WEBVTT 00:14.615 --> 00:17.800 Blimey, that was Yeah Yeah Yes with Zero. 00:18.501 --> 00:21.065 And this is Adam and Joe here on BBC Six Music. 00:21.085 --> 00:23.989 It's a beautiful morning here in the centre of London Town. 00:24.230 --> 00:25.792 It's been a beautiful week, hasn't it? 00:25.952 --> 00:26.393 It has. 00:26.473 --> 00:29.458 What a sensational week it's been if I was in charge of the government. 00:30.098 --> 00:31.959 I would have declared a national emergency. 00:32.720 --> 00:33.840 Just a national week off. 00:34.080 --> 00:35.181 Right, a bunk off, national bunk off. 00:35.201 --> 00:36.382 Yeah, emergency bunk off. 00:37.002 --> 00:40.464 Because everyone's been quite depressed in the country, have you noticed? 00:40.604 --> 00:41.224 What, of course. 00:41.244 --> 00:41.764 Gloom and doom. 00:42.225 --> 00:43.085 Absolute gloom and doom. 00:43.125 --> 00:47.627 Thanks very much for all the miserable new predictions about the way the global warming's going. 00:47.668 --> 00:48.188 Thanks a lot. 00:48.228 --> 00:50.209 Thanks very much, Gordon Brown. 00:50.829 --> 01:02.571 But then suddenly the sun comes out, and God, or whoever created the world, giant squid, made it all lovely to remind us of the inherent beauty of nature. 01:03.571 --> 01:16.393 It's as if God is trying to destabilise capitalism and turn the world into a sort of, you know, non-monetised organic bartering economy. 01:17.234 --> 01:19.134 And I'm quite in favour of that. 01:19.214 --> 01:19.854 As a project? 01:20.254 --> 01:27.794 Yeah, he's going, look, just collapse the banks, collapse all the major conglomerations, and let's go back to an agrarian ideal. 01:28.276 --> 01:28.496 Right. 01:29.105 --> 01:31.806 Yeah, the, the... Are you sure he's getting quite deep for earlier? 01:31.826 --> 01:33.407 Has he thought it all through completely? 01:33.427 --> 01:33.967 He hasn't, no. 01:34.027 --> 01:34.247 No. 01:34.407 --> 01:37.669 But he doesn't work logically, he just works on instinct. 01:37.749 --> 01:41.550 And so what's his theory behind the global warming thing as well? 01:42.271 --> 01:43.451 Just get rid of us. 01:43.951 --> 01:44.232 Right. 01:44.412 --> 01:44.692 Yeah. 01:44.772 --> 01:45.892 Not floating communities. 01:46.813 --> 01:49.014 Oh, you think he might want it to be a floaty world? 01:49.074 --> 01:49.974 Yeah, he wants it to be. 01:49.994 --> 01:50.374 Like Waterworld. 01:50.394 --> 01:51.955 Like Waterworld, but he loves... He does. 01:52.015 --> 01:53.415 Maybe God's a big fan of Waterworld. 01:53.435 --> 01:54.616 He loves Waterworld with Kevin 01:54.616 --> 01:56.077 I love Waterworld. 01:56.097 --> 02:00.720 You know a film I really liked that was underrated when it came out, but I always like it when it's on TV. 02:01.360 --> 02:03.521 It's Waterworld with Kevin Costner. 02:03.561 --> 02:05.643 And you know the other one he's done, The Postman. 02:05.723 --> 02:07.944 I like that less, but it's got some good bits. 02:08.985 --> 02:09.725 That's what he's like. 02:09.785 --> 02:10.626 That could be the key. 02:10.906 --> 02:12.367 This is pure conjecture, by the way. 02:12.387 --> 02:12.727 Yeah. 02:12.927 --> 02:13.487 Oh, you never know. 02:13.507 --> 02:16.769 There might be some sermons about it tomorrow morning for churchgoers. 02:16.889 --> 02:18.130 Reckon, big revelations. 02:18.190 --> 02:18.410 Yeah. 02:19.391 --> 02:22.553 Yeah, that's disrespectful, though, isn't it, to religious people? 02:22.593 --> 02:23.073 Yeah, exactly. 02:23.093 --> 02:24.134 So apologies for that. 02:25.035 --> 02:26.837 Um, and, uh, yeah. 02:27.358 --> 02:28.259 What, what, what? 02:28.339 --> 02:28.960 It's your fault. 02:29.321 --> 02:29.561 Is it? 02:29.661 --> 02:30.783 This waffling. 02:31.323 --> 02:32.485 Welcome to the show, listeners. 02:32.545 --> 02:33.967 We're here with you until noon. 02:33.987 --> 02:35.969 We've got all sorts of things coming up. 02:36.070 --> 02:37.632 Notice I'm not saying that they're exciting. 02:37.732 --> 02:40.435 Well, no, they are exciting because we've got like a jingle avalanche, right? 02:40.475 --> 02:40.716 Yeah. 02:41.617 --> 02:49.103 We asked you to make us some jingles, and we've been inundated with the most brilliant jingles, so we'll be playing some of them to you later in the show. 02:49.123 --> 02:50.924 They'll be peppered throughout the show, perhaps. 02:51.164 --> 02:57.970 We'll be discussing some of them, analysing some of them, and using others just as real jingles to introduce some of our features on the show. 02:59.050 --> 03:00.491 So, that is exciting. 03:00.611 --> 03:02.791 Also, we've got great music for you listeners. 03:02.811 --> 03:04.552 Have you been through the playlists this morning, Joe? 03:04.572 --> 03:05.952 No, I'm going to do that during the next record. 03:05.972 --> 03:11.134 It's a good-looking playlist and here's just a taste of the kind of delight you can expect. 03:11.154 --> 03:12.774 This is Supergrass with Caught by the Fuzz. 03:12.994 --> 03:14.795 Caught by the Fuzz, that's Supergrass. 03:15.055 --> 03:16.615 Adam and Joe here on BBC Six Music. 03:16.975 --> 03:19.696 Now, it's my free play coming up shortly, Joe. 03:20.516 --> 03:21.697 I'm very excited about that. 03:22.477 --> 03:25.898 And we could, in fact, unveil one of our new jingles. 03:26.198 --> 03:28.940 Well, one of my favourite ones is to do with free plays. 03:29.060 --> 03:29.280 Right. 03:29.781 --> 03:31.122 Shall we save it for a bit later on? 03:31.642 --> 03:32.963 Because it's right at the top of the show. 03:32.983 --> 03:34.184 Should we save it? 03:34.204 --> 03:34.825 No one's listening. 03:35.025 --> 03:35.605 No, exactly. 03:35.685 --> 03:36.406 Nobody's listening. 03:36.486 --> 03:37.227 Because it's very early. 03:37.247 --> 03:38.348 It's only ten past nine, isn't it? 03:38.448 --> 03:39.308 Apart from the elite. 03:39.508 --> 03:41.670 It's the elite listeners at this time in the morning, isn't it? 03:41.810 --> 03:42.171 Yes. 03:42.451 --> 03:43.091 Black Squadron. 03:43.311 --> 03:44.773 Black Squadron, they're called. 03:44.933 --> 03:45.193 Are they? 03:45.473 --> 03:46.493 Yeah, they're the elite. 03:46.753 --> 03:47.033 Really? 03:47.073 --> 03:48.054 They're the shadow warriors. 03:48.074 --> 03:49.414 Elites are always dressed in black. 03:49.514 --> 03:49.994 It's true. 03:50.154 --> 03:50.394 You know? 03:50.414 --> 03:50.714 Yeah. 03:50.734 --> 03:51.674 Because they don't want to be seen. 03:51.714 --> 03:52.754 They like to creep around. 03:53.555 --> 03:53.915 I love them. 03:53.955 --> 03:54.455 They're amazing. 03:54.475 --> 03:56.995 And Six Music Black Squadron will be up right now, listening. 03:57.195 --> 03:57.395 Yeah. 03:57.735 --> 03:59.176 And they'll... Maybe they deserve it. 03:59.236 --> 03:59.936 Something special. 03:59.956 --> 04:00.836 They'll be creeping around. 04:00.976 --> 04:01.656 Making tea. 04:01.916 --> 04:03.517 No one will be able to see them making tea. 04:03.637 --> 04:04.417 They're so stealthy. 04:04.437 --> 04:05.377 They're so stealthy. 04:05.397 --> 04:07.037 They move like shadows early in the morning. 04:07.057 --> 04:07.557 Exactly. 04:07.577 --> 04:08.257 They'll have a bath. 04:08.277 --> 04:09.198 They'll slip into the bath. 04:09.238 --> 04:10.838 No one will even realize they've run the bath. 04:11.238 --> 04:28.145 because they've run it so stealthily during the night just not even dripping but just snaking the water snaking down the side of the bath they can go into a room while someone else is asleep in it black squadron yeah and get fully dressed easily without disturbing the other person easily they know where all the creaky floorboards are they can get into the bed 04:29.065 --> 04:31.008 And the person won't even know, right? 04:31.028 --> 04:33.953 Because they'll just slide right into the bed there, into the sheets. 04:34.193 --> 04:35.515 Bad Dobby, naughty Dobby. 04:38.179 --> 04:42.526 So this is, okay, so for Black Squadron, shall we play the new jingle then? 04:42.566 --> 04:44.169 Yeah, you know the one we mean, Geoff? 04:44.929 --> 04:47.412 There is only one Freeplay one, isn't there actually, I think. 04:47.592 --> 04:48.553 Okay, here it is. 05:04.741 --> 05:05.721 That's good, I like that. 05:05.761 --> 05:07.482 I mean, that's pretty demented stuff as well. 05:07.722 --> 05:08.543 We like demented. 05:09.003 --> 05:10.464 Good bit of fuzziness on it as well. 05:10.724 --> 05:12.385 It's nice and it... And she's by Jeff. 05:13.245 --> 05:14.686 We've got to have the names of these people. 05:14.746 --> 05:15.226 By Tom. 05:15.986 --> 05:16.486 Tom, yeah. 05:16.526 --> 05:18.547 But he's got his lady friend in there as well. 05:18.567 --> 05:20.048 Unless Tom just sounds like a lady. 05:20.088 --> 05:20.768 Could be a sample. 05:20.968 --> 05:21.849 Could be a sample. 05:22.189 --> 05:23.009 It sounds nice though. 05:23.029 --> 05:24.850 He's got a little chuckle from the lady in there. 05:24.870 --> 05:25.370 Yeah, yeah. 05:25.891 --> 05:27.391 So let me tell you about my free play right now. 05:27.431 --> 05:29.392 Thank you very much, Tom, incidentally for that jingle. 05:29.512 --> 05:29.993 It's wonderful. 05:30.553 --> 05:31.533 I've got a frog in my throat. 05:33.294 --> 05:34.975 You never cover when I've got frogs in my throat. 05:34.995 --> 05:35.415 No, it's nice. 05:35.515 --> 05:36.475 People like to hear it. 05:36.756 --> 05:39.957 Yeah, but as soon as I say I've got a frog in my throat, that should be your cue. 05:40.237 --> 05:40.497 Wham! 05:40.597 --> 05:42.638 You leap in and you say, you know an interesting thing? 05:42.678 --> 05:44.279 And then you start talking about a thing, right? 05:44.459 --> 05:44.599 Right. 05:44.619 --> 05:47.620 While I move my chair back and I get rid of this frog. 05:47.640 --> 05:48.220 It's not gonna happen. 05:48.260 --> 05:49.421 It's never gonna happen. 05:49.461 --> 05:51.762 It's never ever gonna happen on this show. 05:52.442 --> 05:52.562 Sorry. 05:52.582 --> 05:53.983 So listen, I've dealt with it anyway. 05:54.763 --> 05:58.445 My Free Play is a song that I transferred from an old cassette. 05:58.965 --> 06:02.949 And that's a different type of aural aesthetic that we haven't talked about that much in the show. 06:02.969 --> 06:04.170 We were talking about vinyl, how nice vinyl sounds. 06:04.190 --> 06:05.291 You transferred and handed it. 06:05.852 --> 06:06.312 Exactly. 06:07.653 --> 06:09.335 It's not actually by transferred and handed. 06:09.595 --> 06:13.138 It's by Robert Fripp featuring the voice of Daryl Hall. 06:14.159 --> 06:15.420 But I transferred and handed it. 06:15.821 --> 06:16.862 It's from an album called Network. 06:16.902 --> 06:18.924 I'm not sure if you can get Network. 06:19.464 --> 06:21.585 on CD, but it's a really weird album. 06:21.605 --> 06:25.908 Do you remember that we used to listen to it at school every now and again, and it's got like a David Byrne song on there. 06:25.928 --> 06:29.290 He's got a collaboration with David Byrne, which is pretty wild. 06:29.330 --> 06:30.551 I'll play that one day as well. 06:31.031 --> 06:34.273 And a very lovely one from Daryl Hall, which I'm going to play soon called North Star. 06:34.873 --> 06:37.174 But tapes, you know, they've got their own sound as well. 06:37.214 --> 06:39.115 Like, there's a fuzziness... Is this recorded off a tape? 06:39.195 --> 06:47.199 Yeah, there's a kind of warm... People talk about the warmth of vinyl, but there's a warmth and a fuzziness about cassette tape that I quite like as well, don't you think? 06:47.539 --> 06:50.021 Well, I've never really paid attention to it, so this will be interesting. 06:50.061 --> 06:58.425 What I associate with tapes is playing at the wrong speed, getting slightly stressed or stretched, and then the fuzziness 06:59.145 --> 07:02.747 Sort of, uh, you know, just a sort of, uh, trash sound. 07:02.827 --> 07:04.728 Yeah, when Muck builds up on the playheads. 07:05.048 --> 07:07.929 Didn't people- I used to be obsessed with cleaning my playheads. 07:07.949 --> 07:08.650 Exactly, right. 07:08.670 --> 07:09.370 What would you use? 07:09.390 --> 07:13.532 When you were a certain age, you would become aware of the presence of playhead cleaners. 07:13.552 --> 07:15.233 You had them for VCR players as well. 07:15.333 --> 07:16.593 I don't think they ever worked. 07:16.713 --> 07:17.054 Did they? 07:17.434 --> 07:19.415 Well, did you ever- Or were they just a piece of long cloth? 07:20.347 --> 07:22.108 Yeah, I mean, you could get in there with a cotton bud. 07:22.128 --> 07:22.729 Did you ever do that? 07:22.809 --> 07:23.029 No. 07:23.289 --> 07:23.669 Ooh. 07:24.050 --> 07:34.977 One time, I got really adventurous and I removed the front of the tape machine, you know, the loading door, whatever you want to call it, and got in there with a cotton bud, and I dipped it in some vodka. 07:35.257 --> 07:35.957 Yeah, that's good. 07:36.158 --> 07:44.063 I thought, this is going to work, because I'd heard that people use alcohol to clean things, and I jumped in there with a cotton bud and some vodka and started rubbing away at the top of the playhead. 07:44.303 --> 07:45.304 Probably destroyed it. 07:45.684 --> 07:48.266 But for a moment, for about 10 minutes afterwards, it sounded wicked. 07:48.866 --> 07:49.226 Amazingly clear. 07:49.246 --> 07:51.188 It's a shame you can't do that with modern technology. 07:51.449 --> 07:54.271 I might take my computer apart when I get home and give it a scrub. 07:54.511 --> 07:55.032 That's right. 07:55.132 --> 07:57.094 With a bucket of warm water and some detergent. 07:57.114 --> 08:00.757 Because you start off all reverential thinking, I do not want to destroy the playheads on this. 08:00.898 --> 08:07.884 I'm only going to use 100% ethanol and a little bit of a cotton bud and I'm going to use gloves and laboratory conditions. 08:08.625 --> 08:11.327 And then a couple of weeks later you're just using your sleeve. 08:12.088 --> 08:16.351 You know, when you just reach in there, give it a rub with your, gob on your sleeve and rub it. 08:16.771 --> 08:18.052 And then it sounds better. 08:18.432 --> 08:19.293 Give it a little rub it. 08:19.313 --> 08:20.193 Give it a little rub. 08:20.334 --> 08:21.514 Look, I've got some rubbets. 08:21.955 --> 08:24.536 Dad, look, can I, for Christmas, can I get a rub it? 08:24.736 --> 08:25.917 A rub it. 08:26.117 --> 08:28.859 Here's North Star, transferred, transferred in Anded. 08:29.520 --> 08:32.902 This is Darryl Hall singing with Robert Fripp doing the stylings. 08:32.942 --> 08:35.284 And it's nice and mellow for like a Saturday morning. 08:35.324 --> 08:35.844 Hope you enjoy it. 08:35.884 --> 08:37.585 That's Velvet with the Big Pink. 08:37.685 --> 08:39.706 No, the other way around, that's the Big Pink with Velvet. 08:39.867 --> 08:40.647 Sorry. 08:40.727 --> 08:41.888 I'm really sorry about that. 08:42.908 --> 08:45.230 And this is Lamo's new favourite band of the week. 08:45.870 --> 08:51.753 You know, talking of Lamo, we were just in the holding area before we came into the show and the office. 08:52.133 --> 08:53.934 Adam, you popped something into the bin, didn't you? 08:54.314 --> 08:55.755 Well, my bag fell on the bin. 08:55.775 --> 08:56.756 The bin tipped over. 08:56.776 --> 08:57.656 The bin was top-heavy. 08:57.696 --> 08:59.337 The little waste paper bin tipped over. 08:59.997 --> 09:00.938 And the bin sort of... 09:01.838 --> 09:04.119 Uh, leaked some revolting fluid. 09:04.159 --> 09:05.920 Well, a can flopped out of the bin. 09:06.200 --> 09:08.461 Turned out the can was half full of cider. 09:08.601 --> 09:09.962 It was particularly revolved. 09:09.982 --> 09:12.283 There's something about seeing that kind of thing in the morning. 09:12.343 --> 09:12.603 Yeah. 09:12.623 --> 09:13.444 That's really horrible. 09:13.464 --> 09:15.525 It was as if the bin was doing a little bit of sick. 09:16.145 --> 09:16.985 And very rapidly. 09:17.005 --> 09:18.526 Or wetting itself on the floor. 09:18.546 --> 09:19.146 Exactly. 09:19.186 --> 09:20.167 After a hard night. 09:20.767 --> 09:22.948 And we all just stared at it, slightly revolted. 09:23.048 --> 09:24.489 Evacuating its bin bounce. 09:24.529 --> 09:27.370 And then Jeff, the producer said, I know who that is. 09:29.951 --> 09:30.932 And it's, it's llama. 09:31.272 --> 09:32.273 That's lamb mohood lamb. 09:32.293 --> 09:35.216 Left a half-drunk can of cider in the bin. 09:36.197 --> 09:37.658 He's probably still here somewhere. 09:38.258 --> 09:39.039 Under a desk. 09:39.900 --> 09:41.501 Leave that there for the morning. 09:41.902 --> 09:43.944 Pop it in a bin. 09:44.024 --> 09:48.748 He's so committed to his... It'll be there in the morning if I need it. 09:48.948 --> 10:15.484 lifestyle but that was Lamo's favorite that is Lamo's favorite new band of the week uh yeah the big pink the big side pink i don't think anybody touch it because it's like half half full i still need it we're gonna leave it there 10:16.304 --> 10:18.186 We should get drunk in the morning. 10:18.566 --> 10:19.106 Is it wrong? 10:19.126 --> 10:19.847 It's not wrong. 10:19.907 --> 10:20.588 It's legal, isn't it? 10:20.608 --> 10:21.628 Let's bring some cider in. 10:21.648 --> 10:22.309 It is legal. 10:22.389 --> 10:23.069 It's frowned upon. 10:23.089 --> 10:25.131 Yeah, it would be bad to encourage listeners. 10:25.251 --> 10:26.972 It would be very bad to encourage listeners. 10:27.012 --> 10:28.153 To get drunk in the morning. 10:29.394 --> 10:30.335 It's fine in France. 10:31.876 --> 10:32.857 But not in Britain. 10:32.937 --> 10:33.979 That's right. 10:34.019 --> 10:36.161 This is Adam and Joe on BBC Six Music. 10:36.361 --> 10:38.183 I say that as if I know what's happening next. 10:38.223 --> 10:40.326 That's just a thing we say, isn't it, when you've got nothing? 10:40.366 --> 10:42.048 Yeah, to fill in. 10:42.068 --> 10:43.830 Translation, I've got nothing. 10:43.930 --> 10:45.011 My brain's completely empty. 10:45.031 --> 10:45.712 I've got nothing. 10:46.092 --> 10:47.854 This is Adam and Joe on BBC Six Music. 10:48.094 --> 10:48.475 Nothing. 10:48.835 --> 10:50.057 I've got absolutely nothing for you. 10:50.077 --> 10:51.058 Well, we've always got some music. 10:51.198 --> 10:51.698 Yeah, that's true. 10:51.718 --> 10:52.619 We've got Gary Numenoid. 10:53.320 --> 10:54.161 So we have some of them? 10:54.181 --> 10:55.743 Yeah, this is classic Numenoid. 10:55.763 --> 10:58.926 This is... I remember being in a little bar in France with my parents. 10:58.966 --> 11:00.248 I think we went to Brittany or something. 11:01.069 --> 11:06.274 And we went out one evening for a pizza or something, and they had a jukebox in the corner. 11:06.895 --> 11:08.497 And this song had just come out. 11:08.517 --> 11:09.698 Le Bois de juc? 11:09.898 --> 11:11.120 Oui, le juc bois. 11:11.540 --> 11:12.441 It is full of jute. 11:13.982 --> 11:20.646 And so I went over to the jukebox and I was checking it out and they had this song and everything else on the jukebox was pretty boring and unrecognizable. 11:21.267 --> 11:27.691 But I stuck this one on and the whole place was electrified in every conceivable sense of the word. 11:28.131 --> 11:35.876 And all the French people, all the peasants were staring at us and going, what is this sound you have put on the juke? 11:36.597 --> 11:39.239 I've never heard this kind of thing before. 11:39.419 --> 11:40.359 Were they really though? 11:40.720 --> 11:40.900 Yeah. 11:41.320 --> 11:42.180 Yeah, they definitely were. 11:42.541 --> 11:46.182 And even my parents looked at me like, Adam, this is shockingly new. 11:46.202 --> 11:48.183 This sounds like a fantasy sequence from a film. 11:48.223 --> 11:49.704 I swear to you, this is how I remember it. 11:49.744 --> 11:50.284 This is true. 11:50.304 --> 11:53.366 I'm not saying this is exactly what happened, but this is exactly how I remember it. 11:53.926 --> 11:56.847 And everyone was looking at me like, this is too revolutionary. 11:56.927 --> 11:58.948 No, this music is blowing our minds. 11:59.809 --> 12:01.329 And it did sound shockingly new. 12:01.610 --> 12:03.110 Can you imagine being in, there was 1981 or 82? 12:03.190 --> 12:04.111 You're amazing. 12:04.131 --> 12:04.211 Yeah. 12:07.185 --> 12:11.388 In a way, I was more of a pioneer than Gary Newman was. 12:11.589 --> 12:11.909 Wow. 12:12.189 --> 12:14.051 It's a privilege to be broadcasting with you. 12:14.511 --> 12:15.332 It is, actually. 12:15.572 --> 12:17.013 Here's Gary Newman with cars. 12:17.133 --> 12:18.634 Gary Newman with cars. 12:19.355 --> 12:27.261 We've got the news coming up very shortly, in a matter of seconds, and it strikes me that that music would actually be a good theme for the news. 12:27.301 --> 12:27.741 You know what I mean? 12:28.202 --> 12:29.743 Here is the news. 12:29.983 --> 12:30.864 Here is the news. 12:31.224 --> 12:31.845 That kind of thing. 12:32.523 --> 12:40.269 Well, let's see whether playing it before the news affects the tone and the level of VIP in the news speakers voice. 12:40.729 --> 12:41.610 Nicely said, man. 12:41.630 --> 12:42.090 News speakers voice? 12:42.130 --> 12:43.191 Yeah, very good. 12:43.211 --> 12:44.452 In the announcer's voice, don't you think? 12:44.592 --> 12:44.812 Yeah. 12:45.213 --> 12:46.333 The announcer's voice, yeah. 12:46.574 --> 12:47.074 The news reader. 12:47.094 --> 12:47.915 What's she or he called? 12:48.495 --> 12:49.396 Oh, now you've put me on the spot. 12:49.416 --> 12:51.117 I'm not exactly sure who's reading the news. 12:51.357 --> 12:52.638 It could be Nicki Cardwell. 12:52.918 --> 12:54.520 I think they'll be a slightly robotic 12:55.040 --> 12:58.203 I think it'll be read slightly like this. 12:58.243 --> 12:58.683 Hello? 12:58.923 --> 13:01.746 You know, it could be any number of very talented users that we have here. 13:01.766 --> 13:06.950 Now, whoever he or she is, they're gonna be listening to this thinking, no, I'm not gonna do a robot voice, but I bet you it'll creep in. 13:08.376 --> 13:10.758 They can't because, you know, the news is a serious business. 13:10.778 --> 13:13.860 Yeah, but still, it's gonna be a tiny bit of a robot voice. 13:13.900 --> 13:15.702 If there isn't a voice, they'll be doing the actions. 13:15.722 --> 13:16.402 Alright. 13:16.802 --> 13:17.123 Listen. 13:17.263 --> 13:17.823 Let's find out. 13:17.863 --> 13:18.384 Here's the news. 13:18.624 --> 13:20.465 What, does he want four walls and a doggy slatch? 13:20.805 --> 13:22.006 Yes, that's exactly what he wants. 13:22.026 --> 13:22.727 Or a doggy sledge. 13:22.907 --> 13:23.728 No, a doggy slatch. 13:24.108 --> 13:24.829 A doggy slatch? 13:24.849 --> 13:27.070 Yeah, the problem is he doesn't know what a doggy slatch is. 13:27.230 --> 13:27.451 No. 13:27.631 --> 13:30.913 So he can't even figure out which shop to go to. 13:31.414 --> 13:32.915 I mean, four walls, that's fair enough. 13:33.075 --> 13:34.196 I can provide him with four walls. 13:34.216 --> 13:34.396 Yeah. 13:34.656 --> 13:36.838 But I don't know where to start with a doggy slatch. 13:36.858 --> 13:37.278 Doggy slatch. 13:37.358 --> 13:37.959 Where would I go? 13:37.999 --> 13:40.001 I mean, is that Amazon I need to go to? 13:40.081 --> 13:40.521 Probably. 13:40.742 --> 13:41.803 Just Google slatch. 13:42.223 --> 13:43.765 Could you Google doggy slatch? 13:45.326 --> 13:48.469 D-O-W-G-Y-S-L-A-T-C-H. 13:48.830 --> 13:49.550 Hold your horses. 13:51.032 --> 13:52.674 Here we go, doggy slatch. 13:52.794 --> 13:54.395 I bet you I get... Has it spelled? 13:54.936 --> 13:56.077 S-L-A-T-H. 13:57.058 --> 13:58.640 No, S-L-A-T-C-H. 13:58.940 --> 14:00.341 Yeah, slatch, doggy slatch. 14:02.971 --> 14:04.372 Mmm, can't read that out. 14:07.434 --> 14:07.874 Or that. 14:08.814 --> 14:09.455 Is it sexy? 14:10.075 --> 14:11.556 Mmm, I don't know, it's confusing. 14:11.576 --> 14:13.457 I mean it has to have to do with saliva. 14:13.877 --> 14:14.037 Oh yeah. 14:14.478 --> 14:16.879 It could be what he's after though, something filthy. 14:17.509 --> 14:17.889 Yeah. 14:18.429 --> 14:19.810 I mean, it sounds innocuous, doesn't it? 14:19.830 --> 14:20.830 Doggy slatch. 14:21.910 --> 14:22.671 Don't know what that could be. 14:22.711 --> 14:23.611 We'll keep thinking about it. 14:23.791 --> 14:24.511 Animal Collective. 14:24.551 --> 14:25.352 There you go, anyway. 14:25.652 --> 14:26.352 I hope you enjoyed that. 14:26.392 --> 14:28.853 This is Adam and Joe here on BBC Six Music. 14:29.213 --> 14:30.213 Now, I got an email. 14:30.273 --> 14:33.014 One of the emails that we were forwarded this week was from Gary. 14:33.534 --> 14:34.915 He says, hi, Adam and Joe. 14:35.715 --> 14:37.697 Is this you or is this fake you? 14:37.857 --> 14:42.640 He says, referring to a Twitter account which is called Adam and Joe. 14:42.660 --> 14:51.146 A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A- 14:59.452 --> 15:05.355 Neither of us are on Twitter, at least we weren't last week, but Adam's just announced during that record that he's had a go at Twitter. 15:05.535 --> 15:08.937 Well, I thought I should get in there, you know, but my name's been taken already. 15:09.157 --> 15:09.538 Really? 15:09.578 --> 15:09.978 Yeah. 15:10.158 --> 15:11.319 I mean, that's annoying, isn't it? 15:11.519 --> 15:12.459 Your name's been taken as well. 15:12.479 --> 15:12.759 Has it? 15:12.880 --> 15:14.420 Yeah. 15:14.661 --> 15:20.684 And Gary says in his email, if it is you, I can't help noticing that you aren't very active on the tweet front. 15:21.204 --> 15:27.826 Unlike your stablemate, John Holmes, who tweets at www.twitter.com forward slash John Holmes One. 15:28.186 --> 15:29.707 So he's obviously had the same problem. 15:29.767 --> 15:32.788 He's had to call himself John Holmes One because someone else has nicked the name John Holmes. 15:33.408 --> 15:36.849 Did you start tweeting and then get bored of it, or are you just lazy tweeters? 15:36.950 --> 15:38.210 No, that wasn't us, Gary. 15:38.470 --> 15:46.792 The thing about Twitter and tweeting, or whatever it's called, is for me having to endure the conversations of people asking you whether you do it. 15:47.712 --> 15:51.193 Don't you find that there's a kind of a conversation that everyone in the country is having? 15:52.073 --> 15:54.314 And it happens every couple of months. 15:54.954 --> 15:56.214 It used to be about the wire. 15:56.974 --> 15:58.775 People used to go, have you seen the wire? 15:59.995 --> 16:06.359 And pretty much the same five or six sentences would be trotted out about The Wire by 50% of the population. 16:06.499 --> 16:07.860 I've been one of those people myself. 16:08.060 --> 16:11.943 It's confusing at first, but after the third or fourth episode, oh, it just pulls you in. 16:13.284 --> 16:14.604 The characters are so brilliant. 16:14.644 --> 16:15.945 They're never what you expect them to be. 16:15.965 --> 16:18.647 I mean, they really subvert, cliche the stereotypes. 16:18.667 --> 16:19.748 It's all true, incidentally. 16:20.248 --> 16:24.971 It's such a brilliant intermingling of, you know, politics and street level politics, that kind of thing. 16:25.211 --> 16:25.712 Go on, more. 16:25.932 --> 16:26.612 This is all true. 16:27.073 --> 16:27.633 It is all true. 16:27.653 --> 16:28.634 Well, that's the annoying thing. 16:28.654 --> 16:29.776 You say, yeah, yeah, you're right. 16:30.056 --> 16:30.716 Oh, it's brilliant. 16:31.397 --> 16:33.699 And then you go, well, what season should I start with? 16:34.220 --> 16:34.941 Oh, start with season one. 16:34.961 --> 16:36.062 You have to start with season one. 16:36.502 --> 16:37.883 But season four is the best. 16:38.204 --> 16:39.465 Or is it three that's the best? 16:39.725 --> 16:41.927 I've never seen The Wire, but I know which the best season is. 16:41.967 --> 16:47.072 So all you do is sit there getting annoyed by these conversations, rather than thinking, you know, maybe I should watch The Wire. 16:47.152 --> 16:48.193 Every now and then you join in. 16:48.293 --> 16:48.554 Yeah. 16:48.934 --> 16:51.376 But it's hard to find the time with those box set things. 16:51.536 --> 16:52.016 Of course. 16:52.537 --> 16:54.838 And equally with Twitter, that seems to be the thing with Twitter. 16:54.878 --> 16:56.839 Everyone asks you whether you've done Twitter. 16:57.680 --> 17:00.702 And I've kind of gleaned by osmosis what it is. 17:01.162 --> 17:06.386 It seems to be to do with amazingly trivial commentary on what you're doing today. 17:06.586 --> 17:09.428 You're limited to 160 characters per tweet. 17:09.548 --> 17:11.229 So it's like the Facebook update string. 17:12.050 --> 17:17.293 And the stuff I've heard about Twitter is Jonathan Ross Twittering about how he's about to go to Thought Park. 17:18.474 --> 17:20.055 Stephen Fry being stuck in a lift. 17:20.576 --> 17:20.776 Yeah. 17:21.256 --> 17:24.719 At the moment, it's not selling me on the on the advantages of Twitter. 17:25.099 --> 17:25.860 No, exactly. 17:26.060 --> 17:26.861 But it is one of those things. 17:27.181 --> 17:31.144 I mean, you mentioned the wire conversation, of course, that's the that's the classic one of those things. 17:31.184 --> 17:38.490 And at a certain point, I decided to give in and just give it a try because all the people that were that's the thing, these the reason people are talking about these things 17:38.570 --> 17:39.831 is usually because they're good. 17:39.911 --> 17:40.772 Because they're pretty good. 17:40.792 --> 17:42.834 And sure enough, the wire is absolutely brills. 17:43.294 --> 17:51.682 But I know it is annoying when you get trapped in that conversation, you hear the same thing over and over again, and then you find yourself on the other side trying to convert other people, and you have to give them loads of caveats. 17:51.722 --> 18:03.492 The depressing thing is when it begins, and you know exactly what they're going to say, and you know exactly what you're supposed to say and reply to what they're saying, and you also know that another 50 million people are having exactly the same exchange. 18:04.033 --> 18:05.534 And it just seems like a waste of energy. 18:05.754 --> 18:09.298 All I do now, what I do is I lend my wire box sets out to people. 18:09.859 --> 18:10.900 So they're always on loan. 18:10.980 --> 18:16.026 Rather than having the conversation, I just turn up with my arm full of box sets and say, right, there you go. 18:16.646 --> 18:18.468 And then we don't have to have a conversation. 18:18.489 --> 18:18.809 Yeah. 18:19.069 --> 18:20.371 But then the person has to watch them. 18:20.691 --> 18:22.592 Yeah, but they're very enjoyable. 18:22.612 --> 18:24.732 They're about to start on proper telly, actually, the wire. 18:24.872 --> 18:26.853 You just have to give it four or five episodes, then you're in there. 18:26.873 --> 18:28.093 They're starting on obviously two. 18:28.974 --> 18:36.676 So basically, folks, I've joined Twitter and I've called myself Adam Buxton One, capital A, capital B, Adam Buxton One. 18:37.837 --> 18:41.884 So let's Twitter because I don't understand so far Nothing's happened. 18:41.924 --> 18:46.151 I don't even understand how I actually should put a message up How do I do the comments or anything like that? 18:46.171 --> 18:49.116 You should put a message up say I'm currently doing radio. 18:49.156 --> 18:50.158 Should we get online now? 18:50.498 --> 18:50.679 Yeah 18:51.431 --> 18:52.432 I don't know how it works though. 18:52.812 --> 18:53.993 I don't know how it works either. 18:56.295 --> 18:58.597 Someone needs to have the conversation with you. 18:58.637 --> 19:00.899 As soon as I joined I was baffled. 19:01.219 --> 19:02.480 I put in a password. 19:02.921 --> 19:04.662 I put in my name. 19:04.982 --> 19:07.224 I tried to select a profile picture for myself. 19:07.304 --> 19:11.388 I thought I had done it said nice picture exclamation mark and then nothing. 19:12.068 --> 19:14.369 I don't understand how to get onto my profile anymore. 19:14.389 --> 19:16.550 I don't understand what you do once you're on there. 19:16.570 --> 19:18.031 I don't understand what you do. 19:18.531 --> 19:21.652 I've got a couple of emails saying so-and-so is following you on Twitter. 19:21.672 --> 19:21.972 Emails? 19:22.332 --> 19:22.652 Oh, right. 19:22.672 --> 19:24.813 Because it alerts you when people start following you. 19:24.953 --> 19:25.153 Right. 19:25.494 --> 19:28.475 Don't understand who they are, how to get in touch with them, what they've said. 19:28.775 --> 19:30.876 Well, I think it's just a one-way thing, isn't it? 19:31.816 --> 19:32.977 Do they just listen to you? 19:33.037 --> 19:33.537 No, they can't. 19:33.677 --> 19:34.397 No idea. 19:34.437 --> 19:35.218 Absolutely no idea. 19:36.218 --> 19:39.520 Technology news here on the Adam and Jo radio show. 19:39.540 --> 19:40.361 It's all up to the moment. 19:40.381 --> 19:41.782 We've got a free play now for you. 19:41.802 --> 19:42.602 This is yours, isn't it, Jo? 19:42.642 --> 19:45.844 Yeah, this is Lynne Collins from her album Think Brackets About It. 19:46.184 --> 19:49.226 This is produced by James Brown with the JBs on the horns. 19:49.907 --> 19:51.027 That's good credentials, isn't it? 19:51.047 --> 19:51.668 Very good, yeah. 19:51.728 --> 19:53.629 This is her version of Ain't No Sunshine. 19:53.809 --> 19:55.770 Wow, she really belts that out. 19:56.130 --> 19:58.772 Yeah, she's shredding her vocal chords a little bit there. 19:59.112 --> 20:00.893 She'll be properly trained though. 20:00.913 --> 20:01.193 She'll know. 20:01.213 --> 20:01.534 Will she? 20:01.554 --> 20:03.014 Yeah, she's not beautiful voice. 20:03.034 --> 20:04.575 She's got that beautiful voice she's got. 20:04.635 --> 20:06.576 Oh, yeah, she's got a beautiful voice. 20:06.616 --> 20:07.237 Can I touch it? 20:08.518 --> 20:09.438 You've taken it too far. 20:09.718 --> 20:10.259 A slatch. 20:10.819 --> 20:11.859 Yeah, it's not what it was. 20:11.980 --> 20:13.620 No, it was Adobe slabs. 20:13.821 --> 20:17.062 But a slatch would be a combination of a slot and a latch. 20:17.543 --> 20:19.484 Yes, a latched slot. 20:19.864 --> 20:20.245 Yeah. 20:21.106 --> 20:21.987 Could that be useful? 20:23.008 --> 20:24.790 Um, yes. 20:25.010 --> 20:25.651 Do they exist? 20:25.751 --> 20:26.192 A slatch? 20:27.954 --> 20:28.194 Yeah. 20:28.214 --> 20:31.858 If you've got a slot, you know, like a coin slot, right? 20:32.118 --> 20:32.219 Yeah. 20:32.239 --> 20:33.881 Want a little latch for the phone slot. 20:33.901 --> 20:34.201 Yeah. 20:34.902 --> 20:37.645 You know, just to, I don't know why you'd want a latch on it. 20:37.765 --> 20:38.926 It's what hermaphrodites have. 20:39.906 --> 20:40.287 Yeah. 20:40.527 --> 20:40.967 A slat. 20:42.948 --> 20:45.030 It might be useful in some situations. 20:45.070 --> 20:50.893 I'm walking away from hermaphrodite. 20:50.913 --> 20:53.055 So, did you try and get on Twitter? 20:54.176 --> 20:55.598 I didn't know, I'm still working on that. 20:56.038 --> 20:59.823 I'm not sure whether the BBC computer system will let one Twitter. 21:00.304 --> 21:01.125 Right, right, right. 21:01.385 --> 21:05.831 I mean, I've been on Stephen Fry's one, and I don't even understand who's talking. 21:06.191 --> 21:11.398 Like, it's mainly Stephen Fry, but then I can't tell when it's other people doing tweets. 21:12.299 --> 21:15.985 The thing is, the worrying thing is it might be over quite soon. 21:16.325 --> 21:18.849 How long did Facebook last as the thing everybody had to be doing? 21:18.869 --> 21:22.434 Well, Facebook's still going strong, I mean... Yeah, but it's not at the top of the pile anymore, is it? 21:22.454 --> 21:22.895 No, it's Pete. 21:23.336 --> 21:25.018 Twitter's taken over at the top of the pile. 21:25.419 --> 21:25.739 Yeah. 21:25.819 --> 21:27.021 Watch the longevity a year. 21:27.782 --> 21:30.163 They probably last about a year, these things, don't they? 21:30.203 --> 21:31.304 Social networking fads. 21:31.344 --> 21:36.025 I mean, people are talking as if Twitter's the one that's going to be in for the long run. 21:36.065 --> 21:37.566 It's definitely very hot right now. 21:38.046 --> 21:38.847 So hot right now. 21:38.867 --> 21:40.307 It's so hot right now. 21:40.867 --> 21:45.269 But what I'm thinking is that what's going to be next, because it's getting smaller and smaller. 21:45.309 --> 21:46.270 That's the trend, isn't it? 21:46.330 --> 21:51.392 I mean, a while, about a year ago, we tried to predict what the next social networking thing was going to be. 21:51.452 --> 21:51.972 We failed. 21:52.332 --> 21:53.052 What did we predict? 21:53.393 --> 21:56.074 We predicted a load of old rubbish, as you can imagine. 21:57.254 --> 22:01.456 But it can't get any smaller than how many letters on, how many words on Twitter, 140? 22:01.736 --> 22:02.397 160 characters. 22:02.497 --> 22:03.277 Characters? 22:03.337 --> 22:03.617 Yeah. 22:04.378 --> 22:05.438 It's like the name game. 22:05.458 --> 22:13.142 Do you ever play the, or the hat game where you draw things on pieces of paper out of a hat and then the second round you have to just use one word? 22:13.322 --> 22:13.522 Yep. 22:13.742 --> 22:15.423 And the third round you have to mime them. 22:15.583 --> 22:16.063 That's right. 22:16.303 --> 22:17.304 So it'll be mimed. 22:17.324 --> 22:19.225 The fourth round you just, you're only allowed to think it. 22:19.525 --> 22:20.065 Really? 22:20.145 --> 22:21.546 It's just telekinetic. 22:21.566 --> 22:23.927 The person has to read your signs on your face. 22:24.087 --> 22:25.048 That's where the future is. 22:26.088 --> 22:28.029 So, where's it going to go next for social networking, though? 22:28.069 --> 22:39.492 Just sounds or just you're only allowed to, you're not allowed to use actual letters, you're only allowed to use numbers or just bits of punctuation. 22:40.352 --> 22:45.574 You have to express everything in punctuation, but you're not allowed question marks and you're not allowed exclamation marks. 22:45.594 --> 22:51.616 Yeah, I think it'll be, people will stop using language, words, and will just use violent pranks. 22:52.256 --> 22:53.016 Violent pranks. 22:53.096 --> 22:56.958 Everything will be communicated via a socially unacceptable violent prank. 22:57.318 --> 23:00.339 So Steve O will basically be like the president of the world. 23:00.419 --> 23:01.999 Yeah, exactly. 23:02.079 --> 23:05.520 And it'll just be pushing people off bikes, smashing windows, that kind of thing. 23:05.640 --> 23:07.341 So violent pranks are going out though, aren't they? 23:07.441 --> 23:07.901 You're right. 23:08.541 --> 23:09.922 I mean, violent pranks are yesterday. 23:09.962 --> 23:10.502 You're right. 23:11.562 --> 23:12.783 We're so behind the times. 23:13.783 --> 23:14.684 Well, I can't get onto Twitter. 23:14.704 --> 23:17.006 I'm going to try and get onto Twitter during the next record. 23:17.226 --> 23:21.329 We're going to launch Text of the Nation shortly, even though we haven't figured out exactly what it is. 23:21.790 --> 23:24.732 We've got a really good text of the nation, which we're going to launch very shortly. 23:24.772 --> 23:26.194 But right now, here's some more music. 23:26.714 --> 23:30.217 I like to think of him as six musics own Tom Robinson. 23:30.637 --> 23:31.578 This is 2468 motorway. 23:32.679 --> 23:34.601 That's ARMS by Future Heads. 23:35.381 --> 23:38.363 And you're listening to Adam Joe here on BBC Six Music. 23:38.424 --> 23:39.725 It's a digital station. 23:40.025 --> 23:42.046 You need a DAB radio to listen to it. 23:42.166 --> 23:43.568 You've got to be ahead of everybody else. 23:43.668 --> 23:44.809 You've got to be ahead of the curve. 23:44.969 --> 23:49.252 By definition, if you're listening to this, especially live, then you're cooler than everyone else. 23:49.973 --> 23:50.633 What do they call them? 23:50.773 --> 23:52.715 Are you a maven or a connector? 23:52.995 --> 23:54.036 You're an early adopter. 23:54.116 --> 23:55.517 An early adopter, right. 23:55.837 --> 23:56.117 Yeah. 23:56.197 --> 24:00.498 Basically, you're absolutely the coolest out of all the people. 24:00.518 --> 24:01.058 The coolies. 24:01.598 --> 24:03.938 Out of the coolies, you are the king coolie. 24:04.379 --> 24:06.519 So listen, I went to see some live comedy this week. 24:06.639 --> 24:06.879 Oh yeah. 24:06.919 --> 24:07.919 This is a rare event. 24:08.099 --> 24:08.659 Why'd you do that? 24:08.919 --> 24:10.440 Because somebody got me free tickets. 24:10.700 --> 24:11.240 Oh, I see. 24:11.320 --> 24:12.600 Was it a big famous comedian? 24:13.040 --> 24:16.941 It was some guys who are causing a stir in the stand-up improv scene. 24:17.641 --> 24:18.741 Yeah, they're an American troupe. 24:19.261 --> 24:20.281 Well, they've been to Edinburgh. 24:20.721 --> 24:21.481 They're the latest thing. 24:21.501 --> 24:22.682 They're called the Pajama Men. 24:23.242 --> 24:23.342 Oh. 24:23.662 --> 24:23.942 Yeah. 24:23.962 --> 24:24.482 Never heard of them. 24:25.022 --> 24:26.423 They're good. 24:26.503 --> 24:28.543 They wear pajamas. 24:29.063 --> 24:37.086 And there are two of them in pajamas, and there's a fellow at the back with keyboards and musical instruments who provides a kind of soundtrack to the whole thing. 24:37.486 --> 24:40.507 It's very cleverly done, and they do some mimes and physical comedy. 24:40.547 --> 24:42.248 They do very funny verbal gags. 24:42.308 --> 24:43.288 They tell stories. 24:43.768 --> 24:47.029 You know, it's sort of the surreal narrative school of comedy. 24:47.769 --> 24:53.051 You know, it feels improvisational, but then as it proceeds, you realise that it's all carefully structured and things pay off and stuff. 24:53.371 --> 24:54.152 You know that kind of thing? 24:54.312 --> 24:55.633 Yeah, most improv is like that. 24:55.753 --> 24:58.674 Even though there's something disconcerting about seeing men performing in pyjamas. 24:59.055 --> 24:59.255 Right. 24:59.275 --> 25:02.797 Because pyjamas are very relaxing, but there's something edgy about pyjamas, isn't there? 25:03.237 --> 25:03.558 Yes. 25:03.658 --> 25:06.820 But bits and bobs could topple out or become exposed at any point in pyjamas. 25:06.840 --> 25:08.441 Depends what kind of PJs you're wearing. 25:08.761 --> 25:14.605 Well, I hope they'd stitched up all the bits, because there could have been some embarrassing glimpses of the nether regions doing the performance. 25:14.625 --> 25:18.507 Well, it would be irresponsible not to wear underpants if you were wearing two PJs on stage. 25:18.547 --> 25:20.048 Yeah, they should wear some wife fronts there. 25:20.519 --> 25:24.142 Yeah, they're relaxing but once kind of weirdly unhygienic pyjamas, don't you think? 25:25.242 --> 25:27.704 Yeah, well it's minor anyway, are they? 25:27.724 --> 25:33.068 Well they're supposed to provide a hygienic barrier between you and your bed, aren't they? 25:33.148 --> 25:37.311 Anyway, once I've settled into the pyjama thing, yeah you're right, that is what they're for. 25:38.371 --> 25:44.795 The comedy was very good, but at one stage, quite early on in proceedings, they decided to go into the audience. 25:45.496 --> 25:47.457 Now that's always a terrifying moment, isn't it? 25:47.537 --> 25:54.141 Especially for a British audience, when the performer decides to cross the line and go for some audience participation. 25:55.021 --> 26:00.724 So they were doing these kind of hippie stoner characters who waved their hands in the air kind of thing. 26:02.265 --> 26:09.429 And they were waving their hands in the air and they drifted into the audience and they started drifting up the aisles and it was clear that whatever they were going to do next 26:09.969 --> 26:12.330 was going to target some member of the audience. 26:12.350 --> 26:16.791 And a palpable ripple of terror went through the crowd. 26:16.991 --> 26:17.911 One guy just left. 26:19.252 --> 26:20.472 Literally, one guy just stood up. 26:20.872 --> 26:23.393 It was quite a small venue and just walked out. 26:23.513 --> 26:26.274 No, I didn't pay to be intimidated. 26:26.774 --> 26:28.014 You're doing the comedy, not me. 26:28.074 --> 26:28.614 I'm leaving. 26:29.335 --> 26:30.355 That's what he was implying. 26:30.635 --> 26:31.876 Everyone else looked really worried. 26:31.996 --> 26:36.521 Anyway, it very rarely happens to me that they pick me, that they come up to me. 26:36.601 --> 26:41.286 But this time I kind of knew I had some weird gut feeling that he was going to come for me. 26:42.147 --> 26:46.191 And I was on the end of a row and I was quite tightly packed. 26:46.211 --> 26:49.615 It was at the Soho Theatre in London's racy west end. 26:50.055 --> 26:51.976 and they really cram you on the rose there. 26:52.356 --> 26:57.277 So I only had one buttock supported, the rest of me was kind of just draping over the stairs. 26:57.477 --> 27:02.539 I'd got long legs, I looked like some sort of insane alien stick insect man. 27:02.999 --> 27:06.200 So it was clear he was coming for me, and lo and behold he did. 27:06.800 --> 27:14.142 He came up to me, he started saying funny things at me, and then he said, what do you like to do on a Sunday? 27:16.226 --> 27:18.249 And there was silence. 27:18.790 --> 27:21.033 And the whole place turned to me. 27:21.594 --> 27:25.720 So I said, oh, I like to watch Antiques Roadshow. 27:26.280 --> 27:27.282 And he liked that. 27:27.362 --> 27:27.963 He went with that. 27:27.983 --> 27:29.225 Then he started riffing on that. 27:29.886 --> 27:32.249 And he said, that's a beautiful thing to say. 27:33.030 --> 27:36.252 and he hugged me and everything and then it was over. 27:36.972 --> 27:38.733 But for a moment it was mortifying. 27:39.714 --> 27:44.837 Because you were thinking, should I say something funny or should I just say something normal? 27:44.857 --> 27:47.658 I mean, the best thing to do is just say something straight. 27:47.838 --> 27:49.920 Well, it's a completely different mindset, isn't it? 27:50.020 --> 27:52.321 You're leaning back, you're in consumer mode. 27:52.681 --> 27:56.923 It's like if you were watching the telly and suddenly you realized you were on NTV. 27:58.044 --> 28:00.205 that Knoll had rigged your front room with cameras. 28:00.385 --> 28:01.925 Yeah, and Mr Blobby's coming at you. 28:02.105 --> 28:03.705 And Mr Blobby's in the wardrobe. 28:04.106 --> 28:05.646 It's that kind of level of terror. 28:05.666 --> 28:06.126 That is horrific. 28:06.146 --> 28:08.707 You don't expect to be pulled into the performance like that. 28:09.167 --> 28:10.587 Has that ever happened to you? 28:11.027 --> 28:12.708 No, I always wanted it to happen to me. 28:13.008 --> 28:13.148 Really? 28:13.168 --> 28:15.388 I was always desperate to get chosen for stuff like that. 28:15.448 --> 28:17.249 Please come to me, please, please, oh please! 28:17.609 --> 28:19.069 raising my hand almost, you know. 28:19.129 --> 28:19.410 Really? 28:19.650 --> 28:22.710 I would always volunteer for things like that, so they always knew, oh, avoid that one. 28:22.931 --> 28:24.971 You do it at your live shows, though, don't you? 28:25.471 --> 28:27.412 I get people involved every now and again, yeah. 28:27.732 --> 28:27.972 Yeah. 28:28.152 --> 28:29.152 And I like it. 28:29.312 --> 28:34.794 And I always think, well, they can't really not want to be involved, surely. 28:34.814 --> 28:35.274 It'll be fun. 28:36.195 --> 28:40.459 And the other day I did it and I pointed to a lady in the audience. 28:40.580 --> 28:42.001 I said, I need someone attractive. 28:42.021 --> 28:46.466 I was in character as an American actor man. 28:46.907 --> 28:52.413 And so I said, I need an attractive woman, pointed to this lady, and she seemed to resist a little bit. 28:52.473 --> 28:53.034 She was drunk. 28:53.394 --> 28:56.097 And she came up and she said, oh, I'm really drunk. 28:57.078 --> 29:17.223 It was only seven in the evening or something that was good that work well But we want to ask you listeners and this is a potential text the nation your experiences of audience participation Yeah, whether you've been pulled up on stage anywhere, maybe in a magic show maybe at a concert whether you've had any terrifying experiences when performers have crossed the line and tried to involve the audience in their gig and 29:17.503 --> 29:22.527 Yeah, what's the name of the lovely lady from Friends who was pulled up on stage? 29:22.827 --> 29:25.129 Courtney Cox in the Springsteen video. 29:25.169 --> 29:27.050 Yeah, obviously that was a video and that was faked. 29:27.110 --> 29:29.572 It was faked, but it was a wonderful moment. 29:29.993 --> 29:32.655 Yeah, 64046 is the text number, I believe. 29:33.575 --> 29:36.978 We're going to float that as our text the nation idea, right? 29:37.118 --> 29:37.518 You reckon? 29:37.759 --> 29:38.319 We should maybe. 29:38.339 --> 29:39.180 Jingle though, shouldn't we? 29:39.900 --> 29:40.701 Oh, let's think about it. 29:40.721 --> 29:41.441 It's the top of the hour. 29:41.501 --> 29:44.444 We should have at the top of the hour a sweeper and a record, shouldn't we? 29:44.864 --> 29:45.264 Yeah, okay. 29:45.284 --> 29:50.268 We'll have the top of the hour, sweeper, and then we'll sort of approach text-to-nation in a more formal way. 29:51.049 --> 29:53.931 So it's, yeah, it's just gone 10am. 29:53.951 --> 29:55.892 You're listening to Adam and Joe here on Six Music. 29:56.693 --> 29:59.455 Jingle, and then some great music from Sly and the Family Stone. 30:00.336 --> 30:02.077 That's so good, isn't it? 30:02.097 --> 30:03.418 That is so good. 30:03.478 --> 30:08.641 That is so wickedly good that I just, every time I hear it, yeah, I have to be sick. 30:08.701 --> 30:09.021 Really? 30:09.121 --> 30:10.942 Yeah, because it's too good. 30:11.042 --> 30:12.563 It overloads all my stuff, right? 30:30.453 --> 30:33.114 and then I have to fall over and be sick. 30:33.134 --> 30:35.615 It's horrible, it's disgusting, right? 30:35.736 --> 30:39.477 So in a way, I hate hearing that song, because it leads to all that. 30:39.797 --> 30:44.019 But it's so good that I can't help listening to it. 30:44.820 --> 30:45.380 I don't know about that. 30:45.820 --> 30:50.941 So listen, we're going to try and launch Text the Nation properly and we're going to do so with a listener made jingle. 30:51.001 --> 30:59.963 Last week, slightly rashly, and I'd like to apologise to the team, I encourage people to send in homemade jingles and we didn't really discuss it in any way before. 30:59.983 --> 31:01.044 That should be your new name. 31:01.684 --> 31:02.104 What's what? 31:02.284 --> 31:02.664 Rashly. 31:03.164 --> 31:03.604 Rashly. 31:03.724 --> 31:05.485 It'd be a nice name for a girl. 31:05.625 --> 31:06.145 Rashadee. 31:06.465 --> 31:06.785 Rashly. 31:08.386 --> 31:09.607 But we got an amazing response. 31:10.188 --> 31:13.470 We got like 40, 40 or 50 homemade jingles, didn't we? 31:13.550 --> 31:14.271 Many jingles. 31:14.371 --> 31:18.034 Somebody, a couple of people sent us in an amazingly produced album. 31:18.374 --> 31:18.735 Who was it? 31:18.795 --> 31:20.136 Charlie, Charlie Lin. 31:20.636 --> 31:27.382 Katie Dillon and Charlie Line, or Lin Line, proposed jingles for our new job, beautiful artwork and stuff like that. 31:27.402 --> 31:32.166 We haven't had a chance to listen to it properly, so we will do so this week and maybe play some next week. 31:32.486 --> 31:36.157 But so we're going to be using listener jingles this week and here's a listener jingle. 31:36.177 --> 31:38.884 This is by a gentleman called Steve for Text the Nation. 31:38.925 --> 31:39.506 Check this one out. 32:02.435 --> 32:03.656 That's a bit of a guitar there at the end. 32:03.716 --> 32:04.257 Very nice. 32:04.497 --> 32:05.898 Yeah, it's quite catchy, that one. 32:06.199 --> 32:06.439 Yeah. 32:06.759 --> 32:09.142 It might not seem like all that when you first hear it. 32:09.622 --> 32:10.563 Ah, that's not all that. 32:11.063 --> 32:14.066 But after a few listens... It's time to text the nation. 32:14.106 --> 32:15.548 Yeah, it gets under your skin. 32:15.788 --> 32:16.048 Yeah. 32:16.068 --> 32:16.709 It's an earworm. 32:16.769 --> 32:17.830 It's very nicely produced. 32:17.890 --> 32:18.931 That's by Steve Ash. 32:18.991 --> 32:19.712 Thank you, Steve. 32:20.112 --> 32:25.357 So, Text the Nation this week, we're asking you for stories about when you've been audience-participated. 32:26.238 --> 32:45.479 When a performer has stepped into the audience and roped you in and sometimes of course participation can go horribly wrong I mean I always remember a time when I was at I used to work at a kind of American theme restaurant and it was one of those places that was very loud and there was constant shouting and we jump up on the tables and dance and stuff like that. 32:46.039 --> 32:47.960 and we used to have a lot of parties of people in. 32:48.420 --> 32:58.445 And one time, one of the other guys, one of the DJs, I think, sort of went over to someone's table, jumped up on the table, said, right, we're going to sing Happy Birthday to Tony here. 32:58.925 --> 33:02.127 OK, Tony, come on, get up on the table and do a dance with us. 33:02.327 --> 33:03.187 And big deal. 33:03.227 --> 33:04.348 And Tony's like, oh, no. 33:04.368 --> 33:05.548 He's shaking his head. 33:05.629 --> 33:07.810 And he's like, come on, don't be boring. 33:07.830 --> 33:08.350 Come on, Tony. 33:08.390 --> 33:10.531 Everyone, we want to see Tony get up and do a little dance with us. 33:10.551 --> 33:11.311 Yeah, come on. 33:11.351 --> 33:11.651 Yeah. 33:12.972 --> 33:13.952 You know where this is going, right? 33:14.212 --> 33:14.432 No. 33:14.772 --> 33:15.573 Tony's disabled. 33:15.733 --> 33:17.133 He can't stand up. 33:17.633 --> 33:18.013 Oh, no. 33:18.073 --> 33:20.134 He's in a wheelchair and the guy hadn't seen. 33:20.454 --> 33:20.914 Oh, dear. 33:21.414 --> 33:26.895 And he was just all excited about the idea of getting him up and he hadn't checked yet, whether he was actually able to get up on the table. 33:27.275 --> 33:34.217 And so it was excruciatingly embarrassing for everyone concerned, mainly the DJ, I would say. 33:35.797 --> 33:38.138 So it went really wrong, but there's always the chance that that's going to happen. 33:38.158 --> 33:39.919 That's like some brilliant Ricky Gervais story. 33:40.279 --> 33:40.459 Yeah. 33:40.479 --> 33:41.799 That's like an episode of extras. 33:42.019 --> 33:42.540 There you go. 33:42.620 --> 33:43.700 He can have that one for free. 33:44.140 --> 33:48.522 But that happens, I've seen that happen one or two times in audience participation situations. 33:48.542 --> 33:48.702 Really? 33:48.742 --> 33:48.842 Yeah. 33:49.062 --> 33:54.584 Well, let us know your, your stories, uh, listeners, if you've got any, if no one has any, we'll switch subjects. 33:55.124 --> 33:55.964 It's not a problem. 33:56.285 --> 33:57.085 What would you switch to? 33:57.245 --> 33:57.965 Something brilliant. 33:58.005 --> 33:58.605 Favorite cakes. 33:58.886 --> 34:00.226 Favorite cakes. 34:00.686 --> 34:01.727 What's your favorite recipe? 34:01.787 --> 34:02.787 Battenberg would be mine. 34:03.087 --> 34:03.428 Would it? 34:03.468 --> 34:03.728 Yeah. 34:03.928 --> 34:05.870 Yeah, I just like a good old chocky sponge. 34:06.010 --> 34:07.392 This isn't very good, you know. 34:07.512 --> 34:11.497 So we got that in... Well, if the cakes takes off and overpowers the whole audience participate. 34:11.537 --> 34:12.858 I should never have mentioned the cakes. 34:12.878 --> 34:15.341 The thing about the cakes is it's a bit functional. 34:15.641 --> 34:15.862 Yeah. 34:15.922 --> 34:17.644 Well, we're just going to end up with lots of cakes. 34:17.664 --> 34:18.284 A list of cakes. 34:18.304 --> 34:19.045 A list of cakes. 34:19.205 --> 34:20.026 That's no bad thing. 34:20.166 --> 34:20.527 Isn't it? 34:20.867 --> 34:21.628 Victoria sponge. 34:23.670 --> 34:27.011 It's not something that's unique to the listeners though, is it? 34:27.171 --> 34:27.831 Is that a cake? 34:28.071 --> 34:28.731 Is it a cake? 34:29.251 --> 34:29.952 Or is it ice cream? 34:29.972 --> 34:30.892 It's a dessert. 34:30.952 --> 34:31.772 It's delicious. 34:32.012 --> 34:32.692 That's a good cake. 34:32.732 --> 34:34.153 I haven't had one for ages. 34:35.073 --> 34:35.773 What about? 34:36.133 --> 34:36.453 Yeah. 34:36.473 --> 34:37.613 I mean a Jaffa cake. 34:37.773 --> 34:39.294 We've talked about this before. 34:39.494 --> 34:40.074 That's a cake. 34:40.134 --> 34:40.534 Technically. 34:40.554 --> 34:41.254 Well, that's a cake. 34:41.274 --> 34:41.974 For tax reasons. 34:42.395 --> 34:44.115 But listen, what about the audience participation? 34:44.255 --> 34:45.636 Obviously audience participation. 34:45.656 --> 34:46.936 I'm just joking about the cakes. 34:46.956 --> 34:50.317 Don't talk about that thing The problem is with the cakes everyone has a favorite cake. 34:50.377 --> 35:02.642 Not everybody has a participation story Get some Battenberg today and there's gonna be people who feel alienated and a more pull towards the cake Yeah, everyone's pulled towards cakes fairy cake very classic homemade. 35:02.722 --> 35:06.463 It's nice when it's light, but it can go wrong I like it when they're stodgy in the middle. 35:06.643 --> 35:08.384 Do you yeah, what about a tart? 35:08.404 --> 35:08.424 I? 35:09.170 --> 35:10.612 I love any kind of tart. 35:10.712 --> 35:11.393 Treacle tart. 35:11.593 --> 35:15.218 Certainly a lovely homemade treacle tart with a lovely lattice on the top. 35:15.618 --> 35:16.039 Lattice? 35:16.139 --> 35:18.422 Bread crumbs soaked in delicious treacle. 35:18.883 --> 35:19.704 No, not lettuce. 35:19.764 --> 35:20.364 A lattice. 35:20.425 --> 35:21.566 A pastry lattice. 35:21.606 --> 35:23.008 What about a lettuce lattice? 35:23.868 --> 35:24.989 That would be another way to go. 35:25.009 --> 35:26.550 It would be healthy. 35:27.812 --> 35:28.432 64046, no cakes. 35:28.752 --> 35:30.334 No cake comments. 35:30.454 --> 35:31.975 Anyone takes in a cake. 35:32.876 --> 35:34.097 We will be furious. 35:34.197 --> 35:35.839 That's George Lamb's territory, man. 35:36.099 --> 35:38.081 He can have the cake topic. 35:38.141 --> 35:38.962 He's probably done it in fact. 35:38.982 --> 35:39.662 He's covered cakes. 35:39.682 --> 35:40.643 He's probably covered cakes. 35:40.964 --> 35:41.985 Who can tell with what? 35:44.907 --> 35:48.889 Certainly he's done cakes in every conceivable sense of the world. 35:48.909 --> 35:50.790 Not having a cake around George Lamb's house. 35:51.671 --> 35:54.853 So yeah, we've given them all the details for how to get in touch, right? 35:54.873 --> 35:56.354 No, I'm really full actually, George. 35:57.034 --> 35:58.095 No, I did, I just ate. 35:58.115 --> 35:58.775 Are you sure? 35:58.835 --> 35:59.976 It looks like lovely icing. 35:59.996 --> 36:01.236 Are you absolutely sure? 36:01.517 --> 36:02.397 But Yakisha? 36:02.657 --> 36:05.319 No, you've written your name in it and everything. 36:07.640 --> 36:08.260 But no thanks. 36:08.440 --> 36:09.701 I've done a cake, Booyah. 36:10.001 --> 36:10.701 Is that how he talks? 36:11.521 --> 36:12.562 Ting, he says all the time. 36:12.582 --> 36:13.062 Right, right, right. 36:13.482 --> 36:14.483 No disrespect, George. 36:15.243 --> 36:21.365 Okay, here's some more music while you're getting your non-cake-related audience participation stories to us for Text the Nation. 36:21.665 --> 36:23.626 This is a psychedelic verse with heaven. 36:23.746 --> 36:25.667 It's the Psychedelic Fuzz with Heaven. 36:25.687 --> 36:28.649 You're listening to Adam and Joe here on BBC Six Music. 36:29.329 --> 36:30.209 What are we up to now? 36:31.850 --> 36:34.252 We already established in this show, that's what we say mainly. 36:34.552 --> 36:37.673 Sometimes we say it as a legitimate form of identification. 36:37.693 --> 36:38.394 Yeah, it's important. 36:38.614 --> 36:40.795 One is trained to do it if you work on the radio. 36:40.855 --> 36:44.277 Yeah, exactly, because people dip in and out of the programme, so you have to orientate people. 36:44.757 --> 36:46.498 But other times we say it when we've got nothing. 36:46.898 --> 36:50.060 I was trying to think of ideas for BBC films. 36:50.460 --> 36:50.760 Oh yes. 36:51.060 --> 36:53.262 You know the BBC have a film department? 36:53.282 --> 36:53.942 A film arm. 36:54.142 --> 36:55.123 Yeah, it's very good. 36:55.163 --> 36:59.905 They do lots of very good films, but at the moment they tend to specialise in sort of period pieces. 37:00.685 --> 37:01.086 Or documentaries. 37:01.146 --> 37:04.948 That's not strictly true, but... Documentaries about Moss and Stewart Lee would have it. 37:04.968 --> 37:05.188 Yeah. 37:06.028 --> 37:12.153 I was trying to think of some good commercial ideas for them, you know, to get BBC films, some blockbuster action. 37:12.513 --> 37:21.379 And I was trying to think of ways they could use the BBC archive, you know, or things that the BBC are already famous for, how they could spin that into movies. 37:21.879 --> 37:23.921 Like, there should be a Top Gear movie, shouldn't there? 37:24.001 --> 37:24.541 Of course. 37:24.561 --> 37:28.884 I mean, there should be a big action movie with Clarkson, the Stig and Mark Owen. 37:29.305 --> 37:29.505 Right. 37:29.725 --> 37:30.645 Is he called Mark Owen? 37:30.665 --> 37:32.427 The one that looks like a hamster boy. 37:32.967 --> 37:33.747 Yeah. 37:33.787 --> 37:34.107 Hammo. 37:34.247 --> 37:36.868 Yeah, he thinks he looks like Mark Owen. 37:37.228 --> 37:37.688 He does. 37:37.728 --> 37:38.868 He's very attractive. 37:38.908 --> 37:40.789 He's a lovely man and he's everywhere. 37:41.189 --> 37:41.529 He's vulnerable. 37:41.569 --> 37:43.049 He does all the programmes, doesn't he now? 37:43.069 --> 37:43.730 He needs to be helped. 37:43.950 --> 37:44.670 He's the miracle man. 37:44.930 --> 37:47.170 Anyway, they should do a movie, shouldn't they? 37:47.471 --> 37:49.051 Of course, that's staring them in the face. 37:49.111 --> 37:49.411 Yeah. 37:49.531 --> 37:50.511 I bet that's in production. 37:50.591 --> 37:52.412 Do you think if it isn't, they're foolish? 37:52.512 --> 37:53.192 They're idiots. 37:53.252 --> 37:59.533 I was thinking that they could do a good one, because all about the natural history stuff, because you know like the BBC Earth and Blue Planet? 37:59.573 --> 38:00.414 That's very popular. 38:00.434 --> 38:01.854 The BBC owned the Planet Earth. 38:01.954 --> 38:04.396 They basically own the natural world, don't they? 38:04.516 --> 38:05.337 David Attenborough. 38:05.397 --> 38:06.538 They've got first dibs on it. 38:06.919 --> 38:07.800 Yeah, David Attenborough, yeah. 38:07.980 --> 38:09.621 He has first dibs on the natural world. 38:09.681 --> 38:11.964 He's in with all the top penguins and stuff. 38:12.264 --> 38:16.768 The penguins basically say they screen people, you know, and they know who's all the naturalist. 38:16.788 --> 38:17.949 Wait, because this is my idea. 38:17.969 --> 38:18.270 Oh, is it? 38:18.770 --> 38:36.609 so you basically pixar do a deal with the bbc yeah because they can do cgi animals so photo realistically that you can't tell the difference between the real thing so you use a lot of footage from from the blue planet and earth but then you have a behind the scenes thing about all the animals who are competing to star 38:37.330 --> 39:04.314 in the BBC things right so you have a very pompous polar bear who is on the sleeve of the blue planet and he's very arrogant he's treated like a star in the polar bear world and he lives in a big igloo or whatever and he knows Attenborough and has lunch with him at the ivy and stuff yeah and they talk about you know oh my wife's giving birth next week we should do a deal for the rights stuff like that they sell the rights to the birth and stuff um you know yeah you get the idea 39:04.654 --> 39:07.895 I think that would be absolutely extraordinary. 39:07.975 --> 39:09.116 That's how David Attenborough talks. 39:09.236 --> 39:14.258 And you intercut the CGI with the existing blue planet material that the BBC's got. 39:14.638 --> 39:15.979 Do you think that would be a success? 39:15.999 --> 39:16.239 Definitely. 39:16.259 --> 39:18.160 When are they going to do a Doctor Who feature film? 39:18.880 --> 39:19.400 Oh, I know. 39:19.460 --> 39:19.840 That's weird. 39:19.860 --> 39:21.941 That has to be quite soon, doesn't it? 39:21.961 --> 39:23.702 Well, they do TV features, don't they, though? 39:23.722 --> 39:24.562 They do feature-length episodes of TV. 39:24.582 --> 39:27.503 Yeah, but there were, like, Invaged, Dalek, Invasion Earth, or whatever. 39:27.523 --> 39:28.564 There were ones in the 60s. 39:28.624 --> 39:33.366 When Doctor Who was at its prime in the 60s, they did feature films that had massive production values and were... 39:33.786 --> 39:36.727 So, just to go on a tangent for one second, right? 39:36.967 --> 39:37.167 Yeah. 39:37.487 --> 39:39.188 Aren't they doing a 24 feature film? 39:39.708 --> 39:40.168 Probably. 39:40.568 --> 39:41.349 I thought they were. 39:41.509 --> 39:41.829 Are they? 39:42.189 --> 39:45.770 But the thing is, the 24 is genuinely like a film anyway, isn't it? 39:45.790 --> 39:46.070 Yeah, yeah, yeah. 39:46.090 --> 39:46.670 I never watched it. 39:47.211 --> 39:48.051 But... I'm not interested. 39:48.211 --> 39:48.991 Well, you're insane. 39:49.111 --> 39:49.371 I know. 39:49.752 --> 39:51.772 You keep telling me it's the best one so far. 39:52.092 --> 39:53.853 Give it four episodes, then you really get in there. 39:54.914 --> 39:55.395 No, it's great. 39:55.635 --> 39:58.158 But yes, that's staring them in the face, Doctor Who the feature film. 39:58.178 --> 39:58.478 Yes. 39:58.739 --> 40:03.324 What are they doing BBC films making all these period business things? 40:04.185 --> 40:05.026 Lark, rise to candle. 40:05.046 --> 40:06.127 Starter for 10 they did. 40:06.307 --> 40:06.508 Yeah. 40:06.788 --> 40:09.071 That was to do with, what's it called? 40:09.131 --> 40:09.731 The quiz show. 40:09.751 --> 40:11.734 You know, ask the university. 40:11.774 --> 40:12.434 Bamba Cambridge. 40:13.872 --> 40:15.813 Ask the Family. 40:16.213 --> 40:17.054 University Challenge. 40:17.074 --> 40:17.354 Yes. 40:17.774 --> 40:19.135 That was sort of a tie-in. 40:19.535 --> 40:23.678 But you know, Celadore are doing very well with There Who Wants to be a Millionaire film? 40:24.898 --> 40:26.239 Slumdog. 40:26.839 --> 40:27.880 Two slums up for that one. 40:29.781 --> 40:30.582 That's my little joke. 40:30.702 --> 40:31.583 That's nice, man. 40:31.603 --> 40:36.827 So it's all the rage to intertwine, maybe this is a better text the nation. 40:37.228 --> 40:38.289 Don't confuse them. 40:38.469 --> 40:40.270 Well, our audience are very sophisticated. 40:40.290 --> 40:43.073 They can handle up to three text the nation subject at once. 40:43.093 --> 40:43.593 Like Weetabix. 40:43.974 --> 40:44.374 Yeah. 40:44.634 --> 40:45.355 I don't think so. 40:45.655 --> 40:46.176 No, you're right. 40:46.216 --> 40:47.557 It's not a text the nation subject. 40:47.917 --> 40:49.158 But don't you think that's a good idea? 40:49.178 --> 40:51.000 Don't you think I should run BBC films? 40:52.281 --> 40:54.263 It's quite a good text the nation subject, isn't it? 40:55.239 --> 40:56.620 Yeah, you should run BBC films. 40:56.841 --> 40:59.283 I'd be there, I'd be in there with all the latest ideas. 40:59.323 --> 41:01.345 So who else are you going to, are you going to do Song to Praise the movie? 41:02.369 --> 41:05.571 Hmm, that's a good idea without a Jones. 41:05.611 --> 41:06.992 What would be the climax of that? 41:07.252 --> 41:09.033 He finds out he meets God. 41:09.874 --> 41:11.675 Oh That's quite heavy. 41:11.695 --> 41:13.256 I mean, that's a well, that's what you want though. 41:13.276 --> 41:14.437 Isn't that's the ultimate climate? 41:14.477 --> 41:14.637 Yes. 41:14.697 --> 41:17.079 Good CGI opportunities for God. 41:17.259 --> 41:19.581 Yeah, be brilliant Yeah, that's a good idea. 41:19.601 --> 41:23.463 Amazing music uses something that is what about antiques roadshow? 41:23.943 --> 41:25.564 Yeah, you're obsessed with antiques roadshow. 41:25.585 --> 41:27.806 I don't like it Well, she's lovely the lady. 41:27.926 --> 41:31.048 Yeah, she'd get bums on seats here in a broof broof 41:33.850 --> 41:42.654 that's not what you're thinking is it what am i thinking not seats 41:45.723 --> 41:47.484 I don't know, something dirty you're thinking. 41:47.504 --> 41:49.946 Think about George Lamb's cake again. 41:50.966 --> 41:52.287 Listen, let's have another record. 41:52.687 --> 41:53.227 Oh, dear. 41:53.928 --> 41:55.389 Okay, oh, this is my free choice, right. 41:55.449 --> 41:58.370 Now, this is, I'm playing this for my wife in case she's listening. 41:58.711 --> 42:01.852 I think she tunes in around about now, but, you know, she dips in and out. 42:01.892 --> 42:04.334 Very few people listen to the whole show right the way through, right? 42:04.794 --> 42:04.894 Yeah. 42:04.914 --> 42:05.915 Because you'd have to be insane. 42:06.196 --> 42:08.298 But I'm hoping that she might be listening right now. 42:08.338 --> 42:11.241 This is a song that I know she likes by The Rentals. 42:11.521 --> 42:13.483 The Rentals are an offshoot or were an offshoot. 42:13.503 --> 42:15.786 I'm not sure if they're still together from Weezer. 42:16.606 --> 42:20.771 And their first album, Return of the Rentals, is amazing if you've never heard it. 42:20.791 --> 42:22.553 That's what we used to call our parents. 42:22.613 --> 42:23.393 Yeah, The Rentals. 42:23.434 --> 42:24.475 We thought we made that up. 42:25.035 --> 42:25.736 Did we make that up? 42:25.916 --> 42:26.476 Maybe we did. 42:26.637 --> 42:28.138 Parents, parentals, the rentals. 42:28.198 --> 42:28.798 Yeah, exactly. 42:29.079 --> 42:29.739 Are your rentals in? 42:29.779 --> 42:30.800 No, my rentals have gone out. 42:31.040 --> 42:31.320 Yeah. 42:31.681 --> 42:33.042 Did we make that up, or did everyone? 42:33.062 --> 42:34.103 That's too obvious, isn't it? 42:34.243 --> 42:35.124 Everyone would have made that up. 42:35.164 --> 42:36.525 I felt it felt like we made it up. 42:36.725 --> 42:38.827 Is that what they mean by naming their band the Rentals? 42:38.967 --> 42:41.729 No, they're talking about cars, like a rental car and stuff like that, you know? 42:42.029 --> 42:43.691 I think, unless they're talking about their parents. 42:43.951 --> 42:49.775 Anyway, this is a track called, Please Let That Be You, with the er in the middle, by The Rentals. 42:49.975 --> 42:51.176 Well, that was pretty good, wasn't it? 42:51.196 --> 42:55.239 That was Golden Silvers with True Romance, Sean Kievny's record of the week. 42:55.279 --> 42:57.120 That does sound like an 80s parody, though. 42:57.340 --> 43:00.142 It does, I mean- We could have entered that for Song Wars the week before last. 43:00.342 --> 43:00.663 Yeah. 43:01.483 --> 43:03.244 It's got, uh, it's even called, what's it called? 43:03.625 --> 43:04.285 True Romance. 43:04.345 --> 43:05.106 True Romance. 43:05.466 --> 43:06.987 Almost the name of Modern Romance. 43:07.367 --> 43:23.207 yeah exactly who it sounded very much like and also it sounded a bit like heaven 17 to reference uh they're called the golden silvers that's very 80s as well is it well the twinkly goldenness you know do you associate gold with the 80s i do yeah yeah spend our ballets record gold 43:23.667 --> 43:25.388 Stephen Fry's gold... Stephen Fry? 43:25.528 --> 43:27.549 Martin Fry's gold lame suit? 43:27.589 --> 43:28.370 Sure, okay. 43:28.810 --> 43:29.891 Yeah, there's two things. 43:30.291 --> 43:30.831 Two things. 43:30.851 --> 43:31.491 Yeah, that makes sense. 43:31.511 --> 43:33.372 They're true, very important things. 43:33.613 --> 43:33.853 Yeah. 43:34.013 --> 43:35.093 And of course, did True Romance? 43:35.153 --> 43:37.255 No, True Romance, the film, came out in the 90s, didn't it? 43:37.335 --> 43:37.615 Yeah. 43:38.115 --> 43:39.296 That's hard to watch that film. 43:39.636 --> 43:49.541 Like, if you watch it back, it's a film that sort of felt like an enjoyable romp at the time, but if you try and re-watch it with Christian Slater and one of... Nelly Furtado. 43:49.561 --> 43:51.282 Nelly Furtado's in there and... 43:53.083 --> 43:53.964 Christopher Walkers. 43:53.984 --> 43:56.086 You kids on the block and crisps. 43:56.286 --> 43:56.566 Yeah. 43:56.706 --> 43:57.427 They're all in there. 43:58.047 --> 43:58.547 It's hard. 43:58.888 --> 43:59.708 Difficult to watch. 44:00.589 --> 44:06.733 Speaking of good things to watch, though, I got a message from someone at the BBC about Flight of the Conchords. 44:06.753 --> 44:14.319 We were talking about the fact that my 80s track was accidentally very similar to a Flight of the Conchords song in their new series. 44:15.439 --> 44:16.120 This is from Matt. 44:16.160 --> 44:20.023 He says, like all right-minded people, glad you've been enjoying Flight of the Conchords. 44:21.003 --> 44:22.424 who in their right mind wouldn't. 44:23.885 --> 44:28.729 I am the person currently working on preparing the new series for transmission on the BBC. 44:28.749 --> 44:29.649 I don't know what that means. 44:29.730 --> 44:30.870 How is he preparing it? 44:30.930 --> 44:31.771 He's seasoning it. 44:32.271 --> 44:34.853 He's laying some strips of bacon across the top of it. 44:35.554 --> 44:37.755 Putting some potatoes around the edge. 44:38.076 --> 44:40.017 A little pastry lattice. 44:40.817 --> 44:41.638 A lettuce lattice. 44:41.758 --> 44:42.499 With some lettuce. 44:42.719 --> 44:43.579 Getting George Lamb in. 44:43.599 --> 44:46.361 Getting George Lamb to put some toppings on. 44:47.282 --> 44:52.067 He says, series two of Flight of the Conchords will begin transmitting on BBC Four in mid-May. 44:52.527 --> 44:53.968 Watch it in glorious television. 44:54.168 --> 44:55.790 There's lots of good telecoming on the internet. 44:56.210 --> 44:56.471 Yes. 44:56.511 --> 44:57.071 The Wire? 44:57.331 --> 44:58.312 The Wire, it's brilliant. 44:58.332 --> 44:59.714 It's coming up, that's supposed to be really good. 44:59.734 --> 45:00.995 Just give it four episodes, you're in there. 45:01.836 --> 45:05.559 Stewart Lee's show, Stewart Lee's comedy vehicle going out at the moment, that's brilliant. 45:05.779 --> 45:07.120 Oh, that's enjoyable. 45:07.140 --> 45:08.662 What were you going to say? 45:08.902 --> 45:09.202 Nothing. 45:09.943 --> 45:10.764 You said the thing is... 45:11.224 --> 45:15.427 I was just going to carry on talking rubbish about the Y. Talking rubbish. 45:15.467 --> 45:16.327 Go on, say another thing. 45:16.607 --> 45:19.649 Another thing about the Y. Omar, he's such an amazing character, Omar. 45:19.669 --> 45:20.389 You know, he's British. 45:20.830 --> 45:21.650 The actor's British. 45:21.750 --> 45:22.671 No, wrong about that. 45:22.711 --> 45:23.611 See, I got it slightly wrong. 45:23.631 --> 45:24.011 Slightly wrong. 45:24.032 --> 45:25.192 But I've never seen it. 45:25.332 --> 45:26.773 I've only ever heard people talking about it. 45:26.813 --> 45:27.574 That's not bad. 45:27.794 --> 45:28.774 That's not bad at all. 45:28.914 --> 45:31.736 Omar is Obama's favourite character from the Y. Yeah. 45:32.316 --> 45:33.077 Did you know that one? 45:33.097 --> 45:36.419 Do you have that in your little smug wire locker there? 45:36.659 --> 45:39.320 I'm going to add that to my specious arsenal. 45:40.861 --> 45:41.782 It's brilliant, man. 45:41.862 --> 45:43.042 Omar is the best character. 45:43.082 --> 45:43.803 He's amazing. 45:44.183 --> 45:48.025 He deserves his own... He, you know, the actor I think is in the... Oh, shut up about the wire. 45:48.105 --> 45:50.046 Adaptation of the road that's coming out. 45:50.106 --> 45:50.667 Here's the news. 45:50.827 --> 45:52.147 That was the choral within the morning. 45:52.187 --> 45:54.188 You put a question mark by that one in the playlist. 45:54.208 --> 45:54.309 I did. 45:54.329 --> 45:55.269 I'm not sure about that one. 45:55.289 --> 45:56.250 That's brilliant, that song. 45:56.270 --> 45:58.751 It is good, but I think it gets a lot of airplay. 45:59.291 --> 46:02.393 I think six music should be playing, you know, who am I to say? 46:02.773 --> 46:04.074 Yeah, who are you to say? 46:04.474 --> 46:09.177 I would condition this with, but I think we should be playing stuff that doesn't usually get heard about the place. 46:10.117 --> 46:10.597 that much. 46:10.657 --> 46:14.659 There's other shows, that's what Stuart Maconey and Mark Radcliffe are for. 46:14.759 --> 46:15.459 Yeah, you're right. 46:15.760 --> 46:16.540 You're right. 46:16.700 --> 46:17.781 We're playing fun. 46:18.021 --> 46:18.601 You brought it up. 46:18.621 --> 46:20.122 I'm just defending my position. 46:21.022 --> 46:23.623 You exposed me and now you're attacking me, which is very ignoble. 46:24.143 --> 46:25.064 It's a bit cowardly, isn't it? 46:25.084 --> 46:26.464 It's a little bit cowardly. 46:27.565 --> 46:28.105 Sorry about that. 46:28.125 --> 46:29.806 You're calling my name then, punching me in the face. 46:30.146 --> 46:30.826 Joe, yes. 46:30.946 --> 46:31.486 Blue smack. 46:33.127 --> 46:34.127 That's how you operate. 46:34.347 --> 46:36.888 Yeah, but I'm- Future I won't answer when you call, that's the solution. 46:36.908 --> 46:39.269 Listen, you can look at it in that way if you want. 46:39.429 --> 46:45.191 I'm defending the coral, who you are bullying, by putting a question mark by the- I was bullying them in private. 46:45.871 --> 46:49.092 And there's more of them than there are of you as well, so they could easily get the coral. 46:49.112 --> 46:49.452 You're right. 46:49.632 --> 46:51.833 Coral's very precious and dangerous as well. 46:51.893 --> 46:52.573 It's abrasive. 46:52.933 --> 46:53.153 Yeah. 46:53.213 --> 46:54.473 Listen, it's text the nation time. 46:54.513 --> 46:58.214 We're going to have another listener made jingle for this segment, aren't we Adam? 46:58.234 --> 46:58.434 Yes. 46:58.474 --> 46:59.594 This one is from Tom Holt. 46:59.634 --> 47:03.195 Just to remind people, you know, we love jingles on the show, right? 47:03.235 --> 47:12.897 We usually make our own, but last week we suggested that maybe listeners could send in their own jingles that we would use just for this show and maybe one or two times thereafter. 47:13.337 --> 47:15.998 I don't think they should replace the jingles that I, for example, 47:16.118 --> 47:20.520 No, I think you're right, but I think it's nice every now and then to have a listener-made jingle. 47:20.580 --> 47:21.321 I think you're right, yeah. 47:21.601 --> 47:24.963 This one is from Tom Holt, and he's come up with a jingle for Text the Nation. 47:25.003 --> 47:25.303 Here it is. 47:28.685 --> 47:29.845 Text the Nation. 47:33.507 --> 47:34.648 Text the Nation. 47:38.310 --> 47:39.390 Text the Nation. 47:39.410 --> 47:41.251 Text the Nation. 47:41.331 --> 47:43.652 Text the Nation. 47:43.733 --> 47:44.613 Text the Nation. 47:45.623 --> 47:46.423 Is that one of the good ones? 47:46.763 --> 47:47.263 Yes! 47:47.323 --> 47:47.883 That's good. 47:48.363 --> 47:50.104 I like the medieval feel of that one. 47:50.124 --> 47:52.064 It does, it has a kind of medieval feel. 47:52.084 --> 47:53.224 It's like a medieval dungeon. 47:53.244 --> 47:55.245 Yeah, it's quite sinister and frightening. 47:55.285 --> 47:55.905 Exactly. 47:56.065 --> 47:56.385 Yeah. 47:56.465 --> 47:59.725 As if we're in a dungeon, we're doing the show from a dungeon, there's flaming torches. 48:00.366 --> 48:01.626 Flaming torches. 48:01.886 --> 48:07.007 And they've put Joe on a rack there because he's... I want to be compressed, not stretched. 48:07.507 --> 48:08.547 I'm tall enough already. 48:09.027 --> 48:09.487 Wow. 48:09.527 --> 48:10.447 Please not the rack. 48:10.927 --> 48:12.108 No, not the rack. 48:12.168 --> 48:13.588 I mean, you've not got some kind of compression. 48:14.868 --> 48:29.956 then you could torture me and I'd get something out of it could you not just like chop a section out of my legs and then sell me back they can't do that of course that's the procedure I'm saving up for that for the shortening operation we're swapping aren't we I'm giving you a couple of feet yeah that would be great yeah I'm having my ankles transposed onto you 48:32.077 --> 48:34.680 And then I wake up and I realise they've sewn them onto my head! 48:35.141 --> 48:36.923 You realise you're possessed by my ankles. 48:37.784 --> 48:38.064 Yes. 48:38.104 --> 48:40.246 Like that Johnny Depp film where he gets a monkey's heart. 48:40.847 --> 48:42.769 Only what would ankles bring to the party? 48:43.550 --> 48:44.751 Your groovy dance moves. 48:45.212 --> 48:46.113 Groovy dance moves. 48:46.453 --> 48:48.035 Extreme pain when you get kicked in them. 48:49.116 --> 48:50.797 and phantom itching, have you got itchy ankles? 48:51.217 --> 48:53.618 My ankles are alright actually. 48:53.678 --> 48:55.398 You'd have my sock impressions. 48:56.399 --> 48:56.779 Do you know? 48:56.799 --> 48:59.520 But I mean tight socks when they make a little... Sure. 48:59.920 --> 49:00.220 Sure. 49:00.540 --> 49:08.663 Okay, Text the Nation this week is all about audience participation when you go to some kind of event and you get roped into the activity on the stage. 49:09.243 --> 49:11.344 The more I think about it, the more I think it should be banned. 49:11.824 --> 49:12.144 Really? 49:12.344 --> 49:14.545 Yeah, I think only magicians should be allowed to do it. 49:15.225 --> 49:16.486 But it's fun for people sometimes. 49:16.507 --> 49:16.927 Is it fun? 49:16.947 --> 49:18.449 I think it's terrifying. 49:18.749 --> 49:20.151 It's fun for the rest of the audience. 49:20.691 --> 49:23.734 But the moment when you think you're going to be picked, it's horrible. 49:23.795 --> 49:32.244 Well, famous people often say they don't like going to gigs and stuff like that, and especially sitting anywhere near the front, because they always think the performer's going to home in on them. 49:32.264 --> 49:32.664 Pick on them. 49:33.545 --> 49:35.446 Okay, so here's one from John Robson. 49:35.527 --> 49:46.614 He says, my girlfriend Jessica has been emotionally scarred to this day 20 years later from an occasion when she was a teenager and took her younger brother to Gnome World in Devon. 49:47.395 --> 49:54.960 She was singled out in a Gnome performance and ended up having to sing with a piano playing small person. 49:55.800 --> 49:57.021 I doubt it's the smallest of the players. 49:57.041 --> 49:59.303 It's probably the Gnome costume and the general ambiance. 50:00.063 --> 50:01.704 What's the general ambience? 50:01.965 --> 50:03.666 What, just a creepy gnome ambience? 50:04.867 --> 50:05.547 Creepy. 50:05.867 --> 50:06.228 Yeah. 50:06.388 --> 50:09.770 Gnomes, generally, like from Enid Blyton books. 50:09.830 --> 50:10.451 Naughty gnomes. 50:10.711 --> 50:11.311 Naughty gnomes. 50:11.351 --> 50:12.412 They're quite scary. 50:12.452 --> 50:12.933 They are, yeah. 50:13.053 --> 50:17.296 There's something about that whole British pastoral magic thing. 50:17.316 --> 50:19.558 You know gnomes and toadstools and fairies. 50:19.938 --> 50:21.519 It's quite sinister and disturbing. 50:21.919 --> 50:24.061 Well, the ones with the old bulbous noses. 50:24.221 --> 50:24.541 Yeah. 50:24.601 --> 50:26.623 I'm thinking of Cogall from Labyrinth. 50:26.643 --> 50:27.664 The faraway tree. 50:27.864 --> 50:28.144 Yeah. 50:28.504 --> 50:29.445 That's creepy stuff. 50:29.725 --> 50:30.766 It is creepy, alright. 50:30.826 --> 50:33.309 No, it's all magic mushroom based and troubling. 50:34.230 --> 50:44.541 Anyway, Jessica was severely traumatised by the gnome and to this day whenever we go to a show, any type of show, she fears, she lives in fear of being chosen to participate. 50:45.422 --> 50:45.983 By a gnome. 50:46.384 --> 50:47.345 By a gnome. 50:47.986 --> 50:48.827 Here's one from Chris. 50:49.187 --> 50:55.675 I was at a show that encouraged friendly rivalry between different parts of the audience, and an audience member came over and punched me in the head. 50:55.976 --> 50:56.256 What? 50:56.577 --> 50:58.059 I'd like to know more about that, Chris. 50:58.399 --> 50:59.400 I don't believe that's true. 50:59.420 --> 51:00.241 I do believe it. 51:00.301 --> 51:00.562 Really? 51:00.862 --> 51:27.225 yeah antagonism like you get you get the left side of the audience to sing or chant yeah and then a spirit of competition uh kind of builds up and then he gets out of hand then you get head punching before you know it people are punching each other in the head expand on that please chris here is an anonymous texter who says darren brown selected me to go on stage so i ran up but he sent me back because i was barefoot i think my feet subconsciously revealed i could not be messed with 51:27.905 --> 51:31.906 although it may have been because there was a lot of broken glass on the stage, he wore lots of makeup. 51:32.726 --> 51:35.147 So that's another interesting aspect to audience participation. 51:35.187 --> 51:36.947 You get to see the performers close up. 51:37.247 --> 51:44.429 And if you're in magic, you maybe get to know how they did it, but have a moral choice to make, whether to keep the secret or not. 51:44.549 --> 51:46.330 He sends a lot of people back, Darren Brown. 51:46.610 --> 51:46.850 Yeah. 51:46.910 --> 51:48.550 I've noticed him doing that a couple of times. 51:48.590 --> 51:50.391 He gets people up and he goes, no, you know what? 51:50.471 --> 51:52.071 I'm sorry, but you're not right. 51:52.231 --> 51:53.451 They're too strong-willed. 51:53.551 --> 51:53.851 Right. 51:54.092 --> 51:54.472 Maybe. 51:54.792 --> 51:55.692 Well, they're not magic enough. 51:56.132 --> 51:56.332 Uh-huh. 51:56.713 --> 51:57.974 Here's one from Rosie in Norwich. 51:57.994 --> 51:58.235 Wow. 51:58.255 --> 51:58.515 That's harsh. 52:13.453 --> 52:16.636 Because the whole baying crowd then would get on your case. 52:16.696 --> 52:21.021 It's difficult as well if you're the performer as well and you've homed in on someone. 52:22.022 --> 52:23.744 It weakens your authority, doesn't it? 52:23.804 --> 52:24.344 Exactly. 52:24.544 --> 52:27.988 Because when you picked that woman at your gig, she wasn't up for it at first, was she? 52:28.008 --> 52:28.048 No. 52:28.068 --> 52:29.810 But you persevered, you bullied her. 52:30.050 --> 52:30.631 Yeah. 52:30.711 --> 52:31.452 In a nice way. 52:31.472 --> 52:31.692 Yeah. 52:31.812 --> 52:35.315 Bully with a small B. And she ended up being brilliant. 52:35.335 --> 52:36.637 You know, she loved it, you loved it. 52:36.897 --> 52:37.117 Yeah. 52:38.038 --> 52:38.658 I hated it. 52:38.678 --> 52:40.059 No, that's not true. 52:40.119 --> 52:40.480 I liked it. 52:41.160 --> 52:42.201 Was it really uncomfortable to watch? 52:42.221 --> 52:42.561 No, it was good. 52:42.581 --> 52:43.002 It was good. 52:43.322 --> 52:44.242 Here's one from Kirsty. 52:44.263 --> 52:46.244 When I was about five, my family went to the circus. 52:46.584 --> 52:52.609 Suddenly a clown accosted me and made me perform a roly-poly after leaping over a chair. 52:53.109 --> 52:54.390 That sounds sordid, doesn't it? 52:54.410 --> 52:55.491 A clown, yeah. 52:55.551 --> 52:56.692 What's a roly poly? 52:56.772 --> 52:57.552 A roly poly? 52:58.213 --> 52:59.173 She's actually spelt it. 52:59.193 --> 53:00.835 A roly poly, that's just a forward roll. 53:00.855 --> 53:02.276 Just a forward roll after leaping over a chair. 53:02.296 --> 53:06.198 The next time we went to the circus, a clown lurched in our direction. 53:06.739 --> 53:11.582 My sister, who witnessed my trauma the last time, actually wet herself on my mum's knee. 53:11.843 --> 53:13.003 Oh, that's just awful. 53:13.023 --> 53:15.045 That's a good description of the clown lurching. 53:15.605 --> 53:18.527 He's a zombie or some kind of out of control robot. 53:18.607 --> 53:18.808 Yeah. 53:19.848 --> 53:21.750 And here's one from Sarah in Southsea. 53:22.331 --> 53:31.279 My partner Tony is still paying to see a chiropractor several years after he and his mate were pulled from the audience by Johnny Vegas and asked to carry him aloft on stage. 53:31.740 --> 53:37.125 Well, he's famous, isn't he, for having all kinds of extreme audience participation, Johnny Vegas? 53:37.145 --> 53:38.667 But what do you expect if you go to his show? 53:38.687 --> 53:40.869 You've got to be ready to take the consequences. 53:41.289 --> 53:42.550 Has anyone sued anybody? 53:42.570 --> 53:46.792 Somebody sued Paul McKenna very famously, didn't they, after being involved in one of his Hypno things? 53:47.272 --> 53:47.592 Right. 53:47.812 --> 53:48.633 Well, that's different. 53:48.653 --> 53:51.354 I mean, those can be very invasive. 53:51.714 --> 53:54.176 One last one for this segment from Aaron in Blackheath. 53:54.196 --> 53:57.557 When I was 10, I was levitated by a magician who came to our school fair. 53:57.917 --> 54:02.780 Everyone who saw it said I was floating, but to me it just felt like I was lying on a table. 54:05.021 --> 54:08.483 And then you're, right, then you're under pressure sort of not to burst the bubble. 54:08.583 --> 54:09.723 Not to give away the secret. 54:09.783 --> 54:10.043 Exactly. 54:10.063 --> 54:12.665 You have to kind of maintain the illusion, as it were. 54:12.925 --> 54:15.546 Please keep your audience participation stories coming in. 54:15.566 --> 54:17.767 The text number is 64046. 54:18.407 --> 54:23.210 The email is adamandjoe.6musicatbbc.co.uk. 54:23.450 --> 54:24.610 Wonderful music for you now. 54:24.650 --> 54:26.191 This is Back for Lashes with Daniel. 54:26.471 --> 54:30.293 Lovely, lovely, lovely. 54:30.413 --> 54:31.774 Back for Lashes with Daniel. 54:32.214 --> 54:33.315 Adam and Joe here on BBC 6 Music. 54:34.355 --> 54:36.717 I had a bit of a road rage incident this week, Joe. 54:36.737 --> 54:37.218 Oh, dear. 54:38.218 --> 54:39.480 Had any road rage recently? 54:39.840 --> 54:40.500 Yeah, I did. 54:40.841 --> 54:43.963 But you get into your story, because I don't want to make everything too long. 54:44.244 --> 54:46.406 All right then, mine was a bike rage thing. 54:47.386 --> 54:49.048 And every now and again I have them. 54:49.068 --> 54:58.036 And I really do try and be a responsible cyclist, but I also like to be honest when I transgress, right, and not pretend like I'm saintly, because I know I'm not. 54:58.676 --> 55:00.256 And now I'm living outside London. 55:00.317 --> 55:10.019 I think some of my bad metropolitan cycling habits are going down badly with the people of Norwich, who are used to more respectful cycling behaviour, quite rightly. 55:10.759 --> 55:15.200 And so I've been yelled at a couple of times in the last few weeks cycling through Norwich. 55:15.600 --> 55:18.421 One time I was on this stretch of road, right? 55:19.181 --> 55:21.682 And it's quite a busy stretch of road leading out of town. 55:21.962 --> 55:25.243 And along the side of the road is a long cycle path on the pavement, right? 55:25.783 --> 55:28.145 So I'm on the cycle path happily. 55:28.285 --> 55:31.527 You are a cycle path. 55:32.407 --> 55:35.749 And I get to the end of the path, and then what do you do? 55:35.769 --> 55:37.330 You have to join the road again, right? 55:37.910 --> 55:43.093 So what I did was I just slid onto the road without indicating. 55:44.034 --> 55:44.754 I didn't stop. 55:44.874 --> 55:45.995 I just rejoined the road. 55:46.215 --> 55:52.081 but I joined it hugging the curb, so there was no way unless the car was going to be right there. 55:52.261 --> 55:55.224 You know, I did look behind me, I didn't like just join it without looking. 55:55.244 --> 55:55.544 What happened? 55:55.584 --> 55:55.905 Hooting? 55:56.385 --> 55:56.806 Shouting. 55:56.966 --> 56:00.650 There was a guy in a flatbed truck, right? 56:01.170 --> 56:03.873 And he looked a little bit like he'd just popped out of the hills have eyes. 56:04.373 --> 56:08.698 And he had his two young sons, I guess around eight years old, eight or nine years old, sat next to him. 56:09.658 --> 56:15.320 And he went completely ballistic all over my arse, right? 56:15.360 --> 56:16.420 Did he stop his vehicle? 56:16.480 --> 56:17.581 Stopped his vehicle. 56:17.601 --> 56:18.301 Did he exit the vehicle? 56:18.321 --> 56:19.741 Hoot, hoot, hoot, hoot. 56:20.341 --> 56:21.582 And he was a Scottish man. 56:21.602 --> 56:23.122 You idiot! 56:23.362 --> 56:24.523 You idiot! 56:24.663 --> 56:25.643 You idiot! 56:25.683 --> 56:27.163 He kept on screaming over and over again. 56:27.183 --> 56:29.384 I can't crash down to the wheel! 56:29.444 --> 56:30.645 I can't count you! 56:30.825 --> 56:31.825 You idiot! 56:32.386 --> 56:32.606 Right. 56:32.866 --> 56:33.367 Fair cop. 56:33.387 --> 56:33.747 All right. 56:33.967 --> 56:34.287 I should. 56:34.367 --> 56:34.567 I should. 56:34.587 --> 56:38.450 He was frightened because he thought you were going to make him. 56:38.670 --> 56:41.551 There was no, let me tell you, there was absolutely no way. 56:41.731 --> 56:41.871 Yeah. 56:41.891 --> 56:43.412 But you made him think that. 56:43.432 --> 56:43.713 No. 56:43.773 --> 56:44.713 So you terrified him. 56:44.753 --> 56:47.475 I'm just saying that's why he was angry because he was frightened as a driver. 56:47.515 --> 56:49.316 That is the most terrifying thing. 56:49.416 --> 56:49.696 Sure. 56:49.896 --> 56:52.217 Legitimate, legitimate rebuttal. 56:52.778 --> 56:55.199 However, in this case, not legitimate. 56:55.259 --> 56:56.480 He was nowhere near. 56:56.500 --> 57:00.102 He was miles behind, but he just didn't like it because he hates cyclists. 57:00.362 --> 57:01.403 No, I don't know, man. 57:01.903 --> 57:02.124 No. 57:02.604 --> 57:06.987 Honestly, I'm telling you, you've heard me confess my transgressions before. 57:07.087 --> 57:14.934 If it was a real genuine case of me having slid right in front of this guy and given him a terrible shot, I'd be holding my hands up and saying, fair cop. 57:15.294 --> 57:15.894 But it wasn't. 57:16.014 --> 57:16.755 He was miles back. 57:16.775 --> 57:20.098 He just didn't like the idea that I'd re-joined the road without actually stopping. 57:20.618 --> 57:21.700 I mean, it was partly my fault. 57:21.720 --> 57:25.846 I'll give you the benefit of the doubt, but as a BBC programme... Yeah, balance. 57:26.207 --> 57:28.410 I think we should... I think that is a bad thing. 57:28.430 --> 57:30.133 And as a driver, it is terrifying. 57:30.413 --> 57:35.501 And the idea, that's the most terrifying thing about traffic accidents, is they happen out of nowhere. 57:35.562 --> 57:35.702 Yeah. 57:35.902 --> 57:40.805 And the idea that you could be just driving along with your young sons, and then suddenly you've killed Adam Buxton. 57:41.466 --> 57:48.451 And forever your lives are entwined with your parents, your family, his sons in the car, in the lorry. 57:49.011 --> 57:50.072 I mean, my God. 57:50.192 --> 57:51.493 Well, he went absolutely crazy. 57:51.953 --> 57:56.496 And motivated, I bet, just by the sheer fear and alarm and terror of what might have happened. 57:56.516 --> 57:57.257 It wasn't that close. 57:57.277 --> 58:00.039 Oh, but it's in my head now, and in my head it's very close. 58:00.599 --> 58:03.742 As I can see it, as I'm imagining it, it's very close and you're in the wrong. 58:03.782 --> 58:03.862 Yeah. 58:04.242 --> 58:05.803 But listen, you're right about all that. 58:05.824 --> 58:07.845 And that was a very moving speech, which makes me look bad. 58:07.885 --> 58:09.587 Everything I have to say now is going to make me look bad. 58:09.867 --> 58:10.707 However, you're wrong. 58:11.108 --> 58:14.831 Because in this situation, it was no way a close thing at all. 58:14.931 --> 58:17.153 He just wanted an excuse to flip out. 58:17.513 --> 58:17.693 Yeah. 58:17.773 --> 58:18.734 That's the thing, right? 58:19.234 --> 58:23.197 And so I, I, I, I apologize to him and I said, listen, I'm sorry. 58:23.658 --> 58:25.159 By the way, I was nowhere near you. 58:26.020 --> 58:26.940 However, I'm sorry. 58:26.960 --> 58:27.781 How did he take that? 58:27.941 --> 58:28.822 He took it really badly. 58:29.102 --> 58:29.302 Yeah. 58:29.382 --> 58:32.565 And he just kept on getting angry and angry, screaming, and he wouldn't shut up. 58:32.585 --> 58:34.046 I was like, whoa, calm down, calm down. 58:34.086 --> 58:34.907 I'm saying I'm sorry. 58:35.047 --> 58:36.328 Calm down, I kept on saying, right? 58:36.409 --> 58:39.892 Well, that's infuriating for him because he feels he's trying to teach you something. 58:39.912 --> 58:41.093 He was teaching me nothing. 58:41.113 --> 58:43.535 And you're throwing it back in his face with indignance. 58:43.675 --> 58:45.296 No, but he was flipping out this guy. 58:45.316 --> 58:45.757 Yeah. 58:45.837 --> 58:48.819 And then he started swearing at me and freaking out. 58:49.280 --> 58:54.064 And so after a while, I just said to one of his sons, hey, your dad's really nice, isn't he? 58:55.245 --> 58:56.386 That's not a good idea. 58:56.406 --> 58:57.407 That went down badly. 58:57.668 --> 59:01.972 His son, little eight year old son, suggested that I get to know my mother much better than I do now. 59:01.992 --> 59:06.997 Yes, well he'd be on his dad's side in a sweary way. 59:07.237 --> 59:07.577 Yeah. 59:07.898 --> 59:08.999 It was really frightening. 59:09.820 --> 59:12.903 But now that, oh you said all that stuff, it's made me look bad. 59:13.163 --> 59:19.585 Well, I don't know, you sometimes have a tendency when you're wrong to just entrench yourself so deeply in your wrongness. 59:19.785 --> 59:26.187 No, listen, I started out by saying that... I say that in a reaching out way, someone who knows you better than you know yourself. 59:26.207 --> 59:28.808 But it's not... Situations like this are not black and white. 59:28.848 --> 59:33.369 Do you not accept the fact that there could be a little bit of me being slightly wrong and this other guy being wrong? 59:33.569 --> 59:38.690 They kind of are, because it's illegal to just suddenly cycle randomly into the road. 59:38.710 --> 59:39.971 You are outrageous! 59:41.011 --> 59:42.813 I'm just saying this as a driver, man. 59:43.073 --> 59:45.635 But I'm saying this as a cyclist. 59:45.736 --> 59:47.097 I'm saying this as a cyclist. 59:48.478 --> 59:53.363 We get a lot of bad treatment from drivers as well, and we are very vulnerable as well. 59:53.483 --> 59:59.328 Well, then you should have chosen an anecdote in which you weren't breaking the law and cycling in front of a lorry. 59:59.388 --> 01:00:00.970 Technically, that's true. 01:00:01.010 --> 01:00:01.630 No, you're right. 01:00:01.690 --> 01:00:03.872 I'm being unsupportive, and you're right. 01:00:03.932 --> 01:00:05.033 He sounds like a nutter. 01:00:05.954 --> 01:00:09.096 He sounds like a Hills Have Eyes lunatic. 01:00:09.197 --> 01:00:09.477 That's bad. 01:00:09.497 --> 01:00:10.618 So he was acting irrationally. 01:00:10.638 --> 01:00:12.239 Yeah, why couldn't you have just come in with that at the beginning? 01:00:12.259 --> 01:00:15.021 His son sounds as if he's some kind of feral light. 01:00:15.121 --> 01:00:15.241 Yeah. 01:00:15.261 --> 01:00:16.041 I don't know what. 01:00:16.141 --> 01:00:16.962 And I was in the right, wasn't I? 01:00:16.982 --> 01:00:20.585 And you were in the right with your random sudden cycling into the road. 01:00:20.825 --> 01:00:22.026 I'm never going to do it again, though. 01:00:22.046 --> 01:00:23.227 I learned my lesson, okay? 01:00:23.527 --> 01:00:24.868 So something good came out of it. 01:00:24.888 --> 01:00:26.609 Yeah, something very good came out of it. 01:00:26.689 --> 01:00:28.490 Yeah, including this wonderful story. 01:00:28.731 --> 01:00:28.951 Yeah. 01:00:29.631 --> 01:00:31.574 I wonder what the listeners will think about that story. 01:00:31.874 --> 01:00:33.897 Here's your free play now. 01:00:33.917 --> 01:00:38.022 Yeah, this is something to calm everybody down after that roller coaster ride. 01:00:38.283 --> 01:00:40.125 This is Neil Young with Helpless. 01:00:40.345 --> 01:00:42.488 That was Lemonheads with It's About Time. 01:00:42.508 --> 01:00:45.112 This is Adam and Jo here on BBC Six Music. 01:00:45.572 --> 01:01:06.095 have you seen uh you know that we can't mention brand names on the big british castle can we really know that's bad but there's a there's a brand of deodorant that's favored by teenagers do you know the one i mean that also has the same name as an animal yeah and something that rhymes with stinks yeah exactly yeah they've bought out a new miniature version have you seen the adverts for that i think 01:01:06.215 --> 01:01:16.498 So it's sold to boys mainly this deodorant that rhymes with stinks sort of spotty teenage boys Yeah, and they're obviously trying to market a new type of it. 01:01:16.578 --> 01:01:22.540 So they've invented a very small sort of handbag size Version, but of course it's for boys. 01:01:22.600 --> 01:01:27.621 So you wouldn't call it a handbag man bag size man bag size They've called it the bullet 01:01:28.101 --> 01:01:28.882 The Bullet. 01:01:28.922 --> 01:01:29.283 Yeah. 01:01:29.663 --> 01:01:36.954 So there are big posters all over South London, which is an area that suffers a little from the presence of bullets in teenagers' pockets. 01:01:36.974 --> 01:01:37.655 Yeah, that's true. 01:01:38.075 --> 01:01:41.820 And they've decided to market their mini deodorant as a bullet. 01:01:42.201 --> 01:01:43.463 That is crazy. 01:01:43.503 --> 01:01:45.045 Isn't it a tiny bit irresponsible? 01:01:45.205 --> 01:01:45.485 Yeah. 01:01:45.565 --> 01:01:46.685 Or is it brilliantly clever? 01:01:46.745 --> 01:01:48.326 You're being very responsible this show. 01:01:48.346 --> 01:01:49.826 I mean, you're community-minded. 01:01:50.367 --> 01:01:50.687 I am. 01:01:50.707 --> 01:01:53.407 I think it's, you know, we're employed by the castle. 01:01:53.427 --> 01:01:53.767 Absolutely. 01:01:53.788 --> 01:01:55.568 We've got to stand up for what's good and right in the world. 01:01:55.588 --> 01:01:56.168 You're quite right. 01:01:56.188 --> 01:02:04.191 And I think... Even if it means humiliating your co-presenter deliberately twisting the fact of an anecdote to make him look irresponsible and bad. 01:02:04.391 --> 01:02:05.511 Shall we stay on that subject? 01:02:05.771 --> 01:02:06.671 Is there more to be said? 01:02:06.911 --> 01:02:07.531 No, it's fine. 01:02:07.571 --> 01:02:08.252 I'm absolutely fine. 01:02:08.272 --> 01:02:09.692 Because we don't want to, like, pull it. 01:02:09.752 --> 01:02:10.292 I'm fine! 01:02:11.413 --> 01:02:12.273 Let's talk about the bullet. 01:02:13.484 --> 01:02:15.745 I was just thinking, trying to think of other ways. 01:02:16.645 --> 01:02:18.325 You're not thinking about the bullet. 01:02:18.646 --> 01:02:22.787 I just wish that I had a legal brain or any kind of brain. 01:02:24.107 --> 01:02:25.008 What are you regretting? 01:02:25.828 --> 01:02:32.870 Regretting that you twisted the facts of the story and made it look as if I was one of the worst kinds of people in the world, which is a very dangerous and irresponsible cyclist. 01:02:32.890 --> 01:02:34.170 And I don't think I am that person. 01:02:34.190 --> 01:02:34.450 Right. 01:02:35.111 --> 01:02:39.732 Do you think I've changed the way you will cycle and think about people who are angry at you? 01:02:40.172 --> 01:02:40.413 No. 01:02:40.733 --> 01:02:46.440 You've changed the way other people will think about me and I'll get a load of hate mail from people saying I hate people like you. 01:02:46.740 --> 01:02:48.883 You're making the world a better, a worse place. 01:02:49.203 --> 01:02:49.483 Yeah. 01:02:50.044 --> 01:02:50.905 Apart from that, I'm fine. 01:02:50.925 --> 01:02:53.308 What have you done to my bullet, my whole bullet thing now? 01:02:53.368 --> 01:02:54.069 Yeah, exactly. 01:02:54.269 --> 01:02:55.551 You've ruined my bullet thing. 01:02:55.571 --> 01:02:55.971 Literally. 01:02:57.012 --> 01:03:01.755 I had a whole riff on other products that you could make into armaments. 01:03:01.795 --> 01:03:03.877 Yeah, and now it's too serious. 01:03:03.897 --> 01:03:06.338 Now the whole thing's gone too serious and I've ripped the part out. 01:03:06.358 --> 01:03:08.340 Yeah, and now it's just back to your cycling thing. 01:03:08.360 --> 01:03:08.940 Yeah, exactly. 01:03:08.960 --> 01:03:09.501 How does it feel? 01:03:09.541 --> 01:03:11.942 So I can't tell you about the... Course you can. 01:03:11.962 --> 01:03:12.342 Come on. 01:03:12.402 --> 01:03:13.843 What other stuff have you got, Bullet Boy? 01:03:14.224 --> 01:03:16.445 Well, no, I can't say it now. 01:03:16.545 --> 01:03:17.306 I'm not going to say it. 01:03:17.326 --> 01:03:19.707 I'll do it next week when it's fresher. 01:03:19.747 --> 01:03:19.887 No. 01:03:20.128 --> 01:03:20.948 Come on. 01:03:20.988 --> 01:03:22.649 You can't just toss down your notebook like that. 01:03:22.669 --> 01:03:23.570 It'll sound contrived now. 01:03:23.970 --> 01:03:24.911 Come on, come on. 01:03:24.951 --> 01:03:25.992 Sound contrived. 01:03:26.032 --> 01:03:26.532 That sounds fine. 01:03:27.032 --> 01:03:27.252 I can't. 01:03:27.292 --> 01:03:28.213 Because I'll support it. 01:03:28.473 --> 01:03:28.694 No. 01:03:28.894 --> 01:03:30.275 Go on, see how I support it. 01:03:30.795 --> 01:03:37.441 All right, can you think of any other products that would be, uh, saleable to teenage boys by connecting them with armaments? 01:03:37.761 --> 01:03:37.941 No. 01:03:37.961 --> 01:03:41.444 Look at your face! 01:03:42.145 --> 01:03:43.186 When you said no. 01:03:44.727 --> 01:03:45.888 What expression was that? 01:03:46.348 --> 01:03:48.450 That was a Ricky Gervais expression, that's what that was. 01:03:48.470 --> 01:03:48.971 Rick Male. 01:03:49.351 --> 01:03:50.112 Was it Rick Male? 01:03:50.592 --> 01:03:50.732 Yeah. 01:03:51.032 --> 01:03:52.333 No, he used to do it on the young ones. 01:03:52.393 --> 01:03:52.634 No. 01:03:53.014 --> 01:03:54.095 No, farty. 01:03:54.495 --> 01:03:55.697 Yeah, Ricky's stolen that. 01:03:56.238 --> 01:03:56.758 Little bit. 01:03:56.818 --> 01:03:57.780 As well as David Brent. 01:03:58.300 --> 01:03:59.182 Anyway, there you go. 01:03:59.322 --> 01:03:59.883 That's the end of that. 01:04:00.263 --> 01:04:01.405 Oh man, I didn't mean to talk. 01:04:01.425 --> 01:04:05.010 Sorry, no, I made a good point about Stink's deodorant being irresponsible. 01:04:05.030 --> 01:04:05.610 Yeah, that's true. 01:04:07.253 --> 01:04:10.397 Notice that I actually apologize when I torpedo something though, right? 01:04:10.477 --> 01:04:10.697 Right. 01:04:11.403 --> 01:04:15.668 Now my torpedoing of your NAT and its stories has become a much-loved feature of the show. 01:04:15.688 --> 01:04:18.011 People have sent in jingles for it. 01:04:18.071 --> 01:04:18.711 That's right. 01:04:19.112 --> 01:04:19.853 People love it. 01:04:20.133 --> 01:04:20.533 Yeah. 01:04:20.634 --> 01:04:22.075 And it's great because it's easy for me. 01:04:22.095 --> 01:04:24.718 All I have to do is say nothing. 01:04:24.938 --> 01:04:25.699 Unleash the torpedo. 01:04:25.719 --> 01:04:27.021 All I have to do is just move on. 01:04:28.021 --> 01:04:29.101 Introduce another record. 01:04:29.161 --> 01:04:30.822 Got a taste of your own medicine there, though, didn't you? 01:04:31.062 --> 01:04:31.322 Yeah. 01:04:31.362 --> 01:04:31.722 How was it? 01:04:31.742 --> 01:04:32.282 You didn't like it? 01:04:32.302 --> 01:04:33.242 No, it was still good. 01:04:33.342 --> 01:04:33.843 Didn't like it. 01:04:33.863 --> 01:04:34.523 That's coming back. 01:04:34.543 --> 01:04:35.383 Yeah, you reckon? 01:04:35.443 --> 01:04:37.863 In a couple of weeks' time, I'm going to come back to that. 01:04:37.883 --> 01:04:39.884 You're going to see what you missed. 01:04:40.604 --> 01:04:41.524 I walked down the street. 01:04:41.624 --> 01:04:42.204 I saw it. 01:04:42.304 --> 01:04:45.065 I thought, hmm, I made a little note in my notebook. 01:04:45.105 --> 01:04:47.026 I thought, I'm going to use that on the programme and now look. 01:04:47.246 --> 01:04:48.126 It's a good topic, man. 01:04:48.146 --> 01:04:53.367 The thing is, you should have left a longer gap between that one and the one that you torpedoed of mine. 01:04:54.325 --> 01:04:56.670 Right, because the torpedo was still in the air. 01:04:56.690 --> 01:04:58.595 Exactly, it was still flying. 01:04:58.896 --> 01:05:02.324 The torpedo was still like racing around underwater looking for a target. 01:05:10.181 --> 01:05:12.663 Anyway, this program's a disaster. 01:05:12.784 --> 01:05:14.045 It's a bit ramshackular, isn't it? 01:05:14.345 --> 01:05:16.647 How about, uh, have we had your free choice yet? 01:05:16.867 --> 01:05:17.748 Yeah, we just did. 01:05:17.808 --> 01:05:20.430 I don't even know what's going on anymore. 01:05:20.450 --> 01:05:21.311 I'm so old. 01:05:22.132 --> 01:05:24.694 Uh, so what we got now, we've got some white lines for you listeners. 01:05:24.714 --> 01:05:27.016 This is farewell to the fairground. 01:05:27.176 --> 01:05:29.738 White Lies with Farewell to the Fairground. 01:05:29.778 --> 01:05:32.279 You're listening to Adam and Joe here on BBC Six Music. 01:05:32.299 --> 01:05:36.002 Thank you very much for joining us on this gloriously sunny Saturday morning. 01:05:36.622 --> 01:05:38.424 We're broadcasting from London town. 01:05:38.544 --> 01:05:39.284 It's exciting. 01:05:39.644 --> 01:05:43.987 It's all like pearly Kings out in the streets and it's foggy. 01:05:44.007 --> 01:05:44.628 It's very foggy. 01:05:44.668 --> 01:05:45.368 Did I say it was sunny? 01:05:45.408 --> 01:05:45.789 I was wrong. 01:05:45.829 --> 01:05:47.390 It was, it's like a pea super out there. 01:05:47.670 --> 01:05:47.870 Yeah. 01:05:48.430 --> 01:05:49.951 And Jack the Ripper's on the loose. 01:05:50.051 --> 01:05:50.952 Jack the Ripper's on the loose. 01:05:51.112 --> 01:05:55.556 of a twist, and all Fagin's gang are doing a big knees up number just round the corner. 01:05:55.576 --> 01:05:56.958 Right? 01:05:56.978 --> 01:05:58.239 Yeah, there's chimney sweeps. 01:05:58.259 --> 01:05:59.480 Fagin's knees up gang. 01:05:59.580 --> 01:05:59.780 What? 01:06:01.262 --> 01:06:05.746 Now, we were talking about, there was a little bit of story torpedoing going, if you just tuned in. 01:06:07.127 --> 01:06:22.558 First, I did a little anecdote about some cycle road rage, which Joe, quite well, in a way, he was right to point out the genuine danger of the situation, but in another way, it made it look as if I was more irresponsible than I think I actually was in that situation. 01:06:23.219 --> 01:06:27.582 And so, it was all mixed up with some really serious stuff that made me look incredibly bad. 01:06:28.222 --> 01:06:32.625 So then, by accident, I torpedoed his story thereafter, because I had someone resolved. 01:06:32.645 --> 01:06:34.566 Which was a brilliant story all about issues. 01:06:35.687 --> 01:06:38.950 You know, an ethical mistake a deodorant company have made. 01:06:39.030 --> 01:06:39.510 He was going to go. 01:06:39.530 --> 01:06:40.270 I was highlighting. 01:06:40.331 --> 01:06:40.571 Right. 01:06:40.631 --> 01:06:42.892 I was going to start a sort of a national campaign. 01:06:43.012 --> 01:06:44.714 And he's going to do a little riffage about it. 01:06:44.934 --> 01:06:45.534 Didn't happen. 01:06:45.554 --> 01:06:46.255 Didn't happen. 01:06:46.435 --> 01:06:47.255 Adam pulled it down. 01:06:47.616 --> 01:06:49.597 I pulled it down just to give him a taste of his own medicine. 01:06:49.617 --> 01:06:56.262 But this has become a recurring thing on the program, not by intention or design at all, just because sometimes 01:06:56.562 --> 01:06:58.324 You know, I have a very honest brain. 01:06:58.725 --> 01:06:59.706 Right, that's what it is. 01:06:59.926 --> 01:07:01.127 I feel you're wrong. 01:07:01.147 --> 01:07:05.532 Or you're, you know, launching into something that's a mistake. 01:07:06.273 --> 01:07:09.196 I will try and kill it by going silent. 01:07:11.559 --> 01:07:13.721 Or just I find it hard to know what to say. 01:07:13.881 --> 01:07:16.463 Just that you admit that so brazenly. 01:07:16.483 --> 01:07:17.944 Yeah, it's not true. 01:07:17.984 --> 01:07:19.044 It's never that conscious. 01:07:19.245 --> 01:07:20.185 It's never that conscious. 01:07:20.225 --> 01:07:21.166 It's just what happens. 01:07:21.466 --> 01:07:21.926 It's what happens. 01:07:22.006 --> 01:07:24.428 And anyway, some listeners find it charming. 01:07:24.648 --> 01:07:24.989 Yeah. 01:07:25.149 --> 01:07:27.290 And as if it's some kind of preconceived feature. 01:07:27.350 --> 01:07:27.791 Fun feature. 01:07:28.131 --> 01:07:31.253 You know, I think it's like people hallucinate features where there are none. 01:07:31.973 --> 01:07:36.357 If you provide them with a radio show that has no structure or features, they will see them. 01:07:37.017 --> 01:07:38.577 The audience will project them into the proceedings. 01:07:38.597 --> 01:07:41.938 Their natural desire for order imposes a structure. 01:07:41.978 --> 01:07:42.819 And that's what's happened. 01:07:42.859 --> 01:07:50.541 They've hallucinated some kind of recurring feature, to the extent that some people have sent in jingles for this hallucinated feature. 01:07:50.741 --> 01:07:52.701 Here's one from Tom Challenger. 01:07:52.761 --> 01:07:56.322 Here's his jingle about my stories being torpedoed by Jug. 01:07:56.582 --> 01:07:57.483 Are you even listening? 01:07:57.523 --> 01:07:58.823 No, I tuned out by that point. 01:07:58.843 --> 01:08:06.045 It's time for a pathetic joke and we can't wait. 01:08:10.437 --> 01:08:11.377 Oh, you're so angry. 01:08:11.597 --> 01:08:12.257 I quit! 01:08:12.537 --> 01:08:14.638 Where does the phrase to poo-poo something come from? 01:08:14.658 --> 01:08:15.218 I don't know. 01:08:15.238 --> 01:08:17.458 Do you think it's as straightforward as one might imagine? 01:08:17.678 --> 01:08:18.198 Do a little popping. 01:08:18.218 --> 01:08:20.599 It's a very extreme reaction to something you don't like. 01:08:20.979 --> 01:08:22.319 That's interesting, isn't it? 01:08:22.359 --> 01:08:24.960 But it's probably how cavemen behaved. 01:08:25.760 --> 01:08:32.901 Like, if this was a prehistoric show to express distaste, they would just... Yeah, you would start grunting, and if I didn't approve of your grunting, I would poo-poo you. 01:08:33.141 --> 01:08:34.661 You'd come over and take a dump on me. 01:08:35.101 --> 01:08:37.522 I'd probably throw it, wouldn't you now? 01:08:37.582 --> 01:08:37.942 Po-po! 01:08:38.422 --> 01:08:38.682 Po-po! 01:08:40.715 --> 01:08:42.897 You don't like the story? 01:08:42.957 --> 01:08:49.001 Is there another reason you threw your poo at me? 01:08:49.341 --> 01:08:52.083 Actually, a lot of Neolithic stuff is in France, isn't it? 01:08:52.103 --> 01:08:52.943 That's where it all comes from. 01:08:53.083 --> 01:08:55.725 It all comes from all those caves with their paintings there in France. 01:08:55.905 --> 01:08:57.766 It was quite an educated accent. 01:08:57.887 --> 01:08:59.047 Look, I done a painting. 01:08:59.488 --> 01:09:00.508 Where's that from now? 01:09:00.528 --> 01:09:01.709 It's from like Northampton. 01:09:01.729 --> 01:09:04.171 I done a painting of an antelope. 01:09:04.191 --> 01:09:04.651 You like it? 01:09:05.031 --> 01:09:06.853 Oh, why do you throw that at me? 01:09:06.873 --> 01:09:08.073 The poo poo? 01:09:08.774 --> 01:09:10.355 Isn't that like my antelope painting? 01:09:11.035 --> 01:09:13.176 So that's a good jingle though, Tom Challenger. 01:09:13.216 --> 01:09:14.537 Thank you very much indeed for that. 01:09:14.817 --> 01:09:15.918 That sort of sums it up nicely. 01:09:15.958 --> 01:09:16.918 Didn't we have another one? 01:09:17.399 --> 01:09:18.739 Yeah, here's one from Andy Martin. 01:09:18.779 --> 01:09:21.061 Andy actually sent in about a thousand. 01:09:21.621 --> 01:09:21.961 Really? 01:09:22.201 --> 01:09:23.082 Sorry, the frog's come back. 01:09:24.402 --> 01:09:25.123 I've dealt with a frog. 01:09:26.263 --> 01:09:27.724 Andy Martin sent in a number. 01:09:27.784 --> 01:09:30.606 Here's just one of them about the same sort of syndrome. 01:09:35.308 --> 01:09:37.529 Here's another good story behind the door. 01:09:44.009 --> 01:09:45.090 Those are really good jingles. 01:09:45.270 --> 01:09:50.894 It's difficult to know where to use them because I can't torpedo your stories in a premeditated kind of a way. 01:09:50.914 --> 01:09:52.635 Have you ever thought about doing that? 01:09:52.695 --> 01:09:53.855 Just to make people happy? 01:09:53.875 --> 01:09:58.398 I think this would be a good opportunity to torpedo one of Adam's stories. 01:09:58.458 --> 01:10:00.379 Well now we're going to be self-conscious about it though, aren't we? 01:10:00.399 --> 01:10:00.759 Exactly. 01:10:00.879 --> 01:10:05.682 So that's the only context we can really play them in, in a kind of review context, rather than actually apply them. 01:10:07.103 --> 01:10:13.386 unless our producer was so quick-witted that when he saw that kind of thing happening... He bangs it in there. 01:10:13.406 --> 01:10:14.267 He bangs it in there. 01:10:14.647 --> 01:10:15.487 You could do that, Geoff. 01:10:15.707 --> 01:10:16.828 He's way on top. 01:10:16.848 --> 01:10:17.608 He's very good. 01:10:17.628 --> 01:10:18.189 He's a top producer. 01:10:18.229 --> 01:10:18.489 Easy. 01:10:19.795 --> 01:10:21.977 Anyway, thank you very much to everyone who sent in a jingle. 01:10:21.997 --> 01:10:26.961 We did get a lot, so we'll be sort of drip-feeding them through the shows from Hence For. 01:10:27.001 --> 01:10:28.622 And they'll turn up in the podcast, I imagine. 01:10:28.642 --> 01:10:30.424 It's a good way to keep people listening, definitely. 01:10:30.444 --> 01:10:35.848 Because there's probably a few people who've sent in jingles that we're going to have to listen to a lot of programs before they hear them. 01:10:36.549 --> 01:10:36.769 Yeah. 01:10:36.929 --> 01:10:38.530 It's a shame it's not a paying program. 01:10:38.570 --> 01:10:39.731 They may still turn up, though. 01:10:39.751 --> 01:10:40.892 In a way, it is a paying program. 01:10:40.912 --> 01:10:41.673 Give up her fee. 01:10:42.193 --> 01:10:45.216 Their license fee represents about half a pence of your license fee. 01:10:45.436 --> 01:10:48.879 There's an emotional fee as well, there's emotional tax exacted on some of the listeners. 01:10:48.939 --> 01:10:52.182 It's draining to listen to. 01:10:52.282 --> 01:10:53.123 It's music time now. 01:10:53.163 --> 01:10:53.743 This is Olive. 01:10:53.763 --> 01:10:54.544 I don't know about Olive. 01:10:54.584 --> 01:10:56.286 What's the... I didn't get the Olive memo. 01:10:56.666 --> 01:10:57.146 Is she new? 01:10:57.227 --> 01:10:57.887 She's delicious. 01:10:58.247 --> 01:10:58.428 No. 01:10:58.448 --> 01:10:59.028 Is she old? 01:10:59.449 --> 01:10:59.869 Where's she from? 01:11:01.880 --> 01:11:06.082 For 10 years, Olive, never heard of Olive, this is You're Not Alone. 01:11:06.222 --> 01:11:23.428 Yeah, you see, I was being a bit sniffy about that track, but Jeff, our producer, who's a little bit younger than us, was pointing out that for many people, that reminds them of the good old days when they were at college, you know, and they were jumping around there wearing day glow things and behaving in an irresponsible manner at weekends and stuff like that. 01:11:24.348 --> 01:11:25.890 You know what the fashion is this weekend? 01:11:25.910 --> 01:11:26.270 What is it? 01:11:26.671 --> 01:11:29.614 To wear something bright yellow or fluorescent. 01:11:30.214 --> 01:11:32.517 It's just happened in the last week or so, hasn't it? 01:11:32.577 --> 01:11:33.218 Or two weeks? 01:11:33.478 --> 01:11:33.978 Like Raver. 01:11:33.998 --> 01:11:34.939 Charlotte will know about that. 01:11:34.979 --> 01:11:35.580 She's a girl. 01:11:35.620 --> 01:11:36.341 She likes fashion. 01:11:36.521 --> 01:11:37.342 Raver fashions. 01:11:37.622 --> 01:11:39.584 Yeah, no, it's suddenly been dictated. 01:11:39.624 --> 01:11:40.705 I heard it on This Morning. 01:11:40.745 --> 01:11:42.848 That's where I get my fashion news with killing fun. 01:11:44.829 --> 01:11:47.310 They said that apparently you had to wear something yellow. 01:11:47.330 --> 01:11:50.431 I was half awake. 01:11:50.451 --> 01:11:52.572 I thought that was an impression of Phil. 01:11:52.992 --> 01:11:55.073 No, Phil's much more. 01:11:55.133 --> 01:11:56.494 No, he's really sparky, Phil. 01:11:56.514 --> 01:11:56.834 He is. 01:11:57.094 --> 01:11:58.715 He looks like someone who lives in Trumpton. 01:12:01.316 --> 01:12:06.538 It looks, you know, if you saw Phil Scofield in the street, his feet wouldn't separate when he walked. 01:12:06.818 --> 01:12:08.819 He just moves like a stop motion character. 01:12:09.739 --> 01:12:16.762 And then whenever he tries to stop, he does three 360-degree twirls. 01:12:17.702 --> 01:12:19.362 Like a South Park character. 01:12:19.402 --> 01:12:19.663 Yeah. 01:12:20.383 --> 01:12:26.665 Anyway, yeah, they said you had to wear yellow and then you go down the streets and all the shops have got yellow things. 01:12:26.725 --> 01:12:28.126 There you go, the power of philanthropy. 01:12:28.146 --> 01:12:29.266 It's the prime directive. 01:12:29.326 --> 01:12:31.027 It's all about bright fluorescent yellow. 01:12:31.547 --> 01:12:32.547 And then what's his name? 01:12:32.747 --> 01:12:34.388 Mr. Man who does things. 01:12:34.408 --> 01:12:35.308 Nick Knowles. 01:12:35.468 --> 01:12:37.369 Mr. Man who does things. 01:12:38.169 --> 01:12:39.649 You mean Nick Knowles, don't you? 01:12:40.689 --> 01:12:44.370 No, I mean, um, the guy that writes the books, he was on Newsnight Review, you know? 01:12:44.550 --> 01:12:45.250 A book guy. 01:12:45.270 --> 01:12:45.870 A book guy? 01:12:46.030 --> 01:12:47.371 Oh god, this is terrible. 01:12:47.431 --> 01:12:48.831 Anyway, he was wearing it as well. 01:12:51.151 --> 01:12:51.851 What's he called? 01:12:51.871 --> 01:12:53.572 The guy that writes the books? 01:12:53.592 --> 01:12:54.832 How could I possibly know? 01:12:54.872 --> 01:12:56.872 He's an 80s critic and commentator. 01:12:56.972 --> 01:12:57.632 Tom Paulin. 01:12:57.913 --> 01:12:59.093 No, he's a poet. 01:12:59.833 --> 01:13:00.753 Oh god, I don't know. 01:13:00.813 --> 01:13:02.373 Anyway, look, talking about anecdotes. 01:13:02.393 --> 01:13:02.953 Tony Parsons. 01:13:02.993 --> 01:13:03.654 Yeah, that's the guy. 01:13:03.674 --> 01:13:04.214 Tony Parsons. 01:13:04.234 --> 01:13:04.894 Is that really the guy? 01:13:07.094 --> 01:13:07.434 You got it. 01:13:07.534 --> 01:13:08.434 What was this book called? 01:13:08.474 --> 01:13:09.275 Not about a boy. 01:13:09.295 --> 01:13:11.875 I was about to say about a boy, but that would have confused things even more. 01:13:12.215 --> 01:13:12.915 Man and boy. 01:13:12.975 --> 01:13:13.715 Man and boy. 01:13:13.735 --> 01:13:16.096 It can be difficult to think of things. 01:13:16.436 --> 01:13:17.096 We got there in the air. 01:13:17.116 --> 01:13:17.656 We got there quite quickly. 01:13:17.676 --> 01:13:18.036 Yeah, we got there. 01:13:18.056 --> 01:13:18.376 Well done. 01:13:18.416 --> 01:13:18.796 You helped. 01:13:18.976 --> 01:13:19.516 Tony passed. 01:13:19.596 --> 01:13:20.176 Anyway, listen. 01:13:20.216 --> 01:13:23.037 Here's an email that's just coming from Neil and Abigail. 01:13:23.057 --> 01:13:24.017 Good morning, Adam and Jo. 01:13:24.337 --> 01:13:30.738 Having listened to Adam's road rage story, it seems that you need to implement a system of scoring each other's and listeners' stories. 01:13:31.338 --> 01:13:34.819 In our house, we offer scores based on an old episode of Come Dying With Me. 01:13:35.379 --> 01:13:38.740 In this episode, a man was cooking a dish called Beef Surprise. 01:13:39.140 --> 01:13:43.921 The surprise was that it was made of turkey and had no relation to beef whatsoever. 01:13:44.441 --> 01:13:52.423 In the programme, he tells his Beef Surprise story, the story's just that it's turkey and not beef, to a shop worker where he's buying his groceries. 01:13:52.923 --> 01:13:58.884 The shop worker makes no comment on his story except to ask for the 72 pence for his groceries. 01:13:58.904 --> 01:14:00.365 72 pence, please. 01:14:02.305 --> 01:14:08.308 Our rating system in our house is simply to offer each other an amount of pence as a value for their lame anecdote. 01:14:09.368 --> 01:14:10.309 I hope this helps. 01:14:10.949 --> 01:14:12.190 Love, Neil and Abigail. 01:14:12.490 --> 01:14:15.031 So if you tell a story, you then just have to leave a pause. 01:14:15.931 --> 01:14:17.252 And then, 40 pence? 01:14:17.412 --> 01:14:18.472 You assign a money to that? 01:14:18.492 --> 01:14:19.173 Yeah, yeah, yeah. 01:14:19.393 --> 01:14:20.593 Pence is good though, isn't it? 01:14:20.913 --> 01:14:21.174 Yeah. 01:14:21.314 --> 01:14:22.034 Are you allowed to go over? 01:14:22.054 --> 01:14:23.295 Is it allowed to go into pounds? 01:14:23.655 --> 01:14:25.756 I think that would be the greatest anecdote ever told. 01:14:26.256 --> 01:14:27.456 The over a pound? 01:14:27.556 --> 01:14:30.798 In my mind, it seems that... Do you think... No, maybe you could go over a pound. 01:14:31.118 --> 01:14:32.018 Yeah, a pound for that. 01:14:32.879 --> 01:14:36.020 Well I guess you can't go over a pound unless it's really unbelievable. 01:14:36.420 --> 01:14:37.701 Yeah, unbelievably good. 01:14:37.901 --> 01:14:40.462 Yeah, and then you get like a fiver or something. 01:14:40.642 --> 01:14:42.523 That would be the most any anecdote could ever get. 01:14:42.543 --> 01:14:50.466 That is exactly, that captures exactly how I sometimes feel after your anecdotes though, is if I'm sitting at a supermarket checkout. 01:14:50.486 --> 01:14:52.667 72 pence. 01:14:53.247 --> 01:14:54.628 Yeah, and how do you think I feel? 01:14:55.728 --> 01:14:58.149 You feel like the man who's made the beef surprise out of turkey. 01:14:58.249 --> 01:14:58.630 Exactly. 01:14:59.790 --> 01:15:01.871 And that was a funny story, beef surprise. 01:15:01.891 --> 01:15:03.632 The surprise is, it's not beef, it's turkey. 01:15:03.652 --> 01:15:04.692 That's funny stuff, man. 01:15:04.712 --> 01:15:05.672 What does he get in return? 01:15:06.112 --> 01:15:06.513 Nothing. 01:15:07.053 --> 01:15:08.653 From the shoppers to nays. 01:15:08.853 --> 01:15:09.394 Change. 01:15:09.434 --> 01:15:10.714 Thank you, Neil and Abigail. 01:15:10.734 --> 01:15:11.434 That's a good idea. 01:15:11.454 --> 01:15:12.875 I like the sound of things in your house. 01:15:13.215 --> 01:15:14.155 Yeah, we'll implement that. 01:15:14.876 --> 01:15:15.976 Here's some more music for you now. 01:15:16.016 --> 01:15:18.177 This is New Order with Bizarre Love Triangle. 01:15:18.377 --> 01:15:20.939 So, new order with the bizarre love triangle. 01:15:21.660 --> 01:15:23.021 Adam has been Twittering. 01:15:23.041 --> 01:15:24.923 Yeah, I've been checking my Twitter thing. 01:15:24.943 --> 01:15:26.524 I've got a hundred new followers. 01:15:26.985 --> 01:15:27.505 That's good. 01:15:27.605 --> 01:15:28.847 Right, since the show began. 01:15:28.867 --> 01:15:32.510 And I just typed in, hi, this is exciting. 01:15:32.550 --> 01:15:33.391 What do I do now? 01:15:33.691 --> 01:15:35.613 That's a very good thing to type in. 01:15:36.854 --> 01:15:37.274 That's right. 01:15:37.294 --> 01:15:38.095 That's kind of thing. 01:15:38.155 --> 01:15:38.795 Yeah, yeah. 01:15:39.156 --> 01:15:40.417 Look at all my followers, man. 01:15:40.437 --> 01:15:41.137 They're good looking. 01:15:41.778 --> 01:15:42.579 Do you get pickies? 01:15:43.139 --> 01:15:51.444 Are Olivia Holcomb, West Darby, Ben Yates, Laura W, David Leary. 01:15:51.464 --> 01:15:52.325 Yeah, there's pickies. 01:15:52.925 --> 01:15:56.487 Look at Gia Gia, Gia Milinovich. 01:15:57.168 --> 01:15:57.768 She's beautiful. 01:15:57.808 --> 01:16:01.310 Are you going to get involved in another sift situation in a second? 01:16:01.450 --> 01:16:02.591 I hope so. 01:16:02.671 --> 01:16:03.471 A siftuation. 01:16:04.072 --> 01:16:06.794 So yeah, I'm excited to find out what's going to happen. 01:16:06.894 --> 01:16:07.794 I mean, nothing. 01:16:07.914 --> 01:16:08.174 Wow. 01:16:08.495 --> 01:16:08.955 What do you mean? 01:16:09.395 --> 01:16:11.197 I mean, you'll just be able to chit-chat with them. 01:16:11.357 --> 01:16:11.737 Yeah. 01:16:12.418 --> 01:16:13.218 Ask them a question. 01:16:13.538 --> 01:16:14.299 What should I ask them? 01:16:14.880 --> 01:16:20.524 Ask them, uh, would you like to go on a date with me? 01:16:20.764 --> 01:16:22.105 Oh, that's just pointless. 01:16:22.125 --> 01:16:22.546 What's that? 01:16:22.966 --> 01:16:23.627 Time for the news. 01:16:23.807 --> 01:16:25.848 That's The Killers with Mr. Brightside. 01:16:26.089 --> 01:16:27.910 Adam and Joe here on BBC 6 Music. 01:16:28.550 --> 01:16:30.112 Nice to have you along. 01:16:30.552 --> 01:16:32.295 It's still a very nice day outside. 01:16:32.335 --> 01:16:34.057 We're going to wrap up Text the Nation now. 01:16:34.438 --> 01:16:36.521 Let's have the old jingle. 01:16:36.702 --> 01:16:43.011 Johnny White has emailed us to say, Dear Adam and Jo, this week's Text the Nation is unstructured and confusing. 01:16:44.471 --> 01:16:45.992 I won't read the rest. 01:16:48.474 --> 01:16:49.795 It's not offensive or anything. 01:16:49.855 --> 01:16:58.721 He's just giving some other suggestions of much simpler text the nations like favourite colour, the earliest I've ever got up on Christmas Day and the nicest weather. 01:17:00.001 --> 01:17:02.023 He's suggesting they would all have been better than this one. 01:17:02.323 --> 01:17:03.764 You know, Johnny, I think you're right. 01:17:04.324 --> 01:17:04.725 Cakes. 01:17:05.505 --> 01:17:07.667 We have to think of an idea every Saturday. 01:17:08.227 --> 01:17:09.708 And how long have we been doing this for? 01:17:09.768 --> 01:17:11.109 This is our show number 66, but just on the BBC. 01:17:14.991 --> 01:17:17.772 We try not to repeat ourselves, but some weeks maybe we should. 01:17:18.133 --> 01:17:22.154 You know when we don't have a better idea, maybe we should just pull an old successful one out of the bag. 01:17:22.234 --> 01:17:23.115 Injuries, man. 01:17:23.495 --> 01:17:24.155 Minor injuries. 01:17:24.175 --> 01:17:25.235 That was a classic one. 01:17:26.556 --> 01:17:27.196 Animal death. 01:17:27.856 --> 01:17:28.537 People like that one. 01:17:28.557 --> 01:17:29.537 We got into trouble with that one. 01:17:29.557 --> 01:17:30.177 We went into trouble. 01:17:30.197 --> 01:17:31.318 That wouldn't fly on the BBC. 01:17:31.358 --> 01:17:33.099 Let's do minor injuries next week. 01:17:33.119 --> 01:17:33.899 That was such fun. 01:17:34.179 --> 01:17:37.821 Yeah, we'll pull an old one out of the bag in future if we can't think of a new one. 01:17:37.881 --> 01:17:46.826 If you've ever got a good idea, listeners, you know the ones that work well, they're the ones that everyone can contribute to and don't get done on every other radio show in the world, right? 01:17:47.086 --> 01:17:47.346 Right. 01:17:47.686 --> 01:17:48.887 They're quite tough to think of. 01:17:49.147 --> 01:17:49.708 All of these things. 01:17:49.728 --> 01:17:50.388 I mean, mine are interesting. 01:17:50.408 --> 01:17:52.529 I find it easy, actually, but had you struggled? 01:17:53.309 --> 01:17:53.970 No, I never struggled. 01:17:53.990 --> 01:17:54.770 You never struggled. 01:17:54.810 --> 01:17:55.451 No, no, no. 01:17:55.511 --> 01:17:56.631 I've come up with some amazing ones. 01:17:56.671 --> 01:17:58.712 You encouraged me to do this one this week. 01:17:58.772 --> 01:17:59.713 Yeah, I did, because I knew it. 01:18:00.519 --> 01:18:02.201 He was setting me up right now. 01:18:02.261 --> 01:18:03.061 I thought it was good. 01:18:03.202 --> 01:18:03.802 I thought it was good. 01:18:03.982 --> 01:18:05.223 It was remind me what it was again. 01:18:05.243 --> 01:18:08.406 It was. 01:18:08.986 --> 01:18:10.107 It was audience participation. 01:18:10.127 --> 01:18:11.909 Audience participation is a classic. 01:18:12.149 --> 01:18:12.890 It's a classic. 01:18:12.950 --> 01:18:13.750 It's an Asian classic. 01:18:13.990 --> 01:18:17.834 Jeremy Hughes from from from plen book Shire says. 01:18:18.354 --> 01:18:21.915 Hi, I once got on stage at a Motorhead gig and stood next to Lemmy. 01:18:22.395 --> 01:18:26.276 I was all ready to join in on singing lyrics next to the next song. 01:18:26.696 --> 01:18:29.837 Unfortunately, they launched into a song that I'd never heard of before. 01:18:30.317 --> 01:18:34.398 I shuffled off stage, was grabbed by a bouncer and thrown out of the building. 01:18:34.738 --> 01:18:38.479 So he pushed through the audience really excitedly to climb onto the stage. 01:18:39.719 --> 01:18:40.700 This is good. 01:18:40.900 --> 01:18:41.280 I love it. 01:18:41.360 --> 01:18:42.100 It's good, man. 01:18:44.029 --> 01:18:50.331 I'm going to make something out of this. 01:18:51.532 --> 01:18:58.414 He pushed through the crowd to get up on the stage and you know people who do. 01:18:58.534 --> 01:19:08.057 This entire programme is just going to become half begun things that are then undermined by one or the other. 01:19:09.531 --> 01:19:10.515 Here's another one. 01:19:11.058 --> 01:19:12.906 Motorhead and he didn't know the song worked. 01:19:14.512 --> 01:19:15.552 Should I do another one? 01:19:15.953 --> 01:19:17.733 This is from Steve Mann. 01:19:18.093 --> 01:19:24.816 Morning about 20 years ago my parents went to see Paul Daniels at the Theatre Royal in Norwich. 01:19:25.296 --> 01:19:27.797 My dad got picked on to go up on stage. 01:19:27.917 --> 01:19:30.758 That's why he sent it in, audience participation. 01:19:31.038 --> 01:19:34.339 He had to give Paul Daniels a 20 pound note which then disappeared. 01:19:34.779 --> 01:19:39.701 It was then a few minutes later retrieved from a walnut that was in an egg that was in a lemon which was found somewhere. 01:19:39.721 --> 01:19:40.721 somewhere else on stage. 01:19:41.201 --> 01:19:41.902 Magic's brilliant. 01:19:42.342 --> 01:19:58.986 Paul had a little magician's lectern, and being on stage, my dad could quite clearly watch Mr. Daniels assemble the £20 note into the aforementioned fruit and nuts with a selection of tools and glue, before cleverly hiding it on stage, all the time distracting the audience from his actions with witty banter and subterfuge. 01:19:59.046 --> 01:20:01.427 I didn't realise that magicians did that, though. 01:20:01.447 --> 01:20:04.628 It allowed their stooges to see what was going on. 01:20:05.088 --> 01:20:06.108 Well, they're not supposed to. 01:20:06.228 --> 01:20:07.329 They're not stooges, though, aren't they? 01:20:07.389 --> 01:20:08.049 At the end of that one. 01:20:09.029 --> 01:20:09.689 There was a good one. 01:20:09.709 --> 01:20:10.330 Have you seen it? 01:20:10.370 --> 01:20:11.730 It sparked off a little conversation. 01:20:11.750 --> 01:20:11.931 Yeah. 01:20:12.091 --> 01:20:12.671 Brilliant stuff. 01:20:12.711 --> 01:20:13.251 Brilliant stuff. 01:20:13.271 --> 01:20:14.092 Texas Nation Classic. 01:20:14.172 --> 01:20:14.652 Another one? 01:20:15.112 --> 01:20:15.752 Yes, please. 01:20:16.533 --> 01:20:18.193 Dan Whittaker, Dear Adam and Joe. 01:20:18.574 --> 01:20:25.137 When I was 15, I went to see a DIY themed comedy show at the Edinburgh Festival called DIY of the Jackal. 01:20:25.817 --> 01:20:30.719 Nice Unfortunately there were only five people in the audience and they were friends of the people in the show and hadn't bought tickets. 01:20:30.759 --> 01:20:32.160 They picked a ticket number out of a hat. 01:20:32.240 --> 01:20:36.422 I just kept very still, assuming it must be part of the show and they'd have some kind of stooge in the audience. 01:20:36.722 --> 01:20:39.723 Imagine my horror when they pointed at me and said, it's you, isn't it? 01:20:39.823 --> 01:20:41.244 You're the only one we don't know. 01:20:41.984 --> 01:20:48.988 It took me up on stage, proceeded to burn my initials onto the seat of a self-assembly pine bar stool with a blowtorch, and then gave it to me as a present. 01:20:49.068 --> 01:20:51.489 I didn't want to carry a bulky bar stool all the way home. 01:20:51.869 --> 01:20:53.850 I declined, walked off the stage back to my seat. 01:20:53.890 --> 01:20:55.391 It was very embarrassing for all involved. 01:20:55.431 --> 01:20:55.771 The end! 01:20:55.891 --> 01:20:57.112 Yeah, good one. 01:20:57.152 --> 01:20:57.752 Who's that from? 01:20:58.172 --> 01:20:58.953 I read it out, didn't I? 01:20:59.353 --> 01:20:59.713 Did you? 01:21:00.394 --> 01:21:00.914 Dan Whitaker. 01:21:01.314 --> 01:21:01.715 Brilliant stuff. 01:21:01.735 --> 01:21:02.355 Yeah, Dan Whitaker. 01:21:02.375 --> 01:21:02.755 Brilliant stuff. 01:21:02.775 --> 01:21:03.416 Thanks, Dan. 01:21:03.436 --> 01:21:04.216 That was very good. 01:21:04.256 --> 01:21:04.797 That was good. 01:21:05.057 --> 01:21:05.777 Oh, God. 01:21:06.518 --> 01:21:09.560 DIY... Of the Jackal. 01:21:09.580 --> 01:21:10.240 Of the Jackal. 01:21:10.320 --> 01:21:10.861 Of the Jackal. 01:21:10.901 --> 01:21:11.922 That was good, man. 01:21:11.942 --> 01:21:14.043 It's had little jokes inside the story. 01:21:15.024 --> 01:21:15.824 And it was good. 01:21:16.465 --> 01:21:21.148 That's another idea for a poor text the nation would be gigs you've attended when no one turns up. 01:21:21.608 --> 01:21:21.988 Right. 01:21:22.048 --> 01:21:23.710 They can be excruciating, can't they? 01:21:23.730 --> 01:21:25.331 Sometimes they can be the best ones of all. 01:21:25.431 --> 01:21:29.934 Or small amateur plays, where there's more people on stage than in the audience. 01:21:30.415 --> 01:21:42.984 Yes, I went to see a friend of mine, when I was bartending, he was an actor and he did a play, a very intense play, like where he was very dramatic and there was a lot of screaming and shouting and it was very emotional. 01:21:43.644 --> 01:21:45.005 Two people, two people. 01:21:45.726 --> 01:21:49.810 One of them was me and the other one was a guy who he insisted was a critic. 01:21:50.250 --> 01:21:51.331 It's going to be a big show. 01:21:51.371 --> 01:21:52.792 There's critics coming along from the Guardian. 01:21:53.553 --> 01:21:53.953 Two people. 01:21:53.973 --> 01:21:58.918 It was right at the front and it was so embarrassing. 01:21:59.438 --> 01:21:59.819 Good stuff. 01:21:59.859 --> 01:22:02.641 Well, you know, I'm quite glad that Text the Nation is behind us. 01:22:02.681 --> 01:22:05.764 Thank you for everybody who a lot of people did text an email. 01:22:05.904 --> 01:22:07.966 And that's not to belittle the contributions of anyone. 01:22:07.986 --> 01:22:09.087 We were the people that mishapped. 01:22:09.087 --> 01:22:10.388 We set the parameters wrongly. 01:22:10.408 --> 01:22:13.730 I mean, I thought of the idea, but then Adam encouraged me. 01:22:13.850 --> 01:22:15.531 I said I didn't think it was good enough. 01:22:15.551 --> 01:22:18.392 I said, are you confident? 01:22:18.432 --> 01:22:19.613 Have you got stuff to launch it? 01:22:20.133 --> 01:22:21.414 You said, yeah, yeah. 01:22:25.166 --> 01:22:28.589 Yeah, listen music quickly no no yeah, it was good. 01:22:28.609 --> 01:22:28.929 It was good. 01:22:28.969 --> 01:22:43.061 It was good now We're gonna play this track or I'm worried that we're not gonna get our free plays in you know I it gets sometimes Too late to play the free plays and I get very anxious and upset well spent a while It's my one next isn't it is it what were we going to play? 01:22:43.661 --> 01:22:44.362 Where's my one? 01:22:45.379 --> 01:22:46.219 Yeah, okay, you play Supercar. 01:22:46.240 --> 01:22:48.100 Okay, this is a Japanese band called Supercar. 01:22:48.121 --> 01:22:56.145 This is a track called Recreation, and they sing in Japanese, but you can imagine that they're... You can imagine British words, you know, English words. 01:22:56.765 --> 01:23:00.147 You can pretend you know what they're saying, because it sounds almost like English. 01:23:00.187 --> 01:23:02.008 I was going to bring some Japanese stuff in this morning. 01:23:02.028 --> 01:23:03.209 What made you feel Japanese? 01:23:03.269 --> 01:23:04.709 I just really like this track. 01:23:06.450 --> 01:23:07.791 Supercar recreation. 01:23:07.831 --> 01:23:08.611 That was nice, man. 01:23:09.012 --> 01:23:09.312 Thanks. 01:23:09.512 --> 01:23:10.592 Little bit of supercar there. 01:23:10.612 --> 01:23:12.233 Sounds very good in the headphones, that one. 01:23:12.453 --> 01:23:12.753 Does it? 01:23:13.674 --> 01:23:16.315 Lots of panning and all that sort of business. 01:23:16.375 --> 01:23:17.296 Beautifully produced. 01:23:17.456 --> 01:23:17.816 Yeah. 01:23:18.316 --> 01:23:19.757 A lot of Japanese music is very well-induced. 01:23:19.777 --> 01:23:20.157 They're brilliant. 01:23:20.197 --> 01:23:22.038 They're huge in Japan, supercar. 01:23:23.490 --> 01:23:23.990 Is that the end? 01:23:24.210 --> 01:23:24.750 That's the end. 01:23:24.770 --> 01:23:26.211 That's just a bit of info. 01:23:26.271 --> 01:23:27.051 Are they still huge? 01:23:27.471 --> 01:23:27.912 I think so. 01:23:27.932 --> 01:23:29.492 Because they were huge when we were out there for our show. 01:23:29.512 --> 01:23:31.353 Yeah, no, they're a proper big proposition. 01:23:31.393 --> 01:23:34.394 I think maybe someone listening in Japan will tell us what their latest situations are. 01:23:34.454 --> 01:23:35.595 Not all their music is like that. 01:23:35.635 --> 01:23:36.015 They do. 01:23:36.075 --> 01:23:38.196 They have a very varied skill set. 01:23:38.836 --> 01:23:39.996 Very varied skill set. 01:23:40.016 --> 01:23:40.336 Well done. 01:23:40.516 --> 01:23:42.557 An enormous skill set you have. 01:23:43.097 --> 01:23:44.258 Different skills in your set. 01:23:44.278 --> 01:23:46.579 Can you remind me of having a look at your skill set? 01:23:46.659 --> 01:23:47.279 Can I touch it? 01:23:47.539 --> 01:23:49.640 Oh, it's a beautiful skill set. 01:23:49.700 --> 01:23:51.541 How much would you sell it to me for? 01:23:51.741 --> 01:23:52.381 Is it clean? 01:23:53.061 --> 01:23:56.283 It's very, it seems clean, your skill set. 01:23:56.723 --> 01:23:57.483 Do you clean it? 01:23:59.564 --> 01:24:02.906 We got a nice gift from someone called Nat Miller. 01:24:03.186 --> 01:24:04.466 He sent an exciting box. 01:24:04.486 --> 01:24:06.087 Always nice to get a little parcel, isn't it? 01:24:06.127 --> 01:24:07.028 We got a parcel. 01:24:07.048 --> 01:24:07.968 We got a parcel. 01:24:08.348 --> 01:24:14.651 Dear Adam and Joe, I decided to make models of you in the form of bats to thank you for all the laughs I get from your podcasts. 01:24:14.671 --> 01:24:15.351 That's nice of you. 01:24:15.371 --> 01:24:15.612 Thanks. 01:24:15.912 --> 01:24:20.454 Unfortunately, he says this grand idea has curdled into two evil looking bats. 01:24:20.874 --> 01:24:21.814 For this, I'm sorry. 01:24:21.854 --> 01:24:23.135 I thought I'd send them to you anyway. 01:24:23.155 --> 01:24:23.975 They're brilliant bats. 01:24:24.015 --> 01:24:24.815 We've got them right here. 01:24:24.895 --> 01:24:30.777 One of them is short and has a sort of woollen beard and many very sharp teeth. 01:24:31.077 --> 01:24:31.897 They're beautifully made. 01:24:31.937 --> 01:24:36.019 One of them is tall and thin and just has two teeth and no beard. 01:24:36.719 --> 01:24:38.299 And they are sort of posable. 01:24:38.359 --> 01:24:39.520 You could animate with these. 01:24:39.540 --> 01:24:40.900 You could do stop motion with them. 01:24:40.920 --> 01:24:42.661 They're properly stitched and everything. 01:24:42.701 --> 01:24:43.501 They're very nice indeed. 01:24:43.521 --> 01:24:44.381 Thank you so much, Nat. 01:24:44.601 --> 01:24:49.463 But you know it's bittersweet for me because I currently am having a war with bats. 01:24:49.923 --> 01:24:52.245 Because I'm trying to build a studio, right? 01:24:53.086 --> 01:24:53.726 Out of town. 01:24:54.527 --> 01:24:56.869 And I'm trying to convert a barn. 01:24:57.550 --> 01:25:02.875 And you have to go through, you have to jump through all kinds of hoops so as not to upset the bats. 01:25:02.915 --> 01:25:03.876 They're protected, aren't they? 01:25:04.016 --> 01:25:07.079 They are protected and have been protected since the early 80s, I think. 01:25:08.160 --> 01:25:12.224 But they are protected to a ridiculous degree, like to an insane degree. 01:25:12.664 --> 01:25:22.915 And you have to, if it's found out that there's any bats nesting anywhere in the property that you want to do building work on, you have to go through all kinds of, make all kinds of insane planning applications and stuff. 01:25:22.935 --> 01:25:24.016 You have to have surveys done. 01:25:24.056 --> 01:25:25.858 You can't do any building while they're nesting there. 01:25:25.878 --> 01:25:28.881 You have to wait till September when the bats move out and stuff. 01:25:29.401 --> 01:25:31.183 I MEAN IT'S A WORLD GONE CRAZY! 01:25:31.563 --> 01:25:37.908 Again, you know, and anything that doesn't, that gets in the way of your way of behaving is labeled as insane. 01:25:38.028 --> 01:25:38.648 It is insane. 01:25:38.688 --> 01:25:39.589 The bats are precious. 01:25:39.649 --> 01:25:41.331 I don't want to, they are precious. 01:25:41.431 --> 01:25:42.491 I don't want to kill the bats. 01:25:42.772 --> 01:25:43.893 Can't they live somewhere else? 01:25:44.673 --> 01:25:46.074 That's true, can't you rehab it? 01:25:46.154 --> 01:25:47.956 No, but that's probably why they're protected though. 01:25:47.976 --> 01:25:51.779 They've got special mating systems that me may have to... Come on. 01:25:52.079 --> 01:25:53.941 What about the natural world as well? 01:25:53.961 --> 01:25:56.844 They can't find somewhere else in the natural world to live upon. 01:25:56.864 --> 01:25:57.905 What are you going to do about it? 01:25:57.925 --> 01:26:00.227 Are you going to have to build a special bat area? 01:26:00.387 --> 01:26:01.688 No, you can't do anything about it. 01:26:01.969 --> 01:26:03.310 If the bats are there, you're stuffed. 01:26:03.650 --> 01:26:03.931 Really? 01:26:04.071 --> 01:26:06.133 So does it mean you can't convert this barn? 01:26:06.253 --> 01:26:06.413 Yes. 01:26:06.433 --> 01:26:06.693 Really? 01:26:06.813 --> 01:26:06.953 Yeah. 01:26:07.694 --> 01:26:09.395 I mean, it's unbelievable. 01:26:09.975 --> 01:26:12.717 It's unbelievable. 01:26:13.997 --> 01:26:15.678 It's really sort of miserable. 01:26:15.698 --> 01:26:16.438 I love bats. 01:26:16.478 --> 01:26:17.519 You know, everyone loves the bats. 01:26:17.579 --> 01:26:17.879 Yeah. 01:26:18.560 --> 01:26:24.282 Why wouldn't you love a big plague-carrying rat beast that just left guano everywhere? 01:26:25.003 --> 01:26:26.223 You know, they're great. 01:26:26.524 --> 01:26:27.164 Aren't they great? 01:26:27.564 --> 01:26:33.147 And they do have to be protected, certainly, and I'd love to abide by, and I will abide by, the rules that protect them. 01:26:33.868 --> 01:26:35.229 But it's insane! 01:26:35.249 --> 01:26:37.331 It's insanity. 01:26:37.351 --> 01:26:40.334 It's a world gone mental, upside down world. 01:26:40.814 --> 01:26:42.536 The bats are ruling the place. 01:26:43.096 --> 01:26:50.903 So now, every time I see a film, every time I hear about Batman, the Batman, the Dark Knight, I just think you are a git, the Dark Knight. 01:26:51.744 --> 01:26:53.185 You and your bat friends. 01:26:53.906 --> 01:26:54.126 You know? 01:26:54.146 --> 01:26:54.546 Thirty pence. 01:26:57.709 --> 01:27:01.611 Okay, we're going to have to say goodbye very shortly, but here's a little bit more music for you now. 01:27:01.631 --> 01:27:03.671 This is Gomez with Airstream Driver. 01:27:03.731 --> 01:27:04.232 That's very good. 01:27:04.412 --> 01:27:05.172 Is that new Gomez? 01:27:05.672 --> 01:27:06.112 Very nice. 01:27:06.132 --> 01:27:07.373 Airstream Driver. 01:27:07.693 --> 01:27:10.014 Well, that's pretty much it for our show today, ladies and gentlemen. 01:27:10.034 --> 01:27:13.155 It's been a strange journey, as usual. 01:27:13.295 --> 01:27:15.416 It's been a bit ramshackle this week. 01:27:16.216 --> 01:27:22.479 Not usually the brilliantly slick professional show that we churn out with impressive regularity. 01:27:22.839 --> 01:27:26.423 we'll ever do a show where at the end of it we just say, that was very slick. 01:27:26.783 --> 01:27:29.065 I mean, we really nailed it there, didn't we? 01:27:29.106 --> 01:27:29.546 Next week. 01:27:29.706 --> 01:27:30.187 Next week. 01:27:30.327 --> 01:27:31.108 Next week's the one. 01:27:31.268 --> 01:27:31.808 Excellent. 01:27:31.828 --> 01:27:33.170 Next week's going to be amazing. 01:27:33.250 --> 01:27:34.491 It's going to be really slick. 01:27:34.511 --> 01:27:36.033 Text the Nation's going to be brilliant. 01:27:36.573 --> 01:27:38.035 We're going to have some amazing anecdotes. 01:27:38.055 --> 01:27:39.156 We're going to support each other. 01:27:39.176 --> 01:27:39.816 Yep. 01:27:40.057 --> 01:27:41.638 Going to enhance each other's anecdotes. 01:27:41.658 --> 01:27:42.759 It's going to be nice. 01:27:42.840 --> 01:27:44.181 It's just going to be incredible 01:27:44.341 --> 01:27:45.662 Do not miss next week. 01:27:46.002 --> 01:27:46.162 No. 01:27:46.482 --> 01:27:50.665 And by the way, don't forget that you can listen to this show again in all kinds of different ways. 01:27:50.745 --> 01:27:52.366 Listen again, the iPlayer. 01:27:52.646 --> 01:28:04.174 You can download a podcast which comes out either on Monday evening or Tuesday morning, depending on whether the Big British Castle needs extra screening time for all the problematic stuff contained therein. 01:28:04.714 --> 01:28:12.477 But it's always good and it contains an opportunity for you guys to interact with the podcast in a feature we call Retro Text the Nation. 01:28:12.497 --> 01:28:14.218 So don't miss out on that. 01:28:14.378 --> 01:28:22.701 Hey, and I should point out that Supercast split up in 2005, somebody's told us after a final goodbye concert. 01:28:22.721 --> 01:28:24.882 That was the Japanese band whose record we played a while ago. 01:28:25.362 --> 01:28:30.824 yet again up to the minute music news on the Adam and Jo radio show. 01:28:31.284 --> 01:28:35.125 Although we are going to leave you with a new track from an album that may not even be released yet. 01:28:35.165 --> 01:28:41.007 This is Richard Swift and his album is called The Atlantic Ocean and it's very unusual and enjoyable sounding. 01:28:41.047 --> 01:28:43.228 Hope you enjoyed this title track from it. 01:28:43.488 --> 01:28:44.449 Thank you very much for listening. 01:28:44.469 --> 01:28:48.050 Thanks for all your texts and emails and join us again next week at the same time. 01:28:48.130 --> 01:28:50.171 Liz Kershaw is coming up so stay tuned. 01:28:50.251 --> 01:28:50.471 Bye. 01:28:50.651 --> 01:28:50.951 Cheerio.