WEBVTT 00:00.916 --> 00:07.668 We're inside a special area with great big walls so the weirdos and the hoolies can't get through to go to the loo. 00:15.564 --> 00:20.628 A lot of bad language in that track there that was removed by the bad language police. 00:20.788 --> 00:21.469 Quite right too. 00:21.549 --> 00:25.131 For an artist called Jamie T. He doesn't have trouble with his T's. 00:25.752 --> 00:27.713 No, he was not pronouncing any of his T's at the top there. 00:27.753 --> 00:28.454 There's no T's in there. 00:28.474 --> 00:29.615 He's annihilated all T's. 00:29.755 --> 00:31.957 What's the dus... oh... Settle. 00:32.437 --> 00:33.478 Settle, Jamie. 00:33.498 --> 00:34.319 Settle is the word. 00:34.559 --> 00:35.700 Hey listeners, welcome along. 00:35.820 --> 00:44.807 We are coming to you, like most other shows from Six Music this weekend, live from a major music festival that happens in Somerset. 00:45.567 --> 00:47.068 are called Glastonbury. 00:47.328 --> 00:48.548 We should say who we are as well. 00:48.648 --> 00:48.868 Yeah. 00:48.888 --> 00:50.309 Because this is not our normal slot. 00:50.689 --> 00:51.109 You're right. 00:51.149 --> 00:54.170 Sorry to use the word slot, but it is now after the watershed. 00:54.271 --> 00:55.491 So that's fair enough, isn't it? 00:55.971 --> 00:56.932 My name is Adam Buxton. 00:57.112 --> 00:58.292 My name is Joe Cornish. 00:58.492 --> 01:02.394 Together we form a duo called Adam and Joe. 01:02.534 --> 01:04.395 An amateur radio presenting duo. 01:04.935 --> 01:05.475 Adam and Joe. 01:05.655 --> 01:07.696 We won a competition to be on the radio. 01:07.716 --> 01:08.676 We're really excited. 01:09.056 --> 01:10.136 This is our first time. 01:10.196 --> 01:11.237 Yeah, I'm very nervous. 01:11.457 --> 01:11.857 You know what? 01:11.937 --> 01:15.998 I am unusually excitable because there's a palpable atmosphere here. 01:16.118 --> 01:23.100 I mean, it might be to do with the millions of people and the amazing bands and the flags and the fact that you've had two pair-siders. 01:23.160 --> 01:24.361 Yeah, the fact that I've had half. 01:24.901 --> 01:25.882 A cup of cider. 01:26.302 --> 01:29.624 I've got a really low alcohol tolerance. 01:29.664 --> 01:30.644 This is genuinely true. 01:30.664 --> 01:30.985 That's true. 01:31.005 --> 01:31.825 You're not a big boozer, are you? 01:31.845 --> 01:32.525 I'm not a big boozer. 01:32.606 --> 01:34.246 I had half a cup of cider. 01:34.327 --> 01:35.447 He's absolutely out of control. 01:35.727 --> 01:37.528 I've been on the moon for most of the afternoon. 01:37.548 --> 01:38.449 He's gone totally mental. 01:38.709 --> 01:39.289 Amazing. 01:39.470 --> 01:43.452 But listen, folks, let me just paint a little aural picture for you right now. 01:43.992 --> 01:50.979 There's a big orange sun, an Apocalypse Now style sun that is just dipping down behind the OB van. 01:50.999 --> 01:57.325 Our outside broadcast van where we are currently sat is right next to the pyramid stage. 01:57.345 --> 01:59.307 That's the big main stage here at Glastonbury. 01:59.827 --> 02:02.249 The specials are just about to finish their set. 02:02.910 --> 02:07.112 And in about 45 minutes, I think Neil Young will be on stage. 02:07.532 --> 02:08.913 The specials have played a blinder. 02:09.013 --> 02:10.054 They are sounding great. 02:10.494 --> 02:11.334 Hit after hit. 02:11.474 --> 02:12.535 Bang, bang, bang. 02:12.615 --> 02:14.096 Body blow, body blow, body blow. 02:14.776 --> 02:15.336 Ghost Town. 02:15.556 --> 02:16.097 Do nothing. 02:16.117 --> 02:16.417 Smash. 02:16.637 --> 02:17.717 Rudy, a message to you. 02:17.777 --> 02:18.598 Wallop. 02:18.758 --> 02:21.459 And they are having a good time out there. 02:21.539 --> 02:23.400 Having a good time. 02:25.060 --> 02:46.243 he doesn't look absolutely perky the man what's his name again the lead singer of the specials uh terry terry terry special he's not like chuckling and telling jokes or anything like that we've had this discussion before we have and he's not like got a special chuckley persona for glastonbury but they are really playing yeah a good gig even the bbc security men were bobbing along they were 02:46.363 --> 02:47.144 Tapping the gates there. 02:47.164 --> 02:48.545 Yeah, and they're hardcore individuals. 02:48.925 --> 02:49.486 They really are. 02:49.506 --> 02:50.307 They don't take none. 02:50.667 --> 02:52.469 No, and they were bopping along. 02:52.509 --> 03:02.538 There were a couple of little children, I would say about five or six, and they were stood on some crates or something, and they knew every single moment of the special song. 03:02.558 --> 03:06.001 They were like, they were miming to all the horns and stuff like that. 03:06.081 --> 03:07.222 They must have a dope dad. 03:07.402 --> 03:08.924 They are groovy, aren't they? 03:09.124 --> 03:11.206 I mean, what kind of people are they going to turn into when they're 25? 03:11.246 --> 03:11.866 Very good people. 03:12.167 --> 03:12.707 Good people. 03:12.827 --> 03:13.027 Yeah. 03:13.168 --> 03:13.608 That's right. 03:13.628 --> 03:14.569 They've been well raised. 03:15.169 --> 03:17.091 Listen, we're going to play you a bit of music now, listeners. 03:17.131 --> 03:19.693 This is from the Fleet Fox's performance earlier today. 03:20.114 --> 03:23.617 And they're a band that sound really beautiful in an outdoor context. 03:23.657 --> 03:27.060 You know, they're so earthy and organic and fair trade. 03:27.080 --> 03:27.840 It's absolutely true. 03:27.860 --> 03:29.462 And they sounded terrific. 03:29.502 --> 03:31.884 This is them playing the beautiful... Are you going to say something? 03:32.004 --> 03:34.947 Well, I was just going to say that we bumped into their guitar tech. 03:35.427 --> 03:37.890 That was exciting, you know, because, I mean... Well, he rushed over. 03:37.950 --> 03:46.662 He's a fan of the show and, you know, the poor old Fleet Foxes have suffered a lot of Stevenage, which is a catchphrase associated with this programme, if you're not a regular listener. 03:47.403 --> 03:51.068 They've had our programme's catchphrase shouted at them at lots of their gigs. 03:52.009 --> 03:56.332 We thought that the guitar tech might be upset or have a bone to pick with us, but on the contrary. 03:56.492 --> 04:04.358 He was very pleased about it, and he said that the rest of the Fleet Foxes were fine, Mr Pecknold, and he said that... Well, I made him a little offer. 04:04.398 --> 04:09.402 I said, look, if it ever gets too much for the Fleet Foxes, because he was saying they had one in Paris, they got Stephen in Paris. 04:09.762 --> 04:10.883 It's happening internationally. 04:11.603 --> 04:16.987 We said to them, if the Fleet Foxes ever get genuinely annoyed by it, we will issue a command to our listeners, to cease and desist. 04:18.408 --> 04:27.739 But anyway, they're all off to see the Animal Collective playing, but we're going to play one of their tracks, as Joe said earlier on, and this one is... Yeah, it's all right, welcome, you're welcome. 04:27.819 --> 04:31.743 That sounded extraordinarily similar to the CD, didn't it? 04:31.943 --> 04:32.925 I sound like girls. 04:33.425 --> 04:33.925 Do you think? 04:34.386 --> 04:36.347 I think they sound like beautiful girly men. 04:36.567 --> 04:37.028 And they are. 04:37.208 --> 04:37.628 Girly, girly men. 04:37.648 --> 04:39.029 That was the Speak Foxes with Mikonos. 04:39.049 --> 04:39.870 That's what you want, though. 04:40.270 --> 04:43.773 From a live experience, I want it to sound as similar to the record as possible. 04:43.793 --> 04:45.774 Because the record's the thing you fall in love with, right? 04:46.454 --> 04:48.976 I like it when bands play their tracks much faster. 04:49.276 --> 04:49.657 Do you know? 04:49.797 --> 04:50.137 Do you? 04:50.377 --> 04:51.298 And a bit more ragged. 04:51.358 --> 04:52.259 James Brown style. 04:52.319 --> 04:53.199 Beat goes out of sync. 04:53.399 --> 04:54.280 Twice as fast. 04:54.680 --> 04:55.241 I like medleys. 04:55.801 --> 04:56.081 Do you? 04:56.602 --> 04:58.483 Do you like it when they reggae them up? 04:58.963 --> 04:59.544 I love that. 04:59.904 --> 05:01.826 You might get some of that with Neil Young later on. 05:01.886 --> 05:03.287 Does he reggae stuff up? 05:03.307 --> 05:06.249 I don't know if he reggae stuff up, but he's disrespectful with his back catalogue. 05:06.329 --> 05:06.870 With his catalogue. 05:06.890 --> 05:07.650 People are concerned. 05:07.690 --> 05:10.132 We've heard one or two people chatting about this round the site. 05:10.172 --> 05:14.656 They're worried or, you know, they're trying to figure out whether Neil Young will play classics. 05:14.756 --> 05:17.898 Is he going to go for the hits or is he going to go for the obscure message set? 05:17.998 --> 05:19.159 You never can tell, can you? 05:19.179 --> 05:20.781 It depends on what kind of a mood he's in. 05:20.861 --> 05:24.924 He might start proselytising and doing the political, hardcore set, you know? 05:24.964 --> 05:25.745 Sometimes he does. 05:26.285 --> 05:27.266 He can't finish a song. 05:27.706 --> 05:29.706 Mm-hmm, you know his endings go on forever. 05:29.926 --> 05:33.867 Yes, Phil's he loves very long guitar solos That's good though. 05:33.887 --> 05:36.088 It's good to toy with the fans keeps them coming back. 05:36.268 --> 05:36.508 Is it? 05:36.728 --> 05:38.788 Yeah It's a marketing ploy. 05:38.828 --> 05:39.448 That's what it is. 05:39.508 --> 05:40.789 He's coming out with his marketing man. 05:40.829 --> 05:51.951 He loves to talk He has long marketing he keeps them coming back all he's interested in is maximizing revenue He loves to would you say it's also true that he loves to disappoint the fans that also keeps them coming back loves that 05:52.771 --> 05:59.454 Hey, listeners, if you've never heard Adam and I before, we're not serious about any of this stuff, at least I am not. 05:59.534 --> 06:08.259 No, we're not equipped with any actual facts, except I've got a number of extraordinary facts about Glastonbury for you right now in a similar vein. 06:08.279 --> 06:08.979 Are you ready for these? 06:09.239 --> 06:11.340 I don't think I am, but do it anyway. 06:11.640 --> 06:13.361 All right, here's with the Glastonbury facts jingle. 06:13.381 --> 06:14.462 What have you got? 06:14.482 --> 06:16.803 Prepare to receive Glastonbury fact. 06:16.843 --> 06:18.344 Here it comes now. 06:19.704 --> 06:19.924 Right. 06:20.364 --> 06:23.065 Now, you were just about to ask me where I got these facts from, right? 06:23.105 --> 06:28.368 Yeah, I might withdraw that question and let's just have the facts and I'll make my own judgement. 06:29.308 --> 06:31.069 Alright, I'll tell you where I got them in a second. 06:31.289 --> 06:32.649 Here's Glastonbury fact number one. 06:33.350 --> 06:44.574 Did you know that the photograph of the Pope, seen on the popular T-shirt, I like the Pope, the Pope smokes dope, was taken in the healing field in Glastonbury in 1983? 06:46.328 --> 06:50.649 That was the year that the festival headliners were Laura Branigan and Jimmy the Hoover. 06:55.050 --> 06:56.050 I did not know that. 06:56.150 --> 06:56.750 Did you not know? 06:56.770 --> 06:57.511 I didn't know that. 06:57.571 --> 06:59.251 Are you going to ask me where I got these facts now? 06:59.431 --> 07:01.091 No, I'm not going to ask you. 07:01.111 --> 07:02.632 All right, you asked me later on then. 07:02.872 --> 07:03.952 I know where you got them from. 07:07.253 --> 07:15.515 Did you know that a typical Glastonbury produces enough mud to fill 12 large fields at a music festival? 07:18.304 --> 07:19.666 That's unbelievable, isn't it? 07:19.686 --> 07:21.588 I didn't know that, but I could have worked it out for myself. 07:21.608 --> 07:23.910 I mean, that's 12 large fields. 07:23.930 --> 07:24.530 That's unbelievable. 07:24.550 --> 07:26.092 It's less surprising than the Pope one. 07:26.112 --> 07:28.354 I mean, that's a real, both from the blue. 07:28.454 --> 07:29.155 I was surprised. 07:29.175 --> 07:29.415 Yeah. 07:29.495 --> 07:30.076 When I read that one. 07:30.116 --> 07:31.517 That's really remixed my head. 07:31.537 --> 07:32.638 Can that really be true? 07:32.658 --> 07:33.519 Well, it must be. 07:33.579 --> 07:35.120 I like the Pope, the Pope smokes dope. 07:35.140 --> 07:37.462 That was actually taken in the Healyfield. 07:37.703 --> 07:38.664 Is that really true? 07:39.084 --> 07:39.544 How about this? 07:40.205 --> 08:00.406 The specials, who played tonight, who are playing as we speak in the pyramid stage, the specials only agreed to play the festival this year after being promised that the film Ghost Town, starring Ricky Gervais, would be dismantled and all the parts buried in lead-lined caskets shaped like tailione. 08:01.547 --> 08:03.648 I mean, that seems unbelievable, doesn't it? 08:03.688 --> 08:04.768 It does seem unbelievable. 08:04.868 --> 08:06.389 How do you dismantle a film? 08:06.549 --> 08:07.669 Wow, this is the thing. 08:07.689 --> 08:10.950 Are you sure that's not just a typo? 08:11.190 --> 08:13.491 I mean, you'd have to go back and de-shoot it. 08:14.331 --> 08:16.852 You'd have to go back and de-shoot, and this is what they're having to do. 08:16.892 --> 08:19.994 You'd have to stage all the scenes again, backwards. 08:20.194 --> 08:24.798 You'd have to run the film, the negative, re-expose it and blanket. 08:25.138 --> 08:27.180 You have to ask Ricky Gervais to stand down. 08:27.640 --> 08:31.483 You have to ask all the people that saw the film, never to speak of it again. 08:31.523 --> 08:34.065 What a huge sacrifice, because that's a really good film. 08:34.625 --> 08:40.449 Well, you know, it's a fun romantic comedy, but it was the only way that they could get them to do the slot on the pyramid stage. 08:40.849 --> 08:41.050 Wow. 08:41.090 --> 08:42.030 What brilliant facts. 08:42.351 --> 08:43.812 I found them, but I'll tell you where I got them. 08:44.392 --> 08:44.912 I found them. 08:45.113 --> 08:46.093 In a toilet? 08:46.153 --> 08:46.834 In a toilet. 08:47.314 --> 08:48.435 But it was a nice toilet. 08:48.956 --> 08:50.297 It was one of the BBC toilets. 08:50.577 --> 08:53.019 Listen, let's have some more music while we absorb that. 08:53.059 --> 08:54.160 Is this going to be the Maccabees? 08:54.220 --> 08:55.881 Here's the Maccabees with Love You More. 08:56.061 --> 08:59.784 This was recorded earlier on today from the other stage here at Glastonbury, 2009. 09:01.397 --> 09:03.418 Wow, that's the Maccabees with Love You More. 09:03.458 --> 09:08.300 I like the way we're getting a tiny bit of the onstage banter at the end of each live record. 09:08.320 --> 09:09.581 Yeah, you've got to have some banter. 09:09.601 --> 09:11.142 But that was kind of incomprehensible. 09:11.202 --> 09:15.084 He just said... That's enough, isn't it? 09:15.224 --> 09:15.824 Yeah, that's fine. 09:15.904 --> 09:16.464 That's all he needs. 09:16.504 --> 09:21.327 That was live from the other stage earlier on today at the Glastonbury Festival, 2009. 09:22.627 --> 09:28.030 We're very pleased to be joined in our tiny outside broadcast cubicle by Murray Lachlan Young. 09:28.590 --> 09:29.971 Have I pronounced your name correctly there? 09:30.131 --> 09:31.032 Absolutely correctly. 09:31.052 --> 09:31.692 Thanks very much. 09:32.012 --> 09:44.981 Now, Murray, you were kind of up and coming when we were teenagers reading Sky Magazine and seeing your handsome face in kind of luch poses in the late 80s. 09:45.181 --> 09:47.623 I still try and keep the old luch pose up. 09:47.683 --> 09:50.005 You're looking good, man, if you don't mind what I'm saying. 09:50.105 --> 09:50.585 Thanks very much. 09:50.605 --> 09:52.506 You have been pickled in Aspic or something. 09:52.526 --> 09:53.507 Well, let's not talk about that. 09:53.527 --> 10:01.929 That's just because I was thinking that like you were a candidate for early burnout, but you failed to burn out Well, I know I did burn out. 10:01.969 --> 10:08.071 Did you yeah, that's probably why I'm still looking so fabulous Yeah, I burnt out and then went and lived in a wood for five years. 10:08.091 --> 10:09.231 Did you which would yeah? 10:09.611 --> 10:10.631 Um, it was in Sussex. 10:10.891 --> 10:11.151 Yeah. 10:11.231 --> 10:11.511 Yeah. 10:11.531 --> 10:13.572 Yeah the the Priory wood 10:14.572 --> 10:16.934 It was kind of my own little priory. 10:17.515 --> 10:22.179 Well, man, you've come out of it looking wonderful and I'm very pleased to say still producing poetry. 10:22.299 --> 10:25.762 Yeah, they've been really milking you for poetry so far, haven't they? 10:25.782 --> 10:29.625 Are you six music sort of resident poet for the Glastonbury Weekend? 10:29.665 --> 10:30.166 Is that right? 10:30.226 --> 10:31.267 That's me, for sure. 10:31.287 --> 10:31.687 Yeah, yeah. 10:31.847 --> 10:34.609 And they've been pumping you for poetry at the rate of four a day. 10:35.350 --> 10:37.932 Can most poets turn stuff out at that rate? 10:37.952 --> 10:39.574 Well, I wouldn't like to comment on other people. 10:41.796 --> 10:42.937 John Hegley couldn't handle it. 10:43.098 --> 10:49.004 Do you think you're compromising your creative integrity at all by being asked to, you know, like a sort of over-milked heifer? 10:50.394 --> 10:51.175 I don't know where I'm going with this. 10:51.195 --> 10:53.576 It's a beautiful image. 10:53.596 --> 10:54.796 You wrote your own poetry. 10:55.797 --> 10:58.418 No, you're like a sort of poetry war correspondent though, aren't you? 10:58.758 --> 11:10.364 I think it's creatively just having that sort of weight is actually good for me because I need to have some sort of deadlines, but it's frying day before day. 11:11.104 --> 11:14.845 And you've chosen a particular subject for your poem that you're going to read to us now? 11:14.865 --> 11:15.865 Are you going to read it now? 11:15.905 --> 11:17.125 Yeah, let's have time before the news. 11:17.145 --> 11:18.486 And then we'll deconstruct it afterwards. 11:18.506 --> 11:19.506 Are you comfortable with that? 11:19.766 --> 11:20.206 You can try. 11:20.286 --> 11:22.487 I've been telling it all over the place. 11:22.527 --> 11:26.447 I've got a B in A-level English literature. 11:26.747 --> 11:28.488 Have you ever written a poem, Joe? 11:28.768 --> 11:30.848 I've got an S level. 11:30.908 --> 11:31.549 Yeah, probably. 11:31.569 --> 11:32.309 Have you? 11:32.389 --> 11:32.869 In the past. 11:32.909 --> 11:33.529 Yeah, sure I have. 11:33.609 --> 11:35.991 Because it's a funny thing writing serious poetry. 11:36.792 --> 11:37.032 Is it? 11:37.332 --> 11:38.313 Well, no, it's weird. 11:38.654 --> 11:42.297 I tell you, just before you read your poem, Murray, because it's a strange thing. 11:42.457 --> 11:48.423 Like, do you ever spontaneously tell poems and recite poems when you're around at people's houses and stuff? 11:48.443 --> 11:50.705 Do people, presumably people ask you to do that a lot? 11:50.725 --> 12:00.690 Well, back in the time when you were talking about, I would do it for sure, because I was on the hustle to get people to listen to me and make friends and influence people, but now I try and avoid it at all costs. 12:00.790 --> 12:06.233 I went through a period of trying to avoid it at all costs, but now I think I'm in my sort of... 12:07.774 --> 12:09.875 The ego situation is is calm. 12:10.055 --> 12:10.415 Yeah. 12:10.435 --> 12:12.356 So people say would you give us a poem? 12:12.376 --> 12:14.116 No, no, I couldn't possibly do that. 12:14.176 --> 12:16.337 It's a bit, you know, so yeah, so I say yeah, sure. 12:16.517 --> 12:18.698 Yeah, but people tend not to ask too much. 12:18.838 --> 12:23.720 And do people do you get the other thing when people recite poems to you their favorite poems? 12:24.000 --> 12:24.400 Oh, yes. 12:24.500 --> 12:24.760 Yes. 12:24.840 --> 12:26.681 Yes that happens on a very regular basis. 12:26.721 --> 12:27.562 I find that weird. 12:27.582 --> 12:32.885 Someone started reciting Dr Seuss, Oh The Places You'll Go, which is a wonderful book. 12:33.025 --> 12:33.405 Oh, I love Dr Seuss. 12:33.425 --> 12:36.227 But the guy knew it off by heart and he recited the whole flipping thing. 12:36.247 --> 12:37.848 I thought he was going to quote a couple of lines. 12:38.529 --> 12:42.771 Ten minutes later, we're all sat there nodding and smiling and going, yes, we've read it. 12:42.871 --> 12:43.592 How was it for you? 12:43.612 --> 12:44.873 It was odd. 12:45.193 --> 12:46.874 Everybody knows one poem though, don't you think? 12:47.194 --> 12:47.394 Yeah. 12:47.454 --> 12:48.815 Everybody's got to know one poem. 12:49.055 --> 12:50.016 Which is your one that you know? 12:50.576 --> 12:53.398 Oh, an English Airman... Oh, man, I can't remember it. 12:53.438 --> 12:53.998 I've gone blank. 12:54.078 --> 12:55.139 I would say you don't know it, then. 12:55.219 --> 12:55.879 W.B. 12:55.899 --> 12:56.820 Yates. 12:57.120 --> 12:59.461 I know that I shall meet my fate somewhere among the clouds above. 12:59.541 --> 13:00.762 Those who I fight, I do not hate. 13:00.782 --> 13:01.983 Those who I guard, I do not love. 13:02.043 --> 13:04.404 My country is... Oh, man. 13:04.444 --> 13:05.765 You know, that's not bad, is it? 13:05.785 --> 13:06.605 No, that was good. 13:06.645 --> 13:07.966 I used to know the whole thing. 13:08.006 --> 13:09.307 Under pressure, I could come out with the whole thing. 13:09.447 --> 13:13.609 I only know This Be The Verse by Philip Larkin, but that's got the F-bomb in it, so I can't say that. 13:13.649 --> 13:14.990 They flip you up, your mum and dad. 13:15.450 --> 13:15.831 But listen. 13:16.471 --> 13:20.692 Murray, would you please do us the honour of reading the poem that you have composed for this occasion? 13:20.752 --> 13:23.113 The Sunset Poem, the final piece of the day. 13:23.973 --> 13:25.553 And this is it, okay. 13:26.053 --> 13:30.074 The setting summer sun returns and thoughts of mad monsoon may fade. 13:30.134 --> 13:35.816 Collective thanks must turn in humble praise to you, a rubber welly boot. 13:36.896 --> 13:42.901 Oh, stalwart of the muddy field, protector of the glass-dove foot for honesty, grooviness, and keeping it real. 13:43.401 --> 13:45.663 Oh, the flip-flop is fine, but you are divine. 13:45.683 --> 13:47.464 You give such an option to tweak and refine. 13:47.504 --> 13:51.688 You come in a deluge of colorful colors and patterns and petals and proud polka dots. 13:52.028 --> 13:53.990 You stand like a rock at the base of a look. 13:54.010 --> 13:58.473 You're practical, so it can suddenly sexy, and girls just seem to absolutely go crazy about you. 13:58.513 --> 13:58.893 Sexy? 13:59.053 --> 13:59.614 A welly boot? 13:59.754 --> 14:02.096 Why, I hear you cry, because it's simple, you see. 14:02.496 --> 14:04.678 Because out of the boot comes the shape of the calf. 14:04.998 --> 14:13.963 And on to the calf goes the long woolly sock, and the long woolly sock goes up to the curve of the knee, and the curve of the knee meets the curve of the thigh, and the curve of the thigh can go ever so high, till it meets with the edge of the frayed miniskirt. 14:14.323 --> 14:14.984 But that's not the point. 14:15.004 --> 14:24.589 The point is, the point I'm trying to make is, I dare say that soon your work now will be done, and we, fingers crossed, may return to basking sung kissed in the summer sun. 14:24.609 --> 14:32.834 And even then, people will cling to you in silver, pink, and deep metallic green, so thank you, quiet, cultural, cossing icon. 14:33.234 --> 14:34.495 Thank you for just being you. 14:34.775 --> 14:41.238 Thank you for keeping us dry, O Wellie Boot, as we drift on the raft of this Glastonbury dream. 14:42.678 --> 14:43.919 Thank you very much, Murray. 14:44.519 --> 14:52.903 That should be etched on the hillside at Glastonbury, you know, because the Wellie Boot is, that should be the symbol of the festival. 14:53.263 --> 14:56.845 But you're right about the Wellie Boot and the way it sets off the lower leg. 14:57.605 --> 15:01.587 and it provides a sort of animalistic stance, sort of gives you a touch of the centaur. 15:01.607 --> 15:03.067 Do you know what I mean? 15:03.388 --> 15:04.788 There's something fetishistic going on. 15:04.808 --> 15:05.629 There is, isn't it? 15:05.649 --> 15:06.649 There is, yes. 15:06.889 --> 15:08.790 I prefer a thigh boot myself, as you can see. 15:08.810 --> 15:12.672 Well, we should let you know, listeners, that Murray is wearing the most extraordinary waders, I'd call them. 15:12.692 --> 15:16.694 They go up to the centre of the thigh and, frankly, they're overly sexy. 15:17.154 --> 15:18.775 Wait till you see the gold-lamb they thong. 15:18.935 --> 15:20.375 They can't wait. 15:20.916 --> 15:21.356 I will wait. 15:21.516 --> 15:21.936 I'm waiting. 15:22.036 --> 15:25.238 It's like having Lord Byron in multi-fatted waders, isn't it? 15:26.499 --> 15:28.186 Folks, thank you so much, Marie. 15:28.226 --> 15:28.909 Yeah, that was brilliant. 15:28.949 --> 15:29.471 Marie, well done. 15:30.367 --> 15:31.627 That's Neil Young with Harvest Moon. 15:31.667 --> 15:35.208 He's coming on stage here at Glastonbury in about 20 minutes. 15:35.248 --> 15:36.189 That's when he's scheduled. 15:36.849 --> 15:39.369 You know, I can play that tune pretty well. 15:39.750 --> 15:41.770 You can, can't you, Juan String? 15:41.810 --> 15:42.530 I forgot about that. 15:42.590 --> 15:45.031 I've got a Neil Young chord book. 15:45.071 --> 15:47.772 I can't read music, but you know those books where they just do the dots? 15:47.932 --> 15:48.292 Sure. 15:48.472 --> 15:50.112 And you put your fingers where the dots are. 15:50.192 --> 15:50.913 Tabs, yeah. 15:50.973 --> 15:51.253 Yeah. 15:52.153 --> 15:57.654 I sing it along and then you can do the strummy bit and then you go... You're quite good at the voice as well. 15:57.774 --> 15:59.615 Well, you just have to do sort of calm it, don't you? 16:00.536 --> 16:04.941 Go on, you do yours. 16:05.442 --> 16:06.363 I couldn't possibly do it. 16:06.383 --> 16:07.745 It would be too moving for the listeners. 16:08.346 --> 16:09.066 It really would. 16:09.287 --> 16:10.268 You'd be in tears. 16:10.889 --> 16:13.452 If I had half a cup of cider, I could only just hold it together as it is. 16:13.532 --> 16:14.834 It'll start weeping. 16:14.954 --> 16:17.537 Give me a guitar, maybe I'll do it at some other point on the weekend. 16:18.918 --> 16:19.599 That's a promise. 16:20.019 --> 16:23.482 Joe said that we were going to go completely up, because we're doing a show tomorrow, right, listeners? 16:23.802 --> 16:31.789 We're on from 11 until 2 tomorrow morning on 6 Music, and then we're on again for the same show that we're doing tonight, tomorrow. 16:31.829 --> 16:33.511 Yeah, this is called our Sunset Show. 16:33.711 --> 16:35.112 Yeah, we do Sunset every day. 16:35.132 --> 16:36.013 That's the deal. 16:36.173 --> 16:36.873 We're Sunset guys. 16:37.574 --> 16:41.217 And so our plan tomorrow is to go completely mental after the... 16:42.418 --> 16:43.419 After the three-hour show. 16:43.459 --> 16:44.800 Yeah, after the three-hour show, right? 16:45.020 --> 16:46.321 Because we've got jobs to do. 16:46.361 --> 16:48.322 We've got to go and do the red button coverage. 16:48.342 --> 16:49.603 It's very exciting for me and Joe. 16:49.623 --> 16:50.984 We've never been on TV before. 16:51.584 --> 16:54.966 And they are offering us, not proper TV, but the red button. 16:54.986 --> 16:57.128 And the red button's a big part of most people's lives. 16:57.268 --> 16:57.788 Definitely. 16:58.209 --> 17:01.371 Everyone's finger is always hovering over the red button when you've got your remote there. 17:02.071 --> 17:03.492 I wonder what's on the red button? 17:03.512 --> 17:04.633 Can we not watch the news? 17:04.653 --> 17:06.115 Hey, there's been some good red button stuff. 17:06.155 --> 17:09.878 That's stuff to do with the Amado Inuchi stuff that was on the red button. 17:09.898 --> 17:10.699 That's true, wasn't it? 17:11.019 --> 17:14.242 Good Stuart Lee interviews after... Yeah, there's often good little nuggets on the red button. 17:14.402 --> 17:17.645 Hey, I don't know if you thought I was being ironic or not, because I wasn't. 17:17.966 --> 17:26.614 The red button's amazing, and we're doing some red button coverage tomorrow, and we are taping a little segment where I'm going to read out some jokes that our listeners have sent in. 17:26.674 --> 17:27.575 Made up jokes, right? 17:28.335 --> 17:33.820 And I'm going to be reading them out at the cabaret tent at 4.30 here at Glastonbury tomorrow afternoon. 17:34.201 --> 17:37.003 I think we're coming on just after Kevin Elden. 17:37.383 --> 17:38.805 I mean, he's amazing Kevin Elden. 17:39.125 --> 17:39.926 Tough act to follow. 17:40.026 --> 17:41.087 Very tough act to follow. 17:41.167 --> 17:43.429 And then after that, I think maybe Jeremy Hardy comes on. 17:43.829 --> 17:45.551 God knows what Jeremy Hardy is going to make of my... 17:46.131 --> 17:48.813 the made-up joke set that I've got planned. 17:49.373 --> 17:54.697 So that's our afternoon, but then we're going to go totally nuts and then we have to do our sunset show tomorrow evening. 17:55.057 --> 17:57.418 So Joe will be so emotional by then. 17:57.478 --> 17:58.599 Fat Guy Goes Nutsoid. 17:58.839 --> 18:00.020 It's one of my favourite films. 18:01.921 --> 18:03.361 What's Fat Guy Goes Nutzoid? 18:03.401 --> 18:04.162 I don't really know. 18:04.222 --> 18:06.122 It's just a film title that I see every now and then. 18:06.142 --> 18:06.722 Just make it up. 18:06.922 --> 18:07.522 No, it's real. 18:07.582 --> 18:08.742 Fat Guy Goes Nutzoid. 18:08.762 --> 18:09.163 Look it up. 18:09.763 --> 18:11.423 I've always wondered what happens in it. 18:11.443 --> 18:13.303 I mean, I guess a Fat Guy Goes Nutzoid. 18:15.444 --> 18:16.784 Fat Guy Goes Nutzoid. 18:16.844 --> 18:18.444 That's on my must-see list now. 18:18.564 --> 18:19.185 Sounds good, doesn't it? 18:19.405 --> 18:25.966 So what I'm basically building up to is saying that maybe tomorrow on The Sunset Show we can find a guitar and you can do your Neil Young. 18:26.934 --> 18:41.721 what uh yeah on the show yeah yeah sure maybe that's a promise it's gonna be bad for everybody obviously it's gonna be bad like really sincerely it'll be so funny something i do in private to my girlfriend with the guitar 18:42.361 --> 18:43.982 You know, hiding my bits. 18:44.022 --> 18:44.823 I'm naked at the time. 18:44.843 --> 18:44.923 Sure. 18:44.943 --> 18:45.583 Of course you are. 18:46.144 --> 18:47.004 Or you're just wearing your wolf pants. 18:47.024 --> 18:48.005 It's part of my seduction routine. 18:48.385 --> 18:49.586 But that would be amazing. 18:50.006 --> 18:51.547 I would love it if you did it so sincerely. 18:51.587 --> 18:53.228 If you were so... Okay, you're on. 18:53.408 --> 18:53.648 ...tired. 18:53.829 --> 18:54.489 That would be brilliant. 18:54.509 --> 18:55.009 You are on. 18:55.190 --> 18:56.911 And then you could make me do something sincerely. 18:57.871 --> 18:58.792 I wanted to be all about me. 18:59.072 --> 18:59.332 All right. 18:59.372 --> 19:00.733 We'll just be about you, that's fine. 19:00.753 --> 19:01.674 You're not allowed to do anything. 19:02.214 --> 19:07.237 Well, we should listen out and see if Neil Young plays Harvest Moon tonight, because he may just mess around with it completely. 19:07.277 --> 19:07.918 He may get me on. 19:08.218 --> 19:09.199 He might be listening to this. 19:09.980 --> 19:13.683 Ladies and gentlemen, ladies and gentlemen, I was listening. 19:13.983 --> 19:19.306 Ladies and gentlemen, I was listening to a program earlier on this evening on six music. 19:21.068 --> 19:23.289 Boy wait, we should agree being fat person. 19:25.931 --> 19:27.472 It puts the lotion in the basket. 19:28.053 --> 19:29.874 And Joe Cornish was on there. 19:29.894 --> 19:31.575 He was saying you can play Hari's moon. 19:31.695 --> 19:34.537 I'm going to get him on to play for you ladies and gentlemen. 19:36.940 --> 19:38.442 Can you imagine the response in the crowd? 19:38.562 --> 19:40.926 A portal ocean in a basket. 19:41.667 --> 19:43.790 That's what it's going to be like when Neil Young comes on. 19:44.030 --> 19:46.333 Music time right now, ladies and gentlemen. 19:46.774 --> 19:50.219 Here is a track that was recorded earlier on today at Glastonbury. 19:50.339 --> 19:52.983 It's Regina Spectre, and this is called Fidelity. 19:53.934 --> 19:56.056 I'm pretty sure they're not taking good care of themselves. 19:57.016 --> 19:58.638 Well, that's hardly the point of being here. 19:58.998 --> 20:00.999 They're just out there rolling around in their own fill. 20:01.340 --> 20:04.342 Abuse yourself with moderation, as far as I can tell. 20:04.402 --> 20:06.543 We went for a wonder earlier on, today, listeners. 20:06.944 --> 20:10.786 I arrived this afternoon because I was filming the sitcom yesterday. 20:11.207 --> 20:12.648 Joe, you got here yesterday, right? 20:12.928 --> 20:13.208 I did. 20:13.248 --> 20:14.129 I was here last night. 20:14.169 --> 20:15.650 So you were here for the deluge? 20:16.010 --> 20:16.451 I was. 20:16.511 --> 20:18.552 There was a massive thunderstorm. 20:18.572 --> 20:19.213 In fact, I was 20:20.033 --> 20:24.274 kind of being patched through live to Radcliffe and McConnie's show on Radio 2. 20:25.254 --> 20:27.754 And I was in a little outside broadcast box. 20:28.515 --> 20:31.835 And just as I was about to go on, lightning struck the box. 20:32.355 --> 20:35.876 And I think all the electrics went down right across the BBC momentarily. 20:36.176 --> 20:38.296 Every time they patched me through, there was another fizzle. 20:38.316 --> 20:39.837 It was really quite scary. 20:40.377 --> 20:43.297 I think Joe Wiley very nearly got a hit. 20:43.937 --> 20:44.877 One of her earrings. 20:47.958 --> 20:48.818 talking about. 20:48.838 --> 21:08.187 I don't know I'm just fantasizing yeah but it was scary and exciting and uh it's probably um Andrew Collins no not Collins and Maconey it's uh Maconey and Radcliffe yeah it's probably uh Stuart Maconey just thinking oh we don't have to have Joe Cornish do we yeah trying to trying to slice me off coming off get the lightning on 21:08.427 --> 21:10.569 But I had a good one around yesterday on my own. 21:10.689 --> 21:11.229 Where did you go? 21:11.729 --> 21:16.973 I went all over the shop, to one end of the shop and the other, and it was a little bit emptier than it is today, yesterday. 21:17.033 --> 21:17.213 Yeah. 21:17.794 --> 21:20.296 I met a couple of fans of this show. 21:20.516 --> 21:20.836 Oh, really? 21:20.916 --> 21:22.257 Who had a made up joke for us. 21:22.517 --> 21:22.898 Good one. 21:23.058 --> 21:26.560 They came and kind of got hold of me and said, look, we've made up this joke. 21:27.501 --> 21:29.102 His name was David Churchward. 21:29.402 --> 21:30.583 She was called Gemma Watts. 21:31.224 --> 21:32.485 And their joke was just awful. 21:32.505 --> 21:34.446 I mean, it was really awful. 21:34.986 --> 21:36.588 And it took ages to say it. 21:36.728 --> 21:36.888 Yeah. 21:37.228 --> 21:38.770 And it was just really disappointing. 21:38.790 --> 21:40.492 And you had to stand there smiling all the time? 21:40.652 --> 21:44.115 No, as soon as she said the last word of the joke, I just turned and walked away. 21:44.215 --> 21:44.676 Did you? 21:44.696 --> 21:46.198 Yeah, but in a comic way, you know? 21:46.218 --> 21:47.139 Then I came back again. 21:47.459 --> 21:48.920 It's so awful, I'm not gonna say it to you. 21:48.940 --> 21:50.262 Are you not even gonna say it? 21:50.362 --> 21:50.722 What, do you? 21:50.782 --> 21:52.184 I mean, it is, it's really bad. 21:52.304 --> 21:52.925 Come on! 21:52.945 --> 21:53.285 Do I have to? 21:53.345 --> 21:53.745 to say it. 21:53.765 --> 21:54.685 You've got to say it now. 21:54.705 --> 21:55.706 What is it about radio? 21:55.786 --> 21:56.346 Do I? 21:56.466 --> 21:57.506 Why can't we just move on? 21:57.727 --> 21:59.367 Because listeners won't know. 21:59.387 --> 22:00.988 It's the empty box syndrome, isn't it? 22:01.048 --> 22:01.588 Yeah, it is. 22:01.688 --> 22:03.729 Even if it's worthless, you still have to know what it is. 22:03.749 --> 22:04.789 You still have to have a little peek inside. 22:04.829 --> 22:06.289 That's how Deal On No Deal works. 22:06.470 --> 22:06.910 That's right. 22:07.110 --> 22:11.191 OK, she said, Gemma said, what film is this? 22:11.911 --> 22:12.272 Hello. 22:12.292 --> 22:13.212 All right. 22:14.107 --> 22:15.708 And the answer is the horse whisperer. 22:16.288 --> 22:17.689 Now they thought they'd made that up. 22:18.250 --> 22:23.593 I quote, we feel we made this up on Wednesday in traffic, waiting to come down. 22:24.473 --> 22:25.774 How could you think you've made that up? 22:26.575 --> 22:27.655 Hello, all right. 22:27.795 --> 22:28.976 I would have done it a bit more like that. 22:29.096 --> 22:29.416 Yeah. 22:29.457 --> 22:30.237 See, that's very funny. 22:30.617 --> 22:31.058 Do you think? 22:31.078 --> 22:32.418 Excuse me. 22:32.438 --> 22:36.521 I was wondering if I could borrow a Tempe for a cup of tea. 22:36.541 --> 22:41.144 I mean, they knew it wasn't very good, but I was shocked that they thought they'd made it up. 22:41.664 --> 22:44.226 We've got better jokes than that for the comedy tent tomorrow night. 22:44.606 --> 22:49.110 I saw a dance troupe performing a satirical ballet about second homeownership in Cornwall. 22:49.390 --> 22:49.790 No. 22:49.910 --> 22:50.131 Yeah. 22:50.471 --> 22:50.811 How was that? 22:50.831 --> 22:51.211 Very good. 22:51.392 --> 22:51.732 Was it? 22:51.812 --> 22:52.432 Yeah, it was good. 22:52.452 --> 22:58.157 It was really taking the Mickey out of those second homeowners and there was a small local crowd finding it very funny. 22:58.337 --> 22:58.917 Yeah, I bet. 22:59.418 --> 23:00.318 Second homeowners. 23:00.338 --> 23:02.420 Thank God someone's finally stuck it to that lot. 23:02.560 --> 23:06.864 I saw Arthur Smith in the cabaret tent doing some very off-colour material for a family audience. 23:07.044 --> 23:07.845 What time was he on? 23:09.046 --> 23:07.845 4.30. 23:09.346 --> 23:11.748 And he was using all kinds of swear words with sexual innuendo? 23:11.788 --> 23:13.029 It was talking about onanism. 23:13.530 --> 23:14.070 Onanism. 23:14.150 --> 23:15.331 And autoeroticism. 23:16.532 --> 23:17.633 For a family crowd. 23:17.673 --> 23:18.654 For a family crowd. 23:18.694 --> 23:19.495 That's not on, surely. 23:19.515 --> 23:20.736 Some families stood up and left. 23:20.916 --> 23:21.317 Did they? 23:21.457 --> 23:23.779 Well, it was a bit too much too soon for the younger kids. 23:23.899 --> 23:25.040 Smith, you lunatic. 23:25.060 --> 23:26.561 He's provoking a lot of difficult questions. 23:26.641 --> 23:27.842 He's on the straight and narrow now. 23:27.882 --> 23:28.983 I thought he was a family man. 23:29.964 --> 23:30.985 What's he thinking about? 23:31.005 --> 23:35.108 I'm doing an afternoon gig at, what was it, Latitude Festival or something. 23:35.128 --> 23:35.268 Really? 23:35.288 --> 23:35.829 Keep it clean. 23:36.009 --> 23:39.251 I've specially tailored the set so that it won't offend families. 23:39.271 --> 23:40.092 That's the way to do it. 23:40.372 --> 23:41.633 Because that's no good! 23:42.274 --> 23:52.642 Or is it expected if you bring your family... Or is it expected... Or is it expected... Or is it expected... Oh, I've forgotten the question now. 23:52.662 --> 23:53.282 Well, exactly. 23:53.342 --> 23:54.163 Now look what you made me do. 23:54.183 --> 23:54.703 Now look what you've done. 23:54.844 --> 23:57.446 Or is it expected... Oh dear. 23:59.269 --> 24:02.719 Or is it expected that if you bring your family to something like this, then that's gonna happen, right? 24:03.621 --> 24:04.483 And that's what I'm asking. 24:05.227 --> 24:06.067 I don't know, yes. 24:06.307 --> 24:07.107 Yes, no, maybe. 24:07.307 --> 24:08.828 Listen, we've got some music coming up for you. 24:08.848 --> 24:10.768 This is an exciting hot new band, right? 24:10.928 --> 24:12.728 She always just pointing at bits of paper. 24:12.768 --> 24:14.689 Yeah, I was getting ready, getting the next thing lined up. 24:14.989 --> 24:15.689 This is a new band. 24:15.709 --> 24:16.569 You know about this, Adam. 24:16.589 --> 24:18.709 This is a couple of members of Supergrass. 24:18.729 --> 24:20.230 This was like a surprise performance. 24:20.490 --> 24:20.990 Oh, yes. 24:21.030 --> 24:22.610 And they called themselves Hot Rats. 24:22.750 --> 24:26.091 And we bumped into Nigel Godrich earlier on, Radiohead's producer. 24:26.751 --> 24:29.991 And he has done some work with Supergrass in the past. 24:30.011 --> 24:32.152 You know, he's friendly with all those Oxford chaps. 24:32.512 --> 24:33.452 You can embarrass him now. 24:33.732 --> 24:34.452 No, I don't think so. 24:34.512 --> 24:36.693 He was just saying, why are they called themselves Hot Rats? 24:36.753 --> 24:39.014 But I said, well, it's presumably after the Frank Zapper album. 24:39.315 --> 24:40.215 Yeah, and that was a revelation. 24:40.275 --> 24:41.335 He seemed not to know that. 24:41.616 --> 24:42.336 And he was like, oh, right. 24:42.476 --> 24:43.997 Anyway, so I'm excited to hear this. 24:44.057 --> 24:45.617 They played a mystery gig, right? 24:45.657 --> 24:47.858 Yeah, this is live from the park stage earlier. 24:47.898 --> 24:49.579 This is Hot Rats with Lovecat. 24:50.523 --> 24:57.868 That's Gaz and Danny from Supergrass masquerading as the Love Rats there, playing a cover of The Cure's The Love Cats and making it sound amazing. 24:58.168 --> 24:59.269 I called them the Love Rats, didn't I? 24:59.549 --> 25:01.950 No, they're the Hot Rats playing the Love Cats. 25:01.990 --> 25:02.251 Yeah. 25:02.531 --> 25:04.992 Hey, this has been Adam and Joe from the Glastonbury Festival. 25:05.012 --> 25:05.673 Thanks for listening. 25:05.693 --> 25:06.293 Stay tuned. 25:06.613 --> 25:06.853 Take care. 25:06.873 --> 25:07.154 Bye. 25:07.294 --> 25:07.454 Bye.