WEBVTT 00:00.409 --> 00:03.371 Hello and welcome to the big British castle. 00:03.551 --> 00:07.112 It's time for anima Joe to broadcast on the radio. 00:07.373 --> 00:12.155 There'll be some music and some random talking in between, and then eventually 00:15.063 --> 00:21.108 That's Lady Hawk with Dust Till Dawn and this is Adam Buxton here on BBC Six Music. 00:21.588 --> 00:26.912 Joe is away today, listeners, and I'm joined by our buddy Garth Jennings. 00:27.053 --> 00:27.633 Hello there. 00:27.753 --> 00:28.714 I'm standing in again. 00:29.374 --> 00:31.876 Joe just keeps going away and I just keep coming back in. 00:31.916 --> 00:33.197 He's still standing. 00:33.558 --> 00:40.563 Joe is off in Los Angeles and he's assured me that he's not hanging out with Will Smith because that's my friend. 00:40.583 --> 00:41.204 Yeah. 00:41.664 --> 00:43.326 He's doing some work out there. 00:43.426 --> 00:44.067 So he says. 00:44.408 --> 00:45.849 I mean... He's so nice. 00:45.889 --> 00:47.211 We've only got his word for that. 00:47.351 --> 00:48.012 Probably what he's doing. 00:48.032 --> 00:51.817 He's just sitting by some swimming pool, smoking something crazy. 00:51.917 --> 00:53.559 Yeah, like a rolled up newspaper. 00:53.639 --> 00:53.879 Yes. 00:54.180 --> 00:58.205 And he's standing probably on Sunset Boulevard in his pants is what he's doing. 00:58.225 --> 00:58.966 Yeah, he's filthy. 00:59.106 --> 01:00.027 Touting for business. 01:01.649 --> 01:02.369 Dirty Joe. 01:02.389 --> 01:04.450 So we won't hear from him at all this week. 01:04.590 --> 01:09.153 However, next weekend, when he's also away, he's away from the next three weeks or something, Ludacris. 01:09.814 --> 01:13.336 Yeah, how bitter he was when he said that. 01:13.896 --> 01:15.577 He's away for three weeks. 01:15.637 --> 01:17.638 And he will be down the line. 01:17.679 --> 01:22.702 We'll be hooking up with him live in a studio in LA next week, and I think maybe the week after. 01:24.682 --> 01:30.523 Which makes me a little perplexed, because I was thinking like, does he get paid for a whole show doing that, right? 01:31.444 --> 01:32.224 I bet he does. 01:32.824 --> 01:39.445 And I think that's not fair, especially as he was sort of saying, oh, well, it's going to be about three in the morning in Los Angeles if I do that. 01:39.485 --> 01:45.726 So maybe I'll just do the first hour of the show and then, you know, go to bed if that's cool with you guys. 01:45.786 --> 01:49.527 And everyone's like, yeah, that's cool with us guys, and it's not cool with you guys. 01:50.787 --> 02:01.733 It's not cool with the guy who's being paid the same to do the whole proper show and isn't in Los Angeles in his underpants on Sunset Boulevard at 3 in the morning. 02:01.753 --> 02:07.916 See, I've already gone into that thing my dad warned me about, my wife's been cross about where I just keep laughing. 02:08.097 --> 02:09.137 That's alright. 02:09.177 --> 02:10.858 This is the show where I'm surly, right? 02:11.358 --> 02:13.980 Hey, we all keep laughing on this show, it's a fun time. 02:14.500 --> 02:31.227 beautiful morning, the sun's out, the building that's being built opposite our studio here at Six Music is going really well and now it's blotted out the view, now it's just a massive great wall with some men in yellow visibility uniforms on it. 02:32.247 --> 02:34.668 But, you know, it's a nice day to be alive, I hope. 02:34.688 --> 02:35.168 This is it. 02:35.208 --> 02:35.908 This is my day. 02:36.408 --> 02:39.629 I even got the front seat on the 73 bus, which is the pole position. 02:39.929 --> 02:40.209 Right. 02:40.529 --> 02:42.629 You know, we were up there practically next to the driver. 02:43.189 --> 02:44.390 It feels like you're driving. 02:44.430 --> 02:44.770 Exactly. 02:44.790 --> 02:46.150 You can pretend you are driving. 02:46.170 --> 02:49.491 In fact, you can take a little plastic children's wheel on there. 02:49.731 --> 02:49.991 Yeah. 02:50.431 --> 02:53.351 And you can pretend you're changing gear and stuff like that. 02:53.731 --> 02:55.212 You pretend not to let people on. 02:55.512 --> 02:55.732 Right. 02:55.972 --> 02:57.112 Say, no, close the doors now. 02:57.132 --> 02:57.872 I'm closing the doors. 02:58.072 --> 02:58.352 Yeah. 02:58.552 --> 02:59.273 And it's great. 02:59.373 --> 03:00.073 It's a fun game. 03:00.113 --> 03:01.393 I've had a lovely start to the day. 03:01.693 --> 03:02.174 Well done. 03:02.814 --> 03:08.020 Listeners, we've got song wars for you, but it's a whole fraught tale that we will relate to you later on. 03:08.060 --> 03:12.866 It's the hardest song wars that we've ever been involved with, but we wanted to try and do one for you. 03:13.386 --> 03:14.548 So that's exactly what we've done. 03:14.988 --> 03:15.489 We've tried. 03:17.010 --> 03:23.895 We'll have we'll probably dig out a text the nation for you later on all that stuff And we've got a lot of great music law great sort of music now. 03:23.935 --> 03:33.082 This is an exciting new band They are called the blur Because they they move and they play and they think so fast. 03:33.523 --> 03:34.163 It's what they're like. 03:34.183 --> 03:35.044 They're just a blur and 03:35.604 --> 03:37.886 And they're led by an arrogant young man. 03:38.007 --> 03:40.149 His name is Damien Allbran. 03:40.709 --> 03:43.252 And this is their song, Song 2. 03:43.352 --> 03:45.134 The second song they've ever written. 03:45.474 --> 03:45.975 Very good. 03:46.195 --> 03:46.615 Well done. 03:46.755 --> 03:47.977 That was Blur with Song 2. 03:48.037 --> 03:50.759 That was more than 10 years ago now, wasn't it? 03:51.240 --> 03:53.162 Or almost exactly 10 years ago, maybe. 03:53.222 --> 03:54.403 It sounds brilliant still. 03:54.763 --> 03:57.726 That's kind of cox and propelling that one, I would think. 03:58.227 --> 03:58.507 You know? 03:58.607 --> 03:59.448 With his mighty axe. 03:59.588 --> 04:17.429 with his mighty axe when he started getting into all the American indie grungy bands and infecting blur with that sound much to the chagrin of all brand who wanted to yeah I think that I was chagrin yeah he's just a little bit miffed it's mythology 04:18.911 --> 04:21.595 Um, you know, I always felt like Orbrand wanted to go off. 04:21.635 --> 04:25.441 Basically, he was always waiting for the moment that he could unleash the monkey. 04:26.163 --> 04:26.463 Right. 04:26.523 --> 04:30.950 And start collaborating with world musicians on a big monkey-based opera. 04:32.248 --> 04:37.210 And the whole thing was derailed somewhat by Coxen insisting that they play their guitars loudly. 04:37.250 --> 04:39.371 I might be wrong, but that's pure speculation. 04:39.871 --> 04:40.871 I think you're probably right. 04:40.891 --> 04:44.553 I'm just imagining it, but I think that was the root of the friction. 04:44.673 --> 04:46.493 He was waiting to unleash his monkey. 04:48.114 --> 04:50.435 In a way, we're all waiting to unleash. 04:50.735 --> 04:53.157 our monkeys as men. 04:53.978 --> 05:00.463 This is BBC Six Music and we are here for the next two hours and 50 minutes. 05:00.923 --> 05:12.652 Within the next half hour we are going to be unleashing our Song Wars songs on you rather than our monkeys and I will tell you this week that Garth and I decided we should write a credit crunch song. 05:13.413 --> 05:17.357 And it's something that Joe and I were talking about on previous shows. 05:17.738 --> 05:21.221 You know, we always toyed with the credit crunch notion as a theme. 05:21.902 --> 05:22.703 It's very topical. 05:22.823 --> 05:23.543 Yeah, exactly. 05:23.563 --> 05:24.504 Don't know if you've noticed. 05:24.524 --> 05:26.446 If you notice that everything is collapsing. 05:27.848 --> 05:29.289 Yes, people are chatting about it. 05:29.610 --> 05:31.171 So we thought we should do a credit crunch song. 05:32.012 --> 05:40.037 But then again, we also thought that we should do like a world peace song, you know, when it was all going off with Russia, like the other week. 05:40.417 --> 05:42.138 See, I'd have been up for doing a world peace song. 05:42.178 --> 05:43.118 You would think, wouldn't you? 05:43.299 --> 05:45.100 You'd think, how hard is it to do a world peace song? 05:45.160 --> 05:47.261 Bob Dylan, he tossed them off the whole time. 05:47.281 --> 05:52.043 Actually, he didn't write that many straightforward world peace songs, but they felt like that kind of thing. 05:52.084 --> 05:52.304 Yeah. 05:53.084 --> 05:58.869 It's a bit harder than you might imagine to come out with a blowing in the wind or whatever. 05:59.650 --> 06:01.912 So we were stuffed on that one. 06:02.012 --> 06:11.800 We actually tried to write our World Peace songs and gave up, phoned each other on Friday evening before the show a few weeks back and said, is it happening over there in Cornish Studio? 06:11.980 --> 06:12.180 No. 06:12.561 --> 06:17.705 Do you phone as well, hedging your bets a bit, going, hey, how's it going with you? 06:18.005 --> 06:19.266 It could be going all right with me. 06:19.326 --> 06:19.827 Yeah, exactly. 06:20.847 --> 06:25.089 How many courses and verses have you got on the World Peace Song? 06:25.670 --> 06:27.430 Yeah, not many. 06:27.450 --> 06:28.351 How about you? 06:28.691 --> 06:28.991 None. 06:29.011 --> 06:30.552 Shall we give up? 06:30.672 --> 06:31.072 Yes. 06:32.093 --> 06:35.674 You know when you phoned last night, I thought that was the call where I was going to get let off the hook. 06:35.694 --> 06:36.655 It's like, look, just forget it. 06:36.675 --> 06:37.856 We'll play some more records. 06:37.876 --> 06:40.117 Well, it sort of was the call. 06:40.177 --> 06:41.177 You were doing it to me? 06:41.197 --> 06:44.259 Yeah, I was hoping you might say, I've got nothing. 06:44.719 --> 06:45.779 Let's not do it. 06:45.799 --> 06:46.980 Well, I sort of said, help. 06:47.280 --> 06:48.581 I was sort of saying, this is awful. 06:49.681 --> 06:51.843 But anyway, people will decide. 06:52.383 --> 06:53.364 This is a thing, you see. 06:53.424 --> 06:59.648 Like, if you were doing it for a TV show or a show or whatever, you would work until you had something you were pleased with. 06:59.688 --> 07:01.829 You would reject a certain amount of stuff. 07:01.869 --> 07:07.873 But if it's just, you know, you've got to do it for the radio show and those stakes aren't necessarily that high. 07:08.214 --> 07:12.997 No, but also the thing is that I haven't had a chance to do anything all week because I've been doing my other job. 07:13.017 --> 07:13.557 Yeah, yeah. 07:13.777 --> 07:15.879 So I got home last night trying to get it done before 07:16.539 --> 07:17.921 Your neurosurgery job. 07:18.121 --> 07:18.882 Yeah, exactly. 07:18.922 --> 07:20.043 I got people to fix. 07:21.464 --> 07:23.206 Garth is like the embodiment of house. 07:23.586 --> 07:31.375 Yeah, I like, you know, sewing things up, getting it done and stumbling around and going, and he does an American accent as well. 07:33.937 --> 07:34.478 What's that? 07:34.498 --> 07:36.099 Is that your American accent? 07:36.119 --> 07:37.120 Yeah, a higher door now. 07:37.560 --> 07:39.482 And I've had a cold you might be able to hear as well. 07:39.562 --> 07:40.102 Sounds good though. 07:40.122 --> 07:41.023 You sound good with a cold. 07:41.103 --> 07:42.124 Some people sound rubbish. 07:42.144 --> 07:43.745 The last time I saw you I had a cold. 07:43.845 --> 07:44.625 You've always got a cold. 07:44.646 --> 07:45.286 You're the cold man. 07:45.306 --> 07:46.287 You're Oscar Coldman. 07:47.548 --> 07:53.292 I'm like Steve Austin and my bionics aren't working because you've infected me, Oscar Coldman. 07:53.392 --> 07:54.633 You're just weird. 07:55.074 --> 07:59.997 Anyway, let's play some more music and maybe do song wars after this. 08:00.138 --> 08:00.418 Yeah. 08:00.818 --> 08:01.699 I don't know what you think about that. 08:02.519 --> 08:04.981 Sadly, Rick Wright from Pink Floyd died this week. 08:05.021 --> 08:05.581 Did you read that? 08:05.641 --> 08:05.881 I did. 08:06.642 --> 08:10.564 And he was only 65, which seems too young. 08:10.604 --> 08:14.106 But man, if you're a musician, if you go on stage, you're dealing with that amount of stress. 08:14.486 --> 08:23.572 And that's by the way, of all any crazy, you know, little cups of crazy food you might be, what am I talking about? 08:24.592 --> 08:25.633 My brain's shut down. 08:26.133 --> 08:27.094 You know what I'm saying. 08:27.134 --> 08:33.119 Being a rock star is a stressful job is what I'm saying and unfortunately I think it might shorten your life. 08:33.719 --> 08:41.185 Anyway, this is a song that Rick Wright wrote for very early Pink Floyd and it's one of my favourites. 08:41.505 --> 08:42.466 It's called Paint Box. 08:43.247 --> 08:44.828 Finish him with my orange segment. 08:44.848 --> 08:45.749 Do you want me to do this? 08:45.809 --> 08:46.389 Go on then. 08:46.549 --> 08:47.690 Who was that? 08:47.930 --> 08:48.911 James Yule. 08:49.171 --> 08:52.054 That was James Yule with his song called... 08:52.774 --> 08:54.596 The sweet, this sweet love. 08:54.636 --> 08:56.438 This sweet love, which actually I thought was great. 08:56.458 --> 08:57.099 It was very nice. 08:58.821 --> 09:00.343 Why you I double L? 09:00.603 --> 09:01.464 How would you pronounce that? 09:01.705 --> 09:02.185 Yell. 09:02.545 --> 09:03.086 Yell. 09:03.346 --> 09:03.727 Yell. 09:03.947 --> 09:04.348 Yell. 09:04.888 --> 09:05.409 Yell. 09:05.429 --> 09:06.370 Are you ill? 09:07.051 --> 09:07.611 Maybe you are. 09:07.732 --> 09:08.352 Yeah, exactly. 09:08.593 --> 09:09.133 James, you ill? 09:09.994 --> 09:10.655 Nah, I'm alright. 09:10.755 --> 09:11.055 Thanks. 09:12.534 --> 09:13.855 James probably hates this show now. 09:13.875 --> 09:15.436 That's what happens in his life. 09:15.476 --> 09:15.676 Yeah. 09:16.076 --> 09:16.676 James, you ill? 09:17.196 --> 09:18.157 No, I'm fine. 09:18.177 --> 09:20.018 No, I'm just saying your name. 09:20.438 --> 09:21.258 Oh, my name. 09:21.278 --> 09:22.559 Sorry. 09:23.319 --> 09:24.200 That's embarrassing. 09:24.240 --> 09:25.040 Yes, I'm fine. 09:25.200 --> 09:25.420 What? 09:25.700 --> 09:26.241 My name. 09:26.261 --> 09:27.902 All that. 09:29.082 --> 09:30.583 It must be funny in his life. 09:31.023 --> 09:32.624 Anyway, well done James. 09:32.804 --> 09:33.604 Very good song. 09:33.724 --> 09:34.864 This sweet love that was. 09:34.964 --> 09:37.405 Also that Pink Floyd track you played was great. 09:37.446 --> 09:38.506 I'd never heard that before. 09:39.166 --> 09:48.690 You know, embarrassingly when Sid Barrett died, and we were on XFM, I wheeled that one out and I said, this is a tribute to Sid Barrett. 09:49.370 --> 09:52.011 And then a little bit of a name drop here. 09:52.792 --> 09:56.133 Claire, don't know if you can muster up a little name drop sound for us. 09:56.153 --> 09:56.793 I can always do it. 09:56.813 --> 09:57.814 It's a small name drop. 09:59.878 --> 10:05.304 Robin Hitchcock texted me and said, actually, Sid didn't write Paintbox. 10:05.364 --> 10:10.128 That was one of Rick Wright's because Robin Hitchcock is a big Pink Floyd obsessive. 10:10.829 --> 10:11.890 So he knows all about that. 10:11.930 --> 10:13.031 So I felt quite embarrassed. 10:13.392 --> 10:15.194 Just done a little tribute to the wrong guy. 10:17.034 --> 10:18.415 This is for you, Sid. 10:18.675 --> 10:22.096 This time, sadly, I was able to get it right. 10:23.176 --> 10:23.717 Quite literally. 10:24.857 --> 10:25.497 Good work, man. 10:25.577 --> 10:26.077 Thank you very much. 10:26.117 --> 10:27.198 Very good work. 10:27.538 --> 10:28.438 But what a lovely song. 10:28.458 --> 10:28.998 Amazing. 10:29.058 --> 10:29.518 Amazing. 10:29.819 --> 10:32.800 There she sits, looking very angry. 10:33.260 --> 10:34.980 As cross as she can be. 10:35.060 --> 10:36.981 Yippee yippee yippee yippee yippee. 10:37.321 --> 10:38.162 has had to write a song. 10:38.522 --> 10:43.047 We'll be showing you how not to write a song quite shortly when we unveil our song wars efforts. 10:43.067 --> 10:43.888 It is a real war. 10:43.948 --> 10:45.630 It's going to be a bloody dirty war. 10:45.850 --> 10:47.311 But we're not going to do it before then. 10:47.332 --> 10:48.853 We'll do it after the news, I think. 10:49.474 --> 11:00.145 In the meantime... Oh yeah, I was going to... Because I know people get a bit disappointed because, you know, it goes Adam and Joe and then, no, Joe's away, Garth and you could feel half of your listeners going, ugh. 11:00.405 --> 11:01.166 No, that's not true. 11:01.186 --> 11:02.467 No, no, no, because it's not because of me. 11:02.487 --> 11:03.989 It's because they love that Joe guy. 11:04.269 --> 11:04.489 Yeah. 11:04.809 --> 11:11.676 So I thought I better make a jingle that sort of announces myself because otherwise it's going to get confusing for people and I haven't played this to you yet. 11:12.076 --> 11:16.661 But this is my, you know, I need it because you've got an Adam and Joe jingle and loads of jingles. 11:17.001 --> 11:20.425 I thought I need my own one that sort of explains myself to your unhappy listeners. 11:20.705 --> 11:21.045 Okay. 11:21.265 --> 11:21.626 Here we go. 11:22.222 --> 11:24.303 I'm not Joe, no. 11:24.603 --> 11:27.465 Joe is away from the show. 11:27.785 --> 11:30.126 But Joe is the one that you know. 11:30.586 --> 11:32.287 He's unreliable. 11:32.987 --> 11:35.128 Yes, oh, a PN. 11:35.729 --> 11:36.429 I'm not Joe. 11:36.549 --> 11:39.471 Boy and goth, I am standing in for Joe. 11:39.611 --> 11:42.012 I hope you don't mind if you do this stuff. 11:42.993 --> 11:44.574 There you go, that's my jingle. 11:45.275 --> 11:48.098 And I'll be playing that every five minutes throughout the show. 11:49.200 --> 11:50.541 It's only 28 seconds long. 11:50.862 --> 11:51.983 You can deal with it, people. 11:52.003 --> 11:54.426 He's unreliable. 11:54.446 --> 11:57.229 Yeah, I love the way he hit the Tony whatnot to sing that. 11:57.950 --> 11:59.031 He's unbelievable. 12:00.307 --> 12:02.188 It is, it's one of the most enjoyable things to sing. 12:02.208 --> 12:08.310 And I was trying to work what the upper ball would be for ages, I couldn't work it out. 12:08.550 --> 12:09.051 Unreliable. 12:09.191 --> 12:09.751 Unreliable. 12:09.831 --> 12:10.331 There you go. 12:10.611 --> 12:11.552 Absolutely perfect. 12:12.112 --> 12:13.793 It's so appealing. 12:15.945 --> 12:23.853 So yes, we will be trotting out our song wars things after... I've actually brought in two, right? 12:24.894 --> 12:25.875 Which is not strictly allowed. 12:25.895 --> 12:27.797 I'm only going to be submitting one for competition. 12:27.837 --> 12:28.438 That's fine. 12:28.638 --> 12:33.043 I tell you what, anything goes because I was struggling so badly, so you can just do whatever you like. 12:33.083 --> 12:38.709 I'm bringing in the other one purely as a curiosity, you know, like a DVD extra. 12:39.509 --> 13:05.343 kind of look at it and think well that's a deleted scene that is deleted but then when you compare it to the one I'm actually submitting there's no real difference in quality so it's you know this is why war is bad you see wars have to come to an end we've got to do like a pipes of peace type thing and just get our football out just love each other and play football not not keep inflicting war on each other with these stupid songs yeah I'm thinking about all the loving that we're gonna be loving each other bit 13:05.703 --> 13:06.843 How are we going to do it exactly? 13:07.023 --> 13:08.804 Maybe you could explain while this song is playing. 13:08.824 --> 13:09.164 Okay. 13:09.304 --> 13:11.065 Do you want to introduce this bit of hot chip? 13:11.365 --> 13:12.485 Oh, hot chip over and over. 13:12.645 --> 13:13.385 Yeah, go and play it. 13:13.645 --> 13:15.686 Hot chip with over and over. 13:15.706 --> 13:19.527 This is Adam Buxton and Garth Jennings here on BBC 6 Music. 13:19.867 --> 13:23.068 It is 9.30 time now for the news read by Harvey Cooke. 13:23.388 --> 13:27.971 That is Prince the Purple Ponce with I Could Never Take the Place of Your Man. 13:27.991 --> 13:31.633 This is Adam and Garth here on BBC Six Music. 13:32.433 --> 13:33.534 Lovely Saturday morning. 13:33.714 --> 13:38.597 Hope you're enjoying it so far, listeners, if you haven't got out of bed yet. 13:38.717 --> 13:38.977 Don't! 13:39.257 --> 13:40.198 You know, just stay there. 13:40.258 --> 13:41.078 Why would you want to get up? 13:41.098 --> 13:42.359 There's a credit crunch out there. 13:43.220 --> 13:44.921 And it's coming to get you. 13:45.521 --> 13:48.042 And we've written some songs about them. 13:48.282 --> 13:50.364 But first, let's have the song wars jingle. 13:50.404 --> 13:50.684 Why not? 13:52.296 --> 14:02.090 It's time for song wars, the war of the songs A couple of tunes by a couple of prongs Which will you vote for? 14:02.731 --> 14:04.153 Which one is the best? 14:04.733 --> 14:08.779 We're putting our songs to the listener test So check it out 14:09.836 --> 14:13.460 And the whole notion of which one is the best is somewhat moot this week. 14:13.500 --> 14:18.145 It's more like, well, I'm guessing it's more like which one is the least grating. 14:18.365 --> 14:20.667 Yeah, because I think I might win in grating. 14:21.027 --> 14:21.448 You reckon? 14:21.548 --> 14:23.410 Yeah. 14:23.970 --> 14:26.393 Last time we did this, I was really excited about playing my song. 14:26.813 --> 14:28.355 This time I'm terrified. 14:28.455 --> 14:30.337 Well, last time your song was a smash, wasn't it? 14:30.737 --> 14:31.238 I beat you. 14:31.398 --> 14:31.738 You did. 14:31.758 --> 14:32.699 You absolutely thrashed me. 14:32.819 --> 14:33.139 Come on. 14:34.080 --> 14:34.861 Well, come on. 14:34.901 --> 14:35.421 What am I saying? 14:35.461 --> 14:37.843 Come on because it's fun, isn't it? 14:38.123 --> 14:47.449 It's something that people say it's something that Justin Lee Collins might say and true and that's good enough Did you see the hairy monster doing his Star Wars reunion thing? 14:47.629 --> 14:57.836 No, I didn't he's quite enjoyable anyway That's by the by I've brought in not one but two attempts at this credit crunch song wars thing, right? 14:57.856 --> 15:02.920 Right, and I think what I might do have you got both of them lined up Claire or just the one 15:04.420 --> 15:05.821 Do you want to hear my first attempt? 15:06.001 --> 15:06.382 Yeah, go on. 15:06.622 --> 15:06.922 Okay. 15:07.362 --> 15:13.085 So this is... I just bit off way more than I could chew with this, right? 15:13.445 --> 15:14.646 Way more than you could crunch. 15:14.966 --> 15:15.427 Exactly. 15:15.507 --> 15:15.987 Yeah. 15:16.187 --> 15:17.788 I couldn't even start to crunch this. 15:17.988 --> 15:19.989 And so the subsequent thing is totally overblown. 15:20.029 --> 15:26.833 It's like a little mini-optikensian opera based on a musical riff that might be familiar to listeners. 15:28.455 --> 15:35.983 But it's just nonsensical and it's kind of badly produced so you can't really hear what's actually being said a lot of the time and it's just a mess. 15:36.323 --> 15:37.545 So should we hear that one now? 15:38.025 --> 15:38.666 It's exciting, isn't it? 15:40.877 --> 15:45.981 We're on the verge of flipping abyss. 15:46.822 --> 15:50.304 Shit this abyss hasn't got little nice aliens at the bottom. 15:50.344 --> 15:52.986 Now waste your time trying to figure out. 15:53.046 --> 15:58.250 Done the credit crunching was a load of greedy bankers having a fiddle over lunch. 15:58.270 --> 16:02.353 The main thing now is not to panic but to get yourself prepared. 16:02.433 --> 16:03.794 The apocalypse is 16:06.078 --> 16:26.363 Yeah, the crunch, the crunch Prime Minister Horton Brown sends the crown It's easy to deal with it, just like the last And remember to turn up the lights Oh god, the crunch It's already crunching down upon your town It's time to be sensible, so change your ways Remember if you wanted to die, what can we do? 16:26.583 --> 16:27.363 What can we do? 16:27.623 --> 16:34.205 It's an advice for the young When you're going to the pictures Don't invest in any treats, cause the popcorn is 16:38.103 --> 16:49.447 If you can't afford no music And you don't wanna nick it Go back inside your nose again And you can Wilson pick it I've got other suggestions for my backstory What should I say? 16:49.707 --> 16:53.369 And have a lot of fun with yourself Then I gave up 16:55.336 --> 16:56.476 I think that's terrific! 16:57.036 --> 17:03.418 I was gonna have more advice about how to economise and stuff, but I couldn't stop thinking about the fact like... You couldn't stop thinking about picking your nose! 17:03.758 --> 17:06.058 Yeah, the Wilson Pickett bit worked great! 17:06.158 --> 17:06.598 You reckon? 17:06.678 --> 17:07.458 Yeah, that's good work. 17:07.498 --> 17:09.479 That was the bit where I knew I was defeated, actually. 17:09.679 --> 17:11.399 I think you've just... Wilson Pickett! 17:12.940 --> 17:14.060 God, I've gotta give up now. 17:14.280 --> 17:15.580 Oh, mine's just worse. 17:16.000 --> 17:18.381 Um, alright then, well listen, shall we have a listen to yours now? 17:18.481 --> 17:20.341 So now we're into the... I've only got one, I haven't got... 17:20.801 --> 17:21.462 a back up here. 17:21.542 --> 17:30.250 Well this is now, now we're in the official competition so you're discounting that last thing listeners and this is what we are actually competing against each other with. 17:30.290 --> 17:31.110 Yeah focus now. 17:31.130 --> 17:32.472 So do you want to introduce yours now? 17:32.772 --> 17:39.918 Mine's called My Credit Crunchy Song and I think I should just play it and get it over with. 17:40.018 --> 17:40.459 Let's do it. 17:42.092 --> 17:55.195 If this song was a bank, it would fold to be frank And this tune was a man, he would sleep 18:54.057 --> 18:54.724 If this bust 19:50.185 --> 19:51.145 Oh, you've gone for the fade. 19:51.886 --> 19:53.106 Oh, I had to go for the fade. 19:53.126 --> 19:53.646 It's awful. 19:53.666 --> 19:54.186 Do you know that? 19:54.206 --> 19:59.328 Do you remember when you were at school and you were asked to stand up in front of the class and speak? 19:59.348 --> 19:59.708 I have. 19:59.928 --> 20:03.749 You know that kind of embarrassment that's so shocking that you feel like you've gone solid? 20:05.030 --> 20:07.210 If you were, you're like a solid brick of red. 20:07.750 --> 20:09.411 That was me for the last two minutes. 20:09.711 --> 20:10.412 I was good, man. 20:10.452 --> 20:10.932 I enjoyed that. 20:10.972 --> 20:12.073 You know what? 20:12.113 --> 20:14.574 That was musically superior. 20:14.694 --> 20:18.657 You sidestepped the whole actually writing a thing about the credit crunch. 20:18.677 --> 20:19.778 I didn't know what to write about. 20:19.818 --> 20:24.081 Basically, you just, all your lyrics were like, this is a song about the credit crunch. 20:24.101 --> 20:24.521 The crunch. 20:24.861 --> 20:29.464 This is a rubbish song and if it was about the credit crunch, it would be like this. 20:29.584 --> 20:30.925 I couldn't think of anything. 20:31.005 --> 20:35.348 You shirked the... I tried to creatively bend the brief. 20:35.408 --> 20:37.169 Well, I think that's fair enough. 20:37.249 --> 20:38.370 Lord have mercy. 20:38.510 --> 20:45.916 You know what you should do is retool that song and write some actual proper lyrics that aren't about the credit crunch for it, because that's a nice song. 20:46.096 --> 20:46.697 I would enjoy that. 20:46.877 --> 20:48.058 That's as good as Hot Chip. 20:48.558 --> 20:49.019 Hot Chip? 20:49.139 --> 20:50.940 That's even better than a lot of this stuff. 20:51.080 --> 20:51.921 I don't know about that. 20:52.001 --> 20:52.241 I do. 20:53.442 --> 20:55.924 So that was Garth's credit crunch song there. 20:55.944 --> 20:56.765 What are you calling it? 20:57.626 --> 20:58.667 My credit crunchy song. 20:58.707 --> 20:59.147 Fair enough. 20:59.948 --> 21:03.351 So in the end, after I'd given up on my little mini opera there, 21:04.291 --> 21:13.317 I just thought, okay, I'm going to have to do something that I've been thinking about doing a lot in, sometimes when I run out of ideas for Song Wars and I'm up against the deadline. 21:14.098 --> 21:18.221 I think, ooh, okay, it's time for this tack. 21:18.701 --> 21:21.163 Maybe I should play mine after the next track. 21:21.423 --> 21:22.484 No, alright, I'll play it now. 21:22.684 --> 21:23.244 It's only short. 21:23.925 --> 21:30.189 And that is to do an homage to Radiohead's Fitter Happier. 21:31.043 --> 21:32.724 Oh, you clever sausage. 21:32.765 --> 21:33.725 You know that track? 21:33.925 --> 21:35.146 You've won the war. 21:35.386 --> 21:37.188 Well, no, not necessarily. 21:37.248 --> 21:45.834 It's not in any way a song, but it, you know, but it is kind of a song because that was, was it like, it was almost a centerpiece of OK Computer, wasn't it? 21:46.054 --> 21:46.814 Yeah. 21:46.934 --> 21:47.295 In a way. 21:47.335 --> 21:53.079 And it had the Stephen Hawking computer voice on there talking about alienation and modern 21:53.499 --> 21:55.300 A pig stuck on a pool. 21:55.320 --> 21:55.760 Exactly. 21:55.980 --> 21:57.661 He just says that, but I just do it all the time. 21:57.681 --> 21:58.982 He's not stuck on a pool, I don't think. 21:59.162 --> 21:59.842 Something like that. 21:59.922 --> 22:01.223 Tied to a stick. 22:01.643 --> 22:04.865 It's driven into frozen people, I'm sure he says it anyway. 22:04.885 --> 22:05.365 Something like that. 22:05.385 --> 22:05.565 Yeah. 22:05.965 --> 22:10.628 Anyway, so that's the kind of thing I went for, and here it is. 22:11.397 --> 22:24.171 Credit brunch is a term used to describe a sudden reduction in the general availability of loans, or, credit, or a sudden increase in the cost of obtaining loans from the banks. 22:24.432 --> 22:32.500 There are a number of reasons why banks may suddenly increase the costs of borrowing or make borrowing more difficult. 22:33.201 --> 22:42.687 This may be due to an anticipated decline in value of the collateral used by the banks, or it could be something to do with Al Gore. 22:43.267 --> 22:48.010 In fact, yes, I'm almost certain it's Al Gore's fault. 22:48.670 --> 22:57.716 And Noel Edmonds is probably mixed up in it somewhere too, with his Princess Diana hair and his stupid boxes. 22:58.696 --> 23:05.864 He's waiting until the world is on its knees, and then he's going to bring back Mr. Blobby. 23:06.465 --> 23:11.610 And it wouldn't surprise me if Ant and Dec are in league with the banks too. 23:12.171 --> 23:15.394 They've got their thinkers in everybody's ties. 23:15.894 --> 23:19.819 Saturday night isn't the only thing they want to take away. 23:20.439 --> 23:24.621 They're good time, I'm a celebrity, get me out of here, though. 23:25.121 --> 23:39.567 Mine too, with the crunch, they're probably going to have to scale I'm a celebrity, down the fifth, and just have the cheeky girls, and the chuckle brothers, in the park, and hack me. 23:44.254 --> 23:44.855 Absolutely rubbish. 23:45.155 --> 23:47.715 You can't even hear what he's saying as well. 23:47.755 --> 23:48.316 That's the thing. 23:48.476 --> 23:49.196 Yes, you can. 23:49.456 --> 23:50.056 It's a winner. 23:50.316 --> 23:50.676 Fred. 23:50.896 --> 23:53.157 That's the name of that voice on your computer. 23:53.177 --> 23:54.037 There you go. 23:54.057 --> 23:55.518 Well, that song was, and I don't know. 23:55.538 --> 23:58.099 I mean, I don't know if we're going to play those again. 23:58.419 --> 24:00.099 Usually we play them again at the end of the show. 24:00.119 --> 24:01.520 I mean, I think they would be unfair. 24:01.540 --> 24:05.881 I think people are screaming at their radios now saying, please don't, don't play that again. 24:05.981 --> 24:06.421 I would go. 24:06.581 --> 24:08.162 Yours is fine, but shocking. 24:08.442 --> 24:09.883 Anyway, let's move on, shall we? 24:09.903 --> 24:17.107 That was Song Wars, and don't forget that, um, email is the way to vote for those, which one you hate least. 24:17.928 --> 24:21.970 Um, and the address is... What is the address? 24:22.170 --> 24:28.454 Adamandjo.6music.bbc, no. 24:29.214 --> 24:29.675 Ah, dear. 24:30.700 --> 24:32.141 Yeah, the address is on the website. 24:33.402 --> 24:34.022 Where is it? 24:34.262 --> 24:35.383 I can't see it at all. 24:35.683 --> 24:41.086 Just so everyone knows, there's hundreds of people running around the studio now trying to find a bit of where is it? 24:41.106 --> 24:41.586 Where is it? 24:42.087 --> 24:42.687 There he goes. 24:43.528 --> 24:43.888 Here it is. 24:43.908 --> 24:44.428 Okay. 24:45.289 --> 24:46.769 It's, you know, you know the address. 24:47.390 --> 24:50.672 It's, oh, I forgot to say, we'll tell you the address sometime. 24:50.692 --> 24:52.653 Now, Garth, this is your choice right now. 24:52.813 --> 25:02.616 This is a song by Smog called Cold-Blooded Old Times, and this was a song that you actually introduced to me on one of your many ridiculous compilations, but this is a fantastic track and I love it. 25:02.956 --> 25:03.636 Yeah, here we go. 25:03.776 --> 25:04.376 Can we play it? 25:04.496 --> 25:05.236 Nice bit of Smog. 25:05.456 --> 25:05.856 There you go. 25:05.876 --> 25:08.037 That's Smog as chosen by Garth. 25:08.097 --> 25:09.637 That was Cold-Blooded Old Times. 25:09.677 --> 25:12.638 That pops up on the High Fidelity soundtrack as well. 25:13.718 --> 25:15.599 Have you seen that film recently? 25:15.959 --> 25:18.000 What, the one with, um... John Cusack. 25:18.020 --> 25:18.820 John Cusack. 25:19.020 --> 25:19.800 No, I haven't actually. 25:19.860 --> 25:21.501 I saw it when it came out and I really liked it. 25:21.841 --> 25:23.241 It's a strange one, that film. 25:23.541 --> 25:24.162 Do you not like that? 25:24.902 --> 25:25.682 Uh, what, the film? 25:25.902 --> 25:26.162 Yeah. 25:26.702 --> 25:28.063 Um, not entirely. 25:28.303 --> 25:28.563 Really? 25:28.963 --> 25:29.323 No. 25:29.923 --> 25:30.564 Not really. 25:30.644 --> 25:32.764 Is it too close to your musical things? 25:32.784 --> 25:33.825 It's too close to my life! 25:34.305 --> 25:34.625 Yeah. 25:34.745 --> 25:35.945 It's just too close to my life! 25:36.506 --> 25:37.446 Um, no, I don't know. 25:37.726 --> 25:38.306 I don't know why. 25:38.406 --> 25:40.187 There's something about it that's a little yucky. 25:40.487 --> 25:43.208 It's a bit like, um, who directed that film? 25:43.308 --> 25:43.968 Stephen Frears. 25:44.528 --> 25:45.248 Did he really? 25:45.388 --> 25:45.708 Yeah. 25:45.789 --> 25:46.129 Yes. 25:46.969 --> 25:49.310 Because then there's... Who directed Singles? 25:49.390 --> 25:50.610 That is Camaroni. 25:50.670 --> 25:51.511 Camaroni. 25:51.691 --> 25:52.371 Camaroni. 25:52.671 --> 25:53.772 We're gonna hit him. 25:53.792 --> 25:54.472 We're gonna bang it. 25:54.532 --> 25:55.352 The Crowman. 25:55.532 --> 25:56.413 Yeah. 25:56.593 --> 25:57.293 He directed that. 25:57.353 --> 26:01.174 And Singles, like a lot of his films, is a very strange experience. 26:01.294 --> 26:01.955 Have you seen that one? 26:01.995 --> 26:02.635 Have you seen that one? 26:03.095 --> 26:03.716 You've never seen it? 26:03.916 --> 26:04.116 No. 26:04.436 --> 26:07.338 With Matt Dillon in there, I think he's playing... Matt Dillon? 26:07.679 --> 26:08.700 Yeah, Matt Dillon. 26:08.760 --> 26:09.600 I've not seen that. 26:10.161 --> 26:10.841 Ella's son. 26:11.742 --> 26:19.108 He's in there and he's playing like the lead singer of a grunge band and they're called something like... Oh, wait a minute. 26:19.868 --> 26:22.551 Doesn't Tim Burton pop up as a sort of cameo in it? 26:22.811 --> 26:23.091 Quite possibly. 26:23.111 --> 26:24.172 Isn't it like the grunge scene? 26:24.192 --> 26:25.393 It's all set in Seattle, yeah. 26:25.513 --> 26:26.614 Yeah, no, I've seen that. 26:27.194 --> 26:31.575 And they're quite a good grunge band, but they are called something ludicrous. 26:31.595 --> 26:32.215 I wish I could remember. 26:32.255 --> 26:34.316 Maybe one of our listeners could remind me what they're called. 26:34.796 --> 26:39.417 It's not as bad as the Oasis style band that's in Lost. 26:39.997 --> 26:40.797 You don't watch Lost, do you? 26:40.817 --> 26:41.757 I don't watch Lost, no. 26:41.917 --> 26:45.918 But the guy, the little, one of the hobbits... Oh yes, he's the rock star. 26:46.018 --> 26:47.838 He's a rock star, Charlie. 26:47.998 --> 26:55.120 Charlie, and he's in a band from Manchester and they're supposed to be like Oasis and they're called something like Piledriver or, you know, 26:56.340 --> 27:05.922 generator or what they were called listeners this is when we need your help fact apartment here at the BBC six music show and Here's the email address. 27:05.962 --> 27:06.422 We found it. 27:06.662 --> 27:15.364 It's Adam and Joe all one word dot six music at BBC dot co dot uk or of course You can text us six four. 27:15.424 --> 27:17.265 Oh four six is the text number. 27:17.625 --> 27:21.846 Don't forget if you're voting for song wars though Just emails we're taking for that 27:22.726 --> 27:30.794 Because, you know, sometimes people vote when they're after they've listened to the show and listen again or on the iPlayer. 27:30.814 --> 27:31.255 That's true. 27:31.275 --> 27:34.157 In which case there would be no one to receive their texts. 27:34.498 --> 27:36.219 They would have spent the money on the text. 27:36.500 --> 27:38.141 The text would have just gone into the ether. 27:38.702 --> 27:40.964 And that's why we have a credit crunch, people. 27:40.984 --> 27:41.364 Exactly. 27:41.404 --> 27:41.625 Right. 27:41.785 --> 27:44.107 The British castle would be held accountable for that. 27:44.127 --> 27:44.247 Yeah. 27:45.268 --> 27:46.589 We want to avoid that at all costs. 27:47.269 --> 28:02.898 So, we've got a session track coming up for you now, listeners, and we're going to play a little trail to get you into the session track, and then we're going to play some Echo and the Bunnymen, which was recorded for David Quantic when he was sitting in for Stephen Merchant last week, I think. 28:03.419 --> 28:07.101 So this is new Bunnymen doing an old Bunnymen classic. 28:07.621 --> 28:27.434 I'm not Joe, no Joe is away from the show But Joe is the one that you know He's unreliable Yes, oh, a PN I'm not Joe I am Garth, I am standing in for Joe I hope you don't mind if you do, that's tough 28:28.606 --> 28:53.861 That's an exciting new combo from London and they're called Rolling Stones and that track is called Brown Sugar and it's about brown sugar which is a sweetener you can use in tea, you can make cakes with it and that's what the song is essentially about, it's extolling the virtues of this kind of granulated substance. 28:54.201 --> 29:02.728 I'm gonna use that song to dedicate to my sister, who I had to ring up while that was on, and she said, I didn't know you were on the radio, I was listening to Sound of the Sixties. 29:03.209 --> 29:04.910 So I've bought us another listener. 29:05.190 --> 29:05.711 In a way. 29:05.951 --> 29:09.634 And I've given her a sort of, that's quite a good song to segue her across. 29:09.694 --> 29:12.056 Exactly, it's like smooth the transition a little bit. 29:12.477 --> 29:15.860 If she'd have come straight in with one of those hot chip records, oh I don't know, we'd have lost her. 29:15.880 --> 29:16.980 We'd have freaked her out, wouldn't we? 29:17.001 --> 29:19.523 We'd have to use the paddles on her, on her ass. 29:20.944 --> 29:22.484 Don't talk about my sister like that. 29:23.465 --> 29:24.545 I know it's disrespectful isn't it? 29:24.646 --> 29:25.146 It really is. 29:25.286 --> 29:27.347 Something I'd like to see more on medical shows though. 29:27.987 --> 29:29.148 Use the paddles on his ass. 29:30.889 --> 29:33.971 We've tried them on his chest and it's not working. 29:34.131 --> 29:35.932 Have you tried using them on his ass? 29:37.971 --> 29:40.293 They'd have to talk like that, though, to make it work. 29:40.313 --> 29:42.774 Even in Hobie City, they just slip into the accent. 29:43.995 --> 29:46.496 Alright, let's slap him with the paddle. 29:47.037 --> 29:49.958 Slap his ass with the paddle. 29:49.978 --> 29:52.900 You're listening to Adam and Garth here on BBC 6 Music. 29:53.200 --> 29:54.461 It's Saturday morning. 29:54.701 --> 29:59.244 Thank you very much indeed for responding to our requests for information. 29:59.864 --> 30:02.406 Re... Do you say re or re? 30:03.661 --> 30:04.241 Rie. 30:04.702 --> 30:04.942 Rie. 30:05.202 --> 30:05.482 Rie. 30:05.682 --> 30:06.122 Rie. 30:06.422 --> 30:06.682 Yeah. 30:06.883 --> 30:07.143 Right. 30:07.623 --> 30:08.523 Now I can't speak. 30:08.563 --> 30:09.044 Yeah, Rie. 30:09.124 --> 30:10.424 Yeah. 30:10.724 --> 30:13.086 Rie made up bands in films. 30:13.406 --> 30:19.028 I was thinking of the band in Lost that Charlie is a part of. 30:19.108 --> 30:22.770 Driveshaft, of course, they're called the Oasis style band. 30:22.830 --> 30:26.152 And their big hit is called You All, Everybody. 30:26.892 --> 30:27.092 What? 30:27.252 --> 30:28.113 You are everybody. 30:28.133 --> 30:29.373 You all everybody. 30:29.513 --> 30:30.534 You all everybody. 30:30.674 --> 30:30.954 Yeah. 30:31.194 --> 30:33.155 It's a distillation of the appeal of Oasis. 30:33.335 --> 30:35.477 Quite a good distillation, I think. 30:35.617 --> 30:39.819 You can actually go on YouTube and see Drive Shaft singing You All Everybody. 30:39.899 --> 30:41.340 You all everybody. 30:42.020 --> 30:44.140 There's a whole video for it and everything. 30:44.341 --> 30:45.081 It's ridiculous. 30:45.641 --> 30:50.782 And also, Matt Dillon's band in the film, Singles, directed by Cameron Crowe. 30:51.042 --> 30:52.222 They're called Citizen Dick. 30:53.363 --> 30:54.383 Is that a good name for a band? 30:54.403 --> 30:56.363 It's nearly... I quite like that. 30:56.463 --> 30:59.264 It's sort of plausible, obviously. 30:59.344 --> 31:00.564 It reminds me of Ween. 31:01.544 --> 31:04.685 Not that it's the same thing, but I'd think their music would be a bit silly. 31:05.285 --> 31:05.625 Oh, okay. 31:05.685 --> 31:08.166 No, I mean, in the film, it's straight ahead grunge. 31:09.306 --> 31:10.927 And quite boring at that. 31:11.068 --> 31:12.969 It's not nearly as inventive as ween. 31:13.369 --> 31:15.811 I love the ween Yeah, you gotta have a slice of ween. 31:15.851 --> 31:17.472 We should play more ween on this program. 31:17.512 --> 31:21.715 I think yeah Anyway, so thank you very much for responding to that. 31:21.775 --> 31:35.745 We are going to be unveiling our text the nation Subject shortly, I think but by way of sort of easing us in there a little bit I will tell you Garth that the other weekend I was in the 31:37.005 --> 31:53.477 in the east of England, in East Anglia, and we went to a fun park with my children, and it was called the Dino Park, and it's kind of dino themed, and it's a fun place, and I'll tell you more about it. 31:53.497 --> 31:54.738 You can't go wrong with dinosaurs. 31:54.818 --> 31:56.039 No, well exactly, exactly. 31:56.059 --> 31:56.599 It's genius. 31:56.859 --> 31:57.780 It's absolutely genius. 31:58.200 --> 32:13.764 And I think it's one of those situations where maybe there's a stately home or whatever, or a large piece of land with farmland attached, and maybe they've fallen on hard times, or because of financial pressures, they've had to make it, you know, commercial. 32:13.784 --> 32:14.445 Put dinosaurs in it. 32:15.865 --> 32:17.285 It's exactly what happened. 32:17.325 --> 32:17.786 We're losing money. 32:17.806 --> 32:19.266 Get some Danish orders. 32:19.366 --> 32:21.247 That's again how they speak on those properties. 32:21.687 --> 32:22.687 Get some Danish orders. 32:22.707 --> 32:23.707 Get some Danish orders. 32:23.787 --> 32:24.207 Yeah. 32:25.768 --> 32:27.528 That's what Richard Attenborough. 32:27.608 --> 32:28.669 It's Richard Attenborough, yeah. 32:28.889 --> 32:29.729 You know Dickey Attenborough. 32:29.749 --> 32:30.469 Dickey, yeah. 32:30.629 --> 32:32.330 That's how he should have spoken in Jurassic Park. 32:32.470 --> 32:32.650 Yeah. 32:32.870 --> 32:33.750 That's exactly me. 32:33.770 --> 32:35.411 Where are my grandchildren gang? 32:35.431 --> 32:36.491 In a way he almost does though. 32:36.531 --> 32:38.692 Sometimes he's Scottish, sometimes he doesn't bother. 32:38.732 --> 32:39.072 He does. 32:39.452 --> 32:42.172 He forgets when he's eating the ice cream and the shadows are on the wall. 32:42.273 --> 32:42.493 Right. 32:42.553 --> 32:43.693 He goes straight back to Dickey. 32:44.193 --> 32:45.494 He's not positive at all. 32:45.514 --> 32:48.655 You know, he goes all back to that and then the next he goes, all right, let's go. 32:48.715 --> 32:50.575 I've got a dinosaur. 32:50.656 --> 32:51.896 Let's get some dinosaurs. 32:52.476 --> 32:53.216 I'm ready. 32:53.337 --> 32:53.677 It really is. 32:53.697 --> 32:57.778 If you're ever watching that film, watch when he's eating the ice cream, it's like Spielberg just wasn't even there that day. 32:57.918 --> 33:00.399 He was captivated by... He was going, Dickie. 33:00.459 --> 33:02.280 Dickies, I'm under Dickie's spell. 33:03.040 --> 33:05.241 Oh, Stevie, I forgot to do the accent then. 33:05.841 --> 33:06.702 That doesn't matter. 33:06.782 --> 33:07.882 That was Scottish, right? 33:07.982 --> 33:08.382 Dickie? 33:08.522 --> 33:09.383 Yes, yes, Stevie. 33:09.403 --> 33:10.303 That was Scottish, yes. 33:10.763 --> 33:12.904 Yeah, that's a good accent for Spielberg as well. 33:13.944 --> 33:21.966 But anyway, we were, yes, we were in the Dino Park, and I'll tell you more about the Dino Park after the next track, but this is, this is by the way of all that. 33:22.366 --> 33:24.126 We were at the wishing well, right? 33:24.647 --> 33:33.969 And my eldest son was throwing in a coin there and I had a few euros that I gave him to the YouTube skates. 33:34.109 --> 33:35.929 Wait a minute, whoa, not that coin! 33:35.949 --> 33:36.610 No, not that one! 33:36.630 --> 33:37.310 That's silver! 33:39.652 --> 33:41.454 This one's silver as well and it's quite big. 33:42.495 --> 33:43.336 A couple of euros. 33:44.998 --> 33:47.961 And so he stuck that in the wishing well. 33:49.282 --> 33:51.104 But then he insisted on telling me what he wished for. 33:51.144 --> 33:55.589 I said, you're not supposed to tell what you wish for because then apparently it invalidates the wish. 33:55.669 --> 33:58.733 That's in the small print of the wishing contract. 33:59.293 --> 34:04.675 But he refused to keep the wishes to himself and he told me what his wishes were. 34:04.996 --> 34:06.876 Have you heard about your children's wishes yet Gar? 34:07.036 --> 34:07.216 No. 34:07.897 --> 34:09.137 You never heard any of their wishes? 34:09.537 --> 34:12.619 Well, it's normally just stuff with just that second scene on the telly. 34:12.859 --> 34:13.619 Right, exactly. 34:13.999 --> 34:17.081 Well, my son is six, the one I'm talking about Frank. 34:18.361 --> 34:27.047 He wished and I'd never heard any of his wishes before when you I suppose you always hope that maybe your children will wish for Kind of wonderful spiritual things or at least wooden toys. 34:27.087 --> 34:27.948 Yeah, exactly. 34:28.408 --> 34:43.059 I wish I wish Daddy I wish for a one of those wooden bikes without pedals That I simply push along with my feet and helps me to be a much better bicycle rider faster than all the other children in the playground Could I please have one of those daddy, please daddy? 34:44.117 --> 34:47.380 No, that's not what Frank wish for he said daddy. 34:47.400 --> 34:53.404 I wished for I wished for a DS Superpowers no school and real guns. 34:53.925 --> 35:02.651 Oh That's what he wants and you know he's someone that I tried to kill guns and you know he's we don't buy them like that 35:02.891 --> 35:30.572 all violent toys and stuff in fact I'm I'm quite ponsy about the whole thing of trying to keep guns out of the house you know and if someone like at Christmas if someone buys him a massive great m16 plastic nightmare toy I have in the past hidden it and just hoped like I haven't got rid of it exactly because it's not really on like someone's bought him the toy and it's his toy and everything but I felt so conflicted about it because I don't you know hate guns you could have this when you join a gang exactly 35:30.732 --> 35:30.952 Yeah. 35:31.213 --> 35:33.395 When you join the army, you can have this one. 35:33.415 --> 35:34.096 You can have it back. 35:34.516 --> 35:37.320 But then, you know, I thought, oh, this is no good. 35:37.340 --> 35:38.161 You can't hide. 35:38.181 --> 35:39.602 You can't tell him how to think about this. 35:39.622 --> 35:41.124 He's got to make up his own mind, you know. 35:42.318 --> 35:45.000 But he loves the guns. 35:45.140 --> 35:46.341 It's just innate, I think. 35:46.641 --> 35:47.301 They always do. 35:47.382 --> 35:49.423 And he's not like a little ruffity-tuffity in other ways. 35:49.903 --> 35:51.304 But there's something about little boys. 35:51.384 --> 35:52.805 It's hard-wired into them. 35:52.825 --> 35:54.246 They absolutely adore guns. 35:54.506 --> 35:58.369 Yeah, well, they'll just point their finger at you and shoot you with that if they haven't got a plastic gun. 35:58.449 --> 35:58.729 Right. 35:58.969 --> 35:59.590 It's weird, isn't it? 35:59.910 --> 36:03.272 It's what Guy Ritchie's built his entire career on, presumably. 36:03.613 --> 36:06.054 His knowing that piece of information. 36:06.074 --> 36:07.455 Where's your rock and roller, honey? 36:07.475 --> 36:08.616 A rock and roller. 36:08.796 --> 36:09.637 Rock and roller! 36:10.177 --> 36:11.438 Sorry, I can't help saying that. 36:11.458 --> 36:12.679 DS Superpowers. 36:12.699 --> 36:15.921 He was nonspecific about his superpowers, just any superpower would do. 36:16.041 --> 36:16.341 Yeah. 36:16.641 --> 36:22.685 I mean, but this is, it's like a manifesto for modern youth, not only for youth, but kind of kiddos. 36:22.825 --> 36:25.026 It's what the whole entertainment industry is based on. 36:25.447 --> 36:28.689 DS, superpowers, no school, and real guns. 36:29.729 --> 36:34.112 That's all any kind of person in the entertainment world needs to know about their audience, isn't it? 36:34.332 --> 36:35.473 It's pretty much it. 36:36.393 --> 36:38.955 Right, now here's a band that knows all about that. 36:39.375 --> 37:00.670 especially guns especially guns they don't know anything about guns the ting tings do they yeah they rock some pistols no no not really no of course not they're nice they're non-violent they're very cuddly um the bleach is the only thing that they're really involved with yeah that could be dangerous though if you get that in your eye yeah if you're squirting it yeah um this is be the one by the ting tings ting tings with be the one 37:01.571 --> 37:04.434 This is Adam and Garth here on BBC six music. 37:04.474 --> 37:05.295 Joe is away. 37:05.355 --> 37:23.251 He's gonna be away for the next few weeks in fact listeners, but This will be the only week where you don't hear his voice at all next week We're gonna be joined by him live down the line It'll be as if he's actually here in the studio You won't be able to hear any difference to the normal show at all really other than the fact you'll hear some guys 37:23.251 --> 37:26.453 gunshots behind it or something like that, or famous people. 37:26.473 --> 37:27.634 That's right. 37:28.355 --> 37:48.710 You know, the helicopters that do the traffic reports in LA, this is true, they all have like bullet holes underneath because the people in the gangs in LA, they just sometimes when they're feeling happy or whatever, they'll just fire their guns up in the sky. 37:49.511 --> 37:55.194 Apparently that's true and they and they don't like it when the news people fly over so they shoot at them, right? 37:55.434 --> 37:56.314 Yeah, that's right. 37:56.474 --> 37:56.934 Get away. 37:56.974 --> 37:57.415 Get off. 37:58.095 --> 38:12.582 We were talking before about Some of the things that kids say Say the funniest thing you should do a whole show TV show about it and it could be hosted by 38:13.722 --> 38:15.203 Steve someone. 38:15.824 --> 38:19.927 I'm just thinking who's the guy that does the planet's funniest animals that American guy? 38:21.007 --> 38:21.728 That Steve. 38:21.808 --> 38:22.528 American Steve. 38:22.829 --> 38:26.231 He seems like a Steve and he is insipid. 38:26.411 --> 38:28.032 Listeners need your help again. 38:28.152 --> 38:28.973 Fact checkers. 38:30.694 --> 38:42.643 He's an insipid man and he does the planet's funniest animals and he probably also hosts the crazy things that kids say but Garth was talking about a mutual friend of ours, Joby. 38:43.363 --> 38:47.545 Well, Joby, Joby's son Morris is always coming out with great quotes. 38:47.605 --> 38:51.427 Well, Morris is the, he's the kind of child that actually you would want to have. 38:51.667 --> 38:52.308 Yeah, he's perfect. 38:52.328 --> 38:58.751 You know, I'm very happy with my children, but Morris is, he's one of those kids, you look at him and you think, oh, that's the one. 38:59.431 --> 39:03.072 Because he's like musically very prodigious, isn't he? 39:03.092 --> 39:06.514 Let's just hope our children aren't listening to the show right now. 39:06.534 --> 39:08.074 You're not quite as good as Maurice. 39:08.094 --> 39:10.795 You know when your mum and dad would say, can't you be more like your cousins? 39:10.875 --> 39:11.975 It's not what you should say. 39:12.256 --> 39:14.396 Why couldn't you be more like Maurice? 39:15.157 --> 39:16.277 Oh, it's such a shame. 39:16.297 --> 39:16.937 You're fine. 39:16.997 --> 39:17.878 It's just Maurice is... 39:19.178 --> 39:35.052 better isn't he he can play the guitar showing signs of real intelligence he asks a lot of very interesting questions a lot of the time and you know the only thing you ask is when Spongebob's gonna start yeah if there's any way you could be more like Morris that would be ideal 39:36.733 --> 39:38.794 What Morris was saying to Joby the other day? 39:38.814 --> 39:45.399 I think there's something I provoked is some tragedy or something I assume but Morris said oh dad dad. 39:45.459 --> 39:45.959 What's um? 39:46.519 --> 40:03.871 What is heaven like and so Joby thought oh, no I just said oh it's Morris just imagine the most beautiful place you can possibly imagine and Morris did he sat there and he thought about he said daddy the most Amazing place I can possibly imagine is McDonald's 40:07.533 --> 40:08.854 And where did Joby go with that? 40:08.974 --> 40:11.856 I think he just... That's pretty much exactly what it's like. 40:11.876 --> 40:12.196 Yeah, that's it. 40:12.336 --> 40:12.596 That's it. 40:12.616 --> 40:13.197 You got it, kid. 40:13.577 --> 40:15.338 Yeah, it's like that, but everything's free. 40:15.538 --> 40:16.239 Yeah, it's free. 40:16.259 --> 40:17.299 You can keep going. 40:17.399 --> 40:19.561 You get free fries with everything. 40:20.501 --> 40:23.563 And you can upgrade at no extra cost. 40:23.623 --> 40:24.444 It's extraordinary. 40:24.824 --> 40:27.065 Have you seen their McDonald's advertising now? 40:27.626 --> 40:30.688 They're kind of trying to spin the whole notion of jobs. 40:31.408 --> 40:36.832 and turn it from being something with a negative connotation into being something to be celebrated. 40:36.852 --> 40:37.232 Oh, really? 40:37.312 --> 40:47.919 And they've got quotes which are apparently real but may well be made up from members of their staff, just talking about how much they love their McJobs. 40:47.999 --> 40:48.579 Is this real? 40:48.659 --> 40:49.340 Yeah, this is real. 40:49.400 --> 40:49.900 I haven't seen it. 40:49.980 --> 40:51.201 I love my McJob. 40:53.142 --> 40:53.823 Why wouldn't you? 40:54.163 --> 40:55.745 It's one of the greatest jobs there is. 40:56.325 --> 40:56.906 It's brilliant. 40:57.326 --> 41:01.790 And it's like, why don't you come and discover the wonderful world of jobs? 41:03.392 --> 41:10.698 And I'm sure they will manage to do it, because when you've got a corporation of that size, if they decide they're going to do a little spinning, it'll work. 41:10.959 --> 41:14.742 Sooner or later, there may be a couple of years of resistance and cynical carping from 41:15.863 --> 41:19.228 people like me, but eventually that'll be forgotten. 41:19.248 --> 41:21.170 That sounds like something from The Simpsons. 41:21.331 --> 41:25.056 I mean, it sounds like you'd have a, you'd hear someone go, I love my job. 41:25.336 --> 41:28.000 And their face would be sort of mutated as they say. 41:31.337 --> 41:33.058 And if you say, that's the joke, right? 41:33.599 --> 41:39.182 It's like, it's, you know, anyway, but... You know, five years from now, people are going to be saying, oh yeah, it's a brilliant job. 41:39.242 --> 41:40.403 It's the best job you could imagine. 41:40.443 --> 41:41.003 It's a McJob. 41:41.363 --> 41:42.144 It's a McJob, yeah. 41:42.184 --> 41:43.244 Yeah, it's an absolute McJob. 41:43.384 --> 41:46.466 Yeah, and even if you've got another job, it's like, oh, I've got a wicked McJob today. 41:47.126 --> 41:47.987 Yeah, I'm on them. 41:48.007 --> 41:48.487 That's right. 41:48.547 --> 41:49.027 I'm working on them. 41:49.047 --> 41:49.988 Oh, I'm not going to do that one. 41:50.088 --> 41:50.909 I'm going for the McJob. 41:52.606 --> 41:54.788 Have I ever got this job or have I got a real McJob here? 41:56.389 --> 41:57.570 I've been promoted! 41:58.090 --> 41:58.971 I've got the McJob! 41:59.011 --> 42:09.338 Alright now, after this we're going to launch Text the Nation listeners proper and get your feedback and we'll tell you more about that in a second. 42:09.538 --> 42:10.639 Right now here's a free play. 42:10.679 --> 42:14.762 You can kick this one off a player because it's got a long ambient build-up. 42:14.802 --> 42:15.902 Can you recognise this already? 42:16.083 --> 42:16.383 Yeah. 42:17.163 --> 42:20.104 I'm going into a different time zone. 42:20.404 --> 42:21.444 You're going into the future. 42:21.464 --> 42:23.424 The future is calling me. 42:23.744 --> 42:25.645 It's a bit of, uh, Vangelism. 42:26.385 --> 42:26.945 Yeah. 42:27.925 --> 42:31.526 Of course, these are the main titles from the film Blade Runner by Frank Ellis. 42:32.426 --> 42:43.548 And this is the bit right now that you can hear where Harrison Ford, as Deckard, is using his impossible computer to zoom in on that photograph of a bar. 42:43.628 --> 42:44.588 Yes, I like that. 42:45.848 --> 42:47.909 And it always perplexes me. 42:47.949 --> 42:49.250 Like, when I watch Dafuq, what is he doing? 42:49.270 --> 42:49.730 You can't do it. 42:49.750 --> 42:53.272 You can't just zoom in and go round corners on a two-dimensional photo. 42:54.192 --> 42:54.833 But he can. 42:54.853 --> 42:56.193 He does it. 42:57.414 --> 42:58.335 And I just love this. 42:58.715 --> 42:59.695 And my children again love it. 42:59.715 --> 43:02.897 I'm sort of ruining it by speaking over it, so let's crank it up and listen proper. 43:03.377 --> 43:06.559 Vangelis, of course, with Blade Runner main titles. 43:08.060 --> 43:11.461 Man, that's just an amazing film, isn't it? 43:12.842 --> 43:14.863 I try and watch that once every year. 43:14.963 --> 43:16.603 A couple of things I watch once every year. 43:16.623 --> 43:17.503 Have you got things like that? 43:18.063 --> 43:20.524 It used to be Billy Wilder movies. 43:20.624 --> 43:21.704 It still is really. 43:22.284 --> 43:24.265 I drag out the apartment at least once a year. 43:24.465 --> 43:24.725 Right. 43:24.985 --> 43:25.805 I love that film. 43:26.025 --> 43:27.125 I don't know if I've ever seen that. 43:27.145 --> 43:28.426 It's unbelievable with Jack Lemmon. 43:28.686 --> 43:29.786 Yeah, I'm going to have to quit now. 43:31.266 --> 43:31.906 Is that really true? 43:31.926 --> 43:32.527 You've not seen it? 43:32.727 --> 43:32.807 No. 43:34.207 --> 43:37.149 It's a perfect movie. 43:37.209 --> 43:37.890 But no, you're right. 43:37.910 --> 43:38.910 Blade Runner's amazing. 43:39.010 --> 43:40.872 And that, also, people would have loved you for that. 43:41.092 --> 43:44.414 Just a little bit of relaxing music to sort of just take the edge off things there. 43:44.494 --> 43:45.195 Yeah, yeah. 43:45.995 --> 43:47.316 Oh, it's so evocative though, isn't it? 43:47.336 --> 43:47.736 It's brilliant. 43:47.756 --> 43:50.418 So it's one of the, it's almost like a perfect score. 43:50.498 --> 43:53.940 I love movie voices and sound effects like that as well. 43:54.061 --> 43:55.682 It just doesn't sound like normal life. 43:55.722 --> 43:56.602 It sounds brilliant. 43:56.903 --> 43:58.524 Blade Runner, I'll haul out once a year. 43:58.564 --> 44:03.307 I'll haul out the Dark Side of the Moon Pink Floyd classic albums documentary. 44:03.615 --> 44:04.316 I've never seen that. 44:04.416 --> 44:04.996 No, no. 44:05.197 --> 44:07.319 Well, you know, you know, the classic album series, right? 44:07.499 --> 44:07.739 Yeah. 44:08.019 --> 44:13.585 It's they do docs and they go and go behind the making of all the Fleetwood Mac one. 44:14.005 --> 44:14.246 Right. 44:14.506 --> 44:15.006 Yeah. 44:15.026 --> 44:15.187 They are. 44:15.207 --> 44:16.308 They're always showing that one. 44:16.908 --> 44:20.232 And they show the Graceland one, the Paul Simon one a lot. 44:20.992 --> 44:22.854 And they've done them for all sorts of different albums. 44:22.874 --> 44:25.315 There's one for Nevermind by Nirvana, which is good. 44:25.355 --> 44:34.521 And usually the backbone of the thing is they'll chat to the engineer, the studio engineer or the producer, and he'll be sat there at the mixing desk and he'll go through and fiddle around with all the faders. 44:34.541 --> 44:37.363 And he's like, oh, you can hear Kurt's harmony on here. 44:37.984 --> 44:40.866 And, oh, that's Dave's guitar part coming in. 44:40.886 --> 44:42.066 We're doubling it up there. 44:42.126 --> 44:42.767 You can hear it. 44:42.787 --> 44:47.790 I remember the one on Fleetwood Mac when he goes, listen, listen to this on Goldust Woman. 44:48.150 --> 44:50.352 You can hear, you can hear Stevie Nick screaming. 44:50.612 --> 44:51.813 And then she's just going, AHH! 44:52.233 --> 44:52.373 AHH! 44:52.774 --> 44:56.497 Like this would have been in the background, it was really weird. 44:56.557 --> 44:58.258 Is she in distress or is it part of the thing? 44:58.278 --> 45:08.085 Yeah, towards the end it's really the distance, it really sort of turned right down, but it's a song about doing naughty things and she's paying the price for it at the end of the record. 45:08.126 --> 45:08.566 There you go. 45:08.746 --> 45:08.926 there? 45:09.327 --> 45:11.268 Well, the Pink Floyd one is amazing. 45:11.308 --> 45:12.490 It's one of the best in the series. 45:12.530 --> 45:14.652 If you haven't seen it, I highly recommend it. 45:14.992 --> 45:23.500 They've got all the original members there, obviously apart from Sid, but Sid wasn't really involved with Dark Side of the Moon, so why would he be involved in the documentary? 45:24.121 --> 45:25.262 But it's really good. 45:25.282 --> 45:28.325 They deconstruct the whole thing and you've got 45:29.526 --> 45:45.834 Gilmore playing all his little guitar parts and going through all the lululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululululul 45:56.319 --> 46:04.587 You know films or TV shows listeners drag out on a regular basis if they do that kind of thing But another one the perfect one to do that with is Groundhog Day. 46:04.847 --> 46:05.908 That's a great movie. 46:05.948 --> 46:15.437 You know, yeah, that is really good I'll allow that one all about a man reliving the same day over and over again and It is watchable over and over again as well. 46:15.857 --> 46:17.098 It's a perfect film, isn't it? 46:17.319 --> 46:17.559 Yeah 46:17.839 --> 46:25.401 It's my cup of tea that one some people hate watching films more than once Pauline kale learn film critic She would never rewatch a film. 46:25.541 --> 46:26.962 She would never watch a film more than once. 46:26.982 --> 46:37.865 I just think that's What it is is funny though because you can listen to an album a million trillion times But you really can't watch a film as anywhere near as much as your favorite album. 46:38.265 --> 46:42.306 No exactly So listen, we've waffled right the way through the introduction 46:42.746 --> 46:45.327 Oh, that's my fault of text the nation. 46:45.388 --> 46:51.651 We'll launch text the nation after the news right now Here's a little a little bit de las shadow puppets last shadow puppets. 46:51.991 --> 47:10.540 My mistakes were made for you This is Adam Garth here on BBC six music The time has just gone 10 30 time now for the news and music news with Harvey and Andre Yeah hives with hate to say I told you so this is Adam and Garth here on BBC six music and I think it's time now why not to launch text the nation and 47:15.716 --> 47:17.680 What if I don't want to? 47:17.761 --> 47:19.645 But I'm using email, is that a problem? 47:19.685 --> 47:20.566 It doesn't matter, text! 47:22.978 --> 47:37.301 This is a part of the show, it's the nation's favorite feature, where we ask people, we talk about a subject, and then we ask people to send in their own thoughts on that subject. 47:37.681 --> 47:39.502 That was really clearly explained. 47:39.762 --> 47:40.662 Do you understand? 47:40.682 --> 47:41.782 Do you understand me? 47:42.082 --> 47:45.083 It's a very newfangled thing that we're... 47:45.643 --> 48:01.139 doing here the fangling is entirely new and you have to have a license for this kind of fangling but we've got one we secured one and so that's why we're allowed to do it no other radio show does this kind of thing no one's done this with a jingle at least 48:01.579 --> 48:03.720 I don't think it's exactly the same. 48:04.241 --> 48:05.341 So it's brand new. 48:05.402 --> 48:07.923 It's a whole new dawn of radio and it's exciting. 48:08.243 --> 48:15.708 So what we want you to do, listeners, today is, well, let me tell you this first of all, I'll tell you a little bit more about the Dino Park that we were at the other day in East Anglia. 48:15.748 --> 48:18.210 I think they call it Norfolk's number one attraction. 48:18.830 --> 48:26.575 Or maybe they refine that by saying number one dinosaur based themed attraction or something like that. 48:26.615 --> 48:28.997 But anyway, it's popular and rightly so because it's a wonderful 48:29.898 --> 48:34.103 Park and we spent a very enjoyable day there and the children absolutely loved it. 48:34.904 --> 48:36.967 It happened to be a nice day as well, which didn't hurt. 48:37.448 --> 48:41.213 And basically what happens is it's in the grounds of this stately home, I think. 48:42.294 --> 48:46.419 But it's a nice bit of land and you go in there and you drive and you park in a field or whatever. 48:46.960 --> 48:51.602 And off you go, and obviously you have to go through, you have to walk through. 48:51.902 --> 49:06.709 The box office is right next to the, you know, the ticket office is right next to the merchandise shop, as always happens in these things, and they channel you out through the shop so your children badger you incessantly until you actually buy them some little... 49:07.909 --> 49:30.603 plastic piece of old crap and you then you can finally leave but then you but that happens at the end when you go in you get channeled through and and and there's lots of they've constructed loads of big dinosaurs as you would imagine out of fiberglass and stuff and done it jolly well and some of them are hollow and you can climb around inside there and stick your head out of various dinosaur cavities 49:32.344 --> 49:33.805 That's my idea of a good time. 49:33.925 --> 49:34.646 It's fun, isn't it? 49:34.666 --> 49:35.387 Yeah, it's nice. 49:35.687 --> 49:43.674 Like Jim Carrey in Ace Ventura 2 at the beginning there when he sticks his head out and he's born out of the back of that rhinoceros. 49:43.694 --> 49:44.254 That's true. 49:44.274 --> 49:46.396 It's one of the greatest scenes in cinema history. 49:47.557 --> 49:51.680 But anyway, unfortunately, that's not available at the Dino Park, but it's fun. 49:51.720 --> 49:58.306 You can walk through and basically it's a way of just having a day out where you can go for a walk with the children where they won't actually get born. 49:58.626 --> 49:59.771 I don't want to go for a walk. 50:00.433 --> 50:02.502 I don't want to play with my DS and my real guns. 50:04.775 --> 50:07.016 But instead you can say, no, look, it's not a walk. 50:07.157 --> 50:08.197 It's a dino park. 50:08.577 --> 50:08.758 Right. 50:08.778 --> 50:09.918 So you walk through the forest. 50:10.259 --> 50:15.882 But there happened to be these these kind of fiberglass dinosaurs secreted in the forest there. 50:15.922 --> 50:16.623 And you can point to them. 50:17.263 --> 50:25.609 Although my son, Frank, got very melancholy at one stage because there was a sort of diorama of a couple of dinosaurs eating like another one. 50:25.949 --> 50:26.689 You know what I mean? 50:26.829 --> 50:29.131 That they'd killed and they were now preying on it. 50:29.791 --> 50:32.533 And he went all, he got quite emotional about it. 50:33.294 --> 50:42.920 And I think it's difficult sometimes for children to make the transition from watching these films and animated features that anthropomorphise these kinds of creatures, you know. 50:42.940 --> 50:45.442 Have you ever seen the film Dinosaur, for example? 50:45.622 --> 50:46.042 Oh, yeah. 50:46.302 --> 50:47.063 Animated one. 50:48.184 --> 50:49.665 And I think he'd seen that one recently. 50:49.705 --> 50:50.605 So suddenly to be confronted. 50:50.625 --> 50:53.067 Yeah, that doesn't prepare you for what he was about to see. 50:53.267 --> 50:57.510 Even rendered in fibreglass, the reality of the cutthroat world of nature. 50:57.530 --> 50:59.071 Snarling, dripping, bloody reality. 51:00.151 --> 51:01.112 I said, what's the matter, man? 51:01.132 --> 51:02.713 That was my friend. 51:03.013 --> 51:04.354 He said, yes. 51:04.514 --> 51:06.455 What, the actual one in fiberglass? 51:06.655 --> 51:06.916 Was he? 51:06.936 --> 51:08.677 Yeah, that was my friend. 51:10.758 --> 51:11.298 You all right? 51:11.798 --> 51:13.980 Do you want to stop and talk about this? 51:14.600 --> 51:15.161 No, I'm OK. 51:15.201 --> 51:15.701 Let's go now. 51:16.582 --> 51:17.863 But he would mention it throughout the day. 51:17.883 --> 51:20.004 They just said, let's just get the guns, Daddy. 51:20.024 --> 51:21.366 Let's get the real guns. 51:21.826 --> 51:26.630 But then the highlight of the day, apart from the mini golf, which was great. 51:26.730 --> 51:27.751 I don't know what mini golf was. 51:27.811 --> 51:30.053 Actually, no, it was all sort of Jurassic mini golf. 51:30.093 --> 51:31.614 So you would hit the golf balls into 51:32.655 --> 52:01.861 um volcanoes and things like that and um there were various different like cretaceous uh levels that you could go on to with the golf balls half the fun of the whole thing was actually just finding spare golf balls because they were when we went on there's no golf balls so i just uh was what the woman telling you the ride said there's no golf balls no that was it was apparent to us there was no one actually in charge of the mini golf area but you went there and there was a few um you know poles what are they called bats sticks 52:03.902 --> 52:22.857 there was a few of those but but you couldn't see any balls so eventually I just had to go out and root around in the undergrowth until I found a few and then we could get going they loved that that was great fun and then there was like a go-kart track with some some old 52:23.217 --> 52:26.079 rusty coke carts that they could kind of push around. 52:26.480 --> 52:27.100 Loved all of that. 52:27.520 --> 52:40.491 But the highlight was a tour of, you know, you go to a safari park or whatever and you pay your money and you climb on board a coach and you have that option to go around and take the Jurassic Park style guided tour. 52:41.111 --> 52:41.932 And this, they were on like 52:43.713 --> 53:06.484 couple of trucks and the trucks were all sort of camouflaged and they had cages built around them it basically looked as if you were going to be coming up against some Tyrannosaurus rexes or some velociraptors or whatever or or some real animals that were equally dangerous right yeah so the children were very excited about 53:07.064 --> 53:08.385 What kind of things are we going to see? 53:08.725 --> 53:10.306 And the lady was like, is everybody on? 53:10.687 --> 53:12.167 OK, everybody ready to go? 53:12.428 --> 53:16.850 Make sure you don't stick your hands outside of the cages or you might lose them. 53:18.431 --> 53:19.372 You know, all this kind of thing. 53:19.532 --> 53:23.395 Don't stick your hands up or anything else that you might be thinking of sticking out. 53:23.555 --> 53:27.917 All these kinds of jokes, you know, that go over the heads of the children, I hope. 53:28.318 --> 53:29.739 And so off we set. 53:30.419 --> 53:39.408 And it's all like, and she goes, we'll be back, um, you know, in, uh, we'll be back after an hour and I think an hour, we're on the stuck on this thing for an hour. 53:39.628 --> 53:41.990 So you've paid 10 quid by this time for this tour. 53:42.030 --> 53:44.313 And you're thinking, Oh my Lord, 10 quid an hour. 53:44.373 --> 53:45.033 Is they're going to get that? 53:45.053 --> 53:46.375 You know, they're really going to give you the whole. 53:47.015 --> 53:47.475 Shebang. 53:47.756 --> 53:50.637 So you set off and you start trundling off. 53:51.278 --> 53:55.000 And then the thing comes to a stop after a few hundred yards, right? 53:55.040 --> 53:56.240 And the children are like, what's going on? 53:56.280 --> 53:56.741 What's going on? 53:57.141 --> 53:58.101 And nothing's really happening. 53:58.121 --> 54:04.185 They open a gate and then you sort of trundle through and you think, right, okay, now we're going into the zone, right? 54:04.985 --> 54:06.246 We're through the main enclosure. 54:06.266 --> 54:08.287 We're going into the main, the killing zone. 54:08.387 --> 54:09.167 The dangerous zone. 54:09.187 --> 54:10.228 I'm just listening to this. 54:10.388 --> 54:10.608 Right? 54:10.948 --> 54:19.252 Any moment now, like some tigers or some monkeys wielding M16s are going to come out and start singing songs from Damon Albarn's musical. 54:19.773 --> 54:21.914 It's going to be dangerous and exciting. 54:22.994 --> 54:27.136 And then after another couple of hundred yards, the whole truck shudders to a halt again. 54:27.896 --> 54:30.598 And the lady says, right, we're here. 54:33.488 --> 54:35.489 Literally, like about 400 yards out. 54:35.689 --> 54:37.569 You've only been going for about five minutes in the truck. 54:37.789 --> 54:38.370 Here we are. 54:39.030 --> 54:43.631 Now I'd like you to meet the members of our deer family. 54:44.231 --> 54:45.751 And you see some deer. 54:45.971 --> 54:50.272 And the deer come up by the side of the trucks and they're sweet, they're nice deer, you know. 54:50.612 --> 54:56.914 And she talks about the deer and she says their names and what they feed them and how they clean the deer. 54:57.794 --> 54:59.335 And the children were like, can we touch the deer? 54:59.355 --> 54:59.935 Can we go outside? 54:59.995 --> 55:01.036 No, you can't touch the deer. 55:01.056 --> 55:10.840 You have to stay inside the caged van in case any of the deer have weapons that they might suddenly use against the children incurring a lawsuit. 55:11.220 --> 55:13.121 So there was no question of touching the deer. 55:13.881 --> 55:17.363 Instead, she said, you know, do you want to ask any questions about the deer? 55:18.623 --> 55:19.324 No one really did. 55:20.004 --> 55:23.946 A couple of people said, um, how long do their horns go? 55:25.694 --> 55:26.794 They can go very long. 55:28.815 --> 55:29.755 Any more questions? 55:30.175 --> 55:31.296 You know, and it was that kind of thing. 55:31.656 --> 55:31.956 Right. 55:31.976 --> 55:32.816 OK. 55:33.056 --> 55:37.317 Well, so there was about 20 minutes to half an hour's worth of this stuff. 55:37.337 --> 55:38.057 Oh, how awful. 55:38.097 --> 55:40.958 And we're thinking, is this, is this, no, we're not really going to go back. 55:41.018 --> 55:41.958 Yeah, we went back after that. 55:42.539 --> 55:44.279 That was it. 55:44.479 --> 55:46.140 400 yards, see the deer and then back. 55:46.320 --> 55:46.760 That was it. 55:46.860 --> 55:47.200 That was it. 55:47.980 --> 55:49.101 Seriously, really, was that it? 55:49.461 --> 55:50.522 That was it, yeah. 55:50.722 --> 55:51.563 I mean, they did like it. 55:51.763 --> 55:52.664 No one was complaining. 55:53.324 --> 55:58.988 I'd like to make that perfectly clear before unhappy representatives of the Dino Park start phoning up and say they've been misrepresented. 55:59.589 --> 56:03.732 It was a wonderful day out, but for me, I was maybe expecting a tiny bit more. 56:04.292 --> 56:09.977 And what I was thinking was, and this is something that tends to happen in the UK more than other countries I would bet, right? 56:11.117 --> 56:17.582 It's you know how we talk about American we say oh that could only happen in America right well That's definitely only that could happen in England. 56:17.622 --> 56:25.888 I just don't think they would I might be wrong But I don't think that the the Yankees would pull that kind of stunt their theme parks are on a different level 56:26.688 --> 56:39.042 Anyway, I was going to ask listeners either about real theme parks that you visited that are kind of like that, that seem to have been knocked together from a few flimsy ideas, not saying that's what the Dino Park's like, but maybe you've been to one that is a bit like that. 56:40.723 --> 56:42.946 You know, what is the lamest theme park you've ever been to? 56:43.206 --> 56:47.450 And if you haven't been to one, then what's your idea for an incredibly lame theme park? 56:47.470 --> 56:48.772 Yeah, I think they're the best ideas. 56:48.792 --> 56:49.392 You know what I mean? 56:49.653 --> 56:58.622 If you can think, because it's a useful way of going, if you want to make some money out of your little plot of land there, all you have to do is think of some pretty lame idea. 56:58.642 --> 57:00.463 Dare you enter Scrapyard! 57:01.244 --> 57:02.085 That's right. 57:02.765 --> 57:05.427 Mind out for the crusher, Binland. 57:05.647 --> 57:06.227 Binland. 57:06.247 --> 57:07.868 What will you find in the bins? 57:08.649 --> 57:12.271 And it's all like the Starfall Dresses tramps. 57:12.892 --> 57:14.472 And wondering, welcome to Binland. 57:14.693 --> 57:29.282 Because I went to Wookiee Hole once, by accident I got trapped in a rainstorm and I just happened to be near Wookiee Hole so we went in for cover and it was a classic British thing where you go in, it's brilliant Wookiee Hole, if you're planning on going you must, but there's a funny thing in there where they go. 57:29.702 --> 57:44.163 this bit is said to be haunted and some say a witch once came down here and never came out in fact if you listen carefully you can hear her and uh they'd project this picture of a witch and it was really bad they would like go across the cave and you'd hear this recording go 57:48.807 --> 58:04.360 And the tour guy kind of looked at us with eyes that said yeah, and I'm sorry Let's have some music now and Encourage you to start sending in your ideas for lame theme parks either real or imagined right now Here's Maya with paper planes 58:07.785 --> 58:08.466 Yep, yep, yep, yep. 58:08.646 --> 58:10.507 That was Goldfrap with Strict Machine. 58:10.547 --> 58:13.789 That was a session track right there recorded in 2003. 58:13.929 --> 58:16.491 That seems like a very long time ago. 58:16.511 --> 58:18.593 I mean, it is technically five years ago. 58:18.893 --> 58:19.473 Man and boy. 58:19.493 --> 58:21.034 I don't know why I said that. 58:21.495 --> 58:23.016 Why did you say man and boy? 58:23.036 --> 58:25.678 I always say man and boy when people talk about things being a long time ago. 58:25.718 --> 58:26.618 I just go man and boy. 58:26.638 --> 58:27.639 Man and boy. 58:27.659 --> 58:29.100 That's my own stock response. 58:29.120 --> 58:30.161 That's just nonsense. 58:30.201 --> 58:31.162 Yeah, it's rubbish. 58:31.962 --> 58:33.083 It's a man and boy. 58:33.243 --> 58:34.724 Oh, I haven't been there for years. 58:34.744 --> 58:35.925 I just go man and boy. 58:35.945 --> 58:36.485 Man and boy. 58:38.926 --> 58:41.207 It's not like back in the day, old school. 58:41.227 --> 58:43.147 It's like one of those, it just doesn't make any sense. 58:43.207 --> 58:45.108 It's a good test actually to see if people are listening to me. 58:46.008 --> 58:47.509 If they accept it, it means they're not listening. 58:49.869 --> 58:52.450 There's a little bit of golf rap for you there. 58:53.190 --> 59:02.492 We're going to be reading out some of your Texternation suggestions for real and imagined lame theme parks in a few minutes, like in the last hour. 59:02.532 --> 59:04.833 It's already the last hour, coming up to 11 o'clock, yeah. 59:05.453 --> 59:07.133 It's going to be time for top of our soon, Garth. 59:07.413 --> 59:07.874 I love that. 59:08.274 --> 59:09.154 Everyone loves top of our. 59:09.174 --> 59:10.874 It's good to be at the top. 59:10.894 --> 59:12.355 Are we going to go for the jingle or the sweeper? 59:12.775 --> 59:13.115 Or both? 59:13.375 --> 59:14.595 Jingle. 59:14.635 --> 59:14.995 Jingle. 59:15.855 --> 59:17.196 Can we not have the sweeper and the jingle? 59:18.156 --> 59:18.396 Okay. 59:18.416 --> 59:20.096 Because I love the top of our sweeper. 59:20.656 --> 59:21.057 It's lonely. 59:21.077 --> 59:23.937 I still don't exactly know what it is, but I love it. 59:24.177 --> 59:24.857 Yeah. 59:25.017 --> 59:27.938 But before that, Garth, you have a free play here right now. 59:27.958 --> 59:29.018 Yeah, I'm not going to say too much. 59:29.038 --> 59:29.658 Let's just play it. 59:29.718 --> 59:31.879 It's put the lime in the coconut by the muppets. 59:32.464 --> 59:52.279 I'm not Joe, no Joe is away from the show But Joe is the one that you know He's unreliable And yes, so appealing I'm not Joe I am Garth, I am standing in for Joe I hope you don't mind if you do, that's tough 59:52.679 --> 59:54.920 Castello with Radio Radio. 59:55.000 --> 59:56.680 This is BBC 6 Music. 59:56.901 --> 59:58.061 I'm Adam Buxton. 59:58.621 --> 59:58.981 Oh, hello. 59:59.001 --> 59:59.982 Yeah, I'm Garth Jennings. 01:00:00.022 --> 01:00:01.002 I've got to get good at that. 01:00:01.522 --> 01:00:01.902 Try it again. 01:00:01.942 --> 01:00:02.543 Do it again for me. 01:00:02.983 --> 01:00:04.863 Hey, this is Adam Buxton. 01:00:05.003 --> 01:00:06.144 I'm Garth Jennings. 01:00:06.244 --> 01:00:07.324 That's what we're talking about. 01:00:07.404 --> 01:00:08.185 Very nice. 01:00:08.205 --> 01:00:09.085 Thanks. 01:00:09.125 --> 01:00:09.745 Joe's away. 01:00:09.805 --> 01:00:11.426 He's in Los Angeles. 01:00:12.086 --> 01:00:12.847 It's in America. 01:00:13.127 --> 01:00:14.229 It's an exciting city. 01:00:14.429 --> 01:00:17.993 Everyone wears bikinis and roller skates, even the men. 01:00:18.734 --> 01:00:21.497 And it's where dreams are made. 01:00:21.637 --> 01:00:23.059 They have a dream factory there. 01:00:23.079 --> 01:00:26.964 It's been broken for the last few years. 01:00:26.984 --> 01:00:28.405 They're working on it though, right? 01:00:28.665 --> 01:00:28.846 Yeah. 01:00:29.266 --> 01:00:30.748 They've got their best people on it. 01:00:30.828 --> 01:00:32.329 They've got a temporary one. 01:00:32.710 --> 01:00:36.733 They've got a smaller one on the outskirts and that's churning out some films. 01:00:36.813 --> 01:00:43.079 I think, you know, with mainly with Seth Rogen runs it and he's churning out some films from there. 01:00:43.119 --> 01:00:47.243 But the main dream factory, I think Joe is actually part of the team that's gone out there to try and fix it. 01:00:47.523 --> 01:00:48.524 Yeah. 01:00:49.044 --> 01:01:01.254 And so they've taken some bags of dreams, some of Ricky Gervais's dreams they've taken out there in a bag and they're pumping those into a part of the machine and that should fix it. 01:01:01.274 --> 01:01:02.175 Apparently, that's the theory. 01:01:03.556 --> 01:01:05.217 Anyway, that's by the by. 01:01:07.415 --> 01:01:16.741 We are going to catch up with some of your suggestions for imagined theme parks, and they could be tourist attractions as well. 01:01:17.602 --> 01:01:22.025 The more bizarre and ludicrous the better, also real ones we'd like to hear about that you've been to. 01:01:23.346 --> 01:01:36.755 We'll catch up with that in a little bit, but goth, I was going to ask you about like, you know, when you go to a shop and you're paying for your stuff with the chip and pin thing, and you put your card in there and you type in your number, 01:01:37.295 --> 01:01:44.342 Yeah, and it seems to be a thing now that all shop staff do a very ostentatious turn away from the thing. 01:01:44.362 --> 01:01:45.423 Yeah, that's quite funny, isn't it? 01:01:45.443 --> 01:01:45.603 Right? 01:01:45.883 --> 01:01:46.104 Yeah. 01:01:46.164 --> 01:01:48.266 And I wonder, are they told to do this? 01:01:48.746 --> 01:01:50.768 Like, do they say when they're being trained up? 01:01:51.589 --> 01:01:56.614 So when the customer puts in his personal identification number, 01:01:57.875 --> 01:01:58.836 Look at the ceiling. 01:01:58.856 --> 01:01:59.737 Make sure you look. 01:01:59.957 --> 01:02:07.206 It's either turn round completely, or look at the ceiling, or bend down, or hum to yourself, or fold your arms. 01:02:07.226 --> 01:02:11.430 I think it'd be great if they put their fingers in their ears, close their eyes and went nah nah nah nah nah nah. 01:02:12.211 --> 01:02:32.517 exactly I'm not looking I'm not looking I don't know what your number is I'm not gonna steal it but like what has the opposite ever happened but you know I've noticed that as well with other customers that are behind you you know that thing of when you're a bloke and you're walking home at night sometimes and there's happens to be a woman walking on around the other side you feel very conscious of you don't want to free 01:02:32.557 --> 01:02:39.583 You don't want to freak around, because you were just going home and whatever you do freaks are out because you speed up to get past that, that's horrible. 01:02:39.943 --> 01:02:47.570 I've noticed that in the queues when you're doing your chip and pin and you sort of do that thing, you're pressing your button, you notice people sort of do there, I'm just going to look around the shop for you. 01:02:47.730 --> 01:02:50.693 I'm just going to look over there, I'm going to look anywhere but at your pin. 01:02:51.033 --> 01:02:52.714 advertise the fact that you are not a threat. 01:02:52.954 --> 01:02:53.194 Yeah. 01:02:53.434 --> 01:02:53.674 Yeah. 01:02:53.995 --> 01:02:55.135 I mean, I try and do that. 01:02:55.175 --> 01:02:56.596 I'm not trying to look over your shoulder. 01:02:56.616 --> 01:02:56.856 Right. 01:02:57.136 --> 01:02:58.357 I'm walking along the street. 01:02:58.417 --> 01:03:00.458 Sometimes I'm just going, I'm going to get you. 01:03:00.478 --> 01:03:01.459 I'm going to get you. 01:03:01.479 --> 01:03:02.479 I'm going to get you. 01:03:02.599 --> 01:03:03.900 And people like spatter. 01:03:04.620 --> 01:03:05.521 What's up with that? 01:03:05.661 --> 01:03:05.881 Yeah. 01:03:06.041 --> 01:03:10.363 You know, and that's just the way I, when I'm walking, that's the way that my breath comes out. 01:03:10.423 --> 01:03:11.544 I'm going to get you. 01:03:11.564 --> 01:03:12.604 I'm going to get you. 01:03:12.624 --> 01:03:13.565 I'm going to get you. 01:03:14.465 --> 01:03:18.929 But, you know, women, they don't like it. 01:03:19.089 --> 01:03:20.030 I want to see you do that. 01:03:20.070 --> 01:03:21.130 They don't like it for some reason. 01:03:22.151 --> 01:03:32.198 But I was curious to know if, like, has it ever happened that someone has failed to do that and actually, you know, deliberately or otherwise they've just been... And now the numbers, they could see you. 01:03:32.259 --> 01:03:35.381 Yeah, they just sort of cocked their heads and lean over. 01:03:36.161 --> 01:03:38.403 Oh, that's one digit away from mine. 01:03:38.423 --> 01:03:39.444 Yes, exactly. 01:03:40.507 --> 01:03:42.209 Oh, that's a difficult one to remember. 01:03:42.229 --> 01:03:43.590 How do you remember that one? 01:03:43.610 --> 01:03:44.611 Have you got a system? 01:03:46.072 --> 01:03:49.395 Well, that's almost like Beverly Hills 90210, isn't it? 01:03:49.475 --> 01:03:51.717 Except, you know, for the second digit. 01:03:51.757 --> 01:03:54.039 That's good, isn't it? 01:03:54.219 --> 01:03:57.542 No, obviously that's... There's definitely a thing going on with that though. 01:03:57.602 --> 01:04:02.487 Also, I've noticed with some shops, they don't like it if you automatically go and put your card in it. 01:04:03.047 --> 01:04:07.251 Like you show a bit of initiative and you go, I'll just sort of help you out here because I know the drill. 01:04:07.411 --> 01:04:15.878 You don't say that to them, you don't say I know the drill, but you sort of go, all right, that's how much it costs, I put my card in here and they go, I sort of get it and put it in again. 01:04:15.958 --> 01:04:16.979 No, not yet. 01:04:21.423 --> 01:04:25.785 And then they kind of get you with the whole, you know, take your card out now thing. 01:04:25.865 --> 01:04:26.085 Yeah. 01:04:26.305 --> 01:04:29.047 And you're waiting there looking for that sign where it says, take your card out now. 01:04:29.067 --> 01:04:29.787 Yeah, please remove card. 01:04:29.847 --> 01:04:32.068 And the second it goes, they go, take your card out, please. 01:04:32.088 --> 01:04:33.089 Can you remove your card? 01:04:33.209 --> 01:04:34.689 Carry on until you've taken your card out. 01:04:35.950 --> 01:04:36.390 All right, OK. 01:04:36.430 --> 01:04:38.551 Can you please remove your card now? 01:04:38.571 --> 01:04:39.972 Yeah, when you're ready. 01:04:40.512 --> 01:04:45.758 I think what they should do is wear goggles, you know, like eye shades, the kind of things they give you on planes. 01:04:46.799 --> 01:04:50.704 They should have them so they just flip them down as soon as the chip and pin thing starts. 01:04:51.865 --> 01:05:00.195 And then there's no security risk whatsoever and it's like over to you and you can just do the whole transaction yourself without any interference. 01:05:00.475 --> 01:05:02.176 with your laser eye scanner thing. 01:05:02.436 --> 01:05:03.657 Like they've got the airports now. 01:05:03.677 --> 01:05:04.237 Have you seen them? 01:05:04.317 --> 01:05:04.717 Right. 01:05:05.218 --> 01:05:06.939 I honestly have seen this at Heathrow Airport. 01:05:07.219 --> 01:05:10.261 There's an eye scan for the quick, fast people. 01:05:10.361 --> 01:05:12.622 They come in and they point their face right into a box. 01:05:12.742 --> 01:05:13.022 Wow. 01:05:13.242 --> 01:05:14.803 And then it goes, go. 01:05:15.223 --> 01:05:16.344 It's the food show, man. 01:05:16.564 --> 01:05:17.625 It's the food show right now. 01:05:18.045 --> 01:05:18.505 Yeah. 01:05:18.645 --> 01:05:18.966 Yeah. 01:05:18.986 --> 01:05:19.206 Yeah. 01:05:19.346 --> 01:05:20.927 That's how we'll be paying for our sausages. 01:05:21.447 --> 01:05:22.768 Scanning your eyes. 01:05:22.828 --> 01:05:23.068 Yeah. 01:05:23.368 --> 01:05:24.869 Can you put your face in, please? 01:05:25.129 --> 01:05:27.210 Can you scan your eyes, please, now? 01:05:27.550 --> 01:05:28.871 And what else could they scan? 01:05:28.891 --> 01:05:30.231 They could scan all sorts of things. 01:05:30.251 --> 01:05:30.992 Put your tongue in there. 01:05:31.012 --> 01:05:32.192 Put your tongue in. 01:05:32.673 --> 01:05:33.233 Stick it out. 01:05:33.313 --> 01:05:35.014 Pop your winky in there, please. 01:05:35.054 --> 01:05:35.894 Thank you very much. 01:05:35.914 --> 01:05:47.640 Yeah, because exactly, if your eyes have been removed for whatever reason in an accident, or you don't have the use of your eyes in that way, you're going to have to pop some other part of your anatomy in there, aren't you? 01:05:47.700 --> 01:05:47.880 Yeah. 01:05:48.956 --> 01:05:50.198 Oh, I know which one will pop in. 01:05:50.418 --> 01:05:51.419 Now, let's see. 01:05:51.939 --> 01:05:59.907 Here is Pavement, and this is a lovely track from their last album, which was called Terror Twilight, wasn't it? 01:06:00.667 --> 01:06:06.693 And this is just a wonderful, beautiful, autumnal slice of musical loveliness called Major Leagues. 01:06:07.234 --> 01:06:08.515 Got the echo plaques out there. 01:06:12.952 --> 01:06:13.752 Lovely stuff. 01:06:13.913 --> 01:06:15.373 That's Pavement with Major Leagues. 01:06:16.114 --> 01:06:18.175 And let's have the Text-a-Nation jingle. 01:06:18.195 --> 01:06:18.575 Why not? 01:06:18.595 --> 01:06:21.737 Text-a-Nation! 01:06:21.757 --> 01:06:21.917 Text! 01:06:21.937 --> 01:06:22.157 Text! 01:06:22.217 --> 01:06:22.497 Text! 01:06:22.557 --> 01:06:22.918 Text! 01:06:23.018 --> 01:06:23.778 Text-a-Nation! 01:06:23.818 --> 01:06:24.799 What if I don't want to? 01:06:25.039 --> 01:06:25.759 Text-a-Nation! 01:06:25.859 --> 01:06:26.860 But I'm using email. 01:06:27.020 --> 01:06:27.780 Is that a problem? 01:06:27.800 --> 01:06:28.341 It doesn't matter! 01:06:28.381 --> 01:06:28.661 Text! 01:06:30.939 --> 01:06:46.250 And today on Text the Nation, we are asking you about either real theme parks that you've been to, which made an impression for being, shall we say, offbeat, or imagined theme parks, you know, your own ideas for theme parks that you could construct. 01:06:47.110 --> 01:06:56.073 And especially if your resources were somewhat limited, you know, if you didn't have that much to go on, but you really wanted to open a theme park, what kind of thing would you do? 01:06:57.133 --> 01:07:08.156 So a few people have texted or emailed about a real theme park called Diggerland, which I've never been to, but certainly there was a stage when it really looked imminent, a visit to Diggerland. 01:07:08.736 --> 01:07:16.822 because as well as guns, diggers are another thing that young boys are obsessed with for a long period of time. 01:07:17.562 --> 01:07:19.944 Some of them never grow out of it and they become digger drivers. 01:07:23.006 --> 01:07:27.709 That's who they are, the people on the diggers, they're little children that never grew out of loving diggers. 01:07:28.249 --> 01:07:29.270 But Diggerland exists. 01:07:29.310 --> 01:07:32.954 We never actually went there in the end, but yeah, man, we were pretty close a couple of times. 01:07:33.274 --> 01:07:37.158 Here's an email from Stu W. He says, Hi there, Adam and Garth. 01:07:37.498 --> 01:07:40.141 In my hometown, we have a Diggerland theme park. 01:07:40.341 --> 01:07:42.423 Presumably it's the Diggerland theme park, I don't know. 01:07:42.864 --> 01:07:45.446 But in which you can drive mini-diggers. 01:07:46.147 --> 01:07:49.771 Brackets is restricted to less than walking pace in speed. 01:07:50.391 --> 01:07:51.332 Quite right, of course. 01:07:51.952 --> 01:07:56.576 And you can operate the digging arms on the bigger stationary JCB machines. 01:07:56.636 --> 01:07:58.237 Yeah, this is the one that I was looking at. 01:07:58.317 --> 01:07:59.338 Have you been to this one, Gar? 01:07:59.358 --> 01:08:01.179 No, I've heard about it, though. 01:08:01.399 --> 01:08:02.820 You know, because that would be the most amazing thing. 01:08:02.840 --> 01:08:03.821 That sounds good, actually, yeah. 01:08:04.181 --> 01:08:13.328 Possibly the biggest ride is a huge JCB in which they have fitted seats in the bucket scoop so you can sit and spin around. 01:08:13.508 --> 01:08:15.129 So you sit in the scoop, right? 01:08:15.309 --> 01:08:15.549 Right. 01:08:15.749 --> 01:08:18.031 And you get tum-moved. 01:08:20.024 --> 01:08:23.927 Okay, what we're going to do now is put you in the seat and we're going to move here. 01:08:24.368 --> 01:08:36.878 But it always seemed a bit, one of the reasons we didn't go to Diggerland was that you just think it's too much the idea for a child that they might be going to a theme park where they can actually see these diggers. 01:08:37.836 --> 01:08:43.941 and drive them would be amazing, but of course once you get there, there's no question of them actually driving a real massive digger. 01:08:43.961 --> 01:08:45.923 Not a massive one, but a little one. 01:08:45.963 --> 01:08:47.504 I think they'd be alright once they got there. 01:08:47.724 --> 01:08:53.269 You reckon they actually... Yeah, it says they can drive mini-diggers, but surely they can't drive them themselves. 01:08:53.289 --> 01:08:57.312 Like a three year old is not going to be allowed to just jump in there and have a go with mini-diggers. 01:08:57.332 --> 01:08:57.933 Maybe that's the fun of it. 01:08:57.953 --> 01:08:59.174 It's a little bit edgy down there. 01:08:59.194 --> 01:09:00.055 It's a bit dangerous. 01:09:00.095 --> 01:09:00.315 Yeah. 01:09:00.455 --> 01:09:04.917 Well, it would be good to go to a foreign country and have one that's deregulated, you know what I mean? 01:09:04.937 --> 01:09:05.097 Yes. 01:09:05.117 --> 01:09:06.238 Really good one. 01:09:06.278 --> 01:09:07.798 Go on, have a go, take it away. 01:09:07.818 --> 01:09:08.218 Yeah. 01:09:08.459 --> 01:09:09.859 Try the wrecking ball. 01:09:10.179 --> 01:09:11.540 He's only three, is that okay? 01:09:11.620 --> 01:09:12.520 That's fine. 01:09:12.620 --> 01:09:15.482 He can have some fun there with the wrecking ball. 01:09:15.902 --> 01:09:16.462 He's three? 01:09:16.602 --> 01:09:17.542 That's okay. 01:09:18.563 --> 01:09:19.803 He doesn't even come up to my knee. 01:09:19.863 --> 01:09:22.185 That's not a problem with the wrecking ball. 01:09:23.065 --> 01:09:24.906 This has to push one button. 01:09:26.746 --> 01:09:27.286 That would be fun. 01:09:28.087 --> 01:09:31.988 Stu in Cambridge says, how's this for a theme park idea? 01:09:32.008 --> 01:09:33.748 This is a topical world for Stu. 01:09:34.328 --> 01:09:36.869 Job center land, okay. 01:09:37.289 --> 01:09:48.652 A range of queuing based activities on offer as well as form filling and avoiding eye contact with other patrons also gets the kids used to the certain harsh realities of the current economic climate. 01:09:49.032 --> 01:09:54.314 There's a lot of credit crunch based ideas you can have for theme parks and the notion of... 01:09:54.694 --> 01:09:56.995 quite nice one for Ben Johnson in Lancaster. 01:09:57.015 --> 01:10:02.156 He's found this place called Docker Park Farm, which sounds really nice because kids like going to the little farms. 01:10:02.276 --> 01:10:02.716 Absolutely. 01:10:02.776 --> 01:10:05.497 But this one in its things to do section has a nice little bit. 01:10:05.697 --> 01:10:07.497 You could milk our special cow. 01:10:08.097 --> 01:10:09.338 I thought that was quite nice. 01:10:10.118 --> 01:10:10.978 Is it an actual cow? 01:10:11.198 --> 01:10:12.199 It is an actual cow. 01:10:12.279 --> 01:10:12.859 That's good. 01:10:12.879 --> 01:10:13.859 It's not a euphemism. 01:10:14.219 --> 01:10:14.519 No. 01:10:15.340 --> 01:10:16.000 That sounds nice. 01:10:16.020 --> 01:10:16.961 Docker Park Farm. 01:10:17.962 --> 01:10:18.422 I like it. 01:10:18.602 --> 01:10:19.843 Here's a very short one. 01:10:19.923 --> 01:10:21.564 Chris in Durham, straight to the point. 01:10:21.844 --> 01:10:22.965 He says, a real one. 01:10:23.425 --> 01:10:24.766 Keswick Pencil Museum. 01:10:25.147 --> 01:10:26.067 Yeah. 01:10:26.107 --> 01:10:26.768 Fantasy one. 01:10:27.188 --> 01:10:27.988 World of Pockets. 01:10:30.670 --> 01:10:33.271 I can see World of Pockets, can't you? 01:10:33.811 --> 01:10:40.994 And you just have like the centerpiece of World of Pockets is like a giant torso, you know, headless torso. 01:10:41.314 --> 01:10:42.654 It's just the middle section. 01:10:42.714 --> 01:10:46.516 It's like from the tummy downwards to the knees, maybe a massive thing. 01:10:47.096 --> 01:10:57.219 And it's got just a big pair of jeans on there and you can climb up like a kind of climbing rope thing and jump into the pocket and slide down through the pockets. 01:10:57.459 --> 01:10:59.140 Maybe one of the pockets has a hole in it. 01:10:59.500 --> 01:11:10.075 That's the that's what you want and lots of fluff at the bottom exactly fluff and giant coins and ticket stubs and things like that And then you could have like in the back pockets. 01:11:10.135 --> 01:11:11.436 Maybe it would be a bit racier. 01:11:12.278 --> 01:11:12.618 I don't know. 01:11:12.638 --> 01:11:14.140 Yeah user imagination 01:11:15.542 --> 01:11:24.429 We'll read some more of these out in just a second, but right now here is a, are we gonna go straight from the trail into my free choice? 01:11:25.009 --> 01:11:30.133 Okay, so another Pink Floyd trail for you, and after that, a lovely bit of Pixies. 01:11:30.213 --> 01:11:38.660 I was sort of in a mellow mood when I picked out my free plays this week, you know, and this is one of the Pixies mellower moments. 01:11:38.820 --> 01:11:41.302 Do you know the track Anna from the album Bossa Nova? 01:11:41.322 --> 01:11:42.924 It's very nice, hope you enjoy it. 01:11:43.264 --> 01:11:44.405 But first, here's this trail. 01:11:44.645 --> 01:11:53.728 That's Anna by Pixies there, and that's one of those songs where the first letter of each line spells out a word. 01:11:53.748 --> 01:11:55.729 It spells out the word surfer. 01:11:56.409 --> 01:11:57.169 How did you know that? 01:11:57.569 --> 01:11:57.889 I don't know. 01:11:57.929 --> 01:11:59.010 I read it somewhere. 01:11:59.730 --> 01:12:07.292 She's my face, undressing in the sun, return to sleep, forgetting everyone. 01:12:07.472 --> 01:12:08.433 Surfer. 01:12:09.413 --> 01:12:09.813 There you go. 01:12:09.833 --> 01:12:10.093 How funny. 01:12:10.333 --> 01:12:11.494 What's the word for those things? 01:12:11.794 --> 01:12:12.174 I forget. 01:12:12.984 --> 01:12:15.546 Anyway, that's a fun fact for you there. 01:12:15.566 --> 01:12:16.927 Now, we're in the midst of textination. 01:12:16.947 --> 01:12:26.674 We're asking you to tell us about theme parks that you've been to that were bizarre or a little bit lame, or suggest new theme park ideas as well that we could have. 01:12:26.754 --> 01:12:35.680 Here's a text or an email from Matt, and he says, there is a theme park in Buenos Aires called Tierra Santa or Saint Land. 01:12:36.220 --> 01:12:39.983 This is a real one, and it's a Christian religious theme park. 01:12:41.183 --> 01:12:46.165 religious-themed park, rather, with fiberglass representations from Bible scenes. 01:12:46.245 --> 01:12:48.666 Where would the theme park world be without fiberglass? 01:12:50.427 --> 01:12:54.448 There is a plastic crucifixion scene that is particularly tasteless. 01:12:54.889 --> 01:13:00.871 A massive rotating fiberglass Jesus towers over the park, a bit like the one in Rio, but cheaper. 01:13:01.511 --> 01:13:08.414 At one point you go into a cave and there is a huge smiling Jesus head that you can have your pictures taken next to. 01:13:08.914 --> 01:13:14.396 The locals take it very seriously though and we felt a bit blasphemous wandering around purely for the entertainment value. 01:13:14.877 --> 01:13:15.657 That was from Mark. 01:13:15.677 --> 01:13:16.657 That sounds fantastic. 01:13:16.677 --> 01:13:17.878 It's Tierra Santa. 01:13:19.098 --> 01:13:25.863 It is strange to be immersed in something that means a great deal to somebody else that you don't necessarily have that much. 01:13:25.923 --> 01:13:29.126 Well, we were in Washington a few months ago working. 01:13:29.226 --> 01:13:33.209 We took the afternoon off to look at the memorial. 01:13:33.249 --> 01:13:37.952 You know, you've got the Lincoln Memorial and we're walking around and thinking, wow, this is an impressive building. 01:13:38.273 --> 01:13:39.554 But there was this soldier there. 01:13:40.174 --> 01:13:50.102 who, well, he wasn't a real soldier, he was just a guy in combat gear, and he'd taken it upon himself to just walk around, and people were going, oh, look at that soldier, let's have our picture taken with him. 01:13:50.702 --> 01:13:53.524 And we were going, look at that soldier, he's an idiot. 01:13:53.905 --> 01:13:56.326 And he wasn't a real soldier, he was just sort of like this guy. 01:13:56.427 --> 01:13:56.787 Are you sure? 01:13:57.227 --> 01:14:03.152 Absolutely 100%, we checked it out with the staff, there's the security staff, we say, who's that guy? 01:14:03.272 --> 01:14:03.972 Is he part of the thing? 01:14:04.012 --> 01:14:05.453 They say, no, he just comes here. 01:14:05.934 --> 01:14:09.837 And people are feeling kind of, they love their picture taken with a soldier in front of Lincoln. 01:14:10.517 --> 01:14:13.138 That I felt a bit bad laughing at you're never sure though. 01:14:13.238 --> 01:14:15.578 Are you when you see people in full combat uniform? 01:14:15.598 --> 01:14:19.459 You just think are you a soldier or a sad man? 01:14:19.479 --> 01:14:31.622 There was another soldier sad man on a plane once with who sat next to Nick my friend Nick and he said he said to Nick I'm a spy This is true. 01:14:31.702 --> 01:14:38.363 He said I've got a recording device in my teeth so I can Record conversations with my mouth 01:14:38.863 --> 01:14:43.006 And he said, I'm only telling you because I trust you and you know, you know, you're never going to see me again. 01:14:43.026 --> 01:14:43.646 That's absolutely true. 01:14:43.786 --> 01:14:45.247 How long was the flight? 01:14:45.287 --> 01:14:45.728 Three hours. 01:14:45.908 --> 01:14:46.528 Oh, my lord. 01:14:46.808 --> 01:14:48.890 He wasn't going somewhere a bit further afield. 01:14:50.671 --> 01:14:51.552 Now, have you got any there? 01:14:51.652 --> 01:14:53.573 I've got one from John in Holloway. 01:14:54.173 --> 01:14:56.235 He said there's two theme parks in Dorset. 01:14:56.695 --> 01:14:59.357 One's called Monkey World and the other one's called the Tank Museum. 01:14:59.597 --> 01:15:05.341 But if you're driving along the A303, you'll see a sign for both of them at the same time, which says Monkey World Tank Museum. 01:15:05.741 --> 01:15:08.243 And I like to think of them as a single fantastic theme park. 01:15:08.783 --> 01:15:09.664 in Holloway. 01:15:09.744 --> 01:15:10.825 It would be amazing, wouldn't it? 01:15:10.845 --> 01:15:11.805 It would be great. 01:15:11.825 --> 01:15:13.506 Yeah, you have the Monkey World Tank Museum. 01:15:13.767 --> 01:15:16.909 If you train the monkeys to drive the tanks, that would be exciting. 01:15:17.009 --> 01:15:17.870 Fantastic. 01:15:17.950 --> 01:15:25.075 Email from someone maybe who knows Diggerland or is involved with Diggerland saying, of course, if you're three, you can't drive the diggers. 01:15:25.095 --> 01:15:29.818 You have to be five before you can start using the diggers, even the mini diggers there at Diggerland. 01:15:30.419 --> 01:15:32.660 But not in my theme park with the wreck-a-ball. 01:15:33.121 --> 01:15:34.001 You can be any age. 01:15:34.021 --> 01:15:35.042 It doesn't matter for that one. 01:15:35.922 --> 01:15:42.825 Here is a message from DC Mike in Bearwood, and it says, how about an X Factor themed park? 01:15:43.326 --> 01:15:49.969 There could be a roller coaster where the riders head up to their dizzy heights of fame and then suddenly crash down never to be seen again. 01:15:49.989 --> 01:15:52.630 I think that would be quite good. 01:15:53.130 --> 01:15:55.491 Teach you a little bit about the crazy world of fame. 01:15:55.671 --> 01:15:59.973 Or maybe you just have to go in and when you buy your ticket, there's a judge there saying, no, you can't come in. 01:16:00.333 --> 01:16:00.873 Yeah, yeah, yeah. 01:16:00.954 --> 01:16:02.374 No, no, you're quite good. 01:16:02.414 --> 01:16:02.874 You're cute. 01:16:03.215 --> 01:16:03.455 Come in. 01:16:04.415 --> 01:16:07.697 Yeah, just a big fame theme park would be good, wouldn't it? 01:16:08.218 --> 01:16:12.220 Teach you all about the vicissitudes of the world of fame, if that's the right word. 01:16:12.821 --> 01:16:14.702 And it would be very cruel. 01:16:15.182 --> 01:16:16.443 Like it would start out being fun. 01:16:16.483 --> 01:16:18.144 The first part of the park would be fun. 01:16:18.504 --> 01:16:19.685 Everyone would be having a good time. 01:16:19.725 --> 01:16:22.307 There'd be lots of champagne and parties and dancing. 01:16:22.687 --> 01:16:34.175 And then after the roller coaster, yeah, you go on the big roller coaster and then you're plunged down into a subterranean world where you have to remain for years and years and years unless you can find the way through the 01:16:34.275 --> 01:16:34.875 comeback tunnel. 01:16:51.743 --> 01:16:58.971 So it wouldn't actually be a real Peter Andre, but it would be like youths hired by the park with sort of plastic six-pack strapped to their chests. 01:16:59.011 --> 01:16:59.211 Yeah. 01:16:59.471 --> 01:17:00.913 And they would help you out. 01:17:02.034 --> 01:17:10.642 But otherwise if you get trapped down there in the subterranean part of the park, you're just subject to humiliations and there's people dressed like Amy Winehouse wandering around offering you things. 01:17:11.523 --> 01:17:12.164 It's no good. 01:17:12.304 --> 01:17:13.425 Just sandwiches and stuff. 01:17:13.745 --> 01:17:15.547 Keep your texts and emails coming in. 01:17:16.407 --> 01:17:18.549 Let's have a little bit of pump up the volume. 01:17:18.629 --> 01:17:20.371 I mean, a little bit's all you really need. 01:17:20.411 --> 01:17:21.612 Shall we kick it off then, Claire? 01:17:22.153 --> 01:17:25.716 And then we'll have the news at 11.30. 01:17:25.776 --> 01:17:27.758 But right now, here it is. 01:17:28.298 --> 01:17:28.658 What's this? 01:17:28.698 --> 01:17:29.399 What was he saying? 01:17:30.560 --> 01:17:32.342 Well, I know he's saying pump up the volume. 01:17:32.362 --> 01:17:32.802 What's he saying? 01:17:32.822 --> 01:17:34.523 He said, hello, my name's Richard. 01:17:34.604 --> 01:17:34.984 Richard. 01:17:37.546 --> 01:17:37.947 Here we go. 01:17:40.586 --> 01:17:41.206 et cetera. 01:17:41.807 --> 01:17:43.708 That's Mars with Pump Up the Volume. 01:17:43.748 --> 01:17:45.288 This is BBC Six Music. 01:17:45.408 --> 01:17:46.209 It's just gone 11.30. 01:17:46.629 --> 01:17:49.170 Time now for the news and music news with Harvey and Andre. 01:17:49.230 --> 01:17:53.112 That is The Killers with all these things that I've done. 01:17:53.212 --> 01:17:56.834 This is Adam and Garth here on BBC Six Music. 01:17:57.594 --> 01:18:00.356 Garth is filling in for Joe, who is away. 01:18:00.376 --> 01:18:01.696 He's in Los Angeles at the moment. 01:18:02.177 --> 01:18:05.178 Although Garth's gone to the Lavi and he hasn't come back. 01:18:05.218 --> 01:18:06.198 He may have got lost. 01:18:06.999 --> 01:18:08.440 Or, oh no, here he comes now. 01:18:08.540 --> 01:18:08.940 He's back. 01:18:10.781 --> 01:18:13.021 This is the show now. 01:18:13.121 --> 01:18:14.582 Isn't that like radio crime? 01:18:14.722 --> 01:18:15.422 Nah, that's alright. 01:18:15.442 --> 01:18:19.224 It's really hard to get around this building because you need all these like passes and stuff. 01:18:19.364 --> 01:18:20.504 I actually got a bit trapped there. 01:18:20.524 --> 01:18:21.525 It's the castle, boy. 01:18:21.545 --> 01:18:23.185 I was trying to get back. 01:18:23.826 --> 01:18:25.846 Could you not find the little swipy thing? 01:18:26.007 --> 01:18:28.267 Yeah, I couldn't find my way back in here. 01:18:28.307 --> 01:18:30.368 That's what Claire was talking about before you left. 01:18:30.408 --> 01:18:31.049 Sorry, everyone. 01:18:31.069 --> 01:18:33.029 You were like, yeah, yeah, I know what you're talking about. 01:18:33.209 --> 01:18:33.610 You didn't. 01:18:33.670 --> 01:18:34.390 You hadn't got a clue. 01:18:35.430 --> 01:18:37.612 Now let's wrap up Text the Nation right now. 01:18:37.632 --> 01:18:44.656 We've been asking you about theme parks that either you would like to see or places that you've been before. 01:18:44.996 --> 01:18:46.737 Like, do you used to read Mad Magazine? 01:18:46.757 --> 01:18:47.597 A bit. 01:18:47.797 --> 01:18:48.318 Not much. 01:18:48.498 --> 01:18:52.360 You know, they had a whole section of things like theme parks we'd like to see. 01:18:52.380 --> 01:18:55.922 And they were all kind of crazy, nutty sort of things like that. 01:18:55.982 --> 01:18:58.444 You know, health and safety signs we'd like to see. 01:18:58.524 --> 01:19:00.685 I was actually thinking that would be quite a good thing to talk about. 01:19:01.004 --> 01:19:02.705 Well don't give it away man, give it. 01:19:02.745 --> 01:19:03.765 Safety will keep that for next week. 01:19:03.785 --> 01:19:04.286 Write that down. 01:19:05.146 --> 01:19:06.467 So theme parks though. 01:19:07.887 --> 01:19:11.189 Here is a message from Victoria in Hackney. 01:19:11.729 --> 01:19:15.851 She says in Queensland, Australia, there's a theme park called the Big Pineapple. 01:19:16.431 --> 01:19:17.692 The Big Pineapple, mate. 01:19:17.712 --> 01:19:19.053 You going down there this weekend? 01:19:19.153 --> 01:19:19.953 It's amazing. 01:19:19.973 --> 01:19:20.913 Do you like pineapples? 01:19:21.394 --> 01:19:21.614 Yeah. 01:19:21.634 --> 01:19:24.015 Oh boy, you should go to the Big Pineapple. 01:19:26.056 --> 01:19:30.319 Yeah, and she says it consists of a giant fiberglass pineapple. 01:19:30.799 --> 01:19:32.200 Yeah, you didn't see that coming, did you? 01:19:32.420 --> 01:19:32.840 Yeah. 01:19:33.280 --> 01:19:36.182 What are we going to do for the theme park, for the big pineapples? 01:19:36.682 --> 01:19:39.864 Well, I think people like pineapples, right? 01:19:40.144 --> 01:19:41.525 So it's a great idea. 01:19:42.266 --> 01:19:47.329 Anyone got any ideas for what we should actually have in it? 01:19:47.529 --> 01:19:49.450 What about like a massive banana? 01:19:50.111 --> 01:19:54.958 Yeah What about a giant fiberglass pineapple? 01:19:55.519 --> 01:20:01.970 Now you're thinking so that's what they've got and there's a train ride through a pineapple plantation 01:20:02.921 --> 01:20:03.181 Right? 01:20:03.802 --> 01:20:04.482 You take a little. 01:20:04.522 --> 01:20:05.603 It's quite good, isn't it? 01:20:05.663 --> 01:20:05.943 Is it? 01:20:05.963 --> 01:20:08.946 I thought that'd be quite interesting. 01:20:08.966 --> 01:20:09.226 Do you? 01:20:10.387 --> 01:20:10.667 Yeah. 01:20:10.967 --> 01:20:12.969 Look at the pineapple plantation. 01:20:13.049 --> 01:20:14.190 I like pineapple. 01:20:15.010 --> 01:20:17.832 And this is where, this is where we grow all the pineapples. 01:20:18.053 --> 01:20:21.315 It would be like, it would be like Dino Park again. 01:20:21.335 --> 01:20:23.557 You know, it's basically, you're trapped on the train. 01:20:23.797 --> 01:20:25.519 Can we, can we touch the pineapples? 01:20:25.559 --> 01:20:26.660 No, don't touch the pineapples. 01:20:26.680 --> 01:20:28.081 Don't ever touch the pineapples! 01:20:28.441 --> 01:20:29.883 Because you'll contaminate them. 01:20:29.923 --> 01:20:30.083 Yeah. 01:20:30.163 --> 01:20:31.484 We've got a people who've got to eat those. 01:20:32.785 --> 01:20:35.508 You should never touch a raw pineapple. 01:20:35.908 --> 01:20:36.649 It's deadly. 01:20:36.869 --> 01:20:38.211 Haven't you seen Jungle Book? 01:20:38.431 --> 01:20:40.613 You prickly, pick a prickly pear. 01:20:42.014 --> 01:20:43.634 Heard you're a little few picker. 01:20:43.894 --> 01:20:44.455 That's right. 01:20:44.495 --> 01:20:45.475 You better beware. 01:20:47.015 --> 01:20:48.556 So it's very dangerous. 01:20:48.756 --> 01:20:54.337 And she also says there's a giant pineapple sundae available in the canteen afterwards. 01:20:54.397 --> 01:20:56.958 So they've thought of everything in the big pineapple. 01:20:56.978 --> 01:20:58.978 You could probably buy a pineapple on your way out as well. 01:20:59.238 --> 01:21:00.618 I bet you I wouldn't put it past them. 01:21:00.898 --> 01:21:01.559 Take one home. 01:21:01.819 --> 01:21:03.379 For your friends and family. 01:21:03.419 --> 01:21:04.619 They've got their thinking hat on. 01:21:04.879 --> 01:21:06.540 That's so they could hollow pineapples out. 01:21:06.560 --> 01:21:08.060 You could wear a little pineapple hat. 01:21:08.120 --> 01:21:08.440 That's right. 01:21:08.480 --> 01:21:09.981 You could make little bracelets for them. 01:21:10.001 --> 01:21:11.141 You're walking around. 01:21:11.801 --> 01:21:14.326 Here's some glasses, like two pineapple rings. 01:21:14.447 --> 01:21:20.359 Here's a little pineapple napkin there to wipe up the juice dripping down your forehead from the pineapple hat. 01:21:21.080 --> 01:21:22.583 Don't worry, we've thought of everything. 01:21:23.390 --> 01:21:24.470 We've thought of absolutely everything. 01:21:24.730 --> 01:21:33.253 And she says, also in Queensland, Australia, just down the road, in fact, from the big pineapple is Steve Irwin's theme park, the late, great Steve Irwin. 01:21:33.653 --> 01:21:41.755 Of course, that was made famous by the fact that that was where he, Michael Jackson style, dangled his daughter in front of a crocodile, if you recall. 01:21:41.855 --> 01:21:42.235 Oh, yeah. 01:21:42.255 --> 01:21:43.636 Do you remember that extraordinary footage? 01:21:43.796 --> 01:21:44.036 Yes. 01:21:45.456 --> 01:21:48.277 And I don't know if that's an option to people visiting the park. 01:21:48.837 --> 01:21:51.119 Where do we dangle our children in front of the crocodile? 01:21:51.139 --> 01:21:52.420 Dangling zones further on, love. 01:21:52.460 --> 01:21:53.101 Can't stop here. 01:21:53.541 --> 01:21:54.642 Don't dangle them on this one. 01:21:55.062 --> 01:21:55.963 He'll actually eat them. 01:21:56.403 --> 01:21:58.085 That one over there's had his teeth removed. 01:21:58.485 --> 01:21:59.946 He'll just suck on your child for a bit. 01:21:59.966 --> 01:22:00.707 He won't be real. 01:22:03.089 --> 01:22:03.829 That would be good. 01:22:04.270 --> 01:22:07.492 Man, any self-respecting child would want to do that as well. 01:22:07.733 --> 01:22:09.514 Come on, I want to get sucked by a crocodile. 01:22:11.035 --> 01:22:12.136 Everybody dreams about that. 01:22:12.156 --> 01:22:14.117 You know that pencil museum you were talking about earlier? 01:22:14.137 --> 01:22:14.537 Keswick. 01:22:14.717 --> 01:22:15.397 Yeah. 01:22:15.537 --> 01:22:18.939 Dave Donaghy says, don't mock the pencil museum. 01:22:18.979 --> 01:22:24.601 My friend Spadge and I went there laughing, got free entry and a free pencil because it was the museum's birthday. 01:22:24.881 --> 01:22:26.522 It may have been the best day out I've ever had. 01:22:27.283 --> 01:22:28.023 Spadge. 01:22:28.063 --> 01:22:28.483 Spadge. 01:22:28.523 --> 01:22:29.844 There's no way a real friend. 01:22:29.864 --> 01:22:30.824 No, that's what he says here. 01:22:30.844 --> 01:22:33.205 He's even spelled it with a capital S so he really means it. 01:22:33.285 --> 01:22:34.606 That's his imaginary friend. 01:22:35.126 --> 01:22:35.787 Come on, Spadge. 01:22:36.068 --> 01:22:39.194 We're off to the pencil museum. 01:22:39.254 --> 01:22:41.478 Just one ticket and then no, I want one from my friend Spadge too. 01:22:42.800 --> 01:22:44.444 Your friend, okay. 01:22:44.924 --> 01:22:47.068 Mum, me and Spadge are off to the pencil museum again. 01:22:49.052 --> 01:22:50.072 Okay, darling. 01:22:50.573 --> 01:22:52.013 Try and be back in time for tea. 01:22:52.273 --> 01:22:53.874 Don't forget you've got your job tomorrow. 01:22:53.914 --> 01:22:55.074 You are 25 years old. 01:22:55.254 --> 01:22:56.755 Okay, don't worry, spatch or remind me. 01:22:56.795 --> 01:22:57.155 Bye bye. 01:22:58.335 --> 01:22:58.855 Come on, spatch. 01:22:59.296 --> 01:23:00.796 Off to the pencil museum again today. 01:23:01.916 --> 01:23:03.937 One pencil for me and one pencil for spatch. 01:23:04.097 --> 01:23:04.837 There you go, spatch. 01:23:04.917 --> 01:23:06.658 You've got to get spatch! 01:23:07.518 --> 01:23:11.720 Why can't you hold your pencil, spatch? 01:23:11.740 --> 01:23:13.080 That's how it would go. 01:23:13.540 --> 01:23:14.441 It would be bittersweet. 01:23:14.501 --> 01:23:17.342 Sorry, Dave Donahue, for mocking your real friend's badge. 01:23:17.402 --> 01:23:17.942 He's not real. 01:23:18.662 --> 01:23:37.141 he's clearly not real and finally here's one from Lee Lee BTN is that from is that his name or is BTN like a shortened version of where he lives like Bolton or something I don't know morning Adam and Garth 01:23:37.842 --> 01:23:40.844 G-A-R-P-H, that's your new name. 01:23:42.185 --> 01:23:44.727 He says, lame theme park proposal. 01:23:45.107 --> 01:23:54.954 Disaster World, a park full of disaster themed rides and attractions, opens solely to sell a job lot of themed merchandise such as t-shirts and caps. 01:23:55.295 --> 01:23:58.237 With the caption, I went for a day out and it was a disaster. 01:23:58.871 --> 01:23:59.351 Good one. 01:23:59.912 --> 01:24:06.937 Or he says, Rubbish World, where you tour local refuse tips and get the chance to be a refuse sorter for a day. 01:24:07.358 --> 01:24:08.939 I bet those exist. 01:24:09.019 --> 01:24:10.320 And that would actually be quite fun. 01:24:10.700 --> 01:24:17.886 Refuse tips and, you know, recycling tips and stuff like that are sort of attractive if you're a young person and you're not allowed to go to them. 01:24:17.906 --> 01:24:23.210 Like, you know, there's a big recycling place off Smuggler's Way, Garth, in South London. 01:24:23.730 --> 01:24:26.454 Is there really a road? 01:24:26.634 --> 01:24:27.715 Don't go down there, child. 01:24:27.856 --> 01:24:28.416 Recycling. 01:24:28.937 --> 01:24:29.678 You take in your fridge. 01:24:31.680 --> 01:24:32.141 Down there. 01:24:32.461 --> 01:24:34.063 Just pile it up next to all the other white goods. 01:24:34.864 --> 01:24:39.169 If you're recycling boxes and stuff like that, you'll want to carry on further down Smothers Way. 01:24:40.232 --> 01:24:43.937 So you can go down some ugly way, but you can't your children aren't allowed out of the car. 01:24:43.977 --> 01:24:47.541 No, that's right That's the same in the one with the one near us and they freak out. 01:24:47.641 --> 01:24:59.655 I want to get out because it looks so fun I've actually bent the rules and taken them out right them to carry a bit of plywood or something up and lob it because it is fun you can lob the wood on there something that shatters is the best thing ever and 01:24:59.815 --> 01:25:03.917 And then you've got the little digger thing with the squasher fitting. 01:25:03.937 --> 01:25:04.717 Do you know what I'm saying? 01:25:05.137 --> 01:25:05.817 Yes, exactly. 01:25:05.897 --> 01:25:10.459 And the small digger comes up and it compacts all the rubbish in the bins. 01:25:10.499 --> 01:25:12.440 Really, all the theme parks are sort of there. 01:25:12.920 --> 01:25:14.161 A refuse tip is a theme park. 01:25:14.181 --> 01:25:15.261 You've just got to tell people. 01:25:15.301 --> 01:25:16.522 You've got to change the way they see it. 01:25:16.582 --> 01:25:17.342 That's all you've got to do. 01:25:17.362 --> 01:25:17.462 Right. 01:25:17.882 --> 01:25:18.582 Come on in. 01:25:19.403 --> 01:25:20.143 Dump your stuff. 01:25:20.163 --> 01:25:21.644 You just need a song and a character. 01:25:21.884 --> 01:25:22.644 Yeah, exactly. 01:25:22.724 --> 01:25:25.105 And as long as you buy a hat on the way out, it's a theme park. 01:25:25.365 --> 01:25:30.709 And you get, I mean, you could buy a hat or you could just take things away because there's always stuff when you go. 01:25:30.869 --> 01:25:44.079 I don't know about you, but when you recycle stuff, like you'll take a load of old shelves or chairs or I don't know what and throw them in there like an old guitar that doesn't work or is cracked and you bung them all on the pile. 01:25:44.119 --> 01:25:45.360 But then you think, oh, look at that. 01:25:46.000 --> 01:25:46.721 Yes, you do. 01:25:46.761 --> 01:25:48.142 I can't believe someone's thrown that away. 01:25:50.103 --> 01:25:51.844 And the tires are still full of air. 01:25:51.864 --> 01:25:52.624 Seems perfectly fine. 01:25:52.804 --> 01:25:53.744 That's all right. 01:25:54.684 --> 01:25:55.065 Look at that. 01:25:55.245 --> 01:25:59.686 That acoustic guitars got one less crack than the one I'm throwing away. 01:26:00.166 --> 01:26:01.547 I'm going to take that back home with me. 01:26:03.227 --> 01:26:03.747 It is fun. 01:26:03.807 --> 01:26:06.048 So you get free stuff on the way out. 01:26:06.788 --> 01:26:09.689 Someone should consider it as an exciting new theme park. 01:26:10.009 --> 01:26:12.470 Thank you very much indeed for all your texts and emails. 01:26:12.810 --> 01:26:18.772 Apologies as usual if we didn't read out one of the ones that you sent in, but we did read them all and we really appreciate them. 01:26:20.392 --> 01:26:23.794 And we are coming up towards the end of the show, but we've still got lots of great music. 01:26:23.834 --> 01:26:27.415 This one is chosen for you by our guest presenter this week, Garth Jennings. 01:26:27.735 --> 01:26:28.336 Which one is this? 01:26:28.356 --> 01:26:29.176 This is Deus Scarf. 01:26:29.216 --> 01:26:31.817 Yeah, we should probably start playing it now, because like your Vangelis one. 01:26:31.957 --> 01:26:32.657 Has it got an ambient? 01:26:33.357 --> 01:26:36.519 It's got a nice gentle... Oh, he's already cut a bit off the intro, but that's okay. 01:26:36.799 --> 01:26:38.640 This is Little Arithmetics by Deus. 01:26:39.260 --> 01:26:40.580 They're going mental now, aren't they? 01:26:41.261 --> 01:26:41.861 Crazy Coda. 01:26:44.454 --> 01:26:45.114 I love that song. 01:26:45.314 --> 01:26:46.795 That was Dais, Little Arithmetic. 01:26:46.815 --> 01:26:47.576 Where are they from, Dais? 01:26:47.596 --> 01:26:47.896 Do you know? 01:26:48.436 --> 01:26:51.218 I think it's, I think they're Scandinavia, but I'm not entirely sure. 01:26:51.478 --> 01:26:54.820 Maybe people could help us in the last few minutes of the show and tell us where they're from. 01:26:54.840 --> 01:27:06.346 Speaking of which, thank you very much for, I think it was Lucy who pointed out that an acrostic is what you call like a poem where the first letter of each line makes up a word. 01:27:06.806 --> 01:27:08.127 That's an acrostic poem. 01:27:08.667 --> 01:27:09.348 Thank you very much. 01:27:09.669 --> 01:27:18.561 And who was it that was texting us saying that basically the digital radio, sometimes you can, you know, if you listen to the show on digital radio, it tells you what you're listening to. 01:27:18.601 --> 01:27:22.045 And it's been saying the Joe and Garth show right the way through the program. 01:27:22.065 --> 01:27:22.286 Yep. 01:27:22.606 --> 01:27:24.468 Thanks very much. 01:27:25.530 --> 01:27:29.133 You would hope that the actual people you work for might be able to tell one from the other. 01:27:29.494 --> 01:27:38.223 I understand it when people say we sound the same, me and Joe, and oftentimes when they meet us face to face as well, they just mix up the names. 01:27:38.563 --> 01:27:40.705 Even our families still do that a little bit. 01:27:41.386 --> 01:27:47.372 That's all fair enough, but you know, your employer actually putting the name on the radio thing. 01:27:47.432 --> 01:27:49.334 You would hope maybe they would sort the names out. 01:27:50.415 --> 01:27:51.777 But it's not a big deal. 01:27:51.817 --> 01:27:53.659 You know, I'm clearly not hung up about it. 01:27:53.679 --> 01:27:54.439 You've just got to get over it. 01:27:54.599 --> 01:27:55.080 I'm over it. 01:27:55.240 --> 01:27:57.843 I'm going to give you a big hug after this next song. 01:27:57.903 --> 01:27:58.684 Don't touch me. 01:28:00.105 --> 01:28:03.368 Now, we're going to play this song, The Quantum of Solace song. 01:28:03.428 --> 01:28:04.368 You haven't heard it yet, have you? 01:28:04.428 --> 01:28:11.895 No, I'm excited because obviously me and Jo did songs for The Quantum of Solace, which comes out in 42 days or something. 01:28:11.915 --> 01:28:22.003 There's a massive great digital readout in Piccadilly Circus here in London that is counting down the hours and the minutes until The Quantum of Solace, the new Bond film, is released. 01:28:22.804 --> 01:28:24.625 Does that make sense, 40 days away or something? 01:28:24.665 --> 01:28:25.006 I don't know. 01:28:25.026 --> 01:28:26.147 I thought it was coming out in October. 01:28:26.187 --> 01:28:27.428 That sounds like it's too far away. 01:28:27.868 --> 01:28:28.769 Right, I don't know. 01:28:28.789 --> 01:28:29.429 Who knows? 01:28:29.869 --> 01:28:31.811 But it's a few weeks yet, though, isn't it? 01:28:32.371 --> 01:28:32.611 Yeah. 01:28:32.811 --> 01:28:33.031 Yeah. 01:28:33.452 --> 01:28:34.832 And have you heard the Jack White song? 01:28:34.932 --> 01:28:35.413 Yeah, I heard it. 01:28:35.453 --> 01:28:39.835 Well, I first heard it on a Coca-Cola advert because they've used it for the new Coke adverts. 01:28:40.176 --> 01:28:48.801 And then there was this message on some of the music websites from Jack White saying, I'm not happy about this being played for the first time on a Coke advert. 01:28:48.821 --> 01:28:50.582 That being the first time people hear it. 01:28:50.842 --> 01:28:55.184 But then I heard it in its entirety the other day on the radio, and it's big and loud and bondy. 01:28:55.204 --> 01:28:58.366 I'm not sure if I love it yet, but maybe it takes a few listens. 01:28:58.806 --> 01:29:03.268 He's got no problem with Coke as a company, though, because of course he did an advert for them before. 01:29:03.468 --> 01:29:04.229 Yeah. 01:29:04.349 --> 01:29:06.650 But I guess he was miffed that they just used it. 01:29:06.710 --> 01:29:08.951 But they would have to get his say so, you would think. 01:29:08.971 --> 01:29:10.832 Yes, I think it was just that they heard it there first. 01:29:11.272 --> 01:29:11.412 Right. 01:29:11.432 --> 01:29:12.573 I don't, I, I, who knows? 01:29:12.713 --> 01:29:13.273 Who knows? 01:29:13.514 --> 01:29:15.495 You've just got to chill, Jack, chill! 01:29:15.795 --> 01:29:19.918 Jack, if you're listening, why not give us a call and tell us what the whole situation was? 01:29:19.938 --> 01:29:23.120 But right now, here's Jack White with another way to die. 01:29:23.140 --> 01:29:25.322 Yes, good lord. 01:29:26.263 --> 01:29:29.745 Jack White with Alicia Keys there, squealing and squalling away. 01:29:29.765 --> 01:29:33.968 That's the theme from The Quantum of Solace, another way to die. 01:29:34.408 --> 01:29:38.351 I have to tell you, I like it, but I think both yours are better than two. 01:29:38.811 --> 01:29:39.652 Well, you might be right. 01:29:39.972 --> 01:29:41.394 I'm going to make a video for mine. 01:29:41.414 --> 01:29:43.456 Joe's made a video for his Quantum of Solace song. 01:29:43.496 --> 01:29:49.702 I'm going to try and make a video for mine and put it online before the film comes out, if I can get my stuff together. 01:29:50.043 --> 01:29:51.384 That's pretty much it for our show. 01:29:51.824 --> 01:29:57.350 Garth Jennings, thank you so much for standing in for Joe, and Garth will be back with us next week as well. 01:29:57.851 --> 01:29:58.131 But we'll 01:29:58.271 --> 01:30:00.112 have Joe on the Line live from LA. 01:30:00.873 --> 01:30:01.673 So tune in for that. 01:30:01.733 --> 01:30:05.576 We'll also be resulting, announcing the results of Song Wars. 01:30:05.616 --> 01:30:18.403 If you'd like to listen to our Song Wars credit crunch efforts again, you can do so online by listening again to the show, either through the Six Music website or through iPlayer. 01:30:19.124 --> 01:30:24.727 And don't forget to download the podcasts tomorrow evening, after about 6pm on a Sunday. 01:30:24.787 --> 01:30:27.229 You'll be able to hear the songs therein as well. 01:30:27.609 --> 01:30:29.170 Stay tuned for Liz Kershaw. 01:30:30.051 --> 01:30:31.812 Deus, we're from Belgium, by the way, the band. 01:30:32.012 --> 01:30:32.833 Little correction there. 01:30:32.993 --> 01:30:33.553 Thanks Garth. 01:30:33.733 --> 01:30:34.514 Thank you for having us. 01:30:34.714 --> 01:30:35.395 Have a good week. 01:30:35.755 --> 01:30:36.856 Here's Dela Sol. 01:30:36.976 --> 01:30:37.476 Take care. 01:30:37.516 --> 01:30:37.736 Love you. 01:30:37.756 --> 01:30:38.137 Bye. 01:30:38.237 --> 01:30:38.557 Bye.