WEBVTT 00:01.565 --> 00:03.267 big British castle. 00:03.287 --> 00:07.050 It's time for Adam and Jo to broadcast on the radio. 00:07.310 --> 00:11.214 There'll be some music and some random talking in between, and then 00:15.318 --> 00:16.739 And what was that? 00:17.540 --> 00:21.263 Well, that's a new rock band called Placebo. 00:21.283 --> 00:22.884 Placebo? 00:22.944 --> 00:26.427 Yeah, Placebo is a kind of an empty drug pill though. 00:26.727 --> 00:29.769 Yeah, it's a sort of a stopgap measure. 00:29.789 --> 00:33.192 So why would you call yourself after an empty drug pill if you're a band? 00:33.212 --> 00:35.113 Well, it's provocative, it's making you think, you see. 00:35.133 --> 00:37.475 And the lead singer's a sort of a lady man. 00:38.055 --> 00:38.995 It's freaking me out. 00:39.015 --> 00:41.416 A wilting, pale, slim lady man. 00:42.037 --> 00:48.319 With dyed hair, the kind of chap who dives into a public swimming pool and there's a black cloud behind him. 00:48.960 --> 00:50.560 Designed to confuse the squares. 00:51.061 --> 00:51.281 Right. 00:51.321 --> 00:51.701 Like you. 00:51.721 --> 00:53.282 Where it's done the job. 00:53.302 --> 00:53.842 The dad rockers. 00:54.822 --> 00:57.364 Is that that's the that's the good placebo song though, isn't it? 00:57.544 --> 00:59.406 Yeah, I mean Nancy boy. 00:59.586 --> 01:04.350 We love we love that This is Adam and Joe here on BBC six music. 01:04.570 --> 01:05.471 Very nice to be with you. 01:05.511 --> 01:11.236 The Sun is shining even though the world is crumbling Everything's fine here. 01:11.876 --> 01:17.861 Yeah business as usual people don't seem to realize that the world's ended the chuckle markets are still doing well and 01:18.101 --> 01:18.441 Yeah. 01:18.461 --> 01:18.841 Trading. 01:19.521 --> 01:20.442 Trading successfully. 01:20.462 --> 01:20.842 Trading's up. 01:21.102 --> 01:23.543 Chef prices are up on the chuckle market. 01:23.923 --> 01:28.084 But we're happy to be resuming normal service listeners with the two of us in place. 01:28.124 --> 01:28.704 Hey, that's true. 01:28.744 --> 01:30.065 Hasn't been this way for a while. 01:30.405 --> 01:30.705 It's been ages. 01:30.725 --> 01:33.186 So we hope you feel that if you're a regular listener to the show. 01:34.166 --> 01:34.386 What? 01:34.486 --> 01:40.908 If you're a regular listener to the show, we hope you feel a free son of comfort like slipping your foot into an old shoe. 01:40.928 --> 01:42.649 I thought you were going to say something else. 01:42.949 --> 01:44.489 Nearly sounded revolting, didn't it? 01:45.029 --> 01:45.710 To an old tramp. 01:45.950 --> 01:46.650 To an old man. 01:47.832 --> 01:48.514 Don't say it again though 01:53.243 --> 01:54.004 There you go. 01:54.024 --> 01:54.444 Well done. 01:54.484 --> 01:55.144 Well done. 01:55.245 --> 01:55.785 Well done. 01:56.145 --> 01:56.906 Excellently avoided. 01:57.326 --> 02:01.029 So yes, you know, we've got lots of good stuff for you listeners. 02:01.129 --> 02:02.130 Things to talk about. 02:02.150 --> 02:03.971 Have you got lots of things to talk about? 02:04.151 --> 02:04.571 Oh, yes. 02:04.691 --> 02:05.072 Oh, yes. 02:05.092 --> 02:08.154 We're going to be resolving song wars within the next hour. 02:08.214 --> 02:09.455 We've got Text the Nation. 02:09.735 --> 02:10.756 It says in Heat magazine. 02:10.776 --> 02:14.859 I noticed in Heat magazine, which I bought this week because my wife was in hospital. 02:14.879 --> 02:17.541 She gave birth to a baby woman. 02:18.201 --> 02:26.286 And it was all, it all worked out, but it meant that while she was in agonising pain, I had to go out and buy her a stack of appalling mags. 02:26.586 --> 02:34.111 Your wife relies on lady mags like other people would rely on vitamins or, you know, special pills. 02:34.511 --> 02:36.292 That's women, man, not just my wife. 02:36.813 --> 02:37.593 I've got her women. 02:37.833 --> 02:38.534 They run on them. 02:38.594 --> 02:39.534 She doesn't read them. 02:39.694 --> 02:40.155 Does she not? 02:40.335 --> 02:40.515 No. 02:40.535 --> 02:41.155 Have you banned them? 02:41.516 --> 02:42.636 No, she doesn't want to read them. 02:42.736 --> 02:43.457 She does. 02:43.637 --> 02:43.957 She does. 02:43.977 --> 02:44.758 She's got a stash there. 02:45.598 --> 02:46.179 somewhere like porn. 02:46.199 --> 02:49.161 Like I'm not trying to belittle your lady, she's a very wonderful lady. 02:49.401 --> 02:50.002 Yeah, yeah. 02:50.042 --> 02:51.323 But she's better than that sort of thing. 02:51.383 --> 02:52.224 That's what you think. 02:52.884 --> 02:54.886 It's stashed there somewhere under her bed. 02:55.227 --> 02:55.647 You think? 02:55.727 --> 02:56.768 Yeah, definitely. 02:56.788 --> 02:57.989 My lady's got a secret. 02:58.109 --> 03:01.452 You think all women have to look at heat and, and grats here. 03:01.472 --> 03:02.613 Left to their own devices? 03:02.813 --> 03:03.154 Really? 03:03.214 --> 03:04.134 Yes, that's what they do. 03:04.154 --> 03:04.955 You're so sexist. 03:05.416 --> 03:06.356 It's a little bit sexist, isn't it? 03:06.376 --> 03:11.361 We should do an experiment where we leave some ladies in a room and hide some lady now. 03:11.981 --> 03:17.907 Well that sounds... Do you remember like that experiment where they put a stud spray on one chair to see where the women would sit on it? 03:18.007 --> 03:18.268 No. 03:18.668 --> 03:19.229 Well I do. 03:19.449 --> 03:20.150 I remember that one. 03:20.170 --> 03:20.810 What's that experiment? 03:21.010 --> 03:22.672 It's a famous one in my brain. 03:22.952 --> 03:24.514 The stud spray experiment. 03:24.534 --> 03:26.496 It's one that took place in my head in the 70s. 03:26.556 --> 03:27.757 The stud spray project. 03:27.777 --> 03:31.000 But you do the same thing and you just rub lady magazines on a chair. 03:32.221 --> 03:33.942 And then see which one they sit down on. 03:34.062 --> 03:36.383 Well, you know, that would be a good advert for Heat magazine. 03:36.403 --> 03:38.143 I could imagine them doing an advert like that. 03:38.403 --> 03:48.566 Anyway, the reason I mentioned it is I haven't seen Heat for a while and I noticed at the back that they mentioned this show in their listings, you know, in their sort of regular pick. 03:48.586 --> 03:50.687 They list all the shows that you should listen to on a Saturday. 03:50.947 --> 03:52.788 We get five red stars. 03:52.928 --> 03:53.528 Finally! 03:54.048 --> 03:55.829 They never used to give us five red stars. 03:55.849 --> 03:58.730 We've never got anything more than four stars in our entire lives. 03:58.770 --> 04:00.350 I'm reactivating my subscription. 04:00.391 --> 04:01.711 Five red stars. 04:01.831 --> 04:06.093 Us, Jonathan Ross, Russell Brand, and I think maybe Bermock O'Leary. 04:06.413 --> 04:09.354 I'm suddenly interested in the cellulite of the stars again. 04:09.434 --> 04:13.676 But anyway, they, you know, they summarise the show as being Adam and Jo. 04:13.736 --> 04:19.178 A load of old... No, they say, with text-to-nation and song wars. 04:19.218 --> 04:20.838 They're the nation's favourite features. 04:20.858 --> 04:21.859 They're voted for by... 04:22.299 --> 04:22.860 Heat magazine. 04:22.900 --> 04:24.222 So we'll have those pictures. 04:24.242 --> 04:24.983 And loaded magazines. 04:25.063 --> 04:25.684 All the mags. 04:25.724 --> 04:27.085 We've got to start being nice about mags. 04:27.105 --> 04:27.766 Exactly. 04:27.846 --> 04:30.089 We haven't heard back from Grazia, have we? 04:30.410 --> 04:34.956 Well, we didn't exactly send them anything, apart from a couple of insults indirectly. 04:35.176 --> 04:37.779 We didn't send the songs to them, did we? 04:38.320 --> 04:39.581 We should send the songs to them. 04:39.681 --> 04:40.841 Let's send the songs to them. 04:40.981 --> 04:41.561 Well, I'm not sure. 04:41.581 --> 04:42.502 That's a good idea. 04:42.662 --> 04:43.742 I'm eyeing our staff. 04:44.082 --> 04:45.843 OK, listen, let's play some music right now. 04:45.863 --> 04:47.303 They look insulted by being called staff. 04:48.964 --> 04:51.245 No one likes being called staff. 04:51.645 --> 04:52.766 OK, here's Paul Weller. 04:52.886 --> 04:53.786 Are you relieved, Joe? 04:54.446 --> 04:54.666 What? 04:54.926 --> 04:56.107 About Paul Weller arriving? 04:56.327 --> 04:57.307 Yeah, thank gosh. 04:57.567 --> 04:58.748 This is 22 Dreams. 04:59.008 --> 05:00.248 Paul Weller. 05:00.769 --> 05:01.269 Well, one. 05:01.969 --> 05:05.870 With 22 Dreams, he's gone literally insane in that song. 05:06.290 --> 05:08.551 He's gone mad, controlled madness. 05:08.711 --> 05:11.172 That is an enjoyable racket, isn't it? 05:11.452 --> 05:12.872 And well done, Paul Weller. 05:13.112 --> 05:16.253 I still haven't applied myself correctly to that album, his new album. 05:16.293 --> 05:17.213 It's apparently very good. 05:17.593 --> 05:18.474 That's his new single. 05:18.534 --> 05:20.274 It's a double A size. 05:20.714 --> 05:22.955 On the other side is a track called Sea Spray. 05:23.655 --> 05:26.696 It's released on the 3rd of November this year. 05:27.196 --> 05:28.016 So that's exciting. 05:28.056 --> 05:29.597 What do you do when you see spray? 05:30.816 --> 05:32.756 What do I do when I see spray? 05:32.776 --> 05:36.397 I can't think of the correct answer to that. 05:36.477 --> 05:37.858 Thanks for even thinking about it. 05:37.938 --> 05:38.438 It's all right. 05:38.778 --> 05:40.558 It's gonna haunt me for the rest of my life. 05:42.539 --> 05:44.539 Did you watch Jonathan Ross' programme last night? 05:44.719 --> 05:50.420 Well, I did, yeah, but I don't like talking about him because I think it'll make people switch over to him. 05:50.500 --> 05:51.420 Oh, come on. 05:51.520 --> 05:52.281 He's a fact of life. 05:52.341 --> 05:54.001 We need every listener we can get. 05:54.401 --> 05:57.403 Well, he's, you know, he's not on yet, don't worry about it. 05:57.723 --> 05:57.983 Isn't he? 05:58.083 --> 05:58.743 No. 05:59.264 --> 06:02.145 But it's an enjoyable TV assignation. 06:02.185 --> 06:05.527 I did watch it, and the Colin Farrell interview was a revelation. 06:05.607 --> 06:08.509 We have in the past been cruel to Colin Farrell. 06:08.629 --> 06:09.990 Everyone's been cruel to Farrell. 06:10.050 --> 06:19.115 Based on his resume, nothing personal, but just a feeling of frustration that Farrell maybe hasn't hit the heights that he could have in his movies. 06:21.176 --> 06:31.186 But he came on the telly and he was nervous and articulate and vulnerable and human and furry and animal. 06:31.486 --> 06:36.090 I mean, something must have been staring in your lines, even though you're a very heterosexual man. 06:36.110 --> 06:36.831 You know what I thought? 06:36.891 --> 06:38.473 I could see why everyone cast him. 06:38.573 --> 06:40.875 I thought, wow, you meet that guy. 06:40.975 --> 06:41.896 You just want to help him. 06:42.336 --> 06:43.677 And be his friend. 06:44.018 --> 06:44.999 And do things to him. 06:45.419 --> 06:47.401 Well, I don't know, he's too hairy for me. 06:47.621 --> 06:47.941 Really? 06:48.522 --> 06:49.002 Not for me. 06:49.022 --> 06:49.763 Too much hair. 06:50.203 --> 06:54.547 Well, you're hairy as well, so all sorts of static would be created. 06:54.567 --> 06:55.388 Sparks would fly. 06:55.408 --> 06:57.209 If you got even a metre away from him. 06:57.309 --> 06:57.610 Yeah. 06:58.030 --> 07:02.914 But no, it was a sort of one of those career-defining interviews. 07:03.255 --> 07:09.240 Do you remember when Russell Brand first went on Jonathan Ross and he... What, you think Colin Farrell's going to have a stand-up career? 07:09.680 --> 07:10.420 Yeah, maybe. 07:10.500 --> 07:13.382 I think maybe in a year or so we could maybe see Russell Brand. 07:13.402 --> 07:14.842 Maybe get his own Channel 4 show. 07:15.443 --> 07:18.564 Maybe see Colin Farrell hosting the MTV Awards is what I'm saying. 07:18.584 --> 07:20.745 No, but you know what I'm saying? 07:20.785 --> 07:36.652 Like he really came across well and I imagine he would have changed a lot of people's minds about him because I haven't seen him interviewed for ages and all I've seen of him is stuff on red carpets where he's burbling semi-coherently from the last few years when he was in his booze abyss, you know? 07:37.472 --> 07:38.492 Yeah, it's changing things. 07:38.532 --> 07:39.633 It's all changed for Farrell. 07:39.653 --> 07:41.634 He's going to be getting the big roles. 07:42.734 --> 07:44.295 He's going to be getting a Channel 4 series. 07:44.355 --> 07:45.255 In Bruges. 07:45.795 --> 07:46.495 In Bruges. 07:46.836 --> 07:47.876 I love him, Bruges. 07:48.496 --> 07:49.697 What's your problem? 07:49.817 --> 07:50.257 I don't know. 07:50.777 --> 07:51.857 There's something wrong in my head. 07:52.098 --> 07:55.299 But it's exciting news for Farrell and exciting news for people who's 07:56.079 --> 07:57.600 eyebrows actually join up. 07:58.021 --> 08:00.002 His don't join, they're just very large. 08:00.102 --> 08:08.348 No, but if you looked on the bottom ends of them, they actually, there was actually, you could trace a line of hair from the bottom of the eyebrows to the top of the beard. 08:08.728 --> 08:08.948 Right. 08:09.289 --> 08:11.230 So it was a complete circle of hair. 08:11.330 --> 08:11.971 I see what you mean. 08:12.031 --> 08:14.212 Like a line around his eyes and mouth. 08:14.473 --> 08:16.814 The circle of hair. 08:16.834 --> 08:17.835 The circle of fattle. 08:18.575 --> 08:19.977 The hairy fattle circle. 08:20.777 --> 08:21.597 His treasure trail. 08:22.317 --> 08:23.638 His spatial treasure trail. 08:23.878 --> 08:26.098 What a pot of gold would be at the end. 08:26.658 --> 08:30.379 Anyway, great music coming up as well in the next hour. 08:30.419 --> 08:31.360 We should have a bit more now. 08:31.400 --> 08:33.040 This is a free choice from you, Adam. 08:33.820 --> 08:34.180 Yes. 08:35.541 --> 08:43.843 Many of my free choices pop up on my MP3 player when it's on shuffle and I'm surprised by how enjoyable the song is. 08:44.203 --> 08:45.123 This was one such 08:45.843 --> 08:52.589 And, you know, like, a thing that was very prevalent last year was a sort of middle-of-the-road easy listening sound in modern music. 08:53.029 --> 08:54.410 I'm thinking of The Feeling, mainly. 08:55.531 --> 08:59.994 And I just heard this song by Supertramp and thought, wow, you can't beat the original, though. 09:00.255 --> 09:03.818 As wonderful as The Feeling are, this is the logical song. 09:03.878 --> 09:09.282 I defy you not to be moved perhaps into another room by this one, by Supertramp. 09:09.542 --> 09:13.223 That's Rylo Kiley with Portions for Foxes. 09:13.283 --> 09:15.984 This is Adam and Joe here on BBC Six Music. 09:16.344 --> 09:18.305 You're not supposed to really feed foxes. 09:19.165 --> 09:19.446 Really? 09:19.526 --> 09:20.366 City foxes. 09:20.606 --> 09:21.806 Isn't that true? 09:21.846 --> 09:24.767 Because you're not supposed to get them dependent on... Drugs. 09:24.807 --> 09:25.908 ...human drugs. 09:25.968 --> 09:27.328 Right, right, right. 09:27.368 --> 09:29.369 You're not supposed to feed foxes drugs. 09:29.729 --> 09:31.590 Who would feed a fox anyway? 09:32.270 --> 09:36.353 Uh, you might, because they tiptoe into your garden, if you live in the city. 09:36.873 --> 09:39.715 What, people putting sources of... hmm... fox food out? 09:39.815 --> 09:40.515 Saucy food. 09:40.735 --> 09:41.036 What? 09:41.436 --> 09:43.717 Saucy thought of... Have you not seen the Mighty Boosh? 09:43.837 --> 09:46.319 Did you not see the Mighty Boosh episode with the crack fox in it? 09:46.919 --> 09:47.740 Uh, I must have done. 09:48.180 --> 09:49.600 You must, I mean, you would remember. 09:49.801 --> 09:50.421 It's amazing. 09:50.461 --> 09:51.921 It's like one of the best episodes ever. 09:52.441 --> 09:53.222 But do they feed it? 09:53.862 --> 09:55.682 Well, he's already fed himself. 09:56.122 --> 09:56.403 Right. 09:56.623 --> 10:01.224 I mean, if you haven't seen the Crack Fox Mighty Boosh episode, your life's got a big hole in it. 10:02.264 --> 10:03.865 But no, why would you feed a fox? 10:03.885 --> 10:04.825 That seems insane. 10:04.925 --> 10:06.326 Because sometimes they can seem thin. 10:06.606 --> 10:08.646 Foxes make horrible sound. 10:08.926 --> 10:10.507 Oh no, it's animal killing again. 10:11.907 --> 10:14.788 They make the sound of a strangulated baby. 10:14.988 --> 10:17.509 That's just awful, the sounds that foxes make. 10:17.669 --> 10:19.330 Yeah, but think of the sounds you make. 10:19.350 --> 10:22.411 Exactly, that's just awful. 10:22.431 --> 10:23.372 That's not worse. 10:23.712 --> 10:27.713 I just want to go out into the garden with an air gun and take you out. 10:27.733 --> 10:29.154 Take me out suddenly? 10:29.174 --> 10:32.295 Shut you up, take you to the RSPCA. 10:32.835 --> 10:36.617 So quickly it shifts from don't feed foxes to I'm going to shoot you with an air gun. 10:37.177 --> 10:38.158 In your garden! 10:38.218 --> 10:40.560 To me, that's a perfectly normal switcheroo. 10:40.940 --> 10:42.722 So don't take Rylo Carli's advice. 10:43.202 --> 10:44.944 Don't give the foxes no portions. 10:45.324 --> 10:46.685 Now, there's a new band in town. 10:47.326 --> 10:48.167 There's four of them. 10:48.487 --> 10:49.908 They've got a funny sense of humour. 10:50.749 --> 10:52.330 Kick the song off there, James. 10:52.871 --> 10:54.913 And they've been taking some crazy cakes. 10:55.953 --> 11:03.080 And the result of the crazy cakes is this new sound, which is called Psycadilia. 11:03.380 --> 11:04.060 Never catch on. 11:04.941 --> 11:07.942 This is The Beatles with I Am The Warus, just in case you don't know. 11:07.962 --> 11:20.347 So go on left and right, different sounds, crazy old stuff like from the radio and the TV and all that stuff and then mixing it in like a big bowl. 11:20.767 --> 11:22.707 You wicked Beatles. 11:23.688 --> 11:28.970 It's Adam and Joe here on BBC6 Music and it's time now for the news read by Catherine Cracknell. 11:30.270 --> 11:32.371 It's time for Song Wars. 11:40.024 --> 11:44.165 Song Wars time before that you heard Brass Neck by Wedding Present. 11:44.245 --> 11:48.686 This is Adam and Joe here on BBC Six Music and we have Garth on the line. 11:48.866 --> 11:49.726 Are you there? 11:49.766 --> 11:50.446 How are you doing? 11:50.546 --> 11:51.047 Very well. 11:51.087 --> 11:52.067 How is everyone there? 11:52.207 --> 11:52.407 Good. 11:52.447 --> 11:53.067 Thank you Garth. 11:53.107 --> 11:53.847 How are you doing? 11:54.187 --> 11:54.587 I'm good. 11:54.808 --> 11:55.828 I'm sitting in my bedroom. 11:56.008 --> 11:57.348 I've just had a toasted crumpet. 11:57.548 --> 11:58.569 Oh well, lovely. 11:58.709 --> 12:00.109 Are you metaphorically speaking? 12:00.529 --> 12:01.869 No, proper real crumpet. 12:01.889 --> 12:02.690 A real crumpet? 12:02.710 --> 12:04.050 With a bit of peanut butter on top. 12:04.070 --> 12:06.171 Because I had some toasted crumpet last night. 12:09.438 --> 12:10.439 So, this is exciting. 12:10.940 --> 12:17.287 It's last week's Song Wars Radiohead thing with all the Radiohead stems. 12:18.348 --> 12:23.574 I think Adam's just the rubbishness of my joke is resonating. 12:23.594 --> 12:25.296 I'm imagining it now. 12:27.378 --> 12:34.062 The idea was that Radiohead have posted that the stems, basically the elements of their new single online and everyone's been invited to remix it. 12:34.082 --> 12:35.643 They should call them stem cells. 12:35.984 --> 12:36.164 Yeah. 12:36.224 --> 12:36.464 Yeah. 12:36.964 --> 12:39.986 And Alan Garth, you did remix this while I was away. 12:40.167 --> 12:43.489 Have you posted yours on the Radiohead website yet Garth? 12:43.749 --> 12:45.170 No, I didn't know you could do that. 12:45.190 --> 12:46.110 Yeah, that's the whole thing. 12:46.150 --> 12:47.130 You're supposed to post them up there. 12:47.150 --> 12:51.232 I posted mine a couple of days ago and I've got, and you garner votes, you see. 12:51.252 --> 12:53.453 Oh, you'll get loads of votes. 12:53.473 --> 12:55.154 I've got like 460 votes. 12:55.214 --> 13:06.918 If you go onto my blog, listeners, Adam-Buckston.co.uk, you'll see a widget there which enables you to listen to my song wars, Reckon and Remix, and vote for it if you wish to. 13:07.359 --> 13:08.459 But yeah, that's the whole deal, man. 13:08.479 --> 13:13.461 You've got to upload your remix to Dead Airspace or Reckon and Remix.com or whatever it is. 13:13.561 --> 13:16.784 I was so relieved to just have finished it, I thought, right, that's me done. 13:17.624 --> 13:18.405 Get it up there, boy. 13:18.425 --> 13:19.766 I guess that's my next job. 13:19.786 --> 13:20.627 Joe has the envelope. 13:20.727 --> 13:25.631 But that pales into insignificance, because is there a competition on the Radiohead website? 13:25.711 --> 13:26.952 Is someone going to win? 13:26.992 --> 13:28.653 Because they get votes, don't they? 13:29.174 --> 13:33.217 When you plant your song on the Radiohead website, there's a little vote counter. 13:33.317 --> 13:34.918 Yeah, I don't know what happens if you get the most votes. 13:34.938 --> 13:36.580 Well, presumably there's going to be a winner there. 13:37.040 --> 13:39.602 You get to shake hands with President York. 13:40.102 --> 13:40.383 Really? 13:40.523 --> 13:40.963 Possibly. 13:41.203 --> 13:41.644 I don't know. 13:41.664 --> 13:42.264 I've no idea. 13:42.404 --> 13:45.767 Well, that competition pales into insignificance against this one, right? 13:45.807 --> 13:46.107 Right. 13:46.187 --> 13:46.447 Right. 13:46.707 --> 13:47.148 Exactly. 13:47.168 --> 13:47.808 Is it going to be Garth? 13:47.848 --> 13:53.132 Just to remind you, listeners, Garth went... His remix was Tom York singing in the shower. 13:53.533 --> 13:59.657 Mine was kind of imagining two editors in an editing suite arguing about music they were going to use. 13:59.697 --> 14:00.898 And Joe has the results there. 14:01.299 --> 14:01.559 Yeah. 14:02.339 --> 14:02.880 I'm sorry. 14:03.963 --> 14:04.845 Uh, no, the results. 14:04.885 --> 14:05.447 Wow, look at that. 14:05.587 --> 14:05.827 Adam, 65%. 14:07.471 --> 14:08.273 Garth, 35%. 14:08.694 --> 14:10.457 It was close, man. 14:10.497 --> 14:11.500 That was pretty close. 14:11.860 --> 14:13.203 Well, I think the best man won. 14:13.800 --> 14:18.023 Thank you very much. 14:18.243 --> 14:23.786 Well, comedically, I must say, I thought you had the edge there, Garth, but I can't pretend I'm sorry that you lost. 14:24.967 --> 14:29.630 I was getting a bit paranoid about you coming on the show and winning each time with Song Wars. 14:30.370 --> 14:33.172 Can I say just how pleasurable it was not to have to do it? 14:34.353 --> 14:35.814 Just to listen to you guys doing it. 14:35.874 --> 14:37.155 That was really lovely. 14:37.655 --> 14:40.117 Well, Garth, thank you once again for all your efforts. 14:40.797 --> 14:41.498 It's my pleasure. 14:41.518 --> 14:42.098 I love doing it. 14:42.158 --> 14:45.061 And I also have to thank Chris Hufford for sorting out all the legal stuff. 14:45.161 --> 14:47.023 Radiohead's manager. 14:47.103 --> 14:47.704 Fantastic. 14:47.744 --> 14:47.984 Yeah. 14:48.104 --> 14:49.165 Thank you very much, Chris. 14:49.486 --> 14:52.168 So let's have a listen to the winning song. 14:52.208 --> 14:53.890 What was this called, Adam? 14:53.910 --> 14:56.452 This was called It's Very Hard to Clear Radiohead. 14:56.613 --> 14:57.313 Hey, thanks, Garth. 14:57.393 --> 14:57.934 See you soon. 14:57.994 --> 14:59.095 And here's Adam's winning track. 14:59.155 --> 14:59.495 Thanks, guys. 14:59.515 --> 14:59.916 Cheers, Garth. 15:13.151 --> 15:20.257 There's two men sat in an editing suite, working on a serious TV show, about cops on the beat, swearing in it. 15:20.517 --> 15:27.243 And there's a scene where things get really heavy for a minute, shouting, crying, big decisions, people dying. 15:27.524 --> 15:32.348 But it still needs one more element to beef up the meaning, or it might feel irrelevant. 15:32.688 --> 15:36.169 So the editor says, we need a really nice bit of music, Les. 15:36.369 --> 15:38.350 And Les, the director, says, I know. 15:38.410 --> 15:40.771 I got a wicked album a week or two ago. 15:40.931 --> 15:42.992 You know, the one by Radiohead. 15:43.072 --> 15:46.393 If we put some on the end of the scene, it'll knock him dead, Fred. 15:46.433 --> 15:47.634 That's the editor's name. 15:47.854 --> 15:49.935 And Fred says, yeah, I was thinking the same. 15:50.095 --> 15:52.255 But what about The Scientist by Coldplay? 15:52.436 --> 15:54.616 And Les says, no flipping away, Jose. 15:54.856 --> 15:56.417 Coldplay's flipping well yesterday. 15:56.577 --> 15:59.098 And it's totally wrong for the scene, anyway. 15:59.158 --> 16:00.319 Fred says, all right, Les. 16:00.499 --> 16:01.399 You made yourself clear. 16:01.639 --> 16:03.781 You don't want to use no Coldplay here. 16:04.081 --> 16:06.082 How about a nice bit of Philip Glass? 16:06.322 --> 16:08.324 Come on, Les, you flaming arse. 16:08.464 --> 16:10.385 This isn't a science documentary. 16:10.826 --> 16:13.207 You don't use glass on a TV drama. 16:13.488 --> 16:15.549 I would have thought that was flipping elementary. 16:16.290 --> 16:17.691 This bad drama car. 16:17.891 --> 16:18.591 Come on, Les. 16:18.651 --> 16:19.832 I'm not a Coldplay snob. 16:20.052 --> 16:24.596 I just think this track would do the job really well when the strings all swell. 16:25.888 --> 16:36.020 Yeah, and the cops are looking out at all the bad stuff and they're thinking, oh, why does this have to happen every week? 16:41.146 --> 16:45.371 And I was thinking we could add a little scratching for a bit of street flavour. 16:48.166 --> 16:50.852 Yeah? 16:51.093 --> 16:51.975 Alright, maybe not. 16:59.178 --> 17:01.579 It's not the BBC and it's very expensive. 17:01.619 --> 17:02.579 No, no, no, no. 17:02.639 --> 17:03.580 I don't know if you know. 17:03.680 --> 17:05.820 But Tom's a big fan of the show, says Fred. 17:05.880 --> 17:06.921 Les shakes his head. 17:07.141 --> 17:09.181 He said the bandit's hype a few weeks ago. 17:09.281 --> 17:11.502 Said they had it confused with a different show. 17:11.522 --> 17:18.085 And if we want to use their music on any of the episodes, regardless of the content, the answer is going to be definitely no. 17:18.505 --> 17:19.705 But there's some good news. 17:19.725 --> 17:20.805 Aha said yes. 17:20.885 --> 17:22.006 If you want, we could use... 17:29.937 --> 17:32.378 It's the only thing that we can clear. 17:32.418 --> 17:34.278 Why are you looking at me like that Fred? 17:45.265 --> 17:45.745 There you go. 17:45.906 --> 17:53.993 That is my winning Song Wars remix of Radiohead's Reckoner and a reminder of course that anyone can remix Reckoner. 17:54.413 --> 18:00.018 All you have to do is download it from iTunes, the different stems, and you can have your own fun with it. 18:00.038 --> 18:04.242 And I found out too late that once you've downloaded it from iTunes, you get the different stems. 18:04.462 --> 18:07.845 They also give you GarageBand stems if you're using GarageBand. 18:08.206 --> 18:11.649 So I could have had an even easier time of remixing it in GarageBand, but it was fun. 18:11.929 --> 18:16.734 We're going to try and in the future at some point think of some sort of song or stem based activity. 18:16.815 --> 18:17.575 Well, I was thinking about that. 18:17.595 --> 18:24.483 The thing is that if we gave people the stems to I mean, they come from Garage Band anyway, so there's not much to anyone can remix our songs. 18:24.784 --> 18:28.968 The only thing they need from from us is the vocal stems. 18:29.028 --> 18:31.811 I suppose we could make those available. 18:32.472 --> 18:44.928 If they're originally played riffs using the musical typing function, and they're just using a sound from GarageBand, that's original in a way, isn't it? 18:45.048 --> 18:48.572 It's no more or less original than using a Roland synthesizer. 18:49.213 --> 18:49.453 Mm-hmm. 18:49.873 --> 18:50.134 Yeah. 18:50.314 --> 18:52.395 Yeah But I know what you mean. 18:52.415 --> 19:03.222 We it would have to be a particularly peculiar set of noises Yeah, I mean I was thinking maybe we could provide some vocals and we could invite listeners to do their own vocal Like there could be a gap in the vocals, right? 19:03.262 --> 19:03.842 That's a good idea. 19:03.862 --> 19:09.946 So it'd be like a famous, you know a duet or a What would you call it when three people sing a three yet is this? 19:10.946 --> 19:12.887 A triptych I have no idea. 19:12.927 --> 19:13.348 What is that? 19:13.968 --> 19:16.110 What's it called when three people are singing if it's a duet? 19:16.170 --> 19:17.331 A thringle song. 19:17.611 --> 19:18.872 A throngle. 19:18.892 --> 19:19.772 A throngle. 19:20.873 --> 19:21.974 Yeah, we could post a throngle. 19:22.254 --> 19:22.414 A trio? 19:22.434 --> 19:24.536 Anyway, we'll think of something, but we're not promising anything. 19:24.696 --> 19:25.517 It's just a trio. 19:25.757 --> 19:32.422 We promised for Song Wars to do a song for somebody's first dance at their wedding, and I'm haunted by the fact that we might have missed the date. 19:32.502 --> 19:33.963 What was that person called? 19:34.263 --> 19:35.484 Well, we have a letter here. 19:35.724 --> 19:40.327 It's from Emma and Niall, soon to be Mr and Mrs Shammah. 19:41.428 --> 19:49.852 I think they say, dear Adam and Jo, we were amazed, chuffed and utterly pleased to hear you mention our email and request for help with the music for our wedding. 19:50.092 --> 19:56.696 We're more than happy to abide by the rules set by you both to get our very own Adam and Jo original song. 19:56.996 --> 20:00.898 You're both very welcome to attend our evening party, not the actual wedding. 20:01.778 --> 20:04.221 Now, we made it clear that we didn't want to go to the wedding, I think. 20:05.102 --> 20:08.126 Very welcome to attend our evening party and witness our first dance. 20:08.526 --> 20:12.030 Should we be lucky enough to get your song created for us? 20:12.070 --> 20:13.412 See the enclosed invitation. 20:13.892 --> 20:18.418 And the date is, er, 28th of March, so we got ages. 20:18.478 --> 20:19.699 Next year, that's alright. 20:19.719 --> 20:20.280 Yeah, yeah. 20:20.840 --> 20:24.163 So we don't have to get on that case too quickly. 20:24.284 --> 20:24.544 Good. 20:24.684 --> 20:25.265 Which is good. 20:25.505 --> 20:28.127 Next week, I think we're gonna do spooky songs, right? 20:28.528 --> 20:28.828 Yes. 20:28.928 --> 20:31.430 So that the winning song will be played on Halloween. 20:31.450 --> 20:32.592 Played on Halloween, yes. 20:33.152 --> 20:33.993 Scary songs. 20:34.213 --> 20:36.656 Songs that, what sort of an angle are we going for there? 20:36.676 --> 20:39.418 Are we genuinely saying that we're gonna frighten people? 20:39.578 --> 20:40.499 Yes, I think we should. 20:40.519 --> 20:41.180 Disturb them. 20:41.320 --> 20:42.681 Yeah, disturbing, creepy. 20:42.701 --> 20:43.162 Unsettle them. 20:43.522 --> 20:46.423 like either in a Marilyn Manson type way or... Right. 20:46.503 --> 20:49.443 What about if I was able to secure the services of Scary Spice? 20:49.783 --> 20:51.063 That would be terrifying. 20:51.204 --> 20:52.844 Would that be... That would be pushing it too far. 20:53.044 --> 20:56.184 I mean, would that still be within the rules of the competition? 20:56.244 --> 20:57.085 It would be scary. 20:57.325 --> 20:58.005 Yeah, no, it would. 20:58.045 --> 20:58.785 It would be amazing. 20:58.925 --> 20:59.345 Yeah. 20:59.365 --> 21:00.205 It would be extraordinary. 21:00.285 --> 21:00.945 I'm going to get on it. 21:01.906 --> 21:03.486 We've got some more music for you now, listeners. 21:03.506 --> 21:06.086 This is The Mighty Keen with The Lovers Are Losing. 21:06.326 --> 21:07.927 That's Keen with The Lovers Are Losing. 21:07.967 --> 21:08.347 They've gone 80s. 21:09.187 --> 21:13.088 Well, they're stepping into Coldplay's shoes in the success stakes. 21:13.228 --> 21:14.189 Do you know what I'm saying? 21:14.269 --> 21:16.290 In the power songwriting stakes. 21:16.710 --> 21:18.010 Is there room in those shoes there? 21:18.350 --> 21:20.751 Well, I think Coldplay have slipped them off a little bit. 21:21.151 --> 21:21.451 Really? 21:21.612 --> 21:23.412 They're still selling records hand over fist. 21:23.452 --> 21:24.673 Oh, absolutely, yeah. 21:24.713 --> 21:27.294 But they're slightly more... I don't know. 21:27.534 --> 21:30.475 In the sort of credible power rock stakes. 21:30.695 --> 21:31.155 Do you mean? 21:31.455 --> 21:32.155 I don't know. 21:32.215 --> 21:36.737 I think maybe the Coldplay songs are a little bit more left field, maybe even. 21:36.857 --> 21:54.404 you know like their tunes are a little more obscure and it's hard to put my finger on what I mean but I think what I mean is that Keen have unsheathed a massively powerful tune sword right they are a glaive yeah like in Kroll and they are wielding it it's called a glaive 21:55.819 --> 21:56.740 I was impressed though. 21:57.380 --> 21:58.741 When did you get a glaive from? 21:58.821 --> 21:59.941 Everyone knows what a glaive is. 22:00.221 --> 22:01.762 From the glaidell to the glaive. 22:02.342 --> 22:02.603 What? 22:03.163 --> 22:04.243 What are you talking about? 22:04.263 --> 22:05.304 You remember the film Kroll? 22:05.544 --> 22:05.884 Yes. 22:05.964 --> 22:07.705 And he had a sort of throwing star thing. 22:08.065 --> 22:08.386 Yeah. 22:08.646 --> 22:09.466 That's called a glaive. 22:09.726 --> 22:10.066 Really? 22:10.086 --> 22:10.527 Yeah. 22:10.747 --> 22:12.007 Isn't that just called a throwing star? 22:12.067 --> 22:12.908 No, a glaive. 22:13.088 --> 22:13.508 Okay. 22:13.528 --> 22:14.909 How many times do I have to say it? 22:15.389 --> 22:18.191 That Keem single's digitally released on the 13th of October. 22:19.071 --> 22:21.595 Oh, the physical release is on the 20s of October. 22:22.136 --> 22:24.439 That was Pierce Brosnan having a full physical release. 22:24.980 --> 22:29.706 So listen, listeners, and Adam, this week I flopped down on the sofa at children's telly time. 22:30.547 --> 22:31.248 Have a little rest. 22:31.328 --> 22:32.090 Flicked on the telly. 22:32.110 --> 22:33.051 Nice bit of hot crumpet. 22:33.351 --> 22:33.692 Thank you. 22:33.992 --> 22:35.234 I happened to see Blue Peter. 22:36.575 --> 22:37.636 which has relaunched. 22:37.656 --> 22:38.937 Have you seen Blue Peter recently? 22:38.957 --> 22:39.677 Not for a long time. 22:39.757 --> 22:40.698 Connie Huck in there still? 22:41.158 --> 22:52.284 No, they've completely, and I suppose because of the problems Blue Peter had, they've decided they're going to bring in a new broom and make it seem different and unsullied by past problems. 22:52.904 --> 22:54.205 So they've kind of reinvented it. 22:54.545 --> 22:54.745 Right. 22:54.865 --> 23:01.552 But in doing so, they seem to have, in my opinion, messed with the core of Blue Peter. 23:01.592 --> 23:03.073 The essential elements of Blue Peter. 23:03.093 --> 23:04.074 Don't touch the core. 23:04.174 --> 23:06.877 What would you say the essential elements of Blue Peter? 23:07.057 --> 23:07.418 Element one. 23:07.478 --> 23:08.819 As we knew it in our childhood. 23:08.839 --> 23:08.959 Sure. 23:09.239 --> 23:09.800 Childhood. 23:10.320 --> 23:20.229 Element one, some version of the hornpipe, or whatever it's called, that piece of music, played, the tune must be there, even if it's rendered in a modern style. 23:20.390 --> 23:21.090 Well, that's all right. 23:21.310 --> 23:21.971 It's still there. 23:22.271 --> 23:30.999 It's rendered in a modern style, kind of like as a sort of crazy rhubarb and custard march kind of thing, but they've added splashing sounds. 23:31.440 --> 23:31.620 What? 23:32.020 --> 23:51.770 just splooshing splooshing splooshing splooshing blue peterships water I see splooshing of course just to make it crazier sure more gungy like a gunk tank exactly that's fine other essential element three engaging young presenters of various sexes and racial backgrounds 23:52.210 --> 23:53.771 Yes. 23:53.791 --> 23:54.551 They've got that as well. 23:54.591 --> 23:56.431 It's doing well so far by your criteria. 23:56.532 --> 23:57.592 Yeah. 23:58.072 --> 24:02.874 I would like to see a gay presenter in there, like a very obviously flamboyantly gay presenter. 24:02.974 --> 24:04.554 I think they've done that in the past. 24:05.715 --> 24:06.335 That would be good. 24:07.055 --> 24:07.815 Okay, so that's good. 24:08.456 --> 24:11.997 What about elements like the infinite set? 24:12.717 --> 24:36.800 the infinite set like it just being blue peter being a sort of empty bbc studio with the white psych as they call it along the back and then just some freestanding shelves of j and sofas right is that to you essential to blue peter certainly like a big blank empty negative play space in which anything can happen cooking building yeah it's got i'm glad you think that because that's gone oh hey 24:37.521 --> 24:42.185 No, you want it to be like a pathetic version of the scene in The Matrix where all the gunshells pop up. 24:42.205 --> 24:42.826 Yeah, that's true. 24:42.946 --> 24:43.887 But it's not that anymore. 24:43.907 --> 24:45.989 They've turned it into a sort of a funky bunker. 24:46.469 --> 24:47.070 Oh no. 24:47.110 --> 24:50.693 Yeah, with fashionable exposed brickwork. 24:51.274 --> 24:52.575 Oh shut your mouth. 24:52.635 --> 24:55.778 Yeah, some stairs that the presenters now run down. 24:56.579 --> 24:57.520 at the beginning of the show. 24:57.540 --> 24:59.161 In fact, one of the presenters ran down. 24:59.541 --> 25:01.682 The other presenter was in the middle of doing things. 25:02.543 --> 25:07.066 So it was like we were interrupting them during, you know, some fun time in the funky bunker. 25:07.106 --> 25:07.887 It's like friends. 25:08.367 --> 25:09.808 Yeah, very much so. 25:10.769 --> 25:12.610 What other essential elements to Blue Peter? 25:12.630 --> 25:13.290 Maybe the animals? 25:14.191 --> 25:15.071 Certainly the animals. 25:15.091 --> 25:15.552 The pets. 25:15.732 --> 25:17.313 You've got to have pets roaming around there. 25:17.393 --> 25:19.534 When I watched it, no sign of any pets. 25:19.715 --> 25:19.975 What? 25:20.335 --> 25:25.138 A dog wanders briefly through the corner of the shot at 10.25 minutes. 25:25.178 --> 25:26.199 Well, that's a pet then. 25:26.899 --> 25:35.745 Then at the very end the pets do come on, but they look strangely drugged They're not running you remember they always used to just run away in old-school. 25:35.905 --> 25:37.006 It was temporary now. 25:37.066 --> 25:51.556 They're suspiciously complicit Rolling on their backs cooperating Something odd just better trained dogs listen after the socks gate scandal They would never do anything bad to animals right the sofas become slumpy bean bags. 25:51.956 --> 25:52.596 That's okay. 25:52.837 --> 25:55.058 Is it yes come on granddad. 25:55.338 --> 25:55.999 There's no garden 25:56.716 --> 25:57.397 No garden? 25:57.457 --> 25:59.200 Well, everyone just vandalises it. 25:59.320 --> 26:00.461 They didn't make anything? 26:00.702 --> 26:01.803 That's a disgrace! 26:01.823 --> 26:02.905 They made nothing! 26:03.065 --> 26:04.007 You've got to have a make! 26:04.087 --> 26:05.949 That's the whole backbone of the Peter! 26:06.009 --> 26:08.853 There was wacky science, but there was no making. 26:09.194 --> 26:09.735 No cooking? 26:09.755 --> 26:09.835 What? 26:10.336 --> 26:10.956 No prezzies? 26:12.079 --> 26:14.521 Here's an idea for your granny's birthday. 26:14.561 --> 26:18.303 You can make this out of coat hangers and some rolls of toilet paper tube. 26:18.343 --> 26:18.824 None of that. 26:19.264 --> 26:20.305 I saw a set. 26:20.325 --> 26:21.826 They had two VT packages. 26:22.246 --> 26:26.309 One was a massive advert for Merlin, the kids series. 26:26.569 --> 26:28.030 That's all right. 26:28.130 --> 26:39.037 In another one, they sent a new presenter, Joel, who's a nice chap, to Alaska to kind of work with people who saved animals. 26:39.978 --> 26:46.623 and they found a very sick American eagle and they got him to catch it and he made a really bad job of catching it. 26:46.703 --> 26:58.371 He really scared it and then he tried to put it in a box and he scared it and then tried to get it out of the box and he gave up because he was too frightened and then it died of trauma. 26:58.451 --> 26:58.772 What? 26:59.292 --> 27:02.854 Yeah, the vet said, well, it's a 50% chance. 27:02.914 --> 27:03.974 It's very frightened. 27:04.534 --> 27:07.636 And then about two minutes later, it was, well, it's now gone down to 30. 27:07.876 --> 27:10.777 It's having trouble breathing. 27:11.657 --> 27:14.299 It's been really traumatized and freaked out. 27:14.619 --> 27:18.901 And it went back to the studio and Joel looked in the camera and said, well, I'm sorry to tell you that the eagle died. 27:19.821 --> 27:23.223 So they sent their presenter to Alaska, where he killed an American eagle. 27:23.363 --> 27:24.144 That's amazing. 27:24.364 --> 27:24.824 And you know what? 27:24.884 --> 27:30.949 In the olden days, they would have spun the piece, surely to make it a little less downbeat. 27:31.069 --> 27:32.750 Yeah, they would have just swapped the bird. 27:32.770 --> 27:33.330 Swap the eagle? 27:33.510 --> 27:34.731 Who would know? 27:34.931 --> 27:37.593 And look, here's the eagle and it's fine. 27:37.753 --> 27:39.414 But in the new accountability 27:40.635 --> 27:41.655 times. 27:41.676 --> 27:43.376 You can't pull the rug over the kiddie's eyes. 27:43.396 --> 27:45.217 The eagle died and he killed it. 27:45.797 --> 27:51.240 But the final indignity was that all through the whole programme there is a music bed. 27:51.840 --> 27:52.240 No. 27:52.440 --> 27:59.804 Now, a music bed of course means that there's a music track playing under everything they say and there used to be authoritative, calm silence. 28:00.684 --> 28:02.267 in the background of Blue Peter, right? 28:02.407 --> 28:02.707 Right. 28:02.807 --> 28:05.071 Used to be sort of clipped, well-spoken voices. 28:05.091 --> 28:07.014 Bit of jud, bit of purpose. 28:07.154 --> 28:08.095 Yeah, not anymore. 28:08.476 --> 28:13.383 Here is a clip from the new Blue Peter and listen to what's happening underneath the talking. 28:15.397 --> 28:19.178 Hey you guys, come over here because I've got a trick that's gonna knock your socks off. 28:19.238 --> 28:20.279 I can't wait to see this. 28:20.399 --> 28:21.939 Wait till you see this. 28:21.959 --> 28:28.241 What I want you to do is keep your eyes on that sachet of tomato sauce. 28:28.281 --> 28:31.422 I'm not telling you what she's doing with that sachet of tomato sauce. 28:32.202 --> 28:33.342 It's a VT package from Bangkok. 28:33.362 --> 28:35.483 Is that literally right the way through, not just when they're teasing stuff? 28:35.503 --> 28:36.343 Right the way through. 28:36.523 --> 28:43.886 And if there's background noise in the room where you're listening to this, there is a rave track going on underneath all the Blue Peter links. 28:44.266 --> 28:47.167 So I was thinking, what if you apply that logic backwards? 28:47.187 --> 28:52.688 What if you applied that logic to some Janet Ellis and Peter Duncan era Blue Peter? 28:52.769 --> 28:53.469 So I had a go. 28:53.609 --> 28:54.029 Have a listen. 28:54.609 --> 28:58.893 The Vandals then broke our lovely ornamental urn given to us by Mr. Taylor from Barnet. 28:59.313 --> 29:04.277 They then smashed up our sundial and then callously threw it into the pond. 29:04.397 --> 29:07.440 And if that wasn't enough, they then trampled on the bedding plants as well. 29:07.760 --> 29:16.948 Well, we hope to repair the damage and we may even be able to repair the ornamental urn, but it's very sad to think that a few people take such pleasure from harming their fellow human beings 29:20.379 --> 29:21.700 That wouldn't work so well, would it? 29:22.101 --> 29:22.281 Yes. 29:22.301 --> 29:25.624 It would sound as if they were approving of the damage to the garden. 29:27.386 --> 29:28.467 They should definitely do that. 29:28.507 --> 29:32.672 You just convinced me that it's a very good idea to have... To have some panic-inducing rave. 29:32.692 --> 29:33.352 Underneath everything. 29:33.412 --> 29:35.194 It's only a matter of time before they have it under the news. 29:35.214 --> 29:39.018 Do your kids need a rave track beneath anything just to engage their attention? 29:39.038 --> 29:42.302 They get very lethargic, yeah, if there's not rave music playing. 29:43.042 --> 29:46.564 They need those acid flashbacks just to keep them going over tea. 29:46.785 --> 29:47.205 Absolutely. 29:47.245 --> 29:48.606 Wow, I'm gonna watch Blue Peter now. 29:48.906 --> 29:49.346 You know what? 29:49.626 --> 29:52.388 I was being cynical about it, but at the end I thought it was actually pretty good. 29:52.468 --> 29:52.928 Yeah. 29:53.068 --> 29:53.289 Yeah. 29:53.429 --> 29:54.269 Changing with the times. 29:54.369 --> 29:55.610 That's what the BBC's all about. 29:56.591 --> 29:57.671 Now, here's a bit of a trail. 29:57.691 --> 29:59.072 Look, we got on this trail, James. 29:59.152 --> 29:59.713 I'm excited. 29:59.813 --> 30:00.653 Oh, it's a hub trail. 30:00.893 --> 30:01.854 Who's playing in the hub? 30:02.314 --> 30:02.794 Frank Black? 30:03.095 --> 30:04.035 Very nice indeed. 30:04.075 --> 30:09.419 That was Frank Black recorded live in the BBC 6 Music Hub. 30:10.299 --> 30:11.560 When did that happen, Joe Cornish? 30:11.880 --> 30:13.021 Well, let me have a think. 30:13.161 --> 30:20.389 I think it was in May, I'd say about May 2005, by the sound of the acoustic resonance in the room. 30:20.529 --> 30:22.271 That was atmospheric pressure measurements. 30:22.431 --> 30:25.014 Right, the tuning as well, that's the kind of tuning he was using in 2005. 30:26.496 --> 30:27.557 May, that's his May tuning. 30:28.077 --> 30:29.779 Definitely lovely, very nice. 30:29.859 --> 30:32.021 What a wonderful sound, as Jonathan Ross says. 30:33.363 --> 30:35.445 This is Adam and Joe here on BBC 6 Music. 30:35.785 --> 30:38.307 Joe, I'm pleased to tell you, we're going to play some more music now. 30:38.327 --> 30:41.930 It's all about the music here at 6 Music, but I'm off to this. 30:42.171 --> 30:46.815 I'm going to maybe tell you, or sometime in this hour, about Prince. 30:47.235 --> 30:51.078 You know, I wasn't joking when I said I was going to get on the case and find out about Camille. 30:51.199 --> 30:52.740 I found out about Camille as well. 30:52.860 --> 30:53.180 Did you? 30:53.340 --> 30:53.701 Yeah. 30:53.781 --> 30:55.582 Well, maybe we'll swap our Camille facts. 30:55.743 --> 30:55.963 Okay. 30:56.663 --> 31:03.930 But right now, here's Toots and the Maytals with Maytals, Maytals, Maytals, models, with Take Me Home Country Roads. 31:05.111 --> 31:07.513 Toots and the Maytals, yeah, don't worry man, I'm taking care of this one. 31:08.033 --> 31:09.414 Relax. 31:09.654 --> 31:13.538 Toots and the Maytals with Take Me... No, I'm panicking, I can't do it. 31:13.698 --> 31:14.919 Take Me Home Country Roads. 31:15.099 --> 31:16.540 It's okay man, everything's fine. 31:16.841 --> 31:17.841 Don't ever do that again. 31:17.861 --> 31:21.925 Oh look, I've got a... Oh, sorry. 31:22.385 --> 31:23.386 I've got a thing. 31:23.526 --> 31:24.207 I've got a thing. 31:25.167 --> 31:27.930 I reset my iPhone this week, Joe. 31:28.010 --> 31:30.011 I downloaded the new settings, the new version. 31:30.031 --> 31:32.573 They wiped everything on there. 31:32.593 --> 31:33.354 I mean, it did ask me. 31:33.374 --> 31:38.238 There was a little dialog box that popped up saying, you're going to lose everything on your phone in a second. 31:38.278 --> 31:38.598 Is that OK? 31:40.017 --> 31:40.918 and off it all went! 31:41.139 --> 31:55.540 No, gone, my photos are gone and all my settings are gone and all that old stuff was gone and it sort of replaced them with a load of things that it thinks are more helpful but I don't think so and now I've got to go back turning everything off and turning the stupid sounds off and reorganizing my... 31:56.841 --> 32:18.189 uh life all right what are you gonna do about it just ignore the whole thing so listen camille prince right we were talking about this last week we were discussing the uh kind of rumor that prince did a album an album as a lady character and we've since discovered that it's completely true and i was being made a mockery of by suggesting that that album crystal ball was actually available 32:18.889 --> 32:23.553 in the shops basically before Sign of the Times he became hugely prolific as I understand it. 32:24.173 --> 32:37.083 And he almost released an album called Camille done in the character of Camille and then he turned it into three discs which were going to be released as crystal ball but the record company had some sort of a you know don't swamp the market style fit. 32:37.723 --> 32:40.325 and selected certain tracks and released them as Sign of the Times. 32:40.365 --> 32:47.210 But the Camille was going to be like an eight-track album and it had songs on it, most of which have turned up on subsequent Prince albums. 32:47.250 --> 32:49.451 That's my understanding of the situation. 32:49.511 --> 32:50.372 That sounds about right. 32:50.412 --> 32:52.433 I got a nice email from Jason Draper. 32:52.473 --> 32:53.314 Thanks, Jason. 32:53.574 --> 32:59.578 He's actually written a book about Prince, which is available in America, not yet in the UK. 32:59.598 --> 33:01.440 I think it's being released next March. 33:02.100 --> 33:03.521 But he's out of Prince. 33:03.801 --> 33:04.681 He's nice. 33:05.441 --> 33:06.181 One day it will be. 33:06.942 --> 33:08.662 And how ironic that day will be. 33:10.043 --> 33:17.265 He says that Camille was this alter ego that he created having done Housequake, right? 33:17.285 --> 33:25.188 Because he fired the revolution, his backing band in 1986, shelved the unreleased album by Prince and the Revolution called Dream Factory. 33:25.328 --> 33:25.588 Wow. 33:26.589 --> 33:36.638 and then recorded the song House Quake, later used on Sign of the Times of course, using the sped up vocal technique that he used in part on Let's Go Crazy B-side, Erotic City. 33:36.799 --> 33:38.300 Yes, I've been to Erotic City. 33:38.380 --> 33:39.201 It's amazing, isn't it? 33:39.221 --> 33:41.063 It's just, there's a horrible stink in the streets. 33:42.664 --> 33:44.325 And what comes out of the taps? 33:44.565 --> 33:45.226 Don't answer. 33:46.367 --> 33:58.696 So he had this alter-ego Camille with a speeded-up voice believed to be named after the 19th century French hermaphrodite, Herculean Barbain, who was nicknamed Camille. 33:59.237 --> 34:00.738 The notorious French hermaphrodite. 34:00.818 --> 34:01.519 That's right. 34:02.319 --> 34:04.441 That French hermaphrodite is notorious. 34:05.582 --> 34:09.145 Ma'am, I've French-amaphrodized in the room again! 34:09.185 --> 34:12.448 Ma'am, not the notorious French-amaphrodite Herculean barbare! 34:12.568 --> 34:13.229 It's all you! 34:14.891 --> 34:16.312 That's Camille's speeded up voice. 34:16.332 --> 34:17.313 Get out! 34:17.373 --> 34:17.933 Get out! 34:17.973 --> 34:22.037 Stop rubbing your non-specific bits all over the carpet. 34:23.439 --> 34:24.279 Both your bits. 34:26.481 --> 34:27.843 Your double bit set. 34:29.716 --> 34:30.476 one at either end. 34:30.676 --> 34:31.817 Not both at the same place. 34:31.937 --> 34:32.977 That's what's so frightening. 34:34.017 --> 34:34.458 Oh man. 34:34.598 --> 34:38.339 He even planned a follow-up to the film Under the Cherry Moon. 34:38.359 --> 34:39.499 Did you mention this last week? 34:39.599 --> 34:39.859 No. 34:40.499 --> 34:44.301 Around using the Camille character, right? 34:44.621 --> 34:49.762 Where Prince would play both the evil Camille and the other character, a less evil Camille. 34:49.782 --> 34:53.023 The denouement of the film would be that they were one and the same! 34:53.383 --> 34:55.324 And Prince's character was schizophrenic. 34:55.604 --> 34:57.585 Oh, well, I would have guessed that from the trailer. 34:57.645 --> 34:58.405 I mean, what a film! 34:58.585 --> 35:00.166 What a movie! 35:00.686 --> 35:08.369 It's a shame that Under the Cherry Moon wasn't the big hit it was expected to be, otherwise we would have seen those projects realised. 35:08.809 --> 35:14.631 Under the Cherry Moon's got a really good party with an elephant at it, and he dances on top of the piano. 35:14.651 --> 35:15.751 What does he sing? 35:15.811 --> 35:18.252 New position or something really good on top of the piano? 35:18.572 --> 35:20.513 Then the end is amazing, the closing credits. 35:20.553 --> 35:22.474 He does mountains over the closing credits. 35:23.194 --> 35:26.036 Apart from that, it's rubbish. 35:26.116 --> 35:27.678 Is that Kristen Scott Thomas in that film? 35:27.958 --> 35:28.418 Possibly. 35:28.818 --> 35:29.839 Someone like that, isn't it? 35:29.859 --> 35:31.320 Yeah, I'm sure our listeners will tell us. 35:32.261 --> 35:33.342 Is that due for reassessment? 35:33.942 --> 35:35.724 No, no, no. 35:35.744 --> 35:38.106 In 2024, it's due for reassessment. 35:38.386 --> 35:39.527 That's the end of Prince News. 35:39.787 --> 35:40.868 Time now for more music. 35:40.908 --> 35:41.608 Is this your free choice? 35:41.648 --> 35:45.852 Yeah, this is a political free choice because of course it's all going off in America. 35:45.872 --> 35:47.153 There's going to be a civil war. 35:47.893 --> 35:55.661 It's not going to be a civil war, but Obama's leading and it's all very exciting, and Palin's been exposed as a nutball this morning. 35:55.681 --> 35:56.342 Not Michael Palin! 35:56.582 --> 35:57.943 No, not Michael Palin. 35:58.444 --> 35:59.245 Sarah Palin. 35:59.785 --> 36:04.310 The insane nose-wrinkling, winking Republican vice-presidential candidate. 36:04.330 --> 36:05.531 She's a hockey mom! 36:05.851 --> 36:06.572 She certainly is. 36:06.592 --> 36:07.393 What does that mean? 36:07.493 --> 36:09.615 It's like Jerry Halliwell running for president. 36:09.956 --> 36:10.797 Hey, that's a good idea. 36:10.817 --> 36:13.340 I'm trying to get elected just on wrinkling her nose. 36:13.480 --> 36:14.741 Well that, I would vote for her. 36:14.841 --> 36:15.502 You would, wouldn't you? 36:15.542 --> 36:17.004 She's got a winning peer. 36:17.064 --> 36:17.865 Frightening times. 36:18.405 --> 36:24.632 Anyway, this is Marvin Gaye's take on the election in 72, a not dissimilar social circumstance, right? 36:25.673 --> 36:45.285 uh jerry hallowals running yeah exactly the spice girls at the top of the charts girl power uh and this is uh this is alternate version number two of marvin gaye's song you're the man text the nation text text text text the nation what if i don't want to text the nation but i'm using email is that a problem it doesn't matter 36:48.373 --> 36:49.753 Yes, it's text the nation time. 36:49.793 --> 36:53.134 Before that you heard Marvin Gaye from the deluxe edition of Let's Get It On. 36:53.154 --> 36:54.855 He had some chipmunks there. 36:55.195 --> 36:56.395 He had some speeded up stuff. 36:56.415 --> 37:07.199 That was his period when he was getting very tooty and just lying on a sofa with an eight track or whatever and just layering the vocals and toying with speeding things up and stuff. 37:07.359 --> 37:07.959 Good times. 37:08.479 --> 37:09.880 Yeah, they were good times. 37:10.080 --> 37:12.502 Getting their chipmunks out there, it's always a fun thing to do. 37:12.642 --> 37:13.363 Alvin and the gang. 37:13.463 --> 37:14.003 Yeah. 37:14.904 --> 37:22.130 But now it's time for Text the Nation, and this week in Text the Nation, we're asking you for your customised fashion disasters. 37:23.050 --> 37:31.256 Everybody goes through a point in life when they think that off-the-peg clothing bought from shops isn't quite individual enough. 37:32.336 --> 37:48.580 and you decide you'll customize your clothing, maybe adjust the fit, maybe add some kind of design or badge, or maybe just take, you know, sartorial design into a new sort of authored personal area. 37:49.080 --> 37:52.701 A unique look that you know no one else in the street will have. 37:53.141 --> 37:57.102 Yes, something that expresses something indefinable about yourself. 37:57.782 --> 37:59.183 and says, this is who I am. 37:59.503 --> 38:02.945 I'm not just the man from Mr. Byright or whatever. 38:03.185 --> 38:03.905 Yeah, I'm me. 38:03.925 --> 38:05.466 And there's no one else like me. 38:05.746 --> 38:06.026 Right. 38:06.126 --> 38:12.529 This usually happens during the teenage years, when one's not sure of the boundaries of existence or acceptable behaviour. 38:12.850 --> 38:15.311 You're testing the edges of the envelope. 38:16.631 --> 38:19.053 And it happened for me a few times. 38:20.013 --> 38:26.299 I once decided that I wanted a pair of swimming trunks, swimming shorts, like surf shorts. 38:26.519 --> 38:26.799 Yeah. 38:27.319 --> 38:29.802 And I couldn't find any with the material I wanted. 38:29.962 --> 38:30.943 Like Bermuda shorts. 38:31.323 --> 38:33.825 Yeah, so I must have been about 16 or 17. 38:34.946 --> 38:38.909 So I went to John Lewis and bought some material. 38:39.790 --> 38:43.113 I thought, right, I'm going to make my perfect pair of swimming shorts. 38:43.133 --> 38:44.995 So you got some like flowery curtain material. 38:45.035 --> 38:47.076 Got some flowery curtain material. 38:48.037 --> 38:49.098 I thought, this is really good. 38:49.138 --> 38:50.299 Why haven't I done this before? 38:51.300 --> 38:52.681 And I took it home. 38:52.841 --> 38:55.644 Is it because I don't know anything about sewing or making clothes? 38:56.084 --> 38:58.245 I thought anything was possible, I thought I could do anything. 38:58.365 --> 39:00.806 I thought there were no limits to my capabilities. 39:00.966 --> 39:02.907 You'd been watching No Limits with Jonathan King? 39:02.927 --> 39:03.348 Probably. 39:03.848 --> 39:12.632 So then I bought a pair of swimming shorts that were the correct sort of fit and I took them apart to see what the different shapes were made out of. 39:12.672 --> 39:13.873 Scientific, nice. 39:13.893 --> 39:16.334 I traced round them on my new piece of material. 39:17.296 --> 39:42.482 and I cut the bits out and I sewed them together by hand and I put them on they were slightly odd fitting and the seams didn't seem particularly strong enough so I did a bit of extra stitching and I thought excellent and I popped them in my baggage for a holiday I went on with a friend of ours in Corfu and I went in Corfu the first morning came I put on my homemade trunkies 39:45.563 --> 39:53.027 When bounding into the sea, first of all the material wasn't waterproof in any way, or it wasn't, it was the wrong sort of material. 39:53.647 --> 39:57.009 For swimming, so it clung to my new bile young body. 39:57.670 --> 39:59.070 Very revealing fashion. 40:00.351 --> 40:03.133 Secondly, the stitching really wasn't tough enough. 40:03.953 --> 40:06.734 to put up with even small waves. 40:07.255 --> 40:11.116 So they pretty much fell apart as soon as I went into the sea. 40:11.156 --> 40:12.177 Just floated off you. 40:12.797 --> 40:14.578 So it was one of the hardest exits. 40:14.678 --> 40:16.939 What are those curtains doing there floating around? 40:16.959 --> 40:26.123 What have you got those three pieces of carton material clinging to your naked, hairless adolescent torso, Joe? 40:26.283 --> 40:27.504 Have you got any pictures at all? 40:28.004 --> 40:31.007 No, luckily there were no cameras around, thank God. 40:31.047 --> 40:33.370 But it was an ignoble exit from the water. 40:33.630 --> 40:33.950 Nice. 40:34.411 --> 40:37.854 Clinging onto my loins to keep the bits of material together. 40:38.315 --> 40:39.976 Quickly wrapping my midriff in a towel. 40:40.177 --> 40:40.777 Aged how old? 40:42.499 --> 40:43.360 A bit too old. 40:43.420 --> 40:43.920 Quite old. 40:43.960 --> 40:44.761 Yeah, 16 or 17. 40:45.322 --> 40:46.723 A bit too old. 40:47.184 --> 40:49.506 But I wanted to make a swimming statement. 40:49.546 --> 40:50.867 Top marks for effort then. 40:50.907 --> 40:50.988 Yeah. 40:51.508 --> 40:52.589 I mean, what was the material? 40:52.629 --> 40:57.295 Was it so crazy that you just thought, it was just a nice paisley design, I think. 40:57.315 --> 41:00.218 They already make pretty crazy beauty shorts, did you know that? 41:00.278 --> 41:01.360 But I thought, why spend the money? 41:01.500 --> 41:02.461 Why spend the money? 41:02.481 --> 41:03.782 When you can do it yourself. 41:04.904 --> 41:09.949 And you know, you're laughing at me in a mocking fashion there, Adam, but you've had your own problems, haven't you? 41:09.990 --> 41:11.251 I don't know what you mean. 41:11.431 --> 41:13.492 Maybe we'll, I'll tell people about my problems. 41:13.593 --> 41:22.378 Well, so if you've got any homemade fashion problems that you've had, if you've had to, if you've ever tried to make yourself some clothes or, you know, ads, what's the word? 41:22.418 --> 41:24.440 Customise your clothes? 41:24.460 --> 41:27.101 64046, we'd like to hear your stories on text the nation. 41:27.121 --> 41:29.323 64046 is the text number. 41:29.483 --> 41:34.986 I'll share my fashion faux pas, stroke disasters with you after this track from 41:36.144 --> 41:38.325 I love that band. 41:38.345 --> 41:39.025 Santa Gold. 41:39.205 --> 41:40.566 Oh, I hate that band. 41:40.666 --> 41:41.847 This is Liz Arteist. 41:42.007 --> 41:42.507 Very nice. 41:42.667 --> 41:44.808 Santa Gold with LES Arteist. 41:44.908 --> 41:55.853 This is Adam and Joe here on BBC 6 Music and we are talking for Text the Nation today about various kinds of fashion disasters that you've had because of your own ambition, I suppose. 41:55.893 --> 41:56.633 Homemade fashion. 41:56.713 --> 41:58.234 Homemade fashion, right, right, right. 41:58.554 --> 42:00.115 My thing was, my look, 42:00.655 --> 42:12.978 I was going for a kind of a fusion between talking heads, David Byrne in his big square suit on Stop Making Sense, and in my brain, some bits of punk. 42:13.699 --> 42:18.400 And this is a look you wanted to create that you couldn't afford or felt wasn't represented in the shops. 42:19.258 --> 42:38.285 Yeah it was it was a combination of the fact that my dad had all these old suits and dress shirts right he had like collarless shirts from the olden days so I would wear his suits which were much too big for me and then wear like a collarless shirt underneath and do it up to the top because I thought I looked a bit like David 42:38.726 --> 42:53.142 Oh my goodness, and then my the way I would take that one step further right yeah, and really freak people's minds Was to make a long chain with some safety pins and pin them to my shoulders 42:53.943 --> 42:57.825 like sort of Michael Jackson style epaulette kind of thing. 42:57.925 --> 42:58.525 Correct. 42:59.246 --> 43:02.767 But chains of safety pins, that's an age-old punk thing. 43:03.007 --> 43:05.689 I don't know if the punks went for chains of safety so much. 43:05.709 --> 43:06.949 You had split trousers. 43:07.790 --> 43:08.090 That. 43:08.550 --> 43:12.792 And you had a line of safety pins all the way down the seam. 43:12.872 --> 43:13.433 I forgot. 43:13.673 --> 43:15.754 So when your trousers split, you didn't sew them. 43:16.054 --> 43:16.374 No. 43:16.434 --> 43:18.595 You did it with loads and loads of safety pins. 43:18.815 --> 43:19.455 All in a row. 43:19.475 --> 43:21.917 And then just went about your business as if that was normal. 43:23.818 --> 43:45.435 Without commenting or saying anything I completely forgotten about that I did I looked a bit like a sort of very pathetic posh version of Edward Scissorhands right wandering around there with all my Bondage look I guess because what had happened is that my ma had taken in my floppy school trousers, right and made them The requisite drain pipe they are narrowness Rupert Scissorhands 43:45.575 --> 43:49.479 Yeah, and then when, you know, I couldn't get them on because they were so tight. 43:51.220 --> 43:55.084 So I split them apart and then I did them with the safety pins there. 43:55.545 --> 43:56.405 I'd totally forgotten about it. 43:56.425 --> 43:57.326 But you thought it looked cool. 43:57.586 --> 43:58.988 Yeah, I was convinced it looked cool. 43:59.568 --> 44:01.710 Oh man, I'm going to need a little while to get over that now. 44:01.750 --> 44:02.691 That's traumatic memory. 44:02.871 --> 44:05.834 We want to hear about your fashion nightmares. 44:05.934 --> 44:09.758 Or it can be a friend of yours if they've turned up with some kind of homemade disaster. 44:09.898 --> 44:10.939 We'd like to hear about it. 44:10.959 --> 44:12.600 6-4-0-4-6 is the text. 44:13.161 --> 44:14.602 Here's a little free play for you right now. 44:14.642 --> 44:16.844 This is broadcast with smell. 44:17.004 --> 44:17.365 Oh, sorry. 44:17.405 --> 44:18.846 Still smells well. 44:18.886 --> 44:21.308 It still feels like tears is what I was trying to say. 44:21.368 --> 44:22.249 The mighty broadcast. 44:22.309 --> 44:22.770 Enjoy. 44:23.050 --> 44:23.350 Nice. 44:23.610 --> 44:26.052 Let's broadcast with still feels like tears. 44:26.072 --> 44:28.234 This is Adam and Joe here on BBC 6 Music. 44:28.375 --> 44:34.040 It's time for the news right now read by Catherine Kratnall with the music news read by Ruth Barnes. 44:34.800 --> 44:36.142 What if I don't want to? 44:36.382 --> 44:37.463 But I'm using email. 44:37.483 --> 44:38.784 Is that a problem? 44:46.581 --> 44:56.327 Yes, Text the Nation this week, listeners, is all about your customised fashion disasters, homemade sartorial escapades that have gone wrong. 44:56.788 --> 45:02.211 And we've been inundated with stuff, I'm just trying to sort through it here to find the most grievous ones. 45:02.872 --> 45:04.233 Not sure I found the absolute 45:04.733 --> 45:05.453 corkers yet. 45:05.553 --> 45:11.395 I mean, you used to do things like, well, you were a big fan of badges and things like that. 45:11.415 --> 45:11.635 Sure. 45:11.835 --> 45:12.375 And painting. 45:12.395 --> 45:15.836 You were the first person that I came across that actually used Tippex. 45:15.896 --> 45:19.317 Well, I've told this story before, but don't laugh at me. 45:19.337 --> 45:20.477 It was very advanced. 45:20.497 --> 45:20.877 It was great. 45:20.897 --> 45:23.158 I went to America on holiday when I was a teenager. 45:23.198 --> 45:25.378 I saw Top Gun before anybody else. 45:25.979 --> 45:27.119 I thought I'd bring the top. 45:27.199 --> 45:30.260 I'd be the first to bring the Top Gun look to the UK. 45:31.741 --> 45:33.283 Because I looked a bit like Tom Cruise. 45:33.303 --> 45:33.623 He did. 45:33.643 --> 45:38.931 He looked like a crossing, in fact, like a cross between Tom Cruise and the Ice Man. 45:39.792 --> 45:40.153 Really? 45:40.573 --> 45:41.295 What, Val Kilmer? 45:41.595 --> 45:42.156 I can't remember. 45:42.176 --> 45:44.038 Who was... No, it was the bloke from ER. 45:44.860 --> 45:45.881 Yeah, I know the bloke you mean. 45:46.582 --> 45:58.549 Anyway, so I bought a bomber jacket and I got some, I decided that badges, the badges available in the shops weren't good enough, the sewn-on patches weren't good enough, so I got some Tippex and painted badges on and it looked wicked. 45:58.689 --> 45:59.810 Do you remember what the badges said? 45:59.830 --> 46:01.431 Were they just things like US Air Force? 46:01.451 --> 46:10.196 Well, it was, yeah, well, I knew the brush, the Tippex brush was a bit splotchy, so yeah, they were sort of vaguely sort of wings, you know, and things like that. 46:10.256 --> 46:12.617 I remember you had a pointy hand on there, didn't you? 46:12.717 --> 46:14.798 Sure, there were a lot of 80s symbols. 46:15.179 --> 46:15.319 Yeah. 46:15.959 --> 46:17.020 Was that the 80s even? 46:17.160 --> 46:18.262 When was Topgum released? 46:18.562 --> 46:19.843 That was the 80s, of course. 46:20.624 --> 46:21.265 Yeah. 46:21.325 --> 46:26.731 Anyway, so here is one that's come in from Allie in Norn Iron. 46:26.871 --> 46:27.472 What does that mean? 46:27.492 --> 46:28.613 Does that mean Northern Ireland? 46:28.934 --> 46:30.536 Maybe, I don't know, Norn Iron. 46:31.196 --> 46:40.865 Anyway, among my handcrafted fashion disasters, I went through a phase of buying secondhand shirts, then copying the lyrics of my favourite songs onto the back in fabric paint. 46:40.945 --> 46:41.545 Good idea. 46:41.565 --> 46:48.131 My pride and joy was my ex British Army's shirt, with the entire words to 99 Red Balloons written on it in pink. 46:49.432 --> 46:51.954 In my 14-year-old wisdom, I was trying to be ironic. 46:51.974 --> 46:52.635 Were you really? 46:52.775 --> 46:54.596 Their irony didn't exist then, did it? 46:55.097 --> 46:56.558 Not in the world of fashion and pop. 46:56.958 --> 46:58.780 Well, that's a very dangerous gambit, though. 47:00.201 --> 47:01.322 Painting all the lyrics on. 47:01.342 --> 47:02.743 Have you ever done anything like that? 47:03.283 --> 47:03.844 I'm trying to think. 47:03.904 --> 47:07.807 I've certainly painted lyrics onto a few things, yeah. 47:08.207 --> 47:10.529 I mean, it's a very tempting thing to do, isn't it? 47:10.869 --> 47:11.610 Yeah. 47:11.670 --> 47:14.592 To draw them on, I mean, you know, on your school bags and things like that. 47:14.612 --> 47:18.916 But when you actually draw them onto your clothes, that's really stepping over some kind of... That's commitment. 47:18.936 --> 47:19.036 Yeah. 47:19.576 --> 47:20.958 Or at least you need commitment. 47:21.558 --> 47:22.599 You need to be committed. 47:22.739 --> 47:23.720 You need some commitment. 47:23.740 --> 47:26.282 Here's one from Julian Bromley. 47:26.422 --> 47:31.386 In 1989, when I was 16, I decided to customise a pair of men's 501s by splashing paint over them. 47:32.086 --> 47:38.892 Whilst I'd intended to use red, yellow and blue, the only colours readily available in my dad's shed were peach, magnolia and burgundy. 47:39.772 --> 47:46.297 and they were far too big round the waist, so I belted them in, which gave me the look of an ample bulge in the front groin. 47:46.537 --> 47:48.478 Not an appealing look for a 16-year-old girl. 47:48.818 --> 47:52.321 The overall effect was that I was wearing my dad's old painting trousers. 47:52.681 --> 47:55.243 It's really hard to get that kind of thing right, isn't it? 47:55.603 --> 47:58.085 And basically... Well, the trick is not to try. 47:58.265 --> 47:59.445 The trick is not to try. 47:59.666 --> 48:03.268 But the thing is, with fashion, it sort of depends on what you look like as well. 48:03.368 --> 48:09.112 Like, you, Joe Cornish, as a young skinny reed pole man, you could have got away with quite a few things... Still can? 48:09.872 --> 48:11.533 I couldn't have done, for example. 48:12.013 --> 48:13.334 You know, I was too thin. 48:13.895 --> 48:15.675 I was too thin and I didn't have the shoulders. 48:16.216 --> 48:16.496 Right. 48:17.216 --> 48:18.337 And I did have the spots. 48:19.357 --> 48:20.098 That was the problem. 48:21.379 --> 48:23.600 Here's one from Sean in Brighton that brings back memories. 48:23.840 --> 48:27.062 Once, when I was about 16, I tried to put rips in my jeans. 48:27.702 --> 48:33.245 I cut about 30 rips with a pair of scissors, making them entirely useless and even less fashionable. 48:33.565 --> 48:34.565 Now you still see that. 48:34.645 --> 48:36.366 In fact, it's coming back even maybe. 48:36.887 --> 48:43.950 Some people have so many rips down the pair of jeans that it's almost like a sort of series of tube socks. 48:43.970 --> 48:44.930 Do you know what I mean? 48:44.971 --> 48:47.592 And then they're so ripped that there's fabric underneath. 48:48.152 --> 48:48.372 Yes. 48:48.552 --> 48:53.797 So that they don't get cold, which seems to sort of circumvent the point of the whole ripping exercise. 48:53.837 --> 48:57.039 No, it's fashion eating itself in a very grotesque way. 48:57.159 --> 49:01.843 Sometimes the bottom of the butt cheek is ripped as well, so the pants come right out. 49:02.023 --> 49:02.884 And so does the bottom. 49:02.984 --> 49:04.766 And the bottom comes all the way out. 49:05.166 --> 49:05.686 Hello. 49:06.147 --> 49:10.390 Hello, what a lovely day. 49:10.450 --> 49:14.474 Look at me. 49:14.714 --> 49:15.535 I'm a bottom. 49:20.467 --> 49:20.927 Oh dear. 49:21.068 --> 49:23.469 I'm bobbing out to say hello. 49:24.730 --> 49:26.171 Here's one from Betsy. 49:26.791 --> 49:27.652 Aged 15. 49:28.352 --> 49:28.773 You alright? 49:29.233 --> 49:33.616 I just like the idea of a talking bum like that. 49:33.716 --> 49:34.016 Aged 15. 49:34.076 --> 49:36.198 Black Doc Martens sprayed metallic purple. 49:36.358 --> 49:37.058 Let's recap. 49:37.318 --> 49:41.841 Black Doc Martens sprayed metallic purple with car retouch. 49:42.062 --> 49:42.602 Hey, I did. 49:42.742 --> 49:57.535 That brackets fumes nearly killed me and my little brother black chiffon skirt Wooly tights and my big brother's lumberjack shirt that I cut the collar off Tied at the waist ala daisy Duke with a ripped black t-shirt underneath nice. 49:57.776 --> 49:59.257 We're not very says Betsy 49:59.437 --> 50:00.178 I did the same thing. 50:00.678 --> 50:06.702 I had some DMs and I wanted, basically what I wanted was patent leather DMs, you know, really shiny ones. 50:07.122 --> 50:14.427 So what I did was just went out and got some black gloss car paint, sprayed them all up nice, very nice and shiny. 50:14.467 --> 50:15.688 I was thinking, these are wicked. 50:16.128 --> 50:21.112 First of all, had a disaster wandering around the house with, and didn't realize that they weren't properly dry. 50:21.152 --> 50:23.433 The soles still had a little bit of paint on them. 50:23.453 --> 50:23.674 Right. 50:23.694 --> 50:24.394 So you were leaving. 50:24.594 --> 50:46.299 footprint painting like car paint footprints on the carpet didn't go down well and then the other thing I didn't realize was that that car paint does not breathe in the same way that leather would know so I went out for a night out and I ended up stinking right a freak and my feet were all sweaty and I don't think it's good for you to put car paint on you know car paint 50:46.659 --> 50:48.640 the operative word is car. 50:49.101 --> 50:49.301 Right. 50:49.541 --> 50:51.362 They don't tell you that, though, when you're growing up. 50:51.422 --> 50:52.563 No, they don't. 50:52.583 --> 50:54.905 They only tell you when they call it car paint. 50:55.905 --> 50:56.926 That's when they tell you. 50:57.526 --> 50:58.947 Here's one from Helen. 50:59.187 --> 51:00.268 This is a good one, Helen. 51:01.009 --> 51:01.269 Hi. 51:01.709 --> 51:07.733 I once got an old pillowcase, cut a head hole, an arm hole to make a little sun top. 51:08.774 --> 51:13.177 Completely shapeless, indeed it looked like I was wearing a pillowcase. 51:13.937 --> 51:16.019 It's shop bought clothes all the way now. 51:17.100 --> 51:17.860 Oh, that's a shame. 51:18.101 --> 51:19.082 I bet you look nice in it. 51:19.382 --> 51:24.727 What did she do with the little flap, you know, designed for keeping in the top of the pillow? 51:25.107 --> 51:26.749 Well, that she could have kept things in it. 51:27.049 --> 51:28.010 Pens and that. 51:28.130 --> 51:32.515 What about a sort of, you know, nun style habitat? 51:33.115 --> 51:33.355 Uh-huh. 51:33.796 --> 51:34.276 On the top. 51:34.356 --> 51:34.816 Habitat. 51:35.096 --> 51:36.577 Mother Teresa style hat. 51:36.938 --> 51:39.619 Anyway, keep your homemade fashion disasters coming in. 51:40.320 --> 51:41.480 64046 is the text number. 51:41.500 --> 51:44.922 The email is adamandjo.6musicatbbc.co.uk. 51:44.942 --> 51:46.623 They're already making me feel a lot better. 51:46.884 --> 51:47.424 Absolutely. 51:47.724 --> 51:49.145 Here's MGMT. 51:49.165 --> 51:50.866 They're so hot right now. 51:50.926 --> 51:51.547 This is Kids. 51:51.827 --> 51:53.808 Kids by MGMT. 51:53.948 --> 51:55.189 Hey, this is Adam and Jo. 51:55.269 --> 51:56.329 It's a Saturday morning. 51:56.349 --> 51:57.370 It's a nice one. 51:57.590 --> 51:59.391 I think it's going to be a nice weekend, isn't it? 51:59.872 --> 52:00.612 Yes, yes, it is. 52:00.752 --> 52:01.473 Johnny Weatherpants? 52:01.573 --> 52:01.693 Yeah. 52:02.953 --> 52:06.735 And folks, you know, you could do worse this weekend than to go to the cinema. 52:07.015 --> 52:13.117 And if you do, you might see a radio ad for our show, right? 52:13.578 --> 52:16.519 Yeah, we recorded an advert that's supposed to go out. 52:17.339 --> 52:21.901 In 60% of UK cinemas, we're not entirely sure that it's on yet though, are we? 52:22.301 --> 52:25.982 I think it was started airing yesterday. 52:26.062 --> 52:26.642 How do you know? 52:26.882 --> 52:32.024 I got an email from Caroline and she informed me of that fact. 52:32.324 --> 52:33.225 Well that's exciting. 52:33.285 --> 52:34.886 So we're reaching out to you listeners. 52:34.926 --> 52:42.713 If you go to the cinema this weekend, let us know if you hear a kind of condensed version of this show in the form of an advert. 52:43.114 --> 52:48.859 I think what they do is they project a BBC logo and the lights are down in the cinema and then it's just audio. 52:49.139 --> 52:49.359 Right. 52:50.080 --> 52:53.381 And then... They did it with moils, I think, earlier in the year. 52:53.401 --> 52:54.161 Very successful technique. 52:54.421 --> 52:55.841 It went over massively well. 52:56.142 --> 52:59.062 Yeah, very deep penetration, audience penetration. 52:59.082 --> 53:00.203 More for moils. 53:00.303 --> 53:00.843 For moils. 53:01.523 --> 53:03.543 So now we're going to probably do less well. 53:03.603 --> 53:06.184 But we'd be excited if anyone out there heard it. 53:06.724 --> 53:06.964 Right? 53:07.144 --> 53:08.024 I mean, that would be amazing. 53:08.064 --> 53:08.645 Can you imagine? 53:08.985 --> 53:12.426 Like going to the cinema... Going to the cinema alone would be amazing. 53:12.506 --> 53:17.767 Yeah, you know, I hear they project these massive pictures and there's ants and they live in space. 53:18.584 --> 53:19.424 Chimps in space? 53:19.664 --> 53:19.884 No! 53:19.904 --> 53:20.625 Space chimps? 53:20.845 --> 53:22.225 Fly me to the moon, I thought was that. 53:22.285 --> 53:23.326 Oh, that's flies, isn't it? 53:23.666 --> 53:24.486 I don't know, mate. 53:24.506 --> 53:25.246 Who's in the title, I suppose. 53:25.266 --> 53:26.867 I'm not as in touch with children's films. 53:26.887 --> 53:29.228 You know what, I never went to see chimps in space last week. 53:29.348 --> 53:29.888 Very wise. 53:29.908 --> 53:31.568 I haven't been a stupid mistake. 53:31.668 --> 53:34.489 I know, I'm never... I hope I never will see chimps in space. 53:34.529 --> 53:35.990 That might be very good, we shouldn't prejudge it. 53:36.310 --> 53:37.690 Well... I tell you what I saw. 53:37.790 --> 53:38.311 What did you see? 53:38.531 --> 53:39.071 Gomorrah. 53:39.611 --> 53:40.431 Gomorrah? 53:40.551 --> 53:42.172 Mmm, it's about the Naples Mafia. 53:42.312 --> 53:43.212 It was wicked. 53:43.452 --> 53:43.793 Was it? 53:43.913 --> 53:44.333 Yeah, it was. 53:44.353 --> 53:45.073 Wasn't that excellent? 53:45.253 --> 53:46.114 People you don't know. 53:46.134 --> 53:47.356 Real people. 53:47.476 --> 53:48.337 Not Colin Farrell. 53:48.798 --> 53:49.619 It's really good. 53:49.839 --> 53:50.580 Real people. 53:50.600 --> 53:51.101 Gamora. 53:51.121 --> 53:51.781 Julia Roberts. 53:52.162 --> 53:53.764 2 hours 20 but it flies by. 53:54.225 --> 53:55.266 Some superb killings. 53:55.306 --> 53:56.367 Robert Downey Jr. 53:56.688 --> 53:56.948 No. 53:56.968 --> 53:57.529 What? 53:57.629 --> 53:58.310 No stars. 53:58.350 --> 53:59.331 I know it's confusing for you. 53:59.351 --> 54:00.513 What's the point then? 54:00.533 --> 54:01.995 The point is that it's more real. 54:02.981 --> 54:03.842 You and McGregor? 54:05.044 --> 54:05.544 Is he in it? 54:05.845 --> 54:06.826 No, he's not in it. 54:07.247 --> 54:09.129 Well, what do you do then for two hours? 54:09.189 --> 54:11.492 You look at the real people doing the real things. 54:11.512 --> 54:12.394 I don't know about that. 54:12.634 --> 54:13.595 It's very good. 54:13.675 --> 54:15.097 Charlie Borman, he must be in it. 54:15.157 --> 54:15.738 He is in it. 54:15.838 --> 54:16.840 Okay, he plays the lead. 54:18.181 --> 54:19.141 Is this your free choice now? 54:19.181 --> 54:24.623 Yeah, this is a band from the 80s and it's one of those 80s albums that holds up incredibly well. 54:24.963 --> 54:27.664 Tropical Gangsters by Kukri other than the Coconuts. 54:28.104 --> 54:28.584 It's true. 54:28.664 --> 54:29.584 I know, I do love this album. 54:29.604 --> 54:31.005 It holds up amazingly well. 54:31.165 --> 54:34.966 I'm surprised though that you are that... I love it. 54:35.186 --> 54:35.466 I love it. 54:35.526 --> 54:36.286 I stand up for it. 54:36.326 --> 54:39.507 This is, I think, the last track on the album, maybe or the penultimate. 54:39.807 --> 54:40.887 This is No Fish Today. 54:40.907 --> 54:41.588 Hooray! 54:41.608 --> 54:41.788 Hooray. 54:43.708 --> 54:47.230 This is the voice of the big, pretty castle. 54:47.390 --> 54:49.172 It is the top of the hour. 54:49.412 --> 54:50.712 Oh, that's wonderful. 54:51.073 --> 54:53.134 I got so bored with the last hour. 54:58.803 --> 54:59.203 Indeed. 54:59.523 --> 55:03.626 It's Adam Buxton here with Joe Cornish, my man JC. 55:03.966 --> 55:08.428 My man, and thank you the couple of people who've texted in to say they've seen our cinema advert. 55:08.849 --> 55:15.432 Benji and Kaz in N4 say we saw your advert last night but we forgive you and we're still listening. 55:16.473 --> 55:17.093 They didn't like it. 55:18.294 --> 55:34.265 it's tricky you know we had to um we we wrote it ourselves you sort of came up with the idea it's a good it was very very good i think advert well it was hard to what do you put in like a one and a half minute ad 55:35.299 --> 55:40.042 about a radio show like this, which is just formless, rambly, old, nutty. 55:40.082 --> 55:43.503 Well, the listeners will find out if they end up going to the cinema and hearing it. 55:43.563 --> 55:48.686 Yasmin in Sheffield says, Hi Adam and Joe, we went to see The Duchess at the cinema last night and saw your ad. 55:48.946 --> 55:50.227 It went down very well. 55:50.287 --> 55:52.528 Hey, that's what I want to hear. 55:52.548 --> 55:53.269 That's more like it. 55:53.429 --> 55:53.949 Who was that from? 55:54.529 --> 55:56.210 Oh, that's from Yasmin. 55:56.571 --> 55:58.152 I like Yasmin. 55:58.252 --> 55:58.612 She's sexy. 55:58.692 --> 56:00.633 She is very attractive. 56:00.793 --> 56:02.294 And she went to see the Duchess. 56:02.675 --> 56:09.539 You know, on the list of Yasmin's to-see list was Space Chimps or the Duchess. 56:09.719 --> 56:12.181 And she thought, hmm, I think I'm going to see the Duchess. 56:12.641 --> 56:18.025 Because Keira Knightley is pulling out the performance of her career from her acting bag. 56:18.826 --> 56:24.451 And she was rewarded for her good judgment with the Adam and Jo Radio Cinema ad. 56:24.771 --> 56:25.072 Yes. 56:25.472 --> 56:25.712 Yes. 56:26.493 --> 56:30.076 What a waste of talking and words that was. 56:30.477 --> 56:39.746 Now, we're in the midst of text donation, ladies and gentlemen, and we are asking you to reminisce about your homemade fashion nightmares. 56:40.106 --> 56:43.287 Yeah, and we've got some good ones, what I'm going to read out now. 56:43.787 --> 56:48.529 Here is from one in Sean from Brighton. 56:48.769 --> 56:49.949 That good sentence? 56:50.009 --> 56:50.949 That was pretty good. 56:50.989 --> 56:52.290 It went awry in the middle. 56:52.310 --> 56:53.610 The meaning came across, didn't it? 56:53.650 --> 56:54.130 Yeah. 56:54.971 --> 56:58.572 Once, when I was about 16, I tried to put rips in my jeans. 56:59.332 --> 57:00.592 I think I've read this before. 57:01.373 --> 57:01.633 Sorry. 57:03.087 --> 57:04.449 Get it together, JC! 57:04.469 --> 57:05.830 I'm gonna read a different one. 57:06.311 --> 57:08.233 Okay, this is an anonymous one. 57:08.333 --> 57:10.355 Forget all that Shaun and Brighton business. 57:11.096 --> 57:13.219 I once made a pair of underpants. 57:13.979 --> 57:20.226 They could only accommodate two items, which meant there was always... Can I say nut? 57:21.067 --> 57:22.049 Yeah, can I say knob? 57:23.661 --> 57:30.747 Right, there was always a nut or a knob. 57:31.027 --> 57:33.289 There was always a nut or a knob sticking out. 57:33.309 --> 57:35.071 I gave them to a charity shop. 57:35.431 --> 57:37.012 What, the nut or a knob? 57:37.493 --> 57:39.715 Why would you make underpants? 57:40.175 --> 57:42.997 I don't know, he or she is anonymous, they don't explain. 57:43.458 --> 57:44.499 I think that's brilliant. 57:44.859 --> 57:46.941 I mean, there's a brilliance to it. 57:47.341 --> 57:49.243 But why do you make cheaper than buying them? 57:49.263 --> 57:50.585 Who's going to see Underpants? 57:50.905 --> 57:51.466 Exactly. 57:51.927 --> 57:53.388 Underpants are not expensive. 57:53.468 --> 57:54.970 It's cheaper than buying them? 57:55.010 --> 57:56.152 What are you talking about? 57:57.233 --> 57:58.414 What's he making them out of? 57:58.595 --> 57:59.115 I don't know. 57:59.135 --> 57:59.756 We need more. 57:59.776 --> 58:01.037 We need the person's name. 58:01.979 --> 58:03.240 We need more information. 58:03.320 --> 58:05.743 We've got your phone number, so don't try and run away. 58:06.921 --> 58:08.901 But please send us more information on that one. 58:09.082 --> 58:14.883 What a day though, when you think I'm going to make some underpants today. 58:16.923 --> 58:19.984 I think for Christmas we should make each other underpants. 58:20.004 --> 58:20.684 That's a good idea. 58:20.964 --> 58:22.264 And give some to each other. 58:22.304 --> 58:22.984 They're too small. 58:23.345 --> 58:24.545 They're too small. 58:24.605 --> 58:25.765 Everything's sticking out. 58:26.165 --> 58:28.026 I'm going to make some different ones now. 58:29.826 --> 58:30.266 Tomorrow. 58:30.486 --> 58:32.747 I'll do that tomorrow. 58:34.827 --> 58:35.767 That would be good. 58:36.768 --> 58:38.589 Next week I'm going to make some socks. 58:38.809 --> 58:45.672 Here's one from Ash in Croydon, who I believe is a regular texter, but still I don't know the gender of Ash. 58:46.752 --> 58:47.812 Maybe Ash is a robot. 58:47.953 --> 58:49.293 Could possibly be a robot. 58:49.733 --> 58:53.315 I once bought white jeans and got my mates to draw all over them. 58:53.635 --> 58:57.697 I thought I was well cool until someone drew pee onto them. 58:58.357 --> 58:58.577 What? 58:58.597 --> 58:59.357 I still wore them. 58:59.397 --> 59:00.438 How can you draw 59:01.810 --> 59:05.933 Well, someone on clothes... Someone tinkelled on the trousers. 59:05.973 --> 59:06.714 Is that what she's saying? 59:07.695 --> 59:08.115 Maybe. 59:08.235 --> 59:08.976 No, Drew. 59:09.056 --> 59:10.857 I suppose Drew is sort of a stain. 59:10.897 --> 59:12.198 I don't know what's going on there. 59:12.218 --> 59:12.899 That's mysterious. 59:12.939 --> 59:14.500 Maybe with a yellow marker or something? 59:14.540 --> 59:17.182 You know what the upshot of this segment is? 59:17.283 --> 59:17.683 What? 59:17.703 --> 59:19.925 That I need to read through these texts more carefully. 59:19.945 --> 59:21.086 That's the key, isn't it? 59:21.266 --> 59:24.408 And select the good ones and just think about it a bit more. 59:24.428 --> 59:26.310 You know, I did think that that's what you were doing. 59:26.330 --> 59:27.130 I don't know why. 59:27.150 --> 59:28.652 That's what was going wrong in the beginning. 59:29.852 --> 59:34.855 Now listen, you can do a little bit more of your organisational stuff then during this track. 59:34.995 --> 59:37.516 We are playing this a lot and I'm not complaining because this is a good track. 59:37.536 --> 59:38.197 What is it? 59:38.217 --> 59:38.617 M.I.A. 59:39.837 --> 59:40.758 Ah, it is a good track. 59:40.778 --> 59:42.199 Or I want a dope bang bang bang. 59:42.239 --> 59:43.939 Is it a six music playlist track? 59:44.360 --> 59:46.981 Yeah, we want people to pay attention to this, it's important. 59:47.121 --> 59:48.062 Here we go, M.I.A. 59:48.102 --> 59:48.782 with paper planes. 59:49.127 --> 59:54.289 Yeah, MYA paper planes could have been written about the financial crisis in a way, couldn't it, Joe? 59:54.309 --> 59:55.670 Yeah, the share prices. 59:55.710 --> 59:57.751 The greed of the banks, the marketeers. 59:57.811 --> 01:00:00.252 Funging to the ground like feeble paper planes. 01:00:00.632 --> 01:00:01.152 Exactly. 01:00:01.472 --> 01:00:02.673 Absolutely right. 01:00:02.733 --> 01:00:03.053 Thank you. 01:00:03.113 --> 01:00:03.813 I'm just going to think about that. 01:00:03.833 --> 01:00:05.254 You're saving safe, Adam Buxton. 01:00:06.854 --> 01:00:08.735 Ah, savings currently safe. 01:00:08.916 --> 01:00:10.256 Currently safe, but who is safe? 01:00:10.417 --> 01:00:11.117 Who is really safe? 01:00:11.137 --> 01:00:11.537 Who is safe? 01:00:11.877 --> 01:00:12.858 Who is really safe? 01:00:12.878 --> 01:00:13.338 Exactly. 01:00:13.558 --> 01:00:19.262 Except for a man who keeps his savings, foolishly, some would say, in a locked box. 01:00:19.702 --> 01:00:20.022 You know? 01:00:20.363 --> 01:00:22.024 Sales of safes have gone up. 01:00:22.564 --> 01:00:29.228 Yeah, I mean, the guy who keeps cash under the bed is probably going to be having a little tickle-chuckle right now, isn't he? 01:00:29.708 --> 01:00:31.590 At all the people who are saying, oh no, you should put that in a bank. 01:00:32.570 --> 01:00:33.730 Do you think? 01:00:34.251 --> 01:00:35.091 I mean, I don't know. 01:00:35.151 --> 01:00:37.111 I'm gonna get all my savings out in cash. 01:00:37.911 --> 01:00:38.592 In a briefcase. 01:00:38.632 --> 01:00:39.972 That would be quite fun to do, wouldn't it? 01:00:39.992 --> 01:00:41.172 Do you think a lot of people would do that? 01:00:41.192 --> 01:00:41.852 In a Tashay briefcase. 01:00:41.872 --> 01:00:43.873 That's gonna make things worse though, man, if you do that. 01:00:44.053 --> 01:00:44.433 I know that. 01:00:44.473 --> 01:00:45.253 That's a run on the banks. 01:00:45.273 --> 01:00:45.973 You don't want to do that. 01:00:45.993 --> 01:00:46.033 No. 01:00:46.594 --> 01:00:48.654 Anyway, we don't want to talk about this kind of rubbish, do we? 01:00:48.754 --> 01:00:48.954 I do. 01:00:49.274 --> 01:00:49.494 Do you? 01:00:49.514 --> 01:00:51.235 How much do you understand about it or everything? 01:00:51.355 --> 01:00:51.835 Do you really? 01:00:53.936 --> 01:00:54.876 No, you never. 01:00:54.996 --> 01:00:55.177 What? 01:00:55.377 --> 01:00:56.017 Ask me something. 01:00:57.858 --> 01:01:19.471 Surely it's, tell me if I'm wrong, surely when people are saying like, oh, there's chaos in the banks, the bailouts not working, surely the reason the bailout is not working is because of the rotten marketeers, all the suits on the floors, right, who are not, they're sending the, you know, they're doing their crazy random selling and panic buying or whatever. 01:01:20.171 --> 01:01:26.337 and they're not getting behind all the bailout plans, it comes down to all the jackasses and all the city boys. 01:01:26.798 --> 01:01:27.278 Am I right? 01:01:28.359 --> 01:01:29.260 Yeah, to a degree. 01:01:29.801 --> 01:01:30.602 Yeah, you're right. 01:01:30.622 --> 01:01:31.042 Thanks. 01:01:32.283 --> 01:01:34.125 I tell you what, watch the film Trading Places. 01:01:34.165 --> 01:01:35.427 That'll tell you all you need to know. 01:01:35.447 --> 01:01:36.608 Okay, thank you very much. 01:01:37.649 --> 01:01:39.090 I tell you what I don't understand. 01:01:39.211 --> 01:01:39.911 Pork bellies. 01:01:40.292 --> 01:01:41.012 What's pork bellies? 01:01:42.057 --> 01:01:43.098 OK, clear something up for me. 01:01:43.138 --> 01:01:44.579 This is on a completely different tangent. 01:01:44.719 --> 01:01:44.939 Go ahead. 01:01:45.200 --> 01:01:50.704 In a film, if there's a gun fight, person A and person B are having an argument. 01:01:50.884 --> 01:01:51.084 Right. 01:01:51.525 --> 01:01:54.387 Person A pulls a gun on person B. Yes. 01:01:54.467 --> 01:01:54.707 Right? 01:01:55.788 --> 01:01:57.169 Person B thinks, right, I'm done. 01:01:57.430 --> 01:01:57.570 Yeah. 01:01:58.030 --> 01:02:04.415 But then person C turns up behind person A and holds a gun to person A's head. 01:02:04.435 --> 01:02:04.876 Oh, yeah. 01:02:04.896 --> 01:02:05.596 Do you know what I mean? 01:02:05.636 --> 01:02:05.796 Sure. 01:02:06.017 --> 01:02:08.278 At which point person A, because there's a gun to their head, 01:02:09.199 --> 01:02:12.061 always goes, oh, he throws the gun down. 01:02:12.141 --> 01:02:12.862 Not always. 01:02:13.242 --> 01:02:13.823 Not always. 01:02:13.883 --> 01:02:14.884 Now, but this is a logic. 01:02:14.984 --> 01:02:20.348 I was watching the new Indiana Jones movie again on the weekend, and there's a similar sequence there. 01:02:20.408 --> 01:02:28.934 When Jones, he's got a gun, it's pointed at evil Cate Blanchett, and all the Russians have all got their guns on him, and he just goes, drop the guns. 01:02:29.515 --> 01:02:30.115 And they do it. 01:02:30.155 --> 01:02:31.096 They drop their guns. 01:02:31.176 --> 01:02:35.759 But then Ray Winston turns up next to Indy, and he's got a gun pointed at Indy. 01:02:36.000 --> 01:02:36.280 Right. 01:02:36.460 --> 01:02:37.581 But what's the logic there? 01:02:38.061 --> 01:02:39.283 Why do you drop your gun? 01:02:39.343 --> 01:02:40.424 Do you see what I'm getting at? 01:02:40.845 --> 01:02:46.632 Yeah, because they drop the gun because they value their own lives more than... But that doesn't exactly make sense. 01:02:46.752 --> 01:02:51.157 It's as if there's a logic of, okay, whoever draws the gun soonest. 01:02:52.196 --> 01:02:59.881 have control of the situation, whereas the mounting guns being pulled just mean that everyone's gonna die, rather than just one person. 01:03:00.141 --> 01:03:01.622 Like the logic in- do you get what I'm saying? 01:03:01.682 --> 01:03:02.123 Yeah. 01:03:02.423 --> 01:03:05.825 The logic in Indiana Jones is he's got his gun trained on Kate Blanchett. 01:03:05.945 --> 01:03:06.165 Yeah. 01:03:06.746 --> 01:03:15.732 So he's saying, right, you shoot me before your bullets get to me, my bullet might have got to Kate Blanchett, and you love her, and you don't want to risk her dying, right? 01:03:16.312 --> 01:03:17.733 Yeah, but I mean, that's never going to happen. 01:03:17.753 --> 01:03:18.714 It's never going to happen, is it? 01:03:18.754 --> 01:03:18.914 No. 01:03:19.334 --> 01:03:21.075 Everyone will just shoot at once and they'll all die. 01:03:21.555 --> 01:03:27.739 Well, no, they won't, because if Ray Winston wants to shoot Indy in the head, he's going to shoot him immediately, so Indy knows. 01:03:28.039 --> 01:03:30.340 Yeah, but what if Indy shoots Kate Blanchard in the head? 01:03:30.821 --> 01:03:34.303 It's not going to happen, because he'll be dead from the Ray Winston bullet. 01:03:34.323 --> 01:03:36.384 He just does it now, first, before Winston does it. 01:03:36.644 --> 01:03:37.945 Why would he suddenly do that? 01:03:38.105 --> 01:03:39.526 Because he'd do it and run away. 01:03:39.746 --> 01:03:39.947 No. 01:03:40.147 --> 01:03:41.288 What are you talking about? 01:03:41.368 --> 01:03:43.329 Winston then will shoot him as he's running away. 01:03:43.349 --> 01:03:43.609 Right. 01:03:44.090 --> 01:03:44.370 Right. 01:03:44.390 --> 01:03:45.751 He hadn't thought this through. 01:03:46.211 --> 01:03:47.953 I still think there's a problem with it. 01:03:48.293 --> 01:03:48.513 Yeah? 01:03:48.974 --> 01:03:49.274 Yeah. 01:03:49.674 --> 01:03:54.198 Well, listen, man, when you get in that situation... Fine. 01:03:54.238 --> 01:03:54.878 Let's find out. 01:03:55.859 --> 01:04:00.242 If any listeners out there would like to pull a gun on Joe in a dark alley... No, I'm joking. 01:04:00.262 --> 01:04:03.104 I'm talking about in feature films and pretend scenarios. 01:04:03.225 --> 01:04:03.405 Yeah. 01:04:03.985 --> 01:04:10.729 Now, I think it's the proximity of the gun, and if someone's got a gun to your head, then you sort of... Oh, the close of the gun, because the bullet has to travel less distance. 01:04:10.749 --> 01:04:12.109 Well, yeah, in a way. 01:04:12.129 --> 01:04:13.970 It still doesn't make sense to me. 01:04:14.010 --> 01:04:15.731 I don't understand it, so he's not having it. 01:04:15.751 --> 01:04:16.332 No, I'm a bit thick. 01:04:17.152 --> 01:04:18.253 Hey, I'm a bit thick too. 01:04:18.313 --> 01:04:19.473 Cool, let's do a show together. 01:04:19.493 --> 01:04:19.834 Quickly. 01:04:20.574 --> 01:04:22.195 Okay, now I've got a free choice for you listeners. 01:04:22.515 --> 01:04:25.377 This is OMD, and this is a strange one from OMD. 01:04:25.437 --> 01:04:27.598 I mean, this is late period OMD, I think. 01:04:28.058 --> 01:04:44.690 but they went through lots of different phases and they were always amazingly creative and unusual and this track Meljis, if I can use that made-up word, different types of electronic sounds and then it's got a little pastoral interlude with some flutes in there. 01:04:44.970 --> 01:04:54.496 There's all kinds of crazy things going on and I'm playing it in the hope that my mum might enjoy it because she listens to our show but she doesn't like a lot of the indie music and I thought maybe this would be a compromise. 01:04:54.516 --> 01:04:56.358 This is Talking Loud and Clear by OMD. 01:04:56.818 --> 01:04:57.278 Wowser. 01:04:57.558 --> 01:05:00.100 You know, that gets better and better, if you ask me. 01:05:00.300 --> 01:05:00.500 Yeah. 01:05:00.620 --> 01:05:03.462 I really like that song, and I can't wait to see it at the beginning of the movie. 01:05:03.782 --> 01:05:04.722 When's the movie come out again? 01:05:04.862 --> 01:05:05.483 Early November. 01:05:05.783 --> 01:05:06.744 Early November. 01:05:06.784 --> 01:05:07.224 So soon. 01:05:07.244 --> 01:05:07.864 A few weeks. 01:05:07.924 --> 01:05:09.805 Another Way to Die by Jack White. 01:05:10.766 --> 01:05:11.686 Now, on and totally unrelated. 01:05:11.706 --> 01:05:12.046 And Alicia. 01:05:12.287 --> 01:05:13.207 And Alicia Keys. 01:05:13.227 --> 01:05:14.008 Lovely Alicia. 01:05:14.028 --> 01:05:15.168 Sorry about that. 01:05:15.668 --> 01:05:17.309 Bob Dylan fancies Alicia Keys, isn't he? 01:05:17.369 --> 01:05:17.850 Who doesn't? 01:05:18.615 --> 01:05:22.858 Yeah, the tortoise... I was thinking about Alicia Keys! 01:05:23.198 --> 01:05:25.740 Yeah, who wouldn't fancy her? 01:05:26.200 --> 01:05:27.041 She's attractive! 01:05:28.162 --> 01:05:28.762 How old is she now? 01:05:28.782 --> 01:05:28.762 15? 01:05:28.802 --> 01:05:32.505 12. 01:05:29.162 --> 01:05:32.505 12 still, that's nice. 01:05:33.465 --> 01:05:36.928 I was watching this programme by accident earlier in the week on Channel 4. 01:05:36.988 --> 01:05:37.988 It's called The Family. 01:05:38.409 --> 01:05:38.749 Yes. 01:05:39.089 --> 01:05:44.353 And I was very confused and immediately had an argument with my wife about it. 01:05:44.933 --> 01:05:47.994 because it seemed to me that it couldn't possibly be real. 01:05:48.114 --> 01:06:01.336 If you haven't seen it, folks, it's a fly-on-the-wall documentary in the style of... Well, there was a seminal 70s documentary called The Family, which was pretty much... That's the same name. 01:06:01.576 --> 01:06:06.097 The Granddaddy of... Yeah, I know, but I'm trying to make some... You did the emphasis differently. 01:06:06.117 --> 01:06:06.577 Yeah. 01:06:06.677 --> 01:06:07.377 The Family. 01:06:07.777 --> 01:06:08.557 The Family worked. 01:06:08.657 --> 01:06:09.378 The Famili. 01:06:10.278 --> 01:06:10.938 The Family. 01:06:11.958 --> 01:06:12.338 I don't know. 01:06:12.679 --> 01:06:18.582 Anyway, it's obviously some kind of a throwback to that, or it's, you know, a modern version of the same kind of thing. 01:06:19.063 --> 01:06:23.725 The 70s version of The Family was supposed to be one of the first ever Fly on the Wall documentaries. 01:06:24.786 --> 01:06:33.051 And this one is like a fly on the wall for the noughties, big brother meets documentaries in that style. 01:06:33.351 --> 01:06:33.992 But is it real? 01:06:34.332 --> 01:06:35.273 It doesn't seem real to me. 01:06:35.313 --> 01:06:37.154 It seems like ludicrously staged. 01:06:37.194 --> 01:06:38.915 They've got all cameras around the house, right? 01:06:38.935 --> 01:06:40.556 They've got all cameras around the house, right? 01:06:40.936 --> 01:06:43.537 cameras all modern life, filming stuff and all that. 01:06:44.157 --> 01:06:49.099 They're painted the same colour as the wallpaper behind them though, the cameras, in an attempt to blend them in. 01:06:49.239 --> 01:06:50.679 Do you know anything about the show Jo? 01:06:50.819 --> 01:06:58.702 Well I've watched it, I started, I've been away obviously so I'm missing a lot of telly but it's one of the first things I've watched from beginning to end since getting back from America and I enjoyed it immensely. 01:06:59.142 --> 01:07:02.603 And it's a family from, whereabouts are they from Jo? 01:07:02.723 --> 01:07:03.063 England. 01:07:03.883 --> 01:07:04.704 Somewhere in Britain. 01:07:04.864 --> 01:07:05.324 Somewhere in Britain. 01:07:05.344 --> 01:07:09.045 In a house in Britain, I don't know where but they've got a peculiar sideways sort of a house. 01:07:09.805 --> 01:07:12.106 But they seem like a nice bunch. 01:07:12.366 --> 01:07:18.749 And they're a kind of middle-class family, you know, average British family. 01:07:18.769 --> 01:07:19.929 Yeah, very, very average. 01:07:19.969 --> 01:07:23.851 They're not like... Nothing particularly eccentric or different about them, no. 01:07:23.991 --> 01:07:24.211 No. 01:07:24.431 --> 01:07:27.212 But I thought it was very well done, well cut. 01:07:27.673 --> 01:07:28.833 And do you reckon it's all real? 01:07:28.873 --> 01:07:28.973 Yeah. 01:07:30.854 --> 01:07:34.516 Well, you can't tell these days because it's like Big Brother itself. 01:07:34.616 --> 01:07:43.300 Every year it goes by, the contestants become more aware of the rituals and the way the show plays to the outside world. 01:07:43.360 --> 01:07:47.602 So is there any such thing as authentic behaviour in front of a camera anymore? 01:07:47.622 --> 01:07:48.483 Do you know? 01:07:48.943 --> 01:07:53.264 Well, they all say people who go on those shows that you forget after a while, you know? 01:07:53.765 --> 01:08:01.827 And because the cameras aren't actually visible, so the self-consciousness that you experience the first few days just dissipates after a while. 01:08:01.967 --> 01:08:05.948 Well, I'd say there's an element of performance in all human relations, Adam. 01:08:06.129 --> 01:08:07.869 Oh, that's amazingly brilliant. 01:08:07.889 --> 01:08:10.750 See, there's a brilliant horror film called Calvert that's all about that. 01:08:11.490 --> 01:08:13.631 But the fact that husbands and wives, 01:08:13.951 --> 01:08:15.652 performing to each other a lot of the time. 01:08:16.173 --> 01:08:18.374 A dad or a mum will perform to their child. 01:08:18.855 --> 01:08:25.139 You know, when you're on your own in a room, sometimes it can be a bit lonely and confusing because there's no one to perform to. 01:08:25.159 --> 01:08:25.780 Do you know what I mean? 01:08:26.100 --> 01:08:26.560 Certainly. 01:08:26.820 --> 01:08:28.762 So maybe there's a bit of that anyway in the family. 01:08:28.782 --> 01:08:33.605 That's why I've got a little cardboard friend that I carry around with me called Michael. 01:08:34.106 --> 01:08:34.706 Hello, Michael. 01:08:35.867 --> 01:08:38.029 Anyway, that's by the by. 01:08:38.329 --> 01:08:40.551 But it's not true, I don't. 01:08:40.911 --> 01:08:42.052 Sorry, it would be fine if you did. 01:08:42.172 --> 01:08:42.592 I don't! 01:08:42.612 --> 01:08:43.813 It'd be fine if you did. 01:08:47.265 --> 01:08:52.069 But I was thinking that it just seems unbelievable still. 01:08:52.249 --> 01:08:55.351 The thing I can't get my head round with these shows is why would you do it? 01:08:55.651 --> 01:08:58.153 Obviously, the answer is for the money, right? 01:08:58.513 --> 01:09:00.995 How much money are they getting paid, you think, to do a show like that? 01:09:01.015 --> 01:09:01.335 A lot. 01:09:01.596 --> 01:09:03.297 I mean, you would think a massive amount, wouldn't you? 01:09:03.317 --> 01:09:04.158 A massive amount. 01:09:04.758 --> 01:09:05.879 But is it worth it? 01:09:05.899 --> 01:09:14.005 I mean, once you've signed that deal with the TV company and Satan, then your life is going to be irrevocably torpedoed, isn't it? 01:09:14.025 --> 01:09:14.905 They're big stars now. 01:09:15.706 --> 01:09:16.406 That's a shame. 01:09:16.426 --> 01:09:17.527 Yeah, they're gonna be big celebs. 01:09:17.547 --> 01:09:18.727 They'll be in Heat Mag, you see? 01:09:18.927 --> 01:09:19.127 Right. 01:09:19.627 --> 01:09:22.668 They'll be doing the Christmas Heat Mag, dressing as celebrities or something. 01:09:22.708 --> 01:09:23.308 Yeah, yeah. 01:09:23.408 --> 01:09:24.649 They'll go on chat shows. 01:09:25.169 --> 01:09:29.150 It's a win-win situation, and I think you're just jealous that the Buxton household isn't rigged with cameras. 01:09:29.170 --> 01:09:30.371 Oh, that's true. 01:09:30.391 --> 01:09:32.511 What kind of stuff would we pick up if we did that? 01:09:32.691 --> 01:09:33.152 That's true. 01:09:33.432 --> 01:09:34.372 Me talking to Michael. 01:09:35.152 --> 01:09:37.633 Okay, folks, here's a bit of music now before the news. 01:09:37.653 --> 01:09:39.554 This is Noah and the Whale with Shape of My Heart. 01:09:39.754 --> 01:09:40.094 Yay! 01:09:40.964 --> 01:09:42.605 I thought you were going to say something there, Joe. 01:09:42.745 --> 01:09:45.686 No, that was Noah and the Whale with What Shape of My Heart? 01:09:45.706 --> 01:09:46.267 Is it called? 01:09:46.287 --> 01:09:46.547 Yeah. 01:09:46.587 --> 01:09:48.128 This is Adam and Joe on BBC6 Music. 01:09:48.168 --> 01:09:50.229 It's time for the news and the music news. 01:09:50.269 --> 01:09:54.351 The news read by Catherine Crackfox, we're calling her now, and Ruth Barnes. 01:09:54.411 --> 01:09:56.832 Primal scream with country girl. 01:09:57.973 --> 01:09:59.574 Joe wasn't so sure about that one. 01:10:01.055 --> 01:10:02.957 Well, I just won't say anything. 01:10:03.017 --> 01:10:03.879 Not a fan of the screamers. 01:10:04.099 --> 01:10:11.928 Well, sometimes, you know, you get a band and you think, well, if it was someone else singing on that in a different style, it would just sound like fairground attraction or something like that. 01:10:12.048 --> 01:10:14.191 If Eddie Reeder was belting it out. 01:10:14.271 --> 01:10:17.535 That would have been a possible fairground attraction or a Danny Minogue song. 01:10:17.995 --> 01:10:18.396 Don't you think? 01:10:19.637 --> 01:10:19.997 I don't know. 01:10:20.037 --> 01:10:20.618 Maybe I'm wrong. 01:10:20.678 --> 01:10:22.619 I don't really know about that sort of thing. 01:10:22.739 --> 01:10:27.081 I don't fancy your chances if you meet Bobby Gillespie in a dark alley now. 01:10:27.101 --> 01:10:28.382 That's how he speaks. 01:10:28.502 --> 01:10:28.782 Is it? 01:10:28.842 --> 01:10:29.782 He's from Scotland, you know. 01:10:30.043 --> 01:10:31.503 Hey, happy birthday to Raymond Moore. 01:10:31.543 --> 01:10:38.307 We don't usually say happy birthday to anybody, but Raymond's a big fan and he's always on my Myspace and your blog and stuff. 01:10:38.767 --> 01:10:40.008 LL Cool Ray, his name is. 01:10:40.168 --> 01:10:40.408 Oh yeah. 01:10:40.548 --> 01:10:42.029 Who's got to say happy birthday to him? 01:10:42.069 --> 01:10:45.110 He's proven his dedication to the show, so we make an exception. 01:10:45.130 --> 01:10:45.911 He's nine years old. 01:10:46.551 --> 01:10:48.152 lovely nine-year-old. 01:10:49.032 --> 01:10:50.452 Happy ninth birthday, Ray. 01:10:50.692 --> 01:10:53.913 So listen, listeners, and Adam, I was in a bookshop, right? 01:10:53.953 --> 01:10:55.094 Have you ever been in a bookshop? 01:10:55.114 --> 01:10:55.734 What are they like? 01:10:55.874 --> 01:10:58.435 Must hurt your brain to go into such a place. 01:10:58.895 --> 01:11:01.415 They're full of kind of compendiums of information. 01:11:01.435 --> 01:11:02.636 You can get coffee there, though, right? 01:11:02.656 --> 01:11:05.056 Coded information, yeah, and browse them, sir. 01:11:05.257 --> 01:11:05.617 Good, good. 01:11:07.017 --> 01:11:11.699 I was, you've confused me now, yeah, I was in a bookshop and I was looking at the Mighty Boosh Christmas book. 01:11:11.959 --> 01:11:12.299 Oh yeah. 01:11:12.479 --> 01:11:19.301 All the comedy Christmas books are trickling onto the shelves because Christmas is but two weeks away now. 01:11:19.321 --> 01:11:20.022 Get the lights up. 01:11:20.042 --> 01:11:20.242 True. 01:11:21.102 --> 01:11:23.723 And the Mighty Boosh comedy book looked very good. 01:11:23.743 --> 01:11:28.765 It was very thick, like 1299, but very beautifully produced, glossy hardback number. 01:11:29.145 --> 01:11:33.947 But flicking through it, and I'm not being nasty about the Boosh at all, God forbid. 01:11:33.967 --> 01:11:34.247 I hope not. 01:11:34.867 --> 01:11:44.889 because we did a very slim comedy book years and years ago that wasn't in no way as lavish as The Bouches and we're guilty of what I'm about to talk about. 01:11:45.249 --> 01:11:53.351 But in comedy books in particular, there seems to be, people who design them seem to try lots of techniques just to fill a page. 01:11:53.831 --> 01:11:54.772 Do you know what I mean? 01:11:55.592 --> 01:11:57.412 You've got to make it seem value for money. 01:11:57.992 --> 01:12:00.013 The people writing it are probably quite busy. 01:12:00.774 --> 01:12:04.759 So it's important to get as many, squeeze as many pages as you can. 01:12:04.879 --> 01:12:07.642 Well, the classic format for the comedy book is the scrapbook. 01:12:07.963 --> 01:12:09.364 The Monty Python scrapbox. 01:12:09.464 --> 01:12:11.847 So, you know, the Papa Bach was the Monty Python. 01:12:11.867 --> 01:12:11.968 Right. 01:12:11.988 --> 01:12:12.448 There you go. 01:12:12.669 --> 01:12:14.911 But the scrapbook format, I'm saying... Yes. 01:12:15.552 --> 01:12:17.853 the way, the easiest way to address all the issues. 01:12:17.873 --> 01:12:25.615 You can put a few pages of script in there, a couple of photos from the set, a few little doilies with ideas written on them. 01:12:25.675 --> 01:12:33.897 Well the Boosh book has limitless photos of the Bob Fossil character posing by a VW van. 01:12:33.917 --> 01:12:34.497 Yeah. 01:12:35.017 --> 01:12:39.278 And just, it's like they've got a photographer and they've just gone around London 01:12:39.938 --> 01:12:42.159 and taken pictures of him in different positions. 01:12:42.739 --> 01:12:43.619 And there's one per page. 01:12:43.959 --> 01:12:45.459 That's when you're in love with Fossil. 01:12:45.639 --> 01:12:45.999 We did that. 01:12:46.019 --> 01:12:46.760 Too much is never enough. 01:12:47.060 --> 01:12:51.541 When we did our book, they said, well, we should have a photo shoot as well and think of as many things as possible to do. 01:12:52.221 --> 01:12:52.481 Right? 01:12:52.541 --> 01:12:57.582 So we did a guide to dancing, just any old rubbish we could think of that would fill a page. 01:12:57.862 --> 01:13:00.743 We didn't do a whole page with just one photograph. 01:13:00.783 --> 01:13:00.983 No. 01:13:01.003 --> 01:13:01.763 With someone pointing. 01:13:01.803 --> 01:13:02.963 We never stooped that less. 01:13:03.704 --> 01:13:05.844 Which does pop up in comedy books every now and again. 01:13:05.884 --> 01:13:07.164 The Boosh has quite a few of those. 01:13:07.204 --> 01:13:09.445 The Fast Showbook was a little bit like that, I remember. 01:13:09.585 --> 01:13:11.266 What are other techniques people use? 01:13:11.306 --> 01:13:19.388 I mean, the Bush have got quite a clever one, which is they've got comedy blackberry messages, but they've printed the whole blackberry. 01:13:20.028 --> 01:13:29.932 So there are three messages of about four or five lines each, very funny ones, but they're surrounded by an actual massive picture of a blackberry phone. 01:13:30.752 --> 01:13:32.174 and they're at jaunty angles. 01:13:32.214 --> 01:13:34.516 But you need it though to sell the joke, you know what I mean? 01:13:34.897 --> 01:13:42.625 Otherwise, you couldn't just have like a little thing in a corner saying, imagine these on a blackberry with the lines printed on them. 01:13:42.705 --> 01:13:46.109 Well, you wouldn't obviously do that, but there would be other ways to present them. 01:13:46.189 --> 01:13:46.709 I don't think they would. 01:13:49.372 --> 01:13:50.793 But that's a clever one, isn't it? 01:13:50.813 --> 01:13:51.854 Because it's justified. 01:13:52.074 --> 01:13:55.977 But at the same time, 12 lines, a page. 01:13:57.478 --> 01:14:00.299 But having said all that, you do get the benefit. 01:14:00.379 --> 01:14:06.964 Both Julian and Knoll are unusually talented artists in one way or another. 01:14:07.424 --> 01:14:08.305 Like, particularly Knoll. 01:14:08.345 --> 01:14:09.866 I think Knoll's a lot more into his mate. 01:14:09.886 --> 01:14:11.507 Didn't they already have an art book, though? 01:14:11.647 --> 01:14:12.067 Have they? 01:14:12.147 --> 01:14:12.448 Has he? 01:14:12.548 --> 01:14:12.988 I don't know. 01:14:13.268 --> 01:14:13.708 I don't know. 01:14:14.009 --> 01:14:16.630 Or maybe this is the way to get your hands on some of their painting. 01:14:16.731 --> 01:14:22.234 You know the mother, the daddy, the king of all those books is the League of Gentlemen one. 01:14:22.455 --> 01:14:22.695 Right. 01:14:22.835 --> 01:14:29.039 Their big book was just beautiful and I know they put a huge amount of effort into that. 01:14:29.099 --> 01:14:30.040 That's well worth having. 01:14:30.140 --> 01:14:33.723 Another key thing they have in those books is a mini book inside the book, right? 01:14:33.763 --> 01:14:33.923 Right. 01:14:33.943 --> 01:14:37.086 Is that something that Monty Python innovated, perhaps? 01:14:37.166 --> 01:14:37.647 Maybe. 01:14:37.807 --> 01:14:43.572 But to have smaller pages bound within the bigger pages for it to be like a weird sort of subtext. 01:14:43.672 --> 01:14:50.338 Yeah, I think everyone who does a comedy book says to their publisher, you know, we want it to be like the Monty Python books, don't they? 01:14:50.398 --> 01:14:53.881 I mean, you'd be insane if you didn't, because they were never bettered, really, were they? 01:14:54.301 --> 01:14:56.003 I wanted to just put script in ours. 01:14:56.303 --> 01:15:01.229 Yeah, I mean that's the attempt to be but what kind of scripts would you get from our very good ones that I wrote? 01:15:01.690 --> 01:15:09.600 Well, you know, I couldn't believe that they published whole books full of Ricky Gervais and Stephen Merchant's radio rambles. 01:15:10.021 --> 01:15:11.763 I mean, that was that was unbelievable. 01:15:11.823 --> 01:15:13.825 I thought, well, they're on the national syllabus now. 01:15:14.586 --> 01:15:15.367 Yeah, quite right. 01:15:15.387 --> 01:15:16.928 You have to study them for GCSE. 01:15:16.988 --> 01:15:19.329 I mean, I'm not saying that their radio rambles were not enjoyable. 01:15:19.369 --> 01:15:20.190 They were highly enjoyable. 01:15:20.230 --> 01:15:21.230 I love their podcasts. 01:15:21.370 --> 01:15:23.432 Why doesn't someone publish a book of our radio rambles? 01:15:23.452 --> 01:15:25.213 Because they're not insane, is why. 01:15:25.233 --> 01:15:26.474 No, but they are insane. 01:15:26.634 --> 01:15:27.154 Oh, I see. 01:15:27.374 --> 01:15:28.755 And people out there are insane. 01:15:28.775 --> 01:15:30.396 Maybe we'll make some loony money. 01:15:30.436 --> 01:15:31.097 What am I thinking? 01:15:31.137 --> 01:15:31.537 They are insane. 01:15:31.557 --> 01:15:32.598 The loony market. 01:15:33.999 --> 01:15:35.259 That I'll buy anything market. 01:15:35.319 --> 01:15:36.200 It's huge. 01:15:36.260 --> 01:15:37.201 Exploit the loonies. 01:15:38.161 --> 01:15:39.402 Um, no, we're okay. 01:15:39.422 --> 01:15:42.165 We've got our sellout ads and stuff anyway, so we're fine. 01:15:42.686 --> 01:15:43.987 How about a little bit of Stranglers? 01:15:44.007 --> 01:15:44.868 Do you fancy this one? 01:15:45.008 --> 01:15:45.448 Yes, please. 01:15:45.468 --> 01:15:46.449 Late period Stranglers? 01:15:46.669 --> 01:15:47.830 He's a strange little girl. 01:15:47.970 --> 01:15:49.652 What if I don't want to? 01:15:49.672 --> 01:15:51.153 But I'm using email. 01:15:51.193 --> 01:15:52.395 Is that a problem? 01:16:00.302 --> 01:16:01.443 Text the Nation time. 01:16:01.463 --> 01:16:04.126 We're going to wrap things up in the Text the Nation barn. 01:16:04.186 --> 01:16:04.967 Wrap it up. 01:16:05.507 --> 01:16:05.787 Yeah? 01:16:06.048 --> 01:16:08.230 Wrapping things up in the Text the Nation barn. 01:16:08.630 --> 01:16:11.012 We're going to wrap it up with some paper. 01:16:11.393 --> 01:16:13.935 If you don't got paper, what about some material? 01:16:13.955 --> 01:16:16.478 I was waiting for a rhyme. 01:16:16.698 --> 01:16:17.319 I know. 01:16:17.899 --> 01:16:20.121 All through that rap I was waiting for a rhyme. 01:16:20.281 --> 01:16:20.582 I know. 01:16:20.602 --> 01:16:22.283 But it was kind of brilliant that there wasn't one. 01:16:22.484 --> 01:16:22.724 Really? 01:16:23.104 --> 01:16:24.447 Yeah. 01:16:24.487 --> 01:16:25.349 Have a record deal. 01:16:25.750 --> 01:16:28.495 If you don't got material, how about paint? 01:16:28.816 --> 01:16:31.140 You could just paint the things in the barn. 01:16:32.245 --> 01:16:32.665 Oh dear. 01:16:32.685 --> 01:16:34.607 Shall we just play another record? 01:16:34.767 --> 01:16:36.228 No, let's... That's the nation. 01:16:36.268 --> 01:16:37.048 Look, here are some good ones. 01:16:37.068 --> 01:16:38.709 You know we had the man who made his own pants. 01:16:38.809 --> 01:16:39.249 Yes. 01:16:39.510 --> 01:16:41.591 Well, he's sent some stuff in. 01:16:41.611 --> 01:16:43.612 And of course it was a man, as someone clearly pointed out. 01:16:43.672 --> 01:16:47.134 If it wasn't a man, how could the... Julie's hang out. 01:16:47.174 --> 01:16:47.435 Yeah. 01:16:47.955 --> 01:16:49.576 So his name is Simon Turner. 01:16:49.996 --> 01:16:52.538 And he says, I made them as a surprise for my wife. 01:16:53.639 --> 01:16:56.543 He was a man at that stage, well I guess. 01:16:57.064 --> 01:17:06.118 I bought her a sewing machine and she was making curtains and there was material left over so he nipped in and made himself a pair of sexy underpants. 01:17:06.158 --> 01:17:08.161 Sexy pants and curtains. 01:17:09.102 --> 01:17:12.306 And then removed his trousers later that evening to present to her. 01:17:12.326 --> 01:17:15.068 I've got a surprise for you darling. 01:17:15.088 --> 01:17:18.472 Imagine, picture the scene, especially with everything sticking out. 01:17:19.373 --> 01:17:20.774 How sexy can you get? 01:17:21.175 --> 01:17:22.416 Toasted crumpet. 01:17:23.777 --> 01:17:24.618 Okay. 01:17:24.778 --> 01:17:26.660 Here's a couple of more good ones. 01:17:27.081 --> 01:17:28.442 Is that good English? 01:17:28.522 --> 01:17:28.722 Yes. 01:17:29.543 --> 01:17:30.264 Uh, hello Adam and Jo. 01:17:30.284 --> 01:17:33.426 When I was about 15 I was desperate to prove I wasn't part of the crowd. 01:17:33.846 --> 01:17:36.248 I wanted to come up with a good way to be subversive and rebellious. 01:17:36.628 --> 01:17:43.813 When I couldn't come up with a good idea I decided that I would wear my shirt as jeans and my jeans as a shirt. 01:17:44.033 --> 01:17:48.176 I got two pairs of jeans, ripped one of them in half so each trouser leg acted as a sleeve. 01:17:48.696 --> 01:17:52.218 and use the other pair of jeans as a sort of bonding material in between. 01:17:52.278 --> 01:17:58.341 I taped it all together with brown parcel tape and tried to slip my shirt onto my legs. 01:17:58.521 --> 01:17:58.741 What? 01:17:59.301 --> 01:18:02.402 Naturally I look ridiculous like a fashion version of The Elephant Man. 01:18:02.622 --> 01:18:03.603 A fashion version? 01:18:03.863 --> 01:18:10.048 The look never left my bedroom, and all I had to show for my project was two ruined pairs of jump jeans and a ruined shirt. 01:18:10.368 --> 01:18:11.769 That's John from Canterbury. 01:18:11.969 --> 01:18:13.270 Good experimentation, though. 01:18:13.310 --> 01:18:16.873 It's an idea that's crossed most people's minds at some stage, hasn't it? 01:18:17.313 --> 01:18:18.795 Wearing your trousers like a shirt? 01:18:18.875 --> 01:18:20.176 They're similar garments, yeah. 01:18:20.556 --> 01:18:23.318 A shirt's just like a pair of trousers with an enormous gusset. 01:18:23.558 --> 01:18:24.339 Yes, exactly. 01:18:24.399 --> 01:18:26.400 If you just slashed a hole... Can I say gusset? 01:18:26.581 --> 01:18:27.021 Yeah. 01:18:27.441 --> 01:18:33.706 If you slashed a hole between the legs of your jeans, you know, and thrust your arms up into the legs, you could pop your head through the 01:18:33.746 --> 01:18:34.026 hole. 01:18:34.826 --> 01:18:35.107 Yes. 01:18:35.207 --> 01:18:41.289 And then you could, you could, it would be like a kind of crazy tank top with long arms. 01:18:41.449 --> 01:18:45.851 Listen, talking of popping your head through the hole, here's a final one from Mary. 01:18:46.112 --> 01:18:47.092 You're scared now, aren't you? 01:18:48.232 --> 01:18:50.754 It says, more fashion misinterpretation. 01:18:51.054 --> 01:18:56.356 Looking for a new training bra at the tender age of 12, I asked my mum if she had something. 01:18:56.716 --> 01:18:58.597 She said, look in my underwear drawer. 01:18:59.017 --> 01:19:02.139 There I found a sexy looking bra and quickly threw it on. 01:19:02.779 --> 01:19:04.342 When she saw me, she fell about laughing. 01:19:04.682 --> 01:19:11.212 It was not until I was much older that I realised I'd been wearing a pair of her rude pants with my head sticking through the missing crotch. 01:19:13.092 --> 01:19:14.934 You're sincerely merry. 01:19:19.318 --> 01:19:21.840 What a lovely way to end this week's text summation. 01:19:22.261 --> 01:19:29.348 Thanks very much to everyone who sent Diddin a text, and thanks to the person who pointed out that Gillian Coe had done exactly the same subject a few weeks ago. 01:19:29.408 --> 01:19:29.928 We don't care. 01:19:29.948 --> 01:19:33.592 No, it's not about the subject, it's about your texts listeners, yeah? 01:19:33.952 --> 01:19:37.035 You are what makes this show unique and we thank you for it. 01:19:37.475 --> 01:19:43.918 So if we didn't read out your text or email, we apologise, but we've read every single one and we really appreciate you sending those in. 01:19:44.018 --> 01:19:45.439 Can I read out one more email quickly? 01:19:45.539 --> 01:19:45.899 Yeah, go on. 01:19:45.919 --> 01:19:47.400 Yeah, this is from Nick Barth. 01:19:47.500 --> 01:19:52.743 He says it was interesting to hear Joe talk about the new Blue Peter, which is now liberally sprinkled with musical beds. 01:19:53.403 --> 01:19:57.525 Recently, I've become obsessed with the idea of having a music bed for my phone. 01:19:58.786 --> 01:20:02.848 he's giving us a non-branded version of the iPhone for various conversations. 01:20:02.908 --> 01:20:17.816 For example, some nice comforting music for telling my wife that I'm going to be home late, some sophisticated classical stuff for talking authoritatively to colleagues, or maybe some Philip Glass in the background when I'm on the phone to a call centre to get them to hurry things up. 01:20:18.176 --> 01:20:24.780 Maybe you could publicise this idea, then some wise widget wizard will help to develop the thing and we can all buy it for our iPhones. 01:20:24.940 --> 01:20:25.480 That's a good idea. 01:20:25.500 --> 01:20:26.401 That's a very good idea. 01:20:26.481 --> 01:20:27.601 Music beds for the iPhone. 01:20:27.761 --> 01:20:28.862 Music beds for chat. 01:20:29.142 --> 01:20:34.764 You know one thing, because I just moved house fairly recently, I've been on the phone to various people trying to get things installed. 01:20:35.125 --> 01:20:39.206 So I've had to go through a lot of those things where you go through the options, right? 01:20:39.226 --> 01:20:41.527 You sit there for about 20 minutes getting the options. 01:20:41.567 --> 01:20:44.069 I thought, I should have options when people call me. 01:20:44.489 --> 01:20:49.351 So next week I'm going to bring in my new option thing that I'm going to have for my phone. 01:20:49.651 --> 01:20:52.693 I had an idea for the... I haven't got one of these iPhones, but I had an idea, though. 01:20:53.974 --> 01:20:54.795 They've got Sat Nav. 01:20:54.835 --> 01:20:55.916 Why not have Chat Nav? 01:20:56.216 --> 01:20:56.376 Right. 01:20:56.636 --> 01:20:59.818 So when you're having a conversation, the Chat Nav gives you instructions. 01:21:00.579 --> 01:21:02.220 In six words, agree. 01:21:02.240 --> 01:21:03.881 Do you know what I mean? 01:21:04.382 --> 01:21:04.542 Yeah. 01:21:04.782 --> 01:21:07.904 After the end of this sentence, slap on left cheek and leave room. 01:21:08.605 --> 01:21:09.105 Chat Nav. 01:21:09.425 --> 01:21:11.347 Try saying, hmm, yeah. 01:21:13.663 --> 01:21:14.783 That would be the basic one. 01:21:15.043 --> 01:21:15.704 Really? 01:21:16.124 --> 01:21:18.144 After 12 words say, really? 01:21:18.564 --> 01:21:19.585 That's fascinating. 01:21:19.725 --> 01:21:22.426 And then for a random one you could just say, take a left turn now. 01:21:23.106 --> 01:21:24.066 And then you start with the topic. 01:21:24.146 --> 01:21:24.766 Exactly. 01:21:24.886 --> 01:21:25.326 Exactly. 01:21:25.647 --> 01:21:26.107 Check now. 01:21:26.247 --> 01:21:26.627 Perfect. 01:21:26.647 --> 01:21:27.087 Very nice. 01:21:27.267 --> 01:21:28.187 Great ideas for widgets. 01:21:28.347 --> 01:21:29.668 Joe, is this your free choice now? 01:21:29.708 --> 01:21:29.948 Is it? 01:21:30.068 --> 01:21:32.989 Yeah, this is a tribe called Quest with Check the Rhyme from the Low End Theory. 01:21:33.109 --> 01:21:33.629 Very nice. 01:21:34.639 --> 01:21:37.042 Yes, Tribe Called Quest there with Check the Rhyme. 01:21:37.843 --> 01:21:38.964 It's nearly the end of the show now. 01:21:38.984 --> 01:21:40.146 That's pretty much it, isn't it? 01:21:40.426 --> 01:21:41.107 Thanks a lot for listening. 01:21:41.147 --> 01:21:46.373 Hey folks, don't forget you can download a podcast of the edited bits of this show. 01:21:46.433 --> 01:21:50.017 I always hesitate to call them highlights because it seems a little... You're too modern to man. 01:21:50.798 --> 01:21:58.024 Yeah, plus you can listen to the whole thing again on Listen Again via the 6 Music website or on the BBC iPlayer as well. 01:21:59.245 --> 01:22:01.987 Next week we're going to try and do Scary Songs for Song Wars, is that right? 01:22:02.107 --> 01:22:06.770 Yes, Scary Songs in preparation for our terrifying Halloween special. 01:22:07.051 --> 01:22:10.213 And we may have a special guest in the studio next week. 01:22:10.413 --> 01:22:10.633 Yeah. 01:22:10.673 --> 01:22:12.334 And we never, we never normally have guests. 01:22:13.535 --> 01:22:15.196 Should we, are we okay to talk about this? 01:22:15.476 --> 01:22:16.657 We might have Roger Moore. 01:22:16.977 --> 01:22:20.639 We might get Roger Moore to come in and listen to our Quantum of Solace songs. 01:22:20.699 --> 01:22:24.882 Because you know Roger Moore, he's got this new book out, his autobiography, My Word is My Bond. 01:22:24.922 --> 01:22:34.007 He was very good on Jonathan Ross last night, but we might be getting him in here next weekend towards the end of the show just to see whether he likes our Bond themes. 01:22:34.087 --> 01:22:36.949 Especially as you actually name check him in your Bond song. 01:22:36.989 --> 01:22:37.549 Absolutely. 01:22:37.670 --> 01:22:38.130 Yeah, yeah, yeah. 01:22:38.610 --> 01:22:39.811 So all that to look forward to. 01:22:40.812 --> 01:22:43.534 And yeah, we're really gonna miss you this week. 01:22:43.794 --> 01:22:45.015 Take care of yourselves, will you? 01:22:46.817 --> 01:22:47.497 Just be careful. 01:22:47.537 --> 01:22:48.999 You've been playing Reckless recently. 01:22:49.059 --> 01:22:49.519 Exactly. 01:22:49.779 --> 01:22:50.540 Be careful out there. 01:22:50.700 --> 01:22:52.341 Liz Kershaw's coming up right now. 01:22:52.521 --> 01:22:55.604 Here's Pavement with a session track recorded for Steve LaMac in 1997. 01:22:56.104 --> 01:22:57.005 This is Harness Your Hopes. 01:22:57.045 --> 01:22:57.465 Have a good week. 01:22:57.485 --> 01:22:58.026 Bye, I love you, bye! 01:22:58.386 --> 01:23:07.636 By harness, your hopes aren't just one person You know because a harness was only made for one Don't telegraph your passes, you'll end up with no last