WEBVTT 00:01.690 --> 00:06.303 Big British Castle, it's time for Adam and Joe to broadcast on the radio. 00:15.066 --> 00:16.908 Hey, good morning, my name's Adam. 00:17.308 --> 00:18.449 Good morning, my name's Joe. 00:18.589 --> 00:22.732 And if you're a regular listener, you might think this morning that the world's gone mad. 00:23.373 --> 00:24.114 Yeah, yeah, yeah. 00:24.194 --> 00:24.334 Why? 00:24.354 --> 00:28.837 Because we played that jingle after the first record, not before. 00:29.158 --> 00:30.499 Yeah, that'll be on the news. 00:30.659 --> 00:36.444 People will be confused running around like headless chickens, not knowing what to do or where to do it. 00:36.684 --> 00:38.024 Have you ever seen a headless chicken? 00:38.064 --> 00:39.005 Just do it on the floor. 00:39.025 --> 00:39.625 That's fine. 00:40.125 --> 00:40.365 Sorry? 00:40.385 --> 00:41.825 Ever seen a headless chicken? 00:42.625 --> 00:43.566 Uh, no. 00:43.646 --> 00:49.787 I've seen that video of Sarah Palin giving an interview while somebody kills turkeys behind her. 00:49.947 --> 00:50.887 That's good enough, isn't it? 00:50.927 --> 00:51.027 Yeah. 00:51.047 --> 00:51.708 That's all you need. 00:51.728 --> 00:52.348 That was great. 00:52.368 --> 00:53.428 That was really good. 00:53.948 --> 00:54.448 Fantastic. 00:54.668 --> 00:56.429 Hey, it's nice to have you along, listeners. 00:56.709 --> 00:58.709 You know, it's really a pleasure. 00:58.729 --> 01:01.790 And we're going to be here with you until 12 o'clock today. 01:01.930 --> 01:05.471 Do you think the people that listen to the very beginning of the show are special? 01:05.911 --> 01:07.713 Yeah, they are, because they've made the extra effort. 01:07.853 --> 01:08.494 They have. 01:08.514 --> 01:13.139 They're either working, or in rare cases, they've actually woken up early to listen. 01:13.259 --> 01:15.202 Right, they're early morning people, they've been out for a jog. 01:15.222 --> 01:21.188 Yeah, it's like when you were a kid and you woke up early on Saturday and you caught the very beginning of Swap Shop. 01:22.330 --> 01:25.173 That rare, the rare air of the first half hour. 01:25.493 --> 01:27.294 Yeah, sometimes it was the best stuff. 01:27.534 --> 01:28.074 Sometimes. 01:28.114 --> 01:29.195 You know, because they're all keyed up. 01:29.515 --> 01:29.675 Yeah. 01:29.795 --> 01:34.257 A lot of people maybe, you know, they might have heard about this show, right, from other people. 01:34.397 --> 01:35.418 Oh, it's really amazing. 01:35.438 --> 01:36.678 It's the best radio show ever. 01:36.698 --> 01:39.240 You should listen to it, for example, is something they might have heard. 01:39.260 --> 01:40.360 Yeah, very powerful. 01:40.420 --> 01:41.661 But then they tune in around 11. 01:42.661 --> 01:45.723 We're both a little bit under the weather and tired by then. 01:45.743 --> 01:48.024 You know, we've caught flu by around about 11. 01:48.965 --> 01:51.526 And they will be thinking, well, this is not good. 01:52.106 --> 01:55.708 There's an exclusivity and sophistication to listeners who listen at the beginning. 01:55.768 --> 01:56.449 Yeah, absolutely. 01:56.529 --> 01:57.409 Like a special club. 01:57.589 --> 01:59.630 Now, my mum was complaining to me the other day. 01:59.650 --> 02:02.152 She likes to complain about our career, you and I, Joe. 02:02.952 --> 02:04.013 Various aspects of it. 02:04.733 --> 02:07.315 I mean, this is an option to just get her to manage us. 02:08.075 --> 02:08.315 Right. 02:08.335 --> 02:10.296 That you could think about, you could consider. 02:10.316 --> 02:10.937 Well, keep talking. 02:11.017 --> 02:11.757 She's got some great ideas. 02:11.777 --> 02:12.437 What was she saying? 02:12.697 --> 02:15.679 Well, she's very unhappy with our publicity photos, for a start. 02:15.899 --> 02:16.519 The old ones? 02:16.880 --> 02:20.902 Yeah, the ones that you can see on the 6 Music website. 02:20.942 --> 02:21.662 And the iPlayer. 02:21.782 --> 02:22.022 Yeah. 02:22.222 --> 02:23.263 Yeah, she's not the only one. 02:23.303 --> 02:24.303 We're not very happy with this. 02:24.323 --> 02:25.384 She's not happy about it. 02:25.544 --> 02:26.885 You look like a football hooligan. 02:27.145 --> 02:28.726 I look like a face painted on an egg. 02:28.986 --> 02:31.227 Yeah, so that has to change. 02:31.867 --> 02:35.310 Also, she's worried that we sound too similar when we're speaking. 02:35.350 --> 02:36.611 She can't tell one from the other. 02:36.651 --> 02:38.432 We get a lot of mails about that, actually. 02:38.512 --> 02:42.095 And so she wants us to refer to each other by name more, Joe. 02:42.475 --> 02:42.995 OK, Adam. 02:43.576 --> 02:43.836 Yeah? 02:44.056 --> 02:44.276 Yeah. 02:44.657 --> 02:47.539 So if you can bear that in mind, Joe, that would be ideal. 02:47.579 --> 02:48.159 Sure thing, Adam. 02:48.199 --> 02:48.680 That's fine. 02:48.880 --> 02:49.280 All right, Joe. 02:49.300 --> 02:50.301 Shall we have some music, Joe? 02:50.321 --> 02:50.781 Yes, Adam. 02:50.881 --> 02:52.462 That feels perfectly natural, doesn't it? 02:52.482 --> 02:53.303 Yeah, it's fair enough. 02:53.343 --> 02:55.204 I mean, Ant and Dec don't do it enough, I think. 02:55.845 --> 02:57.066 Well, you can see them. 02:57.606 --> 02:58.107 They don't care. 02:58.127 --> 03:01.972 I think they've got to the stage where it's such a, it's like a joke how no one can tell them apart. 03:02.112 --> 03:02.713 That's true, Joe. 03:02.733 --> 03:03.594 So they're not bothered. 03:04.515 --> 03:04.835 Graham. 03:05.516 --> 03:06.137 That's correct. 03:06.197 --> 03:07.218 I'm getting confused. 03:07.278 --> 03:11.484 Okay, here's a bit of depression mode for you before we tell you a bit more about what's coming up. 03:11.544 --> 03:13.086 Your confusion in today's show. 03:13.126 --> 03:15.549 This is master and servant Jack Graham. 03:18.109 --> 03:18.549 Dear me. 03:18.569 --> 03:20.310 What's going on? 03:20.330 --> 03:22.370 That was quite a rude awakening for you listeners. 03:22.891 --> 03:29.493 That's a bit like us putting a dustbin over your heads and then banging cutlery against it at 10 past 9 in the morning. 03:30.193 --> 03:32.894 We call it master and servant. 03:33.714 --> 03:35.335 It's a lot like life. 03:35.935 --> 03:37.095 I'm a sexy robot. 03:37.355 --> 03:40.736 I'm going to strap you down and teach you a lesson. 03:41.137 --> 03:42.297 What do you think of that? 03:42.537 --> 03:43.317 I'm excited. 03:43.837 --> 03:44.378 You should be. 03:45.658 --> 03:50.141 Um, if you're just waking up, you might still have some dream residue in your head, listeners. 03:50.881 --> 03:54.944 So it makes it a perfect time for me to read you a couple of dream-related emails. 03:55.604 --> 04:02.008 Here's one from Scott in Doncaster, who says, Dear Adam and Jo, I feel compelled to tell you about the strange dream I had last night. 04:02.628 --> 04:08.011 I dreamt that I met the two of you immediately after recording the show, and we were all in the living room at my parents' house. 04:08.572 --> 04:12.174 For some reason, Adam wandered off somewhere, at first leaving Jo and I alone. 04:13.014 --> 04:17.938 I feel, I'd better point out, at this point, that it wasn't one of those dreams, this time. 04:18.598 --> 04:21.720 Anyway, long story short, I got along famously with both of you. 04:22.301 --> 04:25.783 When you were separated, but once you were together, you became very vindictive. 04:26.143 --> 04:33.808 And worst of all, you took to dissecting and mocking my DVD collection, taking particular exception to my fondness for the Canadian comedy show, Trailer Park Boys. 04:34.289 --> 04:40.333 Before I took my leave, strange, given that I'd imagine that I'd have more call to stay in my parental home than your good selves. 04:40.713 --> 04:41.554 That's dreams for you. 04:42.194 --> 04:42.434 Hmm. 04:42.594 --> 04:44.596 So we were mocking his DVD collection. 04:44.616 --> 04:45.677 You know, that's not a dream. 04:46.057 --> 04:46.897 That actually happened. 04:47.058 --> 04:48.118 That is what would happen, though. 04:48.278 --> 04:49.079 Well, it did happen. 04:49.219 --> 04:49.599 Did it happen? 04:49.619 --> 04:50.120 Who's that from? 04:51.180 --> 04:51.921 Scott in Doncaster. 04:51.941 --> 04:54.042 Yeah, Scott, that happened, if you recall. 04:54.082 --> 04:58.305 We went round to your house and we did mock your collection, and we couldn't believe that you were into trailer park, boys. 04:58.746 --> 05:01.548 And the bit that you missed out was, we beat you up at the end of it. 05:03.209 --> 05:06.352 So that's just a memory. 05:06.432 --> 05:09.514 Here's another one from an anonymous author. 05:10.075 --> 05:11.175 It says, Hi Adam and Jo. 05:11.215 --> 05:16.620 My girlfriend and I, like most Adam and Jo fans I would imagine, frequently discuss who's better Adam or Jo. 05:17.481 --> 05:24.546 My girlfriend has come to an interesting conclusion that while she would like to sleep with Jo, she would like to marry Adam. 05:25.607 --> 05:32.036 I thought this was quite an interesting testament to your two different characters until she told me about a rather filthy but comical little dream she had. 05:33.012 --> 05:34.252 I'm going to have to read this carefully. 05:34.932 --> 05:41.814 She dreamt that we were invited to the Adam and Jo studio and there were loads of free gifts, one being some body lotion. 05:42.554 --> 05:47.236 She saw this and casually asked Jo if he would mind rubbing some on her bottom. 05:48.116 --> 05:49.436 Jo said that would be fine. 05:49.956 --> 05:55.458 She looked at me, I gave a little nod of permission and apparently the dream ended there. 05:56.198 --> 05:57.358 How do you feel about this? 05:57.639 --> 05:58.499 From anonymous. 05:58.619 --> 05:59.019 Brackets. 05:59.339 --> 06:04.921 My girlfriend didn't want this linked to her, but my email address gives a fairly good indication of my name. 06:05.601 --> 06:06.661 Alex Dowding. 06:07.102 --> 06:10.183 I think that, again, that probably happened, but not to us. 06:10.483 --> 06:15.684 It was something that occurred on Russell Brand's show, I would imagine, when he was still with the station. 06:15.764 --> 06:16.885 And she just got confused. 06:16.925 --> 06:18.545 She just got confused, yeah. 06:18.946 --> 06:20.366 No, we don't encourage that kind of thing. 06:20.406 --> 06:20.606 No. 06:21.126 --> 06:22.947 I like rubbing body lotion. 06:24.122 --> 06:43.859 into ladies bottoms are you yeah he's just saying that by way of yeah it's just just funny it's a coincidence that you know you should get that mail and that is one of the things i like that is one of your just a funny that that's one of your hobbies anyway if we featured in any of your dreams we'd like to hear about it especially if it's slightly saucy 06:44.099 --> 06:48.283 Later on in the program, we don't have Song Wars as such this week. 06:48.463 --> 06:50.044 I think we should do one next week, though. 06:50.605 --> 06:55.208 And we're going to need some good suggestions for what we should do for Song Wars next week. 06:55.248 --> 06:57.290 You can send those throughout the program. 06:57.330 --> 07:05.337 You can text us on 64046, or you can email us adamandjo.6musicatbbc.co.uk. 07:07.118 --> 07:18.342 You can text or email us about anything, but yeah suggestions for next week's song wars would be very welcome Also, we're gonna be talking about I'm celebrity get me out of here Joe because it's your favorite TV show today. 07:18.382 --> 07:25.504 We are yeah Okay, you know I actually watched it last night specifically because I knew you talk about okay good You didn't watch it last weekend though. 07:25.544 --> 07:27.945 Did you when David van de did his biff baff bough song? 07:28.485 --> 07:29.505 No, I didn't okay. 07:29.525 --> 07:29.625 Well. 07:29.645 --> 07:32.246 I'm gonna fill you in on the biff baff bough song a bit later on that's 07:32.546 --> 07:33.788 All to look forward to, folks. 07:34.589 --> 07:36.311 Right now, here's a free play for you. 07:36.351 --> 07:40.916 This is Spoon from their album, Ga Ga Ga Ga, and this is Don't You Ever. 07:42.725 --> 07:43.445 That was very nice. 07:43.686 --> 07:44.666 That's amazing, isn't it? 07:44.886 --> 07:46.087 I think it might be their new single. 07:46.107 --> 07:46.707 I'm not sure. 07:46.987 --> 07:47.928 You love the spoons. 07:47.948 --> 07:49.188 I love a bit of spoon. 07:49.289 --> 07:50.849 In fact, I love a load of spoons. 07:50.869 --> 07:51.830 I tell you what you'd like. 07:51.930 --> 07:52.830 Give me more spoon. 07:53.291 --> 07:54.451 King Prawn spoons. 07:55.592 --> 07:56.292 Oh, yes. 07:57.313 --> 07:58.514 Didn't they look delicious? 07:58.794 --> 08:02.436 Yeah, now these are advertised on the bumpers. 08:02.496 --> 08:04.237 They're the interstitials, they call them. 08:04.257 --> 08:09.940 They're the little sponsored adverts either side of the brake on I'm a Celebrity and they feature 08:10.820 --> 08:16.242 Uh, Kerry Katona and, um, Christopher Biggins at a so-called celebrity party. 08:16.642 --> 08:17.503 It looks great, isn't it? 08:17.523 --> 08:18.323 It looks like a good party. 08:18.343 --> 08:22.965 Well, ITV's idea of celebrity generally is anything that's purple and silky. 08:23.265 --> 08:24.305 Glitzy, yeah, chintzy. 08:24.485 --> 08:24.825 Yeah. 08:25.066 --> 08:34.289 And the so-called celebrities, they're having a party and the party's supplied with a lot of food from a popular high street freezer store, freezer food store. 08:34.309 --> 08:39.371 And it looks as if Strictly Come Dancing is taking place in the background and they're all waltzing around and stuff. 08:39.471 --> 08:44.795 And it also looks like the most revolting food that no human would eat, let alone a celebrity. 08:45.316 --> 08:46.837 The duck and vegetable boats. 08:47.598 --> 08:54.043 They look like someone's got little dog turds, hollowed them out into boats with their thumb and then puked daintily at each one. 08:55.904 --> 08:57.345 Duck and vegetable boats. 08:58.306 --> 09:02.187 Mini Cornish Pasties and the King Prawn Spoons. 09:02.487 --> 09:03.328 The Prawn Spoons. 09:03.588 --> 09:10.430 It's basically a way of dressing up, sorry, 12 King Prawns and charging whatever they charge for them. 09:10.590 --> 09:11.330 I don't quite understand. 09:11.370 --> 09:13.471 The spoons themselves are not edible, right? 09:13.631 --> 09:15.812 No, but you get a plastic spoon. 09:15.832 --> 09:17.292 It's not very environmentally friendly. 09:17.312 --> 09:18.333 A black plastic spoon. 09:18.933 --> 09:19.713 And so what do you do? 09:19.753 --> 09:20.854 Put them in the microwave? 09:20.934 --> 09:21.454 I don't know. 09:21.534 --> 09:22.614 No, you put them in your mouth. 09:22.914 --> 09:24.235 Yeah, I know, but to prepare them. 09:25.215 --> 09:25.535 Nothing. 09:25.875 --> 09:26.735 Maybe you defrost them. 09:26.996 --> 09:27.276 Right. 09:27.356 --> 09:28.356 Maybe you don't defrost them. 09:28.376 --> 09:29.656 They're like lollipops. 09:30.216 --> 09:30.856 Right. 09:30.976 --> 09:32.877 Frozen prawny pops. 09:33.097 --> 09:33.517 You know what? 09:33.657 --> 09:34.517 I don't want to know. 09:34.537 --> 09:36.018 I do want to know. 09:36.038 --> 09:37.158 I never want to taste one. 09:37.238 --> 09:39.138 What if we bring some in next weekend? 09:39.598 --> 09:43.019 Obviously other frozen prawn spoon food is available. 09:43.039 --> 09:44.180 I tell you what they'd be good for. 09:44.860 --> 09:45.780 It is a food fight. 09:46.160 --> 09:47.520 They're like a prepared food fight. 09:47.540 --> 09:50.981 You could just flick that prawn at everyone on the end of the plastic spoon. 09:51.001 --> 09:52.061 But that's very deadly. 09:52.101 --> 09:54.162 That's what the gangs are using in tough estates now. 09:54.182 --> 09:54.582 I bet it is. 09:54.982 --> 09:56.143 They don't defrost them. 09:56.243 --> 10:10.171 It's the frozen All kinds of injuries coming into hot they've got another frozen prawn spoon injury right in the eye this goat bloke got one if we get some in Then you can try it and while you're trying it. 10:10.291 --> 10:11.311 I'll flick them at you. 10:11.451 --> 10:13.272 Do you even do you like prawns? 10:13.572 --> 10:15.153 No, do you not even like prawns? 10:15.233 --> 10:19.836 Not really so you're ill-disposed towards I mean I'm pro prawn I like prawns 10:21.097 --> 10:30.651 I love any kind of prawn, and even me, as a prawn fan, as a prawner-crat, would turn my nose up at a prawn spoon. 10:32.214 --> 10:33.536 I'm glad you noticed those. 10:33.896 --> 10:35.439 All week I've been looking at those and thinking, 10:35.899 --> 10:36.199 Why? 10:36.319 --> 10:36.960 Why would you ever? 10:37.601 --> 10:38.421 Why would you ever want that? 10:38.441 --> 10:42.104 Well, that's what the current people in the current series of I'm a Celebrity want, isn't it? 10:42.265 --> 10:42.445 Right. 10:42.625 --> 10:43.666 That's their ultimate goal. 10:43.726 --> 10:46.488 Oh, if only we could be in the interstitials of the next series. 10:46.608 --> 10:47.029 Right. 10:47.369 --> 10:49.030 They want that advertising deal. 10:49.050 --> 10:50.752 It's got to be keep big cash money, surely. 10:51.192 --> 10:52.073 Must be at least £30,000. 10:52.633 --> 10:55.596 But Biggins looks like he's genuinely having a good time. 10:55.736 --> 10:56.116 He is. 10:56.136 --> 10:58.218 That's the best time he's ever had. 10:58.238 --> 11:00.100 It's the best time peak of his career. 11:00.120 --> 11:02.382 Despite the fact that they've invited Katona to the party. 11:02.682 --> 11:04.205 Yeah, well, she's on good form that day. 11:04.365 --> 11:05.827 Even that's not ruining it for her, right? 11:05.847 --> 11:06.829 She's sparkling that day. 11:06.909 --> 11:07.390 Exactly. 11:07.510 --> 11:09.373 We had such a great party last night. 11:09.494 --> 11:10.175 Prawn spoons. 11:10.215 --> 11:11.657 Kerry was on wonderful form. 11:12.078 --> 11:13.520 I had a great dance with big ins. 11:14.041 --> 11:15.984 She arrived in a duck and vegetable boat. 11:17.642 --> 11:19.122 Here's some more music. 11:19.142 --> 11:21.283 Actually, we're going to play a little trail for you right now. 11:21.303 --> 11:22.063 Is that right, Ben? 11:22.643 --> 11:23.483 Yeah, let's have a little trail. 11:23.503 --> 11:24.764 You never know what's going to be in the trail. 11:24.784 --> 11:26.784 This is just for the hub combo, yeah? 11:26.924 --> 11:27.464 Let's find out. 11:27.744 --> 11:30.845 That's The Shins with Australia. 11:30.905 --> 11:38.407 Nothing to do with the forthcoming Baz Luhrmann film, starring Nicole Kidman and Hugh Jackman. 11:38.707 --> 11:39.747 The Kid Monster. 11:41.487 --> 11:43.388 He's done a big thing about Australia, has he? 11:43.428 --> 11:43.548 Yeah. 11:44.008 --> 11:44.649 Oh my lord. 11:44.669 --> 11:46.510 Massive historical sweeping epic. 11:46.730 --> 11:47.610 Three hour epic. 11:47.791 --> 11:48.511 Thank goodness. 11:48.931 --> 11:56.276 At last I have been counting the days and finally Lerman has pulled it out of his Australian bag of tricks. 11:56.856 --> 11:57.297 Hooray. 11:57.357 --> 11:58.778 When can we expect that? 11:59.298 --> 12:00.239 Pretty soon, I think. 12:00.439 --> 12:00.640 Good. 12:01.260 --> 12:03.263 Something to look forward to in the new year. 12:03.443 --> 12:03.823 Music? 12:04.084 --> 12:05.425 Has it got musical numbers in it? 12:05.545 --> 12:06.206 Oh, I'm sure. 12:06.407 --> 12:07.047 I hope so. 12:07.187 --> 12:08.149 Oh, dancing, you mean? 12:08.549 --> 12:11.312 Just anything glitzy and song and dancey. 12:11.332 --> 12:11.893 It has to be. 12:11.933 --> 12:14.256 You can't stop Lerman from the dancing. 12:14.676 --> 12:15.978 What if you could stop Lerman? 12:16.218 --> 12:17.139 Then somebody would have. 12:19.041 --> 12:24.326 Now, listen, folks, it's just gone 10.30 and it is... No, no, 9.30, I'm so sorry. 12:24.546 --> 12:24.806 God. 12:24.846 --> 12:25.927 I'm really sorry. 12:26.027 --> 12:29.650 Yeah, it's just gone 9.30 and now it's time for the news read by Catherine. 12:30.050 --> 12:31.391 That's very enjoyable, I think. 12:32.392 --> 12:35.735 You'd have to be hard-hearted to really loathe that, wouldn't you? 12:35.995 --> 12:36.335 Yes. 12:36.935 --> 12:37.796 I mean, I think so. 12:38.116 --> 12:41.239 You know, it's enjoyable stuff there. 12:41.319 --> 12:41.939 That's catchy. 12:42.039 --> 12:44.982 The Mighty Coldplay featuring Jay-Z there. 12:45.122 --> 12:45.923 Wouldn't buy it, though. 12:46.203 --> 12:46.883 Would you not buy it? 12:46.943 --> 12:47.083 No. 12:47.884 --> 12:48.745 That's a tough one, isn't it? 12:48.825 --> 12:49.706 Because it is enjoyable. 12:49.726 --> 12:50.667 It's around so much. 12:50.907 --> 12:52.408 I can just, I'll just hear it in shops. 12:52.648 --> 12:52.949 Right. 12:53.049 --> 12:54.150 And on the telly. 12:54.210 --> 12:55.431 And that's as much as you need to hear. 12:55.451 --> 12:55.531 Yeah. 12:55.751 --> 12:57.232 Plus we get to hear it when we come into work. 12:57.252 --> 12:57.753 Exactly. 12:57.833 --> 12:58.514 Yeah, it's nice. 12:59.074 --> 13:00.435 But you wouldn't ask for respect. 13:00.655 --> 13:01.816 No disrespect intended. 13:01.856 --> 13:03.218 No, they don't need the money either. 13:03.758 --> 13:03.978 Right. 13:04.358 --> 13:06.079 Who would you be more frightened of disrespecting? 13:06.359 --> 13:07.399 Martin or Jay-Z? 13:08.400 --> 13:09.080 Oh, Martin. 13:09.580 --> 13:09.800 Right. 13:09.960 --> 13:12.201 Because he's a bit of a ruffity-tuffity man these days. 13:12.521 --> 13:14.342 You know, he's friends with Noel Gallagher now. 13:14.582 --> 13:17.023 Well, I've told you my story about him being rude to me. 13:17.423 --> 13:18.024 Many times. 13:18.504 --> 13:18.764 Really? 13:19.264 --> 13:19.544 Yeah. 13:19.964 --> 13:20.764 I don't remember that one. 13:20.885 --> 13:26.986 He came to see a recording of a kind of problematic talk show I did once years ago on The Telly. 13:27.006 --> 13:27.286 Oh, yes. 13:27.947 --> 13:35.629 He came to the first recording and then I met him, because he was a friend of Simon Pegg and Nick Frost was in this show. 13:35.789 --> 13:37.650 This was way back in 2001, I remember. 13:37.670 --> 13:38.630 Something like that, yeah. 13:39.010 --> 13:42.451 And I met him in the corridor afterwards and I said, 13:43.098 --> 13:45.179 Oh, Chris, hey, what did you think of that? 13:45.239 --> 13:45.859 Did you enjoy it? 13:45.879 --> 13:48.600 He said the sh1t word. 13:49.020 --> 13:49.520 No. 13:49.540 --> 13:50.700 He just said no, I didn't. 13:50.820 --> 13:53.101 It was... He came right out with that. 13:53.601 --> 13:58.702 I didn't know whether he was joking or serious, you know, he was kind of right. 13:59.963 --> 14:02.203 But it startled me and that's it. 14:02.223 --> 14:04.164 That's my last encounter with the Martin. 14:04.264 --> 14:05.365 Was that the last one? 14:05.385 --> 14:07.146 Oh, I've encountered him since then. 14:07.206 --> 14:07.587 Have you? 14:07.727 --> 14:09.468 He's been charming, if slightly awkward. 14:09.488 --> 14:09.608 Has he? 14:09.628 --> 14:10.969 But that's his MO, you know. 14:11.389 --> 14:13.911 Sometimes his awkwardness spills over into... He's very honest. 14:14.211 --> 14:14.512 Yeah. 14:14.752 --> 14:15.753 He can't censor himself. 14:16.073 --> 14:17.094 He will say what he thinks. 14:17.494 --> 14:18.375 He will, won't he? 14:18.935 --> 14:20.136 That's what I respect about him. 14:20.176 --> 14:21.317 That's what I respect as well. 14:21.337 --> 14:23.078 But that's why I'm more frightened than him than Jay-Z. 14:23.318 --> 14:24.139 Yeah, exactly. 14:24.219 --> 14:25.200 Jay-Z would have been polite. 14:25.760 --> 14:28.364 Right, he would have probably enjoyed your show as well. 14:28.684 --> 14:29.485 That was good, Dog. 14:29.986 --> 14:31.828 Dog, I really dug it. 14:31.909 --> 14:32.810 It was dope. 14:32.830 --> 14:34.352 I dug it, Dog. 14:34.412 --> 14:35.574 Dog, I thought it was dope. 14:37.536 --> 14:38.057 It was deaf. 14:39.319 --> 14:41.722 You know, my granny's deaf and she thought it was deaf too. 14:42.971 --> 14:46.735 And I also, I worked on Death 2 with Janet Street Portadog. 14:46.875 --> 14:47.035 What? 14:47.315 --> 14:48.576 Thanks for having me, bye bye. 14:48.717 --> 14:49.437 Thanks, bye bye. 14:50.038 --> 14:51.179 See you later. 14:52.020 --> 14:52.480 I'm rapping. 14:54.021 --> 14:56.443 That is what he sounds like, that's the funniest thing. 14:56.624 --> 15:01.728 Yeah, you know, after this next record, folks, I'm going to take you into the jungle. 15:02.209 --> 15:06.513 No one else in the British media has talked about this show, I've discovered it. 15:06.813 --> 15:09.095 It's called I'm a Celebrity Get Me Out of Here, I don't know if you've seen it. 15:09.795 --> 15:14.398 And I've got some amusing things to say about it that I don't think anyone else in the country will have said. 15:14.518 --> 15:15.619 So that's exciting, isn't it? 15:15.759 --> 15:16.280 Brilliant. 15:16.480 --> 15:17.100 Joe Cornish? 15:17.300 --> 15:18.461 I cannot wait. 15:18.561 --> 15:19.121 Say your name. 15:19.462 --> 15:21.023 At last, Joe Cornish. 15:21.203 --> 15:22.324 Remind people who you are. 15:22.564 --> 15:22.844 Graham. 15:23.464 --> 15:24.525 No, you see, that's confusing. 15:24.765 --> 15:25.266 I'm Adam. 15:25.506 --> 15:25.886 I'm Joe. 15:26.226 --> 15:27.367 And that's Joe, okay? 15:27.667 --> 15:30.309 And you can tell who we are by our names. 15:31.033 --> 15:32.455 So, here's a free play for you right now. 15:32.475 --> 15:33.416 This is you, isn't it, Joe? 15:33.496 --> 15:33.996 Is it really? 15:34.036 --> 15:35.197 I thought we were gonna have Phoenix. 15:35.257 --> 15:35.718 Oh, it's not. 15:35.738 --> 15:36.058 I assumed it. 15:36.098 --> 15:39.381 This is a song that neither of us take responsibility for. 15:39.642 --> 15:39.782 Right. 15:39.842 --> 15:41.303 Even though it's probably very good. 15:41.343 --> 15:42.445 Well, you're a Phoenix fan, though. 15:42.545 --> 15:43.406 Yeah, I like Thummideth. 15:43.466 --> 15:44.146 Duff, definitely. 15:44.186 --> 15:44.667 So this is from 2004. 15:44.787 --> 15:46.649 It's Phoenix with Run, Run, Run. 15:48.231 --> 15:49.772 Phoenix with Run Run Run. 15:50.092 --> 15:52.413 This is Adam and Joe on BBC 6 Music. 15:52.493 --> 15:55.555 Wasn't the lead singer of that band going out with some sexy actress? 15:55.575 --> 15:57.216 Spea Coppola he was going out with. 15:57.336 --> 15:58.216 I may still be. 15:59.737 --> 16:01.078 Oh, he's French, you know. 16:01.098 --> 16:03.159 He has his pick of the ladies. 16:03.519 --> 16:06.680 I mean a French Bond, you know, that's how they pronounce band. 16:06.801 --> 16:08.181 Bond, yes. 16:08.822 --> 16:10.963 Ladies love the stink of a French man. 16:11.303 --> 16:13.464 Oh, look, especially if he's a rock man. 16:13.524 --> 16:20.348 It does not matter if he has not washed, because he has a natural baseness and fecundity that the ladies love. 16:20.448 --> 16:22.710 Even if they don't smoke, they smell of chitin. 16:25.612 --> 16:26.813 I've just played a gig. 16:27.213 --> 16:29.674 Smell my armpits, they smell of chitin. 16:31.556 --> 16:33.177 Would you like to make some love? 16:33.697 --> 16:35.458 Was he just sick on her? 16:35.538 --> 16:36.839 He threw up on her. 16:36.859 --> 16:37.599 A little bit. 16:37.960 --> 16:38.640 That's cool. 16:38.700 --> 16:39.301 She likes that. 16:39.321 --> 16:40.421 It's okay, that's cool. 16:40.441 --> 16:42.623 Oh yeah, I love the smell of your vomit. 16:43.243 --> 16:44.123 You went too far. 16:44.323 --> 16:44.964 I went too far. 16:44.984 --> 16:45.604 You went too far. 16:45.624 --> 16:46.484 She was French as well. 16:46.504 --> 16:47.184 She wasn't French. 16:47.244 --> 16:47.845 She isn't French. 16:47.925 --> 16:48.585 She's American. 16:48.905 --> 16:49.445 She's American. 16:49.465 --> 16:50.165 I've ruined that. 16:50.306 --> 16:50.566 Yeah. 16:50.806 --> 16:51.826 Thanks a lot for ruining it. 16:51.846 --> 16:52.606 Oh, that's that balloon. 16:52.726 --> 16:52.986 What an idiot. 16:53.006 --> 16:54.067 Thank you very much. 16:54.087 --> 16:54.927 What an idiot. 16:54.947 --> 16:57.088 For literally puking all over that beautiful image. 16:57.108 --> 16:57.628 So ashamed. 16:59.049 --> 17:01.249 Now, folks, I don't know if you've seen this show. 17:01.369 --> 17:02.510 I'm just about to get me out of here. 17:02.530 --> 17:08.252 They put has-been celebrities in the jungle, and it's kind of a sociological experiment. 17:09.133 --> 17:09.493 It's fun. 17:09.753 --> 17:11.294 And it's one of my personal favourite shows. 17:11.334 --> 17:12.614 I can say that unironically. 17:12.774 --> 17:13.334 I enjoy it. 17:13.454 --> 17:14.575 I look forward to it every year. 17:15.495 --> 17:21.476 And every year you cross your fingers for an amusing, lunatic personality to come forth. 17:21.917 --> 17:24.397 And obviously the producers of the show hope that'll happen too. 17:24.897 --> 17:30.359 And they have a Trump card in the shape of ex-Dollar and Bucks Fizz member David Van Day. 17:30.839 --> 17:33.860 This year, also known as DVD, he calls himself. 17:34.960 --> 17:37.681 And you were a Dollar Fan, Joe, weren't you? 17:38.123 --> 17:40.325 Well, that would be going a bit too far, I think. 17:40.585 --> 17:41.646 We were both dollar fans. 17:42.166 --> 17:45.229 I bought one of their seven-inch singles when I was very, very, very young. 17:45.349 --> 17:46.450 I enjoyed video tech. 17:46.490 --> 17:49.532 I thought that was the sound of the future when it came out, the song video tech. 17:50.353 --> 17:53.195 And he is in there in the jungle. 17:53.335 --> 17:57.259 And he's a ludicrous character, but in a very enjoyable way. 17:57.739 --> 17:59.240 Why does everybody hate him so much? 17:59.801 --> 18:11.989 Well, because he's one of these people who is completely self-absorbed, but everything he does is incredibly aggressive, because he's determined not to be walked over at any stage. 18:12.589 --> 18:23.377 So if he thinks it's unfair that he hasn't got a bed, rather than just being polite about it and negotiating and saying, listen, I hate to be a pain, but is there any way that I could get a nice, comfy bed tonight? 18:23.437 --> 18:24.458 It's my turn, perhaps. 18:24.938 --> 18:31.362 He just goes in there and kicks up a massive fuss and says, oh, this is unfair, you know, when's it going to be my turn? 18:31.582 --> 18:36.324 He picks the worst and most unpleasant way to deal with any situation. 18:37.325 --> 18:37.765 Excuse me. 18:38.646 --> 18:40.507 And immediately ruffles feathers. 18:40.987 --> 18:44.709 And already there's someone in there, this glamour model called Nicole, who I was not aware of. 18:44.949 --> 18:46.751 Was she the one that was evicted last night? 18:47.372 --> 18:48.072 No. 18:48.132 --> 18:50.335 The one that was evicted was Carly, some footballer's wife. 18:50.355 --> 18:51.015 She's beautiful. 18:51.055 --> 18:52.076 She was very lovely, wasn't she? 18:52.116 --> 18:54.018 But she didn't do much other than... I don't care. 18:54.098 --> 18:55.240 She was beautiful. 18:55.300 --> 18:55.740 Yeah, yeah. 18:55.760 --> 18:56.301 Well, she's out. 18:57.362 --> 18:58.683 She's going out with Joe Cole. 18:58.783 --> 18:59.464 That's right. 18:59.484 --> 19:00.145 He's a footballer. 19:00.165 --> 19:01.006 He's a football man. 19:01.306 --> 19:02.787 That's what happens if you play the football. 19:03.068 --> 19:04.149 I'm going to get in there. 19:04.189 --> 19:05.510 I'm going to kick him to the curb. 19:05.951 --> 19:06.231 Are you? 19:06.471 --> 19:06.671 Yeah. 19:06.691 --> 19:07.172 What does that mean? 19:07.833 --> 19:09.394 You know, elbow my way in. 19:09.574 --> 19:10.055 Oh, I see. 19:10.635 --> 19:12.317 You've got to learn how to play football really well. 19:12.437 --> 19:12.818 Nah. 19:12.858 --> 19:13.138 Anyway. 19:13.979 --> 19:20.205 Listen, David Van Day though, one of the things that, one of the amusing things that he's done is formed a kind of alliance with Timmy Mallet, right? 19:20.605 --> 19:25.550 Who compared to Van Day looks like a level-headed and, you know, nice person. 19:26.551 --> 19:33.156 So, him and Mallet are convinced that they're a kind of crazy entertainment twosome on this show, right? 19:33.176 --> 19:45.964 And they were caught having a little chat about how best to exploit what they saw as their burgeoning popularity on the show, and they were sort of saying, you know, after we get out of here, we're probably gonna get asked to do quite a lot of gigs and stuff, you know? 19:46.344 --> 19:50.007 So we should really keep up the banter between ourselves while we're here in the jungle, you know? 19:50.387 --> 19:58.431 And it's always hard to tell on the show like how much they are saying these kind of things knowing that they're being filmed, like for entertainment value, and how much they really mean it. 19:58.471 --> 20:01.273 But one suspects that generally they really mean it. 20:01.633 --> 20:06.535 And one of Van Day's plans for world domination is to create a pop song. 20:06.595 --> 20:08.576 It's something that's been done a lot in the show before. 20:08.837 --> 20:14.860 Peter Andre most famously penned the classic Insaneia and then released it when he got out. 20:15.720 --> 20:20.243 And Van Day plans to do the same thing with a track called Biff Baff Boff, right? 20:21.464 --> 20:24.446 Excuse me, I've got some problems in my throttle area. 20:25.006 --> 20:26.787 You'll have to bear with me, ladies and gentlemen. 20:27.148 --> 20:28.449 I'll just have a little bit of water here. 20:29.309 --> 20:33.172 So I've got a couple of clips here to play you of the actual moment 20:33.812 --> 20:40.561 that Van Day created in his mind the structure for Biff Baff Boff. 20:40.581 --> 20:41.242 And this is amazing. 20:41.262 --> 20:44.026 This is like hearing John Lennon... This is an historic clip. 20:44.126 --> 20:46.049 ...writing Imagine or something like that. 20:46.109 --> 20:47.491 So here's the first of those clips. 20:47.887 --> 20:50.209 We'll wake up in the morning and we're feeling all right. 20:50.990 --> 20:54.974 We're looking to the guys, but we don't want to fight. 20:55.695 --> 20:59.759 We're going through the jungle, here's a good among. 20:59.779 --> 21:04.583 A temperature's rising, something's going on. 21:05.925 --> 21:07.026 Then you better watch the sun. 21:07.406 --> 21:27.574 Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah 21:27.994 --> 21:29.015 I mean, that's it. 21:29.435 --> 21:30.476 The lyrics are there. 21:31.016 --> 21:33.337 That's how it happens, doesn't it? 21:33.498 --> 21:35.859 That kind of thing. 21:36.780 --> 21:39.081 That's more or less what he was singing, and it's perfect stuff. 21:39.141 --> 21:39.801 It's all there. 21:39.861 --> 21:40.382 It's genius. 21:41.162 --> 21:42.703 I like the lyrics that are less clear. 21:42.923 --> 21:46.826 I think it should be totally made up of... Well, that's what I took from it. 21:50.888 --> 21:57.571 There's a little bit more where he's talking to Mallet about how to hone the song and which lyrics to draw out for the chorus. 21:57.611 --> 22:04.534 Let's just have that clip there. 22:04.634 --> 22:08.336 Let's take that second line of the chorus and make it the third line. 22:08.676 --> 22:11.397 But have the second line about being down on your knees. 22:11.797 --> 22:12.418 Yeah. 22:12.618 --> 22:17.200 So are you OK? 22:17.320 --> 22:18.920 I like the idea of being down on our knees. 22:18.960 --> 22:20.101 In other words, we're celebrities. 22:20.561 --> 22:21.682 Being made to look foolish. 22:22.023 --> 22:22.263 Yeah. 22:23.084 --> 22:24.145 So it's all gelling. 22:24.165 --> 22:24.885 I mean, it's amazing. 22:24.925 --> 22:26.987 It's like an episode of classic albums, really. 22:27.948 --> 22:39.960 So what I've done is I've taken that basic structure and stuck as closely as possible to create my own version of the song, or at least a little short demo version of it, of what you can expect when it gets released. 22:40.080 --> 22:43.864 And it's really very exciting, the way that it's come together. 22:43.884 --> 22:44.985 I'll play it for you now. 22:52.293 --> 23:01.197 We're looking to the guys, but we don't wanna fight We're going through the jungle, is he got a heart? 23:01.677 --> 23:02.958 I gotta make a system 23:10.680 --> 23:12.242 We're going to have some fun. 23:26.792 --> 23:32.536 I mean, maybe some of the chords aren't there, 100%, but it's basically there. 23:32.876 --> 23:34.637 And the lyrics, I think, are there. 23:35.277 --> 23:36.778 My sister done a rum. 23:37.338 --> 23:38.019 Something like that. 23:38.099 --> 23:39.200 Yeah, his su dada rum. 23:39.660 --> 23:40.981 His su dada rum. 23:41.021 --> 23:41.181 Yeah. 23:41.201 --> 23:43.042 Biff, buff, buff, his su dada rum. 23:43.550 --> 24:00.321 and what's your bada bum what's your bada bum what's your bada bum yeah i like the end the yes yes yes at the end it's very affirmative yeah that's what he does if you had any doubts about that song they're really cleared out of your mind by by yes yes yes yeah exactly yeah yeah yeah yeah yeah yeah 24:01.121 --> 24:01.662 It's nice, isn't it? 24:01.682 --> 24:02.042 It's clever. 24:02.242 --> 24:04.745 It's very clever stuff, and I look forward to it being released. 24:05.827 --> 24:08.410 But that's just my, you know, that's just my cover of the track. 24:09.251 --> 24:09.631 It's good. 24:09.671 --> 24:11.073 So you were watching it last night. 24:11.113 --> 24:12.194 What did you think of the show? 24:13.195 --> 24:14.096 I liked it, I guess. 24:14.236 --> 24:15.237 Well, you were just watching it. 24:15.257 --> 24:16.919 I can't really speak after that song. 24:18.140 --> 24:19.561 I think we should have a record. 24:19.581 --> 24:21.742 A trail, let's have a trail. 24:22.303 --> 24:24.504 Yeah, this is my free play. 24:24.524 --> 24:27.105 This is somebody called Mayor Hawthorne and the County. 24:27.706 --> 24:29.567 This is called Just Ain't Gonna Work. 24:29.607 --> 24:30.587 It's not gonna be... Hang on. 24:30.807 --> 24:32.488 It's not gonna be as good as Biff Baffboth, mate. 24:32.548 --> 24:32.888 It isn't. 24:32.928 --> 24:34.889 This is called Just Ain't Gonna Work Out. 24:35.490 --> 24:38.451 Mayor Hawthorne and the County with Just Ain't Gonna Work Out. 24:38.531 --> 24:41.253 He's 29 and white and he's from Ann Arbor. 24:41.833 --> 24:42.274 Oh, really? 24:42.374 --> 24:44.676 Yeah, and that's on Stones Throw Records. 24:44.896 --> 24:48.380 Wow, that's a very convincing impression of a bit of Philly Soul there. 24:48.400 --> 24:49.561 Yeah, lovely sound, I think. 24:49.922 --> 24:51.443 Charles Peterson's a fan of his. 24:51.543 --> 24:51.864 Is he? 24:52.064 --> 24:52.384 Yeah. 24:52.925 --> 24:53.806 Charles Peterson. 24:53.826 --> 24:54.987 I played that on Radio One. 24:55.187 --> 24:56.228 He's a funky man. 24:56.428 --> 24:57.910 Is he still on Radio One, Charles Peterson? 24:57.970 --> 24:58.530 I think so. 24:58.550 --> 25:00.312 He's about 150, isn't he? 25:00.492 --> 25:01.493 Yeah, but he's brilliant. 25:01.513 --> 25:02.755 Yeah, well, that's fine. 25:02.995 --> 25:03.616 It's not a problem. 25:04.096 --> 25:18.363 A couple of reactions to the Biff Baff Boff demo there reminded a couple of people of the TV series starring Alan Cumming, the comedy, the sitcom about, you know, stewardesses and airline stewards. 25:18.543 --> 25:19.343 Yeah, what was that called? 25:19.363 --> 25:19.944 The High Life. 25:21.184 --> 25:25.807 And there was a song in there, apparently, that Alan Cummings sang called Piff Paff Poff. 25:26.267 --> 25:27.248 I want to have it off. 25:28.048 --> 25:29.289 A little bit of musing. 25:29.589 --> 25:30.510 Um, how depressing. 25:30.670 --> 25:31.150 Naughtiness. 25:31.170 --> 25:32.531 What do you mean depressing? 25:32.751 --> 25:33.912 Not the new song. 25:34.212 --> 25:35.873 The new song is enlivening. 25:35.933 --> 25:37.254 Yeah, but Piff Paff Poff. 25:37.774 --> 25:38.615 That's depressing. 25:40.236 --> 25:42.197 Piff Paff Poff, I want to have it off. 25:42.237 --> 25:45.478 You're the kind of person that doesn't like saucy seaside postcards. 25:46.019 --> 25:46.599 That's true. 25:46.979 --> 25:49.741 You are a disgrace to this great country. 25:49.761 --> 25:50.901 I like Piff Paff Poff. 25:51.041 --> 25:52.962 We're going to throw you out of the big British castle. 25:53.442 --> 25:57.465 And so that was from Sarah in Japan who was reminded of Piff Paff Poff. 25:57.485 --> 25:59.225 Can you believe that she's listening to us in Japan? 25:59.286 --> 26:01.827 We get quite a few emails from people in Japan. 26:01.867 --> 26:02.807 That's exciting, isn't it? 26:03.208 --> 26:04.188 What time would it be there? 26:04.248 --> 26:05.069 Like it would be... Four. 26:05.269 --> 26:07.590 It would be next year at four o'clock in the morning. 26:08.971 --> 26:17.656 Also from Eliza, just listening to the I'm a Celebrity song, can't help thinking of this track from the classic airplane based cult comedy show The High Life, you can see it on YouTube. 26:18.156 --> 26:20.718 Has Mallet had a single in the charts? 26:20.738 --> 26:22.439 Didn't he do Nicky, Teeny? 26:22.519 --> 26:24.040 Yes, that was a number one. 26:24.100 --> 26:27.122 As he keeps reminding people, he keeps singing it whenever he gets the opportunity. 26:27.182 --> 26:27.502 Does he? 26:27.862 --> 26:29.403 Yeah, to lodge it in people's brains. 26:29.423 --> 26:34.086 You know, Mallet was a guest on the show that I was talking about earlier that Chris Martin insulted me about. 26:34.246 --> 26:35.246 What was the name of the show again? 26:35.346 --> 26:36.086 This week only. 26:36.526 --> 26:37.707 It lasted for one series. 26:37.987 --> 26:41.787 Well, it was very unfortunate timing because it happened just after 9-11, didn't it? 26:41.967 --> 26:43.188 But I can't remember how. 26:43.208 --> 26:45.508 It was one of the great tragedies of the Twin Towers. 26:45.528 --> 26:46.508 Yeah, exactly. 26:46.688 --> 26:47.488 The show was buried. 26:47.728 --> 26:47.948 Yeah. 26:48.609 --> 26:49.569 It was the first casualty. 26:50.929 --> 26:53.369 But Mallet attacked me with his foam mallet on that show. 26:53.409 --> 26:53.789 Did he? 26:54.650 --> 26:55.950 I did something to provoke it. 26:56.590 --> 26:59.290 And he attacked me with genuine force and violence. 26:59.390 --> 27:01.151 It was a big foam hammer he had. 27:01.371 --> 27:02.011 Mallet's mallet. 27:02.651 --> 27:05.213 And he really laid into me with genuine aggression. 27:05.233 --> 27:05.894 It was frightening. 27:06.134 --> 27:06.414 Right. 27:06.515 --> 27:09.457 He stood up on one of the desks and went at me with the mallet. 27:10.278 --> 27:12.240 I think there is some violence inside him. 27:12.380 --> 27:12.840 Of course. 27:12.880 --> 27:14.542 I mean, it was the same with Rod Hull. 27:14.582 --> 27:15.783 God rest his soul, you know. 27:16.223 --> 27:17.404 And it's a wonderful thing. 27:17.464 --> 27:24.931 Can you imagine you would you'd be able to tell your children that you were attacked by mallet's mallet the same way that if you were attacked by emu, that would have been a great honor. 27:25.091 --> 27:25.431 Yeah. 27:26.152 --> 27:30.316 It's good as an entertainer to have some kind of foam-based outlet for your aggression. 27:30.797 --> 27:31.357 Right, right. 27:31.377 --> 27:33.519 Well, Kenny Everett had those big foamy hands, didn't he? 27:33.660 --> 27:34.520 He never hit people with them. 27:34.540 --> 27:35.161 He never walloped people. 27:35.181 --> 27:36.062 He just did preaching. 27:36.082 --> 27:36.763 Yeah, yeah, yeah. 27:37.303 --> 27:38.084 What would yours be? 27:38.564 --> 27:39.125 I don't know. 27:39.205 --> 27:44.610 I think I might get some kind of foamy weapon and attack you with it during the program. 27:44.891 --> 27:45.551 That would be nice. 27:46.252 --> 27:47.013 I'm well up for it. 27:47.453 --> 27:48.495 I'm well up for it. 27:48.515 --> 27:50.317 Do you remember when The Flintstones came out? 27:50.657 --> 27:51.418 The Flintstones. 27:51.438 --> 27:52.159 The Flintstones. 27:52.860 --> 27:54.922 Uh, starring Ray, Ray, Ray Flintstone, no. 27:55.422 --> 28:00.188 Uh, but the, the Flintstones movie came out and they had... And all the kids had inflatable wham-bams. 28:00.248 --> 28:00.909 Yeah, whammy. 28:00.929 --> 28:01.629 Mallets, yeah. 28:01.690 --> 28:02.530 Mallet things. 28:02.571 --> 28:03.111 They were fun. 28:03.311 --> 28:04.873 That was, we did a bit of bashing with those. 28:04.993 --> 28:05.153 Yeah. 28:05.854 --> 28:08.696 Get some of those out of the cupboard and have a little bashing fun. 28:08.736 --> 28:09.336 Biff Baffboth. 28:09.496 --> 28:10.937 Biff Baffboth, we're celebrities. 28:11.358 --> 28:12.098 Down on our knees. 28:13.139 --> 28:19.323 Okey-doke, folks, we are coming up to the top of the first hour here at BBC Six Music. 28:19.683 --> 28:21.364 Still so much great stuff to come. 28:21.384 --> 28:23.946 We're going to be launching Text the Nation very shortly. 28:24.706 --> 28:28.608 We'll be asking you for all kinds of interactive suggestions. 28:28.869 --> 28:29.809 I'm just rambling now. 28:29.829 --> 28:30.450 It's good. 28:30.510 --> 28:31.130 Keep going, man. 28:31.911 --> 28:32.931 I'm not having to do anything. 28:32.951 --> 28:33.552 For quite a lot longer. 28:34.793 --> 28:43.282 All kinds of suggestions we'll be asking from you when you phone in using your telephones or mobile phones. 28:43.703 --> 28:50.910 You can use either of those two methods of communication to call in to the show or, of course, you can text us. 28:51.651 --> 28:52.272 Please stop me. 28:53.013 --> 28:53.353 Stop! 28:53.694 --> 28:54.374 Thank you very much. 28:54.815 --> 28:55.596 Here's a trail. 28:56.069 --> 29:08.352 They're from Brooklyn in New York and they're called Chairlift and that track is called Bruises and the first time we played we had a little giggling fit after the song because of the 29:24.775 --> 29:28.517 because of the rhyming about strawberries and knees and things like that. 29:28.577 --> 29:29.898 But it's good, it really grows on you. 29:29.998 --> 29:31.339 Yeah, it's a nice song. 29:31.399 --> 29:32.459 It's very nice indeed. 29:32.479 --> 29:35.121 So Adam and Joe here on BBC Six Music, I'm Adam. 29:35.601 --> 29:39.843 I'm Joe, and I've been invited to an amazing Christmas party, Adam. 29:39.863 --> 29:42.025 I don't know whether you've been invited. 29:42.065 --> 29:46.287 Have you been invited to Twiggy's Christmas gathering at her house? 29:46.787 --> 29:49.970 No, I'm going to Twiggy's Christmas gathering. 29:50.030 --> 29:50.590 It's brilliant. 29:50.850 --> 29:51.431 Wait a second. 29:51.471 --> 29:53.012 That's not the one with Take That, is it? 29:53.032 --> 29:54.413 Yeah, I'm going with Howard and Gary. 29:55.494 --> 30:03.981 I think Gary's going to bring a camcorder because he usually just, you know, he brings a camcorder and he films from the moment Twiggy actually opens the door. 30:04.021 --> 30:04.281 Yeah. 30:04.741 --> 30:11.627 She's so welcoming and she lives on her own now, but she's living, she's spending Christmas with Erin O'Connor. 30:12.467 --> 30:13.848 and Lily Cole. 30:14.028 --> 30:15.829 I was surprised to find Erin O'Connor there. 30:16.029 --> 30:19.590 Well, the nice thing about Twiggy's party is Nomi's always there. 30:19.730 --> 30:19.950 Mm-hmm. 30:20.050 --> 30:21.531 And she's always in her underwear. 30:21.651 --> 30:22.231 That's right. 30:22.271 --> 30:22.531 She is. 30:22.551 --> 30:23.752 She never wears clothes. 30:23.892 --> 30:27.113 She just sits around in her bra and panties smiling. 30:27.313 --> 30:27.474 Mm-hmm. 30:27.834 --> 30:29.734 And it's such a lovely Christmassy touch. 30:29.875 --> 30:31.035 So it's Nomi, is it? 30:31.475 --> 30:32.316 Where's Nomi from? 30:32.356 --> 30:33.016 Noemi. 30:33.236 --> 30:33.616 Noemi. 30:33.736 --> 30:34.196 Noemi. 30:34.256 --> 30:34.917 Noemi. 30:34.937 --> 30:35.457 Noemi. 30:35.637 --> 30:36.197 I don't know. 30:36.357 --> 30:37.338 She's from Bra-land. 30:37.498 --> 30:37.738 Okay. 30:38.158 --> 30:39.078 Panty area. 30:39.218 --> 30:39.398 Yeah. 30:39.738 --> 30:43.699 Anyway, it's gonna be a brilliant party because some all of the that boys are gonna be there. 30:43.839 --> 30:48.280 Yeah Probably start with mark and Lily Cole playing some Scrabble. 30:48.501 --> 30:48.661 Mm-hmm. 30:48.921 --> 30:49.941 They love to play the Scrabble. 30:49.961 --> 31:01.264 They've got the rotating board In front of a lovely fire, there's always a lovely fire And no meal probably be sitting in the window seat painting her nails right in her underwear You know what? 31:01.284 --> 31:02.504 I can't make that party 31:03.004 --> 31:03.364 Why not? 31:03.404 --> 31:08.506 Because I'm going to Ant and Dec's place with Jamie Oliver. 31:08.866 --> 31:09.366 Oh, really? 31:09.506 --> 31:12.687 Yeah, and I'm going to help them make lunch. 31:13.107 --> 31:15.488 But Mylene's bought Gary a stripy shirt. 31:15.968 --> 31:17.089 No, I'm... She's wrapping it. 31:17.149 --> 31:19.229 Jamie asked me ages ago to go there. 31:19.269 --> 31:21.610 We met in Sainsbury's in the aisle. 31:21.830 --> 31:22.070 Really? 31:22.110 --> 31:23.671 What'll happen at that party? 31:24.691 --> 31:47.658 I'm hanging out mainly with there's been a problem with between ant and deck right and Ants put a lot of no decks put a lot of work into to some profiteroles that ants not interested in right and there's some squabbling There's a little bit of squabbling similar things gonna happen at Twiggy's because apparently mark Owen swapped a couple of the tags on a couple of the presents that's typical and My leans ended up with a telescope. 31:47.858 --> 31:49.699 Yeah, and marks ended up with a bra 31:50.999 --> 31:52.080 Actually, that's correct. 31:52.460 --> 31:53.801 That's the way it should have gone, I think. 31:54.361 --> 31:55.342 Mark asked for a bra. 31:55.602 --> 31:56.022 You jealous? 31:57.123 --> 31:58.083 I'm a little bit jealous. 31:58.103 --> 31:59.664 I'm jealous of the panty ladies. 32:00.005 --> 32:00.265 Yeah. 32:00.305 --> 32:02.566 There's none of those at Jamie Oliver's house. 32:03.206 --> 32:05.348 Wouldn't that be brilliant to actually go to that party? 32:05.868 --> 32:06.008 Yeah. 32:06.028 --> 32:07.789 That's the best possible Christmas, don't you think? 32:07.989 --> 32:12.031 Well, or you could be with Des O'Connor, where all the prices keep appearing in front of his face. 32:12.271 --> 32:13.512 I don't like that one so much. 32:13.592 --> 32:14.793 No, he's all on his own there. 32:14.933 --> 32:15.733 I want the thatters. 32:17.135 --> 32:17.796 I like models. 32:17.896 --> 32:20.440 I prefer the Jamie Oliver party, to be honest with you. 32:21.241 --> 32:26.370 Folks, after this next track, we are going to be launching Text the Nation today, so stay tuned for that. 32:26.390 --> 32:27.893 Ooh, it's going to be exciting. 32:28.193 --> 32:30.958 But first, here is... Are we going to play Laura Marling now? 32:31.480 --> 32:31.740 No. 32:32.240 --> 32:34.421 Oh, Goldfrap, of course you said before. 32:34.461 --> 32:35.362 I'm so sorry, Ben. 32:36.462 --> 32:40.144 Ben's our producer at the moment, folks. 32:40.164 --> 32:43.105 Our producers always leave with frightening regularity. 32:43.145 --> 32:44.525 I don't know if it's us or what. 32:45.026 --> 32:46.366 James went off to Australia. 32:47.367 --> 32:49.528 So Ben, you know, Ben's going to be with us for a while. 32:49.588 --> 32:50.628 Nice to have you with us, Ben. 32:51.368 --> 32:53.529 Hope you don't go to Australia too soon. 32:53.689 --> 32:55.090 Here's Goldfrap with Ooh La La. 33:00.819 --> 33:01.801 What if I don't want to? 33:02.864 --> 33:03.887 But I'm using email. 33:04.047 --> 33:04.769 Is that a problem? 33:04.789 --> 33:05.631 It doesn't matter, text! 33:08.243 --> 33:20.873 Yes, it's time for Text the Nation, the part of the programme, where we talk about a thing and then ask you, our listeners and friends, to email us or text us your thoughts or suggestions thereon. 33:20.893 --> 33:27.979 Can I just say, last week we were talking about anthropomorphising inanimate objects. 33:28.700 --> 33:37.427 Well, somebody called Stuart made an animation to one of the emails that we read out about somebody who felt sorry for his left hand. 33:38.708 --> 33:41.049 and gave it a character and started talking to it. 33:41.069 --> 33:41.590 I remember. 33:41.650 --> 33:50.656 And if you go to our Six Music website and you click on the little link there, you can see this rather brilliant little animation that the guy's done to illustrate that email. 33:50.916 --> 33:51.036 Mmm. 33:51.496 --> 33:51.877 That's it. 33:52.037 --> 33:53.138 Thank you very much indeed for that. 33:53.158 --> 33:53.638 What's his name? 33:53.778 --> 33:54.499 Stuart Bannocks. 33:54.519 --> 33:55.839 Thank you very much, Stuart. 33:56.620 --> 34:04.345 Now, this week on Text-A-Nation, we are talking about a book by Malcolm Gladwell called Outliers. 34:04.526 --> 34:06.587 That's the inspiration for this Text-A-Nation. 34:06.707 --> 34:13.412 Now, he's a terribly important and exciting, what would you call him, sort of a social... Pop sociologist, I suppose. 34:13.432 --> 34:16.174 Yeah, and he's quite unique looking. 34:16.254 --> 34:21.938 He's a sort of weedy middle-aged white man with a big afro of crazy hair. 34:22.338 --> 34:28.363 And he's written three very successful books analyzing the way social trends occur, right? 34:29.083 --> 34:30.304 Or, yeah, that kind of thing. 34:30.484 --> 34:34.668 Yeah, I think the one that everybody knows is the tipping point. 34:34.708 --> 34:36.849 He might have written more than three, but there's three that we know of. 34:36.969 --> 34:38.271 Sure, the big ones. 34:38.291 --> 34:47.618 The tipping point, which is brilliant, which I have read, which analyzes how things become successful and how trends spread across over. 34:47.638 --> 34:51.561 Yeah, how they go from sort of street level to a commercial reality. 34:51.601 --> 34:55.084 And it takes all kinds of various examples about 34:55.604 --> 35:09.760 How these things like crime in new york how it spreads and how it was some how it was stopped from spreading and fascinating fascinating examples about how you know fashion trends spread and the kind of elements you need to make. 35:10.481 --> 35:15.485 Yeah, the moment when things kind of start running out of control and how to either stop that or harness it. 35:15.585 --> 35:16.046 That's right. 35:16.826 --> 35:19.368 Then he wrote a book called Blink, which I didn't read. 35:20.249 --> 35:27.535 I didn't read it either, but I understand that's to do with taking instinctive decisions, not analysing stuff too much. 35:27.715 --> 35:34.621 If you're given a proposition or asked a question or given a choice, you should go with your instant blink of an eye response. 35:34.641 --> 35:35.842 I mean, that just seems insane, though. 35:35.862 --> 35:36.422 We haven't read the book. 35:36.442 --> 35:36.763 I might be wrong. 35:36.783 --> 35:37.743 I think that's what it's about. 35:38.664 --> 35:42.488 Because my first instincts are usually wrong about almost everything I found. 35:42.828 --> 35:46.151 But maybe that's where I'm going wrong, is thinking that they're wrong. 35:46.751 --> 35:48.653 And actually, I should trust them a bit more. 35:49.253 --> 35:49.514 Right? 35:49.794 --> 35:50.895 Got to read the book, I suppose. 35:50.935 --> 35:51.175 Yeah. 35:51.295 --> 35:56.480 His latest, which I've just bought in super hardback, is called Outliers. 35:56.580 --> 36:00.103 I heard them chatting about it on Radio 4 earlier this week. 36:00.883 --> 36:08.405 And it is looking into what goes into making certain people successful, i.e. 36:09.325 --> 36:20.147 concentrating less on the people themselves, the genius of certain people who are very successful, and looking more at the circumstances of their success and the opportunities they've had to make themselves successful. 36:20.747 --> 36:23.368 And one of the things that he talks about in this book 36:24.048 --> 36:26.871 is the so-called ten thousand hour rule. 36:27.152 --> 36:27.412 Right. 36:28.253 --> 36:38.044 And he says, and I quote, everyone from all kinds of groups, successful groups, started playing or working, oh no, he's talking about sports people now, and... 36:39.025 --> 36:41.606 Oh no, I'm sorry, he's talking about violinists in this case. 36:42.026 --> 36:44.847 Everyone in these three groups of violinists, i.e. 36:45.127 --> 36:52.850 violinists who are good, world-class and just indifferent, started playing when they were roughly the same age, around five. 36:53.150 --> 36:57.091 In those first few years, everyone practiced roughly the same amount, two or three hours a week. 36:57.471 --> 37:01.433 But at the age of eight, real differences started to emerge between these players. 37:01.813 --> 37:08.355 The students who would end up as the best in their class began to practice more than anyone else, six hours a week by age nine. 37:09.115 --> 37:16.319 8 by age 12, 16 hours a week by age 14 until by the age of 20 they were practicing well over 30 hours a week. 37:16.619 --> 37:21.161 By then the elite performers had all totalled 10,000 hours of practice. 37:21.542 --> 37:33.748 So his basic theory is that success and genius level talent relies on putting in hours and hours of practice and also am I not right in saying it's to do with being in the right place at the right time? 37:33.948 --> 37:34.488 Yeah, exactly. 37:34.549 --> 37:39.893 Doesn't he talk about how Bill Gates went to some school in America that was the first school ever to have a PC? 37:40.593 --> 37:43.295 So he was learning how to program long before anybody else. 37:43.335 --> 37:45.957 Yeah, he looks at all kinds of factors that affect success. 37:46.017 --> 37:48.639 And the other factor with Bill Gates was when he was born. 37:49.179 --> 37:52.842 He says the computer revolution happened in Silicon Valley around 1975. 37:52.922 --> 37:55.784 Bill Gates was born 20 or 21 years before that. 37:55.824 --> 37:59.167 So he was exactly the right age to be kind of fired up into it. 37:59.187 --> 38:00.168 But the overall point 38:01.088 --> 38:10.374 for our listeners is that this chap Malcolm Gladwell is making a mint by producing this new type of book, this kind of social theory book. 38:10.614 --> 38:19.379 Yeah, identifying these kinds of... Yeah, practical techniques, sort of identifying some sort of social trend and a practical technique that people can apply to their own lives. 38:19.399 --> 38:23.882 Because by buying the book, they're almost like sort of self-help, how to make money books, aren't they? 38:24.122 --> 38:27.524 Because by buying it, you think you're getting a slice of that intelligence. 38:28.065 --> 38:29.786 You think, hmm, I'm going to make better decisions. 38:30.226 --> 38:32.688 I'm going to be more creative and successful and a genius. 38:32.768 --> 38:36.631 It's a way of looking at the world in a different way that might be helpful to you, I suppose. 38:36.891 --> 38:37.592 Yeah. 38:37.792 --> 38:42.596 Did you not think when you read the tipping point that you were going to apply some of those theories to your own work? 38:42.756 --> 38:49.401 You do sort of think, hmm, yes, I've got a little insight into how things happen now, but it's hard to apply practically. 38:49.902 --> 38:55.966 I mean, the comforting thing about this book, Outliers, is that it makes you think, well, it's not my fault if I'm not successful. 38:56.887 --> 39:05.311 No, it's still possible for someone who is not like a natural genius to make themselves into a successful person by sheer dint of hard work. 39:05.591 --> 39:10.593 I mean, that's what people always suspected, of course, but he makes a very good case for saying that that's true. 39:10.633 --> 39:11.754 You know, you just have to put in the hours. 39:12.054 --> 39:14.855 I was thinking about you and I being on the radio, right? 39:15.456 --> 39:21.818 And in total, since we've been like doing radio shows, we were at XFM for around about three, three and a half years. 39:22.339 --> 39:27.141 In that time, we only did about 100 shows in total of around about three hours. 39:27.621 --> 39:28.561 That's 300 hours there. 39:28.601 --> 39:32.183 We've only done about 60 shows here at the BBC of around three hours. 39:32.703 --> 39:33.284 So what's that? 39:33.324 --> 39:35.825 That's another 180 hours. 39:36.065 --> 39:37.085 So 280 hours. 39:37.125 --> 39:38.366 That's all we've got in the locker. 39:38.386 --> 39:38.986 What have we got to do? 39:39.186 --> 39:39.606 We've got to do 10,000. 39:41.147 --> 39:42.487 before we're any good. 39:42.728 --> 39:43.768 How old are we gonna be then? 39:43.988 --> 39:44.548 Well, very. 39:45.088 --> 39:45.729 Very old. 39:45.889 --> 39:46.949 Something to look forward to. 39:47.009 --> 39:48.970 Unless we really knuckle down, unless we do a daily show. 39:48.990 --> 39:52.731 I was thinking the only thing that I've spent 10,000 hours on in my life. 39:52.911 --> 39:53.691 Don't talk about that. 39:53.711 --> 39:54.491 I know exactly. 39:55.111 --> 39:57.232 I mean, I could be the king of Onan, but nothing else. 39:57.292 --> 40:02.674 Hey, so the point of this, listeners, is we want your ideas for Malcolm Gladwell-style books. 40:03.614 --> 40:15.329 We want you to think of some kind of social theory, it can be very stupid, but some kind of idea that you could spin a book out of and make as much money and have as much impact as Malcolm Gladwell has had. 40:15.409 --> 40:17.311 Here's one that I would genuinely like to read, right? 40:17.832 --> 40:18.953 Is something called Grump. 40:19.614 --> 40:26.343 And it would be identifying how moods happen, how you get in a bad mood and how to get yourself out of a bad mood. 40:26.403 --> 40:30.829 And how you can harness bad moods to manipulate your life and people around you. 40:31.630 --> 40:32.131 Don't you think? 40:32.151 --> 40:32.571 Yeah. 40:32.751 --> 40:36.657 How if you enter a room and you're clearly in a grump, how you can get what you want. 40:37.037 --> 40:37.317 Yeah. 40:37.717 --> 40:38.958 I mean, generally, you can't. 40:39.058 --> 40:39.658 That's the thing. 40:39.718 --> 40:41.880 I mean, David Van Day possibly could write this book. 40:43.000 --> 40:45.882 But it's a real problem I have is getting out of moods. 40:45.902 --> 40:47.563 How are you when you get into a mood? 40:47.583 --> 40:49.944 Is it easy for you to just pop yourself out of there? 40:49.964 --> 40:50.004 No. 40:50.524 --> 40:54.306 Because when you're in a mood, people say, hey, cheer up, and things like that. 40:54.606 --> 40:56.427 That generally doesn't help very much. 40:56.487 --> 40:58.068 And you can see it in children as well. 40:58.408 --> 41:01.670 When they're determined to be in a mood, they really dig their heels in. 41:01.910 --> 41:03.631 And it's very hard to get them out of it. 41:04.151 --> 41:12.419 And it's a trend that you sort of think, oh, if you were able to master your moods and just pop yourself out of a bad mood, you would be the king of your chosen field. 41:12.559 --> 41:13.760 My book would be called Lamp. 41:14.241 --> 41:14.541 Right. 41:14.921 --> 41:15.902 Lamp by Joe Cornish. 41:15.942 --> 41:21.348 It's all about how to use hitting people as a tool to get ahead in life. 41:21.468 --> 41:23.229 I think Vinnie Jones has already written that book. 41:23.249 --> 41:27.593 He might write the introduction, but it would tell you when's the right time to punch someone. 41:28.934 --> 41:30.075 You know, you shouldn't use it a lot. 41:30.135 --> 41:41.203 It's got to be targeted and limited when to threaten to use violence Yeah, when to appear to be about to go off the handle lamp how famous people have used tantrums and they're similar books I think our books. 41:41.483 --> 41:45.726 Yeah, how famous people have used hitting in the past to get to get ahead 41:46.827 --> 41:48.408 Guy Ritchie could write a forward as well. 41:48.468 --> 41:50.509 Yeah, there'd be lots of... it would be mostly forwards. 41:51.630 --> 41:52.510 Do you think that would sell? 41:52.710 --> 41:52.931 Lamp? 41:53.071 --> 41:54.632 It would be very classy, very stylish. 41:54.652 --> 41:58.914 You have a white background and all lower case with a full stop and everything. 41:58.954 --> 42:01.475 So you would actually, in a way... And a picture of a broken lamp. 42:01.656 --> 42:01.976 Right. 42:02.576 --> 42:03.076 To confuse people. 42:03.096 --> 42:04.177 A smashed lamp, yeah. 42:04.417 --> 42:09.140 I mean, in a way you would be... Well, when I say in a way, you would be directly condoning violence. 42:09.820 --> 42:11.323 In used in the right context. 42:11.603 --> 42:12.084 Oh, yes. 42:12.845 --> 42:13.065 Yeah. 42:13.626 --> 42:17.071 But like most people would think of the right context for violence being war. 42:17.451 --> 42:17.711 Right. 42:17.992 --> 42:21.437 So you're moving it out of that context into a social context. 42:21.457 --> 42:21.657 Yeah. 42:21.717 --> 42:21.977 Yeah. 42:21.997 --> 42:22.518 That's interesting. 42:22.538 --> 42:22.718 Yeah. 42:23.119 --> 42:23.760 Very interesting. 42:23.800 --> 42:25.562 I definitely buy lamp by Joe Cornish. 42:26.804 --> 42:33.190 So we'd like to hear your ideas for similar kind of pop sociology tomes in a Malcolm Gladwell style. 42:33.310 --> 42:35.672 The text number is 64046. 42:36.093 --> 42:37.194 That's 64046. 42:37.614 --> 42:41.238 The email is adamandjoe.6musicatbbc.co.uk. 42:41.398 --> 42:42.739 Here's a free play for you listeners. 42:43.420 --> 42:50.807 This is an artist that I've enjoyed for many years, Square Pusher, and he for a long time sounded a lot like Aphex Twin, that kind of 42:51.247 --> 42:56.311 a slightly unlistenable drill and bass type electronic music, which I've got a soft spot for. 42:56.632 --> 43:01.376 But he's also, the thing about the guy in Squarepusher is that he's got jazz bones, right? 43:01.436 --> 43:02.196 He loves jazz. 43:02.737 --> 43:05.959 And that keeps coming through, but he's got a very odd head on him as well. 43:06.059 --> 43:09.002 And his new album is a mix of all these types of influences. 43:09.522 --> 43:12.485 And this song is one of the most insane things I've heard for quite a while. 43:12.825 --> 43:19.130 But I like it because it's sort of computerized, and it's got a computer voice in it, and it's called A Real Woman by Squarepusher. 43:21.733 --> 43:24.878 Sorry Ben, we played that one already, that spoon. 43:24.938 --> 43:26.780 Square Pusher I think is track two on there. 43:27.782 --> 43:33.910 I mean it's a good track, the spoon one, and I'd certainly enjoy hearing it again, but for the sake of variety, here we go. 43:34.130 --> 43:34.871 This is Square Pusher. 43:36.243 --> 43:36.784 That's good. 43:36.844 --> 43:39.226 How does he make that noise with his voice? 43:39.446 --> 43:40.447 That's a vocoder, isn't it? 43:40.527 --> 43:40.787 Really? 43:40.907 --> 43:41.147 Yeah. 43:41.227 --> 43:41.988 Have you got one of those? 43:42.088 --> 43:42.288 Yeah. 43:42.889 --> 43:43.730 How much did it cost you? 43:43.750 --> 43:44.671 A couple of hundred quid. 43:45.231 --> 43:47.593 Is it a keyboard that comes with a sort of a tube? 43:47.753 --> 43:49.715 Yeah, I've got a cool one. 43:49.995 --> 43:52.758 And then you sing and play the keys simultaneously. 43:52.918 --> 43:53.398 Exactly. 43:53.639 --> 43:54.760 And it modulates them. 43:54.800 --> 43:58.643 There must be a computer application to do that now, now that they're like the... 43:59.784 --> 44:04.187 Nintendo DS's and Apple iPhones have things you can blow into, don't they? 44:04.307 --> 44:05.247 Yeah, exactly. 44:05.267 --> 44:07.749 So there must be some kind of, uh... basic one. 44:07.869 --> 44:10.230 Way to get that without paying a couple of hundred nicker. 44:10.510 --> 44:11.150 Like the knockers. 44:11.351 --> 44:12.211 Well, yeah, exactly. 44:12.531 --> 44:15.513 Cornballs has already done his outlay on his chaos pad. 44:15.533 --> 44:17.114 What have you got your... Chaosulator. 44:17.134 --> 44:18.034 Chaosulator, yeah. 44:18.234 --> 44:20.496 Yeah, but I'm in the market for buying a new noggin. 44:21.056 --> 44:22.837 You get a vocoder, do you think? 44:22.857 --> 44:23.577 It's enjoyable. 44:24.038 --> 44:26.139 Although, I only play with it, there's only so much. 44:26.159 --> 44:27.819 You used it on A Song Wars song, didn't you? 44:27.899 --> 44:29.280 I used it on Dirty Robots, I think. 44:29.340 --> 44:31.821 And it was quite hard to hear what you were saying. 44:32.162 --> 44:32.782 That's the problem. 44:32.842 --> 44:35.403 I did find it quite hard to make it sound distinctive. 44:35.463 --> 44:37.124 He's done a great job there, Tom Jenkins. 44:37.324 --> 44:37.964 Yeah, that's great. 44:38.024 --> 44:39.145 AKA Squarepusher. 44:39.165 --> 44:42.026 His new album is out now and that's from it. 44:42.066 --> 44:42.887 I forget the name of it. 44:43.567 --> 44:47.189 I'm sure you can find it fairly easily by going on some online store. 44:47.569 --> 44:48.850 My sister done a rum. 44:49.490 --> 44:50.871 Watch for your batter bum. 44:50.891 --> 44:53.012 Yeah, that's Biff Baffboth, of course. 44:53.032 --> 44:53.593 Yeah, it's catchy. 44:53.673 --> 44:54.873 It keeps coming back into my head. 44:59.796 --> 45:09.741 Biff, bath, boff, we're celebrities Biff, bath, boff, we're down on our knees You know, in a couple of months you'll be singing it If that actually came out, would you think we'd play it on this programme? 45:09.761 --> 45:17.985 Yeah, definitely, 100% We've played much worse than that on this programme And we'll do again, almost certainly I'm just having one of my five a day here, do you mind? 45:18.165 --> 45:18.785 Having a carrot? 45:20.206 --> 45:21.487 Oh tasty, very healthy. 45:21.647 --> 45:22.187 Crunchy carrot. 45:22.447 --> 45:27.309 One of the things I enjoy about it is making patterns in the top of the carrot where I bite with my wonky teeth. 45:28.189 --> 45:30.110 Is that something you've got nice straight teeth? 45:30.690 --> 45:30.950 Thanks. 45:31.131 --> 45:32.671 Maybe that would have been a better text the nation. 45:32.711 --> 45:36.072 We're worried about this text the nation that it might be too sophisticated and difficult. 45:36.093 --> 45:37.313 It's a bit up itself isn't it? 45:37.413 --> 45:41.535 Something like not funny ways of eating food might have been better. 45:42.375 --> 45:44.295 What are the quirky ways to eat food? 45:45.156 --> 45:46.236 That would have been better, wouldn't it? 45:46.356 --> 45:47.296 Maybe we can switch it. 45:47.476 --> 45:47.856 You reckon? 45:48.216 --> 45:48.716 Well, we'll see. 45:48.816 --> 45:50.917 We'll see how we get on with the Malcolm Gladwell one. 45:51.417 --> 45:52.977 We're aiming high. 45:53.458 --> 45:57.198 But maybe we should have aimed a bit lower with the quirky ways to eat food. 45:57.238 --> 45:58.119 Fun ways of eating carrots. 45:58.159 --> 45:58.959 That's quite a good pattern. 45:58.979 --> 45:59.899 Narrow it down as well. 46:00.099 --> 46:01.899 I'm not sure we should narrow that narrow. 46:02.980 --> 46:04.000 Do you have your five a day? 46:04.020 --> 46:05.160 You pretty good with your five a day? 46:05.180 --> 46:06.040 I eat a lot of fruit. 46:06.240 --> 46:06.461 Right. 46:07.821 --> 46:08.401 And some veggie. 46:08.681 --> 46:14.246 If you've got, like, if you eat different types of fruit, does that, do they count as two different ones from your five a day, right? 46:14.366 --> 46:14.927 I don't know. 46:14.947 --> 46:16.288 I really don't know. 46:16.368 --> 46:18.470 Does smoothie count as part of five a day? 46:18.971 --> 46:25.337 Well, sometimes you buy, like, I get these orange lollies made from pure, a fresh orange juice, right? 46:25.797 --> 46:28.540 And it says on the box, counts as one of your five a day. 46:28.680 --> 46:29.020 Really? 46:29.100 --> 46:29.321 Yeah. 46:30.021 --> 46:30.941 It can't be right. 46:30.961 --> 46:31.161 True. 46:31.361 --> 46:31.561 No. 46:31.881 --> 46:38.743 I mean, a lot of people, they did a survey recently, a lot of people believe that one of your five a day is crisps because they're made of potatoes. 46:38.883 --> 46:39.763 Oh, that's a vegetable. 46:41.403 --> 46:42.404 So, and chips. 46:42.744 --> 46:44.484 People think chips is one of your five a day. 46:44.724 --> 46:45.484 It's not, not. 46:46.164 --> 46:46.725 Here's the news. 46:47.065 --> 46:54.166 That's The Cope Man, The Cope Monster, The Copester, Julian and that track, of course, is World Shut Your Mouth. 46:54.206 --> 46:57.767 This is Adam Buxton here on BBC Six Music and this is... 46:59.176 --> 47:26.273 uh... joe corny well done that was good man you've got a panicking why what's the matter because we've said we're going to do a steven update and i haven't really got my bits of paper in order well i can tell you right now for a start that uh... it says here this is from who is this from this is from the face book team uh... it says there is of an event today a minute of steven a worldwide synchronized shouting of steven 47:27.373 --> 47:31.175 And it starts at 11 o'clock today. 47:31.255 --> 47:33.296 So that's in 22 minutes. 47:33.356 --> 47:35.137 That's in 22 minutes time. 47:35.677 --> 47:37.238 It says, where is it happening? 47:37.298 --> 47:38.558 The world, right? 47:39.138 --> 47:44.241 So at 11 o'clock, and it ends five minutes after 11, right? 47:44.261 --> 47:47.142 So it lasts... So you have to shout Steven for five minutes. 47:47.382 --> 47:47.802 Well, yeah. 47:47.842 --> 47:53.365 Well, just within that allotted time, between 11 and five past 11, you just go out into the street and shout, Steven! 47:54.366 --> 47:58.367 And if someone says, just coming, then you know that they're... Is that sensible? 47:58.407 --> 47:59.888 Is this something we should encourage? 48:00.168 --> 48:00.448 Why? 48:00.728 --> 48:02.729 What possible bad consequences could there be? 48:03.129 --> 48:03.949 Just disappointment. 48:04.529 --> 48:05.110 Yeah, obviously. 48:05.170 --> 48:08.191 I mean, that's a risk with life in general. 48:08.211 --> 48:10.852 We should log on to Facebook and see how many people are in that group. 48:11.092 --> 48:12.852 How many do you reckon? 48:12.872 --> 48:12.852 21. 48:13.072 --> 48:14.573 I would say less than that. 48:14.793 --> 48:15.073 Would you? 48:15.313 --> 48:17.234 Yeah, I would say maybe 15 at a push. 48:17.474 --> 48:20.195 Well, listen, things are starting to turn on the Steven front. 48:20.735 --> 48:23.236 We're not really going to attempt to explain this anymore. 48:24.036 --> 48:30.038 It's just a silly call and response thing that arose during A Text the Nation a while ago. 48:30.058 --> 48:36.161 If you want to find out about it, you can search on YouTube for Adam and Joe Steven with a pH. 48:36.781 --> 48:39.042 And there's a little film there of the original segment. 48:39.302 --> 48:39.502 Right. 48:39.702 --> 48:40.463 that somebody's done. 48:40.483 --> 48:43.304 Maybe we'll try and put that on our website so it's clearer. 48:43.344 --> 48:43.885 That would be good. 48:44.025 --> 48:45.746 But here's a couple of emails that have come in. 48:45.766 --> 48:46.887 This is from Ben Haley. 48:47.247 --> 48:56.893 He says, further to last week's missive about the Fleet Fox's Steven incident, I bring exciting news from Thursday's Ida Maria gig at the Scala in London. 48:57.474 --> 49:04.879 This time it was a drunken me who, fighting back the giggles and egged on by friends, shouted, Steven, in between Ida's songs. 49:05.419 --> 49:06.622 She paid no attention. 49:06.942 --> 49:11.471 However, a good five seconds later, a reply came from somewhere to our right. 49:12.028 --> 49:12.708 Just coming! 49:13.308 --> 49:13.909 Hoorah! 49:14.529 --> 49:24.272 I've not got any more gigs in the diary, and fear my girlfriend's patience will soon wear thin, but I will endeavour to spread the good news of Stephen and update you accordingly. 49:24.372 --> 49:25.352 Girlfriend's patience? 49:25.392 --> 49:27.613 To say nothing of the artists, surely. 49:27.673 --> 49:31.334 I mean, this is something... That might irritate performers. 49:31.394 --> 49:31.594 Yeah. 49:31.654 --> 49:33.994 Do you think we should encourage people to shout it before? 49:34.314 --> 49:35.375 It's alright, between songs. 49:35.395 --> 49:36.135 Between songs is alright. 49:36.235 --> 49:36.656 It's fine. 49:36.696 --> 49:37.096 That's fine. 49:37.136 --> 49:37.897 Not during the songs. 49:37.917 --> 49:38.898 No, never during. 49:39.018 --> 49:40.179 But that's good a result. 49:40.399 --> 49:41.240 That's very good result. 49:41.260 --> 49:42.301 Must be quite a little thrill. 49:42.522 --> 49:42.722 Yeah. 49:43.242 --> 49:44.944 Here's another one from Molly in Brighton. 49:45.445 --> 49:46.166 Hello Adam and Jo. 49:46.226 --> 49:50.510 I was at my favourite pub quiz last night and one of the teams was called Steven. 49:51.111 --> 49:56.657 When the quiz master read the scores so far and got to their name, I dutifully shouted, Steven! 49:57.097 --> 49:58.719 From somewhere in the pub a voice called, 49:59.139 --> 49:59.940 just coming. 50:00.280 --> 50:01.120 I was thrilled. 50:01.680 --> 50:05.262 Stephen came a second after a Jenga tiebreak round. 50:05.382 --> 50:05.583 What? 50:06.403 --> 50:07.344 I don't know what that means. 50:07.644 --> 50:11.206 I did a gig this week at the BFI and there was a lot of Stephen action. 50:12.060 --> 50:35.169 really and I came back with just coming but but but I but I got annoying no it was absolutely fine they all came at the same time and when the first one happened like about this during one of your gigs yeah after the first one happened there was about five or six right right and so I just dealt with all of them with just the one just coming did you but I heard someone one of the later Steven Shouters going oh 50:35.989 --> 50:37.590 Like, he wanted a personal one, you know? 50:37.870 --> 50:38.070 Yeah. 50:38.170 --> 50:42.712 But that's, I mean, if it's multiple Stevens, it's very hard to come back with multiple just comings. 50:42.732 --> 50:46.734 The nice thing about this is that it's so underpopulated. 50:47.134 --> 50:47.815 Right. 50:48.015 --> 50:49.155 It's kind of pathetic. 50:49.936 --> 50:55.378 It's like a sort of lame, hobbling, little Dickensian street urchin of a phenomena, isn't it? 50:55.418 --> 50:59.080 Well, if Malcolm Gladwell were to study this one... That's what our book would be called! 50:59.160 --> 50:59.580 Steven! 50:59.600 --> 51:00.101 Steven! 51:01.789 --> 51:02.871 It'd be a very short book. 51:02.992 --> 51:03.312 Yeah. 51:04.194 --> 51:05.396 I think that's it for the Stevens. 51:05.436 --> 51:06.759 I'll try and dig up a couple more. 51:06.799 --> 51:11.970 We did get quite a lot of emails, but I am rubbish and haven't organised them. 51:12.879 --> 51:40.140 uh... so there you go it's going to be time for that steven event will check out face book and see how many people are so far involved in the steven event which starts today at eleven o'clock right now here's some more music this is the yeah yes with turn into she was just being recorded in the studio strumming her guitar she didn't know she was being recorded no that was completely a surprise to lucky the first time she found out was just the other day when she heard on the radio cute guys 51:41.181 --> 51:48.705 Yeah, I didn't realise that, that you were recording me just strumming there in the studio on my own when I was unplugged there. 51:48.785 --> 51:49.446 Who was she? 51:49.526 --> 51:50.326 Who was that singing? 51:50.466 --> 51:51.967 That was the lady from the Yeah Yeah Yes. 51:52.908 --> 51:53.948 Ah, that's nice. 51:54.409 --> 51:55.629 Is she called Karen O? 51:56.590 --> 51:57.290 Tina O? 51:57.770 --> 51:58.471 Hey, come on. 51:58.491 --> 51:59.211 What do you think this is? 51:59.251 --> 51:59.992 A music station? 52:00.172 --> 52:00.672 I don't know. 52:00.712 --> 52:01.272 We don't know. 52:01.292 --> 52:01.993 I don't know. 52:02.833 --> 52:05.515 Hey, Ben, play the Text the Nation jingle again, please. 52:07.036 --> 52:07.276 Now? 52:07.536 --> 52:08.156 Please? 52:09.657 --> 52:10.397 Text the Nation! 52:10.517 --> 52:10.837 Text! 52:10.897 --> 52:11.177 Text! 52:11.237 --> 52:11.618 Text! 52:11.698 --> 52:12.418 Text the Nation! 52:12.498 --> 52:13.458 What if I don't want to? 52:13.718 --> 52:14.438 Text the Nation! 52:14.518 --> 52:15.519 But I'm using email! 52:15.699 --> 52:16.439 Is that a problem? 52:16.459 --> 52:17.019 It doesn't matter! 52:17.059 --> 52:19.360 Text! 52:19.660 --> 52:25.381 So Text the Nation this week, listeners, is all about coming up with your own idea for a Malcolm Gladwell-style book. 52:26.242 --> 52:33.304 We have trouble even describing this Text the Nation, so it's little wonder that people have had some trouble... Responding. 52:33.324 --> 52:34.184 Texting the Nation. 52:34.944 --> 52:38.445 But I'll read you out some of the ones we've got and you can see what you think. 52:38.825 --> 52:40.005 This is from Ross Foley. 52:40.426 --> 52:40.806 He says... 52:53.229 --> 53:07.586 no eye contact this incredible hardback will teach you in a matter of weeks how to master the ancient art of retinal intercommunication however it's not just a book the text comes with two mirror pads and a code to an incredible instructional mp3 53:08.948 --> 53:09.489 That's the end. 53:09.569 --> 53:10.749 Boy, he's really thought that through. 53:10.790 --> 53:11.130 He has. 53:11.310 --> 53:16.014 I think the freebie element of that denigrates the book slightly. 53:16.094 --> 53:20.897 It makes it seem like a cheap... I mean, Gladwell wouldn't go for any cassette, you know, cassette or CD-based. 53:21.198 --> 53:22.238 I don't think he would. 53:22.258 --> 53:23.259 He's pure text, isn't he? 53:23.279 --> 53:27.963 But he doesn't... Gladwell doesn't make the self-help element of his work overt in that way. 53:28.143 --> 53:28.363 No. 53:28.583 --> 53:29.104 You know what I mean? 53:29.404 --> 53:30.585 But maybe... It's more an analysis. 53:30.745 --> 53:31.546 Yeah, exactly. 53:32.186 --> 53:33.367 It's a... A practical analysis. 53:33.387 --> 53:34.148 Shin-stroking. 53:34.668 --> 53:37.710 That is good though, making eye contact, that's an important part of life. 53:38.030 --> 53:40.011 Handshakes is the other one to get right, you know? 53:40.972 --> 53:44.174 Isn't neuro-linguistic programming to do with eye contact? 53:44.514 --> 53:44.994 Oh, I don't know. 53:45.034 --> 53:45.315 What's that? 53:45.335 --> 53:46.435 A branch of psychology? 53:46.575 --> 53:49.377 Yeah, it's to do with where your eyes go when you're thinking. 53:49.597 --> 53:49.997 Oh, I see. 53:50.077 --> 53:58.662 And if you divide the eyeball into a kind of a clock, depending on where the eyeball looks, you're either lying or recalling something from memory. 53:58.862 --> 53:59.222 Right. 53:59.242 --> 54:04.305 So if you're trained in it, you can tell when people are telling the truth or not by where they look when they're thinking. 54:04.425 --> 54:04.946 There you go. 54:05.306 --> 54:07.467 No, certainly my eyes go funny when I lie. 54:07.927 --> 54:08.247 Do they? 54:08.368 --> 54:08.628 Yeah. 54:09.288 --> 54:09.768 What do they do? 54:09.908 --> 54:10.509 They go cross. 54:11.389 --> 54:12.490 Yeah, that's unfortunate. 54:13.351 --> 54:15.373 Here's one from Kate in Anychem in Oxen. 54:15.454 --> 54:17.255 She says, how about face? 54:17.896 --> 54:23.722 How people judge each other from their facial features and how you can use facial expressions to manipulate others? 54:23.982 --> 54:25.344 Well, that must exist surely. 54:25.384 --> 54:27.786 I mean, that's just like Joe's making faces at me now. 54:29.338 --> 54:30.399 What are they communicating? 54:30.580 --> 54:31.301 You're a jerk. 54:31.661 --> 54:32.061 Correct. 54:32.162 --> 54:34.645 What do you think of that one then? 54:34.705 --> 54:34.965 Face. 54:35.305 --> 54:35.986 Well, that's good. 54:36.026 --> 54:37.408 I mean, that's pretty basic though, isn't it? 54:37.428 --> 54:38.970 I mean, that's the problem. 54:38.990 --> 54:42.354 We left the parameters a little wide for this test session, perhaps. 54:43.155 --> 54:44.757 It's not too late to do funny carrot eating. 54:48.200 --> 54:49.421 How do you eat carrots? 54:49.441 --> 54:50.842 Do you bite off the top? 54:51.102 --> 54:53.264 Do you like to make patterns in the side of the carrot? 54:53.424 --> 54:55.606 Do you slice up the carrot into long thin sticks? 54:56.146 --> 54:57.387 What's your favourite carrot recipe? 54:57.487 --> 54:58.408 Here's quite a good idea. 54:58.428 --> 54:59.208 Do you prefer discs? 54:59.368 --> 55:00.589 From Sarah Dirty. 55:01.170 --> 55:07.014 She says, I'd like a study on why sometimes, when something you like gets popular, you stop liking it. 55:07.214 --> 55:07.855 Ah, that is interesting. 55:07.875 --> 55:09.316 That would just be called snob. 55:09.756 --> 55:10.177 Wouldn't it? 55:10.197 --> 55:10.497 Uh-huh. 55:10.557 --> 55:11.218 Right, right, right. 55:11.278 --> 55:14.962 No, it's not, but it's, you see, ah, you've identified- I admit to being a snob. 55:15.022 --> 55:16.024 I am one of those snobs. 55:16.044 --> 55:19.868 But no, you've identified a lazy prejudice about the phenomenon. 55:20.409 --> 55:22.591 It's not just snobbism, it's something else. 55:22.632 --> 55:23.392 That's why it's interesting. 55:23.412 --> 55:25.134 Carry on with the- What is it, though? 55:25.155 --> 55:25.195 Oh. 55:25.915 --> 55:27.037 You're going to tell us what it is. 55:27.137 --> 55:28.658 No, you find out if you read the book. 55:29.619 --> 55:35.906 Also, why sometimes an impersonation of a comedian you don't like is funny when the actual comedian isn't. 55:36.166 --> 55:37.908 I'm thinking about Dane Cook here. 55:38.308 --> 55:39.329 I don't know who Dane Cook is. 55:39.389 --> 55:40.691 He's an American funny man. 55:40.991 --> 55:41.171 Oh, yeah. 55:41.311 --> 55:43.413 That's getting a bit sort of off-map. 55:43.453 --> 55:45.475 That's more just sort of teasing though, isn't it? 55:45.876 --> 55:47.598 If you do an impression of someone you don't admire. 55:48.158 --> 55:50.219 Here's one from Keith Jewett. 55:50.460 --> 55:50.820 He says, 56:18.218 --> 56:19.739 I think this proves the lamp theory. 56:19.759 --> 56:20.260 There you go. 56:20.280 --> 56:21.581 You could have that as a little anecdote. 56:21.601 --> 56:22.001 Yeah. 56:22.181 --> 56:29.547 Maybe it's just slapping because in the olden days, a good, short, sharp slap used to solve lots of problems. 56:29.567 --> 56:34.411 You know, in the 50s, if a woman was stepping out of line, a slap. 56:34.671 --> 56:38.414 Well, the upper classes used to think nothing of a little slap, did they? 56:38.955 --> 56:43.479 And indeed, if a man was stepping out of line, a woman would feel free to slap him. 56:44.378 --> 56:44.698 You know? 56:44.718 --> 56:47.680 And he would just go... Have you ever been slapped by a woman? 56:48.481 --> 56:48.961 Uh, no. 56:49.061 --> 56:49.882 I'd like to be, though. 56:50.022 --> 56:50.522 Have you never been? 56:50.542 --> 56:51.183 I've been slapped. 56:51.203 --> 56:51.863 Can we arrange it? 56:51.943 --> 56:53.144 I was slapped by a woman once. 56:53.164 --> 56:55.206 I don't think I even deserved it. 56:55.466 --> 56:59.829 There's some women through a piece of glass there who are looking interested in the slapping scenario. 56:59.909 --> 57:02.431 I bet you a few women have wanted to slap you once or twice. 57:02.451 --> 57:02.551 I bet. 57:02.631 --> 57:04.512 We've had emails about my slapability. 57:04.633 --> 57:04.913 Right. 57:05.493 --> 57:06.373 I have been slapped. 57:06.674 --> 57:06.994 Have you? 57:07.054 --> 57:07.314 Yeah. 57:07.434 --> 57:08.414 For saying something cheeky? 57:08.594 --> 57:12.997 Yeah, I said something saucy at a party, and it was inappropriate, and I got slapped. 57:13.257 --> 57:16.818 I tell you what it is, it's like sort of a low-level jackass, isn't it, being slapped? 57:16.838 --> 57:17.078 Right. 57:17.218 --> 57:20.440 But it was not, I mean, it was not so saucy that I really deserved the slap. 57:20.480 --> 57:20.780 Really? 57:20.940 --> 57:22.661 And it was a girl who clearly... A sexy slap. 57:23.001 --> 57:24.242 No, it was a painful slap. 57:24.422 --> 57:24.722 Really? 57:24.762 --> 57:24.942 Yeah. 57:25.423 --> 57:28.985 And it was a girl who clearly thought it was somehow glamorous to slap men. 57:29.425 --> 57:29.645 Right? 57:29.685 --> 57:29.905 Right. 57:29.945 --> 57:31.446 And I got quite angry about it. 57:32.267 --> 57:35.729 And I think she followed up the slap with a punch to my chest. 57:36.849 --> 57:38.831 And then I got really angry and I left the party. 57:38.911 --> 57:39.111 Wow. 57:39.511 --> 57:40.752 I just thought, well, that's not on. 57:40.792 --> 57:43.815 You can't just go around punching people and think it's cute and sexy. 57:44.055 --> 57:45.096 She was quite sexy. 57:45.276 --> 57:45.476 Really? 57:45.576 --> 57:46.177 That's the thing. 57:46.597 --> 57:48.319 So I was a little confused for a while. 57:48.499 --> 57:50.821 I thought, am I enjoying being punched by a sexy woman? 57:51.161 --> 57:53.303 And then I realised, no, I think I'm not. 57:53.443 --> 57:54.684 I'm going to leave this party. 57:56.045 --> 57:57.587 So I wouldn't recommend it personally. 57:57.967 --> 57:58.587 Less slapping. 57:58.908 --> 58:00.009 I would have just pushed her over. 58:01.570 --> 58:02.351 Joe Lamp Cornish. 58:02.371 --> 58:03.992 Just shoved her into a bowl of crisps. 58:05.533 --> 58:08.695 Just giving her a prawn spoon and let her get on with it. 58:08.715 --> 58:09.955 Flicked a prawn in each eyeball. 58:10.396 --> 58:15.779 Anyway, if you can think of some better responses to text the nation, do text us on 64046. 58:16.359 --> 58:19.341 Alternatively, we might switch to funny ways of eating carrots. 58:19.742 --> 58:20.802 It's never too late. 58:21.142 --> 58:21.883 Here's a free play. 58:21.903 --> 58:24.685 This is from the JB's album from 1974. 58:24.725 --> 58:24.765 Us. 58:27.026 --> 58:30.750 that I bought on highly overpriced Japanese import this week. 58:30.850 --> 58:31.911 Us is a great album isn't it? 58:32.012 --> 58:34.875 Oh it's fantastic this is a track called Drowning in the Sea of Love. 58:50.530 --> 58:52.111 How do you do? 58:52.151 --> 58:56.755 That was Elliot Smith that you heard before the top of our stab there with the track called Son of Sam. 58:56.775 --> 58:58.836 This is Adam and Joe here on BBC 6 Music. 58:59.016 --> 58:59.477 I'm Adam. 58:59.717 --> 59:03.640 I'm Joe and we're excited to be announced that the BBC have recently rehired us. 59:04.541 --> 59:07.323 They've renewed our contract so we're going to be here for another year. 59:07.703 --> 59:08.504 Yeah, we're delighted. 59:08.944 --> 59:09.885 It's very exciting. 59:10.945 --> 59:14.048 But it's made me think that we should maybe raise our game a bit. 59:14.588 --> 59:14.988 Oh, really? 59:15.488 --> 59:17.890 Yeah, I was listening to Steve Wright the other day. 59:18.990 --> 59:21.831 And he's a very professional and seasoned DJ, isn't he? 59:22.011 --> 59:23.752 Yeah, he's got his 10,000 hours in there. 59:24.132 --> 59:29.154 One of the things that, you know, differentiates him from us... One of the many things. 59:29.555 --> 59:33.536 ...is that he never says... Does he not say, ah, mon ah? 59:33.676 --> 59:34.817 Ah, he doesn't ah, mon ah. 59:35.397 --> 59:43.401 If you listen to Steve Wright, he seems to know what he's going to say, and he says it with no ambiguity or dilly-dallying. 59:44.361 --> 59:45.782 And we're not very good at that. 59:45.982 --> 59:47.623 He might script some of his stuff, though. 59:47.703 --> 59:48.203 Do you think? 59:48.303 --> 59:48.803 Possibly. 59:48.823 --> 59:50.924 Well, maybe we should start scripting. 59:51.605 --> 59:53.165 I just think we are Manar a lot. 59:53.485 --> 59:57.407 Well, we do, but that's because we're thinking off the top of our very small brains. 59:57.447 --> 01:00:01.449 But don't you think more professional DJs are better at talkings? 01:00:01.770 --> 01:00:02.630 There's no question. 01:00:02.830 --> 01:00:04.911 We're never going to be one of the greats. 01:00:04.971 --> 01:00:07.112 We're never going to be at the level of Nicky Campbell. 01:00:07.132 --> 01:00:08.613 You used to annoy your brother, didn't it? 01:00:09.304 --> 01:00:09.564 Yes. 01:00:09.584 --> 01:00:10.845 The amount that we are in our. 01:00:11.165 --> 01:00:12.546 That's funny that it's stuck in your head. 01:00:12.806 --> 01:00:19.051 Well someone as well once sent me a mini disc where they had edited out all the ums and ahs from our show. 01:00:19.171 --> 01:00:19.411 No. 01:00:19.551 --> 01:00:22.133 And left just the ums and ahs in and got rid of everything else. 01:00:22.293 --> 01:00:22.593 No. 01:00:22.813 --> 01:00:25.155 It was just a lot, it went on for about five minutes. 01:00:25.395 --> 01:00:25.755 Did it? 01:00:25.836 --> 01:00:26.056 Yeah. 01:00:26.296 --> 01:00:29.498 I think he'd done it like as, it was just a listener, you know, it was not someone I knew. 01:00:29.518 --> 01:00:32.200 I think he'd done it because he thought we might find it amusing. 01:00:32.520 --> 01:00:34.922 But it was like a corkscrew to my heart. 01:00:35.302 --> 01:00:38.203 Well, expose your heart because I've tried it as well. 01:00:38.444 --> 01:00:38.904 Oh, have you? 01:00:39.144 --> 01:00:42.325 I took a 15-minute section of one of our podcasts. 01:00:42.485 --> 01:00:43.006 Oh, duh. 01:00:43.266 --> 01:00:45.887 And just left the ums and ahs. 01:00:46.087 --> 01:00:46.247 Right. 01:00:46.267 --> 01:00:46.968 Do you want to hear it? 01:00:47.048 --> 01:00:47.588 Alright then. 01:00:47.688 --> 01:00:50.669 This is how many we do in 15 minutes of broadcasting. 01:00:50.689 --> 01:00:50.849 Just 15? 01:00:50.909 --> 01:00:51.090 Yeah. 01:00:52.350 --> 01:00:57.475 You could make a really good song out of that. 01:00:57.495 --> 01:00:59.597 Do you think? 01:00:59.877 --> 01:01:04.621 Would it sound a bit like this? 01:01:14.537 --> 01:01:19.202 I'm home, you know joy I'm home, I'm home 01:01:35.919 --> 01:01:41.026 That's not dissimilar to the Timmy Mallet song. 01:01:51.741 --> 01:01:53.982 It's a lot better than Biff Baff Boff, I'm ashamed to say. 01:01:54.022 --> 01:01:54.963 Do you think? 01:01:54.983 --> 01:01:55.983 It's got stronger lyrics. 01:01:56.324 --> 01:01:57.064 That's very good. 01:01:57.224 --> 01:02:00.446 And did you have to change the pitch of any of those ums and ahs to make them fit there? 01:02:00.686 --> 01:02:00.806 Nope. 01:02:01.126 --> 01:02:03.548 No, you just... It's musical though. 01:02:03.908 --> 01:02:06.969 At least our upping and ouring has some kind of tuneful quality to it. 01:02:07.170 --> 01:02:07.610 Do you think? 01:02:07.950 --> 01:02:10.611 It's not just... You know, I think we shouldn't be ashamed of it. 01:02:10.672 --> 01:02:11.512 We should be proud of it. 01:02:11.552 --> 01:02:13.053 We should make it one of our trademarks. 01:02:13.793 --> 01:02:15.534 We should do more stumbling and fumbling. 01:02:15.734 --> 01:02:16.114 It's hard. 01:02:16.134 --> 01:02:21.096 The thing is that once you start thinking about it, if you start worrying about things like that, it's going to get much worse. 01:02:21.116 --> 01:02:22.757 Do you think, once you make it conscious? 01:02:23.217 --> 01:02:23.777 I noticed that. 01:02:23.857 --> 01:02:25.978 I know I do that a lot. 01:02:26.478 --> 01:02:26.819 You do that. 01:02:27.419 --> 01:02:28.259 That was really noticeable. 01:02:28.299 --> 01:02:28.960 You do the tarts. 01:02:30.606 --> 01:02:31.987 Also, I say really? 01:02:32.267 --> 01:02:32.447 Yeah. 01:02:32.607 --> 01:02:33.067 A lot. 01:02:33.367 --> 01:02:33.827 I say yeah. 01:02:33.867 --> 01:02:35.408 And you know... Sure. 01:02:35.448 --> 01:02:37.089 You've got to have these little punctuation points. 01:02:37.109 --> 01:02:37.769 You've got to have your props. 01:02:37.829 --> 01:02:38.289 It's true. 01:02:38.309 --> 01:02:39.489 Otherwise you're nowhere. 01:02:39.990 --> 01:02:40.370 Yeah. 01:02:40.770 --> 01:02:41.370 Yeah. 01:02:41.770 --> 01:02:44.531 Um... Let's have another record. 01:02:44.551 --> 01:02:46.552 This record is... What is it? 01:02:47.472 --> 01:02:48.573 This is... Is this James Brown? 01:02:48.593 --> 01:02:48.653 Yes. 01:02:49.653 --> 01:02:51.754 But this is like wall to wall James Brown. 01:02:51.774 --> 01:02:52.815 It's a bit of a clash, isn't it? 01:02:52.855 --> 01:02:53.835 It's a bit of a massive JV trash. 01:02:53.855 --> 01:02:54.395 Nevermind. 01:02:55.055 --> 01:02:55.516 Well, enjoy it. 01:02:55.536 --> 01:02:56.056 Let's enjoy it. 01:02:56.136 --> 01:02:57.836 There's nothing wrong with lots of James Brown. 01:02:57.856 --> 01:02:59.197 This is talking loud and saying nothing. 01:03:01.129 --> 01:03:03.913 That's the new young pony club with the bomb. 01:03:04.153 --> 01:03:15.628 You're listening to Adam and Joe here on BBC Six Music, and someone has brought in for us a present of 12 King Prawn spoons with cocktail sauce. 01:03:16.049 --> 01:03:23.192 I should say we were talking about these earlier because they are advertised on the interstitials for I'm a Celebrity Get Me Out of Here. 01:03:23.572 --> 01:03:27.293 Very beautifully advertised by Christopher Biggins and Kerry Katona. 01:03:27.733 --> 01:03:29.814 But I'd never come across a prawn spoon before. 01:03:30.334 --> 01:03:31.315 Seems strange, doesn't it? 01:03:31.375 --> 01:03:32.915 I'm a worldly wise man. 01:03:33.135 --> 01:03:35.516 Well, it seems unbelievable that they haven't been around. 01:03:35.576 --> 01:03:36.997 Maybe they were recently invented. 01:03:37.397 --> 01:03:40.858 The idea of already having the prawn on the spoon is brilliant, isn't it? 01:03:41.518 --> 01:03:44.520 All the effort it saves you of putting the prawn on the spoon 01:03:45.780 --> 01:03:46.660 Well, it's nice, isn't it? 01:03:46.681 --> 01:03:55.225 Because, you know, a prawn cocktail is a fun thing, but one wishes that one could have a prawn cocktail experience whenever and wherever. 01:03:55.385 --> 01:03:57.746 Why not fuse entire meals to the cutlery? 01:03:58.346 --> 01:04:00.127 Why stop at just a prawn on a spoon? 01:04:00.787 --> 01:04:03.689 What about a slice of cake fused to a knife? 01:04:04.269 --> 01:04:04.749 That's nice. 01:04:05.230 --> 01:04:09.354 Or you could have meals that are pre-cooked on plates. 01:04:09.754 --> 01:04:11.135 You could call them ready meals. 01:04:11.335 --> 01:04:11.535 Uh-huh. 01:04:12.136 --> 01:04:14.698 And you could have a whole section of the supermarket devoted to them. 01:04:14.818 --> 01:04:16.860 I don't think that would ever take on, catch on. 01:04:17.701 --> 01:04:18.982 What about soup spoons? 01:04:19.362 --> 01:04:21.945 And you'd have to peel off like it would be a... That's very good. 01:04:21.965 --> 01:04:24.327 And you'd have to peel off a little thing and then you could just... 01:04:24.847 --> 01:04:29.651 It's like one of those big serving spoons they have, but it would be the size of a soup bowl. 01:04:29.711 --> 01:04:31.112 And if you're on the go, it's nice. 01:04:31.412 --> 01:04:33.834 You don't have access to a microwave or an oven. 01:04:34.174 --> 01:04:43.622 What you can do is you can pop the soup spoon in your pox next to your julies, and they will warm up by natural friction of walking. 01:04:44.042 --> 01:04:46.004 And then after about a half-hour walk, 01:04:46.624 --> 01:04:47.365 They've warmed up. 01:04:47.605 --> 01:04:48.445 What have warmed up? 01:04:48.946 --> 01:04:50.126 The soup spoon. 01:04:50.186 --> 01:04:50.967 The soup spoon. 01:04:50.987 --> 01:04:55.110 Because you get the soup spoon, you buy it, it's maybe 25 pence at the news agent. 01:04:55.130 --> 01:04:56.150 You could call it nut soup. 01:04:56.611 --> 01:04:57.771 Nut soup is nice. 01:04:58.172 --> 01:04:58.692 It's nutty. 01:04:58.712 --> 01:04:59.913 Warm nature's way. 01:05:00.013 --> 01:05:00.553 Right, right. 01:05:01.114 --> 01:05:05.196 And whether you're a man or a woman, you just put them in your pocket and you walk around with them for a while. 01:05:05.216 --> 01:05:10.120 You could have little pork pies in foil sachets that are designed to be popped in the armpit. 01:05:10.160 --> 01:05:10.940 That's nice, you see. 01:05:10.980 --> 01:05:11.541 To heat them up. 01:05:11.661 --> 01:05:12.441 If you're on the run. 01:05:12.761 --> 01:05:14.102 If you're really pressed for time. 01:05:18.045 --> 01:05:21.008 You've got too far. 01:05:21.028 --> 01:05:22.449 I'm sorry about that. 01:05:22.469 --> 01:05:26.373 But listen, what we're going to do is defrost these King Prawn spoons. 01:05:26.413 --> 01:05:30.797 Apparently, according to the packet, it doesn't mention microwaving. 01:05:30.837 --> 01:05:33.299 So I'm assuming that that microwaving is discouraged. 01:05:33.559 --> 01:05:42.601 Well, somebody here attempted to microwave one, and if you've got the results here, she said that the, uh, the sauce exploded, and the prawn is, like, particularly dead. 01:05:42.641 --> 01:05:44.721 It looks a little bit, uh, wankoid now. 01:05:44.801 --> 01:05:54.323 So, what we're gonna do is present them nicely on a plate, and by the end of the show, just before 12, they should be correctly defrosted, and we can have a little prawn spoon party. 01:05:54.343 --> 01:05:55.223 There's no way. 01:05:55.483 --> 01:05:56.323 You have to try one. 01:05:56.363 --> 01:05:57.383 I'm not gonna eat one of those. 01:05:57.443 --> 01:05:57.783 What? 01:05:58.043 --> 01:05:59.283 It's gonna be revolting. 01:05:59.343 --> 01:06:00.004 No, it isn't. 01:06:00.064 --> 01:06:01.844 It's gonna be nice with cocktail sauce. 01:06:01.884 --> 01:06:02.084 Look. 01:06:03.204 --> 01:06:05.226 No, there's a sprig of parsley on there. 01:06:05.246 --> 01:06:05.947 I don't like them. 01:06:06.387 --> 01:06:07.328 You have to have one. 01:06:07.388 --> 01:06:08.228 You brought it up. 01:06:08.248 --> 01:06:08.889 You brought it up. 01:06:09.089 --> 01:06:10.710 Yeah, but because they look disgusting. 01:06:11.031 --> 01:06:12.352 Yeah, but now you have to have one. 01:06:12.372 --> 01:06:12.812 You can't end this. 01:06:12.832 --> 01:06:14.454 No, for balance, this is a big British castle. 01:06:14.474 --> 01:06:18.917 You can't just go around saying that commercially available products look disgusting and they're not even try one. 01:06:19.238 --> 01:06:20.559 What kind of sick world would that be? 01:06:20.919 --> 01:06:22.680 Well let's cross this bridge when we come to it. 01:06:22.880 --> 01:06:23.221 Alright. 01:06:23.521 --> 01:06:30.906 Now here's a free play for you listeners which may upset and outrage some people because it features some pirate radio interruptions that I've created. 01:06:31.286 --> 01:06:36.110 If you're a regular listener to the show you may remember that a few weeks ago when Garth was filling in for Joe 01:06:36.971 --> 01:06:53.670 We did some specially made pirate radio interruptions of the kind that you hear if you're a listener to analog radio But you never get on digital radio if you're listening to your analog radio in the car sometimes when you cross kind of band Waves or bandwidths or whatever the word is you know you'll get a little interruption 01:06:54.671 --> 01:06:59.873 suddenly in the middle of whatever you're listening to and it'll be a pirate radio station with the frequency interrupting there. 01:07:00.173 --> 01:07:01.974 But you don't get it on digital radio, of course. 01:07:02.454 --> 01:07:07.776 So we've decided to put that right by having occasional pirate radio interruptions to some of our songs. 01:07:07.836 --> 01:07:11.758 And this time I've decided to interrupt the Pink Floyd classic, Breathe. 01:07:53.598 --> 01:07:57.863 give me a little 01:08:36.397 --> 01:09:04.017 Don't be afraid to care Leave, don't leave Easy virtue, Kristin Scott Thomas Just one minute Around How you live, how you fly Stars will give and tears will cry 01:09:05.818 --> 01:09:10.041 This one's going out to my mum. 01:09:10.542 --> 01:09:14.464 Thanks for cleaning my pants. 01:09:34.873 --> 01:09:37.055 Any chance of doing my show as well? 01:09:37.795 --> 01:09:40.577 Nice look up there. 01:10:03.792 --> 01:10:04.473 Steven! 01:10:05.114 --> 01:10:05.554 He's back. 01:10:06.115 --> 01:10:06.355 Is he? 01:10:06.535 --> 01:10:06.795 Yeah. 01:10:07.376 --> 01:10:08.037 Oh, he's back, is he? 01:10:08.057 --> 01:10:08.578 Yeah, he's back. 01:10:08.598 --> 01:10:11.961 Oh, that means he's got the tooth fairy with the rock in the can. 01:10:12.081 --> 01:10:12.422 What's that? 01:10:12.682 --> 01:10:17.187 He's, that's why he's been in America because he was, um, he's appearing in a film with the rock. 01:10:17.347 --> 01:10:18.409 What's the rock's real name? 01:10:19.608 --> 01:10:46.539 uh Bernie Torpin Jimmy Pebble Jimmy Pebbles uh yeah it's a film about the tooth fairy and Stephen Merchant is in it playing an elf he's not he's he's tall he's not he's tall not like an elf and uh i think the rock had some sort of bereavement in his family right what so they had to stop filming so they stopped filming yeah a very sudden and abrupt well we were talking about bereavement we were talking about bereavement so the tone had to shift you shifted it really weird yeah it was good though wasn't it 01:10:48.940 --> 01:10:50.382 And that's that story then. 01:10:50.582 --> 01:10:50.822 Yeah. 01:10:51.102 --> 01:10:53.024 Hey, I printed out some more Texanation responses. 01:10:53.044 --> 01:10:53.705 The tone shifter. 01:10:53.985 --> 01:10:56.347 But I haven't got them off the printer. 01:10:56.367 --> 01:10:57.929 What are you doing tone shifter? 01:10:58.309 --> 01:11:00.111 A shifting that I'm just keeping it real. 01:11:00.371 --> 01:11:00.752 Here we go. 01:11:00.792 --> 01:11:02.193 Here comes the lovely Zanthi. 01:11:02.874 --> 01:11:03.755 She is lovely as well. 01:11:04.535 --> 01:11:05.356 With some print heights. 01:11:05.616 --> 01:11:09.200 I'm just checking on the prawn spoons and the progress of the defrosting. 01:11:09.660 --> 01:11:13.524 They are now, they're still a bit crusty and frosty though. 01:11:13.704 --> 01:11:18.926 Really, the only use I can see for these prawn spoons is to flick this at you. 01:11:18.946 --> 01:11:20.047 Don't do that. 01:11:20.067 --> 01:11:25.749 But they're so mucky because the prawn is on a little sort of, you know, blob of mayonnaise. 01:11:26.390 --> 01:11:29.031 And so it would make a hideous mess on Adam's clothes. 01:11:29.051 --> 01:11:29.611 Cocktail sauce. 01:11:29.631 --> 01:11:31.012 It would splatter the carpet. 01:11:31.032 --> 01:11:31.612 Yeah, it would be disgusting. 01:11:31.632 --> 01:11:34.473 It would make the studio sink, sink, stink. 01:11:35.654 --> 01:11:36.574 So I can't do that. 01:11:36.634 --> 01:11:37.475 You have to, you have to. 01:11:37.855 --> 01:11:40.376 And even if they're not defrosted, you'll have to suck one of them. 01:11:42.837 --> 01:11:43.759 I bet it'll be nice. 01:11:43.819 --> 01:11:44.620 I bet it'll be really nice. 01:11:44.660 --> 01:11:46.122 I really, really, really don't want to burn my mouth. 01:11:46.142 --> 01:11:46.723 Listen, listen. 01:11:47.043 --> 01:11:48.505 Why would they make them if they weren't delicious? 01:11:48.525 --> 01:11:49.246 Can we see the ingredients? 01:11:49.927 --> 01:11:50.788 Yeah, there's the box. 01:11:51.698 --> 01:11:59.640 Is it environmentally friendly, though, to create, like, hundreds and thousands of plastic spoons to use an individual piece of cutlery per bite? 01:11:59.660 --> 01:12:06.863 Because people can't be bothered to just have like a metal spoon and reuse it to eat a prawn cocktail ingredients. 01:12:07.263 --> 01:12:10.404 King Prawn, which is 58% shellfish. 01:12:10.924 --> 01:12:11.764 That's very shellfish. 01:12:11.784 --> 01:12:12.584 So what's the other 42%? 01:12:14.645 --> 01:12:43.355 of a prawn that isn't shellfish cocktail sauce salt parsley leaf cocktail sauce contains water sugar tomato paste soybean oil modified tapioca starch skimmed milk powder salt acidity regulator acetic acid thickener xanthan gum clove oil and mustard powder that's all good stuff like it still not eating it though yes you are how are you gonna make me well if you don't it'll be a disgrace if you really then this show is worth nothing 01:12:43.755 --> 01:12:44.075 Really? 01:12:44.095 --> 01:12:44.496 Yeah. 01:12:44.896 --> 01:12:47.718 If I don't eat a revolting... I hate prawns! 01:12:47.958 --> 01:12:48.718 Come on! 01:12:48.738 --> 01:12:50.419 What if I've got a medical allergic reaction? 01:12:50.519 --> 01:12:55.763 After we've gone on about it, to this extent, you refuse to listen as their satisfaction of hearing you eat the prawn. 01:12:56.323 --> 01:12:57.464 That would be very low. 01:12:58.224 --> 01:13:01.046 That would not be worthy of an employee of the Big British Castle. 01:13:01.546 --> 01:13:02.787 That's all I'm saying about it. 01:13:02.827 --> 01:13:04.548 What if I made you eat a big lump of cheese? 01:13:05.609 --> 01:13:16.004 would you eat it you know i would would you because i'm an idiot would you yes let's have some music now before we wrap up text the nation just before the news this is talking heads with radio head 01:13:21.823 --> 01:13:24.384 Would you call that, that sort of Cajun Zydeco, isn't it? 01:13:24.404 --> 01:13:26.445 What happened to Cajun Dance Party, the band? 01:13:26.465 --> 01:13:30.146 Are they working on their follow-up to their hugely successful last one? 01:13:30.486 --> 01:13:30.907 Probably. 01:13:31.187 --> 01:13:31.647 Probably. 01:13:31.727 --> 01:13:32.947 That music had a moment, didn't it? 01:13:33.127 --> 01:13:35.428 In fact, back then, what was that, about 97 or something? 01:13:35.588 --> 01:13:37.749 Zydeco, er... Well, early 90s. 01:13:37.769 --> 01:13:41.531 But that movie, The Big Easy came out, that Dennis Craig movie, which had a really good soundtrack. 01:13:41.551 --> 01:13:42.691 Late 80s, yeah. 01:13:42.951 --> 01:13:43.592 Maybe, I don't know. 01:13:44.152 --> 01:13:45.832 But, yeah, you're right, that was a good soundtrack. 01:13:46.072 --> 01:13:49.894 Listen, it's time to catch up on Text the Nation, maybe even polish it off for this week. 01:13:50.114 --> 01:13:50.355 Yeah? 01:13:50.435 --> 01:13:51.917 Do we get to have a jingle? 01:13:51.937 --> 01:13:58.368 Little jingle-jungle there, Ben. 01:13:58.408 --> 01:13:59.390 What if I don't want to? 01:13:59.650 --> 01:14:01.453 But I'm using email. 01:14:01.634 --> 01:14:02.335 Is that a problem? 01:14:05.649 --> 01:14:10.751 Text the Nation this week, listeners, has been your ideas for Malcolm Gladwell-style books. 01:14:11.351 --> 01:14:13.692 Yes, good enough. 01:14:13.712 --> 01:14:15.753 Sort of social theory kind of things. 01:14:16.874 --> 01:14:18.174 Here's one from Charlotte. 01:14:18.975 --> 01:14:25.998 She suggests a book called Get Over It, a book designed for the caring professionals. 01:14:26.258 --> 01:14:28.699 Are you a social worker, therapist or counsellor? 01:14:28.939 --> 01:14:31.700 Are you sick of listening to people talk about feelings? 01:14:32.080 --> 01:14:33.181 Then this is the book for you. 01:14:33.761 --> 01:14:39.062 This fail-proof guide will enable you to develop the skills to discourage people from sharing with you. 01:14:39.522 --> 01:14:45.804 The Get Over It Guide teaches you how to encourage people to repress their feelings and ignore their early childhood memories. 01:14:46.324 --> 01:14:51.605 Order early and you can receive a limited edition t-shirt with the words it's not rewarding emblazoned on it. 01:14:51.985 --> 01:14:57.046 For those tedious occasions when people suggest that your job must fulfill your emotional needs. 01:14:57.366 --> 01:14:57.726 I like that. 01:14:58.206 --> 01:15:00.208 My dad could write a forward to that. 01:15:00.228 --> 01:15:02.870 That's one of his pet theories is that people should get over it. 01:15:02.930 --> 01:15:04.571 He's a big advocate of stoicism. 01:15:04.691 --> 01:15:07.774 He thinks it's a dying, you know, what's the word? 01:15:07.794 --> 01:15:08.454 Habit art. 01:15:09.055 --> 01:15:12.378 Art or strength or whatever you want to call it. 01:15:12.398 --> 01:15:21.005 But he thinks that young people these days need to be more stoical and stop complaining and complaining that they're victims about everything the whole time, you know? 01:15:21.605 --> 01:15:22.085 So that's a good one. 01:15:22.385 --> 01:15:24.286 Although I'm worried that it's not exactly like Gladwell. 01:15:24.306 --> 01:15:30.767 It's not really identifying, like, a social phenomenon so much as just, uh, that's more of a self-help thing. 01:15:30.787 --> 01:15:31.447 I think it's good. 01:15:31.507 --> 01:15:32.888 I think it's a contemporary trend. 01:15:32.928 --> 01:15:37.869 People are taught to indulge all their, uh, you know, memories and vulnerabilities. 01:15:38.609 --> 01:15:42.330 Yeah, but I'm talking about the exact letter of the law for Tex the Nation this week. 01:15:42.350 --> 01:15:43.090 Okay, you're right, you're right. 01:15:43.110 --> 01:15:46.731 Don't think that she is sticking to Charlotte. 01:15:48.471 --> 01:15:49.032 Here's another one. 01:15:49.172 --> 01:15:49.432 Right. 01:15:49.792 --> 01:15:51.273 From Samuel in Manchester. 01:15:51.293 --> 01:15:54.236 Hi Adam and Jo, my book is entitled, Dosh! 01:15:54.776 --> 01:15:59.600 It's a study explaining how having more money allows you to buy more things that you want. 01:15:59.800 --> 01:16:03.042 See, that's much more within the realms of what we're talking about. 01:16:03.142 --> 01:16:05.885 If you follow the advice of this book, i.e. 01:16:05.945 --> 01:16:08.907 have more money, you are likely to find happiness. 01:16:09.167 --> 01:16:10.067 That's a good idea. 01:16:10.087 --> 01:16:12.328 I would have sent this in earlier, but I was making breakfast. 01:16:14.749 --> 01:16:15.369 That's a good one. 01:16:15.389 --> 01:16:16.329 That is a good idea, isn't it? 01:16:16.349 --> 01:16:16.429 Yeah. 01:16:16.469 --> 01:16:16.749 Dosh. 01:16:17.089 --> 01:16:20.110 An examination of how things become easier when you've got lots of money. 01:16:20.150 --> 01:16:20.450 Yeah. 01:16:20.610 --> 01:16:20.790 Yeah. 01:16:20.911 --> 01:16:22.371 Mo money, Mo problems. 01:16:23.071 --> 01:16:24.071 Send me IG popper. 01:16:24.192 --> 01:16:25.352 You don't want too much money. 01:16:25.452 --> 01:16:26.552 See, that would be a chapter. 01:16:26.892 --> 01:16:29.493 You don't want too much money would be the name of one of the chapters. 01:16:29.613 --> 01:16:29.853 Right. 01:16:29.973 --> 01:16:31.234 Because then you got problems. 01:16:31.574 --> 01:16:31.754 Right. 01:16:33.095 --> 01:16:34.436 Here's a good one. 01:16:34.556 --> 01:16:34.976 Is it good? 01:16:34.996 --> 01:16:35.577 I'm not sure. 01:16:36.218 --> 01:16:37.119 It's from an anonymous. 01:16:37.219 --> 01:16:38.420 No, from Sophie and Herne Hill. 01:16:38.720 --> 01:16:51.133 How about tweakonomics, exposing the way we all use and abuse facts, figures and statistics in order to win arguments, examining what goes on in the brain when we hear them, when we hear and then recall new neurological information? 01:16:53.634 --> 01:16:54.755 Why did you make that sound? 01:16:54.795 --> 01:16:55.976 It was a thoughtful sound. 01:16:56.196 --> 01:16:56.496 Was it? 01:16:56.516 --> 01:17:00.519 It came across as a little bit offensive and dismissive there. 01:17:00.559 --> 01:17:01.500 It was a raspberry. 01:17:02.020 --> 01:17:04.402 I know a raspberry's not traditionally an encouraging sound. 01:17:04.462 --> 01:17:05.983 I know Sophie, she's a tough nut. 01:17:06.163 --> 01:17:06.503 Really? 01:17:06.563 --> 01:17:07.183 She's robust. 01:17:07.203 --> 01:17:08.024 Not after that. 01:17:08.084 --> 01:17:11.486 She's taken the feeling to write in and she gets the raspberry. 01:17:11.566 --> 01:17:12.987 It was a kindly raspberry. 01:17:13.127 --> 01:17:13.768 Didn't sound it. 01:17:14.988 --> 01:17:15.628 I'm being wrapped up. 01:17:15.688 --> 01:17:16.789 It's time for the news. 01:17:16.809 --> 01:17:18.029 Hang on, one more. 01:17:18.149 --> 01:17:19.609 Okay, this is from David McCormick. 01:17:19.649 --> 01:17:20.370 How about moron? 01:17:20.410 --> 01:17:24.451 A study of the appropriate level of projected stupidity one should display when starting a new job. 01:17:24.851 --> 01:17:28.812 Try too hard and your employer comes to expect it too little and you get sacked. 01:17:29.172 --> 01:17:37.234 Striking the perfect balance has the added benefit of enabling you to shine occasionally after a time, perhaps when you get wind of a pay rise and or promotion being discussed. 01:17:37.534 --> 01:17:38.655 We should take note of that. 01:17:39.135 --> 01:17:40.615 Certainly with our contract just renewed. 01:17:41.195 --> 01:17:41.575 Moron. 01:17:41.615 --> 01:17:42.036 I like it. 01:17:42.516 --> 01:17:42.916 I'd buy it. 01:17:43.536 --> 01:17:44.877 That's from David McCormick. 01:17:44.937 --> 01:17:48.660 Thank you very much, David, and to everybody else who texted and emailed us for textination this week. 01:17:48.740 --> 01:17:49.481 It's time now. 01:17:49.641 --> 01:17:50.262 Don't do that. 01:17:50.282 --> 01:17:52.223 That was just for the whole textination as a whole. 01:17:53.324 --> 01:17:54.125 That was more for us. 01:17:54.145 --> 01:17:54.786 Like full stop. 01:17:54.806 --> 01:17:55.726 More for us than you. 01:17:56.627 --> 01:17:57.228 It's time for the news. 01:17:59.198 --> 01:18:01.421 Justice versus Simeon, we are your friends. 01:18:01.461 --> 01:18:03.483 This is Adam and Joe on BBC6 Music. 01:18:03.744 --> 01:18:04.124 I'm Adam. 01:18:04.144 --> 01:18:13.175 I'm Joe, a photographer and a journalist from Word Magazine have arrived in the studio to do a sort of an interview thing. 01:18:13.776 --> 01:18:15.638 And the photographer's taking photos. 01:18:16.158 --> 01:18:17.100 He's snapping away. 01:18:17.780 --> 01:18:20.742 And we're not very good at having our photos taken, all right? 01:18:20.842 --> 01:18:21.582 I'm not very good. 01:18:21.622 --> 01:18:22.703 I get very self-conscious. 01:18:22.743 --> 01:18:23.283 Yeah, of course. 01:18:23.463 --> 01:18:30.047 And a photographer always wants to take a sort of verite image, you know, of when one isn't aware of the camera. 01:18:30.687 --> 01:18:32.088 Not having a lot of luck with us. 01:18:32.869 --> 01:18:33.909 It's instant gurning. 01:18:34.610 --> 01:18:35.990 It's a gurn-a-thon. 01:18:36.070 --> 01:18:40.233 The thing is, I'd really like to have a very atmospheric, candid photo taken, you know? 01:18:40.793 --> 01:18:41.894 Moody, black and white. 01:18:42.754 --> 01:18:45.096 Um, I'm not aware of the camera, I'm deep in thought. 01:18:45.216 --> 01:18:48.879 But then the chances are, if they've grabbed you unawares, you're gonna look ugly. 01:18:49.059 --> 01:18:53.982 Well, I think, I think real stars probably, uh, have a method of, of doing that. 01:18:54.062 --> 01:18:55.003 Everyone's got their techniques. 01:18:55.023 --> 01:18:57.025 I mean, pretending they can't see the photographer. 01:18:57.145 --> 01:18:57.365 Right. 01:18:57.765 --> 01:19:01.288 Although, I mean, well, the other way to go, of course, is just to be very good at posing. 01:19:01.508 --> 01:19:01.688 Yeah. 01:19:01.769 --> 01:19:03.690 I mean, you can see that on the on the red carpet. 01:19:03.750 --> 01:19:11.837 All the actresses shamelessly have been taught how to to stick out certain parts of their body, how to twist their bodies 45 degrees. 01:19:11.857 --> 01:19:12.978 Well, that's that's a lady. 01:19:13.198 --> 01:19:33.691 have it isn't it especially with the lady who's showing some flesh the positions they can talk themselves in but you can see that men are learning how to do that more and more as well but there are a couple of tips one of which we were given at a photo shoot the other day we did a photo shoot for new BBC promotional photos because as we've already mentioned in this show my mum was outraged by the old ones we think the old ones are weird we're not 01:19:33.931 --> 01:19:36.974 We don't hold out a lot of hope for the new ones either. 01:19:37.655 --> 01:19:38.396 Fingers crossed. 01:19:38.736 --> 01:19:48.407 But one of the tips the photographer there gave me, okay, and this is something listeners you can apply if someone's taking a snap of you, you stick your chin right out and then you lower it. 01:19:48.827 --> 01:19:49.128 Right. 01:19:49.228 --> 01:19:49.868 Like that. 01:19:50.029 --> 01:19:52.051 You can hear the difference it's making to my voice. 01:19:52.071 --> 01:19:53.252 You sound like Keira Knightley. 01:19:53.332 --> 01:19:53.933 Exactly. 01:19:55.274 --> 01:19:56.234 It's already working. 01:19:56.254 --> 01:19:57.234 That's what happens. 01:19:57.354 --> 01:19:57.895 Like that. 01:19:58.335 --> 01:19:59.595 And that, you look sort of pouty. 01:19:59.695 --> 01:20:07.717 Another one that my girlfriend taught me is one that Princess Diana used, which is to be looking down. 01:20:08.377 --> 01:20:09.177 It's the same, really. 01:20:09.197 --> 01:20:13.178 You look down and then you just look up with your eyes as if you've been surprised. 01:20:13.258 --> 01:20:14.198 Is that good for a man? 01:20:14.658 --> 01:20:15.798 Well, you tell me I'm doing it. 01:20:15.998 --> 01:20:16.198 No. 01:20:16.438 --> 01:20:16.658 No. 01:20:17.358 --> 01:20:18.079 No, that's creepy. 01:20:18.379 --> 01:20:18.779 Creepy. 01:20:18.919 --> 01:20:20.079 David Van Dain might do that. 01:20:20.239 --> 01:20:26.161 Well, one could try it in one of the snaps, you know, because photographers take a lot of pictures, you can try all these different... Certainly. 01:20:26.741 --> 01:20:30.583 Have you got any... And again, the photographer just gave us another one, which is to push. 01:20:30.903 --> 01:20:31.263 What was it? 01:20:31.283 --> 01:20:39.986 This is if you want to accentuate your jawline, if maybe you're not happy with the encroaching progress of your second chin, which I know I certainly suffer from. 01:20:40.426 --> 01:20:45.008 You stick your tongue to the roof of your mouth, like you put the back of your tongue 01:20:45.188 --> 01:20:47.090 That's what you do when you get brain freeze as well. 01:20:47.230 --> 01:20:49.572 It's a tactic for getting rid of brain freeze. 01:20:49.612 --> 01:20:53.995 And it lifts your kind of wattle a little bit. 01:20:54.035 --> 01:20:55.176 Apparently Posh does it. 01:20:55.477 --> 01:20:56.558 That's the secret to her. 01:20:56.578 --> 01:20:57.538 Not that she needs to. 01:20:57.819 --> 01:20:58.539 She's too thin. 01:20:59.060 --> 01:20:59.420 Is she? 01:20:59.520 --> 01:21:00.721 She's too thin. 01:21:01.261 --> 01:21:02.883 She needs to pop on a bit of weight. 01:21:03.323 --> 01:21:06.845 You know, she doesn't need to raise the tongue on the roof of the mouth. 01:21:06.945 --> 01:21:13.207 Anyway, do let us know if you've got any tips for a way to guarantee one looks good in a picture photo. 01:21:13.227 --> 01:21:14.528 Do you pull one face? 01:21:14.568 --> 01:21:21.351 I've got a friend who always does the same face when you take his picture, and I notice that I do it a lot as well. 01:21:21.451 --> 01:21:21.771 Really? 01:21:21.931 --> 01:21:22.511 I wish I did. 01:21:22.531 --> 01:21:23.792 I wish I knew what my best plan was. 01:21:23.812 --> 01:21:26.293 I've just got one face, which is just a very big goofy grin. 01:21:26.893 --> 01:21:30.175 And when I was younger I used to do a kind of Ian Brown monkey pout. 01:21:30.676 --> 01:21:32.136 Right, that's a bad idea. 01:21:32.417 --> 01:21:33.177 Simian pout. 01:21:33.337 --> 01:21:34.258 Yeah, stupid idea. 01:21:34.458 --> 01:21:37.900 That's what you're doing in the publicity, in the six music publicity photo. 01:21:37.960 --> 01:21:38.980 Right, that's true, isn't it? 01:21:39.021 --> 01:21:40.682 Sticking my hand out and doing the monkey pout. 01:21:40.702 --> 01:21:41.582 It's a disaster. 01:21:42.062 --> 01:21:42.963 I'm pretty happy with it. 01:21:43.303 --> 01:21:44.264 My mum hated it, though. 01:21:44.785 --> 01:21:46.106 Anyway, we'll see how these come out. 01:21:46.426 --> 01:21:47.788 Here's some more music for you listeners. 01:21:47.808 --> 01:21:50.090 This is Neon Neon with Dream Cars. 01:21:51.752 --> 01:21:52.974 That's Neon Neon. 01:21:53.334 --> 01:21:54.635 Uh, Gruff-Rees, of course. 01:21:54.735 --> 01:21:55.777 It's pronounced Griff. 01:21:55.917 --> 01:21:56.217 Is it? 01:21:56.297 --> 01:21:56.497 Yeah. 01:21:56.758 --> 01:21:57.218 Not Gruff. 01:21:57.538 --> 01:21:58.299 No, Griff-Rees. 01:21:58.560 --> 01:21:59.581 Griff-Rees, like Griff-Rees Jones. 01:21:59.601 --> 01:22:00.422 As in Griff-Rees Jones, yeah. 01:22:00.442 --> 01:22:01.483 That's a disgrace. 01:22:02.003 --> 01:22:03.404 Somebody emailed in to point that out. 01:22:03.544 --> 01:22:04.164 Sorry. 01:22:04.584 --> 01:22:05.124 Sorry, Gruff. 01:22:06.805 --> 01:22:07.325 Sorry, Griff. 01:22:07.945 --> 01:22:11.727 And of course, the album is a kind of concept album about John DeLorean. 01:22:12.187 --> 01:22:12.847 Very enjoyable. 01:22:13.027 --> 01:22:13.547 It is too. 01:22:13.567 --> 01:22:15.308 Do you want to deal with something here, Adam? 01:22:15.408 --> 01:22:15.708 Okay. 01:22:15.848 --> 01:22:18.349 From somebody who came to one of your bug nights at the BFI. 01:22:18.929 --> 01:22:19.690 Martin Jowers. 01:22:20.210 --> 01:22:21.270 It says, Hi, Joe. 01:22:22.051 --> 01:22:22.191 Right. 01:22:22.211 --> 01:22:22.851 It's aimed at me. 01:22:22.991 --> 01:22:23.151 Right. 01:22:23.471 --> 01:22:25.612 I went to see the bug thing at the BFI on Wednesday. 01:22:26.192 --> 01:22:33.937 I read through the little sheet that you're given on the way in, and noticed that one of the directors of a video, Aha's take on me, uhm, what? 01:22:34.618 --> 01:22:35.619 Uh, Steve Baran. 01:22:35.659 --> 01:22:37.540 Yeah, he's missed out a bit of the sentence. 01:22:37.760 --> 01:22:43.624 He noticed that one of the directors, his name was Steven, and he thought it might be funny to drop a Steven when it was mentioned. 01:22:43.744 --> 01:22:43.984 Oh yeah. 01:22:44.425 --> 01:22:48.587 Well, I did it as Adam paused to see who it was directed by. 01:22:49.708 --> 01:22:51.389 I don't know why that's not making much sense, is it? 01:22:51.629 --> 01:22:56.570 But at the perfect time, so he shouted Stephen, he thought at a very apposite time. 01:22:57.511 --> 01:22:58.311 This is what happened. 01:22:58.551 --> 01:23:02.272 Adam slowly looked up at me with utter scorn and replied, what? 01:23:03.613 --> 01:23:10.195 So I said, Stephen, once more, resulting in the most callous and unbelievably disgusted, just coming, 01:23:10.575 --> 01:23:11.116 Never. 01:23:11.196 --> 01:23:11.896 That's not true. 01:23:12.036 --> 01:23:14.979 I spent the remaining amount of the evening carrying in my chair. 01:23:15.559 --> 01:23:16.480 See, that's weird, isn't it? 01:23:16.520 --> 01:23:18.102 People just get things wrong. 01:23:18.542 --> 01:23:19.663 Not at all how I remember it. 01:23:19.683 --> 01:23:20.344 What's this guy's name? 01:23:20.964 --> 01:23:21.585 Martin Jawas. 01:23:21.765 --> 01:23:22.325 Martin. 01:23:22.345 --> 01:23:23.887 That's not how I remember it at all. 01:23:24.267 --> 01:23:25.408 I was in mid-flow. 01:23:25.968 --> 01:23:27.790 I didn't quite hear what was said. 01:23:27.990 --> 01:23:33.715 I looked up, realised that it was a Steven shout-out, responded with the just coming, delighted to do so. 01:23:34.656 --> 01:23:37.939 And as I mentioned earlier on, there was multiple Stevens by that point. 01:23:38.479 --> 01:23:45.060 but I just responded with the one just coming and I thought that was handled beautifully. 01:23:45.560 --> 01:23:47.121 Maybe we should stop the whole Stephen thing. 01:23:47.561 --> 01:23:48.921 It's getting out of control. 01:23:48.981 --> 01:23:49.821 It's an albatross around. 01:23:49.841 --> 01:23:52.882 Cowering in his seat for the rest of the programme, that's a disgrace. 01:23:53.402 --> 01:23:57.102 Well, listen man, get in touch and I'll get you a free ticket for the next show. 01:23:57.182 --> 01:23:57.602 How about that? 01:23:57.702 --> 01:23:58.563 How about that? 01:23:58.583 --> 01:24:01.103 That's where complaints get you. 01:24:01.123 --> 01:24:02.343 You're going to get a lot of complaints. 01:24:04.104 --> 01:24:05.624 No, that's the only time I'm ever going to do that. 01:24:06.345 --> 01:24:07.007 the only time. 01:24:07.488 --> 01:24:11.500 I wonder how the 11 o'clock Steven experiment went on that Facebook site. 01:24:12.967 --> 01:24:14.068 Well, there's no telling, is there? 01:24:14.148 --> 01:24:16.410 We'd better log on and find out during this next record. 01:24:16.430 --> 01:24:17.591 What are we going to hear? 01:24:17.671 --> 01:24:20.713 It's very nearly time for us to try those prawn spoons as well. 01:24:20.934 --> 01:24:21.714 You excited about that? 01:24:21.734 --> 01:24:22.575 Hooray. 01:24:23.956 --> 01:24:25.037 They're nearly defrosted. 01:24:25.437 --> 01:24:35.706 They look very much like the alien in, you know, when they pick the alien off Kane's face in the film Alien and they turn it over and they're prodding at it. 01:24:36.766 --> 01:24:37.186 How about this? 01:24:37.226 --> 01:24:40.727 This is an email from Emma in West Wales, referring to the prawn spoons. 01:24:41.008 --> 01:24:42.428 The face hugger is what I meant to say. 01:24:42.528 --> 01:24:44.349 You may be wiser not to eat the prawn. 01:24:44.469 --> 01:24:50.291 Did you know that Scottish prawns have been all the way to China to be hand peeled because it's cheaper than peeling them by machine in Britain? 01:24:50.871 --> 01:24:57.093 King prawns are mostly farmed these days and the farms become so overpopulated that they produce too much heat and promote disease. 01:24:57.453 --> 01:25:00.434 So they're treated with large doses of antibiotics and other treatments. 01:25:00.754 --> 01:25:01.994 I would not eat the prawn. 01:25:02.274 --> 01:25:03.755 Good luck Emma, West Wales. 01:25:04.335 --> 01:25:05.515 Yeah, but they're delicious, Emma. 01:25:06.075 --> 01:25:06.996 It says on the box. 01:25:07.616 --> 01:25:08.756 Yeah, but they're disgusting. 01:25:08.896 --> 01:25:09.817 No, no, no, no, no, no, no. 01:25:10.077 --> 01:25:11.657 Delicious, it says on the box. 01:25:11.717 --> 01:25:12.637 Oh, that's rank. 01:25:12.677 --> 01:25:13.417 Come on. 01:25:13.618 --> 01:25:14.878 That's rank screen advertising. 01:25:14.898 --> 01:25:16.258 Don't prejudge the prawn. 01:25:17.159 --> 01:25:19.379 We're going to be tasting that just before 12 o'clock. 01:25:20.039 --> 01:25:23.400 And I've got, I'm going to do, listen to this, Joe. 01:25:23.640 --> 01:25:23.840 Yeah. 01:25:23.900 --> 01:25:28.262 I'm going to do some telly choices, you know, because that's what people do on the radio sometimes. 01:25:28.282 --> 01:25:28.822 That's exciting. 01:25:28.982 --> 01:25:33.303 I'm going to do that after this track, I think, or maybe after the trail and the track. 01:25:33.803 --> 01:25:35.244 But what have we got here? 01:25:36.965 --> 01:25:38.306 Trail and then a bit of Johnny Cash. 01:25:38.606 --> 01:25:38.947 Like it. 01:25:39.027 --> 01:25:39.467 Let's have it. 01:25:40.888 --> 01:25:42.149 What is that version of that then? 01:25:42.209 --> 01:25:45.271 That's a bit lugubrious version of Walk the Line there by Johnny Cash. 01:25:45.912 --> 01:25:46.332 It's wonderful. 01:25:46.372 --> 01:25:49.254 Nevertheless, this is Adam and Joe here on BBC Six Music. 01:25:49.794 --> 01:25:52.236 A quick rundown of what you can expect on the telly tonight. 01:25:52.596 --> 01:26:01.743 I think when people do this sort of feature, usually on the radio, they would prepare it beforehand and they would look through and carefully select a few shows they thought their listeners should watch. 01:26:02.383 --> 01:26:03.164 How are you going to do it? 01:26:03.824 --> 01:26:11.709 The way I'm doing it is I'm opening the page to today, Saturday, November the 29th, and I'm just looking at it for the first time. 01:26:12.230 --> 01:26:12.710 Brilliant. 01:26:13.991 --> 01:26:21.276 And I can tell you from a very cursory inspection of the main terrestrial channels that ITV is the place to be tonight, I would say. 01:26:21.936 --> 01:26:26.139 And surely, in a general way, ITV are regaining. 01:26:26.479 --> 01:26:28.461 Are they not winning the Battle of Saturday Night? 01:26:29.241 --> 01:26:30.842 No, they're not winning the Battle of Saturday Night. 01:26:30.862 --> 01:26:31.283 Who is then? 01:26:31.303 --> 01:26:33.144 The BBC with Strictly Go Ponsing. 01:26:33.524 --> 01:26:33.704 No. 01:26:34.285 --> 01:26:35.826 Which is not on tonight. 01:26:35.846 --> 01:26:36.447 Has it finished? 01:26:36.747 --> 01:26:37.327 Must be on. 01:26:37.427 --> 01:26:37.808 Surely. 01:26:38.028 --> 01:26:39.049 No, it's finished, I think. 01:26:39.109 --> 01:26:39.389 Has it? 01:26:39.910 --> 01:26:40.870 What have we got? 01:26:40.971 --> 01:26:43.092 Merlin 735 on the BBC. 01:26:43.473 --> 01:26:44.113 Casualty. 01:26:44.974 --> 01:26:46.576 You can't just read out the listings. 01:26:46.596 --> 01:26:47.236 920 out. 01:26:47.256 --> 01:26:49.538 You have to have some sort of editorial line. 01:26:49.718 --> 01:26:50.599 Okay, casualty. 01:26:50.799 --> 01:26:52.721 We're not just reduced to reading out the listings. 01:26:52.741 --> 01:26:53.181 Outnumbered. 01:26:53.201 --> 01:26:54.122 I haven't seen it. 01:26:54.142 --> 01:26:54.823 It should be wicked. 01:26:55.343 --> 01:26:56.044 Uh, no, no, look. 01:26:56.444 --> 01:27:00.067 ITV1, I'm saying, is the killer line-up. 01:27:00.087 --> 01:27:00.967 635, you've been framed. 01:27:01.227 --> 01:27:01.608 Wallop. 01:27:01.988 --> 01:27:03.809 Come on, we haven't even eaten the prawn spoon. 01:27:03.829 --> 01:27:05.871 5 past 7, Harry Hill's TV burp. 01:27:05.931 --> 01:27:08.813 What about the result smash of the Steven experiments? 01:27:08.833 --> 01:27:13.456 Look, I'm going through the schedules on- You're reading out the schedules from the telemagazine. 01:27:13.476 --> 01:27:16.238 Well, if you say it like that, then it sounds bad. 01:27:16.558 --> 01:27:17.359 It is bad. 01:27:17.479 --> 01:27:18.339 No, you say it like this. 01:27:18.620 --> 01:27:21.121 I'm reading out the schedules from the telemagazine. 01:27:21.301 --> 01:27:21.602 Schedules? 01:27:22.202 --> 01:27:23.524 Yeah, but I'm trying to make it sound fun. 01:27:24.345 --> 01:27:26.308 The X Factor and the 915. 01:27:26.749 --> 01:27:27.670 I'm a celebrity. 01:27:27.710 --> 01:27:29.392 You're ruining the feature. 01:27:29.413 --> 01:27:30.795 You're ruining the feature. 01:27:30.815 --> 01:27:32.637 It was going very well. 01:27:32.657 --> 01:27:33.959 You're ruining the whole show. 01:27:33.979 --> 01:27:34.620 Harry Hills TV Bubs. 01:27:34.640 --> 01:27:38.245 He's reading it out of We Love Telly magazine to add insult to injury. 01:27:38.826 --> 01:28:02.281 do that feature ever again good what are you gonna do then play another record or watch you eat a prawn spoon now we eat the prawn spoon just before 12 okay well let's get to the results of the Steven experiment on Facebook this is some peculiar group brilliant brilliant group that have decided to try and shout Steven at 11 o'clock this morning and see if they could get any replies some people have now posted on the feedback string 01:28:02.921 --> 01:28:04.602 Is that the correct way to describe it? 01:28:05.203 --> 01:28:10.427 On Facebook, a man called Richard Strange in York, he tried it. 01:28:11.468 --> 01:28:18.313 Quote, my dad said I need to expletive grow up and that I'm 30 expletive five for Christ's sake. 01:28:19.734 --> 01:28:28.862 Somebody else said, sorry, just a blank look from my son and a whatever from my daughter. 01:28:29.242 --> 01:28:30.683 These are all correct responses. 01:28:31.964 --> 01:28:55.506 um that's it really nothing no one within earshot of my steven lucy clark tea says clark tea says not a sausage uh that's it someone says frayed not japan remains oblivious to adam and joe so that's nothing nothing no one's got any response at all yeah to me that's the hallmark of a successful feature the second people start getting responses we should stop this okay so 01:28:56.187 --> 01:28:59.408 But as long as it remains a failure, we should keep it alive. 01:28:59.549 --> 01:28:59.909 Very good. 01:29:00.129 --> 01:29:03.610 Hey, do you think Liz Kershaw might be tempted to try a prawn spoon? 01:29:04.091 --> 01:29:08.673 No, she's too busy preparing to read out the TV listings on her show. 01:29:09.093 --> 01:29:09.613 OK. 01:29:09.713 --> 01:29:11.034 That was a good feature. 01:29:11.114 --> 01:29:11.734 You ruined it. 01:29:12.114 --> 01:29:13.014 Here's some music now. 01:29:13.334 --> 01:29:15.595 This is The Killers with Human. 01:29:15.715 --> 01:29:20.057 And someone texted in and said, oh, they're not saying, are we human or are we dancers? 01:29:20.097 --> 01:29:22.117 They're saying, are we human or are we denser? 01:29:22.398 --> 01:29:23.038 Incorrect. 01:29:23.098 --> 01:29:26.199 They are saying dancer, but they're saying dancer, not dancer. 01:29:26.219 --> 01:29:27.299 Can I go out on a limb here? 01:29:27.459 --> 01:29:27.639 Yeah. 01:29:27.879 --> 01:29:29.520 I think this record's rubbish. 01:29:29.980 --> 01:29:31.241 Ooh, that is a very long one. 01:29:31.281 --> 01:29:31.881 Is that dangerous? 01:29:31.941 --> 01:29:32.841 Now you should be balanced. 01:29:33.121 --> 01:29:33.922 I like the record. 01:29:33.942 --> 01:29:34.322 You like it. 01:29:34.342 --> 01:29:35.042 I genuinely enjoy it. 01:29:35.062 --> 01:29:35.622 And it's rubbish. 01:29:35.722 --> 01:29:36.402 You're weird. 01:29:36.642 --> 01:29:39.644 And it's like from the past, the sound is irrelevant. 01:29:41.324 --> 01:29:42.324 How've they got so big? 01:29:42.544 --> 01:29:44.245 I'm gonna use your raspberry right back on you. 01:29:44.465 --> 01:29:44.745 Really? 01:29:44.885 --> 01:29:45.905 That's good, that's balanced. 01:29:46.145 --> 01:29:48.486 It's just me, it's just my opinion, and I'm sure they're lovely attacks. 01:29:48.506 --> 01:29:49.586 What do you know about anything anyway? 01:29:49.606 --> 01:29:52.627 You don't like features where they read out TV listings on the radio. 01:29:52.667 --> 01:29:53.247 You're a mental case. 01:29:53.267 --> 01:29:54.307 Here's the killer's, it's Ace. 01:29:54.867 --> 01:29:56.508 The killer's there with human. 01:29:56.528 --> 01:29:58.908 We're joined in the studio now by Liz Kershaw. 01:29:58.928 --> 01:29:59.448 Hello, Liz. 01:29:59.528 --> 01:29:59.828 Hi. 01:30:00.028 --> 01:30:01.889 She'll be taking over for the next few hours. 01:30:01.929 --> 01:30:02.849 If I don't be sick. 01:30:03.189 --> 01:30:05.231 Um, she's looking at the prawn spoons here. 01:30:05.992 --> 01:30:07.293 I'm just not gonna, I'm sorry. 01:30:07.313 --> 01:30:08.295 Are you seriously not gonna have one? 01:30:08.315 --> 01:30:10.277 Yeah, I'm seriously not gonna have one. 01:30:10.337 --> 01:30:11.178 After all that, worse! 01:30:11.218 --> 01:30:12.619 First reason is I hate prawns. 01:30:12.699 --> 01:30:14.381 Second reason is I hate mayonnaise. 01:30:14.721 --> 01:30:18.645 Third reason is I think it's dangerous to eat unfully defrosted fish. 01:30:18.986 --> 01:30:20.087 It is defrosted. 01:30:20.147 --> 01:30:21.428 We've defrosted it for an hour though. 01:30:21.649 --> 01:30:22.509 I don't trust it. 01:30:22.529 --> 01:30:23.651 Liz, will you have one? 01:30:23.671 --> 01:30:25.453 Um, I'd rather eat the spoon. 01:30:26.473 --> 01:30:27.994 Is there a bug some horrible? 01:30:28.014 --> 01:30:31.736 Three two one always is it going to swallow hmm That is delicious is it yeah, would carry katana 01:30:48.453 --> 01:30:49.014 She lives on them. 01:30:50.495 --> 01:30:51.897 That's how she's got where she is today. 01:30:51.917 --> 01:30:53.639 That's how she bites her cutlery. 01:30:53.659 --> 01:30:55.401 What a diet of prawn spoons. 01:30:55.461 --> 01:31:00.686 I'm having a posh drinks reception at my house later before we go off in a mini bus to a dute. 01:31:00.907 --> 01:31:02.729 Should I just stick them in the box and take a moment? 01:31:02.749 --> 01:31:03.610 Yeah, you can have those. 01:31:03.650 --> 01:31:06.513 Yeah, serve them at half past six, they'll be defrosted then, won't they? 01:31:06.593 --> 01:31:07.253 Posh in a box. 01:31:07.474 --> 01:31:08.655 There's eight tools you need. 01:31:08.695 --> 01:31:09.356 How much are they? 01:31:09.776 --> 01:31:11.277 Yeah, well, let's not advertise them too much. 01:31:11.877 --> 01:31:13.898 They're very reasonably priced. 01:31:13.958 --> 01:31:15.379 There's eight left for you there. 01:31:15.459 --> 01:31:16.900 Other prawn spoons are available. 01:31:16.920 --> 01:31:19.221 Other brands are available, of course, ladies and gentlemen. 01:31:19.301 --> 01:31:20.561 Thanks a lot for listening, listeners. 01:31:21.142 --> 01:31:22.542 We'll be back at the same time next week. 01:31:22.582 --> 01:31:24.583 We leave you in Liz's very capable hands. 01:31:24.623 --> 01:31:25.304 Take care, bye. 01:31:25.404 --> 01:31:26.724 Yeah, please set them with you. 01:31:26.744 --> 01:31:27.325 Are you sure? 01:31:27.525 --> 01:31:28.565 Yeah, please, please. 01:31:28.765 --> 01:31:29.706 Six music.