WEBVTT 00:07.332 --> 00:13.796 There'll be some music and some random talking in between and then eventually the whole thing will just end. 00:13.876 --> 00:16.877 Mmm, smooth sounds. 00:17.377 --> 00:18.198 Welcome aboard. 00:18.778 --> 00:20.699 That's Soul to Soul with Keep On Moving. 00:21.300 --> 00:27.883 In the late 80s, Jazzy B from Soul to Soul was like a kind of community police officer, wasn't he? 00:28.123 --> 00:28.444 Yes. 00:28.744 --> 00:31.645 He was very much trying to keep things moving. 00:31.665 --> 00:34.247 He would stand on the corner of the street, keep on moving, don't stop. 00:34.887 --> 00:36.267 He had a saying, didn't he? 00:36.327 --> 00:37.528 I can't remember what it was. 00:37.688 --> 00:40.929 Be something, be selective, be an asset to your collective. 00:41.289 --> 00:42.729 Be reflective. 00:43.589 --> 00:45.230 But that's just cycling safety. 00:45.310 --> 00:46.270 Well, that was part of it. 00:46.310 --> 00:48.631 That was for the cycling proficiency gang. 00:49.091 --> 00:50.131 Be a detective. 00:50.691 --> 00:52.792 He'd make a good Jimmy Savile for the noughties. 00:53.260 --> 00:53.640 Yes. 00:53.780 --> 00:54.340 Don't you think? 00:54.441 --> 00:55.081 Absolutely. 00:55.281 --> 00:57.642 In a big chair with some gold chains? 00:58.042 --> 00:59.163 Yeah, that's a nice idea. 00:59.183 --> 00:59.343 Thanks. 00:59.603 --> 01:01.043 Because he's got a distinctive look. 01:01.604 --> 01:03.624 And we could easily build him a distinctive chair. 01:03.824 --> 01:04.285 Exactly. 01:04.325 --> 01:05.725 And he could do fun runs. 01:05.885 --> 01:06.085 Yeah. 01:06.326 --> 01:08.927 He could devote his life to raising money for charities. 01:09.147 --> 01:11.788 He was always keen on making people's dreams come true anyway. 01:11.908 --> 01:12.428 Exactly. 01:12.568 --> 01:14.649 So he's already halfway there. 01:15.029 --> 01:15.269 Yeah. 01:15.589 --> 01:19.191 All he needs to do... What are the missing pieces of the Savile puzzle? 01:20.151 --> 01:22.172 Well, a strange relationship with your mum. 01:23.272 --> 01:30.055 A bit of taking people into the basement, tying them up, slapping them about a bit, allegedly, according to Louis Theroux's documentary. 01:30.195 --> 01:32.696 I think Savile himself admits that at some stage. 01:32.736 --> 01:33.176 Exactly. 01:33.696 --> 01:34.917 He has no shame about that. 01:34.937 --> 01:35.577 He's proud of it. 01:35.657 --> 01:36.978 The early days is a bouncer. 01:37.738 --> 01:39.118 And that's pretty much it, I think. 01:39.719 --> 01:42.560 The only other thing that's involved is for Jazzy B to actually do it. 01:43.200 --> 01:43.480 Yes. 01:43.760 --> 01:48.221 I mean, he's got to, though, because there's a yawning chasm on television for that kind of figure, isn't there? 01:48.381 --> 01:48.681 Yes. 01:51.122 --> 01:51.982 Let's go no further. 01:52.703 --> 01:54.183 Hi, my name's Adam Buxton. 01:54.423 --> 01:55.683 Hey, my name's Joe Cornish. 01:55.903 --> 01:59.264 And together, we are Adam and Joe. 01:59.985 --> 02:02.665 And that's... And we're murder. 02:02.845 --> 02:03.625 And we're murder! 02:03.685 --> 02:05.246 Where we met, it was murder! 02:05.666 --> 02:07.968 So we're going to be here until 12 o'clock. 02:08.008 --> 02:09.449 It's a busy show today. 02:09.469 --> 02:10.229 It's a very busy show. 02:10.249 --> 02:12.591 We've got to unveil some new song wars songs. 02:13.171 --> 02:15.913 We went to the cinema, both of us, independently this week. 02:15.933 --> 02:17.815 And we went to see Baz Luhrmann's Australia. 02:18.135 --> 02:19.976 And we've written songs about that. 02:21.217 --> 02:26.881 We are going to be talking to my dad a bit later on, who spent some time with Coolio a few years ago. 02:26.921 --> 02:30.044 So he's going to be giving us the inside track on Coolio. 02:30.064 --> 02:31.125 That's a true thing. 02:31.145 --> 02:32.666 I'm not just making that up. 02:33.306 --> 02:34.087 This is good, man. 02:34.107 --> 02:36.328 This is like a What's Coming Up package. 02:36.348 --> 02:38.410 Well, we've actually got things in the show. 02:38.490 --> 02:38.990 It's really good. 02:39.010 --> 02:39.731 I'm impressed. 02:40.171 --> 02:46.076 We've actually thought of a textination more than five minutes before we actually launch it this week. 02:46.636 --> 02:50.159 So all that is to look forward to as well as more great music. 02:50.499 --> 02:53.762 Right now, here's the Noisette with Wild Young Hearts. 02:54.062 --> 02:55.863 The noisettes with wild young hearts. 02:55.923 --> 02:58.343 This is Adam and Joe here on Six Music. 02:58.423 --> 02:59.644 You're going for noisettes, are you? 03:00.064 --> 03:01.284 Noisettes, yes. 03:01.344 --> 03:03.005 That would make them sound nutty. 03:03.225 --> 03:03.805 Well, exactly. 03:03.845 --> 03:08.927 I like to imagine them as a tasty box of chockeys with crispy, praline centers. 03:09.107 --> 03:11.628 Noisette was always my least favourite of the chocks. 03:11.748 --> 03:12.388 Ooh, I love them. 03:12.628 --> 03:12.968 Did you? 03:13.929 --> 03:15.751 You see, we'd work well with a box of chocks. 03:15.911 --> 03:17.393 I mean, you wouldn't be any fighting, no scrappies. 03:17.593 --> 03:20.536 I never realised until recently that you are such a choco expert. 03:21.016 --> 03:21.897 I do like the chocks. 03:21.937 --> 03:22.798 You love the chocks. 03:23.058 --> 03:23.238 Yes. 03:23.459 --> 03:24.479 That's interesting, isn't it? 03:24.860 --> 03:26.902 I listened to the podcast from last week. 03:27.122 --> 03:28.543 It sounded like I was on Mogadon. 03:29.184 --> 03:30.605 Yeah, you were a little bit sluggish. 03:31.286 --> 03:37.092 The thing is that I'd made the mistake of driving up from East Anglia that morning, so I had to get up at five o'clock. 03:37.993 --> 03:39.114 I'm never going to do that again. 03:39.134 --> 03:42.037 I got my sleep last night feeling spry, crisp and dry. 03:42.057 --> 03:42.517 Well done. 03:42.577 --> 03:42.817 Good. 03:42.898 --> 03:43.558 Thanks very much. 03:43.899 --> 03:45.860 You don't leave any residue on the paper towel? 03:46.841 --> 03:47.963 No, that's absolutely true. 03:48.183 --> 03:48.964 Yeah. 03:48.984 --> 03:50.085 Just a bit of... Or less. 03:50.205 --> 03:50.645 Little less. 03:50.705 --> 03:51.306 Little bit less. 03:51.346 --> 03:51.947 Tiny bit less. 03:51.967 --> 03:52.888 Than a leading brand. 03:53.048 --> 03:54.209 Yeah, thank you very much indeed. 03:54.389 --> 03:58.852 So coming up pretty soon where I'm veiling the new Song Wars, I'm not going to say too much about mine. 03:59.533 --> 04:00.173 Are you happy? 04:00.253 --> 04:00.613 Not happy? 04:00.633 --> 04:01.194 Can you say that much? 04:01.214 --> 04:01.914 I don't really know. 04:01.934 --> 04:03.595 I'm beyond emotions like that. 04:03.615 --> 04:04.016 Are you? 04:04.036 --> 04:04.496 Emotions? 04:04.956 --> 04:07.158 Yeah. 04:07.218 --> 04:08.239 But it's exciting stuff. 04:08.279 --> 04:09.920 Yeah, we'll do that just after the news, shall we? 04:10.180 --> 04:10.480 Yeah. 04:10.800 --> 04:17.444 Can I tell you, listeners, while we're catching up at the beginning of the show here, if you were listening last week, we were talking about The Wattle. 04:17.784 --> 04:24.207 We were asking you to think of other ideas for rebranding existing objects, the way that The Wattle seems to have done with plastic bottles. 04:24.708 --> 04:28.910 The Wattle was something my wife got for Christmas, and it's just a plastic bottle that's called The Wattle. 04:29.848 --> 04:33.811 Um, but it leaked all over my wife's bag this week. 04:33.992 --> 04:34.672 No, really? 04:34.732 --> 04:34.932 Yeah. 04:35.173 --> 04:35.933 That's terrible. 04:36.173 --> 04:46.021 So not only is it not in any way more special than a normal bottle, even though it claims to be something different, it's absolute, it's just worse. 04:46.622 --> 04:47.603 Where was it leaking from? 04:48.343 --> 05:05.636 uh the top of it the lid yeah it's got a sort of fancily designed lid that actually works less well than a regular lid that's terrible yeah so it just leaked everywhere we should contact the manufacturers of the wattle you should see what they say yeah it's a waste of water not only is that environmentally 05:06.216 --> 05:17.198 disingenuous to try and save the manufacture of water bottles by manufacturing more water bottles, to then leak precious water into handbags. 05:17.958 --> 05:20.158 You know, that's what the water companies are getting in trouble for. 05:20.398 --> 05:20.819 That's right. 05:20.839 --> 05:22.279 I don't think it was that much water. 05:22.479 --> 05:22.799 Still? 05:22.919 --> 05:23.259 Still. 05:23.579 --> 05:24.399 Every little counts. 05:25.459 --> 05:26.399 Yeah, that's absolutely true. 05:27.140 --> 05:28.600 And it's a disgrace. 05:28.640 --> 05:30.440 And now the bottle is in the bin. 05:30.760 --> 05:31.200 Really? 05:31.400 --> 05:31.820 In the binel? 05:32.400 --> 05:35.021 In the non-recyclable bin pile. 05:35.721 --> 05:36.602 That's terrible. 05:36.622 --> 05:37.303 It's a shame, isn't it? 05:37.323 --> 05:38.323 That is a massive shame. 05:38.343 --> 05:44.909 So I'm sorry to bum you out, listeners, by giving you that slightly tragic, environmentally depressing story this early in the show. 05:45.249 --> 05:48.552 But I can tell you, from here on in, it's all going to be uphill. 05:48.592 --> 05:50.714 Now, Joe, is this your free choice? 05:50.754 --> 05:51.975 Yeah, this is my free choice. 05:52.015 --> 05:55.477 This is an exciting new band from Basildon in Essex. 05:56.298 --> 05:59.921 And it's formed by, you know that band Depeche Mode? 06:00.561 --> 06:00.982 Oh yes. 06:01.042 --> 06:03.243 The guy that writes the songs for them has left. 06:04.004 --> 06:06.886 And he's got together with a woman called Alison Moye. 06:07.106 --> 06:10.489 And Depeche Mode, they've got the kind of throwback early 80s sound. 06:10.509 --> 06:12.110 They have, yeah, exactly. 06:12.270 --> 06:13.611 It's very contemporary right now. 06:13.911 --> 06:15.172 This is a band called Yazoo. 06:15.632 --> 06:17.414 This is their new single, it's called Don't Go. 06:17.734 --> 06:19.855 That's the Hold Steady with Stay Positive. 06:19.895 --> 06:22.036 This is Adam and Jo here on BBC Six Music. 06:22.096 --> 06:23.677 It's freezing outside. 06:23.957 --> 06:32.462 It's literally freezing and it's grey and you're well advised to stay indoors as long as you possibly can and listen to this, alright? 06:32.842 --> 06:33.162 OK. 06:34.003 --> 06:36.844 Listen, listeners, we're going to do a bit of Steven news now. 06:37.024 --> 06:38.485 Yeah, we haven't done any Steven news for a while. 06:38.505 --> 06:43.148 No, we decided to knock it on the head for a few weeks because we thought it was getting out of control. 06:43.948 --> 06:45.809 when we say out of control. 06:46.509 --> 06:48.811 We mean that, uh, what do we mean by that? 06:48.871 --> 06:55.374 Well, you had it when you were shopping and you were in a grump and a couple of people did it to you and you didn't, you didn't give them a... just coming back. 06:55.474 --> 06:56.295 I got confused. 06:56.335 --> 06:57.836 I didn't know how to respond. 06:57.856 --> 06:58.156 Right. 06:58.636 --> 06:59.536 I wasn't in a grump. 06:59.937 --> 07:01.998 I was just confused, thinking about other things. 07:02.018 --> 07:02.638 No, it's fair enough. 07:02.658 --> 07:08.641 You were having a stressful time and you had things to do and... I think the thing is that we don't really want to be seen to be encouraging it. 07:09.022 --> 07:09.242 Right. 07:09.282 --> 07:12.844 Because if there are people that don't listen to the show and they hear a Steven shout out, 07:13.444 --> 07:14.866 They might just become annoyed. 07:15.126 --> 07:16.587 It could just become annoying. 07:16.647 --> 07:18.650 How could you become annoyed by someone shouting, Steven? 07:18.670 --> 07:21.433 Because it's a quiet moment in a gig or something. 07:21.613 --> 07:22.414 Oh, I see, I see. 07:22.434 --> 07:24.496 And you might have, you know, heard about it. 07:24.776 --> 07:25.497 Oh, God. 07:25.917 --> 07:26.198 Right. 07:26.278 --> 07:27.219 It's that thing again. 07:27.319 --> 07:30.062 Well, no, we're not encouraging a responsible Stevenage. 07:30.542 --> 07:33.345 We never asked anybody to do this thing in the first place, right? 07:33.445 --> 07:34.005 Absolutely. 07:35.046 --> 07:39.170 But anyway, we're going to read out some of the best Steven stories we've had in the last few weeks. 07:39.771 --> 07:47.337 Just to remind people, this is a way you can contact other fans of the show in a public place if you're a listener to the show. 07:47.898 --> 07:49.159 You shout out, Steven! 07:50.160 --> 07:55.124 And then anybody else in the collective area would reply, just coming! 07:55.825 --> 07:57.547 then you know they listened to this programme. 07:57.567 --> 07:59.670 Are we going to explain the origins of it? 08:00.191 --> 08:11.746 No, if you want to find out where the whole Stephen thing came from, you can put in Adam and Jo, Stephen, P-H-E-N, onto YouTube and you'll find a little clip that explains it there, I think. 08:12.031 --> 08:17.655 I don't think I've read any of these before, but these are the three best ones we've had in over the last few weeks. 08:18.155 --> 08:22.338 The first one, the name of the person who sent it, has fallen off the bottom of the printout. 08:23.058 --> 08:25.700 Ben'll dig it up, but here it is for the moment anonymously. 08:25.780 --> 08:28.762 Dear Adam and Jo, I thought I'd share my story of joy with you. 08:29.242 --> 08:34.486 For New Year's Eve, me and my friend decided to go to the Astoria, where Noah and the whale happened to be playing. 08:35.086 --> 08:42.608 I took it upon myself to make the night just that little bit more special by shouting, Stephen, as you do in a desperate bid to mingle with fellow listeners. 08:43.128 --> 08:50.229 My friend and I agreed that if no one replied to my call, she would herself reply, thus eliminating any embarrassment that may surface. 08:50.829 --> 08:56.450 I prepared myself as the noise levels were rather high and performed a perfect, Stephen! 08:57.211 --> 09:00.411 There was a slight pause and suddenly a glorious thing happened. 09:00.691 --> 09:03.872 A group of guys that were standing next to us replied, just coming! 09:04.505 --> 09:09.029 as well as a girl who turned around majestically and chimed in, just coming! 09:10.049 --> 09:10.850 Possibly not like that. 09:11.250 --> 09:13.012 We pointed in unison at one another. 09:13.392 --> 09:14.853 Like an invasion of the body snatchers. 09:14.893 --> 09:15.273 Right. 09:15.854 --> 09:16.654 I added that as well. 09:16.895 --> 09:19.817 And inevitably, for the rest of the night, we formed a beautiful friendship. 09:19.957 --> 09:20.517 Hey! 09:20.838 --> 09:21.738 That's nice, isn't it? 09:21.758 --> 09:22.459 That's wonderful. 09:22.519 --> 09:23.840 Maybe romance could blossom. 09:24.360 --> 09:27.803 And maybe there would be marriage and a baby called... Steven! 09:28.163 --> 09:28.964 Even if it was a girl. 09:29.364 --> 09:32.106 Here's another one from Joe Claxton in Woodford Green. 09:32.186 --> 09:32.907 Hi Adam and Joe. 09:33.247 --> 09:35.569 And this is good because this is a prospective Steven. 09:35.930 --> 09:38.191 He's telling us about a forthcoming call. 09:38.532 --> 09:39.653 Ooh, exciting. 09:39.813 --> 09:45.978 I'm going to see Blade Runner, the final cut at the BFI IMAX on the coming Monday brackets early showing. 09:46.358 --> 09:49.261 We assume that's the one on the south bank in London. 09:49.761 --> 09:51.102 There are many other IMAXs. 09:51.462 --> 09:52.824 This is worth reading out alone. 09:53.484 --> 09:53.965 Thanks, Joe. 09:54.345 --> 09:56.488 But I have more wonders to impart. 09:56.989 --> 10:01.675 I will be shouting Steven at this wondrous cinematic event, and I'll let you know how it goes. 10:02.296 --> 10:03.998 At which point will he shout Steven I want? 10:04.018 --> 10:04.960 Well, there's no knowing. 10:05.661 --> 10:09.946 But it's possible that some people might actually go to that screening in order to reply. 10:10.807 --> 10:11.668 It's unlikely. 10:11.868 --> 10:13.009 Yeah, it could just happen. 10:13.369 --> 10:14.690 Oh, will you know? 10:15.010 --> 10:19.233 Oh, that's quite exciting though Isn't it that he would tell us that he's gonna do that. 10:19.273 --> 10:19.994 What's his name again? 10:20.875 --> 10:24.537 Joe Claxton Well Joe so you're gonna get back in touch with us next week. 10:24.577 --> 10:28.560 I hope and let us know what happened Yeah, instead of saying toodle pip at the end of his email. 10:28.600 --> 10:29.501 He says poodle tit. 10:29.941 --> 10:30.502 That's nice. 10:30.802 --> 10:32.283 Nice little sign off there Joe. 10:32.303 --> 10:34.985 You've got it all sort of Spoonerism going on. 10:35.005 --> 10:35.045 Oh 10:35.245 --> 10:37.986 And finally, this is from Lorraine, Mark, Josh and Katie. 10:38.327 --> 10:40.608 Hi there, just after Christmas, and this is a good one. 10:41.128 --> 10:41.488 Alright. 10:42.089 --> 10:46.231 Just after Christmas, my hubby and I spent a few days with friends in New York. 10:47.071 --> 10:49.612 It was a 40th birthday treat for myself and my pal. 10:50.193 --> 10:56.236 It was sooo busy, and we kept losing each other in stores and museums, so we adopted the shouting of Stephen! 10:56.596 --> 11:02.043 to locate each other when we got separated, always followed by our gales of giggling upon reuniting. 11:02.424 --> 11:10.394 We did it at JFK Airport and the Empire State Building queue, but in the American Natural History Museum planetarium, we got a response. 11:10.654 --> 11:11.054 Whoa! 11:11.215 --> 11:12.857 I shouted, STAVAAAAAN! 11:13.635 --> 11:21.301 and a man 15 feet away burst out laughing and shouted back in a mock posh English accent, just coming, is that with a pH or a V? 11:21.361 --> 11:23.622 It's not a very good mock posh English accent. 11:24.002 --> 11:24.963 We just couldn't believe it. 11:25.023 --> 11:26.044 Stephen goes global. 11:26.384 --> 11:27.425 International Stephen. 11:27.445 --> 11:28.045 In New York. 11:28.286 --> 11:33.349 And in the location of that amazing, I think that's where that scene in the film Manhattan, the Woody Allen film. 11:33.389 --> 11:33.789 Right. 11:33.930 --> 11:36.291 They've got a wonderful scene in the planetarium bit there. 11:36.411 --> 11:37.172 I might be wrong about that. 11:37.888 --> 11:39.909 Wow, thanks for your Stephen updates, listeners. 11:40.190 --> 11:41.610 We'll have more for you next week. 11:41.891 --> 11:45.973 Right now, here's Oxford Comma Vampire Weekend with Oxford Comma. 11:46.053 --> 11:48.234 This is Adam and Joe here on BBC 6 Music. 11:48.274 --> 11:49.095 It's just gone 9.30. 11:49.235 --> 11:50.235 It's time for the news. 11:50.355 --> 11:51.736 He's just freestyling there. 11:51.856 --> 11:52.717 Yeah, he's on a farm. 11:53.277 --> 11:54.478 He's trying to get the pigs to sing. 11:55.083 --> 11:55.603 Let's go! 11:55.803 --> 11:56.203 Come on! 11:56.363 --> 11:57.484 Come on, aren't you coming now? 11:57.524 --> 11:58.024 Let's go! 11:58.224 --> 11:58.604 Let's go! 11:59.844 --> 12:00.844 That's er, the farm. 12:01.944 --> 12:02.885 Pathetic joke. 12:03.425 --> 12:04.345 We're all together now. 12:04.745 --> 12:05.845 Adam, what a pathetic joke. 12:06.165 --> 12:07.386 Oh man, it made me chuckle. 12:07.806 --> 12:08.766 Do the pig noise again. 12:10.426 --> 12:10.946 Good times. 12:11.767 --> 12:13.407 Okay, I think it's time for song wars. 12:13.567 --> 12:14.247 Let's have the jingle. 12:15.707 --> 12:17.628 It's time for song wars. 12:18.148 --> 12:18.768 The war of 12:32.854 --> 12:40.457 Yes, Listeners Song Wars is the part of the show where Adam and I pick a theme, then during the week we've been at home with our respective computers making songs. 12:41.298 --> 12:44.219 And we're going to play them and ask you to judge which you think is the best. 12:44.379 --> 12:47.240 And this week the theme is Baz Luhrmann's film Australia. 12:47.260 --> 12:49.121 I'm not sure how we ended up with that last week. 12:49.461 --> 12:54.264 It was a bit of a last minute scrabble for a subject and we committed maybe before we thought it through. 12:54.304 --> 12:55.284 Was that little noise there? 12:55.724 --> 12:57.905 There's a tiny galleon in my mouth. 12:57.925 --> 12:58.786 A tummy noise. 12:58.806 --> 12:59.926 There's a pirate battle. 13:00.007 --> 13:00.927 And it was creaking. 13:01.087 --> 13:02.788 It was just listing on the seas. 13:02.808 --> 13:03.508 Really? 13:03.548 --> 13:07.791 The seas were calmed in my mouth, and the timbers were creaking. 13:08.111 --> 13:09.172 Crikey, where are they? 13:09.272 --> 13:10.292 There's a lot going on in there. 13:10.712 --> 13:12.793 You've got a solid wood stomach. 13:13.274 --> 13:13.514 Yeah, yeah. 13:13.534 --> 13:14.054 Is that true? 13:14.975 --> 13:19.397 No, no, the stomach is a normal stomach, but there's an ocean with a galleon there. 13:19.457 --> 13:20.898 It's like Pinocchio. 13:21.318 --> 13:25.041 Really a little bit So we digress Australia. 13:25.501 --> 13:32.467 I mean, it's a good idea though, isn't it because it's a big epic film I went to see we were considering doing songs without having seen the film. 13:32.627 --> 13:35.089 Yeah, but in the end we both see it Yeah, well, I did too. 13:35.269 --> 13:45.957 It wasn't a good tactic for making song was easy though Was it really because it you I mean one had to sit through the film Well the trip to the cinema to see Australia like a round trip. 13:46.057 --> 13:46.558 It was an afternoon 13:46.738 --> 13:48.439 So in the end it took me two and a half days to do this. 13:48.479 --> 13:48.759 Really? 13:48.779 --> 13:49.500 Yeah, how about you? 13:49.540 --> 13:50.200 How long did your song take? 14:03.067 --> 14:06.449 Well, probably two afternoons and then the seeing of the film. 14:06.950 --> 14:07.170 Yeah. 14:07.250 --> 14:08.751 Which makes three afternoons. 14:08.951 --> 14:09.171 Yeah. 14:09.271 --> 14:10.452 Which makes a day and a half. 14:11.272 --> 14:16.195 And when I went to see the film in Norwich, it was doing very well. 14:16.215 --> 14:19.657 I went to see an afternoon screening and I was confident that it was going to be nice and comfortable. 14:19.958 --> 14:20.898 No, it was packed out. 14:21.198 --> 14:21.539 Really? 14:21.639 --> 14:22.219 Absolutely packed. 14:22.259 --> 14:25.401 And the lady selling me the ticket said, oh, it's ever so popular. 14:25.681 --> 14:25.941 Really? 14:25.961 --> 14:27.262 Was this an afternoon screening? 14:27.322 --> 14:27.863 Yeah, yeah. 14:27.983 --> 14:28.483 A matinee. 14:28.723 --> 14:30.864 It was a matinee, it was on a weekday, obviously. 14:30.904 --> 14:31.564 That's good news. 14:31.904 --> 14:32.984 It was doing really great business. 14:33.004 --> 14:33.804 I think that's good news. 14:34.044 --> 14:42.286 And you know, it was hard to tell what the audience thought of it, because audiences in Norwich... They're just dazzled by the novelty of films. 14:42.426 --> 14:44.667 I was actually going to say they're incredibly respectful. 14:44.767 --> 14:45.067 Right. 14:45.127 --> 14:49.708 And they maintain a wonderful silence throughout any screening, which makes cinemas go in Norwich. 14:49.748 --> 14:50.888 Oh, look, it's moving! 14:51.228 --> 14:55.729 Can you not talk about my fellow East Anglians that way, please? 14:55.749 --> 14:56.590 Sorry. 14:56.750 --> 14:57.310 What about you? 14:57.370 --> 14:58.330 What was your screening like? 14:59.030 --> 15:00.252 It was pretty empty. 15:00.472 --> 15:05.416 It was in the Odeon West End in London and people seemed to be digging it. 15:05.556 --> 15:05.837 Yeah. 15:06.037 --> 15:06.557 I enjoyed it. 15:07.138 --> 15:08.819 Was there hooting and cheering? 15:09.580 --> 15:09.820 No. 15:10.060 --> 15:10.281 No. 15:10.501 --> 15:11.081 Why would there be? 15:11.702 --> 15:12.162 Exactly. 15:12.182 --> 15:13.544 There was bemused silence. 15:13.604 --> 15:15.425 What was the high point of the film for you? 15:15.465 --> 15:19.068 This is a film, incidentally, listeners that is around two hours and 45 minutes long. 15:19.108 --> 15:19.809 It's longer than that. 15:20.850 --> 15:22.291 I think it is exactly two hours, 45 minutes. 15:23.132 --> 15:26.296 Well, I can't discuss it any further, because I say all I want to say in my song. 15:26.436 --> 15:26.656 Right. 15:26.716 --> 15:29.740 So, I mean, there's some obvious things that we would have done in this song, right? 15:30.100 --> 15:30.300 Right. 15:30.320 --> 15:33.264 Do you think it's worth checking which ones we've both done before? 15:34.004 --> 15:34.425 I don't know. 15:34.445 --> 15:35.666 Yeah, well, why not? 15:35.806 --> 15:36.547 Didgeridoos. 15:37.028 --> 15:37.268 No. 15:37.628 --> 15:38.550 You've not got any didgeridoos? 15:38.570 --> 15:39.410 No, didgeridoos. 15:39.691 --> 15:39.911 What? 15:40.111 --> 15:42.354 I couldn't find a didgeridoo sound on GarageBand. 15:42.614 --> 15:43.675 There is a couple in there. 15:43.775 --> 15:44.075 Are there? 15:44.215 --> 15:46.497 Yeah, although they're not easy to use to sample. 15:46.517 --> 15:46.898 What else? 15:48.559 --> 15:49.440 Rolf Harris reference? 15:49.940 --> 15:50.180 No. 15:50.481 --> 15:51.542 You see, I steered away. 15:51.622 --> 15:59.008 I knew I could see it was just too obvious for me to do my stupid Australian accent and say dingos and stuff like that. 15:59.028 --> 16:01.410 Since when have you started becoming Mr. Non-Obvious? 16:01.530 --> 16:05.353 I'm not saying that's a bad thing to do, but I thought, I bet you Adam will do that. 16:05.534 --> 16:06.154 You were right. 16:06.694 --> 16:07.055 What else? 16:08.715 --> 16:10.236 Okay, references to how long it is. 16:10.936 --> 16:11.416 Got one of those. 16:11.456 --> 16:12.576 Yeah, of course, you got two. 16:13.596 --> 16:15.776 References to Nicole Kidman's accent. 16:16.877 --> 16:17.197 Uh, nope. 16:17.597 --> 16:18.377 Oh, really? 16:18.717 --> 16:20.057 You've gone really non-obvious. 16:20.217 --> 16:21.938 Well, mine's a fairly straightforward song. 16:22.058 --> 16:23.458 Okay, well, let's flip a coin and find out. 16:23.498 --> 16:24.358 Here's a coin, I've got a coin. 16:24.378 --> 16:25.058 Oh, you've got one. 16:25.078 --> 16:25.378 Okay. 16:26.218 --> 16:26.958 Oh, I've done it. 16:27.238 --> 16:27.939 What do you call? 16:28.039 --> 16:29.999 Okay, I call Tails to go first. 16:30.059 --> 16:30.819 Oh, it's Tails. 16:31.119 --> 16:31.219 Ooh. 16:31.419 --> 16:32.399 So you better go first. 16:32.639 --> 16:36.040 Alright, well, without further ado, here's my song about Australia. 16:38.220 --> 16:39.548 Would you like to hear a story? 16:53.948 --> 17:09.710 I'm a genius, oh I'm told My films will really blow your mind Especially if you're six years old My latest is an epic lump that's called Australia It costs a lot of wonder and I hope it's not a failure 17:14.356 --> 17:31.945 It's all about a kind of magic app, original girly boy And Nicole Kidman's British accent, which is such a joy And it's got Wolverine who look at his lovely manly chest But don't expect a whole lot more of you are gonna get a bit depressed 17:35.966 --> 17:52.729 Oh, it's spectacular, we use computer technicals Look at all the ships and planes, look, it is a load of balls It's very long, so you'll need a pillow and a snack You will be starving by the time the flipping Japanese attack 18:16.488 --> 18:44.437 So wub wub wub wub Wub wub wub wub Wub wub wub wub wub Wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub wub w 18:47.301 --> 18:48.589 And then it sort of fades out. 18:50.356 --> 18:51.417 Back into the outback. 18:51.817 --> 18:51.917 Wow. 18:51.937 --> 18:56.620 That's a brilliant evocation of an authentic Aboriginal song. 18:56.900 --> 18:57.621 Thank you very much. 18:57.721 --> 19:00.543 Well, it's an evocation of a Rolfe Harris song, really. 19:00.803 --> 19:01.103 Really? 19:01.423 --> 19:02.844 Did he ever do any songs like that? 19:02.924 --> 19:03.545 Summer Eyes. 19:04.525 --> 19:04.626 Ah. 19:04.806 --> 19:05.046 Yeah. 19:05.706 --> 19:06.807 Well, that's very beautiful. 19:06.927 --> 19:07.608 Thanks very much. 19:08.268 --> 19:10.790 There were quite long passages of just the noises. 19:11.050 --> 19:11.350 Yeah. 19:11.610 --> 19:12.331 With no lyrics. 19:12.431 --> 19:16.914 I know, it seems like... Just so one could sort of swim in the beautiful harmonizations. 19:16.934 --> 19:17.114 Sure, sure. 19:17.134 --> 19:17.374 Absolutely. 19:17.514 --> 19:20.136 I know, it seemed very much slower than I remember it. 19:23.138 --> 19:30.943 So there you go, that's song number one, that's Adam's song, er, the text number, no you can't vote by text actually, you've got to vote by email, right? 19:31.203 --> 19:34.306 In this new era of strict regulations here at the castle. 19:34.786 --> 19:38.168 The email address is adamandjo.6musicatbbc.co.uk 19:40.170 --> 19:41.372 And so here's my one. 19:42.974 --> 19:47.541 It's pretty much the same, but it's musically different. 19:47.561 --> 19:51.446 Some of the lyrical content is similar, but it's musically a bit different. 19:51.466 --> 19:55.372 This is mine, it's called Australia, and it comes with apologies to Kim Wilde. 20:11.003 --> 20:26.754 And a fiver for a coke it was supposed to be About the history of the antipodes But it lacked authenticity It was Bazlamans Australia 20:33.207 --> 21:01.616 As the moon's australia And that tight English wife Comes to reclaim her farm But finds her husband dead And falls in love with you Jack-Mom When she sees him take his shirt off Evil wrencher played by that man from cocktail Tries to destroy her heart, he wants to make her business fail 21:03.155 --> 21:07.777 It's Bazlamans Australia! 21:08.298 --> 21:16.482 Bazlamans Australia! 21:17.742 --> 21:21.024 Then there's a little boy, half that boy written 21:32.958 --> 21:43.423 It's coming to an end Instead it keeps going on It's over three hours long I don't know what happened next Because I got up and left 21:45.842 --> 22:05.230 I have better things to do And my pump was not mine at my time I will watch the rest of my TV When it sounds on DVD 22:05.816 --> 22:07.557 Did you really get up and leave? 22:07.637 --> 22:07.917 Yes. 22:08.658 --> 22:09.798 At what point? 22:10.418 --> 22:14.341 When the bombs started falling, when the planes, when it started turning into Pearl Harbour. 22:14.381 --> 22:15.701 When the Japanese arrived. 22:15.961 --> 22:16.322 Yeah. 22:16.982 --> 22:18.223 Oh, you missed all of your amazing stuff. 22:18.243 --> 22:18.903 I was just fidgety. 22:19.243 --> 22:19.503 Sure. 22:20.124 --> 22:22.265 And you know, I like to do that with films these days. 22:22.305 --> 22:27.428 I like to watch, especially when they're long, watch a bit and then I save up a bit for the DVD. 22:27.488 --> 22:27.708 Yeah. 22:28.208 --> 22:29.489 So it's extra motivation. 22:30.109 --> 22:31.430 And then I'd pay extra, you see. 22:31.891 --> 22:33.532 Bought the DVD and the cinema ticket. 22:33.592 --> 22:34.914 I'm really supporting the industry. 22:35.094 --> 22:35.775 Well, good for you. 22:36.756 --> 22:38.657 I'll probably get Australia on Blu-ray in the end. 22:39.038 --> 22:41.560 So my total expenditure on the film... It's around about £50. 22:41.840 --> 22:43.562 11 pounds for the ticket. 22:44.083 --> 22:44.383 Yeah. 22:44.863 --> 22:45.944 20 pounds for the Blu-ray. 22:46.105 --> 22:46.505 Toffees. 22:47.066 --> 22:49.768 Toffees, about £40 I'd put into Lerman's pocket. 22:50.068 --> 22:50.389 Easily. 22:50.569 --> 22:51.470 His little kangaroo pocket. 22:51.570 --> 22:53.652 He should write you a personal thank you back there. 22:53.752 --> 22:54.172 You should. 22:54.252 --> 22:57.775 Dear Joe, thank you so much for going to see my lump. 22:58.316 --> 23:00.738 I was really excited that you saw it. 23:00.938 --> 23:02.840 Don't worry about walking out before the end. 23:03.080 --> 23:04.321 You didn't miss much, though. 23:04.521 --> 23:05.382 They're all fine. 23:05.682 --> 23:06.182 My lump? 23:06.963 --> 23:07.283 Yes. 23:07.964 --> 23:08.464 The film. 23:08.684 --> 23:09.745 The big lump of film. 23:10.006 --> 23:10.806 Big film lamp. 23:10.826 --> 23:11.747 That I did on the floor. 23:11.787 --> 23:12.828 Thanks very much. 23:13.088 --> 23:18.132 So AdamandJoe.6musicatbbc.co.uk is the email address for your votes. 23:18.192 --> 23:19.473 Vote either Adam or Joe. 23:20.334 --> 23:22.196 Um, and you can continue voting all week. 23:22.356 --> 23:24.277 If you're listening again, you can still vote. 23:25.098 --> 23:26.079 Uh, so yeah, please do. 23:26.339 --> 23:29.421 Real music time, now here's Ida Maria with Oh My God! 23:31.022 --> 23:32.023 Flipping heck, Tucker. 23:32.263 --> 23:33.884 Ida Maria with Oh My God! 23:33.924 --> 23:34.545 Oh my God! 23:34.885 --> 23:36.927 I mean, she sounds like hard work, though, doesn't she? 23:36.947 --> 23:38.508 You wouldn't want to get around, would you? 23:38.568 --> 23:39.489 No, she's fun-loving. 23:39.629 --> 23:39.969 Is she? 23:40.169 --> 23:42.311 Yeah, she might smash a bottle over your head for a laugh. 23:42.671 --> 23:42.931 Yeah. 23:43.211 --> 23:44.872 But you'd have to just roll with that punch. 23:45.052 --> 23:46.913 I just think she would be very easy to wind up. 23:46.973 --> 23:48.594 I mean, if she's like that, what is it? 23:48.754 --> 23:52.216 It's not even 10 o'clock in the morning and she's at that pitch already. 23:52.236 --> 23:53.537 Was that coming live from her kitchen? 23:53.557 --> 23:54.337 I was live, yeah. 23:54.377 --> 23:54.637 Really? 23:54.738 --> 23:55.018 Yeah. 23:55.598 --> 23:56.498 Wow, that's frightening. 23:57.519 --> 23:59.420 She was playing that with all her kitchen implements. 23:59.860 --> 23:59.960 Yeah. 23:59.980 --> 24:00.581 Lots and pans. 24:00.841 --> 24:01.781 She's been up all night. 24:01.841 --> 24:02.041 Really? 24:02.061 --> 24:02.722 She's all strung out. 24:03.342 --> 24:03.762 Amazing. 24:04.063 --> 24:05.643 I mean, um... What do you mean? 24:05.944 --> 24:07.124 I don't know exactly what I mean. 24:07.484 --> 24:09.425 So listen, this week, I was at the petrol station. 24:09.445 --> 24:10.266 Have you ever been to one of those? 24:10.717 --> 24:11.037 Yeah. 24:11.377 --> 24:13.078 You need them to keep your cars going, right? 24:13.459 --> 24:13.719 Yeah. 24:14.139 --> 24:17.301 And I was distracted by something. 24:17.741 --> 24:24.745 I was filling up my car and I looked down and I realized I'd been filling it up with the wrong stuff, right? 24:25.026 --> 24:26.086 It was supposed to be diesel. 24:26.246 --> 24:27.287 Oh no, that's terrible. 24:27.327 --> 24:28.908 I was filling it up with unleaded. 24:29.428 --> 24:30.989 So what would you do in that situation? 24:31.009 --> 24:34.832 I put about 15 quid's worth of petrol in, so not that much. 24:34.852 --> 24:35.992 You drive a diesel car. 24:36.172 --> 24:36.613 Yeah, yeah. 24:37.653 --> 24:39.374 Um, I would get panicky. 24:39.414 --> 24:39.975 I'd worry. 24:40.155 --> 24:44.838 Yeah, because you have to drain it don't you and then otherwise you can destroy the engine, right? 24:44.878 --> 24:47.099 What would happen if you started just driving on that stuff? 24:47.119 --> 24:48.480 It would blow up, right? 24:48.540 --> 24:50.601 It would blow up, or it would just splutter to a halt. 24:50.681 --> 24:51.642 It would explode. 24:51.982 --> 24:57.025 Well, yeah, it was really bad because you know, I was with my son and we'd been to the cinema and it'd been a fun day. 24:57.065 --> 24:58.486 Did you take him to see Australia? 24:58.746 --> 24:59.226 No, mate. 24:59.446 --> 25:00.907 I took him to see bedtime stories. 25:01.087 --> 25:01.767 Oh, bad luck. 25:02.087 --> 25:02.808 Thanks very much. 25:02.828 --> 25:03.788 I wish you'd warned me. 25:03.808 --> 25:05.929 Yeah, well, you could have read any publication. 25:05.949 --> 25:07.149 Oh, I don't read those views. 25:07.169 --> 25:07.909 Would have warned you. 25:08.690 --> 25:10.310 Russell Brand, back to his brilliant best. 25:10.831 --> 25:11.051 Right. 25:12.111 --> 25:15.452 But, so I was really frightened about being stranded out there. 25:15.472 --> 25:18.834 It was late at night and I wanted to get back home after bedtime stories. 25:20.194 --> 25:24.716 So I went in and asked the advice of the attendant there in the garage. 25:25.636 --> 25:28.017 And he chuckled at me a little bit for being so daft. 25:28.557 --> 25:30.218 And he said, don't worry, everyone does it. 25:31.079 --> 25:33.920 And you'll be fine if you top it up with diesel. 25:34.320 --> 25:35.721 No, mix the two together. 25:35.741 --> 25:37.482 Yeah, have a little cocktail. 25:38.263 --> 25:40.824 And he said, just top it right up, you should be fine. 25:40.944 --> 25:41.905 How much should you put in? 25:42.405 --> 25:44.146 Well, about 15 quid's worth, not that much. 25:44.626 --> 25:48.448 So a full tank is about 65 quid at the moment. 25:50.009 --> 25:52.430 So yeah, about a sixth of a tank or something like that. 25:53.231 --> 25:56.433 And he said, top it up and keep on topping it up. 25:57.193 --> 25:59.335 like whenever you get the opportunity, you know what I mean? 25:59.455 --> 26:00.155 To dilute it. 26:00.375 --> 26:00.636 Yeah. 26:00.756 --> 26:01.016 Yeah. 26:01.316 --> 26:02.237 And it should be all right. 26:02.337 --> 26:03.438 He said, I'm not an expert. 26:03.458 --> 26:03.998 So what happened? 26:04.378 --> 26:04.939 It was fine. 26:05.319 --> 26:06.080 It was fine. 26:06.240 --> 26:06.620 Absolutely. 26:06.640 --> 26:06.860 Wow. 26:06.880 --> 26:07.381 What a story. 26:07.761 --> 26:10.683 Tell me expand about the bit where it was fine. 26:11.684 --> 26:15.907 Listen, it's your job to make something out of that story. 26:16.507 --> 26:18.329 I set the story up. 26:18.969 --> 26:24.691 And then you find the thing in the story that people might find fun. 26:25.051 --> 26:27.652 You roll, you run with it some way. 26:27.692 --> 26:30.653 You don't just take it and shoot it in the head. 26:30.693 --> 26:32.393 In that situation, just make it up. 26:33.373 --> 26:35.254 You broke down on the motorway. 26:35.274 --> 26:35.654 Okay. 26:36.314 --> 26:40.416 We started driving about 15 minutes after we started driving, the car blew up. 26:42.117 --> 26:42.818 It blew up. 26:42.938 --> 26:44.961 And you and your son were killed and you're a ghost? 26:45.121 --> 26:46.904 No, we were fine. 26:46.964 --> 26:50.069 My son carried me out of the burning wreckage of the car. 26:50.229 --> 26:51.551 He's got superpowers. 26:51.871 --> 26:53.594 It turns out he's got superpowers. 26:53.634 --> 26:54.215 Now that's his story. 26:54.235 --> 26:54.836 Now are you happy? 26:54.876 --> 26:55.937 Yeah, what a story. 26:56.478 --> 26:57.079 Brilliant. 26:57.239 --> 26:59.000 Right, here's a free play for you listeners. 26:59.200 --> 27:01.360 I was reminded of this record by Coolio. 27:01.541 --> 27:04.802 We're going to be discussing Big Brother a bit later on, that's exciting, isn't it? 27:06.262 --> 27:11.724 Coolio mentioned this song the other day and I was going to play some Coolio in fact, but it's too sweary all his stuff. 27:12.224 --> 27:13.845 Some of it's just quite good though, isn't it? 27:14.565 --> 27:15.185 Yeah, he's good. 27:15.206 --> 27:18.368 He's more than a one-hit wonder that people sort of describe him as in that show. 27:18.388 --> 27:18.468 Yeah. 27:18.508 --> 27:19.308 His album, it takes the two hits. 27:19.328 --> 27:19.849 He's got two hits. 27:20.209 --> 27:20.769 Really good. 27:21.850 --> 27:26.633 Anyway, it's too sweary, so I'm going for Gil Scott Heron instead, and the revolution will not be televised. 27:26.853 --> 27:30.456 This is the voice of the big, pretty castle. 27:30.556 --> 27:32.457 It is the top of the hour. 27:32.517 --> 27:33.998 Ooh, that's wonderful. 27:34.218 --> 27:36.820 I got so bored with the last hour and glad 27:41.604 --> 27:43.345 That's the airborne toxic event. 27:44.285 --> 27:44.906 That's the fall. 27:45.126 --> 27:46.686 What does that mean, the farty noise? 27:47.267 --> 27:48.667 That's the airborne toxic event. 27:48.868 --> 27:49.208 OK. 27:50.148 --> 27:54.550 There's an email here from Amy who was listening to the show again via Listen Again. 27:55.751 --> 28:02.814 She said she thought we might be interested to know that airborne toxic event is a quote from the novel White Noise by Don Delillo. 28:04.844 --> 28:05.205 Oh, right. 28:05.605 --> 28:09.609 Is that the novel that inspired the film White Noise with Michael Keaton? 28:10.090 --> 28:12.092 Yes, the novelisation of that film. 28:13.213 --> 28:17.298 But Airborne Toxic Events surely is a piece of government terror jargon. 28:17.731 --> 28:18.432 Yeah, I think so. 28:18.472 --> 28:20.473 But it's one of Amy's favourite books. 28:21.154 --> 28:22.675 And she'd be happy. 28:22.695 --> 28:23.836 Well, hang on. 28:23.936 --> 28:26.758 I think you'd both enjoy it if you felt inclined to give it a read. 28:27.219 --> 28:27.939 We can't read. 28:27.959 --> 28:28.980 No, you see. 28:29.000 --> 28:29.941 Amy, we don't read. 28:29.981 --> 28:32.102 We can only read magazines because we get tired. 28:32.423 --> 28:33.984 Have you got a book on the go at the moment? 28:34.665 --> 28:35.145 Uh, no. 28:35.165 --> 28:37.106 I've got too much writing to do. 28:37.247 --> 28:37.447 Right. 28:37.927 --> 28:40.049 I can't read anything, so I'm just on the mags. 28:40.269 --> 28:40.489 Yeah. 28:41.029 --> 28:41.350 Yeah. 28:41.530 --> 28:42.370 What's your favourite mag? 28:42.450 --> 28:44.452 I'm midway through a book called The Fourteen Times. 28:44.892 --> 28:44.972 Ah. 28:45.432 --> 28:47.614 And midway through another book called Word Magazine. 28:47.774 --> 28:47.954 Right. 28:48.275 --> 28:50.656 And also working on a book called Edge Magazine. 28:51.037 --> 28:51.617 Very nice. 28:52.538 --> 28:56.400 Hey, listen, we've got another email here, listeners, from a listener called Ollie Blake. 28:56.901 --> 29:00.683 He says, hello, can I come on your show, please? 29:01.164 --> 29:05.807 Don't want to say anything, just want to be there and feel the magic swirling around the studio. 29:06.287 --> 29:06.628 Whoosh. 29:07.208 --> 29:08.588 Thanks, Ollie Blake. 29:08.829 --> 29:09.169 P.S. 29:09.289 --> 29:09.709 I love you. 29:10.469 --> 29:13.610 So, Ollie, if you're listening, we would like to invite you to the studio. 29:13.970 --> 29:15.030 You can't say anything. 29:15.070 --> 29:16.611 If you come, you're not allowed to speak. 29:17.231 --> 29:21.572 But if you'd like to, I'm not even sure we'll pay your transport costs or anything. 29:21.972 --> 29:24.653 But if you arrive at the studio, we will let you in. 29:25.453 --> 29:29.297 And we would love to have you standing in the studio for the duration of the show. 29:29.357 --> 29:31.639 As long as you have the identification to prove that you're Ollie Blake. 29:31.659 --> 29:34.021 That you're Ollie Blake, yeah. 29:34.041 --> 29:36.364 But you mustn't say anything. 29:37.205 --> 29:39.487 You're not allowed to speak at all or make any noise. 29:39.767 --> 29:39.887 No. 29:39.947 --> 29:43.050 Listeners will know you're here because they'll be able to see you on the webcam. 29:44.071 --> 29:49.877 And we might allow you to pull faces on the webcam, but the condition is that you say nothing. 29:50.177 --> 29:51.818 I mean, we might poke him and prod him a bit. 29:51.838 --> 29:54.621 We can talk to him before and after the show and during the records. 29:54.641 --> 29:54.821 Yeah. 29:55.081 --> 29:59.385 But when we're on air, you know, there'll be absolutely no sound of Ollie. 29:59.945 --> 30:04.649 And probably what we'll do is just get him to sit next door for a while and then get him in here every now and again. 30:04.669 --> 30:06.331 I think he should be in here for the whole thing. 30:06.431 --> 30:06.671 Really? 30:06.691 --> 30:07.872 Don't you think it'll be a bit weird? 30:08.192 --> 30:08.232 No. 30:08.252 --> 30:09.414 You have a little hobbit in the corner. 30:09.474 --> 30:10.716 I think it'll be exciting. 30:10.736 --> 30:12.218 He can make some tea for us. 30:12.338 --> 30:12.598 Uh-huh. 30:13.359 --> 30:16.063 But he can't, the key is he can't say anything. 30:16.223 --> 30:19.047 We could make him, we could give him tasks and stuff, right? 30:19.247 --> 30:20.168 To do in silence. 30:20.769 --> 30:22.211 No, but he could come in and out of the building. 30:22.231 --> 30:25.054 We could give him tasks to do in silence, and if he makes a noise, he's out. 30:25.595 --> 30:26.956 Challenges, silent challenges. 30:26.996 --> 30:34.380 Yeah, he can make noises with his body, like hit things or... But if he tries to tap out some kind of message or... Communicate. 30:34.460 --> 30:35.761 Yeah, no, that's wrong. 30:35.801 --> 30:37.082 At the outside world, then he's out. 30:37.222 --> 30:37.642 He's out. 30:39.003 --> 30:40.444 Unceremoniously as well. 30:40.544 --> 30:40.804 Right. 30:41.484 --> 30:45.427 So, Ollie, you have to get in touch now and tell us when you would like to come in. 30:46.328 --> 30:48.370 You can come in whenever you like, maybe next week. 30:49.230 --> 30:49.971 We know his email. 30:49.991 --> 30:53.393 We know your email address, Ollie, so we'll know that it's definitely you, yeah. 30:53.874 --> 30:55.375 So, email us in if you're listening. 30:55.815 --> 30:57.517 So, yeah, we look forward to seeing you. 30:58.037 --> 31:07.064 Right now, we're going to launch Text-a-Nation shortly, in fact, after this next track, I think, which is an old piece of indie pop genius. 31:07.084 --> 31:08.965 I thought you were going to say something else, then. 31:10.486 --> 31:12.727 I seem to be getting myself into a corner there, didn't I? 31:13.007 --> 31:19.550 But this is a wonderful track from Björk when she was in the sugar cubes, and this is Deus. 31:32.543 --> 31:34.124 It's Text the Nation time, listeners. 31:35.525 --> 31:41.791 And Adam, you have thought of this week's Text the Nation, but in fact it's sort of a hangover from something we mentioned a couple of weeks ago. 31:42.051 --> 31:42.351 Right. 31:42.631 --> 31:43.372 Shelf Classics. 31:43.492 --> 31:44.413 Shelf Classics. 31:44.773 --> 31:47.675 Now, I think that maybe we've coined this term. 31:48.016 --> 31:51.078 I don't think I've read about this phenomenon in a magazine. 31:51.438 --> 31:52.159 I might be wrong. 31:52.399 --> 31:55.522 I don't want to tread on anyone's toes or get into a big punch-up or anything. 31:55.902 --> 32:08.289 But I believe we have coined the term shelf classics, meaning films, particularly, we're going to keep this discussion to films, although it could apply to other media, but films that you've bought but never watched, right? 32:08.469 --> 32:10.770 I think it's allowed to be CDs as well. 32:11.390 --> 32:14.832 OK, if people really want to talk about, but CDs, it's slightly different. 32:14.852 --> 32:15.632 Like, you would have to be... 32:17.073 --> 32:20.934 It's less likely that you would buy a CD and just never listen to it. 32:20.994 --> 32:22.154 Well, let's define the terms. 32:22.315 --> 32:23.295 You just define them there. 32:23.355 --> 32:25.795 It's something you've bought but never played. 32:26.075 --> 32:26.276 Yeah. 32:26.616 --> 32:29.516 So it's sitting on your shelf, still in its shrink-wrap. 32:29.796 --> 32:36.358 And the reason you tend to buy these things is because maybe you've been seduced by a review or you feel obliged to. 32:36.398 --> 32:43.100 You know, it's so much part of a current cultural currency that you feel you've got to have an opinion about it. 32:43.280 --> 32:53.988 Yeah, or perhaps the display packaging is emblazoned with, like, nominations and stars and... Well, we were talking about the fact there's a good article in Word Magazine this month about, uh... Us. 32:54.268 --> 32:54.768 About us. 32:55.109 --> 33:04.996 No, about Kanye West's album and about the fact that it's got all these amazing four-star and five-star reviews, but actually, when you take it apart, it's maybe not that much cop. 33:05.776 --> 33:08.438 So, the same applies to a lot of films. 33:08.558 --> 33:10.840 And for me, it happens with worthy films. 33:10.880 --> 33:12.621 Films that I feel I ought to see. 33:12.641 --> 33:13.222 Do you know what I mean? 33:13.662 --> 33:14.443 Or I've read about them. 33:14.723 --> 33:18.746 And I think maybe I'm right in saying that this often happens with 33:20.527 --> 33:23.469 films that have not been recommended by a friend. 33:23.689 --> 33:24.190 You know what I mean? 33:24.510 --> 33:27.932 Like a lot of good film and music recommendations come from friends, right? 33:28.352 --> 33:30.013 In fact, more than half, you would think. 33:30.494 --> 33:31.574 An overwhelming amount. 33:32.195 --> 33:45.224 But when it doesn't happen, when you do your own research yourself or you listen to reviews or whatever, sometimes you end up with things that you're not really properly invested into the extent that you would actually go back and make them a priority to watch, right? 33:45.844 --> 33:50.127 So here's a few films, for example, that I've got sat on my shelf. 33:51.587 --> 33:55.609 The one that's been there longest came out in 2003. 33:56.409 --> 33:57.490 It's called Osama. 33:59.110 --> 33:59.751 Have you seen that? 33:59.931 --> 34:00.091 No. 34:00.791 --> 34:07.374 It's about a 12-year-old Afghan girl and her mother who lose their jobs when the Taliban closes the hospital where they work. 34:07.954 --> 34:09.434 I mean, it's a fun story, right? 34:09.794 --> 34:10.635 You'd want to see that. 34:11.195 --> 34:33.456 think yeah yeah I'll see that and it's all covered in like it was nominated for it won a Golden Globe I think it was nominated for an Oscar and it was supposed to be an amazing film everyone said oh and you bought it bought it yeah I think the criteria has to be that you bought these things they can't be freebies given away with mags no bought it you've got to have paid money not only that I bought it on import 34:33.616 --> 34:35.218 So it was about 25 quid. 34:35.338 --> 34:39.722 My current one is the X-Files film, which I've got still in its packaging. 34:40.423 --> 34:47.209 And, you know, the moment never arrives when I want to see the adventures of a mysterious ghost pedophile. 34:47.509 --> 34:52.514 Especially when you know it's such a miserable film and you've read that it's even a letdown anyway. 34:52.878 --> 34:53.819 Well I want to watch it. 34:53.939 --> 34:54.200 Yeah. 34:54.400 --> 34:55.962 But the time never arrives. 34:56.002 --> 34:57.764 That's the problem with a lot of shelf classics. 34:57.804 --> 34:59.125 There's never the right moment. 34:59.306 --> 35:01.528 For example, the diving bell and the butterfly. 35:01.548 --> 35:02.429 Oh no, that's just good. 35:02.990 --> 35:03.851 Yeah, have you seen that one? 35:03.891 --> 35:04.171 Yeah. 35:04.412 --> 35:06.314 But you see, you've seen that. 35:06.334 --> 35:06.955 That's great. 35:06.975 --> 35:07.175 It's good. 35:07.195 --> 35:08.216 So I might apply myself. 35:08.316 --> 35:10.399 But when's the right moment for that one? 35:10.559 --> 35:10.739 Now. 35:11.440 --> 35:11.700 Really? 35:12.161 --> 35:14.262 Julian Schnabel directed that one in 2007. 35:14.663 --> 35:15.703 Four Oscar nominations. 35:15.744 --> 35:17.645 It won 38 other awards. 35:18.085 --> 35:26.312 The true story of Jean-Dominique Buby, who suffers a stroke and has to live with an almost totally paralyzed body. 35:26.432 --> 35:27.593 Only his left eye isn't paralyzed. 35:27.613 --> 35:29.134 In fact, I'd say you need to see that. 35:29.354 --> 35:30.756 I think it would improve you. 35:30.916 --> 35:31.316 You reckon? 35:31.436 --> 35:31.696 Yeah. 35:31.977 --> 35:32.757 How do you mean? 35:32.937 --> 35:33.898 Because it's really good. 35:34.418 --> 35:35.079 And it will move you. 35:36.480 --> 35:38.381 What part of me do you want improved exactly? 35:38.441 --> 35:39.702 What do you mean by that? 35:39.962 --> 35:41.503 You don't even know it exists, you see. 35:42.084 --> 35:44.906 Such is so badly does it need to be improved. 35:44.966 --> 35:45.526 Compassion. 35:46.086 --> 35:47.667 Just a little bit more compassion. 35:47.687 --> 35:48.368 Coming from you. 35:48.828 --> 35:49.529 What do you mean? 35:49.649 --> 35:50.769 Compassion. 35:51.070 --> 35:53.511 I'm being lectured by Dr Sexy about compassion. 35:53.771 --> 35:54.552 Sexy compassion. 35:55.492 --> 35:55.992 No, it's good. 35:56.052 --> 35:57.733 Diving Belle and the Butterfly is very good. 35:57.853 --> 35:58.593 Okay, here's another one. 35:58.753 --> 35:58.933 Yeah. 35:59.073 --> 35:59.953 Gone, baby, gone. 36:01.073 --> 36:02.174 No, that's true, you see. 36:02.214 --> 36:05.474 I rented that, but this is another possibly subcategory. 36:05.794 --> 36:07.855 Stuff that you rent but actually don't watch. 36:08.015 --> 36:08.215 Right. 36:08.335 --> 36:10.115 You just pop it back in the slot. 36:10.135 --> 36:11.956 Well, I'm gonna watch Diving Belle and the Butterfly. 36:11.976 --> 36:15.897 I'm gonna make that a priority even though my wife is resisting that one because she thinks it's too miserable. 36:16.257 --> 36:16.737 No, it's good. 36:17.377 --> 36:26.599 But Gone Baby Gone, hard to find the right moment for Ben Affleck's Oscar-nominated story about two Boston area detectives investigating a little girl's kidnapping. 36:27.340 --> 36:32.321 And apparently it's not a cheery experience, but supposedly very good. 36:32.721 --> 36:35.862 Here's another one, Mongol, right? 36:37.362 --> 36:42.324 Oscar-nominated won 10 awards, came out in 2007, the story of Genghis Khan. 36:44.344 --> 36:45.826 I can't watch another big battle. 36:46.207 --> 36:46.387 Right. 36:46.707 --> 36:48.470 After the new Narnia film, that was it. 36:48.990 --> 36:51.193 My battle tolerance cable snapped. 36:51.353 --> 36:52.996 But it was supposed to be amazing, Mongol. 36:53.356 --> 36:58.243 It's just another film with two huge battles meeting, uh, armies meeting in the middle of a field, isn't it? 36:58.483 --> 36:59.584 Yeah, with subtitles. 37:00.165 --> 37:00.886 I don't mind them. 37:01.207 --> 37:01.387 Right. 37:01.687 --> 37:02.628 I'm fear subtitles. 37:02.808 --> 37:03.108 Do you? 37:03.348 --> 37:11.572 Well, the thing about subtitles is you feel like it's a little bit of hard work, you know, and sometimes when you get back and you flop in front of the TV, it's totally wrong, right? 37:11.892 --> 37:15.253 I'm ashamed to admit this, because obviously it's totally wrong. 37:15.313 --> 37:18.595 And if you're 10 minutes into a good film with subtitles, you don't think about it. 37:19.015 --> 37:25.638 But sometimes the idea that it's got subtitles just makes you reach for the romantic comedy shelf instead. 37:25.678 --> 37:26.259 Can't agree. 37:26.819 --> 37:27.119 Really? 37:27.279 --> 37:29.220 Yeah, no, I think that's where you and I differ. 37:29.500 --> 37:29.700 Right. 37:29.840 --> 37:31.601 You love subtitles. 37:31.661 --> 37:32.001 Yes. 37:32.382 --> 37:34.082 But you do very little during the day. 37:34.142 --> 37:37.004 I mean, you're mainly... You've got your feet up and you're eating chalks. 37:37.404 --> 37:40.406 So you don't mind subtitles to not present a big problem for you. 37:40.446 --> 37:43.147 But for me, I've been in the coal mine most of the day. 37:43.167 --> 37:44.828 I come back, my face is covered in coal. 37:45.608 --> 37:46.889 I'm absolutely exhausted. 37:46.909 --> 37:51.732 You know, I carry my three children to bed and I can't read subtitles. 37:51.752 --> 37:52.533 I can't actually see. 37:53.113 --> 37:57.776 So listen, listeners, we would like to hear if you've got any similar shelf classics. 37:58.216 --> 38:03.720 Also, we would like to hear from you if you can set me straight on any of those films I just mentioned. 38:03.880 --> 38:08.643 Mongol, Gone Baby Gone, Dancer in the Dark is another one, Lars von Trier. 38:08.863 --> 38:10.304 These are all quite worthy films. 38:10.504 --> 38:13.325 Yeah, I mean, it happens with worthy films, because there's just never the right moment. 38:13.425 --> 38:13.726 Really? 38:13.746 --> 38:15.006 You're attracted by awards. 38:15.426 --> 38:16.307 Is that what gets you? 38:16.367 --> 38:17.187 You like the awards? 38:17.307 --> 38:18.028 Sometimes, yeah. 38:18.048 --> 38:18.668 For the acclaim. 38:18.688 --> 38:19.509 I'm seduced by acclaim. 38:19.529 --> 38:21.770 Or if it's being written about or chatted about at dinner parties. 38:21.790 --> 38:23.831 Four or five stars, that usually gets me. 38:23.911 --> 38:24.231 Really? 38:24.331 --> 38:24.551 Yeah. 38:24.831 --> 38:29.394 Send in your nominations for Shelf Classics to 64046, please. 38:30.554 --> 38:36.417 Oh, and just before we conclude this part of the discussion, I got the Will Ferrell film, Step Brothers. 38:36.838 --> 38:37.018 Right. 38:37.498 --> 38:39.561 There doesn't seem to be the right moment for that one, either. 38:39.801 --> 38:40.221 No. 38:40.602 --> 38:41.383 It's too funny. 38:41.623 --> 38:41.903 Yeah. 38:42.143 --> 38:44.026 I haven't seen it because it just looks too funny. 38:44.266 --> 38:44.466 Right. 38:44.546 --> 38:45.327 John C. Riley and Ferrell. 38:45.387 --> 38:46.709 And Ferrell in the same film. 38:47.330 --> 38:47.690 Too much. 38:47.730 --> 38:48.711 He's gonna blow my head off. 38:48.911 --> 38:49.292 I know. 38:49.392 --> 38:50.593 It's never the right moment for that one. 38:50.834 --> 38:51.835 Anyway, it's Shelf Classics. 38:51.995 --> 38:53.737 Okay, it's your free choice right now, Joe. 38:53.897 --> 38:56.378 Yeah, this is some old-school hip-hop. 38:57.238 --> 39:01.519 As has become habitual with me on these shows, this is third base with Step Into The AM. 39:01.839 --> 39:06.039 Third base with Step Into The AM, this is Adam and Jo on BBC Six Music. 39:06.079 --> 39:12.281 Now a second ago we were talking about a listener who'd emailed in to request whether he could come and stand in the studio in silence. 39:13.001 --> 39:15.661 And Oli, his name is, and we said he could do that. 39:15.721 --> 39:21.403 And it's kind of provoked a an avalanche of other people wanting to come and stand in the studio. 39:21.463 --> 39:23.403 And some people being very cruel about Oli 39:24.183 --> 39:25.304 What's their problem with Ollie? 39:25.404 --> 39:27.746 Well, they don't know anything about him, but I think they're jealous. 39:28.066 --> 39:28.346 Right. 39:28.506 --> 39:31.408 And they're saying that, you know, he just sounds like a bit of a loser. 39:31.749 --> 39:32.349 Ollie the Wally. 39:33.150 --> 39:34.190 No one said, you said that. 39:34.611 --> 39:35.651 I'm just saying that would be one way to go. 39:35.671 --> 39:39.594 You're building up a bad, that's like a sense of antipathy towards Ollie. 39:39.814 --> 39:40.095 Yeah. 39:40.195 --> 39:41.395 He's going to be in here next week. 39:41.455 --> 39:42.036 Ollie! 39:42.917 --> 39:46.119 Is that... Do you really want to set that kind of mood between you and him? 39:46.719 --> 39:46.859 No. 39:46.959 --> 39:47.800 I think he's lovely. 39:48.421 --> 39:49.522 Obviously I think he's lovely. 39:49.542 --> 39:50.623 I'm only joking Ollie. 39:50.723 --> 39:51.564 Can't wait to meet you. 39:51.604 --> 39:55.728 The point of me saying this is be nice to Ollie and you know Ollie got in there first. 39:55.888 --> 39:56.248 Yeah. 39:56.468 --> 39:57.930 Can't just jump on the Ollie bandwagon. 39:57.950 --> 39:58.710 So what if he's a Ollie? 40:01.693 --> 40:03.235 You are digging yourself such a big hole. 40:03.275 --> 40:07.599 When Ollie comes in and he's a big thug, he'll wallop you. 40:09.161 --> 40:10.302 He's never going to wallop me. 40:10.422 --> 40:13.025 Someone correctly pointed out that I look like one of the new gladiators. 40:14.587 --> 40:15.748 Which gladiator was it? 40:16.509 --> 40:16.929 Goliath. 40:17.109 --> 40:17.610 Goliath. 40:17.630 --> 40:20.293 I look exactly like Goliath. 40:20.713 --> 40:22.475 You were going to say something unkind, weren't you? 40:22.555 --> 40:22.675 No. 40:23.396 --> 40:25.458 You're going to say like a fat old Goliath. 40:25.798 --> 40:26.739 Yeah, you'd be troll. 40:28.221 --> 40:29.422 That'll be you, Gladio. 40:29.462 --> 40:30.283 You'd be under a bridge. 40:30.303 --> 40:31.785 You'd have to get over the bridge. 40:32.265 --> 40:33.226 Troll. 40:33.867 --> 40:35.408 OK, I'll accept that mantle. 40:35.869 --> 40:37.610 Now, how much big brother have you been watching? 40:37.791 --> 40:38.371 Well, you know what? 40:38.411 --> 40:39.232 A frightening amount. 40:39.432 --> 40:39.672 Right. 40:39.712 --> 40:40.213 I thought you were 40:40.533 --> 40:45.519 I am, but I don't know, there's just absolutely nothing else on, apart from misery, isn't there? 40:45.639 --> 40:47.100 It's so carefully timed. 40:47.561 --> 40:55.630 It was QI on BBC1 and Big Brother on Channel 4 last night, and I kept gravitating over to Big Brother, I'm sorry. 40:56.671 --> 41:00.255 But the intellectual effort required to watch QI was too much for me. 41:00.595 --> 41:01.195 It got you, did it? 41:01.215 --> 41:02.175 I had to flick back, yeah. 41:02.215 --> 41:02.996 It's only subtitles. 41:03.296 --> 41:10.837 The one thing that's annoying me about Big Brother is, is he keeps saying, um, most of the housemates are in the kitchen. 41:11.357 --> 41:13.058 And it's obvious, they're in the kitchen. 41:13.078 --> 41:17.819 Although the other one I heard the other day was, some of the housemates are in the house. 41:18.079 --> 41:19.379 No, he didn't say that. 41:19.479 --> 41:20.840 I think it was meant ironically. 41:20.980 --> 41:23.040 But he did, it was, but is it some of the housemates? 41:23.200 --> 41:29.021 It must be some kind of a joke, because if you edited those bits out of Big Brother, you would lose probably about six minutes of airtime. 41:29.181 --> 41:30.501 He does seem to be slowing it a lot. 41:30.521 --> 41:34.642 He's slowing it down and he's stating the obvious to a ridiculous extent. 41:34.882 --> 41:36.722 They could just caption it, kitchen. 41:37.203 --> 41:44.584 If you didn't know, I mean, there's a shot of a sink or a bed, so you know instantly anyway, you could just put the word up and you'd save loads of screen time. 41:44.884 --> 41:47.724 Coolio is smoking a cigarette. 41:47.744 --> 41:48.585 They're getting slack, man. 41:48.605 --> 41:49.885 They've got to tighten that show up. 41:50.165 --> 41:50.385 Yeah. 41:50.785 --> 41:52.986 Who's your favourite person in the show right now? 41:53.146 --> 41:54.186 Oh, I like. 41:55.047 --> 41:56.988 Weirdly, I quite warmed to Pinda. 41:57.608 --> 41:58.308 Oh, really? 41:58.528 --> 42:04.051 Even though she'd declared herself a hardcore conservative Tory type when she walked in. 42:04.351 --> 42:05.511 That didn't endear me to her. 42:05.691 --> 42:08.493 She got a lot of knee-joke booing from the crowd. 42:08.513 --> 42:08.653 She did. 42:08.673 --> 42:09.313 They're all getting. 42:09.433 --> 42:10.914 There's a lot of hate in the crowd. 42:11.254 --> 42:11.834 I quite like that. 42:11.894 --> 42:14.056 Pender, and who do I like? 42:14.676 --> 42:15.437 I like Coolio. 42:15.457 --> 42:16.298 Do you know? 42:16.318 --> 42:17.199 Is it wrong to like Coolio? 42:17.259 --> 42:19.300 I mean, he's just, he's fun though, isn't he? 42:19.601 --> 42:29.950 I'm not talking about the, they're trying to stir up the kind of misogyny of him and like paint him as some kind of bully wife-beater man, which I don't think he is. 42:30.350 --> 42:31.331 He's just being daft. 42:32.762 --> 42:33.703 What are you doing? 42:33.763 --> 42:34.523 Thinking about it. 42:34.563 --> 42:36.364 It's so fascinating. 42:37.105 --> 42:39.206 Coolio, what is my opinion on Coolio? 42:39.527 --> 42:40.407 What should I say? 42:41.348 --> 42:43.449 Well, you know who did spend a lot of time with Coolio? 42:43.709 --> 42:44.610 I mean, that was us. 42:45.010 --> 42:47.272 Yeah, we filmed with Coolio, isn't that exciting? 42:48.332 --> 42:54.837 We're talking about it as if Coolio is now famous again and his career has taken off again, which isn't really the case. 42:55.237 --> 43:01.882 In fact, going on Big Brother May, and I'm purely speculating, be an indication of the fact that his career's in the toilet. 43:03.282 --> 43:04.303 Well, he doesn't reckon so. 43:04.783 --> 43:07.064 Anyway, we spent some time with him. 43:07.084 --> 43:12.666 We spent a day or a couple of days with him in Los Angeles a few years ago when we were filming for our TV show that we used to do on Channel 4. 43:13.486 --> 43:18.368 And we got my dad to come along with us and so basically we were filming my dad hanging out with Coolio. 43:18.688 --> 43:27.812 So I thought after the news we might give my dad a call and get some first-hand reminiscences from someone who hung out with Coolio. 43:27.852 --> 43:28.812 How amazing would that be? 43:28.832 --> 43:29.352 How amazing. 43:29.572 --> 43:31.373 It's a good idea, man, and I'm looking forward to it. 43:31.773 --> 43:38.275 But I point out that if you want to know what it's like to hang out with Coolio, then you can hang out with Coolio 24 hours a day on E4. 43:38.335 --> 43:40.296 Yeah, but he's putting on a show though, isn't he? 43:40.376 --> 43:40.856 He's playing a game. 43:40.876 --> 43:41.297 That's true. 43:41.317 --> 43:42.377 It's not a real Coolio. 43:42.477 --> 43:43.778 And we really got under his skin. 43:43.878 --> 43:45.018 I think we really definitely did. 43:45.098 --> 43:45.738 Yeah, your dad did. 43:46.539 --> 43:51.120 Before we just play this next record, I'd just like to say as well that aren't we missing a trick with Steven? 43:51.200 --> 43:56.762 Surely we should get someone in the crowd, big brother, to hold up either a Steven banner or shout some Stevens. 43:56.822 --> 43:58.463 To get a Steven on television would be good. 43:58.803 --> 44:02.686 In fact, apparently there's a Stephen on the Bill Bailey Tinselworm DVD. 44:02.787 --> 44:02.987 Right. 44:03.067 --> 44:07.491 We've had a couple of emails in saying that there's an audible Stephen on that DVD. 44:07.651 --> 44:08.431 Ooh, that would be good. 44:08.571 --> 44:11.634 But if you could get a Stephen on to live television, that would be very impressive. 44:11.654 --> 44:15.057 Like in the middle of one of Davina McCall's links, just a really nice laugh. 44:15.077 --> 44:15.858 Stephen! 44:16.138 --> 44:19.221 Do you think people who listened to this show would go to a Big Brother recording? 44:19.241 --> 44:19.581 Possibly. 44:19.621 --> 44:20.041 Do you think? 44:20.181 --> 44:20.582 Possibly. 44:21.440 --> 44:23.342 Anyway, listen, here's some music right now. 44:23.442 --> 44:25.865 This was created by a fellow called Jake. 44:25.905 --> 44:27.386 He rixed, remixed. 44:27.526 --> 44:27.987 He rixed. 44:28.007 --> 44:28.347 He rixed. 44:28.367 --> 44:29.168 That's the new phrase. 44:29.228 --> 44:30.229 He rixed to Franz Ferdinand. 44:30.269 --> 44:31.951 Yeah, he really rixed that up good, man. 44:31.971 --> 44:32.932 He really rixed it, boy. 44:33.392 --> 44:35.414 The Franz Ferdinand track, Ulysses. 44:35.815 --> 44:39.418 So Jake, thanks very much for making us aware of your remix. 44:39.518 --> 44:39.939 Here it is. 44:40.580 --> 44:42.502 That's Orbital with the Saints. 44:42.602 --> 44:44.844 This is Adam and Joe on BBC Six Music. 44:45.304 --> 44:51.310 We've just been talking about Coolio and the exciting waves he's caused. 44:51.590 --> 45:00.178 I mean, do you think, Joe Cornish, that the reaction that he's got from some of those ladies there was particularly warranted? 45:00.219 --> 45:01.580 Like he's made two women cry. 45:01.880 --> 45:11.524 Yes, if you haven't been watching it, he's basically made a tactical decision to annoy everybody, and he's already a very confident man with a very sort of in-your-face persona. 45:11.684 --> 45:11.865 Yeah. 45:12.005 --> 45:15.426 And even when we were filming with him, he's prone to suddenly starting to rap. 45:15.886 --> 45:16.026 Yes. 45:16.046 --> 45:18.147 Unprovoked, hair-trigger rapping. 45:18.848 --> 45:23.510 You'll be walking along a corridor, he'll suddenly turn and face you and just spit. 45:24.290 --> 45:25.350 is the terminology. 45:25.370 --> 45:25.850 Spit rap. 45:25.971 --> 45:26.271 At you. 45:26.511 --> 45:27.511 Yeah, spit some rap. 45:28.111 --> 45:29.171 That's not the terminology. 45:29.211 --> 45:29.571 Is it not? 45:29.652 --> 45:29.772 No. 45:30.552 --> 45:32.212 I don't think... Sprat. 45:32.412 --> 45:32.772 Sprat. 45:32.932 --> 45:34.453 Sprat at you. 45:34.733 --> 45:38.374 So he seems to have made a sort of decision to annoy everybody. 45:38.434 --> 45:44.956 He's decided this is a silly show and it's no fun without somebody, you know, trying to cause ruxions. 45:45.336 --> 45:47.136 So he's decided to really annoy everybody. 45:47.156 --> 45:51.357 But they're treating him as if he's like this kind of Machiavellian evil genius. 45:51.417 --> 45:53.038 He's just quite an annoying person. 45:53.638 --> 45:57.243 And they're all crying and crumbling and running out of the room. 45:57.283 --> 45:59.005 It's like, I can't see anyone. 45:59.065 --> 46:02.769 He's got a terrible persona, a voice he puts on really annoyingly. 46:02.930 --> 46:05.312 Well, he does this kind of weird sort of voice. 46:05.332 --> 46:08.797 Sort of, yeah, Deep South kind of, yeah, I don't know how you describe it. 46:08.817 --> 46:11.280 Slightly camp or something, I don't know why. 46:11.340 --> 46:12.221 Does it non-stop. 46:12.381 --> 46:12.641 Yeah. 46:12.981 --> 46:13.882 To wind people up. 46:14.122 --> 46:24.648 Anyway, so listen, we thought that we would give you a perspective from the older generation, in particular my dad, who we filmed with out in Los Angeles. 46:24.688 --> 46:27.570 I think it was in 1998 and we spent a day with Coolio. 46:28.591 --> 46:29.591 So I think... Ten years ago. 46:29.611 --> 46:30.352 Yeah, that's right. 46:30.372 --> 46:32.473 So this is really topical stuff. 46:32.573 --> 46:33.654 Topical stuff, isn't it? 46:33.734 --> 46:35.094 It's a topical opinion. 46:35.995 --> 46:37.076 We've got my dad here on the line. 46:37.096 --> 46:38.116 How are you doing, daddy? 46:38.136 --> 46:40.838 I'm very cold here in Darkest Sussex. 46:41.238 --> 46:41.898 Hello, Nigel. 46:42.259 --> 46:43.159 Hello, Joe. 46:43.179 --> 46:43.920 Nice to talk to you. 46:43.940 --> 46:45.040 Good to talk to you, too. 46:46.041 --> 46:51.944 Now, do you remember, have you got a good memory of what it was like shooting with Coolio all those years ago? 46:51.964 --> 46:53.585 I've got a very vivid memory, yes. 46:53.986 --> 46:55.066 What were your impressions of him? 46:55.086 --> 46:58.208 Because at the moment, he's kind of a baddie as far as most TV audiences. 46:58.388 --> 47:01.490 I remember him very kindly. 47:01.910 --> 47:04.612 He could easily have been forgiven for treating me. 47:05.152 --> 47:19.129 If I dare say it on the BBC like a boring old fart, instead he entered into the spirit of the exercise there in LA and he seemed genuinely eager to teach me the rudiments of rap. 47:19.209 --> 47:23.755 I can see us on a rooftop somewhere in downtown LA. 47:24.548 --> 47:28.470 and hear him say, hey man, that's great, that's it. 47:30.510 --> 47:33.612 He was really enthusiastic. 47:35.012 --> 47:41.615 He was engaging me, I thought, almost innocently pleased with his own success. 47:42.695 --> 47:51.779 I've visited recollections of his driving base through downtown LA in a vehicle that seemed to me 47:52.967 --> 47:55.369 like an armoured personnel character. 47:56.591 --> 48:03.359 I think it was called a hummer, or a humby, or something like that. 48:04.260 --> 48:08.725 He had his high side blasting out. 48:09.424 --> 48:38.474 uh... at uh... absolute for it that's why he was playing his new single i think the bump which what he was playing his new single and he was promoting it by playing it at top volume drive i didn't remember that but i remember it top volume yeah and uh... i've had this impression of being in this enormous uh... armored vehicle uh... uh... kudio at the wheel blasting out this noise and sometimes we were so down uh... lights or something uh... slow traffic and 48:39.645 --> 48:49.177 People would recognize him and shout, and then he'd have a huge delight in shouting greetings at them out of the window, and, hey, man, and so on. 48:49.517 --> 48:57.467 I was there with my hands over my ears a lot of the time, and he drove like Toad of Toad Hall. 49:02.288 --> 49:16.072 But he wasn't like a bad guy, he didn't make you cry. 49:16.452 --> 49:24.734 A week after we filmed with him, or a couple of weeks after we filmed with him, he was pulled over in that hummer and arrested for possession of a weapon and some drugs. 49:26.918 --> 49:30.620 I wasn't aware that we were armed as well as armoured. 49:30.921 --> 49:32.241 We were, I think. 49:32.301 --> 49:34.683 No, I didn't see that side of him. 49:35.503 --> 49:41.927 But then, almost anything could happen in LA, so I wouldn't be all that surprised. 49:41.947 --> 49:45.169 So I take it that you have not been watching Celebrity Big Brother at the moment? 49:45.669 --> 49:50.452 It's one of the programmes I denied myself, really. 49:50.472 --> 49:51.953 It's your New Year's resolution. 49:51.973 --> 49:52.754 It's not entirely my 49:58.781 --> 50:01.283 What are you watching on TV, apart from David Attenborough? 50:01.783 --> 50:14.310 Well, I've watched some interesting second world war movies, which I've watched. 50:14.751 --> 50:23.916 I've watched history and archaeological programmes where I can, but there's a terrible chap 50:25.438 --> 50:29.161 who presents them called Tony Robinson or something. 50:29.441 --> 50:30.522 He's a national treasure. 50:30.562 --> 50:31.343 He's not terrible. 50:31.523 --> 50:32.283 He's Baldrick. 50:32.804 --> 50:33.144 He what? 50:33.785 --> 50:36.667 He's a very, very much loved person. 50:36.707 --> 50:42.492 Well, he's not much loved by me because the material he has very often is very good. 50:43.372 --> 50:43.753 But his 50:44.731 --> 50:47.394 The delivery presentation is appalling. 50:47.494 --> 50:48.675 Doesn't she do something about property? 50:58.454 --> 50:59.775 No, she doesn't do. 50:59.795 --> 51:04.179 You're thinking of the other sort of black-haired lady presenter, Kirsty. 51:04.960 --> 51:09.464 I can't avoid her sometimes in trailers and things they do. 51:09.924 --> 51:12.266 She's very strident, young woman, isn't she? 51:12.426 --> 51:14.348 Yes, very assertive, very strident. 51:14.388 --> 51:15.889 She looks like a sort of beautiful hawk. 51:17.590 --> 51:18.510 Did you say Hawk? 51:18.751 --> 51:19.431 Yes, I did. 51:19.451 --> 51:28.494 Ah, well, I'm fond of wildlife, but I don't think I'm fond of Davina McCall, if she's the lady I think she is. 51:28.834 --> 51:35.756 And just before we say goodbye, I presume you're very excited about the new series of Skins and all the trails, they're all coming out of the pub. 51:35.796 --> 51:36.476 The new series of what? 51:36.776 --> 51:37.316 Skins. 51:38.477 --> 51:38.777 Skin. 51:39.037 --> 51:43.759 Yeah, they've got a whole new cast and in the trailer they're setting off fireworks in a pub. 51:43.899 --> 51:45.019 It's a big fight in a pub. 51:45.993 --> 51:47.414 I think you've lost me a skin. 51:47.454 --> 51:50.756 Something to do with deep diving. 51:50.776 --> 51:51.296 Don't worry. 51:51.897 --> 51:52.537 Watch out for it. 51:53.038 --> 51:53.818 Watch out for skins. 51:54.238 --> 51:55.319 It's a new series on E4. 51:55.359 --> 51:57.080 Hey, thanks for talking to us, Nigel. 51:57.100 --> 51:59.041 Thanks for interrupting your Saturday morning for us. 51:59.121 --> 52:00.182 It's very nice to talk to you. 52:00.522 --> 52:01.403 Much appreciated. 52:01.443 --> 52:02.163 And stay warm. 52:02.183 --> 52:02.884 Yes. 52:02.924 --> 52:04.825 That's difficult to do, but I'll do my best. 52:05.345 --> 52:05.746 Cheerio. 52:05.786 --> 52:06.346 Thanks, Daddy. 52:06.366 --> 52:06.866 Bye. 52:06.886 --> 52:06.946 Bye. 52:07.107 --> 52:07.447 Bye. 52:08.049 --> 52:09.470 Here's some more music for you listeners. 52:09.490 --> 52:11.731 Here's Sam Sparrow with black and gold. 52:11.911 --> 52:17.533 That's Louden... Louden Wainwright the Third. 52:17.593 --> 52:19.494 Is that so very hard to say? 52:19.834 --> 52:21.435 With a father and a son there? 52:21.495 --> 52:21.955 I don't know. 52:22.055 --> 52:26.237 Ben just our producer has stuck that in there, I think, because I was talking to my dad there. 52:26.557 --> 52:28.538 Do you think, I mean, I'm very nearly 40. 52:29.038 --> 52:34.100 Is it too... too old to be calling my dad daddy? 52:34.201 --> 52:36.942 No, it's never too old to call your dad daddy and your mum mummy. 52:37.102 --> 52:37.482 You reckon? 52:37.722 --> 52:37.982 Yeah. 52:38.503 --> 52:42.025 We've discussed this before on our show, maybe not while we've been at the BBC. 52:42.666 --> 52:45.468 But we both proudly still call our parents mummy and daddy. 52:45.508 --> 52:46.789 It's hard to get out of the habit. 52:47.169 --> 52:49.891 But if we're in public, we'll switch to mum and dad. 52:50.672 --> 52:51.312 Yeah, yeah, yeah. 52:52.333 --> 52:52.513 Pops. 52:52.553 --> 52:53.754 Even though we're now in public. 52:54.674 --> 52:55.875 That's true, isn't it? 52:56.055 --> 52:56.976 Made a slight mistake. 52:57.216 --> 52:57.857 Made a slight mistake. 52:57.897 --> 52:58.177 Poppy! 52:58.377 --> 53:00.639 Have we got any text-to-nation stuff? 53:00.659 --> 53:01.199 Yes, we do. 53:01.259 --> 53:02.800 Should we have a little short jingle, Ben? 53:03.261 --> 53:03.561 Quickly. 53:03.581 --> 53:05.322 Oh, he's hot off the mark. 53:05.763 --> 53:06.083 There we go. 53:07.423 --> 53:08.223 Text the nation! 53:08.263 --> 53:08.543 Text! 53:08.643 --> 53:08.923 Text! 53:08.983 --> 53:09.324 Text! 53:09.444 --> 53:10.184 Text the nation! 53:10.264 --> 53:11.224 What if I don't want to? 53:11.464 --> 53:12.124 Text the nation! 53:12.144 --> 53:12.664 It doesn't matter! 53:12.725 --> 53:14.585 Text! 53:15.405 --> 53:20.667 Now, the slight problem with this text the nation subject, and it's a really good subject, but don't mean to be disparaging. 53:20.687 --> 53:21.207 What do you mean by that? 53:21.527 --> 53:29.569 Well, it could, if mishandled, just become people mentioning films and other people going, oh, that's really good, you should watch it, or that's really bad. 53:29.629 --> 53:30.069 Don't bother. 53:30.349 --> 53:31.930 Which would be good in and of itself. 53:32.210 --> 53:35.211 I think that would be an exciting way to fill three hours of 53:35.971 --> 53:36.411 of waffle 53:56.320 --> 54:04.028 films or CDs have been sitting on your shelf in this wrap in their cellophane, unwatched for the sort of the longest amount of time. 54:04.628 --> 54:06.630 So here's a couple of straightforward ones. 54:06.691 --> 54:08.272 This is one from John Innes. 54:09.573 --> 54:12.977 His shelf classics are Richard III with Ian McKellen. 54:14.418 --> 54:15.778 Yeah. 54:15.838 --> 54:16.739 Reason for not watching. 54:16.799 --> 54:18.439 Well, Ian McKellen is great, isn't he? 54:18.699 --> 54:22.660 But I like the idea of watching this far more than the idea of actually sitting down and putting it on. 54:22.940 --> 54:23.160 Right. 54:23.380 --> 54:26.060 He likes the idea of watching it, but not the actual watching. 54:26.280 --> 54:26.521 Sure. 54:26.661 --> 54:31.782 One shelf classic that I had, incidentally, was Looking for Richard, the documentary without the genome. 54:32.262 --> 54:33.442 I had that for years and years. 54:33.522 --> 54:35.282 And then finally, I watched it. 54:35.302 --> 54:37.803 It's quite boring. 54:37.943 --> 54:38.523 Anyway, carry on. 54:38.863 --> 54:48.887 Sunshine, he says, the Danny Boyle sci-fi film, Reason for Not Watching, bought this in a five for £30 discount thing in a popular record store. 54:49.227 --> 54:53.509 Embarrassingly, the cellophane on this one has now lasted longer than the shop. 54:54.189 --> 54:54.509 Right. 54:54.809 --> 54:59.471 So that's pretty good if the shop actually goes bust before you've undone the cellophane. 54:59.511 --> 55:00.431 Happens a lot these days. 55:00.711 --> 55:02.592 Certainly does in a credit contrabriton. 55:02.732 --> 55:04.393 But you should bust open the cellophane on that one. 55:04.413 --> 55:05.193 That's a good watch. 55:05.553 --> 55:05.913 It is. 55:05.933 --> 55:07.294 Sunshine's worth watching, definitely. 55:07.914 --> 55:12.859 Arthur texts in to say, Rumpastomper is still in its cellophane. 55:12.899 --> 55:13.740 I've never watched it. 55:14.040 --> 55:16.822 Maybe because the chap on the jacket is intimidating. 55:17.062 --> 55:18.203 That's Rusty Crow, isn't it? 55:18.223 --> 55:19.124 The man on the cover. 55:19.184 --> 55:20.265 No, it's not Rusty Crow. 55:20.445 --> 55:21.346 Is he not in Rumpastomper? 55:21.366 --> 55:22.707 No, it's another chap. 55:22.908 --> 55:25.310 Which similar film is Rusty Crow in then? 55:25.450 --> 55:28.773 I'm not sure whether Rusty's done a sort of hard-boiled prison film. 55:29.493 --> 55:29.573 Uhhh... 55:45.285 --> 55:46.766 Be frightened of Russell, that's what he wants. 55:47.347 --> 55:48.808 Here's one from Robin Birmingham. 55:49.088 --> 55:50.909 My shelf classic would have to be Das Boot. 55:51.390 --> 55:52.831 It's been a shelf classic twice. 55:52.911 --> 55:58.095 First on video, which I never got round to watching, and then on DVD when I replaced my unwatched video. 55:58.375 --> 56:01.557 I think I've owned a copy in one form or another for about ten years. 56:01.978 --> 56:08.363 And while everyone else tells me how good it is, the combination of length and subtitles puts me off every time I think about watching it. 56:08.843 --> 56:13.967 Is it me, or do we buy worthy films in a bid to become more attractive to people in some way? 56:14.107 --> 56:15.088 That's certainly my problem. 56:15.288 --> 56:20.250 A bit like having a book, like a, you know, a difficult book on your shelf in the hope that someone will glimpse it. 56:20.591 --> 56:20.731 Mmm. 56:21.191 --> 56:25.093 Certainly it's nice to have these things in amongst all the rubbish that one tends to consume. 56:25.473 --> 56:30.496 All the, all the, uh, uh, romantic comedies that... You and your romantic comedies. 56:32.017 --> 56:38.681 Craig Thomas from Hertfordshire says, I've had requiem for a dream on the shelf for possibly four years. 56:39.201 --> 56:42.042 I heard it was quite good and it was quite possibly going cheap. 56:42.082 --> 56:46.945 It doesn't seem to be the kind of film that I could sit down and watch with my wife, so I was waiting for a time by myself. 56:47.385 --> 56:51.207 But then someone told me it was quite disturbing and I've been put off it since. 56:51.547 --> 56:52.328 I'm scared. 56:52.808 --> 56:53.789 It says Craig Thomas. 56:53.809 --> 57:08.119 Well you know Craig, one way into that film is to just watch the commentary by Darren Aronofsky, because Darren Offsky provides quite a self-congratulatory piece of monologue on there for that film, which is worth seeing. 57:08.159 --> 57:10.520 I mean, it's got a lot going on in it, doesn't it? 57:10.761 --> 57:12.061 Many people rate it very, very highly. 57:12.082 --> 57:14.063 It's one of Edgar Wright's favourite films, I think, isn't it? 57:14.083 --> 57:15.324 He likes it, yeah. 57:15.504 --> 57:21.268 But it certainly is gruelling, you know, unless you're in the mood for a lot of gruel, I wouldn't worry about that one. 57:21.539 --> 57:29.906 Katie texts in to say, Hi Adam and Jo, I bought our man in Havana five years ago after going to Cuba, thinking it looks sophisticated and clever and worthy, but it's still in its wrapping. 57:30.919 --> 57:31.660 Have you ever seen that one? 57:32.080 --> 57:32.700 Five years. 57:32.720 --> 57:33.821 That's five years on the shelf. 57:33.841 --> 57:34.122 Five years? 57:34.142 --> 57:34.582 That's not bad. 57:34.702 --> 57:35.243 That's not bad. 57:35.303 --> 57:38.925 She says, can I please borrow the diving bell and the butterfly after you? 57:39.066 --> 57:39.346 Okay. 57:40.287 --> 57:43.589 But listen, I mean, Our Man in Havana must be a good... It can't be very long. 57:43.649 --> 57:44.750 That's an old film, isn't it? 57:45.411 --> 57:46.492 There was a remake, I think. 57:46.652 --> 57:46.992 Oh, right. 57:47.332 --> 57:48.733 But it can't be over an hour and a half. 57:49.134 --> 57:50.435 And that's a great book as well. 57:50.595 --> 57:51.776 That's got to be worth watching. 57:52.096 --> 57:52.597 I mean, you're not... 57:53.317 --> 57:55.378 You're not going to be put through extreme torture. 57:55.398 --> 57:56.718 I've done nothing about it. 57:57.198 --> 57:58.299 Yeah, come on then, Mr. emails. 57:58.339 --> 58:00.720 There's one more from Claire in Dolston. 58:00.780 --> 58:11.264 She says, when I was at university, my flagmate dragged me to the midnight opening of HMV so that he could be one of the first people in the country to own Titanic on VHS. 58:11.524 --> 58:12.064 What a night. 58:12.664 --> 58:17.106 I had no interest in Titanic, but did revel in the idea of shopping for films at midnight. 58:17.646 --> 58:22.588 I decided to buy the box set of Jesus of Nazareth, the TV series with Robert Powell and his amazing blue eyes. 58:23.128 --> 58:24.089 I still haven't watched it. 58:24.389 --> 58:26.950 It's still on the shelf after almost 10 years. 58:27.250 --> 58:31.832 Wow, that's got to be... If we were giving out prizes, we'd have to give you a prize for that one. 58:32.032 --> 58:34.413 Well, we're supposed to be giving out prizes for Text the Nation. 58:34.593 --> 58:34.873 Are we? 58:35.134 --> 58:39.375 Yeah, we offer people the reward of having their message put on the digital text scroll. 58:39.555 --> 58:39.976 Oh yes, that's right. 58:39.996 --> 58:40.716 Do you not remember that? 58:40.956 --> 58:41.296 Yes. 58:41.416 --> 58:42.798 How are we going to deal with that though? 58:42.818 --> 58:44.599 Because people need to... What are we going to do? 58:44.639 --> 58:47.162 Like email her back and ask for her message? 58:47.862 --> 58:50.284 Or do people send their message in with their text? 58:50.325 --> 58:52.486 How about... It's overly complicated though. 58:52.506 --> 58:57.471 We could put... Congratulations Jesus of Nazareth, ten great years on the shelf. 58:58.792 --> 59:04.336 I think that's a good idea to put a message of our own composition to do with Claire and send it out to her. 59:04.656 --> 59:06.938 If she's the winner, we might not call it yet. 59:07.038 --> 59:09.780 Keep your ideas and your shelf classics coming in. 59:09.800 --> 59:11.681 Yeah, we've still got another hour of this feature. 59:11.701 --> 59:12.302 Text them in to 640. 59:12.462 --> 59:14.924 I mean, I think it's gone very well. 59:15.144 --> 59:16.365 It's a brilliant one. 59:16.405 --> 59:17.686 Yet again, you've pulled it out the back. 59:18.306 --> 59:21.549 Um, because... Much better than my two suggestions for textination. 59:21.569 --> 59:22.070 They were rubbish. 59:22.370 --> 59:22.951 Or whatever they were. 59:22.991 --> 59:23.772 We might do them next week. 59:24.032 --> 59:24.933 But they were pointless. 59:24.993 --> 59:27.375 No one would have, uh, no one would have got in touch with your suggestions. 59:27.395 --> 59:27.816 Do you think? 59:27.976 --> 59:31.899 As it's going with mine, it's, this is one of the best textinations we've done. 59:31.940 --> 59:33.321 It's brilliant, Shelf Classics. 59:33.801 --> 59:35.283 I mean, everyone wants to chat about it. 59:36.152 --> 59:37.373 What do you mean you've never seen a man? 59:37.554 --> 59:39.956 You know, you just sat there when they mentioned our man in Havana. 59:39.976 --> 59:41.558 You just didn't even want to speculate. 59:41.578 --> 59:42.639 I'm confused about it. 59:42.659 --> 59:44.161 I know the book. 59:44.241 --> 59:44.601 I don't know. 59:44.621 --> 59:45.362 I don't know anything about it. 59:45.382 --> 59:48.546 I mean, you're so bitter because we didn't go for your idea for Texas Nation. 59:48.786 --> 59:51.309 You just want to sabotage my... I think my idea was better. 59:51.329 --> 59:51.589 Strand. 59:51.889 --> 59:54.052 Well, we can do it next week, but it won't go well. 59:54.212 --> 59:54.773 It won't go well. 59:55.573 --> 59:57.014 Here's a free play for you listeners right now. 59:57.054 --> 59:59.534 This is Prince the Purple Ponce. 59:59.614 --> 01:00:02.595 Pince the Ponce. 01:00:02.635 --> 01:00:05.176 Pince the Ponce with Starfish and Coffee. 01:00:06.097 --> 01:00:07.057 What's that song about? 01:00:07.917 --> 01:00:10.318 Apart from Starfish and Coffee. 01:00:10.678 --> 01:00:12.519 I wish you'd asked me that before we started playing it. 01:00:12.539 --> 01:00:13.079 I would've listened to it. 01:00:13.119 --> 01:00:13.720 I sprung it on you there. 01:00:14.320 --> 01:00:16.882 Is it, I mean, it seems like maybe it's a school thing. 01:00:16.942 --> 01:00:19.923 Is it reminiscences of... It's a love story, definitely, isn't it? 01:00:20.224 --> 01:00:20.544 Yeah. 01:00:21.184 --> 01:00:22.865 About an idiosyncratic girl. 01:00:23.666 --> 01:00:26.587 Cynthia, it's like she's drawing things on her lunchbox and stuff. 01:00:26.727 --> 01:00:28.608 Yeah, she's just a quirky student. 01:00:28.828 --> 01:00:29.589 She's quirky! 01:00:30.229 --> 01:00:31.230 Anyway, that was Prince... 01:00:31.870 --> 01:00:46.104 with starfish and coffee so i was thinking maybe i should tell people what my ideas for text the nation were because then it you know if they might have some ideas they might text some stuff in no not text it but email in during the week and then might give us something to go on next week or do you think it'll just confuse the issue 01:00:47.885 --> 01:00:48.305 Don't know. 01:00:48.566 --> 01:00:48.886 Don't know. 01:00:49.066 --> 01:00:50.047 Might confuse the issue. 01:00:50.287 --> 01:00:50.907 Do you think I should? 01:00:50.927 --> 01:00:57.493 Yeah, because if you do that, and people start texting in, then you're gonna be all pleased with yourself, and you're gonna start wanting to read them out. 01:00:57.893 --> 01:01:00.715 And you'll trample all over my... Text-a-nation idea. 01:01:00.855 --> 01:01:02.396 Or it'll just be like a little anecdote. 01:01:03.197 --> 01:01:04.918 No, no, no, no, no, no, no. 01:01:04.958 --> 01:01:09.620 Shelf Classics is what we're going with this week, and it's working absolutely fine. 01:01:09.660 --> 01:01:16.063 People are excited and want to chat about it, and they're happy to hear lists of films being read out. 01:01:16.464 --> 01:01:22.987 And if you got behind it a tiny bit more, it would turn into one of the best text innovations we've ever had. 01:01:24.028 --> 01:01:26.249 on the program and you're ruining it! 01:01:26.510 --> 01:01:38.460 I'll fry your threatened by mentioning you should even mention other ideas even though I haven't even broached what the ideas are but even so just the very idea that I have an idea frightens you so much why would you even mention it though 01:01:38.920 --> 01:01:41.562 When it's going so well, when shelf plastics is going so well. 01:01:41.582 --> 01:01:44.243 You're so intimidated by the power of my brain. 01:01:44.423 --> 01:01:49.686 Yeah, but if you were, if you were using your brain power so cold to get behind shelf plastics. 01:01:49.747 --> 01:01:53.469 You're not the one that has to filter through the tedious lists of boring films. 01:01:53.529 --> 01:01:58.572 Oh, well now you've insulted every single person who's got behind one of the best text of the nation ideas. 01:01:58.592 --> 01:01:59.192 That my mum has sent in. 01:01:59.732 --> 01:02:01.473 I wasn't insulting everyone I was talking about my wife. 01:02:01.734 --> 01:02:03.415 She sent it in, and I would never insult my mum. 01:02:04.495 --> 01:02:07.916 Well, I must say you've soured the atmosphere. 01:02:07.936 --> 01:02:10.677 I've sussed you. 01:02:11.097 --> 01:02:14.218 You've done like a big idea guff all over. 01:02:14.238 --> 01:02:17.079 I didn't even mention the idea. 01:02:18.599 --> 01:02:20.039 You went into a rage. 01:02:21.400 --> 01:02:22.520 What an embarrassing link. 01:02:22.560 --> 01:02:23.320 Alright, listen. 01:02:24.261 --> 01:02:25.161 Tell us your ideas. 01:02:25.575 --> 01:02:28.837 Well, I can't tell you the ideas now that there's been such a fuss. 01:02:28.997 --> 01:02:29.317 Oh, no, no, no. 01:02:29.337 --> 01:02:29.877 Oh, no. 01:02:29.897 --> 01:02:30.217 Why not? 01:02:30.458 --> 01:02:31.258 Well, no, I'd like to hear them. 01:02:31.278 --> 01:02:31.878 I'd like to hear them. 01:02:31.898 --> 01:02:32.559 No, no, I'd like to hear them. 01:02:32.579 --> 01:02:40.243 It's not fair to introduce an idea in this distorted atmosphere that you've created with your furious ranting. 01:02:40.483 --> 01:02:42.084 Not confident about the idea, eh? 01:02:42.324 --> 01:02:43.604 I'm very confident about the idea. 01:02:43.624 --> 01:02:44.185 Obviously not that confident. 01:02:44.205 --> 01:02:46.726 You'll see next week it's going to be the best text the nation ever. 01:02:47.145 --> 01:02:48.346 Not all that confident. 01:02:48.626 --> 01:02:55.492 I'm going to now select those boring texts and read them out and drive the show into the ground. 01:02:55.512 --> 01:03:02.157 This is going to be the worst 40 minutes or 50 minutes of broadcasting in the history of the BBC. 01:03:03.518 --> 01:03:04.159 What, another one? 01:03:05.539 --> 01:03:10.261 Okay, here's some music for you folks van she what do we know about van she is it on my? 01:03:10.701 --> 01:03:24.006 It's all on the sheet isn't it should read the sheet van she they're from Sydney You know what I was thinking that it was gonna be van Morrison in drag now It's a nice idea though I was thinking that we should do some kind of Australian flavored thing seeing as we've got our 01:03:24.526 --> 01:03:25.547 Australian Song Wars. 01:03:25.567 --> 01:03:27.769 We've been doing nothing but Australian flavoured things. 01:03:27.809 --> 01:03:28.069 Really? 01:03:28.169 --> 01:03:29.250 For the last six months. 01:03:29.351 --> 01:03:30.211 Alright, well here's a bit more. 01:03:30.231 --> 01:03:36.317 This is Vanshi, they're from Sydney and the record company described them as a new band from Sydney. 01:03:36.677 --> 01:03:37.438 That's exciting. 01:03:37.738 --> 01:03:43.403 They're fresh on ideas, fresher than Flavour Flav, fresh like Coriander and fresher than the Fresh Prince. 01:03:43.443 --> 01:03:44.584 This is their record company. 01:03:44.624 --> 01:03:46.506 What a job having to write that kind of stuff. 01:03:47.106 --> 01:03:51.728 It was a really thankless task being the person that writes the press release for the new bands, don't you think? 01:03:51.748 --> 01:03:53.348 Fresher than coriander. 01:03:53.648 --> 01:03:55.129 No, fresh like coriander. 01:03:55.149 --> 01:04:00.210 I mean, that's not something that you would think of as when someone says fresh, you don't think, like coriander. 01:04:00.951 --> 01:04:03.571 Anyway, maybe they do when they're listening to this. 01:04:03.651 --> 01:04:05.872 This is Van Shee with Cat and the Eye. 01:04:05.892 --> 01:04:07.713 Why would you make it up, though? 01:04:08.693 --> 01:04:12.754 I was talking heads with Brode to Know where Joe was just reading me out an email from someone. 01:04:13.595 --> 01:04:14.235 Read out an email. 01:04:15.374 --> 01:04:16.114 Uh, Coolio. 01:04:16.394 --> 01:04:17.915 More like not-so-Coolio. 01:04:18.255 --> 01:04:23.837 I used to work in a Marks & Spencer's warehouse in Northampton, which dealt primarily with Italian yarn socks and various pants boxes and lady items. 01:04:23.917 --> 01:04:25.237 Coolio worked there as well. 01:04:25.797 --> 01:04:27.217 My main job was to stock check. 01:04:27.277 --> 01:04:30.038 This involved counting boxes of Italian yarn socks and so forth. 01:04:30.478 --> 01:04:32.259 As I said, Coolio also worked there. 01:04:32.419 --> 01:04:33.119 He couldn't count. 01:04:33.579 --> 01:04:36.860 Oh, how I'd mock him, I'd sing Coolio, Coolio, can't count pants, he's a Foolio. 01:04:37.460 --> 01:04:38.621 Of course that's not real. 01:04:38.661 --> 01:04:40.981 Why would you sit down and write that lie? 01:04:42.022 --> 01:04:42.822 It's so banal. 01:04:43.877 --> 01:04:45.318 because to give you a little chuckle. 01:04:45.658 --> 01:04:48.899 And he switches topic and there's a whole, this is from someone called Alwyn Osgood. 01:04:50.359 --> 01:04:56.262 There's a whole other paragraph with some anecdote about someone who's involved in football and I don't understand it at all. 01:04:56.302 --> 01:04:57.322 He's just having fun. 01:04:57.802 --> 01:04:58.643 He's running with the eye. 01:04:58.663 --> 01:04:59.543 We talk rubbish. 01:05:00.183 --> 01:05:01.764 He's talking a bit of rubbish as well. 01:05:01.784 --> 01:05:02.784 Fair enough, that's a fair point. 01:05:04.485 --> 01:05:05.005 Have you seen 01:05:05.445 --> 01:05:07.046 on television, right? 01:05:07.446 --> 01:05:28.234 The advert, the teaching advert, where the boy comes into the classroom and he makes some finger gestures, taunting the teacher, who incidentally appears to be maybe a year older than the child that's coming in, and the child is kind of, this teenage boy is kind of taunting the teacher, sort of going, you know, 2-1 or whatever, I don't know, maybe referring to some sports event. 01:05:29.114 --> 01:05:32.436 And the teacher goes, alright, sit down. 01:05:33.096 --> 01:05:39.460 And then it says, teaching, you can earn up to 35k a year or whatever it is, and the banter's not bad either. 01:05:41.781 --> 01:05:43.202 I think the banter... I think it's nice. 01:05:43.262 --> 01:05:48.225 It shows that, you know, teachers can be friends with their pupils and it can be a nice friendly environment. 01:05:48.445 --> 01:05:49.966 I would say that is bad banter though. 01:05:51.046 --> 01:06:00.192 It's sport-based banter, you know because if you're being seduced into the profession by that advert and the You know you're thinking what I love it's a world. 01:06:00.232 --> 01:06:08.497 We don't understand though, isn't it the world of football and teasing each other right out scores and teams And you think that would go most male people that's fun banter. 01:06:08.557 --> 01:06:08.677 Yeah 01:06:08.677 --> 01:06:10.859 Yeah, it's an important part of daily life. 01:06:10.919 --> 01:06:15.063 It's something where you can get really aggressive with one another, but it doesn't mean anything. 01:06:15.563 --> 01:06:19.207 Similar to what recently happened with the subject of Text the Nation between us. 01:06:19.227 --> 01:06:21.409 Don't even start raking all that up again. 01:06:21.649 --> 01:06:27.735 It seemed vitriolic and full of bad humour, but actually it was just playful joshing. 01:06:27.755 --> 01:06:28.455 It's just fun banter. 01:06:28.475 --> 01:06:31.458 There's a way for us to do our nude man wrestling. 01:06:31.658 --> 01:06:31.898 Right. 01:06:33.052 --> 01:06:34.473 Good job as a radio presenter. 01:06:34.613 --> 01:06:37.275 Up to 35k a year and the banter's not bad either. 01:06:37.755 --> 01:06:38.316 That kind of thing. 01:06:38.416 --> 01:06:39.156 That kind of thing. 01:06:39.536 --> 01:06:46.161 You see, I would be worried though if I got into teaching because that ad... I'd be worried if you got into teaching full stop. 01:06:46.241 --> 01:06:48.702 But I probably could if that ad's anything to go by. 01:06:48.722 --> 01:06:51.124 I mean, that teacher doesn't look inspirational, does he? 01:06:51.384 --> 01:06:51.965 He looks about 17. 01:06:52.145 --> 01:06:53.005 He looks chummy. 01:06:53.045 --> 01:06:56.308 He looks like the lead singer of Franz Ferdinand. 01:06:56.388 --> 01:06:58.049 And he's having his coffee there. 01:06:58.069 --> 01:06:59.830 No, the Kaiser Chief. 01:06:59.990 --> 01:07:02.852 His haircut is even more daft than the student that's coming in. 01:07:03.072 --> 01:07:30.756 all right all right sit down you see now you are starting to sound like your dad what's he going to be teaching you'll be complaining about how young policemen look next right welcome to friends food and studies everyone they do study that good football game at the weekend by the way boys stop it all right we'll have some more banter later okay friends Ferdinand right second album a little bit bit disappointing third album's got some great new synth sounds and some retro synth sounds uh Percy can you tell me is that what kids are called 01:07:30.876 --> 01:07:31.516 Percy, yes. 01:07:31.556 --> 01:07:35.998 Percy, can you tell me what kind of synths Frans are using on the new album? 01:07:36.038 --> 01:07:36.438 A Moog. 01:07:37.379 --> 01:07:37.699 That's right. 01:07:37.719 --> 01:07:38.999 It's pronounced Moog, incidentally. 01:07:39.019 --> 01:07:39.219 Okay. 01:07:39.240 --> 01:07:39.620 A Moog. 01:07:40.240 --> 01:07:44.102 Janine, what kind of new directions are Frans going in with this new album? 01:07:45.795 --> 01:07:48.057 Er, I don't know, I'm on smack. 01:07:48.477 --> 01:07:49.418 Alright, great banter. 01:07:49.739 --> 01:07:54.502 Er, that's it for the, er, for the class for friends class today, see you guys tomorrow. 01:07:54.562 --> 01:07:57.305 That's the kind of thing that's gonna happen in his classroom, I would think. 01:07:58.346 --> 01:07:58.886 Have you finished? 01:07:59.707 --> 01:08:00.928 You see, that's not supportive. 01:08:01.628 --> 01:08:02.729 Can I read some egg corns? 01:08:02.849 --> 01:08:03.210 Go on then. 01:08:03.710 --> 01:08:05.952 Here are some, have we got time, or shall we do this in the next link? 01:08:06.598 --> 01:08:07.198 It's always time. 01:08:07.218 --> 01:08:07.819 Ben, always time. 01:08:07.859 --> 01:08:09.099 Okay, here are some good egg corns. 01:08:09.660 --> 01:08:10.460 Hi, Adam and Joe. 01:08:10.800 --> 01:08:13.321 Hope I got the email right, despite Adam trying to confuse me. 01:08:13.361 --> 01:08:16.863 A quick egg corn that I heard twice from different people on New Year's Day. 01:08:16.883 --> 01:08:20.065 I can't wait to see what this year has got installed for me. 01:08:20.085 --> 01:08:22.306 That's a good one. 01:08:23.006 --> 01:08:25.007 That's from Dave Morgan in Broad Stays. 01:08:25.027 --> 01:08:26.808 Wow, that's not a very common one. 01:08:26.908 --> 01:08:27.909 I've never heard that before. 01:08:28.049 --> 01:08:28.649 That's good. 01:08:28.669 --> 01:08:31.251 I think that should take over from install. 01:08:31.991 --> 01:08:32.592 Installed. 01:08:32.792 --> 01:08:33.312 Installed. 01:08:33.492 --> 01:08:34.333 Good, it's more modern. 01:08:34.573 --> 01:08:34.853 Yes. 01:08:35.314 --> 01:08:36.734 Here's another one from Simon in Bristol. 01:08:37.055 --> 01:08:38.916 I heard a great egg corn on the train today. 01:08:39.276 --> 01:08:45.240 A girl sitting behind me turned to her male companion and asked, do you say raksack or rocksack? 01:08:46.300 --> 01:08:48.622 Do you say raksack or rocksack? 01:08:48.642 --> 01:08:51.924 She had not one but two egg corns for the same thing. 01:08:52.004 --> 01:08:52.644 Remarkable. 01:08:54.565 --> 01:08:56.346 I wonder what the answer to that question was. 01:08:56.486 --> 01:08:56.886 Rocksack. 01:08:57.366 --> 01:09:02.407 And finally, from Robert in Exeter, who is a teacher at Oakhampton College. 01:09:02.467 --> 01:09:05.028 This ties brilliantly into what you were talking about. 01:09:05.568 --> 01:09:09.689 Dear Adam and Jo, I thought it would be nice to give you an eggcorn to start off the new year. 01:09:09.989 --> 01:09:14.310 I'm a science teacher and have been marking some of my students' work over the holidays. 01:09:14.750 --> 01:09:21.472 One of my Year 8 students aged 12 had written a plan for an experiment and included a buns and burner. 01:09:23.013 --> 01:09:24.614 which made me chuckle and think of you. 01:09:24.995 --> 01:09:27.657 And it spelt buns, you know, like a fast food chain. 01:09:28.038 --> 01:09:29.299 Buns and burner. 01:09:30.280 --> 01:09:31.381 Happy new year. 01:09:31.701 --> 01:09:35.365 That's probably like a DJ duo called Buns and Burner, isn't there? 01:09:35.385 --> 01:09:37.247 Yes, some pretty good ones there. 01:09:37.307 --> 01:09:37.687 That's good. 01:09:37.807 --> 01:09:39.289 He's getting high quality banter there. 01:09:39.329 --> 01:09:41.411 That is high quality banter. 01:09:41.631 --> 01:09:43.573 We should make more than 35 grand a year. 01:09:43.593 --> 01:09:43.693 Do we? 01:09:43.713 --> 01:09:44.414 Yeah, it's outrageous. 01:09:44.574 --> 01:09:46.095 Well, our banter's not particularly good though. 01:09:46.115 --> 01:09:46.676 I don't think we do. 01:09:46.816 --> 01:09:47.357 So that's why. 01:09:47.857 --> 01:09:52.719 Here is a band for you listeners, and they were Hotly Tipped last year, I think, weren't they? 01:09:52.739 --> 01:09:57.581 And maybe they're Hotly Tipped this year as well, because the Hot Tipping didn't quite come to anything last year. 01:09:57.962 --> 01:09:59.082 But here's Of Montreal. 01:09:59.122 --> 01:09:59.982 Oh, I like this band. 01:10:00.383 --> 01:10:01.463 They took good videos. 01:10:01.523 --> 01:10:02.424 Right, so there you go. 01:10:02.804 --> 01:10:11.027 Hotly Tipped again by Joe Cornish, and Elluardian Instance is the ponsy name of this track by Of Montreal. 01:10:15.169 --> 01:10:16.970 That's Joe providing the whistling there. 01:10:17.481 --> 01:10:18.781 I didn't realize the mics were up. 01:10:19.162 --> 01:10:19.942 I like that band. 01:10:20.022 --> 01:10:20.382 That's very good. 01:10:20.402 --> 01:10:21.362 I'm going to investigate them. 01:10:21.402 --> 01:10:25.264 They're called of Montreal, and that was called... Oh, it's gone away from the screen. 01:10:25.284 --> 01:10:25.684 What was it called? 01:10:25.724 --> 01:10:27.845 It's called an Elouardian Instance. 01:10:27.905 --> 01:10:28.745 It's their new single. 01:10:28.805 --> 01:10:33.107 It's out on the 2nd of February, and, confusingly, they're not from Montreal. 01:10:33.447 --> 01:10:39.549 They're from Athens, Georgia, home of many great bands, of course, and that's from their ninth studio album. 01:10:39.949 --> 01:10:40.269 Ninth? 01:10:40.309 --> 01:10:45.171 They've been around for ages, which is called, pleasingly, Skeletal Lamping. 01:10:45.951 --> 01:10:46.751 That's a good name. 01:10:46.771 --> 01:10:47.431 It's a good name. 01:10:47.992 --> 01:10:52.493 And it's released in, that was released in October 2008, so that's in the shops now. 01:10:52.713 --> 01:10:56.934 The album was released in different formats, Joe, including a conventional CD. 01:10:57.534 --> 01:10:58.574 That's very conventional. 01:10:58.934 --> 01:11:00.575 And vinyl, thy nill. 01:11:00.595 --> 01:11:00.835 What? 01:11:01.155 --> 01:11:08.457 Yeah, thy vianill, as well as t-shirts, a badge set, a wall poster and a paper lantern. 01:11:08.937 --> 01:11:09.317 Wow. 01:11:09.678 --> 01:11:12.319 The latter formats included a digital download code. 01:11:12.339 --> 01:11:14.681 The album was released in the form of a paper lantern. 01:11:14.921 --> 01:11:16.202 Yeah, but I'm telling you that. 01:11:16.482 --> 01:11:17.382 How does that make noise? 01:11:17.402 --> 01:11:26.368 Because, listen to me for once in your life, baby Jesus, the lantern included a digital download code for the album. 01:11:26.668 --> 01:11:27.448 Oh, of course. 01:11:27.528 --> 01:11:27.909 You see? 01:11:27.989 --> 01:11:28.769 How silly of me. 01:11:28.829 --> 01:11:30.190 So it does two jobs. 01:11:30.590 --> 01:11:32.070 I mean, you could have that for anything, couldn't you? 01:11:32.090 --> 01:11:33.171 You could just have pants. 01:11:33.511 --> 01:11:36.732 You just have... With a code on it. 01:11:36.752 --> 01:11:37.413 Yeah, yeah. 01:11:37.433 --> 01:11:39.574 It's a much better idea for record shops. 01:11:39.974 --> 01:11:40.194 Right. 01:11:40.234 --> 01:11:42.095 They could just become sort of tat shops. 01:11:42.655 --> 01:11:44.295 Everything with the digital download. 01:11:44.376 --> 01:11:45.416 With a little code on there. 01:11:45.436 --> 01:11:46.096 That would be wizard. 01:11:46.216 --> 01:11:47.577 Maybe that's the future for Xavi. 01:11:48.737 --> 01:11:50.958 I'm afraid there is no future for Xavi. 01:11:51.358 --> 01:11:54.440 Hey, listen, do you like it when people send you internet links to funny things? 01:11:55.280 --> 01:11:57.562 Well, I do sometimes. 01:11:57.682 --> 01:11:58.342 Sometimes they are funny. 01:11:58.362 --> 01:11:58.822 When they're good. 01:11:58.842 --> 01:12:00.363 Like half the time they're good. 01:12:00.523 --> 01:12:10.449 Someone sent us one in, and typically I have lost their email, so I can't credit them by name, but they'll know who they are for a link for us to follow. 01:12:10.469 --> 01:12:11.610 I don't know whether you would have lost them as well. 01:12:11.630 --> 01:12:12.911 Was it the Australian Sports Commission one? 01:12:12.991 --> 01:12:15.993 It wasn't, no, it was a little video game, online video game. 01:12:16.733 --> 01:12:18.094 called You Have to Burn the Rope. 01:12:19.135 --> 01:12:23.658 And I don't want to say anything else about it because it'll spoil it when you get there, but it really made me laugh. 01:12:25.059 --> 01:12:28.822 You have to put into a search engine the words, you have to burn the rope. 01:12:29.282 --> 01:12:29.602 Okay. 01:12:29.942 --> 01:12:36.207 You have to burn the rope and you'll get to a little video game and you play it through, make sure you've got the sound turned up. 01:12:36.227 --> 01:12:40.310 And then once you've played it, have a look at the various ancillary links around it. 01:12:40.430 --> 01:12:40.650 Yeah. 01:12:40.930 --> 01:12:41.851 It was very amusing. 01:12:42.131 --> 01:12:47.256 Okay, it's not one of those ones that you turn the sound up and then someone just goes... No, it's more sophisticated than that. 01:12:47.496 --> 01:12:48.717 Right, because I don't like those ones. 01:12:48.737 --> 01:12:49.458 You have to burn the rope. 01:12:49.858 --> 01:12:55.704 It may be that everyone's, it may be terribly, you know, popular and common, but I only just found out about it. 01:12:55.784 --> 01:12:57.566 Oh, I've not heard about it at all, so... And it is good. 01:12:57.786 --> 01:12:58.507 I'll check it out. 01:12:58.867 --> 01:13:00.068 Right, it is just gone 11.30. 01:13:00.589 --> 01:13:02.931 It's time for the news here on BBC 6 Music. 01:13:03.231 --> 01:13:06.473 That's like shop with a track called Remind Me. 01:13:07.213 --> 01:13:17.738 That reminded us of the fact that we were talking about maybe doing a song wars with sort of quirky Nordic music because it seems so popular in the charts at the moment. 01:13:17.818 --> 01:13:18.779 Are there charts anymore? 01:13:18.799 --> 01:13:20.180 On the radio, you know. 01:13:20.200 --> 01:13:22.341 So we were going to do a sort of Björk 01:13:23.421 --> 01:13:27.603 style, Sigur Ross style Icelandic sort of a song wars maybe. 01:13:27.623 --> 01:13:28.884 And who's the other person that we played last week? 01:13:28.924 --> 01:13:29.945 Taitur, is it? 01:13:30.305 --> 01:13:30.865 Taitur. 01:13:31.045 --> 01:13:50.035 And somebody emailed in a lovely lady saying she was a model from Iceland as usual I haven't got the email to hand but saying she would be prepared as an Icelandic lady to judge the song wars and that she was a popular model now living in London and she had a link to her website and lo and behold she is a very beautiful 01:13:50.635 --> 01:13:51.516 She's a real model. 01:13:51.536 --> 01:13:52.556 Nordic model. 01:13:52.676 --> 01:13:59.040 Well, we're, you know, we're used to getting one or two exaggerations and fibberoonies via email. 01:13:59.100 --> 01:14:08.345 So we were thinking maybe, would that be wrong for her qualifications to, you know, for the fact that she's a beautiful model to sort of... Would it be sleazy, you mean? 01:14:08.365 --> 01:14:14.029 Would it be sleazy for that to, you know, make us invite her into song wars? 01:14:14.089 --> 01:14:14.309 Yes. 01:14:14.369 --> 01:14:15.249 Yes, it was. 01:14:15.409 --> 01:14:16.970 But would that in itself be wrong? 01:14:18.351 --> 01:14:19.932 Is it wrong to be sleazy? 01:14:19.992 --> 01:14:24.534 Is it wrong to want to spend time with a beautiful model who's written in and asked if she fans? 01:14:24.554 --> 01:14:24.774 Correct. 01:14:24.894 --> 01:14:25.114 Is it? 01:14:26.034 --> 01:14:26.615 Well, no. 01:14:26.795 --> 01:14:32.657 One would have to say, no, it's not wrong to want to, but to actually then to use your power as a DJ to make it happen. 01:14:32.677 --> 01:14:33.918 The power of a DJ. 01:14:35.378 --> 01:14:37.499 You force some DJ power. 01:14:37.519 --> 01:14:38.199 Wow. 01:14:40.321 --> 01:14:41.622 I've forgotten what I'm doing now. 01:14:42.243 --> 01:14:43.565 So we'll have to discuss that. 01:14:43.585 --> 01:14:50.532 I mean, I would imagine that now we've put it in that context, it would be breaking all kinds of guidelines. 01:14:51.153 --> 01:14:51.453 Yes. 01:14:51.574 --> 01:14:52.515 To get her in, wouldn't it? 01:14:52.795 --> 01:14:53.576 Well, I don't know. 01:14:53.656 --> 01:14:55.598 Let's find out. 01:14:55.958 --> 01:14:57.040 She's very beautiful. 01:14:57.580 --> 01:15:00.584 Hey, listen, it's time to recap song wars, so let's have a jingle. 01:15:01.448 --> 01:15:02.188 Quickly, Ben! 01:15:02.208 --> 01:15:03.088 Oh god. 01:15:03.488 --> 01:15:06.909 I was thinking about models. 01:15:07.089 --> 01:15:11.370 We can tell you that in a second you'll be hearing our Australian Song Wars songs. 01:15:11.390 --> 01:15:13.131 These are songs about Baz Luhrmann's Australia. 01:15:13.291 --> 01:15:18.032 And I should point out that it's apparently neck and neck in Song Wars, isn't it? 01:15:18.052 --> 01:15:18.572 Is it? 01:15:18.972 --> 01:15:19.872 I think it might be. 01:15:20.012 --> 01:15:22.673 Ben, not only does he not know, he doesn't care. 01:15:22.693 --> 01:15:24.533 It's time for Song Wars. 01:15:32.976 --> 01:15:39.881 Yes, it's songs themed on Baz Luhrmann's extraordinary new film, Australia, which is in cinemas now. 01:15:39.921 --> 01:15:45.706 We both went and saw it, and we wrote songs that have some disturbingly similar elements. 01:15:46.506 --> 01:15:48.107 The main one of which is this sound. 01:15:49.668 --> 01:15:55.112 which appears in both songs and, you know, might be a reflection on the film. 01:15:55.412 --> 01:15:56.573 I weirdly enjoyed it, though. 01:15:57.393 --> 01:15:59.875 Australia, well, it's not totally boring. 01:15:59.895 --> 01:16:16.165 I mean, I make a joke about it being boring, but... You can't take... If you're taking it seriously or if you're thinking, you know, about rabbit-proof fence or the Bruce Chatwin novel The Song Lines or any great piece of art about Australian history and culture, if you're comparing it to stuff like that, then it's a ridiculous panto. 01:16:16.645 --> 01:16:20.588 But if you take it on those terms, it's really quite an enjoyable, ridiculous panto. 01:16:20.888 --> 01:16:28.553 And as you'll find out in my song, I walked out of it, but only because I will buy it on Blu-ray, and I like to... I did the same with the third Mummy film. 01:16:29.074 --> 01:16:38.820 Yeah, you would have been... I just thought, I'm enjoying this, I'm really liking this, but I'm quite busy, and I've got some other stuff to do, so I'll just leave, and then I'll buy it on Blu-ray, and I'll project it at home. 01:16:39.080 --> 01:16:39.581 That's the thing. 01:16:39.601 --> 01:16:45.524 I have a projector, you know, and so it's like being in the... Well, let's hear Joe's Australian song first this time. 01:16:45.725 --> 01:16:46.065 Here it is. 01:16:50.412 --> 01:17:00.028 Last night I saw a film It had Jack Hugeman in And nipples kidman too It cost me 10 pounds to get in 01:17:01.607 --> 01:17:31.259 And a fiver for a coke it was supposed to be About the history of the antipodies But it lacked authenticity It was Bazlamans Australia Bazlamans Australia And that tight English wife 01:17:32.370 --> 01:17:39.211 claim her farm, but finds her husband dead and falls in love with you, Jackmunk. 01:17:40.452 --> 01:17:48.633 When she sees him take his shirt off, evil wrencher, played by that man from cocktail, tries to destroy her heart. 01:17:48.873 --> 01:17:52.394 He wants to make her business fail. 01:17:53.774 --> 01:17:56.355 It's Bazlamans Australia. 01:18:02.987 --> 01:18:04.770 That's a little boy 01:18:24.145 --> 01:18:28.629 I don't know what happened next because I got up and left 01:18:36.444 --> 01:18:54.136 Oh, I have better things to do And my bum was not quite up for time I will watch the rest of my TV When it sounds on DVD 01:18:55.171 --> 01:18:58.052 That's Joe's song there for Song Wars. 01:18:58.492 --> 01:19:00.173 If that's your favourite text, Joe too. 01:19:00.313 --> 01:19:00.974 No, don't do that. 01:19:01.114 --> 01:19:07.336 Email a vote for it to adamandjoe.sixmusicatbbc.co.uk. 01:19:08.017 --> 01:19:11.438 Here's song number two also on the theme of Baz Luhrmann's Australia. 01:19:11.458 --> 01:19:12.238 Has he got a name? 01:19:12.919 --> 01:19:14.119 This is just called Australia. 01:19:14.139 --> 01:19:14.619 So's mine. 01:19:14.639 --> 01:19:15.960 Oh, well, that happens. 01:19:17.040 --> 01:19:17.421 Here we go. 01:19:17.541 --> 01:19:21.162 Give it lots of volume, Ben, because otherwise it'll just send everyone to sleep. 01:19:24.008 --> 01:19:25.296 Would you like to hear a story? 01:19:39.726 --> 01:19:55.318 I'm a genius, oh I'm told My films will really blow your mind Especially if you're six years old My latest is an epic lump that's called Australia It costs a lot of wonder and I hope it's not a failure 01:20:00.143 --> 01:20:17.824 It's all about a kind of magic Aboriginal girly boy And Nicole Kidman's British accent which is such a joy And it's got Wolverine who look at his lovely manly chest But don't expect a whole lot more or you are gonna get a bit depressed 01:20:21.707 --> 01:20:38.700 Oh, it's spectacular, we use computer technicals Look at all the ships and planes, look it is a load of balls It's very long so you'll need a pillow and a snack You will be starving by the time the flipping Japanese attack 01:21:04.417 --> 01:21:08.039 We're only cold, she's an icy acting robot. 01:21:08.699 --> 01:21:12.221 And look at huge, I can't believe the pecks he got. 01:21:12.321 --> 01:21:16.643 Oh Aboriginal man, you're so wise and dignified. 01:21:16.883 --> 01:21:22.545 Every time you popped up standing on one leg, I very nearly cried. 01:21:35.430 --> 01:21:37.953 There you go, that's Adam's Australia song there. 01:21:37.973 --> 01:21:40.557 Which, it sounds not finished. 01:21:40.757 --> 01:21:43.220 I mean, I really need to beef it up a little bit. 01:21:43.260 --> 01:21:45.423 It sounds as if it was, uh, you can't go back. 01:21:45.744 --> 01:21:46.525 Oh, in case it wins. 01:21:46.885 --> 01:21:47.987 Yeah, can't go back. 01:21:48.007 --> 01:21:52.533 I might go back and beef it up, but I might beef it up anyway just for my own personal satisfaction. 01:21:52.893 --> 01:22:00.018 You know, speaking of beefing things up, you had a reference to the moment where Hugh Jackman removes his shirt in the film, and it is quite an extraordinary moment. 01:22:00.259 --> 01:22:05.382 In a film that's more or less free from real emotion of any kind, I would say. 01:22:05.663 --> 01:22:13.168 Like, I found it very hard to care one way or another about Kid Monster or the little beautiful child with the big eyes. 01:22:13.729 --> 01:22:14.029 Nula. 01:22:14.549 --> 01:22:14.770 Nula. 01:22:15.510 --> 01:22:25.158 But the bit that actually caused a real emotion in me was when Hugh Jackman's nip-nots removed his shirt, because I was just bowled over by what he's got there. 01:22:25.739 --> 01:22:30.783 He's got an amazing torso, so it raised a few important questions in my mind. 01:22:31.303 --> 01:22:32.504 About your sexual preferences. 01:22:32.524 --> 01:22:33.745 About my preferences. 01:22:34.086 --> 01:22:40.051 In fact, he's on the cover of Empire magazine, maybe last month's Empire, I'm not sure. 01:22:40.071 --> 01:22:42.273 There was a picture from his new Wolverine movie. 01:22:42.953 --> 01:22:46.536 And the packet in his pants is grotesquely exaggerated. 01:22:46.556 --> 01:22:47.876 He's got a giant packet as well. 01:22:47.956 --> 01:22:51.939 But it can't be real, it's grotesquely exaggerated and it looks ridiculous. 01:22:52.620 --> 01:22:54.861 He's a peculiar figure, isn't he? 01:22:55.381 --> 01:23:00.785 He clearly as a man has a sense of humour, but it's not reflected in any of his work, really. 01:23:01.425 --> 01:23:04.588 He can take these really stupid films amazingly seriously. 01:23:04.708 --> 01:23:12.613 I always think, probably wrongly, that when someone spends that much time sculpting the perfect body, which he has obviously done, and then maintaining it, 01:23:13.373 --> 01:23:16.094 You just, there's no room for anything more complex really. 01:23:16.134 --> 01:23:16.994 In the, in the bons. 01:23:17.294 --> 01:23:17.454 Yeah. 01:23:17.754 --> 01:23:23.216 No, I, I think I've, I know people who've had contact with him and he's apparently a really good, nice guy. 01:23:23.256 --> 01:23:23.976 I'm sure he is. 01:23:24.256 --> 01:23:26.277 And he's got a proper sense of humor about all the stuff he does. 01:23:26.297 --> 01:23:27.537 He's got a proper torso as well. 01:23:27.557 --> 01:23:28.377 Oh my goodness. 01:23:28.517 --> 01:23:31.518 I mean, I was really having to ask some tough questions there. 01:23:31.858 --> 01:23:32.218 Really? 01:23:32.278 --> 01:23:36.782 Yeah, you know, should I maybe break some bad news to my wife? 01:23:36.802 --> 01:23:38.083 Should I go off exploring? 01:23:38.383 --> 01:23:41.905 Should I maybe stop eating the mince pies that were left over from Christmas? 01:23:41.925 --> 01:23:44.667 I thought you were going to say something else then. 01:23:45.328 --> 01:23:47.029 But that was the best bit for me. 01:23:47.269 --> 01:23:48.910 Anyway, those are our Song Wars songs. 01:23:49.230 --> 01:23:58.637 Please get voting and of course if you're listening to this show throughout the week on the iPlayer or on Listen Again, you can still vote and we will reveal the winner next week. 01:23:58.897 --> 01:23:59.698 Now here's music. 01:23:59.738 --> 01:24:00.900 This is Prefab Sprout. 01:24:01.161 --> 01:24:01.882 Oh it's a classic. 01:24:02.162 --> 01:24:02.923 When Love Breaks Down. 01:24:02.943 --> 01:24:04.225 This is a real weedy classic. 01:24:04.245 --> 01:24:05.126 Let's fire it off Ben. 01:24:05.307 --> 01:24:06.468 It's a weedy classic. 01:24:07.230 --> 01:24:10.434 That's Prefab Sprout with When Love Breaks Down. 01:24:10.515 --> 01:24:14.320 That's one of about 15 versions of that song that they released at various points. 01:24:14.901 --> 01:24:18.763 They were never afraid of going back and retooling their tracks there. 01:24:18.803 --> 01:24:19.043 No. 01:24:19.143 --> 01:24:19.663 The Sprouts. 01:24:20.163 --> 01:24:20.524 Quite right too. 01:24:20.544 --> 01:24:22.584 That's more or less it for our show listeners. 01:24:22.644 --> 01:24:23.825 Thank you very much indeed. 01:24:24.225 --> 01:24:30.128 Thanks especially to everyone who took part in what I think everyone agrees is the most sex, sex, successful. 01:24:30.148 --> 01:24:31.208 Sexy, sexful. 01:24:31.328 --> 01:24:31.608 Yeah. 01:24:32.009 --> 01:24:33.609 Successful, text the nation. 01:24:34.530 --> 01:24:34.830 Ever. 01:24:35.490 --> 01:24:44.856 shelf classics it was stimulating I would know it's true man we got a lot of response yeah exactly the problem was uh none of it was very interesting what 01:24:46.169 --> 01:24:48.471 It's at the start of a sentence, a question? 01:24:48.671 --> 01:24:49.411 It's, yeah. 01:24:49.852 --> 01:24:51.032 You should have made it interesting. 01:24:51.313 --> 01:24:52.333 I should, no, you're right. 01:24:52.393 --> 01:24:53.774 You could read them out in funny accents. 01:24:53.794 --> 01:25:02.520 I have to say, we're getting a lot of emails and texts that the quantity, you know, is quite big and web, I've got to work out a new system for reading them. 01:25:02.861 --> 01:25:03.521 We need some help. 01:25:03.541 --> 01:25:04.462 Filtering through them. 01:25:04.582 --> 01:25:05.703 Ollie, maybe he's the key. 01:25:05.843 --> 01:25:08.345 Maybe Sif Agust's daughter can come in. 01:25:08.365 --> 01:25:11.667 Maybe Ollie, a beautiful model and a strange, silent man. 01:25:11.867 --> 01:25:12.788 So has Ollie been in touch? 01:25:13.448 --> 01:25:13.768 I don't know. 01:25:13.828 --> 01:25:15.109 I think we're going to email Ollie. 01:25:15.289 --> 01:25:16.129 We're going to email Ollie. 01:25:16.149 --> 01:25:19.150 So next week we might have a little Ollie in the corner. 01:25:19.430 --> 01:25:20.191 You won't know it. 01:25:20.911 --> 01:25:22.032 You certainly won't hear him. 01:25:22.512 --> 01:25:24.393 But you might be able to see him on the webcam. 01:25:24.573 --> 01:25:25.053 That's right. 01:25:25.113 --> 01:25:26.914 But no, he will not be allowed to speak. 01:25:27.254 --> 01:25:28.054 Or make any noise. 01:25:28.094 --> 01:25:29.375 Well, he could make a noise, though. 01:25:29.815 --> 01:25:31.375 Not if he's tapping or trying to communicate. 01:25:31.435 --> 01:25:31.715 No, no, no. 01:25:31.735 --> 01:25:33.196 But if we slapped him, for example. 01:25:33.376 --> 01:25:33.656 Yeah. 01:25:34.236 --> 01:25:34.537 Sure. 01:25:34.797 --> 01:25:35.057 Yeah. 01:25:35.177 --> 01:25:36.137 He would make a noise. 01:25:36.157 --> 01:25:37.918 Like he could cry out in pain, is what I'm saying. 01:25:38.972 --> 01:25:39.192 No. 01:25:39.332 --> 01:25:39.752 Could he not? 01:25:39.893 --> 01:25:40.093 No. 01:25:40.493 --> 01:25:40.713 Really? 01:25:40.733 --> 01:25:41.214 He'd have to muffle. 01:25:41.254 --> 01:25:42.835 Yeah, well if he did he'd have to get out. 01:25:44.196 --> 01:25:49.200 But you've taken this into sinister new Guantanamo Bay type areas. 01:25:49.240 --> 01:25:50.482 Big brother type area. 01:25:50.522 --> 01:25:50.862 Yeah. 01:25:51.382 --> 01:25:54.765 I mean if you start slapping him and trying to force him to make a noise. 01:25:54.805 --> 01:25:55.986 I'm not going to slap Ollie. 01:25:56.527 --> 01:25:58.048 Maybe I'll push him a little bit. 01:25:58.128 --> 01:25:59.309 Playful slaps are a tricky thing. 01:25:59.329 --> 01:25:59.749 Playful slaps. 01:25:59.970 --> 01:26:01.511 I'll pinch his thighs maybe. 01:26:02.011 --> 01:26:03.653 Maybe he's got very sensitive thighs. 01:26:04.093 --> 01:26:05.174 Or the tops of his ears. 01:26:05.494 --> 01:26:06.855 I was cycling into work today. 01:26:07.175 --> 01:26:08.776 The tops of my ears nearly fell off. 01:26:08.816 --> 01:26:09.776 They were so freezing. 01:26:09.796 --> 01:26:09.996 Really? 01:26:10.156 --> 01:26:11.357 Do you think Ollie's listening to this? 01:26:11.417 --> 01:26:12.698 Sorry to change the subject away from you. 01:26:12.718 --> 01:26:14.299 He'll probably listen at some point, yeah. 01:26:14.499 --> 01:26:15.960 He'll get a bit of a shock, won't he? 01:26:16.340 --> 01:26:16.560 Why? 01:26:16.980 --> 01:26:18.321 Because we talk about him a lot. 01:26:18.681 --> 01:26:19.742 Well, he's got to expect it. 01:26:19.762 --> 01:26:23.124 What does he expect if he's going to come in and sit in the corner like a little hobbit? 01:26:23.644 --> 01:26:25.045 Well, he just sent an email. 01:26:25.126 --> 01:26:27.328 I would have thought he would have expected to be ignored. 01:26:27.868 --> 01:26:28.829 Well, that's the thing. 01:26:29.690 --> 01:26:30.511 You never can tell. 01:26:30.651 --> 01:26:31.692 Never can tell. 01:26:32.613 --> 01:26:34.815 Well, thank you so much for listening, listeners. 01:26:34.895 --> 01:26:36.417 We really appreciate it, as ever. 01:26:36.517 --> 01:26:38.358 And thanks for all your messages, texts and emails. 01:26:38.378 --> 01:26:39.680 Don't forget you can vote for Song Wars. 01:26:40.160 --> 01:26:40.901 throughout the week. 01:26:41.061 --> 01:26:43.442 Yeah, it's a critical vote this week. 01:26:43.542 --> 01:26:44.983 Don't vote in haste, listeners. 01:26:45.003 --> 01:26:47.005 Listen carefully to both songs. 01:26:47.305 --> 01:26:48.986 Ten times each, I would say. 01:26:49.006 --> 01:26:57.571 Yeah, and if you wouldn't normally vote, then try and break that trend for this one, because we really need all the votes we can get for this. 01:26:57.591 --> 01:26:57.952 Why? 01:26:58.212 --> 01:27:01.294 I just feel that people might do a knee-jerk vote for your song. 01:27:01.414 --> 01:27:02.735 Oh, I feel the other way. 01:27:02.875 --> 01:27:03.235 Really? 01:27:03.475 --> 01:27:05.677 I think people are angry that I walked out. 01:27:06.437 --> 01:27:11.099 They think I've not bothered to write a tune, I've just poligned, um, Kim Wild. 01:27:11.259 --> 01:27:11.720 Which is true. 01:27:12.360 --> 01:27:13.000 Which is true. 01:27:13.200 --> 01:27:17.122 Well, although I did base my track on, uh, Rolf Harris' track. 01:27:17.242 --> 01:27:19.023 Anyway, so have a good week, folks. 01:27:19.163 --> 01:27:22.245 Don't forget to download the podcast, which will be available on Monday evening. 01:27:22.685 --> 01:27:26.827 Thanks for listening, and we'll see you at the same time next week, 9 till noon, here on BBC 6 Music. 01:27:26.907 --> 01:27:28.808 Here's one last free play from me. 01:27:28.848 --> 01:27:29.949 This is The Rolling Stones. 01:27:29.969 --> 01:27:30.769 Hope you enjoy this one. 01:27:30.809 --> 01:27:31.709 This is Waiting on a Friend. 01:27:32.050 --> 01:27:33.690 Stay tuned for Liz Kershaw. 01:27:33.770 --> 01:27:34.451 Cheerio, bye! 01:27:34.551 --> 01:27:34.751 Bye.