WEBVTT 00:03.573 --> 00:07.154 It's time for Adam and Joe to broadcast on the radio. 00:07.394 --> 00:10.695 There'll be some music and some random talking in between. 00:10.715 --> 00:14.336 And then eventually the whole thing will just end. 00:14.956 --> 00:17.797 That was Aretha Franklin with Baby I Love You from 1967. 00:18.197 --> 00:23.038 This is Adam and Joe on BBC 6 Music on a Saturday morning. 00:23.499 --> 00:24.519 Good morning, Adam. 00:24.739 --> 00:25.579 Good morning, Joe. 00:25.619 --> 00:26.299 How are you doing? 00:26.639 --> 00:27.040 I'm all right. 00:27.080 --> 00:27.760 Thanks very much. 00:27.860 --> 00:28.200 Bye. 00:28.440 --> 00:29.140 Bye then. 00:29.280 --> 00:29.960 We'll see you next week. 00:29.980 --> 00:30.400 Thanks for listening. 00:30.420 --> 00:30.501 Bye. 00:30.521 --> 00:30.961 See you next week. 00:30.981 --> 00:31.401 Thanks a lot. 00:31.441 --> 00:31.801 Bye. 00:32.997 --> 00:33.738 Oh, that was quick. 00:34.098 --> 00:35.399 It felt really, really flew by. 00:35.419 --> 00:36.740 It was a fast show this week. 00:36.760 --> 00:36.880 It was. 00:36.900 --> 00:39.722 You can tell when it's going well because it really, really whizzes by. 00:39.762 --> 00:40.462 It went well. 00:40.602 --> 00:42.944 That clever thing you said about, about good morning. 00:42.964 --> 00:44.905 Saying good morning to you when you asked me. 00:44.925 --> 00:45.405 That was smart. 00:45.506 --> 00:47.627 I just came right back with it, did you? 00:47.727 --> 00:48.708 It's natural now, isn't it? 00:48.768 --> 00:52.490 When you said to me, good morning, I just sort of thought, what would be a funny thing to say? 00:52.710 --> 00:55.972 And I just said good morning right back, but in kind of a upbeat way. 00:55.992 --> 00:57.473 Yeah, that's why you get the laughter. 00:57.674 --> 00:59.034 Yeah, that's true, isn't it? 00:59.935 --> 01:00.816 They're much heavier. 01:00.836 --> 01:04.158 They've got an L. You could really do some damage with them. 01:04.178 --> 01:04.399 Yeah. 01:05.139 --> 01:08.201 So this morning, Listers, we've got great music coming up, haven't we? 01:08.241 --> 01:10.443 We've got some terrific free plays. 01:11.144 --> 01:13.766 And of course... Did that not sound sincere? 01:13.786 --> 01:17.849 I was just desperate when you look through the playlist and you say, ooh, look at the music. 01:17.969 --> 01:19.290 Some people listen for the music. 01:19.630 --> 01:20.371 Of course they do. 01:20.431 --> 01:21.972 We've got some cheese, some merry change. 01:22.012 --> 01:22.452 Have we? 01:22.753 --> 01:24.294 We've got some Santo gold. 01:24.574 --> 01:42.124 brilliant yeah well some ting tings oh have you got these have you got the ting tings album yet no come on no granddad I'm past that kind of thing are you really yeah I don't buy things just cuz the mags tell me to yeah I don't even buy the mags so no one tells me to really 01:42.284 --> 01:42.584 Yeah. 01:42.725 --> 01:43.906 You're missing out on the mags. 01:44.027 --> 01:46.270 It's all about mags from Aha, is it? 01:46.350 --> 01:46.991 It's amazing. 01:47.311 --> 01:47.692 Mags? 01:47.872 --> 01:48.653 He's very handsome. 01:48.814 --> 01:50.817 He's an extraordinary piece of work, isn't it? 01:50.997 --> 01:53.921 But seriously, a serious tease, though, for later on in the show. 01:54.322 --> 01:57.627 We are going to be joined by... Has he won any Oscars? 01:58.107 --> 01:59.388 No, but he's one a Sirness. 01:59.929 --> 02:00.970 He's one a Sirness? 02:00.990 --> 02:03.732 Yeah, he's a Sir, so you do have to respect that. 02:03.813 --> 02:04.273 He's a knight. 02:04.293 --> 02:05.194 I call him Sir Roger. 02:05.674 --> 02:07.556 It's nice to have a knight in the big British castle. 02:07.616 --> 02:07.916 It is. 02:08.057 --> 02:09.958 Sir Roger Moore is going to be on the show. 02:09.998 --> 02:15.203 We don't normally have guests on this programme, of course, but we are bending the rules for Sir Roger. 02:15.444 --> 02:18.526 Yeah, it's the only time you'll see him or hear him. 02:19.207 --> 02:20.889 in the media this month 02:35.383 --> 02:35.703 It's good. 02:35.743 --> 02:36.044 He has. 02:36.084 --> 02:47.671 I'm afraid I saw him on on poor Oh goodness sake, but it's gonna be very different because because we're hopeless All the shows he's been on before have had professional presenters on them. 02:47.831 --> 02:52.414 It's Africa hasn't yet stumbled into an arena like this No, but we're gonna be brilliantly professional. 02:52.474 --> 02:53.755 I've read his entire biog. 02:53.895 --> 02:54.215 Well done. 02:54.596 --> 02:55.956 Yeah got all the factoids. 02:56.097 --> 02:56.317 Yeah. 02:56.357 --> 02:56.517 Yeah. 02:56.557 --> 02:56.677 Yeah 02:57.357 --> 03:01.640 So, you know, I bet Ross and Savage... He's not called Savage anymore, is he? 03:01.740 --> 03:03.041 Yeah, he is, yeah. 03:03.101 --> 03:04.322 I bet they haven't read the book. 03:04.642 --> 03:05.203 No, exactly. 03:05.283 --> 03:05.683 Probably not. 03:05.723 --> 03:06.363 Ross can't read. 03:06.624 --> 03:07.424 He can't read. 03:07.764 --> 03:10.966 He can't see past all his piles of money. 03:13.108 --> 03:16.670 But I'm going to be compiling a list of questions to ask Roger throughout the show. 03:16.730 --> 03:18.892 I was thinking maybe listeners could help me with it. 03:19.152 --> 03:21.253 I'm going to be much more free-form than this. 03:21.273 --> 03:21.553 Are you? 03:21.714 --> 03:22.034 I'm not. 03:22.234 --> 03:23.915 He's going to prefer my technique. 03:23.935 --> 03:26.577 I don't think so, because I really prefer the tall one. 03:27.537 --> 03:33.120 I liked it when the short, tubbier one asked me whether I liked to Roger more. 03:34.901 --> 03:37.903 The tall one would make an excellent James Bond. 03:39.403 --> 03:42.525 The shorter, more intelligent one would make a wonderful villain. 03:43.177 --> 03:44.038 Yes, that's fair enough. 03:44.098 --> 03:44.758 I'm happy with that. 03:45.499 --> 03:46.760 That's something to look forward to. 03:47.140 --> 03:48.862 Okay, let's have some more music now. 03:49.262 --> 03:51.684 Here is, here are, here they are. 03:51.924 --> 03:53.465 It's the killers with human. 03:53.726 --> 03:56.428 Well, the two are not mutually exclusive, are they? 03:56.508 --> 03:57.469 It's fine to do both. 03:57.869 --> 04:00.431 You can be human and be a dancer. 04:00.771 --> 04:05.816 If you're a ferret and a dancer, it's more unusual, but it's not unheard of. 04:05.836 --> 04:06.556 More lucrative. 04:06.816 --> 04:07.957 It's much more lucrative. 04:08.257 --> 04:10.699 You get invited on all kinds of programs. 04:11.480 --> 04:13.241 It's the dancing ferret man! 04:13.641 --> 04:16.962 But, you know, the dancing human is not such a big deal. 04:17.982 --> 04:18.882 So, there you go. 04:19.422 --> 04:21.083 We've explained it for the Killers. 04:21.643 --> 04:23.043 That should be the end of that problem. 04:23.344 --> 04:25.084 And I don't want to hear that song ever again. 04:25.724 --> 04:26.785 Now, we should explain... I'm joking. 04:26.845 --> 04:27.445 I love the song. 04:27.465 --> 04:28.225 It's a great song. 04:28.285 --> 04:29.005 It's a great song. 04:29.045 --> 04:31.586 The Killers There With Human, released in the year 2008. 04:31.746 --> 04:33.947 Oh, what a vintage year. 04:34.027 --> 04:36.087 In the month of October. 04:36.748 --> 04:37.268 Very good. 04:38.778 --> 04:41.139 I only just managed to get that information out. 04:41.179 --> 04:42.299 Well done. 04:42.519 --> 04:44.659 Yes, this is Adam and Jo on BBC Six Music. 04:44.959 --> 04:48.340 We've got an apology to make listeners because of song wars. 04:48.740 --> 05:00.223 We felt that because Sir Roger was coming in and we planned to play him our Quantum of Solace songs from several months back, it would be too cluttered a show if we played our spooky songs song wars this week. 05:00.263 --> 05:00.643 That's true, yeah. 05:00.823 --> 05:01.143 Overload. 05:01.863 --> 05:07.906 Plus, we thought it would give us an extra week to fine-tune them because it's not an easy... Once again, we haven't chosen a particularly easy task. 05:07.946 --> 05:09.127 I feel it's too broad. 05:09.447 --> 05:11.688 Have you had any initial thoughts about spooky sounds? 05:11.768 --> 05:13.069 I've laid the music track down. 05:13.089 --> 05:13.609 Have you? 05:13.870 --> 05:15.530 I just haven't approached the lyrics. 05:15.590 --> 05:18.772 Can I ask you, is the mood of the music itself spooky? 05:19.633 --> 05:20.113 Well, yes. 05:21.053 --> 05:21.354 Yeah. 05:22.474 --> 05:23.535 I've gone for a spooky sound. 05:23.575 --> 05:25.196 It's scary, I tell you, when I play it back. 05:25.896 --> 05:26.616 I get scared. 05:26.896 --> 05:27.256 Yeah. 05:27.416 --> 05:27.676 Yeah. 05:27.696 --> 05:28.797 Can I ask you what media? 05:28.957 --> 05:34.438 You know you can't because I think it's gonna give you an unfair tactical advantage. 05:34.718 --> 05:35.318 I bet it's. 05:35.358 --> 05:36.398 You know knowledge is power. 05:36.618 --> 05:36.858 Is it? 05:37.559 --> 05:39.319 In the high stakes world of song wars. 05:39.359 --> 05:39.759 Damn it. 05:40.179 --> 05:43.080 In the nuclear confrontation that is song wars. 05:43.160 --> 05:43.420 Yeah. 05:43.700 --> 05:47.461 Any kind of information is, did I say that already pal? 05:49.502 --> 05:50.342 You did, yeah. 05:50.402 --> 05:52.283 I'm just repeating it to stress it. 05:52.623 --> 06:00.705 So yes, no new songs this week, but of course a reminder of our... Are we gonna play the whole... I guess we'll have to play the whole of the songs to Roger, right? 06:00.985 --> 06:03.826 I guess Sir Roger will be baffled by them. 06:04.006 --> 06:05.786 He knows that we're gonna do this, is that correct? 06:05.986 --> 06:08.967 He doesn't think that... I'm worried that he's gonna think that we're just gonna chat to him about his book. 06:10.605 --> 06:12.587 Uh, I'm going to chat to you. 06:12.687 --> 06:14.309 Quite interesting in a couple of respects. 06:14.629 --> 06:15.410 I've got those questions. 06:15.430 --> 06:16.250 Don't worry about that. 06:16.471 --> 06:16.731 Yeah. 06:16.931 --> 06:19.854 If he looks, uh, just give me a wink or a nod or a sign. 06:20.395 --> 06:25.420 If you think the interview should backpedal into like radio four mode and I'll, I'll take care of that. 06:25.980 --> 06:26.941 I'm not really worried about it. 06:28.594 --> 06:30.516 There's interesting things in the book. 06:30.556 --> 06:31.597 I'm not dissing the book. 06:31.657 --> 06:32.058 It's great. 06:32.118 --> 06:32.758 It's really good. 06:32.778 --> 06:37.863 A little bit of a... He went to school pretty much opposite where you live. 06:38.103 --> 06:38.964 Is that not interesting? 06:39.405 --> 06:40.205 In South London. 06:40.225 --> 06:40.466 Yeah. 06:40.986 --> 06:41.987 Yeah, that is very interesting. 06:42.007 --> 06:42.567 To you and him. 06:42.587 --> 06:45.911 I'll ask him about that, yeah. 06:45.991 --> 06:46.811 Yeah, that is interesting. 06:46.851 --> 06:47.212 You're right. 06:47.732 --> 06:50.493 Okay, now we've got a free play for you now listeners. 06:50.553 --> 06:54.814 This is my choice and It's by Randy Crawford. 06:54.974 --> 06:56.454 You like a bit of Randy Joe? 06:56.915 --> 06:59.435 Yeah, I do getting Randy every now and again. 06:59.535 --> 07:02.476 Yes Well, she was on radio for this week. 07:02.576 --> 07:07.617 She yeah I've been listening to a lot of radio for recently and enjoying it. 07:07.817 --> 07:10.258 I don't know why exactly No, it's because it's good. 07:10.298 --> 07:12.239 I suppose but it's made a soothing tone as well. 07:12.259 --> 07:13.379 It's the soothing tone and 07:13.699 --> 07:14.880 I've been listening to Woman's Hour. 07:15.180 --> 07:16.601 I enjoy Woman's Hour very much. 07:17.222 --> 07:18.503 And Randy was on Woman's Hour. 07:18.543 --> 07:19.423 She was charming. 07:19.864 --> 07:20.564 She was absolutely charming. 07:20.584 --> 07:21.265 She's a professional. 07:21.545 --> 07:22.165 She really is. 07:22.205 --> 07:23.386 She just sounded delightful. 07:24.027 --> 07:27.169 And the guy that wrote Street Life was on there with her. 07:27.609 --> 07:29.891 I didn't realize that Street Life is such a saucy song. 07:29.931 --> 07:30.752 It's all about like... 07:31.352 --> 07:38.894 Chaps with cocaine spoons and being filthy and oh She sings it so sweetly you wouldn't have an idea anyway. 07:38.914 --> 07:51.878 I'm not gonna play street life I'm gonna play this song which which I always thought was very bond like one day I'll fly away You know and I forgot when they played a little snippet on radio for how much I love this song Randy Crawford with one day I'll fly away. 07:51.978 --> 07:58.080 That's very good DJ format with separated at birth is that a new song James our producer 07:58.880 --> 07:59.901 It's from 2005. 08:00.562 --> 08:00.742 Ooh. 08:00.802 --> 08:01.102 Yeah. 08:01.282 --> 08:02.524 The olden days. 08:03.605 --> 08:04.746 Well, that was very enjoyable. 08:04.766 --> 08:07.068 This is Adam and Joe here on BBC Six Music. 08:07.508 --> 08:10.071 Do you read about the spammers this week, mate? 08:10.471 --> 08:10.952 No, mate. 08:11.012 --> 08:11.692 What's that news? 08:11.752 --> 08:16.597 Caught a couple of spammers responsible for a third of the world's spam. 08:16.617 --> 08:16.877 No. 08:17.177 --> 08:19.119 Why are you saying it in an Australian accent? 08:19.299 --> 08:19.560 Guess. 08:20.040 --> 08:21.421 Because they were Australian, they're Aussies. 08:21.521 --> 08:23.023 They were Australian men. 08:23.043 --> 08:23.083 No. 08:23.503 --> 08:30.866 Although they were operating in Australia and New Zealand, they didn't pin down whether they were Aussies or Kiwis, but I would say they were almost there. 08:31.086 --> 08:32.887 They were operating in New Zealand as well. 08:33.287 --> 08:35.988 Yeah, they were operating in New Zealand. 08:36.248 --> 08:38.609 That's more certificate. 08:38.689 --> 08:42.750 What is the difference between an Australian accent and a New Zealand accent? 08:42.790 --> 08:43.410 A Kiwi accent. 08:43.430 --> 08:48.212 I think my only frame of reference is Flight of the Concourse and Rhys Darby. 08:48.232 --> 08:49.953 Now he's from New Zealand. 08:50.373 --> 08:54.078 Yeah, and he New Zealand to me seems very slightly breathy. 08:54.438 --> 08:56.241 Yes secretive and sort of punchy. 08:56.521 --> 09:02.749 That's just the way that restart Well, that's what I miss whereas Australians just a bit more abroad like that exactly. 09:02.789 --> 09:06.794 Yeah, they're just about a bright you Yes, everything's quite exciting in New Zealand. 09:07.175 --> 09:07.295 Yeah 09:07.555 --> 09:09.377 and more breathy and earnest. 09:09.877 --> 09:17.544 As a lazy generalisation, I always characterise the Kiwis as like the Canadians to the Australians and Americans. 09:17.584 --> 09:18.084 Do you know what I mean? 09:18.465 --> 09:23.048 You know that we're slightly obsessed with accents and actors doing them badly in films. 09:23.409 --> 09:24.870 I thought it could be a competition. 09:25.070 --> 09:28.013 You know about competitions at the Big British Castle, but if we were, 09:28.493 --> 09:35.319 You could have people phone in and they'd pretend to be a particular nationality and we'd have to guess whether they were putting on an accent or not. 09:35.799 --> 09:36.140 Right. 09:36.200 --> 09:37.220 It's like an accent test. 09:37.240 --> 09:38.161 We can do that, can't we? 09:38.241 --> 09:38.842 Can we do that? 09:38.882 --> 09:41.804 As long as we don't give them prizes or offer prizes, isn't that the thing? 09:42.245 --> 09:42.525 Yeah. 09:43.145 --> 09:43.746 We can do that. 09:44.006 --> 09:44.987 Let's do that today. 09:45.587 --> 09:46.208 Can we do that? 09:46.428 --> 09:46.849 Yes. 09:46.969 --> 09:47.909 Would it be worth doing? 09:48.090 --> 09:48.290 Yeah. 09:48.330 --> 09:48.910 Let's try it. 09:50.011 --> 09:51.292 So what are you asking people to do? 09:51.352 --> 09:51.933 If you think 09:52.659 --> 09:53.140 Oh, I don't know. 09:53.160 --> 09:54.181 What am I asking you to do? 09:54.201 --> 09:55.623 Yeah, you haven't thought it through, have you? 09:55.643 --> 09:56.303 I haven't thought it through. 09:56.323 --> 09:56.764 That's fair enough. 09:56.784 --> 09:57.545 You were talking off the duck. 09:57.565 --> 09:59.808 Let me give it a little bit of a think, think all through. 10:00.468 --> 10:01.249 I'll think a little bit through. 10:01.269 --> 10:01.970 Pop it in the think box. 10:01.990 --> 10:03.672 And then we'll see whether it's worth flying. 10:03.732 --> 10:06.896 My problem is that how would you know whether the person was lying or not? 10:06.936 --> 10:08.678 You'd have to just depend on them being truthful. 10:08.918 --> 10:09.699 Howard the Duck. 10:10.220 --> 10:10.821 How would you know? 10:11.161 --> 10:11.942 How at the duck? 10:12.102 --> 10:13.403 You're distracting me now. 10:13.483 --> 10:14.264 I love that film. 10:14.684 --> 10:15.565 Let's talk about that. 10:15.625 --> 10:16.766 No, we'll talk about it later. 10:17.287 --> 10:18.307 That's good about the spam though. 10:18.668 --> 10:19.228 Yeah, sorry. 10:19.248 --> 10:21.891 A third of the world's spam they got rid of in one fell swan. 10:21.911 --> 10:22.972 I mean, that's progress. 10:23.012 --> 10:25.934 That gave me real cheer this week. 10:25.974 --> 10:27.416 What sort of spam were they sending? 10:27.456 --> 10:29.518 Was it to do with winky size? 10:29.558 --> 10:30.418 Winkle wonkles, yeah. 10:30.438 --> 10:31.299 It was winky size. 10:31.459 --> 10:33.061 And the drugs and the fire growing. 10:33.081 --> 10:33.941 Was it discount meds? 10:34.362 --> 10:35.363 Exactly, exactly. 10:35.723 --> 10:39.428 And it's two guys at the top of this operation. 10:39.589 --> 10:42.733 They've got other people, and they've got lots of robot machines. 10:42.773 --> 10:44.455 It's all about, what do they call them? 10:45.337 --> 10:49.282 Web bots, or net bots, or botnets. 10:49.543 --> 10:50.384 Why not net bots? 10:50.444 --> 10:51.385 Why is it botnet? 10:52.026 --> 10:56.147 Anyway, they've sorted all the botnets out, and they're killing them all, and it's like... Kill the botnets! 10:56.247 --> 10:57.508 It's like Clone Wars out there. 10:57.688 --> 10:58.428 Oh, it's exciting. 10:58.448 --> 10:59.668 Except much more exciting. 11:00.368 --> 11:03.189 So right now, here's a bit more music before the news, ladies and gentlemen. 11:03.209 --> 11:04.789 Don't know if you've heard of this artist. 11:05.050 --> 11:05.970 He's a young ruffian. 11:06.410 --> 11:07.450 He's mixing it all up. 11:07.550 --> 11:12.391 He's a white boy, but he's got kind of crazy hip-hop-style grooves. 11:12.612 --> 11:14.292 I mean, that sounds unbelievable, doesn't it, Joe? 11:14.572 --> 11:15.572 It sounds wrong. 11:15.612 --> 11:16.433 It shouldn't be allowed. 11:16.513 --> 11:19.893 He's called Beck, and this song is called Loser. 11:20.334 --> 11:21.374 Mmm, delightful. 11:22.034 --> 11:24.296 Ironically, that's Beck with Loser. 11:24.376 --> 11:26.658 This is Adam and Joe here on BBC 6 Music. 11:26.758 --> 11:29.860 Time now for the news read by Claire Runakers. 11:30.020 --> 11:33.103 Credence, Clearwater, Revival with Bad Moon Rising. 11:33.163 --> 11:35.344 This is Adam and Joe here on BBC 6 Music. 11:35.465 --> 11:37.626 Always reminds me, is it over the closing? 11:37.706 --> 11:39.688 Where is it in American Wharf in London? 11:39.748 --> 11:41.449 When they're in the shower, I think, isn't it? 11:41.569 --> 11:42.850 Is it the dirty scene? 11:42.870 --> 11:43.831 That's why it's so reminiscent. 11:43.891 --> 11:44.252 Yeah. 11:44.552 --> 11:45.514 Evocative. 11:45.534 --> 11:47.797 It's burned into your brain. 11:48.718 --> 11:50.421 Her lovely, lovely boobs. 11:50.761 --> 11:55.909 She's someone who is the object of a lot of adolescent fantasy. 11:56.110 --> 11:59.074 Well, she was around the time, because that was a very powerful 11:59.995 --> 12:08.942 a scene of physical intimacy between two consenting human beings when previously one had maybe only seen her in The Railway Children. 12:08.962 --> 12:18.009 Plus that was when video VHS first came to Britain and American Wealth in London was one of the first movies to be released on VHS and there was no certification. 12:18.649 --> 12:23.753 So anyone who was a kid around those days would have seen all sorts of forbidden things. 12:24.053 --> 12:24.874 Beautiful things. 12:24.954 --> 12:26.915 Including Jenny Agata's 12:30.360 --> 12:33.405 Have you seen Railway Children recently? 12:33.685 --> 12:33.826 No. 12:34.386 --> 12:36.109 That film is hard to watch. 12:36.510 --> 12:39.615 That doesn't have any scenes of physical intimacy between adults? 12:40.075 --> 12:41.077 No, not really, no. 12:41.317 --> 12:42.599 It's got her waving her pants. 12:43.320 --> 12:44.501 Yeah, to stop the train. 12:44.601 --> 12:47.782 What's the girl with the fairly large teeth called? 12:47.962 --> 12:48.282 Titty. 12:48.742 --> 12:50.403 No, not Titty. 12:50.423 --> 12:51.844 Swallows and Amazons, is she called Titty? 12:52.184 --> 12:56.166 There's lots of books where they've got, you know, of that period where they've got funny names like that. 12:56.246 --> 12:56.946 Yes, yes. 12:57.146 --> 12:58.107 No, she's not called that. 12:58.127 --> 12:58.487 Bunty. 12:58.767 --> 13:01.548 Bunty, something like, where she's got... Frolica. 13:01.928 --> 13:02.328 Frolica! 13:03.869 --> 13:05.131 Come in for tea, Frolicker. 13:05.151 --> 13:05.491 Come on. 13:05.671 --> 13:06.192 And you, Titty. 13:06.252 --> 13:06.852 And Bunty. 13:06.912 --> 13:07.433 Sit down. 13:07.593 --> 13:08.054 Waffles. 13:08.594 --> 13:08.995 Stop that. 13:09.015 --> 13:09.215 Stop that. 13:09.235 --> 13:09.936 That's the dog. 13:10.356 --> 13:11.077 No, it's the sun. 13:11.257 --> 13:11.557 Is it? 13:11.597 --> 13:12.058 Waffles. 13:12.378 --> 13:13.179 Waffles. 13:13.439 --> 13:15.061 Stop it, Waffles. 13:15.101 --> 13:16.663 Birds-eye-potato waffles. 13:16.903 --> 13:17.363 Oh, waffles. 13:17.383 --> 13:18.585 Leave us the dial. 13:19.365 --> 13:23.149 Anyway, listeners, we were going to have a go at this thing, right? 13:23.189 --> 13:25.351 It's not a competition, because competitions are equal. 13:25.371 --> 13:25.871 We were going to. 13:25.911 --> 13:26.612 We are going to. 13:26.652 --> 13:27.873 We've decided to try this. 13:27.953 --> 13:28.514 Yeah, right. 13:28.574 --> 13:29.414 So, do you want to explain? 13:30.015 --> 13:33.858 What we'd like you to do, listeners, is help us test our ear for accents. 13:35.019 --> 13:55.929 We want you to email us at adamandjo.6musicatbbc.co.uk or text us on 64046 if you either have a genuine, very strong foreign accent or you reckon you're so good at faking a foreign accent that if you speak to us in that accent we won't be able to tell that you're pretending. 13:56.089 --> 14:08.952 And what we're going to do, our producers here, James and Claire, are going to take your calls, they're going to phone you up, basically, and they go to assess whether your accent is sufficiently strong. 14:09.072 --> 14:10.312 You have to be straight with them. 14:10.332 --> 14:11.072 Yeah, yeah, yeah. 14:11.092 --> 14:16.033 You have to tell them, like, okay, I can do a good South African accent, so here it is. 14:16.393 --> 14:20.154 And if they're sufficiently impressed, you'll go through, and we'll end up with two 14:21.274 --> 14:21.615 Real ones? 14:21.635 --> 14:22.275 Well, no, we don't know. 14:22.315 --> 14:24.897 We'll just end up with maybe hopefully three callers. 14:24.937 --> 14:30.601 We'll go through them pretty quickly, but we'll test our ability to tell whether an accent is real or fake. 14:30.621 --> 14:38.727 We may get you to say particular sentences, engage you in some kind of provocative or testing conversation that might trip you up. 14:38.767 --> 14:41.609 We should think of a standard sentence then, right? 14:41.629 --> 14:42.570 Yeah, we'll do a little bit of thinking. 14:42.590 --> 14:43.371 A control sentence. 14:43.891 --> 14:51.933 But in the short term, if you think you've either got a really good strong foreign accent, or you can fake it amazingly well... Oh, it doesn't have to be amazingly well. 14:51.953 --> 14:53.734 It would be quite amusing if it was badly. 14:53.914 --> 14:55.614 Well, it's up to you what you think. 14:55.674 --> 15:12.479 Yeah, then send your name and phone number right now to adamandjo.sixmusic, that's the number six, not the word, six, at bbc.co.uk, or text us on 64046, and we will call you back if our producer select you. 15:12.739 --> 15:15.520 Obviously, that's only if you're listening to this show live. 15:16.401 --> 15:18.662 Yeah, if you're listening again, then this is in the past. 15:18.702 --> 15:20.122 It's all happened in the past. 15:21.043 --> 15:22.143 Okay, more music now. 15:22.683 --> 15:26.085 It's time for Santo Gold with Say Aha. 15:26.105 --> 15:27.525 Is this actually about Aha? 15:28.166 --> 15:28.806 I can't remember. 15:28.826 --> 15:29.366 Let's find out. 15:30.086 --> 15:30.667 Let's find out. 15:30.687 --> 15:31.427 This is Santo Gold. 15:31.747 --> 15:34.009 Santa Gold with, say, Aha? 15:34.949 --> 15:36.650 No, it's not about Aha, is it? 15:36.870 --> 15:38.131 No, it's a song for dentists. 15:38.331 --> 15:42.674 Have you seen the version of Take On Me on YouTube? 15:42.714 --> 15:43.075 Yeah. 15:43.115 --> 15:45.816 It's a new YouTube craze literal videos, right? 15:45.896 --> 15:50.680 Where you get an existing video, you remix the sound to make the lyrics state 15:51.340 --> 15:54.823 Literally, what's happening in the picture and it's very effective, isn't it? 15:54.843 --> 16:00.068 Yeah, it's very enjoyable in someone's done it with the take on me video Yeah, and it works a treat. 16:00.088 --> 16:02.951 He's done a good job of like doing the redoing the track as well. 16:03.131 --> 16:05.633 Mm-hmm I mean, yeah, he's got a hold of an instrumental. 16:05.653 --> 16:13.480 I wonder where you get hold of them things Are you reckon he's got I think maybe he was I assumed that he'd done it himself No, we recorded the entire track. 16:13.500 --> 16:13.801 Yeah 16:14.541 --> 16:17.002 No, maybe I don't know it might be insane there. 16:17.202 --> 16:22.745 They used to be years ago I remember seeing on tomorrow's world a machine that could filter out the lyrics of vocals. 16:22.805 --> 16:23.425 Do you remember that? 16:23.606 --> 16:23.766 Yeah? 16:23.786 --> 16:24.606 Well, you can still do that. 16:24.626 --> 16:26.807 Can you do that on a normal home computer? 16:26.827 --> 16:28.468 Well, I don't know about that I mean, it's a bit of software. 16:28.508 --> 16:29.528 You have to get hold of it. 16:29.588 --> 16:32.430 Yeah, I'd like that software You can probably buy it. 16:32.690 --> 16:36.492 I'm going to so did you see in the news Joe Cornish? 16:37.252 --> 16:38.553 There's deadly spiders 16:39.253 --> 16:39.413 No. 16:39.433 --> 16:40.674 Do you see the deadly spider thing? 16:40.995 --> 16:46.019 Oh, I read that new types of insects were coming into Britain because of the global warming. 16:46.079 --> 16:46.479 Al Gore. 16:46.939 --> 16:47.099 Yeah. 16:47.119 --> 16:47.920 He's shipping them over. 16:48.140 --> 16:50.162 He's packaged them up in a big crate. 16:50.342 --> 16:50.582 Yeah. 16:50.822 --> 16:53.224 And sent them over on a weak bit of rope. 16:53.384 --> 16:54.085 Thanks a lot, Al Gore. 16:54.105 --> 16:55.326 So they snap and it smashes open. 16:55.366 --> 16:56.267 Yeah, thanks very much. 16:56.747 --> 16:57.588 Thanks a lot. 16:57.788 --> 16:58.888 Thanks a lot Al Gore. 16:58.908 --> 17:01.490 He has them on, his body is full of spiders. 17:02.450 --> 17:09.054 Did you know that if you look up close his skin undulates because he's just full of, he's not a man, he's just a million spiders in the form of a man. 17:09.134 --> 17:11.776 Like Oogie Boogie in Nightmare Before Christmas. 17:11.816 --> 17:12.496 Is that what happens? 17:12.776 --> 17:15.057 He's great, yeah he's just a big sack and when the sack comes undone. 17:15.077 --> 17:15.738 There you go. 17:16.218 --> 17:17.159 Was he called Oogie Boogie? 17:17.179 --> 17:17.679 Something like that. 17:17.699 --> 17:18.679 I don't know, I don't like that film. 17:18.960 --> 17:19.460 It's good man. 17:19.480 --> 17:19.820 What's that? 17:20.160 --> 17:20.561 What's that? 17:20.581 --> 17:21.781 That drives me insane. 17:22.542 --> 17:24.723 I've rediscovered it since having children. 17:25.063 --> 17:46.869 really watched it again and it's really not good it's pretty good yeah anyway i digress the scary spiders though oh i mean have you ever been bitten by a spider no but uh when i was in america recently somebody spotted uh potted spotted out they pointed out a black widow spider on the streets of la just hanging by an electricity box he said hey that's a black widow spider watch out 17:47.489 --> 17:52.532 When you go into the Californian countryside, and lo and behold, I was swimming in a swimming pool, working, obviously. 17:52.772 --> 17:53.753 Still working, yeah. 17:53.773 --> 17:54.733 Still working, yeah, in the pool. 17:55.234 --> 17:58.776 And there was a black widow spider hanging in the corner of the pool. 17:58.836 --> 17:59.696 Just having a cocktail? 17:59.976 --> 18:00.176 Yeah. 18:00.436 --> 18:00.697 What? 18:00.937 --> 18:02.137 In a little inflatable chair. 18:02.258 --> 18:02.558 Yeah. 18:03.098 --> 18:04.299 And that was terrifying. 18:04.339 --> 18:06.380 And he was saying, I got a great idea. 18:06.700 --> 18:10.962 It's about this man, and he can climb up walls, and he... 18:12.043 --> 18:33.831 you get where i'm going spider man yeah no man spider man spider yes that's very different it's frightening though isn't it and we must all be careful in uh in our daily lives to watch thank you for the new spiders very good watch out for the new spiders there's a new spider maybe they should launch spider magazine the bbc's spider magazine it's all the latest spiders 18:34.951 --> 18:58.769 a guide to them what to be afraid of a poster of the new spiders interview with old spiders what they think of the new spiders yeah spider facts that's a great idea bbc spider magazine bbc shops now bdc that's a very good idea have you ever seen the effects of a bad spider bite on youtube you should it's amazing 18:59.449 --> 19:18.053 no look for you don't really is that true oh it's amazing because presumably it doesn't it's not just a sort of boil on the skin it's the person going into some kind of shock no no no it's not it's not that it's interesting no in the States right is there's a type of I think it's called a common brown not call a common brown but something the brown spider 19:18.813 --> 19:25.417 And somewhere in the Midwest if you get bitten by one of these things obviously the thing to do is to go into hospital But some of these folks don't have medical insurance, right? 19:25.457 --> 19:27.998 So there's videos of themselves in the election, right? 19:28.138 --> 19:38.144 There's some of these folks without medical insurance treating their own orange sized Swellings on their neck from the spider bite during them. 19:38.364 --> 19:41.606 It is Unbelievable draining them draining. 19:41.826 --> 19:42.426 Oh my god 19:42.666 --> 19:49.553 And I'm not recommending you check these out if you're having breakfast man people well exactly sitting in front of What are they grapefruits? 19:49.773 --> 19:51.215 Yeah, which looks? 19:52.937 --> 20:00.324 Orange-sized spot if you've got it if you've got a tough Constitution right check these out otherwise do not because it's it's the most unbelievable 20:03.587 --> 20:05.328 Listen, it's your free play right now, Joe. 20:05.348 --> 20:06.008 What have you got? 20:06.028 --> 20:06.128 Is it? 20:06.148 --> 20:06.788 I can't help. 20:07.468 --> 20:10.189 I can't stop thinking about... Do you like seeing that kind of stuff? 20:10.209 --> 20:11.229 Bursting the Bubos. 20:11.489 --> 20:13.150 I mean, this is the king of all Bubos. 20:13.170 --> 20:14.090 The bursting of the Bubos. 20:14.310 --> 20:15.911 Yeah, you search for spider bite. 20:16.191 --> 20:19.512 This is a sort of relaxing song just to ease us out of that trauma. 20:19.872 --> 20:20.672 It's Bon Iver. 20:21.052 --> 20:22.593 It's from their current album. 20:22.893 --> 20:23.613 It's quite long. 20:24.133 --> 20:29.279 And it starts with pretty much silence and just a man banging on his acoustic guitar. 20:29.319 --> 20:30.560 So don't get worried. 20:30.640 --> 20:32.002 That'll be Mr. Iver himself. 20:32.082 --> 20:33.643 It picks up and it's really beautiful. 20:33.663 --> 20:43.054 And it has an amazing use of an sort of R&B style electronic vocoder in it, but very subtly used and interestingly combined with folk vocals. 20:43.134 --> 20:45.176 This is Wolves by Bon Iver. 20:45.436 --> 20:46.958 pulp with babies. 20:47.218 --> 20:50.060 He's a national treasure, of course, Jarvis, wouldn't you say? 20:50.080 --> 20:51.722 I'd say he's a national treasure too. 20:51.742 --> 21:00.831 He's a national treasure and he is going to be sitting in for Stephen Lazy Merchant, who is away on holiday inverted commas. 21:01.731 --> 21:03.353 We never do that kind of thing, do we? 21:03.453 --> 21:04.273 We're always here. 21:04.494 --> 21:05.254 Always on the job. 21:05.414 --> 21:06.675 We would never skip off. 21:06.715 --> 21:11.159 That was the session recorded for the John Peel show on Radio 1 on the 30th of May 1992. 21:11.359 --> 21:15.542 And Jarvis is going to be filling in for Stephen Sunday week. 21:15.822 --> 21:18.464 I think this weekend it's going to be Kerris Matthews. 21:19.065 --> 21:19.845 Lovely Kerris. 21:20.106 --> 21:22.728 And as we heard in that trail before... 16 years ago. 21:23.649 --> 21:23.909 16 years. 21:23.929 --> 21:24.851 Isn't that extraordinary? 21:24.991 --> 21:26.914 Yeah, time just... Oh, time flies! 21:26.954 --> 21:29.317 Time just refuses to stand still, doesn't it? 21:29.598 --> 21:29.978 Damn it! 21:30.399 --> 21:34.145 As my, um... body keeps reminding me. 21:35.111 --> 21:36.552 Well, let's not go into that now. 21:36.572 --> 21:41.317 Are we ready to try this experimental non-competition event? 21:41.437 --> 21:42.317 Yeah, let's try this. 21:42.377 --> 21:45.600 It might be a bit raggedy listeners, so if you just tuned in, this is the idea. 21:45.680 --> 21:48.523 We reckon we can spot a fake accent a mile off. 21:50.284 --> 21:51.886 That's the premise of this segment. 21:51.946 --> 21:55.129 So we've invited listeners who either have genuine accents 21:55.849 --> 21:58.791 or think they can do an impeccable pretend accent. 21:58.931 --> 22:00.131 And we don't know which, obviously. 22:00.191 --> 22:08.895 We've invited them to phone in, speak to us in their accent, and we have to tell whether they're genuinely foreign or pretending to be foreign. 22:09.195 --> 22:11.496 Now, we don't have a control sentence yet, do we? 22:11.797 --> 22:14.838 We don't have a control sentence, but let's... Shall we just chat to them generally? 22:14.858 --> 22:16.739 Just chat a bit, yeah, and see what happens. 22:16.759 --> 22:18.360 We've got Francesca on the line. 22:18.400 --> 22:19.420 Hello, Francesca. 22:19.820 --> 22:20.120 Hello. 22:21.021 --> 22:23.042 Now, how are you doing, Francesca? 22:23.689 --> 22:24.390 I'm doing fine. 22:24.410 --> 22:27.452 I'm in South East London. 22:28.392 --> 22:30.434 Right, and where are you from, Francesca? 22:31.004 --> 22:33.326 Am I allowed to tell you? 22:33.946 --> 22:35.267 Well, that's an interesting question, isn't it? 22:35.307 --> 22:39.671 You have to tell us, like, it has to fit in with the accent you're doing, whether it's real or fake. 22:39.711 --> 22:48.438 Because obviously, if were you to be pretending to be foreign, then it would immediately give it away if you told us you were from somewhere different than your accent. 22:48.458 --> 22:49.379 Do you see what we're saying? 22:49.799 --> 22:49.999 Yeah. 22:50.019 --> 22:51.080 So I'll ask the question again. 22:51.380 --> 22:53.022 Where are you from, Francesca? 22:53.042 --> 22:54.823 I'm from Italy. 22:55.383 --> 22:55.744 Italy. 22:55.764 --> 22:56.264 Italy? 22:56.805 --> 22:58.506 Well, what's happened to your accent then? 22:59.454 --> 23:01.435 I love it on the way to England. 23:01.735 --> 23:03.056 Oh, there's a little bit of it there. 23:03.236 --> 23:04.656 You sound more Irish to me. 23:04.796 --> 23:08.318 I thought you were Irish, because we were testing the line just before you came on there. 23:08.838 --> 23:09.078 Yeah. 23:09.458 --> 23:17.141 And you sounded a little bit Irish, and I was speculating that maybe an Irish accent is something that a lot of women seem to enjoy doing. 23:17.181 --> 23:18.302 Do you know what I mean? 23:18.322 --> 23:18.682 Right. 23:18.762 --> 23:23.244 When I was at school, a lot of girls would do an American accent, because that was fashionable at the time. 23:23.849 --> 23:28.490 Yeah, people do think I'm American as well sometimes, but I haven't been trying. 23:28.671 --> 23:30.851 Do you know any poetry off by heart? 23:32.352 --> 23:33.992 Or the lyrics from a song or something? 23:34.252 --> 23:35.273 Or pick up a magazine. 23:35.313 --> 23:36.413 Is there a magazine around there? 23:38.454 --> 23:40.274 As long as it's a family magazine. 23:40.494 --> 23:40.914 Go on then. 23:41.094 --> 23:42.815 Read a few sentences from the book. 23:42.835 --> 23:46.976 As long as it's in no way swary or dirty. 23:47.656 --> 23:48.337 Or political. 23:51.075 --> 24:01.685 There's nothing more sad and wasteful than a room full of intelligent and highly paid people waiting for a chance to attack something the speaker has said. 24:02.225 --> 24:07.190 I think that accent is real but I think it's slightly, with great respect, sort of mongrel. 24:15.197 --> 24:22.864 It sounds like, and don't respond to this Francesca, I'm talking to Adam here, is I think it sounds like a mix between Irish and Italian. 24:23.344 --> 24:25.906 Have you got any Irish roots there Francesca? 24:26.307 --> 24:26.927 I have, yes. 24:27.548 --> 24:29.549 So are we now telling her to tell us? 24:30.971 --> 24:31.591 Yes, yes, yes. 24:31.711 --> 24:39.078 Okay now be honest with us, it's now time to reveal whether you're... So my guess is that she is genuinely Irish with a bit of Italian. 24:39.418 --> 24:40.619 What's your guess Adam Buxton? 24:40.679 --> 24:41.880 I'm Italian with a bit of Irish. 24:42.280 --> 24:43.581 She jumped right on in there. 24:43.761 --> 24:45.741 She's Italian with a bit, but there you go. 24:46.021 --> 24:48.142 There's no trace of Italian in your accent. 24:48.182 --> 24:51.503 No, but it's because she said earlier on, yeah, that she was Italian. 24:51.583 --> 24:52.883 That was what gave me the clue. 24:54.184 --> 24:55.504 Earlier on she said, I'm Italian. 24:56.265 --> 24:57.345 And I picked up on that. 24:58.917 --> 25:01.221 And I followed, you know, my genius. 25:01.241 --> 25:02.183 So there we go. 25:02.203 --> 25:03.425 We've rumbled you, Francesca. 25:03.886 --> 25:05.569 Yeah, that was quite easy, wasn't it? 25:05.649 --> 25:09.997 It was quite easy, but but well done surviving life with that accent. 25:10.177 --> 25:12.040 Do you find it gets you into difficulties? 25:13.216 --> 25:17.138 I was asked once if I was Chinese and my boyfriend says I sound like Yoda. 25:17.339 --> 25:18.099 That's a difficulty. 25:18.119 --> 25:19.280 That's two difficulties. 25:19.980 --> 25:21.101 Well done struggling through. 25:21.421 --> 25:22.902 You've got a nice voice though, Francesca. 25:22.922 --> 25:24.603 Thank you very much indeed for calling us. 25:24.623 --> 25:25.643 Thank you. 25:25.923 --> 25:26.584 Have a good weekend. 25:26.764 --> 25:27.664 We've got Dave now. 25:27.824 --> 25:28.865 Hey Dave, are you on the line? 25:29.685 --> 25:30.226 I am, yes. 25:32.467 --> 25:33.447 No, this is more like it. 25:33.547 --> 25:36.989 Dave, have you got a magazine handy or something or a book? 25:37.009 --> 25:38.790 I have many magazines handy here. 25:41.830 --> 25:46.613 That might be a real accident and we're just laughing at the exact same thing. 25:46.673 --> 25:48.434 So talk to us, Dave. 25:48.554 --> 25:50.555 Read from something clean, please. 25:50.635 --> 25:52.296 I can talk about the clash. 25:52.796 --> 25:54.878 Dave, I can't believe you've phoned up. 25:54.898 --> 25:57.679 Go on then, talk about the clash. 25:58.219 --> 26:00.861 It was not the most consistent of live bands. 26:01.786 --> 26:08.448 For every class show that plays into life, there'd be another where the band acted like individuals. 26:09.568 --> 26:11.509 Are you a film actor? 26:13.969 --> 26:14.649 I am not, no. 26:14.689 --> 26:15.690 You're not, you should be. 26:15.830 --> 26:16.470 You really should be. 26:16.510 --> 26:18.390 You could be in films with that accent. 26:18.410 --> 26:21.991 You could play like a Polish gangster or... Is that supposed to be Polish? 26:22.051 --> 26:22.731 It's Germanic. 26:22.972 --> 26:24.372 It is Eastern European, right? 26:24.412 --> 26:25.632 Where are you from, sir? 26:26.292 --> 26:28.173 I... aren't you meant to guess? 26:29.626 --> 26:31.026 Now he's from Germany. 26:31.326 --> 26:33.287 He doesn't even know where he's from. 26:33.307 --> 26:34.367 Is that the name of the town? 26:35.107 --> 26:36.087 What did you say? 26:36.287 --> 26:37.408 Can't you guess, he said? 26:37.608 --> 26:38.428 Oh, I thought he was. 26:39.168 --> 26:42.569 Yes, we guessed that you're from either Germany or Poland. 26:43.169 --> 26:43.949 Or Stretum. 26:44.489 --> 26:47.689 I'm actually from Liverpool. 26:48.710 --> 26:48.990 Yes. 26:49.310 --> 26:51.070 Now, what's your real accent, Dave? 26:51.090 --> 26:52.630 Because we're guessing... A bit of my real accent. 26:52.750 --> 26:53.590 There you go. 26:53.811 --> 26:54.631 Oh, that's good. 26:54.671 --> 26:56.131 Dave, you sure that's your real accent, though? 26:57.556 --> 26:58.397 Not really, no. 26:58.857 --> 27:03.441 Dave, read to us in your real accent just with your normal voice for a second. 27:03.822 --> 27:04.262 OK. 27:04.962 --> 27:07.084 They were not the most consistent of live bands. 27:07.204 --> 27:12.469 For every class show that blazed into life, there'd be another where the band acted like individuals. 27:13.990 --> 27:15.651 Wow, you really brought that sentence alive. 27:15.671 --> 27:16.752 Thank you. 27:16.792 --> 27:17.813 You should do Jack and Ori. 27:17.933 --> 27:18.674 Dave, that's great, man. 27:18.694 --> 27:19.815 What do you do for a living, Dave? 27:20.195 --> 27:21.316 I'm getting some reason acting. 27:22.737 --> 27:24.738 I actually write radio commercials. 27:24.758 --> 27:26.239 Do you write? 27:26.439 --> 27:29.020 We don't have any commercials, otherwise we'd get you to write some. 27:29.601 --> 27:34.143 But do you ever use your brilliant accent in public? 27:35.324 --> 27:37.345 Yes, I've been arrested on a number of occasions. 27:37.905 --> 27:41.787 But do you really think that's quite a good accent you've got there? 27:41.807 --> 27:45.969 I do, I think it could open doors for me occasionally. 27:46.049 --> 27:49.171 Do you think that's your best of all the countries and the accents in the world? 27:49.371 --> 27:50.912 Do you think that's your strongest one? 27:53.331 --> 28:18.269 say yes so i give us a blast to be a south african come on hello edam and joe hello dear dave how are you doing mate that's just australian i've lost it on the edam and joe show okay listen dave thank you so much uh for calling what's your weekend looking like you're doing anything fun a little radio question yeah just taking the the little kiddles and the misses into town for um 28:18.929 --> 28:33.972 for coffee and toast coffee and toast sounds lovely good times we'll see you there thank you for calling dave that's a problem that's a very good accent well done we look forward to seeing you in some major hollywood feature films that was very good thank you very much dave and francesca so what do you reckon joe is that got legs 28:34.592 --> 28:49.858 uh i i yeah i think it might do i think it's important that from the moment you come on air you're talking in the accent yeah and you stay in that accent and stay in either a world of of of deception right or truth do you know what i mean until such time as we ask you 28:50.478 --> 28:51.959 to be completely truthful with us. 28:52.220 --> 28:58.225 What I'm saying is you can toy with us, you can mess with us until we ask you the absolute question at which point you have to be honest. 28:58.346 --> 29:03.110 It makes it very difficult though if we're asking them personal information in character, you know what I mean? 29:03.130 --> 29:07.274 I don't think we should ask them where they're from and stuff like that because then it's too complicated. 29:07.334 --> 29:10.157 We should just stick to them reading something out of a book, don't you think? 29:10.337 --> 29:12.018 I don't think we should underestimate our listeners. 29:12.058 --> 29:13.059 I think they can create fake. 29:13.099 --> 29:14.381 You see, I was thinking that we should. 29:16.867 --> 29:24.050 They can create fake backstories for themselves because, you know, on the basis of those two calls, we got them both instantly. 29:24.630 --> 29:29.292 From the moment Dave uttered a syllable, it was clear he was not from Germany. 29:29.692 --> 29:30.312 Oh, Poland. 29:30.572 --> 29:33.393 And Francesca sort of gave it away in her preamble. 29:33.674 --> 29:42.257 So if you think you can do better than either of those two, send us an email at adamandjo.6musicatbbc.co.uk with your phone number and we might try a couple more later in the show. 29:42.857 --> 29:44.959 Right now, here is Blur. 29:45.059 --> 29:46.321 Man, I heard this song the other day. 29:46.341 --> 29:48.603 I forgot how amazingly good it was. 29:48.743 --> 29:51.185 Do you want to hear a little slightly sad name droppy story? 29:51.245 --> 29:52.406 Go on then. 29:52.707 --> 30:00.114 Once a long time ago, Joe, when we were doing our TV show and things were very exciting, I went to the Groucho Club. 30:00.154 --> 30:01.315 You've heard of the Groucho Club? 30:01.635 --> 30:01.875 Yes. 30:02.076 --> 30:05.339 And this was back in the day when Keith Allen and Alex James 30:05.999 --> 30:13.881 Would sort of be Kings Kings of the Groucho Club and they were just there all the time And so I went there and there was Alex James and it was very exciting. 30:13.901 --> 30:29.564 He was sat with Craig cash from the royal family and I sort of sidled over and Insinuated myself into their conversation god, and they were talking about what the best single ever recorded was brilliant and I 30:29.704 --> 30:31.645 I thought, oh, I can join in with this conversation. 30:32.125 --> 30:36.706 And Alex was saying, maybe it was Ashes to Ashes by David Bowie. 30:37.246 --> 30:38.247 I think he was saying that. 30:38.267 --> 30:38.847 I can't remember. 30:39.787 --> 30:43.488 But then, and this was around the time that Beetlebum had just come out, I think. 30:43.548 --> 30:44.429 Guess what I said? 30:44.449 --> 30:47.790 I think maybe Beetlebum is one of the best ever, Alex. 30:48.670 --> 30:49.411 I love you. 30:49.431 --> 30:52.173 I didn't actually say I love you, but that was clearly the implication. 30:52.193 --> 30:53.073 What did he say to that? 30:53.914 --> 30:54.914 He told me to eff off. 30:55.215 --> 30:55.555 Did he? 30:55.655 --> 30:56.295 Yes, he did. 30:56.636 --> 30:57.176 Good man. 30:57.456 --> 31:01.139 In sort of, you know, in a friendly way, but in a fairly emphatic way. 31:03.120 --> 31:06.262 Because he had correctly rumbled me as a disastrous... Have you ever met him? 31:06.282 --> 31:07.343 Did you ever meet him after that? 31:07.443 --> 31:10.144 Yeah, I did and we had a nice enjoyable times. 31:11.604 --> 31:13.365 Well then here is the greatest single ever. 31:13.485 --> 31:19.706 I mean it is an amazing song and it has a little weird coder at the end where they're saying something that I can't make out. 31:20.087 --> 31:23.728 It sounds like Islam, Islam, Islamic. 31:23.748 --> 31:24.788 That would be very provocative. 31:24.848 --> 31:25.408 It would be, wouldn't it? 31:25.728 --> 31:26.168 Let's hear it. 31:26.208 --> 31:27.329 Beetlebum by Blur. 31:27.469 --> 31:28.309 What about the end bit? 31:29.236 --> 31:30.397 Oh, I like it at the end. 31:30.657 --> 31:32.758 That's the single version that we played there. 31:32.778 --> 31:34.318 It's got a fade out on it or something. 31:34.418 --> 31:40.781 But on the album, there's a good little ending and he goes, like the tape sort of winds up, comes off the spool at the end there. 31:40.801 --> 31:42.261 That was Blur with Beetlebum. 31:42.922 --> 31:43.702 That's amazing. 31:43.722 --> 31:46.243 So that's in my top singles ever. 31:46.683 --> 31:48.544 I mean, that was a wonderful, heady time. 31:48.744 --> 31:49.204 When was that? 31:49.304 --> 31:49.924 Ninety eight? 31:49.944 --> 31:52.545 Ten years ago or something? 31:53.306 --> 31:54.106 Something like that. 31:54.326 --> 31:57.347 a long time ago, and that was good, man, that was good stuff. 31:57.607 --> 31:59.967 That was off... was that off 13, I think? 32:00.547 --> 32:01.688 That had song 2 on it. 32:01.708 --> 32:02.848 That was a good album, wasn't it? 32:03.368 --> 32:06.469 Anyway, hey, this is Adam and Joe here on BBC 6 Music. 32:06.529 --> 32:09.349 We've got Sir Roger Moore coming in later. 32:09.869 --> 32:10.489 Very exciting. 32:10.650 --> 32:11.430 On the programme. 32:11.670 --> 32:14.790 He'll be in around about 11.30, something like that. 32:14.830 --> 32:20.992 Yeah, the idea is to get his reaction to our Quantum of Solace songs, even though I would imagine he'll be very positive about... 32:22.492 --> 32:23.433 about the new Bond? 32:23.713 --> 32:24.314 Who wouldn't be? 32:24.474 --> 32:25.735 He was positive on Jonathan Ross. 32:25.755 --> 32:26.496 Yeah, he has to be. 32:26.536 --> 32:27.957 I mean, it's a tricky gig. 32:28.618 --> 32:34.003 You know, if you're an actor who's filled Bond's shoes, you'd have nothing but respect for anybody else who attempted it. 32:34.083 --> 32:35.564 I'm sure he doesn't feel threatened, though. 32:35.644 --> 32:38.367 He's widely recognized as like the quintessential. 32:38.747 --> 32:40.629 I mean, some people are snobbish about him, aren't they? 32:40.669 --> 32:45.073 Some people say, who knew Connery's better because he's harder-edged and Roger Moore's too camp. 32:45.593 --> 32:46.895 But I guess it's like Doctor Who. 32:46.935 --> 32:48.296 It's the one that you grew up with, isn't it? 32:48.416 --> 32:51.217 Yeah, I think I made my views clear in my song. 32:51.797 --> 32:57.658 I mean, he's the man for me, because it's not like I can't take James Bond seriously. 32:59.159 --> 33:00.759 And this is no insult to my father. 33:00.799 --> 33:01.659 In fact, it's flattery. 33:01.679 --> 33:04.340 But I used to think my father looked a little bit like Roger Moore. 33:05.180 --> 33:06.680 And therefore, I thought that I did. 33:07.320 --> 33:09.541 And therefore, I thought that I was going to be James Bond. 33:09.761 --> 33:10.041 Yeah. 33:10.341 --> 33:11.882 I think most people did. 33:11.902 --> 33:14.822 I think most young men go through the same thing, don't they? 33:14.842 --> 33:17.203 A little bit of Bond fantasy. 33:17.303 --> 33:17.843 Bond envy. 33:18.223 --> 33:18.563 Yeah. 33:19.063 --> 33:20.004 I don't think I ever did. 33:20.424 --> 33:20.764 Really? 33:20.824 --> 33:22.325 Do you think I look like James Bond? 33:22.365 --> 33:23.485 Yes, you do. 33:24.266 --> 33:27.847 I thought I looked most like... What's his name? 33:28.108 --> 33:31.629 Yeah, with the razor blade bowler hat. 33:31.649 --> 33:32.469 What odd job. 33:32.850 --> 33:34.150 No, like odd job. 33:34.570 --> 33:37.052 Who's the little fella in the man with the golden gun? 33:37.152 --> 33:37.912 That's you. 33:38.192 --> 33:38.752 Yeah, that fella. 33:40.493 --> 33:42.894 Quite a dirty chap, apparently, according to Roger's book. 33:43.014 --> 33:45.294 That's right, he loved ladies, didn't he? 33:45.374 --> 33:47.335 There's lots of very saucy anecdotes in here. 33:47.355 --> 33:49.575 I enjoy them enormously. 33:49.835 --> 33:54.897 Anyway, he's coming in later, probably sometime about quarter past 11 or half past 11. 33:55.617 --> 33:59.898 I know you don't like talking about Jonathan Roskies, you're always worried that we might shed listeners, but did you see his show last night? 34:00.918 --> 34:01.679 A little bit of it. 34:01.939 --> 34:03.880 It was very sweary, I thought. 34:03.901 --> 34:04.301 Was it? 34:04.341 --> 34:09.565 And you know, you expect a little bad language on there, but it was just wall-to-wall effing and jeffing last night. 34:09.685 --> 34:09.945 Really? 34:09.985 --> 34:12.407 Well, it's become acceptable, hasn't it? 34:12.727 --> 34:13.648 Jamie Oliver does it. 34:13.748 --> 34:15.589 His new show is full of swearing. 34:15.950 --> 34:17.411 That other stupid chef does it. 34:17.791 --> 34:18.171 Ramsay. 34:18.231 --> 34:20.073 Crazy hair, Scarface, Ramsay. 34:20.173 --> 34:24.136 He was on there last night, and he was... I'm sorry, Crazy hair, Scarface isn't a very respectable... 34:24.936 --> 34:26.017 The way to describe him. 34:26.097 --> 34:29.920 He's a talented and brilliant and very clever, nice, kind man. 34:29.940 --> 34:31.001 Hey, crazy hat, Scott Grace! 34:33.183 --> 34:34.564 That'd be a good name for a gangster, though. 34:34.584 --> 34:36.465 But man, he was on there, he was effing and jumping. 34:36.766 --> 34:40.809 Gervais, Ricky Jarvis was on there, and he was... everything he said. 34:40.829 --> 34:41.429 But Trumpinkus. 34:41.689 --> 34:43.631 It was eff off this, eff off that. 34:44.091 --> 34:45.192 The whole way through. 34:45.733 --> 34:47.254 And then Sarah Silverman comes on. 34:47.274 --> 34:51.177 She wasn't actually... Well, she's one of the world's cleverest and funniest swearers. 34:51.517 --> 34:56.039 She wasn't actually swearing, but she was certainly making some very explicit references to adult love practices. 34:56.099 --> 35:03.442 You see, she's the one whose entire career is based on provocation and saying shocking things. 35:03.522 --> 35:07.984 Yet she's professional enough to get through a TV interview without actually using. 35:08.105 --> 35:10.506 Although she was a little awkward, I thought, watching. 35:10.986 --> 35:12.366 Awkwardness is part of her shtick. 35:12.486 --> 35:13.367 Bit out of place. 35:13.507 --> 35:15.468 And she was one of those Americans who came over and didn't... 35:15.928 --> 35:21.390 She seemed like she hadn't really bothered to find out what England was all about at all. 35:21.410 --> 35:22.451 Oh, no, she's a smart cookie. 35:22.491 --> 35:26.832 Making a lot of references to American stuff that she, you know, talking about American. 35:26.872 --> 35:27.292 What was it? 35:27.372 --> 35:31.434 Some American antidepressant or whatever that no one would ever know about. 35:31.494 --> 35:33.135 And she's like, you don't have that in this country? 35:33.155 --> 35:33.755 I don't know. 35:34.355 --> 35:35.055 Have you seen her live? 35:35.115 --> 35:37.416 She's playing live tomorrow at the Lebats Apollo, isn't she? 35:37.436 --> 35:38.477 No, I haven't seen her live. 35:39.237 --> 35:39.457 Yeah. 35:39.617 --> 35:40.257 Well, that'd be interesting. 35:40.497 --> 35:41.398 It's a little dead end there. 35:42.999 --> 35:44.360 A conversational cul-de-sac. 35:44.400 --> 35:44.580 Yeah. 35:44.600 --> 35:45.762 A conv-de-sac. 35:46.402 --> 35:48.064 Is it ting ting's time now, James? 35:48.124 --> 35:51.668 It's got to be ting ting's time at some time, so let's get it over with now. 35:51.728 --> 35:53.449 This is Be The One by The Ting Tings. 35:53.550 --> 35:54.911 What if I don't want to? 35:54.951 --> 35:55.552 But I'm using email. 35:55.612 --> 35:56.513 Is that a problem? 35:56.673 --> 35:57.874 It doesn't matter, text! 36:05.882 --> 36:17.627 Yes, that was the Ting Tings with Be The One, and this is Adam and Joel on BBC Six Music, and it's Text the Nation time, and as you'll already know, if you've been listening from the beginning of the show, we've got Roger Moore coming into the studio. 36:18.047 --> 36:27.311 You may have seen him on every other television programme, well, not a television programme, but every other media outlet this week being very funny and entertaining. 36:28.211 --> 36:32.956 But we would like you to try and come up with a question that you've never heard Roger ask before. 36:33.036 --> 36:36.420 We want a killer question from our listeners, and that's Text the Nation this week. 36:36.480 --> 36:37.461 It's very straightforward. 36:37.881 --> 36:44.328 Questions for Roger Moore, and we're going to select one out of all of them that you send in and ask it to Sir Roger. 36:44.508 --> 36:45.048 Have you got one? 36:45.829 --> 36:47.410 I've got quite a few questions, yeah. 36:48.211 --> 36:50.272 Any that you're pleased with, the things that you think are original? 36:50.292 --> 36:57.537 Well, it turns out that Sir Roger Moore, during the shooting of For Your Eyes... No, the spy who loved me got terrible shingles. 36:58.077 --> 36:58.618 Did he? 36:58.738 --> 37:00.499 On the right-hand side of his face. 37:00.559 --> 37:01.500 And your Jimmy shingles. 37:01.520 --> 37:03.721 That's exactly where I had my shingles. 37:03.801 --> 37:04.121 Right. 37:04.261 --> 37:05.963 So I was going to chat to him about shingles. 37:05.983 --> 37:06.803 Shingles, buddy. 37:07.284 --> 37:08.124 But everyone loves that. 37:08.164 --> 37:09.285 People love to hear. 37:09.305 --> 37:10.426 Love hearing about shingles. 37:10.446 --> 37:13.147 Me and Sir Roger talking about buboes. 37:13.508 --> 37:14.929 Shingle mingles, you could call it. 37:14.949 --> 37:15.209 Facial buboes. 37:16.109 --> 37:16.930 Mingle with the shingle. 37:16.970 --> 37:18.090 Mingle with the shingles. 37:18.230 --> 37:23.872 And apparently in some of the reverses of the Spy Who Loved Me, you can see his shingles. 37:24.032 --> 37:24.753 Bit of shingle damage. 37:24.773 --> 37:26.313 A little bit of shingle on the cheekbone. 37:26.793 --> 37:28.454 See, that's fascinating, isn't it? 37:28.474 --> 37:29.794 That is interesting stuff, I can't wait. 37:31.876 --> 37:33.096 You ask him that question. 37:33.217 --> 37:34.898 How many Bubos did you have? 37:35.718 --> 37:37.139 Where on your face were they? 37:37.179 --> 37:37.720 What's he gonna say? 37:37.740 --> 37:38.941 I don't really remember. 37:38.961 --> 37:41.022 Did you scratch them accidentally, burst some? 37:41.082 --> 37:42.083 Does he talk about it in the book? 37:42.383 --> 37:42.564 Yes. 37:42.804 --> 37:44.125 Oh, well then he will remember, I guess. 37:44.745 --> 37:45.346 Shingles. 37:45.806 --> 37:46.787 Bonded by Shingles. 37:47.127 --> 37:49.268 All I've got, yeah, I've only got one question in my locker. 37:49.469 --> 37:49.689 What? 37:50.710 --> 37:53.552 You know, what's it like being James Bond? 37:53.772 --> 37:54.993 Well, there was that, yeah. 37:56.913 --> 37:58.454 Well, now you said it like that. 37:58.514 --> 37:59.854 It doesn't sound like such a good question. 38:00.015 --> 38:04.337 No, I had... Yeah, just would you like to roger more I had? 38:06.097 --> 38:06.718 That's the only one. 38:07.258 --> 38:09.159 That's not disrespectful though, isn't it? 38:09.179 --> 38:11.680 But I thought it might be a fun question to ask him a little bit. 38:14.798 --> 38:15.118 What? 38:15.278 --> 38:16.038 That's a good idea. 38:16.058 --> 38:19.079 Is that really the only one? 38:19.519 --> 38:19.999 Yeah. 38:21.320 --> 38:24.721 What else does he get asked, do you think? 38:25.001 --> 38:26.841 What are the things that he always gets asked? 38:27.322 --> 38:30.562 What was your favourite Bond film to make? 38:30.682 --> 38:33.423 Did you get to keep the car in The Spy Who Loved Me? 38:33.443 --> 38:34.263 That's a good question. 38:36.664 --> 38:43.269 You know, I mean what would you you know, did you have looking promising for adult relations with all your co-stars? 38:43.789 --> 38:44.710 That kind of thing. 38:44.730 --> 38:46.191 I mean, did he? 38:47.752 --> 38:51.955 No, I think he was fairly happily married quite early on in the game fairly chase with children. 38:51.995 --> 38:52.215 Yeah. 38:52.375 --> 38:52.615 Yeah. 38:52.656 --> 38:52.876 Yeah. 38:52.916 --> 38:53.076 Yeah 38:54.136 --> 38:56.737 But listen, as you can see, we clearly need help. 38:57.037 --> 39:13.104 This is going to be difficult unless we've got some good questions for Sir Roger, so please email adamandjo.6musicatbbc.co.uk or text 64046 with your question for Sir Roger Moore and we will pick the best ones, or maybe the stupidest ones, and ask them unto him. 39:13.797 --> 39:15.458 OK, free play now for you listeners. 39:15.938 --> 39:20.660 This is from the album Songs for Drella by Lou Reed and John Cale. 39:21.480 --> 39:29.903 Drella, of course, was their pet name for Andy Warhol because he was like a cross, because they thought Warhol was like a cross between Cinderella and Dracula, right? 39:30.464 --> 39:32.224 And it's an amazing album if you haven't heard it. 39:33.325 --> 39:35.506 Weird little extracts from Warhol's diaries. 39:36.566 --> 39:42.573 We've got an email here from a listener Matthew and Jane Wilson in stratum Jane is expecting twins. 39:42.833 --> 39:47.298 They say if we dedicate a song to them They will consider calling the twins Adam and Joe. 39:47.799 --> 39:48.219 No. 39:48.359 --> 39:48.620 Yeah. 39:48.740 --> 39:52.784 Well, let's not consider consider I'm gonna dedicate Matthew and Jane Wilson in stratum. 39:52.804 --> 39:53.745 It's not legally binding 39:54.346 --> 39:54.987 Let's dedicate this to them. 39:55.027 --> 39:56.928 Let's dedicate this because this is a great song. 39:57.189 --> 39:58.009 Where do they live, Stretum? 39:58.029 --> 39:58.250 Yeah. 39:58.650 --> 40:00.171 Well, this song is called Small Town. 40:00.191 --> 40:02.413 I don't know if you'd call Stretum a small town, but I guess you could. 40:02.433 --> 40:03.875 Roger Moore used to hang out and stress them a lot. 40:04.135 --> 40:04.275 Yeah. 40:04.335 --> 40:06.537 Well, this is all about growing up in a small town. 40:06.597 --> 40:07.077 There you go. 40:07.338 --> 40:10.441 Kelvin Harris there with Acceptable in the 80s. 40:10.481 --> 40:12.202 This is Adam and Joe here on BBC 6 Music. 40:13.323 --> 40:14.924 Time is coming up to 10.30. 40:16.045 --> 40:18.127 It's a beautiful day here in London town. 40:18.247 --> 40:19.708 It's going to be great weather this weekend. 40:19.968 --> 40:25.532 Fantastic weather for going around just walking and having fun and chatting to people. 40:25.732 --> 40:26.653 I'm just filling before. 40:26.793 --> 40:27.714 I'm doing a really good job. 40:27.734 --> 40:30.576 I want it to be exactly 10.30 before I throw to the news. 40:31.157 --> 40:32.998 So if you are out this weekend, take care. 40:33.058 --> 40:33.758 Have fun. 40:33.799 --> 40:35.280 Don't eat too much ice cream. 40:35.300 --> 40:37.561 This is Adam and Joe here on BBC 6 Music. 40:37.802 --> 40:39.483 Time now for the news with Claire and Elizabeth. 40:39.703 --> 40:40.363 The police. 40:41.164 --> 40:42.165 with so lonely. 40:58.755 --> 41:13.023 and they would want to maybe catch a snap sell it to the european mags but no i haven't caught them uh peeking but i get very self-conscious when i play music in the shower right and i do you ever do this i kind of approach it as if i'm deejaying for them 41:15.644 --> 41:18.706 And I decided, I thought, well, I got to play, you know, build a friendly music. 41:18.746 --> 41:20.466 I don't want them to jump to conclusions. 41:21.047 --> 41:27.070 Build us a very, you know, macho and it's important to play, you know, proper music. 41:27.090 --> 41:27.990 So what did you stick on there? 41:28.050 --> 41:29.991 I put some police on, hence mentioning it. 41:30.791 --> 41:32.692 And it was a smash. 41:32.892 --> 41:35.214 They were singing along, whistling along for the rest of the day. 41:35.234 --> 41:35.274 No. 41:35.294 --> 41:36.414 Were they actually singing along? 41:36.594 --> 41:37.415 There was some whistling. 41:37.455 --> 41:38.875 It was slightly embarrassed whistling. 41:38.915 --> 41:39.696 They curtailed it. 41:40.276 --> 41:42.898 because I don't think they wanted to admit that they were enjoying the music so much. 41:42.918 --> 41:43.698 Where were they from there? 41:43.718 --> 41:45.539 Were they British builders or Polish builders? 41:45.619 --> 41:47.901 I think they're foreigners, yeah. 41:48.121 --> 41:49.862 This is the best job I've ever done! 41:50.582 --> 41:53.444 Oh, the music is so great coming out from the bathroom over there. 41:53.464 --> 41:55.105 That's what I was hoping they were thinking. 41:55.445 --> 41:56.886 That's almost certainly what they were saying. 41:57.046 --> 41:58.187 Some more personal news. 41:58.908 --> 42:00.609 We've had an email from Jeff Masson. 42:01.169 --> 42:05.091 He says, just wondering if you could confirm my possible sighting of Dr. Sexy. 42:05.131 --> 42:05.472 That's me. 42:06.412 --> 42:08.374 on the tube on Thursday at around 9.45. 42:09.234 --> 42:17.240 I was on the Victoria line coming home sat opposite two blonde girls who were having a right good bitch about some girl they worked with called Izzy. 42:17.780 --> 42:25.205 Their inane conversation didn't seem to interest Joe in the slightest and he preferred to flick through his copy of the Metro at a rate of a page a second. 42:25.666 --> 42:32.611 I was contemplating calling Heat magazine to notify them of my celeb spotting but I wasn't sure if it was the real Joe or if they'd be interested. 42:33.331 --> 42:34.072 That was me. 42:34.392 --> 42:36.215 Or if they'd be interested, that hurts a lot. 42:36.275 --> 42:37.456 Well, no, I think he's right. 42:37.696 --> 42:38.878 I don't think we'd get to heat. 42:39.038 --> 42:39.599 Ouch. 42:39.659 --> 42:39.859 Do you? 42:39.879 --> 42:41.922 I mean, do call them, Geoff, and see if it appears. 42:41.942 --> 42:44.164 I don't think we're... Probably we wouldn't anymore. 42:44.224 --> 42:45.746 No, I don't think they'd be interested. 42:46.067 --> 42:52.174 But that was me, and I remember Geoff, those two women, and they were having an extraordinary conversation. 42:52.254 --> 42:52.695 About Izzy? 42:52.895 --> 42:56.120 Yeah, they were saying she's so two-faced. 42:56.680 --> 42:57.942 I can't believe she got the job. 42:58.283 --> 43:02.028 She must have been a completely different person at the interview if to get that job. 43:02.268 --> 43:03.771 I can't believe she's in the position she's in. 43:04.051 --> 43:05.072 I could do it better than her. 43:06.374 --> 43:06.955 That sort of thing. 43:07.055 --> 43:07.977 What if Izzy's listening? 43:08.516 --> 43:17.664 Well, Izzy, I felt like saying, now look, you two, I don't know Izzy, but I bet she's nicer than you two, because I've never heard two people, you know, you call her two-faced. 43:17.804 --> 43:18.725 I bet they're nice to her face. 43:18.745 --> 43:20.906 But I don't even know you and you're being two-faced. 43:20.927 --> 43:21.647 Yeah. 43:22.108 --> 43:27.092 Jeff, you should have said hello to me, and we could have, you know, sorted those women out, because I bet they're unhappy. 43:27.112 --> 43:27.692 Yeah. 43:27.932 --> 43:31.756 What they were exposing, really, was a profound unhappiness within themselves. 43:31.896 --> 43:32.436 Absolutely. 43:32.456 --> 43:34.798 And they were, that's why they were attacking Izzy. 43:36.019 --> 43:40.185 If anyone knows Izzy or the two women, please get in touch. 43:40.266 --> 43:44.812 Maybe we can reconstruct that southbound Victoria Line journey. 43:44.932 --> 43:46.174 What were you reading about in Metro? 43:46.515 --> 43:47.616 I was just flicking through it. 43:47.856 --> 43:48.117 Yeah. 43:48.157 --> 43:49.018 Just scanning the headlines. 43:49.038 --> 43:49.559 Any Winehouse? 43:49.799 --> 43:50.741 Yeah, the Winehouse. 43:51.161 --> 43:52.803 That's what they usually talk about, isn't it? 43:53.224 --> 43:56.307 A few corrections from earlier on in the show for you listeners. 43:57.228 --> 44:01.313 Blur, Beetlebum was from the album Blur, not from Thirteen. 44:01.413 --> 44:06.479 Yeah, the song we played, The Bad Moon Rising, is when he turns into the wolf, not the sexy scene. 44:06.539 --> 44:07.340 Not the sexy scene. 44:07.380 --> 44:08.922 That's Van Morrison with Moondance. 44:09.182 --> 44:10.584 And Easy Mistake to Make. 44:10.744 --> 44:11.225 Very easy. 44:11.865 --> 44:12.566 Sexy mistake. 44:13.206 --> 44:14.947 Here's an email from Stu in Leeds. 44:14.967 --> 44:18.329 We were talking about... I was speculating about NetBots and why they were called NetBots. 44:18.930 --> 44:19.270 No, no. 44:19.550 --> 44:20.090 BotNets. 44:20.110 --> 44:21.731 Why are they called BotNets, not NetBots? 44:22.432 --> 44:23.713 Dear... Hi, Adam and Joe. 44:23.933 --> 44:26.774 I'm going to give him a nerd voice because he... He deserves one. 44:27.175 --> 44:27.975 Hi, Adam and Joe. 44:29.036 --> 44:31.697 No, that's too much, isn't it? 44:31.798 --> 44:32.618 You'll alienate him. 44:32.718 --> 44:33.359 I will, won't I? 44:33.819 --> 44:34.559 Sorry, Steve. 44:34.579 --> 44:35.460 Sorry, Stu. 44:38.682 --> 44:39.903 Give him a really clever voice. 44:40.763 --> 44:41.483 Cool and clever. 44:42.244 --> 44:43.324 Hello, Adam and Joe. 44:43.584 --> 44:44.585 Yeah, that's it. 44:44.685 --> 44:45.745 Now it just sounds like Bond. 44:45.885 --> 44:46.506 No, that was great. 44:46.986 --> 44:51.208 You were wondering why botnets are so-called and not named netbots. 44:51.688 --> 44:54.209 Being a geek, I can answer your question. 44:54.650 --> 44:58.091 They are a network of bots, not a bot on a network. 44:58.111 --> 44:58.731 Uh-huh. 44:58.932 --> 44:59.672 Stew and Leeds. 45:02.713 --> 45:04.094 It's just the way you said it. 45:04.134 --> 45:04.954 Stew and Leeds. 45:05.174 --> 45:06.655 Having a nice bit of stew. 45:07.135 --> 45:07.816 In Leeds! 45:08.936 --> 45:11.599 Now we've got a song coming up for you listeners. 45:11.639 --> 45:15.582 This is friendly fires and Is this the one we're playing now? 45:16.613 --> 45:18.594 Oh yeah, you've got to look at the bottom of the screen, don't you? 45:18.614 --> 45:21.015 It's a new single from their self-titled debut album. 45:21.135 --> 45:21.855 I'll never work it out. 45:21.875 --> 45:22.676 Jumps in Cornish. 45:22.896 --> 45:23.316 Here we go. 45:23.376 --> 45:24.216 This is called Paris. 45:24.696 --> 45:25.337 A wash. 45:26.157 --> 45:26.937 A sound. 45:27.257 --> 45:27.938 At the end there. 45:27.958 --> 45:28.438 A douche. 45:29.838 --> 45:30.379 A douche. 45:30.459 --> 45:31.939 An audio douche. 45:32.019 --> 45:33.200 A sound douche. 45:33.640 --> 45:35.581 From Friendly Fires with Paris. 45:35.821 --> 45:37.221 Very enjoyable stuff. 45:37.361 --> 45:39.422 This is Adam and Joe here on BBC 6 Music. 45:39.702 --> 45:42.544 I think we should find out about Text the Nation now. 45:42.564 --> 45:43.244 Let's have a jingle. 45:45.489 --> 45:46.291 Text-a-nation! 45:46.371 --> 45:47.433 Text, text, text! 45:47.533 --> 45:48.274 Text-a-nation! 45:48.334 --> 45:49.296 What if I don't want to? 45:49.537 --> 45:50.278 Text-a-nation! 45:50.378 --> 45:51.400 But I'm using email! 45:51.540 --> 45:52.282 Is that a problem? 45:52.322 --> 45:52.883 It doesn't matter! 45:52.903 --> 45:53.143 Text! 45:55.549 --> 46:08.835 So we have Sir Roger Moore coming into the show in about 45 minutes, and we're asking you to help us think of really clever questions to ask him, something that maybe he hasn't been asked before, something that'll make this interview really memorable. 46:09.115 --> 46:10.096 Would you like to Roger Moore? 46:10.736 --> 46:11.956 We've got that one in reserve. 46:12.577 --> 46:14.458 That's our fallback position. 46:15.178 --> 46:16.979 But here are some suggestions from the listeners. 46:18.360 --> 46:35.855 uh okay where shall we begin is this like do you like to hear this kind of thing yeah i do man it makes it feel real real no no it is real this is what it's going to be like in the future it's what it's going to be like when roger comes in just got some silences you think we should uh talk to roger like that no all the time i'm going to 46:36.215 --> 46:38.537 No, if we do it from the very beginning, he'll just think that's real. 46:38.637 --> 46:39.879 And he'll think he's amongst friends. 46:41.320 --> 46:42.381 These are my type of people. 46:44.143 --> 46:45.324 I like this radio station. 46:45.444 --> 46:46.485 Oh, it's intelligence. 46:46.765 --> 46:52.670 If he's listening to this in the car on the way here, he is doing a U-turn. 46:52.691 --> 46:54.092 He's going to be turning right back. 46:54.832 --> 46:55.773 I'm too tired for this. 46:55.793 --> 46:58.075 This show sounds too silly. 46:58.095 --> 46:58.836 Second thoughts. 46:59.357 --> 47:00.157 Call my agent. 47:01.999 --> 47:04.441 Here's the first question that's come in anonymously. 47:04.621 --> 47:05.562 A question for Sir Roger. 47:05.602 --> 47:11.568 Was there any truth to the rumour that the girl from For Your Eyes Only was a tranny and went out with Des Lynham? 47:12.222 --> 47:12.462 What? 47:12.882 --> 47:13.563 Where's he got that from? 47:13.583 --> 47:14.583 Come on, that's a good question. 47:14.763 --> 47:15.604 That is a good question. 47:15.744 --> 47:19.766 Yeah, yeah, Roger, so Roger, that girl from Fuel Eyes Only, was she a tranny? 47:20.306 --> 47:21.767 Did she do Des Linam? 47:23.228 --> 47:23.988 James James Bond. 47:24.408 --> 47:26.770 Um, did this, was, was, yeah. 47:27.730 --> 47:28.891 She looks like a bloke. 47:30.189 --> 47:31.569 Hey, here's another one from Colin. 47:31.710 --> 47:37.891 Ask Rog, would he rather have a stumpy little tail on his bum or a gnarly little horn on his forehead? 47:38.171 --> 47:39.292 He's got to pick one. 47:39.612 --> 47:40.612 Cheers, Colin. 47:40.692 --> 47:42.333 That's not specific to Roger, though, is it? 47:42.353 --> 47:44.373 Just reading you out a cross-section of the questions. 47:44.413 --> 47:45.734 I'm not saying these are the good ones. 47:45.774 --> 47:46.534 Are we going to ask him that? 47:47.657 --> 48:13.372 no you know i don't think so you you know that could just be applied to anybody what it tell you as well and i find them quite insulting those questions because it's going to be insulted at him you know because it's a total it's like they're so uninterested in you that that's that's what i can be bothered to ask you the question needs to be informed in some way i'd like to just line and try anyone the exact that's the best question yeah uh... so you wouldn't like this one james james bond 48:14.973 --> 48:16.054 No, I can just skip that one. 48:16.074 --> 48:19.416 Did you read these three? 48:19.876 --> 48:24.639 No, I picked the best ones, but now my criteria has become tighter. 48:25.359 --> 48:31.483 Ben in Liverpool says, did you get to keep the giant rubber bum that you had to wear as a disguise in Moonraker? 48:32.183 --> 48:33.704 Now he's just imagining that, isn't he? 48:33.724 --> 48:36.686 There's no giant rubber bum in Moonraker, is there? 48:37.066 --> 48:38.146 Giant rubber bum? 48:39.067 --> 48:41.267 As a disguise, is that like a subversive question? 48:41.428 --> 48:42.808 I don't know what's going on there. 48:42.868 --> 48:44.268 Why did you read that one out then? 48:44.308 --> 48:46.509 Because it's interesting and mysterious. 48:46.809 --> 48:48.610 I'm just thinking about your criteria tightening. 48:48.630 --> 48:50.371 I think you should see a doctor. 48:51.811 --> 48:52.471 Let me see. 48:52.571 --> 48:57.133 Basically, the short answer is that all of the questions we've had in a quite silly 48:57.993 --> 48:59.053 or very serious. 48:59.093 --> 49:03.534 I'm scanning them now and I'm thinking, well, most of them are too silly or too dry. 49:03.654 --> 49:05.175 Well, we've got to ask him something. 49:06.695 --> 49:09.996 Well, this segment of Texanation can be too encouraged. 49:10.036 --> 49:11.396 So we've got two questions. 49:11.516 --> 49:12.057 I'll give you some more. 49:12.077 --> 49:13.257 Would you like to Roger Moore? 49:13.377 --> 49:14.977 And was that bloke a transsexual? 49:19.249 --> 49:22.970 Well, here's someone from Dave in North Curry, Somerset. 49:23.050 --> 49:23.591 Love the show. 49:23.671 --> 49:25.391 Is Roger's middle name really me? 49:25.752 --> 49:28.353 I do hope it is, as I've believed this since I was small. 49:29.073 --> 49:29.413 Okay? 49:29.753 --> 49:30.053 Okay? 49:30.093 --> 49:30.873 I'm going to keep writing. 49:31.094 --> 49:32.794 Well, I know, but it's all we've got. 49:33.514 --> 49:34.295 Dear Adam and Jo. 49:34.855 --> 49:35.756 I can't read that one out. 49:35.776 --> 49:36.956 Listen, we should play some music. 49:36.976 --> 49:38.077 You've got a free choice right now. 49:38.097 --> 49:38.778 Look, this is a good one. 49:38.898 --> 49:39.618 Toby in Swindon. 49:39.959 --> 49:44.462 Roger, have you ever done Bond saying really ridiculous things when alone at home and bored? 49:44.782 --> 49:52.787 And someone else emailed in the question whether a lady, while making love to Sir Roger, has ever asked him to do the Bond voice. 49:52.847 --> 49:53.868 Are those suitable questions? 49:54.188 --> 49:54.589 Yes. 49:55.209 --> 49:55.549 Yes. 49:55.569 --> 49:55.969 I mean, that's it. 49:55.989 --> 49:56.650 I'm interested to know that. 49:56.670 --> 49:58.211 But, listeners, you can see we're in trouble. 49:58.251 --> 50:01.332 Help us with some really good questions for Roger Moore. 50:01.352 --> 50:05.694 64046 or email adamandjo.6musicatbbc.co.uk. 50:05.834 --> 50:06.995 Bond-based free playtime now. 50:07.015 --> 50:09.016 Yeah, here's one of my favourite Bond songs ever. 50:09.036 --> 50:12.818 This is Carly Simon with the music from the Five Pints advert. 50:13.278 --> 50:15.419 Bankers will be bankers. 50:15.459 --> 50:16.720 Yes, yes. 50:16.760 --> 50:17.600 Credit crunch. 50:17.680 --> 50:18.921 Come on, crunchy. 50:18.941 --> 50:19.561 Lay loud. 50:19.581 --> 50:20.762 That's the House Martins. 50:21.522 --> 50:21.782 Yeah. 50:21.902 --> 50:22.683 What was that one called? 50:22.843 --> 50:24.064 Get Up Off Our Knees. 50:24.364 --> 50:25.845 Adam and Jo on BBC Six Music. 50:26.185 --> 50:32.629 There's a lot of excitement at the moment in the entertainment industry about the forthcoming Star Trek film. 50:32.649 --> 50:34.550 Oh, I thought you were going to say the Charlie Borman thing. 50:34.651 --> 50:37.993 There's a lot of excitement about Charlie Borman's trip across. 50:38.073 --> 50:38.713 Where has he gone? 50:38.873 --> 50:39.794 I don't know where he's going. 50:40.254 --> 50:41.035 On holiday. 50:41.836 --> 50:43.397 About the new Star Trek film. 50:44.238 --> 50:45.619 I'm not a big fan of Star Trek. 50:45.659 --> 50:46.580 You don't do Trek, do you? 50:46.660 --> 50:48.682 No, Cornballs doesn't really like the Trekking. 50:48.702 --> 50:50.684 He doesn't like episodic science fiction drama. 50:50.764 --> 50:53.847 No, but you love it, don't you, Adam Buxton? 50:53.947 --> 50:54.508 Love Trekking. 50:54.648 --> 50:55.749 Big fan of Star Trek. 50:56.550 --> 50:59.032 I'm a big fan of the Star Trek TNG, actually. 50:59.132 --> 50:59.512 Oh, really? 50:59.532 --> 51:00.293 The next generation. 51:00.313 --> 51:01.474 Not the 60s Star Trek? 51:01.795 --> 51:02.415 Not so much. 51:02.455 --> 51:05.058 You know, I'd watch it if it was on when I was a nipper. 51:05.538 --> 51:08.421 But not a massive fan. 51:09.282 --> 51:11.163 Specifically the Picard era. 51:11.424 --> 51:12.725 Loved Picard. 51:12.945 --> 51:17.409 And was very disappointed by the last couple of TNG movies. 51:17.509 --> 51:17.850 Right. 51:17.910 --> 51:19.551 Never fulfilled the promise. 51:19.571 --> 51:27.339 Would you say it would be true to say that the Star Wars Star Trek movie franchise has been kind of ground into the dirt? 51:27.519 --> 51:29.000 Yeah, people did pops on it. 51:29.901 --> 51:52.252 uh increasingly diminishing returns for the fans very much so yeah more and more disappointing and it's due for resurrection oh isn't that right like jj abraham's he's got the dreams of of a billion nerds held cupped in his in his hands absolutely well you know i wouldn't if anyone's gonna do a good job it's him surely well what about you adam buxton what would you 51:52.372 --> 51:54.153 you do with the Star Trek franchise? 51:54.193 --> 51:54.973 Leave it alone, Jon. 51:55.093 --> 51:57.194 Because not a lot's known about the film. 51:57.234 --> 52:01.335 There's a trailer, isn't there, that unveils the magnificent new Starship Enterprise? 52:02.075 --> 52:10.978 And there are some stills have been released now showing the crew that the new cast, all in their uniforms apart from Kirk, because part of the plot is Kirk's. 52:11.638 --> 52:14.341 process of becoming the captain of the Enterprise. 52:14.421 --> 52:23.990 He's some kind of a renegade trainee or something who ends up having to take command of the Starship Enterprise under very dramatic circumstances or something. 52:24.851 --> 52:26.532 But their uniforms look similar. 52:27.073 --> 52:28.795 They're the 60s colour, right? 52:29.475 --> 52:30.156 Fairly simple. 52:30.656 --> 52:31.337 Not too elaborate. 52:32.478 --> 52:43.142 When the, I always thought it was weird, like when Star Trek, the motion picture came out, I didn't like the fact that they fooled around with the uniforms and made them sort of ornate and frilly a little bit, you know. 52:43.422 --> 52:44.222 I didn't like it. 52:44.282 --> 52:46.763 I think they've gone back to basics, but do you approve of that? 52:46.803 --> 52:49.224 What would you do with the franchise if you were going to bring it back? 52:49.264 --> 52:52.545 Well, I'll tell you, this is a serious point, right? 52:52.605 --> 52:52.966 Get ready. 52:54.767 --> 53:03.377 It's not the direction I wanted this to go in I want I want it to be I want them to respect the color schemes Okay, that to me is very important. 53:03.437 --> 53:09.525 It's like you remember when route masters in London the hop on hop off buses the pallets It's key to the mood. 53:09.645 --> 53:10.366 Yeah of anything 53:10.646 --> 53:13.588 Rootmasters used to have a lovely, warm interior. 53:13.948 --> 53:18.670 The upholstery on the seats was kind of checkered oranges, reds, that kind of thing. 53:19.030 --> 53:20.151 And that, to me, was nice. 53:20.511 --> 53:28.495 But when they went, suddenly they went all neon and the non-Rootmaster buses with the foldy doors, it was all cold and grey and neon-y. 53:28.856 --> 53:30.837 And that, I think, is what caused 53:31.697 --> 53:39.127 society's fabric to crumble a little bit and for encouraged youths to behave in a cold callous way just like the callous. 53:39.187 --> 53:41.510 So you wanted to have the 60s Star Trek colours. 53:41.590 --> 53:41.810 Yeah. 53:42.271 --> 53:42.431 Yeah. 53:42.451 --> 53:42.692 I do. 53:42.852 --> 53:43.052 Yeah. 53:43.072 --> 53:44.053 Well, I think it's got those. 53:44.093 --> 53:44.834 I think you're in luck. 53:44.854 --> 53:45.095 Good. 53:45.375 --> 53:46.296 What about the bridge? 53:47.097 --> 53:49.259 Because technology's come on a lot, hasn't it? 53:49.459 --> 53:49.879 Yeah. 53:49.999 --> 53:58.205 And you know, all science fiction is really a product of its age because they always use the most sophisticated knobs available at the time. 53:58.325 --> 53:59.146 That's a tough one, isn't it? 53:59.166 --> 54:03.449 But knob technology advances very quickly, and often the knobs are outdated. 54:03.469 --> 54:06.251 Do you know what Abrahams has done? 54:06.371 --> 54:07.512 I've seen a shot of the bridge. 54:07.572 --> 54:08.352 Yeah, sure I have. 54:08.692 --> 54:13.095 Well, he's bound to have made it all curvy and modern, like a curve. 54:13.115 --> 54:13.556 Do you think? 54:13.816 --> 54:15.637 Didn't they do that on the next generation? 54:16.078 --> 54:16.458 Yeah. 54:17.301 --> 54:18.042 Well, I don't know. 54:18.262 --> 54:18.762 Tell me. 54:18.982 --> 54:19.963 It looks good to me. 54:19.983 --> 54:20.284 Does it? 54:20.304 --> 54:21.464 It looks kind of retro. 54:21.505 --> 54:22.265 A little bit boxy. 54:22.465 --> 54:24.047 Retro-futuristic, yes. 54:24.547 --> 54:25.788 Have you seen the new Spock? 54:26.429 --> 54:26.709 No. 54:27.149 --> 54:27.890 He's a man. 54:28.250 --> 54:28.570 Is he? 54:28.731 --> 54:29.671 From things. 54:29.711 --> 54:30.012 Yeah. 54:30.472 --> 54:31.293 On something. 54:31.333 --> 54:33.374 I don't know what he's from, but he looks quite good. 54:33.835 --> 54:34.996 He looks very like your brother. 54:35.696 --> 54:35.816 Oh. 54:36.137 --> 54:36.437 Yeah. 54:36.477 --> 54:37.818 Is he white or black? 54:38.218 --> 54:39.659 No, he's a Caucasian gentleman. 54:39.699 --> 54:40.480 He's white, right. 54:40.500 --> 54:45.764 Because they had on Voyager, they had a black Klingon called Tuvok. 54:46.404 --> 54:47.405 I think he was a Klingon. 54:48.206 --> 54:49.106 No, he's not a Klingon. 54:49.126 --> 54:49.707 What am I talking about? 54:49.747 --> 54:50.507 Where's Spock from? 54:50.928 --> 54:51.368 Vulcan. 54:51.608 --> 54:52.108 Vulcan. 54:52.149 --> 54:53.369 I'm not even a Trekkie. 54:53.530 --> 54:55.231 You're making such fundamental errors. 54:55.251 --> 54:55.931 This is what I mean. 54:55.971 --> 54:57.232 I'm not into the lore. 54:57.312 --> 54:59.454 What sort of plot do you want to see in the new Star Trek film? 54:59.794 --> 55:00.875 Oh, I don't know. 55:00.915 --> 55:05.439 I just want a big spaceship and lots of, um, I don't want too much humor. 55:05.759 --> 55:06.019 Right. 55:06.039 --> 55:06.619 I'll tell you that much. 55:06.639 --> 55:07.480 You want it taken seriously. 55:07.560 --> 55:07.860 Yeah. 55:07.960 --> 55:08.121 Yeah. 55:08.141 --> 55:09.402 Because it is serious, isn't it? 55:09.562 --> 55:10.302 Yes, it is. 55:10.322 --> 55:10.683 Yes. 55:10.843 --> 55:12.644 It's utopia you're dealing with here. 55:13.164 --> 55:19.049 And of course, Simon Pegg, the nation's favorite comedy star, is playing Scotty. 55:19.249 --> 55:19.989 Yeah, that's okay. 55:20.029 --> 55:23.571 I'm sure Simon is reverential enough to... Oh, he looks good. 55:23.591 --> 55:24.892 The still of him looks very good. 55:24.932 --> 55:26.092 He looks quite serious. 55:26.273 --> 55:27.113 Yeah, good, good, good. 55:27.133 --> 55:28.694 Playing older than he usually plays. 55:28.734 --> 55:29.234 Gruffa. 55:29.474 --> 55:30.515 I don't want it too campy. 55:30.795 --> 55:32.556 I'll tell you one thing I would like to see in there. 55:32.596 --> 55:37.018 It's a bit of fun to be had with moving around in time. 55:37.498 --> 55:53.113 time travel i like yes yes i love they can do that on star trek can't they yeah are you excited about it i am actually really yeah i think jj abraham's he's pretty good are you going to be there on the opening day well that's going a bit far really that's not the kind of thing you do i don't do that at all anymore 55:53.829 --> 55:54.089 No. 55:55.010 --> 55:57.352 But I'll go out and I'll rush out and buy it on the DVD. 55:57.552 --> 55:58.292 Oh, that's nice. 55:58.312 --> 56:00.814 If you want DVDs six months after it's come out of the cinema. 56:00.834 --> 56:01.274 I'll project it. 56:01.314 --> 56:02.695 You're not a trait fan at all. 56:02.755 --> 56:04.196 You don't even know where Spot comes from. 56:04.216 --> 56:05.477 All right, I'll go and see it. 56:05.677 --> 56:06.398 That's better. 56:06.498 --> 56:07.959 Will we get invited to the premiere? 56:08.019 --> 56:10.120 No, not after that display. 56:10.601 --> 56:11.762 All right, music time now. 56:12.042 --> 56:12.522 What's next? 56:13.363 --> 56:14.604 It's the top of the hour. 56:14.624 --> 56:15.964 Let's have the top of the hour jingle. 56:16.205 --> 56:17.946 And then after that's a bit of white stripes for you. 56:18.387 --> 56:21.954 This is the voice of the big, pretty castle. 56:22.054 --> 56:23.858 It is the top of the house. 56:24.018 --> 56:25.381 Ooh, that's wonderful. 56:25.742 --> 56:28.387 I got support with the last hour and get it. 56:34.078 --> 56:36.781 Wow, so that's the White Stripes with Seven Nation Army. 56:36.841 --> 56:40.685 Very apt, of course, because Jack White's done the theme tune to the new Bond film. 56:41.145 --> 56:41.726 That's right. 56:42.066 --> 56:45.309 And we've heard that Sir Roger Moore is in the house. 56:45.830 --> 56:49.533 He's going to be joining us around about half past the hour. 56:50.714 --> 56:53.796 And we're going to have to get our questions together for him, get them in order. 56:54.056 --> 56:54.436 We are. 56:54.797 --> 56:56.398 Oh my lordy. 56:56.418 --> 57:01.701 There's a good reason we don't use... I mean, we've made an exception, because Sir Roger is important to us both. 57:02.121 --> 57:06.844 We don't usually have guests, so we need to apologise in advance to our listeners. 57:07.424 --> 57:08.905 And Sir Roger, if our interviewing 57:09.585 --> 57:11.527 A style isn't particularly evolved. 57:11.567 --> 57:19.593 The last time I think we interviewed a human person, famous or not, was when we did this show called Adam and Jogo Tokyo, was it not? 57:19.713 --> 57:19.973 Right. 57:20.273 --> 57:24.497 Years ago, like 2003, we were out in Japan and we were doing a show about popular culture. 57:25.197 --> 57:28.978 And I would say generally our interviews were poor. 57:30.218 --> 57:37.440 I did lots for Radio 4, for the film programme on Radio 4, and I was just much too blunt with very famous people. 57:37.500 --> 57:37.960 James Blunt. 57:37.980 --> 57:41.921 I was quite rude to Robin Williams about the film Patch Adams. 57:42.402 --> 57:42.462 Why? 57:43.122 --> 57:44.802 I just thought I should tell it to him straight. 57:45.522 --> 57:46.183 Did you really? 57:46.203 --> 57:51.264 Yeah, I thought, Robin Williams, you've been kowtow to all day, Cornish is going to play hardcore. 57:51.744 --> 57:52.705 About Patch Adams? 57:52.725 --> 57:55.647 Yeah, about a run of very disappointing. 57:56.308 --> 57:58.830 And Sir Roger, in no way will I do anything like this. 57:58.870 --> 58:01.532 I'm going to be so reverential, it's almost going to be sickening. 58:02.133 --> 58:05.596 But with Williams, I stepped over the line and he looked genuinely depressed. 58:05.676 --> 58:07.437 What the hell were you thinking about? 58:07.458 --> 58:08.879 I felt ashamed after the interview. 58:08.939 --> 58:11.821 I thought, wow, he's a human being after all. 58:11.901 --> 58:12.722 He has feelings. 58:12.882 --> 58:13.783 He's Patch Adams. 58:14.243 --> 58:15.905 What did you say to him about that? 58:15.925 --> 58:17.346 I said, what were you thinking? 58:17.566 --> 58:19.067 No, did you actually say those words? 58:19.087 --> 58:20.068 I said, what went wrong? 58:20.088 --> 58:20.928 What were you thinking? 58:20.988 --> 58:21.969 Oh my lord. 58:22.309 --> 58:23.029 And what did he say? 58:23.049 --> 58:24.710 He said, I don't know. 58:25.271 --> 58:26.552 It was a bad decision. 58:26.572 --> 58:28.813 You know, it was just, it was all bad. 58:28.833 --> 58:30.794 The hair started falling off his forearms. 58:30.814 --> 58:45.223 But you know, that's in the past and this is going to be a very exemplary, you know, it's going to be a very, this interview is going to be played back at BBC workshops to show how to conduct a respectful reverential interview. 58:46.784 --> 58:47.964 Yeah, I believe that. 58:48.305 --> 58:48.925 Fingers crossed. 58:49.185 --> 59:05.090 Now, Joe, when you have arguments with people, whether it's a girlfriend or a friend or whoever, do you, and I'm talking not so much emotional type arguments, but I mean, all arguments are a bit emotional, aren't they? 59:05.110 --> 59:08.591 But about facts, specifically disagreements about facts. 59:08.711 --> 59:15.013 And then if you find out years later that that fact actually, you know, you were right and they were wrong. 59:15.273 --> 59:15.473 Yeah. 59:15.653 --> 59:18.937 Do you do anything about trying to get back in touch with the person? 59:19.037 --> 59:26.385 Well, I feel that with this question you are hoping that I, you know, will sympathise with you because you do that quite a lot, don't you? 59:26.465 --> 59:27.206 Do you think I do? 59:27.346 --> 59:30.309 Well, you're the man that thought aeroplanes travelled at the speed of light. 59:30.569 --> 59:31.430 Yeah, I did. 59:31.630 --> 59:32.671 Until you were how old? 59:32.831 --> 59:33.732 No, I was young-ish. 59:34.513 --> 59:35.975 You were in your teens there, weren't you? 59:35.995 --> 59:36.295 No, I was 11. 59:36.375 --> 59:36.695 I was 11. 59:36.755 --> 59:36.916 I was 11. 59:38.397 --> 59:44.721 Yeah, but I can't think of a time when that's happened to me, but it's obviously happened to you recently, so get it off your chest. 59:44.821 --> 59:46.421 It didn't happen that recently. 59:46.502 --> 59:50.644 Seven years ago when our first son was born. 59:50.664 --> 59:55.907 I remember the night that my wife came back from the hospital and he was sleeping in our room. 59:57.067 --> 59:59.549 And I like to have a fan on by the bed, right? 59:59.690 --> 01:00:00.510 I like the noise of it. 01:00:00.570 --> 01:00:01.991 It's environmentally friendly. 01:00:02.192 --> 01:00:04.734 It's really not, so I've stopped doing it. 01:00:04.794 --> 01:00:09.558 But there was, at that point, I really, it was summer as well and it was very hot anyway. 01:00:09.578 --> 01:00:10.298 I like the fan on. 01:00:10.639 --> 01:00:16.143 And we had this massive argument, me and my wife, about like, you can't have the fan on because the babies don't like it. 01:00:16.163 --> 01:00:17.144 It's really dangerous. 01:00:17.504 --> 01:00:18.745 The baby might die. 01:00:18.785 --> 01:00:19.746 It's terrible. 01:00:19.786 --> 01:00:20.787 You've got to be so careful. 01:00:21.267 --> 01:00:23.029 We had a huge, I was like, it's a fan! 01:00:23.069 --> 01:00:24.510 The baby would like the fan! 01:00:24.550 --> 01:00:26.031 I like, well, I want to keep the fan! 01:00:26.051 --> 01:00:27.472 This is a disaster! 01:00:27.492 --> 01:00:29.754 We've got a baby now and I'm not allowed to have my fan! 01:00:29.774 --> 01:00:32.337 My whole world's being turned upside down! 01:00:32.697 --> 01:00:34.659 So it wasn't a very mature argument. 01:00:35.159 --> 01:00:37.101 But anyway, I gave in obviously. 01:00:37.121 --> 01:00:38.322 So this was seven years ago? 01:00:38.422 --> 01:00:38.962 Seven years ago. 01:00:39.082 --> 01:00:39.543 Today. 01:00:39.763 --> 01:00:41.004 Cut to the present day and? 01:00:41.264 --> 01:00:43.566 I'm flicking through what's it called? 01:00:43.626 --> 01:00:49.111 A week magazine and here in their health and science section, fans reduce the risk of cock death. 01:00:49.471 --> 01:00:54.155 Parents may be able to reduce the risk of cock death by putting a fan in their baby's bedroom. 01:00:54.516 --> 01:00:55.517 Blah, blah, blah, blah, blah. 01:00:55.937 --> 01:00:59.861 Adam Buxton got into a big argument with his wife about this seven years ago. 01:00:59.901 --> 01:01:00.461 No, it doesn't say that. 01:01:00.742 --> 01:01:04.245 But I'm so excited about taking this back to my wife. 01:01:04.265 --> 01:01:07.508 But you've decided to read it out on national radio. 01:01:07.548 --> 01:01:08.289 I'm the king! 01:01:09.270 --> 01:01:10.231 Just to rub it in. 01:01:11.111 --> 01:01:11.952 Poor old Sarah. 01:01:12.032 --> 01:01:12.493 Is that mature? 01:01:12.973 --> 01:01:15.636 Yes, that's exactly the kind of thing a grown man does. 01:01:15.656 --> 01:01:17.237 I was just checking because I wasn't sure. 01:01:17.257 --> 01:01:21.021 There's a little kernel of doubt there about whether it was mature or not, but I'm glad you've come. 01:01:21.061 --> 01:01:21.621 No, well done. 01:01:21.761 --> 01:01:22.202 Thank you. 01:01:22.242 --> 01:01:23.443 Let's put your wife in her place. 01:01:23.563 --> 01:01:24.404 Thanks very much. 01:01:25.345 --> 01:01:26.686 OK, here's some music now. 01:01:26.766 --> 01:01:30.229 This is the Brazilian super sexy combo CSS with move. 01:01:30.990 --> 01:01:32.271 That's CSS with Move. 01:01:32.291 --> 01:01:34.333 This is Adam and Jo on BBC6 Music. 01:01:34.733 --> 01:01:37.956 We're going to have another go at our fantastic new accents competition now. 01:01:37.976 --> 01:01:39.437 You can't call it a competition. 01:01:39.777 --> 01:01:40.618 It's not a competition. 01:01:40.638 --> 01:01:40.918 It's a feature. 01:01:40.938 --> 01:01:42.739 It's a happening, a feature, an event. 01:01:42.980 --> 01:01:46.783 OK, there's no competitive element to this what's about to happen at all. 01:01:47.343 --> 01:01:51.366 The idea is, can we recognize real or fake accents? 01:01:51.426 --> 01:01:53.107 How good are people at doing accents? 01:01:53.148 --> 01:01:56.350 And this is, of course, coming off Adam and my obsession with 01:01:57.671 --> 01:02:03.176 bad accents in movies, English actors doing terrible American accents, and vice versa. 01:02:03.557 --> 01:02:07.981 So how, genuinely, how easy is it to spot somebody who's putting on a foreign accent? 01:02:08.001 --> 01:02:09.443 So we've got two callers on the line. 01:02:10.363 --> 01:02:19.532 They are either pretending to be foreign or are genuinely foreign, and we have to decide whether they are really foreign or pretending by the quality of their accent. 01:02:20.293 --> 01:02:26.237 I would say to both of those people, while they're listening right now, have a magazine or a book handy. 01:02:26.337 --> 01:02:27.838 Some text that they can read out. 01:02:27.898 --> 01:02:29.999 Yeah, nothing filthy, obviously. 01:02:30.119 --> 01:02:45.549 And until the moment when we ask you to be truthful, you can be as deceptive as you want with us in terms of what you say your name is, where you say you're from, you can invent an entire background for yourself, all designed to convince us that you are genuinely of the extraction that you're claiming to be. 01:02:45.589 --> 01:02:47.250 So we've got Rebecca on the line, I think. 01:02:47.290 --> 01:02:47.931 Hello, Rebecca. 01:02:49.802 --> 01:02:50.483 How are you doing? 01:02:50.503 --> 01:02:51.804 I'm fine. 01:02:52.945 --> 01:02:56.447 And this is your accent we're hearing now in full effect, is it? 01:02:56.547 --> 01:02:57.428 Yes, that's correct. 01:02:57.768 --> 01:02:59.269 It just sounds normal to me. 01:03:00.050 --> 01:03:01.471 It sounds like you're English. 01:03:02.052 --> 01:03:02.252 No. 01:03:02.772 --> 01:03:03.032 No? 01:03:04.073 --> 01:03:05.014 I'm from Texas. 01:03:05.514 --> 01:03:06.595 You're from Texas? 01:03:06.955 --> 01:03:07.896 Yes. 01:03:07.956 --> 01:03:13.540 Would you read out a little extract from a book or a magazine if you have one lying around? 01:03:13.941 --> 01:03:14.401 Okay, sir. 01:03:14.561 --> 01:03:18.084 I'm reading from Good Homes, an article by Xander Rhodes. 01:03:19.002 --> 01:03:21.263 It says, how would you describe your style? 01:03:21.824 --> 01:03:25.726 Colorful, I'm certainly eclectic because I'm a collector, a hoarder even. 01:03:25.746 --> 01:03:26.947 That's real. 01:03:27.007 --> 01:03:28.448 That's real, isn't it? 01:03:28.468 --> 01:03:31.050 That sounds to me like a genuine Texan accent. 01:03:31.570 --> 01:03:32.571 That's very good. 01:03:32.791 --> 01:03:33.491 Is that not true? 01:03:34.152 --> 01:03:34.572 No, I am. 01:03:35.097 --> 01:03:35.638 There you go. 01:03:35.798 --> 01:03:37.339 And whereabouts in Texas are you from? 01:03:37.700 --> 01:03:38.620 I'm just north of Dallas. 01:03:39.581 --> 01:03:39.722 Oh. 01:03:39.762 --> 01:03:40.682 Just north of Dallas? 01:03:41.283 --> 01:03:41.703 Uh-huh. 01:03:41.964 --> 01:03:44.346 Are you just from just north of Dallas right there? 01:03:44.366 --> 01:03:46.688 See, that's not quite such a good accent there. 01:03:46.728 --> 01:03:51.293 Well, no, if I was in a film, if I was in a film, that's how I would do it. 01:03:52.114 --> 01:03:54.356 Whereabouts would you say that accent was from, Rebecca? 01:03:55.046 --> 01:03:56.147 Oh, the bowels of hell. 01:03:56.207 --> 01:03:57.088 I don't know what that was. 01:03:57.188 --> 01:03:57.688 Stockwell. 01:03:57.968 --> 01:04:01.070 I was pretty rubbish. 01:04:01.190 --> 01:04:03.772 Are you a resident of the UK now? 01:04:03.792 --> 01:04:03.952 Yes, I am. 01:04:04.213 --> 01:04:05.273 I'm a citizen. 01:04:05.333 --> 01:04:06.234 That was too easy. 01:04:06.554 --> 01:04:07.435 Was it easy? 01:04:07.575 --> 01:04:08.596 No, it wasn't easy. 01:04:08.656 --> 01:04:11.017 It's just so genuine, your accent. 01:04:11.057 --> 01:04:12.518 It sounds so ingrained. 01:04:13.359 --> 01:04:15.641 Can you do a British accent, Rebecca? 01:04:15.661 --> 01:04:16.421 I knew that was coming. 01:04:16.501 --> 01:04:17.702 No, it's really bad accent. 01:04:17.742 --> 01:04:19.603 Give it a shot, read out that same bit of text. 01:04:19.703 --> 01:04:24.804 Imagine you're in front of cameras, you're playing an English person, you've got to crack an English accent. 01:04:25.284 --> 01:04:28.385 Read that same bit of text out in the best English accent you possibly can. 01:04:28.645 --> 01:04:28.745 Go. 01:04:37.349 --> 01:04:38.250 That is brilliant. 01:04:38.390 --> 01:04:39.991 See, it sounded the same to me. 01:04:40.112 --> 01:04:40.972 No, that was good. 01:04:41.553 --> 01:04:41.673 Yeah. 01:04:42.033 --> 01:04:42.694 That was good. 01:04:42.834 --> 01:04:45.356 OK, well, thank you for calling, Rebecca. 01:04:45.376 --> 01:04:46.618 Sure. 01:04:46.778 --> 01:04:49.120 You're very kind, perhaps, for being from Texas. 01:04:49.200 --> 01:04:51.262 And do you know the band Spoon, Rebecca? 01:04:51.789 --> 01:04:52.850 I'm familiar with their work. 01:04:53.150 --> 01:04:54.211 Yeah, they're from Texas. 01:04:54.431 --> 01:04:56.092 That was a little bit of Texas bonding for you. 01:04:56.173 --> 01:04:56.993 It was very good. 01:04:57.053 --> 01:04:57.494 It was lovely. 01:04:57.614 --> 01:04:58.334 Very primitive. 01:04:59.836 --> 01:05:01.537 Thanks a lot, Rebecca. 01:05:01.557 --> 01:05:02.097 Thanks for listening. 01:05:02.117 --> 01:05:03.438 We've got Decus on the line now. 01:05:03.498 --> 01:05:04.639 Hello, Decus. 01:05:05.100 --> 01:05:05.880 Hi, Decus. 01:05:06.081 --> 01:05:06.441 Here. 01:05:07.282 --> 01:05:09.163 Hey, Decus. 01:05:09.223 --> 01:05:10.924 What nationality are you claiming to be? 01:05:11.725 --> 01:05:12.606 I'm not claiming. 01:05:12.846 --> 01:05:13.967 I'm Trinidadian enough. 01:05:14.369 --> 01:05:42.711 uh... dikas dikas he went for whatever elected these calls when responsible for selecting these calls hat dikas if you've got a uh... magazine or a book handy there that you can read from for a little while you know i have something uh... called uh... let me see enigma about the and it was called you know i was standing in the middle of a clearing in the pine forest just outside the land and i realized that i must have found what i've been seeking 01:05:43.822 --> 01:05:46.885 OK, deacons, deacons, you can stop there. 01:05:47.425 --> 01:05:53.531 You had better, for the sake of the BBC and our guidelines, be genuinely where you're saying you are from. 01:05:53.551 --> 01:05:56.253 Yeah, I grew up near Chigonas. 01:05:57.174 --> 01:05:57.614 You were? 01:05:57.634 --> 01:05:58.675 I was part of Spain. 01:05:59.316 --> 01:05:59.656 Spain. 01:06:00.136 --> 01:06:00.797 Chigonas. 01:06:01.197 --> 01:06:01.758 Yeah, yeah. 01:06:01.798 --> 01:06:02.518 You heard of V.S. 01:06:02.558 --> 01:06:03.079 Nightfall? 01:06:03.698 --> 01:06:04.019 Yes. 01:06:04.639 --> 01:06:04.899 Yes. 01:06:04.960 --> 01:06:05.800 Yes, absolutely. 01:06:05.820 --> 01:06:07.322 He grew up there, man. 01:06:07.682 --> 01:06:08.263 Right, right. 01:06:08.604 --> 01:06:10.646 Deakus, is that real Deakus? 01:06:10.826 --> 01:06:15.311 Now you have to speak with your real accent because we believe that maybe you're putting that one on. 01:06:15.992 --> 01:06:17.633 Yeah, you've rumbled me. 01:06:20.078 --> 01:06:20.779 Decus. 01:06:21.279 --> 01:06:29.124 That was a good attempt, but you know the thing that gives away a lot of people when they're putting on the accent is a certain nervous breathlessness, do you know what I mean? 01:06:29.144 --> 01:06:29.284 Yeah. 01:06:29.504 --> 01:06:33.427 Well, that was sort of undone by its broad stereotypical nature. 01:06:34.268 --> 01:06:41.312 Actually, as kind of close observation, as kind of Jamaican, stroke Trinidadian accents go, I thought it was not too bad. 01:06:41.352 --> 01:06:41.953 Really, I did. 01:06:41.993 --> 01:06:43.233 I thought it was too bad. 01:06:43.594 --> 01:06:44.214 I thought it was too bad. 01:06:44.234 --> 01:06:47.856 I thought I'd like to get into it at the end, though, and I started talking about night pool and everything. 01:06:48.037 --> 01:06:48.257 Right. 01:06:48.797 --> 01:06:50.618 I was really in habit the role. 01:06:50.698 --> 01:06:56.201 You know, that was the bit that actually made me think you were clinically insane at the bit. 01:06:56.421 --> 01:07:03.224 I think if there's a skin color difference that the casting people would be so unlikely to cast you as someone from Trinidad. 01:07:03.244 --> 01:07:04.104 Yeah, but you do get a lot. 01:07:04.224 --> 01:07:05.145 I'm actually half Trinidad. 01:07:08.108 --> 01:07:23.307 there you go you do get a lot of it's funny hearing white Trinidadians who with a very strong accent yeah yeah because you you sort of assume they're putting it on yeah well deek as well yeah I think you fooled Adam there it's your name really deekas Jack 01:07:25.600 --> 01:07:27.902 Well, Deekus, you really fooled Adam there. 01:07:27.922 --> 01:07:29.664 How did he fool me? 01:07:29.844 --> 01:07:30.965 You thought he was real. 01:07:31.466 --> 01:07:33.628 I did not think he was at any way real. 01:07:33.668 --> 01:07:41.075 I thought he was doing a decent job of a decent, if insane job of pretending to be from Trinidad. 01:07:42.016 --> 01:07:43.958 But Jack, thank you very much indeed for your call. 01:07:44.398 --> 01:07:44.979 Have a good weekend. 01:07:45.019 --> 01:07:45.900 What are you up to this weekend? 01:07:46.705 --> 01:07:47.466 I'm going to Norwich. 01:07:48.047 --> 01:07:50.870 It's where your wife is from I think or something. 01:07:51.710 --> 01:07:54.013 East Anglia, we're living near Norwich, yeah. 01:07:54.053 --> 01:07:56.055 Yeah, yeah, but I grew up in Norwich. 01:07:56.275 --> 01:07:58.958 I'm going there to see my parents and my Trinidadian uncle. 01:07:59.364 --> 01:07:59.764 Excellent. 01:08:00.145 --> 01:08:02.486 Have a great time, and thank you for listening and calling Deekus. 01:08:02.947 --> 01:08:03.127 Yes. 01:08:03.827 --> 01:08:04.307 Have a good one. 01:08:04.347 --> 01:08:04.608 Take care. 01:08:04.628 --> 01:08:06.209 I'm not going to stop calling him Deekus. 01:08:06.249 --> 01:08:06.649 Cheers, Jack. 01:08:07.530 --> 01:08:09.191 So there's that experimental competition. 01:08:09.211 --> 01:08:11.652 I'm not sure how that played out in the end. 01:08:11.672 --> 01:08:12.153 What do you think? 01:08:12.173 --> 01:08:12.973 It's a tough one, isn't it? 01:08:13.093 --> 01:08:14.754 Maybe we come back to it. 01:08:14.814 --> 01:08:16.836 Certainly won't get working on the jingle just yet. 01:08:17.176 --> 01:08:19.679 We're very excited to listen to have Sir Roger Moore in the studio. 01:08:19.719 --> 01:08:22.241 We'll be talking to him in a matter of minutes. 01:08:22.422 --> 01:08:23.603 Probably after the news. 01:08:24.364 --> 01:08:26.826 But before we do, here's some more music for you now. 01:08:26.866 --> 01:08:29.869 Listen, this is a free play and this is field music. 01:08:30.070 --> 01:08:31.691 Have you heard any field music, Joe? 01:08:31.912 --> 01:08:32.953 No, but I've heard they're good. 01:08:33.393 --> 01:08:34.795 They are good, yeah. 01:08:34.875 --> 01:08:37.718 Someone's left the phone off the hook and it's making its alarm noise. 01:08:37.958 --> 01:08:38.879 The off the hook alert. 01:08:40.040 --> 01:08:40.841 It's good, isn't it? 01:08:41.461 --> 01:08:42.862 It's one of the good things about modern life. 01:08:43.863 --> 01:08:44.944 No, it's not actually field music. 01:08:45.184 --> 01:08:45.564 They're good. 01:08:45.585 --> 01:08:46.325 It's an unusual sound. 01:08:46.345 --> 01:08:50.048 It's like a cross between Steely Dan and Gang of Four or something. 01:08:50.068 --> 01:08:50.508 You know what I mean? 01:08:50.528 --> 01:08:55.973 Like angular on the one hand, but sort of smooth and harmonious on the other. 01:08:56.013 --> 01:08:57.094 Anyway, listen to this. 01:08:57.134 --> 01:08:58.515 This is walking to work. 01:08:58.855 --> 01:09:01.817 Working to work, not walking to work, you idiot. 01:09:01.957 --> 01:09:03.258 Can't you get anything right? 01:09:03.378 --> 01:09:03.558 No. 01:09:04.018 --> 01:09:04.438 You know what? 01:09:04.458 --> 01:09:06.439 We do it on purpose to keep people engaged. 01:09:06.460 --> 01:09:07.000 Exactly. 01:09:07.060 --> 01:09:07.840 That was Field Music. 01:09:07.880 --> 01:09:09.581 This is Adam and Joe here on BBC Six Music. 01:09:10.202 --> 01:09:16.065 A bit more music now, then the news, and then we are going to be meeting Sir Roger Moore here on the programme, so do stay tuned. 01:09:16.125 --> 01:09:17.126 Right now, here's Travis. 01:09:17.846 --> 01:09:19.787 Travis with Something Anything. 01:09:19.827 --> 01:09:22.109 This is Adam and Joe on BBC Six Music. 01:09:22.469 --> 01:09:24.390 It's nearly time to meet Roger Moore. 01:09:25.010 --> 01:09:27.512 After the news and a bit of music, we will be doing exactly that. 01:09:28.214 --> 01:09:32.617 I can see him through the window, Joe Cornish. 01:09:32.777 --> 01:09:33.178 I know. 01:09:33.598 --> 01:09:34.439 He's through there. 01:09:34.679 --> 01:09:37.301 I wonder if, did he do any accents? 01:09:37.461 --> 01:09:39.983 Was he, he wasn't really an accent. 01:09:40.003 --> 01:09:41.324 Well, we can ask Sir Roger that. 01:09:41.624 --> 01:09:49.169 I think, I seem to remember him being in a Nazi uniform in one of his films, maybe Escape to Athena or From Athena or whatever it was called. 01:09:49.209 --> 01:09:51.071 But can he do a good Trinidadian one? 01:09:51.751 --> 01:09:54.793 Well, if there's any show that's gonna test that, it'll be this one. 01:09:55.734 --> 01:09:56.774 Time now for the news. 01:09:56.794 --> 01:09:59.696 007, a fantasy Bond theme. 01:09:59.836 --> 01:10:01.077 That's Barry Adamson there. 01:10:01.557 --> 01:10:02.077 Very good. 01:10:02.978 --> 01:10:06.200 And our guest in the studio recognized that, of course. 01:10:06.840 --> 01:10:11.162 That's the theme from Matt Helm, he said. 01:10:11.322 --> 01:10:16.685 But I think he knew, of course, that it wasn't the theme from Matt Helm, as he is. 01:10:16.705 --> 01:10:17.505 It wasn't the persuaders. 01:10:17.745 --> 01:10:19.706 It was, yeah, there you go. 01:10:19.806 --> 01:10:21.087 It was TJ Hooker. 01:10:21.967 --> 01:10:25.128 We are very pleased to welcome Sir Roger Moore to the studio here. 01:10:25.148 --> 01:10:25.809 How are you doing? 01:10:25.989 --> 01:10:26.489 Thank you, Adam. 01:10:26.549 --> 01:10:27.730 I'm doing very well, thank you. 01:10:27.890 --> 01:10:28.190 Thank you. 01:10:28.710 --> 01:10:29.711 Hello, Sir Roger. 01:10:29.791 --> 01:10:30.932 I just want you to say my name. 01:10:30.992 --> 01:10:32.133 That's all Joe. 01:10:32.213 --> 01:10:32.593 Thank you. 01:10:32.933 --> 01:10:35.716 Oh Thank you very much for coming in. 01:10:36.076 --> 01:10:48.926 I've got to say this is a very big moment for the child inside me because Man, I used to love all of your films like everybody pretty much everybody else of our generation and everybody else in the country You didn't stop loving them though. 01:10:48.946 --> 01:10:49.746 Did you yeah? 01:10:49.847 --> 01:10:54.110 No, I yes you did when you met Robin Williams No, they 01:10:56.932 --> 01:11:09.877 You know, a lot of people have lost track of the bonds because... Joe's got overwhelmed by... He's got all starstruck. 01:11:10.177 --> 01:11:10.478 Sorry. 01:11:11.378 --> 01:11:12.178 Yeah, no, no, no. 01:11:12.238 --> 01:11:14.559 I think what Joe was saying is very nervous. 01:11:15.600 --> 01:11:24.103 Because... This is weird for me as well, because I was watching The Spy Who Loved Me yesterday with my young son, Frank. 01:11:24.323 --> 01:11:25.164 He'd never seen it before. 01:11:25.184 --> 01:11:25.624 Was he in it? 01:11:26.564 --> 01:11:27.665 No, he wasn't in it. 01:11:27.885 --> 01:11:28.585 Oh, I see. 01:11:28.765 --> 01:11:29.546 He was watching it. 01:11:29.566 --> 01:11:36.989 I was showing it to him and I wasn't sure if I should show it to him or not because I thought maybe it was too grown up for him Do you know what I mean? 01:11:37.009 --> 01:11:45.172 Like he's he was he's only five or something Well, I don't know I don't think there's anything particularly frightening in it. 01:11:45.272 --> 01:11:48.354 He was freaked out by Jaws in there 01:11:49.214 --> 01:11:50.175 Well, I was too. 01:11:51.236 --> 01:12:03.143 Yeah, I mean he thought he thought he was very scary unsettled by the metal teeth and That kind of thing imagine if jaws had done what was the marvelous form with Tony Hopkins? 01:12:04.804 --> 01:12:13.630 With those creepy Yeah, but poor Richard Kiel he could only keep the you know last about 60 seconds and 01:12:14.390 --> 01:12:15.170 with the teeth in. 01:12:15.190 --> 01:12:15.751 I'm sure. 01:12:15.991 --> 01:12:23.994 If you ever chewed a piece of silver paper, and it was like having that in his mouth, it would start gagging after a while. 01:12:24.314 --> 01:12:24.894 Horrible. 01:12:25.735 --> 01:12:30.296 You had a technique for playing opposite those villains so much, didn't you? 01:12:30.636 --> 01:12:34.218 Like a way to respond, it says in your bio a way to respond to their evilness. 01:12:34.518 --> 01:12:39.620 I just imagine, sometimes you didn't have to imagine, that they had halitosis. 01:12:40.040 --> 01:12:41.020 Oh yeah, yeah, yeah. 01:12:42.677 --> 01:12:47.039 Halitosis, which is something to do with something between the toes. 01:12:47.119 --> 01:12:47.959 Yeah. 01:12:48.640 --> 01:12:49.360 And then you, yes. 01:12:49.380 --> 01:12:50.640 Jerry Halitosis, yes. 01:12:51.701 --> 01:12:55.903 So you recoiled and winced from the imagined bad breath there. 01:12:55.943 --> 01:12:58.584 No, it's just, go back slightly. 01:12:58.784 --> 01:12:59.984 Yeah, yeah. 01:13:00.345 --> 01:13:04.887 Now, Joe is being very careful about keeping the Sir at the beginning of the game. 01:13:04.947 --> 01:13:05.727 No, no, no Sir. 01:13:05.747 --> 01:13:05.987 Really? 01:13:06.227 --> 01:13:08.128 No Charlie, Mary, anything you like. 01:13:08.448 --> 01:13:11.529 Really so you're not I mean cuz you know, that's it's nice to be knighted. 01:13:11.549 --> 01:13:15.169 I want to be knighted It's not gonna happen, but I can arrange him. 01:13:15.329 --> 01:13:16.910 Yeah, if you could that would be ideal. 01:13:17.070 --> 01:13:19.330 I will speak to HM How long ago were you knighted? 01:13:19.950 --> 01:13:22.891 I think I think it was five years ago. 01:13:23.111 --> 01:13:32.793 Yeah, I mean that is good Isn't it being out of being a knight of the realm and but but you don't I mean people generally would address you as sir Roger would they out of respect? 01:13:34.492 --> 01:13:46.780 Well, that is the correct form of address for a night at KBE, but sometimes it's CERNOR, which is not, of course, but it doesn't matter. 01:13:48.441 --> 01:13:49.701 You don't get shirty about it. 01:13:50.102 --> 01:13:50.582 Why would I? 01:13:51.058 --> 01:13:53.121 I don't know, some knights would, I can imagine. 01:13:53.181 --> 01:13:57.647 Well isn't, who's the famous actor that goes into a terrible tizzy if you don't call him? 01:13:58.028 --> 01:13:59.369 Ben Kingsley, isn't it Ben Kingsley? 01:13:59.670 --> 01:14:00.391 Rumour has it. 01:14:00.511 --> 01:14:01.332 Surely not. 01:14:01.412 --> 01:14:07.641 This is not something I've heard off anybody who knows him, but apparently if you don't call him Sir Ben, he goes into a rage. 01:14:08.081 --> 01:14:11.144 He goes into a little Gandhi-style rage and starts- He has a fit. 01:14:11.445 --> 01:14:11.785 Wow. 01:14:11.825 --> 01:14:12.786 Well, he was Gandhi. 01:14:12.986 --> 01:14:13.627 Yeah, exactly. 01:14:13.667 --> 01:14:13.907 Right. 01:14:14.087 --> 01:14:15.609 So he's more noble than the rest of us. 01:14:15.829 --> 01:14:16.950 Oh, yeah, absolutely. 01:14:17.070 --> 01:14:20.574 Gandhi at the one end of the spectrum and at the other end, the bloke from Sexy Beast. 01:14:20.874 --> 01:14:21.675 Have you seen that film? 01:14:22.996 --> 01:14:25.539 Oh, uh... Sexy Beast. 01:14:25.899 --> 01:14:26.340 It's brilliant. 01:14:26.380 --> 01:14:26.920 It's very good. 01:14:26.940 --> 01:14:27.701 You've got to watch that one. 01:14:27.761 --> 01:14:28.862 It's got Ray Winston in it. 01:14:28.882 --> 01:14:29.643 Oh, it's Ray Winston. 01:14:29.663 --> 01:14:30.564 Yes, he's marvelous. 01:14:31.465 --> 01:14:39.853 Now, we have been asking some of our listeners to send in questions because we were keen not to just ask you the same questions that everybody else asks you. 01:14:40.233 --> 01:14:41.995 I mean, what do you get asked most often? 01:14:42.396 --> 01:14:43.036 What's the key? 01:14:43.056 --> 01:14:44.077 Are they your own teeth? 01:14:44.678 --> 01:14:45.238 Yeah, yeah. 01:14:45.999 --> 01:14:47.320 What do I get out here? 01:14:47.900 --> 01:14:49.181 Who's your favorite Bond girl? 01:14:49.221 --> 01:14:50.601 What was your favorite Bond film? 01:14:50.721 --> 01:14:51.302 Right, right. 01:14:51.422 --> 01:14:52.983 We're not going to ask one of those. 01:14:53.003 --> 01:14:55.604 No, we're not going to ask either of those. 01:14:56.024 --> 01:15:09.391 But a question lots of people are asking is whether you use or while you were playing Bond, whether you use the character at any time outside of the films, for instance, to attract ladies, or you were happily married during most of the Bond years, weren't you? 01:15:09.451 --> 01:15:11.232 I think you can say happily I was married. 01:15:12.032 --> 01:15:12.172 Yeah. 01:15:12.212 --> 01:15:20.056 But did you ever use your bond skills, your voice or the persona outside of the films to, you know, to gain leverage in life or any situation? 01:15:20.776 --> 01:15:21.036 No. 01:15:21.776 --> 01:15:21.976 No. 01:15:22.077 --> 01:15:29.040 But surely you could slip into that voice and those mannerisms at any point and, you know, stun people. 01:15:29.600 --> 01:15:38.204 Well, the voice and the mannerisms of me and, you know, you say, but it's the same in The Saint, the same in The Persuaders or Ivanhoe or Maverick. 01:15:39.164 --> 01:15:40.024 I don't change. 01:15:40.245 --> 01:15:40.445 Yeah. 01:15:42.785 --> 01:15:55.841 What about Brian from Norfolk says, and this must have been asked to you before, so I apologise if it has, has any lady ever wanted you to pretend you were James Bond when you were making love? 01:15:56.001 --> 01:15:59.104 You know, like a little sexy scene from a Bond movie. 01:15:59.325 --> 01:16:01.387 I really want to know, says Brian. 01:16:03.209 --> 01:16:03.910 It must have happened. 01:16:03.930 --> 01:16:05.112 You don't have to go into detail. 01:16:05.272 --> 01:16:08.936 Well Brian, I'm not going to tell you these things. 01:16:08.976 --> 01:16:11.419 You might get too excited in Norfolk. 01:16:12.020 --> 01:16:13.121 I shall be in Norwich. 01:16:13.301 --> 01:16:15.164 I'll be in Norwich this week signing books. 01:16:15.304 --> 01:16:15.744 Oh good one. 01:16:16.285 --> 01:16:19.989 So Roger's point is that you kind of never snap out of character. 01:16:20.070 --> 01:16:21.091 You are the character. 01:16:21.351 --> 01:16:21.591 Yeah. 01:16:21.792 --> 01:16:21.992 Yes. 01:16:22.132 --> 01:16:23.474 In a very rewarding way. 01:16:23.594 --> 01:16:26.477 So it's not a question of a woman having to request that. 01:16:26.978 --> 01:16:28.419 It's just 24 hours a day. 01:16:28.640 --> 01:16:28.860 Yeah. 01:16:29.020 --> 01:16:29.621 Non-stop. 01:16:30.021 --> 01:16:31.343 He's got a license for that weapon. 01:16:31.523 --> 01:16:33.285 Which is a fantastic thought, isn't it? 01:16:33.305 --> 01:16:33.826 Yeah. 01:16:35.225 --> 01:16:43.327 Now, we're going to play a bit of music and after this we are going to play you our bits of music that we've created for the new Bond film, Quantum of Solace, but we would very much like your opinion. 01:16:43.947 --> 01:16:44.887 I look forward to hearing it. 01:16:45.327 --> 01:16:51.609 First, here is Source with You Got the Love, Candy Staten there with The Source, You Got the Love. 01:16:52.029 --> 01:16:57.450 We are here in the six music studio with Roger Moore, Sir Roger Moore. 01:16:57.950 --> 01:16:58.930 No, Charlie Moore. 01:16:59.311 --> 01:17:01.111 Jimmy Moore, Johnny Moore. 01:17:02.391 --> 01:17:04.192 Now we should explain. 01:17:04.232 --> 01:17:06.152 So I'm going to carry on calling you Sir Roger. 01:17:06.252 --> 01:17:07.512 It feels wrong not to. 01:17:08.032 --> 01:17:09.593 We should explain what's about to happen. 01:17:09.613 --> 01:17:14.234 We have a segment on this programme where Adam and I write songs. 01:17:14.714 --> 01:17:18.854 And we pick a theme each week and we go away individually and we craft these songs. 01:17:18.894 --> 01:17:22.015 When I say craft, I mean that in the loosest sense of the word craft. 01:17:27.036 --> 01:17:36.705 And the theme one week was to make prospective theme tunes for the Quantum of Solace to try and second-guess the producers and see if we could come up with a better theme song. 01:17:38.126 --> 01:17:43.912 So we are going to now play you, maybe just to ease you and gently, one of those theme songs. 01:17:44.132 --> 01:17:44.392 Yeah. 01:17:44.912 --> 01:17:45.973 And see what you think. 01:17:46.114 --> 01:17:51.438 Have you heard the new theme song to the Quantum of Solace, the Jack White and Alicia Keys song? 01:17:52.299 --> 01:17:52.980 I heard it once. 01:17:53.500 --> 01:17:58.305 Did you have a strong opinion on the theme songs in the Bond movies you were in? 01:17:58.325 --> 01:18:00.347 Erm... Because you had some of the best. 01:18:00.367 --> 01:18:01.308 You had Live and Let Die. 01:18:01.608 --> 01:18:05.232 Great, great piece of... For Your Eyes Only is great, Nobody Does It Better is great. 01:18:05.252 --> 01:18:06.913 I always had a soft spot for Moonraker as well. 01:18:06.933 --> 01:18:07.974 Moonraker's fantastic. 01:18:08.114 --> 01:18:08.475 Bassie. 01:18:09.551 --> 01:18:10.252 No, they were all good. 01:18:10.692 --> 01:18:15.136 You know, the one thing about the Bond films that you can be sure of, they're going to be good music. 01:18:15.317 --> 01:18:15.677 Yeah. 01:18:16.718 --> 01:18:19.281 And I hope... What about Madonna one? 01:18:20.121 --> 01:18:22.223 Obviously you couldn't say anything at all. 01:18:22.364 --> 01:18:23.385 Did Madonna one? 01:18:23.445 --> 01:18:24.065 Yeah, she did. 01:18:25.006 --> 01:18:44.754 die another day yeah analyze this fried it had all sorts of weird talking in it and it was odd well it's it's genuinely regarded as though as the weakest thing yeah yeah let's play ours now do you want to go first Joe sure yeah yeah mine is it's just called the Quantum of Solace and and see what you think of this song sir Roger 01:18:52.769 --> 01:19:17.153 He's got a gun and great big mantas He's got jugulars and tiny trunks Damned you to dentures furious with him He's gone completely out to lunch The quantum of solace I don't know what that means What does it mean? 01:19:17.193 --> 01:19:19.974 Well he's having flashbacks in 01:19:36.801 --> 01:19:40.762 The suntum of the woods, the suntum of Qualys. 01:19:40.802 --> 01:19:43.163 Did I get it confused? 01:19:43.283 --> 01:19:46.124 I've got Disney stars, but he's nearly dead. 01:19:46.244 --> 01:19:47.924 No really, nearly. 01:19:48.004 --> 01:19:51.145 It's much more pretty than before. 01:19:52.085 --> 01:19:55.646 No silly gadgets, just looks more fighting. 01:19:56.667 --> 01:19:59.727 With that French bloke that does parkour. 01:20:02.288 --> 01:20:04.869 The thingy of what's that thing of Boris? 01:20:06.372 --> 01:20:10.153 I forgot what it's called, is that what it was? 01:20:10.233 --> 01:20:33.621 Sometimes I wish Roger Moore would come back With an underwater car or some kind of jetpack Or a hover-punder car and a union jet Forget it, mate, it's not the ATs He'd rather kick you in the face We've got a new bond for the noughties 01:20:40.489 --> 01:20:42.966 The quantum of solace The quantum of solace 01:20:56.690 --> 01:21:02.855 It's lyrically provocative, Sir Roger, and I don't expect you to respond in detail unless you want to. 01:21:03.055 --> 01:21:04.216 Those are my opinions. 01:21:04.577 --> 01:21:07.019 I say Don Black, eat your heart. 01:21:07.339 --> 01:21:11.162 Oh, that's very flattering, I think, even though I'm not entirely sure who Don Black is. 01:21:11.182 --> 01:21:14.685 He wrote first of the lyrics for one song. 01:21:14.905 --> 01:21:15.206 Really? 01:21:15.246 --> 01:21:15.806 He was the lyricist. 01:21:15.866 --> 01:21:19.389 And along with Carole Beasega and Robin Hamlish. 01:21:19.509 --> 01:21:19.710 Right. 01:21:20.630 --> 01:21:22.893 And Leslie Bricus. 01:21:23.694 --> 01:21:23.974 Right. 01:21:24.074 --> 01:21:25.075 Well, that's very flattering. 01:21:25.115 --> 01:21:37.088 Joe's thesis there, Roger, is that the Noughties have got the bond they deserve, a nasty, brutish bond, as opposed to the rather more fantastical and romantic one that you personified. 01:21:37.128 --> 01:21:37.929 Do you agree with that? 01:21:39.891 --> 01:21:40.472 Yes, I do. 01:21:42.094 --> 01:21:43.215 I killed them with love. 01:21:43.415 --> 01:21:43.715 Yeah. 01:21:44.496 --> 01:21:45.956 He kills them with his fists. 01:21:47.177 --> 01:21:51.140 You had a consciously slightly comic approach to Bond though, didn't you Sir Roger? 01:21:51.160 --> 01:21:57.283 Your approach to the character overall, because you thought there wasn't like an absurdity to the character in the Fleming novels. 01:21:57.724 --> 01:22:06.809 Well, the fact that a spy is recognised in every bar in the world and they immediately say a martini-shaker not Mr Bond. 01:22:06.869 --> 01:22:08.010 How can you be a spy? 01:22:08.370 --> 01:22:09.551 How he comes Bond the spy? 01:22:10.100 --> 01:22:25.171 I was talking about arguments that you settled years later earlier on, and I remember a flaming argument that my parents had when I was very little about whether Bond had a martini not stirred or stirred not shaken. 01:22:25.652 --> 01:22:28.474 And my dad was saying, no, no, he has it stirred, not shaken. 01:22:28.514 --> 01:22:29.715 My mom was like, what are you talking about? 01:22:29.735 --> 01:22:31.016 It's steak, shaken, not stirred. 01:22:31.676 --> 01:22:33.797 And they had a huge bust up about it. 01:22:34.518 --> 01:22:37.239 And they don't live together anymore. 01:22:38.540 --> 01:22:39.460 That's not the reason. 01:22:40.461 --> 01:22:41.321 Too many martinis. 01:22:41.622 --> 01:22:42.282 Yeah, exactly. 01:22:42.322 --> 01:22:43.302 That was probably the thing. 01:22:43.523 --> 01:22:45.264 Anyway, I just mentioned that by the by. 01:22:45.304 --> 01:22:46.804 I'll play you my Bond song now. 01:22:47.105 --> 01:22:48.545 Okay, I look forward to it. 01:22:48.625 --> 01:22:50.787 This is my Quantum of Solace song. 01:22:50.887 --> 01:22:51.287 Here we go. 01:23:10.226 --> 01:23:14.528 I'm James Bond, I'm a spy and I'm working for the Brits. 01:23:15.008 --> 01:23:17.109 I've got cars and guns and gadgets. 01:23:17.409 --> 01:23:19.450 I've got ladies with big braids. 01:23:19.810 --> 01:23:21.831 I've got licenses to kill. 01:23:22.252 --> 01:23:24.052 I've got licenses to fish. 01:23:24.613 --> 01:23:25.253 I've got sex 01:23:26.114 --> 01:23:49.311 But here's my biggest wish I'd like a quantum look solace But no more than a quantum I know they do big bags of solace But I don't want them I only want a teeny tiny slice of solace Before I shoot you... Bottom location chase Bottom location chase shooting dirty baddies in the pissy farm 01:23:58.144 --> 01:24:00.787 So, Mr. Tharn. 01:24:00.827 --> 01:24:01.467 Yes, hello. 01:24:01.607 --> 01:24:03.249 And you want to stop me? 01:24:03.829 --> 01:24:07.313 I do want to stop you, yes, but only if it's exciting. 01:24:08.113 --> 01:24:12.357 I met a lovely lady, but found out she was a rotter. 01:24:12.858 --> 01:24:17.162 So we exchanged some saucy quips, I snogged her, then I shot her. 01:24:17.902 --> 01:24:21.506 But I felt quite mad because I'm such a modern cop. 01:24:23.422 --> 01:24:41.517 This job gets to you and maybe that is why I'd like a quantum of solace But no more than a quantum I know they do big bags of solace But I don't want them I only want a teeny tiny slice of solace Before I shoot you 01:24:47.598 --> 01:25:03.313 Quantum of solace I'm saying the name of the film of the music Quantum of solace I've been looking at you still 01:25:03.945 --> 01:25:05.847 I think we will meet again, Mr. Bond. 01:25:06.447 --> 01:25:06.868 OK. 01:25:07.708 --> 01:25:10.691 It's a little drama for you within the sun. 01:25:10.711 --> 01:25:12.112 Well, I think it's absolutely lovely. 01:25:12.132 --> 01:25:15.095 You miss some obvious rhymes with wits and things like that. 01:25:15.195 --> 01:25:16.276 BBC. 01:25:16.416 --> 01:25:20.220 But how the devil did get Michael Caine playing Bond? 01:25:20.880 --> 01:25:26.105 He thought that was my best Roger Moore in there. 01:25:26.425 --> 01:25:27.466 Oh, I see. 01:25:28.147 --> 01:25:29.188 Well, not many people know that. 01:25:29.679 --> 01:25:39.548 Now, Sir Roger, Roger, it's been really nice meeting you almost at the end of the show, and I feel frustrated because it took us a while to get over our nerves at meeting you. 01:25:39.588 --> 01:25:51.038 It's quite overwhelming, and I imagine a lot of people who do meet you do get very tongue-tied and star-struck to have someone as iconic as Bond suddenly in front of them, and you are... You're talking about me. 01:25:51.619 --> 01:25:52.560 Yeah, Joe Cornish. 01:25:53.821 --> 01:25:56.763 Do you get a lot of nutty fan action? 01:25:57.844 --> 01:25:59.705 Do you have to be sort of careful sometimes? 01:26:00.086 --> 01:26:04.889 No, but my favourite one is when people say, are you who you think you are? 01:26:04.909 --> 01:26:06.331 Yeah. 01:26:06.951 --> 01:26:12.996 Would you be interested in doing a spin-off Bond film that Adam and I might write? 01:26:13.176 --> 01:26:17.399 You know like Sean Connery did Never Say Never Again? 01:26:18.060 --> 01:26:21.203 If Adam and I were to come up, find some kind of legal loophole, 01:26:21.923 --> 01:26:27.466 and write some kind of Bond film because I think you're still, you know, you'd still be great. 01:26:28.866 --> 01:26:30.467 Harrison Ford is back in there. 01:26:30.527 --> 01:26:31.427 Everyone's coming back. 01:26:31.908 --> 01:26:33.528 You know, the rules are being broken. 01:26:34.129 --> 01:26:35.209 Would you be up for that? 01:26:35.809 --> 01:26:36.710 How much? 01:26:37.650 --> 01:26:37.970 Money. 01:26:38.690 --> 01:26:40.131 Right, so that's the key question, isn't it? 01:26:40.151 --> 01:26:43.092 We could do 50 or 60 pounds. 01:26:43.552 --> 01:26:44.832 We'll talk to BBC Worldwide. 01:26:44.852 --> 01:26:45.673 Oh, this is a BBC budget manager. 01:26:45.693 --> 01:26:46.653 They've got lots of money. 01:26:46.893 --> 01:26:47.153 Yeah. 01:26:47.353 --> 01:26:47.633 Yeah. 01:26:47.833 --> 01:26:48.253 Okay, good. 01:26:48.273 --> 01:26:48.613 So that's a yes. 01:26:48.633 --> 01:26:49.634 Yes, yes, definitely. 01:26:49.754 --> 01:26:51.634 All right, listeners, we're going to have to write that film. 01:26:51.794 --> 01:26:53.255 And yeah, that's exciting stuff. 01:26:54.335 --> 01:26:56.497 Roger, thank you so much for coming in. 01:26:56.757 --> 01:26:57.337 Yes, thank you. 01:26:57.578 --> 01:27:02.081 And we should stress, of course, that your book has been a highly enjoyable read for both of us. 01:27:02.301 --> 01:27:02.681 Thank you. 01:27:02.761 --> 01:27:07.484 My Word is My Bond is the title, and you're looking very sexy in there. 01:27:07.504 --> 01:27:10.626 We both thought you were fantastic on Jonathan Ross the other day. 01:27:10.646 --> 01:27:11.707 Oh, thank you. 01:27:11.767 --> 01:27:12.247 Thank you very much. 01:27:12.267 --> 01:27:12.748 How was that? 01:27:12.808 --> 01:27:17.691 We were speculating as to whether, what's it like then when you go on the show? 01:27:17.711 --> 01:27:21.113 Do you get given like a little drink in the green room there beforehand? 01:27:21.273 --> 01:27:22.394 No, there's water. 01:27:22.834 --> 01:27:23.074 Right. 01:27:23.414 --> 01:27:23.955 And that's it. 01:27:24.315 --> 01:27:24.975 Oh no. 01:27:25.215 --> 01:27:27.116 That's Adam's phone. 01:27:27.176 --> 01:27:28.077 How disgusting. 01:27:28.317 --> 01:27:29.217 Isn't that disgusting? 01:27:29.237 --> 01:27:30.238 That is my wife. 01:27:30.398 --> 01:27:31.158 Can you believe that? 01:27:31.198 --> 01:27:32.339 What is she thinking about? 01:27:32.439 --> 01:27:34.520 Is she getting Sir Roger to answer for God's sake? 01:27:34.680 --> 01:27:36.741 That was a bit unprofessional of me not to turn the radio off. 01:27:36.921 --> 01:27:38.762 Listen Sir Roger, thanks so much for coming in. 01:27:38.842 --> 01:27:40.403 It's been an absolute honor and a pleasure. 01:27:40.523 --> 01:27:40.883 Thank you, Joe. 01:27:40.903 --> 01:27:41.624 Thank you, Adam. 01:27:41.644 --> 01:27:42.424 Don't stop looking at me. 01:27:42.865 --> 01:27:45.126 I just freeze up because I'm so starstruck. 01:27:45.146 --> 01:27:46.587 Well, you're quite exciting to look at. 01:27:46.707 --> 01:27:47.287 Well, I know. 01:27:47.428 --> 01:27:48.889 So it's a dangerous combination. 01:27:48.909 --> 01:27:51.690 I mean, this sort of television without pictures is good. 01:27:51.750 --> 01:27:52.891 It's electrifying radio. 01:27:52.911 --> 01:27:54.092 But not for you. 01:27:54.112 --> 01:27:56.414 No, we really do appreciate you coming on this show. 01:27:56.474 --> 01:27:58.735 I think you're either going to kill me or kiss me when you hit me. 01:28:00.376 --> 01:28:02.057 That'll kill you if I kiss you, I tell you. 01:28:02.377 --> 01:28:04.239 It's going to be kiss, kiss, bang, bang. 01:28:04.399 --> 01:28:05.700 You never know where my tongue has been. 01:28:07.160 --> 01:28:09.561 Well, what a superb way to end this week's show. 01:28:09.621 --> 01:28:10.581 We're going to play you out. 01:28:10.601 --> 01:28:11.662 What are we playing them out with? 01:28:12.442 --> 01:28:13.762 A bit of Curtis Mayfield, I think. 01:28:13.782 --> 01:28:14.102 Oh, yeah. 01:28:14.142 --> 01:28:15.623 This is a bit of recessionary music. 01:28:15.663 --> 01:28:16.603 This is called Hard Times. 01:28:16.643 --> 01:28:17.804 But thank you again, sir, Roger. 01:28:17.844 --> 01:28:20.524 Thanks for listening and texting and emailing and calling. 01:28:20.724 --> 01:28:22.525 Stay tuned for Liz Kershaw. 01:28:22.845 --> 01:28:26.766 Don't forget you can download the podcast either tonight or tomorrow at some point. 01:28:26.906 --> 01:28:30.287 And you can listen to the whole show again on Listen Again or the iPlayer. 01:28:30.708 --> 01:28:31.708 Thank you very much, listeners. 01:28:31.748 --> 01:28:32.348 Have a good week. 01:28:32.568 --> 01:28:32.848 Thank you. 01:28:32.868 --> 01:28:33.708 See you next week, Roger. 01:28:33.989 --> 01:28:34.309 Thank you. 01:28:34.329 --> 01:28:34.449 Bye. 01:28:34.469 --> 01:28:34.809 Thank you. 01:28:34.849 --> 01:28:35.169 Thank you.