WEBVTT 00:04.414 --> 00:07.717 Coming live from the Glastonbury Festival. 00:08.097 --> 00:11.380 We're inside a special area with great big walls. 00:11.660 --> 00:14.963 So the weirders and the hoolies can't get food to go to the loo. 00:16.044 --> 00:16.604 Very good. 00:16.644 --> 00:19.827 That was Vampire Weekend with Cape Cod Kwasa Kwasa. 00:20.267 --> 00:22.129 Was that the real version, James? 00:22.169 --> 00:22.849 Yes, that was the real. 00:22.889 --> 00:23.990 That wasn't live or anything. 00:24.010 --> 00:25.091 It's hard to tell, isn't it? 00:25.111 --> 00:27.613 Because the quality of live music here is so brills. 00:27.673 --> 00:28.794 It's so absolutely brills. 00:28.854 --> 00:30.835 The bands are very well trained and drilled. 00:31.556 --> 00:32.616 They're drilled to be brills. 00:33.397 --> 00:34.157 Good morning, everybody. 00:34.197 --> 00:37.238 This is Adam and Joe coming to you live from the Glastonbury Festival. 00:37.298 --> 00:37.779 I'm Joe. 00:37.919 --> 00:38.439 I'm Adam. 00:38.979 --> 00:46.882 And I'm a little bit disturbed to see that you can actually watch us in, you know, with quite a lot of clarity on the studio webcams. 00:46.942 --> 00:47.943 It's slightly unsettling. 00:48.003 --> 00:49.523 There's live streaming going on. 00:49.883 --> 00:50.844 Ooh, I don't really like it. 00:50.944 --> 00:56.366 Adam and I got into radio in order to, you know, just sort of get ugly and old in private. 00:56.686 --> 00:57.066 Yeah, exactly. 00:57.086 --> 00:59.487 But now we're being exposed to the world and it's troubling. 00:59.567 --> 01:01.048 So we're going to put our sunglasses on. 01:01.348 --> 01:01.628 Yeah. 01:01.708 --> 01:07.514 We're inside a very, very small studio here, right next to the pyramid stage in the middle of the Glastonbury Thayer. 01:08.215 --> 01:12.899 And inside the studio, it's been festooned with bits of foliage. 01:12.959 --> 01:14.921 Is it real foliage or is it plastic foliage? 01:14.961 --> 01:18.385 If it was plastic foliage, that would be a disgrace for the BBC. 01:18.545 --> 01:19.346 It would be a lie. 01:19.646 --> 01:22.308 It would not be safeguarding botanical trust. 01:22.469 --> 01:23.650 It is plastic foliage. 01:23.710 --> 01:25.091 That's a disgrace. 01:25.111 --> 01:26.032 That's going to be all over the paper. 01:26.692 --> 01:27.533 all over the papers. 01:27.653 --> 01:28.413 Lying to the public. 01:28.433 --> 01:31.114 Public money spent on fake flowers. 01:31.134 --> 01:31.975 A charade. 01:32.415 --> 01:33.055 A travesty. 01:33.175 --> 01:37.077 You know, we may as well go out there with those flowers and smack people in the face. 01:37.157 --> 01:38.157 Yes, let's do that. 01:38.177 --> 01:42.839 Let's find a mother and her children and smack them in the face with fake flowers. 01:42.859 --> 01:43.380 What are you doing? 01:43.400 --> 01:43.840 Hey, hey, come on. 01:43.860 --> 01:44.540 Can't have gone too far. 01:44.580 --> 01:47.481 This is the first link and you've gone way too far. 01:47.701 --> 01:48.042 You know what? 01:48.062 --> 01:48.662 Pull it back quickly. 01:48.682 --> 01:49.482 Here's the thing, right? 01:49.722 --> 01:52.123 Later on in the show, I'm going to tease some stuff, Joe. 01:52.304 --> 01:55.085 Later on in the show, we're actually going to be talking to a real family. 01:55.245 --> 01:55.505 Wow. 01:56.005 --> 01:59.447 some grown-ups and their children who have come to the Glastonbury Festival. 01:59.467 --> 02:01.848 Are they the special Glastonbury family? 02:01.928 --> 02:03.129 Are they a six-music thing? 02:03.149 --> 02:11.173 They're the six-music Glastonbury family and they're going to be telling us about the festival as experienced by a sort of classic nuclear family. 02:11.453 --> 02:12.454 They're a real family though, right? 02:12.474 --> 02:14.015 They're not actors pretending to be a family. 02:15.536 --> 02:16.237 Which would be weird. 02:16.577 --> 02:17.198 They're a real family. 02:17.218 --> 02:18.199 We're going to be talking to them later on. 02:18.500 --> 02:25.989 I'll be genuinely interested to find out how they've been getting on, because the more I come to Glastonbury, the more I think, I would never bring my family here. 02:26.009 --> 02:28.793 In a million years, I would never bring children here, tiny children. 02:28.873 --> 02:30.815 I saw a family with a good technique yesterday. 02:30.855 --> 02:32.578 They had all their kids in a wheelbarrow. 02:32.958 --> 02:33.078 Right. 02:33.098 --> 02:35.640 And they were just wheelbarrowing them around the site. 02:35.781 --> 02:35.961 Yeah. 02:36.321 --> 02:38.083 You know, that's quite a good way to do it, isn't it? 02:38.283 --> 02:39.123 That's good, yeah. 02:39.444 --> 02:44.208 That's like in the stock market crash when people used to wheel around barrows of money. 02:44.488 --> 02:44.768 Yes. 02:45.009 --> 02:46.210 And now it's... In what way is it like that? 02:46.830 --> 02:47.451 The wheelbarrow. 02:47.471 --> 02:49.072 There's a wheelbarrow. 02:49.092 --> 02:49.392 Good one. 02:49.492 --> 02:50.053 And that's good. 02:50.373 --> 02:52.075 That's like... Also, it's like in gardening. 02:52.938 --> 02:53.198 Yes. 02:53.238 --> 02:54.339 When they use a wheelbarrow. 02:54.559 --> 02:54.699 Yeah. 02:54.819 --> 02:56.139 I'm just trying to... No, you're good. 02:56.179 --> 02:57.220 You haven't gone far enough now. 02:57.240 --> 02:57.280 No. 02:57.980 --> 03:05.403 Listen, if you want to check out our peculiar faces on the live streaming thing, you can go to bbc.co.uk slash Glastonbury. 03:05.744 --> 03:07.985 There's all sorts of interactive coverage there. 03:08.285 --> 03:10.326 Are there cameras on some of the stages and stuff? 03:10.706 --> 03:12.887 I mean, you really don't need to pay for a ticket, do you? 03:13.127 --> 03:13.267 No. 03:13.307 --> 03:15.508 You can enjoy the whole thing, courtesy of the BBC. 03:15.888 --> 03:16.809 It's actually very nice now. 03:16.849 --> 03:17.609 The sun is out. 03:17.629 --> 03:21.552 There's some cloud around, but it's worked out pretty nicely. 03:21.592 --> 03:23.713 I was very worried about the weather situation. 03:23.773 --> 03:24.934 I was very worried as well. 03:24.954 --> 03:26.776 Before we arrived, because I don't like discomfort. 03:26.796 --> 03:28.317 We've got the brains of babies. 03:28.357 --> 03:34.061 You know how they say that when something happens to a baby when it feels pain, they think it's going to continue for the rest of their life. 03:34.301 --> 03:36.742 That's why they cry for so long and so loudly. 03:36.762 --> 03:38.003 They don't understand that it'll pass. 03:38.043 --> 03:38.864 That's like me and Jo. 03:39.064 --> 03:39.584 And the weather. 03:39.624 --> 03:42.967 Yeah, we just think when it rains, it's just going to be like that forever. 03:45.447 --> 03:50.108 So when I saw the forecast before we arrived at Glastonbury, I just thought, this is going to be awful. 03:50.148 --> 03:52.109 I don't like mud and rain and discomfort. 03:52.409 --> 03:52.749 You know what? 03:52.789 --> 03:53.829 It's turned out very nice. 03:53.949 --> 03:56.190 I missed all the thunder and lightning that was in person. 03:56.210 --> 03:57.070 Man, I'd say it's changeable. 03:57.470 --> 03:58.951 I'd say anything can happen today, yeah. 03:59.051 --> 03:59.931 Don't say that. 04:00.211 --> 04:02.712 I've just got to get you psychologically prepared for another deluge. 04:03.132 --> 04:03.912 Changeable? 04:04.312 --> 04:07.813 Listen, let's play some music right now, and we've got some doves for you. 04:07.873 --> 04:09.414 They were playing... Is this... 04:10.094 --> 04:10.795 From this festival? 04:11.135 --> 04:11.915 Yeah, yesterday. 04:12.676 --> 04:19.461 They were playing on the Peel stage here at Glastonbury and this is live track A. It's called Black and White Town. 04:19.501 --> 04:21.402 Here's the doves. 04:21.763 --> 04:23.484 That was doves. 04:23.644 --> 04:26.266 They were live on the Peel stage yesterday here at Glastonbury 2009. 04:26.326 --> 04:28.748 That's where we are. 04:28.988 --> 04:29.549 This is Adam. 04:30.129 --> 04:31.110 Hey, this is Joe. 04:31.150 --> 04:33.331 I'm just trying to remember the interactive information. 04:33.612 --> 04:34.852 Are we taking texts today? 04:34.872 --> 04:37.755 64046, that's the text number. 04:38.055 --> 04:39.036 What we're going to do at what? 04:39.767 --> 04:41.769 Yeah, he's giving me the thumbs up, I've got the number correct. 04:42.409 --> 04:45.352 And the website, no, the email address, what is this? 04:45.412 --> 04:48.074 Adamandjo.6music.co.at. 04:48.875 --> 04:50.236 Oh dear, Adamandjo. 04:50.716 --> 04:53.919 Oh well, I'll do this later, look, I can't remember, we haven't got our correct pieces of paper here. 04:54.079 --> 04:57.241 Adamandjo.6music.bbc.co.uk. 04:57.301 --> 05:00.804 Yeah, there you go, well done Count Bucky, gimme skill pants. 05:01.325 --> 05:03.787 So how was the rest of your week before you got to Glastonbury, Joe? 05:04.507 --> 05:05.147 It was alright. 05:05.407 --> 05:06.447 Yeah, it was good actually. 05:06.908 --> 05:07.848 You sprung that on me. 05:07.908 --> 05:09.048 I kind of forgotten about it. 05:09.088 --> 05:10.208 Yeah, well we'll talk about our week. 05:10.228 --> 05:14.789 We're not just going to talk about Glastonbury for this show because you know, it is a regular show. 05:14.829 --> 05:19.710 There's some people who not only aren't interested in Glastonbury, but hate Glastonbury. 05:20.130 --> 05:21.251 That's not true. 05:21.271 --> 05:21.851 I'm just joking. 05:22.911 --> 05:31.713 But earlier in the week, there was a big exciting thing happening at our house because we had the premiere of ET, the new film by Steven Spielberg. 05:31.913 --> 05:33.473 You were showing it to your kids for the first time? 05:33.473 --> 05:34.314 For the first time. 05:34.414 --> 05:34.754 Wow. 05:34.814 --> 05:35.856 Kid premiere of ET. 05:36.056 --> 05:36.336 Really? 05:36.656 --> 05:39.119 Did you project it maybe with a video projector you did? 05:39.219 --> 05:40.480 Yeah, absolutely. 05:41.301 --> 05:42.042 Surround Sound? 05:42.402 --> 05:46.006 Well, maybe it wasn't released in Surround Sound, it might have just been released in stereo back in the day. 05:46.146 --> 05:48.449 Yeah, well I cranked it up though on the speakers. 05:48.469 --> 05:48.609 Did you? 05:48.889 --> 05:53.492 closed the curtains, and they didn't really like me closing the curtains. 05:53.512 --> 05:54.452 It's too scary. 05:54.732 --> 05:55.253 Too creepy. 05:55.473 --> 05:58.574 I forgot how frightening the beginning is, like how creepy it is. 05:58.934 --> 06:02.957 He's got weird sort of sci-fi music on the top there, almost like a horror film. 06:03.737 --> 06:09.140 It's not all the John Williams, I mean it obviously is John Williams, but it's not the happy over the moon theme and the main 06:11.442 --> 06:14.084 No, it's mysterious and the mysterious creatures scuttling. 06:14.124 --> 06:15.305 You don't see E.T.' 06:15.265 --> 06:16.326 's face for a while, do you? 06:16.506 --> 06:17.187 No, certainly not. 06:17.207 --> 06:20.430 You just see his little legs and scooting around the cornfield and stuff. 06:20.570 --> 06:21.951 And it's amazingly suspenseful. 06:21.971 --> 06:25.895 You don't even see the faces of the adults, you just see their belts and the keys. 06:25.915 --> 06:27.296 That character is called Keys. 06:27.556 --> 06:28.697 I see that's right. 06:28.817 --> 06:30.239 Peter Coyote's character. 06:31.159 --> 06:44.405 So it's it's really quite dumb scary and and my youngest who is about five Yeah was a little bit freaked out by the beginning bit right and sort of buried his face in the pillow I had to absolutely promise him that it was gonna be nice tiny glowing turd man. 06:44.705 --> 06:53.809 Yeah scuttling about who wouldn't be frightened He didn't like it but then you know, he got used to it after a while and then my oldest who's about seven He was much more into it. 06:53.849 --> 06:54.509 He was digging it. 06:54.689 --> 06:56.190 There's some smutty dialogue in there. 06:56.210 --> 06:56.250 Oh 06:56.790 --> 06:58.731 Or was this the revised version? 06:58.791 --> 07:00.031 No, I showed them the original theatrical. 07:00.051 --> 07:01.731 There is some smutty dialogue. 07:02.092 --> 07:04.292 Has he removed the smutty dialogue in the revised version? 07:04.852 --> 07:05.492 Possibly. 07:05.572 --> 07:07.013 They say penis breath, don't they? 07:07.053 --> 07:07.273 Yeah. 07:07.333 --> 07:11.454 And you know, I'm confident in saying that on Six Music in the Morning because... It's a gynecological term. 07:11.474 --> 07:14.435 Yeah, if he says it in a used certificate film, then it's got to be fine. 07:14.595 --> 07:15.075 That's right. 07:15.295 --> 07:15.515 Right. 07:15.815 --> 07:16.516 Absolutely right. 07:16.676 --> 07:17.376 Good call, Joe. 07:17.396 --> 07:18.036 Producer James. 07:18.076 --> 07:18.996 Very good call. 07:19.576 --> 07:20.677 Just taking that as read. 07:20.737 --> 07:20.977 Yeah. 07:21.997 --> 07:24.118 And they chuckled at that utterance. 07:24.158 --> 07:24.578 Who wouldn't? 07:24.918 --> 07:25.458 Imagine. 07:25.638 --> 07:27.320 I don't think they stored it away in their locker. 07:27.780 --> 07:32.905 That would have been upsetting if they'd unveiled it on Monday morning at school. 07:33.206 --> 07:33.806 I don't think so. 07:34.127 --> 07:37.050 But by the end of the film, they were sort of drifting a little bit. 07:37.150 --> 07:42.655 And it occurred to me that they just weren't used to seeing a film with that level of emotional weight. 07:43.096 --> 07:44.117 Do you know what I mean? 07:44.277 --> 07:46.459 They've been raised on, like, they saw Iron Man and 07:46.499 --> 07:46.879 things like that. 07:46.919 --> 07:50.141 They probably, you would think they would be too young to see Iron Man, but they absolutely loved it. 07:50.521 --> 07:52.562 And they loved Transformers and all that kind of stuff. 07:52.942 --> 07:55.323 But there's no sort of emotional heft to those films. 07:55.343 --> 07:57.564 There's no... Well, modern children, they don't feel emotion. 07:57.764 --> 07:58.084 Right. 07:58.204 --> 08:01.765 Yeah, no, that's actually, scientists have concluded that, that they're stone cold. 08:02.025 --> 08:03.366 They're absolutely emotionless monsters. 08:03.406 --> 08:04.286 That's why they like Transformers. 08:04.326 --> 08:05.787 According to the tabloids, exactly. 08:05.807 --> 08:07.368 Because they are robot people. 08:07.388 --> 08:07.888 Let's face it. 08:09.249 --> 08:14.332 So I felt as if they weren't really responding to some of the emotional moments as well as they might. 08:14.532 --> 08:17.134 I mean, the fact is that they were probably a little bit too young, right? 08:17.194 --> 08:18.735 I saw it when I was... To understand loss. 08:18.755 --> 08:19.295 Yeah, yeah. 08:19.856 --> 08:23.138 So by the time they got to the end, the big emotional farewell scene, right? 08:23.198 --> 08:28.341 When he's saying goodbye and I am sat there on the sofa watching it with them and I hadn't seen it for a while. 08:28.361 --> 08:28.842 You're choking up. 08:28.862 --> 08:32.324 I had a terrible sore throat trying not to just cry in front of them. 08:32.985 --> 08:38.008 And it reminded me of when I was young and watching it for the first time with my mum in the cinema and 08:38.488 --> 08:42.249 I remember after we got up and left the cinema the first time I saw it. 08:42.889 --> 08:45.270 Everyone was just in floods of tears, they were just weeping. 08:45.290 --> 08:47.451 There's a generator going on outside, don't worry, listen to us. 08:48.091 --> 08:53.593 But it wasn't quite the same for the children, you know, they didn't have quite the same reaction to it. 08:53.793 --> 08:57.034 In fact, Frank just said at one stage, he's hugging an alien. 08:59.793 --> 09:01.394 That's just maybe because he's at Buxton. 09:01.555 --> 09:02.435 Yeah, possibly. 09:02.655 --> 09:03.016 I don't know. 09:03.036 --> 09:04.757 But anyway, that's what happened with us. 09:05.037 --> 09:06.338 Let's play some more music right now. 09:06.358 --> 09:07.680 Who have we got coming up? 09:07.860 --> 09:09.221 Have we got a bit of Naira and the Whale? 09:09.261 --> 09:14.305 Yeah, this is from the park stage yesterday and it is... Do we know what it's called? 09:14.365 --> 09:14.945 Five years. 09:15.006 --> 09:15.586 Yeah, here it is. 09:16.932 --> 09:20.614 Noah and the Whale recorded live here at Glastonbury yesterday. 09:20.634 --> 09:22.635 That was terrific, wasn't it? 09:23.676 --> 09:25.017 Very, very good indeed, yes. 09:25.257 --> 09:29.299 We haven't really seen much live music yet because we've just been doing our six music duties. 09:29.339 --> 09:33.001 We saw a little bit of the specials yesterday, a little bit of the specials. 09:33.361 --> 09:34.522 They had a little bit of Neil Young? 09:34.542 --> 09:37.544 A little bit of Neil Young, just as we were leaving though. 09:37.584 --> 09:41.606 I watched it on the TV when we got back to our hotel because we're not camping. 09:42.086 --> 09:47.678 We're too old, but we did speak to some people who were camping yesterday, and this is what happened. 09:48.917 --> 09:55.062 BBC 6 Music, live from Glastonbury 2009 with Adam and Joe. 09:55.602 --> 10:02.428 Okay, we are within what feels like about five centimetres of a huge bank of incredibly smelly toilets. 10:02.888 --> 10:12.415 Yes, there is a stench of human faeces in the area, but that hasn't put off the one, two, three, four, five, six, seven, eight, nine, ten hardy campers. 10:14.721 --> 10:15.241 There we go. 10:15.561 --> 10:19.042 Now, I would describe this little camping enclave as very civilized. 10:19.062 --> 10:22.883 We went through quite a few tents of slightly scarier people. 10:23.243 --> 10:26.704 There was some kind of more beery lads that looked frightening to me. 10:27.164 --> 10:28.525 But these are the alpha campers. 10:28.705 --> 10:33.726 These are apparently the best-looking, cleverest, but yet most laid-back campers in the whole site. 10:33.966 --> 10:37.767 There's some fellows who look as if they're from the 60s. 10:38.428 --> 10:41.869 There was even some gentle love-making going on as we arrived. 10:41.909 --> 10:43.349 We've interrupted it now. 10:43.629 --> 10:46.011 There was nothing heavy, just free love kind of thing. 10:46.051 --> 10:48.452 Some petting, they were just warming up when we interrupted. 10:48.712 --> 10:52.395 But we thought we'd come and investigate the tent scenario. 10:52.435 --> 10:56.937 Rather than going through all your names again, we'll just take that as red, I hope you don't mind. 10:57.398 --> 10:59.639 But we're going to inspect Henry's tent. 11:00.200 --> 11:06.704 There's a guitar here, it's a bright red guitar, and scrawled in pen are the words, this machine is alive. 11:07.544 --> 11:09.926 and the guitar's called Little Red. 11:10.486 --> 11:12.907 But it's a kind of devil-may-care atmosphere here. 11:12.927 --> 11:16.249 They're letting the ground come through and the clothes are on the grass. 11:16.289 --> 11:19.311 So there's gonna be condensation on those clothes in the morning. 11:19.331 --> 11:20.732 You're gonna be happy with that? 11:21.195 --> 11:23.898 Yeah, well, yeah, we don't care. 11:23.918 --> 11:24.759 They don't care. 11:24.879 --> 11:27.302 So why did you even bring the ground sheet if you don't care? 11:27.322 --> 11:30.065 It came with the someone I bought, that's how it is. 11:30.105 --> 11:33.549 At least I don't want to freak you out, but there's someone's written something on your tent. 11:34.230 --> 11:35.291 Can you tell us what that says? 11:35.311 --> 11:36.793 That's V Festival last year. 11:37.794 --> 11:41.697 Okay, so that's like a kind of a kind of a kind of a war wound Exactly. 11:41.877 --> 11:44.259 Yeah, these guys are like GIs festival GIs. 11:44.299 --> 11:45.240 Why don't you go inside? 11:45.300 --> 11:48.122 Is he allowed to go is that allowed to go? 11:48.142 --> 11:51.785 I should take my shoes just go just kneel with your knees just inside the entrance there. 11:51.945 --> 12:00.332 I see some pills here in a blister pack and What kind of pills have you got here antihistamines antihistamines have you got allergies? 12:00.372 --> 12:00.792 Very bad. 12:00.832 --> 12:01.292 Hey fever. 12:01.312 --> 12:03.414 Yeah Got some maracas 12:06.098 --> 12:08.240 So are you guys, what kind of songs are you singing? 12:08.440 --> 12:10.082 Do you write your own songs or are you playing covers? 12:10.342 --> 12:11.423 These guys are the band. 12:11.543 --> 12:15.067 These are starting a band, myself and Niall, over there. 12:15.888 --> 12:18.930 We might be called Atmosphere and the Dot Dot Dots, but we're not sure yet. 12:19.391 --> 12:20.932 Atmosphere and the Dot Dot Dots? 12:21.453 --> 12:22.394 I like it. 12:22.414 --> 12:25.397 Are you in a position to give us your first single? 12:25.637 --> 12:27.499 Yeah, this is called Bananas. 12:27.939 --> 12:29.461 It's about bananas. 12:29.721 --> 12:29.901 It is. 12:33.647 --> 12:48.016 Skibidi, pobidi, digidi, dubda Skibidi, pobidi, digidi, dump bananas Mommy's in the kitchen when your daddy's not around Sister's in the garden when your brother's out of town She leaves bananas 13:13.519 --> 13:24.593 But we don't want to That was bananas atmosphere in the dot dot dot atmosphere in the dot dot dots 13:26.127 --> 13:28.168 That was a chap called Jimi Hendrix. 13:28.188 --> 13:32.751 He was on the Waffles and Smoothie stage last night in the corner of the festival. 13:32.771 --> 13:33.051 Was he? 13:33.071 --> 13:34.152 It was recorded there. 13:34.172 --> 13:37.233 I think it's called Hey Joe. 13:37.253 --> 13:38.394 He was all right. 13:38.594 --> 13:40.655 I mean, everyone was sort of saying, oh, you got to see this guy. 13:40.675 --> 13:41.596 He's Brill's. 13:42.256 --> 13:43.217 You were underwhelmed. 13:43.337 --> 13:44.037 I was underwhelmed. 13:44.057 --> 13:44.758 I've seen it all before. 13:45.745 --> 13:47.326 You know, I can play, I can do that. 13:47.466 --> 13:50.108 I can play guitar upside down if I want, if I really want. 13:50.248 --> 13:50.688 Who can't? 13:50.808 --> 13:51.328 Who can't? 13:51.729 --> 13:53.730 And he didn't annunciate, didn't he? 13:53.790 --> 13:54.731 It's lazy. 13:54.791 --> 13:55.331 Not really. 13:55.371 --> 13:57.712 And he was wearing one of those Libertines coats. 13:58.433 --> 13:59.173 What do you mean? 13:59.233 --> 14:01.855 One of those retro 60s coats. 14:02.055 --> 14:02.355 Yes. 14:02.415 --> 14:03.156 Seen it. 14:03.216 --> 14:03.616 Seen it. 14:03.636 --> 14:03.856 Seen it. 14:04.157 --> 14:04.477 Done it. 14:05.202 --> 14:06.483 Not another 60s revival. 14:06.543 --> 14:07.063 Boring. 14:07.644 --> 14:09.585 Listen, we're coming to you live from Glastonbury. 14:09.625 --> 14:11.166 This is Adam and Jo on BBC Six Music. 14:11.246 --> 14:17.750 One of the biggest challenges of coming to the Glastonbury Festival, aside from surviving the festival itself, is the journey. 14:18.211 --> 14:18.551 Oh, yes. 14:18.631 --> 14:19.652 It's getting down here. 14:19.692 --> 14:21.693 Like one year you and I drove, didn't we, Adam? 14:21.793 --> 14:21.973 Yeah. 14:22.073 --> 14:26.256 Back in the days when we were doing tele coverage for BBC Choice, we drove down. 14:26.536 --> 14:27.857 How long did we sit in a jam for? 14:28.317 --> 14:28.758 Seven hours. 14:29.078 --> 14:29.858 Seven hours. 14:29.939 --> 14:30.939 It was infuriating. 14:31.099 --> 14:31.399 It was. 14:31.440 --> 14:33.021 Nothing worse than being stuck in a jam. 14:33.101 --> 14:34.422 Especially... A special Douglas can attest. 14:34.562 --> 14:35.122 Exactly. 14:35.382 --> 14:40.044 You know, in this big metal box sitting in the middle of God knows where, Lord knows where, unable to move. 14:40.064 --> 14:41.064 I ran out of music to play. 14:41.084 --> 14:46.167 I had my mini disc player and I thought I'd done pretty well stocking up for the music. 14:46.547 --> 14:48.167 I was down to the really rotten stuff. 14:48.788 --> 14:53.430 They might have improved it over the years, but the roads around Glastonbury become notoriously congested leading up to the festival. 14:53.470 --> 14:57.671 Various local villages have to be sort of circled off by security men and stuff. 14:58.012 --> 14:58.812 It's a big hoo-ha. 14:59.012 --> 14:59.812 It's an absolute darn hoo-ha. 14:59.832 --> 15:01.193 It's one of the largest of all the hoo-has. 15:01.693 --> 15:13.062 So this year we decided to come by train and we got our agents to pressure the BBC into sending us down in minor style, write a cheap weekend first class upgrade, because the carriages were very full. 15:13.102 --> 15:16.444 So I was sitting in first class and some other people had had the same idea. 15:16.484 --> 15:18.186 They bought the cheap first class upgrade. 15:18.846 --> 15:20.306 And there are a couple of lads sitting opposite me. 15:20.366 --> 15:25.007 I say lads, they were in their mid-to-late 30s, obviously childhood friends. 15:25.407 --> 15:33.509 They sat down and they'd obviously sort of got off a week's work early and they were going to relive their youth by going down to Glasto together like they did maybe 15 years ago. 15:33.889 --> 15:35.629 They went to the buffet as soon as it opened. 15:35.989 --> 15:37.909 How many tins of beer do you think they got each? 15:38.329 --> 15:38.589 Each. 15:39.410 --> 15:40.990 Well, if it was me, I'd go for a couple. 15:41.310 --> 15:41.490 Eight. 15:41.910 --> 15:42.890 Eight each. 15:43.010 --> 15:44.630 Two-hour journey, eight each. 15:45.030 --> 15:45.951 What's the maths on that? 15:46.431 --> 15:47.211 That's unbelievable. 15:47.251 --> 15:47.731 What for them? 15:48.531 --> 15:48.851 15 minutes. 15:48.871 --> 15:49.651 That's extraordinary. 15:49.711 --> 15:50.192 That was extraordinary. 15:50.212 --> 15:58.854 They started off with quite intelligent conversation but then and they were sitting right near me I was trying to read my paper but I couldn't help but listen to every single word they were saying. 15:58.874 --> 15:59.675 Yeah. 15:59.715 --> 16:01.575 They started to have a burping competition. 16:01.795 --> 16:02.355 Did they? 16:02.575 --> 16:06.277 Yeah and then that the burping competition it devolved into a farting competition. 16:06.437 --> 16:07.617 In executive class this is. 16:07.637 --> 16:09.117 This was in premiere class. 16:09.518 --> 16:13.739 They started blowing off really loud classic raspberry farts. 16:14.079 --> 16:14.819 What the hell? 16:14.839 --> 16:17.801 And I thought, this can't go on, so I broke the fourth wall again. 16:17.821 --> 16:17.861 No! 16:18.721 --> 16:20.442 Like I did at the King Creosote gig. 16:20.482 --> 16:21.422 How are you intervened? 16:21.442 --> 16:23.943 And I turned to them and said, how old did you say you are? 16:23.963 --> 16:23.943 37. 16:24.523 --> 16:25.504 That was your opening gazette. 16:25.524 --> 16:26.164 With a smile. 16:26.524 --> 16:28.325 It was a nice, light-hearted thing to say. 16:28.345 --> 16:28.765 It was. 16:28.785 --> 16:31.146 And they looked at me and laughed, but they were mortified. 16:31.366 --> 16:32.087 Nice and light-hearted. 16:32.107 --> 16:33.827 Cornish managed to do his mortifying act again. 16:33.867 --> 16:34.908 Were you shaking while you said it? 16:35.268 --> 16:37.730 No, no, I was, I was, I'm used to this kind of thing. 16:37.810 --> 16:41.453 I'm a professional, you know, professional party pooper. 16:41.553 --> 16:41.813 Yeah. 16:42.213 --> 16:46.637 And then we had a little chitchat that was fine, but they were obviously so freaked out at being caught at being juvenile. 16:46.697 --> 16:46.897 Yeah. 16:47.057 --> 16:51.540 They tried to then turn their conversation into something more intellectual. 16:52.161 --> 16:55.903 I wrote down some of the stuff they said immediately after the farting incident. 16:55.964 --> 16:59.286 People you don't ever want to be stuck in a confined space with. 16:59.366 --> 16:59.526 Me. 16:59.546 --> 16:59.987 Number one. 17:00.167 --> 17:00.607 Choking. 17:02.588 --> 17:06.831 There was some giggling after the fighting had been exposed and they sort of didn't know what to do next. 17:07.151 --> 17:08.572 Their style was cramped by me. 17:08.872 --> 17:09.512 What a weird. 17:09.853 --> 17:14.996 So they started to talk about films and one of them said, you know what the best film is ever made? 17:15.036 --> 17:15.696 Citizen Kane. 17:15.816 --> 17:16.356 Do you know why? 17:16.636 --> 17:17.137 Two words. 17:17.337 --> 17:17.957 Greg Toland. 17:18.157 --> 17:19.898 Depth of field. 17:19.918 --> 17:21.299 75% of all communication is non-verbal. 17:21.599 --> 17:22.600 It's about seeing the ceiling. 17:23.020 --> 17:26.482 He started to go super intellectual about Citizen Kane. 17:26.922 --> 17:30.945 To try and convince me, the Cornballs, that they weren't just Fartmeisters. 17:31.745 --> 17:33.766 And they completely stopped guffing. 17:33.846 --> 17:35.507 It wasn't like... The guffing stopped. 17:35.908 --> 17:39.510 But he was really making a conscious effort to try and turn his reputation around. 17:39.570 --> 17:39.810 Yeah. 17:40.690 --> 17:41.831 I don't know what their names were. 17:42.031 --> 17:42.932 I won't embarrass them. 17:43.272 --> 17:44.213 But they were having a good time. 17:44.253 --> 17:45.513 And you know what the sweetest thing was? 17:46.014 --> 17:51.837 When the train pulled up at Castle Kerry and the Tannoy announced where we were, they both high-fived each other. 17:51.997 --> 17:53.898 Like a couple of excited 15-year-olds. 17:53.918 --> 17:54.579 It was very sweet. 17:54.919 --> 17:58.201 And they fell out of the train on their faces and fell asleep on the platform. 17:58.581 --> 17:59.862 As far as I know, they're still there. 18:01.083 --> 18:05.127 Are you going to tell anyone else in the festival off today? 18:05.928 --> 18:07.590 I'm going to tell a lot of people off in the festival. 18:07.970 --> 18:11.875 After the show's finished, we should go out there and record you just telling some people off. 18:12.115 --> 18:12.976 They were farting. 18:12.996 --> 18:14.498 Would you have just tolerated the farting? 18:14.558 --> 18:15.679 It was stinky as well. 18:16.959 --> 18:19.180 You can't do stinky ducks in first class, can you? 18:19.340 --> 18:21.761 No, I admire your interventionary skills. 18:21.801 --> 18:22.781 That's very impressive. 18:22.821 --> 18:24.842 How old did you say you were? 18:25.262 --> 18:28.663 But don't paint me as some kind of headmaster type character. 18:28.743 --> 18:29.964 No, why would I? 18:30.744 --> 18:31.724 It was Joville. 18:32.485 --> 18:33.325 It was friendly. 18:34.045 --> 18:34.867 We're good pals. 18:34.947 --> 18:35.808 That's cool, good. 18:37.391 --> 18:40.676 And they polished off all their tinnies by the time they got there. 18:40.756 --> 18:41.818 All the tinnies had gone. 18:41.838 --> 18:42.960 Let's have some more live music. 18:43.000 --> 18:44.121 Is this from yesterday as well? 18:44.161 --> 18:46.605 This is Block Party, who were on the other stage. 18:46.966 --> 18:47.988 This is a track called Prayer. 18:48.717 --> 18:55.060 There was block party sounding big and impressive there playing prayer on the other stage here at Glastonbury last night. 18:55.400 --> 18:58.561 We're joined in our tiny, tiny studio by Murray Lachlan Young. 18:58.882 --> 19:01.603 He's the poet in residence for the sixth music at Glastonbury. 19:01.623 --> 19:08.386 I'm going to try and train one of the webcams on Murray while you do a quick chat so people at home who are watching the live streams can see his face. 19:08.686 --> 19:15.889 Yesterday Murray was sporting a pair of very impressive waders, thigh-high waders spattered with mud. 19:16.269 --> 19:18.070 Today it's a totally different sort of thing. 19:18.090 --> 19:23.232 He looks as if he's just come from a desert island, he's got a straw hat on, he's wearing sandals even. 19:23.252 --> 19:28.074 Yeah, I can definitely say that it is now a flip-flop viable sight. 19:28.174 --> 19:29.715 Are you comfortable that it's going to remain 19:30.615 --> 19:30.875 such? 19:31.215 --> 19:32.796 I'm pretty confident it's going to be that way. 19:32.916 --> 19:44.282 And the mud has just moved from that sort of consistency where you get great clods of it attached to your boots and it's gone through that sort of slightly bouncy crust and it's just heading into the sort of summer tarmac. 19:44.582 --> 19:45.062 Right, right, right. 19:45.102 --> 19:48.804 It's at a nice stage actually because if it gets any warmer and hotter 19:49.284 --> 19:50.025 then you get the dust. 19:50.065 --> 19:53.747 The dust and then they have to have the lorries coming along sprinkling all the paths. 19:53.787 --> 19:54.808 That's right. 19:55.668 --> 19:57.590 So what kind of a poem have you got for us today? 19:57.610 --> 20:01.792 Do you want to just read it or will you talk about it thematically beforehand? 20:02.153 --> 20:04.394 Well maybe if I just read it and then if you guys 20:04.514 --> 20:08.801 Well, I'll give you a little bit of something beforehand, but it's called to a scrumpy victim. 20:08.821 --> 20:09.362 Yes. 20:09.562 --> 20:17.134 And you see them, they start to increase in number, especially when you get heat, of course, because scrumpy and sunshine are a classic combination. 20:17.174 --> 20:19.598 Well, the sunshine makes the apples ferment further. 20:19.918 --> 20:20.478 Yes, yes. 20:20.578 --> 20:23.880 It's the deadliest combination known to man. 20:24.340 --> 20:35.424 It is, and I was talking to Mark Collingwood, who's the stage manager of the circus and cabaret, and he reckons that still Scrumpy is the biggest destroyer of mines in Glastonbury over the weekend. 20:35.624 --> 20:36.965 Since 1970, he reckons it never changed. 20:37.045 --> 20:39.026 It's nature's Molotov cocktail. 20:39.046 --> 20:39.606 Let's hear the poem. 20:40.106 --> 20:42.149 Okay, to a scrumpy victim. 20:42.709 --> 20:54.823 There you lie, mouth open wide, deep baked, still cooking in the morning sun, scorched swarthy by scrumpy God and wild Glastonbury night on which you raged. 20:55.263 --> 21:10.596 rattled and extolled, unleashed the beast, half man, half priest, until all things ceased in catatonic crisis, felled by the still-fermenting dregs of your magical malignant ally, drunk, wasted, ruined. 21:11.016 --> 21:38.728 No memory at all of when you spied with your greedy eye That gallant jug of roadside rough-bought bulk brown Plastic barrelet with tenor flush Your budget ticket to the court of the scrumpy king And on to the gates of oblivion A trip on which you cut your sway Though blunted blood-filled random blade Past fluffy cyberpunk and folky beard To flight through cafe-glade mosh pit did you trip 21:39.188 --> 21:52.895 Gulp, howl, but never sip, And now there you lie, O shipwrecked, mast-head, splintered hulk, And gently fry, thrown high, On Glastonbury's mud-baked shore. 21:53.775 --> 21:54.816 That was wonderful, Murray. 21:54.856 --> 21:55.496 Thank you very much. 21:55.516 --> 21:56.037 That was amazing. 21:56.057 --> 21:57.377 I've got to get me some scrumpy. 21:57.517 --> 21:58.438 When did you compose that? 21:58.638 --> 22:01.399 Well, I'd started it yesterday and finished it this morning. 22:01.579 --> 22:02.700 Wow, that was fantastic. 22:02.960 --> 22:08.183 And perfectly captures the scene of devastation that you're confronted with when you arrive on the site. 22:09.103 --> 22:10.344 We're not sleeping on the site. 22:10.364 --> 22:11.124 You're camping, right? 22:11.284 --> 22:11.904 I'm camping. 22:11.944 --> 22:31.991 I had a classic Glastonbury Scrumpy victim experience this morning when I was just nipping down for my morning shower after my physical jerks and I saw this person in a tutu with that classic sort of deep-baked look clucking like a little chicken and just jump hopping along going 22:32.961 --> 22:34.262 Yep, and I thought she's having a laugh. 22:34.282 --> 22:35.322 She's joking. 22:35.342 --> 22:38.663 Somebody's watching her, but no, she actually did genuinely think she was a chicken. 22:38.903 --> 22:41.785 Blimey, and she's still got a couple of days to go. 22:41.805 --> 22:42.745 That's a good time. 22:42.765 --> 22:44.366 That's unbelievable. 22:44.386 --> 22:46.407 She's got to keep it slow and steady from now on. 22:46.427 --> 22:48.047 She's probably having the best time of anybody here. 22:48.607 --> 22:50.208 That's when you know you're really having a party. 22:50.228 --> 22:51.249 When you think you're a chicken. 22:51.909 --> 22:52.069 Yeah. 22:52.709 --> 22:53.990 Do you have a nice time at Glastonbury? 22:54.211 --> 22:55.091 It was wicked. 22:55.492 --> 22:59.876 I was so ill in the head that I started clucking like a chicken on the Saturday morning. 23:00.196 --> 23:04.500 Later on Murray, you were saying that maybe you're going to go for a sauna up in the healing fields. 23:04.880 --> 23:16.191 Yeah, I just got pretty fried by the amount of writing that I was doing yesterday and I got out and I thought, right, and I went to see Neil Young because we're right next to the pyramid stage and I walked back and I thought, right, I'm going to go out now. 23:17.512 --> 23:21.534 I just was so tired and I felt like such a loser creeping back to my tent. 23:22.075 --> 23:33.761 I thought, well, tonight if I go for a sauna, get naked with the dreadlock massive and get really hot and then cover myself in freezing cold water, perhaps that might just get me into the night. 23:33.781 --> 23:34.622 That'll sort you out. 23:35.222 --> 23:35.522 Wow. 23:35.562 --> 23:37.263 Well, good luck with that. 23:37.783 --> 23:40.445 That's something I might not be joining you for. 23:40.505 --> 23:41.025 I don't know. 23:41.045 --> 23:41.666 Oh, come on. 23:42.878 --> 23:53.822 Thank you very much indeed Murray, and we'll see you probably later on tonight for our sunset show I hope, and if not then certainly tomorrow, but have a good day for the rest of the day. 23:53.842 --> 23:58.504 We're going to play some music right now, and this is what we've got now. 23:59.483 --> 24:00.744 Abba, oh yeah, this is a free play. 24:01.225 --> 24:02.466 Where do you stand on Abba, Murray? 24:03.326 --> 24:07.470 Um, well, I just, I think you gotta, you gotta love him, really. 24:07.510 --> 24:07.950 Yeah. 24:08.090 --> 24:10.872 Are you a fan of the, um, are you a fan of the movie Mamma Mia? 24:11.453 --> 24:12.474 Um, I haven't seen it. 24:12.714 --> 24:12.834 What? 24:12.854 --> 24:13.795 Because I have sons. 24:14.696 --> 24:14.796 Ah. 24:14.816 --> 24:17.178 I think most people take their daughters to see Mamma Mia, don't they? 24:17.218 --> 24:17.398 Yeah. 24:17.518 --> 24:18.839 I don't know, my dad's obsessed with it. 24:18.899 --> 24:19.439 Does he now? 24:19.559 --> 24:20.079 He is, yeah. 24:20.099 --> 24:20.940 He absolutely loves it. 24:20.960 --> 24:21.380 He loves it. 24:21.440 --> 24:23.281 Well, this is a track I'm going to play for my mum. 24:23.361 --> 24:25.561 She likes this show and she likes this song, I think. 24:25.621 --> 24:26.982 My mum and your dad should get together. 24:27.022 --> 24:27.822 They really should. 24:27.862 --> 24:28.102 Yeah. 24:28.282 --> 24:29.423 They could sing this to each other. 24:29.463 --> 24:30.223 This is SOS. 24:31.263 --> 24:33.684 That was The Virgin's, ladies and gentlemen. 24:33.724 --> 24:34.925 That's what virgins sound like. 24:34.965 --> 24:37.525 They sounded a little bit like super furry animals, though, didn't they? 24:37.705 --> 24:41.007 This is Adam and Jo here at Glastonbury, 2009. 24:41.367 --> 24:42.567 Very nice to have you along. 24:42.747 --> 24:47.849 Yeah, now don't forget, listeners, that the BBC has gone interactiveness crazy. 24:48.389 --> 24:50.150 in an attempt to keep young and hip. 24:50.450 --> 24:54.493 They've embraced almost every single technological platform that's out there. 24:54.813 --> 24:59.115 You can see all the webcams at bbc.co.uk slash Glastonbury. 24:59.476 --> 25:01.877 There's Twitter actions on a Twitter feed. 25:02.917 --> 25:06.259 I think there's going to be some audio boo button or whatever that is. 25:06.860 --> 25:07.620 No, what am I saying? 25:07.640 --> 25:10.782 Some audio boo action and there's going to be red button coverage as well. 25:10.862 --> 25:18.046 They've also employed some people, some psychics, and a couple of precogs, like in the film Minority Report. 25:19.287 --> 25:24.670 They are experiencing some of tonight's action for you later on, and they're reporting. 25:24.710 --> 25:25.871 They're saying it's really good. 25:26.091 --> 25:27.732 Jarvis Cock apparently is amazing. 25:27.912 --> 25:31.953 The BBC are going to try and relaunch Dialerdisc as well, the Dialerdisc service. 25:32.493 --> 25:37.315 They've also got telex machines here as well, if you've still got a telex at home. 25:37.475 --> 25:43.156 And longwave Morse code signals, bringing you updates on the colour of Lily Allen's knickers. 25:43.436 --> 25:52.179 Also, if you receive carrier pigeon mail, you just need to open the hatch of your carrier pigeon box. 25:52.579 --> 25:56.540 And the address for the hatch is carrier pigeon hatch. 25:58.247 --> 25:58.507 What? 25:58.848 --> 26:01.309 Do you address a carrier pigeon? 26:02.310 --> 26:02.950 What do you mean? 26:03.110 --> 26:03.971 That's the thing. 26:04.451 --> 26:05.672 What are you talking about? 26:05.752 --> 26:07.053 What do you think I'm talking about? 26:07.113 --> 26:07.633 I don't know. 26:08.093 --> 26:13.556 I'm imagining the BBC letting loose a whole bunch of carrier pigeons. 26:13.697 --> 26:14.957 That's the main hub for the carrier pigeon. 26:15.258 --> 26:21.101 And they've all got information about the festival in little metal tubes screwed around their necks. 26:21.141 --> 26:21.581 Exactly. 26:21.721 --> 26:23.482 Or no, strapped around their ankles. 26:23.563 --> 26:25.684 That's where you put information on a pigeon around the ankle. 26:26.184 --> 26:30.006 And then they're winging their way to various licensed payers' households? 26:30.046 --> 26:30.246 Yeah. 26:30.607 --> 26:31.927 One for each licensed payer? 26:32.287 --> 26:32.868 Yeah, well, I mean, it's modern. 26:32.888 --> 26:33.388 It's modern. 26:33.468 --> 26:33.988 It is modern. 26:34.068 --> 26:35.409 It's carrier pigeons, though, right? 26:35.429 --> 26:35.569 Right. 26:35.909 --> 26:38.351 It's not all just like messages tied to their ankles. 26:38.391 --> 26:39.772 They've got chips in their beaks. 26:39.812 --> 26:40.212 Do they? 26:40.392 --> 26:49.077 So what happens is the pigeon arrives, you see it's from the main pigeon hub, you shove the pigeon's beak into the side of your computer. 26:49.097 --> 26:50.017 Yes, a US beak. 26:50.297 --> 26:51.358 Into the, exactly. 26:51.398 --> 26:51.718 Yes. 26:51.738 --> 26:52.979 Into the US beak slot. 26:53.479 --> 26:55.881 and then it'll download the information from the pigeon speed. 26:55.901 --> 26:56.241 Really? 26:56.541 --> 26:59.863 Then you pull it out, you lob it in the air, and off it goes back to Glastonbury. 26:59.883 --> 27:02.705 Yeah, and you know the colour of Lilliana's knick-knocks. 27:02.765 --> 27:03.225 Knick-knocks. 27:03.546 --> 27:06.027 It's all paid for by the taxpayer because it's what they want. 27:06.047 --> 27:06.748 It's a good use of money. 27:06.948 --> 27:08.069 It's a very good use of money. 27:08.089 --> 27:08.969 Exactly what the public want. 27:09.229 --> 27:11.031 Right, we're going to play some music by the horrors now. 27:11.071 --> 27:19.876 This was recorded yesterday here at Glastonbury, and after that, I think we're going to be speaking to a family that's been enjoying the festival, and we'll find out how they've been getting on. 27:20.337 --> 27:22.398 After this, the horrors from the park stage yesterday. 27:23.166 --> 27:26.390 That's the horrors which do you remember live from Glastonbury. 27:26.410 --> 27:31.377 This is Adam and Jo on BBC Six Music, your number one station for Glastonbury coverage. 27:31.417 --> 27:35.563 Adam, can you say that in like a deep, smooth voice over man voice? 27:35.923 --> 27:40.389 BBC Six Music, your number one station for live Glastonbury coverage. 27:41.650 --> 27:43.292 Mmm, smooth coverage. 27:43.992 --> 27:45.253 Ooh, suntan lotion. 27:45.713 --> 27:48.495 Smooth, sunny, suntan lotion coverage. 27:49.516 --> 27:49.796 Ooh. 27:50.516 --> 27:50.836 Thanks. 27:51.037 --> 27:51.697 That kind of thing? 27:52.117 --> 27:52.658 Thanks alone. 27:52.738 --> 27:53.478 Peeling skin. 27:53.658 --> 27:54.099 Stop it. 27:54.239 --> 27:54.779 Stop now. 27:55.059 --> 28:07.327 Now listen, I said that we were just about to talk to our Glastonbury family, a real family that's enjoying the festival who we're going to chat with shortly, but not right now because we've been joined by Lucie O'Ducherte. 28:07.507 --> 28:08.608 O'Ducherte. 28:08.628 --> 28:09.429 O'Ducherte. 28:13.490 --> 28:14.250 Lucio Doherty. 28:14.950 --> 28:17.910 She is our music news correspondent here at the festival. 28:17.930 --> 28:18.730 How are you doing, Lucie? 28:18.831 --> 28:19.411 I'm fine. 28:19.451 --> 28:20.131 Thank you very much. 28:20.231 --> 28:23.571 And you have just witnessed the most extraordinary thing. 28:23.731 --> 28:24.932 It's the strength of street knowledge. 28:25.512 --> 28:25.712 What? 28:25.992 --> 28:27.132 It's an NWA joke. 28:27.572 --> 28:27.832 Oh. 28:27.872 --> 28:28.152 With it. 28:28.572 --> 28:29.472 Sorry, Grant. 28:30.793 --> 28:33.133 Everyone out there going, eh, obviously it's an NWA joke. 28:33.793 --> 28:39.254 You've witnessed the beginning of the music on the pyramid stage, day two, and who was playing? 28:39.454 --> 28:40.695 It was Vivi Brown who opened up. 28:40.735 --> 28:44.718 She played yesterday already, but this is her big main stage thing and she was so excited. 28:44.738 --> 28:45.699 It was really cute to see. 28:45.719 --> 28:53.424 She's like this fizzly little bottle of rock and roll energy and she just looked gleeful and had drums and was banging them around with big pointy shoulder pads and a massive quiff. 28:53.885 --> 28:55.986 So she looked amazing and she charmed everybody. 28:56.006 --> 28:59.609 I don't think anyone's going to leave that field today and not be a Vivi Brown fan. 28:59.649 --> 29:03.452 How was the crowd though and what kind of size of crowd did they get at that hour of the day? 29:03.877 --> 29:07.538 Well, I was there for the opening yesterday when it was Bjorn again, and that had the biggest crowd. 29:07.558 --> 29:11.399 It was like a headline, a crowd of everybody doing an ABBA sing-along, which you can appreciate, I'm sure. 29:11.699 --> 29:13.119 Not the gestures, but the thought. 29:13.879 --> 29:17.000 And yeah, Vigibran had a bit of a tiny crowd in comparison to that, I have to say. 29:17.060 --> 29:20.781 But there were people who were there who were really dancing and getting in their rock and roll vibe. 29:21.061 --> 29:23.101 Is she one of the singers with insane hair? 29:23.681 --> 29:25.302 Yeah, massive, massive quiff. 29:25.802 --> 29:28.222 She's endangering the planet with the amount of hairspray she uses on there. 29:28.242 --> 29:30.243 You've got to have a big quiff to get ahead in music. 29:30.283 --> 29:31.623 Wouldn't you say Lucy these days? 29:32.045 --> 29:37.087 I would say that one of our music news reporters Rodrigo has a prize-winning quiff so I think he's got a starry future. 29:37.487 --> 29:41.268 I mean I don't want to just bang on about Grimmie all the time but Grimmie's got a big quiff. 29:41.328 --> 29:42.589 Joe's in love with them. 29:42.989 --> 29:45.770 I wouldn't say I'm in love I mean I'm fascinated by Grimmie. 29:46.130 --> 29:46.850 What's his name again? 29:47.130 --> 29:47.430 Grimmie. 29:47.650 --> 29:48.771 Nick Grimshaw. 29:49.551 --> 29:51.152 He's got a big quiff and he's getting ahead. 29:51.172 --> 29:52.432 Joe absolutely adores Nick Grimshaw. 29:52.452 --> 29:53.652 I've got to get myself a quiff. 29:55.453 --> 29:57.274 I'm sure he's here somewhere, you could stalk him a little bit. 29:57.594 --> 29:58.234 Oh, I will. 29:58.414 --> 30:02.895 What kind of news have you got for us as far as the rest of the day goes, music-based stuff? 30:03.416 --> 30:11.658 Well, I thought there was going to be some news from the Stevie Brangig, actually, because she did tell us in an interview yesterday that she was toying with the idea of doing a Michael Jackson cover and doing rock with you as a bit of a tribute. 30:12.078 --> 30:17.220 But she didn't, so I think she chickened out of that, which is understandable because the vibe was quite high, you don't want to bring people down first thing in the morning. 30:17.260 --> 30:22.222 But we can say that we talked to Baba Mal yesterday as well, and he is planning a bit of an MJ tribute later on. 30:22.242 --> 30:23.262 He is planning to bring people down. 30:23.502 --> 30:25.403 He wants to bring everybody down flat. 30:25.503 --> 30:27.543 That's his plan on the Jazz stage later. 30:27.823 --> 30:31.824 There's this thing that's billed as music for change, or I actually can't remember what it's called. 30:31.884 --> 30:34.125 Changing the world is music for something that's billed on the Jazz world stage. 30:34.425 --> 30:40.167 And it's him, and he's got magic numbers, and he's got Gabriela Chilmi, who's that little Popette person who was on the main stage yesterday. 30:40.587 --> 30:44.708 And they were planning to do some Bob Marley stuff, and just music that's changed the world. 30:44.748 --> 30:51.330 So I think they're going to incorporate a bit of Michael Jackson into that, and have a bit of a, like Mike Skinner in the streets did yesterday, do a bit of a medley. 30:51.900 --> 30:54.222 Oh, did they do a medley, Mike Skinner, right? 30:54.302 --> 30:58.445 I've heard the rumour, that's the Glaston... Well, it did definitely happen, actually, but I wasn't there, unfortunately, which I'm sad about. 30:58.465 --> 31:00.426 And how about Lady Gaga there, Lucy? 31:00.446 --> 31:03.829 You were describing her earlier as the Queen of Synthetic-Electrofused Robopop. 31:04.249 --> 31:05.810 That's Mike's mad journalism skills. 31:05.830 --> 31:07.952 That's good, because Michael Jackson was the King of Pop. 31:08.352 --> 31:09.773 It's a big pop family, isn't it? 31:10.093 --> 31:11.374 A big pop royal family. 31:11.935 --> 31:14.857 I mean, to be the Queen of Synthetic-Electrofused Robopop. 31:15.197 --> 31:17.299 How far away in line from the throne are you? 31:18.243 --> 31:21.305 That's like being the Lady Jane Grey, right, isn't it? 31:21.505 --> 31:23.106 She's sitting along that power. 31:23.126 --> 31:26.448 She's the Queen, but it's just a very tiny kingdom. 31:28.689 --> 31:29.830 She has good quiffage, doesn't she? 31:29.950 --> 31:31.091 She's got an amazing quiff. 31:31.771 --> 31:33.752 I promise you, my quiff theory, that's where it's at. 31:33.892 --> 31:36.114 I'm going to get a quiff and I'm going to leave you guys behind in the dust. 31:36.174 --> 31:37.114 Those quiffs are deadly though. 31:37.134 --> 31:38.495 If you bumped into one, can you imagine? 31:38.535 --> 31:39.616 You'd take your eye out. 31:40.056 --> 31:40.636 It'd be awful. 31:41.357 --> 31:45.119 And what's the big highlight for you personally as a music fan this weekend? 31:45.444 --> 31:47.906 This weekend, when I saw Animal Collective last night, which was storming. 31:47.926 --> 31:48.566 Yeah, was that good? 31:48.886 --> 31:49.587 It was brilliant. 31:49.607 --> 31:54.590 To be honest, I was so tired, I was virtually lying on the floor and they kind of lulled me into this kind of zoned out space, which was very nice. 31:54.910 --> 31:55.571 But they were amazing. 31:55.591 --> 31:58.913 I'd heard rumours that they were a little bit hit and miss live, so they stormed it. 31:58.933 --> 32:01.935 All the Fleet Foxes were off watching them as well, weren't they, I think? 32:01.955 --> 32:02.295 Oh, were they? 32:02.356 --> 32:05.197 And Dead Weather yesterday saw Jack White come on and do this Dead Weather thing. 32:05.318 --> 32:05.798 How was that? 32:06.078 --> 32:06.899 That was amazing. 32:06.919 --> 32:12.303 It was weird because they were billed as a special guest, and I was foxing some of the crowd beforehand saying, so who do you think the special guest is going to be? 32:12.323 --> 32:14.445 And they were like, it's Muse, it's Muse, it's definitely Muse. 32:14.705 --> 32:21.550 And I was feeling a bit bad for Jack White, because although he's amazing, if people are expecting Muse and they get someone a new band of music they've never heard before, it could be a bit of a downer. 32:21.570 --> 32:26.254 But he came on, and to begin with, people's faces look like, who on earth is this? 32:26.294 --> 32:28.776 We don't recognise them, because he was the drummer, so who's at the back. 32:28.816 --> 32:30.497 So he wasn't at the front of the stage. 32:30.838 --> 32:32.499 But by the end, he'd want everybody over. 32:32.759 --> 32:37.802 Yeah, and Guy Garvey was in the crowd cheering along, and Emily Eavis was there as well, so quite a few stars doing that for that one. 32:37.862 --> 32:39.242 I wonder if he's going to stick around. 32:39.262 --> 32:42.124 Do you think someone like him would stick around or just split immediately? 32:42.504 --> 32:46.426 I want to see him stalking around like a big, weird, white skeleton man. 32:46.466 --> 32:47.406 They were amazing yesterday. 32:47.426 --> 32:49.407 The whole band had matching wellies with orange rims. 32:50.148 --> 32:53.649 All in black, black leather jackets, black skinny jeans, black wellies, orange rims. 32:53.689 --> 32:54.210 Stylish. 32:54.490 --> 32:55.470 Lucy, thank you so much. 32:55.650 --> 32:56.011 You're welcome. 32:56.051 --> 32:56.751 Yeah, thanks Lucy. 32:56.771 --> 32:58.292 We're going to go to some more live music. 32:58.332 --> 32:59.352 This is from yesterday. 32:59.412 --> 33:00.733 This is NERD With Maybe. 33:01.380 --> 33:05.583 That's NERD recorded yesterday on one of them stages here at Glastonbury. 33:05.623 --> 33:07.104 Were they on the pyramid stage there? 33:07.164 --> 33:07.985 Of course they were. 33:08.145 --> 33:10.126 They're one of the biggest bands in the Omniverse. 33:10.387 --> 33:10.847 That's right. 33:11.467 --> 33:18.993 We've been joined in our tiny studio now, it's very full in here, by a couple of families, or representatives from a couple of families at least. 33:19.373 --> 33:23.736 We've got Jane, Jane is mum, and Jane's daughter is called Hallie. 33:23.816 --> 33:24.236 Hi Hallie. 33:24.997 --> 33:25.517 How are you doing? 33:25.557 --> 33:26.258 Nice to have you here. 33:26.578 --> 33:27.799 And there's Karen over there. 33:27.819 --> 33:28.420 Good morning. 33:28.660 --> 33:30.061 And Karen is Oscar's mum. 33:30.081 --> 33:30.661 Hi, Oscar. 33:30.781 --> 33:31.022 Hi. 33:31.042 --> 33:31.922 How are you doing? 33:32.142 --> 33:32.543 OK. 33:32.743 --> 33:33.844 Now, Oscar, how old are you? 33:34.264 --> 33:34.544 Ten. 33:34.885 --> 33:35.745 And how old are you, Hallie? 33:36.025 --> 33:36.306 Eight. 33:36.966 --> 33:37.887 And is this your first time? 33:37.907 --> 33:39.288 Don't ask the mums how old they are. 33:39.308 --> 33:40.529 I thought you were going to ask the mums. 33:40.549 --> 33:42.690 Obviously, I would never do that to a woman. 33:42.730 --> 33:43.671 Awful. 33:44.011 --> 33:45.433 Is this your first time at Glastonbury? 33:45.673 --> 33:46.113 Yeah. 33:46.453 --> 33:48.895 First time at any festival, or have you been to other festivals before? 33:48.995 --> 33:50.676 I've been to other ones. 33:50.857 --> 33:52.258 Which one have you been to before, Oscar? 33:52.278 --> 33:53.859 I've been to the Evolution Festival. 33:54.079 --> 33:54.339 No. 33:54.539 --> 33:56.580 Were you on your own with some mates? 33:56.620 --> 33:58.121 Did you drive down in a VW? 33:59.181 --> 33:59.462 No? 33:59.942 --> 34:00.182 No. 34:00.822 --> 34:01.583 And how about you, Hallie? 34:01.603 --> 34:02.463 Which one have you been to? 34:04.144 --> 34:04.784 I can't remember. 34:05.124 --> 34:08.266 They were blur. 34:08.326 --> 34:11.527 When you drink that much beer at such a young age, things do tend to blur. 34:11.627 --> 34:13.628 Exactly. 34:13.868 --> 34:16.970 And how about you, Jane and Karen? 34:17.030 --> 34:18.450 This is not your first Glastonbury, is it? 34:18.711 --> 34:19.051 No. 34:19.071 --> 34:21.432 In fact, how many times have you been here? 34:22.148 --> 34:33.024 Well I came about 18 years ago with my husband before we had kids and then we thought it might be quite nice to bring them when we came back but I think you came last year didn't you? 34:33.045 --> 34:36.370 Yeah before last we were here when it was really really muddy. 34:36.730 --> 34:37.631 And you brought the children then? 34:38.192 --> 34:40.994 No, this is the first time the children can... Right, right, right. 34:41.134 --> 34:47.478 Because, I mean, I've got children myself, but the oldest is seven, and then there's a five-year-old, and the youngest is only a few months. 34:48.199 --> 34:52.081 Yeah, that's exactly the same setup as we've got, so everyone did say that we're a bit mad. 34:52.101 --> 34:55.544 There was only one woman who said, oh, I'd love to do that, and that was our next-door neighbour. 34:55.944 --> 35:05.771 But we've got an eight-year-old, a five-year-old, and a six-month-old, and I booked the tickets when I was pregnant, and then after I booked them, I did say, oh, maybe that was a bit hormonal, but... 35:06.491 --> 35:22.491 and I started panicking a little bit about coming when she got to about two months old and I wasn't sure how I was going to cope then but actually it's been easy because we're not walking I think if she was another year and you were chasing around it was muddy and that kind of thing but they kind of drop off to sleep a lot when they six months so it's not so bad 35:22.751 --> 35:24.072 So they're all on site right now. 35:24.092 --> 35:26.853 The youngest is being looked after by dad with this hangover. 35:26.993 --> 35:30.754 Well no, it's Karen's husband Paul who's got the hangover. 35:31.094 --> 35:35.016 Mine's left in the kids' field with the baby and the five-year-old. 35:35.056 --> 35:40.478 The kids' field is unbelievable for sitting there and just relaxing while the kids go off and do stuff. 35:40.498 --> 35:41.038 It's good, isn't it? 35:41.118 --> 35:42.399 I was checking that out yesterday. 35:42.419 --> 35:44.820 I walked past it and they've got a sort of climbing mountain. 35:44.840 --> 35:45.760 That's brilliant. 35:45.860 --> 35:46.360 It's amazing. 35:46.440 --> 35:48.321 And special facilities and everything. 35:48.601 --> 35:53.686 Well you think you can just sit, we've just sat at the top next to the helter-skelter and the kids just go off and do stuff. 35:53.886 --> 36:00.752 She's done face painting, puppet making, made some fairy wings, been on the castle a few rounds of the helter-skelter. 36:00.792 --> 36:03.975 There's just tons of stuff that can go off and you can't see them for an hour or so. 36:03.995 --> 36:05.056 Was that enjoyable, Hallie? 36:05.516 --> 36:05.776 Yeah. 36:05.836 --> 36:06.477 In the kids area. 36:06.517 --> 36:07.758 And what about music-wise? 36:07.858 --> 36:09.820 Are there any bands here that excite you? 36:09.940 --> 36:14.464 Have you got albums by anybody here or are you just kind of trying to blank the music? 36:15.603 --> 36:19.486 I don't have any people that I'm... Who do you like to listen to when you're at home? 36:20.347 --> 36:21.067 Mamma Mia. 36:21.488 --> 36:23.089 Mamma Mia, Abba, yeah. 36:23.309 --> 36:24.390 Well, Bjorn, again, we're here. 36:24.430 --> 36:25.771 Did you not go and listen to them? 36:26.452 --> 36:28.814 I did, but I only got the end bit though. 36:28.974 --> 36:29.855 Was it any good? 36:29.975 --> 36:30.415 Was it good? 36:30.715 --> 36:31.015 Yeah. 36:31.356 --> 36:32.116 Yeah, there you go. 36:32.176 --> 36:34.078 They're the absolute kings of the tribute band scene. 36:34.098 --> 36:34.618 They really are. 36:34.678 --> 36:35.479 What about Lily Allen? 36:35.499 --> 36:36.500 She was playing yesterday. 36:36.520 --> 36:37.841 Were you interested in her at all? 36:38.121 --> 36:38.441 Yeah. 36:38.782 --> 36:39.782 Did you see her dress? 36:40.383 --> 36:41.544 It was unbelievable. 36:41.704 --> 36:42.864 You did the purple one, pal. 36:42.904 --> 36:43.645 The purple one. 36:43.665 --> 36:45.745 And it looked as if it was in two sections. 36:45.805 --> 36:52.547 It looked as if someone had cut it right the way down the middle and it had just come apart and it was being held together by tiny bits of sticky tape. 36:52.567 --> 36:54.127 You paid a lot of attention to that. 36:54.207 --> 36:55.708 Well, I was absolutely mesmerised. 36:56.068 --> 36:57.888 She looked like the girl in Lazy Town. 36:57.908 --> 36:58.989 Do you ever watch Lazy Town? 36:59.589 --> 36:59.749 No. 37:00.089 --> 37:00.369 No? 37:00.389 --> 37:01.929 Don't watch Lazy Town. 37:02.249 --> 37:03.310 Oh well, I'll kill that dead. 37:03.410 --> 37:04.670 I'm so lost season in Lazy Town. 37:04.710 --> 37:05.510 How about you, Oscar? 37:05.730 --> 37:07.511 What have you been checking out, band-wise? 37:07.551 --> 37:07.871 Anything? 37:09.354 --> 37:10.878 I feel like I'm on the kids' field. 37:11.218 --> 37:16.070 Right, but no bands, no acts, no musicians you're excited about seeing. 37:16.983 --> 37:19.584 I went to see the Papini sisters. 37:19.925 --> 37:20.865 Oh yeah, they're good. 37:21.005 --> 37:24.947 And they do, they're sort of close harmony, 40s type stuff, aren't they? 37:24.967 --> 37:27.209 Yeah. 37:27.249 --> 37:30.951 Was that because you yourself wanted to see them or did one of the parents take you there? 37:31.091 --> 37:32.111 Me mum wanted to see them. 37:32.131 --> 37:33.512 Your mum, and what did you think of them? 37:33.532 --> 37:35.833 You can be honest, don't stand on ceremony for your mum. 37:35.973 --> 37:36.774 Tell us the truth. 37:36.894 --> 37:37.694 They were quite good. 37:37.854 --> 37:39.735 They were quite good, but could do a bit better. 37:40.556 --> 37:42.217 Yeah, we should get that message through to them. 37:43.098 --> 37:46.041 And how does it work with all the walking from place to place? 37:46.061 --> 37:54.710 Because I imagine that would be really tough with children, because I know mine certainly don't like to walk more than about 200 yards before they start wailing and crying and demanding to sit down. 37:54.730 --> 37:58.715 The walking's not too bad, although the pushchair got a little bit clogged up yesterday. 37:58.735 --> 37:58.815 Yeah. 38:00.902 --> 38:20.241 Well they've been alright actually but the thing is if you go everywhere we've gone we've kind of gone and then sacked for a while and then moved on somewhere else I mean yesterday yesterday was a bit of a slog just because of the mud yeah but um you can just every every field you can go you go in you can sit down for a bit and as long as you do that you're alright we've just not been really 38:20.962 --> 38:23.963 you know, vigilant about, ooh, let's get here by a certain time. 38:24.003 --> 38:29.845 And I think if you just go with a flow instead of trying to be somewhere at a particular point, then you're all right, really. 38:29.885 --> 38:34.266 And let me just quickly ask Hallie and Oscar, what do you think of the behavior of the adults here? 38:34.286 --> 38:40.268 You've been looking at, you've been probably checking out some people who are, say, maybe five years older than you, six or seven years older than you. 38:40.568 --> 38:44.509 Can you see yourselves behaving in this way when you're independent? 38:44.829 --> 38:48.350 You know, when you get to 16, are you going to come down here and act like a loony? 38:48.390 --> 38:48.891 What do you think? 38:49.151 --> 38:49.531 Yeah. 38:49.711 --> 38:49.951 Yes. 38:51.109 --> 38:51.889 Yes, says Oscar. 38:51.909 --> 38:55.011 Are you counting the days till you can come down here and act like a loony? 38:55.191 --> 38:56.272 Yeah. 38:56.432 --> 38:57.493 Well, what about you, Hallie? 38:58.253 --> 38:58.553 Yeah. 38:58.833 --> 38:59.194 Yes. 38:59.574 --> 39:00.174 Look at that. 39:00.254 --> 39:02.035 So Glastonbury's future is secure. 39:02.315 --> 39:06.197 And do you worry as parents that, like, as a prissy parent? 39:06.378 --> 39:07.318 You are a prissy parent. 39:07.338 --> 39:08.079 I'm a very prissy parent. 39:08.099 --> 39:08.339 Look at you. 39:08.359 --> 39:09.439 You're a prissy little too, too. 39:09.459 --> 39:11.260 I need to stand here, prissy. 39:11.881 --> 39:18.725 Joe went to see some comedy in the cabaret tent yesterday in the middle of the afternoon, and there's quite a lot of effing and blinding going on. 39:18.745 --> 39:19.385 There was some swearing. 39:19.585 --> 39:21.766 We didn't seem to be cleaning up the kids. 39:21.927 --> 39:25.989 There has been a whole new world of language opened up to us. 39:26.370 --> 39:30.452 Like Lily Allen, we were quite enjoying Lily Allen, but then there was that song about the BNP. 39:31.013 --> 39:32.874 And that was good. 39:33.154 --> 39:38.137 Have you kids, in no way say, don't say anything bad, but have you been shocked by anything you've seen? 39:39.739 --> 39:41.440 You can just give me a yes or no answer. 39:42.861 --> 39:44.302 Or have you taken it all in your stride? 39:44.342 --> 39:46.043 Is it just another day on the block? 39:47.119 --> 39:48.824 It's just another day. 39:48.844 --> 39:49.566 It's all fine. 39:49.666 --> 39:55.102 There was no moments when you looked at your parents and said, Mommy, I thought you weren't supposed to say things like that. 39:56.291 --> 40:01.375 The ting tings last night were a little bit hair language was a little bit fruity wasn't it? 40:01.815 --> 40:06.499 Well you guys look pretty sensible and I must say I'm very impressed by how clean you are as well. 40:06.939 --> 40:11.722 Like I thought you would have been a bit more covered in mud and stuff but no you look as if you're freshly scrubbed and showered. 40:11.843 --> 40:20.409 Can I just say Oscar's probably upset because he did ask me yesterday he says can I put some dirty clothes on on Sunday and go face first belly first down the hill in the mud. 40:20.429 --> 40:22.751 Yeah go for it but it starts to dry up. 40:23.391 --> 40:25.435 Well listen chaps, thank you so much for talking to us. 40:25.495 --> 40:27.237 I really hope you enjoy the rest of your festival. 40:27.458 --> 40:30.062 Yeah, thanks for coming in and maybe see you again. 40:30.322 --> 40:31.344 We've got some music right now. 40:31.384 --> 40:33.708 This is Jack Piñate and it's called Be The One. 40:34.206 --> 40:36.526 That was Jack Piñate with Be The One. 40:36.546 --> 40:38.667 This is Adam and Joe here at Glastonbury 2009. 40:40.387 --> 40:45.688 Later on this afternoon, we are going to be going to the tent. 40:46.448 --> 40:46.968 The tent? 40:46.988 --> 40:48.189 The big tent. 40:48.209 --> 40:49.829 The cabaret tent is what it is. 40:50.329 --> 40:52.770 And we're going to be telling some of our made up jokes. 40:52.910 --> 40:57.571 Or say, some of the jokes that have been sent in to us by you listeners over the months. 40:57.991 --> 41:00.031 And it's going to be like classic made up jokes, basically. 41:00.371 --> 41:03.294 And we are going to credit all the authors of the jokes that we use. 41:03.334 --> 41:06.757 So in a way, your material is being performed at Glastonbury. 41:06.917 --> 41:13.022 But you know the one person whose name I couldn't find was the, which joke? 41:13.082 --> 41:15.424 It was my dog ate a shuttlecock. 41:15.504 --> 41:16.345 Bad Minton. 41:16.405 --> 41:18.186 Yeah, my dog Minton ate a shuttlecock. 41:18.206 --> 41:18.827 Bad Minton. 41:19.147 --> 41:44.954 joke text us 64046 or email whatever what's the email address Adam it's Adam and Joe dot 6 music at BBC dot co dot UK yeah if you're the author of that bad Minton joke then send your name and how are we going to distinguish authentic authors from fake ones we'll figure it out during the news and yes you wouldn't lie about a joke I mean that's bad that's as low as low as it gets it's 12 30 yes as Joe said 41:46.072 --> 41:48.736 That's the Yeah Yeah Yeahs with Heads Will Roll. 41:48.756 --> 41:51.059 This is Adam and Joe here at Glastonbury 2009. 41:51.139 --> 41:52.941 Did you enjoy that track, Joe? 41:53.162 --> 41:53.842 I did enjoy it. 41:54.083 --> 42:00.752 It sounds very like a prodigy song to me and it just came to me that the bass line is a bit like the bass line from This Is Not A Love Song. 42:01.072 --> 42:03.354 Right, some of the tinkly bits sound like outer space, do they? 42:03.374 --> 42:05.696 Yeah, it's just an assemblage of nicked bits. 42:05.937 --> 42:07.338 That's what modern music's like. 42:07.458 --> 42:08.039 It's true, isn't it? 42:08.079 --> 42:08.859 I shouldn't worry about it. 42:09.160 --> 42:11.482 Hey, man, have you been following the tennis at all? 42:12.162 --> 42:12.783 Uh, you know what? 42:12.863 --> 42:13.083 No. 42:13.243 --> 42:14.104 You're not a big tennis fan. 42:14.385 --> 42:16.226 I don't mind tennis, but I've been ignoring it. 42:16.246 --> 42:16.947 You hate tennis? 42:17.187 --> 42:18.028 I hate tennis. 42:18.048 --> 42:20.110 You loathe tennis and all the people involved with it. 42:20.450 --> 42:23.371 No, no, I know I'm not fussed by tennis at all. 42:23.811 --> 42:29.813 The most exciting thing about tennis for me is the robot roof they've got over the Wimbledon row by row stadium. 42:30.253 --> 42:33.214 That looks nice because it's all temperature controlled. 42:33.254 --> 42:36.195 When the roof goes on, everything cools down on there. 42:36.235 --> 42:41.097 Adam Buxton, you love a hermetically sealed temperature controlled container. 42:41.537 --> 42:43.417 You know, I know it's not good for the planet, but I do love air conditioners. 42:43.457 --> 42:46.618 If you're driving along on a hot day, you don't like the windows wound down, do you? 42:46.778 --> 42:48.299 You like them closed and the air con on. 42:48.639 --> 42:48.979 I like it. 42:49.379 --> 42:50.660 Yeah, you see, I'm the other way around. 42:50.880 --> 42:51.140 Really? 42:51.160 --> 42:52.181 I like an open window. 42:52.421 --> 42:54.842 Would you rather burn to death or freeze to death? 42:55.223 --> 42:56.203 That's a good question. 42:56.383 --> 42:56.924 Can I do both? 42:58.645 --> 43:02.787 What, like almost get completely burned and then suddenly at the last minute you're totally frozen? 43:03.047 --> 43:07.610 Well, the answer to that is usually like, freezing to death would be better because you can put more layers on. 43:08.250 --> 43:11.132 Whereas if you're burning to death, you know, you can't take the skin off. 43:11.432 --> 43:12.273 No, that's true, isn't it? 43:12.933 --> 43:15.934 So I'd go for cold, but then I don't like the look of either, to be honest. 43:16.254 --> 43:16.854 How about drowning? 43:16.874 --> 43:17.894 Would you look for any drowning? 43:18.434 --> 43:19.054 Are these threats? 43:19.414 --> 43:20.174 No, I'm just curious. 43:21.034 --> 43:23.255 No, I don't think there are many upsides to drowning. 43:23.375 --> 43:23.895 Buried alive? 43:24.315 --> 43:25.035 Buried alive? 43:25.955 --> 43:26.215 Yeah. 43:26.415 --> 43:26.616 No. 43:26.816 --> 43:27.056 No. 43:27.176 --> 43:27.396 No. 43:27.416 --> 43:28.336 What are you talking about? 43:28.376 --> 43:28.676 I don't know. 43:28.876 --> 43:29.776 I just went off on a tangent. 43:29.976 --> 43:38.658 This all started with tennis, and specifically the fact that a lot of people have been discussing the vocal grunting styles of one of the players. 43:38.878 --> 43:39.758 I don't know if she's 43:40.458 --> 43:43.180 done very well in the tournament or not, or if she's been knocked out or what. 43:43.440 --> 43:45.362 Her name is Michelle Larcha de Brito. 43:45.482 --> 43:46.843 I think she's from Brazil. 43:47.303 --> 43:50.405 And she's young, you know, she's barely in her 20s, if that. 43:51.026 --> 43:54.869 But she has got an extraordinarily ludicrous grunting style. 43:54.989 --> 43:56.490 And you know the kind of thing I mean, right? 43:56.910 --> 44:01.093 Previous famous grunters have included Monica Sellers and Jimmy Connors. 44:01.113 --> 44:01.954 Wasn't he a big grunter? 44:02.314 --> 44:04.296 Anyway, this is Larcha de Brito in action. 44:16.385 --> 44:18.707 I mean, that's not even a grunt so much as just a shout. 44:19.067 --> 44:19.707 A yell. 44:20.208 --> 44:21.028 She's having fun. 44:21.168 --> 44:22.389 It's an animalistic yell. 44:22.469 --> 44:23.269 She just loves it. 44:23.350 --> 44:23.550 Yeah. 44:26.051 --> 44:26.952 That's a good attitude. 44:26.992 --> 44:30.334 I mean, you could distract your opponent with that kind of thing though. 44:30.354 --> 44:30.894 This is the thing. 44:30.914 --> 44:31.915 There must be some rules. 44:32.155 --> 44:33.696 This is the thing that everyone's discussing. 44:33.796 --> 44:34.377 Is it on? 44:34.717 --> 44:37.659 The other thing that makes it problematic is that she doesn't do it in practice. 44:37.679 --> 44:38.379 You know what I'd do? 44:38.599 --> 44:38.759 What? 44:39.280 --> 44:40.741 I'd go... Phone call from your mum! 44:43.186 --> 44:43.606 Yeah. 44:43.626 --> 44:44.227 Your dad's over there. 44:44.547 --> 44:44.987 Exactly. 44:45.007 --> 44:45.587 What, a shoelace? 44:46.208 --> 44:46.888 Your fly's right down. 44:47.948 --> 44:50.910 I've been trying to come up with new alternatives myself. 44:50.950 --> 44:51.911 It is a fun thing to do. 44:51.951 --> 44:55.612 If I was a big tennis player, these are some of the grunts that I would come up with. 44:55.632 --> 44:56.433 Do you want to hear a couple? 44:56.473 --> 44:56.693 Yes. 44:56.813 --> 44:57.313 No, I don't. 44:57.614 --> 44:59.254 What would you do if I said, no, I don't? 45:00.075 --> 45:02.616 I'd come over to where you're sitting in the corner of a cubicle. 45:03.016 --> 45:05.037 I'd smack your head against the window a few times. 45:05.077 --> 45:05.578 Oh, yes, I do. 45:05.658 --> 45:05.878 I do. 45:05.898 --> 45:07.459 Wait till you pass that, and then I'd play them anyway. 45:07.479 --> 45:09.800 Here's the first one. 45:17.628 --> 45:18.330 Yeah, do you like that one? 45:18.531 --> 45:20.677 That's just like monkey tennis. 45:21.881 --> 45:23.345 Just sounds like an ape playing tennis. 45:26.868 --> 45:27.688 Do you think that would put people on? 45:27.708 --> 45:28.268 Sounds Brazilian. 45:28.529 --> 45:30.409 I mean, that's celebratory, though, isn't it? 45:31.090 --> 45:32.390 Yeah, celebratory of what? 45:32.430 --> 45:33.311 What are you celebrating there? 45:33.331 --> 45:34.331 Why is that sound Brazilian? 45:34.351 --> 45:35.252 That's where monkeys live. 45:35.972 --> 45:37.113 In the jungles in Brazil. 45:37.193 --> 45:38.973 They've got monkeys in other places. 45:39.234 --> 45:39.954 Not really. 45:40.174 --> 45:40.434 Really. 45:40.734 --> 45:42.015 The best monkeys come from Brazil. 45:42.035 --> 45:42.595 The top monkeys. 45:42.615 --> 45:43.596 Do you want another tennis crunch? 45:44.176 --> 45:44.416 No. 45:44.556 --> 45:44.936 Come on. 45:44.976 --> 45:45.617 Yes, I do. 45:45.857 --> 45:47.598 Here's another one, because I've got about 15. 45:48.578 --> 45:52.000 Got it. 45:52.680 --> 45:53.801 It's kind of taking you long. 45:56.155 --> 45:57.156 You're really pleased with this. 45:57.717 --> 45:58.238 It is good though. 45:58.258 --> 45:58.939 You're missing though. 46:00.721 --> 46:03.024 At the end of each grunt he's doing a little chuff. 46:03.865 --> 46:05.607 Oh yes, I didn't hear that. 46:10.183 --> 46:11.725 Well, that's just pollutive, isn't it? 46:11.785 --> 46:17.450 Yeah, but do you think that would be a... Because surely, sometimes the chuff comes with an extreme vocal exhortation. 46:17.471 --> 46:18.051 That's true, isn't it? 46:18.071 --> 46:22.115 When you lose control of your bodily functions and one of them escapes. 46:22.496 --> 46:23.857 And do you think anyone would mention it? 46:23.877 --> 46:25.098 Does that happen to you in company? 46:25.118 --> 46:31.565 You're watching a film or something, you get overly relaxed, or you laugh at something on the telly and suddenly a big loud raspberry comes out. 46:34.175 --> 46:35.116 No, that's embarrassing. 46:35.536 --> 46:36.517 No, but that's a good idea. 46:36.577 --> 46:39.820 I certainly think a tennis player could gain capital from some chuffing. 46:39.880 --> 46:53.072 How about this one from, I was imagining this one from like an American player. 46:54.773 --> 46:55.394 Just threats. 46:58.559 --> 47:00.500 Right, so is it aggressive? 47:01.160 --> 47:01.760 Americans. 47:02.801 --> 47:04.081 No, that wouldn't be allowed. 47:06.062 --> 47:08.203 You can't threaten your opponent with death. 47:08.343 --> 47:13.965 No, but if it's not like he could just say, it sounds like I'm going to kill you, but that's just the way the breath comes out. 47:13.985 --> 47:14.865 That's how I train. 47:14.965 --> 47:17.767 You know, I train hard, I train to the max, I push my body to the limit. 47:18.027 --> 47:21.028 And if it sounds like I'm saying, I'm going to kill you. 47:21.738 --> 47:23.239 then that's your problem. 47:23.820 --> 47:25.201 I'd imagine that's par for the course. 47:25.221 --> 47:26.762 You know, I'd be more frightened by the chuffing. 47:27.422 --> 47:28.803 Par for the course is a golf thing, man. 47:29.323 --> 47:29.784 Oh, you're right. 47:29.804 --> 47:30.684 I'm mixing my metaphors. 47:30.724 --> 47:33.787 But you know, all tennis players want to kill each other through the medium of sport, right? 47:33.807 --> 47:35.168 They want to kill each other's careers. 47:35.808 --> 47:37.389 So I think you need to be more threatening. 47:38.030 --> 47:38.370 More? 47:38.530 --> 47:39.251 Yeah, stab. 47:39.471 --> 47:40.311 What kind of thing would you go for? 47:40.331 --> 47:41.933 Why don't you just be more specific about the method of death? 47:42.073 --> 47:42.473 Yeah. 47:42.733 --> 47:43.634 So it's really threatening. 47:43.854 --> 47:44.274 Oh, I see. 47:44.955 --> 47:45.635 I'm going to stab you. 47:45.875 --> 47:46.836 Yeah, exactly. 47:47.356 --> 47:47.897 Exactly. 47:47.917 --> 47:49.458 I'm going to come stab you. 47:49.958 --> 47:50.239 Yeah. 47:50.999 --> 47:55.363 I think that would be illegal, that'd be stepping over crossing a line, but... That'd be awful, wouldn't it? 47:55.603 --> 47:55.883 Yeah. 47:56.003 --> 47:59.506 In fact, maybe the linesman could, you know, call whether that was over the line. 48:00.507 --> 48:01.808 How close to the line that felt. 48:03.829 --> 48:05.731 That's tennis news here at Glastonbury 2009. 48:05.771 --> 48:07.452 Time for some more music now. 48:07.472 --> 48:10.915 This is Jamie T, recorded on the Peel stage last night, playing Salvador. 48:12.000 --> 48:13.721 Couldn't understand a word he was saying. 48:13.781 --> 48:14.882 Luke Racket. 48:15.162 --> 48:15.783 Disgraceful. 48:15.803 --> 48:17.284 What on earth was that man? 48:17.304 --> 48:20.185 I don't know, I didn't know he was immediately incomprehensible. 48:20.205 --> 48:23.667 Shouting, screaming, I didn't understand a word he was saying. 48:23.687 --> 48:24.788 Terribly bad influence. 48:24.888 --> 48:30.452 He can't pronounce his T's, even though he's called Jamie T. Repetitive, derivative. 48:30.612 --> 48:38.677 I mean, it sounds like an angry, um, person who's got into a scrap over a parking space. 48:39.737 --> 48:44.120 and, and, and, and done a song all over it. 48:44.680 --> 48:51.024 And, and, and, and... That was Jamie T. He was recorded last night here at Glastonbury. 48:51.824 --> 48:53.886 And this is Adam and Jo, of course, if you didn't realise. 48:54.246 --> 49:02.311 It's a special Glastonbury show, so many of our usual features, if you're a regular listener to our programme on a Saturday morning, are not present and correct. 49:02.371 --> 49:03.671 Sorry about that if you're missing them. 49:03.751 --> 49:06.173 But we've got a couple of made-up jokes, actually. 49:06.593 --> 49:06.933 Do we? 49:07.093 --> 49:15.518 Yeah, well, I was going to tell you these jokes by way of giving ourselves another plug for our stint at the cabaret stage later on, which we'll be able to hear tomorrow. 49:15.558 --> 49:18.139 Do you think anybody here at the festival has a portable DAB? 49:18.179 --> 49:19.419 Do you think anyone's listening? 49:19.940 --> 49:20.320 Possibly. 49:20.400 --> 49:21.621 Do portable DABs exist? 49:21.641 --> 49:22.841 There might be one or two listeners. 49:23.161 --> 49:34.487 Well, if you are listening, don't forget to get down to the cabaret tent at four this afternoon, because Adam and I are going to be doing five minutes of, when we say doing, I mean, reading five minutes of made up jokes sent in by listeners. 49:34.507 --> 49:36.248 And we're going to see what the audience response is like. 49:36.428 --> 49:37.329 Yeah, it could go either way. 49:37.489 --> 49:41.471 Either it could be a nice... We're hoping that members of Black Squadron will be there to support us. 49:41.712 --> 49:41.992 Yeah. 49:42.272 --> 49:54.080 But it could be that most people don't know who the hell we are and will be angry about the fact that we're on stage interrupting the flow of the comedy and even more angry about the fact that we're just reading them off a sheet of paper. 49:54.621 --> 49:59.684 But my plan was to tell the audience such as it was not to respond in any way, because we've only got 49:59.784 --> 50:01.206 five minutes, a type five, right? 50:01.886 --> 50:05.230 So say to the audience, you're not allowed to laugh at any of these jokes. 50:05.250 --> 50:06.411 You're not allowed to respond in any way. 50:06.432 --> 50:10.836 If you think they're rubbish, you can't boo, you can't laugh, you can't do anything until the whole lot's finished, right? 50:11.177 --> 50:14.280 And then we just rattle through them alternately, you and I, and do it like that. 50:15.882 --> 50:17.502 That's going to be a rip-roaring success. 50:17.942 --> 50:24.624 Don't forget you can see all this action at Glastonbury via the webcams at bbc.co.uk slash Glastonbury. 50:24.964 --> 50:26.224 There's webcams in this studio. 50:26.564 --> 50:29.165 Someone appears to be like vision mixing between the two of us. 50:29.985 --> 50:33.746 Yeah, cutting to a shot of me and my weird festival beard. 50:33.766 --> 50:35.746 You look as if you're in the Velvet Underground there. 50:35.866 --> 50:36.366 Thanks, man. 50:36.406 --> 50:37.146 That's flattering. 50:37.526 --> 50:38.447 Your teeth look quite white. 50:39.387 --> 50:41.947 And then they're cutting back to you in a kind of as if we're on TV. 50:41.987 --> 50:42.747 Oh, look, there I am. 50:43.147 --> 50:43.908 I don't like that shot. 50:43.948 --> 50:44.828 That's not a flattering shot. 50:46.509 --> 50:51.775 And Lauren Laverne is going to be coming to join us for our last hour in approximately nine minutes. 50:52.255 --> 50:58.262 So there's loads to look forward to and don't forget we're back on air tomorrow between 11 and 2. 50:58.462 --> 51:01.385 The same segment and tonight sunset show 9 till 10. 51:01.425 --> 51:02.807 Can't escape our idiocy. 51:02.967 --> 51:06.869 Here's a couple of made up jokes before we play some Neil Young from last night's gig. 51:07.870 --> 51:09.891 Here's one from Catriona in Edinburgh. 51:09.931 --> 51:10.171 Yes. 51:10.532 --> 51:15.835 She says, while shopping in Asda recently, my boyfriend made up a joke while in the fruit and vegetable section. 51:16.255 --> 51:17.996 That's often the place where you make up jokes. 51:18.016 --> 51:18.576 Funny place. 51:18.737 --> 51:19.597 In the supermarket. 51:19.997 --> 51:22.919 He seemed quite proud of it, so I thought I'd send it in. 51:23.439 --> 51:25.741 What's Paul McCartney's favourite type of lettuce? 51:27.563 --> 51:28.363 Let us be. 51:29.384 --> 51:29.704 Get it? 51:30.384 --> 51:35.386 And afterwards she explains, that's a joke on, that's a play on the word, on the song title Let It Be. 51:35.606 --> 51:35.806 Yes. 51:35.866 --> 51:42.129 I suppose it requires that you imagine that the lettuces are lined up in a row with each one represented by a different letter of the alphabet. 51:42.869 --> 51:44.390 Anyway, I thought I'd share it with you. 51:44.750 --> 51:46.250 Thanks, Catriona from Edinburgh. 51:46.670 --> 51:47.251 Here's another one. 51:47.391 --> 51:47.671 You ready? 51:48.271 --> 51:49.052 Yeah, kind of. 51:49.232 --> 51:50.953 This is from Alistair Baker's friend. 51:51.994 --> 51:52.874 Distancing himself. 51:52.894 --> 51:54.516 The author's already distancing himself. 51:54.636 --> 51:56.917 He says, my friend Jim wanted to share this with you. 51:57.598 --> 51:59.799 Have you ever been to the underwater Glastonbury? 52:00.780 --> 52:04.162 For all intents and porpoises, it was a bit wet. 52:09.106 --> 52:10.127 Quickly play some music. 52:10.167 --> 52:15.250 Here's a little jingle to set the scene before we play Neil Young doing a cover of The Beatles' Day in the Life. 52:17.850 --> 52:23.593 There is a tree, there's a naked man, to ring a ring. 52:23.713 --> 52:26.755 There you go. 52:26.795 --> 52:34.479 This is Neil Young from last night here at Glastonbury, apparently ending his cover of Day in the Life with two minutes of pure noise. 52:34.559 --> 52:35.119 White noise? 52:35.419 --> 52:35.779 Yeah. 52:36.119 --> 52:38.641 You see that... spiritualized, for example? 52:39.021 --> 52:40.302 Was it spiritualized or Spacemen 3? 52:40.662 --> 52:42.323 Who could they do about 17 minutes? 52:42.503 --> 52:44.404 They built their careers on white noise. 52:44.644 --> 52:44.904 Yeah. 52:44.944 --> 52:45.284 And no, no, no. 52:45.324 --> 52:45.964 Who am I thinking of? 52:46.004 --> 52:46.885 My bloody Valentine. 52:47.205 --> 52:48.905 There's a lot of that in spiritualised as well though. 52:49.205 --> 52:50.146 They love white noise. 52:50.186 --> 52:51.406 Yeah, got a wall of sound. 52:51.626 --> 52:54.767 Neil Young, oh wait, we sure great big fat person. 52:55.187 --> 52:56.727 That was pretty incredible though, don't you think? 52:56.787 --> 52:57.987 I wish I'd been there for that. 52:58.287 --> 53:00.628 One man who was there for that, were you there for that Matt Everett? 53:00.648 --> 53:02.188 I was there for that, it was amazing. 53:02.328 --> 53:03.689 Yeah, Matt's joined us in the studio. 53:03.729 --> 53:07.609 He's another music news hound here at Six Music and you're a lucky man. 53:07.649 --> 53:09.030 You actually get to see all the acts. 53:09.090 --> 53:12.451 We have to go and record packages with Looney's intents and stuff. 53:12.851 --> 53:14.331 You actually get to see performances. 53:14.611 --> 53:15.752 Neil was fantastic. 53:15.792 --> 53:19.195 What you heard there was the start of about 15 minutes of Racket. 53:19.215 --> 53:21.097 He got his guitar and was just pulling the strings off. 53:21.377 --> 53:21.597 No. 53:21.657 --> 53:24.600 And then he rested it against an amplifier and hit it with a stand. 53:25.000 --> 53:25.461 Oh, that old prick. 53:25.481 --> 53:26.962 So it just went clong, clong. 53:27.002 --> 53:27.362 Really. 53:27.422 --> 53:31.186 But in quite of, not like I'm going to smash my instrument more, I'm just going to kind of gently. 53:31.326 --> 53:31.626 Tease it. 53:31.666 --> 53:32.047 Fong. 53:32.447 --> 53:32.927 Fong. 53:32.967 --> 53:33.308 Flick it. 53:33.408 --> 53:35.530 Like you're flicking someone's bottom in their locker room. 53:36.050 --> 53:40.171 He didn't play harvest moon though, did he didn't play what's the song called that we played last night? 53:40.211 --> 53:41.052 It is called harvest moon. 53:41.072 --> 53:41.172 Yeah 53:57.057 --> 54:08.184 Yeah, it was, it was, the thing is with Neil going, you don't know, one of the reasons that people love him is the fact that he can be just quite cantankerous and just play album tracks from some of his awful albums as opposed to some great songs from his good albums. 54:08.204 --> 54:15.309 But he did like a nice mix, he did Cinnamon Girl, he did Needle and the Damage Done, he did a version of Keep on Rocking in the Free World that did go on for 45 minutes. 54:15.349 --> 54:15.609 Yeah. 54:16.009 --> 54:18.831 And he'd stop and there'd be a big noisy bit, and then he'd start again. 54:18.891 --> 54:20.252 But that's kind of what you want from Neil. 54:20.512 --> 54:22.473 He did, he looked like he was enjoying himself. 54:22.553 --> 54:23.654 Did he do Hey, Hey, My, My? 54:23.854 --> 54:24.794 Yeah, he opened with that. 54:25.494 --> 54:27.515 We had that. 54:27.775 --> 54:34.477 You never know whether a band is going to do a headliner like that who's been around for so long is going to commit to the songs that people want to hear. 54:34.497 --> 54:39.158 You would have thought, though, Glastonbury, a crowd like that, you would have thought you would veer towards your classics. 54:40.219 --> 54:43.360 It would be incredibly perverse if you just denied people. 54:43.400 --> 54:44.660 But that sounded like a good mix. 54:45.140 --> 54:51.084 And Matt, otherwise, you've been sort of snuffling around the corners of the festival, checking out some less famous fans. 54:51.104 --> 54:51.744 Less famous fans. 54:51.805 --> 54:52.005 Right? 54:52.245 --> 54:57.628 This morning, I went to go and see We Are Band, which was three people wearing white lycra. 54:57.648 --> 55:02.732 Very earnestly pushing laptop buttons, really bad techno. 55:02.852 --> 55:03.112 Yeah. 55:03.392 --> 55:04.433 Which that was quite exciting. 55:04.593 --> 55:12.739 I had everyone that was kind of probably not been to bed, kind of doing that half-hearted sort of shuffle where you're not quite sure whether they're going to push through the day. 55:12.759 --> 55:13.299 What time was this? 55:13.499 --> 55:14.480 That was about half an hour ago. 55:14.940 --> 55:15.220 Really? 55:15.600 --> 55:20.104 And I saw baddies as well, which was just good, proper, noisy, indie. 55:20.224 --> 55:28.930 It's not all trendy rave stuff round here or classic legends, you've just got some good, proper, at just boys wearing jeans and shirts buttoned up to the top. 55:29.050 --> 55:30.391 Baddies is a good name as well. 55:30.471 --> 55:31.112 That is a good name. 55:31.232 --> 55:33.174 Not that we are band, isn't, of course. 55:33.535 --> 55:35.957 How do you think they spell that band in that name? 55:36.097 --> 55:36.458 Right. 55:36.578 --> 55:37.699 B-A-N-N-E-D. 55:37.919 --> 55:40.122 Wasn't that the Grange Hill band? 55:40.162 --> 55:41.043 They were called the band, yes. 55:41.063 --> 55:41.844 They were called the band. 55:41.884 --> 55:43.445 How was that spelled? 55:43.465 --> 55:44.046 B-A-N-N-E-D. 55:44.226 --> 55:44.487 Yeah. 55:44.747 --> 55:48.151 As in the band, Robbie Robertson, Bob Dylan's backing band, the band. 55:48.191 --> 55:49.472 Well, a kind of a play on that. 55:49.592 --> 55:50.353 But they weren't in Grange Hill. 55:50.373 --> 55:51.234 As if they'd been banned. 55:51.334 --> 55:52.835 Yeah, I'm getting confused. 55:52.855 --> 55:53.516 You see what I mean? 55:53.636 --> 55:53.976 Yeah. 55:54.316 --> 55:54.576 Wow. 55:54.596 --> 55:56.358 So that's really gone full circle with that name. 55:56.558 --> 55:58.259 Who else have you seen, Matt? 55:58.299 --> 56:00.441 I saw a little bit of P.W. 56:00.501 --> 56:00.841 and John. 56:01.201 --> 56:01.582 Oh, right. 56:01.882 --> 56:05.084 And so obviously they're enormously famous for their track. 56:05.465 --> 56:06.585 The Sainsbury's track, I call it. 56:06.625 --> 56:06.806 Yeah. 56:07.206 --> 56:07.946 The home-based track. 56:08.026 --> 56:08.827 They must be loaded. 56:08.867 --> 56:12.650 They must come down in a sort of platinum Winnebago with all their advert money, don't you think? 56:12.910 --> 56:16.512 Yeah, new material, new record, not going down as well. 56:16.652 --> 56:16.872 Really? 56:16.932 --> 56:17.313 Whistling? 56:17.373 --> 56:18.253 Did they have the whistling? 56:18.833 --> 56:23.096 I kind of watched about 15 minutes of it and everybody around me was kind of shuffling their feet going, are you going to play it? 56:23.116 --> 56:24.357 Are you going to play the home base one? 56:24.417 --> 56:26.037 Not playing it. 56:26.318 --> 56:26.738 Is this it? 56:26.938 --> 56:27.258 No. 56:27.778 --> 56:28.199 Is this it? 56:28.519 --> 56:28.819 No. 56:28.919 --> 56:30.300 And then I just got bored and walked off. 56:30.320 --> 56:34.322 There was that kind of thing where you could see them watching people wandering off. 56:34.402 --> 56:35.383 That is one of the curses. 56:35.523 --> 56:38.705 There is a curse, isn't there, having one big hit off your first album. 56:38.725 --> 56:40.906 If you only have one hit, that's a bit of a trap, isn't it? 56:41.307 --> 56:42.592 Surely got to play it. 56:42.652 --> 56:44.882 But you know, do you want it? 56:44.902 --> 56:45.384 Well, it's like