WEBVTT 00:00.189 --> 00:03.173 Hello and welcome to the Big British Castle. 00:03.354 --> 00:06.939 It's time for Adam and Jo to broadcast on the radio. 00:07.199 --> 00:09.743 There'll be some music and some random talking in between. 00:14.639 --> 00:15.540 Wow, there you go. 00:15.580 --> 00:18.362 That was Say Aha by Santo Gold. 00:18.642 --> 00:20.784 And I've got some important, exciting news for you listeners. 00:20.804 --> 00:22.085 This is Adam and Joe, by the way. 00:22.185 --> 00:22.645 I'm Adam. 00:23.026 --> 00:23.706 Hey, I'm Joe. 00:24.146 --> 00:33.914 And the exciting news is that at the end of last year, right, there were rumours in the press that Santo Gold, who he just played, had changed their name to Santee Gold. 00:34.054 --> 00:37.117 They changed the A to an I. Right, these were just rumours. 00:37.717 --> 00:39.979 And they were found out to be incorrect. 00:41.796 --> 00:42.657 Who's written that note? 00:42.957 --> 00:43.517 Is that you, Ben? 00:43.798 --> 00:44.358 Oh, Ben. 00:45.018 --> 00:46.920 And then he's put... After that, it goes full stop. 00:47.120 --> 00:48.581 What a stranger rumour. 00:49.041 --> 00:49.641 What a stranger rumour. 00:49.682 --> 00:50.842 He's made a typo. 00:51.803 --> 00:55.626 It's sweet that you make all the effort, but you just get... You even... You get it wrong. 00:56.466 --> 00:57.427 It's very endearing. 00:57.947 --> 00:58.287 Listen. 00:58.488 --> 01:01.029 That sounds like bullying of Ben, our producer, at the top of the show. 01:01.069 --> 01:01.470 He loves it. 01:01.570 --> 01:05.032 Anyway, he's going away on a motorbiking trip next week, aren't you, Ben? 01:05.092 --> 01:05.913 Are you going motorbiking? 01:05.933 --> 01:08.614 Yeah, he's going on a Charlie Borman and Ewan McGregor style. 01:08.775 --> 01:09.435 Yeah, you are. 01:09.735 --> 01:10.696 That's why you're doing it. 01:11.116 --> 01:13.738 Who's going to be McGregor and who's going to be Borman? 01:13.838 --> 01:15.379 Are you going to be Borman? 01:15.559 --> 01:15.839 No. 01:16.680 --> 01:18.181 No one wants to be Borman. 01:18.801 --> 01:20.022 They're both lovely chaps. 01:20.122 --> 01:20.482 Exactly. 01:20.502 --> 01:22.063 They're both roughly tough D fans. 01:22.143 --> 01:22.964 Motorcycle men. 01:23.544 --> 01:31.710 Last week, listeners after the show, I, Joe Cornish, left the studio and there was a mother and a daughter standing outside the studio. 01:31.750 --> 01:33.351 Not immediately outside the doors. 01:33.411 --> 01:33.871 And a son. 01:34.332 --> 01:35.432 And I didn't see the son. 01:35.853 --> 01:36.813 He was little, but he was there. 01:37.714 --> 01:40.316 They were standing there and as I left, they shouted, Steven! 01:41.096 --> 01:43.078 So I shouted, coming! 01:43.258 --> 01:43.899 And waved. 01:44.099 --> 01:44.659 Ah, well done. 01:45.280 --> 01:50.344 And then when we came in this morning, they've sent, those very people have sent a beautiful glittery card. 01:50.804 --> 01:53.166 Their names are Chloe, Peter and Anne. 01:53.367 --> 01:54.888 Chloe's 10, Peter's 7. 01:55.709 --> 01:58.591 And the mum, it's wrong to say a lady's age, isn't it? 01:59.131 --> 02:00.653 But she's a lovely lady. 02:00.893 --> 02:04.576 And they've sent in a very nice card saying that, I'm assuming she's a lovely lady. 02:04.656 --> 02:05.036 Yes, you are. 02:05.056 --> 02:05.577 She thinks she isn't. 02:05.757 --> 02:06.778 No, no, she's definitely out. 02:06.938 --> 02:07.799 Okay, you just laughed. 02:07.819 --> 02:09.200 I thought maybe you knew something I didn't know about. 02:09.220 --> 02:12.122 No, no, I was laughing at the idea that you think it's wrong to say a lady's age. 02:12.682 --> 02:13.163 It is! 02:13.183 --> 02:17.566 That's one of the oldest rules in the Man Chivalry book, surely. 02:17.766 --> 02:19.828 Just makes me chuckle when it comes out of your locker, though. 02:20.468 --> 02:20.748 Why? 02:20.768 --> 02:23.050 I don't know, because I don't associate you with Man Chivalry. 02:23.070 --> 02:24.711 I've got a very chivalrous locker. 02:24.791 --> 02:25.332 Yeah, that's true. 02:25.572 --> 02:28.395 Anyway, so, uh, wow, you've confused me now. 02:28.435 --> 02:29.296 I'm sorry, I derailed you. 02:29.396 --> 02:30.036 You've derailed me. 02:30.056 --> 02:31.578 Well, they were a very nice family. 02:31.638 --> 02:33.900 They were very nice, but they've sent in a card, right? 02:34.641 --> 02:38.805 And, uh, they've said that, they say it was so nice to meet Adam. 02:38.845 --> 02:40.226 We were so glad to meet Adam. 02:40.527 --> 02:41.668 We waited for ages. 02:41.688 --> 02:43.129 Uh, blah, blah, blah. 02:43.169 --> 02:44.651 Well done, Joe, for responding. 02:44.971 --> 02:47.573 You aren't moody like Adam says. 02:48.334 --> 02:49.335 I've never called you mood. 02:49.355 --> 02:50.396 You told him I was moody. 02:50.516 --> 03:11.551 No, I'm imagining the conversation now Oh Adam, you're brilliant Joe said coming but then he walked away and Chloe Peter and mum and I walked away because I'm so humble Yeah, I just didn't think they were there for us I thought they were maybe waiting for someone else right and just happened to pop in a casual passing Steven To go over to them and go hi 03:12.552 --> 03:13.112 How you doing? 03:13.392 --> 03:14.012 Like Adam did. 03:14.052 --> 03:14.873 That's not what I did. 03:14.893 --> 03:16.253 Would have been so arrogant. 03:16.653 --> 03:17.293 Hi, fans. 03:17.333 --> 03:17.713 How you doing? 03:17.733 --> 03:18.614 Hey, how you doing, fans? 03:18.634 --> 03:18.994 What do you want? 03:19.014 --> 03:20.034 Autograph or chat? 03:20.134 --> 03:21.814 Maybe you want me to sit down and have a cup of tea with you? 03:21.834 --> 03:23.155 Hey, don't crowd me, all right? 03:23.235 --> 03:24.375 Hey, get that little boy away from me. 03:24.395 --> 03:28.436 That's what was happening in Adam's brain, whereas my brain was going, oh. 03:29.036 --> 03:29.756 Don't know who it was. 03:29.776 --> 03:30.337 Security. 03:30.377 --> 03:31.797 What the hell's this little boy doing? 03:32.037 --> 03:33.757 Get him away from him, for Christ's sake. 03:34.157 --> 03:35.378 You, that's what you would have done. 03:35.498 --> 03:39.279 You would have started holding onto them and struggling with them and shouting, get off me. 03:39.339 --> 03:39.799 Get off me. 03:40.299 --> 03:42.461 Look, I've just done a three hour radio show. 03:42.481 --> 03:43.903 You think I've got better things to do? 03:44.183 --> 03:45.745 Talk to people in the street. 03:46.285 --> 03:54.674 So I wanted to make it clear to Chloe, Peter and Anne that it was purely my humility that kept me from assuming that you were there to see me. 03:55.295 --> 03:58.718 And what an extraordinary display of Adam's out of control arrogant. 04:00.900 --> 04:02.962 that I would, that I would hang around and chat. 04:03.263 --> 04:05.865 Driven by a blast of ego across the pavement. 04:05.985 --> 04:07.827 Now it was genuinely really nice to meet you, Chas. 04:07.887 --> 04:08.167 It was. 04:08.448 --> 04:10.670 And you missed out on Peter's little jacket, is he called Peter? 04:10.690 --> 04:11.130 Yeah. 04:11.290 --> 04:17.977 He had a jacket very much like the one you used to have in the 80s, when you painted things on the side, your sort of top gun jacket. 04:18.037 --> 04:18.357 Yes. 04:18.457 --> 04:20.379 He had lots of... Oh, lots of badges. 04:20.419 --> 04:21.280 And emblems and stuff. 04:21.480 --> 04:21.820 Cool. 04:21.940 --> 04:22.501 He was great. 04:22.621 --> 04:23.121 I missed out. 04:23.141 --> 04:28.766 They've drawn a lovely little a little a picture of the big British castle there Anyway, thank you so much for that. 04:28.966 --> 04:29.206 Yeah. 04:29.246 --> 04:30.107 Well, listen folks. 04:30.207 --> 04:32.629 What a show we've got lined up for you We've got a song wars. 04:32.649 --> 04:49.281 We haven't done song wars for ages No, it's an exciting song wars based on trying to attempting to write the ultimate 80s track Plus what hopefully we're gonna have some more juvenileia a bit later in the show We've got text the nation, of course and of lots of great music dyslexic 04:50.602 --> 04:51.603 Oh, plus we've got a test. 04:51.844 --> 04:52.084 Yeah. 04:52.404 --> 04:52.865 Oh, have we? 04:52.965 --> 04:53.205 Yeah. 04:53.285 --> 04:53.845 Dyslexia test. 04:53.866 --> 04:54.166 Yeah. 04:54.266 --> 04:55.127 Well, that's for later on. 04:55.487 --> 04:56.368 Right now, here's some music. 04:56.388 --> 04:57.589 This is... I love this one. 04:57.809 --> 04:58.710 I didn't choose this, though. 04:58.750 --> 05:00.212 This just happens to be on the playlist. 05:00.532 --> 05:02.394 Psychedelic furs with love my way. 05:02.514 --> 05:06.517 That sounded to me like a duet between Gary Newman and the Thompson twins. 05:07.138 --> 05:08.800 That's what they were like, the psychedelic furs. 05:09.080 --> 05:09.420 Were they? 05:09.781 --> 05:10.061 Yeah. 05:10.121 --> 05:12.083 I would have liked them more at the time if I'd known that. 05:12.423 --> 05:12.984 They were very good. 05:13.004 --> 05:14.186 I mean, they predated. 05:14.326 --> 05:20.397 Actually, they were around about exactly the same time as Numenoid and predated the Thompson twins a little bit. 05:20.597 --> 05:21.359 That track, I think. 05:22.160 --> 05:24.845 He's got one of the great new wave voices. 05:26.549 --> 05:32.334 He's a little bit like David Bowie meets Clint Eastwood. 05:34.236 --> 05:35.337 Is that what that would sound like? 05:36.718 --> 05:38.079 I won't see Gran Torino. 05:38.620 --> 05:39.801 You liked Gran Torino. 05:39.841 --> 05:40.822 I did, I liked it a lot. 05:40.882 --> 05:42.644 I mean, people love that film. 05:43.024 --> 05:46.047 It's just got an overwhelming number of five-star reviews. 05:46.387 --> 05:47.708 Bial said it's the best thing he's ever done. 05:47.828 --> 05:49.570 You didn't find it a little cliche? 05:49.630 --> 05:50.311 No, no, no. 05:52.697 --> 05:54.359 It was playing off his heritage. 05:55.060 --> 05:56.622 It was playing off what we know about Clunk. 05:56.783 --> 05:58.325 That's all Clunk does throughout the whole film. 05:58.485 --> 06:01.889 The thing I like about Clunk Eastwood, right, he famously only does two takes. 06:01.969 --> 06:02.210 Right. 06:02.851 --> 06:04.933 He won't entertain any more than two takes. 06:05.254 --> 06:07.377 If you haven't got it in two takes, you haven't got it. 06:08.709 --> 06:11.970 And you can tell that when you watch Gran Torino, because some of the shots are out of focus. 06:12.790 --> 06:17.392 And some of these, they don't have proper endings, they just whip pan to a plug and then cut or something. 06:17.932 --> 06:18.532 And I like that. 06:18.672 --> 06:19.873 Something refreshing about that. 06:20.053 --> 06:20.613 Absolutely. 06:21.173 --> 06:23.294 He certainly seemed to have knocked it out in a couple of weeks. 06:23.314 --> 06:24.114 Good ending as well. 06:24.894 --> 06:25.915 Don't spoil it for anybody. 06:25.955 --> 06:26.895 I thought the ending was good. 06:27.155 --> 06:29.897 You couldn't see that coming from the very, very beginning of Gran Torino? 06:30.117 --> 06:30.297 No. 06:30.477 --> 06:31.657 Like everything else in Gran Torino? 06:31.677 --> 06:32.478 No, I couldn't actually. 06:33.818 --> 06:37.060 The best bit about it, I thought, was Jamie Cullum at the end, the jazz hobbit. 06:37.420 --> 06:42.863 Well, I bought that in as a free play the other week, because they sing a song, Jamie Cullum and Clunk. 06:43.003 --> 06:45.124 And Clunk has sung a lot in his career. 06:45.504 --> 06:46.765 It's too much, it sounds like. 06:46.845 --> 06:49.626 He's sung a lot in Westerns, but yeah, he's amazingly croaky. 06:49.646 --> 06:51.007 He's really croaky. 06:51.027 --> 06:53.008 They can barely get it out. 06:54.008 --> 06:54.689 the song that is. 06:55.150 --> 07:01.318 And you get the feeling that someone must have said like, Clint, maybe he started off singing the whole song himself. 07:01.678 --> 07:02.860 It's this kind of jazz standard. 07:02.900 --> 07:03.841 Is it a jazz standard? 07:03.941 --> 07:06.945 No, I think it's a Callum composition. 07:07.105 --> 07:07.426 Oh, is it? 07:07.566 --> 07:08.247 It's a nice song. 07:08.687 --> 07:11.671 Anyway, I get the feeling that maybe Clint wanted to sing the whole thing. 07:12.532 --> 07:15.916 No, he passed out after the four lines. 07:15.976 --> 07:16.697 After the first verse. 07:16.717 --> 07:18.139 He had a minor stroke and killed over. 07:18.179 --> 07:19.320 And then Cullum comes in. 07:19.460 --> 07:20.421 He's got a brilliant voice. 07:20.461 --> 07:21.322 I never realised. 07:21.563 --> 07:21.923 Who knew? 07:21.943 --> 07:22.444 I don't know. 07:22.504 --> 07:26.789 I expected him to sound squeaky and ludicrous for some reason. 07:27.209 --> 07:28.651 That's just my own prejudice talking about. 07:28.671 --> 07:29.632 Have you never heard him before? 07:29.732 --> 07:29.912 No. 07:29.932 --> 07:30.773 I never had. 07:30.853 --> 07:32.055 And he's great. 07:32.095 --> 07:33.096 I mean, he sounds wonderful. 07:33.736 --> 07:34.277 Anyway, there you go. 07:34.297 --> 07:37.400 Well, we're going to be playing quite a lot of Jamie Callum on forthcoming shows. 07:37.420 --> 07:38.581 Yeah, well, that would be good, I think. 07:38.681 --> 07:38.781 Yeah. 07:38.801 --> 07:39.502 That would be excellent. 07:39.782 --> 07:41.044 Hey, it's your free choice now, is it? 07:41.264 --> 07:41.544 It is. 07:41.604 --> 07:42.285 What am I going to play? 07:42.365 --> 07:43.526 Oh, yeah, this is some vinyl. 07:44.247 --> 07:47.270 Regular listeners might know that we're playing stuff for vinyl every now and then. 07:48.011 --> 07:50.733 It is from the band Gangstar. 07:50.753 --> 07:51.674 They're a hip-hop band. 07:52.315 --> 07:53.016 Do you know them, Adam? 07:53.356 --> 07:56.939 Gangstar, I remember you and me dancing around to one of their tracks. 07:57.099 --> 07:58.800 DJ in Deep Concentration. 07:58.961 --> 08:00.722 DJ Premier in Deep Concentration. 08:00.762 --> 08:01.683 Yeah, but this isn't that. 08:01.763 --> 08:03.224 This is called Jazz Thing. 08:03.605 --> 08:05.526 It's from the Spike Lee film Mo' Better Blues. 08:05.546 --> 08:06.127 Do you remember that? 08:06.823 --> 08:07.864 Yeah, I found it very cliche. 08:07.984 --> 08:08.584 No, I'm joking. 08:09.165 --> 08:22.356 And it's like a kind of history of jazz that Guru's going to give you now, backed by some extraordinary mixes and cut-ups by probably the best DJ in hip-hop, DJ Premier, in my opinion. 08:22.396 --> 08:23.477 He's in deep concentration. 08:23.677 --> 08:27.220 Well, he is right here, and this is not only funky, but it's educational. 08:27.500 --> 08:29.682 That's my favorite mix of things. 08:29.722 --> 08:32.264 That should be taught in schools as well, shouldn't it? 08:32.284 --> 08:32.424 Yeah. 08:32.624 --> 08:33.725 So listen carefully for us. 08:33.825 --> 08:34.806 This is jazz thing. 08:34.946 --> 08:37.807 What a brilliant free play by me, Joe Cornish. 08:38.028 --> 08:39.648 That's what you were saying right the way through the song. 08:39.688 --> 08:40.469 Yeah, I was. 08:40.489 --> 08:41.810 I mean, what a great choice. 08:42.210 --> 08:43.130 Everyone sounded great. 08:43.150 --> 08:47.052 Everyone's enjoying it in the studio and just sort of doing their own thing and reading the papers. 08:47.392 --> 08:51.414 Joe's just sat there and then Halfway 3 goes, I mean, this is a very good song, isn't it? 08:51.795 --> 08:56.717 This is a really good song and it's a very, you know, this is the mix of this song that is not played very often. 08:56.957 --> 08:58.458 And I brought it in and I'm playing it. 08:58.478 --> 09:04.241 And then I said that everyone else in the studio, particularly Adam, should try and, you know, take this in and try and match 09:04.241 --> 09:05.841 match it with their own free play choices. 09:05.881 --> 09:06.762 I'm really going to try. 09:07.242 --> 09:08.662 Try and live up to that choice. 09:08.802 --> 09:09.682 A lot to live up to. 09:09.722 --> 09:10.342 Good choice. 09:10.362 --> 09:11.422 That's big shoes to fill. 09:11.603 --> 09:14.463 Yeah, the history of jazz in one song. 09:14.743 --> 09:17.004 So it's educational, it's groovy. 09:17.624 --> 09:20.004 It's educational, it's groovy. 09:20.184 --> 09:24.045 I'm Keith Richards teaching some sort of hip-hop class. 09:24.165 --> 09:26.686 I ran over like a cat. 09:29.926 --> 09:31.387 Did you hear that from Steve Wright? 09:31.607 --> 09:31.807 No. 09:32.147 --> 09:33.207 Oh, well, I feel corn well. 09:34.207 --> 09:43.030 Anyway, this is Adam and Joe here on BBC Six Music, and we've got a new policy on the show, which is to launch Text the Nation, which is one of our two features on the show. 09:43.050 --> 09:44.130 Actually, we've got more features than that. 09:44.150 --> 09:44.850 We've got lots of features. 09:44.890 --> 09:51.072 We've got Juvenilia, we've got Song Wars coming up, but we're going to do Text the Nation to get it going early, right after this trail. 09:51.892 --> 09:52.532 Is it a trail? 09:52.552 --> 09:53.673 You told me it was a trail, Ben! 09:53.793 --> 09:56.034 He said the trail would be at the end of this link. 09:56.614 --> 09:58.875 I ended the link, I ended the link. 09:59.215 --> 10:01.636 Obviously you ended the link, but very prematurely. 10:02.257 --> 10:04.217 I mean, it was humiliating. 10:04.277 --> 10:10.920 Well, luckily that free play was so amazing that I've gained myself a bit of, you know, leeway to mess up. 10:11.000 --> 10:12.341 You can do anything you want, yeah. 10:12.781 --> 10:17.163 Well, listen, let's just ignore the last 20 seconds and go into the Texanation jingle. 10:19.577 --> 10:20.297 Text the Nation! 10:20.397 --> 10:20.677 Text! 10:20.777 --> 10:21.037 Text! 10:21.117 --> 10:21.438 Text! 10:21.578 --> 10:22.318 Text the Nation! 10:22.398 --> 10:23.378 What if I don't want to? 10:23.598 --> 10:24.318 Text the Nation! 10:24.418 --> 10:25.419 But I'm using email. 10:25.599 --> 10:26.339 Is that a problem? 10:26.359 --> 10:28.480 It doesn't matter! 10:28.680 --> 10:29.280 Text! 10:29.800 --> 10:31.400 Text the Nation this week, listeners. 10:31.721 --> 10:34.721 We gave you a little bit of a early warning about it last week. 10:34.881 --> 10:36.662 It's going to be gig etiquette. 10:37.422 --> 10:40.543 Adam and I are both keen live music attendees, aren't we? 10:40.583 --> 10:41.423 Is that fair to say? 10:42.144 --> 10:43.624 I'm keen when I've got the job. 10:43.644 --> 10:45.064 I haven't been to a gig for a long time. 10:45.084 --> 10:45.685 No, no, no, no. 10:45.785 --> 10:46.865 We go to gigs a lot. 10:47.045 --> 10:47.865 We go to gigs all the time. 10:47.885 --> 10:48.886 We go to gigs all the time. 10:49.306 --> 10:49.806 We love them. 10:50.286 --> 10:53.047 And we've got strong opinions on how people should behave at them. 10:53.187 --> 10:53.707 Absolutely. 10:54.347 --> 10:59.189 So we're looking to draw up a sort of a manifesto for behaviour at live gigs. 10:59.249 --> 11:03.110 And this is also things that would improve the experience of seeing live music, right? 11:03.250 --> 11:04.990 We want 10 bullet points. 11:05.431 --> 11:07.491 I'm not asking you to send in 10 bullet points. 11:07.511 --> 11:10.272 You only have to send in your suggestions for one of the bullet points. 11:10.632 --> 11:15.275 But at the end of the show, we want to end up with a 10-point manifesto for behavior at gigs. 11:15.796 --> 11:29.164 And what's going to happen is this manifesto will be taken around to all live venues by a jackbooted police force in black jumpsuits, white motorcycle helmets with electric prods, like in THX 1138. 11:29.625 --> 11:30.665 And it'll be enforced. 11:31.726 --> 11:37.750 And whilst making life scarier, it'll also improve the behavior and people's enjoyment of gigs. 11:37.910 --> 11:40.032 We could get the pigeon detectives to enforce it. 11:40.712 --> 11:42.454 I imagine it's the kind of thing they would enjoy. 11:42.914 --> 11:43.474 You think so? 11:43.514 --> 11:44.695 Yeah, they're rough boys. 11:45.276 --> 11:46.076 Really? 11:46.237 --> 11:47.057 And they love live music. 11:47.077 --> 11:48.138 You sounded excited by that. 11:48.158 --> 11:48.919 I am a little bit. 11:49.839 --> 11:51.040 So text us. 11:51.641 --> 11:53.062 I'm not sure what the text number is. 11:53.082 --> 11:53.062 24046? 11:53.442 --> 11:53.722 No. 11:53.742 --> 11:53.722 64042. 64046. 12:00.928 --> 12:02.809 This is dyslexia, dyslexia, isn't it? 12:03.489 --> 12:04.470 Yeah, numerological. 12:04.490 --> 12:07.111 Does it cover numbers as well, dyslexia? 12:07.151 --> 12:07.651 I don't know. 12:07.691 --> 12:08.872 We're going to find out later in the show. 12:09.352 --> 12:10.813 But listen, here are some suggestions. 12:11.393 --> 12:15.074 And I think this is a subject that's covered quite regularly by Word magazine. 12:15.315 --> 12:15.475 Yeah. 12:15.715 --> 12:18.276 And possibly by every other radio show in the world. 12:18.496 --> 12:19.396 But we're going to make it different. 12:19.516 --> 12:20.477 Plus we've done it as well. 12:20.577 --> 12:21.397 Have we done it in the past? 12:21.437 --> 12:21.938 I think so, yeah. 12:21.958 --> 12:22.698 While we're doing it again. 12:23.198 --> 12:24.539 We're going to make it exciting and different. 12:25.359 --> 12:26.500 Here are some ideas. 12:27.000 --> 12:31.663 Idea number one, audiences at gigs should be positioned in height order. 12:31.964 --> 12:32.744 That's brilliant. 12:32.764 --> 12:37.407 Now, as a tall man, I'm being sacrificial here because obviously I would be relegated to the back. 12:37.467 --> 12:38.968 Yeah, but you'd still be able to see, wouldn't you? 12:39.128 --> 12:39.688 Exactly. 12:40.089 --> 12:43.151 I think when you buy your ticket, you have to give them your measurements. 12:43.211 --> 12:43.371 Yeah. 12:44.191 --> 12:48.274 Uh, or maybe it would be included in your new government chipped ID card. 12:48.314 --> 12:54.919 Uh, when, when the, um, you know, THX style state begins, we'd all have chipped ID cards. 12:55.440 --> 13:03.626 But when you buy your ticket, you have to tell them your height and then you get allocated a special area of the auditorium where you won't be obscuring the view of the person standing behind. 13:03.706 --> 13:07.209 And would you do, would you be super strict about, I was thinking, what about just having an enclosure? 13:07.229 --> 13:08.069 Couples would be split up. 13:08.209 --> 13:11.071 If there's a small lady who goes out with a tall woman. 13:11.151 --> 13:11.352 Right. 13:11.952 --> 13:14.814 You know, say what you need to say, then you won't see them until the end of the gig. 13:14.894 --> 13:15.915 That seems extreme. 13:16.115 --> 13:17.956 Well, but it's for the greater good. 13:18.197 --> 13:18.477 Yeah. 13:18.597 --> 13:18.937 Isn't it? 13:19.017 --> 13:21.439 What about just having an enclosure for short people? 13:21.899 --> 13:22.320 That's voluntary. 13:22.340 --> 13:23.340 Well, that's a better idea. 13:23.601 --> 13:24.581 And so... With some straw. 13:24.941 --> 13:25.262 Yeah. 13:25.922 --> 13:27.904 Well, you don't have to have straw in the enclosure. 13:29.024 --> 13:29.785 We could. 13:30.366 --> 13:31.406 And an electric fence. 13:32.687 --> 13:32.948 No. 13:33.528 --> 13:33.788 No. 13:34.469 --> 13:34.689 No. 13:34.809 --> 13:35.069 No. 13:35.870 --> 13:39.853 Just to enclose you where the short people can stand if they want that's near the stage, but you have to be short. 13:39.873 --> 13:40.994 You're not allowed in if you're tall. 13:41.014 --> 13:41.214 Right. 13:41.334 --> 13:41.594 Right. 13:41.654 --> 13:42.335 Do you know what I mean? 13:42.615 --> 13:43.416 That's quite a good idea. 13:43.436 --> 13:44.196 That's voluntary. 13:44.337 --> 13:48.160 But I agree with you that some legislation needs to be put down about height. 13:48.940 --> 14:08.431 number two idea number two for bands below a certain decibel okay all bands are given a decibel rating right the volume at which they play fleet foxes would be a good example of a quiet yeah absolutely for bands below a certain decibel there is silence enforced during songs okay no loud singing along 14:09.031 --> 14:14.953 I paid to hear the Fleet Foxes, not Kev from Teddington, singing along to the Fleet Foxes right next to me. 14:15.333 --> 14:15.653 You know? 14:16.013 --> 14:16.373 Right. 14:16.773 --> 14:18.694 So that's another thing, a decibel rating. 14:19.174 --> 14:24.696 And so for metal bands and rock bands where the music's so loud that you can't hear the person next to you singing along, that's fine. 14:25.156 --> 14:29.418 But if it's a quiet gig or a jazz gig or the Fleet Foxes, enforced silence. 14:29.878 --> 14:33.299 And what about if some of the music is loud and some is quiet? 14:34.299 --> 14:36.861 Hmm, well those bands aren't allowed to play. 14:37.361 --> 14:38.402 Because they're too inconsistent. 14:38.422 --> 14:39.623 Yeah, they're too inconsistent. 14:39.683 --> 14:41.304 Bands, that's something bands have to do. 14:41.744 --> 14:45.067 They have to meet us halfway, they have to have a consistent volume. 14:45.607 --> 14:52.152 Right, and so if you're a band like Radiohead... I mean all bands are like that anyway now, because their music is compressed for iPods, isn't it? 14:52.998 --> 14:53.278 Right. 14:53.658 --> 14:56.159 I was reading a thing in the paper that said all bands are loud now. 14:56.179 --> 14:57.079 They're too loud. 14:57.099 --> 14:59.939 Because for iPods it's all compressed and there's no nuance anyway. 15:00.079 --> 15:08.061 Right, but when they're playing live though, I mean, you've got some loud songs and you've got some quiet songs and you structure your set to go loud. 15:08.261 --> 15:13.042 Right, so now what you have to do is you have to declare whether it's going to be a loud set or a quiet set. 15:13.102 --> 15:16.862 Maybe some sort of a light above the stage that tells people whether talking is allowed. 15:16.902 --> 15:17.943 That's a good idea, yeah. 15:17.963 --> 15:19.663 Yeah, have you got any? 15:20.183 --> 15:24.405 Yes, I was thinking, actually, this was suggested by someone else in the studio last week. 15:24.445 --> 15:25.186 I can't remember who. 15:25.286 --> 15:26.706 Maybe it was Liz Kershaw's producer. 15:27.127 --> 15:36.952 But it was the notion that fridges, beer fridges, should be switched on and kept switched on until the very end of the gig. 15:37.192 --> 15:37.432 Right. 15:37.492 --> 15:38.453 That's sometimes not the case. 15:38.473 --> 15:39.233 What's the problem there? 15:39.513 --> 15:42.855 Well, they switched them off or... They sort of shut the bars before the gig ends. 15:42.995 --> 15:46.796 Well, they don't coordinate the chilling of the beers properly at all. 15:46.876 --> 15:49.037 Sometimes you get all disgusting warm beer. 15:49.057 --> 15:52.177 I mean, it's not a problem if you've got draft beer, I suppose. 15:52.257 --> 15:55.698 So you're saying that cold beer should be available all the way through the gate? 15:55.778 --> 16:01.380 Yeah, very cold beer, ice buckets of beer in some fashion, or just fridges that actually work. 16:02.000 --> 16:05.262 Another of my ideas is to serve beer with lids on. 16:05.743 --> 16:06.003 Yeah. 16:06.023 --> 16:08.244 So you don't get it spilled all over you the whole time. 16:08.364 --> 16:09.545 Right, like little coffees. 16:09.585 --> 16:20.893 Yeah, whose idea was it to have hundreds of people crammed tightly together and then fill, you know, squeezy, fragile plastic cups to the brim with beer. 16:20.973 --> 16:24.876 It's like some ridiculous, it's a knockout game or something. 16:24.996 --> 16:25.896 Yes, exactly. 16:25.956 --> 16:28.538 Trying to shove through all the people. 16:28.558 --> 16:30.099 You've got two inches of beer left. 16:30.179 --> 16:30.620 Never mind. 16:31.476 --> 16:31.957 That's right. 16:32.277 --> 16:33.218 That's a very good idea. 16:33.238 --> 16:33.458 Thanks. 16:33.799 --> 16:33.979 Yeah. 16:34.039 --> 16:34.940 And straws, maybe. 16:34.980 --> 16:37.043 You can have straws that would get people drunk too fast, right? 16:37.363 --> 16:38.244 Yes, that's true. 16:38.544 --> 16:42.809 But you could have little, you know, like you say, coffee shops, sippy cups. 16:43.070 --> 16:43.470 Yeah. 16:43.670 --> 16:44.972 Sippy cup caps. 16:45.052 --> 16:46.093 Or bit... or patches. 16:47.113 --> 16:47.654 Patches. 16:48.034 --> 16:49.496 Can you do patches for alcohol? 16:49.977 --> 16:50.938 What do you mean patches? 16:51.519 --> 16:53.722 Like nicotine patches, you know what I mean? 16:54.122 --> 16:55.644 Oh, instead of actually having fluid. 16:55.805 --> 16:56.205 Yeah. 16:56.566 --> 16:57.126 Yeah. 16:57.207 --> 16:58.308 No, you haven't. 16:58.428 --> 17:01.252 I thought you just meant nice patches with patterns on them. 17:02.453 --> 17:05.576 No, listen, why don't we come back and have some more of these? 17:06.476 --> 17:16.424 After the news in the second half hour six four zero four six is the text number for your suggestions for our gig behavior manifesto This is Adam and Joe on BBC six music. 17:16.604 --> 17:20.007 It's 9 30 and it's time for the news extraordinary noise. 17:20.067 --> 17:20.868 That's Danny black. 17:21.208 --> 17:21.768 He's alone 17:22.549 --> 17:23.129 He's all alone? 17:23.310 --> 17:23.890 He's alone! 17:24.230 --> 17:25.031 Oh, well, it's all right. 17:25.071 --> 17:26.792 He's got glasses like a cassette. 17:27.232 --> 17:28.173 Have you seen that picture? 17:28.193 --> 17:28.913 No, let's have a look. 17:29.033 --> 17:44.864 Bernard Producer puts little pictures of some of the bands to give us a talking point and this guy, Dan Black, has got a pink cassette and he's cut a triangle out of the middle bottom so that it sits on his nose and he's looking through the spools as if they're glasses. 17:44.884 --> 17:45.725 That's quite good, isn't it? 17:45.745 --> 17:46.245 That's brilliant. 17:46.265 --> 17:47.386 I can't believe no one's done that before. 17:47.406 --> 17:47.706 I know. 17:47.726 --> 17:47.786 Wow. 17:49.167 --> 17:49.728 That's amazing. 17:49.748 --> 17:50.648 Well done, Dan Black. 17:50.869 --> 17:51.369 Very good. 17:51.409 --> 17:53.251 It looks slightly precariously balanced. 17:53.571 --> 17:54.792 You have to stand very still. 17:54.832 --> 17:57.055 Maybe he's put little ear, you know, what are they called? 17:57.775 --> 17:58.296 Ear things. 17:58.376 --> 18:00.518 What are the things that hold glasses onto your ears called? 18:00.538 --> 18:00.998 Arms. 18:01.799 --> 18:02.159 Arms. 18:02.640 --> 18:02.980 Arms. 18:03.120 --> 18:03.441 On them. 18:03.881 --> 18:04.381 Fingers. 18:05.723 --> 18:08.085 He has a nice face though. 18:08.145 --> 18:12.269 I mean, you can't see the eye part of the face because it's obscured by the cassette. 18:12.749 --> 18:15.411 But he looks like a handsome man and he's got a nice haircut there. 18:15.431 --> 18:16.012 Yeah. 18:16.172 --> 18:16.873 He's fashionable. 18:17.173 --> 18:20.335 It says apparently he's done a wicked cover of the notorious B.I.G.' 18:20.315 --> 18:21.176 's Hypnotise. 18:21.476 --> 18:21.817 Mm-hmm. 18:22.037 --> 18:23.178 Which is on YouTube. 18:23.238 --> 18:23.838 It's a fun fact. 18:23.858 --> 18:24.919 It's applied by Ben on our fact sheet. 18:24.979 --> 18:25.420 That's a good fact. 18:25.440 --> 18:26.260 That's all happening. 18:26.601 --> 18:30.244 And that I like the fact that... Excuse me, I'm getting a bit emotional about it, Ben. 18:31.865 --> 18:35.668 I like the fact that I was gonna say something so banal, I'm not even gonna say it. 18:35.688 --> 18:36.309 Go on, say it. 18:37.129 --> 18:40.731 I like the fact that the aspect ratio is correct on the picture. 18:40.751 --> 18:41.452 It's not squash. 18:41.532 --> 18:44.213 Sometimes you print out pictures that are a bit squashy off the internet. 18:44.253 --> 18:45.794 This one is just right. 18:45.814 --> 18:47.335 Noted from last week. 18:47.355 --> 18:47.995 Yeah, thanks very much. 18:48.676 --> 18:55.659 Now listen, folks, we often get a lot of egg corns sent in to us because it's something that we've talked about previously on this program. 18:56.040 --> 18:58.401 And there was a couple that made me chuckle that came in this week. 18:58.941 --> 19:03.324 Just to remind you, an egg corn is a misheard word or phrase, right? 19:04.584 --> 19:05.965 I mean, I think they're called egg corns. 19:06.145 --> 19:11.287 I think we may have got the definition slightly Not wrong, but not accurate enough, right? 19:11.347 --> 19:19.710 I think there's another level to it because some people have emailed us in about that as well That it has to it's something about it's suggesting Suggesting I don't know. 19:19.870 --> 19:20.290 I don't know. 19:20.330 --> 19:22.011 I wish I'd never started saying this. 19:22.091 --> 19:24.572 Yeah, let me think about it I'll come back to you. 19:24.712 --> 19:25.292 I bet you do. 19:25.332 --> 19:30.654 I mean that was disastrous Disaster radio there, but no, you know, it comes from the fact that 19:31.434 --> 19:36.660 uh, if you mishear- mishear the word acorn, you might think that it was the word eggcorn, right? 19:37.341 --> 19:41.605 So, in a similar vein, well, here's some examples that'll make you understand if you don't already. 19:42.166 --> 19:51.996 This is from Johnny X, Bracken- Johnny X. Will Baxter, and he says, in fact, I think he's the Johnny X ages ago that sent something in that we- He suggested- 19:52.517 --> 19:55.459 call yourself Johnny X. Don't put your full name. 19:55.679 --> 19:56.080 Oh, right. 19:56.280 --> 20:01.083 Because I think Will Baxter, ages ago, suggested a blow-dry clip, the clip of the bad accent. 20:01.204 --> 20:01.764 Oh, yes. 20:02.425 --> 20:03.065 Which we played. 20:03.345 --> 20:03.966 Josh Hartnett. 20:04.026 --> 20:05.287 Yeah, and we forgot what his name was. 20:05.307 --> 20:06.708 We called him Johnny X. There we go. 20:06.908 --> 20:07.708 So it's Will Baxter. 20:07.729 --> 20:08.649 Giving him a cool new name. 20:08.689 --> 20:09.230 Yeah, yeah. 20:09.730 --> 20:14.233 Anyway, Will says, my friend just told me that he was going to Portugal for some rest bite. 20:15.995 --> 20:17.376 I didn't know how relaxing that would be. 20:17.396 --> 20:17.616 That's good. 20:17.636 --> 20:19.217 That's like, rest is a delicious snack. 20:19.417 --> 20:19.638 Yeah. 20:19.838 --> 20:21.039 And he's having a little bite of it. 20:21.099 --> 20:22.520 So he means rest bite, obviously. 20:23.200 --> 20:24.341 And yeah, rest bite. 20:24.962 --> 20:25.322 Mmm. 20:25.962 --> 20:27.543 And here's another one from Nick. 20:28.084 --> 20:30.866 And he says, Hi Adam and Joe, I've got an egg corn for you. 20:31.186 --> 20:34.108 It came from one of my colleagues who often comes out with things like this. 20:34.629 --> 20:39.072 On this occasion, we all felt about laughing and made little effort to hide our amusement. 20:39.452 --> 20:39.613 He 20:40.333 --> 20:44.915 For he shall remain nameless, said about one of our workmates, He's the vein of my life." 20:49.057 --> 20:51.318 That would mean he is your lifeblood, wouldn't it? 20:52.398 --> 20:52.619 Yes. 20:52.639 --> 20:54.279 Yes, I'm saving you. 20:54.980 --> 21:01.423 It would mean that his mere presence is like your jugular, providing your essential, essential... 21:03.044 --> 21:05.027 It's nice that you stepped in after that laugh that you did. 21:05.067 --> 21:06.149 Thanks, now I'm struggling. 21:06.249 --> 21:09.555 After the laugh, after I said he's the vain in my life, your laugh is... 21:12.677 --> 21:20.241 You know, I've had that idea, actually, to go through our podcasts and pick out the most insincere laughs, because there are sometimes some very insincere laughs. 21:20.582 --> 21:25.965 There's laughs when, yeah, when you're just trying to support your co-broadcaster, you know? 21:25.985 --> 21:27.766 Just keep things ticking over. 21:27.846 --> 21:28.206 I do know. 21:28.226 --> 21:31.288 But there's clearly no actual amusement behind the laugh. 21:31.428 --> 21:31.708 Yeah. 21:32.829 --> 21:33.509 Dead laughter. 21:33.729 --> 21:34.010 Yeah. 21:34.990 --> 21:35.771 Do me a laugh now. 21:35.831 --> 21:37.451 Do your most convincing laugh now. 21:37.611 --> 21:38.672 My most convincing one? 21:38.692 --> 21:38.932 Yeah. 21:39.312 --> 21:41.253 Well, I could really go over the top or just a regular one. 21:41.273 --> 21:42.114 It's got to be convincing. 21:42.134 --> 21:44.715 I've got to think that... I've got to think... Was that it? 21:44.835 --> 21:44.975 Yeah. 21:45.235 --> 21:45.916 That was quite good. 21:46.076 --> 21:47.296 You see, I'm convinced by that one. 21:47.316 --> 21:47.476 Right. 21:47.877 --> 21:48.857 I don't think I'm as good as you. 21:49.157 --> 21:51.078 No, well, I have to use my fake laugh on you a lot. 21:51.098 --> 21:51.658 Did you hear that? 21:51.859 --> 21:52.319 Yeah, I did. 21:52.339 --> 21:53.599 It sounded very insincere. 21:53.699 --> 21:54.760 Very insincere. 21:55.881 --> 21:57.821 What did you say you have to use your fake laugh a lot? 21:57.902 --> 21:58.342 A lot. 21:58.702 --> 21:58.982 Really? 21:59.042 --> 22:01.163 Yeah, because some of the stuff you say is so lame. 22:01.303 --> 22:02.044 How rude! 22:03.244 --> 22:03.624 There you go. 22:03.644 --> 22:04.445 That was a real one. 22:05.085 --> 22:10.508 But this one... I went wrong. 22:11.128 --> 22:12.249 This is absolute rubbish. 22:12.269 --> 22:13.129 What are we talking about? 22:13.349 --> 22:14.030 Fake laughter. 22:14.130 --> 22:15.670 It's an important component of love. 22:15.710 --> 22:19.512 What's the best... Can you do like a really over the top fake laugh? 22:24.534 --> 22:26.378 That doesn't sound real, that sounds silly. 22:26.558 --> 22:30.585 Yeah, well that's another technique folded into it, which is to get the person to leave. 22:30.625 --> 22:31.326 Yeah, yeah. 22:31.366 --> 22:35.013 Yeah, you're really funny, but I'm hysterical, so go away. 22:35.053 --> 22:35.394 How about this? 22:41.957 --> 22:42.677 Does that sound real? 22:43.978 --> 22:47.459 It sounds like a kind of Victorian era laughing policeman. 22:47.739 --> 22:48.720 Right, looks like a sound effect. 22:48.760 --> 22:50.660 Sort of a BBC sound effects record, yeah. 22:50.760 --> 22:52.241 Quite good though, didn't you think? 22:52.741 --> 22:57.003 Yeah, I think you've got a fake laugh that goes kind of like that. 22:57.043 --> 22:58.243 It has a high note at the end. 22:58.263 --> 22:59.244 Oh, we know the one you mean. 23:00.824 --> 23:02.565 That's I know that's one of your fake ones. 23:02.605 --> 23:04.206 That's so funny. 23:04.286 --> 23:05.147 It's just five. 23:05.167 --> 23:05.447 Yes. 23:05.727 --> 23:08.509 Yeah, exactly Anyway, I'm exhausted. 23:08.529 --> 23:11.390 Um, should we play some Marvin Gaye right now? 23:11.450 --> 23:12.531 This is what's going on. 23:12.551 --> 23:13.251 What is going on? 23:13.271 --> 23:14.052 What the hell's going on? 23:14.252 --> 23:17.053 Yeah, that's uh, an American soul singer called Marvin Gaye. 23:17.694 --> 23:18.834 Is he actually gay? 23:18.955 --> 23:21.316 He isn't no and that's proved by the fact that there's an E on the end 23:21.936 --> 23:22.557 Oh, right. 23:23.538 --> 23:24.739 Did he even put that E on the end? 23:24.799 --> 23:25.360 I think he did. 23:25.640 --> 23:28.363 Because he didn't want people to think he was a homosexual soul singer. 23:29.324 --> 23:29.764 That's a shame. 23:29.784 --> 23:30.665 He was very insecure. 23:31.046 --> 23:31.266 Right. 23:31.306 --> 23:32.587 Well, it was a different time, wasn't it? 23:33.027 --> 23:33.288 Yeah. 23:33.568 --> 23:34.249 In the old days. 23:34.689 --> 23:35.650 Shall we have song wars? 23:35.850 --> 23:36.251 Okay, then. 23:53.141 --> 24:08.912 so check it out it's time for song wars and if you're a new listener this is the part of the show where Adam and I go away uh there's more to it don't get excited we're not going to leave we go away and record songs based on a theme and we do them entirely ourselves 24:09.913 --> 24:12.395 using our laptops, and then we battle them. 24:12.415 --> 24:20.963 We're going to play you both songs, my song and Adam's song, and we invite you to vote for the one you like best via email. 24:21.164 --> 24:22.105 Is that right, Ben? 24:22.685 --> 24:24.246 No text votes are allowed, are they? 24:24.967 --> 24:26.569 No, you have to vote via email. 24:26.589 --> 24:38.439 The email is adamandjoe.sixmusicatbbc.co.uk And next week we will announce which one is one and play that one and it'll be like crowning the king of music. 24:38.539 --> 24:41.742 And then neither song will ever be heard ever again by anybody ever. 24:41.942 --> 24:42.462 No, that's true. 24:42.502 --> 24:46.206 Someone asked me if we were going to do a song wars volume two because we did a song wars volume one. 24:47.106 --> 24:51.168 an iTunes album, but there's no plans currently for volume 2. 24:51.568 --> 24:53.109 Well, we're going to release them in some way. 24:53.129 --> 24:54.069 We're going to figure that out. 24:54.169 --> 24:54.570 Yeah. 24:55.110 --> 24:59.052 But anyway, this week's theme was the ultimate 80s song. 24:59.232 --> 24:59.412 Right. 24:59.732 --> 25:08.236 Because we've observed that the 80s is all trendy again with acts like La Rue and that's the only one I can think of at the moment. 25:08.316 --> 25:09.197 Empire of the Sun. 25:09.277 --> 25:11.878 Yeah, the kind of 80s thing is very much back in vogue. 25:12.378 --> 25:19.702 So we thought we might try and cash in that by writing the most sort of quintessentially 80s songs we could, right? 25:19.962 --> 25:24.585 And the only stipulation we had was that it should feature a spoken word passage, right? 25:25.225 --> 25:26.265 Yeah, yeah, yeah, exactly. 25:26.305 --> 25:28.487 We observed that as one of the tropes of 80s songs. 25:28.527 --> 25:28.787 Yeah. 25:29.527 --> 25:31.628 A little sort of spoken word bit by the singer. 25:31.648 --> 25:33.629 So I'm tossing a coin heads or tails at him. 25:33.749 --> 25:35.570 I call heads to go first. 25:36.211 --> 25:36.811 It's tails. 25:37.291 --> 25:37.952 You go first. 25:38.732 --> 25:44.959 OK, my track listeners is a kind of attempt to recreate Trevor Horn era ABC. 25:45.279 --> 25:46.020 Oh, wow. 25:46.080 --> 25:46.921 That's ambitious. 25:46.941 --> 25:47.281 I know. 25:47.461 --> 25:48.722 It's a bit overly ambitious. 25:48.762 --> 26:00.354 I was trying to, you know, squeeze out of garage band Trevor Horn style, you know, and for younger listeners, Trevor Horn had a very sort of bombastic orchestral style. 26:01.355 --> 26:06.419 And the ABC album, Lexicon of Love, is probably the most extraordinary workout of that style. 26:06.839 --> 26:10.422 So I was trying to recreate that sound and I was trying to do a Martin Fry impression. 26:10.442 --> 26:12.603 This is basically an ABC song. 26:12.863 --> 26:13.083 Yeah. 26:13.344 --> 26:18.487 And just to understand what's happening in this song, you've got to kind of think of Martin Fry, the lead singer of ABC. 26:18.908 --> 26:24.652 He's in his house or maybe in the studio and he's singing one of his over the top 80s, lush, funk ballads. 26:25.172 --> 26:30.896 When he's interrupted by his backing singer or girlfriend with some petty domestic concerns and things go downhill. 26:30.896 --> 26:31.576 hill from there. 26:31.937 --> 26:32.237 Wow. 26:32.317 --> 26:34.398 So this is just called Incredible Song. 26:34.699 --> 26:36.460 So here's song number one, Incredible Song. 26:46.786 --> 26:59.115 When the world is like a huge potato And it looks as though you've had your chips You thought that you could trust the captain 27:00.169 --> 27:26.341 Now you're sailing on a sinking ship Let's go anywhere Don't interrupt my vocals I can't find it It's under the stairs No, it isn't Won't you leave me alone when I'm singing This incredible song No one understands my 80s genius Or perhaps you're just a melodramatic ponce 27:34.835 --> 27:36.459 How dare you? 27:37.201 --> 27:42.813 I'm leaving I can't stand your stupid face 27:48.277 --> 27:49.337 I'm amazing. 27:50.018 --> 27:51.899 You are average. 27:53.040 --> 27:54.841 Got your purpose. 27:55.501 --> 27:57.102 It's just my style of sin. 27:57.202 --> 27:59.063 And now it isn't. 27:59.323 --> 28:01.184 You called me a punk. 28:01.465 --> 28:03.586 Okay, I'm sorry. 28:03.666 --> 28:07.048 I'll stay if you say that you love me. 28:07.528 --> 28:09.690 And my incredible song. 28:09.770 --> 28:12.551 Okay, I love you and your incredible song. 28:12.731 --> 28:14.032 Good, cause I'm hungry. 28:14.352 --> 28:16.314 Now make me my tea. 28:17.375 --> 28:17.795 Wow. 28:18.035 --> 28:18.456 There we go. 28:18.496 --> 28:24.419 That's just a glimpse into the, you know, the domestic problems of an over-the-top 80s singer. 28:24.919 --> 28:25.900 That is extraordinary. 28:25.920 --> 28:27.761 I mean, that's overwhelming. 28:28.001 --> 28:30.702 The thing is... I mean that. 28:30.742 --> 28:31.423 That was sincere. 28:32.623 --> 28:33.624 You can actually sing. 28:33.684 --> 28:36.626 That's a thing that you have over me in the whole Song Wars thing. 28:37.686 --> 28:39.968 And so it means... Not sure that that's true. 28:40.088 --> 28:44.471 It means... You've sung a very nice ballad for your lady wife on Valentine's Day. 28:44.631 --> 28:45.931 Yeah, it was a little histrionic. 28:46.452 --> 28:50.054 But anyway, for vocal stylings, you nailed Martin Frey. 28:50.134 --> 28:51.795 I mean, that was... That's very nice of you to say. 28:51.815 --> 28:52.576 That was amazing. 28:52.696 --> 28:55.618 You know, generally, I have nailed Martin Frey. 28:55.778 --> 28:56.438 Yeah, I'm sure. 28:56.718 --> 28:59.020 Everyone would like to in his gold lame pants. 28:59.800 --> 29:04.884 Uh, I went for someone whose vocal stylings I thought that I could approximate a little more easily. 29:05.264 --> 29:06.225 I went for Phil Okey. 29:06.845 --> 29:07.646 Ah, good choice. 29:07.946 --> 29:14.471 But he's hard because he kind of sings quite low, so I thought it would be easy, but actually it's difficult to make it instead of punch through the track. 29:14.751 --> 29:15.472 You know what I mean? 29:15.772 --> 29:20.815 With Song Wars, when you start out on a song like that, you very seldom have time to stop and restart. 29:21.056 --> 29:21.336 Yeah. 29:21.476 --> 29:24.098 Sometimes you just have to, uh, you have to go the whole hog, don't you? 29:24.378 --> 29:24.718 Yes. 29:25.018 --> 29:25.839 The whole Lindsay Hogg. 29:25.879 --> 29:31.781 But my, what I did, I mean Phil Okey is just one of the many vocal influences that is in my track as you will hear. 29:31.801 --> 29:32.141 The Okey-Vokeys. 29:32.201 --> 29:32.462 Yeah. 29:32.902 --> 29:33.382 The Okels. 29:34.563 --> 29:37.984 It's a mishmash of all kinds of different bits of the 80s in one track. 29:38.064 --> 29:39.845 In fact, I think maybe I've overloaded it. 29:40.105 --> 29:41.065 But I won't say any more. 29:41.406 --> 29:44.167 I'll just play you, this is just called 80s Song. 29:45.780 --> 29:58.757 One thing that I really hate is how we are no longer in the 80s I wish Doc Brown from Back to the Future could take me back there now in his glory and calm 30:00.061 --> 30:14.941 I'm going back to the 80s, a decade of fun You could make lots of cash in gender bending the sun You could dress like a commerce or a pirate from space And draw wavy lines on your face 30:16.743 --> 30:32.161 Margaret Thatcher, shoulder pads, new kids on the block, fresh, body popping, funny Eddie Murphy, metal Mickey, a day glow sock, New York girls who dressed all slutty, boys from Camden who were nutty, the king of pop when he was black, um, shack attack. 30:32.581 --> 30:55.980 I live in the Aces, my life is fantastic I've got a giant fat made of money and plastic I play space invaders, I drive a C5 What a great time to be alive This is a sample of James Brown Scratching, scratching, scratching I'm a sexy woman 30:56.431 --> 31:16.147 We had the Beastie Boys for tea, their behaviour was disgraceful They vomited on Adam Ant and boy George got a face full Adrock broke my Rubik's Cube and Mike Dee punched Rick Astley MCA watched MTV, the whole thing was just ghastly The 80s were destroyed by the Beastie Boys 31:16.967 --> 31:23.669 They were so rude and made a terrible noise Why did they have to shout at the end of every line? 31:23.909 --> 31:44.075 They followed and everything was fine Oh, take me back today, it's horrible here There's crappy 80's music, unemployment and fear Oh wait, they had those then, of course I nearly forgot In fact, things haven't changed a lot 31:45.305 --> 31:48.527 Wow, I like the one syndrome hit in the middle of that. 31:48.787 --> 31:50.408 Boink, boink towards the beginning. 31:50.548 --> 31:51.328 That's very good. 31:52.309 --> 31:53.289 So there you go, listeners. 31:53.329 --> 31:55.070 Those are the two Song Wars songs this week. 31:55.130 --> 31:57.011 Song number one was Joe's song. 31:57.271 --> 31:58.052 Incredible song. 31:58.092 --> 31:59.452 Song number two was Adam's song. 32:00.413 --> 32:01.033 80's song. 32:01.413 --> 32:02.294 Brilliant names there. 32:02.454 --> 32:02.714 Yeah. 32:02.914 --> 32:03.214 Yeah. 32:03.374 --> 32:04.295 The 80's song. 32:04.755 --> 32:07.476 And I noticed that we both used the word ponce as part of our lyrical package. 32:07.496 --> 32:08.737 Well, it's one of the key 80's 32:08.957 --> 32:09.297 words. 32:09.377 --> 32:10.558 It's the ultimate 80s word isn't it? 32:10.578 --> 32:11.499 Defining buzzwords. 32:11.519 --> 32:12.380 It's the ponce decade. 32:12.460 --> 32:14.181 It was when it was fine to be a ponce. 32:14.381 --> 32:15.482 That's why we liked it so much. 32:15.502 --> 32:16.343 It was encouraged. 32:16.563 --> 32:20.105 Yeah exactly it was a good thing and hey hopefully those times are coming round again. 32:21.346 --> 32:21.807 Ponce times. 32:21.867 --> 32:23.528 It's time for a free play of mine right now. 32:23.608 --> 32:25.629 Can I remind people where to vote for those songs? 32:25.870 --> 32:38.419 Vote please by email adamandjo.6musicatpbc.co.uk you can vote if you're listening again or listening on the podcast you can vote any time up to close of business on Friday they'll be counted next Saturday morning. 32:38.519 --> 32:41.361 I think we're going to play those songs again before the end of today's show. 32:41.882 --> 32:44.244 But right now, it's time for a free play, a bit of real music. 32:44.264 --> 32:46.085 This is one of my favourite bands. 32:46.125 --> 32:46.846 This is Spoon. 32:47.086 --> 32:49.287 And this is a track called The Agony of La Fite. 32:49.307 --> 32:52.330 And it's one of those tracks that's actually very bitter. 32:52.590 --> 33:00.036 It was written about an A&R guy who ended up dropping the band and sort of stabbing them in the back a little bit. 33:00.396 --> 33:01.437 I hate A&R guys. 33:01.457 --> 33:03.738 So, you know, and especially he was called Ron Lafitte. 33:03.798 --> 33:04.778 I hate Ron Lafitte. 33:04.898 --> 33:08.960 So Spoon wrote this song, like, all about how much they, how bitter they were about it. 33:09.400 --> 33:12.161 And usually songs like that leave a bad taste in the mouth, right? 33:12.521 --> 33:14.002 But this one is sweet. 33:14.362 --> 33:17.804 You know, if you're gonna have, like, a bitchy song written about you, then you can't beat this one. 33:17.824 --> 33:19.504 This is The Agony of Lafitte by Spoon. 33:21.725 --> 33:22.466 Text-a-nation. 33:22.606 --> 33:23.626 Text, text, text. 33:23.766 --> 33:24.547 Text-a-nation. 33:24.587 --> 33:25.527 What if I don't want to? 33:25.787 --> 33:26.447 Text-a-nation. 33:26.467 --> 33:27.008 It doesn't matter. 33:27.048 --> 33:27.288 Text. 33:30.106 --> 33:34.691 Now, I haven't had a chance to prepare many Texanations, because I was eating a chocky bar. 33:34.811 --> 33:35.331 Yeah, that's fair enough. 33:35.351 --> 33:36.032 Is that a good excuse? 33:36.112 --> 33:36.613 Absolutely. 33:36.633 --> 33:37.213 That's fine. 33:37.253 --> 33:41.157 Incidentally, listeners, you just heard My Girls by Animal Collective. 33:41.297 --> 33:43.840 That's a very good album that they've just released, and that's a track from it. 33:44.601 --> 33:49.546 This is Adam and Joe here on BBC Six Music, and yes, we are rejoining Texanation, the theme of which this week 33:50.226 --> 33:51.527 is gig etiquette. 33:51.607 --> 34:00.194 Specifically, we are trying to compile a manifesto containing 10 points that will improve the gig-going experience for people all over the world. 34:00.294 --> 34:01.655 Here's a couple more of mine. 34:02.355 --> 34:05.798 Making way for someone to move past you. 34:05.918 --> 34:06.198 Yes. 34:06.238 --> 34:16.386 You're packed in a crowd and someone starts pushing past you, so you politely sort of create a space that wasn't there by pushing yourself really close to your partner or something to let the person step through. 34:17.047 --> 34:19.208 And they step into that space and just stay there. 34:19.969 --> 34:20.629 Do you ever get that? 34:20.670 --> 34:21.290 That's awful. 34:21.410 --> 34:28.335 You've compressed yourself in an uncomfortable way to let them pass and they interpret that space as a space they can occupy. 34:28.435 --> 34:28.995 Yeah, wrong. 34:29.335 --> 34:29.656 Wrong. 34:29.956 --> 34:30.296 Bad. 34:32.357 --> 34:37.941 My number nine was guys who take their shirts off and then start falling into people. 34:38.261 --> 34:38.501 Mm-hmm. 34:38.722 --> 34:39.662 Like, what's the thinking there? 34:39.682 --> 34:47.127 There's always several people at every kind of gig who think it's amusing just to be out of control and fall over on everybody. 34:47.187 --> 34:48.388 That's a young person's thing. 34:48.428 --> 34:49.829 Is that slam dancing? 34:50.349 --> 34:53.072 Maybe that's a little bit of slam dancing, Grandpa. 34:53.633 --> 34:58.557 If you haven't realized, listeners, Text the Nation this week is all about gig behavior. 34:58.577 --> 35:03.422 We're trying to build up a 10-point manifesto to improve live music. 35:03.622 --> 35:06.084 I thought you were going to say, if you haven't realized, we're both very old. 35:06.104 --> 35:08.446 That was a fake laugh. 35:15.550 --> 35:16.130 Oh, dear. 35:17.051 --> 35:19.612 Yeah, no, I think that's fair enough, though, isn't it? 35:19.672 --> 35:22.913 You can't stop people, exuberant young people from stripping off. 35:22.953 --> 35:23.213 Yes, you can. 35:23.233 --> 35:23.753 Yes, you can. 35:23.793 --> 35:26.975 The police can, if you let electric prods depict the pigeon detectives. 35:27.395 --> 35:27.675 Ow! 35:27.695 --> 35:28.155 Exactly. 35:28.375 --> 35:28.635 Right. 35:29.036 --> 35:29.796 So here are some suggestions. 35:29.816 --> 35:30.416 What's your problem with that? 35:30.436 --> 35:32.117 You just don't like being basked into by naked men. 35:32.137 --> 35:34.438 Well, I don't like, yeah, topless men falling into me. 35:34.458 --> 35:35.258 Something to love that, though. 35:35.278 --> 35:36.339 I don't know how to respond. 35:36.499 --> 35:38.139 Oh, sorry, mate. 35:39.080 --> 35:39.560 Caress them. 35:39.980 --> 35:40.600 Caress them. 35:40.620 --> 35:41.461 That would freak them out. 35:41.521 --> 35:42.581 Lick the sweat off them. 35:42.601 --> 35:43.662 That would stop them, at least. 35:43.682 --> 35:43.762 Yeah. 35:44.542 --> 35:44.842 Oh, what? 35:44.882 --> 35:45.783 Did you just lick me? 35:45.803 --> 35:47.104 I might start them. 35:47.344 --> 35:47.904 Yeah, maybe. 35:48.185 --> 35:49.105 Who knows what could happen? 35:49.145 --> 35:51.587 Well, you could go down an exciting new avenue. 35:51.607 --> 35:52.528 Hmm. 35:52.828 --> 35:53.128 Yeah. 35:53.408 --> 35:53.649 Yeah. 35:54.289 --> 35:55.550 Here's one that I thought of, right? 35:55.570 --> 35:57.011 A point for the manifesto. 35:57.792 --> 36:02.015 And this is to cover, like, when you go to the lavvy, right? 36:02.495 --> 36:05.757 Sometimes during a boring song, everyone will go to the lav at the same time. 36:06.198 --> 36:09.780 And you might get stage fright when you're all queued up at the urinal. 36:09.860 --> 36:11.802 This is more a man thing than a woman thing. 36:12.542 --> 36:16.146 And so you're all lined up at the urinal during the boring song, you get a bit of stage fright. 36:16.486 --> 36:23.492 And as you're straining to do your whistle-wazzle, you get an airborne toxic event, right? 36:23.812 --> 36:25.734 And it's very humiliating and embarrassing. 36:25.994 --> 36:29.777 And so I was thinking what would be nice is if they just have very loud music playing in the labs. 36:29.797 --> 36:31.379 I mean, you get that sometimes anyway. 36:31.699 --> 36:35.922 But a lot of the time at a venue, you'll go into the lab and it'll suddenly, there'll be no sound. 36:36.183 --> 36:37.564 And it'll be all eerily quiet. 36:37.844 --> 36:42.747 I mean, there might be a couple of drunken yobs discussing things, but sometimes it can be very quiet. 36:42.787 --> 36:43.488 That's a good idea. 36:43.588 --> 36:44.969 And a bit of a humiliating event. 36:44.989 --> 36:45.989 Without music in the labs. 36:46.049 --> 36:48.051 Yeah, to cover up events. 36:48.511 --> 36:48.811 Yeah. 36:48.991 --> 36:50.633 Here are some that have come in from listeners. 36:51.133 --> 36:51.713 Tom says, 37:09.144 --> 37:09.665 at the gig. 37:09.685 --> 37:10.145 Do you think? 37:10.205 --> 37:10.625 Yeah. 37:11.585 --> 37:13.846 Doesn't it make you just a superfan? 37:14.506 --> 37:14.967 I suppose it does. 37:14.987 --> 37:15.727 I mean, there's nothing wrong with it. 37:15.747 --> 37:16.787 I wouldn't get annoyed about it. 37:16.967 --> 37:17.708 Well, Tom's annoyed. 37:17.728 --> 37:18.488 Tom's furious. 37:19.488 --> 37:20.789 Tom, I think that's a good suggestion. 37:20.969 --> 37:21.569 Yeah, you reckon? 37:21.689 --> 37:25.631 Yeah, I think the point of this manifesto is just to be a bit, sort of, fistic. 37:25.911 --> 37:26.891 Yeah, just a little bit. 37:26.971 --> 37:27.131 Right. 37:27.791 --> 37:30.012 Here's one from Amy in London. 37:30.913 --> 37:34.274 She says, my suggestion for gig etiquette would be no snogging. 37:35.294 --> 37:37.636 or no over-the-top snogging at least. 37:38.056 --> 37:41.719 There's nothing worse than getting stuck behind a couple really going for it. 37:42.079 --> 37:46.962 This happened to me at a Radiohead gig years ago and nearly ruined their rendition of Airbag. 37:47.382 --> 37:47.823 Hmm. 37:48.903 --> 37:54.567 I like the fact that she says that you're allowed sort of snogging but no over-the-top snogging. 37:54.948 --> 37:56.689 Because that gives the police something to do. 37:56.929 --> 37:57.529 Heavy petting. 37:57.569 --> 37:58.430 Yeah, they just watch. 37:58.730 --> 38:02.853 And then at a certain point when things sort of step over a slightly nebulous line. 38:02.873 --> 38:03.233 Mm-hmm. 38:04.634 --> 38:06.054 I guess, what would that line be though? 38:06.114 --> 38:08.035 What like hands down pants and things like that? 38:09.215 --> 38:11.255 No, that's not really snogging, is it? 38:12.016 --> 38:15.616 I think just in your world it is. 38:15.636 --> 38:18.877 I don't know, I think that's up to the police's discretion. 38:18.897 --> 38:20.357 That isn't snogging, is it? 38:21.578 --> 38:23.198 That is up to the police's discretion, right? 38:23.218 --> 38:23.358 Yeah. 38:23.378 --> 38:25.658 I think when it gets a bit too erotic. 38:26.058 --> 38:32.400 Right, when they start drooling and the eyes are closed and their heads are all winding around and maybe moaning as well. 38:36.162 --> 38:40.647 Do you agree with that one though? 38:40.987 --> 38:43.530 No, I think I think it's what's wrong with snogging. 38:43.590 --> 38:44.811 Come on You'd like it. 38:44.891 --> 38:56.902 I like a bit of you should move a little closer to the snogging Certainly brushing the lady try squeeze between them and guess Pop your tongue in just in case they don't notice 38:57.643 --> 39:22.058 hang on a second you weren't too far why wouldn't do that because you're suggesting i would go in and pop my tongue into someone else's mouth while they was not well we've heard about your toothbrush activities we know your oral hygiene standards are low yeah well ash from south pems says big fat hairy blokes must remain fully clothed at all times that's a very good i mean that's a good rule just for life in general when it gets hot and stuff you know 39:22.378 --> 39:31.709 Melanie in Strepford says, hi Adam and Jo, I think no ponytails allowed worn high on the head at gigs, therefore no flicking it in the face of the person behind. 39:31.889 --> 39:34.572 A lot of these just have to do with being in a crowd. 39:34.932 --> 39:40.058 Well exactly, I think if you're going to stand in the mosh pit, you take your chances, you know what I mean? 39:40.318 --> 39:41.480 You can't legislate for that. 39:41.940 --> 39:45.082 I think that's an area within the mosh pit area. 39:45.142 --> 39:48.065 Maybe there should be clearer definitions for where that area is. 39:48.625 --> 39:50.386 There should be a zone, a mosh zone. 39:50.707 --> 39:55.070 When you go into the mosh zone, you are not covered by any of the regulations. 39:55.170 --> 39:57.652 It's a little demilitarised zone and you can just go nuts. 39:58.212 --> 39:59.633 And you can break all of these rules. 39:59.713 --> 40:00.394 That's a good idea. 40:00.414 --> 40:03.836 But outside the mosh zone, you will obey the manifesto. 40:04.137 --> 40:04.677 Good idea. 40:05.237 --> 40:06.238 One last one from Johnny. 40:06.278 --> 40:10.241 He says, no taking photos or videos on mobile phones. 40:10.461 --> 40:11.082 Oh, that's well. 40:11.763 --> 40:22.400 Where do people put those videos and photos, the people who like film a three minute section of a concert from the middle of the crowd in what's presumably pretty bad MP3 quality audio? 40:22.420 --> 40:23.542 What do they do with those? 40:23.562 --> 40:24.504 They put them on YouTube. 40:25.583 --> 40:32.550 And then if you're a fan of the band, if you're a superfan, you'll go and you'll type in the name and you'll just get loads and loads of rubbish MP3s of them. 40:33.951 --> 40:35.132 It seems something pointless. 40:35.192 --> 40:36.193 It's totally pointless. 40:36.233 --> 40:37.274 Completely distorted. 40:37.294 --> 40:38.115 It's very modern. 40:38.415 --> 40:39.176 It's very modern. 40:39.476 --> 40:44.060 But I guess you get a little thrill, I suppose, to watch it. 40:44.100 --> 40:44.661 Not anymore. 40:44.861 --> 40:45.061 No. 40:45.201 --> 40:45.562 Band. 40:45.942 --> 40:46.322 Band. 40:46.463 --> 40:46.723 Good. 40:46.963 --> 40:47.343 Band. 40:47.484 --> 40:47.844 That's something 40:48.124 --> 41:01.368 If you've got a contribution for our gig etiquette manifesto, please text us on 64046 or email adamandjo.6musicatbbc.co.uk Ben, are we just about to play What I Am by Edie Brickell and the new Bohemians? 41:04.329 --> 41:04.869 That one, right? 41:05.369 --> 41:07.569 Was this on an advert like ages ago in the 90s and stuff? 41:07.589 --> 41:09.070 I don't know, we could make him skip it. 41:09.966 --> 41:13.089 Yeah, because weren't you going to start doing that, going through the playlist? 41:13.109 --> 41:14.210 Yeah, I've forgotten to do that. 41:14.330 --> 41:15.371 Do we not want to play that? 41:15.431 --> 41:17.172 Let's play it anyway, because I mean, it was fun. 41:17.492 --> 41:18.393 People liked it, right? 41:18.714 --> 41:19.654 We want to make people happy. 41:19.794 --> 41:20.575 You like it, right? 41:20.835 --> 41:21.636 Did you pick it even? 41:21.796 --> 41:21.996 No. 41:22.337 --> 41:22.757 Yeah. 41:23.458 --> 41:23.958 Let's hear it. 41:24.498 --> 41:25.800 Maybe it's improved with age. 41:25.860 --> 41:27.461 This is What I Am by Edie Brickell. 41:27.641 --> 41:30.003 I mean, that's like a quintessential 90s sound. 41:31.044 --> 41:54.293 isn't it wouldn't you say yes that reminds me of friends the TV show and coffee bars and indeed on into the noughties it reminds me of Apple stores you know the Apple Mac computer store yes where they have people loads of people wandering around being individuals thinking of what they're gonna when they're gonna update their blogs and making appointments for the genius going to the genius bar genius 41:56.974 --> 42:02.600 The thing that makes me laugh is that they don't chuckle when they actually refer to each other as geniuses. 42:02.620 --> 42:03.261 But they take it seriously. 42:03.281 --> 42:04.062 None of them crack a smile. 42:04.082 --> 42:04.443 They have to. 42:04.743 --> 42:05.764 And I can't take it seriously. 42:05.784 --> 42:10.069 Every time they say, oh, you're going to need to see a genius, I just laugh. 42:10.489 --> 42:11.831 They do good courses there, though. 42:12.091 --> 42:12.331 Right. 42:12.551 --> 42:16.053 Yeah, a friend of mine doing a Photoshop course, it's like a quid or something. 42:17.014 --> 42:17.434 Seriously. 42:17.474 --> 42:17.734 Really? 42:17.855 --> 42:18.475 Zach is, yeah. 42:18.515 --> 42:19.335 Yeah, yeah, yeah. 42:19.856 --> 42:21.397 Just a bit of personal chat there, listeners. 42:21.677 --> 42:22.237 Are we on? 42:22.677 --> 42:23.638 Yes, we are, yeah. 42:24.238 --> 42:24.438 Hello. 42:24.459 --> 42:24.539 Hey. 42:24.819 --> 42:26.840 This is Adam and Jo on BBC Six Music. 42:27.420 --> 42:30.042 It's time for a flea, a flea, a flea play. 42:30.422 --> 42:32.043 Yeah, you're going to pray to some fleas. 42:32.063 --> 42:33.644 Yeah, I'm going to pray to fleas. 42:34.024 --> 42:37.186 This is a kind of a plug for a forthcoming film. 42:37.506 --> 42:37.587 Oh. 42:37.927 --> 42:44.271 But I was raving about Gran Torino to you, Adam Buxton, and we've just been discussing how disappointed Adam Buxton was with Gran Torino. 42:44.331 --> 42:45.692 I was expecting something different. 42:45.752 --> 42:47.212 And Joe raised your expectations. 42:47.232 --> 42:59.200 You very intelligently pointed out that if you sort of look at it as like a Western but set in suburbia and dealing with race relations rather than- Some of its simplistic plot mechanisms are more forgivable and enjoyable. 42:59.700 --> 43:01.702 I was expecting something different. 43:02.162 --> 43:07.426 So now I'm a bit wary about infusing about another film, because maybe people will just be disappointed. 43:07.446 --> 43:09.528 No, your recommendations are usually on the money, I would say. 43:09.788 --> 43:14.171 This is a Swedish vampire film called Let the Right One In, and it's terrific. 43:14.351 --> 43:16.633 It's a sort of arty film, but it's really good. 43:16.673 --> 43:26.580 It's about a little boy living in Sweden in the 80s in a sort of housing estate, and a mysterious neighbour moves in, a young girl who he befriends. 43:27.361 --> 43:28.362 And that's all I'd tell you. 43:28.382 --> 43:29.262 It's coming out in a few weeks. 43:29.302 --> 43:30.042 It's really good. 43:30.323 --> 43:40.668 But the title of it, Let the Right One In, is taken from a novel called Let Me In, a big, successful Swedish horror novel, which itself is inspired by a Morrissey track called Let the Right One Slip In. 43:41.448 --> 43:42.849 So I'm going to play that Morrissey track. 43:42.909 --> 43:44.490 This is called Let the Right One Slip In. 43:44.530 --> 43:46.310 And it's not about vampires, this track. 43:46.410 --> 43:48.351 No, I'm not really sure what it's about. 43:48.431 --> 43:53.954 But this is by way of, you know, tipping people off to this forthcoming movie, Let the Right One In. 43:54.394 --> 43:55.435 So here it is, Morrissey. 43:56.676 --> 43:59.880 That's Morrissey with Let The Right One Slip In. 44:00.260 --> 44:14.816 This is Adam and Joe here on BBC Six Music and we are going to do a bit of jubinilia for you right now, but incidentally we got an email during the week from a chap and I've got it written down here. 44:15.037 --> 44:16.338 Oh, come on. 44:16.438 --> 44:16.678 Here we go. 44:17.479 --> 44:18.780 Um, this is from Robert. 44:19.040 --> 44:27.206 Robert says, dear Adam and Jo, I love your show more than custard, but if you say, juvenilea, instead of juvenilea, one more time, I'll scream. 44:27.526 --> 44:28.346 Cheers, Robert. 44:28.807 --> 44:30.448 He thinks we're using the wrong word there. 44:31.128 --> 44:32.069 Uh, we think he's wrong. 44:32.309 --> 44:40.775 So, what I've done, Robert, is I've looked up, I thought you were wrong about that, uh, so I looked it up, and the dictionary definition... You know how I know he's wrong. 44:41.175 --> 44:46.699 Because that word was introduced, uh, by Louis, Sebastian Thoreau, when we were about... 44:47.939 --> 44:51.880 15 or 16 or something, I remember he used it, and he never gets anything wrong. 44:51.900 --> 44:53.080 You know, he's a smart-ass. 44:53.120 --> 44:54.640 Yeah, especially stuff like that. 44:55.161 --> 44:59.161 Well, yes, and it turns out that it is the right word. 44:59.181 --> 45:08.443 The definition of juvenileia is, one, the literary compositions produced in an author's youth, or two, literary productions intended for the young. 45:08.883 --> 45:10.844 So that refers to literary stuff. 45:10.884 --> 45:16.265 Juvenalia, though, is scenic games instituted by Nero in AD 59. 45:17.125 --> 45:17.385 There you go. 45:17.405 --> 45:17.965 So, what's his name? 45:17.985 --> 45:20.387 The gentleman who called to complain about that. 45:20.407 --> 45:21.707 That was Robert. 45:22.007 --> 45:27.190 It would be wrong to do an undignified display of, you know, but you're sussed. 45:27.450 --> 45:28.010 You're sussed. 45:28.271 --> 45:29.451 IN YOUR FACE! 45:29.471 --> 45:32.673 IN YOUR FACE, ROBERT! 45:35.612 --> 45:37.153 But thanks very much for your email. 45:37.574 --> 45:40.556 And that would be incidentally the wrong thing that we just demonstrated. 45:40.596 --> 45:41.257 We weren't actually doing that. 45:41.277 --> 45:42.017 Yeah, that's the bad thing to do. 45:42.057 --> 45:42.778 That's ignoble. 45:42.898 --> 45:44.859 We were showing what a couple of prats would do. 45:44.960 --> 45:45.220 Yeah. 45:45.620 --> 45:47.882 Which we are not new by no means. 45:48.442 --> 45:50.844 So here's the jingle for Jingle. 45:50.864 --> 45:51.985 This is quite a cloying jingle. 45:52.005 --> 45:53.486 I've got to come up with something better than this. 45:53.627 --> 45:57.029 But this is a real young person doing a bit of singing over our jingle here. 46:10.069 --> 46:10.689 Yay! 46:11.750 --> 46:17.615 Yes, listeners, this is the part of the show where we play bits of stuff that people have recorded. 46:17.655 --> 46:20.237 I'm just explaining what the jingle already explained. 46:20.818 --> 46:24.320 But we were playing some stuff we'd recorded as kids on little tape recorders. 46:25.101 --> 46:28.524 Chiefly, when you're a child and pretending to be a DJ, the kind of thing 46:28.704 --> 46:42.570 we're both still doing here on 6 Music As Adults, but we had more excuse for being so shoddy when we were kids, and we asked you to send in your own version, or your own tapes of pretending to be DJs, and this is one we got from a fellow called Matt Robottom. 46:43.010 --> 46:50.234 Matt says, Dear Adam and Jo, I listen to your show a lot, and when I heard you talking about pretending to be DJs when you were kids, my ears pricked up. 46:50.694 --> 46:52.015 I used to do that, I thought. 46:52.235 --> 46:52.915 How cool! 46:53.395 --> 46:57.317 Then, when you asked us to send in some of our own recordings, I couldn't believe it. 46:57.617 --> 46:59.138 I must send in some of my stuff. 46:59.258 --> 47:03.280 I could actually get played on national radio, albeit sounding like a buffoon. 47:03.540 --> 47:05.461 But how cool would that be, he says. 47:06.101 --> 47:08.302 I know, I still sound like a kid and I'm actually 32. 47:08.482 --> 47:11.283 It's exciting though, me on national radio. 47:11.383 --> 47:14.004 I've always wanted that, he says. 47:14.125 --> 47:16.666 And he says his little history about how I got into it. 47:17.786 --> 47:21.887 He basically he used to make tapes with his dad's double cassette ghetto blaster, right? 47:21.907 --> 47:25.648 I mean that was an entry point for a lot of people as soon as those double cassette things came out. 47:26.028 --> 47:44.531 That was good times He says this all moved on in 1989 when my family moved house, and I ended up in a loft conversion bedroom I wanted my radio shows to sound more professional so with money given to me for my 13th birthday I bought a disco mixer from Tandy and a cheap mic attic radio was born Wow 47:45.251 --> 47:50.238 I roped in my friends and next door neighbours, brothers Thomas and Andrew Fowler to help me. 47:50.458 --> 47:53.122 We also recorded our own jingles, Happy Days. 47:53.742 --> 47:57.027 And so we're going to play three clips right now from Attic Radio. 47:57.487 --> 47:59.049 And it does sound amazingly professional. 47:59.069 --> 48:02.394 I mean, it sounds like it could have been at least hospital radio. 48:02.714 --> 48:04.735 How old was this guy when he recorded? 48:04.795 --> 48:05.315 Thirteen. 48:05.355 --> 48:05.555 Thirteen. 48:05.755 --> 48:06.375 At this point. 48:07.055 --> 48:13.037 And I think the thing to point out, as far as I can tell, is that he is not being ironic in any of these clips. 48:13.177 --> 48:15.018 These are sincere opinions that he's expressing. 48:15.038 --> 48:21.440 But because his voice has broken, or has certainly started to break, it sounds as if it might be sort of tongue-in-cheek, but it isn't. 48:21.660 --> 48:23.001 No, it's absolutely sincere. 48:23.201 --> 48:24.281 One hundred percent sincere. 48:24.861 --> 48:27.762 First of all, here he is talking about just fashion trends. 48:27.802 --> 48:29.883 It's a talking point on Attic FM, right? 48:29.923 --> 48:30.303 Here he is. 48:30.803 --> 48:38.590 Okay, if I said to you the word fashion or the word trend, what's the first thing that comes into your mind? 48:39.550 --> 48:40.872 Is it music? 48:41.572 --> 48:42.773 The music that's in the fashion? 48:42.793 --> 48:44.595 Or is it clothes? 48:44.855 --> 48:47.677 I think mainly the most thing that will come into your head is clothes. 48:47.737 --> 48:49.759 Now, what do you wear after school? 48:49.919 --> 48:53.282 Out of school, if you go to your club or something like that, or what do you like wearing? 48:54.123 --> 48:57.525 I've heard that it's actually in the trend to wear a hooded top. 48:58.426 --> 49:02.367 It used to be the trend to wear a shirt with a t-shirt underneath it. 49:02.767 --> 49:03.667 What do you think? 49:03.987 --> 49:04.967 What's your opinion? 49:05.247 --> 49:09.228 Writing to the usual dress, Attic Radio Wells, blah blah blah, you know. 49:10.208 --> 49:11.448 And tell me what you think. 49:11.849 --> 49:13.469 It's not going to get there at that address though, is it? 49:13.709 --> 49:18.230 He's sort of, his sentence construction is quite Italianate, isn't it? 49:18.430 --> 49:18.630 Yeah. 49:19.030 --> 49:20.410 The music that's in the fashion. 49:21.650 --> 49:22.090 He said. 49:22.290 --> 49:22.471 Yeah. 49:22.531 --> 49:24.511 It is in the trend to wear hooded top. 49:25.271 --> 49:26.251 That sounds like Mario. 49:26.552 --> 49:27.272 Yeah, it is Mario. 49:27.292 --> 49:27.972 Super Mario. 49:28.712 --> 49:29.393 That's good. 49:29.453 --> 49:33.474 There he is, so he's covering our fashion trends there on Attic.fm, Mr. Robotum. 49:33.854 --> 49:36.675 He continues to talk about, he plays a bit of Phil Collins, right? 49:36.695 --> 49:38.376 Because there's music in between a lot of these. 49:38.916 --> 49:44.238 He plays a bit of Phil Collins, and then he starts riffing about how much he respects and admires Collins. 49:44.818 --> 49:48.620 And also that takes him into some admiration of Cliff Richard. 49:48.720 --> 49:52.282 Again, it should be noted that all of this is entirely unironic. 49:52.602 --> 49:57.144 In fact, he goes so far as to say that they should actually get some awards, more awards than they've already got. 49:57.184 --> 49:57.825 Let's hear it. 49:57.865 --> 49:59.025 So here he is talking about that. 50:00.826 --> 50:02.847 Phil Collins, I'm hanging long enough. 50:05.068 --> 50:10.491 That's the first track on his album, but seriously, which is being released on Virgin Records. 50:12.560 --> 50:18.384 The reason Phil Collins called that album but seriously is because all the songs are actually based on something real. 50:21.006 --> 50:24.769 And it includes the track Another Day in Paradise which is based on The Homeless. 50:25.209 --> 50:25.809 Things like that. 50:26.790 --> 50:28.631 I think Phil Collins is an amazing singer. 50:29.212 --> 50:32.734 I think Phil Collins and Cliff Richard are the best two male singers there are. 50:35.336 --> 50:36.517 They ought to get in their way. 50:39.082 --> 50:43.085 Speaking of getting an awards, I watched the Smash It poll on a spotter the other night. 50:43.105 --> 50:44.046 What did you think of it? 50:44.066 --> 50:45.527 I don't even know. 50:46.007 --> 50:47.609 Almost number one in the worst dresses. 50:47.669 --> 50:50.091 Look at all the stuff she's wearing now. 50:50.131 --> 50:51.412 She is totally weird. 50:52.432 --> 50:56.796 That was some of the awards that people got. 50:56.816 --> 50:57.937 They really deserved it. 50:59.318 --> 50:59.838 There you go. 50:59.878 --> 51:02.139 He sounds a little bit sarcastic in that one. 51:02.219 --> 51:03.280 He does, but he's not. 51:03.400 --> 51:04.020 I swear to you. 51:04.060 --> 51:08.943 I think he's being... Matt, you can tell us if we're completely misreading the situation. 51:09.003 --> 51:11.324 But if he's going to play Phil Collins on his show, right? 51:11.764 --> 51:14.085 And he genuinely seems to love and admire Collins. 51:14.106 --> 51:14.406 No, you're right. 51:14.426 --> 51:15.346 It's got to be sincere. 51:15.466 --> 51:16.267 He's dead sincere. 51:16.347 --> 51:17.847 He wants them to get more awards. 51:18.328 --> 51:19.788 And Kylie Minokie's scandalised. 51:19.828 --> 51:20.669 What is she wearing? 51:21.149 --> 51:25.571 I never realised all those tracks on that Phil Collins album were based on real things. 51:25.591 --> 51:26.892 They're all based on something real. 51:26.932 --> 51:28.293 That one was based on the homeless. 51:28.353 --> 51:28.813 Stuff like that. 51:28.973 --> 51:29.213 Yeah. 51:29.333 --> 51:29.513 Yeah. 51:31.615 --> 51:37.038 Finally, here he is still riffing on the awards, the smash hit poll winner's party thing that he saw. 51:37.438 --> 51:47.005 And he's talking about the fact that Paula Abdul has won an award for her video with the dancing animated cat, which he's delighted about because he always knew that Abdul was going to be big. 51:47.085 --> 51:47.505 Here he is. 51:47.924 --> 52:05.319 One of the awards I think was given to Paula Abdul and it was actually for the song Opposites of Track and Opposites of Track had an amazing video which was sort of done with cartoon effects and there was DJ Cat Rap and he was in it and she won an award for the video. 52:07.834 --> 52:11.636 When I first saw that, I said, that's going to win and smash its poll winner's party. 52:13.557 --> 52:14.177 And it did. 52:14.197 --> 52:14.777 And it did. 52:14.858 --> 52:17.839 That is going to win at the smash hits poll winner's party. 52:17.879 --> 52:18.699 Opposites attract. 52:19.140 --> 52:20.240 You heard it here first. 52:20.940 --> 52:23.182 I put money that that's going to get a smash hits gone. 52:23.782 --> 52:24.022 Yeah. 52:24.282 --> 52:24.622 Hello. 52:24.822 --> 52:25.723 Hi, Matt Robottom. 52:25.763 --> 52:25.923 Yeah. 52:25.943 --> 52:26.403 What do you want? 52:26.903 --> 52:27.544 Absolutely. 52:27.624 --> 52:30.525 I'm definitely backing it for a win at the poll winner's party. 52:30.825 --> 52:31.065 Yeah. 52:31.085 --> 52:32.886 That's a shoe in for the smashies. 52:33.026 --> 52:33.907 You can publish that. 52:34.287 --> 52:34.667 OK. 52:34.707 --> 52:35.207 Thanks a lot. 52:35.348 --> 52:35.508 Bye. 52:36.688 --> 52:38.470 That's a good station though attic FM. 52:38.510 --> 52:45.498 I wonder whether um because the thing I like to think about is the fact that no one is listening Yes, exactly this is complete blankness. 52:45.618 --> 52:53.967 I know he doesn't say what he did I mean, I don't know if he circulated the tapes to friends or if it was just for his own amusement I can't believe that it was just for his own amusement because he's really quite slick. 52:54.528 --> 52:58.572 Yeah, he does good He could walk into a job at London Fm or something, couldn't he? 52:58.792 --> 52:59.573 Yes, heart. 52:59.633 --> 53:00.994 On a commercial radio station. 53:01.014 --> 53:01.774 They're fading. 53:02.214 --> 53:03.715 It's beautifully executed. 53:03.735 --> 53:05.777 Man, they would fire Jamie Theexton if he walked in. 53:05.877 --> 53:06.897 You know, for Robottom. 53:06.917 --> 53:07.458 Definitely. 53:07.478 --> 53:08.218 Theexton out. 53:08.298 --> 53:09.119 Robottom in. 53:09.339 --> 53:10.380 Abdul Collins. 53:11.040 --> 53:12.241 Playlist makeover. 53:12.661 --> 53:13.342 Upbeat chat. 53:13.582 --> 53:13.802 Yeah. 53:14.042 --> 53:15.203 Talk about fashion trends. 53:15.283 --> 53:16.604 All the tips for the big awards. 53:16.784 --> 53:20.426 You know, not being unpleasant about people winning awards, just saying they should get more awards. 53:20.446 --> 53:21.887 The stories behind the albums. 53:21.988 --> 53:23.068 I think it's refreshing, man. 53:23.108 --> 53:25.030 It's definitely the way that radio should go. 53:25.610 --> 53:26.511 Based on the homeless. 53:26.671 --> 53:28.252 But stuff like that. 53:28.772 --> 53:29.232 like that. 53:29.312 --> 53:35.557 But Row Bottom doesn't seem to be, Matt, you don't seem to be doing it anymore and he sort of refers to himself as sounding like a buffoon. 53:36.177 --> 53:40.781 I mean, you know, we're being slightly irreverent about some of your stuff. 53:40.801 --> 53:42.142 It's fun to take the Mickey out of kids. 53:42.482 --> 53:42.982 Of course it is. 53:43.002 --> 53:45.144 Don't you think that's the whole point of this segment? 53:45.164 --> 53:46.605 Of course, that's what I was going to say. 53:47.025 --> 53:47.766 You asked for it. 53:50.007 --> 53:50.848 I'm joking. 53:51.148 --> 53:52.129 I'm only joking, Matt. 53:52.189 --> 53:53.810 Thank you so much for sending that stuff in. 53:53.850 --> 53:54.510 You sound great. 53:54.931 --> 53:59.814 And I think it's a shame if you haven't kept up with your DJ, because it sounds like you were good, man. 53:59.854 --> 54:03.776 You were, dare I say it, even better than what was your guy called? 54:04.097 --> 54:04.677 John Scott. 54:05.638 --> 54:06.258 Well, come on. 54:06.298 --> 54:08.339 John Scott was earlier in his career. 54:08.419 --> 54:09.200 Yeah, that's true. 54:09.440 --> 54:14.265 Listen, if you've got similar recordings, specifically you pretending to be a DJ, that's what we really like. 54:14.365 --> 54:26.396 Please, if you can be bothered, pop them into an MP3 file and send them to us here at 6 Music, Adamandjo.6musicatbbc.co.uk, because we'd love to hear them and we might play them. 54:26.636 --> 54:26.997 Exactly. 54:27.057 --> 54:28.919 Thank you very much indeed, once again, Matt. 54:29.439 --> 54:32.022 It is just gone 10.30 here on 6 Music. 54:32.062 --> 54:32.803 It's time for the news. 54:33.043 --> 54:37.308 That was feeder, sounding very much like the Foo Fighters with Come Back Around. 54:37.708 --> 54:40.351 This is Adam and Joe here on BBC 6 Music. 54:40.712 --> 54:41.492 Sun's coming out. 54:41.833 --> 54:44.215 It's improving a little bit weather-wise out here in London. 54:44.235 --> 54:45.417 I hope it's nice where you are. 54:45.737 --> 54:46.358 Uh, I'm angry. 54:46.598 --> 54:47.258 Why, what's your problem? 54:47.278 --> 54:50.720 Because the printer keeps printing out upstairs, and this has happened week after week. 54:51.240 --> 54:51.880 Right. 54:51.940 --> 54:53.221 And nothing's being done about it. 54:53.981 --> 54:59.763 And how am I supposed to get the exciting emails if Charlotte has to go upstairs every time? 54:59.783 --> 55:01.244 It's absolutely disgusting. 55:01.264 --> 55:03.285 I mean, we did discuss this last week, Ben, didn't we? 55:03.525 --> 55:03.925 Ooh. 55:03.985 --> 55:04.885 No, we did though, didn't we? 55:04.945 --> 55:05.105 Yes. 55:05.545 --> 55:06.406 And nothing's being done. 55:06.566 --> 55:09.127 Look, Ben, you've made Joe Passive aggressive, all right? 55:09.647 --> 55:10.047 On air. 55:10.527 --> 55:11.528 So what are you going to do now? 55:12.455 --> 55:13.316 What's your next move, Ben? 55:13.376 --> 55:14.938 Yeah, what's your... What do you got? 55:15.018 --> 55:20.124 I think we'll have a two week holiday and go biking, motorbiking in Vietnam with Charlie Borman. 55:21.345 --> 55:22.306 Good idea. 55:22.326 --> 55:23.628 And you'll make you documentary about it? 55:24.448 --> 55:25.590 Pulled all the way there. 55:25.710 --> 55:27.512 Why aren't you not making a documentary, Ben? 55:27.532 --> 55:28.293 It's gonna be on Dave. 55:28.973 --> 55:29.654 about 150 people. 55:29.694 --> 55:30.134 Yeah, exactly. 55:30.154 --> 55:32.676 Yeah, so every time you fall over you get your knee stroked. 55:32.877 --> 55:34.658 You're missing a trick if you... By, by Nersi. 55:34.898 --> 55:35.739 Don't do a thing. 55:36.159 --> 55:53.494 So listen, I, last week I told a story about finding a wallet, one of many stories that I've told on this program which was not supported by... But we've had a follow-up email about it and it says, Dear Adam and Jo, this is from Raina Simpson. 55:54.174 --> 55:55.414 Rainer, thank you for your email. 55:55.454 --> 56:03.356 He says, Adam's exhilarating story, he describes it as exhilarating, about finding a wallet spurred me to get in touch with my own. 56:03.576 --> 56:06.917 I work at a well-known university in London. 56:07.177 --> 56:09.318 You might be able to tell by my email address. 56:09.738 --> 56:19.340 And recently I found a wallet stuffed full with £950 in £50 quid notes with absolutely no identification whatsoever. 56:20.060 --> 56:31.348 As this was more money than I've ever seen in one place in my life, I briefly enjoyed pretending it was my money by locking myself in my office and throwing it in the air while I rolled around the floor giggling. 56:31.508 --> 56:32.168 Bet that's not true. 56:32.328 --> 56:33.029 I bet it is true. 56:33.509 --> 56:39.213 I then returned the money to the wallet and handed it in to our building manager like the model employee I am. 56:39.533 --> 56:48.980 To my knowledge, no one has come forward to ask if the money has been found, adding credibility to my theory that I inadvertently scuppered a drug deal. 56:49.880 --> 56:52.002 Love the show, by the way, says Raina Simpson. 56:52.403 --> 56:55.826 I mean, uh... Don't look coming. 56:55.886 --> 57:03.413 While I was reading that out, you should have been thinking of things to rejoin with about it. 57:03.693 --> 57:04.754 I was, but you know what? 57:04.794 --> 57:05.695 I couldn't think of anything. 57:06.235 --> 57:06.996 That's not good enough. 57:07.016 --> 57:07.837 It's not good enough, is it? 57:08.137 --> 57:08.497 And instead... 57:09.358 --> 57:10.859 I finished reading the email. 57:11.399 --> 57:12.200 I look at you. 57:12.300 --> 57:14.101 You've got a stupid grim on your face. 57:14.121 --> 57:18.844 I'm just suggesting that the only reason you read that email out is because... He described my story as exhilarating. 57:18.864 --> 57:19.205 Exactly. 57:19.245 --> 57:19.625 Correct. 57:19.825 --> 57:21.406 The rest of it, I think, was just filler. 57:21.586 --> 57:23.127 No, it not, what, not, no, no. 57:23.588 --> 57:24.308 No, not, not, what, no. 57:24.348 --> 57:26.910 I mean, he found the wallet, it had 950 pounds in it. 57:27.010 --> 57:27.450 Amazing. 57:27.470 --> 57:29.692 He threw it in the air rolled in it, which I think is probably an exaggeration. 57:29.712 --> 57:31.093 Amazing thing number two, not an exaggeration. 57:31.133 --> 57:31.813 Real, why would he lie? 57:31.913 --> 57:33.114 End of the story, what's the end of the story? 57:33.454 --> 57:34.355 He's covered a drug deal. 57:34.515 --> 57:39.178 Amazing thing number three, that's three amazing things in one story and all you have got... Has he got any evidence for the drug deal? 57:39.318 --> 57:57.651 you've got is a stupid no he scuppered no but he it's just a man he says pure no one came forward to ask for the money that add credibility to his theory the facts of the matter of the following he found a wallet with 950 pounds in which I agree is impressive the end no not the end did he hand it back the money rolling yes he handed it back were you even listening 57:57.811 --> 57:59.112 No, I tuned out by that point. 57:59.192 --> 58:00.613 Clearly you tuned out. 58:01.194 --> 58:13.242 Listeners, if you think it's disgraceful the way that Joe treats my interesting stories, not only my interesting stories, but the interesting stories of fellow listeners, then can we get some kind of petition going? 58:13.523 --> 58:14.483 No, I'm not serious about that. 58:14.663 --> 58:15.624 Don't worry about the petition. 58:15.924 --> 58:24.391 But I think, Rayna, thank you, that was an interesting email, and I am so sorry, I'm so very sorry, about the behaviour of my so-called colleague. 58:25.211 --> 58:27.654 here at the programme, with his silly grin. 58:27.674 --> 58:28.915 Alright? 58:29.375 --> 58:29.716 Look at him. 58:30.556 --> 58:32.378 They can't see my silly grin. 58:32.398 --> 58:32.758 Can't they? 58:33.419 --> 58:33.619 No. 58:33.639 --> 58:35.001 Well, you can imagine it though. 58:35.021 --> 58:35.741 You can hear it, almost. 58:36.122 --> 58:40.626 Er, so listen folks, we're going to rejoin Text the Nation when Joe sorts his printer issues out. 58:40.686 --> 58:42.108 Yes, er, thank you Charlotte. 58:42.128 --> 58:44.129 I, I believe went upstairs to get the printouts. 58:44.390 --> 58:45.831 She looks suitably chastened. 58:45.911 --> 58:46.332 Chasened. 58:46.472 --> 58:47.713 Are you chastened Charlotte? 58:47.953 --> 58:49.314 She's nodding, she's behind glass. 58:49.355 --> 58:49.795 No, she doesn't 58:49.915 --> 58:51.176 Yeah, she's got no respect. 58:51.216 --> 58:53.217 Well, before we do that, let's play some more music. 58:53.577 --> 58:55.618 This is the Yeah Yeah Yeahs with Zero. 58:55.738 --> 58:57.319 That's the new one from the Yeah Yeah Yeahs. 58:57.359 --> 58:58.319 That's called Zero. 58:58.379 --> 59:00.701 Their new album is out on Monday. 59:00.781 --> 59:02.041 It's called It's Blitz. 59:03.002 --> 59:08.785 Ben, our producer, has informed us on our notes here that it was originally planned for release in April, but some idiot! 59:09.125 --> 59:10.786 says Ben, leak the album. 59:10.826 --> 59:12.407 Ben's absolutely furious about this. 59:12.767 --> 59:16.069 Some idiot leaked the album onto the internet, so they brought it forward. 59:16.209 --> 59:19.070 Ben has just been in a mood about it for weeks. 59:19.570 --> 59:23.212 But now, Ben, it's all over because It's Blitz is coming out on Monday. 59:23.232 --> 59:25.673 I'm so sorry, Ben, about the leak. 59:26.394 --> 59:30.756 Um, and the yayayays are also very upset for you because they know how much it means to you. 59:31.156 --> 59:32.057 But it's all gonna be fine. 59:32.517 --> 59:36.959 That was, uh, zero by the yayayays and I think it's time for the Jingle Jungle now, isn't it? 59:42.189 --> 59:43.131 What if I don't want to? 59:43.833 --> 59:44.935 It doesn't matter text! 59:47.037 --> 59:57.742 Now, Text the Nation this week, listeners, is all about building up a manifesto for gig etiquette, behaviour that we think should be enforced at live music venues in order to enhance the pleasure of everybody there. 59:57.762 --> 01:00:01.544 We've sort of neglected collecting our points, haven't we? 01:00:01.584 --> 01:00:04.205 We forgot to actually sort of write them down and put them in an order. 01:00:04.225 --> 01:00:05.086 Things that we agreed on. 01:00:05.146 --> 01:00:09.688 We agreed on having, like, a demilitarised moshzo. 01:00:09.728 --> 01:00:10.228 That's right. 01:00:10.528 --> 01:00:12.029 So, order of height we had. 01:00:12.589 --> 01:00:12.829 Yeah. 01:00:12.990 --> 01:00:18.195 So you have to tell them your height when you buy your ticket and you get positioned in the auditorium depending on your height. 01:00:19.096 --> 01:00:23.040 This eliminates the problem of having your view obscured by tall people. 01:00:24.001 --> 01:00:24.862 Height declaration. 01:00:24.902 --> 01:00:30.408 We had a separate area for either that or a separate area for short people with some straw in it. 01:00:31.309 --> 01:00:31.489 Yeah. 01:00:34.332 --> 01:00:35.052 And enclosure. 01:00:35.272 --> 01:00:37.573 Yeah, with an electric fence and some straw. 01:00:38.393 --> 01:00:39.474 Why do they need straw? 01:00:39.494 --> 01:00:41.254 We're dehumanizing, isn't it? 01:00:41.314 --> 01:00:41.574 Is it? 01:00:41.814 --> 01:00:46.156 On behalf of short people, I don't understand why it's implied that we need straw. 01:00:46.976 --> 01:00:48.336 Just to keep the floor clean. 01:00:48.956 --> 01:00:49.917 What are we going to do? 01:00:49.937 --> 01:00:53.038 We're just going to soil ourselves because we're short. 01:00:53.418 --> 01:00:53.878 I know that. 01:00:56.722 --> 01:00:57.983 And what else did we have? 01:00:58.283 --> 01:01:02.127 Loud music in lavatories to cover airborne toxic event embarrassment. 01:01:02.407 --> 01:01:05.350 We're not saying that all these make the manifesto. 01:01:05.370 --> 01:01:08.313 We're going to have to whittle them down to the best ones at the end. 01:01:08.493 --> 01:01:10.355 I tell you a good one was the decibel level. 01:01:10.375 --> 01:01:11.876 The bands have to declare if it's going to be allowed. 01:01:11.896 --> 01:01:11.996 Right. 01:01:12.016 --> 01:01:16.661 Decibel level so you can gauge whether you're allowed to talk or not during the concert. 01:01:16.701 --> 01:01:17.882 Quiet bands, no talking. 01:01:18.062 --> 01:01:18.763 No talking. 01:01:18.883 --> 01:01:20.304 Also lids on beers. 01:01:21.385 --> 01:01:23.926 I mean, do they not serve cans any more at these places? 01:01:24.626 --> 01:01:27.667 Some... Well, first of all... Because cans are good because you can't really spill a can, can you? 01:01:27.707 --> 01:01:30.008 But then I suppose you can lob... health and safety reasons. 01:01:30.368 --> 01:01:31.729 Maybe you can lob them and they're dangerous. 01:01:31.749 --> 01:01:34.590 Well, if you compacted the can and then... Becomes a missile. 01:01:34.610 --> 01:01:35.810 Becomes a dangerous missile. 01:01:35.950 --> 01:01:38.171 Yeah, so there's a bit of a conflict there, isn't there? 01:01:38.211 --> 01:01:39.791 We want unspillable beer somehow. 01:01:39.911 --> 01:01:43.052 I got beer spilled all the way down my back at the Fleet Fox's gig. 01:01:43.233 --> 01:01:44.233 You don't even like beer. 01:01:44.573 --> 01:01:45.053 I don't really. 01:01:45.093 --> 01:01:45.173 Why? 01:01:45.193 --> 01:01:47.434 Are you suggesting I would have sucked it out of my trousers? 01:01:47.594 --> 01:01:48.794 That's what we beer pants do. 01:01:48.814 --> 01:01:49.475 That's what most people do. 01:01:49.655 --> 01:01:50.295 Yeah, we like it. 01:01:50.815 --> 01:01:55.019 Literally, early in the gig, it was like I weed myself for the rest of the gig. 01:01:55.079 --> 01:01:58.502 Sometimes I deliberately try and get someone to spill beer on me so I can get free beer. 01:01:58.842 --> 01:01:59.183 Really? 01:01:59.263 --> 01:02:00.764 Yeah, I suck it out of my sweater. 01:02:00.824 --> 01:02:02.826 Wow, you're like Homer Simpson from The Simpsons. 01:02:02.866 --> 01:02:03.747 Have you seen that program? 01:02:03.767 --> 01:02:04.247 I have, yeah. 01:02:04.267 --> 01:02:05.288 It's brilliant, it's only on Sky. 01:02:05.308 --> 01:02:07.370 You know, I saw an amazing thing the other day at a gig. 01:02:07.790 --> 01:02:09.572 A beautiful woman, have I told you this already? 01:02:09.692 --> 01:02:10.072 Possibly. 01:02:10.152 --> 01:02:11.634 She was drinking a bottle of beer. 01:02:12.354 --> 01:02:21.560 And she reached back to scratch the back of her head and she just tipped the whole bottle of beer down her back. 01:02:21.960 --> 01:02:28.705 But she didn't notice and it just cascaded down her beautiful lady ponytail, down the back of her lovely dress. 01:02:29.085 --> 01:02:29.405 Wow. 01:02:29.505 --> 01:02:30.606 She had no clue about it. 01:02:30.827 --> 01:02:35.131 And I didn't think it was appropriate to let her know, because I thought maybe she would be embarrassed, you know what I mean? 01:02:35.211 --> 01:02:37.913 That's a good idea for a spread in men's mag. 01:02:38.173 --> 01:02:38.394 Uh-huh. 01:02:38.714 --> 01:02:40.596 Just beer all over ladies. 01:02:40.916 --> 01:02:41.577 That is a very good idea. 01:02:41.637 --> 01:02:42.157 What do you think? 01:02:42.177 --> 01:02:42.698 You like that? 01:02:43.138 --> 01:02:44.900 I mean, that's a good idea for a whole magazine. 01:02:45.740 --> 01:02:46.621 Beery ladies. 01:02:46.781 --> 01:02:47.802 Beery birds. 01:02:48.042 --> 01:02:49.504 Beer birds magazine. 01:02:50.285 --> 01:02:50.685 It's weak. 01:02:50.925 --> 01:02:51.285 Jennings. 01:02:51.466 --> 01:02:51.886 Paul. 01:02:51.906 --> 01:02:54.608 He would have bought a carling over her knees. 01:02:58.250 --> 01:03:00.932 Tamsin spilt some stout on her face. 01:03:01.072 --> 01:03:01.693 Read more. 01:03:01.813 --> 01:03:02.653 W.A.S.T. 01:03:03.194 --> 01:03:02.653 60. 01:03:04.735 --> 01:03:08.977 Listen, as usual, we've just ranted on about our own things rather than reading texts. 01:03:08.998 --> 01:03:12.640 So here are some listeners' suggestions for our gig behavior manifesto. 01:03:12.900 --> 01:03:14.441 This is from Catherine in Newcastle. 01:03:14.501 --> 01:03:19.785 When a man, it's always a man, stands right in front of you and half head bangs. 01:03:20.305 --> 01:03:20.645 i.e. 01:03:20.725 --> 01:03:24.707 just enough to make you flinch every time his head nears your nose every few seconds. 01:03:25.307 --> 01:03:32.050 This is another symptom of being in a compacted crowd of people, and any kind of head movement can threaten to nut the person behind. 01:03:32.130 --> 01:03:33.851 Well, he should be in the demilitarized zone. 01:03:33.951 --> 01:03:34.831 What about neck braces? 01:03:35.472 --> 01:03:37.252 Neck braces to stop people doing that. 01:03:37.732 --> 01:03:38.733 Just issue to everybody. 01:03:39.053 --> 01:03:40.175 Is that not a bit impractical? 01:03:40.195 --> 01:03:41.436 It's very expensive. 01:03:41.456 --> 01:03:42.437 How would you stop that then? 01:03:43.078 --> 01:03:45.121 Well, you just zap them. 01:03:45.601 --> 01:03:46.803 It's a health and safety risk. 01:03:46.983 --> 01:03:50.267 No, if you see that kind of nodding, then the pigeon detectives go around. 01:03:50.287 --> 01:03:51.969 Are we saying heads have to be held still? 01:03:53.131 --> 01:03:54.332 That's a bit extreme, isn't it? 01:03:54.953 --> 01:03:56.494 Put it on the list, we'll whittle them down later. 01:03:56.935 --> 01:03:58.696 Here's one from Ali in Southport. 01:03:59.296 --> 01:04:07.762 As I've had many gigs ruined by people with bad body odor, perhaps a deodorant monitor or a pit sniffer should be employed to weed out the smellies. 01:04:08.423 --> 01:04:10.524 No deodorant, no entry to the gig. 01:04:12.085 --> 01:04:13.827 That seems quite fascistic as well. 01:04:13.987 --> 01:04:15.348 Deodorant monitor. 01:04:16.549 --> 01:04:18.150 I've never been bothered by someone smelling. 01:04:18.190 --> 01:04:19.151 Neither have I, actually. 01:04:19.171 --> 01:04:20.592 Gigs are supposed to stink, aren't they? 01:04:21.252 --> 01:04:26.795 I mean, the thing is that nowadays, since the smoking ban, you know, gigs smell different. 01:04:26.995 --> 01:04:28.977 They smell more of beer, which is a bit unpleasant. 01:04:29.017 --> 01:04:30.557 In the olden days, everything just smelled of seeds. 01:04:30.577 --> 01:04:32.999 Yeah, there's more sort of nuances of scent, aren't there? 01:04:33.019 --> 01:04:34.580 Everything just used to be stinky seeds. 01:04:34.620 --> 01:04:38.222 That's right, which used to cover up the smelly armpits and stuff like that. 01:04:38.302 --> 01:04:39.263 Maybe it depends on the gig. 01:04:39.303 --> 01:04:42.224 Again, like a Fleet Fox's gig, you don't get a lot of hands being waved in the air. 01:04:42.265 --> 01:04:45.727 But if the arms are generally up, then I can see that it would be more of a problem. 01:04:45.767 --> 01:04:50.750 In a big crowd and people are waving, then you're going to get armpits in close proximity to your nose. 01:04:50.830 --> 01:04:51.971 And proximity as well. 01:04:52.231 --> 01:04:52.731 Is that a word? 01:04:52.811 --> 01:04:53.412 It is now. 01:04:53.632 --> 01:05:02.317 You know, the olfactory dimension is something that's not been explored by many bands, by which I mean to say, why don't bands like pump out smells at their gigs the way they do in Disney? 01:05:02.717 --> 01:05:03.158 You know what I mean? 01:05:04.036 --> 01:05:04.337 Yes. 01:05:04.357 --> 01:05:07.562 In Disneyland they, they, uh... I'm sure pump out perfume. 01:05:07.582 --> 01:05:08.483 Pump out some smells. 01:05:09.665 --> 01:05:10.907 You're freaking out concerts. 01:05:11.207 --> 01:05:11.968 The Hold Steady. 01:05:12.149 --> 01:05:12.369 Yeah. 01:05:12.710 --> 01:05:14.612 I'm sure they're pumping a lot of smells out there. 01:05:15.093 --> 01:05:16.155 But, you know, nice smells. 01:05:16.736 --> 01:05:16.996 Right. 01:05:17.857 --> 01:05:18.899 Has any band ever done that? 01:05:19.767 --> 01:05:20.468 I don't know. 01:05:20.568 --> 01:05:21.689 Don't make that noise! 01:05:22.290 --> 01:05:23.752 What sort of smell would they pump out? 01:05:24.232 --> 01:05:24.673 I don't know. 01:05:24.713 --> 01:05:26.675 The smell of fear or defeat? 01:05:26.695 --> 01:05:27.636 You know what I mean? 01:05:27.676 --> 01:05:28.377 The smell of defeat. 01:05:28.898 --> 01:05:31.921 I can imagine the flaming lips pumping out the smell of chocolates or something. 01:05:32.042 --> 01:05:32.903 Yeah, that's a good idea. 01:05:33.043 --> 01:05:33.463 You know what I mean? 01:05:33.523 --> 01:05:34.444 Yeah, well illustrated. 01:05:34.785 --> 01:05:36.066 Or buns. 01:05:36.767 --> 01:05:37.248 Puns. 01:05:37.368 --> 01:05:38.189 Sticky buns. 01:05:38.209 --> 01:05:39.110 Yeah, baking smells. 01:05:39.130 --> 01:05:39.911 Something joyful. 01:05:40.211 --> 01:05:42.353 Yeah, like a folky band. 01:05:42.774 --> 01:05:45.797 They could smell, they could smell of something comforting. 01:05:45.837 --> 01:05:47.339 What would Radiohead pump out? 01:05:47.899 --> 01:05:50.762 Well, they chemically smells, you know. 01:05:51.003 --> 01:05:51.944 Right, yeah. 01:05:52.224 --> 01:05:57.630 It smells associated with heavy industry and alienation and computers. 01:05:57.930 --> 01:05:59.651 So how does this fit onto the manifesto? 01:06:00.052 --> 01:06:00.532 I don't know. 01:06:00.772 --> 01:06:01.713 Doesn't really, does it? 01:06:01.913 --> 01:06:03.934 No, smell, just deodorant control, smell control. 01:06:03.954 --> 01:06:04.975 Deodorant control, yep. 01:06:05.215 --> 01:06:05.776 Pop that on the list. 01:06:05.816 --> 01:06:08.978 Here's one more from Simon in Bath. 01:06:09.318 --> 01:06:17.504 He says, do not cheer at the sudden, but admittedly exciting, presence of roadies doing their job before the band comes on. 01:06:17.745 --> 01:06:18.065 Yeah. 01:06:18.285 --> 01:06:25.130 Anyone who is able to confuse an aging, bearded, naughty holder look-alike with the youthful sprites of today's modern bands should be removed 01:06:25.330 --> 01:06:26.111 IMMEDIATELY! 01:06:41.332 --> 01:06:44.093 Uh, let's do some more after this next track, why don't we? 01:06:44.513 --> 01:06:46.413 And this is a trail. 01:06:46.513 --> 01:06:48.713 It's a new track by the Trail Band. 01:06:48.733 --> 01:06:50.274 By the Band Trail, that's exciting. 01:06:50.294 --> 01:06:50.894 The Trailers. 01:06:51.354 --> 01:06:55.794 And they are dealing with daily downloads in this, uh, track. 01:06:55.995 --> 01:06:59.335 This is the voice of the big, pretty castle. 01:06:59.675 --> 01:07:01.575 It is the top of the hour. 01:07:01.635 --> 01:07:03.136 Ooh, that's wonderful. 01:07:03.356 --> 01:07:06.816 I got so bored with the last hour, and yet it's gone. 01:07:06.876 --> 01:07:09.657 Now here's the new one, it's exciting, and it's new. 01:07:09.797 --> 01:07:10.377 How do you do? 01:07:11.152 --> 01:07:15.658 That's Rufus and Shaka Khan with Ain't No Body. 01:07:15.798 --> 01:07:17.860 This is Adam and Jo on BBC Six Music. 01:07:18.461 --> 01:07:22.286 You know, Adam, I went to buy some bread during the week, right? 01:07:22.406 --> 01:07:22.646 Yeah. 01:07:23.267 --> 01:07:28.453 And I went to a lovely little sort of delicatessen near the oval tube. 01:07:28.473 --> 01:07:29.655 What kind of bread are you after there? 01:07:29.915 --> 01:07:38.040 Uh, you know, sort of rough, hewn, organic, uh, properly baked loaf, you know, proper, proper, yeah, proper tasty, proper bread. 01:07:38.320 --> 01:07:38.420 Mmm. 01:07:38.560 --> 01:07:39.060 Peasant bread. 01:07:39.100 --> 01:07:41.642 You can rip off hunks of it with your wine. 01:07:41.722 --> 01:07:41.922 Yeah. 01:07:42.882 --> 01:07:45.244 Uh, so I went into the deli, but the deli was empty. 01:07:45.304 --> 01:07:46.144 There was nobody there. 01:07:46.664 --> 01:07:53.808 Instead, there was a sort of a customer person who said, Oh, don't worry, mate, the, uh, Kev, whatever the shopkeeper's name was, he's just busy at the moment. 01:07:53.828 --> 01:07:54.469 He'll be back in a second. 01:07:54.489 --> 01:07:55.349 I'll give him a shout out for you. 01:07:55.730 --> 01:07:55.990 Kev! 01:07:56.590 --> 01:07:59.711 KEV, I don't know, he's gonna be up in a minute, don't worry, he'll be up in a minute. 01:07:59.731 --> 01:08:00.751 I'll give him a tap. 01:08:01.031 --> 01:08:04.372 KEV, some customer, customer, want some bread? 01:08:04.392 --> 01:08:05.552 Yeah, I'll be back in a minute. 01:08:06.012 --> 01:08:07.052 Sorry, I waited and waited. 01:08:07.092 --> 01:08:09.053 I waited possibly about four minutes. 01:08:09.253 --> 01:08:09.493 Right. 01:08:10.413 --> 01:08:18.815 And then the owner of the deli, a nice man with a moustache, KEV, came up from downstairs looking very sheepish, buttoning up his trousers. 01:08:18.995 --> 01:08:19.315 What? 01:08:21.295 --> 01:08:24.656 And he said, hello, sorry about that. 01:08:26.016 --> 01:08:30.579 And he quickly went over to a sink and he washed his hands. 01:08:30.759 --> 01:08:32.239 He sort of ran them under the tap. 01:08:32.640 --> 01:08:32.820 Yeah. 01:08:33.480 --> 01:08:35.081 And then said, what can I do for you? 01:08:35.101 --> 01:08:37.922 I said, I'd like that loaf of bread, please. 01:08:39.123 --> 01:08:41.684 Now, I was already thinking at this point, what was he doing? 01:08:41.945 --> 01:08:43.005 Well, he went to the lab, didn't he? 01:08:43.105 --> 01:08:46.287 Yeah, but it was too long for a number one. 01:08:47.401 --> 01:08:48.921 Well, it was number twos then. 01:08:48.981 --> 01:08:49.322 Yeah. 01:08:49.782 --> 01:08:52.463 So he served me the bread and I popped it. 01:08:52.543 --> 01:08:53.423 It was unwrapped. 01:08:53.703 --> 01:08:53.883 Yeah. 01:08:53.963 --> 01:08:57.584 With his bare hands, he picked the loaf up and popped it in a bag and gave it to me. 01:08:57.824 --> 01:08:57.984 Right. 01:08:58.084 --> 01:08:58.885 I took the loaf home. 01:08:58.925 --> 01:09:00.365 Yum, yum, yum, yummy, yummy, yum, loaf. 01:09:00.725 --> 01:09:03.186 Put it on the kitchen, the side of the kitchen sideboard. 01:09:03.206 --> 01:09:09.788 And I decided to tell my lovely girlfriend partner the story about what had happened before the purchase of the bread. 01:09:10.228 --> 01:09:11.028 She wouldn't touch the bread. 01:09:11.048 --> 01:09:11.809 She wouldn't touch it. 01:09:11.829 --> 01:09:16.150 She refused to eat the bread because she called it pooey bread. 01:09:16.950 --> 01:09:18.672 She said I'm not having any of the pooey bread. 01:09:18.732 --> 01:09:19.112 Pudo. 01:09:19.753 --> 01:09:21.875 And you know then I went off the bread. 01:09:22.255 --> 01:09:22.475 Right. 01:09:22.555 --> 01:09:23.096 The pudo. 01:09:23.616 --> 01:09:24.497 I went right off it. 01:09:24.517 --> 01:09:26.639 I wouldn't have it. 01:09:26.719 --> 01:09:31.002 So for a few days the loaf just sat there because we thought it might have pooey fingerprints on it. 01:09:31.022 --> 01:09:31.142 Right. 01:09:32.443 --> 01:09:38.105 But then, midweek, we capitulated and my girlfriend said, oh, I had a slice of the Bowie bread. 01:09:38.125 --> 01:09:38.765 It was delicious. 01:09:38.885 --> 01:09:39.825 You know what I would have done? 01:09:39.905 --> 01:09:40.165 What? 01:09:40.365 --> 01:09:40.866 Toasted it. 01:09:41.526 --> 01:09:41.946 Really? 01:09:42.086 --> 01:09:43.586 That gets rid of any of that kind of stuff. 01:09:43.606 --> 01:09:43.726 Really? 01:09:43.766 --> 01:09:45.067 Doesn't it just enhance the flavor? 01:09:45.647 --> 01:09:46.107 No, no. 01:09:46.127 --> 01:09:46.347 No. 01:09:46.747 --> 01:09:55.850 I mean, because the thing is, even if you've got really, in our house, right, what we do is, if the bread's really moldy and there's all cultures and stuff on it, just toast that stuff. 01:09:56.150 --> 01:09:56.490 Really? 01:09:56.510 --> 01:09:57.070 And you can't tell. 01:09:57.090 --> 01:09:57.310 Kill it. 01:09:57.430 --> 01:09:58.931 Yeah, you just toast it all up. 01:09:59.451 --> 01:10:16.081 it's nice you've got a weird sort of a texas chainsaw kind of a house yeah with the shed toothbrush the moldy bread being toasted are you okay it's family life for you it's good you get a bit of free penicillin do you think we were wrong there about the bread would you have eaten that bread certainly 01:10:17.401 --> 01:10:19.002 You would have tucked into it with extra relish. 01:10:19.022 --> 01:10:20.242 Absolutely tucked in, yeah. 01:10:20.262 --> 01:10:21.003 You know what? 01:10:21.023 --> 01:10:21.643 It tastes better. 01:10:21.943 --> 01:10:23.023 It was the look on his face. 01:10:23.884 --> 01:10:24.324 Of shame. 01:10:24.464 --> 01:10:25.544 Yeah. 01:10:25.564 --> 01:10:27.405 He knew he'd done one. 01:10:28.205 --> 01:10:29.266 I knew he'd done one. 01:10:29.286 --> 01:10:32.987 I'm surprised he didn't make more of a show of using the hand sanitizer. 01:10:33.007 --> 01:10:34.908 Well, that would have made it explicit. 01:10:35.108 --> 01:10:35.568 Oh, really? 01:10:36.328 --> 01:10:37.069 wiped his bottom. 01:10:37.089 --> 01:10:38.850 If he'd scrubbed up like a surgeon, you know? 01:10:38.911 --> 01:10:39.111 Yeah. 01:10:39.671 --> 01:10:41.213 All right, what can I do for you? 01:10:41.533 --> 01:10:43.155 Absolutely sanitise now. 01:10:43.355 --> 01:10:46.318 Absolutely no poo anywhere on my hands if that's what you're worried about. 01:10:46.338 --> 01:10:47.419 That's how he talks as well. 01:10:47.959 --> 01:10:48.600 He's Italian. 01:10:48.900 --> 01:10:49.301 Yes. 01:10:49.401 --> 01:10:50.141 Yes, sir. 01:10:50.322 --> 01:10:51.182 Princess Peach. 01:10:51.463 --> 01:10:52.384 I come for you. 01:10:52.404 --> 01:10:52.864 Someone here. 01:10:53.104 --> 01:10:54.826 Oh, dear, I've fallen down chimney. 01:10:54.926 --> 01:10:56.648 Oh, but look, I found a lot of coins. 01:10:56.668 --> 01:10:57.689 A lot of coins. 01:10:57.709 --> 01:10:58.049 Bonus. 01:11:00.131 --> 01:11:00.911 Where's this going? 01:11:00.951 --> 01:11:01.551 I've no idea. 01:11:01.711 --> 01:11:04.052 Anyway, that's my pooey bread story, but good one, huh? 01:11:04.092 --> 01:11:05.293 Better than your wallet story. 01:11:05.553 --> 01:11:07.173 Only because I supported it. 01:11:07.633 --> 01:11:15.395 If that had been me telling that story, you would have been sat there going, ah, that story's a freestanding story, standalone story, great story, beginning, middle and end, punchy, what a story. 01:11:15.415 --> 01:11:15.876 Do you know what? 01:11:15.896 --> 01:11:17.316 That's a Sony award-winning story. 01:11:17.336 --> 01:11:20.237 Incidentally, all the laughter that I generated throughout that story, fake. 01:11:20.257 --> 01:11:20.517 Genuine. 01:11:20.757 --> 01:11:21.137 All fake. 01:11:21.177 --> 01:11:21.457 Genuine. 01:11:21.477 --> 01:11:21.997 Was all fake. 01:11:22.017 --> 01:11:22.217 Genuine. 01:11:22.658 --> 01:11:23.618 Fake laughter. 01:11:24.418 --> 01:11:24.798 Right. 01:11:25.379 --> 01:11:37.605 Speaking of which, this track is called Too Fake and it's by Hockey and it's about my laughter that I was doing during your boring poo story about your poo bread. 01:11:37.845 --> 01:11:38.685 It's a wicked story. 01:11:39.565 --> 01:11:41.306 That was Hockey with Too Fake. 01:11:41.406 --> 01:11:42.627 What, do you know anything about hockey? 01:11:42.827 --> 01:11:43.687 Too Fake. 01:11:43.948 --> 01:11:44.988 Is there anything in our lesson? 01:11:45.128 --> 01:11:45.528 No. 01:11:46.029 --> 01:11:46.229 Hockey. 01:11:46.869 --> 01:11:47.409 Hockey. 01:11:47.930 --> 01:11:52.512 The band members are from all over the states but they base themselves in Portland, Oregon. 01:11:53.982 --> 01:11:55.983 Hey, everyone's living in Portland, Oregon now. 01:11:56.003 --> 01:11:57.044 It's their place to be. 01:11:57.324 --> 01:12:02.686 Uh, hockey, they've got long hair and one of them's, they've got a lot, quite a lot of mustaches going on there. 01:12:02.706 --> 01:12:05.148 Boy, they don't look like that sound at all. 01:12:05.168 --> 01:12:05.948 Do you know what I mean? 01:12:06.868 --> 01:12:09.450 They look like, uh, hairy men from the 70s. 01:12:10.110 --> 01:12:10.810 From a rock band. 01:12:10.850 --> 01:12:11.571 Big deal then, hockey. 01:12:12.131 --> 01:12:12.391 Okey. 01:12:12.451 --> 01:12:14.533 It's not a particularly striking sound, is it? 01:12:14.653 --> 01:12:15.714 Ooh, steady on. 01:12:15.734 --> 01:12:16.514 I'm just being honest. 01:12:16.555 --> 01:12:18.376 We're gonna come at you with big... Pucky sticks. 01:12:18.416 --> 01:12:19.957 ...pucks and smash your face in. 01:12:19.977 --> 01:12:20.778 They're gonna puck me up. 01:12:21.018 --> 01:12:21.698 Absolutely. 01:12:22.179 --> 01:12:25.702 Hey, someone sent in a good joke about what we were just talking about. 01:12:25.722 --> 01:12:29.524 Yeah, Matt in Bristol says, Why did the baker have brown hands? 01:12:30.385 --> 01:12:31.506 because he needed a poo. 01:12:31.726 --> 01:12:34.388 Nice. 01:12:34.889 --> 01:12:37.891 It's time for a bit of a free play for me right now. 01:12:38.892 --> 01:12:44.917 And it is, let me see, I'll tell you Ben, because I just had to burn off this CD as we were coming in. 01:12:44.937 --> 01:12:46.598 I was all in a fluster this morning. 01:12:46.958 --> 01:12:49.940 It's track five and it's a bit of Brian Eno. 01:12:50.341 --> 01:12:59.468 And I remember being, this is from his album Before and After Science, one of his solo albums that he did after leaving Roxy Music, one of his vocal ones when he was still working the vocals there. 01:12:59.588 --> 01:13:01.108 And he's got a funny little reedy voice. 01:13:01.128 --> 01:13:02.469 Are you familiar with Brian Eno's voice? 01:13:02.649 --> 01:13:03.129 Not really. 01:13:03.749 --> 01:13:09.010 And I remember playing this track and being ridiculed by my friend Patrick. 01:13:09.510 --> 01:13:11.451 And he just said, what are you listening to? 01:13:11.831 --> 01:13:13.551 And he thought this was the stupidest song ever. 01:13:13.791 --> 01:13:18.772 But I've since been proved correct in the credibility stakes, because this is a brilliant song. 01:13:19.392 --> 01:13:24.754 And all intelligent, sane people know that this... That would be a good text the nation one week. 01:13:25.074 --> 01:13:25.434 Right. 01:13:25.474 --> 01:13:25.974 Pathetic. 01:13:26.534 --> 01:13:34.421 feuds from when you were really young, that you still feel sort of hubristic victory about in your mid-30s. 01:13:34.481 --> 01:13:40.566 I think I've mentioned it to him since, like I haven't seen him for ages, but I saw him a while back and I said, hey, do you remember the Brian Eno? 01:13:40.586 --> 01:13:48.353 Did you remember when he took the mick out of me for playing that song, Backwater, which is actually brilliant and everyone realizes it's brilliant now. 01:13:48.373 --> 01:13:50.395 And he's like, yes, ridiculous song. 01:13:50.595 --> 01:13:53.778 So he still wasn't even capitulating, made me furious all over again. 01:13:54.198 --> 01:13:56.039 I'm gonna play it to you right now, see what you think of it. 01:13:56.079 --> 01:13:57.140 Maybe you'll start teasing me. 01:13:57.440 --> 01:13:57.961 But I like it. 01:13:57.981 --> 01:14:01.783 It reminds me of the kind of song that I might come up with for Song Wars only. 01:14:01.923 --> 01:14:03.684 Obviously much better than anything I've come up with. 01:14:04.025 --> 01:14:05.986 This is Brian Eno with Backwater. 01:14:06.166 --> 01:14:06.927 That was very nice. 01:14:07.507 --> 01:14:08.287 Patrick is wrong. 01:14:08.588 --> 01:14:09.268 He's absolutely wrong. 01:14:09.288 --> 01:14:09.889 It's a classic track. 01:14:10.089 --> 01:14:12.130 I like his horn sound there. 01:14:12.430 --> 01:14:12.730 Yeah. 01:14:12.810 --> 01:14:16.453 I'm running out of garage band sounds on Song Wars. 01:14:16.713 --> 01:14:18.294 I think I've used all the good sounds. 01:14:18.494 --> 01:14:22.997 I need to either buy a new jam pack or we need to step up our equipment. 01:14:23.538 --> 01:14:23.858 Right. 01:14:25.158 --> 01:14:32.482 I'd like to be invited into a real studio with lots of equipment for one song wars one week. 01:14:32.582 --> 01:14:41.046 We have mentors so we'd like to be contacted by professional producers who would for free let us come into their studios. 01:14:41.086 --> 01:14:42.567 I'm saying this is if we've thought about it. 01:14:42.947 --> 01:14:45.569 I got close, though, because, you know Chris Salt, The Salt Man? 01:14:45.729 --> 01:14:45.969 Yeah. 01:14:46.370 --> 01:14:52.094 He read my blog where I was talking about the fact that I was wishing someone from the band Landscape, maybe, would give me a call. 01:14:52.134 --> 01:14:56.297 You know, Landscape, they did the song, Einstein and Go-Go, and Norman Bates were their big hits. 01:14:56.657 --> 01:15:00.300 But anyway, one of the guys in Landscape turns out to be a super producer. 01:15:00.680 --> 01:15:04.663 He produced the first two Spandau Bally LPs. 01:15:05.263 --> 01:15:06.885 And he produced loads of people in the 80s. 01:15:07.265 --> 01:15:11.429 Amongst other achievements, he invented those octagonal syndromes. 01:15:11.529 --> 01:15:11.829 Wow. 01:15:12.029 --> 01:15:14.932 I mean, that was like, they summed up the 80s in many ways. 01:15:15.292 --> 01:15:17.354 Obviously, I can't remember his name, that would be too organised. 01:15:17.935 --> 01:15:22.499 But he, the salt man got in touch with him via his MySpace site. 01:15:23.059 --> 01:15:25.381 And he said, I think he's going to give you a shout. 01:15:25.461 --> 01:15:26.682 He might help you out with your track. 01:15:26.722 --> 01:15:27.703 I was really excited. 01:15:28.524 --> 01:15:29.625 but it never happened. 01:15:29.805 --> 01:15:31.066 I would have been very angry as well. 01:15:31.086 --> 01:15:31.746 Would you have been angry? 01:15:31.786 --> 01:15:33.668 I would have been, well, I would have thought it was unfair. 01:15:33.768 --> 01:15:36.189 I thought it's legitimate to seek outside assistance. 01:15:36.770 --> 01:15:39.431 I think if we do it, I think we should both do it. 01:15:39.571 --> 01:15:40.412 You have to declare it. 01:15:40.792 --> 01:15:43.034 I think you have to declare your outside interests, yeah. 01:15:43.054 --> 01:15:43.574 Right, right. 01:15:43.734 --> 01:15:46.856 Yeah, but that would be good one week if we both had production help. 01:15:48.077 --> 01:15:50.118 We could have new sounds, who knows what would happen. 01:15:50.138 --> 01:15:50.819 It'd be amazing. 01:15:51.119 --> 01:15:56.423 But what if, you know, what if Martin Fry calls you up one week and we've already started our songs and he says, 01:15:59.204 --> 01:16:00.905 I'd really like to help you with your song. 01:16:01.826 --> 01:16:06.208 Would you refuse him just because of the... I mean, I wouldn't begrudge you a little outside intervention. 01:16:06.228 --> 01:16:07.028 Oh, but I'd tell you. 01:16:07.308 --> 01:16:07.789 I'd call you. 01:16:07.849 --> 01:16:09.790 I'd say, hey, Martin Fry's got in touch. 01:16:09.950 --> 01:16:10.230 Oh, yeah. 01:16:11.711 --> 01:16:11.951 Yeah. 01:16:12.191 --> 01:16:12.571 Fair enough. 01:16:12.591 --> 01:16:12.791 Yeah. 01:16:13.071 --> 01:16:13.712 That'd be exciting. 01:16:13.732 --> 01:16:17.894 But we'll talk about that a bit later when we play the Song Wars songs again towards the end of the show. 01:16:17.934 --> 01:16:18.054 Yeah. 01:16:18.374 --> 01:16:21.595 But it's very exciting isn't it this week because Michael Jackson's back. 01:16:21.795 --> 01:16:22.315 He's back. 01:16:22.616 --> 01:16:23.416 Jacko's back-o. 01:16:23.936 --> 01:16:26.097 And he is looking amazing. 01:16:26.217 --> 01:16:28.057 He's had a new lady's haircut. 01:16:28.258 --> 01:16:28.958 Very macho. 01:16:28.978 --> 01:16:40.462 He's had a lovely old lady's hair piece there attached to his head and he seems to have had, this is all speculation by the way, this is idle speculation. 01:16:40.902 --> 01:16:44.165 He's had, seems to have had new surgery to correct the old surgery. 01:16:44.185 --> 01:16:46.927 Well, people are saying he's had his chin strengthened. 01:16:46.967 --> 01:16:49.449 He's had, he's got more of a desperate down, sort of a chin. 01:16:49.769 --> 01:17:05.983 Like, for a while, during all his trials and stuff, he was often to be pictured looking very haggard, understandably, because of all the stress I would imagine, but also his face seemed to be dissolving a little bit, whereas now it's like set nicely and it looks all back in place. 01:17:06.003 --> 01:17:06.783 You know what I mean? 01:17:06.803 --> 01:17:08.324 Like, it's looking fairly neat. 01:17:09.105 --> 01:17:11.367 Which is nice, like he's had a sort of valet service. 01:17:12.788 --> 01:17:13.449 Had it hoover'd. 01:17:13.609 --> 01:17:15.751 Yeah, polished up and everything. 01:17:15.811 --> 01:17:16.492 He does look good. 01:17:16.992 --> 01:17:18.253 It was an exciting press conference. 01:17:18.273 --> 01:17:19.314 Did you see the press conference? 01:17:19.434 --> 01:17:20.215 Yes, absolutely. 01:17:20.335 --> 01:17:25.520 Apparently they filmed it themselves and then issued the film to the media outlet. 01:17:25.820 --> 01:17:26.500 Is that not true? 01:17:26.540 --> 01:17:36.865 Someone correct me if I'm wrong, but certainly the BBC report on BBC TV suggested or the reporter noted that this footage was taken by Jackson's people, not the BBC. 01:17:37.445 --> 01:17:53.031 So I think it was a very carefully stage managed event to make sure that no one said anything untoward and to present, you know, a sort of appearance of Jaco being absolutely at his best, loads of fans, lots of excitement, complete non-ambiguous comeback for him. 01:17:53.251 --> 01:17:53.951 Yeah, yeah, yeah. 01:17:54.311 --> 01:17:56.032 But has he, I mean, what is he, 51 now? 01:17:56.052 --> 01:17:56.032 50. 01:17:56.492 --> 01:18:01.114 50. 01:17:56.992 --> 01:18:01.114 I mean, he's, surely he's just gonna break, isn't he? 01:18:01.634 --> 01:18:02.794 No, man, he's a lot younger. 01:18:02.854 --> 01:18:04.455 Look, Clunk Eastwood, how old's he? 01:18:04.475 --> 01:18:05.915 He's 78 and he's making Gran Torino. 01:18:06.255 --> 01:18:08.296 50 or a spring chicken at 50 these days. 01:18:08.336 --> 01:18:08.636 Yeah. 01:18:08.916 --> 01:18:10.697 People are gonna be living to 150 pretty soon. 01:18:10.717 --> 01:18:11.517 That's true, isn't it? 01:18:11.577 --> 01:18:12.377 50's adolescence. 01:18:12.897 --> 01:18:13.578 He's gonna be amazing. 01:18:13.658 --> 01:18:20.040 I saw Jaco live, but just, but just, I think the week after the first scandal broke when he was at Wembley. 01:18:21.360 --> 01:18:47.939 and it was it was very very soon after hit the scandal had emerged and he did that thing where he comes on stage and he holds a pose you know that it's the first time you've seen him oh my god there he is he's got his hand in the air and his legs wide apart he's looking super cool and he holds that pose for the length of time that the crowd usually cheer right which up until that point had been longer than any other pop star in the world could possibly hold a static pose 01:18:48.479 --> 01:18:49.760 six minutes, five minutes. 01:18:49.780 --> 01:18:53.102 It's exaggerating probably, but you know what I mean, a ridiculous amount of time. 01:18:53.922 --> 01:18:59.346 In this concert, people stopped cheering after about 40 seconds, but he kept the pose. 01:18:59.586 --> 01:19:00.466 He held the pose. 01:19:00.787 --> 01:19:01.947 Hoping that they might start again. 01:19:01.967 --> 01:19:07.771 Yes, so there was about two minutes of silence before he went, and it started. 01:19:08.971 --> 01:19:11.373 And then he flew off at the end in a spaceship. 01:19:11.533 --> 01:19:12.193 In the space! 01:19:12.233 --> 01:19:12.513 Yes! 01:19:12.634 --> 01:19:13.354 Like, take that! 01:19:13.394 --> 01:19:18.316 Yes, and a big tank came out and it was going to shoot the crowd, but he put a flower in the end and it didn't. 01:19:18.476 --> 01:19:19.056 No, did he? 01:19:19.076 --> 01:19:22.578 Then lots of children in rags came up and, um... Is that really true? 01:19:22.678 --> 01:19:22.798 Yeah. 01:19:23.258 --> 01:19:23.498 Wow! 01:19:23.518 --> 01:19:30.141 Yeah, it was a heck of a stage show and I went, I got free tickets off of the producer of the Adam and Jo Show at the time, so I thought I should see him. 01:19:30.422 --> 01:19:31.342 I thought this might be the end. 01:19:31.562 --> 01:19:31.782 Sure. 01:19:32.202 --> 01:19:32.823 To see him live. 01:19:32.843 --> 01:19:34.804 So this was what, like, 15 years ago, 10 years ago? 01:19:34.824 --> 01:19:37.605 He can lean forward further than any other human being. 01:19:37.985 --> 01:19:38.265 Right. 01:19:38.605 --> 01:19:39.786 Well, he's got big clown shoes. 01:19:40.386 --> 01:19:41.768 Exactly, with extended toes. 01:19:41.788 --> 01:19:43.189 So he's got increased leverage. 01:19:43.229 --> 01:19:43.730 That's right. 01:19:43.830 --> 01:19:44.530 That's the secret. 01:19:45.812 --> 01:19:47.293 Anyway, listen, are you going to go and see him? 01:19:48.294 --> 01:19:48.935 Wackles, no. 01:19:48.995 --> 01:19:51.657 If you were offered free tickets to the Wackles comeback gig, no, why not? 01:19:51.677 --> 01:19:51.938 Why? 01:19:52.078 --> 01:19:53.299 What would be the point? 01:19:53.319 --> 01:19:54.961 Because he's an amazing megastar. 01:19:55.161 --> 01:19:57.163 It's like seeing Howard Hughes live or something. 01:19:57.503 --> 01:19:58.184 No, I'm not interested. 01:19:58.644 --> 01:20:19.169 really i'm interested in his clown shoes if you lean forward he will do the leaning forward he could touch his little weird nose against the floor and then pop back up that he'll arrange that i'd love to see here is a little bit of jacko from the time before uh you know his image was a tiny bit tarnished when he was with the jackson fives tiny bit tarnished 01:20:20.309 --> 01:20:22.031 A little bit of tarnish on the old image. 01:20:23.292 --> 01:20:24.253 It's all right now. 01:20:25.254 --> 01:20:27.436 This is called Lovely One by the Jackson Five. 01:20:27.476 --> 01:20:31.980 What extraordinary revelation listeners has just occurred during that record. 01:20:32.461 --> 01:20:42.290 It turns out, and I don't know why you didn't mention this, but if you've been listening all this morning, we played our song war songs earlier, and Adam's 80s song had a sample of a lady saying, I'm a sexy lady. 01:20:42.430 --> 01:20:43.351 I'm a sexy woman. 01:20:43.411 --> 01:20:44.112 Turns out, 01:20:44.372 --> 01:20:48.033 And again, this might not mean much to you if you're not a regular listener. 01:20:48.453 --> 01:20:49.893 If you're not a regular listener, what are you doing? 01:20:50.634 --> 01:21:03.017 But that was a sample of Sif, the Icelandic sexy supermodel who we've been engaged in a bizarre sort of exchange stroke ineffectual courtship with over the last few months. 01:21:03.457 --> 01:21:07.378 It turns out Adams just dropped casually into the conversation that he telephoned her. 01:21:08.158 --> 01:21:14.800 and spoke to her without saying anything to either Ben or I, who feel equal claim to Sif's affections. 01:21:15.360 --> 01:21:24.422 Adam has stepped out of all protocol, called her and recorded her voice for his song without mentioning it, and she's coming to see his gig on Friday. 01:21:24.643 --> 01:21:25.303 Yeah, that's true. 01:21:26.383 --> 01:21:26.983 What are you doing? 01:21:27.384 --> 01:21:31.006 Well, the thing is that we got an... I'm not organised for this, you see. 01:21:31.126 --> 01:21:38.550 I can't... The reason I didn't mention it before is because I recorded a lot more stuff with her that I was going to use in my track, the spoken word section. 01:21:38.930 --> 01:21:43.273 But my computer... This is exactly what we were talking about Martin Fry calling up. 01:21:43.573 --> 01:21:45.094 It's not the same though, is it? 01:21:45.354 --> 01:21:46.595 It's like, well, it's sexier. 01:21:47.235 --> 01:21:47.756 Yeah, I guess. 01:21:47.776 --> 01:21:48.876 For Martin Fry calling. 01:21:49.197 --> 01:21:50.577 It was all completely appropriate. 01:21:50.597 --> 01:21:53.279 There was no, like, flirtation on the phone or anything. 01:21:53.339 --> 01:21:54.460 It was completely business-like. 01:21:55.180 --> 01:21:59.422 No, she's above that, uh, Sif, you know, she's, uh, she's very mature. 01:21:59.442 --> 01:22:02.544 Do you even better hope so? 01:22:04.065 --> 01:22:07.967 But, yeah, so when we play our songs a little later on, you'll be able to hear it there. 01:22:08.167 --> 01:22:18.353 But no, someone suggested that, uh, we get, like, someone emailed the show and said, why don't you get Sif on your 80s tracks, then you'll be killing two birds with one stone, you know, cos we were gonna do an Icelandic song for songs. 01:22:18.373 --> 01:22:20.454 Yeah, but then I would have got her on my track as well. 01:22:21.054 --> 01:22:21.354 Right. 01:22:21.955 --> 01:22:24.316 I mean, I think we should still do the Icelandic songs. 01:22:24.356 --> 01:22:25.656 So do you think that was underhand? 01:22:26.097 --> 01:22:26.857 I wasn't underhand. 01:22:26.897 --> 01:22:28.478 I'm just, no, I'm fine. 01:22:28.538 --> 01:22:29.919 I'm very happy about you and Sif. 01:22:30.059 --> 01:22:33.640 I'm not sure what your wife's going to think, but no, I'm happy about it. 01:22:34.661 --> 01:22:36.642 It would be exciting. 01:22:36.682 --> 01:22:38.643 I think Sif, there's a lot of potential with Sif. 01:22:38.683 --> 01:22:39.563 She's very talented. 01:22:39.583 --> 01:22:40.684 Yeah. 01:22:40.804 --> 01:22:42.745 Why don't you come to my gig on Friday and you can meet her? 01:22:43.165 --> 01:22:43.646 Maybe I will. 01:22:43.886 --> 01:22:44.086 Yeah. 01:22:44.346 --> 01:22:44.926 Yeah. 01:22:44.946 --> 01:22:46.387 You'll be busy setting up the show. 01:22:46.727 --> 01:22:46.847 Maybe. 01:22:46.867 --> 01:22:48.208 A lot of time for me and Sif to chat. 01:22:48.248 --> 01:22:48.728 That's right. 01:22:48.888 --> 01:22:49.068 Yeah. 01:22:49.108 --> 01:22:49.789 You won't have time. 01:22:50.749 --> 01:22:53.251 Especially when she sees us both in the flesh. 01:22:53.532 --> 01:22:59.817 She's seen some stuff that we've done on YouTube recently, which is fairly ropey, so I think she understands. 01:23:00.337 --> 01:23:02.739 No, but I look much better in the flesh. 01:23:03.080 --> 01:23:04.361 I'm not very photogenic. 01:23:04.601 --> 01:23:08.144 But when you actually see us in the flesh, it's like, forget about Adam. 01:23:08.765 --> 01:23:09.505 Look at Joe. 01:23:09.625 --> 01:23:10.306 Look at that one. 01:23:10.386 --> 01:23:11.447 Look at that big one up there. 01:23:12.087 --> 01:23:14.149 Hey, it's time for the news on Six Music. 01:23:15.270 --> 01:23:17.211 We are performing an intervention, listeners. 01:23:17.411 --> 01:23:22.055 This might make some of you angry, but we are having the stereophonics taken off. 01:23:22.775 --> 01:23:23.836 Well, it might be a good one, though. 01:23:23.856 --> 01:23:24.697 We didn't give it much of a chance. 01:23:24.717 --> 01:23:25.918 No disrespect to the stereo. 01:23:25.938 --> 01:23:26.558 Is it a new one? 01:23:26.758 --> 01:23:27.919 I wouldn't believe your radio. 01:23:27.959 --> 01:23:29.781 It's not an old... Okay, well, that's not playing. 01:23:29.821 --> 01:23:30.041 Yeah. 01:23:30.641 --> 01:23:32.102 This had my job on BBC Six Music. 01:23:32.762 --> 01:23:35.424 I'm still reeling from those revelations. 01:23:36.064 --> 01:23:36.705 They said revelations. 01:23:36.725 --> 01:23:39.206 Well, you know what we should do is play our Song Wars songs again, Ben. 01:23:39.226 --> 01:23:42.748 If you've got the Song Wars jingle there by any chance, just to... Oop. 01:23:42.828 --> 01:23:44.690 It's time for Song Wars. 01:23:45.290 --> 01:23:46.711 The War of the Songs. 01:23:47.331 --> 01:23:50.633 A couple of tubes by a couple of prongs. 01:23:50.673 --> 01:23:51.314 So check it out. 01:23:52.079 --> 01:23:55.760 Yes, it's time to hear the Song Wars songs again, listeners. 01:23:55.900 --> 01:24:00.021 Song Wars is the part of the show where we go off and record songs on themes. 01:24:00.081 --> 01:24:08.624 If you think the following bits of music are a bit peculiar and lame, then do bear in mind that we've made them entirely on our owns. 01:24:08.964 --> 01:24:10.044 Is that the correct grammar? 01:24:10.445 --> 01:24:11.445 Yes, that is, yeah. 01:24:11.605 --> 01:24:12.605 In our rooms. 01:24:12.965 --> 01:24:15.526 I'm just frightened of being beaten up by Stereophonics fans now. 01:24:15.546 --> 01:24:16.246 Oh, don't worry. 01:24:16.326 --> 01:24:16.806 That's all right. 01:24:16.826 --> 01:24:19.167 You're allowed to have taste, but some people love Stereophonics. 01:24:19.187 --> 01:24:19.747 They're brilliant. 01:24:20.167 --> 01:24:21.188 We just happen not to. 01:24:22.128 --> 01:24:24.489 Yeah, but it's not balanced, though. 01:24:24.549 --> 01:24:27.289 Stereophonics get played all the time by everybody. 01:24:27.629 --> 01:24:28.290 You know what? 01:24:28.570 --> 01:24:32.571 Actually, it wasn't about the taste. 01:24:32.671 --> 01:24:34.011 We had a technical problem. 01:24:34.031 --> 01:24:40.553 When I said you're allowed to have taste, I don't mean that the stereophonics themselves are of bad taste, but you're allowed to have personal taste. 01:24:40.613 --> 01:24:40.933 Right. 01:24:41.433 --> 01:24:44.033 Just because you dislike something doesn't mean it's bad. 01:24:44.093 --> 01:24:45.914 I think we are not allowed on the BBC. 01:24:46.414 --> 01:24:47.655 Well, I don't know. 01:24:47.715 --> 01:24:50.616 You could say you love the Stereophonics, but get angry with me and then it'll be balanced. 01:24:50.636 --> 01:24:51.677 I can't believe you took it off. 01:24:51.777 --> 01:24:54.138 You are a bad, bad, stupid man. 01:24:54.218 --> 01:24:54.558 I hate them. 01:24:54.598 --> 01:24:55.819 I think they're an average band. 01:24:55.839 --> 01:24:56.619 Oh, they're not. 01:24:56.639 --> 01:24:57.199 They're good. 01:24:57.339 --> 01:24:58.640 They're brilliant. 01:24:58.700 --> 01:24:59.340 They rock. 01:25:00.061 --> 01:25:00.901 And he's great. 01:25:01.301 --> 01:25:03.922 The man, he's got like a leather jacket and big shades. 01:25:03.942 --> 01:25:04.843 He's in the quiff. 01:25:05.043 --> 01:25:07.144 They write boring songs about driving. 01:25:07.164 --> 01:25:07.524 No, wrong. 01:25:07.804 --> 01:25:08.845 Absolutely wrong. 01:25:08.905 --> 01:25:09.565 You're wrong. 01:25:09.805 --> 01:25:10.306 There we go. 01:25:10.386 --> 01:25:11.206 That's a bit of passion. 01:25:11.246 --> 01:25:11.586 Okay. 01:25:11.626 --> 01:25:12.987 Balance there on the BBC. 01:25:13.027 --> 01:25:13.207 Good. 01:25:13.607 --> 01:25:34.292 um yeah the song war songs we do record them and write them entirely ourselves just using our laptops so forgive their peculiarness um we'd like you to listen to them both and vote for your favorite via email the email address is adamandjo.6musicatbbc.co.uk this fortnight's theme we don't really do it even fortnightly anymore do we let's say this month's theme yeah is that we only have to do 01:25:34.732 --> 01:25:37.255 Yeah, yeah, it's ultimate 80s. 01:25:37.315 --> 01:25:53.673 It's the ultimate 80s you went first last time so I'll go first this time This is my 80s song which takes in all kinds of bits of the 80s and puts it in a big Stinky vat and mixes it around and also if you listen carefully you might hear our Icelandic friends if now he tells us well, okay? 01:25:55.975 --> 01:26:07.245 I wish Doc Brown from Back to the Future could take me back there now in his glory and car. 01:26:08.770 --> 01:26:33.151 I'm going back to the 80s, a decade of fun You can make lots of cash, engender, bend in the sun You can dress like a pawns, or a pirate from space And draw wavy lines on your face Margaret Thatcher, shoulder pads, nukans on the block, flesh, body popping, funny Eddie Murphy, metal Mickey, a day glow sock 01:26:33.451 --> 01:26:39.616 New York girls who dressed all slutty, boys from Camden who were the king of pop when he was black. 01:26:39.896 --> 01:26:40.876 Um, shack attack. 01:26:40.897 --> 01:26:43.538 This is a song full of James Brown. 01:27:01.411 --> 01:27:02.632 Scratching, scratching. 01:27:03.513 --> 01:27:04.694 I'm a sexy woman. 01:27:05.134 --> 01:27:08.958 We had the Beastie Boys, but tea, their behaviour was disgraceful. 01:27:09.218 --> 01:27:13.042 They vomited on Adam Ant and boy George got a face full. 01:27:13.542 --> 01:27:17.045 Adrock broke my Rubik's Cube and Mike D punched Rick Astley. 01:27:17.546 --> 01:27:21.329 MCA watched MTV, the whole thing was just ghastly. 01:27:21.409 --> 01:27:24.813 The 80s were destroyed by the Beastie Boys. 01:27:25.653 --> 01:27:33.398 They were so rude and made a terrible noise Why did they have to shout at the end of every line? 01:27:33.438 --> 01:27:52.550 They thought that everything was fine Don't take me back today, it's horrible here There's crappy 80's music, unemployment and fear Oh wait, they had those then, of course I nearly forgot In fact, things haven't changed a lot 01:27:53.790 --> 01:27:56.651 Yeah, you see a little bit of social comment at the end there. 01:27:56.671 --> 01:27:59.412 Yeah, listen, good song, but putting that aside for one momentary. 01:27:59.492 --> 01:28:10.715 Sif, if you're listening, if Adam phones you up, then you've got to realize that you, it's wrong to use the phrase belong to us, because that would be wrong, but you do and to us both. 01:28:12.095 --> 01:28:15.876 So you can't just do things for Adam's song and then not tell me about it. 01:28:16.276 --> 01:28:16.796 Right, right. 01:28:17.416 --> 01:28:18.877 She's ours, not yours. 01:28:19.277 --> 01:28:20.557 You are being creepy about it. 01:28:20.637 --> 01:28:22.378 I phoned her up in a very business-like way. 01:28:23.058 --> 01:28:24.379 It was all above board. 01:28:24.659 --> 01:28:27.842 How can you get a woman to say, I'm a sexy woman in a business-like way? 01:28:27.882 --> 01:28:28.722 She's a model. 01:28:28.742 --> 01:28:29.663 That's what she does. 01:28:29.703 --> 01:28:30.384 That kind of thing. 01:28:30.404 --> 01:28:31.044 It's acting. 01:28:31.104 --> 01:28:31.985 It's just acting. 01:28:32.185 --> 01:28:32.785 That was very good. 01:28:32.805 --> 01:28:33.646 That was song number one. 01:28:33.666 --> 01:28:34.347 What's that called? 01:28:34.607 --> 01:28:35.708 That's called the 80s song. 01:28:35.868 --> 01:28:36.688 The 80s song. 01:28:36.708 --> 01:28:37.229 There you go. 01:28:37.549 --> 01:28:42.493 The email address to vote for that one is adamandjo.sixmusicatbbc.co.uk. 01:28:42.973 --> 01:28:50.459 My song's called The Incredible Song, and it's an attempt to imitate early 80s ABC, the Trevor Horn era. 01:28:51.299 --> 01:28:55.441 And this involves Martin Freich having an argument with his backing singers about a hoover. 01:28:56.021 --> 01:28:57.181 This is called The Incredible Song. 01:29:07.445 --> 01:29:19.650 When the world is like a huge potato And it looks as though you've had your chips You thought that you could trust the captain 01:29:20.817 --> 01:29:23.599 Now you're sailing on a sinking ship. 01:29:25.841 --> 01:29:27.763 It's very rare. 01:29:28.203 --> 01:29:30.105 Don't interrupt my vocals. 01:29:30.205 --> 01:29:32.447 I can't find it. 01:29:32.707 --> 01:29:34.028 It's under the stairs. 01:29:34.488 --> 01:29:36.070 No, it isn't. 01:29:36.110 --> 01:29:42.935 Won't you leave me alone when I'm singing this incredible song? 01:29:42.995 --> 01:29:44.757 No one understands, my 80s genius. 01:29:44.877 --> 01:29:46.999 Or perhaps you're just a melodramatic ponce. 01:29:55.501 --> 01:29:57.123 How dare you? 01:29:57.844 --> 01:30:03.452 I'm leaving I can't stand your stupid face 01:30:08.926 --> 01:30:09.986 I'm amazing. 01:30:10.667 --> 01:30:12.567 You are average. 01:30:13.687 --> 01:30:15.508 Got your purpose. 01:30:16.128 --> 01:30:17.768 It's just my style of sin. 01:30:17.848 --> 01:30:19.908 And now it is. 01:30:19.968 --> 01:30:21.569 You called me a punk. 01:30:21.669 --> 01:30:24.109 Okay, I'm sorry. 01:30:24.309 --> 01:30:27.750 I'll stay if you say that you love me. 01:30:28.170 --> 01:30:30.331 And my incredible song. 01:30:30.411 --> 01:30:33.171 Okay, I love you and your incredible song. 01:30:33.371 --> 01:30:34.671 Good, cause I'm hungry. 01:30:34.991 --> 01:30:36.892 Now make me my tea. 01:30:37.592 --> 01:30:41.957 You see, Sif would have performed that female backing part so beautifully. 01:30:41.977 --> 01:30:42.858 You should have called her up. 01:30:42.898 --> 01:30:43.999 She would have been happy to do it. 01:30:44.160 --> 01:30:46.362 I wouldn't have stepped out of line in that way. 01:30:46.382 --> 01:30:47.223 Wow. 01:30:47.764 --> 01:30:48.945 She's a friend of the show. 01:30:48.965 --> 01:30:51.608 Is she just a friend of yours? 01:30:52.629 --> 01:30:53.329 Oh no. 01:30:54.090 --> 01:30:56.211 That war, they were the song war songs, listeners. 01:30:57.211 --> 01:30:58.431 80s song, an incredible song. 01:30:58.792 --> 01:30:59.692 Vote for your favourite. 01:31:00.412 --> 01:31:02.153 You can vote until Friday evening. 01:31:02.753 --> 01:31:05.855 The voting lines, that we don't have any lines, do we? 01:31:05.875 --> 01:31:06.575 But it sounds good. 01:31:07.015 --> 01:31:08.055 Close at what, when? 01:31:08.075 --> 01:31:09.356 Charlotte goes home at midnight. 01:31:09.436 --> 01:31:10.577 Charlotte goes home at midnight. 01:31:10.997 --> 01:31:12.777 So does she go home at midnight? 01:31:13.038 --> 01:31:13.838 That's not safe, is it? 01:31:14.238 --> 01:31:17.799 We need longer, we need a longer set of conditions to read out, you know? 01:31:17.819 --> 01:31:18.860 Terms and conditions, yeah. 01:31:18.960 --> 01:31:22.741 Whenever Fern Cotton has to read out the terms and conditions, it takes about five minutes. 01:31:22.781 --> 01:31:24.462 Fern Britain, or Cotton. 01:31:24.942 --> 01:31:26.543 Yeah. 01:31:26.863 --> 01:31:30.024 So yeah, you can vote up until Friday night if you're listening on the podcast or listen again. 01:31:30.864 --> 01:31:31.705 Every vote is counted. 01:31:31.725 --> 01:31:33.225 Thank you for your attention. 01:31:33.485 --> 01:31:36.966 Now here's some more 80s tinged enjoyableness from LaRue. 01:31:37.006 --> 01:31:38.027 This is in for the kill. 01:31:38.587 --> 01:31:44.289 would sound very good on an accordion on the Paris Metro, wouldn't it? 01:31:44.629 --> 01:31:47.130 That's lovely stuff from LaRue, in for the kill. 01:31:47.150 --> 01:31:53.652 This is Adam and Joe here on BBC6 Music, and I think it's time for us to wind up text the nation for this week. 01:31:53.972 --> 01:31:55.452 Let's have a jingle one more time, Ben. 01:31:57.713 --> 01:31:58.533 Text the nation. 01:31:58.573 --> 01:31:59.654 Text, text, text. 01:31:59.754 --> 01:32:00.514 Text the nation. 01:32:00.554 --> 01:32:01.514 What if I don't want to? 01:32:01.774 --> 01:32:02.455 Text the nation. 01:32:02.475 --> 01:32:02.995 It doesn't matter. 01:32:03.035 --> 01:32:03.275 Text. 01:32:05.629 --> 01:32:08.410 Text the Nation this week is all about gig etiquette. 01:32:08.430 --> 01:32:13.673 We're trying to draw up a manifesto for behaviour at gigs to improve the experience for everybody. 01:32:13.713 --> 01:32:15.033 How many points have we got so far? 01:32:15.293 --> 01:32:28.440 Well, I would say around six good ones, but rather than finalise the list on air today, what we're going to do is leave it open so that you can continue sending ideas in throughout the week and then we'll finalise it for next week's podcast. 01:32:28.460 --> 01:32:30.961 Yeah, on Retro Text the Nation in next week's podcast. 01:32:31.681 --> 01:32:39.226 Yeah, if you don't listen to the podcast, Retro Text the Nation is an exciting opportunity for people to contribute to the Text the Nation theme during the week after the show. 01:32:39.246 --> 01:32:40.687 Does that make any sense? 01:32:40.707 --> 01:32:42.869 That then gets read out in the next podcast. 01:32:42.909 --> 01:32:43.889 Beautifully explained. 01:32:43.969 --> 01:32:44.530 Thank you. 01:32:45.070 --> 01:32:47.892 So, here are some more suggestions for Gig Etiquette. 01:32:48.252 --> 01:32:52.215 This is from Chris in Norwich, and he suggests an entrance examination. 01:32:52.235 --> 01:32:54.997 Now, this is a good idea that someone else has suggested as well. 01:32:55.617 --> 01:32:59.220 An entrance examination to ensure that only interested people get inside. 01:33:00.100 --> 01:33:12.024 So you don't get these sort of touristy, casual people dipping into concerts who then don't really listen or chat or text their friends or only recognize their hits, stuff like that. 01:33:12.084 --> 01:33:12.925 Isn't that quite annoying? 01:33:13.205 --> 01:33:14.005 That's very annoying. 01:33:14.025 --> 01:33:15.305 I wonder who those people are though. 01:33:15.345 --> 01:33:18.066 I don't understand the mindset of someone who actually go out and buy a ticket. 01:33:18.106 --> 01:33:20.047 Maybe they're people who haven't actually purchased their tickets. 01:33:20.407 --> 01:33:22.228 Yeah, the friend's got a spare ticket or something. 01:33:22.348 --> 01:33:22.628 Right. 01:33:22.648 --> 01:33:23.569 But what do you think about that? 01:33:23.609 --> 01:33:24.709 An actual little exam. 01:33:24.769 --> 01:33:28.971 So you're asked a sort of random quiz question about the band, and if you get it wrong, no entry. 01:33:29.312 --> 01:33:29.552 Uh-huh. 01:33:29.952 --> 01:33:35.995 But then it's difficult because you need the casual viewers to come along sometimes in order to be converted and then spread the word. 01:33:36.295 --> 01:33:36.635 Not anymore. 01:33:36.675 --> 01:33:37.596 Not anymore. 01:33:37.796 --> 01:33:37.856 No. 01:33:37.936 --> 01:33:39.857 It's much, much more ruthless business now. 01:33:40.057 --> 01:33:41.458 OK, I like the exam. 01:33:41.478 --> 01:33:42.958 Let's pop that on the manifesto there. 01:33:43.339 --> 01:33:45.420 Here's another one from Julian in Knots. 01:33:46.180 --> 01:33:47.481 He says, here's another gig suggestion. 01:33:47.541 --> 01:33:52.983 People who throw empty-stroke, half-empty plastic glasses should be forced to stay behind and do the cleaning up. 01:33:53.804 --> 01:33:55.484 So yes, you can throw things. 01:33:55.625 --> 01:33:56.225 That's fine. 01:33:56.585 --> 01:33:59.226 Be silly if you want, but you will clear them up afterwards. 01:33:59.827 --> 01:34:04.569 We're turning the gig-going experience into something really very restrictive. 01:34:05.089 --> 01:34:06.049 I'm pathetic. 01:34:06.229 --> 01:34:07.590 The idea, isn't it? 01:34:07.670 --> 01:34:08.610 Yes. 01:34:09.590 --> 01:34:13.451 So if you're found littering... Yeah, that's the whole THX1138 thing. 01:34:13.491 --> 01:34:14.732 It's a sort of future world. 01:34:15.052 --> 01:34:15.312 You! 01:34:15.512 --> 01:34:15.752 You! 01:34:16.232 --> 01:34:16.852 Orange hair! 01:34:17.432 --> 01:34:18.333 Silly t-shirt! 01:34:18.413 --> 01:34:18.813 Citizen 749! 01:34:19.993 --> 01:34:21.894 Stay behind for cleaning up cups! 01:34:22.414 --> 01:34:26.815 You were seen throwing a cup at the bass player of the Fleet Foxes. 01:34:27.175 --> 01:34:31.476 You must stay behind and clean up all the coordinated manifesto code 7! 01:34:33.417 --> 01:34:34.037 Stay behind! 01:34:34.477 --> 01:34:37.960 You have your entrance exam was below par. 01:34:38.000 --> 01:34:39.741 You will not be allowed into the gig. 01:34:40.922 --> 01:34:41.382 Very good. 01:34:41.902 --> 01:34:43.504 Here's another one from an anonymous texter. 01:34:43.564 --> 01:34:44.444 Your armpits stink. 01:34:45.465 --> 01:34:46.005 It's frightening. 01:34:48.347 --> 01:34:53.571 Somebody who has not sent their name in says, I love the idea of a demilitarized zone. 01:34:54.151 --> 01:34:57.054 You should note that this zone needs one rule, no complaining. 01:34:57.094 --> 01:35:01.237 Now, the idea here was to have a militarized and a demilitarized zone. 01:35:01.917 --> 01:35:07.265 Yes, so there was a zone where you could behave anarchically, but outside of that zone, you had to be very quiet and polite and just stand up. 01:35:08.006 --> 01:35:10.509 To be honest, I don't know why I've highlighted that text. 01:35:10.529 --> 01:35:11.771 I think I may have made a mistake. 01:35:11.811 --> 01:35:14.134 Well, what were they going to say that you could do? 01:35:14.154 --> 01:35:15.376 Let's not get involved. 01:35:15.736 --> 01:35:16.778 I think it's a non-starter. 01:35:18.239 --> 01:35:31.925 Okay, here's a good one This is Emily and Limehouse at the start of a gig when fans are being led into the venue There should only be one door opened when I go to gigs I often queue for hours to ensure I get a good spot on the barrier There's nothing worse than another door or gate being opened first. 01:35:32.145 --> 01:35:43.330 So people who arrived later get in earlier so unfair So basically your position on the floor is linked to how early you turn up Yeah, it would take a lot longer to get everybody in of course 01:35:43.510 --> 01:35:44.371 Ooh, well, you know. 01:35:46.512 --> 01:35:48.054 Great pains, great gains. 01:35:48.214 --> 01:35:48.975 Is that an expression? 01:35:48.995 --> 01:35:50.236 No, I just made it up. 01:35:50.516 --> 01:35:52.738 Great pains, great gains. 01:35:53.458 --> 01:35:56.120 From... From Thailand's sage. 01:35:56.541 --> 01:35:57.442 Guru Cornish. 01:35:59.103 --> 01:35:59.723 Yeah, another one? 01:36:00.004 --> 01:36:00.404 Yeah, go on. 01:36:00.424 --> 01:36:01.625 Give us one more before we wrap this up. 01:36:01.985 --> 01:36:02.846 Oh, gosh. 01:36:03.046 --> 01:36:04.367 Okay, okay. 01:36:04.427 --> 01:36:04.988 Here we go. 01:36:05.168 --> 01:36:06.489 This is from Lee. 01:36:07.390 --> 01:36:12.154 He says, I think all venues should have circles painted on the floor in which you must stand alone. 01:36:14.316 --> 01:36:27.414 in the circle there is a stand which holds headphones and a graphic equalizer so you can experience perfect sound to your liking and a drink holder it also has nodes I don't know what nodes are but it must have them 01:36:28.095 --> 01:36:32.178 So the other thing you could do, Lee, is remove the band and stay at home. 01:36:32.759 --> 01:36:33.119 Yeah. 01:36:33.339 --> 01:36:37.082 Well, no, he's talking about doing his own personal sound mix on the audio. 01:36:37.102 --> 01:36:37.742 Yeah, yeah, yeah, yeah. 01:36:37.762 --> 01:36:38.623 That's quite a good idea, though. 01:36:38.643 --> 01:36:45.948 It's a bit like, you know in Disneyland, the 360-degree cinema, where they have to have rails in case you get dizzy and fall over? 01:36:45.968 --> 01:36:46.209 Sure. 01:36:46.329 --> 01:36:47.089 It's a bit like that. 01:36:47.450 --> 01:36:48.971 Or someone else suggested lectins. 01:36:49.731 --> 01:36:52.032 Yeah, like what are you doing with electums? 01:36:52.272 --> 01:36:59.393 Well, you just everyone has electums so you can leave you've got something to lean on if I have a cup holder And you'd have your graphic equalizer there as well. 01:36:59.413 --> 01:37:05.054 Oh my goodness This is getting quite a long way away from that the the actual point of going to a gig though, isn't it? 01:37:05.534 --> 01:37:12.716 Yeah, but that was taken as read from the beginning right after text the nation I think so yes, just big comfy first-class style seats. 01:37:13.276 --> 01:37:13.636 Why not? 01:37:13.816 --> 01:37:14.016 Yeah 01:37:15.397 --> 01:37:22.848 Could do I don't know I like the idea of us of a painted circle hmm because you could electrify it And then if you stepped out of it, it's going to fire. 01:37:22.868 --> 01:37:24.490 It's like Tron isn't it like Tron? 01:37:24.931 --> 01:37:31.600 Thank you very much for all your texts and emails and you can keep them coming in during the week if you're listening to this on listen again or on the podcast and 01:37:32.080 --> 01:37:37.326 and you might get your, uh, communications included in Retro Text the Nation in next week's podcast. 01:37:37.626 --> 01:37:38.127 Confused? 01:37:38.327 --> 01:37:39.028 There's no need to be. 01:37:39.068 --> 01:37:41.411 Just download the podcast and it'll all become clear. 01:37:41.851 --> 01:37:44.514 Right now we have a trail for the lovely Nimone. 01:37:44.554 --> 01:37:45.195 Check it out. 01:37:45.475 --> 01:37:47.638 Teenage fan club there with what you do to me. 01:37:47.838 --> 01:37:50.401 This has been Adam and Joe on BBC 6 Music. 01:37:50.461 --> 01:37:52.363 I'm assuming this is our goodbye link, isn't it Ben? 01:37:52.383 --> 01:37:53.244 Yeah, thanks very much. 01:37:53.684 --> 01:37:58.685 for listening and a huge thank you to every single person who emails and texts. 01:37:58.785 --> 01:38:05.746 We do read every single email as we keep telling you, but it's true, we get them sent to us at home and usually on a Thursday. 01:38:06.406 --> 01:38:07.487 I really enjoy it. 01:38:08.167 --> 01:38:15.288 I put a good couple of hours aside and read every single one and we listen to every clip and look at every picture that people send. 01:38:15.308 --> 01:38:19.689 So if you've sent something and they're getting annoyed that maybe you're being ignored, 01:38:20.309 --> 01:38:22.610 It'll be just because we haven't had time to mention it on the show. 01:38:22.670 --> 01:38:26.652 We will have very much looked and enjoyed and appreciated it at home. 01:38:26.812 --> 01:38:32.334 Yeah, and all the care and attention that goes into the messages, you know we get really quite involved messages a lot of the time. 01:38:32.414 --> 01:38:35.676 Yeah, which is why we end up in complicated situations with some of our listeners. 01:38:37.483 --> 01:38:37.903 I'm sorry. 01:38:37.943 --> 01:38:38.363 I'm sorry. 01:38:38.443 --> 01:38:39.544 I'm sorry. 01:38:39.684 --> 01:38:46.306 Get on the train now, go back to my family and my wife's gonna beat the living heck out of me for the whole weekend. 01:38:46.987 --> 01:38:49.107 I think she and I should both be there on Friday. 01:38:49.427 --> 01:38:52.248 Just to make sure everything was above board, yeah. 01:38:53.289 --> 01:38:56.830 I think I should have the electric sticks as well, the prods. 01:38:56.850 --> 01:38:59.331 We should introduce the gig manifesto for your gig on Friday. 01:38:59.371 --> 01:39:01.592 We could get the electric sticks to hold the electric sticks. 01:39:01.992 --> 01:39:03.193 Yeah. 01:39:03.393 --> 01:39:05.515 Imagine the sheer voltage. 01:39:05.775 --> 01:39:05.975 Yeah. 01:39:06.035 --> 01:39:08.637 So listen, we're going to have a lot to talk about on next week's show then, aren't we? 01:39:09.138 --> 01:39:10.058 Well, maybe. 01:39:10.079 --> 01:39:12.340 Absolutely. 01:39:12.641 --> 01:39:16.844 And of course we'll be finding out who is the winner of the 80s song wars. 01:39:16.884 --> 01:39:18.185 Keep voting throughout the week for that. 01:39:18.345 --> 01:39:23.669 Yeah, and the podcast will be available for download, I think, about Tuesday it pops up. 01:39:23.930 --> 01:39:32.296 Yeah, Monday night, whenever the head of 6 Music has a chance to listen to it, to check that it's complied with all the regulations, and there's no bullying or swearing. 01:39:32.377 --> 01:39:35.299 Absolutely, and no extreme racism. 01:39:35.659 --> 01:39:36.460 You know what I mean? 01:39:36.480 --> 01:39:36.620 Yeah. 01:39:36.640 --> 01:39:37.160 Yes, Adam Buxton. 01:39:39.182 --> 01:39:39.422 What? 01:39:39.462 --> 01:39:40.163 What does that mean? 01:39:40.263 --> 01:39:41.163 It's just a bit of fun. 01:39:41.303 --> 01:39:42.044 Okay, a bit of fun. 01:39:42.064 --> 01:39:43.204 Just random, meaningless fun. 01:39:43.264 --> 01:39:45.045 A bit of random fun. 01:39:45.085 --> 01:39:45.806 That's the end of the show. 01:39:45.826 --> 01:39:46.866 Liz Kershaw coming up next. 01:39:46.906 --> 01:39:47.487 Thanks for listening. 01:39:48.007 --> 01:39:48.427 Take care. 01:39:48.447 --> 01:39:48.947 Have a good week. 01:39:48.987 --> 01:39:49.228 Bye.