WEBVTT 00:00.089 --> 00:00.329 Hmm. 00:00.629 --> 00:02.910 It's a nice jazzy chord that he ended there with. 00:03.570 --> 00:04.010 Don't you think? 00:04.190 --> 00:06.491 It's like walking into a Wild West saloon. 00:07.251 --> 00:07.471 What? 00:07.911 --> 00:08.731 That's record. 00:09.691 --> 00:09.891 Why? 00:09.911 --> 00:11.612 Because of all the plinky-plonking- Yeah. 00:11.752 --> 00:11.932 Yeah. 00:11.972 --> 00:14.332 That was Benfold 5, incidentally, with Army. 00:14.713 --> 00:16.913 This is Adam and Joe here on BBC 6 Music. 00:17.513 --> 00:17.973 I'm Adam. 00:18.553 --> 00:19.294 Hello, I'm Joe. 00:19.734 --> 00:20.754 Changing your headphones there. 00:20.894 --> 00:22.094 Yeah, they didn't work the first ones. 00:22.134 --> 00:22.654 That's better. 00:23.015 --> 00:24.695 I've got some headphone problems as well, actually. 00:24.915 --> 00:25.655 Good morning, listeners. 00:25.675 --> 00:28.097 We hope you're having a lovely Saturday morning so far. 00:28.137 --> 00:32.400 It's only just started, so if something's gone really wrong, don't worry about it too much. 00:33.400 --> 00:34.241 Really? 00:34.341 --> 00:36.502 What if they've fallen over and broken their legs? 00:36.882 --> 00:38.123 Don't worry about it too much. 00:38.523 --> 00:39.204 Oh yeah. 00:39.524 --> 00:40.544 Just grin and bear it. 00:40.725 --> 00:41.605 That's a good idea. 00:41.645 --> 00:44.247 Gobble to the breakfast table and have some brekkie. 00:44.667 --> 00:45.427 With broken legs? 00:45.467 --> 00:46.428 Broken-leg brekkie. 00:46.488 --> 00:48.549 When would they go to the hospital around about? 00:48.709 --> 00:49.150 Just don't. 00:49.890 --> 01:07.572 really just get over it just greet your teeth and get over it don't be a wussy green and bear it yeah why not go and see the new mckenzie crook film why not go and see uh twice not out or whatever it's called three times not out or just get some of that new age medicine and rub it on your legs yeah get someone to wave some seaweed over them 01:07.892 --> 01:09.354 Yeah, they'll soon fix. 01:09.574 --> 01:12.077 Or listen, you could do some homemade acupuncture. 01:12.197 --> 01:14.099 All you need is some safety pins. 01:14.479 --> 01:16.542 Just pop a couple in your, in the broken legs. 01:16.602 --> 01:18.504 Or get Dr. Buckles to come round and reset them. 01:18.544 --> 01:19.705 Dr. Buckles will do it. 01:20.106 --> 01:21.007 I've got gaffer tape. 01:21.067 --> 01:21.968 What's the big problem? 01:22.068 --> 01:23.209 He can gaffer the legs up. 01:23.229 --> 01:24.090 I can gaffer them up. 01:24.130 --> 01:24.531 It's fine. 01:24.691 --> 01:26.893 I can use, you know, lolly sticks. 01:27.854 --> 01:30.515 So I've got an embarrassing confession to make, listeners. 01:30.535 --> 01:30.955 Already? 01:31.315 --> 01:33.635 Yeah, I've had to call off Song Wars this week. 01:33.835 --> 01:36.536 I thought we should get this out in the open earlier rather than later. 01:36.816 --> 01:38.496 Because I just went off on holiday. 01:38.576 --> 01:39.676 You had a mini break, didn't you? 01:39.696 --> 01:40.436 I had a mini break. 01:40.857 --> 01:45.277 And I emailed Adam and said, look, let's just not do Song Wars, because I'm off on Hollygolds. 01:45.377 --> 01:47.718 Wins an award, and then he goes on a mini break. 01:47.738 --> 01:48.338 Complacency. 01:48.418 --> 01:49.298 It's laurel resting. 01:49.458 --> 01:50.478 Yeah. 01:50.538 --> 01:51.719 So it's all my fault. 01:52.139 --> 01:52.399 Is it? 01:52.479 --> 01:53.699 Have you done some things anyway? 01:54.159 --> 01:56.860 Well, I did a thing anyway, but it's a bit, it's a bit nuts. 01:57.180 --> 01:58.160 That's nuts is good. 01:58.260 --> 01:58.860 Anything's good. 01:59.600 --> 02:02.621 Uh, so, you know, it's a kind of a, like a chocolate bar start. 02:02.801 --> 02:03.961 So there we go. 02:04.841 --> 02:06.561 We'll be, you'll be unveiling your thing later. 02:06.962 --> 02:08.122 Mightn't be unveiling the thing. 02:08.142 --> 02:08.302 Yeah. 02:08.422 --> 02:09.662 Plus great music, of course. 02:10.022 --> 02:12.363 Text the nation is, is present and correct as usual. 02:12.883 --> 02:15.083 But before we get into all that, let's have some more music. 02:15.703 --> 02:18.524 Is this an acronym SIA or is this SIA? 02:18.804 --> 02:19.004 SIA. 02:19.444 --> 02:27.492 Sia I should have known that she's been around for a while now, but this is the girl you lost That's Sia with the girl you lost her voice was going all over the place there. 02:27.652 --> 02:41.905 She's she's got a very good one Singles released on the 21st of April and she's playing at the craw daddy in Dublin tonight So if you're in Dublin and you like the sound of that you can get on down to that get on down to the craw dad and 02:43.026 --> 02:46.428 Have you seen the advert with Andy McDowell's stick in it? 02:46.988 --> 02:48.648 Where she rubs the stuff on her faces. 02:48.869 --> 02:52.190 Yeah, it's for Revitalift Deep Set Wrinkle Cream. 02:52.370 --> 02:53.050 I have seen that. 02:53.430 --> 02:56.311 And I just like the way she talks about it. 02:56.371 --> 03:03.494 She says, there are some wrinkles that age you more than others that are noticeable even from a distance. 03:03.654 --> 03:03.975 Oh, no. 03:04.295 --> 03:06.816 I call them my life storylines. 03:07.976 --> 03:11.579 And so, because the whole thing is about her being a famous film actress, yes. 03:12.119 --> 03:20.926 So it is revealed that she has little euphemistic names for all her physical blemishes, which are a little bit like film terms. 03:21.447 --> 03:22.407 You see? 03:22.587 --> 03:25.890 Does she talk about more than one of them in the advert, or are you just extrapolating? 03:25.990 --> 03:27.151 I'm extrapolating, yeah. 03:27.191 --> 03:28.052 From that one one. 03:28.192 --> 03:31.854 Yeah, I would think because she is, you know, she's a famous film lady. 03:31.895 --> 03:33.276 My life story lives. 03:33.316 --> 03:34.937 My life, they're not wrinkles! 03:35.257 --> 03:36.038 They're not wrinkles! 03:36.238 --> 03:37.739 They're my life story lives! 03:37.859 --> 03:38.239 Go on, then. 03:38.279 --> 03:39.199 What else have you come up with? 03:39.219 --> 03:40.200 I haven't come up with that much. 03:40.240 --> 03:42.460 I was hoping you might be able to help me, because you're Dr. Films. 03:42.500 --> 03:43.780 You know all about film things. 03:43.800 --> 03:44.860 That's true. 03:45.121 --> 03:47.781 And, you know, you know all the terminology and the lingo. 03:47.821 --> 03:49.421 Yeah, but that's not the title of a film. 03:49.801 --> 03:51.722 But I was thinking... Oh, life storylines. 03:52.182 --> 03:56.063 Like, you mean that might be a phrase that a casting agent might use when casting her. 03:56.103 --> 03:57.943 She has fantastic life storylines. 03:58.023 --> 04:00.144 Well, I was thinking, you know, a storyline, right? 04:00.184 --> 04:01.824 That's just a very basic movie term. 04:01.844 --> 04:02.244 Oh, I get you. 04:02.404 --> 04:02.724 You see? 04:03.304 --> 04:04.705 So she's kind of incorporating it. 04:04.965 --> 04:06.645 They're my life storylines. 04:07.777 --> 04:10.719 Well, I can think of some connotations for first draft. 04:13.201 --> 04:14.622 If maybe she's a bit windy. 04:14.822 --> 04:19.225 I was thinking like, maybe, from now on I'm gonna call my fat tummy my MacGuffin. 04:19.665 --> 04:21.326 That's a good idea, you know? 04:21.506 --> 04:21.766 Yeah. 04:22.087 --> 04:27.410 I don't call my, sometimes I have fatness blemishes that can be seen from a distance. 04:27.810 --> 04:29.591 I like to call them my MacGuffins. 04:30.592 --> 04:31.072 That's good. 04:31.253 --> 04:33.434 I mean, unfortunately, she could advertise windies as well. 04:33.574 --> 04:34.295 Windies, right? 04:34.315 --> 04:35.896 The first draft can be embarrassing. 04:36.797 --> 04:39.259 Sometimes the second draft empties the room. 04:39.679 --> 04:40.940 You need windies. 04:41.120 --> 04:42.381 You have to persevere. 04:42.721 --> 04:45.864 Don't be upset if the first draft upsets everybody. 04:47.305 --> 04:49.126 That's possible. 04:49.146 --> 04:50.387 Just try again. 04:50.407 --> 04:53.009 Have you ever referred to your wrinkles? 04:53.029 --> 04:54.971 I mean, you worried about deep-set wrinkles there? 04:55.371 --> 04:57.273 Uh, I've got a couple by my eye. 04:57.753 --> 04:59.854 You need some Revitalift, uh... Maybe. 05:00.015 --> 05:04.378 Maybe, or, or, or some Andy McDowell stick, uh, to sort you out. 05:04.989 --> 05:05.469 Young Knives? 05:05.989 --> 05:07.770 Yeah, now I chose this one for you listeners. 05:08.250 --> 05:16.353 This is the Young Knives, and this is track one from their new album, Super Abundance, which has one of the, one of the most boring, uh, covers at the moment. 05:16.533 --> 05:19.634 It's just a sort of picture in a big, dark studio of a motorbike. 05:19.694 --> 05:20.395 Boring! 05:20.455 --> 05:21.135 Boring! 05:21.635 --> 05:23.876 But it's a wicked album, really good. 05:23.896 --> 05:26.977 I mean, their first one was good, and the second one's amazingly good. 05:27.017 --> 05:29.458 It's like, hit after hit on there, and this is track one. 05:29.958 --> 05:33.019 Always good to have an, uh, you know, it's important to have a strong track one. 05:33.039 --> 05:34.240 This is called Fit For You. 05:34.760 --> 05:37.582 Uh, yeah, I understand exactly what you're saying, flavor-flave. 05:38.042 --> 05:40.623 Something about, uh, the Terminator being in effect. 05:40.983 --> 05:41.103 Mm. 05:41.483 --> 05:42.344 And, uh... What effect? 05:43.124 --> 05:45.625 Uh, there's some lyrics in there that are a little bit spicy, aren't there? 05:45.665 --> 05:46.505 Bum-rush the show. 05:46.546 --> 05:47.966 Bum-rush the piss in your pants. 05:48.226 --> 05:49.087 Is that what it says? 05:49.287 --> 05:49.467 Yeah. 05:49.867 --> 05:50.707 Spicy stuff. 05:51.028 --> 05:51.348 You know. 05:51.368 --> 05:52.368 Aika-ramba. 05:52.568 --> 05:54.729 Aika-ramba, cause that is near the knuckle. 05:55.109 --> 05:58.011 For Saturday morning, no one wants to be reminded of that whole business. 05:58.031 --> 05:58.151 No. 05:59.051 --> 06:00.552 of the whole business with the pants. 06:00.712 --> 06:00.932 No. 06:01.352 --> 06:05.973 So, hello listeners, this is Adam and Jo, you're listening to BBC Six Music, that was Public Enemy, what was that one called? 06:07.094 --> 06:08.214 Uh, Rebel Without a Pause. 06:08.234 --> 06:09.174 Of course it was, you know. 06:09.595 --> 06:16.437 Um, if you were listening last week, you will remember that we were trying to provoke a feud with the programme Top Gear. 06:17.037 --> 06:33.163 Now this is a classic way to elevate your profile in the media, is for a small program that doesn't get a lot of attention like this one, to engage somehow with a much bigger program, like a kind of mollusk on the bum of a whale. 06:34.144 --> 06:39.186 And so we were attempting to do that by kind of making something out of nothing. 06:39.606 --> 06:40.566 Or was it nothing? 06:40.806 --> 06:41.907 And this is the question. 06:42.707 --> 06:52.430 Um, after we received our massive, uh, important award last week, just to recap, Adam went- we made a self-aggrandiz- I made a self-aggrandisingly arrogant speech. 06:52.930 --> 07:02.133 Where- wherein Joe rubbished the competition, because we were up against- We're already exaggerating, but we were up against, uh, people like Chris Moyles and the news quiz on Radio 4. 07:02.513 --> 07:07.295 So I said, I said, no one listens to us, you don't know who we are, but this proves we're the best show in the world. 07:08.092 --> 07:08.672 Not too much. 07:09.153 --> 07:22.039 Adam goes to the loo, encounters Hammond, the Hamster, the immortal Hamster Hammond, having a wee wee, and the Top Gear producer also having one, and they're talking to each other, and they're going, what do they say? 07:22.079 --> 07:30.303 They're in mid-conversation, they're saying, yeah, you know, they're just rubbish in the competition, as if they're like, ooh, Buxton comes in, Buxton comes in, Hammond says, button it. 07:31.003 --> 07:41.829 Anyway, so Adam assumed that they were, you know, they disliked my speech, thought we were arrogant and over the top and belittling the competition and then buttoned it as soon as Buxton came in. 07:42.609 --> 07:46.511 So we talked about this last week and we got an email, didn't we, from the producer of Top Gear. 07:47.092 --> 07:47.932 One of the producers, yes. 07:48.412 --> 07:50.154 not one of the people that was there that night. 07:50.534 --> 07:55.820 He was in a pantomime manner, very rewardingly kind of making even more of the conflict. 07:55.860 --> 07:56.660 Pat, his name was? 07:56.720 --> 07:59.884 Pat, yes, saying that he was going to get us and stuff like that. 07:59.944 --> 08:02.706 So this was all very good in a kind of playground sort of a way. 08:03.527 --> 08:06.990 But then after the show, and this is the point last week, the phone rang. 08:07.591 --> 08:08.652 Because we were just about to leave. 08:08.672 --> 08:13.874 We go up after the show, you know, we go upstairs, try and raid all the CD boxes and stuff. 08:14.094 --> 08:15.555 We steal things from other DJs. 08:15.615 --> 08:16.996 Yeah, that kind of thing. 08:17.056 --> 08:17.436 It's fun. 08:17.956 --> 08:25.260 And the phone rings, and one of our producers, Claire, picked up the phone, and it was Andy Hillman, the producer. 08:25.280 --> 08:27.581 He's the big man, the top gear. 08:27.661 --> 08:29.742 He was the guy that was in the urinal that time. 08:30.323 --> 08:31.283 And he's on the phone! 08:31.663 --> 08:33.984 So Joe immediately says, we're not here, we're not here! 08:35.305 --> 08:36.886 when Claire says it's Andy. 08:37.207 --> 08:38.228 It's Andy from Top Gear. 08:39.229 --> 08:43.552 But then, uh, ignoring Joe's instructions, Claire immediately says, yes, they're here! 08:43.572 --> 08:44.693 Ha ha ha! 08:44.753 --> 08:46.035 To Andy on the phone. 08:46.935 --> 08:47.736 And you take the call. 08:47.816 --> 08:49.157 So I took the call. 08:49.578 --> 08:55.303 And, um, everything was very upbeat on the phone with Andy, and he was nice, and he said, misunderstanding. 08:55.423 --> 08:56.644 Total misunderstanding. 08:56.684 --> 08:58.746 We were talking about something else entirely. 08:58.986 --> 09:00.587 We weren't talking about you guys at all. 09:00.888 --> 09:01.849 Now, I believe that. 09:02.449 --> 09:04.530 And I'm convinced that Adam's overreacting. 09:04.870 --> 09:09.771 Not only is he overreacting, but he's overreacting conveniently in a way that makes me look bad. 09:09.991 --> 09:10.291 Right. 09:10.511 --> 09:10.711 Right. 09:10.811 --> 09:15.293 So Adam wins on, but not only can he be indignant and angry, but it's not his fault. 09:15.553 --> 09:17.573 I'm convinced he's hallucinated the whole thing. 09:17.833 --> 09:20.534 It's part of his, your slightly solipsistic bent. 09:20.874 --> 09:22.895 You think that everything in the world is to do with you. 09:22.955 --> 09:26.436 It's my persecution complex and I'm offloading it onto you to make you feel better. 09:26.596 --> 09:27.116 Exactly. 09:27.176 --> 09:32.918 So I believe the producer of Top Gear, I think it was misconstrued. 09:33.238 --> 09:34.619 They weren't talking about us. 09:34.919 --> 09:40.101 They were just having some intimate awards, toilet chat, that they didn't want to spread around the place. 09:40.381 --> 09:42.942 But then this morning I come in and you bucks and you think it's real. 09:42.982 --> 09:43.842 You still think it's real. 09:44.062 --> 09:44.482 the next 09:59.193 --> 10:21.618 on is that your telling of the story it's not I'm not going insane of course I'll never know I'll never know unless one night I go out with we need to speak to Hammond and we get drunk together and he says you know what we we did think you guys were being a bit pathetic and we were slacking you off a little bit but we just didn't want to front on you in the labs because we we knew that you could have beaten us up quite badly and we just didn't want it to go off there in the lavies 10:22.358 --> 10:24.399 you know, in the, in the Theatre Royal Drury Lane. 10:25.060 --> 10:29.683 And I, and then I'd say, listen, Hamster, do you want another sea breeze? 10:29.863 --> 10:30.864 It's not a big problem. 10:30.924 --> 10:36.808 Let's go for a drive in the Lambo and, uh, play some very loud Jethro Tull and, and hug and make up for it. 10:37.288 --> 10:40.370 And, you know, one day maybe that'll happen, but until then, we'll never know. 10:40.710 --> 10:44.293 And you, Joe Cornish, will continue to believe that it's my persecution complex. 10:45.353 --> 10:46.654 trying to make you feel better. 10:46.714 --> 10:54.079 I think it's important that we find out the truth, not only for us as a show, you know, our public image, but also for your mental health. 10:54.179 --> 10:54.820 Yeah, maybe. 10:55.000 --> 10:55.460 Mainly. 10:55.700 --> 10:56.141 Maybe. 10:56.481 --> 10:57.542 Now, here's some music for you. 10:57.562 --> 11:10.070 This is the new single from Sparks Listeners and Sparks, of course, of playing a series of concerts in London Town later on this summer, where they'll be playing the whole of every single album they have ever released. 11:10.530 --> 11:12.231 like, on different nights. 11:12.471 --> 11:14.293 So you pick your favourite album. 11:14.453 --> 11:15.614 That's what's common, isn't it, now? 11:16.214 --> 11:19.196 I don't think it's common to do every single album you've ever done. 11:20.297 --> 11:21.938 Well, people do single albums, don't they? 11:21.958 --> 11:22.198 Yeah. 11:22.338 --> 11:26.782 But Sparks have, you know, they've done sort of 20 albums or something, 21 albums. 11:27.142 --> 11:30.304 They're gonna play 21 nights and play every single album. 11:30.644 --> 11:33.366 Plus, I would imagine, a sort of package of hits at the end of it. 11:33.546 --> 11:35.508 But this is their new single and it's called Good Morning. 11:36.108 --> 11:36.449 That's excellent. 11:36.469 --> 11:40.212 And now it's time for the news with Rachel Matthews. 11:40.373 --> 11:44.717 Nicholas Caves and the Bad Seeds with There She Goes My Beautiful World. 11:44.737 --> 11:50.623 Do you think if Nick Cave has a birthday party with balloons, the balloons are overblown? 11:51.344 --> 11:55.948 Do you think if Nick Cave has wrought iron gates, they're overwrought? 11:57.031 --> 11:59.052 Are you trying to say that song's a bit over the top? 11:59.532 --> 12:01.252 Listen, he's amazing, Nick Cave. 12:01.292 --> 12:01.993 I'm a caveman. 12:02.993 --> 12:03.733 I love cave. 12:03.753 --> 12:05.074 I love caves and caving. 12:05.614 --> 12:08.655 But he's just, you know, it's big, isn't it? 12:08.675 --> 12:09.415 That's all I'm saying. 12:09.575 --> 12:10.215 It's giant. 12:10.415 --> 12:11.376 Yeah, it's huge. 12:12.036 --> 12:12.316 It's good. 12:12.376 --> 12:13.136 It's celebratory. 12:13.196 --> 12:14.177 It's bigger than both of us. 12:14.437 --> 12:15.777 He's excited about everything. 12:16.017 --> 12:16.577 Absolutely. 12:17.018 --> 12:20.239 So this may have been talked about a lot on other shows during the week. 12:20.279 --> 12:20.979 The Millennium Dome? 12:21.619 --> 12:23.041 Yeah, the Millenium Dome. 12:23.101 --> 12:24.362 When are they gonna finish it? 12:24.422 --> 12:25.544 What a waste of money. 12:25.564 --> 12:28.367 It's a white elephant for John Major and the Tory government. 12:28.387 --> 12:30.369 I mean, it's about time we got rid of the Tories. 12:30.550 --> 12:32.492 What kind of... and have you been to the exhibition? 12:32.832 --> 12:33.413 It's rubbish. 12:33.473 --> 12:34.795 And that congestion charge? 12:34.955 --> 12:35.195 Yeah. 12:35.215 --> 12:37.057 They're not really gonna bring it in, are they? 12:37.278 --> 12:37.898 Exactly. 12:38.259 --> 12:39.460 No, those are old issues. 12:39.680 --> 12:40.021 Sorry. 12:40.201 --> 12:40.481 Yeah. 12:40.942 --> 12:41.462 Connie Huck. 12:42.083 --> 12:42.583 What's she done? 12:43.764 --> 12:44.685 What hasn't she done? 12:44.725 --> 12:45.245 The Huckster. 12:45.786 --> 12:52.830 Connie Huck was obviously involved in the big tussle over the Olympic torch last weekend, the day after our show. 12:53.251 --> 12:54.231 I didn't even know that. 12:54.271 --> 12:54.631 Didn't you? 12:54.852 --> 12:55.112 No. 12:55.472 --> 12:56.052 You idiot. 12:56.233 --> 12:57.193 She's been tussling for the torch. 12:57.213 --> 13:02.817 Last Sunday, I just lay on the sofa and watched the coverage, as I think many people did, of the torch ceremony. 13:03.237 --> 13:04.098 It was amazing. 13:04.518 --> 13:10.142 It was like, and I'm sure this has been said before and I do apologise, but it was like some amazing science fiction game show. 13:10.322 --> 13:10.482 Yeah. 13:10.582 --> 13:11.603 It was like The Running Man. 13:12.564 --> 13:14.527 It would or it was like if you play video games. 13:14.567 --> 13:23.281 It was like a game of capture the flag multiplayer online thing Because you you saw it presumably I heard about the aftermath. 13:23.341 --> 13:25.364 I would not seen any of the images children. 13:25.384 --> 13:26.927 I'm not allowed to watch television 13:27.227 --> 13:27.928 it down for the news. 13:45.524 --> 13:51.910 First of all, she was involved in the whole Socks the Cat de Barcla, the Blue Peter liegate. 13:52.590 --> 13:52.851 Right? 13:53.251 --> 13:54.932 She was the one who had to apologise. 13:55.553 --> 13:57.575 On screen, she did lots of interviews. 13:57.895 --> 13:59.737 She timed it with leaving Blue Peter. 14:00.397 --> 14:01.618 She got a lot of publicity out of that. 14:01.979 --> 14:07.363 Then suddenly, next thing, Connie Huck was chairing the, the mare, the London mare debate. 14:08.044 --> 14:13.309 I think that was on London-only telly, but she was doing chairing this important political debate. 14:13.409 --> 14:14.210 How did she do that? 14:14.230 --> 14:15.171 Was she commanding? 14:15.512 --> 14:16.072 Averagely. 14:16.913 --> 14:17.434 Averagely. 14:18.194 --> 14:19.295 She's a lovely person. 14:19.375 --> 14:19.616 Yeah. 14:19.756 --> 14:20.276 You love her. 14:20.597 --> 14:21.217 I do love her. 14:21.257 --> 14:22.198 I met her a few times. 14:22.278 --> 14:26.823 And she's getting a hug from Connie Huck is, as you can imagine, quite something. 14:27.023 --> 14:27.844 Yeah. 14:28.265 --> 14:28.886 Who's Cackley? 14:29.026 --> 14:30.789 Nobody, I'm imagining it. 14:31.210 --> 14:38.881 So then she was chairing this debate and suddenly Connie hugs this political kind of person, a kind of a Paxman for the Noughties. 14:39.815 --> 14:42.836 And I'm already saying to my girlfriend, Connie, Hark, what's going on? 14:42.856 --> 14:51.178 I mean, she's perfectly nice, but what's she doing, like... Sorry, Adam's stomach made a weird noise during that sentence. 14:51.278 --> 14:51.458 Sorry. 14:52.399 --> 14:58.881 And then, basically, to make a long story short, suddenly images of Hark are being beamed around the world. 14:59.281 --> 15:03.042 She's starring in a moment of film that's going to be played forevermore. 15:03.522 --> 15:05.445 having the Olympic torch grabbed off her. 15:05.485 --> 15:06.566 A little slice of history. 15:06.606 --> 15:07.687 A little slice of history. 15:07.988 --> 15:11.492 But whoever manages Huck, is this being coordinated somehow? 15:11.813 --> 15:16.158 Is Huck being secretly positioned to be a cultural icon? 15:16.498 --> 15:18.281 If so, what's she done to deserve it? 15:18.301 --> 15:18.641 Mm-hmm. 15:18.821 --> 15:20.263 Apart from being very beautiful? 15:21.404 --> 15:26.125 having a very generous amount of stuff stacked on her shelf. 15:26.145 --> 15:27.725 Is that the French term? 15:28.526 --> 15:30.106 Yeah. 15:30.586 --> 15:36.587 I mean, she's lovely and I wouldn't say she's the sharpest political mind in... This is turning a little bit sexist. 15:37.068 --> 15:37.328 Is it? 15:38.268 --> 15:40.468 No, I'm not saying that... Talking about her shelf in seconds. 15:40.528 --> 15:42.749 That's... She's not the sharpest political mind. 15:43.949 --> 15:46.872 Maybe it is Texas, but I'm not talking about all women. 15:47.552 --> 15:49.033 I'm talking about Connie herself. 15:49.053 --> 15:54.138 You're saying how's she getting ahead when she's just a... No, no, no, no, no, no, no, no, no, no, no, no, no, no, no. 15:54.178 --> 15:55.539 Let me stop that right there. 15:55.559 --> 15:56.840 That's not what I'm saying. 15:57.180 --> 16:06.588 I'm saying how has this particular woman ended up at the eye of almost everything that's happened in this country for the last six months? 16:06.648 --> 16:07.549 Epicenter of history. 16:08.249 --> 16:09.190 I think she's brilliant. 16:09.350 --> 16:09.610 Yeah. 16:10.111 --> 16:12.072 But she shouldn't be chairing political debates. 16:12.253 --> 16:14.895 Well, Sa-Pong, she chairs... She's a spy. 16:15.155 --> 16:16.016 She chairs debates? 16:16.316 --> 16:17.997 What about June Sa-Pong? 16:18.318 --> 16:20.540 To be honest, she shouldn't be chairing debates either. 16:21.901 --> 16:23.222 And this isn't a sexist thing. 16:23.262 --> 16:27.385 I think there are a million women better qualified than either Sa-Pong or Huck. 16:27.405 --> 16:28.086 Davina McCall. 16:28.506 --> 16:31.289 I tell you, the other one, who's the Irish one off of Blue Peter? 16:31.629 --> 16:32.290 Zoe Salmon. 16:33.010 --> 16:34.031 She must be angry. 16:35.112 --> 16:36.753 Because Huck's getting all the attention. 16:36.913 --> 16:37.213 Right. 16:37.313 --> 16:39.715 And you know there's jealousy amongst Blue Peter presenters. 16:39.735 --> 16:40.095 Yeah. 16:40.335 --> 16:43.757 You know they fight over the chance to abseil down the big slide. 16:43.978 --> 16:45.298 I haven't seen Blue Peter for ages. 16:45.379 --> 16:46.199 I've got to catch up. 16:46.619 --> 16:46.940 Yeah. 16:47.560 --> 16:49.541 I bet you that that Irish one's angry. 16:49.561 --> 16:50.342 That's fascinating. 16:50.382 --> 16:53.524 If anyone has an insight into the... Has anyone watched Blue Peter? 16:53.564 --> 16:56.206 Is there an atmosphere of resentment amongst the presenters? 16:56.466 --> 16:57.327 Huck's not there anymore. 16:58.029 --> 16:59.290 But I bet you salmon's angry. 17:00.470 --> 17:05.772 I was in Europe reading the papers during the week, and Huck was in the International Herald Tribune. 17:06.533 --> 17:07.653 Well, you know, stranger things happen. 17:07.673 --> 17:09.654 I mean, Arnold Schwarzenegger's the governor of California. 17:09.674 --> 17:17.297 I don't know if you knew that, but... Yeah, but Schwarzenegger kind of... You feel like... One feels like Huck has kind of accidentally fallen into these things. 17:17.577 --> 17:20.218 Well... That was a pure accident that she was the one carrying the torch on. 17:20.258 --> 17:20.819 It was grabbed. 17:20.839 --> 17:21.899 That's the way history is made. 17:21.919 --> 17:23.480 But yeah, she's a trouble magnet. 17:24.621 --> 17:25.542 She's a troublemaker. 17:26.323 --> 17:27.604 But that's how history happens, you know? 17:27.684 --> 17:31.308 And then ten years from now, they'll be playing the clips from Blue Peter. 17:31.568 --> 17:32.969 It'll look as if that was her destiny. 17:33.490 --> 17:34.010 It will, won't it? 17:34.030 --> 17:36.393 You know, when she is the First Lady. 17:36.413 --> 17:36.853 I want to be famous. 17:36.933 --> 17:39.977 Either the First Lady or the President of the United States. 17:40.137 --> 17:40.437 Really? 17:40.657 --> 17:42.239 She thinks she'll be the Prime Minister of Britain. 17:42.940 --> 17:43.360 Possibly. 17:43.420 --> 17:44.141 I think she will. 17:44.461 --> 17:44.922 Possibly. 17:45.062 --> 17:45.742 I'd vote for her. 17:46.643 --> 17:59.043 uh well you're an idiot okay i am a little bit here's some music this is uh radiohead's new single and it's very uh it's lovely you know this one right you've heard this probably what's it called it's called nude sure 18:00.174 --> 18:00.554 Very good. 18:00.594 --> 18:01.735 Well done, Radiohead. 18:02.155 --> 18:06.077 That was nude and Radiohead, of course, are on tour, a little tour. 18:06.117 --> 18:07.518 It's not a massive tour, is it? 18:07.858 --> 18:09.199 But they got UK dates. 18:09.219 --> 18:11.260 Are you going to any of these UK dates? 18:11.300 --> 18:13.522 Victoria Park on the 24th of June. 18:13.842 --> 18:14.602 Might go to that one. 18:14.662 --> 18:16.523 Victoria Park again on the 25th. 18:16.783 --> 18:19.005 Glasgow Green on the same day. 18:19.932 --> 18:24.515 Are they really going to play Victoria Park and Glasgow Green on the 25th? 18:24.615 --> 18:25.616 I don't think that can be right. 18:26.297 --> 18:34.823 Anyway, they're around and I don't think... I think Glasgow Green is not sold out and presumably Victoria Park is not sold out otherwise. 18:34.923 --> 18:35.844 You don't know though, do you? 18:36.044 --> 18:36.464 For sure. 18:36.604 --> 18:37.765 I'm not absolutely certain. 18:37.785 --> 18:41.087 That's part of the service here on the Adam and Jo Show at the Big British Castle. 18:41.107 --> 18:41.988 Is that we're never quite sure. 18:42.148 --> 18:44.450 Never quite sure about anything. 18:44.790 --> 18:46.351 But we're willing to be told, you know? 18:46.511 --> 18:48.272 So you're very into that Radiohead album. 18:48.833 --> 18:49.713 Yeah, I think it's fantastic. 18:49.733 --> 18:50.654 Do you know all the words? 18:51.094 --> 18:51.755 No, no. 18:52.215 --> 18:55.097 Which albums do you think you could sing every single word to? 18:55.137 --> 18:57.539 Could you put the needle if we still had needles? 18:58.159 --> 19:02.983 Press play, sing through the whole thing from beginning to end without missing a word. 19:03.482 --> 19:05.142 Mmm, any Pixies album? 19:05.322 --> 19:05.623 Really? 19:05.863 --> 19:06.063 Yeah. 19:06.183 --> 19:09.564 You say you've got the entire Pixies oeuvre in your head. 19:09.604 --> 19:10.024 Pretty much. 19:10.504 --> 19:11.804 Definitely any Bowie album. 19:11.884 --> 19:13.384 Any 70s Bowie album. 19:13.544 --> 19:13.925 Really? 19:13.985 --> 19:14.505 Yeah, yeah, yeah. 19:14.885 --> 19:15.285 No problem. 19:15.305 --> 19:15.545 Okay. 19:16.005 --> 19:28.168 Have you ever, or did you ever, when you were younger, put one of those said albums on, stand in front of the mirror, and pretend you were the lead singer, and perform a whole concert? 19:29.708 --> 19:30.689 Like Joe Cornish. 19:30.729 --> 19:31.489 Like I did. 19:32.689 --> 19:33.889 Which one did you do? 19:33.929 --> 19:36.350 To ABC's album, The Lexicon of Love. 19:37.430 --> 19:39.331 I know every single word. 19:39.431 --> 19:39.671 Yeah. 19:40.031 --> 19:42.511 And I think it's the album I've known every word to. 19:43.191 --> 19:45.412 I haven't constructed that sentence properly, have I? 19:45.732 --> 19:48.253 I think it's the first album that I knew all the words to. 19:48.393 --> 19:48.613 Right. 19:49.033 --> 19:58.315 And when I was little, I stood in front of the mirror, locked my bedroom door, put on your gold-la-may suit, panties, made sure my mummy and daddy were busy, 19:59.035 --> 20:01.537 Mummy, just do homework. 20:01.657 --> 20:04.139 Can I borrow your hairbrush to be quick with my hair? 20:05.220 --> 20:08.702 And then I'd stand in front of the mirror and I'd perform. 20:08.782 --> 20:11.544 I think, right, this is a concert, this is real, there's a crowd out there. 20:11.804 --> 20:13.346 I've got to perform this whole album. 20:14.206 --> 20:16.688 And I would dance and I know all the words. 20:16.728 --> 20:18.389 What kind of dancing would you do? 20:18.810 --> 20:21.211 Just very amazing, strange dancing. 20:21.291 --> 20:22.312 At any point would you twirl? 20:22.332 --> 20:22.872 Quite lanky. 20:23.033 --> 20:24.354 Of course I'd twirl. 20:25.074 --> 20:25.875 I'd be twirling. 20:26.536 --> 20:27.076 Of course. 20:27.276 --> 20:31.721 You know, because I could imagine you in a boater, like he is in the look of love with you. 20:31.741 --> 20:32.902 There was probably a change of hats. 20:32.962 --> 20:36.126 This was 1982, I stress, with a cane. 20:36.646 --> 20:43.433 And I should also stress that The Lexicon of Love is one of the 100 top British albums of all time, according to The Observer and Q Magazine. 20:43.453 --> 20:44.114 It comes in about 40. 20:44.635 --> 20:46.777 In my opinion, it should be at number one. 20:47.097 --> 20:47.678 It's a smash. 20:47.718 --> 20:48.598 It's an absolute peach. 20:48.679 --> 20:49.679 Produced by Trevor Horn. 20:49.779 --> 20:51.461 Amazing string arrangements on it. 20:51.561 --> 20:51.741 Yep. 20:52.422 --> 20:56.465 Done by a woman called Anne Dudley, who was one of the founder members of the Art of Noise. 20:56.625 --> 21:02.050 And yet, Martin Fry, one of the lyrics from that album, I think, is also voted as one of the worst lyrics of all time. 21:02.070 --> 21:05.073 Can't complain, mustn't grumble, help yourself to another piece of Apple crumble. 21:05.153 --> 21:07.435 I think that's from one of the tracks off Beauty Stab, isn't it? 21:07.515 --> 21:08.076 Oh, maybe you're right. 21:08.116 --> 21:08.796 Oh no, maybe it isn't. 21:08.816 --> 21:09.857 Maybe it is Offleck's kind of love. 21:10.277 --> 21:11.198 Oops, giving the luck. 21:11.238 --> 21:12.519 I thought I said I knew all the words. 21:12.539 --> 21:12.960 Yeah. 21:13.380 --> 21:15.041 Saw yourself out, Dr. Words. 21:15.761 --> 21:21.104 And Anne Dudley, who arranged the strings for this one we're about to hear as well, also won an Oscar for the score for The Full Monty. 21:21.525 --> 21:22.685 Oh, very good, Jai. 21:22.725 --> 21:25.847 You've certainly been on Wikipedia, haven't you? 21:26.187 --> 21:26.548 Yeah, no. 21:26.568 --> 21:29.889 I actually went into the streets and met everyone involved. 21:29.929 --> 21:31.871 Do you interview Anne Dudley's parents? 21:32.431 --> 21:33.451 Anyway, so here we go. 21:33.491 --> 21:36.033 Here's the first track off of ABC's The Lexicon of Love. 21:37.314 --> 21:38.674 I love this lexicon. 21:39.215 --> 21:40.175 And here it is. 21:40.255 --> 21:41.316 And dig these strings. 21:41.696 --> 21:42.376 KABAM! 21:42.857 --> 21:43.417 A.B.C. 21:43.457 --> 21:45.238 from the Lexicon of Love with Show Me. 21:45.478 --> 21:46.358 Very good indeed, isn't it? 21:46.378 --> 21:46.618 Thanks. 21:47.199 --> 21:47.559 Well done. 21:47.899 --> 21:50.520 And we were just talking there about how important Anne Dudley is. 21:50.560 --> 22:01.105 If you don't know who she is, stick her name into a search engine, because she weaves through the history of British popular culture, TV, movies and music in an extraordinary way. 22:01.385 --> 22:05.907 And she's one of these people whose name isn't famous, which makes her even cooler in my book. 22:06.308 --> 22:08.629 You know, she just does what she does without flashing her 22:09.569 --> 22:10.970 you know, face about the place. 22:10.990 --> 22:12.531 Yeah, you weren't going to say that, were you? 22:12.611 --> 22:13.212 Yeah, I was. 22:13.332 --> 22:15.894 Her name's well known within music circles. 22:16.114 --> 22:16.874 You know what I'm saying? 22:16.914 --> 22:19.436 Yeah, the average person in the street would not know who Anne Dudley is. 22:19.756 --> 22:22.878 However, their life would have been affected by her work in a positive way. 22:22.898 --> 22:23.519 I'll betcha. 22:23.839 --> 22:24.600 Yeah, there you go. 22:24.620 --> 22:26.641 ABC with Show Me. 22:26.801 --> 22:27.542 It's trail time. 22:27.562 --> 22:29.143 What kind of trail have we got here, Jude? 22:29.463 --> 22:30.784 It's for Steven Merchant! 22:30.984 --> 22:31.344 Excellent. 22:31.364 --> 22:32.865 Let's hear what merch has been up to. 22:33.025 --> 22:35.006 That's the members with Sound of the Suburbs. 22:35.046 --> 22:40.730 That was a session, live session, recorded for the Jon Peele show on Radio 1 on the 17th of January 1979. 22:41.630 --> 22:42.991 That was a great day. 22:43.091 --> 22:46.613 And then, of course, Jon Peele did a show called Sound of the Suburbs. 22:46.633 --> 22:47.093 Do you remember that? 22:47.133 --> 22:47.894 Was that on Channel 4? 22:48.374 --> 22:49.014 I think it was. 22:49.154 --> 22:49.735 Maybe it was. 22:50.275 --> 22:50.795 And it was great. 22:50.835 --> 22:56.058 He was going around doing little mini-docs on musical subcultures. 22:56.078 --> 22:56.759 Doctor Mentories. 22:57.459 --> 22:58.259 documentaries, yeah. 22:58.439 --> 22:59.680 He's one of my favourite doctors. 23:00.640 --> 23:01.380 It was a good show. 23:01.400 --> 23:02.380 It was excellent. 23:02.400 --> 23:03.001 Do you remember that? 23:03.261 --> 23:03.681 We used to work. 23:03.701 --> 23:05.501 That was commissioned by a friend of ours. 23:05.521 --> 23:06.521 Do you remember that, Joe? 23:06.701 --> 23:07.022 Yeah. 23:07.702 --> 23:15.344 And there was an amazing one on AFX Twin, one of the very few times I think I've ever seen AFX Twin being interviewed on TV, Richard James, of course. 23:16.044 --> 23:23.906 He's not the best interviewee, but it was pretty amazing seeing him and Pee all coming together and exploding on the television. 23:24.626 --> 23:28.648 There you go, that's my pure sound of the suburb fence for you this morning. 23:29.988 --> 23:33.630 I've spent the week in Europe's capital of jazz. 23:34.530 --> 23:35.291 The jazz capital. 23:35.431 --> 23:36.651 The jazz capital of Europe. 23:37.231 --> 23:37.572 Where's that? 23:37.652 --> 23:38.252 Amsterdam. 23:38.412 --> 23:39.352 Amsterdam. 23:39.432 --> 23:42.374 Jazz cigarettes, jazz magazines, jazz clubs. 23:42.934 --> 23:44.635 If you love jazz, it's the place to go. 23:44.655 --> 23:52.758 I'm a bit old for jazz these days, so I merely wandered past some of the clubs and heard some freestyle clarinet ink. 23:53.078 --> 23:56.580 wafting out the door and went on to better things. 23:56.660 --> 23:56.840 Yeah. 23:57.140 --> 23:59.601 But I watched a bit of Dutch telly while I was there. 23:59.901 --> 24:00.621 Some jazz telly. 24:01.742 --> 24:04.943 I did watch some jazz telly as well, but I watched some proper telly. 24:05.003 --> 24:05.163 Right. 24:05.343 --> 24:07.124 And they've got an amazing game show out there. 24:07.304 --> 24:07.845 What have they got? 24:08.025 --> 24:08.905 It's called Blorken. 24:09.305 --> 24:09.865 Blorken? 24:10.186 --> 24:10.826 Blorken. 24:10.906 --> 24:13.467 B-L-O-double-K-E-N, I think, or maybe E-R. 24:13.667 --> 24:13.827 Uh-huh. 24:14.127 --> 24:14.567 Not sure. 24:14.988 --> 24:16.248 And it's televised Tetris. 24:16.989 --> 24:17.609 Oh, my lord. 24:17.669 --> 24:22.171 Seriously, it's two people behind, you know, quiz show console things. 24:22.191 --> 24:22.351 Yeah. 24:23.051 --> 24:24.332 and a man behind a podium. 24:24.993 --> 24:26.134 And they've got Tetris. 24:27.435 --> 24:29.217 And they answer quiz questions. 24:29.637 --> 24:33.260 And every time they get a quiz question right, they buy three blocks. 24:33.801 --> 24:36.243 And then they play Tetris. 24:36.283 --> 24:39.546 They guide the blocks down and position them. 24:39.686 --> 24:41.087 And it's on a big video screen. 24:41.528 --> 24:41.728 Yeah. 24:41.768 --> 24:43.189 And it looks exactly like Tetris. 24:43.269 --> 24:46.152 It's not like they're taking real three-dimensional blocks and stamping them in. 24:46.192 --> 24:47.513 No, no, that would be good. 24:47.753 --> 24:49.515 No, it's just on the screen. 24:49.995 --> 24:52.697 And when they get a full line, the audience applauds. 24:52.957 --> 24:53.577 Good, they should. 24:53.857 --> 24:54.478 Blerken. 24:54.778 --> 24:57.159 That's what I used to have a little audience whenever I used to play Tetris. 24:57.179 --> 24:58.280 When was Tetris invented? 24:59.181 --> 25:00.181 Invented, I don't know. 25:00.701 --> 25:01.622 How long's it been around? 25:01.802 --> 25:03.743 Late 70s, mid-70s? 25:04.103 --> 25:07.846 Yeah, how long's it been around since the advent of the Game Boy, which is what, early 90s? 25:07.966 --> 25:08.786 Yeah. 25:08.986 --> 25:13.189 There was a documentary all about it, a Russian... So what's going on with Dutch television? 25:13.229 --> 25:14.830 Have they just discovered Tetris? 25:15.550 --> 25:18.512 Or has Blurken been running for 18 years. 25:18.732 --> 25:19.533 It's a classic game. 25:19.573 --> 25:27.158 I mean, if you come up with a format like that, you know, and if you decide that you're just going to put a classic thing on TV, that's all you need. 25:27.198 --> 25:29.019 It doesn't, you know, some things are timeless. 25:29.159 --> 25:30.400 Rubik's Cube, timeless. 25:30.420 --> 25:31.321 You could make a TV show out of that. 25:31.341 --> 25:31.861 There's no, could you? 25:32.081 --> 25:32.281 Yeah. 25:32.321 --> 25:34.263 People solving Rubik's Cubes, could you? 25:34.463 --> 25:34.803 Easily. 25:34.823 --> 25:37.845 There's lots of footage on YouTube of people solving them with their feet and stuff. 25:38.205 --> 25:39.166 You could easily do it. 25:39.286 --> 25:42.068 And Michel Gondry, he solves it with his feet, doesn't he? 25:42.148 --> 25:42.868 Famously, yeah. 25:42.928 --> 25:43.369 What a ponce. 25:43.989 --> 25:50.351 Um, you could get Noel Edmonds to host it, and Edmonds could ring out some drama from that easily. 25:50.371 --> 25:50.731 It's true. 25:51.091 --> 25:56.772 It makes you think, why haven't all the keyboard games and video games been turned into TV game shows? 25:57.152 --> 25:59.093 That's like... Cluedo? 25:59.433 --> 26:00.993 They tried Cluedo, didn't they actually? 26:01.533 --> 26:02.234 Well... Connect 4? 26:04.214 --> 26:05.215 Connect four would be good. 26:05.315 --> 26:08.616 Speed connect four, we talked about this before, but speed connect four would be a good TV show. 26:08.636 --> 26:09.257 Snakes and ladders. 26:09.897 --> 26:10.297 Yeah. 26:10.537 --> 26:11.178 Can't go wrong with that. 26:11.638 --> 26:21.143 No, but a celebrity connect four I would be very good, because it's more complex than noughts and crosses, but it's essentially the same sort of thing, and it sorts the stupid people from there. 26:21.403 --> 26:21.883 Bloken. 26:22.183 --> 26:24.564 Bloken. 26:25.045 --> 26:26.706 What does bloken mean, I wonder? 26:26.986 --> 26:28.066 I mean blocks, blocked. 26:28.166 --> 26:28.426 Blocked. 26:28.446 --> 26:28.907 Blocked. 26:28.927 --> 26:29.207 Blocked. 26:29.827 --> 26:30.408 Blücken. 26:30.488 --> 26:31.529 It's not how they said it. 26:31.789 --> 26:32.109 Really? 26:32.630 --> 26:33.451 In Amsterdam. 26:33.671 --> 26:34.192 Blücken. 26:35.673 --> 26:36.594 That's the end of that anyway. 26:36.774 --> 26:37.355 That's excellent. 26:38.316 --> 26:39.998 Now, it's time for some baby shambles. 26:40.078 --> 26:41.299 Oh, he's back in prison, isn't he? 26:41.319 --> 26:42.120 He's back in prison. 26:42.160 --> 26:43.461 That's where he gets his inspiration. 26:44.022 --> 26:45.523 He's like the musical Oscar Wilde. 26:45.563 --> 26:45.763 Yeah. 26:45.924 --> 26:49.487 He's in Reading Jail, writing another amazing poem. 26:49.507 --> 26:51.529 It's spelled G-A-O-L. 26:52.390 --> 26:52.790 Gail. 26:53.150 --> 26:53.910 Gail. 26:54.091 --> 26:56.051 You know some people like to spell jail that way. 26:56.211 --> 26:56.651 Yeah. 26:56.711 --> 26:57.471 In the olden times. 26:57.571 --> 26:59.232 No, but they still do, that's what I'm saying. 26:59.292 --> 27:04.473 Every now and again you'll read the paper or whatever and someone's spelled it G-A-O-L and you think you are a flaming toolbag. 27:04.493 --> 27:06.914 Do you think he's king of the castle in the prison? 27:07.494 --> 27:08.254 Yes, definitely. 27:08.274 --> 27:10.415 Do you think all the other Krims respect him? 27:10.575 --> 27:11.135 I don't think so. 27:11.195 --> 27:12.997 I think they think he's a loose charlatan. 27:13.057 --> 27:13.517 Do you? 27:13.717 --> 27:14.838 And they punch him up. 27:14.858 --> 27:16.179 They punch him up in the face. 27:16.199 --> 27:17.120 He's not in the charlatans. 27:17.140 --> 27:17.620 They do. 27:18.241 --> 27:19.462 They think he's in the charlatans. 27:19.482 --> 27:20.943 They think he's in the charlatans. 27:21.263 --> 27:21.503 Yeah. 27:21.543 --> 27:22.224 They duff him up. 27:22.604 --> 27:24.366 If you're a lag, get on the blower. 27:24.646 --> 27:26.947 Let us know what you think of a duck. 27:27.028 --> 27:28.028 Is that what they call lags? 27:28.068 --> 27:28.369 Yeah. 27:28.929 --> 27:30.010 Cons, I thought they were called. 27:30.230 --> 27:31.811 There's a couple of different words for them. 27:31.911 --> 27:32.632 Who are the screws? 27:34.673 --> 27:35.374 They're the guards. 27:35.434 --> 27:38.778 Will you explain more while we listen to you talk by Baby Shambles? 27:38.798 --> 27:39.199 No, I won't. 27:39.559 --> 27:40.380 That's good though, isn't it? 27:40.420 --> 27:40.741 Come on. 27:41.282 --> 27:42.683 You talk by Baby Shambles. 27:43.384 --> 27:45.968 And that's the one that was co-written by the lady. 27:46.028 --> 27:46.328 Come on. 27:46.869 --> 27:47.570 Come on, wasn't it? 27:48.366 --> 27:48.667 Was it? 27:48.747 --> 27:49.307 The lady woman. 27:49.347 --> 27:50.268 Yeah, yeah, yeah. 27:50.528 --> 27:50.969 The model. 27:51.650 --> 27:52.270 Model bird. 27:52.410 --> 27:53.411 You're so sexist. 27:53.431 --> 27:53.872 I am a little bit. 27:53.912 --> 27:56.475 It's really emerging this morning that Adam is sexist. 27:56.895 --> 27:59.518 It's amazing how clearly it's emerging. 27:59.538 --> 28:01.920 We got another email from Top Gear man. 28:02.100 --> 28:02.501 Kate Moss. 28:02.521 --> 28:03.442 Thank you, Jude. 28:03.662 --> 28:04.082 Kate Moss. 28:05.324 --> 28:06.285 Shall I tell you what he said? 28:06.305 --> 28:06.965 Yeah, yeah, yeah. 28:06.985 --> 28:08.167 What did he say? 28:08.227 --> 28:09.288 He says... This is Pat. 28:09.608 --> 28:11.048 Yeah, this is Patrick Doyle. 28:11.108 --> 28:13.809 He says to Adam and Jo, what the hell is wrong with you guys? 28:13.929 --> 28:16.550 Why must you insist on stirring up the hornet's nest? 28:16.850 --> 28:17.710 Are you insane? 28:18.030 --> 28:19.010 The feud was over! 28:19.451 --> 28:23.271 Andy, and it's Wilman, not Hillman, by the way, offered you an olive branch. 28:23.792 --> 28:26.152 Now, that branch lies broken in the dust. 28:26.212 --> 28:26.732 And why? 28:27.172 --> 28:32.574 All because of Adam's paranoia and his so-called friend's delusional analysis of the situation. 28:32.814 --> 28:33.874 You can't win this thing. 28:34.134 --> 28:36.815 Walk away now, Adam and Jo, what little of your honour remains. 28:37.515 --> 28:41.578 You're faithfully Pat's top care producer. 28:42.118 --> 28:43.539 He's tweaking my totties. 28:43.739 --> 28:45.941 He wants a confrontation. 28:45.961 --> 28:48.082 He's flicking your... Nigel's. 28:48.122 --> 28:49.403 He's flicking my flagellum. 28:50.504 --> 28:52.525 He definitely wants it to go off, Pat. 28:53.386 --> 28:54.867 Nobody wants it to go off more than us. 28:56.628 --> 29:01.411 We'd like nothing more than to be punched up by the most important and powerful show in the world. 29:02.372 --> 29:03.993 Not by the hamster though. 29:04.233 --> 29:05.554 Hamster's not punching anyone up. 29:05.914 --> 29:14.120 Pamps is not allowed, and somebody else emailed us to point out that the hamster isn't allowed to drink alcohol for two years after his crash. 29:14.420 --> 29:14.660 Right. 29:14.880 --> 29:16.461 So, he couldn't have been drunk. 29:16.701 --> 29:21.885 That's for medical reasons, not because it- Yeah, it was- Yeah, and you can't take him out and have a drink with him to smooth it over. 29:22.085 --> 29:22.965 Okay, got you. 29:22.985 --> 29:23.466 Mm-hmm. 29:23.546 --> 29:25.247 Well, he could have a non-alcoholic sea breeze. 29:25.407 --> 29:26.228 Is that the same, though? 29:26.368 --> 29:27.248 It's delicious, yeah. 29:27.268 --> 29:29.110 He's not gonna loosen his bobs. 29:30.310 --> 29:31.451 No, that's true, that's true. 29:32.432 --> 29:35.494 Now, listen, hey, I think we should launch the nation's favourite feature. 29:36.014 --> 29:36.995 The nation demand it. 29:37.535 --> 29:42.579 Here's the jingle. 29:42.639 --> 29:44.580 What if I don't want to? 29:44.681 --> 29:45.701 But I'm using email. 29:45.861 --> 29:46.562 Is that a problem? 29:50.171 --> 29:57.913 Now this week on Textination Friends, we are chatting about... I'm going to call them Challenge Docs, yeah? 29:58.173 --> 29:58.534 I like it. 29:58.574 --> 30:06.816 Documentaries that involve some kind of challenge that has been set, or it's usually set by the author of the documentary. 30:07.616 --> 30:09.797 Who's the foremost protagonist of the genre? 30:10.117 --> 30:14.278 Well, I would say that Morgan Spurlock is the most famous one. 30:14.338 --> 30:15.959 Would you say he's more famous than Gorman? 30:16.619 --> 30:18.220 Uh, internationally, I would, yes. 30:18.360 --> 30:18.560 Right. 30:18.680 --> 30:19.381 Maybe not, though. 30:19.421 --> 30:20.982 Maybe I'm doing Dave Gorman down. 30:21.062 --> 30:22.983 He's got a massive international following, Gorman. 30:23.103 --> 30:36.652 But the premise is, people who set themselves challenges, they create the challenge themselves and make up some kind of weird challenge that's supposed to illuminate the truth about some kind of a situation. 30:36.733 --> 30:43.457 So Morgan Spurlock did, uh, Super Size Me, where he ate nothing but McDonald's for however long it was. 30:43.517 --> 30:44.318 One month, I think it was. 30:44.358 --> 30:44.838 For a month. 30:45.338 --> 30:45.959 Dave Gorman 30:46.579 --> 30:51.103 possibly created this genre with his, um, I'm Dave Gorman thing. 30:51.123 --> 30:53.925 Was that the first thing he did where he met other people called Dave Gorman? 30:54.185 --> 30:56.487 He was with Danny Wallace at that point, I think, wasn't he? 30:56.667 --> 30:57.768 They were flatmates. 30:58.488 --> 31:00.289 And, uh, there was Tony Hawks as well. 31:00.310 --> 31:03.272 He wrote a book where he dragged a fridge around Ireland. 31:03.732 --> 31:10.356 Yes, but he, I'm not aware of Tony Hawk's, you know, I don't think he's done too many filmed documentaries. 31:10.376 --> 31:11.176 There's what's his name? 31:11.236 --> 31:11.556 Bear? 31:11.696 --> 31:12.677 Bear Gril? 31:13.097 --> 31:13.437 Grease? 31:13.657 --> 31:14.238 Bear Grylls? 31:14.298 --> 31:14.658 Grylls? 31:15.378 --> 31:15.679 What? 31:15.839 --> 31:16.279 Grylls? 31:16.639 --> 31:17.059 Grills? 31:17.279 --> 31:19.641 Spelled G-R-Y-L-E-S, I think. 31:19.681 --> 31:21.021 I'm just gonna call him Bear. 31:21.382 --> 31:22.142 Bear, yes. 31:22.442 --> 31:23.983 He invents challenges for himself. 31:24.043 --> 31:27.145 The other day he invented the challenge of flying over the top of Everest. 31:27.925 --> 31:51.822 in some kind of uh propeller machine you've made jude sick she's being sick on the floor she's being sick all over the floor yeah he's a kind of propeller flying machine yeah and he's uh going over everest right yeah in fact that's on tonight i believe on more for it's repeated it's ridiculous because he set himself the challenge and then he goes about complaining and his wife's getting all upset oh god i hope bear's going to make it 31:52.242 --> 31:55.664 Over the top of Everest, while Bear decided to go over the top of Everest. 31:55.705 --> 31:55.945 Yeah. 31:56.385 --> 31:59.487 It just seems like a waste of the marriage is breaking up. 32:00.688 --> 32:01.769 I don't know how he sounds. 32:01.809 --> 32:02.369 I've never seen him. 32:02.409 --> 32:03.510 Is he British? 32:03.630 --> 32:04.651 I don't know how he sounds. 32:04.691 --> 32:06.112 I only tuned into the last 10 minutes. 32:06.132 --> 32:07.473 I decided he sounds like this. 32:07.833 --> 32:08.413 I think he does. 32:08.433 --> 32:12.335 He's going to say, I'm sorry, darling, I've got to go over Everest. 32:12.375 --> 32:14.016 There's nothing I can do about it. 32:14.056 --> 32:18.759 I set myself the talent that I have to go and I can't get out of it now. 32:19.179 --> 32:24.902 What was Dave Gorman's latest challenge to drive across America whilst only buying fuel from independent? 32:25.482 --> 32:28.604 Yeah, which is quite a refined one from mom and pop operations. 32:28.624 --> 32:30.205 Not sure how successful it was. 32:30.345 --> 32:31.005 I didn't see it. 32:31.305 --> 32:32.106 It was a strange one. 32:32.346 --> 32:34.667 And he almost immediately ran into trouble. 32:34.867 --> 32:38.850 because it's very hard to go across America and not fill up from a corporate station, you know? 32:38.870 --> 32:48.776 From the reviews I read, you've got a similar kind of moment where he stuck himself in some awful corner and he was really punishing himself, but he made the stupid challenge up in the first place. 32:48.796 --> 32:49.156 Well, exactly. 32:49.516 --> 32:52.698 I mean, a few mishaps before him, he gets some problems. 32:52.738 --> 33:01.503 His camera person gets a bad back and she has to fly back home, so he's on his own with his camcorder and he fills up with her. 33:01.523 --> 33:03.805 He has to fill up with her petrol, so she's feeling all sorry for himself. 33:04.665 --> 33:07.327 or is that a euphemism for... It's just rubbish. 33:08.548 --> 33:09.928 I'm off home. 33:09.988 --> 33:11.009 No, she got a bad back. 33:11.069 --> 33:12.250 No, we've had that confirmed. 33:12.870 --> 33:15.072 Now, definitely, she did have a bad back. 33:15.092 --> 33:15.912 She got a bad back. 33:16.132 --> 33:19.254 Gorman is the last person who would lie about something like that, I'm telling you. 33:19.294 --> 33:24.878 He might set himself fatuous challenges, but within the parameters of the challenge, he keeps it absolutely real. 33:25.378 --> 33:28.860 And he kills himself, you know, with hate. 33:29.220 --> 33:32.042 If the challenge goes wrong, you know, he's really down on himself. 33:32.062 --> 33:32.302 Yeah. 33:32.442 --> 33:33.683 But this is a weird thing. 33:33.843 --> 33:50.983 Yeah, he filled up at a petrol station though, and he was so depressed about it that he went on a little mini, kind of supersized me splurge, and he's a vegetarian, but he just, for no apparent reason, he just went off and ate every fast food joint he could find, and then was violently sick the next day, you know, or that night, in fact. 33:52.585 --> 33:55.607 And you just thought, why are you doing this to yourself, Gorman, you lunar? 33:55.707 --> 33:58.249 So what's the text question for people to text in about? 33:58.289 --> 34:02.112 Well, I'm just curious where to go next with these kind of things. 34:02.172 --> 34:04.614 And more challenges for people like Spurlock and Gorman. 34:05.034 --> 34:09.978 I was thinking something about orange, the colour orange, right? 34:10.258 --> 34:14.681 So the premise is, what challenge would you set yourself if you were to make one of these documentaries? 34:14.801 --> 34:16.442 Or can you suggest a new one? 34:17.583 --> 34:21.186 I would eat only oranges, no, only orange food, right? 34:21.406 --> 34:25.289 Any food that's orange, that's all I'm gonna eat for a year. 34:26.090 --> 34:35.977 And I'm gonna do it in orange, in France, and I'm gonna dress entirely in orange, and I'm only gonna listen to music that is orange-related. 34:36.258 --> 34:38.439 Everything in my life is gonna be somehow... Why? 34:38.920 --> 34:39.780 Well, exactly. 34:41.282 --> 34:42.443 Hey, is that your answer? 34:42.543 --> 34:42.763 Yes. 34:43.803 --> 34:45.544 Why do any of them do it? 34:46.224 --> 34:47.684 Because they're trying to prove a thing. 34:47.704 --> 34:49.205 Well, I'm trying to prove something. 34:49.225 --> 34:52.306 Morgan Spurlock's trying to make a point about people's diets. 34:52.486 --> 34:53.706 What do you think I'm trying to do? 34:53.826 --> 34:56.567 Dave Gorman's trying to make a point about the oil industry. 34:56.587 --> 34:57.167 Corporate America. 34:57.328 --> 34:58.568 What about me? 34:58.728 --> 34:59.748 Well, what about you? 34:59.948 --> 35:00.989 Orange things. 35:02.003 --> 35:05.885 I'm trying to make a point about orange things. 35:06.026 --> 35:08.147 Is that so hard to understand? 35:08.167 --> 35:10.228 Here's another one. 35:10.748 --> 35:13.770 Okay, presented with a choice of going left or right. 35:14.511 --> 35:15.451 Nice, I like this already. 35:15.471 --> 35:18.173 For a whole year, I'm always going to go right. 35:18.393 --> 35:23.417 Because Danny Wallace had one called The Yes Man, and he sold that for a million pounds to Jim Carrey. 35:23.497 --> 35:24.437 Exactly, there you go. 35:24.457 --> 35:30.862 I'm gonna sell this for a lot more than that, because it's got all kinds of political overtones as well, even though it's just... Which way are you going though? 35:30.922 --> 35:32.263 I'm going right. 35:32.543 --> 35:34.505 Of course you're going right, I could have guessed that. 35:34.525 --> 35:35.666 Because I'm such a fascist. 35:36.006 --> 35:42.551 But, um, no, mainly because I want the show to be called, uh, Adam Buxton fights for his rights. 35:43.111 --> 35:43.471 Nice. 35:43.692 --> 35:43.992 You know? 35:44.012 --> 35:46.053 So you just turn right the whole time? 35:46.193 --> 35:46.754 All the time. 35:47.074 --> 35:50.016 And are there any other connotations to that? 35:50.737 --> 35:52.178 So it's merely directional. 35:52.258 --> 35:52.578 Yes. 35:53.319 --> 35:53.619 Right. 35:53.639 --> 35:55.360 You realise you'd go round in a circle. 35:56.921 --> 35:57.122 Yes. 35:58.631 --> 35:59.872 Round and round and round. 36:00.432 --> 36:01.172 Yeah, but the wall. 36:01.192 --> 36:04.053 Like somebody paddling with one oar on one side of a boat. 36:04.153 --> 36:04.493 You know. 36:04.813 --> 36:05.854 Anyway, there's a couple of ideas for you. 36:05.874 --> 36:07.234 I'm going to have to think of some now. 36:07.394 --> 36:11.976 So, listeners, we want more notions, more ideas for challenge docs. 36:12.136 --> 36:14.157 Text in your idea to 64046. 36:14.737 --> 36:17.958 That's the text number 64046, please. 36:18.178 --> 36:18.738 How about this one? 36:18.958 --> 36:20.219 Just before we play some music. 36:20.239 --> 36:20.619 Oh, God. 36:20.959 --> 36:22.780 Spend 10 weeks without saying the word cool. 36:23.900 --> 36:24.401 Impossible. 36:24.441 --> 36:25.362 That would be hard, wouldn't it? 36:25.402 --> 36:26.423 I'd like to see someone do that. 36:26.864 --> 36:29.828 Now, here's Les Artiste with Santo Gold. 36:30.188 --> 36:30.729 Uh, there you go. 36:30.749 --> 36:34.473 That was Santo Gold with Les Artiste, not the other way around. 36:34.614 --> 36:38.799 Only an absolute idiot would think it was the other way around. 36:39.159 --> 36:40.801 Sir, I've never even heard of Santo Gold. 36:41.161 --> 36:43.184 Why doesn't anyone tell me these things, you know? 36:43.604 --> 36:46.167 Geoff, in Winbourne, is very angry with you about that. 36:46.187 --> 36:53.315 I'm sure he is, I'm sure, because it makes me look stupid, it makes the big British castle look stupid, it makes everybody look stupid, and it's disrespectful to Santo Gold. 36:53.676 --> 36:56.098 You know, everyone loses in a situation like that. 36:56.499 --> 36:59.382 But here's the thing, we don't get sent those kind of... 37:00.263 --> 37:01.044 CDs, right? 37:01.224 --> 37:04.827 We get sent all the weird stuff, we get sent some wonderful stuff on the margins. 37:05.188 --> 37:13.315 But we don't get all the mainstream, you know, we haven't got the copy of the MGMT album, no one gave us that, because they think, well, Adam and Jo, you know. 37:14.500 --> 37:15.921 You know, they're supposed to go out and buy them. 37:16.442 --> 37:20.606 I know, but there's got to be a perk of being a DJ at the big British castle, right? 37:20.827 --> 37:21.147 Right. 37:21.207 --> 37:21.627 Isn't there? 37:21.888 --> 37:22.148 Yes. 37:22.168 --> 37:23.049 Because it's not the money. 37:23.109 --> 37:23.630 I'll tell you that. 37:25.091 --> 37:28.795 So listen, just to remind you, listeners, Text the Nation is currently open and ongoing. 37:28.815 --> 37:30.116 The text number is 64046. 37:30.917 --> 37:34.160 We're looking for your ideas for Dave Gorman's stroke, Morgan Spurlock. 37:35.081 --> 37:37.162 style documentary challenges. 37:37.242 --> 37:42.083 What framework would you set yourself if you had to do one of these kind of challenge documentaries? 37:42.143 --> 37:45.183 Charlie Borman and Ewan McGregor are the other ones, of course. 37:45.324 --> 37:45.604 Right. 37:45.644 --> 37:48.284 There's one for charity, I think, raising money for charity. 37:48.384 --> 37:48.564 Yeah. 37:48.604 --> 37:49.024 Probably. 37:49.044 --> 37:50.785 Yeah, but that's always... That's an option. 37:50.805 --> 37:52.805 That's not the main motivation, though, is it? 37:52.885 --> 37:55.206 It's not like, hey, let's go and raise the money for charity. 37:55.566 --> 37:56.146 How can we do it? 37:56.946 --> 38:04.268 You know, I'm sure they were delighted by the fact that it was going to charity, but their main objective was to motorbike across Wimbledon. 38:04.488 --> 38:05.288 Here's my one, right? 38:05.708 --> 38:05.889 What? 38:06.029 --> 38:08.689 I'm gonna go around the world nude. 38:09.090 --> 38:09.270 Are you? 38:09.290 --> 38:09.750 Naked. 38:09.890 --> 38:10.310 Well done. 38:10.330 --> 38:13.731 And I'm gonna challenge attitudes to my bits. 38:14.932 --> 38:17.573 Yeah, well that'll be great on a number of levels. 38:17.653 --> 38:18.093 Won't it? 38:18.213 --> 38:22.214 Society's attitudes to your bits, that's a very interesting and multi-layered topic. 38:22.294 --> 38:28.316 It'll be challenging for the cameraman who can do that Austin Powers-stroke-Bewald-style hiding the jennies. 38:28.376 --> 38:28.616 Yes. 38:28.636 --> 38:29.377 With objects. 38:29.437 --> 38:29.737 Yes. 38:29.977 --> 38:30.177 Thing. 38:30.777 --> 38:31.778 That's good, mate. 38:32.038 --> 38:39.406 You know, in a few years' time, wasn't there a documentary not so long ago about people riding around on bikes with their bits all hanging out and stuff? 38:39.506 --> 38:40.287 It's probably being done. 38:40.347 --> 38:43.810 You know, if it's in the right context, people are fine with bits. 38:43.870 --> 38:45.472 This is what I've discovered on YouTube. 38:45.812 --> 38:48.655 YouTube removed one of my videos this week, right? 38:48.915 --> 38:54.421 Because I think someone had complained that there was bits in it, and it was a clip from this show, Shock Video, that Joe and I 38:55.041 --> 39:06.612 a voiceover that's occasionally on Bravo, and I had meticulously censored the clip with little cutouts of Mary Whitehouse's face so that you couldn't see any offending bits, right? 39:06.632 --> 39:09.034 Because I knew what YouTube's policy on bits was. 39:10.231 --> 39:17.798 That wasn't, you know, and still they removed the clip because obviously someone complained about it or whatever, despite the fact that it was a raucously hilarious clip. 39:18.519 --> 39:20.641 And I just thought, what's going on here? 39:20.681 --> 39:31.852 If you search YouTube, there's all sorts of, I mean, there's loads of horrific stuff on there anyway, violence-wise and bad language-wise and all kinds of subversive material on there. 39:32.833 --> 39:35.956 You know, what's the problem with a little bit of lovely nudity? 39:36.456 --> 39:41.980 And of course there is nudity on there as well, but it's under the guise of health and things like that. 39:42.341 --> 39:44.863 I'm going to bring it back round to the text the nation thing. 39:45.103 --> 39:46.244 Yeah, I know, but that's true. 39:46.264 --> 39:47.405 That would have to be said. 39:47.625 --> 39:48.065 Nudism. 39:48.145 --> 39:49.627 I think nudism's been done already. 39:49.687 --> 39:52.649 I was thinking of maybe just being drunk the whole time. 39:52.669 --> 39:53.370 Has that been done? 39:53.950 --> 39:54.811 Being drunk all the time. 39:54.831 --> 39:58.014 Well, Dom Jolly did his thing where he's going around and watching. 39:58.054 --> 39:59.355 What about not having a watch? 40:00.240 --> 40:14.778 not having a- not being aware of the time not being aware of the time there's clocks everywhere though no there aren't aren't there not yeah the the idea of the civil clock the municipal clock is dead right in britain very few municipal clocks around 40:15.419 --> 40:16.560 Councils have ripped them down. 40:16.980 --> 40:18.381 Some councils stamp on them. 40:18.481 --> 40:19.362 Like public toilets? 40:19.582 --> 40:19.782 Yeah. 40:19.962 --> 40:22.044 You know, that's what I would do if I was running for mayor. 40:22.064 --> 40:24.906 They assume everyone has a mobile, so I don't know municipal clocks. 40:25.426 --> 40:26.187 Often they're wrong. 40:26.727 --> 40:26.967 Whoo! 40:27.508 --> 40:28.368 Municipal clocks. 40:28.428 --> 40:29.889 I hate municipal clocks. 40:29.969 --> 40:33.092 Anyway, if you can come up with a better idea, text surely. 64046! 40:35.353 --> 40:37.394 With your idea for your challenge documentary. 40:37.494 --> 40:41.475 Now, here's a track that turns up... This was a B-side, I think, by Beck. 40:42.636 --> 40:46.918 And it turns up on the reissue of Odelay as one of the tracks on the extras disc. 40:47.538 --> 40:52.900 And it's a lovely kind of Latin reworking of... What was the original track called? 40:53.260 --> 40:54.400 Jackass, I think, maybe. 40:54.741 --> 40:56.381 And this is called Bura by Beck. 40:56.821 --> 40:58.822 That's Bura by Beck. 40:59.262 --> 41:02.563 And, er, as I said, you know, you can find that on the Odellay Reissue. 41:02.723 --> 41:04.144 You, er, do you like Reissues, Joe? 41:04.164 --> 41:07.905 Do you go out and buy an album that you were fond of ten years back? 41:07.945 --> 41:10.346 Like, would you get the Air Reissue of Moon Safari? 41:10.406 --> 41:10.606 No. 41:10.626 --> 41:11.526 Ooh. 41:11.886 --> 41:12.106 No. 41:12.386 --> 41:12.666 I don't. 41:12.706 --> 41:13.807 That's not an album I own. 41:14.167 --> 41:14.487 Do you not? 41:14.827 --> 41:20.589 No, because it was perfectly easy to listen to that album feel as if you owned it at other people's houses. 41:20.609 --> 41:22.189 It's a very good album though. 41:22.509 --> 41:24.950 It's got lots of good stuff on there. 41:25.030 --> 41:30.751 This is Adam and Joe here on BBC Six Music Saturday morning and we're halfway through our show. 41:31.432 --> 41:37.033 I'm very quickly going to give you some challenge ideas just to set this ball rolling. 41:37.373 --> 41:43.575 Here's one that's come in from Deep Rest who I believe is a supercomputer who's currently asleep. 41:44.355 --> 41:45.757 Um, but he or she says, 41:59.420 --> 42:06.205 Unfortunately, when I got in front of my house, it was cast in shadow and I had to go to my friend's house until the sun went behind the clouds. 42:06.245 --> 42:07.306 Would that make good TV? 42:07.707 --> 42:08.387 I think that's good. 42:08.447 --> 42:09.648 Don't step on any shadows. 42:09.728 --> 42:10.068 Yeah. 42:10.669 --> 42:11.530 Stay in the sun. 42:12.210 --> 42:14.072 What about Hank Marvin? 42:14.212 --> 42:15.713 Would you be able to step on him? 42:15.733 --> 42:16.153 Nice. 42:16.654 --> 42:17.474 Shadows, you see. 42:17.714 --> 42:18.075 Shadows. 42:18.355 --> 42:20.937 It's time for the news now, read by Rachel Matthews. 42:22.298 --> 42:25.621 What's a Skindy? 42:26.718 --> 42:27.838 Have you ever wondered that? 42:29.119 --> 42:30.599 He's saying Skin Deep, isn't he? 42:30.679 --> 42:31.579 No, it's his Skin Deep. 42:31.859 --> 42:32.400 Skin Deep. 42:50.640 --> 42:52.621 Skindy by the Stranglers. 42:52.741 --> 42:53.581 It's like a gnome. 42:53.641 --> 42:57.483 It's, uh, Jude, our producer, was saying maybe it's the Brazilian gnome man. 42:57.583 --> 42:58.103 Argentinian. 42:58.283 --> 42:59.024 Argentinian. 42:59.204 --> 42:59.404 Yeah. 42:59.764 --> 43:01.285 Yeah, it's a Skindy bear. 43:01.425 --> 43:04.306 One or two people have texted us to follow up the Argentinian gnome. 43:04.366 --> 43:12.570 We were talking about the famous YouTube video last week, and one of the most interesting suggestions is that it is a viral promotional video for a Halo game. 43:13.791 --> 43:17.455 Adam, you don't really play video games, but there's a creature in the video game, Halo, called a grunt. 43:17.955 --> 43:22.320 One of the littlest, like the pawns in a chess game, one of the littlest guys, they're quite easy to kill. 43:23.041 --> 43:26.625 Looks and moves very similarly to that gnome in that video. 43:27.505 --> 43:33.952 And there's a director called Neil Blauclampt or something who's done some promotional stuff for Halo, and it could be one of his. 43:34.212 --> 43:35.173 Told you it was a viral, didn't I? 43:35.814 --> 43:52.664 you did but you might not be right i might not be right i am right you are right yeah um i just found out did you yeah really i'm right i'm right about that makes a change why were you looking at me like that when you're talking about the grunt 43:55.259 --> 43:58.101 Why, do you think I was insinuating that you're a grunt? 43:58.381 --> 43:58.942 Yeah. 43:59.222 --> 44:02.084 All the stuff you said about a short man is easy to kill. 44:05.106 --> 44:06.888 Because I think you look like a grunt. 44:06.908 --> 44:07.428 I knew it! 44:07.628 --> 44:08.529 And I'm gonna kill you. 44:08.649 --> 44:09.049 I'm right. 44:09.069 --> 44:10.390 I was right about that as well. 44:10.410 --> 44:11.111 Yeah, you're right. 44:11.131 --> 44:15.974 Are we gonna do Texanation now, or are we gonna leave it after the next song? 44:15.994 --> 44:17.075 Have you got a few there? 44:17.536 --> 44:18.596 Yeah, I've got quite a lot. 44:18.837 --> 44:19.117 Oh, okay. 44:19.137 --> 44:19.997 Well, let's have a few now. 44:20.298 --> 44:21.959 Just to remind you, listeners, should we have the jingle again? 44:27.121 --> 44:29.061 What if I don't want to? 44:29.161 --> 44:30.161 But I'm using email. 44:30.342 --> 44:31.062 Is that a problem? 44:31.082 --> 44:40.164 Yeah, just to remind you folks that the nation's favourite feature this week concerns challenge documentaries. 44:40.284 --> 44:50.047 Yeah, where you make up a kind of stupid challenge for yourself that's supposed to illuminate some aspects of life and then make a documentary about it like Morgan Spurlock did or Dave Gorman does. 44:50.307 --> 44:51.507 They're the kings of the genre. 44:51.727 --> 44:57.169 Yeah, so you're going to take your role as a commissioning editor again, Adam, and I'm going to pitch you some of these shows. 44:57.229 --> 44:57.709 All right, good. 44:57.829 --> 44:59.349 And will you commission them? 44:59.970 --> 45:01.570 OK, here's one from Oliver in Hackney. 45:01.710 --> 45:01.910 Yeah. 45:02.250 --> 45:11.693 He says he's looking for a TV company to fund his challenge to live for a year while spending at least £1,000 a day as a damning indictment of money and stuff. 45:12.313 --> 45:12.834 That's good. 45:13.414 --> 45:16.175 Yes, I'm going to commission that, but I want to be in it. 45:16.635 --> 45:17.375 That's going to cost £360. 45:17.455 --> 45:17.715 No, £10,000, he says. 45:20.996 --> 45:22.278 So that's going to be very expensive. 45:22.298 --> 45:24.400 He says spend at least $10,000 a day. 45:24.420 --> 45:25.862 For how long is he doing it? 45:26.062 --> 45:26.443 A year. 45:26.743 --> 45:27.284 A year? 45:27.344 --> 45:28.345 What's that? 45:28.365 --> 45:28.646 $10,000 a day? 45:28.666 --> 45:30.288 That's $350... No? 45:30.308 --> 45:33.332 $3 million. 45:33.412 --> 45:34.974 Nearly $3 million for a year. 45:35.474 --> 45:36.075 Commissioning that one? 45:36.195 --> 45:36.496 Quickly? 45:36.516 --> 45:37.497 Yes, yeah, I'm 45:37.777 --> 45:38.057 Yes. 45:38.318 --> 45:38.618 Wow. 45:38.738 --> 45:50.469 That's most of your annual budget gone down the drain and you might not be able to fund this one from Daniel who says, for one month I would answer any question with the opposite opinion or view or answer to my actual true answer. 45:50.529 --> 45:52.791 I was thinking about that very idea. 45:53.291 --> 45:58.036 It's hard to regulate those hard to establish whether it really is your... You just have to be honest. 45:59.062 --> 46:23.219 be honest yeah difficult commodity television no no no so is that is that a goer no no not being commissioned Daniel that's rough sorry Daniel good idea here's George from Sheffield he says my challenge would be to find the longest stretch of downhill I could find then travel down it in a pair of those kids shoes with wheels in the heel balancing precariously all the way possibly all the way down Ben Nevis to the River Thames 46:24.039 --> 46:25.821 Which is, of course, at the foot of Ben Nevis. 46:26.322 --> 46:27.964 And then down into the North Sea. 46:28.365 --> 46:30.207 I'd call it the wheelie big adventure. 46:30.387 --> 46:31.909 Wheelie, the wheelie big adventure. 46:32.069 --> 46:33.090 That's good, I like it. 46:33.130 --> 46:34.933 I'm gonna get Lenny Henry to do that one. 46:35.273 --> 46:35.513 Really? 46:35.554 --> 46:36.675 What if George wants to do it? 46:36.835 --> 46:37.135 No. 46:37.556 --> 46:37.977 George? 46:38.117 --> 46:40.420 He hasn't got the chops, he's not a lovable... Can George exact produce? 46:40.540 --> 46:41.140 Exact prod. 46:41.261 --> 46:41.521 Yeah. 46:41.821 --> 46:41.901 Yeah. 46:41.921 --> 46:42.041 Yeah. 46:42.101 --> 46:42.562 All right, George. 46:42.682 --> 46:43.002 Okay. 46:43.042 --> 46:43.242 Got it. 46:43.282 --> 46:43.743 We got that one. 46:43.763 --> 46:44.844 But I want Lenny for that one. 46:44.864 --> 46:45.124 Okay. 46:45.164 --> 46:45.864 Darryl in London. 46:45.904 --> 46:48.086 Go a whole year eating only food that's free. 46:48.567 --> 46:48.827 E.G. 46:48.887 --> 46:50.048 Free samples at supermarkets. 46:50.088 --> 46:53.430 Other people's free food when they do buy one, get one's freeze. 46:53.831 --> 46:54.471 Well, we did. 46:54.511 --> 46:55.912 Yeah, we did a similar challenge. 46:56.113 --> 46:56.853 And it was terrifying. 46:56.893 --> 46:58.875 He's going to try and live for a year, though. 46:58.935 --> 47:00.536 Your nerves wouldn't be able to stand it, honestly. 47:00.556 --> 47:02.498 There was a Japanese game show where somebody did that, didn't they? 47:02.518 --> 47:05.200 They locked him in a room and he could only eat off things that he won. 47:05.640 --> 47:22.505 from competitions and magazines yeah he died he died he didn't I'm making that up but probably is that one go is that a goer that's a good idea I like that one yes it's being commissioned Wow here's one from John in Newcastle my challenge would be to cross the UK whilst avoiding any kind of path or road 47:23.385 --> 47:24.346 That's good, I think. 47:24.606 --> 47:24.886 Why? 47:24.906 --> 47:27.848 Because it's about the diminishment of grass. 47:28.088 --> 47:28.889 The diminishment? 47:28.909 --> 47:29.969 Come on, it's a big issue. 47:30.090 --> 47:32.451 Already when it rains, everyone's tarmac their front gardens. 47:32.711 --> 47:34.793 That's one of the causes of flooding, right? 47:35.553 --> 47:37.955 It's important to have absorbent land. 47:38.155 --> 47:39.096 Absorbent land? 47:39.136 --> 47:40.657 Yeah, otherwise it all floods. 47:40.797 --> 47:41.217 You're right. 47:41.237 --> 47:41.877 You've talked me around. 47:41.917 --> 47:42.778 Yeah, I'm commissioning it. 47:43.218 --> 47:43.699 Wicked! 47:44.179 --> 47:46.701 We've got four out of five commissioned. 47:46.801 --> 47:48.782 I feel bad for the one guy I didn't commission now. 47:49.022 --> 47:50.302 Really, yeah, that's Daniel. 47:50.362 --> 47:52.843 He's apparently angry and on his way to the studio. 47:52.863 --> 47:54.523 He's probably the best one as well. 47:54.723 --> 47:55.783 Here's someone who's anonymous. 47:55.823 --> 48:01.265 I'd spend a year in bed watching TV, being brought food to see how hard it is for ill people. 48:03.545 --> 48:05.846 That's just students basically. 48:05.886 --> 48:06.526 Here's a quote. 48:06.646 --> 48:09.806 Here's a quote, a possible line of dialogue that will be said during this documentary. 48:10.247 --> 48:15.968 Well, I've been in bed for a week now and I'm already, I'm feeling like I'd like to not be in bed. 48:17.388 --> 48:18.389 So this is the thing, isn't it? 48:18.409 --> 48:23.673 This is the surprising thing that you find out at the beginning of the documentary You think it would be fun to be in bed and being in bed all the time. 48:23.713 --> 48:24.954 It's not so fun after all. 48:25.034 --> 48:29.197 It turns out it's not as stinky and sweaty and there's food in my crack. 48:29.217 --> 48:29.737 Exactly. 48:29.837 --> 48:30.398 Yes or no? 48:31.259 --> 48:33.180 I am commissioning that. 48:33.200 --> 48:33.440 Yes. 48:33.580 --> 48:34.661 I'm putting that on BBC 3. 48:34.701 --> 48:35.762 This is amazing. 48:36.242 --> 48:36.682 Oh, that's 48:37.903 --> 48:40.005 Okay, here's another one from Jem in Bristol. 48:41.086 --> 48:41.927 What? 48:42.027 --> 48:42.728 No, I'm skipping. 48:42.788 --> 48:44.089 Sorry, Jem, to raise your hopes. 48:44.129 --> 48:44.950 I'm skipping your one. 48:44.970 --> 48:45.570 Is that filthy? 48:45.610 --> 48:46.651 No, she's got a good one. 48:47.071 --> 48:54.217 Spend a year only communicating through the medium of mime to highlight the tragic demise of mime as a genre of entertainment. 48:55.098 --> 48:58.880 Well, what about people who are mute and have to, uh... That's as well. 48:58.920 --> 48:59.720 That's sign language. 49:00.181 --> 49:02.442 I'm doing Gem's job for her, but I think that as well. 49:02.562 --> 49:03.522 Anything to get it commissioned. 49:04.083 --> 49:04.743 Anything you say. 49:05.043 --> 49:06.184 No, listen, I'm not commissioning that. 49:06.204 --> 49:06.644 I'm sorry. 49:06.664 --> 49:06.904 Gem! 49:07.564 --> 49:08.745 No, that's terrible. 49:08.785 --> 49:09.345 I'm not. 49:09.605 --> 49:10.506 She's screaming in prison. 49:10.526 --> 49:12.467 Shall we have some more of these after... Yeah, we'll come back to these later. 49:12.887 --> 49:13.627 Keep them coming in. 49:13.647 --> 49:18.510 The text number is 64046, or you can communicate via email if you're scared of texts. 49:18.930 --> 49:23.993 Adamandjo.6musicatbbc.co.uk It's Ganal's Barkley time. 49:24.033 --> 49:24.453 This is run. 49:24.733 --> 49:26.955 That's Snarls Barkley with Run. 49:26.995 --> 49:27.816 This is Adam and Joe. 49:27.836 --> 49:35.904 We're here on BBC 6 Music on a Saturday morning, where we are every Saturday morning from 9 till 12, and it's a pleasure to be here, may I say, Joe? 49:36.144 --> 49:36.505 Thank you. 49:36.765 --> 49:38.827 You know what the thing is about BBC 6 Music? 49:38.847 --> 49:39.668 What is the thing about it? 49:39.688 --> 49:41.590 The thing about it is, here's the thing. 49:42.190 --> 49:43.452 It's only available on digital. 49:44.052 --> 49:58.752 Yeah, so you've got to be technically slightly sophisticated to get it I got Recognized this week by a kind of a van I finish man was gonna say right that the the vagrant man was Listen because he didn't have a digital radio. 49:58.792 --> 49:58.972 Yeah 50:00.436 --> 50:29.309 uh... so what we do about him my point is it's only available on digital or by the internet on listen again or by the podcast available on uh... itunes what you saying jude or on tv sky channel whatever it is or free view channel but my point is that you've got to make a bit of effort right so everyone listening is a little bit extra cool that's true yeah they'd sort the the wheat from the chaff they've gone the distance and maybe you know maybe they've discovered the wonders of six music 50:30.189 --> 50:30.829 In general. 50:31.730 --> 50:34.491 And what a wonderful box that is to open up. 50:34.511 --> 50:35.552 It's a box full of fun. 50:35.792 --> 50:36.252 Exactly. 50:36.272 --> 50:37.593 It's like a big box of cakes. 50:37.933 --> 50:39.694 Here's a free play from me. 50:39.794 --> 50:46.857 This is another of my favourite 80s artists, a bit later in the 80s now, Thomas Dolby, from an album called The Flat Earth. 50:47.277 --> 50:50.699 Now, just to get you into Thomas Dolby... I probably know all the words to this one. 50:50.959 --> 50:51.219 Yeah. 50:51.319 --> 50:51.979 To this album. 50:52.260 --> 50:53.380 This is a really good album. 50:53.480 --> 50:54.400 Very, very good album. 50:55.181 --> 51:01.263 Thomas Dobby's father was a professor of classical Greek art and archaeology at the University of London and Oxford University. 51:01.463 --> 51:01.603 Ooh. 51:01.943 --> 51:02.283 All right. 51:02.363 --> 51:06.685 Imagine that his genetic inheritance from a brainiac dad like that. 51:06.705 --> 51:09.246 So already he's dealing with a boffin. 51:09.286 --> 51:09.766 Yeah. 51:09.906 --> 51:16.009 He was given the nickname Dolby by his school chums because he was inseparable from his cassette player. 51:16.029 --> 51:16.509 There you go. 51:17.270 --> 51:18.011 Yeah. 51:18.672 --> 51:25.680 Dolby then tried to sue him and he legally agreed with them that he would only ever use the word Dolby connected to Thomas. 51:26.341 --> 51:29.284 He'd never use it outside that context. 51:29.485 --> 51:32.368 It's nice of Dolby laboratories to be bendy on that issue. 51:32.949 --> 51:33.890 It is, isn't it? 51:34.150 --> 51:35.912 And you know, if you're into rock, 51:36.653 --> 51:38.354 And you think Dolby might not be for you? 51:38.474 --> 51:46.938 Remember he played the keyboard on Def Leppard's 1983 album Pyromania under the pseudonym Booker T. Boffin. 51:47.378 --> 51:48.338 No, did he really? 51:48.358 --> 51:48.538 Yeah. 51:49.419 --> 51:50.359 Dolby Facts. 51:50.459 --> 51:53.541 I don't know, that's not going to change anyone's minds on Dolby though, is it? 51:54.261 --> 51:55.121 love Def Leppard. 51:55.381 --> 51:56.982 They're big, they're very important. 51:57.442 --> 51:58.102 Everyone loves them. 51:58.122 --> 51:59.043 Well they are, they're massive. 51:59.203 --> 52:06.285 Plus, he invented, this might make you dislike him, he invented a lot of the software that allowed polyphonic ringtones to exist. 52:06.645 --> 52:15.469 And he wrote hundreds of basic phone ringtones that come installed in your phone, including the famous polyphonic Nokia theme. 52:16.989 --> 52:18.710 Is that the Nokia theme? 52:18.730 --> 52:19.990 I'm sure a listener will tell us. 52:20.270 --> 52:20.971 He wrote that? 52:22.251 --> 52:22.871 Surely not. 52:22.891 --> 52:23.511 That's amazing. 52:23.531 --> 52:27.252 That's more impressive than, you know, having written that startup chime. 52:27.292 --> 52:29.453 Yeah, the Apple or the Microsoft one. 52:29.493 --> 52:31.033 I think it might be Microsoft. 52:31.373 --> 52:34.834 Yeah, anyway, here's a track from the Flat Earth Thomas Dolby's album. 52:35.114 --> 52:36.554 This is called I Scare Myself. 52:37.894 --> 52:38.334 Mellow. 52:39.194 --> 52:41.215 Mellow jazz on a Saturday. 52:42.475 --> 52:43.395 With Thomas Dolby. 52:45.656 --> 52:50.097 Is that you playing guitar on there? 52:50.117 --> 52:50.297 Yeah. 52:50.517 --> 52:51.077 That's good, man. 52:51.097 --> 52:51.437 Well done. 52:53.368 --> 52:54.710 I'm gonna play this piano riff here. 52:56.052 --> 52:57.354 Mmm, that wasn't so good. 52:57.374 --> 52:58.496 Oh come on, that was brilliant. 52:58.516 --> 53:00.498 That was a shame, that ruined it, you ruined it. 53:00.919 --> 53:09.391 That was Thomas Dudley until he got ruined by Adam Buxty at the end with I Scare Myself from his marvellous album The Flat Earth. 53:09.992 --> 53:11.312 Yeah, it's an absolute peach on there. 53:11.332 --> 53:12.293 What was the hit on there? 53:12.753 --> 53:19.775 Oh, it was, um... It was one that was not hyperactive, which was not really representative of the rest of the album, was it? 53:19.795 --> 53:20.435 That is correct. 53:20.915 --> 53:22.575 Hyperactive, that's a good song, though. 53:23.036 --> 53:23.236 Yeah. 53:23.476 --> 53:24.516 That's a good one. 53:25.476 --> 53:26.957 Now, are we gonna say something to that joke? 53:27.037 --> 53:27.157 No. 53:27.637 --> 53:27.757 Oh. 53:28.797 --> 53:32.698 Well, you said the way you were breathing led me to believe that you were going to speak. 53:34.119 --> 53:35.159 What kind of breathing is that? 53:37.104 --> 53:37.845 That's a Skindy. 53:38.085 --> 53:39.145 That's the way a Skindy breathes. 53:39.245 --> 53:39.545 Really? 53:39.625 --> 53:39.965 Yeah. 53:40.626 --> 53:42.326 That's why the Strangers wrote a song about it. 53:43.167 --> 53:47.128 Now, I'm not going to play... Shall I play my song sometime in the next half hour? 53:47.388 --> 53:47.948 Yeah, I think so. 53:47.989 --> 53:48.629 What is your song? 53:48.669 --> 53:50.129 What's the story behind the song? 53:50.169 --> 53:51.630 What's the story behind the song, right? 53:51.670 --> 53:53.111 This is one that I had. 53:53.251 --> 53:56.832 It's actually an offshoot of one of our previous projects. 53:56.892 --> 53:59.074 This is like that MTV show Storytellers. 53:59.134 --> 53:59.394 Yeah. 53:59.515 --> 54:01.877 Where the star tells you the story behind the song. 54:01.957 --> 54:02.157 Right. 54:02.497 --> 54:05.380 Sting on a stool with some Sting fans all around him. 54:05.500 --> 54:07.142 Well, it's very stool-based, certainly. 54:07.382 --> 54:11.566 But you must have had a few song wars, songs that you started, you got in a different direction. 54:11.626 --> 54:11.846 Yes. 54:12.307 --> 54:13.007 And... Rejects. 54:13.047 --> 54:13.828 Yeah, exactly. 54:14.148 --> 54:15.670 Well, this isn't a reject as such. 54:16.050 --> 54:20.755 I can't remember which it was started for, maybe even the Kate Nash one not so long ago. 54:21.435 --> 54:23.816 And then I sort of went in a different direction with it. 54:24.177 --> 54:35.522 And I ended up, like I've set myself a, this is a challenge that I've set myself, I'm not making a documentary about it though, is to occasionally write songs about other musicians that I know nothing about. 54:35.542 --> 54:37.543 Because it's a fun thing, you know what I mean? 54:37.583 --> 54:39.224 You sort of just use guesswork. 54:39.684 --> 54:39.884 Right. 54:39.904 --> 54:42.866 You know a little bit about them, you're vaguely aware of their oeuvre. 54:43.706 --> 54:46.928 So I'm writing tribute songs about people that I don't really know that much about. 54:46.948 --> 54:47.288 Good idea. 54:47.629 --> 54:49.470 And I've written one about Jackson Brown. 54:49.490 --> 54:50.490 Do you know Jackson Brown? 54:50.530 --> 54:51.671 Not very much about him. 54:51.791 --> 54:53.012 I don't know much about him either. 54:53.452 --> 54:54.313 So I've written a song. 54:54.373 --> 54:57.114 All I know about Jackson Brown is that a lot of ladies like him. 54:57.314 --> 54:57.735 Right. 54:58.355 --> 55:03.418 At least two or three girls that I went out with in my life, they were big Jackson Brown fans. 55:03.898 --> 55:06.240 And I've tried to listen to Jackson Brown on occasion. 55:06.280 --> 55:09.081 I've got Late for the Sky, which is a big Jackson Brown album. 55:09.482 --> 55:10.262 It's quite boring. 55:11.611 --> 55:29.330 So armed only with my knowledge my scant knowledge of late for the sky I've written a Jackson Brown tribute song which I will be playing you listeners sometime in the next half hour here on BBC six music But we're coming up to 11 o'clock now, and I think it's time that we played some hot chip Don't you is this the new single? 55:30.070 --> 55:31.911 One Pure Thought by Hot Chip. 55:32.131 --> 55:33.851 Kirsty McCall with Innocence. 55:34.451 --> 55:36.292 This is Adam and Joe here on BBC Six Music. 55:36.332 --> 55:38.352 Joe's chuckling away at their texts and emails. 55:38.412 --> 55:39.113 Yeah, they're funny. 55:39.613 --> 55:44.394 Some of the things that people are suggesting are funny, but more than that, it's the way people write them that make me laugh. 55:45.714 --> 55:53.877 But keep them coming in, 64046, and we'll do some more ideas for high-concept personal challenge programmes in a while. 55:53.917 --> 55:56.937 But first, I think we're going to hear Adam's exciting new song. 55:57.357 --> 55:57.458 And... 55:59.538 --> 56:01.518 Adam man, I've just got to say thanks for doing this. 56:01.558 --> 56:20.862 Yeah, cuz I was lazy this week and went off on holiday and You've filled the gap that my laziness has left who went off to watch blocking a Blurken holiday apparently blocking the from Belgium, but it's shown on Dutch television It's been around for 10 years for 10 years Someone in the UK should do that. 56:21.263 --> 56:23.163 No, they shouldn't we could host that come on 56:23.683 --> 56:40.446 was boring program I've ever seen I thought you were saying it was fun it was fun it's compelling compelling boring anyway so because of Joe's block and mini break there was no song wars this week we're gonna do it next week though right yes we are definitely 56:41.627 --> 56:50.574 But what I did was I went back into my vaults listeners because I couldn't bear the idea of you guys being without a original crappy song to listen to. 56:51.014 --> 56:55.998 And I sort of thought as I was emailing it to our producer Jude last night, why am I doing this? 56:56.038 --> 56:59.821 Because the whole point of the thing is the face off element, right? 57:00.221 --> 57:03.824 I mean, it seems a bit insane if you just do one song, one insane song. 57:03.844 --> 57:04.905 Yeah, I did it before. 57:05.265 --> 57:07.165 Yeah, that's true, but no more Song Wars song. 57:07.325 --> 57:08.606 Yeah, but there was a reason for it. 57:08.626 --> 57:09.606 There's no real reason for this song. 57:09.626 --> 57:10.366 That was ruddy good. 57:10.546 --> 57:11.266 It was amazing. 57:12.527 --> 57:26.190 Anyway, so yeah, this is about Jackson Brown, and mainly because I just had the name, the name, I saw the name in a mag or whatever, and I just got it in my head, and I was thinking Jackson Brown, Jack, who was just a fun name to say, and I thought this is a good chorus for a song. 57:26.630 --> 57:30.631 Okay, Adam's mad, and he's written this mad song, and here it is. 57:32.871 --> 57:37.260 Well my songs are a way to communicate the pain 57:44.097 --> 58:08.080 Again and again I use my voice to sing all the words If I did, if they would slip away like unloved birds I'm Jackson Brown, I'm Jackson Brown I'm taking off my feelings and I'm riding her down I lost love there, a heartbreak here If I did, I'd write them down 58:14.642 --> 58:37.554 My best love album is late for the sky It features many songs that will make you wanna cry It's a West Coast sound, it's warm with bitter sweet If you like that kind of thing then you're in for a treat Well it's ideal for an evening with a lady or some friends who can play it In the background when the dinner's such a 58:37.834 --> 59:02.264 The mood is consistent so your guests should be fine And it slips down nicely with a lovely glass of wine I'm Jackson Brown, I'm Jackson Brown I've taken all my feelings and I'm writing them down I lost love there, a heartbreak here If I didn't write them down they would simply disappear 59:17.737 --> 59:37.568 I'm Jackson Brown, I'm Jackson Brown I'm taking all my feelings and I'm riding them down I'm lost out there, a heartbreak here If I didn't write them down they would simply disappear I'm Jackson Brown, I'm Jackson Brown 59:41.491 --> 59:50.137 is brown, my voice ain't wild, my songs ain't crazy, the one of them was used in the Phil Basko Sizes. 59:52.757 --> 59:53.397 It's finished. 59:53.497 --> 59:54.018 It's finished. 59:54.158 --> 59:58.360 I had trouble concentrating on that because I was reading the hilarious texts. 59:58.480 --> 59:59.540 Oh, well that's great, isn't it? 59:59.560 --> 59:59.880 That is. 59:59.900 --> 01:00:00.801 I can't do my job. 01:00:00.821 --> 01:00:01.341 Yeah, yeah. 01:00:01.361 --> 01:00:02.021 That was good though. 01:00:02.502 --> 01:00:02.802 Was it? 01:00:04.443 --> 01:00:06.043 Fill me in on what just happened. 01:00:07.424 --> 01:00:15.988 I feel very much the same way as I do when I have that dream that I've woken up in school naked in a bed. 01:00:16.028 --> 01:00:16.729 You know what I mean? 01:00:16.789 --> 01:00:19.490 You have that kind of dream when you wake up. 01:00:20.090 --> 01:00:21.051 and you feel humiliated. 01:00:21.071 --> 01:00:24.234 Anyway, it was great, it was really good. 01:00:24.254 --> 01:00:27.997 I'm just being honest, I was reading the text and I forgot to focus on it. 01:00:28.377 --> 01:00:29.998 I've got to read the texts. 01:00:30.979 --> 01:00:32.601 I've been told to leave by the producer. 01:00:32.721 --> 01:00:36.404 So that's a solo, you don't have to vote for that because there's only one of those. 01:00:36.604 --> 01:00:43.349 But if it was a category for Song Wars, the category would be songs about artists you know very little about. 01:00:44.170 --> 01:00:44.470 Okay? 01:00:44.970 --> 01:00:47.251 And, uh, unfortunately there's only one entrance. 01:00:47.291 --> 01:00:51.333 What, um, what, uh, now you know and don't let this make you angry. 01:00:51.933 --> 01:00:52.213 Here we go. 01:00:52.233 --> 01:00:54.094 But what equipment are you using? 01:00:54.114 --> 01:01:00.836 Because I mentioned the other week I went round to Adam's house and, uh, I was startled by the amount of equipment that he's bought in. 01:01:00.856 --> 01:01:02.377 I've bought one keyboard. 01:01:02.737 --> 01:01:05.258 He's bought the most amazing keyboard. 01:01:05.678 --> 01:01:06.998 You have more than one keyboard. 01:01:07.199 --> 01:01:10.760 Well, I've got my basic keyboard that you... It's a very simple question. 01:01:10.800 --> 01:01:10.920 Yeah. 01:01:11.460 --> 01:01:13.120 What equipment did you use on that? 01:01:13.240 --> 01:01:13.561 On that? 01:01:13.641 --> 01:01:14.221 Garageband. 01:01:14.441 --> 01:01:14.681 Really? 01:01:14.701 --> 01:01:15.901 Is that entirely garageband? 01:01:16.001 --> 01:01:17.541 No, but I play keyboard on it. 01:01:17.861 --> 01:01:17.981 Right. 01:01:18.001 --> 01:01:19.582 Have you ever plugged in a keyboard to Garageband? 01:01:19.642 --> 01:01:19.802 No. 01:01:19.922 --> 01:01:20.902 Oh, it's a whole new world. 01:01:20.962 --> 01:01:23.363 I do musical typing on the, on the QWERTY open keyboard. 01:01:23.383 --> 01:01:24.883 You can do the same thing, yeah, exactly. 01:01:25.243 --> 01:01:28.244 It's just a, an actual physical keyboard rather than the one on screen. 01:01:28.404 --> 01:01:28.584 Right. 01:01:28.604 --> 01:01:29.204 Drum machine? 01:01:29.984 --> 01:01:30.484 Uh, no, no. 01:01:30.584 --> 01:01:31.464 You have a drum machine. 01:01:32.065 --> 01:01:32.945 Uh, I've got an old one. 01:01:32.965 --> 01:01:33.485 Do you? 01:01:33.665 --> 01:01:35.965 Or do you not have a drum machine? 01:01:36.045 --> 01:01:37.346 I didn't use one on that one. 01:01:37.406 --> 01:01:37.846 Didn't you? 01:01:37.986 --> 01:01:38.046 No. 01:01:39.429 --> 01:01:40.410 I haven't got anything. 01:01:40.670 --> 01:01:41.951 It's all garage band, mate. 01:01:42.071 --> 01:01:42.271 Come on. 01:01:42.291 --> 01:01:42.831 Is it all garage band? 01:01:42.851 --> 01:01:43.612 It's all in there. 01:01:43.772 --> 01:01:44.853 It's just need to explore. 01:01:45.093 --> 01:01:45.433 Really? 01:01:45.473 --> 01:01:46.054 It's amazing. 01:01:46.594 --> 01:01:51.237 Of course, there are other music making programs available on the market, ladies and gentlemen. 01:01:51.337 --> 01:01:55.820 Listen, the point I'm trying to make is you've got lots of equipment that I don't have. 01:01:55.940 --> 01:01:59.803 Therefore, if your songs sound better than mine, it's not because you're better. 01:01:59.863 --> 01:02:02.224 It's because of the money you spent on the equipment. 01:02:02.244 --> 01:02:02.665 Yeah. 01:02:02.905 --> 01:02:04.386 That's the point I'm trying to make. 01:02:04.466 --> 01:02:04.746 Is it? 01:02:05.066 --> 01:02:05.366 Yeah. 01:02:05.386 --> 01:02:06.887 Is that coming across? 01:02:06.907 --> 01:02:07.028 At all? 01:02:10.650 --> 01:02:11.411 Am I hinting? 01:02:11.451 --> 01:02:12.812 What's the opposite of magnanimous? 01:02:15.614 --> 01:02:17.115 Not-not-mogamous. 01:02:18.015 --> 01:02:18.696 Nog-nanimous. 01:02:18.836 --> 01:02:19.496 Nog-nanimous. 01:02:19.556 --> 01:02:19.897 I don't know. 01:02:20.057 --> 01:02:22.218 We'll be back with more of your, uh, text. 01:02:22.238 --> 01:02:23.759 There are some brilliant ones coming in. 01:02:23.779 --> 01:02:26.101 Plus we've got to figure out what our theme for Song Wars is next week. 01:02:26.141 --> 01:02:26.781 We've got to figure that out. 01:02:26.822 --> 01:02:31.725 If you've got any suggestions, do email adamandjo.sixmusicatpbc.co.uk. 01:02:32.305 --> 01:02:39.150 Someone, in fact, people say, this is the last thing I'm going to say about Song Wars this week, but when we played that Sparks track earlier on, everyone thought that was a song. 01:02:39.190 --> 01:02:44.154 I wonder if they used a bit of Garage Band on there, because they... Apparently they spent a lot of money on equipment. 01:02:44.294 --> 01:02:44.694 Here we go. 01:02:44.714 --> 01:02:46.195 Do you know how much I spent on that keyboard? 01:02:46.375 --> 01:02:46.675 How much? 01:02:46.895 --> 01:02:47.516 200 pounds. 01:02:47.716 --> 01:02:49.237 How much did you spend on your Chaos-a-lator? 01:02:49.257 --> 01:02:50.638 100 pounds. 01:02:51.319 --> 01:02:51.799 Pathetic. 01:02:52.199 --> 01:02:52.799 It says it all. 01:02:53.080 --> 01:02:55.801 Okay, plugs we've got for you. 01:02:55.981 --> 01:02:56.121 No. 01:02:56.141 --> 01:02:56.561 The breeders. 01:02:56.741 --> 01:02:57.342 Oh, this is the breeders. 01:02:57.362 --> 01:02:58.502 Yeah, the breeders are in town this week. 01:02:58.522 --> 01:03:01.604 I'm going to go and see them, and they're being supported by the marvellous Jim Noir. 01:03:02.284 --> 01:03:05.066 They're at Coco on Wednesday and Thursday, I think. 01:03:05.086 --> 01:03:06.386 I might go along on Thursday, I think. 01:03:06.426 --> 01:03:07.147 Can't wait to see them. 01:03:07.187 --> 01:03:11.089 Never seen them in life before, and this is one of my favourite breeders' tracks from The Last Splash. 01:03:11.109 --> 01:03:11.949 I wonder if they'll play it. 01:03:12.029 --> 01:03:13.210 This is Driving Online. 01:03:18.372 --> 01:03:19.334 What if I don't want to? 01:03:19.355 --> 01:03:21.440 But I'm using email. 01:03:21.600 --> 01:03:22.302 Is that a problem? 01:03:26.967 --> 01:03:29.408 Was he fixing his bicycle at the end of that last track? 01:03:29.688 --> 01:03:30.228 Yeah, he was. 01:03:30.268 --> 01:03:31.949 He got all chain came off. 01:03:32.009 --> 01:03:36.571 He caught a little bit of his body in the chain. 01:03:36.631 --> 01:03:37.031 Did he? 01:03:37.091 --> 01:03:38.152 That's why he was squealing. 01:03:38.352 --> 01:03:39.052 Oh, ow. 01:03:39.192 --> 01:03:43.314 So he was really... He had to flip it upside down and take the chain off. 01:03:43.554 --> 01:03:44.414 Exactly, yeah. 01:03:44.434 --> 01:03:50.197 That was Cold War Kids with Hang Me Up to Dry and of course before that you heard the Breeders with Driving on Nine. 01:03:50.457 --> 01:03:55.139 This is Adam and Joe here on BBC Six Music and we are in the midst of Text the Nation, the nation's favourite feature. 01:03:55.379 --> 01:03:56.260 It's very exciting. 01:03:56.680 --> 01:03:59.102 This week's one is... It is very exciting. 01:03:59.142 --> 01:04:00.163 That sounded insincere. 01:04:00.363 --> 01:04:03.145 Also, I sounded sincere when I said the nation's favourite feature. 01:04:03.526 --> 01:04:04.506 That's not sincere. 01:04:04.927 --> 01:04:06.388 There's no way it's the nation's favourite feature. 01:04:06.428 --> 01:04:08.570 It's not the nation's favourite feature. 01:04:08.850 --> 01:04:09.010 Yeah. 01:04:09.130 --> 01:04:09.370 Harry-on. 01:04:09.490 --> 01:04:10.171 I'm confused now. 01:04:10.611 --> 01:04:12.773 The subject is challenge documentaries. 01:04:12.773 --> 01:04:40.146 similar to what Dave Gorman does and also Morgan Spurlock and all that those type of people they set themselves challenges that are supposed to illuminate some aspect of society or life and then go about doing them and filming them and we all watch them some of them are good some of them are stupid Tom Jolly's doing a new series that looks a little bit similar like he's basically messing with shall we say people that cause annoyance like track wardens and clampers and people like that right 01:04:40.786 --> 01:04:41.467 So he's going up. 01:04:41.567 --> 01:04:42.927 Oh, that sounds a bit petty to me. 01:04:42.947 --> 01:04:44.548 He's giving them a taste of their own medicine. 01:04:45.008 --> 01:04:45.288 You know? 01:04:45.469 --> 01:04:45.769 Really? 01:04:45.889 --> 01:04:46.209 Yeah. 01:04:46.249 --> 01:04:50.651 I'd like a series in which traffic wardens give dumb jolly a taste of their medicine. 01:04:50.771 --> 01:04:53.653 What's your, are you like pro traffic warden now, all of a sudden? 01:04:53.933 --> 01:04:55.053 Uh, I'm a little. 01:04:55.354 --> 01:04:56.874 I think they're in a difficult position. 01:04:56.974 --> 01:04:58.655 I'm not, I'm not pro that counts. 01:04:58.695 --> 01:04:59.536 We don't want to get into this. 01:04:59.596 --> 01:05:03.038 It's turning into some sort of breakfast show on a political station. 01:05:03.118 --> 01:05:04.158 Yeah, but here's my point. 01:05:04.198 --> 01:05:07.200 Here's my point on your point, right? 01:05:07.220 --> 01:05:08.120 I can't argue with that. 01:05:08.520 --> 01:05:09.581 Listen, these texts though, 01:05:09.861 --> 01:05:12.342 Are you ready to go into commissioning editing mode again? 01:05:12.382 --> 01:05:12.622 Yes. 01:05:12.822 --> 01:05:14.502 All right, here's one from Dogboy and Kent. 01:05:14.902 --> 01:05:19.083 I would like to spend a month of my life trying to make as many people cry as possible. 01:05:19.483 --> 01:05:20.863 At least five a day should do. 01:05:21.844 --> 01:05:27.405 And that is, he hasn't written what that's exposing, but I'm guessing that's exposing how fragile people are. 01:05:27.525 --> 01:05:28.725 How fragile we are. 01:05:28.745 --> 01:05:29.525 That would be the theme song. 01:05:29.545 --> 01:05:30.225 That could be the theme. 01:05:30.265 --> 01:05:30.645 Commission? 01:05:31.226 --> 01:05:32.566 No, I'm not commissioning that, Dogboy. 01:05:32.586 --> 01:05:34.086 We've already got a couple of shows like that. 01:05:34.266 --> 01:05:35.366 Right, most of them are like that. 01:05:35.446 --> 01:05:35.926 In the works. 01:05:36.007 --> 01:05:37.727 Yeah, to make the audience cry. 01:05:38.707 --> 01:05:40.009 Here's one from Keith in Plymouth. 01:05:40.290 --> 01:05:50.524 I'll be walking from the hook of Holland to Helsinki wearing only a neck brace looking straight forward all the time in order to gauge Scandinavian opinion on the importance of eye contact. 01:05:50.784 --> 01:05:51.645 I'm not commissioning that. 01:05:51.725 --> 01:05:52.406 That's good. 01:05:52.606 --> 01:05:54.769 He's looking forward. 01:05:56.031 --> 01:05:56.871 The whole time. 01:05:57.472 --> 01:06:00.214 And not making eye to contact with anybody. 01:06:00.254 --> 01:06:01.515 I don't know what contact means. 01:06:01.615 --> 01:06:01.855 I do. 01:06:01.875 --> 01:06:03.096 It's a new one. 01:06:03.456 --> 01:06:04.977 Here's one from Tom. 01:06:05.017 --> 01:06:06.399 This is one of my favourite ones. 01:06:06.959 --> 01:06:07.479 Tom-tacked. 01:06:07.539 --> 01:06:08.060 That's what it means. 01:06:08.120 --> 01:06:09.161 It's when Tom touches you. 01:06:09.541 --> 01:06:09.981 It's the word. 01:06:10.041 --> 01:06:11.502 I've just had Tom-tacked. 01:06:12.303 --> 01:06:15.546 Every time you see someone smaller than you, you have to leapfrog over them. 01:06:16.746 --> 01:06:17.908 That is brilliant. 01:06:18.208 --> 01:06:21.050 That must be some kind of student game that students play when they're drunk. 01:06:21.070 --> 01:06:22.812 Do you remember a guy called Nevyaski at our school? 01:06:22.872 --> 01:06:23.372 I do, yeah. 01:06:23.452 --> 01:06:23.833 Conrad. 01:06:23.873 --> 01:06:24.934 He used to do that kind of thing. 01:06:25.074 --> 01:06:26.055 Did he? 01:06:27.156 --> 01:06:28.297 What would that illuminate? 01:06:28.317 --> 01:06:29.077 What would that achieve? 01:06:29.097 --> 01:06:29.878 What would that show? 01:06:29.898 --> 01:06:31.339 It would put down the smallies. 01:06:31.519 --> 01:06:34.742 It would show that small people are good for something. 01:06:34.902 --> 01:06:35.083 Yeah. 01:06:35.823 --> 01:06:50.573 and entertainment again you could have the randy newman track short people on there as the theme exactly you could just uh say that short people should be employed as bollards that's what i'm going to be when i um grow up get fired 01:06:51.073 --> 01:06:51.353 Really? 01:06:51.633 --> 01:06:52.474 A bollard? 01:06:52.914 --> 01:06:53.915 You'll be very good at that. 01:06:54.035 --> 01:06:55.135 I'm quite short myself. 01:06:55.236 --> 01:06:58.377 Someone's texted in, this is an interesting one. 01:06:58.738 --> 01:07:04.021 Why not live on pure logic like John Fox from Ultravox did for a whole year? 01:07:04.041 --> 01:07:05.602 Now what's the story? 01:07:05.642 --> 01:07:06.362 That's what I want to know. 01:07:06.402 --> 01:07:07.183 What's the story? 01:07:07.563 --> 01:07:08.904 How do you live on pure logic? 01:07:09.864 --> 01:07:12.525 And what did John Fox from UltraVox actually do? 01:07:12.805 --> 01:07:14.425 Is there a synthesizer called Logic? 01:07:15.006 --> 01:07:15.426 Maybe. 01:07:15.506 --> 01:07:17.986 Well, there's a music program, but that was not in UltraVox times. 01:07:18.026 --> 01:07:18.927 That's an anonymous tense. 01:07:18.967 --> 01:07:22.088 Do explain yourself, if anybody knows what that person's talking about. 01:07:22.108 --> 01:07:22.728 Pure Logic. 01:07:22.888 --> 01:07:24.628 Here's another one from Darryl in London. 01:07:25.168 --> 01:07:27.069 London's a big city in the south of England. 01:07:27.509 --> 01:07:34.371 Starting with the letter A, he's gonna eat only food that begins with A for two weeks, then change to B, then C, etc. 01:07:34.591 --> 01:07:35.551 for 52 weeks. 01:07:35.611 --> 01:07:37.112 That's a very good idea, I'm commissioning that. 01:07:37.212 --> 01:07:37.912 Alphabet food. 01:07:38.152 --> 01:07:38.432 Why? 01:07:38.872 --> 01:07:41.754 I just like it because it teaches you the alphabet. 01:07:42.314 --> 01:07:43.575 Is the alphabet good for you? 01:07:43.735 --> 01:07:44.095 Yeah. 01:07:44.376 --> 01:07:45.516 Yeah, that's what it's asking. 01:07:45.616 --> 01:07:46.117 Exactly. 01:07:46.157 --> 01:07:47.097 Is it nutritious? 01:07:47.377 --> 01:07:55.962 Listen, it's sort of saying it maybe would start with a survey saying almost all kids in Britain don't know their own alphabet. 01:07:56.142 --> 01:07:56.442 Yes. 01:07:56.642 --> 01:07:57.643 This is a disgrace. 01:07:57.723 --> 01:07:57.983 Yes. 01:07:58.223 --> 01:07:59.244 Or how to eat proper. 01:07:59.384 --> 01:07:59.644 Exactly. 01:07:59.664 --> 01:08:00.925 It wouldn't matter if it wasn't true. 01:08:01.345 --> 01:08:02.586 It's just a place to start. 01:08:02.646 --> 01:08:03.666 Yeah, it could be a question. 01:08:03.826 --> 01:08:04.287 Exactly. 01:08:05.147 --> 01:08:06.869 Here's another one from an anonymous person. 01:08:07.250 --> 01:08:08.851 It starts simply pegs! 01:08:09.312 --> 01:08:10.133 Exclamation mark. 01:08:10.453 --> 01:08:12.816 See how many pegs you can steal from people's gardens. 01:08:13.036 --> 01:08:13.697 Would they care? 01:08:14.537 --> 01:08:15.779 Hosted by Simon Pegg. 01:08:16.099 --> 01:08:17.441 Hosted by Simon Pegg? 01:08:18.241 --> 01:08:19.603 That could be very good, couldn't it? 01:08:19.623 --> 01:08:21.705 The Music Pegg by Steely Dan. 01:08:22.386 --> 01:08:22.986 Commissioning that? 01:08:23.047 --> 01:08:23.187 Yes. 01:08:24.865 --> 01:08:26.526 Here's another one from Jimmy in Manchester. 01:08:27.727 --> 01:08:32.510 I have to survive in an inner city for one month, with no money, no organised shelter and no presents. 01:08:32.530 --> 01:08:33.711 Did you say man's blessed friend? 01:08:33.791 --> 01:08:34.031 Best. 01:08:34.091 --> 01:08:35.612 I may have said blessed by accident. 01:08:36.593 --> 01:08:37.913 I thought that would be a good name for a show. 01:08:37.934 --> 01:08:41.015 Man's best friend, no organised shelter, no possessions, only a dog costume. 01:08:41.476 --> 01:08:45.999 I will not be able to remove the costume, but must use it in order to survive, relying on only the kindness of strangers. 01:08:46.259 --> 01:08:49.421 I will not be allowed to communicate using words only dog-like barks, stroke wolves. 01:08:49.961 --> 01:08:55.782 Perhaps moving to a new city each month to compare different nations' attitudes, or then you'd have to move to a different nation. 01:08:56.482 --> 01:08:57.263 Wouldn't you, Jimmy? 01:08:57.943 --> 01:08:58.723 That's good though, isn't it? 01:08:59.263 --> 01:08:59.623 Dog soup. 01:09:00.323 --> 01:09:04.864 It sort of relies on the fact that people would be fooled into thinking that Jimmy dressed in a dog suit. 01:09:04.884 --> 01:09:05.544 A realistic dog suit. 01:09:05.564 --> 01:09:06.805 It's actually a dog. 01:09:06.885 --> 01:09:07.945 Very realistic dog suit. 01:09:07.985 --> 01:09:08.385 A real dog. 01:09:08.445 --> 01:09:10.445 And Jimmy is very good at those bark-stroke-woofs. 01:09:10.685 --> 01:09:11.746 Like... Commission? 01:09:12.606 --> 01:09:13.146 Yes, I am. 01:09:13.286 --> 01:09:14.666 I am going to commission that one here. 01:09:14.706 --> 01:09:15.386 That's good. 01:09:15.406 --> 01:09:17.867 But I'm going to get McIntyre to do it though. 01:09:18.587 --> 01:09:18.848 Right. 01:09:19.789 --> 01:09:20.070 You know? 01:09:20.911 --> 01:09:22.293 Undercover of a dog suit. 01:09:22.634 --> 01:09:22.874 Right. 01:09:23.055 --> 01:09:23.455 He's gonna do that. 01:09:23.475 --> 01:09:25.899 Let's have one more and then play some more music. 01:09:26.039 --> 01:09:28.263 I've got some money mark in my locker for you in a second. 01:09:28.784 --> 01:09:30.667 I would spend a year telling everyone to F off. 01:09:31.559 --> 01:09:36.361 It would be a searing study of one man's descent into loneliness and misery because he was so rude. 01:09:36.601 --> 01:09:37.842 Well, that says David in Leeds. 01:09:37.902 --> 01:09:39.162 That's Gordon Ramsay, isn't it? 01:09:39.182 --> 01:09:40.203 That's true. 01:09:40.223 --> 01:09:40.863 That's his entire career. 01:09:40.903 --> 01:09:41.563 He's done very well by us. 01:09:41.723 --> 01:09:42.244 Exactly. 01:09:42.264 --> 01:09:43.464 That proves nothing. 01:09:44.825 --> 01:09:46.185 Keep those texts and emails coming in. 01:09:46.225 --> 01:09:51.147 And we do apologise, you know, if you email us, maybe even on a regular basis and it seems like we never read them out. 01:09:51.487 --> 01:09:56.590 But we do get a lot of texts and emails, all of which we very much appreciate and we try and get round to all of them as much as possible. 01:09:56.610 --> 01:09:57.550 We do read them all. 01:09:57.730 --> 01:09:58.210 Yeah, that's true. 01:09:58.230 --> 01:09:59.471 So if you've sent in something rude, 01:10:00.091 --> 01:10:01.312 And are angry we haven't read it out. 01:10:01.352 --> 01:10:04.436 Don't worry, it will have scarred us in an unspoken way. 01:10:04.936 --> 01:10:05.597 Yeah, exactly. 01:10:05.657 --> 01:10:08.039 Thanks for those unfavourable comparisons to Mitchell and Webb. 01:10:09.161 --> 01:10:11.103 Now, here's Money Mark with Hand in Your Head. 01:10:11.283 --> 01:10:12.544 Money Mark with Hand in Your Head. 01:10:12.564 --> 01:10:14.286 This is Adam and Jo on BBC6 Music. 01:10:14.326 --> 01:10:18.791 It's time for the news read by Rachel Matthews and the music news read by Elizabeth Olker. 01:10:19.051 --> 01:10:22.834 Foo Fighters, cheer up boys, your make-up's running! 01:10:23.514 --> 01:10:31.500 Another thing I saw on telly in Holland in Amsterdam was a station where it's just a sort of webcam in a radio station. 01:10:31.760 --> 01:10:33.021 Right, have you seen that channel? 01:10:33.381 --> 01:10:34.102 No. 01:10:34.182 --> 01:10:35.543 Someone listening in Holland might know it. 01:10:35.883 --> 01:10:42.048 It's just basically a radio studio and you hear the records they play and then you just see the DJs 01:10:43.128 --> 01:10:44.249 Picking their noses. 01:10:45.049 --> 01:10:47.670 Setting the next record up on the computer. 01:10:48.090 --> 01:10:53.812 Occasionally a group of school kids will come into the studio and watch and then shuffle out. 01:10:53.832 --> 01:10:54.752 That's it. 01:10:54.912 --> 01:10:57.713 Howard Stern used to do that same sort of thing though, didn't he? 01:10:57.733 --> 01:10:59.794 A little more going on in his show, perhaps. 01:10:59.834 --> 01:11:00.214 Perhaps. 01:11:00.354 --> 01:11:02.955 You know what, with the boobs and the stuff like that. 01:11:03.035 --> 01:11:04.396 In this one, there's nothing happening. 01:11:04.716 --> 01:11:04.956 No. 01:11:05.476 --> 01:11:06.836 It's weirdly compelling, though. 01:11:07.197 --> 01:11:07.697 Well, exactly. 01:11:07.737 --> 01:11:09.157 It's like Big Brother, though, innit? 01:11:09.517 --> 01:11:10.137 Flat Big Brother. 01:11:10.157 --> 01:11:11.898 It's a little less happening than that, even. 01:11:11.978 --> 01:11:13.458 No, it's exactly like Big Brother. 01:11:13.478 --> 01:11:13.798 Oh, sorry. 01:11:13.939 --> 01:11:14.219 Yes, it is. 01:11:14.239 --> 01:11:20.801 It's exactly the same as Big Brother, except without all the birds and train noises that they have to play when someone says something sensitive. 01:11:21.141 --> 01:11:22.281 Instead, you get great music. 01:11:22.841 --> 01:11:23.201 Everybody wins. 01:11:23.221 --> 01:11:23.961 It's a terrific idea. 01:11:23.981 --> 01:11:25.322 So I think it's better than Big Brother. 01:11:25.982 --> 01:11:30.124 Now have you seen, speaking of TV, I don't know if you ever watch TV. 01:11:30.264 --> 01:11:30.784 Sometimes. 01:11:30.804 --> 01:11:31.244 It's amazing. 01:11:31.284 --> 01:11:51.554 Have you seen the ad, I think it's for Clearasil maybe, where there's a mum and she sat on the sofa stroke couch showing a photo album to a boyfriend, we're assuming it's a boyfriend, he sat in between this mum and on the other side of the boyfriend is presumably his girlfriend, presumably the mum's daughter. 01:11:51.574 --> 01:11:51.894 Right. 01:11:52.754 --> 01:11:57.276 And the mum is saying, oh, and here she is, naked in the bath. 01:11:58.097 --> 01:12:01.078 And suddenly the girl says, you should see me now. 01:12:02.399 --> 01:12:02.639 Right? 01:12:03.399 --> 01:12:05.220 And then the mum says, no. 01:12:05.240 --> 01:12:07.521 Is it dubbed? 01:12:07.601 --> 01:12:08.622 Is it one of those languages? 01:12:08.682 --> 01:12:09.682 No, it's not. 01:12:09.762 --> 01:12:10.723 I think it's American. 01:12:10.943 --> 01:12:11.463 I might be wrong. 01:12:11.503 --> 01:12:12.463 I might have filed it incorrectly. 01:12:12.483 --> 01:12:13.204 What happens next? 01:12:14.284 --> 01:12:15.605 And the girl goes, uh-huh. 01:12:16.926 --> 01:12:19.255 But I don't understand what's going on in the ad. 01:12:19.275 --> 01:12:20.961 What is the emotional dynamic? 01:12:21.062 --> 01:12:22.306 What's it got to do with Clearasil? 01:12:23.531 --> 01:12:26.533 Uh, because she's so, her skin is so great. 01:12:26.713 --> 01:12:28.534 You get spots on the face though, don't you? 01:12:28.975 --> 01:12:31.896 Well, you wouldn't have thought you needed to be naked in the bath to see them. 01:12:31.936 --> 01:12:33.097 That sounds very confusing. 01:12:33.137 --> 01:12:33.857 It's very odd. 01:12:33.898 --> 01:12:34.458 I don't get it. 01:12:34.498 --> 01:12:40.521 You know, I mean, obviously there is the, the, a certain amount of it is the embarrassment that the boyfriend is feeling. 01:12:40.562 --> 01:12:42.843 He's sandwiched between the mother and the girlfriend. 01:12:42.883 --> 01:12:47.105 Obviously he has had intimate access to this woman's daughter. 01:12:47.526 --> 01:12:48.546 I'm talking about the mother there. 01:12:49.007 --> 01:12:50.908 And, um, you know, so it's strange. 01:12:51.488 --> 01:12:53.090 What are you suggesting is happening? 01:12:53.250 --> 01:12:54.631 What kind of a family is this? 01:12:55.492 --> 01:12:57.314 No, but you see what I'm saying, though, right? 01:12:57.334 --> 01:12:57.374 No! 01:12:57.874 --> 01:12:58.055 Look! 01:12:58.335 --> 01:13:00.377 I've got a very sexy scene now in my head. 01:13:00.877 --> 01:13:04.681 There's the boyfriend... The boyfriend is on the couch. 01:13:04.701 --> 01:13:06.142 Gonna need to dry clean that sofa. 01:13:06.182 --> 01:13:08.244 He's got his girlfriend sitting to his... 01:13:09.065 --> 01:13:09.385 Left. 01:13:09.525 --> 01:13:09.786 Yeah. 01:13:10.026 --> 01:13:11.947 On his right is his girlfriend's mum. 01:13:11.967 --> 01:13:13.268 Yeah, no, I understand the scene. 01:13:13.368 --> 01:13:13.648 Right. 01:13:13.748 --> 01:13:15.589 But who's had intimate access to what? 01:13:15.609 --> 01:13:18.250 The boyfriend has had intimate access to the girlfriend. 01:13:18.350 --> 01:13:19.191 Right, okay. 01:13:19.231 --> 01:13:21.592 Who is the daughter of the woman showing him baby photos. 01:13:21.612 --> 01:13:22.613 Right, right, right. 01:13:22.893 --> 01:13:24.854 So the mum is saying, ah, isn't she cute? 01:13:24.874 --> 01:13:25.795 There she was in the bath. 01:13:25.875 --> 01:13:29.157 And then the girl's sort of, she's sort of a little bit embarrassed by this. 01:13:29.197 --> 01:13:30.317 She's like, don't show him the baby photos. 01:13:30.337 --> 01:13:31.798 But then why did she say... Exactly! 01:13:32.138 --> 01:13:33.879 Why did she say, you should see me now? 01:13:34.120 --> 01:13:35.761 What's she trying to do to her mum? 01:13:35.801 --> 01:13:37.602 Her whole body's covered in spots. 01:13:39.023 --> 01:13:39.744 That's the key. 01:13:40.105 --> 01:13:43.289 And she's saying you've neglected to make... Watch me in Clearasil. 01:13:43.329 --> 01:13:44.851 Give me those Clearasil baths. 01:13:45.372 --> 01:13:47.015 Other spot things are available. 01:13:47.375 --> 01:13:47.575 Yeah. 01:13:48.016 --> 01:13:49.298 Spot cleansing things. 01:13:50.119 --> 01:13:51.020 And so the mum says, no! 01:13:52.930 --> 01:13:58.195 Sounds like it's taking monosyllabic parent-child communication skills to a new level. 01:13:58.235 --> 01:13:59.536 And the girl says, uh-huh. 01:14:00.437 --> 01:14:02.558 Lots of families communicate like that these days. 01:14:02.618 --> 01:14:02.839 Right. 01:14:03.039 --> 01:14:03.439 Don't they? 01:14:03.739 --> 01:14:06.201 Mum, whatever. 01:14:06.442 --> 01:14:06.802 Is it? 01:14:07.062 --> 01:14:07.503 Bye. 01:14:08.523 --> 01:14:11.246 That's, for instance, a conversation about Zimbabwe. 01:14:11.706 --> 01:14:11.966 Yeah. 01:14:13.067 --> 01:14:15.169 So maybe it's a language we don't speak anymore. 01:14:15.229 --> 01:14:16.190 You know the ad, though, right? 01:14:16.350 --> 01:14:17.111 No, I haven't seen it. 01:14:17.171 --> 01:14:18.272 I'm excited about it. 01:14:18.332 --> 01:14:19.072 Have you seen it, Jude? 01:14:19.393 --> 01:14:19.433 No. 01:14:20.033 --> 01:14:20.654 Oh, man. 01:14:20.674 --> 01:14:24.236 That's depressing when you... when you fantasize, when you hallucinate Maffet. 01:14:24.256 --> 01:14:27.558 I feel as if I've... I feel as if I've seen it a lot, you know what I mean? 01:14:27.598 --> 01:14:29.420 Maybe I'm watching the wrong stations. 01:14:29.460 --> 01:14:30.240 I'm gonna watch out for it. 01:14:30.420 --> 01:14:32.422 I bet you will see it, and we'll discuss it more next week. 01:14:32.462 --> 01:14:34.663 And if you've seen it, please tell us what you think's going on. 01:14:34.703 --> 01:14:35.484 The spot channel. 01:14:35.744 --> 01:14:36.505 No, because it is hard. 01:14:36.545 --> 01:14:38.686 I was hoping you might have seen it because they're... What are we talking about now? 01:14:39.046 --> 01:14:40.848 I'm just concluding that little item chat. 01:14:40.888 --> 01:14:42.469 Right, it's tricky to figure out what's happening. 01:14:42.669 --> 01:14:42.909 Yeah. 01:14:43.009 --> 01:14:43.289 Yeah. 01:14:43.770 --> 01:14:45.451 Uh, so it is hard if you haven't seen it. 01:14:46.007 --> 01:14:47.628 There you go. 01:14:47.948 --> 01:14:52.470 Now, we're gonna wrap up Text-o-Nation after this next piece of music, but this is Modest Mouse. 01:14:52.951 --> 01:14:55.772 The Modest Mouse with Ocean Breathe Salty. 01:14:56.052 --> 01:14:57.913 Modest Mouse with Ocean Breathe Salty. 01:14:57.933 --> 01:14:59.634 This is Adam and Joe here on BBC6 Music. 01:14:59.694 --> 01:15:01.895 It's time to conclude Text-o-Nation! 01:15:03.896 --> 01:15:04.717 Text-o-Nation! 01:15:04.757 --> 01:15:05.057 Text! 01:15:05.137 --> 01:15:05.417 Text! 01:15:05.477 --> 01:15:05.697 Text! 01:15:05.717 --> 01:15:05.837 Text! 01:15:05.937 --> 01:15:06.678 Text-o-Nation! 01:15:06.738 --> 01:15:07.698 What if I don't want to? 01:15:07.958 --> 01:15:08.679 Text-o-Nation! 01:15:08.779 --> 01:15:09.779 But I'm using email. 01:15:09.959 --> 01:15:10.680 Is that a problem? 01:15:10.720 --> 01:15:11.260 It doesn't matter! 01:15:11.300 --> 01:15:11.520 Text! 01:15:14.031 --> 01:15:15.652 Is it time for that jingle to be freshened up? 01:15:15.792 --> 01:15:16.892 I was just thinking that myself. 01:15:16.912 --> 01:15:18.093 Yeah, some sort of a remix. 01:15:18.113 --> 01:15:18.953 A revamp, yeah. 01:15:18.973 --> 01:15:19.233 Yeah. 01:15:19.473 --> 01:15:19.713 Okay. 01:15:20.253 --> 01:15:20.834 Is that all right? 01:15:20.974 --> 01:15:21.554 I'll get onto it. 01:15:21.614 --> 01:15:22.074 Thanks, man. 01:15:22.534 --> 01:15:22.874 Well done. 01:15:23.174 --> 01:15:26.496 Okay, thank you very much to everybody who sent in their ideas. 01:15:26.536 --> 01:15:30.637 We've had lots and lots of really good ideas, and unfortunately we won't have time to read them all. 01:15:30.957 --> 01:15:32.718 But here's some of the cream of the crop. 01:15:32.838 --> 01:15:33.878 I'm gonna go through them quickly. 01:15:33.898 --> 01:15:35.339 Are you ready, Mr. Commissioning Editor? 01:15:35.359 --> 01:15:35.619 Yes, I am. 01:15:36.179 --> 01:15:39.324 It's important times for the listeners there could be some shows going ahead now. 01:15:40.185 --> 01:15:41.867 Simon in Bristol says, hello Adam and Joe. 01:15:42.208 --> 01:15:46.374 As a challenge doc, I would travel around Britain wearing a bobble hat and sturdy boots. 01:15:47.215 --> 01:15:47.535 Er, no. 01:15:47.936 --> 01:15:48.356 Why not? 01:15:49.656 --> 01:15:49.896 Why? 01:15:50.176 --> 01:15:51.897 He's kind of underdone it. 01:15:52.138 --> 01:15:53.418 Bobblehat and sturdy boots? 01:15:53.458 --> 01:15:56.240 Yeah, it's the archetypal British kind of yomper. 01:15:56.941 --> 01:15:57.201 Right? 01:15:57.541 --> 01:15:58.502 No, I'm not having that on my side. 01:15:58.522 --> 01:15:59.062 You're not having that? 01:15:59.102 --> 01:15:59.642 I like that. 01:15:59.782 --> 01:15:59.922 No. 01:15:59.982 --> 01:16:01.163 I'd have that, Simon. 01:16:01.804 --> 01:16:03.505 Here's another one from Dave in Catford. 01:16:03.945 --> 01:16:06.386 The Bermuda Triangle, the truth is the name of his. 01:16:07.507 --> 01:16:10.450 I row into that area with a rope attached. 01:16:10.950 --> 01:16:14.714 When the triangle makes me disappear, the navy seals follow the rope to trace me. 01:16:15.334 --> 01:16:16.876 That's not really a challenge, Doc. 01:16:16.896 --> 01:16:17.997 I think that's great. 01:16:18.017 --> 01:16:19.398 That's just a one-off thing. 01:16:19.418 --> 01:16:21.300 No, it's a doc. 01:16:21.340 --> 01:16:21.820 It's a stunt. 01:16:21.880 --> 01:16:23.321 It doesn't have to be a series. 01:16:23.341 --> 01:16:23.802 It's a stunt. 01:16:23.922 --> 01:16:24.583 Oh, it's good. 01:16:25.183 --> 01:16:28.105 It's a stunt in the same way that, like, searching for Nessie is a stunt. 01:16:29.066 --> 01:16:30.287 Yeah, well it is a stunt. 01:16:30.307 --> 01:16:32.469 It's not a challenged doc, though, I wouldn't say. 01:16:32.489 --> 01:16:34.630 Oh, you mean he's not challenging values within himself? 01:16:34.650 --> 01:16:36.552 It's not a journey as such, you know? 01:16:36.572 --> 01:16:37.492 Dave, I like that as well. 01:16:37.572 --> 01:16:41.055 The best Dave Gorman docs take you on a journey of some kind. 01:16:41.095 --> 01:16:43.677 But that's a journey into the Bermuda Triangle with a rope wrench! 01:16:43.777 --> 01:16:45.818 I like anything when anyone's got a rope tied round them. 01:16:46.338 --> 01:16:47.318 Poltergeist, the mist. 01:16:47.338 --> 01:16:51.159 I like going into a frightening area with a rope tied round one. 01:16:51.359 --> 01:16:54.100 Here's another one from George Stothard. 01:16:54.480 --> 01:16:56.981 Stothard, Stothard, not sure. 01:16:57.361 --> 01:16:58.621 Subject, the sweetcorn challenge. 01:16:58.661 --> 01:17:03.202 Whilst living in a van in New Zealand, two friends of mine decided to embark on the sweetcorn challenge. 01:17:03.563 --> 01:17:11.945 They'd been told that if you ate sweetcorn and nothing else for a week, eventually you'd pass a reformed corn on the cob, as you weren't fully able to digest the corn. 01:17:12.245 --> 01:17:17.250 I didn't buy it, but watching them shoveling in sweet corn with horrible hangovers in the rain was hilarious. 01:17:17.790 --> 01:17:21.473 My other friend and I made a conscious effort to eat the tastiest food in front of them while they were doing the challenge. 01:17:21.794 --> 01:17:25.297 It didn't work, they gave up after two uncomfortable corn-filled days. 01:17:25.817 --> 01:17:30.141 What George has slightly stymied his chances by telling us the outcome of the corn challenge. 01:17:30.181 --> 01:17:30.481 Yeah. 01:17:31.182 --> 01:17:32.623 No, I'm not having that on my channel. 01:17:32.663 --> 01:17:34.325 What is this, some kind of lavatory show? 01:17:35.219 --> 01:17:39.541 You know, because what's the ultimate payoff is you get to see, ugh, it doesn't bear thinking about. 01:17:39.581 --> 01:17:40.281 No, no, no, no. 01:17:40.361 --> 01:17:40.941 Not for always. 01:17:41.001 --> 01:17:42.382 It was a classy channel I'm running. 01:17:42.542 --> 01:17:43.342 I thought about it. 01:17:43.382 --> 01:17:44.942 Well, now you've thought about it. 01:17:45.042 --> 01:17:45.623 Exactly. 01:17:46.383 --> 01:17:47.243 So move on. 01:17:47.703 --> 01:17:49.204 Okay, here's one from Jean-Pierre. 01:17:50.164 --> 01:17:56.767 My documentary would be to challenge the acme-made theory that if you dig down far enough, you will dig through to Australia. 01:17:57.907 --> 01:18:01.868 At the very least, we dig down far enough to find out if it was impossible and or too hot. 01:18:03.849 --> 01:18:04.550 Oh, it's too hot now. 01:18:04.570 --> 01:18:05.210 I'm going back. 01:18:05.230 --> 01:18:05.871 I'm going back. 01:18:06.291 --> 01:18:11.375 I've gone down about six or seven feet and I am sweaty and dirty and I am going home. 01:18:11.575 --> 01:18:11.935 Two more? 01:18:12.236 --> 01:18:12.396 Yes. 01:18:12.736 --> 01:18:13.396 Keith Trevis. 01:18:14.397 --> 01:18:15.318 Here is his idea. 01:18:15.498 --> 01:18:20.422 He thinks that there should be a follow-up to Andrew Lloyd Webber's incessant casting his musical shows. 01:18:21.062 --> 01:18:24.544 a controversial presence in the BBC Saturday evening schedule. 01:18:24.844 --> 01:18:25.644 Is it Nancy? 01:18:25.924 --> 01:18:27.845 Nancy, will you be my Nancy? 01:18:29.726 --> 01:18:30.586 He's got a better idea. 01:18:30.886 --> 01:18:33.467 How about a nationwide competition to become a member of The Fall? 01:18:34.108 --> 01:18:41.271 Each week, contestants would have to pull lots of extreme indie stunts playing in pubs, living in transit vans, giving the show a celebrity edge. 01:18:41.551 --> 01:18:44.292 West End stars could appear on the show to sing Fall hits. 01:18:44.812 --> 01:18:49.034 Imagine Michael Ball singing Fiery Jack, or Elaine Page performing The Man Who's Head Expanded. 01:18:49.614 --> 01:18:52.855 The show could culminate with the contestants fighting with Marky Smith on stage. 01:18:53.235 --> 01:18:54.355 Last one standing is in. 01:18:54.435 --> 01:18:54.915 What do you think? 01:18:54.995 --> 01:18:55.495 Cheers, Keith. 01:18:55.695 --> 01:18:56.535 That's very good, Keith. 01:18:56.575 --> 01:18:57.256 I like that. 01:18:57.336 --> 01:18:59.236 Marky Smith is not on TV nearly enough. 01:18:59.396 --> 01:19:00.016 I mean, he is. 01:19:00.376 --> 01:19:03.017 He's always value for money when you manage to drag him in front of a camera. 01:19:03.077 --> 01:19:03.337 Always. 01:19:03.357 --> 01:19:04.037 Always BFM. 01:19:04.837 --> 01:19:11.618 There was a very funny interview that Frank Skinner did with him for the Culture Show, in fact, because he's a recent convert to The World of the Fall. 01:19:11.958 --> 01:19:13.919 He was very uncomfortable and Smith 01:19:14.919 --> 01:19:19.040 didn't really have time, and Skinner was absolutely fawning over Marky Smith. 01:19:19.100 --> 01:19:20.220 Marky Smith doesn't like that. 01:19:20.780 --> 01:19:24.081 There's a clip of him trying to suffocate me with a plastic bag on YouTube. 01:19:24.101 --> 01:19:24.661 That's right. 01:19:25.362 --> 01:19:26.722 Who's a difficult afternoon. 01:19:26.762 --> 01:19:28.142 Good idea though, I like that one. 01:19:28.202 --> 01:19:29.422 Here's my favourite one. 01:19:29.462 --> 01:19:31.343 Hi Adam and Jo, this is from Mark Thomas. 01:19:31.803 --> 01:19:33.423 He's texted us in before, I think. 01:19:33.443 --> 01:19:35.524 No, he says... Who knows? 01:19:35.544 --> 01:19:36.004 We always say that. 01:19:36.124 --> 01:19:36.744 Hi, Adam and Jo. 01:19:36.924 --> 01:19:43.265 Our idea is a show... He says it's our idea, so I should credit Gale as well, Mark and Gale, in Ayrshire. 01:19:43.686 --> 01:19:51.047 Our idea is a show where someone would live on the back of U2's guitarist for a month, and could only have food that they managed to snatch out of his hand. 01:19:51.647 --> 01:19:52.927 It will be called Living on the Edge. 01:19:52.987 --> 01:19:53.888 There we go. 01:19:54.788 --> 01:19:55.228 That's good. 01:19:55.268 --> 01:19:55.648 I like that. 01:19:55.668 --> 01:19:56.308 I'm commissioning that. 01:19:56.828 --> 01:19:58.969 Because the edge is well up for anything like that. 01:19:59.029 --> 01:19:59.369 He is. 01:19:59.489 --> 01:20:00.709 What would that prove, though? 01:20:01.209 --> 01:20:01.809 What would it prove? 01:20:04.671 --> 01:20:07.473 They're piggybacking, they're clinging to the edge's back. 01:20:07.893 --> 01:20:10.274 And they can only eat food that they snatch out of his hand. 01:20:10.454 --> 01:20:11.155 Right. 01:20:11.475 --> 01:20:13.376 It's not about the edge, per se. 01:20:13.396 --> 01:20:14.717 It's about any guitarist. 01:20:15.037 --> 01:20:19.940 I'd say it's about Third World Nations having to piggyback from the wealth of First World Nations. 01:20:20.000 --> 01:20:21.541 Do you thread more into it than I did? 01:20:21.601 --> 01:20:22.481 Well, it's important. 01:20:22.522 --> 01:20:24.383 I thought it was mainly about guitarists. 01:20:24.523 --> 01:20:24.683 No. 01:20:25.463 --> 01:20:25.864 Commission? 01:20:26.144 --> 01:20:26.424 Yes. 01:20:26.725 --> 01:20:27.105 Yes! 01:20:27.966 --> 01:20:29.507 We've got lots of these underway. 01:20:29.607 --> 01:20:33.891 The BBC is going to be wall to wall challenge documentaries in the next few months. 01:20:34.011 --> 01:20:35.693 We're fixing up the BBC, man. 01:20:35.713 --> 01:20:36.293 We're mending it. 01:20:36.393 --> 01:20:39.997 Imagine if we really did have the power to commission all programmes on the BBC. 01:20:40.177 --> 01:20:42.719 It couldn't, we know, because we couldn't do a worse job than this. 01:20:42.819 --> 01:20:43.800 What are you saying? 01:20:43.820 --> 01:20:45.041 How dare you. 01:20:45.081 --> 01:20:45.562 I'm joking. 01:20:45.602 --> 01:20:46.283 I'm just joking. 01:20:46.343 --> 01:20:47.063 I'm only joking. 01:20:47.103 --> 01:20:47.504 It's just joking. 01:20:47.524 --> 01:20:48.505 Maybe we'd be allowed BBC 3. 01:20:49.225 --> 01:20:50.246 You could take over BBC 3. 01:20:50.566 --> 01:20:51.426 Surely, come on. 01:20:51.687 --> 01:20:52.447 That's got some problems. 01:20:52.467 --> 01:20:53.187 That's an average thing. 01:20:53.267 --> 01:20:54.568 It's very good a lot of the time. 01:20:54.588 --> 01:20:55.109 It's brilliant. 01:20:55.249 --> 01:20:56.629 It does have some one or two problems. 01:20:56.770 --> 01:20:57.330 Best channel. 01:20:57.370 --> 01:20:58.430 There it is. 01:20:58.631 --> 01:21:01.412 Now, it's... This is one of your tracks, Joe, right? 01:21:01.512 --> 01:21:01.732 Is it? 01:21:01.772 --> 01:21:01.973 Yeah. 01:21:02.253 --> 01:21:05.475 This is a little bit of R&B stuff. 01:21:05.635 --> 01:21:06.195 Is it R&B? 01:21:06.235 --> 01:21:06.935 I don't know. 01:21:06.955 --> 01:21:09.177 It's a soulful one by a band called Sweet Sable. 01:21:10.177 --> 01:21:12.479 And it came out in like 92, I think. 01:21:12.819 --> 01:21:14.520 It's got an Eddie Kendrick sample on it. 01:21:14.980 --> 01:21:16.221 It's called Old Times Sake. 01:21:16.801 --> 01:21:20.746 that's nice and it's groovy and grooving thanks man that's sweet sable 01:21:21.866 --> 01:21:23.726 Uh, very nice, uh, old times' sake. 01:21:23.846 --> 01:21:24.867 Drug references in there. 01:21:24.907 --> 01:21:25.867 Absolutely not, no. 01:21:26.267 --> 01:21:26.747 Uh, Blunt? 01:21:26.967 --> 01:21:27.487 What's a Blunt? 01:21:27.507 --> 01:21:31.988 No, a Blunt is just a very poorly, uh, sharpened implement. 01:21:34.008 --> 01:21:38.369 If we find out there's drug references in there, then you, Joe Cornish, are out with the big British cast. 01:21:38.389 --> 01:21:40.870 They are talking about smoking legal highs. 01:21:41.190 --> 01:21:41.490 Are they? 01:21:41.650 --> 01:21:45.671 Yeah, Hubble Highs, you can get them in Camden High Street, they're perfectly legal, and boy, woo! 01:21:45.951 --> 01:21:47.371 Might be about James Blunt, I suppose. 01:21:47.411 --> 01:21:48.071 That's what it's about. 01:21:48.331 --> 01:21:51.112 Listen, thank you very much for listening and to everyone who's texted and emailed. 01:21:51.172 --> 01:21:52.672 Next week's Song Wars, we've picked a theme. 01:21:52.692 --> 01:21:53.592 Are we gonna go with this theme? 01:21:54.032 --> 01:21:54.433 Festivals. 01:21:54.653 --> 01:21:55.533 Yeah, Nick Muldoon. 01:21:55.573 --> 01:21:56.413 He's in Los Angeles. 01:21:56.433 --> 01:22:02.275 He suggested we do songs to celebrate the start of the festival season, so songs about what it's like to be at a festival. 01:22:02.895 --> 01:22:04.715 So we're gonna go with that for Song Wars next week. 01:22:05.115 --> 01:22:05.755 Good idea, yeah. 01:22:05.835 --> 01:22:07.116 Thank you very much indeed for listening. 01:22:07.156 --> 01:22:08.356 Thanks for texting and emailing. 01:22:08.956 --> 01:22:10.477 We really very much appreciate it. 01:22:10.497 --> 01:22:11.837 Don't forget to download the podcast. 01:22:11.877 --> 01:22:15.078 It'll be out a new one tomorrow evening after about 6pm. 01:22:16.178 --> 01:22:20.804 And of course you can listen again to the show any time during the week on the BBC 6 Music website. 01:22:21.125 --> 01:22:22.126 Liz Kershaw is coming up. 01:22:22.186 --> 01:22:22.787 Have a great week. 01:22:23.108 --> 01:22:23.548 Tati bye. 01:22:23.648 --> 01:22:23.949 Bye bye.