WEBVTT 00:01.616 --> 00:03.619 to the big British castle. 00:03.639 --> 00:07.403 It's time for Adam and Jo to broadcast on the radio. 00:07.664 --> 00:11.809 There'll be some music and some random talking in between, and then the 00:15.034 --> 00:17.818 Hola, fiesta, arriba! 00:18.439 --> 00:19.781 Congratulations! 00:19.801 --> 00:21.323 Thank you very much, why? 00:21.783 --> 00:22.685 Oh you've won! 00:22.885 --> 00:23.766 What have I won? 00:23.806 --> 00:26.650 You've won this free pass! 00:26.810 --> 00:27.752 I love it! 00:28.272 --> 00:31.296 For three hours of radio free! 00:31.877 --> 00:31.957 Oh! 00:32.598 --> 00:35.581 It's free and there will be music. 00:35.902 --> 00:36.802 Who DJ? 00:37.683 --> 00:38.304 Two men. 00:39.405 --> 00:40.907 They're not very good. 00:40.967 --> 00:43.029 They don't have proper training. 00:43.289 --> 00:44.030 I love that. 00:44.530 --> 00:45.611 I'm now Italian. 00:45.631 --> 00:47.573 I don't know what I am. 00:47.593 --> 00:51.677 Are you from... Hey, you know a film I saw this week? 00:52.860 --> 00:54.782 No, I'm launching into a subject. 00:54.822 --> 00:55.102 Go on. 00:55.122 --> 00:56.083 We should say who we are. 00:56.103 --> 00:56.403 Shouldn't we? 00:56.843 --> 00:57.083 Hello. 00:57.123 --> 00:57.724 My name's Joe. 00:57.864 --> 00:58.404 I'm Adam. 00:59.245 --> 01:01.767 This is Adam and Joe here on BBC six music. 01:01.867 --> 01:02.848 Can I just say quickly? 01:02.868 --> 01:03.228 Go on then. 01:03.468 --> 01:04.049 Credit crunch. 01:04.409 --> 01:05.390 Credit crunch. 01:05.630 --> 01:06.310 I love it. 01:06.631 --> 01:06.911 Thanks. 01:06.971 --> 01:07.391 Keep going. 01:07.411 --> 01:07.992 Delicious. 01:08.112 --> 01:08.832 Carry on talking. 01:09.393 --> 01:11.434 So zero percent inflation. 01:12.575 --> 01:12.855 Yeah. 01:13.176 --> 01:14.817 The nation's ground to a halt. 01:15.197 --> 01:16.599 It's the... it's Apokolipto. 01:16.639 --> 01:17.439 Keep talking, though. 01:18.080 --> 01:20.943 I saw this Dana Carvey film this week, The Master of Disguise. 01:21.524 --> 01:21.664 Oh, why? 01:21.904 --> 01:26.289 And he plays a guy called Pistachio in it, which reminded me of The Voice, you know? 01:26.309 --> 01:28.151 Yes, that's a famously awful film. 01:28.471 --> 01:30.173 Well, I thought... I saw it was £3 in a hardware shop. 01:32.755 --> 01:35.277 It was his big attempt to out Meyers Meyers. 01:35.317 --> 01:37.159 He even does a joke about Meyers. 01:37.179 --> 01:37.499 Does he? 01:37.739 --> 01:38.560 It was a flopo. 01:38.720 --> 01:40.622 I remember Jonathan Ross on film 1822. 01:41.382 --> 01:41.742 Yeah. 01:42.443 --> 01:43.204 Laying into that. 01:43.224 --> 01:44.885 2002 it came out. 01:45.045 --> 01:45.325 Really? 01:45.345 --> 01:45.806 There you go. 01:45.966 --> 01:48.448 I bet you they made it just before the world changed. 01:48.908 --> 01:49.688 It's another subject. 01:49.708 --> 01:51.309 That program, Film 2008. 01:51.729 --> 01:51.949 Yeah. 01:52.550 --> 01:55.111 It's difficult if you're referring to old issues. 01:55.131 --> 01:56.592 You have to get the year right, don't you? 01:56.952 --> 01:57.552 It's very confusing. 01:57.572 --> 01:59.853 It's a difficult program to pop into casual conversation. 01:59.873 --> 02:02.274 Man, we're skidding around from topic to topic, aren't we? 02:02.434 --> 02:05.195 It's kind of like a selection pack, a pick and mix, a preview. 02:05.556 --> 02:05.876 Yeah. 02:07.336 --> 02:10.918 I just had the image of skidding around from topic to topic and I was thinking, that's delicious. 02:11.439 --> 02:14.320 You know, you have one topic, yum, yum, yum, on to the next one. 02:14.420 --> 02:16.541 Hazelnut in every bite, yum, skid on to the next one. 02:17.142 --> 02:21.444 Anyway, listen, folks, stick with us for the next two hours, 55 minutes. 02:21.484 --> 02:23.865 We've got great music and we're going to be talking about interesting. 02:23.885 --> 02:26.907 We need your help this week because we haven't done a song wars in a while. 02:26.927 --> 02:27.647 We've had some problems. 02:27.667 --> 02:28.547 We'll explain later. 02:29.048 --> 02:29.908 So all that to come. 02:29.928 --> 02:33.210 But right now, here's the mighty muse with plugin baby. 02:36.758 --> 02:38.920 That's Muse with plug-in baby. 02:38.940 --> 02:40.521 That's a revolting concept. 02:41.782 --> 02:42.642 An electric baby. 02:42.682 --> 02:43.883 An electric baby. 02:43.943 --> 02:46.025 Why would you need an electric baby? 02:46.045 --> 02:47.306 Plug-in the baby? 02:47.326 --> 02:48.186 I don't know. 02:48.206 --> 02:54.671 I mean, unless you were using it like the drones from the Matrix as a source of power. 02:55.531 --> 03:02.072 Right, you were draining the youthful energy from your baby to top up your withered frame. 03:02.693 --> 03:03.473 Or your phone. 03:04.013 --> 03:06.593 Or your phone, just to top up your phone. 03:06.613 --> 03:12.335 Because if it's only a small baby... It's true, you can power some electrical implements from an orange. 03:12.855 --> 03:13.095 Right. 03:13.155 --> 03:15.515 And there's more going on in a baby than an orange, isn't there? 03:15.595 --> 03:18.216 You could power a telly with a baby, you would think. 03:18.456 --> 03:19.676 Just with the methane alone. 03:19.996 --> 03:23.457 Yeah, exactly, because they've got an awful lot of energy, most babies, you know. 03:24.557 --> 03:26.019 So that's something to think about. 03:26.900 --> 03:29.844 Anyway, this is Adam and Jo here on BBC Six Music. 03:29.864 --> 03:31.626 Beautiful morning in London town. 03:32.387 --> 03:33.508 Whoa, it's so beautiful. 03:33.528 --> 03:35.370 You've got some texts and messages there, Jo. 03:35.571 --> 03:36.191 We've got a couple. 03:36.211 --> 03:36.872 I'm going through them. 03:36.892 --> 03:40.597 We're going to do a correspondence corner in a bit, but let's start you off with this one, listeners. 03:41.398 --> 03:43.380 It's Song Wars week this week, but 03:44.561 --> 04:01.430 uh we are sad to announce that there is no song wars because at about uh 9 30 yesterday evening Adam and I had a text exchange in which we both came clean that we were having such a miserable time trying to do it we were writing peace songs 04:02.170 --> 04:03.812 We were just torturing ourselves. 04:04.313 --> 04:07.678 I'd started to and abandoned both for being unplayable. 04:08.319 --> 04:08.900 Unlistenable. 04:08.960 --> 04:09.641 How did yours start? 04:09.661 --> 04:10.562 What was the best one like? 04:11.624 --> 04:12.885 It's hard to say what the best one was. 04:12.926 --> 04:14.287 It was sort of a folk-y thing. 04:14.848 --> 04:16.671 But it just sounded sort of sincere. 04:17.932 --> 04:18.653 and icky. 04:19.353 --> 04:26.716 And then there was another one that was kind of aliens singing to the planet Earth about not getting in trouble, but that was awful as well. 04:26.776 --> 04:27.636 That's a good idea. 04:27.696 --> 04:28.517 That was a dirge. 04:28.537 --> 04:30.718 Well, it's difficult to be glib about world peace, isn't it? 04:30.738 --> 04:34.599 Because it would be nice if there was world peace. 04:34.859 --> 04:39.741 But when you start being glib about it, you get into all sorts of difficult areas, don't you? 04:40.122 --> 04:40.562 Exactly. 04:40.642 --> 04:41.782 So we gave up. 04:41.982 --> 04:43.363 We mutually agreed to give up. 04:43.959 --> 04:44.199 Yeah. 04:44.639 --> 04:47.060 Although we should bring in our efforts next week anyway. 04:47.881 --> 04:48.641 Mine are very short. 04:49.001 --> 04:49.962 Yeah, well that would be funny. 04:50.002 --> 04:51.642 Let's just play like 10 seconds off them. 04:52.003 --> 04:54.244 So we'd like from you listeners, and this isn't Text the Nation. 04:54.264 --> 04:57.085 That'll be happening in about an hour or 45 minutes time. 04:57.385 --> 05:06.249 But we'd love your suggestions for song wars, particularly an idea for something where the lyrics are found, thereby making it easier for us. 05:06.549 --> 05:10.010 Like before we sang the lyrics to the IKEA Meatballs song. 05:10.130 --> 05:10.371 Yeah. 05:10.431 --> 05:12.952 The IKEA Meatballs cooking instructions. 05:13.652 --> 05:14.693 And that worked very well. 05:14.934 --> 05:16.976 That was enjoyable because you got a place to start then. 05:17.437 --> 05:21.222 Couldn't anybody out there think of a similar idea, some kind of found text? 05:21.782 --> 05:27.730 And it has to mean something to everybody, like we've thought before of just having listeners send in lyrics. 05:28.371 --> 05:29.892 But there's something a bit exclusive about that. 05:30.493 --> 05:31.274 Yeah, it's difficult. 05:31.514 --> 05:37.619 As soon as you get into people's poetry and their own lyrics, it becomes insane in an unhelpful way. 05:38.219 --> 05:45.645 So, yeah, it could be like a review of a film or an advert, text from an advert, or something that you've found, you know what I mean? 05:45.805 --> 05:54.192 Or if you've got a favourite show or something that you think needs a new theme song, something that would unite the listenership in amusement. 05:54.772 --> 05:55.073 Yeah. 05:55.393 --> 05:57.775 But we want lyrics, though, don't we, specifically? 05:58.300 --> 06:00.482 Yeah, would be nice to have some actual lyrics. 06:00.502 --> 06:02.624 Anything that just gives us a start, something to go on. 06:02.824 --> 06:03.845 Yeah, exactly. 06:04.726 --> 06:15.977 The text is, the text number is 64046, the email, as ever, adamandjo.6musicatbbc.co.uk, and we'd really appreciate some clever ideas for that, because we're running out. 06:16.397 --> 06:17.198 How long has it been now? 06:17.538 --> 06:18.399 About three weeks? 06:18.419 --> 06:19.279 About three weeks. 06:19.319 --> 06:20.520 Well, since the last song wars. 06:20.700 --> 06:26.064 I mean, but we're both very busy doing... You've got all sorts of deadlines, Joe, on Moving House. 06:26.424 --> 06:27.465 It's been a tough week. 06:27.485 --> 06:28.305 It's upside down. 06:28.325 --> 06:30.447 It's upside down, your head. 06:30.587 --> 06:31.888 It's not a very good excuse, though, is it? 06:32.128 --> 06:33.949 So anyway, listeners, we'd appreciate your help, though. 06:34.369 --> 06:35.730 Right now, it's more music time. 06:35.750 --> 06:44.256 This is my free choice, listeners, and this popped up on my MP3 player from the last Kennickel Brothers album, I think, which was called We Are The Night. 06:44.316 --> 06:47.018 You can fire it off here, Claire, because it's got a little intro. 06:47.878 --> 07:14.132 no no no this is not the correct song although I'll tell you what let's just play that one we can find that we can find the chemical brothers later that is a good one I was thinking about playing that one anyway that is the zombies with a track called this will be our year which is on their compilation that came out recently and it is wicked so let's just play that instead you popped it out he's popped the CD out now 07:15.629 --> 07:16.411 Come on, pop it in. 07:16.852 --> 07:17.655 Music, please. 07:17.675 --> 07:19.119 Here we go. 07:19.139 --> 07:19.700 What are we having? 07:20.081 --> 07:22.047 Let's go back to the Chemical Brothers in that case. 07:23.063 --> 07:23.543 There we go. 07:23.783 --> 07:32.365 Yeah, this is from their album, We Are The Night, and it's sort of a drippy epic, and it's called The Pills Won't Help You Now, I think. 07:33.565 --> 07:42.067 And it's got a guest vocalist on there, and he sounds like maybe he's from some sort of fae, Indian American whiny group, like the Postal Service or something. 07:42.427 --> 07:43.847 I'm not sure who it is, singing. 07:44.087 --> 07:45.768 I can't believe you're talking this far into the track. 07:45.928 --> 07:47.468 Well, it's a long intro. 07:47.488 --> 07:49.528 You can hear there's just noises going on there. 07:49.588 --> 07:50.228 No one likes us. 07:50.789 --> 07:51.389 Here we go, though. 07:52.029 --> 07:52.609 Chemical Brothers. 07:58.720 --> 07:59.321 Basement. 08:00.582 --> 08:01.202 Nick Knox. 08:02.223 --> 08:03.945 Toys, games, video games. 08:04.305 --> 08:04.745 Nick Knox. 08:05.126 --> 08:05.786 And Nick Knox. 08:06.027 --> 08:06.747 Oh, good. 08:07.308 --> 08:11.411 That was the Chemical Brothers from their album We Are The Night with the Pills Won't Help You Now. 08:11.431 --> 08:13.613 This is Adam and Jo on BBC6 Music. 08:13.954 --> 08:14.374 Good morning. 08:15.134 --> 08:19.316 We would like to send a message out to Chris Salt, our fantastic Video Wars winner. 08:19.576 --> 08:25.539 Chris, we've just discovered that nobody here at the castle has bothered to get in touch with you about coming in to visit the show. 08:25.919 --> 08:35.743 Some people might have in their mind an image of the big British castle being a very organised, sort of bureaucratic place where things are done carefully and efficiently. 08:36.103 --> 08:36.984 It's chaos here. 08:37.384 --> 08:40.046 Well, we're all, it's all upside down handovers. 08:40.066 --> 08:40.907 It's silly season. 08:41.007 --> 08:42.708 Our producer Jude left last week. 08:42.788 --> 08:43.669 Everyone's on holiday. 08:43.749 --> 08:46.351 Handover happening there and people are on holiday. 08:46.371 --> 08:52.156 But we're gonna be, Chris, we're gonna be in touch with you very soon and arrange a time for you to have an exciting big day out in London. 08:52.196 --> 08:59.642 You can go to Hamleys, you can visit Funland, maybe we'll give you a couple of quid towards Ripley's new, believe it or not, at the Droghedero. 08:59.662 --> 09:03.205 We'll show you some of the buildings that are being built, this one right opposite our studio. 09:03.285 --> 09:05.046 We'll show you where all the Skaggies hang out. 09:05.566 --> 09:07.467 We'll show you London's stinkiest alleys. 09:08.767 --> 09:10.388 All those exciting things to look forward to. 09:10.668 --> 09:25.594 Some other people have complained that, and I'm only merely reporting, that when Chris was on the phone, our video wars winner, who did such an amazing video, when he was on the phone, some people are a bit jealous that he wasn't sort of gushy enough. 09:25.934 --> 09:26.174 Right. 09:26.194 --> 09:26.715 Do you know what I mean? 09:26.755 --> 09:33.418 Like, if you call a commercial radio station, one that takes adverts, and you win a competition, they expect you to go mental. 09:33.638 --> 09:38.741 Well, they prime you on the phone before they say like, go nuts if there's any way you can go completely nuts and shout. 09:38.761 --> 09:44.064 Yes, scream and just sound as if it's the most amazing thing ever to happen to you to win two tickets to Billy Elliot. 09:45.505 --> 09:46.447 And people go mad. 09:46.487 --> 09:48.089 We don't do that sort of thing on this show. 09:48.309 --> 09:48.489 No. 09:48.610 --> 09:49.431 We keep it real. 09:49.671 --> 09:51.634 We still live in the ghetto where we were born. 09:51.834 --> 09:52.255 Exactly. 09:52.275 --> 09:52.955 Like Ice Cube. 09:53.176 --> 09:54.317 We let them behave they want to. 09:54.417 --> 09:55.759 We just pitch about them afterwards. 09:56.120 --> 09:56.400 Do we? 09:56.600 --> 09:57.622 Yeah, that's what we're doing now. 09:57.802 --> 09:57.982 Alright. 09:59.344 --> 10:02.468 So we prefer it that Chris is a man of modesty. 10:03.329 --> 10:15.273 a man who likes to control his emotions, who knows what's going on inside his head, just because he was very cool and seemingly unexcited about coming in overtly, doesn't mean inside he wasn't. 10:15.293 --> 10:16.974 Maybe he was terribly nervous. 10:17.734 --> 10:19.374 He was pleased, he was really pleased. 10:20.175 --> 10:23.276 But not all people express themselves in a kind of shallow game show way. 10:23.296 --> 10:24.056 That's what I was saying. 10:25.117 --> 10:25.697 They should, though. 10:25.717 --> 10:27.379 The world would be a better place if they did. 10:27.580 --> 10:28.541 Anyway, we're going to get on the phone. 10:28.561 --> 10:37.271 We might even get on the phone with him this morning and figure out when he's going to come in and be our buddy, even though now he's probably going to come in with a knife. 10:37.732 --> 10:38.793 Now it's trail time. 10:38.893 --> 10:39.994 Here's one for Steve LaMac. 10:40.535 --> 10:40.956 There you go. 10:40.996 --> 10:46.561 That's Morrissey with That's How People Grow Up, if you didn't realize how people grow up. 10:47.382 --> 10:47.842 Now you do. 10:47.902 --> 10:53.628 That's a short instructional song that Morrissey wrote about it for your listening pleasure. 10:54.008 --> 10:57.451 Now, Joe Cornish, you're obviously very pleased about Team GB. 10:58.192 --> 11:01.674 I mean, it's been such an exciting week for me as a big sports fan. 11:02.395 --> 11:06.037 Team GB are really the only good thing that's happening in the country at the moment. 11:06.077 --> 11:11.881 What with, as I mentioned earlier, the credit crunch, the fact that the growth in this country has gone to 0%. 11:13.622 --> 11:14.843 What, personal growth? 11:15.323 --> 11:17.284 No, just growth as a whole. 11:17.304 --> 11:18.964 You know what I'd really like to see on the news? 11:19.364 --> 11:19.565 What? 11:19.685 --> 11:22.286 Is footage of some sort of production line. 11:22.426 --> 11:22.606 Yeah. 11:22.786 --> 11:24.547 Maybe milk bottles. 11:24.787 --> 11:24.987 Yeah. 11:25.227 --> 11:27.148 And a big zero percent over it. 11:27.528 --> 11:27.688 Right. 11:27.708 --> 11:29.249 You know, superimposed over it. 11:29.809 --> 11:32.030 Just to hammer home the fact that there's been no growth. 11:32.590 --> 11:37.512 I thought you meant like footage of an actual production line as it stops. 11:37.852 --> 11:38.852 That would have been even better. 11:38.892 --> 11:40.213 They didn't have that footage otherwise they would 11:40.253 --> 11:40.753 have played it. 11:40.833 --> 11:44.194 No, and then or factory doors closing that kind of thing. 11:44.334 --> 11:49.895 But Team GB are a glowing, miraculous light in the darkness, aren't they? 11:50.115 --> 11:52.476 They're a flaming beacon of sporting hope. 11:52.956 --> 11:55.857 However, how many of Team GB can you name? 11:55.877 --> 11:59.378 I mean, both Joe and I are unusual in being extremely non-sporty. 11:59.398 --> 11:59.998 Jonathan Runcent. 12:00.598 --> 12:01.078 Runcent. 12:01.279 --> 12:02.119 Jonathan Runcent. 12:02.219 --> 12:03.760 He's the middleweight hurdler. 12:04.081 --> 12:05.241 Yeah. 12:05.522 --> 12:06.282 Theresa Tripp. 12:08.123 --> 12:08.824 What does she do? 12:08.984 --> 12:10.525 She's a middleweight hurdler as well. 12:10.585 --> 12:10.805 Right. 12:10.825 --> 12:12.046 Do you have middleweight hurdlers? 12:12.526 --> 12:12.847 You do now. 12:12.867 --> 12:13.707 Does the weight matter? 12:14.428 --> 12:15.449 No, I don't know any of them. 12:15.509 --> 12:16.529 I tell you who I do know. 12:16.549 --> 12:17.570 Do you not know a single one? 12:18.090 --> 12:19.832 There's the lady that looks like a dolphin. 12:20.592 --> 12:20.832 Right. 12:21.713 --> 12:22.274 There's her. 12:22.454 --> 12:23.334 The bottlenose lady. 12:23.374 --> 12:24.575 Bottlenose Bettina. 12:25.036 --> 12:27.518 Well, I mean, who's the most famous one? 12:27.578 --> 12:31.501 The most famous one is the guy that's winning loads. 12:31.581 --> 12:33.923 No, the most famous one is the Jamaican one, Bolt. 12:34.144 --> 12:37.026 That's a good, memorable name, because he runs like one. 12:37.186 --> 12:37.747 Lightning Bolt. 12:37.947 --> 12:39.448 Phelps is the American one. 12:39.628 --> 12:39.929 Yeah. 12:40.129 --> 12:41.210 He's got all the goals. 12:41.250 --> 12:43.271 Must know one from Team GB. 12:43.992 --> 12:44.893 Oh, yes, I do. 12:44.993 --> 12:46.114 Little Tommy Tinkerbell. 12:46.514 --> 12:47.135 The diver. 12:47.435 --> 12:49.676 Little Toddy Pipkins, the ten-year-old diver. 12:49.836 --> 12:50.557 Runny Runbot. 12:50.897 --> 12:51.638 Good luck, Toddy. 12:52.138 --> 12:53.479 I've been learning a lot about diving. 12:54.540 --> 12:56.141 What about Christina O'Hooroo? 12:56.741 --> 12:56.881 No. 12:57.161 --> 12:57.862 You know her? 12:57.902 --> 12:58.782 She's the lady that... She? 12:58.822 --> 13:01.504 She looks like Arnold Schwarzenegger in total weightlifter. 13:01.664 --> 13:04.186 After he's popped out onto the planet and there's no atmosphere. 13:04.266 --> 13:04.566 Really? 13:04.686 --> 13:06.908 And it's the moment he's about to explode. 13:07.048 --> 13:07.568 Exactly. 13:07.708 --> 13:08.349 What does she do? 13:08.729 --> 13:11.830 She's the one, she won gold for the 400 metres, was it? 13:11.950 --> 13:12.250 Running. 13:12.630 --> 13:14.110 Yeah, she was running all over the place. 13:14.610 --> 13:15.170 She's brilliant. 13:15.651 --> 13:16.391 She's the only one I know. 13:16.411 --> 13:17.031 Well, I miss that bit. 13:17.151 --> 13:20.912 Because she looks like... It's hard to, there's so much of it, it's hard to keep in touch with all of it. 13:21.252 --> 13:27.453 I like, you know, if they have a look that it's reminiscent of some Arnold Schwarzenegger film, it just makes it stick in your mind a little bit more. 13:27.473 --> 13:30.374 With the diving, what's critical is that you don't make any splash. 13:30.754 --> 13:30.934 Right. 13:30.994 --> 13:35.015 Do you ever get called out, you sit in there watching it with your partner and you go, oh, that was really good. 13:35.655 --> 13:36.875 and then it gets no points. 13:37.515 --> 13:40.716 And you realise you don't have the criteria with which to judge it. 13:41.456 --> 13:42.957 I was like that with the diving a bit. 13:43.317 --> 13:45.257 Apparently you mustn't make any splash at all. 13:45.617 --> 13:46.738 The less splash the better. 13:46.998 --> 13:56.220 And that's because the Olympic diving rules originated from a time when people had to stealth dive into underwater cities and to raid them. 13:57.180 --> 14:00.421 It stems from the time of Atlantis when actually that was a war skill. 14:01.041 --> 14:02.523 to dive with minimum splash. 14:02.843 --> 14:03.805 Yeah, that's amazing. 14:03.825 --> 14:05.707 There might be something on the news about that. 14:06.108 --> 14:06.508 Possibly. 14:06.909 --> 14:09.172 It's time now for the news read by Catherine Cracknell. 14:09.512 --> 14:13.077 Reverend and the makers there with heavyweight champion of the world. 14:13.137 --> 14:15.440 This is Adam and Jo on BBC 6 Music. 14:16.201 --> 14:17.263 Yeah, hello. 14:17.623 --> 14:21.828 We've been asking you listeners to send in ideas for song wars because we've run out of them. 14:22.269 --> 14:23.310 How many have we done now? 14:23.531 --> 14:27.516 Well, there were 24 on our first compilation album type thing. 14:27.957 --> 14:28.958 How many after that? 14:29.178 --> 14:31.922 We've done at least another 10 each since then. 14:31.942 --> 14:31.922 34. 14:33.624 --> 14:34.265 Something like that. 14:34.565 --> 14:50.858 yeah that's quite a lot of bad ideas we've had we've run out of bad ideas so i mean we we've made like 60 songs or something right yeah i wouldn't really call them songs so well they technically are noises are they love them are really they are all songs whether they're any good or not of course is moot yeah like um 14:52.459 --> 14:57.202 You know, maybe about 10 in total of those are good. 14:58.083 --> 15:01.505 It's reached a point, though, where sort of parity's been achieved, right? 15:01.905 --> 15:05.247 For season one, can I call it season one of Song Wars? 15:05.667 --> 15:06.508 I was winning a lot. 15:06.568 --> 15:06.828 Volume one. 15:06.848 --> 15:08.529 Maybe justly, maybe unjustly. 15:09.830 --> 15:13.632 And so, you know, I feel quite proud of my contribution to Song Wars volume one. 15:14.052 --> 15:15.513 Volume two, the table's turned. 15:16.013 --> 15:19.936 The only songs I'm really proud of are Dr. Sexy and my Quantum of Solace song. 15:20.416 --> 15:37.452 rest of it i'm quite ashamed of and you've won pretty much consistently i was listening to your birthday song again the other day why it's not as bad as you made it out you know it's guy i could see where you were going with it oh really you can give me some advice anyway the point is listeners we've kind of run out of ideas 15:38.533 --> 15:43.917 Last week we decided we'd do a song for World Peace in a very sort of casual way at the end of the show. 15:44.057 --> 15:49.180 Only when we got home in front of our garage band Computers did we realise that we'd bitten off more than we could chew. 15:49.340 --> 15:51.341 I had some all worked out on my guitar. 15:51.462 --> 15:54.223 If I could find an acoustic guitar around here, I'd play you a little bit. 15:54.263 --> 15:54.684 Well, have a look. 15:54.704 --> 15:55.965 There might be one in the hub out there. 15:56.045 --> 15:56.305 OK. 15:56.985 --> 16:00.187 So we'd been asking you for your suggestions of things to do Song Wars on. 16:00.207 --> 16:02.209 Here's some that have come in by text. 16:02.249 --> 16:05.030 John in Gates says, the safety announcement on a plane. 16:05.171 --> 16:05.811 That's a good idea. 16:05.831 --> 16:06.812 That's a very good idea. 16:07.512 --> 16:10.977 because it's dry and people don't pay attention to it. 16:11.558 --> 16:14.242 On Virgin, they've got a sort of... Well, they don't. 16:14.563 --> 16:22.615 As much as you tell them, even though they say, if you're a frequent flyer, please do pay attention because the safety bits might be in a different place. 16:23.876 --> 16:25.937 Or something a bit like that, they say, don't they? 16:26.017 --> 16:26.317 Yeah. 16:27.277 --> 16:29.258 You know, I'm proud of not paying attention. 16:29.378 --> 16:29.899 You know why? 16:30.179 --> 16:31.839 Because you've seen Fight Club. 16:32.039 --> 16:35.040 Because people around me, it makes people around me know I'm a frequent flyer. 16:35.201 --> 16:35.761 Right. 16:35.801 --> 16:37.141 Look, he's not watching. 16:37.221 --> 16:38.862 That's not what they're thinking. 16:38.942 --> 16:39.262 Isn't it? 16:39.282 --> 16:41.143 They're thinking I'm an irresponsible idiot. 16:41.203 --> 16:42.103 He's irresponsible! 16:42.343 --> 16:45.805 If anything happens to this plane, he's gonna be the one panicking, not knowing what to do. 16:45.825 --> 16:46.465 When's the exit? 16:46.725 --> 16:47.265 Oh god! 16:47.705 --> 16:48.806 We're gonna be tripping over him. 16:49.306 --> 16:54.670 You know, it might not be a landing on water, it might just be an accidental, um, full start on the tarmac. 16:54.790 --> 16:57.032 It's a bad topic to talk about though, I've just realised. 16:57.572 --> 16:59.234 Here's another suggestion from Joe. 16:59.254 --> 17:03.417 He or she says, could you do a song based on today's weather report? 17:04.478 --> 17:05.118 Would that be good? 17:06.900 --> 17:08.501 Well, we need the actual weather report. 17:08.561 --> 17:09.742 I don't think that would be that good. 17:10.242 --> 17:10.502 No. 17:11.723 --> 17:15.485 How about, and this is my favorite one from Nicola, how about the Neighbours theme tune? 17:15.685 --> 17:16.526 Well, that's a good idea. 17:16.606 --> 17:18.787 So she's suggesting a new Neighbours theme tune. 17:18.807 --> 17:20.247 What about the Blue Peter theme tune? 17:20.768 --> 17:21.968 They changed that the whole time. 17:22.228 --> 17:23.509 Blue Peter gets changed all the time. 17:23.529 --> 17:25.270 Doctor Who gets renewed, doesn't it? 17:25.410 --> 17:27.911 But is the tune the same still for Blue Peter? 17:28.071 --> 17:28.111 I.e. 17:28.131 --> 17:30.493 is it still level and pipe or whatever it's called? 17:30.553 --> 17:32.934 It's probably some kind of street dance remix. 17:33.734 --> 17:35.735 But it's still essentially the same tune. 17:35.775 --> 17:38.396 It's not like Grange Hill where they had a completely different tune. 17:39.917 --> 17:43.461 Yeah, grained chills cancelled now, so that would be a pointless enterprise. 17:43.501 --> 17:46.644 I know but that was we did a new blue beta theme Sorry to keep interrupting. 17:46.804 --> 17:47.545 I'm excited. 17:47.685 --> 17:56.194 Yeah, but if we put lyrics to it, yes, they might use it Do do do do do do do do do do do do do do with still that same tune, right? 17:56.434 --> 17:57.776 Could be it could be a variant. 17:58.196 --> 18:01.139 Oh my gosh shit is That kind of thing. 18:01.159 --> 18:01.399 Yeah. 18:01.439 --> 18:02.541 Yeah, obviously that's a bad start 18:03.061 --> 18:06.043 But, um, and you're taking Blue Peter over Neighbours, are you? 18:06.143 --> 18:06.523 I don't know. 18:06.563 --> 18:07.964 My mind's just going all over the place. 18:07.984 --> 18:10.665 But Neighbours would be good as well, because they changed that, didn't they? 18:10.685 --> 18:11.866 Is it even a song anymore? 18:12.446 --> 18:13.627 It must still be the same. 18:13.687 --> 18:13.787 Yeah. 18:14.487 --> 18:16.808 We're out of touch with Student and Tea Time Telly. 18:16.868 --> 18:17.169 Who was it? 18:17.229 --> 18:19.090 Tony Hatch did the Neighbours theme, I think? 18:19.270 --> 18:19.810 Something like that. 18:19.850 --> 18:20.811 That's quite a good idea. 18:21.831 --> 18:28.675 Some more suggestions include, how about a song about all the rooms in Jet Set Willy for the ZX Spectrum, says Ricardo and Edinburgh. 18:28.895 --> 18:31.937 That would be fun for Ricardo and Edinburgh, but baffling for everybody else. 18:33.437 --> 18:36.999 Stu in bed in Henley says, how about putting the Lord's Prayer to music? 18:37.539 --> 18:38.180 That's not a bad idea. 18:38.200 --> 18:38.520 I don't know. 18:38.620 --> 18:43.162 Again, if we were irreverent with that, that might insult some people and break some castle rules. 18:44.843 --> 18:47.084 Somebody else says... What about the Quran? 18:47.124 --> 18:48.264 No one could get offended by that. 18:48.585 --> 18:49.005 That's true. 18:49.025 --> 18:49.565 That's a good idea. 18:49.605 --> 18:51.106 You do that next week. 18:51.166 --> 18:52.126 I'll drop out of that. 18:53.107 --> 18:54.367 Anyway, keep the ideas coming in. 18:54.387 --> 18:54.367 64046. 18:54.527 --> 19:01.451 I think a new theme song for a BBC programme would be good because then we wouldn't get in copyright trouble. 19:01.551 --> 19:01.791 Right. 19:02.351 --> 19:05.415 If it's a famous BBC show, it's a shame that Grangell's been cancelled. 19:05.435 --> 19:06.616 I like the Neighbour's idea. 19:06.756 --> 19:07.016 Yeah? 19:07.196 --> 19:09.459 Because we haven't watched it for a while and we could easily watch it. 19:09.579 --> 19:10.079 Exactly. 19:10.340 --> 19:11.761 And make some snap judgments. 19:12.482 --> 19:13.763 Some ill-informed judgments. 19:13.783 --> 19:14.784 Yeah, that could be a go. 19:14.824 --> 19:16.306 Keep them coming in, though. 19:16.826 --> 19:16.306 64046. 19:17.106 --> 19:19.789 And now, here's the... We're playing the heck out of this track, aren't we? 19:20.290 --> 19:20.890 Is this a hit? 19:20.950 --> 19:22.972 Is this riding high in the charts, or is it not even out yet? 19:23.669 --> 19:26.690 Well, one way or another, you're gonna hear Love Is Noise again by the verb. 19:26.750 --> 19:27.150 Here it is. 19:27.690 --> 19:29.651 We're trying to figure out what the noise is there. 19:29.891 --> 19:31.371 I mean, I'm obsessed by that noise. 19:31.491 --> 19:34.652 We discussed already that it might be his love noise. 19:35.613 --> 19:38.774 The noise he makes when he's engaged in, uh, coitus. 19:39.174 --> 19:40.914 Spade face, this is what we're talking about. 19:41.654 --> 19:45.135 Making love to maybe a, uh... If, uh-ho. 19:47.456 --> 19:48.536 Yeah, exactly. 19:49.177 --> 19:51.037 Do you think they came up with the noise first? 19:51.637 --> 19:52.298 Yeah, I would think so. 19:52.318 --> 19:53.038 And built the track around it. 19:53.878 --> 19:54.678 Alright, Richard! 19:54.938 --> 19:56.379 Listen, I've got a notice! 19:56.459 --> 19:57.139 Come here! 19:57.199 --> 19:58.019 Look, Richard! 19:58.739 --> 19:59.719 What's going on? 19:59.739 --> 20:01.420 Where's he from? 20:02.520 --> 20:04.040 I don't know there, where you said he was. 20:04.520 --> 20:09.081 If you look at pictures of Richard Ashcroft and the Verve, is he still with the Verve or is he soloing? 20:09.261 --> 20:11.422 Yeah, he just played the Verve for goodness sake. 20:11.442 --> 20:14.022 Come on, come on. 20:14.082 --> 20:14.342 Catch up. 20:14.362 --> 20:15.342 Catch up with me if you can. 20:16.003 --> 20:20.343 When you look at pictures of him and the band, they're always arranged so he's in front, obviously. 20:20.504 --> 20:20.844 Yeah. 20:21.084 --> 20:22.564 And the guys behind look angry. 20:23.124 --> 20:24.525 You know, they may not even be behind. 20:24.565 --> 20:29.349 The thing is that Spadeface is so giant, he might be about eight feet behind them and he's still towering above them. 20:29.369 --> 20:33.412 Well, no, he's definitely in front in the photo I saw and they just didn't look happy about it. 20:33.612 --> 20:45.121 Do you have a look at photos of bands like that and see how the photographers positioned them and imagine the moment in the room when the photographer said, you're Steve, you just step out in front a little bit and Tony just moved behind. 20:45.161 --> 20:46.943 No one says anything but inside they're going... 20:47.523 --> 20:48.183 Absolutely. 20:48.583 --> 20:48.803 Yeah. 20:48.883 --> 20:51.324 You must have spoken to bands about that kind of thing. 20:51.944 --> 20:53.265 I know I have. 20:53.565 --> 20:56.125 I've talked to her because I'm obsessed by that sort of thing. 20:56.165 --> 20:56.446 Really? 20:56.786 --> 21:04.828 And I've spoken to a couple of people in bands, you know, a couple of bassists, a couple of drummers who really annoyed about their positioning and had that conversation. 21:05.008 --> 21:07.249 One particular guy I'm thinking of from quite a well-known band. 21:07.289 --> 21:08.349 I'm obviously not going to say which. 21:09.270 --> 21:18.236 And he went off on one, one afternoon, I was chatting to him and he said, yeah, it was a pretty bleak time, I must say, at one point. 21:18.256 --> 21:22.500 And there was this photo that came out, it was a big photo, and I was right on the edge. 21:22.980 --> 21:31.787 And everyone else was like really far from, you can hardly see me, I was miles at the back and the photographer said, yeah, go and stand like way down there in the road, it'll look really cool. 21:31.827 --> 21:36.411 And I said, no, really, am I gonna have to stand, I always have to stand at the back. 21:37.251 --> 21:37.971 They do, they hate it. 21:37.991 --> 21:47.374 I wonder what, I wonder, listeners could send in some suggestions with a photo file if they could of album covers where one member of the band comes off really badly. 21:47.394 --> 21:48.214 It's clearly miffed. 21:48.274 --> 21:48.554 Yeah. 21:48.574 --> 21:51.035 Do you think they exist? 21:51.815 --> 21:54.996 Have a look at photos of the Verve, because I don't think they're a happy bunch. 21:55.496 --> 21:57.776 I think Ashcroft is just too prominent. 21:57.936 --> 22:00.457 But then you get the other... I didn't even know he was still with them. 22:02.378 --> 22:05.541 I thought they just happened to be in the background stalking him for residuals. 22:06.201 --> 22:10.204 And I think it's even one of the other guys that writes all the songs and stuff. 22:10.424 --> 22:10.785 Really? 22:10.885 --> 22:12.046 Yeah. 22:12.486 --> 22:14.988 But sometimes bands go the other way. 22:15.028 --> 22:19.711 So you get someone like Russell Crowe who makes a big song and dance out of the fact that he's not. 22:20.292 --> 22:23.654 Oh, I see that he actually wants to blend into the band or Keanu Reeves. 22:23.774 --> 22:24.155 Exactly. 22:25.006 --> 22:34.472 When the focal point is so obvious, so someone like Russell Crowe has a vanity project like what they call 40-odd foot of grunts or whatever the band is called. 22:34.592 --> 22:39.475 Or if it's a famous band whose lead singer has died and they've had to replace them or something. 22:39.535 --> 22:41.236 Unless they're still touring. 22:41.416 --> 22:41.676 Right. 22:42.217 --> 22:44.818 And then the guy at the front is not the guy you really want to see. 22:44.878 --> 22:46.339 Like Paul Rodgers with Queen. 22:46.499 --> 22:48.100 Right, there you go. 22:48.200 --> 22:49.581 Yeah, but it looks strange. 22:49.601 --> 22:52.283 You can see that too much thought has gone into the whole thing. 22:54.164 --> 22:54.825 Here's some music. 22:54.845 --> 22:56.225 Now, this is your free choice, Joe. 22:56.466 --> 22:58.447 Yeah, this is an artist called Dudley Perkins. 22:59.147 --> 23:01.929 He also records under the name of Declaim. 23:02.549 --> 23:06.492 I haven't got any of his records under the name of Declaim, but I just read that factoid. 23:06.992 --> 23:08.974 And all his stuff's produced by Madlib. 23:09.394 --> 23:10.675 And this is very nice. 23:10.715 --> 23:11.855 It's called Come Here, My Dear. 23:12.836 --> 23:14.437 Mmm, good stuff. 23:14.857 --> 23:16.619 I almost love you as much as that music. 23:16.639 --> 23:18.440 It's a little bit insulting. 23:19.320 --> 23:21.742 That was Dudley Perkins with Come Here, My Dear. 23:22.625 --> 23:23.926 Very nice indeed. 23:23.986 --> 23:24.687 Thanks very much. 23:24.787 --> 23:25.988 That mellowed me right out. 23:26.989 --> 23:28.711 Now, listen, I was moving this week. 23:28.751 --> 23:30.733 I've got some moving tales for you later on in the show. 23:30.793 --> 23:31.714 That's exciting, isn't it? 23:32.114 --> 23:35.097 But in the process of moving, one of the things I had to do was hire a car. 23:35.377 --> 23:36.498 Do you like hiring cars? 23:37.399 --> 23:40.001 I don't like the process of hiring them, but when I'm in them, I love it. 23:40.502 --> 23:45.927 You know, it depends on who you hire them from, obviously, because I've had some very bad experiences with certain car hire companies. 23:45.947 --> 23:47.068 There's a place down the road 23:47.148 --> 24:04.800 from us we've talked about before and you can be there for a couple of hours before anyone talks to you and then when you're returning the thing it might take even longer should we discuss this before possibly but anyway I tried a different one this week well I won't say the name of the company I will call it instead Colonel Kurtz 24:06.901 --> 24:07.782 It doesn't bode well. 24:08.862 --> 24:09.643 No, you would think not. 24:09.883 --> 24:10.824 But I was very pleased. 24:11.204 --> 24:11.544 Really? 24:11.744 --> 24:12.304 With Kurtz. 24:12.925 --> 24:15.166 And it was enjoyable. 24:15.206 --> 24:31.777 But one of the things I noticed on the wall while I was waiting, not very long, to be served, was a poster advertising the fact that you can hire cars from them, and I'm sure you can do this in most rental companies, that come with DVDs in the back of the seats for the kiddies in the room. 24:31.797 --> 24:32.697 Right, little telescreens. 24:32.717 --> 24:33.718 Little telescreens. 24:34.478 --> 24:39.264 And you can put your DVD on there and pacify the kiddos, which is great for a long journey. 24:40.786 --> 24:48.156 But they had, they'd kind of framed the advertisement for this service like a film poster, you know? 24:48.376 --> 24:48.676 Clever. 24:48.796 --> 24:52.161 So they had, I was struck by the cleverness. 24:53.522 --> 25:03.588 And it said, Kurtz, in-car DVD system, now showing in a Kurtz car near you, like a film poster, in big capitals. 25:03.949 --> 25:14.335 And then beneath that, they'd done fake review quotes from what I assume was a made-up family that had been using this car. 25:14.815 --> 25:20.739 So the first one was just five stars in quotes from the Hobson family. 25:20.999 --> 25:21.259 Right. 25:21.379 --> 25:35.303 So they talked to the Hobson family and they just said, we're going to give it, we've talked about it, we're going to give the in-car system five stars, but I don't want you to put the word five stars, I want you to do it with just asterisks. 25:35.343 --> 25:36.743 Yeah, that's how the Hobson's rate things. 25:36.903 --> 25:37.343 Exactly. 25:37.363 --> 25:39.304 The Hobson's rate things on a star level. 25:39.344 --> 25:40.044 They're very specific. 25:40.064 --> 25:41.825 They've recently gone up to six stars. 25:42.005 --> 25:42.265 Have they? 25:42.285 --> 25:46.846 They very seldom use the six, but it's important it's there just in case something extra special comes along. 25:46.886 --> 25:47.666 Like Time Out. 25:48.066 --> 25:54.068 That's what makes Time Out so special for the intellectuals, because they use the extra star. 25:54.468 --> 25:55.828 They've got a different rating system. 25:56.229 --> 25:59.509 Then there were specific reviews from some of the Hobson family. 26:00.270 --> 26:04.311 Show, aged 9, said, I never wanted it to end. 26:05.331 --> 26:05.671 Right. 26:05.731 --> 26:08.093 That's unusual because kids usually can't wait to get there. 26:08.193 --> 26:08.754 Exactly. 26:09.414 --> 26:13.537 Joe never wanted it to end because he was having such a good time with it. 26:13.557 --> 26:19.401 He'd be happy if there was a nuclear Armageddon and his family just spent their whole time driving around. 26:19.421 --> 26:19.922 We don't care. 26:20.802 --> 26:36.475 If that people were just fighting in the streets for oil, the one precious commodity left, dad tricked out the car with various knives and guns and they just spent their lives roaming the derelict streets of post-apocalyptic Britain. 26:36.495 --> 26:36.956 He wouldn't care. 26:37.036 --> 26:40.459 He'd still be watching cars on the in-car DVD system there. 26:40.999 --> 26:47.704 It would be a little bit like, what's that incredibly bleak film by the guy that directed The Green Mile and... Oh, The Mist. 26:48.004 --> 26:48.485 The Mist. 26:48.505 --> 26:49.265 The end of The Mist. 26:49.325 --> 26:53.709 It would be like The Mist, with him just watching cars on his in-car DVD system. 26:53.749 --> 26:55.430 So Joe, aged 9, loved it. 26:55.590 --> 26:56.551 I never wanted it to end. 26:57.071 --> 27:00.654 Abby, aged 39, presumably the mother of the Hobson family. 27:00.874 --> 27:02.195 I know, she's the older daughter. 27:04.637 --> 27:07.099 Anyway, she said, the kids loved it. 27:07.998 --> 27:28.554 right they absolutely loved it the kids loved it she was very pleased about it she's not a very bright woman why not because she's just covering old ground i mean that was made clear by joe's rating wasn't it exactly i mean the kids obviously loved it mum anyway you can't hold stuff like that against mums they're so busy they haven't got time to plus think what's she what's her problem with it 27:28.874 --> 27:29.895 Why didn't she love it? 27:30.095 --> 27:31.556 Because of what they were watching. 27:31.837 --> 27:36.621 You know, could she not just go round and sit between them and watch a bit of cars herself? 27:36.661 --> 27:37.582 She wasn't driving. 27:37.642 --> 27:38.262 Abby never drives. 27:38.282 --> 27:39.423 They weren't watching cars. 27:39.764 --> 27:40.344 Were they not? 27:40.424 --> 27:42.626 No, that doesn't entertain kids these days. 27:42.826 --> 27:43.067 Right. 27:43.387 --> 27:43.947 Horror porn. 27:44.868 --> 27:46.390 They were watching, so fine. 27:46.430 --> 27:47.551 She finds it disgusting. 27:47.891 --> 27:52.755 Well, Natalie, aged seven, the youngest member of the Hobson family, says... Ah, look at that, Nat. 27:52.775 --> 27:54.957 Yeah, she says, pure entertainment. 27:55.517 --> 27:55.837 Right. 27:56.018 --> 27:58.079 Now, is that really something a seven year old said? 27:58.119 --> 28:00.221 She's not talking about the in-car system. 28:00.842 --> 28:02.203 She's talking about smack. 28:02.743 --> 28:03.023 Right. 28:03.143 --> 28:06.104 Some really high-grade smack she got in the playground. 28:06.264 --> 28:09.285 She's the youngest junkie of the Hobson family. 28:09.325 --> 28:09.945 No, that's not true. 28:09.965 --> 28:10.825 She's not talking about smack. 28:10.845 --> 28:11.666 She's not talking about that. 28:11.766 --> 28:16.307 She's talking about the in-car DVD system, but she's using the phrase pure entertainment. 28:16.367 --> 28:18.948 Yeah, she's fed up with impure entertainment. 28:19.348 --> 28:21.328 Is that how children really talk these days? 28:21.348 --> 28:22.209 They like purity. 28:22.229 --> 28:23.789 They're like little Nazis. 28:23.889 --> 28:25.970 Did you like Kung Fu Panda, Tommy? 28:26.972 --> 28:27.995 Pure entertainment! 28:30.023 --> 28:30.745 Five stars! 28:30.785 --> 28:31.588 Five stars! 28:31.809 --> 28:33.073 I never wanted it to end! 28:33.919 --> 28:34.740 That is how they talk. 28:34.840 --> 28:35.080 Yeah. 28:35.120 --> 28:36.181 Have you seen Kung Fu Panda? 28:36.421 --> 28:36.721 Yeah. 28:36.981 --> 28:37.662 It's all right, isn't it? 28:37.722 --> 28:38.262 It's wicked. 28:38.362 --> 28:39.803 It's getting amazing reviews. 28:39.863 --> 28:40.604 It deserves them. 28:40.804 --> 28:41.104 Yeah. 28:41.564 --> 28:42.325 It is wicked. 28:42.445 --> 28:43.345 Well, it's not that wicked. 28:43.365 --> 28:46.067 The bit where he's breaking out of the prison. 28:46.688 --> 28:47.528 I wanted it to end. 28:47.969 --> 28:48.469 Did you? 28:48.629 --> 28:48.889 Yeah. 28:49.169 --> 28:51.131 You want to get an in-car DVD system. 28:51.331 --> 28:52.031 That'll change. 28:52.051 --> 28:53.412 It actually changes the films. 28:53.933 --> 28:55.754 Now, here is an exciting trail. 28:56.054 --> 28:58.976 And then after that, we have a session track for you recorded in the Hub. 28:59.056 --> 29:00.337 It's the Caesars. 29:00.377 --> 29:01.378 But first, here's the trail. 29:01.678 --> 29:06.162 Yeah, that's Eda Maria with I Like You So Much Better When You're Naked. 29:06.182 --> 29:08.864 This is Adam and Joe here at BBC Six Music. 29:08.884 --> 29:12.727 It's a beautiful sunny morning here in old London town. 29:12.807 --> 29:13.687 And we are naked. 29:14.448 --> 29:16.009 So you better like us a bit better. 29:16.169 --> 29:16.910 Yeah, exactly. 29:17.170 --> 29:23.918 That song is taken from her debut album, Fortress Around My Heart, which was released last month. 29:24.258 --> 29:24.939 Fantastic. 29:24.979 --> 29:25.520 Have you got it yet? 29:25.740 --> 29:26.181 Of course. 29:26.721 --> 29:27.362 Good, good, good. 29:27.402 --> 29:28.564 Favourite track on there? 29:28.664 --> 29:30.526 Fortress Around My Heart. 29:30.606 --> 29:31.327 The title track? 29:31.367 --> 29:31.687 Yes! 29:32.548 --> 29:33.289 If there is one. 29:35.071 --> 29:38.353 Now, you don't subscribe to The Week magazine, do you? 29:38.413 --> 29:45.658 No, but it's a very popular magazine, one of the few magazines whose circulations went up in the recent, I don't know what they call them, magazine ratings. 29:45.698 --> 29:48.720 The gossip mags are going down, Heat magazine's taken a big hit. 29:48.880 --> 29:49.120 Is it? 29:49.340 --> 29:51.862 Sows Q, Empire's up though, and The Week is up. 29:52.282 --> 29:52.562 Right. 29:52.743 --> 30:01.310 Well, if you don't know, it's a kind of a digest of all the... It's for people who can't be bothered to read the papers or watch the news every day, right? 30:01.330 --> 30:01.591 Exactly. 30:01.611 --> 30:05.034 It's popular with DJs, and I get it. 30:06.395 --> 30:13.622 Even though I don't read it, I buy something else that condenses the most important parts of the week into a tiny pamphlet. 30:15.083 --> 30:15.363 Really? 30:15.383 --> 30:16.604 The Beano? 30:16.644 --> 30:17.785 It's called the Extremely Weak. 30:18.145 --> 30:23.369 Adam's holding that magazine and it's in such a state as it can only live in your toilet. 30:23.889 --> 30:24.409 It does, yeah. 30:24.449 --> 30:24.710 It does. 30:24.770 --> 30:29.953 It's weird how magazines that live in the toilet just get, well they look as if they've been damp and dry again. 30:29.973 --> 30:30.774 Well I read it in the bar. 30:30.934 --> 30:36.516 Yeah, so the edges get a little bit damp and then I have to dry them out with a hair dryer. 30:36.916 --> 30:37.236 Really? 30:37.276 --> 30:38.016 And then I iron it. 30:38.036 --> 30:41.097 Yeah, I've ironed it very well. 30:41.117 --> 30:41.718 It's a little wrinkled. 30:42.018 --> 30:44.759 But I was struck by a sort of little editorial. 30:45.119 --> 30:49.020 In fact, this guy Jeremy O'Grady is in fact the editor-in-chief of The Week. 30:49.580 --> 31:03.844 And he writes a strangely candid confession at the front of this about the fact, inspired by the fact that Boris Johnson recently was at Gatwick Airport and was unable to find his luggage. 31:03.884 --> 31:07.285 His luggage has gone missing and it was on the news apparently though. 31:07.626 --> 31:12.547 Boris Johnson was stood there and was upset about it, as people are when their luggage goes missing. 31:13.087 --> 31:15.308 Bojo apparently said, we stood in hell. 31:16.488 --> 31:18.029 Erm, about hit the experience. 31:18.709 --> 31:21.050 And Jeremy O'Grady, editor of The Week, says, No. 31:41.838 --> 31:50.621 Two hours later, ringed by three Uzi-clad policemen with forearms, the size of fire extinguishers, I was given the usual grilling. 31:51.061 --> 31:53.122 He's honestly used to doing this kind of thing. 31:53.502 --> 31:57.223 In brackets, why do they always want to know your mother's maiden name? 31:57.744 --> 32:03.286 Oh, Grady basically just goes from one confrontation to another and ends up being threatened by Uzi... 32:04.486 --> 32:06.668 Uzi toting cops asking his mother's maiden name. 32:07.128 --> 32:11.551 Five hours after landing, I was let off with a caution for trespassing. 32:11.972 --> 32:14.634 I finally went through customs, still minus my luggage. 32:14.854 --> 32:18.897 I mean, that, I would say, is on the extreme end of a little confrontation, wouldn't you think? 32:18.917 --> 32:22.019 What did the guy do to provoke a physical attack, I wonder? 32:22.380 --> 32:26.243 He was just fed up with his bags going missing, maybe for the umpteenth time. 32:26.943 --> 32:27.223 You know? 32:27.243 --> 32:33.085 And he thought, right, this time I'm going to vault over the desk and grapple the guy to the ground. 32:33.325 --> 32:37.166 Because that will almost certainly have no serious consequences in an airport. 32:37.447 --> 32:37.907 You know what I mean? 32:37.927 --> 32:47.670 If Peter Buck and What's Your Man from the Stone Roses go to prison for about five years for just swearing at someone on a plane, what are you doing vaulting over after? 32:48.030 --> 32:48.931 He got off lightly. 32:49.771 --> 32:56.895 I would never physically attack someone if I was in a situation like that when a service that I'd paid for hadn't been adequately delivered. 32:57.595 --> 33:00.677 And maybe the person that should be delivering it was being a bit surly. 33:01.378 --> 33:03.139 I would use my passive-aggressive powers. 33:04.159 --> 33:05.060 Do you know what I mean? 33:05.100 --> 33:07.061 My Paddington Bear powers. 33:07.641 --> 33:11.663 Just some really well timed stairs. 33:12.924 --> 33:18.966 Do you think some deeply sarcastic half sentences do you think you're gonna get the same are you gonna get results though? 33:18.986 --> 33:31.831 I mean, this is the thing I the guy didn't get any results so great He didn't get his bags back, but he did have the satisfaction of having landed a lamp Which sometimes is what you want because not to be encouraged though. 33:31.891 --> 33:32.431 Absolutely. 33:32.471 --> 33:32.771 No. 33:32.931 --> 33:41.074 No, you'll go to prison especially in the airport I mean that I just can't believe that that seems to suggest that things are a bit more lax 33:41.914 --> 33:45.136 and lackadaisical than I'd thought in Great Britain. 33:45.837 --> 33:48.359 You're just allowed the opening of a fight. 33:48.679 --> 33:48.899 Right. 33:48.939 --> 33:52.462 You're allowed the initial launch and both of you on the ground. 33:52.542 --> 33:54.864 I don't think he got very far before the Uzi got through it. 33:54.884 --> 33:55.965 That's good to know, isn't it? 33:56.305 --> 34:02.149 You'll get led off with a caution if you do the jump and the pullback with the arm. 34:02.189 --> 34:02.970 He grappled him. 34:03.030 --> 34:04.391 I think it went beyond the pullback. 34:04.531 --> 34:05.452 Grappling's all right. 34:05.672 --> 34:06.112 Grappling? 34:06.132 --> 34:07.052 A little scuffle. 34:07.593 --> 34:07.933 Really? 34:07.953 --> 34:08.934 Yeah, he had him on the ground. 34:08.974 --> 34:16.838 He was pulling his shirt and stuff and ruffling his hair and maybe he may have got his knees and sat on his arms and done the typewriter on his chest. 34:17.319 --> 34:18.079 Get my bag! 34:18.179 --> 34:18.899 Get my bag! 34:19.060 --> 34:20.160 When will you get my bag? 34:20.240 --> 34:20.961 Who does that? 34:21.681 --> 34:23.062 Bullies used to do it to me. 34:23.142 --> 34:23.603 Bullies? 34:23.863 --> 34:25.244 Didn't you ever have that done to you? 34:25.264 --> 34:26.265 The typewriter. 34:26.365 --> 34:27.165 The typewriter? 34:28.026 --> 34:31.188 Oh, Adam Buxton, you're so thick. 34:31.449 --> 34:32.930 And then they would go smack. 34:32.950 --> 34:39.034 They would smack you on the side of the face for what's it called, the thing going across, you know, on an old character. 34:39.054 --> 34:39.735 A carriage, yeah. 34:40.135 --> 34:40.496 Wow. 34:40.516 --> 34:41.456 Did that never happen to you? 34:41.476 --> 34:42.437 I want to do that to you. 34:42.457 --> 34:45.379 That happened to me all the time. 34:45.740 --> 34:47.441 My chest only has two keys. 34:49.683 --> 34:50.503 Shift and return. 34:51.664 --> 34:53.285 It's that left nipple right nipple. 34:53.345 --> 34:56.247 Yes Anyway, there you go. 34:56.587 --> 35:16.621 I was curious to know though we might be able to turn this into text the nation I'm not sure in which case we'll play our jingle later on that's exciting, but I was curious to know if anyone else out there I mean if Oh Grady's, you know the editor-in-chief of the week magazine one of the most successful magazine What are we asking people are not what what level of assault have you got away with? 35:16.821 --> 35:19.162 That's not a suitable text the nation. 35:19.182 --> 35:21.244 We're not encouraging it, but I'm curious to know 35:21.724 --> 35:23.706 I'm curious to hear people's stories, you know? 35:23.766 --> 35:26.068 I mean, that is an out-of-control little confrontation there. 35:26.088 --> 35:37.056 Well, I'm interested in public displays, because the thing that would stop me from doing that would be the sheer shame if I didn't win the fight, or if something bad happened, because as soon as you do that, everyone's watching you, right? 35:37.217 --> 35:39.158 No, I mean, you've got anger management issues there. 35:39.178 --> 35:40.779 I mean, he mentions that. 35:40.799 --> 35:41.700 He does edit the week. 35:42.160 --> 35:42.781 He mentions that. 35:42.821 --> 35:43.962 He must be quite angry. 35:44.422 --> 35:44.722 Yeah. 35:45.123 --> 35:45.743 With the world. 35:46.564 --> 35:49.847 Verbal abuse, not physical abuse, says Claire, our producer. 35:50.527 --> 35:51.688 I don't know, I don't agree. 35:52.008 --> 35:53.890 I think words can be just as painful. 35:54.050 --> 35:56.672 I want to hear all kinds of confrontation stories. 35:56.752 --> 35:59.234 Well look, we're going to put this to the Big British Castle. 35:59.294 --> 36:00.896 We won't read them out if they're. 36:01.576 --> 36:02.917 See if it's a flier. 36:04.259 --> 36:06.500 If not, we might have to think of something else for text the nation. 36:06.541 --> 36:08.142 What about some music while we do that? 36:08.382 --> 36:08.843 Yeah, okay. 36:08.883 --> 36:13.047 Here's David Holmes, and this is his track, I Heard Wonders. 36:13.568 --> 36:19.053 That's David Holmes with I Heard Wonders, and we think that's him singing on that track. 36:19.574 --> 36:21.316 If so, well done, David. 36:21.356 --> 36:21.956 That's lovely. 36:21.976 --> 36:23.578 You've made a lovely song there. 36:23.618 --> 36:27.382 That'll be great for, like, a municipal aquarium. 36:28.283 --> 36:30.545 That song, just to be played quietly in the background. 36:31.046 --> 36:34.129 Well, I think it's better, you know, you could use it everywhere. 36:34.289 --> 36:34.750 That's true. 36:35.130 --> 36:36.271 But I agree with you. 36:36.292 --> 36:39.435 It'd be particularly perfect for a municipal aquarium. 36:39.615 --> 36:44.100 Nice blue ambience, and nice and shady and cool down there. 36:44.460 --> 36:48.364 Incidentally, earlier on, we played a track from the Chemical Brothers album. 36:48.705 --> 36:51.768 The Pills won't help you now, and I was speculating about the vocalist on there. 36:51.788 --> 36:54.291 It was Tim Smith from Midlake, apparently. 36:54.531 --> 36:56.473 Of course, you idiot! 36:56.774 --> 37:00.158 Thanks very much, listeners, for emailing us that information. 37:00.218 --> 37:04.442 Don't forget you can always text or email us on the following addresses. 37:05.143 --> 37:13.050 Adamandjoe.6musicatbbc.co.uk for emails, or you can text us on 64046. 37:14.811 --> 37:17.293 Now here's Joe with the film news. 37:17.374 --> 37:18.134 Hey, hello. 37:19.115 --> 37:23.879 Now, as many people might have noticed, it's a bit of a thin last couple of weeks for films. 37:23.919 --> 37:24.840 What are you talking about? 37:24.900 --> 37:25.380 Hellboy 2? 37:25.460 --> 37:28.563 That's the hit of the... That's what I'm talking about. 37:28.943 --> 37:29.644 That's got amazing views. 37:29.684 --> 37:30.325 No, it's very exciting. 37:31.205 --> 37:46.841 uh but you know there hasn't been much amazing good stuff released in the last couple of weeks apart from Hellboy 2 because the screens are dominated by the two behemoths of the summer the dark knight right a brilliant uh gloomy film about terrorism 37:48.897 --> 37:52.078 And the other behemoth of the summer Mamma Mia. 37:52.318 --> 37:55.199 Oh, I thought you're gonna say don't mess with the Zohan No, that is good though. 37:55.219 --> 37:55.839 It's supposed to be good. 37:55.859 --> 38:05.983 I quite recommend that yeah No, the other massive unstoppable hit is Mamma Mia Mamma the film version of the ABBA stage musical and I'd been resisting going to see it but my daddy 38:06.903 --> 38:21.896 who is a very clever man, and he sort of gave me my love of cinema as a child, but he used to be into, you know, Visconti and Louis Malle, Eric Romare, you know, very sophisticated taste in cinema. 38:22.356 --> 38:23.878 He is addicted to the Mamma Mia. 38:24.198 --> 38:24.939 Does he love it? 38:24.979 --> 38:26.240 He's seen it that many times. 38:26.540 --> 38:27.000 Wow! 38:27.100 --> 38:28.021 Four times! 38:28.041 --> 38:28.621 I know. 38:28.641 --> 38:29.342 He loves it. 38:29.422 --> 38:30.102 So does my mum. 38:30.403 --> 38:32.104 They can't stop watching it. 38:32.344 --> 38:34.746 So did they go and see the theatre production? 38:35.006 --> 38:35.166 No. 38:35.706 --> 38:35.987 No. 38:36.187 --> 38:36.387 No. 38:36.827 --> 38:37.788 It's all about the film. 38:37.808 --> 38:39.609 It's all about the cinematic experience. 38:39.629 --> 38:42.511 So I thought I'd better find out what was going on, what the deal was. 38:42.571 --> 38:43.612 Plus you love Bronholm. 38:43.952 --> 38:45.514 I do love Pierce Bronholm. 38:45.994 --> 38:50.657 I do think he's one of the most remarkable actors in circulation. 38:50.677 --> 38:51.378 You don't take any 38:52.078 --> 38:54.019 Dante's Peak, one of my favourite films. 38:54.039 --> 38:54.439 You love it. 38:54.959 --> 38:57.080 So I thought this is a must-see for the cornballs. 38:57.360 --> 38:57.580 Yeah. 38:58.040 --> 39:03.362 So I went along to try and see it at the Brixton Ritzy, and this is what, six weeks after its initial release? 39:03.782 --> 39:04.262 Sold out. 39:04.542 --> 39:05.083 Of course it is. 39:05.123 --> 39:06.963 Not a seat in the house, 620 show. 39:07.643 --> 39:13.065 So I take the car, the broom broom into the West End, I manage to park it. 39:13.105 --> 39:14.986 You know there's an underground train system? 39:15.366 --> 39:17.427 No, that's not polluted enough. 39:17.567 --> 39:17.807 Okay. 39:18.908 --> 39:20.549 And, you know, I like to get home swiftish. 39:21.210 --> 39:21.470 Sure. 39:21.890 --> 39:27.536 So I went to see it at the Odeon West End, very nearly sold out, sat in the very front row. 39:28.277 --> 39:28.997 Oh, my God. 39:29.658 --> 39:30.018 Loved it. 39:30.079 --> 39:30.839 Are you going to see it? 39:31.320 --> 39:32.621 Well, no, it was low on my list. 39:32.781 --> 39:35.304 In terms of listeners, it's probably 50-50. 39:35.684 --> 39:36.345 Some will have seen it. 39:36.365 --> 39:37.966 They'll know exactly what I'm talking about. 39:38.147 --> 39:42.110 I had it jostling for importance with the Sex and the City movie. 39:42.411 --> 39:42.651 Right. 39:43.511 --> 39:44.391 I haven't seen that yet. 39:44.811 --> 39:45.972 Mamma Mia, you've got to see it. 39:46.332 --> 39:50.112 It's like a massive amateur dramatic production with stars in it. 39:50.953 --> 39:53.553 You know, it's as if they didn't rehearse the dancing. 39:54.153 --> 39:55.954 They haven't really rehearsed the script. 39:56.354 --> 39:58.254 They've had to shoot it in a terrific rush. 39:58.794 --> 40:03.215 But that's all forgiven because of the sheer exuberance and joie de vivre. 40:03.735 --> 40:11.237 It's like going to see your kids in a school play and finding that Meryl Streep and Pierce Brosnan and Hugh, what's his name? 40:11.337 --> 40:12.217 Fernley Whittingstall. 40:12.837 --> 40:13.558 What's his name? 40:13.598 --> 40:14.558 The man from St. 40:14.598 --> 40:15.399 Trinians and everything. 40:15.419 --> 40:16.479 Colin Firth. 40:17.080 --> 40:18.080 Hugh Colin Firth. 40:19.061 --> 40:21.462 And all the big stars are in it. 40:22.043 --> 40:23.063 And it's just amazing. 40:23.083 --> 40:29.427 There's dance sequences that are so in-capture just the joy of spontaneous non-choreographed dancing. 40:30.047 --> 40:52.380 That you can't fail to be swept away the audience I was watching it with work were purely it was almost entirely female Five or six quite confused angry men sitting there But then as the film goes on you realize that you have to give into it There's no point in sitting there being a stick in the mud right you've got to capitulate to the pure raw power and raw it is And I just ended up loving it 40:52.540 --> 40:54.983 And were you satisfied on a Bronholm loving level? 40:55.003 --> 40:57.245 Well, Bronholm sings a couple of the songs. 40:57.845 --> 41:00.328 And people had said that he sings them really badly. 41:00.949 --> 41:07.055 People in the reviews had said, look, when Bronholm comes on, you won't believe the pain on his face when he's singing. 41:07.155 --> 41:08.256 Let's sing it on Bronholm. 41:08.396 --> 41:13.080 Bronhomme has trouble squeezing out dialogue lines in a relaxed way. 41:13.200 --> 41:13.841 He's the king of grunting. 41:13.861 --> 41:14.762 That's part of his magic. 41:14.802 --> 41:15.663 He's a good grunter. 41:16.203 --> 41:19.066 But I was very pleasantly surprised when I heard him sing SOS. 41:19.086 --> 41:21.948 So I bought one of the tracks from a clip from the soundtrack. 41:22.329 --> 41:24.831 So here's a clip of Bronhomme singing SOS. 41:24.851 --> 41:26.232 And I think you'll be pleasantly surprised. 41:26.693 --> 41:27.253 You can kick it. 41:27.273 --> 41:30.876 It has a bit of a long opening SOS. 41:30.976 --> 41:32.818 But his voice is a lot better than I expected. 41:32.838 --> 41:33.999 You can turn it up a bit there. 41:36.701 --> 41:38.763 It's very faithful to the original track. 41:38.943 --> 41:41.285 Well, it's got Bjorn and Benny working on it. 41:41.425 --> 41:41.626 Has he? 41:41.646 --> 41:42.286 A bit louder? 41:42.346 --> 41:43.507 I think it's good. 41:53.649 --> 41:56.591 He has a bit of a strain with this one. 42:16.112 --> 42:17.594 Don't you think that's quite good? 42:17.614 --> 42:19.015 Yes, that's very impressive. 42:19.036 --> 42:22.319 It's a bit out of tune, he's really belting those lines out. 42:29.444 --> 42:32.646 Anyway, you don't have to listen to anything else. 42:32.666 --> 42:34.247 Bruh, I'm obviously not pissed. 42:34.287 --> 42:35.727 I have got some real Brosnan though. 42:36.328 --> 42:37.168 Here, play the real Brosnan. 42:37.188 --> 42:39.809 So this is why you didn't get your song or song written. 42:40.149 --> 42:43.611 Well, that only took me a few hours. 42:43.631 --> 42:44.652 Play the next one then. 42:45.072 --> 42:45.732 Activate it. 42:45.752 --> 42:46.473 Is this the real one? 42:46.513 --> 42:47.593 This is the real Pierce. 42:47.873 --> 42:48.674 Okay. 42:48.754 --> 42:50.515 And I was genuinely pleasantly surprised. 42:50.555 --> 42:51.395 He's really trying. 42:51.915 --> 42:52.696 He's really pushing. 42:56.112 --> 42:57.593 Here comes the genuine Brosnan. 43:00.014 --> 43:01.475 What do you think? 43:17.011 --> 43:18.231 He sounds like Prince Charles. 43:18.892 --> 43:19.692 He does. 43:20.892 --> 43:21.833 I love Brosnan. 43:22.093 --> 43:23.813 I think I'm in love with Brosnan. 43:23.893 --> 43:24.934 You love Pierce Brosnan. 43:24.954 --> 43:25.814 I think he's amazing. 43:26.454 --> 43:26.854 Oh yeah. 43:27.074 --> 43:31.776 Turn it on. 43:39.474 --> 44:04.790 It's a good film I recommend it and for famously if you don't know it by now at the end They just give up all pretense of making a film and just do a sort of stars in their eyes style variety performance Yeah with them all dressed in like high heels and flares and stuff and they do two tracks and in between Meryl Streep turns to the camera breaks the fourth wall and goes 44:06.171 --> 44:06.552 No. 44:06.652 --> 44:06.952 Yeah. 44:07.112 --> 44:08.333 Cos it's like the theatre. 44:08.593 --> 44:09.433 It's like the theatre. 44:09.453 --> 44:11.615 They haven't done that since... since Scrooge. 44:11.655 --> 44:12.915 Bill Murray and Scrooge. 44:13.356 --> 44:14.436 What other films do that? 44:14.596 --> 44:14.957 Surely. 44:14.997 --> 44:15.697 Or funny games. 44:15.757 --> 44:17.198 I bet they do that in high school, the musical. 44:17.218 --> 44:19.119 Michael Hanneker should have directed Mamma Mia. 44:20.400 --> 44:25.663 But when she turns to the audience and says what she says, everyone in the Odeon West End screamed for more. 44:25.723 --> 44:26.123 No. 44:26.243 --> 44:27.224 Yeah, there was applause. 44:27.464 --> 44:28.885 Normally reserved British public. 44:28.905 --> 44:32.107 I couldn't tell whether... I thought they might have snuck some applause on the surround sound. 44:32.327 --> 44:32.667 Snack. 44:33.147 --> 44:33.947 Snacked it in. 44:33.967 --> 44:34.628 They snack them in. 44:35.968 --> 44:37.168 But I don't think they had it. 44:37.188 --> 44:39.689 It was genuine. 44:40.149 --> 44:41.749 The sound of people being really happy. 44:41.769 --> 44:42.449 It was joy. 44:42.509 --> 44:43.029 Pure joy. 44:43.049 --> 44:43.710 I forgot that sound. 44:43.750 --> 44:44.510 The sound of pure joy. 44:44.750 --> 44:49.611 Meanwhile, the sound of Batman the Dark Knight was bleeding through from the cinema below. 44:50.311 --> 44:51.671 There was no joy downstairs. 44:51.991 --> 44:52.191 No. 44:52.211 --> 44:55.212 It was all miserable pantomime terrorism analogies. 44:55.592 --> 44:56.132 Right, right. 44:56.152 --> 44:59.273 Whereas upstairs, with Mama and Pierce, 45:03.307 --> 45:10.151 There we go, that's enough film news. 45:10.371 --> 45:12.472 Okay, here's a free choice for you listeners. 45:12.512 --> 45:13.593 This is Shins. 45:13.613 --> 45:16.975 This is from, I think, maybe their first album, Oh Inverted World. 45:17.936 --> 45:30.043 All their albums are amazing and a bountiful supply of excellent tunes will be found therein, including this one, which is called... Oh, what the heck's it called? 45:30.363 --> 45:31.004 Is that what it's called? 45:31.444 --> 45:33.605 Yeah, and it has to be said in that voice as well. 45:33.926 --> 45:35.707 No, it's called One by One All Day. 45:35.747 --> 45:36.627 This is The Shins. 45:37.208 --> 45:39.209 Nice long coda. 45:39.249 --> 45:41.711 I like a song with a nice long coda, you know. 45:41.871 --> 45:42.591 You always have. 45:43.031 --> 45:43.612 I always have. 45:43.652 --> 45:46.193 That's The Shins with One by One All Day. 45:46.213 --> 45:48.435 This is Adam and Jo on BBC Six Music. 45:48.515 --> 45:53.138 It's time now for the news at 10.30, read by Andre Payne and Catherine Kratnall. 45:53.278 --> 45:54.919 That's the model by Kraftwerk. 45:54.959 --> 45:56.020 First single I ever bought. 45:56.560 --> 45:58.122 Is that really so, but is that true? 45:58.282 --> 45:58.983 It is true, yeah. 45:59.003 --> 46:00.664 What's the real first single you ever bought? 46:00.684 --> 46:01.245 That was it! 46:01.465 --> 46:02.747 99p from W.H. 46:02.807 --> 46:04.208 Smith's Oxford Road. 46:04.368 --> 46:06.530 Mine was Mr Bump. 46:06.871 --> 46:07.431 That's right. 46:07.612 --> 46:09.974 Mr Bump for a bump, he's a clumsy chap. 46:10.374 --> 46:12.276 Going bump into this and this and that. 46:12.937 --> 46:17.762 So be sure that you don't bump into him today, cos he's sure to bump you out of your way. 46:18.202 --> 46:19.204 There's more if you want it. 46:21.985 --> 46:24.046 I'm not even sure that was the A side or the B side. 46:24.406 --> 46:26.487 Was there a whole album of Mr. Songs? 46:26.587 --> 46:26.847 Yes. 46:27.588 --> 46:28.628 Did you have that one as well? 46:28.868 --> 46:29.349 Yes. 46:29.369 --> 46:34.031 Don't remember any of them as well as Mr. Bump because it is so wicked. 46:34.051 --> 46:36.432 Adam and Jo here on BBC 6 Music. 46:36.753 --> 46:39.434 Now we've been asking you, it's a bit of a weird issue. 46:39.894 --> 46:41.154 It's a featureless show. 46:41.174 --> 46:42.915 Do you remember Twilight Zone the movie? 46:43.575 --> 46:48.596 When he goes upstairs into the little sister's bedroom and she's got no features on her face? 46:48.616 --> 46:50.937 She's got eyes but she's got no mouth. 46:50.997 --> 46:51.617 That's true. 46:51.737 --> 46:54.138 There's one where people are totally featureless. 46:54.158 --> 46:55.978 That's a classic Twilight Zone somewhere. 46:56.558 --> 46:57.959 Anyway, this show's a bit like that. 46:58.019 --> 46:58.779 It's featureless. 46:59.319 --> 47:01.200 We haven't bothered with Song Wars. 47:01.880 --> 47:05.441 Well, if you say it like that, it makes us sound very lazy. 47:06.241 --> 47:11.525 It was circumstances beyond our control prevented us from... ...due to having insanely busy weeks. 47:11.565 --> 47:12.645 Delivering song wars, yeah. 47:12.665 --> 47:14.066 I've gone insanely busy week next week. 47:14.466 --> 47:15.787 I know, we're going to have to think of something. 47:15.847 --> 47:17.989 Well, that's why we need the help of our listeners. 47:18.049 --> 47:22.412 That's why we've asked you for help, listeners, with something that's lyrically easy to do for next week. 47:22.452 --> 47:31.638 We did one one week where we sang the instructions to the IKEA meatballs, and a lot of people have pointed out that The Cure did a similar thing, apparently. 47:32.518 --> 47:33.279 Meatballs! 47:33.499 --> 47:36.580 I don't think it was the meatballs, but it was something similar. 47:36.600 --> 47:38.381 But anyway, that's in the past. 47:38.421 --> 47:43.945 We need another idea that's as effective in terms of making it less work for us. 47:43.965 --> 47:47.127 Well, Weezer do this as well, I pointed this out the other day. 47:47.167 --> 47:53.530 Yeah, Rivers Cuomo was on the internet the other day canvassing for suggestions to construct an entire song. 47:53.590 --> 47:57.352 He got people to send in bass riffs and guitar stuff. 47:57.573 --> 47:59.634 He doesn't even have to do a weekly radio show. 48:00.194 --> 48:00.855 How lazy? 48:01.015 --> 48:03.016 That's extremely lazy, isn't it? 48:03.056 --> 48:04.677 So here are some suggestions that have come in. 48:04.797 --> 48:12.541 This one's from Timothy Harkum, and he says, Hello Adam, hello Joe, how about the Agent Smith speech from The Matrix Revolutions? 48:13.122 --> 48:14.302 That's a very good idea. 48:14.382 --> 48:15.843 Or the Architect speech. 48:15.903 --> 48:18.785 He's transposed both of those speeches here. 48:18.885 --> 48:23.548 They are two of the most garbled, pointless and stupid speeches in cinema history as well. 48:24.108 --> 48:26.229 The Agent Smith one goes, I killed you, Mr. Anderson. 48:26.249 --> 48:28.530 I watched you die with a certain satisfaction I might have. 48:28.570 --> 48:31.551 Then something happened, something that I knew was impossible, but it happened anyway. 48:31.871 --> 48:33.311 You destroyed me, Mr. Anderson. 48:33.591 --> 48:34.612 After that, I understood the rules. 48:34.632 --> 48:35.872 I knew what I was supposed to do, but I didn't. 48:35.892 --> 48:36.192 I couldn't. 48:36.212 --> 48:38.953 I was compelled to stay, compelled to dis... I can't read the whole thing. 48:38.993 --> 48:40.154 It sounds a bit boring. 48:40.534 --> 48:41.554 It's boring in the film. 48:41.574 --> 48:42.495 Certainly. 48:42.515 --> 48:44.055 And the challenge would be to make it exciting. 48:44.395 --> 48:45.676 Well, to set it to music. 48:46.756 --> 48:48.958 Or the architects one at the end of The Third Matrix. 48:48.998 --> 48:50.500 That's very convoluted, I remember. 48:50.660 --> 48:53.722 Is that the one where they're in the room, the white room with all the tellies on it? 48:53.742 --> 48:55.504 Yeah, it's about the function of the one. 48:55.844 --> 49:00.168 I wanted so badly to expire at that point when I was watching the film. 49:00.508 --> 49:04.332 You should carry a little packet of cyanide pills for that kind of situation. 49:04.352 --> 49:05.933 Just in case there's another Matrix sequel. 49:05.973 --> 49:10.978 Yeah, or if you're in a really... Oh god, oh god, this is boring, I'm gonna pop my pills, Garlic. 49:11.238 --> 49:13.439 I think I'm going to be sure. 49:13.499 --> 49:14.839 It's over in five minutes. 49:14.939 --> 49:16.779 No, no, I can't tolerate it. 49:16.799 --> 49:17.220 It's too long. 49:17.240 --> 49:18.340 I'm going to have to kill myself. 49:18.660 --> 49:23.141 There were moments in Mamma Mia where I felt like that, but it always it always flipped it around again. 49:23.401 --> 49:24.401 Bronholm was back with it. 49:24.881 --> 49:25.742 Who is the dad? 49:25.762 --> 49:27.882 I was desperate to know who the dad was. 49:27.902 --> 49:31.363 Here's another suggestion for Song Wars. 49:31.403 --> 49:33.263 This is from Kate Haig. 49:33.323 --> 49:35.904 She says, how about setting some property details to music? 49:36.284 --> 49:38.865 As estate agents are famous for their use of the English language. 49:39.745 --> 49:41.126 Yeah, no, anybody? 49:42.746 --> 49:46.668 No, a couple of people have texted in, sorry, about that, Kate. 49:47.168 --> 49:49.289 I thought it was a great idea, Adam thinks it's stupid. 49:49.309 --> 49:51.810 I didn't think it's stupid, I just said, mm. 49:52.170 --> 49:59.393 Andy Leopard from Doncaster says, and a couple of people have suggested that we write a song to what policemen say to you when you get arrested. 49:59.413 --> 50:01.074 That's never happened. 50:01.354 --> 50:02.495 Have you actually been arrested? 50:03.075 --> 50:06.897 No, I've been questioned, but not for a while. 50:07.897 --> 50:09.518 Not since I was a naughty teen. 50:09.698 --> 50:10.278 Well, exactly. 50:10.298 --> 50:19.002 The last time I ran into trouble with the cops was probably when we tried to nick a Breakfast Club poster off the tube wall, I think, about 25 years ago. 50:19.102 --> 50:19.342 Right. 50:20.002 --> 50:22.924 Jemima has suggested a new EastEnders theme song. 50:23.224 --> 50:25.145 Please, it's been the same for ages! 50:25.165 --> 50:26.265 EastEnders? 50:27.346 --> 50:28.506 That's not a bad idea. 50:28.686 --> 50:30.427 The lyrics to that, that must have been done. 50:30.587 --> 50:32.328 I still like the new Neighbours song idea. 50:32.728 --> 50:34.370 Yeah, you think that's the best one so far. 50:34.390 --> 50:34.830 So far. 50:34.850 --> 50:37.993 Well, although I'm torn between that and the Matrix Revolution speech. 50:38.713 --> 50:38.974 Right. 50:39.554 --> 50:41.296 I'd go for the neighbors out of those two. 50:41.416 --> 50:42.857 Yeah. 50:42.917 --> 50:47.802 Someone's suggesting that I write a song about you and you write a song about me. 50:48.182 --> 50:50.244 Well, that involves writing the song. 50:50.424 --> 50:51.825 That's difficult as well, yeah. 50:51.865 --> 50:52.946 Yeah, it's a good idea though. 50:53.006 --> 50:54.267 One way will definitely do that. 50:55.488 --> 50:57.550 Uh, I think that's pretty much it. 50:58.370 --> 51:01.993 Oh, here, Christine Jones has said, can you do an In the Night Garden song? 51:02.413 --> 51:07.496 Eagle Piggle, an Upsy Daisy, versus Macapaca and The Pontypines. 51:07.977 --> 51:11.459 That's another show that it's useful to have little cyanide pills for. 51:11.739 --> 51:12.099 Really? 51:12.179 --> 51:13.060 You must have seen it. 51:13.120 --> 51:14.341 If you haven't, you haven't lived. 51:14.721 --> 51:18.444 Eagle Piggle's a very flaky character who at the slightest thing falls over. 51:18.784 --> 51:22.766 He has a bell in his foot and he can't go anywhere without the blanket which he keeps losing. 51:23.447 --> 51:24.528 Sounds very involved. 51:26.069 --> 51:34.499 Here's a good one though, finally Gemma Kemp says how about using the synopsis from everyone's favourite women's mag and lady brain rotter Grazia. 51:35.160 --> 51:36.902 This is taken from their website. 51:38.544 --> 51:39.966 We're living in fast times. 51:40.467 --> 51:41.888 Sometimes it's difficult to keep up. 51:42.569 --> 51:50.155 Life-changing stories can gallop past us, delicious gossip can flutter and die, and fashion trends that are hot today are gone tomorrow. 51:50.715 --> 51:55.259 We all want to keep up with this changing world, but we want to make it easy, and we want it now. 51:55.879 --> 52:01.524 Like us, you want to know about the latest trends, gossip, fashion, and news in easy bite-sized pieces. 52:03.154 --> 52:07.616 You want to read the kind of interviews and reports that make you think seriously about your own life. 52:08.276 --> 52:13.778 You want to find something fabulous to wear on a Friday night, or something quick, and that's spectacular, to cook for friends. 52:14.319 --> 52:21.081 You need easy, chic ideas to help you simplify your frantic life and, this is the most important bit, you don't want to wait a whole month for them. 52:21.362 --> 52:22.982 This is speaking directly to me. 52:23.162 --> 52:24.723 So welcome to Grazia. 52:25.243 --> 52:26.826 Britain's first weakly glossy. 52:26.886 --> 52:27.426 It goes on. 52:41.325 --> 52:44.047 Uh, I, I think, um... Heat. 52:44.948 --> 52:45.288 Heat? 52:45.528 --> 52:46.369 A toon that. 52:46.669 --> 52:46.869 Yeah. 52:47.230 --> 52:51.973 We will open the door to the world's most glamorous parties and catwalk events, just days after they've happened. 52:52.453 --> 52:52.874 Days? 52:54.155 --> 52:56.096 Very good, and then days. 52:56.176 --> 52:59.739 We'll investigate the big issues of the week and interview the stars in the news as it happens. 53:00.279 --> 53:02.981 I think it's possible that Gemma might be making it up at this point. 53:03.501 --> 53:04.542 But that's pretty good, isn't it? 53:04.662 --> 53:05.563 I, I really like that. 53:05.683 --> 53:08.064 Yeah, Gemma Kemp, that is a powerful idea. 53:08.164 --> 53:09.744 I put that at the top of my list now. 53:09.804 --> 53:11.185 We're both very keen on Grazia. 53:11.285 --> 53:13.185 Grazia Synopsis is a brilliant idea. 53:13.285 --> 53:15.686 I'm not sure for the reasons they'd like us to be keen on it. 53:16.066 --> 53:19.327 Because of the font. 53:19.427 --> 53:20.828 Anyway, keep those ideas coming in. 53:20.848 --> 53:21.248 You know what? 53:21.268 --> 53:22.748 That pretty much is textination. 53:22.788 --> 53:23.808 We'd better play the jingle. 53:23.848 --> 53:24.149 Justing. 53:24.289 --> 53:24.569 You know. 53:25.289 --> 53:25.769 Go on. 53:27.490 --> 53:28.310 Textination. 53:28.350 --> 53:29.430 Text, text, text. 53:29.530 --> 53:30.270 Textination. 53:30.350 --> 53:31.311 What if I don't want to? 53:31.551 --> 53:32.251 Textination. 53:32.371 --> 53:33.371 But I'm using email. 53:33.531 --> 53:34.272 Is that a problem? 53:34.312 --> 53:34.852 It doesn't matter. 53:34.892 --> 53:35.092 Text. 53:37.355 --> 53:38.855 It really rings a bit hollow there, doesn't it? 53:39.055 --> 53:39.516 It does. 53:39.596 --> 53:40.296 Late in the day. 53:40.416 --> 53:43.257 It'd be better off getting someone to fill in for us this week. 53:43.277 --> 53:43.737 Do you think? 53:44.137 --> 53:46.057 We are worse than any stand-in. 53:48.178 --> 53:49.118 That's true. 53:49.358 --> 53:50.819 Now, is this your free choice, Joe? 53:50.879 --> 53:51.579 What is it? 53:51.679 --> 53:52.619 Yeah, a bit of orange juice. 53:52.659 --> 53:55.160 This is a good track by Orange Juice. 53:55.200 --> 53:56.480 They're a Scottish band. 53:56.880 --> 54:00.001 They're not really together anymore, but they're very good. 54:00.021 --> 54:02.022 If you haven't got all their records, you should buy them. 54:03.151 --> 54:05.073 Claire, our producer. 54:06.414 --> 54:07.175 What's this one called? 54:07.295 --> 54:07.975 Sad Lament. 54:08.075 --> 54:09.337 Yeah, it's called Sad Lament. 54:09.577 --> 54:09.857 Thanks. 54:10.298 --> 54:13.881 This is the voice of the big, pretty castle. 54:13.981 --> 54:15.843 It is the top of the hour. 54:15.943 --> 54:17.404 Ooh, that's wonderful. 54:17.664 --> 54:20.807 I got support with the last hour, and it's gone. 54:20.907 --> 54:22.268 Now here's the new one. 54:22.369 --> 54:23.910 It's exciting, and it's new. 54:24.110 --> 54:24.691 How do you do? 54:25.410 --> 54:25.990 Yes, indeed. 54:26.131 --> 54:28.773 Adam and Joe here on BBC Six Music. 54:28.833 --> 54:44.845 And before that, of course, you heard Massive Attack with Unfinished Sympathy and the director of that classic video, Bailey Walsh, who I had the pleasure of interviewing at Bug, which is the pop video thing I do at the NFT every now and again. 54:45.585 --> 54:48.406 He's got a film out on DVD right now, isn't it? 54:48.846 --> 54:49.546 Memories of a Fool? 54:49.606 --> 54:50.146 Is that what it's called? 54:50.166 --> 54:51.066 The one with Daniel Craig? 54:51.466 --> 54:52.267 Flashbacks of a Fool. 54:52.287 --> 54:53.207 Flashbacks of a Fool. 54:53.267 --> 54:53.847 Yeah, yeah, yeah. 54:53.907 --> 54:54.807 That's just about to come out. 54:54.827 --> 54:55.687 Someone told me it was out. 54:55.747 --> 54:57.028 I went excitedly to buy it. 54:57.128 --> 54:58.408 Well, no, I wasn't that excitedly. 54:59.608 --> 55:02.209 But not because of the film, just because I was in a bad mood, and I couldn't find it. 55:02.549 --> 55:02.869 Right. 55:03.069 --> 55:03.649 I want to see it. 55:04.189 --> 55:07.170 He's someone that uses music amazingly creatively. 55:07.190 --> 55:08.090 He directed that one, did he? 55:08.170 --> 55:08.691 Yeah, yeah. 55:08.751 --> 55:09.751 It's his first film, I think. 55:10.831 --> 55:15.474 Flashbacks of a Fool, I recommend it, even though I haven't seen it, but he's a nice guy. 55:16.054 --> 55:23.358 Now, I was moving house this week, that's one of the reasons, that's my excuse for not having prepared more and not having done my Song Wars song. 55:24.839 --> 55:28.140 And in the process, of course, I had to throw a lot of things away. 55:28.161 --> 55:35.845 I haven't moved house for years, and this is obviously the first time I've moved house with a big family, so there was a lot more to move. 55:36.985 --> 55:40.167 And, man, there was a lot of stuff to throw away. 55:40.207 --> 55:42.548 And it's always a good opportunity to do some clearing. 55:42.648 --> 55:44.129 I don't really like to throw anything away. 55:44.169 --> 55:45.949 If it was up to me, I would hoard everything. 55:45.989 --> 55:47.570 I'm like a kind of stinky old man. 55:48.110 --> 55:54.013 I've got boxes and boxes of Mojo magazines and turds. 55:54.033 --> 55:54.714 Your own turds. 55:54.734 --> 55:55.294 My own turds. 55:55.314 --> 55:56.594 They're all wrapped up in cellophane. 55:56.935 --> 55:58.195 No, labels numbered. 55:58.595 --> 56:03.838 At least that would be lighter than the boxes of Mojo mags that I insisted on moving with me. 56:04.756 --> 56:07.517 Right, you keep your back issues of mojo, do you? 56:07.637 --> 56:08.057 Got them all. 56:08.097 --> 56:09.438 Have you ever referred to one? 56:10.038 --> 56:10.338 Yes. 56:10.618 --> 56:10.979 Have you? 56:11.179 --> 56:13.480 Do they publish index magazines? 56:13.500 --> 56:22.923 Because in the old days, when magazines used to sell you binders, and they would expect you to archive them, they would come out with index issues every few years. 56:23.104 --> 56:23.304 Yeah? 56:24.584 --> 56:25.224 Sight and sound. 56:25.705 --> 56:27.545 The BFI mag used to do that, didn't they? 56:27.665 --> 56:32.507 Or they would just have an index bit at the back of one of their issues so that you could treat it like an encyclopedia. 56:32.807 --> 56:33.707 Do Mojo do that? 56:33.807 --> 56:34.648 I don't believe they do. 56:34.668 --> 56:35.348 Well, they should do it. 56:35.368 --> 56:36.969 They should absolutely do it. 56:37.009 --> 56:37.369 Do it. 56:37.389 --> 56:39.970 Because otherwise it renders my collection insane. 56:41.130 --> 56:46.072 Well, I think the collection is insane before, you know, proven non-insane. 56:46.152 --> 56:47.212 You should talk to my wife. 56:47.733 --> 56:48.553 She agrees with you. 56:48.753 --> 56:49.113 Really? 56:49.333 --> 56:49.953 Absolutely. 56:49.973 --> 56:52.094 What did you use it to look back at? 56:52.114 --> 56:53.995 Do you remember? 56:54.155 --> 56:56.235 You know, I especially use it whenever I get the flu. 56:56.255 --> 56:58.296 It's not as if it's contemporary information either. 56:58.416 --> 57:07.599 I just like reading because they're timeless articles of such great quality about bands old and new that it's a joy to dip in whenever you feel. 57:07.799 --> 57:08.179 Really? 57:08.360 --> 57:09.220 I really enjoy it. 57:09.420 --> 57:11.561 Plus... Does your wife do that with Grazia? 57:11.841 --> 57:12.741 No, she's not allowed. 57:12.761 --> 57:14.141 I throw them away even before she's ready. 57:14.181 --> 57:14.342 Really? 57:14.422 --> 57:15.302 Yeah, really. 57:16.703 --> 57:25.992 So she didn't move with her Grazia collection or her now and closer collection in the ring binder made of human skin. 57:27.974 --> 57:29.095 But beautifully made up. 57:29.415 --> 57:33.259 Beautifully skinned but amazingly powder puffed. 57:33.599 --> 57:39.101 Anyway, I didn't throw my mojo's away because there's all the crosswords in there that I haven't done yet, which I'll get round to. 57:39.941 --> 57:51.004 However, I did throw away other things that I have been hoarding for years and years and years, including things that I thought might come in useful, you know? 57:51.024 --> 57:54.305 Now, you always keep things like this, like screws, you know? 57:54.385 --> 57:55.565 Little weird screws. 57:55.585 --> 57:56.105 Very useful. 57:56.305 --> 57:56.726 Bits of wood. 57:58.306 --> 57:58.586 Yes. 57:58.686 --> 57:59.167 Knobs. 57:59.467 --> 58:08.635 You know strange brass knobs, foreign money, tins of food, bottles of booze, strange booze that you bought like years ago for a party. 58:08.655 --> 58:10.137 You can't throw these things away. 58:10.177 --> 58:11.878 You can't throw away half a bottle. 58:11.938 --> 58:14.400 In this day and age you'd recycle them anyway. 58:14.420 --> 58:15.662 You might free cycle them. 58:16.162 --> 58:16.422 Right. 58:16.502 --> 58:18.004 But I'm on the free cycle website. 58:18.044 --> 58:22.708 You could recycle the tins of food maybe, but a half drunk bottle of archer's peach schnapps? 58:23.088 --> 58:24.249 That might keep someone alive. 58:25.330 --> 58:29.472 There might be some sort of a vagrant who is teetering on the edge of death. 58:29.532 --> 58:30.512 A cocktail vagrant. 58:30.752 --> 58:32.733 Just a little bit of peach slap. 58:32.893 --> 58:34.333 I'd love a fuzzy. 58:34.373 --> 58:36.494 Could you lend us 10p for a fuzzy navel? 58:40.756 --> 58:48.279 Curtains as well, like if you've got some old curtains and you think, oh, I can't throw away the curtains, I'm going to have to put them in the box because you never know. 58:48.319 --> 58:48.819 Recycle them. 58:49.259 --> 58:49.840 Right. 58:49.880 --> 58:51.041 Their curtains are expensive. 58:51.061 --> 58:52.602 They're a curtain exchange centre. 58:52.662 --> 58:53.182 No, there are. 58:53.222 --> 58:53.863 Yes, there are. 58:53.923 --> 58:56.344 We got some curtains from a curtain exchange centre. 58:57.025 --> 58:58.046 Little bit puke-y. 58:59.046 --> 59:00.047 But they do the job? 59:00.087 --> 59:00.728 That's not true. 59:00.788 --> 59:01.508 They weren't puke-y. 59:01.708 --> 59:03.310 But no, curtains are expensive things. 59:03.550 --> 59:03.810 Right. 59:04.531 --> 59:06.472 Well, you know, I threw away a lot of the curtains. 59:06.492 --> 59:06.692 Good ones. 59:06.712 --> 59:09.274 I mean, this time I just thought, finally, I'm going to have to throw away these. 59:09.294 --> 59:11.736 Claire's looking at me like I'm a hobo, these curtains. 59:13.357 --> 59:18.361 other things that are difficult to throw away, things that you think might have sentimental value, right? 59:18.621 --> 59:34.113 So they don't actually have sentimental value, but you think, well, this is the kind of thing that probably should have some sentimental value for me, like old passports, certain types of low-quality children's drawings, you know, because not all drawings by children are good. 59:34.133 --> 59:35.214 A lot of them are rubbish. 59:35.874 --> 59:37.215 because they just haven't got the skills. 59:37.235 --> 59:38.436 So what do you say to your children? 59:38.476 --> 59:38.736 Yeah. 59:39.076 --> 59:40.757 Hey Frank, do you have a star system? 59:40.817 --> 59:45.100 Frankly, I'm going to give this one two stars because it doesn't look like anything. 59:45.320 --> 59:49.142 You say it's me and Mummy, but that's clearly not me. 59:49.342 --> 59:50.763 I don't look anything like that. 59:51.123 --> 59:53.125 Mummy's hair is not like that at all. 59:53.265 --> 59:53.845 Look at Mummy. 59:53.925 --> 59:54.545 Look at her. 59:54.806 --> 59:55.786 Does she look like that? 59:56.026 --> 59:56.907 Now get out. 59:57.327 --> 59:59.929 That's how it goes on a Sunday afternoon at the art class. 59:59.949 --> 01:00:00.709 It's horrific. 01:00:00.729 --> 01:00:01.270 At our house. 01:00:01.310 --> 01:00:01.850 It is horrific. 01:00:02.090 --> 01:00:03.732 So we throw away those pictures, obviously. 01:00:04.032 --> 01:00:07.434 Cards, things like postcards and letters and stuff like that. 01:00:07.534 --> 01:00:15.220 You think, well, it seems wrong to throw away these birthday cards because you don't immediately throw away birthday cards, right? 01:00:15.560 --> 01:00:15.940 Or do you? 01:00:16.280 --> 01:00:17.061 No, you're right. 01:00:17.121 --> 01:00:18.242 Cards do gather up. 01:00:18.642 --> 01:00:20.663 You know, and you think, well, I can't throw away the birthday cards. 01:00:20.683 --> 01:00:21.484 I'm going to have to keep them there. 01:00:21.624 --> 01:00:23.165 Cut the backs off, reuse them. 01:00:23.525 --> 01:00:23.726 Uh-huh. 01:00:24.466 --> 01:00:39.577 that's the blue peter solution yeah wedding invites the blue peter solution that's a good film with with matt damon yeah um you know wedding invites you wouldn't throw those away would you yes no yes the wedding invite of your best 01:00:40.137 --> 01:00:42.340 Bad buddy getting married to Tina. 01:00:42.800 --> 01:00:46.104 After all those days, it's such a happy day. 01:00:46.484 --> 01:00:50.830 Certain types of photographs that are slightly blurry maybe and not that good. 01:00:50.850 --> 01:00:52.011 They're not very good photographs. 01:00:52.151 --> 01:00:53.513 Oh, you can't throw away a photograph. 01:00:53.853 --> 01:00:54.434 Even if it's blurry. 01:00:54.454 --> 01:00:58.519 It's the only one I've got of Michael when he's all in, you know, in them days. 01:00:59.219 --> 01:01:22.349 Throw away that blurry Michael Michael so you throw that away other things things that you don't know Things you don't really know what they are You haven't really assessed their value Like for example legal documents utility bills things like this or better keep the legal documents There's a there's an official limit for those though, isn't there like something like seven or eight years or something? 01:01:22.429 --> 01:01:22.989 Where'd you get that? 01:01:23.389 --> 01:01:24.429 Yeah in my brain. 01:01:24.469 --> 01:01:26.010 You've got to keep it for a sudden legally. 01:01:26.190 --> 01:01:27.391 Yeah keys 01:01:28.311 --> 01:01:42.753 old keys old keys oh man those mount up and you never want to throw those away there's a daughter every key in the world well exactly don't throw a key away how's the person gonna get in the thing that the keys for you know throwing keys and throwing money away is there a national key bank 01:01:43.510 --> 01:01:44.030 There must be. 01:01:44.090 --> 01:01:44.631 Data bank. 01:01:44.931 --> 01:01:45.211 Yeah. 01:01:45.351 --> 01:01:46.032 There probably is. 01:01:46.072 --> 01:01:46.552 There should be. 01:01:46.952 --> 01:01:52.096 Because it feels totally wrong to throw any kind of money, foreign currency, anything like that. 01:01:52.476 --> 01:01:53.537 And the same with keys. 01:01:54.418 --> 01:02:00.722 Other things, things that were so expensive when you bought them that you just never considered throwing them away, even though you don't use them anymore. 01:02:00.822 --> 01:02:03.224 For example, old computers is the big one. 01:02:03.744 --> 01:02:06.406 And it's very hard to even recycle old computers, you know? 01:02:07.907 --> 01:02:09.969 You can't give them to schools or anything like that. 01:02:10.768 --> 01:02:11.589 I mean, you can. 01:02:11.609 --> 01:02:12.269 I bet you can. 01:02:13.490 --> 01:02:13.970 But no, no. 01:02:14.050 --> 01:02:16.652 Most schools, they're fairly snooty about it now. 01:02:16.732 --> 01:02:18.413 Someone somewhere will want your computer. 01:02:18.433 --> 01:02:20.794 You can't even chuck computers on the dump anymore. 01:02:20.814 --> 01:02:22.275 They say, no, we don't want the computers. 01:02:22.295 --> 01:02:22.575 Is that true? 01:02:22.595 --> 01:02:22.855 Yeah. 01:02:23.396 --> 01:02:25.377 You have to get the council to remove the computers. 01:02:25.717 --> 01:02:27.919 VHS players, things like that, you know? 01:02:28.039 --> 01:02:31.601 They might be in totally good working order, but they're just hanging around. 01:02:31.641 --> 01:02:32.642 You don't want to get rid of them. 01:02:33.162 --> 01:02:39.186 Other things, things that were faulty or damaged or had bits missing, and you always thought, well, I might repair this one day. 01:02:39.966 --> 01:02:41.767 Have you got any stuff like that clustering up your house? 01:02:41.807 --> 01:02:42.308 Possibly. 01:02:42.848 --> 01:02:44.009 You know, you always have things like that. 01:02:44.089 --> 01:02:45.370 Toys and lamps. 01:02:45.430 --> 01:02:46.951 So what are you doing with all this stuff, Adam? 01:02:46.991 --> 01:02:47.971 What's the end of this story? 01:02:48.032 --> 01:02:49.913 Well, the end of the story is I threw them all away. 01:02:50.093 --> 01:02:51.474 I threw all of these things away. 01:02:52.575 --> 01:02:53.135 In a dump? 01:02:53.555 --> 01:02:54.616 In a big landfill. 01:02:54.636 --> 01:02:56.077 And I threw them into the middle of the road. 01:02:56.517 --> 01:02:56.717 Really? 01:02:56.757 --> 01:02:58.519 I stood there naked screaming. 01:02:59.199 --> 01:03:00.359 Threw them in my street, didn't you? 01:03:00.479 --> 01:03:12.163 No, I properly, I disposed of them in the correct way, got the council to help me with some of them, went to the dump with some of the other ones, took a lot of stuff to Oxfam, like bits of old clothing that I've had for years and years and years. 01:03:12.183 --> 01:03:13.244 That's the correct ending of the story. 01:03:13.284 --> 01:03:17.165 I think all the stuff you've just mentioned is all recyclable and reusable. 01:03:17.205 --> 01:03:21.646 And in this day and age, the very idea of throwing away is something away is archaic. 01:03:22.266 --> 01:03:22.967 Right, exactly. 01:03:23.267 --> 01:03:24.127 Popcorn maker? 01:03:25.027 --> 01:03:25.628 Throw that away. 01:03:25.728 --> 01:03:26.388 Throw that away. 01:03:27.148 --> 01:03:28.229 Anyway, there you go. 01:03:28.369 --> 01:03:29.289 Now, what have we got here? 01:03:29.369 --> 01:03:30.050 Is this Daft Punk? 01:03:30.070 --> 01:03:30.650 It's Daft Punk. 01:03:30.670 --> 01:03:31.490 It's playing at my house. 01:03:31.510 --> 01:03:32.311 It's not even Daft Punk. 01:03:32.331 --> 01:03:33.892 It's LCD sound system. 01:03:34.092 --> 01:03:37.694 Oh, fabulous sounds of the 60s here on Radio Groovy. 01:03:37.714 --> 01:03:40.535 That was Spencer Davis with Keep On Running. 01:03:40.635 --> 01:03:42.036 We don't know why that one was put in. 01:03:42.076 --> 01:03:43.937 It might have just been a computer error. 01:03:43.977 --> 01:03:44.758 That was a good song. 01:03:44.838 --> 01:03:47.659 Good song, but it doesn't really fit the profile, does it? 01:03:48.179 --> 01:03:49.400 Well, what does, though, Joe? 01:03:49.460 --> 01:03:50.281 That's true. 01:03:50.381 --> 01:03:50.981 This show does 01:03:51.121 --> 01:03:56.724 6 Music is about not having boundaries of any kind. 01:03:57.404 --> 01:03:58.565 Even good boundaries. 01:03:59.605 --> 01:04:00.165 There we go. 01:04:00.185 --> 01:04:03.047 The sounds of 1966 with the Spencer Davis group. 01:04:03.087 --> 01:04:04.788 This is Adam and Jo on BBC 6 Music. 01:04:04.808 --> 01:04:08.049 We've been asking you to text in suggestions for Song Wars next week. 01:04:08.950 --> 01:04:10.110 It's the middle of the summer. 01:04:10.510 --> 01:04:11.371 It's silly season. 01:04:11.411 --> 01:04:12.511 Everything grinds to a halt. 01:04:12.912 --> 01:04:13.932 We've ground to a halt. 01:04:14.773 --> 01:04:15.333 A little bit. 01:04:15.393 --> 01:04:16.954 We've run out of ideas for Song Wars. 01:04:17.094 --> 01:04:17.854 Adam's moving. 01:04:18.214 --> 01:04:19.295 I've got two hideous 01:04:19.935 --> 01:04:29.201 deadlines for things I'm writing coming up and I'm having to spend every minute of the day either procrastinating about writing or writing, mainly the former. 01:04:29.601 --> 01:04:35.465 But as a result, we're very busy and we need a sort of easy but highly effective challenge for song wars. 01:04:35.505 --> 01:04:38.487 And thank you very much to everyone who's sent in suggestions. 01:04:39.408 --> 01:04:49.735 Our favourite one so far is probably either Neighbours, Neighbours New Neighbours theme, or Singing Something from Grazia magazine, our favourite brain rotting label. 01:04:49.855 --> 01:04:50.796 I think that would be the thing. 01:04:50.816 --> 01:04:51.757 We'd both buy Grazia. 01:04:51.777 --> 01:04:55.179 And we would have to use nothing but words from Grazia in the song. 01:05:03.863 --> 01:05:05.684 Oh, so you could use the words from wherever. 01:05:05.884 --> 01:05:07.465 Maybe we should pick a particular article. 01:05:07.505 --> 01:05:09.466 I think you have to do the article and then do it verbatim. 01:05:09.706 --> 01:05:11.307 Right, you have to do the article verbatim. 01:05:11.507 --> 01:05:13.908 And if we pick the same one, then so be it. 01:05:14.968 --> 01:05:16.049 We do it sight unseen. 01:05:16.289 --> 01:05:16.549 Yeah. 01:05:16.709 --> 01:05:17.710 That's our leading idea. 01:05:17.730 --> 01:05:18.710 Do you think is that overtaking? 01:05:18.730 --> 01:05:20.011 I think that overtakes neighbors. 01:05:20.591 --> 01:05:21.772 Possibly. 01:05:22.332 --> 01:05:23.973 We'll have to have a look at Grazia. 01:05:24.793 --> 01:05:27.435 And we're doing a lot of advertising for Grazia this morning. 01:05:27.735 --> 01:05:28.135 Not really. 01:05:28.195 --> 01:05:28.976 Not in a good way. 01:05:31.117 --> 01:05:31.838 So that's a good idea. 01:05:31.858 --> 01:05:39.563 If you can beat that, do send your idea in 64046 is the text number, or the email is adamandjo.6musicatbbc.co.uk. 01:05:40.023 --> 01:05:40.924 Further ideas. 01:05:41.304 --> 01:05:45.207 Rich suggests a new hip-hop style theme to The Last of the Summer Wine. 01:05:45.507 --> 01:05:45.787 Yes? 01:05:46.347 --> 01:05:46.848 Yes. 01:05:47.008 --> 01:05:47.368 No. 01:05:48.149 --> 01:05:52.051 No, it's just not hot enough a topic, The Last of the Summer Wine. 01:05:52.091 --> 01:05:54.433 I mean, it's a funny idea, but it's too much work, man. 01:05:54.893 --> 01:05:56.014 Too much work, correct. 01:05:56.054 --> 01:05:57.515 That's the correct logic to apply. 01:05:58.436 --> 01:05:59.676 Here's one from Robert in Aberdeen. 01:05:59.697 --> 01:06:05.881 For Song Wars, how about the shipping forecast or new lyrics for EastEnders or the rules you see at swimming pools? 01:06:06.161 --> 01:06:07.722 A triumvirate of ideas from Robert. 01:06:07.742 --> 01:06:12.806 Shipping forecast is a classic rock and pop idea that has been hijacked by many artists. 01:06:13.466 --> 01:06:15.588 Well, I say many, some artists, I think. 01:06:16.388 --> 01:06:19.710 Did Paddy McAloon do something along the lines of the shipping forecast? 01:06:19.810 --> 01:06:21.431 I trolled a megahertz with his album. 01:06:21.471 --> 01:06:22.071 Something like that. 01:06:22.131 --> 01:06:26.734 But the shipping forecast pops up at the end of which Thomas Dolby song? 01:06:26.934 --> 01:06:29.215 Is it Screen Kiss? 01:06:29.595 --> 01:06:30.436 Something like that, yeah. 01:06:30.456 --> 01:06:31.416 I think so. 01:06:31.656 --> 01:06:40.601 Somebody else, Yuka from London suggests doing a song in Japanese using something off Adam and Jogo Tokyo, but that's very hard work. 01:06:40.661 --> 01:06:42.062 I can't remember any of my Japanese. 01:06:42.282 --> 01:06:46.185 That's pretty much all I remember. 01:06:46.225 --> 01:06:48.966 Heavy Metal Song Wars, says an anonymous texter. 01:06:49.227 --> 01:06:50.888 Haven't got the heavy metal loops. 01:06:51.328 --> 01:06:53.569 No, we need the right jam. 01:06:54.050 --> 01:06:58.453 A song begging Carol Vordman to stay on at Countdown, says Toby in Swindon. 01:06:59.153 --> 01:06:59.393 Hmm. 01:07:00.034 --> 01:07:16.566 Do you think I don't think we could summon enough emotion or feeling for that one No, I'm not I'm not an expert sufficiently I don't think whereas Grazia I have a certain amount of affinity with for You know an intimate knowledge of 01:07:17.286 --> 01:07:25.571 Alex Rutherford sends an email saying, hey guys, why not try putting the opening paragraph from my physics PhD thesis that I'm writing at the moment to music. 01:07:26.732 --> 01:07:30.594 I suggest some kind of post-punk afrobeat fusion in terms of a genre. 01:07:31.374 --> 01:07:32.095 Alex in London. 01:07:33.456 --> 01:07:36.378 opening couple of lines from his physics PhD thesis are, 01:07:47.907 --> 01:07:49.187 Yeah, I like it already. 01:07:49.207 --> 01:07:50.388 That's got my foot tap in. 01:07:50.988 --> 01:07:59.750 The powerful closing lyrics would be something along the lines of, Stonermetall noted that it's unlikely that any one material will be able to provide the necessary materials requirements. 01:08:00.031 --> 01:08:01.971 I can hear people seeing that on football terraces. 01:08:02.131 --> 01:08:05.752 Several different materials may be used to provide separate functionality. 01:08:06.092 --> 01:08:08.073 And the number one for the fifth week running. 01:08:09.392 --> 01:08:10.153 It's that one. 01:08:15.215 --> 01:08:16.796 Liam from Hollow, have you got more to say? 01:08:16.896 --> 01:08:17.437 I like it. 01:08:17.617 --> 01:08:18.557 It's a good idea, isn't it? 01:08:18.577 --> 01:08:19.098 Well, there we go. 01:08:19.138 --> 01:08:19.858 Look, there are the lyrics. 01:08:19.898 --> 01:08:20.398 Thank you. 01:08:20.719 --> 01:08:21.299 Have a little look. 01:08:21.359 --> 01:08:25.121 And Liam from Holloway says, what about making a new alphabet song? 01:08:25.602 --> 01:08:27.002 See if you can better the original. 01:08:27.703 --> 01:08:27.943 Yes. 01:08:27.983 --> 01:08:29.584 Now, was that written by somebody? 01:08:30.370 --> 01:08:31.451 I don't know about that. 01:08:31.992 --> 01:08:33.153 A, B, C, D, that one. 01:08:33.233 --> 01:08:38.598 E, F, G, H, I, J, K, L, M, N, O, P. Oh, yeah, remember? 01:08:38.618 --> 01:08:39.358 That's right. 01:08:39.859 --> 01:08:42.621 Well, you know, I was talking about this to someone the other day. 01:08:42.641 --> 01:08:55.854 There's an album by a kind of weird fusion band called Stark Reality, where they take all these hoagie Carmichael children's songs and put them to crazy avant-garde fusion. 01:08:56.514 --> 01:08:57.975 Maybe I'll bring that one in next week. 01:08:58.035 --> 01:08:58.596 It's really good. 01:08:58.616 --> 01:08:59.616 It's got some amazing stuff. 01:08:59.636 --> 01:09:00.497 And they've done the alphabet. 01:09:00.857 --> 01:09:03.579 They do one that deals with the alphabet, yeah. 01:09:03.759 --> 01:09:05.821 Because you know the album Schoolhouse Rock? 01:09:05.961 --> 01:09:06.782 Yep. 01:09:06.962 --> 01:09:07.822 Which a lot of people have. 01:09:07.842 --> 01:09:08.823 That's an enjoyable album. 01:09:08.863 --> 01:09:15.008 But this is a kind of weird... That's got all the sort of Della Sol Daisy Age samples on it, hasn't it? 01:09:15.048 --> 01:09:15.648 Yeah, that one. 01:09:18.010 --> 01:09:19.470 I'll bring in stark reality, it's funny. 01:09:19.951 --> 01:09:29.536 But here's a band, now I'm going to play a free choice, who play a style of music which would be ideally suited to just marrying some abstract lyrics to. 01:09:29.916 --> 01:09:31.177 Because this is Blurt. 01:09:31.517 --> 01:09:39.861 I think Blurt have a new album out now, but they were around in the early 80s and they were a kind of none more indie band. 01:09:40.642 --> 01:09:43.704 And let's see, they were founded by... Poet Milton. 01:09:44.144 --> 01:09:45.445 Poet, saxophonist, yeah. 01:09:46.405 --> 01:09:47.986 and puppeteer Ted Milton in 1979. 01:09:49.046 --> 01:09:51.667 You beat me to the Wikipedia page. 01:09:55.009 --> 01:10:04.673 But they're good men, and they make an extremely sort of stark, sparse sound of honking saxophones, very basic beats. 01:10:05.054 --> 01:10:10.936 And Ted just kind of screaming and yelping over the top. 01:10:11.056 --> 01:10:12.257 I feel like he's my buddy. 01:10:12.577 --> 01:10:14.798 All you know about him is what's on the Wikipedia page. 01:10:14.958 --> 01:10:18.841 No, but I know him from listening to his music and that's very enjoyable. 01:10:19.602 --> 01:10:22.684 It might repel certain people, but I like this kind of thing very much. 01:10:22.804 --> 01:10:31.010 This is Blurt and I never know the names of these tracks because they pop up on my MP3 player and I don't actually see what they're called. 01:10:32.531 --> 01:10:33.292 Back announcing. 01:10:33.332 --> 01:10:34.393 Just plain back announcing. 01:10:34.433 --> 01:10:36.094 Here's a bit of Blurt for you listeners. 01:10:36.274 --> 01:10:38.577 That's empty vessels by Blurt. 01:10:38.837 --> 01:10:39.278 That's good. 01:10:39.298 --> 01:10:39.858 I like that. 01:10:39.998 --> 01:10:40.759 That's great, man. 01:10:40.799 --> 01:10:42.061 This stuff's fantastic. 01:10:42.121 --> 01:10:42.982 That's from around about 1982. 01:10:44.404 --> 01:10:46.787 Reminds me a little of, uh, Bogshed. 01:10:48.088 --> 01:10:49.109 I've never heard Bogshed. 01:10:49.129 --> 01:10:49.950 Bogshed are good. 01:10:49.990 --> 01:10:51.272 I'll bring in some Bogshed next week. 01:10:51.292 --> 01:10:51.933 Let's have some Bogshed. 01:10:52.113 --> 01:10:57.535 Have you got anything, have you got anything, have you got anything? 01:10:57.555 --> 01:11:06.519 Now, here's a trail for a new show on BBC Three, which is called The Wrong Door, and this is made by some people that I worked with. 01:11:06.959 --> 01:11:09.200 This is my friend as well, Ben Wheatley, isn't it? 01:11:09.240 --> 01:11:10.761 That's right, directed by a fellow. 01:11:10.801 --> 01:11:17.444 He's the king of virals and lots of people I work with on a show called Time Trumpet with Amanda Ianucci. 01:11:18.344 --> 01:11:22.625 And this, I haven't seen any of this, but I bet this is going to be quite a massive smash to this programme. 01:11:22.665 --> 01:11:23.765 It's called The Wrong Door. 01:11:23.805 --> 01:11:24.706 Here's the trail for it. 01:11:24.966 --> 01:11:28.967 That's from the Colden Days Coldplay with Viva La Vida. 01:11:29.287 --> 01:11:36.008 They will be being interviewed by Steve LaMac when he sits in for Lauren Laverne on Saturday, the 30th of August from 4pm. 01:11:36.969 --> 01:11:37.649 That's very exciting. 01:11:37.689 --> 01:11:42.630 Now it's time for the news and the music news here on 6 Music, read by Andre Payne and Catherine Cracknell. 01:11:42.910 --> 01:11:45.557 Disco 2000 by Pulp. 01:11:45.979 --> 01:11:47.021 I miss Jarvis Cock. 01:11:47.061 --> 01:11:48.144 Is he still living in France? 01:11:48.991 --> 01:11:49.592 He should come back. 01:11:49.612 --> 01:11:49.912 Really? 01:11:49.992 --> 01:11:56.497 A friend of mine saw him pushing his kid in a pushchair, maybe that was a while ago, or walking his toddler, or... In the UK? 01:11:56.617 --> 01:11:59.219 Yeah, about six or seven months ago. 01:11:59.239 --> 01:12:01.721 Could that be... Could be a case of mistaken identity. 01:12:01.861 --> 01:12:02.562 They're all in France. 01:12:02.582 --> 01:12:04.523 There's a lot of coccolates out there. 01:12:04.624 --> 01:12:06.285 Robert Crumb, the cartoonist. 01:12:06.325 --> 01:12:07.406 He lives in France as well. 01:12:07.426 --> 01:12:07.786 Does he? 01:12:07.886 --> 01:12:08.987 Down in the south of France. 01:12:09.007 --> 01:12:10.228 Everyone is cool lives in France. 01:12:10.248 --> 01:12:11.469 They all end up in France. 01:12:11.869 --> 01:12:12.270 Johnny Dez! 01:12:12.390 --> 01:12:14.511 He lives in France with an Iffipadiz! 01:12:14.552 --> 01:12:17.234 The most beautiful young woman in the world! 01:12:17.994 --> 01:12:19.477 Oh, she's tiny. 01:12:19.617 --> 01:12:20.678 She's so tiny. 01:12:20.718 --> 01:12:21.580 Look at her. 01:12:21.920 --> 01:12:23.823 Oh, she's fallen down in the house. 01:12:23.843 --> 01:12:25.125 Now she's naked. 01:12:25.565 --> 01:12:26.787 Oh, that's nice. 01:12:26.867 --> 01:12:27.748 That's nice. 01:12:27.849 --> 01:12:29.191 Can I have one, please? 01:12:30.132 --> 01:12:30.312 Oh. 01:12:30.712 --> 01:12:31.953 I love the other one. 01:12:32.753 --> 01:12:33.013 What? 01:12:33.613 --> 01:12:34.754 I don't know what we're talking about. 01:12:34.774 --> 01:12:37.014 Listen, some factoid corrections. 01:12:37.355 --> 01:12:39.515 They live in Paris, apparently. 01:12:39.675 --> 01:12:44.977 Anyway, songs that use the shipping forecast we were talking about earlier, of course, it's Wind Power by Thomas Dolby. 01:12:44.997 --> 01:12:45.757 Wind Power. 01:12:45.957 --> 01:12:48.258 Not I Scare Myself, whatever I said, or Screen Kiss. 01:12:48.318 --> 01:12:51.059 Screen Kiss has just the weather forecast at the end. 01:12:51.099 --> 01:12:51.539 Yeah. 01:12:51.819 --> 01:12:56.301 And someone else has said that Blur use it in a song called This Is Low. 01:12:56.701 --> 01:12:57.961 This is a low, yes. 01:12:57.981 --> 01:13:00.742 This is a low, which is based on the shipping forecast. 01:13:00.782 --> 01:13:04.523 You know, we only make mistakes to encourage interactivity. 01:13:04.563 --> 01:13:07.063 That wasn't so much a mistake as just some words. 01:13:07.123 --> 01:13:08.183 I made a doubly mistake. 01:13:08.703 --> 01:13:09.624 Thomas Dudley mistake. 01:13:10.244 --> 01:13:16.505 Incidentally, Blurt, who we played a few minutes ago, they have a new single out very soon via the Orchestra Pit Recording Company. 01:13:16.565 --> 01:13:19.086 It's the name of the label that I couldn't remember there. 01:13:19.106 --> 01:13:20.266 It's what they're on now, is it? 01:13:20.506 --> 01:13:20.686 Yeah. 01:13:21.326 --> 01:13:21.686 Yeah. 01:13:22.206 --> 01:13:23.967 So listen, some more film chitchat. 01:13:24.728 --> 01:13:29.850 Just a minor passing topic of conversation, but I watched Mike Lee's new film during the week. 01:13:30.150 --> 01:13:30.950 Happy Go Lucky. 01:13:31.210 --> 01:13:31.891 Oh, it's supposed to be good. 01:13:32.171 --> 01:13:33.071 On DVD. 01:13:33.091 --> 01:13:35.312 It's got a smiley lady on the front. 01:13:35.352 --> 01:13:36.253 She's very good. 01:13:36.313 --> 01:13:37.033 It's very good. 01:13:37.193 --> 01:13:37.613 Yeah, yeah. 01:13:37.633 --> 01:13:39.274 That was a lot better than I expected. 01:13:39.654 --> 01:13:39.814 Why? 01:13:39.854 --> 01:13:40.374 What's wrong with Lee? 01:13:40.394 --> 01:13:45.077 I was expecting the characterisation to be so heightened that it would be irritating. 01:13:45.217 --> 01:13:46.057 I like it, man. 01:13:46.137 --> 01:13:51.940 I love Mike Lee, but sometimes his ancillary characters can sometimes be a bit over the top. 01:13:52.581 --> 01:13:54.542 But deliberately so, isn't that always the case? 01:13:54.562 --> 01:13:55.402 Yeah, yeah, yeah, yeah. 01:13:55.482 --> 01:13:57.403 No, I love him as well, but you know what I mean. 01:13:57.443 --> 01:13:58.023 Sometimes... 01:13:59.424 --> 01:14:06.948 Sometimes I just thought this looked like it might get my teeth on edge and some of the responses had been quite divided when it was released theatrically. 01:14:07.088 --> 01:14:07.268 Yeah. 01:14:07.488 --> 01:14:08.228 But I was wrong. 01:14:08.408 --> 01:14:09.829 Wrong, wrong, wrong, wrong, wrong. 01:14:10.349 --> 01:14:11.010 It's brilliant. 01:14:11.050 --> 01:14:11.250 Yeah. 01:14:11.450 --> 01:14:12.190 It's really good. 01:14:12.270 --> 01:14:13.011 Really enjoyed it. 01:14:13.471 --> 01:14:14.672 It all made sense as well. 01:14:14.712 --> 01:14:16.813 We had a good proper analytical chat. 01:14:16.853 --> 01:14:18.513 Me and my lady partner afterwards. 01:14:18.593 --> 01:14:18.774 Yep. 01:14:19.074 --> 01:14:19.774 Analyzed it. 01:14:20.274 --> 01:14:21.375 Realized what the theme was. 01:14:21.575 --> 01:14:23.536 Understood why all the characters were who they were. 01:14:23.556 --> 01:14:24.716 A lot of teachers in it. 01:14:24.776 --> 01:14:25.937 Everyone in it is a teacher. 01:14:26.097 --> 01:14:26.437 Right. 01:14:26.657 --> 01:14:27.638 It's about teaching. 01:14:28.058 --> 01:14:29.560 It's not a patch on In Bruges, though. 01:14:29.980 --> 01:14:31.542 Oh, what is a patch on In Bruges? 01:14:32.282 --> 01:14:32.663 Nothing. 01:14:33.724 --> 01:14:34.885 You don't like In Bruges? 01:14:34.905 --> 01:14:35.526 No, I don't like it. 01:14:35.546 --> 01:14:36.406 There's another conversation. 01:14:36.426 --> 01:14:37.868 We'll come on to that at a time. 01:14:37.908 --> 01:14:39.229 Colin Farrell's first good film. 01:14:39.289 --> 01:14:39.610 Not good. 01:14:40.951 --> 01:14:46.977 I was watching this film, Happy Coluck, anyway, and there's a scene in a restaurant and suddenly one of the characters lights up a Ziggy. 01:14:47.477 --> 01:14:47.658 Right. 01:14:47.718 --> 01:14:50.220 And starts puffing away in a restaurant. 01:14:50.260 --> 01:14:51.582 Got a scene like that in In Bruges. 01:14:52.202 --> 01:14:52.502 Yeah. 01:14:52.522 --> 01:14:53.003 But it's better. 01:14:54.023 --> 01:14:54.523 Anyway, Karen. 01:14:55.104 --> 01:14:56.524 And I was shocked by this smoking. 01:14:56.925 --> 01:14:57.845 I thought, actually, can't do that. 01:14:57.865 --> 01:14:59.266 You don't smoke in restaurants. 01:14:59.286 --> 01:15:00.106 Can't smoke anywhere. 01:15:00.386 --> 01:15:04.429 Made me think, well, this film must have been made just before the smoking cutoff point. 01:15:04.449 --> 01:15:04.749 Right. 01:15:04.969 --> 01:15:07.410 Like the month before smoking stopped. 01:15:07.450 --> 01:15:08.751 When was it stopped? 01:15:08.771 --> 01:15:09.852 It was in the spring, wasn't it? 01:15:10.052 --> 01:15:11.833 Last spring, yeah. 01:15:11.853 --> 01:15:11.933 Yeah. 01:15:12.013 --> 01:15:12.473 Not this year. 01:15:12.493 --> 01:15:13.353 It was the one before, wasn't it? 01:15:13.874 --> 01:15:14.194 Maybe. 01:15:14.254 --> 01:15:14.614 I don't know. 01:15:14.654 --> 01:15:18.196 But Mike Lee got in there just under the what? 01:15:18.456 --> 01:15:19.137 Smoke detector. 01:15:19.217 --> 01:15:19.477 Yeah. 01:15:20.337 --> 01:15:24.302 And it made me think about how weird smoking looks in films now. 01:15:24.883 --> 01:15:29.969 And how suddenly over the last year that's become a massive signifier of age. 01:15:30.931 --> 01:15:39.241 Yeah, well now the only characters that smoke in films are evil characters or characters that are in some way hopeless or pathetic, or characters that will soon die. 01:15:39.361 --> 01:15:42.783 That was the case before though, but now it just seems insane. 01:15:42.963 --> 01:15:52.066 A character smoking in a film now is as if you and I were chatting and I just casually lifted a power drill to my face and started drilling holes in my cheek. 01:15:52.807 --> 01:15:56.768 Yeah, but not on Thursday. 01:15:59.542 --> 01:16:00.822 You're like, what are you doing? 01:16:01.162 --> 01:16:03.263 Why are you inhaling that death stick? 01:16:03.403 --> 01:16:04.383 Yeah, yeah. 01:16:04.603 --> 01:16:06.983 Is one's response if someone lights up in a film now? 01:16:07.163 --> 01:16:09.004 Or certainly part of my brain screams that. 01:16:09.764 --> 01:16:16.605 And I was thinking, what are the best, what are the films that are going to suddenly seem amazingly archaic when they just seem normal before? 01:16:16.645 --> 01:16:19.446 And I've got three candidates that I've watched recently. 01:16:19.826 --> 01:16:21.286 Candidate number one, Die Hard 2. 01:16:22.046 --> 01:16:22.286 Right. 01:16:22.706 --> 01:16:25.907 Now, Bruce Willis smokes nonstop in that. 01:16:26.027 --> 01:16:41.393 to see he's constantly got a fag on the go wherever he is whatever he's doing he's trying to give up though isn't he yeah but he can't but that's the thing too nice exactly and he does uh smoking in scenes where he's chatting up ladies and they love it 01:16:42.233 --> 01:16:46.016 Ladies love a big puff of old smoke in their faces. 01:16:46.416 --> 01:16:47.777 They find it extra sexy. 01:16:48.438 --> 01:16:50.239 Yeah, especially if you've had a beer as well. 01:16:50.319 --> 01:16:51.840 Yeah, they love it in those days. 01:16:51.920 --> 01:16:59.186 And Willow, you know, when you're dealing with that many foreign terrorists, you'd want to have a little beer to go with the in-between shoes. 01:16:59.206 --> 01:17:00.567 Well, that'd still be allowed. 01:17:00.647 --> 01:17:02.508 Drinking in a public place is still allowed. 01:17:02.668 --> 01:17:02.868 Yeah. 01:17:03.509 --> 01:17:06.171 The smoking, however, seems very, very retro. 01:17:06.531 --> 01:17:07.051 Terminator 1. 01:17:08.052 --> 01:17:08.652 I was watching. 01:17:08.692 --> 01:17:09.533 Who's smoking in there? 01:17:09.653 --> 01:17:10.694 They're everybody smoking. 01:17:10.714 --> 01:17:13.395 You see, you didn't notice it at the time because it wasn't weird. 01:17:13.435 --> 01:17:14.856 But now Connor doesn't smoke. 01:17:15.216 --> 01:17:21.140 She doesn't smoke, but when she's being interrogated by Lance Hendrickson and the man who plays the psychologist. 01:17:21.180 --> 01:17:21.940 Timmy Hendrickson. 01:17:22.581 --> 01:17:23.441 And the policeman. 01:17:23.782 --> 01:17:25.162 All three of them are smoking. 01:17:25.903 --> 01:17:29.865 She's not smoking, but they're all smoking and like blowing it in her face. 01:17:30.205 --> 01:17:31.987 And then one of them has to write something down. 01:17:32.367 --> 01:17:35.509 So a couple of seconds of screen time is taken with him passing the CG. 01:17:36.149 --> 01:17:39.831 to Lance Hendrickson, who then takes it, looks at it and has a puff himself. 01:17:41.491 --> 01:17:46.133 I wouldn't want to put it out, because it's only halfway down if you could hold it for me. 01:17:46.253 --> 01:17:51.375 It seemed perfectly normal when we first saw it, when we were teens, but now it just seems odd. 01:17:52.116 --> 01:17:55.177 Finally, and the most pronounced one, if you watch it again, is Tootsie. 01:17:55.597 --> 01:17:55.837 Right. 01:17:56.057 --> 01:17:57.918 They're smoking all over the place. 01:17:58.238 --> 01:18:00.159 They're smoking on behind the cameras. 01:18:00.179 --> 01:18:02.820 The cameramen are smoking in the vision mixing room. 01:18:03.400 --> 01:18:09.762 Everyone's got a Ziggy on the go, the sexy doctor who tries to snog, Dustin Hoffman, do you remember that? 01:18:09.982 --> 01:18:10.242 Yes. 01:18:10.962 --> 01:18:12.542 He's smoking all up in the place. 01:18:12.882 --> 01:18:13.583 That's weird, isn't it? 01:18:13.603 --> 01:18:14.463 It's astonishing. 01:18:14.683 --> 01:18:26.686 And a friend of mine who works for a TV film channel has said that they've had meetings about the possibility of digitally removing smoking from films. 01:18:26.706 --> 01:18:27.266 Shut your throat. 01:18:27.446 --> 01:18:27.686 face. 01:18:27.726 --> 01:18:46.824 Because to put Tootsie on in the afternoon with all that smoking is now seen as something bad so you might have to go and either cut smoking out or ban films that have it in and that seemed mad to me but then when you do watch one of these films the smoking itself does seem insane and you think maybe they've got a point. 01:18:47.165 --> 01:18:48.446 Yeah but what's it gonna do like? 01:18:48.626 --> 01:18:52.390 I disagree I think it would be ridiculous obviously but but but it is odd. 01:18:52.910 --> 01:18:54.492 Well, of course it's odd, but you can get over it. 01:18:54.732 --> 01:18:55.413 But it's the same. 01:18:55.553 --> 01:18:58.516 There's all sorts of anachronisms in all kinds of films, like in the Dam Busters. 01:18:58.536 --> 01:18:59.417 Anything that's prominent. 01:18:59.497 --> 01:19:01.639 Well, yeah, they use some racist words there. 01:19:01.659 --> 01:19:02.840 They use the N-word for the dog. 01:19:02.880 --> 01:19:07.385 I'd say that's sort of an exception that proves the rule in a way. 01:19:08.326 --> 01:19:12.050 You have to go way back into the 30s and 40s for that kind of thing. 01:19:12.090 --> 01:19:16.892 There's all sorts of things like attitudes to minorities and gay people and stuff, all that kind of stuff. 01:19:16.912 --> 01:19:19.133 I'd say not as common as just casual smoking. 01:19:19.173 --> 01:19:23.195 What's shocking is the casualness of it and the fact that no one, you know, it's just normal. 01:19:23.535 --> 01:19:28.557 Yeah, but they just, they know, you know, in the early 80s or the mid 80s or whenever it was, people were well aware of the risks. 01:19:28.597 --> 01:19:32.038 I think they had the Surgeon General's warnings on the packets by then, Ethan. 01:19:32.078 --> 01:19:32.919 I might be wrong about that. 01:19:33.479 --> 01:19:35.360 But, yeah, I know what you mean, though. 01:19:35.880 --> 01:19:39.662 In Mad Men, the TV series all about the... That makes a big thing about spoken, doesn't it? 01:19:39.682 --> 01:19:52.969 Yeah, they make a big point, because the whole atmosphere there is sort of impending threat and collapse and the fact that people are laboring under all kinds of illusions around about then, which are just about to be made clear to them. 01:19:54.369 --> 01:19:58.032 But yeah, they make a point out of it and everybody smokes in every single scene there. 01:19:58.712 --> 01:19:59.733 I'm gonna have one right now. 01:20:01.674 --> 01:20:02.935 Here's PJ Harvey, I'm not. 01:20:03.195 --> 01:20:03.935 I would never do that. 01:20:04.456 --> 01:20:05.516 This is Good Fortune. 01:20:05.816 --> 01:20:11.560 TV on the radio with Wrong Way recorded in the sixth music hub for the Tom Robertson show in 2004. 01:20:11.700 --> 01:20:13.461 That's Tunde, isn't it? 01:20:13.521 --> 01:20:15.342 Who's the lead singer of TV on the radio? 01:20:15.762 --> 01:20:16.303 Right, isn't it? 01:20:16.763 --> 01:20:17.143 Tunde. 01:20:17.183 --> 01:20:17.944 I don't know, is it? 01:20:18.124 --> 01:20:19.004 I think so, yeah. 01:20:19.364 --> 01:20:19.765 What of it? 01:20:20.365 --> 01:20:21.106 Well, I'm just saying. 01:20:21.126 --> 01:20:21.486 Just a fact. 01:20:21.506 --> 01:20:23.348 Yeah, it's just a little fun fact. 01:20:23.528 --> 01:20:29.254 Hey, somebody sent us in a beautifully made flat pack packet of IKEA meatballs. 01:20:30.315 --> 01:20:31.536 It is beautifully made, isn't it? 01:20:31.556 --> 01:20:38.262 It's hard to describe them, they're so lovely, but it's like a little paper package with some mock instructions done IKEA style for meatballs. 01:20:38.282 --> 01:20:41.905 Then inside are six translucent pieces of 01:20:42.606 --> 01:20:48.651 of plastic with a meatball image on them that you assemble into a kind of cuboid translucent meatball. 01:20:48.991 --> 01:20:51.113 But the person hasn't put their name on it. 01:20:51.153 --> 01:20:53.755 It says a Persian Monaghan design. 01:20:54.155 --> 01:20:56.377 Could that be the person's name, Persian Monaghan? 01:20:56.837 --> 01:20:57.598 No, I don't know. 01:20:57.618 --> 01:20:58.999 Annika? 01:20:59.419 --> 01:21:00.660 It says instead of IKEA? 01:21:01.921 --> 01:21:02.382 Oh, I don't know. 01:21:02.402 --> 01:21:02.762 Acnea. 01:21:03.223 --> 01:21:03.723 Acnea. 01:21:04.083 --> 01:21:04.884 Anyway, it's brilliant. 01:21:04.984 --> 01:21:11.330 And just to remind you, if you haven't checked out the entries to Song Wars, you can see the winner, Chris Salt's Lego video. 01:21:11.651 --> 01:21:13.312 This video was a competition. 01:21:13.332 --> 01:21:16.215 You can see the winner on the Six Music website and the runners up. 01:21:16.656 --> 01:21:21.380 And then all the entries, if you go on YouTube and search for Adam and Jo, video wars. 01:21:22.461 --> 01:21:22.821 Terrific. 01:21:23.242 --> 01:21:33.949 Next week, we have decided that we are going to make songs using the words from an article in this week's issue of Grazia magazine. 01:21:34.209 --> 01:21:36.370 This is an idea that was suggested by Gemma Kemp. 01:21:36.770 --> 01:21:41.714 Thank you very much, Gemma, and thanks to everybody else who suggested Song Wars ideas, but that's the winning one. 01:21:41.754 --> 01:21:43.054 We're each going to buy Grazia. 01:21:43.415 --> 01:21:49.959 Sight unseen, we're going to select an article or letter, and we're going to put it to music, and it might be wicked. 01:21:50.319 --> 01:21:57.726 Other magazines are available, of course, in the Lady Brain category, but we've gone for this one. 01:21:58.147 --> 01:22:06.315 And yeah, in case you're interested in having a look and guessing which article we're going to choose, it's the one with peaches on the front. 01:22:07.616 --> 01:22:12.581 And she's saying marriage is such a beautiful thing, and she's wearing a brown, some kind of brown bag. 01:22:13.047 --> 01:22:23.161 We'll be back with you next week with a proper text the nation and a proper song wars from 9am till 10 11 12 till noon Yeah, stay tuned for Liz Kershaw right now. 01:22:23.181 --> 01:22:26.044 Here's Stevie Wonder with pastime paradise. 01:22:26.085 --> 01:22:26.565 Have a good week. 01:22:26.585 --> 01:22:26.886 Cheerio. 01:22:26.906 --> 01:22:27.246 Bye. 01:22:27.306 --> 01:22:27.567 Bye