WEBVTT 00:01.238 --> 00:03.862 Welcome to the big British castle. 00:04.082 --> 00:07.666 It's time for Adam and Joe to broadcast on the radio. 00:07.886 --> 00:12.412 There'll be some music and some random talking in between, and then eventually... 00:15.407 --> 00:17.068 That's Folds with Olympic Airways. 00:17.108 --> 00:17.628 Good morning. 00:18.168 --> 00:19.989 This is Adam and Joe on BBC Six Music. 00:20.089 --> 00:25.470 Only it's not because it's just Joe, because Adam, listeners, has failed to turn up. 00:26.051 --> 00:27.071 We're not sure where he is. 00:27.131 --> 00:28.632 We think he's somewhere in his car. 00:29.232 --> 00:29.832 In the building? 00:29.892 --> 00:30.732 Is he in the building? 00:31.312 --> 00:34.614 But he's got to get through the various portcullises here at the castle. 00:35.094 --> 00:42.876 He's got to get the permission from the yeoman and the beef eaters and the grenadiers that guard the castle and get up here into the studio. 00:42.916 --> 00:44.097 So we're hoping he's going to be here. 00:44.717 --> 00:45.837 in time for the next record. 00:46.358 --> 00:55.980 But for the moment we've got a great show coming up, all sorts of stuff that I can't possibly tell listeners about yet, because Buxton isn't here to sort of have his say on them. 00:56.501 --> 00:58.881 So let's just go to the next record and keep our fingers crossed. 00:59.361 --> 01:02.562 Here is Echo and the Bunnymen with Bring on the Dancing Horses. 01:02.822 --> 01:04.303 It's Adam and Joe on BBC 6 Music. 01:04.343 --> 01:06.804 That was Echo and the Bunnymen with Bring on the Dancing Horses. 01:07.004 --> 01:10.605 This is Joe presenting solo for the moment because Adam 01:11.525 --> 01:14.669 hasn't got here yet and we've got bad news, listeners. 01:14.749 --> 01:19.336 He's been arrested on the way for having a big bushy beard. 01:19.997 --> 01:21.218 A big black bushy beard. 01:21.258 --> 01:28.608 He was mistaken for a terrorist and his car was stopped by the police and now we're going to join him live in prison. 01:29.482 --> 01:29.982 Hello, Adam. 01:31.544 --> 01:34.166 It's not a very good story, is it? 01:34.487 --> 01:35.728 That's all lies, listeners. 01:35.788 --> 01:37.109 Terrible BBC lies. 01:37.550 --> 01:39.271 It's fine. 01:39.311 --> 01:39.792 You got here. 01:40.452 --> 01:40.893 I'm fine. 01:41.253 --> 01:41.934 I wasn't arrested. 01:42.214 --> 01:45.117 What happened was I had to hire a car because I'm moving house at the moment. 01:45.157 --> 01:46.618 It's a very long process. 01:46.658 --> 01:47.619 I'm doing it in stages. 01:48.099 --> 01:51.062 If you move like when you're 18, it takes an afternoon. 01:51.102 --> 01:53.545 You get a friend to help you who comes around with the van or whatever. 01:54.645 --> 02:12.517 And it's not a problem and that's the case right through your 20s But then as soon as you maybe get married or start having children or you know build a small ludicrous empire Moving house is a very long process and it you can't just do it in a day It takes ages and ages and I'm still doing it like weeks after I began the process. 02:12.557 --> 02:16.160 Let's stick with the arrested story To the prison voice again 02:16.920 --> 02:17.420 Hello. 02:18.301 --> 02:22.704 So, I had to hire a car this morning, right, to move a bit more stuff. 02:23.364 --> 02:25.045 And it was dangerous. 02:26.406 --> 02:28.347 They gave me an automatic car, right? 02:28.567 --> 02:30.008 They didn't say anything about that. 02:30.028 --> 02:30.309 They're fun. 02:30.329 --> 02:31.329 They're like big bumper cars. 02:31.369 --> 02:35.372 Well, it's a big bumper car, but the brakes on the thing are unbelievable. 02:35.392 --> 02:35.732 Springy. 02:36.192 --> 02:37.753 I mean, it's very sensitive. 02:38.133 --> 02:40.175 So the tiniest little... They need to be. 02:40.655 --> 02:41.155 Do you reckon? 02:41.276 --> 02:42.457 Yeah, because automatics. 02:42.957 --> 02:44.858 They're driven by people who think they're at the fun fair. 02:45.579 --> 02:47.561 Right, like the guy in the automatic. 02:48.141 --> 02:49.622 Like the guy in the band, the automatic. 02:49.682 --> 02:51.884 Is it a drummer who's the demented one in the automatic? 02:51.904 --> 02:52.324 I don't know. 02:52.464 --> 03:00.131 Anyway, this car is all kitted out to protect the driver against the guy from the automatic with incredibly sensitive brakes. 03:00.771 --> 03:01.031 Right? 03:01.492 --> 03:07.097 And I had a mirror laid on top of my boxes in the back of the car. 03:07.597 --> 03:12.522 And at one point, I just, I stopped at a red light, but broke too hard. 03:12.542 --> 03:13.422 The mirror slid. 03:13.482 --> 03:14.203 The mirror slid! 03:14.223 --> 03:16.805 Creating an optical illusion through the rear view mirror. 03:16.886 --> 03:17.186 Did it? 03:17.226 --> 03:17.846 Yeah, it was amazing. 03:18.007 --> 03:21.470 You thought you'd driven into an infinite universe of reflections. 03:21.610 --> 03:27.235 I nearly know what nearly happened was Damien Omen 2 style decapitation scenario. 03:27.435 --> 03:28.316 Damon Omen 2? 03:28.596 --> 03:28.936 Was it? 03:29.316 --> 03:29.477 One. 03:29.977 --> 03:31.538 I'm sure it was the second one, wasn't it? 03:31.678 --> 03:33.119 Oh no, it was the second one. 03:33.159 --> 03:35.921 It's one when he gets his head chopped off by a big bit of glass. 03:36.102 --> 03:37.242 It's the beginning of number one. 03:37.342 --> 03:38.023 Are you sure? 03:38.103 --> 03:40.745 Can we have that confirmed by our film experts? 03:40.765 --> 03:41.566 I think it's number two. 03:41.586 --> 03:43.227 I think it's number one. 03:43.487 --> 03:48.810 When the... is it when the... I think the beginning of number two, they're trapped in a tomb by a rock fall. 03:49.010 --> 03:49.890 The truck rolls back. 03:49.910 --> 03:50.371 Isn't that right? 03:50.391 --> 03:52.532 I think the truck's... Anyway, our listeners will quickly tell us. 03:52.572 --> 03:53.432 They're good on that sort of thing. 03:53.452 --> 03:54.032 Yeah, yeah, yeah. 03:54.573 --> 03:55.813 Anyway, that nearly happened to me. 03:56.314 --> 03:56.654 Wow. 03:56.874 --> 03:57.634 Because of the brakes. 03:57.674 --> 03:58.775 Why didn't it happen to you? 03:59.095 --> 04:00.836 Well, you'd prefer that, wouldn't you? 04:00.856 --> 04:03.357 No, I was like, why didn't it... what stopped it? 04:04.058 --> 04:05.098 The head post. 04:06.039 --> 04:06.659 The head post. 04:06.699 --> 04:07.679 That's why you have head posts. 04:07.699 --> 04:08.340 Thank God. 04:08.480 --> 04:09.680 Thank goodness for the head post. 04:09.720 --> 04:10.861 Otherwise, I wouldn't be here. 04:10.881 --> 04:12.222 It would just be a gory stump. 04:13.482 --> 04:16.945 How would you like to do that with, like, the Joe and the Gory Stump Show? 04:16.965 --> 04:19.207 It'd be like Adam Buxton from the film Stardust. 04:19.367 --> 04:19.747 Yeah. 04:20.107 --> 04:22.689 Instead of an axe in your head, it would be a big mirror. 04:22.749 --> 04:24.090 What kind of voice would I have then? 04:24.130 --> 04:27.433 Just a bubbly... Yes, the prison voice again. 04:28.874 --> 04:30.295 That would be my Gory Stump voice. 04:30.936 --> 04:32.937 Listen, let's play some music, shall we? 04:32.957 --> 04:38.262 And then we can resume normal service on the Adam and Joe radio program here on Six Music. 04:38.882 --> 04:40.223 I've got a free choice right now. 04:40.243 --> 04:41.224 This is exciting, isn't it? 04:41.244 --> 04:42.245 It's like a roller coaster. 04:42.845 --> 04:43.165 quickly. 04:43.425 --> 05:01.391 This is new music, relatively new music, this is from about 2006 and these guys were the favorites on the Steve LaMac show I believe and I don't know if they're re-releasing this or what but it's it's a band called Wild Beasts and a track called Brave Bulging Boyant Clairvoyance. 05:01.911 --> 05:12.254 I think you'll enjoy this Joe, this is a kind of very early 80s new wavy sound but in the style of the Associates and the guy's got a very kind of over-the-top over-operatic quality 05:12.914 --> 05:20.856 And coincidentally, we're going to be playing the new video for this at my video show bug on Thursday, I think, at the BFI sold out. 05:20.916 --> 05:21.696 So it's not an advert. 05:22.156 --> 05:22.696 You can't come. 05:22.976 --> 05:23.717 Sorry, sold out. 05:24.037 --> 05:25.957 There is another one, though, that we can't say. 05:25.997 --> 05:26.577 Play the record. 05:26.597 --> 05:30.278 Here's Wild Beasts with Brave Bulging Boyant Clairvoyance. 05:30.658 --> 05:31.118 Well done. 05:31.298 --> 05:34.979 That's Wild Beasts with Brave Bulging Boyant Clairvoyance. 05:35.419 --> 05:38.100 And they're re-releasing that as a single in October. 05:38.820 --> 05:43.883 They're talking about, what's that astrologer's name, Russell? 05:45.404 --> 05:46.164 Russell Brand. 05:46.524 --> 05:47.525 No, Russell. 05:47.765 --> 05:48.305 Hardy. 05:49.006 --> 05:49.546 Russell. 05:49.566 --> 05:49.886 Girth. 05:50.446 --> 05:50.947 Grant. 05:51.067 --> 05:52.127 That's what they're talking about. 05:52.187 --> 06:00.552 Russell Grant, and he's on the ferry to France, and they get in trouble, and he jumps into the sea, and he's very brave and buoyant. 06:01.252 --> 06:01.793 And he's bulging. 06:01.833 --> 06:07.178 And he floats and all the other, all the other passengers cling onto his jeans. 06:07.358 --> 06:07.779 Yeah. 06:07.999 --> 06:09.200 And then he saves their lives. 06:09.460 --> 06:11.883 And he's a brave, bulging, buoyant, clairvoyant. 06:11.903 --> 06:12.683 Yeah, that's amazing. 06:12.703 --> 06:13.885 That's what the song's about. 06:13.925 --> 06:22.133 Wild Beasts are from Kendall, which is the home of Kendall Mint Cake, Felicity Kendall, Kenneth Kendall. 06:23.334 --> 06:24.035 And that's it. 06:24.696 --> 06:25.476 Wendell Kendall. 06:26.317 --> 06:31.339 Hey listen, the answer to our quandary earlier about The O-Men was, is that I was right. 06:32.359 --> 06:36.761 It is O-Men 1 where he gets, it's David Warner gets his head chopped off. 06:37.102 --> 06:39.363 Thanks to the three or four people that texted in about that. 06:39.403 --> 06:40.103 Nerd. 06:40.543 --> 06:43.004 Damien O-Men 2, one of my favorite ever horror films. 06:43.745 --> 06:44.485 It's a smash, isn't it? 06:44.525 --> 06:45.225 It's amazing. 06:45.445 --> 06:46.866 One of the most underrated sequels. 06:47.226 --> 06:51.108 I've got a theory that it's better than the first film. 06:51.248 --> 06:52.989 He's under the ice in number two, isn't he? 06:54.229 --> 06:54.889 Or is that number one? 06:54.929 --> 06:56.229 Yeah, no, his brother goes under the ice. 06:56.550 --> 06:58.050 That is an absolutely horrific scene. 06:58.070 --> 06:59.670 Does his brother, or is it just, is it him? 07:00.230 --> 07:02.591 No, whoever goes under the ice dies, but I think it's just a random kid. 07:02.611 --> 07:06.371 Yeah, so one of his mates is in it and he goes under the ice there, and they're all racing around. 07:06.391 --> 07:07.291 They're doing a hockey match. 07:07.531 --> 07:09.092 And he starts sliding along under the ice. 07:09.112 --> 07:11.612 It's terrific, it's got an excellent elevator, lift accident. 07:11.632 --> 07:13.873 It's got terrific death by crows. 07:14.173 --> 07:15.053 Well, bravo! 07:15.253 --> 07:16.453 Well done, bravo! 07:16.553 --> 07:17.593 And a squash by a truck. 07:17.933 --> 07:20.154 Packed to death by crows, then squashed by a truck. 07:20.274 --> 07:20.674 Bravo! 07:22.354 --> 07:23.634 He's got trapped under the ice. 07:23.694 --> 07:25.155 I'm going to the toilet for three minutes. 07:25.195 --> 07:26.815 I want another killing as soon as I get back. 07:26.835 --> 07:28.455 He's sliding along under the ice there. 07:28.475 --> 07:29.736 There's no retrieving that fellow. 07:29.776 --> 07:30.136 Well done, sir. 07:30.156 --> 07:30.596 He can't breathe. 07:30.636 --> 07:31.116 He's trapped. 07:31.456 --> 07:31.756 It's awful. 07:31.856 --> 07:32.236 Brilliant. 07:32.916 --> 07:33.576 Off he goes. 07:33.996 --> 07:34.617 Well, terrific. 07:34.657 --> 07:35.717 Well done, sir. 07:36.397 --> 07:37.937 Here's a little Guy Garvey trail for you. 07:37.997 --> 07:39.598 He won the Mercury Prize this week. 07:39.618 --> 07:40.318 Did you watch that? 07:40.718 --> 07:41.118 He did. 07:41.678 --> 07:43.018 It was inevitable, really, wasn't it? 07:43.058 --> 07:43.418 You reckon? 07:43.578 --> 07:50.160 Well, the Garvey bandwagon has been snowballing for a while in terms of his mystique and mixing your metaphors there a little bit, mate. 07:50.280 --> 07:51.540 Well, I like to mix my metaphors. 07:51.900 --> 07:53.361 for breakfast on a Saturday. 07:54.002 --> 07:54.902 It's very healthy. 07:55.082 --> 07:56.563 Let's hear Garvey in his trail. 07:56.964 --> 07:59.205 Yes, I don't understand that music personally. 08:00.126 --> 08:12.114 That was three six-year-olds from Northampton and they're called Wicked Woffit and Wobble and that's their new single. 08:12.434 --> 08:13.435 That's exciting stuff. 08:13.495 --> 08:14.395 No, that's the Beastie Boys. 08:15.296 --> 08:16.216 It's not so exciting then. 08:16.256 --> 08:16.417 No. 08:16.477 --> 08:18.477 This is Adam and Jo on BBC Six Music. 08:18.998 --> 08:19.558 You know what? 08:19.698 --> 08:20.558 You know who I miss? 08:20.778 --> 08:21.419 Who do you miss? 08:21.579 --> 08:22.039 Salty. 08:22.619 --> 08:24.120 Salty the salt man. 08:24.140 --> 08:25.581 Just not the same without the salt man. 08:25.601 --> 08:26.021 Sea salt. 08:26.041 --> 08:27.061 It was nice. 08:27.101 --> 08:29.182 It was comforting having him sat there. 08:29.402 --> 08:30.423 He was impressed. 08:30.643 --> 08:32.884 He thought what we were doing was worth something. 08:32.904 --> 08:33.504 That's right. 08:33.544 --> 08:34.965 He seemed nervous even. 08:35.225 --> 08:36.726 He was the same age as us even. 08:36.786 --> 08:38.626 He was the same age as us. 08:40.127 --> 08:40.648 Oh, I miss him. 08:40.668 --> 08:41.568 I wish he'd come back. 08:42.329 --> 08:45.311 He just had a laid-back presence that really lifted the show, I thought. 08:45.631 --> 08:49.093 He could have been our Carl Perkins. 08:49.213 --> 08:49.754 What's he called? 08:49.814 --> 08:50.434 Pilkington. 08:50.474 --> 08:51.034 Pilkington. 08:51.735 --> 08:52.576 Carl Perkins. 08:53.056 --> 08:53.796 Do a bit of rock and roll. 08:53.816 --> 08:55.357 He could have been our Carl Perkins. 08:55.417 --> 08:57.139 He could have been our Carl Perkins, couldn't he? 08:57.559 --> 08:58.660 With his blue suede shoes. 08:59.560 --> 09:03.903 But no, he had to go back to his Lego shop and carry on with his life. 09:04.003 --> 09:04.684 It's very sad. 09:04.744 --> 09:09.447 He has, however, put up some photos of the stuff that we gave him on Flickr. 09:10.528 --> 09:10.868 Oh, right. 09:10.888 --> 09:18.334 Yeah, so there's some nice pictures of the Santa Claus and Gull and he's arranged them very nicely and taken a photo. 09:18.454 --> 09:19.715 Do you think he's watched any of them? 09:20.015 --> 09:27.101 And someone has put beneath the photo on Flickr quite a rude comment like, what is this photo doing on Flickr? 09:27.221 --> 09:27.722 Get it off. 09:28.809 --> 09:38.557 And Chris has replied very calmly and intelligently, this is a photo that I have taken of things that I own, that people have asked to see. 09:38.817 --> 09:40.258 Therefore, I have posted it. 09:41.979 --> 09:43.661 There's no rattling the salt man. 09:44.001 --> 09:46.143 There's no, no, the salt, he is unrattleable. 09:46.443 --> 09:48.625 Yeah, like so firmly attached to the ground. 09:49.025 --> 09:50.026 Salty can't be shaken. 09:50.046 --> 09:50.086 No. 09:52.647 --> 09:53.487 Where am I going with this? 09:53.527 --> 09:54.148 No, I don't know. 09:54.208 --> 09:56.428 He's got some soggy salt blocking his holes. 09:56.508 --> 09:57.168 Somewhere bad. 09:57.448 --> 09:59.349 But is that the first guest we've ever had? 09:59.709 --> 10:00.289 I think so. 10:00.489 --> 10:01.409 The first and last. 10:01.609 --> 10:02.650 First and last. 10:02.670 --> 10:03.850 The only guest ever. 10:03.870 --> 10:06.891 There might be some kind of plaque put up on Chris's face. 10:06.971 --> 10:09.651 What if there were special circumstances? 10:09.671 --> 10:13.092 What if someone really famous wanted to come on this show? 10:13.752 --> 10:14.973 It would depend who they were. 10:15.573 --> 10:16.413 We'd have to vet them. 10:16.553 --> 10:18.013 They'd have to fit certain criteria. 10:18.053 --> 10:20.534 Would we throw it open to the listeners? 10:21.654 --> 10:29.019 What to let them decide whether the person would come on yeah to let them decide whether they would certainly would yeah Yeah, cuz we respect our listeners. 10:29.419 --> 10:44.930 We do don't they're used to a certain type of rubbish Confuse them give them new bringing foreign elements into the trash pile right now it is 930 on BBC six music and it's time for the news read by Nicky car I'm realizing I've never done that dance 10:45.330 --> 11:00.808 what dance well presumably you're supposed to freeze and then rock and then freeze you know have you ever done that no I bet that's fun I must have done that surely no no I haven't done that the only dance I've done is the 11:01.969 --> 11:03.029 You know, I did the rowing one. 11:03.189 --> 11:05.170 There aren't enough dances around anymore, are there? 11:05.490 --> 11:10.571 They used to be like a single along every few months that had a special dance. 11:10.912 --> 11:15.893 At my school, when I was 11, they had a pop dancing class. 11:16.033 --> 11:16.353 No. 11:16.873 --> 11:20.054 And so we went along and the first dance, I only went to one, I think. 11:20.534 --> 11:26.036 But the first dance class I went to, they taught you how to do the Prince Charming dance. 11:27.797 --> 11:30.921 I know how to do that, darling. 11:30.981 --> 11:31.121 Yeah. 11:31.381 --> 11:33.023 It's the crossed arms at the front, isn't it? 11:33.043 --> 11:33.663 Crossed arms. 11:33.683 --> 11:34.564 And then it's one arm. 11:34.624 --> 11:35.665 Raise your one arm. 11:35.685 --> 11:36.626 One fist over the head. 11:36.646 --> 11:36.887 That's right. 11:36.907 --> 11:37.928 The other fist over the head. 11:37.988 --> 11:40.710 And then you lay one hand down by your side. 11:41.071 --> 11:43.013 But you're moving forward all the time as well. 11:43.033 --> 11:43.894 Yes, you're advancing. 11:43.954 --> 11:44.454 Exactly. 11:45.275 --> 11:45.856 With who was it? 11:45.896 --> 11:46.556 Diana Dawes? 11:47.077 --> 11:47.597 Who was it? 11:47.618 --> 11:48.338 Yes, it was Diana Dawes. 11:48.358 --> 11:49.439 Yeah, at the front there. 11:50.380 --> 11:51.481 Uh, so that was a good one. 11:51.621 --> 11:54.983 It was a great thing to do because all the girls were at the class, you know? 11:55.283 --> 11:55.623 Really? 11:55.723 --> 11:57.544 And they were doing the Prince Charming dance. 11:58.224 --> 12:01.226 It's not easy for you to do, like, a little, uh, fruity cough. 12:01.306 --> 12:04.027 I'm clearing my throat because there are girls in the competition. 12:05.788 --> 12:15.190 11 year old girls have arrived at the conversation. 12:15.590 --> 12:21.051 Now listen, we just got an email or so Joe reckons from someone who is getting married. 12:21.591 --> 12:23.931 Yeah, let me take you through this properly. 12:23.971 --> 12:24.331 Here we go. 12:24.351 --> 12:33.753 This is an email from somebody called Emma Spencer and she says that she and her family are fans of the show and they're having a wedding soon. 12:34.393 --> 12:36.794 And they're putting their playlists together for their wedding. 12:36.814 --> 12:38.495 They're not fans now after the fruity cough. 12:38.755 --> 12:39.115 No. 12:40.955 --> 12:44.597 But they're missing a song for their first dance. 12:44.697 --> 12:46.057 And Emma says, can you help us? 12:46.177 --> 12:46.957 Any suggestions? 12:47.318 --> 12:48.978 We don't really have an hour song. 12:49.458 --> 12:54.260 So she's thinking... Well, she's listed all the records they've got for the disco after the wedding. 12:54.820 --> 12:57.681 Bit of Robert Palmer, some Some Mix-A-Lot. 12:58.161 --> 12:59.242 It's a very good lineup. 12:59.322 --> 13:00.562 Texas Midnight Runners. 13:01.023 --> 13:02.623 Some Logins is in there. 13:02.903 --> 13:03.423 Which Logins? 13:03.443 --> 13:04.284 Kenneth Logins. 13:05.724 --> 13:06.405 With Footloose. 13:06.425 --> 13:07.665 Wow, there's only one Logins, isn't it? 13:07.705 --> 13:10.406 It's not going to be obscure Logins, is it? 13:10.526 --> 13:11.907 It could be Rupert Logins. 13:12.807 --> 13:14.408 But he hasn't secured a record deal with that. 13:14.428 --> 13:16.428 Yeah, but a Logins album track or something. 13:16.489 --> 13:19.710 Christina Aguilera and Friends with Lady Marmalade. 13:20.510 --> 13:21.451 All that kind of thing. 13:22.031 --> 13:23.192 Oh, please, huh? 13:23.652 --> 13:27.034 I think it's a brilliant, you know, weddings all bets are off. 13:27.134 --> 13:28.155 What's wrong with the original? 13:28.335 --> 13:29.456 You don't need Aguilera. 13:29.676 --> 13:30.176 Oh, you do? 13:30.196 --> 13:32.198 There's warbling and it's sexy for the kids. 13:32.298 --> 13:32.998 Oh, please. 13:34.159 --> 13:38.702 So she's thinking maybe we could suggest like a real song, but we were thinking... 13:38.982 --> 13:55.602 We were thinking Emma, or indeed maybe Emma doesn't want this, but it made us come up with an idea which is for Song Wars, which sadly isn't happening this week, but might happen in the next few weeks, for Song Wars, if you're having a wedding, would you like us to write the song for your first dance? 13:56.583 --> 13:57.444 So this is the deal. 13:57.524 --> 14:02.649 If you want us to write the first dance song for your wedding, email us. 14:02.850 --> 14:05.773 Emma, I'm afraid you're going to have to email again because we don't want to voice this on you. 14:06.373 --> 14:13.600 Because we'd like the person who agrees to this to enter into a binding, solemnly sworn, contractual oath. 14:13.921 --> 14:16.043 Yeah, much like the marriage vow itself. 14:16.203 --> 14:21.668 that they promise to play the winning song at their wedding and dance to it as their first dance. 14:21.728 --> 14:25.732 And we're going to need video evidence sent to us. 14:25.792 --> 14:30.636 We might even send Saltman out there to monitor it. 14:30.696 --> 14:33.318 We haven't told the Saltman about this. 14:33.979 --> 14:36.960 But he has been employed on the show without knowing. 14:37.241 --> 14:39.401 He'd be a good correspondent, wouldn't he? 14:39.822 --> 14:45.404 But we definitely need video evidence that this song was actually used as the first dance. 14:45.444 --> 14:53.528 And we would, as our part of the contract, we would promise to try our damnedest to make a song that will go down really well. 14:53.968 --> 15:15.213 yeah at the wedding because we know the vast majority of the people at the wedding won't know what song wars is or what these noises are so we try and really make it welcoming yeah all they would have to say they wouldn't have to explain like oh they're these guys on six music it's a digital station you need a dab radio they wouldn't have to go through all that that might be in the song yeah 15:16.093 --> 15:38.573 they would just all they would say is you know we've had a song specially composed for martin and chris or whoever it happens to be and here it is and then the guests would be confused for two and a half minutes but you would have to dance during that period of confusion we might i'm not promising anything but there might be a special dance that comes with the song 15:39.373 --> 15:40.514 Prince Charming style. 15:40.574 --> 15:42.935 Yeah, you might get a sheet of instructions. 15:43.075 --> 15:43.336 Okay. 15:43.356 --> 15:44.656 So what do need people need to do? 15:44.696 --> 15:47.678 Do they just email us the email addresses? 15:48.159 --> 15:48.559 What is it? 15:48.639 --> 16:02.668 Adam and Joe dot six music at BBC dot co dot UK This might not happen for a few weeks because it's a big you know, we need to make these songs really good But but if you if you're getting married and you'd be prepared to enter into that deal. 16:02.868 --> 16:04.469 Mm-hmm, then please email us 16:05.029 --> 16:08.031 Yeah, and let us know salient facts. 16:08.071 --> 16:13.714 We would need facts about you and your spouse to construct the song. 16:13.814 --> 16:16.035 Yes, information, so it can be personalised. 16:16.175 --> 16:16.835 Yeah, exactly. 16:16.915 --> 16:17.656 Yeah. 16:18.076 --> 16:20.557 And what about Emma Spencer, who sent in this email? 16:20.577 --> 16:23.139 And that's sort of what she's hinting at. 16:23.259 --> 16:25.440 And we also need the date of the wedding as well. 16:25.660 --> 16:26.440 Yep, absolutely. 16:26.460 --> 16:28.621 It needs to be not immediately, right? 16:28.662 --> 16:29.562 It needs to be in a couple of months. 16:29.602 --> 16:30.803 And do we even want an invitation? 16:31.183 --> 16:31.703 Not really. 16:33.744 --> 16:35.325 Well, no. 16:35.706 --> 16:37.847 Let's wait till the details come through, yeah. 16:38.348 --> 16:40.049 We'll see what it's gonna be like. 16:40.069 --> 16:42.150 I don't really need an invitation. 16:42.511 --> 16:42.871 Really? 16:42.931 --> 16:47.995 No, I don't really want... What if the Sultan of Brunei or Steve Jones? 16:48.635 --> 16:49.316 That's different. 16:49.796 --> 16:50.516 Well, exactly. 16:50.537 --> 16:51.217 That is totally different. 16:51.237 --> 16:54.919 I'm just saying, don't hedge your, well, no, do hedge your bets. 16:54.979 --> 16:55.719 Hedge your bets. 16:55.779 --> 16:56.440 Hedge the bets. 16:56.560 --> 16:57.500 I'm gonna hedge, start hedging. 16:57.540 --> 16:58.401 Hold the bets in the hedge. 16:58.421 --> 16:59.421 I didn't even think about that. 16:59.441 --> 17:01.342 Does Emma Spencer have special dibs, though? 17:01.362 --> 17:04.364 Because she's sent in this email with this idea on it. 17:04.424 --> 17:10.427 Does she get, what if she just emails back and says, well, that's what I was saying, how dare you take my idea and then throw it open to the other listeners. 17:10.487 --> 17:10.828 Well, that's fine. 17:10.848 --> 17:12.328 We just need some facts in that case, Emma. 17:13.609 --> 17:15.270 But then there's no point in anyone else asking. 17:15.430 --> 17:19.917 Yeah, but if we're gonna look through the other entries, we'll put Emma at the top of the pile. 17:20.097 --> 17:22.981 Right, so she will have a special extra edge. 17:23.302 --> 17:26.446 But it might be overpowered by other emails. 17:26.627 --> 17:28.029 Especially if they're from Steve Jones. 17:28.529 --> 17:29.531 And he's gonna fly us. 17:29.831 --> 17:30.833 Or the Sultan of Brunei. 17:31.073 --> 17:32.074 Yeah, both of them. 17:32.114 --> 17:35.276 Like, if Steve Jones was marrying the Sultan of Brunei, it's possible. 17:35.436 --> 17:35.837 Wow. 17:36.297 --> 17:38.158 That is a wedding that I would like to go to. 17:39.139 --> 17:43.742 Now, here is a little slice of... Hey, speaking of, this is the last Shadow Puppets, right? 17:44.543 --> 17:46.764 Did you watch the Mercury Music Prize last night? 17:47.005 --> 17:47.505 Bits of it. 17:47.625 --> 17:48.125 Bits of it. 17:48.286 --> 17:49.526 I watched the opening sequence. 17:49.566 --> 17:51.708 It was a montage of hobnobbing at tables. 17:52.969 --> 17:57.632 And there was a tiny little clip of Alex Turner kissing... what's her name? 17:57.652 --> 17:57.892 Chung. 17:58.133 --> 17:59.774 I felt... it made me so angry. 18:01.785 --> 18:03.066 They looked in each other's eyes. 18:04.347 --> 18:05.528 She just kissed him on the lips. 18:06.008 --> 18:07.349 It just made me furious. 18:07.650 --> 18:10.092 He's a good-looking, tall, very talented man. 18:10.132 --> 18:10.872 I wouldn't worry about it. 18:10.892 --> 18:11.653 I'm taller than him. 18:11.673 --> 18:12.774 Not that much. 18:12.794 --> 18:13.595 No one's taller than me. 18:13.635 --> 18:14.415 He's very tall. 18:14.515 --> 18:14.776 Is he? 18:14.876 --> 18:15.256 Yeah. 18:15.636 --> 18:20.861 I know what you mean, because at first when I found out they were going out, I thought, that's outrageous, just because he's in a band. 18:20.901 --> 18:21.261 He's spotty. 18:21.321 --> 18:22.882 He's a little spotty weasel man. 18:23.243 --> 18:23.943 He's not, though. 18:24.023 --> 18:25.144 She should be going out with me. 18:25.445 --> 18:27.947 I saw him at Glastonbury's, not a spotty weasel man. 18:27.967 --> 18:29.048 Alexa Chung, what are you doing? 18:29.849 --> 18:30.931 What are you doing, Chung? 18:31.111 --> 18:32.013 He can't kiss. 18:32.034 --> 18:33.316 I'd kiss you. 18:38.613 --> 18:44.479 Okay, here's the age of the understatement from The Last Shadow Puppets. 18:44.679 --> 18:45.820 That's good stuff, isn't it? 18:46.160 --> 18:49.043 Little Scott Walker-esque jaunt there. 18:49.944 --> 18:58.713 From The Last Shadow Puppets, Joe's romantic rivals for the affections of the beautiful Alexa Chung. 18:58.793 --> 18:59.634 It's only a matter of time. 19:00.174 --> 19:01.394 What are you thinking about? 19:01.414 --> 19:02.434 Before I go home. 19:04.595 --> 19:06.155 She does like all the men, though, apparently. 19:06.215 --> 19:06.575 Does she? 19:06.695 --> 19:07.635 Well, I'm very old. 19:07.976 --> 19:08.536 Yeah. 19:08.696 --> 19:10.596 So I'm bound to be in with a Jon. 19:10.656 --> 19:15.537 Have you got an amazing, not just one, but two amazing bands that everybody loves? 19:15.917 --> 19:16.497 Yeah, kind of. 19:16.517 --> 19:17.157 Have you? 19:17.217 --> 19:18.037 Yeah, I do. 19:18.057 --> 19:18.858 What are they called? 19:19.698 --> 19:23.138 Joe Cornish and his songs is one of them. 19:23.699 --> 19:25.279 And then there's another one called Night Flyer. 19:26.460 --> 19:28.502 That you don't know about it's a rock band. 19:28.542 --> 19:29.203 I play in pubs. 19:29.363 --> 19:30.524 Have you got an album England? 19:30.564 --> 19:32.106 Yeah, what's the night flyers out? 19:32.126 --> 19:33.167 It's called rocket 19:38.784 --> 19:55.497 It's free playtime listeners and this free play has a story behind it because last week you might remember that a listener designed some t-shirts based on the text the nation we did a few months ago about silly t-shirt slogans and we had one which was Alan Sugar 19:56.798 --> 20:04.281 You know the deal with a jazz cigarette and saying, instead of your fired saying, you're fried, and someone printed that up as a proper t-shirt. 20:04.301 --> 20:06.743 I notice he didn't print up, take me to your lido. 20:06.883 --> 20:07.143 No. 20:07.163 --> 20:08.363 It's weird, isn't it? 20:08.383 --> 20:10.264 It's not that hurtful, isn't it, with an alien? 20:10.284 --> 20:10.944 Well, maybe now. 20:11.205 --> 20:11.885 Someone else will. 20:12.005 --> 20:15.727 Alien with a shunning costume on, and a towel over his small daughter. 20:15.787 --> 20:17.207 It was more family friendly, wasn't it? 20:17.287 --> 20:18.148 Alien shoulder. 20:19.188 --> 20:19.969 But he didn't do that. 20:20.229 --> 20:21.389 He just did your fried. 20:21.990 --> 20:29.234 And he sent in a t-shirt each to Adam and I. We were going to put photos of ourselves up on the website wearing it, which we'll try and do this week. 20:29.314 --> 20:30.995 Yeah, we forgot to do it last week. 20:31.055 --> 20:32.056 I brought it in this week, though. 20:32.076 --> 20:33.516 I've only got mine. 20:33.596 --> 20:40.380 Joe forgot his, so we'll get Joe dressed up in it, seeing as he thought of the phrase, and take a lovely picture of him with no undies. 20:40.420 --> 20:41.461 He's going to be lovely. 20:42.181 --> 20:42.462 Really? 20:42.542 --> 20:43.062 No undies? 20:43.102 --> 20:43.662 No undies. 20:43.962 --> 20:44.223 Really? 20:45.263 --> 20:46.424 Well, there's something to look forward to. 20:46.725 --> 20:53.451 But anyway, as part of the deal, he said, look, here are these t-shirts, but I'd like you in return to play some fusion. 20:54.231 --> 20:55.673 Do you know what fusion music is? 20:55.873 --> 20:58.055 It's a fusion of jazz and funk, is it not? 20:58.075 --> 20:58.255 Yeah. 20:58.535 --> 20:59.756 It's like fusion cuisine. 21:00.057 --> 21:00.317 Right. 21:00.457 --> 21:01.158 Only musical. 21:01.358 --> 21:02.619 It's very dangerous, though. 21:02.659 --> 21:04.941 You should never attempt the fusion of jazz and funk. 21:04.981 --> 21:05.842 Yes, it's true. 21:05.862 --> 21:05.982 True. 21:06.002 --> 21:09.665 You should certainly do it in a hermetically sealed clinical environment. 21:09.785 --> 21:12.767 It's one of the things they're doing with the supercollider, is it not? 21:12.907 --> 21:15.449 They're trying to... Mixing jazz and funk. 21:15.570 --> 21:17.871 Propelling jazz and funk at high speeds round. 21:17.891 --> 21:18.492 Towards each other. 21:18.532 --> 21:20.694 A circular tube towards each other, yeah. 21:21.773 --> 21:25.198 And it's being manned by Joe Zwienel and Jaco Pastorius. 21:25.318 --> 21:31.888 It's very dangerous because a huge funky hole could open up and suck everything into it. 21:32.970 --> 21:36.415 And at the very center of that hole would be Craig Charles. 21:39.127 --> 21:39.667 Groovy. 21:39.847 --> 21:40.428 That's true. 21:40.448 --> 21:46.510 Well, I don't remember the name of this man who sent the t-shirts in, but he's put one up on eBay as well. 21:47.010 --> 21:50.951 If you search on eBay under... No, we can't say, can we? 21:50.971 --> 21:52.331 Because it's promoting his website. 21:52.351 --> 21:56.413 But there's one on the eBay. 21:57.953 --> 21:58.433 For sale. 21:58.853 --> 22:00.234 Anyway, so he asked for some fusion. 22:00.254 --> 22:02.294 I don't know that much about fusion. 22:02.495 --> 22:03.075 Come on. 22:03.135 --> 22:04.235 But I don't know that much. 22:04.355 --> 22:05.596 All I know is weather report. 22:05.636 --> 22:06.916 Are they even proper fusion? 22:07.176 --> 22:08.017 I wouldn't know, actually. 22:08.037 --> 22:10.678 We'd have to ask... What's his name? 22:10.698 --> 22:11.399 Julian Barrett. 22:11.679 --> 22:11.999 Right. 22:12.039 --> 22:12.579 He's the expert. 22:12.619 --> 22:17.302 I think this is fairly mainstream when it comes to fusion, and, you know, they're not fusing that much. 22:17.503 --> 22:17.703 No. 22:17.863 --> 22:18.863 Just a little bit of fusing. 22:19.204 --> 22:23.847 But so I chose a weather report track for the t-shirt, the nameless t-shirt, T-shirt, Gentlemen. 22:24.287 --> 22:25.848 It's called Barbary Coast. 22:25.908 --> 22:27.289 It's off the album Black Market. 22:27.389 --> 22:28.249 Oh, it's a smash. 22:28.389 --> 22:33.893 It's a sort of quite an accessible track for you non-jazz fans, because you could play it now, please Claire. 22:33.953 --> 22:35.174 Activate the track. 22:36.134 --> 22:37.455 It's a sort of a choo-choo train. 22:38.016 --> 22:38.916 It's like that sound. 22:39.076 --> 22:39.797 Turn it up a bit. 22:41.658 --> 22:47.763 So you have to imagine you're chugging along the coast of Africa, the Barbary coast, in this lovely old train. 22:48.463 --> 22:52.846 And now the fusion men are going to interpret the atmosphere on the train. 22:53.006 --> 22:55.328 Craig Charles waving his flag. 22:55.348 --> 22:56.409 All aboard! 22:57.578 --> 22:58.238 Lovely stuff. 22:58.278 --> 22:58.578 There you go. 22:58.598 --> 22:59.999 Something else that isn't going his way. 23:00.159 --> 23:02.819 Placebo with teenage angst. 23:03.159 --> 23:06.660 That was a live session track, and it went on for another 25 minutes. 23:07.541 --> 23:11.201 So we had to cut it short there, unfortunately, Placebo fans. 23:11.221 --> 23:17.463 That was recorded for Gideon Ko in October 2004, here at The Hub at BBC Six Music. 23:18.283 --> 23:25.285 And there's still a little greasy stain where Molko sat and sang that song. 23:26.005 --> 23:27.867 And it's got a gold frame around it now. 23:28.608 --> 23:29.509 And you can come and see it. 23:29.529 --> 23:32.012 You can pay six quid and... Lies. 23:32.312 --> 23:32.813 Have a look at that. 23:32.833 --> 23:33.253 That's all lies. 23:33.273 --> 23:34.174 Scandalous lies. 23:34.194 --> 23:35.256 It's all untrue. 23:35.276 --> 23:37.678 That was a good bit of jazz funk before there. 23:37.718 --> 23:38.319 Wasn't it good? 23:38.339 --> 23:39.140 Enjoyable. 23:39.160 --> 23:40.381 I do recommend Weather Report. 23:40.521 --> 23:42.704 If you like the sound of that, they're really good. 23:42.724 --> 23:47.189 You could go out and buy the album Heavy Weather or Black Market or Sporting Life. 23:47.689 --> 23:49.411 And you certainly wouldn't go wrong. 23:49.451 --> 23:53.536 You've got to be used to people doo-wapping along to the main melody line. 23:54.477 --> 23:56.099 It's quite blended in with Weather Report. 23:56.119 --> 23:58.002 Who were the main players in Weather Report? 23:58.082 --> 24:00.885 Well, the classic line-up was, of course, Swinal on keyboards. 24:01.826 --> 24:02.927 Who played with Talking Heads? 24:03.008 --> 24:04.870 No, no, he inspired a song by Talking Heads. 24:04.890 --> 24:05.210 Did he? 24:05.250 --> 24:05.771 Joe Swinal. 24:05.891 --> 24:06.512 Called Swinal. 24:07.593 --> 24:13.317 Of course, Jaco Pastorius on bass, the late, great Jaco Pastorius. 24:13.337 --> 24:14.258 The tragic genius. 24:14.298 --> 24:16.820 He's got an amazing solo album. 24:16.920 --> 24:18.902 He's one of the world's greatest ever bass players. 24:18.922 --> 24:21.064 With the moody black and white photo of him on the front. 24:21.104 --> 24:21.784 Yeah, yeah. 24:21.985 --> 24:25.087 He was tragically killed in a robbery years and years ago. 24:25.107 --> 24:26.308 He was mugged in a car park or something. 24:26.328 --> 24:27.429 Yeah, something really hideous. 24:27.729 --> 24:27.970 Rubbish. 24:28.050 --> 24:29.071 And he was a genius. 24:30.151 --> 24:32.634 And you know, Wayne Shorter on the sax, 24:33.334 --> 24:57.593 yeah uh that's those are pretty much the names i know um they all played for sting on dream of the blue turtles was it it was one of those one of those albums sting just hired all like as many of weather reporters he could yeah and got them to play on one of his albums i think it was dream of the blue turtles or one of those maybe the following one yeah it was dream there was a video do you remember there was like a video of them recording it and there was i've 24:57.933 --> 24:59.634 I forget what that film was called. 24:59.654 --> 25:03.096 It also included the birth of Sting's daughter or son. 25:03.136 --> 25:06.617 It had a whole Trudy style of birth scene in it, really quite gory. 25:07.318 --> 25:17.783 And also scenes of him bickering with Weather Report, who were being obviously very handsomely rewarded for playing on this Sting album, but were being bossed around by Sting. 25:18.463 --> 25:20.745 And I think there's a bit where they don't take it anymore. 25:21.145 --> 25:22.245 They start teasing Sting. 25:22.846 --> 25:24.867 So it's the Sting versus Weather Report standoff. 25:24.927 --> 25:26.667 Maybe it's been withdrawn by Sting. 25:26.808 --> 25:27.168 Maybe. 25:27.808 --> 25:28.648 Like George Lucas. 25:28.708 --> 25:29.309 He's had it banned. 25:29.329 --> 25:30.969 With drawing the Star Wars Holiday Special. 25:31.289 --> 25:32.010 Yeah, exactly. 25:32.090 --> 25:34.451 Or the Rolling Stones getting rid of Cocksucker Blues. 25:34.591 --> 25:34.991 Yeah. 25:36.031 --> 25:36.671 Oh, wow. 25:36.892 --> 25:39.413 But listen, listeners, that's jazz funk news. 25:39.553 --> 25:41.313 I should update people on Kylie the Kitten. 25:42.054 --> 25:42.714 Yes, please do. 25:43.054 --> 25:48.576 Because last week we were discussing the fact that a kitten turned up at my back door looking very ill. 25:48.836 --> 25:53.238 Just before the show, I saw it the night before and it had misty eyes and it was very thin. 25:53.918 --> 25:55.600 Then then we thought it might go home the next morning. 25:55.620 --> 26:05.448 It was there again and it was coughing Mm-hmm and spluttering So I was hoping when I rushed home after the show that it would still be there and I could take it to the vet I'm sorry to say it didn't it. 26:05.588 --> 26:06.509 I haven't seen it again. 26:06.929 --> 26:08.310 Well, the players gone back to the game 26:09.651 --> 26:12.894 Is that the Dr. Dre's veterinarian assessment? 26:12.914 --> 26:14.615 That's what's happened, absolutely. 26:15.135 --> 26:18.337 It really has caused me quite an emotional week. 26:18.618 --> 26:19.398 I'm sure it's fine. 26:19.418 --> 26:22.140 For the first three or four days I've been out there trying to call for it. 26:22.420 --> 26:24.442 That's nature's wonderful mechanism. 26:24.642 --> 26:32.107 Macy, my other cat, who was hissing and growling at this kitten, trying to get it away from her territory, has been looking extra pleased this week. 26:32.327 --> 26:32.727 Right. 26:33.348 --> 26:36.630 And I don't know, I just pray that the kitten's been found by somebody. 26:36.830 --> 26:37.871 Maybe Macy ate it. 26:38.831 --> 26:39.852 Mmm, do they eat other? 26:39.892 --> 26:40.933 Yeah, they do eat other animals. 26:40.973 --> 26:41.913 Do cats eat each other? 26:42.354 --> 26:42.714 Probably. 26:42.734 --> 26:43.654 They're capable of anything. 26:43.674 --> 26:44.495 They're very wily. 26:44.735 --> 26:45.716 They are, aren't they? 26:45.796 --> 26:46.816 Yeah. 26:46.896 --> 26:49.358 So anyway, it's not very good news, is it? 26:49.578 --> 26:50.198 No, that's sad. 26:50.719 --> 26:57.383 So hopefully it's been rescued by someone, but I have a terrible feeling it might have just crawled off and slipped this mortal coil. 26:57.523 --> 26:57.843 No. 26:58.243 --> 26:59.384 They're very resilient cats. 26:59.404 --> 27:00.324 They always land on their feet. 27:00.444 --> 27:01.265 Didn't look very well. 27:01.721 --> 27:02.121 You reckon? 27:02.341 --> 27:03.362 Didn't sound very well. 27:04.042 --> 27:04.502 Oh dear. 27:04.922 --> 27:05.322 Anyway. 27:05.682 --> 27:06.163 That's sad though. 27:06.183 --> 27:06.423 There we go. 27:06.683 --> 27:07.503 I did all I could. 27:08.323 --> 27:09.464 Should I have not come on the show? 27:09.484 --> 27:12.525 Should I have just not turned up on the show and saved the kitten instead? 27:12.725 --> 27:13.105 Today. 27:13.625 --> 27:14.245 Last week you mean? 27:14.585 --> 27:21.428 What I'm saying is I might have, you know, sacrificed the life of a kitten for the sake of last Saturday's show and my question is, was it worth it? 27:21.568 --> 27:21.928 Oh yeah. 27:22.408 --> 27:24.549 You think this show's worth more than the life of a kitten? 27:24.569 --> 27:25.249 It was a good show. 27:25.489 --> 27:28.870 Why are you wearing one furry slipper on your left foot? 27:30.651 --> 27:31.091 What do you mean? 27:31.411 --> 27:31.711 Nothing. 27:31.972 --> 27:32.292 Okay. 27:32.612 --> 27:33.373 Anyway, very sad. 27:34.013 --> 27:35.354 It's the top of our right now. 27:35.434 --> 27:35.974 It's not very sad. 27:36.015 --> 27:36.495 It might be great. 27:36.555 --> 27:37.295 It might have been rescued. 27:37.396 --> 27:37.876 It's fine. 27:37.976 --> 27:38.576 It's fine. 27:38.616 --> 27:39.197 Don't worry, listeners. 27:39.217 --> 27:39.537 It's fine. 27:39.677 --> 27:40.378 It's absolutely fine. 27:41.419 --> 27:42.559 It's time for the top of our sweep. 27:42.619 --> 27:43.160 Very exciting. 27:43.180 --> 27:46.562 And then we're going to have some vintage late period talking heads. 27:47.123 --> 27:48.264 Enjoy. 27:48.504 --> 27:48.984 That's great. 27:49.024 --> 27:51.046 That's the talking heads with wild wildlife. 27:51.106 --> 27:52.327 What album was that from? 27:53.167 --> 27:54.889 Uh, that was from True Stories. 27:55.190 --> 27:55.470 Yeah. 27:55.910 --> 27:56.371 Good album. 27:56.912 --> 27:59.655 It was, uh, well, it's sort of considered to be their worst, isn't it? 27:59.935 --> 28:00.455 Good album. 28:00.596 --> 28:00.956 I like it. 28:01.056 --> 28:01.497 I like it. 28:01.737 --> 28:02.017 It is. 28:02.097 --> 28:03.419 I was excited when you came out. 28:03.439 --> 28:04.660 That's a good video as well. 28:04.680 --> 28:04.660 1824. 28:04.820 --> 28:07.623 They're all dressing up as other pop stars. 28:07.643 --> 28:08.905 You don't often get that, do you? 28:09.045 --> 28:09.305 Right. 28:09.505 --> 28:10.667 Is that clips from the film? 28:11.627 --> 28:12.388 Yes, exactly. 28:12.928 --> 28:16.029 Because pop stars want to maintain their own integrity. 28:16.049 --> 28:20.551 They wouldn't want to start being as ironic as to just dress up as other pop stars. 28:20.571 --> 28:21.231 Not the heads. 28:22.051 --> 28:23.072 But the heads didn't care. 28:23.112 --> 28:24.092 That's their stock in trade. 28:24.112 --> 28:25.633 They love to throw caution to the wind. 28:26.493 --> 28:28.794 Brian Eno and David Byrne's new album is out. 28:29.494 --> 28:30.254 And it's good, man. 28:30.314 --> 28:31.014 It's really nice. 28:31.154 --> 28:31.974 It's a tune fest. 28:32.034 --> 28:38.396 It's not exactly as experimental as Bush of Ghosts, which of course was the seminal collaboration between the two. 28:38.876 --> 28:41.396 But still, it's very enjoyable stuff. 28:42.116 --> 28:43.877 So Adam and John here on BBC Six. 28:43.897 --> 28:44.877 We care about music. 28:44.977 --> 28:45.697 We care about it. 28:45.737 --> 28:47.497 Is that like a crime? 28:47.937 --> 28:48.717 We love to talk about it. 28:48.737 --> 28:49.338 We love to play it. 28:49.838 --> 28:50.638 Love to think about it. 28:50.838 --> 28:51.858 I'm going to think about it right now. 28:52.238 --> 28:52.758 Here's a jingle. 28:52.918 --> 28:55.759 I'm thinking about some obscure German prog. 28:55.959 --> 28:56.479 Quick jingle. 28:58.851 --> 28:59.652 Text the nation! 28:59.712 --> 29:00.633 Text, text, text! 29:00.653 --> 29:01.634 Text the nation! 29:01.694 --> 29:02.655 What if I don't want to? 29:02.895 --> 29:03.636 Text the nation! 29:03.736 --> 29:04.757 But I'm using email. 29:04.917 --> 29:05.638 Is that a problem? 29:05.658 --> 29:06.518 It doesn't matter, text! 29:09.264 --> 29:14.529 Can I just say before we get into Text the Nation, while I remember, nice email from Jez Simmons. 29:16.992 --> 29:22.237 Text from Jez Simmons reminding us that he wrote a book, I think, called Encyclopedia of Dead Rock Stars. 29:22.517 --> 29:29.484 And he reminded us that Jaco Pistorius was not just killed by a mugger, but a bouncer who was refusing him entry into a club. 29:29.544 --> 29:30.125 What a way to go. 29:30.185 --> 29:31.426 Oh, that is ridiculous. 29:31.806 --> 29:33.988 Thanks for your text there, Jess. 29:35.029 --> 29:36.270 Now, Text the Nation this week. 29:36.550 --> 29:41.955 Yes, now we've had a couple of emails in which conveniently feed into the idea of Text the Nation. 29:42.355 --> 29:44.477 Here is one from Hugh Overend. 29:44.917 --> 29:47.459 It says, one question I would very much like answered is this. 29:49.661 --> 29:57.104 On a previous podcast from years gone by, I remember Joe saying that the film Revolver was hyped as being Guy Ritchie back to his brilliant best. 29:57.684 --> 30:04.807 Yet Rock and Roller, the new Guy Ritchie film, has also been hyped as Ritchie Returns to Diamond Form. 30:05.427 --> 30:08.690 Does this indicate that his diamond form is greater than his brilliant best? 30:09.151 --> 30:11.033 Or does nothing top his brilliant best? 30:11.493 --> 30:13.775 Or have they just reused the same quote? 30:14.136 --> 30:16.558 So that's one Rock and Roller request, and I noticed that as well. 30:17.119 --> 30:19.561 Both films have been Richie back to his best. 30:19.821 --> 30:26.888 Well, which can only mean that he was so sort of incapable before, that it's amazing that not only has he done one, 30:28.102 --> 30:32.285 reasonably coherent film, actually, Revolver wasn't even reasonably coherent. 30:32.305 --> 30:34.207 Oh, is that the one you were referring to as reasonably coherent? 30:34.227 --> 30:36.409 Well, that's the first one that's back to his brilliant best, isn't it? 30:36.469 --> 30:37.309 Right, right, right. 30:37.349 --> 30:44.295 Well done, because Swept Away, which was the one before that, was as if he was just incapable of... 30:44.975 --> 30:46.036 Yeah, anything. 30:46.096 --> 30:49.438 I mean, that's a nadir, not just for Richie, but for the whole of the film industry. 30:49.458 --> 30:50.038 For the world. 30:51.139 --> 30:55.181 A global nadir from Madonna, the film industry, just for humanity as a whole. 30:55.281 --> 30:55.481 Yeah. 30:55.841 --> 30:57.162 But it is a thing that happens, isn't it? 30:57.182 --> 31:06.888 It's like when an artist of any stature troughs so dramatically, everything they do thereafter is a return to form. 31:07.348 --> 31:09.930 But the lower they trough, the more return to forms they can have. 31:10.290 --> 31:13.592 Because Richie, we just assume it's going to be a stinker. 31:13.772 --> 31:16.974 All they have to do is turn up and everyone's like, oh, to return to form. 31:17.134 --> 31:18.014 He's walking again. 31:18.035 --> 31:19.295 Brilliant. 31:19.615 --> 31:20.836 Is he holding down his food? 31:20.956 --> 31:21.517 Well done. 31:21.537 --> 31:23.878 That happens with Bowie and REM a lot. 31:23.978 --> 31:24.258 Right. 31:24.438 --> 31:26.299 You know, it's always, oh, it's a return to form. 31:26.559 --> 31:34.384 There's another email from Karen DeFranco who says, why have there been no Guy Ritchie rock and roller based critiques? 31:34.964 --> 31:38.646 I've been waiting for Joe to launch into a spleen venting diatribe. 31:39.147 --> 31:40.608 Have you been gagged by the beeb? 31:41.949 --> 31:42.990 Johnny Spleen. 31:43.690 --> 31:45.152 I wanna vent some Spleen. 31:45.292 --> 31:45.853 That's what he's like. 31:45.873 --> 31:47.334 Guy Ritchie kicks open the door. 31:47.534 --> 31:49.316 I'm gonna vent some Spleen today. 31:49.697 --> 31:51.518 Well, neither of us have seen Rock and Roller. 31:51.759 --> 31:55.503 I know two people who've seen it, and this is an entirely random poll. 31:55.523 --> 32:01.649 It doesn't reflect our opinion or the BBC's opinion of Guy Ritchie's Return to Form, but both people I know who've seen it. 32:02.089 --> 32:16.906 Couldn't make it beyond minute 40 really and they left something happens at minute 40 that's apparently Either it's just you know a snowballing misery or something happens that makes you leave It goes on 32:18.026 --> 32:24.711 I think by the time he's introduced the 63rd colourful character, most people's brains just collapse. 32:24.972 --> 32:35.239 So anyway, to get to the point, Text the Nation this week is a request for you to invent new ideas for films for Guy Ritchie and new characters and plots. 32:35.419 --> 32:38.920 Right, so you can basically come up with any element, do you not think? 32:39.381 --> 32:42.362 Like, just ideas that he can use in films? 32:42.382 --> 32:43.982 Yes, he's looking for ideas. 32:44.843 --> 32:49.764 Now don't make them new in any way, because remember Richie likes to do the same kind of thing. 32:50.385 --> 32:53.926 He gets scared if he's out of the context of London gangland. 32:54.226 --> 32:57.687 So we're looking for runyonesque colourful characters, right? 32:58.148 --> 33:02.769 And we're looking for snazzy titles, and we're looking for plots. 33:02.809 --> 33:04.070 They don't really have plots. 33:04.730 --> 33:05.771 I guess it's a sort of MacGuffin. 33:05.811 --> 33:06.752 What are you talking about? 33:06.792 --> 33:07.352 Yes, exactly. 33:07.412 --> 33:12.716 It's a MacGuffin, which is, you know, the word for the object that everyone's after in a story. 33:12.756 --> 33:13.717 He loves MacGuffins. 33:13.817 --> 33:14.057 Yeah. 33:14.117 --> 33:17.800 And in Rock and Roller, it's a painting that's never revealed, am I correct in saying? 33:18.161 --> 33:19.862 I think it's an artwork that you never see. 33:20.202 --> 33:21.864 It's always a cleverest thing to do with a MacGuffin. 33:21.884 --> 33:25.026 You make it, you keep it off camera like in Pulp Fiction. 33:25.266 --> 33:25.546 Right. 33:26.067 --> 33:27.468 And Repo Man and that sort of thing. 33:27.748 --> 33:43.164 in lock stock it was of course the vintage uh shotgun was it not was it same my memory is fading that one i can't remember that i need to re-watch that you do i don't you do need to go home and re-watch lock stock and 33:45.826 --> 34:01.038 immediately so yeah have you got any have you got any ideas to get people started there joe i've got a few things yeah i've got some characters uh some ideas for characters it's an enjoyable thing to do isn't it to think of characters yes uh i've got one called three hands roj oh 34:01.798 --> 34:03.420 Yeah, can you guess what the thing about him is? 34:04.080 --> 34:06.843 He's got three actual hands. 34:06.863 --> 34:07.623 That's correct. 34:07.663 --> 34:09.505 He's got two hands on his right hand. 34:09.525 --> 34:10.846 Oh, it's three hands, Rog. 34:11.327 --> 34:13.028 There is no more to him than that. 34:13.189 --> 34:13.449 Yeah. 34:13.849 --> 34:14.370 Zero. 34:14.470 --> 34:14.870 That's it. 34:15.170 --> 34:16.672 I've got one called... Oh, you do one. 34:17.633 --> 34:19.614 I've got Billy the Kettle. 34:20.155 --> 34:20.495 Nice. 34:20.595 --> 34:23.438 He's got a whistle that he blows when he gets hot. 34:23.598 --> 34:24.578 That's really good. 34:24.918 --> 34:25.498 It's Billy the Kettle. 34:25.779 --> 34:26.899 Why's he called Billy the Kettle? 34:27.159 --> 34:27.719 You'll see. 34:27.739 --> 34:28.939 He's called Whistle. 34:29.359 --> 34:30.480 You'll know when he's angry. 34:30.660 --> 34:31.780 He blows his whistle. 34:31.940 --> 34:33.760 You wouldn't give it away in the dialogue, would you not? 34:33.880 --> 34:34.461 Yes, you would. 34:35.581 --> 34:36.301 And then you'd see it. 34:36.321 --> 34:37.721 And then you'd say it again. 34:37.901 --> 34:39.962 Also, I've got some casting suggestions. 34:40.402 --> 34:40.482 Oh. 34:41.222 --> 34:43.263 Can I not give you one more character before we get onto cut? 34:43.303 --> 34:45.343 Oh, have you got a casting suggestion for Billy the Kettle? 34:45.363 --> 34:46.323 Actually, I don't for Billy the Kettle. 34:46.343 --> 34:47.184 This is named Kenny the Kettle. 34:47.204 --> 34:48.244 Billy the Kettle, yeah. 34:49.108 --> 34:51.969 Okay, well, I've got an idea for a character called Purple. 34:52.390 --> 34:53.370 Purple, nice. 34:53.470 --> 34:53.990 Purple. 34:54.091 --> 34:55.551 Do you know why he's called Purple? 34:56.832 --> 34:58.453 Because he likes purple. 34:58.513 --> 34:59.553 No, he is purple. 34:59.593 --> 35:00.294 He is purple. 35:00.314 --> 35:00.954 He's purple. 35:01.014 --> 35:01.674 Like a grape. 35:02.014 --> 35:02.995 Yeah, that's purple. 35:03.215 --> 35:04.095 Right, right. 35:04.676 --> 35:05.136 That's it. 35:05.536 --> 35:05.736 Yeah. 35:05.756 --> 35:06.777 It's never explained. 35:06.797 --> 35:07.877 It's never explained why he's purple. 35:07.917 --> 35:08.898 Why's he called Purple? 35:09.608 --> 35:10.528 Well, he's purple. 35:11.209 --> 35:13.450 Yeah, yeah. 35:13.850 --> 35:15.031 Freeze frame of purple. 35:15.131 --> 35:15.851 Yeah, purple. 35:16.051 --> 35:21.114 Little purple words come up in wobbly writing underneath and off he goes, purple. 35:21.394 --> 35:24.095 And maybe it turns out that he fell into some dye or something. 35:24.295 --> 35:24.535 No. 35:24.695 --> 35:24.835 No. 35:24.855 --> 35:25.456 He wouldn't explain. 35:25.496 --> 35:25.996 He's just purple. 35:26.036 --> 35:26.956 He's just purple, yeah. 35:27.677 --> 35:29.578 Okay, I've got Freddie Jedi. 35:32.796 --> 35:33.256 I like it. 35:33.476 --> 35:38.979 He walks around in a Ben Kenobi style robe and he talks about Star Wars and the Force a lot. 35:38.999 --> 35:40.339 Freddy Jedi, that's good. 35:40.359 --> 35:42.100 Freddy Jedi, played by Dexter Fletcher. 35:42.200 --> 35:43.100 That's very good. 35:43.520 --> 35:49.463 Because the sort of talking ironically about Star Wars in movies, it's about time that Richie jumped on that bandwagon. 35:49.483 --> 35:49.703 Yeah, yeah. 35:49.723 --> 35:51.083 I mean, what's it been, 15 years? 35:51.984 --> 35:52.624 Come on, catch up. 35:53.044 --> 35:53.684 Freddy Jedi. 35:53.825 --> 35:55.685 This is, yeah, this is very mean. 35:55.705 --> 35:57.026 We're being, we're just being silly. 35:57.754 --> 35:58.234 Oh, are we? 35:59.875 --> 36:01.155 I've got an idea for another character. 36:01.175 --> 36:01.816 He's allowed to do it. 36:01.856 --> 36:02.956 We are too, surely. 36:02.976 --> 36:05.817 Yeah, but he's actually going to the length of making films. 36:06.117 --> 36:09.599 Whereas just sitting in an air-conditioned studio and being smug. 36:09.659 --> 36:11.139 Come on, let's go ahead. 36:11.239 --> 36:15.601 Anyway, let's put that thought aside for the moment and focus on... 36:16.281 --> 36:17.482 The object of the exercise. 36:17.702 --> 36:19.604 I've got another idea for a character, Mr Tickle. 36:21.145 --> 36:22.326 Is he actually one of the Mr Men? 36:23.266 --> 36:26.009 Well, if we could do the rights, yeah, that would be really good, don't you think? 36:26.049 --> 36:27.490 That he turns up, yeah. 36:27.690 --> 36:28.190 In a shop. 36:28.230 --> 36:29.892 What's Cockney rhyming slang for suit? 36:30.472 --> 36:31.353 Whistle and stick. 36:31.913 --> 36:32.974 Uh, Jimmy Toot. 36:33.374 --> 36:34.095 Flute, that's right. 36:34.115 --> 36:34.435 Flute. 36:35.035 --> 36:36.717 And the deal with him is Mr Tickle. 36:36.837 --> 36:37.738 He tickles people to death. 36:38.758 --> 36:39.859 Which would be quite horrific. 36:39.899 --> 36:40.920 Have you ever seen that in a film? 36:41.500 --> 36:43.062 Someone being tickled to death. 36:43.082 --> 36:44.343 Do you remember as a child? 36:45.043 --> 36:49.365 when you used to get tickled and you would hyperventilate and think, oh my god, I'm gonna suffocate. 36:49.585 --> 36:50.205 It's not pleasurable. 36:50.225 --> 36:53.247 Used to be quite, no, there is a line when tickling becomes horrible. 36:53.787 --> 36:56.008 And that's, you know, we're not encouraging children to do that. 36:56.628 --> 36:59.089 It's a very, very bad thing, but most people will remember that feeling. 36:59.109 --> 36:59.790 That's a good idea. 36:59.830 --> 37:00.810 Why not put that in a film? 37:00.850 --> 37:01.590 Very good idea. 37:02.411 --> 37:02.871 How about this? 37:03.791 --> 37:04.952 Point out O'Reilly. 37:06.853 --> 37:08.753 He's an old, and they just call him point out. 37:08.994 --> 37:09.454 Point out. 37:09.774 --> 37:10.334 Oh, point out. 37:10.854 --> 37:13.956 And he's an old Irish bloke and he keeps pointing things out to people. 37:14.756 --> 37:15.237 That's it. 37:15.738 --> 37:20.206 And it's played by, he's played by Martin McDonough from In Bruges. 37:20.947 --> 37:21.749 Ah, you love that film. 37:21.769 --> 37:22.470 I love that film. 37:23.011 --> 37:24.874 But he probably won't do it because he's a good actor. 37:25.876 --> 37:27.318 So, Patrick Keelty. 37:28.542 --> 37:28.862 Right. 37:29.242 --> 37:31.183 That would be good, interesting casting. 37:31.223 --> 37:32.484 Let's point out O'Reilly. 37:33.165 --> 37:34.345 Look at that thing over there. 37:34.945 --> 37:35.706 That's what he'd be like. 37:35.986 --> 37:42.189 He'd wander around and he'd have a little trilby, a big grotesque, erm, caricature of an Irish poet. 37:42.249 --> 37:43.190 Oh, look at that. 37:43.650 --> 37:45.691 Oh, he's got mud all over the tyres there. 37:46.412 --> 37:49.153 So some strong ideas to get you started there, listeners. 37:49.173 --> 37:50.033 The text number. 37:50.113 --> 37:51.374 Let's point out O'Reilly. 37:51.534 --> 37:52.755 He's always pointing things out. 37:53.115 --> 37:54.296 is 64046. 37:54.896 --> 37:55.957 That's 64046. 37:56.557 --> 37:57.357 Text in your ideas. 37:57.377 --> 37:58.718 And we're not just looking for characters. 37:59.218 --> 38:01.900 In a second, we'll give you some ideas for some titles. 38:02.480 --> 38:05.502 Snatch, Rock and Roller, Lock, Stock and Two, Smoking Barrels. 38:05.802 --> 38:07.503 He's got an ear for a good title. 38:07.903 --> 38:10.084 So we've got to see if we can provide him with a new one. 38:10.224 --> 38:10.945 Look at that sign! 38:11.963 --> 38:13.063 That's point out, isn't it? 38:13.183 --> 38:13.964 That's point out. 38:14.124 --> 38:15.004 I'm getting the hang of it. 38:15.104 --> 38:16.485 He's always pointing things out. 38:16.505 --> 38:18.565 So please get your texts coming in. 38:19.106 --> 38:21.386 Here's the Eisley Brothers with that lady. 38:21.627 --> 38:23.747 Can't do a good little waka waka. 38:24.628 --> 38:25.588 That's the Eisley Brothers. 38:25.628 --> 38:27.929 Hang on, is this a fade out or are they just going to lose interest? 38:29.049 --> 38:31.370 They've been grooving for about four minutes now, don't they? 38:31.390 --> 38:33.511 Stop grooving unless we... They're starting again. 38:35.330 --> 38:36.211 They are never going to stop. 38:36.231 --> 38:37.012 They're incorrigible. 38:37.793 --> 38:38.554 That lady. 38:39.254 --> 38:40.055 Look at that lady. 38:40.636 --> 38:41.177 Just point out. 38:41.217 --> 38:41.837 Just point out. 38:42.658 --> 38:43.539 That was very good, wasn't it? 38:43.719 --> 38:46.202 Did you happen to see Stevie Wonder on Jonathan Ross' show last night? 38:46.262 --> 38:51.408 I tuned in at the end and I saw the spectacle of Jonathan on crumbs. 38:51.448 --> 38:52.109 But thank... 38:52.569 --> 39:17.547 god they appeared to have turned the sound down on his drums because he was bashing away fairly rhythmically but it sounded as if he was doing a kind of amateur solo over the whole song he looked a little bit self-conscious he did but they they turned it down which which made the whole thing um you know made him look quite silly it's fair enough though isn't it i mean you know what's he going to do refuse to play drums with stevie wonder did stevie wonder ask him to yeah the drums yeah i think they they set it up because stevie wonder gets his son 39:18.328 --> 39:42.089 who's called something like uh... ken ken willy-wonder ken willy-wonder yeah uh... and uh... he plays drums at stevie's shows and he's had like twelve or something really but he's a bit more prodigious as far as the drums go he's pretty good so they got jonathan on to play but stevie was uh... i mean it was more or less like a stevie wonder special that show last night quite rightly because 39:42.850 --> 39:43.830 He is a great entertainer. 39:43.890 --> 39:45.551 I mean, he sounds amazingly good. 39:45.991 --> 39:48.611 You know, he hasn't played like a gig for 10 years or something. 39:48.631 --> 39:50.052 He's been playing in London at the moment, hasn't he? 39:50.132 --> 39:50.412 Right. 39:50.732 --> 39:56.213 And he sounds brilliant, like it's exactly like the record, which is what you want, really, from a massive artist, don't you reckon? 39:56.333 --> 39:56.513 Yeah. 39:56.773 --> 40:00.714 You go along, you want to see the... I want the songs to sound like they do on the record. 40:00.834 --> 40:01.474 You want the hits? 40:01.755 --> 40:01.995 Yeah. 40:02.455 --> 40:03.455 Sounding like you know them. 40:03.635 --> 40:05.216 And he delivers them unashamedly. 40:05.256 --> 40:08.339 There's no grudging kind of, oh, do I have to play superstition? 40:08.359 --> 40:09.180 All right, here we go. 40:09.500 --> 40:10.161 He loves it, man. 40:10.181 --> 40:12.823 He's rightly proud of his cannon, his magnificent cannon. 40:13.583 --> 40:15.205 Look at my magnificent cannon. 40:15.265 --> 40:16.126 That's not how he speaks. 40:16.166 --> 40:19.368 He's got a really lovely high voice, Stevie Wonder. 40:20.169 --> 40:21.830 And he was just rambling about like, um... 40:22.921 --> 40:31.546 in the way that I am now, in fact, in a kind of nonsensical way about having some dream where he was speaking to his mother. 40:31.586 --> 40:34.168 And it was a weird moment because Jonathan didn't quite know how to react. 40:34.188 --> 40:35.368 Do you know what I mean? 40:35.408 --> 40:39.551 Like when someone just starts telling you something nutty and the audience went quiet as well. 40:40.892 --> 40:42.012 Anyway, like I'm doing now. 40:42.132 --> 40:43.533 Like everyone's doing now. 40:44.354 --> 40:47.536 This is Adam and Jo on BBC Six Music. 40:47.856 --> 40:55.181 Speaking of mothers, I was round at my mothers the other day and we were having a talk about cycling. 40:55.221 --> 40:55.881 Your mother. 40:56.102 --> 40:56.662 My mother. 40:56.742 --> 40:57.623 Sounds rude, doesn't it? 40:57.883 --> 40:58.203 Does it? 40:58.223 --> 40:59.164 Not really. 40:59.204 --> 41:00.725 Not really, just the word mother. 41:02.226 --> 41:07.535 She was chatting to me and my brother about cycling and the dangers of cycling in London and that kind of thing. 41:07.555 --> 41:09.258 We're both keen cyclists, me and my brother. 41:09.338 --> 41:10.139 Is she worrying about you? 41:11.399 --> 41:17.043 No, she was mainly worrying that, you know, are we behaving properly or are we observing the rules of the road and that kind of thing. 41:17.083 --> 41:18.324 She's quite a stickler for that. 41:18.384 --> 41:19.204 She doesn't appreciate. 41:19.244 --> 41:21.706 She hates cyclists is what it comes down to. 41:22.186 --> 41:29.071 She's one of these road users that absolutely loathes and takes any opportunity they can to abuse cyclists. 41:29.591 --> 41:33.754 And she told us this unbelievable story that out of the place she said, 41:34.614 --> 41:49.641 reminds me, quite a few years ago now, I was driving around London and I was at the lights and this cyclist, well, he shot across the red light and just carried on going and I couldn't believe it. 41:49.721 --> 42:01.167 I was like, well, was it one of those situations where it wasn't a junction, he was just going across the light, he wasn't endangering other, you know, road users, so it's not the end of the world. 42:01.207 --> 42:03.148 It was one of those David Cameron style 42:05.168 --> 42:07.549 flautations of the road laws. 42:07.569 --> 42:09.169 She said, well, yes, I think it was. 42:09.209 --> 42:15.391 But still, I mean, you know, these cyclists, when they jump across the red light, it makes me so furious. 42:15.411 --> 42:16.671 I said, why? 42:16.911 --> 42:20.132 What's the problem with you if it's not an actual danger to you or anyone else? 42:20.532 --> 42:23.493 She's like, well, because they just think they're so great, don't they? 42:23.733 --> 42:24.473 What did she do? 42:24.853 --> 42:27.414 She said, so I chased him in my car. 42:28.294 --> 42:35.196 And I got very close to him and I deliberately swerved right up against him. 42:35.296 --> 42:36.477 I was like, you what? 42:37.237 --> 42:38.397 That's outrageous. 42:38.417 --> 42:38.937 She hit him. 42:39.278 --> 42:40.178 No, she didn't actually hit him. 42:40.198 --> 42:41.438 She said, no, I didn't hit him. 42:41.618 --> 42:46.040 I went very, very close to him though, so he had to swerve, she said, with delight. 42:46.060 --> 42:48.380 I was like, you're the worst person in the world, Mar. 42:48.421 --> 42:55.563 You are the kind of person that all cyclists hate and loathe and the kind of person that makes cycling a misery sometimes, you know? 42:56.363 --> 42:58.124 You know what, they're both in the wrong, of course. 42:58.364 --> 42:59.124 Right, of course, yeah. 42:59.464 --> 43:04.126 But I would say my mum was maybe slightly more in the wrong for actually going up and terrorising that guy. 43:04.206 --> 43:04.326 Yes. 43:04.766 --> 43:10.988 And then he chased after her, right, because he was absolutely, you know, furious, and she probably freaked him out. 43:11.408 --> 43:24.373 But she was unapologetic about it, and she said, so he chased me for quite some time, and eventually he caught up with me at the lights, and he called me a B-I-T-C-H or something, and waved his hand at me, and, um, 43:24.853 --> 43:25.593 And off he went. 43:26.254 --> 43:27.394 And waved his hand. 43:27.434 --> 43:28.815 That's the rudest gesture of all. 43:28.835 --> 43:29.435 Yes, exactly. 43:29.655 --> 43:33.957 Shook his fist at me and slammed the bonnet of the car quite hard. 43:34.297 --> 43:34.918 And off he went. 43:35.378 --> 43:40.400 And then she said, and I felt like I'd quite won the day because I gave him a haughty look. 43:42.261 --> 43:43.742 It's like a hyacinth bouquet. 43:43.782 --> 43:45.022 She doesn't really speak like that. 43:45.543 --> 43:48.724 But off he went and I gave him quite a haughty look. 43:48.884 --> 43:50.225 So I felt I'd won the day. 43:51.823 --> 43:53.624 That's a little slice of my ma there. 43:53.644 --> 43:54.444 Oh my gosh. 43:54.544 --> 43:55.044 She's frightening. 43:55.344 --> 44:03.567 So listen, if you see my ma anywhere and you're on a bike, do observe the rules of the road, because she may well mow you down in her car. 44:03.587 --> 44:04.287 It's terrifying. 44:04.407 --> 44:05.447 It is terrifying, isn't it? 44:05.727 --> 44:07.308 Let's have... Oh, now this is some... 44:07.788 --> 44:17.519 This is a free choice right now and I've played this track on this show before, but I'm going to play it again because it was requested by the son of a good friend of mine. 44:17.880 --> 44:19.982 So Jesse, hope you enjoy this one. 44:20.022 --> 44:22.385 This is Spoon with Don't Make Me a Target. 44:22.585 --> 44:23.186 That's Spoon. 44:24.960 --> 44:27.602 from their excellent album GAR GAR GAR GAR GAR! 44:27.642 --> 44:28.763 That's Don't Make Me a Target. 44:28.783 --> 44:30.784 This is Adam and Jo on BBC Six Music. 44:30.824 --> 44:32.866 It's just gone 10.30 and time for the news. 44:33.206 --> 44:33.867 Very good stuff. 44:34.047 --> 44:36.429 That sex on fire, my lord. 44:36.689 --> 44:38.310 That's the way the kings of Leon do it. 44:38.930 --> 44:41.512 And they were chatting to Steve LaMac. 44:42.033 --> 44:43.574 Maybe about that and other things. 44:43.634 --> 44:47.977 You can hear the show again by going to BBC iPlayer. 44:48.417 --> 44:51.200 I always say, well, you can go onto the BBC website and do listen again. 44:51.340 --> 44:52.300 You can still do that, right? 44:52.721 --> 44:54.242 But the iPlayer is another option. 44:54.582 --> 44:55.442 It's all about the iPlayer. 44:55.502 --> 44:56.363 So many options. 44:56.563 --> 44:57.123 So many. 44:57.323 --> 44:58.963 Peppermint flavor, orange flavor. 44:59.083 --> 44:59.924 Delightful. 45:01.204 --> 45:06.926 And don't forget, of course, that you can listen to our show again on the iPlayer. 45:06.966 --> 45:09.627 The whole of the show, the whole of the three hours with all the music. 45:10.487 --> 45:12.407 But there's also the podcast, you know. 45:12.487 --> 45:13.768 Don't forget about the podcast. 45:14.568 --> 45:14.808 Right? 45:15.129 --> 45:18.491 Yeah, and do you ever listen to that show on Radio 4 that's immediately after us? 45:18.551 --> 45:22.514 Obviously, who would turn off six music and listen to Radio 4 after this show? 45:22.894 --> 45:23.955 Only an idiot like me. 45:24.135 --> 45:24.656 Yeah. 45:24.676 --> 45:27.138 But Armando Iannucci's Charm Offensive. 45:27.338 --> 45:28.539 Yes, yeah. 45:29.039 --> 45:37.325 He has a kind of bee in his bonnet about the fact that BBC shows spend most of their time telling you how to access them via all these different methods. 45:37.526 --> 45:38.046 Right, right. 45:38.286 --> 45:39.247 He gets him very annoyed. 45:39.267 --> 45:39.888 Do you ever listen to that? 45:40.428 --> 45:43.111 He gets him very upset and he does lots of good jokes about it. 45:43.251 --> 45:44.833 We don't mention it that much, though, do we? 45:44.873 --> 45:45.554 We don't know. 45:45.934 --> 45:47.476 But it's true, there's so many of them now. 45:47.736 --> 45:47.956 Yeah. 45:48.237 --> 45:51.920 That it almost takes as long to describe them as the length of a show. 45:52.321 --> 45:53.021 Well, you need that. 45:53.082 --> 45:53.342 Almost. 45:53.422 --> 45:54.943 You know, now they've got rid of competitions. 45:55.184 --> 45:57.266 You need some sort of blurb or waffle. 45:57.466 --> 46:17.097 fill up the programs don't you so listen again the podcast yeah the podcast and but you know podcast features a lot of exciting new little nothing true got a whole new extra stings by the salt man extra stings by salty last week there's brand new stings this week as well that I've created in fact I've brought in a sting for you know 46:17.577 --> 46:20.238 Yeah, I'm very excited about this thing. 46:20.659 --> 46:21.799 I created it last night. 46:21.819 --> 46:25.741 It's like a cross between a sting and a song from an amazing album. 46:26.162 --> 46:26.722 A stong? 46:26.742 --> 46:28.063 Yeah, do you want to hear it? 46:28.663 --> 46:29.603 Yes, I do want to hear it. 46:29.623 --> 46:30.404 It's all about us. 46:32.025 --> 46:32.385 Here we go. 46:33.055 --> 46:55.376 We're just a couple of guys talking to each other We've been friends since we were young I am like your brother And you are like my sister A shy and scaredy girl Pale and thin and trembling And frightened of the world But don't worry little sister I'll take care of you I will laugh at your jokes 46:56.036 --> 46:57.438 I'll help you to the moon. 46:58.138 --> 47:02.642 We'll get together once a week and broadcast our conversations. 47:03.283 --> 47:09.269 And it will be quite similar to other radio stations that's slightly sloppier. 47:10.390 --> 47:12.372 Well, that's such a mixture of... 47:14.474 --> 47:20.661 of factual information, you know, things that are true and that connect to reality, and then things that don't. 47:21.021 --> 47:28.590 Now, I saw you sigh wearily when the reference to helping you to the luke came up. 47:28.610 --> 47:31.133 No, there were images in my head that I'd rather weren't there. 47:33.756 --> 47:47.112 You've made me see things that I can't unsee It's like a little mission statement there and we could play it sort of I was thinking that we could play it on this show like maybe every quarter of an hour Just to remind people you know what we do here 47:47.557 --> 47:48.318 That's a good idea. 47:48.438 --> 47:52.061 But no, the truth is you bought that ink because that's one you're thinking of not using, right? 47:52.201 --> 47:53.462 Yeah, I was thinking of baking. 47:53.482 --> 47:54.243 I think it's good. 47:54.263 --> 47:54.644 Yeah. 47:55.264 --> 47:57.246 I do think, though, it deserves a retort. 47:57.566 --> 47:58.907 Well, yeah, that's a good idea. 47:58.928 --> 48:02.491 Because I don't like being characterized as a shy and scaredy girl. 48:02.671 --> 48:03.332 As a girl. 48:03.492 --> 48:04.092 What's wrong? 48:04.132 --> 48:05.594 There's nothing wrong with girls. 48:05.674 --> 48:07.916 Pale and thin and trembling and frightened of the world. 48:07.936 --> 48:08.717 I'm quite pale. 48:08.737 --> 48:11.559 I'm not as thin as I used to be. 48:12.880 --> 48:17.723 I am quite frightened of the world and I do need help in the toilet. 48:20.004 --> 48:20.824 A lot of help. 48:22.945 --> 48:26.167 So listen, let's move on, let's segue to Collins. 48:26.347 --> 48:36.752 Now last week we were talking about playing some Phil Collins listeners and this has set off a flurry, when I say flurry, I mean three emails. 48:37.492 --> 48:38.513 about Phil Collins. 48:38.974 --> 48:46.461 Alistair Bryce says, I was particularly excited to discover Joe's love of certain elements of one Phil Collins album. 48:46.821 --> 48:50.485 My hope is that you stay true to your words and play some on the next show. 48:50.505 --> 48:52.867 I love Phil, says Ali Bryce. 48:53.367 --> 48:54.228 That's a pro, Phil. 48:56.050 --> 49:00.012 Another email says, this is from James White Oldworth. 49:01.313 --> 49:02.594 Phil Collins, is that a threat? 49:03.074 --> 49:08.238 The fact that you may play Phil Collins is enough for me and everyone I know not to listen to your show. 49:08.658 --> 49:17.945 Despite having all been fans since your first appearances on TakeOver TV, says Jawa, who's an editorial production assistant at BioMed Central. 49:18.345 --> 49:19.646 That's a bit extreme, isn't it? 49:20.146 --> 49:22.768 editorial production assistant at Biomed Central. 49:22.788 --> 49:24.049 What the hell kind of job is that? 49:24.129 --> 49:34.838 So there's a positive and a negative one, but then Maureen Rankine, Mo Rankine says no, it's with an E on the end, so it must be Rankine. 49:34.878 --> 49:36.179 Rankine, that's how you pronounce it. 49:36.239 --> 49:36.479 Really? 49:36.599 --> 49:36.779 Yeah. 49:37.040 --> 49:37.340 Really. 49:37.480 --> 49:40.322 Is Rankine's belt with an E on the end, the famous Rankine? 49:40.502 --> 49:41.783 I think so, a lot of them. 49:41.803 --> 49:41.843 No. 49:41.883 --> 49:43.044 See, James is saying no. 49:44.065 --> 49:44.506 Er, Rankin. 49:44.606 --> 49:45.006 Mo Rankin. 49:45.026 --> 49:49.451 If you're going to play Phil Collins, what about the song You Know What I Mean from the album Face Value? 49:49.591 --> 49:50.091 It's great. 49:50.392 --> 49:52.894 Or, you know, just play Susudio and be done with it or don't. 49:53.274 --> 49:57.118 Well, Stephen Merchant played Susudio the other week, so we were trying to think of something different. 49:57.318 --> 50:00.402 But the reason it came up is because you played Summer, Earth, Wind and Fire. 50:00.962 --> 50:01.182 Right. 50:01.683 --> 50:05.845 And I was saying that the Earth, Wind and Fire's horn section played on a Phil Collins album. 50:05.885 --> 50:06.466 There you go. 50:06.726 --> 50:13.430 And the track they play on to the greatest effect is this bit of Middle of the Road, which I love. 50:13.450 --> 50:14.831 I've loved this since it came out. 50:14.871 --> 50:23.457 You know, records that you like when you were a kid and then you start to understand taste and maybe cut some things out of your collection. 50:23.677 --> 50:23.897 Yeah. 50:23.917 --> 50:25.258 This one's never been cut out. 50:25.518 --> 50:26.679 No, this and the Thompson twins. 50:26.699 --> 50:27.720 Doctors can't remove it. 50:27.940 --> 50:28.821 I still do. 50:28.861 --> 50:30.722 I've had various operations, but it just 50:31.422 --> 50:32.523 It's fused to my bones. 50:33.404 --> 50:36.706 Here is Phil Collins with I Cannot Believe It's True. 50:56.840 --> 50:57.260 Very nice. 50:57.280 --> 51:01.524 Do you think, you know what, I haven't dared look at the texts since that came on. 51:01.644 --> 51:07.610 I've kept the screen on the email screen because I'm assuming there's been, well, it's probably just a disinterest. 51:07.850 --> 51:08.490 A barrage. 51:08.731 --> 51:12.354 But there may have been a barrage of rude emails saying, get this off. 51:12.534 --> 51:13.094 I don't think so. 51:13.114 --> 51:15.356 I don't think anyone might have liked that apart from me. 51:15.537 --> 51:16.017 Definitely. 51:16.117 --> 51:16.758 I enjoyed that. 51:17.138 --> 51:18.880 I thought that was good, you know, and that lasted. 51:19.560 --> 51:21.421 It was about three or four hours. 51:21.461 --> 51:26.965 It was about 13 minutes and it felt like only... If you enjoyed that, there was anyone who knows that song and really enjoyed hearing it. 51:27.065 --> 51:28.486 Do get in touch. 51:28.506 --> 51:29.126 That was good, man. 51:29.146 --> 51:29.847 That was enjoyable. 51:29.947 --> 51:30.647 Oh, it's great. 51:30.827 --> 51:31.688 It was punchy stuff. 51:31.788 --> 51:33.129 I'd forgotten about that one as well. 51:33.289 --> 51:33.909 He's very good. 51:33.929 --> 51:35.631 He's playing the drums on there as well, of course. 51:37.692 --> 51:57.544 you're supposed to bring in mama i think we might have mama we might be able to dig it out of the vault really later on i don't know if we can make it through the whole of mama because it that really does come we just play it now because we should we should focus all this collins you reckon shouldn't we i mean if we if we spread it across the show then i don't know if it's a good off the whole thing really did it focus collins you need a license to focus that much to play more 51:57.944 --> 52:00.490 than one Collins in any one hour period. 52:00.510 --> 52:02.434 Well, let's leave it for the moment then. 52:02.494 --> 52:03.155 We'll come back to it. 52:03.176 --> 52:04.639 I think Claire's called it up there. 52:04.879 --> 52:05.260 Has she? 52:05.360 --> 52:05.641 Yeah. 52:05.901 --> 52:06.262 Go on then. 52:06.402 --> 52:07.344 She'll have a little cheeky listen. 52:10.250 --> 52:11.511 This is much more serious. 52:11.551 --> 52:12.311 It's not as funky. 52:12.612 --> 52:13.312 It's political. 52:13.332 --> 52:14.173 It's a political rhythm. 52:14.193 --> 52:16.234 Well, this is Genesis, not just Collins on his own. 52:16.354 --> 52:17.955 So he's got the whole... It's the wardrobes. 52:18.135 --> 52:19.496 Listen to that. 52:19.516 --> 52:21.016 That is a statement of intent, isn't it? 52:21.036 --> 52:22.217 Electronic shriek of pain. 52:22.397 --> 52:24.018 I used to love this song, man. 52:24.198 --> 52:24.538 Monks. 52:24.859 --> 52:25.439 There's monks. 52:26.520 --> 52:28.561 Scary, deserted warehouse. 52:28.781 --> 52:29.761 Chains hanging for the ceiling. 52:29.781 --> 52:30.922 Here come the future monks. 52:30.942 --> 52:31.843 Listen to this now. 52:32.663 --> 52:33.463 They worship of God. 52:33.503 --> 52:34.364 We do not understand. 52:34.404 --> 52:36.705 That's the news. 52:37.106 --> 52:39.427 The future monks are receiving the news from the planet Zog. 52:41.152 --> 52:42.313 This is good, man. 52:42.413 --> 52:42.713 Is this? 52:42.993 --> 52:43.213 Yeah. 52:43.233 --> 52:43.633 Which bit? 52:44.194 --> 52:46.755 This is exactly what use it will be like in the future. 52:47.996 --> 52:51.037 Do some of your noises. 52:51.057 --> 52:54.599 The wrong noise. 53:13.960 --> 53:18.843 That comes later. 53:18.863 --> 53:21.104 We want to skip to that bit, don't we? 53:21.444 --> 53:22.385 That's the coda. 53:22.925 --> 53:26.087 You've got to wait for ages for that bit. 53:28.288 --> 53:30.569 Here come the drums, the serious drums. 53:30.929 --> 53:34.351 They didn't come. 53:35.451 --> 53:36.732 No, it takes ages. 53:37.152 --> 53:38.073 When does it drop? 53:38.593 --> 53:40.094 Probably after the next chorus. 53:42.608 --> 53:47.792 Because now it was all minor chords before, but now it's getting a bit more major. 53:47.952 --> 53:48.693 He's a master. 53:48.733 --> 53:49.453 He's a genius. 53:49.514 --> 53:51.595 Do you think this is him in control of this song? 53:51.615 --> 53:52.416 What about Gabriel? 53:53.156 --> 53:55.258 Gabriel wasn't around at this point, wasn't he? 53:55.598 --> 53:59.742 No, he was off doing his own thing on Windham Hill or wherever he was. 53:59.862 --> 54:00.142 Really? 54:01.683 --> 54:03.044 What was the song that he did? 54:04.365 --> 54:05.086 Salisbury Hill. 54:05.326 --> 54:07.007 No, that was earlier though, wasn't it? 54:07.027 --> 54:09.950 I'm getting more from my Genesis periods mixed up. 54:11.311 --> 54:14.332 Gabriel was off doing Sledgehammer at this point, I think. 54:15.073 --> 54:19.375 And Genesis were a massive, great touring... Behemoth. 54:19.435 --> 54:19.895 Behemoth. 54:20.455 --> 54:20.815 Here we go. 54:28.619 --> 54:29.459 It's like Lord of the Rings. 54:41.761 --> 54:49.046 Because the goblins from the family Nice synth pad are we gonna listen to all of this? 54:49.786 --> 54:58.912 No, let's show me the fade it out We had a little bit of a coughing that is an extraordinary journey that he's taking you on there certain Not only musically, but psychologically as well. 54:59.012 --> 55:00.193 I don't want to go on the journey. 55:00.373 --> 55:01.934 I believe there's been a fire in the tunnel 55:02.114 --> 55:03.456 and services have been suspended. 55:19.036 --> 55:22.380 Excuse me, here is another trail about the Mercury Awards, is it? 55:22.660 --> 55:23.321 Another one. 55:23.381 --> 55:24.382 Flipping heck, Tucker. 55:24.642 --> 55:27.965 This is the voice of the big, pretty castle. 55:28.326 --> 55:30.188 It is the top of the hour. 55:30.288 --> 55:31.709 Ooh, that's wonderful. 55:32.009 --> 55:35.213 I got so bored with the last hour and glad it's gone. 55:35.293 --> 55:36.634 Now here's the new one. 55:36.714 --> 55:38.276 It's exciting and it's new. 55:38.456 --> 55:39.037 How do you do? 55:40.236 --> 55:40.876 Yes, indeed. 55:40.896 --> 55:42.998 This is Adam Buxton here. 55:43.018 --> 55:48.081 Hey, this is Joe Cornish here, and we're delighted to be with you. 55:48.121 --> 55:50.903 It's the final hour of the programme this Saturday afternoon. 55:50.923 --> 55:51.504 Is it really? 55:51.764 --> 55:52.084 It is. 55:52.184 --> 55:53.745 God, that really whistled by, didn't it? 55:54.165 --> 55:57.968 Well, it's amazing what happens when you start playing jazz funk in Phil Collins. 55:58.308 --> 55:58.948 That's true, isn't it? 55:59.148 --> 56:11.773 You know, the Phil Collins did stir up a veritable hornet's nest of text, but I'm pleased to say they were pretty equally divided between people who really enjoyed it and people who felt it was the most evil, satanic noise they'd ever heard. 56:11.833 --> 56:13.934 Somebody saying all the plants died in their house. 56:14.494 --> 56:19.036 Someone else whose flatmate may be moving out now that they've walked into the room, hearing that on. 56:19.256 --> 56:20.136 Was that your trap or Mumma? 56:22.117 --> 56:25.120 Uh, mama people seem to like, because mama's just silly, isn't it? 56:25.540 --> 56:25.760 What? 56:26.101 --> 56:29.764 It's, well, it's powerful, and it's epic, and it's like a sort of narrative. 56:30.024 --> 56:31.806 Yeah, it's like a sort of muppet record. 56:32.326 --> 56:36.310 Whereas, my jazz funk one, you know, it's more divisive. 56:37.270 --> 56:44.537 Now listen, speaking of soft targets, uh, we are having a Guy Ritchie-based textination this afternoon. 56:44.557 --> 56:45.598 Shall we have the Jingle Jungle? 56:50.784 --> 56:51.766 What if I don't want to? 56:52.007 --> 56:53.850 But I'm using email. 56:54.011 --> 56:54.732 Is that a problem? 56:54.772 --> 56:55.614 It doesn't matter, text! 56:58.341 --> 57:08.271 I would like to say, in defense of Guy Ritchie, first of all, let's preface all these comments by saying that he is a filmmaker, a very successful one at that. 57:08.631 --> 57:08.951 The end. 57:09.151 --> 57:10.172 Okay. 57:10.192 --> 57:10.753 Do you have more? 57:11.734 --> 57:17.559 None of his films has lost money, although you dispute the fact that maybe Revolver... I can't believe that Revolver's in profit. 57:17.859 --> 57:20.081 It wasn't even released properly in the States. 57:20.202 --> 57:22.304 I read that none of his films has ever lost money. 57:22.964 --> 57:26.587 And that's an impressive thing in the film industry, you know, not something to be sneered at. 57:27.147 --> 57:28.508 And he's out there, he's doing it. 57:28.868 --> 57:29.809 He's got a little team. 57:29.829 --> 57:32.891 I mean, it's so hard to tell what constitutes the budget. 57:32.931 --> 57:34.372 Are you including P&A costs? 57:35.112 --> 57:35.693 What's P&A? 57:36.193 --> 57:37.454 Print and advertising, you know. 57:37.554 --> 57:37.734 Right. 57:37.754 --> 57:38.215 The prints. 57:38.595 --> 57:40.036 What kind of costs are you including? 57:40.096 --> 57:41.096 Why is Prince involved? 57:41.457 --> 57:43.838 Well, he's involved in the advertising of all films now. 57:43.858 --> 57:44.539 Purple genius. 57:44.579 --> 57:46.220 Yeah, he sticks them on the front of buses. 57:46.240 --> 57:46.960 The Purple Ponds. 57:47.581 --> 57:50.483 He's involved with the advertising of all films. 57:50.783 --> 57:51.083 Yeah. 57:51.183 --> 57:51.403 Right. 57:51.583 --> 57:52.343 I didn't realize that. 57:53.224 --> 58:04.947 Anyway, so we're asking you to contribute ideas to help Guy Ritchie out, because you know a lot of people enjoy knocking him, but let's not forget that a lot of people also enjoy his films. 58:04.967 --> 58:05.687 That's a good angle. 58:05.707 --> 58:07.547 We're not knocking him, we're actually helping him. 58:07.687 --> 58:08.348 Yes, exactly. 58:08.368 --> 58:09.988 Because he may well use these ideas. 58:10.648 --> 58:12.550 So we're trying to give him a leg up. 58:12.590 --> 58:16.974 You know, we don't want Rock and Roller to be his last fun gangster film. 58:17.355 --> 58:19.157 We would like it to be just another one. 58:19.237 --> 58:21.579 He is doing Sherlock Holmes, isn't he? 58:21.739 --> 58:22.059 Is he? 58:22.219 --> 58:25.362 Apparently he's supposed to be doing... There's two Sherlock Holmes films. 58:25.843 --> 58:28.205 He's doing one, apparently, with Robert Downey, Jr. 58:28.525 --> 58:28.806 Right. 58:28.826 --> 58:29.626 Playing Sherlock Holmes. 58:29.666 --> 58:34.451 And then Will Ferrell is doing another one with Sacha Baron Cohen, maybe? 58:34.771 --> 58:36.233 Okay, yeah, I know there's rival. 58:36.313 --> 58:38.616 It's gonna be war of the holmes is next year. 58:38.636 --> 58:39.037 That's it. 58:39.057 --> 58:40.619 They always come in. 58:41.800 --> 58:45.966 Anyway, so but maybe he'll use the following ideas in the film after that. 58:45.986 --> 58:46.607 Mm-hmm. 58:46.647 --> 58:47.328 Whatever he does. 58:47.368 --> 58:49.250 It's sure to be a brilliant return to form 58:50.571 --> 58:51.312 Here's idea number one. 58:51.332 --> 58:52.913 You're going to play Richie now, Adam. 58:53.153 --> 58:56.115 Okay, and you've got to decide whether to put these in your next script. 58:56.135 --> 58:57.637 Here's one from Gary in Loch Lomond. 58:57.937 --> 58:58.737 Jimmy Two Shoes. 58:58.757 --> 58:59.898 He's a backstreet gangster. 59:00.178 --> 59:01.239 He lurks in the shadows. 59:01.499 --> 59:05.242 He's always wearing two shoes in a sinister fashion. 59:05.742 --> 59:08.244 Now, I'm not sure whether Gary means that he's wearing odd shoes. 59:08.624 --> 59:11.927 I assume he doesn't, and he's just saying he's wearing shoes. 59:12.547 --> 59:14.248 And his name is Jimmy Two Shoes. 59:15.589 --> 59:16.430 Gary, I like it. 59:16.470 --> 59:17.830 I think it's a brilliant idea. 59:17.870 --> 59:19.431 Is that how Guy Ritchie talks? 59:19.551 --> 59:21.012 Yeah. 59:21.052 --> 59:23.253 When he's not on the radio. 59:23.273 --> 59:25.334 When he's not hanging out with his mates. 59:26.015 --> 59:27.235 He reverts back to this voice. 59:28.296 --> 59:31.517 Gary, I think it's a really good idea and I'm going to put it in the film. 59:33.318 --> 59:35.359 You could have a whole film with people called Two Shoes. 59:36.199 --> 59:37.979 Johnny Two Shoes. 59:38.319 --> 59:39.260 Anyone with two shoes? 59:39.660 --> 59:41.000 I really like it, Gary. 59:41.020 --> 59:43.621 It's a fun idea and I'm going to use it for the film. 59:43.661 --> 59:44.861 What accent's that? 59:45.261 --> 59:48.182 He's turned into your very young son. 59:49.282 --> 59:51.743 Here's one from Nick in Edinburgh, Welk Willy. 59:52.583 --> 59:56.065 He sells ammo in polystyrene cups from his stall in the East End. 59:56.425 --> 59:57.326 That's quite good, isn't it? 59:57.366 --> 59:57.626 Yeah. 59:58.046 --> 01:00:05.211 At the climax of the film, the stall gets caught in the crossfire, sending a deadly shower of bullets and mollusks down the street. 01:00:05.671 --> 01:00:07.092 I think it's a really good idea. 01:00:07.132 --> 01:00:07.712 Who's that from? 01:00:08.253 --> 01:00:09.193 Nick from Edinburgh. 01:00:09.433 --> 01:00:10.534 I really like it, Nick. 01:00:10.574 --> 01:00:11.835 I'm going to use it in the film. 01:00:12.455 --> 01:00:13.095 In the film? 01:00:13.196 --> 01:00:13.516 Yes. 01:00:14.836 --> 01:00:16.097 I've got an idea for a character. 01:00:16.117 --> 01:00:16.718 Can I tell you this one? 01:00:16.738 --> 01:00:17.838 I'm not interested in your ideas. 01:00:17.878 --> 01:00:19.239 It's about the listener's ideas. 01:00:19.759 --> 01:00:20.300 For a film, 01:00:20.780 --> 01:00:22.981 Now, I didn't know for a character, another idea. 01:00:23.001 --> 01:00:23.241 Oh, go on. 01:00:23.801 --> 01:00:24.301 Jentob. 01:00:25.381 --> 01:00:25.902 Like Alan? 01:00:26.202 --> 01:00:26.442 Right. 01:00:26.562 --> 01:00:29.143 He believes he's Alan Jentob, right? 01:00:29.423 --> 01:00:32.084 And he pretends that he's filming everything for an arts program. 01:00:32.104 --> 01:00:32.464 That's good. 01:00:32.504 --> 01:00:33.744 He thinks he's making Imagine. 01:00:33.924 --> 01:00:37.085 And here's the thing, the casting coup played by Alan Jentob. 01:00:37.385 --> 01:00:37.725 No. 01:00:37.885 --> 01:00:38.105 Yeah. 01:00:38.546 --> 01:00:40.106 But it's not actually Alan Jentob. 01:00:40.126 --> 01:00:43.387 The character is not actually Alan Jentob, but it's played by Alan Jentob. 01:00:43.447 --> 01:00:43.687 Right. 01:00:43.707 --> 01:00:45.688 Because he likes to mix it up with the postmodern 01:00:46.548 --> 01:00:48.048 Every now and again, Guy Ritchie, doesn't he? 01:00:49.289 --> 01:00:50.289 I think it's a really good idea. 01:00:50.549 --> 01:00:51.669 Come on, let's have another idea. 01:00:51.909 --> 01:00:55.010 OK, here's one from an anonymous text to a film character. 01:00:55.050 --> 01:00:59.071 Trev four wheels, played by Bob Hoskins or Terry Venables. 01:00:59.671 --> 01:01:04.032 All he says is get in the motor when doing bank jobs or other naff heists. 01:01:04.572 --> 01:01:05.352 There's four wheels. 01:01:05.712 --> 01:01:06.192 I really like. 01:01:06.212 --> 01:01:06.912 Trev four wheels. 01:01:07.032 --> 01:01:07.832 Very good idea. 01:01:07.892 --> 01:01:08.833 Get in the motor. 01:01:08.933 --> 01:01:10.413 Get in the motor. 01:01:10.453 --> 01:01:12.093 You'd have to have ways to spin that line. 01:01:12.493 --> 01:01:15.294 Like he'd be trying to refill his lawnmower with oil. 01:01:15.934 --> 01:01:16.934 And it would be spilling. 01:01:17.014 --> 01:01:18.035 Get in the motor. 01:01:18.215 --> 01:01:18.575 Right. 01:01:18.695 --> 01:01:19.695 He's talking to the oil. 01:01:19.975 --> 01:01:20.535 Exactly. 01:01:21.035 --> 01:01:23.396 So sometimes it's more serious than others. 01:01:24.176 --> 01:01:26.237 Sometimes it's a trivial thing, like he's gardening. 01:01:26.377 --> 01:01:29.458 Other times it's more important to get it actually get in the motor. 01:01:29.938 --> 01:01:31.398 You just got to have a spin on the line. 01:01:31.558 --> 01:01:32.438 Yeah, I really like it. 01:01:32.458 --> 01:01:33.319 I'm going to go in the film. 01:01:33.419 --> 01:01:34.519 I think it's a good idea. 01:01:34.559 --> 01:01:34.759 Good. 01:01:35.479 --> 01:01:38.242 Here's another one from Ollie in Battersea. 01:01:38.823 --> 01:01:41.285 Jimmy the Sweep, played by Dick Van Dyke. 01:01:41.486 --> 01:01:42.487 Is he still around? 01:01:42.567 --> 01:01:44.329 He's quite old, but he's still with us, is he? 01:01:44.449 --> 01:01:47.312 Yeah man, he's got his Doctor Series on in the States. 01:01:47.372 --> 01:01:48.033 There you go. 01:01:48.173 --> 01:01:51.596 Dick Van Dyke, who in the guise of a chimney sweep, kills people. 01:01:52.017 --> 01:01:52.237 Nice. 01:01:52.357 --> 01:01:54.319 The film would be called Soot. 01:01:55.180 --> 01:01:57.000 and would become a West End spin-off. 01:01:57.420 --> 01:01:57.861 I like it. 01:01:57.981 --> 01:01:59.221 I think it's a really good idea. 01:01:59.241 --> 01:02:04.102 Jimmy the Sweep is good because he could pop out of chimney places, what do you call them? 01:02:04.182 --> 01:02:04.862 Fireplaces. 01:02:05.762 --> 01:02:06.222 Suddenly. 01:02:07.843 --> 01:02:08.443 And then kill. 01:02:08.643 --> 01:02:10.463 And then exactly with his guns blazing. 01:02:10.483 --> 01:02:11.003 Have we got any ideas? 01:02:11.023 --> 01:02:11.783 He probably wouldn't have guns. 01:02:11.803 --> 01:02:14.704 He'd probably use his thing that he sticks up the chimneys. 01:02:14.724 --> 01:02:15.084 His brush. 01:02:15.264 --> 01:02:15.524 Yeah. 01:02:15.544 --> 01:02:16.204 His bristly brush. 01:02:16.244 --> 01:02:17.305 You can imagine the rest. 01:02:19.305 --> 01:02:20.006 Up the chimney. 01:02:21.128 --> 01:02:23.591 Have you got any ideas for titles there? 01:02:23.972 --> 01:02:26.175 You know, I did have some last night, but I've forgotten them. 01:02:26.575 --> 01:02:27.897 But I'll try and think of some new ones. 01:02:28.077 --> 01:02:29.519 Here's some ideas I thought of. 01:02:29.680 --> 01:02:32.784 These are just for titles I haven't got necessarily plots attached to them yet. 01:02:34.066 --> 01:02:35.127 Maximum Bosch Wallop. 01:02:36.010 --> 01:02:36.470 I like it. 01:02:36.570 --> 01:02:37.971 Maximum Bosch Wallop. 01:02:38.271 --> 01:02:38.491 Yeah. 01:02:38.691 --> 01:02:40.431 Richie, back to his brilliant best. 01:02:40.851 --> 01:02:41.071 Yeah. 01:02:41.171 --> 01:02:42.192 Bosch Wallop. 01:02:42.692 --> 01:02:43.892 Maximum Bosch Wallop. 01:02:44.512 --> 01:02:44.932 How about this? 01:02:45.512 --> 01:02:47.273 Shut it, shoot it, boot it and toot it. 01:02:48.633 --> 01:02:49.473 I like that a lot. 01:02:49.653 --> 01:02:49.894 Yeah. 01:02:50.454 --> 01:02:51.294 Take me through it again. 01:02:51.714 --> 01:02:53.394 Shut it, shoot it, boot it and toot it. 01:02:53.714 --> 01:02:55.675 Shut it, shoot it, boot it, toot it. 01:02:55.915 --> 01:02:56.475 Yeah, I like it. 01:02:56.495 --> 01:02:59.576 Because it's all like little references to the drugs and shooting. 01:02:59.616 --> 01:03:00.956 Yes, it is. 01:03:01.056 --> 01:03:01.696 How about this one? 01:03:02.297 --> 01:03:03.457 Bob the Snob and the clobber job. 01:03:05.120 --> 01:03:06.081 Don't know about that one, actually. 01:03:06.101 --> 01:03:06.621 It's not so good, is it? 01:03:06.641 --> 01:03:07.862 It's more like a children's thing. 01:03:10.284 --> 01:03:12.685 Well, Guy Ritchie could spin out into children. 01:03:12.706 --> 01:03:19.070 That's quite a good idea that he'd do a series of children's novels based on more sort of soft, simple gangster stuff. 01:03:19.090 --> 01:03:20.171 That's a good idea, isn't it? 01:03:20.431 --> 01:03:24.754 Well, listen, let's have some more ideas after a bit more music. 01:03:25.455 --> 01:03:28.017 And are we playing the ting tings now? 01:03:28.837 --> 01:03:30.638 OK, and is this the new single? 01:03:30.678 --> 01:03:32.959 Sorry, Claire, I should have actually read my sheet, shouldn't I? 01:03:33.299 --> 01:03:34.580 But I like talking to you, you know? 01:03:35.600 --> 01:03:37.261 So this is the Ting Tings with Be The One. 01:03:37.641 --> 01:03:39.542 Ting Tings with Be The One. 01:03:39.702 --> 01:03:41.543 This is BBC Six Music. 01:03:41.943 --> 01:03:45.965 This is Adam and Jo here with you, and we're in the midst of Text the Nation. 01:03:46.426 --> 01:03:51.908 We're asking you to come up with ideas that might be useful for future Guy Ritchie films. 01:03:52.208 --> 01:03:52.468 Yes. 01:03:53.009 --> 01:03:54.890 And we've had some very good suggestions. 01:03:54.950 --> 01:03:57.551 I've got a little plot here for you. 01:03:57.791 --> 01:03:58.111 Really? 01:03:58.551 --> 01:04:05.095 I really want to hear your plot, but I must point out we've had four suggestions from the listeners, seven from me and 15 from you. 01:04:05.435 --> 01:04:05.775 I know. 01:04:05.795 --> 01:04:06.036 Okay. 01:04:06.056 --> 01:04:08.297 Well, let's have some more suggestions from the listeners. 01:04:08.397 --> 01:04:10.458 But is this just for characters or other things? 01:04:10.618 --> 01:04:11.659 No, it's mainly characters. 01:04:11.679 --> 01:04:12.079 You're right. 01:04:12.099 --> 01:04:13.860 We do need some more plot and title ideas. 01:04:13.900 --> 01:04:14.760 Let's have your plot, man. 01:04:14.780 --> 01:04:15.120 Let's hear it. 01:04:15.140 --> 01:04:15.341 All right. 01:04:15.381 --> 01:04:15.801 Here we go. 01:04:16.621 --> 01:04:19.863 The title of this film is Jimmal and the Fix It, Fix Up. 01:04:20.303 --> 01:04:20.663 Like it. 01:04:20.984 --> 01:04:21.224 Right. 01:04:22.064 --> 01:04:25.006 An eccentric crime kingpin played by Jimmy Savile. 01:04:25.566 --> 01:04:32.710 takes his antique desk to be repaired at Roger's Rock and Roll repair shop after it's damaged in a shootout with some 12-year-olds. 01:04:33.371 --> 01:04:43.816 Now Roger is played by Barry from EastEnders and while it's being repaired by Roger's assistant Phil, played by David Hasselhoff, 20 of Roger's friends come round dressed as Elvis. 01:04:50.670 --> 01:04:51.290 Yeah, Elvis. 01:04:51.310 --> 01:04:52.250 No, good, yeah. 01:04:52.711 --> 01:04:53.791 And they have an Elvis party. 01:04:54.131 --> 01:05:13.036 And everyone's having such fun at the Elvis party they're singing and dancing to Elvis that they don't see a gang of ninja monks led by a beautiful female monk called Pupulala, played by the Duchess of York, break in and steal the desk because they believe that it contains a holy scroll. 01:05:13.056 --> 01:05:14.296 Are you following this so far? 01:05:14.316 --> 01:05:15.076 Yes, yes. 01:05:15.096 --> 01:05:16.056 This is a good plot, isn't it? 01:05:16.076 --> 01:05:16.637 This is amazing. 01:05:16.677 --> 01:05:17.957 I'm dazzled by the cast, though. 01:05:18.197 --> 01:05:22.020 Yeah, well, it's a good cast and it's a lot of left field decisions. 01:05:22.240 --> 01:05:22.740 Pupulala. 01:05:22.780 --> 01:05:24.081 She's played by the Duchess of York. 01:05:24.121 --> 01:05:25.842 That could be on the soundtrack as well, isn't that it? 01:05:25.902 --> 01:05:27.723 Like a... Roy Ayres song, yeah. 01:05:27.943 --> 01:05:29.985 Now, uh, Jim Orp, right? 01:05:30.025 --> 01:05:31.786 The Fix It, The Crime Kingpin. 01:05:31.826 --> 01:05:33.507 He's furious with Roger, obviously. 01:05:33.587 --> 01:05:39.409 Because it turns out that he was hiding some diamonds and drugs in the legs of the table of the desk, right? 01:05:39.849 --> 01:05:42.429 And he wanted to get the desk out of his house. 01:05:42.449 --> 01:05:44.210 The legs of the table of the desk. 01:05:44.330 --> 01:05:53.572 Yeah, while his son-in-law, Jimmels' son-in-law, played by Samuel Jackson, who is a local police chief, comes round for tea with his daughter. 01:05:53.612 --> 01:05:55.573 Hang on, can I just point out that he's cool? 01:05:56.053 --> 01:05:56.793 He is cool, isn't he? 01:05:56.813 --> 01:05:57.593 Samuel L. Jackson. 01:05:57.633 --> 01:05:58.313 He's cool. 01:05:58.353 --> 01:06:01.294 This is what I was thinking, so this is... Caught to pound her with fries. 01:06:01.634 --> 01:06:01.934 Right. 01:06:02.254 --> 01:06:03.314 That's his line, isn't it? 01:06:03.354 --> 01:06:03.534 Yeah. 01:06:03.914 --> 01:06:04.795 Film four. 01:06:05.915 --> 01:06:07.075 It's got stuff on. 01:06:07.135 --> 01:06:08.475 Virgin broadband. 01:06:09.135 --> 01:06:09.855 That's the film. 01:06:09.955 --> 01:06:11.036 He's... Barclays Bank. 01:06:11.916 --> 01:06:12.856 He's cool. 01:06:13.036 --> 01:06:13.616 Whichever bank. 01:06:13.636 --> 01:06:14.196 He's the coolest. 01:06:14.256 --> 01:06:14.596 It was. 01:06:14.756 --> 01:06:15.136 He's cool. 01:06:15.276 --> 01:06:20.717 So he would play this police chief that is married to Jim All's daughter, the crime kingpin's daughter. 01:06:20.737 --> 01:06:21.677 It's getting very complicated. 01:06:21.697 --> 01:06:23.898 It is complicated, but that's what you want. 01:06:25.098 --> 01:06:26.360 in one of the films. 01:06:26.480 --> 01:06:30.004 Jimmell threatens to kill Roger if he doesn't get the table back, the desk back. 01:06:30.364 --> 01:06:33.608 Roger enlists the help of the Elvises to track down the Ninja Monks. 01:06:34.028 --> 01:06:37.752 Turns out the leader of the Ninja Monks is Jimmell's daughter, Pooh La La's, actually. 01:06:37.772 --> 01:06:38.773 You know what, I guessed that. 01:06:38.953 --> 01:06:39.654 Daughter, did you? 01:06:39.714 --> 01:06:40.795 Yeah, that was obvious. 01:06:40.875 --> 01:06:41.876 I was going to say it at the beginning. 01:06:41.896 --> 01:06:42.317 Definitely. 01:06:42.357 --> 01:06:42.597 Yeah. 01:06:42.777 --> 01:06:43.859 Anyway, it goes on a bit like that. 01:06:43.879 --> 01:06:44.980 So that's an idea. 01:06:45.000 --> 01:06:46.381 That's Jimmell and the Fix It Fix-Up. 01:06:47.202 --> 01:06:48.183 It's very complicated. 01:06:48.203 --> 01:06:50.344 You want to hear a little introductory monologue? 01:06:51.064 --> 01:06:51.625 Here we go, look. 01:06:51.785 --> 01:06:52.125 Alright. 01:06:52.585 --> 01:06:54.766 This chirpy fella's known as Roger the Table. 01:06:55.126 --> 01:06:55.347 Why? 01:06:55.367 --> 01:06:56.827 Because he tried to once. 01:06:57.228 --> 01:06:58.908 As I recall, it was a snooker table. 01:06:59.009 --> 01:07:02.090 And take it from me, it was the closest he ever came to a hole in one. 01:07:02.671 --> 01:07:07.053 To say he quite likes furniture, he's a little bit like saying swept away was quite a bad film. 01:07:07.253 --> 01:07:07.994 That's an in joke. 01:07:08.754 --> 01:07:13.157 This is Roger's repair shop, and over there, that's Phil, but everyone calls him Phil the Hole. 01:07:13.498 --> 01:07:13.758 Why? 01:07:13.778 --> 01:07:18.321 Because if he sees so much as a crack in a wall, he gets out of his putty and starts filling it. 01:07:18.802 --> 01:07:21.864 He's got a girlfriend called Polly, but that's another story. 01:07:23.085 --> 01:07:23.585 Blah, blah, blah. 01:07:25.347 --> 01:07:25.947 That's good. 01:07:26.067 --> 01:07:26.387 Yeah. 01:07:26.848 --> 01:07:28.029 Yeah, you're very good at that. 01:07:28.049 --> 01:07:28.309 Thank you. 01:07:28.469 --> 01:07:29.710 There'd be some music underneath. 01:07:31.531 --> 01:07:33.112 We should really go and see Rock and Rolla. 01:07:33.132 --> 01:07:33.653 Some Scar. 01:07:34.326 --> 01:07:34.866 What do you mean? 01:07:35.467 --> 01:07:36.107 Go and see it. 01:07:36.367 --> 01:07:36.607 Yeah. 01:07:37.148 --> 01:07:38.689 Well, that's an outrageous suggestion. 01:07:39.369 --> 01:07:42.331 Well, listen, I think, um, you've maxed the segment out there. 01:07:42.491 --> 01:07:42.912 You reckon? 01:07:43.112 --> 01:07:43.392 Yeah. 01:07:43.632 --> 01:07:43.912 Oh, no. 01:07:43.932 --> 01:07:44.132 Come on. 01:07:44.152 --> 01:07:44.833 Let's, oh, okay. 01:07:44.873 --> 01:07:48.655 Let's have some Q-tip and then we'll, um, hear some Q-tip is it breathe and stop. 01:07:48.715 --> 01:07:49.196 Breathe and stop. 01:07:49.696 --> 01:07:50.917 Has he got a new album out? 01:07:51.017 --> 01:07:55.860 I read a review of a new Q-tip album, but now in one of the papers, now I can't find it anywhere. 01:07:56.441 --> 01:08:01.805 And I heard a new single from him on the radio, but there's no sign of any activity in the shops. 01:08:02.045 --> 01:08:05.067 Well, you're going to have to make do with this vintage tip right here. 01:08:05.087 --> 01:08:05.988 This is Breathe and Stop. 01:08:07.028 --> 01:08:08.129 Q-Tip with Breathe and Stop. 01:08:08.229 --> 01:08:20.617 I think the deal with his album is that there was an unreleased album called Open that he did a few years ago that wasn't released that's kind of slightly more experimental jazzy guitar stuff and that has been released by some peculiar label. 01:08:20.997 --> 01:08:21.237 Right. 01:08:21.257 --> 01:08:23.758 It's worth guessing, it is quite odd, it's not his usual stuff. 01:08:23.859 --> 01:08:24.759 Oh you've heard it then, yeah. 01:08:24.839 --> 01:08:27.121 Yes, but there is some new stuff in the works I think. 01:08:27.341 --> 01:08:27.461 Yeah. 01:08:27.541 --> 01:08:29.782 New album coming up, so that's exciting for me at least. 01:08:29.862 --> 01:08:30.463 Q-Tip there. 01:08:30.563 --> 01:08:30.963 Amazing. 01:08:31.403 --> 01:08:36.206 Now we should do a little bit of fact checking here on the Adam and Jo's show here on BBC Six Music. 01:08:36.526 --> 01:08:38.187 We like to get one or two things wrong. 01:08:38.367 --> 01:08:38.848 One or two. 01:08:38.868 --> 01:08:41.969 To keep you on your toes as some of you know. 01:08:42.750 --> 01:08:52.016 More facts are emerging about Jaco Pistorius' tragic passing, the bassist from Weather Report there, and also recorded solo quite a lot. 01:08:52.816 --> 01:08:57.879 And apparently it's true that he was killed after an assault by a bouncer, but 01:08:59.640 --> 01:09:07.045 Dave Sayer has emailed to add that sadly, Pistorius himself was an alcoholic apparently, and probably started the fight himself. 01:09:07.145 --> 01:09:08.305 That's conjecture though, isn't it? 01:09:08.545 --> 01:09:10.527 That is conjecture coming from Dave Sayer. 01:09:10.547 --> 01:09:19.192 We're not quite sure what the reality is there, but he also points out that, now he's saying that no one from Weather Report is on the Sting album, which is Bring On The Night. 01:09:19.252 --> 01:09:20.993 I was saying that Summer Weather Report. 01:09:21.053 --> 01:09:22.554 Winter Marsalis and all that lot. 01:09:22.714 --> 01:09:27.345 Well, not the ones that played on Black Market, but Omar Hakim is on there. 01:09:27.585 --> 01:09:27.826 Right. 01:09:27.886 --> 01:09:29.850 And I think he didn't he play on Sport in Life? 01:09:30.453 --> 01:09:32.835 I think he's played with Weather Report, now you're asking. 01:09:33.435 --> 01:09:34.996 Like he nicked a few JB's, didn't he? 01:09:35.357 --> 01:09:36.618 Possibly, possibly. 01:09:37.758 --> 01:09:47.766 But anyway, the film's called Bring on the Night, the film with Sting, the trudy style of giving birth and Sting having arguments with brilliant jazz musicians who he's kind of brought on the stay with him. 01:09:48.426 --> 01:09:52.189 Bradford Marsalis and Kenny Kirklander on Bring on the Night as well. 01:09:52.489 --> 01:09:54.711 But I'm sure there's someone from Weather Report on there. 01:09:55.571 --> 01:10:03.454 I also said earlier on, I was talking about In Bruges and I was saying as a casting choice for one of my Guy Ritchie characters, I would go for Martin McDonough. 01:10:03.554 --> 01:10:04.814 He was the writer. 01:10:04.914 --> 01:10:06.335 He's not necessarily an actor. 01:10:06.895 --> 01:10:09.596 He was the writer of In Bruges, talented playwright. 01:10:09.636 --> 01:10:14.438 The actor I was thinking of was... I forgot his name again! 01:10:14.938 --> 01:10:15.198 Who? 01:10:15.358 --> 01:10:15.958 Brendan Gleason. 01:10:15.978 --> 01:10:17.459 Brendan Gleason, thank you very much. 01:10:17.499 --> 01:10:21.740 Yeah, who also popped up as Mad Eye Moody in Harry Potter films. 01:10:21.760 --> 01:10:21.980 Yes. 01:10:22.300 --> 01:10:23.241 Your favourite franchise. 01:10:24.842 --> 01:10:25.302 I do like them. 01:10:25.583 --> 01:10:26.744 I love the swivelly eye man. 01:10:27.024 --> 01:10:28.206 He's great Brendan Gleason. 01:10:28.306 --> 01:10:32.892 He's amazing and So sorry about those erroneous facts there now. 01:10:32.932 --> 01:10:40.040 Let's have some Well, we're gonna read out a couple of text for Texas text in the nation aren't we now? 01:10:40.261 --> 01:10:41.322 Yeah, are we are we not? 01:10:41.582 --> 01:10:42.502 OK, sure, sure. 01:10:42.802 --> 01:10:45.403 Because I was rambling on about my own ideas last time. 01:10:45.823 --> 01:10:47.144 OK, here's one from Andy Clyde. 01:10:47.164 --> 01:10:52.125 Remember we're asking for your suggestions for new characters or titles or plot ideas for the next Guy Ritchie film. 01:10:52.626 --> 01:10:54.826 Andy Clyde suggests a character called Texta. 01:10:55.566 --> 01:10:56.027 Texta? 01:10:56.447 --> 01:10:57.127 He never speaks. 01:10:57.307 --> 01:11:00.108 He only ever sends SMS messages to communicate. 01:11:00.428 --> 01:11:00.768 I like it. 01:11:00.788 --> 01:11:01.588 It's really a good idea. 01:11:01.608 --> 01:11:02.949 I think we're going to have it in the film. 01:11:03.009 --> 01:11:03.769 Very contemporary. 01:11:04.389 --> 01:11:06.470 Also, that's a better idea for Dexter Fletcher. 01:11:06.950 --> 01:11:07.210 Right. 01:11:07.430 --> 01:11:07.650 Yeah. 01:11:07.990 --> 01:11:08.931 He could play both parts. 01:11:09.091 --> 01:11:09.751 Texta Fletcher. 01:11:10.091 --> 01:11:14.055 He could be a kind of Eddie Murphy kind of character, who plays multiple parts in Richie films. 01:11:14.255 --> 01:11:14.555 Right. 01:11:14.835 --> 01:11:15.536 Using prosthetics. 01:11:15.716 --> 01:11:17.638 I wonder if he's in rock and roll, I'd be sad if he was. 01:11:17.658 --> 01:11:17.958 He must be. 01:11:17.998 --> 01:11:18.338 He must be. 01:11:18.639 --> 01:11:28.387 Alex Cottrell sends an email suggesting a character called Voiceover Vince, a massive obese bald Cockney who stands just off shot, narrating the action as it happens. 01:11:28.907 --> 01:11:36.174 The problem is he gets killed halfway through, which causes the film to break down into the normal level of confusion normally demonstrated by Mr. Richie's films. 01:11:36.934 --> 01:11:37.935 Voiceover Vince, is that good? 01:11:37.975 --> 01:11:39.515 That sounds a bit like that Will Ferrell film. 01:11:40.216 --> 01:11:40.556 I like it. 01:11:41.176 --> 01:11:42.837 It's post-modern. 01:11:42.897 --> 01:11:43.317 I like it. 01:11:43.337 --> 01:11:44.258 It's going to go into film. 01:11:44.298 --> 01:11:45.658 Thank you very much. 01:11:45.998 --> 01:11:47.319 Here's another one from Nick Jones. 01:11:48.359 --> 01:11:50.480 He's got an idea for a character called Sausage Pete. 01:11:50.901 --> 01:11:53.562 He's an older Cockney with slightly fat fingers, nothing else at all. 01:11:55.093 --> 01:11:55.853 He says Nick Jones. 01:11:56.073 --> 01:11:56.314 Right. 01:11:56.474 --> 01:11:56.694 Yeah. 01:11:57.614 --> 01:11:59.255 Sausage Pete. 01:11:59.315 --> 01:12:00.995 Sausage Pete. 01:12:01.055 --> 01:12:02.336 I think it's a really good idea. 01:12:02.376 --> 01:12:03.596 I'm going to put it in the film. 01:12:04.136 --> 01:12:04.296 Yeah. 01:12:04.656 --> 01:12:05.017 OK. 01:12:05.317 --> 01:12:05.877 Here's a good one. 01:12:05.897 --> 01:12:07.798 This is good from Sepp in Manchester. 01:12:08.098 --> 01:12:08.598 The Yank. 01:12:09.598 --> 01:12:12.079 And it's a name for an American character. 01:12:12.259 --> 01:12:12.499 Right. 01:12:13.340 --> 01:12:14.680 Probably played by Steve Buscemi. 01:12:15.200 --> 01:12:17.321 And he's very out of place in London's East End. 01:12:17.781 --> 01:12:19.722 Has he even got one of those in like Snatch? 01:12:20.382 --> 01:12:21.343 Is this someone called a Yank? 01:12:21.443 --> 01:12:22.364 I mean, that sounds... Possibly. 01:12:22.604 --> 01:12:26.428 Ever since, um... John Wayne made that film, Brannigan. 01:12:26.648 --> 01:12:26.868 Right. 01:12:27.028 --> 01:12:28.009 Where he comes to London. 01:12:28.029 --> 01:12:28.730 Do you ever see that? 01:12:28.890 --> 01:12:29.190 Yeah. 01:12:29.510 --> 01:12:32.493 And Danny Cannon did a similar thing in the film, Young Americans, didn't he? 01:12:32.513 --> 01:12:33.014 With Harvey Keitel. 01:12:33.034 --> 01:12:33.935 Fish out, water in it, yeah. 01:12:33.955 --> 01:12:34.095 Mmm. 01:12:34.455 --> 01:12:34.775 Love it. 01:12:35.076 --> 01:12:37.198 Yeah, but that's no reason why Richie wouldn't do it. 01:12:37.218 --> 01:12:38.359 I think it's a really good idea. 01:12:38.379 --> 01:12:40.741 I'm going to put a Yank in for the next film, thanks. 01:12:41.141 --> 01:12:41.461 One more. 01:12:41.862 --> 01:12:44.824 This is from Mark by text Guy Ritchie, character 101. 01:12:44.884 --> 01:12:48.026 He's a safe cracker who only talks in binary code. 01:12:48.066 --> 01:12:48.747 Brilliant. 01:12:49.047 --> 01:12:49.908 That's good, isn't it? 01:12:49.948 --> 01:12:53.610 They've got some characters in Star Trek The Next Generation who are only talking binary code. 01:12:54.271 --> 01:12:57.193 I forget what they're called, but I think it's a really good idea. 01:12:57.273 --> 01:12:57.753 One more. 01:12:57.774 --> 01:12:58.734 This is a really good one. 01:12:58.794 --> 01:13:03.638 It's an anonymous text, but a character called The Flutist, a musician who stabs people with a flute. 01:13:04.058 --> 01:13:06.140 When they're dying, he plays a tune to them. 01:13:06.180 --> 01:13:07.341 Now, I think that guy's missed a trick. 01:13:07.941 --> 01:13:21.533 or lady, because I think if you, this is horrible, I'm not suggesting you do this, but in a film, if you attacked someone with a flute and it penetrated their neck, then as they were dying, it would lay attuned, and the killer would do a sick dance. 01:13:24.491 --> 01:13:25.592 An insane jig. 01:13:25.632 --> 01:13:26.933 People love that kind of thing. 01:13:26.953 --> 01:13:28.014 They're more horrible at best. 01:13:28.034 --> 01:13:29.055 I think it's a really good idea. 01:13:29.115 --> 01:13:30.256 I'm going to put it in the film. 01:13:31.177 --> 01:13:35.081 Now, here's a free play for you after this little Sean Keveny trail. 01:13:35.481 --> 01:13:37.523 And this I'd like to dedicate to my mother. 01:13:37.563 --> 01:13:39.825 It's a bit of Neil Diamond that you'll be hearing in a second. 01:13:40.346 --> 01:13:47.852 And I'd like to play it by way of an apology for bad mouthing her about being an insane sort of car killer. 01:13:48.653 --> 01:13:49.974 And a threat to bicyclists. 01:13:50.694 --> 01:13:51.835 She's not, she's a lovely woman. 01:13:52.075 --> 01:13:54.396 And Forever in Blue Jeans, one of Neil Diamond's. 01:13:54.416 --> 01:13:55.197 Would she be listening today? 01:13:55.217 --> 01:13:55.897 Does she listen to the show? 01:13:55.917 --> 01:13:56.577 Yeah, she likes the show. 01:13:56.617 --> 01:13:57.358 She started listening. 01:13:57.698 --> 01:13:58.599 Hey. 01:13:58.999 --> 01:14:03.461 Neil Diamond, Forever in Blue Jeans is one of her favourite songs, one of mine too. 01:14:03.981 --> 01:14:06.583 So I hope you enjoy it after this Keveny trail. 01:14:06.903 --> 01:14:13.626 We appear to have gone somewhat Radio 2 on your ass, ladies and gentlemen, sorry about that, but in a very good way, I think. 01:14:13.706 --> 01:14:18.749 You know, I dare you to, uh, not have enjoyed that bit of Neil Diamond there with Forever in Blue Jeans. 01:14:18.769 --> 01:14:20.750 This is Adam and Joe here on BBC 6 Music. 01:14:20.970 --> 01:14:23.051 It's just gone 11.30, time now for the news. 01:14:23.611 --> 01:14:25.292 Oh, that's an absolute smash, isn't it? 01:14:25.452 --> 01:14:25.712 Yes. 01:14:25.792 --> 01:14:26.912 That's a shouting classic. 01:14:27.212 --> 01:14:28.733 Monkey Wrench by the Foo Fighters. 01:14:29.273 --> 01:14:32.014 The most desirable man in rock, Dave Grohl. 01:14:32.274 --> 01:14:33.254 I'll have a slice, please. 01:14:33.414 --> 01:14:33.974 Thank you. 01:14:33.994 --> 01:14:36.075 I've just been checking the emails. 01:14:36.695 --> 01:14:41.797 I hadn't looked at them for a while, and we've got a huge amount about Phil Collins. 01:14:42.257 --> 01:14:42.577 Right. 01:14:42.677 --> 01:14:44.718 It's provoked a thunderstorm. 01:14:44.758 --> 01:14:46.018 This is what happens. 01:14:46.078 --> 01:14:48.439 And it is really quite divided, isn't it, down the middle. 01:14:48.479 --> 01:14:49.099 Lots of people 01:14:49.739 --> 01:14:54.162 really liking the sound of the Collins, but people really violently taking against him. 01:14:54.482 --> 01:14:55.983 I didn't think he'd divide people still. 01:14:56.484 --> 01:15:03.328 Well, he thought maybe people would have, you know, got over that kind of division, you know, or that kind of divisive thinking. 01:15:03.828 --> 01:15:09.012 For some people, you know, for maybe lazy thinkers, he's a byword for mediocrity. 01:15:09.212 --> 01:15:12.253 Well, there's the famous fact that, of course, he's beloved by hip-hoppers. 01:15:12.674 --> 01:15:12.934 Right. 01:15:13.254 --> 01:15:14.634 And the urban music community. 01:15:14.674 --> 01:15:20.617 There's a whole album of covers of Phil Collins' tracks done by very respected R&B artists. 01:15:21.898 --> 01:15:24.979 So, you know... He's had more than his fair share of it. 01:15:25.239 --> 01:15:29.141 I think maybe he does himself a disservice by being so geezer-ish, you know what I mean? 01:15:29.221 --> 01:15:29.461 Right. 01:15:29.801 --> 01:15:32.802 Like, I mean, you wouldn't want him to take himself more seriously. 01:15:32.942 --> 01:15:35.263 I don't know what the best way to go is if I was advising Phil. 01:15:35.283 --> 01:15:38.365 There are pop stars that take themselves a lot more seriously than Phil. 01:15:38.485 --> 01:15:38.985 Oh, definitely. 01:15:39.265 --> 01:15:41.346 I tell you his problem is he's just not in the public eye anymore. 01:15:41.366 --> 01:15:42.487 He's not standing up for himself. 01:15:43.267 --> 01:15:44.368 Where's the sequel to Buster? 01:15:45.008 --> 01:15:46.429 Where is comic relief appearances? 01:15:46.689 --> 01:15:49.251 He used to be part of the fabric of British life, didn't he? 01:15:49.691 --> 01:15:53.613 Always turning up on swap shop and BBC things all the time. 01:15:53.933 --> 01:15:55.895 Well, he's got his own personal life to take care of. 01:15:56.135 --> 01:15:57.736 His daughter was getting married. 01:15:57.776 --> 01:16:03.719 I saw some pictures in one of my wife's mags the other day of Collins looking proud and happy and healthy. 01:16:04.339 --> 01:16:06.721 So, you know, things are going well in Collinsville. 01:16:07.341 --> 01:16:14.326 Well, we're sorry if it shocked you, the playing of Colin's listeners, but... You know, you've got to be in it for the long haul, if you listen to this show, right? 01:16:14.346 --> 01:16:15.627 Take the rough with the smooth. 01:16:15.847 --> 01:16:16.687 There's a lot of rough. 01:16:16.927 --> 01:16:17.648 Exactly. 01:16:17.748 --> 01:16:18.669 Anyway, theatre news. 01:16:18.749 --> 01:16:19.769 Adam, you love the theatre. 01:16:19.949 --> 01:16:20.910 Absolutely adore the theatre. 01:16:20.930 --> 01:16:23.552 When was the last time you went to the theatre, seeing as you love it so much? 01:16:23.992 --> 01:16:29.473 Oh, um, actually, well, I went sort of relatively recently with my son to see the theatre production of Tin Tin. 01:16:29.733 --> 01:16:30.314 Oh, there you go. 01:16:30.334 --> 01:16:31.194 That was two years ago. 01:16:31.414 --> 01:16:33.174 That was relatively recently, isn't it? 01:16:33.254 --> 01:16:33.794 Two years. 01:16:33.814 --> 01:16:34.194 Before that. 01:16:34.555 --> 01:16:35.895 I went to the theatre last night. 01:16:35.915 --> 01:16:37.115 Yes, I went to the theatre. 01:16:37.135 --> 01:16:40.836 Now you do love the theatre, because you were seeing Speed the Plow, whatever it was. 01:16:40.856 --> 01:16:41.656 Yeah, I didn't see that one. 01:16:41.696 --> 01:16:44.897 I like it if it's got a star or amazing stage craft. 01:16:45.177 --> 01:16:47.678 I don't like plays that are just talking in touring rooms. 01:16:47.818 --> 01:16:50.140 So you went to see Wicked at the Apollo Victoria. 01:16:50.160 --> 01:16:55.162 I went to see Sue Pollard in Razzle Dazzle. 01:16:56.043 --> 01:16:56.723 No, I made that up. 01:16:57.023 --> 01:16:58.464 No, I went to the National Theatre. 01:16:58.484 --> 01:16:59.965 Have you heard of the National Theatre? 01:16:59.985 --> 01:17:00.345 Yes, I have. 01:17:00.645 --> 01:17:01.406 On the South Bank. 01:17:01.746 --> 01:17:07.769 It's a wonderful place because it kind of sucks all the posh people out of London, or all the solidly middle class people. 01:17:07.969 --> 01:17:08.790 Big posh sponge. 01:17:08.830 --> 01:17:10.791 I can see a single non-white face there. 01:17:10.951 --> 01:17:11.291 Really? 01:17:11.451 --> 01:17:13.812 Seriously, I looked around in the audience before the lights went down. 01:17:14.212 --> 01:17:17.053 I saw two non-white people in the whole auditorium. 01:17:17.373 --> 01:17:19.253 I'm not saying that's a good thing in any way. 01:17:19.293 --> 01:17:20.134 That's a bad thing. 01:17:20.554 --> 01:17:26.155 But it's interesting that it does siphon off a very kind of middle-class section of society is the point I'm making. 01:17:26.376 --> 01:17:29.436 Well, it just happens to be to appeal to that section of society. 01:17:29.536 --> 01:17:29.656 Yeah. 01:17:30.157 --> 01:17:32.157 So much so that I was sat down in my seat. 01:17:32.357 --> 01:17:34.858 I was seeing this play The War Horse, which is incredible. 01:17:34.998 --> 01:17:36.218 Oh, yeah. 01:17:36.278 --> 01:17:37.819 I guarantee you'd love it if you went to see it. 01:17:38.459 --> 01:17:39.420 Amazing puppetry. 01:17:39.520 --> 01:17:41.200 Amazing puppetry. 01:17:41.561 --> 01:17:48.024 But I was sitting down, as I was sitting down, various posh bumbling middle class people were sitting down around me. 01:17:48.104 --> 01:17:53.767 And a man had a middle aged man with white hair, had a little, almost a little tumble on the stairs. 01:17:54.327 --> 01:17:56.969 So he had to hold on to the banister to steady himself. 01:17:57.269 --> 01:17:59.110 And he said, oh, Crivens. 01:17:59.890 --> 01:18:00.290 Nice. 01:18:00.390 --> 01:18:00.671 Yes. 01:18:01.511 --> 01:18:04.633 I haven't heard that word used in public ever before, I think. 01:18:05.113 --> 01:18:05.474 No. 01:18:05.734 --> 01:18:08.796 But that speaks of the crowd the National Theatre attracts, doesn't it? 01:18:08.816 --> 01:18:09.776 Someone using crivens? 01:18:10.037 --> 01:18:10.897 Absolutely. 01:18:10.957 --> 01:18:11.698 I should come back. 01:18:11.818 --> 01:18:12.418 Criminy. 01:18:12.898 --> 01:18:14.059 Criminy jicket. 01:18:16.181 --> 01:18:17.581 It was an amazing play, though. 01:18:17.621 --> 01:18:23.005 It's a sort of classic horsey tale, a bit like the Black Stallion or... Is it in the First World War or the Second World War? 01:18:23.025 --> 01:18:23.986 Yeah, the First World War. 01:18:24.066 --> 01:18:30.129 It's a little foal that gets bought by a hard-up farmer and his son sort of brings the foal up. 01:18:31.070 --> 01:18:35.273 And then it gets, uh, sequestered for the army and ends up being a horse in the First World War. 01:18:35.293 --> 01:18:38.355 Well, you know, or it's like that Bresson film, O'Hazard Balthazar, yeah? 01:18:38.575 --> 01:18:39.196 Oh, I love it. 01:18:39.376 --> 01:18:40.156 About the donkey. 01:18:40.176 --> 01:18:51.604 A movie about an animal that goes through various groups of humans and you get little portraits of the humans and some of them are evil, some of them are nice, but the animal remains aloof and kind of noble through whatever rubbish the humans put them through. 01:18:51.824 --> 01:18:52.264 Yes, yes. 01:18:52.304 --> 01:18:52.725 A bit like that. 01:18:52.745 --> 01:18:57.668 But the horses are done with, uh, amazing sort of wooden maquette puppets. 01:18:58.128 --> 01:18:58.829 Is that the right word? 01:18:59.329 --> 01:18:59.870 I don't know. 01:19:00.050 --> 01:19:01.533 A maquette is like a little model. 01:19:01.613 --> 01:19:05.318 Yeah, they're like a kind of framework model operated by three people. 01:19:05.959 --> 01:19:06.981 And it's marionette. 01:19:07.542 --> 01:19:10.626 A marionette is a puppet with strings. 01:19:10.807 --> 01:19:11.408 Yeah. 01:19:11.428 --> 01:19:12.289 More like maquettes, I think. 01:19:12.309 --> 01:19:13.751 Everything all right? 01:19:14.432 --> 01:19:39.415 Okay and uh sorry and uh yeah anyway it's amazing and I recommend you see it they're operated by three people these horses uh and they're operating the ears and the eyes and and the precise reaction to everything on the stage at all time and they are they are they just wearing black like they're standing next to it and operating it or they beneath the stage they're dressed like the brilliant thing is they're dressed like like like um animal hands do you know what I mean like in flat caps like farm hands but they never take their eyes off the puppet so it looks as if 01:19:39.915 --> 01:19:41.495 They're handling a real animal. 01:19:41.956 --> 01:19:44.956 It looks as if they're just coaxing this real animal through a performance. 01:19:45.596 --> 01:19:47.437 So real is their operating of the puppet. 01:19:47.997 --> 01:19:49.257 It's amazing. 01:19:49.437 --> 01:19:49.717 Wow. 01:19:49.917 --> 01:19:52.878 I nearly had an emotional breakdown about two minutes in. 01:19:53.058 --> 01:19:54.459 Crivvans. 01:19:54.499 --> 01:19:59.000 When the fowl came out, I so nearly cried my breasts off. 01:19:59.060 --> 01:19:59.340 Yeah. 01:20:00.140 --> 01:20:00.921 That's brilliant, man. 01:20:00.961 --> 01:20:01.861 I'd love to go and see that. 01:20:01.881 --> 01:20:02.402 It's very good. 01:20:02.522 --> 01:20:04.783 I'm not allowed in, though, because I'm too street. 01:20:05.223 --> 01:20:05.584 Really? 01:20:05.664 --> 01:20:05.884 Yeah. 01:20:05.924 --> 01:20:06.865 That's true, isn't it? 01:20:06.925 --> 01:20:17.472 Yeah, I'll be down skateboarding around there, but I wouldn't go and see the theatre, because that's... The sun should do one of those things where they offer prizes, like they did with the opera the other week, you know? 01:20:17.492 --> 01:20:19.993 To get real people into the theatre. 01:20:20.033 --> 01:20:24.056 Get a wider diversity of cultural tourists in there. 01:20:24.296 --> 01:20:25.477 Yeah, yeah, yeah. 01:20:25.517 --> 01:20:27.839 Well, people are missing out if they're not seeing it, hey, obviously. 01:20:28.479 --> 01:20:29.099 I just said that. 01:20:29.299 --> 01:20:29.600 Well done. 01:20:30.080 --> 01:20:30.980 As a thing to say. 01:20:31.321 --> 01:20:33.081 Now, this is your choice, Joe, that you've got coming up. 01:20:33.101 --> 01:20:33.602 Yeah, yeah, yeah. 01:20:33.622 --> 01:20:34.262 What is it gonna be? 01:20:34.522 --> 01:20:39.465 Well, it's another little... We're not exactly going for the indie classics this week, are we? 01:20:39.505 --> 01:20:39.765 Yeah. 01:20:39.845 --> 01:20:40.766 Is this a good idea? 01:20:40.786 --> 01:20:50.411 A couple of weeks ago, I was mentioning The Mr. Men, and I sang a bit from Mr. Bump, and someone called John III sent in, burnt off the album for me. 01:20:50.431 --> 01:20:51.671 I haven't had that since I was a kid. 01:20:51.711 --> 01:20:52.772 Does this mean anything to you, Adam? 01:20:53.152 --> 01:20:53.933 Yeah, absolutely. 01:20:54.253 --> 01:20:54.553 Does it? 01:20:54.694 --> 01:20:56.135 Yeah, well you were talking about it, weren't you? 01:20:56.475 --> 01:20:57.896 But did you have the Mr. Men as a kid? 01:20:58.417 --> 01:21:02.300 Uh, no, I said that my dad strongly disapproved of all the men. 01:21:02.701 --> 01:21:03.041 Really? 01:21:03.341 --> 01:21:04.022 He hated them. 01:21:04.222 --> 01:21:06.184 He had an irrational loathing of them. 01:21:06.704 --> 01:21:10.588 I think, I don't know what his problem was, I think he thought they were just sort of simple-minded or something. 01:21:11.248 --> 01:21:13.669 and that his children should not be exposed to them. 01:21:13.989 --> 01:21:16.810 So every time he came in and he caught me, it was like a guilty pleasure. 01:21:16.830 --> 01:21:19.791 It was like having a little porn mag there, a little Mr. Man book. 01:21:20.131 --> 01:21:22.792 He'd come in and he'd go, oh, the Mr. Man! 01:21:23.053 --> 01:21:24.293 That rubbish! 01:21:24.593 --> 01:21:27.694 I don't know if he'd been like in a fight with... Who was the guy that... Roger Hargreeves. 01:21:27.734 --> 01:21:34.417 Roger Hargreeves and my dad had a dust-up, or I don't know what, but he loathed all the men in the world of the Mr. 01:21:35.297 --> 01:21:35.497 Really? 01:21:35.537 --> 01:21:37.019 Well then, in that case, this is for him. 01:21:37.899 --> 01:21:41.302 This is for Nigel Buxton, Bad Dad, and it's... What's it called? 01:21:41.362 --> 01:21:42.883 Is it called Let's Go to Mr Land? 01:21:43.644 --> 01:21:43.804 Yes. 01:21:43.824 --> 01:21:44.345 Yeah, kick it. 01:21:44.905 --> 01:21:48.168 I went to Mr Land to have a look-see. 01:21:48.788 --> 01:21:50.029 It's a mystery tree. 01:21:50.109 --> 01:21:54.133 Mr Fields, Mr Trees. 01:21:58.271 --> 01:21:59.292 It's Mr. Time! 01:21:59.312 --> 01:22:01.214 It really is a pan time! 01:22:01.334 --> 01:22:02.535 How long's it going Claire? 01:22:14.701 --> 01:22:15.602 Another minute. 01:22:15.622 --> 01:22:16.262 Another minute. 01:22:16.883 --> 01:22:17.963 You know what it sounds like? 01:22:18.103 --> 01:22:18.744 Stackridge. 01:22:20.765 --> 01:22:23.286 It sounds like a kind of George Martin production. 01:22:24.367 --> 01:22:26.648 You can imagine Paul McCartney working on that. 01:22:26.728 --> 01:22:30.431 So let's go to Mr. Land of Man. 01:22:30.451 --> 01:22:31.551 This is sick music, man. 01:22:31.831 --> 01:22:32.272 I know. 01:22:32.732 --> 01:22:33.492 It's eclectic. 01:22:33.512 --> 01:22:34.313 It is eclectic. 01:22:34.353 --> 01:22:34.833 I forgot. 01:22:35.494 --> 01:22:39.716 Thank you very much, John III, King John III, who sent that to me. 01:22:41.057 --> 01:22:42.318 Doesn't he rule North Korea? 01:22:43.098 --> 01:22:44.720 That's King Kim Jong. 01:22:45.380 --> 01:22:47.363 I don't know how you get confused, but thanks a lot. 01:22:47.483 --> 01:22:47.923 King Jong Hill. 01:22:47.943 --> 01:22:48.964 The people of North Korea. 01:22:49.164 --> 01:22:49.645 He's ill in. 01:22:50.946 --> 01:22:52.788 No, that's very nice of you to burn that off. 01:22:52.848 --> 01:22:53.849 I'm talking to King Jong. 01:22:53.869 --> 01:22:54.710 Right. 01:22:55.451 --> 01:22:56.832 Right now. 01:22:56.892 --> 01:22:58.774 But don't do it again. 01:22:58.794 --> 01:22:59.655 Oh, come on. 01:22:59.675 --> 01:23:00.216 That was good. 01:23:00.356 --> 01:23:01.097 It was not real. 01:23:01.157 --> 01:23:02.357 It was great. 01:23:02.377 --> 01:23:03.558 That's what you want on a Saturday morning. 01:23:03.598 --> 01:23:05.920 Phil Collins and the Mr. Man. 01:23:06.380 --> 01:23:08.702 It's what the six music listeners are crying out for. 01:23:08.742 --> 01:23:10.823 It's the six music formula for success. 01:23:10.983 --> 01:23:13.245 It's six music for six-year-old success. 01:23:13.585 --> 01:23:15.186 We've got another Guy Garvey trail. 01:23:16.067 --> 01:23:17.108 Well, is it the same one? 01:23:17.944 --> 01:23:21.646 You can't play the same trail twice in the same show, surely. 01:23:22.146 --> 01:23:23.067 Something's going wrong there. 01:23:23.087 --> 01:23:28.850 I mean, it's a fantastic trail for a wonderful guy, and it's great to celebrate his deserved success. 01:23:28.910 --> 01:23:29.670 I want to hear it again. 01:23:29.690 --> 01:23:30.411 Let's hear it again then. 01:23:30.631 --> 01:23:35.973 Mercury Prize award-winning stuff there from Elbow and The Bones of You. 01:23:36.033 --> 01:23:37.734 Salomon Joe on BBC Six Music. 01:23:37.754 --> 01:23:39.075 It's pretty much the end of our show. 01:23:39.215 --> 01:23:39.695 It is, isn't it? 01:23:39.855 --> 01:23:41.676 Are we going to have time to wrap up textination? 01:23:41.696 --> 01:23:44.598 Yeah, let's have a couple more just to send it off. 01:23:44.858 --> 01:23:50.084 Okay, here's an email that is suggesting the plot for the next Guy Ritchie film. 01:23:50.104 --> 01:23:56.831 He should do a film about a depressed 40-ish film director called Tarquin, who married a singer who was 10 years older and much more famous than him. 01:23:57.212 --> 01:24:02.638 They didn't have much in common, and the film director thinks that she only married him so that she could get opportunities to resurrect her failed acting career. 01:24:03.038 --> 01:24:05.280 He tried to do this, but the film he cast her in was terrible. 01:24:05.621 --> 01:24:07.562 His careers now in decline and he's not trendy anymore. 01:24:07.923 --> 01:24:10.205 Radio DJs and comedians take the Mickey out of him a lot. 01:24:10.545 --> 01:24:11.987 He has rouse all the time with his wife. 01:24:12.327 --> 01:24:17.752 She won't let him go to his favourite pubs in the East End and makes him stay home and look after their children, Ferenguola and Martinique. 01:24:18.252 --> 01:24:19.053 Resentment builds. 01:24:19.394 --> 01:24:23.397 He loses his mind and plots to kill her in his new film deliberately by accident in a horse riding incident. 01:24:24.238 --> 01:24:24.558 That's it. 01:24:24.639 --> 01:24:28.582 It would be a bit like that Vincent Price film where the actor bumps off his critics or maybe an episode of Colombo. 01:24:28.602 --> 01:24:32.687 I think it's a really good idea to put it in the next film. 01:24:32.947 --> 01:24:34.949 I don't think it's very believable though. 01:24:34.989 --> 01:24:35.850 That's the only thing. 01:24:36.591 --> 01:24:40.194 I don't think that would really happen but I do like it. 01:24:40.214 --> 01:24:40.835 It's a good idea. 01:24:40.855 --> 01:24:41.836 I'm going to put it in the film. 01:24:42.476 --> 01:24:46.518 And finally, Ian Bridgeman says, Hi guys, I would like to see Chris Salt in a Guy Ritchie movie. 01:24:46.718 --> 01:24:48.739 He would be quiet and unassuming, but feared. 01:24:49.039 --> 01:24:52.461 The rumour is that he once killed a man with a part of a Lego Technics dinosaur. 01:24:52.921 --> 01:24:54.662 He would be played by Alan Cumming, I think. 01:24:54.862 --> 01:24:56.583 That's a good idea, I'm going to put it in the film. 01:24:56.943 --> 01:25:00.945 And you know the other idea that Ritchie could apply himself to, of course. 01:25:01.366 --> 01:25:01.766 Stephen! 01:25:02.546 --> 01:25:02.926 Yes. 01:25:03.146 --> 01:25:04.787 Oh, we wouldn't want that in his hands. 01:25:04.807 --> 01:25:05.287 You reckon? 01:25:05.687 --> 01:25:05.947 No. 01:25:06.047 --> 01:25:07.107 He'd do it justice. 01:25:07.187 --> 01:25:07.968 No, of course he would. 01:25:07.988 --> 01:25:10.468 We want Brett Ratner or... Brett Ratner or Mcgee. 01:25:10.769 --> 01:25:11.089 Really? 01:25:11.249 --> 01:25:11.809 On that one, yeah. 01:25:11.849 --> 01:25:12.909 Is Mcgee still working? 01:25:13.049 --> 01:25:14.470 Yeah, he's doing Terminator 4. 01:25:14.610 --> 01:25:15.330 Oh, thank goodness. 01:25:16.230 --> 01:25:19.911 Thank you very much indeed for all your suggestions, for textination there. 01:25:20.251 --> 01:25:24.733 Thanks for listening, and we're sorry if we've traumatised you with some of the musical choices this morning. 01:25:24.813 --> 01:25:26.473 Yeah, we'll try and get a bit hipper next week. 01:25:26.633 --> 01:25:28.214 Actually, you're away next week, aren't you? 01:25:28.274 --> 01:25:30.575 It's going to be Garth Jennings, the wonderful Garth Jennings. 01:25:30.635 --> 01:25:31.035 You're out to... 01:25:31.835 --> 01:25:40.799 Los Angeles, again, doing a bit of globe-hopping, trotting, and yes, Garth is going to come in, and I think Garth and I are going to try and get it together to do a song for... That would be great. 01:25:40.820 --> 01:25:41.500 ...for you listeners. 01:25:42.220 --> 01:25:44.161 What's the status on the wedding situation? 01:25:44.361 --> 01:25:45.942 Has anyone come back to us about that? 01:25:46.062 --> 01:25:50.925 Yes, we've had quite a few emails about the wedding, but the lady who texted us first, was she called Emma? 01:25:51.265 --> 01:25:52.105 Yeah. 01:25:52.365 --> 01:25:54.987 She is asserting her right to first dibs. 01:25:55.107 --> 01:25:55.687 Right, okay. 01:25:55.707 --> 01:25:57.648 So we're going to have to have a discussion about that. 01:25:57.668 --> 01:25:59.109 We'll sort that out, we'll print some of them out. 01:26:00.089 --> 01:26:17.493 Don't forget listeners, you can listen to this whole show again if you want to via Listen Again on the BBC6 Music website, you can listen to it on the iPlayer, and you can download the filleted podcast with special new bits from about 6 o'clock on Sunday night from all major digital outlets. 01:26:18.033 --> 01:26:19.413 Not many new bits, we should say. 01:26:19.613 --> 01:26:20.753 Like a little intro and outro. 01:26:20.914 --> 01:26:22.134 Plus you get some jingles in there. 01:26:22.334 --> 01:26:23.414 We're not allowed to put more in. 01:26:23.454 --> 01:26:25.715 We'd like to, but it's against the rules of the castle. 01:26:25.755 --> 01:26:27.715 You get chopped off, your head chopped off if you do that. 01:26:27.975 --> 01:26:28.655 Thanks for listening. 01:26:28.755 --> 01:26:30.055 We hope you have a great Saturday. 01:26:30.395 --> 01:26:32.316 Liz Kershaw is coming up, so stay tuned. 01:26:32.436 --> 01:26:34.696 Right now, we're gonna leave you with a session from the Zutons. 01:26:34.736 --> 01:26:35.256 Have a great week. 01:26:35.296 --> 01:26:35.777 Bye! 01:26:35.797 --> 01:26:36.057 Bye. 01:26:37.657 --> 01:26:38.877 Oh, that's Ben Folds. 01:26:38.917 --> 01:26:39.817 It was going so well. 01:26:39.837 --> 01:26:42.478 I was talking really fast and everything was gonna be fine. 01:26:43.798 --> 01:26:44.938 We had the Zutons, didn't we? 01:26:45.318 --> 01:26:45.619 Did we? 01:26:45.639 --> 01:26:46.939 Oh, I know, it's all going wrong now. 01:26:47.339 --> 01:26:49.679 See, it was all going... She should've just ignored me and played Ben Folds. 01:26:49.719 --> 01:26:51.220 Here's a band with music. 01:26:51.260 --> 01:26:52.300 Rockin' the suburbs. 01:26:52.520 --> 01:26:52.820 Bye!