WEBVTT 00:00.109 --> 00:03.213 That's Queens of the Stone Age with the lost art of keeping a secret. 00:03.253 --> 00:05.816 This is Adam and Jo here on BBC Six Music. 00:05.836 --> 00:06.417 I'm Adam. 00:06.717 --> 00:07.958 Hey there, I'm Jo. 00:08.239 --> 00:08.599 Hello. 00:08.920 --> 00:09.961 Happy Saturday morning. 00:10.522 --> 00:11.282 It's a lovely one. 00:11.443 --> 00:12.804 It's very nice here in London. 00:12.824 --> 00:13.225 Lovely. 00:13.665 --> 00:16.509 After a very stormy week, it's now sorted itself out. 00:17.209 --> 00:37.284 So thanks very much for tuning in and listening to our show We're here with you until midday as usual and we have some excellent stuff coming up We've got song wars for you brand new song wars Kate Nash songs We're gonna be unfailing in in the next half hour and of course we have great music we should point out that it's Kate Nash parody songs 00:38.084 --> 00:40.549 We're not actually gonna be unveiling a whole lot of Kate Nash songs. 00:40.589 --> 00:41.732 That might scare some people off. 00:41.752 --> 00:42.814 It might attract some people. 00:43.195 --> 00:44.597 She's a controversial performer. 00:45.179 --> 00:45.439 Is she? 00:45.780 --> 00:46.882 She divides people, yeah. 00:48.317 --> 00:50.117 Uh, so we've attempted to do parodies. 00:50.798 --> 00:53.758 Uh, part of the remit was also to use the stylophone. 00:54.138 --> 00:56.039 Well, that was optional remit. 00:56.219 --> 00:56.739 Says you. 00:56.759 --> 00:57.719 Yeah, no. 00:57.779 --> 00:58.840 Now that you haven't done it. 00:59.120 --> 01:00.600 Well, no, that was the remit. 01:00.640 --> 01:01.260 I've got it live. 01:01.280 --> 01:02.521 Can't suddenly say it's optional. 01:02.701 --> 01:03.881 Are you going to play a long line? 01:04.321 --> 01:09.022 If we play a lot, if we play last week's show, we were saying you were not sure about the stylophone. 01:09.042 --> 01:09.282 Really? 01:09.302 --> 01:09.582 Yeah. 01:09.702 --> 01:09.962 Really? 01:10.162 --> 01:12.543 And I was saying, well, it's the kind of thing that she might use. 01:12.903 --> 01:16.084 It certainly wasn't definitely set in stone as part of the remit. 01:18.052 --> 01:18.913 It was not! 01:19.033 --> 01:20.454 I listened to the show again last week. 01:20.474 --> 01:21.354 Screaming and shouting. 01:21.374 --> 01:23.036 Don't make any difference. 01:23.396 --> 01:24.557 But anyway, I've brought it along. 01:24.677 --> 01:25.757 I can play live over it. 01:26.318 --> 01:27.779 That's my technique. 01:27.819 --> 01:28.279 You better. 01:28.459 --> 01:29.320 Yeah, I might. 01:29.380 --> 01:30.641 If I want to, I might. 01:30.661 --> 01:31.561 Uh-oh. 01:31.701 --> 01:31.942 Okay. 01:32.262 --> 01:34.183 Great music coming up for you as well, listeners. 01:34.603 --> 01:38.566 In this hour alone, Hot Chip, some Mink Deville, some Adele. 01:38.866 --> 01:43.750 Nothing but good stuff here on BBC Six Music, but let's kick things off with a little bit of elbow. 01:44.170 --> 01:46.512 He's been falling down a hole in his neighbourhood. 01:46.532 --> 01:47.232 It's a shame. 01:47.552 --> 01:48.773 He can't help it, apparently. 01:48.833 --> 01:49.814 He should call the council. 01:50.014 --> 01:50.535 Well, exactly. 01:50.555 --> 01:52.116 You'd think the council would do something about it. 01:52.136 --> 01:52.996 Where do you think he lives? 01:53.837 --> 01:54.417 I don't know. 01:54.638 --> 01:58.480 Could be anywhere in London, but he should take a reference number when he calls them. 01:59.081 --> 02:06.066 Then if it doesn't get fixed, when he calls back, the woman at the call centre or man will know where to find his report. 02:06.486 --> 02:07.187 Exactly. 02:07.207 --> 02:08.768 He should take the name of the person he speaks to. 02:08.788 --> 02:10.129 Always take the name and a reference number. 02:10.629 --> 02:11.730 Puts the willies up them. 02:11.830 --> 02:13.650 They don't like it when you ask for their name, do they? 02:13.670 --> 02:13.991 People hate that. 02:14.011 --> 02:14.571 Willies up them. 02:14.671 --> 02:15.391 Yeah, don't they? 02:15.611 --> 02:15.911 Don't they? 02:15.971 --> 02:18.373 Not everybody, but a lot of people do. 02:19.253 --> 02:21.854 But when people, when you say, can I take your name? 02:22.094 --> 02:23.315 It's a fun thing to do, isn't it? 02:23.335 --> 02:24.895 It is, because it sends a shiver up their spine. 02:24.915 --> 02:25.456 They don't like it. 02:25.736 --> 02:26.176 They hate it. 02:26.196 --> 02:26.796 They hate it. 02:26.976 --> 02:27.557 They say, why? 02:27.937 --> 02:28.157 Why? 02:28.417 --> 02:30.798 Sometimes they say, well, and they don't like to give it to you. 02:31.318 --> 02:33.739 Martin, surname as well, please. 02:33.859 --> 02:36.080 Exactly, they give you their Christian names, try and avoid it. 02:36.100 --> 02:36.601 That's right. 02:37.421 --> 02:38.781 Now, that's not gonna be good enough, Martin. 02:39.381 --> 02:40.882 I went too wise for that kind of business. 02:40.922 --> 02:41.722 Sorry, we won't take that. 02:41.742 --> 02:42.922 There's a hole in my neighbourhood. 02:42.962 --> 02:46.143 I have it sorted out within, filled in, you know, a couple of days. 02:46.783 --> 02:46.863 Mmm. 02:47.383 --> 02:50.484 I'd get Phil round and he'd sort it. 02:51.464 --> 02:53.425 Now, we got a song for you now that I've chosen for you. 02:53.445 --> 02:55.425 Listen, this is unless you have something to say there, Joe. 02:55.485 --> 02:56.706 No, I've got nothing to say. 02:57.046 --> 02:57.346 Okay. 02:58.066 --> 02:59.466 This is one I chose for you. 02:59.486 --> 03:01.247 This is Todd Rungren and it's from his album. 03:01.267 --> 03:01.527 Oh, hang on. 03:01.547 --> 03:02.307 I have got something to say. 03:02.987 --> 03:05.168 Britain's run by massive corporations, yeah. 03:05.188 --> 03:09.769 We don't have a government, we've just got Tesco, BAA and BT. 03:10.290 --> 03:11.690 They're the government of this country, right. 03:11.790 --> 03:12.070 Carry on. 03:12.330 --> 03:12.670 Finished? 03:12.891 --> 03:13.071 Yeah. 03:13.411 --> 03:13.931 Okay, good. 03:14.351 --> 03:15.732 We can talk about BAA later. 03:16.432 --> 03:17.372 Todd Rungren. 03:17.512 --> 03:18.212 Something, anything. 03:18.232 --> 03:19.273 Are you familiar with Rungren? 03:20.253 --> 03:21.053 You can... no. 03:21.153 --> 03:21.774 Yeah, no. 03:21.874 --> 03:22.294 Slightly. 03:23.494 --> 03:26.515 This is a great song from a really interesting, strange album. 03:26.575 --> 03:27.696 He released a lot of very odd... 03:28.656 --> 03:30.797 very varied albums in the early seventies. 03:30.817 --> 03:32.478 I think this is from about 1972. 03:33.078 --> 03:35.039 And there's not that many songs about Vikings. 03:35.099 --> 03:35.980 Can you think of many others? 03:36.400 --> 03:37.080 Uh, no. 03:37.140 --> 03:39.041 There's probably some in the film, Eric the Viking. 03:39.481 --> 03:39.981 Possibly. 03:40.001 --> 03:41.322 There are songs by Vikings. 03:41.362 --> 03:42.463 Maybe not about Vikings. 03:42.483 --> 03:42.703 Maybe. 03:42.743 --> 03:43.763 I haven't seen Eric the Viking. 03:43.783 --> 03:45.964 Led Zeppelin have probably done some Viking songs. 03:46.024 --> 03:46.545 Right, right. 03:46.805 --> 03:51.347 I'm sure a lot of those kind of pagan-y old, old world rock bands, you know. 03:51.367 --> 03:51.707 Hmm. 03:52.427 --> 03:53.268 Uh, that kind of thing. 03:53.328 --> 03:55.429 I doubt they'd be as chirpy as this one, though. 03:55.829 --> 03:57.850 Uh, this is Todd Rundgren with Song of the Viking. 03:57.950 --> 03:59.957 Todd Rungren there with Song of the Viking. 03:59.977 --> 04:02.345 This is Adam and Joe here on BBC 6 Music. 04:04.073 --> 04:04.633 That was good. 04:04.893 --> 04:06.134 I failed to listen to it. 04:06.554 --> 04:06.774 Yeah. 04:06.894 --> 04:07.975 I was reading emails. 04:08.595 --> 04:09.776 You're always reading emails. 04:10.156 --> 04:11.257 Gotta get through the emails. 04:11.277 --> 04:12.377 The listeners expect it. 04:12.577 --> 04:13.097 Yeah, exactly. 04:13.157 --> 04:15.379 Even if we don't read them out, they're all read. 04:15.399 --> 04:16.539 They're all read and processed. 04:16.559 --> 04:17.399 Scans every single one. 04:17.420 --> 04:19.040 Have you got any interesting ones there? 04:19.260 --> 04:19.440 No. 04:19.521 --> 04:20.301 No, not yet. 04:20.481 --> 04:20.981 Not yet. 04:21.902 --> 04:25.323 There was a spat between John Lennon and Todd Rungren. 04:25.343 --> 04:26.144 Did you know about that? 04:26.184 --> 04:26.484 Really? 04:26.784 --> 04:27.384 Yeah. 04:27.524 --> 04:27.785 No. 04:27.805 --> 04:32.427 Todd Rungren did an interview in the NME and he slagged off the Beatles. 04:33.327 --> 04:40.592 And then John Lennon, who was a Todd Rungren fan, was very hurt and sort of wrote back, but he wrote a very sarcastic letter back. 04:40.992 --> 04:44.295 I might try and dig them out a bit later on and read them out if you're interested. 04:44.315 --> 04:45.215 They're quite entertaining. 04:45.755 --> 04:58.304 I like it when pop stars bitch publicly at each other and when someone, especially if they're someone like John Lennon, who you would think would rise above it at that stage, because this was in the 70s when, you know, he's already a living ledge. 04:58.804 --> 05:00.485 He didn't need to get muddy with Rungren. 05:00.505 --> 05:01.186 Everybody hurts. 05:01.866 --> 05:02.286 Do you reckon? 05:02.326 --> 05:02.606 You know? 05:02.626 --> 05:03.466 That would be a good idea. 05:03.486 --> 05:05.147 Doesn't matter for a song, yeah. 05:05.187 --> 05:06.547 Doesn't matter how famous you are. 05:06.607 --> 05:07.648 Yeah. 05:08.048 --> 05:10.288 If someone is rude about you, it still hurts. 05:10.648 --> 05:11.249 Yeah, you reckon? 05:11.729 --> 05:13.229 Yeah, not me personally. 05:13.329 --> 05:13.969 No, you love it. 05:14.009 --> 05:14.289 I'm tough. 05:14.569 --> 05:15.250 I'm reversed. 05:15.390 --> 05:18.410 When you read some of those emails and they're a little chippy, you don't mind. 05:18.430 --> 05:21.831 It does hurt, especially if you're a fan of someone and then they don't like you. 05:22.151 --> 05:22.391 Right. 05:22.572 --> 05:23.872 That must hurt a lot, mustn't it? 05:24.452 --> 05:25.113 Yeah, I guess. 05:25.773 --> 05:26.394 You wouldn't know. 05:26.414 --> 05:30.277 Uh, well... Yeah, no, it's happened to me. 05:30.537 --> 05:30.938 Has it? 05:31.018 --> 05:31.438 Yeah. 05:31.939 --> 05:35.762 What about when Liam Gallagher said he didn't like Adam and, the Adam and Joe show? 05:36.122 --> 05:36.783 No, Gallagher. 05:36.803 --> 05:37.764 No, Gallagher was that. 05:37.784 --> 05:39.806 You were a fan of him, weren't you? 05:39.906 --> 05:40.626 Not particularly. 05:40.646 --> 05:41.427 I wasn't that bothered. 05:41.447 --> 05:42.248 You stung him back. 05:42.768 --> 05:43.589 I wasn't that bothered. 05:43.609 --> 05:45.931 I was a little bit hurt. 05:46.992 --> 05:49.975 But, uh, no, he just said we were studenty, didn't he? 05:50.595 --> 05:51.416 Yeah, but that's quite insulting. 05:51.436 --> 05:55.140 That's a state- Well, it's a statement of- I regard- I regarded us as very sophisticated. 05:55.400 --> 05:56.602 Oh, we're sophisticated students. 05:57.062 --> 05:57.302 Yeah. 05:57.543 --> 05:59.805 So, listen, Songwool's coming up in a second, listeners. 06:00.005 --> 06:03.669 It's the Kate Nash stroke stylophone or not. 06:03.729 --> 06:04.090 Here we go. 06:04.370 --> 06:06.953 Uh, play-off, fight-off, big fight. 06:07.453 --> 06:10.897 Uh, coming up in a second, but before then, here's a little more- What? 06:10.957 --> 06:12.158 Here's- It's time for a trail. 06:13.681 --> 06:22.611 It's time for song wars, the war of the songs A couple of tunes by a couple of prongs, which will you vote? 06:30.758 --> 06:32.419 Yes, it's Song Wars time again listeners. 06:32.479 --> 06:42.003 This is the part of the show where we write songs ourselves using, well I'm using the GarageBand facility on my Apple. 06:42.443 --> 06:46.425 We write songs and then you guys listen to them and you have to vote which one is the best. 06:46.785 --> 06:49.787 I only bring that up about the technology because I pop round to Adam's house. 06:50.527 --> 06:58.870 And I don't know whether he's employing these in his song wars, but quite an extraordinary arsenal of keyboards and non-garage band related equipment. 06:59.170 --> 07:06.453 I'm not complaining, don't get me wrong, but I just think the listeners should know what tools are being employed. 07:07.353 --> 07:11.296 for these songs, because I'm feeling... I'm pushing GarageBand to the limits. 07:11.316 --> 07:12.977 I think I've used all the good samples. 07:13.257 --> 07:14.358 You've got a guitar, don't you? 07:14.838 --> 07:17.780 No, not... Well, I've got an acoustic, not one that plugs in. 07:17.880 --> 07:18.260 There you go. 07:18.280 --> 07:18.800 Oh, an acoustic. 07:18.820 --> 07:19.641 You've got a microphone. 07:19.781 --> 07:20.862 No, I don't have a microphone. 07:20.882 --> 07:22.303 How do you sing into GarageBand? 07:22.363 --> 07:23.623 Into the built-in condenser. 07:23.743 --> 07:24.184 No. 07:24.224 --> 07:24.444 Yeah. 07:24.744 --> 07:25.344 Do you really? 07:25.364 --> 07:27.126 I'm very lo-fi, very stripped down. 07:27.326 --> 07:28.066 Oh, yeah. 07:28.126 --> 07:35.651 The only piece of equipment I've got is the stylophone, hence my excitement at using it, and the chaosolator, which is kind of useless. 07:37.421 --> 07:39.162 There's the annoying sound of the stylophone. 07:39.182 --> 07:41.603 You've got three settings on the new stylophone now. 07:41.683 --> 07:42.344 So I noticed. 07:43.504 --> 07:45.625 You've got that one, and then you've got yet another one. 07:47.627 --> 07:48.567 What difference does that make? 07:48.747 --> 07:49.868 Well, it's slightly different. 07:49.888 --> 07:51.088 The tone of it's slightly different. 07:51.108 --> 07:52.149 What's number three? 07:52.189 --> 07:53.610 Well, number three is the annoying high one. 07:54.724 --> 07:55.906 Oh, so that just changes the pitch? 07:56.466 --> 07:59.511 Well, no, it's a slightly different quality of sound. 08:00.632 --> 08:01.053 I don't know. 08:01.874 --> 08:02.635 And then you can tune it. 08:02.655 --> 08:03.817 It's got a tuning thing on the back. 08:03.837 --> 08:04.738 Did you have to tune yours? 08:04.778 --> 08:05.599 I did tune mine, yeah. 08:05.619 --> 08:10.306 It's very difficult to... Because I started off, I did a whole track with one, and it was horrible sounding. 08:10.666 --> 08:12.647 So did I. I just didn't throw that one away. 08:13.428 --> 08:14.368 That's what I'm entering. 08:14.828 --> 08:21.932 I've got to say that the combination of doing a Kate Nash parody, Kate Nash, whether you love her or dislike her, and it's hard to dislike her that much. 08:21.952 --> 08:22.272 She's only 21. 08:23.353 --> 08:26.674 She's a young thing, and she's singing it like it is. 08:27.455 --> 08:34.358 And if what it's like for her isn't what it's like for you, which is the case with many of us, you might not particularly enjoy her songs. 08:34.819 --> 08:38.040 But even so, it's quite distinct and irritating sound. 08:39.581 --> 08:40.082 affected. 08:40.322 --> 08:43.985 Yeah, well, we sort of got bossy because I think we were playing pumpkin soup or whatever. 08:44.426 --> 08:44.686 Yeah. 08:45.046 --> 08:47.008 And we thought, oh, that can't be hard to do, can it? 08:47.128 --> 08:49.030 It's like young Nancy from Oliver. 08:49.150 --> 08:49.370 Right. 08:49.591 --> 08:50.331 In the charts. 08:50.511 --> 08:50.692 Yeah. 08:50.952 --> 08:53.794 You know, she's got a very kind of baro girl sound. 08:54.295 --> 08:57.918 And I don't know, it's occasionally sounds as if it can't be real. 08:57.938 --> 08:58.239 Yeah. 08:58.319 --> 09:01.702 Because how could someone actually operate in the world talking like that? 09:02.321 --> 09:04.282 and not get hit a lot. 09:05.383 --> 09:09.725 But that's fine because it's, you know, a lot of singers affect funny voices for singing. 09:09.765 --> 09:11.185 It's part of the deal with pop. 09:11.526 --> 09:21.010 But combine that with the stylophone and your mixing dangerous chemicals of, you know, dangerous levels of annoyingness. 09:21.590 --> 09:25.492 The stylophone's, you know, twice as annoying for any one song. 09:26.413 --> 09:30.795 Add a Nash parody and you've got one of the most irritating noises since Alvin and the Chipmunks. 09:31.055 --> 09:35.798 Well, the Stylophone's ever, only ever been really successfully used on Space Oddity, hasn't it? 09:35.878 --> 09:36.239 Really? 09:36.299 --> 09:38.060 Is that a Stylophone on Space Oddity? 09:38.780 --> 09:41.863 Uh, I can't think of too many other... Well, you're about to hear one. 09:42.843 --> 09:43.604 So who's gonna go first? 09:43.624 --> 09:44.344 Should we flip a coin? 09:45.105 --> 09:46.026 We'll flip the coin! 09:46.966 --> 09:48.107 I don't mind going first. 09:48.347 --> 09:49.348 I've got a coin, have I? 09:49.748 --> 09:51.329 Oh no, we haven't got any coins! 09:51.349 --> 09:53.450 Someone can text a coin to us. 09:53.851 --> 09:54.751 Okay, I'm flipping. 09:55.251 --> 09:55.632 Call it. 09:56.312 --> 09:57.133 Uh, I'll go heads. 09:57.533 --> 10:00.995 Heads, it, I don't know what, it's hard to tell on a two pound coin. 10:01.075 --> 10:02.916 Oh no, yeah, you're going heads, it's tails. 10:02.996 --> 10:04.257 It's tails, so you get to choose. 10:04.557 --> 10:07.119 So I get to choose, uh... Is that what it means? 10:07.139 --> 10:07.539 Yeah. 10:07.879 --> 10:23.729 yeah i'll go i'll go first you'll go first yeah a little bit of thinking it took yeah figure out what tactic could give you the strongest start well we're going to play them again later on in the show so i'll go second then i think you should go first both times so this 10:23.889 --> 10:47.670 is my Kate Nash song is thematically and sound wise by no means close to what she's like and I really tried hard it's very very difficult but it's not it's not very easy at all so I sort of zeroed in on a couple of very lazy things that popped out at me thematically and it's alarming and as far as the as far as the voice went it's nowhere near at all so anyway this is my Kate Nash song 10:58.167 --> 11:23.144 I was a bit depressed today So I started thinking about Binge drinking around three o'clock So I went and done a little knock On the door of my best friend Mandy And my boyfriend Andy He was Randy I could tell cause he kept looking at my bum Lucky was some kind of pervy bum fan Bums and binge drinking Binge drinking and bums 11:24.404 --> 11:52.049 When I get depressed I like to go binge drinking with my chums Why are you depressed said Mandy But not Andy When we was at the shops Buying alcohol pops Mandy never stops asking me questions like that So I told her Mandy it's the media They made my bum feel fat I have to go binge drinking Just so I can deal with that Bums and binge drinking 12:10.894 --> 12:32.767 Oh my gosh I was so drunk that night I threw up on Andy and we had a big fight And Mandy cubed and then we had a meal And later on we all watched Bulls of Steel Then I felt quite happy Then I was sad and I thought I wonder how many gents I've had And then I threw up and then I passed out It was so embarrassing my bum was hanging out Bums have been stripped 12:44.117 --> 13:01.412 Been drinking and bums When I get depressed I like to go Been drinking with my chums The lungs have been drinking What been drinking and bums When I get depressed I like to go Been drinking with my chums 13:11.960 --> 13:14.040 Is this to be this performance right now? 13:14.101 --> 13:15.381 Is this to be judged as well? 13:22.002 --> 13:23.042 Yeah, that's good. 13:23.062 --> 13:24.123 That's live at the end there. 13:24.643 --> 13:25.603 It was hard to tell. 13:25.623 --> 13:26.863 It was so well mixed in. 13:26.883 --> 13:28.004 Been shrinking and bums. 13:28.764 --> 13:29.964 There you go, that's my Kate Nash song. 13:30.004 --> 13:33.605 Now we might have to... Let's go to the news, don't you think? 13:33.705 --> 13:37.626 Well, after that, we probably need to hear some news, some important news. 13:37.646 --> 13:39.246 So, listeners, hold that in your brain. 13:39.406 --> 13:43.688 And we'll play Jo's one after the news and a bit of music. 13:44.508 --> 13:47.409 But did you go a radically different direction with your one? 13:47.469 --> 13:47.929 You know what? 13:48.069 --> 13:50.050 I went in a radically similar direction. 13:50.070 --> 13:50.490 Did you? 13:50.550 --> 13:50.931 Yeah. 13:51.131 --> 13:53.392 Especially lyrically and thematically. 13:54.072 --> 13:57.673 You'll find there is one prominent similarity. 13:57.833 --> 13:58.714 It's the Bums, isn't it? 13:58.774 --> 13:59.534 It is the Bums. 13:59.694 --> 14:06.517 Because she loves... It's only a couple of songs that she mentions, Bums, but it really sticks out as being so sort of... Bummy. 14:07.097 --> 14:07.377 Yeah. 14:07.698 --> 14:09.959 And I think she mentions them in more than a couple of songs. 14:10.039 --> 14:11.660 I listen to a lot of Kate Nash. 14:11.720 --> 14:14.402 I listen to the whole of Made of Bricks over and over again. 14:14.422 --> 14:14.783 Me too. 14:14.923 --> 14:16.043 It's not bad, is it? 14:16.103 --> 14:17.304 I went out and bought it. 14:17.544 --> 14:17.945 Did you? 14:18.065 --> 14:19.226 Yeah, I didn't download it. 14:19.726 --> 14:20.787 I mean, did you download it? 14:20.927 --> 14:21.848 I borrowed it off someone. 14:22.028 --> 14:23.369 You borrowed it off someone. 14:23.729 --> 14:24.389 I bought it. 14:25.210 --> 14:25.770 No, you never. 14:25.990 --> 14:26.771 Yes, I did. 14:27.071 --> 14:27.952 He's shaking his head. 14:28.172 --> 14:28.672 I bought it. 14:31.014 --> 14:31.995 It's not bad though, is it? 14:32.535 --> 14:33.095 I bought it. 14:34.536 --> 14:36.298 Here is the, is it news time? 14:37.278 --> 15:01.066 in about 20 seconds 20 seconds yeah come on then Phil's Cornish Phil's Cornish what I've got a fill now yeah okay so my song is brilliant my song has stylophone in it in fact it's built on a foundation of stylophone playing yeah but nevertheless it is the most annoying sound in the world hence my song is very annoying but it's time for song wars the war of the 15:06.481 --> 15:16.747 That was Supergrass with Bad Blood that you just heard there and their album Diamond Who Ha is now in the shops and it's Smash apparently, so brush out and buy it. 15:16.987 --> 15:21.110 Especially if you're a Supergrass fan, I imagine that would be high on your agenda anyway. 15:21.170 --> 15:22.150 It makes sense, doesn't it? 15:22.190 --> 15:23.171 It would make total sense. 15:23.191 --> 15:25.913 But a fan would be excited about the new release, the new Who Ha. 15:25.933 --> 15:26.313 Well done. 15:26.633 --> 15:32.397 And, you know, there's an advert for the album on a lot of music mags at the moment, and they all look very young. 15:32.437 --> 15:36.039 I don't know if they've been airbrushed, but they look about 15, the mighty grass. 15:36.299 --> 15:36.719 Well, they're not 15. 15:36.759 --> 15:37.900 They're not, are they? 15:37.920 --> 15:39.621 I mean, they're about 50, if anything. 15:39.821 --> 15:48.186 But they're looking spry, they're looking good-looking, Gaz looks about 6th, the bloke who broke his neck looks thin, well-unrested. 15:49.147 --> 15:50.628 So, they're on top form. 15:50.688 --> 15:51.729 Anyway, sorry, didn't mean to... 15:52.549 --> 15:54.491 Get off the Song Wars beaten track there. 15:55.151 --> 15:57.934 It's time to unveil Jo's cake-nash masterpiece now. 15:58.254 --> 16:00.536 Yeah, were you gonna play another Tiny Jingle or did you? 16:00.556 --> 16:01.037 I did! 16:01.057 --> 16:01.477 You did? 16:01.517 --> 16:02.618 I wasn't listening at all. 16:02.898 --> 16:04.259 Well, not paying attention at all. 16:04.740 --> 16:06.461 Yeah, it's time for my Song Wars entry. 16:07.042 --> 16:08.263 Uh, Jo's Song Wars entry. 16:08.323 --> 16:09.084 Mine's very short. 16:09.104 --> 16:10.124 Yours was long, wasn't it, Adam? 16:10.825 --> 16:11.405 How long was yours? 16:12.025 --> 16:14.366 Uh... It's over two minutes. 16:14.426 --> 16:18.567 Mine's only just over one minute because I couldn't put anybody through any more than a minute of this. 16:18.667 --> 16:18.927 Right. 16:19.147 --> 16:20.308 I almost didn't bring it in. 16:20.328 --> 16:22.668 Because it was such an awful noise. 16:23.389 --> 16:24.229 Um, it's true. 16:24.729 --> 16:25.509 Don't look so shocked. 16:25.869 --> 16:26.790 Jude's looking shocked. 16:26.970 --> 16:27.870 Well, let's hear it. 16:27.910 --> 16:28.430 Let's hear it. 16:28.730 --> 16:29.470 I don't know. 16:29.530 --> 16:31.031 Mine's called... What was yours called? 16:31.311 --> 16:32.351 Bums and binge drinking. 16:32.371 --> 16:33.571 Mine's called itchy bum. 16:33.872 --> 16:34.692 Itchy bum. 16:34.732 --> 16:34.992 Yeah. 16:36.073 --> 16:38.376 And again, I haven't really managed to sound like her. 16:38.756 --> 16:42.821 I had to speed it all up in a sort of attempt to make it sound a bit like her. 16:42.941 --> 16:43.642 Yeah. 16:43.722 --> 16:46.525 I thought about pitching my voice up, but then I thought, no, I won't bother. 16:46.766 --> 16:47.627 It's frustrating, isn't it? 16:47.647 --> 16:52.212 Because she's got such a particular voice and it's clear that she is affecting part of her accent. 16:52.372 --> 16:53.654 Like it's not real, you know. 16:53.874 --> 17:06.339 yeah but uh it's hard to absolutely nail it very very difficult and both of us have failed to i think here's my song this is my cake nash song featuring us some stylophone action this is called uh itchy bum 17:15.583 --> 17:38.724 To my bedroom, watching telly I another slice of cheese on toast And think about how crap you are I've been thinking for an hour now And I can conclude that you are rubbish And you don't deserve to hear me sing This wicked song about my complicated personal problems Including the fact that I'm 17:47.449 --> 18:10.283 Now I'm sitting at the bus stop My head is full of tissues My body's full of tissues I wish that I could have a lion bar But I cannot afford it And it would make me sporty All over my body That's just another one of the complicated problems I'm gonna put into my next Wicked Song, darling 18:19.399 --> 18:21.469 Only short, itchy bum. 18:24.420 --> 18:25.761 Yeah, some weird tuning on there. 18:26.181 --> 18:27.181 It's good, it's in tune. 18:27.201 --> 18:30.123 It's a bit bagpipe-y, the stylophone, isn't it, basically. 18:30.143 --> 18:32.224 It makes everything sound a bit big country-esque. 18:32.444 --> 18:32.824 Yeah. 18:33.945 --> 18:34.985 Oh, I don't know, there we go. 18:35.085 --> 18:37.167 So, the voting is open to you listeners. 18:37.307 --> 18:38.907 Which of those songs did you like the most? 18:38.947 --> 18:43.910 We'll play them both again before the end of the show, maybe closer together to make it a bit easier for you to decide. 18:44.750 --> 18:49.053 You probably just loathe them both, in which case, vote for the one that you loathe the least. 18:50.165 --> 18:51.970 The text number is 64046. 18:52.451 --> 18:54.356 I'm being told they can't text. 18:55.532 --> 18:56.212 Just email. 18:56.272 --> 18:56.812 Why's that? 18:57.413 --> 19:03.654 Because there's been some complications with the text and the big British castle is now banning the text. 19:03.674 --> 19:09.856 I think you can text 64046 during the show or email adamandjo.6musicapbbc.co.uk I'll count them up, Jude. 19:10.116 --> 19:10.656 I'll count them. 19:11.036 --> 19:12.777 There's no reason why people can't text. 19:13.077 --> 19:20.579 Or if you're listening again or after the show, adamandjo.6musicapbbc.co.uk has two things you're in trouble with now. 19:20.979 --> 19:32.013 First, your outburst of opinions earlier on about corporations and now going against a directive from the big British castle about texting, Cornish is like an outlaw. 19:32.394 --> 19:33.495 He's a crazy man. 19:33.515 --> 19:35.257 Just fancy some time off. 19:35.457 --> 19:35.678 Yeah. 19:35.818 --> 19:38.601 And they won't give us any holiday, so we'll just get fired a bit. 19:40.083 --> 19:40.363 Yeah? 19:40.783 --> 19:41.243 Bye! 19:41.784 --> 19:43.784 Here's The Who with I Can't Explain. 19:43.804 --> 19:45.865 That's The Who with Can't Explain. 19:46.425 --> 19:47.506 Bo did a good version of that. 19:47.786 --> 19:48.106 Did he? 19:48.286 --> 19:49.166 On his album Pinups. 19:49.466 --> 19:49.967 Very good. 19:50.047 --> 19:50.747 For David. 19:50.807 --> 19:53.508 I was, I was, I was... Listen, the votes are coming in already. 19:54.688 --> 20:00.310 Here's one saying, I am a new listener and bum and beats drinking is the funniest thing I've heard for ages. 20:00.610 --> 20:01.231 Binge drinking? 20:01.291 --> 20:01.871 Says Chris. 20:01.951 --> 20:04.032 Yeah, he hasn't heard it properly. 20:04.052 --> 20:05.572 Lee says, both bloody awful. 20:05.812 --> 20:06.933 You have ruined my day. 20:06.953 --> 20:07.433 Okay. 20:07.893 --> 20:10.075 There's one email that's come through. 20:10.095 --> 20:13.898 They were both pretty bad, but I'll go with Adam's just. 20:14.419 --> 20:16.060 It's looking like an early lead for Buxton. 20:17.001 --> 20:17.861 Both pretty bad? 20:17.982 --> 20:18.602 I don't agree. 20:18.622 --> 20:19.303 I agree. 20:19.323 --> 20:20.023 I do agree. 20:20.043 --> 20:22.225 I think the listeners have got it spot on. 20:22.245 --> 20:26.228 64046, you're not allowed to vote by pressing that. 20:26.709 --> 20:29.851 Apparently because we can't guarantee we'll receive all texts. 20:30.652 --> 20:31.193 No, exactly. 20:31.213 --> 20:32.654 Which is a very good reason. 20:32.714 --> 20:38.118 Is there a department in the BBC that come up with just pedantic, stupid reasons to do stupid things? 20:38.278 --> 20:38.578 Yeah. 20:38.838 --> 20:40.199 Yeah, it's a giant corporation. 20:40.219 --> 20:42.000 You've got to have things like that happening, you know? 20:42.221 --> 20:42.581 I love it. 20:42.741 --> 20:43.482 It's like Brazil. 20:44.442 --> 20:45.743 Not the country, but the film. 20:46.844 --> 20:57.852 Now, all this rambling and rubbish songs and incompetence in the world of presenting makes it unbelievable that we listeners have been nominated for an award. 20:58.373 --> 20:58.713 Oh, yes. 20:59.393 --> 21:04.257 the, is it the British Press Guild or the Broadcasting Press Guild? 21:04.277 --> 21:04.937 The BPG. 21:05.157 --> 21:16.346 The BPG, they are an organisation made up of, you know, critics and we've been nominated in the category for best radio show, I think. 21:16.986 --> 21:18.707 And we're up against Moyles. 21:19.568 --> 21:22.331 Beyond Belief, a series of Radio 4 religious programs. 21:22.651 --> 21:25.954 Yeah, and what was the other show on Radio 4? 21:26.194 --> 21:27.035 It's the news quiz. 21:27.075 --> 21:29.637 The news quiz, you know, these are big shows that we're up against. 21:30.317 --> 21:33.780 So it's amazing to be nominated in that category, and we're very excited. 21:33.800 --> 21:37.323 This is pretty much only the second time we've ever been nominated for an award. 21:38.304 --> 21:39.965 Um, in our, in our careers. 21:40.606 --> 21:41.226 Is it third time? 21:41.246 --> 21:41.807 Yes, that's right. 21:41.847 --> 21:44.308 We got nominated for a one about animation, didn't we? 21:44.668 --> 21:45.249 Didn't win that one. 21:45.849 --> 21:50.692 Um, but it's, it's very exciting listeners and we're going to the ceremony next Friday. 21:51.253 --> 21:54.035 So this time next week, we'll be able to tell you if we won or not. 21:54.075 --> 21:56.917 But I was wondering if you guys, you know, I don't think we will. 21:57.457 --> 22:01.580 So the key thing is to just simply celebrate while there's a possibility that we might. 22:01.620 --> 22:02.360 Yeah, exactly. 22:02.821 --> 22:03.641 Tutor and something. 22:03.661 --> 22:07.424 My mum always used to say, you know, just enjoy it while it's a possibility. 22:07.604 --> 22:07.824 Yeah. 22:08.104 --> 22:10.246 Enjoy the moment, but what if we won? 22:10.266 --> 22:11.567 Nah, it's not gonna happen. 22:12.068 --> 22:15.571 Um, but I was thinking, like, maybe people could suggest what we could say, yeah? 22:15.591 --> 22:18.113 Because I've been fantasizing about if we won, you know what I mean? 22:18.133 --> 22:22.557 Ever since we found out that we've been nominated, I've been thinking about, what would we say if we won? 22:22.857 --> 22:26.200 You know, which direction would we, would we, like, make a big song and dance about it? 22:26.220 --> 22:28.041 Would we say something outrageous at the podium? 22:28.061 --> 22:30.864 Would we just be polite and say thank you? 22:31.484 --> 22:34.766 I was wondering if some listeners could suggest things that we could say. 22:35.286 --> 22:40.348 And, you know, if it happened, we could take a tape recorder along to the show, right? 22:40.368 --> 22:43.330 And we could tape our speech and then play it on the show. 22:43.390 --> 22:47.512 And, you know, if we got some listeners to suggest stuff for us to say. 22:47.592 --> 22:48.572 Who will be in the audience? 22:48.732 --> 22:50.993 Because it's all to do with who's going to be watching, isn't it? 22:51.313 --> 22:53.014 It's like making a best man speech or something. 22:53.034 --> 22:54.155 You've got to pitch it to the audience. 22:54.235 --> 22:56.876 All I've heard is that the cast of Cranford are going to be there. 22:57.116 --> 22:57.396 Wow. 22:57.476 --> 22:58.537 I'm excited about that. 22:58.977 --> 22:59.398 I love Cranford. 22:59.418 --> 23:02.361 They should do it in like old west country, whatever Cranford is. 23:02.381 --> 23:03.782 Cranford is just posh. 23:05.424 --> 23:08.106 But I'm very excited about seeing the cast of Cranford. 23:08.246 --> 23:10.669 I imagine it'll be some of the younger members. 23:10.769 --> 23:12.491 I can't imagine Stench will be there, will she? 23:12.551 --> 23:16.054 You've got your eye on some busty wench that you're going to attempt to snog, haven't you? 23:16.154 --> 23:17.015 Dame Judy Stench. 23:17.636 --> 23:18.176 The Stench. 23:18.196 --> 23:18.477 Yeah. 23:18.937 --> 23:20.118 I'm gonna get a whiff of the stench. 23:20.138 --> 23:21.719 I've got my eye on the stench. 23:22.599 --> 23:23.920 Uh, so yeah, if anyone's got any. 23:23.940 --> 23:26.321 What are your favorite award acceptance speeches? 23:26.481 --> 23:27.162 Uh, you know what? 23:27.282 --> 23:31.624 I go for the, I like the Coen Brothers style, just say very little. 23:32.005 --> 23:32.205 Yeah. 23:32.605 --> 23:35.146 Awards speeches are boring as Hades. 23:35.607 --> 23:36.267 But they're awful. 23:36.387 --> 23:38.508 It's fun when someone, they're only fun if someone makes an arse of them. 23:38.528 --> 23:38.949 Exactly. 23:38.989 --> 23:40.069 So we should maybe do that. 23:40.089 --> 23:41.270 No, you can't do that knowingly. 23:41.290 --> 23:42.210 That's just obnoxious. 23:42.291 --> 23:42.591 Really? 23:43.391 --> 23:44.552 We'll probably do it by accident. 23:45.633 --> 23:46.654 Anyway, any suggestions? 23:46.694 --> 23:47.515 Greatfully received. 23:47.976 --> 23:49.898 Now, here's a track that Joe's picked out for you listeners. 23:49.938 --> 23:50.719 Yeah, what is this then? 23:51.641 --> 23:52.361 Yeah, this is great. 23:52.401 --> 23:54.985 I tried to play this last week, but something went wonky. 23:55.345 --> 23:57.468 This is a B-side from one of their 12 inches. 23:57.508 --> 24:01.072 It used to be one of my prize possessions because you couldn't get it on CD. 24:01.112 --> 24:03.756 Do you have one or two things like that that you've only got on vinyl? 24:04.036 --> 24:04.616 Yes, I do. 24:04.697 --> 24:14.023 And every now and then you dust off your turntable and you have a vinyl evening, you know, and one of these records that you haven't heard since you last got your record player out always sounds amazing. 24:14.523 --> 24:16.105 But now it's out on CD. 24:16.165 --> 24:19.547 It's in fact comes with the addition of Three Feet High and Rising. 24:19.567 --> 24:22.329 You get a little bonus disc with all their B-sides on it. 24:22.349 --> 24:24.670 This is called it Ain't Hip to be labelled a hippie. 24:25.631 --> 24:26.492 That's numinoid. 24:28.343 --> 24:29.743 And that's a John Peel session track. 24:29.763 --> 24:32.244 It's a good version, you know, of that track. 24:32.744 --> 24:38.726 That was recorded for Radio 1 way back in 1979, the 29th of May. 24:39.246 --> 24:42.007 This is Adam and Joe here on BBC 6 Music. 24:42.307 --> 24:50.129 Now I saw this advert in the back of Word magazine for an upcoming gig that I think you might be excited about, Joe. 24:51.530 --> 24:54.851 It says, Morton, Paul and Magnae. 24:56.347 --> 24:57.928 Uh, who do you think that could be? 24:58.008 --> 24:58.769 Is that Aha? 24:59.069 --> 25:08.195 Well, it's three solo performances from the members of Aha, all taking place on the same evening at the London Royal Albert Hall. 25:08.415 --> 25:08.736 Wow! 25:08.896 --> 25:16.021 So they're all on the same build, but they appear to be playing separate gigs, three solo gigs, rather than just one Aha gig. 25:16.841 --> 25:23.646 So, but, you know, they can't get themselves together to actually just reform and play an aha gig. 25:23.826 --> 25:24.667 Well, that's good, isn't it? 25:24.707 --> 25:33.673 Because often if you're in a duo or a band, you can get a sort of psychological complex that your voice and individual talent... 25:34.374 --> 25:35.515 Yeah, isn't being heard. 25:35.555 --> 25:47.010 That's right Every now and then that might happen to you and I you know You might I might be annoyed that you get credit for something that I've done vice versa Yeah, I might get credit for something you've done. 25:47.030 --> 25:50.795 I sometimes think you know people need to know Joe 25:51.576 --> 25:53.417 You know, without Adam getting in the way. 25:53.617 --> 25:54.518 See, that never happens to me. 25:54.698 --> 25:55.539 I never have any of those people. 25:55.559 --> 25:56.900 Maybe they've got the same thing. 25:57.380 --> 26:00.502 Yeah, but what's the logic of them doing a gig together? 26:00.742 --> 26:04.545 It's good for them psychologically, and if people pay to see it, then that's a bonus. 26:04.605 --> 26:05.546 That's insanity. 26:05.566 --> 26:07.267 That is bad psychology. 26:07.387 --> 26:09.328 Who's going to play Sun Always Shines on TV? 26:09.809 --> 26:10.509 Yeah, exactly. 26:10.529 --> 26:11.830 Who wrote the songs in her heart? 26:12.831 --> 26:15.553 I imagine it would be Harkett, but then, probably the others. 26:16.013 --> 26:16.433 All of them. 26:16.493 --> 26:17.614 Do you know that for a fact? 26:17.694 --> 26:19.616 Maybe they're just going to play their separate parts. 26:20.536 --> 26:22.737 One of them's gonna go and he's just gonna play lots of bass. 26:23.497 --> 26:29.240 When you say that all of them wrote the song, then you could then split the song down into the good and bad bits of the song. 26:29.740 --> 26:33.721 Like the guy that wrote the choruses was better than the guy that wrote the verses. 26:34.322 --> 26:34.762 Don't you think? 26:35.602 --> 26:36.103 I think so. 26:36.363 --> 26:43.790 One of them is just gonna come on, Magna's gonna come on and say, hello, I'm playing all mainly middle-eights tonight, I wrote all the middle-eights of the song. 26:43.850 --> 26:46.912 That's right, they're gonna have to chop up the songs, they only play the bits that they wrote. 26:46.932 --> 26:55.960 Yeah, Morton's just gonna be standing there with his cheekbones, singing all the little backing vocal bits that he wrote maybe, and 26:56.901 --> 27:01.622 I think it's under- I'm surprised more people don't do that because that's a good way to solve that problem of being in a band. 27:01.882 --> 27:03.062 Being in a band drives you mad. 27:03.102 --> 27:04.063 It's well known, right? 27:04.083 --> 27:04.143 Yes. 27:04.703 --> 27:05.163 How is that? 27:05.223 --> 27:08.603 I don't understand how you could possibly think that is a good way of solving the problem. 27:08.664 --> 27:09.464 No one's happy. 27:09.484 --> 27:09.844 Absolutely. 27:09.864 --> 27:11.144 They're getting individual credit. 27:11.364 --> 27:12.564 Well, people in the band are happy. 27:12.604 --> 27:13.585 Just the audience are upset. 27:13.885 --> 27:16.025 The people in the band can't be happy. 27:16.105 --> 27:22.086 They are luring audiences there under the pretenses of getting some kind of a-ha gig. 27:22.106 --> 27:23.807 And in fact, they're getting nothing of the kind. 27:24.047 --> 27:25.367 They're basically getting people there 27:25.527 --> 27:27.109 They're a huge band. 27:27.189 --> 27:30.914 If that was the Beatles and you were seeing individual sets, would you complain? 27:31.194 --> 27:35.540 If they're upset about the dynamics of being in a successful band... Answer the question. 27:35.680 --> 27:37.182 Well, it's not the Beatles though, is it? 27:37.202 --> 27:38.864 Yeah, but if you're Swedish it is. 27:39.605 --> 27:39.865 Is it? 27:40.086 --> 27:40.366 Yeah. 27:40.486 --> 27:41.608 Are they Nordish? 27:41.868 --> 27:42.889 If you're Nordish it is. 27:43.650 --> 27:58.939 If you are having psychological problems about the stresses that come with being in a successful combo, the best thing to do is turn your back and plant your flag elsewhere as a solo entity and just get on with your life, not carry on working under that banner. 28:00.760 --> 28:01.080 Hahaha. 28:01.221 --> 28:04.363 Do you think that presumably they've got separate dressing rooms and everything like that? 28:04.383 --> 28:06.545 Hey, maybe an our half fan will be able to enlighten us. 28:06.565 --> 28:06.645 Yeah. 28:06.665 --> 28:08.247 Maybe there's more to this than meets the eye. 28:09.048 --> 28:09.768 You can email us at the info. 28:09.808 --> 28:16.534 Maybe there's more to this than meets the eye at pvc.co.uk or you can text 64046. 28:17.375 --> 28:24.581 That's happening on Saturday, May 24th at 7.30pm in case you're interested at the London Royal Albert Hall. 28:25.342 --> 28:25.823 What a gig. 28:25.843 --> 28:26.904 What a gig. 28:27.424 --> 28:28.285 I'm excited, man. 28:28.345 --> 28:29.206 I think it'll be great. 28:29.306 --> 28:30.307 I think it'll be fantastic. 28:30.327 --> 28:32.809 Maybe we can go along there and find out. 28:32.829 --> 28:33.210 I can't. 28:33.230 --> 28:35.071 I think I'm busy. 28:35.091 --> 28:35.952 Are you busy? 28:36.012 --> 28:36.212 Yeah. 28:36.232 --> 28:37.814 I think I might be busy that day as well. 28:37.854 --> 28:38.555 Watching Telly. 28:38.675 --> 28:41.097 I think that day I'm unable to move. 28:42.278 --> 28:43.259 Because I've just fallen. 28:43.840 --> 28:45.161 Now here's track by Foles. 28:45.201 --> 28:47.743 This is the guy that supposedly sounds or looks like you. 28:47.763 --> 28:48.644 Oh really? 28:48.684 --> 28:49.245 Who says that? 28:49.365 --> 28:49.925 Somebody did. 28:51.006 --> 28:55.890 Uh, someone said, oh, is Joe, Joe's masquerading as the guy from foals. 28:56.451 --> 28:56.751 Okay. 28:56.831 --> 28:58.012 Someone, someone surf. 28:58.252 --> 29:06.018 I think maybe when you were away, when Garth was here, someone texted in and said that, um, and it's angular pop art pop math. 29:06.038 --> 29:06.639 What was it? 29:06.699 --> 29:07.859 Someone call it math rock. 29:08.280 --> 29:10.822 That's a ridiculous, uh, phrase, isn't it? 29:10.842 --> 29:12.143 But this is Cassius by foals. 29:12.443 --> 29:13.343 That's the lipos. 29:14.244 --> 29:14.864 The flamers. 29:15.765 --> 29:17.906 Yeah, that's a sort of a request type of thing. 29:18.226 --> 29:21.467 That's going out to Sally Whitehead in sunny Swindon. 29:21.928 --> 29:23.028 We don't really do requests. 29:23.108 --> 29:31.172 No, but you know, the reason we don't do requests is because everything is very solidly, uh, playlisted by music scientists in a good way. 29:31.232 --> 29:32.653 Not playlisted in a bad way. 29:33.053 --> 29:33.753 In a good way. 29:33.813 --> 29:36.975 Well, no, we establish what we're going to play fairly on in the week, is the thing. 29:36.995 --> 29:38.856 Yeah, with a series of long-winded meetings. 29:39.856 --> 29:59.270 um and but that happened to coincide with a request so there we go we've made it into one who was it for again for sally yeah for sally whitehead listen aha news all right here we go a guy from uh from somewhere called chris is very clever because he's logged on to wikipedia and done a bit of research and he brings the following facts 29:59.750 --> 30:09.458 Paul Wachtar Savoy is one member of Aha, has released five albums with his wife Lauren Savoy and their band Savoy. 30:09.919 --> 30:10.199 Nice. 30:10.579 --> 30:12.200 Five albums, okay? 30:12.621 --> 30:16.164 Morton Harkett has released three solo albums. 30:16.224 --> 30:18.205 Among them is Wild Seed. 30:18.726 --> 30:18.866 Oof. 30:19.286 --> 30:19.727 Oof. 30:20.147 --> 30:20.487 Messy. 30:21.428 --> 30:25.852 which sold around 200,000 copies in Norway and half a million altogether. 30:25.952 --> 30:28.634 It's the best-selling A-ha solo project to date. 30:29.355 --> 30:39.584 Magna Fruhulmin has developed a reputation as a sculptor and painter and has made music for films and television. 30:39.624 --> 30:48.992 In 2004, he released his first solo album, Proper, Past, Perfect, Future, Tense, backed by members of Coldplay, who are big fans of A-ha. 30:49.312 --> 30:52.393 Wow, they're going to be at the Morton Paul Magna gig then. 30:52.573 --> 30:56.413 In recent times, he was commissioned by the Norwegian government to design a postage stamp. 30:57.153 --> 30:57.373 Right. 30:57.413 --> 30:58.094 So there you go. 30:58.114 --> 31:07.255 A conclusive proof that each member of AHR has his own universe of talent, which can own a stage in an audience perfectly adequately. 31:07.515 --> 31:12.256 The idea of the three of them playing on the same stage, but separate bits of music. 31:12.496 --> 31:12.776 Say, oh no. 31:12.876 --> 31:13.696 Well, you know what I mean. 31:13.736 --> 31:14.416 On the same bill. 31:14.716 --> 31:14.976 Yeah. 31:15.257 --> 31:16.237 It's a brilliant one. 31:16.717 --> 31:17.417 And you're stupid. 31:18.457 --> 31:22.081 Uh, I'm not stupid though because, um... Why? 31:22.361 --> 31:23.522 No, that's good, that's good, that'll do. 31:23.562 --> 31:23.942 No, you're not. 31:24.623 --> 31:25.884 You're right, that's a good argument. 31:26.184 --> 31:26.485 Yeah. 31:26.565 --> 31:32.510 Listen, it's gonna be Text the Nation coming up very soon, the part of the show where you text us and we read them out if they're good. 31:32.891 --> 31:37.074 We should have like a Geordie guy like Lily Allen has to explain how everything works. 31:37.134 --> 31:38.796 Have you carried on watching Lily Allen? 31:38.856 --> 31:40.738 I like to dip into Allen every now and again. 31:40.758 --> 31:40.978 Really? 31:41.078 --> 31:41.879 Yeah, a little bit. 31:42.719 --> 31:43.879 just to see how she's getting on. 31:43.959 --> 31:44.900 Have you been keeping up? 31:44.960 --> 31:52.081 No, I did a bit of, you know, sort of telly safari-ing last night and I watched a bit of Balls of Steel. 31:52.562 --> 31:52.842 Oh yes. 31:52.902 --> 31:54.042 I like to keep my eye in. 31:54.262 --> 31:55.482 I watched that a couple of weeks ago. 31:55.502 --> 31:58.903 I watched the guy with the cowboy hat who goes around annoying people. 31:59.083 --> 32:01.044 Yeah, I saw that as well, the devil man. 32:01.224 --> 32:01.504 Yeah. 32:01.764 --> 32:03.804 He was just sneezing in people's faces. 32:03.884 --> 32:06.025 Oh, not the devil, there's a guy who's dressed up like the devil. 32:06.165 --> 32:09.046 Yeah, and he does it, but they all do basically really annoying things. 32:09.126 --> 32:09.586 Yeah, yeah. 32:10.266 --> 32:11.547 Uh, and it's supposed to be funny. 32:11.987 --> 32:13.468 Uh, did you, were you laughing and laughing? 32:13.708 --> 32:13.888 No. 32:14.348 --> 32:15.769 I felt like taking my own life. 32:16.209 --> 32:18.310 Well, it's one of those shows that divides people, isn't it? 32:18.390 --> 32:19.070 I mean, yeah. 32:19.130 --> 32:20.531 What was it, a third series now? 32:20.551 --> 32:22.391 A couple of people like it, everyone else hates it. 32:22.952 --> 32:26.053 Uh, not according to Channel 4, it's that it does very well, yeah. 32:26.373 --> 32:27.694 You know, the kids love that kind of thing. 32:27.714 --> 32:27.854 Do they? 32:27.874 --> 32:28.934 It's just a bit of harmless fun. 32:28.954 --> 32:29.895 What's your problem, Granddad? 32:30.555 --> 32:31.395 What is your problem? 32:31.975 --> 32:32.635 It's not good. 32:33.756 --> 32:35.396 Granddad, get with it! 32:35.536 --> 32:38.656 You're right, I'm old and bad stuff is great. 32:39.317 --> 32:45.018 Have you ever seen the Dirty Sanchez movie? 32:45.358 --> 32:47.218 No, you were talking to me about that during the week. 32:47.778 --> 32:48.638 Oh my lord. 32:48.658 --> 32:50.499 That's enough to turn anybody into a granddad. 32:50.719 --> 32:53.619 You know, because I don't mind a little bit of Jackassery every now and again. 32:53.639 --> 32:57.320 I think some of Jackassery... You love it, you're forever stapling your... I'm crazy. 32:58.640 --> 33:13.265 stapling bits of my groin all sorts of places, you know, and I think it's very funny and amusing and I like it if friends of mine punch me in the face randomly or do you shoot oranges at my bottom until I'm bruised that you know, it's very funny. 33:13.665 --> 33:22.368 It's very funny and not humiliating and in the least so I was up for watching the Dirty Sanchez movie, but that that 33:23.008 --> 33:25.809 goes quite an extreme way down a very dark alley. 33:25.829 --> 33:26.049 Really? 33:26.229 --> 33:26.670 Yeah. 33:27.130 --> 33:33.633 I mean, I would genuinely like to hear from someone who's a real fan of that film and find out why. 33:33.653 --> 33:35.033 Maybe it could be a new feature. 33:35.093 --> 33:37.034 We pick something we just can't get our heads around. 33:37.074 --> 33:37.274 Yeah. 33:37.554 --> 33:41.316 Someone who loves it, calls in and espouses it. 33:41.744 --> 33:44.066 Yeah, cuz I would- I would like to hear someone- That would be good, wouldn't it? 33:44.086 --> 33:46.108 Cuz that would stop us from becoming fogey-ish. 33:46.148 --> 33:46.549 Exactly. 33:46.689 --> 33:52.955 Someone already, uh, emailed in and said that our Kate Nash parodies were like, you know, old men taking the Mickey out of punk. 33:53.075 --> 33:53.636 That's true. 33:53.656 --> 34:00.362 I mean, it is a little bit true, because, obviously, there is- she operates on a more sophisticated level than we're giving her credit for. 34:00.382 --> 34:03.585 We've just homed in on the- the- well, for me, the boozy and the bums. 34:04.026 --> 34:04.346 Yeah. 34:04.626 --> 34:06.168 And you went for the cheese toasties. 34:06.488 --> 34:15.155 And it's true that, like punk, there's a certain group of mannerisms that are now associated with that sort of clutch of singers, like Lily Allen and, uh... Is there any two of those? 34:15.175 --> 34:15.835 There's only two of them. 34:15.915 --> 34:16.716 Oh, there's Lowe's, what? 34:16.776 --> 34:19.358 Adele and all that lot and... Yeah. 34:20.999 --> 34:21.900 Uh... Who's the other one? 34:22.120 --> 34:22.700 Sandy Tom. 34:22.740 --> 34:24.161 And they all sing in that same way. 34:24.642 --> 34:26.823 Well, they've got, like, they're on similar territory, aren't they? 34:26.843 --> 34:29.205 I mean, there's little things that... Well, we'll have a think about that feature. 34:29.225 --> 34:31.347 We might, we might shape that into something, might we? 34:31.367 --> 34:32.588 Because it'd be good to get a caller on. 34:33.433 --> 34:33.573 Yeah. 34:33.613 --> 34:35.374 And the show, a bit of verbal variety. 34:35.574 --> 34:36.014 Exactly. 34:36.054 --> 34:36.855 Vocal variety. 34:37.035 --> 34:40.437 Tell us what the point of the Dirty Sanchez movie is, please. 34:40.557 --> 34:41.377 Or Balls of Steel. 34:41.537 --> 34:41.758 Yeah. 34:42.098 --> 34:44.759 If you're a fan of either of those things, drop us an email. 34:44.839 --> 34:47.881 Adamandjo.6musicatbbc.co.uk. 34:48.181 --> 34:51.503 Try and articulate briefly why you're passionate about this thing that we think is rubbish. 34:51.983 --> 34:54.785 And maybe we can get you on to... I notice you're saying we there. 34:54.845 --> 34:56.466 I never said a word against Balls of Steel. 34:56.526 --> 34:57.446 Really, you're a fan. 34:57.466 --> 34:59.587 I'm loving all sorts of Steel. 35:02.128 --> 35:05.229 I'm not allowed on Channel 4. 35:05.890 --> 35:06.490 I've been banned. 35:07.090 --> 35:07.930 I've been too boring. 35:08.391 --> 35:10.811 Right now, here's Gnarls Barkley with Run. 35:11.071 --> 35:12.192 There we go, Gnarls Barkley. 35:12.212 --> 35:13.512 Was that Gnarls Barkley? 35:13.612 --> 35:15.693 Yeah, he's the guy with all the hits. 35:16.093 --> 35:21.335 He knows all the sounds that the kids like and he arranges them in ways that attract money to him. 35:22.095 --> 35:22.215 Mmm. 35:22.695 --> 35:28.017 Now, do you want to hear this little follow-up on the Todd Rungren thing that I was talking about earlier on? 35:28.437 --> 35:28.637 Sure. 35:29.097 --> 35:33.639 This is Todd and John Lennon facing off in the Melody Maker. 35:34.799 --> 35:35.839 And so, first of all, this was 1974. 35:38.200 --> 35:42.262 Todd Rundgren's in Melody Maker, and he's saying, John Lennon, he ain't no revolutionary. 35:42.342 --> 35:43.723 He's an effing idiot, man. 35:44.163 --> 35:47.185 Shouting about revolution, acting like a blank. 35:47.625 --> 35:49.446 It just makes people feel uncomfortable. 35:49.686 --> 35:51.787 All he really wants to do is get attention for himself. 35:51.867 --> 35:55.709 And if revolution gets him that attention, he'll get attention through revolution. 35:55.949 --> 35:57.510 Hitting a waitress in the Troubadour? 35:58.211 --> 35:59.271 What kind of revolution is that? 35:59.311 --> 36:04.754 And he's referring to a story that John Lennon got drunk in this place in L.A., drinking whole, and walloped a waitress. 36:05.494 --> 36:16.986 Um, so anyway, he goes on, but John Lennon responds like a, a week later or whatever, also in Melody Maker, and an open lettuce to sod Runtel Stuntel, he says. 36:17.026 --> 36:17.566 Oh, nice. 36:17.826 --> 36:22.891 You know, from Dr. Winston Obugi, that was John Lennon's kind of, um, pseudonym, pseudonym. 36:23.972 --> 36:30.815 Couldn't resist adding a few islands of truth inverted commas of my own in answer to Turd Runtgreen's Howl of Hate. 36:31.976 --> 36:35.897 So John, he's on full wordplay offensive here. 36:36.097 --> 36:43.741 Dear Todd, I like you and some of your work, including I Saw the Light, which is not unlike There is a Place by the Beatles, melody-wise. 36:44.241 --> 36:46.642 So he's in there, like, needling him from the get-go. 36:46.702 --> 36:47.783 That's always a good start. 36:47.863 --> 36:48.383 I like you. 36:48.863 --> 36:49.423 Yeah, exactly. 36:49.443 --> 36:50.925 Claim the upper ground, the higher ground. 36:51.205 --> 36:52.806 Yeah, I Saw the Light is a good song. 36:53.346 --> 36:55.208 And it is a little bit like There is a Place. 36:57.169 --> 37:01.732 Point one, he says, I've never claimed to be a revolutionary, but I am allowed to sing about anything I want. 37:01.933 --> 37:02.253 Right? 37:02.953 --> 37:03.274 Yeah. 37:03.754 --> 37:06.076 Point two, I never hid a waitress in the troubadour. 37:06.156 --> 37:07.176 I did act like an ass. 37:07.217 --> 37:08.578 I was too drunk, so shoot me. 37:09.358 --> 37:11.740 I can't believe that I'm reading out a question for his mistake. 37:11.780 --> 37:12.360 Yeah, exactly. 37:13.041 --> 37:13.981 Uh, point three. 37:14.401 --> 37:16.523 I guess we're all looking for attention, Rod. 37:17.083 --> 37:18.704 Yeah, deliberately getting his name wrong. 37:19.185 --> 37:22.067 Uh, do you really think I don't know how to get it without revolution? 37:22.287 --> 37:26.109 I could dye my hair green and pink for a start, which Todd Rungren did, right? 37:26.129 --> 37:28.291 Pathetic, you pathetic freak. 37:28.991 --> 37:29.832 Uh, point four. 37:29.892 --> 37:31.593 I don't represent anyone but myself. 37:31.773 --> 37:35.496 It sounds like I represented something to you, or you wouldn't have been so violent towards me. 37:35.736 --> 37:36.817 Your dad, perhaps? 37:37.757 --> 37:39.458 Yes, exactly. 37:40.598 --> 37:45.441 Point five, yes, Dodd getting his name wrong again, deliberately right in his face. 37:45.721 --> 37:47.362 Violence comes in mysterious ways. 37:47.782 --> 37:50.103 It's wondrous to perform, including verbals. 37:50.883 --> 37:54.605 But you know what kind of mind... I'm getting very confused now. 37:54.665 --> 37:55.606 It's just random words. 37:55.666 --> 37:57.006 It's just random words now, isn't it? 37:57.066 --> 37:58.267 We get the idea, though. 37:58.327 --> 37:59.848 What an amazing correspondence. 37:59.928 --> 38:02.929 I wish pop stars still had kind of public feuds like that. 38:02.949 --> 38:04.510 They probably do in the NME, don't they? 38:04.730 --> 38:05.551 Yeah, I guess so. 38:05.831 --> 38:08.132 People like... Maybe people not quite as famous as those two. 38:08.253 --> 38:09.634 People from the kooks, I imagine. 38:09.674 --> 38:10.914 They're fairly mouthy, surely. 38:11.175 --> 38:12.816 Here's a free play from you now, Adam. 38:13.056 --> 38:19.821 Yeah, this is from the excellent All Back to Mine series, and one of the best ones, the orbital one, which I really recommend. 38:19.841 --> 38:21.922 It's fantastic orbital picking some of their favourite tracks. 38:21.942 --> 38:22.603 This is Susan Cadogan. 38:22.803 --> 38:23.323 Cadogan. 38:23.383 --> 38:23.764 Cadogan. 38:23.804 --> 38:24.284 Cadogan. 38:24.344 --> 38:24.824 Cadogan. 38:25.405 --> 38:26.866 I read it phonetically there. 38:27.186 --> 38:27.787 Cadogan. 38:28.607 --> 38:33.212 Uh, and I played a track of hers that was off the Super Furry Animals, um, furry selection, I think. 38:33.372 --> 38:33.753 Right, yeah. 38:33.873 --> 38:36.095 We should just stop listening to her on compilations. 38:36.616 --> 38:37.497 And get some albums. 38:37.517 --> 38:38.238 Yes, exactly. 38:38.338 --> 38:39.819 You'd think that would be the thing to do, wouldn't it? 38:39.839 --> 38:40.440 And this is for that. 38:40.460 --> 38:43.183 A fairly recent track, it says on the, um, inlay. 38:43.223 --> 38:44.004 It was from 95. 38:44.304 --> 38:49.450 I don't know if, uh, that's exactly when it was recorded, but it's called Don't Burn Your Bridges by Susan Cadogan. 38:54.671 --> 38:56.632 What if I don't want to? 38:56.712 --> 38:57.733 But I'm using email. 38:57.893 --> 38:58.613 Is that a problem? 38:58.653 --> 38:59.494 It doesn't matter, text! 39:02.492 --> 39:04.633 Here's how the feature works. 39:04.773 --> 39:09.014 The Adam and Joe show is on the radio and you help to make it. 39:09.114 --> 39:12.795 Every week you can text in, this is, I'm doing like an explanation. 39:12.815 --> 39:13.296 Right. 39:13.516 --> 39:14.616 Is this from something? 39:14.656 --> 39:15.096 Is this like a? 39:15.116 --> 39:16.137 This is how, this is what I see. 39:16.157 --> 39:16.837 Is this Big Brother? 39:17.037 --> 39:18.057 No, Lily Allen. 39:18.297 --> 39:18.757 Lily Allen. 39:18.797 --> 39:19.818 Yeah, that's what she does. 39:19.858 --> 39:21.598 She explains how her show works. 39:22.038 --> 39:23.319 Cause otherwise people would be lost. 39:23.339 --> 39:23.559 Yeah. 39:23.579 --> 39:23.759 Yeah. 39:23.859 --> 39:26.040 It's a complicated modern show that involves the internet and stuff. 39:26.080 --> 39:26.700 You need guidance. 39:26.820 --> 39:27.120 Yeah. 39:27.180 --> 39:28.341 Plus it fills up screen time. 39:28.461 --> 39:28.861 Exactly. 39:28.901 --> 39:29.441 It's baffling. 39:29.941 --> 39:34.724 So yeah, text the nation, we talk about something and you text us about it. 39:35.084 --> 39:36.205 And we read out the text. 39:36.225 --> 39:37.826 So are they not allowed to text for this as well? 39:38.905 --> 39:39.765 They can text for this one. 39:39.805 --> 39:40.966 How can they text for this one? 39:40.986 --> 39:43.127 Hey, don't try and understand the arcane BBC rules. 39:43.147 --> 39:44.427 They're not designed to be understood. 39:44.487 --> 39:45.988 They are merely designed to be followed. 39:46.348 --> 39:51.530 So, uh, yes, you can text us if you're listening to the show live, if you're doing listen again, of course. 39:52.751 --> 39:53.231 Uh, email. 39:53.571 --> 39:53.991 Email. 39:54.111 --> 39:54.291 Yeah. 39:54.351 --> 39:57.213 Adamandjo.6musicatbbc.co.uk. 39:57.433 --> 40:00.534 Although it's unlikely, isn't it, that they would be read out the following week? 40:01.014 --> 40:02.816 Yeah, we never do, but people still do. 40:02.996 --> 40:03.197 Yeah. 40:03.237 --> 40:03.918 And I read them. 40:04.398 --> 40:04.718 No, you do. 40:04.758 --> 40:05.760 I mean, we do occasionally. 40:06.320 --> 40:08.022 Every now and then, if there's a real sparkler. 40:08.182 --> 40:08.583 Exactly. 40:08.623 --> 40:09.163 A diamond. 40:09.304 --> 40:12.027 Anyway, this week... Oh, my princess. 40:12.047 --> 40:15.430 Text-a-nation is inspired by the fact that I woke up last night after. 40:15.471 --> 40:17.673 Yeah, which is a miracle in itself. 40:17.753 --> 40:18.013 Yeah. 40:19.175 --> 40:20.036 After a nightmare. 40:20.436 --> 40:22.357 It was a terrible night, it was really frightening. 40:23.958 --> 40:28.240 But I woke up and I didn't sit up straight in bed and I wasn't sweating. 40:28.700 --> 40:30.962 And I didn't go like that, right? 40:31.322 --> 40:31.522 Yeah. 40:31.842 --> 40:33.663 Which is of course a movie cliche. 40:33.843 --> 40:40.687 And it just occurred to me that, you know, I very seldom do anything that I see in big movie cliches. 40:41.267 --> 40:42.888 And, uh, it's a shame. 40:43.229 --> 40:46.291 In fact, I couldn't think of one single movie cliche thing that I've done. 40:46.771 --> 40:50.834 Once I got very close to sweeping a lot of objects off a table in a fit of anger. 40:51.495 --> 40:55.577 But then I just thought, no, because I'd have to pick them up and I'd break a lot of things on the table. 40:56.038 --> 40:57.519 So I wouldn't, I'm not gonna do that. 40:58.139 --> 41:03.403 I'm pretty sure I have gone into a field in the countryside and screamed at the sky. 41:03.843 --> 41:04.404 In fury. 41:06.186 --> 41:07.608 Oh god! 41:08.910 --> 41:09.531 Yeah, kind of thing. 41:09.551 --> 41:11.073 I might even done it in my car. 41:11.233 --> 41:11.454 Right. 41:11.854 --> 41:12.656 Oh, I've done it in my car. 41:12.676 --> 41:13.957 Something very depressing happened. 41:13.977 --> 41:15.279 That's a bit like a film, isn't it? 41:15.299 --> 41:16.581 A little bit, yeah. 41:16.601 --> 41:18.844 I know what you mean about sweeping stuff off a mantelpiece. 41:19.325 --> 41:21.188 They're always doing that on the telly name film. 41:21.328 --> 41:21.908 They don't stop. 41:21.949 --> 41:23.670 And it would be such a stupid thing to do. 41:23.790 --> 41:24.831 It would be absolutely ridiculous. 41:24.851 --> 41:26.292 Because you know, you've just got to clear it up. 41:26.652 --> 41:27.033 Exactly. 41:27.173 --> 41:28.173 And I suppose you walk out. 41:28.273 --> 41:33.077 That's one of the biggest movie cliches and one of the stupidest as well, but they use it all the time. 41:33.117 --> 41:37.621 I mean, I saw it in a film just the other day and it gets used on TV all the time. 41:38.221 --> 41:39.382 And it's absolutely ludicrous. 41:39.422 --> 41:43.524 I'd be very keen to hear from someone who'd actually swept stuff off a table like that. 41:43.564 --> 41:55.472 So basically text the nation today, we'd like to hear from anyone who has actually made a big Hollywood cliche, movie cliche, come true, who's actually maybe got into a taxi and just said drive. 41:56.452 --> 41:57.754 Uh, how did that go for you? 41:58.134 --> 41:58.515 Where did you go? 41:58.535 --> 42:01.799 Have you behaved in a way that someone in a movie might behave? 42:01.859 --> 42:02.079 Yeah. 42:02.319 --> 42:04.362 We'll think of some more stuff during the next record. 42:04.382 --> 42:06.324 Uh, I'm sure I've done more stuff. 42:06.624 --> 42:07.345 That kind of thing. 42:07.525 --> 42:10.008 And, uh, like, what was the other one I was thinking of? 42:10.068 --> 42:11.831 Yeah, we'll think of some more stuff in just a second. 42:11.851 --> 42:12.651 But that's Text the Nation. 42:12.672 --> 42:16.056 That was a very short, pithy introduction to Text the Nation. 42:16.756 --> 42:17.776 Now, here's your favourite band. 42:17.796 --> 42:18.797 This is Operator, please. 42:19.017 --> 42:19.737 You love them, right? 42:19.917 --> 42:20.457 I do, yeah. 42:20.477 --> 42:21.137 They're fantastic. 42:21.157 --> 42:23.258 They're from a place called Australia. 42:23.598 --> 42:24.559 What's it like there? 42:24.639 --> 42:25.519 It's very sunny. 42:26.639 --> 42:31.441 There's lovely cities, but if you drive into the outback, it's very dangerous. 42:32.321 --> 42:33.061 Yeah, what happens? 42:33.121 --> 42:38.083 Well, you might get kidnapped, or you might run out of water. 42:38.923 --> 42:39.203 Right. 42:39.784 --> 42:41.145 Or you might just get lost. 42:43.107 --> 42:45.469 Or you might just burn to death. 42:46.149 --> 42:47.771 Yeah, this is supportive. 42:47.971 --> 42:48.452 It is. 42:48.592 --> 42:52.715 But you stay in the cities and it's lovely, even though I hear it's a bit culturally backward. 42:53.516 --> 42:53.876 Right. 42:53.916 --> 42:58.941 Not many good exhibitions, everybody a little bit, you know, barbecue oriented. 42:59.401 --> 42:59.661 Yeah. 43:00.381 --> 43:00.881 Is that true? 43:01.181 --> 43:01.681 No, that's not. 43:01.701 --> 43:02.382 That's not true. 43:02.582 --> 43:03.462 None of that's true. 43:03.482 --> 43:06.642 It's a list of kind of lazy preconceptions. 43:06.822 --> 43:07.342 It is true. 43:07.823 --> 43:08.883 Someone saying that is true. 43:09.123 --> 43:11.623 Here is Operator Please with Just A Song About Ping Pong. 43:11.703 --> 43:13.323 Gloria, uh, yeah? 43:13.524 --> 43:14.004 By them? 43:14.284 --> 43:15.304 Is that a correct way round? 43:15.464 --> 43:16.544 Featuring Van Morrison. 43:16.564 --> 43:17.004 There you go. 43:17.024 --> 43:19.805 And before that, you heard Operator Please with Just A Song About Ping Pong. 43:19.825 --> 43:21.385 This is Adam and Jo on BBC Six Music. 43:21.445 --> 43:25.906 Now it's time for the news read by Rachel Matthews and the music news read by Ruth Barnes. 43:25.986 --> 43:26.966 That's Gilamots. 43:27.546 --> 43:28.506 with Get Over It. 43:28.867 --> 43:30.607 And is that actually out now? 43:30.667 --> 43:31.547 Is that in the shops? 43:33.768 --> 43:35.069 But it's going to be a hit though, isn't it? 43:35.089 --> 43:38.410 I mean, that's got hit written all over it in big, hit-shaped letters. 43:39.290 --> 43:41.191 And their new album is apparently very good as well. 43:41.231 --> 43:41.911 Is it called Red? 43:42.632 --> 43:45.332 And it's just got a big ball of red wool. 43:45.433 --> 43:47.173 It's quite a good iconic cover there. 43:47.233 --> 43:49.034 So good luck to Gilamots. 43:49.734 --> 43:52.935 This is Adam and Joe here on BBC Six Music, and we're in the midst of Text the Nation. 43:52.955 --> 44:02.237 We're asking you about movie cliches, and particularly which movie cliches do you have ever found yourself actually involved with in your life? 44:03.037 --> 44:04.878 Ever realised a movie cliche? 44:04.898 --> 44:08.539 Do you regularly sit, bolt upright in bed, sweating after a nightmare? 44:09.379 --> 44:13.185 and panting because that never happens to me and I always feel a bit short changed. 44:13.265 --> 44:17.631 Here's one I think a lot of people might have done is rip to photo into. 44:18.131 --> 44:18.392 Right. 44:18.712 --> 44:24.840 You know if there's a picture of you with an old girlfriend or boyfriend who you no longer want in your mind. 44:25.641 --> 44:29.323 Or a friend who you now think is a bit of an idiot. 44:29.483 --> 44:30.263 Yeah. 44:30.303 --> 44:31.824 You symbolically rip it in two. 44:31.984 --> 44:34.225 Have you done that with any of our press pictures? 44:34.525 --> 44:34.945 All of them. 44:36.166 --> 44:44.489 And then I usually put them back in the frame so that when a new friend comes to visit they can get an idea of my psychological problems just by looking at my photos. 44:44.569 --> 44:49.971 I do that with your pictures but what I do is I burn holes in your eyes with a cigarette. 44:50.091 --> 44:50.411 Really? 44:51.052 --> 44:53.713 What I've got is a photo of an old school photo 44:54.373 --> 44:57.856 And as I kill each person, I'm scrubbing their faces out. 44:58.517 --> 45:02.441 But I've put it in a drawer under some pants, so that at least I'll never find it. 45:02.761 --> 45:05.984 In your nutty room. 45:06.004 --> 45:11.629 And what I also like to do is, if there's a frame photo of somebody I don't like, I look at it. 45:12.543 --> 45:15.665 then I just turn it face down on the shelf, you know what I mean? 45:15.765 --> 45:15.985 Yeah. 45:16.125 --> 45:16.946 Die hard style. 45:17.326 --> 45:17.506 Uh-huh. 45:17.886 --> 45:18.106 Yeah. 45:18.226 --> 45:22.549 Have you ever thrown a photograph of someone you don't like against the wall so the frame smashes? 45:22.649 --> 45:22.849 Nope. 45:23.290 --> 45:23.670 Have you not? 45:23.930 --> 45:24.090 Nope. 45:24.250 --> 45:25.331 No, I haven't done that either. 45:26.732 --> 45:29.793 Now, here's a few other cliches that maybe you've been involved with. 45:29.853 --> 45:32.935 Have you ever opened a door or picked a lock with a credit card? 45:32.955 --> 45:33.996 Have I ever opened a door? 45:34.436 --> 46:03.856 With there was the there was another part to that I since I stand around for a long time waiting for someone to do it for me the way they don't I will lower myself the way that speech and Communication works Joe as you listen to the whole of the sentence that is being said to you and then you respond Thereafter on the basis of that entire sentence if you leap in the middle of the sentence Then of course, it won't make nearly as much sense I was gonna say have you picked a lock with a credit card or a paper clip kind of a man Do you think I am a kind of a genius thief? 46:04.236 --> 46:04.476 Yeah. 46:04.496 --> 46:05.157 A cat burglar. 46:05.257 --> 46:05.897 No, I haven't. 46:05.917 --> 46:10.119 Uh... I think I've tried, but that's a bit of a fallacy, isn't it? 46:10.199 --> 46:15.101 Because when a door fits in a frame, there's a bit for you to get round, isn't there? 46:15.462 --> 46:15.702 Yeah. 46:15.722 --> 46:16.402 You know what I mean? 46:16.422 --> 46:17.643 You can't just shove the thing in. 46:17.803 --> 46:18.323 No, exactly. 46:18.343 --> 46:19.163 They've taken that out of the couch. 46:19.183 --> 46:19.664 God knows I've tried. 46:20.164 --> 46:26.107 One time I did do... One thing I did do, though, was to push a key that was already in a lock. 46:26.667 --> 46:35.131 I put a piece of paper under the door and then I pushed the key through, it fell on the piece of paper and I pulled it through the other side and got in. 46:35.311 --> 46:37.552 I mean, it was, it was just like within the house. 46:38.052 --> 46:38.212 Yeah. 46:38.232 --> 46:39.893 So it wasn't very useful. 46:40.493 --> 46:44.255 But still, I felt pretty like, you know, I felt a bit like Tom Cruise doing it. 46:44.275 --> 46:44.915 I bet you did. 46:45.195 --> 46:46.116 It was, it was great. 46:46.816 --> 46:47.556 So here's another one. 46:47.636 --> 46:52.819 During very emotional confrontations with girlfriend or whatever, do you find yourself 46:53.559 --> 46:59.745 Uh, talking to their back, like they spin round and they face away from you with their arms folded or whatever. 46:59.765 --> 47:00.546 Mighty Boosh style. 47:00.606 --> 47:06.632 Maybe staring out of the window with tears streaming down their cheeks and you carry on talking to them with their back to you. 47:07.773 --> 47:08.613 Or the other way round. 47:08.633 --> 47:09.374 Has that ever happened? 47:09.454 --> 47:13.458 No, but I have, when I've got upset, I have started sobbing in the middle of a sentence. 47:13.558 --> 47:13.858 Yeah. 47:14.079 --> 47:15.900 Like someone in a film, uncontrollably. 47:15.980 --> 47:16.221 Right. 47:16.861 --> 47:17.482 That's happened. 47:17.542 --> 47:18.343 I'd like to see that. 47:19.031 --> 47:19.431 Would you? 47:19.631 --> 47:20.172 Yeah, I would. 47:20.252 --> 47:21.052 He's very sadistic. 47:21.072 --> 47:21.913 Would you do it today? 47:22.293 --> 47:22.713 Later on. 47:22.733 --> 47:23.734 If you say the right thing. 47:23.934 --> 47:24.394 Okay. 47:24.654 --> 47:26.936 If you get Cornish's Achilles phrase. 47:29.197 --> 47:29.678 How about this? 47:29.958 --> 47:36.742 Have you ever been in a situation at a party or whatever where everybody, where one person starts singing a song and then everyone joins in? 47:36.842 --> 47:38.123 That's a very good cliche. 47:38.163 --> 47:39.163 And it must be unrehered. 47:39.203 --> 47:40.804 In the movies it's always unrehearsed, isn't it? 47:40.824 --> 47:40.904 Yeah. 47:41.184 --> 47:43.026 What's the most famous example of that? 47:43.046 --> 47:44.807 There's a very famous example of that. 47:44.827 --> 47:47.408 Well, there's one in Top Gun, isn't there, where they start singing... 47:48.769 --> 47:50.409 You know, you've lost that loving feeling. 47:50.809 --> 47:50.909 Right. 47:50.929 --> 47:52.170 And that's the legendary scene. 47:52.450 --> 47:54.990 But there's a super... Well, there's one in the sweetest thing. 47:55.650 --> 47:56.291 What's that say? 47:56.311 --> 47:57.191 The Big Chill. 47:57.271 --> 47:58.051 Oh, The Big Chill. 47:58.091 --> 47:58.811 I don't really remember that. 47:58.831 --> 47:59.931 What do they sing in The Big Chill? 47:59.951 --> 48:00.531 I can't remember. 48:00.551 --> 48:02.392 They all dance round the kitchen singing, don't they? 48:02.432 --> 48:02.612 Yeah. 48:03.052 --> 48:04.932 I mean, that film is full of a lot of cliches. 48:04.972 --> 48:07.353 But in movies, they always get the words exactly right. 48:07.373 --> 48:07.713 Exactly, yeah. 48:07.733 --> 48:09.213 And they always time it exactly right. 48:09.473 --> 48:15.754 It's always in a restaurant, and there's always an old lady sitting at a table next door that suddenly gets up and does a really funky dance. 48:16.335 --> 48:18.135 Which you wouldn't expect because she's so old. 48:18.695 --> 48:19.556 That's groovy. 48:19.996 --> 48:25.741 We're going to hear some of your cliches and some of the cliches that you have made come true after this next track. 48:26.121 --> 48:27.402 This is a young artist. 48:27.442 --> 48:30.384 He's very exciting and he's got a new way of playing the guitar. 48:30.424 --> 48:31.445 I don't know if you've heard of him. 48:31.465 --> 48:31.505 No. 48:31.525 --> 48:32.105 What's his names? 48:32.205 --> 48:34.848 He's called... What are his names? 48:35.208 --> 48:37.730 Jim... Johnny... Hendrocks? 48:38.430 --> 48:39.471 Johnny Hendrocks. 48:39.931 --> 48:44.075 And this is called Vo-Odo-Oh-Chilly. 48:44.475 --> 48:45.256 Voodoo-Chilly. 48:45.956 --> 48:47.476 It's bracket slight return. 48:47.797 --> 48:49.477 Jimothy Hendrix there. 48:49.597 --> 48:50.818 He's an exciting new talent. 48:50.998 --> 48:52.118 That was Voodoo Child. 48:52.718 --> 48:54.999 And this is Adam Joe here on BBC Six Music. 48:55.019 --> 48:57.640 You're going to have to give us a little more time for the text-to-nation. 48:57.700 --> 49:03.361 We've got a lot of very good responses what have come in, but there's been a slight technical snafu on the computer. 49:03.581 --> 49:04.002 Snafu? 49:04.242 --> 49:04.542 Yeah. 49:04.882 --> 49:06.062 Is snafu an acronym? 49:06.302 --> 49:08.703 Yes, Situation Normal All F'd Up. 49:09.423 --> 49:11.484 It's explained in the film Saving Private Ryan. 49:11.764 --> 49:12.605 There you go. 49:13.106 --> 49:13.406 Excellent. 49:13.446 --> 49:14.908 As well as FUBAR, I seem to remember. 49:14.968 --> 49:15.248 Yeah. 49:15.268 --> 49:16.710 I don't know what that one stands for, though. 49:17.230 --> 49:18.892 F'd up beyond all reason, I think. 49:19.072 --> 49:19.553 There you go. 49:19.933 --> 49:20.594 Something like that. 49:20.714 --> 49:21.515 Recognition. 49:21.936 --> 49:23.958 Here is a couple of other things. 49:24.058 --> 49:24.759 Oh, here are. 49:24.979 --> 49:26.340 Here are a couple of other. 49:26.781 --> 49:27.542 This is singular. 49:27.862 --> 49:28.743 Alright, Grandad. 49:29.423 --> 49:31.545 Balls of Steel is wicked, you know, you should check it out. 49:31.625 --> 49:32.566 I love dirty sandwiches. 49:32.646 --> 49:33.447 It's very funny. 49:34.088 --> 49:35.289 They get up to mad stuff. 49:36.410 --> 49:44.797 Have you ever been in a situation where you're in bed and the phone rings, it wakes you up, you reach over to answer it and knock the phone off the side table? 49:45.447 --> 49:49.449 We have had one or two responses along those lines. 49:49.589 --> 50:06.936 People pointing out, and I'm kind of saying this prematurely because I'd like to credit people where credit is due but I don't have the printouts with me, talking about how many people in movies have the phone right by their bed and how in real life that's a stupid thing to do because who wants to get woken up violently every time the phone rings? 50:07.016 --> 50:07.816 It is very annoying. 50:07.836 --> 50:10.077 We used to have the phone by our bed and we unplugged it and threw it away. 50:10.237 --> 50:20.281 Yeah, you put it in another room you want to hear it from a distance But one person who I can't credit with their name because it's all gone wrong Did text in to boast that they do have their phone by their bed. 50:20.361 --> 50:31.865 Yeah, and they constantly just wake up and go hello Here's another phone based one Have you ever tapped the you know, like if you get cut off from someone or they hang up on you Have you ever gone click click click click? 50:31.945 --> 50:32.105 Hello? 50:32.485 --> 50:33.947 Oh yes, hi! 50:34.207 --> 50:37.149 You've managed to re-establish communication by clicking the clicker thing. 50:37.890 --> 50:38.711 Yes, what were you saying? 50:39.091 --> 50:40.432 That's an old-fashioned though, isn't it? 50:40.452 --> 50:41.893 They don't really have clicker things anymore. 50:42.274 --> 50:44.396 You've got a thing that cuts off the call though, haven't you? 50:44.416 --> 50:46.698 There's usually a button these days, isn't it? 50:46.758 --> 50:47.758 I know exactly what you mean. 50:48.584 --> 50:49.565 I slightly old-fashioned it. 50:49.625 --> 50:50.246 Grandad! 50:51.327 --> 50:52.268 I love Balls of Steel. 50:52.528 --> 50:56.873 Hey, listen, talking of Balls of Steel, we did have an email from a man called Paul Evanett. 50:57.613 --> 50:58.614 And get this, right? 50:58.634 --> 51:02.298 This'll make you feel embarrassed and ashamed. 51:02.378 --> 51:08.705 Morning, I watch Balls of Steel, not because I like it, but because my daughter, Alice Evanett, was art director's assistant. 51:09.565 --> 51:16.126 She worked, and he says in a slightly rude way that I won't read out, a jokingly rude way that she worked incredibly hard on that program. 51:16.586 --> 51:22.047 And it makes him very, very proud and satisfied to watch her art direction work and see her name on the credits. 51:22.208 --> 51:26.008 Hey, listen, no one's saying that there aren't many talented people involved with that show. 51:26.468 --> 51:30.629 Mark Dolan, the presenter, is excellent, extremely nice guy, highly intelligent person. 51:30.989 --> 51:35.070 There's many geniuses involved with Balls of Steel, which makes it even more incredible. 51:35.790 --> 51:37.172 That's what they come up with. 51:37.392 --> 51:37.792 Well said. 51:38.853 --> 51:40.195 But anyway, I love it. 51:40.275 --> 51:41.356 It's one of my favourite programmes. 51:41.376 --> 51:43.598 It's only Joe who's got some kind of problem with it. 51:43.818 --> 51:45.159 Yeah, I have a problem with it. 51:45.560 --> 51:49.023 I'm just such a big Dirty Sanchez fan that I don't find the time to focus on it properly. 51:49.043 --> 51:50.384 His loyalties are conflicted. 51:51.005 --> 51:53.867 Now it's trail time here on BBC 6 Music. 51:53.908 --> 51:54.328 Check this out! 51:54.528 --> 51:56.850 This is Adam and Jo on 6 Music on a Saturday morning. 51:56.910 --> 51:58.671 It's time for a free play. 51:58.971 --> 52:00.332 Tothan boy me, Jo. 52:01.052 --> 52:04.474 This is a band who we played some music from a few weeks ago. 52:04.534 --> 52:07.316 In fact, this is from the same album as we played before, Dots and Loops. 52:07.356 --> 52:09.698 This is Stereo Lab with Flower Called Nowhere. 52:09.898 --> 52:10.939 That's lovely, isn't it? 52:10.959 --> 52:11.859 Stereo Lab. 52:12.299 --> 52:15.021 Yeah, you know that's my favourite of all of their albums, Dots and Loops. 52:15.041 --> 52:15.882 It's very good, it's very good. 52:15.922 --> 52:18.403 Is it because I haven't listened to the other albums enough? 52:18.603 --> 52:19.884 Or is it one of the best ones? 52:20.245 --> 52:23.126 In terms of being, you know, not that difficult. 52:24.347 --> 52:27.069 Uh, but also quite complicated, but really enjoyable. 52:27.269 --> 52:29.290 Yeah, sort of sunny and breezy and nice. 52:29.310 --> 52:35.893 I think maybe the one after Dots and Loops, like, uh, something about the Milky Milky Night, they all have very long titles. 52:36.373 --> 52:39.195 But the one about the Milky Night is very good as well. 52:39.355 --> 52:40.335 Anyway, they're a great band. 52:41.076 --> 52:42.637 Uh, we're in the middle of Texternation here. 52:42.657 --> 52:43.617 What are you pointing at, Jude? 52:43.857 --> 52:44.598 Pointing at the jingle. 52:44.898 --> 52:45.518 The jingle? 52:45.538 --> 52:46.739 Yeah, go on, play the jingle. 52:48.902 --> 52:49.703 Text-a-nation! 52:49.763 --> 52:50.823 Text, text, text! 52:50.944 --> 52:51.684 Text-a-nation! 52:51.744 --> 52:52.705 What if I don't want to? 52:52.945 --> 52:53.686 Text-a-nation! 52:53.786 --> 52:54.806 But I'm using email! 52:54.966 --> 52:55.667 Is that a problem? 52:55.707 --> 52:56.287 It doesn't matter! 52:56.307 --> 52:56.568 Text! 52:59.426 --> 52:59.866 Yes, hello. 52:59.906 --> 53:01.188 And we're talking about movie cliches. 53:01.208 --> 53:02.008 Hello, how are you? 53:02.188 --> 53:03.169 Hi, how are you? 53:03.329 --> 53:04.550 Yeah, I'm very good, thanks. 53:04.891 --> 53:05.451 You go ahead. 53:05.631 --> 53:13.858 No, I was just saying, we're talking about movie cliches and with particular reference to any movie cliches that you found yourself involved with in a real life situation. 53:13.878 --> 53:15.059 Yeah, that you've done in real life. 53:15.419 --> 53:17.961 You've suddenly thought, man, this is like I'm in a film. 53:18.222 --> 53:18.382 Yeah. 53:18.722 --> 53:20.363 And we've got some very good ones here. 53:21.364 --> 53:26.408 This one comes from someone who's either called depressed and can't spell it properly. 53:26.428 --> 53:27.509 Or who just is depressed. 53:27.589 --> 53:28.450 Or who is depressed. 53:28.790 --> 53:33.734 or who is called Deep Rest, because that's how it's spelled. 53:34.455 --> 53:37.957 But they say, I once saw a magician who fainted while on stage. 53:38.318 --> 53:43.521 As he fell, he let go of a dove that flew behind the bar and sat on a beer pump. 53:43.622 --> 53:44.782 It reminded me of Blade Runner. 53:45.323 --> 53:45.663 Wow. 53:45.823 --> 53:46.664 That's quite good, isn't it? 53:47.044 --> 53:47.805 He actually fainted. 53:47.825 --> 53:48.766 That's very dramatic. 53:48.806 --> 53:49.986 In the middle of a dove trick? 53:50.427 --> 53:50.667 Wow. 53:50.687 --> 53:53.829 Doves flying away in any manner are very meaningful. 53:54.030 --> 53:54.510 Absolutely. 53:54.730 --> 53:59.413 Matthew in Croydon says, I have a friend who does not say goodbye when a phone conversation is over. 53:59.433 --> 54:01.515 He just hangs up when his point's made. 54:01.615 --> 54:02.555 Very irritating. 54:02.715 --> 54:03.516 That is true. 54:03.616 --> 54:04.897 People in films always do that. 54:04.937 --> 54:08.019 Especially, I think Americans per se, they don't tend to say goodbye. 54:08.859 --> 54:10.761 They get surprised if you say goodbye. 54:11.041 --> 54:12.462 They're surprised if you say thank you. 54:13.002 --> 54:13.242 Yes. 54:13.322 --> 54:15.264 Americans generally, they go, oh, you're welcome. 54:15.684 --> 54:17.025 My dad doesn't say goodbye. 54:17.165 --> 54:17.645 Doesn't he? 54:17.685 --> 54:19.286 No, he just randomly hangs up. 54:19.326 --> 54:20.547 It's very upsetting. 54:20.787 --> 54:21.948 Doesn't even make a little noise. 54:22.689 --> 54:23.469 No, not really. 54:23.509 --> 54:24.570 It's just suddenly tick. 54:26.531 --> 54:28.592 Well, maybe it's a newfangled thing. 54:28.792 --> 54:31.773 Maybe it's a like 70s 80s thing to say goodbye on the phone. 54:32.153 --> 54:32.413 Yeah. 54:32.953 --> 54:33.193 No? 54:33.434 --> 54:36.395 Well, I mean, I get into terrible situations saying goodbye. 54:36.415 --> 54:38.836 You know, I'll say goodbye at the same time as the other person. 54:38.856 --> 54:41.457 And then I feel as if I need to say another goodbye at the end of that. 54:41.537 --> 54:46.159 In the past on another station, we did a whole text thing all about annoying telephone habits. 54:46.339 --> 54:46.559 Yeah. 54:46.619 --> 54:48.440 One of them being people who say yellow. 54:49.020 --> 54:49.860 Yellow, like you. 54:52.001 --> 54:53.422 Beep stuff like that. 54:53.462 --> 54:56.244 That's a whole lot of conversation Here we go. 54:56.284 --> 55:09.354 Here's one from you in an Edinburgh people who hear strange noises outside will always go outside to look Instead of keeping safe indoors and always turn the light on and then look out the window I once heard knocking on my bedroom window at 4 a.m. 55:09.434 --> 55:09.934 One morning and 55:10.314 --> 55:11.955 I put the light on and looked out the window. 55:12.015 --> 55:15.257 I couldn't see as it was pitch dark outside and I had the light on. 55:15.917 --> 55:23.440 I went outside to check it out and found my upstairs neighbour hanging out the window with a rope banging against my window. 55:24.141 --> 55:28.023 It was a bit weird, the knocking freaked me out, but I went outside. 55:28.763 --> 55:31.764 I should have read that one through properly before reading it out, shouldn't I? 55:31.824 --> 55:32.624 It's just gibberish. 55:32.964 --> 55:40.227 But there's a point in there somewhere which is that you do... We've got a better one to illustrate the fact that you do go and investigate noises. 55:40.267 --> 55:47.549 Whenever people are watching films and people investigate strange noises and it's a horror film, you sit there in your armchair and go... It'd never do that. 55:47.929 --> 55:48.810 The fact is, you do. 55:49.430 --> 55:49.850 Do you? 55:50.070 --> 55:50.310 Yeah. 55:50.690 --> 55:51.931 I ignore strange noises. 55:52.111 --> 55:52.471 Do you? 55:52.731 --> 55:55.612 Well, there's probably a lot more of them in your life than there are mine. 55:55.652 --> 55:56.612 You've become jaded. 55:56.692 --> 55:57.913 Maybe I've become a nude. 55:59.273 --> 56:05.756 How about this, when you go into the kitchen at night, like, do you just use the light from the fridge to illuminate your business? 56:06.297 --> 56:09.298 What business exactly are you doing in the kitchen at night? 56:09.338 --> 56:11.859 Who knows, you can do whatever you like, no one's gonna find you. 56:14.781 --> 56:15.862 an alarming thought. 56:30.051 --> 56:31.992 Well, of course everyone turns on the light. 56:32.012 --> 56:35.553 I'm curious to know if there's anyone out there who uses the fridge as a light source. 56:35.573 --> 56:36.873 Here's a good one from Rusty. 56:37.234 --> 56:39.114 When I was a teen, I worked in a clothes shop. 56:39.494 --> 56:43.756 I quit after a busy Christmas, but I was left out of the Christmas bonus. 56:43.816 --> 56:45.177 I felt quite angry about it. 56:45.697 --> 56:51.839 I had a shop floor face-off with my manager, and when I left, I pathetically knocked over some t-shirts. 56:52.099 --> 56:52.619 Hey! 56:52.699 --> 56:56.602 To the fourteen year old me, it felt like the greatest vindication of injustice ever. 56:56.802 --> 56:57.502 Yeah, boy! 56:57.722 --> 56:58.242 What's his name? 56:58.783 --> 56:59.183 Rusty. 56:59.423 --> 57:01.384 Good job, Rusty, that's great! 57:01.925 --> 57:04.286 I bet he's a kind of genius man, I bet you. 57:04.626 --> 57:05.006 Do you think? 57:05.306 --> 57:06.727 Yes, it's a good name, Rusty. 57:06.867 --> 57:07.708 That's great! 57:08.028 --> 57:13.411 Kaz in Edinburgh says, when in New York on an art college trip, a group of us decided to try the local nightlife. 57:13.471 --> 57:15.852 We split into two groups to take taxis to the venue. 57:16.233 --> 57:18.774 The first group, which I wasn't in, was brutally murdered. 57:18.834 --> 57:24.417 grabbed a yellow cab and drove off, just as we hailed our taxi and realised we didn't know the address. 57:24.698 --> 57:33.323 So we jumped in and said, follow that cab, which felt very exciting, much more exciting than the club turned out to be. 57:34.063 --> 57:34.524 That's good. 57:34.604 --> 57:35.404 Thanks for that, Kaz. 57:35.785 --> 57:36.305 Lots more. 57:37.686 --> 57:42.469 I would like to hear from anyone who's found themselves in the ventilation system of a building. 57:44.230 --> 57:49.815 Well, I think that's a fallacy because I don't think those ventilation pipes are strong enough to hold a person. 57:50.035 --> 57:50.756 No, exactly. 57:51.436 --> 57:52.898 You know, you'd just fall through. 57:52.978 --> 57:54.279 Get up there crawling around. 57:55.780 --> 58:04.288 Pushing the grill up from the top of your standing on a chair saying things like now what I know what it feels like to be a TV dinner Yeah with your life. 58:04.328 --> 58:10.934 Have a little bit of fun a few laughs Let's read out some more of these after some more music. 58:11.374 --> 58:12.516 This is MG MT. 58:12.556 --> 58:13.857 They're so hot right now. 58:14.237 --> 58:14.878 Is this one out? 58:14.918 --> 58:15.578 This is out, right? 58:15.959 --> 58:17.060 Is this doing well this song? 58:17.080 --> 58:18.821 Yeah, my my girlfriend bought this. 58:18.881 --> 58:19.021 Yeah 58:19.742 --> 58:20.322 Is it annoying you? 58:20.802 --> 58:23.964 Not really, but she bought it just because it's hot. 58:24.364 --> 58:25.644 She likes this kind of thing, though. 58:25.664 --> 58:27.225 She's a big flaming lips fan, isn't she? 58:27.305 --> 58:28.325 She likes the lips, yeah. 58:28.405 --> 58:30.186 And this is very reminiscent of the lip hose. 58:30.286 --> 58:32.967 I don't approve of people who buy things just because of their hot, though. 58:32.987 --> 58:33.427 The hotness. 58:33.727 --> 58:34.047 Yeah. 58:34.207 --> 58:34.767 That's fashion. 58:34.787 --> 58:37.428 That's the nature of fashion. 58:37.808 --> 58:38.389 Grumpy. 58:38.409 --> 58:39.569 Have you seen Balls of Steel? 58:39.969 --> 58:41.530 I love Dirty Sanchez. 58:41.650 --> 58:44.931 Hey, would you mail your nose to this bit of wood? 58:45.151 --> 58:46.332 Just during this song, I will. 58:46.532 --> 58:47.672 That's Jim Noire with All Right. 58:47.692 --> 58:49.393 This is Adam and Joe on BBC Six Music. 58:49.473 --> 58:51.154 We've got more text donations coming up. 58:51.194 --> 58:56.457 We've got the replay of Song Wars coming up as well in this last 45 minutes of the show. 58:56.517 --> 59:04.161 Just to say, if you're a Jim Noire fan, Jim's going to be playing Ken Bruce Master with John Holmes later on this afternoon here on Six Music. 59:04.561 --> 59:08.423 And that track All Right, which of course came out as an EP last year, which is a smash, isn't it? 59:08.443 --> 59:09.183 I mean, I love it. 59:09.323 --> 59:10.124 It's an absolute peach. 59:11.224 --> 59:14.866 That comes out on the, that's part of the album that's coming out. 59:15.146 --> 59:16.647 called Welcome Commander Jameson. 59:16.687 --> 59:19.748 It's out on the 14th of April, which I've been listening to. 59:19.768 --> 59:21.949 I got an advance copy the other day, and it's really cool. 59:22.009 --> 59:22.750 Oh, how could you? 59:22.770 --> 59:24.610 It's a very good advance copy. 59:24.650 --> 59:25.351 Very good indeed. 59:25.971 --> 59:29.933 So I strongly recommend you pick that one up when it's available for mortal. 59:30.013 --> 59:30.673 Mere mortals. 59:30.953 --> 59:31.954 Mere mortals exactly. 59:32.654 --> 59:34.275 So yes, we're going to do some more textination. 59:34.295 --> 59:36.056 We're going to do that now or after the next track. 59:36.076 --> 59:36.936 Let's do it now. 59:36.956 --> 59:38.597 Oh, do you want me to do this? 59:43.863 --> 59:45.805 What if I don't want to? 59:45.905 --> 59:47.806 But I'm using email, is that a problem? 59:47.846 --> 59:48.687 It doesn't matter, text! 59:51.041 --> 59:57.844 Text the Nation this week, of course, is movie cliches that have come true in your life, moments in life when you felt like you were in a film. 59:58.564 --> 01:00:00.465 This one's from Lucien Brown. 01:00:00.485 --> 01:00:02.926 Do you think that would be a lady? 01:00:03.626 --> 01:00:04.046 Lucien? 01:00:04.426 --> 01:00:05.467 I would think it was a man. 01:00:05.707 --> 01:00:06.727 I-E-N-E. 01:00:07.287 --> 01:00:09.008 Oh, Lucien, that would be a lady, wouldn't it? 01:00:09.348 --> 01:00:11.089 Okay, Lucien, you are now a lady. 01:00:11.949 --> 01:00:17.935 Once when I was at work, my American boss stormed into the office and shouted, So Lucy, seems like you want to play hardball. 01:00:18.315 --> 01:00:20.317 It's not an American accent, I'll do that in American. 01:00:20.577 --> 01:00:23.480 And shouted, So Lucy, seems like you want to play hardball. 01:00:24.960 --> 01:00:26.242 Which was quite like a movie. 01:00:26.522 --> 01:00:28.024 I don't think I responded properly, though. 01:00:28.064 --> 01:00:31.088 She was very angry with me, and I think I just blushed and stammered. 01:00:31.468 --> 01:00:32.850 I wonder what job she was doing. 01:00:33.511 --> 01:00:33.951 I don't know. 01:00:33.971 --> 01:00:34.852 I was working at McDonald's. 01:00:36.314 --> 01:00:38.176 Yes, I'd like to go out for a game later on. 01:00:38.217 --> 01:00:39.218 Would you like to come too? 01:00:39.698 --> 01:00:43.783 Callum says, I once walked through Montmartre in Paris carrying a baguette. 01:00:44.622 --> 01:00:45.984 That's, uh, that's not so bad. 01:00:46.024 --> 01:00:53.331 If you'd been on a bicycle with a beret and some onions round your neck... I think you need a brown paper bag with one or two baguettes sticking out the top, don't you? 01:00:53.351 --> 01:00:56.054 That's just a general I've been shopping signifier in films. 01:00:56.175 --> 01:01:06.185 Yeah, I think, you know, the French do tend to eat a lot of baguettes as well, so... Mike says when I was in Leicester as a student I had to break into my own room not with a credit card, but with a fish slice. 01:01:06.926 --> 01:01:07.807 A fish slice? 01:01:08.428 --> 01:01:09.449 What, a slice of fish? 01:01:09.850 --> 01:01:11.472 No, something used to slice fish. 01:01:11.953 --> 01:01:13.515 Oh, a fish slice? 01:01:13.735 --> 01:01:14.035 Yes. 01:01:15.037 --> 01:01:16.639 He should have tried getting in with some fish. 01:01:17.159 --> 01:01:24.889 Dennis Simon says, Guys, I was driving going back to work one day and one of the two roads into our trading estate was closed off by the police. 01:01:25.410 --> 01:01:29.912 The police officer told me that the road was shut and I'd need to drive through town to the other entrance. 01:01:30.452 --> 01:01:34.133 Not really wanting to do this, I told the officer, let me through, god damn it! 01:01:34.393 --> 01:01:37.275 I've got a gas emergency and need to get to the Plum Centre! 01:01:37.575 --> 01:01:38.975 The Plum Centre! 01:01:39.615 --> 01:01:43.317 He then let me through, moving the barrier and waving me on while nodding his head at me. 01:01:44.417 --> 01:01:45.878 I may not have said god damn it! 01:01:46.872 --> 01:01:53.114 Uh, and I would have probably been more polite, but I don't think anyone has ever had to get to the Plummer's Merchant in a film, but I felt like Bruce Willis when I did it. 01:01:53.274 --> 01:01:53.834 Yeah, exactly. 01:01:53.854 --> 01:01:54.314 Is the point. 01:01:54.354 --> 01:01:56.635 Be nice to push through some cops and say, let me through! 01:01:56.755 --> 01:01:57.415 Flasher back! 01:01:57.475 --> 01:01:59.376 That's my husband in there, or something like that. 01:01:59.416 --> 01:02:03.517 You had a friend who carried round a pretend police badge, didn't you? 01:02:03.897 --> 01:02:04.917 When we were teenagers? 01:02:05.077 --> 01:02:07.238 No, you're thinking about me. 01:02:07.838 --> 01:02:10.539 Isn't there someone who put- you knew who pretended to be a detective? 01:02:10.859 --> 01:02:13.240 And would occasionally flash this thing in his wallet? 01:02:13.300 --> 01:02:16.821 No, I tell you what I did though, is I used to carry around my dad's press card. 01:02:17.481 --> 01:02:21.002 And I used to pretend to be a member of the press when I was about 15. 01:02:23.003 --> 01:02:32.446 And I'd taken my dad's photograph, because he worked at the Sunday Telegraph for many years, and he had a really cool looking press card that said press in big red letters on it. 01:02:33.007 --> 01:02:36.848 So I removed his photograph and substituted it with my stupid face. 01:02:37.328 --> 01:02:42.230 I used to go around flashing that every now and again in cinema cues and things to try and get to the front. 01:02:43.250 --> 01:02:44.170 I think it worked once. 01:02:44.190 --> 01:02:45.471 Do you not remember? 01:02:45.491 --> 01:02:45.531 No. 01:02:46.391 --> 01:02:51.473 I think we got to the front of a queue at the Scala or something to see some all-nighter because I was a member of the press. 01:02:51.773 --> 01:02:53.373 Here's one from Rob Gold. 01:02:53.493 --> 01:02:55.094 G-A-U-L-D, Gold. 01:02:55.794 --> 01:03:01.198 I think I have a slow connection between my eyes and brain, and hence I'm always doing big movie-style double takes. 01:03:01.518 --> 01:03:08.843 First I look at something with a plain expression, look away, and then upon realising what I've just seen, look back with a shocked expression. 01:03:09.524 --> 01:03:15.968 Sometimes, maybe really early in the morning, I may even do a triple take, which, as you might imagine, looks quite ridiculous. 01:03:16.168 --> 01:03:16.829 That's excellent. 01:03:17.129 --> 01:03:17.469 Yeah. 01:03:17.649 --> 01:03:18.790 Who's that from Mike Gold? 01:03:19.050 --> 01:03:19.371 Yeah. 01:03:19.771 --> 01:03:20.031 Rob. 01:03:20.331 --> 01:03:20.651 Rob. 01:03:20.972 --> 01:03:21.472 Thanks for Rob. 01:03:21.852 --> 01:03:23.914 And here's another very good one from Richard O'Brien. 01:03:24.474 --> 01:03:25.275 Who's in Bournemouth? 01:03:25.835 --> 01:03:26.856 Not me, Richard O'Brien. 01:03:27.257 --> 01:03:27.877 Dunno, could be. 01:03:28.297 --> 01:03:36.485 I had a magi in Bournemouth training to be a pilot and we spend all of our days playing volleyball in nothing but aviator shades and stonewash cut-off denim jeans in a homoerotic manner. 01:03:36.885 --> 01:03:43.391 We also ride motorbikes without helmets down runways and have arguments in the shower when we're not in the air giving meeks the bird. 01:03:44.451 --> 01:03:45.472 You're lucky, Richard. 01:03:45.712 --> 01:03:46.493 Sounds sexy, doesn't it? 01:03:46.513 --> 01:03:48.955 Let's read some more of those out after this next track. 01:03:48.995 --> 01:03:56.161 Now, I've chosen this one for you listeners, and this is tied into the fact that I saw Jonathan Demme's new film this week, and it's not the one about Richard Nixon. 01:03:56.221 --> 01:03:58.422 It's an even newer one than that. 01:03:58.683 --> 01:04:05.828 It had the working title Dancing with Shiva, but now it is apparently called Here Today, and it's all shot on HD, and it's got 01:04:07.309 --> 01:04:10.770 That lady from the Princess Diaries in it what she called Anne Hathaway. 01:04:10.810 --> 01:04:27.054 Yeah, she's very good and it's all set at a wedding and it's very emotional and it's an amazing ensemble movie and like all Jonathan Demme's films has a lot of fantastic music in it and it stars a guy called Tunde who is in the band called TV on the radio which indie fans will be familiar with and 01:04:27.814 --> 01:04:39.527 And he's very good in this film, and there's one brilliant scene where he sings to his wife at this kind of unconventional wedding, and he sings Unknown Legend by Neil Young, just a cappella. 01:04:39.707 --> 01:04:42.270 And it reminded me what a wonderful song it is. 01:04:43.071 --> 01:04:44.112 You're into the album, right? 01:04:44.613 --> 01:04:45.254 Harvest Moon? 01:04:45.394 --> 01:04:48.497 Yeah, I'm going to see him in some farming Kent. 01:04:48.818 --> 01:04:49.178 Oh, yeah. 01:04:49.378 --> 01:04:50.239 in a couple of months. 01:04:50.399 --> 01:04:51.019 That'll be good. 01:04:51.219 --> 01:04:53.741 Neil Young, we saw him in Japan in Tokyo though. 01:04:53.861 --> 01:04:54.542 He was brilliant. 01:04:54.642 --> 01:04:55.262 He was amazing. 01:04:55.762 --> 01:04:57.243 We saw him at the Fuji Rock Festival, didn't we? 01:04:57.284 --> 01:04:58.604 Yeah, he's very talented. 01:04:58.925 --> 01:05:00.386 He's terrific on guitar. 01:05:00.446 --> 01:05:01.346 He's good on guitar. 01:05:01.566 --> 01:05:02.347 Well, he divides people. 01:05:02.367 --> 01:05:03.768 You know, some people can't stand Neil Young. 01:05:03.788 --> 01:05:04.228 Oh, come along. 01:05:04.288 --> 01:05:05.049 They don't like his wine. 01:05:05.069 --> 01:05:05.529 Come along. 01:05:05.629 --> 01:05:08.831 Three things you have to love, otherwise you're an idiot. 01:05:08.871 --> 01:05:09.032 Yeah. 01:05:09.332 --> 01:05:09.852 Neil Young. 01:05:10.112 --> 01:05:10.933 Dirty Sanchez. 01:05:11.033 --> 01:05:11.653 Balls of Steel. 01:05:12.834 --> 01:05:29.720 and you know this song is called Unknown Legend and some of the imagery is sort of amusing and I can't tell if he's being ironic or not like all about a blonde lady riding a Harley Davidson in the desert but it's moving stuff I like it sounds like a movie cliche enjoy young nose 01:05:31.460 --> 01:05:41.606 That was Neil Young, unknown legend from his album Harvest Moon, which is great. 01:05:41.986 --> 01:05:53.472 That was one of those albums he came out with fairly late on in his career at the beginning of the 90s, I think, and surprised everybody by really pulling it out of the bag in a fantastic way. 01:05:53.712 --> 01:05:53.992 Really? 01:05:54.032 --> 01:05:55.673 Is that what happened at the press conference? 01:05:56.094 --> 01:05:56.294 Yeah. 01:05:56.594 --> 01:05:57.695 This bag is empty. 01:05:58.335 --> 01:05:59.476 Look inside the bag. 01:05:59.536 --> 01:06:00.296 Ladies and gentlemen. 01:06:00.336 --> 01:06:01.617 And now look, an album. 01:06:01.797 --> 01:06:02.518 Neil Young. 01:06:02.818 --> 01:06:03.719 With his bag. 01:06:03.739 --> 01:06:04.319 A bit of magic. 01:06:04.639 --> 01:06:05.080 Exactly. 01:06:05.300 --> 01:06:07.882 So this week, listeners, I went to see an art exhibition. 01:06:07.922 --> 01:06:10.043 Yeah, let's raise the level of this conversation a bit. 01:06:10.483 --> 01:06:12.945 At the Royal Academy here in London, it's called From Russia. 01:06:13.305 --> 01:06:15.507 French and Russian master paintings, 1870 to 1925. 01:06:15.627 --> 01:06:18.248 It's a very controversial exhibition. 01:06:18.288 --> 01:06:18.929 Adam, why is that? 01:06:19.289 --> 01:06:22.932 Well, because the Russians were worried about getting insurance for some of the... 01:06:23.592 --> 01:06:24.253 dramatic row. 01:06:41.471 --> 01:06:43.012 you become a better person. 01:06:43.832 --> 01:06:53.936 It's true, actually genetically, biologically, things reorganise inside your head and you become more appreciative of beauty, more sensitive and more intelligent. 01:06:54.116 --> 01:06:54.837 Like balls of steel. 01:06:54.897 --> 01:06:55.557 And sexy. 01:06:55.677 --> 01:06:56.897 Very like balls of steel. 01:06:57.638 --> 01:06:58.058 The show. 01:06:59.058 --> 01:07:07.122 Anyway, and it made me just think about the whole experience of going to galleries and how nice it is and how it's something everyone should do every few months. 01:07:07.742 --> 01:07:11.644 because it's quite a unique and special experience for the following reasons. 01:07:11.724 --> 01:07:12.105 Yeah. 01:07:12.445 --> 01:07:14.646 Reason number one, looking at ladies. 01:07:14.866 --> 01:07:16.327 I was going to say that's way. 01:07:16.347 --> 01:07:20.609 And this was both ways, depending whichever way your bits and bobs swing. 01:07:21.770 --> 01:07:27.814 Just there is a unified sexiness to anybody who's even vaguely sexy in a gallery. 01:07:27.854 --> 01:07:31.716 I haven't articulated that very well, but by the very fact that they're in the gallery. 01:07:31.836 --> 01:07:32.356 Exactly. 01:07:32.757 --> 01:07:35.738 That elevates their base level of attractiveness. 01:07:35.798 --> 01:07:36.959 Yeah, it may not think if there's 01:07:37.039 --> 01:07:42.223 someone who's physically attractive but yet they're in a gallery, then you know at least two boxes are ticked. 01:07:42.723 --> 01:07:43.623 Physically attractive. 01:07:43.643 --> 01:07:44.244 That's right. 01:07:44.584 --> 01:07:45.565 Mentally decent. 01:07:46.165 --> 01:07:46.786 Do you know what I mean? 01:07:46.886 --> 01:07:47.486 Absolutely. 01:07:47.626 --> 01:07:50.808 No, I mean, you know, art school girls, they're the hottest girls in the world. 01:07:50.828 --> 01:07:53.310 It's the best place to go to pick people up in the world. 01:07:53.390 --> 01:07:56.012 And yeah, and they're all hanging out at the galleries there. 01:07:56.072 --> 01:07:59.974 I know, and they looked really, you know, they looked mysterious and because they're not speaking as well a lot of the time. 01:07:59.995 --> 01:08:03.297 Especially in this particular exhibition, a lot of Russian prostitutes. 01:08:04.098 --> 01:08:13.512 Eat so now I'm just guessing but there were more single women in fur coats with really pinched cheeks Yeah, there was this one particular woman. 01:08:13.552 --> 01:08:17.758 She had like silver knee-length boots a fur coat on 01:08:19.100 --> 01:08:46.079 under it you know like one of those prozzies isn't it is that a good word to use at this time in the morning no one of those ladies of the night in a film they always they've always got fur coats with nothing on under under them yeah and she had like silver eyeliner and a top knot and she looked a bit like Tilda Swinton like that very very pinched cheeks have you been to art school ever is that what all the girls look like there they all look like yeah she's from the fashion department anyway that's thing number one sexy ladies stroke men 01:08:47.140 --> 01:08:50.521 Number two, uh, is a more annoying thing but the headsets. 01:08:50.621 --> 01:08:51.902 The people with the headsets. 01:08:52.402 --> 01:08:52.742 Right. 01:08:52.822 --> 01:08:54.262 Now I never get the headsets. 01:08:54.482 --> 01:08:57.363 The kind of Walkman that you can get and it'll guide you round the paintings. 01:08:57.403 --> 01:08:58.744 I'm sure it's very informative. 01:08:58.844 --> 01:09:02.125 The only reason I don't get them is because I can't be bothered to queue up to get them in the first place. 01:09:02.145 --> 01:09:02.245 Right. 01:09:02.265 --> 01:09:03.125 But I bet they're brilliant. 01:09:03.445 --> 01:09:05.646 I like to go around the exhibition at my own speed. 01:09:05.967 --> 01:09:06.887 Using your mind? 01:09:07.027 --> 01:09:11.950 Yeah, and read the little thing, maybe, and, you know, have the pictures unencumbered by facts. 01:09:12.430 --> 01:09:13.851 You know I dislike facts. 01:09:14.131 --> 01:09:15.572 Yeah, we both get in the way. 01:09:15.592 --> 01:09:16.773 We both love facts. 01:09:17.193 --> 01:09:19.134 Gets in the way of freedom and creativity. 01:09:19.254 --> 01:09:19.955 That's true, isn't it? 01:09:19.975 --> 01:09:20.335 Knowledge. 01:09:21.156 --> 01:09:22.096 Who cares about it? 01:09:22.536 --> 01:09:29.761 But they annoy me in galleries, the people with the headsets, because they behave like people who go shopping with their iPods in. 01:09:30.501 --> 01:09:32.422 They're just unaware of the space around them. 01:09:32.462 --> 01:09:33.482 They barge into you. 01:09:33.903 --> 01:09:36.184 They have to move at the pace set by the player. 01:09:36.564 --> 01:09:38.925 So they tend to disrespect the natural flow of the ground. 01:09:38.945 --> 01:09:40.385 I go shopping with my iPod in. 01:09:40.446 --> 01:09:41.306 I don't like you. 01:09:41.486 --> 01:09:43.007 Well, I don't barge into anyone. 01:09:43.067 --> 01:09:44.527 I'm very cautious. 01:09:45.188 --> 01:09:47.209 Number three is another annoying thing about galleries. 01:09:47.809 --> 01:09:52.091 The fact that when you enter the gallery, you're sort of randomly placed with a knot of people. 01:09:52.911 --> 01:09:56.095 And you sort of stay with them for the rest of the exhibition, do you know what I mean? 01:09:56.355 --> 01:09:56.615 Yes. 01:09:56.875 --> 01:10:03.362 There's a sort of unspoken bond between you and eight or ten other people, and you move from painting to painting with each other. 01:10:03.382 --> 01:10:03.762 Right. 01:10:03.803 --> 01:10:04.944 You never speak to each other. 01:10:04.964 --> 01:10:09.568 Ooh, don't you just suddenly rush on, maybe skip a room and then come back to it later on? 01:10:09.589 --> 01:10:13.092 Yeah, but they always, you always find, they always gravitate back towards you. 01:10:13.112 --> 01:10:13.392 Mm-hmm. 01:10:14.807 --> 01:10:16.589 Uh, pushchairs, children in galleries. 01:10:16.950 --> 01:10:18.452 What have you got against children in galleries? 01:10:18.492 --> 01:10:20.434 Well, they just can't don't appreciate the art. 01:10:20.474 --> 01:10:21.275 They're too young. 01:10:22.197 --> 01:10:26.542 And so many parents bring these tiny kids to, to, to like exhibitions like this one. 01:10:26.923 --> 01:10:30.007 And now's a toddler supposed to, you know, understand shagal. 01:10:30.327 --> 01:10:31.268 But what's your problem, though? 01:10:31.288 --> 01:10:32.470 Are they causing upset? 01:10:32.550 --> 01:10:33.451 Well, they just look bored. 01:10:33.491 --> 01:10:34.493 I feel sorry for them. 01:10:34.873 --> 01:10:38.138 They're touching things and moaning and crying. 01:10:38.258 --> 01:10:39.419 I just feel sorry for them. 01:10:39.840 --> 01:10:47.050 I took my young son to an exhibition once ages ago, but it was a big sculpture thing with massive touchability. 01:10:47.270 --> 01:10:49.153 Yeah, and he had a pretty good time. 01:10:49.173 --> 01:10:58.425 He got bored after a little while, but I think it's certainly if you're a new parent, if it's your first child and they're young, you think, I'm gonna do all the things that I never did with my parents. 01:10:58.445 --> 01:10:59.206 Start improving them. 01:10:59.306 --> 01:10:59.766 Exactly. 01:10:59.846 --> 01:11:04.713 I'm gonna make them, give them a rich cultural life, and you take them to the gallery, you never do it again. 01:11:04.733 --> 01:11:05.013 Next thing. 01:11:05.814 --> 01:11:07.195 Thing number five, bench sitting. 01:11:07.976 --> 01:11:08.697 Oh, that bench. 01:11:09.237 --> 01:11:10.799 Probably in about the fourth room. 01:11:11.219 --> 01:11:12.480 Oh, the leather bench. 01:11:12.701 --> 01:11:13.241 You love the bench. 01:11:13.261 --> 01:11:14.362 Have a nice sit down. 01:11:14.462 --> 01:11:14.803 Yes. 01:11:14.983 --> 01:11:17.625 After being on your pegs for so long. 01:11:18.446 --> 01:11:19.627 Don't you like sitting on the bench? 01:11:19.787 --> 01:11:20.288 I never do. 01:11:20.308 --> 01:11:22.250 Do you never sit down on the bench? 01:11:22.470 --> 01:11:22.630 No. 01:11:23.050 --> 01:11:23.851 Never have a sit down. 01:11:23.871 --> 01:11:24.652 You're an idiot. 01:11:24.932 --> 01:11:26.233 What do you do when you sit down? 01:11:26.374 --> 01:11:27.695 Resting your bum bum. 01:11:27.975 --> 01:11:29.036 Yeah. 01:11:29.176 --> 01:11:29.577 The shop? 01:11:30.310 --> 01:11:30.951 I love the shop. 01:11:31.592 --> 01:11:36.740 Well, the shop is a genius place to go before Christmas as well, because it's a bit more off the beaten track. 01:11:36.960 --> 01:11:37.181 Very nice. 01:11:42.622 --> 01:11:44.483 put them in a drawer and have a look at them ever again. 01:11:44.663 --> 01:12:07.791 Well you know what happens sometimes is that I buy like a few postcards and I'll be thinking it'd be good to have them just to write thank you letters and stuff like that but I only get postcards of things I really like and I just think oh I can't send that one because that's too cool for him you know I just want to say a thank you to my accountant or whatever she can't have the really nice Jeff Coons silver-plated rabbit thing I want to keep that one 01:12:08.891 --> 01:12:09.531 Do you know what I'm saying? 01:12:09.632 --> 01:12:10.972 Yeah, I do know what you're saying. 01:12:11.233 --> 01:12:13.834 So yeah, you do tend to accumulate just lots of wicked postcards. 01:12:14.175 --> 01:12:17.597 But they're nice to pin on the wall of your office or whatever. 01:12:17.857 --> 01:12:19.318 They're terribly cliched though, aren't they? 01:12:20.058 --> 01:12:21.099 Postcard of great art. 01:12:21.219 --> 01:12:22.260 There's nothing more worthless. 01:12:22.520 --> 01:12:25.382 But they seem so valuable in the shop because they're next to the real thing. 01:12:25.642 --> 01:12:26.162 It's nice. 01:12:26.223 --> 01:12:29.405 Well, you should take them out of the drawer and stick them back on your walls or whatever. 01:12:29.425 --> 01:12:30.886 Stick you back on my walls or whatever. 01:12:31.066 --> 01:12:32.327 It's news time. 01:12:32.827 --> 01:12:34.648 Here is the news read by Rachel Matthews. 01:12:34.908 --> 01:12:35.429 And then... 01:12:36.878 --> 01:13:03.944 And then dooby dooby doo da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da 01:13:06.198 --> 01:13:08.220 If you've only just tuned in... What are you doing? 01:13:08.240 --> 01:13:08.961 Yeah, what are you doing? 01:13:09.021 --> 01:13:10.162 How kind of a person are you? 01:13:10.482 --> 01:13:12.924 Well, they're tuning in for Liz Kershaw, I suppose. 01:13:13.004 --> 01:13:13.344 Really? 01:13:13.445 --> 01:13:14.706 And they're, uh... They hate us. 01:13:14.766 --> 01:13:16.908 ...inheriting a little unwelcome bit of us. 01:13:16.928 --> 01:13:17.188 Oh, God. 01:13:17.208 --> 01:13:18.489 Please do for 20 minutes. 01:13:19.630 --> 01:13:23.113 Text the Nation this week is all about movie cliches that have come true in your life. 01:13:23.193 --> 01:13:27.797 Have you found yourself in a situation where you realise that the life's turned into a film? 01:13:28.678 --> 01:13:29.479 A bad film. 01:13:29.799 --> 01:13:30.140 At that. 01:13:30.900 --> 01:13:31.541 Or maybe a good one. 01:13:32.422 --> 01:13:34.163 Uh, here are some texts what have come in. 01:13:34.804 --> 01:13:37.206 Viv in Dundee says, I don't have sex. 01:13:37.947 --> 01:13:40.009 I just kick up one leg when I kiss people. 01:13:40.449 --> 01:13:41.030 Yeah. 01:13:42.051 --> 01:13:43.792 Uh, I'd love to see someone actually doing that. 01:13:43.852 --> 01:13:47.276 That way I avoid all the nasty diseases and have been given a you certificate. 01:13:47.616 --> 01:13:48.897 Why do women do that? 01:13:48.997 --> 01:13:50.178 Why do they kick up their legs? 01:13:50.198 --> 01:13:53.241 It's a special muscle that's connected to mystery bits. 01:13:55.623 --> 01:14:12.354 Here is another one from Rhea in Cardiff talking film cliches I have never hugged a friend stroke lover Whom I'm about to deceive and then done an evil mysterious face over their shoulder as she's saying she hasn't done that But that's a good suggestion for a simple movie cliche. 01:14:12.394 --> 01:14:16.576 We can all employ at some point today Yeah, hug a friend and then go 01:14:18.418 --> 01:14:19.780 ...over their shoulder. 01:14:19.940 --> 01:14:21.281 Yeah. 01:14:21.361 --> 01:14:22.763 There needs to be someone watching you. 01:14:22.803 --> 01:14:25.767 It's a bit pointless if there's nobody watching you. 01:14:25.967 --> 01:14:26.227 Yes. 01:14:26.848 --> 01:14:27.829 But, uh, yeah. 01:14:27.889 --> 01:14:28.770 Little sarky face. 01:14:28.810 --> 01:14:29.191 It's not very nice. 01:14:29.211 --> 01:14:29.851 No, no, you do it to yourself. 01:14:29.891 --> 01:14:34.096 I mean, sometimes when you're on your own and you're frustrated by someone, you'll just, when they turn their back, you'll go... 01:14:36.618 --> 01:14:36.918 You know? 01:14:36.938 --> 01:14:37.458 Your own benefit. 01:14:37.519 --> 01:14:38.159 I don't do that myself. 01:14:38.179 --> 01:14:40.479 Again, you don't make the noise, otherwise you will get busted. 01:14:40.519 --> 01:14:40.799 Yeah. 01:14:42.100 --> 01:14:51.602 Marcus says, if with drink in hand I spot something unexpected or see an incredulous incident, I will take an exaggerated look at my glass, then look back to the spectacle. 01:14:51.702 --> 01:14:52.802 An incredulous incident? 01:14:52.942 --> 01:14:54.743 Well, so the incident itself is incredulous. 01:14:54.903 --> 01:14:55.063 Yeah. 01:14:55.303 --> 01:14:55.983 And that's what he said. 01:14:56.023 --> 01:14:57.343 I'm clearly reading it verbatim. 01:14:57.363 --> 01:14:58.324 I'm reporting the facts. 01:14:58.564 --> 01:14:58.744 Right. 01:14:59.004 --> 01:15:03.625 That's the sort of spy who loved me moment when the underwater car comes out of the water. 01:15:04.966 --> 01:15:09.089 But the old Alki man looks at his bottle and throws it away. 01:15:09.569 --> 01:15:11.250 There was another one in Moonraking as well. 01:15:11.270 --> 01:15:12.571 Happens in a lot of films. 01:15:12.731 --> 01:15:14.072 I think it happens in more or less every vlog. 01:15:14.112 --> 01:15:15.273 Everything with Roger Morin. 01:15:16.734 --> 01:15:20.016 Here's another one from Matt in Lancaster. 01:15:20.056 --> 01:15:22.198 My wife's on holiday in France, so I'm home alone. 01:15:22.898 --> 01:15:29.383 The other night I went to investigate a strange noise outside, wearing only boxer shorts and a t-shirt and muttering, what the hell? 01:15:29.743 --> 01:15:30.604 Have we not had this one? 01:15:31.184 --> 01:15:31.604 Don't think so. 01:15:31.865 --> 01:15:33.906 This is a different sort of twist on it. 01:15:34.026 --> 01:15:35.167 He hasn't found his mate hanging. 01:15:35.447 --> 01:15:40.771 I realised that I was a walking horror film cliche so I ran back inside in case I got eaten by something. 01:15:40.811 --> 01:15:44.193 The noise turned out to be the cat being a maniac anyway. 01:15:44.614 --> 01:15:45.654 Another example. 01:15:46.235 --> 01:15:49.277 This is the reason why I've read it out of people behaving like they're in horror films. 01:15:49.477 --> 01:15:49.757 Yes. 01:15:50.158 --> 01:15:51.338 I believe that cliche is true. 01:15:52.539 --> 01:15:54.420 Well, what, going to investigate noises in your undies? 01:15:54.440 --> 01:15:56.561 Yeah, I think you do investigate noises in your undies. 01:15:56.681 --> 01:15:56.941 Yeah. 01:15:57.562 --> 01:15:59.102 And it's just happens to me. 01:15:59.182 --> 01:16:01.143 I investigate noises in your undies. 01:16:01.243 --> 01:16:05.325 If you're an attractive woman in your investigating a noise, it's just better, that's all. 01:16:05.686 --> 01:16:06.006 Yeah. 01:16:06.806 --> 01:16:06.986 Right? 01:16:07.006 --> 01:16:07.186 Why? 01:16:07.366 --> 01:16:07.787 To watch. 01:16:08.147 --> 01:16:09.167 To watch. 01:16:09.287 --> 01:16:09.567 Yeah. 01:16:09.748 --> 01:16:09.968 Yes. 01:16:11.128 --> 01:16:14.831 This is from Lebby! 01:16:15.451 --> 01:16:19.434 I once saw LL Cool J on telly, picking up the phone and saying, talk to me. 01:16:20.335 --> 01:16:23.798 When I was about 12, in my best LL Cool J accent, I did it. 01:16:24.558 --> 01:16:27.460 A friendly neighbour was on the other end and she sounded very confused. 01:16:28.861 --> 01:16:31.984 That's a good way to, again, get a movie cliche into your daily life. 01:16:34.778 --> 01:16:38.879 It's risky, you never know who's gonna be, Aunty Noreen or someone embarrassing. 01:16:39.439 --> 01:16:39.919 Like that? 01:16:39.939 --> 01:16:43.060 Talk to me, I like the idea of a 12 year old. 01:16:43.080 --> 01:16:44.200 Talk to me! 01:16:45.500 --> 01:16:46.220 It's a higher voice. 01:16:46.540 --> 01:16:56.362 Oliver in Hackney says, while live role playing, we were attacking an orc stronghold, and I led the troops in shouting, everybody go go go! 01:16:57.683 --> 01:16:59.823 Very cliched, but it felt very good. 01:17:00.188 --> 01:17:03.612 I don't know why I did you an unbroken voice there Oliver, it just seemed appetite. 01:17:04.994 --> 01:17:10.020 Also, once in a club, I saw a girl I like the look of on the other side of the dance floor. 01:17:10.460 --> 01:17:15.086 So I clicked my fingers, pointed at her and jerked my thumb in my direction. 01:17:15.686 --> 01:17:16.487 She came over. 01:17:17.188 --> 01:17:19.089 I nearly pooped myself. 01:17:19.509 --> 01:17:20.570 But I pulled it off. 01:17:20.750 --> 01:17:22.671 That's amazing. 01:17:22.831 --> 01:17:24.772 That seems like a good place to end it, man. 01:17:24.972 --> 01:17:27.174 It can't get better than that, surely. 01:17:27.574 --> 01:17:28.194 Who was that from? 01:17:28.915 --> 01:17:30.135 That was from Oliver in Hackney. 01:17:31.596 --> 01:17:32.096 Fantastic. 01:17:32.116 --> 01:17:33.837 Thank you so much for all your texts and emails. 01:17:33.857 --> 01:17:34.638 Fine man, that's fine. 01:17:35.078 --> 01:17:58.173 on on the subject well i was gonna say joe thank you so much because you made them come alive so i made them all up you know he really did get one from a guy in brickston who works in ventilation pipes in buildings oh so he says they do support the body's weight but you come out all filthy yeah of course he says that they never show you that in the films no um well thank you very much indeed for all your absolutely fine emails you can only do that once though 01:17:58.493 --> 01:17:59.875 It's a... Well, that joke, yes. 01:17:59.976 --> 01:18:01.157 No, but look, I did it twice. 01:18:01.298 --> 01:18:02.439 I know, I noticed that. 01:18:03.060 --> 01:18:06.285 We're gonna do song wars again as well after this. 01:18:06.365 --> 01:18:11.694 Our Kate Nash songs are gonna get another airing after the beginning of Twist by the Future Heads. 01:18:15.191 --> 01:18:29.300 You will win the song wars today Perhaps it will be had or it will be chose You will be the one who decides by texting or repaying when you hear the clips 01:18:31.940 --> 01:18:39.644 Yes, it's Song Wars time, and this week's Song Wars challenge was to write a Kate Nash style song whilst using the Stylophone. 01:18:40.324 --> 01:18:42.625 Uh, Adam didn't use the Stylophone, but that's alright. 01:18:42.645 --> 01:18:48.087 The challenge was to write a Kate Nash song, and the Stylophone was an optional writer. 01:18:48.428 --> 01:18:49.528 Okay. 01:18:49.628 --> 01:18:50.929 I won't press that button again. 01:18:51.069 --> 01:18:51.269 No. 01:18:51.889 --> 01:18:54.370 Um, so, my song's gonna go first. 01:18:54.450 --> 01:18:55.831 My song's called Itchy Bum. 01:18:55.991 --> 01:18:56.891 It's very short. 01:18:56.931 --> 01:18:58.672 We're gonna hear a bit of Kate first, though, aren't we? 01:18:58.692 --> 01:18:59.233 Just to remind ourselves. 01:18:59.253 --> 01:18:59.993 Oh yeah, he's the real Kate Nash. 01:19:11.308 --> 01:19:19.474 Watching me like you never watched No one, don't tell me that you didn't Try and check out my bum, cause I know that you did Cause your friend told me that you liked it 01:19:22.190 --> 01:19:24.152 Enough, that's enough, isn't it? 01:19:24.232 --> 01:19:31.278 I mean, it's terribly good, but that reminds you, you know, the general feel of a Kate Nash song. 01:19:31.298 --> 01:19:32.019 That's all you need to know. 01:19:32.079 --> 01:19:34.461 We've sort of fixated on her use of the word bum. 01:19:35.522 --> 01:19:37.844 She does do a lot of drinking in the songs, though, doesn't she? 01:19:37.864 --> 01:19:38.605 She's very real. 01:19:38.625 --> 01:19:40.947 She does what kids do, drink only. 01:19:41.487 --> 01:19:42.468 But you know, she has a bum. 01:19:44.469 --> 01:19:46.410 Are you going to be playing live stylophone again? 01:19:46.430 --> 01:19:47.670 I don't know, maybe. 01:19:47.690 --> 01:19:48.831 That's exciting. 01:19:51.011 --> 01:19:51.572 I hope not. 01:19:52.772 --> 01:19:55.413 Here's my one, it's called Itchy Bum. 01:19:56.233 --> 01:19:57.494 Yeah, this is Joe's song, Itchy Bum. 01:20:06.604 --> 01:20:30.047 In my bedroom, watching telly I eat another slice of cheese on toast And think about how crap you are I've been thinking for an hour now And I can conclude that you are rubbish And you don't deserve to hear me sing This wicked song about my complicated personal problems Including the fact that we are 01:20:38.524 --> 01:21:01.378 Now I'm sitting at the bus stop My head is full of tissues My body's full of tissues I wish that I could have a lion bar But I cannot afford it And it would make me squatty All over my body That's just another one of the complicated problems I'm gonna put into my next wicked song, darling 01:21:09.718 --> 01:21:11.339 There we go, that's Joe's Kate Nash song. 01:21:11.359 --> 01:21:16.943 If you like that one, vote on 6th... Oh no, you're not allowed to do the text! 01:21:17.023 --> 01:21:24.188 Vote Joe to AdamandJoe.6musicatbbc.co.uk And you can vote throughout the week if you're listening again. 01:21:24.588 --> 01:21:29.231 The votes stay open until this time next week when we'll reveal the winner on the live show next Saturday. 01:21:29.511 --> 01:21:36.976 Now here's my Kate Nash song, which is actually pretty much based on Mary Happy that you heard a little snatch of there just before Joe's. 01:21:37.436 --> 01:21:39.718 And mine is called Bums and Binge Drinking. 01:21:39.718 --> 01:21:40.125 Thanks for watching! 01:21:49.806 --> 01:22:14.763 I was a bit depressed today So I started thinking about Binge drinking around three o'clock So I went and done a little knock On the door of my best friend Mandy And my boyfriend Andy He was Randy I could tell cause he kept looking at my bum Rocky was some kind of pervy bum fan Bums and binge drinking Binge drinking and bums 01:22:16.043 --> 01:22:38.231 When I get depressed I like to go binge drinking with my chums Why are you depressed said Mandy But not Andy When we was at the shops Buying alcohol pops Mandy never stops asking me questions like that So I told her Mandy it's the media They make my bum feel fat I have to go binge drinking 01:22:41.993 --> 01:22:45.811 And binge drinking, binge drinking and bums. 01:23:02.515 --> 01:23:22.757 Oh my gosh I was so drunk that night I threw up on Andy and we had a big fight and Mandy puked And then we had a meal, and later on we all watched balls of steel Then I felt quite happy, then I was sad And I thought I wonder how many gents I've had And then I threw up, and then I passed out It was so embarrassing my bum was hanging out 01:23:38.749 --> 01:23:40.485 I get depressed, I like to go 01:23:44.981 --> 01:23:50.643 There you go, that's Adam's Kate Nash song. 01:23:50.663 --> 01:23:52.624 If you like that one, vote Adam. 01:23:53.404 --> 01:23:54.844 Bums and Binge Drinking. 01:23:56.505 --> 01:23:57.505 And, uh, yes. 01:23:58.766 --> 01:24:01.887 The email is adamandjo.6musicatbbc.co.uk. 01:24:01.907 --> 01:24:06.828 It's hugely important that if you have any feelings towards either of those songs, you express them with a vote. 01:24:07.368 --> 01:24:08.909 It's massively important. 01:24:09.089 --> 01:24:10.790 Exactly, because it makes a mockery of the whole thing. 01:24:10.830 --> 01:24:11.730 If we only get 16 votes in, 01:24:12.230 --> 01:24:17.652 and Joe wins by like 99%, then I just can't take the whole thing seriously, you know what I mean? 01:24:17.672 --> 01:24:20.353 Yeah, and as you know, Adam takes it very seriously. 01:24:20.573 --> 01:24:21.674 You take it seriously. 01:24:21.734 --> 01:24:23.735 The way you came in there. 01:24:23.895 --> 01:24:29.997 All the votes will be counted, of course, by our lovely broadcasting assistant man-lady or whoever it is that week. 01:24:30.777 --> 01:24:34.279 You know, it's the big, big, big, big, big, big British castle. 01:24:34.319 --> 01:24:36.160 Everything's done amazingly rigorously. 01:24:36.180 --> 01:24:38.321 It's very emotional this week. 01:24:38.641 --> 01:24:41.282 And I'd like to say what respect that's given me 01:24:42.302 --> 01:24:43.063 for Kate Nash. 01:24:43.884 --> 01:24:45.405 I think she's won the song wars. 01:24:45.825 --> 01:24:51.850 We both tried, we both thought it would be easy to sort of, you know, dash off a lampoon of her. 01:24:52.251 --> 01:24:53.071 It's not easy. 01:24:54.332 --> 01:24:56.574 At least it takes a little longer than we thought. 01:24:57.575 --> 01:24:57.875 Yes. 01:24:58.476 --> 01:25:00.277 I think it's impossible. 01:25:00.317 --> 01:25:00.877 No, it is hard. 01:25:00.917 --> 01:25:03.459 I think she's got a uniqueness that I dislike. 01:25:06.121 --> 01:25:07.462 A dislikeable uniqueness. 01:25:08.262 --> 01:25:09.503 Here's a great band. 01:25:09.763 --> 01:25:10.504 Did you choose this one? 01:25:10.524 --> 01:25:13.326 Yeah, this is a British funk band from the 70s. 01:25:13.366 --> 01:25:14.346 They're pretty famous. 01:25:14.567 --> 01:25:15.447 They're touring again, you know. 01:25:15.607 --> 01:25:15.907 Are they? 01:25:15.967 --> 01:25:16.188 Yeah. 01:25:16.308 --> 01:25:17.088 Yeah, good for them. 01:25:17.148 --> 01:25:21.051 This is one of their most famous tracks, Brothers on the Slide by... What's the band called? 01:25:21.071 --> 01:25:22.492 No, it's The Message by... Is it? 01:25:22.532 --> 01:25:23.813 No, that's not the one I requested. 01:25:23.833 --> 01:25:24.193 Is it not? 01:25:24.213 --> 01:25:24.993 This is a good one, though. 01:25:30.740 --> 01:25:32.502 yes very good song here it is 01:25:40.620 --> 01:25:41.781 Now, wait a second, Jude. 01:25:41.981 --> 01:25:43.241 Mysterious things going on. 01:25:43.582 --> 01:25:47.284 This has been edited, Adam, you reckon, as a bed for someone? 01:25:47.384 --> 01:25:48.244 I would say so, yeah. 01:25:48.284 --> 01:25:54.508 Not only is it not the track I ordered from the big British musical cafe, but it's been all messed around with. 01:25:54.528 --> 01:25:55.288 Jude did warn us. 01:25:55.328 --> 01:25:56.449 She was out carousing last night. 01:25:56.469 --> 01:26:01.111 That's the second week running there's been a boo-boo on my free plays. 01:26:01.872 --> 01:26:05.073 I think I should win song wars automatically as a result. 01:26:05.133 --> 01:26:06.254 No, you can see him now. 01:26:07.075 --> 01:26:07.615 20 extra votes. 01:26:07.836 --> 01:26:08.536 Is it possible? 01:26:08.616 --> 01:26:08.877 Yes. 01:26:08.897 --> 01:26:10.338 20 extra votes. 01:26:11.099 --> 01:26:11.600 Wait here. 01:26:11.660 --> 01:26:13.562 Dude, is it possible to drag in the other track? 01:26:13.582 --> 01:26:14.343 It's not in there. 01:26:14.623 --> 01:26:15.624 It's not in there. 01:26:15.684 --> 01:26:17.326 And there's two versions of the message. 01:26:17.406 --> 01:26:18.988 One is labelled there, but that's the other one. 01:26:19.068 --> 01:26:20.189 We could do a live version of it. 01:26:20.209 --> 01:26:20.409 £350 a week? 01:26:31.102 --> 01:26:33.665 This is the live version of Brothers on the Slide. 01:26:33.685 --> 01:26:34.987 Yeah, Acapulco. 01:26:35.167 --> 01:26:35.708 Acapella. 01:26:35.788 --> 01:26:37.150 Brothers on the Slide. 01:26:37.370 --> 01:26:38.832 Well, let's play it next week anyway. 01:26:38.892 --> 01:26:41.276 Joe should have more plays next week to make up for it. 01:26:41.296 --> 01:26:41.796 How about that? 01:26:43.979 --> 01:26:45.522 Well, we've got a trail instead. 01:26:47.279 --> 01:26:48.359 Shkarmakoma! 01:26:49.260 --> 01:26:50.840 Alright then, let's play Massive Attack. 01:26:50.860 --> 01:26:51.761 This is Karmakoma. 01:26:52.401 --> 01:26:54.522 What is he on about? 01:26:55.042 --> 01:26:58.243 Karmakoma, Karmakoma, Karmakameleon. 01:26:59.464 --> 01:27:00.564 That's Massive Attack. 01:27:01.405 --> 01:27:04.026 And that is pretty much the end of our show, ladies and gentlemen. 01:27:04.066 --> 01:27:05.406 Thank you so much for listening. 01:27:05.706 --> 01:27:13.750 Yeah, thanks to everybody who's texted and emailed, and we'll be back with you at the same time next week, 9am till 12 noon here on BBC Six Music. 01:27:14.030 --> 01:27:15.370 Stay tuned for Liz Kershaw. 01:27:15.851 --> 01:27:16.371 Have a good week. 01:27:16.411 --> 01:27:16.651 Bye.