WEBVTT 00:00.109 --> 00:02.153 And now, it's Adam and Jo. 00:02.173 --> 00:05.719 Hello and welcome to the big British castle. 00:05.899 --> 00:09.465 It's time for Adam and Jo to broadcast on the radio. 00:09.706 --> 00:12.210 There'll be some music and some random talking here. 00:17.273 --> 00:18.114 It's your thing. 00:18.134 --> 00:19.875 That's the Isley Brothers. 00:20.015 --> 00:20.795 They've got your thing. 00:21.215 --> 00:22.276 Oh, I wish they'd give it back. 00:22.496 --> 00:22.977 Well, they're not. 00:22.997 --> 00:24.157 They're just taunting you about it. 00:24.177 --> 00:25.538 They're just saying, look, it's your thing. 00:25.638 --> 00:26.599 They're filthy thieves. 00:26.639 --> 00:28.100 There's no way you're going to get it back. 00:28.220 --> 00:28.980 They're playing with it. 00:29.441 --> 00:31.302 They're just having a little funky time with it. 00:31.322 --> 00:32.222 They're dirty knickers. 00:32.342 --> 00:33.783 And they're going to go off with your thing. 00:34.164 --> 00:36.365 This is Adam and Joe here on BBC Six Music. 00:36.445 --> 00:36.705 Morning. 00:36.865 --> 00:37.366 Good morning. 00:37.406 --> 00:38.146 It's a lovely morning. 00:38.206 --> 00:44.130 morning here in London town and it's just bright and shiny, nice orangey light. 00:44.310 --> 00:47.653 The weathermen are talking about seas, we usually talk about the weather. 00:47.693 --> 00:48.673 Yeah, I like to talk about the weather. 00:48.693 --> 00:52.356 They're talking about a massive cold front coming in from the Arctic. 00:52.776 --> 00:52.956 Right. 00:52.976 --> 00:55.338 Do you like to pronounce the two seas in Arctic? 00:56.312 --> 00:57.273 Er, Arctic, yes. 00:57.473 --> 00:59.994 I wouldn't do it as, er, over-the-toply as you just done. 01:00.014 --> 01:02.896 I think if there's a second C there, it should be pronounced Arctic. 01:03.056 --> 01:03.396 Arctic. 01:03.496 --> 01:04.837 I would, yeah, I would say Arctic. 01:04.997 --> 01:06.137 That's how I would do it normally. 01:06.257 --> 01:07.298 I wouldn't go, Arctic. 01:07.538 --> 01:08.359 I think you should. 01:08.479 --> 01:08.939 Arctic. 01:09.159 --> 01:09.599 Arctic. 01:09.759 --> 01:10.200 Arctic. 01:11.900 --> 01:13.281 Oh, it's a recurring theme. 01:13.721 --> 01:16.743 Anyway, it's going to turn, er, Britain into a winter wonderland. 01:17.023 --> 01:17.183 Yes. 01:17.203 --> 01:18.484 Which will cost £15.95 to get into. 01:20.445 --> 01:20.665 Right. 01:20.825 --> 01:22.866 And we'll have a rubbish rollercoaster. 01:22.926 --> 01:24.406 And we'll be, yes, disappointing. 01:24.466 --> 01:27.507 Yeah, no, it's going to turn the whole place into a Christmassy Wonder Zone. 01:27.647 --> 01:34.890 I thought you were going to say, well, you know, the thing about Christmassy Wonder Zones is that they do, you know, punish the pocket of the local councils. 01:35.170 --> 01:38.211 Well, what we've got, we're talking, what's the phrase? 01:38.831 --> 01:39.671 Split brushes. 01:39.931 --> 01:40.351 Rubbish. 01:41.352 --> 01:41.972 Rubbish. 01:42.052 --> 01:45.193 I'm talking about the whole country and the climate. 01:45.393 --> 01:45.573 Yeah. 01:45.633 --> 01:47.694 You're talking about what happens in Hyde Park. 01:48.354 --> 01:49.515 No, I'm not just talking about hype. 01:49.675 --> 01:54.618 I'm just saying that it's wonderful to get a wintry scene around this time of year, postcard style. 01:54.718 --> 01:55.819 But it taxes the pocket? 01:55.919 --> 02:02.683 It taxes the pocket because of all the, you know, I mean, the rail system grinds to a halt as soon as they get the wrong kind of leaves on the track, don't they? 02:02.803 --> 02:03.223 True. 02:03.343 --> 02:11.288 So what are they going to do with all kinds of snow and then you get slush and then it turns into a nightmare and then it's ice age to the meltdown? 02:11.328 --> 02:15.791 No, they put the big scoop on the front of the train, like in Polar Express. 02:16.031 --> 02:16.351 Do they? 02:16.651 --> 02:19.475 And Tom Hanks lights a little brazier on top of one of the carriages. 02:19.595 --> 02:20.176 A brassiere. 02:20.516 --> 02:24.642 And then men come through the carriages singing hot, hot, hot, hot chocolate. 02:25.242 --> 02:26.884 And then someone loses their ticket. 02:27.345 --> 02:27.605 Yes. 02:27.645 --> 02:29.107 Goes flying and flies around. 02:29.147 --> 02:31.951 And then they change all the tracks so it turns into like a roller coaster. 02:32.011 --> 02:35.572 Yes, no, it goes off the tracks and slides around and it's amazing. 02:35.592 --> 02:37.573 This is going to be the best winter on record. 02:37.713 --> 02:38.734 Since records began. 02:38.774 --> 02:40.154 Since the film Polar Express. 02:40.174 --> 02:40.795 I can't believe it. 02:41.195 --> 02:47.097 Folks, we've got a show, we've literally got a show for you, which is going to last until 12 o'clock and that's guaranteed. 02:48.097 --> 02:50.218 We've got great music and here's some more of it right now. 02:50.278 --> 02:51.919 This is The Bees with Chicken Payback. 02:52.119 --> 02:54.280 The Bees, with Chicken Payback. 02:54.340 --> 03:00.683 Last week, on Text the Nation, we were talking about songs, song titles that could be plausibly turned into movies of some kind. 03:00.843 --> 03:01.784 Or even implausibly. 03:02.424 --> 03:11.988 And, uh, Natty in Kentish Town, uh, texted us and said, Chicken Payback by The Bees could inspire a gangster vendetta film, er, film sequel to Chicken Run. 03:12.469 --> 03:15.170 It would star Mel Gibson, like Chicken Run. 03:15.390 --> 03:16.211 Peck Frenzy! 03:16.851 --> 03:18.312 That was from Natty. 03:18.632 --> 03:26.597 And then we got an email during the week saying, this is from Seamus, I'm a big fan of the show, I direct commercials and music videos. 03:26.937 --> 03:35.663 I originally pitched an idea for the Bees Chicken Payback video that was exactly the concept submitted during your Texanation segment last week. 03:36.083 --> 03:40.506 The Bees didn't buy the idea, but years later I submitted the concept to Moby, who liked it! 03:41.466 --> 03:44.108 Uh, and he's got a, um, YouTube link there. 03:44.468 --> 03:47.830 I don't know what it, I don't know what you would search for, what the search criteria would be. 03:47.910 --> 03:49.570 Maybe, Moby, chickens. 03:49.731 --> 03:50.251 Chickens. 03:50.711 --> 03:52.632 Something like that, and you can have a little look at it. 03:52.912 --> 03:56.214 But thank you very much, uh, for that flurry of communication there. 03:56.654 --> 03:58.675 You know, we always welcome a bit of communication. 03:58.715 --> 04:03.158 The text number is, I don't, I've been doing this for over a year and I still don't know it. 04:03.558 --> 04:03.698 It's 64046. 04:03.778 --> 04:05.099 Thank you very much, Claire. 04:05.379 --> 04:07.180 Talking about communication. 04:07.700 --> 04:15.944 When I come into the studio in the morning, I look through the week's emails and I saw one from a fellow called Stevie Raff. 04:16.824 --> 04:21.407 It's headed, Steven brackets, Joe is the best, close brackets. 04:21.767 --> 04:28.130 So I opened that email and it says, dot, dot, dot, he's not really the best, but he is the most vain. 04:28.510 --> 04:31.652 So by in saying that, I've increased the chances of being read. 04:31.872 --> 04:32.192 Nicely. 04:32.212 --> 04:33.292 And that's really worked. 04:33.632 --> 04:34.993 I mean, it worked brilliantly. 04:35.193 --> 04:36.434 I went straight for that one. 04:37.174 --> 04:38.696 And now I feel like a fool. 04:38.836 --> 04:39.196 Yeah. 04:39.476 --> 04:39.916 You are a fool. 04:39.937 --> 04:41.378 That's a lot, Stephen Graff. 04:41.658 --> 04:44.120 Hey, you know, I got a Stephen in the street this week. 04:44.180 --> 04:44.540 No. 04:44.580 --> 04:44.880 Yeah. 04:45.321 --> 04:46.182 What, you assaulted one? 04:46.642 --> 04:48.223 No, someone shouted Stephen. 04:48.263 --> 04:49.084 Someone shouted Stephen. 04:49.264 --> 04:51.126 When I say in the street... Someone shouted? 04:51.286 --> 04:52.166 Someone shouted down there. 04:52.547 --> 04:53.027 ...industry. 04:53.828 --> 04:56.150 And when I say in the street, I mean in a shop. 04:56.510 --> 04:56.690 Right. 04:56.730 --> 05:00.013 And when I say in a shop, I mean in the cinema store. 05:00.433 --> 05:00.753 Right. 05:00.873 --> 05:01.314 Okay. 05:01.534 --> 05:02.755 By one of the people who work there? 05:02.995 --> 05:05.177 No, it was a member of the public. 05:05.598 --> 05:06.619 I didn't recognise him. 05:06.659 --> 05:07.260 He looked cool. 05:07.300 --> 05:09.182 He looked like Kiefer Sutherland in Lost Boys. 05:09.522 --> 05:11.344 So he looked right at home in the cinema store. 05:11.844 --> 05:12.465 Well, it was cool in 1980. 05:13.426 --> 05:14.027 Well, exactly. 05:14.047 --> 05:14.667 Whatever it was. 05:15.368 --> 05:21.495 The cinema store we should tell listeners is a shop that sells cinema goodies and DVDs and stuff in central London. 05:21.635 --> 05:22.736 Other cinema goodies stores. 05:22.896 --> 05:48.756 are relatable yeah but it's one we like to frequent and it's it's lots of film fans go there don't they yeah it's always got the latest goodies you get a lot of famous people going in there you do luke goss from bros oh he's famous he's in the films is it not goss from bros or luke goss from bros it's luke uh i'm sure they both go in there it's hard to tell one from the other but one of them's a film star now isn't he was in blade two and luke goss from bros stuff like that was in something else good he plays villains yeah he loves to play villains yeah 05:49.076 --> 05:50.778 Anyway, I got a Steven in there. 05:50.798 --> 05:54.662 When I was in there, I was going in there, I was buying a little bit of DVD fun for the weekend. 05:54.682 --> 05:55.543 Right, you were downstairs. 05:55.743 --> 05:56.324 Downstairs. 05:57.005 --> 06:00.949 And quite gingerly, he said, Steven, as I walked out. 06:02.450 --> 06:06.615 And I turned round to check that it was addressed to me, and it was. 06:07.255 --> 06:09.458 And so I gave him the, just coming! 06:10.098 --> 06:11.138 Hey, didn't he look happy? 06:11.378 --> 06:12.379 I think he did, yeah. 06:12.399 --> 06:19.961 I didn't wait around too long to check because, you know... Was there somebody ahead of you going up the stairs who might have been called Stephen? 06:20.021 --> 06:21.221 No, it was definitely for me. 06:21.321 --> 06:22.381 Yeah, definitely. 06:22.961 --> 06:24.002 So I got my first Stephen. 06:24.262 --> 06:25.202 Wow, that's exciting. 06:25.222 --> 06:27.823 We've got more Stephen news coming up a little bit later in the show. 06:28.223 --> 06:32.044 People have been participating in this extraordinary countrywide experiment. 06:33.584 --> 06:35.306 And, you know, patch your results, I'd say. 06:35.326 --> 06:38.429 Basically, just to remind you, listeners, this is a thing that we did ages ago about. 06:38.449 --> 06:39.910 I won't explain the whole thing. 06:39.930 --> 06:41.652 Yeah, we'll explain it when we come back to it maybe later. 06:41.672 --> 06:44.695 It's come down to, if you see us in the street, you shout, Stephen! 06:45.115 --> 06:46.576 And then we shout, just come in! 06:47.177 --> 06:50.940 Yeah, not, well, not to us, but just to try and... And to each other! 06:50.981 --> 06:52.842 ...a sort of clarion call to other listeners of the show. 06:52.862 --> 06:53.523 Absolutely, exactly. 06:53.763 --> 06:55.906 Check if you're a fellow Adam and Joe radio show. 06:55.926 --> 06:56.947 We'll come back to that later. 06:56.987 --> 06:58.248 It's a free play for you now, Adam. 06:58.368 --> 07:00.711 Listen, this is a nice... Oh, this is a short one. 07:00.751 --> 07:01.632 This is the edit. 07:03.134 --> 07:06.157 Anyway, it is quite a long track, so I suppose it's good that it's a short version. 07:06.377 --> 07:08.400 This is Wordy Wrapping Hood by TomTomclub. 07:08.720 --> 07:11.722 Florence and the Machine with Dog Days Are Over. 07:11.762 --> 07:14.525 This is Adam and Joe here on BBC Six Music. 07:14.705 --> 07:16.646 Welcome, happy Saturday morning to you listeners. 07:16.967 --> 07:19.148 You know, it's funny having a radio show, isn't it? 07:20.129 --> 07:24.052 Yeah, it sort of leaks into one's life in peculiar ways. 07:24.092 --> 07:28.356 Like the other day I was talking on the show about procrastinating. 07:28.376 --> 07:32.639 We were both talking about procrastinating, stuff you do to avoid actually doing what you're supposed to be doing. 07:32.759 --> 07:33.160 Exactly. 07:33.200 --> 07:33.440 Work. 07:34.380 --> 07:53.534 and I was saying one of the things I did was to surf the internet in an egocentric way and check out how all of our all of our both our various endeavors on the internet are going like how our podcasts faring sure on iTunes which happens to be the the thing I used to access is it can be accessed in many other ways can it 07:53.954 --> 07:54.675 Yeah, can it? 07:55.136 --> 07:56.938 Yeah, through the website, stuff like that. 07:57.018 --> 07:57.379 Oh, right. 07:58.360 --> 08:02.245 And I like to look at the comments, see what people have written underneath it. 08:02.406 --> 08:03.908 You really go the whole hog, don't you? 08:03.928 --> 08:04.889 Well, I'm procrastinating. 08:04.909 --> 08:07.913 I'll do anything, anything to avoid working, anything. 08:08.454 --> 08:10.156 And that's one of my regular pit stops. 08:10.196 --> 08:12.738 Yeah, well, if you read a really horrible comment, that'll stop you working. 08:12.778 --> 08:13.298 Yeah, exactly. 08:13.318 --> 08:13.839 The thing was the point. 08:13.859 --> 08:14.159 Perfect. 08:14.199 --> 08:14.759 Two thumbs up. 08:15.200 --> 08:16.380 Get angry for half an hour. 08:16.681 --> 08:16.981 Argh! 08:17.161 --> 08:18.042 You know, do something else. 08:18.062 --> 08:19.543 Think about something else other than work. 08:20.023 --> 08:32.392 But of course, having spoken about it, the last time I was procrastinating, Monday of this week, I logged on and of course it was full of messages saying, Joe, stop procrastinating! 08:33.312 --> 08:34.453 Get back to work Cornish. 08:34.493 --> 08:35.794 What are you doing wasting your time? 08:36.575 --> 08:38.376 I felt admonished and slapped down. 08:38.577 --> 08:41.459 Yeah by our own listenership Yeah, well quite right rightly. 08:41.539 --> 08:42.500 So done a good job. 08:42.540 --> 08:50.106 They're just funny strange It was like a hand coming out of the monitor and slapping me about the face grabbing your julies. 08:50.146 --> 08:50.386 Yeah 08:50.586 --> 08:50.966 So I did. 08:51.006 --> 08:51.886 I got on with some work. 08:51.966 --> 08:52.447 Well done. 08:52.847 --> 08:53.667 Well done, listeners. 08:53.807 --> 08:54.567 Thanks, listeners. 08:54.647 --> 08:56.368 You've helped Joe Cornball out. 08:56.388 --> 08:56.788 Bye-bye. 08:58.088 --> 09:01.389 Now, look, Joe, I'm just about to undertake an exciting drink-based experiment. 09:01.429 --> 09:04.470 Now, you've got an imported European soft drink there. 09:04.610 --> 09:07.491 It's one of those... They do a very tasty orange one, don't they? 09:07.511 --> 09:08.871 They have that sort of drink. 09:08.971 --> 09:09.972 I won't say the brand. 09:10.932 --> 09:11.712 San Pellegrino? 09:12.432 --> 09:12.653 Yeah. 09:12.793 --> 09:13.593 Yeah, I didn't say it. 09:14.373 --> 09:16.834 There are other European soft drinks available. 09:17.714 --> 09:21.436 Um, but they're interesting because they've got a foil, a foil lid on them. 09:21.576 --> 09:22.336 They've got a little foil lid. 09:22.376 --> 09:26.278 They're like a conventional drinks can, but with a weird foil cap on the top. 09:26.318 --> 09:28.058 Well, that's a, that's a freshness thing, isn't it? 09:28.078 --> 09:30.759 It's a nice little nod to... I tell you what the tastiest one is. 09:31.220 --> 09:31.420 What? 09:31.460 --> 09:34.161 The, the mandarin one with the mandarin bits in it. 09:34.221 --> 09:37.482 Well, I've never had, I've, I've had some of their drinks. 09:37.662 --> 09:38.883 Sex of mandarin pulp. 09:39.403 --> 09:39.583 What? 09:40.063 --> 09:41.524 They pop on your tongue, they're delicious. 09:41.544 --> 09:42.465 I thought you said something else. 09:43.026 --> 09:46.969 Um, this one, this is a black can, and it says chino. 09:47.309 --> 09:50.452 I've never seen it before, and it's all, everything else on it is in Italian. 09:50.512 --> 09:51.673 So you don't know what flavour it is? 09:51.733 --> 09:52.153 No idea. 09:52.193 --> 09:53.054 It's probably licorice. 09:53.474 --> 09:56.176 Bevi fior fiori del coro. 09:56.637 --> 09:58.018 What does that mean, Italian listeners? 09:58.298 --> 09:59.099 Does that mean licorice? 09:59.219 --> 10:00.520 I'm gonna taste it right now. 10:00.740 --> 10:01.240 Unseen. 10:01.300 --> 10:02.421 This is amazing. 10:02.441 --> 10:03.722 This is incredible radio, isn't it? 10:03.742 --> 10:04.283 Incredible. 10:04.343 --> 10:06.224 We're gonna win some kind of amazing prize. 10:07.526 --> 10:08.707 We might win another laughter. 10:08.848 --> 10:11.391 I hope it's not licorice because I hate licorice. 10:14.836 --> 10:16.438 Oh my goodness. 10:16.478 --> 10:17.099 Let's have a go. 10:17.139 --> 10:17.920 What does it taste like? 10:18.020 --> 10:20.263 I have got no idea what that taste. 10:20.323 --> 10:23.367 That tastes like the dark heart of Satan himself. 10:24.611 --> 10:26.452 What the heck is that taste? 10:26.672 --> 10:27.233 Oh, boy. 10:27.513 --> 10:28.133 Do you know what that is? 10:28.153 --> 10:29.214 I think it's... Aniseed, isn't it? 10:29.474 --> 10:30.775 It's not even aniseed. 10:30.815 --> 10:34.597 There's a drink that my dad always used to have when he had a hangover called Fernie Branca. 10:35.357 --> 10:37.219 Making it sound like my dad was always hungover, he wasn't. 10:37.259 --> 10:42.682 But on the very rare occasion that he'd had too much to drink, he would have this stuff called Fernie Branca, which tastes like that. 10:43.162 --> 10:44.323 And it's disgusting. 10:44.363 --> 10:46.804 I mean, it's like a digestif, I think they call them, you know? 10:46.824 --> 10:48.145 It settles your stomach a little bit. 10:48.665 --> 10:50.907 But that is rankolocious. 10:51.867 --> 10:55.951 My lord, maybe someone who knows can tell me what exactly I've just drunk. 10:56.251 --> 11:01.756 I'm gonna finish the can though right because I'm crazy Like that now here's a bit more music. 11:02.196 --> 11:04.278 Um, this is this is a classic from the primitives. 11:04.298 --> 11:05.700 Were you a big primitives fan show? 11:05.900 --> 11:06.080 Nope 11:07.621 --> 11:08.701 Well, you gotta like this one. 11:08.721 --> 11:11.542 This is a primitives classic called crash. 11:11.682 --> 11:13.823 Okay, that must have been used in a lot of films. 11:13.863 --> 11:14.403 Wouldn't you say? 11:15.423 --> 11:15.903 Possibly. 11:15.963 --> 11:22.445 Yeah, it's the kind of track that might not you know punch through if it was used in a film Big it just be good sitting in the background. 11:22.465 --> 11:23.625 I'm not being rude about it. 11:23.985 --> 11:26.206 I think it would punch too I'm sure it has been used. 11:26.446 --> 11:32.027 Yeah, I would say in fun animated features Shrek almost certainly really in a joyful montage. 11:32.047 --> 11:32.107 Oh 11:32.367 --> 11:32.727 Yeah. 11:32.787 --> 11:34.468 Shrek juggling little green babies. 11:34.629 --> 11:35.169 That's right. 11:35.189 --> 11:36.070 Having a mud bath. 11:37.290 --> 11:37.711 Shrek. 11:37.871 --> 11:39.031 I want to go and watch it now. 11:39.051 --> 11:41.793 This is Adam and Jo here on BBC Six Music. 11:41.933 --> 11:43.494 I want to never watch Shrek ever again. 11:43.514 --> 11:47.957 Hey, that is the wonderful dream basket. 11:48.277 --> 11:48.578 Is it? 11:48.698 --> 11:50.599 Of comfort for a lot of children. 11:50.659 --> 11:50.879 Is it? 11:51.019 --> 11:52.440 And very backward people. 11:52.740 --> 11:56.483 It's my least favourite of the child friendly franchises. 11:56.503 --> 11:56.763 So you didn't 11:56.903 --> 12:03.226 like it in I Am Legend when Will Smith started reciting large sections of it. 12:03.246 --> 12:04.647 No, I thought that was really peculiar. 12:06.167 --> 12:11.590 As if it was like the greatest film ever made and why would anyone not know large sections of Shrek off my heart. 12:12.450 --> 12:14.831 I kind of agree with you, but children do love it. 12:15.391 --> 12:16.092 And they do. 12:16.612 --> 12:20.413 You know, there's something... I mean, what about the funny... Children love most things, don't they? 12:20.673 --> 12:23.014 The funny... The donkey's good and the cat's quite good. 12:23.054 --> 12:23.194 Yeah. 12:23.615 --> 12:24.175 The rest of it. 12:24.755 --> 12:25.175 Not having it? 12:25.435 --> 12:25.675 No. 12:25.956 --> 12:28.056 What about Mike Myers' funny Scottish accent? 12:28.277 --> 12:28.497 No. 12:28.657 --> 12:28.997 Not having it? 12:29.257 --> 12:29.377 No. 12:29.997 --> 12:33.139 Umm, I finally got to see the love guru the other day. 12:33.279 --> 12:33.579 Right. 12:33.779 --> 12:34.299 My eyes. 12:34.880 --> 12:37.741 That's a very peculiar concoction, isn't it? 12:37.901 --> 12:38.161 Yes. 12:38.621 --> 12:42.543 I mean, people must have been excited to be in it, like when he- because there's a few celebrity cameos. 12:42.763 --> 12:43.084 Lots. 12:43.604 --> 12:48.006 And when he asked those celebrities to come into his party, 12:48.546 --> 12:49.386 They must have been exciting. 12:49.426 --> 12:50.007 Oh, Mike Myers. 12:50.047 --> 12:50.827 I love Mike Myers. 12:51.227 --> 12:51.687 Timberlake. 12:52.007 --> 12:52.508 Timberlark. 12:52.548 --> 12:53.408 And he gets in there. 12:53.788 --> 12:55.269 No one comes out of it unscathed. 12:55.629 --> 12:56.729 Timberlake's all right, I think. 12:56.769 --> 12:57.189 You reckon? 12:57.249 --> 12:57.549 Yeah. 12:57.629 --> 12:59.150 He doesn't disgrace himself completely. 12:59.230 --> 12:59.950 Val Kilmer. 12:59.970 --> 13:00.350 Slightly. 13:00.850 --> 13:01.771 That's a shame, isn't it? 13:01.911 --> 13:02.071 Yeah. 13:02.111 --> 13:06.252 And there's loads of, like, American celebrities who you would, like, in England, you would have no clue. 13:06.272 --> 13:06.452 Yeah. 13:06.472 --> 13:09.053 And jokes that pivot around them that you just can't understand. 13:09.113 --> 13:09.854 No clue whatsoever. 13:10.334 --> 13:12.174 And it's peculiarly arrogant. 13:12.194 --> 13:14.155 Don't you think to, like, stick those kind of things in? 13:14.175 --> 13:16.196 Because you wouldn't be allowed to do... Do you reckon you'd be allowed to... 13:17.128 --> 13:19.709 course you'd be allowed to do it anywhere in the world, wouldn't you? 13:19.729 --> 13:21.149 Just put in whatever you want in your film. 13:21.169 --> 13:25.011 But it seems like a strange thing to do if he wants it to have transatlantic appeal. 13:26.711 --> 13:31.353 Well, usually they get some sort of British celebrity to replace it, don't they? 13:31.413 --> 13:32.634 Like Jonathan Roth, right? 13:33.414 --> 13:35.175 Let's get Mike Myers on the phone. 13:35.615 --> 13:37.235 Okay, can we get Mike Myers on the phone, please? 13:37.695 --> 13:38.496 He's probably around. 13:38.556 --> 13:40.737 Almost certainly having him on the phone within the next half hour. 13:41.337 --> 13:43.037 This is Adam and Jo here on BBC 6 Music. 13:43.057 --> 13:43.698 It's just gone 9.30. 13:43.858 --> 13:44.698 It's time for the news. 13:44.918 --> 13:45.899 Miss Dynamite then. 13:45.919 --> 13:46.740 Nice to hear that again. 13:46.820 --> 13:48.041 Dynamite-y. 13:48.361 --> 13:49.882 Adam and Joe here on BBC Six Music. 13:50.162 --> 13:52.965 I just popped out Joe Cornish for a little glass of water. 13:53.005 --> 13:53.765 Nice refreshing. 13:54.125 --> 13:54.646 Refleshing. 13:55.026 --> 13:55.847 Refleshing. 13:55.887 --> 13:56.307 Yeah. 13:56.728 --> 14:00.110 Nice put a bit of flesh back on my bones, which I so badly need. 14:00.631 --> 14:02.312 And the water cooler was empty, right? 14:02.952 --> 14:06.916 So I thought, right, I'm gonna, I'm gonna change the cylinder on the water cooler. 14:07.096 --> 14:08.317 Something which I've never done before. 14:08.337 --> 14:09.238 Have you ever done that? 14:10.459 --> 14:14.042 Errr, I think I have, yeah, I think I have. 14:14.302 --> 14:15.643 Is it a punch through seal? 14:16.103 --> 14:17.625 Well, I didn't know. 14:17.645 --> 14:20.767 Right, so I just pulled the big blue cap off. 14:21.108 --> 14:21.428 Right. 14:21.508 --> 14:24.411 And the water started glubbing out all over the floor. 14:24.471 --> 14:30.596 Well, if you do that then it's difficult to invert it and fasten it into the thing without all the water coming out on the floor. 14:30.616 --> 14:31.417 So I decided. 14:32.297 --> 14:38.139 No, listen, I thought what there was going to be was underneath the plastic cap, there was going to be another seal, right? 14:38.199 --> 14:42.961 And then you would pop it on and you would get Soul Classics covered by seal. 14:43.601 --> 14:54.465 But instead, I pulled the blue cap off and it just, you know, because the cylinder was lying on its side there and it just started glupping out all over the BBC six music. 14:54.485 --> 14:54.965 Good work. 14:55.466 --> 14:56.506 Now the hub is all wet. 14:56.886 --> 14:57.526 Damp hub. 14:57.806 --> 14:59.947 Not the first time the hub's been damp. 15:00.087 --> 15:01.687 No, with excitement, usually. 15:02.147 --> 15:03.228 It's rock-based. 15:03.268 --> 15:05.408 Who was in the hub this week, James? 15:06.468 --> 15:07.749 Now who put you on the spot there? 15:08.449 --> 15:09.309 Hey, listen. 15:10.269 --> 15:13.150 Talking of live music, I went to a gig a couple of weeks ago, right? 15:13.190 --> 15:13.410 Wow. 15:14.090 --> 15:17.351 My favourite soul man, Rafael Sadiq, at the Jaskat cafe, right? 15:17.491 --> 15:18.731 Oh, he was so good. 15:20.432 --> 15:22.332 Did you stand at the front and go, I love you, Rafael! 15:22.732 --> 15:23.112 I didn't. 15:23.253 --> 15:23.653 I didn't. 15:23.693 --> 15:24.954 If I was shorter, I would. 15:24.974 --> 15:30.137 But I'd be so conspicuous as a tall man at the front and I'd block everyone's views. 15:30.698 --> 15:31.058 Views? 15:31.398 --> 15:31.638 Yeah. 15:31.958 --> 15:32.559 Political views. 15:32.619 --> 15:33.740 Political views. 15:34.260 --> 15:36.842 But anyway, he had a very cool looking band. 15:37.642 --> 15:39.704 You know, they were urban types. 15:39.844 --> 15:41.044 Were they wearing t-shirts and jeans? 15:41.345 --> 15:43.126 No, they were wearing black suits. 15:43.206 --> 15:44.987 It was a kind of Motown style gig. 15:45.227 --> 15:47.549 They were wearing amazingly natty black suits. 15:48.469 --> 15:51.651 But before they came on, the first thing to say is he took ages to come on. 15:52.592 --> 15:53.913 And that's a discussion point. 15:53.953 --> 15:57.634 You know, bands seem to think the later they come on, the cooler they are. 15:58.015 --> 16:00.155 Or the more whipped up the crowd will be, do you know what I mean? 16:00.356 --> 16:00.696 Yeah. 16:00.956 --> 16:05.418 So if you go at the time it says on the ticket, you can expect to have a couple of hours to wait. 16:05.798 --> 16:06.578 Depends on the band. 16:06.598 --> 16:08.199 I mean, most bands are pretty business-like. 16:08.279 --> 16:08.579 Are they? 16:08.739 --> 16:09.420 I would say so. 16:09.480 --> 16:09.820 Really? 16:09.980 --> 16:11.240 Maybe not at the jazz cafe. 16:11.300 --> 16:11.541 Right. 16:11.981 --> 16:13.421 Usually you call the venue, right? 16:13.501 --> 16:16.283 And you say, excuse me, what time are the band actually coming on? 16:17.023 --> 16:19.405 And they go, well, 9.30, even though it's advertised for 7. 16:19.465 --> 16:19.765 Right. 16:20.786 --> 16:22.307 Sadiq didn't come on until about 10.15. 16:22.587 --> 16:23.087 What? 16:23.668 --> 16:27.891 So some people had been waiting for three and a quarter hours, which was fine. 16:27.911 --> 16:29.031 I mean, he's amazingly good. 16:29.552 --> 16:30.913 So he can do that kind of thing. 16:31.273 --> 16:40.660 But before he came on, there were people wandering onto the stage and everyone was so desperate for some action, they started sort of cheering when a roadie came out. 16:40.680 --> 16:40.860 Right. 16:41.440 --> 16:41.860 comes out. 16:41.920 --> 16:43.221 That often happens, doesn't it? 16:43.261 --> 16:44.202 People get desperate. 16:44.222 --> 16:50.986 There's an atmosphere of sort of hallucination and delusion and everything, anything that happens on the stage creates a ripple of excitement. 16:51.006 --> 16:52.007 Any lighting change? 16:52.027 --> 16:52.287 Yeah. 16:52.708 --> 16:59.452 So out onto the stage comes this lank-haired young man who looks like one of Gorky's psychotic monkeys. 16:59.832 --> 17:00.233 Monkeys? 17:00.633 --> 17:01.033 Yeah. 17:01.153 --> 17:03.275 I've got to get my rock monkeys confused these days. 17:03.775 --> 17:08.238 wearing kind of very skinny jeans with very lank hair, looking a bit mopey. 17:08.518 --> 17:11.840 A bit like the actor who plays Steve Coogan's son in Saxondale. 17:12.020 --> 17:12.200 Right. 17:12.540 --> 17:13.281 You know that kid? 17:13.301 --> 17:14.502 I know the guy you meet. 17:15.022 --> 17:17.904 Didn't look like he could have anything to do with Raphael Sadiq's band. 17:17.924 --> 17:22.286 He looked like he was a sort of cammed and pub crawling sort of a guy. 17:22.306 --> 17:22.947 A little indie kid. 17:23.087 --> 17:26.929 So people were sort of applauding him sarcastically when he was plugging things in. 17:26.949 --> 17:28.330 Sarcastic applause. 17:28.590 --> 17:29.391 Like clapping. 17:29.431 --> 17:30.151 Get on with the show. 17:32.032 --> 17:37.197 Anyway, when Sadiq eventually comes on, uh, who comes down the stairs and picks up the bass? 17:37.537 --> 17:38.317 Robert Downey Jr. 17:38.678 --> 17:39.318 But that kid. 17:39.559 --> 17:39.719 Oh! 17:40.099 --> 17:41.960 Turns out he's Sadiq's bassist. 17:42.021 --> 17:42.181 No. 17:42.201 --> 17:42.381 Yeah. 17:42.501 --> 17:42.981 Groovy. 17:43.101 --> 17:45.804 Completely not fitting in with the rest of the look of the band. 17:46.024 --> 17:48.186 So everyone else had suits except for Indie Boy. 17:48.246 --> 17:49.507 Not everyone, but most of them. 17:50.767 --> 17:54.289 They were all big and look like they'd come from Atlanta, apart from this guy. 17:54.489 --> 17:55.709 So that was kind of surprising. 17:55.749 --> 17:59.271 And Rafael Sadiq's an amazing bass player. 17:59.851 --> 18:01.992 He appears on the cover of Bass Player Monthly. 18:02.012 --> 18:02.412 Does he? 18:02.552 --> 18:02.892 Yeah. 18:03.212 --> 18:05.613 I'm not sure whether that mag exists, but if it did, he would. 18:06.153 --> 18:06.793 He's amazing. 18:06.834 --> 18:07.834 So he wouldn't get any old. 18:08.254 --> 18:10.315 Herbert, to play the bass for him. 18:11.035 --> 18:15.436 Anyway, the fact that this kid's playing the bass disturbs some people in the audience. 18:15.696 --> 18:17.916 Because he's incongruous, he doesn't seem to fit in. 18:18.476 --> 18:20.537 So people start shouting and teasing him. 18:20.757 --> 18:21.197 No. 18:21.317 --> 18:23.738 Going, on the bass you're a man! 18:24.038 --> 18:24.418 Like that. 18:24.478 --> 18:24.838 What? 18:24.978 --> 18:29.979 And he's taking this badly, he looks like a shy, nice, I mean he's amazing on the bass, obviously. 18:29.999 --> 18:33.280 Because some of the bass lines are quite difficult, he's amazingly good. 18:33.600 --> 18:35.340 People are teasing him and cajoling him. 18:35.360 --> 18:36.241 That's outrageous. 18:36.261 --> 18:37.521 I felt very sorry for him. 18:37.981 --> 18:40.782 Yeah, that's almost sort of it was slightly inverse racism. 18:41.063 --> 18:41.603 Yeah, yeah. 18:42.463 --> 18:45.245 And anyway, eventually the band leave the concert ends. 18:45.405 --> 18:55.629 And one of the things he does is he strips down the instruments as the concert ends, you know, he leaves the keyboardist leaves, leaving just drum and the horns, you know, so you just get the tracks stripped down. 18:56.450 --> 18:58.531 And everyone was being applauded as they exited. 18:59.171 --> 19:03.815 I was thinking, I wonder whether the poor lanky bassist is going to get applauded. 19:04.616 --> 19:10.121 And he shyly exited the stage hiding behind one of the large trumpeters. 19:10.381 --> 19:11.923 Oh, he did such a terrible gig. 19:12.283 --> 19:13.484 That's such a terrible gig. 19:13.584 --> 19:14.305 That is awful. 19:14.345 --> 19:15.546 I felt so bad for him. 19:15.586 --> 19:18.508 I wanted to go up to him and go, mate, mate, I liked you. 19:19.289 --> 19:20.130 I think you're wicked. 19:20.250 --> 19:21.171 Basis bullying. 19:21.351 --> 19:22.031 Basis bullying. 19:22.051 --> 19:27.415 You know, that's a shame because basists, in my experience, are invariably the most gregarious and interesting... Right. 19:27.455 --> 19:28.776 They're hard-working as well. 19:28.817 --> 19:31.379 They're the spine of the, you know, the rhythm. 19:31.399 --> 19:33.320 They meld the rhythm and the melody together. 19:33.400 --> 19:34.181 I love basists. 19:34.281 --> 19:35.001 They're integral. 19:36.202 --> 19:37.483 That's outrageous. 19:37.683 --> 19:40.665 Anyway, just in the hoey, no one connected with that one. 19:40.685 --> 19:46.249 If you were there at the Jazz Cafe at the Rafael Sadiq gig bullying that poor bassist. 19:46.349 --> 19:47.230 Poor bassist. 19:47.410 --> 19:48.671 Shame on you. 19:48.691 --> 19:49.331 Racist bassist. 19:49.391 --> 19:51.653 For shame the racist bassist bashers. 19:52.653 --> 19:54.655 Can we get Ofcom involved somehow? 19:54.815 --> 19:56.936 Yes, let's have the Jazz Cafe bought down. 19:56.956 --> 19:58.517 Let's have Rafael Sadiq fired. 19:58.997 --> 20:00.578 Let's have that bassist fired as well. 20:00.619 --> 20:01.299 People power. 20:01.659 --> 20:02.099 Let's do it. 20:02.140 --> 20:02.880 Let's have some music. 20:02.920 --> 20:04.981 Here's a classic from Echo and the Bunny Men right now. 20:05.001 --> 20:05.762 This is Killing Moon. 20:05.942 --> 20:08.023 There's Echo and the Bunnymen with the Killing Moon. 20:08.043 --> 20:09.904 That's my mum's favourite Echo and the Bunnymen song. 20:09.944 --> 20:10.765 Is that really true? 20:10.885 --> 20:11.885 Yeah. 20:12.085 --> 20:16.788 Does she like a lot of their work, or are you saying that's the one she can tolerate the most easily? 20:16.828 --> 20:18.268 Would she voluntarily put that on? 20:18.689 --> 20:19.389 Yeah. 20:19.429 --> 20:19.749 Would she? 20:19.909 --> 20:20.630 Yeah, she loves that one. 20:20.650 --> 20:25.052 I put it on, I make her a compilation every Christmas, and I put that one on for her many years ago. 20:25.212 --> 20:25.532 Mummy. 20:25.992 --> 20:28.174 I like the one, the Killing Moon. 20:28.654 --> 20:29.474 Oh, I like that. 20:29.494 --> 20:33.336 Fate up against the wheel, through the thick end. 20:33.356 --> 20:34.157 I like that one. 20:35.798 --> 20:38.459 She likes the Bunnymen, she likes a bit of Van Morrison. 20:39.860 --> 20:44.784 She likes, she always asks me, she has a few requests every year though that throw spanners in the works. 20:45.124 --> 20:46.825 Could you put some Barbara Streisand on? 20:46.845 --> 20:51.848 And I'm like, well, not unless I go and buy some Barbara Streisand and then put it on. 20:52.289 --> 20:54.150 So I had to just go and buy some Streisand. 20:54.830 --> 20:55.431 It's really good. 20:55.611 --> 20:57.892 I bought some Streisand the other day. 20:57.932 --> 21:00.014 Not CDs, I bought some Streisand films. 21:00.054 --> 21:01.515 I wanted to see the film What's Up, Doc? 21:01.855 --> 21:02.035 Uh-huh. 21:02.416 --> 21:03.357 Peter Bogdanovich. 21:03.617 --> 21:03.817 Enjoyable. 21:03.837 --> 21:08.202 And it was only available, yeah, it's brilliant, but it was only available in the Streisand boxed set. 21:08.302 --> 21:08.702 Right. 21:08.883 --> 21:12.306 Yes, and now I've got a lot of other Barbastrithan films. 21:12.426 --> 21:14.168 Is the mirror has two faces on there? 21:14.809 --> 21:15.229 Uh, no. 21:15.249 --> 21:17.592 Uh, do I like that one? 21:17.612 --> 21:20.415 Uh, I think I like Prince of, is she in Prince of Tides? 21:20.715 --> 21:21.095 Yeah. 21:21.115 --> 21:21.716 I like that one. 21:21.736 --> 21:22.456 That is a good one. 21:24.218 --> 21:27.520 And funny girl, funny face, funny, what is it? 21:27.961 --> 21:29.001 Is it funny girl that she's on? 21:29.061 --> 21:29.682 I think we're like that. 21:29.702 --> 21:30.162 I can't remember. 21:30.743 --> 21:31.483 Anyway, there you go. 21:31.503 --> 21:33.165 There's a little bit of fun facts about my mum. 21:33.225 --> 21:35.787 But listen, Steven, we're going to talk about now. 21:36.007 --> 21:38.429 If you're a regular listen to the show, you will know. 21:38.769 --> 21:41.331 If you're a regular listen to the show, yeah, that's fine. 21:41.851 --> 21:43.052 You'll know what I'm talking about. 21:43.072 --> 21:44.994 If you're not, then you'll be confused. 21:45.054 --> 21:47.115 But I don't know if we can be bothered to explain all this. 21:47.175 --> 21:48.236 It's so laborious. 21:48.256 --> 21:49.397 There's got to be a quick explanation. 21:49.617 --> 21:50.258 I think there is. 21:50.298 --> 21:54.523 We asked people ages ago to send in their bits of... It's too long. 21:54.663 --> 21:56.825 Yeah, but that's because you interrupted. 21:57.546 --> 22:03.633 And someone sent in a comic that they created when they were a youngster called Stephen! 22:03.993 --> 22:08.438 Named after themselves with a fictional kind of ruffity-tuffity army man 22:09.239 --> 22:27.493 Called Steven in in various battle situations, and we were just amused by the idea that it was called Steven Exclamation mark And we were speculating on the kind of things that he would get up to you see that was good That was really good, but we do need a more a better synopsis produces work on that you work on that work on a line not now It's great. 22:27.533 --> 22:31.356 You're so keen, but not now Okay, here are some of the emails. 22:31.376 --> 22:32.477 We've got in about Steven. 22:32.497 --> 22:38.522 We've been asking people to shout the name out Yeah in public places to see if they get the reply 22:38.982 --> 22:39.522 Just coming! 22:39.743 --> 22:39.983 Yeah. 22:41.083 --> 22:44.465 In the action franchise, named Stephen, that's the catchphrase. 22:44.645 --> 22:45.466 Someone's in peril. 22:45.806 --> 22:46.807 They shout, Stephen! 22:47.687 --> 22:48.948 And Stephen goes, Just coming! 22:50.349 --> 22:51.209 That's the idea. 22:51.550 --> 22:55.912 So we've been asking you to shout it out and see whether anyone responds. 22:55.952 --> 22:58.754 We've had emails from, here's the first one, Aidan Bradley. 22:59.354 --> 23:04.798 He says, I've been a fan of the show since I joined the ever-growing ranks of Australians taking over London. 23:05.718 --> 23:11.979 Uh, although now back in Australia for some time, I find that calling Stephen provides little to no result. 23:12.440 --> 23:17.981 Partly because no one here is actually referred to as Stephen, it's always Steve, Steve-o, or Stegels. 23:19.381 --> 23:20.281 Stegels, mate! 23:20.321 --> 23:20.921 Stegels! 23:21.121 --> 23:26.283 That can't be a real... No, I think that's the kind of thing Australia's... Oh, look at that, I've gone back into the accent! 23:26.343 --> 23:26.603 Yeah. 23:26.923 --> 23:27.703 Seamless, mate! 23:28.443 --> 23:31.146 It's so entirely authentic, wouldn't you say? 23:31.326 --> 23:32.367 That's a bit more Australian. 23:32.467 --> 23:35.289 Usually you're a little bit more... No, mate, you've lost it there. 23:35.369 --> 23:36.350 No, this is Australian. 23:36.870 --> 23:38.111 This is New Zealand. 23:40.173 --> 23:41.734 That's where you've made your mistake. 23:42.014 --> 23:44.396 The New Zealanders just talk a little softer. 23:44.617 --> 23:45.758 It's not just, mate. 23:46.578 --> 23:48.600 The sibilants are harder. 23:49.701 --> 23:53.204 Come on, I've carefully honed this over years of coaching and practice. 23:54.325 --> 23:55.386 Anyway, so there we go. 23:55.406 --> 23:56.747 Here's another one. 23:57.408 --> 24:06.076 Ben Haley says, I thought I ought to let you know that at last week's Fleet Fox's gig at the Shepherd's Bush Empire, a lone voice from the right of the auditorium shouted, Steven! 24:06.556 --> 24:14.124 During a short break between songs, singer Robin Pecknold looked utterly confused. 24:14.964 --> 24:17.827 Not least because no other Fleet Foxes are called Stephen. 24:18.288 --> 24:20.830 Robin was stopped in his tracks for a good 10 seconds. 24:21.251 --> 24:23.433 He recovered to continue an excellent performance. 24:23.873 --> 24:30.520 So we've already made Johnny from Radiohead hesitate during a performance, haven't we? 24:30.680 --> 24:35.465 Yeah, he missed a couple of notes on a piano solo or something. 24:35.485 --> 24:38.367 Because he was thinking of one of our song wars songs, right? 24:38.427 --> 24:39.188 Or something like that. 24:39.548 --> 24:41.470 And now we've ruined a Fleet Foxes gig. 24:41.730 --> 24:41.991 Wow. 24:42.231 --> 24:43.452 By someone shouting Steven. 24:43.472 --> 24:44.573 We shouldn't encourage that though. 24:45.094 --> 24:47.436 Otherwise non-listeners to the show might get angry. 24:47.976 --> 24:51.299 Can you imagine if we got someone in a band to shout Steven? 24:52.200 --> 24:55.044 and the people in the crowd shouted back. 24:55.104 --> 24:56.165 I mean, they wouldn't though. 24:56.285 --> 25:01.771 I mean, what we're learning from these emails is the constituent doubt there is not enormous. 25:02.892 --> 25:05.976 But we are getting one or two glimmers of responses. 25:06.136 --> 25:08.779 Here's another email from Richard, maximum Bosch Wallop. 25:09.800 --> 25:10.781 It's a triple-barrelled name. 25:11.182 --> 25:14.265 In a past show you suggested shouting Stephen when your cinema advert came on. 25:14.645 --> 25:15.586 And I've done just that. 25:15.627 --> 25:19.711 The problem is I work as a projectionist in a 14-screen cinema which plays your advert 68 times a day. 25:20.031 --> 25:24.516 So 68 times a day I go into the screen and scream it out but people think I have some sort of name-based Tourette's. 25:24.876 --> 25:26.198 I fear I may be fired soon. 25:26.538 --> 25:28.821 Have you tasted the new Revel's flavour it tastes like beef? 25:30.602 --> 25:31.283 I have actually. 25:33.405 --> 25:35.227 Here's another one from Michael Rose. 25:35.267 --> 25:37.549 My colleagues have just completed interviews for a new member of our team. 25:37.589 --> 25:42.814 Imagine the joy and mild impending doom and minor dread I felt when I found out the successful candidate's called Stephen! 25:43.334 --> 25:44.516 He starts on December the 1st. 25:44.556 --> 25:49.901 I'm not sure I'm going to be able to address or refer to my new colleague without shouting or at least thinking, Stephen! 25:50.321 --> 25:52.063 Worse yet, he's going to be sitting right next to me. 25:53.824 --> 25:55.786 Oh, another one from Rachel. 25:55.886 --> 25:56.447 Hi Adam and Jo. 25:56.467 --> 25:58.629 I went to see Easy Virtue with my mum last week. 25:58.649 --> 25:59.089 What's that? 25:59.970 --> 26:01.432 Easy Virtue. 26:01.792 --> 26:04.575 Oh, that's got some people in it. 26:04.835 --> 26:05.235 Does it? 26:05.295 --> 26:06.216 Is it a period film? 26:06.436 --> 26:06.957 I think it is. 26:07.037 --> 26:07.417 Must be. 26:07.477 --> 26:10.500 It's the one with Firth in it, isn't it? 26:10.560 --> 26:11.001 Right. 26:11.181 --> 26:11.481 Okay. 26:11.861 --> 26:13.463 Lady from the English patient. 26:13.503 --> 26:15.265 Wow, that hasn't popped up on my radar. 26:15.825 --> 26:17.608 Anyway, your advert was on when they saw it. 26:17.668 --> 26:19.490 I immediately responded by shouting, Steven! 26:19.791 --> 26:22.795 Unfortunately, no one responded because it was a Wednesday afternoon. 26:22.815 --> 26:25.719 The cinema was full of pensioners who were not your key demographic. 26:26.000 --> 26:30.125 My mum glared at me, but was quickly distracted by the text the nation song which made her laugh. 26:30.366 --> 26:30.987 Oh, that's nice. 26:31.227 --> 26:31.868 Isn't that nice? 26:32.008 --> 26:32.668 That's good, yeah. 26:32.688 --> 26:35.069 Kristin Scott Thomas is who I was reaching for there, she's in it. 26:35.109 --> 26:35.730 Here's another good one. 26:35.770 --> 26:36.410 It's hotting up now. 26:36.450 --> 26:41.112 Lucy Jordan says, I was recently lucky enough to attend the London premiere of the Che Guevara by a pic... Che. 26:41.612 --> 26:49.795 The outside of Leicester Square Odeon was packed with hundreds of autograph hunters who, upon the arrival of director Steven Soderbergh, who proceeded to shout, Steven! 26:51.056 --> 26:52.636 In a bit to grab his attention. 26:52.937 --> 26:59.179 This went on for a long time at varying pitches and frequencies and manifested as a wonderful Steven Concerto. 26:59.879 --> 27:01.140 I totaled under my scarf. 27:02.821 --> 27:06.742 So everyone was just shouting Stephen and there was one woman in the crowd having a sort of a fit. 27:07.983 --> 27:09.463 Because it was so exciting. 27:10.024 --> 27:11.985 That's from Lucy in London, that's brilliant. 27:12.005 --> 27:12.565 Thank you Lucy. 27:13.185 --> 27:19.468 At the Reading Festival this year, says Adam in Oxford, I took it upon myself to spend the weekend randomly shouting Stephen amongst the crowds. 27:19.528 --> 27:21.449 I won't lie, hardly anyone said coming. 27:21.909 --> 27:23.990 But as the weekend progressed, did I read this out last week? 27:24.810 --> 27:25.390 No, okay. 27:25.710 --> 27:30.452 As the weekend progressed, I did hear more and more people shouting, Stephen, including some of my friends. 27:30.912 --> 27:32.692 Now, this may not be because they listened to the show. 27:32.712 --> 27:37.294 The Reading Festival's notorious for its shouting, catchphrases spreading across the campsite. 27:37.874 --> 27:41.495 Somebody walking in the opposite direction shouted, Coming, and we high-fived. 27:42.699 --> 27:43.660 So he did have a success. 27:43.760 --> 27:49.465 One night I was walking around the campsite and shouted Stephen, someone walking in the opposite direction shouted, coming and we high-fived. 27:49.725 --> 27:50.986 It was the best day of my life. 27:51.006 --> 27:51.487 Like that. 27:51.507 --> 27:55.190 Shall we have some music before we continue the world of Stephen? 27:55.210 --> 27:56.391 Overdose on Stephen, yeah. 27:56.571 --> 27:58.052 This is one of your free plays right now. 27:58.072 --> 27:59.694 This is a lovely wintery track. 27:59.834 --> 28:01.796 Yeah, this is Aztec Camera with Walk Out to Winter. 28:01.916 --> 28:07.601 Hello, the name's Moore, Roger Moore, and you are listening to Adam and Jo, or Jo and Adam. 28:07.981 --> 28:11.264 That's Grace Jones there with William's Blood. 28:11.304 --> 28:13.646 This is Adam and Jo here on BBC Six Music. 28:13.946 --> 28:16.648 She was on Telly last night being interviewed by Lauren. 28:16.688 --> 28:17.569 Did you see that at all? 28:17.829 --> 28:18.670 On The Culture Show. 28:18.690 --> 28:18.890 Yes. 28:19.331 --> 28:20.171 Yeah, I did see that. 28:20.231 --> 28:23.694 Yeah, she seemed... She's aged, interestingly, hasn't she? 28:23.894 --> 28:25.176 She's had some work done, surely. 28:25.296 --> 28:30.120 Yeah, but she's... Well, she had some work done, I think, when she was younger and now... Talk about Lauren now, right? 28:30.620 --> 28:30.900 Are we? 28:31.681 --> 28:32.622 About Grace Jones, yeah. 28:32.662 --> 28:34.704 Similar to Mickey Rourke. 28:34.744 --> 28:38.367 When you have plastic surgery and you age, you age in a very peculiar way. 28:38.787 --> 28:40.809 Because the seams are all different, aren't they? 28:41.930 --> 28:49.056 And sort of flesh becomes fleshier, but it's kind of, sort of, it shows up where the slices have been done. 28:49.196 --> 28:50.858 It's all popping out in weird places. 28:51.158 --> 28:51.638 Don't you think? 28:51.658 --> 28:53.399 It's quite a contemporary look. 28:53.880 --> 28:55.461 It's really working for Mickey Rourke. 28:55.901 --> 28:58.522 His new film's supposed to be a triumph. 28:59.283 --> 29:00.984 The trailer popped up on the internet the other day. 29:01.004 --> 29:01.684 Have you watched it yet? 29:01.724 --> 29:02.565 It's called The Wrestler. 29:02.865 --> 29:04.226 The trailer's really good. 29:04.846 --> 29:05.767 Makes it look brilliant. 29:06.687 --> 29:07.428 You know, amazing. 29:07.468 --> 29:08.688 He's got an amazing face. 29:08.928 --> 29:09.189 Yeah. 29:09.249 --> 29:10.129 Amazing voice. 29:10.669 --> 29:11.350 Where's this going? 29:11.750 --> 29:12.070 Nowhere. 29:12.511 --> 29:14.712 Just praise for the trailer of the wrestling. 29:15.052 --> 29:16.053 I thought you were, yeah. 29:16.233 --> 29:18.234 Because he's got a strange face, Rourke, I mean. 29:18.514 --> 29:19.775 Yeah, but it's really working for him. 29:19.815 --> 29:24.678 And I think, I tell you where this is going is that I think she should do some sort of female equivalent. 29:24.798 --> 29:25.418 Wrestling film. 29:25.518 --> 29:27.260 Yeah, she should not be ashamed of that face. 29:27.340 --> 29:28.500 She should take advantage of it. 29:28.860 --> 29:29.981 She's not ashamed though, is she? 29:30.101 --> 29:30.742 I'm delighted. 29:30.882 --> 29:31.902 You're ashamed for her. 29:32.022 --> 29:32.683 And I shouldn't be. 29:33.423 --> 29:34.243 I should be proud. 29:35.384 --> 29:41.506 So last night, Joe Cornish, I went to an exciting club-stroke dinner event. 29:41.886 --> 29:42.186 Right. 29:42.286 --> 29:43.587 Right, run by a friend of ours. 29:44.607 --> 29:51.970 And it was taking place in a very small kind of conference room, beautifully done up in this hotel, right? 29:51.990 --> 29:55.291 And they transformed the entire room into an amazing kind of 29:55.771 --> 30:14.303 Parisian boudoir type of thing, with plush velvet curtains and chandeliers, and it was all beautifully low-lit and everything, and there was lots of tables around, all very close together, with lots of big gangs of people on there who'd paid to come along, and be entertained by... No, there were no hoodies allowed in there. 30:14.323 --> 30:15.844 It was a totally different kind of crowd. 30:17.094 --> 30:22.976 And they were being paid apart from anything else to have a wonderful meal, but also to be paid. 30:23.556 --> 30:28.658 Sorry, they had paid to have a wonderful meal and to listen to the sounds of a wonderful band. 30:29.178 --> 30:32.599 But before all that, there was music playing, right? 30:33.099 --> 30:33.780 As you go in there. 30:33.800 --> 30:39.962 But it was like a very laid-back kind of groovy scene, nice ambience and stuff. 30:40.122 --> 30:43.163 But the music was incredibly loud, right? 30:43.923 --> 30:48.047 So you could really not hear yourself think, let alone speak to anybody. 30:48.548 --> 30:55.514 And they had big PA speakers in this small space for the band later on, but the music was coming through these... Were they a bit too big? 30:55.895 --> 30:56.756 They were pretty large. 30:56.796 --> 30:57.356 I've overdone it. 30:57.757 --> 31:01.841 And not only that, but the music was getting louder and louder as the room filled up, right? 31:01.861 --> 31:03.262 Right, to combat the hubbub. 31:03.342 --> 31:11.346 Yeah, until after a while, I just had to go over to our friend who was one of the organizers and say, music's very loud, like I can hardly hear. 31:11.626 --> 31:16.428 And it was all kind of Latin kind of jazzy music, right, instrumental stuff. 31:16.708 --> 31:20.790 But sort of quite obnoxious. 31:27.250 --> 31:28.411 But really loud. 31:28.431 --> 31:28.751 Wow. 31:29.351 --> 31:30.292 Sounds like it's really loud. 31:30.312 --> 31:31.372 Is there any way we can just turn it down? 31:31.392 --> 31:32.853 He's like, oh yeah, I'll go and find the DJ. 31:32.873 --> 31:33.774 Oh, I don't know where he is. 31:33.814 --> 31:34.594 He's around somewhere. 31:34.614 --> 31:36.215 DJs don't take kindly to that. 31:36.235 --> 31:36.895 Well, that's a thing. 31:37.175 --> 31:40.497 So I was like, well, if he's not around, I might just knit back there. 31:40.657 --> 31:41.478 Fiddle with the knobs. 31:41.538 --> 31:43.319 I'll have a little fiddle with his knobs, right? 31:44.019 --> 31:45.940 So I had a quick scan around. 31:46.280 --> 31:47.281 No sign of DJ. 31:47.601 --> 31:48.601 Jump up on stage. 31:48.621 --> 31:50.442 Have a little fiddle with his knobs. 31:51.043 --> 31:53.524 And reduce the sound of that. 31:53.544 --> 31:54.765 I didn't turn it right down. 31:55.285 --> 31:55.585 Right. 31:55.805 --> 31:57.066 Just subtly glided it. 31:57.126 --> 32:01.068 I gave it a little nudge to an acceptable level of background musicosity. 32:01.969 --> 32:05.831 Suddenly, I hear from the corner of the booth... Alright. 32:06.491 --> 32:06.891 It's the DJ. 32:06.911 --> 32:07.212 He's down there. 32:07.232 --> 32:07.532 He's crouching. 32:07.552 --> 32:07.832 He's crouching. 32:07.852 --> 32:08.652 He's crouching. 32:08.672 --> 32:09.013 He's crouching. 32:09.033 --> 32:09.413 He's crouching. 32:09.493 --> 32:09.853 He's crouching. 32:09.873 --> 32:10.213 He's crouching. 32:10.273 --> 32:10.874 He's crouching. 32:10.894 --> 32:11.834 He's crouching. 32:11.854 --> 32:12.334 He's crouching. 32:12.354 --> 32:12.835 He's crouching. 32:12.955 --> 32:13.495 He's crouching. 32:13.515 --> 32:14.055 He's crouching. 32:14.075 --> 32:14.375 He's crouching. 32:14.395 --> 32:14.776 He's crouching. 32:14.836 --> 32:15.276 He's crouching. 32:15.316 --> 32:16.116 He's crouching. 32:16.136 --> 32:16.417 He's crouching. 32:16.437 --> 32:16.757 He's crouching. 32:16.777 --> 32:17.177 He's crouching. 32:17.197 --> 32:17.717 He's crouching. 32:17.757 --> 32:18.197 He's crouching. 32:18.238 --> 32:18.838 He's crouching. 32:18.858 --> 32:19.218 He's crouching. 32:19.258 --> 32:19.778 He's crouching. 32:19.798 --> 32:20.519 He's crouching. 32:20.539 --> 32:20.879 He's crouching. 32:20.899 --> 32:21.219 He's crouching. 32:21.239 --> 32:21.639 He's crouching. 32:21.699 --> 32:22.020 He's crouching. 32:22.040 --> 32:22.520 He's crouching. 32:22.540 --> 32:22.820 He's crouching. 32:22.840 --> 32:23.340 He's crouching. 32:23.360 --> 32:23.781 He's crouching. 32:23.821 --> 32:24.101 He's crouching. 32:24.121 --> 32:24.201 He's 32:24.981 --> 32:28.303 Oh, yeah, just turning it down a little bit, just a tiny bit. 32:28.663 --> 32:29.843 Great music, by the way, though. 32:30.043 --> 32:30.324 Nice. 32:30.404 --> 32:30.944 Really good music. 32:30.984 --> 32:31.424 Yeah, nice. 32:31.804 --> 32:32.605 And slinked off. 32:33.145 --> 32:36.587 And then, as far as I could tell, he rammed it right back up. 32:36.627 --> 32:37.767 Yeah, because it's great music. 32:37.907 --> 32:38.708 Who wouldn't want it really? 32:38.748 --> 32:39.588 Really great music. 32:39.808 --> 32:45.271 Not only that, but I think he increased the volume on the PA speaker that I was sat nearest to. 32:45.351 --> 32:48.252 So for the rest of the dinner, I was absolutely stuffed. 32:48.292 --> 32:52.354 There was no question of doing any talking or hearing anything that was going on whatsoever. 32:52.994 --> 32:54.676 I mean, well, now he'll be sorry. 32:56.777 --> 32:59.019 Because you've called him up on it on the program. 32:59.580 --> 33:01.461 Yeah, but I mean, that's what DJs do, isn't it? 33:01.521 --> 33:02.602 But why so loud? 33:02.642 --> 33:03.883 You don't need to have it so loud. 33:03.924 --> 33:04.564 You're quite right. 33:04.724 --> 33:05.245 Don't you reckon? 33:05.365 --> 33:06.886 Yeah, I don't understand that kind of thing. 33:06.906 --> 33:09.408 You ever complain about the level of music in a restaurant all the time? 33:09.708 --> 33:10.249 All the time. 33:10.689 --> 33:12.291 I often ask people to turn it down here. 33:12.471 --> 33:14.572 I'm not afraid of asking that kind of thing. 33:15.153 --> 33:15.613 I like it. 33:17.535 --> 33:19.496 And the angrier the person gets, the more I like it. 33:20.097 --> 33:21.318 No, but that is annoying. 33:21.878 --> 33:23.159 Especially Latin music. 33:23.860 --> 33:24.280 It was good. 33:24.661 --> 33:25.902 Genuinely it was great music. 33:26.022 --> 33:30.425 But it's designed to enhance the atmosphere, not dominate it. 33:30.545 --> 33:31.086 Exactly. 33:31.366 --> 33:33.428 It's a skill to get it at the right level, isn't it? 33:33.488 --> 33:34.348 Oh my lordy. 33:34.849 --> 33:36.190 That's part of being a great DJ. 33:36.210 --> 33:37.070 You want to set a mood. 33:37.170 --> 33:40.253 Part of setting a mood sometimes is knowing when to keep it quiet. 33:40.373 --> 33:42.754 Yeah, well, lucky everyone involved in the story is your friend. 33:43.294 --> 33:43.734 Not anymore. 33:44.034 --> 33:44.414 Not anymore. 33:44.474 --> 33:47.415 Here's a bit of music for you now, listeners. 33:47.535 --> 33:49.935 This is Neon Neon with Dream Cars. 33:50.615 --> 33:55.217 That's Neon Neon fronted by Gruffrice there with Dream Cars. 33:55.337 --> 33:56.317 Very nice indeed. 33:56.717 --> 34:00.938 Now, of course, the big British castle has been under attack this week. 34:01.758 --> 34:03.699 Again, from angry landowners. 34:03.719 --> 34:08.202 From absolutely furious landowners and tithe payers. 34:08.422 --> 34:14.505 That's right, medieval mobs with sticks and flaming brands who are amongst other things. 34:14.545 --> 34:27.672 I mean, the castle's been under attack from all sides, but one of the things that the tithe payers are furious about, the serfs are getting angry about, is John Sargent's departure from Strictly Come Dancing, of course. 34:28.493 --> 34:29.833 You've been watching the show, right, Joe? 34:29.853 --> 34:30.694 You love to dance. 34:31.294 --> 34:32.155 You're strict about it. 34:32.195 --> 34:34.816 I love it so much that I've actually never watched it in my entire life. 34:34.836 --> 34:35.577 Have you never watched it? 34:35.597 --> 34:36.337 No, I'm surprised. 34:36.797 --> 34:42.341 No, I only watched it the once the other week when I was watching it with my family and they very much enjoyed it, I must say. 34:43.121 --> 34:48.264 But people are absolutely furious about the fact that John Sargent left the show. 34:48.284 --> 34:50.725 I mean, you're aware of this whole thing, right, Joe? 34:50.765 --> 34:51.566 Sure. 34:51.626 --> 34:59.931 Because they felt, well, half the world felt that he was not a suitable candidate for the dance show because he wasn't good enough. 35:00.331 --> 35:02.413 so he should have been bunged off the show much earlier. 35:03.413 --> 35:12.339 Sargent himself left because he was worried that he might actually win the program because of the, you know, voting, the perverse voting tastes of the public. 35:13.460 --> 35:25.328 Then there's a whole load of people who are outraged because they voted for Sargent and now they feel that their money has been wasted on that phone vote and they should hire a lawyer and get the money back somehow. 35:26.348 --> 35:28.490 Which, where would you stand on the whole matter? 35:28.530 --> 35:29.090 What would your 35:30.631 --> 35:31.751 What would your take on it be? 35:31.771 --> 35:33.252 Because obviously you don't have one. 35:33.312 --> 35:36.933 But if you were to have one... I respect everyone's actions in the matter. 35:37.113 --> 35:39.594 I think if Sargent wanted to leave, that's his decision. 35:39.614 --> 35:40.494 No one else is. 35:41.154 --> 35:41.955 And that's fine. 35:42.135 --> 35:45.155 I think if he'd stayed and he'd won, that would be fine. 35:45.195 --> 35:50.357 It's about time the public's love for losers came back and bit it on the bottom. 35:50.917 --> 35:51.097 Right. 35:51.117 --> 35:56.699 So you would be on the side of the dance fans who want to see proper dancing in a dance competition. 35:57.579 --> 36:01.820 No, I think I'm on the fan of democracy, of the majority. 36:01.920 --> 36:02.621 On the side of democracy. 36:02.641 --> 36:06.562 Yeah, if the majority want to see them in, then they can make their bed and sleep in it. 36:06.582 --> 36:07.762 Do you know what I mean? 36:07.842 --> 36:08.322 Yeah. 36:08.582 --> 36:10.543 They should vote in a better way. 36:11.183 --> 36:13.484 Well, people are absolutely frothing about it. 36:13.584 --> 36:17.745 I get all my information about the public from the London Light newspaper. 36:18.085 --> 36:19.646 Other free newspapers are available. 36:19.986 --> 36:23.067 But in the letters section there, man, people are going mental. 36:23.427 --> 36:26.808 This guy S. Perry from Halston says, what people are forgetting? 36:27.168 --> 36:30.229 is that Strictly Come Dancing is a dance contest! 36:30.729 --> 36:33.409 And John Sargent just can't dance! 36:33.849 --> 36:39.951 Yes, he is entertaining, but after nine weeks, he should have been getting discernibly better, and he wasn't! 36:40.451 --> 36:43.451 Dances much better than him lost out. 36:43.852 --> 36:49.673 People, it's a dance show, not some kind of entertainment and popularity contest! 36:50.073 --> 36:51.633 Are you shouting, is it in capitals? 36:51.673 --> 36:52.613 Are those bits in capitals? 36:52.633 --> 36:55.794 No, it says in brackets, shouting right the way through. 36:57.275 --> 37:19.910 Underneath and they've got loads of letters from people who are absolutely Furious because they they think that people have missed the point this another one says this is from dance fan in London who is a you know She says it all dance fan of dance I and many of my friends who are great fans of strictly come dancing are so pleased that John Sargent has finally left He wasn't entertaining. 37:20.330 --> 37:25.294 He was embarrassing He may be a nice guy, but he is a joke on the dance floor 37:26.074 --> 37:28.355 brackets shouting at the end. 37:28.595 --> 37:31.537 So, you know, do you know who I feel the most sorry for? 37:31.597 --> 37:31.777 Who? 37:32.177 --> 37:32.917 John Sargent. 37:33.197 --> 37:33.397 Right. 37:33.677 --> 37:36.019 Well, has he not lost all his authority now? 37:36.039 --> 37:36.079 No. 37:37.079 --> 37:40.981 I mean, he can't be taken seriously in any proper political context anymore, can he? 37:41.761 --> 37:42.081 No. 37:42.661 --> 37:46.462 I haven't even seen it and I'm embarrassed by anything. 37:46.762 --> 37:49.963 Didn't he used to be quite a proper political journalist? 37:50.123 --> 37:50.924 Still is, of course. 37:51.864 --> 37:52.204 Is he? 37:52.464 --> 37:52.724 Yeah. 37:53.124 --> 37:53.704 Surely not. 37:53.784 --> 37:56.265 Still got valid opinions, you can have a little fun on the side. 37:56.645 --> 38:01.747 All those people doing stuff for children in need, those news readers, they're... Not every week for months and months. 38:02.547 --> 38:05.648 Becoming a national kind of whipping person. 38:05.888 --> 38:06.568 Yeah, I don't know. 38:07.328 --> 38:14.172 Anyway, it reminded me the whole thing of a bit of a wonderful song by Gil Scott Herron. 38:14.192 --> 38:14.393 Right. 38:14.833 --> 38:21.457 Of course, which always makes me... which I like to listen to during any TV-based furore, just to get things in perspective. 38:22.177 --> 38:25.319 So here's Gil Scott Herron with The Revolution Will Not Be Televised. 38:25.500 --> 38:28.962 That's Martha and the Vandalas there with Love is Like a Heatwave. 38:29.582 --> 38:29.722 from 1963. 38:30.863 --> 38:34.066 So your accent there is the Australian one or the New Zealand? 38:34.086 --> 38:34.607 That's the Australian one. 38:34.627 --> 38:35.828 That's definitely Australian, yeah. 38:35.908 --> 38:36.028 Is it? 38:36.048 --> 38:36.909 That's broad Australian. 38:37.290 --> 38:38.911 You know what your accent reminds me of? 38:38.951 --> 38:39.151 What? 38:39.952 --> 38:44.336 Is a clip from Lost that I had ages ago. 38:44.376 --> 38:47.700 Because we used to be obsessed by bad accents. 38:48.280 --> 38:48.901 Still are, mate. 38:49.341 --> 38:54.444 Like years and years ago, we used to do a feature on the radio show we were doing at the time where we would wheel out bad accents. 38:54.504 --> 39:00.008 And I replayed a couple of those clips the other day after you were doing your Australian accent. 39:00.468 --> 39:04.791 And I found this one, this is from series two or three of Lost. 39:05.231 --> 39:20.180 And it's a bit where Hurley, the big chap who's obsessed with numerology, goes out and talks to a lady, an Australian lady she's supposed to be, right, about a weird circumstance that occurred with some numbers. 39:20.440 --> 39:28.565 Check out the mangolocity of this accent that they've got out of, I suppose, an American actor trying to do an Australian accent. 39:28.605 --> 39:31.047 So, clip one, please, there, James. 39:31.807 --> 39:34.988 Anyway, he told me about Sam hearing something. 39:37.269 --> 39:38.729 You're talking about the numbers? 39:38.969 --> 39:40.629 Yes, the numbers exactly. 39:40.909 --> 39:41.810 Do you know anything about him? 39:42.230 --> 39:47.831 Sam and Leonard were stationed at a listening post-monetary and long-wave transmissions out of the Pacific. 39:48.271 --> 39:49.032 Boring job. 39:49.452 --> 39:51.912 Nothing to do but listen to static, night after night. 39:52.653 --> 39:57.394 Till one night, about 16 years ago, there's something in the static. 39:58.137 --> 39:59.659 About 16 years ago. 39:59.679 --> 40:01.700 That sounds absolutely correct to me, mate. 40:01.720 --> 40:05.024 Do you want to hear another little slice of her in full Australian swing there? 40:05.804 --> 40:11.150 Couple of days later, we're at the fair in Calgary and some wally there's got this jar. 40:11.610 --> 40:13.051 Must have been big as a pony. 40:13.552 --> 40:14.853 And it's filled to the rim with beans. 40:15.494 --> 40:20.619 Phil is offering 50 grand to anyone able to guess how many beans are in that jar within tin. 40:22.012 --> 40:22.812 M used the numbers. 40:23.413 --> 40:23.613 Yip. 40:24.013 --> 40:24.193 Yip. 40:24.233 --> 40:27.234 The answer was exact to the bean. 40:27.294 --> 40:27.854 To the bean. 40:28.154 --> 40:29.515 Must have been big as a pony. 40:29.675 --> 40:31.055 No mate, that's very authentic. 40:31.115 --> 40:31.556 Yeah. 40:31.596 --> 40:33.636 Wally is a commonly used word. 40:33.716 --> 40:39.319 Pony is a unit of currency in Australia and beans in a jar are what we use instead of small coins. 40:39.439 --> 40:40.019 In Australia. 40:40.039 --> 40:40.699 In Australia. 40:40.739 --> 40:40.959 Yip. 40:41.319 --> 40:42.020 That's interesting. 40:42.160 --> 40:42.360 Yip. 40:42.640 --> 40:43.360 Now you know what? 40:43.780 --> 40:45.581 We've actually got on the line 40:46.161 --> 40:48.785 and a expert on accents. 40:48.825 --> 40:55.494 This is a gentleman, his name is Matt, and he is like an accent coach. 40:56.776 --> 40:57.718 Matt, are you on the line there? 40:58.228 --> 40:58.768 Yes, I am. 40:59.169 --> 41:04.931 And what you do for a living is to coach actors and staff to hone their accents, is that right? 41:05.211 --> 41:05.892 That's right, yeah. 41:06.532 --> 41:10.294 And, you know, you could do a wide variety of accents, I would think, right? 41:10.394 --> 41:10.614 Yeah. 41:11.214 --> 41:13.656 And Australian, that must be a fairly common one, surely. 41:13.696 --> 41:14.616 Yeah, it's a very common one. 41:14.636 --> 41:18.458 Well, I don't get many clients that want it, but I have had a couple, but it's 41:18.818 --> 41:21.359 It's one that I do, basically. 41:21.379 --> 41:21.559 Yeah. 41:21.619 --> 41:29.141 So, Matt, if I wanted to get into the same business as you, accent coaching, obviously my strongest accent is the Australian accent. 41:29.741 --> 41:30.401 Right. 41:30.861 --> 41:34.662 Do you think there's any areas that I need to polish? 41:34.882 --> 41:39.184 I mean, I know it's pretty strong, but... Well, no, it's not strong enough, I'd say. 41:39.204 --> 41:39.604 Sorry, Matt. 41:39.644 --> 41:40.444 Can I finish, mate? 41:40.964 --> 41:41.364 Yeah, okay. 41:41.384 --> 41:42.044 Can I finish, mate? 41:42.444 --> 41:43.665 He's got the attitude as well as the accent. 41:43.705 --> 41:44.105 Exactly. 41:44.925 --> 41:45.885 I've got nothing to say. 41:45.965 --> 41:47.246 I just wanted to say, can I finish? 41:48.647 --> 41:50.108 So Matt, what do you reckon? 41:50.248 --> 41:52.710 First of all, whereabouts would you place that accent? 41:53.431 --> 41:54.131 What in the world? 41:54.672 --> 41:55.372 I'm asking Matt. 41:55.652 --> 41:56.673 I know, but are you asking? 41:56.713 --> 41:58.675 I just wondered how demeaning you're being. 42:00.577 --> 42:07.202 I'd say you're doing a general Australian, but at the same time, it's not quite strong enough. 42:08.383 --> 42:09.324 It's a little bit English. 42:09.804 --> 42:11.265 Right, you think I should go heavier? 42:12.618 --> 42:33.159 Well you should go heavier but you should go heavier in a more convincing way and you know it's just getting that I'm gonna talk to you in Australian accent so that you sort of get sound and it's getting the rhythm as well because like you know the clip that you played on lost it was like she was kind of trying to do it but she totally didn't have the rhythms or the intonations of the Australian accent that's all 42:33.570 --> 42:37.392 You're going, you've got an upward inflection there at the end of your sentences, is that important? 42:37.412 --> 42:39.113 Yeah, that's what they tend to do, you know. 42:39.313 --> 42:42.055 And that's what they tend to do. 42:42.215 --> 42:43.355 To what? 42:43.555 --> 42:44.036 To do. 42:44.056 --> 42:44.996 To do. 42:45.056 --> 42:45.977 Yeah, kind of. 42:46.057 --> 42:52.040 And it's just getting that sort of, if you like, sort of smooth curl in the words. 42:52.100 --> 42:54.441 It's imagining a curl in the words. 42:54.781 --> 42:57.563 Obviously they don't think about that, but... A rich curl. 42:58.263 --> 43:00.404 Whereabouts would you say your accent was from? 43:00.504 --> 43:03.524 Is that Queensland or Sydney? 43:04.084 --> 43:06.485 It's sort of around Perth area. 43:06.625 --> 43:08.626 So that's kind of sort of Kath and Kimmy, is it? 43:09.046 --> 43:17.888 Yeah, yeah, you know, sort of a general one that you get on neighbours and that sort of thing, or you hear it and what was that film, that ABBA movie? 43:17.928 --> 43:19.268 Yeah, Mamma Mia it was called. 43:19.728 --> 43:20.868 Yeah, the other one. 43:21.829 --> 43:22.829 It was called ABBA the Movie. 43:24.877 --> 43:28.321 Listen, I know the one you mean, Priscilla, Queen of the Desert. 43:28.341 --> 43:28.701 There you go. 43:29.161 --> 43:37.489 I tell you what, Matt, as well as a very good Australian accent, I also... I don't know why you're laughing, mate. 43:38.050 --> 43:46.537 I also do a really good... Joe is just about to unsheathe for you, Matt, his New Zealand accent, which he also does. 43:46.838 --> 43:49.100 I also do a very good New Zealand accent, which is 43:49.631 --> 43:51.414 A lot more breathy and quiet. 43:51.935 --> 43:53.819 I can't do it now because I've got the giggles. 43:54.219 --> 43:58.527 Come on, give me the word fish and chips in New Zealand. 43:59.549 --> 44:00.871 Okay, shh, concentrate. 44:01.292 --> 44:01.913 Fish and chips. 44:03.375 --> 44:04.456 No, no, no. 44:04.476 --> 44:05.958 Try again. 44:08.841 --> 44:10.123 Okay, I'm, okay. 44:10.163 --> 44:10.924 New Zealand, right. 44:10.944 --> 44:12.145 Fash and chaps, isn't that? 44:12.325 --> 44:13.226 Fash and chaps? 44:13.687 --> 44:14.568 What's that? 44:14.588 --> 44:15.789 I don't know what he did, it's happened. 44:15.809 --> 44:19.153 Fash and chaps, that's the way they talk, you know, it's a slightly more clutched accent. 44:19.173 --> 44:19.413 Yeah. 44:20.054 --> 44:26.383 Would you say like you've got all these fancy pants ideas of getting it right and doing the right pronunciation? 44:26.723 --> 44:29.948 Would you say that some people just naturally can do it? 44:30.308 --> 44:30.889 Yeah, they can. 44:31.190 --> 44:32.471 Would you say I'm one of those people? 44:33.499 --> 44:35.301 I would say, no. 44:36.302 --> 44:39.625 What would you say the difference between an Australian and a New Zealand accent was? 44:39.685 --> 44:40.967 I have to say one thing, though. 44:41.047 --> 44:45.632 You know, you've got the basic sound, so you're a lot better than some people. 44:45.732 --> 44:47.353 You can form the sound of words. 44:47.854 --> 44:48.735 That's what Matt's saying. 44:48.775 --> 44:51.037 It's very impressive the way you can... Come on, he was fattering me. 44:51.097 --> 44:51.718 Yeah, yeah. 44:51.738 --> 44:52.058 Keep going. 44:53.940 --> 44:57.022 So, you know, there are some actors out there that, you know, they can't. 44:57.262 --> 44:57.723 At all. 44:58.003 --> 44:58.463 At all. 44:58.683 --> 45:02.586 They can't even recognise an American R in a word, like, you know, when you say word. 45:02.606 --> 45:04.387 They can't copy that sound. 45:04.628 --> 45:10.812 When you go to the movies and stuff, it must be enjoyable for you to watch certain actors manglerising various accents. 45:11.152 --> 45:12.293 Yeah, it annoys me, yeah. 45:12.333 --> 45:13.994 What are the ones that stick out for you? 45:14.294 --> 45:16.356 Have you got any faves that you can tell us about? 45:17.152 --> 45:22.336 I remember Demi Moore doing an English accent in a film called The Scarlet Left where it was dying. 45:22.356 --> 45:22.676 Yes. 45:23.256 --> 45:24.737 That was a big flopo, wasn't it? 45:24.917 --> 45:26.158 Was that the bank robbery one? 45:26.258 --> 45:27.859 No, no, it was a... it's a novel. 45:27.919 --> 45:28.820 It's a famous novel. 45:28.900 --> 45:32.442 She did a British accent in the bank robbery one as well with Michael Caine recently. 45:32.462 --> 45:33.183 That's quite recent. 45:33.303 --> 45:35.564 Yeah, she stopped. 45:35.644 --> 45:38.606 How about my favourite one is Don Cheadle in the Oceans films? 45:39.146 --> 45:39.807 Do you like that one? 45:40.487 --> 45:41.248 I haven't seen that one. 45:41.348 --> 45:42.989 Oh, you've got to see that as an accent coach. 45:43.149 --> 45:46.111 He's the king of the mangarized Cockney accent. 45:47.284 --> 45:48.025 They nosed it. 45:48.085 --> 45:49.106 They nosed it right up. 45:49.707 --> 45:50.568 Yeah, I know. 45:50.708 --> 45:52.370 I don't know. 45:52.390 --> 45:54.112 When the Americans do it, it's so odd. 45:54.132 --> 45:55.313 They can't do it at all. 45:55.393 --> 45:56.855 They can't do it at all. 45:57.015 --> 45:57.816 They can't do it at all. 45:57.836 --> 46:00.419 They can't do it at all. 46:01.502 --> 46:05.505 Well, Matt, mate, you need to get in there and really sort a lot of those accents out. 46:05.585 --> 46:07.927 Maybe I can help you if you need to expand your practice. 46:07.987 --> 46:09.128 I could certainly work for you. 46:09.228 --> 46:13.292 I could just start with the Australian in the New Zealand ones as well. 46:14.132 --> 46:14.833 OK, yeah, deal. 46:15.213 --> 46:18.296 So just cut me in there and we can sort that out. 46:18.336 --> 46:23.059 Just before you go, though, Matt, like on the flip side, I was going to ask you about some of the people who can do really good ones. 46:23.099 --> 46:28.264 What do you think about someone like Gwyneth Paltrow, who people always say, her English accent is amazing. 46:28.504 --> 46:30.405 And to me, she always sounds like the Queen. 46:30.465 --> 46:31.106 She sounds like... 46:31.786 --> 46:40.591 I think it's very good, but at the same time it's a little bit overdone right like when you're in when you're watching Shakespeare in love It's you know it's possible. 46:40.631 --> 46:47.954 It's very good, but the thing is sometimes you get a bit too much of you know and Really, and it's too much now. 46:48.394 --> 46:54.057 I don't like and then It just goes very nasal a lot of the time yes, and also she 46:56.784 --> 46:59.084 Reni Zawiga does a very good one in Bridget Jones. 46:59.324 --> 46:59.625 Yes. 46:59.985 --> 47:05.466 But only ever, you know, sometimes she just goes a little bit over the top and it's a little bit too English. 47:05.746 --> 47:07.446 I mean, I'm not complaining, they're pretty good. 47:07.466 --> 47:10.906 They're almost as good as Joe's Australian accent. 47:10.926 --> 47:12.867 Yeah, over the top is something I avoid. 47:12.907 --> 47:14.827 I keep it nice and subtle and real. 47:14.847 --> 47:15.667 Well, put it this way. 47:15.687 --> 47:18.208 Your Australian accent is better than that one in last. 47:18.328 --> 47:18.968 That was awful. 47:19.128 --> 47:20.328 You're very kind, Matt. 47:20.628 --> 47:22.548 Hey, thanks for joining us today. 47:22.568 --> 47:23.389 No worries. 47:23.689 --> 47:24.209 Cheers, Matt. 47:24.229 --> 47:24.649 Take care. 47:24.669 --> 47:25.169 Okay, bye. 47:25.849 --> 47:29.312 Um, man, that was nice and, uh, not bad marks you got for your accent. 47:29.352 --> 47:29.832 Not bad. 47:29.892 --> 47:30.913 He was very kind. 47:31.013 --> 47:36.437 We've got a few more accent clips that we might play you later on in the program, but right now it's just gone 10.30 and it's time for the news. 47:36.657 --> 47:37.697 That's, uh, R.E.M. 47:37.737 --> 47:38.678 with the end of the world. 47:38.718 --> 47:40.259 What's that one called as we know it? 47:40.319 --> 47:40.640 Yeah. 47:40.720 --> 47:42.061 And I feel fine with that, isn't it? 47:42.081 --> 47:43.161 I remember the video, isn't it? 47:43.201 --> 47:48.425 Some kid on a skateboard in an old hut somewhere, just doing Ollie's for three minutes. 47:48.705 --> 47:49.526 Gosh, I don't remember that. 47:50.345 --> 47:52.326 I've got a memory of it, I think it was... Oh no, I'm doing it again. 47:52.686 --> 47:55.187 It was on an old VHS tape I used to have. 47:56.427 --> 47:58.328 Anyway, this is Adam and Joe on BBC6 Music. 47:58.348 --> 48:00.069 We're gonna have a go at Text the Nation now. 48:00.089 --> 48:00.969 Have we got the jingle ready? 48:00.989 --> 48:04.230 Text the Nation! 48:04.270 --> 48:04.570 Text! 48:04.630 --> 48:04.931 Text! 48:04.971 --> 48:05.351 Text! 48:05.431 --> 48:06.171 Text the Nation! 48:06.251 --> 48:07.191 What if I don't want to? 48:07.451 --> 48:08.172 Text the Nation! 48:08.272 --> 48:09.252 But I'm using email. 48:09.452 --> 48:10.173 Is that a problem? 48:10.213 --> 48:10.753 It doesn't matter! 48:10.793 --> 48:11.033 Text! 48:13.567 --> 48:22.371 So for Text the Nation this week, listeners, we'd like you to tell us about inanimate objects in your life that have taken on a character of their own. 48:22.891 --> 48:32.976 And this is sort of growing out of the fact that a couple of years ago I went on the press tour for the film Hot Fuzz that both Adam and I were involved in, because I was writing with the director. 48:33.616 --> 48:38.399 I went on their tour around America and I took with me 48:39.400 --> 48:49.321 a big wheelie suitcase that was bright orange and for some reason seemed to exude character and it became known as Big Jaffa. 48:50.530 --> 48:57.812 And Nick Frost and Simon Pegg, who I was with and Edgar Wright, took great delight in referring to Big Jaffa. 48:57.852 --> 48:58.632 How's Big Jaffa? 48:58.692 --> 48:59.693 Is Big Jaffa coming? 48:59.753 --> 49:00.853 How's Big Jaffa today? 49:01.353 --> 49:03.634 You know, we became the focus of a lot of chitchat. 49:04.934 --> 49:09.475 We would be excited about seeing Big Jaffa, because there was a lot of flying involved between American cities. 49:09.895 --> 49:15.157 Big Jaffa emerging onto the luggage carousel was a big moment. 49:15.197 --> 49:15.837 Where's the Jaff? 49:16.297 --> 49:17.097 How's the Jaff doing? 49:17.137 --> 49:18.538 Has he bullied his way to the front? 49:18.878 --> 49:21.719 He had a lot of charisma for a suitcase, you know. 49:21.739 --> 49:24.820 Did you purchase the Jaffa originally or was it given to you? 49:24.840 --> 49:26.040 No, it was my girlfriend's. 49:26.660 --> 49:27.841 She let me use it. 49:28.901 --> 49:32.823 And now Big Jaffa is a kind of a key feature of any trip I make. 49:33.283 --> 49:39.685 And he's like a friend, like a very reliable, trustworthy friend who I would be bereft without. 49:40.445 --> 49:42.146 on any international travelling trip. 49:43.007 --> 49:54.113 And Simon Pegg said to me a couple of months ago, when he I think went on the press tour for how to lose friends and alienate people, that he started having flashes of Big Jaffa. 49:54.694 --> 50:02.799 When he was standing at a carousel on his own, even though Big Jaffa was on the other side of the world, he would start thinking Big Jaffa might come. 50:03.539 --> 50:04.659 down the carousel. 50:05.500 --> 50:11.302 And he would text me from various cities saying, oh, I just was thinking about Big Jaffa. 50:12.482 --> 50:18.064 And so I texted him back saying, you know, Big Jaffa is thinking about you as well, Simon. 50:18.244 --> 50:22.885 And when he thinks about you, he cries tears of socks down the front of his face. 50:23.325 --> 50:29.307 So Big Jaffa are obviously just a battered old briefcase, but he's become kind of an icon. 50:29.487 --> 50:31.128 The exciting texts of the stars. 50:31.952 --> 50:32.472 Exactly. 50:33.193 --> 50:35.474 Now, Adam, you poo-poo this a little bit. 50:35.514 --> 50:37.436 This isn't something that has a place in your life. 50:37.516 --> 50:40.337 I'm not a person that names inanimate objects a lot. 50:40.357 --> 50:44.200 I mean, there are kinds of people who, A, they've got nicknames for everybody. 50:44.640 --> 50:46.421 They've got names for their cars. 50:46.461 --> 50:47.362 You disdain this kind of behaviour. 50:47.382 --> 50:48.182 I don't disdain it. 50:48.783 --> 50:49.943 I love it. 50:50.184 --> 50:50.744 I enjoy it. 50:50.764 --> 50:51.064 Do you? 50:51.344 --> 50:53.566 I envy those people who can engage in it. 50:53.586 --> 50:53.686 Right. 50:53.926 --> 50:55.047 Maybe that's part of the problem. 50:55.567 --> 50:59.910 I have, for many years, I was bitter about the fact that I never really had a good nickname. 51:00.490 --> 51:01.651 No one ever had a good nickname for me. 51:01.671 --> 51:02.271 Dr. Buckles. 51:02.791 --> 51:03.512 The Buxtonator. 51:03.552 --> 51:05.893 Hey, recently, I've been getting nice nicknames. 51:06.013 --> 51:09.214 And that's great in my advanced years to finally have one. 51:09.254 --> 51:10.515 But as a youngster, I never did. 51:10.575 --> 51:12.136 I was just known as Adam or Ads. 51:13.016 --> 51:16.718 Some people would change the B in my surname to an F. But you're not an inanimate object. 51:16.798 --> 51:17.498 And that would be it. 51:17.819 --> 51:19.900 But no, I'm not an inanimate object. 51:19.940 --> 51:20.080 No. 51:20.740 --> 51:24.702 And you don't have anything in your life that you've, anything inanimate that you've named that way. 51:24.722 --> 51:34.806 The only thing that we have ever named me and my wife was this kind of child's plastic bouncy thing that you sit them inside when they're not yet walking. 51:35.306 --> 51:39.188 And they can sit there and it's a sort of entertainment system for toddlers, right? 51:39.228 --> 51:39.728 It's all bright. 51:39.748 --> 51:40.228 I know the one. 51:40.268 --> 51:40.868 What's it called? 51:41.309 --> 51:46.391 Well, we call it the Davros, because when they're sat in there, they look like a little wizened. 51:46.411 --> 51:46.631 The Davros. 51:47.551 --> 51:48.752 Oh, it's some freaky man. 51:48.852 --> 51:51.652 Now, I'd say that was a label rather than an actual name. 51:52.413 --> 51:52.573 What? 51:52.593 --> 51:54.453 Because if you called it, say, Trevor. 51:54.673 --> 51:55.874 Yeah. 51:55.914 --> 51:57.094 Yeah, but Devil's is a name. 51:57.314 --> 51:57.854 I guess so. 51:57.974 --> 51:58.154 Yeah. 51:58.234 --> 51:58.755 I guess so. 51:59.235 --> 51:59.835 Yeah, fair enough. 52:00.615 --> 52:02.856 But listeners, we want you to send in your equivalents. 52:02.896 --> 52:07.157 Is there anything in your life like you, James, our producer, what have you got? 52:07.177 --> 52:08.077 You've got a car. 52:08.438 --> 52:08.798 Used to. 52:09.178 --> 52:09.978 Used to have a called. 52:09.998 --> 52:10.798 Called the Beast. 52:11.138 --> 52:12.019 Called the Beast. 52:12.519 --> 52:13.039 Yeah. 52:13.079 --> 52:14.679 Was it an aggressive looking car? 52:14.699 --> 52:16.080 I've got something called the Beast as well. 52:16.800 --> 52:17.521 It was a mini. 52:17.942 --> 52:18.582 There you go. 52:19.043 --> 52:33.038 So text them in especially if you've got stories about how they came to be named or how they've played an important part in your life or whether you know sometimes you name these things and then something happens and the whole thing gets out of hand like like Big Jaffa. 52:34.419 --> 52:35.560 So there you go, that's Text the Nation. 52:35.600 --> 52:36.260 The text number is 64046. 52:37.201 --> 52:42.163 Or you can email adamandjo.6music at bbc.co.uk. 52:42.243 --> 52:45.125 How does your girlfriend feel about having Jaffa co-opted like that? 52:45.465 --> 52:45.925 She loves it. 52:46.165 --> 52:46.385 Right. 52:46.545 --> 52:48.546 Yeah, she's a very giving, generous person. 52:49.227 --> 52:50.147 And she loves it. 52:50.327 --> 52:52.668 Man, you're lucky to have a girlfriend who buys crazy luggage. 52:52.768 --> 52:55.270 I tell you what, when Nick Frost got married... 52:56.150 --> 52:58.792 I was going to send him a thank you card for the wonderful wedding. 52:59.453 --> 53:01.595 And so I made him a picture of Big Jaffa. 53:01.895 --> 53:02.155 Right. 53:02.916 --> 53:03.596 In a top hat. 53:04.897 --> 53:07.880 And I think we've got that picture and it can go on our website. 53:08.440 --> 53:14.025 So if you want to see the ludicrous extent that Big Jaffa has grown to, then have a look at that picture. 53:14.245 --> 53:15.526 It's moving, I've seen it myself. 53:16.327 --> 53:17.208 It's quite something. 53:18.288 --> 53:19.428 Right, so that's Text the Nation. 53:19.508 --> 53:20.869 Here's some more music for you listeners. 53:20.929 --> 53:22.869 This is Modest Mouse with Float On. 53:23.069 --> 53:25.570 He's got an eccentric vocal style. 53:26.310 --> 53:29.070 The man from Modest Mouse. 53:29.310 --> 53:30.190 That was Float On. 53:30.731 --> 53:33.611 And this is Adam and Joe here on BBC Six Music. 53:34.211 --> 53:34.771 You know what I mean? 53:34.791 --> 53:35.371 Windy Pops. 53:35.511 --> 53:36.852 I'm having the Windy Pops. 53:36.872 --> 53:37.572 Windy episode. 53:39.012 --> 53:41.853 Now, Joe, you haven't been watching I'm a Celebrity, have you? 53:41.953 --> 53:43.253 That's a correct statement, no. 53:43.553 --> 53:44.574 What is your problem? 53:44.894 --> 53:46.134 Because it's the same. 53:46.154 --> 53:47.215 It's not the same. 53:47.315 --> 53:57.380 I've been sort of following it from a distance by looking at pictures in the paper and I thought it was very sort of depressing that now all the chicks in it, can I use the word chicks? 53:57.440 --> 53:58.421 Is that patronizing? 53:58.441 --> 53:59.101 A little bit. 53:59.181 --> 54:00.742 The ladies, the women in it. 54:02.883 --> 54:14.166 rush under that shower in their bikinis in an attempt to copy the career path of the beautiful Mylene Klass, who did it in an atmosphere of beautiful biblical innocence. 54:15.006 --> 54:19.848 And now all these scarlet hussies are running to display their wizened wares 54:20.848 --> 54:23.890 in the shower hoping that they too will get an M&S campaign. 54:24.250 --> 54:25.651 They're inflated assets. 54:26.872 --> 54:28.293 You know what, I agree with you about that. 54:29.353 --> 54:34.116 At those moments the show seems a little cynical and it's a shame. 54:34.456 --> 54:36.718 But that's just a very small part of it. 54:37.358 --> 54:37.738 the rest. 54:37.779 --> 54:41.262 That's the tip, if we can say that, of the Shiesberg. 54:41.362 --> 54:42.463 The tips of the icebergs. 54:42.483 --> 54:42.764 Yeah. 54:43.204 --> 54:46.828 But the rest of the show is a delight in many ways. 54:47.048 --> 54:51.953 And you know, of course, I missed it last night because I was out at the incredibly loud background music club. 54:51.973 --> 54:52.713 How frustrating. 54:54.555 --> 55:01.622 But, so I don't know what happened, but the night before, they injected the David Van Day... Contestants with poison? 55:01.742 --> 55:02.623 Well, almost. 55:02.643 --> 55:08.969 They injected the David Van Day virus into the camp, and that, he just blew the whole thing to smithereens. 55:09.489 --> 55:10.190 It was amazing. 55:10.710 --> 55:11.912 You remember David Van Day, right? 55:11.932 --> 55:13.113 Yeah, I have a dollar seven inch. 55:13.633 --> 55:13.873 Yeah. 55:14.053 --> 55:14.574 Thank you very much. 55:14.594 --> 55:15.674 From when I was a little kid. 55:15.714 --> 55:17.815 No one needed to know that. 55:17.875 --> 55:19.216 What was your favourite dollar song then? 55:19.296 --> 55:20.616 Well, it would be that seven inch. 55:20.656 --> 55:21.437 I don't know what it was. 55:21.477 --> 55:21.697 Video tech? 55:21.717 --> 55:22.377 I can't remember it. 55:22.997 --> 55:24.218 Something to do with dreams? 55:24.298 --> 55:24.698 No, it wasn't. 55:24.738 --> 55:25.739 Handheld in black and white? 55:25.979 --> 55:26.219 No. 55:26.239 --> 55:29.340 Those are the only two dollar songs I can remember. 55:29.360 --> 55:32.142 It was very sort of airy and flouncy. 55:32.362 --> 55:32.882 They all were. 55:32.922 --> 55:34.623 But then so was I. That was their style. 55:35.203 --> 55:40.711 And then, in the intervening years, I think he ran a burger van, David Van Dae, something like that. 55:41.452 --> 55:42.613 And now he's back. 55:42.773 --> 55:43.775 And he is furious. 55:43.795 --> 55:48.181 I mean, he's still got a few chips on his shoulder from the burger van or something. 55:48.201 --> 55:52.146 But he went into the camp and he immediately started causing trouble. 55:53.217 --> 55:56.521 But it was fun trouble, you know, really enjoyable trouble. 55:56.661 --> 55:57.522 What kind of thing? 55:57.883 --> 56:11.119 Well, he complained that the rest of the camp were outrageous for not giving up their luxury items in order to give him food on the first night when they were incarcerated a little way away from the main camp. 56:11.779 --> 56:18.622 And so, instead of, like, taking it as a joke, which Timmy Mallett did incidentally, everyone expected Mallett to be the bad egg in the past. 56:19.082 --> 56:21.003 But Mallett, he's behaved impeccably. 56:21.384 --> 56:21.744 Has he? 56:21.824 --> 56:22.644 Yeah, he's a charmer. 56:22.664 --> 56:26.206 You see, I don't even know who's in it, so every time you mention these names... 56:27.326 --> 56:29.287 It's a new revelation for me, Mallet. 56:29.327 --> 56:31.248 Well, Mallet's going up against Kilroy Silk. 56:31.408 --> 56:34.190 Can any of this behaviour, though, be authentic? 56:34.550 --> 56:34.710 Yes. 56:34.750 --> 56:35.911 And not premeditated? 56:35.991 --> 56:40.533 No, you can see that the real, some of it is, like David Van Dae's outrageously hammy. 56:40.573 --> 56:42.734 David, so he will have thought it through. 56:43.094 --> 56:49.638 From the moment he got invited on the thing, he will have figured out a tactic, how he wanted to present his personality, how he was going to come across. 56:49.818 --> 56:50.278 Absolutely. 56:50.458 --> 56:55.701 The long game he was going to play, you know, he might start out evil and turn good, because all stories have 56:56.201 --> 56:57.622 twists, reversals, don't they? 56:58.102 --> 57:01.104 So it's best to start out in a way that you don't intend to finish. 57:01.124 --> 57:01.964 Do you know what I mean? 57:02.124 --> 57:04.566 I don't think his master plan is that clearly worked out. 57:05.106 --> 57:10.229 I think that you're right to the extent that he thinks maybe he'll play the pantomime villain a little bit. 57:10.809 --> 57:15.692 But then it becomes a self-fulfilling prophecy and he just has turned into a nutcase. 57:15.972 --> 57:22.116 Because the first few times we saw him, he was really hamming it up and clearly thinking, oh, this jungle lark's going to be fine. 57:22.136 --> 57:22.957 It's not a big problem. 57:23.217 --> 57:24.437 Get a bit of TV exposure. 57:24.457 --> 57:25.318 Get out of the burger van. 57:25.758 --> 57:32.882 But no, it's all going, it's getting away from him, you know, because real emotions are suddenly aroused in the other camp members. 57:33.182 --> 57:35.004 Esther Ranson starts crying. 57:35.304 --> 57:37.865 The guy from Blue wants to take him out and lamp him. 57:38.666 --> 57:43.609 Robert Kilroy Silk is up in everyone's face anyway, but he's too busy scrapping with Mallet. 57:43.809 --> 57:45.570 I'm telling you, it's compelling stuff. 57:45.770 --> 57:54.515 And in between, you've got Ant and Dec, who, I always say this every year when the show is on, but I can't help chuckling at their incredibly crap gags. 57:54.815 --> 57:56.236 They always make me really giggle. 57:56.357 --> 57:56.837 Is that wrong? 57:57.197 --> 57:57.718 It's not wrong. 57:57.738 --> 57:58.659 I'm happy you're happy. 58:01.081 --> 58:01.842 Thank you very much. 58:02.402 --> 58:03.123 Let's have some more music. 58:03.163 --> 58:04.464 Now, this is your free choice, isn't it? 58:04.584 --> 58:09.269 Yeah, this is Dorondo, who's a sort of slightly obscure soul singer from the 70s. 58:09.289 --> 58:10.931 This is his 1973 single, Didn't I? 58:10.951 --> 58:11.371 You know... Hello. 58:17.116 --> 58:17.997 Let him finish. 58:19.077 --> 58:19.618 Talk to myself. 58:20.458 --> 58:26.082 They say to be successful in the rock and pop industry, you've got to have a distinctive voice that you recognise instantly. 58:26.942 --> 58:27.823 He's got one there, wasn't he? 58:27.843 --> 58:28.243 He's got one. 58:28.543 --> 58:28.964 Follow Will. 58:29.304 --> 58:30.104 Yeah, amazing. 58:30.165 --> 58:30.665 What is it? 58:30.745 --> 58:32.146 It's kind of adenoidal. 58:32.725 --> 58:36.147 I don't know, it sounds like he's in a lot of pain. 58:36.288 --> 58:38.229 Spiritual and physical pain. 58:38.329 --> 58:39.930 It's quite cancorder-y, weirdly. 58:39.970 --> 58:42.652 It's sort of like that. 58:42.712 --> 58:43.373 Slightly, isn't it? 58:43.393 --> 58:45.114 It's more like halfway down the throat. 58:45.234 --> 58:45.854 And people. 58:46.295 --> 58:47.535 Well, she's a big success. 58:48.156 --> 58:50.418 And then it turns into Morrissey. 58:50.858 --> 58:54.640 She was still singing Search for the Hero inside at the Olympics. 58:54.921 --> 58:55.221 Yes. 58:55.421 --> 58:56.522 They were in the year, wasn't she? 58:56.562 --> 58:58.784 God, we need a new motivational song. 58:58.844 --> 58:59.184 Hello. 58:59.264 --> 59:03.448 I think Morrissey should do them, because he would not have to go far to make the transition into Heather Small. 59:03.768 --> 59:04.989 You know, it sounds disgusting. 59:05.409 --> 59:12.916 It's true, though, that that M People song has been used as Britain's sort of uplift the national anthem, basically, since Blair came into power. 59:12.976 --> 59:14.137 Obama could use those. 59:15.018 --> 59:16.018 Yes, we can. 59:16.099 --> 59:17.520 He's got Bob the Builder on his side. 59:17.540 --> 59:18.020 Of course he does. 59:18.961 --> 59:20.482 With his Can You Fix It mantra. 59:20.582 --> 59:21.243 Yeah, that's right. 59:21.403 --> 59:25.287 But should we in Song Wars at some point write a new... Anthem. 59:25.327 --> 59:26.048 Positive anthem. 59:26.108 --> 59:28.091 Positive anthem for Britain. 59:28.191 --> 59:31.014 Not a sort of positive pop album to uplift the nation. 59:31.034 --> 59:35.058 We've got to figure out what we're going to do because we're having a little Song Wars break sabbatical. 59:35.158 --> 59:35.999 Break at the moment. 59:36.039 --> 59:37.942 But we've got to figure out what our next one's going to be. 59:38.582 --> 59:42.265 So we've got, at some point, we have to do a song for those people who are getting married. 59:42.285 --> 59:43.566 But that's not till next year, right? 59:43.586 --> 59:44.587 No, early next year, I think. 59:44.727 --> 59:45.448 If we're still here. 59:45.468 --> 59:46.269 If we're still here. 59:46.289 --> 59:50.332 We haven't been fired by whoever, some regulatory body. 59:51.773 --> 59:57.318 If we could also do more TV themes, I'm quite into doing more TV themes. 01:00:02.176 --> 01:00:02.576 What was that? 01:00:02.856 --> 01:00:04.578 I don't know, it was like a child, it was like a child. 01:00:04.618 --> 01:00:06.279 I was doing Crithu Bank a little bit. 01:00:06.579 --> 01:00:06.879 Really? 01:00:07.820 --> 01:00:09.041 TV themes would be fun. 01:00:09.401 --> 01:00:11.242 Positive song would be fun. 01:00:11.702 --> 01:00:13.083 What we need is easiness, right? 01:00:13.103 --> 01:00:18.567 TV themes was good because, you know, I just got the Antiques Roadshow theme and put a beat to it and Bob's your uncle. 01:00:18.647 --> 01:00:19.367 Bob is your uncle. 01:00:20.108 --> 01:00:25.171 So something like that, something where we have to make the Grazia one was good because we didn't have to write the lyrics. 01:00:25.311 --> 01:00:26.332 I like TV things, man. 01:00:26.352 --> 01:00:26.852 Let's do it. 01:00:27.393 --> 01:00:28.033 Uncle Bobo. 01:00:28.814 --> 01:00:29.074 You know? 01:00:29.774 --> 01:00:30.495 Bob, your uncle. 01:00:32.516 --> 01:00:33.077 That's a good idea. 01:00:33.097 --> 01:00:34.078 Well, maybe. 01:00:34.118 --> 01:00:36.280 I'm not committing to doing one for next week at this point. 01:00:36.400 --> 01:00:36.640 Sure. 01:00:37.041 --> 01:00:38.122 Why would you want to commit to anything? 01:00:38.262 --> 01:00:38.702 Exactly. 01:00:38.843 --> 01:00:39.223 Exactly. 01:00:39.243 --> 01:00:39.964 When you do nothing. 01:00:39.984 --> 01:00:40.864 You're a man who can't commit. 01:00:41.305 --> 01:00:49.693 Just before we go to our top of our stab, can I just thank the people who texted and emailed in about this drink that I bought accidentally? 01:00:49.713 --> 01:00:50.053 Chino. 01:00:50.254 --> 01:00:51.495 An Italian deli. 01:00:51.575 --> 01:00:52.496 It's called Chino. 01:00:53.837 --> 01:00:54.818 An Italian Denny. 01:00:55.638 --> 01:00:56.899 Hello, my name is Denny. 01:00:56.939 --> 01:00:57.540 Hello, I'm Denny. 01:00:57.560 --> 01:00:58.740 Would you like to buy the drink? 01:00:58.780 --> 01:00:59.941 Can I recommend the Chino? 01:01:00.842 --> 01:01:01.522 Ah, you sucka. 01:01:01.722 --> 01:01:02.563 You bought the Chino. 01:01:03.043 --> 01:01:03.403 Apparently. 01:01:03.423 --> 01:01:04.604 A lot of people say it's delicious. 01:01:04.644 --> 01:01:07.326 We've had lots of people emailing and saying it's the bee's knee. 01:01:07.426 --> 01:01:14.851 Saul Budd says, Hi guys, Chino is made from chinotto, a small bitter orange, the same fruit used to make Campari. 01:01:15.311 --> 01:01:17.573 That was the taste that I couldn't identify there. 01:01:18.093 --> 01:01:20.254 Er, that is a really acquired taste, Campari. 01:01:20.554 --> 01:01:25.696 I actually quite like it, says Saul, but knowing how it tasted, I was cracking up with laughter before you had tasted. 01:01:25.736 --> 01:01:27.177 I could predict your reactions. 01:01:27.497 --> 01:01:34.019 The worst thing about it is that despite tasting so bitter, it actually has more sugar than a can of full-fat coke. 01:01:34.039 --> 01:01:34.339 No. 01:01:34.539 --> 01:01:35.660 That's outrageous. 01:01:35.700 --> 01:01:36.100 I don't want that. 01:01:36.120 --> 01:01:37.240 That's an obscene amount of sugar. 01:01:37.480 --> 01:01:41.322 Coke has something hideous, like, what, three tablespoons of sugar or something? 01:01:41.502 --> 01:01:44.303 Yeah, why- That's not accurate information, I'm just misremembering it. 01:01:44.323 --> 01:01:46.825 Why isn't Mark Thomas writing angry books about Gina? 01:01:46.845 --> 01:01:50.847 I tell you that tinfoil though, someone made the good point that that's hygienic. 01:01:51.047 --> 01:01:51.427 Absolutely. 01:01:51.447 --> 01:01:55.449 Because if you sip out of a can that's just from a news agent, you don't know where the lid of that can's been. 01:01:55.749 --> 01:01:58.751 It's like when straws first came in packages, remember? 01:01:59.051 --> 01:01:59.631 Absolutely, yeah. 01:01:59.651 --> 01:02:00.912 That was about 15 years ago or something. 01:02:01.152 --> 01:02:01.372 Nice. 01:02:01.412 --> 01:02:03.295 They used to do it in America, but not in England. 01:02:03.335 --> 01:02:06.498 Then suddenly, in England, they started packaging the straws in Mickey Deeds. 01:02:06.558 --> 01:02:07.760 Yeah, very good idea. 01:02:08.561 --> 01:02:10.984 Finally, Nat says, Hi, Adam. 01:02:11.024 --> 01:02:15.189 My Milanese friend strongly urged me to try Chino when I was working there in September. 01:02:15.509 --> 01:02:18.713 She described it as a herbal drink, a bit like Campari. 01:02:19.353 --> 01:02:21.354 I like that kind of thing, so I was tasting blind. 01:02:21.594 --> 01:02:22.254 I love it! 01:02:22.374 --> 01:02:25.395 Obviously that doesn't help you, but I'm pleased to know they're selling it over there. 01:02:25.775 --> 01:02:26.256 Blah blah blah. 01:02:26.416 --> 01:02:33.198 I also do the whole finishing a can when I've paid for it even if I don't like it thing, which I am currently doing with my china. 01:02:33.218 --> 01:02:34.338 I'm determined to finish it. 01:02:34.759 --> 01:02:36.919 I did it last week with Diet Cherry Coke. 01:02:37.299 --> 01:02:41.541 The advertising of the cherry flavor element is very heavily disguised on the can. 01:02:41.761 --> 01:02:44.222 I didn't notice the cherry element until it was too late. 01:02:44.742 --> 01:02:47.123 You know, that's sometimes, personally, I like the cherry there. 01:02:47.503 --> 01:02:48.104 I don't mind it. 01:02:48.344 --> 01:02:53.726 I would certainly prefer it to the little devil oranges that they've got in this, you know, thing right now. 01:02:54.086 --> 01:02:55.487 But maybe I'll develop a taste for it. 01:02:56.067 --> 01:02:59.108 How about we go to the top of our... Because we can't. 01:02:59.308 --> 01:03:01.329 It's four minutes past the top of the hour. 01:03:01.369 --> 01:03:04.891 Well, let's just do like one for old times sake, for four minutes ago's sake. 01:03:07.330 --> 01:03:12.299 It is the top of the apple that's wonderful. 01:03:12.660 --> 01:03:15.185 I got so bored with the last hour and day. 01:03:19.999 --> 01:03:23.001 That's the Rolling Stones with Get Off of My Clown. 01:03:23.842 --> 01:03:29.126 It's all about Clown Envy and from the olden days. 01:03:29.466 --> 01:03:30.167 Hope you enjoyed it. 01:03:30.327 --> 01:03:32.349 This is Adam and Joe here on BBC Six Music. 01:03:32.369 --> 01:03:33.990 We were talking about accents earlier on. 01:03:34.030 --> 01:03:39.114 We had a real voice accent coach on the line, Matt Simandl. 01:03:39.154 --> 01:03:41.716 Thank you so much, Matt, for your expertise there. 01:03:42.077 --> 01:03:44.899 He was advising Joe on how to improve his Australians. 01:03:44.919 --> 01:03:46.220 Turned out he didn't need to give me much 01:03:46.681 --> 01:03:54.473 The key thing you're not doing is rolling those O's, those open vowel sounds, doh, like that. 01:03:55.000 --> 01:03:57.741 Yeah, I'm from an area of Australia where they don't do that. 01:03:58.261 --> 01:03:59.121 Are you really? 01:03:59.321 --> 01:04:00.181 It's a small area. 01:04:00.221 --> 01:04:00.702 Little caves. 01:04:00.722 --> 01:04:01.782 It's an area where I live. 01:04:03.122 --> 01:04:06.083 I found some interesting accents in a film called Green Street. 01:04:06.523 --> 01:04:08.264 Certainly, I'm well familiar with that one. 01:04:08.424 --> 01:04:10.064 AKA Green Street Hooligans. 01:04:10.444 --> 01:04:11.565 AKA Hooligans. 01:04:11.685 --> 01:04:12.865 Are you familiar with that film? 01:04:13.065 --> 01:04:14.466 Sure, I saw it ages ago. 01:04:15.206 --> 01:04:16.846 It's got The Hobbit in it, hasn't it? 01:04:17.066 --> 01:04:19.187 It's got Elijah Wood, The Hobbit in it. 01:04:19.887 --> 01:04:22.708 And he plays an American youth. 01:04:23.328 --> 01:04:38.593 who is involved in some kind of drug set up of which he is innocent and is banished from Harvard to Britain where he takes refuge with his sister who's moved to Britain and married a man who has connections to footy gangs. 01:04:39.113 --> 01:04:42.154 Like the Chelsea Gooner gang or whatever it's called. 01:04:42.574 --> 01:04:45.535 Stuff like that, you know, they're all fictional ones in the film obviously. 01:04:45.655 --> 01:04:48.257 Well, they'd tell me that the Goonas aren't the same as Chelsea, okay? 01:04:48.277 --> 01:04:49.137 I just don't want to know. 01:04:49.318 --> 01:04:50.819 We don't know anything about football. 01:04:50.859 --> 01:04:53.320 We should remind you before we launch into this. 01:04:54.261 --> 01:04:55.782 It's a very exciting film. 01:04:57.163 --> 01:04:59.384 It's got all sorts of horrible violence in it. 01:04:59.805 --> 01:05:14.435 The moral of the film seems to be that football violence is good and important, and especially for men, it gives you a sort of toughness and manliness to deal with the world, because Elijah Wood comes to Britain, he gets involved in footy gangs, 01:05:14.955 --> 01:05:23.959 And there are hilarious, uh, well, unintentionally hilarious scenes of, you know, the first time he goes to a footy match and the atmosphere and the first time he gets involved in violence. 01:05:24.320 --> 01:05:32.664 And you can see the director said to him, uh, all right, Elijah, uh, we need you to play fascination, but also slight fear, but excitement and going with the flow. 01:05:32.684 --> 01:05:33.704 Do you know what I mean? 01:05:33.744 --> 01:05:33.904 Yeah. 01:05:34.084 --> 01:05:35.805 He's like a little bit worried, but also excited. 01:05:36.746 --> 01:05:37.186 Exactly. 01:05:37.426 --> 01:05:38.207 I will do it, thank you. 01:05:38.227 --> 01:05:41.569 I can do that with my absolutely, amazingly enormous eyes. 01:05:41.949 --> 01:05:42.890 Yes, I can do it. 01:05:43.970 --> 01:05:51.435 And he gets, he's a karate black belt, so he gets involved in a fight and turns out to be one of the best fighters on the crew or on the team or whatever you call them. 01:05:51.495 --> 01:05:53.056 Gets a bit of respect from the rest of it. 01:05:53.076 --> 01:05:54.797 By the end of it, he's loving it. 01:05:54.817 --> 01:05:56.178 You know, then there's, he's loving it. 01:05:56.218 --> 01:06:01.141 And the end of the film is some track by some indie band and with loads of slow motion lamping. 01:06:01.321 --> 01:06:03.263 Yeah. 01:06:03.323 --> 01:06:05.244 In no way glorifying football violence. 01:06:05.324 --> 01:06:06.144 Oh no, no, no, no, no. 01:06:07.305 --> 01:06:24.000 used under the same railway bridge where they shot football factory right I think it's possibly the same footage yeah but anyway so the moral is and then he goes back to Harvard finds the guy that set him up and got him thrown out and uses his newly learnt football thug skills to teach him a lesson to lamp him and then the film ends 01:06:24.760 --> 01:06:27.482 Yeah, it's a pretty scuzzy proposition. 01:06:27.763 --> 01:06:33.007 But anyway, it's got this actor called Charlie Hunnan, the kid that was in queer as folk and undeclared. 01:06:33.027 --> 01:06:39.812 He's a young actor, but he's attempting to do a kind of, you know, North London or wherever it is. 01:06:39.832 --> 01:06:43.234 We're going to get ourselves in trouble by misnaming the areas of London, isn't it? 01:06:43.675 --> 01:06:44.655 East London, probably. 01:06:44.715 --> 01:06:45.396 I don't really know. 01:06:45.416 --> 01:06:46.497 He's going for the full Cockney. 01:06:46.537 --> 01:06:49.719 Man, try and tell where he's trying to be from by listening to his accent. 01:06:49.799 --> 01:06:52.681 So here is his attempt at a Cockney accent. 01:06:53.662 --> 01:06:54.182 That's the point. 01:06:54.462 --> 01:06:55.903 These boys don't know about your old man. 01:06:56.083 --> 01:06:57.464 And if I was you, I'd keep it that way. 01:06:57.484 --> 01:06:58.745 Another thing. 01:06:59.385 --> 01:07:00.145 What you hearing here? 01:07:00.966 --> 01:07:01.786 Stays near, right? 01:07:02.466 --> 01:07:05.508 No blabbing to brother Steve, but how your day was when you said what? 01:07:05.888 --> 01:07:08.349 What happens if football stays at football, right? 01:07:08.889 --> 01:07:09.270 Yeah, alright. 01:07:10.610 --> 01:07:11.551 Let's have some fun. 01:07:12.171 --> 01:07:12.911 It's football day! 01:07:14.634 --> 01:07:16.415 Sounds like the worst day of my life. 01:07:19.137 --> 01:07:20.058 What's going on there? 01:07:20.518 --> 01:07:25.361 I thought when I first saw it, I thought, well, he must be an American actor trying to do... I thought he was. 01:07:25.521 --> 01:07:26.782 No, he's from Newcastle. 01:07:27.642 --> 01:07:27.743 Oh. 01:07:28.023 --> 01:07:29.944 That's what IMDB says. 01:07:30.104 --> 01:07:34.147 If anyone out there can get to the bottom of this... What outbursts of football, stars of football. 01:07:34.167 --> 01:07:34.867 Gets worse than that. 01:07:35.347 --> 01:07:37.889 Can you understand what he's saying in the following clip? 01:07:38.369 --> 01:07:40.531 I actually put that main leg through a phone box window the other day. 01:07:42.742 --> 01:07:43.083 Anything? 01:07:43.563 --> 01:07:46.225 He put something through a phone box window. 01:07:46.245 --> 01:07:47.966 Actually, am I allowed to have a phone box window like that? 01:07:48.006 --> 01:07:48.826 Let's have it one more time. 01:07:49.246 --> 01:07:51.488 I actually put their main lad through a phone box window the other day. 01:07:52.028 --> 01:07:52.448 No, nothing. 01:07:52.548 --> 01:07:56.491 I actually put their main lad through a phone box window the other day. 01:07:56.551 --> 01:07:58.332 Yeah, he's bragging about how tough he is. 01:07:58.432 --> 01:07:59.713 Those are two of my motto's, you know. 01:07:59.953 --> 01:08:00.293 Really? 01:08:00.673 --> 01:08:05.997 You're always putting main lads through phone box windows. 01:08:06.017 --> 01:08:11.080 The thing about telephone box windows is in the old telephone boxes, they're very narrow, aren't they? 01:08:11.280 --> 01:08:13.843 Yeah, he must have bust through the wooden struts as well. 01:08:13.903 --> 01:08:14.964 Right, right, right. 01:08:15.184 --> 01:08:16.145 When he put the lads through. 01:08:16.205 --> 01:08:16.926 He's a strong lad. 01:08:17.026 --> 01:08:24.054 Sometimes when I put lads through phone boxes, you know, they'll go right through the bars and bend up the actual telephone unit. 01:08:24.334 --> 01:08:25.335 How about this clip? 01:08:25.355 --> 01:08:25.796 Listen to this. 01:08:26.476 --> 01:08:29.039 Back in the major's day, Tommy's son was killed in a scrap. 01:08:29.860 --> 01:08:31.502 After that, he went completely mental. 01:08:32.102 --> 01:08:32.883 Lost the plot. 01:08:34.745 --> 01:08:35.725 He sounds Japanese. 01:08:36.146 --> 01:08:38.647 Yeah, completely mental. 01:08:38.707 --> 01:08:41.949 Or at least a grotesque caricature of a Japanese person. 01:08:41.989 --> 01:08:42.450 That's right. 01:08:42.670 --> 01:08:43.510 That wasn't so bad, though. 01:08:43.530 --> 01:08:46.072 At least that was decipherable English. 01:08:46.312 --> 01:08:46.612 Yeah. 01:08:47.093 --> 01:08:48.554 Or whatever you want to call it. 01:08:48.574 --> 01:08:49.474 But it's weird. 01:08:49.514 --> 01:08:51.676 I mean, he talks like that through the whole film. 01:08:52.176 --> 01:08:55.498 And by the end, he just seems to sound Canadian. 01:08:55.518 --> 01:08:56.559 Can we play the last clip? 01:08:57.159 --> 01:08:59.401 You always said trusting lads is my problem, Bob. 01:09:00.322 --> 01:09:00.522 Bob? 01:09:01.082 --> 01:09:02.283 I trust lads too much. 01:09:03.224 --> 01:09:04.745 Trust the yank too much. 01:09:05.266 --> 01:09:10.170 Backstabbing me, teaming up with Tommy, Hetcher, to kill the major. 01:09:11.817 --> 01:09:12.597 Who's Tommy Hatcher? 01:09:12.777 --> 01:09:13.198 I don't know. 01:09:13.258 --> 01:09:15.939 I like it in films when they list names with great import. 01:09:15.999 --> 01:09:16.219 Tommy? 01:09:16.239 --> 01:09:17.119 I don't know who they are. 01:09:17.179 --> 01:09:17.580 Hatcher? 01:09:18.080 --> 01:09:19.000 To kill the manager? 01:09:20.441 --> 01:09:23.262 He just sounds like he's from America there, doesn't he? 01:09:23.502 --> 01:09:25.143 I would just... Ah, one day I really am. 01:09:25.163 --> 01:09:25.583 What's going on? 01:09:25.643 --> 01:09:27.764 I would love to have a film with the main character. 01:09:27.784 --> 01:09:30.265 I'd like to write a film when I get some time. 01:09:30.326 --> 01:09:31.026 This is what I'm going to do. 01:09:31.046 --> 01:09:35.548 I'm going to write a film and he's going to be the main character and right now I thought it's going to spay like that. 01:09:36.048 --> 01:09:38.571 And it's going to just talk about wibwobs and things like that. 01:09:38.591 --> 01:09:40.293 You like to smoke a couple of wibwobs with me? 01:09:40.834 --> 01:09:44.658 And like things that are just mysterious and he's speaking a separate language. 01:09:44.698 --> 01:09:45.079 Yeah. 01:09:45.099 --> 01:09:49.284 Well, we wanted to do a film where everybody was a foreigner with a different accent, right? 01:09:49.324 --> 01:09:49.524 Yeah. 01:09:49.804 --> 01:09:54.630 So the British League would be played by an American and the American League would be played by a British person. 01:09:54.850 --> 01:09:55.930 It's a fun experiment. 01:09:55.970 --> 01:09:58.211 We cast the worst possible accents. 01:09:58.331 --> 01:10:06.993 You know, my favorite accent, uh, of all time that I think I've played before on the radio, but I wouldn't mind playing again, is Clive from, uh, Frasier. 01:10:07.513 --> 01:10:07.853 Right. 01:10:07.873 --> 01:10:09.334 Do you remember that episode? 01:10:09.794 --> 01:10:14.435 And it's Daphne's old boyfriend from the UK, or current boyfriend, I can't remember. 01:10:14.975 --> 01:10:18.717 And he turns up, and I forget the name of the actor, but he is an American actor that plays him. 01:10:18.897 --> 01:10:20.238 A good American actor as well. 01:10:20.878 --> 01:10:23.380 But for whatever reason, I don't know what it is. 01:10:23.440 --> 01:10:26.601 When they get on the set, do you think it's embarrassment from the director? 01:10:27.062 --> 01:10:29.983 They just say, you know, is my ass okay? 01:10:30.023 --> 01:10:31.024 Do you think it's good? 01:10:31.064 --> 01:10:32.364 Is my coconut acid? 01:10:32.945 --> 01:10:34.245 Yeah, it's fine. 01:10:34.405 --> 01:10:35.126 It's fine. 01:10:36.427 --> 01:10:37.227 What are they thinking like? 01:10:37.247 --> 01:10:38.428 They're thinking... I don't know. 01:10:38.688 --> 01:10:42.830 You know, as someone who can do such a perfect Australian accent, I've got no idea what they're thinking. 01:10:42.950 --> 01:10:44.871 Let's have a reminder of Clive from Frasier. 01:10:45.151 --> 01:10:45.451 Hello. 01:10:45.811 --> 01:10:46.191 Hello. 01:10:46.691 --> 01:10:47.052 Look at you. 01:10:47.072 --> 01:10:47.812 You look wonderful. 01:10:47.832 --> 01:10:49.813 Oh, go on. 01:10:50.033 --> 01:10:51.053 I'll meet you. 01:10:51.293 --> 01:10:52.914 Very pretty and warm. 01:10:53.674 --> 01:10:54.555 Very pretty. 01:10:54.575 --> 01:10:56.155 Very pretty and warm. 01:10:56.455 --> 01:10:58.856 And there's one more cliff of him there, James. 01:10:58.876 --> 01:10:59.997 What brings you to Seattle? 01:11:00.257 --> 01:11:01.297 My undying love for you. 01:11:01.857 --> 01:11:02.958 Damn, I meant to lead up to that. 01:11:03.238 --> 01:11:03.518 Sorry. 01:11:03.538 --> 01:11:06.839 No, it's all right. 01:11:06.899 --> 01:11:07.340 Just a bit. 01:11:07.400 --> 01:11:07.820 Abrupt. 01:11:08.365 --> 01:11:09.146 Now how are you? 01:11:09.226 --> 01:11:10.627 No nice place here, dear. 01:11:10.868 --> 01:11:12.089 By the way, it is lovely. 01:11:12.569 --> 01:11:13.811 Is that the, uh, Space Needle? 01:11:14.772 --> 01:11:15.853 It is lovely. 01:11:15.873 --> 01:11:18.035 Ah, that's proper old Mary Poppins stuff there. 01:11:18.055 --> 01:11:19.296 That's right, it's Dick Van Dyke. 01:11:19.316 --> 01:11:21.899 That's why maybe the Americans don't... They've just got an ear for that. 01:11:21.919 --> 01:11:22.500 That's an eyelid. 01:11:22.520 --> 01:11:24.361 Yes, they've just kind of got a fake construct. 01:11:24.562 --> 01:11:27.745 Right, instead of British people, they're just thinking of Van Dyke all covered in soot. 01:11:28.225 --> 01:11:29.326 Anyway, music time. 01:11:29.567 --> 01:11:30.648 Let's have some Santa gold. 01:11:33.226 --> 01:11:33.987 Text-a-nation! 01:11:34.087 --> 01:11:35.168 Text, text, text! 01:11:35.248 --> 01:11:35.989 Text-a-nation! 01:11:36.049 --> 01:11:37.010 What if I don't want to? 01:11:37.030 --> 01:11:37.991 Text-a-nation! 01:11:38.091 --> 01:11:39.092 But I'm using email. 01:11:39.272 --> 01:11:40.013 Is that a problem? 01:11:40.033 --> 01:11:42.996 It doesn't matter, text! 01:11:43.697 --> 01:11:44.898 There's text-a-nation this week. 01:11:44.938 --> 01:11:51.324 Listeners is all about inanimate objects that have taken on a name, or you've given them a name and they've taken on a life of their own. 01:11:52.443 --> 01:12:10.250 Obviously there's quite a lot of conventional responses to this, quite a lot of, I don't mean to demean them in any way by saying they're conventional, but you know, the kind of thing you might expect is what I'm saying, like cars, lots of cars, Beverly from Glasgow says, they hired a car when they were on holiday in Gran Canaria, they called it Tonto, 01:12:11.230 --> 01:12:16.331 which is Spanish for stupid, as the car was the smallest and cheapest available with an engine the size of a walnut. 01:12:16.731 --> 01:12:24.613 And this email is illustrative of some of the benefits of naming an inanimate object, especially one that has a useful function and maybe, you know, starts to fail. 01:12:25.053 --> 01:12:31.415 She says, that didn't stop us taking Tonto up into the mountains, which we realize was ironically a very stupid thing to do. 01:12:31.895 --> 01:12:43.301 As Tonto struggled and strained to get to the top of the steep roads with hairpin bends and sheer cliff drops, myself and Tom would be shouting at the top of our voices, Come on Tonto, come on boy, you can do it, while we diced with death. 01:12:43.341 --> 01:12:45.602 Needless to say, Tonto got us through, what a guy. 01:12:46.682 --> 01:12:48.904 You know, Prince Charles, he talks to his plants. 01:12:49.804 --> 01:12:51.766 Plants aren't inanimate objects, are they? 01:12:52.046 --> 01:12:52.587 No one knows. 01:12:53.408 --> 01:12:55.550 They're living, they're organic. 01:12:55.970 --> 01:12:58.973 But you know, they don't really talk back or anything, do they? 01:13:00.415 --> 01:13:01.336 Triffids, no. 01:13:01.416 --> 01:13:02.377 Triffids don't talk, do they? 01:13:02.397 --> 01:13:03.157 They just hurt you. 01:13:03.358 --> 01:13:05.500 No, no, there's very few talking plants. 01:13:05.760 --> 01:13:11.526 But Prince Charles talks to them, because what I'm saying is if you imbibe the object with a personality, 01:13:12.386 --> 01:13:15.209 Maybe it actually... Yeah, imbue it, sorry, with a personality. 01:13:15.689 --> 01:13:17.490 Maybe it'll actually help it work better. 01:13:17.510 --> 01:13:18.551 Do you know what I mean? 01:13:18.571 --> 01:13:19.752 You can encourage it. 01:13:19.772 --> 01:13:22.994 Maybe somewhere inside its molecules it's actually responding. 01:13:23.455 --> 01:13:23.995 Exactly. 01:13:24.656 --> 01:13:25.476 Tonto did there. 01:13:26.017 --> 01:13:26.637 There's another card. 01:13:26.657 --> 01:13:32.282 But the ones I like best are the ones where people have named really very abstract things. 01:13:32.822 --> 01:13:34.423 Here's one from Matt and Sarah. 01:13:35.024 --> 01:13:40.368 With regard to attributing human characteristics to inanimate objects, we call our joint account Dave. 01:13:40.908 --> 01:13:44.313 This has the convenient benefit of making us feel like we're not spending our own money. 01:13:44.813 --> 01:13:50.922 For example, if we go out for a meal, the conversation frequently goes along the lines of, is Dave paying for this or is it coming out of our own money? 01:13:51.943 --> 01:13:55.709 As soon as we know Dave is paying, it influences our choices of food and drink. 01:13:56.149 --> 01:13:57.150 That's a good idea, yeah. 01:13:57.170 --> 01:13:57.611 That is a good idea. 01:13:57.631 --> 01:13:58.512 That is a good idea. 01:13:58.532 --> 01:14:01.255 Here's a slightly worrying one from Casper in London. 01:14:13.690 --> 01:14:18.033 in my head, of course, to sympathise behind right hand's back. 01:14:18.513 --> 01:14:22.096 Not that right hand was bad, just more of a goody two-shoes. 01:14:22.476 --> 01:14:24.217 Left hand was always the underdog. 01:14:24.597 --> 01:14:25.478 Does that make sense? 01:14:25.938 --> 01:14:27.399 Yours, Casper in London. 01:14:43.670 --> 01:14:45.071 And not the Michael Caine one. 01:14:45.692 --> 01:14:47.693 I don't think anyone as good as Michael Caine is in it. 01:14:47.813 --> 01:14:49.195 No, do you remember the film The Hand? 01:14:49.215 --> 01:14:51.416 The Hand, yeah, written by a Bolivar Stone, I believe. 01:14:51.436 --> 01:14:52.777 Of course it was, yes. 01:14:53.278 --> 01:14:56.721 Casper, you sound like a really special kind of a person. 01:14:56.981 --> 01:15:00.484 It's when the left hand starts killing and the right hand isn't aware of it. 01:15:00.704 --> 01:15:02.225 And it's when the alarm bell should go. 01:15:02.245 --> 01:15:03.846 And it starts making excuses. 01:15:06.288 --> 01:15:06.528 Yeah. 01:15:07.749 --> 01:15:08.450 He deserved it. 01:15:08.610 --> 01:15:09.251 He deserved it. 01:15:09.491 --> 01:15:09.771 Yes. 01:15:11.092 --> 01:15:12.033 And it's coming. 01:15:12.373 --> 01:15:19.078 And here's another quite weird one from Samuel in Manchester, who explains about a plant that they named. 01:15:19.178 --> 01:15:22.880 But even though it's very good, it's not as interesting as the last paragraph which says, 01:15:42.193 --> 01:15:42.353 Eric. 01:15:42.814 --> 01:15:45.477 And this is what it has been called for many years. 01:15:46.038 --> 01:15:46.538 The Eric. 01:15:46.899 --> 01:15:48.220 Naming a room Eric. 01:15:48.741 --> 01:15:49.041 Wow. 01:15:49.341 --> 01:15:53.646 That could come up with some faintly obscene sounding lines being shouted around the house. 01:15:54.027 --> 01:15:54.688 Yeah, yeah. 01:15:55.368 --> 01:15:55.989 I'm not, yeah. 01:15:56.149 --> 01:15:56.330 Yeah. 01:15:58.456 --> 01:16:00.958 Anyway, keep them coming in and the weirder the better. 01:16:16.050 --> 01:16:17.310 Yeah, we've had a few like that in. 01:16:17.530 --> 01:16:18.231 I know what you mean. 01:16:18.251 --> 01:16:20.551 It's a very easy thing to do, you know, to call. 01:16:20.611 --> 01:16:24.933 I mean, we've had lots of emails in with people just calling things random, crazy names. 01:16:25.233 --> 01:16:26.633 But the weirder they are, the better. 01:16:26.693 --> 01:16:27.793 The more abstract, the better. 01:16:27.873 --> 01:16:30.614 Or if there's a story or a way it's helped you. 01:16:30.714 --> 01:16:31.134 I don't know. 01:16:31.154 --> 01:16:33.055 Why would you call your wife Rosa? 01:16:33.835 --> 01:16:34.395 Or Celia? 01:16:34.615 --> 01:16:35.235 It's weird. 01:16:35.255 --> 01:16:36.516 You've got a real block about this. 01:16:37.156 --> 01:16:38.337 Why do I have it, Doctor? 01:16:38.757 --> 01:16:39.397 I don't know. 01:16:39.777 --> 01:16:40.498 Doctor Fisher-Vallag. 01:16:40.518 --> 01:16:42.819 You were going on about how you didn't like pets as well. 01:16:43.019 --> 01:16:44.520 Or you said, oh, pets the other day. 01:16:44.580 --> 01:16:45.680 Maybe that's the same thing. 01:16:45.900 --> 01:16:48.201 Well, I switch off when people start talking about pets. 01:16:48.342 --> 01:16:48.642 Right. 01:16:48.722 --> 01:16:49.702 And parents, you know. 01:16:49.722 --> 01:16:55.145 Like, when there's a whole plot line in a TV drama about someone's mum coming to visit, I think, oh, no. 01:16:55.485 --> 01:16:59.327 Like, Star Trek The Next Generation, whenever, er... You talk about killing animals a lot as well. 01:16:59.347 --> 01:17:00.207 Whenever looks on a trot. 01:17:00.267 --> 01:17:01.288 That's not true. 01:17:01.308 --> 01:17:02.829 Sorry, I was going to let you wind you up. 01:17:04.230 --> 01:17:07.172 It was the kitten that came to my door that you suggested stamping on. 01:17:07.272 --> 01:17:07.612 I don't know. 01:17:08.513 --> 01:17:09.174 It was just that. 01:17:09.274 --> 01:17:09.914 I love animals. 01:17:09.934 --> 01:17:12.997 They're wonderful as long as they stay a long way away from me. 01:17:13.197 --> 01:17:13.657 Here you go. 01:17:13.778 --> 01:17:14.278 Now I'm joking. 01:17:14.959 --> 01:17:18.361 They're great and here is a free choice for you right now, listeners. 01:17:18.842 --> 01:17:22.225 This is one of those bands that I miss very badly ever since they broke up. 01:17:22.845 --> 01:17:23.325 – Haircut 100. 01:17:23.465 --> 01:17:25.426 – Haircut 100 is one of them. 01:17:25.446 --> 01:17:25.746 – No. 01:17:25.766 --> 01:17:30.288 – This is the band Orbital, the duo, the masterful electronic duo. 01:17:30.308 --> 01:17:34.250 The world is poorer without them producing electronic orbital albums. 01:17:34.650 --> 01:17:37.931 And this is a track that features the vocal talents of Alison Goldfrapp. 01:17:37.971 --> 01:17:38.892 It's called Nothing Left. 01:17:39.372 --> 01:17:43.614 orbital with nothing left, uh, with Alison Goldfrap there. 01:17:43.634 --> 01:17:54.157 Um, you know, uh, speaking of, I'm a celebrity, get me out of here later on, much of Ant and Dec's screen time is now devoted to them describing the, uh, 01:17:55.838 --> 01:17:59.700 outlines the competition rules and guidelines for phone calls, you know what I mean? 01:18:00.101 --> 01:18:04.483 And that is increasingly becoming a larger and larger part of TV watching now. 01:18:04.523 --> 01:18:18.752 What really surprised me is that after all the scandals of people continuing to phone and the company producing the show taking the money and all that stuff, all they've done is just explain to people that they'll still be charged. 01:18:19.272 --> 01:18:19.472 Right. 01:18:19.512 --> 01:18:24.457 Right, they haven't put in any system in place just to stop taking the money. 01:18:24.497 --> 01:18:28.461 They've just said, oh, and if you continue texting him, we will keep your money. 01:18:29.101 --> 01:18:29.361 Yes. 01:18:29.422 --> 01:18:32.645 That's not really good enough for Cornish, you reckon? 01:18:33.125 --> 01:18:35.948 Well, maybe it's technically impossible to achieve a cut-off. 01:18:35.968 --> 01:18:36.148 Yes, it is. 01:18:36.188 --> 01:18:36.788 Switch it off. 01:18:37.049 --> 01:18:37.469 You reckon? 01:18:37.529 --> 01:18:37.789 Yeah. 01:18:38.690 --> 01:18:39.871 Just switch it off. 01:18:40.131 --> 01:18:40.932 Switch the machine off. 01:18:40.952 --> 01:18:42.313 Yeah, but then it wouldn't make so much money. 01:18:42.433 --> 01:18:43.133 Well, exactly. 01:18:43.173 --> 01:18:44.414 What kind of value is that? 01:18:44.534 --> 01:18:51.880 Calls from a BT landline will cost just £1, but calls from other lines will vary massively, and if you're phoning from a mobile, the charge will be unbelievably huge. 01:18:51.900 --> 01:18:52.821 That's more like it. 01:18:53.921 --> 01:18:59.846 Calls from outside the UK will be charged at a special mystery rate, and calls from Ireland and Scotland will not be listened to but still charged. 01:19:00.506 --> 01:19:03.589 These are ideas I've got for, like, improving the conditions. 01:19:03.889 --> 01:19:06.491 Calls may be recorded and played back for the amusement of groups of people. 01:19:07.131 --> 01:19:07.952 That's a good idea. 01:19:08.673 --> 01:19:11.236 Correct answers delivered in a dreary voice will not be counted. 01:19:11.837 --> 01:19:13.719 Winners will be selected at random by a man. 01:19:16.331 --> 01:19:17.212 Well, these are just ideas. 01:19:17.232 --> 01:19:18.774 You don't have to take all of them up, right? 01:19:18.914 --> 01:19:19.154 Right. 01:19:19.174 --> 01:19:21.356 To be eligible entrance must be over 18. 01:19:21.717 --> 01:19:24.559 Have a full UK driving licence and should be adventurous in bed. 01:19:24.840 --> 01:19:25.300 How about this? 01:19:25.540 --> 01:19:26.121 Yeah. 01:19:26.221 --> 01:19:27.182 All calls are free. 01:19:28.103 --> 01:19:28.343 Right. 01:19:28.524 --> 01:19:29.064 Well, how about that? 01:19:29.985 --> 01:19:31.086 Yeah. 01:19:31.146 --> 01:19:32.367 Calls are free. 01:19:32.468 --> 01:19:33.589 Yeah. 01:19:34.089 --> 01:19:36.432 All profits from calls go to charity. 01:19:36.832 --> 01:19:37.112 Right. 01:19:37.252 --> 01:19:37.653 How about that? 01:19:37.893 --> 01:19:41.877 Yes, because it's always some profits from the calls go to charity details available on the website. 01:19:41.897 --> 01:19:46.482 You go on the website penny a penny and a pound P to some obscure charity. 01:19:46.902 --> 01:19:51.046 Anyway, it's time now for the news here on BBC six music. 01:19:51.246 --> 01:19:54.129 That's the lemon heads with their version of Mrs. Robinson. 01:19:55.070 --> 01:19:57.671 And, uh, yeah, we heard in the news there that Orbital are reforming. 01:19:57.711 --> 01:20:01.433 That was, we didn't know about that before we played that, uh, Orbital track there. 01:20:01.613 --> 01:20:02.414 That's pretty amazing. 01:20:02.434 --> 01:20:05.115 They've only split up, like, four years ago. 01:20:05.135 --> 01:20:06.356 That's how you do it these days. 01:20:06.376 --> 01:20:06.556 Is it? 01:20:06.736 --> 01:20:07.997 Yeah, generate more excitement. 01:20:08.017 --> 01:20:08.857 I mean, I'm not complaining. 01:20:08.917 --> 01:20:09.297 I'm glad. 01:20:09.317 --> 01:20:09.897 I'm delighted. 01:20:09.937 --> 01:20:10.618 I can't wait to see them. 01:20:10.638 --> 01:20:11.238 They're amazing. 01:20:11.358 --> 01:20:12.759 But, uh, wow, that wasn't long. 01:20:13.179 --> 01:20:13.879 Anyway, good. 01:20:13.899 --> 01:20:14.840 Welcome back, Orbital. 01:20:15.333 --> 01:20:15.673 Yeah. 01:20:16.654 --> 01:20:29.898 Now, a little more Steven news, a couple of listeners have sent us in some clips of stuff where they found the word Steven said, you know, in a way that might make fans of the idea excited. 01:20:30.038 --> 01:20:34.080 Here, look, we've got the original email that started the whole Steven thing off. 01:20:34.660 --> 01:20:37.601 When I was fifth... This is from Steve Curran in Highbury. 01:20:37.621 --> 01:20:38.521 The original Stephen. 01:20:38.541 --> 01:20:40.441 So he's a S-T-E-V-E-N. 01:20:40.841 --> 01:20:41.902 S-T-E-V-E. 01:20:42.362 --> 01:20:45.842 Even though the... Well, carry on reading, because that would suggest something different. 01:20:46.182 --> 01:20:55.824 When I was about five or six, I attempted to produce a series of action force inspired comic books, which I called Stephen with a P-H exclamation mark. 01:20:56.125 --> 01:20:57.905 Naturally brackets, I was the hero. 01:20:58.245 --> 01:21:02.806 I have a vivid memory of being halfway through the drawing of the title page for one edition, 01:21:03.166 --> 01:21:17.037 When I was called into the next room to have my dinner, when I returned, I discovered that my step-older brother had made his own contribution to the page, completing the half-written title Step, S-T-E-P, with in poo. 01:21:17.377 --> 01:21:20.219 Very clever, and I still haven't quite forgiven him. 01:21:20.239 --> 01:21:21.680 That's no easy way to explain it. 01:21:21.740 --> 01:21:28.826 Listeners, if you can think of a pithy way to explain this, do send it in as a sort of chunk of script for us and we'll read it. 01:21:29.426 --> 01:21:32.427 Anyway, that was the email that inspired the whole Stephen thing. 01:21:32.447 --> 01:21:36.629 And then after that, we were speculating on, you know, what the film was like. 01:21:36.669 --> 01:21:37.810 It's happened again, isn't it? 01:21:38.310 --> 01:21:42.212 So anyway, check out this first occurrence of a fantastic Stephen. 01:21:42.492 --> 01:21:50.675 This was spotted by Hannah in a Radio 4 woman's hour radio play called A Taste for Death. 01:21:50.815 --> 01:21:53.177 And this is very, very strong Stephening. 01:21:53.237 --> 01:21:53.897 Have a listen to this. 01:21:54.117 --> 01:21:55.558 Mr. Lampert, my lady. 01:21:57.178 --> 01:21:57.879 Stephen! 01:21:58.499 --> 01:22:01.141 Oh, please, don't stand up, lady. 01:22:01.241 --> 01:22:01.881 I still owe you. 01:22:02.421 --> 01:22:02.982 You mustn't. 01:22:03.842 --> 01:22:04.362 Just coming. 01:22:04.803 --> 01:22:05.823 That's what he wanted to say. 01:22:06.063 --> 01:22:06.864 That's good, isn't it? 01:22:06.924 --> 01:22:07.884 That's a good bit of Stephenage. 01:22:08.265 --> 01:22:08.825 Absolutely. 01:22:08.865 --> 01:22:10.726 Here's another one from Tom Doggart. 01:22:12.207 --> 01:22:19.131 He has suggested this clip of an Alice Cooper song, and this is a very strong example of some sung Stephenage. 01:22:32.014 --> 01:22:36.137 If we could find a Sting song where he sung Steven, then it would be Stungvenage. 01:22:37.517 --> 01:22:37.717 What? 01:22:38.558 --> 01:22:52.767 Anyway, if you spot any more exciting powerfully-emoted Stevens anywhere in the media sphere, you know, if you're really industrious, you could make a little MP3 of them and send us, send it to us, then we don't have to do anything, which is ideal. 01:22:53.027 --> 01:22:54.568 That's what we're aiming for in our lives. 01:22:54.688 --> 01:22:55.588 Sleep lack of effort. 01:22:55.668 --> 01:22:59.631 Follow Steven Soderbergh around maybe, or Steven Fry, something like that. 01:23:00.171 --> 01:23:04.036 Music now, here's Furious Kanye West with Jesus Walks. 01:23:09.249 --> 01:23:13.051 So do I. I mean, that's uppermost in my thoughts. 01:23:13.071 --> 01:23:14.552 The very talented Kanye West. 01:23:14.753 --> 01:23:16.774 He's super good at rapping, wouldn't you say? 01:23:17.074 --> 01:23:17.614 He thinks so. 01:23:17.874 --> 01:23:19.015 Yeah, I think so as well. 01:23:19.075 --> 01:23:19.335 Yeah. 01:23:19.495 --> 01:23:20.336 I think he's really good. 01:23:20.436 --> 01:23:22.177 I like a bit of arrogance in a pop star. 01:23:22.217 --> 01:23:22.597 Certainly. 01:23:22.617 --> 01:23:23.658 There's not enough of it around. 01:23:23.678 --> 01:23:24.058 Not enough. 01:23:24.078 --> 01:23:25.119 That's so untrue. 01:23:25.139 --> 01:23:25.659 I agree. 01:23:26.020 --> 01:23:27.961 That's the most untrue thing ever said. 01:23:28.301 --> 01:23:34.245 Now, we were talking about the Antiques Roadshow, of course, last week when your wonderful Antiques Roadshow song 01:23:34.845 --> 01:23:36.766 Quite rightly, one song was. 01:23:36.786 --> 01:23:38.427 Oh, thank you very much. 01:23:39.188 --> 01:23:40.909 And that's called Magnanimity, Joe. 01:23:41.189 --> 01:23:41.389 Is it? 01:23:41.429 --> 01:23:42.030 I don't know it. 01:23:42.050 --> 01:23:42.370 No, I know. 01:23:42.410 --> 01:23:43.891 It's a new word to me. 01:23:43.931 --> 01:23:44.611 A new idea. 01:23:46.072 --> 01:23:47.653 We had Fiona Bruce congratulating you. 01:23:47.693 --> 01:23:54.758 And of course, that very weekend, they celebrated their first million pound valuation on the show. 01:23:55.378 --> 01:23:56.499 Did you watch the programme in the end? 01:23:56.939 --> 01:23:58.020 No, but I read about it. 01:23:58.240 --> 01:23:59.961 Well, it was a little bit disappointing. 01:24:00.342 --> 01:24:02.003 Not to disrespect the roadshow, right? 01:24:02.663 --> 01:24:03.904 But they'd made a big hoo-ha. 01:24:03.924 --> 01:24:16.433 I mean, perhaps it's unfair to say that they had made the hoo-ha, but they'd certainly circulated a press release about it and deliberately kept secret what the actual item was that got the million-quid valuation, right? 01:24:16.814 --> 01:24:19.235 So that you would be compelled to tune in. 01:24:19.536 --> 01:24:23.599 And I'm sure their ratings must have been through the roof with people curious to see what it was. 01:24:24.079 --> 01:24:26.020 Because you would think… What were they there, James? 01:24:26.420 --> 01:24:27.220 Ten million. 01:24:27.260 --> 01:24:27.660 Ten million. 01:24:27.680 --> 01:24:28.621 That's unprecedented. 01:24:29.261 --> 01:24:41.545 Because you would think, you know, if you know anything about the show at all, the kind of format, that it would be some little old granny or whatever coming there with her special teapot and finding that it's worth a million quid. 01:24:41.565 --> 01:24:43.186 That's what everyone was holding out for, right? 01:24:43.226 --> 01:24:44.646 This dream come true scenario. 01:24:45.106 --> 01:24:46.407 Instead, what you got 01:24:46.807 --> 01:25:01.557 just tucked away in the middle of the show, no bells and whistles really, was this Anthony Gormley maquette presented by a member of the local council and it was valued for a million quid and that was it really. 01:25:01.577 --> 01:25:03.538 It was obvious as soon as you saw it, it was like, oh well that's it. 01:25:03.598 --> 01:25:04.138 They can't do that. 01:25:04.178 --> 01:25:07.500 You can't just bring in something really valuable and pretend you've discovered it. 01:25:07.821 --> 01:25:12.204 It's got to be a discovery, like it's got to be uncovered or like snuffled out or something. 01:25:12.224 --> 01:25:12.904 Well it was sort of 01:25:13.104 --> 01:25:15.845 It says, this was what was written in the papers. 01:25:15.865 --> 01:25:22.989 The first million pound discovery unearthed on the BBC Antiques Roadshow was received last night as the final model for the sculpture Angel of the North. 01:25:23.389 --> 01:25:32.053 The artwork by Anthony Gormley was brought into the show by a counsellor whose father worked in the coal mine on the site where the steel angel now stands. 01:25:32.833 --> 01:25:34.274 Blah, blah, blah, blah, blah. 01:25:34.294 --> 01:25:37.055 It was used to persuade counsellors to commission the statue. 01:25:37.335 --> 01:25:39.076 So, no, it wasn't really discovered. 01:25:39.736 --> 01:25:42.838 Like, it's not as if he had it tucked away in the attic or whatnot. 01:25:42.858 --> 01:25:45.419 What if you bought in a suitcase with a million pounds in it? 01:25:45.439 --> 01:25:46.400 Well, this is what I was thinking. 01:25:46.440 --> 01:25:49.422 It's like, you know, like a chest with duckets in it or whatever. 01:25:49.782 --> 01:25:55.005 Yeah, just a million pound... I think the Antiques Roadshow have lied to the nation. 01:25:55.425 --> 01:25:57.226 And I think Fiona Bruce should be sacked. 01:25:57.286 --> 01:25:57.686 Off-com. 01:25:58.046 --> 01:25:59.848 The program should be taken off. 01:26:00.048 --> 01:26:00.228 Yeah. 01:26:00.828 --> 01:26:01.849 What's the outrage about that? 01:26:01.869 --> 01:26:03.612 Everyone's like, fixated on Sargent. 01:26:03.632 --> 01:26:04.593 We don't think that, of course. 01:26:04.633 --> 01:26:05.354 It's a brilliant show. 01:26:05.394 --> 01:26:09.780 It should in fact be extended and Bruce should be given an Oscar and an OBE. 01:26:10.260 --> 01:26:10.761 Off gone. 01:26:10.801 --> 01:26:11.502 Melted together. 01:26:11.522 --> 01:26:12.984 Into a hat. 01:26:13.004 --> 01:26:15.447 With a solid gold top hat. 01:26:16.508 --> 01:26:22.413 We're going to resolve text the nation shortly, but first here's another bit of sweet soul courtesy of Joe Cornish. 01:26:22.433 --> 01:26:22.573 What? 01:26:22.613 --> 01:26:23.634 Yeah, what is this? 01:26:23.734 --> 01:26:36.364 Oh, this is some sweet Charles now I played a record by sweet Charles a few weeks ago and somebody kindly sent in Some factoids about him, which I've course don't now don't now have to hand nice 01:26:36.604 --> 01:26:37.405 Yeah, very nice. 01:26:37.425 --> 01:26:39.466 Couldn't even speak let alone present the facts. 01:26:40.127 --> 01:26:51.355 But I think it was something to do with James Brown's backing band and he released an album of kind of soul covers of classic tracks and this is his cover and it's a great album and thank you for the person that sent the email. 01:26:51.615 --> 01:26:52.616 Nicely semi-remembered. 01:26:52.816 --> 01:26:53.377 Thanks mate. 01:26:53.417 --> 01:26:54.658 Radio 2, here we come. 01:26:54.758 --> 01:26:58.260 This is him Sweet Charles with Soul Man. 01:26:58.441 --> 01:26:59.421 That's great, I reckon. 01:26:59.641 --> 01:27:02.344 That's Sweet Charles with Soul Man. 01:27:03.004 --> 01:27:05.905 It's almost like a half a cover of the Sam and Dave song, right? 01:27:06.045 --> 01:27:09.865 Yeah, with that incredible funky, grindy, clunky rhythm track. 01:27:09.905 --> 01:27:10.806 Yeah, very nice. 01:27:10.946 --> 01:27:11.206 Yes. 01:27:11.706 --> 01:27:13.586 Listen, we should wrap up Text the Nation. 01:27:13.626 --> 01:27:20.408 We've really sort of run out of time on this, but thank you to everybody who's texted in their names for inanimate objects. 01:27:21.308 --> 01:27:26.889 In particular, Dom and Rosie, who wrote that they went on their honeymoon to Cuba earlier this year. 01:27:27.829 --> 01:27:34.714 where they found the chambermaids in all of the hotels had a massive fetish for anthropomorphizing inanimate objects. 01:27:35.514 --> 01:27:56.588 And they've sent us a picture of the most extreme example which they found in their room after coming home one day, and there's sort of no way to describe it, but the cleaning staff had arranged their clothes on the clothes horse as if they were dressing a person, and that's disturbing enough, but then they've put some sort of a paper bag over the top and drawn a face on it. 01:27:57.529 --> 01:28:21.216 position some golden shoes at its feet and it's it's a very disturbing picture that we will put up on the website where you can also see Big Jaffa in his top hat and I should flick through them I mean there's a there's a jacket called quilty isn't quilty the guy in who's a killer leader or isn't quilty yes yes you're right yes it's a sinister name yeah 01:28:21.736 --> 01:28:24.097 There's a guy who just names everything. 01:28:24.497 --> 01:28:27.058 Sorry, I should say Quilty is Mark. 01:28:27.518 --> 01:28:28.958 Davies is responsible for that. 01:28:29.518 --> 01:28:35.540 Tom Flintham has a chronic problem with naming his iPod e-boo. 01:28:36.481 --> 01:28:38.061 His mobile phone's called Sunny. 01:28:38.501 --> 01:28:40.802 His Nintendo DS is called Daniel Smith. 01:28:43.003 --> 01:28:52.732 I Previously worked at HMV in Leicester where I named the wheels we used to move stock around wheels Mackenzie The ladder in the stock room was called Lord Bell Dre. 01:28:52.812 --> 01:29:04.363 This is my It does I'm starting to agree with you that it has a slightly sinister undercurrent, but here's the most sinister of all Where is it? 01:29:04.463 --> 01:29:06.224 Oh, no, I've lost it Phil 01:29:07.906 --> 01:29:17.838 Hi, my name's Phil, and this is following on from the listener who talked to his left hand because he felt sorry for it. 01:29:18.779 --> 01:29:25.307 This is from George Wade, much like listener Casper who felt sorry for his left hand, I used to feel sorry for the letter T. 01:29:26.088 --> 01:29:27.729 for whatever reason I can't remember. 01:29:28.150 --> 01:29:35.095 I used to think that the letter S was a bully and had pushed in front of poor TT, as I used to call it. 01:29:35.555 --> 01:29:43.221 Sadly I grew up and realised, hey there's many more letters before S, so I turned my sights towards A and have hated it ever since. 01:29:43.761 --> 01:29:45.062 George from Huddersfield. 01:29:45.182 --> 01:29:46.744 George from Sesame Street, more like. 01:29:47.304 --> 01:29:48.284 That's unbelievable. 01:29:49.665 --> 01:29:59.749 I mean, I can sort of understand that that is an amazing snapshot of the way a child's mind works, but it's amazing that he can still remember that. 01:30:00.209 --> 01:30:02.050 Thank you very much indeed for all your text. 01:30:02.070 --> 01:30:03.911 He doesn't necessarily say he was a child. 01:30:05.751 --> 01:30:07.412 We appreciate them very much indeed. 01:30:08.252 --> 01:30:09.533 And that is more or less it 01:30:09.653 --> 01:30:10.594 for our show this week. 01:30:10.634 --> 01:30:11.795 Thank you so much for listening. 01:30:26.632 --> 01:30:28.193 That'll be available later on tonight. 01:30:28.313 --> 01:30:36.758 Of course, you can listen to the whole programme again, should you wish to do so, on the iPlayer, or just by clicking Listen again on the BBC website. 01:30:37.118 --> 01:30:41.461 Liz Kershaw is coming up next, so stay tuned for that. 01:30:42.862 --> 01:30:44.303 Anything to add, Joe Cornish? 01:30:44.443 --> 01:30:50.046 No, just thanks to everybody for listening, and we'll see you at the same time next week, 9 till noon, here on BBC 6 Music. 01:30:50.066 --> 01:30:50.587 Have a good week. 01:30:50.607 --> 01:30:50.807 Bye.