03.293 Yeah. 05:03.314 --> 05:04.314 Do you know Walt Starling? 05:04.555 --> 05:06.056 I went through a phase of actually loving that one. 05:06.096 --> 05:09.940 His kind of opera, opera house thing. 05:10.460 --> 05:10.941 Opera house. 05:11.181 --> 05:13.844 Yeah, it was used a lot on catwalks. 05:14.705 --> 05:15.306 Catwalks? 05:15.326 --> 05:16.307 For the fashion industry. 05:16.567 --> 05:16.868 Yes. 05:17.148 --> 05:20.672 I'm very big into the fashion industry, so it's an important album for me. 05:21.974 --> 05:26.820 We got a letter, or an email, rather, from a listener this week, which I'd like to share with you. 05:27.220 --> 05:30.124 This is from Amelia Theonder, and she says, 05:31.465 --> 05:34.946 I may be 60 this month, but I have an adolescent streak. 05:35.366 --> 05:39.928 I enjoy your intelligent and witty banter, personal interactions and disclosures. 05:40.568 --> 05:46.190 Usually, I listen to the whole programme, because we're talking about people like whether they listen to the whole show or not the other day. 05:46.711 --> 05:50.152 So this lady, who's going to be 60 this month, she listens to the whole thing. 05:50.392 --> 05:54.894 Some of the music doesn't appeal, she says, but that's when I make quick, free weekend calls. 05:57.354 --> 06:01.616 Are your listeners mostly teenagers or older, for example in your age bracket? 06:02.056 --> 06:12.419 I ask because next time I see an interesting bunch of teens, I plan to cycle on my rainbow bike and yell out Stephen just for their facial expressions when they see a grey-haired woman. 06:13.359 --> 06:14.239 Do you think that's a good idea? 06:14.260 --> 06:17.521 What's that chuckle? 06:17.821 --> 06:19.002 I don't know. 06:19.622 --> 06:20.523 Well, I don't know. 06:20.663 --> 06:23.605 Is it their facial expressions because they're just seeing a grey-haired woman? 06:23.885 --> 06:24.545 Yeah, maybe. 06:24.785 --> 06:26.526 Or is it the fact that she's saying Stephen? 06:27.006 --> 06:27.687 Both, probably. 06:27.707 --> 06:30.088 I think she's unlikely to get any response from either. 06:30.408 --> 06:31.529 They might just think she's mental. 06:32.089 --> 06:33.130 Yeah, well, I don't know. 06:33.170 --> 06:34.650 Do we have lots of teenage listeners? 06:34.690 --> 06:37.131 I mean, the fact is we don't have lots of listeners full stop. 06:37.372 --> 06:37.872 Yeah, you reckon? 06:38.232 --> 06:41.854 Yeah, it's a small, very small, exclusive percentage of the population. 06:41.894 --> 06:45.055 It's just Amelia Fjonda and, um, come with our friends. 06:45.095 --> 06:46.256 Yeah, and the Black Squadron. 06:46.456 --> 06:47.496 And Black Squadron, of course. 06:47.516 --> 06:48.977 I wonder how they're getting on with their command. 06:49.657 --> 06:52.698 Right, so pan hat, that you're just using a pan as a hat. 06:53.519 --> 06:54.639 Could be interpreted that way. 06:54.659 --> 06:55.119 Yeah. 06:55.619 --> 06:59.221 And not a pot hat, because a pan is difficult to balance on your head. 06:59.401 --> 07:03.342 Well, I meant, well, that's the distinction between a pot and a pan. 07:03.362 --> 07:07.924 I mean, I thought any kind of pan would do, you know, what's the difference between a pot and a pan? 07:08.004 --> 07:10.548 I think of a pan as being wider and shallower. 07:10.808 --> 07:11.549 A cooking pot. 07:12.090 --> 07:16.135 A pot is more of a... I think a pan is a collective term for any sort of... There you go. 07:16.156 --> 07:17.117 This chap's got it right. 07:17.738 --> 07:19.100 This is from Sam in Oxford. 07:19.300 --> 07:20.341 You see he's got... Look at that. 07:20.381 --> 07:21.002 Look at the face. 07:21.082 --> 07:21.763 Look at his face. 07:21.904 --> 07:23.466 He really looks entirely mental. 07:24.586 --> 07:26.087 He's definitely a squadron leader. 07:26.187 --> 07:26.907 He looks a bit like me. 07:26.927 --> 07:27.927 He's got a little beard. 07:28.588 --> 07:31.229 He's got his tongue sticking out on one eye bulging. 07:32.509 --> 07:34.930 And the pan hat is on the kind of jaunty angle. 07:34.990 --> 07:37.151 We can't put that on the plug immediately, can we, James? 07:37.851 --> 07:39.211 We'll put it over the weekend. 07:39.291 --> 07:44.973 And it's the way he's got the handle sticking out there between his eyes, almost like a sort of broken Dalek. 07:46.734 --> 07:47.554 You see? 07:47.834 --> 07:52.876 Now that might seem like a childish command, but that guy now has a very highly protected head. 07:53.856 --> 07:58.038 And also a kind of proboscis that can be used for operational duties. 07:58.558 --> 08:00.699 You see, I just don't think you get Black Squad. 08:00.719 --> 08:01.380 Maybe I don't. 08:02.020 --> 08:06.002 I don't think you understand that these commands are actually very practical. 08:06.382 --> 08:07.282 He looks special. 08:07.783 --> 08:08.503 Well, exactly. 08:08.543 --> 08:10.904 I mean, he's having a psychological effect on you. 08:12.025 --> 08:14.786 You see, it's like the man who stared at goats, or whatever it's called. 08:15.006 --> 08:15.426 Yes. 08:16.007 --> 08:17.227 He's freaking your mind out. 08:17.247 --> 08:17.748 You can't deal with it. 08:17.768 --> 08:19.109 He's totally scrambling up my mind. 08:19.129 --> 08:19.889 You think it's silly? 08:20.269 --> 08:20.830 No, I don't. 08:21.170 --> 08:22.070 Now you're going too far. 08:22.090 --> 08:22.431 Sorry. 08:22.531 --> 08:23.291 I think he's amazing. 08:23.311 --> 08:23.892 Okay. 08:23.932 --> 08:25.212 It's time for a free play now, listeners. 08:25.873 --> 08:31.336 This is Sid Barrett, and it's a song called Bob Dylan Blues, which was unearthed not that long ago. 08:31.356 --> 08:32.517 It was in Dave Gilmour's. 08:33.918 --> 08:34.358 Drawers. 08:34.498 --> 08:35.018 Drawers. 08:35.219 --> 08:37.140 It was down his pants, and it had been down there. 08:37.160 --> 08:37.660 They found it there. 08:37.840 --> 08:38.240 Ever since 1970. 08:38.280 --> 08:38.721 They unearthed it. 08:44.071 --> 08:45.751 They priced it out. 08:49.492 --> 08:49.893 What is it? 08:50.433 --> 08:51.773 It's the Bob Dylan Blues. 08:51.873 --> 08:53.794 It's been down there for an awful long time. 08:53.814 --> 08:55.234 Something's been chaffing for years. 08:55.754 --> 09:02.896 So they included it on this compilation of best of, I think the compilation's called Wouldn't You Miss Me or something like that. 09:04.457 --> 09:14.241 But it's quite weird, like he does a little pastiche of Bob Dylan, you know, sings in the Bob Dylan style, and slightly takes the mick out of him, but then is very affectionate and, you know, clearly was influenced by Dylan as well. 09:14.261 --> 09:16.282 Hope you enjoy this, Bob Dylan Blues by Sid Barrett. 09:16.302 --> 09:30.909 I remember when I was younger, I did a picture, spent all afternoon drawing a picture of Lou Reed copying the cover of Transformer, and then I wrote Lou Reed Vicious on top of it, like it was a poster or something. 09:31.169 --> 09:31.910 My dad came in. 09:32.470 --> 09:33.090 What are you drawing? 09:33.770 --> 09:36.551 Look dad, and he sort of read it very solemnly. 09:36.751 --> 09:38.372 Lou Reed, vicious. 09:39.392 --> 09:40.953 Well, what does it mean? 09:41.673 --> 09:44.134 I said it's, you know, it's one of his songs. 09:44.394 --> 09:46.154 Hmm, he looks loathsome. 09:47.935 --> 09:49.235 Then he walked out and that was it. 09:49.916 --> 09:53.257 Wow, it didn't dent your love for Lou Reed or viciousness. 09:53.777 --> 09:56.598 No, I'm absolutely a vicious person in every conceivable way. 09:56.658 --> 09:57.398 I absolutely loved it. 09:58.098 --> 10:00.159 But no, it didn't dent my love for Lou Reed, despite the fact that 10:01.039 --> 10:11.604 I saw him doing that song on, you know, the classic albums show, which I really love those classic albums documentaries, and they did one on on Transformer. 10:12.184 --> 10:15.245 And Lou Reed, he behaves like such a ponce throughout. 10:15.365 --> 10:20.588 You know, I mean, he's famous for being a bit of a ponce anyway, but he completely, you know, mauls all the songs. 10:20.668 --> 10:22.529 He plays like daft versions. 10:23.209 --> 10:24.810 The classic in the genre is Pink Floyd. 10:25.210 --> 10:27.851 And when they do Dark Side of the Moon on classic albums, 10:28.511 --> 10:35.198 Roger Waters and Dave Gilmour, they do really beautiful little acoustic versions of some of the songs on there, you know, and they're very faithful. 10:35.678 --> 10:39.702 Lou Reed, he's like just sort of going, Vicious, you hit me with a flower. 10:40.603 --> 10:42.044 You do it every hour. 10:42.504 --> 10:44.006 Baby, you're so vicious! 10:44.406 --> 10:48.850 And he's playing all like mad chords and stuff because he thinks it's too boring just to play it properly. 10:49.251 --> 10:50.172 I WANT IT TO KILL HIM! 10:51.004 --> 10:52.744 I mean, there's a sauce pan, isn't there? 10:53.105 --> 10:53.305 Yeah. 10:53.705 --> 10:59.146 I mean, you're saying that you think it should have been... What do you think it should have been, the command? 11:00.246 --> 11:02.387 For Black Squadron. 11:02.667 --> 11:03.187 No, that's good. 11:03.207 --> 11:04.587 I mean, they've obviously got it. 11:04.607 --> 11:09.749 We've got some amazing pictures coming in, listeners of people with... But you were saying you thought a pan was like a frying pan. 11:10.569 --> 11:12.010 was too shallow to be worn as a hat. 11:12.251 --> 11:12.951 Yeah, pan hat. 11:12.991 --> 11:16.995 If someone just says pan to me, if someone says hand me a pan... I haven't got over that accusation yet. 11:17.035 --> 11:18.276 I would need to talk it through. 11:18.296 --> 11:18.977 I'm stung by it. 11:19.037 --> 11:22.039 I'm stung by it because you see, of course, there's a sauce pan, isn't there? 11:22.059 --> 11:22.139 Yeah. 11:22.179 --> 11:23.140 And that's deep, you know. 11:23.180 --> 11:24.602 You don't fry things in a sauce pan. 11:24.622 --> 11:25.342 Yeah, but you didn't say sauce... 11:26.383 --> 11:29.527 You didn't say sauce but you said pan hat. 11:29.627 --> 11:29.907 Pan hat. 11:29.927 --> 11:36.054 We've had some amazing photos through and the speed with which some of Black Squadron have responded is extraordinary. 11:36.714 --> 11:39.838 How long did it take for the first pan hat photo to come through James? 11:40.899 --> 11:42.140 It was a matter of seconds. 11:43.001 --> 11:44.622 It was three minutes, two minutes. 11:44.942 --> 11:48.283 I mean, we could have a kind of record breakers thing going on here, couldn't we? 11:48.723 --> 11:53.525 I mean, we could time... Do you think anyone could get a response in to the studio in under a minute next week? 11:54.386 --> 11:54.646 Surely. 11:54.666 --> 11:55.726 Do you think that would be amazing? 11:55.986 --> 11:59.588 I mean, that would be like an incredible moment of sporting history, wouldn't it? 11:59.608 --> 12:00.668 Well, we'd do it live, would we? 12:00.708 --> 12:01.388 We'd actually... Yeah. 12:01.488 --> 12:02.209 We'd say... Yeah. 12:02.389 --> 12:03.029 And then we'd count down. 12:03.049 --> 12:05.270 I mean, that would be like breaking the one-minute mile. 12:05.710 --> 12:11.032 Boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, boop, bo 12:11.767 --> 12:13.168 We wouldn't play that music. 12:13.228 --> 12:13.668 Could we not? 12:13.768 --> 12:14.949 No, not the first one, yeah. 12:15.149 --> 12:16.050 Boop, boop, boop, boop, boop, boop, boop, boop. 12:16.090 --> 12:17.491 Yes, that's the music. 12:17.691 --> 12:18.912 That's the new LaRue single. 12:19.092 --> 12:20.293 Is it? 12:20.573 --> 12:22.715 It's unusually overproduced for her. 12:23.415 --> 12:24.696 But yeah, amazing photos. 12:25.116 --> 12:33.322 Weirdly, what seems to be happening in couple-type relationships is we get a picture of the lady with the hat, but sent by the man. 12:33.462 --> 12:35.283 That's the way it works with the sexes, isn't it? 12:35.303 --> 12:37.124 The man controls the camera. 12:37.144 --> 12:38.225 He knows how to work the camera. 12:38.485 --> 12:39.806 The lady deals with the pants. 12:41.227 --> 12:57.454 So there's a woman called Ryan, and she's just balancing a frying pan on her head, which is good because it works as a hat, but then if you need to repel someone with a frying pan-based wallop, you can tip your hat politely and also wallop them. 12:57.714 --> 13:04.519 You know, because the reason I thought of pants like shallow pants is because, you know, the expression to pan something as critically. 13:04.619 --> 13:04.819 Yes. 13:05.019 --> 13:11.183 I always, in my mind, think of a critic smacking the thing with an actual shallow pan. 13:11.223 --> 13:12.484 You know, wallop, wallop, wallop. 13:12.544 --> 13:17.327 There's a beautiful photo of Brian and his daughter wearing pants. 13:17.387 --> 13:18.128 Brian's daughter. 13:18.408 --> 13:20.610 We're going to put as many of these as we can on the blog. 13:21.050 --> 13:23.632 And I think that anybody who doubts the power 13:24.292 --> 13:30.834 and authority of Black Squadron will be sobered and will rethink their attitude when they see this gallery. 13:30.954 --> 13:31.574 It's an amazing game. 13:31.594 --> 13:34.355 I mean, that could be a good advertisement for the BBC in general, I would think. 13:34.415 --> 13:35.335 It really could, couldn't it? 13:35.375 --> 13:36.756 I could see it on a massive hoarding. 13:36.776 --> 13:38.396 Look at that lady. 13:38.436 --> 13:40.077 She's quite saucy and she's got a pan on her head. 13:40.097 --> 13:45.858 What about some kind of Chris Miles style, very expensive, slow motion promo film? 13:45.878 --> 13:46.638 Yeah, I like it. 13:46.658 --> 13:48.659 Of Black Squadron members with pan hats. 13:49.319 --> 13:50.159 On stallions. 13:50.179 --> 13:52.280 Why aren't the BBC channeling some of the money our way? 13:52.320 --> 13:53.101 That's what I want to know. 13:53.581 --> 13:55.101 Some of these expensive campaigns. 13:55.121 --> 13:57.022 Do we have a little bit of music before the news? 13:57.882 --> 14:02.924 Here's the Tom Tom Club asking the crucial question, what are you going to do when you get out of jail? 14:03.124 --> 14:04.065 Are you going to have some fun? 14:04.765 --> 14:05.845 What do you consider fun? 14:06.486 --> 14:06.746 Fun. 14:06.966 --> 14:07.586 Nasty fun. 14:08.566 --> 14:08.766 Right? 14:09.087 --> 14:09.967 That's what they say in this song. 14:12.591 --> 14:13.952 Can you hear that in the background, listeners? 14:15.133 --> 14:16.094 That noise, listeners. 14:16.574 --> 14:17.895 A drilling noise, can you hear that? 14:18.856 --> 14:24.401 That's the sound of our Sony silver certificates being screwed to the wall of the BBC six music. 14:24.421 --> 14:25.222 It sounds like a joke, isn't it? 14:25.282 --> 14:26.202 It's actually true. 14:26.222 --> 14:32.348 There's a couple of guys out there with a drill in the corridor outside the studio screwing them, screwing our awards to the wall. 14:32.688 --> 14:34.870 Yes, yes, we made it. 14:35.350 --> 14:36.111 Two months hence. 14:36.471 --> 14:40.452 They're gonna be unscrewing the awards and putting them in the bin probably when we get fired. 14:59.837 --> 15:07.176 Stand down, your work is done You've earned yourself a nice warm bath And maybe a nice little bargain 15:11.988 --> 15:13.430 Hmm, smooth. 15:14.071 --> 15:18.256 That was Paul Weller with Broken Stones from the album Stanley Road, which came out in 1995. 15:19.237 --> 15:19.778 Good times. 15:19.998 --> 15:20.639 Good times. 15:20.679 --> 15:21.540 Those were the days, eh? 15:21.560 --> 15:22.201 Those were the days. 15:22.441 --> 15:24.444 This is Adam and Jo here on BBC Six Music. 15:25.005 --> 15:27.928 Now, I was complaining last week that I had a cold listeners. 15:27.948 --> 15:29.310 I hadn't completely gotten rid of it. 15:30.091 --> 15:33.893 But I've got... I mean that cold is just the tip of the iceberg now for my health worries. 15:34.293 --> 15:36.054 I'm absolutely falling to part. 15:36.374 --> 15:37.975 I had a tough week medically as well. 15:37.995 --> 15:38.235 Did you? 15:38.255 --> 15:38.795 What happened to you? 15:38.815 --> 15:44.418 I was bleeding from two large holes in the right side of my body on Tuesday. 15:44.438 --> 15:45.138 Did you get shot? 15:45.518 --> 15:45.859 I didn't. 15:45.879 --> 15:47.980 I went to the doctor and he removed a skin tag. 15:48.760 --> 16:11.461 that was on my side and catching on my t-shirt a skin tag yeah you know a tiny little bit of weird skin that sort of pops up do you not have those like i've got one right right there i think oh yeah they're like sort of moles but you know a skin you know what a skin tag is do you not have any i haven't got skin tags i've got lots of other things have you yeah anyway he uh he he injected it with some anesthetic and adrenaline 16:11.821 --> 16:12.622 And adrenaline? 16:12.642 --> 16:12.982 Yeah. 16:13.362 --> 16:13.882 Why adrenaline? 16:13.902 --> 16:16.824 He told me everything he was doing, I didn't like it. 16:17.505 --> 16:21.508 He said, I'm just gonna put a little bit of, I'm just gonna, this might hurt quite a lot. 16:22.128 --> 16:26.351 Just gonna inject into the middle of it with some adrenaline. 16:26.391 --> 16:27.351 That's because he knows you like crying. 16:27.371 --> 16:28.692 Just to stop it bleeding too much. 16:28.772 --> 16:29.313 It is, isn't it? 16:29.353 --> 16:30.353 He knows I was crying too. 16:31.674 --> 16:36.137 And then he said, and then I'm gonna cut, I'm just gonna cut it off with a sharp spoon. 16:36.578 --> 16:37.138 A spoon? 16:37.298 --> 16:40.000 He said, it's just like a spoon, but it's very sharp on one end. 16:40.020 --> 16:41.401 So you'll feel some tugging. 16:42.262 --> 16:43.483 And then I'm gonna cauterize it. 16:43.503 --> 16:46.105 Imagine if he got his spoons confused at breakfast time. 16:46.766 --> 16:48.127 When it was a big blunt one. 16:48.367 --> 16:48.607 Ouch! 16:49.368 --> 16:51.670 Wow, you said you had some skin tag action. 16:51.790 --> 16:54.973 Yeah, and so I wasn't allowed to wash for three days. 16:55.494 --> 16:56.094 Were you not? 16:56.114 --> 16:56.675 That's stinky. 16:56.835 --> 16:57.776 That's normal though, isn't it for you? 16:57.976 --> 17:03.281 And then I got home, decided to lie on the sofa to convalesce, and I was in bare feet. 17:03.321 --> 17:04.422 I stood on a piece of glass. 17:05.243 --> 17:09.588 And I stood on it just as I was rotating on my heel in order to flop onto the sofa. 17:10.189 --> 17:12.752 And it was kind of curved and thorn shaped. 17:13.272 --> 17:14.734 So it's sort of like a drill bit. 17:14.774 --> 17:18.498 It sort of went up into my... It wasn't my heel, it's the other bit. 17:18.558 --> 17:19.980 But the toes, what's that called? 17:21.121 --> 17:21.582 Toe pads. 17:21.662 --> 17:22.723 Jimmy, Jimmy the toe pad. 17:23.384 --> 17:24.746 It went up into Jimmy the toe pad. 17:25.186 --> 17:26.708 Why was it on the floor? 17:26.768 --> 17:27.949 I've got glass on the floor. 17:28.189 --> 17:29.730 At three in the afternoon, I was fine. 17:29.790 --> 17:35.896 By 4.30, I was on the sofa leaking blood from two massive wounds in the right-hand side of my body. 17:35.936 --> 17:36.757 Goodness gracious. 17:36.817 --> 17:37.538 It was wicked. 17:38.078 --> 17:44.104 You know, this time last week, last Friday before the show, right, I had a gig in Greenwich. 17:44.124 --> 17:44.985 I was cycling there. 17:45.605 --> 17:53.211 And I was going past a parked car and the guy in the car opened the car door as I was going past without looking, right? 17:53.811 --> 17:55.652 Smashed me right in the left arm. 17:55.973 --> 17:56.813 It was agony! 17:57.354 --> 17:59.715 And so, and I was late for the gig so I couldn't stop. 17:59.775 --> 18:00.696 Did he knock you off your bike? 18:01.096 --> 18:07.121 No, no, no, it was such that it just, I took the full force of the corner of the door right in my elbow, my left elbow. 18:07.201 --> 18:08.042 And you were in motion. 18:08.342 --> 18:14.327 I was in motion and I, you know, I stopped and looked behind because I was pretty angry, obviously, that it was totally this guy's fault for not looking. 18:15.348 --> 18:19.671 But he was more worried about his car, whether I'd scraped his effing car, you know what I mean? 18:19.711 --> 18:20.412 It was terrible. 18:21.833 --> 18:24.395 And my arm really, really hurt. 18:24.435 --> 18:26.057 That's how the film Bullet Boy starts. 18:26.237 --> 18:26.497 Is it? 18:26.777 --> 18:27.538 Almost, yeah. 18:28.459 --> 18:33.043 It was absolute agony, but I couldn't stop and, you know, have a discussion with him about it. 18:33.123 --> 18:35.905 If you'd scratched his car, he would have demanded money. 18:35.945 --> 18:38.908 If you didn't have the money to pay him, he would have shot your dog. 18:39.428 --> 18:39.669 Right. 18:39.769 --> 18:41.951 And then you would have probably shot him. 18:41.991 --> 18:43.012 Would have been a spiral of violence. 18:43.032 --> 18:44.293 And it would have been like bullet boy. 18:44.493 --> 18:44.933 Terrible. 18:45.194 --> 18:45.574 Terrible. 18:45.834 --> 18:47.475 So, but luckily I got over that. 18:47.615 --> 18:52.998 However, this week I wake up one morning and my right arm is painful on the elbow. 18:53.098 --> 18:53.338 What? 18:53.878 --> 18:58.400 And in the night, check this out, I woke up and it felt as if I'd been drugged. 18:58.500 --> 19:01.262 I was in a stupor and I hadn't been drugged. 19:01.442 --> 19:03.323 No, no, you hadn't been drugged. 19:03.343 --> 19:04.123 I don't think so. 19:04.764 --> 19:05.524 No, you hadn't. 19:05.724 --> 19:06.364 Why are you saying it? 19:07.285 --> 19:07.825 Like what? 19:08.305 --> 19:09.266 Well, it was weird though. 19:09.286 --> 19:14.669 I just felt really weird when I woke up in the night and then the next morning my elbow hurt and then it started to swell 19:15.589 --> 19:19.830 And I think I was bitten by something, like a spider or something. 19:20.770 --> 19:21.891 Why are you looking at me like that? 19:21.991 --> 19:22.811 You're not making this up. 19:23.171 --> 19:24.271 No, I know you're not making it up. 19:24.671 --> 19:28.813 And it's like, throughout the week, it's absolutely become agonocious. 19:29.953 --> 19:30.653 Agony-icious. 19:30.913 --> 19:31.333 Agnostic. 19:31.513 --> 19:32.073 Agnostic. 19:33.734 --> 19:34.334 And it's terrible. 19:34.354 --> 19:36.815 I went to the doctor, I've got like antibiotics and stuff. 19:36.975 --> 19:38.395 What's the prognosis? 19:38.595 --> 19:40.115 She didn't really give me much of a prognosis. 19:40.135 --> 19:40.916 What's caused it? 19:40.976 --> 19:41.356 Why is it? 19:42.056 --> 19:42.536 I don't know. 19:42.556 --> 19:45.059 I mean, there's two little points on there, which I think are bites. 19:45.319 --> 19:49.723 Someone else said maybe it's a boil coming up, but it's just absolute agony. 19:50.164 --> 19:53.166 And instead of spreading, I can hardly use... I can't cycle... Maybe it's the beginning of the end. 19:53.607 --> 19:54.468 That's what I'm worried about. 19:54.488 --> 19:55.789 Maybe it's the final curtain. 19:55.849 --> 19:58.031 I don't think I'm gonna be... Starting to drop across the stage. 19:58.071 --> 19:58.972 Here next week, listeners. 20:00.353 --> 20:02.214 Mmm, it's terrible. 20:02.274 --> 20:02.994 We have some music. 20:03.294 --> 20:03.655 Yeah. 20:03.675 --> 20:05.796 This is Ian Brown with Stellify. 20:07.356 --> 20:10.037 I like to listen to Adam and Jo. 20:10.358 --> 20:14.539 But I listen to the podcast, not the live show. 20:15.000 --> 20:21.903 I used to feel a cute frustration, because I couldn't join in with Texas Nation. 20:22.563 --> 20:36.941 But now my troubles have disappeared Because rent flow takes the nation's heat And now my letter might be read out Instead of thrown in the trash and forgotten about 20:38.826 --> 20:41.309 Yes, it's retro Text the Nation time listeners. 20:41.369 --> 20:48.056 This is a kind of a news segment of the show where we read out some contributions to last week's Text the Nation subject. 20:48.096 --> 20:53.782 It's a way to be inclusive with listen again listeners and podcast listeners. 20:53.982 --> 20:58.204 It used to be a podcast-only feature retro-textination, but that broke the castle. 20:58.304 --> 21:02.565 Rules form a maximum amount of new material in a podcast, right? 21:02.585 --> 21:09.588 If you put too much new stuff in a BBC podcast, contravenes rules, it contravenes rules because it makes it almost commercial. 21:09.608 --> 21:10.168 Do you know what I mean? 21:11.108 --> 21:15.231 I don't quite understand it, but somehow it violates the remit. 21:15.491 --> 21:19.114 It violates the remit, and we were actually jailed for some time. 21:19.354 --> 21:20.334 And it was horrible in there. 21:20.354 --> 21:20.875 It was terrible. 21:20.915 --> 21:21.715 We were badly beaten. 21:22.036 --> 21:24.237 And our producer, James, he was put on a rack. 21:24.257 --> 21:25.158 He was stretched. 21:25.178 --> 21:26.739 And do you know who was running the place? 21:27.039 --> 21:27.879 Vernon Kay. 21:28.000 --> 21:28.360 Vernon Kay. 21:28.420 --> 21:29.661 And that really surprised me. 21:29.681 --> 21:30.261 It was gawling. 21:30.281 --> 21:34.504 The thing that freaked me out most was it was filthy and it was covered in blood and feces. 21:34.524 --> 21:35.224 I mean, it was horrible. 21:35.244 --> 21:37.146 It was a real proper dungeon. 21:37.606 --> 21:40.048 But yet Kay's suit was perfect white. 21:41.048 --> 21:42.490 all through our incarceration. 21:42.530 --> 21:47.536 And then just when he thought things couldn't get any worse, Philip Schofield put us in the queue for a while. 21:47.556 --> 21:50.040 And he laughed, he kept on laughing at this demonic laugh. 21:50.861 --> 21:51.341 Laughing! 21:51.421 --> 21:55.386 And the thing was that Kay was, I mean he was really flagellating. 21:56.167 --> 21:58.948 very, very brutally with chains. 21:59.268 --> 22:00.149 And beans as well. 22:00.889 --> 22:03.610 And there was, you know, splatter going everywhere. 22:03.630 --> 22:10.372 But yet, I mean, I think he must have, I think he must have had that suit pressed and changed at the taxpayers expense sort of instantly. 22:10.552 --> 22:11.433 He smelt delicious. 22:11.573 --> 22:13.614 He did smell and he's terribly handsome. 22:13.754 --> 22:15.934 And he's a very slick, very sadistic. 22:16.115 --> 22:16.995 He's absolutely sadistic. 22:17.495 --> 22:21.078 So, you know, this is why we couldn't include retro-textination in the podcast anymore. 22:21.098 --> 22:22.999 We had to shift it into the actual live show. 22:23.399 --> 22:28.002 And last week, our textination subject was names that you've given your body parts. 22:28.402 --> 22:32.645 And it sort of was focusing mainly on the jungly nether regions. 22:32.665 --> 22:34.526 Congolese areas. 22:34.607 --> 22:37.108 And we have a couple more of those to read out for you this week. 22:37.128 --> 22:38.069 Do you want to fire off one? 22:38.109 --> 22:38.389 Sure. 22:38.569 --> 22:40.510 Here's one from Sean somewhere in Kent. 22:41.211 --> 22:47.215 He says, I can't give you my full name for fear of ridicule, but as a young chap, I used to often pop into the bathroom for a whittle. 22:47.756 --> 22:54.127 Whilst my mum was in the bath, and I was fascinated by her breast, which I called Womblesnose. 22:54.808 --> 22:58.515 Below is a picture of a Womblesnose, unfortunately not my mum's. 23:00.186 --> 23:01.627 Can you picture a womble's nose? 23:01.667 --> 23:02.147 Yeah, I can. 23:02.167 --> 23:03.248 You can make that connection. 23:03.428 --> 23:05.329 Certainly, yeah. 23:05.369 --> 23:09.692 Two friendly wombles posing for a photo with their heads pressed together. 23:09.872 --> 23:10.072 Yeah. 23:11.233 --> 23:11.773 Good times. 23:11.813 --> 23:12.554 Good times. 23:12.854 --> 23:14.935 Here's one from Matt. 23:15.415 --> 23:20.799 He says, when me and my sister were little, my father taught us to refer to lady bits as Wilhelmina. 23:21.659 --> 23:24.761 As in, boys have a willy and girls have a willimena. 23:24.961 --> 23:27.443 You can imagine the bother it caused in later life. 23:27.523 --> 23:32.066 I mean, willimena's not a very common name, though, for, like, actual people. 23:32.906 --> 23:34.767 So I don't think that would be a massive problem. 23:34.787 --> 23:37.629 Like, willy's a more common name amongst people than willimena. 23:37.649 --> 23:38.770 I think that's very nice. 23:38.950 --> 23:39.190 Yeah. 23:39.450 --> 23:39.771 Sweet. 23:40.051 --> 23:40.531 Touching. 23:40.551 --> 23:41.172 That was from Matt. 23:42.292 --> 23:45.555 Uh, this is one from David the Megadude. 23:45.935 --> 23:46.796 Is he a Megadude? 23:46.996 --> 23:48.578 Well, he's not a Megadude. 23:48.878 --> 23:49.859 He's THE Megadude. 23:49.879 --> 23:50.719 Oh, he's THE Megadude. 23:50.739 --> 23:54.002 He has a capital M and a capital D. I'd love to be a Megadude. 23:54.042 --> 23:54.883 Megadude. 23:55.063 --> 23:56.404 How does he know he's a Megadude? 23:56.424 --> 23:58.026 You've got to train for about 10 or 15 minutes. 23:58.086 --> 23:58.846 Really? 23:58.926 --> 23:59.827 He's certificated. 23:59.907 --> 24:00.828 I've passed a lot of exams. 24:00.868 --> 24:04.331 Does he have that after his name, like a sort of BSC-ons kind of thing? 24:04.391 --> 24:04.791 Yeah, MD. 24:04.811 --> 24:05.111 MD. 24:05.292 --> 24:05.872 Quincy. 24:05.892 --> 24:06.793 Quincy was a Megadude. 24:08.374 --> 24:14.259 He says simply, men's nipples, mipples, women's nipples, whiples. 24:16.641 --> 24:17.681 He is a mega dude. 24:17.701 --> 24:18.662 Of course he is. 24:18.802 --> 24:19.683 He's fully qualified. 24:22.005 --> 24:25.448 This is from Howard, staying in the Congo area. 24:25.968 --> 24:28.650 Adam and Jo, it's a very touching message, this one though. 24:28.670 --> 24:30.151 It starts out touching at least. 24:30.451 --> 24:31.632 Adam and Jo, I need your help. 24:31.993 --> 24:34.895 I've just split up with my girlfriend and I'm very, very sad. 24:35.315 --> 24:36.536 I've been a massive fan of you both. 24:36.556 --> 24:37.517 I thought you said you weren't going to 24:37.957 --> 24:40.420 Well, I've changed some of his fruity language. 24:56.494 --> 25:01.616 Coincidentally, that's what caused me and my girlfriend to split up because I thought with my love musket. 25:02.036 --> 25:03.237 Clearly doesn't help, does it? 25:03.877 --> 25:04.457 I saw him. 25:04.917 --> 25:05.397 I suppose not. 25:05.417 --> 25:07.258 It's been a destructive element in his life. 25:07.398 --> 25:08.739 Help me, Adam and Joe, he says. 25:08.819 --> 25:10.459 Well, I hope that helped, Howard. 25:10.479 --> 25:11.300 I hope you're feeling better. 25:11.320 --> 25:13.961 Yeah, that's good. 25:14.001 --> 25:14.721 You got one more there? 25:15.041 --> 25:15.621 Love musket. 25:15.841 --> 25:16.082 Yeah. 25:17.262 --> 25:19.163 Here's one from Carol Walsh in Dublin. 25:20.263 --> 25:22.544 I'm a listener with a very itchy back. 25:22.725 --> 25:24.205 Don't judge me, it's hereditary. 25:25.006 --> 25:31.990 Anywho, my good friend has a hand that lends itself to scratching, but unfortunately is rubbish with directions. 25:32.570 --> 25:39.254 So what I've done is to name the various areas of my back, making commands easier for him to follow. 25:39.835 --> 25:41.696 The areas of my back are named as follows. 25:42.236 --> 25:43.737 Top right, Liz McDonald. 25:44.217 --> 25:45.638 Bottom right, Steve McDonald. 25:45.718 --> 25:46.639 Bottom left, Becky. 25:47.139 --> 25:48.360 Top left, Jim McDonald. 25:49.000 --> 25:52.785 It's a good system and it works by Carol Walsh from Dublin. 25:56.609 --> 26:00.133 I like the fact that he's got a good hand for scratching. 26:00.733 --> 26:03.977 Well nails, you've got to have good nails to be a good scratcher. 26:03.997 --> 26:04.998 Not too long, not too short. 26:06.460 --> 26:10.624 And you want them nicely trimmed as well, you don't want any jaggy stuff on them. 26:10.644 --> 26:11.705 I mean it's amazing isn't it? 26:11.745 --> 26:18.251 You know my lady partner and I, our life is basically a trade war of head scratching. 26:19.212 --> 26:24.577 Every time I sit near her, all I have to do is waggle my head like that, and that's the command for her to scratch it. 26:26.761 --> 26:29.142 And then she does the same, and I have to do it. 26:29.503 --> 26:30.944 And then I start sort of owing her. 26:30.964 --> 26:32.104 Do you know what I mean? 26:32.124 --> 26:32.384 Yeah. 26:32.645 --> 26:33.765 So I have to scratch that. 26:33.785 --> 26:37.227 So there's quite a lot of disgruntled head scratching that goes on. 26:37.287 --> 26:38.068 Grudging, yes. 26:38.088 --> 26:41.390 Yeah, you know, as a sort of penance kind of thing. 26:41.410 --> 26:41.730 That's right. 26:41.770 --> 26:45.512 I have to massage my wife occasionally when we're watching television, give her a neck massage. 26:45.532 --> 26:45.873 Do you? 26:46.333 --> 26:47.894 I never get... What do you mean you have to? 26:48.074 --> 26:49.395 Well, she makes it clear. 26:49.415 --> 26:51.036 She goes, please, could you help me? 26:51.076 --> 26:52.737 I'm in... Well, just do a little impression. 26:53.357 --> 26:53.778 Oh, Addy. 26:53.918 --> 26:55.199 She goes, oh, yeah. 26:55.519 --> 26:55.900 Yeah. 26:56.300 --> 26:57.961 Because I watch on my cameras. 26:58.061 --> 26:58.282 Right. 26:58.782 --> 27:01.825 She goes, Addy, please give me a massage, please. 27:02.786 --> 27:04.287 And it goes on for quite a long time. 27:04.307 --> 27:05.488 I tell you what I do as well. 27:05.989 --> 27:10.893 If we're watching the telly and my feet are bare, I put my foot right near her and I waggle it. 27:11.113 --> 27:11.313 Yeah. 27:11.634 --> 27:15.457 To be stroked like it's a really irritating little dog or something. 27:15.537 --> 27:15.817 Yeah. 27:15.917 --> 27:17.399 I just shake it right next to her. 27:18.712 --> 27:21.273 And then the only way she can stop it is by stroking it. 27:21.394 --> 27:21.974 Like Boggins. 27:22.214 --> 27:23.094 Like Boggins! 27:23.495 --> 27:24.615 I hope Boggins... Boggins! 27:25.256 --> 27:27.917 Boggins! 27:27.997 --> 27:30.218 I didn't know Boggins was gonna turn up in the middle of this. 27:30.238 --> 27:31.399 Get a scratch on my head. 27:31.679 --> 27:32.360 Under my belly. 27:32.560 --> 27:38.423 Boggins is the Adam and Jo dog and of course he's famous for saying things that sound a tiny bit like... 27:38.803 --> 27:39.283 Words. 27:39.383 --> 27:42.045 Go look at your nose and face. 27:42.185 --> 27:43.546 They're pretty much incomprehensible. 27:43.626 --> 27:45.507 He was on That's Life in the 70s boggins. 27:45.547 --> 27:46.907 What are you boggins for? 27:46.947 --> 27:48.928 Yeah, shush, shush, shush. 27:48.968 --> 27:54.031 He's lost it now, that doesn't... Get us a scratch under my tummy where all the hair's gone. 27:54.111 --> 27:57.333 But of course, this week, boggins and I went on an adventure, didn't we, boggins? 27:57.733 --> 27:59.434 Yeah, we went to Germany, didn't we, boggins? 28:00.234 --> 28:02.577 to appear on a live TV show called Pet Stick. 28:02.857 --> 28:07.081 Yeah, mere boggins to Pet Stick, that's an exciting journey. 28:07.401 --> 28:13.387 And boggins of course wowed the studio audience on Pet Stick by making a noise that sounded slightly similar to the words raffle tickets. 28:18.532 --> 28:19.252 Raffle tickets. 28:19.472 --> 28:20.193 Raffle tickets. 28:20.613 --> 28:21.293 Raffle tickets. 28:21.313 --> 28:23.194 No, don't lick that, Boggins. 28:23.214 --> 28:23.814 So that was brilliant. 28:23.854 --> 28:29.576 We made 10,000 euros for that appearance, and I bought Boggins a biscuit, and I'm banking the rest. 28:31.376 --> 28:33.597 We got a new back. 28:34.157 --> 28:34.677 What, Boggins? 28:34.757 --> 28:35.638 We got a new back, have we? 28:35.658 --> 28:37.058 Don't understand. 28:37.398 --> 28:39.579 He used to be much more comprehensible. 28:41.059 --> 28:44.962 Have you got, like, a remix of Beck, Cornelius, anything like that? 28:45.042 --> 28:46.303 No, I don't understand what he's saying. 28:46.343 --> 28:49.645 Here's Beck with the Cornelius remix of mixed business. 28:49.665 --> 28:51.987 Oh, that's a very dramatic sound, isn't it? 28:52.007 --> 28:52.627 It's very dramatic. 28:52.647 --> 28:56.090 That was the Big Pink with Domino's there. 28:56.350 --> 28:58.751 They played for Danny Wallace in the Hub. 28:59.212 --> 29:02.014 Danny was sitting in for George Lamb last Wednesday. 29:02.034 --> 29:05.076 You can go to bbc.co.uk slash six music. 29:05.596 --> 29:07.056 to listen to that performance again. 29:07.096 --> 29:10.237 This is Adam and Jo here on the Mighty Six Music. 29:10.297 --> 29:11.958 Very nice to have you along, listeners. 29:12.018 --> 29:12.858 How are you doing? 29:13.718 --> 29:16.699 And I think we're going to get into the nation's favorite feature. 29:16.719 --> 29:21.880 We've got the results of Song Wars as well, just to remind you, coming up in the next half hour, I think. 29:22.500 --> 29:23.921 Our song's about bath time. 29:23.941 --> 29:25.621 We're going to find out who won that. 29:26.562 --> 29:28.262 But now, let's have the textination jingle. 29:33.448 --> 29:34.391 What if I don't want to? 29:34.412 --> 29:36.520 But I'm using email. 29:36.681 --> 29:37.384 Is that a problem? 29:40.743 --> 29:54.235 Listeners, Text the Nation is the part of the show where we give you a kind of a chit-chatty subject, provocative, fascinating little idea of a bomblet, and you have a think about it and then texting your suggestions. 29:54.555 --> 29:57.858 Yeah, the number is 64046, that's the text number. 29:57.878 --> 30:01.901 The email is adamandshow.sixmusic at bbc.co.uk. 30:02.242 --> 30:07.586 And this week's Text the Nation theme is annoying habits that TV presenters do. 30:07.907 --> 30:08.087 Yeah. 30:08.507 --> 30:12.752 Now, I was watching a BBC Four programme about the history of Scotland. 30:13.853 --> 30:22.703 I don't know the presenter's name, but it was a man with sort of long black hair, and he was walking around Scotland ranting facts. 30:23.704 --> 30:26.708 And they were doing some very, very annoying techniques. 30:27.088 --> 30:31.051 And I'm not sure whether this is the presenter himself or whether it's the camera style. 30:31.652 --> 30:33.554 But he was doing a thing about a church. 30:34.034 --> 30:37.457 And he was standing in the church, telling us about the church. 30:38.118 --> 30:44.223 But the cameraman was at a low angle, circling him very fast. 30:44.903 --> 30:48.066 And he was turning physically in the opposite direction. 30:48.086 --> 30:48.807 That old chestnut. 30:49.227 --> 30:57.270 And it was really quite fast, as if it was the part of a feature film where the lead character is going insane. 30:57.891 --> 31:02.493 But it wasn't a feature film about that, it was a historical documentary about a church. 31:03.653 --> 31:08.195 But it was spinning and dizzying and it went on for minutes. 31:08.815 --> 31:09.916 And it was unwatchable. 31:10.276 --> 31:13.097 That's just annoying direction, though, rather than presenting. 31:13.137 --> 31:18.359 Well, I think I'm specifically talking about presenter links, and they're difficult things to do. 31:18.659 --> 31:21.280 Like, we've done them a lot, and I'm sure we've done them really badly. 31:21.681 --> 31:23.461 But it's very hard to make them interesting. 31:24.062 --> 31:26.183 And directors always want to make them interesting. 31:26.483 --> 31:33.366 But sometimes that urge results in a very annoying practice, either by the presenter, him or herself, or the camera person. 31:33.406 --> 31:36.487 Well, you know a program that has a lot of that kind of stuff. 31:36.727 --> 31:37.088 Who's that? 31:37.128 --> 31:38.390 More awards going awards. 31:38.590 --> 31:39.591 We've won more awards. 31:41.474 --> 31:50.347 Anyway, it's the culture show sometimes have some, you know, they really are always trying to find new ways of making a piece interesting and they do a fantastic job of it. 31:50.447 --> 31:53.111 It's tricky because a show like that is mine and that's not true. 31:53.311 --> 31:58.333 But then every now and again, you know, they'll pull out something out of their bag and it's quite annoying. 31:58.353 --> 32:05.056 Like one of the things they sometimes do, not just on the culture show, but lots of programs, is they lock off a shot, right? 32:05.356 --> 32:11.318 And then they have the person popping up in several different parts, like multiple versions of the same person. 32:11.478 --> 32:13.239 Because basically those things are audio. 32:13.279 --> 32:14.660 You don't really need to see it, do you? 32:15.080 --> 32:18.741 So they feel they have to justify their existence on telly by doing something visual. 32:20.282 --> 32:20.582 rubbish. 32:21.103 --> 32:24.346 Here's another one in the same, that same documentary about the history of Scotland. 32:24.866 --> 32:27.449 He was telling us more facts about Scotland. 32:27.669 --> 32:29.491 You sound like the guy on Dragon's Day. 32:29.511 --> 32:30.812 My Scottish accent is terrible. 32:30.992 --> 32:32.313 What's his name, the guy on Dragon's Day? 32:32.614 --> 32:33.995 Ah, I don't know, it's Goshuan. 32:34.535 --> 32:35.236 I moot. 32:35.316 --> 32:35.657 I moot. 32:36.978 --> 32:38.419 This fella was walking along a dude. 32:38.599 --> 32:39.240 That's terrible. 32:39.340 --> 32:40.041 What happened there? 32:40.879 --> 32:42.139 That was awful. 32:42.179 --> 32:43.640 Anyway, he's walking along a road. 32:44.700 --> 32:45.981 And they shot it. 32:46.701 --> 32:49.702 He's walking along a sort of country lane, telling us more facts about Scotland. 32:50.482 --> 32:56.484 But the camera is behind him, over his left shoulder, very close, like a Dardan Brothers film. 32:56.844 --> 32:58.064 Do you know the Dardan Brothers? 32:58.325 --> 32:59.705 Yeah, sure, yeah. 32:59.725 --> 33:00.665 Some listeners will understand. 33:00.685 --> 33:02.626 We're having a Dardan marathon at Harkhouse too. 33:02.686 --> 33:02.906 Are you? 33:03.226 --> 33:04.027 Oh, that'd be depressing. 33:04.967 --> 33:06.769 Anyways, walking along, the camera's over his shoulder. 33:07.329 --> 33:09.571 The road in front of him is completely out of focus. 33:10.031 --> 33:11.873 And then he turns his head towards the lens. 33:12.313 --> 33:15.175 Robert the Bruce was a Bruce command, a tough man. 33:15.656 --> 33:15.976 You know who? 33:16.216 --> 33:16.456 Yes. 33:16.817 --> 33:17.717 And it was very annoying. 33:17.737 --> 33:23.602 It was as if we, the viewer, were like scuttling along behind him, desperate for him to give us another fact over his shoulder. 33:25.069 --> 33:32.355 And then my favourite sort of place for annoying presentational techniques is a channel called Film24 that used to be on Freeview. 33:32.395 --> 33:32.916 Oh yes, I know. 33:33.236 --> 33:34.337 That's an amazing channel. 33:34.777 --> 33:38.761 I don't know whether it's still on anymore because I don't have Freeview anymore, it's changed or whatever. 33:38.781 --> 33:39.301 I think it still is. 33:39.541 --> 33:47.948 But it's sort of EPKs, it's promotional films for forthcoming movies and they're linked by presenters who are usually sort of ex-Blue Peter presenters. 33:49.169 --> 34:09.364 and they shoot it on the back lot of Pinewood Studios and they do the most amazing links like on some of them they'll come into a link and the camera will be static pointed at a row of columns in a building and then suddenly the camera will start moving and the presenter will appear from behind one of the columns and start walking along, do you know what I mean? 34:09.444 --> 34:14.428 Going at the same time and then exactly when their spiel ends they will pass behind a column 34:14.608 --> 34:15.808 And the camera will stop. 34:16.489 --> 34:18.749 It's like, what were you doing behind the column? 34:18.929 --> 34:21.550 Those kind of things take ages to get right as well. 34:21.870 --> 34:22.950 But they look so stupid. 34:23.691 --> 34:29.012 Or then there's links where a presenter will start on a bench and then stand and walk across to a fountain. 34:29.492 --> 34:32.893 And then exactly when the end of their spiel stops, they'll put one leg on the fountain and lean. 34:32.933 --> 34:35.434 But that is not what was going to happen. 34:36.474 --> 34:36.994 See what I mean? 34:37.094 --> 34:37.734 And then it'll cut. 34:38.355 --> 34:40.655 So that's what we're after and things you find irritating. 34:40.995 --> 34:41.875 It can be specific. 34:41.915 --> 34:42.875 You can name names. 34:43.536 --> 34:45.216 You can accuse presenters. 34:45.236 --> 34:47.456 You can accuse us of having annoying habits. 34:47.696 --> 34:52.277 I mean, we have lots of annoying habits, but we usually set them to music and try and profit from them. 34:53.558 --> 34:59.999 But what are the most annoying TV presentational quirks that you guys can send us? 35:00.399 --> 35:01.279 We'd love to hear from you. 35:01.399 --> 35:02.920 The text number if you're listening live is 64046. 35:04.160 --> 35:10.583 If you're responding to this, text the nation subject during the week if you're listening again or listening on the podcast, then you have to email us your thoughts. 35:11.443 --> 35:12.903 Right now, we've got some music for you. 35:12.923 --> 35:14.304 This is The Cure with Just Like Heaven. 35:14.524 --> 35:15.844 That was The Cure with Just Like Heaven. 35:15.864 --> 35:18.005 This is Adam and Joe on BBC Six Music. 35:18.885 --> 35:20.746 Adam, hey, hey, I need your help, man. 35:20.806 --> 35:21.286 What's the matter? 35:21.406 --> 35:24.707 I've been listening to some contemporary urban music. 35:24.868 --> 35:26.128 Oh, why do you know? 35:26.408 --> 35:36.000 Well, you know, the radio was tuned into an urban station while I was in the loo, on the loo, using the loo, enjoying the loo. 35:36.261 --> 35:41.487 And I heard a couple of songs, and I don't know, they've confused me, the lyrics have confused me, I don't... 35:42.148 --> 35:43.549 I don't know what to think about them. 35:43.749 --> 35:44.750 Was it Kanye West? 35:45.111 --> 35:46.311 It was actually, yeah. 35:46.832 --> 35:50.975 The first record I heard, I'm going to play you some clips and I don't know whether anyone can help me with this. 35:52.617 --> 35:54.658 The first song I heard was by Jamie Foxx. 35:55.139 --> 35:55.339 Oh yeah. 35:55.539 --> 35:57.040 Who's a difficult character as it is. 35:57.300 --> 35:58.922 He's not Jamie Foxx Ox Ox, is he? 35:58.942 --> 35:59.122 Yeah. 35:59.602 --> 36:00.763 The actor turned singer? 36:00.843 --> 36:08.047 Yeah, the hugely successful and haughty and arrogant and overconfident singer, actor. 36:08.127 --> 36:14.131 I mean, usually when people are multi-talented or try to, you know, usually you can't have a film career and a movie career. 36:14.431 --> 36:14.611 Right. 36:14.831 --> 36:15.312 He's done it. 36:15.632 --> 36:17.173 I mean, a film career and a music career. 36:17.193 --> 36:18.013 And a music career, I'm sorry. 36:18.033 --> 36:18.574 Yeah, you're right. 36:19.054 --> 36:24.337 Anyway, so he's a confusing character to begin with, but he's released a new single featuring Drake, The Dream. 36:24.717 --> 36:26.939 Is he really a credible music artist though, Jamie Foxx? 36:26.959 --> 36:27.099 Yeah. 36:27.339 --> 36:27.519 Right. 36:27.919 --> 36:29.340 And Kanye West, it's called Digital 36:29.500 --> 36:30.662 girl is single. 36:30.682 --> 36:31.723 Have you heard that song at all? 36:31.763 --> 36:32.284 No, I haven't. 36:32.885 --> 36:34.887 I boycotted Kanye West because of his rudeness. 36:34.988 --> 36:35.849 Quite right, quite right. 36:36.590 --> 36:43.559 Well, this song is sort of drawing, it's kind of using digital lingo as a love song, you know, sexy digital metaphors. 36:43.659 --> 36:45.462 Yeah, like my song Sexy Robots. 36:45.522 --> 36:46.143 Very like that. 36:46.423 --> 36:47.504 And it does quite a good job. 36:47.524 --> 36:48.085 Let me play you. 36:48.285 --> 36:50.687 When I heard the beginning, I thought, oh, this is quite a good track. 36:50.707 --> 36:56.753 They're doing a good job of, you know, sewing digital metaphors into their sexy, sexy rapping. 36:57.314 --> 36:58.475 Like this, this bit's quite good. 36:58.495 --> 36:59.396 Play the first clip there. 37:09.455 --> 37:10.855 Even Photoshop couldn't change me. 37:10.875 --> 37:11.776 That's pretty good, isn't it? 37:11.856 --> 37:12.436 That is good. 37:12.496 --> 37:14.216 Sparks have got a whole song called Photoshop. 37:14.236 --> 37:14.556 Do they? 37:14.596 --> 37:14.956 Yeah, yeah. 37:14.976 --> 37:16.917 Do they do a similar little lyric thing? 37:17.617 --> 37:19.758 Photoshop me out of your life. 37:19.938 --> 37:20.378 When was that? 37:20.438 --> 37:21.978 Photoshop me out of your life. 37:21.998 --> 37:22.918 It came out last year, I think. 37:23.078 --> 37:23.659 There you go. 37:23.919 --> 37:31.081 I was going quite well this song, but then, and that's either Kanye or Drake The Dream rapping, I'm not entirely sure, but then Jamie Foxx starts singing. 37:31.641 --> 37:36.742 And you know, the beginning of the song is so sort of tightly written, and they're being so careful that every rhyme 37:37.442 --> 37:43.624 is fusing with this idea of technology, you know, and then Jamie Foxx comes in and sings the following. 38:03.700 --> 38:03.980 What? 38:04.921 --> 38:05.882 Did you hear what he said? 38:07.885 --> 38:10.388 He hates the distance even though it's persistent. 38:10.649 --> 38:12.431 One day I'll have your arse up in this kitchen. 38:13.332 --> 38:14.294 He's romantic. 38:14.514 --> 38:15.054 romantic. 38:15.674 --> 38:17.655 He wants his girlfriend to moon in the kitchen. 38:17.675 --> 38:17.995 I think so. 38:18.015 --> 38:18.735 That's his ultimate fantasy. 38:18.755 --> 38:19.555 That's what rappers are like man. 38:32.499 --> 38:34.500 I heard this record by Sean Kingston. 38:34.520 --> 38:35.520 Do you know who Sean Kingston is? 38:35.540 --> 38:36.141 No, I don't know. 38:36.161 --> 38:39.702 He's a big kind of reggae dancehall star. 38:39.722 --> 38:40.623 He's a big star. 38:40.823 --> 38:41.223 Yeah. 38:41.443 --> 38:45.745 And this is his new hit that's really lighting up the clubs all over Britain. 38:46.245 --> 38:47.386 But this is the chorus. 38:57.145 --> 38:58.186 What's a shorty fire? 38:58.866 --> 39:01.368 Shorty fire burning on the dance floor. 39:01.448 --> 39:03.069 I mean, well, there's a child on fire. 39:03.089 --> 39:04.590 Are they dancing naked? 39:04.630 --> 39:05.971 Have they taken their shorties off? 39:06.838 --> 39:07.519 Shorty fire. 39:07.539 --> 39:08.880 Is there a pile of shorties? 39:08.900 --> 39:11.982 Well in hip-hop parlance, a shorty is a youngster, right? 39:12.482 --> 39:14.064 I think it's a girlfriend, actually. 39:14.164 --> 39:14.424 Is it? 39:14.444 --> 39:15.885 It's an attractive woman, yeah. 39:15.985 --> 39:16.646 My shorty. 39:17.506 --> 39:19.008 Shorty fire burning on the dance floor. 39:19.028 --> 39:22.410 Somebody call 911 there's a shorty fire burning on the dance floor. 39:22.430 --> 39:24.732 Or someone, yeah, you just think it's someone's pants I've caught like. 39:24.792 --> 39:28.555 Or maybe there's static electricity on the dance floor or a short circuit. 39:28.615 --> 39:28.815 Yeah. 39:29.095 --> 39:30.697 And all the shorties have caught fire. 39:31.297 --> 39:32.557 They're drilling more awards. 39:32.897 --> 39:34.678 There's a shorty fire downstairs. 39:35.038 --> 39:35.918 My lordy. 39:36.418 --> 39:36.899 That's good, though. 39:36.919 --> 39:37.699 That sounded quite good. 39:37.739 --> 39:38.999 Is that what young people are listening to? 39:39.139 --> 39:39.419 Yeah. 39:39.759 --> 39:40.760 This is exciting, man. 39:40.780 --> 39:42.680 We're getting all the latest music news on the show. 39:42.880 --> 39:43.280 We are. 39:43.480 --> 39:46.581 Thanks very much for winding our musical remix. 39:46.601 --> 39:47.461 A shorty fire. 39:47.741 --> 39:48.822 That sounds worrying. 39:48.982 --> 39:50.282 What do you do about a shorty fire? 39:50.362 --> 39:53.483 There are regulations about, you've got to have fireproof shorties. 39:53.883 --> 39:55.924 I mean, that's a health and safety issue if you've got shorty fire. 39:55.944 --> 39:56.244 Isn't it? 39:56.484 --> 39:57.184 Yeah, definitely. 39:57.324 --> 39:58.544 Anyway, that's R&B News. 39:59.225 --> 40:00.765 Here's a free play for you right now, listeners. 40:01.185 --> 40:10.029 This is a garage rock combo from Cincinnati, Ohio, and this is their debut single from 1998. 40:10.529 --> 40:13.310 They're called The Greenhorns, and this is end of the night. 40:13.590 --> 40:14.390 Good stuff, man. 40:14.450 --> 40:16.411 That's Travis with Selfish Jean. 40:16.531 --> 40:19.533 This is Adam and Joe here on BBC Six Music. 40:19.613 --> 40:21.014 Nice to have you along this Saturday morning. 40:21.414 --> 40:25.416 And I think it's time that we resolved last week's song wars battle. 40:25.896 --> 40:28.537 We both composed songs about the bath time. 40:28.697 --> 40:30.919 Joe did one about David Bowie taking a bath. 40:31.439 --> 40:36.881 Mine was a kind of two-step number about... A special bath for a dirty lady. 40:37.042 --> 40:37.562 Dirty lady. 40:37.582 --> 40:38.482 You needed a bath. 40:38.502 --> 40:39.743 No one's going to forget that in a hurry. 40:40.323 --> 40:53.848 If you want to hear either of those songs they're still available in kind of cruddy quality on the Adam and Jo Six Music website or of course they're available in full amazing quality in the podcast which is still up until the end of the weekend isn't it? 40:53.888 --> 40:54.528 That's true isn't it? 40:55.329 --> 40:58.270 So it's time to announce the winner here's a couple of 40:58.650 --> 41:21.151 emails that we had in this one's from Olly Perry he says I'm afraid my vote has to go to Joe's bath time for Bowie sorry Adam I just found that BFB I mean that's what they're calling it now what's BFB bath time for Bowie I mean so many people are saying it it's taking up time so it's best to abbreviate it yeah that's what the Twitter arty is doing Adam the songs such a big hit yeah yeah 41:21.991 --> 41:22.912 Do you know it's at number one? 41:23.172 --> 41:24.813 Oh, if you win now, after all. 41:25.294 --> 41:25.894 I'm not going to win. 41:26.774 --> 41:30.517 I just found that BFB to be more the sort of thing I would actually bathe to. 41:31.037 --> 41:32.438 It also made me chuckle lots. 41:32.838 --> 41:34.880 But don't worry, we have a balancing email here. 41:34.900 --> 41:35.060 Splish. 41:35.400 --> 41:35.820 Splosh. 41:36.621 --> 41:37.081 Exactly. 41:37.101 --> 41:39.863 Who wouldn't want a bath to that? 41:40.163 --> 41:41.284 This is one from Kate. 41:41.644 --> 41:45.567 My vote this week goes to Special Bath for a Dirty Girl by Dr. Buckles. 41:45.847 --> 41:50.270 I particularly enjoyed the rhythmic pairing of Badadass and Big Bad Ass. 41:50.410 --> 41:50.650 Yeah. 41:51.070 --> 41:51.290 Yeah. 41:51.310 --> 41:52.331 I mean, it's an amazing bit of protocol. 41:52.351 --> 42:03.401 She says, please understand that I'm not downplaying the merits of Bowie in the bath, but, and as a member of Black Squadron, I'm slightly ashamed to admit, I've never been a Bowie fanatic, and some of the references within the song may have been lost to me. 42:03.961 --> 42:04.602 Oh, right. 42:05.923 --> 42:09.486 That email's more about my song than in the final analysis. 42:09.746 --> 42:12.388 So if she had understood the references, she'd be voting for your song. 42:12.408 --> 42:13.409 That was the implication there. 42:13.629 --> 42:15.711 Thanks for all your messages about Song Wars, incidentally. 42:17.192 --> 42:18.414 Here are the results. 42:18.915 --> 42:19.856 That's me in pain. 42:19.936 --> 42:21.558 My song got 23%. 42:22.159 --> 42:24.902 But Adam's special bath wins with 67%. 42:24.962 --> 42:26.004 You know, I'm surprised. 42:26.364 --> 42:27.346 I'm not surprised. 42:27.626 --> 42:30.369 I am surprised because your Bowie in the bath is very strong. 42:30.650 --> 42:31.831 Well, music is the winner. 42:32.632 --> 42:36.014 You know, but I did finish mine off early to watch Crank 2. 42:36.415 --> 42:37.735 That's true indeed, didn't you? 42:38.176 --> 42:43.179 So I think I deserve... Plus, I probably took about four hours over it. 42:43.379 --> 42:43.839 Did you? 42:44.199 --> 42:45.480 Five hours, maybe, yeah. 42:45.500 --> 42:47.261 No, I absolutely killed myself doing this one. 42:47.842 --> 42:48.842 Well, yours is good, man. 42:48.862 --> 42:50.403 And here's an opportunity to hear it again. 42:50.703 --> 42:51.724 This is the winning song. 42:51.984 --> 42:53.305 This is called Special Bath. 42:53.645 --> 42:54.946 It's by Count Buckley's. 42:55.166 --> 42:55.526 Thank you. 42:56.607 --> 42:58.608 And it won with 67% of the vote. 42:58.648 --> 42:58.808 Yeah! 43:08.957 --> 43:18.804 I love your mucky mind, but your body's all so filthy Which I weren't so pleased to find yourself here But what's up with your personal hygiene? 43:18.864 --> 43:38.757 That's why you haven't had a boyfriend since you were 13 You have the matted hair of an Australian backpacker And in your pants last night I've had some cheese and a cracker You say you don't like bathing cause you're frightened of the water But it's getting crazier, you know I really think you're water 43:39.141 --> 43:40.313 round to a play 44:22.469 --> 44:46.265 I'll take the boring end, cause I'm your special bar friend Come round to my place tonight, we'll have a special bar I want you looking like Chameleon, don't worry my bra There we are, you see it's not so bad is it? 44:46.425 --> 44:50.808 It's nice, there's just a couple of rules you need to know before we go on 45:49.572 --> 45:50.533 Sly and the family stone. 45:50.593 --> 46:10.794 It was very hard to tell where my song special bath ended and where that one began They were so similar for whom in quality and style for whom was that hard to tell for all the listeners though fans You know there was there they were certainly cut from similar cloth hewn from yes stop talking musical rock talking now 46:11.395 --> 46:12.276 So stay tuned, listeners. 46:12.296 --> 46:18.623 We've got a very special announcement of a way that you can get very profoundly involved in the show. 46:18.843 --> 46:20.265 And the song wars especially. 46:20.986 --> 46:25.091 That's coming up in the next half hour here on the program, but right now it's just gone 10.30 and it's time for the news. 46:25.591 --> 46:27.954 Gorillaz with Feel Good Incorporated. 46:28.214 --> 46:30.036 Hey, this is Adam and Jo here on BBC 6 Music. 46:30.777 --> 46:32.698 My Guy Garvey's giving me a lot of jit, man. 46:32.879 --> 46:33.179 Is it? 46:33.279 --> 46:35.941 Yeah, I bet you were just wincing there during that record. 46:35.961 --> 46:36.901 I'm not a wincey Willis. 46:37.422 --> 46:38.102 I feel sorry for you. 46:38.122 --> 46:38.883 What can you do? 46:39.003 --> 46:40.163 Is there a bubo on it? 46:40.564 --> 46:41.264 A bubo? 46:41.504 --> 46:43.186 No, it's not a burst of all- There's nothing to pop. 46:43.686 --> 46:50.450 No, it's not like a spider bite that you sometimes see on the internet where- Where it's full of spiders, tiny spiders. 46:50.811 --> 46:52.612 No, you can't drain it or anything like that. 46:52.692 --> 46:53.893 You know, it's not pustulate. 46:54.493 --> 46:55.414 What kind of pain is it? 46:55.954 --> 47:13.140 It's it I swear to you it's like someone has just got a crowbar and smashed my arm really it's so painful and every time it touches anything it's Absolute agony really I came in on the tube because I can't cycle right I can't grip the handlebars and I was just really worried about people knocking it on the tube and stuff 47:14.160 --> 47:16.441 No, you've taken some painkillers though. 47:16.461 --> 47:18.942 I'm hopped up on painkillers and antibiotics. 47:19.082 --> 47:20.302 You could always chop it off mate. 47:20.842 --> 47:21.283 You could. 47:21.303 --> 47:22.363 You could just get rid of it. 47:22.803 --> 47:25.484 I'd cauterize it with a hot pan or pot. 47:25.824 --> 47:26.384 Or a sharp spoon. 47:26.404 --> 47:27.285 Depending on what you wanted. 47:27.305 --> 47:29.005 I could cut it off with a sharp spoon. 47:29.305 --> 47:33.247 Inject some adrenaline into it to stop the blood flowing into my heart. 47:33.607 --> 47:34.207 I could do that. 47:34.627 --> 47:35.828 I could make a little, um, what do you call it? 47:35.848 --> 47:37.228 Doctor sexy, do you think you could do that? 47:37.568 --> 47:40.029 Um, I wouldn't get Doctor sexy to operate. 47:40.049 --> 47:40.509 Would you not? 47:40.890 --> 47:41.830 No, that'll be a mess. 47:42.550 --> 47:46.174 I mean, it'll be very pleasurable, but it won't improve the, uh, injury. 47:47.135 --> 47:48.035 It'll take your mind off. 47:48.196 --> 47:48.876 Sexy mess. 47:49.096 --> 47:51.739 Yeah, it will take your mind off. 47:51.759 --> 47:53.120 Eventually the pain will come back. 47:53.300 --> 47:54.261 Oh my gosh. 47:54.541 --> 47:57.484 Hey, let's have the, the, uh, text the nation jingle and get back into that. 47:57.524 --> 47:57.824 Why not? 47:58.745 --> 48:01.027 Text the nation. 48:01.067 --> 48:02.989 Text, text, text, text the nation. 48:03.049 --> 48:04.010 What if I don't want to? 48:04.030 --> 48:04.971 Text the nation. 48:05.071 --> 48:06.092 But I'm using email. 48:06.252 --> 48:06.993 Is that a problem? 48:07.013 --> 48:07.854 It doesn't matter, text. 48:10.168 --> 48:18.313 Text the Nation this week, listeners, all about annoying things that TV presenters do or annoying ways that programs present their links kind of thing. 48:18.754 --> 48:20.755 What kind of response are we getting from the listeners? 48:20.795 --> 48:22.196 A very, very good response. 48:22.556 --> 48:25.078 You know, people are very opinionated about television. 48:25.258 --> 48:26.259 They really are, aren't they? 48:26.279 --> 48:30.521 I mean, I've talked before about my dad, how incensed he gets when he watches the news. 48:30.602 --> 48:35.585 If he doesn't like the style of the news presenter, Fiona Bruce is his bétenoir. 48:36.225 --> 48:43.452 Then but I never went growing up He would he would have a problem with Jan Leeming and he would just spit and grumble and not actually gob you know what I mean? 48:43.492 --> 48:54.862 But like spit fury and I just sorry just going back to your dad being annoyed by Fiona Bruce We might do some filming for for the Bruce might wait so we might get to meet the Bruce be amazing wouldn't it? 48:54.882 --> 48:56.564 Maybe we should bring your dad 48:57.517 --> 48:58.898 And they can have a confrontation. 48:58.958 --> 49:00.779 This is a very polite man. 49:00.920 --> 49:02.160 He wouldn't be rude to her, would he? 49:02.180 --> 49:07.764 It would be interesting what would happen to his opinions if he was presented with the actual person. 49:08.004 --> 49:10.526 Well, I think it's, you know, I think he wouldn't have a problem. 49:10.566 --> 49:12.727 He'd be charmed and seduced by her loveliness. 49:12.747 --> 49:14.368 But he'd go away with the same problem. 49:14.448 --> 49:18.551 But it's her style when she's actually on TV that he's got a problem with. 49:18.571 --> 49:20.672 But look, we should get into some of the listeners' opinions. 49:20.692 --> 49:21.773 Sorry to ramble over you there. 49:21.793 --> 49:25.175 But here's a good one from Tom in Derby. 49:25.396 --> 49:32.120 He says, at the end of every episode of Grand Designs, Kevin MacLeod does a little summary spiel outside the finished building. 49:32.520 --> 49:35.863 This ends with him walking off the shot as the theme tune cuts in. 49:36.423 --> 49:39.885 my girlfriend and I compete to guess which direction he's going to go in. 49:39.945 --> 49:41.606 Like, Bob, she always wins. 49:42.747 --> 49:43.467 It's true that. 49:43.547 --> 49:48.990 And sometimes he does a thing at the end of every, just before every break, Kevin MacLeod, where he does a little synopsis. 49:49.030 --> 49:49.230 Yeah. 49:49.911 --> 49:57.655 Just like Tom said, he goes, the house is enormously ambitious, but are they going to get it finished before the winter rains? 49:59.656 --> 50:00.356 And then he walks off. 50:00.617 --> 50:02.938 But sometimes he does it about four feet away from them. 50:03.598 --> 50:07.901 And he's saying it as if it's a little candid moment between him and the viewer. 50:08.301 --> 50:10.742 But often the owners are just there sort of, and they're listening. 50:11.002 --> 50:12.563 Did you hear what he said, Sophie? 50:12.643 --> 50:14.344 He doesn't think we're going to finish before the winter ends. 50:14.364 --> 50:16.786 He said the staircase is awful and ugly and vulgar. 50:17.686 --> 50:18.487 Clearly heard that. 50:18.947 --> 50:19.567 But that's a good one. 50:19.587 --> 50:20.248 Here's another one. 50:21.489 --> 50:24.432 from Tim in London and we've had a number of texts about this one. 50:24.792 --> 50:43.070 Hi Adam and Jo, I'm a massive fan of MasterChef except one bit really annoys me when the bald one brackets Greg tastes the food he holds his fork in a crazy cradled way the type of way you might feed a baby as if pretending it was a plane then he also keeps it in his mouth far too long 50:43.590 --> 50:44.050 Right. 50:44.091 --> 50:46.232 Says Tim in London, and there's another one here. 50:46.252 --> 50:47.633 That's to show that he's a professional. 50:47.653 --> 50:48.674 He's savouring it, right? 50:48.774 --> 50:49.815 This is from Robin in London. 50:49.935 --> 50:54.338 Nothing is more disgusting than the way the bald MasterChef presenter takes food off the fork. 50:54.598 --> 50:55.839 It's slower than slow. 50:56.139 --> 50:58.661 The camera always shows it to... Eugh! 50:58.941 --> 50:59.622 He's savouring. 50:59.642 --> 51:00.402 Robin in London. 51:00.842 --> 51:02.504 The bald MasterChef presenter. 51:03.204 --> 51:11.330 Stephen in Glasgow says, I've always noticed that the news reader George Alagaya has a tendency to emphasise words by bobbing his head like the Churchill dog. 51:12.010 --> 51:16.671 As a result, I can no longer watch the news or the Churchill ads because I get too confused. 51:17.092 --> 51:18.432 Oh yes. 51:19.092 --> 51:20.473 George Allaghy, he's great though. 51:20.493 --> 51:21.933 What would you... I've never noticed that. 51:21.953 --> 51:22.733 I'm going to have to study him. 51:22.973 --> 51:26.774 Yeah, he's not great anymore now that we've been switched on to that problem. 51:26.914 --> 51:28.795 I feel attracted to George Allaghy. 51:28.835 --> 51:29.135 Really? 51:29.175 --> 51:29.695 Yeah, yeah. 51:29.715 --> 51:30.836 That's a different text the nation. 51:30.956 --> 51:31.996 I think he's very handsome. 51:32.056 --> 51:33.356 Here's one from Jules in Hackney. 51:33.477 --> 51:38.118 I hate presenters who seem to be surprised to have met their interviewee as if by coincidence. 51:38.538 --> 51:40.199 So here I am at the hedgerow with Peter. 51:40.359 --> 51:40.979 Hello Peter! 51:42.060 --> 51:43.200 That is quite annoying, isn't it? 51:43.660 --> 51:50.423 Someone else has texted in about the way they knock on doors and then pretend that the person opening the door hasn't expected them. 51:50.583 --> 51:51.863 It's weird that they still do that, isn't it? 51:51.883 --> 51:53.204 That's just the language of telly, though. 51:53.344 --> 51:58.205 And, you know, whoever opens it always has their hair done and their best nighty on kind of thing. 51:59.005 --> 52:01.065 Here's one from an anonymous texter. 52:01.405 --> 52:07.127 I hate how Tony Robinson in time team neither runs nor walks when somebody calls him to a find. 52:07.507 --> 52:09.147 He's always semi trotting. 52:09.787 --> 52:11.408 The stuff's been in the ground for years. 52:11.448 --> 52:12.848 It'll still be there if you walk. 52:14.509 --> 52:16.731 That's the show, though, isn't it? 52:16.771 --> 52:19.233 Because they do make it seem like an emergency. 52:19.313 --> 52:20.774 They do, yes. 52:21.194 --> 52:22.655 Something 3,000 years old. 52:22.976 --> 52:25.638 Tony Robinson divides people because, I mean, he's well-loved. 52:25.698 --> 52:27.419 He's a national treasure in many ways. 52:27.879 --> 52:29.501 But parents often grumble about him. 52:29.541 --> 52:31.702 Like, my in-laws, really, man. 52:32.063 --> 52:33.023 They hate him, do they? 52:33.143 --> 52:34.444 Well, that's what Telly's for, isn't it? 52:34.464 --> 52:35.685 I think he's scruffy and weird. 52:35.845 --> 52:37.327 Here's one from Adrian in Derry. 52:37.467 --> 52:42.070 I hate it when Adrian Charles touches Christine Blakely unnecessarily. 52:47.040 --> 52:50.083 Adrian Charles is getting a lot of stick at the moment, isn't he? 52:50.143 --> 52:51.844 He's everyone's favourite whipping man. 52:52.285 --> 52:53.325 I really like Adrian Charles. 52:53.345 --> 52:53.666 He's good. 52:53.806 --> 52:54.807 Just because he's on every day. 52:54.827 --> 52:56.768 You know, that's tough for any human being. 52:56.908 --> 52:58.950 I would encourage unnecessary touching as well. 52:58.970 --> 52:59.631 Yeah, I know. 52:59.851 --> 53:00.492 I think it's fine. 53:00.532 --> 53:01.432 More unnecessary. 53:02.233 --> 53:04.735 The more unnecessary the better. 53:04.975 --> 53:06.397 Here's one final one. 53:07.458 --> 53:08.619 Oh, which one shall I do? 53:08.680 --> 53:11.444 Oh yeah, here's a particularly irate one from an anonymous texter. 53:11.744 --> 53:20.838 That annoying Hollins man who does the sport on Breakfast News has this thing where he sits on the sofa with one leg across his knee holding onto his foot. 53:21.058 --> 53:22.099 Does he think he's at home? 53:24.448 --> 53:25.309 He's so casual! 53:25.589 --> 53:28.072 It's weird the values people expect from Telly, isn't it? 53:28.112 --> 53:28.393 Yeah. 53:28.693 --> 53:38.945 I mean, it's difficult to please that many people with so many differing... I mean, you know, in radio terms, there are, I suppose there are people that tune into this show and think, what the heck is going on here? 53:38.965 --> 53:40.106 Well, you'd quickly tune out, wouldn't you? 53:40.186 --> 53:43.330 Because there's more choice in radio and Telly may be a bit more limited. 53:43.770 --> 54:00.319 You were saying there was some guy rambling on a message board or, you know, not rambling, but getting very irate about the fact that we were sort of canvassing for ideas for Text the Nation on our blog and saying, what the heck has the BBC come to where they just lazily ask viewers to come up with all their ideas for the show? 54:00.480 --> 54:02.881 Well, the BBC's got an extra burden to carry, hasn't it? 54:02.901 --> 54:07.784 Because it's got all sorts of weird, you know, expectations linked with people having to pay for it. 54:08.024 --> 54:08.244 Yes. 54:08.884 --> 54:10.505 Here's a proper final one. 54:10.545 --> 54:11.605 This is from Joe in Oxford. 54:12.025 --> 54:17.687 Hi guys, the guy that presents Coast, who was the same bloke who presents the Scotland show Joe was talking about, I think. 54:17.707 --> 54:18.288 Yeah, he is. 54:18.688 --> 54:22.629 He really annoys me, because he always wears a stupid little bag wherever he is. 54:23.109 --> 54:24.110 A tatchel satchel. 54:24.350 --> 54:25.330 What's in the bag? 54:25.710 --> 54:26.611 No one will ever know. 54:28.151 --> 54:28.912 Stupid little bag. 54:28.932 --> 54:29.652 Stupid bag. 54:29.952 --> 54:32.433 I agree, if someone has a bag on telly, show us what's in it. 54:32.453 --> 54:33.373 Do you want to see what's in it? 54:33.393 --> 54:34.514 Maybe that's what keeps people watching. 54:34.534 --> 54:36.635 He's got water and tissues and an orange in there. 54:36.775 --> 54:37.115 Has he? 54:37.215 --> 54:37.475 Yeah. 54:37.875 --> 54:38.996 That's what he carries in his sack. 54:39.256 --> 54:39.976 Here's the flaming lips. 54:39.996 --> 54:40.977 This is the new one from them. 54:41.457 --> 54:42.438 Silver trembling hands. 54:42.458 --> 54:43.279 Have you heard this one, Joe? 54:44.179 --> 54:44.680 I haven't, no. 54:44.700 --> 54:52.705 Can I quickly just say 64046 is the text number and AdamandJoe.6musicatpbc.co.uk for your TV presentational annoyances. 54:52.965 --> 54:54.887 Here's the lip hose, Flipping Ada. 54:56.101 --> 54:57.302 That's the new direction for them. 54:57.322 --> 55:00.787 That's the flaming lips with silver trembling hands. 55:00.807 --> 55:02.689 It's going to be a chart topper, isn't it? 55:02.709 --> 55:05.953 That's going to zoom in there at number one, top of the pops. 55:05.973 --> 55:07.815 Do you think you're being a psyche man? 55:08.228 --> 55:08.568 I don't know. 55:08.588 --> 55:11.491 I mean, it's hard to tell how that kind of stuff goes down these days, isn't it? 55:12.372 --> 55:14.854 I mean, I don't even know what number one is at the moment. 55:14.874 --> 55:15.735 They're no JLS. 55:16.095 --> 55:16.896 What is the number one? 55:17.016 --> 55:17.977 They're no JLS. 55:17.997 --> 55:18.838 Who is JLS? 55:19.058 --> 55:19.999 Who is JLS? 55:20.039 --> 55:20.660 What's going on? 55:20.680 --> 55:23.963 They're the X Factor's top current successful hit band. 55:24.183 --> 55:24.904 Are they now? 55:25.004 --> 55:28.867 Yeah, they dance like a couple of clockwork... oranges. 55:29.628 --> 55:31.790 Do you know what the number one, the nation's number one is? 55:33.163 --> 55:34.423 I think it might be JLS. 55:34.463 --> 55:35.183 Is it JLS? 55:35.363 --> 55:36.884 I'm not sure it's JLS anymore. 55:38.024 --> 55:38.484 No, I don't. 55:38.524 --> 55:39.204 The answer's no. 55:40.124 --> 55:41.485 I don't think anyone does anymore, do they? 55:41.505 --> 55:41.845 No one knows. 55:42.085 --> 55:43.625 No one knows apart from Simon Cowell. 55:43.725 --> 55:44.285 They make it up. 55:44.305 --> 55:47.586 There's so many different ways of assessing what might be the number one. 55:47.626 --> 55:47.906 Yeah. 55:48.446 --> 55:56.088 Now, in the news, at turn 30, they had a little Vox pop there with a person who'd been to a Coldplay gig. 55:56.128 --> 55:57.548 Let's just hear that Vox pop there. 55:57.928 --> 55:59.448 It was absolutely amazing. 55:59.468 --> 56:05.029 This is like the fourth time I've seen them and they just keep on getting better and better and better. 56:05.049 --> 56:06.790 That's Gwyneth Paltrow, isn't it? 56:08.930 --> 56:11.830 They just found her wandering around at the gig. 56:11.850 --> 56:14.491 They just keep getting better and better. 56:14.911 --> 56:16.051 I've only seen them four times. 56:16.451 --> 56:18.492 They were really good, though. 56:18.532 --> 56:19.592 That's how she speaks. 56:20.452 --> 56:23.953 She's moved to England and she's got the English voice now. 56:23.973 --> 56:25.973 That's how she talks, like Madonna. 56:28.896 --> 56:31.398 And Simon Pegg got up there and blew a little harmonica. 56:31.639 --> 56:32.400 He's done that before. 56:32.420 --> 56:32.740 Has he? 56:32.760 --> 56:33.701 He makes a habit of that, yeah. 56:34.722 --> 56:36.564 You say you're a little chippy about it, aren't you? 56:36.624 --> 56:38.006 Trip-trapping on stage. 56:38.066 --> 56:38.767 You're jealous, man. 56:38.807 --> 56:41.149 Jealous of playing harmonica on a coldplay track. 56:41.189 --> 56:41.510 Yes. 56:41.550 --> 56:41.970 Yeah, no, I am. 56:42.651 --> 56:45.093 I mean, getting up on stage, we're one of the biggest bands in the world. 56:45.293 --> 56:45.493 Yeah. 56:45.673 --> 56:46.974 Playing a bit of harmonica. 56:47.174 --> 56:49.535 Fun for the person, um, doing it. 56:49.555 --> 56:51.817 I always wonder how much fun it is for the audience. 56:52.017 --> 56:54.618 Yeah, it's Simon Pegg, he's one of the most well-loved. 56:54.638 --> 56:55.439 Of course, of course. 56:55.499 --> 56:56.279 Movie stars in the world. 56:56.299 --> 56:57.040 Don't make it personal. 56:57.460 --> 56:58.781 I know Simon, you'll get me in trouble. 56:59.601 --> 57:01.362 Don't you realize the context of these comments? 57:01.462 --> 57:03.924 Show just socially with his arms folded going. 57:04.504 --> 57:05.004 Simon Pegg. 57:05.025 --> 57:07.226 I mean, he's not a very good blues harmonica player though, is he? 57:07.246 --> 57:07.966 Why is he up there? 57:08.046 --> 57:10.148 Do you think he can play the harmonica? 57:10.268 --> 57:10.548 Yeah. 57:10.968 --> 57:27.398 didn't you think he can do anything he can do anything you're quite anyone can play the hard one in it why are you dropping me in it like this what would you play for you as a candid comment between us off air and now you've dragged it on air sorry listen let's uh clearly i think he's brilliant i i wish he was one of coldplay i just say that i i wish he did i wish he played 57:27.398 --> 57:28.038 the drums and slang. 57:28.058 --> 57:33.740 I think, I know it's not about Simon himself, I just think you're just jealous because you want to get invited on stage with a rock band to play an instrument. 57:34.040 --> 57:34.540 Do you think? 57:34.640 --> 57:35.840 Yes, everyone does. 57:35.900 --> 57:36.320 Do you think? 57:36.340 --> 57:38.121 I would love it if I got to do it. 57:38.141 --> 57:39.841 I once played... You did. 57:39.921 --> 57:45.883 You bounded onto stage with Travis and it wasn't it mildly excruciating for the audience but for you. 57:45.903 --> 57:48.664 No, I'm sure it was excruciating for both the audience and me as well. 57:48.764 --> 57:51.184 It was absolutely mortifying, yeah. 57:51.344 --> 57:51.925 I was rubbish. 57:52.285 --> 57:53.245 I was playing the tambourine. 57:53.885 --> 57:54.185 Yeah. 57:54.265 --> 57:56.746 And I suddenly realised I couldn't really play the tambourine. 57:57.746 --> 57:59.968 The thing is, we're not very famous either. 58:00.268 --> 58:00.929 No. 58:01.069 --> 58:03.730 It was much less famous than Travis. 58:04.311 --> 58:11.176 So here's this random man coming on stage to a fan room playing the tambourine really poorly. 58:11.356 --> 58:13.017 Looking really uncomfortable. 58:15.907 --> 58:16.287 You're right. 58:16.327 --> 58:17.968 No, Simon would be exciting for everybody. 58:17.988 --> 58:18.949 Listen, here's a free play. 58:18.989 --> 58:22.891 This is another track from the Pictish Trail album, Secret Sounds. 58:22.931 --> 58:24.432 This is called All I Own. 58:24.692 --> 58:26.053 Isaac Hayes with the theme from Shaft. 58:26.073 --> 58:27.854 This is Adam and Jo on BBC Six Music. 58:27.874 --> 58:30.015 We hope you're having a fantastic Saturday morning. 58:30.255 --> 58:31.576 It's just gone 11 o'clock. 58:31.936 --> 58:33.958 There's clouds and sky. 58:34.858 --> 58:36.860 And yeah, that's like a little weather bulletin. 58:37.480 --> 58:38.641 Yeah, that's accurate. 58:38.801 --> 58:39.442 It's factual. 58:39.642 --> 58:39.902 It's good. 58:39.922 --> 58:41.043 I was seeing where you went with it. 58:41.483 --> 58:41.804 Nowhere. 58:41.924 --> 58:43.465 The new slick joke on board. 58:43.645 --> 58:54.034 Hey, speaking of being slick listeners, a few eagle-eared listeners some noticed that earlier on in the song wars vote, the percentages that we read out added up to 90. 58:56.175 --> 58:57.737 27 and 63, did we say? 58:57.757 --> 58:59.578 Yeah, we don't go for the full 100%. 58:59.618 --> 59:00.399 It's 10% missing. 59:00.479 --> 59:02.000 No, we're like the X Factor judges. 59:02.921 --> 59:05.903 10% of the audience just were angry. 59:05.943 --> 59:06.884 They voted for something else. 59:07.104 --> 59:12.729 But somebody was pointing out in a text that on the X Factor, they always very annoyingly say it's 1,000%. 59:13.009 --> 59:13.650 I'm going to give you 1,000%. 59:14.010 --> 59:17.753 And percentages, I think, now mean something else. 59:18.153 --> 59:18.393 Right. 59:18.453 --> 59:20.455 Do you know they're not used in the way they used to be? 59:20.715 --> 59:21.656 It's not literally. 59:21.696 --> 59:23.517 It's nothing to do with the number 100. 59:24.278 --> 59:26.238 No, it's not literally a division of a unit. 59:26.498 --> 59:30.019 It's just an adjective meaning, you know, lots and lots. 59:30.079 --> 59:31.499 Quite wicked or real. 59:31.619 --> 59:32.840 Yeah. 59:33.680 --> 59:38.901 So that's the mistake you made when you thought that 67 and 23 was less than 100. 59:40.201 --> 59:41.821 So you're wrong and we're right. 59:42.021 --> 59:43.121 They teach that in school. 59:43.281 --> 59:43.622 They do. 59:43.762 --> 59:45.302 Now, today we're doing percentages. 59:45.622 --> 59:48.522 Now, who can tell me what a thousand percent is? 59:48.642 --> 59:50.643 Is it A, Leona Lewis? 59:58.028 --> 01:00:07.076 Now we've got an exciting announcement for you listeners, and this really is exciting because this is a chance for us all to get together and work on something together and have some fun. 01:00:07.796 --> 01:00:14.962 As part of the Electric Proms, do you fancy joining us on stage at the Electric Proms next month? 01:00:15.162 --> 01:00:15.703 Oh my God. 01:00:16.784 --> 01:00:18.105 Tell the listeners what we're talking about. 01:00:18.345 --> 01:00:22.808 We are talking about an amazing live event that's going to happen at the Electric Proms. 01:00:22.848 --> 01:00:25.989 It happens during the day, so you've got to be free on this day. 01:00:26.049 --> 01:00:26.870 What's the venue, James? 01:00:28.106 --> 01:00:28.446 Roundhouse. 01:00:28.466 --> 01:00:29.207 Oh, the Roundhouse. 01:00:29.607 --> 01:00:30.908 We are looking for two people. 01:00:31.288 --> 01:00:33.670 You can be a couple, or a family, or a pair of friends. 01:00:33.930 --> 01:00:39.694 Any combination of two people to join us on stage and sing a Song Wars classic. 01:00:40.214 --> 01:00:41.535 It's kind of a karaoke thing. 01:00:41.595 --> 01:00:47.859 You, if you go to the blog, will be able to find two instrumental versions of our previous Song Wars efforts. 01:00:48.259 --> 01:00:53.683 We've got Joe's Quantum of Solace song there, the instrumental version, and the instrumental version of my Nutty Room song. 01:00:54.043 --> 01:00:57.546 Yeah, and we want you to make a video of yourself performing one of the songs. 01:00:58.607 --> 01:01:05.893 So we're not like talking about Video Wars last year, which was a request for a very creative kind of proper pop video. 01:01:06.173 --> 01:01:08.475 This is just kind of, even though you could do that if you wanted. 01:01:08.596 --> 01:01:09.897 This is more an audition tape. 01:01:09.937 --> 01:01:10.597 An audition tape. 01:01:10.617 --> 01:01:19.826 Yeah, we want you to sing the Song Wars song, make a video of it, place it on a video sharing site, and then send us a link to that site. 01:01:20.146 --> 01:01:21.767 You know, it doesn't have to be fancy. 01:01:21.787 --> 01:01:24.368 As Joe said, you don't have to spend hours making the video. 01:01:24.649 --> 01:01:26.450 It's purely for the performance of the song. 01:01:26.510 --> 01:01:29.711 Spend all your time honing your singing skills, right? 01:01:29.871 --> 01:01:33.253 And that's probably important that they don't actually send the video file itself. 01:01:33.373 --> 01:01:33.934 Is that correct? 01:01:33.954 --> 01:01:39.557 You send a link to an upload site and then we here at the castle will download it from that site. 01:01:39.877 --> 01:01:43.219 That's probably quite important for the technological aspects of the thing. 01:01:43.499 --> 01:01:47.803 And, you know, we will go putting links on the blog to some of our favorites. 01:01:47.923 --> 01:01:49.504 All these instructions will be in the blog. 01:01:49.624 --> 01:01:49.824 Yeah. 01:01:49.884 --> 01:01:55.148 So if you don't understand what we're saying, just visit the blog, bbc.co.uk forward slash blogs forward slash Adam and Joe. 01:01:55.509 --> 01:02:04.576 And we're going to judge the entries and the winner for each song will perform with us on stage at the Electric Proms in London on the 22nd of October. 01:02:05.076 --> 01:02:05.316 Yeah. 01:02:05.356 --> 01:02:06.357 During the day, not in the evening. 01:02:06.457 --> 01:02:10.140 If you want to pick, because sometimes with things like this, I like to get a mental picture of the event. 01:02:10.820 --> 01:02:13.543 So it's not going to be on the main stage at the roundhouse. 01:02:13.603 --> 01:02:17.045 It's going to be in one of the toilets. 01:02:17.065 --> 01:02:18.566 Maybe actually in the urinal. 01:02:19.027 --> 01:02:24.731 So if you're picturing like a massive venue, you know, like Simon in the Coldplay gig. 01:02:25.512 --> 01:02:26.473 Raise that from your mind. 01:02:26.873 --> 01:02:28.274 Imagine a much smaller room. 01:02:29.495 --> 01:02:31.116 What sort of audience are we talking about, James? 01:02:31.316 --> 01:02:32.257 About 200 people. 01:02:32.277 --> 01:02:33.058 Will they be listeners? 01:02:33.658 --> 01:02:35.560 Well, we're going to get into that in another show. 01:02:35.660 --> 01:02:38.342 If you don't want to make the video, but you want to attend, there'll be a way to do that. 01:02:38.402 --> 01:02:40.543 But we'll get to that in a few weeks time. 01:02:40.884 --> 01:02:43.246 And yeah, it's going to be like a big party, really. 01:02:43.386 --> 01:02:47.949 And we're going to be playing the backing tracks to those two songs that you can access on our blog. 01:02:48.350 --> 01:02:52.753 And then we'll invite the two winners up on stage to perform their renditions of those songs. 01:02:52.853 --> 01:02:54.654 Will we actually sing with them or no? 01:02:55.074 --> 01:02:55.675 We might do. 01:02:55.735 --> 01:02:56.295 I don't know. 01:02:56.335 --> 01:02:57.896 It's all open to discussion, isn't it? 01:02:58.016 --> 01:02:58.616 Anything could happen. 01:02:58.636 --> 01:03:02.379 But what we're doing is keeping the default level of this competition very simple. 01:03:02.619 --> 01:03:02.759 Yeah. 01:03:02.999 --> 01:03:06.521 So at its base level, it's just you with a mic doing a karaoke version of a song. 01:03:06.781 --> 01:03:16.507 But if you want to introduce more elaborate elements, like if you're a band or if you want to use an instrument or do a dance or dress up or something, then that's up to you. 01:03:16.827 --> 01:03:17.187 Exactly. 01:03:17.207 --> 01:03:18.348 You can get creative with it. 01:03:18.508 --> 01:03:22.010 But at the very least, it's just about doing a kind of karaoke version. 01:03:22.310 --> 01:03:27.357 The deadline for submitting your video, uh, links, that is, is Wednesday the 14th of October. 01:03:27.658 --> 01:03:30.923 At 4 p.m., after 4 p.m., you will not be counted! 01:03:31.183 --> 01:03:35.169 What if it's a tiny, lame child that enters a video at 4 p.m. 01:03:35.689 --> 01:03:36.591 and one second past 4? 01:03:37.472 --> 01:03:38.212 Lame, lame boy. 01:03:38.412 --> 01:03:40.493 Little Toddy Pipkins, injured his leg. 01:03:41.394 --> 01:03:42.214 Can't he enter? 01:03:42.314 --> 01:03:45.075 No, it's the BBC, it's after four tough luck Toddy Pipkins. 01:03:45.335 --> 01:03:45.996 Out you hobble. 01:03:46.216 --> 01:03:50.458 Little Toddy Pipkins hobbling away with nothing to eat at having a terrible day. 01:03:50.478 --> 01:03:51.518 Tough luck Pipkins! 01:03:52.018 --> 01:03:57.561 Next time, in before 4pm on Wednesday the 14th of October or no fun for you. 01:03:58.181 --> 01:04:01.423 We'll reveal the winners on this show on Saturday the 17th of October. 01:04:02.543 --> 01:04:05.226 What an exciting event, what an amazing competition. 01:04:05.246 --> 01:04:05.926 Yeah, it is. 01:04:05.966 --> 01:04:08.349 I'm looking forward to seeing some of those performances. 01:04:08.429 --> 01:04:11.432 I know, you can finally do your Simon Cowell impression. 01:04:11.952 --> 01:04:12.373 Yes. 01:04:12.413 --> 01:04:18.479 This is the most amazing version of a Quantum of Solace I have ever seen in my life. 01:04:19.079 --> 01:04:23.482 No, this is the most amazing version of The Quantum of Solace I've ever seen. 01:04:24.062 --> 01:04:25.843 Here's Blur with Beatle Bum. 01:04:26.263 --> 01:04:27.024 That's good, isn't it? 01:04:27.204 --> 01:04:36.249 That's Blur with Beatle Bum and, of course, Sean Keveny's programme on Six Music, his breakfast show, came from Alex James' very big house in the country. 01:04:36.269 --> 01:04:36.730 Of course it did. 01:04:36.850 --> 01:04:37.330 Yesterday. 01:04:37.510 --> 01:04:41.913 Don't just fixate on my little bit of DJing talk there. 01:04:42.493 --> 01:04:47.316 Dear Adam and Joe, I hate it when Adam Buxton says, of course, in the beginning of a sentence. 01:04:47.576 --> 01:04:48.257 Of course what? 01:04:49.172 --> 01:04:52.034 Well you always say, yes it's text the nation time. 01:04:52.554 --> 01:04:54.115 Yes, listen it's text the nation time. 01:04:54.735 --> 01:04:55.175 I know I do. 01:04:55.395 --> 01:04:56.696 I like it though. 01:04:56.716 --> 01:04:57.616 We're going to be saying it. 01:04:59.357 --> 01:05:05.541 Dear Adam and Jo, I hate it when Adam Buxton complains about Jo Cornish presenting and then messes up himself and then he can't even speak. 01:05:06.161 --> 01:05:08.402 He's like a monkey with a rotten elbow. 01:05:08.422 --> 01:05:16.786 Um, yes, so go to the iPlayer and you can listen to Sean Kievny's show from Alex James' farm again, and as many times as you wish. 01:05:17.086 --> 01:05:21.548 Now let's have the jingle, so that afterwards Joe can say, yes, it's textination time listeners. 01:05:25.249 --> 01:05:26.070 Textination. 01:05:26.130 --> 01:05:28.051 Text, text, text, textination. 01:05:28.091 --> 01:05:29.051 What if I don't want to? 01:05:29.311 --> 01:05:30.032 Textination. 01:05:30.132 --> 01:05:31.132 But I'm using email. 01:05:31.292 --> 01:05:32.032 Is that a problem? 01:05:32.052 --> 01:05:32.913 It doesn't matter, text. 01:05:35.388 --> 01:05:37.409 Yes, listeners! 01:05:37.789 --> 01:05:40.550 It's time for a tooth-a-new show. 01:05:40.910 --> 01:05:45.273 The part of the show where the pau-pau-da-pack-da-pack-da-da-ho-d send them in. 01:05:45.633 --> 01:05:46.513 Ho-ho-ho. 01:05:47.454 --> 01:05:48.794 Yeah, you really mixed it up, haven't you? 01:05:49.195 --> 01:05:49.795 I changed it. 01:05:50.075 --> 01:05:50.575 Radically. 01:05:50.595 --> 01:05:51.596 Totally radically changed it. 01:05:51.616 --> 01:05:52.416 Radically changed it. 01:05:52.436 --> 01:05:53.097 Like Lou Reed. 01:05:53.137 --> 01:05:53.957 Is that a success? 01:05:54.037 --> 01:05:54.697 Reinventing it. 01:05:55.578 --> 01:05:56.298 Yeah, I think that's good. 01:05:56.318 --> 01:05:57.519 You should always do it like that from now on. 01:05:57.879 --> 01:06:00.701 It's all about text the nation this week, listers. 01:06:01.082 --> 01:06:05.585 It's all about annoying things on telly, annoying presentational techniques on telly. 01:06:05.625 --> 01:06:07.607 Here's one from Marco in Archway. 01:06:08.107 --> 01:06:14.792 I hate the way Stephen Fry keeps taking photos on his iPhone on that animal show Last Chance. 01:06:15.012 --> 01:06:17.114 He's got a film crew with him to record it properly. 01:06:17.374 --> 01:06:19.055 Why doesn't he just sky plus the show? 01:06:21.337 --> 01:06:22.197 That's a fair point. 01:06:22.357 --> 01:06:24.218 I mean, I haven't seen that, but that sounds annoying. 01:06:24.538 --> 01:06:25.838 It's very iPhone heavy. 01:06:25.858 --> 01:06:26.739 I must say I'm surprised. 01:06:26.759 --> 01:06:27.619 That's a BBC show. 01:06:27.639 --> 01:06:35.502 They had a BBC directive about five years ago, which was to do with, I forget what the phraseology was, but they said they were desperate for passionate experts. 01:06:35.562 --> 01:06:36.042 What was it? 01:06:36.442 --> 01:06:39.563 There were two words they used and they kind of buzz drowned production companies. 01:06:39.963 --> 01:06:48.606 because they decided that all documentaries had to be presented by recognizable, passionate, friendly figures who had a personal connection with the subject. 01:06:48.626 --> 01:06:52.827 And that's why you end up with all these bits of people doing something personal. 01:06:53.547 --> 01:06:57.568 They keep him taking photos in because it makes him more real and less authoritative. 01:06:58.349 --> 01:06:59.969 But maybe it's starting to get annoying. 01:07:00.089 --> 01:07:04.252 Well, celebrity-led docs in general are... Are the Rupert Everett one I call to repeat of? 01:07:04.532 --> 01:07:05.013 Oh yeah! 01:07:05.213 --> 01:07:11.298 Droning on about Byron and then shots of him just sitting drinking coffee in Venice while talking about Byron. 01:07:11.858 --> 01:07:14.300 They should illustrate it with some maybe pictures of Byron? 01:07:15.061 --> 01:07:16.101 Would that be a good idea? 01:07:16.121 --> 01:07:19.124 Well no, because you've got the dual layers of interest there. 01:07:19.144 --> 01:07:20.385 Yeah, but one isn't interesting. 01:07:21.365 --> 01:07:22.086 Well, that's yours. 01:07:22.126 --> 01:07:22.886 That's my opinion, yeah. 01:07:23.307 --> 01:07:28.570 Okay, here's another one from LB in Avoc, pronounced Oc, as in Lock. 01:07:29.271 --> 01:07:34.474 Neil Oliver showed us what was in his bag at Ghislaine Beach in the most recent series of Coast. 01:07:34.894 --> 01:07:42.860 There was sandwiches and an old copy of some magazine with a picture of some football team, might have been Rangers, running up Murder Hill. 01:07:44.571 --> 01:07:45.531 That's very specific. 01:07:45.571 --> 01:07:48.392 I've only read that one out because we were wondering what was in his bag. 01:07:48.432 --> 01:07:50.073 Yeah, yeah, that's resolved that, you know. 01:07:50.133 --> 01:07:52.994 I thought it was some water, some tissues and an orange. 01:07:53.214 --> 01:07:54.435 Turned out it was none of those things. 01:07:54.455 --> 01:07:55.315 A couple of tampons. 01:07:55.715 --> 01:07:57.756 It was sandwich and some porn. 01:07:58.096 --> 01:08:00.617 I hate the way, says Ben from Sheffield. 01:08:00.957 --> 01:08:02.317 Daphne from Eggheads. 01:08:02.658 --> 01:08:07.319 Smuggly mouths the answers to the contestants' questions while they're struggling to come up with the answer. 01:08:07.639 --> 01:08:09.140 She's such a righteous granny. 01:08:10.919 --> 01:08:12.760 I don't know who Daphne from Eggheads is. 01:08:12.780 --> 01:08:13.960 I don't know what Eggheads is. 01:08:14.040 --> 01:08:15.981 It's kind of a quiz, a weird quiz thing. 01:08:16.121 --> 01:08:16.922 Is it BBC? 01:08:17.502 --> 01:08:19.443 It's a weird, like, late afternoon quiz thing. 01:08:19.863 --> 01:08:23.764 Yeah, we don't know about that, but it sounded, it was a very passionate text, so I thought I should read it out. 01:08:23.784 --> 01:08:25.645 She obviously watches a lot. 01:08:25.925 --> 01:08:26.626 You know Eggheads? 01:08:26.646 --> 01:08:30.207 It is one from Michelle in West Derby. 01:08:30.307 --> 01:08:34.789 I hate how Natasha Koplinski ends the news with a very high, yet dismissive, bye! 01:08:36.791 --> 01:08:38.131 You see, you're in trouble with the news. 01:08:38.151 --> 01:08:39.672 You can never get it right, can you? 01:08:39.692 --> 01:08:43.074 You either sound too kind of relaxed or... With me, it's the outfits. 01:08:43.274 --> 01:08:49.497 I mean, I'm certainly going to sound like an old duffer, but sometimes they wear outfits that look as if they've just come out of a science fiction film, you know? 01:08:49.537 --> 01:08:49.977 On the news. 01:08:49.997 --> 01:08:50.818 The seventies, yeah. 01:08:51.238 --> 01:08:51.538 Really? 01:08:51.598 --> 01:08:56.801 Like absolutely mental, um, crazy dresses that women wear sometimes. 01:08:56.821 --> 01:08:58.482 You just think, what are you doing? 01:08:58.522 --> 01:08:59.602 That's totally distracting. 01:08:59.622 --> 01:09:04.084 You've got like a silver jumpsuit on with big, weird pipes coming off it. 01:09:04.364 --> 01:09:04.764 Pipes? 01:09:05.125 --> 01:09:05.505 Yeah. 01:09:05.905 --> 01:09:14.849 Charlatan Newcastle says, Simon Schmar, Sharma, history of Britain, defies gravity by walking up steep hills where battles have been with his hands in his pocket. 01:09:15.069 --> 01:09:16.130 How does he remain upright? 01:09:17.791 --> 01:09:20.332 She's just annoyed because he's sure-footed. 01:09:20.692 --> 01:09:21.313 That's not fair. 01:09:21.953 --> 01:09:25.015 Simon Shama is another target for dads, though, for bile. 01:09:25.275 --> 01:09:27.657 My dad is always grumbling about Simon Shama. 01:09:27.737 --> 01:09:33.000 Well, in a second, I'll give you the top three annoying people according to our correspondents this morning. 01:09:33.020 --> 01:09:33.220 Shut up. 01:09:33.300 --> 01:09:36.522 I'm going to put him in the leaky boat along with Jan Leaming. 01:09:37.242 --> 01:09:37.362 Oh. 01:09:38.103 --> 01:09:39.183 Sounds like a nice leaky boat. 01:09:39.284 --> 01:09:40.164 That was his phrase. 01:09:40.504 --> 01:09:41.965 I will put them in a leaky boat. 01:09:42.045 --> 01:09:42.265 Wow. 01:09:42.306 --> 01:09:43.827 He wants them to drown slowly. 01:09:43.927 --> 01:09:44.127 Yeah. 01:09:44.987 --> 01:09:48.970 And realize that they're sinking for quite a long time before they die so they can discuss it. 01:09:49.290 --> 01:09:49.851 Exactly. 01:09:49.911 --> 01:09:50.791 And really suffer. 01:09:50.891 --> 01:09:51.131 Yeah. 01:09:51.231 --> 01:09:51.692 That's nice. 01:09:51.832 --> 01:09:54.934 And leaving a silent camera screaming with fear. 01:09:55.374 --> 01:09:56.695 Oh god! 01:09:56.715 --> 01:09:57.616 Who did this to us? 01:09:57.976 --> 01:09:58.997 Who did this to us? 01:09:59.017 --> 01:10:00.117 Was it Nigel Buxton? 01:10:00.197 --> 01:10:01.298 Hovering in a helicopter. 01:10:01.338 --> 01:10:02.799 My dad just laughed with a zoom lens. 01:10:03.680 --> 01:10:04.720 That sounds right. 01:10:04.781 --> 01:10:05.881 I told him this would happen. 01:10:05.901 --> 01:10:06.702 I've been telling him for years. 01:10:08.063 --> 01:10:09.123 That was him, I didn't warn them. 01:10:10.524 --> 01:10:14.266 That would be a better plot for a film or something, wouldn't it? 01:10:14.566 --> 01:10:19.028 If somebody like took out a really petty... Anyway, here's one from Rory. 01:10:19.128 --> 01:10:30.794 I find it particularly irritating when presenters are pretending to be doing other work or just going about their normal life and are then rudely interrupted by a BBC cameraman and are quickly forced into doing a link about the construction of Roman vases. 01:10:31.235 --> 01:10:33.596 This particularly happens in technology and history programs. 01:10:33.976 --> 01:10:36.778 That's the same as the door, the door, stop, step thing. 01:10:37.058 --> 01:10:37.298 Yeah. 01:10:37.338 --> 01:10:37.518 Right. 01:10:37.558 --> 01:10:40.540 People are pretending to be surprised by the fact that they're doing a link. 01:10:41.161 --> 01:10:43.362 And here's a very angry one from Peter Newcastle. 01:10:43.823 --> 01:10:48.646 For all these years of experience, John Craven has never managed to master walking and talking. 01:10:49.186 --> 01:10:57.192 If his cruel owners at Country File force him to perform both simultaneously, he'll have to look at his feet, maybe to avoid cow poo, and move very slowly. 01:10:57.432 --> 01:10:58.392 Not like Kate Humble. 01:10:58.753 --> 01:11:00.294 That girl can walk and talk. 01:11:01.494 --> 01:11:02.775 Peter Newcastle. 01:11:04.676 --> 01:11:05.216 That's good. 01:11:05.316 --> 01:11:07.237 I would think John Craven was beyond reproach. 01:11:07.257 --> 01:11:09.397 Should we have some more of these later on in the show? 01:11:09.577 --> 01:11:10.977 This could go on forever. 01:11:10.997 --> 01:11:14.238 I mean, we could just read these out nonstop for another 40 minutes. 01:11:14.258 --> 01:11:22.160 Well, we were thinking of bringing back, you know, co-opting the points of view song, Blah, Boobity-Bya, which we've played before. 01:11:22.240 --> 01:11:24.340 And making this a regular complaints segment. 01:11:24.360 --> 01:11:25.500 We could call it Pointless Views. 01:11:25.640 --> 01:11:29.861 The top three worst offenders according to the quantity of messages we've had. 01:11:29.941 --> 01:11:33.122 Evan Davis is annoying a lot of people on Dragon's Den. 01:11:33.182 --> 01:11:33.682 I love him. 01:11:33.962 --> 01:11:34.782 It's not our opinion. 01:11:34.802 --> 01:11:35.803 This is our listeners' opinion. 01:11:36.303 --> 01:11:38.984 Greg, the baldy judge from MasterChef, seems to get everywhere. 01:11:39.084 --> 01:11:41.505 Everything he does seems to be infuriating for people. 01:11:42.306 --> 01:11:50.510 And Steve on Land of the Lost Volcano, not a show I've watched, but many people are texting and emailing to say he has an awful habit of taking his shirt off the whole time. 01:11:51.050 --> 01:11:53.031 That's Steve on Land of the Lost Volcano. 01:11:53.051 --> 01:11:55.992 Those are our three prime, tele-presenting villains. 01:11:56.092 --> 01:11:58.373 We'll have some more of these just before the end of the show. 01:11:58.413 --> 01:11:59.513 Right now, here's a free play for you. 01:11:59.553 --> 01:12:04.195 This is from Wilco's last album, which I've been enjoying very much, and this is Sunny Feeling. 01:12:04.435 --> 01:12:06.316 Oh, I just knocked by Guy Garvey again. 01:12:06.836 --> 01:12:07.357 Oh, man. 01:12:07.417 --> 01:12:09.217 How's it feeling right now? 01:12:09.297 --> 01:12:11.978 It's the painkillers are wearing off, and it's absolutely agony. 01:12:12.178 --> 01:12:18.101 Someone else sent us a picture of their elbow, and they've got a similar thing, Catherine, I think. 01:12:18.781 --> 01:12:19.983 Is something bursitis? 01:12:20.564 --> 01:12:22.506 It's basically- Is that the name of the spider? 01:12:23.107 --> 01:12:26.071 No, no, it's just an infected elbow pad. 01:12:26.091 --> 01:12:27.212 You know what I mean? 01:12:27.232 --> 01:12:32.859 Because that pad at the end of the elbow is quite easy to infect because it's just a big spongy leaning pad. 01:12:33.059 --> 01:12:33.340 Right. 01:12:33.460 --> 01:12:35.503 So you can get it quite easily. 01:12:35.523 --> 01:12:36.524 You've got to take care of it. 01:12:36.924 --> 01:12:40.027 I found out after years of being cavalier with my elbows. 01:12:40.468 --> 01:12:41.048 Never again. 01:12:41.389 --> 01:12:48.596 And then someone else said I should draw like a biro mark around the red area and check whether it's, you know, at night. 01:12:48.936 --> 01:12:50.558 And then in the morning, check whether it's spread. 01:12:50.598 --> 01:12:52.200 I think it is spreading quite a lot. 01:12:52.640 --> 01:12:54.982 But I went to the doctor and the doctor said I was okay. 01:12:55.703 --> 01:13:01.150 But now I think I might just go to the hospital after this show because I think the arm's going to be coming off soon. 01:13:01.210 --> 01:13:02.472 It's really painful. 01:13:03.193 --> 01:13:05.416 Anyway, this is Adam and Jo. 01:13:05.456 --> 01:13:08.540 You're going to make me feel now, aren't you? 01:13:08.560 --> 01:13:09.781 Six music, are you? 01:13:10.162 --> 01:13:11.524 No, no, come on. 01:13:11.544 --> 01:13:12.305 Come, come, come, come. 01:13:12.665 --> 01:13:13.346 I'll tell you a funny story. 01:13:13.646 --> 01:13:17.450 Last night, me and some friends went to see Adam's bug at the BFI Southbank. 01:13:17.490 --> 01:13:18.371 That's true, yes. 01:13:18.431 --> 01:13:21.534 And we were standing there having a drink, and a woman came up to us with a bowl of chips. 01:13:21.875 --> 01:13:22.595 She said, chips? 01:13:23.036 --> 01:13:26.119 We went, mmm, thank you, and took some and stuffed our mouths. 01:13:26.539 --> 01:13:28.421 It turned out she was asking whether we'd ordered them. 01:13:29.082 --> 01:13:29.703 Oh, I see. 01:13:29.723 --> 01:13:31.404 We mistook them for canapes. 01:13:32.865 --> 01:13:34.686 And that's just a really short little funny story. 01:13:34.706 --> 01:13:36.807 I mean, it's not very funny, but it's short. 01:13:36.847 --> 01:13:39.449 And look, now it's... That's a fun story. 01:13:39.809 --> 01:13:48.973 But listen, I can rejoin with the fact that I was there talking to a human and I went for the handshake, right? 01:13:49.233 --> 01:13:50.294 But they went for the hug. 01:13:51.274 --> 01:14:02.541 So, in the confusion between the handshake and the hug, um, my beer, which I was holding, I was holding a pint, just got sloshed, got knocked, and it sloshed right over my left arm. 01:14:03.121 --> 01:14:09.164 So, my whole sleeve was absolutely soaked with beer, but I just felt, I couldn't mention it, and I, it would be... 01:14:10.305 --> 01:14:11.025 human notice? 01:14:11.145 --> 01:14:23.887 He didn't notice no but the other guy who was standing with us noticed and he couldn't really talk he couldn't really join in because all he was thinking like I'm gonna mention the fact that his arm is now soaked with beer but I couldn't because I thought it would derail the social interaction. 01:14:23.927 --> 01:14:27.148 Couple of great stories and they've taken us perfectly up to the news. 01:14:27.288 --> 01:14:28.428 It's 11 30 here is the news. 01:14:28.668 --> 01:14:36.730 Timeless, absolutely timeless, that sparks with this town ain't big enough for the both of us this is the rock show here on VC6 Music. 01:14:37.170 --> 01:14:38.190 Oh I'm in the wrong studio. 01:14:38.410 --> 01:14:39.231 Yeah. 01:14:39.371 --> 01:14:39.691 Sorry. 01:14:39.711 --> 01:14:40.592 What are you doing? 01:14:40.832 --> 01:14:41.193 I don't know. 01:14:41.233 --> 01:14:42.514 I thought this was Adam and Joe. 01:14:42.694 --> 01:14:43.075 No, no. 01:14:43.095 --> 01:14:44.957 This is The Rock Show here on Bc6 Music. 01:14:44.977 --> 01:14:45.657 Non-stop rock. 01:14:45.757 --> 01:14:46.498 Rocking all the time. 01:14:46.518 --> 01:14:47.779 Have a good show. 01:14:47.940 --> 01:14:48.200 Okay. 01:14:48.220 --> 01:14:48.660 Thanks a lot. 01:14:49.041 --> 01:14:49.301 Cheers. 01:14:50.182 --> 01:14:50.862 Sorry about that. 01:14:51.263 --> 01:14:51.643 Okay. 01:14:51.883 --> 01:14:54.947 Coming up, we got some Steve Vai for you. 01:14:55.747 --> 01:14:59.811 Steve's going to be playing for 15 minutes non-stop. 01:15:00.792 --> 01:15:13.243 Some stuff on his guitar and then after that we're gonna play it again exactly the same way after that We're gonna play it backwards, and then we're gonna play some rock and after that a bit more rock Okay, this is a rock show. 01:15:13.263 --> 01:15:14.384 I hate the rock show. 01:15:14.484 --> 01:15:14.704 Well. 01:15:14.724 --> 01:15:17.306 I love the rock show I'm confused about the rock show now. 01:15:17.326 --> 01:15:17.807 Don't worry, babe 01:15:18.027 --> 01:15:29.720 Listen, listeners, you know I wrote this song about Margaret Mountford, the lovely lady, what was Alan Sugar's assistant on The Apprentice, the popular BBC Two series about... Well, no, I'm really nervous. 01:15:29.740 --> 01:15:32.584 It was a sort of unironic love song, in a way, wasn't it? 01:15:33.504 --> 01:15:37.986 It's hard to tell what was going on with the song, but it was a triumph and it won. 01:15:38.026 --> 01:15:38.466 Did it win? 01:15:38.687 --> 01:15:39.107 I think so. 01:15:39.127 --> 01:15:40.007 Did it win, maybe? 01:15:40.027 --> 01:15:42.388 Maybe it didn't win. 01:15:42.548 --> 01:15:44.049 My song was about Stephen Fry in that one. 01:15:44.129 --> 01:15:44.269 Yeah. 01:15:44.489 --> 01:15:48.671 But we banged on and on and on about how we wanted Margaret Mountford to hear it. 01:15:49.391 --> 01:15:49.891 Oh, yeah, no. 01:15:49.931 --> 01:15:51.892 So I forgot that it was a different one. 01:15:51.972 --> 01:15:52.933 It was an apprentice week. 01:15:52.953 --> 01:15:54.193 So yours was an apprentice one. 01:15:54.233 --> 01:15:54.854 Yours was good. 01:15:54.894 --> 01:15:57.395 It was like, he's a stupid moron. 01:16:01.187 --> 01:16:04.989 Anyway, we banged on and on about trying to get Margaret Mountford to hear our songs. 01:16:05.709 --> 01:16:09.612 And, you know, people listen to this show, surprisingly. 01:16:10.032 --> 01:16:13.634 Some of whom work in the media, people in the BBC, Danny Wallace. 01:16:13.654 --> 01:16:14.234 Yeah, there you go. 01:16:14.774 --> 01:16:19.597 So, but nobody's kind of bigger than that because for some reason, Margaret Mountford was doing the rounds, as they say. 01:16:19.657 --> 01:16:21.338 She was appearing on lots of different shows. 01:16:21.378 --> 01:16:23.099 Was she promoting something or something? 01:16:23.119 --> 01:16:24.139 I thought she was retiring. 01:16:24.199 --> 01:16:26.841 Well, she is retiring, but maybe she must have had some business. 01:16:27.461 --> 01:16:28.321 A charity thing. 01:16:28.341 --> 01:16:28.802 There you go. 01:16:29.702 --> 01:16:36.968 And I think our producer, James Stirling, a terrific producer, you've got how many requests for the use of the song. 01:16:37.288 --> 01:16:51.720 He got three different producers calling him, one from Radio 2, one from BBC Wales, and one from You and Yours on BBC Radio 4, all asking whether they could play the song to Margaret Mountford, who we'd already established has heard the song because it was played in 01:16:52.501 --> 01:16:54.362 on the You're Fired studio record. 01:16:54.562 --> 01:16:54.822 Yes. 01:16:54.902 --> 01:16:56.703 But they're not used in the final edit. 01:16:56.923 --> 01:16:57.103 Right. 01:16:57.563 --> 01:17:07.907 So poor old Margaret Mountford has been travelling from studio to studio and in each one they've tried to sort of break the song to her, which is enormously flattering. 01:17:07.987 --> 01:17:10.788 I don't mean to sound, you know, churlish about that fact. 01:17:10.828 --> 01:17:13.429 It's wonderful that people would listen and try and play it to her. 01:17:13.969 --> 01:17:17.030 But I'm not sure she thinks it's that wonderful. 01:17:17.691 --> 01:17:18.831 She's probably quite confused. 01:17:19.151 --> 01:17:19.651 I think so. 01:17:19.692 --> 01:17:20.712 It's a confusing song. 01:17:20.732 --> 01:17:22.734 You know, it's not overtly funny in any way. 01:17:23.254 --> 01:17:26.376 And if you take it seriously, then it's probably pretty creepy. 01:17:26.817 --> 01:17:28.798 So it's hard to know how to approach it. 01:17:29.178 --> 01:17:34.682 But this is what happened when Danny Wallace tried to surprise her with the song here on Six Music. 01:17:41.025 --> 01:17:42.726 Have you heard this song about you? 01:17:42.827 --> 01:17:43.367 I have. 01:17:43.507 --> 01:17:43.927 You have? 01:17:44.668 --> 01:17:45.629 Yes, I have. 01:17:45.649 --> 01:17:53.975 Well, let us play it and let's keep Margaret's mic up then for Joe so that we can get your reaction to, well, the Margaret Mountford song. 01:17:54.135 --> 01:18:09.728 Standing at the back Making notes on a pad In a Taylor Mac Deciding who gets sacked At Sir Allen's side A trusted employee A handsome woman with so much dignity 01:18:13.632 --> 01:18:14.253 She's rolling her eyes. 01:18:14.314 --> 01:18:15.937 She looks happy. 01:18:15.997 --> 01:18:19.284 I'm not sure my hair's like a cloud. 01:18:36.391 --> 01:18:37.992 They're all like some poetic lines and so on. 01:18:38.012 --> 01:18:39.093 Okay, fair enough. 01:18:52.786 --> 01:19:01.733 I think I've got to go on that note. 01:19:01.793 --> 01:19:03.995 You stay exactly where you are Margaret Mumford. 01:19:04.536 --> 01:19:05.777 There's 30 seconds left. 01:19:06.337 --> 01:19:07.698 She's trying to leave the studio. 01:19:14.404 --> 01:19:16.408 And bring it down, I'll tell you why. 01:19:16.428 --> 01:19:19.633 I was expecting you to kind of go, this is a beautiful song and I enjoy it. 01:19:19.713 --> 01:19:23.839 Instead, Margaret Manf was pointing at her watch and mouthing the words, I have to go. 01:19:23.859 --> 01:19:25.161 I thought she was joking. 01:19:25.202 --> 01:19:27.746 She's collected her papers together and she's halfway out of the chair. 01:19:29.542 --> 01:19:30.842 And now she's too embarrassed to speak. 01:19:31.483 --> 01:19:33.723 Just break it down for... Oh, Margaret! 01:19:33.823 --> 01:19:34.664 Well, here's a CD. 01:19:34.684 --> 01:19:35.444 Pass that to Margaret. 01:19:35.464 --> 01:19:37.345 You can listen to it in your Bentley. 01:19:37.365 --> 01:19:38.065 Thank you very much. 01:19:38.105 --> 01:19:38.905 With Sir Alan. 01:19:38.965 --> 01:19:40.006 You may leave, Margaret Melford. 01:19:40.046 --> 01:19:40.906 Thank you very much. 01:19:41.086 --> 01:19:41.586 There you go. 01:19:41.626 --> 01:19:45.768 So she was a bit freaked out by it, I think, and had to run away from it. 01:19:46.128 --> 01:19:46.488 Yeah. 01:19:46.828 --> 01:19:48.709 I mean, that's hardly surprising, really, is it? 01:19:49.209 --> 01:19:49.349 No. 01:19:49.409 --> 01:19:51.670 It's like the song of a kind of creepy stalker. 01:19:52.470 --> 01:19:58.372 It's probably confusing and unpleasant to be the focus of someone's questionable talent in that way. 01:20:00.934 --> 01:20:01.474 What did you say? 01:20:01.494 --> 01:20:05.159 So you're saying my talent's questionable, yes. 01:20:05.880 --> 01:20:10.086 Well, it's hard to know what you're doing with your skills. 01:20:10.166 --> 01:20:10.546 Yeah. 01:20:11.403 --> 01:20:13.163 Well, what I'm doing with my skill, why? 01:20:13.264 --> 01:20:13.884 Yeah, why? 01:20:13.964 --> 01:20:15.104 She doesn't know who you are. 01:20:15.164 --> 01:20:16.684 She's not like she doesn't know the context. 01:20:16.704 --> 01:20:17.605 Well, that's the thing, isn't it? 01:20:17.665 --> 01:20:23.606 You've got to know that it was like a competition and we chose the subject under pressure and we had limited time to do it. 01:20:23.946 --> 01:20:32.328 That's the problem with song was that's why they sort of, you know, they're like little little damaged styling chicks that struggle out of the net. 01:20:32.488 --> 01:20:37.970 You know, what if someone that you'd never met just sort of unveil someone sent in this thing and it was from some guy in Germany. 01:20:38.650 --> 01:20:40.072 I'm Joe Cornish. 01:20:40.152 --> 01:20:41.933 He's a long guy. 01:20:41.953 --> 01:20:43.935 He's very, very cool. 01:20:44.035 --> 01:20:45.637 I would like it a lot. 01:20:45.837 --> 01:20:46.197 Would you? 01:20:46.818 --> 01:20:47.418 Yeah. 01:20:47.499 --> 01:20:48.479 I chose the wrong song. 01:20:49.280 --> 01:20:50.381 Joe Cornish. 01:20:50.922 --> 01:20:55.746 He says, I'm an R a lot and his nose is pointed. 01:20:56.327 --> 01:20:57.928 Oh, he's got shoes. 01:20:59.709 --> 01:21:00.870 This is not a good example. 01:21:00.970 --> 01:21:01.990 It's a very good example. 01:21:02.291 --> 01:21:09.073 I would love that and I would have that guy in the studio and he would become the third member of the team and the song would be played over and over again. 01:21:09.093 --> 01:21:10.554 I mean, it would be amazing. 01:21:10.894 --> 01:21:14.496 I'd invite him round to dinner, none of which Margaret Mountford has done for me. 01:21:15.516 --> 01:21:17.817 She just wants to get as far away from me as she possibly can. 01:21:18.037 --> 01:21:18.877 Well, that's fair enough. 01:21:18.937 --> 01:21:20.698 Danny Wallace handled it well as well there. 01:21:20.898 --> 01:21:24.320 That song's following her around like a cloud of old thought. 01:21:25.620 --> 01:21:27.021 Like an airborne toxic event. 01:21:28.182 --> 01:21:30.043 Here is Wild Beasts right now. 01:21:30.103 --> 01:21:31.403 Is this their new single, James? 01:21:31.743 --> 01:21:34.985 Yeah, this is from their album Two Dancers, which is an absolute peach. 01:21:35.285 --> 01:21:36.346 This is All the King's Men. 01:21:36.566 --> 01:21:37.106 Very nice. 01:21:37.486 --> 01:21:39.347 Wild Beasts with All the King's Men. 01:21:39.367 --> 01:21:41.208 This is Adam and Joe here on BBC Six Music. 01:21:41.428 --> 01:21:44.530 And I think it's time to conclude this week's Text the Nation. 01:21:44.550 --> 01:21:45.230 Let's have the jingle. 01:21:46.831 --> 01:21:47.571 Text the Nation. 01:21:47.711 --> 01:21:49.612 Text, Text, Text, Text the Nation. 01:21:49.692 --> 01:21:50.653 What if I don't want to? 01:21:50.893 --> 01:21:51.613 Text the Nation. 01:21:51.713 --> 01:21:52.714 But I'm using email. 01:21:52.894 --> 01:21:53.614 Is that a problem? 01:21:53.654 --> 01:21:54.475 It doesn't matter, Text. 01:21:57.000 --> 01:22:01.046 Annoying Habits that presenters have is the theme of Text the Nation this week. 01:22:01.226 --> 01:22:01.767 See what I did there? 01:22:01.807 --> 01:22:03.249 I swapped it around. 01:22:03.529 --> 01:22:05.712 I cut it in half and put the end of the beginning. 01:22:05.772 --> 01:22:07.274 Now it's different and you can't tease me. 01:22:07.294 --> 01:22:08.075 Yes! 01:22:09.177 --> 01:22:12.241 Annoying Habits is the subject this week. 01:22:16.165 --> 01:22:17.286 This is from Kathy and Sheffield. 01:22:17.406 --> 01:22:23.431 I hate how Dara O'Brien goes immediately after everything he says that he thinks is hilarious. 01:22:23.451 --> 01:22:24.632 It drives me mad. 01:22:24.712 --> 01:22:27.094 That's the thing that a lot of stand-ups do though, isn't it? 01:22:27.174 --> 01:22:30.977 We've had various communications about Graham Norton doing that as well. 01:22:31.478 --> 01:22:32.399 I mean, I guess what do you do? 01:22:32.439 --> 01:22:36.642 You do it to fill the space while the audience laugh, while they process the joke. 01:22:36.742 --> 01:22:41.046 It's the moment where they're thinking about the joke before they laugh, isn't it, that he's filling in, is he? 01:22:41.346 --> 01:22:41.907 Yes, exactly. 01:22:41.947 --> 01:22:48.232 They're leaving a pause for a laugh, but they're trying to make it sound like a conversational tick. 01:22:48.312 --> 01:22:50.934 Is it a subliminal cue for a laugh? 01:22:51.054 --> 01:22:56.139 Is it telling the audience subconsciously learnt that whenever he goes, they're supposed to laugh? 01:22:56.199 --> 01:22:56.879 Yes, exactly. 01:22:57.240 --> 01:23:00.342 And he can pop it in after a weak joke and they know it's a joke. 01:23:00.582 --> 01:23:02.624 And the other one was Gordon Brown. 01:23:04.065 --> 01:23:04.546 Exactly. 01:23:05.026 --> 01:23:05.626 That kind of thing. 01:23:05.747 --> 01:23:07.848 Here's one from Warren in Chaderton. 01:23:08.248 --> 01:23:16.534 When Phillips Gofield says, uh, bracket somebody like, the sugar babes have been practicing all morning and are sounding great, then they blatantly mime. 01:23:17.514 --> 01:23:18.155 He's complaining about that. 01:23:18.175 --> 01:23:19.096 Now that's on this morning. 01:23:19.516 --> 01:23:20.597 Oh, that can't happen. 01:23:20.637 --> 01:23:21.337 Not these days. 01:23:21.777 --> 01:23:21.977 Oh, no. 01:23:22.037 --> 01:23:24.979 He often says that because he's often watched them in rehearsal. 01:23:25.180 --> 01:23:25.400 Right. 01:23:25.440 --> 01:23:26.601 And says they're sounding great. 01:23:26.641 --> 01:23:26.861 Yeah. 01:23:27.401 --> 01:23:29.123 And then they just mime the track later. 01:23:29.183 --> 01:23:32.526 I think that's a good observation from Warren. 01:23:32.826 --> 01:23:34.608 Here's another one from Ali in Edinburgh. 01:23:34.948 --> 01:23:35.429 Hi, guys. 01:23:35.629 --> 01:23:43.417 I used to have to walk out the room in absolute sweating, swearing fury as that Shan Lloyd woman did the weather. 01:23:44.257 --> 01:23:44.398 Argh! 01:23:44.698 --> 01:24:00.591 The overly stretched hands, the wrist at a stupid angle, the hair, the big daft face, and the worst bit that made my blood boil was the way you could actually hear the saliva clicking in her ridiculously wide mouth as she tried to talk in the old-school BBC accent. 01:24:00.911 --> 01:24:03.854 It's quite insulting, actually, isn't it? 01:24:03.974 --> 01:24:06.116 I think this is more Ali's problem than Sean's. 01:24:06.936 --> 01:24:08.318 Argh, swearing, cringing. 01:24:09.158 --> 01:24:11.821 People do form a very personal... Bonds, yeah. 01:24:11.841 --> 01:24:29.237 ...attachment, don't they, to people on TV and they get very, very into the... Yeah, I was saying one of my favourite things in the Sunday newspapers is in the Sunday Times Culture section in the TV Guide, they have a little box in the right-hand corner of the page where people write in single-paragraph telly rants, and sometimes they're extraordinarily passionate and vindictive. 01:24:29.797 --> 01:24:30.837 They really make me laugh. 01:24:30.897 --> 01:24:35.198 Who's the guy that does the 6 o'clock show in London tonight? 01:24:36.098 --> 01:24:37.219 What is his name, that Geeze? 01:24:38.139 --> 01:24:39.419 Aleister Stewart. 01:24:39.979 --> 01:24:41.620 He is an absolute oilbag. 01:24:41.840 --> 01:24:43.180 So he's your leaky boat. 01:24:43.280 --> 01:24:44.320 He's in your leaky boat. 01:24:44.660 --> 01:24:46.181 Here's one from Noel on the Avon. 01:24:46.221 --> 01:24:46.901 Morning Adam and Jo. 01:24:47.361 --> 01:24:51.822 Everything the T14 do in their intro spots makes me want to live in a cave. 01:24:53.022 --> 01:24:55.503 You know who used to get me on T4 was Jun Sarpong. 01:24:55.543 --> 01:25:00.025 Like, Jun Sarpong started out having quite a different presentational style to the one she does now. 01:25:00.425 --> 01:25:03.246 Like, now she's far more polished and she's an important political figure. 01:25:03.306 --> 01:25:06.527 But she used to behave like she was just stoned out of her mind. 01:25:06.547 --> 01:25:07.047 You know what I mean? 01:25:08.968 --> 01:25:12.231 Well, maybe this T4. 01:25:12.612 --> 01:25:16.895 Quite a few people have emailed us and texted us complaining about Homes Under the Hammer. 01:25:16.935 --> 01:25:18.356 Here's one from Paul. 01:25:18.396 --> 01:25:27.224 Have you noticed how the music on Homes Under the Hammer is so literally related to a particular problem or feature of the property the presenters are talking about? 01:25:27.544 --> 01:25:32.188 For instance, if it's a bit of a wreck with a dodgy roof, they'll play Fixing a Hole by the Beatles. 01:25:32.588 --> 01:25:35.731 Or if it doesn't have a south-facing garden, they'll play Dark End of the Street. 01:25:35.831 --> 01:25:36.771 We talked about this years ago. 01:25:36.791 --> 01:25:37.431 We did talk about it. 01:25:37.671 --> 01:25:41.192 I was trying to record that to clip out, to build up enough examples to play. 01:25:41.292 --> 01:25:41.952 Jimmy Bignuts. 01:25:41.972 --> 01:25:43.992 Do you remember Jimmy Bignuts' journey? 01:25:44.652 --> 01:25:46.213 Maybe I'll bring that in next week. 01:25:46.273 --> 01:25:46.853 Oh, that's true. 01:25:46.893 --> 01:25:48.073 You did a whole thing about it. 01:25:48.133 --> 01:25:48.813 Yeah, that was funny. 01:25:49.053 --> 01:25:53.394 No, because it happens a lot on documentaries, particularly on the BBC, where they don't have to pay rights. 01:25:53.534 --> 01:25:55.114 But that show is really bad. 01:25:55.274 --> 01:25:55.474 Right. 01:25:55.694 --> 01:25:57.395 Holmes Under the Hammer for that phenomenon. 01:25:57.555 --> 01:25:58.555 It's really annoying. 01:25:59.815 --> 01:26:05.056 I know the classic one I saw was a really rubbish documentary about Asbos or something. 01:26:05.716 --> 01:26:11.462 and they had a shot of some horses in a field and they played horses by Patti Smith over it. 01:26:11.522 --> 01:26:11.842 Really? 01:26:12.022 --> 01:26:12.683 You think, what? 01:26:13.083 --> 01:26:14.124 What's the point of that? 01:26:14.224 --> 01:26:16.886 How is that enhancing the dock in any way? 01:26:16.966 --> 01:26:18.668 Here's a final one from Zandy Thomas. 01:26:18.888 --> 01:26:22.972 It says, Hello Adam and Jo, I can't bloom in Stan test daily on Strictly. 01:26:23.412 --> 01:26:28.116 She stands next to Brucie, gurning and flaring her nostrils like some sort of she-bull. 01:26:28.937 --> 01:26:34.403 She's also constantly gesticulating, in a manner akin to an animatronic character from a Disney ride. 01:26:34.923 --> 01:26:38.667 She'd be great stood in the phantom manner frightening tiny wee children. 01:26:39.107 --> 01:26:41.309 She also has robo boobs, but I like them. 01:26:44.048 --> 01:26:44.849 So thanks to everyone. 01:26:44.869 --> 01:26:46.230 We had such a good response to that. 01:26:46.250 --> 01:26:50.994 A lot of passionate opinion, some of it pretty irrational, but that's what we wanted. 01:26:51.254 --> 01:26:58.441 And don't forget, of course, that you can contribute your opinions on that subject still during the week for retro-textination, which we'll do on next week's programme. 01:26:58.501 --> 01:27:02.564 Yeah, the email address is adamandjoe.sixmusic at bbc.co.uk. 01:27:02.625 --> 01:27:04.566 We will not be accepting texts anymore. 01:27:04.646 --> 01:27:07.669 Just email during the week, please, if you have something to contribute. 01:27:07.909 --> 01:27:09.591 Now, you've got a free choice for us, Joe. 01:27:09.951 --> 01:27:11.012 Yeah, you know, I get fed up 01:27:11.092 --> 01:27:15.576 with, like, joke pop reggae being played all the time on radio. 01:27:15.616 --> 01:27:16.957 And I thought it was time for some... What do you mean? 01:27:16.997 --> 01:27:17.617 What kind of thing? 01:27:17.738 --> 01:27:25.184 Well, I just think it's time people played some hardcore, like, obscure, proper, you know, Jamaican reggae. 01:27:25.244 --> 01:27:26.045 Something really rootsy. 01:27:26.065 --> 01:27:27.145 Something really rootsy. 01:27:27.306 --> 01:27:28.146 Something authentic. 01:27:28.527 --> 01:27:28.907 Fair enough. 01:27:29.447 --> 01:27:31.289 So here's Musical Youth with Pass the Dutch. 01:27:38.895 --> 01:27:40.415 That's it from us this week, listeners. 01:27:40.435 --> 01:27:43.996 Thanks very much to everybody who texted or emailed the programme. 01:27:44.036 --> 01:27:46.617 Don't forget to check out our blog during the week. 01:27:46.677 --> 01:27:53.159 There's a podcast available of the show in edited form that'll be available from Monday evening, I think. 01:27:53.919 --> 01:27:55.039 Stay tuned for Liz Kershaw. 01:27:55.079 --> 01:27:55.619 She's coming up. 01:27:55.959 --> 01:27:59.740 Don't forget to check out the details of our karaoke competition. 01:27:59.760 --> 01:28:01.061 It's all on the blog there. 01:28:01.461 --> 01:28:03.901 You can be performing with us at the Electric Bronze. 01:28:04.161 --> 01:28:06.382 We'll be back with you next week at the same time. 01:28:07.283 --> 01:28:07.990 Thanks for listening. 01:28:08.030 --> 01:28:08.313 Yeah. 01:28:08.475 --> 01:28:08.656 Love you. 01:28:08.697 --> 01:28:08.939 Bye. 01:28:08.959 --> 01:28:09.020 Bye