WEBVTT 00:00.129 --> 00:09.141 That is Saint Etienne, lovely Sarah Cracknaught with You're in a Bad Way, and that was from the early 90s, 1993. 00:09.621 --> 00:12.445 That was over 150 years ago, listeners. 00:12.505 --> 00:13.506 Things were very different then. 00:13.526 --> 00:14.708 They didn't have cars. 00:15.949 --> 00:18.412 All the world was covered with trees and plant life. 00:19.133 --> 00:20.474 and there was no Robbie Williams. 00:20.554 --> 00:21.875 It was a very different world. 00:22.756 --> 00:27.660 Hi, this is Adam Buxton and I'm joined today by my good friend Garth Jennings. 00:27.740 --> 00:28.701 Yes, Joe's not here. 00:28.761 --> 00:31.784 I'm standing in for Joe because he's got shingles. 00:31.844 --> 00:35.046 He's got the shingles and he's in Los Angeles. 00:35.066 --> 00:39.230 He went off to Los Angeles to do some work with his showbiz pals. 00:40.150 --> 00:45.413 But as soon as he got there and checked into his gold palace, he got the shingles. 00:46.334 --> 00:52.937 Which is terrible, really, because shingles is one of those things that, you know, it sounds like a made-up disease, doesn't it? 00:52.977 --> 00:59.881 Well, I didn't know what it was before, and I was talking about this yesterday, that it sounds like a Stephen King novel. 01:00.721 --> 01:16.368 because I was thinking it sounds like you know you can imagine the poster on the underground and it's sort of the new Stephen King novel shingles you know between the shiver and the tingle lies the shingle and yeah but then they turned out it's you know you'd know in reality you get it when you're really run down 01:16.468 --> 01:18.910 Right, it's a nervous, uh, disease of the nervous system, is that right? 01:18.930 --> 01:23.173 Well, I think it's a bit run down and, yeah, but it's lying dormant within all of us. 01:23.373 --> 01:25.075 Which is why I was thinking again of Stephen King. 01:25.315 --> 01:28.137 Yeah, because it's once you get measles or something like that when you're at chicken pox. 01:28.197 --> 01:28.497 Right. 01:28.817 --> 01:34.782 That little tiny piece of it stays within you and if you go too bad... You should do the shingle smooth, it's like the Incredible Hulk. 01:34.802 --> 01:35.783 The shingle. 01:36.083 --> 01:37.664 Edward Norton and he just gets a rash. 01:37.904 --> 01:38.825 Don't make me angry. 01:39.045 --> 01:40.727 Dora might get a nasty rash. 01:40.967 --> 01:42.448 I don't want to get run down again. 01:42.468 --> 01:45.030 Don't make me run down. 01:45.830 --> 01:48.492 But listen, it can be worse than just an itchy rash, though. 01:48.512 --> 01:49.792 I mean, shingles can be very serious. 01:49.832 --> 01:51.853 If you get it on your face and rat, don't grin at me. 01:51.893 --> 01:52.854 I can't help it. 01:52.894 --> 01:53.574 It's not grinning. 01:54.034 --> 01:59.717 It's a serious thing, you know, like if you get it round your eyes, if it's really bad, you can go blind with that crazy stuff. 01:59.817 --> 02:00.257 It can. 02:00.537 --> 02:02.118 And it's not something to be laughed at. 02:02.398 --> 02:04.379 So I hope, uh, Dr. Sexy is okay. 02:04.419 --> 02:05.160 I'm pretty sure he is. 02:05.200 --> 02:10.282 We got, we got a message saying that he is gonna be back in time for our coverage of Glastonbury next week. 02:10.463 --> 02:10.663 Good. 02:10.903 --> 02:12.784 Uh, he's not gonna miss out on Glastonbury. 02:12.804 --> 02:12.844 No. 02:13.264 --> 02:16.746 But Dr. Sexy's been in a bad way, so that was, uh, St Etienne for him. 02:16.766 --> 02:19.067 Yeah, and I'm sorry for making it sound like a joke. 02:20.308 --> 02:22.509 We miss you, man, and I hope you get well soon. 02:22.589 --> 02:23.450 Yeah, absolutely. 02:24.290 --> 02:25.131 That was very nice. 02:26.211 --> 02:27.852 I was doing a late night voice there. 02:28.032 --> 02:40.900 But in every possible conceivable way, Garth is going to be taking Joe's place as best he can in his own inimitable fashion and he is going to be indulging in song wars with us this week. 02:41.020 --> 02:53.808 Yes, I'm going to take Adam on head-to-head with song wars and I've written something for it this time because last time I sat in, I did a cover version of Elton John's I'm Still Standing with My Grandma, which is cheating because you can't, you know, you're supposed to write something. 02:53.968 --> 02:54.168 Yeah. 02:54.208 --> 02:55.370 This time I've written something. 02:55.510 --> 02:55.930 Good one. 02:56.311 --> 02:58.013 And the theme this time is illness. 02:58.233 --> 03:01.718 We thought it would be as a tribute to Dr. Sexy with his shingles. 03:02.459 --> 03:08.766 Uh, and also the fact that, uh, both Garth and I have been feeling a bit under the weather recently, but we'll tell you more about that later on in the show. 03:08.806 --> 03:11.169 And of course we have, uh, text the nation. 03:11.710 --> 03:13.552 Text to Nation, the nation's favorite feature. 03:13.652 --> 03:17.094 There's so much to talk about, but right now here's some music. 03:17.134 --> 03:18.556 Now, this is the new one from Beck. 03:18.836 --> 03:19.777 Have you heard this, Garth? 03:19.837 --> 03:21.798 No, I want to hear this with my whole face. 03:21.918 --> 03:22.679 Chemtrails. 03:22.839 --> 03:24.640 He just keeps churning the stuff out. 03:24.680 --> 03:28.944 You would think that Beck would just sit back on his kind of ironical couch and put his trainers up. 03:29.204 --> 03:30.805 No, this is all in the new thing. 03:30.845 --> 03:33.868 I'm hearing good things, and it's just signed to XL with this, hasn't it? 03:34.288 --> 03:34.548 Ooh. 03:34.708 --> 03:35.549 It's all exciting. 03:35.649 --> 03:37.190 XL, they're so hot right now. 03:37.391 --> 03:38.311 They're powerful. 03:38.351 --> 03:39.793 Let's hear Beck with Chemtrails. 03:40.553 --> 03:41.073 Oh, he's back. 03:41.414 --> 03:42.114 He's coming back there. 03:43.635 --> 03:47.016 He's walking out and then he thought, you know, I'm just going to wander back in. 03:47.717 --> 03:48.377 Yeah, Danger Mouse. 03:48.397 --> 03:48.877 While I'm playing. 03:48.917 --> 03:49.317 Hey, come back. 03:50.558 --> 03:51.639 Come back here and finish. 03:51.959 --> 03:53.039 Hey, Bec, where are you going? 03:54.220 --> 03:56.701 No, it's actually real, the actual real Danger Mouse game. 03:56.781 --> 03:57.441 Bec, come back. 03:58.262 --> 03:58.822 Come back, Bec. 04:00.503 --> 04:02.204 And finish your funny guitar. 04:03.335 --> 04:04.556 You see, and then very abrupt. 04:04.616 --> 04:05.916 I mean, that's perverse, isn't it? 04:05.936 --> 04:10.018 And he wanders out, and he comes back, and then suddenly there's a little abrupt conclusion there. 04:10.038 --> 04:10.718 That was Beck. 04:10.978 --> 04:11.859 That's his new one. 04:11.939 --> 04:13.579 It's released on the 23rd of June. 04:13.599 --> 04:17.421 It's called Chemtrails, and that is produced by Danger Mouse. 04:17.781 --> 04:19.022 Now, he is so hot right now. 04:19.042 --> 04:20.462 He's been hot for a while, I guess. 04:20.923 --> 04:22.863 What did he do pre-Niles Barkley? 04:22.983 --> 04:28.726 Well, he started off, didn't he, doing the gray album, which was mixing Jay-Z's black album 04:29.426 --> 04:30.827 With the Beatles' white album. 04:30.907 --> 04:31.767 That's right. 04:31.787 --> 04:32.788 The Grey album. 04:32.808 --> 04:33.528 The Grey album. 04:33.588 --> 04:35.029 And then it all went onto the gorillas. 04:35.549 --> 04:35.909 Oh yeah. 04:36.169 --> 04:37.870 I mean, it all went crazy from there. 04:38.030 --> 04:38.830 You know facts. 04:39.090 --> 04:39.631 What are you doing here? 04:39.651 --> 04:40.671 Oh, that's what I'm doing here. 04:40.691 --> 04:42.852 People who know facts aren't really allowed on this show. 04:44.253 --> 04:45.153 We don't know anything at all. 04:45.173 --> 04:46.314 Those are facts you can't avoid. 04:46.374 --> 04:50.616 I mean, he's, like you say, he's the most popular and famous producer right now. 04:50.636 --> 04:52.256 He's the producer du jour. 04:53.157 --> 04:54.317 And he'll produce anyone now. 04:54.417 --> 04:57.299 Black Keys, Black Eyed Peas, Black Kids. 04:58.820 --> 04:59.641 He doesn't mind. 04:59.961 --> 05:00.942 He'll produce them all. 05:00.982 --> 05:01.302 Yeah. 05:01.583 --> 05:03.865 But he's not got a signature sound as such, does he? 05:03.905 --> 05:06.747 Like, he hasn't got a drum machine he carries around with him everywhere. 05:07.048 --> 05:07.548 I don't know. 05:08.289 --> 05:12.893 I wouldn't know that that was produced by Danger Mouse. 05:13.253 --> 05:15.736 Maybe that's the hallmark of a truly great producer. 05:15.816 --> 05:16.036 Yes. 05:16.316 --> 05:17.457 You know, like the Neptunes. 05:17.858 --> 05:18.458 Oh, yes. 05:18.999 --> 05:20.420 The Neptunes have produced something. 05:20.580 --> 05:22.181 Yeah, cause they say, hi, we're the Neptune. 05:22.201 --> 05:22.901 Yeah. 05:22.921 --> 05:25.742 All the way through it goes, I'm for real and I'm producing this record. 05:26.422 --> 05:26.782 Yeah. 05:27.362 --> 05:29.103 And then, it's the same with Timberland. 05:29.323 --> 05:30.343 You know, you're going, who made this? 05:30.363 --> 05:31.744 And he goes, Timberland made it. 05:31.764 --> 05:36.685 I made it with, I made it quite quickly when I wasn't thinking very hard. 05:36.705 --> 05:39.426 Well, there's that, the new Weezer song, what's it called again? 05:39.446 --> 05:42.707 Oh yeah, Timberland, it's called... Mashin' Peas or something, Pork and Beans. 05:43.148 --> 05:46.009 Yeah, yeah, and Timberland knows the way to the top of the charts. 05:46.049 --> 05:47.209 Yeah, there you go. 05:47.629 --> 05:47.849 Yeah. 05:48.129 --> 05:50.691 Well, uh, he's, he's a genius. 05:51.212 --> 05:52.212 Uh, he's a genius. 05:52.353 --> 05:58.037 But the question is, as you were saying during that song, does Danger, is Danger Mass accompanied by a little engineer called Penfold? 05:58.157 --> 05:58.357 Yes. 05:59.097 --> 05:59.298 Yes. 06:00.298 --> 06:04.141 Because good grief every time something stupid happens musically. 06:05.082 --> 06:06.103 Someone drops a symbol. 06:06.183 --> 06:07.303 Good grief! 06:07.724 --> 06:10.206 And now look at this, we've got some Niles Barkley coming up for you first. 06:10.226 --> 06:11.707 Well, this was one of my choices. 06:11.747 --> 06:12.968 I get to pick a couple of songs. 06:12.988 --> 06:13.268 Was it? 06:13.308 --> 06:14.749 So it was, it was happenstance. 06:15.549 --> 06:15.849 Yes. 06:15.869 --> 06:16.650 Is that the right word? 06:16.670 --> 06:18.770 That sounds like a little village in Oxford. 06:18.850 --> 06:23.552 But I picked this one because my friend Dom, who's a bit of a music guy. 06:23.592 --> 06:23.812 Yeah. 06:24.192 --> 06:25.032 And a lovely chap. 06:25.092 --> 06:30.054 He sent this to me and it really is one of those rocking tracks that will wake you up on a Saturday morning. 06:30.354 --> 06:31.075 We don't want that. 06:31.155 --> 06:31.635 Yeah, you do. 06:31.655 --> 06:31.975 Do we? 06:31.995 --> 06:35.496 Because it starts off, you think, oh, for a few seconds you'll think, oh, this is nothing. 06:35.536 --> 06:36.316 I'm not worried about this. 06:36.396 --> 06:39.557 And then suddenly you're attacked by Niles Barkley from all angles. 06:39.657 --> 06:40.758 Ooh, sexy. 06:40.778 --> 06:43.719 And after this, I think maybe we should do some more. 06:44.419 --> 06:46.980 But first, here is Goth's first choice for you listeners. 06:47.000 --> 06:48.840 This is No Time Soon by Niles Barkley. 06:49.920 --> 06:50.020 Oh. 06:50.040 --> 07:08.865 This could be one of those days When we must wash our ways It's good for you to be out of my sight 07:14.048 --> 07:25.296 Cause you'll never know in my time And I carry this, it's heavy Like Michelle already said 07:40.173 --> 07:41.254 Oh, dear. 07:41.314 --> 07:42.894 Is this the kinky you were talking about? 07:42.914 --> 07:44.455 Man, I've made a terrible mistake. 07:44.795 --> 07:46.275 I'm sure this track is very good. 07:46.636 --> 07:48.596 But this is not the track I'm looking for. 07:49.237 --> 07:49.497 Oh. 07:49.517 --> 07:50.597 These aren't the tracks I'm looking for. 07:50.617 --> 07:52.198 Where did you get the track No Time Soon from? 07:52.218 --> 07:53.318 You got the title right. 07:53.338 --> 07:54.919 I think it's called Gone Too Soon. 07:56.319 --> 07:56.439 Oh. 07:56.519 --> 08:01.201 I think there might be a slight... I'm sure I wrote the name down, because I don't even know the name of this one. 08:01.381 --> 08:01.761 Here we go. 08:01.781 --> 08:02.942 Look, Claire's got a copy of the album there. 08:02.962 --> 08:04.042 What have we got here? 08:04.062 --> 08:04.682 Let's have a look. 08:04.862 --> 08:05.382 It says, uh... 08:08.988 --> 08:11.550 Don't worry though, man, this is something we like to do on the show as well. 08:11.610 --> 08:22.722 I played the Colin Blunstone track What Becomes the Broken Hearted the other day, and it was the totally wrong version, and there was no point in playing it whatsoever, because I wanted to play the Dave Stewart one with all the synthesizers on it, and... 08:23.996 --> 08:26.056 I think so, but I can't see the title of it. 08:26.236 --> 08:27.537 I think it's been a terrible mistake. 08:27.577 --> 08:27.937 You know what? 08:28.017 --> 08:28.977 I blame my friend Dom. 08:29.237 --> 08:30.797 Here's an idea for some Solid Girl radio. 08:30.977 --> 08:32.598 Let's flick through every single track. 08:33.838 --> 08:35.778 And still we find the right one. 08:35.938 --> 08:38.359 Oh dear, and we were off to a roll at the beginning there. 08:38.379 --> 08:39.539 Should we start a track one? 08:39.859 --> 08:40.479 Yeah, go on. 08:40.579 --> 08:41.539 Are we really gonna do that? 08:41.599 --> 08:42.379 No, we're not really, are we? 08:42.539 --> 08:43.780 I think it's you. 08:43.820 --> 08:44.200 I love it. 08:44.500 --> 08:45.200 Random radio. 08:46.100 --> 08:46.480 Is this it? 08:46.620 --> 08:48.040 It's not this one. 08:48.741 --> 08:49.401 That's nice though. 08:49.421 --> 08:50.681 Okay, track two. 08:51.345 --> 08:53.147 I'm just gonna say, no, oh yes, no! 08:53.387 --> 08:54.748 That's meant! 08:54.768 --> 08:56.630 What if we get to the end of the album and it's not on there? 08:56.670 --> 08:57.090 It is on there. 08:57.230 --> 08:57.631 This is it! 08:58.191 --> 08:58.932 This is the hit! 09:08.687 --> 09:14.713 Ugh, that's the Smiths with heaven knows I'm miserable now and, uh, cause it's a miserable morning. 09:14.733 --> 09:16.194 I don't know what it's like where you are folks. 09:16.214 --> 09:17.556 I hope it's nicer than where we are. 09:17.676 --> 09:20.438 It's just about the worst kind of weather you could get really. 09:20.458 --> 09:24.242 It's sort of rainy and blustery, but still a bit muggy. 09:24.582 --> 09:27.304 Well, you know what, I just cycled all the way from home to here. 09:27.384 --> 09:27.564 Mm-hmm. 09:27.704 --> 09:33.808 And I, I, by the time I got here, I realised my face had been squeezed up like a strange sort of shape. 09:34.048 --> 09:34.168 Yeah. 09:34.208 --> 09:35.769 From dealing with the spray from the buses. 09:36.089 --> 09:39.451 It was only when I got off that I realised my whole face had locked in this weird shape. 09:40.071 --> 09:40.211 Right. 09:40.231 --> 09:42.053 But it's calming down now, thanks to the coffee. 09:42.253 --> 09:43.033 Yeah, good, good, good. 09:43.113 --> 09:43.373 Yeah. 09:43.613 --> 09:46.715 Well, relax and, and listeners, you know, don't get out of bed, it's a disaster area. 09:46.735 --> 09:47.376 I'll just go and do it. 09:47.876 --> 09:50.538 Uh, and right now, it's time for Song Wars. 09:51.428 --> 09:53.249 It's time for song wars. 09:53.349 --> 09:55.330 The war of the songs. 09:55.930 --> 09:59.292 A couple of tunes by a couple of prongs. 09:59.352 --> 10:01.193 Which will you vote for? 10:01.853 --> 10:03.614 Which one is the best? 10:03.855 --> 10:07.156 We're putting our songs to the listener test. 10:07.216 --> 10:08.377 So check it out. 10:08.894 --> 10:09.955 No, I haven't heard yours. 10:10.196 --> 10:11.037 You haven't heard mine. 10:12.018 --> 10:15.842 This is A Song Wars with Garth Jennings, who is my guest this week. 10:15.902 --> 10:19.546 He's filling in for Joe, who is laid up with shingles. 10:19.626 --> 10:20.748 It's a pirate disease. 10:21.809 --> 10:29.538 Joe's a pirate and he's been in Los Angeles battling people with his cutlass and he contracted shingles on a raiding mission. 10:29.898 --> 10:30.118 Mm-hmm. 10:30.699 --> 10:35.805 So I really hope he's okay, and we're expecting to be back with him next week when we're in Glastonbury, of course. 10:35.905 --> 10:48.660 But for Song Wars this week, Garth and I have composed an original tune which we're going to play for you, and of course, as usual, you listeners have to tell us which one you like best, and then next week at Glastonbury, we'll announce the winner. 10:49.781 --> 10:53.563 So, we decided that the theme should be illness, right? 10:53.984 --> 10:59.167 Because all this week I've had a cold, a summer cold, whatever you want to call it, it's just a cold, basically. 10:59.627 --> 11:01.088 And you've been suffering from hay fever. 11:01.208 --> 11:02.729 I get stupid hay fever. 11:02.849 --> 11:04.049 It's really annoying. 11:04.109 --> 11:05.490 In fact, you're talking about pirates there. 11:05.810 --> 11:09.292 Earlier in the week, my eyes swell up with hay fever as well. 11:09.593 --> 11:10.693 So I look really strange. 11:10.773 --> 11:14.735 And for the first time in my whole life, just one of my eyes decided to swell up. 11:15.936 --> 11:17.418 and the other one sort of went the other way. 11:17.579 --> 11:17.739 Yeah. 11:17.859 --> 11:23.307 So I remember turning around to my wife and she sort of jumped back a bit and she went, ooh, you've got a big eye! 11:25.309 --> 11:29.395 Erm, yeah, and along with the running nose and all the other rashy, itchy bits. 11:29.636 --> 11:31.959 Yeah, it's not been a particularly sexy week, that's for sure. 11:32.139 --> 11:34.040 No, I felt rotten as well. 11:34.060 --> 11:35.141 I felt really dreadful. 11:35.421 --> 11:38.343 Well, we went to France last weekend, you see? 11:38.664 --> 11:42.687 And we were seeing Radiohead out there in this outdoor arena. 11:42.707 --> 11:44.008 I'll talk about that a bit later on. 11:44.548 --> 11:49.411 But I think maybe I caught some, I don't know, sexy Radiohead virus. 11:50.612 --> 11:52.353 And so I was feeling rough all week. 11:52.373 --> 11:53.414 I'm feeling a lot better today. 11:53.434 --> 11:54.755 Have you channeled that into your song? 11:54.975 --> 11:55.536 Yes, I have. 11:55.556 --> 11:55.696 Good. 11:55.736 --> 11:57.397 Because I've channeled my hay fever, hopefully. 11:57.457 --> 11:57.677 Yeah. 11:57.937 --> 11:58.998 OK, let's flip a coin. 11:59.078 --> 11:59.659 All right, go for it. 12:00.319 --> 12:00.699 Call it. 12:01.120 --> 12:02.241 This is calling it to go first. 12:02.461 --> 12:03.522 Heads for first. 12:03.542 --> 12:05.103 Do you want to go heads for first? 12:05.384 --> 12:05.904 Heads it is. 12:06.044 --> 12:06.705 Good gracious. 12:06.765 --> 12:08.146 So, introduce your song for us. 12:08.226 --> 12:16.673 Alright, my song's called Hay Fever, um, because I get it really badly, and, um, it really is based on the whole thing of waking up in the morning with your eyes glued shut. 12:17.214 --> 12:18.595 That happens a lot with my hay fever. 12:18.755 --> 12:23.519 Not a pretty thing, but I'm sure some of you out there share my, um, allergy. 12:23.820 --> 12:25.001 And this is a song about that allergy. 12:25.021 --> 12:25.381 Here we go. 12:25.521 --> 12:26.142 This is Hay Fever. 13:45.399 --> 13:52.368 That works for me It doesn't probably deserve it Even though I'm sweeping the stars 14:31.465 --> 14:59.940 that's my song that's amazing man that's a bit of timberland production do you really do that you can't just wander in with a song like that that's ludicrously high quality now I should play you mine which is kind of a contrast and I thought this week I would really try and play all the instruments myself oh good one but rather that I'm which is what you did on your track but your sounds wicked mine sounds insane but I haven't used any guitars or anything that's just keyboard 15:00.140 --> 15:04.963 Yeah, well you wait till you hear mine and this is what happens when you got a cold and you try and play your guitar badly. 15:06.204 --> 15:06.644 Here's my song. 15:12.162 --> 15:17.207 It started yesterday, there was a tickle in my throat, and I coughed. 15:17.847 --> 15:27.756 But it didn't go away, and when I coughed again, I felt a small amount of pain ripple gently through the muscles in my limbs and chest. 15:28.156 --> 15:35.643 I thought I know what's best, I'll drink a pint of echinacea, have a bath, and snort a line of vitamin C. 15:36.463 --> 15:54.235 Oh how happy I will be I will chew the yummy orange pills And they will sort out all my chills Hey look at me, I'm eating Vitamin C I've eaten much too much oh dear And now I can't get off the lavatory I've got chills, they're multiplying 15:55.195 --> 15:58.638 And now I'm losing the will to go to work. 15:59.159 --> 16:02.482 I'll bone in sick, and they'll think that I'm just faking it. 16:02.702 --> 16:06.005 And then I'll take some pills, and I'll climb into bed. 16:06.025 --> 16:07.907 Look, I'm in bed. 16:08.407 --> 16:10.129 It's the day for time in bed. 16:10.229 --> 16:14.553 I'm going to catch up on some reading and some dolphin-worthy DVDs. 16:14.913 --> 16:15.934 I've got tissues. 16:16.434 --> 16:18.136 I've got mojo back issues. 16:23.153 --> 16:42.088 When I get better I'm going to make some changes I'm never going to drink or smoke a single thing again I've got the flu and I want you to sympathise Just look into my eyes They're all streaming in red and I'm in bed And I can't get up cause my muscles hurt 16:44.569 --> 16:46.789 And then it sort of fades out there. 17:11.977 --> 17:38.630 it's brilliant that's my flu song well played by the way i was expecting something terrible the way you built it up well you know that was well done three chords okay so folks if you want to vote for uh garth's hay fever song or my uh flu song the email address as usual is adam and joe adam a n d joe dot six music at bbc.co.uk or you can text your vote on 64046 however if you are 17:40.891 --> 17:43.033 listening again, then you can't. 17:43.793 --> 17:45.334 And are you saying that they can't text? 17:45.834 --> 17:46.255 Not really. 17:46.355 --> 17:47.335 Not really for Song Wars? 17:47.356 --> 17:48.376 Yeah. 17:48.576 --> 17:48.897 Okay. 17:48.937 --> 17:49.577 Ignore the texting. 17:49.837 --> 17:53.239 It's only email votes for Song Wars, okay, listeners? 17:53.580 --> 17:57.282 But you can text us if you want to just chat to us anyway about anything else. 17:57.442 --> 17:57.803 Yeah. 17:58.103 --> 17:57.803 64046. 17:58.723 --> 17:59.484 We'll be back shortly. 17:59.544 --> 18:00.965 Right now, it's time for the news. 18:01.245 --> 18:03.546 That's the hives with walk, idiot, walk. 18:03.586 --> 18:05.308 What's he got against people who walk? 18:06.008 --> 18:08.509 Well, he wants him to walk rather than run. 18:08.689 --> 18:10.310 He's saying, walk, idiot, walk. 18:10.370 --> 18:12.291 Don't run across my garden. 18:12.351 --> 18:12.751 Oh, I see. 18:12.791 --> 18:13.671 He's like a teacher. 18:13.891 --> 18:15.672 Yeah, he's a headmaster. 18:15.792 --> 18:17.813 It's a song for teachers in the corridors. 18:17.833 --> 18:19.133 Walk, idiot, walk. 18:19.734 --> 18:20.934 Yeah, that would be great. 18:20.954 --> 18:24.996 It'd be nice to have Howling Pele as your headmaster. 18:26.617 --> 18:27.657 You get the job done. 18:28.657 --> 18:34.740 Now, we just got a nice email through from someone who said that they've been enjoying my sausages video. 18:35.420 --> 18:43.903 Yes, I'm glad you said video on the end of that on YouTube For those of you who don't know Garth actually helped me out with this video. 18:43.943 --> 18:55.987 He directed it for me and It's a clip from this show me box that I did last year for BBC 3 Which is amazingly finally being shown like about seven months after I delivered the thing. 18:56.107 --> 18:56.707 What is it being shown? 18:56.727 --> 18:57.227 No, it's tonight 18:57.867 --> 19:04.832 It's going out tomorrow night on BBC 3 at 11.45pm, which I'm very excited about. 19:04.852 --> 19:07.434 It's the best slot I think they've had. 19:07.474 --> 19:08.675 He is the best slot in the world. 19:08.695 --> 19:10.636 It's always good for the kids, that slot. 19:11.277 --> 19:12.478 It's a plum slot, you know. 19:13.138 --> 19:14.199 It's the plump slot. 19:14.239 --> 19:19.681 But I'm thinking, though, in this day and age when everyone's got hard disk recorders and things to get me, I won't have that. 19:19.962 --> 19:22.243 But, you know, everyone's gonna see it. 19:22.403 --> 19:23.863 Everyone time shifts, Garth. 19:23.924 --> 19:26.545 You know, living in a little virtual bubble thing. 19:26.865 --> 19:33.929 I've seen the show, obviously, because I helped out on bits of it, and I have to say to you, listener person, that it's brilliant. 19:34.069 --> 19:35.930 It's actually the best thing I've seen in ages. 19:36.090 --> 19:38.671 It's the best, apparently it's the best show ever made. 19:39.251 --> 19:43.035 I know you can't like yourself, that's not allowed. 19:43.716 --> 19:46.418 But I can like it and I really think it's the best thing ever. 19:46.898 --> 19:51.563 So stay up really late, drink loads of coffee, whatever you need to do and watch this show man. 19:51.583 --> 19:52.624 Have a me box party. 19:53.605 --> 20:00.131 And you can see clips from it online right now if you go to YouTube and type in M-double-E-B-O-X. 20:00.171 --> 20:04.235 Unfortunately there's a Japanese guy who's got the same handle. 20:04.815 --> 20:30.588 me box really yeah but he just uploads loads of from clips of japanese bands and stuff and it's all in uh kanji's what's the writing called squiggly squiggly i don't know but ignore that guy go to the adam buxton me box i mean his clips may be very good i'm not impugning his got dirty clips i would look at them japanese you know that dirty clips on you on youtube no but there's no filth there's a lot of swearing there's a lot of violence but there's uh no totties 20:31.008 --> 20:31.249 Right. 20:31.269 --> 20:34.012 Because that's taking things a little bit too far. 20:34.032 --> 20:34.593 It's too far. 20:34.673 --> 20:35.895 It's much too far. 20:37.016 --> 20:38.518 So yes, do check those out. 20:38.578 --> 20:44.907 And also, of course, if you go on YouTube, you'll be able to see how the Song Wars video competition is progressing. 20:44.967 --> 20:47.370 I haven't seen them yet, and I'm judging this with you a lot. 20:47.390 --> 20:47.871 That's right. 20:47.911 --> 20:48.111 Yeah. 20:48.231 --> 20:48.452 Yeah. 20:49.052 --> 20:50.453 Um, and you know what the deal is, right? 20:50.473 --> 20:59.340 We've asked people to choose from one of two songs that are available on the Six Music website, Jane's Brain, which was by me and, uh, Joe's One about meatballs. 20:59.360 --> 20:59.780 Yeah, that's right. 20:59.800 --> 21:00.441 I remember those two. 21:00.721 --> 21:03.763 And they're both short tracks, and we're just asking people to make videos. 21:03.883 --> 21:04.924 It doesn't matter what kind of video. 21:04.944 --> 21:06.785 They can be totally goofy or simple. 21:06.805 --> 21:07.966 You do it on your camera phone. 21:08.387 --> 21:15.372 You can hire a crew of 150 people, if you like, and, uh, you know, shoot something with Daniel Craig in it. 21:17.173 --> 21:18.094 And that's almost certainly a win. 21:18.334 --> 21:20.918 If you do that, you'll probably win. 21:21.659 --> 21:26.887 And then upload the results to YouTube and we're going to take a look at them. 21:26.947 --> 21:28.369 I think, when are we going to judge it? 21:29.748 --> 21:30.629 in August, right. 21:30.649 --> 21:34.133 So we're going to take a look at everything that's come in in August in the winter. 21:34.153 --> 21:34.714 That'd be great. 21:34.774 --> 21:35.975 We'll get to come in here. 21:35.996 --> 21:36.656 Can you imagine? 21:37.037 --> 21:39.159 Come in to the big British castle. 21:39.339 --> 21:39.900 Yeah. 21:39.940 --> 21:41.221 Get past all the lasers. 21:41.802 --> 21:43.484 Oh, the security robots. 21:43.504 --> 21:44.485 There are lizards down there. 21:44.525 --> 21:44.625 Yeah. 21:45.006 --> 21:47.268 There's that nice glass door that you get to walk through. 21:47.288 --> 21:47.749 It sort of goes... 21:49.671 --> 21:51.512 And you feel special coming through that. 21:51.632 --> 21:57.294 And then there's another one after the glass door that goes... Then you walk through. 21:57.734 --> 21:59.975 I used to have a shower in my mum and dad's house. 22:00.155 --> 22:01.516 And when you open the door it'll go... 22:03.240 --> 22:04.881 when you closed it, it'll go, hoo hoo. 22:05.702 --> 22:13.486 And my sister and I, this is like 20 years ago, my sister and I, we'll still be like, there'll be a moment where we'll go, hoo hoo, just do the table. 22:13.927 --> 22:15.908 Sorry, sorry to deviate that. 22:19.450 --> 22:20.191 That's amazing. 22:20.571 --> 22:27.855 So unfortunately you won't be able to hear that noise when you come to the big British castle, although we could engineer it so that we should just get you to record that. 22:29.036 --> 22:30.918 and then it could be a quirky, quirky thing. 22:30.978 --> 22:35.462 In the future, that's what it'll be like, you know, to give, to give doors more character. 22:35.662 --> 22:39.205 Well, it was a very Douglas Adams thing, you know, there were doors with size you came through. 22:39.225 --> 22:39.605 Of course. 22:40.166 --> 22:41.247 Oh, I like that kind of thing. 22:41.287 --> 22:41.988 That's right. 22:42.008 --> 22:42.728 Just like, come on in. 22:43.229 --> 22:45.611 Anyway, the point is, folks, you get to come in. 22:45.651 --> 22:48.533 If you win our song wars competition, you get to come and sit in on the show. 22:48.914 --> 22:49.634 We'll all hang out. 22:49.654 --> 22:50.415 We'll have a big kind of 22:50.515 --> 22:53.956 sexy party and it'll be the most amazing day of all of our lives. 22:54.817 --> 22:58.958 So check out the videos that other people have made, because there's some good stuff up there already. 22:58.978 --> 23:00.859 If you type in song wars on YouTube, you'll find them. 23:01.479 --> 23:06.861 And I'll remind you about Me Box later in the show until you're physically sick, in fact. 23:07.122 --> 23:08.082 No, no, you're going to love it. 23:08.142 --> 23:08.642 It's great. 23:09.042 --> 23:10.963 But right now, here's some more music. 23:11.003 --> 23:13.424 Now, Garth, you were saying you haven't got the MGMT album yet. 23:13.664 --> 23:13.884 No. 23:14.104 --> 23:15.885 You're, you're, are you one of the squares? 23:16.025 --> 23:16.925 I'm a super square. 23:16.945 --> 23:19.606 Well, I'm just a very late, I get late to things, you know. 23:19.626 --> 23:24.107 I haven't seen Indiana Jones and the Temple of the Crusade of the Last Crystal Phase. 23:24.667 --> 23:26.368 No, I don't think I'm ever going to, actually. 23:26.448 --> 23:34.090 No, I've, actually, it's the only film I know, my friends, some of my friends who have a very high tolerance of bad movies actually left halfway through. 23:34.110 --> 23:34.490 They? 23:34.590 --> 23:35.750 Yeah, and they've seen everything. 23:35.951 --> 23:38.591 They'll get excited about some of the worst films I've ever seen. 23:38.731 --> 23:38.911 Yeah. 23:39.011 --> 23:40.332 And they couldn't stomach it. 23:40.392 --> 23:40.732 Jumper? 23:41.252 --> 23:43.033 Did they love Jumper? 23:43.673 --> 23:44.293 Yes. 23:44.393 --> 23:46.214 Anyway, MGMT... Jumper. 23:46.314 --> 23:50.115 Unusually for me, I've come to MGMT sort of on time and they're very good. 23:50.195 --> 23:52.676 Well, a little bit late, but here's Electric Feel. 23:52.896 --> 23:54.676 MGMT, they're so hot right now. 23:54.756 --> 23:55.417 Well, it was nice. 23:55.457 --> 23:55.917 I liked it. 23:55.937 --> 23:56.957 That was very good, wasn't it? 23:56.997 --> 23:57.937 Yeah. 23:58.017 --> 23:59.658 There's a song note for you listeners. 24:00.218 --> 24:01.859 That band are playing Glastonbury. 24:02.419 --> 24:05.460 Listen to six music for Glastonbury coverage, okay? 24:05.800 --> 24:06.400 That was the note. 24:06.720 --> 24:09.081 And of course, we're gonna be there. 24:09.341 --> 24:10.302 Garth, that's exciting. 24:10.342 --> 24:11.684 I've never been to Glastonbury either. 24:11.704 --> 24:12.545 I should never be. 24:12.805 --> 24:12.865 No. 24:12.905 --> 24:13.826 Oh my lordy. 24:14.327 --> 24:19.533 Well... All my friends always go, but they indulge in the dark side of Glastonbury. 24:19.573 --> 24:20.314 Dirty Glastonbury. 24:20.394 --> 24:23.818 Yes, so I've always felt a little afraid to go with them. 24:23.978 --> 24:24.238 Yeah. 24:24.298 --> 24:26.239 It's not, I don't think it's really like that anymore. 24:26.279 --> 24:26.820 No, I'm sure. 24:26.940 --> 24:27.640 I'm sure it'd be great. 24:27.980 --> 24:30.042 Have you heard my festival song? 24:30.582 --> 24:30.742 No. 24:31.022 --> 24:31.963 That we did for Song Wars. 24:32.023 --> 24:36.225 We did festival songs for Song Wars a while back, and mine was kind of the posh festival song. 24:36.966 --> 24:39.067 I think that's what Glastonbury's more like nowadays. 24:39.587 --> 24:43.890 You know, it's still got some strange crusty people wandering around, but they're in a special enclosure. 24:44.070 --> 24:45.971 Yes, you can go and have a look at them. 24:46.112 --> 24:46.432 A look! 24:46.892 --> 24:48.774 It's like being at a real festival. 24:48.854 --> 24:50.056 Let's go back to the yurt. 24:51.037 --> 24:52.138 Yes, yurts. 24:52.239 --> 24:53.340 And do some yoga. 24:53.680 --> 24:54.221 Everyone likes it. 24:54.281 --> 24:55.022 What are yurts? 24:55.282 --> 24:56.604 Yurts are like wigwams. 24:56.784 --> 24:57.585 Are they like wigwams? 24:57.605 --> 24:58.146 I think so. 24:58.166 --> 24:59.768 They're like proper wigwams, aren't they? 24:59.788 --> 25:00.729 Oh, but they're round. 25:00.749 --> 25:02.111 But they're solid, right? 25:02.551 --> 25:04.093 Yeah, and they have a little kitchen. 25:05.134 --> 25:05.534 Okay. 25:05.554 --> 25:06.295 Okay. 25:06.315 --> 25:07.656 You alien. 25:08.017 --> 25:09.558 The thing is, it's really a tent. 25:09.998 --> 25:10.178 Right. 25:10.198 --> 25:13.241 You know, but it's called a yurt, so people feel good about that, don't they? 25:13.261 --> 25:14.122 So, yes, exactly. 25:14.382 --> 25:15.843 What they're doing is they're an organic tent. 25:15.883 --> 25:18.545 They're indulging in the tent of another culture. 25:19.446 --> 25:23.269 Yes, there's no greater thing to do than be a feeler little Nepalese. 25:23.689 --> 25:23.910 Yes. 25:24.410 --> 25:25.751 So we're going to go to Glass Run. 25:25.771 --> 25:26.332 It's a weird 25:26.872 --> 25:32.075 You wouldn't maybe wanna start your Glastonbury, uh, relationship this year, I would think. 25:32.095 --> 25:32.636 Do you know what I mean? 25:32.696 --> 25:38.880 Well... Like, not to damn it with faint praise or anything, or, or just to be plain rude about it, but it's a strange line-up this year. 25:39.020 --> 25:40.021 I, I used to watch it. 25:40.081 --> 25:41.822 I used to do a lot of coverage on the telly. 25:42.022 --> 25:43.023 We did it a couple of years. 25:43.083 --> 25:47.706 Yeah, I used to sit in my bed with a cup of tea and watch it all and think how brilliant it is to watch it from here. 25:47.926 --> 25:48.306 Right, right. 25:48.326 --> 25:49.066 It was terrific. 25:49.447 --> 25:50.808 I remember seeing that radio head... 25:51.488 --> 25:55.670 performance and that was the only time I thought actually sitting here isn't really as good as being there. 25:55.930 --> 25:56.210 Yes. 25:56.230 --> 25:57.811 Well they turned all the lights on the audience. 25:57.851 --> 25:59.832 They were having a very bad gig then weren't they? 26:00.032 --> 26:00.993 I thought it was amazing. 26:01.033 --> 26:10.997 But I mean it was like a legendary gig and everyone loved it but the band themselves like they got fed up because all the sound was weird and I think Tom was having a little angry fit and I don't know. 26:11.017 --> 26:12.238 But it looked good to me. 26:12.518 --> 26:13.518 with my cup of tea. 26:13.738 --> 26:15.259 Yeah, no, I'm excited about it, definitely. 26:15.279 --> 26:29.182 We're gonna be going up on Thursday, and then we're gonna spend Friday wandering around the site with our tape recorder, getting bits of things for our show on Saturday, which we'll be doing live from the BBC enclosure at Glastonbury. 26:29.483 --> 26:38.365 So if you are going to the festival, then look out for me and Dr. Sexy wandering around on Friday, because it'd be lovely to talk to you. 26:39.585 --> 26:41.627 And, of course, MGMT will be there. 26:41.647 --> 26:44.788 Maybe we'll get to meet the naughty man from MGMT. 26:44.949 --> 26:45.569 Yeah. 26:45.769 --> 26:48.150 Do you know if they've got a good reputation or not? 26:48.371 --> 27:00.838 I read a thing in Word magazine about them, and they were sort of implying, I think, that because they're very young fellows, they're still in the phase of behaving slightly like garden tools. 27:02.594 --> 27:03.134 Okay. 27:03.574 --> 27:04.315 That sounds good. 27:04.655 --> 27:06.215 You know what I mean? 27:06.235 --> 27:08.516 You ask them a question and they won't give you a straight answer. 27:08.556 --> 27:11.697 They sort of chuckle to themselves and give like a weird answer. 27:12.358 --> 27:13.258 Ah, yes. 27:13.278 --> 27:15.939 They're basically apt to entertain each other and subvert the world. 27:16.339 --> 27:16.979 They're gonna do it. 27:17.359 --> 27:18.700 But yeah, they may succeed. 27:19.060 --> 27:22.381 Right now, here is the first of my free choices for you listeners. 27:22.421 --> 27:24.182 This is a track by a band called Delacota. 27:24.202 --> 27:24.722 Do you remember them? 27:25.202 --> 27:25.342 No. 27:25.482 --> 27:26.643 I'm pretty sure they've split up. 27:27.183 --> 27:29.764 You've put them on a compilation CD in the past, I think. 27:29.804 --> 27:33.866 They had a few hits and, and, uh, Noel Gallagher was a champion of theirs at the time. 27:33.906 --> 27:38.469 This was in the, um, late nineties and Noel Gallagher is one of those people like Ricky Gervais. 27:38.489 --> 27:40.530 You sort of stick his name on, on anything. 27:40.670 --> 27:40.890 Yeah. 27:41.010 --> 27:42.951 And it's like top seal of quality. 27:43.091 --> 27:43.251 Yeah. 27:43.331 --> 27:45.032 I don't think that's the case anymore with Gallagher. 27:45.052 --> 27:45.812 Right. 27:45.993 --> 27:48.594 And it's amazing to think that one day it won't be the case with Ricky Gervais. 27:48.914 --> 27:49.875 I don't think that's going to happen. 27:49.895 --> 27:52.157 Such is the cruel passage of taste and time. 27:52.678 --> 27:58.764 But I remember Noel Gallagher saying this was one of his favorite singles of whichever year it came out, and I love it still. 27:58.984 --> 27:59.845 Delicoto, The Rock. 28:00.546 --> 28:03.929 Hi, this is the Adam and Joe show here on BBC Six Music. 28:03.969 --> 28:06.532 Joe is away at the moment because he's got shingles. 28:07.953 --> 28:09.655 It's halfway between a shiver and a tingle. 28:09.675 --> 28:09.935 Yes. 28:11.437 --> 28:12.318 And he's got it. 28:12.798 --> 28:13.860 So he is away. 28:14.000 --> 28:14.521 Poor old Joe. 28:14.581 --> 28:20.408 I hope he's feeling a lot better and he says that he's going to be in shape to be back with us for our Glastonbury show next weekend. 28:20.829 --> 28:26.156 But filling in for him this week, we're very very honoured indeed to have our good friend Garth Jennings. 28:26.196 --> 28:26.776 Hello there. 28:26.937 --> 28:27.618 Thanks for having me. 28:28.198 --> 28:29.339 Very nice to have you here, man. 28:29.399 --> 28:30.420 It's nice to be here. 28:30.460 --> 28:31.661 Did you enjoy the pokes there? 28:31.822 --> 28:32.082 I did. 28:32.102 --> 28:32.562 I love that. 28:32.582 --> 28:33.223 That's superb. 28:33.263 --> 28:34.684 That was a good session tonight, wasn't it? 28:34.704 --> 28:36.066 Yeah, I thought that was off a record. 28:36.126 --> 28:44.073 No, that was recorded for Janis Long, Janis Longwave, back in 1985 on Radio 1. 28:44.193 --> 28:45.555 Wow. 28:45.695 --> 28:46.015 Radio 1? 28:46.696 --> 28:49.198 Radio 1 was a different place back in them days, wasn't it? 28:49.358 --> 28:49.598 Yeah. 28:49.839 --> 28:52.041 Now it's all like, um, rapping. 28:54.309 --> 28:55.655 It's all that fast rapping. 28:55.957 --> 28:58.449 It's all Edith Bowman, happy slapping people. 28:59.916 --> 29:00.676 what they do on there. 29:01.577 --> 29:03.177 And swearing and all that. 29:03.477 --> 29:04.678 They're allowed to swear on Radio 1. 29:04.858 --> 29:05.478 Yeah, and fight. 29:05.858 --> 29:06.958 They're allowed to swear and fight. 29:07.278 --> 29:12.080 And they all carry knives and they're all... Binge drinkers. 29:12.200 --> 29:14.101 All binge drinking, all the time on all the shows. 29:14.121 --> 29:15.041 None of this is true. 29:15.061 --> 29:15.981 None of it's true. 29:16.261 --> 29:17.742 Yeah, announcement for idiots. 29:18.362 --> 29:19.402 None of this is true. 29:19.842 --> 29:20.683 Yes, trusty case. 29:20.783 --> 29:24.384 I had a tune in actually, I thought, that sounds like a great radio station. 29:24.824 --> 29:29.347 Sometimes the idiots get excited if you say things like that and they think, oh, I'm going to write to someone about that. 29:29.507 --> 29:32.829 Because you said they were on drugs and carrying knives and that's not right. 29:33.089 --> 29:34.390 So I'm going to write to someone. 29:34.410 --> 29:37.732 But now I've taken away that pleasure from you. 29:37.752 --> 29:38.432 I'm sorry, idiot. 29:38.472 --> 29:41.354 I'll give you a, um, I'll give you something else to write about later on. 29:41.754 --> 29:42.355 Almost certainly. 29:45.214 --> 29:48.336 Now, very shortly, we are going to be launching Text the Nation. 29:48.937 --> 29:57.104 And Jude, there's going to be some name dropping involved with the introduction to Text the Nation to put the anecdote in context. 29:57.665 --> 30:00.287 So we need some name dropping sound effects. 30:01.168 --> 30:08.735 And also, of course, when we talk about Radiohead a bit later on, the shows, you know, it's Victoria Park coming up. 30:10.196 --> 30:29.192 Well, I mean, I'm allowed to say radiohead, you know, I mean I I happen to have a personal relationship with them Now cribs, what's the crib situation this cribs? 30:29.392 --> 30:30.433 I've never heard of cribs. 30:31.114 --> 30:32.255 How's this happened? 30:32.655 --> 30:33.315 Who are cribs? 30:34.676 --> 30:56.885 they're massive I thought it was just a show on MTV didn't they have an album saying called old fellas or the the new fellas the old toggers something like that is it I don't know you remember we had that name for our band when all my stag do when we did that yeah we were called the old fellas we were called I'm sure the cribs Nick my band's name yeah the cribs I'm obviously getting confused are they like the pigeon detectives 30:57.165 --> 30:57.526 A bear? 30:57.746 --> 30:58.006 Yeah. 30:58.206 --> 30:59.408 They're brothers, three brothers. 30:59.588 --> 31:00.449 They're brothers. 31:00.469 --> 31:00.850 Harmons. 31:01.290 --> 31:02.692 And they live... Right. 31:03.253 --> 31:04.194 And the harmons. 31:04.755 --> 31:11.243 Okay, so they live in a crib and this is called... Of course, we've played Men's Needs before and they go... 31:15.207 --> 31:32.237 and it's wicked let's hear it there you go of course sorry I just had a little blank there of course I know the cribs that's a great song yeah his whole head has to flip backwards to do that note that's right like the guy with the flip top head the the toothbrush guy 31:32.577 --> 31:34.218 Yeah, and Pez. 31:34.559 --> 31:34.999 They're right. 31:35.239 --> 31:35.840 Mez! 31:37.561 --> 31:38.001 Cribs. 31:38.241 --> 31:39.462 Pez dispensers. 31:39.723 --> 31:40.343 Pez dispensers. 31:40.363 --> 31:44.286 Would be ideal and if they could fix them so they actually said, Mez! 31:44.386 --> 31:44.927 Yeah. 31:45.127 --> 31:46.067 When they flipped back. 31:46.268 --> 31:48.049 And you got a little sweet at the same time. 31:48.069 --> 31:49.170 That would be sweet. 31:49.230 --> 31:49.710 Sweet. 31:49.950 --> 31:52.352 Okay, it's time to play the jingle. 31:54.634 --> 31:55.454 Text the nation! 31:55.494 --> 31:56.575 Text, text, text! 31:56.675 --> 31:57.435 Text the nation! 31:57.475 --> 31:58.475 What if I don't want to? 31:58.675 --> 31:59.415 Text the nation! 31:59.515 --> 32:00.516 But I'm using email. 32:00.676 --> 32:01.416 Is that a problem? 32:01.456 --> 32:04.437 It doesn't matter, text! 32:04.817 --> 32:05.757 Ah, can't. 32:05.797 --> 32:07.258 Nice to hear someone enjoying. 32:07.758 --> 32:09.658 Joe just groans now every time. 32:09.758 --> 32:10.698 I love that jingle. 32:11.079 --> 32:12.159 Um, okay, so... 32:12.719 --> 32:14.100 Text the nation this week. 32:14.140 --> 32:15.141 It's the nation's favorite feature. 32:15.161 --> 32:19.084 If you've never heard the show before this is the part of the show We invented this brand new feature. 32:19.104 --> 32:19.644 It's incredible. 32:19.704 --> 32:22.747 It's won a lot of awards and It's revolutionary. 32:22.987 --> 32:32.254 What we do is we think of a subject and then we ask people to text or email Their responses to it that's amazing. 32:32.274 --> 32:36.257 No wonder you want to but here's the thing that we won a lot of awards for then we read them out and 32:37.538 --> 32:51.888 and that's because you've always got to have one little extra thing there to make an idea truly great and that was the thing that we added which no one else has done before I believe now this week we are talking about well let me put this in context for you 32:52.728 --> 32:57.211 As I was saying earlier, I was at a Radiohead show on the weekend. 32:58.251 --> 32:59.372 Where was the show, Adam? 32:59.432 --> 33:02.994 The show was in France, which is a part of the world that isn't England. 33:03.594 --> 33:11.999 And it's a really amazing place, and the show was in a place called Nimes, in southern France, and it was in this beautiful amphitheatre. 33:12.600 --> 33:13.400 Oh, my lordy! 33:13.900 --> 33:19.303 And the ladies in the house... It's a whole other subject that I actually want to talk to you about. 33:19.323 --> 33:20.364 The ladies in the amphitheatre? 33:20.484 --> 33:21.765 Radiohead lady fans. 33:22.485 --> 33:23.125 Oh gosh. 33:23.625 --> 33:26.747 I've got something I need to get off my chest about that later on. 33:27.327 --> 33:32.109 But I was, because you and I, Garth Jennings, did some work for Radiohead last year. 33:32.149 --> 33:36.071 We helped them with their webcasts when they were celebrating the release of In Rainbows. 33:36.771 --> 33:42.613 And so, because of that, as a thank you, they've given us these passes so we can go to some of their shows for their tour. 33:42.753 --> 33:42.973 Yes. 33:43.714 --> 33:49.636 So I was at the show and afterwards I got to, uh, wheedle into the backstage party VIP bit, right? 33:49.796 --> 33:50.016 Right. 33:50.196 --> 33:52.537 Uh, standing next to Natasha Khan from Backflashes. 33:54.958 --> 33:58.340 And she was cooing over a little cat. 33:58.721 --> 34:00.722 And I joined in and I said, yes, it is sweet. 34:00.782 --> 34:01.283 I love you. 34:01.303 --> 34:02.864 I love you. 34:02.884 --> 34:04.305 But she had a cat backstage. 34:04.325 --> 34:06.827 There was a cat wandering around and she would say, oh, look, a cat. 34:06.847 --> 34:08.849 And I was going, yes, look, I love the cat. 34:08.909 --> 34:10.089 I love you, too. 34:12.912 --> 34:13.852 She walked away. 34:13.872 --> 34:16.655 Look, I've caught the cat. 34:16.675 --> 34:18.356 I've got the cat for you, Natasha. 34:18.396 --> 34:20.838 What do you want me to do with it? 34:21.698 --> 34:22.239 I love you. 34:24.260 --> 34:29.003 And then, of course, various members of the band came out. 34:29.583 --> 34:30.284 No sign of Tom. 34:30.324 --> 34:32.905 I think he was having a shiatsu mathage session. 34:33.145 --> 34:33.366 Right. 34:33.446 --> 34:36.567 Because, man, I don't know if you've seen them, listeners, on this current tour. 34:36.627 --> 34:38.809 He jumps around the stage like a nutcase. 34:38.849 --> 34:41.090 I think they are having a good time, by the sounds of it. 34:41.170 --> 34:41.850 I haven't seen it yet. 34:41.890 --> 34:42.551 I'm going next week. 34:42.571 --> 34:45.452 Because a lot of that, they're playing a lot of kind of dancey stuff. 34:45.553 --> 34:45.773 Right. 34:46.233 --> 34:49.615 Mixed in with all the classic Benz and OK Computer style hits. 34:50.115 --> 34:53.258 And it's a really kind of dancey show, it's amazing. 34:53.858 --> 34:58.822 And Tom York is bouncing around the stage like nobody's business, so I'm sure he needs a lot of massaging after that. 34:58.842 --> 34:59.503 Little bit of healing. 34:59.803 --> 35:06.148 Yeah, but Colin Greenwood, the bassist, he just, he mellows out and he rocks back and forth, so he doesn't go quite so nutty. 35:06.748 --> 35:08.369 And I saw Colin after... 35:10.694 --> 35:11.314 much. 35:12.375 --> 35:17.559 We were talking about stuff and Colin suddenly said, hey, you know what I've been meaning to tell you? 35:17.939 --> 35:20.681 I've got a really good idea for a Bond film. 35:20.921 --> 35:22.682 I think we're talking about Daniel Craig or something. 35:23.243 --> 35:27.366 And he said, I've got the best idea for a new Bond villain, because that's all you need. 35:27.526 --> 35:30.908 To make a great Bond film, you need like the ultimate Bond villain. 35:32.029 --> 35:33.130 And he said, I've got the best idea. 35:33.630 --> 35:36.473 You have like a rock star, right? 35:36.693 --> 35:37.113 Yeah. 35:37.193 --> 35:38.274 Someone like Bono. 35:38.874 --> 35:41.116 And he wouldn't be the villain. 35:41.156 --> 35:42.357 You don't have to name drop that. 35:42.397 --> 35:43.998 I'm not saying that I've met Bono. 35:45.820 --> 35:48.302 But you have someone like Bono, right? 35:48.682 --> 35:50.003 An evil, you know, Mickey Spangle. 35:51.705 --> 35:55.308 And he's in the Spanglers and they're the biggest band on the planet. 35:55.809 --> 35:58.932 And so he goes out and he's meeting Kofi Annan and all these people. 35:58.972 --> 35:59.352 The Pope? 35:59.372 --> 36:00.073 Exactly, he's meeting the Pope. 36:00.093 --> 36:01.414 He's got all the connections, right? 36:01.434 --> 36:06.819 A massive big rockstar like Bano has got all... That's the thing, they'd only change it slightly. 36:06.940 --> 36:07.140 Yeah. 36:07.160 --> 36:09.382 So you'd go, I know who that is, I know who they're getting at. 36:09.442 --> 36:10.043 Yeah, Bonox. 36:12.014 --> 36:14.856 Are you allowed to say that? 36:15.456 --> 36:16.097 He'd be good, though. 36:16.117 --> 36:19.519 So he's called Bonox, and he's got fingers in all the pies, right? 36:19.559 --> 36:19.819 Yeah. 36:19.939 --> 36:22.461 But he's not using his rock power for good. 36:22.561 --> 36:23.962 He's using it for evil. 36:24.062 --> 36:25.463 He wants to take over the planet. 36:25.643 --> 36:25.843 Yes. 36:26.143 --> 36:29.806 I just think that is the best idea for a Bond villain I have heard. 36:29.826 --> 36:30.446 It's a great idea. 36:30.466 --> 36:33.308 And you can imagine the gig filled with all the, you know, the flashing images. 36:33.328 --> 36:33.648 Yeah. 36:33.688 --> 36:34.869 Hypnotizing the people. 36:35.089 --> 36:36.590 I mean, it works on so many levels. 36:36.710 --> 36:39.312 The challenge, as Colin was saying, is to 36:40.072 --> 36:41.753 do it so that you've got a good music. 36:41.773 --> 36:46.656 You know, it would all hang or it would all rise and fall on- on how good the- the music and the rock star is. 36:46.676 --> 36:48.678 But also with the Bond villain, he's gotta have a goal. 36:48.858 --> 36:50.299 Like, what's he actually after? 36:50.459 --> 36:51.179 Is it revenge? 36:51.199 --> 36:52.840 Well, it's always world domination, isn't it? 36:53.021 --> 36:55.082 Yeah, but, uh, I guess it is, yes. 36:55.122 --> 37:02.327 I mean, it'll be- now maybe there would be some kind of psych- psychological angle to it, so he was rejected by Simon Cowell at a young age. 37:02.967 --> 37:05.708 and now he wants to kill everyone on the planet. 37:05.728 --> 37:06.009 Yeah. 37:06.049 --> 37:08.530 To get back at Simon Cowell or something like that. 37:08.550 --> 37:14.133 Also you've got the potential there for good chases and a great set piece on on a live stage in front of loads of people. 37:14.273 --> 37:14.853 Exactly. 37:14.873 --> 37:24.158 A chase in a gig, a great big Wembley style massive arena when he's gonna laser the lot of everyone there and there's some chasing. 37:25.139 --> 37:25.720 That's right. 37:25.740 --> 37:28.443 The lasers turn out to be real. 37:28.683 --> 37:34.450 People are putting their hands up to touch the lasers, and their fingertips are coming off. 37:34.470 --> 37:35.972 Disastrous. 37:35.992 --> 37:36.533 Good times. 37:36.733 --> 37:37.354 Good times. 37:38.635 --> 37:43.662 So, I mean, there's more to be said about that particular Bond villain, but thank you very much, Colin, for that idea. 37:44.082 --> 37:48.125 And we text the nation this week, though, folks, is, um, more Bond villains. 37:48.165 --> 37:50.006 We want your ideas for more Bond villains. 37:50.026 --> 37:53.508 We're going to play some music, and then Garth is going to tell us about some of his ideas. 37:53.669 --> 37:54.629 Ooh, I'd better think more. 37:54.649 --> 38:03.936 But if you'd like to speculate, if you would like to send us some of your ideas for new Bond villains, uh, the text number is 64046, or you can email us your ideas. 38:04.396 --> 38:08.639 Adamandjo.6musicatbbc.co.uk. 38:09.019 --> 38:11.161 Get texting or emailing right now. 38:11.701 --> 38:13.102 Um, and here's another band. 38:13.462 --> 38:16.104 that I'm only just familiar with. 38:16.124 --> 38:18.706 Are the band called Paris Is Burning or are they called Lady Hawk? 38:18.726 --> 38:19.126 Lady Hawk. 38:19.346 --> 38:24.210 They're called Lady, so they're naming bands after quite bad films from the 80s now. 38:24.870 --> 38:26.732 Has anyone done a band called Kroll yet? 38:27.672 --> 38:28.593 It's only a matter of time. 38:28.613 --> 38:29.834 It's only a matter, I bet there is one. 38:30.054 --> 38:31.095 Here's Paris Is Burning. 38:31.975 --> 38:33.577 Paris Is Burning by Lady Hawk. 38:33.617 --> 38:35.078 I wonder if, is that about Paris Hilton? 38:36.098 --> 38:36.258 No. 38:37.639 --> 38:41.501 This is the Adam and Jo program here on BBC Six Music. 38:41.741 --> 38:44.063 If you've just tuned in, Jo is away sick. 38:44.603 --> 38:50.466 He's got the shingles and he's gonna be back with us next weekend when we're in Glastonbury, but filling in for him is Garth Jennings. 38:50.506 --> 38:50.926 Hello there. 38:51.146 --> 38:52.827 Yes, I'm sitting in for poor old Jo. 38:53.628 --> 39:00.291 Garth Jennings, of course, top pop video director and most recently director of Son of Rambo. 39:00.491 --> 39:01.192 Yes, I did that. 39:01.752 --> 39:02.792 Out on DVD soon, surely. 39:04.053 --> 39:07.454 Uh, it's out on the 28th of July, but I'm not here to plug that. 39:07.474 --> 39:08.194 No, no, no, absolutely. 39:08.214 --> 39:09.035 It just occurred to me, though. 39:09.175 --> 39:13.616 It is, it is, it's kind of weird when it comes out on DVD, because you start thinking, that's it? 39:14.036 --> 39:14.256 Right. 39:14.296 --> 39:15.457 That's sort of the end of the line. 39:15.777 --> 39:16.397 It's all over. 39:16.517 --> 39:17.437 Which isn't a bad thing, actually. 39:17.457 --> 39:18.117 It's been eight years. 39:18.177 --> 39:19.018 It's not the end of the line. 39:19.078 --> 39:19.938 It's the beginning, man. 39:19.998 --> 39:22.099 It has a life there, as part of the canon. 39:22.159 --> 39:22.559 It's true. 39:23.699 --> 39:24.639 of, uh, great art. 39:25.880 --> 39:31.402 But right now, uh, we are in the midst of Text the Nation, and we are asking you for your ideas for new Bond villains. 39:31.522 --> 39:33.443 I tell you what, actually, you just mentioned Paris Hilton. 39:33.543 --> 39:37.904 She wouldn't be a bad kind of Bond villain, sort of celebrity heiress. 39:38.364 --> 39:43.926 Well, the obvious thing with her would be to have her as one of, uh, Daniel Craig's kind of hangers-on in, in some casino. 39:43.986 --> 39:44.267 Yep. 39:44.347 --> 39:48.048 Or she would be one of the, um, floozies of the villain. 39:48.288 --> 39:48.448 Yes. 39:48.468 --> 39:48.869 You know what I mean? 39:48.889 --> 39:52.472 Because she's not really got the mental equipment to deal with world domination. 39:52.492 --> 39:54.514 But that's probably why that would give her the edge, you see. 39:54.535 --> 39:56.156 Because she's so angry at being stupid. 39:56.276 --> 39:56.617 Yes. 39:56.817 --> 40:00.701 And she thinks, right, I want to make everyone stupid with my giant laser. 40:01.001 --> 40:01.882 With my thick ray. 40:01.902 --> 40:03.424 With my thick ray. 40:03.924 --> 40:04.625 Or this, yeah. 40:04.765 --> 40:09.730 You know, that's why she has so many parties because there's a glitter ball and you can radiate stuff off the glitter ball. 40:10.211 --> 40:10.571 I don't know. 40:10.991 --> 40:16.414 But I was thinking the same, along the same lines as your, um, you know, as, as Colin's, uh, Bono idea. 40:16.454 --> 40:16.654 Yeah. 40:16.854 --> 40:17.994 Cause it's hard to beat, let's face it. 40:18.014 --> 40:20.155 Well, yeah, cause I was thinking David Blaine. 40:20.896 --> 40:23.937 David Blaine type character, cause I can't stand David Blaine. 40:23.977 --> 40:26.859 I mean, I know most people like him and he's great for a lot of people. 40:27.099 --> 40:28.119 He drives me mental. 40:28.179 --> 40:28.359 Yeah. 40:28.519 --> 40:29.180 In his little box. 40:29.220 --> 40:29.880 I can't breathe. 40:30.240 --> 40:32.862 You know, um, but I can breathe and, oh, is it a trick? 40:32.942 --> 40:36.144 And, oh, someone like that would, um, I think would make a good bonfire. 40:36.164 --> 40:36.904 You're just jealous. 40:36.924 --> 40:40.407 You're one of these people who are infuriated by people who can do things you can't. 40:40.427 --> 40:43.529 They could stand on one leg for three weeks. 40:44.549 --> 40:49.352 No, it just, it just, I don't mind him doing the tricks, it's the how seriously he tapes himself. 40:50.433 --> 40:52.654 and cries a lot, I made it. 40:52.674 --> 40:55.335 Be like, yeah, well, get out of there, you poor box. 40:55.415 --> 41:01.298 If he didn't do that, if he, if, you know, he's got to take the things seriously, otherwise no one is going to take them seriously, you know what I mean? 41:01.338 --> 41:03.379 So he's got to take them as seriously as it's possible. 41:03.419 --> 41:09.462 My favourite thing ever was somebody in England, when he hung himself off a bridge in England or did something in a box. 41:09.742 --> 41:10.863 Oh yes, in the prospect's box. 41:10.983 --> 41:14.784 And anywhere else in the world, in America, they would have gathered round and taken pictures and all that sort of stuff. 41:15.085 --> 41:17.906 In England, somebody took a barbecue and started cooking bacon underneath it. 41:18.226 --> 41:21.210 just to annoy him because it's the best smell in the world. 41:21.230 --> 41:22.511 I always thought that was a great idea. 41:22.731 --> 41:23.572 But then I had J.K. 41:23.633 --> 41:34.485 Rowling, a sort of children's author of unbelievable success, uh, writing books, changing people's minds, and then I ran out of really, uh, pitch ideas on that. 41:34.545 --> 41:35.146 What, J.K. 41:35.186 --> 41:36.047 Rowling is a Bond villain. 41:36.107 --> 41:43.912 Yes, not as somebody to annoy David Blaine, but as a kind of, you know, somebody in a great deal of power that could misuse it. 41:44.232 --> 41:44.713 Absolutely. 41:44.913 --> 41:51.457 Well, I was thinking that the key ingredients for a good Bond villain are, obviously, as you say, they have to be in a position of power. 41:51.958 --> 41:58.142 But also, it has to be a position where people feel a natural kind of antipathy for that job, you know what I mean? 41:58.182 --> 41:59.563 So in the past... Yeah. 42:00.183 --> 42:05.827 Who was it, um, uh, Jonathan Price played the guy in- Yes, like a sort of Murdoch character. 42:05.867 --> 42:07.128 Yeah, he- he- exactly. 42:07.148 --> 42:09.470 He was a big press baron, uh, in Tomorrow Never Dies. 42:09.550 --> 42:17.556 Do you remember him- the thing about that that annoyed me was when he used to type on that remote control keyboard, and he'd just have it in his hand and he'd be looking at Bond and going, 42:18.477 --> 42:19.378 with his right hand. 42:23.060 --> 42:24.961 All his screens would change. 42:25.181 --> 42:26.602 His arm mounted blackberry. 42:27.963 --> 42:33.026 I've had my blackberry melded to my arm because I'm powerful and insane. 42:34.347 --> 42:36.529 Now I've got an iPod in my forehead. 42:37.189 --> 42:39.571 Of course there are other MP3 players available. 42:40.691 --> 42:42.992 Um, and, uh, what are the other ones? 42:43.012 --> 42:47.054 Well, I was thinking, well, no, you're right there, and there's also something kind of current about them. 42:47.074 --> 42:49.115 What did, um, Robert Carlyle do? 42:49.155 --> 42:50.455 What was his job in that one? 42:50.716 --> 42:52.876 Oh, didn't he have some diamonds in his face? 42:53.377 --> 42:54.417 No, no, that's the other guy. 42:54.497 --> 42:56.458 He had a bullet in his head. 42:56.518 --> 42:57.618 What was his job, though? 42:57.638 --> 42:58.399 He was a Bolshevik. 42:58.719 --> 43:00.840 He was a big powerful Bolshevik. 43:00.900 --> 43:03.301 How did he have the wherewithal to do all the world conquering? 43:03.961 --> 43:09.143 Like, had he worked his way up through the Bolsheviks into, uh, executive Bolshevism? 43:09.543 --> 43:10.103 I don't know. 43:10.123 --> 43:11.084 And got a really high power. 43:11.104 --> 43:15.125 That was definitely still the generation of those films, though, where you didn't really care what the thing was. 43:15.305 --> 43:15.345 No. 43:15.365 --> 43:17.106 You were just waiting for the next big explosion. 43:17.186 --> 43:17.606 Exactly. 43:17.626 --> 43:21.588 Whereas now, I think, I mean, they, they, the Jonathan Price one was pretty good, I thought. 43:21.688 --> 43:22.348 I, I liked those films. 43:22.368 --> 43:22.948 As a good movie. 43:22.968 --> 43:25.189 The last few, um, what's his name? 43:25.569 --> 43:27.010 Piers Brosnan films were great. 43:27.310 --> 43:28.390 And I liked Casino Royale. 43:28.410 --> 43:29.291 I thought it was fantastic. 43:29.491 --> 43:29.651 Yeah. 43:30.231 --> 43:34.176 And, um, my only, uh, last one I had was, you know, these sort of internet barons. 43:34.356 --> 43:34.436 Mmm. 43:34.456 --> 43:36.118 It's similar to that, really, what you're saying. 43:36.158 --> 43:37.499 Like those two nerds from YouTube. 43:37.539 --> 43:42.866 Yeah, I was thinking, but, uh, you know, you, you see it on the news, like, a fifteen year old has set up a website. 43:42.906 --> 43:43.246 Right. 43:43.586 --> 43:45.629 I love the idea of Bon going up against a kid. 43:45.649 --> 43:46.490 That's incredible. 43:46.510 --> 43:50.835 Um, and I started thinking, oh, like a stage school kid, he could be good like he won, he didn't win. 43:51.455 --> 43:53.837 you know, have I got, you know, Oliver for you. 43:53.857 --> 43:54.538 Yeah, absolutely. 43:54.558 --> 44:01.503 And, um, uh, or, or an internet kid who's, who's invented a website, but he's really secretly, he's doing nasty things with it. 44:01.523 --> 44:02.644 That's a very good idea. 44:02.704 --> 44:06.667 And Danny Craig bursts into his room and tears all his emo posters off the wall. 44:06.848 --> 44:07.188 Yes. 44:07.808 --> 44:10.491 Start kicking seven shades of crapola out of him. 44:10.531 --> 44:10.831 Yeah. 44:11.031 --> 44:12.152 That's a very good idea. 44:12.692 --> 44:15.795 Um, I was thinking maybe like an art world villain. 44:16.215 --> 44:17.777 a sort of Tracey Emin type figure. 44:17.817 --> 44:18.157 Oh good. 44:18.178 --> 44:18.738 Do you know what I mean? 44:18.758 --> 44:20.420 Believing her stinky pants on the floor. 44:20.460 --> 44:23.163 Exactly, covering the world with her filthy linen. 44:23.303 --> 44:30.832 I like Tracey Emin, I think she's an entertaining provocateur and a talented, uh, uh, slightly wonky woman and... 44:31.933 --> 44:33.334 You know, I like that kind of thing anyway. 44:33.374 --> 44:34.275 That's a great review. 44:36.036 --> 44:37.678 But it sounds like some of my reviews. 44:37.698 --> 44:40.860 You know, you could have a real evil type of art figure. 44:41.040 --> 44:41.240 Yeah. 44:41.360 --> 44:42.741 Anyway, we want to hear your ideas, folks. 44:42.761 --> 44:45.443 We're going to be reading out some of the texts and emails that we've got shortly. 44:46.224 --> 44:47.845 But right now, what is this? 44:48.125 --> 44:49.326 Oh, this is one of my free plays. 44:49.526 --> 44:49.886 Ah, yeah. 44:49.926 --> 44:54.550 I'm not going to say anything more about this than introduce it in its lamb chop and the song was called Is a Woman. 45:05.532 --> 45:06.693 Now that is not is a woman. 45:06.733 --> 45:07.173 What is this? 45:07.433 --> 45:11.136 I have been jinxed by some... This is by no means by landfill. 45:11.156 --> 45:13.797 This is like, this is like standing in a lift in a hotel somewhere. 45:14.078 --> 45:18.621 I don't know who this is and I can only apologize listener that... Sometimes... Something's going wrong with my freeways. 45:18.681 --> 45:20.922 Sometimes the BBC box gets a little confused. 45:22.623 --> 45:28.988 So we're going to play my one instead and we'll, we'll dig Lamb Shop out of the box because Lamb Shop, that is a wonderful track by Lamb Shop. 45:29.028 --> 45:30.490 So we'll, we'll find it for you listeners. 45:30.870 --> 45:32.091 Right now, here's one of my free plays. 45:32.111 --> 45:33.072 This is Brendan Benson. 45:33.092 --> 45:35.994 This is before he got together with Jack White in the rack on tours. 45:36.034 --> 45:44.021 And I, I think I'm right in saying that he co-wrote this with the wonderful Jason Faulkner, who used to be in Jellyfish and is a great artist in his own right. 45:44.741 --> 45:46.823 And it's a track called Good to Me by Brendan Benson. 45:47.003 --> 45:47.283 Nice. 45:47.503 --> 45:49.704 That's Brendan Benson with Good to Me. 45:49.744 --> 45:51.585 You're listening to BBC Six Music. 45:51.645 --> 45:57.088 It's a slightly grey Saturday morning here and apparently it's going to be slightly rubbish weather over the weekend. 45:57.208 --> 45:59.509 If my dad were here, he'd say, don't worry, it's all going to burn off. 45:59.769 --> 46:00.829 Yeah, that's one of my favorite faces. 46:00.849 --> 46:01.349 Wear your shorts. 46:01.369 --> 46:02.150 You'll thank me later. 46:02.190 --> 46:02.970 That's what he used to say. 46:03.711 --> 46:05.551 As you're standing in the driving rain. 46:05.711 --> 46:06.452 Thank you, Father. 46:06.592 --> 46:07.312 It'll burn off. 46:07.532 --> 46:08.072 It'll burn off. 46:08.153 --> 46:08.713 It'll burn off. 46:08.773 --> 46:09.533 You mark my words. 46:09.573 --> 46:09.873 You wait. 46:09.893 --> 46:11.534 This afternoon, it'll be glorious out there. 46:11.554 --> 46:12.635 Apparently it's not going to burn off. 46:12.735 --> 46:15.776 Apparently it's going to be rubbish all weekend, but there's slightly better next weekend. 46:15.916 --> 46:17.457 Thanks very much, Al Gore! 46:18.558 --> 46:19.119 Thanks! 46:19.379 --> 46:20.820 Thanks for ruining the climate! 46:23.223 --> 46:27.146 I was just thinking, because yesterday there was, like, spits and spots of sunshine. 46:28.427 --> 46:29.568 Or maybe the day before. 46:30.289 --> 46:31.790 And I was sat out in the garden. 46:31.810 --> 46:33.532 I thought, I'm gonna have my lunch in that garden! 46:34.713 --> 46:36.633 And I said it in exactly that way as to myself. 46:37.214 --> 46:40.294 And I walked out with my lunch and I had a nice little bit of salmon. 46:40.654 --> 46:40.934 Ooh. 46:40.954 --> 46:42.655 Bit of boiled salmon there, boiled it all up. 46:43.235 --> 46:45.375 And had some, uh, broccoli. 46:45.955 --> 46:46.776 I love broccoli. 46:47.096 --> 46:47.216 Yes. 46:47.756 --> 46:53.477 And had some carrots there as well and I put them all on a plate and I carried them out into the garden and, uh, popped it on the table. 46:53.497 --> 46:54.917 And I thought, I've got nothing to read! 46:54.977 --> 46:57.738 I can't stay out in the garden with my salmon and my broccoli, nothing to read! 46:58.118 --> 47:02.619 So I went in, grabbed my copy of, um, Mojo Mag or whatever and, uh, came out. 47:03.559 --> 47:07.142 And there was flies sat on the salmon and the broccoli. 47:07.302 --> 47:09.324 Three large black flies. 47:09.564 --> 47:10.445 Laughing at you. 47:10.465 --> 47:11.686 I don't know what they were doing. 47:11.706 --> 47:14.768 They were having some... You've got your large... Having a fly party there. 47:15.248 --> 47:19.552 And the thing is, I'd taken about a minute to locate my mag inside. 47:19.952 --> 47:24.816 So by the time I got out there, the flies had been having a fly party for a good 60 seconds, right? 47:24.856 --> 47:25.116 Yes. 47:25.516 --> 47:29.540 So I thought, well, this is revolting now, because they could have done all sorts of fly pop all over the... 47:30.920 --> 47:31.201 Yeah. 47:31.421 --> 47:38.325 So I don't want to have to eat that because then, I don't know, I'll die or flies will grow inside me. 47:38.365 --> 47:38.805 Shingles. 47:39.245 --> 47:40.146 Or I'll get shingles. 47:41.106 --> 47:41.787 Or that kind of thing. 47:41.827 --> 47:42.527 What would you do in that? 47:42.547 --> 47:44.508 Would you just shoo them away and not worry? 47:44.828 --> 47:49.031 I'd shoo them away and if I could see anything, if they'd sort of drop dirt on it. 47:49.051 --> 47:50.932 Can't see visual fly pops though. 47:51.012 --> 47:51.973 Exactly, I'd just eat it. 47:52.133 --> 47:52.973 You would just eat it? 47:53.093 --> 47:53.654 Yeah, I would. 47:54.514 --> 47:59.275 I mean, obviously, things are worse for, um, people in certain third world countries, I would imagine. 47:59.915 --> 48:01.055 But for Dr. Buckles. 48:01.136 --> 48:03.296 I think I know where Dr. Buckles is going with this. 48:03.336 --> 48:07.477 For Dr. Buckles, 60 seconds of fly action on my salmon was too much. 48:07.557 --> 48:12.058 So I carried it back into the house and I hosed it down under the tap, the whole plate. 48:12.098 --> 48:16.139 I just ran the whole plate under the tap all over my broccoli and carrots and salmon. 48:16.699 --> 48:20.760 And I had to hold everything in place so it didn't just swish off down the, uh, plug hole. 48:22.160 --> 48:25.662 And then I sort of felt better about it, but you know, it ruined the meal. 48:25.982 --> 48:26.943 What do you think about it, though? 48:27.003 --> 48:27.903 Germs are everywhere. 48:28.343 --> 48:28.623 Are they? 48:28.763 --> 48:33.326 I reckon, you know, with your magazine, by the way, with your magazine in the toilet, where most of your music magazines are. 48:33.366 --> 48:33.646 Maybe. 48:33.866 --> 48:37.908 Because you might find there's more germs on your magazine than it is on your seven. 48:37.928 --> 48:38.888 That's a good point, isn't it? 48:38.908 --> 48:39.208 Yeah. 48:39.769 --> 48:43.550 And the minute you start going that way with your brain, the whole world becomes terrifying. 48:43.811 --> 48:44.371 That is true. 48:44.411 --> 48:48.573 Speaking of the whole world becoming terrifying, it's 10.30, and time for the news. 48:49.253 --> 48:53.774 on digital radio and online BBC 6 music. 48:54.175 --> 48:57.916 I actually run most of my household appliances off anger. 48:59.056 --> 49:01.016 It's a very efficient form of energy. 49:01.077 --> 49:04.918 You just plug straight into that record and the whole house lights up. 49:05.078 --> 49:05.598 Yeah, it's good. 49:05.618 --> 49:07.598 I mean, it doesn't, it doesn't power things for that long. 49:07.758 --> 49:12.380 Like you get a very bright, um, light for about five minutes and then it, and then it sort of fades out. 49:14.642 --> 49:30.742 and it's not so it's good for things like toast but you have to have the right level otherwise you're gonna burn exactly you know if you're planning a whole evening of football watching if you love the footy and the kicking you can't really you wouldn't really want to run your TV on anger for misery 49:31.663 --> 49:33.044 A little misery could keep it going. 49:33.244 --> 49:34.525 Misery would probably work. 49:34.785 --> 49:35.005 Yeah. 49:35.045 --> 49:36.206 It would work absolutely fine. 49:36.226 --> 49:37.026 It keeps level. 49:37.046 --> 49:38.867 A bit of Morrissey could be fine. 49:38.887 --> 49:39.667 Yeah. 49:39.687 --> 49:42.169 Um, this is Adam and Joe here on BBC Six Music. 49:42.209 --> 49:43.569 Joe's away, of course, listeners. 49:43.609 --> 49:46.971 Sorry, I should stop saying this is Adam and Joe, because technically it's not true. 49:47.131 --> 49:48.392 But it's the Adam and Joe slot. 49:48.612 --> 49:51.534 It's the Adam and Joe show with, uh, Garth Jennings. 49:51.574 --> 49:54.115 That's me standing in for Joe, because he's got shingles, of course. 49:54.175 --> 49:54.955 He's got shingles. 49:55.056 --> 49:55.736 He's shingling. 49:55.976 --> 49:57.297 Once you pop, you can't stop. 49:59.858 --> 50:00.479 Fingrels, you know? 50:00.679 --> 50:01.700 Yeah, it's good work. 50:01.840 --> 50:02.921 Thanks very much. 50:03.641 --> 50:04.182 Thanks very much, Nick. 50:04.202 --> 50:04.662 Terrific. 50:04.982 --> 50:08.485 So, I was saying earlier on that I've got the show Meebox coming out tomorrow. 50:08.545 --> 50:12.768 It's on BBC 3, tomorrow night, Sunday night at 11.45pm. 50:12.808 --> 50:18.673 If you miss it, of course, you can catch it on iPlayer throughout the week, and then I think they'll repeat it on Thursday next week. 50:18.713 --> 50:19.694 Guess what slot I've got then? 50:20.054 --> 50:20.474 What slot? 50:21.135 --> 50:21.716 130 in the morning. 50:22.296 --> 50:22.977 Wonderful! 50:22.997 --> 50:24.298 It's the best slot. 50:24.658 --> 50:26.480 It's an exciting, edgy slot. 50:26.600 --> 50:27.441 It's the plumber's slot. 50:27.461 --> 50:30.604 And tell you what though, I am the... I am a viewer of this. 50:30.664 --> 50:32.746 I've seen this show and it's brilliant. 50:32.966 --> 50:33.086 Thanks. 50:33.126 --> 50:35.188 And I'm not just saying that because I'm on your radio show. 50:35.208 --> 50:36.049 I've been telling everyone. 50:36.229 --> 50:36.409 Yeah. 50:36.569 --> 50:37.229 Even my mum. 50:37.449 --> 50:37.789 Thanks a lot. 50:37.809 --> 50:38.090 Watch it. 50:38.130 --> 50:38.730 And they're going to. 50:39.190 --> 50:39.850 It's fantastic. 50:39.870 --> 50:43.491 You know, because the NABOBs at the Big British Castle are looking out for the buzz. 50:43.511 --> 50:45.492 Because, I mean, it's... Let's face facts. 50:45.972 --> 50:50.073 At that hour, on BBC3, it's not going to get massive ratings. 50:50.393 --> 50:51.953 But they're looking out for the buzz. 50:51.973 --> 50:53.234 They want to know the buzz. 50:53.474 --> 50:53.874 The buzz? 50:53.974 --> 50:54.334 You know? 50:54.594 --> 50:57.275 And if they feel or sense any buzz, 50:58.135 --> 51:00.936 They're gonna reward me with a big gold house! 51:03.317 --> 51:04.578 And that's what it's all about. 51:04.778 --> 51:06.939 Adam's wanted a gold house now for so many years. 51:07.119 --> 51:08.820 It would be unfair to deprive him of this. 51:08.860 --> 51:11.081 It is my dream to one day live in a gold house. 51:12.902 --> 51:16.383 But what I was gonna say is that I'm doing a certain amount of promotion, obviously. 51:16.443 --> 51:19.225 This is promotion right here, shameless, as such. 51:19.405 --> 51:23.467 And I'm also going on other people's shows to try and get people to watch the program. 51:23.667 --> 51:23.847 Right. 51:24.307 --> 51:26.949 Um, sometimes it's, it's easy to do. 51:27.109 --> 51:28.830 Sometimes, you know, people are obliging. 51:28.950 --> 51:31.231 I'm going on Richard and Judy's show on Monday. 51:31.251 --> 51:34.453 But they like you cause they've had you on for some of your weird clips already, hasn't they? 51:34.473 --> 51:41.857 They're down with the whole program, R and J. I did a sh- I did a clip with the You Say We Pay thing, which you can see on YouTube. 51:42.097 --> 51:44.960 And, uh, Richard and Judy invited me on the show to play it, you know? 51:45.441 --> 51:49.725 They are grooving and they wear roller skates, is what I'm saying. 51:50.105 --> 51:50.806 They're fantastic. 51:51.146 --> 51:54.810 But other shows are more difficult to wheedle your way in on, like Jonathan Ross. 51:55.671 --> 51:57.112 He's got a busy- The radio show? 51:57.153 --> 51:57.853 Yeah, the radio show. 51:57.873 --> 52:04.260 There's no question of me getting on the TV show, but the radio show, he, um, you know, he's got, like, a full roster this week. 52:04.720 --> 52:17.910 But his producer, Fiona, very kindly said, if I turn up there after this show, if I go up a couple of floors in the big British castle and sort of glom around outside his studio, then if they've got any time, they might let me into the studio just to plug my show. 52:18.430 --> 52:19.711 It's a little bit humiliating. 52:19.891 --> 52:20.192 Right. 52:20.432 --> 52:21.653 But I don't really care. 52:22.393 --> 52:23.774 I mean, what's the worst that could happen? 52:23.794 --> 52:27.015 I go up there and I have to watch David Hasselhoff or whoever he's got up there. 52:27.055 --> 52:27.295 Yeah. 52:27.375 --> 52:34.659 Yeah, you know getting insulted by Jonathan for you've lost weight or You know if I did get on the show, right? 52:35.059 --> 52:38.981 First thing I bet you he'd say cool you put on white you put on white you put on a bit away, haven't you? 52:39.161 --> 52:39.901 You're looking very old. 52:40.001 --> 52:44.063 You've got older Since I lost so you've been tempted by the same six. 52:44.563 --> 52:45.964 That's normally what I hear when I do 52:51.726 --> 53:00.328 He's a genius, but I bet you if I make it on there he that's exactly what he'll say Yeah, but so yeah, I'm gonna try and get on there. 53:00.348 --> 53:01.448 Do you think that's too humiliating? 53:01.468 --> 53:03.449 What's the most humiliating thing you've done in the name of promotion? 53:03.909 --> 53:05.071 Oh, I've done too much of it. 53:05.171 --> 53:09.295 In fact, after I was last on here, we had to go and do a whole press tour around America. 53:09.355 --> 53:09.495 Right. 53:09.735 --> 53:12.378 And it was very, uh, sort of silly tour. 53:12.679 --> 53:14.981 And you find yourself in the most terrible place. 53:15.041 --> 53:20.247 I found myself in a high school, uh, uh, and I hadn't questioned why we were going there. 53:20.267 --> 53:22.189 I was just going to everything that they were telling us to go there. 53:22.209 --> 53:23.030 Where abouts in America was this? 53:23.610 --> 53:25.091 I think it was somewhere in Texas. 53:25.131 --> 53:25.331 Yeah. 53:25.611 --> 53:30.575 And, um, and you turn up and you immediately get the creeps because it looks like all those schools where they go mad. 53:31.215 --> 53:36.319 And, uh, and you go in and the poor kids hadn't, I thought they'd seen the film and that we were going in to discuss it with their film. 53:36.339 --> 53:37.079 This was for Son of Rambo. 53:37.219 --> 53:37.920 For Son of Rambo. 53:37.940 --> 53:40.341 I'm sorry, yes, we were doing a promotion tour for this film in America. 53:41.342 --> 53:42.763 Ah, that lot of good that did. 53:43.263 --> 53:44.484 I'll tell you all about that in a minute. 53:45.465 --> 53:47.987 But then, complete waste of time. 53:50.150 --> 53:51.171 I can't stop laughing now. 53:51.511 --> 53:57.035 Anyway, we turned up at this high school and all these kids are looking at us and I said, so have you seen the film? 53:57.355 --> 53:58.135 And they said, no. 53:59.096 --> 54:04.439 Er, and so we had to sort of wing it for about an hour in there just discussing sort of... Films. 54:04.719 --> 54:09.062 Films and how we got into it and they just weren't interested and I was thinking why would you be interested? 54:09.402 --> 54:14.286 And the poor teacher was going, oh that sounds exciting, tell us about... Tell us about England! 54:14.426 --> 54:14.666 Yes! 54:15.106 --> 54:32.341 do you know it really was like that kind of thing and you say oh well this is how we got oh it was just excruciating that and a breakfast television show in in Austin in Austin i think it was no atlanta this guy with this orange face going uh right now we got a couple of guys from the uk uh they coming in from the uk 54:33.702 --> 54:56.297 and we would sit there and he'd interview us in this sort of like pretend house and then but waiting to come on after us was a crocodile, a monkey and a raccoon and real ones and this guy and all you could see was him going a couple of critters loose in the studio any minute and they just weren't interested in this at all they were just so excited about the monkey and the raccoon and the crocodile and things like that you find yourself just in stupid places doing stupid rubbish things. 54:56.377 --> 54:58.378 What was the crocodile monkey and raccoon film called? 54:58.778 --> 55:01.801 Uh, no, it wasn't a film, they were actually real creatures in the studio. 55:01.841 --> 55:02.902 Hadn't even made a film! 55:03.082 --> 55:05.424 No, no, they were just saying, you know, isn't it crazy? 55:05.764 --> 55:09.247 Maybe they're having an animal's day, you know, in the city. 55:09.767 --> 55:10.187 Something like that. 55:10.227 --> 55:12.669 You never know, you just wind up with really weird things. 55:12.710 --> 55:14.311 Can you guess what you gotta do to spread the word? 55:15.052 --> 55:18.836 Anyway, so that's what I'm going to be doing afterwards is cow towing to Jonathan. 55:19.197 --> 55:20.959 Right now, here is some weezer for you. 55:20.979 --> 55:22.261 We were talking about this track earlier on. 55:22.281 --> 55:25.946 This is the one where he... Is it a tribute or a diss to Timberland? 55:25.986 --> 55:26.306 What do you say? 55:26.346 --> 55:27.508 It's a very clever diss. 55:27.608 --> 55:29.310 It's a very clever diss. 55:29.370 --> 55:30.872 This is pork and beans from weezer. 55:31.132 --> 55:42.415 Well done, that's Weezer with pork and beans, and of course we're saying that's the video on there, uh, is all the kind of the tribute to all the YouTube, the big virals on YouTube. 55:42.755 --> 55:43.655 Uh, you've seen the video, right? 55:43.675 --> 55:49.357 Yeah, they've got everything that was ever a hit on YouTube and put it into one video, but for real, they've actually got the people, haven't they? 55:49.477 --> 55:53.720 Right, they've gone and got Tay Zonday who did, uh, chocolate rain. 55:54.581 --> 55:56.943 They've got him singing the lyrics and everything like that. 55:56.963 --> 55:59.645 That useless karate chap who keeps falling over. 55:59.705 --> 56:01.786 Yeah, and the Numa Numa man. 56:01.866 --> 56:03.087 I never understood that one. 56:03.167 --> 56:03.888 Don't understand that one. 56:04.008 --> 56:09.112 And the, and the, and the stressed out, uh, hamster, the sort of scary, threatening hamster. 56:09.272 --> 56:09.592 Yes. 56:10.512 --> 56:13.673 Uh, and the, the, um, Mentos and Coke guy? 56:13.693 --> 56:14.073 Yeah. 56:15.194 --> 56:16.634 Uh, never really understood that one either. 56:16.794 --> 56:17.794 Well, it's just an experiment. 56:17.814 --> 56:18.514 It's an experiment. 56:18.574 --> 56:18.734 Yeah. 56:18.754 --> 56:19.475 It's a fun experiment. 56:19.515 --> 56:19.855 Oh, yeah. 56:19.915 --> 56:22.215 But it's used to great effect in the video. 56:22.235 --> 56:23.516 It's a really entertaining video. 56:23.796 --> 56:26.556 Anyway, uh, we are in the middle of Texanation right now, ladies and gentlemen. 56:26.576 --> 56:29.517 We're asking you for your ideas for new Bond villains. 56:30.117 --> 56:31.178 And, uh, shall we play the jingle? 56:31.198 --> 56:32.218 Oh, yeah. 56:34.190 --> 56:35.230 Text, text, text. 56:35.370 --> 56:36.090 Text-a-nation. 56:36.150 --> 56:37.111 What if I don't want to? 56:37.371 --> 56:38.071 Text-a-nation. 56:38.171 --> 56:39.191 But I'm using email. 56:39.351 --> 56:40.091 Is that a problem? 56:40.111 --> 56:41.031 It doesn't matter, text. 56:42.772 --> 56:45.572 It's like having a little child in the studio. 56:45.652 --> 56:47.933 My wife hates it when I just laugh at everything you say. 56:47.953 --> 56:49.233 So don't you sound like a lemon. 56:50.873 --> 56:51.934 It's nice, it's nice. 56:51.974 --> 56:54.514 Joe usually sits there scowling at me and making faces. 56:54.594 --> 56:56.374 I just, it's your voice in that middle bit. 56:56.454 --> 56:57.275 It doesn't matter, text. 56:59.635 --> 57:01.556 Uh, so, we got some great ideas coming in here. 57:01.596 --> 57:04.097 Thank you very much to everyone who's texting the- and emailing. 57:04.278 --> 57:09.820 Uh, we do get so many that if we don't read yours out, it's- it's not a personal thing and we don't wanna physical fight with you. 57:10.201 --> 57:12.422 Uh, but we really appreciate all the messages that we get. 57:12.842 --> 57:14.403 Here's one from Daniel in Blackpool. 57:14.823 --> 57:19.005 He says, um, from the off, I can't think of a villain, but how about a henchman? 57:19.185 --> 57:20.486 Which is a good idea as well. 57:20.526 --> 57:24.468 You can- a henchman are allowed because they- He's the king of the henchman. 57:24.568 --> 57:24.668 Yeah. 57:24.708 --> 57:30.276 And who were those two slightly effeminate chaps who, um, were in- Oh, big cook, little cook. 57:33.881 --> 57:34.823 They were very similar. 57:36.565 --> 57:37.166 What were they called? 57:37.186 --> 57:37.907 They were deadly. 57:37.927 --> 57:38.908 They were a bit like Penn and Teller. 57:38.949 --> 57:40.210 One was small and good creep- 57:42.598 --> 57:45.499 Little Cook would be excellent henchmen in a Bond film. 57:45.899 --> 57:46.519 That's a very good idea. 57:46.539 --> 57:48.400 I'm sorry to my children if you're listening. 57:48.640 --> 57:51.221 Are they still obsessed with Big Cook or Little Cook? 57:51.301 --> 57:52.661 They still go down well in our house. 57:52.681 --> 57:53.381 People love it, man. 57:53.702 --> 57:56.042 You know, those two guys stand up comedians. 57:56.062 --> 57:59.864 In fact, I think they host a show on maybe NUTS TV or something. 57:59.884 --> 58:00.084 Oh, really? 58:00.104 --> 58:01.544 Oh, they do stuff outside of that show? 58:01.564 --> 58:03.525 Yeah, but they do grown up saucy stuff. 58:03.665 --> 58:04.145 Oh, really? 58:04.205 --> 58:04.405 Yeah. 58:04.545 --> 58:05.826 That would be weird for me to see. 58:05.926 --> 58:07.167 I don't like it when people do that. 58:07.187 --> 58:08.568 I think you stick to one thing, man. 58:08.588 --> 58:12.831 If you're gonna do kids TV and they do a great job doing it, then you do that. 58:12.851 --> 58:16.294 You're not allowed to swear and be weird and talk about women's totties and stuff like that. 58:16.854 --> 58:17.275 Not having it. 58:17.295 --> 58:21.658 Uh, so Daniel in Blackpool says, I can't think of a villain, but how about a henchman? 58:21.678 --> 58:28.723 My idea is for an eight-year-old orphan boy who performs complex and amazing stunts on a BMX bike to attack 007. 58:29.744 --> 58:31.966 His name, and this is the key bit, is Trick Nuts. 58:33.667 --> 58:34.528 Send in trick nuts. 58:34.889 --> 58:35.670 Send in trick nuts. 58:35.750 --> 58:36.191 Okay, bye. 58:36.211 --> 58:38.053 He's got a tool like that, hasn't he? 58:38.193 --> 58:38.714 Absolutely. 58:38.774 --> 58:38.954 Yeah. 58:39.215 --> 58:40.096 Daniel, thank you very much. 58:40.136 --> 58:41.117 That's an excellent idea. 58:41.137 --> 58:46.324 Uh, here, a few people, of course, have suggested Alan Sugar, uh, as being a Bond villain. 58:46.344 --> 58:48.687 Did you watch, um, The Apprentice, Garth? 58:48.767 --> 58:50.249 No, you see, I have a thing about The Apprentice. 58:50.269 --> 58:50.870 What's the problem? 58:51.010 --> 59:16.562 Well, I used to work, uh, as a teenager, there was a clothes shop up the road, I used to work in there, and I grew up in Essex, I'm an Essex boy, and Alan Sugar would come in with his naughty sons, and it was always when the boss of the shop had gone out, and he'd load up the table with all the shirts, matineeq, you know, all new man, and all that sort of stuff, and then he'd say, uh, the owner of the shop normally gives me about 20% discount, and I'd go, I'm sorry, I can't do the discounts unless he's here. 59:17.642 --> 59:19.003 He'd give me a hard time. 59:19.063 --> 59:21.445 And I remember thinking, I don't like you, Amstrad man. 59:22.025 --> 59:24.387 And then, actually, that's not why I don't watch the show. 59:24.427 --> 59:25.187 I'm sure he's good fun. 59:25.387 --> 59:26.068 Can you believe it? 59:26.108 --> 59:30.851 That's how you get rich and successful, man, is you just are a pain in the bottom all the time. 59:30.871 --> 59:30.991 Yeah. 59:31.011 --> 59:31.092 Yeah. 59:31.112 --> 59:31.852 A haggle with everyone. 59:31.872 --> 59:36.695 I remember thinking, wow, he's really, he's, he's good at this because I'm weak and I'm starting to sweat. 59:36.736 --> 59:37.576 Did you stand up to him though? 59:37.596 --> 59:38.317 Do you give him the discount? 59:38.337 --> 59:43.400 I couldn't give him the discount, but I would just have that awful, you know, it's like that computer says, no, I was just, I just went into that mode. 59:43.440 --> 59:45.121 So I can't, I'm sorry, I can't. 59:45.161 --> 59:47.183 So I can't, so I can't announce Neil's here. 59:47.443 --> 59:53.530 Well, um, Ben Lacy, who was listening with his wife in Palmer's Green, suggested Alan Sugar. 59:53.630 --> 59:54.091 Thanks for that. 59:54.131 --> 59:57.454 And also, uh, who is this down here? 59:57.855 --> 59:58.616 What about Alan Sugar? 59:58.656 --> 01:00:00.157 I'm just trying to see who this is from. 01:00:00.237 --> 01:00:03.121 It doesn't actually say... What about Alan Sugar as a Bond villain? 01:00:03.421 --> 01:00:04.122 You're fired! 01:00:04.322 --> 01:00:05.884 Of course he would say, because that's... 01:00:06.184 --> 01:00:07.685 what Alan Sugar says. 01:00:08.005 --> 01:00:12.408 And then, you know, he would be lowered down into a shark pool under the Amstrad office. 01:00:12.608 --> 01:00:14.410 And, of course, he's got sidekicks already. 01:00:14.590 --> 01:00:15.570 Very effective sidekicks. 01:00:15.590 --> 01:00:15.971 That's true. 01:00:16.351 --> 01:00:18.252 So he's got his henchmen in place and everything. 01:00:18.612 --> 01:00:22.695 And I like the... Everyone likes the idea of Daniel Craig just beating Alan Sugar. 01:00:22.875 --> 01:00:23.155 Yeah. 01:00:23.275 --> 01:00:23.736 Badly. 01:00:23.876 --> 01:00:24.556 Yeah, yeah, yeah. 01:00:24.776 --> 01:00:26.177 You know, giving him a bad beat. 01:00:26.217 --> 01:00:29.039 And then, of course, saying at the end, no, you're fired. 01:00:29.199 --> 01:00:30.500 Yeah, exactly. 01:00:30.600 --> 01:00:31.921 Or just pointing his finger. 01:00:31.941 --> 01:00:32.522 There you go. 01:00:32.542 --> 01:00:35.704 It's all about the... Like, somebody wrote a thing about somebody with, um... 01:00:36.545 --> 01:00:52.645 be turning out to be a gorilla and then bond saying Your bananas that's rubbish exactly, but I just you know I mean that might that's kind of thing might float in an Arnold Schwarzenegger film That's true, but not for bond bond that he does a better class of pun these days good I was just thinking with Alan sugar when he points his finger 01:00:53.406 --> 01:00:57.088 I could have a little bit, the tip of the finger could raise up and he's got like a little laser. 01:00:57.148 --> 01:00:58.989 You know what, they did that in the posters didn't they? 01:00:59.009 --> 01:01:01.451 They had it in the posters like it was a smoking gun, that finger. 01:01:01.471 --> 01:01:01.891 There you go. 01:01:01.931 --> 01:01:02.971 And he would actually do that. 01:01:03.011 --> 01:01:06.333 That's the thing, no one knows how he's shooting people but he says, you're fired, bang! 01:01:07.374 --> 01:01:08.594 That's an excellent idea. 01:01:08.915 --> 01:01:10.035 Yeah, I've got one here. 01:01:11.016 --> 01:01:13.297 It's, I don't know who it's, oh it's Graham from Inverness. 01:01:13.597 --> 01:01:14.998 Bond's own love child. 01:01:15.478 --> 01:01:20.801 Years of putting it about, come back tenfold to haunt 007 in the form of an evil teenager. 01:01:20.821 --> 01:01:21.641 That's a brilliant idea. 01:01:21.661 --> 01:01:22.442 It is a good one, isn't it? 01:01:22.702 --> 01:01:23.763 You've never loved me! 01:01:24.283 --> 01:01:25.024 That's a genius actor. 01:01:25.044 --> 01:01:25.965 He's an opera singer as well now. 01:01:26.005 --> 01:01:27.927 He's a West End musical. 01:01:27.967 --> 01:01:36.674 No, but that makes total sense because of course all those years of unprotected, you know, fun he was having with all the dirty agents. 01:01:36.754 --> 01:01:37.235 Yes. 01:01:37.295 --> 01:01:38.055 What's that film called? 01:01:38.075 --> 01:01:38.816 The Lady Agents? 01:01:39.136 --> 01:01:40.618 Let's just come out about the... Lady Agents? 01:01:40.658 --> 01:01:41.678 Yeah, have you not seen the posters? 01:01:41.698 --> 01:01:42.419 No, you're lying. 01:01:42.779 --> 01:01:44.020 With all... Lady Agents. 01:01:44.060 --> 01:01:44.521 Beautiful. 01:01:44.821 --> 01:01:46.963 It's called something like The Lady Agents. 01:01:47.263 --> 01:01:47.604 Really? 01:01:47.664 --> 01:01:48.004 Yeah. 01:01:48.304 --> 01:01:49.765 Or The Sexy Agents or the... 01:01:50.626 --> 01:02:18.849 the female agents that's that's technically females are ladies though right i mean i think they should have called it the lady agents but there you go maybe it would have sounded more like a kind of feminine hygiene product but it looks like a good film no i'm all for that well done graven in venice here's one more before we play some more music we'll read out some more of these later on this is from paul armstrong in norwich yo yo yo norwich keep it real he hasn't written that i'm just saying that to all my peeps and not 01:02:21.071 --> 01:02:26.574 My idea for a Bond villain is an amazing chess grand master. 01:02:26.915 --> 01:02:27.475 Good idea. 01:02:27.755 --> 01:02:29.537 Who is a master strategist, you see? 01:02:29.577 --> 01:02:29.897 Brilliant. 01:02:30.197 --> 01:02:33.860 And he uses his strategism skills to kill all the horses? 01:02:35.583 --> 01:02:35.923 Oh, I see. 01:02:36.124 --> 01:02:39.927 Kill all horses, knock down castles, and defrock all bishops. 01:02:40.187 --> 01:02:42.689 So it's all chess-based violence that he's meeting out here. 01:02:42.709 --> 01:02:43.489 Oh, I see. 01:02:44.130 --> 01:02:48.033 You know, any kind of chess-based dastardly deeds is what this guy would be into. 01:02:48.413 --> 01:02:53.017 And we would definitely have a tense chess scene between the white bishop and Bond. 01:02:53.217 --> 01:02:56.260 The white bishop would be the name of the villain, you see, says Paul. 01:02:57.060 --> 01:03:02.485 And just like, it would be just like the poker bit in Casino Royale, very tense chess off. 01:03:03.065 --> 01:03:04.646 And there'd be lots of- That's what they could call the film. 01:03:05.106 --> 01:03:05.586 Chess Off. 01:03:06.347 --> 01:03:07.127 Tense Chess Off. 01:03:07.187 --> 01:03:07.407 Yes. 01:03:07.887 --> 01:03:08.868 Or Checkmate. 01:03:08.908 --> 01:03:10.529 Well, maybe Exact Checkmate is nice. 01:03:10.569 --> 01:03:12.270 Maybe the guy's name could be Chess Off. 01:03:12.710 --> 01:03:13.930 Yes. 01:03:14.130 --> 01:03:14.991 Vladimir Chess Off. 01:03:15.251 --> 01:03:15.731 Or Check. 01:03:15.831 --> 01:03:17.792 And you'd go, oi, Checkmate. 01:03:17.872 --> 01:03:18.553 No, it doesn't quite work. 01:03:18.613 --> 01:03:19.253 I'll work on that one. 01:03:19.273 --> 01:03:19.713 I'll come back to you. 01:03:19.733 --> 01:03:20.714 You film the Czech Republic. 01:03:20.754 --> 01:03:20.934 Yes. 01:03:21.574 --> 01:03:24.756 And of course it says, Paul, there's lots of scope for Bond puns. 01:03:25.596 --> 01:03:29.178 Perhaps not including, he should have spent more time watching his porn. 01:03:30.758 --> 01:03:32.339 Or I certainly bash the bishop. 01:03:32.539 --> 01:03:33.559 No, they wouldn't have that one. 01:03:33.579 --> 01:03:34.340 That's terrible. 01:03:34.420 --> 01:03:35.520 That's a disgrace. 01:03:35.920 --> 01:03:37.581 But thank you very much for that one Paul. 01:03:37.941 --> 01:03:39.662 Right now folks, here's some music for you. 01:03:39.682 --> 01:03:40.322 I've chosen this. 01:03:40.722 --> 01:03:41.462 This is a band. 01:03:41.542 --> 01:03:45.884 I would say they are maybe one of the most maligned bands in the rock pantheon. 01:03:46.044 --> 01:03:47.244 It doesn't get better than this band. 01:03:47.264 --> 01:03:51.426 I'm talking about the Electric Light Orchestra and for many they are a byword for sort of 01:03:51.986 --> 01:03:53.046 just crappy music. 01:03:53.446 --> 01:03:55.387 But I heartily disagree. 01:03:55.547 --> 01:03:56.427 They're amazing. 01:03:56.727 --> 01:03:57.947 And they are great. 01:03:57.967 --> 01:03:58.767 Especially this one. 01:03:58.787 --> 01:03:59.608 This is well chosen. 01:03:59.628 --> 01:04:03.028 Well, this is a weird, interesting case in point, because it's Living Thing by ELO. 01:04:03.388 --> 01:04:04.789 And it's like the perfect song. 01:04:04.909 --> 01:04:09.290 But I would say that maybe the chorus is a little rubbish, or maybe if you... Oh no, it's not. 01:04:09.370 --> 01:04:12.230 If you substituted the lyrics Living Thing for something else. 01:04:12.270 --> 01:04:14.011 The living thing is a little bit naffed, you know? 01:04:14.371 --> 01:04:15.971 Well, I never questioned it till now. 01:04:16.291 --> 01:04:17.451 But this is nitpicking. 01:04:17.471 --> 01:04:18.232 But what an intro. 01:04:18.312 --> 01:04:19.572 This is how you start a record. 01:04:19.592 --> 01:04:20.252 Yeah, let's hear it. 01:04:20.652 --> 01:04:22.674 That's Neon Neon, a.k.a. 01:04:22.734 --> 01:04:32.025 Gruffery's from Super Furry Animals, and that track is called I Told Her on Alderaan, which is of course Princess Leia's home planet, as Garth pointed out. 01:04:32.265 --> 01:04:32.526 Yes. 01:04:33.527 --> 01:04:36.470 Yeah, which gets blown up by Governor Tuck. 01:04:38.067 --> 01:04:40.108 I recognized your foul stench. 01:04:40.608 --> 01:04:41.409 Peter Cushing. 01:04:41.429 --> 01:04:43.450 I mean, he's one of the great villains, of course, we're talking about. 01:04:43.470 --> 01:04:44.651 You couldn't do CGI with that guy. 01:04:44.671 --> 01:04:47.472 We're gonna read some more of your texts, uh, shortly. 01:04:47.712 --> 01:04:51.794 Keep them coming in on the subject of Bond Villains, which is our Text the Nation subject. 01:04:52.335 --> 01:04:54.216 This week we've got some very good ones coming in. 01:04:54.256 --> 01:04:54.656 Brilliant. 01:04:54.876 --> 01:04:59.018 And someone has just sent a message saying that apparently Lou Reed is on Jonathan Ross's show. 01:04:59.178 --> 01:05:00.219 I mean, I probably shouldn't say that. 01:05:00.299 --> 01:05:01.000 Don't turn over. 01:05:01.040 --> 01:05:02.160 Don't want people turning over. 01:05:02.180 --> 01:05:03.241 He's not talking or anything. 01:05:03.261 --> 01:05:03.842 He's just there. 01:05:03.982 --> 01:05:05.843 You can do Listen Again for Jonathan's show. 01:05:05.863 --> 01:05:08.125 Listen to us live and listen again for Jonathan. 01:05:08.525 --> 01:05:12.808 But that would be pretty wild if I bumped into Grumpy Lou Reed, wouldn't it? 01:05:12.868 --> 01:05:13.169 Yeah. 01:05:13.489 --> 01:05:15.911 I mean, he's got to be one of the scariest figures in rock. 01:05:16.491 --> 01:05:18.072 Especially if you go in there really happy. 01:05:18.713 --> 01:05:18.773 Hey! 01:05:18.873 --> 01:05:20.414 What do you think he's gonna make of Jonathan? 01:05:20.454 --> 01:05:21.455 I wonder if they've met before. 01:05:22.176 --> 01:05:24.238 Umm... Hasn't Jonathan met everyone now? 01:05:24.338 --> 01:05:25.178 He probably has. 01:05:25.279 --> 01:05:25.499 Yes. 01:05:25.759 --> 01:05:31.504 I w- cause you don't know with someone like Lou Reed he might find Jonathan extremely funny or he might just decide I'm not having this. 01:05:31.684 --> 01:05:34.446 Does he still wear those flip-up sunglasses? 01:05:34.726 --> 01:05:36.328 He's looking very good at the moment. 01:05:36.348 --> 01:05:36.868 Yes. 01:05:36.908 --> 01:05:55.843 Yeah, he's because he went through a phase in the 80s of looking like an absolute lunatic and he had a kind of big mad afro and Stupid big aviator shades and he wore kind of last-grade American whale that song I remember that time he was wearing those right some and you're like, what are you talking about? 01:05:55.863 --> 01:05:56.183 No, I remember 01:05:56.223 --> 01:05:57.863 That was one of the good songs though, do you remember? 01:05:57.883 --> 01:05:58.063 Yeah. 01:05:58.083 --> 01:05:59.244 My red joystick. 01:05:59.824 --> 01:06:00.784 My red joystick. 01:06:01.124 --> 01:06:04.805 All I'm asking you to leave me is my red joystick. 01:06:05.385 --> 01:06:06.285 That's good stuff. 01:06:06.345 --> 01:06:08.266 That was one of his barrel-scraping numbers. 01:06:09.166 --> 01:06:10.546 But no, he looks amazing at the moment. 01:06:10.586 --> 01:06:14.047 I guess he's in town to promote these Berlin concerts he's doing. 01:06:14.207 --> 01:06:16.168 Like he's playing the whole of his album Berlin. 01:06:16.528 --> 01:06:16.748 Right. 01:06:16.848 --> 01:06:17.668 Apparently it's amazing. 01:06:17.688 --> 01:06:21.769 He's been doing it around the world and it's supposed to be good, so... Is Danger Mouse working on that one? 01:06:22.069 --> 01:06:22.469 Surely. 01:06:22.689 --> 01:06:22.869 Yeah. 01:06:22.929 --> 01:06:23.590 You would think so. 01:06:23.730 --> 01:06:24.470 Maybe Penfold. 01:06:25.370 --> 01:06:38.793 If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T- If T 01:06:46.105 --> 01:06:47.327 Oh, Texas Midnight Runners. 01:06:47.547 --> 01:06:48.027 From, no. 01:06:49.148 --> 01:06:49.889 That's Kevin Rowland. 01:06:50.209 --> 01:06:50.570 Oh, yeah. 01:06:50.650 --> 01:06:53.372 Kevin Bishop is one for the... I was just my mum for a second there. 01:06:53.432 --> 01:06:55.134 For our younger audience who watch Star Stories. 01:06:55.154 --> 01:06:58.057 He's one of the stars of Channel 4's successful Star Stories. 01:06:58.437 --> 01:06:59.098 He's very talented. 01:06:59.458 --> 01:07:10.829 Anyway, he's a nice guy and I worked with him a long time ago and he was doing this filming job out in Spain and he went to this festival called Benica Seem there. 01:07:11.409 --> 01:07:12.410 And he was telling me all about it. 01:07:12.430 --> 01:07:13.151 He said it was amazing. 01:07:13.171 --> 01:07:17.734 I was in the backstage area and I ran into Lou Reed who was playing at Benny Cassine that year. 01:07:18.475 --> 01:07:24.239 And he said, and Lou Reed had seen the show that we did together, which was called The Last Chances. 01:07:24.279 --> 01:07:27.362 It was about a terrible band in Brighton. 01:07:27.802 --> 01:07:30.703 And Kevin Bishop said, yeah, Lou Reed had seen The Last Chances. 01:07:30.743 --> 01:07:32.204 What are the, you know, can you believe it? 01:07:32.224 --> 01:07:34.605 And I was like, no, how would he see The Last Chances? 01:07:34.625 --> 01:07:39.986 He said, oh, you know, he saw it on DVD or something, the BBC sent him a copy and he saw it and he said he loved it. 01:07:40.287 --> 01:07:41.847 He said it was one of the best things he'd ever seen. 01:07:41.887 --> 01:07:44.948 And he said, you've absolutely captured what it's like being in a band. 01:07:44.968 --> 01:07:46.429 I was like, you are joking. 01:07:46.469 --> 01:07:47.349 This is amazing. 01:07:47.609 --> 01:07:51.010 I was on a high for like months until I bumped into Kevin Bishop again. 01:07:51.050 --> 01:07:52.991 And I was like, I still can't believe about Lou Reed. 01:07:53.011 --> 01:07:55.152 And he's like, oh, man, I was just winding you up. 01:07:55.832 --> 01:07:57.193 Oh, no! 01:07:57.393 --> 01:08:00.776 Of course Lou Reed hasn't seen- He said no one saw the last chances! 01:08:00.796 --> 01:08:02.057 Why would Lou Reed see it? 01:08:02.157 --> 01:08:03.238 That's appalling! 01:08:03.738 --> 01:08:06.600 And I was genuinely furious with him for ages. 01:08:06.620 --> 01:08:07.321 Did you fight him? 01:08:07.361 --> 01:08:09.262 Like, you know, I know how you're going to blow a punch. 01:08:09.302 --> 01:08:11.104 I just said, what a- You're a prat! 01:08:11.284 --> 01:08:14.386 Do you know how happy it made me that Lou Reed had seen a show that I'd done? 01:08:14.466 --> 01:08:14.706 Yeah. 01:08:14.786 --> 01:08:15.787 And it was a lie! 01:08:16.047 --> 01:08:17.248 I hate you, Kevin Bishop. 01:08:17.268 --> 01:08:18.469 You're not funny in any way. 01:08:18.509 --> 01:08:18.889 Yeah, I know. 01:08:18.929 --> 01:08:21.091 And sparse boys is a load of old poo. 01:08:21.391 --> 01:08:24.334 And I'm never gonna listen to Dexie's Midnight Runners every day. 01:08:26.156 --> 01:08:28.198 Now, we've dug out your Lamb Chop track, Garth. 01:08:28.418 --> 01:08:29.159 Thanks, everyone. 01:08:29.199 --> 01:08:39.069 And before you play this, I should say as well, folks, if you've never seen the video for this as well, you should look up Is a Woman by Lamb Chop on YouTube, because it is a beautiful... 01:08:39.329 --> 01:08:47.832 It's one of the best videos ever made, and it's for a track I would never even touch as far as a video, because I wouldn't be able to think of anything that could go, that could compliment such a lovely song. 01:08:48.112 --> 01:08:53.374 But they, the boys from Shinola, the amazing Shinola, have made a video for it, it's incredible, but... 01:08:54.494 --> 01:08:55.115 Shall we hear why? 01:08:55.135 --> 01:08:55.435 Yeah. 01:08:55.595 --> 01:08:56.896 This is Is A Woman by Lambchop. 01:08:57.516 --> 01:08:58.197 Ooh, it's a peach. 01:08:59.258 --> 01:09:00.098 Take a bite of peach. 01:09:00.579 --> 01:09:01.319 That's delicious. 01:09:01.459 --> 01:09:02.020 Lambchop. 01:09:02.600 --> 01:09:03.481 What's the name of that album? 01:09:03.601 --> 01:09:04.582 It's called Is A Woman, isn't it? 01:09:04.702 --> 01:09:04.902 Yeah. 01:09:05.623 --> 01:09:07.924 It's just the perfect song for a day like this, don't you think? 01:09:07.964 --> 01:09:16.291 Yeah, and that song also, that album also contains the track My Blue Wave that we played a few weeks ago here, and that is similarly amazing. 01:09:16.631 --> 01:09:18.533 Ah, you've got to get that album if you don't have it, listeners. 01:09:18.613 --> 01:09:19.233 It's a smash. 01:09:19.273 --> 01:09:21.075 What strange lyrics on there as well. 01:09:21.855 --> 01:09:22.416 CURT! 01:09:23.478 --> 01:09:24.340 Yeah, what does he say? 01:09:24.680 --> 01:09:29.328 What the heck is he talking about there? 01:09:29.348 --> 01:09:34.317 He's trying to make it whole, with everybody here, more than a Sony, to make the words throw up. 01:09:36.369 --> 01:09:38.190 Uh, don't know what it was. 01:09:38.411 --> 01:09:40.012 You see, the trouble is you read it out now. 01:09:40.292 --> 01:09:41.973 You start to take away a little bit of the magic. 01:09:42.013 --> 01:09:42.554 You do. 01:09:42.774 --> 01:09:45.295 You remove a- Can you pop the magic, Mac, please? 01:09:45.676 --> 01:09:46.536 Thank you very much! 01:09:46.636 --> 01:09:47.137 Thank you! 01:09:47.657 --> 01:09:49.498 Now, we are in the midst of text-a-nation. 01:09:49.518 --> 01:09:51.099 Oh, yeah! 01:09:51.800 --> 01:09:52.621 Text-a-nation! 01:09:52.681 --> 01:09:53.721 Text, text, text! 01:09:53.861 --> 01:09:54.582 Text-a-nation! 01:09:54.662 --> 01:09:55.643 What if I don't want to? 01:09:55.863 --> 01:09:56.583 Text-a-nation! 01:09:56.703 --> 01:09:57.704 But I'm using email. 01:09:57.844 --> 01:09:58.605 Is that a problem? 01:09:58.625 --> 01:09:59.365 It doesn't matter, text! 01:09:59.385 --> 01:10:00.086 Stop popping your legs again. 01:10:02.560 --> 01:10:04.462 Sorry, did that go out on air what I just said? 01:10:04.482 --> 01:10:04.742 Yes. 01:10:05.002 --> 01:10:05.462 Oh, sorry. 01:10:05.522 --> 01:10:06.203 It all goes out. 01:10:06.223 --> 01:10:09.105 Are you touching Claire's legs? 01:10:09.205 --> 01:10:12.668 No, my cord of my headphone is wrapped up in your legs. 01:10:12.688 --> 01:10:13.169 Yeah, yeah. 01:10:13.329 --> 01:10:13.989 That's what they all say. 01:10:14.009 --> 01:10:14.450 Come on. 01:10:15.150 --> 01:10:16.811 Seriously, it's yanking on my ears. 01:10:17.072 --> 01:10:17.412 Okay. 01:10:17.452 --> 01:10:18.353 Okay, now we're sorted. 01:10:18.373 --> 01:10:22.456 Now, we've asked you listeners to send in your ideas for new Bond villains. 01:10:22.516 --> 01:10:24.097 What is the name of the new Bond film? 01:10:24.618 --> 01:10:25.699 The Quantum of Solace. 01:10:25.919 --> 01:10:26.279 Solace. 01:10:26.519 --> 01:10:27.100 Solace. 01:10:27.120 --> 01:10:27.300 Is it? 01:10:27.340 --> 01:10:29.342 Add your own reverb at the end every time you say it. 01:10:29.822 --> 01:10:30.062 Right. 01:10:32.245 --> 01:10:40.361 And someone Laura has texted in surely Jillian Mckeith would be a great bond villain just spiking people with her scrawny body 01:10:44.613 --> 01:10:46.834 people don't like scrawny. 01:10:47.014 --> 01:10:49.214 It's like Sarah Jessica Parker, you know, she's one of those people. 01:10:49.715 --> 01:10:55.496 There's a huge amount of unreasonable antipathy towards poor old Sarah Jessica Parker, because she is a scrawny woman. 01:10:55.556 --> 01:11:00.258 I don't know if she engineers it by exercising too much, but she certainly is a kind of scrawny person. 01:11:00.318 --> 01:11:03.478 People have a very low tolerance for the scrawny these days, you know what I mean? 01:11:03.498 --> 01:11:05.079 They just think you're scrawny. 01:11:05.379 --> 01:11:05.879 Look at you! 01:11:06.119 --> 01:11:07.100 You're scrawny! 01:11:07.440 --> 01:11:08.281 It's a disgrace! 01:11:08.641 --> 01:11:10.162 You know, they love thin people. 01:11:10.182 --> 01:11:10.862 That's great. 01:11:10.882 --> 01:11:11.963 Thin models, whatever. 01:11:12.183 --> 01:11:14.944 But you've got to keep it on the right side of scrawny if you get into the scrawny world. 01:11:14.964 --> 01:11:16.625 They start seeing ligaments coming through. 01:11:16.645 --> 01:11:17.766 That's right. 01:11:18.126 --> 01:11:18.886 That's not good. 01:11:21.528 --> 01:11:22.168 They're on to you. 01:11:22.288 --> 01:11:22.948 They're not having it. 01:11:23.169 --> 01:11:23.589 Oh, golly. 01:11:23.609 --> 01:11:25.110 What should I say? 01:11:27.911 --> 01:11:33.740 Uh, people have suggested as well, Trini and Susanna, uh, similar sort of thing, you know, as, as villains. 01:11:34.081 --> 01:11:43.234 They could be good henchmen, and someone has reminded us that the Bond henchmen we were talking about earlier on, they, they, who had the slightly effeminate relationship, were called Mr. Kid and Mr. Wint. 01:11:43.795 --> 01:11:44.736 What on earth was that? 01:11:44.756 --> 01:11:45.596 Do you remember them? 01:11:45.616 --> 01:11:47.477 What film was that? 01:11:47.597 --> 01:11:48.577 Is that Sean Connery? 01:11:48.597 --> 01:11:51.078 I think it was one of the Sean Connery ones, yeah. 01:11:51.098 --> 01:11:53.519 I can't help when you say Sean Connery. 01:11:53.559 --> 01:11:55.160 How would you do a Daniel Craig impression? 01:11:55.840 --> 01:11:58.021 I don't know. 01:11:58.281 --> 01:11:58.802 It's not so easy. 01:11:58.822 --> 01:11:59.322 He's very good. 01:11:59.502 --> 01:12:00.903 In fact, I wouldn't do a voice. 01:12:01.103 --> 01:12:01.823 I'd do a face. 01:12:02.083 --> 01:12:02.683 He's craggy. 01:12:02.943 --> 01:12:04.244 You'd do your best craggy face. 01:12:04.884 --> 01:12:06.365 My mum says, he's too craggy. 01:12:06.805 --> 01:12:07.626 I think he's brilliant. 01:12:08.046 --> 01:12:09.887 But he's attractive though. 01:12:09.967 --> 01:12:11.227 Look at the body on that man. 01:12:11.247 --> 01:12:11.767 Oh my goodness. 01:12:11.907 --> 01:12:13.008 When he gets out of the water. 01:12:13.528 --> 01:12:14.429 Hi, Adam and Garth. 01:12:14.689 --> 01:12:16.271 Hello, Liz. 01:12:16.531 --> 01:12:22.736 My new Bond villain is a dysfunctional town planner who creates spaces designed to make people angry. 01:12:23.137 --> 01:12:24.037 That's a good idea. 01:12:24.838 --> 01:12:28.721 The world's major cities are flooded by tsunamis of rage. 01:12:29.362 --> 01:12:38.190 Bond's implacable suavity enables him to create little oases of calm and sexy repartee so that the builders can redevelop. 01:12:38.730 --> 01:12:41.211 It's sort of insane, Liz, why you've sent us there. 01:12:41.572 --> 01:12:48.275 But I like the idea, I like the idea of town planners, because they are a good, you know, focus of people's rage, aren't they? 01:12:48.315 --> 01:12:51.637 And they're on a position of immense power, and they abuse it all too often. 01:12:51.657 --> 01:12:52.317 Let's face it. 01:12:52.617 --> 01:12:54.618 CARBUNCLES THEY'RE CREATING OF! 01:12:54.658 --> 01:12:55.559 CARBUNCLES! 01:12:56.599 --> 01:12:57.480 Have you got any there? 01:12:57.800 --> 01:13:02.545 I haven't got any that I want to read, uh, without being slapped. 01:13:02.605 --> 01:13:03.706 Because there's some dirty ones. 01:13:03.786 --> 01:13:04.467 Do dirty! 01:13:04.927 --> 01:13:06.589 Um, um, but there's some good ones. 01:13:06.929 --> 01:13:11.814 Um, how about, well, one guy just wants, he thinks his children are so annoying that they'd be perfect bon-villains. 01:13:12.275 --> 01:13:13.256 Well, it would be nice. 01:13:13.276 --> 01:13:14.657 Did you say villains there? 01:13:14.977 --> 01:13:15.418 Villains. 01:13:15.938 --> 01:13:16.899 Is that not what they're called? 01:13:16.919 --> 01:13:17.320 Bon-villains. 01:13:17.600 --> 01:13:18.701 I thought they'd call him around my house. 01:13:19.402 --> 01:13:20.143 He's a dirty vellum. 01:13:20.343 --> 01:13:21.544 Oh, look at how he's a dirty vellum. 01:13:22.225 --> 01:13:24.307 Well, here's one more for you right now for the time being. 01:13:24.527 --> 01:13:26.669 Michelle and Al, thank you Michelle and Al for this. 01:13:26.789 --> 01:13:28.010 Jeremy Kyle, obviously. 01:13:28.031 --> 01:13:30.093 I mean, that was staring us right in the face. 01:13:30.233 --> 01:13:38.281 As a brilliant Bond villain, he practices mind control on his guests and he creates an army of single moms and pinch-drinking women. 01:13:38.801 --> 01:13:47.968 and they vote for him to become an evil Prime Minister and then he rules Britain and he rules over a Britain of filthy fun. 01:13:48.393 --> 01:13:50.694 Do you think, uh, what kind of gadget could he have, though? 01:13:50.714 --> 01:13:52.715 Because all these guys have got to have their quirky gadgets. 01:13:52.755 --> 01:13:55.196 He would, uh, lie detector. 01:13:55.216 --> 01:13:56.237 The laser lie detector. 01:13:56.337 --> 01:13:56.557 Yep. 01:13:56.797 --> 01:14:01.939 And he would carry it around with him and he would just do lie detector tests on all the heads of state. 01:14:02.020 --> 01:14:02.260 Good. 01:14:02.680 --> 01:14:04.341 And, uh, they would always fail. 01:14:04.521 --> 01:14:08.983 He could have a microphone that when he holds it under your mouth for you to speak, you just start to cry. 01:14:09.543 --> 01:14:12.565 And you can't stop, and that's how he gets Bond in the end, cos Bond's all tough. 01:14:12.965 --> 01:14:20.150 Or, the top of, again, the top of the microphone flips off, and just a big knife comes through the end while he's talking to people. 01:14:20.751 --> 01:14:24.013 Er, thank you very much for all your, erm, suggestions thus far. 01:14:24.253 --> 01:14:26.154 We'll wrap up Text the Nation shortly, I think. 01:14:26.174 --> 01:14:31.378 This is the Adam and Jo Show here on BBC 6 Music, with Garth filling in for a ailing Jo. 01:14:31.858 --> 01:14:34.839 although I hear he's going to be back with us next week when we're in Glastonbury. 01:14:35.179 --> 01:14:37.259 I think we've got a Glastonbury trail here, don't we? 01:14:37.299 --> 01:14:38.040 This is exciting. 01:14:38.400 --> 01:14:38.780 Here it is. 01:14:38.800 --> 01:14:42.941 A little bit of shouting in the background there from the unruly lady from the arcade file. 01:14:42.961 --> 01:14:44.421 That was Neighbourhood No. 01:14:45.181 --> 01:14:46.482 2 brackets Laika. 01:14:47.282 --> 01:14:49.082 Now it's time to wrap up Text the Nation. 01:14:49.122 --> 01:14:56.444 Thank you so much for all your texts and emails on the subject of new Bond villains, and here's just a couple more before we conclude Text the Nation this week. 01:14:58.104 --> 01:14:58.644 Let's see. 01:14:59.105 --> 01:15:00.585 Alex in Shrewsbury says, Bond villain. 01:15:01.065 --> 01:15:03.126 a giant cat with a little man on her lap. 01:15:04.706 --> 01:15:05.586 That's terrific. 01:15:06.066 --> 01:15:07.546 That's my favourite idea already. 01:15:07.726 --> 01:15:08.987 That's a very good one, isn't it? 01:15:09.167 --> 01:15:09.367 Yeah. 01:15:09.387 --> 01:15:10.087 Thanks a lot, Alex. 01:15:11.007 --> 01:15:14.768 Someone else says, this is anonymous, Joe Wiley is definitely a good villain. 01:15:15.508 --> 01:15:20.689 You can have her with eyes that slowly sink into her head when she's in deep evil plan making mode. 01:15:21.069 --> 01:15:21.950 That's good too. 01:15:22.050 --> 01:15:23.690 I still love the giant cat. 01:15:24.230 --> 01:15:24.510 I know. 01:15:24.590 --> 01:15:25.690 I love Jo Wylie anyway. 01:15:25.891 --> 01:15:26.071 Yeah. 01:15:26.431 --> 01:15:30.852 Um, so, uh, but yes, there's something, there's something glacial about her, I suppose. 01:15:30.912 --> 01:15:31.912 Her and Cake Blanket. 01:15:32.552 --> 01:15:32.912 Uh, you know? 01:15:32.972 --> 01:15:33.253 Yes. 01:15:33.473 --> 01:15:38.054 They, they're, they're sort of, I mean, she's the villain in the, uh, in the Indiana Jones film, isn't she? 01:15:38.214 --> 01:15:38.794 Cake Blanchett. 01:15:38.814 --> 01:15:39.634 Yes, I haven't seen it, though. 01:15:39.914 --> 01:15:45.016 And I guess she'd make a good villain, because she is, uh, she's beautiful, but beautiful, beautiful. 01:15:45.196 --> 01:15:45.596 Ice cold. 01:15:46.336 --> 01:15:47.637 Um, and, uh, let's see. 01:15:48.458 --> 01:15:49.739 That's another one written down here. 01:15:50.380 --> 01:15:50.720 Somewhere. 01:15:50.860 --> 01:15:51.120 Oh, yes. 01:15:51.260 --> 01:15:51.881 Here we go. 01:15:51.921 --> 01:15:52.662 This is the final one. 01:15:53.262 --> 01:15:54.403 Um, again, anonymous. 01:15:54.623 --> 01:15:58.046 Bond villain, old lady who's knitting a scarf to wrap around the world. 01:15:58.746 --> 01:15:59.867 That's ridiculous. 01:16:00.368 --> 01:16:02.269 You know, she's gonna wrap it. 01:16:02.289 --> 01:16:03.831 Oh, that is, why did I even read that one? 01:16:03.871 --> 01:16:04.851 That was really crazy. 01:16:04.991 --> 01:16:05.972 I'm insane. 01:16:06.853 --> 01:16:11.917 And then, and then off the subject of Bond villains, we were talking about, uh, flies earlier on. 01:16:11.957 --> 01:16:15.220 Someone said, I found a dead fly at the bottom of my tortellini and threw up. 01:16:15.800 --> 01:16:17.864 Yes, it's not nice finding dead things in your food. 01:16:17.904 --> 01:16:20.549 That's different though to having a fly just sort of scoop past. 01:16:21.226 --> 01:16:26.530 But anyway, thank you very much indeed for all your texts and emails for Text the Nation this week. 01:16:26.991 --> 01:16:29.453 And now, Garth, we have another music choice from you, I think. 01:16:29.593 --> 01:16:30.574 Yeah, another laid-back one. 01:16:30.594 --> 01:16:32.075 This is The Rip by Portishead. 01:16:32.415 --> 01:16:34.197 That is both grills and skills, isn't it? 01:16:34.477 --> 01:16:35.277 I love that song. 01:16:35.317 --> 01:16:36.599 The Rip by Portishead. 01:16:36.659 --> 01:16:41.923 And Garth was mentioning this, Johnny Greenwood and Tom York doing a version of that song up online. 01:16:42.243 --> 01:16:42.824 Yeah, go and see. 01:16:42.844 --> 01:16:43.324 It's lovely. 01:16:43.464 --> 01:16:44.625 On their website, I think. 01:16:45.266 --> 01:16:47.828 Right now, this is BBC Six Music and it's time for the news. 01:17:03.130 --> 01:17:10.073 Song Wars, a reminder of Song Wars this week and before that of course you heard the Danny Warhols, the acceptable face of the Danny Warhols. 01:17:10.313 --> 01:17:11.193 I like the Danny Warhols. 01:17:11.233 --> 01:17:13.994 With Get Off, that's got to be one of their best tracks though surely. 01:17:14.575 --> 01:17:29.001 And Song Wars this week, Garth and I challenge, because Joe is away if you've just tuned in listeners, he's ill, he's got the shingles, can't stop shingling and our challenge this week was to write in his honour a song about being ill. 01:17:29.461 --> 01:17:33.766 Garth had hay fever and I had a cold this week so we both wrote songs about those conditions. 01:17:34.467 --> 01:17:36.329 Now Garth, you went first last time. 01:17:36.349 --> 01:17:36.809 I did. 01:17:36.969 --> 01:17:39.953 So I will go first this time if that's okay, Jude. 01:17:40.313 --> 01:17:41.915 This is my song about having the flu. 01:17:47.523 --> 01:17:52.587 It started yesterday, there was a tickle in my throat, and I coughed. 01:17:53.207 --> 01:18:03.115 But it didn't go away, and when I coughed again, I felt a small amount of pain ripple gently through the muscles in my limbs and chest. 01:18:03.515 --> 01:18:11.021 I thought I know what's best, I'll drink a pint of echinacea, have a bath, and snort a line of vitamin C. 01:18:11.821 --> 01:18:41.324 Oh how happy I will be I will chew the yummy orange pills And they will sort out all my chills Hey look at me, I'm eating vitamin C I've eaten much too much, oh dear And now I can't get off the lavatory I've got chills, they're multiplying And now I'm losing the will to go to work I'll phone in sick and they'll think that I'm just faking it And then I'll take some pills and I'll climb into bed 01:18:41.985 --> 01:18:51.226 Look, I'm in bed, it's the day but I'm in bed I'm going to catch up on some reading and some dull but worthy DVDs I've got tissues 01:18:55.942 --> 01:19:17.412 Somebody help me please When I get better, I'm going to make some changes I'm never going to drink or smoke a single thing again I've got the flu and I want you to sympathize Just look into my eyes They're all streaming in red and I'm in bed And I can't get up cause my muscles hurt 01:19:18.532 --> 01:19:20.913 Oh dear, dear E.M.E. 01:19:21.133 --> 01:19:40.741 I've got a cold and untold, it's a peculiar strain It makes your hands feel balloony, it plays tricks on your brain You get a tune in your head and it plays on a loop Round and round and round and round I've got the fun from a woman who's sneezing at night 01:19:41.121 --> 01:19:41.962 And it fades out. 01:19:42.602 --> 01:19:46.766 My inspiration was Sid Barrett there, I was trying to do like a kind of a Sid Barrett voice. 01:19:46.886 --> 01:19:48.407 It works, it sounds like an ill voice. 01:19:48.628 --> 01:19:48.868 Yeah. 01:19:49.048 --> 01:19:49.508 I like it. 01:19:50.149 --> 01:19:50.749 It's a good one. 01:19:51.050 --> 01:19:51.870 Thanks very much, man. 01:19:51.970 --> 01:19:54.092 It's a, it's a battle we're fighting this week. 01:19:54.152 --> 01:19:57.255 As you said, there's a lot of sections, the sections don't necessarily fit together. 01:19:57.295 --> 01:19:58.316 No, but they give you that lift. 01:19:58.476 --> 01:19:58.776 Yeah. 01:19:58.796 --> 01:20:01.518 Vitamin C, you get the lift and everything. 01:20:01.558 --> 01:20:07.782 Did you know that though, if you took, at one time when I had a cold, I dosed up on way too many vitamin C tablets. 01:20:07.842 --> 01:20:08.042 Right. 01:20:08.483 --> 01:20:10.364 And it goes right through you. 01:20:10.484 --> 01:20:12.365 I mean, it opens up the sluices at both ends. 01:20:13.666 --> 01:20:16.828 You better watch out because it's- I hope you're enjoying your scrambled eggs, everyone. 01:20:16.948 --> 01:20:18.229 They're not sweeties, folks. 01:20:18.249 --> 01:20:19.970 You can't just neck those vitamin C tablets. 01:20:20.070 --> 01:20:21.071 Anyway, Garth, your song. 01:20:21.371 --> 01:20:22.812 Ah, it's called, uh, Hay Fever. 01:21:19.170 --> 01:21:20.074 My baby sees it 01:21:44.339 --> 01:21:49.610 That works for me And there's a problem to say Even though we're sleeping just now 01:22:22.634 --> 01:22:24.797 You've got proper choruses in there and everything. 01:22:24.837 --> 01:22:25.818 Well, it's Song Wars. 01:22:26.359 --> 01:22:27.781 The War of the Songs. 01:22:28.021 --> 01:22:30.765 Yeah, but... I mean, you know, you come in here with your chords. 01:22:30.785 --> 01:22:33.549 Well, also, I was working with Tim Land, you know, and, and Niles Barkley. 01:22:33.569 --> 01:22:33.990 What do you do? 01:22:34.050 --> 01:22:35.592 Is that GarageBand you're using there, man? 01:22:35.612 --> 01:22:38.796 Yeah, it's GarageBand, but it's not a pre-existing loop, except the drums are a loop. 01:22:39.497 --> 01:22:41.798 And then I just rode a little tune. 01:22:41.918 --> 01:22:42.678 Sounds nice. 01:22:43.219 --> 01:22:43.719 Wow, thank you. 01:22:43.739 --> 01:22:44.839 Nice little bit of production there. 01:22:44.859 --> 01:22:45.800 Not as funny as yours, though. 01:22:45.820 --> 01:22:52.022 So, folks, you can vote for Garth or my song on AdamAndJoe.bbc. 01:22:52.122 --> 01:22:53.183 No, I'll start again. 01:22:53.603 --> 01:23:00.066 You can email your votes for Song Wars to AdamAndJoe.6music at bbc.co.uk. 01:23:00.086 --> 01:23:02.447 And you can do that throughout the week if you're listening again. 01:23:02.807 --> 01:23:06.849 And we'll tell you who the winner is and we'll play the winner when we're at Glastonbury next week. 01:23:06.929 --> 01:23:07.309 Oh, brilliant. 01:23:07.589 --> 01:23:08.550 So, uh, listen in. 01:23:08.590 --> 01:23:09.730 That's gonna be an exciting show. 01:23:09.790 --> 01:23:10.591 Okay, more music. 01:23:10.631 --> 01:23:14.032 Now, this is Sigur Ross with a track called Gobbledygook. 01:23:32.967 --> 01:23:35.269 You know how Steve Wright always sings over the end of his songs? 01:23:35.289 --> 01:23:36.370 Could you imagine him on that? 01:23:36.390 --> 01:23:37.932 That was the Ewoks. 01:23:45.069 --> 01:23:46.450 with one of their forest songs. 01:23:47.891 --> 01:23:57.116 They're excited because there's a new tree house that's spooky and that's like the inaugural song they're playing at the unveiling of the new tree house. 01:23:58.677 --> 01:24:01.438 That's why they say we were trying to remember what the Ewoks say the other day. 01:24:05.340 --> 01:24:05.781 I don't know. 01:24:05.801 --> 01:24:06.401 I don't know. 01:24:06.481 --> 01:24:08.121 That sounds like the Mars Attacks aliens. 01:24:08.242 --> 01:24:09.382 Maybe. 01:24:09.622 --> 01:24:13.824 Oh, they say... They're amazing. 01:24:14.264 --> 01:24:18.566 Now, when you're talking about Radiohead, we're lucky enough to be going to see Radiohead in Victoria Park this week. 01:24:18.606 --> 01:24:19.706 I don't know if you are, folks. 01:24:20.226 --> 01:24:21.147 Maybe we'll see you there. 01:24:21.467 --> 01:24:23.207 They're playing on Tuesday and Wednesday night. 01:24:23.648 --> 01:24:26.149 Are you going... I'm definitely going... I'm actually going to go to both nights. 01:24:26.189 --> 01:24:29.530 I haven't seen them play at all for years and years, so I'm very excited about it. 01:24:29.650 --> 01:24:31.670 They've got this amazing new light show and everything. 01:24:31.951 --> 01:24:33.211 They're using, what are they, LEDs? 01:24:33.411 --> 01:24:39.052 Yeah, because I think the brief ones make an amazing light show, but do it in the most ecologically friendly way. 01:24:39.072 --> 01:24:39.952 Thanks, Al Gore. 01:24:40.212 --> 01:24:41.833 Yeah, no, but I think they've pulled it off. 01:24:41.873 --> 01:24:43.053 It looks amazing from what I've seen. 01:24:43.073 --> 01:24:46.034 Al Gore has actually delivered the lights to Radiohead personally. 01:24:46.294 --> 01:24:48.514 It's a new thing that he's invented, and they are amazing. 01:24:48.554 --> 01:24:51.475 I saw them last weekend in France, as I was saying earlier. 01:24:52.116 --> 01:24:53.798 And it's spectacular. 01:24:53.918 --> 01:24:54.599 I'm really beautiful. 01:24:54.659 --> 01:25:02.269 It's like these long columns, these kind of plastic tubes hanging down over the stage and they light up in the most remarkable way. 01:25:02.309 --> 01:25:05.113 But they're all sort of, it's like a forest of these things. 01:25:05.474 --> 01:25:05.794 Oh, I see. 01:25:05.854 --> 01:25:06.535 So there's layers of them. 01:25:07.216 --> 01:25:07.476 Yeah. 01:25:07.616 --> 01:25:08.357 Oh, I couldn't tell that. 01:25:08.617 --> 01:25:10.918 They're hanging down like, uh, stalactites. 01:25:11.118 --> 01:25:11.378 Right. 01:25:11.718 --> 01:25:23.224 And, um, uh, so, so they create by, by, uh, it's hard to describe, but they, they sort of create 3d effects as if you're actually seeing like a three dimensional object floating around with you. 01:25:23.244 --> 01:25:24.445 Cause you can move through the light. 01:25:24.505 --> 01:25:26.005 Yeah, yeah, yeah. 01:25:26.085 --> 01:25:26.966 Oh, that sounds nice. 01:25:27.106 --> 01:25:28.806 They played Planet Telex at the end. 01:25:29.006 --> 01:25:29.246 Really? 01:25:29.266 --> 01:25:34.828 And the whole thing just sort of exploded into this multi-colored, like amazing candy-colored lights. 01:25:35.168 --> 01:25:36.468 Oh, it's just wonderful. 01:25:36.548 --> 01:25:36.888 Can't wait. 01:25:36.908 --> 01:25:38.209 I'm so excited about seeing them again. 01:25:38.689 --> 01:25:39.749 But oh my lord. 01:25:39.809 --> 01:25:43.270 Now, forgive me if this sounds like the words of a sort of pervy old man. 01:25:43.930 --> 01:25:48.892 But the lady situation where I saw them in Neem was unbelievable. 01:25:48.992 --> 01:25:49.772 I've never seen so many. 01:25:49.792 --> 01:25:52.072 Is that just people, ladies from Neem, just hanging out? 01:25:52.172 --> 01:25:52.653 I guess so. 01:25:52.693 --> 01:25:53.593 Maybe French ladies. 01:25:54.133 --> 01:25:59.614 But they've got a better class of lady out there or something, but maybe it's just Radiohead fans, I'm not sure. 01:26:00.035 --> 01:26:07.336 But I've never seen so many troublingly attractive female fans at a gig in my life, you know? 01:26:08.037 --> 01:26:11.197 And they were a certain type of girl, though, right? 01:26:11.798 --> 01:26:16.719 They were, I mean, when I say girl, you know, these are mature, intelligent women I'm talking about, not like 14-year-olds. 01:26:17.419 --> 01:26:18.539 Um, running around there. 01:26:18.880 --> 01:26:23.061 But they were, they're sort of beautiful looking, but interesting looking, you know? 01:26:23.201 --> 01:26:23.961 The ultimate woman. 01:26:24.261 --> 01:26:28.862 And they're not overdressed, they're not like, uh, sort of Sex in the City style over the top ludicrous fashion. 01:26:28.882 --> 01:26:29.783 They're not scrawny, as you were saying. 01:26:29.843 --> 01:26:30.963 They're not all scrawny, no. 01:26:31.343 --> 01:26:35.724 And then, but they're not kind of binge drinky type of British women. 01:26:35.744 --> 01:26:36.825 You mean there's something in between? 01:26:36.845 --> 01:26:37.185 I'm joking. 01:26:37.365 --> 01:26:38.345 Not British, I'm just joking. 01:26:38.605 --> 01:26:39.145 But you know what I mean? 01:26:39.205 --> 01:26:44.887 And they're, they're not sort of over-made up, and they've got sort of interesting bags with maybe Naomi Klein novels popping out. 01:26:45.567 --> 01:26:53.134 Oh, or books or whatever by Noam Chomsky popping out over the top there and they all look interesting and they've got sort of interesting hair and stuff like this. 01:26:53.615 --> 01:26:56.698 And he's just thinking, oh man, this is happening way too late. 01:26:57.078 --> 01:26:57.358 Nope. 01:26:58.539 --> 01:26:59.841 I cannot believe it. 01:26:59.861 --> 01:27:02.023 I just like the idea of you with the bat for lashes cat. 01:27:02.443 --> 01:27:03.003 I've got your cat! 01:27:03.023 --> 01:27:03.984 I've got your cat Natasha! 01:27:04.004 --> 01:27:05.244 What do you want me to do with it? 01:27:05.284 --> 01:27:05.804 Isn't it brilliant? 01:27:05.844 --> 01:27:06.665 I love cats too! 01:27:06.785 --> 01:27:12.807 I was just wondering around thinking I can't believe I'm finally here with my VIP pass and all these... Access all areas. 01:27:12.847 --> 01:27:15.588 You know? 01:27:16.108 --> 01:27:19.830 And instead, you know, I'm nearly 40 or whatever it is and... 01:27:20.570 --> 01:27:25.294 I mean, obviously, I'm on the very, very happy island of marriage. 01:27:25.874 --> 01:27:29.918 And, of course, there's no way... You might not be after this little piece you've done on the radio. 01:27:30.058 --> 01:27:31.099 No, maybe not. 01:27:31.119 --> 01:27:32.280 No, the wrong way this afternoon. 01:27:32.300 --> 01:27:32.780 She never listens. 01:27:34.842 --> 01:27:39.566 You know, I would never... I'm happy on the Paradise marriage island. 01:27:39.606 --> 01:27:43.389 Why would I want to dip my toe in the incredibly attractive water? 01:27:44.778 --> 01:27:46.979 I don't want to swim, now I'm happy on the sand! 01:27:48.821 --> 01:27:52.423 So there you go, um, people are gonna be giving me a wide berth at Victoria Park. 01:27:52.443 --> 01:27:55.385 Well I know why you've done a lot of singles a favour, cos they know where to go this week. 01:27:55.405 --> 01:27:55.785 Yeah, that's true. 01:27:55.805 --> 01:28:00.368 If they're looking for a date, and you're looking for a different class of person, would that go for the men as well? 01:28:00.408 --> 01:28:00.628 I know. 01:28:00.648 --> 01:28:03.210 Oh man, absolutely, there was a lot of very good looking men. 01:28:03.270 --> 01:28:11.795 I mean, it was just ludicrous, it looked like a big sexy advert with Dr Buckle's little hairy monkey man walking around in the mist, loving, going, oh my gosh, I can't believe it. 01:28:12.756 --> 01:28:14.077 I've never been this far away from home. 01:28:15.798 --> 01:28:22.541 Now, here's one of the tracks that they played that I never really liked before from Hail to the Thief, right? 01:28:22.701 --> 01:28:31.345 But when they played it, it just made complete sense and I just thought, wow, this is an amazing song and I went back and listened to it again where I end and you begin by Radiohead. 01:28:35.797 --> 01:28:37.138 It was good to eat me alive. 01:28:38.219 --> 01:28:38.739 Stop it! 01:28:39.020 --> 01:28:40.421 Can you start with my toes? 01:28:40.441 --> 01:28:42.663 That's terrible. 01:28:42.863 --> 01:28:45.645 It was Radiohead, where I end and you begin. 01:28:45.845 --> 01:28:47.907 Well, that's pretty much it for our show this week. 01:28:47.947 --> 01:28:50.189 Thank you so much for all your texts and emails, listeners. 01:28:50.369 --> 01:28:55.113 Apologies, as usual, if we didn't read them out, but we really, we read every single one and we really appreciated it. 01:28:55.473 --> 01:28:58.075 Thank you so much, Garth Jennings, for pulling in, for Joe calling me again. 01:28:58.095 --> 01:29:00.537 Thank you for having me again, and hope you get well soon, Joe. 01:29:00.737 --> 01:29:10.159 Yeah, he's on the mend, I think, which is good news, and Dr. Sexy and Dr. Buckles will be reporting live from Glastonbury, the Glastonbury Festival, next weekend. 01:29:10.599 --> 01:29:13.120 We'll be with you at the usual time on Saturday, 9 till 12. 01:29:13.920 --> 01:29:26.642 Please don't forget to watch my show, Me Box, which is a whole new half hour of brand new exciting comedy rubbish, which goes out on BBC 3 tomorrow night, Sunday night, at 11.45pm. 01:29:26.882 --> 01:29:30.163 Thereafter, of course, you can watch it on iPlayer, and I think it's repeated the following. 01:29:30.623 --> 01:29:31.584 Thursday as well. 01:29:32.384 --> 01:29:34.725 I've got a little squeak in my... Can you hear me? 01:29:34.805 --> 01:29:37.006 I can, you sound like Sooty or one of those different toys. 01:29:37.046 --> 01:29:38.327 It's the remnants of my cold. 01:29:38.647 --> 01:29:51.054 Don't forget to vote for our Song Wars songs as well, and of course our podcast will be out tomorrow evening, Sunday after about 6.30, thanks to the tireless efforts of Jude and Claire here at the Big British Castle. 01:29:51.615 --> 01:29:52.856 Thank you so much for listening. 01:29:53.037 --> 01:29:59.766 Liz Kershaw is coming up, and then later, of course, Lauren Laverne, so you've really got no excuse to go anywhere but six music for the rest of your weekend. 01:29:59.826 --> 01:30:01.769 Have a good one, and we'll be back with you shortly. 01:30:02.150 --> 01:30:03.953 Well, next week, thereabouts. 01:30:04.313 --> 01:30:04.774 Love you, bye!